1 00:00:00,080 --> 00:00:03,760 Speaker 1: M twelve Ghosts is a production of I Heeart three 2 00:00:03,840 --> 00:00:07,039 Speaker 1: D audio and grim and mild from Aaron Banky Headphones. 3 00:00:07,080 --> 00:00:23,960 Speaker 1: Recommended listener discretion advised. Out of the bosom of the air, 4 00:00:24,880 --> 00:00:29,120 Speaker 1: out of the cloud, folds of her garments, shaken over 5 00:00:29,160 --> 00:00:34,920 Speaker 1: the woodland's brown and bear over the harvest fields forsaken, 6 00:00:35,760 --> 00:01:10,480 Speaker 1: silent and soft and slow, descends the snow. But we 7 00:01:10,600 --> 00:01:20,240 Speaker 1: are warm here inside. Who are you? I'm the innkeeper, now, Annabel, 8 00:01:21,319 --> 00:01:31,360 Speaker 1: who are you? More wine? I think the Romans called 9 00:01:31,400 --> 00:01:36,000 Speaker 1: this conditum paradox um, and it was a bitter brew, 10 00:01:36,800 --> 00:01:41,920 Speaker 1: but it fortified the soul all the same, warmed the body, relaxed, 11 00:01:41,959 --> 00:01:49,920 Speaker 1: the mind, loosened the tongue. Over time, recipes changed based 12 00:01:49,920 --> 00:01:53,840 Speaker 1: on what was available, and eventually, praise all that is good. 13 00:01:54,560 --> 00:02:00,040 Speaker 1: It became palatable. But it doesn't matter, does it. The 14 00:02:00,080 --> 00:02:03,560 Speaker 1: spirit is still the same. So to speak. We fill 15 00:02:03,600 --> 00:02:09,359 Speaker 1: ourselves with the warming spices and alcohol courses through our veins, 16 00:02:10,120 --> 00:02:12,920 Speaker 1: and for a little while at least we forget the 17 00:02:12,960 --> 00:02:19,480 Speaker 1: cold wind rattling the windows. M Look at the time, 18 00:02:19,720 --> 00:02:25,200 Speaker 1: will you? Oh? We should be expecting our next guest 19 00:02:25,360 --> 00:02:39,720 Speaker 1: right about huh, Well, pardon me, won't you good evening traveler. 20 00:02:39,960 --> 00:02:52,760 Speaker 1: I've been expecting you come in. I was, I don't remember. 21 00:02:53,960 --> 00:03:03,000 Speaker 1: It's so fine. Please sit. This is Annabelle. Hello. We 22 00:03:03,000 --> 00:03:06,000 Speaker 1: were just having a nice warm cup of mulled wine. 23 00:03:06,680 --> 00:03:09,760 Speaker 1: Would you like to join us knock a little of 24 00:03:09,840 --> 00:03:18,680 Speaker 1: the chill off your bones? Yes? Yes, thank you. Annabelle 25 00:03:18,680 --> 00:03:22,280 Speaker 1: and I were just discussing the history of drunkenness of 26 00:03:22,480 --> 00:03:32,920 Speaker 1: in a warmth. Here join us. Thank you. Something troubles you? Noel? 27 00:03:34,720 --> 00:03:38,600 Speaker 1: Have we met? We've not, but I've read your name 28 00:03:38,680 --> 00:03:44,200 Speaker 1: in my ledger earlier. Oh what is it that weighs 29 00:03:44,360 --> 00:03:52,680 Speaker 1: on your mind? I have a question, please, How does 30 00:03:52,800 --> 00:04:00,800 Speaker 1: one know if they've encountered something supernatural? Are are signs 31 00:04:02,800 --> 00:04:07,920 Speaker 1: spectral symptoms? Or are we ready made with just some 32 00:04:09,680 --> 00:04:14,000 Speaker 1: base human instinct where we can like smell the lack 33 00:04:14,080 --> 00:04:24,680 Speaker 1: of blood in their hollow little veins. I can't smell anything. 