1 00:00:01,000 --> 00:00:04,800 Speaker 1: Look man, oh I see you? Why why? And look 2 00:00:04,840 --> 00:00:13,520 Speaker 1: over there? How is that culture? Yes? Goodness lest culture calling? 3 00:00:13,800 --> 00:00:17,000 Speaker 1: How's it going? Girl? You know what I hoped would 4 00:00:17,000 --> 00:00:18,520 Speaker 1: have worked out by the time we were going to 5 00:00:18,560 --> 00:00:20,520 Speaker 1: record that I was going to be all caught up 6 00:00:20,520 --> 00:00:23,440 Speaker 1: on Mayor of East Town. So the only so you've 7 00:00:23,440 --> 00:00:25,160 Speaker 1: watched four out of the five episode I'm in the 8 00:00:25,200 --> 00:00:30,280 Speaker 1: middle of smack dab in the middle of episode five Illusions, 9 00:00:30,360 --> 00:00:34,080 Speaker 1: which has the internet a buzz in the twist. Don't 10 00:00:34,080 --> 00:00:36,080 Speaker 1: go on the internet. Don't go on the internet because 11 00:00:36,120 --> 00:00:38,120 Speaker 1: it will be ruined for the girl. And what happens 12 00:00:38,120 --> 00:00:41,600 Speaker 1: in the last ten minutes is as they say, peak TV. Okay, 13 00:00:41,720 --> 00:00:44,199 Speaker 1: you know how much I love a twist because I 14 00:00:43,840 --> 00:00:46,040 Speaker 1: have I have said on record that Wrecket Ralph is 15 00:00:46,080 --> 00:00:49,640 Speaker 1: one of the best movies in film history because of 16 00:00:49,680 --> 00:00:52,200 Speaker 1: the twist in that movie. And you never see it coming. 17 00:00:52,440 --> 00:00:55,480 Speaker 1: No wait, you might have to educate a girl. What's 18 00:00:55,520 --> 00:00:58,640 Speaker 1: the twist? And wreck itt Ralph? So okay, and spoiler 19 00:00:58,640 --> 00:01:01,520 Speaker 1: alert for let's just say spoil because you know the readers, 20 00:01:01,600 --> 00:01:03,680 Speaker 1: they come for us. If the readers have not seen 21 00:01:03,720 --> 00:01:06,640 Speaker 1: Record Ralph, you owe it to yourself to see it. 22 00:01:06,880 --> 00:01:08,920 Speaker 1: Run done for the whole fun, for the whole family. 23 00:01:09,760 --> 00:01:12,080 Speaker 1: Don't walk. This is basically the gist of it. So 24 00:01:12,160 --> 00:01:14,320 Speaker 1: it takes place at this arcade, right, and all the 25 00:01:14,360 --> 00:01:18,399 Speaker 1: world's are different arcade, you know, uh, screens, monitors, whatever. 26 00:01:18,640 --> 00:01:22,640 Speaker 1: Absolutely so, then the entire sort of world building and 27 00:01:22,720 --> 00:01:26,959 Speaker 1: the world building in the movie. Everyone keeps referencing this. Um, 28 00:01:27,080 --> 00:01:28,920 Speaker 1: oh gosh, let me look this up. Hold on, hold on, 29 00:01:28,959 --> 00:01:31,880 Speaker 1: hold on, We're not no no no, no, no no, 30 00:01:32,920 --> 00:01:35,640 Speaker 1: the movie that he's so proud of. No, no, no. 31 00:01:36,680 --> 00:01:38,800 Speaker 1: I think there's a twist and record Ralf. I think 32 00:01:38,880 --> 00:01:42,040 Speaker 1: there is a situation that is creative. I think the 33 00:01:42,080 --> 00:01:46,119 Speaker 1: twist is maybe all the video game characters. No no, no, no, 34 00:01:46,160 --> 00:01:48,240 Speaker 1: that's not the twist. Okay, here we're back. Okay, we're back. 35 00:01:48,840 --> 00:01:51,280 Speaker 1: But there's no gonna be no and the whole and 36 00:01:51,320 --> 00:01:56,640 Speaker 1: the whole Like first two acts, I would say they 37 00:01:56,680 --> 00:02:02,160 Speaker 1: reference Going Turbo, which means, um, going rogue in your 38 00:02:02,200 --> 00:02:04,720 Speaker 1: own video game and then demanding to be in another 39 00:02:04,840 --> 00:02:07,400 Speaker 1: video game so that you you sort of like hack 40 00:02:07,600 --> 00:02:09,760 Speaker 1: the video So Turbo was the most popular racing game 41 00:02:09,760 --> 00:02:11,920 Speaker 1: in the eighties, and then another racing game came in 42 00:02:11,919 --> 00:02:16,040 Speaker 1: the nineties and Turbo got jealous, and so then Turbo 43 00:02:16,240 --> 00:02:19,560 Speaker 1: invades the nineties video game and breaks it and then 44 00:02:19,680 --> 00:02:22,560 Speaker 1: Has and then Has is never seen again, and you're like, 45 00:02:22,840 --> 00:02:25,040 Speaker 1: you can't go. You can't go Turbo, you can't hop 46 00:02:25,120 --> 00:02:29,840 Speaker 1: video games. So then you find out in Sarah Silverman's world, 47 00:02:30,440 --> 00:02:33,840 Speaker 1: Sugar Rush, it's a it's a candy based video game, 48 00:02:33,960 --> 00:02:36,000 Speaker 1: and the ruler of that world is King Candy, and 49 00:02:36,120 --> 00:02:39,920 Speaker 1: King Candy hates Vanellope, calls her a glitch, says, you 50 00:02:39,960 --> 00:02:41,919 Speaker 1: know you can't race, you can't race, you can't race. 51 00:02:42,200 --> 00:02:46,960 Speaker 1: Turns out, Venelope, Sarah Silverman's character was the queen of 52 00:02:47,040 --> 00:02:51,799 Speaker 1: Sugar rush Land, and King Candy is actually Turbo, and 53 00:02:51,880 --> 00:02:56,400 Speaker 1: Turbo invaded the game long ago, and it's the way 54 00:02:56,440 --> 00:02:59,320 Speaker 1: that the twist is revealed. The execution of it. I mean, 55 00:02:59,320 --> 00:03:02,480 Speaker 1: it's Alan too giving you an amazing Disney it's Alan Tude, 56 00:03:02,480 --> 00:03:06,000 Speaker 1: It's first Disney villain perform voice acting king, voice actin 57 00:03:06,080 --> 00:03:11,799 Speaker 1: King and true true dime. I must say good ten 58 00:03:11,840 --> 00:03:15,480 Speaker 1: out of yes. And he's not one that gets talked 59 00:03:15,520 --> 00:03:18,760 Speaker 1: about often as we don't. We don't talk about Alan Tuteck. 60 00:03:19,000 --> 00:03:21,239 Speaker 1: You know, they talk about Chris Evans, they talk about 61 00:03:21,320 --> 00:03:23,760 Speaker 1: Chris Pine. They talk about all the chris Is, and 62 00:03:23,800 --> 00:03:26,320 Speaker 1: they don't talk about Alan Tutic And it's actually it's 63 00:03:26,360 --> 00:03:30,040 Speaker 1: rule culture number fifty six. They don't. They talk about 64 00:03:30,440 --> 00:03:36,280 Speaker 1: Alan and smashing Alan tut they don't. And look at 65 00:03:36,520 --> 00:03:38,520 Speaker 1: if you know, if you're unclear on what he looks like. 66 00:03:38,560 --> 00:03:40,960 Speaker 1: Everyone go look at a picture and then try not 67 00:03:41,000 --> 00:03:43,880 Speaker 1: to touch your cock or whatever you got going on 68 00:03:43,920 --> 00:03:46,400 Speaker 1: down there. Okay, but I just want to say so 69 00:03:46,480 --> 00:03:48,840 Speaker 1: for everyone at home that sort of was following that 70 00:03:48,960 --> 00:03:52,200 Speaker 1: long twist of record, Ralph, you know that it's a 71 00:03:52,240 --> 00:03:56,280 Speaker 1: lot simpler and marabast town. Um, I gotta tell you, 72 00:03:56,280 --> 00:03:58,240 Speaker 1: you know how you are like sort of famously always 73 00:03:58,280 --> 00:04:00,640 Speaker 1: at odds with neighbors and people that live around here. 74 00:04:01,680 --> 00:04:03,880 Speaker 1: So I can now join the fray. I have a 75 00:04:03,920 --> 00:04:06,160 Speaker 1: real situation on my hands. You've been in this building, 76 00:04:06,200 --> 00:04:07,800 Speaker 1: you've been in this department for a while now, it's 77 00:04:07,840 --> 00:04:09,800 Speaker 1: it's it's been in this building for a while now. 78 00:04:09,880 --> 00:04:12,720 Speaker 1: I haven't had any problems. Now I have the person 79 00:04:12,800 --> 00:04:17,479 Speaker 1: who's moved above me, blessting at I'm not even kidding. 80 00:04:17,680 --> 00:04:21,320 Speaker 1: To thirty in the morning, Only one song, Only one song, 81 00:04:21,640 --> 00:04:24,840 Speaker 1: Ariana Grande p O V. I love to see me 82 00:04:24,960 --> 00:04:28,560 Speaker 1: from your point of that. And we love that song. 83 00:04:28,640 --> 00:04:30,920 Speaker 1: We love Ari and we congratulate her on her wedding. 84 00:04:31,720 --> 00:04:33,960 Speaker 1: But I don't want to hear this song one more time. 85 00:04:34,000 --> 00:04:36,240 Speaker 1: I'm going up there, I swear to christ It's it's 86 00:04:36,240 --> 00:04:42,400 Speaker 1: at that point. I'm okay, I'll do it ready, Hi, 87 00:04:42,760 --> 00:04:44,680 Speaker 1: it's what do you It's three in the moning I 88 00:04:44,720 --> 00:04:47,320 Speaker 1: live downstairs. I love this song too. I can't hear 89 00:04:47,360 --> 00:04:49,920 Speaker 1: it again. And it's really literally almost three in the morning. 90 00:04:49,960 --> 00:04:51,719 Speaker 1: And I'm so sorry that this is gonna have to 91 00:04:51,720 --> 00:04:54,320 Speaker 1: be my energy. But like it's you, it's so loud, 92 00:04:54,560 --> 00:04:56,719 Speaker 1: you're so right. I'm so sorry. I'm gonna I'm gonna 93 00:04:56,800 --> 00:05:00,040 Speaker 1: keep it down. What's your name? What's your name? I 94 00:05:00,800 --> 00:05:04,080 Speaker 1: love your Wait, No, you're Matt Rogers. I love your podcast. 95 00:05:04,520 --> 00:05:09,440 Speaker 1: Uh no, um no, that's not me. You're you're thinking 96 00:05:09,480 --> 00:05:12,359 Speaker 1: of Bowen Yang. He's a bit. No. I'm going on 97 00:05:12,440 --> 00:05:15,160 Speaker 1: Jim wat right now, and I'm d m M that 98 00:05:15,200 --> 00:05:18,240 Speaker 1: you were a fucking bitch to me, not doom. We 99 00:05:18,279 --> 00:05:20,800 Speaker 1: have to announce something. Matt Rodgers is Jim Wafing who 100 00:05:20,920 --> 00:05:26,839 Speaker 1: cares No, No, he has been sighted everybody. I was 101 00:05:26,880 --> 00:05:29,280 Speaker 1: spotted walking with a nice coffee. There's no better way 102 00:05:29,320 --> 00:05:31,480 Speaker 1: to be spotted. We spotted Matt Rodgers walking with an 103 00:05:31,520 --> 00:05:36,120 Speaker 1: nice coffee across honey. Guess who's praying to accurately be 104 00:05:36,240 --> 00:05:38,680 Speaker 1: spotted on Jim Ont said if someone saying, oh, I 105 00:05:38,720 --> 00:05:42,480 Speaker 1: saw an Asian guy with glasses walking around Madison Square Park, 106 00:05:42,960 --> 00:05:45,080 Speaker 1: I've I have not set foot in that park in 107 00:05:45,480 --> 00:05:47,680 Speaker 1: two years. How many times have they been wrong about 108 00:05:47,720 --> 00:05:50,640 Speaker 1: it being you? Um, I would say, oh, let's say 109 00:05:50,680 --> 00:05:52,920 Speaker 1: it's been five times. Four out of the five times 110 00:05:52,920 --> 00:05:55,520 Speaker 1: they've been wrong. Oh that doesn't feel good. It's not good. 111 00:05:55,520 --> 00:05:57,159 Speaker 1: And then I and then I even like I didn't 112 00:05:57,160 --> 00:05:59,920 Speaker 1: even tag them. There are there are some Caroline cow 113 00:06:00,000 --> 00:06:02,400 Speaker 1: all the Ways ship and they're looking through their indirects 114 00:06:02,520 --> 00:06:04,920 Speaker 1: and being like, oh, this person just talked about Jim 115 00:06:04,920 --> 00:06:06,600 Speaker 1: Wat did not tag them. And then they reached out 116 00:06:06,600 --> 00:06:08,320 Speaker 1: to me and said, oh my god, it's not you, 117 00:06:08,400 --> 00:06:10,600 Speaker 1: and I go, no, usually isn't. And I was like, 118 00:06:10,600 --> 00:06:12,520 Speaker 1: it's not your fault. It's just none of these things 119 00:06:12,520 --> 00:06:15,840 Speaker 1: are verifiable. And then it's just so funny that Jim's 120 00:06:16,240 --> 00:06:19,120 Speaker 1: fucking bio. They say none of what we post is 121 00:06:19,160 --> 00:06:22,240 Speaker 1: ever based in fact. I'm not even that's not I'm 122 00:06:22,240 --> 00:06:24,760 Speaker 1: not even just pair, I'm not even Yeah, it's that 123 00:06:24,760 --> 00:06:27,440 Speaker 1: that is exactly what they say. And yet it's like 124 00:06:28,000 --> 00:06:31,000 Speaker 1: they kind of fancy themselves a news outlet. Well it's 125 00:06:31,000 --> 00:06:33,159 Speaker 1: a new kind of tabloid essentially, That's what it is is. 126 00:06:33,160 --> 00:06:35,400 Speaker 1: It's a tabloid because any old person can say, hey, 127 00:06:35,440 --> 00:06:38,719 Speaker 1: I heard this, saw this, did this? Was this? I mean, 128 00:06:38,800 --> 00:06:40,719 Speaker 1: and they're like, you said, so you gotta take it 129 00:06:40,760 --> 00:06:43,840 Speaker 1: with a grain of s grain of as like everything. 130 00:06:44,120 --> 00:06:46,279 Speaker 1: I God bless them through kind of breaking the Army 131 00:06:46,360 --> 00:06:50,560 Speaker 1: hammer thing, but I don't know, well, you know that's 132 00:06:50,560 --> 00:06:52,520 Speaker 1: a that's a tragic one. And you know I met 133 00:06:52,600 --> 00:06:54,719 Speaker 1: Army Hammer. Didn't seem I and I this is what 134 00:06:54,800 --> 00:06:57,320 Speaker 1: this is what I always say now about army didn't 135 00:06:57,640 --> 00:07:00,960 Speaker 1: seem like accountable, didn't seem like what does that mean 136 00:07:01,000 --> 00:07:03,760 Speaker 1: some people? And you're like, I don't know about them. 137 00:07:03,800 --> 00:07:06,719 Speaker 1: They might be accountable, couldn't have smelled less like accountable 138 00:07:06,760 --> 00:07:11,240 Speaker 1: to me. But you know who you know who is 139 00:07:11,320 --> 00:07:14,520 Speaker 1: eating right now? You know who's eating this week in 140 00:07:14,600 --> 00:07:20,080 Speaker 1: terms of like fucking getting getting everything that she fucking 141 00:07:20,120 --> 00:07:23,360 Speaker 1: deserves and needs. The host of the MTV movie and 142 00:07:23,440 --> 00:07:26,520 Speaker 1: TV Awards Unscripted. Thank you very fucking much that happened 143 00:07:26,600 --> 00:07:30,280 Speaker 1: this week. Doom is never gonna funk this up. They're 144 00:07:30,320 --> 00:07:32,000 Speaker 1: going to know exactly who this is when they see her. 145 00:07:32,280 --> 00:07:35,000 Speaker 1: You're not going to mistake her for someone else. She's 146 00:07:35,000 --> 00:07:37,239 Speaker 1: been fucking killing it in the zoom so far. Fucking 147 00:07:37,280 --> 00:07:40,040 Speaker 1: like you should see what's going on. We had a 148 00:07:40,120 --> 00:07:43,680 Speaker 1: discussion beforehand of the sort of applying makeup without even 149 00:07:43,680 --> 00:07:45,760 Speaker 1: really thinking about it. Thing. She can she can she 150 00:07:45,840 --> 00:07:49,320 Speaker 1: can apply in her waterline without a mirror. Oh my god, 151 00:07:49,720 --> 00:07:53,200 Speaker 1: Oh my god. Stunning. The host of the daily podcast, 152 00:07:53,400 --> 00:07:57,280 Speaker 1: the nick Glazer Podcast, name of the Year. You know 153 00:07:57,400 --> 00:08:01,760 Speaker 1: exactly who hosts this fucking show. You know exactly, Only 154 00:08:02,160 --> 00:08:04,000 Speaker 1: the chumps don't know. And you gotta buy a techt 155 00:08:04,080 --> 00:08:07,680 Speaker 1: to see her alive and her fucking nationwide tour one 156 00:08:07,760 --> 00:08:11,200 Speaker 1: night with Nicky Glazer starting July, going all the way 157 00:08:11,200 --> 00:08:13,760 Speaker 1: through January. Baby, that's about a half a year for 158 00:08:13,760 --> 00:08:18,040 Speaker 1: all about a half freaks out there. Look we we 159 00:08:18,040 --> 00:08:20,720 Speaker 1: we can say one of my favorites stand ups, Oh, 160 00:08:20,760 --> 00:08:22,600 Speaker 1: one of my favorites. Also, did you know this? Do 161 00:08:22,640 --> 00:08:25,840 Speaker 1: you remember when we went to Nicki and Sarah when 162 00:08:25,880 --> 00:08:27,600 Speaker 1: we went to Nicki and Sarah Alive and went to 163 00:08:27,640 --> 00:08:30,040 Speaker 1: a taping of Nicki and Sarah Alive. Get this. I 164 00:08:30,080 --> 00:08:37,040 Speaker 1: think it was a decade ago. Wow, it was so 165 00:08:37,320 --> 00:08:41,040 Speaker 1: we're nearing the tenure, but that was like, that was 166 00:08:41,080 --> 00:08:42,480 Speaker 1: like a cool moment. I was like, oh my god, 167 00:08:42,480 --> 00:08:46,120 Speaker 1: we're at this like dually co hosted women's like like 168 00:08:46,160 --> 00:08:49,360 Speaker 1: a female old City of t RL. You couldn't have 169 00:08:49,440 --> 00:08:50,880 Speaker 1: told this it was. It was. It was the moment 170 00:08:50,920 --> 00:08:53,320 Speaker 1: of the year. And she's like sort of reminiscing right 171 00:08:53,360 --> 00:09:04,880 Speaker 1: now after this, everyone please well them to your ears. Nicky, 172 00:09:04,920 --> 00:09:09,840 Speaker 1: Oh my god, I have so many people to think that. Seriously, 173 00:09:09,880 --> 00:09:15,319 Speaker 1: I feel honored, so honored that you went there. That 174 00:09:15,480 --> 00:09:17,360 Speaker 1: was really nice that all those things you just said, 175 00:09:17,400 --> 00:09:19,280 Speaker 1: But the fact that you guys were in the crowd 176 00:09:19,280 --> 00:09:22,439 Speaker 1: for Nicky and Sarah Live taping makes me just feel 177 00:09:22,520 --> 00:09:24,760 Speaker 1: so good. It makes me feel so cool because you 178 00:09:24,760 --> 00:09:27,160 Speaker 1: guys are so freaking funny and like that. You would 179 00:09:27,160 --> 00:09:29,480 Speaker 1: have been into me when you were like younger and 180 00:09:29,480 --> 00:09:31,480 Speaker 1: and excited by all of that just as much as 181 00:09:31,480 --> 00:09:34,160 Speaker 1: I was, because I was dying at the fact that 182 00:09:34,200 --> 00:09:37,400 Speaker 1: I was in the Tyrrel studio and to do this 183 00:09:37,480 --> 00:09:39,280 Speaker 1: dream and like not really knowing what I was doing, 184 00:09:39,320 --> 00:09:41,360 Speaker 1: but that just means a lot to me and I 185 00:09:41,920 --> 00:09:44,960 Speaker 1: have so God, you guys are so so fun and 186 00:09:45,000 --> 00:09:46,800 Speaker 1: funny and that was such a joy to listen to 187 00:09:46,800 --> 00:09:49,520 Speaker 1: your conversation. I have so much to like talk about 188 00:09:50,240 --> 00:09:53,199 Speaker 1: that stuff. Armiehammer, by the way, so much more than 189 00:09:53,240 --> 00:09:56,240 Speaker 1: just alleged cannibal He have you guys heard about? Was 190 00:09:56,360 --> 00:10:03,240 Speaker 1: like the rape, Like have you heard? Because I and 191 00:10:03,280 --> 00:10:05,120 Speaker 1: then you heard the realty and it was just That's 192 00:10:05,160 --> 00:10:07,319 Speaker 1: the thing is, whenever that comes up, I love to 193 00:10:07,360 --> 00:10:09,360 Speaker 1: clarify and be like we can go ha ha. He 194 00:10:09,400 --> 00:10:12,400 Speaker 1: eats humans, but he raped a girl that he had 195 00:10:12,400 --> 00:10:15,560 Speaker 1: convinced was his girlfriend. She had met his mom. He 196 00:10:15,600 --> 00:10:17,079 Speaker 1: had gone to Texas to me his mom read the 197 00:10:17,120 --> 00:10:20,200 Speaker 1: Vanity Fair article about him. If you really want to 198 00:10:20,280 --> 00:10:22,600 Speaker 1: feel like you like read a book and like learn 199 00:10:22,720 --> 00:10:25,640 Speaker 1: something that will help you in life. Because this knowledge 200 00:10:25,880 --> 00:10:28,480 Speaker 1: I'm letting people know m is not like a punchline 201 00:10:28,760 --> 00:10:31,480 Speaker 1: about like because I just missed the cannibal stuff. I 202 00:10:31,480 --> 00:10:33,160 Speaker 1: honestly thought it was like funny because I was like, 203 00:10:33,440 --> 00:10:35,839 Speaker 1: I don't know, it's kind of I could see saying 204 00:10:35,880 --> 00:10:38,000 Speaker 1: some really fucked up things when I'm horny that I 205 00:10:38,000 --> 00:10:41,160 Speaker 1: don't really want to do or like you, and then 206 00:10:41,160 --> 00:10:45,400 Speaker 1: you saw the branding and you're like all the time, Like, honestly, 207 00:10:47,400 --> 00:10:49,679 Speaker 1: if the things you said or like and you can 208 00:10:49,720 --> 00:10:51,960 Speaker 1: get horny enough, guy's text dumb stuff And I don't 209 00:10:52,040 --> 00:10:54,800 Speaker 1: think shame. So if you like to fantasize about eating 210 00:10:54,800 --> 00:10:57,040 Speaker 1: body parts but you don't do it, I don't care, 211 00:10:57,160 --> 00:10:59,200 Speaker 1: Like who cares. I could be into it. I could 212 00:10:59,200 --> 00:11:00,679 Speaker 1: probably love a guy and be like, yeah, you can 213 00:11:00,679 --> 00:11:03,360 Speaker 1: tell me you're gonna eat me, eat me up. Also, 214 00:11:03,400 --> 00:11:05,120 Speaker 1: it's just like I don't know about you, guys, but 215 00:11:05,160 --> 00:11:08,560 Speaker 1: sometimes like I'll like after I sexed or whatever, I'll 216 00:11:08,559 --> 00:11:10,400 Speaker 1: look back at what I said and are you guys 217 00:11:10,480 --> 00:11:12,960 Speaker 1: just always like oh my god. Or sometimes like right 218 00:11:13,040 --> 00:11:16,040 Speaker 1: after watchorn and you think about what you've seen, you're like, wow, 219 00:11:16,120 --> 00:11:19,280 Speaker 1: that's like a base level of sexuality and humanity that 220 00:11:19,360 --> 00:11:22,080 Speaker 1: I may never want to return to. But no, I will, yes, 221 00:11:22,160 --> 00:11:24,439 Speaker 1: and you will. You will be back. I started doing 222 00:11:24,440 --> 00:11:27,680 Speaker 1: this thing where I I used to send myself. It 223 00:11:27,720 --> 00:11:28,920 Speaker 1: was so hard for me to find the kind of 224 00:11:28,920 --> 00:11:30,520 Speaker 1: porn I liked, and it would always find like I 225 00:11:30,559 --> 00:11:34,080 Speaker 1: was just uh, So often I would just stop master 226 00:11:34,080 --> 00:11:35,640 Speaker 1: reading because I'm like, there's nothing that will do it. 227 00:11:35,679 --> 00:11:37,400 Speaker 1: And then I'd find this specific thing and I'd send 228 00:11:37,400 --> 00:11:38,960 Speaker 1: it to myself, so I had an email chain to 229 00:11:39,040 --> 00:11:41,280 Speaker 1: myself after if it made me calm, I would like 230 00:11:41,320 --> 00:11:43,920 Speaker 1: send it to myself. And I've anymore because I've gotten 231 00:11:44,000 --> 00:11:47,200 Speaker 1: it's become easier because I've become kind of dependent on porn. 232 00:11:47,280 --> 00:11:49,120 Speaker 1: I found. I found a way to make born work 233 00:11:49,160 --> 00:11:51,079 Speaker 1: for me in a very efficient way. Still thinks me 234 00:11:51,080 --> 00:11:55,040 Speaker 1: about forty minutes. But I'm like a scribe subscribe member. 