1
00:00:03,400 --> 00:00:10,760
Speaker 1: With Jenny Garth and Tori spelling. Okay, you guys, we're

2
00:00:10,800 --> 00:00:13,640
Speaker 1: back with another nine O two and oh what is

3
00:00:13,640 --> 00:00:21,759
Speaker 1: it called? Nine O two one? Sorry, we're so excited

4
00:00:21,800 --> 00:00:28,080
Speaker 1: to be here, mostly because Dori's wearing an eyepatch today.

5
00:00:28,280 --> 00:00:33,440
Speaker 1: Look at me in my good eye, see you what happened?

6
00:00:34,120 --> 00:00:36,600
Speaker 1: It's so silly. She got so mad at me. Okay,

7
00:00:36,640 --> 00:00:43,600
Speaker 1: so it's my fault. I did this to myself, right exactly. Um. So,

8
00:00:43,720 --> 00:00:47,559
Speaker 1: I have contacts, but I wear daily ones and at

9
00:00:47,600 --> 00:00:50,000
Speaker 1: the end of the day, kid, whatever, I can make

10
00:00:50,000 --> 00:00:52,360
Speaker 1: all excuses I want. I don't take them out. I

11
00:00:52,360 --> 00:00:54,560
Speaker 1: sleep in them and it's not healthy. And you're supposed

12
00:00:54,560 --> 00:00:58,920
Speaker 1: to change How many days? How many days have you

13
00:00:58,960 --> 00:01:05,600
Speaker 1: ever worn a day eye contact? Okay? Oh gosh, you

14
00:01:05,680 --> 00:01:09,720
Speaker 1: have to be honest. Everyone, guess on your scorecard. Okay,

15
00:01:08,680 --> 00:01:18,000
Speaker 1: I don't have mine, but I'm gonna say seven seven days.

16
00:01:18,240 --> 00:01:20,760
Speaker 1: That's a guess. I guess. Is it wrong? I thought

17
00:01:20,800 --> 00:01:24,440
Speaker 1: for sure you would know you better than that. It

18
00:01:24,760 --> 00:01:30,199
Speaker 1: made me like seven weeks. Oh gosh, No, not seven weeks.

19
00:01:30,200 --> 00:01:36,319
Speaker 1: I'm exaggerating, But I've been known to go maybe twenty days.

20
00:01:36,400 --> 00:01:39,759
Speaker 1: I know, I know, I know you guys, it's shaming.

21
00:01:40,080 --> 00:01:43,080
Speaker 1: I tell my eye doctor, I'm totally transparent to you.

22
00:01:45,200 --> 00:01:47,760
Speaker 1: So anyway, when this so, I got an eye alcar,

23
00:01:47,960 --> 00:01:51,200
Speaker 1: I got an ulcer on my left eye, and and

24
00:01:51,360 --> 00:01:54,680
Speaker 1: she said, if you were younger like you, you're first

25
00:01:54,680 --> 00:01:56,560
Speaker 1: of all, she said, you're lucky to get away with it,

26
00:01:57,520 --> 00:02:00,480
Speaker 1: considering what you do to your eye, um for this long.

27
00:02:00,760 --> 00:02:03,040
Speaker 1: And she said, when our eyes are younger, they can

28
00:02:03,200 --> 00:02:05,600
Speaker 1: take things like this, when kids are in college and

29
00:02:05,600 --> 00:02:09,200
Speaker 1: they sleep in them and you know, la la, it's fine.

30
00:02:09,320 --> 00:02:11,960
Speaker 1: But at our age. And I was like, well, you

31
00:02:12,000 --> 00:02:15,079
Speaker 1: mean my age, because you're way younger than me at

32
00:02:15,120 --> 00:02:17,680
Speaker 1: forty nine. Yes, you're right, I probably can't do this.

33
00:02:17,800 --> 00:02:21,600
Speaker 1: So I'm going to switch to thirty day ones when

34
00:02:21,639 --> 00:02:26,120
Speaker 1: this heals A good idea, Yeah, right, do you think

35
00:02:26,160 --> 00:02:29,399
Speaker 1: I'll take those out at thirty days? Let's hope. I'll

36
00:02:29,400 --> 00:02:32,520
Speaker 1: set a reminder on your calendar. What is it? What's

37
00:02:32,560 --> 00:02:36,160
Speaker 1: an eye ulcer? It's a divot. It's like a clap

38
00:02:36,400 --> 00:02:39,680
Speaker 1: on your eyeball, like it's a divot like your eye.

39
00:02:39,720 --> 00:02:42,800
Speaker 1: It's cut. It's like a cut like indentation, like slit,

40
00:02:43,480 --> 00:02:46,400
Speaker 1: like it hurts, it oods so bad. It's better now,

41
00:02:47,520 --> 00:02:50,040
Speaker 1: but you're still wearing an eye patch, which is crazy

42
00:02:50,040 --> 00:02:52,680
Speaker 1: because you text me. I said, how's the eye and

43
00:02:52,760 --> 00:02:56,000
Speaker 1: you said it's it's hard to do things with one eye.

44
00:02:56,200 --> 00:02:59,920
Speaker 1: So what did I do? I try to, I try

45
00:03:00,040 --> 00:03:03,079
Speaker 1: to be like you did you and I was, well,

46
00:03:03,080 --> 00:03:05,440
Speaker 1: it wasn't the greatest timing because I was getting on

47
00:03:05,480 --> 00:03:07,799
Speaker 1: the freeway in the pouring rain and I was driving,

48
00:03:07,800 --> 00:03:09,280
Speaker 1: and that's when it occurred to me to try it.

49
00:03:09,480 --> 00:03:16,440
Speaker 1: So it's real. I've lost one eye. I can't lose you. What. Yeah,

50
00:03:16,480 --> 00:03:22,079
Speaker 1: it's really hard. I have empathy for you. One eye. Oh,

51
00:03:22,240 --> 00:03:24,160
Speaker 1: one eye tour. How long do you have to have

52
00:03:24,200 --> 00:03:29,960
Speaker 1: that patch? They said, eyes are remarkable, seven to ten days.

53
00:03:30,120 --> 00:03:34,840
Speaker 1: It totally like you. Wow, Like, yes, I got lucky

54
00:03:34,840 --> 00:03:37,120
Speaker 1: this time. Not gonna take it for granted. My eyes

55
00:03:37,280 --> 00:03:40,680
Speaker 1: like that. It's huge and to I mean, forget work,

56
00:03:40,760 --> 00:03:44,280
Speaker 1: But to mom with one eye not okay, because moms

57
00:03:44,360 --> 00:03:47,480
Speaker 1: have to literally hear and see everything happening at one

58
00:03:47,480 --> 00:03:51,160
Speaker 1: time and I cannot, and a child has to take

59
00:03:51,200 --> 00:03:55,680
Speaker 1: me around literally like I design I have a designated

60
00:03:55,840 --> 00:03:58,760
Speaker 1: seeing eye child. Oh much, I know. I think you

61
00:03:58,800 --> 00:04:02,680
Speaker 1: said you can't drive right? No, Stella is my emotional

62
00:04:02,840 --> 00:04:06,040
Speaker 1: support child. Perfect. Now at least you have a title

63
00:04:06,080 --> 00:04:10,080
Speaker 1: for her. Can you show her? I didn't do that before,

64
00:04:10,200 --> 00:04:14,760
Speaker 1: but yeah, of course I can shower. Yes, I can shower.

65
00:04:14,800 --> 00:04:20,400
Speaker 1: Oh gosh. Okay. So at least you made it through

66
00:04:20,480 --> 00:04:23,760
Speaker 1: nineties con before the ulcer, because that would have been

67
00:04:23,800 --> 00:04:27,680
Speaker 1: a bummer. I'm glad your other eye still looks pretty.

