WEBVTT - 1. "Now is Now"

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<v Speaker 1>There are towns all over America you've never heard of. Oh,

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<v Speaker 1>welcome to independence. Oh my god, I just said that. Okay,

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<v Speaker 1>it's not twenty cars. They're not easy to get to.

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<v Speaker 1>The nearest airports are almost always hours away by car,

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<v Speaker 1>three hours of my destination. The roads wind through farmland, prairies, forests, mountains,

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<v Speaker 1>desolate spaces. The farthest feels like the smallest, most remote

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<v Speaker 1>place there. But every year the people come. They arrive

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<v Speaker 1>in droves. It's like something out of field of dreams.

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<v Speaker 1>A dirt lot becomes a parking lot, a prairie becomes

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<v Speaker 1>a stage.

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<v Speaker 2>I think there's so many cars here you would think

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<v Speaker 2>you were a county fair even you say.

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<v Speaker 1>Five hundred cars. Families pile out of cars and costumes

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<v Speaker 1>because they're fantastic. They're wearing dresses, aprons, bonnets. Of course

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<v Speaker 1>it too, and last summer we joined the pilgrimage and

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<v Speaker 1>came here too. We arrived in the middle of vast

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<v Speaker 1>fields to discover entire towns right out of the eighteen hundreds,

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<v Speaker 1>covered wagons, actual horses, a cow.

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<v Speaker 3>They're all four aged cows, and that's why they're moderately

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<v Speaker 3>well mannered and only people's aprons.

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<v Speaker 1>Hundreds of thousands of people have flocked to these places

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<v Speaker 1>for nearly five decades, literally from all.

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<v Speaker 4>Over the world, people from like Italy, Germany, like Japan.

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<v Speaker 4>It's like really like all the way over there to hear,

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<v Speaker 4>Like y'all know about this place?

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<v Speaker 1>What is bringing people here? What inspires this devotion? Or

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<v Speaker 1>should we say who?

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<v Speaker 5>Good evening, ladies and gentlemen. My name is Laura Ingalls Wilder,

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<v Speaker 5>and I'm here Laura Ingle Wilder's day.

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<v Speaker 1>Laura Ingalls Wilder, author of the children's book series Little

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<v Speaker 1>House on the Prairie.

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<v Speaker 2>When people ask me who Laura Ingles Wilder is.

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<v Speaker 6>I usually tell them that she is one of the

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<v Speaker 6>most important American children's book authors of the twentieth century.

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<v Speaker 1>Which was turned into the hit TV show Little House

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<v Speaker 1>on the Prairie. I literally wake up in the middle

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<v Speaker 1>of the night and go, somebody somewhere is watching the

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<v Speaker 1>last of the group. Laura is the subject of entire

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<v Speaker 1>academic fields of scholarship annual conferences. She has inspired fashion lines,

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<v Speaker 1>cultural trends, and entire lifestyle industry, and about seventy five

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<v Speaker 1>years after her death, thousands of people still flock to

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<v Speaker 1>tiny towns in the middle of nowhere to celebrate her.

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<v Speaker 1>I think I've been happy in a long time. This

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<v Speaker 1>right here, this is my childhood fantasy come to life.

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<v Speaker 1>Laura's books have been read by millions. In many ways,

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<v Speaker 1>her story is the American story of being on the

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<v Speaker 1>road as a young girl. She traveled thousands of miles

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<v Speaker 1>in a covered wagon her family in search of a

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<v Speaker 1>better life. She's a Hollywood Western She's Jack Kerouac, but

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<v Speaker 1>in a nap dress with braids.

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<v Speaker 2>It's almost this mascot of American settlers.

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<v Speaker 1>She witnessed the birth of modern America, and she wrote

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<v Speaker 1>down everything she saw.

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<v Speaker 7>Everybody who's lived from covered wagons to airplanes, is a

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<v Speaker 7>time machine. But not very many people wrote down what

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<v Speaker 7>their experience.

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<v Speaker 1>Was, or nearly everything. Her books are based on her life,

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<v Speaker 1>but in the process of telling her story, she erases

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<v Speaker 1>a lot of others.

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<v Speaker 3>It requires putting yourself in the shoes of an individual

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<v Speaker 3>embedded and really complicated, sometimes violent systems.

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<v Speaker 6>That mythology of the frontier, the mythology of manifest destiny.

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<v Speaker 6>I think the pressures of the narrative were really heavy.

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<v Speaker 6>If we pretend to past was not as controversial and

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<v Speaker 6>difficult and racist as it was, then, how are we

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<v Speaker 6>going to deal with the racist issues we're grappling with today.

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<v Speaker 1>I didn't think about any of this when I read

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<v Speaker 1>these books as a kid. I just fell in love

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<v Speaker 1>with Laura and basically mainlined her story straight into my DNA,

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<v Speaker 1>which is where they stayed for a long time. But

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<v Speaker 1>with any kind of love comes responsibility. One of the

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<v Speaker 1>reasons for this trip is my desire to look honestly

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<v Speaker 1>at the thing I loved the most. What am I loving?

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<v Speaker 1>Should I love it? Will I still be able to

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<v Speaker 1>love it? On the other side, lor Anglees Wilder, whose

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<v Speaker 1>stories embody the best and the worst of America, who

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<v Speaker 1>seems to reincarnate with each generation. Her problems are still

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<v Speaker 1>our problems. But who is she really? And what can

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<v Speaker 1>she tell us about the America we live in today,

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<v Speaker 1>in a country currently at odds with itself and its history.

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<v Speaker 1>Could there be a better time for this exploration? There's

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<v Speaker 1>never been a better time than now. I'm Glennis McNichol,

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<v Speaker 1>and this is Wilder. This is my parents Atlas from

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<v Speaker 1>when I grew up. National Geographic Atlas of the World Revised,

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<v Speaker 1>third edition, and it comes in a box these days.

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<v Speaker 1>When I pick up a little House book, I'm immediately

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<v Speaker 1>time traveled into nineteen eighty two. I'm in Kitchener, Ontario,

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<v Speaker 1>an hour west of Toronto. I'm sitting on the brown

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<v Speaker 1>braided rug in my family's wood paneled living room. I'm

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<v Speaker 1>seven years old. In my memory, I would come downstairs,

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<v Speaker 1>would be like a Saturday morning, and every one would

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<v Speaker 1>be asleep in the house, and I'd pull this out

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<v Speaker 1>from the bottom shelf of the bookcase in the family

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<v Speaker 1>room because I would want to look at where Laura

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<v Speaker 1>Ingalls lived. There's nine books in the little House. In

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<v Speaker 1>the last five of them, she lives in a place

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<v Speaker 1>called De Smet South Dakota. Here it is, it's in

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<v Speaker 1>the middle of home in page two seventeen, almost near

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<v Speaker 1>the bottom, and it says dsmet Sdak and it says

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<v Speaker 1>thirty two D five. So page thirty two is a

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<v Speaker 1>double spread of what I now understand to be the

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<v Speaker 1>midwest of the United States of America. So my left

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<v Speaker 1>finger would be on five, my right finger me on D,

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<v Speaker 1>and then I'd pull them together to where they meet.

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<v Speaker 1>The joy and excitement of seeing where she lived on

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<v Speaker 1>an actual map was so gratifying to me and exciting

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<v Speaker 1>because she was a real person and this little tiny

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<v Speaker 1>entry on a map just seemed like proof to me

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<v Speaker 1>that it was possible to be an adventurous girl in

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<v Speaker 1>the world. And then I would try and hold my

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<v Speaker 1>finger here and then flip the pages back to the

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<v Speaker 1>one that showed the whole map of the United States

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<v Speaker 1>and find South Dakota. And then I'd look over because

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<v Speaker 1>on the big map the top of Canada shows and

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<v Speaker 1>I could find Toronto, and then just to left it, it

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<v Speaker 1>was Kitchener, where I lived, and I just remember trying

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<v Speaker 1>to like measure it with my hands. My hands are

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<v Speaker 1>much bigger nails, so it's like one hand with But

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<v Speaker 1>as a kid, it was like for me where I

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<v Speaker 1>was to Laura Engles where she was was like two

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<v Speaker 1>of my little seven year old hands, And that felt

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<v Speaker 1>super important to me that I could measure the distance

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<v Speaker 1>between the two of us, like here's where I existed

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<v Speaker 1>and here's where she existed, and I can see them

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<v Speaker 1>both on the same map and they're not that far apart.