235 00:11:55,400 --> 00:11:57,360 Speaker 1: I spent like a hundred bucks a month on porn 236 00:11:58,000 --> 00:12:01,760 Speaker 1: like good, okay, good, You're not alone. I subscribe to 237 00:12:01,840 --> 00:12:04,720 Speaker 1: Seaun Cody, Cocky Boys, Gay Hoopla. I'm on like four 238 00:12:04,720 --> 00:12:07,600 Speaker 1: people's only fans. Yeah, I'm spending dollars on my point 239 00:12:07,840 --> 00:12:10,760 Speaker 1: and I feel good about it. But I weren't wonder 240 00:12:10,840 --> 00:12:13,640 Speaker 1: sometimes if that is, you know, over indulging or is 241 00:12:13,679 --> 00:12:15,760 Speaker 1: that becoming addiction? Like when do I have to go 242 00:12:15,880 --> 00:12:18,199 Speaker 1: let me cut back because maybe they'll make me want 243 00:12:18,240 --> 00:12:20,080 Speaker 1: real people? Is that why I'm single? But I gotta 244 00:12:20,080 --> 00:12:22,760 Speaker 1: be honest. I was hooking up recently, like pretty frequently, 245 00:12:23,160 --> 00:12:25,520 Speaker 1: and I missed my Dungeon girls. I was like, I 246 00:12:25,559 --> 00:12:27,640 Speaker 1: gotta go visit the girls at the dungeon. Make sure 247 00:12:27,679 --> 00:12:29,920 Speaker 1: I gotta refill their water bowls. Like I felt like 248 00:12:29,640 --> 00:12:32,199 Speaker 1: I like girls. I left because I watched some weird 249 00:12:32,520 --> 00:12:35,840 Speaker 1: like kind of you know, like b DSM stuff, and 250 00:12:35,880 --> 00:12:40,199 Speaker 1: I felt like I kind of miss master my ladies, 251 00:12:41,480 --> 00:12:44,320 Speaker 1: my girls that are just like you know, pushing themselves 252 00:12:44,360 --> 00:12:46,840 Speaker 1: to the limit and training really hard to be like 253 00:12:46,880 --> 00:12:48,960 Speaker 1: the best left they can be. Like that's what my 254 00:12:49,120 --> 00:12:51,880 Speaker 1: genre is. Like a girl. It's it's the portant version 255 00:12:51,920 --> 00:12:53,920 Speaker 1: of me. It's like I like gang bangs because it's 256 00:12:53,920 --> 00:12:56,320 Speaker 1: a girl that's just like stuggling so much, and you're like, 257 00:12:56,559 --> 00:12:59,480 Speaker 1: how does she do all that? And forward in an 258 00:12:59,480 --> 00:13:04,480 Speaker 1: industry you that they said I couldn't make it. Yes, 259 00:13:05,559 --> 00:13:08,679 Speaker 1: it doesn't, just how does she do all that? Like 260 00:13:09,040 --> 00:13:11,080 Speaker 1: I really do feel like I'm in a gang bang 261 00:13:11,440 --> 00:13:14,559 Speaker 1: in show business sometimes with like the podcasting and like 262 00:13:14,600 --> 00:13:17,320 Speaker 1: the the I have to prepare for this monologue I'm 263 00:13:17,360 --> 00:13:19,080 Speaker 1: about to give on this show. Also I have to 264 00:13:19,080 --> 00:13:21,800 Speaker 1: do falon Like they're like, don't forget the gang bang. 265 00:13:22,200 --> 00:13:24,520 Speaker 1: It is a gang bang. I really like to watch 266 00:13:24,559 --> 00:13:26,520 Speaker 1: a girl get it and be and when the guys 267 00:13:26,559 --> 00:13:29,320 Speaker 1: are like the thing that's rare though, and they tell 268 00:13:29,360 --> 00:13:32,320 Speaker 1: her a good job. They that's where all it is 269 00:13:32,320 --> 00:13:35,760 Speaker 1: is like it's mostly like anger at her and like 270 00:13:36,000 --> 00:13:37,680 Speaker 1: like kind of it's just too rough where you're like 271 00:13:37,920 --> 00:13:40,600 Speaker 1: be impressed by her. It's rare that you'll find people 272 00:13:40,600 --> 00:13:41,880 Speaker 1: that are like and a dress and has this great 273 00:13:41,920 --> 00:13:44,600 Speaker 1: chock where she's gonna say this is really good. She 274 00:13:44,920 --> 00:13:46,680 Speaker 1: just just just like that you would do understand up 275 00:13:46,679 --> 00:13:48,679 Speaker 1: where she was like my my favorite. The point I 276 00:13:48,679 --> 00:13:51,000 Speaker 1: wish I could see is that a girl's at a 277 00:13:51,000 --> 00:13:53,280 Speaker 1: gang bang and then after it's done, you see her 278 00:13:53,520 --> 00:13:56,400 Speaker 1: walk to her car. You see her get walks to 279 00:13:56,480 --> 00:13:57,920 Speaker 1: a car and like and make sure that she like 280 00:13:58,000 --> 00:13:59,640 Speaker 1: rounds at the corner around like the guy checks in 281 00:13:59,720 --> 00:14:01,680 Speaker 1: later and it's like this responsible thing. But it's like 282 00:14:01,760 --> 00:14:03,280 Speaker 1: it's not what we see. And that's how you know 283 00:14:03,320 --> 00:14:07,200 Speaker 1: that women are not creating the porn. It's so true. 284 00:14:07,400 --> 00:14:11,120 Speaker 1: You just want the guy to like be be like 285 00:14:11,800 --> 00:14:14,599 Speaker 1: concerned for your well being. And the thing is gangbangs 286 00:14:14,640 --> 00:14:17,320 Speaker 1: are not really They're like they seem like they would 287 00:14:17,320 --> 00:14:20,000 Speaker 1: feel amazing if they're done right for a girl. And 288 00:14:20,080 --> 00:14:22,320 Speaker 1: I feel like guys a lot of times view them 289 00:14:22,360 --> 00:14:25,600 Speaker 1: as like she this is not for her, this is 290 00:14:25,640 --> 00:14:27,640 Speaker 1: for us, and I'm like, no, this is for me. 291 00:14:27,840 --> 00:14:29,600 Speaker 1: That would be for me. I mean I've never done it, 292 00:14:29,640 --> 00:14:31,680 Speaker 1: but I would like I put myself in that all 293 00:14:31,680 --> 00:14:33,160 Speaker 1: the time. I don't know if it's something I have 294 00:14:33,280 --> 00:14:35,880 Speaker 1: to do before I find the one or if it's 295 00:14:35,880 --> 00:14:37,840 Speaker 1: something that I want to do once I find the one. 296 00:14:37,920 --> 00:14:39,640 Speaker 1: And then I'm like, so if I meet a guy 297 00:14:39,640 --> 00:14:41,160 Speaker 1: and he's like, I'm not into that stuff, I'm like, oh, 298 00:14:41,160 --> 00:14:42,360 Speaker 1: do I need to go get to go to a 299 00:14:42,400 --> 00:14:44,040 Speaker 1: sex club and get that done? Or am I only 300 00:14:44,080 --> 00:14:46,400 Speaker 1: going to live that through fantasy? Because sometimes I'm watching 301 00:14:46,400 --> 00:14:48,880 Speaker 1: this stuff and I go, you have enough money make 302 00:14:48,960 --> 00:14:52,280 Speaker 1: this happen, like like I can pay for this experience, 303 00:14:52,520 --> 00:14:55,480 Speaker 1: or like, you know, I've I have the connections to 304 00:14:55,640 --> 00:14:57,800 Speaker 1: find the people that will make this a reality for me, 305 00:14:57,840 --> 00:14:59,720 Speaker 1: and I could be it could be a private way, 306 00:14:59,720 --> 00:15:01,480 Speaker 1: and I'm why don't I just do that, you know 307 00:15:01,520 --> 00:15:03,600 Speaker 1: what I mean? But I'm also terrified of it and 308 00:15:03,680 --> 00:15:05,840 Speaker 1: want to keep it in the computer. And also, you're 309 00:15:05,840 --> 00:15:07,720 Speaker 1: already in the gang bang of show business, like you 310 00:15:07,720 --> 00:15:12,720 Speaker 1: don't need something you can't add. Curator of a porn 311 00:15:12,760 --> 00:15:14,880 Speaker 1: website to that list. I mean, I just don't think 312 00:15:14,880 --> 00:15:17,560 Speaker 1: it would work with the dates. But if it becomes 313 00:15:17,560 --> 00:15:19,840 Speaker 1: a passion project, then I can make time for it, 314 00:15:19,920 --> 00:15:21,920 Speaker 1: you know, like if it really is something, if it 315 00:15:22,040 --> 00:15:24,280 Speaker 1: becomes like a hoby because I was like maybe because 316 00:15:24,280 --> 00:15:26,600 Speaker 1: I was struggling with hobbies over the pandemic, Like I'm like, 317 00:15:26,680 --> 00:15:28,920 Speaker 1: I don't think I do much other things than work, 318 00:15:29,040 --> 00:15:31,720 Speaker 1: and now I'm exploring, like what do I like really 319 00:15:31,760 --> 00:15:33,800 Speaker 1: like And I'm like, maybe, like that kind of world 320 00:15:33,840 --> 00:15:38,240 Speaker 1: could be a interesting thing, but um um, I'll start 321 00:15:38,280 --> 00:15:45,080 Speaker 1: with guitar before a stranger exactly. Anytime someone asks me 322 00:15:45,120 --> 00:15:46,960 Speaker 1: what my hobbies are, I don't know what to say, 323 00:15:47,080 --> 00:15:49,720 Speaker 1: and I think it's a more natural response or it 324 00:15:49,800 --> 00:15:51,800 Speaker 1: just would make sense for me to be like, oh, 325 00:15:52,000 --> 00:15:54,240 Speaker 1: sex would be a hobby of mine, or like learning 326 00:15:54,240 --> 00:15:57,960 Speaker 1: to like do things in a specific way sexually could 327 00:15:58,040 --> 00:16:00,240 Speaker 1: be a hobby of mine. I've never actually gone down 328 00:16:00,240 --> 00:16:02,560 Speaker 1: this path though, Well this is this is why it's 329 00:16:02,560 --> 00:16:05,440 Speaker 1: getting weird for me, and like in the quarantine, like 330 00:16:05,600 --> 00:16:07,920 Speaker 1: because you're trying to especially like early on when it 331 00:16:07,960 --> 00:16:09,800 Speaker 1: was like I really wasn't sucking that much before I 332 00:16:09,840 --> 00:16:12,760 Speaker 1: started to st step out and do all that. Like 333 00:16:12,920 --> 00:16:16,120 Speaker 1: I I started using poppers when I was jacking off, 334 00:16:16,600 --> 00:16:19,800 Speaker 1: and unfortunately, like it's so good and sort of takes 335 00:16:19,840 --> 00:16:21,560 Speaker 1: you there to the point where it's like there was 336 00:16:21,600 --> 00:16:23,800 Speaker 1: a point where like I was doing it like every day, 337 00:16:23,840 --> 00:16:25,640 Speaker 1: and I was like, no, the brain cell laws. It 338 00:16:25,760 --> 00:16:27,880 Speaker 1: just like not going to ultimately be good for me. 339 00:16:28,080 --> 00:16:31,520 Speaker 1: I'm telling you, fully addicted to ammal nitrate. It was like, wait, 340 00:16:31,560 --> 00:16:36,280 Speaker 1: what water poppers? Please explain this to me. Heard of that, 341 00:16:36,320 --> 00:16:39,880 Speaker 1: but I don't understand came here because it sounds like 342 00:16:39,960 --> 00:16:43,000 Speaker 1: something I want to get into. I think you would 343 00:16:43,000 --> 00:16:46,680 Speaker 1: actually love them, Nikki, Okay, so bones a chemistry major, 344 00:16:46,720 --> 00:16:48,320 Speaker 1: so he can sort of like break through what a 345 00:16:48,400 --> 00:16:51,360 Speaker 1: popper really is. So I think I think you would 346 00:16:51,360 --> 00:16:54,480 Speaker 1: love them. They're they're they're they're they're ammal nitrates. Um, 347 00:16:54,560 --> 00:16:58,440 Speaker 1: they're basically they're advertised their their packaged as VC are 348 00:16:58,840 --> 00:17:04,200 Speaker 1: cleaner al polished remover. But they're inhalence through your nostrils 349 00:17:04,440 --> 00:17:08,000 Speaker 1: and it just gives get them maskim demonstrate. I have 350 00:17:08,040 --> 00:17:09,760 Speaker 1: them in my bedroom, but it's a little bit further away. 351 00:17:10,000 --> 00:17:13,840 Speaker 1: So but they very active. No no, no, no, no, 352 00:17:13,840 --> 00:17:15,960 Speaker 1: it's I don't think they're there. They're not habit forming 353 00:17:16,040 --> 00:17:19,200 Speaker 1: or anything that you you inhale them. One nostrils matskna demonstrate, 354 00:17:19,480 --> 00:17:22,240 Speaker 1: so maskwa demonstrate. So what we have here is like 355 00:17:22,520 --> 00:17:25,640 Speaker 1: you see, it's it's called rush. This is like sort 356 00:17:25,680 --> 00:17:29,080 Speaker 1: of like the Coca Cola of of poppers, sort of 357 00:17:29,160 --> 00:17:32,199 Speaker 1: ubiquitous brand, not necessarily the best. So maybe that's not 358 00:17:32,280 --> 00:17:35,879 Speaker 1: the best analogy, but um so masna demonstrate. And it 359 00:17:35,960 --> 00:17:37,840 Speaker 1: just gives you this head you're doing what, Yeah, it 360 00:17:37,840 --> 00:17:40,080 Speaker 1: gives you this head rush and and it vaso dilates 361 00:17:40,119 --> 00:17:44,040 Speaker 1: you so that it loosens up, loosens you up. Right, 362 00:17:44,800 --> 00:17:48,720 Speaker 1: So there's gonna be period where feeling really good and 363 00:17:48,720 --> 00:17:50,600 Speaker 1: you're gonna see me sweat and it's and it's quick. 364 00:17:50,680 --> 00:17:53,080 Speaker 1: But right now, like if I wanted to ease onto 365 00:17:53,119 --> 00:17:56,800 Speaker 1: a dick right now, it would be like a lot easier. Okay, 366 00:17:57,000 --> 00:17:59,000 Speaker 1: I know. So this is this is the thing that 367 00:17:59,040 --> 00:18:01,680 Speaker 1: helps you relax for anal sex. But why but why 368 00:18:01,760 --> 00:18:05,080 Speaker 1: jerking off is this helpful if you're not having a 369 00:18:05,080 --> 00:18:08,080 Speaker 1: penetration it helps. Sometimes I'll do poppers when I'm watching 370 00:18:08,080 --> 00:18:10,240 Speaker 1: porn just to like like what Matt said, take me 371 00:18:10,280 --> 00:18:13,760 Speaker 1: there and like transport me mindset wise, and I do 372 00:18:13,880 --> 00:18:17,840 Speaker 1: feel like much hornier in that in that high space. Matt, 373 00:18:17,880 --> 00:18:21,800 Speaker 1: how you feeling? I mean, I feel amazing. Oh my god, 374 00:18:21,840 --> 00:18:24,200 Speaker 1: why don't you do it all the time. Then I'm 375 00:18:24,240 --> 00:18:26,600 Speaker 1: like that with weed, like weed makes me feel amazing, 376 00:18:26,640 --> 00:18:27,800 Speaker 1: and then I want to do it over and over 377 00:18:27,840 --> 00:18:29,800 Speaker 1: and then you it starts to not work and then 378 00:18:29,840 --> 00:18:32,120 Speaker 1: you're like, oh, this is just gross, and it's like 379 00:18:32,920 --> 00:18:36,200 Speaker 1: that to me is dangerous. But I I completely understand 380 00:18:36,840 --> 00:18:39,800 Speaker 1: what because for I, like I love anal sex. It 381 00:18:39,920 --> 00:18:43,159 Speaker 1: feels fucking awesome, yes, and an you got. And the 382 00:18:43,240 --> 00:18:45,320 Speaker 1: thing is, I just and I don't understand when people 383 00:18:45,359 --> 00:18:49,000 Speaker 1: are like, oh, that's for gay guys. It's like assholes 384 00:18:49,000 --> 00:18:51,359 Speaker 1: aren't different than other guys. Like if it feels amazing 385 00:18:51,400 --> 00:18:54,439 Speaker 1: to you, it feels like that, and I won't actually 386 00:18:54,440 --> 00:18:56,639 Speaker 1: won't have it. And now I'm like, you need to 387 00:18:56,760 --> 00:18:58,280 Speaker 1: you need to go out and like find poppers now, 388 00:18:58,320 --> 00:19:01,320 Speaker 1: especially you love anal sex, you need well. I love it. Well. 389 00:19:01,320 --> 00:19:03,560 Speaker 1: The thing is, that's my favorite part of porn is 390 00:19:03,600 --> 00:19:05,399 Speaker 1: like that part where you can tell the girl, like 391 00:19:05,400 --> 00:19:07,080 Speaker 1: when they tell the girl to relax, because it's the 392 00:19:07,119 --> 00:19:12,440 Speaker 1: only way because it's total surrender. It's like you are 393 00:19:12,480 --> 00:19:15,919 Speaker 1: completely submissive. It's like and it's the opposite of I 394 00:19:15,960 --> 00:19:19,080 Speaker 1: actually don't like to be doing too much like I 395 00:19:19,119 --> 00:19:21,480 Speaker 1: like to be like in my real life. I like 396 00:19:21,560 --> 00:19:24,080 Speaker 1: to be very like in control in bedroom nothing and 397 00:19:24,119 --> 00:19:26,080 Speaker 1: like when you actually let it dick and you're ask 398 00:19:26,160 --> 00:19:28,439 Speaker 1: and you're able to relax enough to have that happen naturally, 399 00:19:28,600 --> 00:19:31,040 Speaker 1: it's hard to do. It's really that's hard to do. 400 00:19:31,119 --> 00:19:34,000 Speaker 1: And you to be able to have that experience just 401 00:19:34,040 --> 00:19:35,920 Speaker 1: brought on by something that you put up your ass, 402 00:19:35,920 --> 00:19:37,399 Speaker 1: is what you know, you sniff it or do you 403 00:19:37,520 --> 00:19:39,160 Speaker 1: sniff it? I mean and then and then it could 404 00:19:39,200 --> 00:19:40,919 Speaker 1: be more comfortable to put something up grass, which is 405 00:19:40,920 --> 00:19:42,679 Speaker 1: really the reason why you do it. But the thing 406 00:19:42,800 --> 00:19:45,120 Speaker 1: is with but it's so do you find it hard 407 00:19:45,200 --> 00:19:46,879 Speaker 1: to put something up your ass, like let's say your 408 00:19:46,920 --> 00:19:50,800 Speaker 1: mastering and off some time, because for me, I can't. 409 00:19:50,920 --> 00:19:53,399 Speaker 1: I can't do. That's my biggest complaint about masturbation is 410 00:19:53,440 --> 00:19:55,639 Speaker 1: like I need a fucking machine. I want something, and 411 00:19:55,680 --> 00:19:58,199 Speaker 1: I actually do have. Most of my dildos have a 412 00:19:58,320 --> 00:20:01,119 Speaker 1: thing that makes them move into pend so that it 413 00:20:01,119 --> 00:20:03,960 Speaker 1: feels like someone else because I need that and I 414 00:20:04,000 --> 00:20:09,280 Speaker 1: need clip so I need like to yeh, want something 415 00:20:09,359 --> 00:20:11,119 Speaker 1: up my ask. So so it's like I need I 416 00:20:11,200 --> 00:20:14,200 Speaker 1: need three hands to really get the job done and 417 00:20:14,240 --> 00:20:16,680 Speaker 1: the way I want um. But yeah, masturbation for me 418 00:20:16,720 --> 00:20:18,359 Speaker 1: is the whole process because of that. But do you 419 00:20:18,440 --> 00:20:20,600 Speaker 1: when you masturbate you guys, do you stick something up 420 00:20:20,600 --> 00:20:22,000 Speaker 1: your ask? Will you put a finger or something or 421 00:20:22,119 --> 00:20:25,199 Speaker 1: like a toy. I've done that. I started doing that 422 00:20:25,240 --> 00:20:29,159 Speaker 1: in the fall, just to like because sometimes just to 423 00:20:29,240 --> 00:20:32,200 Speaker 1: be totally easy because the weather changed, because the weather, 424 00:20:33,880 --> 00:20:42,040 Speaker 1: just to leave the foiliest. I've been having trouble in 425 00:20:42,080 --> 00:20:45,880 Speaker 1: the handful of times i've I've bottomed, I've just had sex. Recently, 426 00:20:46,359 --> 00:20:50,240 Speaker 1: I'm having trouble coming while something is inside me. The 427 00:20:50,320 --> 00:20:53,080 Speaker 1: thing they don't tell you about anal sex is that 428 00:20:53,160 --> 00:20:55,639 Speaker 1: it does hurt every time in the beginning, like like 429 00:20:55,720 --> 00:20:57,720 Speaker 1: it's not something where it's like you do it enough 430 00:20:57,760 --> 00:20:59,520 Speaker 1: times and it's like, oh, forget it now, you can 431 00:20:59,560 --> 00:21:02,240 Speaker 1: just slip in when when the dick first go goes in. 432 00:21:02,480 --> 00:21:04,760 Speaker 1: I think it does hurt every time, and there is 433 00:21:04,800 --> 00:21:08,880 Speaker 1: that period of adjustment, which is why these are so handy, 434 00:21:08,920 --> 00:21:11,480 Speaker 1: and also just the mentality and the knowledge of the 435 00:21:11,520 --> 00:21:13,280 Speaker 1: fact that like the pain is a part of it 436 00:21:13,320 --> 00:21:17,520 Speaker 1: in the beginning, and then I'm off to the y. 437 00:21:18,359 --> 00:21:22,240 Speaker 1: And I spent my entire twenties so afraid of bottoming. 438 00:21:22,760 --> 00:21:24,560 Speaker 1: I mean, I'm telling you, like the pain is not 439 00:21:24,640 --> 00:21:27,280 Speaker 1: something I like to embrace. But I mean, like Boom 440 00:21:27,320 --> 00:21:29,240 Speaker 1: will tell you, I had like such a complex about 441 00:21:29,280 --> 00:21:31,439 Speaker 1: this from my whole twenties, Like was that were you 442 00:21:31,480 --> 00:21:35,640 Speaker 1: scared of the pain or the well both, I guess right, 443 00:21:35,840 --> 00:21:39,280 Speaker 1: because like the poop is such as the pain, I 444 00:21:39,320 --> 00:21:43,200 Speaker 1: was like I could take it. Yeah, there's such a 445 00:21:43,240 --> 00:21:47,679 Speaker 1: pot of poop. And I've prepared poorly several times, and 446 00:21:47,720 --> 00:21:50,960 Speaker 1: I look forward to now, like just committing to this 447 00:21:51,000 --> 00:21:52,720 Speaker 1: is something I enjoy and this is how I prepare 448 00:21:52,760 --> 00:21:57,400 Speaker 1: for it and not just winging it. Mm hmmah yeah, 449 00:21:57,920 --> 00:21:59,240 Speaker 1: no, no no no. But the same time, it's like I 450 00:21:59,280 --> 00:22:01,639 Speaker 1: have to give gray I get. I also give grace. Now. 451 00:22:01,680 --> 00:22:04,600 Speaker 1: It's like whenever anyone feels they prepared and they obviously haven't, 452 00:22:04,880 --> 00:22:06,560 Speaker 1: I just give them the grace that I know I 453 00:22:06,560 --> 00:22:08,200 Speaker 1: would want given to me, you know what I mean. 454 00:22:08,440 --> 00:22:10,399 Speaker 1: And this is the only way I'm even close to 455 00:22:10,400 --> 00:22:12,760 Speaker 1: a Christian. It's like I give grace when it comes 456 00:22:12,760 --> 00:22:15,240 Speaker 1: to bottoming. I hope to receive grace if there's a 457 00:22:15,240 --> 00:22:17,000 Speaker 1: little bit of poop at the end. Guess what we 458 00:22:17,160 --> 00:22:20,040 Speaker 1: just fucked in our assholes. So it's actually okay and 459 00:22:20,080 --> 00:22:23,640 Speaker 1: no one's gonna be dead. Like there's so much like 460 00:22:23,640 --> 00:22:27,680 Speaker 1: like this, like weird like ick factor around poop during sex. 461 00:22:27,720 --> 00:22:29,399 Speaker 1: And I believe we talked about this recently. Did we 462 00:22:29,480 --> 00:22:32,679 Speaker 1: not bo of what I've just poop? Being president? That 463 00:22:32,760 --> 00:22:36,320 Speaker 1: ick factored on on during sex about repoop? Yeah, we have, 464 00:22:36,359 --> 00:22:38,240 Speaker 1: we have, we have, yeah, And it's just like it's gotta, 465 00:22:38,280 --> 00:22:41,240 Speaker 1: we gotta, we gotta end the stigma. Well, the only 466 00:22:41,280 --> 00:22:44,280 Speaker 1: thing I I understand the shame around pooping, like let 467 00:22:44,280 --> 00:22:45,679 Speaker 1: it go. And I was able to do that, Like 468 00:22:45,680 --> 00:22:47,040 Speaker 1: if I should on a guy, I'm like, you're the 469 00:22:47,040 --> 00:22:49,560 Speaker 1: one with your dick in my ass, Like this is 470 00:22:50,040 --> 00:22:52,600 Speaker 1: that's where I do that. It's like the actually the 471 00:22:52,640 --> 00:22:55,440 Speaker 1: primary use of that is that so it shouldn't be 472 00:22:55,480 --> 00:22:58,120 Speaker 1: a surprise. And I've had boyfriends really handle it very 473 00:22:58,320 --> 00:23:00,320 Speaker 1: perfectly and not make me feel bad. Change the bed 474 00:23:00,320 --> 00:23:02,040 Speaker 1: sheets while I'm in the shower still and I come back, 475 00:23:02,080 --> 00:23:03,919 Speaker 1: it's like a fresh bed. It's like it never happened. 476 00:23:03,920 --> 00:23:06,479 Speaker 1: It's like really sweet things. But the thing that bumps 477 00:23:06,480 --> 00:23:08,600 Speaker 1: me out is like it smells like ship in the room. 478 00:23:08,800 --> 00:23:11,400 Speaker 1: You know, like if you like the second the ship 479 00:23:11,440 --> 00:23:14,920 Speaker 1: smells introduced to sex, it like makes me it makes 480 00:23:14,920 --> 00:23:17,520 Speaker 1: you lose your guy loses erection. It makes me like, 481 00:23:17,680 --> 00:23:20,600 Speaker 1: oh my god, am I like it's the smell. But 482 00:23:20,640 --> 00:23:22,520 Speaker 1: if you got if you lost your smell in COVID, 483 00:23:22,600 --> 00:23:26,480 Speaker 1: then it's really no problem. That's the benefit of losing 484 00:23:26,480 --> 00:23:28,359 Speaker 1: it all the anal I want, that's the benefit of 485 00:23:28,840 --> 00:23:32,720 Speaker 1: that's the benefit of COVID. Yeah, just silver lining. Now 486 00:23:32,760 --> 00:23:34,679 Speaker 1: I get anti vaxers, They're like, well, I'm hoping to 487 00:23:34,720 --> 00:23:36,440 Speaker 1: get it, so my sense of smell goes away, so 488 00:23:36,480 --> 00:23:38,320 Speaker 1: I don't smell poop when I get fun in my ass. 489 00:23:38,359 --> 00:23:44,399 Speaker 1: It's like, okay, anti perspective, that is the one I 490 00:23:44,440 --> 00:23:47,879 Speaker 1: will allow. I have one friend who is scared of needles, 491 00:23:47,880 --> 00:23:51,760 Speaker 1: and I have one wants to have anal sex with 492 00:23:51,800 --> 00:24:03,920 Speaker 1: a banda and the smell like ruined the mood. Were 493 00:24:03,920 --> 00:24:06,840 Speaker 1: you on an island recently? Are? Yeah? We talked about 494 00:24:06,840 --> 00:24:10,480 Speaker 1: this because we we we weren't following along the saga necessarily, 495 00:24:10,520 --> 00:24:12,800 Speaker 1: But tell us what's what's happened on the island. Yes, 496 00:24:13,080 --> 00:24:15,840 Speaker 1: I um, well, I can't talk about what I was doing, 497 00:24:15,960 --> 00:24:18,600 Speaker 1: but I was, well, I I can't say I was 498 00:24:18,680 --> 00:24:20,359 Speaker 1: I was on a show there. I was doing a 499 00:24:20,400 --> 00:24:22,520 Speaker 1: new show and sell me a new show on location, 500 00:24:22,600 --> 00:24:25,040 Speaker 1: which is like the greatest time of my entire life, 501 00:24:25,040 --> 00:24:28,400 Speaker 1: just like being with a big group of people, meeting 502 00:24:28,440 --> 00:24:30,960 Speaker 1: new people. We we there's no COVID in it came 503 00:24:30,960 --> 00:24:33,719 Speaker 1: in Islands on Grand Camons, so we quarantined for two 504 00:24:33,760 --> 00:24:36,000 Speaker 1: weeks and then we were free to roam about the 505 00:24:36,000 --> 00:24:40,680 Speaker 1: country at our late leisure for two whole months making 506 00:24:40,680 --> 00:24:43,399 Speaker 1: a show. And it was a show that I signed 507 00:24:43,400 --> 00:24:47,119 Speaker 1: on for because I just it just fit with everything 508 00:24:47,160 --> 00:24:49,080 Speaker 1: I want to do in life, Like it just was 509 00:24:49,119 --> 00:24:51,359 Speaker 1: like I after COVID, I was just like I only 510 00:24:51,840 --> 00:24:54,320 Speaker 1: want to do things that are like fun and weird 511 00:24:54,520 --> 00:24:57,480 Speaker 1: and just seem like an adventure. And I was scared 512 00:24:57,520 --> 00:24:59,800 Speaker 1: to go because it's just like I was just scared 513 00:24:59,840 --> 00:25:01,320 Speaker 1: to be social. I was scared to be somewhere where 514 00:25:01,359 --> 00:25:02,960 Speaker 1: like the world was open again and like I have 515 00:25:03,080 --> 00:25:05,640 Speaker 1: to be social and make friends and but in terms 516 00:25:05,680 --> 00:25:07,600 Speaker 1: of the work, I was just in a zone where 517 00:25:07,600 --> 00:25:09,960 Speaker 1: it was like I had no nerves about it. I'm like, 518 00:25:10,000 --> 00:25:12,840 Speaker 1: I've got this, Like I they made the right choice 519 00:25:12,840 --> 00:25:14,920 Speaker 1: with me very confident going into it, so I was 520 00:25:14,960 --> 00:25:18,040 Speaker 1: able to just have so much freaking fun and uh. 521 00:25:18,040 --> 00:25:19,399 Speaker 1: And I lived in the Cayman Islands and then the 522 00:25:19,440 --> 00:25:21,679 Speaker 1: show wrapped and I didn't want to go home. I 523 00:25:21,760 --> 00:25:25,120 Speaker 1: just stayed alone. I met some friends like I've met 524 00:25:25,160 --> 00:25:27,560 Speaker 1: like my makeup artist. I became really good friends. So 525 00:25:27,600 --> 00:25:29,359 Speaker 1: I made some friends that were able, but I just stayed. 526 00:25:29,400 --> 00:25:31,480 Speaker 1: I couldn't let it go. I just like stayed on 527 00:25:31,520 --> 00:25:35,280 Speaker 1: the island for two weeks in this joke hotel that 528 00:25:35,600 --> 00:25:37,800 Speaker 1: was like sweets are usually four thousand dollars a night, 529 00:25:37,840 --> 00:25:39,400 Speaker 1: and I got them for six under a night, which 530 00:25:39,440 --> 00:25:41,080 Speaker 1: is still a lot of money. But like, I was 531 00:25:41,119 --> 00:25:44,640 Speaker 1: living large in the Cayman Islands for two weeks by myself, 532 00:25:44,680 --> 00:25:47,920 Speaker 1: just like processing what I had been through and being 533 00:25:47,960 --> 00:25:50,639 Speaker 1: grateful and just dreading going back to the States, like 534 00:25:50,760 --> 00:25:52,840 Speaker 1: to wear masks again and then and then now I'm 535 00:25:52,880 --> 00:25:55,080 Speaker 1: back to the grind but and live in St. Louis. 536 00:25:55,400 --> 00:25:58,919 Speaker 1: But it was it was just the best location is legit. 