WEBVTT - Welcome Home ("Homecoming" S6 EP 2)

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio podcast.

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<v Speaker 1>Welcome to and that's where you really miss podcast. Yes

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<v Speaker 1>it is Jenna, and yes I did lose my voice,

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<v Speaker 1>and yes Kevin is jetlagged, and so we are struggling

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<v Speaker 1>right now, but here we are. We're here for you guys.

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<v Speaker 1>I just crazy.

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<v Speaker 2>I'm I really like it.

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<v Speaker 1>I'm doing my best to like project right now.

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<v Speaker 2>This is Jenna's theater training. She has a degree in

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<v Speaker 2>musical theater. She can place her voice differently. Last night

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<v Speaker 2>you had no voice.

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<v Speaker 1>I had no voice, and then today I was like, oh,

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<v Speaker 1>I kind of have a voice, but then it goes

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<v Speaker 1>out away. It doesn't hurt.

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<v Speaker 2>You sound like a little boy.

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<v Speaker 1>It's just sad.

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<v Speaker 2>He sounds so sad.

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<v Speaker 1>I just hate it. It's like I I feel different

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<v Speaker 1>than I sound, you know. Oh yeah, I sound different

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<v Speaker 1>than I feel. Okay, well, let's just do this because

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<v Speaker 1>you're on borrow time, you're in London right now, I

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<v Speaker 1>have to go into your process for your new for

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<v Speaker 1>not a new musical, but a musical. You're on like

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<v Speaker 1>four hours of sleep, maybe less.

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<v Speaker 2>I'm on two sessions of two hours of sleep. Well,

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<v Speaker 2>I feel good, Jenna. I will hold this up. The

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<v Speaker 2>voice is here. I'll hold this up for both of us.

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<v Speaker 1>Well, you know, don't strain your voice either, because you

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<v Speaker 1>need your voice. Okay, Season six, and we're in episode two.

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<v Speaker 1>This is part two of the premiere. But we are

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<v Speaker 1>doing this weekly. So this is homecoming and it aired

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<v Speaker 1>on January ninth, twenty fifteen.

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<v Speaker 2>Just a rub salt on the wound.

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<v Speaker 1>Yeah.

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<v Speaker 2>The other thing about so we discovered last week they

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<v Speaker 2>moved to Fridays. And the other thing is new shows, Like,

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<v Speaker 2>don't premiere this soon after New Year's you wait, like

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<v Speaker 2>two weeks after New Years. We are really just like,

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<v Speaker 2>let's get these out of here.

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<v Speaker 1>Well, let's just get them, get through.

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<v Speaker 2>It, throw them at the wall.

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<v Speaker 1>Wow.

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<v Speaker 2>So I mean, I love you know, the experience of

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<v Speaker 2>being able to watch these two back to back, I

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<v Speaker 2>think would have been really satisfying because seeing everybody back together,

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<v Speaker 2>the gang's all here working together in a positive way.

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<v Speaker 2>We have everybody now in charge of different glee clubs

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<v Speaker 2>is really full circle and lovely to watch.

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<v Speaker 1>Okay. In the news, number one song is blank Space

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<v Speaker 1>by Taylor Swift again or still because.

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<v Speaker 2>The number one movie is Still taking three?

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<v Speaker 1>Where was she obvious? So on January sixth, the music

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<v Speaker 1>Homecoming EP was released. It was five tracks from episode

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<v Speaker 1>six or two, and it was for digital only. We've

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<v Speaker 1>gone from CD now only to digital.

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<v Speaker 2>More importantly, on January seventh, Chris One Favorite Comedic TV

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<v Speaker 2>actor at the forty first annual People's Choice Awards.

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<v Speaker 1>Wow. Look, I knew this.

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<v Speaker 2>However, the category was not televised and Chris was not

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<v Speaker 2>in attendance. Chris did share a celebratory post on Instagram saying,

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<v Speaker 2>just find out about the People's Choice Award three years

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<v Speaker 2>in a row. Thank you all so much. The category

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<v Speaker 2>wasn't televised, so let me tell you how I am

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<v Speaker 2>telling you now. I am forever grateful, humbled, and quite

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<v Speaker 2>spoiled deserved. Yeah, dang and icon. This episode was directed

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<v Speaker 2>by Brad Baker.

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<v Speaker 1>Wow, so he did back to.

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<v Speaker 2>Back Yeah, so you must have just prepped him at

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<v Speaker 2>the same time.

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<v Speaker 1>God to bless him. That is crazy. The only other

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<v Speaker 1>person I believe who's ever done that on our show

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<v Speaker 1>is there Stills correct. Nobody should have to do that.

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<v Speaker 1>The songs were take on Me performed by all of.

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<v Speaker 2>Us, Tightrope performed by Jane with the Warblers problem.

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<v Speaker 1>We're performed by the Unholy Trinity Artie and the cheer.

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<v Speaker 2>I got my whisper in on that. Well, let me

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<v Speaker 2>make these royalties Mustang Sally performed by Roderick with Brittany

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<v Speaker 2>Quinn and Santana of course.

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<v Speaker 1>And then we have a Home performed by all the alumni,

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<v Speaker 1>all the new new directions and Spencer.

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<v Speaker 2>And Spencer fun facts. This episode was part two, like

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<v Speaker 2>we said of the season six premiere, airing right after

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<v Speaker 2>Lucier Like Me.

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<v Speaker 1>And the title card pays homage to the cartoon drawings

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<v Speaker 1>and the original music video for Take on Me as

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<v Speaker 1>to do the transitions between several of the scenes, which

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<v Speaker 1>I appreciate they kept going.

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<v Speaker 2>This is also the final time in the entire series

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<v Speaker 2>the title card changes.

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<v Speaker 1>Whoa And this episode marks back as first appearance since

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<v Speaker 1>the show's moved to New York after new directions. It

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<v Speaker 1>feels like it feels like she never left.

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<v Speaker 2>It was really good to see her, though, yeah, her

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<v Speaker 2>pony jail is much longer. This episode marks the first

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<v Speaker 2>appearance of Jane Hayward, Mason McCarthy, and Madison McCarthy.

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<v Speaker 1>And this is the sixth episode where every member of

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<v Speaker 1>New Directions sings the soul Line, the others being the pilot,

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<v Speaker 1>Brittany two point zero, Tina in the sky a Katie

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<v Speaker 1>or Gaga, and the end of work Okay.

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<v Speaker 2>Official episode summary put Coins, Santana, Mercedes, Brittany, Arty, and

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<v Speaker 2>Tina all return to McKinley for Homecoming and help Rachel

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<v Speaker 2>and Kurt recruit for the new Glee Club.

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<v Speaker 1>I remember coming back for this. It was really fun

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<v Speaker 1>to shoot this, Like take on Me was really fun.

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<v Speaker 1>I remember we were back at Bernstein in the cafeteria yep,

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<v Speaker 1>making fools of ourselves. Also in the in the room

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<v Speaker 1>where you were drawing the cartoon on the I have.

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<v Speaker 2>Lots of photos of filming that number, yeah right.

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<v Speaker 1>And then getting Noah in there, and then of course Homecoming,

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<v Speaker 1>which also feels like an afterthought, but like we did

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<v Speaker 1>that at night and it was very cold on Paramount.

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<v Speaker 2>I don't remember doing that. I was Washington.

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<v Speaker 1>I was like, oh, I have of us doing that.

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<v Speaker 1>We didn't do that. That's why, like you and I

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<v Speaker 1>were like kind of in the like the beginning part,

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<v Speaker 1>and then that was like kind of it and of us. Yeah,

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<v Speaker 1>we were behind the buses.

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<v Speaker 2>Like a lot got it.

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<v Speaker 1>Yeah, we were really there. Overall, it was really fun

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<v Speaker 1>to see everybody. But I will say this was not

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<v Speaker 1>my favorite episode.

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<v Speaker 2>I enjoyed it. I enjoyed watching it. I had a

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<v Speaker 2>good time. It was entertaining. It was sort of like

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<v Speaker 2>all the things I like about Glee on the entertainment side.

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<v Speaker 2>It's not like we're saying anything profound in this episode,

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<v Speaker 2>but seeing the new kids perform, and like I said earlier,

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<v Speaker 2>I really like having everybody back and working together, and

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<v Speaker 2>it's not we're not in everybody's drama. And there was

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<v Speaker 2>something what I really liked and what set it up

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<v Speaker 2>for me was the dinner at Shusters where everybody's there

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<v Speaker 2>and you have Blaine in charge of Warbler's Shoe, in

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<v Speaker 2>charge of Vocal Adrenaline, and Kurt and Rachel in charge

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<v Speaker 2>of New Directions, and it was like, that is really

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<v Speaker 2>cool and it feels right, and it feels like, of

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<v Speaker 2>course it's not going to be friendly, even though they're

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<v Speaker 2>saying we're going to make it friendly. It's a new

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<v Speaker 2>take on how we're going to do this and how

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<v Speaker 2>we operate. And then immediately, you know, Jane moves from

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<v Speaker 2>Warblers to New Directions, so I enjoyed all of that,

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<v Speaker 2>and it was just it was so nice seeing everyone

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<v Speaker 2>and seeing everybody perform.

