1 00:00:00,120 --> 00:00:02,920 Speaker 1: Why don't two point seven It is Kiss FM. 2 00:00:03,040 --> 00:00:09,680 Speaker 2: Are you familiar with this? Yeah, I think this. I 3 00:00:09,760 --> 00:00:10,560 Speaker 2: love this one, so. 4 00:00:12,280 --> 00:00:17,240 Speaker 1: Of course this from way back in the day, no 5 00:00:17,320 --> 00:00:22,160 Speaker 1: doubt therek Gwent Stefani here, who was amazing. Everybody Gwent 6 00:00:22,400 --> 00:00:24,680 Speaker 1: was buzzing about your set after you did it at 7 00:00:24,680 --> 00:00:26,320 Speaker 1: our iHeartRadio Music Festival in Vegas. 8 00:00:27,040 --> 00:00:30,120 Speaker 3: I was backstage and Camilla Kbeo was on right before me, 9 00:00:30,480 --> 00:00:34,199 Speaker 3: and she was all sexy and like twerking and. 10 00:00:34,040 --> 00:00:36,159 Speaker 4: Doing all her stuff. You know, we were on the 11 00:00:36,240 --> 00:00:38,840 Speaker 4: voice together, so we know each other pretty good. She's 12 00:00:38,840 --> 00:00:40,400 Speaker 4: a sweet little girl. I love her. 13 00:00:40,880 --> 00:00:43,279 Speaker 3: But I was like, oh my gosh, I gotta come 14 00:00:43,320 --> 00:00:48,600 Speaker 3: out there and do some stuff next, like changing the choreography. 15 00:00:49,000 --> 00:00:51,199 Speaker 3: I was like, maybe I can do that toirl on 16 00:00:51,280 --> 00:00:52,920 Speaker 3: the what does she had like some kind of a 17 00:00:53,000 --> 00:00:56,160 Speaker 3: tourling thing she did. But it was a really exciting 18 00:00:56,200 --> 00:00:58,800 Speaker 3: and I love I love the fact that it's kind 19 00:00:58,800 --> 00:01:01,320 Speaker 3: of like a five songs like slap them around and 20 00:01:01,360 --> 00:01:05,800 Speaker 3: then you're done a minute. Like sets are like, oh 21 00:01:05,800 --> 00:01:07,840 Speaker 3: my god, it's so exhausting, but it's just so fun 22 00:01:07,880 --> 00:01:09,720 Speaker 3: to do like such a quick you know. 23 00:01:10,480 --> 00:01:11,600 Speaker 4: But yeah, it was super fun. 24 00:01:11,600 --> 00:01:13,480 Speaker 1: I had well you did the set listen was the 25 00:01:13,480 --> 00:01:16,440 Speaker 1: Sweet Escape, then somebody Else's Don't Speak justicic Hall the background, 26 00:01:16,440 --> 00:01:23,040 Speaker 1: and it was like by at that point, and somebody 27 00:01:23,319 --> 00:01:25,360 Speaker 1: Else's is the new one. How many times did you 28 00:01:25,400 --> 00:01:28,160 Speaker 1: perform that song in front of people? That was the 29 00:01:28,200 --> 00:01:29,640 Speaker 1: first time like that really? 30 00:01:29,760 --> 00:01:29,960 Speaker 2: Yeah? 31 00:01:30,000 --> 00:01:31,440 Speaker 4: I think that was the first time. 32 00:01:31,520 --> 00:01:34,720 Speaker 3: Yeah, because I had done in rehearsal like a couple 33 00:01:34,760 --> 00:01:37,920 Speaker 3: I did it a few times, but never live. And 34 00:01:37,920 --> 00:01:39,560 Speaker 3: so that's the thing when you have the new song, 35 00:01:39,600 --> 00:01:41,360 Speaker 3: You're like, oh my gosh, how much can I move? 36 00:01:41,440 --> 00:01:42,880 Speaker 4: You know what I mean? Because I I don't know 37 00:01:42,920 --> 00:01:43,880 Speaker 4: where you're breath yet. 38 00:01:43,920 --> 00:01:46,120 Speaker 3: You have to like learn how to like know when 39 00:01:46,160 --> 00:01:49,720 Speaker 3: to move on stage, and so I was definitely. 40 00:01:49,400 --> 00:01:50,080 Speaker 4: Out of breath. 41 00:01:50,160 --> 00:01:52,200 Speaker 3: I was like, oh my gosh, I learned that I'm 42 00:01:52,240 --> 00:01:53,760 Speaker 3: not going to move a lot on that song when 43 00:01:53,760 --> 00:01:56,400 Speaker 3: I sing it next time. Next time, I didn't. I 44 00:01:56,440 --> 00:01:58,800 Speaker 3: was like, okay, dancers, you dance, I'm gonna see. It 45 00:01:58,840 --> 00:02:03,360 Speaker 3: has a lot of long notes. 46 00:02:01,920 --> 00:02:03,200 Speaker 2: And it's entirely here in a second. 