537 00:25:58,960 --> 00:26:02,040 Speaker 1: It's like summer camp. God, wow, have you guys ever 538 00:26:02,080 --> 00:26:04,360 Speaker 1: done that? Have you ever been on like a thing 539 00:26:04,520 --> 00:26:07,040 Speaker 1: somewhere where everyone's kind of there for just a short 540 00:26:07,040 --> 00:26:11,439 Speaker 1: amount of time. I'm about I'm about you, but it 541 00:26:11,520 --> 00:26:14,800 Speaker 1: sounds like a fucking dream. It's if you're with the 542 00:26:14,880 --> 00:26:17,040 Speaker 1: right people and find your right group, it is. It's 543 00:26:17,080 --> 00:26:19,399 Speaker 1: like it really is summer camp. It was so fun 544 00:26:19,640 --> 00:26:20,960 Speaker 1: and I'm with a bunch of people that have been 545 00:26:20,960 --> 00:26:24,080 Speaker 1: doing this forever, so I'm like, is this like the 546 00:26:24,119 --> 00:26:26,560 Speaker 1: best and they're like, you'll get you, You'll see. But 547 00:26:26,680 --> 00:26:28,800 Speaker 1: I was having I was so enthusiastic about it, Like 548 00:26:28,960 --> 00:26:30,919 Speaker 1: this is the life I want because I guess just 549 00:26:31,040 --> 00:26:33,240 Speaker 1: traveling all the time doing stand up you never are 550 00:26:33,400 --> 00:26:36,120 Speaker 1: somewhere long enough where you learn where you're you are, 551 00:26:36,320 --> 00:26:38,320 Speaker 1: you know the coffee shop, you like to go to, 552 00:26:38,400 --> 00:26:42,359 Speaker 1: the restaurants, and like you just the people are always different. 553 00:26:42,400 --> 00:26:43,679 Speaker 1: And I was just like it's just so nice to 554 00:26:43,720 --> 00:26:45,399 Speaker 1: like show up to a place and like they're the 555 00:26:45,440 --> 00:26:48,600 Speaker 1: same people and like, I don't know, I'm just stand up. 556 00:26:48,640 --> 00:26:50,280 Speaker 1: I'm looking forward to getting back into it, but I'm 557 00:26:50,320 --> 00:26:51,800 Speaker 1: making it a whole like my tour. It is just 558 00:26:51,800 --> 00:26:55,840 Speaker 1: gonna be me with a caravan of friends. Gotta gotta 559 00:26:55,920 --> 00:26:57,880 Speaker 1: keep it as fun as possible. I'm not doing any 560 00:26:57,920 --> 00:27:01,680 Speaker 1: more work. That's not fun. I can't write, but I've 561 00:27:01,760 --> 00:27:04,800 Speaker 1: only just I'm only just now able to write. Are 562 00:27:04,800 --> 00:27:06,439 Speaker 1: you like booked up as it like one night in 563 00:27:06,440 --> 00:27:07,760 Speaker 1: this city and then the next night and another and 564 00:27:07,800 --> 00:27:09,560 Speaker 1: the next night and another. Are you giving yourself some 565 00:27:09,600 --> 00:27:11,520 Speaker 1: grace days? Because when we tore it was kind of 566 00:27:11,520 --> 00:27:13,720 Speaker 1: we always say like, oh, we wish we had spent 567 00:27:13,800 --> 00:27:15,840 Speaker 1: we've been able to land for like at least two 568 00:27:15,920 --> 00:27:18,880 Speaker 1: or three days in this one spot, Like it's important 569 00:27:18,920 --> 00:27:21,400 Speaker 1: because you make the place, and you're like, why did 570 00:27:21,400 --> 00:27:23,520 Speaker 1: I travel if I wasn't going to actually like at 571 00:27:23,640 --> 00:27:25,879 Speaker 1: least be there for two days and at least have 572 00:27:25,960 --> 00:27:28,320 Speaker 1: one day in the city and then one night out 573 00:27:28,320 --> 00:27:30,080 Speaker 1: of a restaurant or like a club or something or 574 00:27:30,160 --> 00:27:32,199 Speaker 1: bar or whatever, like are you giving yourself that? I 575 00:27:32,200 --> 00:27:34,560 Speaker 1: think it's a really good idea, but I just don't 576 00:27:34,560 --> 00:27:37,120 Speaker 1: know that I can make it happen because I want 577 00:27:37,119 --> 00:27:40,679 Speaker 1: to be home when I'm not working like I would like. 578 00:27:40,880 --> 00:27:43,800 Speaker 1: I'm trying to have some sort of place that I 579 00:27:43,800 --> 00:27:45,399 Speaker 1: can call home, and if I do that too much, 580 00:27:45,400 --> 00:27:47,679 Speaker 1: I'll always be on the road. So it's just like 581 00:27:47,720 --> 00:27:49,800 Speaker 1: two cities in one weekend then I'm home the rest 582 00:27:49,800 --> 00:27:51,680 Speaker 1: of the time. But it's like I don't know, I'm 583 00:27:52,080 --> 00:27:54,000 Speaker 1: I'm getting to the age where it's like this is 584 00:27:54,000 --> 00:27:58,280 Speaker 1: getting old. This just like working every night doing standardating sets, 585 00:27:58,320 --> 00:27:59,840 Speaker 1: and I don't want to live that life, and like 586 00:28:00,040 --> 00:28:03,359 Speaker 1: ants like I will definitely always do stand up and 587 00:28:03,400 --> 00:28:06,680 Speaker 1: always do specials and work really hard when I'm working 588 00:28:06,680 --> 00:28:09,800 Speaker 1: on one. But this, I'm so glad for me that 589 00:28:09,880 --> 00:28:12,960 Speaker 1: COVID maybe like figure out what I could do at 590 00:28:13,040 --> 00:28:15,680 Speaker 1: night besides stand up or fill my life with besides 591 00:28:15,880 --> 00:28:19,080 Speaker 1: running around doing podcasts. And it really is just opening 592 00:28:19,080 --> 00:28:22,800 Speaker 1: my computer doing podcasts and then uh and and and 593 00:28:23,240 --> 00:28:26,520 Speaker 1: but not doing zoom shows, like but watching TV, going 594 00:28:26,560 --> 00:28:29,000 Speaker 1: to like eating dinner and then like going to bed. 595 00:28:29,119 --> 00:28:31,639 Speaker 1: I've never done that in the seventeen years I've been 596 00:28:31,640 --> 00:28:34,080 Speaker 1: doing stand up comedy. Is just like have an evening 597 00:28:34,080 --> 00:28:36,000 Speaker 1: in if they're stand up, I will be at it 598 00:28:36,320 --> 00:28:38,120 Speaker 1: and I don't want to do it anymore. Entired, No, 599 00:28:38,280 --> 00:28:40,200 Speaker 1: because this is the thing in this new show that's 600 00:28:40,200 --> 00:28:43,360 Speaker 1: out Hacks on HBO Max. This this this Jane Smart 601 00:28:43,440 --> 00:28:46,760 Speaker 1: character like is a Joan Rivers like Philistiller type who 602 00:28:46,800 --> 00:28:49,240 Speaker 1: like has just has has never stopped working in her 603 00:28:49,360 --> 00:28:51,640 Speaker 1: in her life and and then like it's got me 604 00:28:51,680 --> 00:28:53,760 Speaker 1: to rethink the whole way. Like people talk about like 605 00:28:53,840 --> 00:28:56,120 Speaker 1: the art of showing up or whatever it's like, but 606 00:28:56,200 --> 00:29:00,680 Speaker 1: showing up is actually like overrated in some ways, especially 607 00:29:00,840 --> 00:29:03,280 Speaker 1: especially after you put in the hours and you like 608 00:29:03,440 --> 00:29:04,920 Speaker 1: and you paid your dues and all that, Like, at 609 00:29:04,960 --> 00:29:07,720 Speaker 1: a certain point you have to decide for yourself, oh, 610 00:29:07,800 --> 00:29:12,480 Speaker 1: I'm not going to do uh to quote Chad Michael's 611 00:29:12,480 --> 00:29:14,440 Speaker 1: and Paul's drag Rays the Chicken chick gigs, I'm not 612 00:29:14,480 --> 00:29:17,880 Speaker 1: gonna do like that stuff. It's well, you know what, 613 00:29:17,960 --> 00:29:20,160 Speaker 1: you really need a period of yes before you can 614 00:29:20,240 --> 00:29:23,000 Speaker 1: realize what's too much? Like I had that like when 615 00:29:23,040 --> 00:29:24,720 Speaker 1: I was on my on the grind and like in 616 00:29:24,760 --> 00:29:27,360 Speaker 1: our twenties bow like when it was like doing a 617 00:29:27,400 --> 00:29:28,920 Speaker 1: ton of ton of ton of ton of ton and 618 00:29:28,960 --> 00:29:32,080 Speaker 1: then you just realize, like you have only slept for 619 00:29:32,120 --> 00:29:35,320 Speaker 1: five hours the night before or maybe combined, like your 620 00:29:35,320 --> 00:29:37,840 Speaker 1: sleep your average of sleep is like six seven hours 621 00:29:37,840 --> 00:29:39,520 Speaker 1: for like two or three days. Do you know how 622 00:29:39,560 --> 00:29:41,520 Speaker 1: good it feels to sleep eight hours a night? If 623 00:29:41,560 --> 00:29:43,840 Speaker 1: you can do that, you can figure that out if 624 00:29:43,880 --> 00:29:47,400 Speaker 1: you have the time and availability to eat well and sleep. 625 00:29:47,760 --> 00:29:51,200 Speaker 1: It just makes you a more like valid human being. 626 00:29:51,240 --> 00:29:53,680 Speaker 1: It's just so much easier. So like I get people 627 00:29:53,720 --> 00:29:56,320 Speaker 1: are like, you know, whatever, self care has now become 628 00:29:56,320 --> 00:29:58,320 Speaker 1: like like a sort of ghost thing to say, because 629 00:29:58,360 --> 00:30:01,440 Speaker 1: it's like everyone's saying in self care, everyone's talking about it, 630 00:30:01,480 --> 00:30:04,520 Speaker 1: but they got a fucking point because you know that 631 00:30:04,760 --> 00:30:06,680 Speaker 1: is something that quarantine lets, you know, is it's like 632 00:30:06,920 --> 00:30:09,560 Speaker 1: sometimes that pace of living, if you're always tired all 633 00:30:09,560 --> 00:30:13,120 Speaker 1: the time, is not normal. It's not normal. And the 634 00:30:13,200 --> 00:30:15,880 Speaker 1: self care thing, we it needs to be trendy because 635 00:30:15,960 --> 00:30:19,320 Speaker 1: we are Americans work so hard that we need The 636 00:30:19,360 --> 00:30:21,760 Speaker 1: only way we'll adopt something is if it is trendy 637 00:30:21,840 --> 00:30:23,680 Speaker 1: and like the cool thing to do, because we don't 638 00:30:23,760 --> 00:30:27,560 Speaker 1: like ourselves and we value ourselves based on how much 639 00:30:27,640 --> 00:30:30,760 Speaker 1: output we do and how much we protect. Like can 640 00:30:30,800 --> 00:30:32,960 Speaker 1: say that we work so that we can deserve the thing. 641 00:30:33,400 --> 00:30:35,320 Speaker 1: We can't eat the thing unless we go to the 642 00:30:35,480 --> 00:30:38,840 Speaker 1: class and then we can't and we can't. I can't, um, 643 00:30:39,680 --> 00:30:42,239 Speaker 1: I mean, my whole life is a reward system. I 644 00:30:42,280 --> 00:30:44,480 Speaker 1: can't enjoy my I can't sit down and watch TV 645 00:30:44,560 --> 00:30:46,240 Speaker 1: if I haven't done anything all day, Like I can't 646 00:30:46,240 --> 00:30:48,680 Speaker 1: take a nap unless I'm desperate for a nap, and 647 00:30:48,720 --> 00:30:51,040 Speaker 1: it's like, why can't I just lay down because I 648 00:30:51,120 --> 00:30:53,720 Speaker 1: want to. It's like I'm I'm really into that stuff 649 00:30:53,760 --> 00:30:55,440 Speaker 1: now and because it feels so good and that's what 650 00:30:55,480 --> 00:30:57,000 Speaker 1: we're meant to do, so I think we have to 651 00:30:57,080 --> 00:30:59,800 Speaker 1: make it like trendy, so anyone does it because I'm 652 00:31:00,200 --> 00:31:03,320 Speaker 1: tired of people thinking it's cool to be tired and 653 00:31:03,320 --> 00:31:05,680 Speaker 1: I used to be that way. It's like of like, 654 00:31:05,760 --> 00:31:08,160 Speaker 1: how much you didn't sleep and it's like you shouldn't 655 00:31:08,200 --> 00:31:10,280 Speaker 1: be here, you're drunk. I don't want to hear how 656 00:31:10,320 --> 00:31:13,160 Speaker 1: the p A is underslept on the show because he's 657 00:31:13,240 --> 00:31:16,000 Speaker 1: driving a bus of people and he doesn't know how 658 00:31:16,040 --> 00:31:17,479 Speaker 1: to drive in this country or what you know what, 659 00:31:17,640 --> 00:31:21,320 Speaker 1: Like there are things there's like sleep deformation is really 660 00:31:21,440 --> 00:31:24,320 Speaker 1: fucked and we're all walking around with it and are 661 00:31:24,440 --> 00:31:26,720 Speaker 1: you know the screens are doing ship to us too. 662 00:31:26,760 --> 00:31:29,800 Speaker 1: It's like I love sleep, but sometimes I'm just like 663 00:31:31,080 --> 00:31:34,240 Speaker 1: the every day you wake up and it's like another 664 00:31:34,360 --> 00:31:36,880 Speaker 1: full day of NonStop work and you when you get 665 00:31:36,880 --> 00:31:38,240 Speaker 1: to the end of it, you just don't want to 666 00:31:38,280 --> 00:31:40,440 Speaker 1: go to sleep because you want to do you want 667 00:31:40,440 --> 00:31:43,560 Speaker 1: to be awake for some relaxation and then leads to 668 00:31:43,680 --> 00:31:45,960 Speaker 1: more sleeping, Like sleeping is not what I want to 669 00:31:46,000 --> 00:31:49,240 Speaker 1: do when I'm most tired for some reason. And that's 670 00:31:49,280 --> 00:31:52,240 Speaker 1: actually the most sucked up thing, because it's not every 671 00:31:52,320 --> 00:31:53,960 Speaker 1: night that that happens to me, but some nights it 672 00:31:54,520 --> 00:31:58,920 Speaker 1: is that thing where it's like, well, I've earned some 673 00:31:58,920 --> 00:32:00,880 Speaker 1: some reward for for all the work that I've put 674 00:32:00,920 --> 00:32:03,320 Speaker 1: in today and and and most of the time it's 675 00:32:03,320 --> 00:32:07,280 Speaker 1: just better to just know shutdown. But wait, okay, hold on, 676 00:32:07,640 --> 00:32:09,360 Speaker 1: you want your you want your dates down to be 677 00:32:09,360 --> 00:32:11,959 Speaker 1: like you're bringing friends, Like what's like describe like an 678 00:32:11,960 --> 00:32:16,000 Speaker 1: ideal night like in in some city like with who Yeah, well, 679 00:32:16,120 --> 00:32:20,400 Speaker 1: I always have my podcast uh co host Andrew Colin. 680 00:32:20,440 --> 00:32:22,440 Speaker 1: He's my best friend. He's my roommate. I moved him 681 00:32:22,440 --> 00:32:25,600 Speaker 1: from New York City where he was. We were always 682 00:32:25,640 --> 00:32:27,560 Speaker 1: working together and he's on my radio show and he's 683 00:32:27,600 --> 00:32:29,720 Speaker 1: a stand up comic and he's hoping for me on 684 00:32:29,760 --> 00:32:31,520 Speaker 1: the road for a couple of years now. I moved 685 00:32:31,560 --> 00:32:32,920 Speaker 1: him to St. Louis because I was living with my 686 00:32:32,960 --> 00:32:35,760 Speaker 1: parents the whole pandemic. I wanted to move out of 687 00:32:35,800 --> 00:32:38,160 Speaker 1: their house, but I also could not be alone. I 688 00:32:38,240 --> 00:32:39,960 Speaker 1: just know that if I'm not doing stayd up every 689 00:32:40,040 --> 00:32:42,680 Speaker 1: night and like socializing, then I could be alone. But 690 00:32:43,200 --> 00:32:44,600 Speaker 1: so I was like, Andrew moved to St. Lewis and 691 00:32:44,640 --> 00:32:46,440 Speaker 1: started this podcast with me, so every day I do 692 00:32:46,680 --> 00:32:49,000 Speaker 1: this podcast with him now. So when we're going on 693 00:32:49,040 --> 00:32:50,800 Speaker 1: the road now, I'm like, Okay, Andrew's opening for me, 694 00:32:50,920 --> 00:32:54,240 Speaker 1: I'm gonna bring my um my other best friend, Anya Marina. 695 00:32:54,360 --> 00:33:00,320 Speaker 1: She's amazing singer, did a lot of grades and animal 696 00:33:00,400 --> 00:33:03,680 Speaker 1: songs back in the day, like she did her cover 697 00:33:03,960 --> 00:33:06,400 Speaker 1: of t I s whatever you Like is the hottest thing. 698 00:33:06,720 --> 00:33:08,120 Speaker 1: I mean, I was a sand before I was a 699 00:33:08,160 --> 00:33:12,240 Speaker 1: friend and it's so sexy and um She's just she's incredible. 700 00:33:12,280 --> 00:33:13,800 Speaker 1: So she opens for me. She opened for me on 701 00:33:13,840 --> 00:33:15,400 Speaker 1: my last tour, so she'll be there. She's just like 702 00:33:15,440 --> 00:33:19,040 Speaker 1: a calming presence. She was my tour manager last time though, too, 703 00:33:19,160 --> 00:33:21,160 Speaker 1: and I and I made a change the time. I'm like, 704 00:33:21,400 --> 00:33:23,320 Speaker 1: I'll pay you the same, but you're not tour managing 705 00:33:23,320 --> 00:33:25,320 Speaker 1: because I want you no stress. I want you doubt 706 00:33:25,360 --> 00:33:29,520 Speaker 1: to hang and be like my emotional support friend. And 707 00:33:29,560 --> 00:33:33,400 Speaker 1: then I'm also I also might start getting into town 708 00:33:33,840 --> 00:33:37,360 Speaker 1: the day before and during the day of my show, 709 00:33:37,440 --> 00:33:41,280 Speaker 1: I might do Taylor Swift sing alongs where I play 710 00:33:41,760 --> 00:33:44,960 Speaker 1: guitar and everyone comes, like to a cafe. It's like 711 00:33:45,040 --> 00:33:48,760 Speaker 1: free for like swift ease, because I don't I'm playing 712 00:33:48,800 --> 00:33:50,400 Speaker 1: guitar now and singing all the time, and I just 713 00:33:50,480 --> 00:33:52,160 Speaker 1: want to sing Taylor Swift with other Swifties. So I 714 00:33:52,200 --> 00:33:56,760 Speaker 1: might do swift e meetups also come to the right place. 715 00:33:57,160 --> 00:34:02,200 Speaker 1: You know that we are about Taylor Swift so badly 716 00:34:02,240 --> 00:34:05,960 Speaker 1: because no one gets it, like like I know that 717 00:34:06,040 --> 00:34:08,160 Speaker 1: you guys do because I heard I heard your one 718 00:34:08,400 --> 00:34:10,920 Speaker 1: where you covered folklore. I think it was I think 719 00:34:10,920 --> 00:34:14,600 Speaker 1: it was right with folklore. It was so just nuanced 720 00:34:14,600 --> 00:34:17,440 Speaker 1: and really came from a perspective of of two people 721 00:34:17,480 --> 00:34:19,120 Speaker 1: that I know love her as much as I knew 722 00:34:19,120 --> 00:34:22,120 Speaker 1: would really appreciate her. And so yeah, I just I 723 00:34:22,200 --> 00:34:25,000 Speaker 1: know that as a thirty six sooner be thirty seven 724 00:34:25,040 --> 00:34:27,560 Speaker 1: year old Swifty, I would want to go somewhere and 725 00:34:27,560 --> 00:34:32,400 Speaker 1: sing with a bunch of other girls. So even if 726 00:34:32,440 --> 00:34:34,359 Speaker 1: it's bad, which I'm not good at guitar, I'm like, 727 00:34:34,600 --> 00:34:36,520 Speaker 1: we'll all saying, it will just be so fun. It 728 00:34:36,640 --> 00:34:38,839 Speaker 1: just I was doing Taylor Swift Dance Party storying with Covid. 729 00:34:38,840 --> 00:34:40,880 Speaker 1: I would just do a playlist and we'd all just 730 00:34:41,000 --> 00:34:43,719 Speaker 1: dance on zoom like hundreds of people, and it was 731 00:34:43,800 --> 00:34:46,680 Speaker 1: so fun because I just I just she really makes 732 00:34:46,719 --> 00:34:48,880 Speaker 1: me happy, and I like, like I listened to I 733 00:34:48,920 --> 00:34:51,240 Speaker 1: have to, Like, I watched her Grammy performance now before 734 00:34:51,239 --> 00:34:53,840 Speaker 1: I go like on a podcaster if I'm on my 735 00:34:53,840 --> 00:34:55,480 Speaker 1: way to a set and I'm like kind of nervous 736 00:34:55,480 --> 00:34:58,439 Speaker 1: and want to get into like my energy of being 737 00:34:58,480 --> 00:35:01,880 Speaker 1: like I got this, I'm a pro. Like, I watched 738 00:35:01,880 --> 00:35:06,480 Speaker 1: her latest Grammy performance because it's just masterful and emotional 739 00:35:06,600 --> 00:35:08,800 Speaker 1: and raw. Uh yeah, she just gets me in the 740 00:35:08,840 --> 00:35:12,279 Speaker 1: right place. She goes into Willow and August, so yeah, 741 00:35:12,360 --> 00:35:18,440 Speaker 1: she's Yeah. She started on uh Cargan Cardigan, August Willow. 742 00:35:18,680 --> 00:35:21,720 Speaker 1: When she snuck August in there, I was like, thank 743 00:35:21,920 --> 00:35:25,360 Speaker 1: you for giving August the moment, the live like Awards 744 00:35:25,400 --> 00:35:28,839 Speaker 1: Show moment, because August was obviously on an album full 745 00:35:28,880 --> 00:35:34,520 Speaker 1: of highlights, like it was the highlight of absolutely was 746 00:35:34,600 --> 00:35:38,640 Speaker 1: the highlight and just a song that is resonated with 747 00:35:38,719 --> 00:35:41,400 Speaker 1: me throughout. At the first moment I heard it, I 748 00:35:41,440 --> 00:35:44,799 Speaker 1: have meet me behind the mall is like canceled my 749 00:35:44,920 --> 00:35:48,440 Speaker 1: plans just in case you call back when I was 750 00:35:48,480 --> 00:35:50,080 Speaker 1: living for the hope of it and meet me behind 751 00:35:50,120 --> 00:35:57,800 Speaker 1: the Oh, it's so heartbreaking and like it's just it 752 00:35:57,880 --> 00:36:01,080 Speaker 1: has this Christian it's it brings the bridge in very 753 00:36:01,200 --> 00:36:05,719 Speaker 1: soon and then it doubles down. Is brilliant that it's 754 00:36:05,719 --> 00:36:08,839 Speaker 1: all over the place and it's so good and it's 755 00:36:09,120 --> 00:36:11,719 Speaker 1: and you're right, like the Pond Sessions didn't give me 756 00:36:11,800 --> 00:36:14,040 Speaker 1: what I wanted. Even though Jack anson off during August 757 00:36:14,120 --> 00:36:17,360 Speaker 1: on this Pond Sessions it's hilarious, but I wanted a 758 00:36:17,840 --> 00:36:21,320 Speaker 1: like full I wanted her standing up off of a couch, 759 00:36:21,440 --> 00:36:23,319 Speaker 1: you know, like then that gave it to me too. 760 00:36:23,480 --> 00:36:25,920 Speaker 1: But August was my my number one Spotify play like 761 00:36:26,040 --> 00:36:28,279 Speaker 1: it was. I couldn't stop and I and I still 762 00:36:28,480 --> 00:36:29,879 Speaker 1: play it all the time. I just I just sang 763 00:36:29,920 --> 00:36:31,440 Speaker 1: it with my friends. I made my friends come over 764 00:36:31,560 --> 00:36:36,120 Speaker 1: and stick it with me in the courtyard. I think, 765 00:36:36,280 --> 00:36:39,960 Speaker 1: where in this in this weird zone in terms of 766 00:36:40,640 --> 00:36:45,040 Speaker 1: swifty age, where when you guys get on board? I 767 00:36:45,280 --> 00:36:48,520 Speaker 1: was on board ever since Fearless. Yeah, I would say 768 00:36:48,719 --> 00:36:51,600 Speaker 1: that when I started to when I started to become legit, legit, 769 00:36:51,719 --> 00:36:54,560 Speaker 1: legit was probably the tail end of red and then 770 00:36:54,640 --> 00:36:56,400 Speaker 1: into any night. So I was a little. I was 771 00:36:56,480 --> 00:36:58,640 Speaker 1: a little I guess late. I know that there's like 772 00:36:58,719 --> 00:37:03,200 Speaker 1: hard course make lee title. Yeah, but but when I 773 00:37:03,280 --> 00:37:05,920 Speaker 1: tell you when I joined the bandwagon, I joined it 774 00:37:06,440 --> 00:37:11,640 Speaker 1: hard like it was like her masterpiece. I actually I 775 00:37:11,760 --> 00:37:15,680 Speaker 1: stand reputation. I stand we are this is a reputation house, 776 00:37:16,760 --> 00:37:20,000 Speaker 1: this is this is one here thank you. I a reputation. 777 00:37:20,400 --> 00:37:22,719 Speaker 1: I mean the whole album. I celebrate, there are no 778 00:37:22,920 --> 00:37:25,359 Speaker 1: doubts on it. I was just on a subreddit, Taylor 779 00:37:25,400 --> 00:37:28,360 Speaker 1: Swift subreddit, and they were ranking her songs by album. 780 00:37:28,600 --> 00:37:31,080 Speaker 1: And it's funny because Taylor swifties don't we'll never say 781 00:37:31,080 --> 00:37:33,600 Speaker 1: anything bad about Taylor Swift, like you know, like they 782 00:37:33,800 --> 00:37:36,520 Speaker 1: we can you know, stand culture, you just don't, and 783 00:37:36,600 --> 00:37:39,880 Speaker 1: that they do the surveys some teenager made it was like, uh, 784 00:37:40,360 --> 00:37:43,560 Speaker 1: like you're not. They didn't say least favorite, but it 785 00:37:43,640 --> 00:37:46,319 Speaker 1: was like, uh, it started with there was some way 786 00:37:46,360 --> 00:37:47,719 Speaker 1: they did it so that you wouldn't be saying it 787 00:37:47,760 --> 00:37:51,480 Speaker 1: was your least favorite or something like that. But it's 788 00:37:51,520 --> 00:37:53,600 Speaker 1: so they're so nice and I love swift ease and 789 00:37:53,680 --> 00:37:55,880 Speaker 1: that's why and I feel like I'm one. I just 790 00:37:56,120 --> 00:37:59,719 Speaker 1: Taylor Swift ninety nine dropped and hearing, and I went 791 00:37:59,760 --> 00:38:02,359 Speaker 1: to a Read concert and I got into Read a lot, 792 00:38:02,719 --> 00:38:05,319 Speaker 1: but there was just something about nine nine and then 793 00:38:05,360 --> 00:38:09,080 Speaker 1: going to that show, I just and then reputation was 794 00:38:09,200 --> 00:38:12,759 Speaker 1: for me, what just like, uh, where is this? You'll 795 00:38:12,760 --> 00:38:14,680 Speaker 1: never be the same, Nikki, because you are her delicate, 796 00:38:14,880 --> 00:38:18,359 Speaker 1: her delicate same for the best. It steals my it's 797 00:38:18,400 --> 00:38:22,560 Speaker 1: my alarm every morning. I don't get rich sick of it. 798 00:38:22,640 --> 00:38:25,120 Speaker 1: I I do not get sick of that song. It's 799 00:38:25,160 --> 00:38:27,360 Speaker 1: just it's disgusting. And I don't know about you, but 800 00:38:27,520 --> 00:38:29,560 Speaker 1: like you said, like and I want to ask everyone 801 00:38:29,680 --> 00:38:32,600 Speaker 1: what their favorite live Taylor performances, but this is one 802 00:38:32,719 --> 00:38:35,800 Speaker 1: that so I might be the biggest. I know you 803 00:38:35,880 --> 00:38:38,520 Speaker 1: probably do, but there for me, there's two. One. There's 804 00:38:38,560 --> 00:38:41,600 Speaker 1: a live performance that she did of Treacherous, which is um. 805 00:38:41,960 --> 00:38:44,279 Speaker 1: It was like um, she had like her bangs and 806 00:38:44,360 --> 00:38:47,040 Speaker 1: are like her like liberal artist. The kids are sitting 807 00:38:49,040 --> 00:38:51,680 Speaker 1: and she's and she is like she's just explaining it 808 00:38:51,719 --> 00:38:53,359 Speaker 1: in the beginning and then does it and then it's 809 00:38:53,440 --> 00:38:56,120 Speaker 1: so good. Her vocals so great. But my favorite performance 810 00:38:56,160 --> 00:39:00,120 Speaker 1: of hers is Wildest Dreams from the tour, which is 811 00:39:00,160 --> 00:39:03,879 Speaker 1: a uh I believe it's a mash up. Oh my god, 812 00:39:04,120 --> 00:39:10,960 Speaker 1: it enchanted Wildest Dreams mash up because I'm telling you, 813 00:39:11,280 --> 00:39:13,960 Speaker 1: she sings the Wildest dream Bridge over and over like 814 00:39:14,160 --> 00:39:16,799 Speaker 1: three extra times, and then she does the chorus at 815 00:39:16,840 --> 00:39:18,360 Speaker 1: the end, and that she gets it from the piano 816 00:39:18,440 --> 00:39:21,040 Speaker 1: and starts doing her white girl stomp and she's giving 817 00:39:21,080 --> 00:39:24,440 Speaker 1: you her hips and she's just given. She's so Taylor. 