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<v Speaker 1>This map was such a big deal to me, it

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<v Speaker 1>makes me want to cry looking at it. So obviously

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<v Speaker 1>I have an intense relationship to Laura. But when I

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<v Speaker 1>say Laura Ingles Wilder, what do you think of? What

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<v Speaker 1>about when I say little House on the prairie. Do

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<v Speaker 1>you see the yellow box set of books, or maybe

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<v Speaker 1>Melissa Gilbert with braids running down a grassy hill? Or

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<v Speaker 1>do you think of nothing at all? Why don't we

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<v Speaker 1>start with the basic facts. Laura Engleswilder was born in

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<v Speaker 1>a log cabin in Wisconsin on February seventh, eighteen sixty seven,

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<v Speaker 1>in the aftermath of the Civil War. She spent her

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<v Speaker 1>childhood on the American frontier, and by the time she

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<v Speaker 1>died in nineteen fifty seven at age ninety, she'd witnessed

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<v Speaker 1>the violent transformation of the American West. Her lifetime saw

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<v Speaker 1>the advent of electricity cars, two World Wars, television, and

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<v Speaker 1>Elvis Presley. She'd made her first trips in a covered wagon,

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<v Speaker 1>and three years before her death, she flew on a

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<v Speaker 1>jet plane. When I think about the arc of Laura's life,

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<v Speaker 1>I'm reminded of that line in Madmen, when Bert Cooper's secretary,

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<v Speaker 1>former Hellcat Eyeda Blankenship dies. She was born in eighteen

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<v Speaker 1>ninety eight in the barn. She died on the thirty

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<v Speaker 1>seventh floor of skyscraper.

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<v Speaker 7>She's an astronaut.

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<v Speaker 1>Laura's an astronaut, a time traveler, or at least a

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<v Speaker 1>time traveling machine. For me, that time machine takes the

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<v Speaker 1>form of the Nine Little House Books, which roughly cover

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<v Speaker 1>her pioneer childhood during the years eighteen seventy through eighteen

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<v Speaker 1>eighty five, as she and her family traveled around the

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<v Speaker 1>American Midwest from Wisconsin to South Dakota. I didn't know

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<v Speaker 1>it when I was seven, but I wasn't just mapping

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<v Speaker 1>out laws journeys on my parents atlas. I was, in

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<v Speaker 1>some ways also mapping out my own future stories. I

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<v Speaker 1>would write trips I would take, often dragging along with

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<v Speaker 1>me unsuspecting friends.

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<v Speaker 2>What I remember is like, Okay, the goal was to

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<v Speaker 2>get from New York to San Francisco as quickly as possible,

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<v Speaker 2>And suddenly you had re routed our journey to go

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<v Speaker 2>through southeastern South Dakota. And before I knew what was happening,

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<v Speaker 2>I was in a field in the middle of nowhere,

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<v Speaker 2>at the tail end of a Laura Ingels Wilder live

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<v Speaker 2>action role play pageant.

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<v Speaker 1>This is Joe Piazza, writer, podcaster, and one of my

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<v Speaker 1>best friends and co producer of this podcast. In twenty fifteen,

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<v Speaker 1>I dragged her four hours off our route hoping to

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<v Speaker 1>see a pageant, but we didn't get there in time.

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<v Speaker 1>She was very tolerant.

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<v Speaker 2>I'm always tolerant, my friend.

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<v Speaker 1>Yes, that's true. But my question is, were you surprised

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<v Speaker 1>when I did that. Did it feels like you discovered

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<v Speaker 1>some new side of me?

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<v Speaker 2>Yeah? Actually it did. I mean, you're one of my

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<v Speaker 2>best friends, but there were things I just didn't even

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<v Speaker 2>know about you before I discovered. You're deep and intense

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<v Speaker 2>and sometimes pathological. Love for Laura Engeles Wilder.

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<v Speaker 1>Feel like opening a closet in the house of one

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<v Speaker 1>of your best friends and being like, hm, oh.

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<v Speaker 2>What's going on in Why are there all these headless

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<v Speaker 2>dolls in here?

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<v Speaker 1>Yeah?

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<v Speaker 2>I mean it kind of felt like that, but in

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<v Speaker 2>a nice way.

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<v Speaker 1>I mean, from a very young age, it felt like

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<v Speaker 1>I had like not a lot of examples of how

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<v Speaker 1>to be in the world, and she was just sort

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<v Speaker 1>of how I located myself in the world. And the

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<v Speaker 1>fact she was a real life person. You know, I

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<v Speaker 1>was a big reader as a kid, and I think

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<v Speaker 1>a lot of people who love Laura have the same

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<v Speaker 1>experiences like you loved Anne Shirley and you loved Nancy Drew,

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<v Speaker 1>but of course their fictional characters, and Laura was real

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<v Speaker 1>and she was my age. When I read the books,

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<v Speaker 1>I literally thought she'd written these books when she was

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<v Speaker 1>six years old, and she sort of wanted to have

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<v Speaker 1>adventures and thought wolves were exciting, and she couldn't sit still,

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<v Speaker 1>and she had a temper, and you know, she idolized.

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<v Speaker 2>Her father and you idolized your father.

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<v Speaker 1>Yeah, definitely when I was that age. You know, that

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<v Speaker 1>sort of magnetic, larger than life character that you.

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<v Speaker 2>Don't see as a real human being until you're a

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<v Speaker 2>grown up and have been to lots and lots of therapy.

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<v Speaker 1>Exactly until you unpack that. But I think too, it's

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<v Speaker 1>been interesting realizing that she captured a lot of like

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<v Speaker 1>really complicated family dynamics before that was the norm for ya.

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<v Speaker 1>And she talks a lot about resentment to Ma, jealousy

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<v Speaker 1>over her older sister, and how Mary was prettier and smarter,

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<v Speaker 1>And I was like, oh, this is also my family dynamic,

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<v Speaker 1>and these are all the things I'm experiencing. And it

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<v Speaker 1>was the fact that I recognize those experiences and she

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<v Speaker 1>wrote them down and then people wanted to read about them.

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<v Speaker 1>It was like, oh, these things you're living are worthwhile.

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<v Speaker 1>The things you're experiencing, even as little kid, are interesting

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<v Speaker 1>to other people. And that to me was such a

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<v Speaker 1>big deal.

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<v Speaker 2>The story of a young girl is interesting like that.

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<v Speaker 2>That's a gut punch, right, like, oh my gosh, I'm

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<v Speaker 2>I'm a child. The world kind of tells me I'm insignificant.

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<v Speaker 2>But her stories were worthy, and therefore I feel.

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<v Speaker 1>Worthy exactly, And they were worthy in like the smallest ways.

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<v Speaker 1>The first book in the series is Little House in

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<v Speaker 1>the Big Woods, and it's like of all the books,

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<v Speaker 1>that's like a fairy tale. And they're in a little

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<v Speaker 1>cabin in big woods and at the very very end,

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<v Speaker 1>Laura and Mary are in bed and playing the fiddle

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<v Speaker 1>by the fire, and the last line of that book

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<v Speaker 1>is I'm just gonna pull it out and read it

0:14:05.320 --> 0:14:08.440
<v Speaker 1>to you. She was glad that the cozy house and

0:14:08.559 --> 0:14:11.160
<v Speaker 1>paw Ma in the firelight and the music were now.

0:14:11.840 --> 0:14:15.920
<v Speaker 1>They could not be forgotten, she thought, because now is now.

0:14:16.559 --> 0:14:22.200
<v Speaker 1>It can never be a long time ago. Like even

0:14:22.280 --> 0:14:24.680
<v Speaker 1>me reading that to you right now, I get the chills.

0:14:25.040 --> 0:14:28.800
<v Speaker 2>I kind of have the chills, so philosophical. It's way

0:14:28.840 --> 0:14:33.080
<v Speaker 2>more philosophical than what I read in most children's books

0:14:33.160 --> 0:14:35.120
<v Speaker 2>Sweet Valley High.