47 00:02:03,240 --> 00:02:05,160 Speaker 1: We did have a chance to get a little sample 48 00:02:05,520 --> 00:02:07,600 Speaker 1: of some of the album, which we will we can't 49 00:02:07,600 --> 00:02:10,320 Speaker 1: play now because it's not out, but we got a chance. 50 00:02:10,360 --> 00:02:12,040 Speaker 1: Then thank you for giving us permission for that. We 51 00:02:12,080 --> 00:02:13,560 Speaker 1: got a chance to get a little the vibe of 52 00:02:13,600 --> 00:02:15,919 Speaker 1: this album. And I think you were saying maybe I 53 00:02:16,000 --> 00:02:17,280 Speaker 1: read it, heard it. I don't know if you told 54 00:02:17,360 --> 00:02:20,600 Speaker 1: me you were saying. This track, the first single, somebody Else's, 55 00:02:20,600 --> 00:02:22,440 Speaker 1: almost didn't make the album for some reason. 56 00:02:22,520 --> 00:02:25,680 Speaker 3: Yeah, because Okay, So I had been writing for a 57 00:02:25,800 --> 00:02:28,600 Speaker 3: long time. I mean, I wanted to write a record 58 00:02:28,720 --> 00:02:32,800 Speaker 3: so bad, but you guys know, it's really hard to 59 00:02:32,840 --> 00:02:35,400 Speaker 3: find time when you're a mom, and like you almost 60 00:02:35,480 --> 00:02:37,880 Speaker 3: I felt guilty, like, oh, you know, because I've already 61 00:02:37,960 --> 00:02:41,600 Speaker 3: had so much, so many blessings, and it's like to 62 00:02:41,880 --> 00:02:43,320 Speaker 3: just keep wanting more and more and more. 63 00:02:43,360 --> 00:02:45,680 Speaker 4: It's like just you did it, you know what I mean, 64 00:02:45,720 --> 00:02:46,880 Speaker 4: Like why are you gonna go do more? 65 00:02:46,919 --> 00:02:50,000 Speaker 3: But I feel like when I write, like it's so 66 00:02:50,680 --> 00:02:52,040 Speaker 3: I need to do it. 67 00:02:51,800 --> 00:02:53,799 Speaker 4: Yeah, it's like working out for me, like I have 68 00:02:53,880 --> 00:02:54,280 Speaker 4: to do it. 69 00:02:54,480 --> 00:02:56,440 Speaker 3: You know, I'm never going to have the body I had, 70 00:02:56,480 --> 00:02:57,560 Speaker 3: but I still want to work out. 71 00:02:57,600 --> 00:02:59,000 Speaker 4: I need to work out. By the way, you still 72 00:02:59,040 --> 00:02:59,880 Speaker 4: have the body you had. 73 00:03:00,520 --> 00:03:02,880 Speaker 3: No, but you know what I'm saying, like you as 74 00:03:02,919 --> 00:03:05,960 Speaker 3: you live, You're like I did that a lot of times, 75 00:03:06,000 --> 00:03:08,520 Speaker 3: but I still feel like it helps me so much, 76 00:03:08,639 --> 00:03:12,639 Speaker 3: especially in my life going from everybody knows the family 77 00:03:12,800 --> 00:03:14,760 Speaker 3: broke up like it was and everyone's like, oh, it 78 00:03:14,800 --> 00:03:17,280 Speaker 3: was so much time's gone by, but that it takes 79 00:03:17,320 --> 00:03:19,040 Speaker 3: a long time to heal, you know what I'm saying 80 00:03:19,160 --> 00:03:22,480 Speaker 3: it and it goes really really fast, and so for 81 00:03:22,520 --> 00:03:24,480 Speaker 3: me to be able to write new music, and I 82 00:03:24,520 --> 00:03:26,320 Speaker 3: didn't even know how healing it was going to be 83 00:03:26,560 --> 00:03:29,080 Speaker 3: until like even the other day, I got on like 84 00:03:29,120 --> 00:03:32,720 Speaker 3: a big zoom with all of universal the world right, 85 00:03:32,800 --> 00:03:35,200 Speaker 3: it was like all these and I was like crying 86 00:03:35,320 --> 00:03:37,240 Speaker 3: playing the record for them because I'm like, I can't 87 00:03:37,240 --> 00:03:40,960 Speaker 3: believe how emotional it is to write songs over a 88 00:03:40,960 --> 00:03:43,840 Speaker 3: really long period of time and share your life and 89 00:03:43,880 --> 00:03:44,480 Speaker 3: then have. 90 00:03:44,520 --> 00:03:45,280 Speaker 4: People hear it. 91 00:03:45,280 --> 00:03:48,760 Speaker 3: It's it's it's weird because the songs are literally handed 92 00:03:48,800 --> 00:03:52,200 Speaker 3: down by God like it is very like a spiritual thing. 