818 00:39:24,520 --> 00:39:26,800 Speaker 1: And I also like, for me, my favorite type of 819 00:39:26,880 --> 00:39:31,120 Speaker 1: song is like an emotional ballad that lifts off like 820 00:39:31,440 --> 00:39:35,040 Speaker 1: I Wildest Dreams to me, is I did that thing. 821 00:39:35,080 --> 00:39:36,360 Speaker 1: I don't know if you guys have done this, but 822 00:39:36,480 --> 00:39:40,320 Speaker 1: like they'll like UM do like the march madness the 823 00:39:40,400 --> 00:39:44,880 Speaker 1: brackets with her songs, And no matter what I do, 824 00:39:45,160 --> 00:39:47,279 Speaker 1: wild the Streams always wins. And I know that no 825 00:39:47,360 --> 00:39:49,359 Speaker 1: one else is saying that but me. But Wildest Dreams 826 00:39:49,400 --> 00:39:52,960 Speaker 1: to me, is it? I just got into Wildest Dreams 827 00:39:54,120 --> 00:39:55,960 Speaker 1: like a month ago. I know, I know, it was 828 00:39:56,080 --> 00:39:58,000 Speaker 1: just one that I like, was like, it's great, I 829 00:39:58,160 --> 00:40:00,719 Speaker 1: know it and I could say it, you know, I 830 00:40:00,800 --> 00:40:03,520 Speaker 1: know all the lyrics, but I just really for her. 831 00:40:03,840 --> 00:40:06,080 Speaker 1: I gotta feel that I have to go through what 832 00:40:06,280 --> 00:40:08,839 Speaker 1: that I need. I seek out her songs to feel 833 00:40:08,880 --> 00:40:11,680 Speaker 1: my feelings. I can't get there really otherwise. So I 834 00:40:11,760 --> 00:40:14,040 Speaker 1: will go through when I'm going through a heartbreak or 835 00:40:14,320 --> 00:40:17,200 Speaker 1: feeling like the industry is, I'll find the song and 836 00:40:17,280 --> 00:40:20,000 Speaker 1: I'm and wildest dreams. I was just like seeing, like 837 00:40:20,120 --> 00:40:22,959 Speaker 1: will this fit my mood today? And I go, holy shit, 838 00:40:25,080 --> 00:40:27,120 Speaker 1: every aspect of what I wanted and it was just 839 00:40:27,239 --> 00:40:30,440 Speaker 1: like this. It was like, it's like porn for my emotions, 840 00:40:30,520 --> 00:40:33,160 Speaker 1: Like it really just like got everything out that I needed. 841 00:40:33,280 --> 00:40:35,960 Speaker 1: And then the music video where she has the h 842 00:40:36,200 --> 00:40:37,759 Speaker 1: but I can't wait to watch that lie. I haven't 843 00:40:37,760 --> 00:40:40,680 Speaker 1: watched that live performance because enchanted. That is so good. 844 00:40:40,760 --> 00:40:42,200 Speaker 1: And do you know that it was written about the 845 00:40:42,600 --> 00:40:46,120 Speaker 1: lead singer of that one band that did I Get 846 00:40:46,200 --> 00:40:52,719 Speaker 1: a Thousand Hugs from ten Thousand fires Flies lead singer 847 00:40:52,719 --> 00:40:54,759 Speaker 1: about Sliddy? She met him at a party and she 848 00:40:55,360 --> 00:40:57,640 Speaker 1: she wrote that song about him, and then by the 849 00:40:57,680 --> 00:41:00,279 Speaker 1: time of she was like super famous and he found 850 00:41:00,280 --> 00:41:01,920 Speaker 1: out it was about him, and he like slid back 851 00:41:01,960 --> 00:41:04,000 Speaker 1: in and he like, I think wrote a song or 852 00:41:04,000 --> 00:41:07,080 Speaker 1: recovered it. He covered it to day her attention again 853 00:41:07,120 --> 00:41:15,520 Speaker 1: and she never acknowledged it's what's your Number? One? She 854 00:41:15,600 --> 00:41:18,960 Speaker 1: had moved on. My number one line is a tie between. 855 00:41:19,400 --> 00:41:22,520 Speaker 1: But they're from the same they're from the same concert 856 00:41:22,600 --> 00:41:25,440 Speaker 1: quote unquote, which is her Grammy's Museum performances. What I'm 857 00:41:25,480 --> 00:41:28,879 Speaker 1: talking about. It's but it's the acoustic version of blank 858 00:41:28,920 --> 00:41:32,800 Speaker 1: Space and then and then it's the fucking like just 859 00:41:33,080 --> 00:41:37,000 Speaker 1: like Jeff Buckley guitar version of Wild the Streams, and 860 00:41:37,080 --> 00:41:39,719 Speaker 1: like both of those. She's just and also like this 861 00:41:39,840 --> 00:41:42,040 Speaker 1: is so shallow, but her look was so perfect. She's 862 00:41:42,080 --> 00:41:45,600 Speaker 1: just in a black and a black mock neck, black pants. 863 00:41:45,840 --> 00:41:50,320 Speaker 1: Her hair was perfectly like just brushed and like gentle 864 00:41:50,440 --> 00:41:53,080 Speaker 1: curl up, like curl up around the frame of her face, 865 00:41:53,360 --> 00:41:57,520 Speaker 1: so poised and just perfect and confident. And she's had 866 00:41:57,560 --> 00:42:00,879 Speaker 1: the Grammys too, so she's like she's she's like, she's 867 00:42:00,880 --> 00:42:03,960 Speaker 1: at the top. Yeah, it was Imperial phase. We always 868 00:42:04,000 --> 00:42:08,400 Speaker 1: say the star burned brightest, not not that. And the 869 00:42:08,480 --> 00:42:10,520 Speaker 1: thing is she has had this many times because she's 870 00:42:10,680 --> 00:42:12,920 Speaker 1: very good at reinventing sort of Madonna ask in that 871 00:42:13,000 --> 00:42:15,080 Speaker 1: way where it's like, you know, there's just a constant 872 00:42:15,120 --> 00:42:17,640 Speaker 1: sort of reinvention happening with her and especially now with 873 00:42:18,080 --> 00:42:21,120 Speaker 1: essentially Nymph in the Woods culture that's happening, which we 874 00:42:21,280 --> 00:42:24,759 Speaker 1: love like which in the woods moment, uh, but that 875 00:42:25,160 --> 00:42:28,600 Speaker 1: was so she was really hitting it at that show. 876 00:42:30,280 --> 00:42:33,000 Speaker 1: Oh my god, the blank space I really love I have. 877 00:42:33,960 --> 00:42:36,520 Speaker 1: She she does the enter she goes and she's talking 878 00:42:36,520 --> 00:42:38,279 Speaker 1: about like, you know, I'm getting ridden up all the time. 879 00:42:38,320 --> 00:42:41,279 Speaker 1: It's really fun. She's she's really so like we live 880 00:42:41,280 --> 00:42:44,160 Speaker 1: been obsessed with my love life and paying attention every detail. 881 00:42:44,160 --> 00:42:47,440 Speaker 1: It's really fun. So imagine, like, what if that character 882 00:42:47,520 --> 00:42:49,800 Speaker 1: that people think that I am wrote a song and 883 00:42:49,920 --> 00:42:52,080 Speaker 1: it just I guess I never thought of that song 884 00:42:52,200 --> 00:42:54,239 Speaker 1: that way, and it's that song is so great because 885 00:42:54,280 --> 00:42:56,480 Speaker 1: I've started doing that version of that song, like I 886 00:42:56,560 --> 00:42:58,160 Speaker 1: learned how to play a guitar the same way and 887 00:42:58,640 --> 00:43:00,279 Speaker 1: and I and I'm like, I'm not good at the 888 00:43:00,280 --> 00:43:02,319 Speaker 1: singers whom I'm not as good a guitarists. But I've 889 00:43:02,360 --> 00:43:05,000 Speaker 1: been working on the performance of it, and I was 890 00:43:05,080 --> 00:43:06,800 Speaker 1: listening to thinking about the lyrics, and I'm like, I 891 00:43:06,960 --> 00:43:10,360 Speaker 1: love this song because this song is this woman psycho. 892 00:43:10,960 --> 00:43:13,160 Speaker 1: And she starts out so nice, nice to meet you 893 00:43:13,200 --> 00:43:14,440 Speaker 1: where you've been. Oh my god, I can show you 894 00:43:14,480 --> 00:43:17,520 Speaker 1: incredible things. But then she's like, I'll find out what 895 00:43:17,680 --> 00:43:20,120 Speaker 1: you want I'll be that girl for a month. Oh wait, 896 00:43:20,200 --> 00:43:22,120 Speaker 1: the worst is yet to come. But she's saying it 897 00:43:22,160 --> 00:43:24,600 Speaker 1: with a smile, and then it gets into like crying, 898 00:43:24,719 --> 00:43:28,800 Speaker 1: screaming doors and it just becomes crazy and like she 899 00:43:29,120 --> 00:43:31,640 Speaker 1: and she acts as out obviously in the music video 900 00:43:31,680 --> 00:43:34,480 Speaker 1: and it was a very like very heavy handed good 901 00:43:34,560 --> 00:43:37,800 Speaker 1: message but that I miss but I just love that 902 00:43:37,960 --> 00:43:40,800 Speaker 1: this now I'm realizing, like, Okay, if I'm going to 903 00:43:40,880 --> 00:43:42,960 Speaker 1: perform music, I'm not that good at singer and guitar, 904 00:43:43,480 --> 00:43:45,200 Speaker 1: maybe I can bring some comedic value to it of 905 00:43:45,320 --> 00:43:47,360 Speaker 1: like unpiecing this character of who this girl is. So 906 00:43:47,400 --> 00:43:49,680 Speaker 1: it's like I've been trying to explore her songs that way, 907 00:43:49,760 --> 00:43:52,359 Speaker 1: just analyzing the lyrics because there's no one better than 908 00:43:52,640 --> 00:43:56,279 Speaker 1: I mean, I just I'm so so I'll get to 909 00:43:56,360 --> 00:43:58,880 Speaker 1: my favorite live performance. Sorry for all of that, I 910 00:43:59,120 --> 00:44:03,400 Speaker 1: will have to say. I can't get over the I 911 00:44:04,360 --> 00:44:08,920 Speaker 1: cannot get over the camera fucking with her eyes she 912 00:44:09,120 --> 00:44:15,960 Speaker 1: does on Betty the American Country Music Awards Acoustic showed 913 00:44:16,120 --> 00:44:23,719 Speaker 1: up at your party, and she's like, guys, watch go 914 00:44:23,960 --> 00:44:26,480 Speaker 1: back and watch that, and like she is looking a 915 00:44:26,600 --> 00:44:29,680 Speaker 1: camera like I felt I was like aroused by it 916 00:44:29,800 --> 00:44:31,440 Speaker 1: and I just thought it was like, so, I just 917 00:44:31,560 --> 00:44:34,400 Speaker 1: love her very acoustic, and her outfit for that was 918 00:44:34,520 --> 00:44:36,759 Speaker 1: very toned down. She did her own makeup. But then 919 00:44:37,120 --> 00:44:40,480 Speaker 1: if her Cornelia Street, Um, the Paris one I really 920 00:44:40,520 --> 00:44:44,320 Speaker 1: love because of that city screams your name, that like 921 00:44:44,560 --> 00:44:47,480 Speaker 1: you that she reaches, it's like it's like more rugged. 922 00:44:47,719 --> 00:44:50,840 Speaker 1: I just yeah, but literally every single one, she just 923 00:44:50,920 --> 00:44:53,200 Speaker 1: can't go wrong. And she's gotten so much better with time, 924 00:44:53,280 --> 00:44:56,040 Speaker 1: and it just it's fun to watch her old stuff 925 00:44:56,040 --> 00:44:57,840 Speaker 1: because I didn't get into her until so late and 926 00:44:57,960 --> 00:45:02,000 Speaker 1: just see just you know, I feel like I feel 927 00:45:02,520 --> 00:45:05,200 Speaker 1: very I relate to Taylor Swift a lot, and I'm 928 00:45:05,239 --> 00:45:06,879 Speaker 1: just scared she's going to have kids because then I'll 929 00:45:06,880 --> 00:45:09,640 Speaker 1: stop relating to her. No, no, no, I don't think 930 00:45:09,880 --> 00:45:12,480 Speaker 1: she's so aware. She's so in touch with like what 931 00:45:12,880 --> 00:45:15,759 Speaker 1: people like about her that I think she'll She'll never 932 00:45:15,840 --> 00:45:18,920 Speaker 1: be she'll never lose that self awareness in terms of 933 00:45:19,000 --> 00:45:21,279 Speaker 1: like how it translates, how it translates to her music, 934 00:45:21,360 --> 00:45:25,239 Speaker 1: or how she connects to her her listeners. Um, but wait, 935 00:45:25,280 --> 00:45:30,200 Speaker 1: talk about your personal history with Taylor Swift, especially the Swifties, 936 00:45:30,239 --> 00:45:33,719 Speaker 1: because because because there was that like weird time when 937 00:45:33,760 --> 00:45:36,160 Speaker 1: it felt when it felt like volatile and hostile, right, 938 00:45:36,160 --> 00:45:38,480 Speaker 1: and like I like I've experienced this with swifties too, 939 00:45:39,520 --> 00:45:43,279 Speaker 1: or like they've come after me. They're really really sensitive, 940 00:45:43,480 --> 00:45:48,680 Speaker 1: and that's what I was. I was anticipating them being very, 941 00:45:48,800 --> 00:45:50,399 Speaker 1: very angry at me. They didn't come at me because 942 00:45:50,400 --> 00:45:51,920 Speaker 1: I got ahead of it before they could figure out 943 00:45:51,960 --> 00:45:55,560 Speaker 1: who I was. But I really ended up. So I 944 00:45:55,719 --> 00:45:59,400 Speaker 1: was in the trailer for Miss Americana that dropped, oh 945 00:46:00,160 --> 00:46:03,480 Speaker 1: a week before We Americana came out the documentary on Netflix, 946 00:46:03,719 --> 00:46:06,960 Speaker 1: and I at midnight the trailer dropped as a swifty. 947 00:46:07,040 --> 00:46:09,239 Speaker 1: I pulled it up and in bed watching it, and 948 00:46:09,320 --> 00:46:11,480 Speaker 1: I hear my own voice and I was just like, 949 00:46:13,400 --> 00:46:16,880 Speaker 1: it's during the part of the documentary that's like like 950 00:46:17,000 --> 00:46:18,520 Speaker 1: where she she's like I had to go away for 951 00:46:18,560 --> 00:46:20,600 Speaker 1: a year and it's like a bunch of people saying 952 00:46:20,600 --> 00:46:22,359 Speaker 1: shitty things and me being like she has all these 953 00:46:22,400 --> 00:46:25,560 Speaker 1: model friends, she's too skinny. It's like, I don't like it. 954 00:46:25,719 --> 00:46:27,840 Speaker 1: It's just me just being not funny, just like and 955 00:46:27,920 --> 00:46:29,319 Speaker 1: it's my voice. I sent it to all my friends 956 00:46:29,320 --> 00:46:31,560 Speaker 1: and I'm like, you, guys, I'm even the Steelership documentary 957 00:46:31,560 --> 00:46:33,040 Speaker 1: and they're like that is not you. You would never 958 00:46:33,080 --> 00:46:34,680 Speaker 1: say those things, and I'm like, I know it's me. 959 00:46:34,840 --> 00:46:37,480 Speaker 1: Of course I would because like I I know that 960 00:46:37,600 --> 00:46:39,840 Speaker 1: I used to mouth off about her because I was 961 00:46:39,920 --> 00:46:42,719 Speaker 1: so like wanting to be her, and I felt like 962 00:46:42,800 --> 00:46:45,120 Speaker 1: now she's a model, and now she's it's like the 963 00:46:45,200 --> 00:46:46,440 Speaker 1: thing I just said, I don't want her to have 964 00:46:46,600 --> 00:46:49,040 Speaker 1: kids because I will relate And I'm like, now you're 965 00:46:49,080 --> 00:46:52,160 Speaker 1: friends with the only hot deeds, like you're I'm losing you. 966 00:46:52,400 --> 00:46:56,600 Speaker 1: And that's part of loving someone so much is you 967 00:46:56,760 --> 00:47:00,400 Speaker 1: sometimes do say something teasing them, like the one that 968 00:47:00,520 --> 00:47:05,120 Speaker 1: we stand, Well, it's because so I get what you 969 00:47:05,200 --> 00:47:08,520 Speaker 1: were doing. But yeah, and it was the same though, 970 00:47:08,640 --> 00:47:10,160 Speaker 1: like I love her so much, I felt I was 971 00:47:10,239 --> 00:47:12,600 Speaker 1: losing her. Two models into that, Like I thought I 972 00:47:12,680 --> 00:47:14,160 Speaker 1: was gonna lose her and so I was gonna shame 973 00:47:14,200 --> 00:47:15,560 Speaker 1: her for it. That she'd come back to me the 974 00:47:15,600 --> 00:47:18,360 Speaker 1: way like my my best friend Kersen in high school, 975 00:47:18,400 --> 00:47:21,360 Speaker 1: Like like when I found out she was like blew someone, 976 00:47:21,600 --> 00:47:23,719 Speaker 1: I just like I cried and cried because I was like, 977 00:47:23,840 --> 00:47:26,920 Speaker 1: I lost you, like I didn't. I can't do that. 978 00:47:27,000 --> 00:47:28,360 Speaker 1: I'm not going to be able to do that and 979 00:47:28,480 --> 00:47:30,000 Speaker 1: talk to you and relate to you anymore. So that's 980 00:47:30,000 --> 00:47:32,960 Speaker 1: how I felt about Taylor Swift being skinnier than me. 981 00:47:33,200 --> 00:47:36,960 Speaker 1: It's like, honestly and like being so like well quoft 982 00:47:37,000 --> 00:47:39,960 Speaker 1: and shiny and like model, like she's alleged she could 983 00:47:40,000 --> 00:47:42,600 Speaker 1: be a model, like a runway model, you know. And 984 00:47:42,760 --> 00:47:46,600 Speaker 1: so I lashed out on some dumb show and then 985 00:47:46,840 --> 00:47:50,160 Speaker 1: I uh, I waited a week, and during that week 986 00:47:50,200 --> 00:47:52,239 Speaker 1: I couldn't listen to Taylor Swift music. I was just like, 987 00:47:52,360 --> 00:47:54,359 Speaker 1: I've done my girl wrong. I don't know how bad 988 00:47:54,440 --> 00:47:57,200 Speaker 1: this is going to be. Like I just the thought 989 00:47:57,280 --> 00:47:58,960 Speaker 1: of her made me like sad because I was like, 990 00:47:59,040 --> 00:48:04,480 Speaker 1: I hurt her, and I didn't know what the impact 991 00:48:04,600 --> 00:48:06,080 Speaker 1: was going to be in terms of like how I 992 00:48:06,200 --> 00:48:07,840 Speaker 1: come off on the secondary what else? I said. I 993 00:48:07,840 --> 00:48:09,040 Speaker 1: didn't even look up the clip, and I'm like, I 994 00:48:09,080 --> 00:48:10,560 Speaker 1: don't even want to know. It's what's done has done. 995 00:48:10,640 --> 00:48:12,880 Speaker 1: My agents and everyone were like, don't make this thing 996 00:48:13,000 --> 00:48:16,600 Speaker 1: because you know, we don't want to upset her or anything, 997 00:48:16,680 --> 00:48:19,120 Speaker 1: Like I go, can you can you find out what 998 00:48:19,320 --> 00:48:22,200 Speaker 1: part of this? They were like, we're not gonna say anything. 999 00:48:22,680 --> 00:48:24,920 Speaker 1: So then someone got a pret screener and was like, 1000 00:48:24,960 --> 00:48:26,440 Speaker 1: you're in it and I was like, oh God, damn it. 1001 00:48:26,520 --> 00:48:29,239 Speaker 1: And I finally watched it and it was just it 1002 00:48:29,480 --> 00:48:31,440 Speaker 1: was a clip of me. It wasn't my name. They 1003 00:48:31,480 --> 00:48:33,800 Speaker 1: didn't use my name like or like you do a 1004 00:48:33,920 --> 00:48:36,320 Speaker 1: chiron for me, but it's my face and it's a 1005 00:48:36,440 --> 00:48:40,040 Speaker 1: video of me going, she's just all she has model friends, 1006 00:48:40,520 --> 00:48:43,320 Speaker 1: she's too skinny. It's like, come on. It was just 1007 00:48:43,360 --> 00:48:46,920 Speaker 1: just me being like just a little bit like bitching about, 1008 00:48:47,320 --> 00:48:50,000 Speaker 1: like gossipy and not funny. Like if it was funny, 1009 00:48:50,000 --> 00:48:52,080 Speaker 1: I could even justify it, but it wasn't and I 1010 00:48:52,120 --> 00:48:55,040 Speaker 1: wouldn't even then. So I just felt really sad, and 1011 00:48:55,239 --> 00:48:57,400 Speaker 1: I caught a couple like hateful d m s but 1012 00:48:57,520 --> 00:48:59,600 Speaker 1: not like from people who really did their work. And 1013 00:48:59,680 --> 00:49:02,520 Speaker 1: then all day I was like I couldn't even feel 1014 00:49:02,680 --> 00:49:05,040 Speaker 1: my feelings because I couldn't listen to Taylor Swift to 1015 00:49:05,080 --> 00:49:07,040 Speaker 1: process what I was feeling about Taylor Swift because it 1016 00:49:07,080 --> 00:49:08,920 Speaker 1: triggered me so much to be like, I don't listen 1017 00:49:08,960 --> 00:49:11,440 Speaker 1: to this person that probably hates me. And so I 1018 00:49:11,560 --> 00:49:12,880 Speaker 1: was like walking around the city. I didn't know what 1019 00:49:12,920 --> 00:49:14,520 Speaker 1: to do, and I was like, I have to apologize. 1020 00:49:14,520 --> 00:49:15,880 Speaker 1: I didn't want to go through my agents because I 1021 00:49:15,920 --> 00:49:17,919 Speaker 1: thought that they would probably be so scared of even 1022 00:49:18,120 --> 00:49:20,520 Speaker 1: talking her that they'd tell me that they wrote late Senator, 1023 00:49:20,840 --> 00:49:23,600 Speaker 1: and then they wouldn't, and then I wouldn't lie about 1024 00:49:23,600 --> 00:49:25,560 Speaker 1: it because to protect me in because they're liars and 1025 00:49:25,640 --> 00:49:28,399 Speaker 1: so um you know when they lie for a living. 1026 00:49:28,520 --> 00:49:32,239 Speaker 1: So I I I just decided to put out a 1027 00:49:32,320 --> 00:49:34,200 Speaker 1: picture of me and a Taylor Swift shirt and then 1028 00:49:34,280 --> 00:49:36,600 Speaker 1: write a caption being like, hey, I was in this thing, 1029 00:49:36,719 --> 00:49:39,800 Speaker 1: and I thought it was I thought it was a 1030 00:49:39,960 --> 00:49:43,640 Speaker 1: perfectly written thing. It wasn't trying to like protect myself 1031 00:49:43,640 --> 00:49:45,320 Speaker 1: from Swift because they weren't really coming after me. It 1032 00:49:45,400 --> 00:49:49,160 Speaker 1: was honestly to make like to have a chance of 1033 00:49:49,280 --> 00:49:51,279 Speaker 1: getting this in front of her eyes, because I thought, 1034 00:49:51,400 --> 00:49:55,799 Speaker 1: maybe she'll see this and she'll know that I am 1035 00:49:56,080 --> 00:49:58,120 Speaker 1: someone who struggled with eating disorders and like the fact 1036 00:49:58,160 --> 00:50:00,480 Speaker 1: that I may have contributed to hers and anyway by 1037 00:50:00,560 --> 00:50:03,799 Speaker 1: commenting on her body like was and and and then 1038 00:50:03,880 --> 00:50:05,920 Speaker 1: then I admitted to just being jealous and I thought 1039 00:50:05,960 --> 00:50:07,839 Speaker 1: it was And then she she wrote a comment back 1040 00:50:07,840 --> 00:50:10,560 Speaker 1: and I literally can't even remember what it was because 1041 00:50:10,560 --> 00:50:12,000 Speaker 1: I saw it. I couldn't look again, like it was 1042 00:50:12,080 --> 00:50:13,839 Speaker 1: too much like I just like was like thank you, Taylor, 1043 00:50:13,880 --> 00:50:15,040 Speaker 1: and then I was like I don't even know what 1044 00:50:15,160 --> 00:50:17,680 Speaker 1: it was, and so that, and but the way she 1045 00:50:17,800 --> 00:50:20,200 Speaker 1: wrote it was like so like, oh my god, this 1046 00:50:20,360 --> 00:50:24,040 Speaker 1: means so much to me, Like it was just that 1047 00:50:24,120 --> 00:50:27,040 Speaker 1: you said that. I think, I think because you know, 1048 00:50:27,600 --> 00:50:29,880 Speaker 1: the thing, the thing that I think sometimes we forget 1049 00:50:29,920 --> 00:50:32,000 Speaker 1: about people that are this big is that like they 1050 00:50:32,080 --> 00:50:33,960 Speaker 1: do have the Internet and they are human beings, and 1051 00:50:34,040 --> 00:50:36,160 Speaker 1: the thing is like, you know, especially I think when 1052 00:50:36,239 --> 00:50:39,640 Speaker 1: someone is like really funny. I I think for for 1053 00:50:39,680 --> 00:50:41,640 Speaker 1: a lot of musicians too, they look at like funny 1054 00:50:41,719 --> 00:50:43,960 Speaker 1: people as like people that have like some sort of 1055 00:50:44,080 --> 00:50:47,000 Speaker 1: like uh I on the whole thing, and like when 1056 00:50:47,040 --> 00:50:49,279 Speaker 1: whenever a comedian makes fun of them, it's always like, oh, 1057 00:50:49,320 --> 00:50:51,000 Speaker 1: it's their job, it's a comedian making fun of me. 1058 00:50:51,040 --> 00:50:53,520 Speaker 1: But also there I think there's an insinua. There's like 1059 00:50:53,600 --> 00:50:56,719 Speaker 1: probably a false insinuation that comedians are like smart or 1060 00:50:56,760 --> 00:50:59,120 Speaker 1: all seeing or we'll call out the thing that everyone's thinking. 