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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Did you know there were

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Speaker 1: over one million bubbles in a glass of champagne? Did

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Speaker 1: someone say brunch, Leave the egg hunting to the kid,

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Speaker 1: We'll have even more fun hunting for your brilliant brunch

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Speaker 1: reslingam sweet and salty richness pairs perfectly with sweeter wines

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Speaker 1: with bold fruit. How about a juicy peanut noir. Whether

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Speaker 1: you're hosting or just bring the wine, we love to

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Speaker 1: share are always low prices and ridiculous selection this spring

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Speaker 1: at Total Wine and More. Cheers y'all go. He's a

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Speaker 1: legendary queen's rapper, Hang seges your boy in. He's a

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Speaker 1: Miami hip hop pioneer. What up is d J e

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Speaker 1: f N? Together they drink it up with some of

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Speaker 1: the biggest players in music and sport. You know what

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Speaker 1: I mean? The most professional, unprofessional podcast and your number

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Speaker 1: one source for drunk facts. This is Drinks Chap right, Ah,

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Speaker 1: every day is New Year's e Just Ron Hey, it's

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Speaker 1: your boy and put up his dj efense And it's

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Speaker 1: a dream test podcast. And when we saw this show,

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Speaker 1: we said we're gonna continue with legends. We're gonna, you know,

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Speaker 1: keep it legendary. And right now we have one of

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Speaker 1: the world's famous DJs, one of the best, world's best

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Speaker 1: producers behind the scenes of touching every you know, top

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Speaker 1: tier artists has had, has had to go through hit

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Speaker 1: this man school has had to be in a session

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Speaker 1: with him, had to be schooled by him. He's has

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Speaker 1: done countless hit records. A sneaker king. Right now we

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Speaker 1: are talking about the legendary d J Clark can't make something.

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Speaker 1: And we also have his the hony who owns thirty

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Speaker 1: six hundred pairs of sneakers. His closet smells like Nike,

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Speaker 1: Adidas and New Balance. He's I've seen him want to

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Speaker 1: enter their countless times. A lot of people call theirself

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Speaker 1: sneaker kings, but nobody's a sneaker king like my man.

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Speaker 1: Man he's in the building, makes him goddamn, it is

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Speaker 1: hot to here. Goddamnit it is hot. Goddamn, this is

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Speaker 1: this is your dream, champce is we are hip hop.

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Speaker 1: Remember old D and D Studio. You do not have

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Speaker 1: to explain D n D never had a C. I

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Speaker 1: don't remember D and D. I have a a C.

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Speaker 1: I don't think it ever did I don't remember having

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Speaker 1: um uh, what is it called the ternmity? People like

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Speaker 1: exterminate exterminate, They never had exterminator D and D big

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Speaker 1: up from mere goddamnit for keeping hip hop hip hop.

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Speaker 1: We just have him Man and Pete rock on here.

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Speaker 1: But before we get into the head, we started this

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Speaker 1: things saying that we wanted to keep legends and hip

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Speaker 1: hop alive. Today marks our first episode we ever dropped March.

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Speaker 1: We don't know we were dropping this episode, but Mars

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Speaker 1: was our first episode. We hardly didn't know what we

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Speaker 1: were doing. But you with my boy too and with

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Speaker 1: our boy. That's right, boy, that's right after us got

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Speaker 1: a cold. Joel should go through that. Look, Clark, this

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Speaker 1: is how this is how they pour in Parry. You're

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Speaker 1: getting that rich. Make sure you get that good slow motion.

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Speaker 1: This is how they're pouring in Bowery. We've seen. I'm

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Speaker 1: holding the big scene. So Clark, I want you to

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Speaker 1: take us to the beginning, at the beginning, what of

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Speaker 1: the career, Like, what did you did? You say? You

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Speaker 1: don't know him? Right now? You like you like me

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Speaker 1: and you're right now I'm interview worry. It makes sense.

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Speaker 1: It makes sense. So listen, So did you start as

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Speaker 1: a producer first or you started as a DJ DJ?

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Speaker 1: I'm a DJ first a thousand percent, like like I'm

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Speaker 1: I don't even know. Yeah, yeah, I'm a DJ first.

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Speaker 1: That's it. Everything that that's doing is based off for

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Speaker 1: me being a DJ first. Okay. And who's the person

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Speaker 1: you looked up to as a DJ? Um? I would

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Speaker 1: probably if I had to say the most, I would say, um,

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Speaker 1: Larry Levine. Um. But but before that, the first person

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Speaker 1: I actually would say I looked up to as a

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Speaker 1: DJ or I I looked at him, went like, he's

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Speaker 1: the guy with Grandmaster Flowers. I think I'm sick Master

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Speaker 1: flas my Grandmaster Flowers. Grandmaster Flowers. Yeah, I've never heard him.

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Speaker 1: It's thirty nine years old. Yeah he's he's he's the

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Speaker 1: legend in Brooklyn. Wow. Yeah, yeah, he's the guy big

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Speaker 1: up Grandmaster Flowers. Yeah, he brought me rest in peace,

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Speaker 1: Rest in peace. So Clark, you got to meet Biggie

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Speaker 1: early on? Yeah? What was that? La Um? It was

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Speaker 1: cool because um, you have to remember all of his

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Speaker 1: O g s was my man's um on and and

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Speaker 1: uh and just and all the guys that were older

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Speaker 1: than man. We're so we gotta do with toast man.

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Speaker 1: Toast to you for surviving this nasty ass game for

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Speaker 1: as long as you have been and out here still relevant,

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Speaker 1: So salute to you. Continue to big go ahead. Yeah,

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Speaker 1: so all of his uh, his old g s was

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Speaker 1: my man's um. You know, I'm a little I was.

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Speaker 1: I'm older than him. I was older than him, and

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Speaker 1: I was also always around popping them. So meeting him

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Speaker 1: was I knew he was a dope MC that there

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Speaker 1: was nothing confusing about it. Now you met you met

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Speaker 1: him early on? You met him, Yeah, I met him. Yeah,

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Speaker 1: I met him earlier Okay, and earlier than the reggae

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Speaker 1: deals like when he went to when he was when

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Speaker 1: he was on Stretching Noriega, I mean stretching, like I

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Speaker 1: knew who he was at that point. Now, Scots the Limit,

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Speaker 1: you did that because I did. That wasn't the first

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Speaker 1: joint you did, for being right, that would be the

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Speaker 1: first joint I did. That was his record, but that

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Speaker 1: he was on Junior my Favor Records, that I executive

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Speaker 1: produced album with him. We did that together. Okay, we're

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Speaker 1: gonna go back to that but Scots the Limit one

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Speaker 1: of my favorites. Thank you brother. And today's let's make

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Speaker 1: noisen right anybody smoking? Because how we do it on

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Speaker 1: drink chapter camera. I'm gonna joke you man with the horns,

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Speaker 1: I'm just a limit. Now big calls you would say

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Speaker 1: he wants to beat calls you or how does how

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Speaker 1: does this happen? We were on tour and he goes, uh,

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Speaker 1: let's start. He wants to make records for Junior Mafia.

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Speaker 1: And uh, he goes on, when we come back, when

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Speaker 1: we go home, when we come back, just you know,

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Speaker 1: bring some music. So I brought some music and it

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Speaker 1: was on the bus and we were going through tracks

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Speaker 1: for Junior Mafia and he heard it and he wanted

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Speaker 1: it for himself. Yeah, and then and then I went

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Speaker 1: straight to the studio. Actually, um, like I said, we

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Speaker 1: were working on Junior Mafia. Is the idea to Junior

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Speaker 1: Mafia's album. We didn't even like have a really set

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Speaker 1: plan that this was gonna go down. It was I

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Speaker 1: want to make an album on Junior Fia, Mr Lee,

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Speaker 1: what's up man? We recorded there's no simple lemonade. Just

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Speaker 1: get it. Talk is very Hollywood. We gotta get him simply,

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Speaker 1: hollywoodmade this is the but you don't got simple to

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Speaker 1: in leminade with just lemonade. Man, just let me just

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Speaker 1: lemonade and Fiji water, please, Fiji water with the red top.

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Speaker 1: No no, no. So that's your man who was driving.

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Speaker 1: He's the best, he's so you do skys the limit.

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Speaker 1: You know what happened? Like I said, he was what

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Speaker 1: we want tour and I brought him some music back

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Speaker 1: when we was going. When we went back on tour

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Speaker 1: and he heard it, he said he wanted it. And

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Speaker 1: I thought he actually was saying he wanted it for

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Speaker 1: Junior Mafia. But then I figured out, or we figured out,

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Speaker 1: that he didn't wanted the Genie Mafia at all. He

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Speaker 1: wanted it for himself. And uh, I kind of was like, well,

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Speaker 1: you can't have it because one I had given it

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Speaker 1: to what. Yeah, it was honestly, it was Oxby. I

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Speaker 1: think I did tell me that he was alive. Damn.

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Speaker 1: I remember him telling you know, it's crazy if a

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Speaker 1: story can balls you me and I could you never

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Speaker 1: call him alive? Shouldn't come on. That's very true, It's

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Speaker 1: very true. It's very true. I'm not the thing about it.

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Speaker 1: Come on, come on, Poppy, but you don't fun it's Panamanian.

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Speaker 1: You don't turn the corner. You're gonna starting side. Don't

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Speaker 1: we go on the comber that you were fabulous, y'all.

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Speaker 1: We're gonna make y'all garden that your name is probably yeah, yeah, okay,

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Speaker 1: you know that there's not normal. That's all right, let's

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Speaker 1: make some noise to that. So was you there when

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Speaker 1: Scott's The Limit was recorded? Half of it. I recorded

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Speaker 1: the beat and then it went to um, it went

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Speaker 1: to what you call it. It went to to to

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Speaker 1: pup studio, and then it came back with the vocals

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Speaker 1: and and then it went back again because he was like,

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Speaker 1: he's gonna put one twelve on it because he had

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Speaker 1: did the hook by himself at first, and then went

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Speaker 1: back to get one twelve. And then it came back

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Speaker 1: to the studio where I was at that mixed it. Wow,

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Speaker 1: but um, he was there for the mix and everything.

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Speaker 1: He was so now let me flip and bounce it on.

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Speaker 1: You also knew Tupac as well? Yeah, you knew early Tupac.

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Speaker 1: Ye just described that, like described the difference from early

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Speaker 1: Tupac to the Tupac that you know people know better underground. Yeah, well,

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Speaker 1: I mean, you know, in digital Underground he was being

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Speaker 1: who he wasn't Digital underground. He was dancer sometimes rapper

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Speaker 1: and hype man. You know that's I mean he was.

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Speaker 1: He was a happy, go lucky guy. Right. And did

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Speaker 1: did you meet the death old Tupac? Yeah? I mean yeah, yeah,

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Speaker 1: let's describe it. I know you're talking to me like

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Speaker 1: Cacus like that. He looking at me like you know,

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Speaker 1: but I'm listening. Just changed from death He changed after

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Speaker 1: the incident with the cops. I think na, I mean,

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Speaker 1: he definitely it was. It was a change from what

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Speaker 1: it wasn't It wasn't the change that I'm asking Clark.

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Speaker 1: You know what I'm saying to change, like from Digital

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Speaker 1: Underground Tupac to death Row. Drastic change that's changed because

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Speaker 1: you're you're you're you're skipping a whole section. And when

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Speaker 1: he made records like he made records before he became

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Speaker 1: death Row, you know what I'm saying, Like Brenda's got

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Speaker 1: a baby, holla for you, hear me, Like you know

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Speaker 1: what I'm saying, Like he was making records that were socially,

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Speaker 1: socially good and relative you know what I'm saying, Brendon's

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Speaker 1: had a baby. Brendon's got a baby. It's like amazing,

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Speaker 1: you know what I'm saying. There was some things that

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Speaker 1: were happening way before he became death Row and he

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Speaker 1: was being he was being a rapper, you know what.

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Speaker 1: They say that that bishop role changed him that some

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Speaker 1: people would say that a lot of people would say that.

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Speaker 1: I mean, but he was acting in that role, and

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Speaker 1: they said he's he stayed bishop after that. It's not

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Speaker 1: that I think what he what He's surrounded himself kind

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Speaker 1: of like the people he was around. Yeah, I think

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Speaker 1: the people that that he got around kind of let

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Speaker 1: him fall into the bishop character. Maybe maybe, and then

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Speaker 1: he was trying to emulate the guys he got around, probably, right,

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Speaker 1: you know I mean, and then you know, I mean,

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Speaker 1: if if you got tough guys around you, you might

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Speaker 1: try to act tough. What was Clark Kent's favorite time

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Speaker 1: in hip hop? My favorite time in hip hop? Yeah?

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Speaker 1: And hip hop or rap. That's that's so I would

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Speaker 1: like that question, like the favorite time in hip hop

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Speaker 1: is the whole forty five years that has been happening,

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Speaker 1: you know what I'm saying of problem, Yeah, the whole

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Speaker 1: life of hip hop is my favorite because I grew

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Speaker 1: up in it. I'm I'm a part of it, and like,

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Speaker 1: I don't think it's it's it's anywhere close to done.

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Speaker 1: It's a culture. It's the culture and the way that

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Speaker 1: we live. Culture is a way of life, you know

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Speaker 1: what I'm saying. Like rap isn't a way of life.

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Speaker 1: Rapp is a music that lives within the culture. So

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Speaker 1: it lives within the way of life that we live.

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Speaker 1: So if you ask me my favorite time and rap

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Speaker 1: is when niggas could actually rhyme like what Tom's period,

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Speaker 1: I would have to say. I would have to say

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Speaker 1: from from the message to um, from the message to

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Speaker 1: I don't know, I don't the best rhymers were around

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Speaker 1: in the in the nineties, but I mean when you

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Speaker 1: heard the message, it kind of changed what people were

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Speaker 1: willing to speak about. And the funny part is that

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Speaker 1: verse that Mellie Mel said in the message is on

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Speaker 1: Mel miles first record, and nobody caught that mell reused ever, Yeah,

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Speaker 1: well I thought everybody knew that though. But it's on

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Speaker 1: super Wrapping Shots with No State of Mind, blowing to

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Speaker 1: the ways of man kind. It's on the end of

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Speaker 1: super Wrapping and then and then he used it on

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Speaker 1: on the message again. Did you see Mellie mell on

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Speaker 1: the we showed recently he said he's better than jay Z.

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Speaker 1: He gotta relax. I mean, he's better at jay Z

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Speaker 1: doing what you know saying that's a good question. You

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Speaker 1: know what, when people say things, you gotta ask him

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Speaker 1: in what context of saying and I and you know

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Speaker 1: what I'm saying, because I can say I'm better than

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Speaker 1: jay Z. And then and then the problem is most

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Speaker 1: people walk away thinking the fund is he talking about?

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Speaker 1: He can't rap? Instead I can go get DJ. And

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Speaker 1: then what you're gonna say? What is he gonna say?

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Speaker 1: Good point? But I don't think you can't say it

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Speaker 1: a great point, you know what Mellie Miles. Also, I

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Speaker 1: think ild body build up. Yeah, but he keep my

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Speaker 1: fight in here they were talking about what just fighting't

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Speaker 1: have to do a body? Now just why I think

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Speaker 1: fighting like you know what I'm saying, like, but um,

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Speaker 1: I think that's dope. I think that as long as

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Speaker 1: you're m C you should think that you're you're the best.

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Speaker 1: Sometimes you gotta have reality hit you, like, you know

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Speaker 1: what I'm saying like m C shouldn't have reality hit them,

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Speaker 1: rappers should have reality here brokay, come on the beget

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Speaker 1: your camera out. Man, Come on, man, why are you wet?

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Speaker 1: It's rating shut down fast and furious. So maya. What

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Speaker 1: is your favorite time in hip hop? Oh? Man? Um

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Speaker 1: like eighties early nineties. I mean I go back and

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Speaker 1: I was you know, I had my hands and clubsows

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Speaker 1: back in the day. Yeah, I was one of the

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Speaker 1: many guys that had a little little taste club episodes

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Speaker 1: back in the day. So you know jay z twenty

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Speaker 1: two twos club episodes. I remember one of my my

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Speaker 1: do some left frack. They had a chick and jay

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Speaker 1: Z and Big came in that night and they took

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Speaker 1: my man's chick and the club and that would happen

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Speaker 1: and they came in with just them too. It was

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Speaker 1: just dazy and biggie. I was like, damn, Like, well

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Speaker 1: we could have jumped in. Here's the he are if

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Speaker 1: they walked in and took this dudes chicken. Wasn't it

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Speaker 1: was like a bit seat they just made at the club.

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Speaker 1: Still but still wasn't you know we gigged on this

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Speaker 1: nigger for weeks. He probably it was j and that

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Speaker 1: was big and Jay. I mean that that movement was

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Speaker 1: that who was that movie thettle we got a sting,

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Speaker 1: a little model open another bottom boards shouldn't crazy, Yeah,

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Speaker 1: but that club, that's who's movement was crazy. I mean,

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Speaker 1: you know you had j with the twenty two tools,

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Speaker 1: Maria Davis man Wednesdays. That was one of the illest

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Speaker 1: parties we ever had. Marina Davis Every Wednesday was legend.

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Speaker 1: That was a legend, eaby party. I'm one of the

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Speaker 1: few guys have seen Clark about thirty five bottles and

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Speaker 1: couldn't walk out the clubs. I've seen Clark about thirty

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Speaker 1: five bottles and couldn't walk out the club. I cat

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Speaker 1: trying to be trying to heat modest right now. He's

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Speaker 1: one of the greatest DJs on the planet. Brother, and

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Speaker 1: weren't gonna argue and we're gon, we're gonna respect that tonight.

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Speaker 1: We're man, I'm sorry not June. The mafia shot um

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Speaker 1: to give money video of money you party to get

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Speaker 1: money there with shout the club and that was cool.

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Speaker 1: I mean they just walked up to the club one

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Speaker 1: Wednesday afternoon with a couple of dollars and was like, yeah,

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Speaker 1: we shooting for the whole day. Cool, let's make it happen. So,

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Speaker 1: you know, to see ship like that happened all the

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Speaker 1: time was crazy. But I mean, how did you become

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Speaker 1: a sneaker kid? I've been doing this since I was

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Speaker 1: ten years old? Man, like collector sneakers. I got into

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Speaker 1: sneakers when my mom's brought me a pair of skippies. Man,

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Speaker 1: you know the skippies there a dollar ninety nine. So

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Speaker 1: it wasn't a skippy really, it was a shoe called

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Speaker 1: the Mark five. And my government name is Mark. So

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Speaker 1: I thought I was the coolest motherfuf on the planet

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Speaker 1: because I had my name on the shoot. I went

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Speaker 1: back to the block, got laughed off. The block was like,

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Speaker 1: now you wear skippies out out of out of that?

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Speaker 1: And after that whatever I had to do what I

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Speaker 1: was robbing money from my grandfather sweeping floors to bo

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Speaker 1: sneakers and started from then and ten years old about

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Speaker 1: that ship would never happen again. And then you Clark,

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Speaker 1: how did you become Because I'll tell you what one

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Speaker 1: of my boys right now, like you know, because we'll

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Speaker 1: be saying college and Fat Joe was cheating, like we said,

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Speaker 1: Claud got a cheek co to like. When I asked

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Speaker 1: my boy, my boy said, he's probably the only guy

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Speaker 1: in the world that could tell fat Joe and DJ

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Speaker 1: Kale to relax. My boy said, respectfully, it's probably true.

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Speaker 1: But if we say calid yeah, the dance would be yes.

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Speaker 1: There's there's no argument that he could say that. You

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Speaker 1: know what I'm saying. With Joe, it'll be a you

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Speaker 1: never know on any day. You know what I'm saying.

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Speaker 1: I went to high school with Joe, like Joe sneak,

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Speaker 1: My lunch room was fat us. Yeah, but I went

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Speaker 1: to Joe went to Mars for a year and of

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Speaker 1: course he got kicked out and not enough and I'm

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Speaker 1: a little sold. You gotta t chain and I don't know.

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Speaker 1: I know Joe for a long time. I got the rest.

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Speaker 1: Got another rest salute the one year Yes you and

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Speaker 1: on your one year show when Joe was talking about

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Speaker 1: sneakers mentioned yeah yeah later I'm here, yes, yes, yeah,

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Speaker 1: that's crazy. Huh. They ain't got mentioned by Joe out

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Speaker 1: ain't Joe? Huh? If he's being honest, he mentioned me too.

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Speaker 1: You know, he did say yeah, he says you and

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Speaker 1: bring with me yes, and you bring out this is

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Speaker 1: this is real ship. I don't think you've never even

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Speaker 1: been on the podcast. Yeah, that's just crazy. You know

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Speaker 1: we got Actually we're doing a podcast on Joe about sneakers.

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Speaker 1: So he's gonna have his own podcast called Kicks. I

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Speaker 1: was gonna say, you're about to say, have your own joint,

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Speaker 1: you know what I mean, Like, you know, he's gotta

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Speaker 1: be Joe, Okay, like gotta be to me. I don't

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Speaker 1: have the no, I just gotta try, yo. Do you

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Speaker 1: know I've been trying to get fat Joe high for

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Speaker 1: fifteen eighteen years that I knew him. And the other

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Speaker 1: day he had a toothache and we didn't miss the

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Speaker 1: childs And I'm smoking a vapor pen and I just

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00:18:51,640 --> 00:18:53,359
Speaker 1: passed it to him and he hit it and I

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00:18:53,560 --> 00:18:57,440
Speaker 1: was like, I was like, I didn't even see everybody.

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Speaker 1: Everybody's talking and ship. They act like it's normal. He's like,

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00:19:01,200 --> 00:19:03,720
Speaker 1: he looks at the whole table. He goes, No, nobody

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Speaker 1: see this guy's face. He's so happy. I just stood

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Speaker 1: there and never never try it once? Yeah, and I

344
00:19:14,640 --> 00:19:20,080
Speaker 1: thought it was overrated, overrated. I try it once, you like,

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Speaker 1: try it again? Right, You're trying to make me try

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Speaker 1: it again. I know you gotta get that money tonight.

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00:19:24,560 --> 00:19:26,479
Speaker 1: But now let's let's stay there do sneak a thing.

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00:19:26,640 --> 00:19:29,399
Speaker 1: So how did you start this fetish? Like? You know

349
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Speaker 1: what I mean when I'm because you're like the first

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Speaker 1: guy to have a pair of knikes, the first DJ.

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Speaker 1: I know, Um, I don't know if that's that guy

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Speaker 1: I would say about Beato had him, but like he's not.

353
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Speaker 1: He's not like considered the DJ the way I'm considering

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Speaker 1: the DJ. So I mean, I guess with a release,

355
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Speaker 1: the first guy with a release would probably be either

356
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Speaker 1: me about it or yet when it comes to the

357
00:19:52,160 --> 00:19:55,399
Speaker 1: rap game or whatever. The DJ thing definitely. And is

358
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Speaker 1: it true that you you try to wear just one

359
00:19:58,880 --> 00:20:02,480
Speaker 1: sneaker every day, like different since two thousand four, Since

360
00:20:02,520 --> 00:20:04,879
Speaker 1: two thousand and four, every day you switch up a

361
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Speaker 1: different sneaker. Actually, I'm with my second pad today, your

362
00:20:08,720 --> 00:20:11,280
Speaker 1: second pair just for daays do I did look down

363
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Speaker 1: and no, no, I don't matter. I'm just I gotta

364
00:20:13,040 --> 00:20:15,680
Speaker 1: look I got it. I'm like today, man, I'm like, oh, yeah,

365
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Speaker 1: I got I don't know whether you probably don't have,

366
00:20:18,800 --> 00:20:21,600
Speaker 1: but you probably don't have got the acronyms. The original

367
00:20:22,200 --> 00:20:24,200
Speaker 1: These are the ones that came out about four or

368
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Speaker 1: five years ago, right, you got the new ones that

369
00:20:27,080 --> 00:20:31,000
Speaker 1: just came out there, ain't scared. So how do you

370
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Speaker 1: keep your ship fresh? How do you wear a brand

371
00:20:33,280 --> 00:20:38,520
Speaker 1: new bad sneaky look? Fiji looking? Baby? We we got you, baby.

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Speaker 1: You know what got the wrong one? You didn't get

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Speaker 1: the red. He the only nigger that called me my.

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Speaker 1: So now Clark, okay, like I was, you asked me

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Speaker 1: about how um I was a kid and around my

376
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Speaker 1: way what you crying? Heights of Brooklyn. The older dudes

377
00:21:00,320 --> 00:21:04,679
Speaker 1: who had who had girls? No, no, no, no girls.

378
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Speaker 1: We would always like, look up to the guys, you

379
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Speaker 1: know what I'm saying. So if I'm like eight and

380
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Speaker 1: I'm looking at a guy who sixteen seventeen, the first

381
00:21:12,200 --> 00:21:13,720
Speaker 1: thing I'm trying to figure out is how did he

382
00:21:13,800 --> 00:21:16,880
Speaker 1: get the girls? And we always started sneakers looked new,

383
00:21:17,760 --> 00:21:19,720
Speaker 1: but he was older, so he's supposed to have better

384
00:21:19,800 --> 00:21:22,160
Speaker 1: sneakers than a kid who's eight, But we didn't register

385
00:21:22,280 --> 00:21:24,280
Speaker 1: that because there was no father's around. So we looked

386
00:21:24,280 --> 00:21:27,200
Speaker 1: at them like big brothers who kind of guided, or

387
00:21:27,280 --> 00:21:29,440
Speaker 1: big uncles who guided. And if they were fresh. We

388
00:21:29,520 --> 00:21:32,480
Speaker 1: wanted to be fresh, so we just wanted our sneakers new.

389
00:21:32,680 --> 00:21:34,760
Speaker 1: And that started. Like when I was nine. First time

390
00:21:34,800 --> 00:21:38,480
Speaker 1: I made some money, I bought sneakers. Think me too.

391
00:21:40,080 --> 00:21:42,480
Speaker 1: That's herd ship. But I'm not like kings like y'all,

392
00:21:42,560 --> 00:21:44,800
Speaker 1: y'all like y'all take this ship serious, that's a choice.

393
00:21:46,400 --> 00:21:49,280
Speaker 1: I've got the money. I'm like, because because you have them,

394
00:21:49,560 --> 00:21:52,560
Speaker 1: I'm saying you have the money. I'm the point because

395
00:21:52,840 --> 00:21:54,680
Speaker 1: we're talking about the fact that you have the money.

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00:21:54,760 --> 00:22:00,960
Speaker 1: Relaxed when you got that five, Jess, but you weren't

397
00:22:00,960 --> 00:22:04,600
Speaker 1: sneakers happening enough. I actually went avery rex sopping gortex,

398
00:22:05,640 --> 00:22:10,400
Speaker 1: so I went to the ship the street and stretch

399
00:22:10,480 --> 00:22:13,320
Speaker 1: on strong ship. Yeah, that's definitely, that's definitely the truth.

400
00:22:13,520 --> 00:22:16,480
Speaker 1: So look now this is basically shot time. This is

401
00:22:16,520 --> 00:22:19,440
Speaker 1: when we take a shot of your preference. This is

402
00:22:19,440 --> 00:22:23,960
Speaker 1: a part of the show reference that every show. Yeah,

403
00:22:24,920 --> 00:22:32,000
Speaker 1: I'm an avid listener. Yes I'm because you know the

404
00:22:32,080 --> 00:22:35,280
Speaker 1: first time, you know what I did. Actually you know

405
00:22:35,680 --> 00:22:37,719
Speaker 1: you know because you're my friend. So I actually look

406
00:22:37,760 --> 00:22:39,080
Speaker 1: at the other interviews that I want to be the

407
00:22:39,119 --> 00:22:41,480
Speaker 1: exact opposite of every other interview you ever did. And

408
00:22:41,520 --> 00:22:43,760
Speaker 1: I want to just ask you about hip hop as

409
00:22:43,760 --> 00:22:46,399
Speaker 1: opposed to just actually personal stuff. We'll get like two

410
00:22:46,440 --> 00:22:48,439
Speaker 1: little things, but I want to act you in general

411
00:22:48,560 --> 00:22:50,639
Speaker 1: hip hop because you're a hip hop king, and we

412
00:22:50,720 --> 00:22:53,800
Speaker 1: gotta acknowledge that, we gotta respect that, appreciate that. That's

413
00:22:53,920 --> 00:22:55,720
Speaker 1: the show was about. I don't know if you know,

414
00:22:56,480 --> 00:22:58,080
Speaker 1: you know, I don't know if this is the reason

415
00:22:58,119 --> 00:23:00,320
Speaker 1: why it works because they quote on quote called me

416
00:23:00,400 --> 00:23:02,080
Speaker 1: a legend, and for a legend to sit on the

417
00:23:02,200 --> 00:23:05,560
Speaker 1: chair and always respect another legend, I guess that's humbling

418
00:23:05,680 --> 00:23:08,440
Speaker 1: to certain people. And I want to continue that because

419
00:23:08,720 --> 00:23:10,960
Speaker 1: for me, you know what I'm saying, Like I remember

420
00:23:11,040 --> 00:23:15,040
Speaker 1: Clark coming to the War Reports session and I'm having

421
00:23:15,119 --> 00:23:17,159
Speaker 1: a rhyme. My rhyme was like thirty six bars and

422
00:23:17,240 --> 00:23:20,960
Speaker 1: he was like, Bax, It's like, Yo, this is not

423
00:23:21,080 --> 00:23:23,359
Speaker 1: how you ride. You can't have that bars like that.

424
00:23:23,400 --> 00:23:25,600
Speaker 1: You gotta break that up. And I would just rhyme.

425
00:23:26,240 --> 00:23:28,879
Speaker 1: I just never knew how to, Like I just I

426
00:23:29,119 --> 00:23:32,840
Speaker 1: never made a sixteen bar verse at that time, Like

427
00:23:33,160 --> 00:23:36,400
Speaker 1: I just didn't registered to me. I just wrote until

428
00:23:36,440 --> 00:23:38,640
Speaker 1: I couldn't write no more, and then that was a verse.

429
00:23:38,720 --> 00:23:43,760
Speaker 1: So whether that was thirty six or forty. That to me,

430
00:23:43,880 --> 00:23:46,920
Speaker 1: that was remember Clark coming in the studio and saying,

431
00:23:47,240 --> 00:23:51,080
Speaker 1: hold on, hold on, you went too crazy, break that up,

432
00:23:51,720 --> 00:23:53,639
Speaker 1: and I didn't know how to what he meant he

433
00:23:53,760 --> 00:23:55,560
Speaker 1: broke it up? Had to chicks from s w V.

434
00:23:55,760 --> 00:23:58,960
Speaker 1: Come I never met like I was. I was mad, y'all?

435
00:23:59,040 --> 00:24:02,399
Speaker 1: What does that ship called? Uh? Struck off struck? But

436
00:24:02,520 --> 00:24:04,920
Speaker 1: then she couldn't sing Let's keep you right? Which one?

437
00:24:04,960 --> 00:24:08,000
Speaker 1: Which one? I don't remember which I think it was.

438
00:24:08,280 --> 00:24:12,040
Speaker 1: It was either Leally or it wasn't. It was I

439
00:24:12,080 --> 00:24:15,680
Speaker 1: think it wastly. It wasn't the main COO could sing,

440
00:24:16,200 --> 00:24:19,720
Speaker 1: but I remember, can't wait to remember. I'm being so disappointed. No,

441
00:24:20,040 --> 00:24:21,720
Speaker 1: it's not that they can't sing. It just that it

442
00:24:22,040 --> 00:24:28,119
Speaker 1: wasn't working that day. It doesn't really like it correct.

443
00:24:28,160 --> 00:24:29,680
Speaker 1: I want to say. He can't say no, No, I'm

444
00:24:29,720 --> 00:24:31,440
Speaker 1: not saying that that you can't sing. I'm saying that

445
00:24:31,640 --> 00:24:34,920
Speaker 1: day that it wasn't working on the She couldn't, she

446
00:24:34,960 --> 00:24:42,119
Speaker 1: couldn't catch it. But but so describe that. Describe that

447
00:24:42,200 --> 00:24:51,240
Speaker 1: session for you for me, um, for you. You gotta

448
00:24:51,280 --> 00:24:53,560
Speaker 1: get some pretense to the to the to it. I

449
00:24:53,680 --> 00:24:56,240
Speaker 1: knew you from before, like everybody needs to know. Like,

450
00:24:56,320 --> 00:24:58,320
Speaker 1: it wasn't like I just walked up and I just

451
00:24:58,480 --> 00:25:00,800
Speaker 1: was like, yeah, no, that's not what you do. You

452
00:25:00,840 --> 00:25:02,960
Speaker 1: know what I'm saying. It was more like, okay, I

453
00:25:03,040 --> 00:25:04,600
Speaker 1: knew him all the time, and it was your clock,

454
00:25:04,640 --> 00:25:08,520
Speaker 1: we need to join. I'm like, yeah, you know. And

455
00:25:08,600 --> 00:25:11,960
Speaker 1: then and then um compone went away and I was like, funk,

456
00:25:12,040 --> 00:25:14,960
Speaker 1: I can't do it then without without bone because you know,

457
00:25:15,080 --> 00:25:19,240
Speaker 1: both of them is my niggers, right, And Serena was like, well,

458
00:25:19,800 --> 00:25:22,080
Speaker 1: he heard a beat that he liked and it was

459
00:25:22,119 --> 00:25:23,840
Speaker 1: a decision that he made and he was going to

460
00:25:23,920 --> 00:25:26,320
Speaker 1: do the whole song by himself. And that's where we

461
00:25:26,400 --> 00:25:28,640
Speaker 1: got in there, and it was just just forty eight

462
00:25:28,720 --> 00:25:31,520
Speaker 1: bonds of rhyme, and I was like, dude, and my

463
00:25:31,680 --> 00:25:34,200
Speaker 1: thing was the track was too pretty for him to

464
00:25:34,280 --> 00:25:36,720
Speaker 1: be be rhyming all crazy on it. And I'm just like,

465
00:25:37,520 --> 00:25:40,680
Speaker 1: the rhymes are fine. Since you have to move something around,

466
00:25:41,080 --> 00:25:43,080
Speaker 1: can you stop for a second let me stick a

467
00:25:43,119 --> 00:25:45,160
Speaker 1: hooking there. You know what I'm saying that I don't

468
00:25:45,160 --> 00:25:48,480
Speaker 1: know it just like that. If you asked me what

469
00:25:48,680 --> 00:25:52,920
Speaker 1: was that like, I'm gonna say it was perfect because

470
00:25:53,440 --> 00:25:55,639
Speaker 1: you let me produce, you know what I'm saying. And

471
00:25:55,800 --> 00:25:58,000
Speaker 1: so he wasn't. He wasn't fighting you on it. Not.

472
00:25:58,359 --> 00:26:00,400
Speaker 1: But I think the reason why he didn't what it means,

473
00:26:00,480 --> 00:26:04,399
Speaker 1: because I was already I had already made enough records

474
00:26:04,480 --> 00:26:06,480
Speaker 1: for him to go. I trust them. See back in

475
00:26:06,520 --> 00:26:09,919
Speaker 1: the days you got you got trusted if you produced

476
00:26:09,920 --> 00:26:11,800
Speaker 1: some records, you know what I'm saying. And he trusted me,

477
00:26:12,200 --> 00:26:15,080
Speaker 1: and like he was the first producer apartment, because he

478
00:26:15,160 --> 00:26:17,560
Speaker 1: was the first producer who told me that most producers

479
00:26:17,600 --> 00:26:20,160
Speaker 1: would just let me. If you look, if you listen

480
00:26:20,200 --> 00:26:22,840
Speaker 1: to the chomping up later, know, if you listen to money,

481
00:26:22,880 --> 00:26:26,679
Speaker 1: listen to bloody money one versus thirty six bars, bro,

482
00:26:27,080 --> 00:26:29,320
Speaker 1: the other one is twenty four doesn't make sense in

483
00:26:29,440 --> 00:26:31,200
Speaker 1: any other place? How did you take that when he

484
00:26:31,240 --> 00:26:32,840
Speaker 1: told you? Though, Like it was like, you know, I

485
00:26:33,119 --> 00:26:35,320
Speaker 1: just wanted to learn. I wanted to learn. I sat

486
00:26:35,400 --> 00:26:37,440
Speaker 1: back like as a as a student, and I've seen

487
00:26:37,520 --> 00:26:41,960
Speaker 1: him produced like he said it was, yeah, But I

488
00:26:42,280 --> 00:26:45,840
Speaker 1: look again, I think the times were we're different than

489
00:26:46,160 --> 00:26:49,159
Speaker 1: it wasn't. It wasn't. I'm gonna give you a you

490
00:26:49,240 --> 00:26:51,600
Speaker 1: know what it was. I wasn't we made records to

491
00:26:53,040 --> 00:26:56,680
Speaker 1: not only that, but like dudes who never had a record,

492
00:26:57,240 --> 00:26:59,800
Speaker 1: like who never sold the record, they'll give you a

493
00:27:00,200 --> 00:27:03,280
Speaker 1: just walk away and be like yes down, and they're

494
00:27:03,280 --> 00:27:05,240
Speaker 1: not a phrase. Well what does that song sound like?

495
00:27:05,800 --> 00:27:07,920
Speaker 1: Is it a song? Or people gonna remember that ship

496
00:27:08,040 --> 00:27:11,359
Speaker 1: or they're gonna care later. So if you've made a record,

497
00:27:11,640 --> 00:27:13,600
Speaker 1: you know what I'm saying, you start to care differently.

498
00:27:13,840 --> 00:27:16,600
Speaker 1: So I just wanted him to have a song that

499
00:27:16,760 --> 00:27:19,320
Speaker 1: had a feeling that you when you walked away from

500
00:27:19,359 --> 00:27:21,720
Speaker 1: listening the whole album, you might be like, oh, that's

501
00:27:21,760 --> 00:27:23,840
Speaker 1: my favorite record, that's my favorite record, But you'll never

502
00:27:24,000 --> 00:27:28,280
Speaker 1: forget that he made closer to this paper. You'll never

503
00:27:28,359 --> 00:27:30,959
Speaker 1: forget it when you listen to the album because because

504
00:27:31,080 --> 00:27:34,440
Speaker 1: it's the one song on the album that's sounds that's

505
00:27:34,600 --> 00:27:39,240
Speaker 1: that's that's that's good, that's that's the god. That that's okay,

506
00:27:39,280 --> 00:27:41,520
Speaker 1: that's the god him. I'm talking to us, guy, Come on,

507
00:27:41,640 --> 00:27:46,359
Speaker 1: put some more that it was in the shots? Can

508
00:27:46,400 --> 00:27:48,800
Speaker 1: you help know? I don't like your heavy hand. I

509
00:27:48,840 --> 00:27:52,440
Speaker 1: got a cold rocking. Do we wipe this up? Yeah?

510
00:27:53,720 --> 00:28:06,959
Speaker 1: You've got eight terms it in terms of holds right here,

511
00:28:07,040 --> 00:28:15,320
Speaker 1: he put yo cold cold goddamn you give me my

512
00:28:15,440 --> 00:28:19,840
Speaker 1: bottom that I forgot. This is you. Thank God I

513
00:28:19,920 --> 00:28:23,439
Speaker 1: changed my plight. You the wrong, wrong, I'll take ye.

514
00:28:23,600 --> 00:28:25,479
Speaker 1: I'm here, Okay, I'm here. I think it's going back

515
00:28:25,480 --> 00:28:27,760
Speaker 1: to shout the puff coast rock. Let's go cost big

516
00:28:27,960 --> 00:28:31,520
Speaker 1: coat for me right there? Damn it the normal Cooper ship.

517
00:28:31,840 --> 00:28:37,840
Speaker 1: But really shocked that Lord pick him up. We're this feeling.

518
00:28:38,680 --> 00:28:41,880
Speaker 1: Shot niggas gave me the filth. Yes, shot glasses on them,

519
00:28:41,920 --> 00:28:44,000
Speaker 1: and I'm man, I ain't even walk some shot glasses

520
00:28:44,080 --> 00:28:46,960
Speaker 1: right there. I want something that you know, you know

521
00:28:47,040 --> 00:28:50,800
Speaker 1: what my first person in actually you know what's hey?