68
00:04:27,880 --> 00:04:29,720
Speaker 1: I want to make a little pirate joke, but I'm

69
00:04:29,760 --> 00:04:32,120
Speaker 1: not going to. Oh oh do it? Do it? R.

70
00:04:34,000 --> 00:04:36,440
Speaker 1: So I had to go to an event that I

71
00:04:36,480 --> 00:04:38,400
Speaker 1: was committed to for a friend the other night, and

72
00:04:38,440 --> 00:04:40,719
Speaker 1: everyone said don't go, you can't do it, and I said,

73
00:04:40,760 --> 00:04:44,160
Speaker 1: I'm just gonna go. So I wore a pink patch

74
00:04:44,760 --> 00:04:48,200
Speaker 1: and bedazzled to match the outfit she wanted me to wear.

75
00:04:48,279 --> 00:04:51,520
Speaker 1: And I walked in and some girl goes, oh, what

76
00:04:51,640 --> 00:04:54,480
Speaker 1: do you have pink eye? And I was like, not funny,

77
00:04:54,520 --> 00:04:58,560
Speaker 1: that's not funny. No, there's no stink in mind. You

78
00:04:58,640 --> 00:05:01,360
Speaker 1: had pink eye by lit early had pink eye. But

79
00:05:01,480 --> 00:05:03,719
Speaker 1: I was like, I have an ulcer, and I was

80
00:05:03,720 --> 00:05:08,400
Speaker 1: like that sounds gross. I have a scratch cornea. Oh

81
00:05:08,480 --> 00:05:11,599
Speaker 1: sorry girl, Thanks, Okay, I love you guys. Okay, let's

82
00:05:11,600 --> 00:05:17,800
Speaker 1: go from Eyes to Hearts. Who's heart? Oh breaker? Heartbreaker? Heartbreaker?

83
00:05:18,440 --> 00:05:22,159
Speaker 1: Would you like that? Saker? No, No, I don't know

84
00:05:22,240 --> 00:05:28,080
Speaker 1: that's a song. Okay, we're talking. Yeah, yeah, we are

85
00:05:28,200 --> 00:05:33,400
Speaker 1: talking about Season four, episode eighteen, Heartbreaker, Air January twenty six,

86
00:05:33,560 --> 00:05:38,719
Speaker 1: nineteen ninety four. Synopsis. Andrea comes clean to Jesse, David

87
00:05:38,800 --> 00:05:42,120
Speaker 1: comes clean to Donna. Nat has a heart attack and

88
00:05:42,279 --> 00:05:45,000
Speaker 1: could lose the peach pit, while Brandon is at risk

89
00:05:45,080 --> 00:05:49,360
Speaker 1: of losing a major opportunity to help a friend. It's

90
00:05:49,480 --> 00:05:53,479
Speaker 1: extra sad this episode. This episode's all like all the

91
00:05:53,600 --> 00:05:57,840
Speaker 1: emo stuff, right, Brandon's got a heart attack, Andrea, Andrea

92
00:05:57,880 --> 00:06:02,479
Speaker 1: is getting an abortion. I can't believe you just said, Andrea.

93
00:06:02,760 --> 00:06:05,000
Speaker 1: I know. Wow, I need to really get my head

94
00:06:05,040 --> 00:06:11,039
Speaker 1: in the game right focus, make you guys feel sad.

95
00:06:11,880 --> 00:06:17,679
Speaker 1: This was a really sad episode for many reasons. But yeah,

96
00:06:17,839 --> 00:06:20,720
Speaker 1: we're there more read than that. Yeah, I don't know.

97
00:06:20,960 --> 00:06:24,719
Speaker 1: Sad that David save sad that David's back on the meth.

98
00:06:25,480 --> 00:06:27,360
Speaker 1: Let's go through it and then I'll tell you when

99
00:06:27,400 --> 00:06:33,679
Speaker 1: my emotions would. Yeah, it was very sad because Nat

100
00:06:34,560 --> 00:06:38,200
Speaker 1: isn't alive anymore, so it was just extra like and

101
00:06:39,680 --> 00:06:43,120
Speaker 1: hospital and Luke and let's go through it and we'll

102
00:06:43,160 --> 00:06:47,520
Speaker 1: get to it. Well. First, suddenly missus Walsh is going

103
00:06:47,560 --> 00:06:50,200
Speaker 1: to college. Oh my god, I was so happy to

104
00:06:50,279 --> 00:06:54,280
Speaker 1: hear this news. Finally this woman has something to do

105
00:06:54,520 --> 00:07:01,400
Speaker 1: because that's cook food, you know what. You guys totally that.

106
00:07:01,480 --> 00:07:03,800
Speaker 1: I wonder whose note that was that They were like, okay,

107
00:07:03,839 --> 00:07:07,720
Speaker 1: we're gonna give her this. Imagine the bone. It does

108
00:07:07,960 --> 00:07:11,600
Speaker 1: level up the episodes when y'all are together, because like,

109
00:07:11,680 --> 00:07:14,520
Speaker 1: right out the gate, we had a scene with everybody

110
00:07:15,360 --> 00:07:17,480
Speaker 1: where we hadn't had that in the last episode. So

111
00:07:17,520 --> 00:07:19,640
Speaker 1: it is so nice when you all are together. It

112
00:07:19,720 --> 00:07:25,520
Speaker 1: is it's beautiful. But was there who was on okay

113
00:07:25,600 --> 00:07:28,400
Speaker 1: wait at this point, who was on the staff ep

114
00:07:29,040 --> 00:07:32,480
Speaker 1: writers that a female was like, excuse me, missus Walsh

115
00:07:32,560 --> 00:07:36,360
Speaker 1: needs to do something and have a brain. Probably Jessica

116
00:07:36,520 --> 00:07:39,720
Speaker 1: hopefully to say. This was directed by Paul Schneider and

117
00:07:39,800 --> 00:07:44,800
Speaker 1: written by Chip Johansson. Sorry, guys, okay, carry on. Yeah,

118
00:07:44,800 --> 00:07:46,760
Speaker 1: I just I liked right from the start that y'all

119
00:07:46,760 --> 00:07:49,040
Speaker 1: are in the scene right away. But Siddy's going to

120
00:07:49,120 --> 00:07:51,440
Speaker 1: be a therapist, right She's going to school to become

121
00:07:51,480 --> 00:07:55,800
Speaker 1: a therapist, which is weird. She's really a therapist and

122
00:07:55,920 --> 00:08:00,520
Speaker 1: realizes it's like art immitating life, life immitating art. Do

123
00:08:00,520 --> 00:08:04,800
Speaker 1: you think she got the idea from this? No? Did

124
00:08:04,840 --> 00:08:08,680
Speaker 1: you remember this? I didn't remember this. I didn't remember

125
00:08:08,720 --> 00:08:11,480
Speaker 1: this at all. No, but but this episode was yeah,

126
00:08:11,680 --> 00:08:19,840
Speaker 1: really serious of psychiatrists match your lips and your glasses. Sorry, sorry,

127
00:08:19,880 --> 00:08:23,360
Speaker 1: I'm girl crushing on you right now, therapist representatives. Brandon's

128
00:08:23,400 --> 00:08:25,840
Speaker 1: going to be a big politician now, so this is

129
00:08:25,840 --> 00:08:30,440
Speaker 1: the beginning climb to fame. What do you mean you

130
00:08:30,440 --> 00:08:32,160
Speaker 1: don't know? Is it ties? You don't like the ties?