1061 00:50:59,640 --> 00:51:02,520 Speaker 1: So there is that thing of like, oh, comedian made 1062 00:51:02,600 --> 00:51:04,520 Speaker 1: fun of me, Like am I this thing? And so 1063 00:51:04,640 --> 00:51:06,480 Speaker 1: I think like for you to own it like that, 1064 00:51:06,680 --> 00:51:08,719 Speaker 1: even if you didn't need to, even if it was 1065 00:51:08,880 --> 00:51:10,680 Speaker 1: just like something you tossed off and like you did 1066 00:51:10,760 --> 00:51:13,400 Speaker 1: not need to beat yourself bad. I think she is 1067 00:51:13,440 --> 00:51:16,600 Speaker 1: a human being. Was like, oh, this like cool, funny, 1068 00:51:17,000 --> 00:51:20,080 Speaker 1: gorgeous comedian that like you know, may have bothered me, 1069 00:51:20,239 --> 00:51:22,800 Speaker 1: like owned this went out of her way to do 1070 00:51:22,960 --> 00:51:24,360 Speaker 1: this and be like, I have such a respect an 1071 00:51:24,360 --> 00:51:27,720 Speaker 1: admiration for you. I'm sorry. And she did reply very thoughtfully, 1072 00:51:27,760 --> 00:51:29,439 Speaker 1: and you could tell that she wouldn't have just said 1073 00:51:29,520 --> 00:51:31,880 Speaker 1: that had not been something that was really meaningful. And 1074 00:51:31,920 --> 00:51:34,440 Speaker 1: I thought the whole thing was great, Thank you, and 1075 00:51:34,680 --> 00:51:38,520 Speaker 1: I honestly want to take this opportunity to address another time. 1076 00:51:38,600 --> 00:51:43,040 Speaker 1: I talked to Taylor's that it was before Miss Americana, 1077 00:51:43,160 --> 00:51:45,400 Speaker 1: but it only came out after Miss Americana, So I 1078 00:51:45,480 --> 00:51:49,120 Speaker 1: felt like if she could have seen it, like it 1079 00:51:49,239 --> 00:51:51,440 Speaker 1: was only after my apology and then I take this 1080 00:51:51,480 --> 00:51:55,160 Speaker 1: wing before so but it's like bonus, exactly what you're 1081 00:51:55,160 --> 00:51:57,000 Speaker 1: saying of like the people you love so much and 1082 00:51:57,080 --> 00:51:58,920 Speaker 1: you know the most about you, have the most opinions 1083 00:51:58,920 --> 00:52:00,839 Speaker 1: about you as a comedian and maybe make the most 1084 00:52:00,880 --> 00:52:03,000 Speaker 1: fun of. But honestly, when I did Dancing with the Stars, 1085 00:52:03,160 --> 00:52:05,320 Speaker 1: I kind of signed up for that because I like 1086 00:52:05,920 --> 00:52:07,240 Speaker 1: there was a part of me that was like, Taylor 1087 00:52:07,280 --> 00:52:09,920 Speaker 1: Swift makes like kind of white girl dancing, like not 1088 00:52:10,239 --> 00:52:12,719 Speaker 1: like King, you know, like in the shake uh you know, 1089 00:52:12,960 --> 00:52:15,320 Speaker 1: shake it Off video. It was like she was like 1090 00:52:15,840 --> 00:52:18,040 Speaker 1: people accused her of appropriating, but she was just bad 1091 00:52:18,080 --> 00:52:20,880 Speaker 1: at She wasn't that good at some in some of 1092 00:52:20,920 --> 00:52:23,239 Speaker 1: those dances. It wasn't but it looked fun and it 1093 00:52:23,360 --> 00:52:25,360 Speaker 1: was fun to watch, which is what dancing is. It 1094 00:52:25,440 --> 00:52:27,839 Speaker 1: doesn't mean it's bad. But the truth is Taylor Swift 1095 00:52:27,920 --> 00:52:32,680 Speaker 1: is actually a great dancer. She is. So I did that. 1096 00:52:32,840 --> 00:52:34,440 Speaker 1: I didn't have my knowledge when I said that. So 1097 00:52:34,600 --> 00:52:36,200 Speaker 1: in a couple of interviews, I said the fact that 1098 00:52:36,239 --> 00:52:38,439 Speaker 1: Taylor Swift can be a bad at dancing and own 1099 00:52:38,480 --> 00:52:39,960 Speaker 1: it and I love her so much and I like 1100 00:52:40,120 --> 00:52:42,800 Speaker 1: watching her bad dancing, And I didn't. I was speaking 1101 00:52:42,880 --> 00:52:45,160 Speaker 1: from a place of like assuming she was bad dancing, 1102 00:52:45,200 --> 00:52:47,759 Speaker 1: but not really having seen it. So someone I a 1103 00:52:47,880 --> 00:52:50,360 Speaker 1: fan of mine, met her and she and this is 1104 00:52:50,400 --> 00:52:54,520 Speaker 1: before MS Americana went backstage and said, I Nikki Glazer 1105 00:52:54,600 --> 00:52:56,760 Speaker 1: loves you? Do you do you know Nikki Glazers comedian 1106 00:52:56,760 --> 00:52:58,080 Speaker 1: that loves you? And she goes, is that the one 1107 00:52:58,280 --> 00:53:01,120 Speaker 1: that says that my badcing inspired her, and I was like, 1108 00:53:01,440 --> 00:53:03,640 Speaker 1: so Taylor's heard me say that, and that makes me 1109 00:53:03,800 --> 00:53:05,720 Speaker 1: so sad because I want to if so, if anyone 1110 00:53:05,800 --> 00:53:07,960 Speaker 1: out there listening to this knows Taylor Swift, will you 1111 00:53:08,120 --> 00:53:11,120 Speaker 1: let her know that the truth behind me referencing her 1112 00:53:11,160 --> 00:53:13,080 Speaker 1: being a bad dancer and stuffect that I'm a bad dancer, 1113 00:53:13,320 --> 00:53:15,239 Speaker 1: And so I projected that onto her, not knowing how 1114 00:53:15,320 --> 00:53:19,040 Speaker 1: good she dances. Then I saw her her video delicate 1115 00:53:19,640 --> 00:53:23,080 Speaker 1: and that bitch can dance, and she that girl can 1116 00:53:23,120 --> 00:53:25,120 Speaker 1: do anything she puts her mind too. And then I've 1117 00:53:25,160 --> 00:53:28,719 Speaker 1: also seen reputation like since then, I've immersed myself in 1118 00:53:28,800 --> 00:53:32,080 Speaker 1: her live performances, which I hadn't before, and knowing what 1119 00:53:32,160 --> 00:53:33,600 Speaker 1: I know from Dancing with the Stars and how hard 1120 00:53:33,640 --> 00:53:35,920 Speaker 1: it is to dance, that girl, the fact that she's 1121 00:53:35,920 --> 00:53:37,840 Speaker 1: able to dance as good as she can and everything 1122 00:53:37,920 --> 00:53:40,040 Speaker 1: else as good as Again, she's a very good dancer, 1123 00:53:40,239 --> 00:53:42,040 Speaker 1: and I would never compare myself to her again in 1124 00:53:42,080 --> 00:53:45,600 Speaker 1: the dancing realm. At this point in her career, I 1125 00:53:45,680 --> 00:53:49,800 Speaker 1: think Taylor Swift must understand or have some empathy towards 1126 00:53:50,640 --> 00:53:54,080 Speaker 1: the people who make any swipe in her not that 1127 00:53:54,200 --> 00:53:55,720 Speaker 1: not that you saying that she was a bad dancer 1128 00:53:55,760 --> 00:53:57,160 Speaker 1: was a swipe. And the people who make a swipe 1129 00:53:57,200 --> 00:53:59,960 Speaker 1: at her, it is a projection. They are seeing her 1130 00:54:00,160 --> 00:54:04,120 Speaker 1: is this test they see what they want to see 1131 00:54:04,160 --> 00:54:08,360 Speaker 1: out of her. When when this like she knows, that's 1132 00:54:08,480 --> 00:54:12,440 Speaker 1: smart enough to know that. But this this girl gets revenge. 1133 00:54:13,360 --> 00:54:16,759 Speaker 1: She has driven by that. And I remember, like she 1134 00:54:16,840 --> 00:54:19,000 Speaker 1: wrote a whole song mean about someone saying that she 1135 00:54:19,040 --> 00:54:22,319 Speaker 1: couldn't sing, you know, so for for me and as 1136 00:54:22,360 --> 00:54:25,160 Speaker 1: someone who is very similar to her in that way, 1137 00:54:25,239 --> 00:54:28,600 Speaker 1: I think I'm projecting onto her that like the fact 1138 00:54:28,840 --> 00:54:31,160 Speaker 1: if someone were to say something like that about me, 1139 00:54:31,680 --> 00:54:34,040 Speaker 1: it would stick in my crap. I would remember it. 1140 00:54:34,920 --> 00:54:37,120 Speaker 1: She she thinks of a bad dancer, like I actually 1141 00:54:37,160 --> 00:54:38,759 Speaker 1: thought it was really good and delicate. And the truth 1142 00:54:38,880 --> 00:54:40,719 Speaker 1: is you were and you are a good dancer, and 1143 00:54:40,800 --> 00:54:45,040 Speaker 1: I wasn't. I hadn't seen that yet. So and she 1144 00:54:45,280 --> 00:54:51,879 Speaker 1: doesn't take jokes about herself well as you know, untouchable 1145 00:54:52,360 --> 00:54:54,960 Speaker 1: in terms of that, like the line in that Netflix show, 1146 00:54:55,280 --> 00:54:57,279 Speaker 1: do you remember that? That was the whole thing? And 1147 00:54:57,840 --> 00:55:00,799 Speaker 1: I think that was a little like I understand where 1148 00:55:00,840 --> 00:55:02,720 Speaker 1: she's coming from. She's like tired of the same jokes 1149 00:55:02,760 --> 00:55:05,520 Speaker 1: being made that she dates a lot, but that was 1150 00:55:05,560 --> 00:55:08,080 Speaker 1: like a that that I was like, wow, okay, you 1151 00:55:08,160 --> 00:55:10,400 Speaker 1: know what. She definitely was probably upset my dancing thing, 1152 00:55:10,440 --> 00:55:13,160 Speaker 1: and I'm not sensitive to I I honestly think, yeah, 1153 00:55:13,200 --> 00:55:15,800 Speaker 1: it was. It was definitely indicative of a sensitivity that 1154 00:55:16,000 --> 00:55:19,440 Speaker 1: we obviously know is there because but it's an interesting 1155 00:55:19,520 --> 00:55:21,200 Speaker 1: thing with her because we we know her as like 1156 00:55:21,280 --> 00:55:24,120 Speaker 1: being two things. An incredibly sensitive person and that makes 1157 00:55:24,160 --> 00:55:27,200 Speaker 1: her such a great artist, but also an incredibly smart 1158 00:55:27,280 --> 00:55:30,800 Speaker 1: and shrewd businesswoman and like someone who is very in 1159 00:55:30,960 --> 00:55:33,439 Speaker 1: charge of their brand and very smart about their brand. 1160 00:55:33,520 --> 00:55:36,000 Speaker 1: And I say this not in a pejorative but calculated 1161 00:55:36,000 --> 00:55:38,640 Speaker 1: about the way that her business is done. So when 1162 00:55:38,719 --> 00:55:41,480 Speaker 1: those two things are both true, I think it's almost 1163 00:55:41,520 --> 00:55:43,759 Speaker 1: hard to reconcile. And I do think that the thing 1164 00:55:43,800 --> 00:55:46,440 Speaker 1: about Taylor Swift is like for anyone in the millennial 1165 00:55:46,560 --> 00:55:48,560 Speaker 1: age group or or or a couple of years out, 1166 00:55:48,920 --> 00:55:52,400 Speaker 1: she is probably the biggest pop star of our time. 1167 00:55:52,760 --> 00:55:55,920 Speaker 1: And so with that and end the knowledge that we 1168 00:55:56,000 --> 00:55:58,080 Speaker 1: are living in the age of social media that really 1169 00:55:58,200 --> 00:56:01,920 Speaker 1: took over during her rise to being number one, and 1170 00:56:02,080 --> 00:56:05,440 Speaker 1: how she stayed there, there's a lot to negotiate, So 1171 00:56:05,600 --> 00:56:08,920 Speaker 1: it's like the way you talk about celebrities, especially the 1172 00:56:08,920 --> 00:56:12,000 Speaker 1: way you talk about women, the way you talk about um, 1173 00:56:12,440 --> 00:56:14,719 Speaker 1: you know, the way women have conflict with each other, 1174 00:56:15,080 --> 00:56:18,520 Speaker 1: the way that they negotiate those conflicts. I mean, it's 1175 00:56:18,560 --> 00:56:21,080 Speaker 1: just a lot, and there's a lot to learn about 1176 00:56:21,719 --> 00:56:24,880 Speaker 1: her red the way that she's consumed by the media 1177 00:56:24,960 --> 00:56:26,720 Speaker 1: and the populace that probably could be like a college 1178 00:56:26,760 --> 00:56:30,880 Speaker 1: course taught on this. Honestly, she's living experienced only the 1179 00:56:30,960 --> 00:56:33,520 Speaker 1: Beatles and Michael Jackson, like she's living in such I 1180 00:56:33,640 --> 00:56:35,799 Speaker 1: can't imagine what it would be like to be her 1181 00:56:35,880 --> 00:56:38,920 Speaker 1: and for her to crank out these songs that are 1182 00:56:38,960 --> 00:56:41,840 Speaker 1: still so relatable with her life as such a megastar. 1183 00:56:42,080 --> 00:56:46,000 Speaker 1: Is is really says something about her character. But I 1184 00:56:46,120 --> 00:56:49,480 Speaker 1: mean I even feel it. I remember recently someone I 1185 00:56:49,719 --> 00:56:53,200 Speaker 1: was like like romantically involved with us, like teasing me 1186 00:56:53,320 --> 00:56:55,360 Speaker 1: about my looks in a way that I was just like, 1187 00:56:56,200 --> 00:56:58,040 Speaker 1: I don't I don't want to be called I don't 1188 00:56:58,080 --> 00:57:01,840 Speaker 1: want any like jokes about my looks. I really feel 1189 00:57:01,960 --> 00:57:04,360 Speaker 1: like it's it's and it's just like I don't understand that, 1190 00:57:04,400 --> 00:57:07,239 Speaker 1: like you're the most beautiful, but like you know, that's 1191 00:57:07,280 --> 00:57:08,680 Speaker 1: a total joke. That I would say, you look like 1192 00:57:08,760 --> 00:57:11,239 Speaker 1: that thing that you don't even like there was He 1193 00:57:11,280 --> 00:57:13,320 Speaker 1: just couldn't understand that I would ever feel ugly, and 1194 00:57:13,400 --> 00:57:15,800 Speaker 1: I go, or that I would feel hurt by this 1195 00:57:15,920 --> 00:57:20,439 Speaker 1: absurd comparison, right, And I go, well, because I grew 1196 00:57:20,560 --> 00:57:23,360 Speaker 1: up like I felt ugly as a little girl, I'm 1197 00:57:23,400 --> 00:57:26,280 Speaker 1: still in that and I've accepted myself and I like myself, 1198 00:57:26,640 --> 00:57:31,280 Speaker 1: but I can't handle being mocked for my like features. 1199 00:57:31,320 --> 00:57:32,760 Speaker 1: And it's not that I can't handle it. I get 1200 00:57:32,800 --> 00:57:34,840 Speaker 1: it everywhere, like I do get it when I've signed 1201 00:57:34,840 --> 00:57:36,479 Speaker 1: myself up for a roast. So there's been like jokes 1202 00:57:36,520 --> 00:57:38,640 Speaker 1: that have been presented that are really hurtful to my 1203 00:57:38,760 --> 00:57:41,480 Speaker 1: feelings that are repeated over and over on Twitter and 1204 00:57:41,640 --> 00:57:43,840 Speaker 1: YouTube comments, and it's just like comparing me to Larry 1205 00:57:43,960 --> 00:57:47,720 Speaker 1: Bird or you know, Owen Wilson or saying like you know, 1206 00:57:48,000 --> 00:57:49,760 Speaker 1: horse face, stuff like that. You get that all the time. 1207 00:57:49,920 --> 00:57:51,960 Speaker 1: And he's like, don't read the comments, and I just 1208 00:57:52,200 --> 00:57:56,120 Speaker 1: I fucking so easy for you to say. And the 1209 00:57:56,160 --> 00:57:57,800 Speaker 1: thing is, I don't read comments. I don't I haven't 1210 00:57:57,800 --> 00:58:00,280 Speaker 1: read a YouTube comments. It's two thousand eleven, Like I'm 1211 00:58:00,320 --> 00:58:02,600 Speaker 1: not kidding you. I don't read comments. I have to 1212 00:58:02,680 --> 00:58:05,520 Speaker 1: read through Instagram stuff to interact with fans. I have 1213 00:58:05,680 --> 00:58:09,360 Speaker 1: to read tweets too. That's if you can't avoid it. 1214 00:58:09,400 --> 00:58:11,240 Speaker 1: Even if you avoid it. The ship, Yeah, the ship 1215 00:58:11,320 --> 00:58:13,760 Speaker 1: gets through that filter anyway, of course it does. It 1216 00:58:14,240 --> 00:58:16,200 Speaker 1: gets through it anyway. And so I said, I get 1217 00:58:16,240 --> 00:58:19,400 Speaker 1: that all out there, but for someone that was him, 1218 00:58:19,480 --> 00:58:21,520 Speaker 1: not understanding what it's like to be a public figure 1219 00:58:21,640 --> 00:58:24,080 Speaker 1: and to be mocked, and and I come off like this, 1220 00:58:24,400 --> 00:58:26,800 Speaker 1: like I only want everyone to like be nice to 1221 00:58:26,920 --> 00:58:29,200 Speaker 1: me and kind of me. It's like, well, I think 1222 00:58:29,240 --> 00:58:31,160 Speaker 1: I deserve that because a lot of people get to 1223 00:58:31,200 --> 00:58:33,120 Speaker 1: be vocal about how they hate me more so than 1224 00:58:33,480 --> 00:58:36,000 Speaker 1: a normal person. So celebrities tend to want to be 1225 00:58:36,280 --> 00:58:39,520 Speaker 1: held like handled with kid gloves by the people closest 1226 00:58:39,520 --> 00:58:41,160 Speaker 1: to them. And it kind of makes sense. It's and 1227 00:58:41,400 --> 00:58:43,920 Speaker 1: on Taylor Swift's level, I can't even imagine what that 1228 00:58:43,960 --> 00:58:47,520 Speaker 1: would be. Every it's people that love you. It's me, 1229 00:58:47,640 --> 00:58:51,560 Speaker 1: Nikki Glazer, who's your number one fan? Like those it's 1230 00:58:51,720 --> 00:58:54,600 Speaker 1: it's must be you can't you must turn on the 1231 00:58:54,640 --> 00:58:56,480 Speaker 1: TV going. I hope there's not a joke about me. 1232 00:58:56,640 --> 00:58:58,520 Speaker 1: That's what probably happened with Jinny and Georgia that show. 1233 00:58:58,680 --> 00:59:01,240 Speaker 1: She probably was enjoying that show and then has suddenly 1234 00:59:01,320 --> 00:59:04,160 Speaker 1: taken out of it because this show thought of her 1235 00:59:04,360 --> 00:59:06,560 Speaker 1: as like presented her as something that she's not, and 1236 00:59:06,680 --> 00:59:08,320 Speaker 1: it's like that would hurt. That must have been the 1237 00:59:08,360 --> 00:59:10,760 Speaker 1: reason why she she tweeted about it was I bet 1238 00:59:11,480 --> 00:59:14,360 Speaker 1: because I just realized that because I go, why is 1239 00:59:14,400 --> 00:59:16,480 Speaker 1: such a venom? But it's like she wanted she was 1240 00:59:16,640 --> 00:59:18,920 Speaker 1: like trusting them to be nice to her and take 1241 00:59:18,960 --> 00:59:23,040 Speaker 1: her on a journey from her own life, like that's 1242 00:59:23,040 --> 00:59:24,800 Speaker 1: why we watched dramas like and then all of a 1243 00:59:24,800 --> 00:59:28,000 Speaker 1: sudden they're making fun of you. Fuck you, So I 1244 00:59:28,080 --> 00:59:31,160 Speaker 1: get it. Um. I was just going to comment on 1245 00:59:31,280 --> 00:59:35,240 Speaker 1: that with Matt's comment about the millennial sort of aspect 1246 00:59:35,280 --> 00:59:37,920 Speaker 1: of it being being sort of like tied to like her, her, 1247 00:59:39,040 --> 00:59:42,000 Speaker 1: her her identity, and like the way that we have 1248 00:59:42,160 --> 00:59:44,760 Speaker 1: any discourse about pop stars. It's interesting now because I'm 1249 00:59:44,800 --> 00:59:48,040 Speaker 1: talking to not even talking to anybody, but I'm just 1250 00:59:48,120 --> 00:59:51,120 Speaker 1: noticing that, like these new people that are coming up, 1251 00:59:51,200 --> 00:59:53,600 Speaker 1: like Girl and Red, there's she's a great Norwegian singer, 1252 00:59:53,920 --> 00:59:59,000 Speaker 1: um girl in Red and like Olivia Rodrigo, Like guess 1253 00:59:59,040 --> 01:00:02,000 Speaker 1: who's their number one inspiration. It's tail. I love it, 1254 01:00:02,160 --> 01:00:04,560 Speaker 1: but I love I love what we're gonna get. What 1255 01:00:04,640 --> 01:00:06,840 Speaker 1: we're gonna get exactly. But what we're getting is like 1256 01:00:07,360 --> 01:00:10,320 Speaker 1: this other generation of people who are inspired by here. 1257 01:00:10,360 --> 01:00:14,600 Speaker 1: And I think by and large that younger listenership is 1258 01:00:14,720 --> 01:00:18,000 Speaker 1: like not does not have all this crazy these these 1259 01:00:18,280 --> 01:00:20,160 Speaker 1: they don't have all these weird hang ups about who 1260 01:00:20,280 --> 01:00:23,440 Speaker 1: who she dates and and what, like what her personality 1261 01:00:23,560 --> 01:00:25,280 Speaker 1: is or who her friends are. It's like they're just 1262 01:00:25,400 --> 01:00:28,160 Speaker 1: there because they loved her music. They listened to it. 1263 01:00:28,280 --> 01:00:31,400 Speaker 1: They listen to is like a seven year old let's say, 1264 01:00:31,520 --> 01:00:34,680 Speaker 1: and now and now it's and now they're fourteen, and 1265 01:00:34,720 --> 01:00:37,760 Speaker 1: now they're like, oh my god, Like it's like we love. 1266 01:00:37,880 --> 01:00:39,200 Speaker 1: Like it's like the way that I relate to the 1267 01:00:39,240 --> 01:00:41,000 Speaker 1: Spice Girls because I was seven when I when the 1268 01:00:41,000 --> 01:00:42,720 Speaker 1: Spice Girls first came out. And I will never say 1269 01:00:42,760 --> 01:00:44,680 Speaker 1: a bad thing about the Spice Girls ever, you know, 1270 01:00:44,840 --> 01:00:47,840 Speaker 1: it's like that's what that's what's coming up now, and 1271 01:00:48,000 --> 01:00:49,440 Speaker 1: like I think it's cool. And then I was talking 1272 01:00:49,440 --> 01:00:52,200 Speaker 1: to Celestium. They're they're they're writer snal they just turned 1273 01:00:52,240 --> 01:00:54,480 Speaker 1: twenty five of their baby um and I was like 1274 01:00:54,560 --> 01:00:57,160 Speaker 1: you like and uh, they're they're a lesbian And I 1275 01:00:57,280 --> 01:00:58,720 Speaker 1: was like, you like twolor stuff right, and they're like, 1276 01:00:59,080 --> 01:01:01,240 Speaker 1: I love Taylor Swift to know it's like and I 1277 01:01:01,320 --> 01:01:03,160 Speaker 1: was like, yeah, okay, Like what's with all these like 1278 01:01:03,320 --> 01:01:05,880 Speaker 1: these like kids liking Taylor now? And they were just like, 1279 01:01:06,240 --> 01:01:08,720 Speaker 1: I think it's code for um. It's it's code for 1280 01:01:08,840 --> 01:01:13,800 Speaker 1: Dike energy. It's like you are like, um, you like 1281 01:01:14,200 --> 01:01:16,600 Speaker 1: you have the sensitivity or this like awareness of your 1282 01:01:16,600 --> 01:01:19,080 Speaker 1: own emotion. Oh my god, that checks out for all. 1283 01:01:21,080 --> 01:01:24,200 Speaker 1: I mean. I've I've recently felt like I might be 1284 01:01:24,360 --> 01:01:26,320 Speaker 1: in love with Taylor Swift the way I was in 1285 01:01:26,440 --> 01:01:29,600 Speaker 1: love with Dave Matthews in high school. Like she's kind 1286 01:01:29,640 --> 01:01:31,760 Speaker 1: of set me on this course of like I want 1287 01:01:31,840 --> 01:01:35,360 Speaker 1: to be in a relationship, like I want to protect her, 1288 01:01:35,480 --> 01:01:38,000 Speaker 1: and like I would like love I could. I could 1289 01:01:38,040 --> 01:01:42,240 Speaker 1: probably date Taylor would I can. I can appreciate the 1290 01:01:42,280 --> 01:01:43,880 Speaker 1: fact that she would not want that from me, but 1291 01:01:44,080 --> 01:01:46,240 Speaker 1: I if she did, I would be down. And I 1292 01:01:46,880 --> 01:01:49,720 Speaker 1: don't and and and that makes me open to being like, Okay, 1293 01:01:49,800 --> 01:01:53,479 Speaker 1: well if I can love her them like it's maybe 1294 01:01:53,520 --> 01:01:57,000 Speaker 1: I'll be. But but it's funny because the my adult 1295 01:01:57,040 --> 01:01:59,400 Speaker 1: friends that I've recently been like, hey, do you like 1296 01:01:59,440 --> 01:02:01,880 Speaker 1: I'm always king for other swifties to like heyn't talk 1297 01:02:01,960 --> 01:02:04,920 Speaker 1: swift with like and and the ones the girls I've 1298 01:02:04,960 --> 01:02:10,760 Speaker 1: met recently have been yeah, yeah, there's a whole, there's 1299 01:02:10,760 --> 01:02:13,480 Speaker 1: a there's a lot. She has a very very strong 1300 01:02:13,760 --> 01:02:16,600 Speaker 1: lesbian fan base, and obviously she's I think she's got 1301 01:02:16,640 --> 01:02:19,280 Speaker 1: a very strong queer fan base. And I think that 1302 01:02:19,440 --> 01:02:21,880 Speaker 1: probably the last time she was discussed in like a 1303 01:02:22,520 --> 01:02:26,080 Speaker 1: you know, negative way, um was when the Lover album 1304 01:02:26,160 --> 01:02:28,000 Speaker 1: came out, and it felt like there was some pandering 1305 01:02:28,040 --> 01:02:30,840 Speaker 1: going on, which is an interesting time because I do 1306 01:02:31,040 --> 01:02:32,760 Speaker 1: think there was a lot of I roll coming from 1307 01:02:32,840 --> 01:02:35,160 Speaker 1: her queer fan base because it kind of felt like 1308 01:02:35,480 --> 01:02:37,600 Speaker 1: we already loved you, we didn't need you to do 1309 01:02:37,800 --> 01:02:40,720 Speaker 1: all of this. But then it's like interesting because to 1310 01:02:40,800 --> 01:02:43,040 Speaker 1: slow you to roll just a second, like at the 1311 01:02:43,160 --> 01:02:45,680 Speaker 1: end of the day, Like, isn't it ned positive that 1312 01:02:45,840 --> 01:02:50,720 Speaker 1: she's like I am standing up, I say, like all 1313 01:02:50,840 --> 01:02:52,920 Speaker 1: queer people, you know what I mean. And still we 1314 01:02:53,080 --> 01:02:56,080 Speaker 1: were being snarky about it because I think it did 1315 01:02:56,200 --> 01:02:58,680 Speaker 1: have I think we've all been trained as we've as 1316 01:02:58,720 --> 01:03:01,760 Speaker 1: we've gotten older, you know, and sort of understood how 1317 01:03:01,880 --> 01:03:04,560 Speaker 1: marketed to we all are. We've sort of been trained 1318 01:03:04,600 --> 01:03:07,400 Speaker 1: to what I always say, noticed the pepsi cans for once, 1319 01:03:07,600 --> 01:03:09,320 Speaker 1: you know what I mean, Like when you walk into 1320 01:03:09,360 --> 01:03:12,280 Speaker 1: a room like and you're being given some entertainment, like 1321 01:03:12,440 --> 01:03:14,600 Speaker 1: how many fucking pepsi cans there are? Like I like 1322 01:03:14,720 --> 01:03:16,960 Speaker 1: to just sort of notice that, so I know when 1323 01:03:17,000 --> 01:03:19,200 Speaker 1: I'm being marketed to. And there was the whole sort 1324 01:03:19,240 --> 01:03:21,960 Speaker 1: of like you know, Chase Bank Pride float a thing 1325 01:03:22,280 --> 01:03:24,640 Speaker 1: going on when it felt like she was doing this 1326 01:03:25,120 --> 01:03:27,760 Speaker 1: like queer support thing. But at the end of the day, 1327 01:03:27,880 --> 01:03:30,280 Speaker 1: it's like all we ever wanted this girl to do 1328 01:03:30,400 --> 01:03:32,200 Speaker 1: was stand up and take a stand for what was right, 1329 01:03:32,240 --> 01:03:34,240 Speaker 1: and she finally did, and we have something snarky to 1330 01:03:34,280 --> 01:03:36,680 Speaker 1: say about it again, like and then I did. I did, 1331 01:03:36,800 --> 01:03:39,600 Speaker 1: So I did sort of get um. I thought that 1332 01:03:39,680 --> 01:03:42,000 Speaker 1: she tackled it really responsibly and as well as she 1333 01:03:42,040 --> 01:03:44,360 Speaker 1: could have. In the Miss Americana documentary where she sort 1334 01:03:44,400 --> 01:03:46,640 Speaker 1: of explained what she was up against. I thought the 1335 01:03:47,080 --> 01:03:49,680 Speaker 1: comparison to the Dixie Chicks or now the Chicks was 1336 01:03:49,760 --> 01:03:53,200 Speaker 1: really apt, like the way it completely changed their um, 1337 01:03:53,800 --> 01:03:56,600 Speaker 1: their experience in the music industry and therefore changed their 1338 01:03:56,680 --> 01:04:00,640 Speaker 1: fans experience with them, you know, it's incredibly difficult. And 1339 01:04:00,760 --> 01:04:04,000 Speaker 1: so I think that was an interesting time for her, 1340 01:04:04,080 --> 01:04:06,440 Speaker 1: the lover era, which I don't even know. It feels 1341 01:04:06,440 --> 01:04:08,200 Speaker 1: like it was pretty glossed over, like in the grand 1342 01:04:08,280 --> 01:04:11,600 Speaker 1: scheme of the way Taylors things. Um, but that was 1343 01:04:11,880 --> 01:04:14,160 Speaker 1: that was a weird time. That was a rocky time 1344 01:04:14,240 --> 01:04:18,360 Speaker 1: for the fans and and Taylor, especially queer friends and Taylor. Yeah, 1345 01:04:18,520 --> 01:04:20,919 Speaker 1: that's really interesting. I love to hear the perspective because 1346 01:04:20,960 --> 01:04:24,840 Speaker 1: it did feel like, what what is this anthem? Like 1347 01:04:25,080 --> 01:04:27,840 Speaker 1: the end, and I really was bothered, not bothered, but 1348 01:04:27,880 --> 01:04:30,479 Speaker 1: I thought she should have done um hate never made 1349 01:04:30,560 --> 01:04:33,720 Speaker 1: anybody less gay, not shade. Shade felt like kind of 1350 01:04:33,800 --> 01:04:38,040 Speaker 1: like minimizing what it is that people are doing. So 1351 01:04:38,640 --> 01:04:40,439 Speaker 1: that choice, I was like, that could have been harder. 