WEBVTT - Episode 256 w/ Mad Skillz

0:00:00.080 --> 0:00:02.480
<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

0:00:02.520 --> 0:00:17.520
<v Speaker 1>and I Heart Radio and it's Drink Chess, motherfucking podcast. Mason,

0:00:18.440 --> 0:00:21.640
<v Speaker 1>he's a legendary queen's rapper. He's like, is your boy

0:00:21.680 --> 0:00:24.959
<v Speaker 1>in O R. He's a Miami hippop pioneer. What up

0:00:25.040 --> 0:00:27.720
<v Speaker 1>is d j e f N? Together they drinking up

0:00:27.720 --> 0:00:31.160
<v Speaker 1>with some of the biggest players in the most professional

0:00:31.440 --> 0:00:35.320
<v Speaker 1>unprofessional podcast. And your number one sort for drunk fact

0:00:35.440 --> 0:00:39.440
<v Speaker 1>drink Mother Day is New Year's e. That's time for

0:00:39.600 --> 0:00:49.239
<v Speaker 1>Drink Champs. Drink up Mother Mother? Would it good be?

0:00:49.280 --> 0:00:50.800
<v Speaker 1>Hopefully's when it should be? This is your point in

0:00:51.000 --> 0:00:53.320
<v Speaker 1>or what up is d j e FN? This tim

0:00:53.400 --> 0:01:01.760
<v Speaker 1>crazy war? Yeah? Up right now, when you're talking about

0:01:01.840 --> 0:01:03.920
<v Speaker 1>state boos, when you talk about a legend, when you

0:01:04.000 --> 0:01:08.280
<v Speaker 1>talk about when you google Virginia, this man face should

0:01:08.280 --> 0:01:11.280
<v Speaker 1>pop up like the state farm doesn't already, I think

0:01:11.280 --> 0:01:16.840
<v Speaker 1>it does. But the man we talk about bars bar lord,

0:01:17.400 --> 0:01:21.959
<v Speaker 1>we talk about lyrical when you're talking about everybody from

0:01:22.000 --> 0:01:26.320
<v Speaker 1>his state has to pay homage to him, the first

0:01:26.480 --> 0:01:28.400
<v Speaker 1>very one from that and we won't get to the

0:01:28.600 --> 0:01:33.560
<v Speaker 1>I if this is the South or notion, But the

0:01:33.600 --> 0:01:38.720
<v Speaker 1>man has transition the man is a ghostwriter. He's done

0:01:39.640 --> 0:01:41.880
<v Speaker 1>numerous he's still here and we're don't get to all

0:01:41.920 --> 0:01:44.399
<v Speaker 1>the controversy everything, But we don't even know right now,

0:01:44.600 --> 0:01:53.200
<v Speaker 1>Virginia's number one representative in a world. Motherfucking maskillers. Can't

0:01:53.200 --> 0:01:58.240
<v Speaker 1>we say mankillers? You just wanted me just say something,

0:01:58.400 --> 0:02:01.200
<v Speaker 1>right because we have a groun'm on here. And this

0:02:01.400 --> 0:02:06.080
<v Speaker 1>became a controversy topic. He declared Virginia as being the South,

0:02:06.920 --> 0:02:09.960
<v Speaker 1>but I said that Baltimore was the South to the ball.

0:02:10.120 --> 0:02:13.560
<v Speaker 1>That was a controversy. People did not like Yeah. They

0:02:13.600 --> 0:02:15.760
<v Speaker 1>were like, no, we are not the South. Ye be more,

0:02:15.880 --> 0:02:17.840
<v Speaker 1>be more now, I wouldn't say, be more in the South.

0:02:18.000 --> 0:02:20.400
<v Speaker 1>So the South starts in Virginia. Yeah, we light on

0:02:20.440 --> 0:02:23.239
<v Speaker 1>the middle of the Mason Dixon and was the capital

0:02:23.280 --> 0:02:27.880
<v Speaker 1>of the South, the capital of the South, you know,

0:02:28.040 --> 0:02:32.320
<v Speaker 1>during the Confederacy, the wealth all day. Wow. Yeah. I

0:02:32.400 --> 0:02:35.280
<v Speaker 1>kicked out of Virginia Mall because I was, um, yeah, sego.

0:02:35.360 --> 0:02:38.639
<v Speaker 1>I was walking through and people were following me. And

0:02:38.680 --> 0:02:41.520
<v Speaker 1>instead of like the police said yo, you know stop

0:02:41.560 --> 0:02:45.800
<v Speaker 1>the people the police said you gotta go. I said, listening,

0:02:46.080 --> 0:02:50.120
<v Speaker 1>I said, I said to continue. Crazy, So let's just

0:02:50.200 --> 0:02:53.040
<v Speaker 1>take it back right because a lot of people got

0:02:53.080 --> 0:02:56.919
<v Speaker 1>the uh well there's another for real thing too. A

0:02:56.960 --> 0:02:59.919
<v Speaker 1>lot of people got Telly Rowley was like a person

0:03:00.000 --> 0:03:03.120
<v Speaker 1>who kind of like made Virginia. How is that accurate

0:03:03.160 --> 0:03:05.400
<v Speaker 1>to say? But Teddy was from New York? So how

0:03:05.400 --> 0:03:07.160
<v Speaker 1>did how did that? How how did that go? When

0:03:07.160 --> 0:03:12.160
<v Speaker 1>Teddy came down? Um, we were like enamored, you know

0:03:12.200 --> 0:03:14.760
<v Speaker 1>what I'm saying, lost so to speak, because it was

0:03:14.840 --> 0:03:16.800
<v Speaker 1>like he was right there, you know what I'm saying.

0:03:16.800 --> 0:03:19.800
<v Speaker 1>So you be like like nigga, Like nigga, you be

0:03:19.880 --> 0:03:22.720
<v Speaker 1>in school at lunch and Nigga's like, yo, Michael Jackson's

0:03:23.760 --> 0:03:30.800
<v Speaker 1>people like you. So Um, Teddy coming down and making

0:03:30.840 --> 0:03:34.920
<v Speaker 1>that move opened up like he opened up a whole

0:03:35.600 --> 0:03:40.680
<v Speaker 1>fucking stratosphere of opportunities. Like you gotta think Teddy's the

0:03:40.760 --> 0:03:44.640
<v Speaker 1>only nigga that was a super producer and made like

0:03:44.720 --> 0:03:46.960
<v Speaker 1>we're not made, but opened the door for two other

0:03:47.000 --> 0:03:52.120
<v Speaker 1>super producers. Yeah, I'm got a whole genre for him,

0:03:52.840 --> 0:03:56.400
<v Speaker 1>new jack Swingers, you know what I'm saying. Like, So

0:03:56.640 --> 0:03:58.480
<v Speaker 1>like you you go, you know, you ride by the

0:03:58.520 --> 0:04:00.880
<v Speaker 1>studio and see the fucking lamb Older for all You're

0:04:00.920 --> 0:04:05.120
<v Speaker 1>like think it like it's right there. I'm saying, super close,

0:04:05.200 --> 0:04:07.240
<v Speaker 1>and I don't want the places that Teddy could have went.

0:04:07.480 --> 0:04:10.640
<v Speaker 1>What made him pick? You have no clue, I have

0:04:10.720 --> 0:04:13.480
<v Speaker 1>no clue. I remember being at something in the water

0:04:14.160 --> 0:04:20.599
<v Speaker 1>the first one. Yeah, at the Yeah, I remember being

0:04:20.600 --> 0:04:22.560
<v Speaker 1>at something something in the water. My man, Bookie, you

0:04:22.560 --> 0:04:24.320
<v Speaker 1>know what I'm saying, something man bogie. We're standing there

0:04:24.320 --> 0:04:27.719
<v Speaker 1>watching Teddy performed, and he's saying he said to me,

0:04:27.760 --> 0:04:31.599
<v Speaker 1>he said, skills. Do you realize that Teddy is performing

0:04:32.200 --> 0:04:36.039
<v Speaker 1>rump Shaker on the same beach that he shot the

0:04:36.200 --> 0:04:40.600
<v Speaker 1>video hosted at a fucking festival body he put on

0:04:42.080 --> 0:04:50.560
<v Speaker 1>at some amount of years later, Like, that's insane. So

0:04:54.320 --> 0:04:58.440
<v Speaker 1>women was the first time because I want to be

0:04:58.520 --> 0:05:05.039
<v Speaker 1>even push your tea sat shout push, So you know

0:05:05.080 --> 0:05:07.680
<v Speaker 1>this is what I do when I um and a

0:05:07.680 --> 0:05:10.039
<v Speaker 1>few people, I hit people that's around them, across them.

0:05:10.120 --> 0:05:12.359
<v Speaker 1>He said, no real story, just that he was really

0:05:12.400 --> 0:05:17.119
<v Speaker 1>the first rapper that was truly proud of from the

0:05:17.200 --> 0:05:19.960
<v Speaker 1>v A he was performing with the tribe, I believe

0:05:20.040 --> 0:05:22.479
<v Speaker 1>when they came to v A four show, and that

0:05:22.520 --> 0:05:24.400
<v Speaker 1>alone meant that he made it in my eyes. I

0:05:24.440 --> 0:05:28.159
<v Speaker 1>remember his outfit the Tommy or Polo Chino styles, zip up.

0:05:28.400 --> 0:05:31.560
<v Speaker 1>We weren't like friends or anything back then. We were

0:05:31.680 --> 0:05:33.960
<v Speaker 1>it even from the same town. But I thought he

0:05:34.080 --> 0:05:36.400
<v Speaker 1>represented via the way I wanted it to see it done.

0:05:36.560 --> 0:05:40.240
<v Speaker 1>He probably he probably doesn't remember that time, might not

0:05:40.360 --> 0:05:43.440
<v Speaker 1>even remember me there. I don't. I never knew he

0:05:43.480 --> 0:05:46.680
<v Speaker 1>was there, you know what I'm saying. But n like

0:05:47.320 --> 0:05:50.080
<v Speaker 1>but like, but let me let me try to say

0:05:50.120 --> 0:05:54.560
<v Speaker 1>a little bit when when people thought of Virginia it

0:05:54.680 --> 0:05:56.560
<v Speaker 1>was one person they thought of at one time, because

0:05:56.560 --> 0:05:58.880
<v Speaker 1>I know we just thought Teddy, but Teddy, Let's just

0:05:58.920 --> 0:06:02.320
<v Speaker 1>be clear. Teddy from Hall yeah all day. You like

0:06:02.360 --> 0:06:05.000
<v Speaker 1>when when you google you all of these people names

0:06:05.040 --> 0:06:08.800
<v Speaker 1>from pushing t to around Off. What was that like?

0:06:08.920 --> 0:06:12.240
<v Speaker 1>That's one part question. Let's just answer that question first.

0:06:12.480 --> 0:06:14.840
<v Speaker 1>I mean, to be first was always weird. You know what

0:06:14.800 --> 0:06:17.480
<v Speaker 1>what I'm saying, like because it's so money and nigga's

0:06:17.520 --> 0:06:19.760
<v Speaker 1>niggas forget the first. You know, I'm saying that they're

0:06:19.800 --> 0:06:21.840
<v Speaker 1>quick to him saying I don't feel like we pay

0:06:21.960 --> 0:06:24.279
<v Speaker 1>enough respects to the bands and the herds, and you

0:06:24.279 --> 0:06:25.800
<v Speaker 1>know what I'm saying, like like that, So it's like

0:06:25.800 --> 0:06:30.080
<v Speaker 1>when you first, it's weird. But I knew that where

0:06:30.120 --> 0:06:34.000
<v Speaker 1>I was from had to be represented in a way

0:06:34.000 --> 0:06:36.880
<v Speaker 1>that people hadn't seen it before, you know what I'm saying. Like,

0:06:37.080 --> 0:06:39.760
<v Speaker 1>so it was niggas calling us country, niggas calling us baders.

0:06:39.800 --> 0:06:41.880
<v Speaker 1>It's the same same ship with Atlanta in a way,

0:06:42.120 --> 0:06:46.159
<v Speaker 1>like my nigga like like we we we get fucking busy,

0:06:46.240 --> 0:06:48.400
<v Speaker 1>like we do what we do. Like half of your

0:06:48.440 --> 0:06:50.680
<v Speaker 1>nigga's down here in school anyway, come down and get

0:06:50.680 --> 0:06:52.640
<v Speaker 1>show money, drug money. You know what I'm saying that

0:06:52.680 --> 0:06:54.760
<v Speaker 1>this is what it is. So it's like what you

0:06:54.839 --> 0:06:57.479
<v Speaker 1>ain't gonna do is clown on us. But nobody was

0:06:57.520 --> 0:07:00.320
<v Speaker 1>out there. The only nigga was was Dangelo, and that's

0:07:00.440 --> 0:07:03.279
<v Speaker 1>R and B Like like, oh you know Diangel little

0:07:03.440 --> 0:07:07.480
<v Speaker 1>you know. I'm like, Nick, what you want to do? Yeah,

0:07:07.600 --> 0:07:09.640
<v Speaker 1>I'm like he came out first, so I shouldn't have

0:07:09.800 --> 0:07:12.680
<v Speaker 1>dropped the album dropped. He's held as a R and

0:07:12.680 --> 0:07:14.600
<v Speaker 1>B superstar and he's like, oh, you know, he don't

0:07:14.600 --> 0:07:16.600
<v Speaker 1>really say the town. I'm like a lot of pussy.

0:07:20.880 --> 0:07:22.880
<v Speaker 1>I'm like, nigging here, on B artist, what you want

0:07:22.920 --> 0:07:25.280
<v Speaker 1>to make a song called fucking cruising in Richmond? Like

0:07:26.400 --> 0:07:28.480
<v Speaker 1>he on B artists so it was up to me

0:07:28.600 --> 0:07:31.320
<v Speaker 1>too to hold that flag. And I was like, when

0:07:31.360 --> 0:07:33.720
<v Speaker 1>I get the shot, like it's gonna be a problem

0:07:33.760 --> 0:07:37.960
<v Speaker 1>because it was like Michael Vick and yes, and then

0:07:38.000 --> 0:07:40.400
<v Speaker 1>you like was it yeah? And then we kind of

0:07:40.480 --> 0:07:43.760
<v Speaker 1>knew because I want to say, like I don't want

0:07:43.760 --> 0:07:47.720
<v Speaker 1>to say like like conscious, but you were like you

0:07:47.840 --> 0:07:50.440
<v Speaker 1>you're aware. But when we looked at Michael and we

0:07:50.440 --> 0:07:53.960
<v Speaker 1>were looked at these guys, and then we looked up

0:07:54.000 --> 0:07:57.640
<v Speaker 1>Newport News, yeah, bad news. Yeah, So what was it

0:07:57.760 --> 0:08:00.960
<v Speaker 1>like hearing hearing these guys or you. Yeah, we called

0:08:00.960 --> 0:08:04.200
<v Speaker 1>we called a bubba chuck. What I'm saying, like, we

0:08:04.360 --> 0:08:07.400
<v Speaker 1>need that's all we knew, so vic bubba chuck to

0:08:07.480 --> 0:08:09.880
<v Speaker 1>see them make it, you know what I'm saying. We

0:08:10.000 --> 0:08:13.240
<v Speaker 1>knew like that we had people in that we were talented,

0:08:13.280 --> 0:08:15.040
<v Speaker 1>you know what I'm saying. Because you gotta understand, like

0:08:15.080 --> 0:08:18.440
<v Speaker 1>I'm from where I'm from. I'm from a town called Richmonds,

0:08:18.480 --> 0:08:22.240
<v Speaker 1>like an hour away from where for rele there. So yeah,

0:08:22.240 --> 0:08:24.800
<v Speaker 1>they filmed like Virginia Beach, but seven cities in that

0:08:25.000 --> 0:08:30.520
<v Speaker 1>whole region. So imagine imagine fucking Miami, Imagine Florida Miami.

0:08:30.720 --> 0:08:34.240
<v Speaker 1>And let's say Fort Myers is twenty minutes away. Orlando's

0:08:34.280 --> 0:08:39.200
<v Speaker 1>fifteen minutes away, fucking and it's a whole different city.

0:08:39.280 --> 0:08:42.800
<v Speaker 1>So they got seven different cities from where I'm from,

0:08:42.840 --> 0:08:45.920
<v Speaker 1>like an hour back towards in Inland. You know what

0:08:45.920 --> 0:08:48.760
<v Speaker 1>I'm saying, Like rich med so like to see Ai

0:08:48.800 --> 0:08:51.520
<v Speaker 1>and Vic. Man, it was like somebody you know what

0:08:51.520 --> 0:08:54.880
<v Speaker 1>I'm saying. And they was rapping in D'Angelo. He was

0:08:54.960 --> 0:08:56.880
<v Speaker 1>rapping it but he he r and b So it's

0:08:56.920 --> 0:08:58.280
<v Speaker 1>you know what I'm saying, He ain't about the way

0:08:58.320 --> 0:09:03.200
<v Speaker 1>eight chains in the vena what I'm saying. So ay man,

0:09:03.200 --> 0:09:06.319
<v Speaker 1>it's like a guy him and Vic like gods what

0:09:06.360 --> 0:09:13.040
<v Speaker 1>I'm saying. Wow? Wow, man, let's make some noise for that. Yeah,

0:09:13.040 --> 0:09:17.720
<v Speaker 1>I don't know bootles, you want to move boggles, Bros.

0:09:17.720 --> 0:09:20.200
<v Speaker 1>Getn't camera bro Oh that's what they what we got.