131
00:08:32,800 --> 00:08:35,280
Speaker 1: Do you know that? I could tell? I could tell

132
00:08:35,360 --> 00:08:41,320
Speaker 1: with your one eye. It's exactly it. Sorry, does anyone

133
00:08:41,320 --> 00:08:43,959
Speaker 1: else bother that David keeps calling his therapist or shrink?

134
00:08:44,160 --> 00:08:47,600
Speaker 1: It's like that was so of I back then, that's

135
00:08:47,600 --> 00:08:50,880
Speaker 1: what everyone said. But it's like, I don't know made

136
00:08:50,880 --> 00:08:52,600
Speaker 1: it? It It dated it a little bit, Yeah I did.

137
00:09:05,000 --> 00:09:06,760
Speaker 1: Do you guys want to talk about something I really

138
00:09:06,760 --> 00:09:09,000
Speaker 1: need to talk about? Yeah? Yeah, and then I'll go

139
00:09:09,080 --> 00:09:16,079
Speaker 1: through all my questions. You go, Jenny the beret? Mad

140
00:09:16,120 --> 00:09:19,600
Speaker 1: at it? What is? Why? Why is he still wearing

141
00:09:19,640 --> 00:09:23,000
Speaker 1: the beret? Is that like a I'm addicted to meth? Choice?

142
00:09:23,040 --> 00:09:25,960
Speaker 1: Like it's a choice. Yeah, you only wear is it

143
00:09:25,960 --> 00:09:29,520
Speaker 1: when he's doing the meth? I think yeah, like yeah,

144
00:09:29,559 --> 00:09:33,839
Speaker 1: like druggies or like like an got to keep the

145
00:09:33,880 --> 00:09:37,959
Speaker 1: hair out of his eyes. Yeah, not clean cut. He's

146
00:09:38,040 --> 00:09:40,480
Speaker 1: off the drugs. He's back on the drugs. He thought.

147
00:09:40,679 --> 00:09:43,120
Speaker 1: I thought for sure this was gonna be like, oh,

148
00:09:43,200 --> 00:09:46,200
Speaker 1: he had a you know, a meth problem for a

149
00:09:46,240 --> 00:09:48,800
Speaker 1: few weeks and then all of a sudden he was fixed.

150
00:09:48,800 --> 00:09:50,080
Speaker 1: I thought that was the end of it, when he

151
00:09:50,120 --> 00:09:52,760
Speaker 1: was talking to Donna and everything was gonna be fine,

152
00:09:52,760 --> 00:09:54,920
Speaker 1: and then what does he do. He goes and steals

153
00:09:54,920 --> 00:09:58,199
Speaker 1: some more myth. But I gotta say I was upset.

154
00:09:59,360 --> 00:10:03,280
Speaker 1: I mean, I it to be to end him be okay.

155
00:10:03,440 --> 00:10:05,439
Speaker 1: But I was also like, oh, nine h two and

156
00:10:05,520 --> 00:10:08,200
Speaker 1: now typical tying it up. So I was happy that

157
00:10:08,280 --> 00:10:12,160
Speaker 1: it's like that's not reality. Okay, good, Like yeah, people

158
00:10:12,200 --> 00:10:14,960
Speaker 1: don't just go okay, I'm fine now. But I was

159
00:10:15,120 --> 00:10:17,280
Speaker 1: for the same reasons. I was like, okay, good, it's

160
00:10:17,280 --> 00:10:19,959
Speaker 1: a little more realistic. At the same time, I was like, oh,

161
00:10:20,000 --> 00:10:22,439
Speaker 1: I'm so sick of the storyline. So what David to

162
00:10:22,520 --> 00:10:27,400
Speaker 1: be on methodnymore? Yeah, I like that missus Martin sent

163
00:10:27,440 --> 00:10:32,120
Speaker 1: you guys the yoga tape and half offran off brand,

164
00:10:33,000 --> 00:10:38,800
Speaker 1: totally off brand, but halftag relatable. Kelly's last Jenny's boxers.

165
00:10:40,559 --> 00:10:42,280
Speaker 1: Do you remember when you like got it? I mean

166
00:10:42,440 --> 00:10:45,520
Speaker 1: everyone back then, we all wore sort of those way

167
00:10:45,520 --> 00:10:50,560
Speaker 1: too big of boxers, man's boxers. It's funny because I

168
00:10:50,760 --> 00:10:53,520
Speaker 1: just watched this last night, but I told my daughters

169
00:10:53,600 --> 00:10:57,079
Speaker 1: two nights ago about how we used to wear boxers,

170
00:10:57,120 --> 00:11:00,760
Speaker 1: and they're like like actual boys boxers or boy shorts.

171
00:11:00,840 --> 00:11:02,920
Speaker 1: I'm like, no, no no, no, we didn't have boy shorts

172
00:11:02,960 --> 00:11:06,760
Speaker 1: back then. We would take men's boxers, roll them and

173
00:11:06,800 --> 00:11:09,440
Speaker 1: where and them was sleeping. It was like pajamas. And

174
00:11:09,520 --> 00:11:12,040
Speaker 1: now my kids did that hole went through that hole

175
00:11:12,160 --> 00:11:16,120
Speaker 1: where in the underwear, the men's underwear. It was really cozy.

176
00:11:16,160 --> 00:11:18,520
Speaker 1: I'm gonna go back. I swear we wore into school

177
00:11:18,679 --> 00:11:22,840
Speaker 1: like not white, like kind of I had like little

178
00:11:22,920 --> 00:11:26,600
Speaker 1: cheaters on under it. If you noticed that he like

179
00:11:26,679 --> 00:11:29,520
Speaker 1: a like a boy short. I had a under the

180
00:11:29,520 --> 00:11:32,000
Speaker 1: box in my boxer. Oh so we didn't see any

181
00:11:32,080 --> 00:11:35,760
Speaker 1: like peak peak, no peaky. Did you guys notice when

182
00:11:35,760 --> 00:11:38,000
Speaker 1: I got up to leave the room, there was like

183
00:11:38,040 --> 00:11:43,720
Speaker 1: a loud clunk and you can see me grab my hip. No, no,

184
00:11:43,760 --> 00:11:47,040
Speaker 1: I feel like that was my bones cracking. Is that

185
00:11:47,120 --> 00:11:50,000
Speaker 1: where it started? Where it started? Oh my god, the

186
00:11:50,080 --> 00:11:52,480
Speaker 1: hip I hear. I hear a click when I stood

187
00:11:52,559 --> 00:11:55,640
Speaker 1: up and I walked out, and you could, oh, was

188
00:11:55,720 --> 00:12:01,040
Speaker 1: this nineteen ninety four? Wait? Whoa teen ninety four? We

189
00:12:01,160 --> 00:12:04,840
Speaker 1: just figured out when her hit problem started. Okay, I

190
00:12:04,920 --> 00:12:07,040
Speaker 1: need to rewatch that because I did notice you're like

191
00:12:07,480 --> 00:12:10,640
Speaker 1: underwear under the boxers, because that you saw like a

192
00:12:10,720 --> 00:12:13,760
Speaker 1: quick little shot of him, but I did not hear it,

193
00:12:13,800 --> 00:12:16,720
Speaker 1: and I feel like we need to go back totally.

194
00:12:16,800 --> 00:12:19,920
Speaker 1: It sound and you're like, wait, what was that? Oh

195
00:12:20,520 --> 00:12:22,480
Speaker 1: my god? We need to try and see if we

196
00:12:22,520 --> 00:12:25,360
Speaker 1: can hear it. I knew something was coming though. I

197
00:12:25,440 --> 00:12:28,120
Speaker 1: knew something was coming with coming down the pike when

198
00:12:28,320 --> 00:12:32,760
Speaker 1: when Jayson, no, Brandon and Dylan were sitting there watching

199
00:12:32,880 --> 00:12:35,560
Speaker 1: NAT like, I was like, oh, no, why are they

200
00:12:35,600 --> 00:12:37,600
Speaker 1: doing that. It's gonna fall down, something bad's gonna happen.

