WEBVTT - Episode 72 w/ DJ Clark Kent

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine and More. Did you know there were

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<v Speaker 1>over one million bubbles in a glass of champagne? Did

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<v Speaker 1>someone say brunch, Leave the egg hunting to the kid,

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<v Speaker 1>We'll have even more fun hunting for your brilliant brunch

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<v Speaker 1>reslingam sweet and salty richness pairs perfectly with sweeter wines

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<v Speaker 1>with bold fruit. How about a juicy peanut noir. Whether

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<v Speaker 1>you're hosting or just bring the wine, we love to

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<v Speaker 1>share are always low prices and ridiculous selection this spring

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<v Speaker 1>at Total Wine and More. Cheers y'all go. He's a

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<v Speaker 1>legendary queen's rapper, Hang seges your boy in. He's a

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<v Speaker 1>Miami hip hop pioneer. What up is d J e

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<v Speaker 1>f N? Together they drink it up with some of

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<v Speaker 1>the biggest players in music and sport. You know what

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<v Speaker 1>I mean? The most professional, unprofessional podcast and your number

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<v Speaker 1>one source for drunk facts. This is Drinks Chap right, Ah,

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<v Speaker 1>every day is New Year's e Just Ron Hey, it's

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<v Speaker 1>your boy and put up his dj efense And it's

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<v Speaker 1>a dream test podcast. And when we saw this show,

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<v Speaker 1>we said we're gonna continue with legends. We're gonna, you know,

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<v Speaker 1>keep it legendary. And right now we have one of

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<v Speaker 1>the world's famous DJs, one of the best, world's best

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<v Speaker 1>producers behind the scenes of touching every you know, top

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<v Speaker 1>tier artists has had, has had to go through hit

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<v Speaker 1>this man school has had to be in a session

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<v Speaker 1>with him, had to be schooled by him. He's has

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<v Speaker 1>done countless hit records. A sneaker king. Right now we

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<v Speaker 1>are talking about the legendary d J Clark can't make something.

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<v Speaker 1>And we also have his the hony who owns thirty

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<v Speaker 1>six hundred pairs of sneakers. His closet smells like Nike,

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<v Speaker 1>Adidas and New Balance. He's I've seen him want to

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<v Speaker 1>enter their countless times. A lot of people call theirself

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<v Speaker 1>sneaker kings, but nobody's a sneaker king like my man.

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<v Speaker 1>Man he's in the building, makes him goddamn, it is

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<v Speaker 1>hot to here. Goddamnit it is hot. Goddamn, this is

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<v Speaker 1>this is your dream, champce is we are hip hop.

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<v Speaker 1>Remember old D and D Studio. You do not have

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<v Speaker 1>to explain D n D never had a C. I

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<v Speaker 1>don't remember D and D. I have a a C.

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<v Speaker 1>I don't think it ever did I don't remember having

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<v Speaker 1>um uh, what is it called the ternmity? People like

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<v Speaker 1>exterminate exterminate, They never had exterminator D and D big

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<v Speaker 1>up from mere goddamnit for keeping hip hop hip hop.

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<v Speaker 1>We just have him Man and Pete rock on here.

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<v Speaker 1>But before we get into the head, we started this

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<v Speaker 1>things saying that we wanted to keep legends and hip

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<v Speaker 1>hop alive. Today marks our first episode we ever dropped March.

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<v Speaker 1>We don't know we were dropping this episode, but Mars

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<v Speaker 1>was our first episode. We hardly didn't know what we

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<v Speaker 1>were doing. But you with my boy too and with

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<v Speaker 1>our boy. That's right, boy, that's right after us got

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<v Speaker 1>a cold. Joel should go through that. Look, Clark, this

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<v Speaker 1>is how this is how they pour in Parry. You're

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<v Speaker 1>getting that rich. Make sure you get that good slow motion.

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<v Speaker 1>This is how they're pouring in Bowery. We've seen. I'm

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<v Speaker 1>holding the big scene. So Clark, I want you to

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<v Speaker 1>take us to the beginning, at the beginning, what of

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<v Speaker 1>the career, Like, what did you did? You say? You

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<v Speaker 1>don't know him? Right now? You like you like me

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<v Speaker 1>and you're right now I'm interview worry. It makes sense.

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<v Speaker 1>It makes sense. So listen, So did you start as

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<v Speaker 1>a producer first or you started as a DJ DJ?

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<v Speaker 1>I'm a DJ first a thousand percent, like like I'm

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<v Speaker 1>I don't even know. Yeah, yeah, I'm a DJ first.

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<v Speaker 1>That's it. Everything that that's doing is based off for

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<v Speaker 1>me being a DJ first. Okay. And who's the person

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<v Speaker 1>you looked up to as a DJ? Um? I would

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<v Speaker 1>probably if I had to say the most, I would say, um,

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<v Speaker 1>Larry Levine. Um. But but before that, the first person

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<v Speaker 1>I actually would say I looked up to as a

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<v Speaker 1>DJ or I I looked at him, went like, he's

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<v Speaker 1>the guy with Grandmaster Flowers. I think I'm sick Master

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<v Speaker 1>flas my Grandmaster Flowers. Grandmaster Flowers. Yeah, I've never heard him.

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<v Speaker 1>It's thirty nine years old. Yeah he's he's he's the

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<v Speaker 1>legend in Brooklyn. Wow. Yeah, yeah, he's the guy big

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<v Speaker 1>up Grandmaster Flowers. Yeah, he brought me rest in peace,

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<v Speaker 1>Rest in peace. So Clark, you got to meet Biggie

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<v Speaker 1>early on? Yeah? What was that? La Um? It was

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<v Speaker 1>cool because um, you have to remember all of his

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<v Speaker 1>O g s was my man's um on and and

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<v Speaker 1>uh and just and all the guys that were older

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<v Speaker 1>than man. We're so we gotta do with toast man.

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<v Speaker 1>Toast to you for surviving this nasty ass game for

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<v Speaker 1>as long as you have been and out here still relevant,

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<v Speaker 1>So salute to you. Continue to big go ahead. Yeah,

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<v Speaker 1>so all of his uh, his old g s was

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<v Speaker 1>my man's um. You know, I'm a little I was.

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<v Speaker 1>I'm older than him. I was older than him, and

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<v Speaker 1>I was also always around popping them. So meeting him

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<v Speaker 1>was I knew he was a dope MC that there

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<v Speaker 1>was nothing confusing about it. Now you met you met

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<v Speaker 1>him early on? You met him, Yeah, I met him. Yeah,

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<v Speaker 1>I met him earlier Okay, and earlier than the reggae

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<v Speaker 1>deals like when he went to when he was when

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<v Speaker 1>he was on Stretching Noriega, I mean stretching, like I

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<v Speaker 1>knew who he was at that point. Now, Scots the Limit,

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<v Speaker 1>you did that because I did. That wasn't the first

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<v Speaker 1>joint you did, for being right, that would be the

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<v Speaker 1>first joint I did. That was his record, but that

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<v Speaker 1>he was on Junior my Favor Records, that I executive

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<v Speaker 1>produced album with him. We did that together. Okay, we're

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<v Speaker 1>gonna go back to that but Scots the Limit one

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<v Speaker 1>of my favorites. Thank you brother. And today's let's make

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<v Speaker 1>noisen right anybody smoking? Because how we do it on

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<v Speaker 1>drink chapter camera. I'm gonna joke you man with the horns,

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<v Speaker 1>I'm just a limit. Now big calls you would say

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<v Speaker 1>he wants to beat calls you or how does how

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<v Speaker 1>does this happen? We were on tour and he goes, uh,

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<v Speaker 1>let's start. He wants to make records for Junior Mafia.

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<v Speaker 1>And uh, he goes on, when we come back, when

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<v Speaker 1>we go home, when we come back, just you know,

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<v Speaker 1>bring some music. So I brought some music and it

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<v Speaker 1>was on the bus and we were going through tracks

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<v Speaker 1>for Junior Mafia and he heard it and he wanted

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<v Speaker 1>it for himself. Yeah, and then and then I went

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<v Speaker 1>straight to the studio. Actually, um, like I said, we

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<v Speaker 1>were working on Junior Mafia. Is the idea to Junior

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<v Speaker 1>Mafia's album. We didn't even like have a really set

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<v Speaker 1>plan that this was gonna go down. It was I

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<v Speaker 1>want to make an album on Junior Fia, Mr Lee,

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<v Speaker 1>what's up man? We recorded there's no simple lemonade. Just

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<v Speaker 1>get it. Talk is very Hollywood. We gotta get him simply,

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<v Speaker 1>hollywoodmade this is the but you don't got simple to

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<v Speaker 1>in leminade with just lemonade. Man, just let me just

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<v Speaker 1>lemonade and Fiji water, please, Fiji water with the red top.

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<v Speaker 1>No no, no. So that's your man who was driving.

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<v Speaker 1>He's the best, he's so you do skys the limit.

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<v Speaker 1>You know what happened? Like I said, he was what

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<v Speaker 1>we want tour and I brought him some music back

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<v Speaker 1>when we was going. When we went back on tour

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<v Speaker 1>and he heard it, he said he wanted it. And

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<v Speaker 1>I thought he actually was saying he wanted it for

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<v Speaker 1>Junior Mafia. But then I figured out, or we figured out,

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<v Speaker 1>that he didn't wanted the Genie Mafia at all. He

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<v Speaker 1>wanted it for himself. And uh, I kind of was like, well,

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<v Speaker 1>you can't have it because one I had given it

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<v Speaker 1>to what. Yeah, it was honestly, it was Oxby. I

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<v Speaker 1>think I did tell me that he was alive. Damn.

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<v Speaker 1>I remember him telling you know, it's crazy if a

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<v Speaker 1>story can balls you me and I could you never

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<v Speaker 1>call him alive? Shouldn't come on. That's very true, It's

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<v Speaker 1>very true. It's very true. I'm not the thing about it.

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<v Speaker 1>Come on, come on, Poppy, but you don't fun it's Panamanian.

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<v Speaker 1>You don't turn the corner. You're gonna starting side. Don't

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<v Speaker 1>we go on the comber that you were fabulous, y'all.

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<v Speaker 1>We're gonna make y'all garden that your name is probably yeah, yeah, okay,

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<v Speaker 1>you know that there's not normal. That's all right, let's

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<v Speaker 1>make some noise to that. So was you there when

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<v Speaker 1>Scott's The Limit was recorded? Half of it. I recorded

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<v Speaker 1>the beat and then it went to um, it went

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<v Speaker 1>to what you call it. It went to to to

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<v Speaker 1>pup studio, and then it came back with the vocals

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<v Speaker 1>and and then it went back again because he was like,

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<v Speaker 1>he's gonna put one twelve on it because he had

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<v Speaker 1>did the hook by himself at first, and then went

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<v Speaker 1>back to get one twelve. And then it came back

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<v Speaker 1>to the studio where I was at that mixed it. Wow,

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<v Speaker 1>but um, he was there for the mix and everything.

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<v Speaker 1>He was so now let me flip and bounce it on.

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<v Speaker 1>You also knew Tupac as well? Yeah, you knew early Tupac.

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<v Speaker 1>Ye just described that, like described the difference from early

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<v Speaker 1>Tupac to the Tupac that you know people know better underground. Yeah, well,

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<v Speaker 1>I mean, you know, in digital Underground he was being

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<v Speaker 1>who he wasn't Digital underground. He was dancer sometimes rapper

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<v Speaker 1>and hype man. You know that's I mean he was.

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<v Speaker 1>He was a happy, go lucky guy. Right. And did

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<v Speaker 1>did you meet the death old Tupac? Yeah? I mean yeah, yeah,

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<v Speaker 1>let's describe it. I know you're talking to me like

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<v Speaker 1>Cacus like that. He looking at me like you know,

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<v Speaker 1>but I'm listening. Just changed from death He changed after

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<v Speaker 1>the incident with the cops. I think na, I mean,

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<v Speaker 1>he definitely it was. It was a change from what

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<v Speaker 1>it wasn't It wasn't the change that I'm asking Clark.

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<v Speaker 1>You know what I'm saying to change, like from Digital

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<v Speaker 1>Underground Tupac to death Row. Drastic change that's changed because

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<v Speaker 1>you're you're you're you're skipping a whole section. And when

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<v Speaker 1>he made records like he made records before he became

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<v Speaker 1>death Row, you know what I'm saying, Like Brenda's got

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<v Speaker 1>a baby, holla for you, hear me, Like you know

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<v Speaker 1>what I'm saying, Like he was making records that were socially,

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<v Speaker 1>socially good and relative you know what I'm saying, Brendon's

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<v Speaker 1>had a baby. Brendon's got a baby. It's like amazing,

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<v Speaker 1>you know what I'm saying. There was some things that

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<v Speaker 1>were happening way before he became death Row and he

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<v Speaker 1>was being he was being a rapper, you know what.

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<v Speaker 1>They say that that bishop role changed him that some

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<v Speaker 1>people would say that a lot of people would say that.

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<v Speaker 1>I mean, but he was acting in that role, and

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<v Speaker 1>they said he's he stayed bishop after that. It's not

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<v Speaker 1>that I think what he what He's surrounded himself kind

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<v Speaker 1>of like the people he was around. Yeah, I think

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<v Speaker 1>the people that that he got around kind of let

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<v Speaker 1>him fall into the bishop character. Maybe maybe, and then

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<v Speaker 1>he was trying to emulate the guys he got around, probably, right,

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<v Speaker 1>you know I mean, and then you know, I mean,

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<v Speaker 1>if if you got tough guys around you, you might

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<v Speaker 1>try to act tough. What was Clark Kent's favorite time

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<v Speaker 1>in hip hop? My favorite time in hip hop? Yeah?

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<v Speaker 1>And hip hop or rap. That's that's so I would

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<v Speaker 1>like that question, like the favorite time in hip hop

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<v Speaker 1>is the whole forty five years that has been happening,

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<v Speaker 1>you know what I'm saying of problem, Yeah, the whole

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<v Speaker 1>life of hip hop is my favorite because I grew

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<v Speaker 1>up in it. I'm I'm a part of it, and like,

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<v Speaker 1>I don't think it's it's it's anywhere close to done.

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<v Speaker 1>It's a culture. It's the culture and the way that

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<v Speaker 1>we live. Culture is a way of life, you know

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<v Speaker 1>what I'm saying. Like rap isn't a way of life.

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<v Speaker 1>Rapp is a music that lives within the culture. So

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<v Speaker 1>it lives within the way of life that we live.

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<v Speaker 1>So if you ask me my favorite time and rap

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<v Speaker 1>is when niggas could actually rhyme like what Tom's period,

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<v Speaker 1>I would have to say. I would have to say

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<v Speaker 1>from from the message to um, from the message to

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<v Speaker 1>I don't know, I don't the best rhymers were around

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<v Speaker 1>in the in the nineties, but I mean when you

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<v Speaker 1>heard the message, it kind of changed what people were

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<v Speaker 1>willing to speak about. And the funny part is that

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<v Speaker 1>verse that Mellie Mel said in the message is on

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<v Speaker 1>Mel miles first record, and nobody caught that mell reused ever, Yeah,

0:13:05.000 --> 0:13:07.079
<v Speaker 1>well I thought everybody knew that though. But it's on

0:13:07.240 --> 0:13:10.760
<v Speaker 1>super Wrapping Shots with No State of Mind, blowing to

0:13:10.800 --> 0:13:12.360
<v Speaker 1>the ways of man kind. It's on the end of

0:13:12.440 --> 0:13:15.280
<v Speaker 1>super Wrapping and then and then he used it on

0:13:15.800 --> 0:13:18.120
<v Speaker 1>on the message again. Did you see Mellie mell on

0:13:18.160 --> 0:13:20.559
<v Speaker 1>the we showed recently he said he's better than jay Z.

0:13:20.679 --> 0:13:23.839
<v Speaker 1>He gotta relax. I mean, he's better at jay Z

0:13:23.960 --> 0:13:27.400
<v Speaker 1>doing what you know saying that's a good question. You

0:13:27.480 --> 0:13:29.160
<v Speaker 1>know what, when people say things, you gotta ask him

0:13:29.200 --> 0:13:31.839
<v Speaker 1>in what context of saying and I and you know

0:13:31.880 --> 0:13:33.200
<v Speaker 1>what I'm saying, because I can say I'm better than

0:13:33.280 --> 0:13:36.040
<v Speaker 1>jay Z. And then and then the problem is most

0:13:36.080 --> 0:13:38.400
<v Speaker 1>people walk away thinking the fund is he talking about?

0:13:38.400 --> 0:13:41.120
<v Speaker 1>He can't rap? Instead I can go get DJ. And

0:13:42.120 --> 0:13:44.040
<v Speaker 1>then what you're gonna say? What is he gonna say?

0:13:44.200 --> 0:13:47.480
<v Speaker 1>Good point? But I don't think you can't say it

0:13:48.040 --> 0:13:51.719
<v Speaker 1>a great point, you know what Mellie Miles. Also, I

0:13:51.800 --> 0:13:55.240
<v Speaker 1>think ild body build up. Yeah, but he keep my

0:13:55.360 --> 0:13:58.640
<v Speaker 1>fight in here they were talking about what just fighting't

0:13:58.679 --> 0:14:01.400
<v Speaker 1>have to do a body? Now just why I think

0:14:01.480 --> 0:14:03.920
<v Speaker 1>fighting like you know what I'm saying, like, but um,

0:14:04.320 --> 0:14:06.120
<v Speaker 1>I think that's dope. I think that as long as

0:14:06.160 --> 0:14:08.320
<v Speaker 1>you're m C you should think that you're you're the best.

0:14:08.840 --> 0:14:10.800
<v Speaker 1>Sometimes you gotta have reality hit you, like, you know

0:14:10.840 --> 0:14:14.040
<v Speaker 1>what I'm saying like m C shouldn't have reality hit them,

0:14:14.280 --> 0:14:17.319
<v Speaker 1>rappers should have reality here brokay, come on the beget

0:14:17.320 --> 0:14:19.960
<v Speaker 1>your camera out. Man, Come on, man, why are you wet?

0:14:20.160 --> 0:14:24.360
<v Speaker 1>It's rating shut down fast and furious. So maya. What

0:14:24.760 --> 0:14:27.280
<v Speaker 1>is your favorite time in hip hop? Oh? Man? Um

0:14:29.400 --> 0:14:31.480
<v Speaker 1>like eighties early nineties. I mean I go back and

0:14:31.520 --> 0:14:33.480
<v Speaker 1>I was you know, I had my hands and clubsows

0:14:33.480 --> 0:14:36.240
<v Speaker 1>back in the day. Yeah, I was one of the

0:14:36.360 --> 0:14:38.920
<v Speaker 1>many guys that had a little little taste club episodes

0:14:38.920 --> 0:14:41.360
<v Speaker 1>back in the day. So you know jay z twenty

0:14:41.400 --> 0:14:44.240
<v Speaker 1>two twos club episodes. I remember one of my my

0:14:45.000 --> 0:14:47.240
<v Speaker 1>do some left frack. They had a chick and jay

0:14:47.360 --> 0:14:49.560
<v Speaker 1>Z and Big came in that night and they took

0:14:49.600 --> 0:14:51.640
<v Speaker 1>my man's chick and the club and that would happen

0:14:52.960 --> 0:14:54.520
<v Speaker 1>and they came in with just them too. It was

0:14:54.560 --> 0:14:57.480
<v Speaker 1>just dazy and biggie. I was like, damn, Like, well

0:14:57.720 --> 0:15:00.840
<v Speaker 1>we could have jumped in. Here's the he are if

0:15:00.880 --> 0:15:03.720
<v Speaker 1>they walked in and took this dudes chicken. Wasn't it

0:15:04.200 --> 0:15:05.800
<v Speaker 1>was like a bit seat they just made at the club.

0:15:06.240 --> 0:15:08.320
<v Speaker 1>Still but still wasn't you know we gigged on this

0:15:08.440 --> 0:15:11.320
<v Speaker 1>nigger for weeks. He probably it was j and that

0:15:11.440 --> 0:15:13.000
<v Speaker 1>was big and Jay. I mean that that movement was

0:15:15.360 --> 0:15:21.360
<v Speaker 1>that who was that movie thettle we got a sting,

0:15:21.400 --> 0:15:26.920
<v Speaker 1>a little model open another bottom boards shouldn't crazy, Yeah,

0:15:26.960 --> 0:15:28.680
<v Speaker 1>but that club, that's who's movement was crazy. I mean,

0:15:28.920 --> 0:15:30.680
<v Speaker 1>you know you had j with the twenty two tools,

0:15:30.720 --> 0:15:32.640
<v Speaker 1>Maria Davis man Wednesdays. That was one of the illest

0:15:32.680 --> 0:15:35.200
<v Speaker 1>parties we ever had. Marina Davis Every Wednesday was legend.

0:15:35.400 --> 0:15:37.840
<v Speaker 1>That was a legend, eaby party. I'm one of the

0:15:37.920 --> 0:15:39.920
<v Speaker 1>few guys have seen Clark about thirty five bottles and

0:15:39.920 --> 0:15:44.160
<v Speaker 1>couldn't walk out the clubs. I've seen Clark about thirty

0:15:44.200 --> 0:15:46.560
<v Speaker 1>five bottles and couldn't walk out the club. I cat

0:15:46.600 --> 0:15:49.040
<v Speaker 1>trying to be trying to heat modest right now. He's

0:15:51.680 --> 0:15:53.800
<v Speaker 1>one of the greatest DJs on the planet. Brother, and

0:15:53.880 --> 0:15:56.800
<v Speaker 1>weren't gonna argue and we're gon, we're gonna respect that tonight.

0:15:56.960 --> 0:15:59.400
<v Speaker 1>We're man, I'm sorry not June. The mafia shot um

0:16:00.240 --> 0:16:01.760
<v Speaker 1>to give money video of money you party to get

0:16:01.760 --> 0:16:03.640
<v Speaker 1>money there with shout the club and that was cool.

0:16:03.720 --> 0:16:05.320
<v Speaker 1>I mean they just walked up to the club one

0:16:05.360 --> 0:16:07.360
<v Speaker 1>Wednesday afternoon with a couple of dollars and was like, yeah,

0:16:07.360 --> 0:16:10.240
<v Speaker 1>we shooting for the whole day. Cool, let's make it happen. So,

0:16:10.360 --> 0:16:11.720
<v Speaker 1>you know, to see ship like that happened all the

0:16:11.760 --> 0:16:13.920
<v Speaker 1>time was crazy. But I mean, how did you become

0:16:13.960 --> 0:16:16.560
<v Speaker 1>a sneaker kid? I've been doing this since I was

0:16:16.600 --> 0:16:19.760
<v Speaker 1>ten years old? Man, like collector sneakers. I got into

0:16:19.800 --> 0:16:21.720
<v Speaker 1>sneakers when my mom's brought me a pair of skippies. Man,

0:16:21.720 --> 0:16:23.320
<v Speaker 1>you know the skippies there a dollar ninety nine. So

0:16:23.360 --> 0:16:24.880
<v Speaker 1>it wasn't a skippy really, it was a shoe called

0:16:24.880 --> 0:16:27.360
<v Speaker 1>the Mark five. And my government name is Mark. So

0:16:27.400 --> 0:16:29.040
<v Speaker 1>I thought I was the coolest motherfuf on the planet

0:16:29.080 --> 0:16:30.760
<v Speaker 1>because I had my name on the shoot. I went

0:16:30.840 --> 0:16:32.640
<v Speaker 1>back to the block, got laughed off. The block was like,

0:16:32.760 --> 0:16:34.480
<v Speaker 1>now you wear skippies out out of out of that?

0:16:34.920 --> 0:16:36.400
<v Speaker 1>And after that whatever I had to do what I

0:16:36.520 --> 0:16:39.120
<v Speaker 1>was robbing money from my grandfather sweeping floors to bo

0:16:39.240 --> 0:16:41.480
<v Speaker 1>sneakers and started from then and ten years old about

0:16:41.480 --> 0:16:43.440
<v Speaker 1>that ship would never happen again. And then you Clark,

0:16:43.640 --> 0:16:46.200
<v Speaker 1>how did you become Because I'll tell you what one

0:16:46.240 --> 0:16:48.920
<v Speaker 1>of my boys right now, like you know, because we'll

0:16:48.920 --> 0:16:52.400
<v Speaker 1>be saying college and Fat Joe was cheating, like we said,

0:16:52.400 --> 0:17:00.560
<v Speaker 1>Claud got a cheek co to like. When I asked

0:17:00.600 --> 0:17:03.080
<v Speaker 1>my boy, my boy said, he's probably the only guy

0:17:03.160 --> 0:17:05.480
<v Speaker 1>in the world that could tell fat Joe and DJ

0:17:05.680 --> 0:17:11.640
<v Speaker 1>Kale to relax. My boy said, respectfully, it's probably true.

0:17:11.680 --> 0:17:15.959
<v Speaker 1>But if we say calid yeah, the dance would be yes.

0:17:16.040 --> 0:17:18.040
<v Speaker 1>There's there's no argument that he could say that. You

0:17:18.080 --> 0:17:21.480
<v Speaker 1>know what I'm saying. With Joe, it'll be a you

0:17:21.600 --> 0:17:23.520
<v Speaker 1>never know on any day. You know what I'm saying.

0:17:23.520 --> 0:17:25.240
<v Speaker 1>I went to high school with Joe, like Joe sneak,

0:17:27.720 --> 0:17:31.760
<v Speaker 1>My lunch room was fat us. Yeah, but I went

0:17:31.800 --> 0:17:33.159
<v Speaker 1>to Joe went to Mars for a year and of

0:17:33.200 --> 0:17:35.359
<v Speaker 1>course he got kicked out and not enough and I'm

0:17:35.359 --> 0:17:37.639
<v Speaker 1>a little sold. You gotta t chain and I don't know.

0:17:37.760 --> 0:17:41.600
<v Speaker 1>I know Joe for a long time. I got the rest.

0:17:41.720 --> 0:17:49.359
<v Speaker 1>Got another rest salute the one year Yes you and

0:17:49.440 --> 0:17:51.680
<v Speaker 1>on your one year show when Joe was talking about

0:17:51.680 --> 0:17:55.600
<v Speaker 1>sneakers mentioned yeah yeah later I'm here, yes, yes, yeah,

0:17:55.680 --> 0:18:00.160
<v Speaker 1>that's crazy. Huh. They ain't got mentioned by Joe out

0:18:00.480 --> 0:18:04.280
<v Speaker 1>ain't Joe? Huh? If he's being honest, he mentioned me too.

0:18:05.960 --> 0:18:08.119
<v Speaker 1>You know, he did say yeah, he says you and

0:18:08.720 --> 0:18:11.000
<v Speaker 1>bring with me yes, and you bring out this is

0:18:11.320 --> 0:18:13.120
<v Speaker 1>this is real ship. I don't think you've never even

0:18:13.160 --> 0:18:15.639
<v Speaker 1>been on the podcast. Yeah, that's just crazy. You know

0:18:15.960 --> 0:18:19.920
<v Speaker 1>we got Actually we're doing a podcast on Joe about sneakers.

0:18:20.320 --> 0:18:25.520
<v Speaker 1>So he's gonna have his own podcast called Kicks. I

0:18:25.560 --> 0:18:27.359
<v Speaker 1>was gonna say, you're about to say, have your own joint,

0:18:27.440 --> 0:18:30.040
<v Speaker 1>you know what I mean, Like, you know, he's gotta

0:18:30.080 --> 0:18:35.360
<v Speaker 1>be Joe, Okay, like gotta be to me. I don't

0:18:35.400 --> 0:18:39.359
<v Speaker 1>have the no, I just gotta try, yo. Do you

0:18:39.480 --> 0:18:43.320
<v Speaker 1>know I've been trying to get fat Joe high for

0:18:43.840 --> 0:18:46.760
<v Speaker 1>fifteen eighteen years that I knew him. And the other

0:18:46.880 --> 0:18:49.080
<v Speaker 1>day he had a toothache and we didn't miss the

0:18:49.119 --> 0:18:51.560
<v Speaker 1>childs And I'm smoking a vapor pen and I just

0:18:51.640 --> 0:18:53.359
<v Speaker 1>passed it to him and he hit it and I

0:18:53.560 --> 0:18:57.440
<v Speaker 1>was like, I was like, I didn't even see everybody.

0:18:57.920 --> 0:19:00.960
<v Speaker 1>Everybody's talking and ship. They act like it's normal. He's like,

0:19:01.200 --> 0:19:03.720
<v Speaker 1>he looks at the whole table. He goes, No, nobody

0:19:03.760 --> 0:19:06.720
<v Speaker 1>see this guy's face. He's so happy. I just stood

0:19:06.760 --> 0:19:14.560
<v Speaker 1>there and never never try it once? Yeah, and I

0:19:14.640 --> 0:19:20.080
<v Speaker 1>thought it was overrated, overrated. I try it once, you like,

0:19:20.160 --> 0:19:21.560
<v Speaker 1>try it again? Right, You're trying to make me try

0:19:21.560 --> 0:19:24.280
<v Speaker 1>it again. I know you gotta get that money tonight.

0:19:24.560 --> 0:19:26.479
<v Speaker 1>But now let's let's stay there do sneak a thing.

0:19:26.640 --> 0:19:29.399
<v Speaker 1>So how did you start this fetish? Like? You know

0:19:29.440 --> 0:19:32.120
<v Speaker 1>what I mean when I'm because you're like the first

0:19:32.119 --> 0:19:34.000
<v Speaker 1>guy to have a pair of knikes, the first DJ.

0:19:34.240 --> 0:19:37.280
<v Speaker 1>I know, Um, I don't know if that's that guy

0:19:37.280 --> 0:19:39.480
<v Speaker 1>I would say about Beato had him, but like he's not.

0:19:39.840 --> 0:19:42.240
<v Speaker 1>He's not like considered the DJ the way I'm considering

0:19:42.280 --> 0:19:47.000
<v Speaker 1>the DJ. So I mean, I guess with a release,

0:19:47.440 --> 0:19:49.520
<v Speaker 1>the first guy with a release would probably be either

0:19:49.600 --> 0:19:52.040
<v Speaker 1>me about it or yet when it comes to the

0:19:52.160 --> 0:19:55.399
<v Speaker 1>rap game or whatever. The DJ thing definitely. And is

0:19:55.480 --> 0:19:58.640
<v Speaker 1>it true that you you try to wear just one

0:19:58.880 --> 0:20:02.480
<v Speaker 1>sneaker every day, like different since two thousand four, Since

0:20:02.520 --> 0:20:04.879
<v Speaker 1>two thousand and four, every day you switch up a

0:20:04.920 --> 0:20:08.679
<v Speaker 1>different sneaker. Actually, I'm with my second pad today, your

0:20:08.720 --> 0:20:11.280
<v Speaker 1>second pair just for daays do I did look down

0:20:11.440 --> 0:20:13.000
<v Speaker 1>and no, no, I don't matter. I'm just I gotta

0:20:13.040 --> 0:20:15.680
<v Speaker 1>look I got it. I'm like today, man, I'm like, oh, yeah,

0:20:15.680 --> 0:20:17.879
<v Speaker 1>I got I don't know whether you probably don't have,

0:20:18.800 --> 0:20:21.600
<v Speaker 1>but you probably don't have got the acronyms. The original

0:20:22.200 --> 0:20:24.200
<v Speaker 1>These are the ones that came out about four or

0:20:24.240 --> 0:20:26.960
<v Speaker 1>five years ago, right, you got the new ones that

0:20:27.080 --> 0:20:31.000
<v Speaker 1>just came out there, ain't scared. So how do you

0:20:31.119 --> 0:20:33.240
<v Speaker 1>keep your ship fresh? How do you wear a brand

0:20:33.280 --> 0:20:38.520
<v Speaker 1>new bad sneaky look? Fiji looking? Baby? We we got you, baby.

0:20:38.600 --> 0:20:40.080
<v Speaker 1>You know what got the wrong one? You didn't get

0:20:40.080 --> 0:20:41.480
<v Speaker 1>the red. He the only nigger that called me my.

0:20:48.160 --> 0:20:51.359
<v Speaker 1>So now Clark, okay, like I was, you asked me

0:20:51.400 --> 0:20:55.159
<v Speaker 1>about how um I was a kid and around my

0:20:55.240 --> 0:20:59.639
<v Speaker 1>way what you crying? Heights of Brooklyn. The older dudes

0:21:00.320 --> 0:21:04.679
<v Speaker 1>who had who had girls? No, no, no, no girls.

0:21:06.119 --> 0:21:08.040
<v Speaker 1>We would always like, look up to the guys, you

0:21:08.080 --> 0:21:09.879
<v Speaker 1>know what I'm saying. So if I'm like eight and

0:21:09.920 --> 0:21:12.160
<v Speaker 1>I'm looking at a guy who sixteen seventeen, the first

0:21:12.200 --> 0:21:13.720
<v Speaker 1>thing I'm trying to figure out is how did he

0:21:13.800 --> 0:21:16.880
<v Speaker 1>get the girls? And we always started sneakers looked new,

0:21:17.760 --> 0:21:19.720
<v Speaker 1>but he was older, so he's supposed to have better

0:21:19.800 --> 0:21:22.160
<v Speaker 1>sneakers than a kid who's eight, But we didn't register

0:21:22.280 --> 0:21:24.280
<v Speaker 1>that because there was no father's around. So we looked

0:21:24.280 --> 0:21:27.200
<v Speaker 1>at them like big brothers who kind of guided, or

0:21:27.280 --> 0:21:29.440
<v Speaker 1>big uncles who guided. And if they were fresh. We

0:21:29.520 --> 0:21:32.480
<v Speaker 1>wanted to be fresh, so we just wanted our sneakers new.

0:21:32.680 --> 0:21:34.760
<v Speaker 1>And that started. Like when I was nine. First time

0:21:34.800 --> 0:21:38.480
<v Speaker 1>I made some money, I bought sneakers. Think me too.

0:21:40.080 --> 0:21:42.480
<v Speaker 1>That's herd ship. But I'm not like kings like y'all,

0:21:42.560 --> 0:21:44.800
<v Speaker 1>y'all like y'all take this ship serious, that's a choice.

0:21:46.400 --> 0:21:49.280
<v Speaker 1>I've got the money. I'm like, because because you have them,

0:21:49.560 --> 0:21:52.560
<v Speaker 1>I'm saying you have the money. I'm the point because

0:21:52.840 --> 0:21:54.680
<v Speaker 1>we're talking about the fact that you have the money.

0:21:54.760 --> 0:22:00.960
<v Speaker 1>Relaxed when you got that five, Jess, but you weren't

0:22:00.960 --> 0:22:04.600
<v Speaker 1>sneakers happening enough. I actually went avery rex sopping gortex,

0:22:05.640 --> 0:22:10.400
<v Speaker 1>so I went to the ship the street and stretch

0:22:10.480 --> 0:22:13.320
<v Speaker 1>on strong ship. Yeah, that's definitely, that's definitely the truth.

0:22:13.520 --> 0:22:16.480
<v Speaker 1>So look now this is basically shot time. This is

0:22:16.520 --> 0:22:19.440
<v Speaker 1>when we take a shot of your preference. This is

0:22:19.440 --> 0:22:23.960
<v Speaker 1>a part of the show reference that every show. Yeah,

0:22:24.920 --> 0:22:32.000
<v Speaker 1>I'm an avid listener. Yes I'm because you know the

0:22:32.080 --> 0:22:35.280
<v Speaker 1>first time, you know what I did. Actually you know

0:22:35.680 --> 0:22:37.719
<v Speaker 1>you know because you're my friend. So I actually look

0:22:37.760 --> 0:22:39.080
<v Speaker 1>at the other interviews that I want to be the

0:22:39.119 --> 0:22:41.480
<v Speaker 1>exact opposite of every other interview you ever did. And

0:22:41.520 --> 0:22:43.760
<v Speaker 1>I want to just ask you about hip hop as

0:22:43.760 --> 0:22:46.399
<v Speaker 1>opposed to just actually personal stuff. We'll get like two

0:22:46.440 --> 0:22:48.439
<v Speaker 1>little things, but I want to act you in general

0:22:48.560 --> 0:22:50.639
<v Speaker 1>hip hop because you're a hip hop king, and we

0:22:50.720 --> 0:22:53.800
<v Speaker 1>gotta acknowledge that, we gotta respect that, appreciate that. That's

0:22:53.920 --> 0:22:55.720
<v Speaker 1>the show was about. I don't know if you know,

0:22:56.480 --> 0:22:58.080
<v Speaker 1>you know, I don't know if this is the reason

0:22:58.119 --> 0:23:00.320
<v Speaker 1>why it works because they quote on quote called me

0:23:00.400 --> 0:23:02.080
<v Speaker 1>a legend, and for a legend to sit on the

0:23:02.200 --> 0:23:05.560
<v Speaker 1>chair and always respect another legend, I guess that's humbling

0:23:05.680 --> 0:23:08.440
<v Speaker 1>to certain people. And I want to continue that because

0:23:08.720 --> 0:23:10.960
<v Speaker 1>for me, you know what I'm saying, Like I remember

0:23:11.040 --> 0:23:15.040
<v Speaker 1>Clark coming to the War Reports session and I'm having

0:23:15.119 --> 0:23:17.159
<v Speaker 1>a rhyme. My rhyme was like thirty six bars and

0:23:17.240 --> 0:23:20.960
<v Speaker 1>he was like, Bax, It's like, Yo, this is not

0:23:21.080 --> 0:23:23.359
<v Speaker 1>how you ride. You can't have that bars like that.

0:23:23.400 --> 0:23:25.600
<v Speaker 1>You gotta break that up. And I would just rhyme.

0:23:26.240 --> 0:23:28.879
<v Speaker 1>I just never knew how to, Like I just I

0:23:29.119 --> 0:23:32.840
<v Speaker 1>never made a sixteen bar verse at that time, Like

0:23:33.160 --> 0:23:36.400
<v Speaker 1>I just didn't registered to me. I just wrote until

0:23:36.440 --> 0:23:38.640
<v Speaker 1>I couldn't write no more, and then that was a verse.

0:23:38.720 --> 0:23:43.760
<v Speaker 1>So whether that was thirty six or forty. That to me,

0:23:43.880 --> 0:23:46.920
<v Speaker 1>that was remember Clark coming in the studio and saying,

0:23:47.240 --> 0:23:51.080
<v Speaker 1>hold on, hold on, you went too crazy, break that up,

0:23:51.720 --> 0:23:53.639
<v Speaker 1>and I didn't know how to what he meant he

0:23:53.760 --> 0:23:55.560
<v Speaker 1>broke it up? Had to chicks from s w V.

0:23:55.760 --> 0:23:58.960
<v Speaker 1>Come I never met like I was. I was mad, y'all?

0:23:59.040 --> 0:24:02.399
<v Speaker 1>What does that ship called? Uh? Struck off struck? But

0:24:02.520 --> 0:24:04.920
<v Speaker 1>then she couldn't sing Let's keep you right? Which one?

0:24:04.960 --> 0:24:08.000
<v Speaker 1>Which one? I don't remember which I think it was.

0:24:08.280 --> 0:24:12.040
<v Speaker 1>It was either Leally or it wasn't. It was I

0:24:12.080 --> 0:24:15.680
<v Speaker 1>think it wastly. It wasn't the main COO could sing,

0:24:16.200 --> 0:24:19.720
<v Speaker 1>but I remember, can't wait to remember. I'm being so disappointed. No,

0:24:20.040 --> 0:24:21.720
<v Speaker 1>it's not that they can't sing. It just that it

0:24:22.040 --> 0:24:28.119
<v Speaker 1>wasn't working that day. It doesn't really like it correct.