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<v Speaker 1>Yeah, I agree, I liked that aspect of it. That

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<v Speaker 1>was my favorite part of it. Was like watching them

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<v Speaker 1>come back in this new iteration and like being the

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<v Speaker 1>leaders and like kind of going at Like I really

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<v Speaker 1>enjoyed when when Rachel takes or really when Jane approaches

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<v Speaker 1>Rachel and says, like, I'm gonna switch. I don't really

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<v Speaker 1>want to be in the war Warers anymore. They don't

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<v Speaker 1>want me there, so like I'm I'm going to transfer

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<v Speaker 1>if this is what I want, and like then blame

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<v Speaker 1>being like, okay, it's over the playing nice kind of

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<v Speaker 1>thing that mister Shu had initially you know established, Yeah, yeah, established,

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<v Speaker 1>and so I like that aspect of it. I just

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<v Speaker 1>felt a little I don't know, I you know, I

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<v Speaker 1>really enjoyed the less characters, the more more focused storylines

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<v Speaker 1>like we had. I agree, this still has that element

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<v Speaker 1>to it, like it's very organized and focused, but like

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<v Speaker 1>it just felt like a little like we could have

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<v Speaker 1>gotten there faster.

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<v Speaker 2>I I think I like it for that for the

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<v Speaker 2>reasons you don't like it, because I feel like it

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<v Speaker 2>was a much more natural and organic way to introduce

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<v Speaker 2>all these new people than than what happened last time.

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<v Speaker 2>Like that felt very disjointed and all over the place,

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<v Speaker 2>and like we're forcing these people in here, where this

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<v Speaker 2>sort of felt like there was some resistance. They're not

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<v Speaker 2>all just like yeah, we're gonna do it. It was

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<v Speaker 2>like woven in between everything else going on. I thought,

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<v Speaker 2>like you said, much more organized, no, no fair way

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<v Speaker 2>in a different way than last time, which was also nice.

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<v Speaker 2>I'm glad they weren't just sort of copying and pasting

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<v Speaker 2>and like, you know, the little bits of like Rachel

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<v Speaker 2>running through the locker room and side note, I just

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<v Speaker 2>would like to flag the sexual things, like Santana says

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<v Speaker 2>it when she references her like sexual prowess luring people.

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<v Speaker 2>And these people are in high school in underage first

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<v Speaker 2>of all, I know, and then Rachel going through the

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<v Speaker 2>locker room saying, I'm not looking at anything. I'm just like,

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<v Speaker 2>this is crazy. It's a little it's a little weird

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<v Speaker 2>when you're that close in age to the high schoolers.

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<v Speaker 1>Yeah, that's right, but it's only a year.

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<v Speaker 2>Yeah, but they're comedic geniuses, so they sold it. And

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<v Speaker 2>it's very funny, let's talk about Rachel.

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<v Speaker 1>Oh, yes, okay, great, I mean we're still we're talking

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<v Speaker 1>about her, So let's talk about let's talk about it

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<v Speaker 1>exactly the So the guys all make a pact, all

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<v Speaker 1>the head coaches now Rachel, kurk Wilblain all make a

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<v Speaker 1>pact to obviously play nice, and there's no poaching of stealing,

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<v Speaker 1>which spoiler alert, there's kind of poaching stealing immediately and

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<v Speaker 1>and Rachel, we're back at McKinley and Rachel Kurt are

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<v Speaker 1>trying to establish a brand new glee club and Rachel

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<v Speaker 1>puts up the list and Kurt's like, Okay, you need

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<v Speaker 1>to be more proactive than this. We're not going to

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<v Speaker 1>find people if we don't. So she hears this like

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<v Speaker 1>voice which is Noah's voice in the hallways, and uh,

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<v Speaker 1>She's like asking, how does that transition happen? So she's

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<v Speaker 1>in the hallway and she and Rachel agrees that Kurt's right,

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<v Speaker 1>and then all of a sudden, it's like everybody's magically there.

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<v Speaker 2>She since it's a bat signal, the glee bat signals, literally,

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<v Speaker 2>and everybody is just there.

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<v Speaker 1>Well, we perform, we're all there. Of course, Tina gets

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<v Speaker 1>is late again and nobody waited for the rental car

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<v Speaker 1>and I pressed on the car. At that point, I

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<v Speaker 1>was like, yeah, this is funny now, you know, like

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<v Speaker 1>at this point, I'm like, okay, I can't.

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<v Speaker 2>Say it's come back around. It got to the point

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<v Speaker 2>where it was like rude and then funny, and then

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<v Speaker 2>now this is just sad and forced, and now it's

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<v Speaker 2>really funny. Yeah, yeah, and shut up Tina.

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<v Speaker 1>So she's there and everybody's gonna sing. They're all there

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<v Speaker 1>for Homecoming technically, but they they end up doing the

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<v Speaker 1>take on me. Now, this number was like cuckoo because

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<v Speaker 1>Brad kept telling us like there's gonna be the cartoons

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<v Speaker 1>and he went around with his iPad and he showed

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<v Speaker 1>us the original video and we were like, oh, I

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<v Speaker 1>get it, I get it. So you just have to

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<v Speaker 1>like trust Brad Beaker because like I feel like he

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<v Speaker 1>always has like a plan and you're like, it's just

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<v Speaker 1>kind of look great.

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<v Speaker 2>Like he's great at explaining it. Not every director would

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<v Speaker 2>explain the plan, and it's really helpful.

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<v Speaker 1>Show it to us. Yeah, he's like here you go,

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<v Speaker 1>like the no secrets, you.

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<v Speaker 2>Know, well, especially when so these numbers and if you've

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<v Speaker 2>been following along with this podcast. We don't necessarily love

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<v Speaker 2>the process of shooting the numbers that go through a

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<v Speaker 2>lot of different rooms in the school, because it's really

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<v Speaker 2>tedious and takes a lot of time for a little

0:13:28.240 --> 0:13:29.720
<v Speaker 2>you know, like you're in a room for ten seconds

0:13:29.760 --> 0:13:32.840
<v Speaker 2>passing through, do a little jig and move out, and

0:13:32.880 --> 0:13:36.160
<v Speaker 2>it just takes so long. This was no different. However,

0:13:36.280 --> 0:13:38.640
<v Speaker 2>when you are prepped and know exactly what's going on

0:13:38.720 --> 0:13:40.520
<v Speaker 2>and what it's going to look like, or have some

0:13:40.559 --> 0:13:44.000
<v Speaker 2>sort of idea, it helps you, I think, appreciate the

0:13:44.040 --> 0:13:45.120
<v Speaker 2>process a little better.

0:13:45.520 --> 0:13:47.679
<v Speaker 1>I was also kind of like just in it because

0:13:47.720 --> 0:13:50.440
<v Speaker 1>like we had had a break and like you know,

0:13:50.480 --> 0:13:52.160
<v Speaker 1>we were happy to be there, and.

0:13:52.120 --> 0:13:53.680
<v Speaker 2>Just everybody was happy to be there.

0:13:53.840 --> 0:13:55.960
<v Speaker 1>Yeah, we're all back together and the gang was all

0:13:56.000 --> 0:14:00.520
<v Speaker 1>back together, and we did this ridiculous number. We all

0:14:00.520 --> 0:14:05.960
<v Speaker 1>look insane. Everybody's collars and like costumes and hair. Kevin,

0:14:05.960 --> 0:14:08.840
<v Speaker 1>do you remember when we were at Bernstein in the cafeteria.

0:14:09.160 --> 0:14:12.560
<v Speaker 1>There's like two very distinct stories. I remember you, me

0:14:12.640 --> 0:14:14.560
<v Speaker 1>and Diana were hanging out and we were making like

0:14:14.600 --> 0:14:19.680
<v Speaker 1>weird videos of like inspirational quotes and we were like

0:14:19.920 --> 0:14:23.680
<v Speaker 1>doing them to the camera like really, oh oh yeah,

0:14:23.680 --> 0:14:25.800
<v Speaker 1>we had a lot of free time on we did.

0:14:25.840 --> 0:14:27.960
<v Speaker 2>We had so much free time, like we just done.

0:14:27.840 --> 0:14:31.400
<v Speaker 1>Like a ton of time, like cooping off with Diana.

0:14:31.640 --> 0:14:33.240
<v Speaker 2>I have a lot of pictures of me and Naya.

0:14:33.760 --> 0:14:40.280
<v Speaker 1>Okay, so well, when we shot it, the obviously the

0:14:40.320 --> 0:14:44.400
<v Speaker 1>cartoon were like the picture frame that everybody's jumping through

0:14:44.960 --> 0:14:48.200
<v Speaker 1>was put in in post, but what we used to

0:14:48.240 --> 0:14:51.240
<v Speaker 1>shoot it was like just like a wooden frames, just

0:14:51.280 --> 0:14:56.960
<v Speaker 1>like four long skinny frames put together, and the guys

0:14:56.960 --> 0:15:00.320
<v Speaker 1>were carrying them and Rachel's Everybody's jumping through the and

0:15:00.400 --> 0:15:03.400
<v Speaker 1>coming out in costume. Well, I remember having to jump

0:15:03.560 --> 0:15:06.800
<v Speaker 1>through that, and I remember Core jumping through it and

0:15:06.840 --> 0:15:11.160
<v Speaker 1>falling flat on his face. He tripped over the bottom

0:15:11.160 --> 0:15:15.440
<v Speaker 1>board and he went coupling right on the ground. And

0:15:15.520 --> 0:15:21.400
<v Speaker 1>I will never never forget it. So funny. That would

0:15:21.400 --> 0:15:22.080
<v Speaker 1>make sense.