93 00:03:52,360 --> 00:03:55,480 Speaker 3: So sharing it, you get this whole another layer after 94 00:03:55,600 --> 00:03:58,160 Speaker 3: listening to it all this time myself and then having it, 95 00:03:58,200 --> 00:04:00,880 Speaker 3: like I don't know, exposed, it's it's very cool. 96 00:04:01,080 --> 00:04:02,920 Speaker 4: So whatever gets old is. 97 00:04:02,880 --> 00:04:08,280 Speaker 1: This span of time and emotion that is encapsulated in 98 00:04:08,320 --> 00:04:11,240 Speaker 1: this album. For you in terms of all the different songs, 99 00:04:11,280 --> 00:04:12,600 Speaker 1: are they in different periods for you? 100 00:04:13,320 --> 00:04:14,440 Speaker 4: So many layers to this. 101 00:04:14,560 --> 00:04:17,040 Speaker 3: And it's the thing is when I started writing, I 102 00:04:17,080 --> 00:04:18,760 Speaker 3: really went down the path of like I want to 103 00:04:18,800 --> 00:04:21,000 Speaker 3: make a reggae record, No I'm gonna make I want 104 00:04:21,000 --> 00:04:23,839 Speaker 3: to go because it was twenty twenty and it felt 105 00:04:23,880 --> 00:04:26,120 Speaker 3: like I want to make a really happy record. Then 106 00:04:26,200 --> 00:04:29,400 Speaker 3: something that had and everything felt very nostalgic like that 107 00:04:29,480 --> 00:04:31,880 Speaker 3: was that music was coming back again, like everyone was 108 00:04:31,920 --> 00:04:34,240 Speaker 3: listening to the old stuff from TikTok, Like all of 109 00:04:34,279 --> 00:04:36,600 Speaker 3: my songs were getting big again on TikTok That's wild. 110 00:04:36,720 --> 00:04:39,359 Speaker 3: So I was inspired by that. And then as I 111 00:04:39,440 --> 00:04:41,600 Speaker 3: was going down that path, I kept feeling like I 112 00:04:41,680 --> 00:04:45,120 Speaker 3: was chasing myself, like trying to like compete with the 113 00:04:45,240 --> 00:04:48,680 Speaker 3: old me. And it was never it wasn't like I 114 00:04:48,760 --> 00:04:51,679 Speaker 3: loved the songs, but it just didn't feel like nobody 115 00:04:51,720 --> 00:04:52,279 Speaker 3: else did. 116 00:04:53,040 --> 00:04:57,200 Speaker 4: Or I was like, no one's reacting, maybe I am. 117 00:04:57,320 --> 00:04:59,039 Speaker 4: Maybe it is over, you know what I mean. 118 00:04:59,480 --> 00:05:01,719 Speaker 3: And then it would just keep going and going, and 119 00:05:01,920 --> 00:05:04,320 Speaker 3: you have to remember like these are stolen moments, Like okay, 120 00:05:04,320 --> 00:05:06,560 Speaker 3: they're at school, I have four hours go in. 121 00:05:06,520 --> 00:05:08,440 Speaker 4: And write with some people you don't know, and a 122 00:05:08,440 --> 00:05:08,800 Speaker 4: lot of. 123 00:05:08,760 --> 00:05:10,560 Speaker 3: It I was writing on zoom because we were in 124 00:05:10,600 --> 00:05:14,520 Speaker 3: COVID and so then like the energy's different. It was 125 00:05:14,560 --> 00:05:17,480 Speaker 3: just the whole thing was a weird, and it really 126 00:05:17,520 --> 00:05:19,640 Speaker 3: felt like I had to fight for myself. 127 00:05:19,680 --> 00:05:21,520 Speaker 4: Like, Okay, nobody cares if I do it. 128 00:05:22,360 --> 00:05:24,640 Speaker 3: I probably shouldn't be doing it. I should probably be 129 00:05:24,680 --> 00:05:25,360 Speaker 3: cooking dinner. 130 00:05:25,400 --> 00:05:28,160 Speaker 4: But like I just I knew I needed to do it. 131 00:05:28,200 --> 00:05:30,839 Speaker 3: So I kept going, going going, and at one point 132 00:05:30,920 --> 00:05:33,479 Speaker 3: like I had enough songs to make a record, but 133 00:05:33,520 --> 00:05:35,040 Speaker 3: it just didn't feel right. And then I went in 134 00:05:35,040 --> 00:05:37,440 Speaker 3: the studio. You know what it was. I was talking 135 00:05:37,440 --> 00:05:40,000 Speaker 3: to Adam Levine and he's such a jerk. I was like, 136 00:05:40,040 --> 00:05:42,000 Speaker 3: how do you You must have sold your soul with 137 00:05:42,040 --> 00:05:43,920 Speaker 3: the devil because look, how do you have all these hits? 138 00:05:43,960 --> 00:05:44,159 Speaker 4: Still? 