1 00:00:01,720 --> 00:00:04,360 Speaker 1: And that's what you really missed with Jenna. 2 00:00:04,440 --> 00:00:07,080 Speaker 2: And Kevin an iHeartRadio podcast. 3 00:00:09,200 --> 00:00:13,000 Speaker 1: Welcome to and that's where you really miss podcast. Yes 4 00:00:13,119 --> 00:00:16,560 Speaker 1: it is Jenna, and yes I did lose my voice, 5 00:00:17,320 --> 00:00:20,960 Speaker 1: and yes Kevin is jetlagged, and so we are struggling 6 00:00:21,000 --> 00:00:24,160 Speaker 1: right now, but here we are. We're here for you guys. 7 00:00:25,440 --> 00:00:26,479 Speaker 1: I just crazy. 8 00:00:27,520 --> 00:00:29,360 Speaker 2: I'm I really like it. 9 00:00:29,920 --> 00:00:32,400 Speaker 1: I'm doing my best to like project right now. 10 00:00:33,200 --> 00:00:36,720 Speaker 2: This is Jenna's theater training. She has a degree in 11 00:00:36,840 --> 00:00:40,479 Speaker 2: musical theater. She can place her voice differently. Last night 12 00:00:40,520 --> 00:00:42,479 Speaker 2: you had no voice. 13 00:00:41,760 --> 00:00:45,199 Speaker 1: I had no voice, and then today I was like, oh, 14 00:00:45,320 --> 00:00:47,720 Speaker 1: I kind of have a voice, but then it goes 15 00:00:47,760 --> 00:00:51,199 Speaker 1: out away. It doesn't hurt. 16 00:00:51,720 --> 00:00:52,840 Speaker 2: You sound like a little boy. 17 00:00:53,360 --> 00:00:54,280 Speaker 1: It's just sad. 18 00:00:55,760 --> 00:00:57,360 Speaker 2: He sounds so sad. 19 00:00:57,760 --> 00:01:00,800 Speaker 1: I just hate it. It's like I I feel different 20 00:01:00,840 --> 00:01:04,080 Speaker 1: than I sound, you know. Oh yeah, I sound different 21 00:01:04,080 --> 00:01:07,280 Speaker 1: than I feel. Okay, well, let's just do this because 22 00:01:07,280 --> 00:01:09,280 Speaker 1: you're on borrow time, you're in London right now, I 23 00:01:09,560 --> 00:01:13,920 Speaker 1: have to go into your process for your new for 24 00:01:14,160 --> 00:01:19,280 Speaker 1: not a new musical, but a musical. You're on like 25 00:01:19,360 --> 00:01:21,200 Speaker 1: four hours of sleep, maybe less. 26 00:01:21,520 --> 00:01:26,440 Speaker 2: I'm on two sessions of two hours of sleep. Well, 27 00:01:26,800 --> 00:01:29,480 Speaker 2: I feel good, Jenna. I will hold this up. The 28 00:01:29,560 --> 00:01:32,440 Speaker 2: voice is here. I'll hold this up for both of us. 29 00:01:32,959 --> 00:01:35,760 Speaker 1: Well, you know, don't strain your voice either, because you 30 00:01:35,880 --> 00:01:41,800 Speaker 1: need your voice. Okay, Season six, and we're in episode two. 31 00:01:41,880 --> 00:01:44,160 Speaker 1: This is part two of the premiere. But we are 32 00:01:44,160 --> 00:01:48,200 Speaker 1: doing this weekly. So this is homecoming and it aired 33 00:01:48,240 --> 00:01:51,280 Speaker 1: on January ninth, twenty fifteen. 34 00:01:53,120 --> 00:01:54,960 Speaker 2: Just a rub salt on the wound. 35 00:01:55,480 --> 00:01:56,760 Speaker 1: Yeah. 36 00:01:56,960 --> 00:01:59,680 Speaker 2: The other thing about so we discovered last week they 37 00:01:59,720 --> 00:02:05,000 Speaker 2: moved to Fridays. And the other thing is new shows, Like, 38 00:02:05,200 --> 00:02:09,040 Speaker 2: don't premiere this soon after New Year's you wait, like 39 00:02:09,160 --> 00:02:14,000 Speaker 2: two weeks after New Years. We are really just like, 40 00:02:14,440 --> 00:02:15,480 Speaker 2: let's get these out of here. 41 00:02:15,520 --> 00:02:17,000 Speaker 1: Well, let's just get them, get through. 42 00:02:16,880 --> 00:02:18,320 Speaker 2: It, throw them at the wall. 43 00:02:18,720 --> 00:02:18,960 Speaker 1: Wow. 44 00:02:19,000 --> 00:02:22,800 Speaker 2: So I mean, I love you know, the experience of 45 00:02:22,840 --> 00:02:25,360 Speaker 2: being able to watch these two back to back, I 46 00:02:25,360 --> 00:02:28,920 Speaker 2: think would have been really satisfying because seeing everybody back together, 47 00:02:29,080 --> 00:02:32,079 Speaker 2: the gang's all here working together in a positive way. 48 00:02:32,800 --> 00:02:35,600 Speaker 2: We have everybody now in charge of different glee clubs 49 00:02:35,760 --> 00:02:38,880 Speaker 2: is really full circle and lovely to watch. 50 00:02:39,919 --> 00:02:44,040 Speaker 1: Okay. In the news, number one song is blank Space 51 00:02:44,320 --> 00:02:47,880 Speaker 1: by Taylor Swift again or still because. 52 00:02:47,639 --> 00:02:49,920 Speaker 2: The number one movie is Still taking three? 53 00:02:50,200 --> 00:02:54,600 Speaker 1: Where was she obvious? So on January sixth, the music 54 00:02:55,080 --> 00:02:58,400 Speaker 1: Homecoming EP was released. It was five tracks from episode 55 00:02:58,480 --> 00:03:01,760 Speaker 1: six or two, and it was for digital only. We've 56 00:03:01,800 --> 00:03:05,400 Speaker 1: gone from CD now only to digital. 57 00:03:06,560 --> 00:03:11,440 Speaker 2: More importantly, on January seventh, Chris One Favorite Comedic TV 58 00:03:11,520 --> 00:03:15,000 Speaker 2: actor at the forty first annual People's Choice Awards. 59 00:03:15,360 --> 00:03:17,600 Speaker 1: Wow. Look, I knew this. 60 00:03:18,240 --> 00:03:20,760 Speaker 2: However, the category was not televised and Chris was not 61 00:03:20,760 --> 00:03:24,160 Speaker 2: in attendance. Chris did share a celebratory post on Instagram saying, 62 00:03:24,639 --> 00:03:27,400 Speaker 2: just find out about the People's Choice Award three years 63 00:03:27,440 --> 00:03:30,760 Speaker 2: in a row. Thank you all so much. The category 64 00:03:30,800 --> 00:03:33,200 Speaker 2: wasn't televised, so let me tell you how I am 65 00:03:33,480 --> 00:03:35,880 Speaker 2: telling you now. I am forever grateful, humbled, and quite 66 00:03:35,960 --> 00:03:42,880 Speaker 2: spoiled deserved. Yeah, dang and icon. This episode was directed 67 00:03:42,960 --> 00:03:43,960 Speaker 2: by Brad Baker. 68 00:03:45,160 --> 00:03:47,560 Speaker 1: Wow, so he did back to. 69 00:03:47,440 --> 00:03:49,560 Speaker 2: Back Yeah, so you must have just prepped him at 70 00:03:49,600 --> 00:03:50,120 Speaker 2: the same time. 71 00:03:50,840 --> 00:03:53,120 Speaker 1: God to bless him. That is crazy. The only other 72 00:03:53,160 --> 00:03:55,360 Speaker 1: person I believe who's ever done that on our show 73 00:03:55,400 --> 00:03:59,760 Speaker 1: is there Stills correct. Nobody should have to do that. 74 00:04:01,120 --> 00:04:05,560 Speaker 1: The songs were take on Me performed by all of. 75 00:04:05,560 --> 00:04:12,160 Speaker 2: Us, Tightrope performed by Jane with the Warblers problem. 76 00:04:12,480 --> 00:04:16,960 Speaker 1: We're performed by the Unholy Trinity Artie and the cheer. 77 00:04:19,000 --> 00:04:21,800 Speaker 2: I got my whisper in on that. Well, let me 78 00:04:21,839 --> 00:04:25,920 Speaker 2: make these royalties Mustang Sally performed by Roderick with Brittany 79 00:04:25,960 --> 00:04:27,559 Speaker 2: Quinn and Santana of course. 80 00:04:27,560 --> 00:04:30,080 Speaker 1: And then we have a Home performed by all the alumni, 81 00:04:30,160 --> 00:04:32,800 Speaker 1: all the new new directions and Spencer. 82 00:04:33,960 --> 00:04:37,120 Speaker 2: And Spencer fun facts. This episode was part two, like 83 00:04:37,120 --> 00:04:39,440 Speaker 2: we said of the season six premiere, airing right after 84 00:04:39,600 --> 00:04:40,280 Speaker 2: Lucier Like Me. 85 00:04:40,400 --> 00:04:43,400 Speaker 1: And the title card pays homage to the cartoon drawings 86 00:04:43,400 --> 00:04:46,479 Speaker 1: and the original music video for Take on Me as 87 00:04:46,520 --> 00:04:50,000 Speaker 1: to do the transitions between several of the scenes, which 88 00:04:50,000 --> 00:04:51,520 Speaker 1: I appreciate they kept going. 89 00:04:52,880 --> 00:04:55,720 Speaker 2: This is also the final time in the entire series 90 00:04:56,520 --> 00:04:58,279 Speaker 2: the title card changes. 91 00:04:58,160 --> 00:05:02,599 Speaker 1: Whoa And this episode marks back as first appearance since 92 00:05:02,640 --> 00:05:04,960 Speaker 1: the show's moved to New York after new directions. It 93 00:05:04,960 --> 00:05:06,599 Speaker 1: feels like it feels like she never left. 94 00:05:06,880 --> 00:05:08,880 Speaker 2: It was really good to see her, though, yeah, her 95 00:05:08,880 --> 00:05:13,760 Speaker 2: pony jail is much longer. This episode marks the first 96 00:05:13,760 --> 00:05:17,800 Speaker 2: appearance of Jane Hayward, Mason McCarthy, and Madison McCarthy. 