0:24:28.160 --> 0:24:29.680
<v Speaker 1>I want to say. He can't say no, No, I'm

0:24:29.720 --> 0:24:31.440
<v Speaker 1>not saying that that you can't sing. I'm saying that

0:24:31.640 --> 0:24:34.920
<v Speaker 1>day that it wasn't working on the She couldn't, she

0:24:34.960 --> 0:24:42.119
<v Speaker 1>couldn't catch it. But but so describe that. Describe that

0:24:42.200 --> 0:24:51.240
<v Speaker 1>session for you for me, um, for you. You gotta

0:24:51.280 --> 0:24:53.560
<v Speaker 1>get some pretense to the to the to it. I

0:24:53.680 --> 0:24:56.240
<v Speaker 1>knew you from before, like everybody needs to know. Like,

0:24:56.320 --> 0:24:58.320
<v Speaker 1>it wasn't like I just walked up and I just

0:24:58.480 --> 0:25:00.800
<v Speaker 1>was like, yeah, no, that's not what you do. You

0:25:00.840 --> 0:25:02.960
<v Speaker 1>know what I'm saying. It was more like, okay, I

0:25:03.040 --> 0:25:04.600
<v Speaker 1>knew him all the time, and it was your clock,

0:25:04.640 --> 0:25:08.520
<v Speaker 1>we need to join. I'm like, yeah, you know. And

0:25:08.600 --> 0:25:11.960
<v Speaker 1>then and then um compone went away and I was like, funk,

0:25:12.040 --> 0:25:14.960
<v Speaker 1>I can't do it then without without bone because you know,

0:25:15.080 --> 0:25:19.240
<v Speaker 1>both of them is my niggers, right, And Serena was like, well,

0:25:19.800 --> 0:25:22.080
<v Speaker 1>he heard a beat that he liked and it was

0:25:22.119 --> 0:25:23.840
<v Speaker 1>a decision that he made and he was going to

0:25:23.920 --> 0:25:26.320
<v Speaker 1>do the whole song by himself. And that's where we

0:25:26.400 --> 0:25:28.640
<v Speaker 1>got in there, and it was just just forty eight

0:25:28.720 --> 0:25:31.520
<v Speaker 1>bonds of rhyme, and I was like, dude, and my

0:25:31.680 --> 0:25:34.200
<v Speaker 1>thing was the track was too pretty for him to

0:25:34.280 --> 0:25:36.720
<v Speaker 1>be be rhyming all crazy on it. And I'm just like,

0:25:37.520 --> 0:25:40.680
<v Speaker 1>the rhymes are fine. Since you have to move something around,

0:25:41.080 --> 0:25:43.080
<v Speaker 1>can you stop for a second let me stick a

0:25:43.119 --> 0:25:45.160
<v Speaker 1>hooking there. You know what I'm saying that I don't

0:25:45.160 --> 0:25:48.480
<v Speaker 1>know it just like that. If you asked me what

0:25:48.680 --> 0:25:52.920
<v Speaker 1>was that like, I'm gonna say it was perfect because

0:25:53.440 --> 0:25:55.639
<v Speaker 1>you let me produce, you know what I'm saying. And

0:25:55.800 --> 0:25:58.000
<v Speaker 1>so he wasn't. He wasn't fighting you on it. Not.

0:25:58.359 --> 0:26:00.400
<v Speaker 1>But I think the reason why he didn't what it means,

0:26:00.480 --> 0:26:04.399
<v Speaker 1>because I was already I had already made enough records

0:26:04.480 --> 0:26:06.480
<v Speaker 1>for him to go. I trust them. See back in

0:26:06.520 --> 0:26:09.919
<v Speaker 1>the days you got you got trusted if you produced

0:26:09.920 --> 0:26:11.800
<v Speaker 1>some records, you know what I'm saying. And he trusted me,

0:26:12.200 --> 0:26:15.080
<v Speaker 1>and like he was the first producer apartment, because he

0:26:15.160 --> 0:26:17.560
<v Speaker 1>was the first producer who told me that most producers

0:26:17.600 --> 0:26:20.160
<v Speaker 1>would just let me. If you look, if you listen

0:26:20.200 --> 0:26:22.840
<v Speaker 1>to the chomping up later, know, if you listen to money,

0:26:22.880 --> 0:26:26.679
<v Speaker 1>listen to bloody money one versus thirty six bars, bro,

0:26:27.080 --> 0:26:29.320
<v Speaker 1>the other one is twenty four doesn't make sense in

0:26:29.440 --> 0:26:31.200
<v Speaker 1>any other place? How did you take that when he

0:26:31.240 --> 0:26:32.840
<v Speaker 1>told you? Though, Like it was like, you know, I

0:26:33.119 --> 0:26:35.320
<v Speaker 1>just wanted to learn. I wanted to learn. I sat

0:26:35.400 --> 0:26:37.440
<v Speaker 1>back like as a as a student, and I've seen

0:26:37.520 --> 0:26:41.960
<v Speaker 1>him produced like he said it was, yeah, But I

0:26:42.280 --> 0:26:45.840
<v Speaker 1>look again, I think the times were we're different than

0:26:46.160 --> 0:26:49.159
<v Speaker 1>it wasn't. It wasn't. I'm gonna give you a you

0:26:49.240 --> 0:26:51.600
<v Speaker 1>know what it was. I wasn't we made records to

0:26:53.040 --> 0:26:56.680
<v Speaker 1>not only that, but like dudes who never had a record,

0:26:57.240 --> 0:26:59.800
<v Speaker 1>like who never sold the record, they'll give you a

0:27:00.200 --> 0:27:03.280
<v Speaker 1>just walk away and be like yes down, and they're

0:27:03.280 --> 0:27:05.240
<v Speaker 1>not a phrase. Well what does that song sound like?

0:27:05.800 --> 0:27:07.920
<v Speaker 1>Is it a song? Or people gonna remember that ship

0:27:08.040 --> 0:27:11.359
<v Speaker 1>or they're gonna care later. So if you've made a record,

0:27:11.640 --> 0:27:13.600
<v Speaker 1>you know what I'm saying, you start to care differently.

0:27:13.840 --> 0:27:16.600
<v Speaker 1>So I just wanted him to have a song that

0:27:16.760 --> 0:27:19.320
<v Speaker 1>had a feeling that you when you walked away from

0:27:19.359 --> 0:27:21.720
<v Speaker 1>listening the whole album, you might be like, oh, that's

0:27:21.760 --> 0:27:23.840
<v Speaker 1>my favorite record, that's my favorite record, But you'll never

0:27:24.000 --> 0:27:28.280
<v Speaker 1>forget that he made closer to this paper. You'll never

0:27:28.359 --> 0:27:30.959
<v Speaker 1>forget it when you listen to the album because because

0:27:31.080 --> 0:27:34.440
<v Speaker 1>it's the one song on the album that's sounds that's

0:27:34.600 --> 0:27:39.240
<v Speaker 1>that's that's that's good, that's that's the god. That that's okay,

0:27:39.280 --> 0:27:41.520
<v Speaker 1>that's the god him. I'm talking to us, guy, Come on,

0:27:41.640 --> 0:27:46.359
<v Speaker 1>put some more that it was in the shots? Can

0:27:46.400 --> 0:27:48.800
<v Speaker 1>you help know? I don't like your heavy hand. I

0:27:48.840 --> 0:27:52.440
<v Speaker 1>got a cold rocking. Do we wipe this up? Yeah?

0:27:53.720 --> 0:28:06.959
<v Speaker 1>You've got eight terms it in terms of holds right here,

0:28:07.040 --> 0:28:15.320
<v Speaker 1>he put yo cold cold goddamn you give me my

0:28:15.440 --> 0:28:19.840
<v Speaker 1>bottom that I forgot. This is you. Thank God I

0:28:19.920 --> 0:28:23.439
<v Speaker 1>changed my plight. You the wrong, wrong, I'll take ye.

0:28:23.600 --> 0:28:25.479
<v Speaker 1>I'm here, Okay, I'm here. I think it's going back

0:28:25.480 --> 0:28:27.760
<v Speaker 1>to shout the puff coast rock. Let's go cost big

0:28:27.960 --> 0:28:31.520
<v Speaker 1>coat for me right there? Damn it the normal Cooper ship.

0:28:31.840 --> 0:28:37.840
<v Speaker 1>But really shocked that Lord pick him up. We're this feeling.

0:28:38.680 --> 0:28:41.880
<v Speaker 1>Shot niggas gave me the filth. Yes, shot glasses on them,

0:28:41.920 --> 0:28:44.000
<v Speaker 1>and I'm man, I ain't even walk some shot glasses

0:28:44.080 --> 0:28:46.960
<v Speaker 1>right there. I want something that you know, you know

0:28:47.040 --> 0:28:50.800
<v Speaker 1>what my first person in actually you know what's hey?

0:28:50.960 --> 0:28:55.840
<v Speaker 1>This year is the twenty year anniversary of the war report. Wow,

0:28:56.120 --> 0:29:01.200
<v Speaker 1>June would be because we dropped in June. Uh, nineteen nineties.

0:29:01.240 --> 0:29:06.440
<v Speaker 1>Seven ninety was busy, so it's busy this year. It's real.

0:29:06.600 --> 0:29:11.000
<v Speaker 1>It's seven seen for like having fun. We're doing it

0:29:11.080 --> 0:29:16.800
<v Speaker 1>all over. You got a shot Maya's right there? Who's pouring? Oh?

0:29:16.840 --> 0:29:18.959
<v Speaker 1>I got a four months for yourself. We don't want

0:29:19.000 --> 0:29:20.479
<v Speaker 1>to me, we don't want you know what I mean?

0:29:20.880 --> 0:29:23.320
<v Speaker 1>Your legend? God damn it, we see what's your wedding

0:29:23.360 --> 0:29:24.840
<v Speaker 1>wing on? I wore mind? So I knew you was

0:29:24.880 --> 0:29:30.040
<v Speaker 1>gonna win. Y'alls. You know you Wait, you said, I

0:29:30.160 --> 0:29:33.360
<v Speaker 1>wore minds because I knew you that's the job. So

0:29:34.880 --> 0:29:43.320
<v Speaker 1>there's a nigger when you are. Now we're just gonna stick.

0:29:44.480 --> 0:29:48.120
<v Speaker 1>I can't bang up. Man. That was my be like

0:29:48.160 --> 0:29:51.320
<v Speaker 1>a kid with you. I want mind I knew you're

0:29:51.320 --> 0:29:57.560
<v Speaker 1>gonna have. That was that. There was a lot that

0:29:57.640 --> 0:30:02.440
<v Speaker 1>was city. God dammit, And we got patron for Clark

0:30:02.520 --> 0:30:07.479
<v Speaker 1>cancer and motherfucking may man is having a wait, wait ware,

0:30:07.520 --> 0:30:10.080
<v Speaker 1>wait can we get a shot of air conditioning? Oh? Yeah,

0:30:10.120 --> 0:30:16.480
<v Speaker 1>he was over head, so it wasn't a leave discussion

0:30:17.000 --> 0:30:21.800
<v Speaker 1>right there by. Got damn it trying to him, I'm

0:30:21.800 --> 0:30:24.160
<v Speaker 1>so happy your brother you're stand that's right man, the

0:30:24.280 --> 0:30:27.080
<v Speaker 1>drink champs, got damnit. I'm having the world against the head.

0:30:27.200 --> 0:30:31.479
<v Speaker 1>We celebrate hip hop. Look at that. Look at that man.

0:30:31.960 --> 0:30:34.000
<v Speaker 1>I knew Clark is a different type of person. I

0:30:34.080 --> 0:30:36.720
<v Speaker 1>asked him what you're drinking? He said, for trum people

0:30:36.720 --> 0:30:39.600
<v Speaker 1>who would drink patron, they like to go to the abyss.

0:30:40.480 --> 0:30:44.200
<v Speaker 1>That's the bottom of the O. I expected, God damn it. Yeah,

0:30:44.240 --> 0:30:50.640
<v Speaker 1>all right, now let's go. I feeling man, chaps, got damnit.

0:30:51.080 --> 0:30:57.120
<v Speaker 1>Look I got the biggest shot to see you makes

0:31:01.760 --> 0:31:03.600
<v Speaker 1>because the DC tour in the house got damn. You know,

0:31:03.680 --> 0:31:08.360
<v Speaker 1>we love you to get money, be h. I didn't

0:31:08.360 --> 0:31:10.880
<v Speaker 1>do to get money. Be I'm mixed to get money. Record.

0:31:12.000 --> 0:31:15.000
<v Speaker 1>What happened was d J d J e um, he's

0:31:15.040 --> 0:31:20.840
<v Speaker 1>ez LP the one over that right, No, where are

0:31:20.880 --> 0:31:22.720
<v Speaker 1>you going right now? No? I was asking because I

0:31:22.760 --> 0:31:26.000
<v Speaker 1>was the over phone conversation you're talking about easy LP.

0:31:26.520 --> 0:31:28.000
<v Speaker 1>He told you to turn down the beat and he

0:31:28.080 --> 0:31:29.760
<v Speaker 1>was on the phone and then you snuffed him or

0:31:29.840 --> 0:31:33.160
<v Speaker 1>something like that. I want to hear this one. Yeah,

0:31:33.280 --> 0:31:36.600
<v Speaker 1>it sounds like something happened. I didn't hear that. Yeah,

0:31:38.200 --> 0:31:40.200
<v Speaker 1>you know it's crazy. And as soon as you get

0:31:40.240 --> 0:31:44.760
<v Speaker 1>this shot and start asking, don't heard the story. There's

0:31:44.800 --> 0:31:48.960
<v Speaker 1>no backing out of here. He's not just I was

0:31:49.000 --> 0:31:53.440
<v Speaker 1>around that, just so you know. It wasn't over me.

0:31:53.680 --> 0:31:59.120
<v Speaker 1>It was over he was on the phone and and

0:31:59.280 --> 0:32:02.360
<v Speaker 1>he was I think it was either on or just so.

0:32:02.440 --> 0:32:06.920
<v Speaker 1>Somebody was saying ma'am and and then somebody somebody was

0:32:07.000 --> 0:32:09.720
<v Speaker 1>like he I don't know who said, turned the ship

0:32:09.840 --> 0:32:14.160
<v Speaker 1>down or whatever, but you know, then he got the

0:32:14.240 --> 0:32:16.520
<v Speaker 1>big sudden he got hit with a drummer, Shine, you

0:32:16.600 --> 0:32:18.760
<v Speaker 1>hit him with a drum I didn't hit him with

0:32:18.800 --> 0:32:24.520
<v Speaker 1>a drummer. Shine. Make the Drummerchine just flew make some more.

0:32:28.880 --> 0:32:32.960
<v Speaker 1>My brother heard about this story. I did not hit

0:32:33.120 --> 0:32:36.480
<v Speaker 1>him with a drummer sheet, but I didn't. We didn't

0:32:36.520 --> 0:32:43.080
<v Speaker 1>have a beat. Right now, he's Bill. We're taking a

0:32:43.120 --> 0:32:47.719
<v Speaker 1>little shot. Yeah, I wanted to take listen with all

0:32:48.760 --> 0:32:55.840
<v Speaker 1>you can take all the shots. I'm not mad. I'm

0:32:55.960 --> 0:33:00.240
<v Speaker 1>saying something. I did not hit him with a machine. Think,

0:33:00.520 --> 0:33:02.960
<v Speaker 1>so what did you do? There was a rough conversation

0:33:03.160 --> 0:33:05.800
<v Speaker 1>about the fact that when I mixed the record, but

0:33:05.880 --> 0:33:08.520
<v Speaker 1>when I was mixing the record, I was taking out

0:33:08.600 --> 0:33:10.760
<v Speaker 1>the drums that he put on the record to just

0:33:10.960 --> 0:33:13.000
<v Speaker 1>leave the loop by itself. Why is all the arms

0:33:13.080 --> 0:33:16.760
<v Speaker 1>for him? It's not deep, it's simple. And I think

0:33:16.800 --> 0:33:19.080
<v Speaker 1>played myself, and I think that's the way. I think.

0:33:19.120 --> 0:33:22.000
<v Speaker 1>There was like a heated conversation because honestly, I wasn't

0:33:22.000 --> 0:33:23.880
<v Speaker 1>even paying attention. I just know it was like wow,

0:33:23.960 --> 0:33:25.800
<v Speaker 1>and I was like, what the fuck? And you had

0:33:25.880 --> 0:33:27.680
<v Speaker 1>got I think he got hit with a drump machine

0:33:28.440 --> 0:33:33.080
<v Speaker 1>something like that. I wasn't positive like every other thing,

0:33:33.240 --> 0:33:36.400
<v Speaker 1>like every everything you ever mentioned, and like, but right now,

0:33:36.600 --> 0:33:39.880
<v Speaker 1>this the moment you got the Brooklyns birk on, like

0:33:39.960 --> 0:33:43.000
<v Speaker 1>when you can't even take the brooklynsk like you can't

0:33:43.480 --> 0:33:53.840
<v Speaker 1>take a little shot Cloud. We celebrating clak head tonight.

0:33:54.800 --> 0:33:56.280
<v Speaker 1>I see you in the words of Norm I need

0:33:56.320 --> 0:33:59.280
<v Speaker 1>official poor world, Poor world. And I see you on

0:33:59.400 --> 0:34:02.440
<v Speaker 1>the DJ. That's something you had, champagne. You killed the crowd,

0:34:02.800 --> 0:34:04.959
<v Speaker 1>you know, goddamnit. I'm still proud of you, still out

0:34:05.000 --> 0:34:06.600
<v Speaker 1>here relevant taking on the show. Got damn it, Come on,

0:34:06.640 --> 0:34:09.040
<v Speaker 1>we're gonna do it. So Luke clarke ken motherfucking may

0:34:09.120 --> 0:34:17.560
<v Speaker 1>up goes down like that, I am not going to

0:34:17.640 --> 0:34:20.600
<v Speaker 1>the party. The best flicker on the planet. Throw that

0:34:20.680 --> 0:34:26.760
<v Speaker 1>out there. That's you. I was way too much sol

0:34:27.600 --> 0:34:29.480
<v Speaker 1>So it was over the god you did not. I

0:34:29.719 --> 0:34:34.160
<v Speaker 1>did not hit Easy LP with a drum machine at all.

0:34:34.400 --> 0:34:38.080
<v Speaker 1>I had nothing to Okay, I had nothing to do

0:34:38.200 --> 0:34:40.279
<v Speaker 1>with it. So you want to they want to get

0:34:40.280 --> 0:34:42.719
<v Speaker 1>off of that subject. I'm at text you to not

0:34:42.760 --> 0:34:45.600
<v Speaker 1>even tell you up. But it's all because Easy LP

0:34:45.760 --> 0:34:47.400
<v Speaker 1>his family as well. That's what I'm saying. It was

0:34:48.160 --> 0:34:50.600
<v Speaker 1>heard because you know, you know why I heard that room,

0:34:50.760 --> 0:34:53.839
<v Speaker 1>because they was telling me how Big was like an instigator.

0:34:54.400 --> 0:34:56.600
<v Speaker 1>So they so they because I used to instigate it,

0:34:56.719 --> 0:34:59.320
<v Speaker 1>and it's like you're like big Big as an instigator.

0:34:59.360 --> 0:35:01.560
<v Speaker 1>So that's how I had got that story. But I

0:35:01.600 --> 0:35:03.799
<v Speaker 1>wouldn't say Big was the instigate. I would say Big

0:35:04.000 --> 0:35:15.960
<v Speaker 1>was he instigated the machine just crazy. Can I ask

0:35:15.960 --> 0:35:18.480
<v Speaker 1>you about the rapping you slid? No, it's okay, it

0:35:18.600 --> 0:35:24.920
<v Speaker 1>was okay, I kill you got Ready said yeah, I'm like,

0:35:25.440 --> 0:35:27.799
<v Speaker 1>you know, you know what you did? Yo? I want

0:35:27.800 --> 0:35:29.600
<v Speaker 1>to be. I want to be I want everybody to

0:35:29.719 --> 0:35:33.879
<v Speaker 1>understand this. Nor recurved me when he first started doing

0:35:33.920 --> 0:35:37.560
<v Speaker 1>the podcast. Yes, wait wait remember you hit me on

0:35:37.760 --> 0:35:41.440
<v Speaker 1>on Twitter to hold on, hold on, hold on. I

0:35:41.560 --> 0:35:43.920
<v Speaker 1>was way later after that. I want to know because

0:35:43.920 --> 0:35:46.080
<v Speaker 1>you hit me on Twitter and was like, Yo, we

0:35:46.200 --> 0:35:48.040
<v Speaker 1>need to get you on the on the podcast and

0:35:48.160 --> 0:35:51.000
<v Speaker 1>I went, I don't know, son because I know you poppy,

0:35:51.360 --> 0:35:57.959
<v Speaker 1>and you was like yeah, I forget it. You were back, Yeah,

0:35:58.520 --> 0:36:01.640
<v Speaker 1>get it? I said, how I left? That was like

0:36:01.760 --> 0:36:05.080
<v Speaker 1>I don't I said, I don't know because I know

0:36:05.239 --> 0:36:08.239
<v Speaker 1>you probably back. Here's the crazy ship. Now. I'm a

0:36:08.320 --> 0:36:11.680
<v Speaker 1>hot nigger, so sometimes I answer somebody else thinking I'm

0:36:11.680 --> 0:36:14.400
<v Speaker 1>askwering somebody else. You listen, I'm gonna be honest with you.

0:36:15.280 --> 0:36:17.840
<v Speaker 1>It's certain people that is like so much family to

0:36:17.960 --> 0:36:20.840
<v Speaker 1>me that it's like you're one of those guys, Like

0:36:20.960 --> 0:36:23.000
<v Speaker 1>I don't pressure you because I know that me and

0:36:23.040 --> 0:36:26.000
<v Speaker 1>you're gonna have you gonna do it, and then I've

0:36:26.000 --> 0:36:30.799
<v Speaker 1>seen you did. We almost did when you know I'm

0:36:30.800 --> 0:36:33.960
<v Speaker 1>saying I said, I said, I said, they don't know

0:36:34.280 --> 0:36:35.960
<v Speaker 1>how to, you know, get it out of him. Like

0:36:36.080 --> 0:36:39.400
<v Speaker 1>you know, that's a great pause. It's great. They do.

0:36:39.520 --> 0:36:41.239
<v Speaker 1>What they do is what they do. But what we

0:36:41.360 --> 0:36:44.040
<v Speaker 1>do is we celebrate hip hop. We celebrate moments, we

0:36:44.120 --> 0:36:48.360
<v Speaker 1>celebrate the pallady. And because celebrating, are you trying to

0:36:48.400 --> 0:36:55.239
<v Speaker 1>celebrate someone getting here with a drummer sheet having an

0:36:55.320 --> 0:37:00.239
<v Speaker 1>issue with easier I didn't happen. Yeah, but that something

0:37:00.400 --> 0:37:02.640
<v Speaker 1>I'm telling you what actually happened, because that's such a

0:37:02.680 --> 0:37:05.040
<v Speaker 1>classic hip hop story. Because y'all, I was so intricated

0:37:05.080 --> 0:37:07.680
<v Speaker 1>in the Junior Mafia albums, you know what I mean,

0:37:07.760 --> 0:37:11.040
<v Speaker 1>So that you didn't know that. You need to know that.

0:37:12.000 --> 0:37:15.040
<v Speaker 1>Um like three us my lucky number. So we're gonna

0:37:15.040 --> 0:37:16.520
<v Speaker 1>do one more shot, you know what I'm saying. But

0:37:16.600 --> 0:37:19.080
<v Speaker 1>ahead continue. I just want to throw that out here.

0:37:20.880 --> 0:37:24.840
<v Speaker 1>Now keep my next. The best Panamedian DJ in the

0:37:24.920 --> 0:37:30.799
<v Speaker 1>world makes some and fab is the best Aminican rapper

0:37:30.840 --> 0:37:34.680
<v Speaker 1>in the world make some noise that as well. My

0:37:34.920 --> 0:37:37.400
<v Speaker 1>job is to get people who are have Latin on

0:37:37.520 --> 0:37:45.720
<v Speaker 1>like Jewel Santana Holdamia, absolutely not. I'm embarrassed, but that's crazy.

0:37:45.920 --> 0:37:50.040
<v Speaker 1>Wait wait, I always say that I'm embarrassed by that.

0:37:51.120 --> 0:37:55.160
<v Speaker 1>It's never funnin she was here, she had to speak

0:37:55.600 --> 0:37:58.520
<v Speaker 1>English all the time. So when when we came in,

0:37:58.680 --> 0:38:11.240
<v Speaker 1>we learned English. Welcome to play a new podcast network

0:38:11.320 --> 0:38:15.840
<v Speaker 1>featuring radio and TV personalities talking business, sports, tech, entertainment,

0:38:15.920 --> 0:38:20.319
<v Speaker 1>and more. Play it at play dot It. We're back

0:38:20.440 --> 0:38:24.000
<v Speaker 1>to Drink Champs Radio with rapper and R and d J.

0:38:24.640 --> 0:38:29.400
<v Speaker 1>Then now Clark Kennedy the man. This was the smartest

0:38:29.440 --> 0:38:36.239
<v Speaker 1>thing you internationally knows right, niggas know you, but people

0:38:36.320 --> 0:38:39.160
<v Speaker 1>in Brooklyn know that Clark is a certain way you

0:38:39.239 --> 0:38:44.120
<v Speaker 1>go through Clark. Do get somewhere. These people, these people

0:38:44.200 --> 0:38:45.960
<v Speaker 1>come to you and they say they got an artist

0:38:46.320 --> 0:38:50.440
<v Speaker 1>named Jazzo. And Jazzo tells you they have an artist

0:38:50.600 --> 0:38:54.880
<v Speaker 1>named jay Z. Who was your first impression of that? Well,

0:38:55.760 --> 0:38:58.520
<v Speaker 1>I didn't get told that that there's an artist named

0:38:58.600 --> 0:39:01.720
<v Speaker 1>Jazz Oh. I knew Jazz Oh because he was working

0:39:01.760 --> 0:39:06.680
<v Speaker 1>with fresh Board, because Jazz Jazz was down with fresh Boarding.

0:39:06.840 --> 0:39:10.600
<v Speaker 1>He was down with Fresh Garden, fresh from MASSI not no,

0:39:10.960 --> 0:39:13.360
<v Speaker 1>but I don't know if any of the sets just

0:39:13.440 --> 0:39:23.600
<v Speaker 1>being questioned right now. Yeah you can qualified guys, but yeah,

0:39:23.680 --> 0:39:26.040
<v Speaker 1>Jazzo was my man already. And jazz O used to

0:39:26.120 --> 0:39:28.359
<v Speaker 1>produce Chad who lived up the block from me, Chad

0:39:28.440 --> 0:39:31.920
<v Speaker 1>Elliott Um Fresh Garden was one of my my, my

0:39:32.040 --> 0:39:34.440
<v Speaker 1>good friends, and and they used to work together on

0:39:34.560 --> 0:39:39.160
<v Speaker 1>records and producing other people and such. And Jazz was like, Yo,

0:39:39.239 --> 0:39:42.319
<v Speaker 1>you gotta hear my man. This is like forever ago.

0:39:42.600 --> 0:39:45.600
<v Speaker 1>And it was Jake and I in my who say

0:39:45.680 --> 0:39:48.880
<v Speaker 1>you gotta hear my man, Jazz jazz Oh. But the

0:39:49.000 --> 0:39:52.520
<v Speaker 1>thing is like, when you knew Jazz, you felt like

0:39:52.760 --> 0:39:54.839
<v Speaker 1>Jazz was like the best thing in the whole world

0:39:54.920 --> 0:39:58.400
<v Speaker 1>in Brooklyn. He was untouchable, like for real, if you

0:39:58.480 --> 0:40:00.560
<v Speaker 1>really knew when you listened to Ryn a certain way,

0:40:00.600 --> 0:40:03.040
<v Speaker 1>like he was really untouchable. And then he brings this

0:40:03.200 --> 0:40:06.680
<v Speaker 1>dude who's as good as him but has a little

0:40:06.760 --> 0:40:10.719
<v Speaker 1>more swagger to him, but not back then, did you know? Not?

0:40:11.120 --> 0:40:15.279
<v Speaker 1>Back then then he had a little more that that. No.

0:40:15.600 --> 0:40:23.279
<v Speaker 1>On Hawaiian Sophie, it was already drunk. Fact, I didn't

0:40:23.320 --> 0:40:33.279
<v Speaker 1>know what he's saying right now. But it's okay. It

0:40:33.400 --> 0:40:40.000
<v Speaker 1>was a soundtrack. It wasn't a sound track. You got

0:40:40.080 --> 0:40:46.680
<v Speaker 1>people listening to you, man, you man, we could talk. Yeah.

0:40:46.760 --> 0:40:48.239
<v Speaker 1>So Jazz is like, you gotta hear my man. I

0:40:48.360 --> 0:40:51.680
<v Speaker 1>hear his man is man is light. So when I

0:40:52.000 --> 0:40:54.680
<v Speaker 1>got my first job at a record a record company.

0:40:54.800 --> 0:40:58.040
<v Speaker 1>Now in between these times, because Jazz is my man,

0:40:58.160 --> 0:40:59.759
<v Speaker 1>every there was a bunch of times that he did

0:41:00.000 --> 0:41:01.960
<v Speaker 1>those and he would call me like DJ for me

0:41:02.040 --> 0:41:03.920
<v Speaker 1>at the show, and Jay would be there. So I

0:41:03.960 --> 0:41:06.120
<v Speaker 1>would get to hear these two rhyme all the time.

0:41:06.560 --> 0:41:08.880
<v Speaker 1>And I always thought to myself like these like might

0:41:08.920 --> 0:41:11.359
<v Speaker 1>be the two best motherfucker's in the whole world. Wow.

0:41:11.840 --> 0:41:14.919
<v Speaker 1>So you know, time goes on. I get this job.

0:41:15.120 --> 0:41:17.160
<v Speaker 1>I get the job of Atlantic Records. I think at

0:41:17.400 --> 0:41:20.320
<v Speaker 1>day one and a half, I was like, where's jay Z,

0:41:21.440 --> 0:41:25.280
<v Speaker 1>Where's Jazz? Where's jay Z? Where's Jazz? I found Jazz first,

0:41:25.400 --> 0:41:27.560
<v Speaker 1>and Jazz was like I gotta find jay Z. And

0:41:27.600 --> 0:41:31.880
<v Speaker 1>then Shirt King Fade shirking from Queen's Yeah, okay, because

0:41:31.880 --> 0:41:33.439
<v Speaker 1>then if he wanted to say that, right of course

0:41:33.480 --> 0:41:35.800
<v Speaker 1>I did. Who's that because I don't know what listens

0:41:35.800 --> 0:41:38.759
<v Speaker 1>ain't Ja is one of the shirt Kings, but his

0:41:38.920 --> 0:41:40.840
<v Speaker 1>name was Funky Fade. Now, shirt Kings was like a

0:41:40.960 --> 0:41:43.960
<v Speaker 1>very popular place in the com sum more than Jamaica Queens.

0:41:44.400 --> 0:41:46.879
<v Speaker 1>That is like, you can't understand everybody from New York,

0:41:49.880 --> 0:41:52.560
<v Speaker 1>with all due respect, if we're saying shirt Kings and

0:41:52.680 --> 0:41:55.200
<v Speaker 1>he can agree shirt Kings. Anybody who listened to this,

0:41:55.480 --> 0:41:58.000
<v Speaker 1>if you if you go on Google and you built

0:41:58.040 --> 0:42:01.400
<v Speaker 1>up shirt Kings, google shirt Kings and you'll be learning

0:42:01.480 --> 0:42:04.399
<v Speaker 1>something that was important hip at that time, and shirt

0:42:04.480 --> 0:42:07.360
<v Speaker 1>Kings were important. Funky Fade and and Nike was super

0:42:07.400 --> 0:42:10.400
<v Speaker 1>important than hip hop, and they were a part of

0:42:10.440 --> 0:42:12.360
<v Speaker 1>the thing that we were doing. They were making graffiti

0:42:12.440 --> 0:42:16.160
<v Speaker 1>shirts and shirts of characters and anybody who was doing

0:42:16.200 --> 0:42:18.759
<v Speaker 1>anything hip hop at that presice moment tried to get

0:42:18.760 --> 0:42:20.480
<v Speaker 1>a shirtcane shirt. There was a bunch of people who

0:42:20.520 --> 0:42:23.160
<v Speaker 1>were go to the mall. There was a bunch of

0:42:23.200 --> 0:42:26.839
<v Speaker 1>people were charts back then. Yeah, yah, yeah, they were,

0:42:26.880 --> 0:42:30.279
<v Speaker 1>they were there. They would you like like like like

0:42:30.400 --> 0:42:32.480
<v Speaker 1>people would take pictures and like in front of this.

0:42:32.600 --> 0:42:34.279
<v Speaker 1>So when we were seeing that in other cities, they

0:42:34.320 --> 0:42:37.520
<v Speaker 1>were emulating them. Even if you see any with a

0:42:37.600 --> 0:42:43.240
<v Speaker 1>big were seeing anything hip hop in any other city.

0:42:43.280 --> 0:42:45.160
<v Speaker 1>They were trying to dup locate shit that we had

0:42:45.280 --> 0:42:48.000
<v Speaker 1>already done, not that we were doing, ship that we

0:42:48.080 --> 0:42:51.200
<v Speaker 1>had already done, Like we built hip hop and then

0:42:51.280 --> 0:42:53.680
<v Speaker 1>we let everybody else. You say what you say in

0:42:53.719 --> 0:42:57.560
<v Speaker 1>New York? Yeah, yeah, absolutely, be talking about absolutely, But

0:42:57.640 --> 0:42:59.640
<v Speaker 1>I mean it involved a change in Each city did

0:42:59.680 --> 0:43:03.879
<v Speaker 1>its own part of it, but they anything that they did.

0:43:04.120 --> 0:43:06.279
<v Speaker 1>If we didn't have this foundation and ship that they

0:43:06.360 --> 0:43:08.120
<v Speaker 1>worked from, there would be no rap if there was

0:43:08.239 --> 0:43:11.759
<v Speaker 1>no hip. I just want to say, I want to

0:43:11.800 --> 0:43:14.160
<v Speaker 1>say it like that so that when you say, when

0:43:14.200 --> 0:43:15.800
<v Speaker 1>you look at somebody else and you see it in

0:43:15.880 --> 0:43:19.440
<v Speaker 1>another city, it kind of haste or another country, it

0:43:19.480 --> 0:43:22.680
<v Speaker 1>has contacts that it came from this absolutely okay, cool,

0:43:23.520 --> 0:43:27.480
<v Speaker 1>But but some fanship what made you and I'm privy

0:43:27.520 --> 0:43:29.040
<v Speaker 1>to all these stories are read because I've been around

0:43:29.040 --> 0:43:31.439
<v Speaker 1>you forever. What did you hear from Jay that made

0:43:31.440 --> 0:43:33.759
<v Speaker 1>you say that these two at why? This is the

0:43:33.800 --> 0:43:35.359
<v Speaker 1>reason why I want to know what you heard? Man?

0:43:36.239 --> 0:43:38.840
<v Speaker 1>The same thing of this question, because I remember you

0:43:39.040 --> 0:43:42.880
<v Speaker 1>talking about Jay when everybody was like clocks but it's crazy.

0:43:43.160 --> 0:43:45.120
<v Speaker 1>I'm gonna I'm gonna ma him tell another story after

0:43:45.160 --> 0:43:48.600
<v Speaker 1>this one. Ahead, go ahead, so like like so reiterated

0:43:48.640 --> 0:43:51.160
<v Speaker 1>when he acts like what made you see? What did

0:43:51.200 --> 0:43:53.279
<v Speaker 1>you hear? Like because I know, yeah, I know you

0:43:53.360 --> 0:43:57.359
<v Speaker 1>and Dame dask can't really get along because yeah, yeah, yeah,

0:43:58.239 --> 0:44:00.520
<v Speaker 1>that's funny you say that, because Dame is really my man,

0:44:01.680 --> 0:44:04.960
<v Speaker 1>my man. You know he's not He's my man. I

0:44:05.080 --> 0:44:08.160
<v Speaker 1>can't say anything negative about him. I can't even if

0:44:08.160 --> 0:44:11.239
<v Speaker 1>I tried the things that I would say, it would

0:44:11.239 --> 0:44:13.800
<v Speaker 1>be negative between me and him, and to the world

0:44:13.840 --> 0:44:16.080
<v Speaker 1>it would be like, but' all the friends, so it's

0:44:16.080 --> 0:44:17.719
<v Speaker 1>supposed to be that way, you know what I'm saying.

0:44:17.760 --> 0:44:19.919
<v Speaker 1>The ship that I could say negative about him, mayor

0:44:20.160 --> 0:44:23.239
<v Speaker 1>who's my ace? People would go, well, y'all the friends

0:44:23.239 --> 0:44:25.479
<v Speaker 1>are supposed to be that way. Were fighting, don't talk

0:44:25.560 --> 0:44:28.200
<v Speaker 1>for a year and a half, but he's still my nigga,

0:44:28.239 --> 0:44:30.240
<v Speaker 1>like nothing, and no one would know he was fighting.

0:44:30.480 --> 0:44:33.399
<v Speaker 1>We'd be something no, no with you. He's gonna try

0:44:34.239 --> 0:44:37.040
<v Speaker 1>sitting on my shot. I don't care how so guy

0:44:38.400 --> 0:44:42.200
<v Speaker 1>you know what. Wait wait wait, wait, wait, sit down,

0:44:48.440 --> 0:44:50.520
<v Speaker 1>We're gonna do a while we're here. Have you asked

0:44:50.560 --> 0:44:53.680
<v Speaker 1>me a question on my finished answering? I know what

0:44:53.920 --> 0:44:55.800
<v Speaker 1>was the question? What did I want to know? What

0:44:56.360 --> 0:45:00.320
<v Speaker 1>did you him? Why are you suing like I don't know?

0:45:02.600 --> 0:45:06.799
<v Speaker 1>That's good? Let me live an interview, an interviewing if

0:45:06.840 --> 0:45:12.680
<v Speaker 1>you don't want to, that's my podcast interview with that, y'all.

0:45:12.680 --> 0:45:15.120
<v Speaker 1>I'm putting work. Come on. I like to give context

0:45:15.200 --> 0:45:20.600
<v Speaker 1>to answers. So when I was growing up, when everybody

0:45:20.680 --> 0:45:23.200
<v Speaker 1>looked and they saw Mellie mel Rap and they thought,

0:45:23.440 --> 0:45:26.920
<v Speaker 1>this is motherfucker's the Ellis ship, I saw, I saw

0:45:26.960 --> 0:45:31.160
<v Speaker 1>Grandmaster Cats and I was like, he's to me. He's

0:45:31.480 --> 0:45:35.120
<v Speaker 1>to me, he's a little iller. So when Tom is

0:45:35.160 --> 0:45:40.160
<v Speaker 1>going on and everybody's talking about whomever, I heard rock

0:45:40.239 --> 0:45:43.879
<v Speaker 1>him round when he was eleven, and I was like, wow,

0:45:44.840 --> 0:45:46.880
<v Speaker 1>at eleven he was a wild boy. You. I was

0:45:47.000 --> 0:45:50.359
<v Speaker 1>DJ and at Amityville Day on King Charles, DJ said

0:45:50.880 --> 0:45:57.040
<v Speaker 1>King Charles from Queens. It was it was an Amityville

0:45:57.080 --> 0:46:00.880
<v Speaker 1>I was DJ. I was young. I was DJ and

0:46:00.920 --> 0:46:07.279
<v Speaker 1>Amityville Day no Wine Dance Day, Sorry, I was I

0:46:07.360 --> 0:46:09.719
<v Speaker 1>did both of those. I did both of those days,

0:46:09.800 --> 0:46:11.560
<v Speaker 1>like I would do Wine Dance Day, DJ and and

0:46:12.040 --> 0:46:14.920
<v Speaker 1>um and and Amityville Day Djane and I was DJ

0:46:15.040 --> 0:46:17.040
<v Speaker 1>and Wine Dance Day. And a little dude on the

0:46:17.160 --> 0:46:20.120
<v Speaker 1>mic was rock Himp eleven on a crate and he

0:46:20.320 --> 0:46:24.400
<v Speaker 1>was he was just wilding for a little dude. He

0:46:24.520 --> 0:46:26.520
<v Speaker 1>was eleven, Like he could tell you this story because

0:46:26.520 --> 0:46:28.080
<v Speaker 1>he knows it's true that it was me and him.

0:46:29.000 --> 0:46:32.040
<v Speaker 1>But I watched him at eleven, and I was young too.