0:14:34.560 --> 0:14:37.440
<v Speaker 1>Right, It's like imagine like feeding that to a six

0:14:37.560 --> 0:14:39.280
<v Speaker 1>year old because of course, part of the obsession of

0:14:39.360 --> 0:14:42.080
<v Speaker 1>Laura's she lived in the olden days, like she got

0:14:42.120 --> 0:14:44.200
<v Speaker 1>to travel by a horse and buggy and like put

0:14:44.200 --> 0:14:47.880
<v Speaker 1>her hair and braids and whatever. But like in that moment,

0:14:48.080 --> 0:14:51.440
<v Speaker 1>I really was like in my bedroom, in my bed thinking,

0:14:51.520 --> 0:14:55.360
<v Speaker 1>oh my god, is my now gonna be someone else's

0:14:55.400 --> 0:14:58.960
<v Speaker 1>olden days? And like my six year old head explodes,

0:14:58.960 --> 0:15:02.200
<v Speaker 1>and I immediately pull out a little diary that someone

0:15:02.240 --> 0:15:03.920
<v Speaker 1>had gave me in was like, well, I'm also going

0:15:04.000 --> 0:15:06.680
<v Speaker 1>to write my life down because obviously I have to

0:15:06.720 --> 0:15:09.600
<v Speaker 1>get this on paper lickety split. And I have that

0:15:09.680 --> 0:15:12.480
<v Speaker 1>diary still, and the first line of it is I

0:15:12.560 --> 0:15:14.880
<v Speaker 1>want to be a writer. I don't know what kind

0:15:14.960 --> 0:15:17.240
<v Speaker 1>of writer I want to be. Mom, And I went

0:15:17.280 --> 0:15:21.240
<v Speaker 1>to boggaining today. To boggaining is Canadian for sledding, and

0:15:21.440 --> 0:15:24.040
<v Speaker 1>that was like me thinking, like, maybe this is going

0:15:24.080 --> 0:15:27.400
<v Speaker 1>to be the olden days sometime too. I better start writing.

0:15:27.560 --> 0:15:31.320
<v Speaker 2>Little Glenness in the Suburbs. So from everything that you're

0:15:31.320 --> 0:15:34.840
<v Speaker 2>telling me, it actually does feel like Laura Ingles Wilder

0:15:34.840 --> 0:15:39.760
<v Speaker 2>and the things that she wrote remain endlessly relevant today

0:15:40.080 --> 0:15:42.040
<v Speaker 2>in lots of different ways.

0:15:42.440 --> 0:15:45.680
<v Speaker 1>It certainly seems that way, and I think one of

0:15:45.680 --> 0:15:47.520
<v Speaker 1>the things we're trying to unpack when we do this

0:15:47.600 --> 0:15:51.200
<v Speaker 1>podcast is what it is about her that keeps her

0:15:51.560 --> 0:15:54.600
<v Speaker 1>relevant still because you know, the TV show is still on,

0:15:54.640 --> 0:15:57.160
<v Speaker 1>the books are still being read, people are still traveling

0:15:57.200 --> 0:16:00.400
<v Speaker 1>to see her, and like, what is it about those

0:16:00.440 --> 0:16:04.480
<v Speaker 1>descriptions and those revelations that make her life so visceral

0:16:04.560 --> 0:16:07.960
<v Speaker 1>we can still relate to it having gone back, you know,

0:16:08.040 --> 0:16:12.280
<v Speaker 1>for another reread for this podcast. What's so incredible is that, like,

0:16:12.520 --> 0:16:14.960
<v Speaker 1>the America that she's writing about in the late nineteenth

0:16:14.960 --> 0:16:18.360
<v Speaker 1>century also speaks to the America that we're in right now,

0:16:18.840 --> 0:16:22.600
<v Speaker 1>and in some ways it sort of speaks to where

0:16:23.040 --> 0:16:23.800
<v Speaker 1>we're all going.

0:16:24.760 --> 0:16:25.640
<v Speaker 2>So let's get going.

0:16:27.560 --> 0:16:29.360
<v Speaker 1>The thing is, while Laura and goes Welder may be

0:16:29.520 --> 0:16:31.880
<v Speaker 1>my on the road, she's not actually on the way

0:16:31.920 --> 0:16:35.280
<v Speaker 1>to anywhere. Her houses are literally in the middle of nowhere.

0:16:35.800 --> 0:16:38.040
<v Speaker 1>They are a pilgrimage and the truest sense of the word,

0:16:38.640 --> 0:16:40.760
<v Speaker 1>you have to want to go there, You have to

0:16:40.960 --> 0:16:47.160
<v Speaker 1>really want to go there to Wisconsin, Minnesota, Iowa, Kansas,

0:16:47.400 --> 0:16:51.200
<v Speaker 1>and South Dakota. And that's what we're doing. We're going

0:16:51.240 --> 0:16:53.880
<v Speaker 1>on the Great Laura road Trip to figure out what

0:16:54.000 --> 0:16:57.160
<v Speaker 1>this hold is that Laura has on her readers and

0:16:57.200 --> 0:16:59.920
<v Speaker 1>on America and what we're supposed to do with it.

0:17:01.440 --> 0:17:04.440
<v Speaker 1>So let's set the scene. Like any good road trip,

0:17:04.680 --> 0:17:09.440
<v Speaker 1>there's a cast of characters. Me obsessive Joe, who knows

0:17:09.520 --> 0:17:12.320
<v Speaker 1>very little about lor Engeles Wilder, and our producer Emily,

0:17:12.560 --> 0:17:15.560
<v Speaker 1>a millennial who loved the TV show which she watched

0:17:15.560 --> 0:17:20.560
<v Speaker 1>on DVD. We started in Walnut Grove, Minnesota, the side

0:17:20.600 --> 0:17:22.679
<v Speaker 1>of the book on the banks of Plum Creek and

0:17:22.720 --> 0:17:26.080
<v Speaker 1>even more famously the setting of the TV show. Well,

0:17:26.119 --> 0:17:28.440
<v Speaker 1>actually we started on the way to Walnut Grove. You're

0:17:28.520 --> 0:17:31.280
<v Speaker 1>based off towards Walnut Grove because we realized the pageant

0:17:31.359 --> 0:17:33.960
<v Speaker 1>was tonight and not tomorrow, as we had organized our

0:17:34.040 --> 0:17:35.200
<v Speaker 1>entire triporeal But.

0:17:35.240 --> 0:17:37.440
<v Speaker 2>You know what, you texted me in a panic, and

0:17:37.560 --> 0:17:39.360
<v Speaker 2>I really urgot that shit you did.

0:17:39.720 --> 0:17:42.320
<v Speaker 1>And honestly this was thrilling for me. Becaus the TV

0:17:42.800 --> 0:17:45.520
<v Speaker 1>fan representative, He's like, oh my god, I've really strained

0:17:45.520 --> 0:17:46.320
<v Speaker 1>to Walnut Grove.

0:17:47.080 --> 0:17:52.600
<v Speaker 2>Guys, what we need to pay attention what we're in

0:17:52.680 --> 0:17:53.240
<v Speaker 2>Walnut Grove.

0:17:54.160 --> 0:18:00.720
<v Speaker 1>Walnut Grove. Walnut Grove was the first place we ran

0:18:00.760 --> 0:18:03.600
<v Speaker 1>into the reality that Laura's past really is our Now

0:18:04.640 --> 0:18:06.600
<v Speaker 1>we'll get to it after the break. Also, we need

0:18:06.600 --> 0:18:07.600
<v Speaker 1>to figure out with the pageants.

0:18:07.720 --> 0:18:27.639
<v Speaker 2>Well, great, let's take a picture. Okay, describe what you're seeing.

0:18:28.080 --> 0:18:32.200
<v Speaker 2>I mean, there's so First off, there's so many cars here.

0:18:32.280 --> 0:18:34.720
<v Speaker 1>Yeah, you would think you were a county fair.

0:18:35.480 --> 0:18:38.080
<v Speaker 2>And now it looks like there's a whole little house

0:18:38.119 --> 0:18:40.320
<v Speaker 2>on that Curry TV set.

0:18:40.480 --> 0:18:43.639
<v Speaker 1>It does look like that. So, after racing across empty

0:18:43.640 --> 0:18:47.679
<v Speaker 1>farmland into the setting sun, we finally arrived in Walnut

0:18:47.720 --> 0:18:51.000
<v Speaker 1>Grove to discover the pageant parking lot was already almost full.

0:18:51.080 --> 0:18:54.360
<v Speaker 1>Are sing Oh wait, I'm sorry, but look Charles.

0:18:54.760 --> 0:18:58.959
<v Speaker 2>The parking lanes are named after character.

0:18:59.280 --> 0:19:01.840
<v Speaker 1>We quickly realized that every detail of the pageant had

0:19:01.840 --> 0:19:05.000
<v Speaker 1>little house branding on it. Nothing had been left untouched.

0:19:05.240 --> 0:19:08.400
<v Speaker 1>We're parked in Mary, are we? Yeah? I think we're

0:19:08.400 --> 0:19:12.000
<v Speaker 1>parked in Caroline. Past the gates. The concession looks like

0:19:12.040 --> 0:19:14.960
<v Speaker 1>a professional kitchen. The water bottles are branded with little

0:19:15.000 --> 0:19:18.800
<v Speaker 1>house logos. There are Mom Pop bathrooms, and then just

0:19:18.880 --> 0:19:20.760
<v Speaker 1>beyond there is a huge stage.

0:19:21.240 --> 0:19:25.359
<v Speaker 5>This is Walnut Grove, a busy growing village on the

0:19:25.480 --> 0:19:26.320
<v Speaker 5>edge of.