0:15:23.120 --> 0:15:27.320
<v Speaker 2>Oh yeah, I remember us like being back in the

0:15:28.880 --> 0:15:31.920
<v Speaker 2>like behind the kitchen area and the cafeteria for a

0:15:32.000 --> 0:15:34.080
<v Speaker 2>really long time. I don't know, why.

0:15:35.040 --> 0:15:36.440
<v Speaker 1>Are your chairs were back there?

0:15:36.560 --> 0:15:40.160
<v Speaker 2>Oh, that's that would make sense. I'm glad you remember

0:15:40.200 --> 0:15:43.080
<v Speaker 2>these things. I just have fragments of memory some reason.

0:15:43.120 --> 0:15:44.680
<v Speaker 1>This is very vivid in my mind.

0:15:46.000 --> 0:15:48.080
<v Speaker 2>Once it came up, I was like, oh, yes, I'm like,

0:15:48.160 --> 0:15:55.200
<v Speaker 2>ah this watching this altogether. You know, we haven't taken

0:15:55.240 --> 0:15:58.560
<v Speaker 2>that much time between seasons. Yeah, it feels so different

0:15:58.640 --> 0:16:01.680
<v Speaker 2>because when we were filming this, there was such a

0:16:01.720 --> 0:16:06.320
<v Speaker 2>big break right between the last episode of last season

0:16:06.920 --> 0:16:09.800
<v Speaker 2>and all of us being here for this episode, and

0:16:10.120 --> 0:16:12.600
<v Speaker 2>a lot of us hadn't seen each other. So much

0:16:12.760 --> 0:16:17.400
<v Speaker 2>had changed in the world with each other, and so

0:16:18.280 --> 0:16:20.800
<v Speaker 2>you know, like people are growing up and getting married

0:16:20.880 --> 0:16:25.920
<v Speaker 2>and all those things, and so it was such like

0:16:25.960 --> 0:16:28.760
<v Speaker 2>a big you can see, the vibes were like so

0:16:28.920 --> 0:16:32.400
<v Speaker 2>good in this episode between everybody. Everyone is genuinely laughing.

0:16:32.600 --> 0:16:36.400
<v Speaker 2>Everyone is just having a great time, so grateful and

0:16:36.440 --> 0:16:38.880
<v Speaker 2>happy to be there and just just because we got

0:16:38.920 --> 0:16:41.120
<v Speaker 2>to hang out. It was really really fun.

0:16:41.600 --> 0:16:46.800
<v Speaker 1>It was now. I love that. I I think when

0:16:46.800 --> 0:16:49.120
<v Speaker 1>we were filming with like a wooden frame, I was like,

0:16:49.120 --> 0:16:50.640
<v Speaker 1>I don't know this is going to turn out. You

0:16:50.760 --> 0:16:52.920
<v Speaker 1>just like trust in Brad Baker. But I love the

0:16:52.960 --> 0:16:54.440
<v Speaker 1>way it turned out. I thought it was so much

0:16:54.440 --> 0:16:58.440
<v Speaker 1>fun and like different, and you know, it was like

0:16:58.480 --> 0:17:01.480
<v Speaker 1>a fun way back and for everybody to be together.

0:17:02.120 --> 0:17:06.160
<v Speaker 1>But we have to talk about the Unholy Trinity and

0:17:06.480 --> 0:17:12.320
<v Speaker 1>doing problem because I have I don't remember this and

0:17:13.640 --> 0:17:17.560
<v Speaker 1>it is insane, Like everybody looks and sounds really good

0:17:17.720 --> 0:17:21.239
<v Speaker 1>and it's really fun and I don't remember it. So

0:17:21.640 --> 0:17:23.520
<v Speaker 1>now I need you to tell me about shooting this.

0:17:24.480 --> 0:17:26.000
<v Speaker 1>Nya sounds incredible.

0:17:26.280 --> 0:17:28.719
<v Speaker 2>Nya sounds so good.

0:17:29.560 --> 0:17:33.720
<v Speaker 1>Her best impression of Ariana will also putting Nya's spin

0:17:33.800 --> 0:17:34.040
<v Speaker 1>on it.

0:17:34.640 --> 0:17:36.480
<v Speaker 2>Oh yeah, she was going for it. I think she

0:17:36.600 --> 0:17:41.200
<v Speaker 2>was like, Okay, I'll do this. Oh yeah, so that number.

0:17:41.920 --> 0:17:46.159
<v Speaker 2>For those of you who know, you know, you'll understand

0:17:46.200 --> 0:17:51.600
<v Speaker 2>what I'm alluding to. But it was interesting that Naya

0:17:51.720 --> 0:17:56.960
<v Speaker 2>had to sing that song mm and she did not complain,

0:17:57.280 --> 0:17:59.639
<v Speaker 2>She did not say anything negative about it. She was like,

0:18:00.840 --> 0:18:02.800
<v Speaker 2>I'm going to sing the shit out of this. Yeah

0:18:02.840 --> 0:18:05.320
<v Speaker 2>she did, and we just had a good time. I

0:18:05.400 --> 0:18:07.199
<v Speaker 2>was ready to sit there and sort of like gossip, like,

0:18:07.359 --> 0:18:09.879
<v Speaker 2>oh my god, can you and she was just like, no, no,

0:18:10.040 --> 0:18:13.080
<v Speaker 2>this is my job. I'm showing up. I'm clocking in,

0:18:13.240 --> 0:18:16.520
<v Speaker 2>as she would say, and I'm doing it. That day

0:18:16.600 --> 0:18:19.639
<v Speaker 2>was also just so much fun to be in a number. Also,

0:18:19.680 --> 0:18:24.560
<v Speaker 2>with them being a number I used loosely. I was

0:18:24.560 --> 0:18:26.440
<v Speaker 2>was behind a chain link fence whispering.

0:18:26.520 --> 0:18:30.439
<v Speaker 1>You were like running down the like rolling down the

0:18:30.440 --> 0:18:33.399
<v Speaker 1>bleachers with them, like it was really fun. I really

0:18:33.480 --> 0:18:34.199
<v Speaker 1>liked that number.

0:18:34.520 --> 0:18:38.720
<v Speaker 2>It was on a personal level, really boring to shoot

0:18:38.880 --> 0:18:42.560
<v Speaker 2>for me because I'm so far away from everybody most

0:18:42.640 --> 0:18:45.200
<v Speaker 2>of the time. And then we were shooting that scene

0:18:45.200 --> 0:18:47.240
<v Speaker 2>with Becca at the end of the sun was directly

0:18:47.359 --> 0:18:51.159
<v Speaker 2>in our eyes, those of us on that side, and

0:18:51.240 --> 0:18:53.320
<v Speaker 2>so they were like those things that were like, get

0:18:53.320 --> 0:18:56.119
<v Speaker 2>me off of this field. Yeah, but we got to

0:18:56.119 --> 0:19:00.399
<v Speaker 2>spend the day with them and Becca and Billy and Laura.

0:19:00.480 --> 0:19:02.280
<v Speaker 2>So it was so we.

0:19:02.920 --> 0:19:07.920
<v Speaker 1>Meet Billy and Laura and they're on the cheerios currently

0:19:08.200 --> 0:19:12.320
<v Speaker 1>and Kitty now is mad because and I love that

0:19:12.520 --> 0:19:14.959
<v Speaker 1>she brings this up or that it was written this

0:19:15.040 --> 0:19:17.840
<v Speaker 1>way of like why would I join the glee club

0:19:18.359 --> 0:19:20.800
<v Speaker 1>or get anybody to join it? When you guys treated

0:19:20.880 --> 0:19:23.520
<v Speaker 1>us that way after we left, it was like they

0:19:23.600 --> 0:19:28.160
<v Speaker 1>just got ditched and it was like slightly I mean

0:19:28.240 --> 0:19:31.000
<v Speaker 1>on the nose of like yeah, no, of course, like

0:19:31.359 --> 0:19:35.240
<v Speaker 1>see you later, but there they were. Becca was back.

0:19:35.400 --> 0:19:37.560
<v Speaker 1>It was good to see her. Kittie's back in a

0:19:37.600 --> 0:19:39.000
<v Speaker 1>different way again.

0:19:40.119 --> 0:19:43.760
<v Speaker 2>There's a lot of good reference to that. I think Yeah,

0:19:43.800 --> 0:19:46.160
<v Speaker 2>the writer's doing a really good job so far this season.

0:19:46.160 --> 0:19:47.560
<v Speaker 2>I think it's the end of last season of like

0:19:47.680 --> 0:19:51.600
<v Speaker 2>checking those things, like and making sure we're calling ourselves out,

0:19:51.800 --> 0:19:55.119
<v Speaker 2>like the characters bad behaviors and all these things, which

0:19:55.119 --> 0:19:56.600
<v Speaker 2>we did a lot in the beginning of the series.

0:19:56.720 --> 0:20:00.520
<v Speaker 2>I think we like didn't do that as much and

0:20:00.520 --> 0:20:03.440
<v Speaker 2>then in the middle, but I really love that it's

0:20:03.480 --> 0:20:04.720
<v Speaker 2>come back in full force.