201
00:12:37,679 --> 00:12:41,080
Speaker 1: And then yeah, that was bad happened. And I did

202
00:12:41,120 --> 00:12:44,880
Speaker 1: love how they went to action, like those two are

203
00:12:44,880 --> 00:12:47,520
Speaker 1: the do gooders of the world, Like come on one

204
00:12:47,559 --> 00:12:49,320
Speaker 1: one and he's like, I'm with nine one one and

205
00:12:49,320 --> 00:12:52,079
Speaker 1: then like it's boom and then they're like ready go.

206
00:12:53,640 --> 00:12:56,199
Speaker 1: I was like, these guys are freaking firemen right now

207
00:12:56,240 --> 00:12:59,040
Speaker 1: they're You're happy that they were showing how to do CPR,

208
00:12:59,120 --> 00:13:01,800
Speaker 1: although I have things to say about that. Why do

209
00:13:01,840 --> 00:13:04,800
Speaker 1: you feel like they didn't do it right? Or now

210
00:13:04,880 --> 00:13:07,160
Speaker 1: they did a great job. Okay, so they obviously have

211
00:13:07,280 --> 00:13:11,000
Speaker 1: some come in train. And I thought it was good

212
00:13:11,040 --> 00:13:15,080
Speaker 1: that we were showing people out there how to take

213
00:13:15,120 --> 00:13:18,240
Speaker 1: action in a situation like that. But things have changed,

214
00:13:18,880 --> 00:13:21,400
Speaker 1: and yeah, you don't do the blowing now you don't

215
00:13:21,600 --> 00:13:26,360
Speaker 1: know for CPR, which is you know when someone's heart stops. Yep.

216
00:13:27,400 --> 00:13:29,960
Speaker 1: You don't have to do mouth to mouth resuscitation anymore.

217
00:13:30,480 --> 00:13:34,480
Speaker 1: You just have to do a hundred times a minute.

218
00:13:35,160 --> 00:13:38,720
Speaker 1: And it's don't you sing the begs, You sing the

219
00:13:39,160 --> 00:13:42,920
Speaker 1: song stay alive, stand alone. If that comes to you

220
00:13:42,960 --> 00:13:45,280
Speaker 1: in that moment, go ahead and sing it. I don't

221
00:13:45,280 --> 00:13:48,120
Speaker 1: know if that's going to work for me, but but

222
00:13:48,280 --> 00:13:51,000
Speaker 1: I just think that's really interesting. All I could think

223
00:13:51,000 --> 00:13:54,200
Speaker 1: of is, well, everyone should have been like, oh my god,

224
00:13:54,280 --> 00:13:59,040
Speaker 1: what's happening. I felt like people across America were like,

225
00:14:00,000 --> 00:14:03,480
Speaker 1: I wish Luke Perry ak Dylan would give me mouth

226
00:14:03,600 --> 00:14:08,320
Speaker 1: to mouth. That's all they were thinking. Am I wrong? Wrong?

227
00:14:09,800 --> 00:14:12,200
Speaker 1: It was a little distracting. I have to be honest,

228
00:14:12,200 --> 00:14:18,240
Speaker 1: because he really went full and I saw some spittle

229
00:14:18,280 --> 00:14:23,240
Speaker 1: here and I was like, yeah, but they were very close,

230
00:14:23,840 --> 00:14:27,280
Speaker 1: so it's okay, yeah, yeah, and they saved his life. Yeah,

231
00:14:27,360 --> 00:14:29,440
Speaker 1: but that's what they say. That's one of the major

232
00:14:29,480 --> 00:14:32,720
Speaker 1: reasons why it's not necessary. They're teaching now to do

233
00:14:32,800 --> 00:14:37,400
Speaker 1: CPR with just the chess compressions because so often people

234
00:14:37,720 --> 00:14:41,720
Speaker 1: don't want to give a stranger mouth to mouth. Right, So,

235
00:14:42,520 --> 00:14:44,280
Speaker 1: now that they've done a lot of research on it,

236
00:14:44,360 --> 00:14:46,840
Speaker 1: they have decided that it's fine to not do mouth

237
00:14:46,880 --> 00:14:50,200
Speaker 1: to mouth, just do the heart the chess compressions. But

238
00:14:50,400 --> 00:14:54,880
Speaker 1: it also people will stop doing the compressions, and right

239
00:14:55,160 --> 00:14:58,680
Speaker 1: they can't. You can't lose those seconds of hussions. You

240
00:14:58,680 --> 00:15:01,000
Speaker 1: got to keep the compressions until some help comes there.

241
00:15:01,520 --> 00:15:06,280
Speaker 1: This was informative, so nine o two and taught lessons,

242
00:15:06,280 --> 00:15:09,440
Speaker 1: OMG teaching lessons. Think you Jenny Garth when it comes

243
00:15:09,440 --> 00:15:13,400
Speaker 1: to her health, I got you shut Now. You skip

244
00:15:13,480 --> 00:15:17,000
Speaker 1: over one important thing, and that right before that scene

245
00:15:17,040 --> 00:15:20,760
Speaker 1: was when Andrea asks Kelly if she's ever had an

246
00:15:20,760 --> 00:15:25,080
Speaker 1: abortion and tells her she's pregnant. Yeah, so that was

247
00:15:25,240 --> 00:15:30,000
Speaker 1: sort of major and major that she's even considering an abortion.

248
00:15:30,560 --> 00:15:33,680
Speaker 1: I would never have thought that, just being honest, she's

249
00:15:33,840 --> 00:15:37,280
Speaker 1: you know, she's got her whole. She's in this position.

250
00:15:37,400 --> 00:15:41,280
Speaker 1: She feels like she's alone. She doesn't you know, it's

251
00:15:41,320 --> 00:15:44,760
Speaker 1: a new relationship with Jesse. She doesn't know how solid

252
00:15:44,840 --> 00:15:47,400
Speaker 1: that is, and she's got a lot of hopes and dreams.

253
00:15:47,440 --> 00:15:51,960
Speaker 1: Like you know, she's always been the one that's like Harvard,

254
00:15:52,560 --> 00:15:54,840
Speaker 1: Da da da. She's ready to go with her life.

255
00:15:56,520 --> 00:16:02,520
Speaker 1: I know. But yes, I didn't see it for the character.

256
00:16:02,640 --> 00:16:05,880
Speaker 1: I mean, maybe it's because she's Jewish and like Jewish guilt.

257
00:16:07,080 --> 00:16:13,000
Speaker 1: Can we even say that I'm Jewish the guilt? See it? Yeah? So, uh,

258
00:16:14,000 --> 00:16:17,800
Speaker 1: I don't know. It doesn't track Aunt Audrea character wise.

259
00:16:18,800 --> 00:16:23,400
Speaker 1: I don't think she would have gotten pregnant. Ah she

260
00:16:23,480 --> 00:16:27,400
Speaker 1: said one time, yeah, one time without protection. But she

261
00:16:27,640 --> 00:16:31,840
Speaker 1: You're right, she is so not that person. Pretty anal.

262
00:16:32,200 --> 00:16:35,360
Speaker 1: I don't know that she would have done the one time. Well,

263
00:16:35,400 --> 00:16:37,520
Speaker 1: if it had been anal, she wouldn't be pregnant. But

264
00:16:37,800 --> 00:16:44,120
Speaker 1: I walked walked right out? Did he really did? I

265
00:16:44,320 --> 00:16:48,000
Speaker 1: felt for her. I also think though she I don't

266
00:16:48,000 --> 00:16:50,040
Speaker 1: know that it totally tracks with the character because I

267
00:16:50,080 --> 00:16:53,080
Speaker 1: actually think she would have gone to Jesse first right

268
00:16:53,120 --> 00:16:56,560
Speaker 1: away and told him what was going on. But I

269
00:16:56,600 --> 00:17:00,280
Speaker 1: don't know. I love seeing her and Kelly to gather.