139 00:05:44,200 --> 00:05:46,000 Speaker 3: Like that's crazy and he's like we just had we're 140 00:05:46,000 --> 00:05:49,599 Speaker 3: having a personal conversation. I don't need Adam, and he 141 00:05:49,720 --> 00:05:51,560 Speaker 3: was like, oh no, you need to work with Ja Cash. 142 00:05:51,600 --> 00:05:54,520 Speaker 3: And Ja Cash is you know a guy that is 143 00:05:54,560 --> 00:05:58,680 Speaker 3: like really super talented producer, songwriter, blah blah blah. And 144 00:05:58,760 --> 00:06:00,920 Speaker 3: so it took me like to even get him on 145 00:06:00,960 --> 00:06:03,760 Speaker 3: the phone right me, and I'm like, wow, God. 146 00:06:04,720 --> 00:06:08,200 Speaker 4: Like he's a busy Well, yeah, you have to wait 147 00:06:08,240 --> 00:06:08,719 Speaker 4: in line. 148 00:06:12,240 --> 00:06:14,560 Speaker 3: But it was just fun to like meet somebody that 149 00:06:14,680 --> 00:06:16,919 Speaker 3: was going to be my like be in my corner. 150 00:06:17,520 --> 00:06:19,800 Speaker 3: And he had sent me this song true Babe, which 151 00:06:19,839 --> 00:06:22,000 Speaker 3: I don't know you guys heard that song, but this 152 00:06:22,040 --> 00:06:24,280 Speaker 3: little girl, Nico wrote it and sent it to me, 153 00:06:24,320 --> 00:06:25,359 Speaker 3: and I was like, you know what, I really I 154 00:06:25,360 --> 00:06:27,480 Speaker 3: don't ever do people's songs, like it's just what's the 155 00:06:27,480 --> 00:06:29,600 Speaker 3: point of it for me? It's like the process, it's 156 00:06:30,240 --> 00:06:33,440 Speaker 3: like the but I love the song. And I was 157 00:06:33,480 --> 00:06:35,520 Speaker 3: in that kind of like in between space. I wasn't 158 00:06:35,520 --> 00:06:37,520 Speaker 3: doing anything. So I cut the song and I met 159 00:06:37,600 --> 00:06:39,440 Speaker 3: Nico and she's like, oh my. 160 00:06:39,400 --> 00:06:41,680 Speaker 4: Gosh, my mom used to listen to No Doubt. 161 00:06:41,480 --> 00:06:45,800 Speaker 3: Like you're like a little girl like girl wrote it. 162 00:06:45,800 --> 00:06:48,720 Speaker 4: I was like, I love you, Nico. And it was interesting. 163 00:06:48,760 --> 00:06:52,640 Speaker 3: It's an interesting like evolution to be in the room 164 00:06:52,720 --> 00:06:59,920 Speaker 3: with this girl who is like soup young, beauty, stunningly beautiful, talented, 165 00:07:00,279 --> 00:07:03,760 Speaker 3: confident and ready to collaborate with me. And it was 166 00:07:03,839 --> 00:07:08,120 Speaker 3: like I needed that, Like I needed this fresh perspective 167 00:07:08,200 --> 00:07:11,320 Speaker 3: on me. And he's really finding the right people that 168 00:07:11,360 --> 00:07:13,760 Speaker 3: you can. Oh yeah, I got chills, like finding the 169 00:07:13,800 --> 00:07:17,000 Speaker 3: right people to be able to be myself and be like, Okay, 170 00:07:17,080 --> 00:07:18,800 Speaker 3: now I know what I'm gonna do. Now I know 171 00:07:19,360 --> 00:07:22,840 Speaker 3: I'm I landed. So I kind of wrote Purple Viruses 172 00:07:22,880 --> 00:07:24,679 Speaker 3: with her, and that was when I was like, okay, 173 00:07:24,920 --> 00:07:25,920 Speaker 3: now I know where I'm at. 174 00:07:26,000 --> 00:07:27,360 Speaker 4: And so it took me all that. 175 00:07:27,440 --> 00:07:30,600 Speaker 3: Time, but I did a lot in between that time. 176 00:07:30,640 --> 00:07:32,840 Speaker 3: It wasn't you didn't you guys didn't see all the 177 00:07:32,880 --> 00:07:35,160 Speaker 3: songs I wrote, and some of them are really I 178 00:07:35,480 --> 00:07:38,000 Speaker 3: maybe they come out one day, I don't know. But 179 00:07:38,320 --> 00:07:40,680 Speaker 3: the thing is is that once I wrote that song, 180 00:07:40,720 --> 00:07:43,239 Speaker 3: I just felt like I got into the me now 181 00:07:43,400 --> 00:07:44,320 Speaker 3: like this, I don't it. 182 00:07:44,280 --> 00:07:46,280 Speaker 4: Doesn't fit into anything that's happening. 