0:19:26.160 --> 0:19:28.000
<v Speaker 1>It looks like the set for a TV show.

0:19:29.440 --> 0:19:30.080
<v Speaker 5>And supplies.

0:19:30.320 --> 0:19:32.680
<v Speaker 1>Tonight's pageant is based on the banks of Plum Creek.

0:19:33.280 --> 0:19:36.120
<v Speaker 1>The fourth book in the Little House series, it takes

0:19:36.119 --> 0:19:38.399
<v Speaker 1>place in Walnut Grove, although the town is not actually

0:19:38.440 --> 0:19:41.600
<v Speaker 1>mentioned in the books. Because Walnut Grove is also where

0:19:41.600 --> 0:19:44.640
<v Speaker 1>the TV show is set, it makes sense that their

0:19:44.680 --> 0:19:47.639
<v Speaker 1>pageant is the most Hollywood, the flashiest.

0:19:48.720 --> 0:19:51.200
<v Speaker 2>This is better send. Some off Broadways did.

0:19:53.200 --> 0:19:56.320
<v Speaker 1>Sets roll out on hydraulics. Their effects are not what

0:19:56.400 --> 0:19:58.439
<v Speaker 1>you'd expect in a tiny town in the corner of

0:19:58.480 --> 0:20:04.240
<v Speaker 1>seemingly empty farmland. Real fire. There was so much energy.

0:20:04.640 --> 0:20:07.080
<v Speaker 1>It was clear. The crowd was dazzled and so were we.

0:20:10.040 --> 0:20:13.840
<v Speaker 2>Really really exceeded my expectations.

0:20:13.920 --> 0:20:17.920
<v Speaker 1>Yeah, it was spectacular. It was spectacular rock. The whole

0:20:17.960 --> 0:20:23.200
<v Speaker 1>day actually has been fairly spectacular. And we came back

0:20:23.240 --> 0:20:25.240
<v Speaker 1>to town the next morning and we got to see it

0:20:25.240 --> 0:20:28.399
<v Speaker 1>in daylight. It looked a little different.

0:20:28.760 --> 0:20:33.520
<v Speaker 2>There's a lot of empty store friends, American Legion Insurance

0:20:33.560 --> 0:20:34.200
<v Speaker 2>and real estate.

0:20:34.880 --> 0:20:38.320
<v Speaker 1>It was a lot quieter. I don't mean just small

0:20:38.359 --> 0:20:41.600
<v Speaker 1>town quiet. I mean it was a bit too quiet.

0:20:41.640 --> 0:20:44.399
<v Speaker 2>This town looks like a zombie apocalypse hit.

0:20:44.400 --> 0:20:49.880
<v Speaker 1>It does. So I'm curious what struck you the most

0:20:49.920 --> 0:20:52.680
<v Speaker 1>about Walnut Grove when we first got there for the pageant.

0:20:52.880 --> 0:20:56.000
<v Speaker 2>I mean, honestly that it was a total ghost town.

0:20:56.359 --> 0:21:00.080
<v Speaker 2>Most of the businesses were closed and they looked like

0:21:00.119 --> 0:21:03.440
<v Speaker 2>they had been for a really long time. We saw

0:21:03.480 --> 0:21:08.320
<v Speaker 2>no people, There was no real commerce, just a couple

0:21:08.560 --> 0:21:11.359
<v Speaker 2>couple of shops that were open, and we had to

0:21:11.400 --> 0:21:14.479
<v Speaker 2>stay at a hotel that was thirty minutes away because

0:21:14.880 --> 0:21:16.640
<v Speaker 2>Walnut Grove didn't have one.

0:21:17.320 --> 0:21:19.720
<v Speaker 1>Like we know, the town is only seven hundred and

0:21:19.760 --> 0:21:23.040
<v Speaker 1>fifty people, but like the pageant, felt like it was

0:21:23.119 --> 0:21:26.480
<v Speaker 1>such a huge community effort. When we drove in the

0:21:26.560 --> 0:21:28.879
<v Speaker 1>next thing and it was like completely empty, it was

0:21:28.960 --> 0:21:29.760
<v Speaker 1>just so striking.

0:21:30.280 --> 0:21:32.719
<v Speaker 2>But we did eventually find some people and they were

0:21:32.760 --> 0:21:33.720
<v Speaker 2>all in the gift shop.

0:21:33.960 --> 0:21:35.800
<v Speaker 1>They were all in the gift shop for the Lower

0:21:35.800 --> 0:21:38.840
<v Speaker 1>Angles Wilder Museum. I mean all of them, Like we

0:21:38.880 --> 0:21:41.439
<v Speaker 1>met the entire town in the gift shop. I have

0:21:41.760 --> 0:21:43.840
<v Speaker 1>family that has lived here for a really long time,

0:21:43.880 --> 0:21:47.440
<v Speaker 1>like great grandparents and my grandmo who used to work

0:21:47.440 --> 0:21:51.040
<v Speaker 1>here on my mom's side, there's a farm, and I

0:21:51.080 --> 0:21:55.040
<v Speaker 1>think it's a century farm this year, mister Lson, Ye, yeah,

0:21:55.240 --> 0:21:56.040
<v Speaker 1>were fantastic.

0:21:57.040 --> 0:21:58.960
<v Speaker 2>I never thought you were a twenty one year old.

0:22:01.160 --> 0:22:03.159
<v Speaker 1>We meant have been surprised. But the gift shop is

0:22:03.240 --> 0:22:05.120
<v Speaker 1>used to a crowd over the whole year.

0:22:05.280 --> 0:22:08.600
<v Speaker 8>We can get up between ten thousand to probably twelve

0:22:08.640 --> 0:22:12.160
<v Speaker 8>thousand a year. We've had twenty thousand in one year.

0:22:12.400 --> 0:22:15.040
<v Speaker 1>In addition to all the locals, there's also fans just

0:22:15.119 --> 0:22:17.879
<v Speaker 1>passing through, like a pair of motorcycle ladies we met

0:22:17.920 --> 0:22:22.359
<v Speaker 1>who were driving across the country days. I read all

0:22:22.400 --> 0:22:25.479
<v Speaker 1>the books when I was little so and then there

0:22:25.520 --> 0:22:30.000
<v Speaker 1>were the people you might describe as professional fans. And

0:22:30.160 --> 0:22:32.680
<v Speaker 1>one of the things I'm really interested in is Laura's

0:22:32.760 --> 0:22:36.199
<v Speaker 1>life as a farm woman later on, and that's actually

0:22:36.200 --> 0:22:37.639
<v Speaker 1>what my program was about.

0:22:37.760 --> 0:22:39.280
<v Speaker 2>It was in the kitchen with Laura.

0:22:39.600 --> 0:22:41.160
<v Speaker 1>The truth is we could have stayed in the gift

0:22:41.160 --> 0:22:43.520
<v Speaker 1>shop all day, and we had to leave after an

0:22:43.560 --> 0:22:46.120
<v Speaker 1>hour because we had an important appointment with Bill Richards,

0:22:46.119 --> 0:22:50.040
<v Speaker 1>the director of the pageant. On our way to meet him,

0:22:50.480 --> 0:22:53.800
<v Speaker 1>we noticed something we hadn't seen before. It's what is

0:22:53.840 --> 0:22:57.920
<v Speaker 1>this mural? What's Boo Baye Foods?

0:22:57.960 --> 0:22:58.160
<v Speaker 9>Oh.

0:22:58.880 --> 0:23:01.040
<v Speaker 1>On the side of Boobay food it's the only grocery

0:23:01.080 --> 0:23:04.159
<v Speaker 1>store in town, was a mural. It was a fifteen

0:23:04.160 --> 0:23:07.080
<v Speaker 1>foot high painting of a pioneer woman linking arms with

0:23:07.119 --> 0:23:10.480
<v Speaker 1>someone wearing what appeared to be a traditional Southeast Asian outfit.

0:23:11.280 --> 0:23:13.919
<v Speaker 1>Was a pioneer woman, Laura, who was the person she

0:23:13.960 --> 0:23:14.840
<v Speaker 1>was linking arms with.

0:23:15.520 --> 0:23:17.760
<v Speaker 2>The little grocery store d early kind of price.

0:23:17.880 --> 0:23:20.280
<v Speaker 3>Yeah, boo buye boobuye. That means butterfly.

0:23:20.440 --> 0:23:22.080
<v Speaker 1>We asked Bill about it when we met with him

0:23:22.080 --> 0:23:23.960
<v Speaker 1>back at the set of the pageant, and he told

0:23:24.040 --> 0:23:26.200
<v Speaker 1>us there was a large Mung community in Walnut Grove.

