WEBVTT - Rest a Spell

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<v Speaker 1>M twelve Ghosts is a production of I Heeart three

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<v Speaker 1>D audio and grim and mild from Aaron Banky Headphones.

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<v Speaker 1>Recommended listener discretion advised. Out of the bosom of the air,

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<v Speaker 1>out of the cloud, folds of her garments, shaken over

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<v Speaker 1>the woodland's brown and bear over the harvest fields forsaken,

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<v Speaker 1>silent and soft and slow, descends the snow. But we

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<v Speaker 1>are warm here inside. Who are you? I'm the innkeeper, now, Annabel,

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<v Speaker 1>who are you? More wine? I think the Romans called

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<v Speaker 1>this conditum paradox um, and it was a bitter brew,

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<v Speaker 1>but it fortified the soul all the same, warmed the body, relaxed,

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<v Speaker 1>the mind, loosened the tongue. Over time, recipes changed based

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<v Speaker 1>on what was available, and eventually, praise all that is good.

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<v Speaker 1>It became palatable. But it doesn't matter, does it. The

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<v Speaker 1>spirit is still the same. So to speak. We fill

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<v Speaker 1>ourselves with the warming spices and alcohol courses through our veins,

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<v Speaker 1>and for a little while at least we forget the

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<v Speaker 1>cold wind rattling the windows. M Look at the time,

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<v Speaker 1>will you? Oh? We should be expecting our next guest

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<v Speaker 1>right about huh, Well, pardon me, won't you good evening traveler.

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<v Speaker 1>I've been expecting you come in. I was, I don't remember.

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<v Speaker 1>It's so fine. Please sit. This is Annabelle. Hello. We

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<v Speaker 1>were just having a nice warm cup of mulled wine.

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<v Speaker 1>Would you like to join us knock a little of

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<v Speaker 1>the chill off your bones? Yes? Yes, thank you. Annabelle

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<v Speaker 1>and I were just discussing the history of drunkenness of

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<v Speaker 1>in a warmth. Here join us. Thank you. Something troubles you? Noel?

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<v Speaker 1>Have we met? We've not, but I've read your name

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<v Speaker 1>in my ledger earlier. Oh what is it that weighs

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<v Speaker 1>on your mind? I have a question, please, How does

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<v Speaker 1>one know if they've encountered something supernatural? Are are signs

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<v Speaker 1>spectral symptoms? Or are we ready made with just some

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<v Speaker 1>base human instinct where we can like smell the lack

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<v Speaker 1>of blood in their hollow little veins. I can't smell anything.

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<v Speaker 1>Have you ever been to Homer, Alaska? Folks call it

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<v Speaker 1>the end of the road. One way in, one way out,

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<v Speaker 1>and you have to really try to get there. You

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<v Speaker 1>don't just stumble upon it blindly. You have to seek

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<v Speaker 1>out the finite ends of things in this world. There

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<v Speaker 1>aren't many of them. And Homer is one of those few.

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<v Speaker 1>The town looks like a postcar it mountain back drops

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<v Speaker 1>nestled right up against the sea. Thousands are small and

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<v Speaker 1>candy colored. The air feels like cold nourishment, and I

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<v Speaker 1>see snake nuzzling your lungs, reminding you of the life

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<v Speaker 1>somersaulting through your body. If there's a heaven, it looks

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<v Speaker 1>like Homer. It's a small town, beautiful but small, just

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<v Speaker 1>over five thousand residents. Now, five thousand sounds like a

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<v Speaker 1>big number until you realize that you know everything there

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<v Speaker 1>is to know about each and every one of your neighbors.

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<v Speaker 1>Which ones are cheating with which other ones, who's hiding

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<v Speaker 1>their drinking problem, who's not hiding their drinking problem, and

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<v Speaker 1>which ones came all the way to some tiny village

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<v Speaker 1>to start a new life where no one would come looking.

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<v Speaker 1>Now that last one, that's most of them. No shame

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<v Speaker 1>in it. I believe most people think about disappearing at

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<v Speaker 1>one point or another, leaving all of your possessions and

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<v Speaker 1>loved ones behind. The Residents of Homer were just brave

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<v Speaker 1>enough to pull the trigger and actually do it. You've

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<v Speaker 1>thought about doing it too, haven't you? Or you're thinking

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<v Speaker 1>about it now, at least just you alone, staring down

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<v Speaker 1>the end of the road. M HM. I used to

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<v Speaker 1>work the overnight shift at the Sheriff's Office rookie officer,

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<v Speaker 1>which in this sense means I was essentially a glorified

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<v Speaker 1>night porter. In all my time there, not one person

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<v Speaker 1>had ever been brought in late night. So naturally it

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<v Speaker 1>took me off guard when I found a stranger in

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<v Speaker 1>the holding cell halfway through my shift on a blustery