97 00:05:18,360 --> 00:05:21,840 Speaker 1: And this is the sixth episode where every member of 98 00:05:21,920 --> 00:05:25,760 Speaker 1: New Directions sings the soul Line, the others being the pilot, 99 00:05:25,800 --> 00:05:28,839 Speaker 1: Brittany two point zero, Tina in the sky a Katie 100 00:05:28,960 --> 00:05:32,080 Speaker 1: or Gaga, and the end of work Okay. 101 00:05:32,080 --> 00:05:35,800 Speaker 2: Official episode summary put Coins, Santana, Mercedes, Brittany, Arty, and 102 00:05:35,800 --> 00:05:39,440 Speaker 2: Tina all return to McKinley for Homecoming and help Rachel 103 00:05:39,480 --> 00:05:42,480 Speaker 2: and Kurt recruit for the new Glee Club. 104 00:05:43,160 --> 00:05:48,120 Speaker 1: I remember coming back for this. It was really fun 105 00:05:48,120 --> 00:05:50,800 Speaker 1: to shoot this, Like take on Me was really fun. 106 00:05:50,800 --> 00:05:54,479 Speaker 1: I remember we were back at Bernstein in the cafeteria yep, 107 00:05:54,960 --> 00:06:00,159 Speaker 1: making fools of ourselves. Also in the in the room 108 00:06:00,160 --> 00:06:02,599 Speaker 1: where you were drawing the cartoon on the I have. 109 00:06:02,680 --> 00:06:06,320 Speaker 2: Lots of photos of filming that number, yeah right. 110 00:06:06,760 --> 00:06:12,760 Speaker 1: And then getting Noah in there, and then of course Homecoming, 111 00:06:12,839 --> 00:06:16,960 Speaker 1: which also feels like an afterthought, but like we did 112 00:06:16,960 --> 00:06:18,960 Speaker 1: that at night and it was very cold on Paramount. 113 00:06:19,640 --> 00:06:22,640 Speaker 2: I don't remember doing that. I was Washington. 114 00:06:22,680 --> 00:06:25,760 Speaker 1: I was like, oh, I have of us doing that. 115 00:06:26,360 --> 00:06:28,440 Speaker 1: We didn't do that. That's why, like you and I 116 00:06:28,480 --> 00:06:30,719 Speaker 1: were like kind of in the like the beginning part, 117 00:06:30,760 --> 00:06:34,560 Speaker 1: and then that was like kind of it and of us. Yeah, 118 00:06:34,560 --> 00:06:36,200 Speaker 1: we were behind the buses. 119 00:06:36,240 --> 00:06:38,159 Speaker 2: Like a lot got it. 120 00:06:38,600 --> 00:06:43,440 Speaker 1: Yeah, we were really there. Overall, it was really fun 121 00:06:43,480 --> 00:06:47,120 Speaker 1: to see everybody. But I will say this was not 122 00:06:47,279 --> 00:06:51,800 Speaker 1: my favorite episode. 123 00:06:53,160 --> 00:06:55,960 Speaker 2: I enjoyed it. I enjoyed watching it. I had a 124 00:06:55,960 --> 00:06:58,480 Speaker 2: good time. It was entertaining. It was sort of like 125 00:06:58,640 --> 00:07:07,160 Speaker 2: all the things I like about Glee on the entertainment side. 126 00:07:07,240 --> 00:07:10,120 Speaker 2: It's not like we're saying anything profound in this episode, 127 00:07:10,200 --> 00:07:14,880 Speaker 2: but seeing the new kids perform, and like I said earlier, 128 00:07:14,920 --> 00:07:17,880 Speaker 2: I really like having everybody back and working together, and 129 00:07:17,920 --> 00:07:22,640 Speaker 2: it's not we're not in everybody's drama. And there was 130 00:07:22,680 --> 00:07:25,080 Speaker 2: something what I really liked and what set it up 131 00:07:25,080 --> 00:07:30,240 Speaker 2: for me was the dinner at Shusters where everybody's there 132 00:07:31,040 --> 00:07:35,080 Speaker 2: and you have Blaine in charge of Warbler's Shoe, in 133 00:07:35,200 --> 00:07:39,520 Speaker 2: charge of Vocal Adrenaline, and Kurt and Rachel in charge 134 00:07:39,520 --> 00:07:42,240 Speaker 2: of New Directions, and it was like, that is really 135 00:07:42,320 --> 00:07:46,160 Speaker 2: cool and it feels right, and it feels like, of 136 00:07:46,200 --> 00:07:48,120 Speaker 2: course it's not going to be friendly, even though they're 137 00:07:48,160 --> 00:07:51,400 Speaker 2: saying we're going to make it friendly. It's a new 138 00:07:51,400 --> 00:07:52,880 Speaker 2: take on how we're going to do this and how 139 00:07:52,880 --> 00:07:56,160 Speaker 2: we operate. And then immediately, you know, Jane moves from 140 00:07:56,160 --> 00:07:59,560 Speaker 2: Warblers to New Directions, so I enjoyed all of that, 141 00:07:59,640 --> 00:08:01,880 Speaker 2: and it was just it was so nice seeing everyone 142 00:08:02,600 --> 00:08:03,840 Speaker 2: and seeing everybody perform. 143 00:08:04,560 --> 00:08:11,480 Speaker 1: Yeah, I agree, I liked that aspect of it. That 144 00:08:11,680 --> 00:08:14,200 Speaker 1: was my favorite part of it. Was like watching them 145 00:08:14,240 --> 00:08:16,920 Speaker 1: come back in this new iteration and like being the 146 00:08:17,040 --> 00:08:20,240 Speaker 1: leaders and like kind of going at Like I really 147 00:08:20,320 --> 00:08:25,880 Speaker 1: enjoyed when when Rachel takes or really when Jane approaches 148 00:08:25,960 --> 00:08:28,240 Speaker 1: Rachel and says, like, I'm gonna switch. I don't really 149 00:08:28,280 --> 00:08:30,160 Speaker 1: want to be in the war Warers anymore. They don't 150 00:08:30,160 --> 00:08:33,400 Speaker 1: want me there, so like I'm I'm going to transfer 151 00:08:33,559 --> 00:08:37,000 Speaker 1: if this is what I want, and like then blame 152 00:08:37,080 --> 00:08:41,320 Speaker 1: being like, okay, it's over the playing nice kind of 153 00:08:41,320 --> 00:08:47,320 Speaker 1: thing that mister Shu had initially you know established, Yeah, yeah, established, 154 00:08:47,360 --> 00:08:52,800 Speaker 1: and so I like that aspect of it. I just 155 00:08:52,840 --> 00:08:56,800 Speaker 1: felt a little I don't know, I you know, I 156 00:08:56,880 --> 00:09:01,520 Speaker 1: really enjoyed the less characters, the more more focused storylines 157 00:09:01,760 --> 00:09:05,520 Speaker 1: like we had. I agree, this still has that element 158 00:09:05,600 --> 00:09:08,560 Speaker 1: to it, like it's very organized and focused, but like 159 00:09:09,440 --> 00:09:11,400 Speaker 1: it just felt like a little like we could have 160 00:09:11,400 --> 00:09:12,240 Speaker 1: gotten there faster. 161 00:09:13,920 --> 00:09:17,400 Speaker 2: I I think I like it for that for the 162 00:09:17,400 --> 00:09:21,320 Speaker 2: reasons you don't like it, because I feel like it 163 00:09:21,440 --> 00:09:24,880 Speaker 2: was a much more natural and organic way to introduce 164 00:09:24,960 --> 00:09:29,040 Speaker 2: all these new people than than what happened last time. 165 00:09:30,200 --> 00:09:33,199 Speaker 2: Like that felt very disjointed and all over the place, 166 00:09:33,200 --> 00:09:35,880 Speaker 2: and like we're forcing these people in here, where this 167 00:09:36,000 --> 00:09:37,960 Speaker 2: sort of felt like there was some resistance. They're not 168 00:09:38,040 --> 00:09:39,960 Speaker 2: all just like yeah, we're gonna do it. It was 169 00:09:41,240 --> 00:09:44,600 Speaker 2: like woven in between everything else going on. I thought, 170 00:09:44,960 --> 00:09:47,920 Speaker 2: like you said, much more organized, no, no fair way 171 00:09:48,440 --> 00:09:51,400 Speaker 2: in a different way than last time, which was also nice. 172 00:09:51,400 --> 00:09:53,439 Speaker 2: I'm glad they weren't just sort of copying and pasting 173 00:09:54,240 --> 00:09:56,640 Speaker 2: and like, you know, the little bits of like Rachel 174 00:09:56,679 --> 00:09:59,760 Speaker 2: running through the locker room and side note, I just 175 00:10:00,000 --> 00:10:04,040 Speaker 2: would like to flag the sexual things, like Santana says 176 00:10:04,040 --> 00:10:07,360 Speaker 2: it when she references her like sexual prowess luring people. 177 00:10:07,360 --> 00:10:10,040 Speaker 2: And these people are in high school in underage first 178 00:10:10,040 --> 00:10:13,720 Speaker 2: of all, I know, and then Rachel going through the 179 00:10:13,760 --> 00:10:16,800 Speaker 2: locker room saying, I'm not looking at anything. I'm just like, 180 00:10:16,880 --> 00:10:20,600 Speaker 2: this is crazy. It's a little it's a little weird 181 00:10:20,640 --> 00:10:22,720 Speaker 2: when you're that close in age to the high schoolers. 182 00:10:24,120 --> 00:10:28,440 Speaker 1: Yeah, that's right, but it's only a year. 183 00:10:29,280 --> 00:10:32,320 Speaker 2: Yeah, but they're comedic geniuses, so they sold it. And 184 00:10:32,360 --> 00:10:42,160 Speaker 2: it's very funny, let's talk about Rachel. 185 00:10:42,480 --> 00:10:45,040 Speaker 1: Oh, yes, okay, great, I mean we're still we're talking 186 00:10:45,040 --> 00:10:47,440 Speaker 1: about her, So let's talk about let's talk about it 187 00:10:47,440 --> 00:10:52,640 Speaker 1: exactly the So the guys all make a pact, all 188 00:10:52,640 --> 00:10:56,080 Speaker 1: the head coaches now Rachel, kurk Wilblain all make a 189 00:10:56,080 --> 00:11:00,760 Speaker 1: pact to obviously play nice, and there's no poaching of stealing, 190 00:11:01,360 --> 00:11:07,760 Speaker 1: which spoiler alert, there's kind of poaching stealing immediately and 191 00:11:07,760 --> 00:11:12,120 Speaker 1: and Rachel, we're back at McKinley and Rachel Kurt are 192 00:11:12,160 --> 00:11:18,800 Speaker 1: trying to establish a brand new glee club and Rachel 193 00:11:18,800 --> 00:11:21,640 Speaker 1: puts up the list and Kurt's like, Okay, you need 194 00:11:21,679 --> 00:11:23,760 Speaker 1: to be more proactive than this. We're not going to 195 00:11:23,800 --> 00:11:26,440 Speaker 1: find people if we don't. So she hears this like 196 00:11:26,679 --> 00:11:34,480 Speaker 1: voice which is Noah's voice in the hallways, and uh, 197 00:11:35,720 --> 00:11:40,160 Speaker 1: She's like asking, how does that transition happen? So she's 198 00:11:40,160 --> 00:11:42,839 Speaker 1: in the hallway and she and Rachel agrees that Kurt's right, 199 00:11:43,520 --> 00:11:47,120 Speaker 1: and then all of a sudden, it's like everybody's magically there. 