WEBVTT - Crofton's Media Blackout: Home Alone

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<v Speaker 1>Hello the Internet, and welcome to this special holiday episode

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<v Speaker 1>of Dirnis Guys. It's a production of iHeartRadio. This is

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<v Speaker 1>the podcast where you take a deep dive into America's

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<v Speaker 1>shared consciousness. Usually for the holidays, we take a deep

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<v Speaker 1>dive into America's shared Christmas spirit, the Christmas Geist in German.

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<v Speaker 1>That's a direct pronunciation translation.

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<v Speaker 2>The format of these episodes is something Jack and I

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<v Speaker 2>have talked about for maybe since we met Chris and

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<v Speaker 2>we realized he hasn't seen nothing, he hasn't seen shit.

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<v Speaker 2>Man from the we.

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<v Speaker 3>Were talking about you doing a yeah, like a podcast

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<v Speaker 3>where I watch old.

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<v Speaker 1>Movies and like just talking to you.

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<v Speaker 2>You mean ship like alone. Yeah, yeah, yeah, yeah that

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<v Speaker 2>was big jo.

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<v Speaker 3>I got to watch it.

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<v Speaker 1>My name is Jack O'Brien and I'm joined, as it was,

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<v Speaker 1>by my co host, mister Miles.

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<v Speaker 2>Yes sure, yes, yes, here we are, here we are,

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<v Speaker 2>and for.

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<v Speaker 1>This very special holiday episode, we're calling Christmas blind Spots.

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<v Speaker 1>We've got a hilarious stand up comedian, actor, musician, one

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<v Speaker 1>of the very faces on Mountain Zeitemore. You can listen

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<v Speaker 1>to his podcast, Coldbrew Got Me Like anywhere. The poetry

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<v Speaker 1>window is open because it's Chris, motherfucker craft, Chris, what's

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<v Speaker 1>up the.

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<v Speaker 3>Mother?

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<v Speaker 2>Correct, Chris, you haven't seen a lot of movies. You've

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<v Speaker 2>had a you've had a life. Maybe you've had a life.

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<v Speaker 2>Life was lifing. Every time I feel like I've been

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<v Speaker 2>we've referenced a movie and you like, haven't seen it.

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<v Speaker 2>You're like I was. I was drinking and thought being

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<v Speaker 2>a rock star was cool. It's some version of that

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<v Speaker 2>as well.

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<v Speaker 3>Yes, like during the nineties I was doing Charles Bukowski

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<v Speaker 3>in the sense that I was like, the meaning is

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<v Speaker 3>in bars, not in theaters, Like everyone knows what's gonna

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<v Speaker 3>happen in the theater or in a bar. You never

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<v Speaker 3>know what kind of random poetry is going to go

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<v Speaker 3>down or whatever. You know, which, of course you know

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<v Speaker 3>it's not true. Really, I mean, you know.

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<v Speaker 2>Did you have like an idealized thing you thought would

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<v Speaker 2>happen at the bar? They'd be like, this is fucking why, man.

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<v Speaker 3>It happened, but then you didn't remember it if you've

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<v Speaker 3>usually missed it like or somehow forgot it. If it

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<v Speaker 3>wasn't and it just turns out, it's like the revelations

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<v Speaker 3>in a bar are fairly repetitive. Repetitive, even more repetitive

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<v Speaker 3>than movies, you know what I mean. So it's like

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<v Speaker 3>it turns out.

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<v Speaker 1>You know, I'm drinking, and you like start hanging around

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<v Speaker 1>people who are drinking, you do the repetition. You're like,

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<v Speaker 1>oh man, you guys say the same shit over and

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<v Speaker 1>over and over again. Yes, wild and not like.

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<v Speaker 3>Just like drinking, like having a drink, like I mean,

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<v Speaker 3>like going out every night and getting drunk because you

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<v Speaker 3>think that there's something mystical about that, and you know

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<v Speaker 3>it always ends up with frozen pizza and you know

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<v Speaker 3>it's not that mystical. Really, it's just not. And so

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<v Speaker 3>but I did, like I was like, oh, you go

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<v Speaker 3>to the movies, you sell out piece of shit, you know,

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<v Speaker 3>like have a fun time at the movies. You basic bitch.

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<v Speaker 3>They didn't invented that term basic bitch yet.

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<v Speaker 2>But yeah, but that was the vibe.

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<v Speaker 1>But then you forgot that you invented it. You never

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<v Speaker 1>trade mine.

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<v Speaker 3>I invented basic bitch in nineteen ninety.

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<v Speaker 1>But so to turn you around on on this misguided

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<v Speaker 1>idea that people go into the movies were sell out capitalists,

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<v Speaker 1>we thought we would show you a home alone, a

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<v Speaker 1>movie with really good politics and no weird capitalist messaging

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<v Speaker 1>at all. Just a quick background. I mean, everybody knows it,

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<v Speaker 1>but I don't know that people quite know that. So

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<v Speaker 1>when it came out, it was a massive hit, to

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<v Speaker 1>the point that so it came out in November, it

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<v Speaker 1>was like the number one movie at the box office

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<v Speaker 1>leg every week for a number of weeks. But it

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<v Speaker 1>stayed in theaters until Easter. People were like seeing it

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<v Speaker 1>shit in the spring, going to see it, like well

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<v Speaker 1>after the Christmas season.

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<v Speaker 2>That's like having your Christmas lights up until Easter. Basically

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<v Speaker 2>like the movie at Cleveland, like yeah, you know what,

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<v Speaker 2>fuck it, let's watch a Christmas movie.

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<v Speaker 1>You can all right, I feel attacked now.

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<v Speaker 3>I was at the FAZI concert.

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<v Speaker 1>Yeah, yeah, exactly, and that yeah, yeah, you were doing

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<v Speaker 1>you were out doing cool shit. So you missed this.

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<v Speaker 1>But I think that's what's exciting to us about this

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<v Speaker 1>premise is that, like you're coming to this movie that

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<v Speaker 1>I've seen so many times that things like his cousin

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<v Speaker 1>calling him you're what the French call les is like

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<v Speaker 1>so burned in my fucking brain that like it's like

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<v Speaker 1>a part of me.

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<v Speaker 3>Like burned in your brain. You say it to your

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<v Speaker 3>own kids.

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<v Speaker 1>I say all the time to my kids.

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<v Speaker 2>Yeah, I say that ship to my friends. Still we

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<v Speaker 2>still say that ship to it. Oh you're such a disease.

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<v Speaker 2>We'll say, like you did, you little jerk. I don't

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<v Speaker 2>even know when it comes out, but this shit comes out.

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<v Speaker 2>That's why it's so funny, because like on this side

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<v Speaker 2>of the equation, Chris, it's it's so ingrained in our

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<v Speaker 2>brains that we don't realize how much it is. Because also,

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<v Speaker 2>I think, at least for me specifically too, I was

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<v Speaker 2>six years old when this came out, and this was

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<v Speaker 2>like a film that was like being a fucking wild

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<v Speaker 2>kid is sick as fuck and you can beat the

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<v Speaker 2>shit out of adults because you're smarter because you're a

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<v Speaker 2>fun kid. And it was just Kevin mccallison was like

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<v Speaker 2>my fucking idol for like years.

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<v Speaker 1>Wow. The number one thing I would do if my

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<v Speaker 1>parents weren't around is I would run around my house

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<v Speaker 1>with my hands over my head.

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<v Speaker 2>Gone, ah hell yeah, dude.

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<v Speaker 1>I will say at the time that it came out

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<v Speaker 1>because it has been adopted as a Christmas classic, Like

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<v Speaker 1>it's just one of those movies that people like put

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<v Speaker 1>on lists of like the top Christmas movies. At the

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<v Speaker 1>time it came out, reviews were mixed. I remember that

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<v Speaker 1>because I was a weird kid who like read movie

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<v Speaker 1>reviews before, like even of movies I wouldn't see.

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<v Speaker 2>Oh so you're like ten years old when this comes out,

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<v Speaker 2>ten years old through the calendar section.

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<v Speaker 1>Nine years old and thumbing through the life section of

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<v Speaker 1>the Dayton Daily News that was just like, get get

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<v Speaker 1>this front page news out of my way. I want

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<v Speaker 1>to see. It was like a little magazine shaped insert.

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<v Speaker 1>It would like give you the movie reviews of the

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<v Speaker 1>latest movies, and I remember this one getting like two

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<v Speaker 1>stars or something, and looking back, Owen Gleibman from Entertainment

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<v Speaker 1>Weekly accused the film of adult bashing, which is what

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<v Speaker 1>is an adults or like a persecutive minority group.

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<v Speaker 2>Trying that one on adults. Yeah, that's.

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<v Speaker 3>That's like Russ. That's kind of stuff Russ doubt at

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<v Speaker 3>does now.

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<v Speaker 1>Yes, exactly right, right, But like there are on the

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<v Speaker 1>Wikipedia page for Home Alone, you learned that like in

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<v Speaker 1>Poland and Romania, the holiday tradition is that like the

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<v Speaker 1>main TV channel shows it every Christmas Eve. There's like,

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<v Speaker 1>you know, everybody watches Home Alone one year they didn't

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<v Speaker 1>show it. There was like a outraged Facebook hit, like

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<v Speaker 1>ninety thousand people protested, like online, And it's the same

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<v Speaker 1>similar in Romania, like people are.

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<v Speaker 3>That's like when people get mad in America because like,

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<v Speaker 3>like the only kind of activism Americans do is when

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<v Speaker 3>they like cancel their favorite TV show.

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<v Speaker 1>Yeah, sending in angry letters to fucking network TV. When

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<v Speaker 1>Janet Jackson's boob gets exposed.

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<v Speaker 3>The closest we came to like a social revolution was

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<v Speaker 3>when the finale of Game of Thrones sucked, right, So, yeah,

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<v Speaker 3>I was much older, So I mean obviously, like you know,

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<v Speaker 3>I feel the same way, like I love John Denver

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<v Speaker 3>because I heard him when I was you know, if

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<v Speaker 3>I was seventeen when John Denver was putting out records,

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<v Speaker 3>I would have been listening to like, you know, Steppenwolf

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<v Speaker 3>or something and thought John Denver is for losers. So

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<v Speaker 3>I mean there was an age different. I was forty

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<v Speaker 3>eight when this film came out, but so no, was

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<v Speaker 3>I was twenty one. I was twenty one. Oh, so

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<v Speaker 3>it was a whole different.

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<v Speaker 2>Oh yeah, god, you were dude. I can only imagine

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<v Speaker 2>how fuck home alone you were at this point when

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<v Speaker 2>you said you were really getting fuck getting drunk and

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<v Speaker 2>anti everything.

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<v Speaker 3>I was just sort of leaving the home alone demographic

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<v Speaker 3>in New Canaan that. I mean, this movie made me

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<v Speaker 3>think of where I grew up, except like to have

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<v Speaker 3>a house this nice, your family wouldn't be this nice,

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<v Speaker 3>you know. So like, you know, I was just leaving

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<v Speaker 3>this andto I had only seen Peugazi like that. That

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<v Speaker 3>year I saw Melvin's for the first time.

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<v Speaker 2>That Repeater just came out. Yeah, what's that said? Repeater

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<v Speaker 2>just came out that year.

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<v Speaker 3>Yeah, And it was like that. I was just like

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<v Speaker 3>sort of leaving the just deciding like, oh wait, like

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<v Speaker 3>I don't know what. I don't know that I would

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<v Speaker 3>have would have gotten some heavy capitalist message out of

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<v Speaker 3>it or anything seeing this movie, but it was just

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<v Speaker 3>like I was just in the middle of So I

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<v Speaker 3>understand why you guys, you know, saw it and and

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<v Speaker 3>and you know probably loved it. You know, I can

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<v Speaker 3>see how you would love it. It's got certain qualities

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<v Speaker 3>to it. It actually feels like you're in a big

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<v Speaker 3>It feels like you're rich while you're watching it.

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<v Speaker 1>I feel like that is that is what it does.

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<v Speaker 1>It makes you feel like you're rich. And also I

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<v Speaker 1>will say the people who aren't rich in this movie

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<v Speaker 1>are fucking idiots. They're like always the bad guy, Like

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<v Speaker 1>they're always like like the people who work at the

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<v Speaker 1>store when he accidentally shoplifts the toothbrush, or like you know,

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<v Speaker 1>the mall, Santa any anybody who's like, we're you know,

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<v Speaker 1>the people who work at the airline, airline attend and cops,

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<v Speaker 1>the pizza guy. They're just like, look at this friend

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<v Speaker 1>jufist the entire nation of France. The shuttle driver of

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<v Speaker 1>this little kid's like, what kind of gas mile did

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<v Speaker 1>you get on that? An objectively cute question. He's just like,

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<v Speaker 1>beat it, kid, I'm fuck out of here, you little shit.

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<v Speaker 1>It's it does seem to have a certain view of

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<v Speaker 1>basically even like there's an uncle who's like kind of

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<v Speaker 1>the poor asshole for being poor, Like he's just like,

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<v Speaker 1>you know, cheap and won't spend money, and then like

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<v Speaker 1>his brother who like that. There's been articles speculating like

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<v Speaker 1>how the fuck are these people making their money?

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<v Speaker 2>Yeah, automating France, right, that.

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<v Speaker 3>Was the first thing I noticed. I mean I was

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<v Speaker 3>just like, they have so they're burning so much electricity

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<v Speaker 3>in this house. That's the first thing I noticed. I mean,

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<v Speaker 3>that house is lit up like I mean like they're

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<v Speaker 3>trying to throw money out the window. And you start

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<v Speaker 3>to think, wow, houses are pretty and they're lit up

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<v Speaker 3>like that, and then you think how deranged that is?

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<v Speaker 2>Right?

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<v Speaker 3>I mean, if you go back and watch the movie,

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<v Speaker 3>which I watched yesterday for the first time, the first

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<v Speaker 3>thing I was like, I was like, this is an

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<v Speaker 3>advertisement for excessive electricity use first and foremost, and it

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<v Speaker 3>makes you feel likes electricity use would make you feel better,

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<v Speaker 3>like spiritually. And that's the thing is that house is

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<v Speaker 3>like a beacon of capitalism, and I don't like that

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<v Speaker 3>is really what it reminded me of being in a

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<v Speaker 3>house like in my hometown of New Canaan, Connecticut, where

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<v Speaker 3>I would go over to the ultra wealthy's house and

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<v Speaker 3>our house was fine. You know, it was not a

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<v Speaker 3>bad house, but it was not one of these kind

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<v Speaker 3>of houses where it's just like everything's brand new.

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<v Speaker 1>It's like a monument to Christmas, and yeah, everything's brand

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<v Speaker 1>fucking use the rugs match.

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<v Speaker 2>You're like, wait, you just buy all your rugs at

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<v Speaker 2>the same time to match in your house.

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<v Speaker 3>These were kind of houses where they would run out

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<v Speaker 3>of a box of cereal when I was there, and

0:11:56.559 --> 0:11:58.520
<v Speaker 3>then they would go into this pantry and there'd be

0:11:58.559 --> 0:12:01.360
<v Speaker 3>like five boxes of that same cereal on backup. Like

0:12:01.440 --> 0:12:07.280
<v Speaker 3>our family, we definitely only had one box or one

0:12:07.360 --> 0:12:09.199
<v Speaker 3>item of whatever we had. We had to go get

0:12:09.240 --> 0:12:13.880
<v Speaker 3>another one after we ran out. Yes, this family, and

0:12:13.960 --> 0:12:16.679
<v Speaker 3>it does. I wanted to go to those people's houses

0:12:16.679 --> 0:12:18.880
<v Speaker 3>because I felt safe. It was the only place I

0:12:18.880 --> 0:12:23.440
<v Speaker 3>felt safe, you know, Like you know, like imagine if

0:12:23.440 --> 0:12:26.400
<v Speaker 3>you spilled as much milk as as Macaulay Culkin does

0:12:26.400 --> 0:12:28.240
<v Speaker 3>in that scene in my house, that was like enough

0:12:28.240 --> 0:12:31.160
<v Speaker 3>to like cause a divorce. But you know what I mean,

0:12:31.200 --> 0:12:33.640
<v Speaker 3>Like in their house, they were like just get someone

0:12:33.679 --> 0:12:35.840
<v Speaker 3>to clean it up or whatever was hire somebody to

0:12:35.880 --> 0:12:39.560
<v Speaker 3>clean up the milk. I mean, it's like it feels

0:12:39.600 --> 0:12:41.480
<v Speaker 3>good and the like I remember as a kid though,

0:12:41.520 --> 0:12:44.600
<v Speaker 3>being in those houses, and that's what I felt like

0:12:44.640 --> 0:12:47.200
<v Speaker 3>this movie. Actually, I could see revisiting this movie as

0:12:47.200 --> 0:12:50.640
<v Speaker 3>a tradition because it makes you feel safe. It shows

0:12:50.679 --> 0:12:53.200
<v Speaker 3>you the America you wish or you thought or you

0:12:53.240 --> 0:12:57.120
<v Speaker 3>wanted to exist, you know. And but the thing is,

0:12:57.160 --> 0:12:59.080
<v Speaker 3>that's what's funny about it to me, is I knew

0:12:59.080 --> 0:13:00.920
<v Speaker 3>the houses that were like I was in them, but

0:13:00.960 --> 0:13:03.240
<v Speaker 3>the people inside were not nice because to get that

0:13:03.360 --> 0:13:05.240
<v Speaker 3>kind of money, you're not going to be like playful.