522
00:28:50,960 --> 00:28:55,840
Speaker 1: This year is the twenty year anniversary of the war report. Wow,

523
00:28:56,120 --> 00:29:01,200
Speaker 1: June would be because we dropped in June. Uh, nineteen nineties.

524
00:29:01,240 --> 00:29:06,440
Speaker 1: Seven ninety was busy, so it's busy this year. It's real.

525
00:29:06,600 --> 00:29:11,000
Speaker 1: It's seven seen for like having fun. We're doing it

526
00:29:11,080 --> 00:29:16,800
Speaker 1: all over. You got a shot Maya's right there? Who's pouring? Oh?

527
00:29:16,840 --> 00:29:18,959
Speaker 1: I got a four months for yourself. We don't want

528
00:29:19,000 --> 00:29:20,479
Speaker 1: to me, we don't want you know what I mean?

529
00:29:20,880 --> 00:29:23,320
Speaker 1: Your legend? God damn it, we see what's your wedding

530
00:29:23,360 --> 00:29:24,840
Speaker 1: wing on? I wore mind? So I knew you was

531
00:29:24,880 --> 00:29:30,040
Speaker 1: gonna win. Y'alls. You know you Wait, you said, I

532
00:29:30,160 --> 00:29:33,360
Speaker 1: wore minds because I knew you that's the job. So

533
00:29:34,880 --> 00:29:43,320
Speaker 1: there's a nigger when you are. Now we're just gonna stick.

534
00:29:44,480 --> 00:29:48,120
Speaker 1: I can't bang up. Man. That was my be like

535
00:29:48,160 --> 00:29:51,320
Speaker 1: a kid with you. I want mind I knew you're

536
00:29:51,320 --> 00:29:57,560
Speaker 1: gonna have. That was that. There was a lot that

537
00:29:57,640 --> 00:30:02,440
Speaker 1: was city. God dammit, And we got patron for Clark

538
00:30:02,520 --> 00:30:07,479
Speaker 1: cancer and motherfucking may man is having a wait, wait ware,

539
00:30:07,520 --> 00:30:10,080
Speaker 1: wait can we get a shot of air conditioning? Oh? Yeah,

540
00:30:10,120 --> 00:30:16,480
Speaker 1: he was over head, so it wasn't a leave discussion

541
00:30:17,000 --> 00:30:21,800
Speaker 1: right there by. Got damn it trying to him, I'm

542
00:30:21,800 --> 00:30:24,160
Speaker 1: so happy your brother you're stand that's right man, the

543
00:30:24,280 --> 00:30:27,080
Speaker 1: drink champs, got damnit. I'm having the world against the head.

544
00:30:27,200 --> 00:30:31,479
Speaker 1: We celebrate hip hop. Look at that. Look at that man.

545
00:30:31,960 --> 00:30:34,000
Speaker 1: I knew Clark is a different type of person. I

546
00:30:34,080 --> 00:30:36,720
Speaker 1: asked him what you're drinking? He said, for trum people

547
00:30:36,720 --> 00:30:39,600
Speaker 1: who would drink patron, they like to go to the abyss.

548
00:30:40,480 --> 00:30:44,200
Speaker 1: That's the bottom of the O. I expected, God damn it. Yeah,

549
00:30:44,240 --> 00:30:50,640
Speaker 1: all right, now let's go. I feeling man, chaps, got damnit.

550
00:30:51,080 --> 00:30:57,120
Speaker 1: Look I got the biggest shot to see you makes

551
00:31:01,760 --> 00:31:03,600
Speaker 1: because the DC tour in the house got damn. You know,

552
00:31:03,680 --> 00:31:08,360
Speaker 1: we love you to get money, be h. I didn't

553
00:31:08,360 --> 00:31:10,880
Speaker 1: do to get money. Be I'm mixed to get money. Record.

554
00:31:12,000 --> 00:31:15,000
Speaker 1: What happened was d J d J e um, he's

555
00:31:15,040 --> 00:31:20,840
Speaker 1: ez LP the one over that right, No, where are

556
00:31:20,880 --> 00:31:22,720
Speaker 1: you going right now? No? I was asking because I

557
00:31:22,760 --> 00:31:26,000
Speaker 1: was the over phone conversation you're talking about easy LP.

558
00:31:26,520 --> 00:31:28,000
Speaker 1: He told you to turn down the beat and he

559
00:31:28,080 --> 00:31:29,760
Speaker 1: was on the phone and then you snuffed him or

560
00:31:29,840 --> 00:31:33,160
Speaker 1: something like that. I want to hear this one. Yeah,

561
00:31:33,280 --> 00:31:36,600
Speaker 1: it sounds like something happened. I didn't hear that. Yeah,

562
00:31:38,200 --> 00:31:40,200
Speaker 1: you know it's crazy. And as soon as you get

563
00:31:40,240 --> 00:31:44,760
Speaker 1: this shot and start asking, don't heard the story. There's

564
00:31:44,800 --> 00:31:48,960
Speaker 1: no backing out of here. He's not just I was

565
00:31:49,000 --> 00:31:53,440
Speaker 1: around that, just so you know. It wasn't over me.

566
00:31:53,680 --> 00:31:59,120
Speaker 1: It was over he was on the phone and and

567
00:31:59,280 --> 00:32:02,360
Speaker 1: he was I think it was either on or just so.

568
00:32:02,440 --> 00:32:06,920
Speaker 1: Somebody was saying ma'am and and then somebody somebody was

569
00:32:07,000 --> 00:32:09,720
Speaker 1: like he I don't know who said, turned the ship

570
00:32:09,840 --> 00:32:14,160
Speaker 1: down or whatever, but you know, then he got the

571
00:32:14,240 --> 00:32:16,520
Speaker 1: big sudden he got hit with a drummer, Shine, you

572
00:32:16,600 --> 00:32:18,760
Speaker 1: hit him with a drum I didn't hit him with

573
00:32:18,800 --> 00:32:24,520
Speaker 1: a drummer. Shine. Make the Drummerchine just flew make some more.

574
00:32:28,880 --> 00:32:32,960
Speaker 1: My brother heard about this story. I did not hit

575
00:32:33,120 --> 00:32:36,480
Speaker 1: him with a drummer sheet, but I didn't. We didn't

576
00:32:36,520 --> 00:32:43,080
Speaker 1: have a beat. Right now, he's Bill. We're taking a

577
00:32:43,120 --> 00:32:47,719
Speaker 1: little shot. Yeah, I wanted to take listen with all

578
00:32:48,760 --> 00:32:55,840
Speaker 1: you can take all the shots. I'm not mad. I'm

579
00:32:55,960 --> 00:33:00,240
Speaker 1: saying something. I did not hit him with a machine. Think,

580
00:33:00,520 --> 00:33:02,960
Speaker 1: so what did you do? There was a rough conversation

581
00:33:03,160 --> 00:33:05,800
Speaker 1: about the fact that when I mixed the record, but

582
00:33:05,880 --> 00:33:08,520
Speaker 1: when I was mixing the record, I was taking out

583
00:33:08,600 --> 00:33:10,760
Speaker 1: the drums that he put on the record to just

584
00:33:10,960 --> 00:33:13,000
Speaker 1: leave the loop by itself. Why is all the arms

585
00:33:13,080 --> 00:33:16,760
Speaker 1: for him? It's not deep, it's simple. And I think

586
00:33:16,800 --> 00:33:19,080
Speaker 1: played myself, and I think that's the way. I think.

587
00:33:19,120 --> 00:33:22,000
Speaker 1: There was like a heated conversation because honestly, I wasn't

588
00:33:22,000 --> 00:33:23,880
Speaker 1: even paying attention. I just know it was like wow,

589
00:33:23,960 --> 00:33:25,800
Speaker 1: and I was like, what the fuck? And you had

590
00:33:25,880 --> 00:33:27,680
Speaker 1: got I think he got hit with a drump machine

591
00:33:28,440 --> 00:33:33,080
Speaker 1: something like that. I wasn't positive like every other thing,

592
00:33:33,240 --> 00:33:36,400
Speaker 1: like every everything you ever mentioned, and like, but right now,

593
00:33:36,600 --> 00:33:39,880
Speaker 1: this the moment you got the Brooklyns birk on, like

594
00:33:39,960 --> 00:33:43,000
Speaker 1: when you can't even take the brooklynsk like you can't

595
00:33:43,480 --> 00:33:53,840
Speaker 1: take a little shot Cloud. We celebrating clak head tonight.

596
00:33:54,800 --> 00:33:56,280
Speaker 1: I see you in the words of Norm I need

597
00:33:56,320 --> 00:33:59,280
Speaker 1: official poor world, Poor world. And I see you on

598
00:33:59,400 --> 00:34:02,440
Speaker 1: the DJ. That's something you had, champagne. You killed the crowd,

599
00:34:02,800 --> 00:34:04,959
Speaker 1: you know, goddamnit. I'm still proud of you, still out

600
00:34:05,000 --> 00:34:06,600
Speaker 1: here relevant taking on the show. Got damn it, Come on,

601
00:34:06,640 --> 00:34:09,040
Speaker 1: we're gonna do it. So Luke clarke ken motherfucking may

602
00:34:09,120 --> 00:34:17,560
Speaker 1: up goes down like that, I am not going to

603
00:34:17,640 --> 00:34:20,600
Speaker 1: the party. The best flicker on the planet. Throw that

604
00:34:20,680 --> 00:34:26,760
Speaker 1: out there. That's you. I was way too much sol

605
00:34:27,600 --> 00:34:29,480
Speaker 1: So it was over the god you did not. I

606
00:34:29,719 --> 00:34:34,160
Speaker 1: did not hit Easy LP with a drum machine at all.

607
00:34:34,400 --> 00:34:38,080
Speaker 1: I had nothing to Okay, I had nothing to do

608
00:34:38,200 --> 00:34:40,279
Speaker 1: with it. So you want to they want to get

609
00:34:40,280 --> 00:34:42,719
Speaker 1: off of that subject. I'm at text you to not

610
00:34:42,760 --> 00:34:45,600
Speaker 1: even tell you up. But it's all because Easy LP

611
00:34:45,760 --> 00:34:47,400
Speaker 1: his family as well. That's what I'm saying. It was

612
00:34:48,160 --> 00:34:50,600
Speaker 1: heard because you know, you know why I heard that room,

613
00:34:50,760 --> 00:34:53,839
Speaker 1: because they was telling me how Big was like an instigator.

614
00:34:54,400 --> 00:34:56,600
Speaker 1: So they so they because I used to instigate it,

615
00:34:56,719 --> 00:34:59,320
Speaker 1: and it's like you're like big Big as an instigator.

616
00:34:59,360 --> 00:35:01,560
Speaker 1: So that's how I had got that story. But I

617
00:35:01,600 --> 00:35:03,799
Speaker 1: wouldn't say Big was the instigate. I would say Big

618
00:35:04,000 --> 00:35:15,960
Speaker 1: was he instigated the machine just crazy. Can I ask

619
00:35:15,960 --> 00:35:18,480
Speaker 1: you about the rapping you slid? No, it's okay, it

620
00:35:18,600 --> 00:35:24,920
Speaker 1: was okay, I kill you got Ready said yeah, I'm like,

621
00:35:25,440 --> 00:35:27,799
Speaker 1: you know, you know what you did? Yo? I want

622
00:35:27,800 --> 00:35:29,600
Speaker 1: to be. I want to be I want everybody to

623
00:35:29,719 --> 00:35:33,879
Speaker 1: understand this. Nor recurved me when he first started doing

624
00:35:33,920 --> 00:35:37,560
Speaker 1: the podcast. Yes, wait wait remember you hit me on

625
00:35:37,760 --> 00:35:41,440
Speaker 1: on Twitter to hold on, hold on, hold on. I

626
00:35:41,560 --> 00:35:43,920
Speaker 1: was way later after that. I want to know because

627
00:35:43,920 --> 00:35:46,080
Speaker 1: you hit me on Twitter and was like, Yo, we

628
00:35:46,200 --> 00:35:48,040
Speaker 1: need to get you on the on the podcast and

629
00:35:48,160 --> 00:35:51,000
Speaker 1: I went, I don't know, son because I know you poppy,

630
00:35:51,360 --> 00:35:57,959
Speaker 1: and you was like yeah, I forget it. You were back, Yeah,

631
00:35:58,520 --> 00:36:01,640
Speaker 1: get it? I said, how I left? That was like

632
00:36:01,760 --> 00:36:05,080
Speaker 1: I don't I said, I don't know because I know

633
00:36:05,239 --> 00:36:08,239
Speaker 1: you probably back. Here's the crazy ship. Now. I'm a

634
00:36:08,320 --> 00:36:11,680
Speaker 1: hot nigger, so sometimes I answer somebody else thinking I'm

635
00:36:11,680 --> 00:36:14,400
Speaker 1: askwering somebody else. You listen, I'm gonna be honest with you.

636
00:36:15,280 --> 00:36:17,840
Speaker 1: It's certain people that is like so much family to

637
00:36:17,960 --> 00:36:20,840
Speaker 1: me that it's like you're one of those guys, Like

638
00:36:20,960 --> 00:36:23,000
Speaker 1: I don't pressure you because I know that me and

639
00:36:23,040 --> 00:36:26,000
Speaker 1: you're gonna have you gonna do it, and then I've

640
00:36:26,000 --> 00:36:30,799
Speaker 1: seen you did. We almost did when you know I'm

641
00:36:30,800 --> 00:36:33,960
Speaker 1: saying I said, I said, I said, they don't know

642
00:36:34,280 --> 00:36:35,960
Speaker 1: how to, you know, get it out of him. Like

643
00:36:36,080 --> 00:36:39,400
Speaker 1: you know, that's a great pause. It's great. They do.

644
00:36:39,520 --> 00:36:41,239
Speaker 1: What they do is what they do. But what we

645
00:36:41,360 --> 00:36:44,040
Speaker 1: do is we celebrate hip hop. We celebrate moments, we

646
00:36:44,120 --> 00:36:48,360
Speaker 1: celebrate the pallady. And because celebrating, are you trying to

647
00:36:48,400 --> 00:36:55,239
Speaker 1: celebrate someone getting here with a drummer sheet having an

648
00:36:55,320 --> 00:37:00,239
Speaker 1: issue with easier I didn't happen. Yeah, but that something

649
00:37:00,400 --> 00:37:02,640
Speaker 1: I'm telling you what actually happened, because that's such a

650
00:37:02,680 --> 00:37:05,040
Speaker 1: classic hip hop story. Because y'all, I was so intricated

651
00:37:05,080 --> 00:37:07,680
Speaker 1: in the Junior Mafia albums, you know what I mean,

652
00:37:07,760 --> 00:37:11,040
Speaker 1: So that you didn't know that. You need to know that.

653
00:37:12,000 --> 00:37:15,040
Speaker 1: Um like three us my lucky number. So we're gonna

654
00:37:15,040 --> 00:37:16,520
Speaker 1: do one more shot, you know what I'm saying. But

655
00:37:16,600 --> 00:37:19,080
Speaker 1: ahead continue. I just want to throw that out here.

656
00:37:20,880 --> 00:37:24,840
Speaker 1: Now keep my next. The best Panamedian DJ in the

657
00:37:24,920 --> 00:37:30,799
Speaker 1: world makes some and fab is the best Aminican rapper

658
00:37:30,840 --> 00:37:34,680
Speaker 1: in the world make some noise that as well. My

659
00:37:34,920 --> 00:37:37,400
Speaker 1: job is to get people who are have Latin on

660
00:37:37,520 --> 00:37:45,720
Speaker 1: like Jewel Santana Holdamia, absolutely not. I'm embarrassed, but that's crazy.

661
00:37:45,920 --> 00:37:50,040
Speaker 1: Wait wait, I always say that I'm embarrassed by that.

662
00:37:51,120 --> 00:37:55,160
Speaker 1: It's never funnin she was here, she had to speak

663
00:37:55,600 --> 00:37:58,520
Speaker 1: English all the time. So when when we came in,

664
00:37:58,680 --> 00:38:11,240
Speaker 1: we learned English. Welcome to play a new podcast network

665
00:38:11,320 --> 00:38:15,840
Speaker 1: featuring radio and TV personalities talking business, sports, tech, entertainment,

666
00:38:15,920 --> 00:38:20,319
Speaker 1: and more. Play it at play dot It. We're back

667
00:38:20,440 --> 00:38:24,000
Speaker 1: to Drink Champs Radio with rapper and R and d J.

668
00:38:24,640 --> 00:38:29,400
Speaker 1: Then now Clark Kennedy the man. This was the smartest

669
00:38:29,440 --> 00:38:36,239
Speaker 1: thing you internationally knows right, niggas know you, but people

670
00:38:36,320 --> 00:38:39,160
Speaker 1: in Brooklyn know that Clark is a certain way you

671
00:38:39,239 --> 00:38:44,120
Speaker 1: go through Clark. Do get somewhere. These people, these people

672
00:38:44,200 --> 00:38:45,960
Speaker 1: come to you and they say they got an artist

673
00:38:46,320 --> 00:38:50,440
Speaker 1: named Jazzo. And Jazzo tells you they have an artist

674
00:38:50,600 --> 00:38:54,880
Speaker 1: named jay Z. Who was your first impression of that? Well,

675
00:38:55,760 --> 00:38:58,520
Speaker 1: I didn't get told that that there's an artist named

676
00:38:58,600 --> 00:39:01,720
Speaker 1: Jazz Oh. I knew Jazz Oh because he was working

677
00:39:01,760 --> 00:39:06,680
Speaker 1: with fresh Board, because Jazz Jazz was down with fresh Boarding.

678
00:39:06,840 --> 00:39:10,600
Speaker 1: He was down with Fresh Garden, fresh from MASSI not no,

679
00:39:10,960 --> 00:39:13,360
Speaker 1: but I don't know if any of the sets just

680
00:39:13,440 --> 00:39:23,600
Speaker 1: being questioned right now. Yeah you can qualified guys, but yeah,

681
00:39:23,680 --> 00:39:26,040
Speaker 1: Jazzo was my man already. And jazz O used to

682
00:39:26,120 --> 00:39:28,359
Speaker 1: produce Chad who lived up the block from me, Chad

683
00:39:28,440 --> 00:39:31,920
Speaker 1: Elliott Um Fresh Garden was one of my my, my

684
00:39:32,040 --> 00:39:34,440
Speaker 1: good friends, and and they used to work together on

685
00:39:34,560 --> 00:39:39,160
Speaker 1: records and producing other people and such. And Jazz was like, Yo,

686
00:39:39,239 --> 00:39:42,319
Speaker 1: you gotta hear my man. This is like forever ago.

687
00:39:42,600 --> 00:39:45,600
Speaker 1: And it was Jake and I in my who say

688
00:39:45,680 --> 00:39:48,880
Speaker 1: you gotta hear my man, Jazz jazz Oh. But the

689
00:39:49,000 --> 00:39:52,520
Speaker 1: thing is like, when you knew Jazz, you felt like

690
00:39:52,760 --> 00:39:54,839
Speaker 1: Jazz was like the best thing in the whole world

691
00:39:54,920 --> 00:39:58,400
Speaker 1: in Brooklyn. He was untouchable, like for real, if you

692
00:39:58,480 --> 00:40:00,560
Speaker 1: really knew when you listened to Ryn a certain way,

693
00:40:00,600 --> 00:40:03,040
Speaker 1: like he was really untouchable. And then he brings this

694
00:40:03,200 --> 00:40:06,680
Speaker 1: dude who's as good as him but has a little

695
00:40:06,760 --> 00:40:10,719
Speaker 1: more swagger to him, but not back then, did you know? Not?

696
00:40:11,120 --> 00:40:15,279
Speaker 1: Back then then he had a little more that that. No.

697
00:40:15,600 --> 00:40:23,279
Speaker 1: On Hawaiian Sophie, it was already drunk. Fact, I didn't

698
00:40:23,320 --> 00:40:33,279
Speaker 1: know what he's saying right now. But it's okay. It

699
00:40:33,400 --> 00:40:40,000
Speaker 1: was a soundtrack. It wasn't a sound track. You got

700
00:40:40,080 --> 00:40:46,680
Speaker 1: people listening to you, man, you man, we could talk. Yeah.

701
00:40:46,760 --> 00:40:48,239
Speaker 1: So Jazz is like, you gotta hear my man. I

702
00:40:48,360 --> 00:40:51,680
Speaker 1: hear his man is man is light. So when I

703
00:40:52,000 --> 00:40:54,680
Speaker 1: got my first job at a record a record company.

704
00:40:54,800 --> 00:40:58,040
Speaker 1: Now in between these times, because Jazz is my man,

705
00:40:58,160 --> 00:40:59,759
Speaker 1: every there was a bunch of times that he did

706
00:41:00,000 --> 00:41:01,960
Speaker 1: those and he would call me like DJ for me

707
00:41:02,040 --> 00:41:03,920
Speaker 1: at the show, and Jay would be there. So I

708
00:41:03,960 --> 00:41:06,120
Speaker 1: would get to hear these two rhyme all the time.

709
00:41:06,560 --> 00:41:08,880
Speaker 1: And I always thought to myself like these like might

710
00:41:08,920 --> 00:41:11,359
Speaker 1: be the two best motherfucker's in the whole world. Wow.

711
00:41:11,840 --> 00:41:14,919
Speaker 1: So you know, time goes on. I get this job.

712
00:41:15,120 --> 00:41:17,160
Speaker 1: I get the job of Atlantic Records. I think at

713
00:41:17,400 --> 00:41:20,320
Speaker 1: day one and a half, I was like, where's jay Z,

714
00:41:21,440 --> 00:41:25,280
Speaker 1: Where's Jazz? Where's jay Z? Where's Jazz? I found Jazz first,

715
00:41:25,400 --> 00:41:27,560
Speaker 1: and Jazz was like I gotta find jay Z. And

716
00:41:27,600 --> 00:41:31,880
Speaker 1: then Shirt King Fade shirking from Queen's Yeah, okay, because

717
00:41:31,880 --> 00:41:33,439
Speaker 1: then if he wanted to say that, right of course

718
00:41:33,480 --> 00:41:35,800
Speaker 1: I did. Who's that because I don't know what listens

719
00:41:35,800 --> 00:41:38,759
Speaker 1: ain't Ja is one of the shirt Kings, but his

720
00:41:38,920 --> 00:41:40,840
Speaker 1: name was Funky Fade. Now, shirt Kings was like a

721
00:41:40,960 --> 00:41:43,960
Speaker 1: very popular place in the com sum more than Jamaica Queens.

722
00:41:44,400 --> 00:41:46,879
Speaker 1: That is like, you can't understand everybody from New York,

723
00:41:49,880 --> 00:41:52,560
Speaker 1: with all due respect, if we're saying shirt Kings and

724
00:41:52,680 --> 00:41:55,200
Speaker 1: he can agree shirt Kings. Anybody who listened to this,

725
00:41:55,480 --> 00:41:58,000
Speaker 1: if you if you go on Google and you built

726
00:41:58,040 --> 00:42:01,400
Speaker 1: up shirt Kings, google shirt Kings and you'll be learning

727
00:42:01,480 --> 00:42:04,399
Speaker 1: something that was important hip at that time, and shirt

728
00:42:04,480 --> 00:42:07,360
Speaker 1: Kings were important. Funky Fade and and Nike was super

729
00:42:07,400 --> 00:42:10,400
Speaker 1: important than hip hop, and they were a part of

730
00:42:10,440 --> 00:42:12,360
Speaker 1: the thing that we were doing. They were making graffiti

731
00:42:12,440 --> 00:42:16,160
Speaker 1: shirts and shirts of characters and anybody who was doing

732
00:42:16,200 --> 00:42:18,759
Speaker 1: anything hip hop at that presice moment tried to get

733
00:42:18,760 --> 00:42:20,480
Speaker 1: a shirtcane shirt. There was a bunch of people who

734
00:42:20,520 --> 00:42:23,160
Speaker 1: were go to the mall. There was a bunch of

735
00:42:23,200 --> 00:42:26,839
Speaker 1: people were charts back then. Yeah, yah, yeah, they were,

736
00:42:26,880 --> 00:42:30,279
Speaker 1: they were there. They would you like like like like

737
00:42:30,400 --> 00:42:32,480
Speaker 1: people would take pictures and like in front of this.

738
00:42:32,600 --> 00:42:34,279
Speaker 1: So when we were seeing that in other cities, they

739
00:42:34,320 --> 00:42:37,520
Speaker 1: were emulating them. Even if you see any with a

740
00:42:37,600 --> 00:42:43,240
Speaker 1: big were seeing anything hip hop in any other city.

741
00:42:43,280 --> 00:42:45,160
Speaker 1: They were trying to dup locate shit that we had

742
00:42:45,280 --> 00:42:48,000
Speaker 1: already done, not that we were doing, ship that we

743
00:42:48,080 --> 00:42:51,200
Speaker 1: had already done, Like we built hip hop and then

744
00:42:51,280 --> 00:42:53,680
Speaker 1: we let everybody else. You say what you say in

745
00:42:53,719 --> 00:42:57,560
Speaker 1: New York? Yeah, yeah, absolutely, be talking about absolutely, But

746
00:42:57,640 --> 00:42:59,640
Speaker 1: I mean it involved a change in Each city did

747
00:42:59,680 --> 00:43:03,879
Speaker 1: its own part of it, but they anything that they did.

748
00:43:04,120 --> 00:43:06,279
Speaker 1: If we didn't have this foundation and ship that they

749
00:43:06,360 --> 00:43:08,120
Speaker 1: worked from, there would be no rap if there was

750
00:43:08,239 --> 00:43:11,759
Speaker 1: no hip. I just want to say, I want to

751
00:43:11,800 --> 00:43:14,160
Speaker 1: say it like that so that when you say, when

752
00:43:14,200 --> 00:43:15,800
Speaker 1: you look at somebody else and you see it in

753
00:43:15,880 --> 00:43:19,440
Speaker 1: another city, it kind of haste or another country, it

754
00:43:19,480 --> 00:43:22,680
Speaker 1: has contacts that it came from this absolutely okay, cool,

755
00:43:23,520 --> 00:43:27,480
Speaker 1: But but some fanship what made you and I'm privy

756
00:43:27,520 --> 00:43:29,040
Speaker 1: to all these stories are read because I've been around

757
00:43:29,040 --> 00:43:31,439
Speaker 1: you forever. What did you hear from Jay that made

758
00:43:31,440 --> 00:43:33,759
Speaker 1: you say that these two at why? This is the

759
00:43:33,800 --> 00:43:35,359
Speaker 1: reason why I want to know what you heard? Man?

760
00:43:36,239 --> 00:43:38,840
Speaker 1: The same thing of this question, because I remember you

761
00:43:39,040 --> 00:43:42,880
Speaker 1: talking about Jay when everybody was like clocks but it's crazy.

762
00:43:43,160 --> 00:43:45,120
Speaker 1: I'm gonna I'm gonna ma him tell another story after

763
00:43:45,160 --> 00:43:48,600
Speaker 1: this one. Ahead, go ahead, so like like so reiterated

764
00:43:48,640 --> 00:43:51,160
Speaker 1: when he acts like what made you see? What did

765
00:43:51,200 --> 00:43:53,279
Speaker 1: you hear? Like because I know, yeah, I know you

766
00:43:53,360 --> 00:43:57,359
Speaker 1: and Dame dask can't really get along because yeah, yeah, yeah,

767
00:43:58,239 --> 00:44:00,520
Speaker 1: that's funny you say that, because Dame is really my man,

768
00:44:01,680 --> 00:44:04,960
Speaker 1: my man. You know he's not He's my man. I

769
00:44:05,080 --> 00:44:08,160
Speaker 1: can't say anything negative about him. I can't even if

770
00:44:08,160 --> 00:44:11,239
Speaker 1: I tried the things that I would say, it would

771
00:44:11,239 --> 00:44:13,800
Speaker 1: be negative between me and him, and to the world

772
00:44:13,840 --> 00:44:16,080
Speaker 1: it would be like, but' all the friends, so it's

773
00:44:16,080 --> 00:44:17,719
Speaker 1: supposed to be that way, you know what I'm saying.

774
00:44:17,760 --> 00:44:19,919
Speaker 1: The ship that I could say negative about him, mayor

775
00:44:20,160 --> 00:44:23,239
Speaker 1: who's my ace? People would go, well, y'all the friends

776
00:44:23,239 --> 00:44:25,479
Speaker 1: are supposed to be that way. Were fighting, don't talk

777
00:44:25,560 --> 00:44:28,200
Speaker 1: for a year and a half, but he's still my nigga,

778
00:44:28,239 --> 00:44:30,240
Speaker 1: like nothing, and no one would know he was fighting.

779
00:44:30,480 --> 00:44:33,399
Speaker 1: We'd be something no, no with you. He's gonna try

780
00:44:34,239 --> 00:44:37,040
Speaker 1: sitting on my shot. I don't care how so guy

781
00:44:38,400 --> 00:44:42,200
Speaker 1: you know what. Wait wait wait, wait, wait, sit down,

782
00:44:48,440 --> 00:44:50,520
Speaker 1: We're gonna do a while we're here. Have you asked

783
00:44:50,560 --> 00:44:53,680
Speaker 1: me a question on my finished answering? I know what

784
00:44:53,920 --> 00:44:55,800
Speaker 1: was the question? What did I want to know? What

785
00:44:56,360 --> 00:45:00,320
Speaker 1: did you him? Why are you suing like I don't know?

786
00:45:02,600 --> 00:45:06,799
Speaker 1: That's good? Let me live an interview, an interviewing if

787
00:45:06,840 --> 00:45:12,680
Speaker 1: you don't want to, that's my podcast interview with that, y'all.

788
00:45:12,680 --> 00:45:15,120
Speaker 1: I'm putting work. Come on. I like to give context

789
00:45:15,200 --> 00:45:20,600
Speaker 1: to answers. So when I was growing up, when everybody

790
00:45:20,680 --> 00:45:23,200
Speaker 1: looked and they saw Mellie mel Rap and they thought,

791
00:45:23,440 --> 00:45:26,920
Speaker 1: this is motherfucker's the Ellis ship, I saw, I saw

792
00:45:26,960 --> 00:45:31,160
Speaker 1: Grandmaster Cats and I was like, he's to me. He's

793
00:45:31,480 --> 00:45:35,120
Speaker 1: to me, he's a little iller. So when Tom is

794
00:45:35,160 --> 00:45:40,160
Speaker 1: going on and everybody's talking about whomever, I heard rock

795
00:45:40,239 --> 00:45:43,879
Speaker 1: him round when he was eleven, and I was like, wow,

796
00:45:44,840 --> 00:45:46,880
Speaker 1: at eleven he was a wild boy. You. I was

797
00:45:47,000 --> 00:45:50,359
Speaker 1: DJ and at Amityville Day on King Charles, DJ said

798
00:45:50,880 --> 00:45:57,040
Speaker 1: King Charles from Queens. It was it was an Amityville

799
00:45:57,080 --> 00:46:00,880
Speaker 1: I was DJ. I was young. I was DJ and

800
00:46:00,920 --> 00:46:07,279
Speaker 1: Amityville Day no Wine Dance Day, Sorry, I was I

801
00:46:07,360 --> 00:46:09,719
Speaker 1: did both of those. I did both of those days,

802
00:46:09,800 --> 00:46:11,560
Speaker 1: like I would do Wine Dance Day, DJ and and

803
00:46:12,040 --> 00:46:14,920
Speaker 1: um and and Amityville Day Djane and I was DJ

804
00:46:15,040 --> 00:46:17,040
Speaker 1: and Wine Dance Day. And a little dude on the

805
00:46:17,160 --> 00:46:20,120
Speaker 1: mic was rock Himp eleven on a crate and he

806
00:46:20,320 --> 00:46:24,400
Speaker 1: was he was just wilding for a little dude. He

807
00:46:24,520 --> 00:46:26,520
Speaker 1: was eleven, Like he could tell you this story because

808
00:46:26,520 --> 00:46:28,080
Speaker 1: he knows it's true that it was me and him.

809
00:46:29,000 --> 00:46:32,040
Speaker 1: But I watched him at eleven, and I was young too.

810
00:46:32,440 --> 00:46:34,640
Speaker 1: I mean, he's all he's like, what two years younger

811
00:46:34,680 --> 00:46:37,439
Speaker 1: than me. It was wild to see this dude DJ

812
00:46:37,560 --> 00:46:40,279
Speaker 1: and at thirteen. Well, I was DJ and at nine,

813
00:46:40,360 --> 00:46:43,759
Speaker 1: but I was playing parks at twelve. No games here

814
00:46:44,120 --> 00:46:46,920
Speaker 1: like parks. Because he liked people. That's not from New

815
00:46:47,000 --> 00:46:55,600
Speaker 1: York City. I'm gonna do people everyday back then, like

816
00:46:56,040 --> 00:47:00,279
Speaker 1: like eight nine nine, early night people didn't they going

817
00:47:00,320 --> 00:47:03,160
Speaker 1: to clubs they went to before even that. Yeah, I mean,

818
00:47:03,320 --> 00:47:05,800
Speaker 1: and for him to say that, that's crazy. Goddam. This

819
00:47:06,040 --> 00:47:15,479
Speaker 1: motherfucker got me Africa. That's what South Africa now. Michael Blair,

820
00:47:15,520 --> 00:47:21,560
Speaker 1: Pink Pomp, that's another rock. I just want to throw

821
00:47:21,640 --> 00:47:25,719
Speaker 1: it out there. Smooth blocking in the world oh my god,

822
00:47:26,080 --> 00:47:36,360
Speaker 1: a little water high treek something yo, claw, So you

823
00:47:36,480 --> 00:47:42,280
Speaker 1: worked with j H. I was giving context to the answer,

824
00:47:42,360 --> 00:47:46,520
Speaker 1: but I interview you know what I'm saying. I would

825
00:47:46,560 --> 00:47:48,000
Speaker 1: look at the rappers that I would see, and I

826
00:47:48,040 --> 00:47:50,200
Speaker 1: would I would try to figure out who I thought

827
00:47:51,000 --> 00:47:54,440
Speaker 1: was better, but see, at one point I realized that

828
00:47:55,120 --> 00:47:57,719
Speaker 1: what people were looking at and thinking was better was

829
00:47:57,800 --> 00:47:59,920
Speaker 1: probably different than what I was thinking and looking at

830
00:48:00,120 --> 00:48:03,399
Speaker 1: was better. I looked at bar for bar for bar

831
00:48:03,600 --> 00:48:07,560
Speaker 1: for bar for bar. What did you say? How clever

832
00:48:07,800 --> 00:48:10,840
Speaker 1: was it? How witty was it? And then I decided

833
00:48:11,800 --> 00:48:14,200
Speaker 1: if what you said was iller than the next guy

834
00:48:14,320 --> 00:48:17,600
Speaker 1: that everybody's looking at. So when people were looking at

835
00:48:19,920 --> 00:48:23,439
Speaker 1: Caress and whomever, I was a guy now to rock Him, dude,

836
00:48:23,480 --> 00:48:26,040
Speaker 1: he's He's the wildest. And the reason why I thought

837
00:48:26,120 --> 00:48:28,920
Speaker 1: rock Him was the wildest is because when rock Him

838
00:48:28,960 --> 00:48:32,600
Speaker 1: made his first record, rap changed a hundred. Nobody wasn't

839
00:48:33,560 --> 00:48:37,920
Speaker 1: nobody wasn't rapping anymore. They started rhyming when rock Him

840
00:48:37,960 --> 00:48:39,759
Speaker 1: made his first record. Rock Him was sixteen when his

841
00:48:39,800 --> 00:48:41,359
Speaker 1: reggor came in out a lot of people don't believe

842
00:48:41,400 --> 00:48:46,759
Speaker 1: that what what what record? But he was like the

843
00:48:46,800 --> 00:48:49,480
Speaker 1: sixteen or seventeen. He was like, you have to understand.

844
00:48:50,640 --> 00:48:53,480
Speaker 1: Think about what I'm telling. I was young and he's

845
00:48:53,520 --> 00:48:57,120
Speaker 1: younger than me. So he was young when that Reggie

846
00:48:57,200 --> 00:49:01,240
Speaker 1: came out. He wasn't legal when when My My Melody

847
00:49:01,360 --> 00:49:04,960
Speaker 1: came out. You know what I'm saying. I was thinking

848
00:49:04,960 --> 00:49:09,320
Speaker 1: about the content that he was younger than he was

849
00:49:09,400 --> 00:49:11,919
Speaker 1: young when you nor was young when he was doing work,

850
00:49:13,239 --> 00:49:20,160
Speaker 1: now when you did word love. Yeah, Nori. The first

851
00:49:20,239 --> 00:49:22,239
Speaker 1: time I met Nod, he's not going to remember because

852
00:49:22,360 --> 00:49:25,359
Speaker 1: tragedy introduced me to him, and he was wow young,

853
00:49:25,480 --> 00:49:27,800
Speaker 1: But he introduced me the poem before he introduced me

854
00:49:27,840 --> 00:49:30,560
Speaker 1: to him, because poems from the projects with him, you

855
00:49:30,600 --> 00:49:33,400
Speaker 1: know what I'm saying. But when I brought him around,

856
00:49:33,600 --> 00:49:35,760
Speaker 1: it became more of a oh, I know this nigger.

857
00:49:35,800 --> 00:49:38,800
Speaker 1: Now I know this nigger. And then it wasn't like

858
00:49:38,880 --> 00:49:40,520
Speaker 1: I know this nigga, like I want to produce him.

859
00:49:40,560 --> 00:49:43,279
Speaker 1: I was like, no, Norri's my fucking man, you know.

860
00:49:47,680 --> 00:49:51,640
Speaker 1: And we drinking. Did we take that shot of right relaxed?

861
00:49:52,880 --> 00:49:57,240
Speaker 1: Was your favorite number? And then that's right three? Damn

862
00:49:57,920 --> 00:50:01,279
Speaker 1: my nigger. Okay, So, like said I would, I saw

863
00:50:01,360 --> 00:50:06,480
Speaker 1: it when I heard it. I heard jazz, like I said.

864
00:50:06,560 --> 00:50:10,480
Speaker 1: When I heard Jazz rhyme, the complexity and the things

865
00:50:10,520 --> 00:50:14,399
Speaker 1: they were saying, the bar for bar for bar ship

866
00:50:14,520 --> 00:50:16,200
Speaker 1: that he was saying, I was like, No, he's the

867
00:50:16,200 --> 00:50:20,000
Speaker 1: best rapper in the universe. Yes, because he was super

868
00:50:20,080 --> 00:50:22,800
Speaker 1: smart and he projected the smart ship that he was

869
00:50:22,880 --> 00:50:25,279
Speaker 1: saying in his bars. And then he introduces me to

870
00:50:25,360 --> 00:50:33,600
Speaker 1: this guy who's instead of being as smart, he's wittier. Yo,

871
00:50:34,000 --> 00:50:37,440
Speaker 1: when you're rhyming, the wittier ship hits your chest a

872
00:50:37,600 --> 00:50:41,160
Speaker 1: lot quicker than the smart ship, so you walk away

873
00:50:41,239 --> 00:50:43,920
Speaker 1: from it being funked up, like I pack heat like

874
00:50:44,040 --> 00:50:47,520
Speaker 1: the oven door, like as many motherfucker's put some in

875
00:50:47,560 --> 00:50:50,000
Speaker 1: the oven. They never looked at that ship and was like, oh, ship,

876
00:50:50,120 --> 00:50:54,279
Speaker 1: that's packing heat. Listen said that ship like what made

877
00:50:54,360 --> 00:50:58,920
Speaker 1: him so witty? He was beyond most dudes, and he

878
00:50:59,000 --> 00:51:01,239
Speaker 1: didn't think of things one way. And you could tell

879
00:51:01,280 --> 00:51:03,920
Speaker 1: it when I met him. The things he was saying,

880
00:51:05,000 --> 00:51:07,000
Speaker 1: like you met him, was he writing rhymes on paper?