0:09:20.640 --> 0:09:24.760
<v Speaker 1>But you're like regular ship, right, get my part? We

0:09:24.840 --> 0:09:28.960
<v Speaker 1>do it? Yeah? So um so boom, how did you

0:09:29.000 --> 0:09:34.400
<v Speaker 1>even come up? Two? Okay, okay, put you on cue tip.

0:09:34.600 --> 0:09:37.320
<v Speaker 1>I was discovering by Q tip you went too fast.

0:09:39.880 --> 0:09:42.920
<v Speaker 1>Let's let's describe that. Is this this show that what

0:09:43.040 --> 0:09:46.280
<v Speaker 1>your tea is talking about? Yes? Well later, So so

0:09:46.480 --> 0:09:49.800
<v Speaker 1>ninety three, I'll go to Jack the Rapper in the landing.

0:09:49.880 --> 0:09:54.760
<v Speaker 1>Hold on, hold on, hold on. Those those are the days.

0:09:55.320 --> 0:09:59.199
<v Speaker 1>I'm sorry to be old right now, but listen, your

0:09:59.240 --> 0:10:03.040
<v Speaker 1>motherfucker's at Give me to look at your Instagram and

0:10:03.360 --> 0:10:07.040
<v Speaker 1>you get tags we used to have called Jack the

0:10:07.080 --> 0:10:10.040
<v Speaker 1>fucking Reverence. Yeah. We we're gonna fucking line to see

0:10:10.120 --> 0:10:12.959
<v Speaker 1>DJ read Alert thanks to C. D J. Collins to

0:10:13.000 --> 0:10:17.079
<v Speaker 1>see these people. Yeah, and that was real great. I'm sorry,

0:10:17.280 --> 0:10:20.559
<v Speaker 1>you just gotta be a flashback. I'm sorry, man, I

0:10:20.679 --> 0:10:23.240
<v Speaker 1>called the Holy Ghost the Holy rap Ghost. I'm sorry.

0:10:24.640 --> 0:10:28.839
<v Speaker 1>Was on the original. Yeah, yeah, original before before I

0:10:28.880 --> 0:10:34.840
<v Speaker 1>could after. So go to I go to Atlanta with

0:10:34.840 --> 0:10:38.679
<v Speaker 1>with three of my homies and I'm in this lobby

0:10:38.920 --> 0:10:40.600
<v Speaker 1>I got. We got passed it, so we legit. We

0:10:40.600 --> 0:10:42.560
<v Speaker 1>ain't sneaking around. We got you know, we paid the money,

0:10:42.640 --> 0:10:45.200
<v Speaker 1>what I'm saying. So I'm walking around and it's just

0:10:45.360 --> 0:10:50.040
<v Speaker 1>it's in the lobby. It's huge ass hotel, fucking sixty floors, right.

0:10:50.480 --> 0:10:53.840
<v Speaker 1>So I see these niggas in the corner like bopping,

0:10:53.840 --> 0:10:55.840
<v Speaker 1>like niggas is like it's it's a b playing out

0:10:55.880 --> 0:10:58.480
<v Speaker 1>of here. B I see niggas like bopping. I'm like, yo,

0:10:58.520 --> 0:11:02.120
<v Speaker 1>who that that be hard saying. I'll walk over and

0:11:02.160 --> 0:11:04.719
<v Speaker 1>I see fucking cut it. But it's it's it. It's

0:11:04.720 --> 0:11:07.320
<v Speaker 1>it's like, imagine this this this ship right here, This

0:11:07.400 --> 0:11:10.000
<v Speaker 1>is a plant, but it's like the lobby so big.

0:11:10.280 --> 0:11:14.880
<v Speaker 1>It's a fucking tree in the lobby. But bone, this

0:11:14.920 --> 0:11:17.319
<v Speaker 1>is just some of that Midnight Marauders is about to come.

0:11:18.440 --> 0:11:23.160
<v Speaker 1>He's he's this is out of this. He found out

0:11:23.280 --> 0:11:25.120
<v Speaker 1>like he was doing he had did one love. He

0:11:25.280 --> 0:11:27.960
<v Speaker 1>did the mob deep ship like Nigga's like, oh he

0:11:28.120 --> 0:11:31.120
<v Speaker 1>doing them beat? So I see it was a producer

0:11:31.160 --> 0:11:33.480
<v Speaker 1>from from Jersey's name is lot Teeth. These niggas had

0:11:33.480 --> 0:11:36.520
<v Speaker 1>a radio and they're bopping, and I'm looking and I

0:11:36.559 --> 0:11:39.679
<v Speaker 1>can't get in. It's too many niggas around to get in.

0:11:40.080 --> 0:11:42.800
<v Speaker 1>I go to the back of the fucking tree. This

0:11:42.880 --> 0:11:45.200
<v Speaker 1>ship is like six feet tall. It's like a fucking

0:11:45.200 --> 0:11:48.120
<v Speaker 1>potted plant. I crawled up on the back of the

0:11:48.200 --> 0:11:51.640
<v Speaker 1>ship and walk over. So this nigga looks over his shoulder,

0:11:51.840 --> 0:11:54.640
<v Speaker 1>came out of the tree like he looks over his shoulder, like, damn,

0:11:54.679 --> 0:11:57.560
<v Speaker 1>who is sonning the trees? But I'm bobbing and I'm like,

0:11:57.600 --> 0:12:00.880
<v Speaker 1>I'm vibing, so nig ain't trying to rob, you know,

0:12:01.320 --> 0:12:03.720
<v Speaker 1>so some tips like nothing, so it's a nigga rapping

0:12:03.800 --> 0:12:05.559
<v Speaker 1>for cute tip and I'm sitting there like, no nigga

0:12:05.640 --> 0:12:08.760
<v Speaker 1>like now it's now, so I bom I started rapping.

0:12:09.160 --> 0:12:11.959
<v Speaker 1>So I started rapping and he like he looking like yo,

0:12:12.040 --> 0:12:14.440
<v Speaker 1>this nigga crazy, like this ship crazy. The nigga that

0:12:14.480 --> 0:12:17.559
<v Speaker 1>I cut off cut me back off. So now I'm

0:12:19.720 --> 0:12:24.679
<v Speaker 1>so I cut him off, go mucking. Yeah, yeah, I

0:12:24.760 --> 0:12:27.840
<v Speaker 1>was definitely back I go him by body. The nigga

0:12:28.280 --> 0:12:30.800
<v Speaker 1>security comes over, Yo, y'all gotta disperse your my man

0:12:30.880 --> 0:12:32.480
<v Speaker 1>come down at the tree like y'are doing too much?

0:12:32.480 --> 0:12:37.600
<v Speaker 1>Are you doing? Ship in the tree? Where from the trip?

0:12:38.800 --> 0:12:41.080
<v Speaker 1>So I get up off the tree, but I'm standing

0:12:41.080 --> 0:12:43.000
<v Speaker 1>over to the side, and you know, niggas is walking

0:12:43.080 --> 0:12:44.800
<v Speaker 1>up the ship like this is my tape You're from

0:12:44.880 --> 0:12:47.000
<v Speaker 1>Jersey with people. But I see him. He keeps like

0:12:47.040 --> 0:12:48.920
<v Speaker 1>looking to it right like I guess to see if

0:12:48.920 --> 0:12:50.280
<v Speaker 1>I'm there. So I'm like, I ain't going to way,

0:12:50.280 --> 0:12:53.199
<v Speaker 1>I'm just gonna stay here. So I'm standing there. I

0:12:53.280 --> 0:12:55.920
<v Speaker 1>see the nigga. He's like, yo, yo, commit something. So

0:12:55.960 --> 0:12:57.960
<v Speaker 1>I walked over like, Yo, what's your name? I said,

0:12:57.960 --> 0:13:01.080
<v Speaker 1>Mad Skills. He's like, yo, saying you else where are you?

0:13:01.280 --> 0:13:03.360
<v Speaker 1>Where you from? Sir? I was like, I'm from I'm

0:13:03.400 --> 0:13:07.480
<v Speaker 1>from Virginia. He's like from where? I said Virginia. He

0:13:07.600 --> 0:13:10.200
<v Speaker 1>was like, you know what you're doing? After this, I said,

0:13:10.240 --> 0:13:12.040
<v Speaker 1>now I'm just chilling my nigga, Like what what's up?

0:13:12.120 --> 0:13:13.960
<v Speaker 1>He's like, Yo, you want to roll to this radio station?

0:13:14.120 --> 0:13:17.440
<v Speaker 1>And I was like fuck yeah. We go up to

0:13:17.559 --> 0:13:19.560
<v Speaker 1>his room. This first time I seen the nigga had

0:13:19.559 --> 0:13:21.920
<v Speaker 1>a sweet. I'm used to walk in the hotel rooms

0:13:21.920 --> 0:13:24.360
<v Speaker 1>and this is the fucking hotel. We walk in the room,

0:13:24.400 --> 0:13:26.760
<v Speaker 1>it's the sweet. I'm like, oh, they got the whole.

0:13:26.800 --> 0:13:31.520
<v Speaker 1>She's like polo shit everywhere, fucking closed tims. You know

0:13:31.559 --> 0:13:33.080
<v Speaker 1>what I'm saying this. Then in the third he said,

0:13:33.120 --> 0:13:35.880
<v Speaker 1>y'all gonna get dressed real quick. Let me change the

0:13:36.000 --> 0:13:38.400
<v Speaker 1>old sitting quick yo, And it's a CD player right

0:13:38.440 --> 0:13:47.319
<v Speaker 1>here goes the nigga goes, but it's cute, and I'm

0:13:47.320 --> 0:13:50.520
<v Speaker 1>saying so the nigga goes, jo Um, I'm gonna get

0:13:50.600 --> 0:13:52.640
<v Speaker 1>dressed real quick, yo. This the album and then niggat

0:13:52.679 --> 0:13:58.640
<v Speaker 1>hit a button and I hear way and comes out

0:13:58.800 --> 0:14:03.599
<v Speaker 1>like before the only thing out US Awards tour. No,

0:14:03.760 --> 0:14:06.480
<v Speaker 1>it's just me if you if you didn't come, who

0:14:06.480 --> 0:14:11.280
<v Speaker 1>you are, nigga? Pep straight locks no Instagram back then.

0:14:12.280 --> 0:14:14.559
<v Speaker 1>So I'm sitting there and I'm like what then is

0:14:14.600 --> 0:14:16.760
<v Speaker 1>that some jash like what the fund did this? And

0:14:16.800 --> 0:14:21.920
<v Speaker 1>I had but the Linden Bulevard represented and I'm like, oh,

0:14:21.960 --> 0:14:26.480
<v Speaker 1>Ship like the fucking album, so I hate the fucking album.

0:14:26.560 --> 0:14:28.680
<v Speaker 1>I think the next song was Awards. So I think

0:14:28.760 --> 0:14:32.160
<v Speaker 1>the next song was the fight. Uh went through Lyndon

0:14:32.200 --> 0:14:35.240
<v Speaker 1>Boulevard to get the milkshakes. This nigga comes out of

0:14:35.240 --> 0:14:39.400
<v Speaker 1>the room like, Yo, you're ready. I'm like yeah, like nigga,

0:14:40.720 --> 0:14:42.640
<v Speaker 1>because I like you, elder you at that point, Ship,

0:14:42.720 --> 0:14:47.600
<v Speaker 1>I'm like early twenties. Like one we get in the elevator,

0:14:48.000 --> 0:14:52.280
<v Speaker 1>light throws in the elevator, his road manager, we go downstairs.

0:14:52.320 --> 0:14:54.320
<v Speaker 1>We go downstairs, and me being thinking mind I had

0:14:54.320 --> 0:14:56.560
<v Speaker 1>one of those yellow fucking code that caim I said, Yo,

0:14:56.600 --> 0:14:58.560
<v Speaker 1>let's take a picture real quick. He's like, all right, cool,

0:14:58.600 --> 0:15:00.680
<v Speaker 1>the van is supposed to come up take the picture.

0:15:00.720 --> 0:15:02.680
<v Speaker 1>This little kid walks into the picture. I got to

0:15:02.720 --> 0:15:05.640
<v Speaker 1>it on my grands crazy little kid walks into the picture.

0:15:05.920 --> 0:15:09.360
<v Speaker 1>I get into the van, slide over. He get in

0:15:09.400 --> 0:15:12.480
<v Speaker 1>the front seat. This nigger goes, Yo, this is my

0:15:12.560 --> 0:15:15.560
<v Speaker 1>man merse and this mace and I turned around and

0:15:16.160 --> 0:15:18.960
<v Speaker 1>daylight as in the fucking back of the van, and

0:15:18.960 --> 0:15:20.880
<v Speaker 1>I'm like, nigga, I'm in the name or something like,

0:15:21.040 --> 0:15:25.960
<v Speaker 1>this was you? Officially No, I wasn't, but I swear

0:15:26.040 --> 0:15:28.360
<v Speaker 1>I wish I was. And he like he like, he

0:15:28.480 --> 0:15:32.240
<v Speaker 1>tells post. He goes, you're the nigger. I possible. He crazy,

0:15:32.240 --> 0:15:35.200
<v Speaker 1>he's like your Sonniger that he was lady to talk.

0:15:35.240 --> 0:15:36.720
<v Speaker 1>I think about it. This is you know, while it's

0:15:36.720 --> 0:15:43.359
<v Speaker 1>like bred man is technically woo tags get it? Yeah yeah, okay,

0:15:43.400 --> 0:15:47.040
<v Speaker 1>all right, So the hip hop Confession series, right, what

0:15:47.080 --> 0:15:50.800
<v Speaker 1>was what was the motive behind that? Well? I started

0:15:51.120 --> 0:15:53.720
<v Speaker 1>that's just like ten years old, right, So I started it.

0:15:53.800 --> 0:16:00.680
<v Speaker 1>And this is what's crazy. I not not really. I'm

0:16:00.760 --> 0:16:03.640
<v Speaker 1>running around and I'm asking niggas like ship like yo,

0:16:03.720 --> 0:16:05.440
<v Speaker 1>like tell me some stories, like tell me some hip

0:16:05.440 --> 0:16:07.400
<v Speaker 1>hop show, like what's what's your hip hop confessions? So

0:16:07.560 --> 0:16:09.520
<v Speaker 1>it was niggas like, yo, you know, I never really

0:16:09.880 --> 0:16:12.120
<v Speaker 1>you know, listen to songs. So I don't like songs

0:16:12.200 --> 0:16:13.600
<v Speaker 1>or as the MC. I know you the hottest thing

0:16:13.640 --> 0:16:15.640
<v Speaker 1>gout don't like them like it was you would say

0:16:15.640 --> 0:16:18.920
<v Speaker 1>that you really wouldn't say around the homes. So hip

0:16:18.960 --> 0:16:22.120
<v Speaker 1>Hop Confession started because me and Big sat down and

0:16:22.120 --> 0:16:24.840
<v Speaker 1>I had it. Yeah, and I had a whole it

0:16:24.920 --> 0:16:27.600
<v Speaker 1>was a whole TV show. Yeah, yeah, I had an

0:16:27.640 --> 0:16:31.960
<v Speaker 1>old TV show and we put the ship out and

0:16:32.000 --> 0:16:35.200
<v Speaker 1>then after like six episodes, it got it got harder

0:16:35.240 --> 0:16:37.160
<v Speaker 1>to find niggas to to want to tell the truth,

0:16:37.240 --> 0:16:39.680
<v Speaker 1>to tell stories. So I fell back off the ship.

0:16:39.760 --> 0:16:43.320
<v Speaker 1>Than a year later podcast happened, and I'm like, fuck,

0:16:43.440 --> 0:16:45.760
<v Speaker 1>NIGA was earlier. So the nigga has been asked me

0:16:45.800 --> 0:16:48.479
<v Speaker 1>for ten years straight, YO, bring back hip Hop Confessions.

0:16:48.720 --> 0:16:55.960
<v Speaker 1>So I just brought it back like this year. I

0:16:56.120 --> 0:17:00.560
<v Speaker 1>just wrunn about so um super Naps, what was your

0:17:00.560 --> 0:17:04.240
<v Speaker 1>relationship your battle I mean, if he was a battle

0:17:04.359 --> 0:17:08.720
<v Speaker 1>MC at that time, you're going through Supernatural. I send it.

0:17:08.880 --> 0:17:11.479
<v Speaker 1>I sended the demo in the back of the source

0:17:11.720 --> 0:17:17.320
<v Speaker 1>to Clark Kent Superman Battle for Work. Yeah, that's my

0:17:17.359 --> 0:17:20.359
<v Speaker 1>old g I have funny Clark Kent story too. Everybody

0:17:21.640 --> 0:17:24.760
<v Speaker 1>I send it. I send the tape in and fucking

0:17:25.600 --> 0:17:28.440
<v Speaker 1>I get picked. I get to New York and it's

0:17:28.480 --> 0:17:31.480
<v Speaker 1>the New Music Seminars thirty off right there on fucking

0:17:31.760 --> 0:17:36.360
<v Speaker 1>Midtown Manhattan, fucking forty nine on whatever, Hella Green Badges

0:17:36.400 --> 0:17:38.960
<v Speaker 1>all that ship. So it's sixteen M sees that the

0:17:39.040 --> 0:17:41.800
<v Speaker 1>DJ battle did the rap Battle. It's sixteen M sees.