0:46:32.440 --> 0:46:34.640
<v Speaker 1>I mean, he's all he's like, what two years younger

0:46:34.680 --> 0:46:37.439
<v Speaker 1>than me. It was wild to see this dude DJ

0:46:37.560 --> 0:46:40.279
<v Speaker 1>and at thirteen. Well, I was DJ and at nine,

0:46:40.360 --> 0:46:43.759
<v Speaker 1>but I was playing parks at twelve. No games here

0:46:44.120 --> 0:46:46.920
<v Speaker 1>like parks. Because he liked people. That's not from New

0:46:47.000 --> 0:46:55.600
<v Speaker 1>York City. I'm gonna do people everyday back then, like

0:46:56.040 --> 0:47:00.279
<v Speaker 1>like eight nine nine, early night people didn't they going

0:47:00.320 --> 0:47:03.160
<v Speaker 1>to clubs they went to before even that. Yeah, I mean,

0:47:03.320 --> 0:47:05.800
<v Speaker 1>and for him to say that, that's crazy. Goddam. This

0:47:06.040 --> 0:47:15.479
<v Speaker 1>motherfucker got me Africa. That's what South Africa now. Michael Blair,

0:47:15.520 --> 0:47:21.560
<v Speaker 1>Pink Pomp, that's another rock. I just want to throw

0:47:21.640 --> 0:47:25.719
<v Speaker 1>it out there. Smooth blocking in the world oh my god,

0:47:26.080 --> 0:47:36.360
<v Speaker 1>a little water high treek something yo, claw, So you

0:47:36.480 --> 0:47:42.280
<v Speaker 1>worked with j H. I was giving context to the answer,

0:47:42.360 --> 0:47:46.520
<v Speaker 1>but I interview you know what I'm saying. I would

0:47:46.560 --> 0:47:48.000
<v Speaker 1>look at the rappers that I would see, and I

0:47:48.040 --> 0:47:50.200
<v Speaker 1>would I would try to figure out who I thought

0:47:51.000 --> 0:47:54.440
<v Speaker 1>was better, but see, at one point I realized that

0:47:55.120 --> 0:47:57.719
<v Speaker 1>what people were looking at and thinking was better was

0:47:57.800 --> 0:47:59.920
<v Speaker 1>probably different than what I was thinking and looking at

0:48:00.120 --> 0:48:03.399
<v Speaker 1>was better. I looked at bar for bar for bar

0:48:03.600 --> 0:48:07.560
<v Speaker 1>for bar for bar. What did you say? How clever

0:48:07.800 --> 0:48:10.840
<v Speaker 1>was it? How witty was it? And then I decided

0:48:11.800 --> 0:48:14.200
<v Speaker 1>if what you said was iller than the next guy

0:48:14.320 --> 0:48:17.600
<v Speaker 1>that everybody's looking at. So when people were looking at

0:48:19.920 --> 0:48:23.439
<v Speaker 1>Caress and whomever, I was a guy now to rock Him, dude,

0:48:23.480 --> 0:48:26.040
<v Speaker 1>he's He's the wildest. And the reason why I thought

0:48:26.120 --> 0:48:28.920
<v Speaker 1>rock Him was the wildest is because when rock Him

0:48:28.960 --> 0:48:32.600
<v Speaker 1>made his first record, rap changed a hundred. Nobody wasn't

0:48:33.560 --> 0:48:37.920
<v Speaker 1>nobody wasn't rapping anymore. They started rhyming when rock Him

0:48:37.960 --> 0:48:39.759
<v Speaker 1>made his first record. Rock Him was sixteen when his

0:48:39.800 --> 0:48:41.359
<v Speaker 1>reggor came in out a lot of people don't believe

0:48:41.400 --> 0:48:46.759
<v Speaker 1>that what what what record? But he was like the

0:48:46.800 --> 0:48:49.480
<v Speaker 1>sixteen or seventeen. He was like, you have to understand.

0:48:50.640 --> 0:48:53.480
<v Speaker 1>Think about what I'm telling. I was young and he's

0:48:53.520 --> 0:48:57.120
<v Speaker 1>younger than me. So he was young when that Reggie

0:48:57.200 --> 0:49:01.240
<v Speaker 1>came out. He wasn't legal when when My My Melody

0:49:01.360 --> 0:49:04.960
<v Speaker 1>came out. You know what I'm saying. I was thinking

0:49:04.960 --> 0:49:09.320
<v Speaker 1>about the content that he was younger than he was

0:49:09.400 --> 0:49:11.919
<v Speaker 1>young when you nor was young when he was doing work,

0:49:13.239 --> 0:49:20.160
<v Speaker 1>now when you did word love. Yeah, Nori. The first

0:49:20.239 --> 0:49:22.239
<v Speaker 1>time I met Nod, he's not going to remember because

0:49:22.360 --> 0:49:25.359
<v Speaker 1>tragedy introduced me to him, and he was wow young,

0:49:25.480 --> 0:49:27.800
<v Speaker 1>But he introduced me the poem before he introduced me

0:49:27.840 --> 0:49:30.560
<v Speaker 1>to him, because poems from the projects with him, you

0:49:30.600 --> 0:49:33.400
<v Speaker 1>know what I'm saying. But when I brought him around,

0:49:33.600 --> 0:49:35.760
<v Speaker 1>it became more of a oh, I know this nigger.

0:49:35.800 --> 0:49:38.800
<v Speaker 1>Now I know this nigger. And then it wasn't like

0:49:38.880 --> 0:49:40.520
<v Speaker 1>I know this nigga, like I want to produce him.

0:49:40.560 --> 0:49:43.279
<v Speaker 1>I was like, no, Norri's my fucking man, you know.

0:49:47.680 --> 0:49:51.640
<v Speaker 1>And we drinking. Did we take that shot of right relaxed?

0:49:52.880 --> 0:49:57.240
<v Speaker 1>Was your favorite number? And then that's right three? Damn

0:49:57.920 --> 0:50:01.279
<v Speaker 1>my nigger. Okay, So, like said I would, I saw

0:50:01.360 --> 0:50:06.480
<v Speaker 1>it when I heard it. I heard jazz, like I said.

0:50:06.560 --> 0:50:10.480
<v Speaker 1>When I heard Jazz rhyme, the complexity and the things

0:50:10.520 --> 0:50:14.399
<v Speaker 1>they were saying, the bar for bar for bar ship

0:50:14.520 --> 0:50:16.200
<v Speaker 1>that he was saying, I was like, No, he's the

0:50:16.200 --> 0:50:20.000
<v Speaker 1>best rapper in the universe. Yes, because he was super

0:50:20.080 --> 0:50:22.800
<v Speaker 1>smart and he projected the smart ship that he was

0:50:22.880 --> 0:50:25.279
<v Speaker 1>saying in his bars. And then he introduces me to

0:50:25.360 --> 0:50:33.600
<v Speaker 1>this guy who's instead of being as smart, he's wittier. Yo,

0:50:34.000 --> 0:50:37.440
<v Speaker 1>when you're rhyming, the wittier ship hits your chest a

0:50:37.600 --> 0:50:41.160
<v Speaker 1>lot quicker than the smart ship, so you walk away

0:50:41.239 --> 0:50:43.920
<v Speaker 1>from it being funked up, like I pack heat like

0:50:44.040 --> 0:50:47.520
<v Speaker 1>the oven door, like as many motherfucker's put some in

0:50:47.560 --> 0:50:50.000
<v Speaker 1>the oven. They never looked at that ship and was like, oh, ship,

0:50:50.120 --> 0:50:54.279
<v Speaker 1>that's packing heat. Listen said that ship like what made

0:50:54.360 --> 0:50:58.920
<v Speaker 1>him so witty? He was beyond most dudes, and he

0:50:59.000 --> 0:51:01.239
<v Speaker 1>didn't think of things one way. And you could tell

0:51:01.280 --> 0:51:03.920
<v Speaker 1>it when I met him. The things he was saying,

0:51:05.000 --> 0:51:07.000
<v Speaker 1>like you met him, was he writing rhymes on paper?

0:51:07.719 --> 0:51:09.520
<v Speaker 1>He might have been writing hynds on papers then, but

0:51:09.640 --> 0:51:11.880
<v Speaker 1>when it got to the point where he was running

0:51:11.880 --> 0:51:14.000
<v Speaker 1>around with cane and all of that, Like, no, there

0:51:14.080 --> 0:51:16.000
<v Speaker 1>wasn't no but he has to understand he was he

0:51:16.080 --> 0:51:17.719
<v Speaker 1>was getting to the money, so there was no time

0:51:17.760 --> 0:51:20.000
<v Speaker 1>to put a pen on it. But at that precise

0:51:20.120 --> 0:51:22.799
<v Speaker 1>moment when he introduced me to him, I was like, damn,

0:51:22.840 --> 0:51:25.880
<v Speaker 1>he's just as wild as jazz, but he has a

0:51:25.920 --> 0:51:29.120
<v Speaker 1>little more that that other thing. The thing is I

0:51:29.120 --> 0:51:31.279
<v Speaker 1>didn't know nothing about making records at that point, and

0:51:31.480 --> 0:51:33.160
<v Speaker 1>and and he didn't know anything where he was. We

0:51:33.239 --> 0:51:36.160
<v Speaker 1>were all young. But I listened and I was like, Na,

0:51:36.360 --> 0:51:39.000
<v Speaker 1>he might be iller thant jazz. I never said it,

0:51:39.520 --> 0:51:41.160
<v Speaker 1>but I thought it to myself, like he might be

0:51:41.200 --> 0:51:44.759
<v Speaker 1>iller than jazz, but not saying that his rhymes were better,

0:51:44.840 --> 0:51:47.520
<v Speaker 1>but like the way he was approaching his rhymes was

0:51:47.960 --> 0:51:50.960
<v Speaker 1>a little iller, Like Jazz is a nigga who would

0:51:50.960 --> 0:51:54.759
<v Speaker 1>say I mont blocked the paper satellite Ridium? He's like,

0:51:54.840 --> 0:51:56.359
<v Speaker 1>what the fund is a mom block? And then when

0:51:56.400 --> 0:52:02.000
<v Speaker 1>you realize it's a pen, you're like, all right, Jazz, alright,

0:52:02.400 --> 0:52:05.960
<v Speaker 1>a research like we can't afford my plank pens. Nigga,

0:52:06.040 --> 0:52:08.560
<v Speaker 1>how do you know what is the satellite of Ridium?

0:52:08.960 --> 0:52:12.000
<v Speaker 1>The satellite of Ridium is a phone that can work anywhere, Like,

0:52:12.120 --> 0:52:15.279
<v Speaker 1>who the funk knows my nigga. But that nigga was

0:52:15.440 --> 0:52:18.960
<v Speaker 1>saying that ship. So when Jay, when Jazz was saying

0:52:19.000 --> 0:52:20.840
<v Speaker 1>that ship, I'm looking at him like, Yeah, ain't nobody

0:52:20.880 --> 0:52:23.080
<v Speaker 1>in the world better than this nigga. And we had

0:52:23.120 --> 0:52:26.640
<v Speaker 1>the rise, we had the canes, we had the care arrests,

0:52:26.800 --> 0:52:29.960
<v Speaker 1>we had everybody. I was going nine. Nigga not better

0:52:30.040 --> 0:52:34.640
<v Speaker 1>than Jazz. Oh, but his man's was his man's turned

0:52:34.680 --> 0:52:37.840
<v Speaker 1>the corner. Now you see did you see that he

0:52:37.880 --> 0:52:40.840
<v Speaker 1>would be this where he's at. Now you see it,

0:52:40.920 --> 0:52:43.320
<v Speaker 1>then you know I saw it as soon as I

0:52:43.440 --> 0:52:48.480
<v Speaker 1>got in touch with him. Because what most people don't

0:52:48.520 --> 0:52:50.160
<v Speaker 1>know is when I got in touch with him, it

0:52:50.280 --> 0:52:52.759
<v Speaker 1>wasn't so we could do his records. It was so

0:52:52.920 --> 0:52:56.480
<v Speaker 1>that we could do him and Jazz records. So that

0:52:56.560 --> 0:53:00.360
<v Speaker 1>supposed to be the best. Jay and Jack. No, no, no,

0:53:00.480 --> 0:53:03.160
<v Speaker 1>it's they were the best period there was the world.

0:53:03.200 --> 0:53:06.040
<v Speaker 1>There's no world, one world them to do the best.

0:53:06.160 --> 0:53:08.359
<v Speaker 1>And that's all I thought, And that's all I cared about.

0:53:08.400 --> 0:53:10.200
<v Speaker 1>I want these niggs to be the best. Someone needs

0:53:10.239 --> 0:53:12.080
<v Speaker 1>to hear these niggs and be like, what the fund

0:53:12.239 --> 0:53:14.960
<v Speaker 1>is happening in all of rap history? You know what

0:53:15.000 --> 0:53:19.200
<v Speaker 1>I'm saying. But the records didn't turn around that way

0:53:19.360 --> 0:53:22.440
<v Speaker 1>and jazz wasn't around as much, so Jay made more

0:53:22.520 --> 0:53:26.560
<v Speaker 1>records by himself. And you know, like if you were there,

0:53:26.680 --> 0:53:28.200
<v Speaker 1>you were like, oh, no, this is gonna be the

0:53:28.280 --> 0:53:32.240
<v Speaker 1>wildest ship ever because he was so nice, Like dude

0:53:32.440 --> 0:53:38.520
<v Speaker 1>was nice. Because you know why I say that, because like, like, um,

0:53:39.160 --> 0:53:44.440
<v Speaker 1>the world like they understood reasonable doubt. What was the

0:53:44.480 --> 0:53:48.840
<v Speaker 1>album right after reasonably without um in my lifetime for one? Okay,

0:53:49.000 --> 0:53:52.399
<v Speaker 1>well that's when the world actually like, like I mean,

0:53:52.640 --> 0:53:55.640
<v Speaker 1>the rest of the world who was slow. But for

0:53:55.800 --> 0:53:58.680
<v Speaker 1>you to know that early on, it's something special, you

0:53:58.719 --> 0:54:00.520
<v Speaker 1>know what I'm saying with a lot of people, because

0:54:00.920 --> 0:54:02.520
<v Speaker 1>that was slept though I'm talking about like you know

0:54:02.520 --> 0:54:05.040
<v Speaker 1>what I mean. Two years later, people was like, damn,

0:54:05.160 --> 0:54:07.759
<v Speaker 1>that was a classic. It might have been his, but

0:54:07.880 --> 0:54:09.920
<v Speaker 1>in context to Original Flavor, like where is this all

0:54:09.960 --> 0:54:14.480
<v Speaker 1>this landing? Just so like him working with Original Flavor. No,

0:54:14.520 --> 0:54:18.600
<v Speaker 1>you don't understand, Like I was working with Jay before

0:54:18.760 --> 0:54:22.759
<v Speaker 1>I signed Original Flavor, And it's just that while I

0:54:22.920 --> 0:54:25.160
<v Speaker 1>was working when I signed Original Flavor and I signed

0:54:25.280 --> 0:54:28.560
<v Speaker 1>UM the Future Sound, I signed Damon Gus I'm Damon,

0:54:28.640 --> 0:54:30.799
<v Speaker 1>but I was like, Dame, you need to meet my man,

0:54:30.920 --> 0:54:33.960
<v Speaker 1>my man's elder than anything you've ever seen my jass

0:54:34.239 --> 0:54:37.759
<v Speaker 1>talking about. Because you have to understand me, because that's

0:54:37.840 --> 0:54:44.359
<v Speaker 1>right you introduced jay Z because this is this true Yeah,

0:54:44.440 --> 0:54:50.360
<v Speaker 1>like it's so noise, like getting the hip hop history.

0:54:50.480 --> 0:54:54.520
<v Speaker 1>That feel like we gotta go four shots number now

0:54:55.440 --> 0:55:01.239
<v Speaker 1>five five. I'm I'm I'm odd enough nigger. If I

0:55:01.320 --> 0:55:04.400
<v Speaker 1>go fall, that means look at me against my fault. No,

0:55:04.680 --> 0:55:06.920
<v Speaker 1>if I go forward, but that means my is to

0:55:07.000 --> 0:55:11.399
<v Speaker 1>go five because I'm an odd nigga. I like being odd.

0:55:11.960 --> 0:55:14.000
<v Speaker 1>I don't want to respect that. Where's the bottle he's

0:55:14.080 --> 0:55:25.799
<v Speaker 1>drinking from? Trust me, please, I'm what I'm drinking. I'll

0:55:25.840 --> 0:55:30.000
<v Speaker 1>drink what you That's okay, It's okay. Don't don't look

0:55:30.040 --> 0:55:36.760
<v Speaker 1>over here with that look that queens look, look like relaxed,

0:55:36.800 --> 0:55:39.759
<v Speaker 1>sorry and give you the queens look. I can hang cloth,

0:55:40.040 --> 0:55:45.040
<v Speaker 1>but continue, Oh your story. We were saying, yeah, you

0:55:45.160 --> 0:55:49.799
<v Speaker 1>asked me about original flavor, Original Flavor, and those those

0:55:49.840 --> 0:55:52.000
<v Speaker 1>things were happening at the same time as I was

0:55:52.080 --> 0:55:55.719
<v Speaker 1>doing records on Jay and trying to make sure that

0:55:55.800 --> 0:55:58.040
<v Speaker 1>I was doing records on Jay and Jazz, and they

0:55:58.160 --> 0:56:01.279
<v Speaker 1>introduced me to Sauce Money, so it was all three

0:56:01.320 --> 0:56:06.080
<v Speaker 1>of them. Like, we were doing an album on Jay

0:56:06.400 --> 0:56:10.480
<v Speaker 1>Jazz and Sauce called The hard Pack Pause, and we

0:56:10.560 --> 0:56:13.160
<v Speaker 1>were doing that. I was working on songs for Jane Jazz,

0:56:13.320 --> 0:56:15.400
<v Speaker 1>which was I thought was what it was supposed to be.

0:56:15.560 --> 0:56:17.640
<v Speaker 1>And then in the middle of that, I was doing

0:56:18.719 --> 0:56:21.440
<v Speaker 1>j J solo records, and I was doing Sauce solo records.

0:56:21.480 --> 0:56:24.359
<v Speaker 1>I never did Jazz solo Sock Jazz solo records because

0:56:24.440 --> 0:56:28.400
<v Speaker 1>Jazz was a producer, and j solo records wind up

0:56:28.440 --> 0:56:33.200
<v Speaker 1>being on reasonable doubt, two of them did. It was

0:56:33.200 --> 0:56:35.319
<v Speaker 1>supposed to be three, but we lost a dad right

0:56:35.360 --> 0:56:45.720
<v Speaker 1>before Master Pucing Records made its thoughts and uh joint

0:56:45.760 --> 0:56:51.880
<v Speaker 1>with Bleake um Coming Age. Why couldn't I remember? I

0:56:51.920 --> 0:56:53.680
<v Speaker 1>didn't know that. I know you did Cashman, That's one

0:56:53.680 --> 0:56:56.600
<v Speaker 1>of my favorite records. I don't know you did Coming Age. Here.

0:56:56.760 --> 0:57:01.279
<v Speaker 1>I'm just saying, yeah, but um, but what I'm saying

0:57:01.320 --> 0:57:04.680
<v Speaker 1>is are you aware that what I'm saying Like when

0:57:04.719 --> 0:57:08.560
<v Speaker 1>Reasonable Doc came out, I knew it, but it was

0:57:08.640 --> 0:57:10.520
<v Speaker 1>like the industry, I'm not talking about this, Damn me,

0:57:10.520 --> 0:57:12.879
<v Speaker 1>I don't care what the industry was thinking. He still new.

0:57:13.239 --> 0:57:16.000
<v Speaker 1>I knew I was a hundred percent short. Actually I

0:57:16.080 --> 0:57:18.640
<v Speaker 1>was a hundred and fifty percent short. And I used

0:57:18.640 --> 0:57:22.120
<v Speaker 1>to tell people you would apologize later, and a lot

0:57:22.240 --> 0:57:25.840
<v Speaker 1>of niggas, yeah, it didn't matter what label it came on.

0:57:26.320 --> 0:57:29.800
<v Speaker 1>I told niggas they would apologize, and for sure, for

0:57:30.080 --> 0:57:32.600
<v Speaker 1>years straight, every time I saw a dude in the game,

0:57:32.680 --> 0:57:35.360
<v Speaker 1>it was like, yeah, you was right, nigger. That's an apology.

0:57:35.880 --> 0:57:38.240
<v Speaker 1>You know, nobody wants to tell was right when he

0:57:38.280 --> 0:57:43.680
<v Speaker 1>thinks he's ad produced. Ain't no nigga. Jazz Jazz. Yeah,

0:57:44.440 --> 0:57:46.240
<v Speaker 1>that's why it has so much of him on it,

0:57:46.440 --> 0:57:48.560
<v Speaker 1>Like you know what I'm saying, he wrote the hook too.

0:57:49.400 --> 0:57:51.040
<v Speaker 1>I know he didn't write the hook. He's singing the

0:57:51.080 --> 0:57:54.360
<v Speaker 1>hook because the record is ain't no nigga. Like when

0:57:54.360 --> 0:57:57.160
<v Speaker 1>I got a little one, the one who's singing that

0:57:57.360 --> 0:58:00.479
<v Speaker 1>is Jazz, Jazz singing that. Oh, by the way, Jazz

0:58:00.480 --> 0:58:03.600
<v Speaker 1>could sing his ass off. Jazz on a hug right now.

0:58:03.840 --> 0:58:06.000
<v Speaker 1>You can get Jazz on her right now, Jazz, how

0:58:06.080 --> 0:58:08.400
<v Speaker 1>I have you? Goddamn? But Jazz is a real, real

0:58:08.720 --> 0:58:11.680
<v Speaker 1>ill music dude. You know what I'm saying. He's a producer,

0:58:12.080 --> 0:58:17.360
<v Speaker 1>he's a songwriter, and he's a rap writer. Like to me,

0:58:18.560 --> 0:58:22.200
<v Speaker 1>if like a chick found jazz oh and like sat

0:58:22.280 --> 0:58:25.440
<v Speaker 1>him down and had a check, she'd be the wildest

0:58:25.520 --> 0:58:28.320
<v Speaker 1>chick you've ever heard because of the rhymes that he

0:58:28.360 --> 0:58:32.080
<v Speaker 1>would write for her. Oh that's what I'm saying. Like

0:58:32.080 --> 0:58:35.120
<v Speaker 1>if he sat there shot down, I'll i'll you want

0:58:35.160 --> 0:58:42.480
<v Speaker 1>to go, I don't know, I'll down. Like Clark, he's

0:58:42.520 --> 0:58:45.120
<v Speaker 1>Panda made and he's just coming out of him. All right,

0:58:45.160 --> 0:58:50.600
<v Speaker 1>I'm sorry, Clark, I missed Judge, you miss Juice. Let's

0:58:50.640 --> 0:58:57.240
<v Speaker 1>make them Clark ain't got dad. So now you've worked

0:58:57.520 --> 0:59:02.520
<v Speaker 1>you arguably worked with you worked with jay, I, worked

0:59:02.560 --> 0:59:06.360
<v Speaker 1>with Nori, you worked with component Noriega. But before that,

0:59:07.280 --> 0:59:12.040
<v Speaker 1>there's this kid that comes out called nas. Yeah, so

0:59:12.240 --> 0:59:14.920
<v Speaker 1>you know about that. I would like to hear your story.

0:59:15.360 --> 0:59:18.480
<v Speaker 1>So what story here is not a story? It's the

0:59:18.520 --> 0:59:20.480
<v Speaker 1>true who got a story about everything? You're a legend,

0:59:20.600 --> 0:59:24.760
<v Speaker 1>NIGGOA expect you nigga, tell me about it. I used

0:59:24.760 --> 0:59:28.240
<v Speaker 1>to produce most of it. Like the studio I worked

0:59:28.280 --> 0:59:31.400
<v Speaker 1>in most of the time was power Play in Queens

0:59:31.440 --> 0:59:38.440
<v Speaker 1>in Queen's talk about you hype you hype on Queens, Right, Okay,

0:59:38.520 --> 0:59:41.800
<v Speaker 1>so that was probably like the most hip hop studio

0:59:41.920 --> 0:59:44.400
<v Speaker 1>in New York City at that time was power Play

0:59:45.080 --> 0:59:50.400
<v Speaker 1>Makes most of that Our first record I ever recorded

0:59:50.840 --> 0:59:54.000
<v Speaker 1>as component Oriega was in power Play Studios, just called

0:59:54.040 --> 0:59:57.360
<v Speaker 1>half a Mile Half mil I got that record, got

0:59:57.400 --> 1:00:00.800
<v Speaker 1>that record, I got That's like my first like um

1:00:01.160 --> 1:00:04.480
<v Speaker 1>have recorded, but I guess that's as Coriega. But Capone,

1:00:05.160 --> 1:00:08.480
<v Speaker 1>No Capone been home. I had came home and I

1:00:08.520 --> 1:00:10.720
<v Speaker 1>couldn't reach him. And the first record we recorded, the

1:00:10.720 --> 1:00:13.920
<v Speaker 1>good halfs We're going to half a min haf mi No,

1:00:14.040 --> 1:00:17.800
<v Speaker 1>not Big Up got he was nice. Yeah, he was

1:00:17.880 --> 1:00:21.960
<v Speaker 1>that Brooklyn, Brooklyn. He's on Penalty Records. That was my man.

1:00:22.080 --> 1:00:24.880
<v Speaker 1>Everybody always hit me on on Twitter and tell me

1:00:24.920 --> 1:00:27.320
<v Speaker 1>talk about him in the podcast. I'm glad his name

1:00:27.440 --> 1:00:28.920
<v Speaker 1>got brought up because Big Up a half a Meal,

1:00:29.120 --> 1:00:34.320
<v Speaker 1>Half Dead Nights, too Well, Crown Heights, Brown Crin Heights.

1:00:34.600 --> 1:00:36.640
<v Speaker 1>He was on the board of Crime Heights and Best

1:00:36.680 --> 1:00:41.280
<v Speaker 1>Style Your Clock. Kid, You was the Fisher Brooklyn representative.

1:00:41.320 --> 1:00:44.840
<v Speaker 1>Now I'm a thousand percent as Brooklyn coach signs Spike Lee.

1:00:44.880 --> 1:00:47.720
<v Speaker 1>I heard they try to UMU band Spike Lee, and

1:00:47.760 --> 1:00:49.440
<v Speaker 1>I heard you had to shut it down. One time.

1:00:49.520 --> 1:00:51.080
<v Speaker 1>Now I didn't. I don't even know what the fun

1:00:51.240 --> 1:00:58.960
<v Speaker 1>is talking about. I know, yes, absolutely, yes, yes, goverybody's

1:00:58.960 --> 1:01:00.680
<v Speaker 1>who come to see him to hedn't try to shut

1:01:00.720 --> 1:01:02.120
<v Speaker 1>down to the right thing. And I heard you had

1:01:02.160 --> 1:01:05.720
<v Speaker 1>to come up. You gotta get yo, let's just go.

1:01:08.040 --> 1:01:13.520
<v Speaker 1>That's amazing trump past I made it up right now, okay,

1:01:13.680 --> 1:01:17.360
<v Speaker 1>power Play Studio. I was remixing a bunch of records

1:01:17.400 --> 1:01:19.200
<v Speaker 1>and that's the place I would do all the records at.

1:01:19.400 --> 1:01:23.360
<v Speaker 1>And in the next room it was always large professor.

1:01:23.520 --> 1:01:30.360
<v Speaker 1>Who's who's my man? And he uh he did the Barbecue,

1:01:31.520 --> 1:01:34.040
<v Speaker 1>Live the Barbecue. And when he did Live at the Barbecue,

1:01:34.200 --> 1:01:35.720
<v Speaker 1>he was like, Yo, come here this record. So I'm

1:01:35.760 --> 1:01:37.280
<v Speaker 1>here in the record and I'm like, whoa, I think

1:01:37.280 --> 1:01:41.360
<v Speaker 1>he's going cracky cool the fuck it's this nigga. And

1:01:41.440 --> 1:01:44.560
<v Speaker 1>he was like, oh, that's my nigga, no nigga. And

1:01:44.680 --> 1:01:45.920
<v Speaker 1>I was on it and I was like, an a

1:01:46.120 --> 1:01:47.920
<v Speaker 1>went crazy too. So I was like, wait, wait, hold

1:01:47.960 --> 1:01:50.280
<v Speaker 1>on time because I just don't like the way he's

1:01:50.320 --> 1:01:54.120
<v Speaker 1>like no chalant. Be's describing one of the craziest records

1:01:54.160 --> 1:01:57.480
<v Speaker 1>in hip hop history, Live at the Barbecue. He's just

1:01:57.640 --> 1:01:59.720
<v Speaker 1>saying he was at the session. No, I wasn't at

1:01:59.760 --> 1:02:01.240
<v Speaker 1>the same said I was that when he was mixing

1:02:01.280 --> 1:02:05.200
<v Speaker 1>the record. The record was done and I was Lodge

1:02:05.280 --> 1:02:06.880
<v Speaker 1>is my men. You know what I'm saying. He was like,

1:02:07.000 --> 1:02:10.360
<v Speaker 1>listen to it. So I listened, and I was because

1:02:10.480 --> 1:02:12.400
<v Speaker 1>I paid so much attention to wrap. I was like,

1:02:12.480 --> 1:02:15.080
<v Speaker 1>who's Who's Who's loose? You know what I'm saying is

1:02:15.240 --> 1:02:17.480
<v Speaker 1>that's the ship. He said he went to health for

1:02:17.560 --> 1:02:20.960
<v Speaker 1>snuffing Jesus. Like anybody who said some ship like that,

1:02:21.080 --> 1:02:23.680
<v Speaker 1>I'm gonna pay a lot. I was like, when I

1:02:23.800 --> 1:02:27.560
<v Speaker 1>was twelve, I wanted to help us love at Jesus. Yeah,

1:02:27.600 --> 1:02:31.880
<v Speaker 1>that's nasty. No continue, And I'm thinking you like seventeen,

1:02:32.080 --> 1:02:35.480
<v Speaker 1>so for five years after you lived after snuffing Jesus,

1:02:35.560 --> 1:02:38.800
<v Speaker 1>you nice, you know? But anyway he's dead nice. You

1:02:38.840 --> 1:02:47.880
<v Speaker 1>know what I'm saying. I'm cook. I'm so um. I

1:02:48.000 --> 1:02:49.680
<v Speaker 1>hear on my hair, on my arm, my hair, everybody.

1:02:49.760 --> 1:02:52.400
<v Speaker 1>I'm like, you know how the records ill whatever, keep going?

1:02:53.040 --> 1:02:56.160
<v Speaker 1>And then um, Lodge is working on ox album. And

1:02:56.280 --> 1:02:59.840
<v Speaker 1>then I went into a bidding war between Interscope because

1:02:59.840 --> 1:03:01.960
<v Speaker 1>I was working in Atlantic Records and I was trying

1:03:02.000 --> 1:03:06.040
<v Speaker 1>to sign and I was in a bidding war between

1:03:06.400 --> 1:03:10.720
<v Speaker 1>Atlantic and and uh and in the Scope. The crazy

1:03:10.840 --> 1:03:13.240
<v Speaker 1>part is like I kept trying to tell I, like,

1:03:13.840 --> 1:03:17.720
<v Speaker 1>you know, Atlantic is it owns Interscope, so like this

1:03:17.920 --> 1:03:20.480
<v Speaker 1>bidding war makes no sense. Fun with your man. And

1:03:20.520 --> 1:03:23.120
<v Speaker 1>they gave him more money, so he sucked that. So

1:03:23.240 --> 1:03:24.840
<v Speaker 1>then I was Then one day he was like, yo,

1:03:24.960 --> 1:03:28.640
<v Speaker 1>well what about nas And I was like, fuck, yeah,

1:03:29.880 --> 1:03:36.320
<v Speaker 1>bring him. I'm thinking where, bring him to me at

1:03:36.320 --> 1:03:41.000
<v Speaker 1>Atlantic Records. But I'm thinking, Okay, your album's done. That

1:03:41.120 --> 1:03:44.760
<v Speaker 1>means his album must be done because Ox album was

1:03:44.920 --> 1:03:47.840
<v Speaker 1>done when they was shopping him like Lodge was he was.

1:03:48.160 --> 1:03:50.880
<v Speaker 1>I think Lodge might have been like probably way ahead

1:03:50.880 --> 1:03:53.440
<v Speaker 1>of his time because he finished albums before he was

1:03:53.520 --> 1:03:56.439
<v Speaker 1>like shopping him ship. So he finished. He finished Ox

1:03:56.520 --> 1:03:58.840
<v Speaker 1>album before he was shocking it shopping it. So like

1:03:58.960 --> 1:04:01.000
<v Speaker 1>the bidding warter that I'm in his fourth whole album,

1:04:01.640 --> 1:04:05.720
<v Speaker 1>I've lost professor joints like the Oxhole album and I

1:04:05.880 --> 1:04:10.120
<v Speaker 1>was like this, what the fund is happening? Yeah he did.

1:04:10.200 --> 1:04:12.520
<v Speaker 1>I think he did everything on there. He did just

1:04:12.680 --> 1:04:14.680
<v Speaker 1>about everything on that. I think Rob Swift might have

1:04:14.760 --> 1:04:16.920
<v Speaker 1>done a record no somebody else might have did one record,

1:04:17.320 --> 1:04:20.400
<v Speaker 1>but it was it was here's this album, what you're

1:04:20.400 --> 1:04:22.560
<v Speaker 1>gonna do? And I was like, funk. I wanted Plus

1:04:22.640 --> 1:04:25.280
<v Speaker 1>I wasn't my man, so I definitely wanted to sign it.

1:04:26.080 --> 1:04:28.040
<v Speaker 1>So been and what happened. I lost the bidding war.

1:04:28.120 --> 1:04:30.960
<v Speaker 1>But then I mean, like, because he's my man. He

1:04:31.120 --> 1:04:33.320
<v Speaker 1>was like kind of trying to smooth it over. He

1:04:33.400 --> 1:04:35.640
<v Speaker 1>was like, yo, but what about Nas? And I was

1:04:35.720 --> 1:04:39.920
<v Speaker 1>like nas niggas telling me, no, no, you don't have

1:04:40.000 --> 1:04:43.160
<v Speaker 1>to remind me. He put it up. He was like

1:04:43.240 --> 1:04:45.440
<v Speaker 1>got on, yeah, because he got wrong. But I'm telling you,

1:04:45.560 --> 1:04:48.000
<v Speaker 1>like this is a week after he got on. So

1:04:48.120 --> 1:04:56.680
<v Speaker 1>he's like, yo, but what about nigga? Man? I want

1:04:56.680 --> 1:04:59.480
<v Speaker 1>to give you some clarity of things, all right, Like

1:04:59.720 --> 1:05:02.480
<v Speaker 1>I know since he was a young boy and his

1:05:02.600 --> 1:05:04.920
<v Speaker 1>brother Yadi, I like, I know his whole fantasy. He

1:05:05.040 --> 1:05:13.240
<v Speaker 1>was at a racist. At the reason I know him

1:05:13.360 --> 1:05:15.320
<v Speaker 1>is because of how much I used to be in

1:05:16.120 --> 1:05:21.840
<v Speaker 1>Left Right and I knew Poppy when he was not

1:05:22.280 --> 1:05:27.840
<v Speaker 1>make So when I'm telling you I wrote that ship

1:05:27.960 --> 1:05:30.480
<v Speaker 1>on Twitter, was like, yo, nigger, I know you Poppy.

1:05:30.600 --> 1:05:36.919
<v Speaker 1>He was like, can't forget it? So trust me, was like, yeah,

1:05:37.480 --> 1:05:40.720
<v Speaker 1>we don't need that. You want me to more, you know,

1:05:41.040 --> 1:05:47.640
<v Speaker 1>want Paris style. You gotta do it like that. Liked

1:05:47.920 --> 1:05:50.400
<v Speaker 1>because you know why this hasn't changed the bottle temperature

1:05:54.520 --> 1:05:56.720
<v Speaker 1>if I hold it like this, Look my hand is

1:05:56.760 --> 1:05:58.920
<v Speaker 1>all cold, My hand is all hot. You don't know

1:05:58.960 --> 1:06:00.919
<v Speaker 1>if I jerked off for you know what I'm saying,

1:06:01.400 --> 1:06:04.760
<v Speaker 1>what are you doing? Like, yeah, we get a new bottom.

1:06:06.040 --> 1:06:09.920
<v Speaker 1>My bottom got violated in your mind, right, see what

1:06:09.920 --> 1:06:13.760
<v Speaker 1>I'm saying. Okay, okay, so I'm gonna go back. He's like, Yo,

1:06:13.840 --> 1:06:16.200
<v Speaker 1>what about nods though, I'm gonna bring nods through? And

1:06:16.280 --> 1:06:19.960
<v Speaker 1>I was like absolutely, So he brings them. We're sitting down.

1:06:20.040 --> 1:06:23.720
<v Speaker 1>We had Atlantic Records and I go let me hear it,

1:06:23.880 --> 1:06:26.840
<v Speaker 1>and he goes hear what? And I was like, Yo,

1:06:27.320 --> 1:06:29.960
<v Speaker 1>give me the demo on this and he was like,

1:06:30.480 --> 1:06:32.400
<v Speaker 1>I don't hand no demo clock, he ain't got no

1:06:32.600 --> 1:06:38.200
<v Speaker 1>songs right now. And I'm just like I couldn't sign.

1:06:38.400 --> 1:06:40.040
<v Speaker 1>But the reason why you need a demo because you

1:06:40.080 --> 1:06:41.520
<v Speaker 1>needed to bring it. You had to bring it. I

1:06:41.600 --> 1:06:43.360
<v Speaker 1>was there, had to bring it to my boss, and

1:06:43.480 --> 1:06:46.080
<v Speaker 1>my boss had to hear why. I was saying. He's

1:06:46.120 --> 1:06:49.440
<v Speaker 1>the guy to sign, not not even one record. Understand me. No,

1:06:49.600 --> 1:06:50.920
<v Speaker 1>he had a lot of the barbeque and I was

1:06:50.960 --> 1:06:55.800
<v Speaker 1>trying to convince somebody off of one record, So like

1:06:55.920 --> 1:06:58.320
<v Speaker 1>you have to understand, like beforehand, like I was going,

1:06:59.080 --> 1:07:02.440
<v Speaker 1>it's to nots this dude Canelli and all of these

1:07:02.520 --> 1:07:04.600
<v Speaker 1>dudes who are around. I was talking to my boss

1:07:04.640 --> 1:07:06.919
<v Speaker 1>a body. But then when I was like, he's gonna

1:07:06.920 --> 1:07:10.439
<v Speaker 1>bring nast office, I was like, y'all Nas is coming,

1:07:10.760 --> 1:07:12.680
<v Speaker 1>and she was like, well, tell me what it is

1:07:12.760 --> 1:07:14.880
<v Speaker 1>when you hear it, because I kept saying like this

1:07:14.960 --> 1:07:18.040
<v Speaker 1>and it's crazy. He said he's gonna snuff Jesus. You know,

1:07:18.200 --> 1:07:22.720
<v Speaker 1>anybody stuff Jesus wild. He's wild. I'm with a dude

1:07:22.720 --> 1:07:25.800
<v Speaker 1>who's gonna snuff Jesus, even though it sounds a little wild,

1:07:25.840 --> 1:07:28.560
<v Speaker 1>because like I believe in God and I'm just saying

1:07:28.920 --> 1:07:35.760
<v Speaker 1>but musically exactly, artistically crazy. So when he's sitting there,

1:07:36.080 --> 1:07:38.920
<v Speaker 1>he doesn't have a demo, and I was, I turned

1:07:39.240 --> 1:07:41.480
<v Speaker 1>and the thing is like Nas is dumb young at

1:07:41.520 --> 1:07:44.320
<v Speaker 1>this time. So I'm talking to and I'm like, I

1:07:45.680 --> 1:07:48.280
<v Speaker 1>can't sign an artist with out of demo because I

1:07:48.480 --> 1:07:50.880
<v Speaker 1>wasn't a vice president at that point. I wasn't even

1:07:50.920 --> 1:07:53.840
<v Speaker 1>a director. I was a manager of being a like.

1:07:53.920 --> 1:07:56.800
<v Speaker 1>I was way low down the pole totem vol at

1:07:56.800 --> 1:07:59.720
<v Speaker 1>that presents moment. But I was like two like when

1:07:59.800 --> 1:08:02.000
<v Speaker 1>we I said, we just signed Dost Effects. They had

1:08:02.040 --> 1:08:04.760
<v Speaker 1>a whole album, Like I said, Parris Smith brought me

1:08:04.840 --> 1:08:09.640
<v Speaker 1>a whole album. So he was like, okay, I was

1:08:09.680 --> 1:08:14.640
<v Speaker 1>part of that. Understand me though, So every everything goes

1:08:14.720 --> 1:08:17.920
<v Speaker 1>away and I don't get to sign him, and he

1:08:18.000 --> 1:08:22.519
<v Speaker 1>started he made Searching whatever happens right later on Naz

1:08:22.640 --> 1:08:24.880
<v Speaker 1>makes a record, I understand me. I had to talk

1:08:24.920 --> 1:08:27.040
<v Speaker 1>to him about this ship because it was hilarious to me.

1:08:27.520 --> 1:08:28.920
<v Speaker 1>He was like, he made the record and was like,

1:08:29.000 --> 1:08:31.240
<v Speaker 1>NAS wouldn't sign because he just signed Dost Effects. And

1:08:31.280 --> 1:08:36.240
<v Speaker 1>I was like, what are you talking? He said that

1:08:36.360 --> 1:08:38.960
<v Speaker 1>in a record. He said Clark wouldn't sign me because

1:08:38.960 --> 1:08:41.880
<v Speaker 1>he signed Dost Effects, And I was like, wait a minute, wait, wait,

1:08:41.880 --> 1:08:45.400
<v Speaker 1>wait wait wait. I was like that, No, it's a record.