0:13:05.400 --> 0:13:06.840
<v Speaker 2>Or he might leave your.

0:13:06.760 --> 0:13:08.640
<v Speaker 3>Kid behind, but then you blame it on your kid,

0:13:08.880 --> 0:13:12.440
<v Speaker 3>or you just like, you know, like we're gonna stay

0:13:12.440 --> 0:13:15.080
<v Speaker 3>away extra because you're such an irresponsible Actually.

0:13:14.760 --> 0:13:16.680
<v Speaker 2>We're going to go to France. Why don't you stay here?

0:13:16.800 --> 0:13:17.520
<v Speaker 3>Yeah, I mean.

0:13:17.559 --> 0:13:20.120
<v Speaker 1>Really, Yeah. I think I talked about this on last

0:13:20.160 --> 0:13:22.920
<v Speaker 1>year's Christmas episodes, but I do think she left him

0:13:22.920 --> 0:13:26.200
<v Speaker 1>on purpose, Like there's I don't think she consciously knew

0:13:26.240 --> 0:13:29.520
<v Speaker 1>she was doing it, but she does realize she's doing

0:13:29.559 --> 0:13:32.240
<v Speaker 1>it on some level, because when she has the revelation,

0:13:32.360 --> 0:13:34.800
<v Speaker 1>it's not like she goes back and counts the kids.

0:13:35.320 --> 0:13:38.600
<v Speaker 1>She there's a nagging thought in the back of her mind.

0:13:39.000 --> 0:13:43.480
<v Speaker 1>And during those opening scenes, she fucking hates him so much. Yeah,

0:13:44.600 --> 0:13:48.360
<v Speaker 1>everybody hates him so much in those opening scenes, and

0:13:48.400 --> 0:13:51.520
<v Speaker 1>it does feel like there's a part of her unconscious

0:13:51.520 --> 0:13:53.560
<v Speaker 1>that was like, we should just fucking leave this kid,

0:13:53.760 --> 0:13:54.760
<v Speaker 1>and like that was going.

0:13:54.640 --> 0:13:58.320
<v Speaker 3>To Tucker Carlson and those scenes, yeah, those are the way.

0:13:58.400 --> 0:14:00.719
<v Speaker 3>That's the way Tucker Carlson grew up and dad was like, yeah,

0:14:00.720 --> 0:14:03.720
<v Speaker 3>we left you behind on purpose because we're warming you up. Yeah,

0:14:03.960 --> 0:14:04.720
<v Speaker 3>boarding school.

0:14:04.840 --> 0:14:07.280
<v Speaker 2>But his mom did leave is the one I think

0:14:07.960 --> 0:14:12.720
<v Speaker 2>is the one who left France for France.

0:14:12.840 --> 0:14:15.359
<v Speaker 3>Oh my god alone.

0:14:17.280 --> 0:14:19.240
<v Speaker 1>We need to look up what Tuger Carlson thinks of

0:14:19.280 --> 0:14:22.200
<v Speaker 1>the movie Home Alone left by his mom.

0:14:22.000 --> 0:14:25.200
<v Speaker 2>To go to France for France. You must hate that ship,

0:14:25.320 --> 0:14:26.000
<v Speaker 2>hot Tucker.

0:14:26.560 --> 0:14:30.080
<v Speaker 1>But also like living probably this wasn't weren't they like

0:14:30.200 --> 0:14:33.320
<v Speaker 1>the Air to the Ons, the Swans and.

0:14:35.040 --> 0:14:38.440
<v Speaker 3>Oh yeah, yeah, I grew up surrounded by those fucks

0:14:38.560 --> 0:14:41.360
<v Speaker 3>and uh and uh you know I saw I saw,

0:14:41.480 --> 0:14:46.360
<v Speaker 3>like you know, just like they leave their kids alone

0:14:47.080 --> 0:14:50.480
<v Speaker 3>from for weeks while they went to like Saint Bart's

0:14:50.520 --> 0:14:53.120
<v Speaker 3>and stuff like you know, like I mean they so

0:14:53.200 --> 0:14:55.640
<v Speaker 3>this is like such a benevolent version of that, Like

0:14:55.680 --> 0:14:57.360
<v Speaker 3>I mean, this family at least.

0:14:57.360 --> 0:15:00.080
<v Speaker 2>You know, gives to bring the kids, yeah.

0:15:00.080 --> 0:15:02.400
<v Speaker 3>Gives a ship about it, like you know. But yeah,

0:15:02.560 --> 0:15:05.200
<v Speaker 3>just just the wealth was the first thing that stood

0:15:05.240 --> 0:15:07.320
<v Speaker 3>out to me. I was like, this is like, this

0:15:07.440 --> 0:15:09.240
<v Speaker 3>is crazy, and yeah, all the people who are in

0:15:09.280 --> 0:15:12.240
<v Speaker 3>the middle class still like in a decent mood, you know,

0:15:12.600 --> 0:15:15.080
<v Speaker 3>taking ship from kids about what the mileage is or whatever,

0:15:15.080 --> 0:15:17.680
<v Speaker 3>you know, because they're like still have like.

0:15:17.640 --> 0:15:21.560
<v Speaker 2>A yeah job, could you could survive off of those

0:15:21.600 --> 0:15:22.560
<v Speaker 2>wages somewhat?

0:15:23.080 --> 0:15:24.720
<v Speaker 3>Yeah, and you can go to the local bar and

0:15:24.760 --> 0:15:26.520
<v Speaker 3>have some self esteem like because you had a good

0:15:26.520 --> 0:15:29.800
<v Speaker 3>blue collar job and a nice mustache. Then that's all gone,

0:15:29.840 --> 0:15:30.040
<v Speaker 3>you know.

0:15:30.320 --> 0:15:35.040
<v Speaker 1>But those guys Santa, the smoking Santa, mall Santa. The

0:15:35.040 --> 0:15:37.000
<v Speaker 1>person who tried out for that and didn't get it

0:15:37.040 --> 0:15:39.480
<v Speaker 1>was Chris Farley. He was actually tried out for that

0:15:39.600 --> 0:15:43.280
<v Speaker 1>role and shri Chris Columbus was like, no, thank you,

0:15:43.520 --> 0:15:46.400
<v Speaker 1>but yeah, he's just like, kid, I don't know, here's

0:15:46.400 --> 0:15:48.920
<v Speaker 1>a here's a fucking tic tac. You know. It's like

0:15:49.400 --> 0:15:53.040
<v Speaker 1>it is like a cautionary tale of like he's safe

0:15:53.160 --> 0:15:58.040
<v Speaker 1>and protecting this like warm cocoon of like capitalist wealth

0:15:58.200 --> 0:16:02.400
<v Speaker 1>and consumption. And then like he like goes out into

0:16:02.400 --> 0:16:05.640
<v Speaker 1>the scary world and like interacts with these middle class

0:16:05.960 --> 0:16:10.160
<v Speaker 1>like wage workers, and they're all just like here you go.

0:16:10.240 --> 0:16:12.320
<v Speaker 1>This is what I give my kid for Christmas? A

0:16:12.400 --> 0:16:16.440
<v Speaker 1>fucking tick tac. Oh. Yeah.

0:16:16.520 --> 0:16:18.160
<v Speaker 2>Yeah.

0:16:18.360 --> 0:16:22.200
<v Speaker 1>Brian's point that all of this is if you are white,

0:16:22.400 --> 0:16:24.440
<v Speaker 1>there's a there's a big if you're a white thing

0:16:24.560 --> 0:16:28.280
<v Speaker 1>going on in this movie. There are no people of

0:16:28.320 --> 0:16:32.280
<v Speaker 1>color in this movie except for the life size cutout

0:16:32.280 --> 0:16:35.800
<v Speaker 1>of Michael Jordan that he uses to trick the trick.

0:16:36.000 --> 0:16:39.040
<v Speaker 3>I noticed that too, like it. Like usually they would

0:16:39.080 --> 0:16:41.200
<v Speaker 3>be even in nineteen ninety, they'd be like, we should

0:16:41.200 --> 0:16:45.440
<v Speaker 3>probably put someone on one like.

0:16:47.400 --> 0:16:52.280
<v Speaker 1>Michael Jordan, but the on paper as a print out.

0:16:52.720 --> 0:16:56.760
<v Speaker 1>But you're right that like the people who are you know,

0:16:57.280 --> 0:17:01.960
<v Speaker 1>lower class, they're at least somewhat helpful and like get

0:17:02.160 --> 0:17:05.879
<v Speaker 1>you know, doing their job. And the one group that

0:17:06.160 --> 0:17:08.600
<v Speaker 1>is the robbers, you know, the robbers who are like

0:17:08.680 --> 0:17:12.199
<v Speaker 1>I'm I'm going to break the rules and go in

0:17:12.320 --> 0:17:14.960
<v Speaker 1>and steal all this good stuff is that's even though

0:17:15.000 --> 0:17:19.399
<v Speaker 1>I didn't work for it, looking low class dental work.

0:17:20.760 --> 0:17:22.040
<v Speaker 3>Well, I don't know if we're going to go through it,

0:17:22.080 --> 0:17:23.760
<v Speaker 3>but since you bring up the robbers, I'm just going

0:17:23.800 --> 0:17:26.959
<v Speaker 3>to say I realized that the robbers are Antifa.

0:17:28.000 --> 0:17:31.879
<v Speaker 2>Well, maybe we should go in this movie because it

0:17:31.920 --> 0:17:34.680
<v Speaker 2>sounds like you've got notes, Chris, and I'm I think

0:17:34.680 --> 0:17:37.439
<v Speaker 2>we're fascinated to know what lies within those notes.

0:17:38.520 --> 0:17:41.520
<v Speaker 3>Well, it's it's already like it's already been I'm I'm already.

0:17:41.560 --> 0:17:43.439
<v Speaker 3>Now I know what to watch if I ever feel like,

0:17:44.400 --> 0:17:47.040
<v Speaker 3>if I want to feel safe, I watched this movie,

0:17:47.040 --> 0:17:48.639
<v Speaker 3>and I feel like I'm in a big brick house

0:17:49.640 --> 0:17:52.199
<v Speaker 3>where the worst thing that could happen is like some

0:17:52.200 --> 0:17:54.480
<v Speaker 3>people who are going to France forget me and then

0:17:54.560 --> 0:17:56.240
<v Speaker 3>come back and yeah.

0:17:55.920 --> 0:17:56.160
<v Speaker 2>And.

0:17:57.640 --> 0:17:59.800
<v Speaker 3>A wheel of brie or whatever they brought back to France.

0:18:00.160 --> 0:18:02.360
<v Speaker 1>All right, let's take a quick break, we'll come back.

0:18:02.359 --> 0:18:05.640
<v Speaker 1>We'll start going through the movie. Uh, and yeah, we'll

0:18:05.680 --> 0:18:06.200
<v Speaker 1>be right back.

0:18:15.960 --> 0:18:21.280
<v Speaker 2>And we're back. We're back, Hello, hello, hello. Uh to

0:18:21.400 --> 0:18:24.480
<v Speaker 2>go through it should maybe just I can I can

0:18:24.640 --> 0:18:28.199
<v Speaker 2>just read a bit a chunk of plot and you

0:18:28.240 --> 0:18:30.640
<v Speaker 2>can see what what what's drummed up? Does that work

0:18:30.680 --> 0:18:33.359
<v Speaker 2>for you, Chris, just so we can kind of stay chronological,

0:18:33.359 --> 0:18:36.640
<v Speaker 2>because I know you've gotten notes script. Yeah, so let's

0:18:36.640 --> 0:18:40.080
<v Speaker 2>just go with plot from Wikipedia, dot com, dot org,

0:18:40.119 --> 0:18:40.680
<v Speaker 2>dot net.

0:18:40.760 --> 0:18:46.040
<v Speaker 1>Slash along this episode. Go go, yep, go donate to Wikipedia.

0:18:47.119 --> 0:18:49.760
<v Speaker 2>Here we go. The Mcalliser family prepares to spend Christmas

0:18:49.760 --> 0:18:52.200
<v Speaker 2>in Paris, gathering at Kate and Peter's home in Wineka,

0:18:52.320 --> 0:18:55.680
<v Speaker 2>a Chicago suburb, on the night before their departure. Kate

0:18:55.760 --> 0:18:58.440
<v Speaker 2>and Peter's youngest son, Kevin, is ridiculed by his siblings

0:18:58.440 --> 0:19:02.080
<v Speaker 2>and cousins due to his immature Kevin inadvertently ruins the

0:19:02.119 --> 0:19:04.639
<v Speaker 2>family dinner after a scuffle with his oldest brother, Buzz,

0:19:04.880 --> 0:19:07.320
<v Speaker 2>resulting in Kate punishing him by sending him up to

0:19:07.440 --> 0:19:10.840
<v Speaker 2>the attic. Frustrated with Kate for allowing the rest of

0:19:10.880 --> 0:19:12.679
<v Speaker 2>the family to pick on him, Kevin wishes that his

0:19:12.680 --> 0:19:16.199
<v Speaker 2>family would disappear. During the night, heavy winds damage electricity

0:19:16.200 --> 0:19:18.600
<v Speaker 2>and phone lines to the house, disabling the alarm clocks

0:19:18.640 --> 0:19:21.199
<v Speaker 2>and causing the family to oversleep. In the confusion and

0:19:21.280 --> 0:19:24.960
<v Speaker 2>rush to get to O'Hare airport, Kevin is accidentally left behind.

0:19:25.200 --> 0:19:27.679
<v Speaker 1>So in that opening scene, there's a lot going on.

0:19:27.760 --> 0:19:27.959
<v Speaker 2>I do.

0:19:28.320 --> 0:19:32.280
<v Speaker 1>I feel like this is anti tourism propagant, Like it's

0:19:32.280 --> 0:19:36.000
<v Speaker 1>the anti travel propaganda. It makes travel seem so fucking stressful.

0:19:36.160 --> 0:19:40.040
<v Speaker 1>And they're just like, stay home, safe in your giant house. Yeah, yeah,

0:19:40.040 --> 0:19:42.760
<v Speaker 1>it's good, stay home and consume, don't go out there.

0:19:43.040 --> 0:19:46.040
<v Speaker 1>Cultural France. I don't know why there trying to create

0:19:46.040 --> 0:19:49.240
<v Speaker 1>a fear of France. They are, yeah, they I feel

0:19:49.280 --> 0:19:52.159
<v Speaker 1>like I know in the second one, they go to

0:19:52.440 --> 0:19:56.080
<v Speaker 1>Florida and like they cut to them, just like sitting

0:19:56.080 --> 0:20:00.480
<v Speaker 1>in a shit hotel room. Well yeah, yeah, while it's reigning.

0:20:02.640 --> 0:20:06.639
<v Speaker 1>We ever see them in Paris? In this, I feel

0:20:06.640 --> 0:20:09.960
<v Speaker 1>like it's very maybe very briefly and again it's just

0:20:10.000 --> 0:20:11.320
<v Speaker 1>everybody like stuck in a hotel.

0:20:11.480 --> 0:20:14.600
<v Speaker 2>No, because it immediately becomes about his mom by the

0:20:14.720 --> 0:20:17.720
<v Speaker 2>time she turns, and then you kind of hear about

0:20:17.720 --> 0:20:19.479
<v Speaker 2>what's happening. But no, there's no like I don't think

0:20:19.520 --> 0:20:21.080
<v Speaker 2>there's any like Parisian scene.