200 00:11:50,559 --> 00:11:53,960 Speaker 2: She since it's a bat signal, the glee bat signals, literally, 201 00:11:54,080 --> 00:11:55,680 Speaker 2: and everybody is just there. 202 00:11:57,360 --> 00:12:03,440 Speaker 1: Well, we perform, we're all there. Of course, Tina gets 203 00:12:04,559 --> 00:12:07,520 Speaker 1: is late again and nobody waited for the rental car 204 00:12:08,120 --> 00:12:11,320 Speaker 1: and I pressed on the car. At that point, I 205 00:12:11,400 --> 00:12:14,000 Speaker 1: was like, yeah, this is funny now, you know, like 206 00:12:14,080 --> 00:12:16,120 Speaker 1: at this point, I'm like, okay, I can't. 207 00:12:15,960 --> 00:12:17,600 Speaker 2: Say it's come back around. It got to the point 208 00:12:17,600 --> 00:12:20,560 Speaker 2: where it was like rude and then funny, and then 209 00:12:20,720 --> 00:12:22,720 Speaker 2: now this is just sad and forced, and now it's 210 00:12:22,800 --> 00:12:27,600 Speaker 2: really funny. Yeah, yeah, and shut up Tina. 211 00:12:29,600 --> 00:12:32,280 Speaker 1: So she's there and everybody's gonna sing. They're all there 212 00:12:32,280 --> 00:12:37,000 Speaker 1: for Homecoming technically, but they they end up doing the 213 00:12:37,240 --> 00:12:42,440 Speaker 1: take on me. Now, this number was like cuckoo because 214 00:12:42,440 --> 00:12:45,920 Speaker 1: Brad kept telling us like there's gonna be the cartoons 215 00:12:45,960 --> 00:12:48,160 Speaker 1: and he went around with his iPad and he showed 216 00:12:48,240 --> 00:12:52,679 Speaker 1: us the original video and we were like, oh, I 217 00:12:52,760 --> 00:12:55,160 Speaker 1: get it, I get it. So you just have to 218 00:12:55,200 --> 00:12:58,200 Speaker 1: like trust Brad Beaker because like I feel like he 219 00:12:58,240 --> 00:13:00,280 Speaker 1: always has like a plan and you're like, it's just 220 00:13:00,360 --> 00:13:00,960 Speaker 1: kind of look great. 221 00:13:01,000 --> 00:13:03,960 Speaker 2: Like he's great at explaining it. Not every director would 222 00:13:03,960 --> 00:13:06,280 Speaker 2: explain the plan, and it's really helpful. 223 00:13:05,880 --> 00:13:08,480 Speaker 1: Show it to us. Yeah, he's like here you go, 224 00:13:08,760 --> 00:13:10,160 Speaker 1: like the no secrets, you. 225 00:13:10,120 --> 00:13:13,760 Speaker 2: Know, well, especially when so these numbers and if you've 226 00:13:13,800 --> 00:13:17,440 Speaker 2: been following along with this podcast. We don't necessarily love 227 00:13:18,200 --> 00:13:21,080 Speaker 2: the process of shooting the numbers that go through a 228 00:13:21,120 --> 00:13:23,960 Speaker 2: lot of different rooms in the school, because it's really 229 00:13:24,120 --> 00:13:28,200 Speaker 2: tedious and takes a lot of time for a little 230 00:13:28,240 --> 00:13:29,720 Speaker 2: you know, like you're in a room for ten seconds 231 00:13:29,760 --> 00:13:32,840 Speaker 2: passing through, do a little jig and move out, and 232 00:13:32,880 --> 00:13:36,160 Speaker 2: it just takes so long. This was no different. However, 233 00:13:36,280 --> 00:13:38,640 Speaker 2: when you are prepped and know exactly what's going on 234 00:13:38,720 --> 00:13:40,520 Speaker 2: and what it's going to look like, or have some 235 00:13:40,559 --> 00:13:44,000 Speaker 2: sort of idea, it helps you, I think, appreciate the 236 00:13:44,040 --> 00:13:45,120 Speaker 2: process a little better. 237 00:13:45,520 --> 00:13:47,679 Speaker 1: I was also kind of like just in it because 238 00:13:47,720 --> 00:13:50,440 Speaker 1: like we had had a break and like you know, 239 00:13:50,480 --> 00:13:52,160 Speaker 1: we were happy to be there, and. 240 00:13:52,120 --> 00:13:53,680 Speaker 2: Just everybody was happy to be there. 241 00:13:53,840 --> 00:13:55,960 Speaker 1: Yeah, we're all back together and the gang was all 242 00:13:56,000 --> 00:14:00,520 Speaker 1: back together, and we did this ridiculous number. We all 243 00:14:00,520 --> 00:14:05,960 Speaker 1: look insane. Everybody's collars and like costumes and hair. Kevin, 244 00:14:05,960 --> 00:14:08,840 Speaker 1: do you remember when we were at Bernstein in the cafeteria. 245 00:14:09,160 --> 00:14:12,560 Speaker 1: There's like two very distinct stories. I remember you, me 246 00:14:12,640 --> 00:14:14,560 Speaker 1: and Diana were hanging out and we were making like 247 00:14:14,600 --> 00:14:19,680 Speaker 1: weird videos of like inspirational quotes and we were like 248 00:14:19,920 --> 00:14:23,680 Speaker 1: doing them to the camera like really, oh oh yeah, 249 00:14:23,680 --> 00:14:25,800 Speaker 1: we had a lot of free time on we did. 250 00:14:25,840 --> 00:14:27,960 Speaker 2: We had so much free time, like we just done. 251 00:14:27,840 --> 00:14:31,400 Speaker 1: Like a ton of time, like cooping off with Diana. 252 00:14:31,640 --> 00:14:33,240 Speaker 2: I have a lot of pictures of me and Naya. 253 00:14:33,760 --> 00:14:40,280 Speaker 1: Okay, so well, when we shot it, the obviously the 254 00:14:40,320 --> 00:14:44,400 Speaker 1: cartoon were like the picture frame that everybody's jumping through 255 00:14:44,960 --> 00:14:48,200 Speaker 1: was put in in post, but what we used to 256 00:14:48,240 --> 00:14:51,240 Speaker 1: shoot it was like just like a wooden frames, just 257 00:14:51,280 --> 00:14:56,960 Speaker 1: like four long skinny frames put together, and the guys 258 00:14:56,960 --> 00:15:00,320 Speaker 1: were carrying them and Rachel's Everybody's jumping through the and 259 00:15:00,400 --> 00:15:03,400 Speaker 1: coming out in costume. Well, I remember having to jump 260 00:15:03,560 --> 00:15:06,800 Speaker 1: through that, and I remember Core jumping through it and 261 00:15:06,840 --> 00:15:11,160 Speaker 1: falling flat on his face. He tripped over the bottom 262 00:15:11,160 --> 00:15:15,440 Speaker 1: board and he went coupling right on the ground. And 263 00:15:15,520 --> 00:15:21,400 Speaker 1: I will never never forget it. So funny. That would 264 00:15:21,400 --> 00:15:22,080 Speaker 1: make sense. 265 00:15:23,120 --> 00:15:27,320 Speaker 2: Oh yeah, I remember us like being back in the 266 00:15:28,880 --> 00:15:31,920 Speaker 2: like behind the kitchen area and the cafeteria for a 267 00:15:32,000 --> 00:15:34,080 Speaker 2: really long time. I don't know, why. 268 00:15:35,040 --> 00:15:36,440 Speaker 1: Are your chairs were back there? 269 00:15:36,560 --> 00:15:40,160 Speaker 2: Oh, that's that would make sense. I'm glad you remember 270 00:15:40,200 --> 00:15:43,080 Speaker 2: these things. I just have fragments of memory some reason. 271 00:15:43,120 --> 00:15:44,680 Speaker 1: This is very vivid in my mind. 272 00:15:46,000 --> 00:15:48,080 Speaker 2: Once it came up, I was like, oh, yes, I'm like, 273 00:15:48,160 --> 00:15:55,200 Speaker 2: ah this watching this altogether. You know, we haven't taken 274 00:15:55,240 --> 00:15:58,560 Speaker 2: that much time between seasons. Yeah, it feels so different 275 00:15:58,640 --> 00:16:01,680 Speaker 2: because when we were filming this, there was such a 276 00:16:01,720 --> 00:16:06,320 Speaker 2: big break right between the last episode of last season 277 00:16:06,920 --> 00:16:09,800 Speaker 2: and all of us being here for this episode, and 278 00:16:10,120 --> 00:16:12,600 Speaker 2: a lot of us hadn't seen each other. So much 279 00:16:12,760 --> 00:16:17,400 Speaker 2: had changed in the world with each other, and so 280 00:16:18,280 --> 00:16:20,800 Speaker 2: you know, like people are growing up and getting married 281 00:16:20,880 --> 00:16:25,920 Speaker 2: and all those things, and so it was such like 282 00:16:25,960 --> 00:16:28,760 Speaker 2: a big you can see, the vibes were like so 283 00:16:28,920 --> 00:16:32,400 Speaker 2: good in this episode between everybody. Everyone is genuinely laughing. 