1:08:45.520 --> 1:08:47.439
<v Speaker 1>It's on one of his albums. I don't don't get

1:08:47.439 --> 1:08:49.479
<v Speaker 1>me wrong, I don't remember what it was, but what

1:08:49.600 --> 1:08:52.360
<v Speaker 1>I'm saying is he said, you know what's crazy. You

1:08:52.479 --> 1:08:55.240
<v Speaker 1>know why I know they said it because no one

1:08:55.400 --> 1:08:58.720
<v Speaker 1>listens to wrap closer than me. So when somebody makes

1:08:58.760 --> 1:09:01.240
<v Speaker 1>an album, I listened to we Bar because I want

1:09:01.280 --> 1:09:05.200
<v Speaker 1>to know who's nice. I want to start differentiating motherfucker's

1:09:05.200 --> 1:09:08.400
<v Speaker 1>real quick. Like So like I said, he said that,

1:09:08.840 --> 1:09:11.000
<v Speaker 1>and I was like, Yo, look, I swear to god

1:09:11.040 --> 1:09:13.120
<v Speaker 1>I heard that ship in like three seconds later. I

1:09:13.240 --> 1:09:14.760
<v Speaker 1>was on the phone without I was like, yo, I

1:09:14.840 --> 1:09:17.320
<v Speaker 1>remember you. But to the to the office, he was like, yeah,

1:09:17.400 --> 1:09:19.559
<v Speaker 1>Clark White, fuck you asking me that. I said, remember

1:09:19.640 --> 1:09:22.040
<v Speaker 1>when he's when I couldn't sign him. He was like

1:09:22.080 --> 1:09:23.920
<v Speaker 1>you my mom couldn't. He was like, yeah, yeah, I

1:09:24.000 --> 1:09:27.280
<v Speaker 1>know demo. I was like, okay, I think you need

1:09:27.360 --> 1:09:30.240
<v Speaker 1>to tell him what you're talking about. I said, Nick

1:09:30.360 --> 1:09:32.799
<v Speaker 1>just said I didn't sign him because I signed DOS Effects.

1:09:33.200 --> 1:09:36.240
<v Speaker 1>I said, what kind of fucking answer is that? Like,

1:09:36.600 --> 1:09:40.479
<v Speaker 1>like who says now I'm not gonna sign you nas

1:09:41.160 --> 1:09:43.320
<v Speaker 1>because I signed Dos Effects. Because that's probably how he

1:09:43.400 --> 1:09:46.160
<v Speaker 1>looked at it though, and all on all fairness, with

1:09:46.280 --> 1:09:51.320
<v Speaker 1>all due respect, because it's two I said, I need

1:09:51.439 --> 1:09:56.720
<v Speaker 1>a demo to sign you. That's why I didn't sign you.

1:09:56.840 --> 1:09:59.599
<v Speaker 1>So I saw him at Revote last year. We vote.

1:09:59.760 --> 1:10:01.280
<v Speaker 1>We was on the vote together and he was like

1:10:01.400 --> 1:10:03.360
<v Speaker 1>called my nigga. It was like, my nigga, come in

1:10:03.400 --> 1:10:07.080
<v Speaker 1>for a second. It might seem a little petty, but

1:10:07.360 --> 1:10:16.160
<v Speaker 1>he's my nigga, So petty, listen, listen, listen, you're the

1:10:16.200 --> 1:10:22.479
<v Speaker 1>gentleman manager, Petty. My ship is is that I'm not petty.

1:10:22.560 --> 1:10:25.439
<v Speaker 1>It's just that I wanted petty. I think I wanted

1:10:25.479 --> 1:10:27.519
<v Speaker 1>him to be clear because it funked with me for

1:10:27.680 --> 1:10:29.920
<v Speaker 1>all these years that he thought something so crazy. And

1:10:30.000 --> 1:10:32.360
<v Speaker 1>I pulled him over with me him. I was like,

1:10:33.200 --> 1:10:34.920
<v Speaker 1>maybe you came to my studio. He's like, I mean

1:10:35.040 --> 1:10:37.479
<v Speaker 1>came to my office and he was what he was like, yeah,

1:10:37.880 --> 1:10:40.840
<v Speaker 1>I said remember when when I couldn't sign you. He's

1:10:40.880 --> 1:10:43.000
<v Speaker 1>like yeah, I said, do you remember why? He said

1:10:43.000 --> 1:10:44.800
<v Speaker 1>I think it was like like, I think it was

1:10:44.880 --> 1:10:46.880
<v Speaker 1>something with that. I said, no, remember you didn't have

1:10:46.960 --> 1:10:48.960
<v Speaker 1>a demo and he was like this as the rhyme

1:10:49.080 --> 1:10:55.680
<v Speaker 1>came out, Yeah, this is lashes No. Twenty years later,

1:10:56.120 --> 1:10:58.639
<v Speaker 1>on the Bad Boy Vote Cruise that I was DJing

1:10:58.720 --> 1:11:01.040
<v Speaker 1>on and I've seen him. It was me and Andrea.

1:11:01.080 --> 1:11:02.599
<v Speaker 1>I swear to god, I pulled him to the side.

1:11:02.640 --> 1:11:04.760
<v Speaker 1>I'm like, yeah, Andre, you could listen to like I

1:11:04.800 --> 1:11:07.160
<v Speaker 1>didn't give a funk. I was like, you remember that.

1:11:07.880 --> 1:11:11.040
<v Speaker 1>He was like yeah. He was like yeah, I can't.

1:11:11.040 --> 1:11:13.320
<v Speaker 1>You know. I brought me there and I was like yeah,

1:11:13.520 --> 1:11:16.200
<v Speaker 1>and I said, remember I was trying to sign you

1:11:16.280 --> 1:11:18.080
<v Speaker 1>and he was like yeah. He was like, I said,

1:11:18.080 --> 1:11:19.960
<v Speaker 1>do you remember why didn't sign He was like yeah,

1:11:20.000 --> 1:11:22.240
<v Speaker 1>I think it was you know, over the sun with

1:11:22.320 --> 1:11:25.280
<v Speaker 1>that's it. I said, no, remember, I said I can't

1:11:25.320 --> 1:11:27.560
<v Speaker 1>sign anybody without a demo. He was like, yeah, I

1:11:27.560 --> 1:11:31.000
<v Speaker 1>didn't have no demo. I was like, that's why you

1:11:31.040 --> 1:11:33.759
<v Speaker 1>didn't get signed and said, dog, you made a record,

1:11:33.880 --> 1:11:37.800
<v Speaker 1>saying I didn't. He was like, damn, man, I don't know, man,

1:11:38.439 --> 1:11:42.760
<v Speaker 1>I just didn't remember it. Right. Andre Herrell is standing

1:11:42.800 --> 1:11:46.479
<v Speaker 1>in there going you know, Andre, of course I was

1:11:46.479 --> 1:11:50.360
<v Speaker 1>gonna sign nice. I was like, yeah, who the funk sign?

1:11:50.960 --> 1:11:53.439
<v Speaker 1>He was like, nobody was gonna sign up. I was like,

1:11:53.479 --> 1:11:55.960
<v Speaker 1>this is the nicest nigger around at that point, I'm

1:11:56.040 --> 1:11:58.280
<v Speaker 1>trying to sign now listening to the ball. Yeah, I

1:11:58.360 --> 1:12:00.360
<v Speaker 1>was listening to the bars and I was trying to

1:12:00.439 --> 1:12:07.400
<v Speaker 1>sign us like before everybody, like before anybody heard a song.

1:12:08.400 --> 1:12:11.719
<v Speaker 1>Half time, No, you understand me? He got with search

1:12:11.920 --> 1:12:14.400
<v Speaker 1>later in me back to the group I'm talking. Before

1:12:14.960 --> 1:12:17.200
<v Speaker 1>as soon as he said snuffing Jesus, I was like,

1:12:17.320 --> 1:12:23.680
<v Speaker 1>I'm in, I'm in. I like this guy. Let's malake

1:12:23.720 --> 1:12:40.519
<v Speaker 1>some noise for that. Welcome to play, a new podcast

1:12:40.640 --> 1:12:45.559
<v Speaker 1>network featuring radio and TV personalities talking business, sports, tech, entertainment,

1:12:45.680 --> 1:12:50.240
<v Speaker 1>and more. Play it at play dot it. We're back

1:12:50.360 --> 1:12:54.480
<v Speaker 1>to drink Champs Radio with Rapper and R and d jes.

1:12:54.560 --> 1:12:58.479
<v Speaker 1>Then I feel like we just take a little shot.

1:12:58.520 --> 1:13:00.599
<v Speaker 1>I don't know if people are you know what, though,

1:13:01.400 --> 1:13:04.120
<v Speaker 1>this adds to a matter of fact, I'm not even

1:13:04.120 --> 1:13:06.280
<v Speaker 1>gonna say that because I have a feeling you're gonna

1:13:06.320 --> 1:13:09.479
<v Speaker 1>go there. No, no, Claude, listen, let me just tell

1:13:09.479 --> 1:13:12.519
<v Speaker 1>you something I gotta take about now. Let me just

1:13:12.560 --> 1:13:18.400
<v Speaker 1>tell you something, clo. So you're not getting drunk you

1:13:18.439 --> 1:13:20.760
<v Speaker 1>want to go. I don't make it the club to that.

1:13:20.840 --> 1:13:22.800
<v Speaker 1>It ain't my fault. It's it's just it's only for

1:13:22.880 --> 1:13:25.800
<v Speaker 1>looks to take about. You know what happened about right now? Yeah?

1:13:26.600 --> 1:13:29.040
<v Speaker 1>How to stop? Ye, how to stop? But but we

1:13:29.120 --> 1:13:33.200
<v Speaker 1>gotta leave it there for for cultural purposes only. It's

1:13:33.240 --> 1:13:37.719
<v Speaker 1>just the cultural purpose, autistic cultural purposes. Next question, So, Clawe,

1:13:39.760 --> 1:13:43.680
<v Speaker 1>you've done everything I want to be close. You sent

1:13:43.760 --> 1:13:47.479
<v Speaker 1>out the other day and you said Rick Ross album

1:13:49.160 --> 1:13:54.719
<v Speaker 1>it's crazy, and I got a one hundred percent agree

1:13:54.800 --> 1:13:59.920
<v Speaker 1>with you. But if you have the one hundred percent agreement,

1:14:00.080 --> 1:14:02.960
<v Speaker 1>why is there but because no, there's no I want

1:14:03.000 --> 1:14:08.120
<v Speaker 1>to say. I want to say, he's this error's version

1:14:08.160 --> 1:14:10.519
<v Speaker 1>of Biggie or is now I'm not just no, he's

1:14:10.560 --> 1:14:13.360
<v Speaker 1>this's version of Rick Ross. No one's ever gonna be

1:14:13.600 --> 1:14:16.920
<v Speaker 1>any era of Biggie. But what I mean by nothing

1:14:17.000 --> 1:14:19.120
<v Speaker 1>you can say that's gonna fix that. There's nothing you

1:14:19.240 --> 1:14:21.719
<v Speaker 1>say that's him. Listen, if you say Cadence and flow,

1:14:21.880 --> 1:14:26.960
<v Speaker 1>then that's Rick Ross. You know. If you say bars,

1:14:27.439 --> 1:14:31.479
<v Speaker 1>then you're talking about Biggie. So you don't think he's

1:14:31.800 --> 1:14:34.200
<v Speaker 1>We're done. I explained it. Just now you're gonna ask me,

1:14:34.439 --> 1:14:36.720
<v Speaker 1>don't do that, don't do that, don't do that, don't

1:14:36.760 --> 1:14:40.519
<v Speaker 1>do that, don't do that, don't do that. We don't

1:14:40.560 --> 1:14:48.400
<v Speaker 1>do that, man, Relax, relax. But his album's hardest, This

1:14:48.479 --> 1:14:55.879
<v Speaker 1>album's fire, fire, fire, This is, without a doubt, no question,

1:14:56.479 --> 1:14:59.800
<v Speaker 1>the best body of work he's ever done. Okay, now

1:15:00.000 --> 1:15:03.120
<v Speaker 1>and throw you all a hurt boy? Did you listen

1:15:03.160 --> 1:15:07.519
<v Speaker 1>to More Life? Absolutely? I feel like, that's his best

1:15:07.600 --> 1:15:14.760
<v Speaker 1>body of work we had. That's Drake's best ever. If

1:15:15.400 --> 1:15:18.600
<v Speaker 1>you take the singing records off of that album, that

1:15:18.840 --> 1:15:22.120
<v Speaker 1>ship super hip hop. No, that Ship is a five

1:15:22.520 --> 1:15:25.280
<v Speaker 1>mic album right there. Hold on, I want to, I

1:15:25.320 --> 1:15:27.360
<v Speaker 1>want to. I want to visualize because it's I'm an

1:15:27.360 --> 1:15:31.160
<v Speaker 1>honest nigga's twenty tracks on there. Correct you're saying. I

1:15:31.240 --> 1:15:33.320
<v Speaker 1>want to be clear what you're saying, because you're a

1:15:33.400 --> 1:15:36.080
<v Speaker 1>hip hop god. So you're saying to me, there's two

1:15:36.240 --> 1:15:39.760
<v Speaker 1>good singing records. I'm a diva beat and the love

1:15:39.800 --> 1:15:42.080
<v Speaker 1>all the singers in my mind every time I listen

1:15:42.120 --> 1:15:47.040
<v Speaker 1>to it, I'm on Molly, this is the crazy you

1:15:47.080 --> 1:15:49.519
<v Speaker 1>want music Sometimes maybe feel like I'm on drugs. I

1:15:50.320 --> 1:15:53.320
<v Speaker 1>want but I like, no, listen, listen. I would like

1:15:53.400 --> 1:15:56.720
<v Speaker 1>some ship and and this is really nig ship. When

1:15:56.720 --> 1:16:00.280
<v Speaker 1>I listened to Drake's albums, Drake's music period, I don't

1:16:00.439 --> 1:16:02.680
<v Speaker 1>listen to him like he's a rapper. I listened to

1:16:02.760 --> 1:16:04.920
<v Speaker 1>him like he's an artist. And if I can listen

1:16:04.960 --> 1:16:08.639
<v Speaker 1>to him like he's an artist, I can take take everything.

1:16:08.960 --> 1:16:13.920
<v Speaker 1>But if you're gonna ask you, if you're gonna ask

1:16:14.040 --> 1:16:18.880
<v Speaker 1>me that album, if the ship is that's his best

1:16:18.960 --> 1:16:21.719
<v Speaker 1>body of work. Yes, but if you take the singing

1:16:21.800 --> 1:16:24.479
<v Speaker 1>records over that ship, that's just like that's a five

1:16:24.600 --> 1:16:27.760
<v Speaker 1>mic album. You're saying. I don't know. What I'm saying

1:16:27.840 --> 1:16:32.720
<v Speaker 1>is the ship is amazing. It's amazing, yo, And like

1:16:33.160 --> 1:16:35.479
<v Speaker 1>other than you, you want to know what's crazy. It's

1:16:35.520 --> 1:16:37.679
<v Speaker 1>not even about the fact that he could spit. It's

1:16:37.680 --> 1:16:41.560
<v Speaker 1>about that the records are like a fucking girl like

1:16:41.640 --> 1:16:44.400
<v Speaker 1>he made dope records. You know what I'm saying. It's

1:16:44.439 --> 1:16:47.080
<v Speaker 1>just that some of them singing records. I'm just like, dude,

1:16:47.680 --> 1:16:52.320
<v Speaker 1>he's so nice. Give them ships away. So you're saying, no, no, no,

1:16:52.560 --> 1:16:54.639
<v Speaker 1>Understand what I'm saying. When I say and I say

1:16:54.640 --> 1:16:56.360
<v Speaker 1>give him away, its like give him to a little artist,

1:16:56.680 --> 1:16:59.400
<v Speaker 1>Give those singing joints to somebody else. Give a fucking

1:16:59.520 --> 1:17:03.840
<v Speaker 1>whole album. No no, no, no no now now as

1:17:04.360 --> 1:17:08.360
<v Speaker 1>as a hip hop killer artists album and as an album,

1:17:08.520 --> 1:17:12.400
<v Speaker 1>I do actually would like to see a whole rapping

1:17:12.520 --> 1:17:16.200
<v Speaker 1>drink because because I don't know if you heard that

1:17:16.360 --> 1:17:20.519
<v Speaker 1>join free smoke, Free Smoke, Free Smoke, that ship reminds

1:17:20.560 --> 1:17:23.920
<v Speaker 1>me of a Havoc beat and and and that moment

1:17:24.280 --> 1:17:27.000
<v Speaker 1>when I heard that. I said, you know what, he's

1:17:27.040 --> 1:17:30.600
<v Speaker 1>actually tapping into the era of the nineties, so I

1:17:30.640 --> 1:17:33.200
<v Speaker 1>can float. But I'm giving him a new flow. That

1:17:33.280 --> 1:17:36.880
<v Speaker 1>was a Havoc beat. People don't really respect that dude

1:17:36.920 --> 1:17:39.200
<v Speaker 1>the right way. You know why, because it's a lot

1:17:39.360 --> 1:17:41.680
<v Speaker 1>of factors when you look at them. But if you

1:17:41.800 --> 1:17:44.200
<v Speaker 1>took away all the factors and just looked at the music,

1:17:44.880 --> 1:17:50.679
<v Speaker 1>that dude is wild. But when you're talking about albums

1:17:50.880 --> 1:17:52.640
<v Speaker 1>I look at I want to look at him as

1:17:52.680 --> 1:17:55.439
<v Speaker 1>a rapper because I heard him rapping. Like his first

1:17:55.520 --> 1:17:57.479
<v Speaker 1>record was a song with trade songs. That ship went

1:17:57.520 --> 1:18:01.040
<v Speaker 1>to Damn number three or four to say as fall, Yeah,

1:18:01.080 --> 1:18:03.600
<v Speaker 1>the ship that was on I just wanted to be No,

1:18:04.000 --> 1:18:06.519
<v Speaker 1>that's not his first record. This first record was a

1:18:06.560 --> 1:18:09.000
<v Speaker 1>record that was on the top ten on Fucking Um,

1:18:09.600 --> 1:18:12.479
<v Speaker 1>on BT one of six and Park. It was wild

1:18:12.560 --> 1:18:15.519
<v Speaker 1>before he signed with Wayne, he had a good record

1:18:15.600 --> 1:18:17.519
<v Speaker 1>out and it was with trade songs, like he knows

1:18:17.520 --> 1:18:20.920
<v Speaker 1>trade songs for a long time. You understand me. Listen

1:18:20.960 --> 1:18:23.320
<v Speaker 1>to what I'm telling you. Listen, Niggers do not listen

1:18:23.640 --> 1:18:26.000
<v Speaker 1>to the bars. I listened to the bars, and I

1:18:26.120 --> 1:18:28.800
<v Speaker 1>traveled the world, so I saw him before he signed

1:18:28.840 --> 1:18:31.000
<v Speaker 1>with Wayne and he had to regor out with trade

1:18:31.040 --> 1:18:34.000
<v Speaker 1>songs and ship was on BT. I can't remember the ship.

1:18:34.200 --> 1:18:36.519
<v Speaker 1>Can't ask me what it is right now, especially after

1:18:36.560 --> 1:18:48.160
<v Speaker 1>four shots even four. I feel like you said respect

1:18:50.320 --> 1:18:52.840
<v Speaker 1>the end of guard and you said full Come on,

1:18:52.920 --> 1:18:58.800
<v Speaker 1>pat that the end of guarding. You said f and

1:18:58.880 --> 1:19:00.640
<v Speaker 1>then we're gonna I don't don't want to go down

1:19:00.680 --> 1:19:04.720
<v Speaker 1>with you will come on? Yeah, I gotta salute you.

1:19:05.280 --> 1:19:08.840
<v Speaker 1>One year anniversary. And what we're doing is very disrespect

1:19:08.920 --> 1:19:14.240
<v Speaker 1>ways of coach. Why I mean, what we're doing drinking

1:19:14.520 --> 1:19:20.800
<v Speaker 1>no later in life. We all we are closing something

1:19:20.960 --> 1:19:27.160
<v Speaker 1>very we could for the podcast culture. Oh God, pressure

1:19:27.200 --> 1:19:30.560
<v Speaker 1>on me, putting pressure on me, and we are celebrating

1:19:30.560 --> 1:19:42.960
<v Speaker 1>clock Camp, holy ship that everybody got over locks. We

1:19:43.080 --> 1:19:46.000
<v Speaker 1>have has matched studios. Let's not forget that. Yeah you

1:19:46.080 --> 1:19:50.559
<v Speaker 1>have Um the dude from the Bronum Nothing wrong Patriots.

1:19:52.520 --> 1:19:54.360
<v Speaker 1>Yeah he's in town this weekend. Yeah he had him.

1:19:56.720 --> 1:19:59.360
<v Speaker 1>Did you did you? Did you? Did you interview? No? No,

1:19:59.520 --> 1:20:02.479
<v Speaker 1>we can't yo. You know why. I'm gonna be honest. Yeah,

1:20:03.000 --> 1:20:05.280
<v Speaker 1>you know he cared for the whole weekend. I'm gonna

1:20:05.280 --> 1:20:10.280
<v Speaker 1>be honest with you. There's real fashion. I know what

1:20:10.400 --> 1:20:12.880
<v Speaker 1>I do when I get a person here, right, you

1:20:12.880 --> 1:20:14.720
<v Speaker 1>don't know about him, so you can't really get to it. No,

1:20:14.920 --> 1:20:18.639
<v Speaker 1>I know all about him, but I'll get your kicked

1:20:19.120 --> 1:20:22.439
<v Speaker 1>out of the league. Okay, cool, because if I get

1:20:22.479 --> 1:20:24.360
<v Speaker 1>your too far, you're gonna get me kicked out. And

1:20:24.439 --> 1:20:26.280
<v Speaker 1>I started start. You gotta get me kicked out of

1:20:26.360 --> 1:20:28.720
<v Speaker 1>hip hop? No, you could never never happened. Man, what

1:20:28.720 --> 1:20:30.679
<v Speaker 1>I'm saying, if you can get grunt kicked out the league,

1:20:30.680 --> 1:20:33.920
<v Speaker 1>you might. I just feel like, I just feel like,

1:20:34.400 --> 1:20:37.000
<v Speaker 1>you know, we might spice up his drink boom, give

1:20:37.080 --> 1:20:39.160
<v Speaker 1>him a molly in there. And there's too many regular

1:20:39.520 --> 1:20:45.320
<v Speaker 1>just might smart st I'm gonna be honest with how

1:20:45.400 --> 1:20:49.320
<v Speaker 1>many listen. You don't know how many athletes hit me.

1:20:49.400 --> 1:20:51.120
<v Speaker 1>And was like, yo, I want to come on there

1:20:51.160 --> 1:20:53.559
<v Speaker 1>slam And I was like, why are you in the Joe?

1:20:53.880 --> 1:20:57.320
<v Speaker 1>You gotta relax when you get out, holla when you

1:20:57.439 --> 1:21:01.120
<v Speaker 1>get cut when you's a couple of dudes that hip mean,

1:21:01.200 --> 1:21:04.720
<v Speaker 1>that's out the league. And I told him relaxed. And

1:21:05.280 --> 1:21:08.479
<v Speaker 1>they on ESPN now and they on all that because

1:21:08.520 --> 1:21:10.560
<v Speaker 1>if they would have hit drink Champs, I would have

1:21:10.640 --> 1:21:12.360
<v Speaker 1>gave him that y'all got the main gonna buy a

1:21:12.479 --> 1:21:15.760
<v Speaker 1>pink bomb, And they would have been like, y'all, can

1:21:15.880 --> 1:21:23.559
<v Speaker 1>let say say about by, Like yeah, y'all, let's make

1:21:23.640 --> 1:21:25.880
<v Speaker 1>some noise. You mean, they're not making sense of making

1:21:25.960 --> 1:21:32.559
<v Speaker 1>perfect senience. We got open at the bottle of champagne

1:21:32.840 --> 1:21:36.800
<v Speaker 1>and we're celebrating, celebrating Clark Kent Man now Clark k

1:21:37.160 --> 1:21:40.600
<v Speaker 1>dj A over the world. You got um who you

1:21:40.680 --> 1:21:43.080
<v Speaker 1>got deals with Japanese people and all that type of ship.

1:21:44.600 --> 1:21:47.720
<v Speaker 1>What is your favorite place to teach you at? When

1:21:47.760 --> 1:21:52.720
<v Speaker 1>you go there, you're just like, this is me. You

1:21:52.840 --> 1:21:55.960
<v Speaker 1>gotta make sure you get to shape ups in the morning,

1:21:56.120 --> 1:22:03.479
<v Speaker 1>and this is this is your spot? What's that swop um?

1:22:04.280 --> 1:22:08.439
<v Speaker 1>Probably Japan? I knew it was Japan. Probably Japan Japan

1:22:09.600 --> 1:22:14.040
<v Speaker 1>Cup like like I really actually I really actually like

1:22:14.600 --> 1:22:19.360
<v Speaker 1>deejaying here a lot Miami. Yeah. When people all molly

1:22:20.840 --> 1:22:25.800
<v Speaker 1>well this weekend, this weekend might not be a good representation.

1:22:26.840 --> 1:22:31.760
<v Speaker 1>Don't you dare disrespect my molly people people that this

1:22:31.840 --> 1:22:35.960
<v Speaker 1>is my old dress. You better let you right now.

1:22:36.560 --> 1:22:39.840
<v Speaker 1>I see you on snapchat. You were killing that ship.

1:22:39.960 --> 1:22:42.560
<v Speaker 1>That's like with the bottle of champagne. I don't know

1:22:42.640 --> 1:22:45.599
<v Speaker 1>if they put Molly in your ship but a little bit.

1:22:45.640 --> 1:22:48.400
<v Speaker 1>I felt like what you're of the operative word at

1:22:48.439 --> 1:22:52.000
<v Speaker 1>the beginning of what you said, you were killing ship.

1:22:52.760 --> 1:22:55.519
<v Speaker 1>That's what you said. King talk had me dancing last night.

1:22:55.840 --> 1:22:58.720
<v Speaker 1>I see not to stepping dancing. I seed you dance. Damn,

1:22:59.040 --> 1:23:03.160
<v Speaker 1>it's a beautiful thing. I'll hit that week. It's not

1:23:03.280 --> 1:23:06.719
<v Speaker 1>gonna work, but ahead, let's talk about your DJ experience

1:23:06.840 --> 1:23:09.240
<v Speaker 1>last night. You know I was. I was just working.

1:23:09.400 --> 1:23:14.200
<v Speaker 1>Um uh. I don't know I approached d Jan. I

1:23:14.240 --> 1:23:16.600
<v Speaker 1>don't know if I approach it differently than much. I

1:23:16.680 --> 1:23:19.240
<v Speaker 1>mean many, but I do believe that I approach it

1:23:19.320 --> 1:23:23.200
<v Speaker 1>differently than a lot. I could be wrong. I don't

1:23:23.800 --> 1:23:27.280
<v Speaker 1>like Djan as much as I love music. So because

1:23:27.320 --> 1:23:30.320
<v Speaker 1>I love music more than I like Djan, I approached

1:23:30.360 --> 1:23:32.519
<v Speaker 1>the way that that Djane with a certain amount of care.

1:23:33.280 --> 1:23:37.040
<v Speaker 1>So you know that's why nine times out of ten

1:23:37.120 --> 1:23:40.559
<v Speaker 1>I end up sounding a lot more better. Now, I'm good.

1:23:41.760 --> 1:23:44.240
<v Speaker 1>I sounded good. We celebrate, Clark, I got, I can

1:23:44.280 --> 1:23:48.519
<v Speaker 1>celebrate with your Panama noriagas my family on the love.

1:23:50.840 --> 1:23:54.080
<v Speaker 1>At least I got it wouldn't bug you out of

1:23:54.560 --> 1:24:00.720
<v Speaker 1>Jack used to be a dude's house with Georgia with

1:24:00.920 --> 1:24:04.439
<v Speaker 1>Joys talking about it. I told you my mother was

1:24:05.000 --> 1:24:09.280
<v Speaker 1>she was in the government, right, so like when like

1:24:09.400 --> 1:24:11.840
<v Speaker 1>you have to understand, like I'm really Panamia, so we

1:24:12.040 --> 1:24:19.400
<v Speaker 1>really have my wife is my my my fuck My

1:24:19.520 --> 1:24:24.000
<v Speaker 1>mother was the Vice Council General of Panama. So like

1:24:24.439 --> 1:24:27.519
<v Speaker 1>fucking with Noriega, working with General Rio's that was ship

1:24:27.600 --> 1:24:29.719
<v Speaker 1>that we did all the time. So like they weren't.

1:24:30.320 --> 1:24:34.160
<v Speaker 1>That wasn't Manuel Noriega. To me, that was uncle Manny.

1:24:34.280 --> 1:24:41.599
<v Speaker 1>That was I'm talking about. No, No, I'm talking about

1:24:41.600 --> 1:24:43.640
<v Speaker 1>I'm talking about when I was a super kid, like

1:24:43.720 --> 1:24:46.400
<v Speaker 1>when I was like seven eight, like like she was

1:24:46.479 --> 1:24:50.160
<v Speaker 1>in government, so she dealt with him like that. I

1:24:50.240 --> 1:24:53.600
<v Speaker 1>got pictures. I posted pictures on on the internet, I

1:24:53.640 --> 1:24:57.599
<v Speaker 1>mean on on them on on Instagram with my mother

1:24:57.680 --> 1:25:06.479
<v Speaker 1>and he was locked up right down the street from

1:25:06.600 --> 1:25:17.400
<v Speaker 1>from Frifhood and Paris never so mayn yes, sir, God

1:25:17.680 --> 1:25:24.479
<v Speaker 1>damn man, it's little seeds, some man. Yes, you see

1:25:24.520 --> 1:25:27.240
<v Speaker 1>this other sneak of people out there? Yeah, who is

1:25:27.320 --> 1:25:30.639
<v Speaker 1>somebody You sat back and said, I gotta kill these

1:25:30.760 --> 1:25:34.840
<v Speaker 1>things because you because you're a wrapper. Because he was

1:25:34.880 --> 1:25:38.120
<v Speaker 1>not a rapper, because that's how rappers stays absolutely, but

1:25:38.320 --> 1:25:40.840
<v Speaker 1>you know what I'm saying, like, no, I mean your family.

1:25:40.920 --> 1:25:46.000
<v Speaker 1>So we're battle, your battle. I don't know what I'm

1:25:46.000 --> 1:25:48.280
<v Speaker 1>gonna keep it a thousand percent with you. And I

1:25:48.320 --> 1:25:49.800
<v Speaker 1>don't know if he's gonna mention. I don't know if

1:25:49.840 --> 1:25:53.600
<v Speaker 1>he's had enough drinks. He's not in competition with nobody

1:25:54.920 --> 1:25:58.200
<v Speaker 1>but me, I've been doing. You know what the fly

1:25:58.320 --> 1:26:01.640
<v Speaker 1>ship is, I'm gonnas so white kid that Jordan's sponsored,

1:26:02.160 --> 1:26:06.080
<v Speaker 1>um peple all this ship, the white Kid and he

1:26:06.320 --> 1:26:10.200
<v Speaker 1>opened up a museum. You ain't see Jordan Geller yell yeah, yeah,

1:26:10.439 --> 1:26:13.360
<v Speaker 1>explain that he sold all those he sold all them shoes,

1:26:13.400 --> 1:26:15.720
<v Speaker 1>and he sells shoes and he's not like that's a

1:26:15.800 --> 1:26:18.360
<v Speaker 1>collector because he doesn't wear everything. He'll buy something the

1:26:18.400 --> 1:26:20.320
<v Speaker 1>size now, the side twelve Soude Sports and just to

1:26:20.360 --> 1:26:22.400
<v Speaker 1>say he has it. And that's dope. I mean, he

1:26:22.400 --> 1:26:25.639
<v Speaker 1>got an ill collections difference. We're different. I don't wear

1:26:25.640 --> 1:26:27.080
<v Speaker 1>a Brando pair of sneakers every day, but I wear

1:26:27.160 --> 1:26:29.320
<v Speaker 1>Brandon I can wear I can't wear Brando pair of

1:26:29.320 --> 1:26:32.240
<v Speaker 1>sneakers every day for ten years, but I don't. I mean,

1:26:32.439 --> 1:26:34.040
<v Speaker 1>I'm not clocked. I don't wear him every day. I

1:26:34.120 --> 1:26:35.920
<v Speaker 1>wear Air Force three days in a row and then

1:26:35.960 --> 1:26:37.599
<v Speaker 1>I get rid of What about that kid, that fat

1:26:37.680 --> 1:26:41.400
<v Speaker 1>Joe brother, the kid from Dubai, is he no money kicks?

1:26:41.479 --> 1:26:49.160
<v Speaker 1>Not that one dirty I'm dirty kicks kicks. I'm just

1:26:49.240 --> 1:26:55.679
<v Speaker 1>saying one day Dubai got one day he'll buy my collection.

1:26:55.720 --> 1:26:58.560
<v Speaker 1>Shout the money kicks now. But my whole thing is

1:26:58.920 --> 1:27:00.640
<v Speaker 1>I've been doing this shift for so along and my

1:27:01.000 --> 1:27:02.519
<v Speaker 1>this is my this is my this is the old part.

1:27:02.600 --> 1:27:05.400
<v Speaker 1>So I'm not a rapper. I'm not an actor, I'm

1:27:05.439 --> 1:27:07.320
<v Speaker 1>not a celebrity. I'm not entertained. I'm not a DJ.

1:27:08.400 --> 1:27:10.640
<v Speaker 1>I am I am asked. No disrespect, brother, I love

1:27:10.680 --> 1:27:12.360
<v Speaker 1>you Cloud and stuff that. I've been doing this for

1:27:12.479 --> 1:27:15.280
<v Speaker 1>so long and I really became famous so for sneakers,

1:27:15.720 --> 1:27:18.200
<v Speaker 1>which is crazy because I'm not famous. I'm saying. So

1:27:18.439 --> 1:27:20.519
<v Speaker 1>it's no DJ, no rapper, no nothing. I'm just just

1:27:20.640 --> 1:27:22.800
<v Speaker 1>dude from the South Bronx. I've been around a hundred

1:27:22.840 --> 1:27:25.200
<v Speaker 1>years and been into the sneaking game for real. So

1:27:25.360 --> 1:27:28.800
<v Speaker 1>before social media, before October fourth, two thousand nine or

1:27:28.840 --> 1:27:31.519
<v Speaker 1>two thousand ten, never Instagram came out, I've been getting

1:27:31.560 --> 1:27:33.840
<v Speaker 1>shoes you know what I'm saying, Like I've been getting

1:27:34.760 --> 1:27:36.679
<v Speaker 1>no no nick he was telling me shoes way before

1:27:36.720 --> 1:27:39.000
<v Speaker 1>they wasn't in But how did that? How does that happen? Though?

1:27:39.200 --> 1:27:41.439
<v Speaker 1>So for me, So for me it's crazy, he goes,

1:27:41.640 --> 1:27:43.519
<v Speaker 1>So now it goes the whole hip hop element and

1:27:43.560 --> 1:27:45.760
<v Speaker 1>the whole thing. So I had club essos. But before that,

1:27:46.080 --> 1:27:48.559
<v Speaker 1>one of my best friends, I don't have. I three

1:27:48.560 --> 1:27:50.200
<v Speaker 1>best friends. Clawk is one of them, my man speedy

1:27:50.320 --> 1:27:52.519
<v Speaker 1>James Williams. He was in a Nike commercial where they

1:27:52.520 --> 1:27:54.559
<v Speaker 1>was doing the dribbling with Jason Williams and Rashee Wallace.

1:27:54.800 --> 1:27:57.439
<v Speaker 1>He's from Got the Body Jason Wale No no, no,

1:27:57.520 --> 1:28:00.320
<v Speaker 1>no no bodies, no no no, Jason witting that when

1:28:00.320 --> 1:28:05.240
<v Speaker 1>I shot a normal driving or that white chocolate, I

1:28:05.280 --> 1:28:11.640
<v Speaker 1>can relate with you understand, I understand everybody. So he

1:28:11.800 --> 1:28:13.360
<v Speaker 1>was in that commercial. So I got to meet the

1:28:13.600 --> 1:28:17.320
<v Speaker 1>guys like Jerry Rasma Razny, Jerry Rasmie. So you know

1:28:17.320 --> 1:28:18.920
<v Speaker 1>what I'm saying. So guys like that was taking care

1:28:18.920 --> 1:28:22.080
<v Speaker 1>of me before there was an internet. So like I

1:28:22.200 --> 1:28:25.679
<v Speaker 1>call him my brother. He was in Above the Grim

1:28:25.720 --> 1:28:28.599
<v Speaker 1>with Tupac, so I was on the set every day.

1:28:28.720 --> 1:28:30.200
<v Speaker 1>I was on the set for like eleven days in

1:28:30.240 --> 1:28:31.760
<v Speaker 1>a row with Park when they were shooting Above the

1:28:31.840 --> 1:28:33.720
<v Speaker 1>Rim and all that, just hanging out, bullshitting around and

1:28:34.080 --> 1:28:36.680
<v Speaker 1>rebox pretty much smaster that whole campaign. But my man

1:28:36.800 --> 1:28:39.439
<v Speaker 1>did this commercial with Nike, the Dribbling commercial, so I

1:28:39.520 --> 1:28:40.840
<v Speaker 1>was able to go up in the office and then

1:28:41.240 --> 1:28:43.160
<v Speaker 1>and and just build relationships and stuff like that. So

1:28:43.200 --> 1:28:44.680
<v Speaker 1>I was getting shoes for a while. He was just

1:28:44.760 --> 1:28:46.680
<v Speaker 1>White Air Forces and Black Air Forces. It was really

1:28:46.720 --> 1:28:49.280
<v Speaker 1>no special shoes like that, except for the Family Tree

1:28:49.280 --> 1:28:51.719
<v Speaker 1>Air Force when they want Rucker. But I mean, besides

1:28:51.760 --> 1:28:53.800
<v Speaker 1>stuff like that, it was just a whole bunch of ships.