881
00:51:07,719 --> 00:51:09,520
Speaker 1: He might have been writing hynds on papers then, but

882
00:51:09,640 --> 00:51:11,880
Speaker 1: when it got to the point where he was running

883
00:51:11,880 --> 00:51:14,000
Speaker 1: around with cane and all of that, Like, no, there

884
00:51:14,080 --> 00:51:16,000
Speaker 1: wasn't no but he has to understand he was he

885
00:51:16,080 --> 00:51:17,719
Speaker 1: was getting to the money, so there was no time

886
00:51:17,760 --> 00:51:20,000
Speaker 1: to put a pen on it. But at that precise

887
00:51:20,120 --> 00:51:22,799
Speaker 1: moment when he introduced me to him, I was like, damn,

888
00:51:22,840 --> 00:51:25,880
Speaker 1: he's just as wild as jazz, but he has a

889
00:51:25,920 --> 00:51:29,120
Speaker 1: little more that that other thing. The thing is I

890
00:51:29,120 --> 00:51:31,279
Speaker 1: didn't know nothing about making records at that point, and

891
00:51:31,480 --> 00:51:33,160
Speaker 1: and and he didn't know anything where he was. We

892
00:51:33,239 --> 00:51:36,160
Speaker 1: were all young. But I listened and I was like, Na,

893
00:51:36,360 --> 00:51:39,000
Speaker 1: he might be iller thant jazz. I never said it,

894
00:51:39,520 --> 00:51:41,160
Speaker 1: but I thought it to myself, like he might be

895
00:51:41,200 --> 00:51:44,759
Speaker 1: iller than jazz, but not saying that his rhymes were better,

896
00:51:44,840 --> 00:51:47,520
Speaker 1: but like the way he was approaching his rhymes was

897
00:51:47,960 --> 00:51:50,960
Speaker 1: a little iller, Like Jazz is a nigga who would

898
00:51:50,960 --> 00:51:54,759
Speaker 1: say I mont blocked the paper satellite Ridium? He's like,

899
00:51:54,840 --> 00:51:56,359
Speaker 1: what the fund is a mom block? And then when

900
00:51:56,400 --> 00:52:02,000
Speaker 1: you realize it's a pen, you're like, all right, Jazz, alright,

901
00:52:02,400 --> 00:52:05,960
Speaker 1: a research like we can't afford my plank pens. Nigga,

902
00:52:06,040 --> 00:52:08,560
Speaker 1: how do you know what is the satellite of Ridium?

903
00:52:08,960 --> 00:52:12,000
Speaker 1: The satellite of Ridium is a phone that can work anywhere, Like,

904
00:52:12,120 --> 00:52:15,279
Speaker 1: who the funk knows my nigga. But that nigga was

905
00:52:15,440 --> 00:52:18,960
Speaker 1: saying that ship. So when Jay, when Jazz was saying

906
00:52:19,000 --> 00:52:20,840
Speaker 1: that ship, I'm looking at him like, Yeah, ain't nobody

907
00:52:20,880 --> 00:52:23,080
Speaker 1: in the world better than this nigga. And we had

908
00:52:23,120 --> 00:52:26,640
Speaker 1: the rise, we had the canes, we had the care arrests,

909
00:52:26,800 --> 00:52:29,960
Speaker 1: we had everybody. I was going nine. Nigga not better

910
00:52:30,040 --> 00:52:34,640
Speaker 1: than Jazz. Oh, but his man's was his man's turned

911
00:52:34,680 --> 00:52:37,840
Speaker 1: the corner. Now you see did you see that he

912
00:52:37,880 --> 00:52:40,840
Speaker 1: would be this where he's at. Now you see it,

913
00:52:40,920 --> 00:52:43,320
Speaker 1: then you know I saw it as soon as I

914
00:52:43,440 --> 00:52:48,480
Speaker 1: got in touch with him. Because what most people don't

915
00:52:48,520 --> 00:52:50,160
Speaker 1: know is when I got in touch with him, it

916
00:52:50,280 --> 00:52:52,759
Speaker 1: wasn't so we could do his records. It was so

917
00:52:52,920 --> 00:52:56,480
Speaker 1: that we could do him and Jazz records. So that

918
00:52:56,560 --> 00:53:00,360
Speaker 1: supposed to be the best. Jay and Jack. No, no, no,

919
00:53:00,480 --> 00:53:03,160
Speaker 1: it's they were the best period there was the world.

920
00:53:03,200 --> 00:53:06,040
Speaker 1: There's no world, one world them to do the best.

921
00:53:06,160 --> 00:53:08,359
Speaker 1: And that's all I thought, And that's all I cared about.

922
00:53:08,400 --> 00:53:10,200
Speaker 1: I want these niggs to be the best. Someone needs

923
00:53:10,239 --> 00:53:12,080
Speaker 1: to hear these niggs and be like, what the fund

924
00:53:12,239 --> 00:53:14,960
Speaker 1: is happening in all of rap history? You know what

925
00:53:15,000 --> 00:53:19,200
Speaker 1: I'm saying. But the records didn't turn around that way

926
00:53:19,360 --> 00:53:22,440
Speaker 1: and jazz wasn't around as much, so Jay made more

927
00:53:22,520 --> 00:53:26,560
Speaker 1: records by himself. And you know, like if you were there,

928
00:53:26,680 --> 00:53:28,200
Speaker 1: you were like, oh, no, this is gonna be the

929
00:53:28,280 --> 00:53:32,240
Speaker 1: wildest ship ever because he was so nice, Like dude

930
00:53:32,440 --> 00:53:38,520
Speaker 1: was nice. Because you know why I say that, because like, like, um,

931
00:53:39,160 --> 00:53:44,440
Speaker 1: the world like they understood reasonable doubt. What was the

932
00:53:44,480 --> 00:53:48,840
Speaker 1: album right after reasonably without um in my lifetime for one? Okay,

933
00:53:49,000 --> 00:53:52,399
Speaker 1: well that's when the world actually like, like I mean,

934
00:53:52,640 --> 00:53:55,640
Speaker 1: the rest of the world who was slow. But for

935
00:53:55,800 --> 00:53:58,680
Speaker 1: you to know that early on, it's something special, you

936
00:53:58,719 --> 00:54:00,520
Speaker 1: know what I'm saying with a lot of people, because

937
00:54:00,920 --> 00:54:02,520
Speaker 1: that was slept though I'm talking about like you know

938
00:54:02,520 --> 00:54:05,040
Speaker 1: what I mean. Two years later, people was like, damn,

939
00:54:05,160 --> 00:54:07,759
Speaker 1: that was a classic. It might have been his, but

940
00:54:07,880 --> 00:54:09,920
Speaker 1: in context to Original Flavor, like where is this all

941
00:54:09,960 --> 00:54:14,480
Speaker 1: this landing? Just so like him working with Original Flavor. No,

942
00:54:14,520 --> 00:54:18,600
Speaker 1: you don't understand, Like I was working with Jay before

943
00:54:18,760 --> 00:54:22,759
Speaker 1: I signed Original Flavor, And it's just that while I

944
00:54:22,920 --> 00:54:25,160
Speaker 1: was working when I signed Original Flavor and I signed

945
00:54:25,280 --> 00:54:28,560
Speaker 1: UM the Future Sound, I signed Damon Gus I'm Damon,

946
00:54:28,640 --> 00:54:30,799
Speaker 1: but I was like, Dame, you need to meet my man,

947
00:54:30,920 --> 00:54:33,960
Speaker 1: my man's elder than anything you've ever seen my jass

948
00:54:34,239 --> 00:54:37,759
Speaker 1: talking about. Because you have to understand me, because that's

949
00:54:37,840 --> 00:54:44,359
Speaker 1: right you introduced jay Z because this is this true Yeah,

950
00:54:44,440 --> 00:54:50,360
Speaker 1: like it's so noise, like getting the hip hop history.

951
00:54:50,480 --> 00:54:54,520
Speaker 1: That feel like we gotta go four shots number now

952
00:54:55,440 --> 00:55:01,239
Speaker 1: five five. I'm I'm I'm odd enough nigger. If I

953
00:55:01,320 --> 00:55:04,400
Speaker 1: go fall, that means look at me against my fault. No,

954
00:55:04,680 --> 00:55:06,920
Speaker 1: if I go forward, but that means my is to

955
00:55:07,000 --> 00:55:11,399
Speaker 1: go five because I'm an odd nigga. I like being odd.

956
00:55:11,960 --> 00:55:14,000
Speaker 1: I don't want to respect that. Where's the bottle he's

957
00:55:14,080 --> 00:55:25,799
Speaker 1: drinking from? Trust me, please, I'm what I'm drinking. I'll

958
00:55:25,840 --> 00:55:30,000
Speaker 1: drink what you That's okay, It's okay. Don't don't look

959
00:55:30,040 --> 00:55:36,760
Speaker 1: over here with that look that queens look, look like relaxed,

960
00:55:36,800 --> 00:55:39,759
Speaker 1: sorry and give you the queens look. I can hang cloth,

961
00:55:40,040 --> 00:55:45,040
Speaker 1: but continue, Oh your story. We were saying, yeah, you

962
00:55:45,160 --> 00:55:49,799
Speaker 1: asked me about original flavor, Original Flavor, and those those

963
00:55:49,840 --> 00:55:52,000
Speaker 1: things were happening at the same time as I was

964
00:55:52,080 --> 00:55:55,719
Speaker 1: doing records on Jay and trying to make sure that

965
00:55:55,800 --> 00:55:58,040
Speaker 1: I was doing records on Jay and Jazz, and they

966
00:55:58,160 --> 00:56:01,279
Speaker 1: introduced me to Sauce Money, so it was all three

967
00:56:01,320 --> 00:56:06,080
Speaker 1: of them. Like, we were doing an album on Jay

968
00:56:06,400 --> 00:56:10,480
Speaker 1: Jazz and Sauce called The hard Pack Pause, and we

969
00:56:10,560 --> 00:56:13,160
Speaker 1: were doing that. I was working on songs for Jane Jazz,

970
00:56:13,320 --> 00:56:15,400
Speaker 1: which was I thought was what it was supposed to be.

971
00:56:15,560 --> 00:56:17,640
Speaker 1: And then in the middle of that, I was doing

972
00:56:18,719 --> 00:56:21,440
Speaker 1: j J solo records, and I was doing Sauce solo records.

973
00:56:21,480 --> 00:56:24,359
Speaker 1: I never did Jazz solo Sock Jazz solo records because

974
00:56:24,440 --> 00:56:28,400
Speaker 1: Jazz was a producer, and j solo records wind up

975
00:56:28,440 --> 00:56:33,200
Speaker 1: being on reasonable doubt, two of them did. It was

976
00:56:33,200 --> 00:56:35,319
Speaker 1: supposed to be three, but we lost a dad right

977
00:56:35,360 --> 00:56:45,720
Speaker 1: before Master Pucing Records made its thoughts and uh joint

978
00:56:45,760 --> 00:56:51,880
Speaker 1: with Bleake um Coming Age. Why couldn't I remember? I

979
00:56:51,920 --> 00:56:53,680
Speaker 1: didn't know that. I know you did Cashman, That's one

980
00:56:53,680 --> 00:56:56,600
Speaker 1: of my favorite records. I don't know you did Coming Age. Here.

981
00:56:56,760 --> 00:57:01,279
Speaker 1: I'm just saying, yeah, but um, but what I'm saying

982
00:57:01,320 --> 00:57:04,680
Speaker 1: is are you aware that what I'm saying Like when

983
00:57:04,719 --> 00:57:08,560
Speaker 1: Reasonable Doc came out, I knew it, but it was

984
00:57:08,640 --> 00:57:10,520
Speaker 1: like the industry, I'm not talking about this, Damn me,

985
00:57:10,520 --> 00:57:12,879
Speaker 1: I don't care what the industry was thinking. He still new.

986
00:57:13,239 --> 00:57:16,000
Speaker 1: I knew I was a hundred percent short. Actually I

987
00:57:16,080 --> 00:57:18,640
Speaker 1: was a hundred and fifty percent short. And I used

988
00:57:18,640 --> 00:57:22,120
Speaker 1: to tell people you would apologize later, and a lot

989
00:57:22,240 --> 00:57:25,840
Speaker 1: of niggas, yeah, it didn't matter what label it came on.

990
00:57:26,320 --> 00:57:29,800
Speaker 1: I told niggas they would apologize, and for sure, for

991
00:57:30,080 --> 00:57:32,600
Speaker 1: years straight, every time I saw a dude in the game,

992
00:57:32,680 --> 00:57:35,360
Speaker 1: it was like, yeah, you was right, nigger. That's an apology.

993
00:57:35,880 --> 00:57:38,240
Speaker 1: You know, nobody wants to tell was right when he

994
00:57:38,280 --> 00:57:43,680
Speaker 1: thinks he's ad produced. Ain't no nigga. Jazz Jazz. Yeah,

995
00:57:44,440 --> 00:57:46,240
Speaker 1: that's why it has so much of him on it,

996
00:57:46,440 --> 00:57:48,560
Speaker 1: Like you know what I'm saying, he wrote the hook too.

997
00:57:49,400 --> 00:57:51,040
Speaker 1: I know he didn't write the hook. He's singing the

998
00:57:51,080 --> 00:57:54,360
Speaker 1: hook because the record is ain't no nigga. Like when

999
00:57:54,360 --> 00:57:57,160
Speaker 1: I got a little one, the one who's singing that

1000
00:57:57,360 --> 00:58:00,479
Speaker 1: is Jazz, Jazz singing that. Oh, by the way, Jazz

1001
00:58:00,480 --> 00:58:03,600
Speaker 1: could sing his ass off. Jazz on a hug right now.

1002
00:58:03,840 --> 00:58:06,000
Speaker 1: You can get Jazz on her right now, Jazz, how

1003
00:58:06,080 --> 00:58:08,400
Speaker 1: I have you? Goddamn? But Jazz is a real, real

1004
00:58:08,720 --> 00:58:11,680
Speaker 1: ill music dude. You know what I'm saying. He's a producer,

1005
00:58:12,080 --> 00:58:17,360
Speaker 1: he's a songwriter, and he's a rap writer. Like to me,

1006
00:58:18,560 --> 00:58:22,200
Speaker 1: if like a chick found jazz oh and like sat

1007
00:58:22,280 --> 00:58:25,440
Speaker 1: him down and had a check, she'd be the wildest

1008
00:58:25,520 --> 00:58:28,320
Speaker 1: chick you've ever heard because of the rhymes that he

1009
00:58:28,360 --> 00:58:32,080
Speaker 1: would write for her. Oh that's what I'm saying. Like

1010
00:58:32,080 --> 00:58:35,120
Speaker 1: if he sat there shot down, I'll i'll you want

1011
00:58:35,160 --> 00:58:42,480
Speaker 1: to go, I don't know, I'll down. Like Clark, he's

1012
00:58:42,520 --> 00:58:45,120
Speaker 1: Panda made and he's just coming out of him. All right,

1013
00:58:45,160 --> 00:58:50,600
Speaker 1: I'm sorry, Clark, I missed Judge, you miss Juice. Let's

1014
00:58:50,640 --> 00:58:57,240
Speaker 1: make them Clark ain't got dad. So now you've worked

1015
00:58:57,520 --> 00:59:02,520
Speaker 1: you arguably worked with you worked with jay, I, worked

1016
00:59:02,560 --> 00:59:06,360
Speaker 1: with Nori, you worked with component Noriega. But before that,

1017
00:59:07,280 --> 00:59:12,040
Speaker 1: there's this kid that comes out called nas. Yeah, so

1018
00:59:12,240 --> 00:59:14,920
Speaker 1: you know about that. I would like to hear your story.

1019
00:59:15,360 --> 00:59:18,480
Speaker 1: So what story here is not a story? It's the

1020
00:59:18,520 --> 00:59:20,480
Speaker 1: true who got a story about everything? You're a legend,

1021
00:59:20,600 --> 00:59:24,760
Speaker 1: NIGGOA expect you nigga, tell me about it. I used

1022
00:59:24,760 --> 00:59:28,240
Speaker 1: to produce most of it. Like the studio I worked

1023
00:59:28,280 --> 00:59:31,400
Speaker 1: in most of the time was power Play in Queens

1024
00:59:31,440 --> 00:59:38,440
Speaker 1: in Queen's talk about you hype you hype on Queens, Right, Okay,

1025
00:59:38,520 --> 00:59:41,800
Speaker 1: so that was probably like the most hip hop studio

1026
00:59:41,920 --> 00:59:44,400
Speaker 1: in New York City at that time was power Play

1027
00:59:45,080 --> 00:59:50,400
Speaker 1: Makes most of that Our first record I ever recorded

1028
00:59:50,840 --> 00:59:54,000
Speaker 1: as component Oriega was in power Play Studios, just called

1029
00:59:54,040 --> 00:59:57,360
Speaker 1: half a Mile Half mil I got that record, got

1030
00:59:57,400 --> 01:00:00,800
Speaker 1: that record, I got That's like my first like um

1031
01:00:01,160 --> 01:00:04,480
Speaker 1: have recorded, but I guess that's as Coriega. But Capone,

1032
01:00:05,160 --> 01:00:08,480
Speaker 1: No Capone been home. I had came home and I

1033
01:00:08,520 --> 01:00:10,720
Speaker 1: couldn't reach him. And the first record we recorded, the

1034
01:00:10,720 --> 01:00:13,920
Speaker 1: good halfs We're going to half a min haf mi No,

1035
01:00:14,040 --> 01:00:17,800
Speaker 1: not Big Up got he was nice. Yeah, he was

1036
01:00:17,880 --> 01:00:21,960
Speaker 1: that Brooklyn, Brooklyn. He's on Penalty Records. That was my man.

1037
01:00:22,080 --> 01:00:24,880
Speaker 1: Everybody always hit me on on Twitter and tell me

1038
01:00:24,920 --> 01:00:27,320
Speaker 1: talk about him in the podcast. I'm glad his name

1039
01:00:27,440 --> 01:00:28,920
Speaker 1: got brought up because Big Up a half a Meal,

1040
01:00:29,120 --> 01:00:34,320
Speaker 1: Half Dead Nights, too Well, Crown Heights, Brown Crin Heights.

1041
01:00:34,600 --> 01:00:36,640
Speaker 1: He was on the board of Crime Heights and Best

1042
01:00:36,680 --> 01:00:41,280
Speaker 1: Style Your Clock. Kid, You was the Fisher Brooklyn representative.

1043
01:00:41,320 --> 01:00:44,840
Speaker 1: Now I'm a thousand percent as Brooklyn coach signs Spike Lee.

1044
01:00:44,880 --> 01:00:47,720
Speaker 1: I heard they try to UMU band Spike Lee, and

1045
01:00:47,760 --> 01:00:49,440
Speaker 1: I heard you had to shut it down. One time.

1046
01:00:49,520 --> 01:00:51,080
Speaker 1: Now I didn't. I don't even know what the fun

1047
01:00:51,240 --> 01:00:58,960
Speaker 1: is talking about. I know, yes, absolutely, yes, yes, goverybody's

1048
01:00:58,960 --> 01:01:00,680
Speaker 1: who come to see him to hedn't try to shut

1049
01:01:00,720 --> 01:01:02,120
Speaker 1: down to the right thing. And I heard you had

1050
01:01:02,160 --> 01:01:05,720
Speaker 1: to come up. You gotta get yo, let's just go.

1051
01:01:08,040 --> 01:01:13,520
Speaker 1: That's amazing trump past I made it up right now, okay,

1052
01:01:13,680 --> 01:01:17,360
Speaker 1: power Play Studio. I was remixing a bunch of records

1053
01:01:17,400 --> 01:01:19,200
Speaker 1: and that's the place I would do all the records at.

1054
01:01:19,400 --> 01:01:23,360
Speaker 1: And in the next room it was always large professor.

1055
01:01:23,520 --> 01:01:30,360
Speaker 1: Who's who's my man? And he uh he did the Barbecue,

1056
01:01:31,520 --> 01:01:34,040
Speaker 1: Live the Barbecue. And when he did Live at the Barbecue,

1057
01:01:34,200 --> 01:01:35,720
Speaker 1: he was like, Yo, come here this record. So I'm

1058
01:01:35,760 --> 01:01:37,280
Speaker 1: here in the record and I'm like, whoa, I think

1059
01:01:37,280 --> 01:01:41,360
Speaker 1: he's going cracky cool the fuck it's this nigga. And

1060
01:01:41,440 --> 01:01:44,560
Speaker 1: he was like, oh, that's my nigga, no nigga. And

1061
01:01:44,680 --> 01:01:45,920
Speaker 1: I was on it and I was like, an a

1062
01:01:46,120 --> 01:01:47,920
Speaker 1: went crazy too. So I was like, wait, wait, hold

1063
01:01:47,960 --> 01:01:50,280
Speaker 1: on time because I just don't like the way he's

1064
01:01:50,320 --> 01:01:54,120
Speaker 1: like no chalant. Be's describing one of the craziest records

1065
01:01:54,160 --> 01:01:57,480
Speaker 1: in hip hop history, Live at the Barbecue. He's just

1066
01:01:57,640 --> 01:01:59,720
Speaker 1: saying he was at the session. No, I wasn't at

1067
01:01:59,760 --> 01:02:01,240
Speaker 1: the same said I was that when he was mixing

1068
01:02:01,280 --> 01:02:05,200
Speaker 1: the record. The record was done and I was Lodge

1069
01:02:05,280 --> 01:02:06,880
Speaker 1: is my men. You know what I'm saying. He was like,

1070
01:02:07,000 --> 01:02:10,360
Speaker 1: listen to it. So I listened, and I was because

1071
01:02:10,480 --> 01:02:12,400
Speaker 1: I paid so much attention to wrap. I was like,

1072
01:02:12,480 --> 01:02:15,080
Speaker 1: who's Who's Who's loose? You know what I'm saying is

1073
01:02:15,240 --> 01:02:17,480
Speaker 1: that's the ship. He said he went to health for

1074
01:02:17,560 --> 01:02:20,960
Speaker 1: snuffing Jesus. Like anybody who said some ship like that,

1075
01:02:21,080 --> 01:02:23,680
Speaker 1: I'm gonna pay a lot. I was like, when I

1076
01:02:23,800 --> 01:02:27,560
Speaker 1: was twelve, I wanted to help us love at Jesus. Yeah,

1077
01:02:27,600 --> 01:02:31,880
Speaker 1: that's nasty. No continue, And I'm thinking you like seventeen,

1078
01:02:32,080 --> 01:02:35,480
Speaker 1: so for five years after you lived after snuffing Jesus,

1079
01:02:35,560 --> 01:02:38,800
Speaker 1: you nice, you know? But anyway he's dead nice. You

1080
01:02:38,840 --> 01:02:47,880
Speaker 1: know what I'm saying. I'm cook. I'm so um. I

1081
01:02:48,000 --> 01:02:49,680
Speaker 1: hear on my hair, on my arm, my hair, everybody.

1082
01:02:49,760 --> 01:02:52,400
Speaker 1: I'm like, you know how the records ill whatever, keep going?

1083
01:02:53,040 --> 01:02:56,160
Speaker 1: And then um, Lodge is working on ox album. And

1084
01:02:56,280 --> 01:02:59,840
Speaker 1: then I went into a bidding war between Interscope because

1085
01:02:59,840 --> 01:03:01,960
Speaker 1: I was working in Atlantic Records and I was trying

1086
01:03:02,000 --> 01:03:06,040
Speaker 1: to sign and I was in a bidding war between

1087
01:03:06,400 --> 01:03:10,720
Speaker 1: Atlantic and and uh and in the Scope. The crazy

1088
01:03:10,840 --> 01:03:13,240
Speaker 1: part is like I kept trying to tell I, like,

1089
01:03:13,840 --> 01:03:17,720
Speaker 1: you know, Atlantic is it owns Interscope, so like this

1090
01:03:17,920 --> 01:03:20,480
Speaker 1: bidding war makes no sense. Fun with your man. And

1091
01:03:20,520 --> 01:03:23,120
Speaker 1: they gave him more money, so he sucked that. So

1092
01:03:23,240 --> 01:03:24,840
Speaker 1: then I was Then one day he was like, yo,

1093
01:03:24,960 --> 01:03:28,640
Speaker 1: well what about nas And I was like, fuck, yeah,

1094
01:03:29,880 --> 01:03:36,320
Speaker 1: bring him. I'm thinking where, bring him to me at

1095
01:03:36,320 --> 01:03:41,000
Speaker 1: Atlantic Records. But I'm thinking, Okay, your album's done. That

1096
01:03:41,120 --> 01:03:44,760
Speaker 1: means his album must be done because Ox album was

1097
01:03:44,920 --> 01:03:47,840
Speaker 1: done when they was shopping him like Lodge was he was.

1098
01:03:48,160 --> 01:03:50,880
Speaker 1: I think Lodge might have been like probably way ahead

1099
01:03:50,880 --> 01:03:53,440
Speaker 1: of his time because he finished albums before he was

1100
01:03:53,520 --> 01:03:56,439
Speaker 1: like shopping him ship. So he finished. He finished Ox

1101
01:03:56,520 --> 01:03:58,840
Speaker 1: album before he was shocking it shopping it. So like

1102
01:03:58,960 --> 01:04:01,000
Speaker 1: the bidding warter that I'm in his fourth whole album,

1103
01:04:01,640 --> 01:04:05,720
Speaker 1: I've lost professor joints like the Oxhole album and I

1104
01:04:05,880 --> 01:04:10,120
Speaker 1: was like this, what the fund is happening? Yeah he did.

1105
01:04:10,200 --> 01:04:12,520
Speaker 1: I think he did everything on there. He did just

1106
01:04:12,680 --> 01:04:14,680
Speaker 1: about everything on that. I think Rob Swift might have

1107
01:04:14,760 --> 01:04:16,920
Speaker 1: done a record no somebody else might have did one record,

1108
01:04:17,320 --> 01:04:20,400
Speaker 1: but it was it was here's this album, what you're

1109
01:04:20,400 --> 01:04:22,560
Speaker 1: gonna do? And I was like, funk. I wanted Plus

1110
01:04:22,640 --> 01:04:25,280
Speaker 1: I wasn't my man, so I definitely wanted to sign it.

1111
01:04:26,080 --> 01:04:28,040
Speaker 1: So been and what happened. I lost the bidding war.

1112
01:04:28,120 --> 01:04:30,960
Speaker 1: But then I mean, like, because he's my man. He

1113
01:04:31,120 --> 01:04:33,320
Speaker 1: was like kind of trying to smooth it over. He

1114
01:04:33,400 --> 01:04:35,640
Speaker 1: was like, yo, but what about Nas? And I was

1115
01:04:35,720 --> 01:04:39,920
Speaker 1: like nas niggas telling me, no, no, you don't have

1116
01:04:40,000 --> 01:04:43,160
Speaker 1: to remind me. He put it up. He was like

1117
01:04:43,240 --> 01:04:45,440
Speaker 1: got on, yeah, because he got wrong. But I'm telling you,

1118
01:04:45,560 --> 01:04:48,000
Speaker 1: like this is a week after he got on. So

1119
01:04:48,120 --> 01:04:56,680
Speaker 1: he's like, yo, but what about nigga? Man? I want

1120
01:04:56,680 --> 01:04:59,480
Speaker 1: to give you some clarity of things, all right, Like

1121
01:04:59,720 --> 01:05:02,480
Speaker 1: I know since he was a young boy and his

1122
01:05:02,600 --> 01:05:04,920
Speaker 1: brother Yadi, I like, I know his whole fantasy. He

1123
01:05:05,040 --> 01:05:13,240
Speaker 1: was at a racist. At the reason I know him

1124
01:05:13,360 --> 01:05:15,320
Speaker 1: is because of how much I used to be in

1125
01:05:16,120 --> 01:05:21,840
Speaker 1: Left Right and I knew Poppy when he was not

1126
01:05:22,280 --> 01:05:27,840
Speaker 1: make So when I'm telling you I wrote that ship

1127
01:05:27,960 --> 01:05:30,480
Speaker 1: on Twitter, was like, yo, nigger, I know you Poppy.

1128
01:05:30,600 --> 01:05:36,919
Speaker 1: He was like, can't forget it? So trust me, was like, yeah,

1129
01:05:37,480 --> 01:05:40,720
Speaker 1: we don't need that. You want me to more, you know,

1130
01:05:41,040 --> 01:05:47,640
Speaker 1: want Paris style. You gotta do it like that. Liked

1131
01:05:47,920 --> 01:05:50,400
Speaker 1: because you know why this hasn't changed the bottle temperature

1132
01:05:54,520 --> 01:05:56,720
Speaker 1: if I hold it like this, Look my hand is

1133
01:05:56,760 --> 01:05:58,920
Speaker 1: all cold, My hand is all hot. You don't know

1134
01:05:58,960 --> 01:06:00,919
Speaker 1: if I jerked off for you know what I'm saying,

1135
01:06:01,400 --> 01:06:04,760
Speaker 1: what are you doing? Like, yeah, we get a new bottom.

1136
01:06:06,040 --> 01:06:09,920
Speaker 1: My bottom got violated in your mind, right, see what

1137
01:06:09,920 --> 01:06:13,760
Speaker 1: I'm saying. Okay, okay, so I'm gonna go back. He's like, Yo,

1138
01:06:13,840 --> 01:06:16,200
Speaker 1: what about nods though, I'm gonna bring nods through? And

1139
01:06:16,280 --> 01:06:19,960
Speaker 1: I was like absolutely, So he brings them. We're sitting down.

1140
01:06:20,040 --> 01:06:23,720
Speaker 1: We had Atlantic Records and I go let me hear it,

1141
01:06:23,880 --> 01:06:26,840
Speaker 1: and he goes hear what? And I was like, Yo,

1142
01:06:27,320 --> 01:06:29,960
Speaker 1: give me the demo on this and he was like,

1143
01:06:30,480 --> 01:06:32,400
Speaker 1: I don't hand no demo clock, he ain't got no

1144
01:06:32,600 --> 01:06:38,200
Speaker 1: songs right now. And I'm just like I couldn't sign.

1145
01:06:38,400 --> 01:06:40,040
Speaker 1: But the reason why you need a demo because you

1146
01:06:40,080 --> 01:06:41,520
Speaker 1: needed to bring it. You had to bring it. I

1147
01:06:41,600 --> 01:06:43,360
Speaker 1: was there, had to bring it to my boss, and

1148
01:06:43,480 --> 01:06:46,080
Speaker 1: my boss had to hear why. I was saying. He's

1149
01:06:46,120 --> 01:06:49,440
Speaker 1: the guy to sign, not not even one record. Understand me. No,

1150
01:06:49,600 --> 01:06:50,920
Speaker 1: he had a lot of the barbeque and I was

1151
01:06:50,960 --> 01:06:55,800
Speaker 1: trying to convince somebody off of one record, So like

1152
01:06:55,920 --> 01:06:58,320
Speaker 1: you have to understand, like beforehand, like I was going,

1153
01:06:59,080 --> 01:07:02,440
Speaker 1: it's to nots this dude Canelli and all of these

1154
01:07:02,520 --> 01:07:04,600
Speaker 1: dudes who are around. I was talking to my boss

1155
01:07:04,640 --> 01:07:06,919
Speaker 1: a body. But then when I was like, he's gonna

1156
01:07:06,920 --> 01:07:10,439
Speaker 1: bring nast office, I was like, y'all Nas is coming,

1157
01:07:10,760 --> 01:07:12,680
Speaker 1: and she was like, well, tell me what it is

1158
01:07:12,760 --> 01:07:14,880
Speaker 1: when you hear it, because I kept saying like this

1159
01:07:14,960 --> 01:07:18,040
Speaker 1: and it's crazy. He said he's gonna snuff Jesus. You know,

1160
01:07:18,200 --> 01:07:22,720
Speaker 1: anybody stuff Jesus wild. He's wild. I'm with a dude

1161
01:07:22,720 --> 01:07:25,800
Speaker 1: who's gonna snuff Jesus, even though it sounds a little wild,

1162
01:07:25,840 --> 01:07:28,560
Speaker 1: because like I believe in God and I'm just saying

1163
01:07:28,920 --> 01:07:35,760
Speaker 1: but musically exactly, artistically crazy. So when he's sitting there,

1164
01:07:36,080 --> 01:07:38,920
Speaker 1: he doesn't have a demo, and I was, I turned

1165
01:07:39,240 --> 01:07:41,480
Speaker 1: and the thing is like Nas is dumb young at

1166
01:07:41,520 --> 01:07:44,320
Speaker 1: this time. So I'm talking to and I'm like, I

1167
01:07:45,680 --> 01:07:48,280
Speaker 1: can't sign an artist with out of demo because I

1168
01:07:48,480 --> 01:07:50,880
Speaker 1: wasn't a vice president at that point. I wasn't even

1169
01:07:50,920 --> 01:07:53,840
Speaker 1: a director. I was a manager of being a like.

1170
01:07:53,920 --> 01:07:56,800
Speaker 1: I was way low down the pole totem vol at

1171
01:07:56,800 --> 01:07:59,720
Speaker 1: that presents moment. But I was like two like when

1172
01:07:59,800 --> 01:08:02,000
Speaker 1: we I said, we just signed Dost Effects. They had

1173
01:08:02,040 --> 01:08:04,760
Speaker 1: a whole album, Like I said, Parris Smith brought me

1174
01:08:04,840 --> 01:08:09,640
Speaker 1: a whole album. So he was like, okay, I was

1175
01:08:09,680 --> 01:08:14,640
Speaker 1: part of that. Understand me though, So every everything goes

1176
01:08:14,720 --> 01:08:17,920
Speaker 1: away and I don't get to sign him, and he

1177
01:08:18,000 --> 01:08:22,519
Speaker 1: started he made Searching whatever happens right later on Naz

1178
01:08:22,640 --> 01:08:24,880
Speaker 1: makes a record, I understand me. I had to talk

1179
01:08:24,920 --> 01:08:27,040
Speaker 1: to him about this ship because it was hilarious to me.

1180
01:08:27,520 --> 01:08:28,920
Speaker 1: He was like, he made the record and was like,

1181
01:08:29,000 --> 01:08:31,240
Speaker 1: NAS wouldn't sign because he just signed Dost Effects. And

1182
01:08:31,280 --> 01:08:36,240
Speaker 1: I was like, what are you talking? He said that

1183
01:08:36,360 --> 01:08:38,960
Speaker 1: in a record. He said Clark wouldn't sign me because

1184
01:08:38,960 --> 01:08:41,880
Speaker 1: he signed Dost Effects, And I was like, wait a minute, wait, wait,

1185
01:08:41,880 --> 01:08:45,400
Speaker 1: wait wait wait. I was like that, No, it's a record.

1186
01:08:45,520 --> 01:08:47,439
Speaker 1: It's on one of his albums. I don't don't get

1187
01:08:47,439 --> 01:08:49,479
Speaker 1: me wrong, I don't remember what it was, but what

1188
01:08:49,600 --> 01:08:52,360
Speaker 1: I'm saying is he said, you know what's crazy. You

1189
01:08:52,479 --> 01:08:55,240
Speaker 1: know why I know they said it because no one

1190
01:08:55,400 --> 01:08:58,720
Speaker 1: listens to wrap closer than me. So when somebody makes

1191
01:08:58,760 --> 01:09:01,240
Speaker 1: an album, I listened to we Bar because I want

1192
01:09:01,280 --> 01:09:05,200
Speaker 1: to know who's nice. I want to start differentiating motherfucker's

1193
01:09:05,200 --> 01:09:08,400
Speaker 1: real quick. Like So like I said, he said that,

1194
01:09:08,840 --> 01:09:11,000
Speaker 1: and I was like, Yo, look, I swear to god

1195
01:09:11,040 --> 01:09:13,120
Speaker 1: I heard that ship in like three seconds later. I

1196
01:09:13,240 --> 01:09:14,760
Speaker 1: was on the phone without I was like, yo, I

1197
01:09:14,840 --> 01:09:17,320
Speaker 1: remember you. But to the to the office, he was like, yeah,

1198
01:09:17,400 --> 01:09:19,559
Speaker 1: Clark White, fuck you asking me that. I said, remember

1199
01:09:19,640 --> 01:09:22,040
Speaker 1: when he's when I couldn't sign him. He was like

1200
01:09:22,080 --> 01:09:23,920
Speaker 1: you my mom couldn't. He was like, yeah, yeah, I

1201
01:09:24,000 --> 01:09:27,280
Speaker 1: know demo. I was like, okay, I think you need

1202
01:09:27,360 --> 01:09:30,240
Speaker 1: to tell him what you're talking about. I said, Nick

1203
01:09:30,360 --> 01:09:32,799
Speaker 1: just said I didn't sign him because I signed DOS Effects.

1204
01:09:33,200 --> 01:09:36,240
Speaker 1: I said, what kind of fucking answer is that? Like,

1205
01:09:36,600 --> 01:09:40,479
Speaker 1: like who says now I'm not gonna sign you nas

1206
01:09:41,160 --> 01:09:43,320
Speaker 1: because I signed Dos Effects. Because that's probably how he

1207
01:09:43,400 --> 01:09:46,160
Speaker 1: looked at it though, and all on all fairness, with

1208
01:09:46,280 --> 01:09:51,320
Speaker 1: all due respect, because it's two I said, I need

1209
01:09:51,439 --> 01:09:56,720
Speaker 1: a demo to sign you. That's why I didn't sign you.

1210
01:09:56,840 --> 01:09:59,599
Speaker 1: So I saw him at Revote last year. We vote.

1211
01:09:59,760 --> 01:10:01,280
Speaker 1: We was on the vote together and he was like

1212
01:10:01,400 --> 01:10:03,360
Speaker 1: called my nigga. It was like, my nigga, come in

1213
01:10:03,400 --> 01:10:07,080
Speaker 1: for a second. It might seem a little petty, but

1214
01:10:07,360 --> 01:10:16,160
Speaker 1: he's my nigga, So petty, listen, listen, listen, you're the

1215
01:10:16,200 --> 01:10:22,479
Speaker 1: gentleman manager, Petty. My ship is is that I'm not petty.

1216
01:10:22,560 --> 01:10:25,439
Speaker 1: It's just that I wanted petty. I think I wanted

1217
01:10:25,479 --> 01:10:27,519
Speaker 1: him to be clear because it funked with me for

1218
01:10:27,680 --> 01:10:29,920
Speaker 1: all these years that he thought something so crazy. And

1219
01:10:30,000 --> 01:10:32,360
Speaker 1: I pulled him over with me him. I was like,

1220
01:10:33,200 --> 01:10:34,920
Speaker 1: maybe you came to my studio. He's like, I mean

1221
01:10:35,040 --> 01:10:37,479
Speaker 1: came to my office and he was what he was like, yeah,

1222
01:10:37,880 --> 01:10:40,840
Speaker 1: I said remember when when I couldn't sign you. He's

1223
01:10:40,880 --> 01:10:43,000
Speaker 1: like yeah, I said, do you remember why? He said

1224
01:10:43,000 --> 01:10:44,800
Speaker 1: I think it was like like, I think it was

1225
01:10:44,880 --> 01:10:46,880
Speaker 1: something with that. I said, no, remember you didn't have

1226
01:10:46,960 --> 01:10:48,960
Speaker 1: a demo and he was like this as the rhyme

1227
01:10:49,080 --> 01:10:55,680
Speaker 1: came out, Yeah, this is lashes No. Twenty years later,

1228
01:10:56,120 --> 01:10:58,639
Speaker 1: on the Bad Boy Vote Cruise that I was DJing

1229
01:10:58,720 --> 01:11:01,040
Speaker 1: on and I've seen him. It was me and Andrea.

1230
01:11:01,080 --> 01:11:02,599
Speaker 1: I swear to god, I pulled him to the side.

1231
01:11:02,640 --> 01:11:04,760
Speaker 1: I'm like, yeah, Andre, you could listen to like I

1232
01:11:04,800 --> 01:11:07,160
Speaker 1: didn't give a funk. I was like, you remember that.

1233
01:11:07,880 --> 01:11:11,040
Speaker 1: He was like yeah. He was like yeah, I can't.

1234
01:11:11,040 --> 01:11:13,320
Speaker 1: You know. I brought me there and I was like yeah,

1235
01:11:13,520 --> 01:11:16,200
Speaker 1: and I said, remember I was trying to sign you

1236
01:11:16,280 --> 01:11:18,080
Speaker 1: and he was like yeah. He was like, I said,

1237
01:11:18,080 --> 01:11:19,960
Speaker 1: do you remember why didn't sign He was like yeah,

1238
01:11:20,000 --> 01:11:22,240
Speaker 1: I think it was you know, over the sun with

1239
01:11:22,320 --> 01:11:25,280
Speaker 1: that's it. I said, no, remember, I said I can't

1240
01:11:25,320 --> 01:11:27,560
Speaker 1: sign anybody without a demo. He was like, yeah, I

1241
01:11:27,560 --> 01:11:31,000
Speaker 1: didn't have no demo. I was like, that's why you

1242
01:11:31,040 --> 01:11:33,759
Speaker 1: didn't get signed and said, dog, you made a record,

1243
01:11:33,880 --> 01:11:37,800
Speaker 1: saying I didn't. He was like, damn, man, I don't know, man,

1244
01:11:38,439 --> 01:11:42,760
Speaker 1: I just didn't remember it. Right. Andre Herrell is standing

1245
01:11:42,800 --> 01:11:46,479
Speaker 1: in there going you know, Andre, of course I was

1246
01:11:46,479 --> 01:11:50,360
Speaker 1: gonna sign nice. I was like, yeah, who the funk sign?