34 00:04:27,880 --> 00:04:32,960 Speaker 1: Have you ever been to Homer, Alaska? Folks call it 35 00:04:33,520 --> 00:04:38,560 Speaker 1: the end of the road. One way in, one way out, 36 00:04:40,160 --> 00:04:43,920 Speaker 1: and you have to really try to get there. You 37 00:04:43,960 --> 00:04:48,599 Speaker 1: don't just stumble upon it blindly. You have to seek 38 00:04:48,640 --> 00:04:52,000 Speaker 1: out the finite ends of things in this world. There 39 00:04:52,040 --> 00:04:55,200 Speaker 1: aren't many of them. And Homer is one of those few. 40 00:04:57,920 --> 00:05:02,440 Speaker 1: The town looks like a postcar it mountain back drops 41 00:05:02,640 --> 00:05:06,960 Speaker 1: nestled right up against the sea. Thousands are small and 42 00:05:07,000 --> 00:05:11,599 Speaker 1: candy colored. The air feels like cold nourishment, and I 43 00:05:11,760 --> 00:05:15,760 Speaker 1: see snake nuzzling your lungs, reminding you of the life 44 00:05:15,839 --> 00:05:20,880 Speaker 1: somersaulting through your body. If there's a heaven, it looks 45 00:05:20,920 --> 00:05:27,400 Speaker 1: like Homer. It's a small town, beautiful but small, just 46 00:05:27,520 --> 00:05:32,359 Speaker 1: over five thousand residents. Now, five thousand sounds like a 47 00:05:32,400 --> 00:05:37,279 Speaker 1: big number until you realize that you know everything there 48 00:05:37,440 --> 00:05:40,760 Speaker 1: is to know about each and every one of your neighbors. 49 00:05:41,440 --> 00:05:45,560 Speaker 1: Which ones are cheating with which other ones, who's hiding 50 00:05:45,600 --> 00:05:50,039 Speaker 1: their drinking problem, who's not hiding their drinking problem, and 51 00:05:50,120 --> 00:05:53,599 Speaker 1: which ones came all the way to some tiny village 52 00:05:53,640 --> 00:05:56,400 Speaker 1: to start a new life where no one would come looking. 53 00:05:56,960 --> 00:06:01,000 Speaker 1: Now that last one, that's most of them. No shame 54 00:06:01,040 --> 00:06:05,160 Speaker 1: in it. I believe most people think about disappearing at 55 00:06:05,200 --> 00:06:08,560 Speaker 1: one point or another, leaving all of your possessions and 56 00:06:08,640 --> 00:06:12,479 Speaker 1: loved ones behind. The Residents of Homer were just brave 57 00:06:12,600 --> 00:06:16,360 Speaker 1: enough to pull the trigger and actually do it. You've 58 00:06:16,360 --> 00:06:20,119 Speaker 1: thought about doing it too, haven't you? Or you're thinking 59 00:06:20,160 --> 00:06:25,640 Speaker 1: about it now, at least just you alone, staring down 60 00:06:25,720 --> 00:06:34,440 Speaker 1: the end of the road. M HM. I used to 61 00:06:34,440 --> 00:06:38,360 Speaker 1: work the overnight shift at the Sheriff's Office rookie officer, 62 00:06:38,600 --> 00:06:41,840 Speaker 1: which in this sense means I was essentially a glorified 63 00:06:42,000 --> 00:06:46,680 Speaker 1: night porter. In all my time there, not one person 64 00:06:46,800 --> 00:06:51,880 Speaker 1: had ever been brought in late night. So naturally it 65 00:06:52,000 --> 00:06:55,159 Speaker 1: took me off guard when I found a stranger in 66 00:06:55,200 --> 00:06:58,480 Speaker 1: the holding cell halfway through my shift on a blustery 67 00:06:58,560 --> 00:07:02,039 Speaker 1: Tuesday evening, Dan, I'm near scared the iron right out 68 00:07:02,040 --> 00:07:05,599 Speaker 1: of my blood. No clue how long he had been 69 00:07:05,600 --> 00:07:08,480 Speaker 1: in there. There was no intake paperwork, no note from 70 00:07:08,520 --> 00:07:15,640 Speaker 1: the previous guard, just a sallow husk of an older man, gaunt, 71 00:07:15,960 --> 00:07:19,760 Speaker 1: his