1:28:53.800 --> 1:28:56.479
<v Speaker 1>I've been around that whole time, and you knew Sleepers

1:28:56.560 --> 1:28:58.400
<v Speaker 1>was gonna be not hitting it. I didn't. I just

1:28:58.520 --> 1:29:00.400
<v Speaker 1>love kicks, yea, I was. I was on around with

1:29:00.439 --> 1:29:02.560
<v Speaker 1>Clark for years when Clark was coming to club that

1:29:02.640 --> 1:29:04.720
<v Speaker 1>soos I didn't really know there was a sneaker thing

1:29:04.800 --> 1:29:06.840
<v Speaker 1>with Clark like that. I knew I love sneakers. I

1:29:06.960 --> 1:29:08.680
<v Speaker 1>was riding around at the toy the four Runner with

1:29:08.720 --> 1:29:11.160
<v Speaker 1>somebody's in a chick's name from Wendy's. You know what

1:29:11.160 --> 1:29:15.400
<v Speaker 1>I'm saying. When I had Club Girl's name what I'm

1:29:15.400 --> 1:29:22.840
<v Speaker 1>saying that easy to be, easy to be made. I'm

1:29:22.880 --> 1:29:30.600
<v Speaker 1>saying so running ya running around like so, I had

1:29:30.640 --> 1:29:32.800
<v Speaker 1>the four run. I thought I was hot. Clark pulls

1:29:32.880 --> 1:29:34.880
<v Speaker 1>up in the first Yukon jinale that I've ever seen

1:29:34.920 --> 1:29:37.320
<v Speaker 1>in my life, two doors ship with the ill system

1:29:37.760 --> 1:29:39.640
<v Speaker 1>right for a long time. Know it's crazy, and then

1:29:39.680 --> 1:29:42.880
<v Speaker 1>I wind up on the stereoshop. Years later, I bought

1:29:42.920 --> 1:29:46.320
<v Speaker 1>State Tuned back to day Wait wait, wait, he said,

1:29:46.360 --> 1:29:48.760
<v Speaker 1>Mike Tyson. What yeah, Mike Tyson used to have a

1:29:48.800 --> 1:29:51.400
<v Speaker 1>brim place in Fortland, New Jersey called Stay Tuned. I

1:29:51.520 --> 1:29:55.720
<v Speaker 1>bought that. It was called Audio Designs. After that, saw No,

1:29:55.880 --> 1:29:58.120
<v Speaker 1>I'm fassing. Letna tell I'm gonna take it back. So

1:29:58.160 --> 1:29:59.880
<v Speaker 1>when Fat Joe used to drive down here to Miami

1:30:00.000 --> 1:30:01.960
<v Speaker 1>before he lived there, remember the escalator was getting from

1:30:01.960 --> 1:30:04.200
<v Speaker 1>mort in Cadillacs with the with the motorized TVs in

1:30:04.200 --> 1:30:06.479
<v Speaker 1>the bag that was always breaking. I did those but

1:30:08.280 --> 1:30:13.200
<v Speaker 1>broken TV. Remember the Cadillac asked, my Joe used to

1:30:13.240 --> 1:30:14.559
<v Speaker 1>come down here? You know what? Joe wasn't flying back

1:30:14.560 --> 1:30:22.080
<v Speaker 1>in the days, remember Joe Ye, Well, when I had

1:30:22.160 --> 1:30:24.519
<v Speaker 1>Audio Designs, it might have been I got locked up

1:30:24.560 --> 1:30:26.519
<v Speaker 1>on old one oh two. It might have been ninety nine,

1:30:26.560 --> 1:30:32.320
<v Speaker 1>two thousand, Okay, that's from the Cade. Actually it's tim. Yeah,

1:30:32.439 --> 1:30:35.640
<v Speaker 1>so I was doing his system say that because I

1:30:35.680 --> 1:30:37.439
<v Speaker 1>wanted to put two years together. Now I was doing

1:30:38.000 --> 1:30:41.400
<v Speaker 1>my job. I was doing his systems back. I was

1:30:41.479 --> 1:30:43.400
<v Speaker 1>doing his systems back in the days. So I say

1:30:43.439 --> 1:30:45.439
<v Speaker 1>that to go back from ninety six or two thousand one,

1:30:45.960 --> 1:30:47.920
<v Speaker 1>like I was always like the sneakership was always forever

1:30:48.040 --> 1:30:49.280
<v Speaker 1>with me. But when I used to see Clark at

1:30:49.320 --> 1:30:52.599
<v Speaker 1>Essos back in ninety six, I didn't even know Clark

1:30:52.640 --> 1:30:54.320
<v Speaker 1>had the ill sneaker collection like that. We was just

1:30:54.439 --> 1:30:57.599
<v Speaker 1>bobbing on cars and then him coming to him coming

1:30:57.640 --> 1:30:59.840
<v Speaker 1>to Mad Wednesdays when Rea David is getting drunk every night,

1:30:59.880 --> 1:31:02.160
<v Speaker 1>and then Jay doing the whole ship and J and

1:31:02.200 --> 1:31:05.439
<v Speaker 1>I used to pull up to Esso's two hours before,

1:31:05.600 --> 1:31:09.599
<v Speaker 1>no earlier than that, like three, and they would prepaid

1:31:09.600 --> 1:31:11.280
<v Speaker 1>for their bottles of Christal. They would give me thirty

1:31:11.320 --> 1:31:13.479
<v Speaker 1>six hundred dollars cash christ That was three hundred hours

1:31:13.479 --> 1:31:15.519
<v Speaker 1>a bottle back then shout to the plug. I was

1:31:15.560 --> 1:31:18.559
<v Speaker 1>paying like forty dollars a bottle stolen selling for um. Yeah,

1:31:18.680 --> 1:31:20.639
<v Speaker 1>I was getting a lot of money back. The funny

1:31:20.680 --> 1:31:23.320
<v Speaker 1>ship is. The funny ship is when we started doing that,

1:31:23.520 --> 1:31:25.800
<v Speaker 1>there wasn't even selling Crystal. They would have to go

1:31:25.880 --> 1:31:28.640
<v Speaker 1>get to Chrystal because we were asking for crystal. Yeah, no,

1:31:28.680 --> 1:31:30.719
<v Speaker 1>I was crazy. I was getting Christalin from the distributed

1:31:30.920 --> 1:31:34.680
<v Speaker 1>Charms liquer all that ship, I mean only one day.

1:31:35.120 --> 1:31:38.000
<v Speaker 1>The lost ship was the reason I fell in love

1:31:38.040 --> 1:31:39.479
<v Speaker 1>with that whole rock The reason I fell in love

1:31:39.520 --> 1:31:42.200
<v Speaker 1>with that whole rock movement was they never pulled their

1:31:42.200 --> 1:31:43.880
<v Speaker 1>money out in the club. They would come to Essos

1:31:43.880 --> 1:31:46.240
<v Speaker 1>at three four o'clock in the afternoon, prepaid for their

1:31:46.240 --> 1:31:48.200
<v Speaker 1>bottles of Chris and had me, had me bring a

1:31:48.280 --> 1:31:50.320
<v Speaker 1>case of Christal out to the ball and they would

1:31:50.360 --> 1:31:52.360
<v Speaker 1>just hang by the ball. Poor they bottles, poor, they bottles,

1:31:52.400 --> 1:31:56.960
<v Speaker 1>part they bottles. Okay, So how Calle said he's smart,

1:31:59.040 --> 1:32:01.040
<v Speaker 1>So that was everybody else. You're starting in front and

1:32:01.080 --> 1:32:03.120
<v Speaker 1>pulling their bottles out and buying eighty dollar bottles of

1:32:03.160 --> 1:32:05.120
<v Speaker 1>moat and all that bullshit. And I'm sitting there last

1:32:06.360 --> 1:32:10.640
<v Speaker 1>you ain't going nowhere. I'm at Clark. I'm sorry, but

1:32:10.920 --> 1:32:14.240
<v Speaker 1>now Clark, you're seeing the beginning. I need to know

1:32:14.360 --> 1:32:17.040
<v Speaker 1>where Clark Kent was Okay, I gotta dj I gotta go. Okay,

1:32:17.400 --> 1:32:19.840
<v Speaker 1>you don't know where Clark Kent was at when you

1:32:20.000 --> 1:32:26.200
<v Speaker 1>heard the room was that jay Z and Dame Dash separated.

1:32:26.320 --> 1:32:30.400
<v Speaker 1>And it will never be the same because everything that

1:32:30.520 --> 1:32:33.320
<v Speaker 1>you said just now you you're speaking about the beginning

1:32:33.360 --> 1:32:39.360
<v Speaker 1>because that's what you represent. And now you're still here,

1:32:39.439 --> 1:32:41.680
<v Speaker 1>You're still relevant, you're still doing what we gotta do.

1:32:42.560 --> 1:32:46.360
<v Speaker 1>But god, you're human. You're a human, So I'm actuing

1:32:46.400 --> 1:32:50.280
<v Speaker 1>the human being right now. How did you feel because

1:32:50.360 --> 1:32:53.040
<v Speaker 1>I still speak to both of them on the same days,

1:32:53.840 --> 1:32:59.719
<v Speaker 1>may be on the same days. To guilty you speaking

1:32:59.760 --> 1:33:01.479
<v Speaker 1>to you were saying you feel guilty. I could never

1:33:01.560 --> 1:33:04.600
<v Speaker 1>feel guilty because they were both. I wasn't do you

1:33:04.640 --> 1:33:07.600
<v Speaker 1>know what I'm saying. So, but um, the funny ship was,

1:33:07.720 --> 1:33:10.560
<v Speaker 1>I was sitting at my desk at Rockefeller when I

1:33:10.600 --> 1:33:14.120
<v Speaker 1>found out that it just wasn't gonna be the same anymore,

1:33:14.120 --> 1:33:20.840
<v Speaker 1>and I, um, I uh, I thought to myself, Okay,

1:33:21.200 --> 1:33:23.559
<v Speaker 1>they're working out. Listen. It was it was a part

1:33:23.600 --> 1:33:25.639
<v Speaker 1>of you to say they're working out. Yeah. I thought

1:33:25.680 --> 1:33:27.800
<v Speaker 1>it was bullshit. I thought it would go away. That's

1:33:27.840 --> 1:33:30.720
<v Speaker 1>what you have to understand as a guy. Who was

1:33:31.160 --> 1:33:34.560
<v Speaker 1>there from ball four everything. I was just like that,

1:33:35.000 --> 1:33:39.280
<v Speaker 1>that's corny ship. They'll figure it out. And because I

1:33:39.439 --> 1:33:42.240
<v Speaker 1>knew understand me. I was there from the beginning. And

1:33:42.280 --> 1:33:46.080
<v Speaker 1>then I went to UM to Motown Records, and I

1:33:46.560 --> 1:33:48.800
<v Speaker 1>went to jobs. Yeah, I think, did you make it

1:33:49.920 --> 1:33:52.280
<v Speaker 1>any help in the flowershot you pay them in Jamaica.

1:33:52.360 --> 1:33:56.760
<v Speaker 1>Let's make some noise for Clark having Sear come on

1:33:56.880 --> 1:34:02.479
<v Speaker 1>back a class that him awesome, better class you pull

1:34:02.680 --> 1:34:09.840
<v Speaker 1>from you better class. I'm sorry you want to take no, no,

1:34:09.960 --> 1:34:13.920
<v Speaker 1>not at all. Listen being before and and and you know,

1:34:14.080 --> 1:34:16.559
<v Speaker 1>making a connection between them talking about some serious making

1:34:16.640 --> 1:34:21.760
<v Speaker 1>him the connection between them and seeing what did you

1:34:21.920 --> 1:34:26.040
<v Speaker 1>do stuff right? Introduce? Did we didn't clarify the introduction?

1:34:26.160 --> 1:34:30.599
<v Speaker 1>Can we go for the introduction? How did you introduce stuff? Um?

1:34:31.040 --> 1:34:34.640
<v Speaker 1>After I signed Dame's groups, I kept telling them about Yo,

1:34:35.000 --> 1:34:36.800
<v Speaker 1>stud jay Z is the best in the world and

1:34:36.880 --> 1:34:38.880
<v Speaker 1>you're telling this to day To Dame, I said, Yo,

1:34:38.920 --> 1:34:40.439
<v Speaker 1>you guys see, my man, jay Z is the best

1:34:40.479 --> 1:34:42.920
<v Speaker 1>in the world. It's gonna kill niggas. What is this

1:34:43.040 --> 1:34:45.920
<v Speaker 1>jay Z? He ain't bet it in big l That

1:34:46.120 --> 1:34:50.519
<v Speaker 1>was like, wow, like we're all due respect. I think

1:34:50.560 --> 1:34:54.400
<v Speaker 1>Big L is dope, but I think he's dope. I

1:34:54.479 --> 1:35:00.680
<v Speaker 1>think he's dope. But you saying that that that my

1:35:00.680 --> 1:35:03.600
<v Speaker 1>my man's not better than him makes no sense to

1:35:03.680 --> 1:35:06.439
<v Speaker 1>me because I listened, you know what I'm saying, so

1:35:07.200 --> 1:35:09.920
<v Speaker 1>I knew how wild Kane was, Like what are you

1:35:10.040 --> 1:35:12.360
<v Speaker 1>talking about? Like you're saying Big L is better than

1:35:12.479 --> 1:35:16.519
<v Speaker 1>Kane if you're saying Big els better than rock him

1:35:17.560 --> 1:35:21.160
<v Speaker 1>and then you're saying he's better than jail, Like now

1:35:21.240 --> 1:35:23.519
<v Speaker 1>you're wilding. You know what I'm saying, Like you ain't

1:35:23.520 --> 1:35:28.360
<v Speaker 1>better than this? Then this is back then. Yeah, they

1:35:28.400 --> 1:35:31.120
<v Speaker 1>didn't see it. I mean, but I didn't care. So

1:35:31.240 --> 1:35:33.600
<v Speaker 1>but I was just like chocking my man's ill than everybody.

1:35:34.280 --> 1:35:36.240
<v Speaker 1>And then you know, I started to prove it and

1:35:36.280 --> 1:35:38.680
<v Speaker 1>then he was you know, like he was like, yea,

1:35:38.680 --> 1:35:40.680
<v Speaker 1>I'm gonna meet this guy. And when he meets him,

1:35:41.560 --> 1:35:44.360
<v Speaker 1>he's like I can't believe the dudes wearing white and white.

1:35:44.360 --> 1:35:46.320
<v Speaker 1>Air Force once and what the fund do you think?

1:35:46.360 --> 1:35:48.280
<v Speaker 1>The only way air Force one at Harlem think at

1:35:48.320 --> 1:35:51.320
<v Speaker 1>you Corning, Like how could you think something so stupid?

1:35:51.800 --> 1:35:56.600
<v Speaker 1>Who are you talking about him? Dane? Dane? Like air

1:35:56.640 --> 1:35:58.240
<v Speaker 1>Force once? I was like what are you talking about?

1:35:58.280 --> 1:36:01.240
<v Speaker 1>You met me, I'm wearing air was once and so

1:36:01.439 --> 1:36:04.080
<v Speaker 1>I'm from Brooklyn. Yeah, but you being I don't care

1:36:04.120 --> 1:36:06.280
<v Speaker 1>where i'd be at, I'm saying like, you're gonna say

1:36:06.320 --> 1:36:08.479
<v Speaker 1>that there's nobody else at all, and in Brooklyn it

1:36:08.560 --> 1:36:11.599
<v Speaker 1>was once except me. That would be some dumb ship

1:36:11.760 --> 1:36:14.479
<v Speaker 1>to believe, but you know, that's what he felt, and

1:36:14.560 --> 1:36:17.719
<v Speaker 1>he felt like, understand me. I took him to Brooklyn.

1:36:17.880 --> 1:36:19.720
<v Speaker 1>So he was kind of halfway scared at the same

1:36:19.800 --> 1:36:23.400
<v Speaker 1>time because he believed that the only thing, yes, Dame,

1:36:23.479 --> 1:36:27.519
<v Speaker 1>that the only thing that happened in Brooklyn was Robert Severy.

1:36:28.120 --> 1:36:31.360
<v Speaker 1>He just felt like, motherfucker's just wrong, like all the time.

1:36:31.439 --> 1:36:33.200
<v Speaker 1>Then I wanted to ovide Scoop more with my cousins.

1:36:33.320 --> 1:36:35.000
<v Speaker 1>I was like, I liked it. I like, I like God.

1:36:35.320 --> 1:36:41.679
<v Speaker 1>I went to Farragant. Farragant was yeah, yeah, yeah, I'm sorry, continued,

1:36:41.680 --> 1:36:45.240
<v Speaker 1>I don't want to about you know. So what I'm

1:36:45.280 --> 1:36:48.040
<v Speaker 1>saying is I introduced them and everything was all good

1:36:48.120 --> 1:36:51.880
<v Speaker 1>from day one. So when this happened, when it was like, yeah,

1:36:52.439 --> 1:36:54.400
<v Speaker 1>you know, it's getting a little shaky, I was just like,

1:36:54.520 --> 1:36:57.960
<v Speaker 1>they're gonna fix that, and that was eighteen years later. Yeah,

1:36:58.040 --> 1:37:02.160
<v Speaker 1>I was it was enough because it was I think

1:37:02.200 --> 1:37:05.120
<v Speaker 1>they had almost done ten albums or twelve albums. It

1:37:05.240 --> 1:37:07.439
<v Speaker 1>was a lot, I mean, and you have to remember

1:37:07.560 --> 1:37:11.040
<v Speaker 1>Jay ran a bunch of summers. He he ran a

1:37:11.120 --> 1:37:14.120
<v Speaker 1>bunch of summers. Too many rappers they get that many summers,

1:37:14.160 --> 1:37:17.559
<v Speaker 1>and he had summers that he bragged about it too crazy,

1:37:17.640 --> 1:37:25.479
<v Speaker 1>is shut down. I mean, back then, if you had

1:37:25.520 --> 1:37:27.160
<v Speaker 1>a summer in New York, you had a summer around

1:37:27.200 --> 1:37:29.719
<v Speaker 1>the world. I mean, you hit records in the summer,

1:37:29.800 --> 1:37:31.360
<v Speaker 1>hit records in the summer. So that's what that's what

1:37:31.400 --> 1:37:35.080
<v Speaker 1>that's what we're talking about. But um, you know, the

1:37:35.200 --> 1:37:37.160
<v Speaker 1>only summers he didn't run was the summers that he

1:37:37.240 --> 1:37:40.559
<v Speaker 1>didn't put records out. So what are we talking about?

1:37:40.560 --> 1:37:44.439
<v Speaker 1>Heads think about it. The only summers Jay didn't run

1:37:44.640 --> 1:37:49.400
<v Speaker 1>is the summers that Jade decided he wasn't rapping. That's crazy.

1:37:50.479 --> 1:37:53.560
<v Speaker 1>So what you think that's some ship for niggers to

1:37:53.640 --> 1:37:59.240
<v Speaker 1>think about for a second. The only summers that Jay

1:37:59.479 --> 1:38:03.840
<v Speaker 1>didn't run was the summers that he didn't put a

1:38:04.160 --> 1:38:07.640
<v Speaker 1>fucking record out. Bottom line, when he was fifteen, I

1:38:07.840 --> 1:38:11.200
<v Speaker 1>told you, niggas, I feel like we gotta make some

1:38:11.280 --> 1:38:16.920
<v Speaker 1>look to make some No, no, we need another shot

1:38:16.960 --> 1:38:20.280
<v Speaker 1>for that one. We don't need a last shot shot five.

1:38:20.439 --> 1:38:22.920
<v Speaker 1>I told you my odd nigga. Come on, cannot leave

1:38:22.960 --> 1:38:25.720
<v Speaker 1>on it. Even you can pull my ship you want,

1:38:26.280 --> 1:38:28.760
<v Speaker 1>absolutely do. I'm not even looking. Can you tell me?

1:38:28.800 --> 1:38:30.720
<v Speaker 1>You tell me what it? Pull it away? Man, I'm

1:38:30.760 --> 1:38:33.120
<v Speaker 1>not even looking. I gotta throw mine up for that.

1:38:33.160 --> 1:38:37.080
<v Speaker 1>I'm gonna be something. What are you dja tonight? Anybody

1:38:37.120 --> 1:38:42.040
<v Speaker 1>gonna hear that ship like snapping, snapping or something. You're mad? Damn,

1:38:42.080 --> 1:38:44.639
<v Speaker 1>you're mad, dispectful. I thought you're my brother. I thought

1:38:44.680 --> 1:38:46.560
<v Speaker 1>you were getting done that. Look, I got it with you,

1:38:47.360 --> 1:38:49.240
<v Speaker 1>you do, I got it with you. Here we go.

1:38:49.800 --> 1:38:51.479
<v Speaker 1>I'm not going to the club tonight. I gotta with you.

1:38:51.960 --> 1:38:55.040
<v Speaker 1>I'm all going. No, I'm not want to let you

1:38:55.200 --> 1:39:00.840
<v Speaker 1>change your don't discuss how much this is all right,

1:39:00.960 --> 1:39:03.360
<v Speaker 1>you gotta we're gonna go nor We got it all right,

1:39:08.960 --> 1:39:15.439
<v Speaker 1>we didn't teach I got Let's go out on. Let's

1:39:15.439 --> 1:39:21.639
<v Speaker 1>go a jake chance you fuck for this podcast that happens.

1:39:21.840 --> 1:39:30.720
<v Speaker 1>I was going to tex to Norma water. Everybody this water,

1:39:30.760 --> 1:39:33.840
<v Speaker 1>everybody wonder white answer feeds you. I'm the only one

1:39:33.880 --> 1:39:39.479
<v Speaker 1>who's still straight. It's big up to survived. No, no,

1:39:39.760 --> 1:39:42.080
<v Speaker 1>shout the pup because after after call, D Days and Night,

1:39:42.080 --> 1:39:44.840
<v Speaker 1>we're going to pops out to the after party at

1:39:44.880 --> 1:39:49.719
<v Speaker 1>the party. We're going. We're going now absolutely no not listen,

1:39:49.760 --> 1:39:51.840
<v Speaker 1>I changed my flight for this. We're going to absolutely

1:39:51.880 --> 1:39:58.559
<v Speaker 1>not me neither. This is right here, we're going. I'm

1:39:58.600 --> 1:40:01.960
<v Speaker 1>not going to pump on it. You know there's video here.

1:40:02.080 --> 1:40:08.400
<v Speaker 1>Just let me tell nobody's seen The Office Party. You've

1:40:08.439 --> 1:40:10.280
<v Speaker 1>never seen the movie The Office Party. They were like,

1:40:10.800 --> 1:40:18.479
<v Speaker 1>they are not doing that. They like, we're going ship,

1:40:19.040 --> 1:40:21.680
<v Speaker 1>so we are not going to So this is how

1:40:21.720 --> 1:40:23.880
<v Speaker 1>we're doing it. So are you DJ and tonight, Sam,

1:40:24.320 --> 1:40:26.960
<v Speaker 1>you're at I'm DJ and a party that we do

1:40:27.080 --> 1:40:31.600
<v Speaker 1>once a month called the Originals. It's me to Tony's, Richmondina,

1:40:31.720 --> 1:40:35.599
<v Speaker 1>stretch On, Stung and d nice. So it's probably the wildest.

1:40:35.720 --> 1:40:38.120
<v Speaker 1>It's probably the best party that we that I get

1:40:38.160 --> 1:40:40.000
<v Speaker 1>to do. And you think it's still be smashing. I

1:40:40.120 --> 1:40:42.240
<v Speaker 1>took party and I got a wife. I'm doing that

1:40:43.520 --> 1:40:49.839
<v Speaker 1>incriminating brother, I'm very I'm not married. I'm having smashing

1:40:49.880 --> 1:40:53.080
<v Speaker 1>clocks leftover. I said, I'm not married. So yeah, you'd

1:40:53.120 --> 1:40:57.280
<v Speaker 1>be smashing small. I'm just happy to be I'm just

1:40:57.360 --> 1:40:59.640
<v Speaker 1>having to be here. You have a beard. I'm just

1:40:59.720 --> 1:41:04.360
<v Speaker 1>happy to be here. You asked man. Absolutely, it's right

1:41:04.439 --> 1:41:07.720
<v Speaker 1>next door. You can't miss. Yeah. I know about your

1:41:07.720 --> 1:41:10.960
<v Speaker 1>man that so yeah, yeah, me too. Where where is Eddie?

1:41:11.000 --> 1:41:13.040
<v Speaker 1>Asked either And I want to ask you because I'm

1:41:13.080 --> 1:41:16.479
<v Speaker 1>gonna have a person listen. I'm listening. Look at us,

1:41:18.280 --> 1:41:20.800
<v Speaker 1>I listen. I get episode on the plane on the

1:41:20.840 --> 1:41:26.120
<v Speaker 1>way here, asked either Cock. I'm sorry, no, I don't know.

1:41:26.160 --> 1:41:29.040
<v Speaker 1>I'm sorry. That's not that's any there's not anything that

1:41:29.360 --> 1:41:33.439
<v Speaker 1>really speak for yourself. I'm Puerto Rican. Panamanian is like

1:41:33.960 --> 1:41:38.600
<v Speaker 1>Puerto Ricans like foul cousin. Three no clock is my

1:41:38.680 --> 1:41:42.040
<v Speaker 1>foul brother brother. You know, I'm gonna be honest because

1:41:42.040 --> 1:41:45.800
<v Speaker 1>you know why Panamania because Panamanian is like you keep

1:41:45.840 --> 1:41:53.720
<v Speaker 1>me on purpose. I'm sorry that you let me tell

1:41:53.720 --> 1:41:57.400
<v Speaker 1>you what Panamania is. Tell me brother, because it's like

1:41:57.600 --> 1:42:04.760
<v Speaker 1>y'all Spanish husin slash Jamaican cousins. They kind of like

1:42:04.920 --> 1:42:09.000
<v Speaker 1>both I'm gonna bugget now, you're not like because they're

1:42:09.000 --> 1:42:13.120
<v Speaker 1>like y'all like Jamaican spack. What can you explain why

1:42:13.520 --> 1:42:20.680
<v Speaker 1>because yeall eat row tea panamazing like that. That's not

1:42:20.880 --> 1:42:23.880
<v Speaker 1>the reason why. I'm no, that's not the reason. Some

1:42:23.880 --> 1:42:27.120
<v Speaker 1>reason why. It's because historically, when the Panama Canal was

1:42:27.240 --> 1:42:31.759
<v Speaker 1>being built, l let's break down a naz he's always

1:42:31.800 --> 1:42:36.479
<v Speaker 1>gone a bit. Jamaicans came over from to Panama to

1:42:36.560 --> 1:42:40.760
<v Speaker 1>help build a canal. Yard man, y'ad mind them. My

1:42:41.200 --> 1:42:45.559
<v Speaker 1>father's Jamaican. Okay, we got to talk to these people

1:42:45.560 --> 1:42:53.559
<v Speaker 1>with Clark turteen jobs not thirteen thirteen jobs. Actually, relax, listen,

1:42:53.560 --> 1:42:56.920
<v Speaker 1>you gotta relax. Don't you have a grab a bottle

1:42:57.000 --> 1:43:04.439
<v Speaker 1>over here again? This is Panamanian Panamania. Shake your feet,

1:43:04.479 --> 1:43:07.800
<v Speaker 1>don't stow that back the shake your feet. You don't

1:43:07.800 --> 1:43:21.800
<v Speaker 1>know what Clark came from, Flatbush, Panama. Sleeker he got.

1:43:22.640 --> 1:43:29.519
<v Speaker 1>Let you gotta gotta take out twenty years, my friend.

1:43:31.160 --> 1:43:34.519
<v Speaker 1>You know out here in Miami they have flea markets.

1:43:35.840 --> 1:43:40.679
<v Speaker 1>Um Coloseum was like a ficial flea market. Was official.

1:43:41.960 --> 1:43:47.360
<v Speaker 1>He was official. But here you know the fleat mark

1:43:47.439 --> 1:43:51.360
<v Speaker 1>he go to, it's very unofficial. He goes to home. Carol,

1:43:51.520 --> 1:43:56.880
<v Speaker 1>I gotta throw that out there, Carol Man, the flat

1:43:56.920 --> 1:44:02.800
<v Speaker 1>market we all lived up. You gotta relix. I know

1:44:02.960 --> 1:44:13.120
<v Speaker 1>you racist Miami like I'm but sunny by, but Sunny

1:44:13.200 --> 1:44:17.600
<v Speaker 1>slaps the flea market. Still don't think it's Jordan's right now?

1:44:17.640 --> 1:44:28.599
<v Speaker 1>It is official, right now, Sunny. You ain't even get

1:44:28.640 --> 1:44:30.080
<v Speaker 1>it from foot lock and you got it from your

1:44:30.240 --> 1:44:38.799
<v Speaker 1>lock of it was you lock up? You gotta relax. Sunny.

1:44:48.320 --> 1:44:51.840
<v Speaker 1>Welcome to play a new podcast network featuring radio and

1:44:51.920 --> 1:44:56.479
<v Speaker 1>TV personalities talking business, sports, tech, entertainment, and more. Play

1:44:56.560 --> 1:45:01.559
<v Speaker 1>it at play dot it We're to drink Champs Radio

1:45:01.720 --> 1:45:11.360
<v Speaker 1>with Rapper and R and DJA. So Clark, we answered

1:45:11.400 --> 1:45:13.960
<v Speaker 1>you your favorite ever in the hip hop? Now what?

1:45:15.160 --> 1:45:18.360
<v Speaker 1>And do you also said Rick Ross album was great? Yes,

1:45:18.600 --> 1:45:20.800
<v Speaker 1>you said that this is best to me so far.

1:45:22.040 --> 1:45:25.040
<v Speaker 1>I agree with you as well. But now I also

1:45:25.080 --> 1:45:28.240
<v Speaker 1>said Drake's album? Did you know? You can't drink about great?

1:45:28.479 --> 1:45:32.439
<v Speaker 1>But think about this? Okay, every Rick Ross album you

1:45:32.640 --> 1:45:34.840
<v Speaker 1>listen to, you can pick something off of it and

1:45:34.920 --> 1:45:38.200
<v Speaker 1>go maybe not that one. What do you mean I'm saying?

1:45:38.280 --> 1:45:39.920
<v Speaker 1>So that's the reason why I could say this is

1:45:39.960 --> 1:45:42.400
<v Speaker 1>the best work because you can't take anything off of it.

1:45:43.360 --> 1:45:45.519
<v Speaker 1>You gotta go now on that ships fired too. Now

1:45:45.600 --> 1:45:47.920
<v Speaker 1>all that ship's fired too. Now all that ship's fired too,

1:45:48.360 --> 1:45:51.759
<v Speaker 1>and he's talking on that ship. Is he the South

1:45:52.880 --> 1:45:57.000
<v Speaker 1>Rick Ross? I mean South Biggie, He's Rick Ross. He

1:45:57.240 --> 1:46:02.919
<v Speaker 1>don't don't compare to you can be compared anything. He anybody,

1:46:03.200 --> 1:46:06.800
<v Speaker 1>anybody who compared him to Biggie was doing him a disservice,

1:46:07.240 --> 1:46:09.800
<v Speaker 1>you know what I'm saying, because there there's no one's

1:46:09.840 --> 1:46:13.439
<v Speaker 1>gonna be like that. We see him saying they were

1:46:13.479 --> 1:46:17.160
<v Speaker 1>doing they were doing Ross disservice by trying to compare

1:46:17.280 --> 1:46:20.200
<v Speaker 1>him to that like Rick Ross, by Rick Ross facts,

1:46:20.320 --> 1:46:22.160
<v Speaker 1>you know what I'm saying that, And as Rick Ross,

1:46:22.240 --> 1:46:27.200
<v Speaker 1>he's fucking bananas. Like his album is fired. It's not good,

1:46:27.560 --> 1:46:32.200
<v Speaker 1>it's fired. I actually feel bad that, you know, the

1:46:32.280 --> 1:46:34.680
<v Speaker 1>album came out a day before Drake's album, because it's

1:46:34.680 --> 1:46:38.160
<v Speaker 1>like it didn't have the time to the albums a playlist.

1:46:38.240 --> 1:46:40.800
<v Speaker 1>How do you think it's album. It's an album, so

1:46:40.920 --> 1:46:43.120
<v Speaker 1>I don't care what if the ship I have a

1:46:43.200 --> 1:46:47.280
<v Speaker 1>cover and it has credits and it has track lists.

1:46:47.800 --> 1:47:01.400
<v Speaker 1>It's a fucking album. And the single fact, you know,

1:47:01.439 --> 1:47:04.040
<v Speaker 1>I'm gonna be honest, you you bring us the top

1:47:04.080 --> 1:47:09.240
<v Speaker 1>of the podcast. One hit just one hit one one

1:47:09.320 --> 1:47:12.599
<v Speaker 1>hit because you did Elliott Wilson before with all that ship.

1:47:12.680 --> 1:47:19.080
<v Speaker 1>You knew me. Listen all that be honest. Three sixty

1:47:22.120 --> 1:47:24.960
<v Speaker 1>you curbed me for I never curbed car. He's the

1:47:25.000 --> 1:47:27.280
<v Speaker 1>old g You gotta let them, just like you know,

1:47:27.680 --> 1:47:32.240
<v Speaker 1>everybody has stories in their head. Has nor read one

1:47:32.320 --> 1:47:37.360
<v Speaker 1>hit Cloth one one for Panama was that boom boom.

1:47:43.600 --> 1:47:49.360
<v Speaker 1>You know what, No, listen, here's some crazy shit. People

1:47:49.400 --> 1:47:51.800
<v Speaker 1>look at that record and back then it was a

1:47:52.000 --> 1:47:55.599
<v Speaker 1>Pana maion dude doing a reggae record. Guess what, that's reggae.

1:47:55.680 --> 1:48:01.000
<v Speaker 1>That is the first form reggae. Don't got damn win

1:48:01.560 --> 1:48:14.360
<v Speaker 1>good Boom boom boom boom that I relaxed to say

1:48:14.360 --> 1:48:21.840
<v Speaker 1>it again. Doom doom be doom doom. Anyway, Man, keep going, man,

1:48:23.000 --> 1:48:30.639
<v Speaker 1>where are we at? Let make yeah? So clow Jesus

1:48:30.760 --> 1:48:40.120
<v Speaker 1>fucking Christ. Dude is nuts cloth you think, jeez, I

1:48:40.200 --> 1:48:44.080
<v Speaker 1>gotta clock. I gotta go nowhere. Man, you've been in this,

1:48:44.560 --> 1:48:53.479
<v Speaker 1>this this game. You animal bruis to this ship. Run man.

1:48:55.120 --> 1:49:01.080
<v Speaker 1>So now I heard you the tweet where we grow.

1:49:01.600 --> 1:49:05.200
<v Speaker 1>You tweeted that work gross album was fired fired. I

1:49:05.320 --> 1:49:09.000
<v Speaker 1>saw that that tweet went viral. It did and my

1:49:09.160 --> 1:49:16.439
<v Speaker 1>mind did. Okay, but but now Clark, what else is

1:49:16.520 --> 1:49:24.040
<v Speaker 1>Clark can't like it's no school um. Contrary to what

1:49:24.120 --> 1:49:29.639
<v Speaker 1>a lot of people might sink, me goes, fuck with me, goes,

1:49:29.960 --> 1:49:36.120
<v Speaker 1>I fucking me gooes I funk with Young Doug. You know, no, no, no, no.

1:49:36.880 --> 1:49:40.800
<v Speaker 1>The thing is when you sit behind it, When you

1:49:40.880 --> 1:49:48.040
<v Speaker 1>sit I love dead wrong, this is I don't. When

1:49:48.080 --> 1:49:50.759
<v Speaker 1>you sit behind the desk, you know, he DJ parties,

1:49:50.840 --> 1:49:57.840
<v Speaker 1>that's brand. He gotta relax. Okay, okay, listen. When you

1:49:57.920 --> 1:50:00.839
<v Speaker 1>sit behind the desk, you start to look at music differently.

1:50:00.880 --> 1:50:03.040
<v Speaker 1>You don't look at music just for what you personally

1:50:03.160 --> 1:50:06.200
<v Speaker 1>think you look for. Is it going to work whether

1:50:06.240 --> 1:50:08.400
<v Speaker 1>you like it or not. It's whether it's gonna work

1:50:08.520 --> 1:50:12.280
<v Speaker 1>or not. The first time I heard Young Thug, I

1:50:12.400 --> 1:50:18.320
<v Speaker 1>thought he might have something. But then it was repeatedly, repeatedly,

1:50:18.880 --> 1:50:23.920
<v Speaker 1>repeatedly that dude, you might not understand everything he's saying,

1:50:24.240 --> 1:50:29.640
<v Speaker 1>but when he says it, somehow you can get to it.

1:50:30.439 --> 1:50:34.840
<v Speaker 1>Young me goals. You know every time, I don't even

1:50:34.920 --> 1:50:37.680
<v Speaker 1>know to take Molly. Listen, listen, I don't understand that.

1:50:37.800 --> 1:50:42.360
<v Speaker 1>I just want to bet. I just want to be clear.

1:50:42.560 --> 1:50:45.360
<v Speaker 1>I'm not sitting here saying these dudes spam bars. What

1:50:45.479 --> 1:50:49.200
<v Speaker 1>I'm saying is these dudes, these dudes are making records

1:50:49.240 --> 1:50:52.120
<v Speaker 1>that I can actually like. And you know, trust me,

1:50:52.200 --> 1:50:54.000
<v Speaker 1>there's a list of motherfucker's that I'm just like, what

1:50:54.160 --> 1:50:57.280
<v Speaker 1>the funk is going on? But there's some dudes that

1:50:57.960 --> 1:51:01.280
<v Speaker 1>get that, get put it that that that vein with

1:51:01.400 --> 1:51:03.320
<v Speaker 1>all these other dudes that I'm looking at, like, why

1:51:03.360 --> 1:51:05.920
<v Speaker 1>the fund are you making records? And when I look

1:51:05.960 --> 1:51:08.120
<v Speaker 1>at them, I'm going, well, how can you put this

1:51:08.200 --> 1:51:10.600
<v Speaker 1>guy in here when his records are better? You know

1:51:10.640 --> 1:51:12.640
<v Speaker 1>what I'm saying, Let's just look at his records. If

1:51:12.680 --> 1:51:14.960
<v Speaker 1>he can rap, let's just look at his records. To me,

1:51:15.080 --> 1:51:18.040
<v Speaker 1>you're gonna here's where a lot of motherfuckers get shipped

1:51:18.080 --> 1:51:21.040
<v Speaker 1>fucked up. They look at this rap thing like it's

1:51:21.040 --> 1:51:25.360
<v Speaker 1>about having bars as much as it is about making records.

1:51:25.400 --> 1:51:27.799
<v Speaker 1>When you're a rapper, your ship is to make records.

1:51:27.840 --> 1:51:31.160
<v Speaker 1>When you're serious about you having boss. How about melodies, though,

1:51:31.240 --> 1:51:35.040
<v Speaker 1>CLA your melodies help us? Melodies asked me. A question

1:51:35.400 --> 1:51:39.479
<v Speaker 1>was carried in good melodies make better records and the

1:51:39.520 --> 1:51:43.000
<v Speaker 1>reason why it's it's so simple when nobody looks at

1:51:43.040 --> 1:51:47.680
<v Speaker 1>this ship. When you learned the first song that you

1:51:47.880 --> 1:51:50.880
<v Speaker 1>ever learned was your A B c's. The only way

1:51:50.960 --> 1:51:53.280
<v Speaker 1>you learned the A B c's was by singing it.

1:51:54.000 --> 1:51:57.920
<v Speaker 1>It's a melody and a rhythm. So that's the reason

1:51:58.000 --> 1:52:01.920
<v Speaker 1>why somebody with a good melody makes something and you

1:52:02.040 --> 1:52:05.599
<v Speaker 1>catch it. That's what makes something catchy is the fact

1:52:05.680 --> 1:52:08.200
<v Speaker 1>that you'll be out of my life. The fact that

1:52:08.280 --> 1:52:10.960
<v Speaker 1>you heard a good melody makes it catchy. So when

1:52:11.000 --> 1:52:18.120
<v Speaker 1>you hit no, no, no, you might have keeps talking

1:52:18.120 --> 1:52:24.439
<v Speaker 1>about whatever you just the thing is, most people might

1:52:24.520 --> 1:52:28.760
<v Speaker 1>not hear what he says. A different cousin expect that.

1:52:28.880 --> 1:52:38.280
<v Speaker 1>Leave that right here. You respect this podcast with respect.

1:52:39.280 --> 1:52:50.400
<v Speaker 1>Let that go. Let that go right now. It's your ship,

1:52:51.200 --> 1:52:57.720
<v Speaker 1>your like. Yes, it's not it's not right, Radar, apologize

1:52:58.080 --> 1:53:04.000
<v Speaker 1>for you're doing that first, because if you wasn't supposed

1:53:04.000 --> 1:53:05.280
<v Speaker 1>to do I've been trying to get you to do

1:53:05.360 --> 1:53:08.840
<v Speaker 1>this for a while, Florida be here all the time.

1:53:09.600 --> 1:53:12.400
<v Speaker 1>We got a butt definitely here. You shouldn't do now

1:53:13.000 --> 1:53:17.080
<v Speaker 1>if you wouldn't say, we don't feel you the guy

1:53:17.240 --> 1:53:19.320
<v Speaker 1>in my mind, I gotta budge we don't got it

1:53:19.439 --> 1:53:22.680
<v Speaker 1>right now? Yeah, yeah, chair, because I flew myself out.

1:53:22.760 --> 1:53:27.000
<v Speaker 1>So yeah, yeah, I have a thirty six hundred kicks.

1:53:29.800 --> 1:53:32.679
<v Speaker 1>How does how do you maintain thirty six hundred sneakers?

1:53:33.720 --> 1:53:36.519
<v Speaker 1>That's that's the I never had that question asking me

1:53:36.600 --> 1:53:40.040
<v Speaker 1>before because I wear whatever is on the floor. But

1:53:40.320 --> 1:53:42.720
<v Speaker 1>I see you, I see on the internet. You got

1:53:42.880 --> 1:53:45.840
<v Speaker 1>white Claire. I got the needest that's my title. You

1:53:45.880 --> 1:53:47.720
<v Speaker 1>talked to Joe, you talked to wild you talk the

1:53:47.800 --> 1:53:50.760
<v Speaker 1>Greg screen, talk the fat Joe Clark. I got the need.

1:53:51.360 --> 1:53:53.200
<v Speaker 1>I got the need at sneaker room in the world.

1:53:54.000 --> 1:53:57.760
<v Speaker 1>But why is it white Claire boxes? I had unabundance

1:53:57.800 --> 1:54:01.200
<v Speaker 1>of sneakers. I wear my sneakers. I want to see what.