1247
01:11:50,960 --> 01:11:53,439
Speaker 1: He was like, nobody was gonna sign up. I was like,

1248
01:11:53,479 --> 01:11:55,960
Speaker 1: this is the nicest nigger around at that point, I'm

1249
01:11:56,040 --> 01:11:58,280
Speaker 1: trying to sign now listening to the ball. Yeah, I

1250
01:11:58,360 --> 01:12:00,360
Speaker 1: was listening to the bars and I was trying to

1251
01:12:00,439 --> 01:12:07,400
Speaker 1: sign us like before everybody, like before anybody heard a song.

1252
01:12:08,400 --> 01:12:11,719
Speaker 1: Half time, No, you understand me? He got with search

1253
01:12:11,920 --> 01:12:14,400
Speaker 1: later in me back to the group I'm talking. Before

1254
01:12:14,960 --> 01:12:17,200
Speaker 1: as soon as he said snuffing Jesus, I was like,

1255
01:12:17,320 --> 01:12:23,680
Speaker 1: I'm in, I'm in. I like this guy. Let's malake

1256
01:12:23,720 --> 01:12:40,519
Speaker 1: some noise for that. Welcome to play, a new podcast

1257
01:12:40,640 --> 01:12:45,559
Speaker 1: network featuring radio and TV personalities talking business, sports, tech, entertainment,

1258
01:12:45,680 --> 01:12:50,240
Speaker 1: and more. Play it at play dot it. We're back

1259
01:12:50,360 --> 01:12:54,480
Speaker 1: to drink Champs Radio with Rapper and R and d jes.

1260
01:12:54,560 --> 01:12:58,479
Speaker 1: Then I feel like we just take a little shot.

1261
01:12:58,520 --> 01:13:00,599
Speaker 1: I don't know if people are you know what, though,

1262
01:13:01,400 --> 01:13:04,120
Speaker 1: this adds to a matter of fact, I'm not even

1263
01:13:04,120 --> 01:13:06,280
Speaker 1: gonna say that because I have a feeling you're gonna

1264
01:13:06,320 --> 01:13:09,479
Speaker 1: go there. No, no, Claude, listen, let me just tell

1265
01:13:09,479 --> 01:13:12,519
Speaker 1: you something I gotta take about now. Let me just

1266
01:13:12,560 --> 01:13:18,400
Speaker 1: tell you something, clo. So you're not getting drunk you

1267
01:13:18,439 --> 01:13:20,760
Speaker 1: want to go. I don't make it the club to that.

1268
01:13:20,840 --> 01:13:22,800
Speaker 1: It ain't my fault. It's it's just it's only for

1269
01:13:22,880 --> 01:13:25,800
Speaker 1: looks to take about. You know what happened about right now? Yeah?

1270
01:13:26,600 --> 01:13:29,040
Speaker 1: How to stop? Ye, how to stop? But but we

1271
01:13:29,120 --> 01:13:33,200
Speaker 1: gotta leave it there for for cultural purposes only. It's

1272
01:13:33,240 --> 01:13:37,719
Speaker 1: just the cultural purpose, autistic cultural purposes. Next question, So, Clawe,

1273
01:13:39,760 --> 01:13:43,680
Speaker 1: you've done everything I want to be close. You sent

1274
01:13:43,760 --> 01:13:47,479
Speaker 1: out the other day and you said Rick Ross album

1275
01:13:49,160 --> 01:13:54,719
Speaker 1: it's crazy, and I got a one hundred percent agree

1276
01:13:54,800 --> 01:13:59,920
Speaker 1: with you. But if you have the one hundred percent agreement,

1277
01:14:00,080 --> 01:14:02,960
Speaker 1: why is there but because no, there's no I want

1278
01:14:03,000 --> 01:14:08,120
Speaker 1: to say. I want to say, he's this error's version

1279
01:14:08,160 --> 01:14:10,519
Speaker 1: of Biggie or is now I'm not just no, he's

1280
01:14:10,560 --> 01:14:13,360
Speaker 1: this's version of Rick Ross. No one's ever gonna be

1281
01:14:13,600 --> 01:14:16,920
Speaker 1: any era of Biggie. But what I mean by nothing

1282
01:14:17,000 --> 01:14:19,120
Speaker 1: you can say that's gonna fix that. There's nothing you

1283
01:14:19,240 --> 01:14:21,719
Speaker 1: say that's him. Listen, if you say Cadence and flow,

1284
01:14:21,880 --> 01:14:26,960
Speaker 1: then that's Rick Ross. You know. If you say bars,

1285
01:14:27,439 --> 01:14:31,479
Speaker 1: then you're talking about Biggie. So you don't think he's

1286
01:14:31,800 --> 01:14:34,200
Speaker 1: We're done. I explained it. Just now you're gonna ask me,

1287
01:14:34,439 --> 01:14:36,720
Speaker 1: don't do that, don't do that, don't do that, don't

1288
01:14:36,760 --> 01:14:40,519
Speaker 1: do that, don't do that, don't do that. We don't

1289
01:14:40,560 --> 01:14:48,400
Speaker 1: do that, man, Relax, relax. But his album's hardest, This

1290
01:14:48,479 --> 01:14:55,879
Speaker 1: album's fire, fire, fire, This is, without a doubt, no question,

1291
01:14:56,479 --> 01:14:59,800
Speaker 1: the best body of work he's ever done. Okay, now

1292
01:15:00,000 --> 01:15:03,120
Speaker 1: and throw you all a hurt boy? Did you listen

1293
01:15:03,160 --> 01:15:07,519
Speaker 1: to More Life? Absolutely? I feel like, that's his best

1294
01:15:07,600 --> 01:15:14,760
Speaker 1: body of work we had. That's Drake's best ever. If

1295
01:15:15,400 --> 01:15:18,600
Speaker 1: you take the singing records off of that album, that

1296
01:15:18,840 --> 01:15:22,120
Speaker 1: ship super hip hop. No, that Ship is a five

1297
01:15:22,520 --> 01:15:25,280
Speaker 1: mic album right there. Hold on, I want to, I

1298
01:15:25,320 --> 01:15:27,360
Speaker 1: want to. I want to visualize because it's I'm an

1299
01:15:27,360 --> 01:15:31,160
Speaker 1: honest nigga's twenty tracks on there. Correct you're saying. I

1300
01:15:31,240 --> 01:15:33,320
Speaker 1: want to be clear what you're saying, because you're a

1301
01:15:33,400 --> 01:15:36,080
Speaker 1: hip hop god. So you're saying to me, there's two

1302
01:15:36,240 --> 01:15:39,760
Speaker 1: good singing records. I'm a diva beat and the love

1303
01:15:39,800 --> 01:15:42,080
Speaker 1: all the singers in my mind every time I listen

1304
01:15:42,120 --> 01:15:47,040
Speaker 1: to it, I'm on Molly, this is the crazy you

1305
01:15:47,080 --> 01:15:49,519
Speaker 1: want music Sometimes maybe feel like I'm on drugs. I

1306
01:15:50,320 --> 01:15:53,320
Speaker 1: want but I like, no, listen, listen. I would like

1307
01:15:53,400 --> 01:15:56,720
Speaker 1: some ship and and this is really nig ship. When

1308
01:15:56,720 --> 01:16:00,280
Speaker 1: I listened to Drake's albums, Drake's music period, I don't

1309
01:16:00,439 --> 01:16:02,680
Speaker 1: listen to him like he's a rapper. I listened to

1310
01:16:02,760 --> 01:16:04,920
Speaker 1: him like he's an artist. And if I can listen

1311
01:16:04,960 --> 01:16:08,639
Speaker 1: to him like he's an artist, I can take take everything.

1312
01:16:08,960 --> 01:16:13,920
Speaker 1: But if you're gonna ask you, if you're gonna ask

1313
01:16:14,040 --> 01:16:18,880
Speaker 1: me that album, if the ship is that's his best

1314
01:16:18,960 --> 01:16:21,719
Speaker 1: body of work. Yes, but if you take the singing

1315
01:16:21,800 --> 01:16:24,479
Speaker 1: records over that ship, that's just like that's a five

1316
01:16:24,600 --> 01:16:27,760
Speaker 1: mic album. You're saying. I don't know. What I'm saying

1317
01:16:27,840 --> 01:16:32,720
Speaker 1: is the ship is amazing. It's amazing, yo, And like

1318
01:16:33,160 --> 01:16:35,479
Speaker 1: other than you, you want to know what's crazy. It's

1319
01:16:35,520 --> 01:16:37,679
Speaker 1: not even about the fact that he could spit. It's

1320
01:16:37,680 --> 01:16:41,560
Speaker 1: about that the records are like a fucking girl like

1321
01:16:41,640 --> 01:16:44,400
Speaker 1: he made dope records. You know what I'm saying. It's

1322
01:16:44,439 --> 01:16:47,080
Speaker 1: just that some of them singing records. I'm just like, dude,

1323
01:16:47,680 --> 01:16:52,320
Speaker 1: he's so nice. Give them ships away. So you're saying, no, no, no,

1324
01:16:52,560 --> 01:16:54,639
Speaker 1: Understand what I'm saying. When I say and I say

1325
01:16:54,640 --> 01:16:56,360
Speaker 1: give him away, its like give him to a little artist,

1326
01:16:56,680 --> 01:16:59,400
Speaker 1: Give those singing joints to somebody else. Give a fucking

1327
01:16:59,520 --> 01:17:03,840
Speaker 1: whole album. No no, no, no no now now as

1328
01:17:04,360 --> 01:17:08,360
Speaker 1: as a hip hop killer artists album and as an album,

1329
01:17:08,520 --> 01:17:12,400
Speaker 1: I do actually would like to see a whole rapping

1330
01:17:12,520 --> 01:17:16,200
Speaker 1: drink because because I don't know if you heard that

1331
01:17:16,360 --> 01:17:20,519
Speaker 1: join free smoke, Free Smoke, Free Smoke, that ship reminds

1332
01:17:20,560 --> 01:17:23,920
Speaker 1: me of a Havoc beat and and and that moment

1333
01:17:24,280 --> 01:17:27,000
Speaker 1: when I heard that. I said, you know what, he's

1334
01:17:27,040 --> 01:17:30,600
Speaker 1: actually tapping into the era of the nineties, so I

1335
01:17:30,640 --> 01:17:33,200
Speaker 1: can float. But I'm giving him a new flow. That

1336
01:17:33,280 --> 01:17:36,880
Speaker 1: was a Havoc beat. People don't really respect that dude

1337
01:17:36,920 --> 01:17:39,200
Speaker 1: the right way. You know why, because it's a lot

1338
01:17:39,360 --> 01:17:41,680
Speaker 1: of factors when you look at them. But if you

1339
01:17:41,800 --> 01:17:44,200
Speaker 1: took away all the factors and just looked at the music,

1340
01:17:44,880 --> 01:17:50,679
Speaker 1: that dude is wild. But when you're talking about albums

1341
01:17:50,880 --> 01:17:52,640
Speaker 1: I look at I want to look at him as

1342
01:17:52,680 --> 01:17:55,439
Speaker 1: a rapper because I heard him rapping. Like his first

1343
01:17:55,520 --> 01:17:57,479
Speaker 1: record was a song with trade songs. That ship went

1344
01:17:57,520 --> 01:18:01,040
Speaker 1: to Damn number three or four to say as fall, Yeah,

1345
01:18:01,080 --> 01:18:03,600
Speaker 1: the ship that was on I just wanted to be No,

1346
01:18:04,000 --> 01:18:06,519
Speaker 1: that's not his first record. This first record was a

1347
01:18:06,560 --> 01:18:09,000
Speaker 1: record that was on the top ten on Fucking Um,

1348
01:18:09,600 --> 01:18:12,479
Speaker 1: on BT one of six and Park. It was wild

1349
01:18:12,560 --> 01:18:15,519
Speaker 1: before he signed with Wayne, he had a good record

1350
01:18:15,600 --> 01:18:17,519
Speaker 1: out and it was with trade songs, like he knows

1351
01:18:17,520 --> 01:18:20,920
Speaker 1: trade songs for a long time. You understand me. Listen

1352
01:18:20,960 --> 01:18:23,320
Speaker 1: to what I'm telling you. Listen, Niggers do not listen

1353
01:18:23,640 --> 01:18:26,000
Speaker 1: to the bars. I listened to the bars, and I

1354
01:18:26,120 --> 01:18:28,800
Speaker 1: traveled the world, so I saw him before he signed

1355
01:18:28,840 --> 01:18:31,000
Speaker 1: with Wayne and he had to regor out with trade

1356
01:18:31,040 --> 01:18:34,000
Speaker 1: songs and ship was on BT. I can't remember the ship.

1357
01:18:34,200 --> 01:18:36,519
Speaker 1: Can't ask me what it is right now, especially after

1358
01:18:36,560 --> 01:18:48,160
Speaker 1: four shots even four. I feel like you said respect

1359
01:18:50,320 --> 01:18:52,840
Speaker 1: the end of guard and you said full Come on,

1360
01:18:52,920 --> 01:18:58,800
Speaker 1: pat that the end of guarding. You said f and

1361
01:18:58,880 --> 01:19:00,640
Speaker 1: then we're gonna I don't don't want to go down

1362
01:19:00,680 --> 01:19:04,720
Speaker 1: with you will come on? Yeah, I gotta salute you.

1363
01:19:05,280 --> 01:19:08,840
Speaker 1: One year anniversary. And what we're doing is very disrespect

1364
01:19:08,920 --> 01:19:14,240
Speaker 1: ways of coach. Why I mean, what we're doing drinking

1365
01:19:14,520 --> 01:19:20,800
Speaker 1: no later in life. We all we are closing something

1366
01:19:20,960 --> 01:19:27,160
Speaker 1: very we could for the podcast culture. Oh God, pressure

1367
01:19:27,200 --> 01:19:30,560
Speaker 1: on me, putting pressure on me, and we are celebrating

1368
01:19:30,560 --> 01:19:42,960
Speaker 1: clock Camp, holy ship that everybody got over locks. We

1369
01:19:43,080 --> 01:19:46,000
Speaker 1: have has matched studios. Let's not forget that. Yeah you

1370
01:19:46,080 --> 01:19:50,559
Speaker 1: have Um the dude from the Bronum Nothing wrong Patriots.

1371
01:19:52,520 --> 01:19:54,360
Speaker 1: Yeah he's in town this weekend. Yeah he had him.

1372
01:19:56,720 --> 01:19:59,360
Speaker 1: Did you did you? Did you? Did you interview? No? No,

1373
01:19:59,520 --> 01:20:02,479
Speaker 1: we can't yo. You know why. I'm gonna be honest. Yeah,

1374
01:20:03,000 --> 01:20:05,280
Speaker 1: you know he cared for the whole weekend. I'm gonna

1375
01:20:05,280 --> 01:20:10,280
Speaker 1: be honest with you. There's real fashion. I know what

1376
01:20:10,400 --> 01:20:12,880
Speaker 1: I do when I get a person here, right, you

1377
01:20:12,880 --> 01:20:14,720
Speaker 1: don't know about him, so you can't really get to it. No,

1378
01:20:14,920 --> 01:20:18,639
Speaker 1: I know all about him, but I'll get your kicked

1379
01:20:19,120 --> 01:20:22,439
Speaker 1: out of the league. Okay, cool, because if I get

1380
01:20:22,479 --> 01:20:24,360
Speaker 1: your too far, you're gonna get me kicked out. And

1381
01:20:24,439 --> 01:20:26,280
Speaker 1: I started start. You gotta get me kicked out of

1382
01:20:26,360 --> 01:20:28,720
Speaker 1: hip hop? No, you could never never happened. Man, what

1383
01:20:28,720 --> 01:20:30,679
Speaker 1: I'm saying, if you can get grunt kicked out the league,

1384
01:20:30,680 --> 01:20:33,920
Speaker 1: you might. I just feel like, I just feel like,

1385
01:20:34,400 --> 01:20:37,000
Speaker 1: you know, we might spice up his drink boom, give

1386
01:20:37,080 --> 01:20:39,160
Speaker 1: him a molly in there. And there's too many regular

1387
01:20:39,520 --> 01:20:45,320
Speaker 1: just might smart st I'm gonna be honest with how

1388
01:20:45,400 --> 01:20:49,320
Speaker 1: many listen. You don't know how many athletes hit me.

1389
01:20:49,400 --> 01:20:51,120
Speaker 1: And was like, yo, I want to come on there

1390
01:20:51,160 --> 01:20:53,559
Speaker 1: slam And I was like, why are you in the Joe?

1391
01:20:53,880 --> 01:20:57,320
Speaker 1: You gotta relax when you get out, holla when you

1392
01:20:57,439 --> 01:21:01,120
Speaker 1: get cut when you's a couple of dudes that hip mean,

1393
01:21:01,200 --> 01:21:04,720
Speaker 1: that's out the league. And I told him relaxed. And

1394
01:21:05,280 --> 01:21:08,479
Speaker 1: they on ESPN now and they on all that because

1395
01:21:08,520 --> 01:21:10,560
Speaker 1: if they would have hit drink Champs, I would have

1396
01:21:10,640 --> 01:21:12,360
Speaker 1: gave him that y'all got the main gonna buy a

1397
01:21:12,479 --> 01:21:15,760
Speaker 1: pink bomb, And they would have been like, y'all, can

1398
01:21:15,880 --> 01:21:23,559
Speaker 1: let say say about by, Like yeah, y'all, let's make

1399
01:21:23,640 --> 01:21:25,880
Speaker 1: some noise. You mean, they're not making sense of making

1400
01:21:25,960 --> 01:21:32,559
Speaker 1: perfect senience. We got open at the bottle of champagne

1401
01:21:32,840 --> 01:21:36,800
Speaker 1: and we're celebrating, celebrating Clark Kent Man now Clark k

1402
01:21:37,160 --> 01:21:40,600
Speaker 1: dj A over the world. You got um who you

1403
01:21:40,680 --> 01:21:43,080
Speaker 1: got deals with Japanese people and all that type of ship.

1404
01:21:44,600 --> 01:21:47,720
Speaker 1: What is your favorite place to teach you at? When

1405
01:21:47,760 --> 01:21:52,720
Speaker 1: you go there, you're just like, this is me. You

1406
01:21:52,840 --> 01:21:55,960
Speaker 1: gotta make sure you get to shape ups in the morning,

1407
01:21:56,120 --> 01:22:03,479
Speaker 1: and this is this is your spot? What's that swop um?

1408
01:22:04,280 --> 01:22:08,439
Speaker 1: Probably Japan? I knew it was Japan. Probably Japan Japan

1409
01:22:09,600 --> 01:22:14,040
Speaker 1: Cup like like I really actually I really actually like

1410
01:22:14,600 --> 01:22:19,360
Speaker 1: deejaying here a lot Miami. Yeah. When people all molly

1411
01:22:20,840 --> 01:22:25,800
Speaker 1: well this weekend, this weekend might not be a good representation.

1412
01:22:26,840 --> 01:22:31,760
Speaker 1: Don't you dare disrespect my molly people people that this

1413
01:22:31,840 --> 01:22:35,960
Speaker 1: is my old dress. You better let you right now.

1414
01:22:36,560 --> 01:22:39,840
Speaker 1: I see you on snapchat. You were killing that ship.

1415
01:22:39,960 --> 01:22:42,560
Speaker 1: That's like with the bottle of champagne. I don't know

1416
01:22:42,640 --> 01:22:45,599
Speaker 1: if they put Molly in your ship but a little bit.

1417
01:22:45,640 --> 01:22:48,400
Speaker 1: I felt like what you're of the operative word at

1418
01:22:48,439 --> 01:22:52,000
Speaker 1: the beginning of what you said, you were killing ship.

1419
01:22:52,760 --> 01:22:55,519
Speaker 1: That's what you said. King talk had me dancing last night.

1420
01:22:55,840 --> 01:22:58,720
Speaker 1: I see not to stepping dancing. I seed you dance. Damn,

1421
01:22:59,040 --> 01:23:03,160
Speaker 1: it's a beautiful thing. I'll hit that week. It's not

1422
01:23:03,280 --> 01:23:06,719
Speaker 1: gonna work, but ahead, let's talk about your DJ experience

1423
01:23:06,840 --> 01:23:09,240
Speaker 1: last night. You know I was. I was just working.

1424
01:23:09,400 --> 01:23:14,200
Speaker 1: Um uh. I don't know I approached d Jan. I

1425
01:23:14,240 --> 01:23:16,600
Speaker 1: don't know if I approach it differently than much. I

1426
01:23:16,680 --> 01:23:19,240
Speaker 1: mean many, but I do believe that I approach it

1427
01:23:19,320 --> 01:23:23,200
Speaker 1: differently than a lot. I could be wrong. I don't

1428
01:23:23,800 --> 01:23:27,280
Speaker 1: like Djan as much as I love music. So because

1429
01:23:27,320 --> 01:23:30,320
Speaker 1: I love music more than I like Djan, I approached

1430
01:23:30,360 --> 01:23:32,519
Speaker 1: the way that that Djane with a certain amount of care.

1431
01:23:33,280 --> 01:23:37,040
Speaker 1: So you know that's why nine times out of ten

1432
01:23:37,120 --> 01:23:40,559
Speaker 1: I end up sounding a lot more better. Now, I'm good.

1433
01:23:41,760 --> 01:23:44,240
Speaker 1: I sounded good. We celebrate, Clark, I got, I can

1434
01:23:44,280 --> 01:23:48,519
Speaker 1: celebrate with your Panama noriagas my family on the love.

1435
01:23:50,840 --> 01:23:54,080
Speaker 1: At least I got it wouldn't bug you out of

1436
01:23:54,560 --> 01:24:00,720
Speaker 1: Jack used to be a dude's house with Georgia with

1437
01:24:00,920 --> 01:24:04,439
Speaker 1: Joys talking about it. I told you my mother was

1438
01:24:05,000 --> 01:24:09,280
Speaker 1: she was in the government, right, so like when like

1439
01:24:09,400 --> 01:24:11,840
Speaker 1: you have to understand, like I'm really Panamia, so we

1440
01:24:12,040 --> 01:24:19,400
Speaker 1: really have my wife is my my my fuck My

1441
01:24:19,520 --> 01:24:24,000
Speaker 1: mother was the Vice Council General of Panama. So like

1442
01:24:24,439 --> 01:24:27,519
Speaker 1: fucking with Noriega, working with General Rio's that was ship

1443
01:24:27,600 --> 01:24:29,719
Speaker 1: that we did all the time. So like they weren't.

1444
01:24:30,320 --> 01:24:34,160
Speaker 1: That wasn't Manuel Noriega. To me, that was uncle Manny.

1445
01:24:34,280 --> 01:24:41,599
Speaker 1: That was I'm talking about. No, No, I'm talking about

1446
01:24:41,600 --> 01:24:43,640
Speaker 1: I'm talking about when I was a super kid, like

1447
01:24:43,720 --> 01:24:46,400
Speaker 1: when I was like seven eight, like like she was

1448
01:24:46,479 --> 01:24:50,160
Speaker 1: in government, so she dealt with him like that. I

1449
01:24:50,240 --> 01:24:53,600
Speaker 1: got pictures. I posted pictures on on the internet, I

1450
01:24:53,640 --> 01:24:57,599
Speaker 1: mean on on them on on Instagram with my mother

1451
01:24:57,680 --> 01:25:06,479
Speaker 1: and he was locked up right down the street from

1452
01:25:06,600 --> 01:25:17,400
Speaker 1: from Frifhood and Paris never so mayn yes, sir, God

1453
01:25:17,680 --> 01:25:24,479
Speaker 1: damn man, it's little seeds, some man. Yes, you see

1454
01:25:24,520 --> 01:25:27,240
Speaker 1: this other sneak of people out there? Yeah, who is

1455
01:25:27,320 --> 01:25:30,639
Speaker 1: somebody You sat back and said, I gotta kill these

1456
01:25:30,760 --> 01:25:34,840
Speaker 1: things because you because you're a wrapper. Because he was

1457
01:25:34,880 --> 01:25:38,120
Speaker 1: not a rapper, because that's how rappers stays absolutely, but

1458
01:25:38,320 --> 01:25:40,840
Speaker 1: you know what I'm saying, like, no, I mean your family.

1459
01:25:40,920 --> 01:25:46,000
Speaker 1: So we're battle, your battle. I don't know what I'm

1460
01:25:46,000 --> 01:25:48,280
Speaker 1: gonna keep it a thousand percent with you. And I

1461
01:25:48,320 --> 01:25:49,800
Speaker 1: don't know if he's gonna mention. I don't know if

1462
01:25:49,840 --> 01:25:53,600
Speaker 1: he's had enough drinks. He's not in competition with nobody

1463
01:25:54,920 --> 01:25:58,200
Speaker 1: but me, I've been doing. You know what the fly

1464
01:25:58,320 --> 01:26:01,640
Speaker 1: ship is, I'm gonnas so white kid that Jordan's sponsored,

1465
01:26:02,160 --> 01:26:06,080
Speaker 1: um peple all this ship, the white Kid and he

1466
01:26:06,320 --> 01:26:10,200
Speaker 1: opened up a museum. You ain't see Jordan Geller yell yeah, yeah,

1467
01:26:10,439 --> 01:26:13,360
Speaker 1: explain that he sold all those he sold all them shoes,

1468
01:26:13,400 --> 01:26:15,720
Speaker 1: and he sells shoes and he's not like that's a

1469
01:26:15,800 --> 01:26:18,360
Speaker 1: collector because he doesn't wear everything. He'll buy something the

1470
01:26:18,400 --> 01:26:20,320
Speaker 1: size now, the side twelve Soude Sports and just to

1471
01:26:20,360 --> 01:26:22,400
Speaker 1: say he has it. And that's dope. I mean, he

1472
01:26:22,400 --> 01:26:25,639
Speaker 1: got an ill collections difference. We're different. I don't wear

1473
01:26:25,640 --> 01:26:27,080
Speaker 1: a Brando pair of sneakers every day, but I wear

1474
01:26:27,160 --> 01:26:29,320
Speaker 1: Brandon I can wear I can't wear Brando pair of

1475
01:26:29,320 --> 01:26:32,240
Speaker 1: sneakers every day for ten years, but I don't. I mean,

1476
01:26:32,439 --> 01:26:34,040
Speaker 1: I'm not clocked. I don't wear him every day. I

1477
01:26:34,120 --> 01:26:35,920
Speaker 1: wear Air Force three days in a row and then

1478
01:26:35,960 --> 01:26:37,599
Speaker 1: I get rid of What about that kid, that fat

1479
01:26:37,680 --> 01:26:41,400
Speaker 1: Joe brother, the kid from Dubai, is he no money kicks?

1480
01:26:41,479 --> 01:26:49,160
Speaker 1: Not that one dirty I'm dirty kicks kicks. I'm just

1481
01:26:49,240 --> 01:26:55,679
Speaker 1: saying one day Dubai got one day he'll buy my collection.

1482
01:26:55,720 --> 01:26:58,560
Speaker 1: Shout the money kicks now. But my whole thing is

1483
01:26:58,920 --> 01:27:00,640
Speaker 1: I've been doing this shift for so along and my

1484
01:27:01,000 --> 01:27:02,519
Speaker 1: this is my this is my this is the old part.

1485
01:27:02,600 --> 01:27:05,400
Speaker 1: So I'm not a rapper. I'm not an actor, I'm

1486
01:27:05,439 --> 01:27:07,320
Speaker 1: not a celebrity. I'm not entertained. I'm not a DJ.

1487
01:27:08,400 --> 01:27:10,640
Speaker 1: I am I am asked. No disrespect, brother, I love

1488
01:27:10,680 --> 01:27:12,360
Speaker 1: you Cloud and stuff that. I've been doing this for

1489
01:27:12,479 --> 01:27:15,280
Speaker 1: so long and I really became famous so for sneakers,

1490
01:27:15,720 --> 01:27:18,200
Speaker 1: which is crazy because I'm not famous. I'm saying. So

1491
01:27:18,439 --> 01:27:20,519
Speaker 1: it's no DJ, no rapper, no nothing. I'm just just

1492
01:27:20,640 --> 01:27:22,800
Speaker 1: dude from the South Bronx. I've been around a hundred

1493
01:27:22,840 --> 01:27:25,200
Speaker 1: years and been into the sneaking game for real. So

1494
01:27:25,360 --> 01:27:28,800
Speaker 1: before social media, before October fourth, two thousand nine or

1495
01:27:28,840 --> 01:27:31,519
Speaker 1: two thousand ten, never Instagram came out, I've been getting

1496
01:27:31,560 --> 01:27:33,840
Speaker 1: shoes you know what I'm saying, Like I've been getting

1497
01:27:34,760 --> 01:27:36,679
Speaker 1: no no nick he was telling me shoes way before

1498
01:27:36,720 --> 01:27:39,000
Speaker 1: they wasn't in But how did that? How does that happen? Though?

1499
01:27:39,200 --> 01:27:41,439
Speaker 1: So for me, So for me it's crazy, he goes,

1500
01:27:41,640 --> 01:27:43,519
Speaker 1: So now it goes the whole hip hop element and

1501
01:27:43,560 --> 01:27:45,760
Speaker 1: the whole thing. So I had club essos. But before that,

1502
01:27:46,080 --> 01:27:48,559
Speaker 1: one of my best friends, I don't have. I three

1503
01:27:48,560 --> 01:27:50,200
Speaker 1: best friends. Clawk is one of them, my man speedy

1504
01:27:50,320 --> 01:27:52,519
Speaker 1: James Williams. He was in a Nike commercial where they

1505
01:27:52,520 --> 01:27:54,559
Speaker 1: was doing the dribbling with Jason Williams and Rashee Wallace.

1506
01:27:54,800 --> 01:27:57,439
Speaker 1: He's from Got the Body Jason Wale No no, no,

1507
01:27:57,520 --> 01:28:00,320
Speaker 1: no no bodies, no no no, Jason witting that when

1508
01:28:00,320 --> 01:28:05,240
Speaker 1: I shot a normal driving or that white chocolate, I

1509
01:28:05,280 --> 01:28:11,640
Speaker 1: can relate with you understand, I understand everybody. So he

1510
01:28:11,800 --> 01:28:13,360
Speaker 1: was in that commercial. So I got to meet the

1511
01:28:13,600 --> 01:28:17,320
Speaker 1: guys like Jerry Rasma Razny, Jerry Rasmie. So you know

1512
01:28:17,320 --> 01:28:18,920
Speaker 1: what I'm saying. So guys like that was taking care

1513
01:28:18,920 --> 01:28:22,080
Speaker 1: of me before there was an internet. So like I

1514
01:28:22,200 --> 01:28:25,679
Speaker 1: call him my brother. He was in Above the Grim

1515
01:28:25,720 --> 01:28:28,599
Speaker 1: with Tupac, so I was on the set every day.

1516
01:28:28,720 --> 01:28:30,200
Speaker 1: I was on the set for like eleven days in

1517
01:28:30,240 --> 01:28:31,760
Speaker 1: a row with Park when they were shooting Above the

1518
01:28:31,840 --> 01:28:33,720
Speaker 1: Rim and all that, just hanging out, bullshitting around and

1519
01:28:34,080 --> 01:28:36,680
Speaker 1: rebox pretty much smaster that whole campaign. But my man

1520
01:28:36,800 --> 01:28:39,439
Speaker 1: did this commercial with Nike, the Dribbling commercial, so I

1521
01:28:39,520 --> 01:28:40,840
Speaker 1: was able to go up in the office and then

1522
01:28:41,240 --> 01:28:43,160
Speaker 1: and and just build relationships and stuff like that. So

1523
01:28:43,200 --> 01:28:44,680
Speaker 1: I was getting shoes for a while. He was just

1524
01:28:44,760 --> 01:28:46,680
Speaker 1: White Air Forces and Black Air Forces. It was really

1525
01:28:46,720 --> 01:28:49,280
Speaker 1: no special shoes like that, except for the Family Tree

1526
01:28:49,280 --> 01:28:51,719
Speaker 1: Air Force when they want Rucker. But I mean, besides

1527
01:28:51,760 --> 01:28:53,800
Speaker 1: stuff like that, it was just a whole bunch of ships.

1528
01:28:53,800 --> 01:28:56,479
Speaker 1: I've been around that whole time, and you knew Sleepers

1529
01:28:56,560 --> 01:28:58,400
Speaker 1: was gonna be not hitting it. I didn't. I just

1530
01:28:58,520 --> 01:29:00,400
Speaker 1: love kicks, yea, I was. I was on around with

1531
01:29:00,439 --> 01:29:02,560
Speaker 1: Clark for years when Clark was coming to club that

1532
01:29:02,640 --> 01:29:04,720
Speaker 1: soos I didn't really know there was a sneaker thing

1533
01:29:04,800 --> 01:29:06,840
Speaker 1: with Clark like that. I knew I love sneakers. I

1534
01:29:06,960 --> 01:29:08,680
Speaker 1: was riding around at the toy the four Runner with

1535
01:29:08,720 --> 01:29:11,160
Speaker 1: somebody's in a chick's name from Wendy's. You know what

1536
01:29:11,160 --> 01:29:15,400
Speaker 1: I'm saying. When I had Club Girl's name what I'm

1537
01:29:15,400 --> 01:29:22,840
Speaker 1: saying that easy to be, easy to be made. I'm

1538
01:29:22,880 --> 01:29:30,600
Speaker 1: saying so running ya running around like so, I had

1539
01:29:30,640 --> 01:29:32,800
Speaker 1: the four run. I thought I was hot. Clark pulls

1540
01:29:32,880 --> 01:29:34,880
Speaker 1: up in the first Yukon jinale that I've ever seen

1541
01:29:34,920 --> 01:29:37,320
Speaker 1: in my life, two doors ship with the ill system

1542
01:29:37,760 --> 01:29:39,640
Speaker 1: right for a long time. Know it's crazy, and then

1543
01:29:39,680 --> 01:29:42,880
Speaker 1: I wind up on the stereoshop. Years later, I bought

1544
01:29:42,920 --> 01:29:46,320
Speaker 1: State Tuned back to day Wait wait, wait, he said,

1545
01:29:46,360 --> 01:29:48,760
Speaker 1: Mike Tyson. What yeah, Mike Tyson used to have a

1546
01:29:48,800 --> 01:29:51,400
Speaker 1: brim place in Fortland, New Jersey called Stay Tuned. I

1547
01:29:51,520 --> 01:29:55,720
Speaker 1: bought that. It was called Audio Designs. After that, saw No,

1548
01:29:55,880 --> 01:29:58,120
Speaker 1: I'm fassing. Letna tell I'm gonna take it back. So

1549
01:29:58,160 --> 01:29:59,880
Speaker 1: when Fat Joe used to drive down here to Miami

1550
01:30:00,000 --> 01:30:01,960
Speaker 1: before he lived there, remember the escalator was getting from

1551
01:30:01,960 --> 01:30:04,200
Speaker 1: mort in Cadillacs with the with the motorized TVs in

1552
01:30:04,200 --> 01:30:06,479
Speaker 1: the bag that was always breaking. I did those but

1553
01:30:08,280 --> 01:30:13,200
Speaker 1: broken TV. Remember the Cadillac asked, my Joe used to

1554
01:30:13,240 --> 01:30:14,559
Speaker 1: come down here? You know what? Joe wasn't flying back

1555
01:30:14,560 --> 01:30:22,080
Speaker 1: in the days, remember Joe Ye, Well, when I had

1556
01:30:22,160 --> 01:30:24,519
Speaker 1: Audio Designs, it might have been I got locked up

1557
01:30:24,560 --> 01:30:26,519
Speaker 1: on old one oh two. It might have been ninety nine,

1558
01:30:26,560 --> 01:30:32,320
Speaker 1: two thousand, Okay, that's from the Cade. Actually it's tim. Yeah,

1559
01:30:32,439 --> 01:30:35,640
Speaker 1: so I was doing his system say that because I

1560
01:30:35,680 --> 01:30:37,439
Speaker 1: wanted to put two years together. Now I was doing

1561
01:30:38,000 --> 01:30:41,400
Speaker 1: my job. I was doing his systems back. I was

1562
01:30:41,479 --> 01:30:43,400
Speaker 1: doing his systems back in the days. So I say

1563
01:30:43,439 --> 01:30:45,439
Speaker 1: that to go back from ninety six or two thousand one,

1564
01:30:45,960 --> 01:30:47,920
Speaker 1: like I was always like the sneakership was always forever

1565
01:30:48,040 --> 01:30:49,280
Speaker 1: with me. But when I used to see Clark at

1566
01:30:49,320 --> 01:30:52,599
Speaker 1: Essos back in ninety six, I didn't even know Clark

1567
01:30:52,640 --> 01:30:54,320
Speaker 1: had the ill sneaker collection like that. We was just

1568
01:30:54,439 --> 01:30:57,599
Speaker 1: bobbing on cars and then him coming to him coming

1569
01:30:57,640 --> 01:30:59,840
Speaker 1: to Mad Wednesdays when Rea David is getting drunk every night,

1570
01:30:59,880 --> 01:31:02,160
Speaker 1: and then Jay doing the whole ship and J and

1571
01:31:02,200 --> 01:31:05,439
Speaker 1: I used to pull up to Esso's two hours before,

1572
01:31:05,600 --> 01:31:09,599
Speaker 1: no earlier than that, like three, and they would prepaid

1573
01:31:09,600 --> 01:31:11,280
Speaker 1: for their bottles of Christal. They would give me thirty

1574
01:31:11,320 --> 01:31:13,479
Speaker 1: six hundred dollars cash christ That was three hundred hours

1575
01:31:13,479 --> 01:31:15,519
Speaker 1: a bottle back then shout to the plug. I was

1576
01:31:15,560 --> 01:31:18,559
Speaker 1: paying like forty dollars a bottle stolen selling for um. Yeah,

1577
01:31:18,680 --> 01:31:20,639
Speaker 1: I was getting a lot of money back. The funny

1578
01:31:20,680 --> 01:31:23,320
Speaker 1: ship is. The funny ship is when we started doing that,

1579
01:31:23,520 --> 01:31:25,800
Speaker 1: there wasn't even selling Crystal. They would have to go

1580
01:31:25,880 --> 01:31:28,640
Speaker 1: get to Chrystal because we were asking for crystal. Yeah, no,

1581
01:31:28,680 --> 01:31:30,719
Speaker 1: I was crazy. I was getting Christalin from the distributed

1582
01:31:30,920 --> 01:31:34,680
Speaker 1: Charms liquer all that ship, I mean only one day.

1583
01:31:35,120 --> 01:31:38,000
Speaker 1: The lost ship was the reason I fell in love

1584
01:31:38,040 --> 01:31:39,479
Speaker 1: with that whole rock The reason I fell in love

1585
01:31:39,520 --> 01:31:42,200
Speaker 1: with that whole rock movement was they never pulled their

1586
01:31:42,200 --> 01:31:43,880
Speaker 1: money out in the club. They would come to Essos

1587
01:31:43,880 --> 01:31:46,240
Speaker 1: at three four o'clock in the afternoon, prepaid for their

1588
01:31:46,240 --> 01:31:48,200
Speaker 1: bottles of Chris and had me, had me bring a

1589
01:31:48,280 --> 01:31:50,320
Speaker 1: case of Christal out to the ball and they would

1590
01:31:50,360 --> 01:31:52,360
Speaker 1: just hang by the ball. Poor they bottles, poor, they bottles,

1591
01:31:52,400 --> 01:31:56,960
Speaker 1: part they bottles. Okay, So how Calle said he's smart,

1592
01:31:59,040 --> 01:32:01,040
Speaker 1: So that was everybody else. You're starting in front and

1593
01:32:01,080 --> 01:32:03,120
Speaker 1: pulling their bottles out and buying eighty dollar bottles of

1594
01:32:03,160 --> 01:32:05,120
Speaker 1: moat and all that bullshit. And I'm sitting there last

1595
01:32:06,360 --> 01:32:10,640
Speaker 1: you ain't going nowhere. I'm at Clark. I'm sorry, but

1596
01:32:10,920 --> 01:32:14,240
Speaker 1: now Clark, you're seeing the beginning. I need to know

1597
01:32:14,360 --> 01:32:17,040
Speaker 1: where Clark Kent was Okay, I gotta dj I gotta go. Okay,

1598
01:32:17,400 --> 01:32:19,840
Speaker 1: you don't know where Clark Kent was at when you

1599
01:32:20,000 --> 01:32:26,200
Speaker 1: heard the room was that jay Z and Dame Dash separated.