183 00:07:46,400 --> 00:07:49,920 Speaker 3: It's not me before, it's not me me and Sabrina 184 00:07:50,000 --> 00:07:52,240 Speaker 3: Carpenter or me and you know, it's just me. 185 00:07:52,600 --> 00:07:53,960 Speaker 4: It's like where I'm at. 186 00:07:54,040 --> 00:07:56,760 Speaker 3: So it's just very therapeutic and it feels really good 187 00:07:56,800 --> 00:07:59,840 Speaker 3: to just have like an it's like an art project. True, 188 00:08:00,000 --> 00:08:03,480 Speaker 3: I'm sure like almost like starting over. Like the attitude 189 00:08:03,560 --> 00:08:06,360 Speaker 3: is like I'm doing this because I get to do it. 190 00:08:06,400 --> 00:08:08,240 Speaker 3: I get to paint in my closet when my kids 191 00:08:08,280 --> 00:08:09,840 Speaker 3: go to school kind of thing, you know what I mean. 192 00:08:10,240 --> 00:08:12,200 Speaker 1: I love to hear that though, because we hear the 193 00:08:12,280 --> 00:08:14,360 Speaker 1: songs and we don't get to know about the paint 194 00:08:14,360 --> 00:08:15,720 Speaker 1: brush inside the closet. 195 00:08:15,880 --> 00:08:17,800 Speaker 4: Yes, the four hours that you had. 196 00:08:17,920 --> 00:08:19,680 Speaker 1: So let's let's take a quick break. I want to 197 00:08:19,680 --> 00:08:21,840 Speaker 1: come back and play something, so somebody else's is out. 198 00:08:21,920 --> 00:08:23,880 Speaker 1: Let's play that and you can hear what we're talking 199 00:08:23,880 --> 00:08:25,680 Speaker 1: about here with Gwen Stefani next on one of two 200 00:08:25,680 --> 00:08:26,640 Speaker 1: point seven Kiss FM. 201 00:08:26,680 --> 00:08:28,800 Speaker 2: Hang on, please, when's the Fanny? 202 00:08:28,920 --> 00:08:32,439 Speaker 1: Somebody else's by the way, I mean, you know this, 203 00:08:32,559 --> 00:08:35,080 Speaker 1: but the second you open your mouth, you know it's 204 00:08:35,120 --> 00:08:38,960 Speaker 1: when's the Fani? You have a signature, which is why 205 00:08:39,000 --> 00:08:41,560 Speaker 1: you're a superstar. By the way, ever a question. 206 00:08:41,760 --> 00:08:44,480 Speaker 3: I have it chills right now because that was such 207 00:08:44,520 --> 00:08:47,280 Speaker 3: a moment to be in here, like hearing the song 208 00:08:47,400 --> 00:08:49,880 Speaker 3: with Gwen in the studio, and it's just I love 209 00:08:49,920 --> 00:08:51,439 Speaker 3: you so much and I feel. 210 00:08:51,160 --> 00:08:54,120 Speaker 4: Like I'm in a weird dream, like I'm like, is 211 00:08:54,160 --> 00:08:54,840 Speaker 4: this happening. 212 00:08:55,080 --> 00:08:57,040 Speaker 1: I just love that you wrote the most beautiful thank 213 00:08:57,120 --> 00:08:59,400 Speaker 1: you note for somebody not being in your life. It's 214 00:08:59,559 --> 00:09:02,440 Speaker 1: like that was the sweetest thank you for not being 215 00:09:02,440 --> 00:09:03,319 Speaker 1: a part of my life. 216 00:09:03,400 --> 00:09:06,200 Speaker 4: I cannot take all the credit. I this is the thing. 217 00:09:06,360 --> 00:09:09,320 Speaker 4: So I once I found Ja Cash, going back to. 218 00:09:09,840 --> 00:09:13,719 Speaker 1: Jake Cash, I want to live to somebody. 219 00:09:13,840 --> 00:09:16,360 Speaker 3: I'm giving everyone credit because I would not have this 220 00:09:16,440 --> 00:09:19,800 Speaker 3: record without the people that I wrote and I'm saying, 221 00:09:19,880 --> 00:09:22,880 Speaker 3: and people that took the time to listen to my story. 222 00:09:23,040 --> 00:09:24,520 Speaker 3: And I mean a lot of times when you were 223 00:09:24,520 --> 00:09:26,800 Speaker 3: in these writing sessions and back in the day, it 224 00:09:26,880 --> 00:09:28,760 Speaker 3: was just me with the no doubt guys, and I 225 00:09:28,760 --> 00:09:31,000 Speaker 3: did all the lyrics, I did all the melodies. 