face patchy and red, chewed raw by the cracked 72 00:07:19,800 --> 00:07:25,440 Speaker 1: teeth of Alaskan winter air. He was thoroughly dehydrated, his 73 00:07:25,520 --> 00:07:28,200 Speaker 1: muscles and veins popping from his frame like a failed 74 00:07:28,320 --> 00:07:32,240 Speaker 1: escape Trapped to his body by only the worn elasticity 75 00:07:32,240 --> 00:07:37,600 Speaker 1: of his paper skin. The man was haggard, chased by 76 00:07:37,600 --> 00:07:42,880 Speaker 1: a massive debt of sleep. His eyes were open, though 77 00:07:43,960 --> 00:07:48,120 Speaker 1: yellow and bloodshot, as they were tracking my movements. As 78 00:07:48,160 --> 00:07:51,800 Speaker 1: I stepped closer to peer into his cell like he 79 00:07:51,920 --> 00:07:57,800 Speaker 1: was some diseased animal and a roadside zoo. I thought 80 00:07:58,000 --> 00:08:02,800 Speaker 1: it was a simple enough question, jen what's your name? 81 00:08:04,720 --> 00:08:08,320 Speaker 1: The man blinked at me, a whirlpool of delirium behind 82 00:08:08,400 --> 00:08:15,120 Speaker 1: his eyes. He opened his mouth, moved his lips around 83 00:08:15,120 --> 00:08:19,200 Speaker 1: a series of words, but soundlessly, like someone had put 84 00:08:19,240 --> 00:08:23,440 Speaker 1: the old bastard right on mute. Most unsettling thing I'd 85 00:08:23,440 --> 00:08:30,760 Speaker 1: ever seen at that stage of the night. Anyway, I repeated, sir, 86 00:08:31,440 --> 00:08:36,240 Speaker 1: what is your name? And there he went, moving his 87 00:08:36,360 --> 00:08:39,600 Speaker 1: mouth again. But this time I thought maybe I could 88 00:08:39,600 --> 00:08:43,720 Speaker 1: hear something buzzing deep in his gullet, like a tiny 89 00:08:43,760 --> 00:08:48,800 Speaker 1: faction of bees. I'm having a little trouble hearing you, 90 00:08:49,840 --> 00:08:56,319 Speaker 1: I said, Can you come a little closer? He stood, 91 00:08:57,760 --> 00:09:01,080 Speaker 1: wavering on his feet and shuffle toreward to the bars 92 00:09:01,120 --> 00:09:03,800 Speaker 1: of the cell. I planned my feet firm and pulled 93 00:09:03,800 --> 00:09:06,920 Speaker 1: my shoulders back. I'm not a big woman, but I've 94 00:09:07,000 --> 00:09:10,720 Speaker 1: learned how to fake stature in my time. I asked 95 00:09:10,760 --> 00:09:13,680 Speaker 1: him a third time, can you tell me your name? 96 00:09:15,559 --> 00:09:19,320 Speaker 1: This time I could confirm the man was indeed speaking. 97 00:09:20,360 --> 00:09:23,040 Speaker 1: He sounded like a recording of a recording put on 98 00:09:23,080 --> 00:09:26,560 Speaker 1: the lowest volume setting. And trapped in a tin can, 99 00:09:32,760 --> 00:09:38,160 Speaker 1: he said. His lips continued crawling around the shape of 100 00:09:38,200 --> 00:09:40,959 Speaker 1: his words long after the sentence fell from his mouth, 101 00:09:41,520 --> 00:09:45,760 Speaker 1: like a poorly dubbed movie, and then he jerked a 102 00:09:45,800 --> 00:09:48,320 Speaker 1: purple hand into his multi jeans pocket and pulled out 103 00:09:48,880 --> 00:09:55,559 Speaker 1: his wallet for me. I d red Kyle Gibbert, Los Angeles, California. 