1600
01:32:26,320 --> 01:32:30,400
Speaker 1: And it will never be the same because everything that

1601
01:32:30,520 --> 01:32:33,320
Speaker 1: you said just now you you're speaking about the beginning

1602
01:32:33,360 --> 01:32:39,360
Speaker 1: because that's what you represent. And now you're still here,

1603
01:32:39,439 --> 01:32:41,680
Speaker 1: You're still relevant, you're still doing what we gotta do.

1604
01:32:42,560 --> 01:32:46,360
Speaker 1: But god, you're human. You're a human, So I'm actuing

1605
01:32:46,400 --> 01:32:50,280
Speaker 1: the human being right now. How did you feel because

1606
01:32:50,360 --> 01:32:53,040
Speaker 1: I still speak to both of them on the same days,

1607
01:32:53,840 --> 01:32:59,719
Speaker 1: may be on the same days. To guilty you speaking

1608
01:32:59,760 --> 01:33:01,479
Speaker 1: to you were saying you feel guilty. I could never

1609
01:33:01,560 --> 01:33:04,600
Speaker 1: feel guilty because they were both. I wasn't do you

1610
01:33:04,640 --> 01:33:07,600
Speaker 1: know what I'm saying. So, but um, the funny ship was,

1611
01:33:07,720 --> 01:33:10,560
Speaker 1: I was sitting at my desk at Rockefeller when I

1612
01:33:10,600 --> 01:33:14,120
Speaker 1: found out that it just wasn't gonna be the same anymore,

1613
01:33:14,120 --> 01:33:20,840
Speaker 1: and I, um, I uh, I thought to myself, Okay,

1614
01:33:21,200 --> 01:33:23,559
Speaker 1: they're working out. Listen. It was it was a part

1615
01:33:23,600 --> 01:33:25,639
Speaker 1: of you to say they're working out. Yeah. I thought

1616
01:33:25,680 --> 01:33:27,800
Speaker 1: it was bullshit. I thought it would go away. That's

1617
01:33:27,840 --> 01:33:30,720
Speaker 1: what you have to understand as a guy. Who was

1618
01:33:31,160 --> 01:33:34,560
Speaker 1: there from ball four everything. I was just like that,

1619
01:33:35,000 --> 01:33:39,280
Speaker 1: that's corny ship. They'll figure it out. And because I

1620
01:33:39,439 --> 01:33:42,240
Speaker 1: knew understand me. I was there from the beginning. And

1621
01:33:42,280 --> 01:33:46,080
Speaker 1: then I went to UM to Motown Records, and I

1622
01:33:46,560 --> 01:33:48,800
Speaker 1: went to jobs. Yeah, I think, did you make it

1623
01:33:49,920 --> 01:33:52,280
Speaker 1: any help in the flowershot you pay them in Jamaica.

1624
01:33:52,360 --> 01:33:56,760
Speaker 1: Let's make some noise for Clark having Sear come on

1625
01:33:56,880 --> 01:34:02,479
Speaker 1: back a class that him awesome, better class you pull

1626
01:34:02,680 --> 01:34:09,840
Speaker 1: from you better class. I'm sorry you want to take no, no,

1627
01:34:09,960 --> 01:34:13,920
Speaker 1: not at all. Listen being before and and and you know,

1628
01:34:14,080 --> 01:34:16,559
Speaker 1: making a connection between them talking about some serious making

1629
01:34:16,640 --> 01:34:21,760
Speaker 1: him the connection between them and seeing what did you

1630
01:34:21,920 --> 01:34:26,040
Speaker 1: do stuff right? Introduce? Did we didn't clarify the introduction?

1631
01:34:26,160 --> 01:34:30,599
Speaker 1: Can we go for the introduction? How did you introduce stuff? Um?

1632
01:34:31,040 --> 01:34:34,640
Speaker 1: After I signed Dame's groups, I kept telling them about Yo,

1633
01:34:35,000 --> 01:34:36,800
Speaker 1: stud jay Z is the best in the world and

1634
01:34:36,880 --> 01:34:38,880
Speaker 1: you're telling this to day To Dame, I said, Yo,

1635
01:34:38,920 --> 01:34:40,439
Speaker 1: you guys see, my man, jay Z is the best

1636
01:34:40,479 --> 01:34:42,920
Speaker 1: in the world. It's gonna kill niggas. What is this

1637
01:34:43,040 --> 01:34:45,920
Speaker 1: jay Z? He ain't bet it in big l That

1638
01:34:46,120 --> 01:34:50,519
Speaker 1: was like, wow, like we're all due respect. I think

1639
01:34:50,560 --> 01:34:54,400
Speaker 1: Big L is dope, but I think he's dope. I

1640
01:34:54,479 --> 01:35:00,680
Speaker 1: think he's dope. But you saying that that that my

1641
01:35:00,680 --> 01:35:03,600
Speaker 1: my man's not better than him makes no sense to

1642
01:35:03,680 --> 01:35:06,439
Speaker 1: me because I listened, you know what I'm saying, so

1643
01:35:07,200 --> 01:35:09,920
Speaker 1: I knew how wild Kane was, Like what are you

1644
01:35:10,040 --> 01:35:12,360
Speaker 1: talking about? Like you're saying Big L is better than

1645
01:35:12,479 --> 01:35:16,519
Speaker 1: Kane if you're saying Big els better than rock him

1646
01:35:17,560 --> 01:35:21,160
Speaker 1: and then you're saying he's better than jail, Like now

1647
01:35:21,240 --> 01:35:23,519
Speaker 1: you're wilding. You know what I'm saying, Like you ain't

1648
01:35:23,520 --> 01:35:28,360
Speaker 1: better than this? Then this is back then. Yeah, they

1649
01:35:28,400 --> 01:35:31,120
Speaker 1: didn't see it. I mean, but I didn't care. So

1650
01:35:31,240 --> 01:35:33,600
Speaker 1: but I was just like chocking my man's ill than everybody.

1651
01:35:34,280 --> 01:35:36,240
Speaker 1: And then you know, I started to prove it and

1652
01:35:36,280 --> 01:35:38,680
Speaker 1: then he was you know, like he was like, yea,

1653
01:35:38,680 --> 01:35:40,680
Speaker 1: I'm gonna meet this guy. And when he meets him,

1654
01:35:41,560 --> 01:35:44,360
Speaker 1: he's like I can't believe the dudes wearing white and white.

1655
01:35:44,360 --> 01:35:46,320
Speaker 1: Air Force once and what the fund do you think?

1656
01:35:46,360 --> 01:35:48,280
Speaker 1: The only way air Force one at Harlem think at

1657
01:35:48,320 --> 01:35:51,320
Speaker 1: you Corning, Like how could you think something so stupid?

1658
01:35:51,800 --> 01:35:56,600
Speaker 1: Who are you talking about him? Dane? Dane? Like air

1659
01:35:56,640 --> 01:35:58,240
Speaker 1: Force once? I was like what are you talking about?

1660
01:35:58,280 --> 01:36:01,240
Speaker 1: You met me, I'm wearing air was once and so

1661
01:36:01,439 --> 01:36:04,080
Speaker 1: I'm from Brooklyn. Yeah, but you being I don't care

1662
01:36:04,120 --> 01:36:06,280
Speaker 1: where i'd be at, I'm saying like, you're gonna say

1663
01:36:06,320 --> 01:36:08,479
Speaker 1: that there's nobody else at all, and in Brooklyn it

1664
01:36:08,560 --> 01:36:11,599
Speaker 1: was once except me. That would be some dumb ship

1665
01:36:11,760 --> 01:36:14,479
Speaker 1: to believe, but you know, that's what he felt, and

1666
01:36:14,560 --> 01:36:17,719
Speaker 1: he felt like, understand me. I took him to Brooklyn.

1667
01:36:17,880 --> 01:36:19,720
Speaker 1: So he was kind of halfway scared at the same

1668
01:36:19,800 --> 01:36:23,400
Speaker 1: time because he believed that the only thing, yes, Dame,

1669
01:36:23,479 --> 01:36:27,519
Speaker 1: that the only thing that happened in Brooklyn was Robert Severy.

1670
01:36:28,120 --> 01:36:31,360
Speaker 1: He just felt like, motherfucker's just wrong, like all the time.

1671
01:36:31,439 --> 01:36:33,200
Speaker 1: Then I wanted to ovide Scoop more with my cousins.

1672
01:36:33,320 --> 01:36:35,000
Speaker 1: I was like, I liked it. I like, I like God.

1673
01:36:35,320 --> 01:36:41,679
Speaker 1: I went to Farragant. Farragant was yeah, yeah, yeah, I'm sorry, continued,

1674
01:36:41,680 --> 01:36:45,240
Speaker 1: I don't want to about you know. So what I'm

1675
01:36:45,280 --> 01:36:48,040
Speaker 1: saying is I introduced them and everything was all good

1676
01:36:48,120 --> 01:36:51,880
Speaker 1: from day one. So when this happened, when it was like, yeah,

1677
01:36:52,439 --> 01:36:54,400
Speaker 1: you know, it's getting a little shaky, I was just like,

1678
01:36:54,520 --> 01:36:57,960
Speaker 1: they're gonna fix that, and that was eighteen years later. Yeah,

1679
01:36:58,040 --> 01:37:02,160
Speaker 1: I was it was enough because it was I think

1680
01:37:02,200 --> 01:37:05,120
Speaker 1: they had almost done ten albums or twelve albums. It

1681
01:37:05,240 --> 01:37:07,439
Speaker 1: was a lot, I mean, and you have to remember

1682
01:37:07,560 --> 01:37:11,040
Speaker 1: Jay ran a bunch of summers. He he ran a

1683
01:37:11,120 --> 01:37:14,120
Speaker 1: bunch of summers. Too many rappers they get that many summers,

1684
01:37:14,160 --> 01:37:17,559
Speaker 1: and he had summers that he bragged about it too crazy,

1685
01:37:17,640 --> 01:37:25,479
Speaker 1: is shut down. I mean, back then, if you had

1686
01:37:25,520 --> 01:37:27,160
Speaker 1: a summer in New York, you had a summer around

1687
01:37:27,200 --> 01:37:29,719
Speaker 1: the world. I mean, you hit records in the summer,

1688
01:37:29,800 --> 01:37:31,360
Speaker 1: hit records in the summer. So that's what that's what

1689
01:37:31,400 --> 01:37:35,080
Speaker 1: that's what we're talking about. But um, you know, the

1690
01:37:35,200 --> 01:37:37,160
Speaker 1: only summers he didn't run was the summers that he

1691
01:37:37,240 --> 01:37:40,559
Speaker 1: didn't put records out. So what are we talking about?

1692
01:37:40,560 --> 01:37:44,439
Speaker 1: Heads think about it. The only summers Jay didn't run

1693
01:37:44,640 --> 01:37:49,400
Speaker 1: is the summers that Jade decided he wasn't rapping. That's crazy.

1694
01:37:50,479 --> 01:37:53,560
Speaker 1: So what you think that's some ship for niggers to

1695
01:37:53,640 --> 01:37:59,240
Speaker 1: think about for a second. The only summers that Jay

1696
01:37:59,479 --> 01:38:03,840
Speaker 1: didn't run was the summers that he didn't put a

1697
01:38:04,160 --> 01:38:07,640
Speaker 1: fucking record out. Bottom line, when he was fifteen, I

1698
01:38:07,840 --> 01:38:11,200
Speaker 1: told you, niggas, I feel like we gotta make some

1699
01:38:11,280 --> 01:38:16,920
Speaker 1: look to make some No, no, we need another shot

1700
01:38:16,960 --> 01:38:20,280
Speaker 1: for that one. We don't need a last shot shot five.

1701
01:38:20,439 --> 01:38:22,920
Speaker 1: I told you my odd nigga. Come on, cannot leave

1702
01:38:22,960 --> 01:38:25,720
Speaker 1: on it. Even you can pull my ship you want,

1703
01:38:26,280 --> 01:38:28,760
Speaker 1: absolutely do. I'm not even looking. Can you tell me?

1704
01:38:28,800 --> 01:38:30,720
Speaker 1: You tell me what it? Pull it away? Man, I'm

1705
01:38:30,760 --> 01:38:33,120
Speaker 1: not even looking. I gotta throw mine up for that.

1706
01:38:33,160 --> 01:38:37,080
Speaker 1: I'm gonna be something. What are you dja tonight? Anybody

1707
01:38:37,120 --> 01:38:42,040
Speaker 1: gonna hear that ship like snapping, snapping or something. You're mad? Damn,

1708
01:38:42,080 --> 01:38:44,639
Speaker 1: you're mad, dispectful. I thought you're my brother. I thought

1709
01:38:44,680 --> 01:38:46,560
Speaker 1: you were getting done that. Look, I got it with you,

1710
01:38:47,360 --> 01:38:49,240
Speaker 1: you do, I got it with you. Here we go.

1711
01:38:49,800 --> 01:38:51,479
Speaker 1: I'm not going to the club tonight. I gotta with you.

1712
01:38:51,960 --> 01:38:55,040
Speaker 1: I'm all going. No, I'm not want to let you

1713
01:38:55,200 --> 01:39:00,840
Speaker 1: change your don't discuss how much this is all right,

1714
01:39:00,960 --> 01:39:03,360
Speaker 1: you gotta we're gonna go nor We got it all right,

1715
01:39:08,960 --> 01:39:15,439
Speaker 1: we didn't teach I got Let's go out on. Let's

1716
01:39:15,439 --> 01:39:21,639
Speaker 1: go a jake chance you fuck for this podcast that happens.

1717
01:39:21,840 --> 01:39:30,720
Speaker 1: I was going to tex to Norma water. Everybody this water,

1718
01:39:30,760 --> 01:39:33,840
Speaker 1: everybody wonder white answer feeds you. I'm the only one

1719
01:39:33,880 --> 01:39:39,479
Speaker 1: who's still straight. It's big up to survived. No, no,

1720
01:39:39,760 --> 01:39:42,080
Speaker 1: shout the pup because after after call, D Days and Night,

1721
01:39:42,080 --> 01:39:44,840
Speaker 1: we're going to pops out to the after party at

1722
01:39:44,880 --> 01:39:49,719
Speaker 1: the party. We're going. We're going now absolutely no not listen,

1723
01:39:49,760 --> 01:39:51,840
Speaker 1: I changed my flight for this. We're going to absolutely

1724
01:39:51,880 --> 01:39:58,559
Speaker 1: not me neither. This is right here, we're going. I'm

1725
01:39:58,600 --> 01:40:01,960
Speaker 1: not going to pump on it. You know there's video here.

1726
01:40:02,080 --> 01:40:08,400
Speaker 1: Just let me tell nobody's seen The Office Party. You've

1727
01:40:08,439 --> 01:40:10,280
Speaker 1: never seen the movie The Office Party. They were like,

1728
01:40:10,800 --> 01:40:18,479
Speaker 1: they are not doing that. They like, we're going ship,

1729
01:40:19,040 --> 01:40:21,680
Speaker 1: so we are not going to So this is how

1730
01:40:21,720 --> 01:40:23,880
Speaker 1: we're doing it. So are you DJ and tonight, Sam,

1731
01:40:24,320 --> 01:40:26,960
Speaker 1: you're at I'm DJ and a party that we do

1732
01:40:27,080 --> 01:40:31,600
Speaker 1: once a month called the Originals. It's me to Tony's, Richmondina,

1733
01:40:31,720 --> 01:40:35,599
Speaker 1: stretch On, Stung and d nice. So it's probably the wildest.

1734
01:40:35,720 --> 01:40:38,120
Speaker 1: It's probably the best party that we that I get

1735
01:40:38,160 --> 01:40:40,000
Speaker 1: to do. And you think it's still be smashing. I

1736
01:40:40,120 --> 01:40:42,240
Speaker 1: took party and I got a wife. I'm doing that

1737
01:40:43,520 --> 01:40:49,839
Speaker 1: incriminating brother, I'm very I'm not married. I'm having smashing

1738
01:40:49,880 --> 01:40:53,080
Speaker 1: clocks leftover. I said, I'm not married. So yeah, you'd

1739
01:40:53,120 --> 01:40:57,280
Speaker 1: be smashing small. I'm just happy to be I'm just

1740
01:40:57,360 --> 01:40:59,640
Speaker 1: having to be here. You have a beard. I'm just

1741
01:40:59,720 --> 01:41:04,360
Speaker 1: happy to be here. You asked man. Absolutely, it's right

1742
01:41:04,439 --> 01:41:07,720
Speaker 1: next door. You can't miss. Yeah. I know about your

1743
01:41:07,720 --> 01:41:10,960
Speaker 1: man that so yeah, yeah, me too. Where where is Eddie?

1744
01:41:11,000 --> 01:41:13,040
Speaker 1: Asked either And I want to ask you because I'm

1745
01:41:13,080 --> 01:41:16,479
Speaker 1: gonna have a person listen. I'm listening. Look at us,

1746
01:41:18,280 --> 01:41:20,800
Speaker 1: I listen. I get episode on the plane on the

1747
01:41:20,840 --> 01:41:26,120
Speaker 1: way here, asked either Cock. I'm sorry, no, I don't know.

1748
01:41:26,160 --> 01:41:29,040
Speaker 1: I'm sorry. That's not that's any there's not anything that

1749
01:41:29,360 --> 01:41:33,439
Speaker 1: really speak for yourself. I'm Puerto Rican. Panamanian is like

1750
01:41:33,960 --> 01:41:38,600
Speaker 1: Puerto Ricans like foul cousin. Three no clock is my

1751
01:41:38,680 --> 01:41:42,040
Speaker 1: foul brother brother. You know, I'm gonna be honest because

1752
01:41:42,040 --> 01:41:45,800
Speaker 1: you know why Panamania because Panamanian is like you keep

1753
01:41:45,840 --> 01:41:53,720
Speaker 1: me on purpose. I'm sorry that you let me tell

1754
01:41:53,720 --> 01:41:57,400
Speaker 1: you what Panamania is. Tell me brother, because it's like

1755
01:41:57,600 --> 01:42:04,760
Speaker 1: y'all Spanish husin slash Jamaican cousins. They kind of like

1756
01:42:04,920 --> 01:42:09,000
Speaker 1: both I'm gonna bugget now, you're not like because they're

1757
01:42:09,000 --> 01:42:13,120
Speaker 1: like y'all like Jamaican spack. What can you explain why

1758
01:42:13,520 --> 01:42:20,680
Speaker 1: because yeall eat row tea panamazing like that. That's not

1759
01:42:20,880 --> 01:42:23,880
Speaker 1: the reason why. I'm no, that's not the reason. Some

1760
01:42:23,880 --> 01:42:27,120
Speaker 1: reason why. It's because historically, when the Panama Canal was

1761
01:42:27,240 --> 01:42:31,759
Speaker 1: being built, l let's break down a naz he's always

1762
01:42:31,800 --> 01:42:36,479
Speaker 1: gone a bit. Jamaicans came over from to Panama to

1763
01:42:36,560 --> 01:42:40,760
Speaker 1: help build a canal. Yard man, y'ad mind them. My

1764
01:42:41,200 --> 01:42:45,559
Speaker 1: father's Jamaican. Okay, we got to talk to these people

1765
01:42:45,560 --> 01:42:53,559
Speaker 1: with Clark turteen jobs not thirteen thirteen jobs. Actually, relax, listen,

1766
01:42:53,560 --> 01:42:56,920
Speaker 1: you gotta relax. Don't you have a grab a bottle

1767
01:42:57,000 --> 01:43:04,439
Speaker 1: over here again? This is Panamanian Panamania. Shake your feet,

1768
01:43:04,479 --> 01:43:07,800
Speaker 1: don't stow that back the shake your feet. You don't

1769
01:43:07,800 --> 01:43:21,800
Speaker 1: know what Clark came from, Flatbush, Panama. Sleeker he got.

1770
01:43:22,640 --> 01:43:29,519
Speaker 1: Let you gotta gotta take out twenty years, my friend.

1771
01:43:31,160 --> 01:43:34,519
Speaker 1: You know out here in Miami they have flea markets.

1772
01:43:35,840 --> 01:43:40,679
Speaker 1: Um Coloseum was like a ficial flea market. Was official.

1773
01:43:41,960 --> 01:43:47,360
Speaker 1: He was official. But here you know the fleat mark

1774
01:43:47,439 --> 01:43:51,360
Speaker 1: he go to, it's very unofficial. He goes to home. Carol,

1775
01:43:51,520 --> 01:43:56,880
Speaker 1: I gotta throw that out there, Carol Man, the flat

1776
01:43:56,920 --> 01:44:02,800
Speaker 1: market we all lived up. You gotta relix. I know

1777
01:44:02,960 --> 01:44:13,120
Speaker 1: you racist Miami like I'm but sunny by, but Sunny

1778
01:44:13,200 --> 01:44:17,600
Speaker 1: slaps the flea market. Still don't think it's Jordan's right now?

1779
01:44:17,640 --> 01:44:28,599
Speaker 1: It is official, right now, Sunny. You ain't even get

1780
01:44:28,640 --> 01:44:30,080
Speaker 1: it from foot lock and you got it from your

1781
01:44:30,240 --> 01:44:38,799
Speaker 1: lock of it was you lock up? You gotta relax. Sunny.

1782
01:44:48,320 --> 01:44:51,840
Speaker 1: Welcome to play a new podcast network featuring radio and

1783
01:44:51,920 --> 01:44:56,479
Speaker 1: TV personalities talking business, sports, tech, entertainment, and more. Play

1784
01:44:56,560 --> 01:45:01,559
Speaker 1: it at play dot it We're to drink Champs Radio

1785
01:45:01,720 --> 01:45:11,360
Speaker 1: with Rapper and R and DJA. So Clark, we answered

1786
01:45:11,400 --> 01:45:13,960
Speaker 1: you your favorite ever in the hip hop? Now what?

1787
01:45:15,160 --> 01:45:18,360
Speaker 1: And do you also said Rick Ross album was great? Yes,

1788
01:45:18,600 --> 01:45:20,800
Speaker 1: you said that this is best to me so far.

1789
01:45:22,040 --> 01:45:25,040
Speaker 1: I agree with you as well. But now I also

1790
01:45:25,080 --> 01:45:28,240
Speaker 1: said Drake's album? Did you know? You can't drink about great?

1791
01:45:28,479 --> 01:45:32,439
Speaker 1: But think about this? Okay, every Rick Ross album you

1792
01:45:32,640 --> 01:45:34,840
Speaker 1: listen to, you can pick something off of it and

1793
01:45:34,920 --> 01:45:38,200
Speaker 1: go maybe not that one. What do you mean I'm saying?

1794
01:45:38,280 --> 01:45:39,920
Speaker 1: So that's the reason why I could say this is

1795
01:45:39,960 --> 01:45:42,400
Speaker 1: the best work because you can't take anything off of it.

1796
01:45:43,360 --> 01:45:45,519
Speaker 1: You gotta go now on that ships fired too. Now

1797
01:45:45,600 --> 01:45:47,920
Speaker 1: all that ship's fired too. Now all that ship's fired too,

1798
01:45:48,360 --> 01:45:51,759
Speaker 1: and he's talking on that ship. Is he the South

1799
01:45:52,880 --> 01:45:57,000
Speaker 1: Rick Ross? I mean South Biggie, He's Rick Ross. He

1800
01:45:57,240 --> 01:46:02,919
Speaker 1: don't don't compare to you can be compared anything. He anybody,

1801
01:46:03,200 --> 01:46:06,800
Speaker 1: anybody who compared him to Biggie was doing him a disservice,

1802
01:46:07,240 --> 01:46:09,800
Speaker 1: you know what I'm saying, because there there's no one's

1803
01:46:09,840 --> 01:46:13,439
Speaker 1: gonna be like that. We see him saying they were

1804
01:46:13,479 --> 01:46:17,160
Speaker 1: doing they were doing Ross disservice by trying to compare

1805
01:46:17,280 --> 01:46:20,200
Speaker 1: him to that like Rick Ross, by Rick Ross facts,

1806
01:46:20,320 --> 01:46:22,160
Speaker 1: you know what I'm saying that, And as Rick Ross,

1807
01:46:22,240 --> 01:46:27,200
Speaker 1: he's fucking bananas. Like his album is fired. It's not good,

1808
01:46:27,560 --> 01:46:32,200
Speaker 1: it's fired. I actually feel bad that, you know, the

1809
01:46:32,280 --> 01:46:34,680
Speaker 1: album came out a day before Drake's album, because it's

1810
01:46:34,680 --> 01:46:38,160
Speaker 1: like it didn't have the time to the albums a playlist.

1811
01:46:38,240 --> 01:46:40,800
Speaker 1: How do you think it's album. It's an album, so

1812
01:46:40,920 --> 01:46:43,120
Speaker 1: I don't care what if the ship I have a

1813
01:46:43,200 --> 01:46:47,280
Speaker 1: cover and it has credits and it has track lists.

1814
01:46:47,800 --> 01:47:01,400
Speaker 1: It's a fucking album. And the single fact, you know,

1815
01:47:01,439 --> 01:47:04,040
Speaker 1: I'm gonna be honest, you you bring us the top

1816
01:47:04,080 --> 01:47:09,240
Speaker 1: of the podcast. One hit just one hit one one

1817
01:47:09,320 --> 01:47:12,599
Speaker 1: hit because you did Elliott Wilson before with all that ship.

1818
01:47:12,680 --> 01:47:19,080
Speaker 1: You knew me. Listen all that be honest. Three sixty

1819
01:47:22,120 --> 01:47:24,960
Speaker 1: you curbed me for I never curbed car. He's the

1820
01:47:25,000 --> 01:47:27,280
Speaker 1: old g You gotta let them, just like you know,

1821
01:47:27,680 --> 01:47:32,240
Speaker 1: everybody has stories in their head. Has nor read one

1822
01:47:32,320 --> 01:47:37,360
Speaker 1: hit Cloth one one for Panama was that boom boom.

1823
01:47:43,600 --> 01:47:49,360
Speaker 1: You know what, No, listen, here's some crazy shit. People

1824
01:47:49,400 --> 01:47:51,800
Speaker 1: look at that record and back then it was a

1825
01:47:52,000 --> 01:47:55,599
Speaker 1: Pana maion dude doing a reggae record. Guess what, that's reggae.

1826
01:47:55,680 --> 01:48:01,000
Speaker 1: That is the first form reggae. Don't got damn win

1827
01:48:01,560 --> 01:48:14,360
Speaker 1: good Boom boom boom boom that I relaxed to say

1828
01:48:14,360 --> 01:48:21,840
Speaker 1: it again. Doom doom be doom doom. Anyway, Man, keep going, man,

1829
01:48:23,000 --> 01:48:30,639
Speaker 1: where are we at? Let make yeah? So clow Jesus

1830
01:48:30,760 --> 01:48:40,120
Speaker 1: fucking Christ. Dude is nuts cloth you think, jeez, I

1831
01:48:40,200 --> 01:48:44,080
Speaker 1: gotta clock. I gotta go nowhere. Man, you've been in this,

1832
01:48:44,560 --> 01:48:53,479
Speaker 1: this this game. You animal bruis to this ship. Run man.

1833
01:48:55,120 --> 01:49:01,080
Speaker 1: So now I heard you the tweet where we grow.

1834
01:49:01,600 --> 01:49:05,200
Speaker 1: You tweeted that work gross album was fired fired. I

1835
01:49:05,320 --> 01:49:09,000
Speaker 1: saw that that tweet went viral. It did and my

1836
01:49:09,160 --> 01:49:16,439
Speaker 1: mind did. Okay, but but now Clark, what else is

1837
01:49:16,520 --> 01:49:24,040
Speaker 1: Clark can't like it's no school um. Contrary to what

1838
01:49:24,120 --> 01:49:29,639
Speaker 1: a lot of people might sink, me goes, fuck with me, goes,

1839
01:49:29,960 --> 01:49:36,120
Speaker 1: I fucking me gooes I funk with Young Doug. You know, no, no, no, no.

1840
01:49:36,880 --> 01:49:40,800
Speaker 1: The thing is when you sit behind it, When you

1841
01:49:40,880 --> 01:49:48,040
Speaker 1: sit I love dead wrong, this is I don't. When

1842
01:49:48,080 --> 01:49:50,759
Speaker 1: you sit behind the desk, you know, he DJ parties,

1843
01:49:50,840 --> 01:49:57,840
Speaker 1: that's brand. He gotta relax. Okay, okay, listen. When you

1844
01:49:57,920 --> 01:50:00,839
Speaker 1: sit behind the desk, you start to look at music differently.

1845
01:50:00,880 --> 01:50:03,040
Speaker 1: You don't look at music just for what you personally

1846
01:50:03,160 --> 01:50:06,200
Speaker 1: think you look for. Is it going to work whether

1847
01:50:06,240 --> 01:50:08,400
Speaker 1: you like it or not. It's whether it's gonna work

1848
01:50:08,520 --> 01:50:12,280
Speaker 1: or not. The first time I heard Young Thug, I

1849
01:50:12,400 --> 01:50:18,320
Speaker 1: thought he might have something. But then it was repeatedly, repeatedly,

1850
01:50:18,880 --> 01:50:23,920
Speaker 1: repeatedly that dude, you might not understand everything he's saying,

1851
01:50:24,240 --> 01:50:29,640
Speaker 1: but when he says it, somehow you can get to it.

1852
01:50:30,439 --> 01:50:34,840
Speaker 1: Young me goals. You know every time, I don't even

1853
01:50:34,920 --> 01:50:37,680
Speaker 1: know to take Molly. Listen, listen, I don't understand that.

1854
01:50:37,800 --> 01:50:42,360
Speaker 1: I just want to bet. I just want to be clear.

1855
01:50:42,560 --> 01:50:45,360
Speaker 1: I'm not sitting here saying these dudes spam bars. What

1856
01:50:45,479 --> 01:50:49,200
Speaker 1: I'm saying is these dudes, these dudes are making records

1857
01:50:49,240 --> 01:50:52,120
Speaker 1: that I can actually like. And you know, trust me,

1858
01:50:52,200 --> 01:50:54,000
Speaker 1: there's a list of motherfucker's that I'm just like, what

1859
01:50:54,160 --> 01:50:57,280
Speaker 1: the funk is going on? But there's some dudes that

1860
01:50:57,960 --> 01:51:01,280
Speaker 1: get that, get put it that that that vein with

1861
01:51:01,400 --> 01:51:03,320
Speaker 1: all these other dudes that I'm looking at, like, why

1862
01:51:03,360 --> 01:51:05,920
Speaker 1: the fund are you making records? And when I look

1863
01:51:05,960 --> 01:51:08,120
Speaker 1: at them, I'm going, well, how can you put this

1864
01:51:08,200 --> 01:51:10,600
Speaker 1: guy in here when his records are better? You know

1865
01:51:10,640 --> 01:51:12,640
Speaker 1: what I'm saying, Let's just look at his records. If

1866
01:51:12,680 --> 01:51:14,960
Speaker 1: he can rap, let's just look at his records. To me,

1867
01:51:15,080 --> 01:51:18,040
Speaker 1: you're gonna here's where a lot of motherfuckers get shipped

1868
01:51:18,080 --> 01:51:21,040
Speaker 1: fucked up. They look at this rap thing like it's

1869
01:51:21,040 --> 01:51:25,360
Speaker 1: about having bars as much as it is about making records.

1870
01:51:25,400 --> 01:51:27,799
Speaker 1: When you're a rapper, your ship is to make records.

1871
01:51:27,840 --> 01:51:31,160
Speaker 1: When you're serious about you having boss. How about melodies, though,

1872
01:51:31,240 --> 01:51:35,040
Speaker 1: CLA your melodies help us? Melodies asked me. A question

1873
01:51:35,400 --> 01:51:39,479
Speaker 1: was carried in good melodies make better records and the

1874
01:51:39,520 --> 01:51:43,000
Speaker 1: reason why it's it's so simple when nobody looks at

1875
01:51:43,040 --> 01:51:47,680
Speaker 1: this ship. When you learned the first song that you

1876
01:51:47,880 --> 01:51:50,880
Speaker 1: ever learned was your A B c's. The only way

1877
01:51:50,960 --> 01:51:53,280
Speaker 1: you learned the A B c's was by singing it.

1878
01:51:54,000 --> 01:51:57,920
Speaker 1: It's a melody and a rhythm. So that's the reason

1879
01:51:58,000 --> 01:52:01,920
Speaker 1: why somebody with a good melody makes something and you

1880
01:52:02,040 --> 01:52:05,599
Speaker 1: catch it. That's what makes something catchy is the fact

1881
01:52:05,680 --> 01:52:08,200
Speaker 1: that you'll be out of my life. The fact that

1882
01:52:08,280 --> 01:52:10,960
Speaker 1: you heard a good melody makes it catchy. So when

1883
01:52:11,000 --> 01:52:18,120
Speaker 1: you hit no, no, no, you might have keeps talking

1884
01:52:18,120 --> 01:52:24,439
Speaker 1: about whatever you just the thing is, most people might

1885
01:52:24,520 --> 01:52:28,760
Speaker 1: not hear what he says. A different cousin expect that.

1886
01:52:28,880 --> 01:52:38,280
Speaker 1: Leave that right here. You respect this podcast with respect.

1887
01:52:39,280 --> 01:52:50,400
Speaker 1: Let that go. Let that go right now. It's your ship,

1888
01:52:51,200 --> 01:52:57,720
Speaker 1: your like. Yes, it's not it's not right, Radar, apologize

1889
01:52:58,080 --> 01:53:04,000
Speaker 1: for you're doing that first, because if you wasn't supposed

1890
01:53:04,000 --> 01:53:05,280
Speaker 1: to do I've been trying to get you to do

1891
01:53:05,360 --> 01:53:08,840
Speaker 1: this for a while, Florida be here all the time.

1892
01:53:09,600 --> 01:53:12,400
Speaker 1: We got a butt definitely here. You shouldn't do now

1893
01:53:13,000 --> 01:53:17,080
Speaker 1: if you wouldn't say, we don't feel you the guy

1894
01:53:17,240 --> 01:53:19,320
Speaker 1: in my mind, I gotta budge we don't got it

1895
01:53:19,439 --> 01:53:22,680
Speaker 1: right now? Yeah, yeah, chair, because I flew myself out.

1896
01:53:22,760 --> 01:53:27,000
Speaker 1: So yeah, yeah, I have a thirty six hundred kicks.

1897
01:53:29,800 --> 01:53:32,679
Speaker 1: How does how do you maintain thirty six hundred sneakers?

1898
01:53:33,720 --> 01:53:36,519
Speaker 1: That's that's the I never had that question asking me

1899
01:53:36,600 --> 01:53:40,040
Speaker 1: before because I wear whatever is on the floor. But

1900
01:53:40,320 --> 01:53:42,720
Speaker 1: I see you, I see on the internet. You got

1901
01:53:42,880 --> 01:53:45,840
Speaker 1: white Claire. I got the needest that's my title. You

1902
01:53:45,880 --> 01:53:47,720
Speaker 1: talked to Joe, you talked to wild you talk the

1903
01:53:47,800 --> 01:53:50,760
Speaker 1: Greg screen, talk the fat Joe Clark. I got the need.

1904
01:53:51,360 --> 01:53:53,200
Speaker 1: I got the need at sneaker room in the world.

1905
01:53:54,000 --> 01:53:57,760
Speaker 1: But why is it white Claire boxes? I had unabundance

1906
01:53:57,800 --> 01:54:01,200
Speaker 1: of sneakers. I wear my sneakers. I want to see what.

1907
01:54:01,280 --> 01:54:03,400
Speaker 1: I want to grab what I'm saying pause. I want

1908
01:54:03,400 --> 01:54:04,680
Speaker 1: to if I'm looking for parts, I want to be

1909
01:54:04,720 --> 01:54:06,519
Speaker 1: able to find it. So in the box, I wasn't

1910
01:54:06,560 --> 01:54:07,840
Speaker 1: gonna be able to find all that. And I really

1911
01:54:07,920 --> 01:54:10,599
Speaker 1: don't sell sneakers. I don't resell sneakers. If I wanted

1912
01:54:10,640 --> 01:54:12,479
Speaker 1: to resell my sneakers, I got a million dollars sitting

1913
01:54:12,560 --> 01:54:14,479
Speaker 1: right there in my room. I got a million dollars

1914
01:54:14,479 --> 01:54:16,040
Speaker 1: sit in my room. No bullshit, I got a million

1915
01:54:16,080 --> 01:54:22,519
Speaker 1: dollars in my room. I got a million dollars and

1916
01:54:22,560 --> 01:54:25,280
Speaker 1: sneakers sitting in my room, so like I wanted to see,

1917
01:54:25,680 --> 01:54:27,040
Speaker 1: but I want to grab a pair of sneakers from

1918
01:54:27,080 --> 01:54:29,080
Speaker 1: two thousand three. I'm gonna go look for that pair

1919
01:54:29,080 --> 01:54:31,560
Speaker 1: of sneakers now because I've seen your ship like you

1920
01:54:31,680 --> 01:54:35,880
Speaker 1: had rolls. My ship looks like I'm looking and my

1921
01:54:35,920 --> 01:54:39,160
Speaker 1: set down Hunter square feet and the crazy ship. I

1922
01:54:39,320 --> 01:54:41,240
Speaker 1: know you. I know you from seeing you on the street.

1923
01:54:41,680 --> 01:54:43,000
Speaker 1: So when I see it on the end of that,

1924
01:54:43,080 --> 01:54:46,480
Speaker 1: I was like, damn, I never know you know, you

1925
01:54:46,640 --> 01:54:50,879
Speaker 1: had every sneaker I ever you had. I got undefeated

1926
01:54:50,920 --> 01:54:54,800
Speaker 1: for what's the ship, Michael J. Fox ship? Yeah I got?

1927
01:54:54,880 --> 01:54:57,160
Speaker 1: I got, Yeah, Yeah, I got the mart mc flowers.

1928
01:54:57,160 --> 01:55:01,800
Speaker 1: I got there's not sneakers and not sneakers one of

1929
01:55:01,880 --> 01:55:06,880
Speaker 1: those movie props. I was like, this is this is

1930
01:55:06,920 --> 01:55:08,520
Speaker 1: what me and Clark argue and we go at it

1931
01:55:08,520 --> 01:55:10,560
Speaker 1: from back. I would love to see that. It's a

1932
01:55:10,600 --> 01:55:13,960
Speaker 1: real argument sometimes like this, I believe there's a sneaker culture.

1933
01:55:15,120 --> 01:55:21,240
Speaker 1: Claude doesn't believes. Okay, okay, and we're gonna let Clark

1934
01:55:21,880 --> 01:55:23,760
Speaker 1: only Clark in investing because I said what I'm saying,

1935
01:55:23,920 --> 01:55:26,200
Speaker 1: I want to investigate this before we dive into it.

1936
01:55:26,720 --> 01:55:30,760
Speaker 1: You said you believe there's a sneaker culture, and Clark

1937
01:55:30,880 --> 01:55:33,560
Speaker 1: said he does not leave because Clark is gonna bring it.