0:20:05.760 --> 0:20:08.560
<v Speaker 1>So Madison and Mason ask if they can audition together,

0:20:08.640 --> 0:20:11.800
<v Speaker 1>which I love their like quirky little like duo. It's

0:20:11.840 --> 0:20:14.080
<v Speaker 1>so funny. They're my favorite.

0:20:15.480 --> 0:20:16.400
<v Speaker 2>Are they there?

0:20:16.600 --> 0:20:19.560
<v Speaker 1>Yeah? I really like them. I think they're like at

0:20:19.600 --> 0:20:22.720
<v Speaker 1>the end of the episode when they're like nottitute our

0:20:22.760 --> 0:20:24.280
<v Speaker 1>onn horn Tute.

0:20:25.200 --> 0:20:26.240
<v Speaker 2>Their chemistry is so.

0:20:26.240 --> 0:20:30.199
<v Speaker 1>Good, really good. I think they were friends before. I

0:20:30.240 --> 0:20:32.840
<v Speaker 1>think they knew each other, or maybe they just like

0:20:32.920 --> 0:20:38.280
<v Speaker 1>bonded because like like Noah said, like they just you

0:20:38.320 --> 0:20:39.840
<v Speaker 1>know what I mean, they had each other. But it

0:20:40.000 --> 0:20:43.879
<v Speaker 1>was really great. We've also got the Roderick thing happening

0:20:44.119 --> 0:20:48.520
<v Speaker 1>where Rachel hears his voice like a handful of times

0:20:49.080 --> 0:20:53.480
<v Speaker 1>leading up to us actually finding him. But she's enlisted

0:20:53.520 --> 0:20:58.760
<v Speaker 1>the the Alums to help find Cleeve Club members obviously

0:20:59.480 --> 0:21:04.159
<v Speaker 1>we try to woo them with our musical talents. But

0:21:05.280 --> 0:21:07.840
<v Speaker 1>we go and we chase Roderick. Do you remember shooting

0:21:07.840 --> 0:21:10.440
<v Speaker 1>that too? Like these are so clear in my mind. Yes,

0:21:10.520 --> 0:21:14.240
<v Speaker 1>she did, looking at the air bench of like where

0:21:14.280 --> 0:21:17.479
<v Speaker 1>his voice was, and then running into the library and

0:21:17.520 --> 0:21:20.280
<v Speaker 1>we found him, and I remember thinking, like, this poor

0:21:20.400 --> 0:21:23.199
<v Speaker 1>kid is brand new. I remember them telling you us

0:21:23.240 --> 0:21:26.000
<v Speaker 1>like he's pretty new at everything, like and we're all

0:21:26.080 --> 0:21:30.920
<v Speaker 1>just like all the ogs are just like hovering over him.

0:21:30.960 --> 0:21:33.080
<v Speaker 1>But he was so sweet and so good.

0:21:33.800 --> 0:21:37.119
<v Speaker 2>It's so sweet and that he it comes through like

0:21:37.320 --> 0:21:40.520
<v Speaker 2>he's perfectly cast. Yeah, written perfectly for him.

0:21:40.800 --> 0:21:42.560
<v Speaker 1>Also, was that a new library?

0:21:42.960 --> 0:21:44.840
<v Speaker 2>Yes? I was just about to say. The reason I

0:21:44.880 --> 0:21:47.320
<v Speaker 2>remember so much, like I have so many of these

0:21:47.320 --> 0:21:51.080
<v Speaker 2>memories for this is because it all felt so new, right,

0:21:51.600 --> 0:21:55.920
<v Speaker 2>and like the library might have actually just been completely new.

0:21:56.359 --> 0:21:56.840
<v Speaker 1>It was.

0:21:57.640 --> 0:21:59.800
<v Speaker 2>I think it was too, and so that's why I

0:21:59.880 --> 0:22:02.840
<v Speaker 2>like even having our chairs like in the kitchen of

0:22:02.880 --> 0:22:07.199
<v Speaker 2>the cafeteria was different, complete library.

0:22:07.280 --> 0:22:09.280
<v Speaker 1>And they were like, we're not going to build the

0:22:09.400 --> 0:22:12.560
<v Speaker 1>library back, so like let's just shoot it all location,

0:22:14.000 --> 0:22:16.119
<v Speaker 1>you know, do you know what I mean? They're not

0:22:16.280 --> 0:22:18.720
<v Speaker 1>think you're right, sad at season six, like the end.

0:22:18.680 --> 0:22:20.920
<v Speaker 2>I think I think he might be I think.

0:22:20.720 --> 0:22:21.399
<v Speaker 1>It was burned.

0:22:21.480 --> 0:22:22.360
<v Speaker 2>I think might be right.

0:22:22.720 --> 0:22:25.720
<v Speaker 1>Yeah, And I think we shot it at the end

0:22:25.760 --> 0:22:31.160
<v Speaker 1>of like the Aha number, like after that we were all.

0:22:31.000 --> 0:22:34.000
<v Speaker 2>There, m hm, Okay, that makes sense. Yeah, I think

0:22:34.080 --> 0:22:36.720
<v Speaker 2>that's making look at this memory so.

0:22:36.760 --> 0:22:39.240
<v Speaker 1>Weird because I mean, the rest of the series, we know,

0:22:39.320 --> 0:22:40.240
<v Speaker 1>I don't remember.

0:22:39.960 --> 0:22:44.160
<v Speaker 2>Anything, but this was a significant time.

0:22:44.520 --> 0:22:48.240
<v Speaker 1>Yeah, for sure. It was so roder singing we get

0:22:48.320 --> 0:22:50.640
<v Speaker 1>him to audish and when we come front him to audition.

0:22:50.800 --> 0:22:54.960
<v Speaker 1>Really also when Rachel scares him away.

0:22:56.680 --> 0:22:59.439
<v Speaker 2>I like Rachel just going back to her. You know,

0:22:59.480 --> 0:23:01.239
<v Speaker 2>when you go for the holidays or something on your

0:23:01.240 --> 0:23:03.919
<v Speaker 2>parents and you become a teenager again. It was Rachel

0:23:03.960 --> 0:23:07.840
<v Speaker 2>back at McKinley, going into her crazy Rachel barrymode. And

0:23:08.760 --> 0:23:12.359
<v Speaker 2>I've learned I am now the instructor of this glee club, Yes,

0:23:12.480 --> 0:23:13.440
<v Speaker 2>which I did enjoy.

0:23:13.920 --> 0:23:19.600
<v Speaker 1>Yes for sure. Before we get into a rotter number

0:23:20.320 --> 0:23:23.320
<v Speaker 1>and mustin Sally, can we talk about Puck, Quin, Tina

0:23:23.520 --> 0:23:26.959
<v Speaker 1>and Sam and Mercedes going to get the conservatives at

0:23:26.960 --> 0:23:28.960
<v Speaker 1>the tea party.

0:23:31.040 --> 0:23:37.240
<v Speaker 2>It's also a very good demonstration of where we've come politically.

0:23:38.000 --> 0:23:39.919
<v Speaker 2>The Tea Party was a hot thing for a second

0:23:39.960 --> 0:23:44.399
<v Speaker 2>and then it just became mega right, like this was

0:23:44.440 --> 0:23:45.800
<v Speaker 2>the foundational texts.

0:23:46.160 --> 0:23:50.680
<v Speaker 1>Yeah for Mecca, God help us. Tina is like and

0:23:50.720 --> 0:23:53.560
<v Speaker 1>literally I was gonna like take a video ta, I mean,

0:23:53.760 --> 0:23:58.520
<v Speaker 1>like what is wrong? Because I was like current what

0:23:58.680 --> 0:24:07.840
<v Speaker 1>is wrong with America? Jess Oh very funny? Uh okay.

0:24:08.119 --> 0:24:12.440
<v Speaker 1>For some reason, though, that scene I thought was a

0:24:12.440 --> 0:24:15.520
<v Speaker 1>scene that we shot while we were in the episode

0:24:15.520 --> 0:24:17.840
<v Speaker 1>that I do with Diana and Lauren Potter.

0:24:19.480 --> 0:24:22.440
<v Speaker 2>We might have been shooting some of these things like.

0:24:22.480 --> 0:24:27.800
<v Speaker 1>Dually because it feels now that's when my memory goes,

0:24:29.000 --> 0:24:31.280
<v Speaker 1>and I like thought that was something else.

0:24:31.960 --> 0:24:37.639
<v Speaker 2>Yeah, it's the next episode, I think maybe. Yeah, I

0:24:37.640 --> 0:24:39.200
<v Speaker 2>think there was a lot of that going on.

0:24:39.520 --> 0:24:42.480
<v Speaker 1>Yeah, They're like get everybody, well they can, yes.

0:24:42.440 --> 0:24:43.680
<v Speaker 2>It's all available.

0:24:43.760 --> 0:24:45.919
<v Speaker 1>We weren't even uncontracted, so they had to get us

0:24:46.000 --> 0:24:46.959
<v Speaker 1>in when we could get in.