0:20:21.160 --> 0:20:22.800
<v Speaker 3>No, there's just that scene in the hotel room, and

0:20:22.840 --> 0:20:25.200
<v Speaker 3>there's this and then John Hurd isn't his name of

0:20:25.200 --> 0:20:27.560
<v Speaker 3>the father? Yeah, he yells like he's trying to find

0:20:27.560 --> 0:20:30.920
<v Speaker 3>his son on the phone. Oh do you speak English?

0:20:31.119 --> 0:20:31.679
<v Speaker 2>Yeah?

0:20:31.720 --> 0:20:34.840
<v Speaker 3>Like really he tries, he tries to deal with these

0:20:35.280 --> 0:20:38.040
<v Speaker 3>idiotic foreigners for a little bit and then he finally

0:20:38.080 --> 0:20:40.400
<v Speaker 3>loses his temperance. Just do you speak English?

0:20:40.480 --> 0:20:41.760
<v Speaker 2>And I think that's a laugh line.

0:20:41.800 --> 0:20:43.399
<v Speaker 1>I thought there was a scene where the kids are

0:20:43.400 --> 0:20:45.320
<v Speaker 1>trying to watch TV and it's all in French.

0:20:45.680 --> 0:20:46.480
<v Speaker 3>There is.

0:20:48.040 --> 0:20:52.399
<v Speaker 1>Yeah. Yeah, it's like the worst way you can experience that,

0:20:56.240 --> 0:20:59.320
<v Speaker 1>I will say. In that opening scene where they're all

0:20:59.400 --> 0:21:02.679
<v Speaker 1>running around and getting ready and just shredding this fucking

0:21:03.080 --> 0:21:05.880
<v Speaker 1>seven year old for being a fucking idiot and being like,

0:21:06.200 --> 0:21:09.800
<v Speaker 1>you can't pack your own bags, you stupid piece of shit.

0:21:10.080 --> 0:21:10.480
<v Speaker 2>What are you?

0:21:10.720 --> 0:21:15.800
<v Speaker 1>Seven? Joe Peshy the burglar is brazenly casing the joint

0:21:16.080 --> 0:21:19.200
<v Speaker 1>by dressing as a cop and standing in their entryway,

0:21:19.640 --> 0:21:23.040
<v Speaker 1>and it is the least anyone has ever paid attention

0:21:23.160 --> 0:21:26.280
<v Speaker 1>to a cop, Like, it's just there's just I mean,

0:21:26.440 --> 0:21:29.280
<v Speaker 1>this I think is some thoroughly white ship where they're

0:21:29.320 --> 0:21:33.760
<v Speaker 1>just like a cops here. Oh well, couldn't couldn't be? Oh,

0:21:33.560 --> 0:21:36.800
<v Speaker 1>you who are in dangers here?

0:21:36.880 --> 0:21:40.040
<v Speaker 3>We're safe? Yeah we're safer because yeah.

0:21:39.760 --> 0:21:42.080
<v Speaker 2>It really is a pretty weak story too, where he's

0:21:42.119 --> 0:21:45.320
<v Speaker 2>just like so transparently casing the joint.

0:21:45.720 --> 0:21:52.359
<v Speaker 1>Ah, you're going out of town, all right, I'm talking

0:21:52.400 --> 0:21:56.280
<v Speaker 1>about Okay, you adults are fucking idiots. Only Kevin knows

0:21:56.320 --> 0:21:57.400
<v Speaker 1>that something's up here.

0:21:58.040 --> 0:22:00.000
<v Speaker 3>I'm gonna read you some notes from this first seat.

0:22:00.520 --> 0:22:01.400
<v Speaker 3>I wrote Pepsi.

0:22:02.359 --> 0:22:09.440
<v Speaker 1>Yes, I was so, I wrote the five year old.

0:22:09.920 --> 0:22:11.520
<v Speaker 3>I was like, there's something wrong with his family right

0:22:11.560 --> 0:22:13.000
<v Speaker 3>off the fucking that were you?

0:22:13.200 --> 0:22:15.560
<v Speaker 1>Were you not a pepsi family? I was a Pepsi family.

0:22:15.560 --> 0:22:18.480
<v Speaker 3>Oh my god? Really, yeah, we're crass too. We were

0:22:18.520 --> 0:22:21.040
<v Speaker 3>like Coldgate Coca Cola family. No, we were.

0:22:21.440 --> 0:22:21.760
<v Speaker 2>I don't.

0:22:21.800 --> 0:22:24.359
<v Speaker 1>I don't think we had any loyalty on toothpaste brands,

0:22:24.400 --> 0:22:28.240
<v Speaker 1>but we I think it was me driving the Pepsi thing.

0:22:28.280 --> 0:22:30.159
<v Speaker 1>I just like, I think I liked that there was

0:22:30.240 --> 0:22:33.040
<v Speaker 1>blue in the logo. I like the logo better. I

0:22:33.240 --> 0:22:34.720
<v Speaker 1>was a big Michael Jackson fan.

0:22:34.960 --> 0:22:37.280
<v Speaker 3>Well, I was. I was a we were coke people.

0:22:37.320 --> 0:22:39.920
<v Speaker 3>But I also like just just noticed, like Pepsi obviously,

0:22:40.000 --> 0:22:43.080
<v Speaker 3>you know, product placement was was, yes, you.

0:22:43.119 --> 0:22:45.399
<v Speaker 1>Know, I can't believe they had to go with little

0:22:45.440 --> 0:22:49.640
<v Speaker 1>neros instead of like Dominoes, you know, because the pad

0:22:49.840 --> 0:22:51.320
<v Speaker 1>kind of looked good to be honest.

0:22:51.520 --> 0:22:53.720
<v Speaker 3>Yeah, oh yeah, I wrote down twenty pizzas for one

0:22:53.760 --> 0:22:54.840
<v Speaker 3>hundred and twenty two dollars.

0:22:55.080 --> 0:22:58.159
<v Speaker 2>Yeah. But do you also think because right hearing Colkin

0:22:58.280 --> 0:23:01.399
<v Speaker 2>plays Fuller the younger cousin in Yeah, where they're like

0:23:01.600 --> 0:23:04.280
<v Speaker 2>he's drinking PEPs He's gonna pee the bed, that in

0:23:04.359 --> 0:23:06.679
<v Speaker 2>my mind, I really have a strong connection with pepsi

0:23:06.720 --> 0:23:09.440
<v Speaker 2>and pissing the bed for whatever. I'm like, bro, I

0:23:09.440 --> 0:23:10.560
<v Speaker 2>don't know, man, you drink.

0:23:11.160 --> 0:23:13.760
<v Speaker 3>One to Bede didn't go through the movie.

0:23:13.920 --> 0:23:15.720
<v Speaker 2>Fuller Buckminster Fuller.

0:23:15.840 --> 0:23:19.600
<v Speaker 1>I didn't wet my bed at two later, like probably

0:23:19.640 --> 0:23:23.200
<v Speaker 1>like seven, I wet my bed after going to a

0:23:23.200 --> 0:23:26.719
<v Speaker 1>party and drinking like so much soda. And I've always

0:23:26.800 --> 0:23:29.439
<v Speaker 1>I've always wondered if it had something to do it,

0:23:29.520 --> 0:23:33.720
<v Speaker 1>like you know, sugar like kind of will make you

0:23:33.800 --> 0:23:35.960
<v Speaker 1>not go to the bathroom. But then like all that,

0:23:36.040 --> 0:23:37.959
<v Speaker 1>like what is released later or something.

0:23:38.080 --> 0:23:38.480
<v Speaker 2>I don't know.

0:23:38.640 --> 0:23:40.560
<v Speaker 1>I haven't quite figured it out.

0:23:42.440 --> 0:23:46.320
<v Speaker 2>Yeah, were you at a sleep a sleepover?

0:23:46.720 --> 0:23:49.359
<v Speaker 1>No? No, it was like we were at a family party.

0:23:49.880 --> 0:23:54.160
<v Speaker 1>Drink came home, so many sodas came has just.

0:23:54.160 --> 0:23:58.320
<v Speaker 2>Gotten ripped at a family party? Come on, man, Taylor's

0:23:58.359 --> 0:23:58.760
<v Speaker 2>oldest time.

0:23:58.800 --> 0:24:01.280
<v Speaker 3>That's American too, like you know, like thinking about some

0:24:01.440 --> 0:24:03.240
<v Speaker 3>one time you pissed the bed and still trying to

0:24:03.240 --> 0:24:05.760
<v Speaker 3>think of an excuse, like fifty years later like that.

0:24:06.359 --> 0:24:10.680
<v Speaker 2>So I don't know if it was sugar, you know sugar, Yeah,

0:24:12.160 --> 0:24:16.240
<v Speaker 2>failure every human function is like I was just that

0:24:16.320 --> 0:24:18.320
<v Speaker 2>all the time when I was seven, that thought.

0:24:18.320 --> 0:24:21.160
<v Speaker 3>I was like sugar, I only did that once.

0:24:21.359 --> 0:24:22.879
<v Speaker 1>Shouldn't let me drag all the sugar?

0:24:23.359 --> 0:24:24.000
<v Speaker 2>It is wild?

0:24:24.040 --> 0:24:26.879
<v Speaker 1>How like I don't think many people let kids drink

0:24:27.119 --> 0:24:31.240
<v Speaker 1>PEPSI or coke like at age five these days, you.

0:24:31.200 --> 0:24:32.960
<v Speaker 2>Know, no, not in Biden's America.

0:24:33.160 --> 0:24:38.560
<v Speaker 3>Yeah, no, exactly, So PEPSI, no phones, educated children, friendly

0:24:38.640 --> 0:24:44.239
<v Speaker 3>cop huge amount of electricity, middle class, twenty pizzas, one

0:24:44.280 --> 0:24:48.520
<v Speaker 3>hundred and twenty two dollars, America's dumb attitude toward other countries.

0:24:48.560 --> 0:24:51.240
<v Speaker 3>And then I wrote Christmas with the Trumps.

0:24:52.840 --> 0:24:56.560
<v Speaker 1>The which Donald Trump. Uh. Probably his most famous media

0:24:56.640 --> 0:24:59.520
<v Speaker 1>hit up to The Apprentice was his appearance and Home alone.

0:24:59.560 --> 0:25:01.959
<v Speaker 2>Two. Wait did you write down? So they got twenty

0:25:02.000 --> 0:25:03.639
<v Speaker 2>pizzas for one hundred that's what that pizza?

0:25:03.760 --> 0:25:07.600
<v Speaker 1>I don't know, ten pizzas for one hundred and twenty dollars,

0:25:07.600 --> 0:25:10.840
<v Speaker 1>so twelve dollars per pizza. And but they're like, what

0:25:10.840 --> 0:25:12.679
<v Speaker 1>the fuck is this hotway robbery?

0:25:12.840 --> 0:25:15.119
<v Speaker 3>But I think pizza is probably the same price now,

0:25:15.119 --> 0:25:17.679
<v Speaker 3>it's just that wages are so low or wages are

0:25:17.760 --> 0:25:20.720
<v Speaker 3>no sorry, what am I saying? Pizza's higher? Yeah, like

0:25:20.800 --> 0:25:23.159
<v Speaker 3>you'd never be able to get way higher and wages

0:25:23.200 --> 0:25:23.840
<v Speaker 3>would be the same.

0:25:23.920 --> 0:25:26.879
<v Speaker 2>Probably you could find a twelve dollars pizza though, you

0:25:26.920 --> 0:25:28.640
<v Speaker 2>know what I mean, Like you get you can get

0:25:28.680 --> 0:25:30.879
<v Speaker 2>a little Caesars.

0:25:29.960 --> 0:25:32.480
<v Speaker 1>Not for the hot from a little neros that place,

0:25:33.160 --> 0:25:38.879
<v Speaker 1>Hi not shit, and the delivery people drive it to

0:25:38.920 --> 0:25:43.800
<v Speaker 1>you ship faced it would appear I do the electricity.

0:25:44.240 --> 0:25:47.720
<v Speaker 1>How brightly lit the houses are is such a good call.

0:25:48.200 --> 0:25:50.920
<v Speaker 1>Like I still remember. That's the thing I remember about

0:25:50.960 --> 0:25:53.439
<v Speaker 1>the fake party. He throws with a cutout Michael Jordan

0:25:53.960 --> 0:25:57.160
<v Speaker 1>is like every house in every light in the house

0:25:57.320 --> 0:26:00.240
<v Speaker 1>is like turned on. The place is fucking glowing like

0:26:00.280 --> 0:26:04.040
<v Speaker 1>a Christmas tree, and it just seems so happy. It

0:26:04.119 --> 0:26:07.920
<v Speaker 1>is a celebration of just burning electricity as much as

0:26:07.920 --> 0:26:08.280
<v Speaker 1>you can.

0:26:08.600 --> 0:26:11.520
<v Speaker 2>Absolutely it's you know, like we didn't know much about

0:26:11.520 --> 0:26:13.960
<v Speaker 2>climate or anything like that, so yeah, just run your

0:26:14.040 --> 0:26:17.800
<v Speaker 2>incandescent bulbs because like that shit probably costs a lot

0:26:17.840 --> 0:26:20.080
<v Speaker 2>too when you think about how energy and efficient that is.

0:26:20.119 --> 0:26:22.040
<v Speaker 2>But it their flexes all around.

0:26:22.200 --> 0:26:25.040
<v Speaker 1>The pizza guy treated like kind of a dipshit when

0:26:25.040 --> 0:26:28.000
<v Speaker 1>we first see him. I could I can never read.

0:26:28.040 --> 0:26:30.280
<v Speaker 1>Do you guys think he's being sarcastic when he says

0:26:30.560 --> 0:26:33.040
<v Speaker 1>nice tip? He kind of delivers its leg.

0:26:33.119 --> 0:26:34.080
<v Speaker 2>I've always taken it.

0:26:35.160 --> 0:26:35.639
<v Speaker 3>I thought it.

0:26:36.320 --> 0:26:38.720
<v Speaker 2>Yeah, I know it because it totally could be bad acting.

0:26:38.760 --> 0:26:40.040
<v Speaker 2>But I always thought I was being a dick.

0:26:40.440 --> 0:26:42.800
<v Speaker 3>Yeah, it seems like nice, I thought they were just

0:26:42.840 --> 0:26:44.600
<v Speaker 3>trying to establish that these people were generous.

0:26:44.600 --> 0:26:47.960
<v Speaker 1>I thought it was yeah to be acting bad. Yeah,

0:26:48.040 --> 0:26:51.399
<v Speaker 1>and he's an asshole. But then Kevin later makes him

0:26:51.440 --> 0:26:54.240
<v Speaker 1>think that he's about to be murdered, which like with

0:26:54.520 --> 0:26:58.280
<v Speaker 1>no real justification other than like, I guess he needs

0:26:58.320 --> 0:27:02.760
<v Speaker 1>to eat. But again they're just like, hey, he's a

0:27:02.840 --> 0:27:05.560
<v Speaker 1>fucking stupid pizza delivery man who gives a ship.

0:27:05.640 --> 0:27:07.800
<v Speaker 3>Well, why did the pizza guy keep running into that

0:27:07.920 --> 0:27:11.000
<v Speaker 3>lawn jockey? And why was there a lawn jockey? But

0:27:11.080 --> 0:27:13.040
<v Speaker 3>why was there a lawn jockey? I mean even in

0:27:13.119 --> 0:27:14.919
<v Speaker 3>nineteen ninety lawn jockeys were.

0:27:15.800 --> 0:27:19.320
<v Speaker 2>Let me just see what he says from the niceness, how.

0:27:19.240 --> 0:27:20.960
<v Speaker 3>Come you bring more Chief pizzas?

0:27:22.560 --> 0:27:23.080
<v Speaker 2>Nice tip?

0:27:23.160 --> 0:27:23.720
<v Speaker 3>Thanks a lot.

0:27:24.080 --> 0:27:24.359
<v Speaker 1>Thanks?

0:27:24.720 --> 0:27:28.040
<v Speaker 2>He might be yes, actually just a bad actor. Yeah,

0:27:28.119 --> 0:27:30.440
<v Speaker 2>there's they're supposed to be that tip thanks a lot.

0:27:30.600 --> 0:27:32.879
<v Speaker 3>Wow. These people are using most of the resources of

0:27:32.920 --> 0:27:34.200
<v Speaker 3>this country, but they tip.

0:27:34.280 --> 0:27:39.399
<v Speaker 1>Well, yeah, every light in the whole fucking house is

0:27:39.520 --> 0:27:40.600
<v Speaker 1>on at all.

0:27:42.119 --> 0:27:45.000
<v Speaker 3>Our department loaded it up too much, like it had

0:27:45.280 --> 0:27:46.280
<v Speaker 3>everything in there.