1938
01:55:33,840 --> 01:55:35,400
Speaker 1: I'm I can't answer for Clark, but I know what

1939
01:55:35,520 --> 01:55:37,800
Speaker 1: Clark is going with it, because we had this arguments

1940
01:55:38,000 --> 01:55:40,840
Speaker 1: a sneaker culture. You are gods, and we really argue

1941
01:55:41,080 --> 01:55:43,640
Speaker 1: on our posters. We really argue about this. I'm part

1942
01:55:43,640 --> 01:55:47,480
Speaker 1: of sneak of culture. I'm like a pond. I'm very

1943
01:55:47,600 --> 01:55:50,240
Speaker 1: low with a steak of culture. I go to the meetings,

1944
01:55:50,560 --> 01:55:54,560
Speaker 1: listen to your Jordan's segment was brought up everywhere in

1945
01:55:54,560 --> 01:55:56,560
Speaker 1: the world. I'm gonna have a listener to the podcast,

1946
01:55:56,880 --> 01:55:59,200
Speaker 1: so I don't want to hear that you're fisher. Oh yeah,

1947
01:55:59,240 --> 01:56:04,680
Speaker 1: I did shoot on but I also can't heard I

1948
01:56:04,760 --> 01:56:08,680
Speaker 1: can't wear them, So that lets you know what. I

1949
01:56:08,760 --> 01:56:11,200
Speaker 1: hate that. No, no, no, I respect Davis gonna say

1950
01:56:11,240 --> 01:56:15,920
Speaker 1: some ship and then boycott. Still I still want still

1951
01:56:15,920 --> 01:56:17,800
Speaker 1: don know you don't believe that we can argue about

1952
01:56:17,800 --> 01:56:19,120
Speaker 1: it because you're my brother and I love you, So

1953
01:56:20,360 --> 01:56:22,200
Speaker 1: I can't believe what he's saying right now. I'm just

1954
01:56:22,240 --> 01:56:25,480
Speaker 1: throwing it out there. You're saying it's not a sneaker culture.

1955
01:56:26,160 --> 01:56:31,960
Speaker 1: Nor yes, how many five percent is you know out

1956
01:56:32,000 --> 01:56:34,720
Speaker 1: of the laps? Huh? I know at least he's have

1957
01:56:34,760 --> 01:56:38,800
Speaker 1: a hundred people. You know what's crazy? People? I can

1958
01:56:38,880 --> 01:56:40,800
Speaker 1: say this without even looking at him. When he was

1959
01:56:40,880 --> 01:56:42,800
Speaker 1: growing up, at one point he was about to be

1960
01:56:42,880 --> 01:56:49,160
Speaker 1: five percent. I am father. Still, I was giving an

1961
01:56:49,160 --> 01:56:51,920
Speaker 1: act you people, father a law when I was young. Right,

1962
01:56:54,160 --> 01:56:56,800
Speaker 1: skip back when you look at that, and then you go,

1963
01:56:57,320 --> 01:56:59,840
Speaker 1: what's it really based off? It's based off of Islam?

1964
01:57:00,040 --> 01:57:07,080
Speaker 1: What is Islam? A culture? Right? How can you parallel sneakers,

1965
01:57:07,400 --> 01:57:10,280
Speaker 1: which is sneakers some ship that you wear on your

1966
01:57:10,320 --> 01:57:15,440
Speaker 1: feet to a culture a way of life. Culture is

1967
01:57:15,560 --> 01:57:19,880
Speaker 1: a way of life. It has laws, has a belief system,

1968
01:57:20,120 --> 01:57:25,240
Speaker 1: it has a financial system, and it has a spiritual system. Please,

1969
01:57:25,480 --> 01:57:28,760
Speaker 1: the word culture is a powerful word. Parallel lad to Islam,

1970
01:57:29,080 --> 01:57:33,560
Speaker 1: sneakers in Islam. Okay, we're done here, so equate that

1971
01:57:33,600 --> 01:57:36,120
Speaker 1: to you said hip hop culture, that is the way

1972
01:57:36,160 --> 01:57:38,400
Speaker 1: of life. You know you said culture, hip hop is

1973
01:57:38,440 --> 01:57:44,880
Speaker 1: a way of life. The same the dance finance. Everything

1974
01:57:44,960 --> 01:57:47,280
Speaker 1: said every money is finance. No no, but everything you said,

1975
01:57:47,320 --> 01:57:49,320
Speaker 1: everything you said, I understand me money because I believe

1976
01:57:49,360 --> 01:57:51,520
Speaker 1: there is a culture in the Okay, they show it

1977
01:57:51,600 --> 01:57:54,080
Speaker 1: to me. I mean, I don't have the same definitions

1978
01:57:54,120 --> 01:57:56,160
Speaker 1: of you. I'm saying, but it is. But there's a

1979
01:57:56,240 --> 01:58:03,720
Speaker 1: way of life, but their subdivisions sneaking hold on. Listen

1980
01:58:03,760 --> 01:58:07,040
Speaker 1: to what I'm saying. Is he holding understanding? I hosted it?

1981
01:58:07,080 --> 01:58:09,240
Speaker 1: But listen to what I'm saying to you. If you

1982
01:58:09,520 --> 01:58:13,480
Speaker 1: say culture, you would be wrong. If you said subculture,

1983
01:58:13,640 --> 01:58:15,760
Speaker 1: we'd have a conversation. She is gonna bring it back.

1984
01:58:17,320 --> 01:58:19,880
Speaker 1: Run DMC puts up seven. When one DMC puts up

1985
01:58:19,920 --> 01:58:21,640
Speaker 1: his and tells everybody to put up their shell toes

1986
01:58:21,800 --> 01:58:23,960
Speaker 1: and they're seventeen thousand people are putting their shell toes,

1987
01:58:24,080 --> 01:58:28,080
Speaker 1: He's gonna he's gonna attribute that to hip hop culture.

1988
01:58:28,640 --> 01:58:30,800
Speaker 1: I'm not gonna attribute that to hip hop culture. What

1989
01:58:30,880 --> 01:58:33,760
Speaker 1: I'm gonna say is, can you tell me when run

1990
01:58:33,840 --> 01:58:38,720
Speaker 1: DMC made that record, which nigger wasn't wearing Adidas? Think

1991
01:58:38,760 --> 01:58:41,360
Speaker 1: about this, Why can't you say, put everybody put your

1992
01:58:41,480 --> 01:58:44,800
Speaker 1: datas up when you when you're on the stage, if

1993
01:58:44,880 --> 01:58:47,120
Speaker 1: niggas wasn't wearing a So you're saying, so the sneaker

1994
01:58:47,160 --> 01:58:50,080
Speaker 1: culture is a subculture of hip hop no, sneakers culture

1995
01:58:50,200 --> 01:58:53,440
Speaker 1: is a sub cultured period. It's not a culture. It

1996
01:58:53,520 --> 01:58:56,880
Speaker 1: doesn't come first as a subculture by products. It's a

1997
01:58:56,960 --> 01:59:01,400
Speaker 1: byproduct of clothes. It's not even liked about product of fashions,

1998
01:59:01,400 --> 01:59:04,320
Speaker 1: which it's just it's a faction, which isn't a culture.

1999
01:59:04,480 --> 01:59:06,720
Speaker 1: It's fashion. It ship you win. It can't be a

2000
01:59:06,760 --> 01:59:09,480
Speaker 1: subculture of another exactly. So we're getting back to the

2001
01:59:09,560 --> 01:59:15,320
Speaker 1: same thing. I'm true culture. Okay, showing to the sneakers

2002
01:59:15,560 --> 01:59:18,200
Speaker 1: is a coach, but you have your love. How many

2003
01:59:18,640 --> 01:59:20,160
Speaker 1: hold on? No no, no, no, no, no, no, no no,

2004
01:59:20,600 --> 01:59:27,280
Speaker 1: don't do this? Why because y'all God, that's it. Hold

2005
01:59:27,280 --> 01:59:33,000
Speaker 1: on as you know how many sneaker shows we do

2006
01:59:33,600 --> 01:59:35,880
Speaker 1: where he's fifteen and sixteen year sevent to ye old

2007
01:59:35,920 --> 01:59:38,160
Speaker 1: kids don't know you from nothing from music, but they

2008
01:59:38,200 --> 01:59:41,680
Speaker 1: praise the ground you walk on because it's sneakers. Answer yourself.

2009
01:59:41,800 --> 01:59:44,800
Speaker 1: You can answer that yourself. Why do that? I'm asking you?

2010
01:59:45,120 --> 01:59:49,560
Speaker 1: You can't do I created sneakers. I designed sneakers. I'm

2011
01:59:49,640 --> 01:59:51,840
Speaker 1: a guy who who is looked at and that's a

2012
01:59:51,960 --> 01:59:54,440
Speaker 1: culture to them because they don't know that you discovered ja.

2013
01:59:54,600 --> 01:59:56,200
Speaker 1: They don't know that you were saying jazz or was

2014
01:59:56,240 --> 01:59:57,600
Speaker 1: the best in the world. They don't know that you

2015
01:59:57,760 --> 02:00:02,200
Speaker 1: signed dies effects. They don't know that because making them effects.

2016
02:00:03,200 --> 02:00:05,720
Speaker 1: You know what I'm saying. He's trying, but I'm right.

2017
02:00:05,880 --> 02:00:09,560
Speaker 1: But but your definition of culture, like if I was

2018
02:00:09,640 --> 02:00:13,040
Speaker 1: going Encyclopedia culture, what the way you define it is?

2019
02:00:13,160 --> 02:00:15,800
Speaker 1: That is the definition of culture, because that's the only

2020
02:00:15,840 --> 02:00:18,320
Speaker 1: way we can define what we're talking about. Okay, So

2021
02:00:18,400 --> 02:00:22,640
Speaker 1: then I guess we'll open a dictionary put these generations

2022
02:00:22,680 --> 02:00:25,480
Speaker 1: to color. Don't know who you are from music. They

2023
02:00:25,520 --> 02:00:30,520
Speaker 1: know who you was. Dictionaries that drinking we make. I'm

2024
02:00:30,560 --> 02:00:38,200
Speaker 1: the dicionary, he's the poor Okay, I'm gonna keep this funking.

2025
02:00:38,760 --> 02:00:42,760
Speaker 1: I learned people what I understand. I'm thinking I wanted

2026
02:00:42,800 --> 02:00:45,440
Speaker 1: to do that a long time. I understand what I

2027
02:00:45,600 --> 02:00:48,920
Speaker 1: understand to be culture from being one who has who's

2028
02:00:48,960 --> 02:00:53,320
Speaker 1: a spiritual person. So I learned it from a spiritual place.

2029
02:00:53,360 --> 02:00:55,480
Speaker 1: So if I learned it from a spiritual place, I

2030
02:00:55,560 --> 02:00:58,400
Speaker 1: can only look at what I understand to be culture

2031
02:00:58,480 --> 02:01:02,960
Speaker 1: in a spiritual place. With that aloom, huh, he said,

2032
02:01:03,000 --> 02:01:07,600
Speaker 1: you're right, but pulled up the definition of culture. I

2033
02:01:07,680 --> 02:01:16,280
Speaker 1: hate all of y'all. I gotta relax the claw right, alright, alright,

2034
02:01:16,480 --> 02:01:20,680
Speaker 1: read it again, read it again. Culture, The arts and

2035
02:01:20,800 --> 02:01:25,560
Speaker 1: other manifestations of human intellectual achievement regarded collectively. So these

2036
02:01:25,640 --> 02:01:28,400
Speaker 1: kids that don't know that you collect These kids collect

2037
02:01:31,120 --> 02:01:34,120
Speaker 1: don't know that you. They know you from sneakers. That

2038
02:01:34,240 --> 02:01:37,280
Speaker 1: is a culture. I am not looking at what you

2039
02:01:37,560 --> 02:01:41,760
Speaker 1: said and reading it properly. Read again, read it again. Okay,

2040
02:01:41,760 --> 02:01:43,880
Speaker 1: I'm not even drunk yet. I am drunk. The arts

2041
02:01:44,480 --> 02:01:49,960
Speaker 1: of other manifestations of human intellectual achievement regarded collective hold

2042
02:01:49,960 --> 02:01:55,680
Speaker 1: on human intellectual achievement. Where when that goes back to English,

2043
02:01:58,000 --> 02:02:01,360
Speaker 1: stop read what you read and explain it, because you're

2044
02:02:01,520 --> 02:02:04,480
Speaker 1: not explaining it. It's so simple. They've read it to you.

2045
02:02:04,680 --> 02:02:07,200
Speaker 1: Look how my brother just called me a dumb too.

2046
02:02:07,480 --> 02:02:10,080
Speaker 1: How many people have so many clothes with it too?

2047
02:02:11,080 --> 02:02:20,840
Speaker 1: How many people listen what I did to understand what

2048
02:02:20,960 --> 02:02:23,680
Speaker 1: you just read? The art you have to you the

2049
02:02:23,760 --> 02:02:27,000
Speaker 1: reading yoursends the arts, and you're proving it to me.

2050
02:02:27,280 --> 02:02:31,640
Speaker 1: The arts and other manifestations of human intellectual stop right

2051
02:02:31,680 --> 02:02:36,800
Speaker 1: there and stopping the arts and what other manifestations of

2052
02:02:37,880 --> 02:02:44,880
Speaker 1: human intellectual achievement? He regarded collective pull one collectively human

2053
02:02:45,680 --> 02:02:51,520
Speaker 1: intellectual achievements and just for the joint. Wait wait wait

2054
02:02:52,000 --> 02:02:55,880
Speaker 1: wait wait wait wait wait wait wait wait, let's take

2055
02:02:56,200 --> 02:02:59,040
Speaker 1: let's take a call up. Let's take a few steps back.

2056
02:02:59,120 --> 02:03:02,160
Speaker 1: What are sneakers? Shoes? Right? Shoes or something you wear

2057
02:03:02,320 --> 02:03:05,760
Speaker 1: right to protect your feet from the elements? Right? Okay? Cool?

2058
02:03:06,280 --> 02:03:11,680
Speaker 1: Where is what was it again? Okay? Cool? I'm done here.

2059
02:03:12,080 --> 02:03:14,240
Speaker 1: Like you read at yourself that you can't just say this.

2060
02:03:14,320 --> 02:03:17,760
Speaker 1: You got very professional, just did you hold on your

2061
02:03:17,800 --> 02:03:19,640
Speaker 1: reason for love of shoes and your reason for doing

2062
02:03:19,680 --> 02:03:25,520
Speaker 1: this is because they protect your feet because and that's

2063
02:03:25,560 --> 02:03:31,520
Speaker 1: totally different whether we're talking about the bottom line. If

2064
02:03:31,600 --> 02:03:34,920
Speaker 1: you just let me just read, you would be wrong.

2065
02:03:35,040 --> 02:03:39,000
Speaker 1: I know, I would be all right, says I would

2066
02:03:39,040 --> 02:03:44,040
Speaker 1: be right. You'll just prove thatllec. But when you go intellect,

2067
02:03:44,080 --> 02:03:46,280
Speaker 1: you gotta go intellect on different level. Seventeen year olds

2068
02:03:46,280 --> 02:03:48,880
Speaker 1: and not gonna have my forty four year old. No, no, no, no, no, no,

2069
02:03:49,360 --> 02:03:52,040
Speaker 1: you did again. You're gonna be wrong again. Oh my god,

2070
02:03:52,160 --> 02:03:54,960
Speaker 1: Jesus Christ fucking read this ship I read. Are we

2071
02:03:55,080 --> 02:03:57,240
Speaker 1: doing this on the podcast? That's what we're gonna do

2072
02:03:57,360 --> 02:04:00,880
Speaker 1: right now. I'm not losing a right not hollo hollo.

2073
02:04:01,000 --> 02:04:03,960
Speaker 1: Wait wait waita becomes wait wait wait a personal thinking.

2074
02:04:05,200 --> 02:04:07,600
Speaker 1: I mean I just want to reso no, no, no, no, no,

2075
02:04:08,160 --> 02:04:11,520
Speaker 1: what I just walked back with him for what you read?

2076
02:04:11,920 --> 02:04:14,360
Speaker 1: Did he lose the human intellectional part? I see how

2077
02:04:14,400 --> 02:04:17,840
Speaker 1: sneak is thank you very fucking What does that mean?

2078
02:04:18,200 --> 02:04:24,920
Speaker 1: Just define that you'll disagree with me. I'm not. I'm

2079
02:04:24,960 --> 02:04:28,320
Speaker 1: not saying this as Listen. Everything that you're going to

2080
02:04:28,440 --> 02:04:31,080
Speaker 1: get that human and that's intellectual, is going to make

2081
02:04:31,160 --> 02:04:35,480
Speaker 1: you smarter. So the shoe is not gonna make you smart.

2082
02:04:35,600 --> 02:04:44,080
Speaker 1: It's fucking shoes, Yo, It's shoes so whack I I

2083
02:04:44,120 --> 02:04:52,160
Speaker 1: can't argue it. Understand me. Yes, yeah, I swear to

2084
02:04:52,240 --> 02:04:54,960
Speaker 1: God like this is real nigga ship. We're gonna have

2085
02:04:55,040 --> 02:04:57,280
Speaker 1: to We're gonna have such of Instagram and Twitter war

2086
02:04:57,440 --> 02:05:01,520
Speaker 1: between this because and we're still them with all due respects. Listen,

2087
02:05:01,720 --> 02:05:05,400
Speaker 1: talk to the people. There are people hate hats. That's

2088
02:05:05,440 --> 02:05:11,880
Speaker 1: why that's why you wanted to come so bad. Base,

2089
02:05:12,360 --> 02:05:14,320
Speaker 1: that's why you wanted to be here so bad. No, No,

2090
02:05:14,520 --> 02:05:16,400
Speaker 1: because I get tired of you saying this is not

2091
02:05:16,440 --> 02:05:18,040
Speaker 1: a coach when it's a question. Get tired of what

2092
02:05:18,120 --> 02:05:20,320
Speaker 1: I'm saying, because you're proper and we all view about this,

2093
02:05:20,760 --> 02:05:22,240
Speaker 1: That's what I'm saying. I don't even get that. But

2094
02:05:22,760 --> 02:05:25,760
Speaker 1: back to what I'm saying is there are people who

2095
02:05:25,840 --> 02:05:31,280
Speaker 1: are more enthusiastically and I'm one of those guys who's enthusiast,

2096
02:05:31,400 --> 02:05:35,200
Speaker 1: more enthusiastic than usual. I don't believe that I'm some

2097
02:05:35,720 --> 02:05:38,520
Speaker 1: superhero because I like shoes more than the next guy.

2098
02:05:38,760 --> 02:05:40,880
Speaker 1: You know why, because I don't know a person who

2099
02:05:40,920 --> 02:05:43,960
Speaker 1: doesn't have a pair of sneakers. So what do you

2100
02:05:44,040 --> 02:05:45,800
Speaker 1: tell that young kids? No, No, what do you tell

2101
02:05:45,880 --> 02:05:48,400
Speaker 1: that young kid that doesn't know who What do you

2102
02:05:48,520 --> 02:05:50,560
Speaker 1: tell that young kid who doesn't know who you are

2103
02:05:50,640 --> 02:05:53,080
Speaker 1: based on music, who loves you for sneakers and goes

2104
02:05:53,120 --> 02:05:56,000
Speaker 1: to your sneaker convention. I supposed to tell them you're

2105
02:05:56,080 --> 02:05:58,520
Speaker 1: their hero, you're their idol. And I don't tell him

2106
02:05:58,560 --> 02:06:01,240
Speaker 1: anything wrong. I tell him, to them, you're the culture

2107
02:06:01,320 --> 02:06:06,000
Speaker 1: of sneakers. To them, you're the culture. We just experienced

2108
02:06:06,040 --> 02:06:08,080
Speaker 1: that in Niketown. Just now, my nigger I've walked out

2109
02:06:08,440 --> 02:06:10,680
Speaker 1: and he was taking pictures, but then they still didn't

2110
02:06:10,680 --> 02:06:13,000
Speaker 1: talk to you. Dude started talking to you about sneakers,

2111
02:06:13,080 --> 02:06:15,360
Speaker 1: and then started rapping to you. You are his life.

2112
02:06:15,520 --> 02:06:18,640
Speaker 1: Wait wait, hold on, and I wrong, you're his life.

2113
02:06:18,680 --> 02:06:21,280
Speaker 1: The guy who you guy who started rapping to me

2114
02:06:21,360 --> 02:06:24,120
Speaker 1: didn't talk to me about sneakers all. Do you know

2115
02:06:24,200 --> 02:06:26,520
Speaker 1: what he was like? He was like, oh, that's a nick.

2116
02:06:26,800 --> 02:06:29,400
Speaker 1: Can't Nick might put me on if he thinks I'm nice.

2117
02:06:29,840 --> 02:06:32,280
Speaker 1: So I just cannot wrap for you. He didn't speak

2118
02:06:32,280 --> 02:06:34,960
Speaker 1: to me about sneakers at all. About sneakers, Well, that's

2119
02:06:34,960 --> 02:06:37,960
Speaker 1: you dog. You know why, because you're a sneaker fucking superhero.

2120
02:06:39,640 --> 02:06:42,919
Speaker 1: We're together because we're friends. We're not together because of sneak. Absolutely,

2121
02:06:42,920 --> 02:06:44,280
Speaker 1: we don't even talk to we don't even talk about

2122
02:06:44,280 --> 02:06:46,760
Speaker 1: we don't talk about some angry sneakers. So my question,

2123
02:06:47,240 --> 02:06:49,160
Speaker 1: you know what, this is my brother for five years.

2124
02:06:49,200 --> 02:06:53,400
Speaker 1: We really are understand right now we talk about right now,

2125
02:06:53,440 --> 02:06:56,960
Speaker 1: I don't even understand what we're talking about, sneak because

2126
02:06:57,000 --> 02:07:00,200
Speaker 1: we're here for you. Planned on the text. I know

2127
02:07:00,400 --> 02:07:10,960
Speaker 1: you did. I show you're fired. There's let's go. No,

2128
02:07:11,120 --> 02:07:14,880
Speaker 1: that's a choice. Is tattoos right? Wait? Wait, you know

2129
02:07:14,960 --> 02:07:18,440
Speaker 1: what you just said. Say it again. People people takes no, no, no,

2130
02:07:18,720 --> 02:07:21,440
Speaker 1: people think it's a culture. Say that that's the truth.

2131
02:07:23,400 --> 02:07:27,880
Speaker 1: You don't think sneaker. I think are some people who

2132
02:07:28,280 --> 02:07:32,080
Speaker 1: are more enthusiastic about sneakers than others. I'm one of

2133
02:07:32,120 --> 02:07:41,360
Speaker 1: those guys, just one of It's not a hobby, but no, listen,

2134
02:07:41,480 --> 02:07:43,120
Speaker 1: I just want to get myself out of the clip.

2135
02:07:43,640 --> 02:07:47,240
Speaker 1: My ship is and I've proven it. I just want

2136
02:07:47,280 --> 02:07:50,960
Speaker 1: to be fresh. That's it. My sneakers get dirty, I

2137
02:07:51,120 --> 02:07:55,840
Speaker 1: damn D and hate him. I don't clean sneakers. I

2138
02:07:55,920 --> 02:07:59,120
Speaker 1: don't play that ship. I got enough sneakers. I'm not

2139
02:07:59,240 --> 02:08:02,080
Speaker 1: cleaning my sneak because because I have so many sneakers,

2140
02:08:02,080 --> 02:08:04,440
Speaker 1: I want to fucking wear them. So what do I do?

2141
02:08:04,680 --> 02:08:06,800
Speaker 1: I wear them? Get his ships away? Why? Because I

2142
02:08:06,840 --> 02:08:08,640
Speaker 1: got enough sneakers that I could wear a brand new pair.

2143
02:08:08,760 --> 02:08:10,600
Speaker 1: Why do I have so much? Because when I was

2144
02:08:10,640 --> 02:08:12,440
Speaker 1: a kid, I wanted to be as fresh as the

2145
02:08:12,440 --> 02:08:17,280
Speaker 1: older guy. Listen. So when I got some money, when

2146
02:08:17,320 --> 02:08:19,080
Speaker 1: I got some money, how about as many pair of

2147
02:08:19,120 --> 02:08:21,560
Speaker 1: sneakers as I possibly could? Why? Because I wanted to

2148
02:08:21,600 --> 02:08:25,040
Speaker 1: be fresh? That's it. Because I heard about a story.

2149
02:08:25,760 --> 02:08:28,840
Speaker 1: You had an exclusive pair of something something something something,

2150
02:08:29,360 --> 02:08:33,920
Speaker 1: and the lust of rhymes saw you said, Yo, those

2151
02:08:35,040 --> 02:08:37,960
Speaker 1: you took your sneakers off. He told you that, and

2152
02:08:38,040 --> 02:08:41,800
Speaker 1: you gave him the bust that I told you. I

2153
02:08:41,880 --> 02:08:45,200
Speaker 1: never heard I did. We We were um, we were

2154
02:08:45,280 --> 02:08:49,160
Speaker 1: on the two were on puff talk and we went

2155
02:08:49,240 --> 02:08:50,800
Speaker 1: to Portland. No way, I told him we went to

2156
02:08:50,920 --> 02:08:54,280
Speaker 1: Portland and I um, I knew the people that Nike saw.

2157
02:08:54,320 --> 02:08:55,960
Speaker 1: I went to I got visited Nike. What it was

2158
02:08:56,000 --> 02:08:57,880
Speaker 1: in poland listen to a long He says he knows

2159
02:08:57,880 --> 02:09:00,400
Speaker 1: the Nike people, but got what the I love it

2160
02:09:02,720 --> 02:09:05,680
Speaker 1: to do anything right now. I want to make noise

2161
02:09:05,720 --> 02:09:07,520
Speaker 1: for you being the big nig for a long time.

2162
02:09:07,640 --> 02:09:13,879
Speaker 1: God damnit, big hold me in the sneak again. Goddamn

2163
02:09:13,920 --> 02:09:19,680
Speaker 1: it for a long time to continue. I'm sorry. So

2164
02:09:19,800 --> 02:09:23,080
Speaker 1: we'll happened to call. I went to Nike. I hung

2165
02:09:23,120 --> 02:09:25,000
Speaker 1: out with my boy. My boy gave me some shoes.

2166
02:09:25,120 --> 02:09:28,520
Speaker 1: I asked him for shoes for everybody. I bought shoes back.

2167
02:09:28,600 --> 02:09:31,680
Speaker 1: I gave shoes to whomever. Um. I was wearing a

2168
02:09:31,720 --> 02:09:35,120
Speaker 1: pair of yellow Air Force ones and bust. You know,

2169
02:09:35,200 --> 02:09:37,240
Speaker 1: bus was very colorful like that for sex moment. All

2170
02:09:37,280 --> 02:09:39,120
Speaker 1: these ship was super colorful. He saw the shoes and

2171
02:09:39,280 --> 02:09:41,920
Speaker 1: was like, Yo, where the fun did you get dolls?

2172
02:09:42,000 --> 02:09:44,640
Speaker 1: And I was like, you want them, you got them,

2173
02:09:44,840 --> 02:09:46,040
Speaker 1: So I just took him off and gave them to

2174
02:09:46,160 --> 02:09:48,480
Speaker 1: him because we couldn't wear nikes when he was on

2175
02:09:48,560 --> 02:09:50,440
Speaker 1: stage at that point anyway, because we were wearing all

2176
02:09:50,480 --> 02:09:52,520
Speaker 1: black side with black tempts. So I was just like,

2177
02:09:53,400 --> 02:09:54,720
Speaker 1: you can take I get took him off and give

2178
02:09:54,760 --> 02:09:57,080
Speaker 1: them to him. Where did you hear that? I gotta

2179
02:09:57,120 --> 02:09:58,800
Speaker 1: get it. I want to know where you're hearing from

2180
02:09:58,840 --> 02:10:01,840
Speaker 1: because I never heard this storm know everything. I gotta

2181
02:10:01,880 --> 02:10:10,560
Speaker 1: a man. I didn't want to relax because story back,

2182
02:10:15,800 --> 02:10:18,520
Speaker 1: we gotta stop. We gotta stop because because people think

2183
02:10:18,840 --> 02:10:25,160
Speaker 1: I'm really serious, said Joe. For y'all, EF, I want

2184
02:10:25,200 --> 02:10:29,000
Speaker 1: your anniversary. We did some crazy ship. We started off

2185
02:10:29,560 --> 02:10:34,360
Speaker 1: our first episode with Kenny Anderson and Fat Joe was

2186
02:10:34,400 --> 02:10:37,920
Speaker 1: the first one and he between that but first one

2187
02:10:38,160 --> 02:10:44,920
Speaker 1: Kenny Anderson because I loved you. I know Chimber last episode?

2188
02:10:45,080 --> 02:10:49,200
Speaker 1: Did you call him Chills? Ye call the chill. I

2189
02:10:49,200 --> 02:10:52,480
Speaker 1: don't call him chips, you call him I called him Chimber. Yeah,

2190
02:10:52,560 --> 02:10:56,280
Speaker 1: I call him chill. But city queens for us to

2191
02:10:56,400 --> 02:10:58,240
Speaker 1: how do I know that? How do I know that?

2192
02:10:58,360 --> 02:11:03,760
Speaker 1: Because you because whatever right there? He's funny because used

2193
02:11:03,760 --> 02:11:06,920
Speaker 1: the DJ and Clark Park in the Bronx. Hold hold

2194
02:11:08,080 --> 02:11:14,080
Speaker 1: you got cut off? He said, Because I'm a real

2195
02:11:15,280 --> 02:11:17,320
Speaker 1: That's what I'm gonna. I'm gonna getting Bronx claim too.

2196
02:11:17,880 --> 02:11:26,880
Speaker 1: I used to be all over, let's get it, come on, nor,

2197
02:11:27,120 --> 02:11:31,200
Speaker 1: let's go where we at? So now, oh boy, before

2198
02:11:31,240 --> 02:11:32,840
Speaker 1: we get up out of here. Oh oh, so this

2199
02:11:32,880 --> 02:11:35,360
Speaker 1: is the last one. He's just he's a little tipsy.

2200
02:11:35,560 --> 02:11:41,680
Speaker 1: And so you also worked with Foxy Brown a little Kim, Right, wait,

2201
02:11:41,680 --> 02:11:46,760
Speaker 1: who's your cousin? Foxxy Anger? And he knows that, don't

2202
02:11:47,040 --> 02:11:48,640
Speaker 1: don't let him act like you don't know that. So

2203
02:11:48,760 --> 02:11:52,080
Speaker 1: you also work with both. I never made a record

2204
02:11:52,120 --> 02:11:55,320
Speaker 1: on my cousin? Is that crazy? But how powerful would

2205
02:11:55,360 --> 02:11:59,720
Speaker 1: it be at Foxy at a little Kim, Like at

2206
02:11:59,760 --> 02:12:04,240
Speaker 1: this very moment right now. If Foxy and Little Kim

2207
02:12:04,400 --> 02:12:08,040
Speaker 1: got together at this moment this, it'll probably be really

2208
02:12:08,120 --> 02:12:11,680
Speaker 1: really cool. About five years ago, it would have been nuts.

2209
02:12:12,080 --> 02:12:14,480
Speaker 1: And it's funny because when we say nuts, you're saying

2210
02:12:14,560 --> 02:12:20,640
Speaker 1: like that because you know, four, like five, six years ago,

2211
02:12:20,840 --> 02:12:24,040
Speaker 1: who was the girl? It was almost like we were

2212
02:12:24,080 --> 02:12:26,440
Speaker 1: looking for the girl, you know what I'm saying. But

2213
02:12:26,560 --> 02:12:31,880
Speaker 1: the magic imagine if out of nowhere you got Fox

2214
02:12:32,000 --> 02:12:34,400
Speaker 1: and Thulming Louise. And the funny part is like, it's

2215
02:12:34,400 --> 02:12:36,880
Speaker 1: a bunch of people who got spoken to about that,

2216
02:12:37,000 --> 02:12:39,200
Speaker 1: but I actually had the ability to do it, and

2217
02:12:41,000 --> 02:12:44,720
Speaker 1: back then they actually had a sauce cover right right,

2218
02:12:45,520 --> 02:12:50,640
Speaker 1: And the idea was would have been Tholming Louise, Why

2219
02:12:50,720 --> 02:12:52,920
Speaker 1: we can't make that happen, Let's make treats. Makes it

2220
02:12:53,000 --> 02:12:59,760
Speaker 1: loyal treat chair listen. I see them both recently. No,

2221
02:13:00,040 --> 02:13:03,760
Speaker 1: I'm lying. I think Kim recently. I spoke to Fox

2222
02:13:03,880 --> 02:13:08,120
Speaker 1: on the phone, but I think that I think they

2223
02:13:08,120 --> 02:13:11,720
Speaker 1: should do that for hip hop, fuck anything else. I

2224
02:13:11,760 --> 02:13:17,160
Speaker 1: would be legend like like, y'all beat your whole career,

2225
02:13:18,040 --> 02:13:22,400
Speaker 1: who want your kid together? Let can't produce the ship?

2226
02:13:24,200 --> 02:13:27,720
Speaker 1: There you go and man the intu. I would produce

2227
02:13:27,800 --> 02:13:30,320
Speaker 1: it and let Clark and you know what I would

2228
02:13:30,400 --> 02:13:33,000
Speaker 1: rather do. I'd rather be the executive producer or a

2229
02:13:33,360 --> 02:13:35,440
Speaker 1: R on it so I can make the records. I

2230
02:13:35,480 --> 02:13:38,000
Speaker 1: would rather find the music you got de scribe for

2231
02:13:38,080 --> 02:13:42,320
Speaker 1: our listeners. What's the difference from producing and then being

2232
02:13:42,320 --> 02:13:49,080
Speaker 1: an executive producer? Um A good executive producer, A good

2233
02:13:49,160 --> 02:13:52,360
Speaker 1: executive producer, executive produces the records and make sure that

2234
02:13:52,440 --> 02:14:02,160
Speaker 1: the records get made. We gotta relax. Come up, looks

2235
02:14:02,160 --> 02:14:04,840
Speaker 1: it was about to take it from you. A good

2236
02:14:04,880 --> 02:14:07,480
Speaker 1: executive producers the guy who's one of the guys who's

2237
02:14:07,520 --> 02:14:09,600
Speaker 1: making the records. But a great and our is the

2238
02:14:09,640 --> 02:14:12,280
Speaker 1: guy who makes sure the records get done. That's the

2239
02:14:12,320 --> 02:14:15,960
Speaker 1: guy who finds the helps finds the music and helps

2240
02:14:16,040 --> 02:14:19,000
Speaker 1: find the great records, helps helps make or make sure

2241
02:14:19,040 --> 02:14:21,320
Speaker 1: that the hook is a great song. You know, a

2242
02:14:21,400 --> 02:14:24,200
Speaker 1: great hook. So when you're listening to it, when someone

2243
02:14:24,400 --> 02:14:26,000
Speaker 1: artists comes back and he sits in front of you

2244
02:14:26,400 --> 02:14:29,840
Speaker 1: and he plays your album. If the album comes out

2245
02:14:30,560 --> 02:14:34,080
Speaker 1: and it's not good, a lot of people want to

2246
02:14:34,120 --> 02:14:35,960
Speaker 1: blame it on the artists, a lot of people want

2247
02:14:36,000 --> 02:14:38,280
Speaker 1: to blame it on producers. But who they really should

2248
02:14:38,320 --> 02:14:41,480
Speaker 1: blame it on is the guy who's doing artists in repertoire,

2249
02:14:41,480 --> 02:14:43,720
Speaker 1: because it's your job to make sure the album is

2250
02:14:43,800 --> 02:14:47,000
Speaker 1: BA and and I shouldn't blamed for it. But it's

2251
02:14:47,040 --> 02:14:51,680
Speaker 1: and and all still even relevant nowadays, because that's a

2252
02:14:51,840 --> 02:14:55,040
Speaker 1: really good question. But let's think for a second. If

2253
02:14:55,080 --> 02:14:59,440
Speaker 1: the album's whack, then and is very relevant, great fu

2254
02:15:00,040 --> 02:15:02,960
Speaker 1: the great fucking album's dope. I gotta hit with that

2255
02:15:03,080 --> 02:15:06,080
Speaker 1: question I got. I got actually relaxed because you hit

2256
02:15:06,120 --> 02:15:12,080
Speaker 1: me fuck up good and it's gonna make a good record.

2257
02:15:12,320 --> 02:15:15,680
Speaker 1: I eat that serious, you know by that effects? What's

2258
02:15:15,680 --> 02:15:20,840
Speaker 1: the what's the like is good? He's very good. He's

2259
02:15:20,840 --> 02:15:26,280
Speaker 1: a very good and great Lenny as Lenny. Oh he's yeah.

2260
02:15:26,680 --> 02:15:32,360
Speaker 1: I mean, but you know, can you name more and

2261
02:15:33,240 --> 02:15:36,880
Speaker 1: more good? And ours? Um Jeff Sledge, he's a good

2262
02:15:36,920 --> 02:15:42,440
Speaker 1: as crazy that who's that? I gotta I gotta k

2263
02:15:43,520 --> 02:15:47,600
Speaker 1: oh yeah. Keith Murray like he was at job. He

2264
02:15:47,720 --> 02:15:53,560
Speaker 1: was a job, was one of the very best. And

2265
02:15:53,880 --> 02:16:00,400
Speaker 1: ours face no man, oh not Columbia. It's just stop right.

2266
02:16:00,440 --> 02:16:04,480
Speaker 1: Faith Nas. Actually he's the first person who signed Campona

2267
02:16:04,560 --> 02:16:11,400
Speaker 1: Noriega was the first people she signed live she chilled

2268
02:16:11,560 --> 02:16:16,040
Speaker 1: to three years and actually I sucked that whole story up.

2269
02:16:16,600 --> 02:16:23,880
Speaker 1: She signed Capone, Capon Paul, She signed Capone, and I

2270
02:16:24,080 --> 02:16:26,880
Speaker 1: came home about six months after that. You gotta lack,

2271
02:16:29,280 --> 02:16:36,360
Speaker 1: we don't have no more. Finish your story, Paco and Faith. Faith.

2272
02:16:36,440 --> 02:16:41,520
Speaker 1: I got this is Miami should be rich somewhere living

2273
02:16:41,560 --> 02:16:44,720
Speaker 1: in her life. Goddamnit, big o Faith Newman, goddamn it

2274
02:16:44,879 --> 02:16:47,920
Speaker 1: because you know why. It didn't matter that she put

2275
02:16:48,000 --> 02:16:50,760
Speaker 1: on me a capone, she put on nah, she put

2276
02:16:50,840 --> 02:16:56,920
Speaker 1: on nothing. Nas set it up for us, morb, d uh, screwball,

2277
02:16:57,520 --> 02:17:02,480
Speaker 1: lost boys. Everybody to come after that and eat. And

2278
02:17:02,600 --> 02:17:05,280
Speaker 1: that's what the funk we did. And Slive is still

2279
02:17:05,520 --> 02:17:08,000
Speaker 1: on that same meal. I just you know I had.

2280
02:17:08,160 --> 02:17:11,080
Speaker 1: I had. It was like a Thanksgiving meal for me.

2281
02:17:12,760 --> 02:17:18,680
Speaker 1: So I turkey, the gnarly analogy, sweet potatoes over there.

2282
02:17:20,080 --> 02:17:24,200
Speaker 1: I wasn't leaving. Let me take I guess what I

2283
02:17:24,320 --> 02:17:26,360
Speaker 1: was on wheels in the and the problem. We did

2284
02:17:26,400 --> 02:17:30,680
Speaker 1: audio too. We didn't like yo yo, we did Michelle,

2285
02:17:31,360 --> 02:17:35,240
Speaker 1: we did facts, we didn't vote, took a little the

2286
02:17:35,280 --> 02:17:37,360
Speaker 1: shot for that. We need another shot for that. One

2287
02:17:37,400 --> 02:17:44,160
Speaker 1: year for Sea, We're gonna take a light shot. I'm

2288
02:17:44,160 --> 02:17:48,400
Speaker 1: almost like, that's not like st like, give me a

2289
02:17:48,480 --> 02:17:52,320
Speaker 1: light shot. I'm your brother. You must say it right now,

2290
02:17:53,080 --> 02:17:58,240
Speaker 1: that's it, that's it. Let me ask you this, no

2291
02:17:58,360 --> 02:18:03,400
Speaker 1: disrespect right. And you talked about the dose effects came

2292
02:18:03,440 --> 02:18:05,040
Speaker 1: with the album. How much did you have to a

2293
02:18:05,160 --> 02:18:08,400
Speaker 1: and R at that album. Well, you have to after

2294
02:18:08,480 --> 02:18:10,160
Speaker 1: after you get an album, you have to know when

2295
02:18:10,240 --> 02:18:12,440
Speaker 1: it's right to drop it. What's the best record. Did

2296
02:18:12,480 --> 02:18:15,440
Speaker 1: you shave records off? No? No, it's not about shaving records.