226 00:09:30,559 --> 00:09:32,240 Speaker 4: And they did all the music or whatever. 227 00:09:32,600 --> 00:09:35,439 Speaker 3: And then slowly, like when I did my first solo records, 228 00:09:35,480 --> 00:09:37,319 Speaker 3: I went in and it was like there's a circuit 229 00:09:37,400 --> 00:09:39,680 Speaker 3: of writing, like there's always like the hot writers of 230 00:09:39,720 --> 00:09:42,079 Speaker 3: the moment, and I didn't even know that existed back then, 231 00:09:42,120 --> 00:09:43,640 Speaker 3: you know what I mean. And then I worked with 232 00:09:43,720 --> 00:09:45,800 Speaker 3: Linda Perry and it was like it went on and on. 233 00:09:46,080 --> 00:09:50,160 Speaker 3: But this is like these young new like coming you know, 234 00:09:50,600 --> 00:09:55,120 Speaker 3: up and coming artists or whatever writers. And I Cash 235 00:09:55,160 --> 00:09:57,679 Speaker 3: put me in with this young girl called Madison Love. 236 00:09:57,920 --> 00:09:59,920 Speaker 4: Shout out, Madison, what's up. She's listening. 237 00:10:00,120 --> 00:10:02,880 Speaker 3: She actually like posted that you guys played the song 238 00:10:03,000 --> 00:10:06,600 Speaker 3: the other day's and but what was Sonny like she's 239 00:10:06,720 --> 00:10:09,080 Speaker 3: she was like again like I'm like, how are you 240 00:10:10,000 --> 00:10:16,120 Speaker 3: that cute? And pretty and like young and confident? Like 241 00:10:16,160 --> 00:10:17,720 Speaker 3: in a way like so we're all sitting down and 242 00:10:17,720 --> 00:10:19,559 Speaker 3: we have to like we just start talking. Most of 243 00:10:19,600 --> 00:10:22,000 Speaker 3: it's just talking until all of a sudden, like a 244 00:10:22,080 --> 00:10:23,440 Speaker 3: song just plops out of the sky. 245 00:10:25,720 --> 00:10:27,600 Speaker 4: Yeah, because it's like what are we going to write about? 246 00:10:27,600 --> 00:10:28,600 Speaker 4: What are we going to write about? 247 00:10:28,600 --> 00:10:30,719 Speaker 3: And I like there was one the first song that 248 00:10:30,760 --> 00:10:34,559 Speaker 3: this little group wrote together was me and Nick and 249 00:10:35,200 --> 00:10:38,920 Speaker 3: this guy Henry whose circuit you know who you are, guys, 250 00:10:40,000 --> 00:10:42,079 Speaker 3: Nick Long Anyways, I love these guys and we had 251 00:10:42,080 --> 00:10:43,600 Speaker 3: so much fun that day and we're all getting you 252 00:10:43,600 --> 00:10:46,480 Speaker 3: walk in and you're like, hi, guys, I'm me and yeah, 253 00:10:46,840 --> 00:10:49,760 Speaker 3: and like let's see if I have anything to offer you, 254 00:10:51,080 --> 00:10:53,880 Speaker 3: and you just get to talking about your personal life 255 00:10:53,960 --> 00:10:55,400 Speaker 3: and opening up, and. 256 00:10:55,280 --> 00:10:57,760 Speaker 4: So it could go it could be like. 257 00:10:57,720 --> 00:11:00,760 Speaker 2: I have there's no rhythm you but like you could 258 00:11:00,800 --> 00:11:02,440 Speaker 2: have no it's like a date. I mean it's like 259 00:11:02,480 --> 00:11:05,160 Speaker 2: you could go out with somebody and like struggle to talk. 260 00:11:05,320 --> 00:11:06,920 Speaker 4: It's exactly like what it's like. 261 00:11:07,000 --> 00:11:10,240 Speaker 3: And that's why finding the right like comfort to be 262 00:11:10,280 --> 00:11:13,080 Speaker 3: able to really be open and like be like this 263 00:11:13,200 --> 00:11:16,839 Speaker 3: happened and talking about it and trusting them and then 264 00:11:16,880 --> 00:11:19,080 Speaker 3: also like their person like liking their. 265 00:11:18,960 --> 00:11:20,959 Speaker 4: Ideas, like like you know, sometimes you're like. 266 00:11:21,400 --> 00:11:23,640 Speaker 2: I would never say that, are you polite? 