270
00:17:00,360 --> 00:17:03,600
Speaker 1: I love that it really, I don't know, warm my heart.

271
00:17:04,320 --> 00:17:07,480
Speaker 1: Kelly's like the go to person for the meth addiction

272
00:17:07,760 --> 00:17:11,840
Speaker 1: of everything questions. Jeez, maybe she should be a therapist.

273
00:17:11,920 --> 00:17:16,480
Speaker 1: Oh wait, no, oh the show we don't speak about.

274
00:17:16,760 --> 00:17:20,560
Speaker 1: Yeah she does, yeah, counselor yeah. So okay, So back

275
00:17:20,600 --> 00:17:24,000
Speaker 1: to Nat. It was very sweet at the hospital Brandon.

276
00:17:24,400 --> 00:17:27,040
Speaker 1: Brandon's such a son to him and holding hands and

277
00:17:27,320 --> 00:17:29,920
Speaker 1: so concerned and you know, wants to make sure they're

278
00:17:29,920 --> 00:17:32,240
Speaker 1: not giving up the peach. But like that was a

279
00:17:32,280 --> 00:17:40,200
Speaker 1: good storyline. It was. Yeah, it was very moving. Were

280
00:17:40,200 --> 00:17:43,760
Speaker 1: you bored? I do think it's interesting that does Jim

281
00:17:43,840 --> 00:17:48,879
Speaker 1: can manage everyone's money in the entire town? Yeah? Because gently,

282
00:17:50,080 --> 00:17:53,840
Speaker 1: uh no, who's the brother? What's the brother? Yeah, Joey.

283
00:17:54,280 --> 00:17:59,399
Speaker 1: Yeah that's weird because Joey talked confusing Uh so NAT's

284
00:17:59,400 --> 00:18:03,000
Speaker 1: brother Joe he went to you're saying he went to

285
00:18:03,119 --> 00:18:07,639
Speaker 1: Jim for financial advice. Everyone goes to Jim. Jim is

286
00:18:07,720 --> 00:18:11,439
Speaker 1: like the town accountant or money. And I don't know

287
00:18:11,480 --> 00:18:14,200
Speaker 1: what Jim's exact title is. You gotta keep it tight,

288
00:18:14,200 --> 00:18:16,399
Speaker 1: you gotta have everybody has to go to somebody in

289
00:18:16,440 --> 00:18:20,200
Speaker 1: the cast for all information needed. Because do they pay

290
00:18:20,280 --> 00:18:23,679
Speaker 1: him though, or it's a freebee. I bet you they

291
00:18:23,720 --> 00:18:27,000
Speaker 1: pay him. I'm for certain Dylan pays him. Maybe Jim

292
00:18:27,000 --> 00:18:30,520
Speaker 1: does his taxes for like, you know, the peach pit.

293
00:18:31,119 --> 00:18:33,119
Speaker 1: That's how I think the walls she's got the Beach

294
00:18:33,160 --> 00:18:37,120
Speaker 1: Club membership was from all the h extra money they're

295
00:18:37,200 --> 00:18:42,800
Speaker 1: rking and doing everybody's money. Well, he's very good at it.

296
00:18:42,840 --> 00:18:48,359
Speaker 1: I just like to say, yeah, you love him. Okay.

297
00:18:48,800 --> 00:18:50,960
Speaker 1: First of all, though, another thing that I thought was

298
00:18:51,040 --> 00:18:55,040
Speaker 1: kind of amazing. So as Andrea is kind of grappling

299
00:18:55,080 --> 00:18:58,240
Speaker 1: with all this, then Jesse tells her about the clerkship

300
00:18:58,560 --> 00:19:02,560
Speaker 1: he got away Bacco Bacco back when she comes into

301
00:19:02,640 --> 00:19:05,320
Speaker 1: the scene to tell him the first one she walks

302
00:19:05,400 --> 00:19:09,480
Speaker 1: up and to tell him about the the the thing,

303
00:19:09,560 --> 00:19:10,919
Speaker 1: and he's like, oh my gosh, I have to tell

304
00:19:10,920 --> 00:19:14,520
Speaker 1: you something. Did you notice her choker was really really crooked? No,

305
00:19:15,160 --> 00:19:19,000
Speaker 1: when the belly you were looking at that back. I mean,

306
00:19:19,000 --> 00:19:20,840
Speaker 1: we don't even have to talk about that anymore. It's

307
00:19:20,880 --> 00:19:25,000
Speaker 1: there totally. When she walks in her black cute little choker,

308
00:19:25,160 --> 00:19:28,320
Speaker 1: is like this, oh no, and then then and then

309
00:19:28,359 --> 00:19:30,040
Speaker 1: they cut away and then they come back and it's

310
00:19:30,080 --> 00:19:34,040
Speaker 1: like this man too distracted by her just holding a

311
00:19:34,040 --> 00:19:37,639
Speaker 1: piece of paper, just so always holding a piece of paper.

312
00:19:37,680 --> 00:19:40,160
Speaker 1: I was like annoyed. It was like shadowed on Jesse,

313
00:19:40,520 --> 00:19:43,240
Speaker 1: like on his like over. I was like, yeah, I was.

314
00:19:43,280 --> 00:19:46,800
Speaker 1: I want to say about Jesse. He's hot, Yeah, cute.

315
00:19:47,560 --> 00:19:50,560
Speaker 1: I kind of like so like man handles her with

316
00:19:50,680 --> 00:19:54,240
Speaker 1: his hand, grabs her face head face and ship like.

317
00:19:54,320 --> 00:19:58,040
Speaker 1: I like it. Yeah, I liked it too. I wish

318
00:19:58,080 --> 00:20:01,239
Speaker 1: I had seen this stuff before when we've had our

319
00:20:01,280 --> 00:20:03,840
Speaker 1: interview with him, I would have been a little more interested.

320
00:20:05,160 --> 00:20:07,200
Speaker 1: Love that he says he's going to be the first

321
00:20:07,280 --> 00:20:12,280
Speaker 1: Latino Supreme Court justice, which he wasn't. But guess who

322
00:20:12,640 --> 00:20:17,960
Speaker 1: is sonya so to mayor, So we do have the

323
00:20:18,000 --> 00:20:22,600
Speaker 1: first Latina Supreme Court justice because Jesse led the way.

324
00:20:22,200 --> 00:20:28,160
Speaker 1: That's why. That's right, suggested it into the universe and

325
00:20:28,200 --> 00:20:33,040
Speaker 1: there we go. But she doesn't tell him, so we

326
00:20:33,119 --> 00:20:35,800
Speaker 1: kind of have that sort of a she didn't tell him,

327
00:20:35,800 --> 00:20:38,440
Speaker 1: and then she does go over to the apartment later

328
00:20:38,560 --> 00:20:41,199
Speaker 1: with the piece of paper and the wait, I have

329
00:20:41,240 --> 00:20:45,120
Speaker 1: a question. So san Francisco. Here we go, San Francisco again.

330
00:20:45,160 --> 00:20:50,399
Speaker 1: Everyone loves San Francisco. Um so they at this point

331
00:20:50,440 --> 00:20:57,040
Speaker 1: we're already thinking bye, they're gone. Yeah right, Andrea and

332
00:20:57,160 --> 00:21:00,520
Speaker 1: Jesse Off. I mean I feel like he would have

333
00:21:00,560 --> 00:21:07,960
Speaker 1: gotten a job here. Why they're like, what they actually moved? Complicated? Where?