0:27:46.520 --> 0:27:49.680
<v Speaker 1>Increasingly that will be what people notice about this movie.

0:27:49.960 --> 0:27:52.640
<v Speaker 1>Like as we get further further into a world where

0:27:52.720 --> 0:27:55.280
<v Speaker 1>like you have to pay so much money for electricity

0:27:55.320 --> 0:27:58.680
<v Speaker 1>because they're using it all on AI and shit, people

0:27:58.720 --> 0:28:01.760
<v Speaker 1>are just gonna be like wow, wow, Wow, people are living.

0:28:02.000 --> 0:28:04.359
<v Speaker 3>Probably didn't mean to make him seem so rich. I

0:28:04.440 --> 0:28:08.480
<v Speaker 3>think it probably just didn't look as abnormal well back then.

0:28:09.040 --> 0:28:10.719
<v Speaker 2>But yeah, I mean it's just that thing that all

0:28:10.800 --> 0:28:13.840
<v Speaker 2>media did was like it was this very high level

0:28:13.960 --> 0:28:17.119
<v Speaker 2>version of what normal was. So you're like, damn, Like

0:28:17.200 --> 0:28:19.120
<v Speaker 2>you know, just like the same way on like TV

0:28:19.280 --> 0:28:22.000
<v Speaker 2>shows people they're never gonna it's never gonna actually reflect

0:28:22.080 --> 0:28:23.560
<v Speaker 2>what the living conditions are for most.

0:28:23.680 --> 0:28:25.680
<v Speaker 1>Yeah, it was all whi fulfilm and it was like

0:28:25.880 --> 0:28:28.200
<v Speaker 1>Friends or you know, this is a John Hughes movie.

0:28:28.520 --> 0:28:31.440
<v Speaker 1>Like he's the same person who made Ferris Bueller's Day Off,

0:28:31.640 --> 0:28:34.120
<v Speaker 1>where like the kid you're supposed to the two kids

0:28:34.160 --> 0:28:37.760
<v Speaker 1>you're supposed to like identify with as like the protagonists

0:28:37.800 --> 0:28:40.560
<v Speaker 1>of the movie are like incredibly well, that's true, Like

0:28:40.680 --> 0:28:42.120
<v Speaker 1>she didn't be any richer.

0:28:42.920 --> 0:28:46.800
<v Speaker 2>Like Cameron's house. I'm like, what the fuck your parents

0:28:46.920 --> 0:28:49.320
<v Speaker 2>they fucking own black Rock or something.

0:28:49.320 --> 0:28:51.120
<v Speaker 1>But his dad, his dad has to work really hard,

0:28:51.200 --> 0:28:53.000
<v Speaker 1>so he's like not always that black rock back then?

0:28:53.080 --> 0:28:55.840
<v Speaker 3>Was he probably his dad probably down a gas station. Yeah,

0:28:57.840 --> 0:29:00.200
<v Speaker 3>like the economy was so different, like it was there

0:29:00.240 --> 0:29:03.520
<v Speaker 3>were no billionaires around. They were just like there was

0:29:03.600 --> 0:29:06.480
<v Speaker 3>so much less resentment. I am old enough to remember that. Like,

0:29:06.560 --> 0:29:08.720
<v Speaker 3>I mean, you you knew these kind of people were rich,

0:29:08.800 --> 0:29:10.920
<v Speaker 3>but you didn't necessarily want to burn their fucking house,

0:29:11.160 --> 0:29:11.760
<v Speaker 3>you did, because.

0:29:11.560 --> 0:29:13.680
<v Speaker 2>They weren't to your disenfranchisement.

0:29:13.760 --> 0:29:17.080
<v Speaker 3>They weren't like they hadn't quite figured out. The monopolies

0:29:17.120 --> 0:29:19.640
<v Speaker 3>were still building. You know, we're at the moment where

0:29:19.680 --> 0:29:22.560
<v Speaker 3>they've all like fully bloomed, you know, But back then,

0:29:22.680 --> 0:29:24.480
<v Speaker 3>like there was such a thing as a middle class

0:29:24.520 --> 0:29:26.480
<v Speaker 3>that sort of was happy enough that they didn't want

0:29:26.480 --> 0:29:29.200
<v Speaker 3>to strangle these people when they delivered their pizza, Like

0:29:29.240 --> 0:29:31.600
<v Speaker 3>they would knock over their lawn jockey, but they put

0:29:31.640 --> 0:29:33.280
<v Speaker 3>it back up for real, you know what I mean,

0:29:33.360 --> 0:29:35.480
<v Speaker 3>Like as now they'd piss on the long jockey after

0:29:35.520 --> 0:29:38.600
<v Speaker 3>they and so they should be pissing on lawn jockeys

0:29:38.640 --> 0:29:40.920
<v Speaker 3>because lawn jockeys are racist. And I didn't understand why

0:29:40.920 --> 0:29:43.400
<v Speaker 3>they wanted to establish this family was racist right out

0:29:43.400 --> 0:29:45.080
<v Speaker 3>of the gate, because that's one of the first things

0:29:45.120 --> 0:29:47.000
<v Speaker 3>that happens. It is supposed to be wacky, and I

0:29:47.080 --> 0:29:48.560
<v Speaker 3>just couldn't figure out if it was a statement. But

0:29:48.600 --> 0:29:50.120
<v Speaker 3>I don't think it was any kind of statement. I

0:29:50.120 --> 0:29:52.040
<v Speaker 3>think it was just supposed to be somebody hitting a lock.

0:29:52.240 --> 0:29:56.320
<v Speaker 2>These idiotic wage workers yet my lawn jockey.

0:29:56.560 --> 0:29:59.680
<v Speaker 1>Yeah, you know how much I paid for that lawn jockey.

0:29:59.760 --> 0:30:02.000
<v Speaker 2>You know much I paid for this airport shuttle van.

0:30:02.440 --> 0:30:04.480
<v Speaker 3>Yeah, But those people could go back to their part

0:30:04.520 --> 0:30:07.080
<v Speaker 3>of town and like have a fucking pot luck and

0:30:07.120 --> 0:30:09.800
<v Speaker 3>everybody could get laid and smoke cigarettes or whatever. And

0:30:10.360 --> 0:30:14.400
<v Speaker 3>they were not that mad at the electricity gobblers across town.

0:30:14.520 --> 0:30:16.480
<v Speaker 3>We're going to France because they thought they were idiots anyway,

0:30:16.520 --> 0:30:18.120
<v Speaker 3>because they're like, who needs France? And we got this

0:30:18.280 --> 0:30:21.800
<v Speaker 3>keg of beer and these cigarettes. So I just think, like,

0:30:22.040 --> 0:30:26.680
<v Speaker 3>there's like this show, this movie, show this whatever, show's stability.

0:30:26.800 --> 0:30:30.400
<v Speaker 3>You know, it's exaggerated, but there was, you know, unless

0:30:30.440 --> 0:30:32.200
<v Speaker 3>you I mean, of course, you have the factor in

0:30:32.360 --> 0:30:35.120
<v Speaker 3>like it's never for white people. I guess I would

0:30:35.160 --> 0:30:37.360
<v Speaker 3>say everybody in this movie's white. So I'm you know,

0:30:37.480 --> 0:30:40.800
<v Speaker 3>as far as white people went, things were definitely more

0:30:40.840 --> 0:30:42.840
<v Speaker 3>stable for white people in nineteen ninety.

0:30:43.160 --> 0:30:45.480
<v Speaker 2>Yeah, And I think just general the class consciousness to

0:30:45.560 --> 0:30:47.920
<v Speaker 2>your point, broadly also just wasn't really there in that

0:30:48.080 --> 0:30:50.840
<v Speaker 2>sense either. It's like some people are rich, and some people.

0:30:51.600 --> 0:30:56.520
<v Speaker 3>Will take away people's fucking ability to pay rent. It's

0:30:56.600 --> 0:30:59.640
<v Speaker 3>on you know, you take away. If someone could pay

0:30:59.680 --> 0:31:02.120
<v Speaker 3>the rent even and have a dart board, you know

0:31:02.200 --> 0:31:05.800
<v Speaker 3>they're gonna be okay. You know, they can house, yes

0:31:05.920 --> 0:31:07.640
<v Speaker 3>they need a house, a dart you know, or an

0:31:07.640 --> 0:31:09.560
<v Speaker 3>apartment doesn't even have to be a house, just something

0:31:09.600 --> 0:31:12.240
<v Speaker 3>they can pay off without losing their ship, you know,

0:31:13.640 --> 0:31:18.360
<v Speaker 3>and enough money, you know, then you have you know,

0:31:18.440 --> 0:31:21.360
<v Speaker 3>you can have those kinds of relationships where you don't

0:31:21.400 --> 0:31:24.240
<v Speaker 3>want to just you know, knock these people out. But now,

0:31:24.480 --> 0:31:26.400
<v Speaker 3>like the airport shuttle guy, if somebody makes a joke

0:31:26.440 --> 0:31:29.200
<v Speaker 3>about the mileage, probably fucking abandons the wheels, starts jumps

0:31:29.200 --> 0:31:31.120
<v Speaker 3>in the back seat and starts trying to kill.

0:31:30.960 --> 0:31:33.200
<v Speaker 2>Everyone, or just jump jump out the driver's seat on

0:31:33.280 --> 0:31:35.800
<v Speaker 2>pH and like good luck, yeah something, you know.

0:31:35.800 --> 0:31:36.080
<v Speaker 1>What I mean.

0:31:36.120 --> 0:31:38.560
<v Speaker 3>And then people will be like, man, society's gone downhill.

0:31:38.640 --> 0:31:39.959
<v Speaker 3>I remember when he used to be able to make

0:31:40.040 --> 0:31:42.080
<v Speaker 3>jokes to these wage workers and they didn't go berserk.

0:31:42.600 --> 0:31:47.440
<v Speaker 3>But that's that's what It's not their fault. It's just

0:31:47.520 --> 0:31:49.160
<v Speaker 3>that they're hanging by a fucking thread.

0:31:49.240 --> 0:31:52.440
<v Speaker 2>Now, all right, So the next section of plot, if

0:31:52.480 --> 0:31:56.000
<v Speaker 2>there's anything, so now Kevin's been left behind, He's like,

0:31:56.120 --> 0:31:58.880
<v Speaker 2>what the fuck happened? Kevin wakes up to find the

0:31:58.920 --> 0:32:01.160
<v Speaker 2>house empty and the family cars still in the garage,

0:32:01.280 --> 0:32:04.840
<v Speaker 2>unaware that they had rented vans from poor people to

0:32:04.920 --> 0:32:07.560
<v Speaker 2>take them to the airport. Thinking that his wish has

0:32:07.600 --> 0:32:10.960
<v Speaker 2>come true, he's overjoyed with his newfound freedom. Later, Kevin

0:32:11.000 --> 0:32:15.120
<v Speaker 2>becomes frightened by his eccentric next door neighbor, old Man Marley,

0:32:15.480 --> 0:32:18.560
<v Speaker 2>rumored to be a serial killer nicknamed the South Bend

0:32:18.760 --> 0:32:24.040
<v Speaker 2>shovel Slayer, a murdered his own family agent mccowster. Home

0:32:24.120 --> 0:32:26.560
<v Speaker 2>is soon stocked by the Wet Bandits Harry and Marv,

0:32:26.600 --> 0:32:28.720
<v Speaker 2>a pair of burglars who have been breaking into the

0:32:28.760 --> 0:32:31.000
<v Speaker 2>other houses in the neighborhood where the families are on vacation.

0:32:31.400 --> 0:32:34.320
<v Speaker 2>Kevin tricks them into thinking that his family is still home,

0:32:34.560 --> 0:32:38.080
<v Speaker 2>forcing them to postpone their plans to rob the mcollister house.

0:32:38.560 --> 0:32:41.240
<v Speaker 1>The shot where they like go up to break into

0:32:41.280 --> 0:32:44.040
<v Speaker 1>the back door and he turns on the light and

0:32:44.120 --> 0:32:46.160
<v Speaker 1>they're like, hey, someone's here, let's get out. Of here

0:32:46.280 --> 0:32:50.320
<v Speaker 1>and scurry away is like that. I just remember seeing

0:32:50.400 --> 0:32:54.120
<v Speaker 1>that in so many like alarm system commercials where it

0:32:54.240 --> 0:32:56.560
<v Speaker 1>was like, oh, you know, lights that turn turn on,

0:32:56.760 --> 0:33:02.760
<v Speaker 1>and like it's created a genre of like alarm system commercials,

0:33:02.880 --> 0:33:06.640
<v Speaker 1>like that's exactly how every Burglar dressed that, just like

0:33:06.760 --> 0:33:10.160
<v Speaker 1>the nit cap with yeah right, and if it wasn't wintertime,

0:33:10.640 --> 0:33:12.640
<v Speaker 1>crow bar, you have that a crow bar.

0:33:12.880 --> 0:33:14.920
<v Speaker 2>You gotta have a nit cap. You gotta be wearing

0:33:14.960 --> 0:33:19.520
<v Speaker 2>all black. Yeah, And that's like a little yeah exactly

0:33:19.600 --> 0:33:21.720
<v Speaker 2>the way Growar DJ.

0:33:21.640 --> 0:33:25.160
<v Speaker 1>Is dressed like Burglar's wet bandit core. Let's what the

0:33:25.240 --> 0:33:27.440
<v Speaker 1>kids are doing these days. Yeah.

0:33:27.640 --> 0:33:31.720
<v Speaker 2>The Old Man. When you first saw the film Old

0:33:31.800 --> 0:33:33.560
<v Speaker 2>Man Mark, I remember being like, oh, this guy's a

0:33:33.640 --> 0:33:38.080
<v Speaker 2>fucking murderer. I remember that for the right. I'm like,

0:33:38.160 --> 0:33:41.400
<v Speaker 2>this guy's a fucking sick murder and he killed his family,

0:33:41.640 --> 0:33:43.200
<v Speaker 2>and like what he's doing, he.

0:33:43.280 --> 0:33:49.080
<v Speaker 1>Saw a lot of just questionable decisions to just glare

0:33:49.160 --> 0:33:52.760
<v Speaker 1>at children while standing there something without saying anything. As

0:33:52.800 --> 0:33:55.840
<v Speaker 1>I stream and run away from him, he doesn't, he doesn't.

0:33:56.640 --> 0:33:59.280
<v Speaker 1>And then when you see him later when he finally

0:33:59.320 --> 0:34:01.000
<v Speaker 1>explains him off, he's like, hey.

0:34:02.800 --> 0:34:05.400
<v Speaker 3>You yeah, less dramatic pauses.

0:34:05.480 --> 0:34:09.239
<v Speaker 2>Buddy, Yeah, yeah, yeah, don't give don't give kids a

0:34:09.360 --> 0:34:10.880
<v Speaker 2>thousand yards stare for.

0:34:10.960 --> 0:34:11.680
<v Speaker 1>The I do.

0:34:11.920 --> 0:34:13.880
<v Speaker 3>That guy is me, Like, I'm like I could. I

0:34:13.960 --> 0:34:15.520
<v Speaker 3>felt bad for that guy because I was like, this

0:34:15.719 --> 0:34:18.200
<v Speaker 3>is me. I'm that guy with the shovel at this age,

0:34:18.280 --> 0:34:20.319
<v Speaker 3>not when I watched him. I never saw at this age.

0:34:20.360 --> 0:34:22.160
<v Speaker 3>Right now, I'm like, I'm like that, they better stop

0:34:22.280 --> 0:34:24.279
<v Speaker 3>yelling at that guy. He's probably got some stuff going on.

0:34:24.880 --> 0:34:27.200
<v Speaker 1>Old neighbors all have legends about you.

0:34:27.640 --> 0:34:29.879
<v Speaker 3>Yeah, exactly. The only difference with me is I talk

0:34:30.200 --> 0:34:31.279
<v Speaker 3>immediately and a lot.

0:34:31.840 --> 0:34:34.680
<v Speaker 2>He turns his victims into cold brew and he drinks it.

0:34:35.040 --> 0:34:38.080
<v Speaker 3>Yeah yeah, but I'd be like, no, I don't what

0:34:38.320 --> 0:34:40.920
<v Speaker 3>the hell, but that guy, I felt bad for you

0:34:41.080 --> 0:34:42.799
<v Speaker 3>because I was like, this is more of this ship

0:34:43.000 --> 0:34:45.000
<v Speaker 3>or the other you know, othering of like you know,

0:34:45.080 --> 0:34:47.959
<v Speaker 3>i mean sure he was like acting creepy, but still

0:34:48.080 --> 0:34:50.440
<v Speaker 3>it's just like all these things that used to be innocent.