0:17:41.840 --> 0:17:44.560
<v Speaker 1>I see this one nigga walking with dreads. I'm like, yeah,

0:17:44.600 --> 0:17:46.080
<v Speaker 1>this is nike A different, Like it's gonna be me

0:17:46.080 --> 0:17:52.080
<v Speaker 1>and him like this Nigga different. So he started running,

0:17:52.200 --> 0:17:54.640
<v Speaker 1>running past motherfucker's getting them out of there. I'm doing

0:17:54.640 --> 0:17:57.680
<v Speaker 1>the same thing. Puffers Puffer is on the Judge of Table,

0:17:58.400 --> 0:18:03.639
<v Speaker 1>Tracy Waits, Sheena Leicester and Todd one from from MTV,

0:18:04.119 --> 0:18:07.640
<v Speaker 1>from your TV raps. So nigga get to the end

0:18:08.760 --> 0:18:12.560
<v Speaker 1>and dam is there like this nigga can't like, they

0:18:12.640 --> 0:18:16.040
<v Speaker 1>can't decide who's gonna win. And I think the winner

0:18:16.160 --> 0:18:19.720
<v Speaker 1>was you got a demo deal and the jacket and

0:18:20.280 --> 0:18:22.840
<v Speaker 1>a ring, and then the second person got the demo.

0:18:23.200 --> 0:18:27.160
<v Speaker 1>They nobody know about that. So Boo mus keep going

0:18:27.200 --> 0:18:30.240
<v Speaker 1>back and forth. He hopped in the crowd. He freestyle

0:18:30.280 --> 0:18:32.920
<v Speaker 1>about what niggas get on, I hop into crowding after him,

0:18:32.960 --> 0:18:36.440
<v Speaker 1>freestyle by what niggas. Niggas like yo, these niggas said,

0:18:36.480 --> 0:18:39.280
<v Speaker 1>what they have on? He like Clark like Yo. They're

0:18:39.320 --> 0:18:42.080
<v Speaker 1>going back and forth, puff like nah, man like these niggas,

0:18:42.119 --> 0:18:44.919
<v Speaker 1>don't let them go to Clark like yo, Nigga is like,

0:18:44.960 --> 0:18:46.560
<v Speaker 1>we got to get the funk out of here. So

0:18:46.920 --> 0:18:52.040
<v Speaker 1>they do the whole um the apologip yo' giving up

0:18:52.119 --> 0:18:56.560
<v Speaker 1>give it up for supernatural from Brooklyn, give it up

0:18:56.560 --> 0:18:59.280
<v Speaker 1>for mad skills from Virginia. Later I find out he

0:18:59.320 --> 0:19:02.440
<v Speaker 1>from Brooklyn, but then he was from Indiana. But then

0:19:02.480 --> 0:19:05.600
<v Speaker 1>he then they say, like, Yo, this man was nice enough.

0:19:05.880 --> 0:19:08.160
<v Speaker 1>He's gonna take the ring in the jacket. He's gonna

0:19:08.200 --> 0:19:11.120
<v Speaker 1>give him the demo deal. So I'm like, I don't

0:19:11.119 --> 0:19:13.160
<v Speaker 1>want the fucking demo deal and they want the ring

0:19:13.200 --> 0:19:14.760
<v Speaker 1>in the fucking jacket Like me, I want to be

0:19:14.800 --> 0:19:17.399
<v Speaker 1>the best. I'm not coming up here to be second.

0:19:17.400 --> 0:19:20.480
<v Speaker 1>So I came in second and I got the demo deal,

0:19:20.880 --> 0:19:23.879
<v Speaker 1>which which kept me in tune with Clark. I go

0:19:24.040 --> 0:19:30.960
<v Speaker 1>outside and it's a cipher outside jay Z outside demolishing

0:19:31.040 --> 0:19:36.440
<v Speaker 1>niggas running through blow for us. No niggas sign rappers

0:19:36.480 --> 0:19:38.520
<v Speaker 1>was looking at the cipher like, oh you're not I

0:19:38.600 --> 0:19:40.919
<v Speaker 1>want the props with this and getting straight in the

0:19:40.920 --> 0:19:44.440
<v Speaker 1>car service like our home was killing niggas young. It's

0:19:44.480 --> 0:19:46.760
<v Speaker 1>a young green Landing and they're looking like a fucking

0:19:46.840 --> 0:19:50.680
<v Speaker 1>fourteen year old hole and Clark is behind him acting

0:19:50.680 --> 0:19:53.159
<v Speaker 1>out all the words this and the dird But me

0:19:53.200 --> 0:19:56.280
<v Speaker 1>and Clark ended up having a relationship afterwards, and Clark

0:19:56.359 --> 0:19:58.920
<v Speaker 1>did my demo. I used to go to Clark's house

0:19:58.960 --> 0:20:05.200
<v Speaker 1>and talk about is he like a dumb man? Record? No? No, no,

0:20:05.480 --> 0:20:10.000
<v Speaker 1>I would go to Clark kiss I'm driving, driving, I

0:20:10.160 --> 0:20:13.000
<v Speaker 1>dropped back and forth and I'm going to Clark's house

0:20:13.119 --> 0:20:15.560
<v Speaker 1>and I'm still trying to I came in second, so

0:20:15.600 --> 0:20:17.520
<v Speaker 1>I'm still trying to prove not Nick, I'm the best.

0:20:17.640 --> 0:20:19.200
<v Speaker 1>And He's like, y'all want you listen to this nigger

0:20:19.200 --> 0:20:21.080
<v Speaker 1>I got named named Jay And I'm like all right.

0:20:21.080 --> 0:20:23.320
<v Speaker 1>So he played me records and Ship and I'm like

0:20:23.359 --> 0:20:28.119
<v Speaker 1>you I'll smash that nigger Clark and he like, yeah, yeah,

0:20:28.000 --> 0:20:31.160
<v Speaker 1>comes to listen to record. Listen to the records again.

0:20:31.160 --> 0:20:32.600
<v Speaker 1>He played he played me in a record call What's

0:20:32.600 --> 0:20:34.640
<v Speaker 1>in the name? Ship was most crazy shot I heard

0:20:34.680 --> 0:20:38.480
<v Speaker 1>my life. He was talking about he was talking about hustling,

0:20:38.520 --> 0:20:40.359
<v Speaker 1>but he was talking. He was using his names and

0:20:40.359 --> 0:20:43.680
<v Speaker 1>the sort like rappers name. It's crazy. It's still ten

0:20:43.760 --> 0:20:46.200
<v Speaker 1>records I heard at Clark's house I've never heard before.

0:20:46.640 --> 0:20:49.159
<v Speaker 1>So then I guess maybe after the third time me

0:20:49.200 --> 0:20:51.560
<v Speaker 1>and Clark did some ship, Clark just gets tired of

0:20:51.600 --> 0:20:53.760
<v Speaker 1>and he like, he played me another jay Z record.

0:20:54.040 --> 0:20:56.280
<v Speaker 1>I'm listening to the ship. I'm like, I see your

0:20:56.280 --> 0:20:58.040
<v Speaker 1>club man, Yo, put me in the room. Then they

0:20:58.119 --> 0:21:01.400
<v Speaker 1>got I bought it, and he like, Nigga, I funk

0:21:01.480 --> 0:21:05.040
<v Speaker 1>with you. I'm gonna do your demos. Jay Z is

0:21:05.040 --> 0:21:08.440
<v Speaker 1>at Jesus Christ a rat. Stop talking about j Jesus

0:21:08.520 --> 0:21:13.320
<v Speaker 1>Christ a rat like you got He's like before before.

0:21:13.520 --> 0:21:18.640
<v Speaker 1>So at this point I'm like, I'm like the g

0:21:18.920 --> 0:21:22.880
<v Speaker 1>so boom, I'm doing it yours. Fast forward way later,

0:21:24.480 --> 0:21:28.639
<v Speaker 1>I'm in ninety eight or somethhing. I I'm signed with Timberland.

0:21:28.880 --> 0:21:31.520
<v Speaker 1>We're in the Manhattan Center and in the little studio

0:21:32.359 --> 0:21:36.040
<v Speaker 1>knocking out joint. So it's me. I want to say, Tim, Pete, Pablo,

0:21:36.560 --> 0:21:39.800
<v Speaker 1>and Jimmy Douglas, right Tim, I think Pete is there

0:21:39.840 --> 0:21:42.520
<v Speaker 1>don't give me the line. They left me and Jimmy

0:21:42.560 --> 0:21:46.159
<v Speaker 1>Douglass in the studio this ninety eight whole. This nigger

0:21:46.200 --> 0:21:49.800
<v Speaker 1>comes into the studio, just me, Jimmy Douglass, jay Z.

0:21:49.920 --> 0:21:51.920
<v Speaker 1>He like, yo, we're tim man. He's like yo, he left.

0:21:51.920 --> 0:21:53.640
<v Speaker 1>I think he'd be right back. He said, yo, pull

0:21:53.760 --> 0:21:55.159
<v Speaker 1>pull it up? What he what he wants me to

0:21:55.359 --> 0:21:58.639
<v Speaker 1>pull it up? He pulls the beat up beat playing,

0:21:59.160 --> 0:22:01.960
<v Speaker 1>and this nigger takes the tennis ball and just starts

0:22:02.000 --> 0:22:04.359
<v Speaker 1>throwing the tennis ball to the floor, to the wall,

0:22:04.440 --> 0:22:07.000
<v Speaker 1>back to his hand, floor to the wall, back to

0:22:07.040 --> 0:22:09.960
<v Speaker 1>his hand. He just mumbling, floor to the wall, back

0:22:10.000 --> 0:22:11.600
<v Speaker 1>to his hand, floor to the wall, back to his

0:22:11.960 --> 0:22:15.439
<v Speaker 1>fifteen minutes. The nigga looks at Jimmy Duginson goes your bravery.

0:22:16.800 --> 0:22:22.359
<v Speaker 1>I'm sitting there like I'm ready for I heard I

0:22:22.400 --> 0:22:27.400
<v Speaker 1>heard rumors, right, because her rumors, Jay don't right. Never,

0:22:27.640 --> 0:22:31.560
<v Speaker 1>I'm like nigga. This nigga goes into the booth. Is

0:22:31.600 --> 0:22:35.440
<v Speaker 1>you're Pemp nigga, Yeah, Pemp nigga, Loso shrip nigga, los

0:22:35.600 --> 0:22:38.080
<v Speaker 1>shrimp nigga, and what's her name? Jinger? And I can't

0:22:38.119 --> 0:22:42.480
<v Speaker 1>like nigga starts doing the verse right, Nigga starts rapping nigga.

0:22:42.560 --> 0:22:46.960
<v Speaker 1>But like jajover Nigga before, I never got no player.

0:22:47.080 --> 0:22:49.000
<v Speaker 1>Now these bitches wanted to give me more head this

0:22:49.040 --> 0:22:53.480
<v Speaker 1>shot day. When I'm in l A, the the six

0:22:53.560 --> 0:22:56.120
<v Speaker 1>Fords ill, when I'm in a t Ellis to coop

0:22:56.200 --> 0:22:59.280
<v Speaker 1>the Ville. When I'm in Miami, I'm hopping through on

0:22:59.400 --> 0:23:01.800
<v Speaker 1>the all black Ninja with the sock over my shoe,

0:23:02.240 --> 0:23:07.040
<v Speaker 1>Mommy sending the chew like who can stopping you? I'm like, yo, nigger,

0:23:07.160 --> 0:23:09.960
<v Speaker 1>like this nigga did all this ship in one tape.

0:23:10.320 --> 0:23:15.400
<v Speaker 1>I'm sitting there going yet this thing is a great

0:23:15.000 --> 0:23:19.639
<v Speaker 1>like we ra that niggas like, I've never seen it before.

0:23:19.680 --> 0:23:23.280
<v Speaker 1>But hol fucking did that ship in like one take

0:23:23.359 --> 0:23:27.480
<v Speaker 1>and left. It was like back two versus two hooks left.

0:23:28.080 --> 0:23:31.439
<v Speaker 1>I didn't to get the sea chap no no. And

0:23:31.440 --> 0:23:33.760
<v Speaker 1>then months later I hit a record and I'm just

0:23:33.800 --> 0:23:39.880
<v Speaker 1>like this, it's naked bad he different. So your whole

0:23:39.960 --> 0:23:45.280
<v Speaker 1>NAS category, who are you going with? I would have

0:23:45.320 --> 0:23:49.480
<v Speaker 1>to say j because you experienced that nos. Nas watched

0:23:49.480 --> 0:23:52.240
<v Speaker 1>me on the song though, so and NAS watched me

0:23:52.240 --> 0:23:55.720
<v Speaker 1>on a Timberland song like straight did me in so

0:23:55.720 --> 0:23:57.920
<v Speaker 1>so he next year we did a song together called

0:23:57.960 --> 0:24:01.600
<v Speaker 1>to My Niggas and Uh, I did my verse Classics Ship.

0:24:01.680 --> 0:24:04.919
<v Speaker 1>I did my verse and I'm fucking I'm on Tim's

0:24:04.960 --> 0:24:07.720
<v Speaker 1>album and Ship the song comes out, I'm like, oh, Ship,

0:24:07.800 --> 0:24:10.720
<v Speaker 1>I'm on a song with na fucking be come on it,

0:24:10.840 --> 0:24:13.840
<v Speaker 1>don't stop be come on. I'm like, oh, Ship, nos

0:24:13.840 --> 0:24:15.639
<v Speaker 1>about to be on this song. This thick comes out.

0:24:15.720 --> 0:24:18.159
<v Speaker 1>Know it splats your dudes and cats. I used I

0:24:18.240 --> 0:24:20.680
<v Speaker 1>used hanging off my chest because my cash improved. I'm

0:24:20.720 --> 0:24:24.479
<v Speaker 1>just like, oh, I didn't get a chance to change

0:24:24.520 --> 0:24:28.439
<v Speaker 1>my ship, like nigga like this. Nigga was like instead

0:24:28.440 --> 0:24:31.120
<v Speaker 1>of Benny Honness, y'all can eat plenty of nass. Like

0:24:31.200 --> 0:24:35.320
<v Speaker 1>this nigga is going hell. And I'm just like, I

0:24:35.359 --> 0:24:37.520
<v Speaker 1>go back to Virginia. Nigga's like, yeah, you got washed

0:24:37.520 --> 0:24:39.800
<v Speaker 1>going on. But then I got a song with nas

0:24:39.840 --> 0:24:44.959
<v Speaker 1>and I'm saying, take it away from you, because you know,

0:24:45.160 --> 0:24:49.080
<v Speaker 1>for years, the year long discussion was who had the

0:24:49.119 --> 0:24:51.199
<v Speaker 1>better verse of bad and TV right for me? Right?

0:24:51.600 --> 0:24:54.840
<v Speaker 1>And I actually really don't care. But you know, sometimes

0:24:54.880 --> 0:24:58.359
<v Speaker 1>when I pay attention, but overwall, I always looked at

0:24:58.359 --> 0:25:01.879
<v Speaker 1>the record as its totality. I never looked at you know,

0:25:01.960 --> 0:25:04.600
<v Speaker 1>part had the better verse or nature had the better verse.

0:25:04.760 --> 0:25:08.240
<v Speaker 1>I think I had the better problem. I didn't like

0:25:08.320 --> 0:25:11.640
<v Speaker 1>when you don't look at it my totality. Everybody didn't

0:25:11.680 --> 0:25:15.399
<v Speaker 1>at But does that take away from the record when

0:25:15.920 --> 0:25:17.920
<v Speaker 1>when people look at it like that, when people look

0:25:17.920 --> 0:25:20.200
<v Speaker 1>at it like this verse like to me, I look

0:25:20.320 --> 0:25:25.119
<v Speaker 1>I like ren the game as a total soul. I

0:25:25.160 --> 0:25:27.560
<v Speaker 1>didn't relate to Marshall's verse, But I didn't say Marshall's

0:25:27.640 --> 0:25:30.960
<v Speaker 1>versus whack. I like it just saw does that there's

0:25:31.000 --> 0:25:32.920
<v Speaker 1>a factor that you Marshall watched him on that though

0:25:33.040 --> 0:25:36.200
<v Speaker 1>the only time Hope ever, guy was you know why?

0:25:36.320 --> 0:25:38.199
<v Speaker 1>You know what? For me? You know why? For me?

0:25:38.760 --> 0:25:42.560
<v Speaker 1>Like when j J is rapping, he's doing jay. When

0:25:42.600 --> 0:25:47.200
<v Speaker 1>fucking Eminem starts rapping, it sounds like somebody's playing a instrument.

0:25:47.680 --> 0:25:49.560
<v Speaker 1>It sounds like a nigga sat down like the keys

0:25:49.600 --> 0:25:52.600
<v Speaker 1>and win. Now, when I'm in the position to talk

0:25:52.640 --> 0:25:54.760
<v Speaker 1>to these kids and they listen, I ain't no politician,

0:25:54.840 --> 0:25:57.120
<v Speaker 1>but I kicking with it, and I'm just like who

0:25:59.640 --> 0:26:01.760
<v Speaker 1>I got to agree with you, but I also have

0:26:01.840 --> 0:26:04.280
<v Speaker 1>to disagree with you because if they're talking about ship

0:26:04.400 --> 0:26:09.720
<v Speaker 1>that I don't care, like absolutely kill you and they

0:26:09.720 --> 0:26:13.080
<v Speaker 1>don't disrespect then yeah, no, never visires killing my mom's

0:26:13.080 --> 0:26:15.879
<v Speaker 1>like that's whe go. No, I got mad at her

0:26:15.960 --> 0:26:21.560
<v Speaker 1>plenty of time. Let out here. We are as young

0:26:21.600 --> 0:26:24.040
<v Speaker 1>as black men, as funked up as our lives. It's coming.