334
00:21:07,960 --> 00:21:12,360
Speaker 1: She doesn't want to tell, But Amy, they move? Is that? Where?

335
00:21:14,040 --> 00:21:19,439
Speaker 1: Where did they move? Wait? They move? What? Not? For

336
00:21:19,520 --> 00:21:21,960
Speaker 1: a bit, you didn't hear a word. I said, cover

337
00:21:22,040 --> 00:21:24,360
Speaker 1: your ears? Where did you move? I want to hold

338
00:21:24,359 --> 00:21:26,439
Speaker 1: the baby? What do you mean they move? What? You

339
00:21:26,480 --> 00:21:29,040
Speaker 1: hold the baby? When Andrea leaves the show, she has

340
00:21:29,080 --> 00:21:32,600
Speaker 1: a notion, don't tell her where do they go? I

341
00:21:32,640 --> 00:21:36,159
Speaker 1: don't remember that. Actually I don't believe you. Oh, Amy,

342
00:21:36,280 --> 00:21:41,280
Speaker 1: you're a filthy liar. You know everything? They come back? Yeah,

343
00:21:41,560 --> 00:21:43,720
Speaker 1: that's in the contract, you come back once a year,

344
00:21:44,520 --> 00:21:48,040
Speaker 1: keeping nice. So you want to get the weird silly

345
00:21:48,119 --> 00:21:52,359
Speaker 1: bit of Steve filling in on the radio show, and

346
00:21:53,119 --> 00:21:54,760
Speaker 1: did you love it? I feel like it could have

347
00:21:54,840 --> 00:21:59,440
Speaker 1: gone further. He's so funny. I wish it was. Yeah,

348
00:21:59,480 --> 00:22:02,359
Speaker 1: I felt like he was underused in that, yes, because

349
00:22:02,359 --> 00:22:06,400
Speaker 1: I got excited. Yeah yeah, I'm wearing lace panties too,

350
00:22:07,400 --> 00:22:09,840
Speaker 1: But he didn't do any of it. Was like, ha ha,

351
00:22:10,440 --> 00:22:19,960
Speaker 1: hijinks six sex or whatever. Of course hilarious. Also, that

352
00:22:20,160 --> 00:22:22,800
Speaker 1: is the VA Hospital. So that hospital is right near

353
00:22:22,840 --> 00:22:26,879
Speaker 1: where my apartment is in LA. I'm assuming it is.

354
00:22:27,359 --> 00:22:30,520
Speaker 1: It's the VA Hospital in like the Brentwood West area

355
00:22:30,520 --> 00:22:35,120
Speaker 1: of Los Angeles, so that exterior was legit. And then

356
00:22:35,200 --> 00:22:40,720
Speaker 1: I'm assuming they made a hospital on your ya I know,

357
00:22:41,440 --> 00:22:44,720
Speaker 1: borrowed General Hospitals or something, and they came in with

358
00:22:44,800 --> 00:22:50,320
Speaker 1: that cutout burger that y'all signed. Where is that? Any

359
00:22:50,400 --> 00:22:55,960
Speaker 1: fan out there knows where? That is? Amazing? Oh my god, yes,

360
00:22:57,359 --> 00:23:01,240
Speaker 1: I don't know. But when then Brandon goes home and

361
00:23:01,320 --> 00:23:03,800
Speaker 1: he talks to Brenda and finds out that they're selling

362
00:23:03,840 --> 00:23:06,240
Speaker 1: the peach pit, I was just too distracted to listen

363
00:23:06,280 --> 00:23:08,720
Speaker 1: because he put his big dirty boots right on the

364
00:23:08,760 --> 00:23:12,080
Speaker 1: chair and I was like, where did you grow up?

365
00:23:12,080 --> 00:23:16,800
Speaker 1: A barn didn't didn't bother me. Oh, I'm just like

366
00:23:17,760 --> 00:23:20,399
Speaker 1: so horrified because I'm just like, you know, there's like

367
00:23:21,640 --> 00:23:24,320
Speaker 1: so many germs. I want to be in the hospital.

368
00:23:25,480 --> 00:23:30,720
Speaker 1: Channel so hot in this episode. Oh my gosh. You

369
00:23:30,760 --> 00:23:32,919
Speaker 1: know what else I don't love about the Walsh's house though,

370
00:23:32,920 --> 00:23:36,520
Speaker 1: And I think I've mentioned one other time that stencil

371
00:23:36,600 --> 00:23:44,400
Speaker 1: around the uh we hated it then so nasty? Oh yeah,

372
00:23:44,480 --> 00:24:00,720
Speaker 1: the grapevine or flowers. That was the worst. Brenda didn't

373
00:24:00,720 --> 00:24:02,439
Speaker 1: have much to do in this episode. She was just

374
00:24:02,480 --> 00:24:07,280
Speaker 1: sort of supporting. M Kelly was supporting, Brenda was supporting,

375
00:24:07,400 --> 00:24:10,840
Speaker 1: Donna was supporting. Was mostly a Brandon. Well, Donna does

376
00:24:10,920 --> 00:24:13,080
Speaker 1: have that kiss with David, which I was like, yeah,

377
00:24:13,320 --> 00:24:19,800
Speaker 1: you kiss was interrupted by Steve's record skipping or CD.

378
00:24:20,440 --> 00:24:25,639
Speaker 1: Do you remember that kiss? I do not, And he's like,

379
00:24:25,720 --> 00:24:28,240
Speaker 1: I missed you so much. He seemed like he was

380
00:24:28,280 --> 00:24:31,200
Speaker 1: getting his crap together and then just off the rails. Again,

381
00:24:31,440 --> 00:24:38,040
Speaker 1: probably a good one. We always had good ones, good kissing. Yeah,

382
00:24:38,560 --> 00:24:44,119
Speaker 1: fine line, real fake fine line. Um, but yeah, he

383
00:24:44,280 --> 00:24:46,439
Speaker 1: David went off the rails. He did, You're right with

384
00:24:46,480 --> 00:24:49,239
Speaker 1: that death metal music? What the heck? And did you

385
00:24:49,280 --> 00:24:52,320
Speaker 1: notice that extreme close up when he's taking the drugs.

386
00:24:52,400 --> 00:24:54,280
Speaker 1: It was like he's taken him out of the drawer.

387
00:24:54,320 --> 00:24:57,600
Speaker 1: Then there's just like shot of like this. I like

388
00:24:57,800 --> 00:25:03,720
Speaker 1: that let's all do that. For a second, it looks, oh, no,

389
00:25:03,960 --> 00:25:06,920
Speaker 1: can you not show us that? I please? Oh show

390
00:25:07,000 --> 00:25:10,360
Speaker 1: us the good one? Okay, thanks, And Brenda's all peeved

391
00:25:10,400 --> 00:25:12,840
Speaker 1: about missus Walsh going to school, but then she comes

392
00:25:12,880 --> 00:25:15,160
Speaker 1: around and gets her all the gifts. Yeah, and then

393
00:25:15,280 --> 00:25:20,440
Speaker 1: and then Jim and Brandon are firing there really yelling

394
00:25:20,520 --> 00:25:25,560
Speaker 1: it out. How was a screamer? Wow? They came in

395
00:25:25,640 --> 00:25:31,119
Speaker 1: super hot. Yeah I liked it. Yeah I did not.

396
00:25:31,320 --> 00:25:36,240
Speaker 1: I don't care for yelling. She does it? Like, that's

397
00:25:36,320 --> 00:25:40,960
Speaker 1: kind of that with this episode, right, it's kind of weird.