0:23:27.119 --> 0:23:31.840
<v Speaker 3>Has there been a large munk the mun community early

0:23:31.880 --> 0:23:35.600
<v Speaker 3>two thousand. At one time the Munk community was one

0:23:35.640 --> 0:23:36.479
<v Speaker 3>third of our school.

0:23:36.880 --> 0:23:37.520
<v Speaker 2>Really yeah.

0:23:37.800 --> 0:23:40.280
<v Speaker 1>The Mung are a Southeast Asian ethnic group who do

0:23:40.400 --> 0:23:43.679
<v Speaker 1>not have a nation. They're historically a refugee community and

0:23:43.720 --> 0:23:46.520
<v Speaker 1>have settled all over the world, including the United States.

0:23:46.880 --> 0:23:49.280
<v Speaker 1>There is an estimated sixty six thousand Munk living in

0:23:49.280 --> 0:23:51.680
<v Speaker 1>Minnesota and they make up a little under half of

0:23:51.720 --> 0:23:54.840
<v Speaker 1>Walnut Grove's population. The mural we passed at Boo Bay

0:23:54.880 --> 0:23:56.680
<v Speaker 1>Foods is a tribute to their settling here.

0:23:57.520 --> 0:24:00.560
<v Speaker 3>And it's interesting because they say the town.

0:24:00.640 --> 0:24:03.119
<v Speaker 1>In my mind, the story of the Mung and Walnut

0:24:03.160 --> 0:24:06.560
<v Speaker 1>Grove shouldn't surprise us. Immigration is the story of all

0:24:06.600 --> 0:24:09.719
<v Speaker 1>American towns, even if that story does not always make

0:24:09.760 --> 0:24:12.840
<v Speaker 1>it into the history books. So it's not that surprising

0:24:12.880 --> 0:24:15.600
<v Speaker 1>that there are among in Walnut Grove. But what is

0:24:15.640 --> 0:24:18.480
<v Speaker 1>surprising is why there's a large population there.

0:24:18.800 --> 0:24:22.439
<v Speaker 3>And the story is that as they were looking around,

0:24:22.520 --> 0:24:24.760
<v Speaker 3>why did they come here to talk about us?

0:24:25.520 --> 0:24:27.040
<v Speaker 2>They read Laura Ingalls Wilder.

0:24:29.480 --> 0:24:31.800
<v Speaker 1>To be honest, when Bill told us this, we were skeptical.

0:24:32.080 --> 0:24:35.560
<v Speaker 1>It seemed a little too scripted, like an episode a

0:24:35.640 --> 0:24:38.919
<v Speaker 1>Little House in the Prairie, a very special episode. But

0:24:38.960 --> 0:24:41.280
<v Speaker 1>it turns out Bill was right that much like Laura

0:24:41.280 --> 0:24:43.720
<v Speaker 1>and her family had settled into this prairie town looking

0:24:43.720 --> 0:24:46.520
<v Speaker 1>for new opportunities and a nice place to live, so

0:24:46.640 --> 0:24:49.000
<v Speaker 1>had this other immigrant community. More than a century later.

0:24:50.119 --> 0:24:53.240
<v Speaker 10>Yes, Harry, who owns THEE Boo By Store, has started

0:24:53.359 --> 0:24:55.360
<v Speaker 10>loved the show, read the books.

0:24:55.680 --> 0:24:58.600
<v Speaker 1>That's Sean Yang. He was the first Mong council member

0:24:58.600 --> 0:25:01.480
<v Speaker 1>in Walnut Grove. In his relative of Harry Yang, who

0:25:01.520 --> 0:25:05.119
<v Speaker 1>opened Bubai Foods back in the early two thousands. Harry's

0:25:05.160 --> 0:25:07.600
<v Speaker 1>family lived closer to the Twin Cities, but there had

0:25:07.600 --> 0:25:10.800
<v Speaker 1>been an economic downturn, the housing crisis was starting to

0:25:10.800 --> 0:25:13.520
<v Speaker 1>bubble up, crime had risen. He was looking for a

0:25:13.560 --> 0:25:15.560
<v Speaker 1>quiet place to move his family, and.

0:25:15.520 --> 0:25:18.280
<v Speaker 10>So he asked his wife and his kids where should

0:25:18.280 --> 0:25:21.880
<v Speaker 10>we move to? And his daughter suggests that how about

0:25:21.920 --> 0:25:24.159
<v Speaker 10>we try Little House in Prairie. And he's like, what

0:25:24.359 --> 0:25:27.520
<v Speaker 10>is that? And so she explained to him. She show

0:25:27.640 --> 0:25:30.800
<v Speaker 10>him the show. He watched a couple episodes, but they

0:25:30.960 --> 0:25:34.880
<v Speaker 10>took a trip down there, and he decides to sit

0:25:34.920 --> 0:25:38.040
<v Speaker 10>it down in Warner Grove as suggested by his daughter.

0:25:38.640 --> 0:25:42.320
<v Speaker 10>He is the pioneer of the Monks in southwest Minnesota.

0:25:42.400 --> 0:25:45.679
<v Speaker 1>Here the monk have a very family oriented culture. So

0:25:45.840 --> 0:25:48.800
<v Speaker 1>with one family came a bunch of families who settled

0:25:48.800 --> 0:25:51.720
<v Speaker 1>not just in Walnut Grove, but all around southwest Minnesota.

0:25:52.200 --> 0:25:56.639
<v Speaker 10>We did account it was about thirty thirty five families

0:25:57.000 --> 0:26:00.600
<v Speaker 10>to one hundred and thirty some families in twenty and

0:26:00.640 --> 0:26:04.159
<v Speaker 10>eight to twenty twelve, so that was a big jump.

0:26:05.320 --> 0:26:08.400
<v Speaker 1>So suddenly in the early two thousands, seventy five years

0:26:08.480 --> 0:26:11.960
<v Speaker 1>after the first Little housebook was published, nearly four decades

0:26:12.000 --> 0:26:15.640
<v Speaker 1>after the show first aired, this quiet rural town was bustling.

0:26:16.359 --> 0:26:19.000
<v Speaker 1>Sean really confirmed that the mun gave the town new life.

0:26:20.320 --> 0:26:22.720
<v Speaker 10>One of my neighbors says that the town is live

0:26:22.760 --> 0:26:26.000
<v Speaker 10>again because all of these kids are out there playing, biking.

0:26:26.880 --> 0:26:29.359
<v Speaker 1>So when the Mung families began to settle on Walnut Grove,

0:26:29.800 --> 0:26:33.359
<v Speaker 1>the communities embraced them, and according to Bill, this was

0:26:33.400 --> 0:26:34.560
<v Speaker 1>partly thanks to Laura too.

0:26:35.440 --> 0:26:37.399
<v Speaker 3>And I think one of the reasons that Walnut could

0:26:37.440 --> 0:26:39.600
<v Speaker 3>handle it maybe better. I mean, let's not say that

0:26:39.600 --> 0:26:42.600
<v Speaker 3>they handled it well initially. There's always this oh us

0:26:42.760 --> 0:26:45.399
<v Speaker 3>them kind of thing, but because we've had so many

0:26:45.440 --> 0:26:48.240
<v Speaker 3>different groups coming through here, so in.

0:26:48.200 --> 0:26:50.040
<v Speaker 1>Many ways, Laura paved the way for the Mung and

0:26:50.080 --> 0:26:52.639
<v Speaker 1>Walnut Grove. And it's not lost on Sean that there

0:26:52.640 --> 0:26:54.800
<v Speaker 1>are parallels with Laura in the story of the Monk.

0:26:55.280 --> 0:26:58.440
<v Speaker 10>I think we could relate to Laura's story very very much.

0:26:58.480 --> 0:27:02.560
<v Speaker 10>It's how hard is to adapt into the environment, and

0:27:02.640 --> 0:27:05.520
<v Speaker 10>so we're trying to teach the other kids, how can

0:27:05.560 --> 0:27:09.560
<v Speaker 10>you learn from Laura's legacy and make that your own legacy.

0:27:10.119 --> 0:27:14.160
<v Speaker 10>If Laura from her time, if she could make such

0:27:14.160 --> 0:27:17.600
<v Speaker 10>an impact on it, how can we as community most

0:27:17.640 --> 0:27:19.080
<v Speaker 10>that forward.

0:27:20.520 --> 0:27:24.399
<v Speaker 2>To me, it's inspiring how Laura's story keeps inspiring movement.

0:27:24.920 --> 0:27:28.119
<v Speaker 2>I mean, even in this small town that seemed pretty

0:27:28.119 --> 0:27:32.639
<v Speaker 2>desolate to us, there's still something special that happened here

0:27:32.760 --> 0:27:34.280
<v Speaker 2>because of Laura.