267 00:11:23,679 --> 00:11:25,520 Speaker 1: Like if you don't really love the n idea at first, 268 00:11:25,640 --> 00:11:27,000 Speaker 1: or you say that's a good one, let's put a 269 00:11:27,000 --> 00:11:27,439 Speaker 1: pin in it. 270 00:11:27,679 --> 00:11:31,160 Speaker 3: I think it's like I definitely know when I like something, 271 00:11:31,160 --> 00:11:33,480 Speaker 3: and I know when I don't like something, and so 272 00:11:33,920 --> 00:11:36,040 Speaker 3: but they're I mean, there's all of them are so 273 00:11:36,200 --> 00:11:39,760 Speaker 3: talented to the point where the previous writing sessions I 274 00:11:39,800 --> 00:11:42,400 Speaker 3: think I got like they were hogging the room, like 275 00:11:42,480 --> 00:11:43,840 Speaker 3: to the point where I was like I need to 276 00:11:43,880 --> 00:11:45,959 Speaker 3: be in this guy else I'm not. 277 00:11:45,920 --> 00:11:46,520 Speaker 4: Gonna you know. 278 00:11:46,960 --> 00:11:49,560 Speaker 3: So they it was like a really good balance of 279 00:11:49,640 --> 00:11:51,599 Speaker 3: like everybody participating. 280 00:11:51,800 --> 00:11:55,440 Speaker 4: And we had done and we actually had written. 281 00:11:55,480 --> 00:11:57,720 Speaker 3: The first song that we wrote together this group was 282 00:11:57,880 --> 00:12:01,959 Speaker 3: a song called empty Bass and we were sitting there 283 00:12:02,000 --> 00:12:04,520 Speaker 3: and somebody just said empty vase. I think we were 284 00:12:04,559 --> 00:12:07,520 Speaker 3: even talking about that flower store that's in La here, 285 00:12:07,640 --> 00:12:10,000 Speaker 3: and it just hit me. I was like, oh my gosh, 286 00:12:10,080 --> 00:12:12,080 Speaker 3: I have that. That's the songs that we wrote the song, 287 00:12:12,400 --> 00:12:14,559 Speaker 3: but is there there's a floral theme. I mean, we've 288 00:12:14,559 --> 00:12:15,320 Speaker 3: heard some of these songs. 289 00:12:15,320 --> 00:12:20,160 Speaker 4: I've seen the track, we heard Empty Vase. Definitely, yeah. 290 00:12:20,160 --> 00:12:23,040 Speaker 3: I definitely was like I had written purple horses. Yeah, 291 00:12:23,080 --> 00:12:24,760 Speaker 3: there is a flower theme going on, but I had 292 00:12:24,800 --> 00:12:29,360 Speaker 3: written purple iruses because it represented like the growth of 293 00:12:29,760 --> 00:12:32,679 Speaker 3: love and I think that you can you can always 294 00:12:32,720 --> 00:12:35,280 Speaker 3: look at life by like the seed that's planeted and 295 00:12:35,280 --> 00:12:38,120 Speaker 3: what it turns into, and also like, you know how 296 00:12:38,400 --> 00:12:40,559 Speaker 3: it has a short life, you know what I mean, 297 00:12:40,600 --> 00:12:43,400 Speaker 3: it's a short life that we're living. And so there's 298 00:12:43,440 --> 00:12:45,839 Speaker 3: a lot of metaphors that like kind of represent that 299 00:12:45,920 --> 00:12:49,280 Speaker 3: whole gardening thing, because me and Blake actually really did are. 300 00:12:49,240 --> 00:12:50,280 Speaker 4: Really into gardening. 301 00:12:50,440 --> 00:12:53,160 Speaker 3: And so when you're out there in nature and you 302 00:12:53,200 --> 00:12:55,640 Speaker 3: have plant the seed, it's like this hope, you know, 303 00:12:55,760 --> 00:12:59,319 Speaker 3: and once you plan it, it forces you to have hope, 304 00:12:59,559 --> 00:13:01,840 Speaker 3: right Yeah, And that's kind of how it was with 305 00:13:01,920 --> 00:13:04,520 Speaker 3: the album, because I felt like I knew I wanted it, 306 00:13:04,559 --> 00:13:06,640 Speaker 3: and that was I had already planted the seat in 307 00:13:06,679 --> 00:13:09,440 Speaker 3: my own brain that I needed to do it, and 308 00:13:09,800 --> 00:13:10,920 Speaker 3: there was always this hope. 309 00:13:10,760 --> 00:13:12,400 Speaker 4: No matter what got in the way of it. But 310 00:13:13,040 --> 00:13:13,640 Speaker 4: when we were in. 311 00:13:13,600 --> 00:13:16,720 Speaker 3: The studio with Madison and she would be like at 312 00:13:16,800 --> 00:13:18,679 Speaker 3: first she was like, I was like, who is this