398
00:25:41,240 --> 00:25:44,119
Speaker 1: But the whole gang, like, yeah, out of the day

399
00:25:44,680 --> 00:25:47,760
Speaker 1: comes in, and what was Brandon gonna do? Is he

400
00:25:47,800 --> 00:25:50,600
Speaker 1: gonna go up and take his shirt? Was it just

401
00:25:50,640 --> 00:25:52,840
Speaker 1: stuck onto the frame? Because he acted like he was

402
00:25:52,880 --> 00:25:55,840
Speaker 1: just gonna peel it off. Don't you have to like

403
00:25:55,880 --> 00:25:59,040
Speaker 1: take the frame down open the frame was retired and

404
00:25:59,080 --> 00:26:02,320
Speaker 1: he's back together of it. Well, he's gonna put it

405
00:26:02,320 --> 00:26:04,000
Speaker 1: on because he's got to run the peach pit now.

406
00:26:04,240 --> 00:26:08,280
Speaker 1: But this will continue this uh whole thing at the

407
00:26:08,280 --> 00:26:11,440
Speaker 1: peach pit back. We're going to see more of that. Yes,

408
00:26:12,000 --> 00:26:20,200
Speaker 1: everybody working there or like no, we're not gonna sell it. No,

409
00:26:20,240 --> 00:26:23,879
Speaker 1: we're not gonna sell it. Not not us, No, hey's

410
00:26:23,880 --> 00:26:27,400
Speaker 1: it on the deal. She's invested. Oh, I did love

411
00:26:27,440 --> 00:26:31,399
Speaker 1: my favorite line? Sorry was um every weight the world

412
00:26:31,440 --> 00:26:39,200
Speaker 1: just loves Brandon. Oh, oh my gosh. And chopsticks? Chopsticks

413
00:26:39,200 --> 00:26:41,920
Speaker 1: in my hair? You did? I didn't had that chin yonn.

414
00:26:42,080 --> 00:26:46,520
Speaker 1: What is the thing gen when it's in the back. Yeah,

415
00:26:46,600 --> 00:26:50,000
Speaker 1: that really real old one, not like a flip it

416
00:26:50,840 --> 00:26:55,040
Speaker 1: old lady one, but two chopsticks stuck in. So maybe

417
00:26:55,040 --> 00:26:57,159
Speaker 1: I was like old lady bombed about that hair, and

418
00:26:57,200 --> 00:26:58,840
Speaker 1: I'm like, we got to spice it up and put

419
00:26:58,920 --> 00:27:02,320
Speaker 1: chopsticks in there. Maybe something to say, it's a good episode.

420
00:27:02,359 --> 00:27:05,120
Speaker 1: I don't have a lot of fashion standouts. I don't

421
00:27:05,119 --> 00:27:07,720
Speaker 1: have a lot, but it was just a good, good,

422
00:27:07,760 --> 00:27:12,359
Speaker 1: clean fun Did you like Brandon's suits in every scene?

423
00:27:12,400 --> 00:27:14,040
Speaker 1: Though they were didn't They look a little large, a

424
00:27:14,040 --> 00:27:16,080
Speaker 1: lot of suits, but they didn't bother me. I mean,

425
00:27:16,080 --> 00:27:19,880
Speaker 1: he's it's not Tom Ford, but it didn't bother me. Yeah,

426
00:27:20,359 --> 00:27:23,480
Speaker 1: more JC pennies than Tom Maybe like young kid like

427
00:27:23,560 --> 00:27:28,920
Speaker 1: can't find the right fit, doesn't bigger suit, We're in

428
00:27:28,960 --> 00:27:32,919
Speaker 1: your aile. Dylan looked thin, tall and thin, not in

429
00:27:32,920 --> 00:27:35,320
Speaker 1: a bad way. He looked like when he comes into

430
00:27:35,320 --> 00:27:38,600
Speaker 1: the peach pit there to you know, with everybody. He's

431
00:27:38,720 --> 00:27:44,280
Speaker 1: very lean, looking good. Yeah, you look great. Yeah, I

432
00:27:44,320 --> 00:27:46,359
Speaker 1: mean it's kind of interesting episode because you're right, I

433
00:27:46,440 --> 00:27:48,399
Speaker 1: didn't have a lot to do, Kelly didn't have a

434
00:27:48,440 --> 00:27:53,800
Speaker 1: lot to do. I have another line I liked, I

435
00:27:53,880 --> 00:27:58,040
Speaker 1: think I'm too Western to be this Eastern that you said, Yeah,

436
00:27:58,160 --> 00:28:04,880
Speaker 1: because you're just you're just a little bit your mom

437
00:28:04,880 --> 00:28:08,960
Speaker 1: makes coffee nervous. Yeah, and then that but I'm bumped. Sure.

438
00:28:09,040 --> 00:28:11,119
Speaker 1: We had a good laugh over it. Yeah, that was

439
00:28:11,160 --> 00:28:13,440
Speaker 1: a good one. The skibook guy really made you realize,

440
00:28:13,440 --> 00:28:18,960
Speaker 1: like you still love David. Yeah, there's just it's kind

441
00:28:19,000 --> 00:28:23,040
Speaker 1: of just a little um little tips in there about

442
00:28:23,080 --> 00:28:25,600
Speaker 1: what I guess. Yeah. Yeah, this is sort of one

443
00:28:25,640 --> 00:28:31,520
Speaker 1: of those episodes getting us to the next seven Oh

444
00:28:31,560 --> 00:28:36,000
Speaker 1: really yeah, Okay. What's interesting is Kathleen is coming quite soon.

445
00:28:37,160 --> 00:28:40,760
Speaker 1: Oh I thought, oh, end of season four. Yeah, I

446
00:28:40,760 --> 00:28:44,080
Speaker 1: think she's maybe even coming in five five episodes. She's

447
00:28:44,120 --> 00:28:48,440
Speaker 1: coming soon. Okay. Yeah, you could got to feel the

448
00:28:48,600 --> 00:28:51,080
Speaker 1: need for that a little bit right now, like you

449
00:28:51,120 --> 00:28:55,680
Speaker 1: feel you there there needs something needs to spice up. Yeah,

450
00:28:55,760 --> 00:28:59,320
Speaker 1: it's kind of very status quo good. But I mean

451
00:28:59,360 --> 00:29:01,600
Speaker 1: the nain very dramatic, so they didn't need a lot

452
00:29:01,640 --> 00:29:04,440
Speaker 1: more than that. But it's kind of an interesting episode. True.

453
00:29:04,440 --> 00:29:07,920
Speaker 1: I had a little emo. I kind of welled up twice, yeah,

454
00:29:08,800 --> 00:29:12,320
Speaker 1: in the in the hospital. And then Andrea had a

455
00:29:12,360 --> 00:29:16,080
Speaker 1: really good scene, a really nice scene with Yes. She

456
00:29:16,200 --> 00:29:18,520
Speaker 1: was great. She was so good in that, and I

457
00:29:18,520 --> 00:29:22,680
Speaker 1: could imagine how real those emotions must have been where

458
00:29:22,720 --> 00:29:24,920
Speaker 1: that was all coming from, because she was pregnant at

459
00:29:24,920 --> 00:29:28,640
Speaker 1: that time, so even to talk about making that decision

460
00:29:28,680 --> 00:29:32,120
Speaker 1: with you know, her baby maybe just made that scene

461
00:29:32,200 --> 00:29:35,800
Speaker 1: really feel raw and real. Jason was really good. He

462
00:29:36,120 --> 00:29:39,720
Speaker 1: was great. And just seeing you know, Joey in the

463
00:29:39,760 --> 00:29:43,000
Speaker 1: hospital and knowing that we've lost him, and been seeing

464
00:29:43,280 --> 00:29:46,400
Speaker 1: Luke there knowing we've lost him, it was just all

465
00:29:46,640 --> 00:29:51,000
Speaker 1: very yeah, hard to watch. You know What's weird For me?