0:27:35.200 --> 0:27:38.520
<v Speaker 1>I know. I mean the devotion to Laura and the

0:27:38.760 --> 0:27:42.879
<v Speaker 1>enormous distances people will travel to visit her has always

0:27:42.920 --> 0:27:46.120
<v Speaker 1>fascinated me. And I remember I once said to you,

0:27:46.680 --> 0:27:50.719
<v Speaker 1>could you think of another woman people would drive so

0:27:50.960 --> 0:27:53.080
<v Speaker 1>far to see? And I just wonder if you remember

0:27:53.119 --> 0:27:53.639
<v Speaker 1>what you said.

0:27:54.080 --> 0:27:55.840
<v Speaker 2>Carrie Bradshaw, my friends.

0:27:55.960 --> 0:27:58.320
<v Speaker 1>Exactly two of us is through the West Village for

0:27:58.400 --> 0:28:02.520
<v Speaker 1>cupcakes or two uses across the prairie for I don't know,

0:28:02.600 --> 0:28:06.320
<v Speaker 1>pigtails and prairie dresses. But the thing is that Carrie

0:28:06.400 --> 0:28:10.560
<v Speaker 1>isn't real and Laura is and all this like sort

0:28:10.600 --> 0:28:12.919
<v Speaker 1>of talk of tour buses reminds me of something we

0:28:13.000 --> 0:28:15.160
<v Speaker 1>kept hearing about over and over again in Walnut Grove.

0:28:15.840 --> 0:28:18.560
<v Speaker 3>This used to be the destination stop for Japanese.

0:28:20.160 --> 0:28:23.080
<v Speaker 8>There's a little house on the prairie Japanese fan Club.

0:28:23.280 --> 0:28:26.720
<v Speaker 8>We've had a bus group of like forty that came

0:28:26.920 --> 0:28:29.160
<v Speaker 8>strictly from Japan to Walnut Grove.

0:28:29.320 --> 0:28:34.240
<v Speaker 7>I did visit this Bai Fuss game here Walnut Girl,

0:28:34.480 --> 0:28:38.600
<v Speaker 7>almost twenty years ago. So yeah, I think I saw

0:28:38.680 --> 0:28:42.560
<v Speaker 7>some Japanese writing in the gift shops or something. Yes,

0:28:42.720 --> 0:28:45.280
<v Speaker 7>so I thought, oh, you know, Japanese to be able

0:28:45.320 --> 0:28:45.840
<v Speaker 7>to come here.

0:28:46.720 --> 0:28:49.640
<v Speaker 1>Like many, I assumed Laura's Japanese fan base stemmed from

0:28:49.640 --> 0:28:52.880
<v Speaker 1>the television show. This is true, but like so much

0:28:52.880 --> 0:28:55.480
<v Speaker 1>of history, it turns out it was far more complicated.

0:28:55.520 --> 0:28:59.960
<v Speaker 7>I just realized that it was not as in us

0:29:00.560 --> 0:29:01.440
<v Speaker 7>was I.

0:29:03.040 --> 0:29:03.320
<v Speaker 9>Thought.

0:29:04.160 --> 0:29:06.880
<v Speaker 1>So far, we've been telling the charming, optimistic version of

0:29:06.920 --> 0:29:11.440
<v Speaker 1>Laura's story, but like all stories, it's complicated. There's a darker,

0:29:11.800 --> 0:29:14.840
<v Speaker 1>even harmful side to Laura. We'll get to it after

0:29:14.880 --> 0:29:25.560
<v Speaker 1>the break. There's a lot of ways to look at America.

0:29:26.600 --> 0:29:29.080
<v Speaker 1>There's the optimistic view that we see in Walnut Grove,

0:29:29.840 --> 0:29:31.880
<v Speaker 1>the story of people coming to America and building a

0:29:31.920 --> 0:29:36.880
<v Speaker 1>new life. And then there's the darker, often violent, far

0:29:36.920 --> 0:29:42.120
<v Speaker 1>more complicated story. Something similar happens with Laura. As a kid.

0:29:42.200 --> 0:29:46.479
<v Speaker 1>She's magical, and then you dig a little deeper and

0:29:46.520 --> 0:29:48.800
<v Speaker 1>it gets a lot less simple.

0:29:51.360 --> 0:29:54.840
<v Speaker 7>I think I was like a second thought, great, and

0:29:55.080 --> 0:29:58.080
<v Speaker 7>I just got captured. I'm fairly in love with all

0:29:58.160 --> 0:30:03.760
<v Speaker 7>the sensory details. It was so different. The scale of

0:30:03.840 --> 0:30:07.360
<v Speaker 7>the story was so different from where I grew up

0:30:07.400 --> 0:30:10.560
<v Speaker 7>in like a small I understounded by the ocean.

0:30:11.560 --> 0:30:14.600
<v Speaker 1>Keiko Stomi was born in Japan and emigrated to America

0:30:14.600 --> 0:30:18.280
<v Speaker 1>in her late twenties. She's now a librarian in Cloque, Minnesota.

0:30:18.800 --> 0:30:22.360
<v Speaker 7>I am originally from Sika, Japan, and this is my

0:30:22.440 --> 0:30:25.240
<v Speaker 7>seventeenth year living in the United States.

0:30:25.840 --> 0:30:28.160
<v Speaker 1>Keiko was the same age as me, and when she

0:30:28.280 --> 0:30:30.760
<v Speaker 1>was growing up in Japan, she also loved the Little

0:30:30.760 --> 0:30:32.320
<v Speaker 1>House books and the TV show.

0:30:32.880 --> 0:30:36.760
<v Speaker 7>So we were only able to watch two TVs per week,

0:30:38.360 --> 0:30:42.920
<v Speaker 7>and Little House Series TV series was on the Nippon

0:30:43.120 --> 0:30:48.560
<v Speaker 7>National Television NHK Saturday evening at six pm. I still remember,

0:30:49.200 --> 0:30:52.200
<v Speaker 7>and this was one of the shows my mom allowed

0:30:52.320 --> 0:30:56.000
<v Speaker 7>to watch me and my brother, so that was kind

0:30:56.040 --> 0:30:56.720
<v Speaker 7>of special.

0:30:57.560 --> 0:31:00.320
<v Speaker 1>As I said, I'd known about Laura's Japanese fan base

0:31:00.400 --> 0:31:02.680
<v Speaker 1>for a long time, and I'd always assumed it was

0:31:02.720 --> 0:31:06.240
<v Speaker 1>from the TV show. Turns out it runs deeper than that,

0:31:06.680 --> 0:31:08.080
<v Speaker 1>all the way back to World War Two.

0:31:09.680 --> 0:31:14.840
<v Speaker 7>I just realized that it was not as innocent as

0:31:15.520 --> 0:31:23.160
<v Speaker 7>I originally thought. It was curriculated to you know, bring

0:31:23.200 --> 0:31:27.560
<v Speaker 7>that literature for a Saddin is a political reasons and

0:31:28.480 --> 0:31:30.640
<v Speaker 7>I don't know. It kind of gave me a little

0:31:30.840 --> 0:31:33.960
<v Speaker 7>mixed feeding about how it was introduced.

0:31:36.440 --> 0:31:38.480
<v Speaker 1>What Keiko's referring to here takes us all the way

0:31:38.520 --> 0:31:44.080
<v Speaker 1>back to World War Two. Following Hiroshima Nagasaki, General Douglas MacArthur,

0:31:44.640 --> 0:31:48.320
<v Speaker 1>the Supreme Commander for the Allied Powers in Japan, replaced

0:31:48.320 --> 0:31:52.320
<v Speaker 1>the Japanese government approved reading list with his own on

0:31:52.360 --> 0:31:54.800
<v Speaker 1>that list was the sixth book in the Little House series,

0:31:55.640 --> 0:32:01.320
<v Speaker 1>The Long Winter. The Long Winter is about the infamous

0:32:01.320 --> 0:32:05.400
<v Speaker 1>hard Winter of eighteen eighty one. It's an actual historical event.

0:32:05.680 --> 0:32:08.239
<v Speaker 1>There's history books written about it. It has its own

0:32:08.240 --> 0:32:12.640
<v Speaker 1>Wikipedia page. That winter impacted large parts of the entire

0:32:12.680 --> 0:32:15.720
<v Speaker 1>Great Plains. The town of De Smet South Dakota was

0:32:15.720 --> 0:32:21.000
<v Speaker 1>snowed in for nine months, Trains stopped, everyone nearly starved.