1:54:01.280 --> 1:54:03.400
<v Speaker 1>I want to grab what I'm saying pause. I want

1:54:03.400 --> 1:54:04.680
<v Speaker 1>to if I'm looking for parts, I want to be

1:54:04.720 --> 1:54:06.519
<v Speaker 1>able to find it. So in the box, I wasn't

1:54:06.560 --> 1:54:07.840
<v Speaker 1>gonna be able to find all that. And I really

1:54:07.920 --> 1:54:10.599
<v Speaker 1>don't sell sneakers. I don't resell sneakers. If I wanted

1:54:10.640 --> 1:54:12.479
<v Speaker 1>to resell my sneakers, I got a million dollars sitting

1:54:12.560 --> 1:54:14.479
<v Speaker 1>right there in my room. I got a million dollars

1:54:14.479 --> 1:54:16.040
<v Speaker 1>sit in my room. No bullshit, I got a million

1:54:16.080 --> 1:54:22.519
<v Speaker 1>dollars in my room. I got a million dollars and

1:54:22.560 --> 1:54:25.280
<v Speaker 1>sneakers sitting in my room, so like I wanted to see,

1:54:25.680 --> 1:54:27.040
<v Speaker 1>but I want to grab a pair of sneakers from

1:54:27.080 --> 1:54:29.080
<v Speaker 1>two thousand three. I'm gonna go look for that pair

1:54:29.080 --> 1:54:31.560
<v Speaker 1>of sneakers now because I've seen your ship like you

1:54:31.680 --> 1:54:35.880
<v Speaker 1>had rolls. My ship looks like I'm looking and my

1:54:35.920 --> 1:54:39.160
<v Speaker 1>set down Hunter square feet and the crazy ship. I

1:54:39.320 --> 1:54:41.240
<v Speaker 1>know you. I know you from seeing you on the street.

1:54:41.680 --> 1:54:43.000
<v Speaker 1>So when I see it on the end of that,

1:54:43.080 --> 1:54:46.480
<v Speaker 1>I was like, damn, I never know you know, you

1:54:46.640 --> 1:54:50.879
<v Speaker 1>had every sneaker I ever you had. I got undefeated

1:54:50.920 --> 1:54:54.800
<v Speaker 1>for what's the ship, Michael J. Fox ship? Yeah I got?

1:54:54.880 --> 1:54:57.160
<v Speaker 1>I got, Yeah, Yeah, I got the mart mc flowers.

1:54:57.160 --> 1:55:01.800
<v Speaker 1>I got there's not sneakers and not sneakers one of

1:55:01.880 --> 1:55:06.880
<v Speaker 1>those movie props. I was like, this is this is

1:55:06.920 --> 1:55:08.520
<v Speaker 1>what me and Clark argue and we go at it

1:55:08.520 --> 1:55:10.560
<v Speaker 1>from back. I would love to see that. It's a

1:55:10.600 --> 1:55:13.960
<v Speaker 1>real argument sometimes like this, I believe there's a sneaker culture.

1:55:15.120 --> 1:55:21.240
<v Speaker 1>Claude doesn't believes. Okay, okay, and we're gonna let Clark

1:55:21.880 --> 1:55:23.760
<v Speaker 1>only Clark in investing because I said what I'm saying,

1:55:23.920 --> 1:55:26.200
<v Speaker 1>I want to investigate this before we dive into it.

1:55:26.720 --> 1:55:30.760
<v Speaker 1>You said you believe there's a sneaker culture, and Clark

1:55:30.880 --> 1:55:33.560
<v Speaker 1>said he does not leave because Clark is gonna bring it.

1:55:33.840 --> 1:55:35.400
<v Speaker 1>I'm I can't answer for Clark, but I know what

1:55:35.520 --> 1:55:37.800
<v Speaker 1>Clark is going with it, because we had this arguments

1:55:38.000 --> 1:55:40.840
<v Speaker 1>a sneaker culture. You are gods, and we really argue

1:55:41.080 --> 1:55:43.640
<v Speaker 1>on our posters. We really argue about this. I'm part

1:55:43.640 --> 1:55:47.480
<v Speaker 1>of sneak of culture. I'm like a pond. I'm very

1:55:47.600 --> 1:55:50.240
<v Speaker 1>low with a steak of culture. I go to the meetings,

1:55:50.560 --> 1:55:54.560
<v Speaker 1>listen to your Jordan's segment was brought up everywhere in

1:55:54.560 --> 1:55:56.560
<v Speaker 1>the world. I'm gonna have a listener to the podcast,

1:55:56.880 --> 1:55:59.200
<v Speaker 1>so I don't want to hear that you're fisher. Oh yeah,

1:55:59.240 --> 1:56:04.680
<v Speaker 1>I did shoot on but I also can't heard I

1:56:04.760 --> 1:56:08.680
<v Speaker 1>can't wear them, So that lets you know what. I

1:56:08.760 --> 1:56:11.200
<v Speaker 1>hate that. No, no, no, I respect Davis gonna say

1:56:11.240 --> 1:56:15.920
<v Speaker 1>some ship and then boycott. Still I still want still

1:56:15.920 --> 1:56:17.800
<v Speaker 1>don know you don't believe that we can argue about

1:56:17.800 --> 1:56:19.120
<v Speaker 1>it because you're my brother and I love you, So

1:56:20.360 --> 1:56:22.200
<v Speaker 1>I can't believe what he's saying right now. I'm just

1:56:22.240 --> 1:56:25.480
<v Speaker 1>throwing it out there. You're saying it's not a sneaker culture.

1:56:26.160 --> 1:56:31.960
<v Speaker 1>Nor yes, how many five percent is you know out

1:56:32.000 --> 1:56:34.720
<v Speaker 1>of the laps? Huh? I know at least he's have

1:56:34.760 --> 1:56:38.800
<v Speaker 1>a hundred people. You know what's crazy? People? I can

1:56:38.880 --> 1:56:40.800
<v Speaker 1>say this without even looking at him. When he was

1:56:40.880 --> 1:56:42.800
<v Speaker 1>growing up, at one point he was about to be

1:56:42.880 --> 1:56:49.160
<v Speaker 1>five percent. I am father. Still, I was giving an

1:56:49.160 --> 1:56:51.920
<v Speaker 1>act you people, father a law when I was young. Right,

1:56:54.160 --> 1:56:56.800
<v Speaker 1>skip back when you look at that, and then you go,

1:56:57.320 --> 1:56:59.840
<v Speaker 1>what's it really based off? It's based off of Islam?

1:57:00.040 --> 1:57:07.080
<v Speaker 1>What is Islam? A culture? Right? How can you parallel sneakers,

1:57:07.400 --> 1:57:10.280
<v Speaker 1>which is sneakers some ship that you wear on your

1:57:10.320 --> 1:57:15.440
<v Speaker 1>feet to a culture a way of life. Culture is

1:57:15.560 --> 1:57:19.880
<v Speaker 1>a way of life. It has laws, has a belief system,

1:57:20.120 --> 1:57:25.240
<v Speaker 1>it has a financial system, and it has a spiritual system. Please,

1:57:25.480 --> 1:57:28.760
<v Speaker 1>the word culture is a powerful word. Parallel lad to Islam,

1:57:29.080 --> 1:57:33.560
<v Speaker 1>sneakers in Islam. Okay, we're done here, so equate that

1:57:33.600 --> 1:57:36.120
<v Speaker 1>to you said hip hop culture, that is the way

1:57:36.160 --> 1:57:38.400
<v Speaker 1>of life. You know you said culture, hip hop is

1:57:38.440 --> 1:57:44.880
<v Speaker 1>a way of life. The same the dance finance. Everything

1:57:44.960 --> 1:57:47.280
<v Speaker 1>said every money is finance. No no, but everything you said,

1:57:47.320 --> 1:57:49.320
<v Speaker 1>everything you said, I understand me money because I believe

1:57:49.360 --> 1:57:51.520
<v Speaker 1>there is a culture in the Okay, they show it

1:57:51.600 --> 1:57:54.080
<v Speaker 1>to me. I mean, I don't have the same definitions

1:57:54.120 --> 1:57:56.160
<v Speaker 1>of you. I'm saying, but it is. But there's a

1:57:56.240 --> 1:58:03.720
<v Speaker 1>way of life, but their subdivisions sneaking hold on. Listen

1:58:03.760 --> 1:58:07.040
<v Speaker 1>to what I'm saying. Is he holding understanding? I hosted it?

1:58:07.080 --> 1:58:09.240
<v Speaker 1>But listen to what I'm saying to you. If you

1:58:09.520 --> 1:58:13.480
<v Speaker 1>say culture, you would be wrong. If you said subculture,

1:58:13.640 --> 1:58:15.760
<v Speaker 1>we'd have a conversation. She is gonna bring it back.

1:58:17.320 --> 1:58:19.880
<v Speaker 1>Run DMC puts up seven. When one DMC puts up

1:58:19.920 --> 1:58:21.640
<v Speaker 1>his and tells everybody to put up their shell toes

1:58:21.800 --> 1:58:23.960
<v Speaker 1>and they're seventeen thousand people are putting their shell toes,

1:58:24.080 --> 1:58:28.080
<v Speaker 1>He's gonna he's gonna attribute that to hip hop culture.

1:58:28.640 --> 1:58:30.800
<v Speaker 1>I'm not gonna attribute that to hip hop culture. What

1:58:30.880 --> 1:58:33.760
<v Speaker 1>I'm gonna say is, can you tell me when run

1:58:33.840 --> 1:58:38.720
<v Speaker 1>DMC made that record, which nigger wasn't wearing Adidas? Think

1:58:38.760 --> 1:58:41.360
<v Speaker 1>about this, Why can't you say, put everybody put your

1:58:41.480 --> 1:58:44.800
<v Speaker 1>datas up when you when you're on the stage, if

1:58:44.880 --> 1:58:47.120
<v Speaker 1>niggas wasn't wearing a So you're saying, so the sneaker

1:58:47.160 --> 1:58:50.080
<v Speaker 1>culture is a subculture of hip hop no, sneakers culture

1:58:50.200 --> 1:58:53.440
<v Speaker 1>is a sub cultured period. It's not a culture. It

1:58:53.520 --> 1:58:56.880
<v Speaker 1>doesn't come first as a subculture by products. It's a

1:58:56.960 --> 1:59:01.400
<v Speaker 1>byproduct of clothes. It's not even liked about product of fashions,

1:59:01.400 --> 1:59:04.320
<v Speaker 1>which it's just it's a faction, which isn't a culture.

1:59:04.480 --> 1:59:06.720
<v Speaker 1>It's fashion. It ship you win. It can't be a

1:59:06.760 --> 1:59:09.480
<v Speaker 1>subculture of another exactly. So we're getting back to the

1:59:09.560 --> 1:59:15.320
<v Speaker 1>same thing. I'm true culture. Okay, showing to the sneakers

1:59:15.560 --> 1:59:18.200
<v Speaker 1>is a coach, but you have your love. How many

1:59:18.640 --> 1:59:20.160
<v Speaker 1>hold on? No no, no, no, no, no, no, no no,

1:59:20.600 --> 1:59:27.280
<v Speaker 1>don't do this? Why because y'all God, that's it. Hold

1:59:27.280 --> 1:59:33.000
<v Speaker 1>on as you know how many sneaker shows we do

1:59:33.600 --> 1:59:35.880
<v Speaker 1>where he's fifteen and sixteen year sevent to ye old

1:59:35.920 --> 1:59:38.160
<v Speaker 1>kids don't know you from nothing from music, but they

1:59:38.200 --> 1:59:41.680
<v Speaker 1>praise the ground you walk on because it's sneakers. Answer yourself.

1:59:41.800 --> 1:59:44.800
<v Speaker 1>You can answer that yourself. Why do that? I'm asking you?

1:59:45.120 --> 1:59:49.560
<v Speaker 1>You can't do I created sneakers. I designed sneakers. I'm

1:59:49.640 --> 1:59:51.840
<v Speaker 1>a guy who who is looked at and that's a

1:59:51.960 --> 1:59:54.440
<v Speaker 1>culture to them because they don't know that you discovered ja.

1:59:54.600 --> 1:59:56.200
<v Speaker 1>They don't know that you were saying jazz or was

1:59:56.240 --> 1:59:57.600
<v Speaker 1>the best in the world. They don't know that you

1:59:57.760 --> 2:00:02.200
<v Speaker 1>signed dies effects. They don't know that because making them effects.

2:00:03.200 --> 2:00:05.720
<v Speaker 1>You know what I'm saying. He's trying, but I'm right.

2:00:05.880 --> 2:00:09.560
<v Speaker 1>But but your definition of culture, like if I was

2:00:09.640 --> 2:00:13.040
<v Speaker 1>going Encyclopedia culture, what the way you define it is?

2:00:13.160 --> 2:00:15.800
<v Speaker 1>That is the definition of culture, because that's the only

2:00:15.840 --> 2:00:18.320
<v Speaker 1>way we can define what we're talking about. Okay, So

2:00:18.400 --> 2:00:22.640
<v Speaker 1>then I guess we'll open a dictionary put these generations

2:00:22.680 --> 2:00:25.480
<v Speaker 1>to color. Don't know who you are from music. They

2:00:25.520 --> 2:00:30.520
<v Speaker 1>know who you was. Dictionaries that drinking we make. I'm

2:00:30.560 --> 2:00:38.200
<v Speaker 1>the dicionary, he's the poor Okay, I'm gonna keep this funking.

2:00:38.760 --> 2:00:42.760
<v Speaker 1>I learned people what I understand. I'm thinking I wanted

2:00:42.800 --> 2:00:45.440
<v Speaker 1>to do that a long time. I understand what I

2:00:45.600 --> 2:00:48.920
<v Speaker 1>understand to be culture from being one who has who's

2:00:48.960 --> 2:00:53.320
<v Speaker 1>a spiritual person. So I learned it from a spiritual place.

2:00:53.360 --> 2:00:55.480
<v Speaker 1>So if I learned it from a spiritual place, I

2:00:55.560 --> 2:00:58.400
<v Speaker 1>can only look at what I understand to be culture

2:00:58.480 --> 2:01:02.960
<v Speaker 1>in a spiritual place. With that aloom, huh, he said,

2:01:03.000 --> 2:01:07.600
<v Speaker 1>you're right, but pulled up the definition of culture. I

2:01:07.680 --> 2:01:16.280
<v Speaker 1>hate all of y'all. I gotta relax the claw right, alright, alright,

2:01:16.480 --> 2:01:20.680
<v Speaker 1>read it again, read it again. Culture, The arts and

2:01:20.800 --> 2:01:25.560
<v Speaker 1>other manifestations of human intellectual achievement regarded collectively. So these

2:01:25.640 --> 2:01:28.400
<v Speaker 1>kids that don't know that you collect These kids collect

2:01:31.120 --> 2:01:34.120
<v Speaker 1>don't know that you. They know you from sneakers. That

2:01:34.240 --> 2:01:37.280
<v Speaker 1>is a culture. I am not looking at what you

2:01:37.560 --> 2:01:41.760
<v Speaker 1>said and reading it properly. Read again, read it again. Okay,

2:01:41.760 --> 2:01:43.880
<v Speaker 1>I'm not even drunk yet. I am drunk. The arts

2:01:44.480 --> 2:01:49.960
<v Speaker 1>of other manifestations of human intellectual achievement regarded collective hold

2:01:49.960 --> 2:01:55.680
<v Speaker 1>on human intellectual achievement. Where when that goes back to English,

2:01:58.000 --> 2:02:01.360
<v Speaker 1>stop read what you read and explain it, because you're

2:02:01.520 --> 2:02:04.480
<v Speaker 1>not explaining it. It's so simple. They've read it to you.

2:02:04.680 --> 2:02:07.200
<v Speaker 1>Look how my brother just called me a dumb too.

2:02:07.480 --> 2:02:10.080
<v Speaker 1>How many people have so many clothes with it too?

2:02:11.080 --> 2:02:20.840
<v Speaker 1>How many people listen what I did to understand what

2:02:20.960 --> 2:02:23.680
<v Speaker 1>you just read? The art you have to you the

2:02:23.760 --> 2:02:27.000
<v Speaker 1>reading yoursends the arts, and you're proving it to me.

2:02:27.280 --> 2:02:31.640
<v Speaker 1>The arts and other manifestations of human intellectual stop right

2:02:31.680 --> 2:02:36.800
<v Speaker 1>there and stopping the arts and what other manifestations of

2:02:37.880 --> 2:02:44.880
<v Speaker 1>human intellectual achievement? He regarded collective pull one collectively human

2:02:45.680 --> 2:02:51.520
<v Speaker 1>intellectual achievements and just for the joint. Wait wait wait

2:02:52.000 --> 2:02:55.880
<v Speaker 1>wait wait wait wait wait wait wait wait, let's take

2:02:56.200 --> 2:02:59.040
<v Speaker 1>let's take a call up. Let's take a few steps back.

2:02:59.120 --> 2:03:02.160
<v Speaker 1>What are sneakers? Shoes? Right? Shoes or something you wear

2:03:02.320 --> 2:03:05.760
<v Speaker 1>right to protect your feet from the elements? Right? Okay? Cool?

2:03:06.280 --> 2:03:11.680
<v Speaker 1>Where is what was it again? Okay? Cool? I'm done here.

2:03:12.080 --> 2:03:14.240
<v Speaker 1>Like you read at yourself that you can't just say this.

2:03:14.320 --> 2:03:17.760
<v Speaker 1>You got very professional, just did you hold on your

2:03:17.800 --> 2:03:19.640
<v Speaker 1>reason for love of shoes and your reason for doing

2:03:19.680 --> 2:03:25.520
<v Speaker 1>this is because they protect your feet because and that's

2:03:25.560 --> 2:03:31.520
<v Speaker 1>totally different whether we're talking about the bottom line. If

2:03:31.600 --> 2:03:34.920
<v Speaker 1>you just let me just read, you would be wrong.

2:03:35.040 --> 2:03:39.000
<v Speaker 1>I know, I would be all right, says I would

2:03:39.040 --> 2:03:44.040
<v Speaker 1>be right. You'll just prove thatllec. But when you go intellect,

2:03:44.080 --> 2:03:46.280
<v Speaker 1>you gotta go intellect on different level. Seventeen year olds

2:03:46.280 --> 2:03:48.880
<v Speaker 1>and not gonna have my forty four year old. No, no, no, no, no, no,

2:03:49.360 --> 2:03:52.040
<v Speaker 1>you did again. You're gonna be wrong again. Oh my god,

2:03:52.160 --> 2:03:54.960
<v Speaker 1>Jesus Christ fucking read this ship I read. Are we

2:03:55.080 --> 2:03:57.240
<v Speaker 1>doing this on the podcast? That's what we're gonna do

2:03:57.360 --> 2:04:00.880
<v Speaker 1>right now. I'm not losing a right not hollo hollo.

2:04:01.000 --> 2:04:03.960
<v Speaker 1>Wait wait waita becomes wait wait wait a personal thinking.

2:04:05.200 --> 2:04:07.600
<v Speaker 1>I mean I just want to reso no, no, no, no, no,

2:04:08.160 --> 2:04:11.520
<v Speaker 1>what I just walked back with him for what you read?

2:04:11.920 --> 2:04:14.360
<v Speaker 1>Did he lose the human intellectional part? I see how

2:04:14.400 --> 2:04:17.840
<v Speaker 1>sneak is thank you very fucking What does that mean?

2:04:18.200 --> 2:04:24.920
<v Speaker 1>Just define that you'll disagree with me. I'm not. I'm

2:04:24.960 --> 2:04:28.320
<v Speaker 1>not saying this as Listen. Everything that you're going to

2:04:28.440 --> 2:04:31.080
<v Speaker 1>get that human and that's intellectual, is going to make

2:04:31.160 --> 2:04:35.480
<v Speaker 1>you smarter. So the shoe is not gonna make you smart.

2:04:35.600 --> 2:04:44.080
<v Speaker 1>It's fucking shoes, Yo, It's shoes so whack I I

2:04:44.120 --> 2:04:52.160
<v Speaker 1>can't argue it. Understand me. Yes, yeah, I swear to

2:04:52.240 --> 2:04:54.960
<v Speaker 1>God like this is real nigga ship. We're gonna have

2:04:55.040 --> 2:04:57.280
<v Speaker 1>to We're gonna have such of Instagram and Twitter war

2:04:57.440 --> 2:05:01.520
<v Speaker 1>between this because and we're still them with all due respects. Listen,

2:05:01.720 --> 2:05:05.400
<v Speaker 1>talk to the people. There are people hate hats. That's

2:05:05.440 --> 2:05:11.880
<v Speaker 1>why that's why you wanted to come so bad. Base,

2:05:12.360 --> 2:05:14.320
<v Speaker 1>that's why you wanted to be here so bad. No, No,

2:05:14.520 --> 2:05:16.400
<v Speaker 1>because I get tired of you saying this is not

2:05:16.440 --> 2:05:18.040
<v Speaker 1>a coach when it's a question. Get tired of what

2:05:18.120 --> 2:05:20.320
<v Speaker 1>I'm saying, because you're proper and we all view about this,

2:05:20.760 --> 2:05:22.240
<v Speaker 1>That's what I'm saying. I don't even get that. But

2:05:22.760 --> 2:05:25.760
<v Speaker 1>back to what I'm saying is there are people who

2:05:25.840 --> 2:05:31.280
<v Speaker 1>are more enthusiastically and I'm one of those guys who's enthusiast,

2:05:31.400 --> 2:05:35.200
<v Speaker 1>more enthusiastic than usual. I don't believe that I'm some

2:05:35.720 --> 2:05:38.520
<v Speaker 1>superhero because I like shoes more than the next guy.

2:05:38.760 --> 2:05:40.880
<v Speaker 1>You know why, because I don't know a person who

2:05:40.920 --> 2:05:43.960
<v Speaker 1>doesn't have a pair of sneakers. So what do you

2:05:44.040 --> 2:05:45.800
<v Speaker 1>tell that young kids? No, No, what do you tell

2:05:45.880 --> 2:05:48.400
<v Speaker 1>that young kid that doesn't know who What do you

2:05:48.520 --> 2:05:50.560
<v Speaker 1>tell that young kid who doesn't know who you are

2:05:50.640 --> 2:05:53.080
<v Speaker 1>based on music, who loves you for sneakers and goes

2:05:53.120 --> 2:05:56.000
<v Speaker 1>to your sneaker convention. I supposed to tell them you're

2:05:56.080 --> 2:05:58.520
<v Speaker 1>their hero, you're their idol. And I don't tell him

2:05:58.560 --> 2:06:01.240
<v Speaker 1>anything wrong. I tell him, to them, you're the culture

2:06:01.320 --> 2:06:06.000
<v Speaker 1>of sneakers. To them, you're the culture. We just experienced

2:06:06.040 --> 2:06:08.080
<v Speaker 1>that in Niketown. Just now, my nigger I've walked out

2:06:08.440 --> 2:06:10.680
<v Speaker 1>and he was taking pictures, but then they still didn't

2:06:10.680 --> 2:06:13.000
<v Speaker 1>talk to you. Dude started talking to you about sneakers,

2:06:13.080 --> 2:06:15.360
<v Speaker 1>and then started rapping to you. You are his life.

2:06:15.520 --> 2:06:18.640
<v Speaker 1>Wait wait, hold on, and I wrong, you're his life.

2:06:18.680 --> 2:06:21.280
<v Speaker 1>The guy who you guy who started rapping to me

2:06:21.360 --> 2:06:24.120
<v Speaker 1>didn't talk to me about sneakers all. Do you know

2:06:24.200 --> 2:06:26.520
<v Speaker 1>what he was like? He was like, oh, that's a nick.

2:06:26.800 --> 2:06:29.400
<v Speaker 1>Can't Nick might put me on if he thinks I'm nice.

2:06:29.840 --> 2:06:32.280
<v Speaker 1>So I just cannot wrap for you. He didn't speak

2:06:32.280 --> 2:06:34.960
<v Speaker 1>to me about sneakers at all. About sneakers, Well, that's

2:06:34.960 --> 2:06:37.960
<v Speaker 1>you dog. You know why, because you're a sneaker fucking superhero.

2:06:39.640 --> 2:06:42.919
<v Speaker 1>We're together because we're friends. We're not together because of sneak. Absolutely,

2:06:42.920 --> 2:06:44.280
<v Speaker 1>we don't even talk to we don't even talk about

2:06:44.280 --> 2:06:46.760
<v Speaker 1>we don't talk about some angry sneakers. So my question,

2:06:47.240 --> 2:06:49.160
<v Speaker 1>you know what, this is my brother for five years.

2:06:49.200 --> 2:06:53.400
<v Speaker 1>We really are understand right now we talk about right now,

2:06:53.440 --> 2:06:56.960
<v Speaker 1>I don't even understand what we're talking about, sneak because

2:06:57.000 --> 2:07:00.200
<v Speaker 1>we're here for you. Planned on the text. I know

2:07:00.400 --> 2:07:10.960
<v Speaker 1>you did. I show you're fired. There's let's go. No,

2:07:11.120 --> 2:07:14.880
<v Speaker 1>that's a choice. Is tattoos right? Wait? Wait, you know

2:07:14.960 --> 2:07:18.440
<v Speaker 1>what you just said. Say it again. People people takes no, no, no,

2:07:18.720 --> 2:07:21.440
<v Speaker 1>people think it's a culture. Say that that's the truth.

2:07:23.400 --> 2:07:27.880
<v Speaker 1>You don't think sneaker. I think are some people who

2:07:28.280 --> 2:07:32.080
<v Speaker 1>are more enthusiastic about sneakers than others. I'm one of

2:07:32.120 --> 2:07:41.360
<v Speaker 1>those guys, just one of It's not a hobby, but no, listen,

2:07:41.480 --> 2:07:43.120
<v Speaker 1>I just want to get myself out of the clip.

2:07:43.640 --> 2:07:47.240
<v Speaker 1>My ship is and I've proven it. I just want

2:07:47.280 --> 2:07:50.960
<v Speaker 1>to be fresh. That's it. My sneakers get dirty, I

2:07:51.120 --> 2:07:55.840
<v Speaker 1>damn D and hate him. I don't clean sneakers. I

2:07:55.920 --> 2:07:59.120
<v Speaker 1>don't play that ship. I got enough sneakers. I'm not

2:07:59.240 --> 2:08:02.080
<v Speaker 1>cleaning my sneak because because I have so many sneakers,

2:08:02.080 --> 2:08:04.440
<v Speaker 1>I want to fucking wear them. So what do I do?

2:08:04.680 --> 2:08:06.800
<v Speaker 1>I wear them? Get his ships away? Why? Because I

2:08:06.840 --> 2:08:08.640
<v Speaker 1>got enough sneakers that I could wear a brand new pair.

2:08:08.760 --> 2:08:10.600
<v Speaker 1>Why do I have so much? Because when I was

2:08:10.640 --> 2:08:12.440
<v Speaker 1>a kid, I wanted to be as fresh as the

2:08:12.440 --> 2:08:17.280
<v Speaker 1>older guy. Listen. So when I got some money, when

2:08:17.320 --> 2:08:19.080
<v Speaker 1>I got some money, how about as many pair of

2:08:19.120 --> 2:08:21.560
<v Speaker 1>sneakers as I possibly could? Why? Because I wanted to

2:08:21.600 --> 2:08:25.040
<v Speaker 1>be fresh? That's it. Because I heard about a story.

2:08:25.760 --> 2:08:28.840
<v Speaker 1>You had an exclusive pair of something something something something,

2:08:29.360 --> 2:08:33.920
<v Speaker 1>and the lust of rhymes saw you said, Yo, those

2:08:35.040 --> 2:08:37.960
<v Speaker 1>you took your sneakers off. He told you that, and

2:08:38.040 --> 2:08:41.800
<v Speaker 1>you gave him the bust that I told you. I

2:08:41.880 --> 2:08:45.200
<v Speaker 1>never heard I did. We We were um, we were

2:08:45.280 --> 2:08:49.160
<v Speaker 1>on the two were on puff talk and we went

2:08:49.240 --> 2:08:50.800
<v Speaker 1>to Portland. No way, I told him we went to

2:08:50.920 --> 2:08:54.280
<v Speaker 1>Portland and I um, I knew the people that Nike saw.

2:08:54.320 --> 2:08:55.960
<v Speaker 1>I went to I got visited Nike. What it was

2:08:56.000 --> 2:08:57.880
<v Speaker 1>in poland listen to a long He says he knows

2:08:57.880 --> 2:09:00.400
<v Speaker 1>the Nike people, but got what the I love it

2:09:02.720 --> 2:09:05.680
<v Speaker 1>to do anything right now. I want to make noise

2:09:05.720 --> 2:09:07.520
<v Speaker 1>for you being the big nig for a long time.

2:09:07.640 --> 2:09:13.879
<v Speaker 1>God damnit, big hold me in the sneak again. Goddamn

2:09:13.920 --> 2:09:19.680
<v Speaker 1>it for a long time to continue. I'm sorry. So

2:09:19.800 --> 2:09:23.080
<v Speaker 1>we'll happened to call. I went to Nike. I hung

2:09:23.120 --> 2:09:25.000
<v Speaker 1>out with my boy. My boy gave me some shoes.

2:09:25.120 --> 2:09:28.520
<v Speaker 1>I asked him for shoes for everybody. I bought shoes back.

2:09:28.600 --> 2:09:31.680
<v Speaker 1>I gave shoes to whomever. Um. I was wearing a

2:09:31.720 --> 2:09:35.120
<v Speaker 1>pair of yellow Air Force ones and bust. You know,

2:09:35.200 --> 2:09:37.240
<v Speaker 1>bus was very colorful like that for sex moment. All

2:09:37.280 --> 2:09:39.120
<v Speaker 1>these ship was super colorful. He saw the shoes and

2:09:39.280 --> 2:09:41.920
<v Speaker 1>was like, Yo, where the fun did you get dolls?

2:09:42.000 --> 2:09:44.640
<v Speaker 1>And I was like, you want them, you got them,

2:09:44.840 --> 2:09:46.040
<v Speaker 1>So I just took him off and gave them to

2:09:46.160 --> 2:09:48.480
<v Speaker 1>him because we couldn't wear nikes when he was on

2:09:48.560 --> 2:09:50.440
<v Speaker 1>stage at that point anyway, because we were wearing all

2:09:50.480 --> 2:09:52.520
<v Speaker 1>black side with black tempts. So I was just like,

2:09:53.400 --> 2:09:54.720
<v Speaker 1>you can take I get took him off and give

2:09:54.760 --> 2:09:57.080
<v Speaker 1>them to him. Where did you hear that? I gotta

2:09:57.120 --> 2:09:58.800
<v Speaker 1>get it. I want to know where you're hearing from

2:09:58.840 --> 2:10:01.840
<v Speaker 1>because I never heard this storm know everything. I gotta

2:10:01.880 --> 2:10:10.560
<v Speaker 1>a man. I didn't want to relax because story back,

2:10:15.800 --> 2:10:18.520
<v Speaker 1>we gotta stop. We gotta stop because because people think

2:10:18.840 --> 2:10:25.160
<v Speaker 1>I'm really serious, said Joe. For y'all, EF, I want

2:10:25.200 --> 2:10:29.000
<v Speaker 1>your anniversary. We did some crazy ship. We started off

2:10:29.560 --> 2:10:34.360
<v Speaker 1>our first episode with Kenny Anderson and Fat Joe was

2:10:34.400 --> 2:10:37.920
<v Speaker 1>the first one and he between that but first one

2:10:38.160 --> 2:10:44.920
<v Speaker 1>Kenny Anderson because I loved you. I know Chimber last episode?

2:10:45.080 --> 2:10:49.200
<v Speaker 1>Did you call him Chills? Ye call the chill. I

2:10:49.200 --> 2:10:52.480
<v Speaker 1>don't call him chips, you call him I called him Chimber. Yeah,

2:10:52.560 --> 2:10:56.280
<v Speaker 1>I call him chill. But city queens for us to

2:10:56.400 --> 2:10:58.240
<v Speaker 1>how do I know that? How do I know that?

2:10:58.360 --> 2:11:03.760
<v Speaker 1>Because you because whatever right there? He's funny because used

2:11:03.760 --> 2:11:06.920
<v Speaker 1>the DJ and Clark Park in the Bronx. Hold hold

2:11:08.080 --> 2:11:14.080
<v Speaker 1>you got cut off? He said, Because I'm a real

2:11:15.280 --> 2:11:17.320
<v Speaker 1>That's what I'm gonna. I'm gonna getting Bronx claim too.

2:11:17.880 --> 2:11:26.880
<v Speaker 1>I used to be all over, let's get it, come on, nor,

2:11:27.120 --> 2:11:31.200
<v Speaker 1>let's go where we at? So now, oh boy, before

2:11:31.240 --> 2:11:32.840
<v Speaker 1>we get up out of here. Oh oh, so this

2:11:32.880 --> 2:11:35.360
<v Speaker 1>is the last one. He's just he's a little tipsy.

2:11:35.560 --> 2:11:41.680
<v Speaker 1>And so you also worked with Foxy Brown a little Kim, Right, wait,

2:11:41.680 --> 2:11:46.760
<v Speaker 1>who's your cousin? Foxxy Anger? And he knows that, don't

2:11:47.040 --> 2:11:48.640
<v Speaker 1>don't let him act like you don't know that. So

2:11:48.760 --> 2:11:52.080
<v Speaker 1>you also work with both. I never made a record

2:11:52.120 --> 2:11:55.320
<v Speaker 1>on my cousin? Is that crazy? But how powerful would

2:11:55.360 --> 2:11:59.720
<v Speaker 1>it be at Foxy at a little Kim, Like at

2:11:59.760 --> 2:12:04.240
<v Speaker 1>this very moment right now. If Foxy and Little Kim

2:12:04.400 --> 2:12:08.040
<v Speaker 1>got together at this moment this, it'll probably be really

2:12:08.120 --> 2:12:11.680
<v Speaker 1>really cool. About five years ago, it would have been nuts.

2:12:12.080 --> 2:12:14.480
<v Speaker 1>And it's funny because when we say nuts, you're saying

2:12:14.560 --> 2:12:20.640
<v Speaker 1>like that because you know, four, like five, six years ago,

2:12:20.840 --> 2:12:24.040
<v Speaker 1>who was the girl? It was almost like we were

2:12:24.080 --> 2:12:26.440
<v Speaker 1>looking for the girl, you know what I'm saying. But

2:12:26.560 --> 2:12:31.880
<v Speaker 1>the magic imagine if out of nowhere you got Fox

2:12:32.000 --> 2:12:34.400
<v Speaker 1>and Thulming Louise. And the funny part is like, it's

2:12:34.400 --> 2:12:36.880
<v Speaker 1>a bunch of people who got spoken to about that,

2:12:37.000 --> 2:12:39.200
<v Speaker 1>but I actually had the ability to do it, and

2:12:41.000 --> 2:12:44.720
<v Speaker 1>back then they actually had a sauce cover right right,

2:12:45.520 --> 2:12:50.640
<v Speaker 1>And the idea was would have been Tholming Louise, Why

2:12:50.720 --> 2:12:52.920
<v Speaker 1>we can't make that happen, Let's make treats. Makes it

2:12:53.000 --> 2:12:59.760
<v Speaker 1>loyal treat chair listen. I see them both recently. No,

2:13:00.040 --> 2:13:03.760
<v Speaker 1>I'm lying. I think Kim recently. I spoke to Fox

2:13:03.880 --> 2:13:08.120
<v Speaker 1>on the phone, but I think that I think they

2:13:08.120 --> 2:13:11.720
<v Speaker 1>should do that for hip hop, fuck anything else. I

2:13:11.760 --> 2:13:17.160
<v Speaker 1>would be legend like like, y'all beat your whole career,

2:13:18.040 --> 2:13:22.400
<v Speaker 1>who want your kid together? Let can't produce the ship?

2:13:24.200 --> 2:13:27.720
<v Speaker 1>There you go and man the intu. I would produce

2:13:27.800 --> 2:13:30.320
<v Speaker 1>it and let Clark and you know what I would

2:13:30.400 --> 2:13:33.000
<v Speaker 1>rather do. I'd rather be the executive producer or a

2:13:33.360 --> 2:13:35.440
<v Speaker 1>R on it so I can make the records. I

2:13:35.480 --> 2:13:38.000
<v Speaker 1>would rather find the music you got de scribe for

2:13:38.080 --> 2:13:42.320
<v Speaker 1>our listeners. What's the difference from producing and then being

2:13:42.320 --> 2:13:49.080
<v Speaker 1>an executive producer? Um A good executive producer, A good

2:13:49.160 --> 2:13:52.360
<v Speaker 1>executive producer, executive produces the records and make sure that

2:13:52.440 --> 2:14:02.160
<v Speaker 1>the records get made. We gotta relax. Come up, looks

2:14:02.160 --> 2:14:04.840
<v Speaker 1>it was about to take it from you. A good

2:14:04.880 --> 2:14:07.480
<v Speaker 1>executive producers the guy who's one of the guys who's

2:14:07.520 --> 2:14:09.600
<v Speaker 1>making the records. But a great and our is the

2:14:09.640 --> 2:14:12.280
<v Speaker 1>guy who makes sure the records get done. That's the

2:14:12.320 --> 2:14:15.960
<v Speaker 1>guy who finds the helps finds the music and helps

2:14:16.040 --> 2:14:19.000
<v Speaker 1>find the great records, helps helps make or make sure

2:14:19.040 --> 2:14:21.320
<v Speaker 1>that the hook is a great song. You know, a

2:14:21.400 --> 2:14:24.200
<v Speaker 1>great hook. So when you're listening to it, when someone

2:14:24.400 --> 2:14:26.000
<v Speaker 1>artists comes back and he sits in front of you

2:14:26.400 --> 2:14:29.840
<v Speaker 1>and he plays your album. If the album comes out

2:14:30.560 --> 2:14:34.080
<v Speaker 1>and it's not good, a lot of people want to

2:14:34.120 --> 2:14:35.960
<v Speaker 1>blame it on the artists, a lot of people want

2:14:36.000 --> 2:14:38.280
<v Speaker 1>to blame it on producers. But who they really should

2:14:38.320 --> 2:14:41.480
<v Speaker 1>blame it on is the guy who's doing artists in repertoire,

2:14:41.480 --> 2:14:43.720
<v Speaker 1>because it's your job to make sure the album is

2:14:43.800 --> 2:14:47.000
<v Speaker 1>BA and and I shouldn't blamed for it. But it's

2:14:47.040 --> 2:14:51.680
<v Speaker 1>and and all still even relevant nowadays, because that's a

2:14:51.840 --> 2:14:55.040
<v Speaker 1>really good question. But let's think for a second. If

2:14:55.080 --> 2:14:59.440
<v Speaker 1>the album's whack, then and is very relevant, great fu

2:15:00.040 --> 2:15:02.960
<v Speaker 1>the great fucking album's dope. I gotta hit with that

2:15:03.080 --> 2:15:06.080
<v Speaker 1>question I got. I got actually relaxed because you hit

2:15:06.120 --> 2:15:12.080
<v Speaker 1>me fuck up good and it's gonna make a good record.

2:15:12.320 --> 2:15:15.680
<v Speaker 1>I eat that serious, you know by that effects? What's

2:15:15.680 --> 2:15:20.840
<v Speaker 1>the what's the like is good? He's very good. He's

2:15:20.840 --> 2:15:26.280
<v Speaker 1>a very good and great Lenny as Lenny. Oh he's yeah.

2:15:26.680 --> 2:15:32.360
<v Speaker 1>I mean, but you know, can you name more and

2:15:33.240 --> 2:15:36.880
<v Speaker 1>more good? And ours? Um Jeff Sledge, he's a good

2:15:36.920 --> 2:15:42.440
<v Speaker 1>as crazy that who's that? I gotta I gotta k

2:15:43.520 --> 2:15:47.600
<v Speaker 1>oh yeah. Keith Murray like he was at job. He

2:15:47.720 --> 2:15:53.560
<v Speaker 1>was a job, was one of the very best. And

2:15:53.880 --> 2:16:00.400
<v Speaker 1>ours face no man, oh not Columbia. It's just stop right.

2:16:00.440 --> 2:16:04.480
<v Speaker 1>Faith Nas. Actually he's the first person who signed Campona

2:16:04.560 --> 2:16:11.400
<v Speaker 1>Noriega was the first people she signed live she chilled

2:16:11.560 --> 2:16:16.040
<v Speaker 1>to three years and actually I sucked that whole story up.

2:16:16.600 --> 2:16:23.880
<v Speaker 1>She signed Capone, Capon Paul, She signed Capone, and I

2:16:24.080 --> 2:16:26.880
<v Speaker 1>came home about six months after that. You gotta lack,

2:16:29.280 --> 2:16:36.360
<v Speaker 1>we don't have no more. Finish your story, Paco and Faith. Faith.