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<v Speaker 1>Tuesday evening, Dan, I'm near scared the iron right out

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<v Speaker 1>of my blood. No clue how long he had been

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<v Speaker 1>in there. There was no intake paperwork, no note from

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<v Speaker 1>the previous guard, just a sallow husk of an older man, gaunt,

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<v Speaker 1>his face patchy and red, chewed raw by the cracked

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<v Speaker 1>teeth of Alaskan winter air. He was thoroughly dehydrated, his

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<v Speaker 1>muscles and veins popping from his frame like a failed

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<v Speaker 1>escape Trapped to his body by only the worn elasticity

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<v Speaker 1>of his paper skin. The man was haggard, chased by

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<v Speaker 1>a massive debt of sleep. His eyes were open, though

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<v Speaker 1>yellow and bloodshot, as they were tracking my movements. As

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<v Speaker 1>I stepped closer to peer into his cell like he

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<v Speaker 1>was some diseased animal and a roadside zoo. I thought

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<v Speaker 1>it was a simple enough question, jen what's your name?

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<v Speaker 1>The man blinked at me, a whirlpool of delirium behind

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<v Speaker 1>his eyes. He opened his mouth, moved his lips around

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<v Speaker 1>a series of words, but soundlessly, like someone had put

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<v Speaker 1>the old bastard right on mute. Most unsettling thing I'd

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<v Speaker 1>ever seen at that stage of the night. Anyway, I repeated, sir,

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<v Speaker 1>what is your name? And there he went, moving his

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<v Speaker 1>mouth again. But this time I thought maybe I could

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<v Speaker 1>hear something buzzing deep in his gullet, like a tiny

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<v Speaker 1>faction of bees. I'm having a little trouble hearing you,

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<v Speaker 1>I said, Can you come a little closer? He stood,

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<v Speaker 1>wavering on his feet and shuffle toreward to the bars

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<v Speaker 1>of the cell. I planned my feet firm and pulled

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<v Speaker 1>my shoulders back. I'm not a big woman, but I've

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<v Speaker 1>learned how to fake stature in my time. I asked

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<v Speaker 1>him a third time, can you tell me your name?

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<v Speaker 1>This time I could confirm the man was indeed speaking.

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<v Speaker 1>He sounded like a recording of a recording put on

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<v Speaker 1>the lowest volume setting. And trapped in a tin can,

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<v Speaker 1>he said. His lips continued crawling around the shape of

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<v Speaker 1>his words long after the sentence fell from his mouth,

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<v Speaker 1>like a poorly dubbed movie, and then he jerked a

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<v Speaker 1>purple hand into his multi jeans pocket and pulled out

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<v Speaker 1>his wallet for me. I d red Kyle Gibbert, Los Angeles, California.

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<v Speaker 1>I told old Kyle he was quite a ways from home,

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<v Speaker 1>and in that staticy, faraway voice, he simply repeated, I

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<v Speaker 1>mean no offense to our host, but this wine tastes

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<v Speaker 1>like the forgotten dreams of a used up band aid.

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<v Speaker 1>It's weak as hell. You water it down. Oh, I

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<v Speaker 1>would never, but go on. I could probably stand to

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<v Speaker 1>drink more water anyways, So I put Mr Gilbert into

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<v Speaker 1>our database. Turns out he'd been missing since and was

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<v Speaker 1>officially pronounced dead seven years later. Funny thing. The man

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<v Speaker 1>prowling around in that cell like a feral animal only

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<v Speaker 1>looked half dead to me. But this wasn't the first

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<v Speaker 1>time someone new showed up in Homer to disappear. So

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<v Speaker 1>I ran a full background check. No jobs, no residences,

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<v Speaker 1>no taxes, paid nothing at all to indicate that Kyle

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<v Speaker 1>Gilbert should be standing here in front of me, sucking

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<v Speaker 1>in the air that was intended only for the living.

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<v Speaker 1>I asked if he went by any other aliases, but

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<v Speaker 1>through that same thick, mismatched static, he wheezed again. I

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<v Speaker 1>just need to waste m hm. So I did the

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<v Speaker 1>next logical thing. I called his estranged wife in the

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<v Speaker 1>middle of the night, woke her plumb up and asked,

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<v Speaker 1>Mrs Gilbert, I swear to God, you never heard the

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<v Speaker 1>grog drop from somebody's voice faster in your life. Set

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<v Speaker 1>me straighter than spider silk. Mrs Gilbert made it very

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<v Speaker 1>clear that she did not go by that name anymore.