0:26:24.880 --> 0:26:29.080
<v Speaker 1>We love our mom waks like like like hot was

0:26:29.080 --> 0:26:32.160
<v Speaker 1>like even though he wasn't crashing like Nigga, we could

0:26:32.240 --> 0:26:35.160
<v Speaker 1>never make a video fucking putting up shovel of our

0:26:35.160 --> 0:26:39.879
<v Speaker 1>mom and if we did, BT wouldn't playoffs. I was

0:26:40.119 --> 0:26:44.359
<v Speaker 1>killing the bags giving that you got a video. So

0:26:44.400 --> 0:26:47.280
<v Speaker 1>I'm how I saw my mama like Nigga wasn't like,

0:26:47.760 --> 0:26:51.359
<v Speaker 1>But for me, it's just his caduce Like I've never

0:26:51.400 --> 0:26:53.520
<v Speaker 1>seen understand what you're saying. I'm never looking at the

0:26:53.520 --> 0:26:56.560
<v Speaker 1>technicality of how he's wrong because I've never seen nobody

0:26:57.200 --> 0:27:01.440
<v Speaker 1>fucking manipulate vows the way that Nigga do. I'm talking

0:27:01.440 --> 0:27:03.880
<v Speaker 1>about him like when you listen to lose yourself like

0:27:04.200 --> 0:27:07.879
<v Speaker 1>the two viale sounds and lose yourself as um and

0:27:08.080 --> 0:27:11.240
<v Speaker 1>et right, you got um, you got so when he

0:27:11.280 --> 0:27:15.439
<v Speaker 1>starts sucking wrapping moms spaghetti, these weak arms are heavy.

0:27:15.480 --> 0:27:19.240
<v Speaker 1>That's vomit on his sweater already, Moms spaghetti. He's nervous,

0:27:19.280 --> 0:27:21.439
<v Speaker 1>but on the surface he looks calm and ready to

0:27:21.560 --> 0:27:25.280
<v Speaker 1>drop bomb, like he when when he puts together ship.

0:27:26.160 --> 0:27:28.919
<v Speaker 1>But when you puts together ship, I know it's as

0:27:28.960 --> 0:27:31.520
<v Speaker 1>close to perfect as it can be because the motherfucker

0:27:31.640 --> 0:27:36.560
<v Speaker 1>take full Like Nigga, we walk into booth one take hold.

0:27:36.640 --> 0:27:38.200
<v Speaker 1>We think we want to take hold, Like know what

0:27:38.200 --> 0:27:41.040
<v Speaker 1>I'm doing, Nigga said, trash, know what I'm saying, like

0:27:41.359 --> 0:27:44.760
<v Speaker 1>he will sit down and go. These are the words

0:27:44.800 --> 0:27:47.360
<v Speaker 1>that fucking fit. No other words in the English ain't

0:27:47.400 --> 0:27:49.240
<v Speaker 1>wha was fit because if they did, they'd be here.

0:27:49.280 --> 0:27:53.080
<v Speaker 1>It's like he's writing music, Nike. I've taught classes on him.

0:27:53.359 --> 0:27:56.200
<v Speaker 1>But I think one of the craziest songs of all

0:27:56.280 --> 0:28:01.880
<v Speaker 1>time is the Gun. Yes, yes, yes, that's it is incredible. Man.

0:28:02.320 --> 0:28:06.280
<v Speaker 1>I couldn't understand how you did that? Right? Did that?

0:28:06.400 --> 0:28:10.679
<v Speaker 1>What is a song writing? Yes? Very very much so,

0:28:11.000 --> 0:28:14.360
<v Speaker 1>but also to the point of where it's like like

0:28:14.560 --> 0:28:16.600
<v Speaker 1>some people just gifted you know what I'm saying, to

0:28:16.680 --> 0:28:19.320
<v Speaker 1>be able to like we've heard motherfucker's to signify themselves

0:28:19.359 --> 0:28:21.639
<v Speaker 1>as weed and but signify themselves as hip hop and

0:28:21.840 --> 0:28:25.000
<v Speaker 1>should I did it. Naws is different when it comes

0:28:25.000 --> 0:28:27.640
<v Speaker 1>to that ship and then it gets still looking twenty one,

0:28:27.920 --> 0:28:30.200
<v Speaker 1>you know what I'm saying, Like, so he not he

0:28:30.280 --> 0:28:33.200
<v Speaker 1>wanted the greats man, So I was happy to get

0:28:33.200 --> 0:28:37.440
<v Speaker 1>washed on the song by by Esco. Now, when we

0:28:37.520 --> 0:28:39.400
<v Speaker 1>move with you a lot, one of the first things

0:28:39.400 --> 0:28:42.680
<v Speaker 1>that come up is this famous ghost ride, right, which

0:28:42.680 --> 0:28:45.920
<v Speaker 1>I ain't gonna tell you nothing. I just said, but

0:28:46.320 --> 0:28:49.600
<v Speaker 1>how is one go about that? Like what happens? It's

0:28:49.640 --> 0:28:51.760
<v Speaker 1>the record lady. When I suggested that no no, I

0:28:51.840 --> 0:28:55.480
<v Speaker 1>was in New York, New York DJ at the time,

0:28:55.600 --> 0:28:57.160
<v Speaker 1>I ain't gonna say what he was, he was right

0:28:57.200 --> 0:29:02.600
<v Speaker 1>for fabulously check a little bit. Just now, I'm in

0:29:02.600 --> 0:29:05.240
<v Speaker 1>the studio and I'm you know, I'm just in New York.

0:29:05.240 --> 0:29:07.840
<v Speaker 1>I'm Virginia nigga from in New York, like, and I

0:29:07.880 --> 0:29:11.000
<v Speaker 1>have signed a big beat and fucking he comes in

0:29:11.000 --> 0:29:13.360
<v Speaker 1>into the wrong room like like, oh, ship, I thought

0:29:13.400 --> 0:29:14.920
<v Speaker 1>I thought this was the beat room. I said, no, no,

0:29:15.600 --> 0:29:17.960
<v Speaker 1>it's next door whatever. He's like, okay, cool, oh ship

0:29:18.000 --> 0:29:20.080
<v Speaker 1>skills Right, I'm like, yeah, you know what you're working on?

0:29:20.360 --> 0:29:21.880
<v Speaker 1>So I play him some ship and they're like, no,

0:29:22.000 --> 0:29:24.400
<v Speaker 1>this ship hard, nigga, let me get this, and I'm

0:29:24.440 --> 0:29:27.760
<v Speaker 1>like the DJ saying yeah, but the only thing order

0:29:28.040 --> 0:29:30.120
<v Speaker 1>is the hook. He's like, you should let me get

0:29:30.200 --> 0:29:32.720
<v Speaker 1>this and I'm like, yeah, let me let me put

0:29:32.760 --> 0:29:35.640
<v Speaker 1>my wraps on it. I'm not knowing that the nigga

0:29:35.760 --> 0:29:38.560
<v Speaker 1>saying I want this and I want to put other

0:29:38.640 --> 0:29:41.280
<v Speaker 1>rappers on it. I don't. I don't talk with you

0:29:41.360 --> 0:29:43.880
<v Speaker 1>like this. I know who you are. You use cool,

0:29:44.240 --> 0:29:48.640
<v Speaker 1>but this ship hard. The first time bom ship comes,

0:29:49.120 --> 0:29:55.240
<v Speaker 1>what's you said? This was? I want together? It might

0:29:55.240 --> 0:29:59.240
<v Speaker 1>have been unique, have been unique, and then um so

0:29:59.240 --> 0:30:00.920
<v Speaker 1>I give him the ship was the hook and it

0:30:01.040 --> 0:30:04.240
<v Speaker 1>ship comes out. They hit me for the splits. I

0:30:04.280 --> 0:30:06.760
<v Speaker 1>got a big percentage of the record, but considered writing

0:30:06.840 --> 0:30:09.440
<v Speaker 1>yet because you know, but nobody knew that. But I

0:30:09.520 --> 0:30:12.920
<v Speaker 1>hear these rapping niggas saying my hook and I'm just like, damn.

0:30:12.960 --> 0:30:14.720
<v Speaker 1>They they could put me on the record, but they

0:30:14.720 --> 0:30:18.680
<v Speaker 1>read did the hook the hook? The check comes and

0:30:18.720 --> 0:30:21.960
<v Speaker 1>I'm like, oh, yeah, I'm good. I don't gotta be.

0:30:22.080 --> 0:30:24.240
<v Speaker 1>I don't gotta be on the record what I'm saying.

0:30:24.240 --> 0:30:26.920
<v Speaker 1>So then my name started moving around like yo yo,

0:30:27.000 --> 0:30:30.200
<v Speaker 1>Because some niggers have businesses and ENTI season, they don't

0:30:30.280 --> 0:30:33.000
<v Speaker 1>have the time to sit down the craft the Hot

0:30:33.040 --> 0:30:35.440
<v Speaker 1>six teams. So that's where somebody like me coming there

0:30:35.440 --> 0:30:37.880
<v Speaker 1>because we hear these funny stories like Rico Love and

0:30:38.320 --> 0:30:41.680
<v Speaker 1>you know my friend car Dad. Uh. You know, they're

0:30:41.720 --> 0:30:45.360
<v Speaker 1>very honorable too, But that's I always want to know, like, like,

0:30:45.400 --> 0:30:47.400
<v Speaker 1>how does that happen? So you're saying that was the

0:30:47.400 --> 0:30:50.640
<v Speaker 1>first time, all right to what your words? That? Yo? Right?

0:30:50.720 --> 0:30:52.400
<v Speaker 1>So now I'm like, oh, I'm gonna just send this

0:30:52.520 --> 0:30:55.959
<v Speaker 1>c D to whoooooom and they're like, yo, who wrote this?

0:30:56.080 --> 0:30:59.040
<v Speaker 1>Like oh, you know the nigga skills from Virginia? Oh yeah, yeah,

0:30:59.040 --> 0:31:00.960
<v Speaker 1>not nigga nigga pull up. So it was it was

0:31:01.000 --> 0:31:03.040
<v Speaker 1>getting me in doors that I might not have been

0:31:03.040 --> 0:31:05.479
<v Speaker 1>able to get in before I take something, I'll tell

0:31:05.520 --> 0:31:08.680
<v Speaker 1>you something, and I blew this up for um. I

0:31:08.760 --> 0:31:10.640
<v Speaker 1>used to going Farrell sessions and he used to have

0:31:10.800 --> 0:31:13.600
<v Speaker 1>old records for people, and I used to be like,

0:31:13.640 --> 0:31:17.760
<v Speaker 1>oh with the verses. I used to like, oh, ship,

0:31:17.840 --> 0:31:20.040
<v Speaker 1>you're gonna kill us, and He's like stuff for me,

0:31:20.640 --> 0:31:23.560
<v Speaker 1>but I'd be him referenced out, yeah, you mean him

0:31:23.560 --> 0:31:27.400
<v Speaker 1>doing he said. He said, of them, yeah, yeah, I

0:31:27.520 --> 0:31:30.640
<v Speaker 1>threw it up here, plenty of them. Is that how

0:31:30.680 --> 0:31:33.360
<v Speaker 1>you do it? Like you just send himself? But my

0:31:33.480 --> 0:31:35.920
<v Speaker 1>thing is and I'm right, I right, you know I

0:31:35.920 --> 0:31:37.880
<v Speaker 1>started with hip hop, but should I hadn't done like

0:31:37.920 --> 0:31:41.160
<v Speaker 1>fucking you know, R and B records, Pop records. So

0:31:41.240 --> 0:31:43.840
<v Speaker 1>after a while, I it's like I might reference the

0:31:43.840 --> 0:31:46.560
<v Speaker 1>whole thing, but then just leave something for the artists

0:31:46.560 --> 0:31:49.320
<v Speaker 1>if they want to hop in what I'm saying and

0:31:49.440 --> 0:31:51.440
<v Speaker 1>make it their own, like lead the bridge open, lead

0:31:51.440 --> 0:31:52.880
<v Speaker 1>the second verse open. You know what I'm saying. What

0:31:52.960 --> 0:31:54.680
<v Speaker 1>did you think? I'm sorry, I cut you up. I'm

0:31:54.680 --> 0:31:56.920
<v Speaker 1>going good. What did you think about when you heard

0:31:57.000 --> 0:32:01.160
<v Speaker 1>Drake reference tracks? It was I don't have the sooner later?

0:32:01.240 --> 0:32:03.320
<v Speaker 1>What do you mean by that? Like they was gonna

0:32:03.320 --> 0:32:05.240
<v Speaker 1>come out? You know what I'm saying. Like because at

0:32:05.280 --> 0:32:07.520
<v Speaker 1>the end of the day, nigga's like us, we can

0:32:07.760 --> 0:32:10.520
<v Speaker 1>in nineties seven ninety eight, we gave a fun you

0:32:10.640 --> 0:32:12.480
<v Speaker 1>and then if you tell me, Rock Him didn't write

0:32:12.520 --> 0:32:19.400
<v Speaker 1>microphone film knocking all this ship exactly. But for these

0:32:19.480 --> 0:32:22.480
<v Speaker 1>kids today, like they don't fucking care, Like niggas don't

0:32:22.480 --> 0:32:24.360
<v Speaker 1>even have to. They don't even have a proper place

0:32:24.440 --> 0:32:26.960
<v Speaker 1>to go look to find the credits. Does that matter?

0:32:27.560 --> 0:32:32.520
<v Speaker 1>No matter? A hit record matters, A hit record matters

0:32:32.720 --> 0:32:36.880
<v Speaker 1>who wrote it? Don't matter in one. You ain't even

0:32:36.920 --> 0:32:41.880
<v Speaker 1>right your ship. I'm gonna be honest with you. This

0:32:41.960 --> 0:32:44.120
<v Speaker 1>is how I knew. I was on the fence a

0:32:44.160 --> 0:32:48.680
<v Speaker 1>little bit. One of my greatest records that I love,

0:32:49.440 --> 0:32:53.680
<v Speaker 1>it's Easy saying ice Cube drives that I say, and

0:32:53.720 --> 0:32:58.920
<v Speaker 1>I grew up the whole time. Now find the actually

0:32:59.640 --> 0:33:03.800
<v Speaker 1>was yeah, the thing easy he actually said said everybody

0:33:03.880 --> 0:33:07.440
<v Speaker 1>knew Easy wasn't a rapper. Every we didn't. I didn't

0:33:07.440 --> 0:33:12.400
<v Speaker 1>know event I'm gonna be honest one. I was scared

0:33:12.440 --> 0:33:15.560
<v Speaker 1>of it way you're scared of competent to see. I

0:33:15.600 --> 0:33:20.840
<v Speaker 1>thought Compton was jail like Regen's was like, oh shoot,

0:33:20.840 --> 0:33:22.600
<v Speaker 1>I don't wanta I gotta arrest it one time. I'm

0:33:22.760 --> 0:33:25.640
<v Speaker 1>don't take you to Compton. But he's like, what I was?

0:33:25.880 --> 0:33:31.040
<v Speaker 1>You know, Levin, But they made it notorious? When now,

0:33:31.680 --> 0:33:37.120
<v Speaker 1>how how is it I look at Easy as a great?

0:33:37.440 --> 0:33:39.440
<v Speaker 1>And he said that, how is it I look at

0:33:39.520 --> 0:33:43.160
<v Speaker 1>Dr Dre as a great? And he said that I

0:33:43.240 --> 0:33:46.360
<v Speaker 1>look at the care if I write rhymes, I write, Paul,

0:33:46.680 --> 0:33:48.880
<v Speaker 1>I look at him. It's a great But if I

0:33:49.040 --> 0:33:54.200
<v Speaker 1>found out that balance rope, mad skills, well I'm mad

0:33:54.240 --> 0:33:58.000
<v Speaker 1>at you, right, I get it. Why is that because

0:33:58.080 --> 0:34:01.560
<v Speaker 1>we because we you know what it is, we still

0:34:01.800 --> 0:34:05.680
<v Speaker 1>at some point we still want to believe niggas. You

0:34:05.720 --> 0:34:08.319
<v Speaker 1>know what I'm saying, Like when when I understand pre

0:34:08.560 --> 0:34:11.279
<v Speaker 1>pre spotifaller ship, when I went to the Best Buy

0:34:11.640 --> 0:34:14.520
<v Speaker 1>and I spent eighteen dollars on your fucking CD and

0:34:14.600 --> 0:34:16.239
<v Speaker 1>I got in the car and put that ship in.

0:34:16.600 --> 0:34:20.480
<v Speaker 1>I still believe some of them, like we believe Like

0:34:20.560 --> 0:34:22.600
<v Speaker 1>you said, I believe if I went to Compton and

0:34:22.640 --> 0:34:25.200
<v Speaker 1>I wasn't right, I believe I would get robbed out

0:34:25.200 --> 0:34:28.200
<v Speaker 1>of the gate. Like niggas made us believe everything else,

0:34:28.480 --> 0:34:31.000
<v Speaker 1>so that the lifestyle and the ship came along with it.

0:34:31.400 --> 0:34:33.520
<v Speaker 1>And what you gotta understand is when you put out

0:34:33.600 --> 0:34:36.640
<v Speaker 1>that kind of ship, that's what's gonna come back to you.

0:34:37.320 --> 0:34:39.080
<v Speaker 1>So I never forget O G told me like Yo,

0:34:39.239 --> 0:34:41.640
<v Speaker 1>like Nigga said, Yo, make rhymes. Who you want to

0:34:41.640 --> 0:34:45.080
<v Speaker 1>see in the hotel lobby after your show? Who? O G?