466
00:29:52,240 --> 00:29:58,320
Speaker 1: I get so engrossed in the episode. I'm so enjoying it,

467
00:29:58,440 --> 00:30:02,400
Speaker 1: so watching it, like invested in it that I don't

468
00:30:02,400 --> 00:30:06,640
Speaker 1: even think about that. It's good. I love that because

469
00:30:06,680 --> 00:30:11,600
Speaker 1: that means everyone's doing their jobs, right. Yeah. Yeah, But

470
00:30:11,880 --> 00:30:13,880
Speaker 1: then I when I don't feel think about it, I

471
00:30:13,880 --> 00:30:18,640
Speaker 1: feel guilty for not thinking about it, no, because you're

472
00:30:18,640 --> 00:30:22,280
Speaker 1: into the characters. Yeah, I think that's the whole job.

473
00:30:22,400 --> 00:30:25,080
Speaker 1: Like that's the problem with being like a celebrity, you

474
00:30:25,120 --> 00:30:27,920
Speaker 1: know how, Like when you see I don't know, a

475
00:30:28,000 --> 00:30:31,080
Speaker 1: certain like Jlo or whatever in a movie, if you can't,

476
00:30:31,120 --> 00:30:34,360
Speaker 1: like if you start thinking about like Jlo and Ben Affleck,

477
00:30:34,440 --> 00:30:36,959
Speaker 1: then that's not good, do you know what I mean?

478
00:30:37,000 --> 00:30:40,480
Speaker 1: Because that means you've just taken out of the So

479
00:30:40,560 --> 00:30:43,520
Speaker 1: that shows the quality of nine O two one now

480
00:30:43,600 --> 00:30:46,400
Speaker 1: if you're like in it right along those lines. Like,

481
00:30:46,720 --> 00:30:48,320
Speaker 1: you know what was really hard for me though, was

482
00:30:48,320 --> 00:30:53,400
Speaker 1: at nineties Con when people would come up to take

483
00:30:53,400 --> 00:30:56,320
Speaker 1: a group photo with us and they would bring a

484
00:30:56,640 --> 00:31:01,640
Speaker 1: picture of Luke. Yeah. Every time it would just like

485
00:31:02,200 --> 00:31:06,280
Speaker 1: rip me, like right back to those emotions, and it

486
00:31:06,360 --> 00:31:09,240
Speaker 1: was so hard to pull out of it just to

487
00:31:09,320 --> 00:31:13,040
Speaker 1: smile for the camera. You know. Same, That wasn't fun.

488
00:31:14,600 --> 00:31:18,240
Speaker 1: It's weird how it comes and goes like that, like

489
00:31:18,400 --> 00:31:22,680
Speaker 1: your memories and your your heartache about that sort of thing.

490
00:31:23,160 --> 00:31:28,240
Speaker 1: It's this weird heartbreaker. Yeah, Okay, you guys, you want

491
00:31:28,240 --> 00:31:30,720
Speaker 1: to rate it, it's hard to It's hard to rate

492
00:31:31,560 --> 00:31:35,920
Speaker 1: the episode when you only have one eye but I'll

493
00:31:35,960 --> 00:31:40,160
Speaker 1: do my best. Doris cleaning off last week's for sure.

494
00:31:40,960 --> 00:31:46,560
Speaker 1: Oh gosh, this is hard. I'm yeah, I feel bad

495
00:31:46,560 --> 00:31:51,160
Speaker 1: about my rating, but already that's mine. Oh my gosh,

496
00:31:51,160 --> 00:31:53,800
Speaker 1: we all give it the exact same thing. Seven is

497
00:31:53,800 --> 00:31:58,920
Speaker 1: a good safe number. Okay, good seven seven seven lucky.

498
00:31:59,160 --> 00:32:04,000
Speaker 1: Let's go to vay. Baby, see all for labors of love.

499
00:32:04,720 --> 00:32:09,040
Speaker 1: Favors of love? What labors? So they said, favors of all.

500
00:32:09,080 --> 00:32:12,760
Speaker 1: I was like, what is gonna happen? Oh, labors of love?

501
00:32:12,840 --> 00:32:15,960
Speaker 1: So baby, she goes into labor already, that's what I thought.

502
00:32:16,000 --> 00:32:22,880
Speaker 1: I'm nervous, I think, but yeah, yeah, pretty remember this

503
00:32:24,440 --> 00:32:27,400
Speaker 1: all right, Well everybody watched it. I like this season?

504
00:32:28,840 --> 00:32:36,440
Speaker 1: You do? Yeah? I do? I like it, like it's fine. Yeah.

505
00:32:36,680 --> 00:32:39,720
Speaker 1: I went balls to the wall saying I love college years,

506
00:32:39,800 --> 00:32:43,600
Speaker 1: so it's got to kick it up a notch. But

507
00:32:43,720 --> 00:32:45,520
Speaker 1: I love it. I'm in it. I'm in it. I'm

508
00:32:45,520 --> 00:32:51,160
Speaker 1: sucked in, not wavering, but I'm like, my O, my

509
00:32:51,280 --> 00:32:56,640
Speaker 1: memory is like crazy stuff starts happening. But we're probably

510
00:32:56,760 --> 00:32:59,480
Speaker 1: getting there, right, Yeah, we're getting there. I'll see that.

511
00:33:00,000 --> 00:33:01,920
Speaker 1: What's you know? And I know it to go up

512
00:33:01,960 --> 00:33:04,480
Speaker 1: for you guys, it's like when you first were watching,

513
00:33:04,520 --> 00:33:08,120
Speaker 1: I could see how college years is like good in

514
00:33:08,160 --> 00:33:11,680
Speaker 1: your memory, but rewatching it, I could see how high

515
00:33:11,680 --> 00:33:15,120
Speaker 1: school is really has that special place in your own

516
00:33:15,560 --> 00:33:21,840
Speaker 1: because that's us starting together. That makes sense. Family. Yeah nothing, yeah, yeah,

517
00:33:21,920 --> 00:33:28,080
Speaker 1: nothing will replace that. Yeah yeah, because soon, Look, we can't,

518
00:33:28,240 --> 00:33:32,240
Speaker 1: we can't pretend it's not happening. Soon you do start

519
00:33:32,240 --> 00:33:39,000
Speaker 1: to lose core cattle. No when yeah, no, Well, now

520
00:33:39,120 --> 00:33:44,320
Speaker 1: this season is asked, no, oh, dear, she is she

521
00:33:44,440 --> 00:33:48,080
Speaker 1: Annon is gone at the start of season five and

522
00:33:48,200 --> 00:33:55,360
Speaker 1: Tiffany arrives. Well, that's going to be exciting. I guess indeed.

523
00:33:56,280 --> 00:33:58,320
Speaker 1: I don't. I don't want you. I don't want Brenda

524
00:33:58,360 --> 00:34:00,680
Speaker 1: to leave. No, it's a loss. Do you have to

525
00:34:00,760 --> 00:34:03,960
Speaker 1: talk about that now? It's not that we're let's hand

526
00:34:04,080 --> 00:34:12,799
Speaker 1: on a high note. Yeah, yeah's baby, I'll just lie

527
00:34:12,840 --> 00:34:16,000
Speaker 1: to you for the next ten weeks. That's fine. Thank you,

528
00:34:16,000 --> 00:34:19,239
Speaker 1: You're welcome and like lies. Okay, bye, everybody, have a

529
00:34:19,280 --> 00:34:21,279
Speaker 1: great week. We love you, Love you,