284 00:16:32,600 --> 00:16:36,400 Speaker 2: Everyone is just having a great time, so grateful and 285 00:16:36,440 --> 00:16:38,880 Speaker 2: happy to be there and just just because we got 286 00:16:38,920 --> 00:16:41,120 Speaker 2: to hang out. It was really really fun. 287 00:16:41,600 --> 00:16:46,800 Speaker 1: It was now. I love that. I I think when 288 00:16:46,800 --> 00:16:49,120 Speaker 1: we were filming with like a wooden frame, I was like, 289 00:16:49,120 --> 00:16:50,640 Speaker 1: I don't know this is going to turn out. You 290 00:16:50,760 --> 00:16:52,920 Speaker 1: just like trust in Brad Baker. But I love the 291 00:16:52,960 --> 00:16:54,440 Speaker 1: way it turned out. I thought it was so much 292 00:16:54,440 --> 00:16:58,440 Speaker 1: fun and like different, and you know, it was like 293 00:16:58,480 --> 00:17:01,480 Speaker 1: a fun way back and for everybody to be together. 294 00:17:02,120 --> 00:17:06,160 Speaker 1: But we have to talk about the Unholy Trinity and 295 00:17:06,480 --> 00:17:12,320 Speaker 1: doing problem because I have I don't remember this and 296 00:17:13,640 --> 00:17:17,560 Speaker 1: it is insane, Like everybody looks and sounds really good 297 00:17:17,720 --> 00:17:21,239 Speaker 1: and it's really fun and I don't remember it. So 298 00:17:21,640 --> 00:17:23,520 Speaker 1: now I need you to tell me about shooting this. 299 00:17:24,480 --> 00:17:26,000 Speaker 1: Nya sounds incredible. 300 00:17:26,280 --> 00:17:28,719 Speaker 2: Nya sounds so good. 301 00:17:29,560 --> 00:17:33,720 Speaker 1: Her best impression of Ariana will also putting Nya's spin 302 00:17:33,800 --> 00:17:34,040 Speaker 1: on it. 303 00:17:34,640 --> 00:17:36,480 Speaker 2: Oh yeah, she was going for it. I think she 304 00:17:36,600 --> 00:17:41,200 Speaker 2: was like, Okay, I'll do this. Oh yeah, so that number. 305 00:17:41,920 --> 00:17:46,159 Speaker 2: For those of you who know, you know, you'll understand 306 00:17:46,200 --> 00:17:51,600 Speaker 2: what I'm alluding to. But it was interesting that Naya 307 00:17:51,720 --> 00:17:56,960 Speaker 2: had to sing that song mm and she did not complain, 308 00:17:57,280 --> 00:17:59,639 Speaker 2: She did not say anything negative about it. She was like, 309 00:18:00,840 --> 00:18:02,800 Speaker 2: I'm going to sing the shit out of this. Yeah 310 00:18:02,840 --> 00:18:05,320 Speaker 2: she did, and we just had a good time. I 311 00:18:05,400 --> 00:18:07,199 Speaker 2: was ready to sit there and sort of like gossip, like, 312 00:18:07,359 --> 00:18:09,879 Speaker 2: oh my god, can you and she was just like, no, no, 313 00:18:10,040 --> 00:18:13,080 Speaker 2: this is my job. I'm showing up. I'm clocking in, 314 00:18:13,240 --> 00:18:16,520 Speaker 2: as she would say, and I'm doing it. That day 315 00:18:16,600 --> 00:18:19,639 Speaker 2: was also just so much fun to be in a number. Also, 316 00:18:19,680 --> 00:18:24,560 Speaker 2: with them being a number I used loosely. I was 317 00:18:24,560 --> 00:18:26,440 Speaker 2: was behind a chain link fence whispering. 318 00:18:26,520 --> 00:18:30,439 Speaker 1: You were like running down the like rolling down the 319 00:18:30,440 --> 00:18:33,399 Speaker 1: bleachers with them, like it was really fun. I really 320 00:18:33,480 --> 00:18:34,199 Speaker 1: liked that number. 321 00:18:34,520 --> 00:18:38,720 Speaker 2: It was on a personal level, really boring to shoot 322 00:18:38,880 --> 00:18:42,560 Speaker 2: for me because I'm so far away from everybody most 323 00:18:42,640 --> 00:18:45,200 Speaker 2: of the time. And then we were shooting that scene 324 00:18:45,200 --> 00:18:47,240 Speaker 2: with Becca at the end of the sun was directly 325 00:18:47,359 --> 00:18:51,159 Speaker 2: in our eyes, those of us on that side, and 326 00:18:51,240 --> 00:18:53,320 Speaker 2: so they were like those things that were like, get 327 00:18:53,320 --> 00:18:56,119 Speaker 2: me off of this field. Yeah, but we got to 328 00:18:56,119 --> 00:19:00,399 Speaker 2: spend the day with them and Becca and Billy and Laura. 329 00:19:00,480 --> 00:19:02,280 Speaker 2: So it was so we. 330 00:19:02,920 --> 00:19:07,920 Speaker 1: Meet Billy and Laura and they're on the cheerios currently 331 00:19:08,200 --> 00:19:12,320 Speaker 1: and Kitty now is mad because and I love that 332 00:19:12,520 --> 00:19:14,959 Speaker 1: she brings this up or that it was written this 333 00:19:15,040 --> 00:19:17,840 Speaker 1: way of like why would I join the glee club 334 00:19:18,359 --> 00:19:20,800 Speaker 1: or get anybody to join it? When you guys treated 335 00:19:20,880 --> 00:19:23,520 Speaker 1: us that way after we left, it was like they 336 00:19:23,600 --> 00:19:28,160 Speaker 1: just got ditched and it was like slightly I mean 337 00:19:28,240 --> 00:19:31,000 Speaker 1: on the nose of like yeah, no, of course, like 338 00:19:31,359 --> 00:19:35,240 Speaker 1: see you later, but there they were. Becca was back. 339 00:19:35,400 --> 00:19:37,560 Speaker 1: It was good to see her. Kittie's back in a 340 00:19:37,600 --> 00:19:39,000 Speaker 1: different way again. 341 00:19:40,119 --> 00:19:43,760 Speaker 2: There's a lot of good reference to that. I think Yeah, 342 00:19:43,800 --> 00:19:46,160 Speaker 2: the writer's doing a really good job so far this season. 343 00:19:46,160 --> 00:19:47,560 Speaker 2: I think it's the end of last season of like 344 00:19:47,680 --> 00:19:51,600 Speaker 2: checking those things, like and making sure we're calling ourselves out, 345 00:19:51,800 --> 00:19:55,119 Speaker 2: like the characters bad behaviors and all these things, which 346 00:19:55,119 --> 00:19:56,600 Speaker 2: we did a lot in the beginning of the series. 347 00:19:56,720 --> 00:20:00,520 Speaker 2: I think we like didn't do that as much and 348 00:20:00,520 --> 00:20:03,440 Speaker 2: then in the middle, but I really love that it's 349 00:20:03,480 --> 00:20:04,720 Speaker 2: come back in full force. 350 00:20:05,760 --> 00:20:08,560 Speaker 1: So Madison and Mason ask if they can audition together, 351 00:20:08,640 --> 00:20:11,800 Speaker 1: which I love their like quirky little like duo. It's 352 00:20:11,840 --> 00:20:14,080 Speaker 1: so funny. They're my favorite. 353 00:20:15,480 --> 00:20:16,400 Speaker 2: Are they there? 354 00:20:16,600 --> 00:20:19,560 Speaker 1: Yeah? I really like them. I think they're like at 355 00:20:19,600 --> 00:20:22,720 Speaker 1: the end of the episode when they're like nottitute our 356 00:20:22,760 --> 00:20:24,280 Speaker 1: onn horn Tute. 357 00:20:25,200 --> 00:20:26,240 Speaker 2: Their chemistry is so. 358 00:20:26,240 --> 00:20:30,199 Speaker 1: Good, really good. I think they were friends before. I 359 00:20:30,240 --> 00:20:32,840 Speaker 1: think they knew each other, or maybe they just like 360 00:20:32,920 --> 00:20:38,280 Speaker 1: bonded because like like Noah said, like they just you 361 00:20:38,320 --> 00:20:39,840 Speaker 1: know what I mean, they had each other. But it 362 00:20:40,000 --> 00:20:43,879 Speaker 1: was really great. We've also got the Roderick thing happening 363 00:20:44,119 --> 00:20:48,520 Speaker 1: where Rachel hears his voice like a handful of times 364 00:20:49,080 --> 00:20:53,480 Speaker 1: leading up to us actually finding him. But she's enlisted 365 00:20:53,520 --> 00:20:58,760 Speaker 1: the the Alums to help find Cleeve Club members obviously 366 00:20:59,480 --> 00:21:04,159 Speaker 1: we try to woo them with our musical talents. But 367 00:21:05,280 --> 00:21:07,840 Speaker 1: we go and we chase Roderick. Do you remember shooting 368 00:21:07,840 --> 00:21:10,440 Speaker 1: that too? Like these are so clear in my mind. Yes, 369 00:21:10,520 --> 00:21:14,240 Speaker 1: she did, looking at the air bench of like where 370 00:21:14,280 --> 00:21:17,479 Speaker 1: his voice was, and then running into the library and 371 00:21:17,520 --> 00:21:20,280 Speaker 1: we found him, and I remember thinking, like, this poor 372 00:21:20,400 --> 00:21:23,199 Speaker 1: kid is brand new. I remember them telling you us 373 00:21:23,240 --> 00:21:26,000 Speaker 1: like he's pretty new at everything, like and we're all 374 00:21:26,080 --> 00:21:30,920 Speaker 1: just like all the ogs are just like hovering over him. 375 00:21:30,960 --> 00:21:33,080 Speaker 1: But he was so sweet and so good. 376 00:21:33,800 --> 00:21:37,119 Speaker 2: It's so sweet and that he it comes through like 377 00:21:37,320 --> 00:21:40,520 Speaker 2: he's perfectly cast. Yeah, written perfectly for him. 378 00:21:40,800 --> 00:21:42,560 Speaker 1: Also, was that a new library? 379 00:21:42,960 --> 00:21:44,840 Speaker 2: Yes? I was just about to say. The reason I 380 00:21:44,880 --> 00:21:47,320 Speaker 2: remember so much, like I have so many of these 381 00:21:47,320 --> 00:21:51,080 Speaker 2: memories for this is because it all felt so new, right, 382 00:21:51,600 --> 00:21:55,920 Speaker 2: and like the library might have actually just been completely new. 383 00:21:56,359 --> 00:21:56,840 Speaker 1: It was. 384 00:21:57,640 --> 00:21:59,800 Speaker 2: I think it was too, and so that's why I 385 00:21:59,880 --> 00:22:02,840 Speaker 2: like even having our chairs like in the kitchen of 386 00:22:02,880 --> 00:22:07,199 Speaker 2: the cafeteria was different, complete library. 