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<v Speaker 1>I older that I had Kyle with me, thirty miles

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<v Speaker 1>away in a dinky, little drunk tank at the end

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<v Speaker 1>of the road. Kyle, my Kayle, she asked. I checked

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<v Speaker 1>the idea again. The little picture showed a healthy young man,

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<v Speaker 1>handsome by some standards, life coursing through his cheeks and

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<v Speaker 1>hanging plump around his face and neck. This thing in

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<v Speaker 1>the cage across from me bore no resemblance. But before

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<v Speaker 1>I could say so, the woman on the line told

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<v Speaker 1>me she had long since made peace with the death

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<v Speaker 1>of her husband, and she'd take legal action if harassment

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<v Speaker 1>of this nature were to continue, and even if he

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<v Speaker 1>were alive, she didn't want him no more. She was done,

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<v Speaker 1>moved on, remarried and all and then click, she was gone,

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<v Speaker 1>and Kyle Gibbert was fully my problem. A saggy gray

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<v Speaker 1>holding cell ain't no proper place to get a good

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<v Speaker 1>night's eap. I knew nobody else would be coming in

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<v Speaker 1>that night, and I knew what it's like to turn

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<v Speaker 1>up brand new for the first day in a fresh life.

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<v Speaker 1>Second chances are everything. We don't judge or ask questions.

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<v Speaker 1>And Homer, you want to wander out of your Los

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<v Speaker 1>Angeles apartment, disappear off the face of the earth, convinced

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<v Speaker 1>the world you're dead, then show up nearly ten years later,

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<v Speaker 1>ready to start all over. Well, I suppose I'm going

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<v Speaker 1>to give you a warm bed to sleep in that night,

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<v Speaker 1>and a hot cup of coffee in the morning to

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<v Speaker 1>get you on your way. It's the neighborly thing to do.

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<v Speaker 1>The world looked different walking beside Kyle on the way

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<v Speaker 1>back to my home. I remember thinking, maybe I just

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<v Speaker 1>never really paid attention to the world. At night, Those

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<v Speaker 1>candy colored houses dulled to mute shades of their daytime glory.

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<v Speaker 1>In the shadows. I could feel the wind sawing at

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<v Speaker 1>the tip of my nose, but couldn't hear it's normally

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<v Speaker 1>persistent whale, and the snow that dripped from the sky

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<v Speaker 1>white crystall line fluffs during the day smeared like ash

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<v Speaker 1>on my fingertips under the moon's two tone pallor. Kyle's

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<v Speaker 1>mouth moved wordlessly as we walked, a steady drone of

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<v Speaker 1>static buzzing from his windpipe. At one point he threw

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<v Speaker 1>his head back, mouth wide, his throat undulating with the

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<v Speaker 1>heft of a screeching, feedback laden belly laugh. He quieted

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<v Speaker 1>contemn wide smile on his sunken, cracked face. I lived

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<v Speaker 1>alone in a cozy one bedroom. A rookie sheriff's salary

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<v Speaker 1>doesn't buy any much, but what I had suited me

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<v Speaker 1>just fine. Besides, the overstuffed couch stationed in my living

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<v Speaker 1>room had seen its share of wayward visitors, and it's

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<v Speaker 1>time never once with any complaint. I layered the cushions

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<v Speaker 1>a thousand blankets deep and fluffed my finest down pillows

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<v Speaker 1>for my guest. But Kyle stood frozen in the door

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<v Speaker 1>frame flickering underneath the faulty porch light. I took him

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<v Speaker 1>by the hand to lead him inside, cold, his fingers

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<v Speaker 1>rigid like they had snap under the pressure of my

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<v Speaker 1>gentlest touch. The winters are harsh and home. Come on,

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<v Speaker 1>let's get you to sleep, I whispered to Kyle. I

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<v Speaker 1>just me to rest, to spell. He crackled. The chill

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<v Speaker 1>of the next morning woke me earlier than usual. I

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<v Speaker 1>thought the pilot light must have gone out at some

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<v Speaker 1>point in the middle of the night. I bowled on

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<v Speaker 1>my thickest robe and warmest house shoes, hoping that the

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<v Speaker 1>veritable sauna I'd created out of blankets had been enough

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<v Speaker 1>to keep Kyle Gibert warm on the couch that to

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<v Speaker 1>no one's real surprise, Kyle wasn't there. The blankets were

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<v Speaker 1>pulled tight and ducked in, completely undisturbed aside from their wetness,

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<v Speaker 1>damp and freezing cold like, Kyle was nothing but a

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<v Speaker 1>man shaped block of ice that had melted right through

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<v Speaker 1>the sofa into the floorboards, absorbed into earth itself. Mh.

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<v Speaker 1>I didn't go back to work after that, never called

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<v Speaker 1>in or gave any notice. I just walked right past

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<v Speaker 1>the sheriff station, and kept on walking. They call Homer

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<v Speaker 1>the end of the road. One way in, one way out.

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<v Speaker 1>I never tried walking past the end of the road

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<v Speaker 1>before until that next day. The sky was overcast, blinding white,

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<v Speaker 1>perfectly camouflaged against a new layer of fresh snow, impossible

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<v Speaker 1>to tell where the ground ended and the sky began.