0:24:47.160 --> 0:24:59.920
<v Speaker 2>Yep. There's two moments in this episode that I really loved,

0:25:00.880 --> 0:25:03.640
<v Speaker 2>and I think the first one is my first well okay,

0:25:04.200 --> 0:25:07.879
<v Speaker 2>the first one's in that conservative club where the guy's

0:25:07.920 --> 0:25:13.280
<v Speaker 2>preaching about how he hates homosexuals and everything else and

0:25:13.359 --> 0:25:16.760
<v Speaker 2>then Mercedes just gives it to him. Yeah, and then

0:25:17.200 --> 0:25:24.679
<v Speaker 2>for the Warblers, when the Warblers are protesting having Jane audition, right,

0:25:25.480 --> 0:25:28.239
<v Speaker 2>they're like, well, the sexual tension might be weird, and

0:25:28.280 --> 0:25:30.480
<v Speaker 2>Blaine's like, well, aren't most of you guys gay And

0:25:30.520 --> 0:25:32.920
<v Speaker 2>they're like no, it's like to all of you have girlfriends.

0:25:32.920 --> 0:25:39.320
<v Speaker 2>They're like yes. He's like, oh okay, sort of feels

0:25:39.320 --> 0:25:42.080
<v Speaker 2>similar and like those happening in both schools.

0:25:42.240 --> 0:25:52.520
<v Speaker 1>Yes, for sure, yes, yes, we'll get there. Yeah, sorry, no,

0:25:52.560 --> 0:25:57.240
<v Speaker 1>it's fine. So Roderick does come to audition. I also

0:25:57.240 --> 0:26:00.320
<v Speaker 1>remember sitting up in that the rafters for that. That

0:26:00.440 --> 0:26:07.919
<v Speaker 1>was fun. And the on Holy Trinity. Do you remember

0:26:08.119 --> 0:26:10.120
<v Speaker 1>listening to him saying that for the first.

0:26:10.000 --> 0:26:16.040
<v Speaker 2>Time absulutely it was like insanity. That's also how I

0:26:16.040 --> 0:26:21.200
<v Speaker 2>feel watching Samantha Ware Yep, where obviously we weren't there

0:26:21.240 --> 0:26:23.480
<v Speaker 2>for that and watching this episode and we'll get to that,

0:26:23.680 --> 0:26:30.400
<v Speaker 2>but watching Noah Yep, we were all like, oh, oh,

0:26:30.560 --> 0:26:32.960
<v Speaker 2>that's what we were all supposed to be doing. The

0:26:33.000 --> 0:26:37.399
<v Speaker 2>males I go because the women on the show have

0:26:37.640 --> 0:26:41.800
<v Speaker 2>always been so strong, like so not even close to

0:26:41.880 --> 0:26:46.119
<v Speaker 2>the guys, and he showed up. I was like, I

0:26:46.200 --> 0:26:49.840
<v Speaker 2>was like, all right, my good Well, it's like it's

0:26:49.880 --> 0:26:53.080
<v Speaker 2>in good hands. It's like it should be, like when

0:26:53.119 --> 0:26:55.159
<v Speaker 2>Kurt revealed Kurt and Rachel reveal at the end, like

0:26:55.200 --> 0:26:57.360
<v Speaker 2>this is the new and improved glee Club. That's how

0:26:57.359 --> 0:26:59.600
<v Speaker 2>it should be. And it does sort of sort of

0:26:59.640 --> 0:27:01.080
<v Speaker 2>feel like that the beginnings of that.

0:27:01.960 --> 0:27:04.120
<v Speaker 1>I mean, you guys are you don't cut yourselves short,

0:27:04.160 --> 0:27:06.600
<v Speaker 1>because you guys are very talented on your own ways.

0:27:06.640 --> 0:27:08.800
<v Speaker 2>It's just that we had like I think we're all great.

0:27:10.400 --> 0:27:14.800
<v Speaker 1>Vocalists, ye vocally like the women like.

0:27:15.440 --> 0:27:20.199
<v Speaker 2>Zomb Yeah, Powerhouse, Go Go No.

0:27:20.480 --> 0:27:22.280
<v Speaker 1>I mean I could listen to his voice all day

0:27:22.280 --> 0:27:25.560
<v Speaker 1>long on anything. He could literally sing me, like a

0:27:25.600 --> 0:27:28.600
<v Speaker 1>cookbook or the ab season. I'd be happy.

0:27:29.560 --> 0:27:33.399
<v Speaker 2>And Rachel also is like I like her as a coach,

0:27:33.520 --> 0:27:36.720
<v Speaker 2>as a teacher. She had the little moment in the

0:27:36.720 --> 0:27:41.000
<v Speaker 2>beginning with him, but by the time he's auditioning, she

0:27:41.040 --> 0:27:44.280
<v Speaker 2>goes to complete other direction, like where the headphones do.

0:27:45.560 --> 0:27:48.119
<v Speaker 2>It's really it's really fun to.

0:27:48.240 --> 0:27:50.560
<v Speaker 1>Her in an element that we haven't seen her before,

0:27:50.600 --> 0:27:52.400
<v Speaker 1>but yet like we knew she would be good at

0:27:52.520 --> 0:27:57.719
<v Speaker 1>you know, yes yeah. And we also see Madison and

0:27:58.640 --> 0:28:04.440
<v Speaker 1>uh uh Mason audition during home technically, so they have

0:28:04.520 --> 0:28:12.600
<v Speaker 1>all auditioned, and now, well, let's talk about Jane.

0:28:13.080 --> 0:28:17.919
<v Speaker 2>So Jane shows up at at Dalton and Blaine is

0:28:17.920 --> 0:28:21.119
<v Speaker 2>sort of feeling himself like this is going great and

0:28:21.200 --> 0:28:25.240
<v Speaker 2>where I'm supposed to be YadA, YadA, YadA, And then

0:28:25.280 --> 0:28:27.520
<v Speaker 2>she shows up and throws a wrench in sort of

0:28:27.600 --> 0:28:31.639
<v Speaker 2>his plan, and she's like, I want to audition for

0:28:31.680 --> 0:28:37.200
<v Speaker 2>the glee club, I mean for the Warblers, and he's resistant.

0:28:37.200 --> 0:28:39.040
<v Speaker 2>He's hesitant at first, and brings it up at that

0:28:39.120 --> 0:28:43.280
<v Speaker 2>dinner with Shu and kurtin Rachel and they're all like,

0:28:43.440 --> 0:28:47.960
<v Speaker 2>don't be an idiot history and he changes pretty quickly

0:28:48.160 --> 0:28:50.960
<v Speaker 2>and sees it, and then you have that you know,

0:28:51.000 --> 0:28:55.000
<v Speaker 2>he brings it to the Warblers. They have that debate

0:28:55.040 --> 0:29:02.360
<v Speaker 2>about it where they're all not gay.

0:28:59.760 --> 0:28:59.840
<v Speaker 1>And.

0:29:01.920 --> 0:29:03.600
<v Speaker 2>They decide to let her audition.

0:29:03.400 --> 0:29:06.320
<v Speaker 1>Which is also like crazy. They're like with the talent

0:29:06.440 --> 0:29:08.840
<v Speaker 1>decide and you're like gross, you guys grow.

0:29:08.800 --> 0:29:10.800
<v Speaker 2>Well, and she calls it out, which I think is great.

0:29:11.000 --> 0:29:16.400
<v Speaker 2>That's also refreshing. There's something about it feels more like

0:29:16.480 --> 0:29:19.560
<v Speaker 2>gen Zers coming in, even though it's only been one

0:29:19.600 --> 0:29:22.480
<v Speaker 2>school year. Different. It feels like a new generation where

0:29:22.480 --> 0:29:26.160
<v Speaker 2>they call things out. You have like postmodern gay on

0:29:26.280 --> 0:29:30.480
<v Speaker 2>the show who's about to be the villain, and that

0:29:30.600 --> 0:29:36.720
<v Speaker 2>all feels refreshing and very different, Like the show started

0:29:36.840 --> 0:29:39.360
<v Speaker 2>with culture being one way, and because the show is

0:29:39.400 --> 0:29:41.840
<v Speaker 2>on the air, we've now sort of like raised this

0:29:41.920 --> 0:29:44.800
<v Speaker 2>other generation and then new kids coming on the show

0:29:45.200 --> 0:29:47.120
<v Speaker 2>are written in a way to sort of display that

0:29:47.480 --> 0:29:51.400
<v Speaker 2>teach us Yeah, which I really I really enjoy. But

0:29:52.040 --> 0:29:56.080
<v Speaker 2>Jane eventually changes her mind and decides to audition with

0:29:56.160 --> 0:29:58.400
<v Speaker 2>tightrope after having a one on one with Rachel who

0:29:58.480 --> 0:30:01.120
<v Speaker 2>helps her figure out, you know, what she's going to

0:30:01.160 --> 0:30:03.040
<v Speaker 2>do to audition, And that was a nice moment, like

0:30:03.080 --> 0:30:05.960
<v Speaker 2>woman to woman because Rachel hasn't always been a girl's girl,

0:30:06.160 --> 0:30:06.680
<v Speaker 2>but as.