387 00:22:07,280 --> 00:22:09,280 Speaker 1: And they were like, we're not going to build the 388 00:22:09,400 --> 00:22:12,560 Speaker 1: library back, so like let's just shoot it all location, 389 00:22:14,000 --> 00:22:16,119 Speaker 1: you know, do you know what I mean? They're not 390 00:22:16,280 --> 00:22:18,720 Speaker 1: think you're right, sad at season six, like the end. 391 00:22:18,680 --> 00:22:20,920 Speaker 2: I think I think he might be I think. 392 00:22:20,720 --> 00:22:21,399 Speaker 1: It was burned. 393 00:22:21,480 --> 00:22:22,360 Speaker 2: I think might be right. 394 00:22:22,720 --> 00:22:25,720 Speaker 1: Yeah, And I think we shot it at the end 395 00:22:25,760 --> 00:22:31,160 Speaker 1: of like the Aha number, like after that we were all. 396 00:22:31,000 --> 00:22:34,000 Speaker 2: There, m hm, Okay, that makes sense. Yeah, I think 397 00:22:34,080 --> 00:22:36,720 Speaker 2: that's making look at this memory so. 398 00:22:36,760 --> 00:22:39,240 Speaker 1: Weird because I mean, the rest of the series, we know, 399 00:22:39,320 --> 00:22:40,240 Speaker 1: I don't remember. 400 00:22:39,960 --> 00:22:44,160 Speaker 2: Anything, but this was a significant time. 401 00:22:44,520 --> 00:22:48,240 Speaker 1: Yeah, for sure. It was so roder singing we get 402 00:22:48,320 --> 00:22:50,640 Speaker 1: him to audish and when we come front him to audition. 403 00:22:50,800 --> 00:22:54,960 Speaker 1: Really also when Rachel scares him away. 404 00:22:56,680 --> 00:22:59,439 Speaker 2: I like Rachel just going back to her. You know, 405 00:22:59,480 --> 00:23:01,239 Speaker 2: when you go for the holidays or something on your 406 00:23:01,240 --> 00:23:03,919 Speaker 2: parents and you become a teenager again. It was Rachel 407 00:23:03,960 --> 00:23:07,840 Speaker 2: back at McKinley, going into her crazy Rachel barrymode. And 408 00:23:08,760 --> 00:23:12,359 Speaker 2: I've learned I am now the instructor of this glee club, Yes, 409 00:23:12,480 --> 00:23:13,440 Speaker 2: which I did enjoy. 410 00:23:13,920 --> 00:23:19,600 Speaker 1: Yes for sure. Before we get into a rotter number 411 00:23:20,320 --> 00:23:23,320 Speaker 1: and mustin Sally, can we talk about Puck, Quin, Tina 412 00:23:23,520 --> 00:23:26,959 Speaker 1: and Sam and Mercedes going to get the conservatives at 413 00:23:26,960 --> 00:23:28,960 Speaker 1: the tea party. 414 00:23:31,040 --> 00:23:37,240 Speaker 2: It's also a very good demonstration of where we've come politically. 415 00:23:38,000 --> 00:23:39,919 Speaker 2: The Tea Party was a hot thing for a second 416 00:23:39,960 --> 00:23:44,399 Speaker 2: and then it just became mega right, like this was 417 00:23:44,440 --> 00:23:45,800 Speaker 2: the foundational texts. 418 00:23:46,160 --> 00:23:50,680 Speaker 1: Yeah for Mecca, God help us. Tina is like and 419 00:23:50,720 --> 00:23:53,560 Speaker 1: literally I was gonna like take a video ta, I mean, 420 00:23:53,760 --> 00:23:58,520 Speaker 1: like what is wrong? Because I was like current what 421 00:23:58,680 --> 00:24:07,840 Speaker 1: is wrong with America? Jess Oh very funny? Uh okay. 422 00:24:08,119 --> 00:24:12,440 Speaker 1: For some reason, though, that scene I thought was a 423 00:24:12,440 --> 00:24:15,520 Speaker 1: scene that we shot while we were in the episode 424 00:24:15,520 --> 00:24:17,840 Speaker 1: that I do with Diana and Lauren Potter. 425 00:24:19,480 --> 00:24:22,440 Speaker 2: We might have been shooting some of these things like. 426 00:24:22,480 --> 00:24:27,800 Speaker 1: Dually because it feels now that's when my memory goes, 427 00:24:29,000 --> 00:24:31,280 Speaker 1: and I like thought that was something else. 428 00:24:31,960 --> 00:24:37,639 Speaker 2: Yeah, it's the next episode, I think maybe. Yeah, I 429 00:24:37,640 --> 00:24:39,200 Speaker 2: think there was a lot of that going on. 430 00:24:39,520 --> 00:24:42,480 Speaker 1: Yeah, They're like get everybody, well they can, yes. 431 00:24:42,440 --> 00:24:43,680 Speaker 2: It's all available. 432 00:24:43,760 --> 00:24:45,919 Speaker 1: We weren't even uncontracted, so they had to get us 433 00:24:46,000 --> 00:24:46,959 Speaker 1: in when we could get in. 434 00:24:47,160 --> 00:24:59,920 Speaker 2: Yep. There's two moments in this episode that I really loved, 435 00:25:00,880 --> 00:25:03,640 Speaker 2: and I think the first one is my first well okay, 436 00:25:04,200 --> 00:25:07,879 Speaker 2: the first one's in that conservative club where the guy's 437 00:25:07,920 --> 00:25:13,280 Speaker 2: preaching about how he hates homosexuals and everything else and 438 00:25:13,359 --> 00:25:16,760 Speaker 2: then Mercedes just gives it to him. Yeah, and then 439 00:25:17,200 --> 00:25:24,679 Speaker 2: for the Warblers, when the Warblers are protesting having Jane audition, right, 440 00:25:25,480 --> 00:25:28,239 Speaker 2: they're like, well, the sexual tension might be weird, and 441 00:25:28,280 --> 00:25:30,480 Speaker 2: Blaine's like, well, aren't most of you guys gay And 442 00:25:30,520 --> 00:25:32,920 Speaker 2: they're like no, it's like to all of you have girlfriends. 443 00:25:32,920 --> 00:25:39,320 Speaker 2: They're like yes. He's like, oh okay, sort of feels 444 00:25:39,320 --> 00:25:42,080 Speaker 2: similar and like those happening in both schools. 445 00:25:42,240 --> 00:25:52,520 Speaker 1: Yes, for sure, yes, yes, we'll get there. Yeah, sorry, no, 446 00:25:52,560 --> 00:25:57,240 Speaker 1: it's fine. So Roderick does come to audition. I also 447 00:25:57,240 --> 00:26:00,320 Speaker 1: remember sitting up in that the rafters for that. That 448 00:26:00,440 --> 00:26:07,919 Speaker 1: was fun. And the on Holy Trinity. Do you remember 449 00:26:08,119 --> 00:26:10,120 Speaker 1: listening to him saying that for the first. 450 00:26:10,000 --> 00:26:16,040 Speaker 2: Time absulutely it was like insanity. That's also how I 451 00:26:16,040 --> 00:26:21,200 Speaker 2: feel watching Samantha Ware Yep, where obviously we weren't there 452 00:26:21,240 --> 00:26:23,480 Speaker 2: for that and watching this episode and we'll get to that, 453 00:26:23,680 --> 00:26:30,400 Speaker 2: but watching Noah Yep, we were all like, oh, oh, 454 00:26:30,560 --> 00:26:32,960 Speaker 2: that's what we were all supposed to be doing. The 455 00:26:33,000 --> 00:26:37,399 Speaker 2: males I go because the women on the show have 456 00:26:37,640 --> 00:26:41,800 Speaker 2: always been so strong, like so not even close to 457 00:26:41,880 --> 00:26:46,119 Speaker 2: the guys, and he showed up. I was like, I 458 00:26:46,200 --> 00:26:49,840 Speaker 2: was like, all right, my good Well, it's like it's 459 00:26:49,880 --> 00:26:53,080 Speaker 2: in good hands. It's like it should be, like when 460 00:26:53,119 --> 00:26:55,159 Speaker 2: Kurt revealed Kurt and Rachel reveal at the end, like 461 00:26:55,200 --> 00:26:57,360 Speaker 2: this is the new and improved glee Club. That's how 462 00:26:57,359 --> 00:26:59,600 Speaker 2: it should be. And it does sort of sort of 463 00:26:59,640 --> 00:27:01,080 Speaker 2: feel like that the beginnings of that. 464 00:27:01,960 --> 00:27:04,120 Speaker 1: I mean, you guys are you don't cut yourselves short, 465 00:27:04,160 --> 00:27:06,600 Speaker 1: because you guys are very talented on your own ways. 466 00:27:06,640 --> 00:27:08,800 Speaker 2: It's just that we had like I think we're all great. 467 00:27:10,400 --> 00:27:14,800 Speaker 1: Vocalists, ye vocally like the women like. 468 00:27:15,440 --> 00:27:20,199 Speaker 2: Zomb Yeah, Powerhouse, Go Go No. 469 00:27:20,480 --> 00:27:22,280 Speaker 1: I mean I could listen to his voice all day 470 00:27:22,280 --> 00:27:25,560 Speaker 1: long on anything. He could literally sing me, like a 471 00:27:25,600 --> 00:27:28,600 Speaker 1: cookbook or the ab season. I'd be happy. 472 00:27:29,560 --> 00:27:33,399 Speaker 2: And Rachel also is like I like her as a coach, 473 00:27:33,520 --> 00:27:36,720 Speaker 2: as a teacher. She had the little moment in the 474 00:27:36,720 --> 00:27:41,000 Speaker 2: beginning with him, but by the time he's auditioning, she 475 00:27:41,040 --> 00:27:44,280 Speaker 2: goes to complete other direction, like where the headphones do. 476 00:27:45,560 --> 00:27:48,119 Speaker 2: It's really it's really fun to. 477 00:27:48,240 --> 00:27:50,560 Speaker 1: Her in an element that we haven't seen her before, 478 00:27:50,600 --> 00:27:52,400 Speaker 1: but yet like we knew she would be good at 479 00:27:52,520 --> 00:27:57,719 Speaker 1: you know, yes yeah. And we also see Madison and 480 00:27:58,640 --> 00:28:04,440 Speaker 1: uh uh Mason audition during home technically, so they have 481 00:28:04,520 --> 00:28:12,600 Speaker 1: all auditioned, and now, well, let's talk about Jane. 482 00:28:13,080 --> 00:28:17,919 Speaker 2: So Jane shows up at at Dalton and Blaine is 483 00:28:17,920 --> 00:28:21,119 Speaker 2: sort of feeling himself like this is going great and 484 00:28:21,200 --> 00:28:25,240 Speaker 2: where I'm supposed to be YadA, YadA, YadA, And then 485 00:28:25,280 --> 00:28:27,520 Speaker 2: she shows up and throws a wrench in sort of 486 00:28:27,600 --> 00:28:31,639 Speaker 2: his plan, and she's like, I want to audition for 487 00:28:31,680 --> 00:28:37,200 Speaker 2: the glee club, I mean for the Warblers, and he's resistant. 