104 00:09:56,559 --> 00:09:58,880 Speaker 1: I told old Kyle he was quite a ways from home, 105 00:09:59,280 --> 00:10:03,520 Speaker 1: and in that staticy, faraway voice, he simply repeated, I 106 00:10:11,720 --> 00:10:14,280 Speaker 1: mean no offense to our host, but this wine tastes 107 00:10:14,280 --> 00:10:16,480 Speaker 1: like the forgotten dreams of a used up band aid. 108 00:10:16,600 --> 00:10:21,000 Speaker 1: It's weak as hell. You water it down. Oh, I 109 00:10:21,040 --> 00:10:27,199 Speaker 1: would never, but go on. I could probably stand to 110 00:10:27,280 --> 00:10:35,040 Speaker 1: drink more water anyways, So I put Mr Gilbert into 111 00:10:35,040 --> 00:10:39,440 Speaker 1: our database. Turns out he'd been missing since and was 112 00:10:39,480 --> 00:10:44,120 Speaker 1: officially pronounced dead seven years later. Funny thing. The man 113 00:10:44,200 --> 00:10:47,360 Speaker 1: prowling around in that cell like a feral animal only 114 00:10:47,480 --> 00:10:51,120 Speaker 1: looked half dead to me. But this wasn't the first 115 00:10:51,120 --> 00:10:54,480 Speaker 1: time someone new showed up in Homer to disappear. So 116 00:10:55,000 --> 00:10:59,679 Speaker 1: I ran a full background check. No jobs, no residences, 117 00:11:00,120 --> 00:11:04,120 Speaker 1: no taxes, paid nothing at all to indicate that Kyle 118 00:11:04,160 --> 00:11:07,120 Speaker 1: Gilbert should be standing here in front of me, sucking 119 00:11:07,160 --> 00:11:09,560 Speaker 1: in the air that was intended only for the living. 120 00:11:11,000 --> 00:11:14,040 Speaker 1: I asked if he went by any other aliases, but 121 00:11:14,160 --> 00:11:20,240 Speaker 1: through that same thick, mismatched static, he wheezed again. I 122 00:11:20,559 --> 00:11:35,920 Speaker 1: just need to waste m hm. So I did the 123 00:11:35,960 --> 00:11:40,120 Speaker 1: next logical thing. I called his estranged wife in the 124 00:11:40,120 --> 00:11:43,480 Speaker 1: middle of the night, woke her plumb up and asked, 125 00:11:44,440 --> 00:11:48,240 Speaker 1: Mrs Gilbert, I swear to God, you never heard the 126 00:11:48,280 --> 00:11:51,880 Speaker 1: grog drop from somebody's voice faster in your life. Set 127 00:11:51,920 --> 00:11:55,920 Speaker 1: me straighter than spider silk. Mrs Gilbert made it very 128 00:11:55,920 --> 00:11:58,840 Speaker 1: clear that she did not go by that name anymore. 129 00:11:59,679 --> 00:12:02,680 Speaker 1: I older that I had Kyle with me, thirty miles 130 00:12:02,679 --> 00:12:05,000 Speaker 1: away in a dinky, little drunk tank at the end 131 00:12:05,000 --> 00:12:11,360 Speaker 1: of the road. Kyle, my Kayle, she asked. I checked 132 00:12:11,360 --> 00:12:15,400 Speaker 1: the idea again. The little picture showed a healthy young man, 133 00:12:15,840 --> 00:12:19,920 Speaker 1: handsome by some standards, life coursing through his cheeks and 134 00:12:20,200 --> 00:12:24,960 Speaker 1: hanging plump around his face and neck. This thing in 135 00:12:25,000 --> 00:12:28,520 Speaker 1: the cage across from me bore no resemblance. But before 136 00:12:28,559 --> 00:12:31,120 Speaker 1: I could say so, the woman on the line told 137 00:12:31,160 --> 00:12:33,360 Speaker 1: me she had long since made peace with the death 138 00:12:33,400 --> 00:12:36,319 Speaker 1: of her husband, and she'd take legal action if harassment 139 00:12:36,360 --> 00:12:39,000 Speaker 1: of this nature were to continue, and even if he 140 00:12:39,040 --> 00:12:42,800 Speaker 1: were alive, she didn't want him no more. She was done, 141 00:12:43,120 --> 00:12:49,480 Speaker 1: moved on, remarried and all and then click, she was gone, 142 00:12:50,720 --> 00:12:57,040 Speaker 1: and Kyle Gibbert was fully my problem. A saggy gray 143 00:12:57,080 --> 00:12:59,480 Speaker 1: holding cell ain't no proper place to get a good 144 00:12:59,559 --> 00:13:03,199 Speaker 1: night's eap. I knew nobody else would be coming in 145 00:13:03,240 --> 00:13:05,520 Speaker 1: that night, and I knew what it's like to turn 146 00:13:05,640 --> 00:13:08,240 Speaker 1: up brand new for the first day in a fresh life. 147 00:13:09,720 --> 00:13:14,920 Speaker 1: Second chances are everything. We don't judge or ask questions. 