girl? 313 00:13:18,679 --> 00:13:20,319 Speaker 4: And like every five minutes she's like, well, maybe it 314 00:13:20,360 --> 00:13:21,680 Speaker 4: could be maybe it could be this, Maybe you could 315 00:13:21,679 --> 00:13:21,840 Speaker 4: be that. 316 00:13:21,920 --> 00:13:23,960 Speaker 3: I was like, oh my gosh, like let me think, 317 00:13:24,120 --> 00:13:27,920 Speaker 3: like think, you know. And then next thing I knew, 318 00:13:27,960 --> 00:13:31,680 Speaker 3: like she started coming with some incredible like just melodies, 319 00:13:31,840 --> 00:13:35,640 Speaker 3: like lyrical things, and you start to trust each other like, wow, 320 00:13:35,760 --> 00:13:37,880 Speaker 3: you really are you really got it. So we write 321 00:13:37,880 --> 00:13:40,680 Speaker 3: this whole song and she's actually in the booth like 322 00:13:40,760 --> 00:13:41,400 Speaker 3: laying down like. 323 00:13:41,320 --> 00:13:43,360 Speaker 4: A little like like a little. 324 00:13:43,200 --> 00:13:45,280 Speaker 3: Demo so that I could sing over it because I'm 325 00:13:45,320 --> 00:13:49,360 Speaker 3: really learning the melodies, and she sings so pretty and 326 00:13:49,440 --> 00:13:51,280 Speaker 3: dah da da, And then I put it together that 327 00:13:51,360 --> 00:13:55,280 Speaker 3: she's the daughter of this music this famous music like 328 00:13:55,760 --> 00:13:58,559 Speaker 3: vocal teacher called what's her dad's name? 329 00:13:58,600 --> 00:14:02,120 Speaker 4: I sure exactly see you even know who he is. 330 00:14:03,520 --> 00:14:05,839 Speaker 3: And I was like, I literally felt like I was like, 331 00:14:05,960 --> 00:14:07,760 Speaker 3: oh my god, you're Roger Love's daughter. 332 00:14:08,000 --> 00:14:10,600 Speaker 4: I was like what, Like it was the weirdest feeling. 333 00:14:10,760 --> 00:14:12,120 Speaker 4: And it was after we'd already like. 334 00:14:13,240 --> 00:14:15,400 Speaker 3: Made out all day long, because like when you're like 335 00:14:16,720 --> 00:14:19,960 Speaker 3: so you know, it was a really amazing process. 336 00:14:20,200 --> 00:14:22,600 Speaker 1: I have to say, it is so special when'ste Funny here. 337 00:14:22,600 --> 00:14:24,560 Speaker 1: It's so special for you to come in and sort 338 00:14:24,560 --> 00:14:27,520 Speaker 1: of frame what you did and how you got to 339 00:14:27,600 --> 00:14:29,960 Speaker 1: where we're going to hear right when this all comes out, 340 00:14:29,960 --> 00:14:33,600 Speaker 1: because it does give it a lot more context and perspective, 341 00:14:33,680 --> 00:14:36,720 Speaker 1: so that the amused bouquet. It's out November fifteenth. You 342 00:14:36,760 --> 00:14:39,720 Speaker 1: can pre order it now. Somebody Else's course is out now. 343 00:14:39,960 --> 00:14:42,160 Speaker 1: And we just love you for always coming by and 344 00:14:42,160 --> 00:14:43,720 Speaker 1: being a part of this what we feel is our 345 00:14:43,720 --> 00:14:44,840 Speaker 1: Southern California family here. 346 00:14:44,880 --> 00:14:46,200 Speaker 2: So thank you Gwen for coming into that. 347 00:14:46,440 --> 00:14:47,960 Speaker 4: Yes, so come for life. 348 00:14:48,800 --> 00:14:49,000 Speaker 2: Love. 349 00:14:49,040 --> 00:14:54,600 Speaker 1: You're gonna if you are ever out and you hear 350 00:14:54,680 --> 00:14:56,520 Speaker 1: us playing all these songs, feel free call in anytime 351 00:14:56,520 --> 00:14:58,480 Speaker 1: and sudd really, Hey, yeah, I'm gonna give you the line. 352 00:14:58,480 --> 00:15:00,200 Speaker 2: We're gonna give you the line to any time. 353 00:15:00,680 --> 00:15:03,680 Speaker 3: I'm gonna just totally have the radio on the whole 354 00:15:03,680 --> 00:15:05,720 Speaker 3: time and my phone like daling. 355 00:15:06,760 --> 00:15:09,000 Speaker 2: We're coming back, Sistany's gonna tell us what's new this morning. 356 00:15:09,000 --> 00:15:11,760 Speaker 1: Thanks Quen, great to see you back on Kiss