488 00:28:37,200 --> 00:28:39,040 Speaker 2: He's hesitant at first, and brings it up at that 489 00:28:39,120 --> 00:28:43,280 Speaker 2: dinner with Shu and kurtin Rachel and they're all like, 490 00:28:43,440 --> 00:28:47,960 Speaker 2: don't be an idiot history and he changes pretty quickly 491 00:28:48,160 --> 00:28:50,960 Speaker 2: and sees it, and then you have that you know, 492 00:28:51,000 --> 00:28:55,000 Speaker 2: he brings it to the Warblers. They have that debate 493 00:28:55,040 --> 00:29:02,360 Speaker 2: about it where they're all not gay. 494 00:28:59,760 --> 00:28:59,840 Speaker 1: And. 495 00:29:01,920 --> 00:29:03,600 Speaker 2: They decide to let her audition. 496 00:29:03,400 --> 00:29:06,320 Speaker 1: Which is also like crazy. They're like with the talent 497 00:29:06,440 --> 00:29:08,840 Speaker 1: decide and you're like gross, you guys grow. 498 00:29:08,800 --> 00:29:10,800 Speaker 2: Well, and she calls it out, which I think is great. 499 00:29:11,000 --> 00:29:16,400 Speaker 2: That's also refreshing. There's something about it feels more like 500 00:29:16,480 --> 00:29:19,560 Speaker 2: gen Zers coming in, even though it's only been one 501 00:29:19,600 --> 00:29:22,480 Speaker 2: school year. Different. It feels like a new generation where 502 00:29:22,480 --> 00:29:26,160 Speaker 2: they call things out. You have like postmodern gay on 503 00:29:26,280 --> 00:29:30,480 Speaker 2: the show who's about to be the villain, and that 504 00:29:30,600 --> 00:29:36,720 Speaker 2: all feels refreshing and very different, Like the show started 505 00:29:36,840 --> 00:29:39,360 Speaker 2: with culture being one way, and because the show is 506 00:29:39,400 --> 00:29:41,840 Speaker 2: on the air, we've now sort of like raised this 507 00:29:41,920 --> 00:29:44,800 Speaker 2: other generation and then new kids coming on the show 508 00:29:45,200 --> 00:29:47,120 Speaker 2: are written in a way to sort of display that 509 00:29:47,480 --> 00:29:51,400 Speaker 2: teach us Yeah, which I really I really enjoy. But 510 00:29:52,040 --> 00:29:56,080 Speaker 2: Jane eventually changes her mind and decides to audition with 511 00:29:56,160 --> 00:29:58,400 Speaker 2: tightrope after having a one on one with Rachel who 512 00:29:58,480 --> 00:30:01,120 Speaker 2: helps her figure out, you know, what she's going to 513 00:30:01,160 --> 00:30:03,040 Speaker 2: do to audition, And that was a nice moment, like 514 00:30:03,080 --> 00:30:05,960 Speaker 2: woman to woman because Rachel hasn't always been a girl's girl, 515 00:30:06,160 --> 00:30:06,680 Speaker 2: but as. 516 00:30:06,560 --> 00:30:10,440 Speaker 1: The teacher, I think she's taking on this new position 517 00:30:10,640 --> 00:30:15,000 Speaker 1: of leadership where this is when you know they're still 518 00:30:15,000 --> 00:30:17,720 Speaker 1: playing nice too, where she's like helping her audition for 519 00:30:17,720 --> 00:30:22,560 Speaker 1: a different glee club that's going to be a competitor. Yeah, 520 00:30:22,560 --> 00:30:25,560 Speaker 1: she never was like a good girl's girl. She didn't 521 00:30:25,600 --> 00:30:27,920 Speaker 1: always know how to connect that way, or other girls 522 00:30:27,960 --> 00:30:29,120 Speaker 1: didn't know how to take her, do you know what 523 00:30:29,160 --> 00:30:32,360 Speaker 1: I mean? Yeah, Yeah, but yeah, that was a nice 524 00:30:32,360 --> 00:30:34,720 Speaker 1: moment for them, and she's like helping her kind of 525 00:30:34,760 --> 00:30:37,280 Speaker 1: figure out what's in her music playlist versus like what 526 00:30:37,400 --> 00:30:38,480 Speaker 1: she should be singing. 527 00:30:38,600 --> 00:30:42,200 Speaker 2: And she does tightrope, taking somebody's phone and going through it. 528 00:30:42,400 --> 00:30:44,560 Speaker 2: I was like, oh god, yeah, we don't do that. 529 00:30:44,800 --> 00:30:46,760 Speaker 1: We don't do no. It's like when you share your 530 00:30:46,760 --> 00:30:52,360 Speaker 1: screen on Zoom, You're like, yes, yeah, anyway she does. So, 531 00:30:52,360 --> 00:30:56,040 Speaker 1: so Jane performs tyrope. Wow. 532 00:30:56,720 --> 00:30:59,480 Speaker 2: I remember the rehearsal. So we were rehearsing for something else, 533 00:30:59,520 --> 00:31:03,480 Speaker 2: resumably take on me, but I remember Brooke and Zach 534 00:31:03,520 --> 00:31:05,280 Speaker 2: talking about the tyrope. I was like, oh, yeah, I 535 00:31:05,320 --> 00:31:07,520 Speaker 2: know this. I love this, And so I remember like 536 00:31:07,880 --> 00:31:09,640 Speaker 2: doing it with them because they were still working out 537 00:31:09,680 --> 00:31:13,240 Speaker 2: the dance for it and we were talking about it. 538 00:31:13,280 --> 00:31:16,760 Speaker 2: And that number was great though, and she sounds so good. 539 00:31:17,320 --> 00:31:19,520 Speaker 2: She really really loved it. I want the twins to 540 00:31:19,560 --> 00:31:23,240 Speaker 2: have their own like breakout moment, like yeah, they've gotten 541 00:31:23,320 --> 00:31:26,040 Speaker 2: having this episode. But she's great. And then the Warblers 542 00:31:26,080 --> 00:31:29,680 Speaker 2: are just you know, men are gonna men, Men are 543 00:31:29,800 --> 00:31:30,360 Speaker 2: gonna men. 544 00:31:30,760 --> 00:31:32,960 Speaker 1: And even though and then and Blaine goes out of 545 00:31:33,000 --> 00:31:35,239 Speaker 1: his way and he's like, look, I'm gonna, you know, 546 00:31:35,720 --> 00:31:38,240 Speaker 1: say that, I'll quit and I'll leave and I'll put 547 00:31:38,280 --> 00:31:41,680 Speaker 1: myself on the line for you. What we don't know 548 00:31:41,800 --> 00:31:44,800 Speaker 1: is that we find out later. Obviously you mentioned Rachel. 549 00:31:44,920 --> 00:31:46,720 Speaker 1: She's gonna go to rachel And says her parents, so 550 00:31:46,840 --> 00:31:49,760 Speaker 1: she can transfer wherever she wants. And she doesn't want 551 00:31:49,760 --> 00:31:53,480 Speaker 1: to join a group of like boys that won't like 552 00:31:53,600 --> 00:31:55,760 Speaker 1: don't want her there, that she'll be like fighting for 553 00:31:55,960 --> 00:31:58,840 Speaker 1: solo all the time anyway, which is kind of true. 554 00:31:59,240 --> 00:32:01,400 Speaker 2: Completely fair, like when you know, when you know they 555 00:32:01,400 --> 00:32:05,240 Speaker 2: don't want you, do you have to be exactly. 556 00:32:06,040 --> 00:32:10,480 Speaker 1: So Jane AND's the friendly competition by joining McKinley, and 557 00:32:10,560 --> 00:32:12,120 Speaker 1: so she is now part of the glee club. So 558 00:32:12,160 --> 00:32:15,160 Speaker 1: it's her Roderick to start. And then we obviously get 559 00:32:15,200 --> 00:32:16,160 Speaker 1: Madison and Me soon. 560 00:32:16,400 --> 00:32:22,160 Speaker 2: And speaking of Jane, Sue has her. She's back to 561 00:32:22,320 --> 00:32:25,680 Speaker 2: her old ways. I don't think she ever stopped. She's 562 00:32:25,720 --> 00:32:28,360 Speaker 2: trying to figure out how now to dismantle the glee 563 00:32:28,400 --> 00:32:34,680 Speaker 2: club again because legally, through the school district, she can't 564 00:32:34,760 --> 00:32:41,280 Speaker 2: do anything. They're independently funded, like everything is by the book, right, 565 00:32:41,920 --> 00:32:47,720 Speaker 2: And so she decides to recruit postmodern gay Spencer's being 566 00:32:47,720 --> 00:32:49,640 Speaker 2: recruited won by the glee club. He has a great 567 00:32:49,680 --> 00:32:54,320 Speaker 2: scene with Kurt and Kurt's like, I have a modern 568 00:32:54,360 --> 00:32:56,560 Speaker 2: family to think, which I also thought was that's probably 569 00:32:56,600 --> 00:33:01,440 Speaker 2: my favorite lie in the entire episode, A little meta meta. 570 00:33:01,960 --> 00:33:04,320 Speaker 2: It's incredible, and you know all of his points about 571 00:33:04,360 --> 00:33:07,040 Speaker 2: like I am not like you. We don't like the 572 00:33:07,080 --> 00:33:08,960 Speaker 2: same things, so the only thing we have in common 573 00:33:08,960 --> 00:33:11,040 Speaker 2: is that we're both gay, Like that is it? Why 574 00:33:11,040 --> 00:33:13,840 Speaker 2: do they send you to recruit me? And then sus 575 00:33:13,880 --> 00:33:19,360 Speaker 2: Sylvester calls him in and is like, sees the evil 576 00:33:19,400 --> 00:33:25,560 Speaker 2: potential in him? And I like this because Sue's not homophobic, 577 00:33:26,560 --> 00:33:28,680 Speaker 2: She's just evil all around to everyone. 