0:30:06.560 --> 0:30:10.440
<v Speaker 1>The teacher, I think she's taking on this new position

0:30:10.640 --> 0:30:15.000
<v Speaker 1>of leadership where this is when you know they're still

0:30:15.000 --> 0:30:17.720
<v Speaker 1>playing nice too, where she's like helping her audition for

0:30:17.720 --> 0:30:22.560
<v Speaker 1>a different glee club that's going to be a competitor. Yeah,

0:30:22.560 --> 0:30:25.560
<v Speaker 1>she never was like a good girl's girl. She didn't

0:30:25.600 --> 0:30:27.920
<v Speaker 1>always know how to connect that way, or other girls

0:30:27.960 --> 0:30:29.120
<v Speaker 1>didn't know how to take her, do you know what

0:30:29.160 --> 0:30:32.360
<v Speaker 1>I mean? Yeah, Yeah, but yeah, that was a nice

0:30:32.360 --> 0:30:34.720
<v Speaker 1>moment for them, and she's like helping her kind of

0:30:34.760 --> 0:30:37.280
<v Speaker 1>figure out what's in her music playlist versus like what

0:30:37.400 --> 0:30:38.480
<v Speaker 1>she should be singing.

0:30:38.600 --> 0:30:42.200
<v Speaker 2>And she does tightrope, taking somebody's phone and going through it.

0:30:42.400 --> 0:30:44.560
<v Speaker 2>I was like, oh god, yeah, we don't do that.

0:30:44.800 --> 0:30:46.760
<v Speaker 1>We don't do no. It's like when you share your

0:30:46.760 --> 0:30:52.360
<v Speaker 1>screen on Zoom, You're like, yes, yeah, anyway she does. So,

0:30:52.360 --> 0:30:56.040
<v Speaker 1>so Jane performs tyrope. Wow.

0:30:56.720 --> 0:30:59.480
<v Speaker 2>I remember the rehearsal. So we were rehearsing for something else,

0:30:59.520 --> 0:31:03.480
<v Speaker 2>resumably take on me, but I remember Brooke and Zach

0:31:03.520 --> 0:31:05.280
<v Speaker 2>talking about the tyrope. I was like, oh, yeah, I

0:31:05.320 --> 0:31:07.520
<v Speaker 2>know this. I love this, And so I remember like

0:31:07.880 --> 0:31:09.640
<v Speaker 2>doing it with them because they were still working out

0:31:09.680 --> 0:31:13.240
<v Speaker 2>the dance for it and we were talking about it.

0:31:13.280 --> 0:31:16.760
<v Speaker 2>And that number was great though, and she sounds so good.

0:31:17.320 --> 0:31:19.520
<v Speaker 2>She really really loved it. I want the twins to

0:31:19.560 --> 0:31:23.240
<v Speaker 2>have their own like breakout moment, like yeah, they've gotten

0:31:23.320 --> 0:31:26.040
<v Speaker 2>having this episode. But she's great. And then the Warblers

0:31:26.080 --> 0:31:29.680
<v Speaker 2>are just you know, men are gonna men, Men are

0:31:29.800 --> 0:31:30.360
<v Speaker 2>gonna men.

0:31:30.760 --> 0:31:32.960
<v Speaker 1>And even though and then and Blaine goes out of

0:31:33.000 --> 0:31:35.239
<v Speaker 1>his way and he's like, look, I'm gonna, you know,

0:31:35.720 --> 0:31:38.240
<v Speaker 1>say that, I'll quit and I'll leave and I'll put

0:31:38.280 --> 0:31:41.680
<v Speaker 1>myself on the line for you. What we don't know

0:31:41.800 --> 0:31:44.800
<v Speaker 1>is that we find out later. Obviously you mentioned Rachel.

0:31:44.920 --> 0:31:46.720
<v Speaker 1>She's gonna go to rachel And says her parents, so

0:31:46.840 --> 0:31:49.760
<v Speaker 1>she can transfer wherever she wants. And she doesn't want

0:31:49.760 --> 0:31:53.480
<v Speaker 1>to join a group of like boys that won't like

0:31:53.600 --> 0:31:55.760
<v Speaker 1>don't want her there, that she'll be like fighting for

0:31:55.960 --> 0:31:58.840
<v Speaker 1>solo all the time anyway, which is kind of true.

0:31:59.240 --> 0:32:01.400
<v Speaker 2>Completely fair, like when you know, when you know they

0:32:01.400 --> 0:32:05.240
<v Speaker 2>don't want you, do you have to be exactly.

0:32:06.040 --> 0:32:10.480
<v Speaker 1>So Jane AND's the friendly competition by joining McKinley, and

0:32:10.560 --> 0:32:12.120
<v Speaker 1>so she is now part of the glee club. So

0:32:12.160 --> 0:32:15.160
<v Speaker 1>it's her Roderick to start. And then we obviously get

0:32:15.200 --> 0:32:16.160
<v Speaker 1>Madison and Me soon.

0:32:16.400 --> 0:32:22.160
<v Speaker 2>And speaking of Jane, Sue has her. She's back to

0:32:22.320 --> 0:32:25.680
<v Speaker 2>her old ways. I don't think she ever stopped. She's

0:32:25.720 --> 0:32:28.360
<v Speaker 2>trying to figure out how now to dismantle the glee

0:32:28.400 --> 0:32:34.680
<v Speaker 2>club again because legally, through the school district, she can't

0:32:34.760 --> 0:32:41.280
<v Speaker 2>do anything. They're independently funded, like everything is by the book, right,

0:32:41.920 --> 0:32:47.720
<v Speaker 2>And so she decides to recruit postmodern gay Spencer's being

0:32:47.720 --> 0:32:49.640
<v Speaker 2>recruited won by the glee club. He has a great

0:32:49.680 --> 0:32:54.320
<v Speaker 2>scene with Kurt and Kurt's like, I have a modern

0:32:54.360 --> 0:32:56.560
<v Speaker 2>family to think, which I also thought was that's probably

0:32:56.600 --> 0:33:01.440
<v Speaker 2>my favorite lie in the entire episode, A little meta meta.

0:33:01.960 --> 0:33:04.320
<v Speaker 2>It's incredible, and you know all of his points about

0:33:04.360 --> 0:33:07.040
<v Speaker 2>like I am not like you. We don't like the

0:33:07.080 --> 0:33:08.960
<v Speaker 2>same things, so the only thing we have in common

0:33:08.960 --> 0:33:11.040
<v Speaker 2>is that we're both gay, Like that is it? Why

0:33:11.040 --> 0:33:13.840
<v Speaker 2>do they send you to recruit me? And then sus

0:33:13.880 --> 0:33:19.360
<v Speaker 2>Sylvester calls him in and is like, sees the evil

0:33:19.400 --> 0:33:25.560
<v Speaker 2>potential in him? And I like this because Sue's not homophobic,

0:33:26.560 --> 0:33:28.680
<v Speaker 2>She's just evil all around to everyone.

0:33:29.000 --> 0:33:31.400
<v Speaker 1>Yeah, equal opportunity for everybody.

0:33:31.480 --> 0:33:36.520
<v Speaker 2>Yeah, and tries to talk him into it and enticing

0:33:36.600 --> 0:33:43.840
<v Speaker 2>him with a Tom Brady fleshlight and he doesn't like it,

0:33:43.880 --> 0:33:47.080
<v Speaker 2>and he's like, do better, and she respects that. And

0:33:47.200 --> 0:33:50.320
<v Speaker 2>I think Marshall is doing a really good job going

0:33:50.400 --> 0:33:53.640
<v Speaker 2>up against Chaine Lynch. That is not an easy gig.

0:33:55.840 --> 0:33:58.360
<v Speaker 1>It's not an easy gig. I like it to shape

0:33:58.360 --> 0:34:02.760
<v Speaker 1>with Marinkay. I like this. I like this a lot.

0:34:03.320 --> 0:34:06.760
<v Speaker 1>I I like Spencer too, Like, I like this is

0:34:06.800 --> 0:34:08.960
<v Speaker 1>not so easy, you know what I mean? She has

0:34:09.000 --> 0:34:12.080
<v Speaker 1>sides of it, like obviously the club wants him obviously Jane.

0:34:12.239 --> 0:34:14.880
<v Speaker 1>You know, Sue Sylvester wants to recruit it, but I

0:34:14.920 --> 0:34:17.839
<v Speaker 1>really like this. It's not so and of course we're

0:34:17.840 --> 0:34:19.160
<v Speaker 1>going to get him, but it's okay.

0:34:19.560 --> 0:34:23.520
<v Speaker 2>It's a good it's a great little setup. Yeah yeah,

0:34:23.719 --> 0:34:27.879
<v Speaker 2>and we haven't seen it's always been like female cheerios

0:34:28.000 --> 0:34:35.000
<v Speaker 2>with Sue and like the right, yeah, put a put

0:34:35.040 --> 0:34:37.760
<v Speaker 2>a gay in there. If you really want to scheme?

0:34:37.920 --> 0:34:40.279
<v Speaker 1>Can we talk about Becky's.

0:34:41.480 --> 0:34:42.680
<v Speaker 2>I'm so happy she's there.

0:34:43.200 --> 0:34:46.040
<v Speaker 1>He too. It's not the same without her, and the

0:34:46.120 --> 0:34:50.400
<v Speaker 1>xylophone's back, which is like the grease thing, and she's

0:34:50.520 --> 0:34:55.719
<v Speaker 1>doing the she's in charge, she's bringing her taser. She's

0:34:55.760 --> 0:34:56.800
<v Speaker 1>gonna drop anyone.

0:34:56.600 --> 0:35:00.799
<v Speaker 2>Who's like her and Jane are so good together and

0:35:00.840 --> 0:35:03.040
<v Speaker 2>she like and four and she rips the thing out

0:35:03.040 --> 0:35:06.279
<v Speaker 2>of her hands. It's like they're just so good together.