0:34:45.239 --> 0:34:47.160
<v Speaker 1>And Philly? I did a show with the roofs and

0:34:47.280 --> 0:34:49.520
<v Speaker 1>me and my DJ and the lobby drinking and the

0:34:49.600 --> 0:34:52.279
<v Speaker 1>nigga like he's sitting there and the nigga said, Yo,

0:34:52.400 --> 0:34:57.279
<v Speaker 1>you know who told me that? You say, because you

0:34:57.320 --> 0:34:59.759
<v Speaker 1>were trapping on the record. I'm sorry. The nigga said, Yo,

0:35:00.480 --> 0:35:03.000
<v Speaker 1>what y'all do? I said, y'all I wrapped. He was like,

0:35:03.320 --> 0:35:05.600
<v Speaker 1>you make music? I said yeah, because he just did

0:35:05.640 --> 0:35:08.359
<v Speaker 1>the Electric Factory. She was sold out. Who do you mean?

0:35:08.800 --> 0:35:10.440
<v Speaker 1>He's like, hey, let me tell you something, young blood,

0:35:10.440 --> 0:35:12.479
<v Speaker 1>and he got about it. That got us Gary leave.

0:35:12.920 --> 0:35:14.719
<v Speaker 1>Nigga walked off and then tap me on the show.

0:35:14.760 --> 0:35:16.440
<v Speaker 1>He said, YO, make records for who you want to

0:35:16.480 --> 0:35:19.320
<v Speaker 1>see in the lobby after your show. And I said,

0:35:20.760 --> 0:35:22.720
<v Speaker 1>why the funk? I ain't even making records for bitches

0:35:23.360 --> 0:35:26.719
<v Speaker 1>this whole time because after after at my show, after

0:35:26.840 --> 0:35:28.680
<v Speaker 1>my show, I get niggessn't want to talk about why

0:35:28.760 --> 0:35:31.560
<v Speaker 1>Trip called Quest broke up? And what's my top five?

0:35:31.760 --> 0:35:34.120
<v Speaker 1>Like I don't get like I might get women, but

0:35:34.440 --> 0:35:36.640
<v Speaker 1>not like l L you know what I'm saying. Like,

0:35:37.440 --> 0:35:39.640
<v Speaker 1>but you don't think it's a difference between who considered

0:35:39.680 --> 0:35:42.960
<v Speaker 1>themselves a rapper versus an MC or you think that's

0:35:42.960 --> 0:35:45.600
<v Speaker 1>going too deep that might be a little deep because

0:35:46.480 --> 0:35:49.480
<v Speaker 1>at some you know, after a while, it's like motherfucker's

0:35:49.480 --> 0:35:51.400
<v Speaker 1>can't really gauge the difference between the two. You know

0:35:51.400 --> 0:35:53.560
<v Speaker 1>what I'm saying, Like the lines get blurred. Yeah, the

0:35:53.640 --> 0:35:55.759
<v Speaker 1>lines definitely get blurred between you who's living in and

0:35:56.320 --> 0:36:00.160
<v Speaker 1>who ain't. And then it's like who kids like these

0:36:00.200 --> 0:36:03.880
<v Speaker 1>motherfucker's ain't breakdancing. They ain't writing your feeding about this.

0:36:03.920 --> 0:36:07.920
<v Speaker 1>They're definitely not. You're not doing nothing that I did it.

0:36:08.680 --> 0:36:10.759
<v Speaker 1>I did everything that I did just to do it.

0:36:11.120 --> 0:36:13.520
<v Speaker 1>I did. I did too. I did too. I had

0:36:13.760 --> 0:36:16.720
<v Speaker 1>my fucking my first My first rap name was fucking

0:36:16.800 --> 0:36:18.719
<v Speaker 1>corny as fun. But my first rap name is MC

0:36:18.840 --> 0:36:21.560
<v Speaker 1>y'all who with the ball to be? It's true, he

0:36:21.600 --> 0:36:25.160
<v Speaker 1>says it all the time. I'm mad didn't work out.

0:36:25.239 --> 0:36:29.640
<v Speaker 1>My first name was the Funky Orators. Come on that

0:36:29.840 --> 0:36:35.239
<v Speaker 1>right now. That doesn't at all something that at all?

0:36:36.280 --> 0:36:42.160
<v Speaker 1>So all right, kids entertainment, he won that was your

0:36:42.280 --> 0:36:45.759
<v Speaker 1>label and the kids entertainment. Yea. Yeah, it's just me

0:36:45.880 --> 0:36:47.799
<v Speaker 1>trying to keep as much of the bread as I could.

0:36:47.920 --> 0:36:51.759
<v Speaker 1>Okay what I'm saying, Okay, keep a because you know

0:36:51.840 --> 0:36:54.160
<v Speaker 1>they wasn't spend all of us went through contact one,

0:36:54.640 --> 0:36:57.480
<v Speaker 1>every everybody, everybody, everybody, which was land speed before that.

0:36:58.560 --> 0:37:00.560
<v Speaker 1>When it was right after this was I think there's

0:37:00.600 --> 0:37:03.200
<v Speaker 1>at the gym, got of popping you fly high. You

0:37:03.239 --> 0:37:11.520
<v Speaker 1>know what we don't forgetting he got last week, get

0:37:11.560 --> 0:37:13.680
<v Speaker 1>this thing on there to fifty he put out ship

0:37:13.760 --> 0:37:16.200
<v Speaker 1>through there. No, I think that was in the original lands,

0:37:16.200 --> 0:37:21.040
<v Speaker 1>but I'm talking about pop lands. Fifty dragged it after like,

0:37:21.280 --> 0:37:24.080
<v Speaker 1>thank you, sir. Do some shots man, kids and god,

0:37:24.120 --> 0:37:32.560
<v Speaker 1>water man, this is not water chipping out for you,

0:37:33.560 --> 0:37:38.359
<v Speaker 1>for you, for you. I got. I'm a white right,

0:37:38.880 --> 0:37:40.960
<v Speaker 1>I'm do a white grape shot a white gap we got.

0:37:41.080 --> 0:37:45.400
<v Speaker 1>We gotta shout out the Organic Food Kings's incredible. We

0:37:45.480 --> 0:37:48.200
<v Speaker 1>got the truck outside at Organic Food Kings. Make sure

0:37:48.239 --> 0:37:50.960
<v Speaker 1>you check them out. We're gonna beating them all the time.

0:37:51.080 --> 0:37:54.399
<v Speaker 1>Right now, that's the same ship. No, it's different color.

0:37:56.120 --> 0:37:59.359
<v Speaker 1>That's one is bootleg? Which one is bootleg? We don't

0:37:59.360 --> 0:38:02.120
<v Speaker 1>want so what would say? Oh yeah, y'all holding on,

0:38:02.280 --> 0:38:05.000
<v Speaker 1>you got you still got your pit bullshit. They cut

0:38:05.080 --> 0:38:07.680
<v Speaker 1>you with jack. That's that's why that's right here now,

0:38:08.040 --> 0:38:11.480
<v Speaker 1>that's why it always comes out for the shot. So boom,

0:38:13.880 --> 0:38:17.040
<v Speaker 1>the older go back to Q tip was this pre

0:38:17.840 --> 0:38:21.760
<v Speaker 1>or post the beef with with Rex in Effect posts,

0:38:22.160 --> 0:38:28.080
<v Speaker 1>So how is that weird? Like because that's Virginia. I

0:38:28.120 --> 0:38:30.680
<v Speaker 1>had to get involved that. Yeah, Like no, it was

0:38:30.840 --> 0:38:33.160
<v Speaker 1>um you know because Rex in Effect was halland but

0:38:33.160 --> 0:38:36.600
<v Speaker 1>they was running around in Virginia Beach with Teddy. You know,

0:38:37.160 --> 0:38:39.319
<v Speaker 1>I think they I think they took offense to something

0:38:39.360 --> 0:38:42.360
<v Speaker 1>that fight said Fife said, strictly hardcore tracks, not a

0:38:42.400 --> 0:38:45.160
<v Speaker 1>new Jack swing God bless God bless fight. Um, and

0:38:45.360 --> 0:38:47.120
<v Speaker 1>they thought they felt some kind of way about it.

0:38:47.200 --> 0:38:49.960
<v Speaker 1>You know, I wasn't unstan he becoming that a lot

0:38:50.000 --> 0:38:57.080
<v Speaker 1>of people. Yeah, he has to wear always like doing

0:38:57.120 --> 0:39:00.960
<v Speaker 1>this thing like um yeah, but I think they jumped

0:39:01.000 --> 0:39:03.680
<v Speaker 1>him with some ship and he had the patch of

0:39:03.719 --> 0:39:07.279
<v Speaker 1>the video the video Sex on the Platfort Sex on

0:39:07.320 --> 0:39:10.759
<v Speaker 1>the Fat. They say, here, I don't know that's that's

0:39:10.960 --> 0:39:14.719
<v Speaker 1>we talked about it. We talked about it with ship.

0:39:14.840 --> 0:39:18.920
<v Speaker 1>I didn't know that yeah, yeah, yeah, so we forget

0:39:18.920 --> 0:39:21.640
<v Speaker 1>a lot of But now he was very instrumental and

0:39:22.080 --> 0:39:24.200
<v Speaker 1>you know, I'm running around with him and like I said,

0:39:24.200 --> 0:39:29.080
<v Speaker 1>after when I met him after the night after the

0:39:29.960 --> 0:39:32.279
<v Speaker 1>Jack the rapping ship, he gave me his number. So

0:39:32.400 --> 0:39:35.920
<v Speaker 1>I get back home and my my mom said, yo. Um.

0:39:36.080 --> 0:39:38.239
<v Speaker 1>Like two weeks later, my mom said, Yo, somebody named

0:39:38.320 --> 0:39:41.560
<v Speaker 1>RiPP called you. I'm like, who she likes? Somebody named Ripped?

0:39:41.560 --> 0:39:43.520
<v Speaker 1>I don't know. He left a message in the answer machine.

0:39:43.760 --> 0:39:45.680
<v Speaker 1>So I go hit the button on the answer machine

0:39:45.920 --> 0:39:47.960
<v Speaker 1>and I heard, Yo, you know what I'm saying this

0:39:48.480 --> 0:39:53.719
<v Speaker 1>this this just tipping. I'm saying, yo, Yo, I want

0:39:53.760 --> 0:39:56.520
<v Speaker 1>to know something like how before you live from Hampton, Virginia.

0:39:56.600 --> 0:39:58.799
<v Speaker 1>Son hit me up. So I get off the phone.

0:39:58.840 --> 0:40:00.759
<v Speaker 1>I'm like, Yo, this ship is crazy. He's like, my

0:40:00.920 --> 0:40:03.520
<v Speaker 1>fucking life could change. So I called nigga back. He

0:40:03.600 --> 0:40:06.000
<v Speaker 1>asked me how far I lived from via from Hampton,

0:40:06.040 --> 0:40:09.200
<v Speaker 1>which is down there. Bob Pea Mack. I go to

0:40:09.320 --> 0:40:12.160
<v Speaker 1>the show and I've been with him. I have been

0:40:12.200 --> 0:40:13.920
<v Speaker 1>done a a couple of shows with it all nv A.

0:40:14.080 --> 0:40:15.759
<v Speaker 1>I go to this show and they would let me

0:40:15.800 --> 0:40:19.359
<v Speaker 1>freestyle at the end over God Lives through the beat

0:40:19.400 --> 0:40:22.800
<v Speaker 1>for God Lives through. So we we do it. My

0:40:22.920 --> 0:40:26.600
<v Speaker 1>man with me. We're leaving. We're leaving, about to ride

0:40:26.640 --> 0:40:29.879
<v Speaker 1>back to Richmond down down the highway. This nigga comes

0:40:29.960 --> 0:40:33.239
<v Speaker 1>up behind me with sucking silver goloshes. Then he had

0:40:33.280 --> 0:40:37.000
<v Speaker 1>silver gobbles on his head, a silver Donna Karen fucking jacket,

0:40:37.360 --> 0:40:41.680
<v Speaker 1>some black pants, and some silver Donna Karen fucking rain boots.

0:40:42.200 --> 0:40:44.600
<v Speaker 1>And nigga says, yo, man, won't you just on stage

0:40:44.600 --> 0:40:46.600
<v Speaker 1>with tipping them? And I was like yeah, and he

0:40:46.760 --> 0:40:48.560
<v Speaker 1>was like, yo, I gotta I gotta meet him, Man,

0:40:48.600 --> 0:40:51.120
<v Speaker 1>you gotta introduce me. And while we're standing there talking,

0:40:51.120 --> 0:40:52.680
<v Speaker 1>I'm looking at this nigga, like, Yo, this nig is

0:40:52.719 --> 0:40:55.440
<v Speaker 1>weird as fun. The toll buses at the light blinker

0:40:55.719 --> 0:40:58.600
<v Speaker 1>blinker on ship about the move and I'm sitting there

0:40:58.640 --> 0:41:00.680
<v Speaker 1>looking at this nigga and he's like, yo, I said, Yo,

0:41:00.719 --> 0:41:02.200
<v Speaker 1>you rapp He said yeah. I said what's your name?

0:41:02.239 --> 0:41:06.400
<v Speaker 1>He said, Magnum the verb Lord. I said, oh okay,

0:41:06.880 --> 0:41:10.240
<v Speaker 1>So I started beat boxing. My man starts sucking rapping.

0:41:10.400 --> 0:41:13.000
<v Speaker 1>These niggas rapping about the planets and they want to

0:41:13.080 --> 0:41:18.040
<v Speaker 1>keep Mary ship. And that was what they say that

0:41:18.360 --> 0:41:21.800
<v Speaker 1>what was his name an Agnum the verb Lord. That

0:41:21.920 --> 0:41:30.200
<v Speaker 1>was his rapping name. I went with the government, but

0:41:31.000 --> 0:41:33.520
<v Speaker 1>super ill like that's how that's the first time met

0:41:33.560 --> 0:41:35.560
<v Speaker 1>for Rell. So come I want to get back to that.

0:41:35.600 --> 0:41:37.040
<v Speaker 1>But I want to ask you something. You said he

0:41:37.120 --> 0:41:41.040
<v Speaker 1>was freestyle right right, that's a freestyle. Really have to

0:41:41.080 --> 0:41:46.799
<v Speaker 1>be a freestyle the age old conversation. I would say

0:41:47.880 --> 0:41:49.480
<v Speaker 1>a freestyle could be two things. It could be a

0:41:49.520 --> 0:41:52.080
<v Speaker 1>rhyme you never heard, or could be something made up

0:41:52.200 --> 0:41:55.000
<v Speaker 1>in PROMPTU right on the spot. Right, That's that's the

0:41:55.080 --> 0:41:57.080
<v Speaker 1>only two that's gonna go that way. Otherwise just a

0:41:57.120 --> 0:42:00.840
<v Speaker 1>written um. Some niggas were skilled that making it sound

0:42:00.960 --> 0:42:02.520
<v Speaker 1>like I came up with it on the spot. I

0:42:02.640 --> 0:42:04.960
<v Speaker 1>was real good at that. I'm throwing something around the room.

0:42:05.120 --> 0:42:06.960
<v Speaker 1>Then I go into a little bit of rig six

0:42:07.920 --> 0:42:11.000
<v Speaker 1>back like that old ship like, I was real good

0:42:11.000 --> 0:42:14.600
<v Speaker 1>at that. I don't think it matters as long as

0:42:14.600 --> 0:42:17.839
<v Speaker 1>it's dope, you know what I'm saying. Because at certain times,

0:42:17.920 --> 0:42:21.520
<v Speaker 1>it's like niggas would go to Rap City. Let's say

0:42:21.520 --> 0:42:24.880
<v Speaker 1>you go see Tiger, Like, niggas got Cam there, they

0:42:24.960 --> 0:42:28.000
<v Speaker 1>got Jim there, They're doing all these tapings. Fucking A

0:42:28.239 --> 0:42:31.000
<v Speaker 1>Z is ready to do his ship like nigger Like,

0:42:31.200 --> 0:42:33.320
<v Speaker 1>it's no point of going in the booth with ticket

0:42:33.440 --> 0:42:35.440
<v Speaker 1>and trying to freestyle this ship. It's just going to

0:42:35.520 --> 0:42:39.479
<v Speaker 1>eighteen million homes. Make it dope, you know what? I'm saying,

0:42:39.840 --> 0:42:42.359
<v Speaker 1>nobody's gonna give a funk if you fumble. They're going back.

0:42:42.360 --> 0:42:44.160
<v Speaker 1>Then this nigga fumbled in the booth, sound like you're

0:42:44.160 --> 0:42:46.920
<v Speaker 1>trying to come up, like what's the point? So I

0:42:47.000 --> 0:42:48.480
<v Speaker 1>feel like I feel like, you know what it is.

0:42:48.520 --> 0:42:51.880
<v Speaker 1>It's like a dunk, but it's still two points two,

0:42:52.360 --> 0:42:54.960
<v Speaker 1>no matter how good at no matter how good, it's

0:42:54.960 --> 0:43:05.800
<v Speaker 1>still ready even get a cop right, come one. Because

0:43:06.239 --> 0:43:10.320
<v Speaker 1>in this show, we celebrate motherfucker's longevity. They want to

0:43:10.360 --> 0:43:12.320
<v Speaker 1>kill people out the game over it is here we

0:43:12.400 --> 0:43:20.960
<v Speaker 1>celebrate all motherfucking legends. So I look, I like the

0:43:21.000 --> 0:43:24.440
<v Speaker 1>white Great. It's the best white great ever. I like that.