578 00:33:29,000 --> 00:33:31,400 Speaker 1: Yeah, equal opportunity for everybody. 579 00:33:31,480 --> 00:33:36,520 Speaker 2: Yeah, and tries to talk him into it and enticing 580 00:33:36,600 --> 00:33:43,840 Speaker 2: him with a Tom Brady fleshlight and he doesn't like it, 581 00:33:43,880 --> 00:33:47,080 Speaker 2: and he's like, do better, and she respects that. And 582 00:33:47,200 --> 00:33:50,320 Speaker 2: I think Marshall is doing a really good job going 583 00:33:50,400 --> 00:33:53,640 Speaker 2: up against Chaine Lynch. That is not an easy gig. 584 00:33:55,840 --> 00:33:58,360 Speaker 1: It's not an easy gig. I like it to shape 585 00:33:58,360 --> 00:34:02,760 Speaker 1: with Marinkay. I like this. I like this a lot. 586 00:34:03,320 --> 00:34:06,760 Speaker 1: I I like Spencer too, Like, I like this is 587 00:34:06,800 --> 00:34:08,960 Speaker 1: not so easy, you know what I mean? She has 588 00:34:09,000 --> 00:34:12,080 Speaker 1: sides of it, like obviously the club wants him obviously Jane. 589 00:34:12,239 --> 00:34:14,880 Speaker 1: You know, Sue Sylvester wants to recruit it, but I 590 00:34:14,920 --> 00:34:17,839 Speaker 1: really like this. It's not so and of course we're 591 00:34:17,840 --> 00:34:19,160 Speaker 1: going to get him, but it's okay. 592 00:34:19,560 --> 00:34:23,520 Speaker 2: It's a good it's a great little setup. Yeah yeah, 593 00:34:23,719 --> 00:34:27,879 Speaker 2: and we haven't seen it's always been like female cheerios 594 00:34:28,000 --> 00:34:35,000 Speaker 2: with Sue and like the right, yeah, put a put 595 00:34:35,040 --> 00:34:37,760 Speaker 2: a gay in there. If you really want to scheme? 596 00:34:37,920 --> 00:34:40,279 Speaker 1: Can we talk about Becky's. 597 00:34:41,480 --> 00:34:42,680 Speaker 2: I'm so happy she's there. 598 00:34:43,200 --> 00:34:46,040 Speaker 1: He too. It's not the same without her, and the 599 00:34:46,120 --> 00:34:50,400 Speaker 1: xylophone's back, which is like the grease thing, and she's 600 00:34:50,520 --> 00:34:55,719 Speaker 1: doing the she's in charge, she's bringing her taser. She's 601 00:34:55,760 --> 00:34:56,800 Speaker 1: gonna drop anyone. 602 00:34:56,600 --> 00:35:00,799 Speaker 2: Who's like her and Jane are so good together and 603 00:35:00,840 --> 00:35:03,040 Speaker 2: she like and four and she rips the thing out 604 00:35:03,040 --> 00:35:06,279 Speaker 2: of her hands. It's like they're just so good together. 605 00:35:06,840 --> 00:35:09,799 Speaker 1: So good and uh. 606 00:35:11,560 --> 00:35:15,319 Speaker 2: Yeah, that's I mean a lot happened. That's like they 607 00:35:15,360 --> 00:35:17,120 Speaker 2: did a lot in a short amount of time, and 608 00:35:17,200 --> 00:35:21,520 Speaker 2: it feels it felt well paced. I just I think 609 00:35:21,560 --> 00:35:25,520 Speaker 2: what everybody is saying about these new characters in this season, 610 00:35:25,600 --> 00:35:28,360 Speaker 2: I see it what I so, I'm excited about it 611 00:35:28,400 --> 00:35:31,520 Speaker 2: because the setup feels pretty good. What I don't love, 612 00:35:31,560 --> 00:35:34,919 Speaker 2: on like a technical standpoint, is like how the show 613 00:35:34,960 --> 00:35:39,840 Speaker 2: sort of looks. It looks like very bright, Like we 614 00:35:39,880 --> 00:35:42,160 Speaker 2: went from shooting sort of it was dark and on 615 00:35:42,280 --> 00:35:47,440 Speaker 2: film the first two seasons looked really cool. Yeah, and 616 00:35:47,520 --> 00:35:49,879 Speaker 2: now just I think it looks a little. 617 00:35:50,800 --> 00:35:55,279 Speaker 1: Right, okaed Yeah, you know, the more I think we've 618 00:35:55,320 --> 00:35:57,560 Speaker 1: talked about, like the more I talk about it, and 619 00:35:57,640 --> 00:36:00,360 Speaker 1: like the more we dive into it, I'm like, Okay, 620 00:36:00,400 --> 00:36:02,280 Speaker 1: it wasn't so bad. And I don't think this episode 621 00:36:02,360 --> 00:36:05,040 Speaker 1: was bad by any means. I really enjoyed a lot 622 00:36:05,200 --> 00:36:08,120 Speaker 1: of it. They were just moments that I was like, 623 00:36:10,880 --> 00:36:12,600 Speaker 1: we could have moved a little bit faster. 624 00:36:13,080 --> 00:36:16,040 Speaker 2: Yeah, especially I mean our show moves fast, so you 625 00:36:16,080 --> 00:36:18,799 Speaker 2: do notice that like when it doesn't you're used to 626 00:36:18,840 --> 00:36:19,560 Speaker 2: a certain pace. 627 00:36:19,880 --> 00:36:23,360 Speaker 1: Yes, yes, totally. Maybe I'm just like adjusting to the 628 00:36:23,480 --> 00:36:26,239 Speaker 1: like new norm of Glee where it's like not as 629 00:36:26,360 --> 00:36:32,240 Speaker 1: many people, but don't worry, it'll come back. Uh Okay, 630 00:36:32,360 --> 00:36:35,640 Speaker 1: Well that's pretty much the episode in a nutshell. 631 00:36:36,000 --> 00:36:38,319 Speaker 2: I want to know what you guys listening, what you 632 00:36:38,320 --> 00:36:42,280 Speaker 2: guys think of this episode, yeah, and the interest especially 633 00:36:42,320 --> 00:36:43,959 Speaker 2: to last time this happened, or what. 634 00:36:43,920 --> 00:36:48,320 Speaker 1: You thought about these guys pre watching the whole season six? 635 00:36:48,840 --> 00:36:51,560 Speaker 1: You know what I mean? What would be initial thoughts? 636 00:36:51,719 --> 00:36:56,040 Speaker 1: Can you know compared to at the end. Let's write 637 00:36:56,080 --> 00:36:57,080 Speaker 1: some performances. 638 00:36:57,719 --> 00:37:00,440 Speaker 2: Okay, take on me. I'll give it an AIM minus 639 00:37:02,080 --> 00:37:08,879 Speaker 2: tightrope A plus yeah, probably problem a. 640 00:37:08,280 --> 00:37:10,920 Speaker 1: A US think Sally A plus A. 641 00:37:11,080 --> 00:37:17,279 Speaker 2: Plus home A minus minus. Yeah, I mean budget. We 642 00:37:17,320 --> 00:37:18,120 Speaker 2: had fireworks. 643 00:37:19,400 --> 00:37:21,239 Speaker 1: Yeah, I don't think I was around for that part. 644 00:37:21,920 --> 00:37:24,880 Speaker 2: We were, we were, We're in the shot. 645 00:37:26,680 --> 00:37:29,440 Speaker 1: This is fair. It's funny because I remember something, but 646 00:37:29,520 --> 00:37:30,440 Speaker 1: I don't remember everything. 647 00:37:30,920 --> 00:37:33,000 Speaker 2: That's why I was like, wait, you and I are 648 00:37:33,040 --> 00:37:35,960 Speaker 2: in the very back, very behind us. 649 00:37:36,160 --> 00:37:38,120 Speaker 1: Okay, it's very very late at night. 650 00:37:38,920 --> 00:37:40,880 Speaker 2: It was, and I think you and I were probably 651 00:37:40,960 --> 00:37:41,800 Speaker 2: just like sleepy. 652 00:37:42,400 --> 00:37:49,200 Speaker 1: Yeah, totally okay, uh a, Tarti takes some cringe. Okay, 653 00:37:49,440 --> 00:37:53,200 Speaker 1: well obviously the tea party Patriot Club. It's very cringing. 654 00:37:53,280 --> 00:37:56,400 Speaker 1: And it's actually the cringiest thing is that it's so 655 00:37:56,560 --> 00:37:59,920 Speaker 1: relevant still, yeah, more relevant than ever. 656 00:38:00,200 --> 00:38:06,520 Speaker 2: Yeah, gross, Artie wasn't great this episode. Drawing Quinn's boobs 657 00:38:06,600 --> 00:38:06,879 Speaker 2: like that. 658 00:38:06,960 --> 00:38:09,520 Speaker 1: Yeah, you were drawing Quinn's boobs right, It was like, whoa, 659 00:38:09,600 --> 00:38:12,440 Speaker 1: that is like past the line, like you always like 660 00:38:12,520 --> 00:38:14,720 Speaker 1: toe the line is already, but like this one passed 661 00:38:14,760 --> 00:38:15,080 Speaker 1: that one. 662 00:38:15,120 --> 00:38:19,160 Speaker 2: I was like, oh yeah it was. It was very strange. 663 00:38:19,800 --> 00:38:23,359 Speaker 2: Yeah yeah, calling sugar hot like it was just not well, 664 00:38:23,360 --> 00:38:24,160 Speaker 2: sugar is hot. 665 00:38:24,280 --> 00:38:30,000 Speaker 1: I don't think that was cringe as much as I think, yes, yes, yes. 666 00:38:29,360 --> 00:38:34,120 Speaker 2: Yeah, there's a pattern of behavior that is not acceptable. 667 00:38:34,239 --> 00:38:40,839 Speaker 1: Already agree, yes, best dance move problem I oh right problem? 668 00:38:41,239 --> 00:38:46,040 Speaker 2: Oh tightropepe too. I'm going to say problem, there's cheerios. 669 00:38:46,120 --> 00:38:48,440 Speaker 2: I miss a cheerio on that long beach. 670 00:38:48,600 --> 00:38:52,440 Speaker 1: Remember, yes, exactly. Best song. 671 00:38:57,880 --> 00:38:59,920 Speaker 2: I mean like I lost Sally. 672 00:39:00,160 --> 00:39:02,280 Speaker 1: But I think most thing Seally wins. Agreed. 