2:16:36.440 --> 2:16:41.520
<v Speaker 1>I got this is Miami should be rich somewhere living

2:16:41.560 --> 2:16:44.720
<v Speaker 1>in her life. Goddamnit, big o Faith Newman, goddamn it

2:16:44.879 --> 2:16:47.920
<v Speaker 1>because you know why. It didn't matter that she put

2:16:48.000 --> 2:16:50.760
<v Speaker 1>on me a capone, she put on nah, she put

2:16:50.840 --> 2:16:56.920
<v Speaker 1>on nothing. Nas set it up for us, morb, d uh, screwball,

2:16:57.520 --> 2:17:02.480
<v Speaker 1>lost boys. Everybody to come after that and eat. And

2:17:02.600 --> 2:17:05.280
<v Speaker 1>that's what the funk we did. And Slive is still

2:17:05.520 --> 2:17:08.000
<v Speaker 1>on that same meal. I just you know I had.

2:17:08.160 --> 2:17:11.080
<v Speaker 1>I had. It was like a Thanksgiving meal for me.

2:17:12.760 --> 2:17:18.680
<v Speaker 1>So I turkey, the gnarly analogy, sweet potatoes over there.

2:17:20.080 --> 2:17:24.200
<v Speaker 1>I wasn't leaving. Let me take I guess what I

2:17:24.320 --> 2:17:26.360
<v Speaker 1>was on wheels in the and the problem. We did

2:17:26.400 --> 2:17:30.680
<v Speaker 1>audio too. We didn't like yo yo, we did Michelle,

2:17:31.360 --> 2:17:35.240
<v Speaker 1>we did facts, we didn't vote, took a little the

2:17:35.280 --> 2:17:37.360
<v Speaker 1>shot for that. We need another shot for that. One

2:17:37.400 --> 2:17:44.160
<v Speaker 1>year for Sea, We're gonna take a light shot. I'm

2:17:44.160 --> 2:17:48.400
<v Speaker 1>almost like, that's not like st like, give me a

2:17:48.480 --> 2:17:52.320
<v Speaker 1>light shot. I'm your brother. You must say it right now,

2:17:53.080 --> 2:17:58.240
<v Speaker 1>that's it, that's it. Let me ask you this, no

2:17:58.360 --> 2:18:03.400
<v Speaker 1>disrespect right. And you talked about the dose effects came

2:18:03.440 --> 2:18:05.040
<v Speaker 1>with the album. How much did you have to a

2:18:05.160 --> 2:18:08.400
<v Speaker 1>and R at that album. Well, you have to after

2:18:08.480 --> 2:18:10.160
<v Speaker 1>after you get an album, you have to know when

2:18:10.240 --> 2:18:12.440
<v Speaker 1>it's right to drop it. What's the best record. Did

2:18:12.480 --> 2:18:15.440
<v Speaker 1>you shave records off? No? No, it's not about shaving records.

2:18:15.480 --> 2:18:19.560
<v Speaker 1>Office about picking the best records that go. Yeah, so pickings,

2:18:19.600 --> 2:18:28.280
<v Speaker 1>they want your DJ Djack. You know what's crazy? Um, Honestly,

2:18:28.360 --> 2:18:34.240
<v Speaker 1>in my heart, I believe DJs who I'm sorry. I

2:18:34.400 --> 2:18:37.920
<v Speaker 1>believe good DJs can make the best and ours. And

2:18:38.000 --> 2:18:41.400
<v Speaker 1>the reason why is because good DJs can teach you

2:18:41.480 --> 2:18:43.720
<v Speaker 1>about a new record. You know what I'm saying. They

2:18:43.800 --> 2:18:45.560
<v Speaker 1>can show you by the way, this is the record.

2:18:45.640 --> 2:18:48.320
<v Speaker 1>Just listening, keep listening, keep listening, keep listening. You know

2:18:48.360 --> 2:18:50.600
<v Speaker 1>what I'm saying. Because if if a dude has a

2:18:50.680 --> 2:18:52.560
<v Speaker 1>mixed show and he has a bunch of dudes who

2:18:52.560 --> 2:18:54.560
<v Speaker 1>has a bunch of records that no one has, and

2:18:54.680 --> 2:18:57.960
<v Speaker 1>he's deciding I'm gonna play this artist, you know what

2:18:58.040 --> 2:19:00.720
<v Speaker 1>I'm saying, Like that guy has the ability to break

2:19:00.800 --> 2:19:03.879
<v Speaker 1>that artist. And if he can break that artist, he's

2:19:03.920 --> 2:19:06.640
<v Speaker 1>doing something right. If he can look at the landscape

2:19:06.640 --> 2:19:09.160
<v Speaker 1>of music that's out and say I picked this, I

2:19:09.280 --> 2:19:10.880
<v Speaker 1>picked that, I picked this, and then play it in

2:19:10.959 --> 2:19:13.360
<v Speaker 1>his mix show and make people happy about the mix show.

2:19:13.959 --> 2:19:17.000
<v Speaker 1>That guy knows how to pick records, so he should.

2:19:17.600 --> 2:19:20.880
<v Speaker 1>And I'm being clear when I say he should be

2:19:21.000 --> 2:19:24.160
<v Speaker 1>able to pick a new artist, so he should be

2:19:24.280 --> 2:19:26.680
<v Speaker 1>able to hear a dope beat and say this artist

2:19:26.760 --> 2:19:28.560
<v Speaker 1>should have that beat. It would make sense if they

2:19:28.600 --> 2:19:31.480
<v Speaker 1>were singing or rapper on such. If he's not a

2:19:31.560 --> 2:19:33.800
<v Speaker 1>good If he's not a good DJ, he's not even

2:19:33.920 --> 2:19:36.600
<v Speaker 1>thinking about that. All he cares about is playing clubs.

2:19:36.920 --> 2:19:38.840
<v Speaker 1>If he's a good DJ, he cares about what the

2:19:38.920 --> 2:19:41.560
<v Speaker 1>music is gonna sound like in the next two days.

2:19:43.160 --> 2:19:45.600
<v Speaker 1>I don't even call it tastemakers, because they put tastemakers

2:19:45.640 --> 2:19:47.880
<v Speaker 1>in a totally different thing. My thing is a good

2:19:48.040 --> 2:19:55.200
<v Speaker 1>DJ should be teaching the crowd about something which most

2:19:55.280 --> 2:20:00.240
<v Speaker 1>DJs don't do well. I'm not one Joe Club. Yes,

2:20:03.040 --> 2:20:06.960
<v Speaker 1>you know, I'm just I'm just not most. But then again,

2:20:07.040 --> 2:20:08.680
<v Speaker 1>you know the ones who aren't most are the ones

2:20:08.720 --> 2:20:12.600
<v Speaker 1>who are still here. I've been here for a long

2:20:13.879 --> 2:20:17.080
<v Speaker 1>Let's talk about the Japanese connection. What about it. You've

2:20:17.080 --> 2:20:21.480
<v Speaker 1>got a lot of Japanese nittas. I love Clokhead. Is

2:20:21.520 --> 2:20:24.000
<v Speaker 1>that okay? You gotta clokhad you gotta clokhat? Lot of

2:20:24.120 --> 2:20:28.400
<v Speaker 1>japanesgue I've done. I've done a few collaborations with what

2:20:28.520 --> 2:20:34.520
<v Speaker 1>companies did Lafayette collaborator? I did three, four, I did

2:20:34.560 --> 2:20:39.760
<v Speaker 1>about four or five Lafayette collaborations. Ascribe to these people, Okay,

2:20:39.840 --> 2:20:48.240
<v Speaker 1>Lafayette is inscribed described, but it's scribere inscribing and inscribing

2:20:48.280 --> 2:20:52.039
<v Speaker 1>at the same time. What is scribing? I understand what inscribing?

2:20:52.240 --> 2:20:55.480
<v Speaker 1>What is disagree with it works? Okay, it's a drink

2:20:55.560 --> 2:20:58.279
<v Speaker 1>chance language. You see over when you learning LA brands

2:20:58.360 --> 2:21:01.320
<v Speaker 1>that are super duper popular, and then they're still on

2:21:01.440 --> 2:21:06.400
<v Speaker 1>the ground level and they're still like, you know, there's

2:21:06.440 --> 2:21:09.199
<v Speaker 1>still like Gritty and Street, you got the Black Scales,

2:21:09.240 --> 2:21:12.000
<v Speaker 1>You've got the Supremes and such. You go over to Japan.

2:21:12.320 --> 2:21:14.960
<v Speaker 1>Lafayette is one of those brands. Lafayete's a brand with

2:21:16.040 --> 2:21:18.280
<v Speaker 1>like six stores or whatever and selling a bunch of

2:21:18.320 --> 2:21:23.080
<v Speaker 1>ship and I've done at least you have five collapse

2:21:23.160 --> 2:21:26.520
<v Speaker 1>with them. At least so Supremes from Japan, Supremes from

2:21:26.560 --> 2:21:30.920
<v Speaker 1>New York. Okay, but they popping in Japan on the

2:21:30.959 --> 2:21:36.200
<v Speaker 1>Supremus popping around the universe. Bigger Supreme Teacher is going

2:21:36.240 --> 2:21:37.560
<v Speaker 1>for a lot of money on the internet right now.

2:21:39.440 --> 2:21:41.240
<v Speaker 1>Nor he has all of them. They need selling. I

2:21:41.280 --> 2:21:45.160
<v Speaker 1>need this as large place definitely you got it. You

2:21:45.280 --> 2:21:49.480
<v Speaker 1>see that smiles. That's the I'm like, smile. I need

2:21:49.560 --> 2:22:00.640
<v Speaker 1>that listened them. I didn't want to inventory did I

2:22:00.720 --> 2:22:04.400
<v Speaker 1>say that? I lou, I need that definition of those

2:22:05.400 --> 2:22:08.800
<v Speaker 1>You got somewhere again, somewhere in my life in your mind.

2:22:08.840 --> 2:22:14.320
<v Speaker 1>You got me in my life, in my life. So Clark,

2:22:16.280 --> 2:22:19.200
<v Speaker 1>you work a bit. Yes you worked with Jack, Yes

2:22:21.840 --> 2:22:26.880
<v Speaker 1>you work with Rick Ross work or nas. You know,

2:22:27.000 --> 2:22:30.560
<v Speaker 1>I didn't have that. I wanted to to the funny

2:22:30.600 --> 2:22:32.520
<v Speaker 1>Ship is the day that I explained to him about

2:22:32.560 --> 2:22:34.480
<v Speaker 1>the about that thing we was on that on the

2:22:34.560 --> 2:22:37.960
<v Speaker 1>revote cruise. He was like, YO, give me something. Let's

2:22:37.959 --> 2:22:40.160
<v Speaker 1>do something new. And he knew that I was gonna

2:22:40.200 --> 2:22:41.960
<v Speaker 1>sunk with Davis because I'm gonna I'm gonna do a

2:22:42.000 --> 2:22:45.520
<v Speaker 1>record for Davis. So he's like, he's like yoo for

2:22:46.000 --> 2:22:47.680
<v Speaker 1>he was like, yo, you funk with him. I was like, nah,

2:22:47.800 --> 2:22:51.960
<v Speaker 1>fused with Davies. He's like, yo, you know, send me something.

2:22:52.879 --> 2:22:54.760
<v Speaker 1>So he was like for me to set up something

2:22:54.760 --> 2:22:57.480
<v Speaker 1>with trade numbers or whatever, summer set up something. But

2:22:57.920 --> 2:23:03.840
<v Speaker 1>but that's the crest he's so well be Nas. Yeah. NAS.

2:23:04.600 --> 2:23:08.760
<v Speaker 1>Top five Top five, Top five that God keep from queens.

2:23:08.800 --> 2:23:12.400
<v Speaker 1>I understand you're saying that. No, I mean, why don't

2:23:12.440 --> 2:23:15.000
<v Speaker 1>have another shot? Because we didn't? Because you never drink that.

2:23:15.080 --> 2:23:21.000
<v Speaker 1>We didn't. We weren't a part of that. We should

2:23:21.000 --> 2:23:26.640
<v Speaker 1>stop south south tope that you're my brother? Now we

2:23:26.680 --> 2:23:29.680
<v Speaker 1>got man, you're not gonna win this art? Are we

2:23:29.760 --> 2:23:32.040
<v Speaker 1>a part of that shot? We weren't. That was come on,

2:23:32.160 --> 2:23:36.960
<v Speaker 1>that was you talamily, brother. You gotta relax. Yeah, yeah,

2:23:37.480 --> 2:23:41.600
<v Speaker 1>y'all respect them. Y'all gotta relax. That was y'all ship

2:23:41.680 --> 2:23:43.880
<v Speaker 1>with each other. Take a shot. Do what you're gonna do,

2:23:44.040 --> 2:23:46.280
<v Speaker 1>ask the queer. I wouldn't know. My family's heard. I

2:23:46.320 --> 2:23:48.760
<v Speaker 1>would agree with you, right, I would say this is

2:23:48.800 --> 2:23:55.119
<v Speaker 1>like a Latino thing. But the thing about it all things. Yeah,

2:23:55.200 --> 2:23:56.880
<v Speaker 1>so that's what I say. You just want to get

2:23:56.920 --> 2:24:05.680
<v Speaker 1>another shot? Give another shot together? No? Ye? Can I spection?

2:24:05.720 --> 2:24:08.480
<v Speaker 1>What are you doing after? I'm going to see Clark

2:24:08.560 --> 2:24:10.600
<v Speaker 1>K But wait, what are you doing after this? I'm

2:24:10.640 --> 2:24:12.920
<v Speaker 1>going home? What are you doing after this? I'm going

2:24:12.959 --> 2:24:15.040
<v Speaker 1>to see my brother DJ. That's what I'm going to do.

2:24:15.600 --> 2:24:18.000
<v Speaker 1>I'm going to seeking work and I'm gonna buy you

2:24:18.080 --> 2:24:20.880
<v Speaker 1>to do right now. That's what I'm doing right now

2:24:21.080 --> 2:24:24.600
<v Speaker 1>you're working. It will be done in like ten minutes.

2:24:24.680 --> 2:24:26.240
<v Speaker 1>But he's gonna go see you afterwards. I'm going to

2:24:26.320 --> 2:24:29.720
<v Speaker 1>see you, but you'll be hanging while I'm working. But

2:24:29.800 --> 2:24:33.440
<v Speaker 1>I gotta also keep my life together because you know what,

2:24:33.480 --> 2:24:37.480
<v Speaker 1>I'm trying to keep my mone So very typical moment

2:24:38.200 --> 2:24:42.760
<v Speaker 1>with a very typical moment. Yeah, we gotta, we gotta control,

2:24:43.240 --> 2:24:46.920
<v Speaker 1>we gotta control our environment, and then we gotta and

2:24:47.000 --> 2:24:49.520
<v Speaker 1>then you know, we gotta do clock. We have to

2:24:49.600 --> 2:24:53.879
<v Speaker 1>behave ourselves. There's a curve here, and guess what cloth

2:24:54.000 --> 2:24:58.400
<v Speaker 1>for the Listen. We are getting people back for the

2:24:58.520 --> 2:25:02.920
<v Speaker 1>cold crushed brothers, right, We're getting them back to them. Yes,

2:25:03.400 --> 2:25:06.120
<v Speaker 1>getting back what he means, it's getting people back for

2:25:06.200 --> 2:25:09.480
<v Speaker 1>what they did to the brothers. Right. I like that.

2:25:09.760 --> 2:25:13.440
<v Speaker 1>You got to relax. Let's get it next time. Do

2:25:13.480 --> 2:25:16.000
<v Speaker 1>you think I'm not gonna say what I said? You

2:25:16.200 --> 2:25:19.280
<v Speaker 1>have question, Let's go listen, and we're doing it in

2:25:19.360 --> 2:25:22.040
<v Speaker 1>the name of hip your cloth. You know, we never

2:25:22.120 --> 2:25:24.560
<v Speaker 1>had no faithing to go on Drink Chaps. You're never

2:25:24.720 --> 2:25:29.000
<v Speaker 1>started to tony people on drink champ. You know why

2:25:30.040 --> 2:25:33.480
<v Speaker 1>I'm every episode because you know why we really want

2:25:33.520 --> 2:25:38.080
<v Speaker 1>to pick up authentic original hip hop, and what is

2:25:38.200 --> 2:25:43.240
<v Speaker 1>saying on your fucking hat the originals? You guess you're ready.

2:25:44.160 --> 2:25:47.520
<v Speaker 1>You want any port you know what, dn't do it,

2:25:48.400 --> 2:25:50.840
<v Speaker 1>but you can't want to go and I'm in with you.

2:25:50.959 --> 2:25:57.800
<v Speaker 1>Let's yeah, you lights show that, the light skins show

2:25:57.879 --> 2:26:04.080
<v Speaker 1>before my stomach. That's a shop. That's what I know.

2:26:04.240 --> 2:26:06.920
<v Speaker 1>You felt bad doing that, you know? He was like,

2:26:09.560 --> 2:26:11.280
<v Speaker 1>was I called? He was like, I didn't know way

2:26:11.280 --> 2:26:16.840
<v Speaker 1>you're calling them for. I do look good, but I

2:26:16.959 --> 2:26:20.520
<v Speaker 1>didn't feel bad because you curbed me. I never curved you.

2:26:20.720 --> 2:26:23.760
<v Speaker 1>You did. I was gonna be honest. I swear to god,

2:26:23.800 --> 2:26:27.520
<v Speaker 1>I'm gonna go back. Let me tell you something about

2:26:27.520 --> 2:26:31.879
<v Speaker 1>soul with people. It's a d I'm gonna go back

2:26:31.920 --> 2:26:34.000
<v Speaker 1>and I'm gonna show it to him, he wrote. I

2:26:34.120 --> 2:26:36.160
<v Speaker 1>wrote him. He was like, I gotta get called on

2:26:36.200 --> 2:26:38.920
<v Speaker 1>the podcast and I was like, absolutely, I'm down, but

2:26:39.000 --> 2:26:42.039
<v Speaker 1>don't forget I know you poppy, So as soon as

2:26:42.080 --> 2:26:44.120
<v Speaker 1>they sell the poppy is when he was like, yeah,

2:26:44.600 --> 2:26:51.520
<v Speaker 1>forget it. I'm gonna be honest. I believe that. Wait

2:26:51.560 --> 2:26:57.160
<v Speaker 1>wait wait, wait wait, pol you said about plastic for

2:26:57.280 --> 2:27:01.680
<v Speaker 1>how long? Seven months? Because it took seven months to

2:27:01.879 --> 2:27:04.400
<v Speaker 1>him to go, oh ship, you're gonna do these nigga

2:27:04.480 --> 2:27:12.280
<v Speaker 1>podcast That's what he was eating petty nor at all.

2:27:12.600 --> 2:27:15.160
<v Speaker 1>If I was that important to be on the podcast,

2:27:15.200 --> 2:27:44.720
<v Speaker 1>I would have been thirty seconds. Take your shot. That's

2:27:44.840 --> 2:27:48.280
<v Speaker 1>terribly good. It's too good. The blessed vocket on the

2:27:48.320 --> 2:27:57.720
<v Speaker 1>planet know that. That is so funny. Because I wanted

2:27:57.760 --> 2:28:00.520
<v Speaker 1>this podcast to happen so bad. I text Normy. I

2:28:00.600 --> 2:28:03.200
<v Speaker 1>was like, you know, he got thirty six hundred one

2:28:03.959 --> 2:28:08.680
<v Speaker 1>just along beside you with uh well said everything else.

2:28:08.920 --> 2:28:11.440
<v Speaker 1>I'm gonna do that you got right now. I'm gonna

2:28:11.720 --> 2:28:17.680
<v Speaker 1>he's acorn him Nike. Do you see Acron. I'm gonna

2:28:17.680 --> 2:28:20.400
<v Speaker 1>die this, dude. You gotta hook up. Clark got the

2:28:20.440 --> 2:28:22.440
<v Speaker 1>hook up, but I'm dirty stick. I got the hook

2:28:22.520 --> 2:28:24.800
<v Speaker 1>up on the Dirty Ticker Club. Whatever the fund. That's God,

2:28:25.000 --> 2:28:28.840
<v Speaker 1>that's me, not for dumb hard. That was texting regular like, Yo,

2:28:28.920 --> 2:28:30.680
<v Speaker 1>Clark is gonna be in Miami this weekend? What's up?

2:28:31.800 --> 2:28:33.880
<v Speaker 1>I want? I was ready, I'm seeing, I was ready.

2:28:34.120 --> 2:28:36.560
<v Speaker 1>I was ready, we were I was ready, we saw

2:28:37.320 --> 2:28:40.480
<v Speaker 1>and I was on. Didn't work out that way. I text,

2:28:40.520 --> 2:28:42.080
<v Speaker 1>you know, I don't know. I don't have a bother normy,

2:28:42.080 --> 2:28:43.920
<v Speaker 1>I text normally I check this out. Clock is gonna

2:28:43.920 --> 2:28:45.840
<v Speaker 1>be in Miami this weekend? What's up? I want to

2:28:45.879 --> 2:28:50.160
<v Speaker 1>make this happen. This FIGI but from a different and

2:28:50.280 --> 2:28:58.880
<v Speaker 1>yes here lying that's it's not even Fucci, it's not

2:28:58.959 --> 2:29:06.120
<v Speaker 1>even cold. That's blacks bottomed water. Who was that for you?

2:29:06.400 --> 2:29:08.280
<v Speaker 1>I was gonna. I thought we were making drinks. I

2:29:08.320 --> 2:29:10.880
<v Speaker 1>didn't know, like we're gonna make like my hat? Are you?

2:29:11.160 --> 2:29:15.280
<v Speaker 1>I'll take a drink with your your clock. Now, let

2:29:15.280 --> 2:29:16.800
<v Speaker 1>me ask you a question. Why are you getting pottle

2:29:16.800 --> 2:29:20.920
<v Speaker 1>of water to put tapwater ice in it? Cool? I

2:29:20.920 --> 2:29:25.680
<v Speaker 1>don't need to ice from the Jesus? Would you do

2:29:25.800 --> 2:29:29.040
<v Speaker 1>that for you? Just my pig water experience? You know?

2:29:29.280 --> 2:29:31.840
<v Speaker 1>You know I'm from the resource froom. You know the

2:29:31.959 --> 2:29:35.959
<v Speaker 1>niggas in the resource room and especial education. That's that's

2:29:36.000 --> 2:29:38.720
<v Speaker 1>the one I am. I'm that nigger. I have four

2:29:38.840 --> 2:29:45.440
<v Speaker 1>teachers and four students. It was even were both you

2:29:45.520 --> 2:29:52.440
<v Speaker 1>said four and he said, we're both with easy. I'm

2:29:52.560 --> 2:29:55.680
<v Speaker 1>the most of this thing in the world. You're the smartest.

2:29:56.280 --> 2:29:58.200
<v Speaker 1>That's why they want to kill me. Listen, I'm just

2:29:58.320 --> 2:30:02.360
<v Speaker 1>like those junk They're gonna John left Kennedy meaning, I'm

2:30:02.400 --> 2:30:06.560
<v Speaker 1>just saying, listen, they're gonna let you live because they're like,

2:30:06.840 --> 2:30:10.200
<v Speaker 1>that's his man. I feel like they're gonna kill me.

2:30:10.959 --> 2:30:20.160
<v Speaker 1>I got you mean it was both. He was at

2:30:20.240 --> 2:30:22.119
<v Speaker 1>four and four and then he was like both of them.

2:30:22.240 --> 2:30:24.240
<v Speaker 1>But I'm like, who the funk are you talking about

2:30:24.320 --> 2:30:27.039
<v Speaker 1>both groups? Exactly? I'm talking about both groups. I got

2:30:27.200 --> 2:30:29.640
<v Speaker 1>to see. I got what you was talking about. To

2:30:29.680 --> 2:30:33.560
<v Speaker 1>tell you I understood what you was talking. Resource from crazy,

2:30:34.080 --> 2:30:36.080
<v Speaker 1>the super resource from you know what I'm saying, cla

2:30:36.680 --> 2:30:42.039
<v Speaker 1>that was the funniest ship ever. Claude, you did drink champs.

2:30:42.120 --> 2:30:45.480
<v Speaker 1>You survived. Never bring about any of your person ship.

2:30:45.600 --> 2:30:49.280
<v Speaker 1>I don't know a lot. Get them over lax, and

2:30:49.360 --> 2:30:51.440
<v Speaker 1>you're looking at me and your lips are getting a

2:30:51.440 --> 2:30:55.840
<v Speaker 1>little white. That's how I'm so glad there's a camera

2:30:55.920 --> 2:30:58.240
<v Speaker 1>that because they could not that my lips ain't getting white.

2:30:58.480 --> 2:31:01.520
<v Speaker 1>You know in my mind in your left scout, what

2:31:01.920 --> 2:31:04.879
<v Speaker 1>person you can't ask me that I can't be? Really,

2:31:06.360 --> 2:31:08.760
<v Speaker 1>you've been there for me for when I stepped into

2:31:08.840 --> 2:31:11.680
<v Speaker 1>this game. I love you stood there with me. And

2:31:12.400 --> 2:31:16.240
<v Speaker 1>there was one producer on the whole War report because

2:31:16.280 --> 2:31:19.080
<v Speaker 1>I used to carry it to five on me and

2:31:19.600 --> 2:31:26.000
<v Speaker 1>I said, rom and not on producer set. And he

2:31:26.160 --> 2:31:29.720
<v Speaker 1>was the only one. She said, when he told you

2:31:29.760 --> 2:31:31.360
<v Speaker 1>to relax, you have the two five in your pocket

2:31:31.480 --> 2:31:34.320
<v Speaker 1>in the booth, and they had to five all the time.

2:31:39.640 --> 2:31:43.240
<v Speaker 1>Now now he's probably he's like, don't tell them that clock.

2:31:46.400 --> 2:31:49.360
<v Speaker 1>He was the only one. And he told me, he said, listen,

2:31:49.760 --> 2:31:52.240
<v Speaker 1>I'm gonna take the room and I'm gonna chopping up.

2:31:53.120 --> 2:31:55.360
<v Speaker 1>And that's the first time I've ever seen that in

2:31:55.480 --> 2:32:00.880
<v Speaker 1>my life that I could actually rom and get it

2:32:00.959 --> 2:32:05.200
<v Speaker 1>all out and one one whatever. But he could take

2:32:05.280 --> 2:32:08.440
<v Speaker 1>that and say, well that scope stairs on some pluck Q.

2:32:09.600 --> 2:32:11.879
<v Speaker 1>So after after that advice, you kept doing that that way.

2:32:12.200 --> 2:32:15.199
<v Speaker 1>No listen to his records after that one record, after

2:32:15.280 --> 2:32:19.520
<v Speaker 1>that he understood song song progression. It was verse verse

2:32:19.680 --> 2:32:22.360
<v Speaker 1>verse hook verse hook verse hook. Think about it because

2:32:22.480 --> 2:32:25.280
<v Speaker 1>after that album? What album you what album you made?

2:32:27.400 --> 2:32:46.440
<v Speaker 1>You took your advice? Let me up because I gotta

2:32:46.560 --> 2:32:56.640
<v Speaker 1>sucking DJ. Now I gotta go change nor fucking champage. Listen,

2:32:56.680 --> 2:33:01.360
<v Speaker 1>when you dj't, nobody's gonna see your right thigh. Nobody's

2:33:01.360 --> 2:33:03.119
<v Speaker 1>gonna see it right now. When you DJ, he's gone

2:33:03.600 --> 2:33:10.959
<v Speaker 1>right it wasn't me open that. I'm good. I'm I'm good.

2:33:11.040 --> 2:33:15.039
<v Speaker 1>You ain't gotta I'm so hot right you got over last?

2:33:15.520 --> 2:33:29.040
<v Speaker 1>I love thank you. I'm saying Welcome to play a

2:33:29.160 --> 2:33:35.000
<v Speaker 1>new podcast network featuring radio and TV personalities, talking business, sports, tech, entertainment,

2:33:35.120 --> 2:33:39.680
<v Speaker 1>and more. Play it at play dot It. We're back

2:33:39.800 --> 2:33:43.360
<v Speaker 1>to Drink Champs Radio with Rapper and R and d J.

2:33:44.000 --> 2:33:50.880
<v Speaker 1>Then Clark, it was really really nice to listen to

2:33:51.160 --> 2:33:53.840
<v Speaker 1>listen to me everybody. It was really one of the

2:33:53.920 --> 2:33:57.560
<v Speaker 1>first producers who actually pulled me to the side and says, Slim,

2:33:59.320 --> 2:34:03.480
<v Speaker 1>understand what you doing. I get it, but let me

2:34:03.560 --> 2:34:08.920
<v Speaker 1>structure your ship. And it was you. You to a

2:34:09.000 --> 2:34:12.080
<v Speaker 1>lot of people credit you know, for real or swear,

2:34:15.560 --> 2:34:19.760
<v Speaker 1>but they came in R a album that's dope here.

2:34:19.920 --> 2:34:21.720
<v Speaker 1>But you were still learning because one of one of

2:34:21.760 --> 2:34:24.000
<v Speaker 1>the stories, no I'm gonnaell you, I'm still learning. No No.

2:34:24.080 --> 2:34:25.400
<v Speaker 1>But one of the stories that I love from an

2:34:25.640 --> 2:34:28.280
<v Speaker 1>R is that you say that he was counting bars

2:34:28.320 --> 2:34:31.320
<v Speaker 1>with what what what what? And that's what I love that.

2:34:31.440 --> 2:34:34.760
<v Speaker 1>I love that story. That's how counting it balls. But

2:34:34.920 --> 2:34:37.040
<v Speaker 1>think about it, So claud get executive producer credit for

2:34:37.120 --> 2:34:40.160
<v Speaker 1>that absolutely now he's not going to give that up

2:34:40.240 --> 2:34:42.280
<v Speaker 1>because he's not gonna look for the check to go

2:34:42.400 --> 2:34:45.160
<v Speaker 1>come me for that. But the bottom line, I get

2:34:45.200 --> 2:34:46.800
<v Speaker 1>what you're trying to say. You're trying to say is

2:34:47.320 --> 2:34:50.440
<v Speaker 1>that moment gave you the ability to look at your

2:34:50.480 --> 2:34:54.680
<v Speaker 1>songs differently and and think songs instead of thinking I'm

2:34:54.720 --> 2:34:57.120
<v Speaker 1>just gonna be rhyman. I get yeah, I get it.

2:34:57.320 --> 2:35:00.959
<v Speaker 1>I respected and because think about it, the War Report,

2:35:01.520 --> 2:35:06.200
<v Speaker 1>what happened? What? What? What? What? What? How? Long after

2:35:06.280 --> 2:35:11.880
<v Speaker 1>every sixteen bars, sixteen bars? What? What? What? Sixteen bars? What? What? What?

2:35:12.800 --> 2:35:17.760
<v Speaker 1>That was the same sixteen bar breakup that I I

2:35:17.800 --> 2:35:21.440
<v Speaker 1>don't like to say taught. I'd rather say talk about it.

2:35:21.520 --> 2:35:23.720
<v Speaker 1>I was about to say, now you know why, because

2:35:23.720 --> 2:35:28.440
<v Speaker 1>I don't. I don't believe that. Um. I just believe

2:35:28.480 --> 2:35:31.160
<v Speaker 1>it was something that he didn't he didn't know. But

2:35:31.400 --> 2:35:32.800
<v Speaker 1>I don't think it was a taught. It was an

2:35:32.959 --> 2:35:35.160
<v Speaker 1>enlightened I'm like, yo, look, if you do this, it's

2:35:35.200 --> 2:35:37.800
<v Speaker 1>a song when you The thing is when you listen

2:35:37.800 --> 2:35:39.959
<v Speaker 1>to Ward Report, like I can go back to World Report,

2:35:40.000 --> 2:35:41.560
<v Speaker 1>and if you listen to the World Report, that's a

2:35:41.640 --> 2:35:43.640
<v Speaker 1>bunch of wild ass records. And then this is one

2:35:43.720 --> 2:35:47.880
<v Speaker 1>record that makes you go, oh, I get it, I

2:35:48.000 --> 2:35:50.080
<v Speaker 1>get all of that wild ship. When you listen to

2:35:50.879 --> 2:35:53.879
<v Speaker 1>Closer to this paper, you just do because it calms

2:35:53.920 --> 2:35:55.760
<v Speaker 1>you down and you can hear what he's saying and

2:35:55.879 --> 2:35:58.120
<v Speaker 1>be like, Okay, before you're just like, I'm as wild

2:35:58.200 --> 2:36:00.320
<v Speaker 1>as this monthfucking right here. But then we you listen

2:36:00.360 --> 2:36:02.560
<v Speaker 1>to that, you're like, hold up, he stopped for a second,

2:36:03.240 --> 2:36:06.560
<v Speaker 1>and he gave you closer to this. You know what

2:36:06.640 --> 2:36:10.440
<v Speaker 1>I'm saying. So it was it was it added that balance.

2:36:10.879 --> 2:36:13.440
<v Speaker 1>We'll tell you what's even crazier. It was the last record.

2:36:14.080 --> 2:36:21.680
<v Speaker 1>And the reason why is because honestly, when it comes

2:36:21.760 --> 2:36:26.800
<v Speaker 1>to UM producing sometimes I can be a little competitive.

2:36:27.160 --> 2:36:30.720
<v Speaker 1>So I just wanted to hear everything and figure out

2:36:30.800 --> 2:36:32.440
<v Speaker 1>what can I do that's going to be different from

2:36:32.480 --> 2:36:34.720
<v Speaker 1>everything I heard? And everything I heard I was like, oh,

2:36:34.800 --> 2:36:38.000
<v Speaker 1>this is damn easy. You know why, because the reason

2:36:38.040 --> 2:36:39.760
<v Speaker 1>why he came to me was to try to get

2:36:39.800 --> 2:36:42.240
<v Speaker 1>a single. He was like, YO, give me a single,

2:36:42.640 --> 2:36:44.880
<v Speaker 1>So I gave him a single. Funny ship is it

2:36:45.160 --> 2:36:48.960
<v Speaker 1>wasn't him as a single, so they went with something

2:36:49.000 --> 2:36:53.440
<v Speaker 1>else and it worked out because it was him by himself,

2:36:53.520 --> 2:36:55.440
<v Speaker 1>So it couldn't be a CNN record. If it was

2:36:55.560 --> 2:36:58.800
<v Speaker 1>him by himself, that record was on War Report, it

2:36:59.280 --> 2:37:02.680
<v Speaker 1>could have been a single. But it didn't make sense

2:37:02.720 --> 2:37:06.960
<v Speaker 1>to put the CNN record out out without pom So.

2:37:07.320 --> 2:37:09.040
<v Speaker 1>I mean, you know that's the way that worked out.

2:37:09.160 --> 2:37:13.360
<v Speaker 1>Trust me. If that record had component on it, that

2:37:13.480 --> 2:37:15.360
<v Speaker 1>probably would have been for a single, because it was

2:37:15.480 --> 2:37:19.200
<v Speaker 1>it was structured like a record, like a single. Yes

2:37:19.280 --> 2:37:21.800
<v Speaker 1>it was. And that that's what the that's what he

2:37:21.920 --> 2:37:23.320
<v Speaker 1>came to me for. He's like, give me a saying

2:37:23.440 --> 2:37:27.560
<v Speaker 1>need single? So scared and he was scared and and

2:37:28.000 --> 2:37:30.960
<v Speaker 1>but the funny hand and the chicks from from s

2:37:31.120 --> 2:37:36.920
<v Speaker 1>W re coming to the studio. I wasn't ready just

2:37:37.000 --> 2:37:41.720
<v Speaker 1>kidding because the young dudes, you know, and he's not

2:37:42.920 --> 2:37:46.160
<v Speaker 1>when not saying tell you what, Yeah, this is Clark.

2:37:46.600 --> 2:37:50.520
<v Speaker 1>This is the guy I heard Dange. We didn't even

2:37:50.520 --> 2:37:53.520
<v Speaker 1>go to that. We haven't even touched that at my

2:37:53.640 --> 2:37:56.240
<v Speaker 1>going there right now. You have to have that's the

2:37:56.280 --> 2:38:01.840
<v Speaker 1>same way you ain't going to day of the day.

2:38:02.080 --> 2:38:06.760
<v Speaker 1>Day I got your brother. Can't tell him if you

2:38:06.760 --> 2:38:14.080
<v Speaker 1>don't make to do that, I got you, what about you? God? Never,

2:38:14.240 --> 2:38:18.960
<v Speaker 1>I won't even touch it. Every thrust to give me

2:38:19.040 --> 2:38:22.600
<v Speaker 1>back so that it's getting close up. It's getting close up,

2:38:23.120 --> 2:38:30.680
<v Speaker 1>never gonna happen. So in my mind, damn Dann Dan

2:38:34.120 --> 2:38:37.440
<v Speaker 1>kiss coming because obviously the biggest day of the day

2:38:38.720 --> 2:38:43.080
<v Speaker 1>slick Rick fans in the world. Me I mentioned the

2:38:43.080 --> 2:38:47.280
<v Speaker 1>slick Rick is my favorite album. It's my favorite album ever.

2:38:47.800 --> 2:38:55.040
<v Speaker 1>And then clock coming text and the nose name. I'm like,

2:38:55.280 --> 2:38:58.199
<v Speaker 1>so every produce to the every cage for the word

2:38:58.280 --> 2:39:04.360
<v Speaker 1>for like I wanted to shoot them. So you're answering

2:39:04.360 --> 2:39:08.280
<v Speaker 1>my question five was always on you. I don't know.

2:39:08.400 --> 2:39:11.480
<v Speaker 1>I just like, shut up, that's whole, Like yeah, I

2:39:11.640 --> 2:39:20.480
<v Speaker 1>just like I felt like that coming there, so I

2:39:20.560 --> 2:39:22.680
<v Speaker 1>felt like that. I felt like I felt like what

2:39:25.800 --> 2:39:30.000
<v Speaker 1>when Clark came? He and Clark, but it felt like

2:39:30.080 --> 2:39:33.480
<v Speaker 1>an O G type of call. I felt like, look,

2:39:34.120 --> 2:39:37.240
<v Speaker 1>do that. I get that you got because he played

2:39:37.280 --> 2:39:39.480
<v Speaker 1>the beat and I was just like, let's go because

2:39:39.520 --> 2:39:46.760
<v Speaker 1>that's what I did, uh, the firm ship with the

2:39:46.800 --> 2:39:53.279
<v Speaker 1>firm ship plane, I did so I flu flu fluid

2:39:54.840 --> 2:39:59.440
<v Speaker 1>and I used to write around to jail, so I

2:39:59.560 --> 2:40:02.360
<v Speaker 1>had you're working at the timeline for me, at what

2:40:02.480 --> 2:40:05.960
<v Speaker 1>point you did I'm leaving in I'm leaving was right

2:40:06.000 --> 2:40:11.160
<v Speaker 1>after the War report, right a report like that report

2:40:11.240 --> 2:40:13.960
<v Speaker 1>report is out, like right after you finished the Worried

2:40:14.000 --> 2:40:16.320
<v Speaker 1>Boys out, Okay, because so it's out and then you

2:40:16.400 --> 2:40:19.560
<v Speaker 1>go do that. Okay, No, no, no, I'm just nor

2:40:19.760 --> 2:40:23.880
<v Speaker 1>because you know what the crazy the crazy part is

2:40:24.840 --> 2:40:28.200
<v Speaker 1>Noriega is hot or Nori's hot by himself because pone

2:40:28.280 --> 2:40:32.040
<v Speaker 1>is locked up. So he on the promo run in Miami.

2:40:32.160 --> 2:40:35.440
<v Speaker 1>That's me. I'm just saying that. That's how we want,

2:40:35.640 --> 2:40:39.240
<v Speaker 1>that's how we meet. The promo run in Miami. He's doing,

2:40:39.760 --> 2:40:46.200
<v Speaker 1>he's he's he comes to my store and I don't

2:40:46.240 --> 2:40:48.480
<v Speaker 1>know if he's ever told you this. He was super

2:40:48.600 --> 2:40:52.640
<v Speaker 1>stressed promoting War Report by himself, the fact some of

2:40:52.720 --> 2:40:56.880
<v Speaker 1>my store super stressed. How wait, why would I know that?

2:40:56.959 --> 2:41:00.080
<v Speaker 1>And he's not my artist because he's my fucking in.

2:41:00.959 --> 2:41:04.760
<v Speaker 1>So I know it wasn't easy promoting CNN when only

2:41:04.840 --> 2:41:08.000
<v Speaker 1>the end is there and then the seed can't speak

2:41:08.080 --> 2:41:12.160
<v Speaker 1>for the seed and the sea to trust me, I

2:41:12.240 --> 2:41:16.080
<v Speaker 1>don't even know, like if in his heart he really

2:41:16.160 --> 2:41:19.240
<v Speaker 1>wanted to be Nory by himself, you know what I'm saying.