148 00:13:14,920 --> 00:13:17,680 Speaker 1: And Homer, you want to wander out of your Los 149 00:13:17,720 --> 00:13:21,400 Speaker 1: Angeles apartment, disappear off the face of the earth, convinced 150 00:13:21,400 --> 00:13:24,000 Speaker 1: the world you're dead, then show up nearly ten years later, 151 00:13:24,080 --> 00:13:26,800 Speaker 1: ready to start all over. Well, I suppose I'm going 152 00:13:26,840 --> 00:13:29,120 Speaker 1: to give you a warm bed to sleep in that night, 153 00:13:29,160 --> 00:13:30,760 Speaker 1: and a hot cup of coffee in the morning to 154 00:13:30,800 --> 00:13:34,199 Speaker 1: get you on your way. It's the neighborly thing to do. 155 00:13:38,720 --> 00:13:42,320 Speaker 1: The world looked different walking beside Kyle on the way 156 00:13:42,360 --> 00:13:47,000 Speaker 1: back to my home. I remember thinking, maybe I just 157 00:13:47,040 --> 00:13:51,680 Speaker 1: never really paid attention to the world. At night, Those 158 00:13:51,720 --> 00:13:56,240 Speaker 1: candy colored houses dulled to mute shades of their daytime glory. 159 00:13:56,280 --> 00:14:00,440 Speaker 1: In the shadows. I could feel the wind sawing at 160 00:14:00,480 --> 00:14:02,880 Speaker 1: the tip of my nose, but couldn't hear it's normally 161 00:14:02,920 --> 00:14:08,640 Speaker 1: persistent whale, and the snow that dripped from the sky 162 00:14:08,920 --> 00:14:13,480 Speaker 1: white crystall line fluffs during the day smeared like ash 163 00:14:13,520 --> 00:14:18,840 Speaker 1: on my fingertips under the moon's two tone pallor. Kyle's 164 00:14:18,920 --> 00:14:23,480 Speaker 1: mouth moved wordlessly as we walked, a steady drone of 165 00:14:23,520 --> 00:14:29,160 Speaker 1: static buzzing from his windpipe. At one point he threw 166 00:14:29,200 --> 00:14:33,600 Speaker 1: his head back, mouth wide, his throat undulating with the 167 00:14:33,600 --> 00:14:42,000 Speaker 1: heft of a screeching, feedback laden belly laugh. He quieted 168 00:14:42,720 --> 00:14:52,360 Speaker 1: contemn wide smile on his sunken, cracked face. I lived 169 00:14:52,400 --> 00:14:57,480 Speaker 1: alone in a cozy one bedroom. A rookie sheriff's salary 170 00:14:57,600 --> 00:15:00,080 Speaker 1: doesn't buy any much, but what I had suited me 171 00:15:00,320 --> 00:15:05,240 Speaker 1: just fine. Besides, the overstuffed couch stationed in my living 172 00:15:05,320 --> 00:15:07,760 Speaker 1: room had seen its share of wayward visitors, and it's 173 00:15:07,800 --> 00:15:13,240 Speaker 1: time never once with any complaint. I layered the cushions 174 00:15:13,280 --> 00:15:17,480 Speaker 1: a thousand blankets deep and fluffed my finest down pillows 175 00:15:17,600 --> 00:15:22,080 Speaker 1: for my guest. But Kyle stood frozen in the door 176 00:15:22,080 --> 00:15:28,760 Speaker 1: frame flickering underneath the faulty porch light. I took him 177 00:15:28,760 --> 00:15:36,280 Speaker 1: by the hand to lead him inside, cold, his fingers 178 00:15:36,440 --> 00:15:39,440 Speaker 1: rigid