673 00:39:02,760 --> 00:39:07,480 Speaker 2: Yeah, I also really loved home, Like what a great 674 00:39:08,120 --> 00:39:10,480 Speaker 2: song for that. They nailed it. 675 00:39:11,200 --> 00:39:17,480 Speaker 1: Yeah, I liked it. Okay, Uh performance by prop. 676 00:39:18,040 --> 00:39:20,440 Speaker 2: That frame that we carried around. 677 00:39:21,360 --> 00:39:26,560 Speaker 1: Also the golf cart, you know, so behind the scenes moment, 678 00:39:27,120 --> 00:39:30,000 Speaker 1: uh leah, that golf cart, Like do you remember the 679 00:39:30,000 --> 00:39:31,799 Speaker 1: golf carts? The user drive us all over the place 680 00:39:31,880 --> 00:39:35,000 Speaker 1: on in those on the paramount lot. If you step 681 00:39:35,040 --> 00:39:38,080 Speaker 1: on the gas too hard, it's a very jerky step 682 00:39:38,440 --> 00:39:41,960 Speaker 1: like it it accelerates really fast. And they did one 683 00:39:42,000 --> 00:39:45,399 Speaker 1: take where they started moving the golf cart and Leah 684 00:39:45,400 --> 00:39:50,000 Speaker 1: fell off the golf cart, like off the back completely. Yep, 685 00:39:50,520 --> 00:39:53,760 Speaker 1: she was fine, by the way, Yeah, okay, best line. 686 00:39:54,239 --> 00:39:56,759 Speaker 2: There were a lot of really good lines. I think 687 00:39:56,840 --> 00:40:00,640 Speaker 2: that one for me about from Spencer about my family 688 00:40:01,360 --> 00:40:03,799 Speaker 2: his whole like monologue during that scene. Also, it was 689 00:40:04,160 --> 00:40:06,440 Speaker 2: very very good, very good. 690 00:40:07,440 --> 00:40:11,280 Speaker 1: I also liked the to your journal. 691 00:40:12,360 --> 00:40:16,960 Speaker 2: Yeah, oh that's sorry I found it. Look, you're naive 692 00:40:17,360 --> 00:40:19,360 Speaker 2: if you don't think you're standing on our shoulders. Okay, 693 00:40:19,440 --> 00:40:22,040 Speaker 2: you owe the Glee Club, please, I owe Modern Family. 694 00:40:22,920 --> 00:40:25,520 Speaker 1: Brittany saying if you want to get Blaine back, first 695 00:40:25,520 --> 00:40:27,600 Speaker 1: you promised him you're gonna burn all your clothing until 696 00:40:27,719 --> 00:40:30,600 Speaker 1: you're gonna start asking like a normal person. And then 697 00:40:30,600 --> 00:40:32,640 Speaker 1: I think you should really start getting honest with him 698 00:40:32,640 --> 00:40:35,200 Speaker 1: about following your life's the ambition, which is becoming America's 699 00:40:35,239 --> 00:40:40,479 Speaker 1: top Barbara push impersonator. And then also when Brittany says 700 00:40:40,480 --> 00:40:41,439 Speaker 1: that's Quinn. 701 00:40:41,960 --> 00:40:49,399 Speaker 2: Oh my god, liar. Also when Sam says Quinn had 702 00:40:49,440 --> 00:40:52,920 Speaker 2: sex with the Latina lesbian and they run out, and 703 00:40:52,920 --> 00:40:56,800 Speaker 2: that's fully Diana just cackling like that's not Quinn laughing, 704 00:40:56,920 --> 00:40:58,880 Speaker 2: that's Diana performance MVP. 705 00:40:59,520 --> 00:41:01,360 Speaker 1: I think it was really good in this episode. 706 00:41:02,120 --> 00:41:03,319 Speaker 2: Yeah. 707 00:41:03,440 --> 00:41:06,800 Speaker 1: I also think honorable mention to the to the newbies. 708 00:41:07,360 --> 00:41:10,120 Speaker 2: I think I'm just going to say the newbies, okay. 709 00:41:09,800 --> 00:41:11,360 Speaker 1: Great, we love that. 710 00:41:12,760 --> 00:41:13,840 Speaker 2: I think they really are. 711 00:41:14,120 --> 00:41:15,120 Speaker 1: Both are important. 712 00:41:15,960 --> 00:41:21,080 Speaker 2: Yeah, they held their own you know, not easy. No, 713 00:41:21,360 --> 00:41:28,720 Speaker 2: maybe we're just not intimidating. Maybe that's what it is. Okay, 714 00:41:29,000 --> 00:41:33,520 Speaker 2: should we found on TikTok Jenna. I don't know if 715 00:41:33,520 --> 00:41:36,359 Speaker 2: you know how much I love Legos, but I do. 716 00:41:38,120 --> 00:41:42,799 Speaker 2: And this combines my love of Legos and mine and 717 00:41:42,840 --> 00:41:47,160 Speaker 2: the people's love of Run Joey Run and Lego Gleek, 718 00:41:47,320 --> 00:41:52,719 Speaker 2: which I cannot believe exists. Did a full reenactment. 719 00:41:53,239 --> 00:41:54,960 Speaker 1: I'm laughing, but you can't hear it because I have 720 00:41:55,000 --> 00:41:55,399 Speaker 1: no voice. 721 00:41:55,400 --> 00:42:00,239 Speaker 2: But they built McKinley and recreated the music video and 722 00:42:00,360 --> 00:42:02,720 Speaker 2: Lego form. 723 00:42:03,120 --> 00:42:09,720 Speaker 1: This is so funny, this account. It's hilarious. 724 00:42:10,560 --> 00:42:13,799 Speaker 2: So the comments are so good. Babe, wake up, Lego 725 00:42:13,880 --> 00:42:16,520 Speaker 2: Run Joy run to this drop. This should be a 726 00:42:16,600 --> 00:42:17,440 Speaker 2: exam or something. 727 00:42:18,840 --> 00:42:23,640 Speaker 1: Funny. Stop the violence they do when they with the 728 00:42:24,160 --> 00:42:28,640 Speaker 1: Quinn and Santa. Yes, oh my god, this is really good. 729 00:42:29,239 --> 00:42:30,279 Speaker 2: Is that unbelievable? 730 00:42:31,040 --> 00:42:31,839 Speaker 1: Oh? I love it? 731 00:42:32,200 --> 00:42:33,800 Speaker 2: Oh my god. They have to blame it on the alcohol. 732 00:42:33,840 --> 00:42:38,640 Speaker 2: Hold on the girt's wearing a cape. 733 00:42:39,680 --> 00:42:46,040 Speaker 1: I yeah, this is so funny. Mm hmmm, I'm dead wow, 734 00:42:46,239 --> 00:42:48,839 Speaker 1: And of course ran. Honestly, this is the best version 735 00:42:48,880 --> 00:42:49,640 Speaker 1: of Reno I run. 736 00:42:50,520 --> 00:42:53,080 Speaker 2: Oh, so we found one that you like, I like it, 737 00:42:53,200 --> 00:42:54,040 Speaker 2: or that you don't hate. 738 00:42:54,440 --> 00:42:55,160 Speaker 1: Yeah, exactly. 739 00:42:55,600 --> 00:42:57,040 Speaker 2: That is beautiful work. 740 00:42:57,800 --> 00:42:59,879 Speaker 1: That is really good, really really wow. 741 00:43:00,960 --> 00:43:01,560 Speaker 2: I love that. 742 00:43:03,160 --> 00:43:03,560 Speaker 1: Oh. 743 00:43:03,840 --> 00:43:06,160 Speaker 2: People are so talented and have so much time on 744 00:43:06,239 --> 00:43:10,160 Speaker 2: their hands. I mean, god, that's not it. That's not 745 00:43:10,239 --> 00:43:12,640 Speaker 2: even a drag. I mean I have so much time 746 00:43:12,680 --> 00:43:13,880 Speaker 2: on my hands. I don't do anything with it. 747 00:43:14,600 --> 00:43:21,440 Speaker 1: Exactly, it's like productive. Well, thanks for coming along for 748 00:43:21,520 --> 00:43:26,040 Speaker 1: this ride. Rye had zero voice and where Kevin is 749 00:43:26,040 --> 00:43:29,279 Speaker 1: completely jet lagged, but managed to hold hold himself up 750 00:43:29,320 --> 00:43:33,600 Speaker 1: the whole time. This was part two of season the 751 00:43:33,680 --> 00:43:37,799 Speaker 1: season six opener, and we're off to the races on 752 00:43:37,880 --> 00:43:39,239 Speaker 1: season six. Let's do this. 753 00:43:39,719 --> 00:43:42,600 Speaker 2: I'm excited for next episode. You know that Carol King 754 00:43:42,640 --> 00:43:44,000 Speaker 2: episode we didn't know existent. 755 00:43:44,560 --> 00:43:49,280 Speaker 1: I can't with that. We're just we're insane. 756 00:43:49,680 --> 00:43:51,239 Speaker 2: Go do your throat coat tea. 757 00:43:52,360 --> 00:43:54,040 Speaker 1: Yeah, I'm not gonna speak for the rest of the day. 758 00:43:54,719 --> 00:43:56,800 Speaker 2: Perfect. How does that work with two little kids? 759 00:43:58,040 --> 00:44:03,279 Speaker 1: That's the best thing ever. Mommy can't talk. I know. 760 00:44:03,360 --> 00:44:06,279 Speaker 1: I said to her today, mommy lost her voice. Last night, 761 00:44:06,320 --> 00:44:07,799 Speaker 1: I said, mommy lost her voice. She has to go 762 00:44:07,840 --> 00:44:10,720 Speaker 1: to sleep now. And this morning she said, mommy's voice 763 00:44:10,719 --> 00:44:14,120 Speaker 1: came back. I said, kind She said, where did mommy's 764 00:44:14,160 --> 00:44:15,840 Speaker 1: voice go? It's gone. 765 00:44:16,200 --> 00:44:17,680 Speaker 2: It's so cute now. 766 00:44:18,000 --> 00:44:22,280 Speaker 1: I know. It's like it's like pure pan shadow or something. Anyway, 767 00:44:22,960 --> 00:44:27,359 Speaker 1: there's a children's book in that Mommy lost her voice. Yeah, 768 00:44:27,640 --> 00:44:31,440 Speaker 1: like a Little Mermaid versus a ticket. Come on, okay, anyway, 769 00:44:31,880 --> 00:44:34,160 Speaker 1: all right, thanks for joining us, you guys. 770 00:44:34,239 --> 00:44:37,400 Speaker 2: And that's what you really missed. Thanks for listening and 771 00:44:37,520 --> 00:44:40,160 Speaker 2: follow us on Instagram at and that's what you really 772 00:44:40,200 --> 00:44:42,319 Speaker 2: miss pod. Make sure to write us a review and 773 00:44:42,440 --> 00:44:44,399 Speaker 2: leave us five stars. See you next time.