0:43:25.160 --> 0:43:26.839
<v Speaker 1>So I'm gonna get ready for the next one. Ready.

0:43:27.719 --> 0:43:29.520
<v Speaker 1>When I listened to you, When I listened to you,

0:43:30.480 --> 0:43:35.719
<v Speaker 1>it's like every single line matters to right. You think

0:43:35.800 --> 0:43:38.359
<v Speaker 1>that's a plus or a card to a certain extent,

0:43:38.480 --> 0:43:41.000
<v Speaker 1>because if I'm just one thing, I could miss a

0:43:41.120 --> 0:43:44.360
<v Speaker 1>whole truth, the whole concept of this of this. So

0:43:44.480 --> 0:43:47.040
<v Speaker 1>what do you think about years later? When I mean,

0:43:47.080 --> 0:43:48.879
<v Speaker 1>when I listened back to my old raps and ship,

0:43:48.960 --> 0:43:53.360
<v Speaker 1>it's it's almost like I was super fucking confident, cocky,

0:43:53.440 --> 0:43:57.680
<v Speaker 1>and but who wasn't. He was ahead of the around.

0:43:57.680 --> 0:44:00.640
<v Speaker 1>I used to fucking demolish rap like that was my

0:44:00.760 --> 0:44:04.160
<v Speaker 1>whole thing. And you know, um going back and forth,

0:44:04.320 --> 0:44:06.120
<v Speaker 1>you know, from Virginia to New York, riding up in

0:44:06.160 --> 0:44:08.840
<v Speaker 1>the turnpike, trying to get on like we knew that

0:44:09.200 --> 0:44:11.439
<v Speaker 1>we couldn't just be average, you know what I'm saying,

0:44:11.560 --> 0:44:14.840
<v Speaker 1>Like we had to fucking be good, you know, just

0:44:14.920 --> 0:44:17.799
<v Speaker 1>stand out like like yeah, So that's how I ended

0:44:17.880 --> 0:44:20.080
<v Speaker 1>up things like yo, where you from, Nigga? Like and

0:44:20.160 --> 0:44:22.720
<v Speaker 1>I'm like, I'm from Virginia And the answer was always

0:44:22.760 --> 0:44:25.520
<v Speaker 1>from where I didn't know niggas like that in Va

0:44:25.640 --> 0:44:28.560
<v Speaker 1>like Nanda. I'm like like nigga like trying me know

0:44:28.560 --> 0:44:30.880
<v Speaker 1>what I'm saying, Like so that was my whole emo

0:44:31.160 --> 0:44:34.160
<v Speaker 1>like back then. But yeah, no, man, it's just it's

0:44:34.200 --> 0:44:36.839
<v Speaker 1>just it just went that way because because like I said,

0:44:36.920 --> 0:44:40.760
<v Speaker 1>it's just like like it's every single line right it started.

0:44:40.800 --> 0:44:45.400
<v Speaker 1>It started out, It's like and we'll articulated, right because

0:44:45.400 --> 0:44:48.480
<v Speaker 1>I wanted people to understand what I was saying, you

0:44:48.520 --> 0:44:50.879
<v Speaker 1>know what I'm saying, And like the mumbleship came later

0:44:51.000 --> 0:44:53.200
<v Speaker 1>like we you know, we we made sure niggas can

0:44:53.320 --> 0:44:55.799
<v Speaker 1>understand what the we'll be saying, Like for the most part,

0:44:56.080 --> 0:44:57.440
<v Speaker 1>you know what I mean, Like, that's what it was,

0:44:57.600 --> 0:45:00.560
<v Speaker 1>so you like mumble rap for you are listen, man,

0:45:00.680 --> 0:45:03.320
<v Speaker 1>I feel like I always like the music gonna do

0:45:03.400 --> 0:45:05.319
<v Speaker 1>what the youth is doing. But wait, I second hold

0:45:05.360 --> 0:45:07.120
<v Speaker 1>up and said, you're gonna tell me that there's an

0:45:07.160 --> 0:45:11.520
<v Speaker 1>artist out there saying I do mumble rap. Yeah, come on, man,

0:45:11.600 --> 0:45:15.760
<v Speaker 1>what Acsho says I'm mumble wrap is ef? The girls

0:45:15.800 --> 0:45:19.960
<v Speaker 1>clamming up like that, they say, I mean, that's one

0:45:20.000 --> 0:45:21.960
<v Speaker 1>thing to call it mumble rap, but they're going out

0:45:21.960 --> 0:45:26.480
<v Speaker 1>there saying that's my ship, I'm a mumble rapper. Like

0:45:26.600 --> 0:45:32.279
<v Speaker 1>how bad happening? The backpack term didn't like it. That's different, man,

0:45:32.320 --> 0:45:34.920
<v Speaker 1>that's a little distance because what is what it is

0:45:35.120 --> 0:45:37.640
<v Speaker 1>is that for them, it's about the feeling. For us,

0:45:37.760 --> 0:45:40.359
<v Speaker 1>it's about it was about the content. They just they

0:45:40.440 --> 0:45:42.800
<v Speaker 1>just cared about what feel good the music gonna do

0:45:42.920 --> 0:45:45.440
<v Speaker 1>what the kid's gonna do. Bro, you know what I'm saying, Like,

0:45:45.560 --> 0:45:51.680
<v Speaker 1>that's just what it is. Like I like that. I like,

0:45:52.760 --> 0:45:55.400
<v Speaker 1>I don't know what they say. They don't know what

0:45:59.480 --> 0:46:02.879
<v Speaker 1>I got. I'm gonna sept the new generation. The one

0:46:02.920 --> 0:46:05.040
<v Speaker 1>thing that I hated bout the new generation, which blows

0:46:05.200 --> 0:46:07.759
<v Speaker 1>me over, blows me over. Right, I accept him, but

0:46:07.880 --> 0:46:10.279
<v Speaker 1>I do hate this part of right. They'll sit there

0:46:10.320 --> 0:46:14.719
<v Speaker 1>and make a record like uh, Michael Jordan's, They'll make

0:46:14.760 --> 0:46:18.719
<v Speaker 1>a twenty three right, they'll make up Mike Tyson. I

0:46:18.800 --> 0:46:21.680
<v Speaker 1>think you wan't around when Mike Tyson was people are

0:46:21.680 --> 0:46:24.640
<v Speaker 1>you went around what Jordan was playing? And why not

0:46:26.600 --> 0:46:29.200
<v Speaker 1>study your own craft? Why not go out there and

0:46:29.320 --> 0:46:31.960
<v Speaker 1>no know who Mellie mell is to know who Grandmaster

0:46:32.040 --> 0:46:34.200
<v Speaker 1>cast is? No cou hurk is. You know what I'm saying.

0:46:34.239 --> 0:46:37.120
<v Speaker 1>I maybe I went too far because you know who

0:46:37.200 --> 0:46:40.120
<v Speaker 1>are honorious? I teach you not. I went to Sunday

0:46:40.160 --> 0:46:43.880
<v Speaker 1>service one time and I see Cremo just walk right bobs.

0:46:44.840 --> 0:46:47.000
<v Speaker 1>We looked at Krebo. We looked it up and think,

0:46:47.040 --> 0:46:50.320
<v Speaker 1>ain't make our contact, but numbers it was me j

0:46:50.520 --> 0:46:53.120
<v Speaker 1>the kiss and motherfucking fat jokes. I looked at it

0:46:53.120 --> 0:46:55.279
<v Speaker 1>and I said, all right, he he necktizes. Then't need you.

0:46:55.560 --> 0:46:58.880
<v Speaker 1>So I ain't taking personally because what I'm trying to

0:46:58.960 --> 0:47:02.480
<v Speaker 1>say is I could easily like grab because easily said, oh,

0:47:02.480 --> 0:47:04.200
<v Speaker 1>I don't know who it is, and I would have

0:47:04.239 --> 0:47:06.839
<v Speaker 1>had to respect that. I would have been I would

0:47:06.880 --> 0:47:09.400
<v Speaker 1>have been disappointed. But you don't have to respect I

0:47:09.400 --> 0:47:12.000
<v Speaker 1>don't have to respect that because I remember certain people

0:47:12.040 --> 0:47:13.960
<v Speaker 1>that I didn't know when hip hopa came before me,

0:47:14.360 --> 0:47:16.440
<v Speaker 1>and I wanted to study them. Right, but this, so,

0:47:17.280 --> 0:47:19.000
<v Speaker 1>what do you feel like in that situation? It was

0:47:19.120 --> 0:47:22.640
<v Speaker 1>but real. The culture taught us to dig in the crazy,

0:47:23.600 --> 0:47:26.200
<v Speaker 1>to respect el even though we weren't from that. We

0:47:26.320 --> 0:47:29.200
<v Speaker 1>weren't from the mill Melo, grand Master flags, but we

0:47:29.360 --> 0:47:32.040
<v Speaker 1>knew those were the architects of pioneers. And even though

0:47:32.080 --> 0:47:34.719
<v Speaker 1>we didn't listen to them every day, we respected where

0:47:34.719 --> 0:47:37.279
<v Speaker 1>they're going from. We didn't continue that we're saying like

0:47:37.320 --> 0:47:40.320
<v Speaker 1>our generation because I put it in the connotation of

0:47:40.480 --> 0:47:42.640
<v Speaker 1>like a car. Like so, say I had a I

0:47:42.719 --> 0:47:45.319
<v Speaker 1>got a car headed in nineties and it was mine,

0:47:45.480 --> 0:47:47.360
<v Speaker 1>me and you was working in the car. We was

0:47:47.400 --> 0:47:50.280
<v Speaker 1>banging a lot of mob deep, a lot of tribe professors.

0:47:50.280 --> 0:47:54.680
<v Speaker 1>Ship was hard like that. I gave it, y'all. I mean, y'all,

0:47:59.239 --> 0:48:02.400
<v Speaker 1>I wouldn't saying that. So I gave the car with

0:48:02.480 --> 0:48:07.160
<v Speaker 1>my son, right, it's his car. Now he'll give a

0:48:07.239 --> 0:48:08.840
<v Speaker 1>funk about the car and make a dog and the

0:48:08.880 --> 0:48:12.160
<v Speaker 1>ship out of the car. But it's his car. Now,

0:48:12.600 --> 0:48:14.840
<v Speaker 1>I see him pulling the driveway. I'm looking at it.

0:48:14.880 --> 0:48:18.640
<v Speaker 1>I'm like, yo, nigga, like your back tiger, Yo, you

0:48:18.760 --> 0:48:23.000
<v Speaker 1>got slow leak like nigga me cranking up. I'm like, yo, yo,

0:48:23.880 --> 0:48:27.160
<v Speaker 1>corporator sound like. But he's not taking care of the car.

0:48:28.000 --> 0:48:31.439
<v Speaker 1>But it's his car, so we gotta just set back

0:48:31.840 --> 0:48:39.040
<v Speaker 1>and is heavy. That's I'm gonna tell you why. Because

0:48:39.040 --> 0:48:41.160
<v Speaker 1>it's a different time. We're all still in it were

0:48:41.239 --> 0:48:44.640
<v Speaker 1>it's the first this is there, This mom is graduated

0:48:44.640 --> 0:48:48.239
<v Speaker 1>to your grandparents. If you let yourself borrow the cars,

0:48:48.400 --> 0:48:50.879
<v Speaker 1>that's what we all are with old borrowers right, nothing

0:48:50.920 --> 0:48:53.279
<v Speaker 1>that this ship is really are. So we have a

0:48:53.520 --> 0:48:57.000
<v Speaker 1>still choice I borrow, but we're giving him the car.

0:48:57.480 --> 0:49:00.200
<v Speaker 1>I agree with you because I'm gonna tell I'm gonna

0:49:00.200 --> 0:49:01.799
<v Speaker 1>tell him if he borned, I'm gonna say, yo, you've

0:49:01.800 --> 0:49:03.320
<v Speaker 1>better take care. That ship is gonna die on you.

0:49:03.520 --> 0:49:04.840
<v Speaker 1>And then when the ship died on him, I just

0:49:04.880 --> 0:49:06.920
<v Speaker 1>got to go. I told you, nigger, like he sucked

0:49:06.920 --> 0:49:11.359
<v Speaker 1>the car. Or you get them all you change yes

0:49:11.480 --> 0:49:17.040
<v Speaker 1>and put every they say this is on Sundays Nigga's

0:49:17.080 --> 0:49:23.279
<v Speaker 1>My Ship hip hop late late eighties, No, not really

0:49:23.480 --> 0:49:27.080
<v Speaker 1>late eighties, early nineties. So eighty nine I think the

0:49:27.400 --> 0:49:30.120
<v Speaker 1>three I think we come up with the like that's

0:49:30.280 --> 0:49:33.839
<v Speaker 1>that was listening. Bro. We had some funk ups back then,

0:49:33.960 --> 0:49:37.600
<v Speaker 1>but it was it was It was beautiful, man, like

0:49:37.680 --> 0:49:39.400
<v Speaker 1>you know what I'm saying. Like niggas was getting it

0:49:40.000 --> 0:49:43.640
<v Speaker 1>eighty nine and ninety three. Everything was fucking bumping. Everything

0:49:43.840 --> 0:49:46.520
<v Speaker 1>sounded good. Everybody was making quality ship. Niggas was making

0:49:46.560 --> 0:49:49.040
<v Speaker 1>other niggas get back. People were still sampling with it.

0:49:49.080 --> 0:49:52.239
<v Speaker 1>Sound amazing, like niggas was hearing other niggas and then't like, no, no,

0:49:52.320 --> 0:49:54.440
<v Speaker 1>I gotta go get my ship right, you know what

0:49:54.480 --> 0:49:57.239
<v Speaker 1>I'm saying. We didn't trying to sound like that was

0:49:57.320 --> 0:49:59.239
<v Speaker 1>the thing. You couldn't sound like any nigger. I could

0:49:59.280 --> 0:50:01.640
<v Speaker 1>go to a show a fucking ninety and it'll be

0:50:01.800 --> 0:50:07.040
<v Speaker 1>too short. KRS one, Digital Underground, E P. M D.

0:50:07.719 --> 0:50:10.399
<v Speaker 1>Like all these niggas on the same bill like now,

0:50:10.560 --> 0:50:13.160
<v Speaker 1>you could never do no ship like that. You couldn't

0:50:13.160 --> 0:50:15.800
<v Speaker 1>have fucking me Gooes on the same bill with J Cole.

0:50:16.440 --> 0:50:19.359
<v Speaker 1>The ship wouldn't make sense. I don't see that ain't gonna.

0:50:20.680 --> 0:50:23.360
<v Speaker 1>I would, but the kids wouldn't probably, you know what

0:50:23.360 --> 0:50:25.600
<v Speaker 1>I'm saying. Like, so it's a different area. I hate

0:50:25.600 --> 0:50:28.960
<v Speaker 1>the way they can't mesh now because because back then,

0:50:29.040 --> 0:50:30.800
<v Speaker 1>like niggas in that area, like you, you was just

0:50:30.920 --> 0:50:32.759
<v Speaker 1>a nice nigga for then. I kind of like what

0:50:32.880 --> 0:50:34.920
<v Speaker 1>Nas is doing with the kids disease. He kind of

0:50:34.960 --> 0:50:37.640
<v Speaker 1>like put the hit boy. Yeah no no, not like

0:50:37.760 --> 0:50:39.680
<v Speaker 1>I said, like that nigga can do no wrong, bro,

0:50:39.880 --> 0:50:42.320
<v Speaker 1>Like he's Nas can't do no wrong, Like he's a

0:50:42.440 --> 0:50:45.000
<v Speaker 1>fucking god in his rap ship. You know what I'm saying,

0:50:45.200 --> 0:50:48.440
<v Speaker 1>Love him, Love him? So how did um because you

0:50:48.480 --> 0:50:50.400
<v Speaker 1>were signed the timber at my point where he already

0:50:50.400 --> 0:50:52.200
<v Speaker 1>said that, yes, how did you guys hook up? Or

0:50:52.239 --> 0:50:53.719
<v Speaker 1>how did that interally? Because you know it wasn't just

0:50:53.800 --> 0:51:00.279
<v Speaker 1>a Virginia thing or was Magoo fucking I'm where the

0:51:01.160 --> 0:51:03.279
<v Speaker 1>about to say, yo yo, not the nigga. And like

0:51:03.360 --> 0:51:05.360
<v Speaker 1>he managed arts then do real estate? I think he

0:51:05.480 --> 0:51:08.120
<v Speaker 1>man he was managing artists who good like clapping up.

0:51:13.120 --> 0:51:16.680
<v Speaker 1>So what happened? Shots? It's ninety seven, it's the no

0:51:16.800 --> 0:51:22.640
<v Speaker 1>way out to Virginia. In Virginia, they missy Tim and

0:51:22.719 --> 0:51:25.479
<v Speaker 1>Magoo come down to to where I'm from the city

0:51:25.520 --> 0:51:28.080
<v Speaker 1>I'm from to come to the show. Sucking Puff is

0:51:28.200 --> 0:51:31.239
<v Speaker 1>killing this. It's no way out. Biggie has passed and

0:51:31.480 --> 0:51:35.799
<v Speaker 1>the fucking Puff is mashing. I'm backstage sucking d Dot

0:51:35.880 --> 0:51:39.360
<v Speaker 1>the locks May. We're shooting dice and Ship and I

0:51:39.480 --> 0:51:42.840
<v Speaker 1>see Magoo in the hallway and he's like, yo, nigga,

0:51:42.880 --> 0:51:44.759
<v Speaker 1>what you're doing? And I'm like, I said, I can't

0:51:44.880 --> 0:51:47.799
<v Speaker 1>see pump Daddy Like Nigga, He's like, yo, who are

0:51:47.800 --> 0:51:50.719
<v Speaker 1>you winning them? When your new ship coming out? I said, Yo, No,

0:51:50.960 --> 0:51:53.120
<v Speaker 1>like I ain't on Big Beat no more, like that's

0:51:53.160 --> 0:51:56.279
<v Speaker 1>just Junior Mafi out. Nigga like I'm I'm I'm chilling.