1352 01:04:40,760 --> 01:04:42,720 Speaker 1: That was the only note that I had as someone 1353 01:04:43,040 --> 01:04:46,720 Speaker 1: not uh like that didn't identify as queer at the time, 1354 01:04:47,200 --> 01:04:51,840 Speaker 1: and in my someday don't don't currently well up for you. 1355 01:04:52,000 --> 01:04:56,280 Speaker 1: So watch this Definitely they're oh, they're they're definitely mixed up. 1356 01:04:56,360 --> 01:04:58,360 Speaker 1: And I there are times I'm just I think I 1357 01:04:58,440 --> 01:05:01,120 Speaker 1: want to kiss her, Like there's she's just so like, 1358 01:05:01,760 --> 01:05:04,280 Speaker 1: so there is that vibe for me. But the um, 1359 01:05:04,520 --> 01:05:06,920 Speaker 1: the the whole lover, what was it going to say 1360 01:05:06,960 --> 01:05:09,880 Speaker 1: about the oh, the fact that she is someone who 1361 01:05:09,960 --> 01:05:12,960 Speaker 1: you did say is calculated, Like she wants everyone to 1362 01:05:13,040 --> 01:05:14,760 Speaker 1: like her. I mean that's what Mr mcconnor was about, 1363 01:05:14,760 --> 01:05:16,680 Speaker 1: Like she has that drive to get everyone. She wants 1364 01:05:16,720 --> 01:05:18,320 Speaker 1: to make her fans happy. She cares so much about 1365 01:05:18,320 --> 01:05:20,720 Speaker 1: her fans, she really does. So for her to be 1366 01:05:20,840 --> 01:05:25,400 Speaker 1: able to take that chance of alienating whoever might not 1367 01:05:25,600 --> 01:05:31,360 Speaker 1: like her stance on you know things like actually, yeah, 1368 01:05:31,400 --> 01:05:33,840 Speaker 1: they to do that was I don't know if I 1369 01:05:33,880 --> 01:05:36,960 Speaker 1: would have thought Taylor was capable of making that kind 1370 01:05:37,000 --> 01:05:39,640 Speaker 1: of um decision where you cut off, like if you'd say, 1371 01:05:40,080 --> 01:05:42,320 Speaker 1: you know, when she spoke out about Trump, I was 1372 01:05:42,400 --> 01:05:45,680 Speaker 1: just like, finally, but that's not easy to do it 1373 01:05:45,680 --> 01:05:50,760 Speaker 1: at all. And he was like I used to be 1374 01:05:50,840 --> 01:05:52,520 Speaker 1: a fan. I like her fifty less. I'm like, you 1375 01:05:52,640 --> 01:05:56,360 Speaker 1: stop listening tails her. It made me mad that he 1376 01:05:56,360 --> 01:05:58,240 Speaker 1: would ever hear a song. It was like, dude, shut up. 1377 01:05:58,960 --> 01:06:01,400 Speaker 1: But ever, because the thing too is like and we 1378 01:06:01,480 --> 01:06:03,320 Speaker 1: talk about how you know she can't turn on the 1379 01:06:03,360 --> 01:06:05,880 Speaker 1: TV without her, they're potentially being a joke about her, 1380 01:06:05,960 --> 01:06:09,120 Speaker 1: like she knew that he would say something when she 1381 01:06:09,240 --> 01:06:11,280 Speaker 1: said when she said something, you know what I mean, 1382 01:06:11,360 --> 01:06:13,880 Speaker 1: It's like, this is the kind of president who like 1383 01:06:14,200 --> 01:06:16,320 Speaker 1: he would love nothing more than to get into it 1384 01:06:16,400 --> 01:06:19,600 Speaker 1: with Taylor Swift. But I feel she she genuinely thought 1385 01:06:19,680 --> 01:06:22,000 Speaker 1: she got to the end of the line of being 1386 01:06:22,040 --> 01:06:24,959 Speaker 1: able to be like complacent about these issues, like because 1387 01:06:25,000 --> 01:06:27,680 Speaker 1: you like, ultimately there was a right and wrong there 1388 01:06:27,760 --> 01:06:30,560 Speaker 1: and she she knows that, and she came out and 1389 01:06:30,640 --> 01:06:34,600 Speaker 1: said that finally, but again she knew the risk she 1390 01:06:34,760 --> 01:06:37,520 Speaker 1: ran by doing something, which is he's gonna fight with 1391 01:06:37,840 --> 01:06:40,920 Speaker 1: dad that doctor. I'm going to do it Dad, And 1392 01:06:40,960 --> 01:06:44,680 Speaker 1: they're like so they're just the money they see like 1393 01:06:44,880 --> 01:06:47,520 Speaker 1: flying out of their pockets like that. That was It's 1394 01:06:47,560 --> 01:06:49,640 Speaker 1: a lot of money at stake and people aren't willing 1395 01:06:49,680 --> 01:06:52,080 Speaker 1: to take that risk. I do love though, that what 1396 01:06:52,200 --> 01:06:54,840 Speaker 1: you said about how we don't need her to be 1397 01:06:55,040 --> 01:06:57,840 Speaker 1: dating around and holding hands with a new guy, and 1398 01:06:58,040 --> 01:07:00,680 Speaker 1: like I'm happy with her like off in a cabin 1399 01:07:00,760 --> 01:07:03,520 Speaker 1: with Joe on like these hikes, these like private hikes. 1400 01:07:03,880 --> 01:07:05,680 Speaker 1: I like that. I don't know anything about the relationship. 1401 01:07:05,760 --> 01:07:07,960 Speaker 1: I only have a little bit of footage to analyze 1402 01:07:08,560 --> 01:07:10,280 Speaker 1: I don't need that from her. It's not part of 1403 01:07:10,360 --> 01:07:12,880 Speaker 1: it for me, which I do over and over. But 1404 01:07:13,320 --> 01:07:15,920 Speaker 1: I love the Yeah, I'm just like happy that she's happy. 1405 01:07:15,960 --> 01:07:17,960 Speaker 1: I want them to last, I want them to work out. 1406 01:07:18,600 --> 01:07:21,720 Speaker 1: And the fact that she's able to write songs like 1407 01:07:22,360 --> 01:07:24,920 Speaker 1: heartbreak songs just as well, like which is what she 1408 01:07:24,920 --> 01:07:27,040 Speaker 1: said in the Tiny Desk concert about Death by a 1409 01:07:27,080 --> 01:07:29,840 Speaker 1: Thousand Cuts, like I'm happy, so can I still write 1410 01:07:29,840 --> 01:07:31,560 Speaker 1: breakup songs? And so she just reads a book about 1411 01:07:31,560 --> 01:07:34,080 Speaker 1: a breakup and and she's so she soaks up so 1412 01:07:34,200 --> 01:07:36,200 Speaker 1: much feeling that she can just put that into a song. 1413 01:07:36,320 --> 01:07:40,520 Speaker 1: And the fucking Betty august uh Cardigan trilogy, like that 1414 01:07:40,600 --> 01:07:43,160 Speaker 1: whole story, Like who knew a year ago that she 1415 01:07:43,280 --> 01:07:44,840 Speaker 1: was capable of I mean, I knew she would be, 1416 01:07:44,920 --> 01:07:46,280 Speaker 1: but I didn't even know I wanted that from her. 1417 01:07:46,320 --> 01:07:47,680 Speaker 1: I was kind of mad when I heard it was 1418 01:07:47,720 --> 01:07:50,240 Speaker 1: like characters and not her. And then they're my it's 1419 01:07:50,280 --> 01:07:53,000 Speaker 1: my favorite thing she's ever done. Maybe, Yeah, that that 1420 01:07:53,320 --> 01:07:55,680 Speaker 1: trip Tyke of songs. Yeah, because it is because the 1421 01:07:55,800 --> 01:07:59,080 Speaker 1: details just being in the easter eggs and each thing. 1422 01:07:59,120 --> 01:08:02,400 Speaker 1: I'm like, oh, that that is actually genius. You just 1423 01:08:02,640 --> 01:08:04,760 Speaker 1: like that she was able to make you empathize with 1424 01:08:04,920 --> 01:08:07,760 Speaker 1: each character in it, and no, the victim was always 1425 01:08:08,160 --> 01:08:10,840 Speaker 1: or the person that was you just made you this 1426 01:08:11,240 --> 01:08:13,960 Speaker 1: love triangle seem I don't know, it's just no one 1427 01:08:14,080 --> 01:08:16,080 Speaker 1: was the villain and it was all and they were 1428 01:08:16,120 --> 01:08:18,120 Speaker 1: all so and they all actually are kind of the 1429 01:08:18,240 --> 01:08:22,400 Speaker 1: same song. It's just she's she's masterful, masterful. And so 1430 01:08:23,160 --> 01:08:25,439 Speaker 1: I feel that now we've got a very good sense 1431 01:08:25,479 --> 01:08:27,760 Speaker 1: of the culture you're currently consuming. It has made you 1432 01:08:27,880 --> 01:08:29,880 Speaker 1: the person you are today. But we have to ask 1433 01:08:29,960 --> 01:08:32,959 Speaker 1: the question, which is the central cornerstone question of lost cultures, 1434 01:08:33,240 --> 01:08:37,200 Speaker 1: which is Nikki Glazer, what was the culture that made 1435 01:08:37,280 --> 01:08:40,080 Speaker 1: you say culture was for you? I E what this 1436 01:08:40,240 --> 01:08:43,080 Speaker 1: means is what was the pop culture that entered your life? 1437 01:08:43,160 --> 01:08:46,400 Speaker 1: And you're like, you can pinpoint now looking back, that 1438 01:08:46,560 --> 01:08:48,679 Speaker 1: was the moment I changed, and I can see myself 1439 01:08:48,760 --> 01:08:50,920 Speaker 1: now as the person I am. That's where my that's 1440 01:08:50,960 --> 01:08:59,000 Speaker 1: where I came from. It was There's so many things 1441 01:08:59,080 --> 01:09:00,760 Speaker 1: in my head right now, but I have to go 1442 01:09:00,840 --> 01:09:05,799 Speaker 1: with my initial Okay, friends was mine. When I found friends, 1443 01:09:05,920 --> 01:09:08,120 Speaker 1: I was like, when I heard Tanner say how many 1444 01:09:08,240 --> 01:09:10,479 Speaker 1: cameras were on you? Like that kind of joke of 1445 01:09:10,560 --> 01:09:13,000 Speaker 1: like the camera at Bells, how many cameras were on you. 1446 01:09:13,080 --> 01:09:16,320 Speaker 1: I were just that joke is like that is so funny, 1447 01:09:16,800 --> 01:09:20,600 Speaker 1: and then Jennifer Aniston just like I, whatever that is, 1448 01:09:21,040 --> 01:09:23,360 Speaker 1: I'm gonna be it, like I want that, and then 1449 01:09:24,200 --> 01:09:26,439 Speaker 1: like going after it forever. But in terms of like 1450 01:09:26,560 --> 01:09:30,280 Speaker 1: comedy wise, like feeling like, oh my god, this is 1451 01:09:30,560 --> 01:09:33,320 Speaker 1: for me and no, it's I've never that's when I 1452 01:09:33,360 --> 01:09:36,719 Speaker 1: became friends. When I being obsessed with being like being famous, 1453 01:09:36,960 --> 01:09:41,360 Speaker 1: like being on TV, but comedy wise, like Conan was 1454 01:09:41,439 --> 01:09:44,880 Speaker 1: the first time I go, what the fuck like that is? 1455 01:09:45,000 --> 01:09:47,320 Speaker 1: This is special and weird in a way that I 1456 01:09:47,400 --> 01:09:49,600 Speaker 1: didn't I didn't know anyone else wanted to laugh at 1457 01:09:49,640 --> 01:09:52,080 Speaker 1: stuff like this, and it just felt it felt I 1458 01:09:52,160 --> 01:09:55,160 Speaker 1: was obsessed. I was, like in high school's obsessed with 1459 01:09:55,240 --> 01:09:57,639 Speaker 1: Dave Matthews and Conan O'Brien. So that was the major 1460 01:09:57,720 --> 01:09:59,240 Speaker 1: one for me. It was the ten It was a 1461 01:09:59,240 --> 01:10:01,280 Speaker 1: five year Anniverse three special of Conan that my dad 1462 01:10:01,600 --> 01:10:05,360 Speaker 1: showed me on like you know, VHS and he recorded 1463 01:10:05,360 --> 01:10:06,760 Speaker 1: it was like, Nick, I think you'll like this, and 1464 01:10:06,880 --> 01:10:09,640 Speaker 1: I was like, and my friends and I became just 1465 01:10:09,920 --> 01:10:13,839 Speaker 1: obsessed with that and just the weird, just the weirdness 1466 01:10:13,920 --> 01:10:15,840 Speaker 1: of it. It was like, you know, it was like 1467 01:10:15,920 --> 01:10:17,760 Speaker 1: Tim and Eric before Tim like that kind of like 1468 01:10:18,760 --> 01:10:21,639 Speaker 1: looking avant garde comedy and like and like you've been 1469 01:10:21,680 --> 01:10:24,080 Speaker 1: and like you have this friendship with him now and 1470 01:10:24,240 --> 01:10:27,240 Speaker 1: like what like what like that's probably surreal, like and 1471 01:10:27,320 --> 01:10:29,519 Speaker 1: has it and and that and like does that make 1472 01:10:29,600 --> 01:10:33,720 Speaker 1: the influence even like stronger for you? Because yeah, I 1473 01:10:33,840 --> 01:10:38,960 Speaker 1: think so, Like, uh, it's hard because I it's hard 1474 01:10:39,000 --> 01:10:41,000 Speaker 1: being friends with someone you like that much, or like 1475 01:10:41,520 --> 01:10:43,200 Speaker 1: I can't even say I'm friends with him. He would 1476 01:10:43,479 --> 01:10:46,360 Speaker 1: probably were. We've done enough podcasting and like been on 1477 01:10:46,439 --> 01:10:49,400 Speaker 1: the show enough that we have a rapport. But I 1478 01:10:49,439 --> 01:10:51,240 Speaker 1: always black out when I'm talking to him, like I 1479 01:10:51,280 --> 01:10:54,439 Speaker 1: would imagine function, Like I really can't keep it cool. 1480 01:10:54,479 --> 01:10:56,360 Speaker 1: And I always have to just tell him what he 1481 01:10:56,400 --> 01:10:58,760 Speaker 1: means to me because he's just so self deprecating, Like 1482 01:10:58,840 --> 01:11:01,439 Speaker 1: I need him to know that he's the funniest person 1483 01:11:01,439 --> 01:11:03,920 Speaker 1: in the world and I've awarded him that and there's 1484 01:11:03,960 --> 01:11:07,320 Speaker 1: no debate and it's the he is it. And uh 1485 01:11:07,520 --> 01:11:08,880 Speaker 1: so I just spent a lot of at the time, 1486 01:11:09,000 --> 01:11:11,760 Speaker 1: just like you know, just telling how much I love him. 1487 01:11:11,800 --> 01:11:13,599 Speaker 1: And it's like we can't really get much done sometimes, 1488 01:11:13,640 --> 01:11:17,240 Speaker 1: so some I feel annoying him. Sometimes I I don't 1489 01:11:17,280 --> 01:11:19,280 Speaker 1: even I don't want to know. My heroes don't. I 1490 01:11:19,400 --> 01:11:21,639 Speaker 1: can't handle. Sometimes it's better to not and and I'm 1491 01:11:21,680 --> 01:11:24,320 Speaker 1: not not because they like I'll just say so. The 1492 01:11:24,439 --> 01:11:27,080 Speaker 1: person that this was for me growing up was Margaret Show. 1493 01:11:27,680 --> 01:11:30,879 Speaker 1: And so when we we early on in doing this podcast, 1494 01:11:30,960 --> 01:11:33,439 Speaker 1: got the opportunity to go interview Margaret Show. And we 1495 01:11:33,560 --> 01:11:36,559 Speaker 1: went up from from from New York to Nayak where 1496 01:11:36,640 --> 01:11:38,240 Speaker 1: she was doing a show, and we went in our 1497 01:11:38,280 --> 01:11:40,880 Speaker 1: hotel room and we were interviewing her, and it's you 1498 01:11:40,920 --> 01:11:43,400 Speaker 1: could tell it's early for us because we're so nervous. 1499 01:11:43,479 --> 01:11:47,519 Speaker 1: And I'm telling you, I was. She saved my life 1500 01:11:47,560 --> 01:11:49,000 Speaker 1: when I was like when I was in middle school. 1501 01:11:49,040 --> 01:11:51,599 Speaker 1: So but when I'll tell you I was, I was pacing, 1502 01:11:54,080 --> 01:11:56,240 Speaker 1: I was like rearranging the chairs. I was like we 1503 01:11:56,360 --> 01:11:57,960 Speaker 1: have I was. I couldn't believe it. I was just 1504 01:11:58,240 --> 01:12:00,200 Speaker 1: Margaret Show just means so much to me. And so 1505 01:12:00,320 --> 01:12:03,640 Speaker 1: we got there and the interview was going okay, and 1506 01:12:03,760 --> 01:12:05,559 Speaker 1: there were because we were young, and I don't think 1507 01:12:05,600 --> 01:12:08,600 Speaker 1: we could really relate to her yet. And so I 1508 01:12:09,160 --> 01:12:11,599 Speaker 1: not that we ever could, but like I could tell 1509 01:12:11,680 --> 01:12:13,640 Speaker 1: listening back, I only ever listened to it once. It's 1510 01:12:13,680 --> 01:12:16,160 Speaker 1: kind of like that tell herself comment for you, it's like, okay, 1511 01:12:16,240 --> 01:12:18,560 Speaker 1: I know we corresponded, and then I'm moving on. But 1512 01:12:19,160 --> 01:12:22,120 Speaker 1: there was a point in the interview where I told 1513 01:12:22,200 --> 01:12:24,560 Speaker 1: her what she meant to me and she kind of 1514 01:12:24,600 --> 01:12:27,120 Speaker 1: was like, oh, thanks, that's nice. And then I remember 1515 01:12:27,200 --> 01:12:29,960 Speaker 1: being like I remember I had the impetus to be like, no, 1516 01:12:30,160 --> 01:12:34,320 Speaker 1: but do people tell you that, like do you hear that? 1517 01:12:34,880 --> 01:12:39,000 Speaker 1: Is that something that you know that you you're hearing? 1518 01:12:39,240 --> 01:12:42,760 Speaker 1: Your voice and your comedy made people feel seen to 1519 01:12:42,920 --> 01:12:46,720 Speaker 1: a point where like it really mattered, And she was like, 1520 01:12:46,800 --> 01:12:48,680 Speaker 1: and I get with her. Boyfriend Rocco was there at 1521 01:12:48,680 --> 01:12:50,479 Speaker 1: the time to doing the interview as well, and he 1522 01:12:50,640 --> 01:12:52,120 Speaker 1: was looking at her like I could tell he was 1523 01:12:52,160 --> 01:12:54,920 Speaker 1: telling her like absorb this, absorb this, like it's okay 1524 01:12:55,000 --> 01:12:57,639 Speaker 1: to absorb this, and she was just like, it's really 1525 01:12:57,720 --> 01:12:59,360 Speaker 1: nice that you say. Then we kind of moved on. 1526 01:12:59,560 --> 01:13:02,240 Speaker 1: But it's interesting that you say that, because I had 1527 01:13:02,320 --> 01:13:05,599 Speaker 1: that too, Like when someone is you know, you could 1528 01:13:05,600 --> 01:13:07,800 Speaker 1: tell trained to be a little self deprecating or just 1529 01:13:07,960 --> 01:13:10,000 Speaker 1: be like no, I'm actually not ship, whatever, move on. 1530 01:13:10,120 --> 01:13:13,160 Speaker 1: It's like, no, you are you are, you are? You 1531 01:13:13,240 --> 01:13:16,400 Speaker 1: are you are and if I can, like, I'm not wrong, right, 1532 01:13:17,000 --> 01:13:19,360 Speaker 1: I know, and I want you to know like I am. 1533 01:13:19,479 --> 01:13:22,080 Speaker 1: It is not up for debate, like you are, please 1534 01:13:22,200 --> 01:13:23,880 Speaker 1: know this, And you try to and it's almost like 1535 01:13:23,920 --> 01:13:26,120 Speaker 1: because you're talking to yourself, because you know that feeling 1536 01:13:26,200 --> 01:13:29,400 Speaker 1: of someone you Guys have have met people that just 1537 01:13:30,280 --> 01:13:32,960 Speaker 1: are so excited to meet you. They're shaking, crying, like 1538 01:13:33,320 --> 01:13:35,760 Speaker 1: you mean so much, you know, and and it's hard. 1539 01:13:35,960 --> 01:13:37,880 Speaker 1: It's hard to take that in because you're like, I'm 1540 01:13:37,960 --> 01:13:40,160 Speaker 1: just a person. I just took a ship, like I 1541 01:13:40,479 --> 01:13:42,680 Speaker 1: know that, like you know, like I just you just 1542 01:13:42,840 --> 01:13:46,800 Speaker 1: feel like you're but but it's it's just hard to 1543 01:13:46,840 --> 01:13:49,360 Speaker 1: hear compliments and not go like like you just want 1544 01:13:49,360 --> 01:13:52,400 Speaker 1: to push away. So I understand that, but I also 1545 01:13:53,120 --> 01:13:55,760 Speaker 1: want so desperately for for him to under to know 1546 01:13:55,920 --> 01:13:59,120 Speaker 1: it because they deserve to, and because we're not wrong. 1547 01:13:59,160 --> 01:14:00,960 Speaker 1: We're we're so small that we like them and they 1548 01:14:01,040 --> 01:14:03,040 Speaker 1: need to know that we're like not just any any fan. 1549 01:14:03,320 --> 01:14:05,640 Speaker 1: We are we like know our ship, yeah, and we 1550 01:14:05,840 --> 01:14:08,800 Speaker 1: like But I think Conan is the type of person 1551 01:14:08,880 --> 01:14:12,800 Speaker 1: to like accept that better than better than others, right, 1552 01:14:12,960 --> 01:14:15,920 Speaker 1: Like I don't know, I don't know. I feel like 1553 01:14:17,520 --> 01:14:20,120 Speaker 1: that's very nice. That's really you know, it's it's he 1554 01:14:20,200 --> 01:14:22,160 Speaker 1: wants to move on. He's very coomfortable with compliments. And 1555 01:14:22,200 --> 01:14:23,800 Speaker 1: that's why I feel bad because I can't help it 1556 01:14:23,880 --> 01:14:26,360 Speaker 1: and I make him uncomfortable, like he doesn't like it. 1557 01:14:26,680 --> 01:14:28,960 Speaker 1: Why do I continue doing this? But it's it's it's 1558 01:14:29,120 --> 01:14:31,479 Speaker 1: essentially because like I always all right, this is crazy. 1559 01:14:31,479 --> 01:14:33,880 Speaker 1: I'll be vulnerable about I'll be vulnerable about this. Like 1560 01:14:34,040 --> 01:14:36,479 Speaker 1: if I ever have a situation where I'm on Kelly 1561 01:14:36,520 --> 01:14:39,679 Speaker 1: Clarkson's talk show, they shouldn't let me on because I'll 1562 01:14:39,720 --> 01:14:41,360 Speaker 1: sit down and it will be a thing of like 1563 01:14:41,760 --> 01:14:45,519 Speaker 1: I'll hyperventilate, like it will go viral, because it's like 1564 01:14:46,320 --> 01:14:50,479 Speaker 1: crazed faggot makes himself like like full spectacle on Kelly 1565 01:14:50,520 --> 01:14:53,519 Speaker 1: Clarkson show, Like it will be bad for whatever I'm promoting, 1566 01:14:53,600 --> 01:14:56,960 Speaker 1: like it like it won't be good because like I 1567 01:14:57,080 --> 01:14:59,720 Speaker 1: associate with her, her with the time I needed her 1568 01:15:00,120 --> 01:15:02,720 Speaker 1: so badly, and I my love for her has never 1569 01:15:02,840 --> 01:15:05,759 Speaker 1: went to the point where it's like I don't see 1570 01:15:06,040 --> 01:15:09,400 Speaker 1: a world where I could be normal talking to her, 1571 01:15:09,840 --> 01:15:11,640 Speaker 1: so to have that person and to have a relationship 1572 01:15:11,720 --> 01:15:16,439 Speaker 1: with that person is like it's crazy. Yeah, I as 1573 01:15:16,479 --> 01:15:18,840 Speaker 1: you're talking, I'm thinking of meeting Taylor Swift and it's 1574 01:15:18,880 --> 01:15:21,439 Speaker 1: just it wouldn't go. It wouldn't. I've met her before 1575 01:15:21,520 --> 01:15:23,639 Speaker 1: before I was obsessed, and right now it just wouldn't. 1576 01:15:23,920 --> 01:15:25,920 Speaker 1: I thought Dave Matthews once and it didn't go well. 1577 01:15:25,960 --> 01:15:29,599 Speaker 1: I it was that Matt I just like really embarrassed myself. 1578 01:15:29,800 --> 01:15:31,760 Speaker 1: And and this was a couple of years ago when 1579 01:15:31,800 --> 01:15:35,519 Speaker 1: I really had enough accomplishments to be like I deserved 1580 01:15:35,600 --> 01:15:37,240 Speaker 1: to meet you, you know, like this was my goal 1581 01:15:37,439 --> 01:15:39,280 Speaker 1: was to get it. I even said that to him. 1582 01:15:39,280 --> 01:15:42,000 Speaker 1: I'm like, you're the reason I even do comedy because 1583 01:15:42,000 --> 01:15:43,880 Speaker 1: I wanted to like get into your sphere so I 1584 01:15:43,920 --> 01:15:45,680 Speaker 1: could meet you. And I used the words spear like 1585 01:15:46,160 --> 01:15:49,960 Speaker 1: really like bother it. It was such a weird, like 1586 01:15:50,240 --> 01:15:52,200 Speaker 1: it was the there was a whole other thing that 1587 01:15:52,240 --> 01:15:54,840 Speaker 1: happened before that. But I was really embarrassing. I wasn't cool. 1588 01:15:54,880 --> 01:15:56,320 Speaker 1: I don't want to meet him a gun like it's 1589 01:15:56,400 --> 01:15:58,720 Speaker 1: it's not it's not a good look. It doesn't it's 1590 01:15:58,720 --> 01:16:01,519 Speaker 1: not worth it, Like I I can't I can't be 1591 01:16:01,680 --> 01:16:04,000 Speaker 1: myself I will never be myself in front of those people. 1592 01:16:04,640 --> 01:16:06,240 Speaker 1: But you gotta get a COLICARC said, I mean, I 1593 01:16:06,479 --> 01:16:08,559 Speaker 1: feel like we clipped this and send this. I'm gonna 1594 01:16:08,600 --> 01:16:15,840 Speaker 1: send this to a producer there because you like the 1595 01:16:15,920 --> 01:16:18,519 Speaker 1: thing is like she would make you feel comfortable. She 1596 01:16:18,600 --> 01:16:21,080 Speaker 1: would make you feel comfortable. I mean, bowen, you'll be, 1597 01:16:21,320 --> 01:16:27,040 Speaker 1: You'll be just like I was like a gay kid closet, 1598 01:16:27,120 --> 01:16:28,800 Speaker 1: a kid in like sixth grade when she was on 1599 01:16:28,840 --> 01:16:30,680 Speaker 1: American Idol, and I just remember I was just so 1600 01:16:30,840 --> 01:16:33,360 Speaker 1: when America fell in love with her for being herself 1601 01:16:34,080 --> 01:16:36,000 Speaker 1: that I kind of said to myself, I was like, well, 1602 01:16:36,160 --> 01:16:39,240 Speaker 1: maybe one day people will like me for being myself. 1603 01:16:39,560 --> 01:16:42,400 Speaker 1: And I really was. It was. It was like it 1604 01:16:42,560 --> 01:16:45,200 Speaker 1: was just hard. It was like a time where I 1605 01:16:45,360 --> 01:16:51,600 Speaker 1: was realizing I was something that um no one aspired 1606 01:16:51,680 --> 01:16:53,439 Speaker 1: to be. It was like very much that time of 1607 01:16:53,560 --> 01:16:55,720 Speaker 1: like gay was the worst thing you could say. It's 1608 01:16:55,720 --> 01:16:57,400 Speaker 1: someone I'm from Long Island. It's for a toxic and 1609 01:16:57,520 --> 01:17:00,600 Speaker 1: so just to see someone be so obviously themselves and 1610 01:17:00,720 --> 01:17:04,720 Speaker 1: like be beloved because they were a good person and talented. 1611 01:17:05,080 --> 01:17:07,320 Speaker 1: I was just like, well, at least I know it's 1612 01:17:07,400 --> 01:17:10,240 Speaker 1: possible that like someone could fall in love with you 1613 01:17:10,400 --> 01:17:15,519 Speaker 1: just because you're you. And I think just throughout my life, like, um, 1614 01:17:16,000 --> 01:17:17,840 Speaker 1: I've always listened to her music to come from me, 1615 01:17:17,920 --> 01:17:19,360 Speaker 1: and I also do think she reminds me of a 1616 01:17:19,400 --> 01:17:21,559 Speaker 1: younger version of my mother, to be honest with you, um, 1617 01:17:21,640 --> 01:17:24,120 Speaker 1: in terms of her energy and the way she looks. Um, 1618 01:17:24,280 --> 01:17:27,920 Speaker 1: So there's something there. But but yeah, I mean like 1619 01:17:28,040 --> 01:17:29,720 Speaker 1: it's just it's that, that's what it is. And we 1620 01:17:29,800 --> 01:17:32,160 Speaker 1: actually like I went to her show. I've seen her 1621 01:17:32,240 --> 01:17:34,240 Speaker 1: live eleven times Bowen and I went to the View 1622 01:17:34,320 --> 01:17:36,320 Speaker 1: one time because she was on it. That's the whole thing. 