0:34:50.520 --> 0:34:52.719
<v Speaker 3>Now I'm like, Oh, teach people to be afraid of

0:34:52.840 --> 0:34:53.400
<v Speaker 3>old guys.

0:34:53.840 --> 0:34:58.719
<v Speaker 1>Yeah, adult bashing the stand for it.

0:34:59.080 --> 0:35:03.160
<v Speaker 3>Old people are yeah, yeah, oh great, well that's half

0:35:03.200 --> 0:35:05.560
<v Speaker 3>your life, So have a nice time, everybody.

0:35:07.960 --> 0:35:11.160
<v Speaker 2>Chris any loose notes up until the point where the

0:35:11.280 --> 0:35:13.040
<v Speaker 2>mom realizes Kevin has gone.

0:35:13.200 --> 0:35:15.680
<v Speaker 3>And what no, there's got some thoughts about the mom

0:35:16.360 --> 0:35:18.040
<v Speaker 3>okay at the airport, But we can get to that.

0:35:18.280 --> 0:35:19.200
<v Speaker 2>We're going to get to that then.

0:35:19.280 --> 0:35:21.880
<v Speaker 3>Other than that, just the shoveler I wrote down. The

0:35:21.960 --> 0:35:26.239
<v Speaker 3>shoveler guy is sewing fear of the other. He is

0:35:26.280 --> 0:35:27.440
<v Speaker 3>the poor or the elderly.

0:35:28.680 --> 0:35:33.600
<v Speaker 2>Hell yeah, dude. So then Kate McAllister realizes mid flight

0:35:33.680 --> 0:35:36.319
<v Speaker 2>that Kevin was left behind, and upon arrival in Paris,

0:35:36.400 --> 0:35:38.879
<v Speaker 2>Kate plans to return home immediately due to Kevin being

0:35:39.000 --> 0:35:44.840
<v Speaker 2>home alone. That all nailed it, but the family discovers

0:35:44.880 --> 0:35:46.840
<v Speaker 2>that all flights of the next two days are booked

0:35:46.920 --> 0:35:49.399
<v Speaker 2>and that the phone lines are still down back home

0:35:49.440 --> 0:35:54.080
<v Speaker 2>in Chicago. How whimsical the phone line no way to

0:35:54.520 --> 0:35:56.960
<v Speaker 2>contact that part of the world. Oh well, I guess

0:35:57.000 --> 0:36:00.440
<v Speaker 2>people just died. Like it's just terribly fucked up. Ways

0:36:00.480 --> 0:36:03.440
<v Speaker 2>when the phone lines went down, you like these like really.

0:36:03.400 --> 0:36:04.120
<v Speaker 3>Thought about that?

0:36:05.520 --> 0:36:07.200
<v Speaker 1>You want story about that?

0:36:07.360 --> 0:36:07.520
<v Speaker 2>Man?

0:36:07.560 --> 0:36:09.520
<v Speaker 1>You drink?

0:36:09.600 --> 0:36:12.319
<v Speaker 3>You just drink. And when the boone lines were up,

0:36:12.360 --> 0:36:13.000
<v Speaker 3>you also drink.

0:36:13.120 --> 0:36:13.719
<v Speaker 2>Yeah, right good?

0:36:13.760 --> 0:36:16.800
<v Speaker 1>What if Kevin had gotten ship faced the second his parents.

0:36:16.600 --> 0:36:19.920
<v Speaker 2>Are Oh my god, right, he was pretending with that

0:36:20.040 --> 0:36:23.759
<v Speaker 2>after shave. I'm surprised at it.

0:36:24.520 --> 0:36:26.560
<v Speaker 3>Very whimsical. I know people i've met in AA you

0:36:26.640 --> 0:36:28.160
<v Speaker 3>started drinking when they were eight. He was a very

0:36:28.239 --> 0:36:31.319
<v Speaker 3>whimsical eight year old, I know, just Dray Clean, living

0:36:31.440 --> 0:36:32.319
<v Speaker 3>popcorn and singing.

0:36:32.719 --> 0:36:35.880
<v Speaker 2>He was more Yeah, traumatic brain injuries he could put

0:36:35.960 --> 0:36:37.520
<v Speaker 2>due to adults with paint cans.

0:36:37.760 --> 0:36:42.720
<v Speaker 1>The one example of like middle class people being fucking

0:36:42.840 --> 0:36:44.920
<v Speaker 1>idiots and terrible at their job that I feel like

0:36:44.960 --> 0:36:49.239
<v Speaker 1>this movie my nail is the police being completely helpless. Uh,

0:36:49.960 --> 0:36:53.160
<v Speaker 1>they're so bad. There's like, all right, she says, their

0:36:53.239 --> 0:36:57.719
<v Speaker 1>kids home alone. She also again like a convenient uh

0:36:58.160 --> 0:37:01.080
<v Speaker 1>inability to talk at certain point is just like my

0:37:01.360 --> 0:37:04.440
<v Speaker 1>child is home alone. Instead of telling the whole detail

0:37:04.520 --> 0:37:08.279
<v Speaker 1>of like he's definitely there, we are in pair like

0:37:08.480 --> 0:37:10.759
<v Speaker 1>just explaining it. She would just be like, my child

0:37:10.840 --> 0:37:13.080
<v Speaker 1>is home alone, would you please go check on him?

0:37:13.600 --> 0:37:16.160
<v Speaker 1>Is like not enough information you need to be like

0:37:16.719 --> 0:37:20.440
<v Speaker 1>he's eight, he's there all by himself, right, and that

0:37:20.640 --> 0:37:23.440
<v Speaker 1>the person just knocks on the door and then doesn't

0:37:23.880 --> 0:37:26.120
<v Speaker 1>and then is like, I don't know what this lady's

0:37:26.160 --> 0:37:28.600
<v Speaker 1>talking about. This is a completely empty house with all

0:37:28.640 --> 0:37:29.120
<v Speaker 1>the lights on.

0:37:30.040 --> 0:37:31.920
<v Speaker 3>Yeah, yeah, sometimes they got to do that. Yeah, they

0:37:31.960 --> 0:37:33.840
<v Speaker 3>got to do that in the movies. Yeah, I mean

0:37:34.320 --> 0:37:35.719
<v Speaker 3>say less than they normally would.

0:37:36.000 --> 0:37:37.719
<v Speaker 2>Yes, I mean yeah, I'm glad that they at least

0:37:37.840 --> 0:37:40.839
<v Speaker 2>made the police look completely incompetent at their job.

0:37:41.000 --> 0:37:43.200
<v Speaker 1>Right, So would not be the case for a for

0:37:43.320 --> 0:37:46.560
<v Speaker 1>a cop who is a documentary part of them? Yeah yeah, right,

0:37:46.760 --> 0:37:50.120
<v Speaker 1>not not for this class of family. Though this story

0:37:50.200 --> 0:37:52.960
<v Speaker 1>would have been on the local news the first night

0:37:53.120 --> 0:37:57.160
<v Speaker 1>that they left, like they they would have been handlelight

0:37:57.280 --> 0:38:01.640
<v Speaker 1>vigil Yes, exactly, every o the South.

0:38:01.480 --> 0:38:03.120
<v Speaker 3>Side of Chicago. They wouldn't have shown up at all.

0:38:03.160 --> 0:38:04.720
<v Speaker 2>It wouldn't shown up at all, exactly.

0:38:04.920 --> 0:38:07.080
<v Speaker 1>It wouldn't have been able to get through to the cops. Uh.

0:38:07.360 --> 0:38:10.560
<v Speaker 2>So we go back to the plot here, the phone

0:38:10.600 --> 0:38:12.319
<v Speaker 2>mines are down, Peter and the rest of the family

0:38:12.440 --> 0:38:15.640
<v Speaker 2>stay at his brother Rob's apartment in Paris, while Kate

0:38:15.719 --> 0:38:17.600
<v Speaker 2>stays at the airport and hopes of finding a seat

0:38:17.640 --> 0:38:20.920
<v Speaker 2>on an outbound flight to Chicago. More quickly, Kate is understed,

0:38:21.080 --> 0:38:24.560
<v Speaker 2>been stanky, but this was a wild part. Remember this

0:38:24.719 --> 0:38:29.520
<v Speaker 2>is a couple ticket trades. Later, she's able to get

0:38:29.560 --> 0:38:35.200
<v Speaker 2>to Dallas, Texas, and then Flats, Dallas, Texas. Yes, I

0:38:35.320 --> 0:38:38.040
<v Speaker 2>convinces a couple to trade tickets to Dallas with her,

0:38:38.280 --> 0:38:42.000
<v Speaker 2>and then then she flies to Scranton and meets Gus

0:38:42.080 --> 0:38:44.160
<v Speaker 2>Polinski John Candy.

0:38:44.080 --> 0:38:45.959
<v Speaker 1>The only leader of the po we call her people

0:38:46.000 --> 0:38:46.479
<v Speaker 1>in the movie.

0:38:46.719 --> 0:38:48.759
<v Speaker 3>He's barely in He's in it so little. I was

0:38:48.800 --> 0:38:50.120
<v Speaker 3>surprised they didn't give him much.

0:38:50.360 --> 0:38:52.640
<v Speaker 1>He wasn't supposed to be in it, right, Yeah, he

0:38:53.000 --> 0:38:55.680
<v Speaker 1>appeared in this movie as a favorite to John Hughes'

0:38:56.560 --> 0:38:59.440
<v Speaker 1>I guess in exchange for like Uncle Buck, and he

0:39:00.280 --> 0:39:02.959
<v Speaker 1>like did his role in Home Alone. He was paid

0:39:03.080 --> 0:39:05.759
<v Speaker 1>like a little over one thousand dollars for like the

0:39:05.800 --> 0:39:08.600
<v Speaker 1>Wikipedia is like in exchange for that, he was allowed

0:39:08.680 --> 0:39:12.439
<v Speaker 1>to improvise his whole like everyone dialogue, not learn any

0:39:12.520 --> 0:39:17.520
<v Speaker 1>of I know you could tell right. It is also

0:39:17.680 --> 0:39:20.040
<v Speaker 1>interesting there's a I just noticed it for the first

0:39:20.080 --> 0:39:23.520
<v Speaker 1>time this time that she literally says, like I would

0:39:23.640 --> 0:39:26.160
<v Speaker 1>do a deal with the devil to go back and

0:39:26.880 --> 0:39:29.320
<v Speaker 1>to get to Chicago. And that's when he like taps

0:39:29.400 --> 0:39:33.000
<v Speaker 1>on her shoulder. I was setting it up because she

0:39:33.200 --> 0:39:36.480
<v Speaker 1>is like getting into a van with a bunch of

0:39:36.640 --> 0:39:40.400
<v Speaker 1>men who like could do anything, and they kind of

0:39:40.480 --> 0:39:42.279
<v Speaker 1>set it up as if it could go in that

0:39:42.440 --> 0:39:44.520
<v Speaker 1>direction where she's like, I'll do a deal with the

0:39:44.600 --> 0:39:47.719
<v Speaker 1>devil and then he's like, hey, hey hello, then he's

0:39:47.840 --> 0:39:48.800
<v Speaker 1>he's just John Candy.

0:39:49.200 --> 0:39:51.880
<v Speaker 2>Yeah, yeah, the devil and.

0:39:51.920 --> 0:39:54.760
<v Speaker 3>This if this movie was directed by your ghosts, whatever

0:39:54.840 --> 0:39:59.400
<v Speaker 3>is to become a horror movie. At that point, noverybody

0:39:59.520 --> 0:40:02.200
<v Speaker 3>was like, he's genius. Oh my gosh, you're kidnapped. My

0:40:02.400 --> 0:40:04.799
<v Speaker 3>oh god, this is we have ever seen in my life.

0:40:05.000 --> 0:40:06.480
<v Speaker 2>Look what a mother's desperation.

0:40:06.760 --> 0:40:10.880
<v Speaker 3>He changed tone with no warning. He's a genius. I

0:40:11.000 --> 0:40:14.120
<v Speaker 3>fucking saw that movie Pogonia, and I want to oh god,

0:40:14.880 --> 0:40:21.320
<v Speaker 3>oh that holy well. If I know that guy directed

0:40:21.400 --> 0:40:23.319
<v Speaker 3>the Lobster, I never would have walked in the theater.

0:40:23.360 --> 0:40:25.600
<v Speaker 3>I just didn't know. The Lobster made me madder than

0:40:25.680 --> 0:40:26.880
<v Speaker 3>almost anything in the world.

0:40:29.040 --> 0:40:32.440
<v Speaker 1>Uh is dog Tooth if you've ever seen dog Tooth?

0:40:32.640 --> 0:40:34.360
<v Speaker 3>Anyway, Begonia made me mad because it was one of

0:40:34.400 --> 0:40:36.640
<v Speaker 3>those things where it's like a surprise ending or whatever.

0:40:36.920 --> 0:40:38.600
<v Speaker 3>After you go through a whole movie where you're supposed

0:40:38.600 --> 0:40:40.160
<v Speaker 3>to be you think you're supposed to be learning something.

0:40:40.360 --> 0:40:43.000
<v Speaker 2>Anyway, well, what did you learn about Kate McAllister? You

0:40:43.040 --> 0:40:44.480
<v Speaker 2>said you had a couple of notes about the mother

0:40:44.560 --> 0:40:45.280
<v Speaker 2>at this point.

0:40:45.440 --> 0:40:49.400
<v Speaker 3>Uh, white ladies trying to make their problems into other

0:40:49.440 --> 0:40:57.040
<v Speaker 3>people's problems, a little pandemic preview. I demand, I demand

0:40:57.280 --> 0:40:59.440
<v Speaker 3>the supply chain work for me immediately.

0:41:06.320 --> 0:41:09.279
<v Speaker 1>She just happens, Like I feel like the way the

0:41:09.760 --> 0:41:12.880
<v Speaker 1>writers were thinking of it is like she's using everything

0:41:13.040 --> 0:41:15.520
<v Speaker 1>on her. She's like being resourceful to like get back.

0:41:15.560 --> 0:41:18.799
<v Speaker 1>She's trading her ear rings and a Rolex and all

0:41:18.840 --> 0:41:21.440
<v Speaker 1>these different things to these people for their tickets. And

0:41:21.520 --> 0:41:24.600
<v Speaker 1>it's like, yeah, but she like has fucking thousand dollars

0:41:24.680 --> 0:41:27.400
<v Speaker 1>earrings and a Rolex and like all this shit on her.

0:41:28.480 --> 0:41:30.520
<v Speaker 2>Yeah, she's able to make it work, you know.

0:41:30.760 --> 0:41:33.880
<v Speaker 3>Yeah, just I need a plane ticket right now because

0:41:33.920 --> 0:41:39.200
<v Speaker 3>of a mistake that I made. You Who do I

0:41:39.640 --> 0:41:45.680
<v Speaker 3>talk to to fix my timeline? Anyway? That's the dark

0:41:45.840 --> 0:41:48.239
<v Speaker 3>I mean. And then as it's just to mention though,

0:41:48.520 --> 0:41:50.560
<v Speaker 3>at the end of this movie, I could see watching

0:41:50.640 --> 0:41:53.000
<v Speaker 3>it again because it does have a comfort food sort

0:41:53.000 --> 0:41:54.799
<v Speaker 3>of quality to it that I did not pick up

0:41:54.840 --> 0:41:56.880
<v Speaker 3>on while I was analyzing it because I was analyzing

0:41:56.920 --> 0:42:00.319
<v Speaker 3>it and seeing capitalism and all this stuff. But also

0:42:00.440 --> 0:42:04.080
<v Speaker 3>I did understand why, you know, it is like a

0:42:04.200 --> 0:42:06.920
<v Speaker 3>way of like accessing the American dream through a VCR,

0:42:07.120 --> 0:42:07.319
<v Speaker 3>you know.

0:42:07.880 --> 0:42:11.200
<v Speaker 2>True, Yeah, no, I think that's especially now as I

0:42:11.280 --> 0:42:14.360
<v Speaker 2>become an adult. It's truly just to regress and like

0:42:14.640 --> 0:42:18.080
<v Speaker 2>go to some other like to feel six and I

0:42:18.160 --> 0:42:21.719
<v Speaker 2>knew fuck all about how fucked everything was. Yeah. Yeah,

0:42:21.840 --> 0:42:23.359
<v Speaker 2>it's sort of sort of like where you land.