0:35:06.840 --> 0:35:09.799
<v Speaker 1>So good and uh.

0:35:11.560 --> 0:35:15.319
<v Speaker 2>Yeah, that's I mean a lot happened. That's like they

0:35:15.360 --> 0:35:17.120
<v Speaker 2>did a lot in a short amount of time, and

0:35:17.200 --> 0:35:21.520
<v Speaker 2>it feels it felt well paced. I just I think

0:35:21.560 --> 0:35:25.520
<v Speaker 2>what everybody is saying about these new characters in this season,

0:35:25.600 --> 0:35:28.360
<v Speaker 2>I see it what I so, I'm excited about it

0:35:28.400 --> 0:35:31.520
<v Speaker 2>because the setup feels pretty good. What I don't love,

0:35:31.560 --> 0:35:34.919
<v Speaker 2>on like a technical standpoint, is like how the show

0:35:34.960 --> 0:35:39.840
<v Speaker 2>sort of looks. It looks like very bright, Like we

0:35:39.880 --> 0:35:42.160
<v Speaker 2>went from shooting sort of it was dark and on

0:35:42.280 --> 0:35:47.440
<v Speaker 2>film the first two seasons looked really cool. Yeah, and

0:35:47.520 --> 0:35:49.879
<v Speaker 2>now just I think it looks a little.

0:35:50.800 --> 0:35:55.279
<v Speaker 1>Right, okaed Yeah, you know, the more I think we've

0:35:55.320 --> 0:35:57.560
<v Speaker 1>talked about, like the more I talk about it, and

0:35:57.640 --> 0:36:00.360
<v Speaker 1>like the more we dive into it, I'm like, Okay,

0:36:00.400 --> 0:36:02.280
<v Speaker 1>it wasn't so bad. And I don't think this episode

0:36:02.360 --> 0:36:05.040
<v Speaker 1>was bad by any means. I really enjoyed a lot

0:36:05.200 --> 0:36:08.120
<v Speaker 1>of it. They were just moments that I was like,

0:36:10.880 --> 0:36:12.600
<v Speaker 1>we could have moved a little bit faster.

0:36:13.080 --> 0:36:16.040
<v Speaker 2>Yeah, especially I mean our show moves fast, so you

0:36:16.080 --> 0:36:18.799
<v Speaker 2>do notice that like when it doesn't you're used to

0:36:18.840 --> 0:36:19.560
<v Speaker 2>a certain pace.

0:36:19.880 --> 0:36:23.360
<v Speaker 1>Yes, yes, totally. Maybe I'm just like adjusting to the

0:36:23.480 --> 0:36:26.239
<v Speaker 1>like new norm of Glee where it's like not as

0:36:26.360 --> 0:36:32.240
<v Speaker 1>many people, but don't worry, it'll come back. Uh Okay,

0:36:32.360 --> 0:36:35.640
<v Speaker 1>Well that's pretty much the episode in a nutshell.

0:36:36.000 --> 0:36:38.319
<v Speaker 2>I want to know what you guys listening, what you

0:36:38.320 --> 0:36:42.280
<v Speaker 2>guys think of this episode, yeah, and the interest especially

0:36:42.320 --> 0:36:43.959
<v Speaker 2>to last time this happened, or what.

0:36:43.920 --> 0:36:48.320
<v Speaker 1>You thought about these guys pre watching the whole season six?

0:36:48.840 --> 0:36:51.560
<v Speaker 1>You know what I mean? What would be initial thoughts?

0:36:51.719 --> 0:36:56.040
<v Speaker 1>Can you know compared to at the end. Let's write

0:36:56.080 --> 0:36:57.080
<v Speaker 1>some performances.

0:36:57.719 --> 0:37:00.440
<v Speaker 2>Okay, take on me. I'll give it an AIM minus

0:37:02.080 --> 0:37:08.879
<v Speaker 2>tightrope A plus yeah, probably problem a.

0:37:08.280 --> 0:37:10.920
<v Speaker 1>A US think Sally A plus A.

0:37:11.080 --> 0:37:17.279
<v Speaker 2>Plus home A minus minus. Yeah, I mean budget. We

0:37:17.320 --> 0:37:18.120
<v Speaker 2>had fireworks.

0:37:19.400 --> 0:37:21.239
<v Speaker 1>Yeah, I don't think I was around for that part.

0:37:21.920 --> 0:37:24.880
<v Speaker 2>We were, we were, We're in the shot.

0:37:26.680 --> 0:37:29.440
<v Speaker 1>This is fair. It's funny because I remember something, but

0:37:29.520 --> 0:37:30.440
<v Speaker 1>I don't remember everything.

0:37:30.920 --> 0:37:33.000
<v Speaker 2>That's why I was like, wait, you and I are

0:37:33.040 --> 0:37:35.960
<v Speaker 2>in the very back, very behind us.

0:37:36.160 --> 0:37:38.120
<v Speaker 1>Okay, it's very very late at night.

0:37:38.920 --> 0:37:40.880
<v Speaker 2>It was, and I think you and I were probably

0:37:40.960 --> 0:37:41.800
<v Speaker 2>just like sleepy.

0:37:42.400 --> 0:37:49.200
<v Speaker 1>Yeah, totally okay, uh a, Tarti takes some cringe. Okay,

0:37:49.440 --> 0:37:53.200
<v Speaker 1>well obviously the tea party Patriot Club. It's very cringing.

0:37:53.280 --> 0:37:56.400
<v Speaker 1>And it's actually the cringiest thing is that it's so

0:37:56.560 --> 0:37:59.920
<v Speaker 1>relevant still, yeah, more relevant than ever.

0:38:00.200 --> 0:38:06.520
<v Speaker 2>Yeah, gross, Artie wasn't great this episode. Drawing Quinn's boobs

0:38:06.600 --> 0:38:06.879
<v Speaker 2>like that.

0:38:06.960 --> 0:38:09.520
<v Speaker 1>Yeah, you were drawing Quinn's boobs right, It was like, whoa,

0:38:09.600 --> 0:38:12.440
<v Speaker 1>that is like past the line, like you always like

0:38:12.520 --> 0:38:14.720
<v Speaker 1>toe the line is already, but like this one passed

0:38:14.760 --> 0:38:15.080
<v Speaker 1>that one.

0:38:15.120 --> 0:38:19.160
<v Speaker 2>I was like, oh yeah it was. It was very strange.

0:38:19.800 --> 0:38:23.359
<v Speaker 2>Yeah yeah, calling sugar hot like it was just not well,

0:38:23.360 --> 0:38:24.160
<v Speaker 2>sugar is hot.

0:38:24.280 --> 0:38:30.000
<v Speaker 1>I don't think that was cringe as much as I think, yes, yes, yes.

0:38:29.360 --> 0:38:34.120
<v Speaker 2>Yeah, there's a pattern of behavior that is not acceptable.

0:38:34.239 --> 0:38:40.839
<v Speaker 1>Already agree, yes, best dance move problem I oh right problem?

0:38:41.239 --> 0:38:46.040
<v Speaker 2>Oh tightropepe too. I'm going to say problem, there's cheerios.

0:38:46.120 --> 0:38:48.440
<v Speaker 2>I miss a cheerio on that long beach.

0:38:48.600 --> 0:38:52.440
<v Speaker 1>Remember, yes, exactly. Best song.

0:38:57.880 --> 0:38:59.920
<v Speaker 2>I mean like I lost Sally.

0:39:00.160 --> 0:39:02.280
<v Speaker 1>But I think most thing Seally wins. Agreed.

0:39:02.760 --> 0:39:07.480
<v Speaker 2>Yeah, I also really loved home, Like what a great

0:39:08.120 --> 0:39:10.480
<v Speaker 2>song for that. They nailed it.

0:39:11.200 --> 0:39:17.480
<v Speaker 1>Yeah, I liked it. Okay, Uh performance by prop.

0:39:18.040 --> 0:39:20.440
<v Speaker 2>That frame that we carried around.

0:39:21.360 --> 0:39:26.560
<v Speaker 1>Also the golf cart, you know, so behind the scenes moment,

0:39:27.120 --> 0:39:30.000
<v Speaker 1>uh leah, that golf cart, Like do you remember the

0:39:30.000 --> 0:39:31.799
<v Speaker 1>golf carts? The user drive us all over the place

0:39:31.880 --> 0:39:35.000
<v Speaker 1>on in those on the paramount lot. If you step

0:39:35.040 --> 0:39:38.080
<v Speaker 1>on the gas too hard, it's a very jerky step

0:39:38.440 --> 0:39:41.960
<v Speaker 1>like it it accelerates really fast. And they did one

0:39:42.000 --> 0:39:45.399
<v Speaker 1>take where they started moving the golf cart and Leah

0:39:45.400 --> 0:39:50.000
<v Speaker 1>fell off the golf cart, like off the back completely. Yep,

0:39:50.520 --> 0:39:53.760
<v Speaker 1>she was fine, by the way, Yeah, okay, best line.