1623 01:17:36,880 --> 01:17:38,920 Speaker 1: When Joel Kim Booster was on Kelly Clarkson, he's one 1624 01:17:38,920 --> 01:17:41,360 Speaker 1: of my best friends. Like I went in the audience 1625 01:17:41,400 --> 01:17:43,000 Speaker 1: and like I was taking pictures of him. I put 1626 01:17:43,080 --> 01:17:45,960 Speaker 1: a picture of Joe, Kim, Kelly and Jennifer Hudson on 1627 01:17:46,120 --> 01:17:47,760 Speaker 1: my grid because it was one of the best days 1628 01:17:47,760 --> 01:17:50,400 Speaker 1: of my life. Like I went, I went back to 1629 01:17:50,479 --> 01:17:52,240 Speaker 1: say hi to him after. I couldn't have run out 1630 01:17:52,240 --> 01:17:53,760 Speaker 1: faster because I thought he was trying to like punk 1631 01:17:53,840 --> 01:17:55,240 Speaker 1: me and have her come in. I was like, gotta go. 1632 01:17:55,880 --> 01:18:00,360 Speaker 1: It was like really don't want it. Yeah know, well 1633 01:18:00,600 --> 01:18:02,960 Speaker 1: I know Bowen's gonna be on it like any day soon, 1634 01:18:03,080 --> 01:18:06,639 Speaker 1: and I'm just gonna be able to watch. So yeah, 1635 01:18:06,720 --> 01:18:09,960 Speaker 1: but one's gonna do Kelly Clarkson any day a day. 1636 01:18:10,520 --> 01:18:12,200 Speaker 1: But wait, wait, what were you on that you got 1637 01:18:12,240 --> 01:18:14,160 Speaker 1: to go? That you put on your grid? What was that? 1638 01:18:14,920 --> 01:18:18,240 Speaker 1: So it was when Joel Kim was on Kelly Clarkson 1639 01:18:18,520 --> 01:18:21,240 Speaker 1: to the Sunny Side? I went as his guest in 1640 01:18:21,280 --> 01:18:24,800 Speaker 1: the audience, and I was no, I did get to 1641 01:18:24,840 --> 01:18:28,360 Speaker 1: go backstage, and I said, and I thought he was 1642 01:18:28,439 --> 01:18:30,840 Speaker 1: trying to like pull one on me, And I think 1643 01:18:30,920 --> 01:18:32,599 Speaker 1: he might have been, because I'm telling you, I went 1644 01:18:32,680 --> 01:18:34,960 Speaker 1: back there, hugged him, said you were so good, babe. 1645 01:18:35,280 --> 01:18:37,680 Speaker 1: I'm out, and so I'm I like, I could not 1646 01:18:37,840 --> 01:18:40,840 Speaker 1: have ran out faster because I was like it would 1647 01:18:40,840 --> 01:18:43,439 Speaker 1: have been so like him. No, I do want to 1648 01:18:43,520 --> 01:18:47,880 Speaker 1: meet her. I just said, like, not not backstage at 1649 01:18:47,880 --> 01:18:49,479 Speaker 1: her show because my friend is on the show, you 1650 01:18:49,520 --> 01:18:50,880 Speaker 1: know what I mean, Like it has to be like 1651 01:18:51,000 --> 01:18:53,640 Speaker 1: a thing, like where where I have I'm meeting her 1652 01:18:53,720 --> 01:18:56,160 Speaker 1: with intention at this point because I have to get 1653 01:18:56,240 --> 01:18:58,599 Speaker 1: my thoughts together, like it can't be a surprise, it's 1654 01:18:58,720 --> 01:19:01,720 Speaker 1: Kelly thing, because it won't be cute you know what 1655 01:19:01,800 --> 01:19:07,320 Speaker 1: I mean, I completely agree, and I did. That's what 1656 01:19:07,400 --> 01:19:09,800 Speaker 1: happened with Dave Matthews. I had a chance to meet him, 1657 01:19:09,800 --> 01:19:11,600 Speaker 1: and I took it, and I wish I wouldn't have, 1658 01:19:11,720 --> 01:19:14,040 Speaker 1: just because it wasn't the circumstance under which I was 1659 01:19:14,080 --> 01:19:16,000 Speaker 1: able to express how much he meant to me. I 1660 01:19:16,040 --> 01:19:18,600 Speaker 1: went to a listening I was invited to, like a 1661 01:19:18,680 --> 01:19:21,280 Speaker 1: listening session where you sit in a room at Serious X, 1662 01:19:21,479 --> 01:19:23,840 Speaker 1: because I was I had a radio show there that 1663 01:19:24,200 --> 01:19:28,479 Speaker 1: you were both on, right, Yeah, yeah, and matt you 1664 01:19:28,560 --> 01:19:33,960 Speaker 1: came in separately another. Yeah that's right. Okay, So love love, 1665 01:19:34,040 --> 01:19:38,200 Speaker 1: Sorry to night. Uh she's so great. Um So I 1666 01:19:38,600 --> 01:19:40,720 Speaker 1: got asked to do like go to a listening party 1667 01:19:40,760 --> 01:19:43,000 Speaker 1: where literally Dave matth Is just sits in a room 1668 01:19:43,080 --> 01:19:45,800 Speaker 1: with like ten people from Serious that somehow fago to 1669 01:19:46,160 --> 01:19:49,000 Speaker 1: ticket to this room and he presses play on a 1670 01:19:49,320 --> 01:19:51,600 Speaker 1: thing like you just listen to it with him, Like 1671 01:19:51,680 --> 01:19:53,920 Speaker 1: he's not playing it, You're just like listening to it. 1672 01:19:54,240 --> 01:19:56,640 Speaker 1: So it's like you're in a it's awkward and it's 1673 01:19:56,680 --> 01:19:58,120 Speaker 1: a new album and you just like sit there and 1674 01:19:58,200 --> 01:20:01,120 Speaker 1: like like pop your head in this kind of cold 1675 01:20:01,320 --> 01:20:04,160 Speaker 1: conference room with and you know, Baba Booie from Howard 1676 01:20:04,240 --> 01:20:05,800 Speaker 1: Stern was there and it was I was excited to 1677 01:20:05,840 --> 01:20:08,200 Speaker 1: be there, but like and I'm looking at Dave Matthews 1678 01:20:08,280 --> 01:20:11,439 Speaker 1: like leg like like his his denimed knee, just being 1679 01:20:11,479 --> 01:20:14,120 Speaker 1: like that's me, like I thought about that, Like it's 1680 01:20:14,160 --> 01:20:20,080 Speaker 1: just like I'm putting. I am like trying to be 1681 01:20:20,160 --> 01:20:22,200 Speaker 1: on my best behavior even though like he doesn't I 1682 01:20:22,240 --> 01:20:23,639 Speaker 1: haven't met him yet. I think it took a picture. 1683 01:20:23,800 --> 01:20:24,960 Speaker 1: I think I took a picture of him and it 1684 01:20:25,000 --> 01:20:26,240 Speaker 1: was quick and I didn't have time to like say 1685 01:20:26,280 --> 01:20:29,120 Speaker 1: the whole thing. So it's just like my face is disgusting. 1686 01:20:29,160 --> 01:20:31,000 Speaker 1: It's like unpostable, even though the best moment of my 1687 01:20:31,080 --> 01:20:33,960 Speaker 1: life because I couldn't keep my face together. And then 1688 01:20:34,000 --> 01:20:36,960 Speaker 1: I'm in this listening session and I'm keeping my enterty 1689 01:20:37,000 --> 01:20:38,880 Speaker 1: like I am really holding it together but not well. 1690 01:20:38,920 --> 01:20:41,400 Speaker 1: It's like just like almost boiling out of me. But 1691 01:20:41,439 --> 01:20:43,879 Speaker 1: I'm just trying to be very cool and like not blackout. 1692 01:20:44,320 --> 01:20:47,320 Speaker 1: And then he gets so part where it's like wrapping 1693 01:20:47,479 --> 01:20:51,040 Speaker 1: up and he's like he's like, Okay, we only have 1694 01:20:51,120 --> 01:20:52,840 Speaker 1: time for one more song, Like you guys want to 1695 01:20:52,880 --> 01:20:54,920 Speaker 1: hear something soft and sweet or do you want to 1696 01:20:54,960 --> 01:20:58,120 Speaker 1: hear something a little funky, and I was like, finally 1697 01:20:58,120 --> 01:21:00,720 Speaker 1: answers the question. I'm like fucking like I like my 1698 01:21:00,960 --> 01:21:05,160 Speaker 1: voice said it's so loud that everyone jumped. And then 1699 01:21:05,240 --> 01:21:08,680 Speaker 1: he played something soft and sweet and I swearing he 1700 01:21:09,040 --> 01:21:11,439 Speaker 1: ignored it and like, and it was right in front 1701 01:21:11,479 --> 01:21:13,120 Speaker 1: of it was like four ft away, so I was 1702 01:21:13,160 --> 01:21:20,439 Speaker 1: like I thought, was so close to him, and everyone 1703 01:21:20,520 --> 01:21:24,240 Speaker 1: be literally Baba Buie from Howard started like Gary Talbot 1704 01:21:24,520 --> 01:21:26,800 Speaker 1: slowly put his hand on my shoulder, like you need 1705 01:21:26,920 --> 01:21:29,600 Speaker 1: to get it together, like this is embarrassing. Like that 1706 01:21:29,760 --> 01:21:32,200 Speaker 1: was weird for everyone. And I'm not someone who ever 1707 01:21:32,360 --> 01:21:34,320 Speaker 1: wants to make anyone. I don't want to be like 1708 01:21:34,600 --> 01:21:36,360 Speaker 1: I don't want you to notice me unless I'm making 1709 01:21:36,400 --> 01:21:38,720 Speaker 1: you like happy, and so for to be like the 1710 01:21:38,800 --> 01:21:41,280 Speaker 1: object of like oh, it was so huge in front 1711 01:21:41,320 --> 01:21:43,160 Speaker 1: of the person I love the most and it was 1712 01:21:43,200 --> 01:21:45,400 Speaker 1: all just like it just I thought I thought he 1713 01:21:45,479 --> 01:21:47,840 Speaker 1: was gonna be like this girl's cool and she like like, 1714 01:21:48,080 --> 01:21:53,760 Speaker 1: what's your deal? Funcky like and then he's like then 1715 01:21:53,800 --> 01:21:56,080 Speaker 1: he plays a song he wrote about like mass shootings. 1716 01:21:56,120 --> 01:22:02,400 Speaker 1: I mean it was not, it was not You're gonna 1717 01:22:02,400 --> 01:22:05,160 Speaker 1: have it. You're gonna have a redemptive interaction with him. 1718 01:22:05,200 --> 01:22:07,800 Speaker 1: I think you will. I'm the voice of d MB 1719 01:22:08,000 --> 01:22:10,760 Speaker 1: Radio on Serious XM, so when you listen to Channel 1720 01:22:10,760 --> 01:22:14,599 Speaker 1: Stars about you. He I'm sure he's aware I am 1721 01:22:14,680 --> 01:22:16,840 Speaker 1: in the sphere, as I let him know after after 1722 01:22:16,960 --> 01:22:19,439 Speaker 1: I said Sunky, That's when I like went after him, 1723 01:22:19,479 --> 01:22:21,400 Speaker 1: waited for him outside the room and was like, hey, 1724 01:22:21,439 --> 01:22:23,479 Speaker 1: I'm a comedian. I'm really sorry about Like I was 1725 01:22:23,520 --> 01:22:24,840 Speaker 1: just like I just have to say a bunch of 1726 01:22:24,880 --> 01:22:26,800 Speaker 1: things that how much you mean to me spe spears fear, 1727 01:22:26,840 --> 01:22:28,920 Speaker 1: and he was just like okay, and like backed away, 1728 01:22:29,040 --> 01:22:31,960 Speaker 1: very scared, Like I saw like actual fear. And he's 1729 01:22:32,000 --> 01:22:35,400 Speaker 1: like like this girl is unhinged in his eyes and 1730 01:22:35,760 --> 01:22:39,040 Speaker 1: and I'm not. I just couldn't control it, And it 1731 01:22:39,200 --> 01:22:40,800 Speaker 1: wasn't the right time. That would have been funny on 1732 01:22:41,000 --> 01:22:45,120 Speaker 1: camera with like a big like to do, like like 1733 01:22:45,280 --> 01:22:48,000 Speaker 1: if you went on the Kelly Clarkson Show, Matt and 1734 01:22:48,120 --> 01:22:50,439 Speaker 1: and had that moment, had that around it, it would 1735 01:22:50,439 --> 01:22:53,599 Speaker 1: be appropriate. But this was just so uncomfortable. It's funny 1736 01:22:53,600 --> 01:22:56,479 Speaker 1: that you mentioned serious because they got at when Serious 1737 01:22:56,560 --> 01:22:59,840 Speaker 1: like finally did when Kelly finally did Howard Stern like 1738 01:23:00,200 --> 01:23:03,000 Speaker 1: I did the after show. So I was like there 1739 01:23:03,160 --> 01:23:06,679 Speaker 1: in the building like like like going on the floor 1740 01:23:06,920 --> 01:23:09,439 Speaker 1: on the aftershow right after she was leaving Howard. And 1741 01:23:09,479 --> 01:23:11,519 Speaker 1: I'm telling you, like I had the opportunity because she 1742 01:23:11,680 --> 01:23:14,040 Speaker 1: was coming out and I'm sitting there in like the 1743 01:23:14,160 --> 01:23:15,920 Speaker 1: lobby in New York and like I was about to 1744 01:23:16,000 --> 01:23:19,600 Speaker 1: go in, Um tear started coming to my eyes and 1745 01:23:19,640 --> 01:23:20,960 Speaker 1: I couldn't come over. I was just like I was 1746 01:23:21,000 --> 01:23:22,400 Speaker 1: like I can't because I had to go be on 1747 01:23:22,520 --> 01:23:24,519 Speaker 1: the show. So I was like, I'm not gonna walk 1748 01:23:24,600 --> 01:23:26,680 Speaker 1: in there the first time I made fucking you know 1749 01:23:26,760 --> 01:23:29,040 Speaker 1: all these guys like that I've listened to forever, like 1750 01:23:29,120 --> 01:23:31,080 Speaker 1: because I love Howard, Like I'm not going to go 1751 01:23:31,200 --> 01:23:33,600 Speaker 1: in there and be like crying, Oh my god. Like 1752 01:23:33,920 --> 01:23:35,280 Speaker 1: I was like I have to be good and have 1753 01:23:35,400 --> 01:23:37,280 Speaker 1: it together for the Kelly episode of the show and 1754 01:23:37,400 --> 01:23:39,680 Speaker 1: like not be a flop. But I'm telling you, like 1755 01:23:39,840 --> 01:23:41,880 Speaker 1: I've had so many chances to like kind of go 1756 01:23:42,000 --> 01:23:43,360 Speaker 1: up there and be like I just wanted to tell 1757 01:23:43,400 --> 01:23:44,680 Speaker 1: you I'm such a big fan. You mean so much 1758 01:23:44,720 --> 01:23:47,160 Speaker 1: to me, and I'm just like, I literally I start 1759 01:23:47,240 --> 01:23:50,240 Speaker 1: to lose that every time. So I when do you 1760 01:23:50,360 --> 01:23:53,400 Speaker 1: have who's this he's cool. He's cool as a cucumber though, 1761 01:23:53,439 --> 01:23:59,480 Speaker 1: But no, not really, not really. I mean it happened 1762 01:23:59,720 --> 01:24:04,639 Speaker 1: when Tina, and that's kind of like a really that's 1763 01:24:04,680 --> 01:24:06,760 Speaker 1: that's kind of like it's such a it's such a 1764 01:24:06,880 --> 01:24:11,200 Speaker 1: complicated thing, but it was. It happened with Tina and UM. 1765 01:24:11,880 --> 01:24:13,599 Speaker 1: And at one point when I was shooting Girls five 1766 01:24:13,600 --> 01:24:15,880 Speaker 1: Evan in January, like Matt work Grow, our friend who 1767 01:24:15,880 --> 01:24:17,880 Speaker 1: wrote on this episode that UM I did, was like, 1768 01:24:18,640 --> 01:24:20,400 Speaker 1: by the way, Tina is gonna come. Tina and Jeff 1769 01:24:20,400 --> 01:24:21,840 Speaker 1: are coming into the studio. They want to say hi, 1770 01:24:22,000 --> 01:24:24,760 Speaker 1: and I was like, okay, cool, and then I just 1771 01:24:24,920 --> 01:24:27,600 Speaker 1: spun out in my room for like twenty minutes, and 1772 01:24:27,640 --> 01:24:29,280 Speaker 1: then they finally invite me to set and I'm like, okay, 1773 01:24:29,280 --> 01:24:31,080 Speaker 1: I guess I'm gonna run into around the floor. That's 1774 01:24:31,200 --> 01:24:34,000 Speaker 1: maybe even better so that like she just sees me 1775 01:24:34,240 --> 01:24:37,720 Speaker 1: like in in my element or whatever. And then she 1776 01:24:37,840 --> 01:24:40,280 Speaker 1: just laughed and she just left, and I feel like, 1777 01:24:40,960 --> 01:24:42,680 Speaker 1: but then before that, it was when I did the 1778 01:24:42,720 --> 01:24:44,479 Speaker 1: Commischmidt movie and she came over and she just like 1779 01:24:44,560 --> 01:24:46,640 Speaker 1: checked and I completely blacked out and it was the 1780 01:24:46,680 --> 01:24:50,559 Speaker 1: most meaningless interaction to her um probably ever. But then 1781 01:24:50,600 --> 01:24:52,320 Speaker 1: she mentioned me in an interview recently when she talked 1782 01:24:52,320 --> 01:24:55,640 Speaker 1: about the iceberg. I think, I think that's why you 1783 01:24:55,760 --> 01:24:58,680 Speaker 1: get asked to be on her. But I think I 1784 01:24:58,840 --> 01:25:02,599 Speaker 1: have to like keep this distance that I have not created. 1785 01:25:02,640 --> 01:25:05,960 Speaker 1: But that's just been like very like, uh, just just 1786 01:25:06,080 --> 01:25:09,519 Speaker 1: through happenstance has been like that's been what's calibrated. And 1787 01:25:09,560 --> 01:25:13,640 Speaker 1: I'm like, I can't actually get that much closer to 1788 01:25:13,760 --> 01:25:16,479 Speaker 1: you on a personal level because otherwise it will stress 1789 01:25:16,560 --> 01:25:21,360 Speaker 1: me out. You know, yes it won't and you won't 1790 01:25:21,400 --> 01:25:24,240 Speaker 1: remember it like you'll just it won't go well, So 1791 01:25:24,360 --> 01:25:27,000 Speaker 1: you have to keep away. But but she to hear 1792 01:25:27,120 --> 01:25:30,400 Speaker 1: your name come out of her mouth, isn't that wild? 1793 01:25:30,640 --> 01:25:32,960 Speaker 1: And such? Like it's so weird. I don't even know that. 1794 01:25:33,040 --> 01:25:34,920 Speaker 1: I don't I don't even know that it's exciting to me. 1795 01:25:35,240 --> 01:25:39,320 Speaker 1: It's mostly just bizarre, and I'm like, whoa. And it 1796 01:25:39,400 --> 01:25:42,439 Speaker 1: means that she's like watching, you know, It's like it's 1797 01:25:42,479 --> 01:25:46,559 Speaker 1: all all this other stuff comes in and I'm like, god, damn, damn, damn, 1798 01:25:46,600 --> 01:25:49,880 Speaker 1: this is actually really fucking bizarre. But then, but but 1799 01:25:50,000 --> 01:25:53,000 Speaker 1: my cone in thing is my freshman year after high school, 1800 01:25:53,000 --> 01:25:54,600 Speaker 1: we became New York City to look at colleges with 1801 01:25:54,680 --> 01:25:57,240 Speaker 1: my sister for my sister. And then the one fun 1802 01:25:57,280 --> 01:25:58,439 Speaker 1: thing we did in New York was to take the 1803 01:25:58,479 --> 01:26:01,280 Speaker 1: thirty Rock Studio tour. And it was the summer, so 1804 01:26:01,400 --> 01:26:03,280 Speaker 1: we knew SNL was out, was out. But then I asked, 1805 01:26:03,360 --> 01:26:05,559 Speaker 1: I was like, as Conan doing a show this week? 1806 01:26:05,600 --> 01:26:07,320 Speaker 1: They go no, the pages go no. But we still 1807 01:26:07,400 --> 01:26:09,479 Speaker 1: went to this and I was actually more excited to 1808 01:26:09,560 --> 01:26:12,559 Speaker 1: be on the sixth floor wherever Conan Studio was. Then 1809 01:26:12,600 --> 01:26:13,920 Speaker 1: I was to go to eight age because it was 1810 01:26:13,960 --> 01:26:16,920 Speaker 1: just like Conan there and you saw like like Max 1811 01:26:17,000 --> 01:26:20,160 Speaker 1: Weinberg's drum want like drums like like and I was 1812 01:26:20,200 --> 01:26:25,920 Speaker 1: just like I something about Conan, like staying up past Leno, 1813 01:26:26,560 --> 01:26:29,040 Speaker 1: like suffering through Leno in order to watch Conan was 1814 01:26:29,160 --> 01:26:32,599 Speaker 1: like such an important ritual for me as a kid, 1815 01:26:32,680 --> 01:26:36,560 Speaker 1: and like it did like inform my whole sensibility, I 1816 01:26:36,640 --> 01:26:39,560 Speaker 1: think absolutely, because it was weird ship It was so 1817 01:26:39,720 --> 01:26:42,240 Speaker 1: weird and funny. Oh my god, it took you. It 1818 01:26:42,479 --> 01:26:45,920 Speaker 1: made it okay to just take some real swings, you know. 1819 01:26:46,160 --> 01:26:49,400 Speaker 1: And they had mrs early on, but nothing, nothing ever 1820 01:26:49,840 --> 01:26:51,280 Speaker 1: missed for me because I was just a kid, and 1821 01:26:51,360 --> 01:26:54,040 Speaker 1: like it was just just to take those ships, to 1822 01:26:54,080 --> 01:26:55,920 Speaker 1: have a masturbating bear, to have all those like silly 1823 01:26:55,960 --> 01:26:57,960 Speaker 1: things that like maybe now wouldn't hold up as much 1824 01:26:58,160 --> 01:27:00,120 Speaker 1: like back then, I was like, what the fund is happening? Was? 1825 01:27:00,240 --> 01:27:05,320 Speaker 1: So I loved I love hearing about like, You're right, 1826 01:27:05,360 --> 01:27:08,040 Speaker 1: it's like watching Conan and is why who I am? 1827 01:27:08,040 --> 01:27:09,280 Speaker 1: And that's why I told them the first time I met, 1828 01:27:09,320 --> 01:27:12,120 Speaker 1: and I go, You're why I do this? Like you 1829 01:27:12,600 --> 01:27:15,280 Speaker 1: made this? And he was just it was because it's true. 1830 01:27:15,360 --> 01:27:17,599 Speaker 1: But to Matt, to hear you say that, Kelly Clarkson 1831 01:27:17,720 --> 01:27:20,880 Speaker 1: like helped you feel like process that and like feel 1832 01:27:20,920 --> 01:27:22,639 Speaker 1: like maybe there was a chance, like when I see 1833 01:27:22,760 --> 01:27:24,639 Speaker 1: when I watched the Billie Eilish documentary and I see 1834 01:27:24,680 --> 01:27:27,200 Speaker 1: girls like being like I'd be dead without you, Billy, 1835 01:27:27,280 --> 01:27:29,720 Speaker 1: Like I always go, yeah, really you'd be, And I 1836 01:27:30,200 --> 01:27:33,760 Speaker 1: actually feel i've I've I never related it to that 1837 01:27:33,920 --> 01:27:35,639 Speaker 1: as like a young girl, so I think that that's 1838 01:27:35,640 --> 01:27:37,280 Speaker 1: why I look at that and I go, what is 1839 01:27:37,360 --> 01:27:39,240 Speaker 1: that young girl saying? I would have? But as a 1840 01:27:39,520 --> 01:27:41,439 Speaker 1: as an adult woman, like I do feel that way 1841 01:27:41,520 --> 01:27:45,200 Speaker 1: about Taylor Swift, like I would have a lot of 1842 01:27:45,280 --> 01:27:47,920 Speaker 1: heart of her of a time accepting myself and like 1843 01:27:48,080 --> 01:27:49,960 Speaker 1: getting to the who I am now with my self 1844 01:27:50,080 --> 01:27:51,559 Speaker 1: esteem and like what I want and how I want 1845 01:27:51,600 --> 01:27:54,880 Speaker 1: to like, uh, how I want to feel and what's 1846 01:27:54,920 --> 01:27:57,760 Speaker 1: okay to feel because of her, Like I really would 1847 01:27:57,800 --> 01:28:00,439 Speaker 1: be a different person without her, And I'm proud to 1848 01:28:00,600 --> 01:28:03,960 Speaker 1: be a someone that is that impacted by people I 1849 01:28:04,040 --> 01:28:06,519 Speaker 1: don't know by art. I like, it's not I don't. 1850 01:28:06,680 --> 01:28:09,800 Speaker 1: I am not ashamed of being a just like a 1851 01:28:09,880 --> 01:28:12,600 Speaker 1: stay on it. It makes me feel fourteen again, like 1852 01:28:12,960 --> 01:28:16,160 Speaker 1: caring about the loving being a fan that hard and 1853 01:28:16,240 --> 01:28:18,960 Speaker 1: being obsessive, which is like something that I've always been 1854 01:28:19,240 --> 01:28:21,320 Speaker 1: in my life. Like I like that it doesn't go 1855 01:28:21,400 --> 01:28:23,720 Speaker 1: away as as an adult because it makes me feel young, 1856 01:28:23,960 --> 01:28:25,840 Speaker 1: Like it's the way to keep in touch with the 1857 01:28:25,920 --> 01:28:29,240 Speaker 1: inner child, and that is important. And so many times, 1858 01:28:29,560 --> 01:28:32,120 Speaker 1: uh that comes under attack, you know, especially like in 1859 01:28:32,200 --> 01:28:34,200 Speaker 1: an ugly world, you know what I mean, Like in 1860 01:28:34,240 --> 01:28:36,840 Speaker 1: a world that's like dark, and I I that's something 1861 01:28:36,960 --> 01:28:40,760 Speaker 1: that I mean, I mean, I think that's one reason 1862 01:28:40,800 --> 01:28:43,000 Speaker 1: why we still love doing the podcast so much, because 1863 01:28:43,560 --> 01:28:46,120 Speaker 1: this podcast can be a celebration of like loving what 1864 01:28:46,320 --> 01:28:49,080 Speaker 1: we love um And so that's why I like to 1865 01:28:49,120 --> 01:28:51,240 Speaker 1: have conversations like I know that Bowen and I like 1866 01:28:51,640 --> 01:28:53,960 Speaker 1: love to have conversations like the one we just had 1867 01:28:54,080 --> 01:28:56,680 Speaker 1: because it's a it's a place to come here and 1868 01:28:56,800 --> 01:28:59,000 Speaker 1: not feel like you have to be like, well, my 1869 01:28:59,080 --> 01:29:02,639 Speaker 1: guilty pleasure is No, it's like there's no that's that's 1870 01:29:02,680 --> 01:29:05,960 Speaker 1: never the frame never, and it's just it's that's there's 1871 01:29:06,000 --> 01:29:07,599 Speaker 1: not a lot of space spaces for that. And that's 1872 01:29:07,640 --> 01:29:09,760 Speaker 1: when I do look for other swift Ease. And I 1873 01:29:09,800 --> 01:29:12,559 Speaker 1: wear a lot of Swift merchandise, not because in t shirts, 1874 01:29:12,600 --> 01:29:14,840 Speaker 1: not because I'm like I want to promote her, but 1875 01:29:14,960 --> 01:29:17,080 Speaker 1: because I like want to find other swift Ease. It's 1876 01:29:17,120 --> 01:29:19,960 Speaker 1: like I'm peacocking for friends because I'm like, I want 1877 01:29:20,000 --> 01:29:22,360 Speaker 1: more people in my life like I would really when 1878 01:29:22,360 --> 01:29:24,519 Speaker 1: I look for like a boyfriend, I'm like, I really 1879 01:29:24,560 --> 01:29:26,320 Speaker 1: need you to like Swift, Like I don't want you 1880 01:29:26,360 --> 01:29:29,560 Speaker 1: to just tolerate it. I will play that song to 1881 01:29:30,439 --> 01:29:33,920 Speaker 1: to make you get through your feelings tolerated Taylor Swift, 1882 01:29:34,360 --> 01:29:36,200 Speaker 1: and maybe you'll start to like her because she'll help 1883 01:29:36,240 --> 01:29:38,200 Speaker 1: you with process those feelings that you're feeling when you 1884 01:29:38,320 --> 01:29:43,040 Speaker 1: let me listen to Cruel Summer on repeat. But I 1885 01:29:43,080 --> 01:29:45,920 Speaker 1: mean we never got our Cruel summer video, and I'm 1886 01:29:45,960 --> 01:29:48,759 Speaker 1: still waiting. We never did. I will say I hadn't. 1887 01:29:48,880 --> 01:29:51,280 Speaker 1: I had an X that I have one X that's 1888 01:29:51,320 --> 01:29:54,280 Speaker 1: a full Swift E and like way even beyond the 1889 01:29:54,560 --> 01:29:56,960 Speaker 1: me or maybe even anyone here, which is crazy. And 1890 01:29:57,040 --> 01:30:00,320 Speaker 1: then another X and another X who didn't lie her 1891 01:30:00,920 --> 01:30:05,200 Speaker 1: because he thought that her he didn't he didn't connect 1892 01:30:05,240 --> 01:30:08,720 Speaker 1: to lyrics he likes. He like the melodies weren't interesting enough, 1893 01:30:08,720 --> 01:30:10,960 Speaker 1: and he quote unquote didn't connect to lyrics. And I 1894 01:30:11,080 --> 01:30:13,559 Speaker 1: was like, I think this might be a deal breaker 1895 01:30:13,640 --> 01:30:17,960 Speaker 1: for us. I was like, I don't understand that ideology. Yeah, 1896 01:30:18,200 --> 01:30:20,640 Speaker 1: if you actively don't like Taylor Swift, it would never 1897 01:30:20,760 --> 01:30:24,080 Speaker 1: work with us. Also in that category, Veep. Veep is 1898 01:30:24,080 --> 01:30:26,160 Speaker 1: another show that if you can't if you don't like Veep, 1899 01:30:26,280 --> 01:30:28,880 Speaker 1: if you haven't, and I understand if you haven't seen it, 1900 01:30:28,920 --> 01:30:30,920 Speaker 1: but if you watch it and you're not into it, 1901 01:30:31,320 --> 01:30:35,800 Speaker 1: it's no, I wouldn't. I'd be more I'd be more 1902 01:30:35,880 --> 01:30:39,200 Speaker 1: likely to date a guy that like wanted kids and 1903 01:30:39,240 --> 01:30:43,760 Speaker 1: I don't want kids, then I wouldn't. I think that's 1904 01:30:43,800 --> 01:30:45,960 Speaker 1: a first state conversation, Like I really do have it on. 1905 01:30:46,040 --> 01:30:47,680 Speaker 1: I used to put on a dating profile of like 1906 01:30:48,400 --> 01:30:51,439 Speaker 1: just if you it just cuts the it cuts the 1907 01:30:51,479 --> 01:30:53,439 Speaker 1: people out of my life I don't want. And that's 1908 01:30:53,479 --> 01:30:56,080 Speaker 1: the thing that like TV and music, Taylor Swift is 1909 01:30:56,120 --> 01:30:57,960 Speaker 1: such a personal thing that it's okay if you don't 1910 01:30:58,080 --> 01:31:00,519 Speaker 1: like her, but if you if you're like bothered and 1911 01:31:00,640 --> 01:31:05,200 Speaker 1: like Nicky's doing singing again because my roommate Andrew, he 1912 01:31:05,880 --> 01:31:08,960 Speaker 1: he's told people like like on our podcast, you all 1913 01:31:09,000 --> 01:31:11,240 Speaker 1: think that Nikki is like a fan of Taylor Swift shocks, 1914 01:31:11,320 --> 01:31:13,519 Speaker 1: but you have no idea what it's like to live 1915 01:31:13,600 --> 01:31:16,639 Speaker 1: with someone like that. This is all she and that's 1916 01:31:16,920 --> 01:31:18,360 Speaker 1: part of that is like I'm trying to learn her 1917 01:31:18,400 --> 01:31:20,280 Speaker 1: songs and guitar, so I'm playing them over and over 1918 01:31:20,680 --> 01:31:22,800 Speaker 1: all the time. But um, yeah, she's a major part 1919 01:31:22,800 --> 01:31:25,800 Speaker 1: of my life. She's she's, she's she's folded into every 1920 01:31:25,920 --> 01:31:36,280 Speaker 1: aspect of it. Yes, same here for us, it is 1921 01:31:36,400 --> 01:31:38,439 Speaker 1: time for I don't think so, honey. So this Nikki 1922 01:31:38,680 --> 01:31:41,080 Speaker 1: is the sort of finale of the show where we 1923 01:31:41,160 --> 01:31:44,200 Speaker 1: take sixty seconds to sort of, you know, really come 1924 01:31:44,320 --> 01:31:47,519 Speaker 1: for something in pop culture that we're not as happy 1925 01:31:47,600 --> 01:31:50,040 Speaker 1: with as say Taylor Swift. In fact, we we we 1926 01:31:50,479 --> 01:31:53,160 Speaker 1: were so unhappy that we say I don't think so, honey. 