0:51:56.280 --> 0:51:59.040
<v Speaker 1>I'm a free agent. Said you ain't no deal. I said, nah,

0:51:59.080 --> 0:52:01.800
<v Speaker 1>he's nick you got me him. I'm like, okay, So

0:52:01.920 --> 0:52:07.239
<v Speaker 1>Nigga introduces me to him. He introduced me to him.

0:52:07.320 --> 0:52:10.880
<v Speaker 1>I see Missy, I seek him and Magoo is like

0:52:11.120 --> 0:52:14.040
<v Speaker 1>pressing him, like, no, Nigga, this is the nigga. He

0:52:14.200 --> 0:52:17.200
<v Speaker 1>gotta be with us Like this, Nigga don't got no deal.

0:52:17.320 --> 0:52:19.040
<v Speaker 1>That's blast forem me. He needed to be with us.

0:52:19.239 --> 0:52:21.200
<v Speaker 1>So Tim like I cool, come to the studio of

0:52:21.239 --> 0:52:24.719
<v Speaker 1>the Marrow, and I drive Virginia Beach, meets him. We

0:52:24.840 --> 0:52:27.799
<v Speaker 1>do like seven songs like in one day, and from

0:52:27.840 --> 0:52:30.200
<v Speaker 1>then on it was I was with him. And that's

0:52:30.239 --> 0:52:32.719
<v Speaker 1>how I ended up hyping man and for Missy. And

0:52:32.840 --> 0:52:36.480
<v Speaker 1>that's when I started watching this song writing process because

0:52:36.560 --> 0:52:39.920
<v Speaker 1>Missy don't even have a deal and the fucking Lambeau

0:52:40.080 --> 0:52:42.560
<v Speaker 1>was purple. You know what I'm saying that the Junes

0:52:42.640 --> 0:52:45.440
<v Speaker 1>is truck and I'm sitting there like, what am I

0:52:45.640 --> 0:52:49.719
<v Speaker 1>doing wrong? Before you start goes right around the time

0:52:49.760 --> 0:52:53.840
<v Speaker 1>because said miss Missy was doing Mariah Carries in the studio,

0:52:53.960 --> 0:52:57.560
<v Speaker 1>Jannet Jackson coming down here like Steve lo seven oh

0:52:57.680 --> 0:53:00.520
<v Speaker 1>two or Leah Ship and I'm just like and she

0:53:00.560 --> 0:53:02.680
<v Speaker 1>don't even want to deal. She like nine they I

0:53:02.719 --> 0:53:05.600
<v Speaker 1>don't want to where to deal and fucking Missy is

0:53:05.960 --> 0:53:07.479
<v Speaker 1>is killing them. And she was like, yeah, I gotta

0:53:07.480 --> 0:53:09.560
<v Speaker 1>do the show because she hated doing shows. She was

0:53:10.680 --> 0:53:13.239
<v Speaker 1>Mona Mona was her manager, and she hated doing shows

0:53:13.280 --> 0:53:15.919
<v Speaker 1>because she was a studio rat. So She's like, yo, skills,

0:53:15.960 --> 0:53:17.400
<v Speaker 1>have called me do this show because she knew I

0:53:17.480 --> 0:53:21.040
<v Speaker 1>can remember all of the words. So Missy hop on

0:53:21.200 --> 0:53:23.160
<v Speaker 1>stage and The thing was when she looked to me.

0:53:23.760 --> 0:53:26.160
<v Speaker 1>That was my cue to finish the rhyme because I

0:53:26.200 --> 0:53:28.960
<v Speaker 1>don't remember this ship like so she she'll Missy be

0:53:29.040 --> 0:53:31.319
<v Speaker 1>putting it down. I'm not how that's around. I told

0:53:31.320 --> 0:53:36.080
<v Speaker 1>your mother's yall stop me now, and then I'm listening,

0:53:37.880 --> 0:53:39.440
<v Speaker 1>and she like, that's what I was there for. I

0:53:39.920 --> 0:53:43.800
<v Speaker 1>Missy for a while, just so. But I learned like

0:53:44.000 --> 0:53:52.040
<v Speaker 1>Missy fucking amazing with that ship, bro she was turned up.

0:53:52.400 --> 0:53:56.360
<v Speaker 1>Turn up Solu. Yeah, not, Missy was amazing. That's what

0:53:56.440 --> 0:53:59.520
<v Speaker 1>you gotta get on missing. We've been trying to get

0:53:59.560 --> 0:54:01.440
<v Speaker 1>missing for never. Then we have a round we have

0:54:01.640 --> 0:54:05.520
<v Speaker 1>with You're gonna get malice. You gotta do this, gonna

0:54:05.520 --> 0:54:07.759
<v Speaker 1>be evil gool. You know we're gonna solve this whole

0:54:07.840 --> 0:54:18.120
<v Speaker 1>Virginia thing. Man Cross Virginia. Thank you, thank you. Broke.

0:54:18.239 --> 0:54:20.960
<v Speaker 1>I'm come on, I'm from a magical place. And let's

0:54:20.960 --> 0:54:24.799
<v Speaker 1>just be clear in my personal career, like Virginia changed

0:54:24.840 --> 0:54:28.520
<v Speaker 1>my life. You're around, he meant, And let's be clear,

0:54:29.239 --> 0:54:30.719
<v Speaker 1>I was the hot dude at the time when I

0:54:30.760 --> 0:54:33.440
<v Speaker 1>met met me and was like, yo, listen, you listen

0:54:33.520 --> 0:54:35.120
<v Speaker 1>to me. We're gonna go number one. He acts like

0:54:35.160 --> 0:54:37.280
<v Speaker 1>he was. He's knocked on. He has a little humble

0:54:37.320 --> 0:54:40.640
<v Speaker 1>now when he was cocky back, I remember like he

0:54:40.800 --> 0:54:43.000
<v Speaker 1>was like Mone was like, yo, you're not just closing

0:54:43.080 --> 0:54:45.440
<v Speaker 1>your album without me on it. And I was like, yes,

0:54:46.040 --> 0:54:48.080
<v Speaker 1>you know what, I believe this little guy like he

0:54:48.120 --> 0:54:51.760
<v Speaker 1>had a trump Man tight you know, I'm saying his clothes,

0:54:51.800 --> 0:54:55.600
<v Speaker 1>he came in the game with type clothes like he was.

0:54:56.120 --> 0:54:58.239
<v Speaker 1>He was always different. And what's the craziest when you

0:54:58.360 --> 0:55:00.759
<v Speaker 1>look at it for me, for me to be here,

0:55:01.239 --> 0:55:03.920
<v Speaker 1>like your life was changed by the nigga from Virginia,

0:55:04.280 --> 0:55:07.480
<v Speaker 1>My life was changed by nigga from Queen. You know

0:55:07.520 --> 0:55:17.480
<v Speaker 1>what I'm saying, let me go look great for the

0:55:17.560 --> 0:55:22.960
<v Speaker 1>cute said that's so crazy, Like, oh you have like

0:55:23.120 --> 0:55:27.120
<v Speaker 1>you have a really rich hip hop story. And so

0:55:27.840 --> 0:55:29.800
<v Speaker 1>I was around, I'm moving around. How did did you

0:55:29.880 --> 0:55:33.200
<v Speaker 1>come up with the wrapp up? Um? I was, I

0:55:33.400 --> 0:55:35.800
<v Speaker 1>was in uh, I was in Baltimore and my family's

0:55:35.840 --> 0:55:40.360
<v Speaker 1>crib and I did a mix tape best of It.

0:55:40.440 --> 0:55:43.080
<v Speaker 1>I was doing mixtapes because Tim was popping at the time.

0:55:43.400 --> 0:55:45.880
<v Speaker 1>For I was popped. I did the best of Neptunees mixtape.

0:55:46.320 --> 0:55:49.760
<v Speaker 1>Right I'm wrapping over your ship. I'm wrapping over Grind

0:55:49.880 --> 0:55:53.000
<v Speaker 1>and I'm wrapping over Model lover all the hard ship

0:55:53.120 --> 0:55:55.560
<v Speaker 1>that I couldn't get. I didn't beat over, I didn't

0:55:55.640 --> 0:55:59.480
<v Speaker 1>join over Roscope, be cold change ship. And my man says, yo,

0:56:00.400 --> 0:56:02.000
<v Speaker 1>my man just time. He said, Yo, you should wrap

0:56:02.080 --> 0:56:05.360
<v Speaker 1>over that comm and come close ship. And I was like, nigga,

0:56:05.400 --> 0:56:07.880
<v Speaker 1>they don't even know forever that ain't hard, Like like

0:56:08.040 --> 0:56:11.200
<v Speaker 1>I want the harsh. I want what happened to that boy? Like, no, nigger,

0:56:11.200 --> 0:56:13.319
<v Speaker 1>you should do that. And I'm sitting there and I'm

0:56:13.360 --> 0:56:16.200
<v Speaker 1>watching TV and it was just, uh, it was two

0:56:16.200 --> 0:56:17.799
<v Speaker 1>thousand or two. It was this thing was talking about

0:56:17.800 --> 0:56:21.520
<v Speaker 1>the year end whatever whatever. So I go, all right, son,

0:56:21.600 --> 0:56:24.239
<v Speaker 1>I'll wrap about everything that's about to happen at the

0:56:24.320 --> 0:56:26.160
<v Speaker 1>end of the year. And if a nigger get to

0:56:26.200 --> 0:56:28.160
<v Speaker 1>the end of the mixtape, he'll get a little surprised

0:56:28.280 --> 0:56:30.440
<v Speaker 1>or whatever. And I put the ship at the end.

0:56:30.920 --> 0:56:32.440
<v Speaker 1>So I put the ship at the end. This was

0:56:32.560 --> 0:56:34.960
<v Speaker 1>right when the Internet was popping, and my man put

0:56:35.000 --> 0:56:36.600
<v Speaker 1>it on his website. He called me the next day

0:56:36.600 --> 0:56:38.560
<v Speaker 1>he said, Yo, man, I gotta I think I like

0:56:38.640 --> 0:56:41.839
<v Speaker 1>to get more bandwidth. I was like band with he said,

0:56:41.880 --> 0:56:47.440
<v Speaker 1>you're like Motherucker's Downtack mixtape. And then radio starts playing

0:56:47.480 --> 0:56:51.160
<v Speaker 1>this Ship and they're playing to wrap up and I'm like, no,

0:56:51.400 --> 0:56:55.200
<v Speaker 1>nigga play the grinding free style and your body that

0:56:55.320 --> 0:56:58.359
<v Speaker 1>ship like like they're not playing none of that. They're

0:56:58.400 --> 0:57:01.879
<v Speaker 1>playing over the conna come close, and then the ship

0:57:02.040 --> 0:57:04.520
<v Speaker 1>starts burning that radio and then then it comes back

0:57:04.600 --> 0:57:07.560
<v Speaker 1>around to two thousand three. Nikka said, Yo, you're gonna

0:57:07.560 --> 0:57:11.000
<v Speaker 1>do another wrap up next year. I'm like, what I

0:57:11.120 --> 0:57:13.120
<v Speaker 1>call that ship the old two freestyle and he's like, no,

0:57:13.200 --> 0:57:14.960
<v Speaker 1>you gotta do one more like for this ship. That

0:57:15.000 --> 0:57:17.880
<v Speaker 1>ship was hot, and I'm like, so I did another

0:57:17.960 --> 0:57:22.280
<v Speaker 1>one and then the ship just started turning into something else.

0:57:22.640 --> 0:57:25.080
<v Speaker 1>What I'm saying like, that's the one song niggas won't

0:57:25.160 --> 0:57:27.560
<v Speaker 1>let me not do. You still enjoy doing them move

0:57:27.880 --> 0:57:30.880
<v Speaker 1>I do, but it's definitely just feels like an obligation.

0:57:31.080 --> 0:57:33.320
<v Speaker 1>It definitely feels like you know what I'm saying. It

0:57:33.440 --> 0:57:38.920
<v Speaker 1>definitely feels like a fucking like niggas want. But but

0:57:39.160 --> 0:57:43.240
<v Speaker 1>to think about it, um to have something, well, to

0:57:43.320 --> 0:57:45.720
<v Speaker 1>have something that's your own that people only want from

0:57:45.760 --> 0:57:48.360
<v Speaker 1>you at this day and age in our career is

0:57:48.400 --> 0:57:51.919
<v Speaker 1>super fucking we we we. That's like Nika is begging

0:57:51.960 --> 0:57:54.080
<v Speaker 1>about that ship like Nigga. They still want that ship

0:57:54.280 --> 0:57:56.560
<v Speaker 1>every Eastern. My fans want me to drop a Nor Easter.

0:57:58.760 --> 0:58:00.960
<v Speaker 1>Gotta give it. I case, So now I gotta let's

0:58:00.960 --> 0:58:02.640
<v Speaker 1>take a shot. Let's take a shot. Let's take a shot,

0:58:02.720 --> 0:58:07.280
<v Speaker 1>and then we're gonna take a shot. Solo, solo, let's

0:58:07.320 --> 0:58:10.720
<v Speaker 1>get it. So you you, you do this rap up,

0:58:11.040 --> 0:58:13.880
<v Speaker 1>You make the wrapper up. Everyone knows the year end

0:58:14.360 --> 0:58:17.520
<v Speaker 1>we skills are gonna come through. You're gonna wrap up

0:58:17.520 --> 0:58:20.440
<v Speaker 1>the year, gonna make us laugh. Anybody come out with

0:58:20.440 --> 0:58:22.360
<v Speaker 1>a couple of people too. You come out of people

0:58:22.640 --> 0:58:25.960
<v Speaker 1>if you wore purple, Rick liten the wrapper right, and

0:58:26.040 --> 0:58:31.480
<v Speaker 1>all of a sudden you hear a different wrapper. M hmm,

0:58:32.640 --> 0:58:37.240
<v Speaker 1>what happened? Oh the New York Wrapper. Listen, this is

0:58:37.280 --> 0:58:40.880
<v Speaker 1>the New York wrap York. No, No, this is New

0:58:41.000 --> 0:58:46.000
<v Speaker 1>York rapper. I don't know what ship ship I know,

0:58:46.160 --> 0:58:49.080
<v Speaker 1>I do, that's his real name. But oh we're talking

0:58:49.080 --> 0:58:51.440
<v Speaker 1>about the line ship. So what happened the first year

0:58:51.560 --> 0:58:54.440
<v Speaker 1>he dropped it? Where you offended the first year? Or

0:58:54.840 --> 0:58:59.600
<v Speaker 1>how did this? How did this understanding? Like I've been

0:58:59.640 --> 0:59:03.160
<v Speaker 1>doing this nineteen years. It's yes, it's fucking it's a

0:59:03.240 --> 0:59:05.600
<v Speaker 1>it's a it's a Malaysian wrap up, it's a Hong

0:59:05.680 --> 0:59:09.120
<v Speaker 1>Kong wrap up, it's a UK wrap up. It's Tina

0:59:09.200 --> 0:59:12.840
<v Speaker 1>fade to the Dirty Rock wrap up. I've written wrap

0:59:12.960 --> 0:59:17.600
<v Speaker 1>ups for the Wire, SPS, sports, Senda like all this ship.

0:59:17.920 --> 0:59:23.680
<v Speaker 1>So when the nigga did it, I'm used to the

0:59:24.680 --> 0:59:27.919
<v Speaker 1>vine was popping YouTube, nigga's doing the ship all over,

0:59:28.320 --> 0:59:30.680
<v Speaker 1>But most niggas would be like, yo, this is the song,

0:59:30.800 --> 0:59:34.040
<v Speaker 1>so wrap up shop. My man man skills knew it

0:59:34.120 --> 0:59:38.480
<v Speaker 1>was bite like, but it was the show love for

0:59:38.680 --> 0:59:46.400
<v Speaker 1>Lenny because I'm I'm petty for Lenny. It was he

0:59:46.640 --> 0:59:51.320
<v Speaker 1>did it and it was like fucking ship. So I'm like,

0:59:52.320 --> 0:59:54.760
<v Speaker 1>so let me let me give your analyogy. I've been

0:59:54.800 --> 1:00:00.040
<v Speaker 1>in the game longtimes. What's called the negative time? A

1:00:00.160 --> 1:00:02.920
<v Speaker 1>person hold on because you know we're in a negative

1:00:03.400 --> 1:00:07.920
<v Speaker 1>moment of drinks. What does that mean? We're in the

1:00:08.000 --> 1:00:14.880
<v Speaker 1>negative moment to drinks? Your car, the drim h who

1:00:14.960 --> 1:00:17.320
<v Speaker 1>you're at? If we all go on drink tests right

1:00:17.360 --> 1:00:22.480
<v Speaker 1>now with bad skills, Okay, don't don't hurt nobody. We're

1:00:22.480 --> 1:00:25.919
<v Speaker 1>gonna hit your super wee finished. I got you my brother,

1:00:26.440 --> 1:00:29.320
<v Speaker 1>all right, my bad con so because I saw what

1:00:29.480 --> 1:00:34.360
<v Speaker 1>you said. UM want y'all do it together? What's this?