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<v Speaker 1>And then in all that whiteness, night fell, and everything

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<v Speaker 1>blotted out into an inky abyss there and then nothing.

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<v Speaker 1>There was something, the buzzing of a tiny faction of

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<v Speaker 1>best Kyle Gilbert's feedback laden laughter. And there were others too,

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<v Speaker 1>Recordings of recordings of droning, indecipherable whisper spattered through the dark,

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<v Speaker 1>static e siren songs for me to follow. So I did,

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<v Speaker 1>and then well you know where this is going, sparked

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<v Speaker 1>from the void. There was suddenly a beacon of light,

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<v Speaker 1>of flickering orange flame through thick tempered glass windows and

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<v Speaker 1>olden you all hunkered down inside. Oh yeah, I have

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<v Speaker 1>to say, it's been so nice meeting all of you.

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<v Speaker 1>I'm sorry, I think the Knight's caught up with me

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<v Speaker 1>all of a sudden. I'm who's so tired? That's all right, though,

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<v Speaker 1>I'll be better. I just need to rest a spell.

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<v Speaker 1>You've come a very very long way, Noel, and it

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<v Speaker 1>just so happens that you've arrived at the very best

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<v Speaker 1>place to rest. Yes, good, I happen to have here

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<v Speaker 1>a beautiful key, simple brass, polished to shine, an older key,

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<v Speaker 1>hollow barrel, and baroque bow, one of my favorites. It

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<v Speaker 1>belongs to a door on the second all the second

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<v Speaker 1>door on the left. On the other side is the

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<v Speaker 1>very thing that you have come to find. I'll give

0:20:09.960 --> 0:20:15.320
<v Speaker 1>it to you. I hope that it will suffice. Thank you.

0:20:17.119 --> 0:20:30.119
<v Speaker 1>Go now, Noel, good night, good night? Ah Now where

0:20:30.160 --> 0:20:33.719
<v Speaker 1>were we? Oh? The wine? We were talking about the wine,

0:20:34.320 --> 0:20:39.000
<v Speaker 1>and before that you were going to tell me your story?

0:20:40.680 --> 0:20:46.640
<v Speaker 1>Was I I do believe so I don't recall agreeing

0:20:46.680 --> 0:20:53.560
<v Speaker 1>to that. Oh well, I must be mistaken. But the

0:20:53.720 --> 0:20:57.600
<v Speaker 1>night is long, Annabelle, and there is more than enough time.

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<v Speaker 1>The True Out Twelve Ghosts, starring Malcolm McDowell as the

0:21:22.840 --> 0:21:27.760
<v Speaker 1>Innkeeper and Gina Rikiki as Annabelle. Episode two, rest a

0:21:27.840 --> 0:21:32.399
<v Speaker 1>Spell written by Zoe Cooper with additional writing by Nicholas Takowski,

0:21:32.920 --> 0:21:36.879
<v Speaker 1>editing by Chris Childs and Stephen Perez featuring Suhila E.

0:21:37.080 --> 0:21:41.760
<v Speaker 1>Young as Noel. Directed by Nicholas Takowski. Original score and

0:21:41.880 --> 0:21:47.280
<v Speaker 1>sound design by Chris Childs. Executive producers Aaron Mankey, Matt Frederick,

0:21:47.400 --> 0:21:53.560
<v Speaker 1>Alexander Williams and Nicholas Takowski. Supervising producer Josh Stain. Producers

0:21:53.640 --> 0:21:57.960
<v Speaker 1>Chris Child's and Stephen Perez. Casting by Sunday Bowling c

0:21:58.200 --> 0:22:02.639
<v Speaker 1>s A and Meg Mormon cs A. Production coordinator Wayna Calderon.

0:22:03.040 --> 0:22:07.160
<v Speaker 1>Recorded at Lantern Audio in Atlanta, Georgia, engineered by Chris

0:22:07.200 --> 0:22:12.280
<v Speaker 1>Gardner Arrows Sound and recording in Ojai, California, engineered by

0:22:12.359 --> 0:22:16.480
<v Speaker 1>Ken Arrows. Twelve Ghosts was created by Nicholas Takoski. Then

0:22:16.560 --> 0:22:18.959
<v Speaker 1>is a production of i Heeart three D Audio and

0:22:19.040 --> 0:22:21.840
<v Speaker 1>Grim and Mild from Aaron Mankey. Learn more about the

0:22:21.880 --> 0:22:24.680
<v Speaker 1>show at Grim and Mild dot com and find more

0:22:24.680 --> 0:22:27.080
<v Speaker 1>podcasts from my heart Radio by visiting the i heart

0:22:27.119 --> 0:22:30.360
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:22:30.359 --> 0:22:31.080
<v Speaker 1>favorite shows.