0:42:23.480 --> 0:42:25.520
<v Speaker 1>Let's take one more break, all right, then we'll come back.

0:42:25.640 --> 0:42:28.319
<v Speaker 1>We'll get to the murder house part of the uh

0:42:28.440 --> 0:42:31.840
<v Speaker 1>oh baby of the movie and uh and then some

0:42:32.160 --> 0:42:33.200
<v Speaker 1>trivia and.

0:42:34.160 --> 0:42:35.920
<v Speaker 3>I forgot about that's fucking insane.

0:42:35.960 --> 0:42:36.759
<v Speaker 2>Go ahead, we'll be.

0:42:36.800 --> 0:42:37.080
<v Speaker 1>Right that.

0:42:46.960 --> 0:42:47.640
<v Speaker 3>And we're back.

0:42:48.080 --> 0:42:48.600
<v Speaker 2>We're back.

0:42:48.760 --> 0:42:51.399
<v Speaker 1>And this is kind of like an Equalizer shaped movie.

0:42:51.400 --> 0:42:53.680
<v Speaker 1>I don't know if you've seen the Denzel movie Equalizer,

0:42:54.200 --> 0:42:57.200
<v Speaker 1>but it's it's basically the same thing where you like

0:42:57.360 --> 0:43:01.880
<v Speaker 1>see this person, like you know, developing like teasing at

0:43:01.920 --> 0:43:06.040
<v Speaker 1>their skills a little bit throughout, and then in the

0:43:06.160 --> 0:43:09.359
<v Speaker 1>final like thirty minutes, you get to see him pull

0:43:09.440 --> 0:43:13.360
<v Speaker 1>it all together into just like a fucking murder gauntlet.

0:43:14.960 --> 0:43:17.040
<v Speaker 2>You see it with the fake party. He can hook

0:43:17.120 --> 0:43:19.680
<v Speaker 2>gadgets up to make it look like people are moving around.

0:43:19.880 --> 0:43:22.640
<v Speaker 2>He knows how to use firecrackers. To scare a poor

0:43:22.719 --> 0:43:26.239
<v Speaker 2>pizza delivery guy with an old timy gangster movie and

0:43:26.320 --> 0:43:29.960
<v Speaker 2>now like, yeah, he's putting it together. So it's Christmas Eve.

0:43:30.000 --> 0:43:32.800
<v Speaker 2>At this point, Harry and Marv now realize that it

0:43:32.960 --> 0:43:35.520
<v Speaker 2>is only freaking Kevin in there's just a little kid

0:43:35.600 --> 0:43:38.440
<v Speaker 2>in there, and Kevin over heres by a kindy garden

0:43:39.560 --> 0:43:42.960
<v Speaker 2>he over hears yeah discussing plans to break into their

0:43:43.000 --> 0:43:44.920
<v Speaker 2>house that night. He starts to miss his family and

0:43:45.000 --> 0:43:47.480
<v Speaker 2>ask the local Santa Claus impersonator if he could bring

0:43:47.560 --> 0:43:50.760
<v Speaker 2>them back for Christmas. Kevin attends a church choir performance,

0:43:51.080 --> 0:43:54.920
<v Speaker 2>eventually re encountering Marley, who proves the rumors about himself

0:43:55.040 --> 0:43:57.000
<v Speaker 2>to be false. Mary point just.

0:43:57.000 --> 0:44:02.360
<v Speaker 1>Crams himself to be a very charismatic yeah exactly, no

0:44:02.480 --> 0:44:05.120
<v Speaker 1>such thing as a murderer who makes himself seem nice

0:44:05.360 --> 0:44:06.880
<v Speaker 1>and yeah warm and cudley.

0:44:07.200 --> 0:44:08.879
<v Speaker 2>But he also points out he goes, hey, you see

0:44:08.920 --> 0:44:11.480
<v Speaker 2>that girl there, that's my granddaughter in the choir and

0:44:11.560 --> 0:44:14.480
<v Speaker 2>I've never met her since I am as strange from

0:44:14.520 --> 0:44:17.560
<v Speaker 2>my son. And Kevin's like, oh, you should probably figure

0:44:17.600 --> 0:44:19.279
<v Speaker 2>that out, man, with your kid. I don't know. I'm

0:44:19.280 --> 0:44:21.880
<v Speaker 2>about to go fuck these guys up now, sorry, I

0:44:21.920 --> 0:44:24.000
<v Speaker 2>got to go kill some guys. I gotta go fucking

0:44:24.080 --> 0:44:25.520
<v Speaker 2>try and kill these two fucks.

0:44:25.719 --> 0:44:30.600
<v Speaker 1>This is I think the the scene of the movie.

0:44:30.640 --> 0:44:33.279
<v Speaker 1>It's not the most memorable scene. Definitely wasn't the one

0:44:33.320 --> 0:44:35.320
<v Speaker 1>I liked the best of a kid, But like, the

0:44:35.400 --> 0:44:39.640
<v Speaker 1>two performances by old Man Marley and McCauley culkin in

0:44:39.760 --> 0:44:44.120
<v Speaker 1>the church are really good. Like that s really fucking works.

0:44:45.160 --> 0:44:47.640
<v Speaker 1>It's very heartfelt, for sure, It's very heartfelt, and like

0:44:47.719 --> 0:44:52.200
<v Speaker 1>it's the one like McCauley Culkin's performance for the rest

0:44:52.239 --> 0:44:53.880
<v Speaker 1>of the movie is a lot of just being like,

0:44:54.200 --> 0:44:59.400
<v Speaker 1>look surprised, Kevin. Okay, look surprised again, Yeah, do like

0:44:59.480 --> 0:45:04.520
<v Speaker 1>a yes, But that one he you know, it's like

0:45:04.800 --> 0:45:08.040
<v Speaker 1>the precocious part of his character, but like you kind

0:45:08.080 --> 0:45:12.080
<v Speaker 1>of believe it, and he's pretty cute. So that's a

0:45:12.120 --> 0:45:12.600
<v Speaker 1>good scene.

0:45:12.800 --> 0:45:14.719
<v Speaker 2>So that was for you.

0:45:14.920 --> 0:45:16.880
<v Speaker 3>That was Jack, Sorry, that was the scene that for you.

0:45:17.040 --> 0:45:21.600
<v Speaker 3>That was like Martin Sheen and Marlon Brando and Apocalypse Now.

0:45:21.640 --> 0:45:26.439
<v Speaker 1>Yeah, exactly, heavyweights at the top of their game. Yeah,

0:45:26.680 --> 0:45:31.480
<v Speaker 1>throwing haymaker. It was the one that definitely, uh, I thought,

0:45:31.480 --> 0:45:34.360
<v Speaker 1>I was like, oh this, I see why. This is

0:45:34.600 --> 0:45:37.480
<v Speaker 1>like a Christmas class that's got the oscar?

0:45:37.960 --> 0:45:43.960
<v Speaker 2>Yeah, exactly, why not have he was robbed? He was

0:45:44.440 --> 0:45:47.640
<v Speaker 2>so the booby trap scene comes. Now Kevin returns home,

0:45:47.719 --> 0:45:50.279
<v Speaker 2>rigs the house with handmade booby traps. Herring Marv break in,

0:45:50.480 --> 0:45:53.200
<v Speaker 2>spring the traps and suffer various injuries. I love this

0:45:53.360 --> 0:45:59.000
<v Speaker 2>distillation of this entire various injuries. And then Kevin calls

0:45:59.040 --> 0:46:01.360
<v Speaker 2>the police and lures a into a neighboring house that

0:46:01.400 --> 0:46:04.600
<v Speaker 2>had previously been broken into. Harry Marv ambush Kevin to

0:46:04.640 --> 0:46:07.840
<v Speaker 2>prepare to get their revenge, and then Marley intervenes the house.

0:46:08.600 --> 0:46:12.600
<v Speaker 2>The booby trap scene, the suspense that builds when he's like,

0:46:12.719 --> 0:46:15.399
<v Speaker 2>it's time to fuck fuck these guys up, and I'm

0:46:15.440 --> 0:46:18.000
<v Speaker 2>going to turn my house into a kill room.

0:46:18.280 --> 0:46:24.600
<v Speaker 1>And the music that's playing there where it isn't it,

0:46:24.680 --> 0:46:26.759
<v Speaker 1>And then they like start the drums come in and

0:46:27.040 --> 0:46:29.520
<v Speaker 1>it really gets he pumped off. Something I noticed this

0:46:29.680 --> 0:46:33.520
<v Speaker 1>time was that it's eight o'clock when he leaves the

0:46:33.680 --> 0:46:36.040
<v Speaker 1>church and he hasn't said any of the booby traps,

0:46:36.040 --> 0:46:41.720
<v Speaker 1>and they're coming at nine house murder murdered.

0:46:41.840 --> 0:46:47.080
<v Speaker 2>Well, he was like setting machines off. Try have you

0:46:47.120 --> 0:46:50.040
<v Speaker 2>seen a gid try to use tools earnestly. There's no

0:46:50.239 --> 0:46:50.919
<v Speaker 2>fucking way.

0:46:51.920 --> 0:46:54.960
<v Speaker 1>But it is also as when I was seventh, that

0:46:55.160 --> 0:46:57.279
<v Speaker 1>is about the amount of time I would have given

0:46:57.400 --> 0:47:01.000
<v Speaker 1>myself that I would have just got our gutting, fucking

0:47:02.640 --> 0:47:07.360
<v Speaker 1>bludgeon bludgeoned to death. I was setting the Christmas ornaments

0:47:07.440 --> 0:47:08.280
<v Speaker 1>up by the window.

0:47:11.640 --> 0:47:13.320
<v Speaker 2>Hold on, this is the paint can. You'd throw the

0:47:13.400 --> 0:47:15.120
<v Speaker 2>paint can, but you don't know how to tie a nott,

0:47:15.200 --> 0:47:17.880
<v Speaker 2>so it just falls right off the string and you're like, fuck,

0:47:18.200 --> 0:47:23.120
<v Speaker 2>all right, just bludgeed me, Chris, your notes for everything

0:47:23.200 --> 0:47:28.560
<v Speaker 2>up until this point where the various injuries, the ingenious

0:47:28.640 --> 0:47:30.000
<v Speaker 2>engineering feats.

0:47:30.680 --> 0:47:32.239
<v Speaker 3>All I wrote was, here's what I wrote on this,

0:47:32.800 --> 0:47:35.440
<v Speaker 3>this is this is I'm starting to fall off at

0:47:35.480 --> 0:47:38.840
<v Speaker 3>the end here McCauley has McCauley has lipstick on the

0:47:38.840 --> 0:47:47.400
<v Speaker 3>whole MOVIEU paint cans equal FMW deathmatch wrestling.

0:47:48.040 --> 0:47:49.800
<v Speaker 1>Uh. And that was that.

0:47:50.000 --> 0:47:52.040
<v Speaker 3>I was just into death match wrestling in the nineties

0:47:52.040 --> 0:47:54.160
<v Speaker 3>and I was thinking it appealed to the same you know,

0:47:54.239 --> 0:47:56.120
<v Speaker 3>it appeals to the same like you know. It was

0:47:56.200 --> 0:47:58.600
<v Speaker 3>only a few years a few years later that wrestlers

0:47:58.640 --> 0:48:00.760
<v Speaker 3>were literally getting hit in the head with paint Kansas

0:48:00.760 --> 0:48:04.800
<v Speaker 3>stepping on nails. So I thought that. But but aside

0:48:04.840 --> 0:48:06.800
<v Speaker 3>from that, I just thought that I realized that the

0:48:07.400 --> 0:48:10.000
<v Speaker 3>burglars were the good guys, and they were Antifa, and

0:48:10.120 --> 0:48:13.000
<v Speaker 3>that these guys are deserved to get their hands on

0:48:13.120 --> 0:48:16.920
<v Speaker 3>this money and electricity, and and McCaulay, for some reason,

0:48:17.560 --> 0:48:20.520
<v Speaker 3>is a damn Jedi. Yeah, yeah, and you know, just

0:48:20.960 --> 0:48:23.600
<v Speaker 3>just humiliates them even though they were the good guys.

0:48:23.880 --> 0:48:27.160
<v Speaker 1>And in the sense that he can control them, control

0:48:27.239 --> 0:48:29.320
<v Speaker 1>their brains, so they go the exact route that he

0:48:29.440 --> 0:48:31.719
<v Speaker 1>wanted them to in every case.

0:48:31.600 --> 0:48:32.840
<v Speaker 2>In this exact sequence.

0:48:33.160 --> 0:48:36.520
<v Speaker 1>The nail that was when I realized nail McCauley was

0:48:36.640 --> 0:48:39.239
<v Speaker 1>the nail is the one he was just going to say,

0:48:39.320 --> 0:48:42.239
<v Speaker 1>which one sticks with you the most? And while the

0:48:42.680 --> 0:48:45.800
<v Speaker 1>the one with the blowtorch that could have easily just

0:48:46.560 --> 0:48:50.279
<v Speaker 1>killed saying yeah, like unless it was not if if

0:48:50.320 --> 0:48:53.759
<v Speaker 1>it was tipped down five percent, it would have murdered him.

0:48:55.640 --> 0:49:00.719
<v Speaker 1>Your hair off by far the most visceral one, Like

0:49:00.760 --> 0:49:02.600
<v Speaker 1>I don't know if they do something with the sound effect,

0:49:02.640 --> 0:49:05.680
<v Speaker 1>but his like foot goes down into it slowly and

0:49:05.840 --> 0:49:10.080
<v Speaker 1>you like hear a little something and then Daniel's reaction

0:49:10.239 --> 0:49:11.360
<v Speaker 1>physical performance.

0:49:12.160 --> 0:49:15.160
<v Speaker 2>It has to be said, Daniel Stearn's physical reactions are

0:49:15.320 --> 0:49:18.359
<v Speaker 2>pretty amazing in the film, like he sells so much

0:49:18.400 --> 0:49:20.800
<v Speaker 2>of it was like crossing and it's just his like

0:49:21.200 --> 0:49:25.719
<v Speaker 2>screaming for me, honestly, the paint can is the one

0:49:25.800 --> 0:49:29.040
<v Speaker 2>that I remember when I like rewatched it again when

0:49:29.040 --> 0:49:32.080
<v Speaker 2>I was like nineteen. Yeah, I was like, dude, that

0:49:32.120 --> 0:49:33.920
<v Speaker 2>would have because I think at the time I was

0:49:33.960 --> 0:49:36.920
<v Speaker 2>really into jackass type shit and like hurting myself for

0:49:37.080 --> 0:49:41.000
<v Speaker 2>fun and seeing that I was like, dude, no, you

0:49:41.239 --> 0:49:44.719
<v Speaker 2>would die. You die, Like I remember this really odd

0:49:45.080 --> 0:49:47.800
<v Speaker 2>realization because I'd lived enough, like like that's not actually

0:49:47.920 --> 0:49:50.319
<v Speaker 2>really that should have killed them, and I don't know.

0:49:50.280 --> 0:49:54.479
<v Speaker 1>That was actually not cool, Kevin True. For some reason,

0:49:54.600 --> 0:49:59.479
<v Speaker 1>the paint can has not bothered me because every paint

0:49:59.560 --> 0:50:02.520
<v Speaker 1>can that we ever had at our house would be

0:50:02.640 --> 0:50:05.480
<v Speaker 1>half empty and also dented, so it seemed like it

0:50:05.560 --> 0:50:07.960
<v Speaker 1>was like made of like I don't know, it was

0:50:08.040 --> 0:50:09.920
<v Speaker 1>like soft, like don't.

0:50:09.760 --> 0:50:12.520
<v Speaker 2>Think, I guess I'm thinking of a full paint can,

0:50:12.760 --> 0:50:14.680
<v Speaker 2>like you know what I mean, right, beating up a

0:50:14.760 --> 0:50:15.520
<v Speaker 2>full paint can.

0:50:15.719 --> 0:50:18.440
<v Speaker 1>That's I've never been hit with one of those. Also,

0:50:18.880 --> 0:50:22.920
<v Speaker 1>you must try, you simply must you must get fucked

0:50:23.000 --> 0:50:24.120
<v Speaker 1>up in Kentucky.