2:41:19.320 --> 2:41:21.680
<v Speaker 1>I don't. I don't ever think that you trust me

2:41:21.720 --> 2:41:23.240
<v Speaker 1>when the first time I saw it, I was like,

2:41:24.040 --> 2:41:26.360
<v Speaker 1>that's because campone is locked up. He don't want to

2:41:26.440 --> 2:41:29.680
<v Speaker 1>do a solo and it's just that CNN Ward Report

2:41:29.879 --> 2:41:32.480
<v Speaker 1>was so looked at that. She was like, no, that ship.

2:41:33.080 --> 2:41:36.680
<v Speaker 1>It's almost like he had no choice because he had

2:41:36.720 --> 2:41:42.240
<v Speaker 1>to hold it down. But hours around taking over a

2:41:42.320 --> 2:41:46.280
<v Speaker 1>drink chap. Should we jump on now or later? We

2:41:46.320 --> 2:41:49.400
<v Speaker 1>could jump up during the show. We still we still

2:41:49.440 --> 2:41:52.000
<v Speaker 1>have to go to the day to day. You're not

2:41:52.160 --> 2:41:56.440
<v Speaker 1>even drunk about day to day. Man, I'm not drunk

2:41:56.600 --> 2:41:59.600
<v Speaker 1>and I'm not drunk. I don't know how I'm not

2:41:59.760 --> 2:42:01.840
<v Speaker 1>drunk yet. But nothing. Have a shot. Let's do it

2:42:01.920 --> 2:42:08.440
<v Speaker 1>on the shot. We could do all three talking. It's

2:42:08.480 --> 2:42:11.800
<v Speaker 1>the table thing. No, I'm going, Oh God, trust me,

2:42:11.879 --> 2:42:15.040
<v Speaker 1>I don't leave here, and it's definitely I might be

2:42:15.080 --> 2:42:17.360
<v Speaker 1>a drink and listening. You pull much shot whatever way

2:42:17.680 --> 2:42:23.560
<v Speaker 1>hand met hand cup. I'm not fat so that Tony

2:42:23.840 --> 2:42:27.119
<v Speaker 1>Duver twenty minutes, Rich Toy and Dnis can take twenty

2:42:27.120 --> 2:42:31.080
<v Speaker 1>minutes extra nights was shot? Who I love? Who came

2:42:31.160 --> 2:42:33.920
<v Speaker 1>to me told me how to do a show? Here

2:42:33.959 --> 2:42:38.120
<v Speaker 1>you go, brother? You you let me four o clocks?

2:42:38.160 --> 2:42:42.120
<v Speaker 1>Hold on, where's your cup? Clock? Told me how to

2:42:42.200 --> 2:42:46.760
<v Speaker 1>do a show every time, expect leg right. Now you

2:42:46.879 --> 2:42:49.200
<v Speaker 1>live without broking weed And he was like, I hate

2:42:49.280 --> 2:42:53.920
<v Speaker 1>that you always hung out with me, clok Kit. Tonight

2:42:55.879 --> 2:43:00.040
<v Speaker 1>we're gonna fucking respect you. Thank you, you man, and

2:43:00.120 --> 2:43:04.000
<v Speaker 1>we're gonna sucking honor you tonight. Clark can parry that

2:43:04.240 --> 2:43:10.640
<v Speaker 1>maybe the USA you a an accident where you didn't

2:43:10.840 --> 2:43:18.440
<v Speaker 1>you understand that it's not a He's very offendive. This

2:43:18.680 --> 2:43:22.400
<v Speaker 1>is this is this is the au star of hip

2:43:22.440 --> 2:43:27.080
<v Speaker 1>hop are mine? And you know what, you are one

2:43:27.160 --> 2:43:30.600
<v Speaker 1>of the most DJs that week. You're the most DJs,

2:43:31.640 --> 2:43:35.320
<v Speaker 1>all of the most dj ever whatever that means you

2:43:35.360 --> 2:43:38.880
<v Speaker 1>would have ever those DJs. I actually liked it, I know,

2:43:39.080 --> 2:43:40.840
<v Speaker 1>but you're coming at me a little bit. You were

2:43:40.879 --> 2:43:47.080
<v Speaker 1>the most, the most every guy. So listen, Clark, We're

2:43:47.120 --> 2:43:52.760
<v Speaker 1>gonna honor you tonight. Continue to sucking on you because

2:43:52.800 --> 2:43:55.880
<v Speaker 1>you know why, why you fucking deserved. Thank you. I

2:43:55.920 --> 2:43:58.120
<v Speaker 1>appreciate it, and I don't know what I'm about to

2:43:58.160 --> 2:44:04.520
<v Speaker 1>salute with you. You get your pulling you a heavy shot.

2:44:04.640 --> 2:44:13.200
<v Speaker 1>Let's go get I listened everybody every week. I listen,

2:44:13.280 --> 2:44:15.760
<v Speaker 1>listen face, I pull off my baby mos on the

2:44:15.840 --> 2:44:21.240
<v Speaker 1>bad everybody watching. Fuck it, let's go. I am not

2:44:21.320 --> 2:44:30.560
<v Speaker 1>going to cover that anybody. I am so happy. That's

2:44:30.560 --> 2:44:35.480
<v Speaker 1>all you. That's all that's that's that's all. Clocks shout

2:44:35.520 --> 2:44:40.440
<v Speaker 1>to the shout to mayor, the poor oh man claw.

2:44:41.200 --> 2:44:47.240
<v Speaker 1>I'm gonna be destroyed by the time you're gonna record night.

2:44:49.600 --> 2:44:53.960
<v Speaker 1>What is the breast brands sneak the best sneaker brand?

2:44:54.680 --> 2:44:57.040
<v Speaker 1>That's nice. I gotta st I like that. What's the

2:44:57.200 --> 2:45:01.920
<v Speaker 1>what's the best brand? Like brand like that? Uh, that's

2:45:02.600 --> 2:45:04.960
<v Speaker 1>that's what I'm gonna do this. That's a that's a

2:45:06.080 --> 2:45:08.560
<v Speaker 1>simply some ship. But get it. I'm gonna be honest.

2:45:09.200 --> 2:45:12.440
<v Speaker 1>I'm gonna I'm gonna question. I need that my brother. Listen,

2:45:12.480 --> 2:45:17.440
<v Speaker 1>ho hold on, hold on, let me interject real quick. Noorious, no, no,

2:45:17.680 --> 2:45:21.760
<v Speaker 1>what's you got? But you haven't to make a conversation conversation?

2:45:22.040 --> 2:45:26.280
<v Speaker 1>What's how's you with? No? No, no, no, I forgot

2:45:26.520 --> 2:45:28.800
<v Speaker 1>see it. Just hit me with I'm not drunk you no, no, no,

2:45:28.879 --> 2:45:32.000
<v Speaker 1>hold on, brother, you got the Farrell plug. That's the

2:45:32.080 --> 2:45:35.160
<v Speaker 1>real Adita plug. I need that. Shout to push it sea,

2:45:35.160 --> 2:45:37.080
<v Speaker 1>who's my man? And I get some things in the mail.

2:45:37.400 --> 2:45:40.440
<v Speaker 1>You have the Farrell plug. That means you got the

2:45:40.480 --> 2:45:43.120
<v Speaker 1>human races with the Japanese writing on them. No, no,

2:45:43.200 --> 2:45:44.440
<v Speaker 1>I'm calling you out right now. No, no, no, no,

2:45:44.600 --> 2:45:51.320
<v Speaker 1>I need no. No. Listens, this sounds like thing in

2:45:51.360 --> 2:45:54.880
<v Speaker 1>your interview right now. Feedback was a feedback. Now, I

2:45:54.959 --> 2:46:00.520
<v Speaker 1>need you sounds like don't love that. No, No, I'm

2:46:00.560 --> 2:46:03.480
<v Speaker 1>not pausing. I need you. I respect you. There's no pausing.

2:46:04.320 --> 2:46:08.320
<v Speaker 1>Here's the problem with the problem with Puerto Rican. You

2:46:08.400 --> 2:46:11.000
<v Speaker 1>Puerto Rican black, Porto Rican Italian with Puerto Rican didn't

2:46:11.000 --> 2:46:16.920
<v Speaker 1>pay attention. And then then and I don't don't speak

2:46:16.959 --> 2:46:23.800
<v Speaker 1>No God dames vanished forgetting to tell you. I know

2:46:23.920 --> 2:46:27.840
<v Speaker 1>you got Pround on speed dial. I need you. No, no,

2:46:28.000 --> 2:46:31.480
<v Speaker 1>I'm not pausing to hold for that Paul ship right now.

2:46:31.560 --> 2:46:40.880
<v Speaker 1>I need you to go on. It's no relax. I

2:46:40.959 --> 2:46:43.800
<v Speaker 1>need you. I need that. I did not I didn't know.

2:46:44.080 --> 2:46:46.440
<v Speaker 1>Now you know, you know it's real. You have the plug.

2:46:47.160 --> 2:46:48.440
<v Speaker 1>See this, this is this is the ship that that

2:46:48.600 --> 2:46:51.320
<v Speaker 1>rappers don't understand that really got the road. Yeah, I

2:46:51.440 --> 2:46:55.960
<v Speaker 1>really got cheat codes. I need you, brother, listen, he

2:46:56.160 --> 2:47:02.080
<v Speaker 1>told me my packs is gonna ribe Christ. Where the

2:47:02.120 --> 2:47:05.240
<v Speaker 1>funk are we right now? We hazard it sounds and

2:47:05.320 --> 2:47:10.520
<v Speaker 1>I need to plug. You're gonna a little You're gonna

2:47:10.520 --> 2:47:12.920
<v Speaker 1>accidentally scratch like nine records because we're halfway through a

2:47:12.920 --> 2:47:14.920
<v Speaker 1>bottle of the Trump Hold. Listen, I just want to

2:47:14.920 --> 2:47:19.120
<v Speaker 1>get things flipped. You. We're gonna go past my hotel.

2:47:20.879 --> 2:47:25.119
<v Speaker 1>You want feed you a hole? Stop? Wait, I say

2:47:25.360 --> 2:47:29.760
<v Speaker 1>you're gonna drop me to the hotel? How you? Mr?

2:47:29.879 --> 2:47:32.480
<v Speaker 1>Lee is busy? I got you, but Xcel I got you.

2:47:33.240 --> 2:47:35.560
<v Speaker 1>You got your Trump. Whatever you want, I got you. Listen,

2:47:35.800 --> 2:47:40.880
<v Speaker 1>Why can't I just say it? Let's listen? Killing me

2:47:41.720 --> 2:47:43.560
<v Speaker 1>right now? I don't care about your right back to

2:47:43.640 --> 2:47:48.680
<v Speaker 1>the hotel. I care about norell J can't happen. You

2:47:48.800 --> 2:47:56.640
<v Speaker 1>care about It's my hero right now? The packages, packages,

2:47:56.720 --> 2:47:58.360
<v Speaker 1>whatever you want to call it, you'll nor you don't

2:47:58.400 --> 2:48:01.280
<v Speaker 1>we want to talk about this because he said you

2:48:01.320 --> 2:48:03.640
<v Speaker 1>don't even want to talk about this. Sorry, talking about

2:48:04.120 --> 2:48:07.840
<v Speaker 1>text messages will be so extra back, No, the Texas

2:48:07.879 --> 2:48:10.360
<v Speaker 1>will be so extra tonight. I need you. I leave,

2:48:10.800 --> 2:48:14.600
<v Speaker 1>I leave, I leave it to you. I love you.

2:48:15.160 --> 2:48:18.879
<v Speaker 1>He just called you a bronx na. Holong good bronx Na.

2:48:19.200 --> 2:48:24.240
<v Speaker 1>Heard bron That's all you're gonna ever heard drunk dr

2:48:24.560 --> 2:48:39.560
<v Speaker 1>got drunk. Everybody, I'm gonna hit it, hit it, never exactly.

2:48:40.280 --> 2:48:43.720
<v Speaker 1>Its context is really high. I'm fucked up right now.

2:48:44.600 --> 2:48:50.160
<v Speaker 1>Your clock can't ball the male all sneakers who like thirties,

2:48:50.560 --> 2:48:56.640
<v Speaker 1>seven eight hundred six is an amazing number. That's a

2:48:56.720 --> 2:49:00.320
<v Speaker 1>great number. I agree with you to that number. You're

2:49:00.400 --> 2:49:05.840
<v Speaker 1>killing the game by playing, You're fucking it'll be. I

2:49:06.040 --> 2:49:12.560
<v Speaker 1>want to expect snake currency. He changed from culture because

2:49:13.240 --> 2:49:21.960
<v Speaker 1>because he's smart. He's smart like everybody's ideology here. You'll

2:49:22.000 --> 2:49:30.760
<v Speaker 1>wait a minute. He's good. He's good. Relax meda one.

2:49:31.520 --> 2:49:34.039
<v Speaker 1>That's his act, keeping with the egg buddy. You gotta relax,

2:49:35.840 --> 2:49:40.119
<v Speaker 1>but listen, taking up a shot, I'm let's go. You're

2:49:40.160 --> 2:49:44.920
<v Speaker 1>just talking about what about it that I'm drunk? What

2:49:45.000 --> 2:49:48.240
<v Speaker 1>about that? With all due respect, I'm not drinking. I

2:49:48.280 --> 2:49:50.520
<v Speaker 1>don't give a funk what y'all said. Drinking one much

2:49:50.600 --> 2:49:53.360
<v Speaker 1>about from Brooklyn? You know you don't good you got

2:49:53.959 --> 2:49:55.800
<v Speaker 1>the book. I mean I don't think. I don't think that.

2:49:56.240 --> 2:49:58.160
<v Speaker 1>Maybe I can't go to drink with your brother. Your

2:49:58.200 --> 2:50:03.080
<v Speaker 1>brother's making brother ship worked in the nineties. You want

2:50:03.080 --> 2:50:05.400
<v Speaker 1>to know what's crazy. I'm from Brooklyn. I'm like like

2:50:05.680 --> 2:50:10.840
<v Speaker 1>peer pressure. Don't funk with me like peers, like when

2:50:10.840 --> 2:50:12.280
<v Speaker 1>you're saying, you know what funny, I'm not even lessing.

2:50:12.320 --> 2:50:14.600
<v Speaker 1>I'm just pulling a clock shot and you're gonna lose. Baby,

2:50:14.600 --> 2:50:16.320
<v Speaker 1>I'm not drinking. What are you guys biting each other?

2:50:17.520 --> 2:50:21.280
<v Speaker 1>Do you want to bite that little birs empty glass?

2:50:21.680 --> 2:50:28.840
<v Speaker 1>Bank day? Yeah? You what's really good? Vick? Good? You

2:50:28.959 --> 2:50:31.360
<v Speaker 1>know that I love you, left that you don't love

2:50:31.400 --> 2:50:35.280
<v Speaker 1>me no more. Everybody loves each other, everybody, Harford. Let's go.

2:50:35.680 --> 2:50:51.720
<v Speaker 1>Let's go about your glass right there, take it easy, good.

2:50:54.879 --> 2:50:59.240
<v Speaker 1>You can accidentally scratch now, but I'll do expect. This

2:50:59.320 --> 2:51:01.640
<v Speaker 1>is a motherfucker's who has nothing to do right now,

2:51:01.760 --> 2:51:04.960
<v Speaker 1>making me. I changed my flight to fight with you.

2:51:05.120 --> 2:51:19.480
<v Speaker 1>Let's go on check this out. You're my brother, h

2:51:19.560 --> 2:51:23.160
<v Speaker 1>I want to break that you annory. If I don't

2:51:23.160 --> 2:51:24.960
<v Speaker 1>get a podcast behind this ship, I'm gonna be a

2:51:25.000 --> 2:51:34.000
<v Speaker 1>little yalla ruin on that listen. I know you're a

2:51:34.040 --> 2:51:36.720
<v Speaker 1>little funked up, but remember this podcast was lessens. I

2:51:36.840 --> 2:51:39.200
<v Speaker 1>was a part of this. We're doing checking the sober

2:51:39.280 --> 2:51:44.959
<v Speaker 1>guy over here, that's right. Yeah, No, I'm gonna call

2:51:45.000 --> 2:51:51.880
<v Speaker 1>you club. You're out clock you miss what I said,

2:51:52.320 --> 2:51:59.840
<v Speaker 1>joe what about Joey thing? Shout the status back in

2:51:59.879 --> 2:52:04.440
<v Speaker 1>this brave as. I ain't got nothing bad to say

2:52:04.440 --> 2:52:08.520
<v Speaker 1>about Joey Brooklyn is from the Flatbush? I think, yeah,

2:52:10.120 --> 2:52:12.840
<v Speaker 1>maybe it flash. I think he's from Flappers. Joey badass.

2:52:13.320 --> 2:52:14.959
<v Speaker 1>He got to join with Jay Cole and he got

2:52:15.080 --> 2:52:16.959
<v Speaker 1>to join with Stou. Speak from both of them. Ships

2:52:17.040 --> 2:52:20.360
<v Speaker 1>is legend, shout the statics selected. I'm just is legend.

2:52:21.160 --> 2:52:23.880
<v Speaker 1>Studs of producible. I don't know if he could do

2:52:24.000 --> 2:52:26.879
<v Speaker 1>some or not. He produced Stouse. I know that Joey's dope.

2:52:28.360 --> 2:52:30.960
<v Speaker 1>Where were you going with this? I'll just ask you.

2:52:31.000 --> 2:52:35.080
<v Speaker 1>You gonna hear about cash? What waits? What you said?

2:52:35.320 --> 2:52:42.560
<v Speaker 1>I'm your business partner right now and you just h questions? No, Oa, okay.

2:52:44.000 --> 2:52:50.800
<v Speaker 1>Next I didn't understand it best, and I was like,

2:52:50.879 --> 2:53:00.879
<v Speaker 1>I don't speak. Having said, I'm going to the club,

2:53:01.040 --> 2:53:03.080
<v Speaker 1>all right, I'm going to bring somebody's jaw. I promise

2:53:03.120 --> 2:53:07.119
<v Speaker 1>you you're gonna bring the last job. Promise you here

2:53:07.200 --> 2:53:10.520
<v Speaker 1>and what I said, if we got you, the air

2:53:10.600 --> 2:53:13.680
<v Speaker 1>condition's gonna break. I keep it on alum, with all

2:53:13.760 --> 2:53:15.840
<v Speaker 1>due respect, you did not get us the air condition

2:53:15.879 --> 2:53:17.840
<v Speaker 1>that they got you the air condition to move this

2:53:17.840 --> 2:53:24.400
<v Speaker 1>ship over here. I'm not here. It's amazing my every way.

2:53:24.440 --> 2:53:28.960
<v Speaker 1>It would be dry right now. I got our last clock.

2:53:29.720 --> 2:53:34.600
<v Speaker 1>You know what I got awesome. Somebody's not gonna make

2:53:34.640 --> 2:53:37.040
<v Speaker 1>it the puff party tonight. I'm going to go to

2:53:37.160 --> 2:53:40.879
<v Speaker 1>all parties, all party. I'm not come I got your

2:53:40.959 --> 2:53:47.000
<v Speaker 1>word part I ain't. I got to work. I don't

2:53:47.000 --> 2:53:51.760
<v Speaker 1>come on. There's no words. Tell you everyone fight six

2:53:52.840 --> 2:53:54.600
<v Speaker 1>Just what are we at? Where we at right now?

2:53:55.200 --> 2:53:57.240
<v Speaker 1>Day to day? I ain't even get day to day.

2:53:57.240 --> 2:54:05.640
<v Speaker 1>It's a man. Soon it's got there. Dana da da stories?

2:54:06.760 --> 2:54:23.920
<v Speaker 1>Why why not say anything about today? My guy? How

2:54:23.959 --> 2:54:26.240
<v Speaker 1>did that happen to have him? Because I was DJ

2:54:26.400 --> 2:54:28.600
<v Speaker 1>and out of talent show at Washington or in high

2:54:28.640 --> 2:54:31.880
<v Speaker 1>school and his record had just dropped, and he came

2:54:31.920 --> 2:54:34.000
<v Speaker 1>to the school and he was going to perform for

2:54:34.080 --> 2:54:36.400
<v Speaker 1>the crowd, and he asked me if I could dropped

2:54:36.440 --> 2:54:38.800
<v Speaker 1>the record. And the way that I dropped the record

2:54:39.240 --> 2:54:43.520
<v Speaker 1>made him say, Yo, you know that that was perfect?

2:54:43.560 --> 2:54:46.320
<v Speaker 1>Do you think you could like do that for me

2:54:46.400 --> 2:54:50.000
<v Speaker 1>at another at another place? Pause that a little little

2:54:50.040 --> 2:54:52.240
<v Speaker 1>sex pact right there. But anyway, he asked me if

2:54:52.280 --> 2:54:54.680
<v Speaker 1>I could you know DJ form at another place? And

2:54:54.760 --> 2:54:58.440
<v Speaker 1>I said sure and I did, And from that point on,

2:54:58.600 --> 2:55:03.640
<v Speaker 1>I was this DJ Danny Day. The name were Fame,

2:55:04.120 --> 2:55:11.560
<v Speaker 1>Danna Dane met me, Danna Dane met me, be Clark Kent,

2:55:12.720 --> 2:55:14.880
<v Speaker 1>what I met you? He met me being DJ Clarkkin.

2:55:14.959 --> 2:55:16.840
<v Speaker 1>I was already DJ Clark Kent when he met me.

2:55:16.879 --> 2:55:19.520
<v Speaker 1>So it wasn't a he put me on thing. It

2:55:19.680 --> 2:55:22.160
<v Speaker 1>was a he was like, yo, can Dan, can you

2:55:22.280 --> 2:55:28.680
<v Speaker 1>come along with Fame? What Fame d Day? With Fame

2:55:28.800 --> 2:55:32.119
<v Speaker 1>here to entertain? By the time I leave, you remember

2:55:32.160 --> 2:55:48.880
<v Speaker 1>my name Dan? Going? Question? I got, I got a

2:55:48.959 --> 2:55:51.720
<v Speaker 1>man questions because I want the world to hear what

2:55:51.800 --> 2:55:56.640
<v Speaker 1>I know. All you gotta relact. It's your show. I'm

2:55:59.440 --> 2:56:07.120
<v Speaker 1>I got to go ship ship Yeah, I get it.

2:56:08.800 --> 2:56:11.840
<v Speaker 1>There was no no, no, no, no, no, no, nothing

2:56:14.040 --> 2:56:17.680
<v Speaker 1>on the interviewer. So there was a point of life.

2:56:18.760 --> 2:56:22.000
<v Speaker 1>Talk about when you when you told the world that

2:56:22.200 --> 2:56:25.800
<v Speaker 1>jay Z was the best MC ever. You told Grandmaster

2:56:25.920 --> 2:56:28.000
<v Speaker 1>Cars that yeah, And if I'm not mistake, you told

2:56:28.040 --> 2:56:32.440
<v Speaker 1>me you know that too. I didn't necessarily tell them

2:56:32.640 --> 2:56:35.680
<v Speaker 1>both because I was trying to tell them before I did.

2:56:35.920 --> 2:56:39.000
<v Speaker 1>Was I said after New Music Summonar while the m

2:56:39.080 --> 2:56:41.440
<v Speaker 1>C battle was going on, is was that a Jack

2:56:41.520 --> 2:56:45.720
<v Speaker 1>the rappid thing? This music summonar Jay was with me

2:56:45.800 --> 2:56:47.560
<v Speaker 1>and I turned and I said, damn, by the way,

2:56:47.640 --> 2:56:50.000
<v Speaker 1>this is the best m C in the world. Then

2:56:50.080 --> 2:56:51.880
<v Speaker 1>we kept going with the MC battle and by that

2:56:52.240 --> 2:56:55.160
<v Speaker 1>at the time of the by the time the battle

2:56:55.280 --> 2:56:59.440
<v Speaker 1>was over, Grandmaster Chas and Meli melaf to the side

2:56:59.440 --> 2:57:02.600
<v Speaker 1>of the state and these are my guys, like the

2:57:02.760 --> 2:57:06.400
<v Speaker 1>god no Grandmaster Cats for a lot of my life

2:57:06.920 --> 2:57:09.959
<v Speaker 1>and Meli mel for a lot of my origin. Ye

2:57:10.120 --> 2:57:13.760
<v Speaker 1>yea A Cats was the first best MC ever. That's

2:57:13.760 --> 2:57:17.600
<v Speaker 1>why I brought this up. So he says, Nigga, what

2:57:17.640 --> 2:57:20.400
<v Speaker 1>the fund is you talking about? And mel was like, Nigga,

2:57:20.800 --> 2:57:23.320
<v Speaker 1>you see me standing there like how then are you

2:57:23.360 --> 2:57:26.480
<v Speaker 1>just gonna say some crazy ship like that? And you

2:57:26.560 --> 2:57:28.800
<v Speaker 1>have to understand, like these are guys that I have

2:57:29.000 --> 2:57:32.040
<v Speaker 1>respect for, and I look at Liken. You guys are

2:57:32.080 --> 2:57:35.440
<v Speaker 1>the forefront of the culture. Think about this. If there's

2:57:35.520 --> 2:57:40.480
<v Speaker 1>no message, there's no gangster rap. A lot of things

2:57:40.520 --> 2:57:43.160
<v Speaker 1>no no, no, no, no no no, A lot of

2:57:43.240 --> 2:57:46.920
<v Speaker 1>things would have happened. But that was the record when

2:57:47.000 --> 2:57:49.200
<v Speaker 1>he said what he said on the message and the

2:57:49.280 --> 2:57:51.440
<v Speaker 1>fact what it might have been called. They were calling

2:57:51.440 --> 2:57:54.240
<v Speaker 1>it reality. It was reality. But all these rap is

2:57:54.280 --> 2:57:56.440
<v Speaker 1>reality right right right. So my thing is, if you

2:57:56.560 --> 2:57:59.800
<v Speaker 1>don't hear this first reality rap record, do you ever

2:58:00.040 --> 2:58:03.600
<v Speaker 1>get to CNN ever? Do you ever get to n

2:58:03.800 --> 2:58:06.760
<v Speaker 1>W Way? Do you ever get to school e D No,

2:58:07.080 --> 2:58:11.960
<v Speaker 1>you don't. The first reality rap record that that you

2:58:12.120 --> 2:58:15.800
<v Speaker 1>can know that broke through and made it. They did

2:58:15.879 --> 2:58:18.920
<v Speaker 1>white lines to right. Yeah, but that was after the

2:58:19.040 --> 2:58:21.920
<v Speaker 1>message no no, but I mean it's no, no, it's

2:58:22.000 --> 2:58:25.600
<v Speaker 1>not that lineage don't matter. What matters is the message

2:58:25.760 --> 2:58:31.760
<v Speaker 1>was made. People heard a child, no, no, this guy

2:58:32.080 --> 2:58:34.560
<v Speaker 1>sus no no, no no. The bottom line is on

2:58:34.720 --> 2:58:37.800
<v Speaker 1>a record, you heard pretty lady living in a bag.

2:58:38.480 --> 2:58:40.840
<v Speaker 1>You know what I'm saying. You heard may tag, you

2:58:41.000 --> 2:58:44.440
<v Speaker 1>heard all kinds of crazy ship on this one record

2:58:44.840 --> 2:58:47.160
<v Speaker 1>that wasn't Yeah, we're gonna go to the party, We're

2:58:47.160 --> 2:58:49.000
<v Speaker 1>gonna pop bottles, we're gonna get drunk, and we're gonna

2:58:49.000 --> 2:58:51.520
<v Speaker 1>have a party. Because every record before that was that

2:58:52.320 --> 2:58:59.920
<v Speaker 1>until Melly Melon Dude Booty made the message. So gangster

2:59:00.040 --> 2:59:03.600
<v Speaker 1>rap changes. I mean anything that anything that you would

2:59:03.600 --> 2:59:06.360
<v Speaker 1>have said it was reality became gangster rap, which is

2:59:06.440 --> 2:59:10.200
<v Speaker 1>corny because it should all be called reality rap. After

2:59:10.320 --> 2:59:13.200
<v Speaker 1>after you told him Jay was the best ever, it

2:59:13.320 --> 2:59:15.760
<v Speaker 1>was going to be the best ever. How long after

2:59:15.840 --> 2:59:17.320
<v Speaker 1>did they sit there and tell you? Did they agree

2:59:17.360 --> 2:59:22.760
<v Speaker 1>with you? Oh? Maybe about about three years later. There

2:59:22.879 --> 2:59:27.640
<v Speaker 1>was a UM, There was a Zulu. There was a

2:59:27.720 --> 2:59:33.880
<v Speaker 1>Zulu anniversary conference and Bronx and I was actually in

2:59:33.959 --> 2:59:38.720
<v Speaker 1>Manhattan and damn, and Grandmaster Cars had a table in

2:59:38.879 --> 2:59:47.920
<v Speaker 1>it where he was selling Grandma all of like like

2:59:48.040 --> 2:59:53.480
<v Speaker 1>Grandmaster Cats had a table full of tapes of Feliss

2:59:54.120 --> 3:00:00.200
<v Speaker 1>Phillis four, Fantastic five, Furious five, Current Cat four, semcs Um,

3:00:03.360 --> 3:00:06.760
<v Speaker 1>Cold Crush Brothers. He had this this table when he

3:00:06.879 --> 3:00:10.680
<v Speaker 1>was selling actual with cassette copies of old school jams

3:00:10.760 --> 3:00:14.400
<v Speaker 1>that were on tapes back in the days. At this

3:00:14.600 --> 3:00:18.920
<v Speaker 1>at this some at the Zulu Anniversary. And I walked

3:00:18.959 --> 3:00:22.840
<v Speaker 1>into the Zulu Inific and I see cats on them, Like, damn,

3:00:22.879 --> 3:00:24.840
<v Speaker 1>I don't know if I could speak to my men,

3:00:24.959 --> 3:00:26.920
<v Speaker 1>who I've known since I was a young boy, is

3:00:26.959 --> 3:00:29.040
<v Speaker 1>he gonna still be like what up? And he was like, yo,

3:00:29.200 --> 3:00:34.800
<v Speaker 1>let me talk to you. And I'm like shit, so

3:00:34.959 --> 3:00:36.840
<v Speaker 1>we will go over to the side. He was like, yo,

3:00:36.920 --> 3:00:40.120
<v Speaker 1>I just want to tell you something. Man, he was

3:00:40.240 --> 3:00:44.200
<v Speaker 1>right about jay Z, and I was like, shit, so

3:00:44.360 --> 3:00:47.520
<v Speaker 1>everything I was trying to tell you to tell y'all like, dude,

3:00:47.720 --> 3:00:50.440
<v Speaker 1>is like really that deal? Like nobody would listen to

3:00:50.520 --> 3:00:54.360
<v Speaker 1>me and understand me. Like jay Z had come out

3:00:54.879 --> 3:00:58.760
<v Speaker 1>second album, We're rocking, Nobody can tell me anything and

3:00:58.840 --> 3:01:00.320
<v Speaker 1>you could say what you want to say, feel how

3:01:00.360 --> 3:01:02.480
<v Speaker 1>you want to feel. I knew I was right. Jay

3:01:02.560 --> 3:01:06.320
<v Speaker 1>Z is killing him. And then Grandmaster Cast says, who

3:01:06.480 --> 3:01:09.880
<v Speaker 1>you was right about jay Z? To me that damn

3:01:09.959 --> 3:01:12.760
<v Speaker 1>it was my grammy because he's Grandmaster Casts. He's the

3:01:12.920 --> 3:01:17.520
<v Speaker 1>first MC that I looked at and was like, he's

3:01:17.600 --> 3:01:22.200
<v Speaker 1>the best. Even though RAT would look at Millie mellon go,

3:01:22.720 --> 3:01:26.040
<v Speaker 1>he was the best. I looked the chasm was like

3:01:27.879 --> 3:01:32.400
<v Speaker 1>I really like Mellie mel but I think he's the best.

3:01:33.920 --> 3:01:37.119
<v Speaker 1>So the first best MC came to me and said,

3:01:38.000 --> 3:01:41.920
<v Speaker 1>you know you was right about jay Z. Karris One

3:01:42.080 --> 3:01:43.680
<v Speaker 1>tried to tell me I was bugging when I was

3:01:43.720 --> 3:01:45.680
<v Speaker 1>talking about K When I was talking about jay Z.

3:01:47.640 --> 3:01:49.400
<v Speaker 1>He did. We was in the studio, we were at

3:01:51.760 --> 3:01:56.960
<v Speaker 1>I never heard that he knew he was dope. Was

3:01:57.040 --> 3:02:02.040
<v Speaker 1>making a record called five Burrows and he was like, yeah,

3:02:02.040 --> 3:02:04.320
<v Speaker 1>I'm gonna put the Dots Effects Dots Effects on it.

3:02:04.600 --> 3:02:06.320
<v Speaker 1>I was like, yo, you should, you should put jay

3:02:06.400 --> 3:02:09.160
<v Speaker 1>Z on it. He was like why and I was

3:02:09.280 --> 3:02:12.440
<v Speaker 1>like what, Like, what the funk are you talking about?

3:02:13.040 --> 3:02:18.440
<v Speaker 1>Like I said, dog, jay Z is that mega? Like

3:02:18.560 --> 3:02:20.880
<v Speaker 1>he was like, I don't know what you see Clark,

3:02:21.800 --> 3:02:25.920
<v Speaker 1>And I was like, my Brooklyn, Yeah, it would understanding.

3:02:25.920 --> 3:02:28.360
<v Speaker 1>He was making a record called five Borrows, so it

3:02:28.400 --> 3:02:30.800
<v Speaker 1>would have been somebody from Brooklyn, you know, standing out

3:02:30.800 --> 3:02:33.000
<v Speaker 1>on the Queen's long. You know what I'm saying, you

3:02:33.120 --> 3:02:35.080
<v Speaker 1>choose dots. And I was looking at him like, dog,

3:02:35.440 --> 3:02:38.160
<v Speaker 1>I'm not mad at you choosing dots because they from Brooklyn,

3:02:38.280 --> 3:02:40.880
<v Speaker 1>So I'm not mad period, but dog, like jay Z

3:02:41.080 --> 3:02:43.480
<v Speaker 1>is an inferno, like you might want to use it.

3:02:43.760 --> 3:02:45.600
<v Speaker 1>He was like why, I don't get it. And I

3:02:45.760 --> 3:02:55.960
<v Speaker 1>was just like the persia he should have moved, like

3:02:56.040 --> 3:02:57.440
<v Speaker 1>you know what I'm saying, Like you what, what the

3:02:57.480 --> 3:02:59.280
<v Speaker 1>funk are you listening to? That? You can't say that

3:02:59.360 --> 3:03:02.520
<v Speaker 1>dude is super nice, Like he's not nice on a

3:03:02.640 --> 3:03:05.200
<v Speaker 1>regular level. He's like nice on the level that you

3:03:05.360 --> 3:03:09.520
<v Speaker 1>can't even come close to, Like he's like nice somewhere else,

3:03:10.720 --> 3:03:14.599
<v Speaker 1>like if there's an alternate Earth jays there by himself.

3:03:16.000 --> 3:03:17.800
<v Speaker 1>You know what I'm saying? Like the fun nice are

3:03:17.840 --> 3:03:20.720
<v Speaker 1>you talking about? So when you say that to me,

3:03:21.160 --> 3:03:23.080
<v Speaker 1>I can't to understand. I'm the guy who's standing in

3:03:23.200 --> 3:03:26.480
<v Speaker 1>front going no, nigga, you can't funk with hold. But

3:03:26.600 --> 3:03:33.040
<v Speaker 1>then you tell me that like you what, Come on

3:03:33.200 --> 3:03:35.120
<v Speaker 1>and stop it, man, you deserve a snuck on the

3:03:35.240 --> 3:03:39.520
<v Speaker 1>hand for that. Let your jealousy together out the way.

3:03:45.360 --> 3:04:00.720
<v Speaker 1>What's right that you like? Man, you don't know what

3:04:00.800 --> 3:04:02.800
<v Speaker 1>you was talking about? Do you want to tell him

3:04:02.800 --> 3:04:07.880
<v Speaker 1>what that? Tell him what that? Just tell him, you know,

3:04:08.200 --> 3:04:19.800
<v Speaker 1>just tell him fuckre like my nigger, your fun business?

3:04:20.640 --> 3:04:27.680
<v Speaker 1>Anything better? Then we keep continued to praise and respect

3:04:30.560 --> 3:04:34.440
<v Speaker 1>and your presence has wrong us to the drink chaps,

3:04:35.560 --> 3:04:39.120
<v Speaker 1>and we love you. You love everything you represent, You

3:04:39.240 --> 3:04:42.600
<v Speaker 1>love everything you had a part to be a part of.

3:04:43.200 --> 3:04:50.600
<v Speaker 1>And you are you doing y guys? Guys talk over here,

3:04:50.640 --> 3:04:54.800
<v Speaker 1>mane you love everything that clark Ken is a part

3:04:54.879 --> 3:04:58.960
<v Speaker 1>of the work. Clark Ken, he's sitting here like a

3:04:59.080 --> 3:05:08.040
<v Speaker 1>red devil blood are you talking about right now in

3:05:08.080 --> 3:05:12.080
<v Speaker 1>the gang world? Because I would like to say, Norri,

3:05:12.280 --> 3:05:15.879
<v Speaker 1>thanks for having me mana, thanks for full for form

3:05:17.600 --> 3:05:20.160
<v Speaker 1>and you know you're my nigga. I don't know what

3:05:20.280 --> 3:05:24.080
<v Speaker 1>the fucking sunk about right now? What gangster like? Thank

3:05:24.160 --> 3:05:30.120
<v Speaker 1>you for having me? You went to the house. I

3:05:30.120 --> 3:05:35.640
<v Speaker 1>don't know what those feedback Claude can. Thank you for

3:05:35.800 --> 3:05:40.360
<v Speaker 1>being here. He wants a bleak chance on me. You

3:05:40.440 --> 3:05:45.000
<v Speaker 1>wanted to verse very first people who sat down with

3:05:45.120 --> 3:05:49.200
<v Speaker 1>me and told me relax. So you had to make

3:05:49.240 --> 3:05:54.520
<v Speaker 1>about six hunds your ball. Y'all need to do a

3:05:54.560 --> 3:06:03.560
<v Speaker 1>record together. Now you got our lax. Let's not happen like,

3:06:04.400 --> 3:06:08.359
<v Speaker 1>let's make that we're doing it already. The alright then

3:06:08.360 --> 3:06:15.680
<v Speaker 1>I'm a fucking prophet. You gotta relax, which I don't

3:06:15.800 --> 3:06:20.880
<v Speaker 1>be honest, I'm no ac No, I'm just rusted me.

3:06:22.959 --> 3:06:27.600
<v Speaker 1>I'm not the manager. But thank you so much, thank

3:06:27.640 --> 3:06:31.200
<v Speaker 1>you for having brokr man. I know this is a

3:06:31.280 --> 3:06:42.080
<v Speaker 1>pleasing thank you for having not one year anniversary. Thank

3:06:42.120 --> 3:06:46.440
<v Speaker 1>you so much. I appreciate you just I just want

3:06:46.480 --> 3:06:52.039
<v Speaker 1>to say thank you for having me here. And it's

3:06:52.080 --> 3:06:55.440
<v Speaker 1>an honor to be your one year anniversary guest. Let's

3:06:55.440 --> 3:07:00.720
<v Speaker 1>take it. Let's take a shout to that little up y'all,

3:07:01.000 --> 3:07:02.920
<v Speaker 1>you know, unless you know you're from the bron you

3:07:03.080 --> 3:07:05.720
<v Speaker 1>gotta a fucking mind, you know what. I just go no, no,

3:07:05.879 --> 3:07:09.320
<v Speaker 1>I officially ain't ship for really really take a giant

3:07:09.360 --> 3:07:13.959
<v Speaker 1>steeles y'all taking not taking a shot, y'all. You gotta relax.

3:07:15.200 --> 3:07:19.160
<v Speaker 1>You gotta walking away from Taures. We gotta take pictures.

3:07:19.280 --> 3:07:23.360
<v Speaker 1>Then I gotta take pictures. We're gonna take pictures that

3:07:23.520 --> 3:07:31.680
<v Speaker 1>you want. I'm not taking. Make them go. Let that go,

3:07:31.959 --> 3:07:38.720
<v Speaker 1>Let that go, let that go, Let that good heart

3:07:39.000 --> 3:08:08.200
<v Speaker 1>he find all your favorite movies and shows faster with accidity,

3:08:08.400 --> 3:08:10.560
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