2297
02:18:15,480 --> 02:18:19,560
Speaker 1: Office about picking the best records that go. Yeah, so pickings,

2298
02:18:19,600 --> 02:18:28,280
Speaker 1: they want your DJ Djack. You know what's crazy? Um, Honestly,

2299
02:18:28,360 --> 02:18:34,240
Speaker 1: in my heart, I believe DJs who I'm sorry. I

2300
02:18:34,400 --> 02:18:37,920
Speaker 1: believe good DJs can make the best and ours. And

2301
02:18:38,000 --> 02:18:41,400
Speaker 1: the reason why is because good DJs can teach you

2302
02:18:41,480 --> 02:18:43,720
Speaker 1: about a new record. You know what I'm saying. They

2303
02:18:43,800 --> 02:18:45,560
Speaker 1: can show you by the way, this is the record.

2304
02:18:45,640 --> 02:18:48,320
Speaker 1: Just listening, keep listening, keep listening, keep listening. You know

2305
02:18:48,360 --> 02:18:50,600
Speaker 1: what I'm saying. Because if if a dude has a

2306
02:18:50,680 --> 02:18:52,560
Speaker 1: mixed show and he has a bunch of dudes who

2307
02:18:52,560 --> 02:18:54,560
Speaker 1: has a bunch of records that no one has, and

2308
02:18:54,680 --> 02:18:57,960
Speaker 1: he's deciding I'm gonna play this artist, you know what

2309
02:18:58,040 --> 02:19:00,720
Speaker 1: I'm saying, Like that guy has the ability to break

2310
02:19:00,800 --> 02:19:03,879
Speaker 1: that artist. And if he can break that artist, he's

2311
02:19:03,920 --> 02:19:06,640
Speaker 1: doing something right. If he can look at the landscape

2312
02:19:06,640 --> 02:19:09,160
Speaker 1: of music that's out and say I picked this, I

2313
02:19:09,280 --> 02:19:10,880
Speaker 1: picked that, I picked this, and then play it in

2314
02:19:10,959 --> 02:19:13,360
Speaker 1: his mix show and make people happy about the mix show.

2315
02:19:13,959 --> 02:19:17,000
Speaker 1: That guy knows how to pick records, so he should.

2316
02:19:17,600 --> 02:19:20,880
Speaker 1: And I'm being clear when I say he should be

2317
02:19:21,000 --> 02:19:24,160
Speaker 1: able to pick a new artist, so he should be

2318
02:19:24,280 --> 02:19:26,680
Speaker 1: able to hear a dope beat and say this artist

2319
02:19:26,760 --> 02:19:28,560
Speaker 1: should have that beat. It would make sense if they

2320
02:19:28,600 --> 02:19:31,480
Speaker 1: were singing or rapper on such. If he's not a

2321
02:19:31,560 --> 02:19:33,800
Speaker 1: good If he's not a good DJ, he's not even

2322
02:19:33,920 --> 02:19:36,600
Speaker 1: thinking about that. All he cares about is playing clubs.

2323
02:19:36,920 --> 02:19:38,840
Speaker 1: If he's a good DJ, he cares about what the

2324
02:19:38,920 --> 02:19:41,560
Speaker 1: music is gonna sound like in the next two days.

2325
02:19:43,160 --> 02:19:45,600
Speaker 1: I don't even call it tastemakers, because they put tastemakers

2326
02:19:45,640 --> 02:19:47,880
Speaker 1: in a totally different thing. My thing is a good

2327
02:19:48,040 --> 02:19:55,200
Speaker 1: DJ should be teaching the crowd about something which most

2328
02:19:55,280 --> 02:20:00,240
Speaker 1: DJs don't do well. I'm not one Joe Club. Yes,

2329
02:20:03,040 --> 02:20:06,960
Speaker 1: you know, I'm just I'm just not most. But then again,

2330
02:20:07,040 --> 02:20:08,680
Speaker 1: you know the ones who aren't most are the ones

2331
02:20:08,720 --> 02:20:12,600
Speaker 1: who are still here. I've been here for a long

2332
02:20:13,879 --> 02:20:17,080
Speaker 1: Let's talk about the Japanese connection. What about it. You've

2333
02:20:17,080 --> 02:20:21,480
Speaker 1: got a lot of Japanese nittas. I love Clokhead. Is

2334
02:20:21,520 --> 02:20:24,000
Speaker 1: that okay? You gotta clokhad you gotta clokhat? Lot of

2335
02:20:24,120 --> 02:20:28,400
Speaker 1: japanesgue I've done. I've done a few collaborations with what

2336
02:20:28,520 --> 02:20:34,520
Speaker 1: companies did Lafayette collaborator? I did three, four, I did

2337
02:20:34,560 --> 02:20:39,760
Speaker 1: about four or five Lafayette collaborations. Ascribe to these people, Okay,

2338
02:20:39,840 --> 02:20:48,240
Speaker 1: Lafayette is inscribed described, but it's scribere inscribing and inscribing

2339
02:20:48,280 --> 02:20:52,039
Speaker 1: at the same time. What is scribing? I understand what inscribing?

2340
02:20:52,240 --> 02:20:55,480
Speaker 1: What is disagree with it works? Okay, it's a drink

2341
02:20:55,560 --> 02:20:58,279
Speaker 1: chance language. You see over when you learning LA brands

2342
02:20:58,360 --> 02:21:01,320
Speaker 1: that are super duper popular, and then they're still on

2343
02:21:01,440 --> 02:21:06,400
Speaker 1: the ground level and they're still like, you know, there's

2344
02:21:06,440 --> 02:21:09,199
Speaker 1: still like Gritty and Street, you got the Black Scales,

2345
02:21:09,240 --> 02:21:12,000
Speaker 1: You've got the Supremes and such. You go over to Japan.

2346
02:21:12,320 --> 02:21:14,960
Speaker 1: Lafayette is one of those brands. Lafayete's a brand with

2347
02:21:16,040 --> 02:21:18,280
Speaker 1: like six stores or whatever and selling a bunch of

2348
02:21:18,320 --> 02:21:23,080
Speaker 1: ship and I've done at least you have five collapse

2349
02:21:23,160 --> 02:21:26,520
Speaker 1: with them. At least so Supremes from Japan, Supremes from

2350
02:21:26,560 --> 02:21:30,920
Speaker 1: New York. Okay, but they popping in Japan on the

2351
02:21:30,959 --> 02:21:36,200
Speaker 1: Supremus popping around the universe. Bigger Supreme Teacher is going

2352
02:21:36,240 --> 02:21:37,560
Speaker 1: for a lot of money on the internet right now.

2353
02:21:39,440 --> 02:21:41,240
Speaker 1: Nor he has all of them. They need selling. I

2354
02:21:41,280 --> 02:21:45,160
Speaker 1: need this as large place definitely you got it. You

2355
02:21:45,280 --> 02:21:49,480
Speaker 1: see that smiles. That's the I'm like, smile. I need

2356
02:21:49,560 --> 02:22:00,640
Speaker 1: that listened them. I didn't want to inventory did I

2357
02:22:00,720 --> 02:22:04,400
Speaker 1: say that? I lou, I need that definition of those

2358
02:22:05,400 --> 02:22:08,800
Speaker 1: You got somewhere again, somewhere in my life in your mind.

2359
02:22:08,840 --> 02:22:14,320
Speaker 1: You got me in my life, in my life. So Clark,

2360
02:22:16,280 --> 02:22:19,200
Speaker 1: you work a bit. Yes you worked with Jack, Yes

2361
02:22:21,840 --> 02:22:26,880
Speaker 1: you work with Rick Ross work or nas. You know,

2362
02:22:27,000 --> 02:22:30,560
Speaker 1: I didn't have that. I wanted to to the funny

2363
02:22:30,600 --> 02:22:32,520
Speaker 1: Ship is the day that I explained to him about

2364
02:22:32,560 --> 02:22:34,480
Speaker 1: the about that thing we was on that on the

2365
02:22:34,560 --> 02:22:37,960
Speaker 1: revote cruise. He was like, YO, give me something. Let's

2366
02:22:37,959 --> 02:22:40,160
Speaker 1: do something new. And he knew that I was gonna

2367
02:22:40,200 --> 02:22:41,960
Speaker 1: sunk with Davis because I'm gonna I'm gonna do a

2368
02:22:42,000 --> 02:22:45,520
Speaker 1: record for Davis. So he's like, he's like yoo for

2369
02:22:46,000 --> 02:22:47,680
Speaker 1: he was like, yo, you funk with him. I was like, nah,

2370
02:22:47,800 --> 02:22:51,960
Speaker 1: fused with Davies. He's like, yo, you know, send me something.

2371
02:22:52,879 --> 02:22:54,760
Speaker 1: So he was like for me to set up something

2372
02:22:54,760 --> 02:22:57,480
Speaker 1: with trade numbers or whatever, summer set up something. But

2373
02:22:57,920 --> 02:23:03,840
Speaker 1: but that's the crest he's so well be Nas. Yeah. NAS.

2374
02:23:04,600 --> 02:23:08,760
Speaker 1: Top five Top five, Top five that God keep from queens.

2375
02:23:08,800 --> 02:23:12,400
Speaker 1: I understand you're saying that. No, I mean, why don't

2376
02:23:12,440 --> 02:23:15,000
Speaker 1: have another shot? Because we didn't? Because you never drink that.

2377
02:23:15,080 --> 02:23:21,000
Speaker 1: We didn't. We weren't a part of that. We should

2378
02:23:21,000 --> 02:23:26,640
Speaker 1: stop south south tope that you're my brother? Now we

2379
02:23:26,680 --> 02:23:29,680
Speaker 1: got man, you're not gonna win this art? Are we

2380
02:23:29,760 --> 02:23:32,040
Speaker 1: a part of that shot? We weren't. That was come on,

2381
02:23:32,160 --> 02:23:36,960
Speaker 1: that was you talamily, brother. You gotta relax. Yeah, yeah,

2382
02:23:37,480 --> 02:23:41,600
Speaker 1: y'all respect them. Y'all gotta relax. That was y'all ship

2383
02:23:41,680 --> 02:23:43,880
Speaker 1: with each other. Take a shot. Do what you're gonna do,

2384
02:23:44,040 --> 02:23:46,280
Speaker 1: ask the queer. I wouldn't know. My family's heard. I

2385
02:23:46,320 --> 02:23:48,760
Speaker 1: would agree with you, right, I would say this is

2386
02:23:48,800 --> 02:23:55,119
Speaker 1: like a Latino thing. But the thing about it all things. Yeah,

2387
02:23:55,200 --> 02:23:56,880
Speaker 1: so that's what I say. You just want to get

2388
02:23:56,920 --> 02:24:05,680
Speaker 1: another shot? Give another shot together? No? Ye? Can I spection?

2389
02:24:05,720 --> 02:24:08,480
Speaker 1: What are you doing after? I'm going to see Clark

2390
02:24:08,560 --> 02:24:10,600
Speaker 1: K But wait, what are you doing after this? I'm

2391
02:24:10,640 --> 02:24:12,920
Speaker 1: going home? What are you doing after this? I'm going

2392
02:24:12,959 --> 02:24:15,040
Speaker 1: to see my brother DJ. That's what I'm going to do.

2393
02:24:15,600 --> 02:24:18,000
Speaker 1: I'm going to seeking work and I'm gonna buy you

2394
02:24:18,080 --> 02:24:20,880
Speaker 1: to do right now. That's what I'm doing right now

2395
02:24:21,080 --> 02:24:24,600
Speaker 1: you're working. It will be done in like ten minutes.

2396
02:24:24,680 --> 02:24:26,240
Speaker 1: But he's gonna go see you afterwards. I'm going to

2397
02:24:26,320 --> 02:24:29,720
Speaker 1: see you, but you'll be hanging while I'm working. But

2398
02:24:29,800 --> 02:24:33,440
Speaker 1: I gotta also keep my life together because you know what,

2399
02:24:33,480 --> 02:24:37,480
Speaker 1: I'm trying to keep my mone So very typical moment

2400
02:24:38,200 --> 02:24:42,760
Speaker 1: with a very typical moment. Yeah, we gotta, we gotta control,

2401
02:24:43,240 --> 02:24:46,920
Speaker 1: we gotta control our environment, and then we gotta and

2402
02:24:47,000 --> 02:24:49,520
Speaker 1: then you know, we gotta do clock. We have to

2403
02:24:49,600 --> 02:24:53,879
Speaker 1: behave ourselves. There's a curve here, and guess what cloth

2404
02:24:54,000 --> 02:24:58,400
Speaker 1: for the Listen. We are getting people back for the

2405
02:24:58,520 --> 02:25:02,920
Speaker 1: cold crushed brothers, right, We're getting them back to them. Yes,

2406
02:25:03,400 --> 02:25:06,120
Speaker 1: getting back what he means, it's getting people back for

2407
02:25:06,200 --> 02:25:09,480
Speaker 1: what they did to the brothers. Right. I like that.

2408
02:25:09,760 --> 02:25:13,440
Speaker 1: You got to relax. Let's get it next time. Do

2409
02:25:13,480 --> 02:25:16,000
Speaker 1: you think I'm not gonna say what I said? You

2410
02:25:16,200 --> 02:25:19,280
Speaker 1: have question, Let's go listen, and we're doing it in

2411
02:25:19,360 --> 02:25:22,040
Speaker 1: the name of hip your cloth. You know, we never

2412
02:25:22,120 --> 02:25:24,560
Speaker 1: had no faithing to go on Drink Chaps. You're never

2413
02:25:24,720 --> 02:25:29,000
Speaker 1: started to tony people on drink champ. You know why

2414
02:25:30,040 --> 02:25:33,480
Speaker 1: I'm every episode because you know why we really want

2415
02:25:33,520 --> 02:25:38,080
Speaker 1: to pick up authentic original hip hop, and what is

2416
02:25:38,200 --> 02:25:43,240
Speaker 1: saying on your fucking hat the originals? You guess you're ready.

2417
02:25:44,160 --> 02:25:47,520
Speaker 1: You want any port you know what, dn't do it,

2418
02:25:48,400 --> 02:25:50,840
Speaker 1: but you can't want to go and I'm in with you.

2419
02:25:50,959 --> 02:25:57,800
Speaker 1: Let's yeah, you lights show that, the light skins show

2420
02:25:57,879 --> 02:26:04,080
Speaker 1: before my stomach. That's a shop. That's what I know.

2421
02:26:04,240 --> 02:26:06,920
Speaker 1: You felt bad doing that, you know? He was like,

2422
02:26:09,560 --> 02:26:11,280
Speaker 1: was I called? He was like, I didn't know way

2423
02:26:11,280 --> 02:26:16,840
Speaker 1: you're calling them for. I do look good, but I

2424
02:26:16,959 --> 02:26:20,520
Speaker 1: didn't feel bad because you curbed me. I never curved you.

2425
02:26:20,720 --> 02:26:23,760
Speaker 1: You did. I was gonna be honest. I swear to god,

2426
02:26:23,800 --> 02:26:27,520
Speaker 1: I'm gonna go back. Let me tell you something about

2427
02:26:27,520 --> 02:26:31,879
Speaker 1: soul with people. It's a d I'm gonna go back

2428
02:26:31,920 --> 02:26:34,000
Speaker 1: and I'm gonna show it to him, he wrote. I

2429
02:26:34,120 --> 02:26:36,160
Speaker 1: wrote him. He was like, I gotta get called on

2430
02:26:36,200 --> 02:26:38,920
Speaker 1: the podcast and I was like, absolutely, I'm down, but

2431
02:26:39,000 --> 02:26:42,039
Speaker 1: don't forget I know you poppy, So as soon as

2432
02:26:42,080 --> 02:26:44,120
Speaker 1: they sell the poppy is when he was like, yeah,

2433
02:26:44,600 --> 02:26:51,520
Speaker 1: forget it. I'm gonna be honest. I believe that. Wait

2434
02:26:51,560 --> 02:26:57,160
Speaker 1: wait wait, wait wait, pol you said about plastic for

2435
02:26:57,280 --> 02:27:01,680
Speaker 1: how long? Seven months? Because it took seven months to

2436
02:27:01,879 --> 02:27:04,400
Speaker 1: him to go, oh ship, you're gonna do these nigga

2437
02:27:04,480 --> 02:27:12,280
Speaker 1: podcast That's what he was eating petty nor at all.

2438
02:27:12,600 --> 02:27:15,160
Speaker 1: If I was that important to be on the podcast,

2439
02:27:15,200 --> 02:27:44,720
Speaker 1: I would have been thirty seconds. Take your shot. That's

2440
02:27:44,840 --> 02:27:48,280
Speaker 1: terribly good. It's too good. The blessed vocket on the

2441
02:27:48,320 --> 02:27:57,720
Speaker 1: planet know that. That is so funny. Because I wanted

2442
02:27:57,760 --> 02:28:00,520
Speaker 1: this podcast to happen so bad. I text Normy. I

2443
02:28:00,600 --> 02:28:03,200
Speaker 1: was like, you know, he got thirty six hundred one

2444
02:28:03,959 --> 02:28:08,680
Speaker 1: just along beside you with uh well said everything else.

2445
02:28:08,920 --> 02:28:11,440
Speaker 1: I'm gonna do that you got right now. I'm gonna

2446
02:28:11,720 --> 02:28:17,680
Speaker 1: he's acorn him Nike. Do you see Acron. I'm gonna

2447
02:28:17,680 --> 02:28:20,400
Speaker 1: die this, dude. You gotta hook up. Clark got the

2448
02:28:20,440 --> 02:28:22,440
Speaker 1: hook up, but I'm dirty stick. I got the hook

2449
02:28:22,520 --> 02:28:24,800
Speaker 1: up on the Dirty Ticker Club. Whatever the fund. That's God,

2450
02:28:25,000 --> 02:28:28,840
Speaker 1: that's me, not for dumb hard. That was texting regular like, Yo,

2451
02:28:28,920 --> 02:28:30,680
Speaker 1: Clark is gonna be in Miami this weekend? What's up?

2452
02:28:31,800 --> 02:28:33,880
Speaker 1: I want? I was ready, I'm seeing, I was ready.

2453
02:28:34,120 --> 02:28:36,560
Speaker 1: I was ready, we were I was ready, we saw

2454
02:28:37,320 --> 02:28:40,480
Speaker 1: and I was on. Didn't work out that way. I text,

2455
02:28:40,520 --> 02:28:42,080
Speaker 1: you know, I don't know. I don't have a bother normy,

2456
02:28:42,080 --> 02:28:43,920
Speaker 1: I text normally I check this out. Clock is gonna

2457
02:28:43,920 --> 02:28:45,840
Speaker 1: be in Miami this weekend? What's up? I want to

2458
02:28:45,879 --> 02:28:50,160
Speaker 1: make this happen. This FIGI but from a different and

2459
02:28:50,280 --> 02:28:58,880
Speaker 1: yes here lying that's it's not even Fucci, it's not

2460
02:28:58,959 --> 02:29:06,120
Speaker 1: even cold. That's blacks bottomed water. Who was that for you?

2461
02:29:06,400 --> 02:29:08,280
Speaker 1: I was gonna. I thought we were making drinks. I

2462
02:29:08,320 --> 02:29:10,880
Speaker 1: didn't know, like we're gonna make like my hat? Are you?

2463
02:29:11,160 --> 02:29:15,280
Speaker 1: I'll take a drink with your your clock. Now, let

2464
02:29:15,280 --> 02:29:16,800
Speaker 1: me ask you a question. Why are you getting pottle

2465
02:29:16,800 --> 02:29:20,920
Speaker 1: of water to put tapwater ice in it? Cool? I

2466
02:29:20,920 --> 02:29:25,680
Speaker 1: don't need to ice from the Jesus? Would you do

2467
02:29:25,800 --> 02:29:29,040
Speaker 1: that for you? Just my pig water experience? You know?

2468
02:29:29,280 --> 02:29:31,840
Speaker 1: You know I'm from the resource froom. You know the

2469
02:29:31,959 --> 02:29:35,959
Speaker 1: niggas in the resource room and especial education. That's that's

2470
02:29:36,000 --> 02:29:38,720
Speaker 1: the one I am. I'm that nigger. I have four

2471
02:29:38,840 --> 02:29:45,440
Speaker 1: teachers and four students. It was even were both you

2472
02:29:45,520 --> 02:29:52,440
Speaker 1: said four and he said, we're both with easy. I'm

2473
02:29:52,560 --> 02:29:55,680
Speaker 1: the most of this thing in the world. You're the smartest.

2474
02:29:56,280 --> 02:29:58,200
Speaker 1: That's why they want to kill me. Listen, I'm just

2475
02:29:58,320 --> 02:30:02,360
Speaker 1: like those junk They're gonna John left Kennedy meaning, I'm

2476
02:30:02,400 --> 02:30:06,560
Speaker 1: just saying, listen, they're gonna let you live because they're like,

2477
02:30:06,840 --> 02:30:10,200
Speaker 1: that's his man. I feel like they're gonna kill me.

2478
02:30:10,959 --> 02:30:20,160
Speaker 1: I got you mean it was both. He was at

2479
02:30:20,240 --> 02:30:22,119
Speaker 1: four and four and then he was like both of them.

2480
02:30:22,240 --> 02:30:24,240
Speaker 1: But I'm like, who the funk are you talking about

2481
02:30:24,320 --> 02:30:27,039
Speaker 1: both groups? Exactly? I'm talking about both groups. I got

2482
02:30:27,200 --> 02:30:29,640
Speaker 1: to see. I got what you was talking about. To

2483
02:30:29,680 --> 02:30:33,560
Speaker 1: tell you I understood what you was talking. Resource from crazy,

2484
02:30:34,080 --> 02:30:36,080
Speaker 1: the super resource from you know what I'm saying, cla

2485
02:30:36,680 --> 02:30:42,039
Speaker 1: that was the funniest ship ever. Claude, you did drink champs.

2486
02:30:42,120 --> 02:30:45,480
Speaker 1: You survived. Never bring about any of your person ship.

2487
02:30:45,600 --> 02:30:49,280
Speaker 1: I don't know a lot. Get them over lax, and

2488
02:30:49,360 --> 02:30:51,440
Speaker 1: you're looking at me and your lips are getting a

2489
02:30:51,440 --> 02:30:55,840
Speaker 1: little white. That's how I'm so glad there's a camera

2490
02:30:55,920 --> 02:30:58,240
Speaker 1: that because they could not that my lips ain't getting white.

2491
02:30:58,480 --> 02:31:01,520
Speaker 1: You know in my mind in your left scout, what

2492
02:31:01,920 --> 02:31:04,879
Speaker 1: person you can't ask me that I can't be? Really,

2493
02:31:06,360 --> 02:31:08,760
Speaker 1: you've been there for me for when I stepped into

2494
02:31:08,840 --> 02:31:11,680
Speaker 1: this game. I love you stood there with me. And

2495
02:31:12,400 --> 02:31:16,240
Speaker 1: there was one producer on the whole War report because

2496
02:31:16,280 --> 02:31:19,080
Speaker 1: I used to carry it to five on me and

2497
02:31:19,600 --> 02:31:26,000
Speaker 1: I said, rom and not on producer set. And he

2498
02:31:26,160 --> 02:31:29,720
Speaker 1: was the only one. She said, when he told you

2499
02:31:29,760 --> 02:31:31,360
Speaker 1: to relax, you have the two five in your pocket

2500
02:31:31,480 --> 02:31:34,320
Speaker 1: in the booth, and they had to five all the time.

2501
02:31:39,640 --> 02:31:43,240
Speaker 1: Now now he's probably he's like, don't tell them that clock.

2502
02:31:46,400 --> 02:31:49,360
Speaker 1: He was the only one. And he told me, he said, listen,

2503
02:31:49,760 --> 02:31:52,240
Speaker 1: I'm gonna take the room and I'm gonna chopping up.

2504
02:31:53,120 --> 02:31:55,360
Speaker 1: And that's the first time I've ever seen that in

2505
02:31:55,480 --> 02:32:00,880
Speaker 1: my life that I could actually rom and get it

2506
02:32:00,959 --> 02:32:05,200
Speaker 1: all out and one one whatever. But he could take

2507
02:32:05,280 --> 02:32:08,440
Speaker 1: that and say, well that scope stairs on some pluck Q.

2508
02:32:09,600 --> 02:32:11,879
Speaker 1: So after after that advice, you kept doing that that way.

2509
02:32:12,200 --> 02:32:15,199
Speaker 1: No listen to his records after that one record, after

2510
02:32:15,280 --> 02:32:19,520
Speaker 1: that he understood song song progression. It was verse verse

2511
02:32:19,680 --> 02:32:22,360
Speaker 1: verse hook verse hook verse hook. Think about it because

2512
02:32:22,480 --> 02:32:25,280
Speaker 1: after that album? What album you what album you made?

2513
02:32:27,400 --> 02:32:46,440
Speaker 1: You took your advice? Let me up because I gotta

2514
02:32:46,560 --> 02:32:56,640
Speaker 1: sucking DJ. Now I gotta go change nor fucking champage. Listen,

2515
02:32:56,680 --> 02:33:01,360
Speaker 1: when you dj't, nobody's gonna see your right thigh. Nobody's

2516
02:33:01,360 --> 02:33:03,119
Speaker 1: gonna see it right now. When you DJ, he's gone

2517
02:33:03,600 --> 02:33:10,959
Speaker 1: right it wasn't me open that. I'm good. I'm I'm good.

2518
02:33:11,040 --> 02:33:15,039
Speaker 1: You ain't gotta I'm so hot right you got over last?

2519
02:33:15,520 --> 02:33:29,040
Speaker 1: I love thank you. I'm saying Welcome to play a

2520
02:33:29,160 --> 02:33:35,000
Speaker 1: new podcast network featuring radio and TV personalities, talking business, sports, tech, entertainment,

2521
02:33:35,120 --> 02:33:39,680
Speaker 1: and more. Play it at play dot It. We're back

2522
02:33:39,800 --> 02:33:43,360
Speaker 1: to Drink Champs Radio with Rapper and R and d J.

2523
02:33:44,000 --> 02:33:50,880
Speaker 1: Then Clark, it was really really nice to listen to

2524
02:33:51,160 --> 02:33:53,840
Speaker 1: listen to me everybody. It was really one of the

2525
02:33:53,920 --> 02:33:57,560
Speaker 1: first producers who actually pulled me to the side and says, Slim,

2526
02:33:59,320 --> 02:34:03,480
Speaker 1: understand what you doing. I get it, but let me

2527
02:34:03,560 --> 02:34:08,920
Speaker 1: structure your ship. And it was you. You to a

2528
02:34:09,000 --> 02:34:12,080
Speaker 1: lot of people credit you know, for real or swear,

2529
02:34:15,560 --> 02:34:19,760
Speaker 1: but they came in R a album that's dope here.

2530
02:34:19,920 --> 02:34:21,720
Speaker 1: But you were still learning because one of one of

2531
02:34:21,760 --> 02:34:24,000
Speaker 1: the stories, no I'm gonnaell you, I'm still learning. No No.

2532
02:34:24,080 --> 02:34:25,400
Speaker 1: But one of the stories that I love from an

2533
02:34:25,640 --> 02:34:28,280
Speaker 1: R is that you say that he was counting bars

2534
02:34:28,320 --> 02:34:31,320
Speaker 1: with what what what what? And that's what I love that.

2535
02:34:31,440 --> 02:34:34,760
Speaker 1: I love that story. That's how counting it balls. But

2536
02:34:34,920 --> 02:34:37,040
Speaker 1: think about it, So claud get executive producer credit for

2537
02:34:37,120 --> 02:34:40,160
Speaker 1: that absolutely now he's not going to give that up

2538
02:34:40,240 --> 02:34:42,280
Speaker 1: because he's not gonna look for the check to go

2539
02:34:42,400 --> 02:34:45,160
Speaker 1: come me for that. But the bottom line, I get

2540
02:34:45,200 --> 02:34:46,800
Speaker 1: what you're trying to say. You're trying to say is

2541
02:34:47,320 --> 02:34:50,440
Speaker 1: that moment gave you the ability to look at your

2542
02:34:50,480 --> 02:34:54,680
Speaker 1: songs differently and and think songs instead of thinking I'm

2543
02:34:54,720 --> 02:34:57,120
Speaker 1: just gonna be rhyman. I get yeah, I get it.

2544
02:34:57,320 --> 02:35:00,959
Speaker 1: I respected and because think about it, the War Report,

2545
02:35:01,520 --> 02:35:06,200
Speaker 1: what happened? What? What? What? What? What? How? Long after

2546
02:35:06,280 --> 02:35:11,880
Speaker 1: every sixteen bars, sixteen bars? What? What? What? Sixteen bars? What? What? What?

2547
02:35:12,800 --> 02:35:17,760
Speaker 1: That was the same sixteen bar breakup that I I

2548
02:35:17,800 --> 02:35:21,440
Speaker 1: don't like to say taught. I'd rather say talk about it.

2549
02:35:21,520 --> 02:35:23,720
Speaker 1: I was about to say, now you know why, because

2550
02:35:23,720 --> 02:35:28,440
Speaker 1: I don't. I don't believe that. Um. I just believe

2551
02:35:28,480 --> 02:35:31,160
Speaker 1: it was something that he didn't he didn't know. But

2552
02:35:31,400 --> 02:35:32,800
Speaker 1: I don't think it was a taught. It was an

2553
02:35:32,959 --> 02:35:35,160
Speaker 1: enlightened I'm like, yo, look, if you do this, it's

2554
02:35:35,200 --> 02:35:37,800
Speaker 1: a song when you The thing is when you listen

2555
02:35:37,800 --> 02:35:39,959
Speaker 1: to Ward Report, like I can go back to World Report,

2556
02:35:40,000 --> 02:35:41,560
Speaker 1: and if you listen to the World Report, that's a

2557
02:35:41,640 --> 02:35:43,640
Speaker 1: bunch of wild ass records. And then this is one

2558
02:35:43,720 --> 02:35:47,880
Speaker 1: record that makes you go, oh, I get it, I

2559
02:35:48,000 --> 02:35:50,080
Speaker 1: get all of that wild ship. When you listen to

2560
02:35:50,879 --> 02:35:53,879
Speaker 1: Closer to this paper, you just do because it calms

2561
02:35:53,920 --> 02:35:55,760
Speaker 1: you down and you can hear what he's saying and

2562
02:35:55,879 --> 02:35:58,120
Speaker 1: be like, Okay, before you're just like, I'm as wild

2563
02:35:58,200 --> 02:36:00,320
Speaker 1: as this monthfucking right here. But then we you listen

2564
02:36:00,360 --> 02:36:02,560
Speaker 1: to that, you're like, hold up, he stopped for a second,

2565
02:36:03,240 --> 02:36:06,560
Speaker 1: and he gave you closer to this. You know what

2566
02:36:06,640 --> 02:36:10,440
Speaker 1: I'm saying. So it was it was it added that balance.

2567
02:36:10,879 --> 02:36:13,440
Speaker 1: We'll tell you what's even crazier. It was the last record.

2568
02:36:14,080 --> 02:36:21,680
Speaker 1: And the reason why is because honestly, when it comes

2569
02:36:21,760 --> 02:36:26,800
Speaker 1: to UM producing sometimes I can be a little competitive.

2570
02:36:27,160 --> 02:36:30,720
Speaker 1: So I just wanted to hear everything and figure out

2571
02:36:30,800 --> 02:36:32,440
Speaker 1: what can I do that's going to be different from

2572
02:36:32,480 --> 02:36:34,720
Speaker 1: everything I heard? And everything I heard I was like, oh,

2573
02:36:34,800 --> 02:36:38,000
Speaker 1: this is damn easy. You know why, because the reason

2574
02:36:38,040 --> 02:36:39,760
Speaker 1: why he came to me was to try to get

2575
02:36:39,800 --> 02:36:42,240
Speaker 1: a single. He was like, YO, give me a single,

2576
02:36:42,640 --> 02:36:44,880
Speaker 1: So I gave him a single. Funny ship is it

2577
02:36:45,160 --> 02:36:48,960
Speaker 1: wasn't him as a single, so they went with something

2578
02:36:49,000 --> 02:36:53,440
Speaker 1: else and it worked out because it was him by himself,

2579
02:36:53,520 --> 02:36:55,440
Speaker 1: So it couldn't be a CNN record. If it was

2580
02:36:55,560 --> 02:36:58,800
Speaker 1: him by himself, that record was on War Report, it

2581
02:36:59,280 --> 02:37:02,680
Speaker 1: could have been a single. But it didn't make sense

2582
02:37:02,720 --> 02:37:06,960
Speaker 1: to put the CNN record out out without pom So.

2583
02:37:07,320 --> 02:37:09,040
Speaker 1: I mean, you know that's the way that worked out.

2584
02:37:09,160 --> 02:37:13,360
Speaker 1: Trust me. If that record had component on it, that

2585
02:37:13,480 --> 02:37:15,360
Speaker 1: probably would have been for a single, because it was

2586
02:37:15,480 --> 02:37:19,200
Speaker 1: it was structured like a record, like a single. Yes

2587
02:37:19,280 --> 02:37:21,800
Speaker 1: it was. And that that's what the that's what he

2588
02:37:21,920 --> 02:37:23,320
Speaker 1: came to me for. He's like, give me a saying

2589
02:37:23,440 --> 02:37:27,560
Speaker 1: need single? So scared and he was scared and and

2590
02:37:28,000 --> 02:37:30,960
Speaker 1: but the funny hand and the chicks from from s

2591
02:37:31,120 --> 02:37:36,920
Speaker 1: W re coming to the studio. I wasn't ready just

2592
02:37:37,000 --> 02:37:41,720
Speaker 1: kidding because the young dudes, you know, and he's not

2593
02:37:42,920 --> 02:37:46,160
Speaker 1: when not saying tell you what, Yeah, this is Clark.

2594
02:37:46,600 --> 02:37:50,520
Speaker 1: This is the guy I heard Dange. We didn't even

2595
02:37:50,520 --> 02:37:53,520
Speaker 1: go to that. We haven't even touched that at my

2596
02:37:53,640 --> 02:37:56,240
Speaker 1: going there right now. You have to have that's the

2597
02:37:56,280 --> 02:38:01,840
Speaker 1: same way you ain't going to day of the day.

2598
02:38:02,080 --> 02:38:06,760
Speaker 1: Day I got your brother. Can't tell him if you

2599
02:38:06,760 --> 02:38:14,080
Speaker 1: don't make to do that, I got you, what about you? God? Never,

2600
02:38:14,240 --> 02:38:18,960
Speaker 1: I won't even touch it. Every thrust to give me

2601
02:38:19,040 --> 02:38:22,600
Speaker 1: back so that it's getting close up. It's getting close up,

2602
02:38:23,120 --> 02:38:30,680
Speaker 1: never gonna happen. So in my mind, damn Dann Dan

2603
02:38:34,120 --> 02:38:37,440
Speaker 1: kiss coming because obviously the biggest day of the day

2604
02:38:38,720 --> 02:38:43,080
Speaker 1: slick Rick fans in the world. Me I mentioned the

2605
02:38:43,080 --> 02:38:47,280
Speaker 1: slick Rick is my favorite album. It's my favorite album ever.

2606
02:38:47,800 --> 02:38:55,040
Speaker 1: And then clock coming text and the nose name. I'm like,

2607
02:38:55,280 --> 02:38:58,199
Speaker 1: so every produce to the every cage for the word

2608
02:38:58,280 --> 02:39:04,360
Speaker 1: for like I wanted to shoot them. So you're answering

2609
02:39:04,360 --> 02:39:08,280
Speaker 1: my question five was always on you. I don't know.

2610
02:39:08,400 --> 02:39:11,480
Speaker 1: I just like, shut up, that's whole, Like yeah, I

2611
02:39:11,640 --> 02:39:20,480
Speaker 1: just like I felt like that coming there, so I

2612
02:39:20,560 --> 02:39:22,680
Speaker 1: felt like that. I felt like I felt like what

2613
02:39:25,800 --> 02:39:30,000
Speaker 1: when Clark came? He and Clark, but it felt like

2614
02:39:30,080 --> 02:39:33,480
Speaker 1: an O G type of call. I felt like, look,

2615
02:39:34,120 --> 02:39:37,240
Speaker 1: do that. I get that you got because he played

2616
02:39:37,280 --> 02:39:39,480
Speaker 1: the beat and I was just like, let's go because

2617
02:39:39,520 --> 02:39:46,760
Speaker 1: that's what I did, uh, the firm ship with the

2618
02:39:46,800 --> 02:39:53,279
Speaker 1: firm ship plane, I did so I flu flu fluid

2619
02:39:54,840 --> 02:39:59,440
Speaker 1: and I used to write around to jail, so I

2620
02:39:59,560 --> 02:40:02,360
Speaker 1: had you're working at the timeline for me, at what

2621
02:40:02,480 --> 02:40:05,960
Speaker 1: point you did I'm leaving in I'm leaving was right

2622
02:40:06,000 --> 02:40:11,160
Speaker 1: after the War report, right a report like that report

2623
02:40:11,240 --> 02:40:13,960
Speaker 1: report is out, like right after you finished the Worried

2624
02:40:14,000 --> 02:40:16,320
Speaker 1: Boys out, Okay, because so it's out and then you

2625
02:40:16,400 --> 02:40:19,560
Speaker 1: go do that. Okay, No, no, no, I'm just nor

2626
02:40:19,760 --> 02:40:23,880
Speaker 1: because you know what the crazy the crazy part is

2627
02:40:24,840 --> 02:40:28,200
Speaker 1: Noriega is hot or Nori's hot by himself because pone

2628
02:40:28,280 --> 02:40:32,040
Speaker 1: is locked up. So he on the promo run in Miami.

2629
02:40:32,160 --> 02:40:35,440
Speaker 1: That's me. I'm just saying that. That's how we want,

2630
02:40:35,640 --> 02:40:39,240
Speaker 1: that's how we meet. The promo run in Miami. He's doing,

2631
02:40:39,760 --> 02:40:46,200
Speaker 1: he's he's he comes to my store and I don't

2632
02:40:46,240 --> 02:40:48,480
Speaker 1: know if he's ever told you this. He was super

2633
02:40:48,600 --> 02:40:52,640
Speaker 1: stressed promoting War Report by himself, the fact some of

2634
02:40:52,720 --> 02:40:56,880
Speaker 1: my store super stressed. How wait, why would I know that?

2635
02:40:56,959 --> 02:41:00,080
Speaker 1: And he's not my artist because he's my fucking in.

2636
02:41:00,959 --> 02:41:04,760
Speaker 1: So I know it wasn't easy promoting CNN when only

2637
02:41:04,840 --> 02:41:08,000
Speaker 1: the end is there and then the seed can't speak

2638
02:41:08,080 --> 02:41:12,160
Speaker 1: for the seed and the sea to trust me, I

2639
02:41:12,240 --> 02:41:16,080
Speaker 1: don't even know, like if in his heart he really

2640
02:41:16,160 --> 02:41:19,240
Speaker 1: wanted to be Nory by himself, you know what I'm saying.

2641
02:41:19,320 --> 02:41:21,680
Speaker 1: I don't. I don't ever think that you trust me

2642
02:41:21,720 --> 02:41:23,240
Speaker 1: when the first time I saw it, I was like,

2643
02:41:24,040 --> 02:41:26,360
Speaker 1: that's because campone is locked up. He don't want to

2644
02:41:26,440 --> 02:41:29,680
Speaker 1: do a solo and it's just that CNN Ward Report

2645
02:41:29,879 --> 02:41:32,480
Speaker 1: was so looked at that. She was like, no, that ship.