0:50:25.840 --> 0:50:27.480
<v Speaker 3>I guess I was just wondering, Yeah, how much of

0:50:27.520 --> 0:50:29.759
<v Speaker 3>an influence. I didn't think of Jackass, but whether this

0:50:29.880 --> 0:50:33.080
<v Speaker 3>scene influenced death match wrestling or Jackass, Like, I mean,

0:50:33.120 --> 0:50:34.840
<v Speaker 3>they were the right age to see it and be like,

0:50:34.880 --> 0:50:37.040
<v Speaker 3>what if we did that to each other all day long,

0:50:37.160 --> 0:50:39.360
<v Speaker 3>every day until Steve O went to rehab.

0:50:39.680 --> 0:50:41.920
<v Speaker 2>Well, I'm also just thinking of like when when was

0:50:42.000 --> 0:50:45.840
<v Speaker 2>a film giving you this kind of like stunt shit

0:50:46.360 --> 0:50:50.080
<v Speaker 2>with like like gag and injuries, you know what i mean, Like,

0:50:50.320 --> 0:50:52.920
<v Speaker 2>because it was pretty wild inness that, Like I remember

0:50:52.960 --> 0:50:55.200
<v Speaker 2>half the appeal too was like dude, he focks these

0:50:55.239 --> 0:50:58.480
<v Speaker 2>guys up pretty bad. Yeah, Like there the guy's burning

0:50:58.560 --> 0:51:01.200
<v Speaker 2>his hand, he's getting his head blow torched off, he's

0:51:01.200 --> 0:51:03.719
<v Speaker 2>taking paint cans to the face. Like I don't I

0:51:04.000 --> 0:51:05.920
<v Speaker 2>can't think of a thing before that that was anything

0:51:06.080 --> 0:51:08.560
<v Speaker 2>like that in terms of like the physical it was.

0:51:09.000 --> 0:51:12.319
<v Speaker 1>I mean, it was Tom and Jerry. It was like cartoons. Yeah,

0:51:12.680 --> 0:51:16.480
<v Speaker 1>which it's interesting that like the first entertainment that they

0:51:16.600 --> 0:51:19.440
<v Speaker 1>made for kids, they were just like, well, i'll tell

0:51:19.480 --> 0:51:21.439
<v Speaker 1>you what kids want to see. They want to see

0:51:21.520 --> 0:51:24.560
<v Speaker 1>two people like just beating the living shit out of it.

0:51:24.719 --> 0:51:27.919
<v Speaker 1>Sull they die, but they don't die from their injuries. Yeah,

0:51:28.160 --> 0:51:31.399
<v Speaker 1>and then it became like not cool for a while,

0:51:32.000 --> 0:51:35.040
<v Speaker 1>and then they were smart to bring it back, I think.

0:51:35.200 --> 0:51:39.000
<v Speaker 2>Yeah. So then Christmas Day comes, Kevin is initially disappointed

0:51:39.040 --> 0:51:42.120
<v Speaker 2>after waking to find that his family is still gone. However,

0:51:42.239 --> 0:51:45.200
<v Speaker 2>Kate arrives home a few minutes later and they reconcile.

0:51:45.640 --> 0:51:47.960
<v Speaker 2>The rest of the family, then returns only a few

0:51:48.040 --> 0:51:51.880
<v Speaker 2>minutes after that, having waited in Paris for a direct

0:51:51.920 --> 0:51:55.440
<v Speaker 2>flight to Chicago. Kevin keeps silent about his encounter with

0:51:55.560 --> 0:51:59.200
<v Speaker 2>Harry and Marv, although Peter finds Harry's knocked out gold Tooth.

0:51:59.400 --> 0:52:04.080
<v Speaker 2>Kevin then watches Marley reuniting with his family. That's the

0:52:04.120 --> 0:52:05.799
<v Speaker 2>i thing we don't talk about was the clean up.

0:52:06.239 --> 0:52:09.080
<v Speaker 1>The cleanup. Yeah, he's he's got some cat in the

0:52:09.120 --> 0:52:11.400
<v Speaker 1>hat in him that he's able to set things up

0:52:11.440 --> 0:52:14.839
<v Speaker 1>and clean things up incredibly quickly. I thought that the dad,

0:52:14.920 --> 0:52:18.480
<v Speaker 1>after he was like, Okay, what's this with the gold Tooths,

0:52:18.560 --> 0:52:20.760
<v Speaker 1>was was going to be like, are you fucking cheating

0:52:20.800 --> 0:52:21.040
<v Speaker 1>on me?

0:52:28.560 --> 0:52:29.760
<v Speaker 3>That's a whole nother sequel.

0:52:30.000 --> 0:52:33.680
<v Speaker 1>Yeah, that's because you're right whose gold tooth is this? Hey, Hey,

0:52:33.800 --> 0:52:36.319
<v Speaker 1>whose fucking gold tooth is this? When did you get home?

0:52:37.520 --> 0:52:41.799
<v Speaker 1>I will say, Uh, Joe Pasche and Macaulay Culkin didn't

0:52:41.840 --> 0:52:45.479
<v Speaker 1>get along on the set. Joe Peshi was pissed because

0:52:45.480 --> 0:52:48.360
<v Speaker 1>they had to like get there or like start shooting

0:52:48.400 --> 0:52:51.840
<v Speaker 1>at seven am in the morning because like the rules

0:52:51.880 --> 0:52:54.520
<v Speaker 1>are like the kid can't shoot too late. And he

0:52:54.719 --> 0:52:57.480
<v Speaker 1>was like, uh, that doesn't work for me. I like

0:52:57.600 --> 0:53:00.239
<v Speaker 1>I golf, I got to get nine holes in And

0:53:00.840 --> 0:53:03.400
<v Speaker 1>it's just funny. It's like you read about it and

0:53:03.480 --> 0:53:07.279
<v Speaker 1>it's like the subtext is basically like the set wasn't

0:53:07.320 --> 0:53:10.400
<v Speaker 1>big enough for these two egos. Like Joe Pesci was

0:53:10.520 --> 0:53:12.800
<v Speaker 1>like threatened and like annoyed that he wasn't allowed to

0:53:12.880 --> 0:53:16.919
<v Speaker 1>cuss on the set and stuff. But you think about

0:53:17.000 --> 0:53:21.560
<v Speaker 1>the spread of like classics from this period that Joe

0:53:21.640 --> 0:53:23.520
<v Speaker 1>Peschi was in, because they tried to give this role

0:53:23.600 --> 0:53:26.879
<v Speaker 1>to de Niro and then John love It and then

0:53:27.239 --> 0:53:31.520
<v Speaker 1>Peschi was the third choice. But he had home alone. Goodfellas.

0:53:32.120 --> 0:53:35.560
<v Speaker 1>You know my cousin Vinnie, like he was really he

0:53:35.719 --> 0:53:36.320
<v Speaker 1>was on a heater.

0:53:36.800 --> 0:53:40.320
<v Speaker 2>Yeah, okay, my cousin Vinnie, Come on, Jack, lethal weapon

0:53:40.400 --> 0:53:41.600
<v Speaker 2>three Lethal Weapon.

0:53:41.840 --> 0:53:44.080
<v Speaker 1>He just like shows up and is like, you know,

0:53:44.480 --> 0:53:49.759
<v Speaker 1>suddenly a big you know, Okay, you remember I saw

0:53:49.840 --> 0:53:50.239
<v Speaker 1>that movie.

0:53:50.520 --> 0:53:51.279
<v Speaker 2>There you go, Chris.

0:53:51.360 --> 0:53:52.960
<v Speaker 3>I don't know what kind of movies I was making

0:53:53.040 --> 0:53:54.919
<v Speaker 3>exceptions for, but I saw Lethal Weapon three.

0:53:55.280 --> 0:53:57.520
<v Speaker 2>I think it makes sense because you're like, yeah, that

0:53:57.640 --> 0:53:59.120
<v Speaker 2>looks like it's for adults.

0:53:59.320 --> 0:54:02.080
<v Speaker 3>I wouldn't say yeah, I mean, this is There's no reason.

0:54:02.520 --> 0:54:04.000
<v Speaker 3>There's a lot of movies I did see that were

0:54:04.000 --> 0:54:06.880
<v Speaker 3>aimed at adults that like Forrest Gump. I mean that

0:54:07.000 --> 0:54:09.640
<v Speaker 3>I didn't see like Forrest Gump. That was something I

0:54:09.760 --> 0:54:11.560
<v Speaker 3>was supposed to see. But this would have been crazy

0:54:11.600 --> 0:54:13.960
<v Speaker 3>for me to take time out from you know, f

0:54:14.120 --> 0:54:20.560
<v Speaker 3>Gazzi to see Home alone. But uh, what I was

0:54:20.640 --> 0:54:23.720
<v Speaker 3>thinking about, you know what movies just like this fucking movie,

0:54:23.880 --> 0:54:25.640
<v Speaker 3>which was a great movie at least I remember.

0:54:25.680 --> 0:54:27.200
<v Speaker 1>I mean I saw this movie when I was young.

0:54:28.680 --> 0:54:32.040
<v Speaker 1>Risky Business. Yeah, it's like the same story as Risky Business,

0:54:32.080 --> 0:54:34.440
<v Speaker 1>except it is Risky Business except instead.

0:54:34.160 --> 0:54:36.680
<v Speaker 3>Of like you know, having a popcorn party, that he

0:54:36.760 --> 0:54:42.400
<v Speaker 3>had sex with a yeah, a sex worker. And that's like,

0:54:42.560 --> 0:54:44.399
<v Speaker 3>that's more of my kind of movie, you know, more

0:54:44.880 --> 0:54:49.640
<v Speaker 3>more poetry, right deep deep ship doesn't Risky Business take

0:54:49.640 --> 0:54:51.120
<v Speaker 3>place in Chicago?

0:54:51.239 --> 0:54:53.680
<v Speaker 1>Also, I feel like it's like it could be in

0:54:53.719 --> 0:54:56.719
<v Speaker 1>the same neighborhood. Again, It's just like rich kid gets

0:54:56.800 --> 0:54:59.920
<v Speaker 1>to be alone and I just never the same talking

0:55:00.120 --> 0:55:01.560
<v Speaker 1>movie Ferris Bueller's Day Off.

0:55:01.640 --> 0:55:02.200
<v Speaker 2>Yeah, yeah, the.

0:55:02.239 --> 0:55:04.399
<v Speaker 3>Same movie, except they just crack. He cracks that egg,

0:55:04.680 --> 0:55:06.560
<v Speaker 3>you know, they find the crack in the egg. What

0:55:06.680 --> 0:55:10.560
<v Speaker 3>if this rich kid actually had some freedom and those

0:55:10.960 --> 0:55:13.239
<v Speaker 3>risky business parents were more realistic as far as the

0:55:13.320 --> 0:55:14.840
<v Speaker 3>kind of parents that would have a house that was

0:55:14.920 --> 0:55:18.680
<v Speaker 3>that opulent, because they were they were truly frightening. Whereas

0:55:18.800 --> 0:55:21.680
<v Speaker 3>like to have the kind of money that McCauley's parents had,

0:55:21.760 --> 0:55:24.239
<v Speaker 3>these guys were pretty benevolent. You can't. I mean, I

0:55:24.440 --> 0:55:26.560
<v Speaker 3>was just like everything in there, like you're just looking

0:55:26.640 --> 0:55:29.760
<v Speaker 3>at man. You know, they got a rhododendrum every three feet,

0:55:30.200 --> 0:55:34.600
<v Speaker 3>they got, they got you know, every goddamn pillows fluffed,

0:55:34.640 --> 0:55:37.480
<v Speaker 3>every damn I mean, each room is just a pageant

0:55:37.640 --> 0:55:40.920
<v Speaker 3>of consumerism. And then the parents are are have a

0:55:40.960 --> 0:55:43.440
<v Speaker 3>sense of humor, and those two things do not go

0:55:43.560 --> 0:55:48.560
<v Speaker 3>together normally unless they won their money from a lottery

0:55:48.680 --> 0:55:50.239
<v Speaker 3>or you know, something like that. I would imagine then

0:55:50.239 --> 0:55:50.799
<v Speaker 3>they'd be nice.

0:55:51.080 --> 0:55:53.279
<v Speaker 1>But I do think to your point about capitalism and

0:55:53.360 --> 0:55:56.759
<v Speaker 1>like consumerism being like ultimately the main message of this

0:55:57.520 --> 0:56:01.480
<v Speaker 1>It is interesting that when everybody gets home and they're like, Kevin,

0:56:01.560 --> 0:56:04.239
<v Speaker 1>it's it's pretty cool you didn't burn the house down, man,

0:56:04.840 --> 0:56:10.640
<v Speaker 1>because that was That's the other thing that like literally stops,

0:56:11.200 --> 0:56:14.680
<v Speaker 1>Like everybody stops and is like hmm. When they're like, honey,

0:56:14.760 --> 0:56:18.080
<v Speaker 1>we got to go get milk because honey, the milk

0:56:18.160 --> 0:56:22.080
<v Speaker 1>is gonna be spoiled, and Kevin, Kevin's like, I went shopping.

0:56:22.280 --> 0:56:27.239
<v Speaker 1>I got milk and tyre surgeon and everyone's like you

0:56:27.360 --> 0:56:32.480
<v Speaker 1>are the best dude. They're like, he did food shopping

0:56:32.600 --> 0:56:33.200
<v Speaker 1>the ultimate.

0:56:34.719 --> 0:56:34.919
<v Speaker 2>Yeah.

0:56:35.000 --> 0:56:38.879
<v Speaker 1>Yeah, but it's also you know, consumerism is the best

0:56:39.000 --> 0:56:41.640
<v Speaker 1>thing that you can possibly do. Go to the grocery store.

0:56:41.719 --> 0:56:44.520
<v Speaker 3>The promise of capitalism is that you you know everything

0:56:44.600 --> 0:56:46.120
<v Speaker 3>in this movie, it's like, oh, this is it, this

0:56:46.239 --> 0:56:47.880
<v Speaker 3>is this is this is your dream. Here you are

0:56:48.040 --> 0:56:51.520
<v Speaker 3>the dream and you're so fully been fucked over into

0:56:51.880 --> 0:56:54.480
<v Speaker 3>caring about products that you forget your own child.

0:56:54.960 --> 0:56:55.120
<v Speaker 1>Right.

0:56:55.800 --> 0:57:00.480
<v Speaker 3>Yeah, I mean it's really a cautionary to of all.

0:57:00.560 --> 0:57:03.040
<v Speaker 3>It's a tragedy, it's a mirable tragedy.

0:57:04.480 --> 0:57:06.919
<v Speaker 1>Is that when they get on the plane and they're

0:57:07.120 --> 0:57:09.799
<v Speaker 1>like I did notice an eighty yard line where they're like, okay, kids,

0:57:09.840 --> 0:57:12.560
<v Speaker 1>you're in coach, we're in first class. The parents are

0:57:12.640 --> 0:57:15.120
<v Speaker 1>in first class, and the kids go back into coach,

0:57:15.360 --> 0:57:18.160
<v Speaker 1>which like, so you're right, like this is symbolic of

0:57:18.240 --> 0:57:22.080
<v Speaker 1>an overall like they like part of how they parent,

0:57:22.160 --> 0:57:24.720
<v Speaker 1>which is like out of sight, out of mind, you

0:57:24.760 --> 0:57:27.320
<v Speaker 1>know what I'm saying, the fuck out of here, and

0:57:27.680 --> 0:57:30.760
<v Speaker 1>I am obsessed with that I and I didn't think

0:57:30.840 --> 0:57:32.320
<v Speaker 1>of this. I mean I think of this movie as

0:57:32.400 --> 0:57:35.520
<v Speaker 1>probably not really thinking that deeply about these things. They

0:57:35.560 --> 0:57:39.880
<v Speaker 1>were probably just making a movie to some extent, you know,

0:57:40.000 --> 0:57:43.520
<v Speaker 1>nineteen ninety things were like it was looking like maybe

0:57:43.600 --> 0:57:46.280
<v Speaker 1>it is possible for you know, all of us to

0:57:46.360 --> 0:57:48.960
<v Speaker 1>coexist while some of us have all the electricity. They

0:57:49.040 --> 0:57:50.960
<v Speaker 1>might have really thought that that was possible, because it

0:57:51.000 --> 0:57:52.440
<v Speaker 1>didn't seem possible.

0:57:52.040 --> 0:57:52.600
<v Speaker 3>At that time.

0:57:52.840 --> 0:57:53.200
<v Speaker 1>It didn't.