0:32:21.520 --> 0:32:24.480
<v Speaker 1>It's the darkest of the books, the hardest to read,

0:32:25.440 --> 0:32:29.520
<v Speaker 1>and some would argue Laura's best and the terrible winter

0:32:29.600 --> 0:32:32.960
<v Speaker 1>that followed Hiroshima and Nagasaki. A lot of the suffering

0:32:33.000 --> 0:32:35.760
<v Speaker 1>that the book describes was being felt at the time

0:32:35.800 --> 0:32:39.760
<v Speaker 1>by the Japanese population. Laura would get fan mail from Japan,

0:32:40.000 --> 0:32:43.400
<v Speaker 1>and she treasured it. The lour Engles Wilder Museum in Mansfield,

0:32:43.400 --> 0:32:46.360
<v Speaker 1>Missouri found a letter from a fourteen year old Japanese

0:32:46.360 --> 0:32:50.200
<v Speaker 1>girl tucked into Laura's personal copy of the Japanese translation

0:32:50.280 --> 0:32:53.400
<v Speaker 1>of The Long Winter. But the Long Winter was also

0:32:53.440 --> 0:32:57.040
<v Speaker 1>approved by the occupying American Army. It definitely wasn't an

0:32:57.080 --> 0:32:58.000
<v Speaker 1>innocent choice.

0:32:58.200 --> 0:33:02.800
<v Speaker 7>I thought, it is very interesting how children's liturature can

0:33:02.880 --> 0:33:07.080
<v Speaker 7>be utilized for political reasons, and how it can take

0:33:07.120 --> 0:33:12.080
<v Speaker 7>a role to shift people's mind to a democratic minds,

0:33:12.160 --> 0:33:18.720
<v Speaker 7>and how Japanese people understand the American people's mind and

0:33:18.760 --> 0:33:23.040
<v Speaker 7>the way of living. And so it brought my horizon

0:33:23.320 --> 0:33:25.600
<v Speaker 7>and it was not as innocent.

0:33:25.280 --> 0:33:28.720
<v Speaker 1>As I hoped. It goes without saying Laura's legacy of

0:33:28.760 --> 0:33:31.960
<v Speaker 1>bringing people together and inspiring travels one of her charms,

0:33:32.680 --> 0:33:35.200
<v Speaker 1>but there are obviously ways this can be insidious too.

0:33:35.920 --> 0:33:37.960
<v Speaker 1>We actually came to Keiko because of an article she

0:33:38.000 --> 0:33:41.040
<v Speaker 1>published in twenty nineteen in the Pine not News titled

0:33:41.560 --> 0:33:44.920
<v Speaker 1>at the library Libraries put Little House Series in new light.

0:33:45.400 --> 0:33:47.840
<v Speaker 1>In the piece, Keiko writes that she's no longer comfortable

0:33:47.920 --> 0:33:51.080
<v Speaker 1>recommending the books to others, not because of their history

0:33:51.080 --> 0:33:54.840
<v Speaker 1>in Japan, but because of their representation of Native Americans.

0:33:55.480 --> 0:33:57.040
<v Speaker 1>One particular passage stood out to.

0:33:57.040 --> 0:34:04.200
<v Speaker 7>Her mother, Caroline. It picked It mentioned about the Native people,

0:34:04.360 --> 0:34:08.080
<v Speaker 7>Indigenous people like a sting it linga in the house.

0:34:08.560 --> 0:34:14.200
<v Speaker 7>I remembered that, and I remembered how the illestuation portrayed

0:34:14.560 --> 0:34:17.680
<v Speaker 7>really premiatively of the Indigenous people.

0:34:18.320 --> 0:34:20.680
<v Speaker 1>The scene Keiko's remembering is from the book Little House

0:34:20.680 --> 0:34:23.200
<v Speaker 1>on the Prairie. It's a third book in the series,

0:34:23.960 --> 0:34:26.520
<v Speaker 1>depending on which box that you own, and it tells

0:34:26.560 --> 0:34:29.239
<v Speaker 1>the story of the Engles moving from Wisconsin to what

0:34:29.320 --> 0:34:33.040
<v Speaker 1>Laura calls Indian Territory, which was in reality the Osage

0:34:33.120 --> 0:34:36.840
<v Speaker 1>Diminished Reserve and is now the state of Kansas. The

0:34:36.920 --> 0:34:40.120
<v Speaker 1>chapter is titled Indians in the House, and it and

0:34:40.200 --> 0:34:43.719
<v Speaker 1>this book are the most controversial in the series, particularly

0:34:43.760 --> 0:34:45.680
<v Speaker 1>for their depiction of Native Americans.

0:34:46.560 --> 0:34:49.400
<v Speaker 7>I took that. I took that as a kid, but

0:34:49.640 --> 0:34:53.120
<v Speaker 7>I didn't really think of that impact of it. So

0:34:53.840 --> 0:34:57.319
<v Speaker 7>as the adult, you know, I can see what did

0:34:57.360 --> 0:35:00.719
<v Speaker 7>it do to my mind? I think it gave me

0:35:01.640 --> 0:35:06.120
<v Speaker 7>a very simple view over the Indigenous people.

0:35:07.000 --> 0:35:09.840
<v Speaker 1>This criticism of Laura is far from new. It happened

0:35:09.920 --> 0:35:12.759
<v Speaker 1>during her lifetime, but it has definitely increased in the

0:35:12.800 --> 0:35:13.680
<v Speaker 1>last two decades.

0:35:14.239 --> 0:35:17.680
<v Speaker 9>Consider a Native child in their classroom and they come

0:35:17.719 --> 0:35:21.240
<v Speaker 9>to that sentence, the only good Indian is a dead Indian.

0:35:23.880 --> 0:35:27.239
<v Speaker 1>That's doctor Debbie Reese. She's a highly regarded scholar of

0:35:27.280 --> 0:35:30.279
<v Speaker 1>Native American studies and for the past two decades has

0:35:30.320 --> 0:35:32.880
<v Speaker 1>run a blog called American Indians and Children's Literature.

0:35:33.719 --> 0:35:37.200
<v Speaker 9>My name is Debbie Reese. I am tribally enrolled at

0:35:37.400 --> 0:35:41.840
<v Speaker 9>nambe Ouwingai, which is a sovereign native nation in what

0:35:42.000 --> 0:35:44.720
<v Speaker 9>is currently known as the state of New Mexico.

0:35:45.000 --> 0:35:47.120
<v Speaker 1>I first became aware of doctor Reece way back in

0:35:47.120 --> 0:35:50.160
<v Speaker 1>two thousand and six during some sort of little house

0:35:50.200 --> 0:35:52.759
<v Speaker 1>internet rabbit hole had gone down. This was still when

0:35:52.800 --> 0:35:54.840
<v Speaker 1>I was surprised that other people were as interested in

0:35:54.840 --> 0:35:58.040
<v Speaker 1>the books as I was. Doctor Reese's blog may make

0:35:58.120 --> 0:36:01.440
<v Speaker 1>you rethink many beloved childhood class in ways that are

0:36:01.480 --> 0:36:02.640
<v Speaker 1>often uncomfortable.

0:36:03.680 --> 0:36:06.480
<v Speaker 9>I started thinking, Okay, what's in those books that's helping

0:36:06.600 --> 0:36:09.960
<v Speaker 9>shape what people think about who we are. The books

0:36:09.960 --> 0:36:12.239
<v Speaker 9>that our parents give to us are ones that we

0:36:12.520 --> 0:36:13.799
<v Speaker 9>have an emotional attachment to.

0:36:14.040 --> 0:36:14.879
<v Speaker 10>So I was.

0:36:14.880 --> 0:36:18.799
<v Speaker 9>Finding in those kinds of books that are readily available

0:36:19.239 --> 0:36:23.040
<v Speaker 9>lots of problematic imagery of who Native people are according

0:36:23.040 --> 0:36:26.280
<v Speaker 9>to a white point of view that is really stereotyped

0:36:26.360 --> 0:36:30.760
<v Speaker 9>and romantic and just wrong, over and over in every direction.

0:36:31.280 --> 0:36:33.239
<v Speaker 1>In two thousand and six, doctor Reese wrote about the

0:36:33.239 --> 0:36:36.560
<v Speaker 1>Little House Books. Here's some of what she said. I

0:36:36.640 --> 0:36:39.120
<v Speaker 1>suggest you take a second look at Little House, note

0:36:39.120 --> 0:36:42.000
<v Speaker 1>the ways that Native peoples are described, and consider whether

0:36:42.080 --> 0:36:44.120
<v Speaker 1>or not the book ought to be set aside and used,

0:36:44.480 --> 0:36:47.600
<v Speaker 1>perhaps in context where readers are able to think critically

0:36:47.640 --> 0:36:52.880
<v Speaker 1>about racism and colonization. Seems pretty reasonable. No, Still, people's

0:36:52.920 --> 0:36:58.120
<v Speaker 1>passion for these books and for Laura runs deep. Obviously.