2646
02:41:33,080 --> 02:41:36,680
Speaker 1: It's almost like he had no choice because he had

2647
02:41:36,720 --> 02:41:42,240
Speaker 1: to hold it down. But hours around taking over a

2648
02:41:42,320 --> 02:41:46,280
Speaker 1: drink chap. Should we jump on now or later? We

2649
02:41:46,320 --> 02:41:49,400
Speaker 1: could jump up during the show. We still we still

2650
02:41:49,440 --> 02:41:52,000
Speaker 1: have to go to the day to day. You're not

2651
02:41:52,160 --> 02:41:56,440
Speaker 1: even drunk about day to day. Man, I'm not drunk

2652
02:41:56,600 --> 02:41:59,600
Speaker 1: and I'm not drunk. I don't know how I'm not

2653
02:41:59,760 --> 02:42:01,840
Speaker 1: drunk yet. But nothing. Have a shot. Let's do it

2654
02:42:01,920 --> 02:42:08,440
Speaker 1: on the shot. We could do all three talking. It's

2655
02:42:08,480 --> 02:42:11,800
Speaker 1: the table thing. No, I'm going, Oh God, trust me,

2656
02:42:11,879 --> 02:42:15,040
Speaker 1: I don't leave here, and it's definitely I might be

2657
02:42:15,080 --> 02:42:17,360
Speaker 1: a drink and listening. You pull much shot whatever way

2658
02:42:17,680 --> 02:42:23,560
Speaker 1: hand met hand cup. I'm not fat so that Tony

2659
02:42:23,840 --> 02:42:27,119
Speaker 1: Duver twenty minutes, Rich Toy and Dnis can take twenty

2660
02:42:27,120 --> 02:42:31,080
Speaker 1: minutes extra nights was shot? Who I love? Who came

2661
02:42:31,160 --> 02:42:33,920
Speaker 1: to me told me how to do a show? Here

2662
02:42:33,959 --> 02:42:38,120
Speaker 1: you go, brother? You you let me four o clocks?

2663
02:42:38,160 --> 02:42:42,120
Speaker 1: Hold on, where's your cup? Clock? Told me how to

2664
02:42:42,200 --> 02:42:46,760
Speaker 1: do a show every time, expect leg right. Now you

2665
02:42:46,879 --> 02:42:49,200
Speaker 1: live without broking weed And he was like, I hate

2666
02:42:49,280 --> 02:42:53,920
Speaker 1: that you always hung out with me, clok Kit. Tonight

2667
02:42:55,879 --> 02:43:00,040
Speaker 1: we're gonna fucking respect you. Thank you, you man, and

2668
02:43:00,120 --> 02:43:04,000
Speaker 1: we're gonna sucking honor you tonight. Clark can parry that

2669
02:43:04,240 --> 02:43:10,640
Speaker 1: maybe the USA you a an accident where you didn't

2670
02:43:10,840 --> 02:43:18,440
Speaker 1: you understand that it's not a He's very offendive. This

2671
02:43:18,680 --> 02:43:22,400
Speaker 1: is this is this is the au star of hip

2672
02:43:22,440 --> 02:43:27,080
Speaker 1: hop are mine? And you know what, you are one

2673
02:43:27,160 --> 02:43:30,600
Speaker 1: of the most DJs that week. You're the most DJs,

2674
02:43:31,640 --> 02:43:35,320
Speaker 1: all of the most dj ever whatever that means you

2675
02:43:35,360 --> 02:43:38,880
Speaker 1: would have ever those DJs. I actually liked it, I know,

2676
02:43:39,080 --> 02:43:40,840
Speaker 1: but you're coming at me a little bit. You were

2677
02:43:40,879 --> 02:43:47,080
Speaker 1: the most, the most every guy. So listen, Clark, We're

2678
02:43:47,120 --> 02:43:52,760
Speaker 1: gonna honor you tonight. Continue to sucking on you because

2679
02:43:52,800 --> 02:43:55,880
Speaker 1: you know why, why you fucking deserved. Thank you. I

2680
02:43:55,920 --> 02:43:58,120
Speaker 1: appreciate it, and I don't know what I'm about to

2681
02:43:58,160 --> 02:44:04,520
Speaker 1: salute with you. You get your pulling you a heavy shot.

2682
02:44:04,640 --> 02:44:13,200
Speaker 1: Let's go get I listened everybody every week. I listen,

2683
02:44:13,280 --> 02:44:15,760
Speaker 1: listen face, I pull off my baby mos on the

2684
02:44:15,840 --> 02:44:21,240
Speaker 1: bad everybody watching. Fuck it, let's go. I am not

2685
02:44:21,320 --> 02:44:30,560
Speaker 1: going to cover that anybody. I am so happy. That's

2686
02:44:30,560 --> 02:44:35,480
Speaker 1: all you. That's all that's that's that's all. Clocks shout

2687
02:44:35,520 --> 02:44:40,440
Speaker 1: to the shout to mayor, the poor oh man claw.

2688
02:44:41,200 --> 02:44:47,240
Speaker 1: I'm gonna be destroyed by the time you're gonna record night.

2689
02:44:49,600 --> 02:44:53,960
Speaker 1: What is the breast brands sneak the best sneaker brand?

2690
02:44:54,680 --> 02:44:57,040
Speaker 1: That's nice. I gotta st I like that. What's the

2691
02:44:57,200 --> 02:45:01,920
Speaker 1: what's the best brand? Like brand like that? Uh, that's

2692
02:45:02,600 --> 02:45:04,960
Speaker 1: that's what I'm gonna do this. That's a that's a

2693
02:45:06,080 --> 02:45:08,560
Speaker 1: simply some ship. But get it. I'm gonna be honest.

2694
02:45:09,200 --> 02:45:12,440
Speaker 1: I'm gonna I'm gonna question. I need that my brother. Listen,

2695
02:45:12,480 --> 02:45:17,440
Speaker 1: ho hold on, hold on, let me interject real quick. Noorious, no, no,

2696
02:45:17,680 --> 02:45:21,760
Speaker 1: what's you got? But you haven't to make a conversation conversation?

2697
02:45:22,040 --> 02:45:26,280
Speaker 1: What's how's you with? No? No, no, no, I forgot

2698
02:45:26,520 --> 02:45:28,800
Speaker 1: see it. Just hit me with I'm not drunk you no, no, no,

2699
02:45:28,879 --> 02:45:32,000
Speaker 1: hold on, brother, you got the Farrell plug. That's the

2700
02:45:32,080 --> 02:45:35,160
Speaker 1: real Adita plug. I need that. Shout to push it sea,

2701
02:45:35,160 --> 02:45:37,080
Speaker 1: who's my man? And I get some things in the mail.

2702
02:45:37,400 --> 02:45:40,440
Speaker 1: You have the Farrell plug. That means you got the

2703
02:45:40,480 --> 02:45:43,120
Speaker 1: human races with the Japanese writing on them. No, no,

2704
02:45:43,200 --> 02:45:44,440
Speaker 1: I'm calling you out right now. No, no, no, no,

2705
02:45:44,600 --> 02:45:51,320
Speaker 1: I need no. No. Listens, this sounds like thing in

2706
02:45:51,360 --> 02:45:54,880
Speaker 1: your interview right now. Feedback was a feedback. Now, I

2707
02:45:54,959 --> 02:46:00,520
Speaker 1: need you sounds like don't love that. No, No, I'm

2708
02:46:00,560 --> 02:46:03,480
Speaker 1: not pausing. I need you. I respect you. There's no pausing.

2709
02:46:04,320 --> 02:46:08,320
Speaker 1: Here's the problem with the problem with Puerto Rican. You

2710
02:46:08,400 --> 02:46:11,000
Speaker 1: Puerto Rican black, Porto Rican Italian with Puerto Rican didn't

2711
02:46:11,000 --> 02:46:16,920
Speaker 1: pay attention. And then then and I don't don't speak

2712
02:46:16,959 --> 02:46:23,800
Speaker 1: No God dames vanished forgetting to tell you. I know

2713
02:46:23,920 --> 02:46:27,840
Speaker 1: you got Pround on speed dial. I need you. No, no,

2714
02:46:28,000 --> 02:46:31,480
Speaker 1: I'm not pausing to hold for that Paul ship right now.

2715
02:46:31,560 --> 02:46:40,880
Speaker 1: I need you to go on. It's no relax. I

2716
02:46:40,959 --> 02:46:43,800
Speaker 1: need you. I need that. I did not I didn't know.

2717
02:46:44,080 --> 02:46:46,440
Speaker 1: Now you know, you know it's real. You have the plug.

2718
02:46:47,160 --> 02:46:48,440
Speaker 1: See this, this is this is the ship that that

2719
02:46:48,600 --> 02:46:51,320
Speaker 1: rappers don't understand that really got the road. Yeah, I

2720
02:46:51,440 --> 02:46:55,960
Speaker 1: really got cheat codes. I need you, brother, listen, he

2721
02:46:56,160 --> 02:47:02,080
Speaker 1: told me my packs is gonna ribe Christ. Where the

2722
02:47:02,120 --> 02:47:05,240
Speaker 1: funk are we right now? We hazard it sounds and

2723
02:47:05,320 --> 02:47:10,520
Speaker 1: I need to plug. You're gonna a little You're gonna

2724
02:47:10,520 --> 02:47:12,920
Speaker 1: accidentally scratch like nine records because we're halfway through a

2725
02:47:12,920 --> 02:47:14,920
Speaker 1: bottle of the Trump Hold. Listen, I just want to

2726
02:47:14,920 --> 02:47:19,120
Speaker 1: get things flipped. You. We're gonna go past my hotel.

2727
02:47:20,879 --> 02:47:25,119
Speaker 1: You want feed you a hole? Stop? Wait, I say

2728
02:47:25,360 --> 02:47:29,760
Speaker 1: you're gonna drop me to the hotel? How you? Mr?

2729
02:47:29,879 --> 02:47:32,480
Speaker 1: Lee is busy? I got you, but Xcel I got you.

2730
02:47:33,240 --> 02:47:35,560
Speaker 1: You got your Trump. Whatever you want, I got you. Listen,

2731
02:47:35,800 --> 02:47:40,880
Speaker 1: Why can't I just say it? Let's listen? Killing me

2732
02:47:41,720 --> 02:47:43,560
Speaker 1: right now? I don't care about your right back to

2733
02:47:43,640 --> 02:47:48,680
Speaker 1: the hotel. I care about norell J can't happen. You

2734
02:47:48,800 --> 02:47:56,640
Speaker 1: care about It's my hero right now? The packages, packages,

2735
02:47:56,720 --> 02:47:58,360
Speaker 1: whatever you want to call it, you'll nor you don't

2736
02:47:58,400 --> 02:48:01,280
Speaker 1: we want to talk about this because he said you

2737
02:48:01,320 --> 02:48:03,640
Speaker 1: don't even want to talk about this. Sorry, talking about

2738
02:48:04,120 --> 02:48:07,840
Speaker 1: text messages will be so extra back, No, the Texas

2739
02:48:07,879 --> 02:48:10,360
Speaker 1: will be so extra tonight. I need you. I leave,

2740
02:48:10,800 --> 02:48:14,600
Speaker 1: I leave, I leave it to you. I love you.

2741
02:48:15,160 --> 02:48:18,879
Speaker 1: He just called you a bronx na. Holong good bronx Na.

2742
02:48:19,200 --> 02:48:24,240
Speaker 1: Heard bron That's all you're gonna ever heard drunk dr

2743
02:48:24,560 --> 02:48:39,560
Speaker 1: got drunk. Everybody, I'm gonna hit it, hit it, never exactly.

2744
02:48:40,280 --> 02:48:43,720
Speaker 1: Its context is really high. I'm fucked up right now.

2745
02:48:44,600 --> 02:48:50,160
Speaker 1: Your clock can't ball the male all sneakers who like thirties,

2746
02:48:50,560 --> 02:48:56,640
Speaker 1: seven eight hundred six is an amazing number. That's a

2747
02:48:56,720 --> 02:49:00,320
Speaker 1: great number. I agree with you to that number. You're

2748
02:49:00,400 --> 02:49:05,840
Speaker 1: killing the game by playing, You're fucking it'll be. I

2749
02:49:06,040 --> 02:49:12,560
Speaker 1: want to expect snake currency. He changed from culture because

2750
02:49:13,240 --> 02:49:21,960
Speaker 1: because he's smart. He's smart like everybody's ideology here. You'll

2751
02:49:22,000 --> 02:49:30,760
Speaker 1: wait a minute. He's good. He's good. Relax meda one.

2752
02:49:31,520 --> 02:49:34,039
Speaker 1: That's his act, keeping with the egg buddy. You gotta relax,

2753
02:49:35,840 --> 02:49:40,119
Speaker 1: but listen, taking up a shot, I'm let's go. You're

2754
02:49:40,160 --> 02:49:44,920
Speaker 1: just talking about what about it that I'm drunk? What

2755
02:49:45,000 --> 02:49:48,240
Speaker 1: about that? With all due respect, I'm not drinking. I

2756
02:49:48,280 --> 02:49:50,520
Speaker 1: don't give a funk what y'all said. Drinking one much

2757
02:49:50,600 --> 02:49:53,360
Speaker 1: about from Brooklyn? You know you don't good you got

2758
02:49:53,959 --> 02:49:55,800
Speaker 1: the book. I mean I don't think. I don't think that.

2759
02:49:56,240 --> 02:49:58,160
Speaker 1: Maybe I can't go to drink with your brother. Your

2760
02:49:58,200 --> 02:50:03,080
Speaker 1: brother's making brother ship worked in the nineties. You want

2761
02:50:03,080 --> 02:50:05,400
Speaker 1: to know what's crazy. I'm from Brooklyn. I'm like like

2762
02:50:05,680 --> 02:50:10,840
Speaker 1: peer pressure. Don't funk with me like peers, like when

2763
02:50:10,840 --> 02:50:12,280
Speaker 1: you're saying, you know what funny, I'm not even lessing.

2764
02:50:12,320 --> 02:50:14,600
Speaker 1: I'm just pulling a clock shot and you're gonna lose. Baby,

2765
02:50:14,600 --> 02:50:16,320
Speaker 1: I'm not drinking. What are you guys biting each other?

2766
02:50:17,520 --> 02:50:21,280
Speaker 1: Do you want to bite that little birs empty glass?

2767
02:50:21,680 --> 02:50:28,840
Speaker 1: Bank day? Yeah? You what's really good? Vick? Good? You

2768
02:50:28,959 --> 02:50:31,360
Speaker 1: know that I love you, left that you don't love

2769
02:50:31,400 --> 02:50:35,280
Speaker 1: me no more. Everybody loves each other, everybody, Harford. Let's go.

2770
02:50:35,680 --> 02:50:51,720
Speaker 1: Let's go about your glass right there, take it easy, good.

2771
02:50:54,879 --> 02:50:59,240
Speaker 1: You can accidentally scratch now, but I'll do expect. This

2772
02:50:59,320 --> 02:51:01,640
Speaker 1: is a motherfucker's who has nothing to do right now,

2773
02:51:01,760 --> 02:51:04,960
Speaker 1: making me. I changed my flight to fight with you.

2774
02:51:05,120 --> 02:51:19,480
Speaker 1: Let's go on check this out. You're my brother, h

2775
02:51:19,560 --> 02:51:23,160
Speaker 1: I want to break that you annory. If I don't

2776
02:51:23,160 --> 02:51:24,960
Speaker 1: get a podcast behind this ship, I'm gonna be a

2777
02:51:25,000 --> 02:51:34,000
Speaker 1: little yalla ruin on that listen. I know you're a

2778
02:51:34,040 --> 02:51:36,720
Speaker 1: little funked up, but remember this podcast was lessens. I

2779
02:51:36,840 --> 02:51:39,200
Speaker 1: was a part of this. We're doing checking the sober

2780
02:51:39,280 --> 02:51:44,959
Speaker 1: guy over here, that's right. Yeah, No, I'm gonna call

2781
02:51:45,000 --> 02:51:51,880
Speaker 1: you club. You're out clock you miss what I said,

2782
02:51:52,320 --> 02:51:59,840
Speaker 1: joe what about Joey thing? Shout the status back in

2783
02:51:59,879 --> 02:52:04,440
Speaker 1: this brave as. I ain't got nothing bad to say

2784
02:52:04,440 --> 02:52:08,520
Speaker 1: about Joey Brooklyn is from the Flatbush? I think, yeah,

2785
02:52:10,120 --> 02:52:12,840
Speaker 1: maybe it flash. I think he's from Flappers. Joey badass.

2786
02:52:13,320 --> 02:52:14,959
Speaker 1: He got to join with Jay Cole and he got

2787
02:52:15,080 --> 02:52:16,959
Speaker 1: to join with Stou. Speak from both of them. Ships

2788
02:52:17,040 --> 02:52:20,360
Speaker 1: is legend, shout the statics selected. I'm just is legend.

2789
02:52:21,160 --> 02:52:23,880
Speaker 1: Studs of producible. I don't know if he could do

2790
02:52:24,000 --> 02:52:26,879
Speaker 1: some or not. He produced Stouse. I know that Joey's dope.

2791
02:52:28,360 --> 02:52:30,960
Speaker 1: Where were you going with this? I'll just ask you.

2792
02:52:31,000 --> 02:52:35,080
Speaker 1: You gonna hear about cash? What waits? What you said?

2793
02:52:35,320 --> 02:52:42,560
Speaker 1: I'm your business partner right now and you just h questions? No, Oa, okay.

2794
02:52:44,000 --> 02:52:50,800
Speaker 1: Next I didn't understand it best, and I was like,

2795
02:52:50,879 --> 02:53:00,879
Speaker 1: I don't speak. Having said, I'm going to the club,

2796
02:53:01,040 --> 02:53:03,080
Speaker 1: all right, I'm going to bring somebody's jaw. I promise

2797
02:53:03,120 --> 02:53:07,119
Speaker 1: you you're gonna bring the last job. Promise you here

2798
02:53:07,200 --> 02:53:10,520
Speaker 1: and what I said, if we got you, the air

2799
02:53:10,600 --> 02:53:13,680
Speaker 1: condition's gonna break. I keep it on alum, with all

2800
02:53:13,760 --> 02:53:15,840
Speaker 1: due respect, you did not get us the air condition

2801
02:53:15,879 --> 02:53:17,840
Speaker 1: that they got you the air condition to move this

2802
02:53:17,840 --> 02:53:24,400
Speaker 1: ship over here. I'm not here. It's amazing my every way.

2803
02:53:24,440 --> 02:53:28,960
Speaker 1: It would be dry right now. I got our last clock.

2804
02:53:29,720 --> 02:53:34,600
Speaker 1: You know what I got awesome. Somebody's not gonna make

2805
02:53:34,640 --> 02:53:37,040
Speaker 1: it the puff party tonight. I'm going to go to

2806
02:53:37,160 --> 02:53:40,879
Speaker 1: all parties, all party. I'm not come I got your

2807
02:53:40,959 --> 02:53:47,000
Speaker 1: word part I ain't. I got to work. I don't

2808
02:53:47,000 --> 02:53:51,760
Speaker 1: come on. There's no words. Tell you everyone fight six

2809
02:53:52,840 --> 02:53:54,600
Speaker 1: Just what are we at? Where we at right now?

2810
02:53:55,200 --> 02:53:57,240
Speaker 1: Day to day? I ain't even get day to day.

2811
02:53:57,240 --> 02:54:05,640
Speaker 1: It's a man. Soon it's got there. Dana da da stories?

2812
02:54:06,760 --> 02:54:23,920
Speaker 1: Why why not say anything about today? My guy? How

2813
02:54:23,959 --> 02:54:26,240
Speaker 1: did that happen to have him? Because I was DJ

2814
02:54:26,400 --> 02:54:28,600
Speaker 1: and out of talent show at Washington or in high

2815
02:54:28,640 --> 02:54:31,880
Speaker 1: school and his record had just dropped, and he came

2816
02:54:31,920 --> 02:54:34,000
Speaker 1: to the school and he was going to perform for

2817
02:54:34,080 --> 02:54:36,400
Speaker 1: the crowd, and he asked me if I could dropped

2818
02:54:36,440 --> 02:54:38,800
Speaker 1: the record. And the way that I dropped the record

2819
02:54:39,240 --> 02:54:43,520
Speaker 1: made him say, Yo, you know that that was perfect?

2820
02:54:43,560 --> 02:54:46,320
Speaker 1: Do you think you could like do that for me

2821
02:54:46,400 --> 02:54:50,000
Speaker 1: at another at another place? Pause that a little little

2822
02:54:50,040 --> 02:54:52,240
Speaker 1: sex pact right there. But anyway, he asked me if

2823
02:54:52,280 --> 02:54:54,680
Speaker 1: I could you know DJ form at another place? And

2824
02:54:54,760 --> 02:54:58,440
Speaker 1: I said sure and I did, And from that point on,

2825
02:54:58,600 --> 02:55:03,640
Speaker 1: I was this DJ Danny Day. The name were Fame,

2826
02:55:04,120 --> 02:55:11,560
Speaker 1: Danna Dane met me, Danna Dane met me, be Clark Kent,

2827
02:55:12,720 --> 02:55:14,880
Speaker 1: what I met you? He met me being DJ Clarkkin.

2828
02:55:14,959 --> 02:55:16,840
Speaker 1: I was already DJ Clark Kent when he met me.

2829
02:55:16,879 --> 02:55:19,520
Speaker 1: So it wasn't a he put me on thing. It

2830
02:55:19,680 --> 02:55:22,160
Speaker 1: was a he was like, yo, can Dan, can you

2831
02:55:22,280 --> 02:55:28,680
Speaker 1: come along with Fame? What Fame d Day? With Fame

2832
02:55:28,800 --> 02:55:32,119
Speaker 1: here to entertain? By the time I leave, you remember

2833
02:55:32,160 --> 02:55:48,880
Speaker 1: my name Dan? Going? Question? I got, I got a

2834
02:55:48,959 --> 02:55:51,720
Speaker 1: man questions because I want the world to hear what

2835
02:55:51,800 --> 02:55:56,640
Speaker 1: I know. All you gotta relact. It's your show. I'm

2836
02:55:59,440 --> 02:56:07,120
Speaker 1: I got to go ship ship Yeah, I get it.

2837
02:56:08,800 --> 02:56:11,840
Speaker 1: There was no no, no, no, no, no, no, nothing

2838
02:56:14,040 --> 02:56:17,680
Speaker 1: on the interviewer. So there was a point of life.

2839
02:56:18,760 --> 02:56:22,000
Speaker 1: Talk about when you when you told the world that

2840
02:56:22,200 --> 02:56:25,800
Speaker 1: jay Z was the best MC ever. You told Grandmaster

2841
02:56:25,920 --> 02:56:28,000
Speaker 1: Cars that yeah, And if I'm not mistake, you told

2842
02:56:28,040 --> 02:56:32,440
Speaker 1: me you know that too. I didn't necessarily tell them

2843
02:56:32,640 --> 02:56:35,680
Speaker 1: both because I was trying to tell them before I did.

2844
02:56:35,920 --> 02:56:39,000
Speaker 1: Was I said after New Music Summonar while the m

2845
02:56:39,080 --> 02:56:41,440
Speaker 1: C battle was going on, is was that a Jack

2846
02:56:41,520 --> 02:56:45,720
Speaker 1: the rappid thing? This music summonar Jay was with me

2847
02:56:45,800 --> 02:56:47,560
Speaker 1: and I turned and I said, damn, by the way,

2848
02:56:47,640 --> 02:56:50,000
Speaker 1: this is the best m C in the world. Then

2849
02:56:50,080 --> 02:56:51,880
Speaker 1: we kept going with the MC battle and by that

2850
02:56:52,240 --> 02:56:55,160
Speaker 1: at the time of the by the time the battle

2851
02:56:55,280 --> 02:56:59,440
Speaker 1: was over, Grandmaster Chas and Meli melaf to the side

2852
02:56:59,440 --> 02:57:02,600
Speaker 1: of the state and these are my guys, like the

2853
02:57:02,760 --> 02:57:06,400
Speaker 1: god no Grandmaster Cats for a lot of my life

2854
02:57:06,920 --> 02:57:09,959
Speaker 1: and Meli mel for a lot of my origin. Ye

2855
02:57:10,120 --> 02:57:13,760
Speaker 1: yea A Cats was the first best MC ever. That's

2856
02:57:13,760 --> 02:57:17,600
Speaker 1: why I brought this up. So he says, Nigga, what

2857
02:57:17,640 --> 02:57:20,400
Speaker 1: the fund is you talking about? And mel was like, Nigga,

2858
02:57:20,800 --> 02:57:23,320
Speaker 1: you see me standing there like how then are you

2859
02:57:23,360 --> 02:57:26,480
Speaker 1: just gonna say some crazy ship like that? And you

2860
02:57:26,560 --> 02:57:28,800
Speaker 1: have to understand, like these are guys that I have

2861
02:57:29,000 --> 02:57:32,040
Speaker 1: respect for, and I look at Liken. You guys are

2862
02:57:32,080 --> 02:57:35,440
Speaker 1: the forefront of the culture. Think about this. If there's

2863
02:57:35,520 --> 02:57:40,480
Speaker 1: no message, there's no gangster rap. A lot of things

2864
02:57:40,520 --> 02:57:43,160
Speaker 1: no no, no, no, no no no, A lot of

2865
02:57:43,240 --> 02:57:46,920
Speaker 1: things would have happened. But that was the record when

2866
02:57:47,000 --> 02:57:49,200
Speaker 1: he said what he said on the message and the

2867
02:57:49,280 --> 02:57:51,440
Speaker 1: fact what it might have been called. They were calling

2868
02:57:51,440 --> 02:57:54,240
Speaker 1: it reality. It was reality. But all these rap is

2869
02:57:54,280 --> 02:57:56,440
Speaker 1: reality right right right. So my thing is, if you

2870
02:57:56,560 --> 02:57:59,800
Speaker 1: don't hear this first reality rap record, do you ever

2871
02:58:00,040 --> 02:58:03,600
Speaker 1: get to CNN ever? Do you ever get to n

2872
02:58:03,800 --> 02:58:06,760
Speaker 1: W Way? Do you ever get to school e D No,

2873
02:58:07,080 --> 02:58:11,960
Speaker 1: you don't. The first reality rap record that that you

2874
02:58:12,120 --> 02:58:15,800
Speaker 1: can know that broke through and made it. They did

2875
02:58:15,879 --> 02:58:18,920
Speaker 1: white lines to right. Yeah, but that was after the

2876
02:58:19,040 --> 02:58:21,920
Speaker 1: message no no, but I mean it's no, no, it's

2877
02:58:22,000 --> 02:58:25,600
Speaker 1: not that lineage don't matter. What matters is the message

2878
02:58:25,760 --> 02:58:31,760
Speaker 1: was made. People heard a child, no, no, this guy

2879
02:58:32,080 --> 02:58:34,560
Speaker 1: sus no no, no no. The bottom line is on

2880
02:58:34,720 --> 02:58:37,800
Speaker 1: a record, you heard pretty lady living in a bag.

2881
02:58:38,480 --> 02:58:40,840
Speaker 1: You know what I'm saying. You heard may tag, you

2882
02:58:41,000 --> 02:58:44,440
Speaker 1: heard all kinds of crazy ship on this one record

2883
02:58:44,840 --> 02:58:47,160
Speaker 1: that wasn't Yeah, we're gonna go to the party, We're

2884
02:58:47,160 --> 02:58:49,000
Speaker 1: gonna pop bottles, we're gonna get drunk, and we're gonna

2885
02:58:49,000 --> 02:58:51,520
Speaker 1: have a party. Because every record before that was that

2886
02:58:52,320 --> 02:58:59,920
Speaker 1: until Melly Melon Dude Booty made the message. So gangster

2887
02:59:00,040 --> 02:59:03,600
Speaker 1: rap changes. I mean anything that anything that you would

2888
02:59:03,600 --> 02:59:06,360
Speaker 1: have said it was reality became gangster rap, which is

2889
02:59:06,440 --> 02:59:10,200
Speaker 1: corny because it should all be called reality rap. After

2890
02:59:10,320 --> 02:59:13,200
Speaker 1: after you told him Jay was the best ever, it

2891
02:59:13,320 --> 02:59:15,760
Speaker 1: was going to be the best ever. How long after

2892
02:59:15,840 --> 02:59:17,320
Speaker 1: did they sit there and tell you? Did they agree

2893
02:59:17,360 --> 02:59:22,760
Speaker 1: with you? Oh? Maybe about about three years later. There

2894
02:59:22,879 --> 02:59:27,640
Speaker 1: was a UM, There was a Zulu. There was a

2895
02:59:27,720 --> 02:59:33,880
Speaker 1: Zulu anniversary conference and Bronx and I was actually in

2896
02:59:33,959 --> 02:59:38,720
Speaker 1: Manhattan and damn, and Grandmaster Cars had a table in

2897
02:59:38,879 --> 02:59:47,920
Speaker 1: it where he was selling Grandma all of like like

2898
02:59:48,040 --> 02:59:53,480
Speaker 1: Grandmaster Cats had a table full of tapes of Feliss

2899
02:59:54,120 --> 03:00:00,200
Speaker 1: Phillis four, Fantastic five, Furious five, Current Cat four, semcs Um,

2900
03:00:03,360 --> 03:00:06,760
Speaker 1: Cold Crush Brothers. He had this this table when he

2901
03:00:06,879 --> 03:00:10,680
Speaker 1: was selling actual with cassette copies of old school jams

2902
03:00:10,760 --> 03:00:14,400
Speaker 1: that were on tapes back in the days. At this

2903
03:00:14,600 --> 03:00:18,920
Speaker 1: at this some at the Zulu Anniversary. And I walked

2904
03:00:18,959 --> 03:00:22,840
Speaker 1: into the Zulu Inific and I see cats on them, Like, damn,

2905
03:00:22,879 --> 03:00:24,840
Speaker 1: I don't know if I could speak to my men,

2906
03:00:24,959 --> 03:00:26,920
Speaker 1: who I've known since I was a young boy, is

2907
03:00:26,959 --> 03:00:29,040
Speaker 1: he gonna still be like what up? And he was like, yo,

2908
03:00:29,200 --> 03:00:34,800
Speaker 1: let me talk to you. And I'm like shit, so

2909
03:00:34,959 --> 03:00:36,840
Speaker 1: we will go over to the side. He was like, yo,

2910
03:00:36,920 --> 03:00:40,120
Speaker 1: I just want to tell you something. Man, he was

2911
03:00:40,240 --> 03:00:44,200
Speaker 1: right about jay Z, and I was like, shit, so

2912
03:00:44,360 --> 03:00:47,520
Speaker 1: everything I was trying to tell you to tell y'all like, dude,

2913
03:00:47,720 --> 03:00:50,440
Speaker 1: is like really that deal? Like nobody would listen to

2914
03:00:50,520 --> 03:00:54,360
Speaker 1: me and understand me. Like jay Z had come out

2915
03:00:54,879 --> 03:00:58,760
Speaker 1: second album, We're rocking, Nobody can tell me anything and

2916
03:00:58,840 --> 03:01:00,320
Speaker 1: you could say what you want to say, feel how

2917
03:01:00,360 --> 03:01:02,480
Speaker 1: you want to feel. I knew I was right. Jay

2918
03:01:02,560 --> 03:01:06,320
Speaker 1: Z is killing him. And then Grandmaster Cast says, who

2919
03:01:06,480 --> 03:01:09,880
Speaker 1: you was right about jay Z? To me that damn

2920
03:01:09,959 --> 03:01:12,760
Speaker 1: it was my grammy because he's Grandmaster Casts. He's the

2921
03:01:12,920 --> 03:01:17,520
Speaker 1: first MC that I looked at and was like, he's

2922
03:01:17,600 --> 03:01:22,200
Speaker 1: the best. Even though RAT would look at Millie mellon go,

2923
03:01:22,720 --> 03:01:26,040
Speaker 1: he was the best. I looked the chasm was like

2924
03:01:27,879 --> 03:01:32,400
Speaker 1: I really like Mellie mel but I think he's the best.

2925
03:01:33,920 --> 03:01:37,119
Speaker 1: So the first best MC came to me and said,

2926
03:01:38,000 --> 03:01:41,920
Speaker 1: you know you was right about jay Z. Karris One

2927
03:01:42,080 --> 03:01:43,680
Speaker 1: tried to tell me I was bugging when I was

2928
03:01:43,720 --> 03:01:45,680
Speaker 1: talking about K When I was talking about jay Z.

2929
03:01:47,640 --> 03:01:49,400
Speaker 1: He did. We was in the studio, we were at

2930
03:01:51,760 --> 03:01:56,960
Speaker 1: I never heard that he knew he was dope. Was

2931
03:01:57,040 --> 03:02:02,040
Speaker 1: making a record called five Burrows and he was like, yeah,

2932
03:02:02,040 --> 03:02:04,320
Speaker 1: I'm gonna put the Dots Effects Dots Effects on it.

2933
03:02:04,600 --> 03:02:06,320
Speaker 1: I was like, yo, you should, you should put jay

2934
03:02:06,400 --> 03:02:09,160
Speaker 1: Z on it. He was like why and I was

2935
03:02:09,280 --> 03:02:12,440
Speaker 1: like what, Like, what the funk are you talking about?

2936
03:02:13,040 --> 03:02:18,440
Speaker 1: Like I said, dog, jay Z is that mega? Like

2937
03:02:18,560 --> 03:02:20,880
Speaker 1: he was like, I don't know what you see Clark,

2938
03:02:21,800 --> 03:02:25,920
Speaker 1: And I was like, my Brooklyn, Yeah, it would understanding.

2939
03:02:25,920 --> 03:02:28,360
Speaker 1: He was making a record called five Borrows, so it

2940
03:02:28,400 --> 03:02:30,800
Speaker 1: would have been somebody from Brooklyn, you know, standing out

2941
03:02:30,800 --> 03:02:33,000
Speaker 1: on the Queen's long. You know what I'm saying, you

2942
03:02:33,120 --> 03:02:35,080
Speaker 1: choose dots. And I was looking at him like, dog,

2943
03:02:35,440 --> 03:02:38,160
Speaker 1: I'm not mad at you choosing dots because they from Brooklyn,

2944
03:02:38,280 --> 03:02:40,880
Speaker 1: So I'm not mad period, but dog, like jay Z

2945
03:02:41,080 --> 03:02:43,480
Speaker 1: is an inferno, like you might want to use it.

2946
03:02:43,760 --> 03:02:45,600
Speaker 1: He was like why, I don't get it. And I

2947
03:02:45,760 --> 03:02:55,960
Speaker 1: was just like the persia he should have moved, like

2948
03:02:56,040 --> 03:02:57,440
Speaker 1: you know what I'm saying, Like you what, what the

2949
03:02:57,480 --> 03:02:59,280
Speaker 1: funk are you listening to? That? You can't say that

2950
03:02:59,360 --> 03:03:02,520
Speaker 1: dude is super nice, Like he's not nice on a

2951
03:03:02,640 --> 03:03:05,200
Speaker 1: regular level. He's like nice on the level that you

2952
03:03:05,360 --> 03:03:09,520
Speaker 1: can't even come close to, Like he's like nice somewhere else,

2953
03:03:10,720 --> 03:03:14,599
Speaker 1: like if there's an alternate Earth jays there by himself.

2954
03:03:16,000 --> 03:03:17,800
Speaker 1: You know what I'm saying? Like the fun nice are

2955
03:03:17,840 --> 03:03:20,720
Speaker 1: you talking about? So when you say that to me,

2956
03:03:21,160 --> 03:03:23,080
Speaker 1: I can't to understand. I'm the guy who's standing in

2957
03:03:23,200 --> 03:03:26,480
Speaker 1: front going no, nigga, you can't funk with hold. But

2958
03:03:26,600 --> 03:03:33,040
Speaker 1: then you tell me that like you what, Come on

2959
03:03:33,200 --> 03:03:35,120
Speaker 1: and stop it, man, you deserve a snuck on the

2960
03:03:35,240 --> 03:03:39,520
Speaker 1: hand for that. Let your jealousy together out the way.

2961
03:03:45,360 --> 03:04:00,720
Speaker 1: What's right that you like? Man, you don't know what

2962
03:04:00,800 --> 03:04:02,800
Speaker 1: you was talking about? Do you want to tell him

2963
03:04:02,800 --> 03:04:07,880
Speaker 1: what that? Tell him what that? Just tell him, you know,

2964
03:04:08,200 --> 03:04:19,800
Speaker 1: just tell him fuckre like my nigger, your fun business?

2965
03:04:20,640 --> 03:04:27,680
Speaker 1: Anything better? Then we keep continued to praise and respect

2966
03:04:30,560 --> 03:04:34,440
Speaker 1: and your presence has wrong us to the drink chaps,

2967
03:04:35,560 --> 03:04:39,120
Speaker 1: and we love you. You love everything you represent, You

2968
03:04:39,240 --> 03:04:42,600
Speaker 1: love everything you had a part to be a part of.

2969
03:04:43,200 --> 03:04:50,600
Speaker 1: And you are you doing y guys? Guys talk over here,

2970
03:04:50,640 --> 03:04:54,800
Speaker 1: mane you love everything that clark Ken is a part

2971
03:04:54,879 --> 03:04:58,960
Speaker 1: of the work. Clark Ken, he's sitting here like a

2972
03:04:59,080 --> 03:05:08,040
Speaker 1: red devil blood are you talking about right now in

2973
03:05:08,080 --> 03:05:12,080
Speaker 1: the gang world? Because I would like to say, Norri,

2974
03:05:12,280 --> 03:05:15,879
Speaker 1: thanks for having me mana, thanks for full for form

2975
03:05:17,600 --> 03:05:20,160
Speaker 1: and you know you're my nigga. I don't know what

2976
03:05:20,280 --> 03:05:24,080
Speaker 1: the fucking sunk about right now? What gangster like? Thank

2977
03:05:24,160 --> 03:05:30,120
Speaker 1: you for having me? You went to the house. I

2978
03:05:30,120 --> 03:05:35,640
Speaker 1: don't know what those feedback Claude can. Thank you for

2979
03:05:35,800 --> 03:05:40,360
Speaker 1: being here. He wants a bleak chance on me. You

2980
03:05:40,440 --> 03:05:45,000
Speaker 1: wanted to verse very first people who sat down with

2981
03:05:45,120 --> 03:05:49,200
Speaker 1: me and told me relax. So you had to make

2982
03:05:49,240 --> 03:05:54,520
Speaker 1: about six hunds your ball. Y'all need to do a

2983
03:05:54,560 --> 03:06:03,560
Speaker 1: record together. Now you got our lax. Let's not happen like,

2984
03:06:04,400 --> 03:06:08,359
Speaker 1: let's make that we're doing it already. The alright then

2985
03:06:08,360 --> 03:06:15,680
Speaker 1: I'm a fucking prophet. You gotta relax, which I don't

2986
03:06:15,800 --> 03:06:20,880
Speaker 1: be honest, I'm no ac No, I'm just rusted me.

2987
03:06:22,959 --> 03:06:27,600
Speaker 1: I'm not the manager. But thank you so much, thank

2988
03:06:27,640 --> 03:06:31,200
Speaker 1: you for having brokr man. I know this is a

2989
03:06:31,280 --> 03:06:42,080
Speaker 1: pleasing thank you for having not one year anniversary. Thank

2990
03:06:42,120 --> 03:06:46,440
Speaker 1: you so much. I appreciate you just I just want

2991
03:06:46,480 --> 03:06:52,039
Speaker 1: to say thank you for having me here. And it's

2992
03:06:52,080 --> 03:06:55,440
Speaker 1: an honor to be your one year anniversary guest. Let's

2993
03:06:55,440 --> 03:07:00,720
Speaker 1: take it. Let's take a shout to that little up y'all,

2994
03:07:01,000 --> 03:07:02,920
Speaker 1: you know, unless you know you're from the bron you

2995
03:07:03,080 --> 03:07:05,720
Speaker 1: gotta a fucking mind, you know what. I just go no, no,

2996
03:07:05,879 --> 03:07:09,320
Speaker 1: I officially ain't ship for really really take a giant

2997
03:07:09,360 --> 03:07:13,959
Speaker 1: steeles y'all taking not taking a shot, y'all. You gotta relax.

2998
03:07:15,200 --> 03:07:19,160
Speaker 1: You gotta walking away from Taures. We gotta take pictures.

2999
03:07:19,280 --> 03:07:23,360
Speaker 1: Then I gotta take pictures. We're gonna take pictures that

3000
03:07:23,520 --> 03:07:31,680
Speaker 1: you want. I'm not taking. Make them go. Let that go,

3001
03:07:31,959 --> 03:07:38,720
Speaker 1: Let that go, let that go, Let that good heart

3002
03:07:39,000 --> 03:08:08,200
Speaker 1: he find all your favorite movies and shows faster with accidity,

3003
03:08:08,400 --> 03:08:10,560
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