0:39:54.239 --> 0:39:56.759
<v Speaker 2>There were a lot of really good lines. I think

0:39:56.840 --> 0:40:00.640
<v Speaker 2>that one for me about from Spencer about my family

0:40:01.360 --> 0:40:03.799
<v Speaker 2>his whole like monologue during that scene. Also, it was

0:40:04.160 --> 0:40:06.440
<v Speaker 2>very very good, very good.

0:40:07.440 --> 0:40:11.280
<v Speaker 1>I also liked the to your journal.

0:40:12.360 --> 0:40:16.960
<v Speaker 2>Yeah, oh that's sorry I found it. Look, you're naive

0:40:17.360 --> 0:40:19.360
<v Speaker 2>if you don't think you're standing on our shoulders. Okay,

0:40:19.440 --> 0:40:22.040
<v Speaker 2>you owe the Glee Club, please, I owe Modern Family.

0:40:22.920 --> 0:40:25.520
<v Speaker 1>Brittany saying if you want to get Blaine back, first

0:40:25.520 --> 0:40:27.600
<v Speaker 1>you promised him you're gonna burn all your clothing until

0:40:27.719 --> 0:40:30.600
<v Speaker 1>you're gonna start asking like a normal person. And then

0:40:30.600 --> 0:40:32.640
<v Speaker 1>I think you should really start getting honest with him

0:40:32.640 --> 0:40:35.200
<v Speaker 1>about following your life's the ambition, which is becoming America's

0:40:35.239 --> 0:40:40.479
<v Speaker 1>top Barbara push impersonator. And then also when Brittany says

0:40:40.480 --> 0:40:41.439
<v Speaker 1>that's Quinn.

0:40:41.960 --> 0:40:49.399
<v Speaker 2>Oh my god, liar. Also when Sam says Quinn had

0:40:49.440 --> 0:40:52.920
<v Speaker 2>sex with the Latina lesbian and they run out, and

0:40:52.920 --> 0:40:56.800
<v Speaker 2>that's fully Diana just cackling like that's not Quinn laughing,

0:40:56.920 --> 0:40:58.880
<v Speaker 2>that's Diana performance MVP.

0:40:59.520 --> 0:41:01.360
<v Speaker 1>I think it was really good in this episode.

0:41:02.120 --> 0:41:03.319
<v Speaker 2>Yeah.

0:41:03.440 --> 0:41:06.800
<v Speaker 1>I also think honorable mention to the to the newbies.

0:41:07.360 --> 0:41:10.120
<v Speaker 2>I think I'm just going to say the newbies, okay.

0:41:09.800 --> 0:41:11.360
<v Speaker 1>Great, we love that.

0:41:12.760 --> 0:41:13.840
<v Speaker 2>I think they really are.

0:41:14.120 --> 0:41:15.120
<v Speaker 1>Both are important.

0:41:15.960 --> 0:41:21.080
<v Speaker 2>Yeah, they held their own you know, not easy. No,

0:41:21.360 --> 0:41:28.720
<v Speaker 2>maybe we're just not intimidating. Maybe that's what it is. Okay,

0:41:29.000 --> 0:41:33.520
<v Speaker 2>should we found on TikTok Jenna. I don't know if

0:41:33.520 --> 0:41:36.359
<v Speaker 2>you know how much I love Legos, but I do.

0:41:38.120 --> 0:41:42.799
<v Speaker 2>And this combines my love of Legos and mine and

0:41:42.840 --> 0:41:47.160
<v Speaker 2>the people's love of Run Joey Run and Lego Gleek,

0:41:47.320 --> 0:41:52.719
<v Speaker 2>which I cannot believe exists. Did a full reenactment.

0:41:53.239 --> 0:41:54.960
<v Speaker 1>I'm laughing, but you can't hear it because I have

0:41:55.000 --> 0:41:55.399
<v Speaker 1>no voice.

0:41:55.400 --> 0:42:00.239
<v Speaker 2>But they built McKinley and recreated the music video and

0:42:00.360 --> 0:42:02.720
<v Speaker 2>Lego form.

0:42:03.120 --> 0:42:09.720
<v Speaker 1>This is so funny, this account. It's hilarious.

0:42:10.560 --> 0:42:13.799
<v Speaker 2>So the comments are so good. Babe, wake up, Lego

0:42:13.880 --> 0:42:16.520
<v Speaker 2>Run Joy run to this drop. This should be a

0:42:16.600 --> 0:42:17.440
<v Speaker 2>exam or something.

0:42:18.840 --> 0:42:23.640
<v Speaker 1>Funny. Stop the violence they do when they with the

0:42:24.160 --> 0:42:28.640
<v Speaker 1>Quinn and Santa. Yes, oh my god, this is really good.

0:42:29.239 --> 0:42:30.279
<v Speaker 2>Is that unbelievable?

0:42:31.040 --> 0:42:31.839
<v Speaker 1>Oh? I love it?

0:42:32.200 --> 0:42:33.800
<v Speaker 2>Oh my god. They have to blame it on the alcohol.

0:42:33.840 --> 0:42:38.640
<v Speaker 2>Hold on the girt's wearing a cape.

0:42:39.680 --> 0:42:46.040
<v Speaker 1>I yeah, this is so funny. Mm hmmm, I'm dead wow,

0:42:46.239 --> 0:42:48.839
<v Speaker 1>And of course ran. Honestly, this is the best version

0:42:48.880 --> 0:42:49.640
<v Speaker 1>of Reno I run.

0:42:50.520 --> 0:42:53.080
<v Speaker 2>Oh, so we found one that you like, I like it,

0:42:53.200 --> 0:42:54.040
<v Speaker 2>or that you don't hate.

0:42:54.440 --> 0:42:55.160
<v Speaker 1>Yeah, exactly.

0:42:55.600 --> 0:42:57.040
<v Speaker 2>That is beautiful work.

0:42:57.800 --> 0:42:59.879
<v Speaker 1>That is really good, really really wow.

0:43:00.960 --> 0:43:01.560
<v Speaker 2>I love that.

0:43:03.160 --> 0:43:03.560
<v Speaker 1>Oh.

0:43:03.840 --> 0:43:06.160
<v Speaker 2>People are so talented and have so much time on

0:43:06.239 --> 0:43:10.160
<v Speaker 2>their hands. I mean, god, that's not it. That's not

0:43:10.239 --> 0:43:12.640
<v Speaker 2>even a drag. I mean I have so much time

0:43:12.680 --> 0:43:13.880
<v Speaker 2>on my hands. I don't do anything with it.

0:43:14.600 --> 0:43:21.440
<v Speaker 1>Exactly, it's like productive. Well, thanks for coming along for

0:43:21.520 --> 0:43:26.040
<v Speaker 1>this ride. Rye had zero voice and where Kevin is

0:43:26.040 --> 0:43:29.279
<v Speaker 1>completely jet lagged, but managed to hold hold himself up

0:43:29.320 --> 0:43:33.600
<v Speaker 1>the whole time. This was part two of season the

0:43:33.680 --> 0:43:37.799
<v Speaker 1>season six opener, and we're off to the races on

0:43:37.880 --> 0:43:39.239
<v Speaker 1>season six. Let's do this.

0:43:39.719 --> 0:43:42.600
<v Speaker 2>I'm excited for next episode. You know that Carol King

0:43:42.640 --> 0:43:44.000
<v Speaker 2>episode we didn't know existent.

0:43:44.560 --> 0:43:49.280
<v Speaker 1>I can't with that. We're just we're insane.

0:43:49.680 --> 0:43:51.239
<v Speaker 2>Go do your throat coat tea.

0:43:52.360 --> 0:43:54.040
<v Speaker 1>Yeah, I'm not gonna speak for the rest of the day.

0:43:54.719 --> 0:43:56.800
<v Speaker 2>Perfect. How does that work with two little kids?

0:43:58.040 --> 0:44:03.279
<v Speaker 1>That's the best thing ever. Mommy can't talk. I know.

0:44:03.360 --> 0:44:06.279
<v Speaker 1>I said to her today, mommy lost her voice. Last night,

0:44:06.320 --> 0:44:07.799
<v Speaker 1>I said, mommy lost her voice. She has to go

0:44:07.840 --> 0:44:10.720
<v Speaker 1>to sleep now. And this morning she said, mommy's voice

0:44:10.719 --> 0:44:14.120
<v Speaker 1>came back. I said, kind She said, where did mommy's

0:44:14.160 --> 0:44:15.840
<v Speaker 1>voice go? It's gone.

0:44:16.200 --> 0:44:17.680
<v Speaker 2>It's so cute now.

0:44:18.000 --> 0:44:22.280
<v Speaker 1>I know. It's like it's like pure pan shadow or something. Anyway,

0:44:22.960 --> 0:44:27.359
<v Speaker 1>there's a children's book in that Mommy lost her voice. Yeah,

0:44:27.640 --> 0:44:31.440
<v Speaker 1>like a Little Mermaid versus a ticket. Come on, okay, anyway,

0:44:31.880 --> 0:44:34.160
<v Speaker 1>all right, thanks for joining us, you guys.

0:44:34.239 --> 0:44:37.400
<v Speaker 2>And that's what you really missed. Thanks for listening and

0:44:37.520 --> 0:44:40.160
<v Speaker 2>follow us on Instagram at and that's what you really

0:44:40.200 --> 0:44:42.319
<v Speaker 2>miss pod. Make sure to write us a review and

0:44:42.440 --> 0:44:44.399
<v Speaker 2>leave us five stars. See you next time.