0:57:53.280 --> 0:57:55.840
<v Speaker 3>It was not as dark as as it is now,

0:57:56.080 --> 0:57:59.840
<v Speaker 3>so you just didn't. But but yeah, the idea like

0:58:00.080 --> 0:58:03.320
<v Speaker 3>those those sort of relationships like as long as you

0:58:03.360 --> 0:58:05.800
<v Speaker 3>can keep the food and the products coming, then you

0:58:05.920 --> 0:58:08.520
<v Speaker 3>can basically get away with a yeah, you don't have

0:58:08.560 --> 0:58:12.120
<v Speaker 3>to see each other. But then what happens is I

0:58:12.280 --> 0:58:16.880
<v Speaker 3>do think a lot about people like Tucker, just because

0:58:17.000 --> 0:58:19.360
<v Speaker 3>they ended up being so powerful and so empty, and

0:58:19.440 --> 0:58:22.480
<v Speaker 3>it's because they really were. And these are the people

0:58:22.520 --> 0:58:25.720
<v Speaker 3>I grew up with who were left behind when their

0:58:25.760 --> 0:58:28.040
<v Speaker 3>parents went on vacation and they had all their needs met,

0:58:28.240 --> 0:58:31.760
<v Speaker 3>like they had often had servants that took care of them,

0:58:31.880 --> 0:58:34.040
<v Speaker 3>like like, for real, this is a level of shit.

0:58:34.120 --> 0:58:35.480
<v Speaker 3>I grew up and that's why I thought our house

0:58:35.520 --> 0:58:37.320
<v Speaker 3>looked like shit. Our house was a normal house, but

0:58:37.360 --> 0:58:39.480
<v Speaker 3>I was like, we live in a shack, you know

0:58:39.520 --> 0:58:42.120
<v Speaker 3>what I mean, like because we didn't have servants or

0:58:42.720 --> 0:58:45.200
<v Speaker 3>you know whatever, a prototype microwave or one of these

0:58:45.240 --> 0:58:46.880
<v Speaker 3>fun people. I went over to their house, they had

0:58:47.040 --> 0:58:49.640
<v Speaker 3>like uh, you know whatever, there's ship they had.

0:58:49.880 --> 0:58:52.000
<v Speaker 1>But anyway, this realistic part of this movie, by the way,

0:58:52.040 --> 0:58:54.400
<v Speaker 1>is that they don't have like a nanny or a maid,

0:58:54.680 --> 0:58:56.440
<v Speaker 1>you know, like that would up the plot.

0:58:56.560 --> 0:58:59.560
<v Speaker 3>But sure, yeah, but then then the problem is like, yeah,

0:58:59.600 --> 0:59:02.280
<v Speaker 3>you get these you know, it turns out a kid

0:59:02.400 --> 0:59:05.920
<v Speaker 3>needs more than a nanny, and you know whatever they

0:59:06.000 --> 0:59:07.919
<v Speaker 3>had in that house, a big fat couch or whatever

0:59:07.960 --> 0:59:09.920
<v Speaker 3>in a big TV, like a kid needs more than

0:59:10.000 --> 0:59:12.360
<v Speaker 3>that you can't and then the kid ends up like

0:59:12.480 --> 0:59:15.680
<v Speaker 3>this Macauley guy. This character probably ended up being a

0:59:15.840 --> 0:59:18.320
<v Speaker 3>right wing monster when he grew up because maybe the

0:59:18.520 --> 0:59:20.680
<v Speaker 3>family's fortune went away and he didn't know who to

0:59:20.760 --> 0:59:23.440
<v Speaker 3>blame and he had no resources inside because his own

0:59:23.520 --> 0:59:26.720
<v Speaker 3>mother forgot him on a vacation and anyway, but you know,

0:59:26.840 --> 0:59:28.960
<v Speaker 3>this is what I bring to the table. This reminds me,

0:59:29.960 --> 0:59:33.120
<v Speaker 3>This reminds me of and you can maybe cut this

0:59:33.200 --> 0:59:34.960
<v Speaker 3>this maybe too. I hate saying it, but it's like

0:59:35.080 --> 0:59:38.640
<v Speaker 3>I saw this kid at an ice cream store, like

0:59:38.880 --> 0:59:41.360
<v Speaker 3>throwing a tantrum like because and his dad was like,

0:59:41.480 --> 0:59:43.320
<v Speaker 3>get him the ice cream that he wants. Get him.

0:59:43.360 --> 0:59:45.160
<v Speaker 3>He's like three years old, and he's like the kid

0:59:45.280 --> 0:59:47.560
<v Speaker 3>was like throwing sample spoons on the floor and stuff.

0:59:47.960 --> 0:59:50.600
<v Speaker 3>And I went and did stand up that night and

0:59:50.680 --> 0:59:52.720
<v Speaker 3>I said, listen, I saw this kid, you know, and

0:59:52.800 --> 0:59:54.720
<v Speaker 3>his dad kept going, get him another flavor, get him

0:59:54.720 --> 0:59:55.320
<v Speaker 3>another flavor.

0:59:55.360 --> 0:59:57.840
<v Speaker 4>Oh my god, Oh my god, you know, And and

0:59:58.200 --> 0:59:59.840
<v Speaker 4>I was like, you know, if you if you never

1:00:00.040 --> 1:00:02.640
<v Speaker 4>say no to a kid, especially a male kid, when

1:00:02.680 --> 1:00:04.200
<v Speaker 4>do you when do you think the first time he

1:00:04.280 --> 1:00:07.520
<v Speaker 4>hears no is gonna be yea you know dead series, right,

1:00:07.560 --> 1:00:11.280
<v Speaker 4>and then the host came up and said, ladies and gentlemen.

1:00:11.120 --> 1:00:13.480
<v Speaker 3>Chris crofton some people see a three year old, he

1:00:13.520 --> 1:00:19.680
<v Speaker 3>sees a rapist, So yeah, he probably have to cut that.

1:00:19.800 --> 1:00:22.240
<v Speaker 3>But anyway, that's that's along the lines of like I do,

1:00:22.440 --> 1:00:24.880
<v Speaker 3>I can't ruin any party. It was like me going

1:00:24.920 --> 1:00:27.720
<v Speaker 3>to Disneyland. Remember when I told you about that. Oh yeah,

1:00:27.720 --> 1:00:30.600
<v Speaker 3>I didn't do accid Disneyland, and it's a good things.

1:00:30.600 --> 1:00:33.960
<v Speaker 3>I would have ruined everybody's truck. Caribbean was like you know,

1:00:34.200 --> 1:00:38.560
<v Speaker 3>Jeff Bezos' anus or whatever. You know, Yeah, because I'm

1:00:38.560 --> 1:00:39.160
<v Speaker 3>a spoiler.

1:00:39.560 --> 1:00:42.120
<v Speaker 1>Yeah, just a couple of stray things that you learn

1:00:42.200 --> 1:00:47.200
<v Speaker 1>from the Wikipedia page. The Old Gangster Movie, which I

1:00:47.240 --> 1:00:49.680
<v Speaker 1>always assumed as a kid, was a real old gangster

1:00:49.800 --> 1:00:52.920
<v Speaker 1>movie that that's probably the best piece of filmmaking in

1:00:53.080 --> 1:00:57.240
<v Speaker 1>the movie. They they like went and got old cameras

1:00:57.280 --> 1:00:59.640
<v Speaker 1>and old film stock and shot that. That was the

1:00:59.720 --> 1:01:02.640
<v Speaker 1>last thing they shot before they started actual production. And

1:01:02.760 --> 1:01:05.040
<v Speaker 1>I it does like come across as an old movie,

1:01:05.160 --> 1:01:07.040
<v Speaker 1>like it was a real old movie. No, it wasn't

1:01:07.080 --> 1:01:08.760
<v Speaker 1>a real old movie. They shot it just for this,

1:01:08.960 --> 1:01:11.400
<v Speaker 1>but they actually like kind of nail the look of

1:01:11.560 --> 1:01:15.400
<v Speaker 1>like old gangster movies, which I will say that we

1:01:15.520 --> 1:01:17.880
<v Speaker 1>owed this movie to Chevy Chase being a complete asshole,

1:01:17.880 --> 1:01:21.040
<v Speaker 1>because Chris Columbus was actually supposed to be making National

1:01:21.120 --> 1:01:26.080
<v Speaker 1>Lampoon's Christmas Vacation when this movie filmed, but chevy Chase

1:01:26.160 --> 1:01:28.400
<v Speaker 1>was such an asshole that he quit that and became

1:01:28.440 --> 1:01:31.840
<v Speaker 1>available to make a Home alone. Wow. Yeah, so that's

1:01:31.920 --> 1:01:34.440
<v Speaker 1>the reason that we get Chris Columbus, who is I

1:01:34.560 --> 1:01:38.760
<v Speaker 1>think the perfect person to make this movie, you know,

1:01:39.040 --> 1:01:42.440
<v Speaker 1>like he just like his sensibility is like so right

1:01:42.560 --> 1:01:44.480
<v Speaker 1>down the middle for sure. I think one of the

1:01:44.520 --> 1:01:48.240
<v Speaker 1>big reasons that this became so popular and iconic is

1:01:48.440 --> 1:01:51.560
<v Speaker 1>because it was one of the first videos that was sold.

1:01:51.920 --> 1:01:54.400
<v Speaker 1>There was like a big war of like we you know,

1:01:54.720 --> 1:01:58.240
<v Speaker 1>we shouldn't sell videos because that'll ruin movies and like

1:01:58.360 --> 1:02:01.200
<v Speaker 1>theater going things, so we can only rent them, and

1:02:02.160 --> 1:02:05.080
<v Speaker 1>like so only a few movies were sold, and this

1:02:05.360 --> 1:02:08.320
<v Speaker 1>was the second highest selling video of all time behind

1:02:08.480 --> 1:02:12.040
<v Speaker 1>et Like, so they were I think Disney sold movies

1:02:12.080 --> 1:02:14.080
<v Speaker 1>every once in a while, but it was like kind

1:02:14.120 --> 1:02:15.919
<v Speaker 1>of rare, and this was one of the first ones

1:02:15.960 --> 1:02:19.280
<v Speaker 1>that was like sold wide and like everybody owned it,

1:02:19.560 --> 1:02:23.400
<v Speaker 1>and then it's Gerald Ford's favorite movie for the reason

1:02:23.920 --> 1:02:28.480
<v Speaker 1>the old old dipshit ex president is like this fucking

1:02:28.520 --> 1:02:29.080
<v Speaker 1>movie rules.

1:02:29.120 --> 1:02:32.560
<v Speaker 2>It looks like my house. Oh my, just pissing himself laughing.

1:02:32.640 --> 1:02:35.000
<v Speaker 3>I remember my parents left me behind for four weeks,

1:02:35.040 --> 1:02:35.920
<v Speaker 3>but that was on purpose.

1:02:36.360 --> 1:02:39.480
<v Speaker 1>And then this blew my mind. They wanted to audition

1:02:40.040 --> 1:02:43.960
<v Speaker 1>a person who's like a famous comedian now after seeing

1:02:44.000 --> 1:02:47.680
<v Speaker 1>him in a sketch comedy show, like a children's sketch

1:02:47.760 --> 1:02:50.520
<v Speaker 1>comedy show, but his parents wouldn't let him. Do you

1:02:50.560 --> 1:02:54.040
<v Speaker 1>know who that young man is? No, John Mulaney. They

1:02:54.120 --> 1:02:57.880
<v Speaker 1>wanted John mulaney to audition for the McAuley culkinroll, and

1:02:58.560 --> 1:03:01.240
<v Speaker 1>his parents were like, no, no, thanks.

1:03:01.560 --> 1:03:06.200
<v Speaker 2>Holy ship, Yeah John mulaney. No, that's that's a fucking

1:03:06.280 --> 1:03:07.120
<v Speaker 2>weird timeline.

1:03:07.640 --> 1:03:10.560
<v Speaker 1>Yeah, that would be Also, I don't think the movie

1:03:10.600 --> 1:03:13.320
<v Speaker 1>where like just he still has the energy of like

1:03:13.600 --> 1:03:16.640
<v Speaker 1>kind of a wise ass little kid. Uh, but like

1:03:16.840 --> 1:03:19.000
<v Speaker 1>I feel like not the right type of wise ass

1:03:19.040 --> 1:03:19.320
<v Speaker 1>little No.

1:03:19.840 --> 1:03:22.400
<v Speaker 2>And also if he was if he had a cocaine

1:03:22.480 --> 1:03:25.760
<v Speaker 2>problem as an adult a child actor like that, we

1:03:25.880 --> 1:03:27.760
<v Speaker 2>would John mulaney would not be here.

1:03:28.200 --> 1:03:32.240
<v Speaker 1>Yeah, that's all I got for home alone. Chris crofton

1:03:32.360 --> 1:03:34.960
<v Speaker 1>thank you for watching Home Alone for us, No.

1:03:35.160 --> 1:03:38.520
<v Speaker 3>Problem was fun. I I'm living in this house with

1:03:38.600 --> 1:03:41.920
<v Speaker 3>all these roommates, and so it's like a I normally

1:03:42.000 --> 1:03:45.200
<v Speaker 3>don't have a laser projector or whatever they are those

1:03:45.480 --> 1:03:51.440
<v Speaker 3>projectors projector lasers. So I got to watch it on

1:03:51.480 --> 1:03:55.000
<v Speaker 3>this big one of my roommates has like a big night. Yeah,

1:03:55.080 --> 1:03:56.880
<v Speaker 3>like we projected. I projected it on the wall, so

1:03:56.920 --> 1:03:59.800
<v Speaker 3>I got a good look at all this opulence.

1:03:59.680 --> 1:04:00.480
<v Speaker 2>That like tricity.

1:04:01.120 --> 1:04:04.320
<v Speaker 3>Yeah, yeah, it was really fun and it was really

1:04:04.400 --> 1:04:07.680
<v Speaker 3>fun and uh and yeah, I actually did have affection

1:04:07.880 --> 1:04:09.680
<v Speaker 3>for it. After it was done, I kind of wanted

1:04:09.720 --> 1:04:13.000
<v Speaker 3>to go back in that pulls in that house.

1:04:13.640 --> 1:04:16.880
<v Speaker 1>Well, well, we'll be back for another edition of this.

1:04:17.440 --> 1:04:20.240
<v Speaker 1>When Miles and I watch a Christmas classic that Chris

1:04:20.320 --> 1:04:22.120
<v Speaker 1>has seen and that we've never seen.

1:04:22.720 --> 1:04:24.600
<v Speaker 3>You've both never seen. It's a wonderful life.

1:04:24.640 --> 1:04:28.160
<v Speaker 2>We've both never seen a wonderful I mean I know

1:04:28.360 --> 1:04:31.240
<v Speaker 2>that it's I knew that it was on TV, and

1:04:31.280 --> 1:04:33.480
<v Speaker 2>I immediately went like, what the fuck, No, bro, it's

1:04:33.560 --> 1:04:34.160
<v Speaker 2>black and white.

1:04:34.440 --> 1:04:37.840
<v Speaker 3>Yeah, that immediately, I do. I agree. That makes sense

1:04:37.880 --> 1:04:38.880
<v Speaker 3>to me, Yes totally.

1:04:39.280 --> 1:04:41.040
<v Speaker 1>If it's so good, why is it in black and white.

1:04:41.280 --> 1:04:46.080
<v Speaker 1>Merry Christmas, Merry Christmas everyone, and we'll be back. Happy Holidays,

1:04:46.320 --> 1:04:48.520
<v Speaker 1>Happy Holidays, Happy holidays.

1:04:49.000 --> 1:04:52.880
<v Speaker 2>Woke. No, we're not saying Merry Christmas here no, not here,

1:04:53.160 --> 1:04:58.160
<v Speaker 2>no no no Mary Capitalism, Donnie will have you killed.

1:04:58.560 --> 1:05:00.480
<v Speaker 3>I gotta go to the Huffington Post. I gotta check

1:05:00.480 --> 1:05:01.520
<v Speaker 3>the Uffing to post.

1:05:01.320 --> 1:05:05.200
<v Speaker 1>In all right, we'll be back tomorrow with another holiday episode,

1:05:05.320 --> 1:05:11.000
<v Speaker 1>or back on the next weekday. Until then, Happy Holidays, bye.

1:05:11.880 --> 1:05:14.920
<v Speaker 1>The Daily Zeitgeist is executive produced by Catherine Law, co

1:05:15.160 --> 1:05:16.840
<v Speaker 1>produced by Bebe Wayne.

1:05:17.000 --> 1:05:18.680
<v Speaker 2>Co produced by Victor Wright

1:05:19.120 --> 1:05:22.800
<v Speaker 3>Co written by j M McNabb, and edited and engineered

1:05:22.880 --> 1:05:23.880
<v Speaker 3>by Brian Jefferies.