like they had snap under the pressure of my 179 00:15:39,520 --> 00:15:46,640 Speaker 1: gentlest touch. The winters are harsh and home. Come on, 180 00:15:47,920 --> 00:15:52,960 Speaker 1: let's get you to sleep, I whispered to Kyle. I 181 00:15:53,440 --> 00:16:02,800 Speaker 1: just me to rest, to spell. He crackled. The chill 182 00:16:02,920 --> 00:16:07,520 Speaker 1: of the next morning woke me earlier than usual. I 183 00:16:07,600 --> 00:16:10,120 Speaker 1: thought the pilot light must have gone out at some 184 00:16:10,200 --> 00:16:14,240 Speaker 1: point in the middle of the night. I bowled on 185 00:16:14,320 --> 00:16:17,800 Speaker 1: my thickest robe and warmest house shoes, hoping that the 186 00:16:17,960 --> 00:16:21,000 Speaker 1: veritable sauna I'd created out of blankets had been enough 187 00:16:21,040 --> 00:16:25,600 Speaker 1: to keep Kyle Gibert warm on the couch that to 188 00:16:25,680 --> 00:16:30,960 Speaker 1: no one's real surprise, Kyle wasn't there. The blankets were 189 00:16:30,960 --> 00:16:37,520 Speaker 1: pulled tight and ducked in, completely undisturbed aside from their wetness, 190 00:16:39,360 --> 00:16:42,760 Speaker 1: damp and freezing cold like, Kyle was nothing but a 191 00:16:42,760 --> 00:16:45,440 Speaker 1: man shaped block of ice that had melted right through 192 00:16:45,480 --> 00:17:00,320 Speaker 1: the sofa into the floorboards, absorbed into earth itself. Mh. 193 00:17:05,240 --> 00:17:09,679 Speaker 1: I didn't go back to work after that, never called 194 00:17:09,720 --> 00:17:14,320 Speaker 1: in or gave any notice. I just walked right past 195 00:17:14,359 --> 00:17:21,080 Speaker 1: the sheriff station, and kept on walking. They call Homer 196 00:17:22,160 --> 00:17:27,760 Speaker 1: the end of the road. One way in, one way out. 197 00:17:29,520 --> 00:17:32,920 Speaker 1: I never tried walking past the end of the road 198 00:17:33,000 --> 00:17:40,720 Speaker 1: before until that next day. The sky was overcast, blinding white, 199 00:17:41,720 --> 00:17:46,920 Speaker 1: perfectly camouflaged against a new layer of fresh snow, impossible 200 00:17:46,920 --> 00:17:49,399 Speaker 1: to tell where the ground ended and the sky began. 201 00:17:49,560 --> 00:17:54,200 Speaker 1: And then in all that whiteness, night fell, and everything 202 00:17:54,280 --> 00:18:02,399 Speaker 1: blotted out into an inky abyss there and then nothing. 203 00:18:04,160 --> 00:18:09,760 Speaker 1: There was something, the buzzing of a tiny faction of 204 00:18:09,880 --> 00:18:18,240 Speaker 1: best Kyle Gilbert's feedback laden laughter. And there were others too, 205 00:18:19,320 --> 00:18:25,000 Speaker 1: Recordings of recordings of droning, indecipherable whisper spattered through the dark, 206 00:18:25,280 --> 00:18:29,520 Speaker 1: static e siren songs for me to follow. So I did, 207 00:18:32,640 --> 00:18:38,960 Speaker 1: and then well you know where this is going, sparked 208 00:18:38,960 --> 00:18:41,520 Speaker 1: from the void. There was suddenly a beacon of light, 209 00:18:42,359 --> 00:18:46,920 Speaker 1: of flickering orange flame through thick tempered glass windows and 210 00:18:47,080 --> 00:19:02,280 Speaker 1: olden you all hunkered down inside. Oh yeah, I have 211 00:19:02,600 --> 00:19:05,280 Speaker 1: to say, it's been so nice meeting all of you. 212 00:19:06,680 --> 00:19:09,480 Speaker 1: I'm sorry, I think the Knight's caught up with me 213 00:19:09,600 --> 00:19:18,640 Speaker 1: all of a sudden. I'm who's so tired? That's all right, though, 214 00:19:20,600 --> 00:19:26,920 Speaker 1: I'll be better. I just need to rest a spell. 