1927 01:31:53,560 --> 01:31:56,360 Speaker 1: Name of thing um, I do have one bowen and 1928 01:31:56,439 --> 01:31:58,040 Speaker 1: it is it is interesting. It's in the world of 1929 01:31:58,120 --> 01:32:01,280 Speaker 1: music as well, pop music even. Okay, alright, this is huge. 1930 01:32:01,320 --> 01:32:02,760 Speaker 1: This is Matt Rogers. I don't think so many. As 1931 01:32:02,800 --> 01:32:05,759 Speaker 1: time starts now, I don't think so, honey. Whatever bullshit 1932 01:32:05,920 --> 01:32:08,519 Speaker 1: is going on that keeps Little Mixed from happening in America? 1933 01:32:08,800 --> 01:32:13,840 Speaker 1: Because is shunning out Bob's Bob after Bob, and I 1934 01:32:13,880 --> 01:32:15,920 Speaker 1: don't know what this dark magic is. I don't know 1935 01:32:16,040 --> 01:32:18,080 Speaker 1: whatever it's going on behind the scenes that keep them 1936 01:32:18,120 --> 01:32:21,320 Speaker 1: from hopping off in America, black magic even because let 1937 01:32:21,400 --> 01:32:25,080 Speaker 1: me tell you something, Confetti featuring Sweedie, Oh my god, 1938 01:32:25,360 --> 01:32:27,240 Speaker 1: the girls have never been stronger. And let me tell 1939 01:32:27,240 --> 01:32:30,599 Speaker 1: you something also, I don't think so, honey. Any Jesse haters, 1940 01:32:30,680 --> 01:32:32,920 Speaker 1: especially when you call yourself a little bit if you're 1941 01:32:32,920 --> 01:32:35,280 Speaker 1: a Little Mixed fan, you support Jesse and you want 1942 01:32:35,400 --> 01:32:38,160 Speaker 1: this for Jesse, and you understand why Jesse. It's fine 1943 01:32:38,160 --> 01:32:40,120 Speaker 1: that she goes and makes new music and had nothing 1944 01:32:40,160 --> 01:32:42,400 Speaker 1: to do with that her leaving the group. That's a sidebar. 1945 01:32:42,680 --> 01:32:44,759 Speaker 1: I don't think so honey. Whatever is going on shout 1946 01:32:44,800 --> 01:32:46,280 Speaker 1: out to my ex should have been a huge hit. 1947 01:32:46,479 --> 01:32:48,479 Speaker 1: Holiday should have been a huge hit. Sweet Melody. I 1948 01:32:48,520 --> 01:32:50,960 Speaker 1: don't understand why it's not number one in America. What 1949 01:32:51,280 --> 01:32:53,680 Speaker 1: is going on? Is the payola scheme? You have to 1950 01:32:53,720 --> 01:32:56,320 Speaker 1: ask this question. I don't think so, honey. Whoever is 1951 01:32:56,360 --> 01:32:58,640 Speaker 1: handling them maybe the new new people to Hell in 1952 01:32:58,760 --> 01:33:01,120 Speaker 1: America because they are bob on Bobs on bobs. They've 1953 01:33:01,200 --> 01:33:03,360 Speaker 1: never been stronger as a trio. Listened to acoustic version 1954 01:33:03,360 --> 01:33:05,759 Speaker 1: of Confetti now, I don't think so, honey, And that's 1955 01:33:05,920 --> 01:33:11,000 Speaker 1: one minute wow. I mean they are they have never 1956 01:33:11,160 --> 01:33:13,519 Speaker 1: they've never been better, and that they I will say, 1957 01:33:13,560 --> 01:33:15,840 Speaker 1: everyone is healthier as a result of the recent change 1958 01:33:15,880 --> 01:33:18,439 Speaker 1: with Jesse leaving. We support Jesse, but I am a 1959 01:33:18,520 --> 01:33:20,720 Speaker 1: little mixed Stan I'm a mixer, and I have to 1960 01:33:20,800 --> 01:33:23,000 Speaker 1: say I want them bigger than they are in America. 1961 01:33:23,000 --> 01:33:24,560 Speaker 1: I want to hear them on the radio. There's some 1962 01:33:24,800 --> 01:33:27,800 Speaker 1: value though, and and and and just like a group 1963 01:33:27,880 --> 01:33:31,200 Speaker 1: being niche in away like Kylie Mineo gave up on 1964 01:33:31,760 --> 01:33:34,240 Speaker 1: being like big in America like decades ago, and I 1965 01:33:34,360 --> 01:33:38,160 Speaker 1: think she's been fine. And the US Americans who do 1966 01:33:38,320 --> 01:33:40,800 Speaker 1: love Kylie just make it it feels like it's our 1967 01:33:40,840 --> 01:33:44,400 Speaker 1: Little our little not secret, but it's like, oh, she's 1968 01:33:44,439 --> 01:33:46,640 Speaker 1: for us, and she's she's not for the rep for 1969 01:33:46,720 --> 01:33:50,760 Speaker 1: like the general pop of the U s. I. You know, 1970 01:33:51,040 --> 01:33:53,000 Speaker 1: I think what bothers me is what they want. It 1971 01:33:53,800 --> 01:33:56,840 Speaker 1: they wanted, I know, but at some point they might 1972 01:33:56,920 --> 01:33:58,519 Speaker 1: not want it. If it's if it does if it 1973 01:33:58,520 --> 01:34:02,880 Speaker 1: doesn't work out. Little Mixed Black Magic is such a bop. 1974 01:34:03,439 --> 01:34:07,760 Speaker 1: It is so good. It's about eating pussy. It's so good. 1975 01:34:08,720 --> 01:34:11,599 Speaker 1: Do you feel this one? It is? It is about 1976 01:34:11,640 --> 01:34:13,760 Speaker 1: eating pussy. It's about it's about like I have like 1977 01:34:14,200 --> 01:34:18,160 Speaker 1: eat my pussy like it's it's get on your get 1978 01:34:18,240 --> 01:34:20,599 Speaker 1: on the floor to it's it's all about go down 1979 01:34:20,680 --> 01:34:23,600 Speaker 1: on me. For me, it was like, yes, yes, go 1980 01:34:23,800 --> 01:34:26,600 Speaker 1: down on Well, now we're sort of I feel like 1981 01:34:26,640 --> 01:34:30,200 Speaker 1: we're in a revolution of you know, women being like no, 1982 01:34:30,439 --> 01:34:32,800 Speaker 1: go down on me like it's it's I mean like 1983 01:34:32,880 --> 01:34:34,640 Speaker 1: in the past ten years, I feel like we've now 1984 01:34:34,760 --> 01:34:37,519 Speaker 1: gotten like Nicki Minaj single headedly isn't has now changed 1985 01:34:37,560 --> 01:34:40,720 Speaker 1: at all. I mean now fucking getting your ass eight 1986 01:34:40,920 --> 01:34:44,760 Speaker 1: is is like normal gener not really, it's that is 1987 01:34:44,880 --> 01:34:48,400 Speaker 1: just that's part of the court. That's first base. It's huge, 1988 01:34:48,520 --> 01:34:51,240 Speaker 1: truly it's first Base as eating his first base. Real 1989 01:34:51,320 --> 01:34:56,400 Speaker 1: Culture Number thirty three is first Base. Now Bow and Yang, 1990 01:34:56,479 --> 01:34:57,760 Speaker 1: we have your I don't think so, honey. Are you 1991 01:34:57,800 --> 01:35:00,519 Speaker 1: ready to go? I'm ready. This is bo I don't 1992 01:35:00,520 --> 01:35:03,120 Speaker 1: think Sonny his time starts now. I don't think so, honey. 1993 01:35:03,200 --> 01:35:07,519 Speaker 1: We're rebooting Dan Brown book adaptations. There are so many 1994 01:35:07,600 --> 01:35:09,560 Speaker 1: things wrong with this. First of all, how are you 1995 01:35:09,560 --> 01:35:15,559 Speaker 1: gonna replace Tom Hanks in anything right? Tom Hanks? Second 1996 01:35:15,600 --> 01:35:18,800 Speaker 1: of all, it's like rebooting this series that no one 1997 01:35:18,920 --> 01:35:22,800 Speaker 1: actually really cares about. It just makes no sense to me, right, Like, 1998 01:35:22,880 --> 01:35:27,240 Speaker 1: there's no there's no like sentimental capital thing to like 1999 01:35:27,439 --> 01:35:30,080 Speaker 1: grow from that, and it hasn't even been that long 2000 01:35:30,200 --> 01:35:33,240 Speaker 1: since the last one. I have no real comedic take 2001 01:35:33,320 --> 01:35:35,519 Speaker 1: on this. It's just like it feels like rebooting. Like 2002 01:35:35,720 --> 01:35:39,000 Speaker 1: let's say, I don't know, I don't I can't come 2003 01:35:39,080 --> 01:35:40,639 Speaker 1: up with an example that doesn't shut on the actual 2004 01:35:40,680 --> 01:35:42,479 Speaker 1: example for being canceled, you know what I mean, or 2005 01:35:42,560 --> 01:35:44,439 Speaker 1: for being like something that nobody cares about it. But 2006 01:35:44,479 --> 01:35:48,080 Speaker 1: it's like it's like rebooting um Mr and Mrs Smith. 2007 01:35:48,240 --> 01:35:50,640 Speaker 1: We we know what it's just No, people love Mr 2008 01:35:50,720 --> 01:35:54,000 Speaker 1: and Mrs Smith though, but rebooting like it's like it's 2009 01:35:54,000 --> 01:35:57,120 Speaker 1: like rebooting like Grounded for Life, like a solid sitcom 2010 01:35:57,280 --> 01:36:00,479 Speaker 1: that a solid sitcom that not enough people can heard about. 2011 01:36:00,640 --> 01:36:02,519 Speaker 1: It's like I loved Grounded for Life. By the way, 2012 01:36:02,680 --> 01:36:06,800 Speaker 1: that's one. Do do we remember Grounded for Life? Yeah? 2013 01:36:07,160 --> 01:36:09,880 Speaker 1: That guy. It was a great guy. I thought it 2014 01:36:09,920 --> 01:36:11,519 Speaker 1: was really funny. I didn't know they were doing this. 2015 01:36:11,800 --> 01:36:13,920 Speaker 1: It's like sexy Robert Langdon. It's like they're doing like 2016 01:36:14,000 --> 01:36:16,880 Speaker 1: the da Vinci code stuff. They're not doing the DaVinci Code, 2017 01:36:16,880 --> 01:36:18,680 Speaker 1: but they're they're doing like the newer books or the 2018 01:36:18,720 --> 01:36:21,000 Speaker 1: prequels and anyway. I just I just read about this 2019 01:36:21,120 --> 01:36:24,760 Speaker 1: in Multuring and it made me mad. Okay, that's my 2020 01:36:24,840 --> 01:36:28,080 Speaker 1: little niche thing. NICKI, do you have something that you'd 2021 01:36:28,120 --> 01:36:29,880 Speaker 1: like to tell? Yeah? I think I do. I think 2022 01:36:29,880 --> 01:36:31,600 Speaker 1: I can fill for six seconds. I just came up 2023 01:36:31,680 --> 01:36:34,280 Speaker 1: with one and um, okay, yeah, I think I got one. Okay, 2024 01:36:34,840 --> 01:36:36,519 Speaker 1: this is Nicky Glazers. I don't think so honey, her 2025 01:36:36,560 --> 01:36:39,280 Speaker 1: time starts now. Okay, I don't think so honey. Um 2026 01:36:39,960 --> 01:36:44,120 Speaker 1: banking on Olivia Munn and general anything together like actually 2027 01:36:44,200 --> 01:36:46,559 Speaker 1: investing in this relationship, Like, oh, I'm so glad they're together. 2028 01:36:47,000 --> 01:36:49,519 Speaker 1: I think it is. I don't. I don't know if anything, 2029 01:36:49,520 --> 01:36:51,519 Speaker 1: that I'm actually friends with John. I actually I don't 2030 01:36:51,520 --> 01:36:53,439 Speaker 1: think so honey of like commenting on this at all. 2031 01:36:53,479 --> 01:36:55,080 Speaker 1: I feel like we should just let it do, do 2032 01:36:55,240 --> 01:36:58,560 Speaker 1: what it's gonna do, and not not even speculate, just 2033 01:36:58,880 --> 01:37:01,920 Speaker 1: run its course. But you know, it's like it's all 2034 01:37:02,120 --> 01:37:04,360 Speaker 1: anyone I know wants to talk about, and I want to. 2035 01:37:04,400 --> 01:37:06,160 Speaker 1: I don't think. I don't think so want I don't 2036 01:37:06,160 --> 01:37:07,760 Speaker 1: want to like get into it. I just started to 2037 01:37:07,840 --> 01:37:10,680 Speaker 1: go away. It reminds Davidson and Ariana Grande, which I 2038 01:37:10,760 --> 01:37:12,800 Speaker 1: did love that like love bombing that happened, and I 2039 01:37:12,880 --> 01:37:15,960 Speaker 1: wanted that so bad. But I just I'm speculative of 2040 01:37:16,000 --> 01:37:17,800 Speaker 1: the circumstances. I want to know so much, but I 2041 01:37:17,840 --> 01:37:21,120 Speaker 1: don't think none of my business. I'm out and that 2042 01:37:23,800 --> 01:37:26,200 Speaker 1: we will respect. Yes, I have nothing else to say 2043 01:37:26,200 --> 01:37:28,120 Speaker 1: because I have there's nothing I want to say. It's 2044 01:37:28,160 --> 01:37:30,479 Speaker 1: not he's someone I know, and I don't want to 2045 01:37:30,560 --> 01:37:32,160 Speaker 1: gossip about. I don't want talk about. I don't want 2046 01:37:32,160 --> 01:37:34,680 Speaker 1: to comment on it. We let's just let go. It's 2047 01:37:34,680 --> 01:37:38,200 Speaker 1: gonna it's but it's it can't last. You're you're saying 2048 01:37:38,280 --> 01:37:40,400 Speaker 1: you're saying, with with with the with with the initial 2049 01:37:40,439 --> 01:37:41,720 Speaker 1: I don't think so, honey, you're saying, and I don't. 2050 01:37:41,720 --> 01:37:43,160 Speaker 1: You don't have to elaborate on this. I just want to. 2051 01:37:43,160 --> 01:37:44,760 Speaker 1: I just want to help you sort of summarize this. 2052 01:37:44,840 --> 01:37:47,120 Speaker 1: You're saying, I don't think so many banking on this 2053 01:37:47,240 --> 01:37:50,160 Speaker 1: relationship because it's like the fact that we are invested 2054 01:37:51,000 --> 01:37:55,160 Speaker 1: as like a culture in this relationship is not that 2055 01:37:55,240 --> 01:37:58,880 Speaker 1: we're projecting everything about j Lo and Ben onto Millennium. 2056 01:37:59,120 --> 01:38:02,280 Speaker 1: Olivia may transferred that because we have given up on 2057 01:38:02,760 --> 01:38:06,360 Speaker 1: we have given up on a benefit because it seems 2058 01:38:06,400 --> 01:38:08,160 Speaker 1: like they hung out, maybe got on a plane together, 2059 01:38:08,160 --> 01:38:10,320 Speaker 1: but there hasn't been much less and now we want this. 2060 01:38:10,560 --> 01:38:13,760 Speaker 1: We're like, this is exciting and it's it's let's just 2061 01:38:14,000 --> 01:38:16,360 Speaker 1: let's just leave it alone. Let's just let's just I 2062 01:38:16,600 --> 01:38:19,400 Speaker 1: I we we can respect that. I mean, I'm sure 2063 01:38:19,479 --> 01:38:21,840 Speaker 1: the three of us individually have our thoughts on this 2064 01:38:22,080 --> 01:38:26,800 Speaker 1: that we can share off. Absolutely. I'm like, we can 2065 01:38:26,880 --> 01:38:30,400 Speaker 1: get a LEVI like, like, I've always loved a Jenny Slate. 2066 01:38:30,520 --> 01:38:33,720 Speaker 1: Chris Evan's like, I love any comedian really dating a 2067 01:38:33,960 --> 01:38:39,120 Speaker 1: very very hot person. Yeah, chuckles and chuckle fuckers can 2068 01:38:39,200 --> 01:38:44,639 Speaker 1: be so hot. It's actually real culture seven chuckle hot. 2069 01:38:44,800 --> 01:38:46,880 Speaker 1: So whenever whenever anyone is talking to me and I 2070 01:38:47,000 --> 01:38:48,840 Speaker 1: genuinely feel like they're out of my league, I'm always 2071 01:38:48,840 --> 01:38:52,240 Speaker 1: like what and then I remember, chuckle fuckers can be 2072 01:38:52,360 --> 01:38:55,360 Speaker 1: this hot, But they always want to start a podcast 2073 01:38:55,439 --> 01:38:57,360 Speaker 1: with me. They don't want to. They don't want to. 2074 01:38:57,840 --> 01:39:00,200 Speaker 1: They always want to like have me on their or 2075 01:39:00,320 --> 01:39:02,800 Speaker 1: like start talking about like they want to know like 2076 01:39:03,080 --> 01:39:05,439 Speaker 1: how to start doing stand up. Like I get that 2077 01:39:05,560 --> 01:39:07,800 Speaker 1: a lot. And then I've been misled a lot by 2078 01:39:07,880 --> 01:39:09,920 Speaker 1: really hot guys and I'm like, you're out of my league. 2079 01:39:10,200 --> 01:39:13,000 Speaker 1: Like sometimes I match with a guy and Ryan, this 2080 01:39:13,120 --> 01:39:14,720 Speaker 1: is no joke. I match with a guy on Riya 2081 01:39:14,760 --> 01:39:18,000 Speaker 1: who is a pop star sensation like I am a 2082 01:39:18,240 --> 01:39:20,560 Speaker 1: huge pop star and I he's young too. It was 2083 01:39:20,560 --> 01:39:22,600 Speaker 1: a night where I like made my Riya settings like 2084 01:39:22,880 --> 01:39:34,439 Speaker 1: there and so so I so so so I because 2085 01:39:34,479 --> 01:39:36,760 Speaker 1: my set I I'd never go that low. I don't 2086 01:39:36,800 --> 01:39:39,479 Speaker 1: know what like I was one night, I must have 2087 01:39:39,479 --> 01:39:41,519 Speaker 1: been real horning and be like I deserve a young guy. 2088 01:39:43,000 --> 01:39:45,960 Speaker 1: So I matched with this like guy and I'm like oh, 2089 01:39:46,160 --> 01:39:49,320 Speaker 1: and he messaged me right away. You're the Goat and 2090 01:39:49,400 --> 01:39:52,840 Speaker 1: I'm like, fuck, I thought I had no no. I thought, 2091 01:39:54,200 --> 01:39:56,799 Speaker 1: but he's a fan. He saw my rose clips recently. 2092 01:39:57,040 --> 01:39:59,360 Speaker 1: He's a child writing me you're the Goat. And then 2093 01:39:59,400 --> 01:40:01,680 Speaker 1: he did a go to moji and I go, you know, 2094 01:40:01,840 --> 01:40:03,519 Speaker 1: thank you. And then he's like, will you roast me? 2095 01:40:03,600 --> 01:40:06,800 Speaker 1: And I was like he likes you, and I go no, no, no, guys, 2096 01:40:06,880 --> 01:40:09,280 Speaker 1: he's he's a little fan and they were like that, 2097 01:40:10,520 --> 01:40:12,840 Speaker 1: and so I said him a roast joke about him, 2098 01:40:13,040 --> 01:40:14,960 Speaker 1: and then he was just like, oh my god, funk. 2099 01:40:15,000 --> 01:40:16,920 Speaker 1: I've never even thought about my last name like that. 2100 01:40:17,160 --> 01:40:19,400 Speaker 1: And I was like, that's all I wrote it. That 2101 01:40:19,479 --> 01:40:21,439 Speaker 1: was the last interaction. So I get that a lot. 2102 01:40:22,120 --> 01:40:25,519 Speaker 1: But you know, on face value, like this pop star 2103 01:40:25,640 --> 01:40:29,600 Speaker 1: that people that that that people like, um telling you 2104 01:40:29,760 --> 01:40:32,320 Speaker 1: that he's a fan, that he admires your work, that's something. 2105 01:40:32,560 --> 01:40:35,599 Speaker 1: It's awesome, it actually does feel like, but the context 2106 01:40:35,720 --> 01:40:39,320 Speaker 1: is shitty because, um, the setting is shifty because god 2107 01:40:39,400 --> 01:40:42,880 Speaker 1: like Matt's gotten this too. Like the worst is when 2108 01:40:42,920 --> 01:40:46,000 Speaker 1: it's like one multiple guys on Grinder being like this 2109 01:40:46,120 --> 01:40:49,360 Speaker 1: is the summer. They're like, would you mind set reading 2110 01:40:49,439 --> 01:40:53,120 Speaker 1: my packet for SNL insane? And I was just like 2111 01:40:53,280 --> 01:40:57,200 Speaker 1: you got to actually go to prison on the moon 2112 01:40:57,520 --> 01:41:00,360 Speaker 1: or something, because how dare you need to go to 2113 01:41:00,439 --> 01:41:02,240 Speaker 1: that jail in the Marvel universe that's in the middle 2114 01:41:02,240 --> 01:41:05,800 Speaker 1: of the ocean. Yeah, that's what you gotta go to, 2115 01:41:05,880 --> 01:41:10,559 Speaker 1: Harry Potter jail, askabam that? Like where? And I used 2116 01:41:10,560 --> 01:41:11,960 Speaker 1: to have a joke about It's like, I don't want 2117 01:41:12,000 --> 01:41:14,080 Speaker 1: you to respect me comedically. I don't want any guy 2118 01:41:14,120 --> 01:41:15,600 Speaker 1: to be like, I'm such a fan. I want you 2119 01:41:15,720 --> 01:41:17,880 Speaker 1: to disrespect me sexually like I want you to like 2120 01:41:18,600 --> 01:41:20,640 Speaker 1: I want to. I'm it's a different energy. I am 2121 01:41:20,720 --> 01:41:22,280 Speaker 1: like a guy that's a fan of mine. I don't 2122 01:41:22,320 --> 01:41:24,920 Speaker 1: think I'm ever. I want my obviously my partner to 2123 01:41:25,360 --> 01:41:27,080 Speaker 1: appreciate what I do and know that I'm get at 2124 01:41:27,120 --> 01:41:29,880 Speaker 1: it and be like, wow, she's impressive. But I don't 2125 01:41:29,880 --> 01:41:32,080 Speaker 1: want that to make them horny, Like I want to 2126 01:41:32,200 --> 01:41:34,120 Speaker 1: make a guy horny by being like I'm like a 2127 01:41:34,200 --> 01:41:36,880 Speaker 1: little I'm like a soft lady and like like I'm 2128 01:41:36,960 --> 01:41:38,439 Speaker 1: just like me nurturing. I don't want them to be 2129 01:41:38,520 --> 01:41:44,360 Speaker 1: like you just owned that, Mike. I'm like, all they 2130 01:41:44,360 --> 01:41:46,120 Speaker 1: should do is get it. They have to get it. 2131 01:41:46,280 --> 01:41:52,040 Speaker 1: They understand it to ye yes. Well, I mean, well 2132 01:41:52,080 --> 01:41:54,320 Speaker 1: you're well on your way because I'm very happy to 2133 01:41:54,400 --> 01:41:57,040 Speaker 1: say we are the podcast that introduced Nicki Glazer to pappers. 2134 01:41:57,880 --> 01:42:01,320 Speaker 1: Oh my god, I want an honor is huge. We're 2135 01:42:01,360 --> 01:42:03,599 Speaker 1: gonna send you our merch, which is we're gonna give 2136 01:42:03,600 --> 01:42:07,880 Speaker 1: you a Taylor Swift sweatshirt. Um, so you have stuff 2137 01:42:07,920 --> 01:42:10,960 Speaker 1: coming in the mail. Um and everyone out there, you 2138 01:42:11,040 --> 01:42:13,559 Speaker 1: gotta listen to the Nicki Glazer podcast. It sounded almost 2139 01:42:13,600 --> 01:42:18,800 Speaker 1: every damn day and one night with Nicky Glazer. She's 2140 01:42:18,800 --> 01:42:20,920 Speaker 1: on tour. Um. You can get some tickets to that. 2141 01:42:21,080 --> 01:42:23,160 Speaker 1: And also, you know what if you haven't watched watched 2142 01:42:23,240 --> 01:42:25,799 Speaker 1: bang In, one of the one of my favorite specials 2143 01:42:25,840 --> 01:42:30,360 Speaker 1: on that place. We have been fans for many many years, 2144 01:42:31,760 --> 01:42:35,200 Speaker 1: and it's like, I'm just so like it. It's truly. 2145 01:42:35,320 --> 01:42:40,680 Speaker 1: It's like when Charlie Pooth deemed me like cool, that 2146 01:42:40,920 --> 01:42:44,200 Speaker 1: is really cool that that people that someone that talented 2147 01:42:44,280 --> 01:42:47,519 Speaker 1: likes me. It means a lot. Oh my god. Well, 2148 01:42:47,680 --> 01:42:49,720 Speaker 1: you know, and Nikki feel free to join in with 2149 01:42:49,800 --> 01:42:52,240 Speaker 1: us right now. But you know, we end every episode 2150 01:42:52,280 --> 01:42:53,560 Speaker 1: with the song, and I feel like it's got to 2151 01:42:53,600 --> 01:43:02,800 Speaker 1: be tast words. So like, what do you need from 2152 01:43:02,880 --> 01:43:12,439 Speaker 1: me you can't kill me Chicken name to listen to 2153 01:43:12,479 --> 01:43:14,639 Speaker 1: the rest of that listen to a reputation the album 2154 01:43:14,720 --> 01:43:17,280 Speaker 1: by Taylor Swift, Bye Bye,