0:36:59.160 --> 0:37:03.759
<v Speaker 1>Exhibit A is person you're currently listening to criticizing these

0:37:03.760 --> 0:37:06.040
<v Speaker 1>books was for a lot of people like taking a

0:37:06.120 --> 0:37:09.640
<v Speaker 1>childhood photo album of your most treasured memories and setting

0:37:09.680 --> 0:37:12.680
<v Speaker 1>it on fire. But doctor rees argues that these books

0:37:12.680 --> 0:37:16.120
<v Speaker 1>don't belong in schools anymore at all.

0:37:16.200 --> 0:37:18.120
<v Speaker 9>I think the harm is too great because it's not

0:37:18.239 --> 0:37:22.720
<v Speaker 9>just that harm, it's the context of larger, more widespread harms.

0:37:22.760 --> 0:37:26.640
<v Speaker 9>So it's just one more thing that Native children have

0:37:26.719 --> 0:37:30.360
<v Speaker 9>to endure, and it's one more saying that non Native

0:37:30.440 --> 0:37:33.680
<v Speaker 9>children goes through that affirms those mistaken ideas that they

0:37:33.719 --> 0:37:36.560
<v Speaker 9>get just as a matter of life in the United States.

0:37:39.440 --> 0:37:41.120
<v Speaker 1>So this is what we're reckoning with on the road

0:37:41.120 --> 0:37:45.000
<v Speaker 1>with Laura. People who love her, who travel miles sometimes

0:37:45.000 --> 0:37:48.080
<v Speaker 1>cross oceans to visit her, and people who argue she

0:37:48.160 --> 0:37:50.960
<v Speaker 1>no longer has a place on our shelves, and me,

0:37:52.160 --> 0:37:54.320
<v Speaker 1>a person who won't let her go, but who is

0:37:54.360 --> 0:37:55.960
<v Speaker 1>also trying to figure out how to love her.

0:37:58.160 --> 0:38:02.840
<v Speaker 2>So, Glennis McNichol, you have been handed the assignment that

0:38:02.880 --> 0:38:06.160
<v Speaker 2>you've dreamt about since you were eight years old. You

0:38:06.200 --> 0:38:08.800
<v Speaker 2>get to travel to all of the Laura Ingalls houses

0:38:09.040 --> 0:38:11.920
<v Speaker 2>across the country and report out who this woman was,

0:38:12.440 --> 0:38:15.719
<v Speaker 2>her significance to culture, all of it. This, I mean,

0:38:15.760 --> 0:38:18.839
<v Speaker 2>this is your dream. But I got to tell you,

0:38:19.000 --> 0:38:22.839
<v Speaker 2>I also think that it is going to be really hard.

0:38:23.719 --> 0:38:27.000
<v Speaker 1>Yes, And the truth is I think it should be hard.

0:38:27.400 --> 0:38:34.560
<v Speaker 1>I think that when you hold something this fundamental to

0:38:34.640 --> 0:38:39.680
<v Speaker 1>yourself and the thing you were holding is this complicated

0:38:39.800 --> 0:38:43.200
<v Speaker 1>and has been in many ways harmful to people, one

0:38:43.239 --> 0:38:45.959
<v Speaker 1>of the responsibilities of this sort of love is that

0:38:46.160 --> 0:38:48.919
<v Speaker 1>you have to be honest with yourself about the thing

0:38:48.960 --> 0:38:51.719
<v Speaker 1>you are loving. Like it's not even a question of like,

0:38:52.200 --> 0:38:55.520
<v Speaker 1>should Laura be canceled. I'm not capable of canceling Laura.

0:38:55.600 --> 0:38:59.600
<v Speaker 1>Like she's too integral to who I am and what

0:38:59.640 --> 0:39:04.440
<v Speaker 1>I am. So if you can't get rid of the

0:39:04.480 --> 0:39:07.279
<v Speaker 1>person or the thing that you love, you have to

0:39:07.360 --> 0:39:12.759
<v Speaker 1>look at it and really understand who I'm loving, to

0:39:13.320 --> 0:39:16.640
<v Speaker 1>grasp the ways in which they are flawed, and to

0:39:16.719 --> 0:39:19.839
<v Speaker 1>be really really honest about that.

0:39:20.600 --> 0:39:25.000
<v Speaker 2>I think what I'm starting to realize is that the

0:39:25.000 --> 0:39:28.160
<v Speaker 2>many ways that Laura seems flawed are also the many

0:39:28.200 --> 0:39:33.040
<v Speaker 2>ways that America is flawed. And you're now getting your

0:39:33.080 --> 0:39:37.960
<v Speaker 2>dream assignment. But it's like, be careful what you wish for,

0:39:38.560 --> 0:39:42.319
<v Speaker 2>which is also a very American thing. Be careful what

0:39:42.400 --> 0:39:46.120
<v Speaker 2>you wish for in the American dream because there is

0:39:46.320 --> 0:39:48.600
<v Speaker 2>always another side to it.

0:39:49.360 --> 0:39:49.920
<v Speaker 7>Yeah.

0:39:50.080 --> 0:39:55.640
<v Speaker 1>I don't know if Canadians have American dreams, but if

0:39:55.680 --> 0:39:59.480
<v Speaker 1>I do, then in many ways, for me, Laura is

0:39:59.520 --> 0:40:02.720
<v Speaker 1>my America and dream. I wanted to be a writer

0:40:03.239 --> 0:40:05.560
<v Speaker 1>living the life that I'm writing about, and I wanted

0:40:05.600 --> 0:40:08.799
<v Speaker 1>to be on the road and to be having adventures,

0:40:09.120 --> 0:40:14.640
<v Speaker 1>and that's exactly what we're doing. Laura's story is one

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<v Speaker 1>of movement. The only way to really find her is

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<v Speaker 1>to be on the road. I also happen to believe

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<v Speaker 1>you can only really know America from the road, but

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<v Speaker 1>enjoying the American road is an experience that is often

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<v Speaker 1>limited to a certain group of people. Lost in books

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<v Speaker 1>like On the Road in Little House are the groups

0:40:31.120 --> 0:40:33.440
<v Speaker 1>of people who aren't able to freely take these journeys.

0:40:34.080 --> 0:40:36.240
<v Speaker 1>And what about the people who were present before America

0:40:36.280 --> 0:40:39.399
<v Speaker 1>actually had roads on this trip. We're hoping to get

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<v Speaker 1>the whole story. Next week, We're going to look at

0:40:43.360 --> 0:40:45.719
<v Speaker 1>the story Laura tells. We're going to go back to

0:40:45.760 --> 0:40:49.040
<v Speaker 1>where it all began. How Laura, at sixty three years old,

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<v Speaker 1>decided to take pen to paper and write down her

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<v Speaker 1>life story. What inspired her to do so, and how

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<v Speaker 1>exactly did a farm wife in rural Missouri find her

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<v Speaker 1>way into New York City publishing houses. That's next week

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<v Speaker 1>on Wilder. Wilder is written and hosted by me Glynnis McNichol.

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<v Speaker 1>Our story editors are Joe Piazza and Emily Meronoff. Our

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<v Speaker 1>senior producer is Emily Maranoff. Our producers are Mary Doo

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<v Speaker 1>and Sheena Zaki. Sound design and mixing by Amanda Rose Smith.

0:41:23.120 --> 0:41:26.480
<v Speaker 1>Our amazing theme and additional music was composed by Alise McCoy.

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<v Speaker 1>We are executive produced by me Joe Piazza, Nikki Tor

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<v Speaker 1>and Ali Perry. Special thanks to Bill and Walnut Grove

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<v Speaker 1>for connecting us with everyone, and Toko Lore for connecting

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<v Speaker 1>us with the MUNG community in Walnut Grove, and Raya

0:41:40.560 --> 0:41:43.160
<v Speaker 1>Anthony who calmly fielded our middle of the night, Middle

0:41:43.160 --> 0:41:46.879
<v Speaker 1>of Minnesota emergency travel requests. Please see our show notes

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<v Speaker 1>if you want to know more about the people we interviewed,

0:41:49.160 --> 0:41:52.600
<v Speaker 1>the places we visited, the books we mentioned. You can

0:41:52.640 --> 0:41:54.520
<v Speaker 1>also find our contact info there if you want to

0:41:54.520 --> 0:41:57.359
<v Speaker 1>write to us with your own thoughts and questions. Thank

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<v Speaker 1>you for listening, See you next week.

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<v Speaker 9>The Bri