215 00:19:29,480 --> 00:19:34,520 Speaker 1: You've come a very very long way, Noel, and it 216 00:19:34,680 --> 00:19:37,959 Speaker 1: just so happens that you've arrived at the very best 217 00:19:38,000 --> 00:19:45,520 Speaker 1: place to rest. Yes, good, I happen to have here 218 00:19:45,880 --> 00:19:52,720 Speaker 1: a beautiful key, simple brass, polished to shine, an older key, 219 00:19:52,920 --> 00:19:57,800 Speaker 1: hollow barrel, and baroque bow, one of my favorites. It 220 00:19:57,880 --> 00:20:01,680 Speaker 1: belongs to a door on the second all the second 221 00:20:01,760 --> 00:20:05,760 Speaker 1: door on the left. On the other side is the 222 00:20:05,920 --> 00:20:09,920 Speaker 1: very thing that you have come to find. I'll give 223 00:20:09,960 --> 00:20:15,320 Speaker 1: it to you. I hope that it will suffice. Thank you. 224 00:20:17,119 --> 00:20:30,119 Speaker 1: Go now, Noel, good night, good night? Ah Now where 225 00:20:30,160 --> 00:20:33,719 Speaker 1: were we? Oh? The wine? We were talking about the wine, 226 00:20:34,320 --> 00:20:39,000 Speaker 1: and before that you were going to tell me your story? 227 00:20:40,680 --> 00:20:46,640 Speaker 1: Was I I do believe so I don't recall agreeing 228 00:20:46,680 --> 00:20:53,560 Speaker 1: to that. Oh well, I must be mistaken. But the 229 00:20:53,720 --> 00:20:57,600 Speaker 1: night is long, Annabelle, and there is more than enough time. 230 00:20:59,560 --> 00:21:22,760 Speaker 1: The True Out Twelve Ghosts, starring Malcolm McDowell as the 231 00:21:22,840 --> 00:21:27,760 Speaker 1: Innkeeper and Gina Rikiki as Annabelle. Episode two, rest a 232 00:21:27,840 --> 00:21:32,399 Speaker 1: Spell written by Zoe Cooper with additional writing by Nicholas Takowski, 233 00:21:32,920 --> 00:21:36,879 Speaker 1: editing by Chris Childs and Stephen Perez featuring Suhila E. 234 00:21:37,080 --> 00:21:41,760 Speaker 1: Young as Noel. Directed by Nicholas Takowski. Original score and 235 00:21:41,880 --> 00:21:47,280 Speaker 1: sound design by Chris Childs. Executive producers Aaron Mankey, Matt Frederick, 236 00:21:47,400 --> 00:21:53,560 Speaker 1: Alexander Williams and Nicholas Takowski. Supervising producer Josh Stain. Producers 237 00:21:53,640 --> 00:21:57,960 Speaker 1: Chris Child's and Stephen Perez. Casting by Sunday Bowling c 238 00:21:58,200 --> 00:22:02,639 Speaker 1: s A and Meg Mormon cs A. Production coordinator Wayna Calderon. 239 00:22:03,040 --> 00:22:07,160 Speaker 1: Recorded at Lantern Audio in Atlanta, Georgia, engineered by Chris 240 00:22:07,200 --> 00:22:12,280 Speaker 1: Gardner Arrows Sound and recording in Ojai, California, engineered by 241 00:22:12,359 --> 00:22:16,480 Speaker 1: Ken Arrows. Twelve Ghosts was created by Nicholas Takoski. Then 242 00:22:16,560 --> 00:22:18,959 Speaker 1: is a production of i Heeart three D Audio and 243 00:22:19,040 --> 00:22:21,840 Speaker 1: Grim and Mild from Aaron Mankey. Learn more about the 244 00:22:21,880 --> 00:22:24,680 Speaker 1: show at Grim and Mild dot com and find more 245 00:22:24,680 --> 00:22:27,080 Speaker 1: podcasts from my heart Radio by visiting the i heart 246 00:22:27,119 --> 00:22:30,360 Speaker 1: Radio app, Apple Podcasts, or wherever you listen to your 247 00:22:30,359 --> 00:22:31,080 Speaker 1: favorite shows.