1:00:35.560 --> 1:00:38.400
<v Speaker 1>I've been in the game a long time, twenty years.

1:00:38.400 --> 1:00:42.440
<v Speaker 1>I know a lot of niggas. I started a podcast,

1:00:42.520 --> 1:00:47.000
<v Speaker 1>hipop Infests ten years ago. Right, let's say, I said, Yo,

1:00:47.120 --> 1:00:49.520
<v Speaker 1>I called Dr Dre like y'all want you to be

1:00:49.600 --> 1:00:52.120
<v Speaker 1>on my podcast. He's like, nigga, let's do it. I

1:00:52.240 --> 1:00:55.479
<v Speaker 1>call I call Andre three thousand, Yo, nigga, I'm gonna

1:00:55.480 --> 1:00:58.680
<v Speaker 1>get Andre three thousand and fucking Dr Dre on my

1:00:58.800 --> 1:01:02.400
<v Speaker 1>fucking podcast. We're holding the ship ship crazy. Next week,

1:01:02.440 --> 1:01:04.640
<v Speaker 1>I put the ship on YouTube. Ships stupid. It's called

1:01:04.680 --> 1:01:12.320
<v Speaker 1>Linked Champs, y'all. Nick is cool with that, exactly exactly,

1:01:12.520 --> 1:01:16.680
<v Speaker 1>like it's parable parable together. It's like that's how Jesus talk. Like,

1:01:17.040 --> 1:01:20.480
<v Speaker 1>let's keep it as being. I can't call my ship

1:01:20.640 --> 1:01:23.200
<v Speaker 1>what y'all call y'all ship? This this drink Champs. I

1:01:23.280 --> 1:01:26.400
<v Speaker 1>can't start Linked Champs next week and fucking I start you.

1:01:26.680 --> 1:01:29.120
<v Speaker 1>You go on YouTube and you see me sitting at

1:01:29.120 --> 1:01:31.000
<v Speaker 1>the table with a bunch of licking and I go, Yo,

1:01:31.480 --> 1:01:38.600
<v Speaker 1>what a dude, what it is that makes something that link.

1:01:38.720 --> 1:01:42.600
<v Speaker 1>Chaps got a lot of copies out there, didn't you

1:01:42.680 --> 1:01:45.480
<v Speaker 1>have a lot of I'm saying you wouldn't expect it

1:01:45.600 --> 1:01:48.560
<v Speaker 1>from me. You're like, come on, it's not like a

1:01:48.680 --> 1:01:51.760
<v Speaker 1>beer up right. So what I'm saying is what I'm

1:01:51.760 --> 1:01:54.480
<v Speaker 1>saying is and what I'm saying is it's it's almost

1:01:54.600 --> 1:01:56.920
<v Speaker 1>like that's the New York wrap up like it is

1:01:57.000 --> 1:02:00.640
<v Speaker 1>what it is. I don't I'm petty. It is what

1:02:00.800 --> 1:02:03.320
<v Speaker 1>it is like. But he was the first nigger to

1:02:03.440 --> 1:02:06.760
<v Speaker 1>be like, fuck me on my ship. I can't how

1:02:06.800 --> 1:02:09.720
<v Speaker 1>did that? I can't rap over fucking allowed me to

1:02:09.800 --> 1:02:16.160
<v Speaker 1>reintroduce myself. You like, but how did this start? Because

1:02:16.200 --> 1:02:18.760
<v Speaker 1>of lack of a better turn? For? What we don't know? Was?

1:02:19.400 --> 1:02:22.000
<v Speaker 1>I like, it was all up at the first and

1:02:22.120 --> 1:02:24.360
<v Speaker 1>I heard you and Clark Kid. I heard Kid made

1:02:24.360 --> 1:02:26.480
<v Speaker 1>a call to you or made a call to him,

1:02:26.520 --> 1:02:28.160
<v Speaker 1>and you guys got on the phone. At one point,

1:02:28.240 --> 1:02:30.720
<v Speaker 1>me and him never talked on the phone. So Kid

1:02:30.800 --> 1:02:33.600
<v Speaker 1>called me O G. I'm like, what's up? O G?

1:02:33.720 --> 1:02:37.400
<v Speaker 1>He like, yo, listen, you know you know you know

1:02:37.560 --> 1:02:40.040
<v Speaker 1>Lenny my young right? But I said yeah cool? He

1:02:40.160 --> 1:02:42.080
<v Speaker 1>said yeah right, So I know he did what he do.

1:02:42.240 --> 1:02:43.760
<v Speaker 1>He did what he does. He ship funny, you know

1:02:43.800 --> 1:02:46.000
<v Speaker 1>you're some right rock ship just a the third Like

1:02:46.200 --> 1:02:49.520
<v Speaker 1>I was thinking, if y'all niggas did this together. I said,

1:02:49.560 --> 1:02:52.360
<v Speaker 1>Club fund is wrong with you, nigga? He was like,

1:02:52.920 --> 1:02:55.160
<v Speaker 1>what you mean? I said, club wou would you call

1:02:55.320 --> 1:02:57.960
<v Speaker 1>Hove and say one savage you want to do twenty

1:02:58.000 --> 1:03:01.360
<v Speaker 1>two tools but you like it? Don't make sense. I

1:03:01.400 --> 1:03:06.920
<v Speaker 1>wouldn't take a picture with that, nigga. So I fucking i'm, i'm, I'm,

1:03:07.040 --> 1:03:09.800
<v Speaker 1>I'm I'm not working with it, but I'm not saying that.

1:03:10.200 --> 1:03:13.320
<v Speaker 1>And every year it's fun man skills, man skills, So

1:03:13.480 --> 1:03:20.080
<v Speaker 1>I gotta disagree with that. I didn't hear nigga then,

1:03:20.720 --> 1:03:23.640
<v Speaker 1>but I think there was an actual interview where you

1:03:23.840 --> 1:03:28.840
<v Speaker 1>was like, correct me if I'm wrong where Murder was

1:03:28.880 --> 1:03:32.320
<v Speaker 1>saying he wasn't really claiming it, and then you did

1:03:32.400 --> 1:03:34.080
<v Speaker 1>an interview and he was like, yeah, I didn't really

1:03:34.160 --> 1:03:36.240
<v Speaker 1>like it somewhat to what you're saying then, and then

1:03:36.320 --> 1:03:38.480
<v Speaker 1>that's what he said. He say, I said, I said

1:03:38.520 --> 1:03:40.760
<v Speaker 1>in one song maybe seventeen, I said a lot into

1:03:40.840 --> 1:03:44.160
<v Speaker 1>his doing wrap ups. She ain't she ain't helping y'all

1:03:44.240 --> 1:03:46.320
<v Speaker 1>niggas whatever he felt like. I took a shot right

1:03:46.640 --> 1:03:50.280
<v Speaker 1>this ten, I get a call, I get a job

1:03:50.360 --> 1:03:54.520
<v Speaker 1>at a university, nig I'm teaching at the college. Spot.

1:03:58.360 --> 1:03:59.720
<v Speaker 1>Keep me a lot of jobs and then we'll get

1:03:59.720 --> 1:04:05.080
<v Speaker 1>me a teach you know college, right, I have a class.

1:04:05.400 --> 1:04:08.720
<v Speaker 1>I'm a professor. At this point, I'm like, I'm gonna

1:04:08.720 --> 1:04:10.160
<v Speaker 1>do the wrap up this year. I'm gonna knock it

1:04:10.240 --> 1:04:13.840
<v Speaker 1>down and said, y'all ain't gonna say nothing about Lenny

1:04:15.000 --> 1:04:19.720
<v Speaker 1>unless he says something about me. Soon come out, you lisam.

1:04:19.720 --> 1:04:22.560
<v Speaker 1>Wrap up the nigga man Skills ship Yo, blah blah,

1:04:22.840 --> 1:04:25.640
<v Speaker 1>starts Rapper. So I go, I'm gonna check this nigga

1:04:26.000 --> 1:04:29.919
<v Speaker 1>right now, totally. I fucking I put up the ship

1:04:30.160 --> 1:04:32.400
<v Speaker 1>and I'm gonna tell you what happened. I'm writing the wrapper.

1:04:33.320 --> 1:04:35.600
<v Speaker 1>I'm in the studio writing the wrapper. Got my notes

1:04:35.760 --> 1:04:39.240
<v Speaker 1>right in the wrapper. I get a d M from

1:04:39.440 --> 1:04:44.560
<v Speaker 1>Linny Grant that says, I ain't mean to take your ship,

1:04:45.360 --> 1:04:48.200
<v Speaker 1>but you the PG version. I'm raided on nigga plus

1:04:48.280 --> 1:04:53.240
<v Speaker 1>you whack anyway. I said, I'm going to lyrically kick

1:04:53.400 --> 1:04:59.480
<v Speaker 1>this nigga in the pussy. Yes, let me tell you

1:04:59.600 --> 1:05:07.160
<v Speaker 1>let me tell how can we see the nigga said, Yo,

1:05:07.240 --> 1:05:09.640
<v Speaker 1>I ain't even take your ship. You the PG version,

1:05:09.680 --> 1:05:11.600
<v Speaker 1>I'm the art version plus you fell off anyway, my

1:05:11.760 --> 1:05:16.439
<v Speaker 1>g I said, I'm gonna check this nigga. Naw I take.

1:05:16.520 --> 1:05:18.680
<v Speaker 1>I take the d M and make the d I

1:05:18.760 --> 1:05:21.520
<v Speaker 1>put out a song called murder Gram. Demolished this nigga,

1:05:22.160 --> 1:05:26.280
<v Speaker 1>demolished them over murder Gram. Boom boom boom had that

1:05:26.440 --> 1:05:32.880
<v Speaker 1>ship fucking uh. I put the song out and everybody

1:05:32.920 --> 1:05:35.240
<v Speaker 1>go to the beef because the wrap ups is done.

1:05:35.320 --> 1:05:37.320
<v Speaker 1>Nigger just don't care about the brown. They're like, oh shit,

1:05:37.800 --> 1:05:40.200
<v Speaker 1>fucking mad skins and this nigga going there and they've

1:05:40.200 --> 1:05:42.439
<v Speaker 1>been they've been tossing it back and forth for years,

1:05:42.440 --> 1:05:46.800
<v Speaker 1>this nigga. I bodied this nigga over murder Gram and

1:05:47.000 --> 1:05:49.600
<v Speaker 1>made the d M the cover art for the single

1:05:49.720 --> 1:05:51.640
<v Speaker 1>because I didn't want niggas about why are you this

1:05:51.760 --> 1:05:57.720
<v Speaker 1>in the naw are you posted this? It's just called

1:05:57.880 --> 1:06:01.680
<v Speaker 1>It's just called it's called murder Gram. I started the ship.

1:06:01.720 --> 1:06:05.920
<v Speaker 1>I told the whole story. Um U. I said, motherfucker's

1:06:05.920 --> 1:06:08.000
<v Speaker 1>want to kill me, but they got the heart. Um

1:06:08.080 --> 1:06:09.680
<v Speaker 1>So I'm gonna I'm gonna pick the mic back up

1:06:09.760 --> 1:06:11.520
<v Speaker 1>for this walk in the park. And I don't want

1:06:11.600 --> 1:06:14.480
<v Speaker 1>credit for this. This ain't nothing. I'm just answering the

1:06:14.560 --> 1:06:17.760
<v Speaker 1>nigga that kept pressing my buttons. Uncle murder, what's all

1:06:17.840 --> 1:06:20.160
<v Speaker 1>the fuss about? And they can keep my fucking name.

1:06:20.240 --> 1:06:23.240
<v Speaker 1>Mit your brown ass mouth, Clark kid, your man about

1:06:23.280 --> 1:06:25.200
<v Speaker 1>the hole? This ell so roase some weed. I got

1:06:25.280 --> 1:06:27.840
<v Speaker 1>a story to tell, and I tell the whole ship.

1:06:28.280 --> 1:06:30.920
<v Speaker 1>Clark hit me, say yo, y'all should link up. This

1:06:31.000 --> 1:06:34.640
<v Speaker 1>is then the third body. Then I'm waiting you know how?

1:06:34.720 --> 1:06:41.800
<v Speaker 1>You know how? This wraps nigga took like two weeks

1:06:42.640 --> 1:06:45.920
<v Speaker 1>and it wasn't a worthy response. And that's when I realized,

1:06:46.240 --> 1:06:48.880
<v Speaker 1>I'm not beefing with a neiggative kid about rap. I'm

1:06:48.920 --> 1:06:52.200
<v Speaker 1>beefing with a neiggative kid. By the attention were differently.

1:06:53.720 --> 1:06:57.640
<v Speaker 1>I'm different. I'm from a different class. So for me,

1:06:58.720 --> 1:07:02.720
<v Speaker 1>I'm like, I saw you had him here, probably was

1:07:02.800 --> 1:07:09.360
<v Speaker 1>a slow day. I'm patty. He's definitely not no, no respectful.

1:07:10.720 --> 1:07:15.560
<v Speaker 1>I'm respectfully patty. You're going in respectfully. But I got

1:07:15.680 --> 1:07:18.760
<v Speaker 1>love for like I got love for him, but because

1:07:18.800 --> 1:07:20.600
<v Speaker 1>and I jumped out the window to do some this

1:07:20.720 --> 1:07:22.560
<v Speaker 1>ship and I was like, he don't want to do that.

1:07:23.000 --> 1:07:25.120
<v Speaker 1>He just he just wants people to pay attention to

1:07:25.200 --> 1:07:27.680
<v Speaker 1>what he thought. And I get it that ship works

1:07:28.160 --> 1:07:33.040
<v Speaker 1>sometimes ship work for fifty and oh too one like,

1:07:33.520 --> 1:07:35.840
<v Speaker 1>so I did it. It was what it was. But Nigga,

1:07:35.920 --> 1:07:39.120
<v Speaker 1>I'm like, I'm teaching the class so on World Star

1:07:39.240 --> 1:07:41.800
<v Speaker 1>at the same time at the faculty meeting, like this

1:07:41.840 --> 1:07:43.800
<v Speaker 1>ship with and I'm trying to push the ships to

1:07:43.880 --> 1:07:46.240
<v Speaker 1>the left. I'm trying to put the ships to the left.

1:07:46.480 --> 1:07:50.080
<v Speaker 1>And they were like, yo, um you know, uh, I

1:07:50.160 --> 1:07:55.120
<v Speaker 1>know you this song came out. I never forget somebody

1:07:55.280 --> 1:07:57.680
<v Speaker 1>know to put the professor I work and he was like.

1:07:57.920 --> 1:08:01.520
<v Speaker 1>The dean was like, to my that fucking that that

1:08:01.840 --> 1:08:06.200
<v Speaker 1>that hip hop that dis track. Nigga, I'm at the

1:08:06.320 --> 1:08:08.400
<v Speaker 1>crib right when my daughter, my daughter works at the

1:08:08.440 --> 1:08:10.560
<v Speaker 1>day kids, she's like twenty five years old. She comes

1:08:10.600 --> 1:08:13.680
<v Speaker 1>into the house. She's like, hey, I said, Hey, what's up.

1:08:13.760 --> 1:08:18.679
<v Speaker 1>She said, um, so one of my students parents came

1:08:18.760 --> 1:08:21.519
<v Speaker 1>in and apparently you made a this song. I was like,

1:08:21.640 --> 1:08:23.680
<v Speaker 1>I said, I ain't know this song. She was like,

1:08:24.080 --> 1:08:26.040
<v Speaker 1>you know, they come in and they go, yo, your

1:08:26.200 --> 1:08:34.840
<v Speaker 1>dad fucking body that was going up. Man. My daughter goes, no, no, no, no, no,

1:08:35.000 --> 1:08:36.760
<v Speaker 1>that's the wrap up. He does it every year, he said.

1:08:36.920 --> 1:08:39.240
<v Speaker 1>Nigga said, no, no, no, as as he's putting his

1:08:39.320 --> 1:08:41.120
<v Speaker 1>coat on his chi No, no, no, I know about

1:08:41.160 --> 1:08:46.439
<v Speaker 1>the rapperp She like, you got a dish record, Nigga.

1:08:46.520 --> 1:08:48.960
<v Speaker 1>So I'm sitting there, I said, I said, yo, Nigga

1:08:49.040 --> 1:08:52.040
<v Speaker 1>kept saying my name like Charris. She's like, let me hear.

1:08:52.160 --> 1:08:54.720
<v Speaker 1>I like, no, no, no, She's like, dad, let me hear.

1:08:55.479 --> 1:08:57.599
<v Speaker 1>So I'm like, fun, I have to play my daughter.

1:08:58.640 --> 1:09:01.360
<v Speaker 1>I hit the button that ship more murder gram boom boom,

1:09:02.240 --> 1:09:04.640
<v Speaker 1>hardass beat, and she listened to it, and I'm just

1:09:04.720 --> 1:09:08.120
<v Speaker 1>sitting there like and I'm sucking going. I'm like, Lenny Grant,

1:09:08.160 --> 1:09:09.800
<v Speaker 1>the nigga your name signed to should be on the

1:09:09.920 --> 1:09:12.160
<v Speaker 1>side of a funeral home. They get like, Nigga, you

1:09:12.240 --> 1:09:14.880
<v Speaker 1>signed the g unit ten years too late. I'm going

1:09:15.040 --> 1:09:18.040
<v Speaker 1>to hands and my daughter's listening to it, and I'm

1:09:18.120 --> 1:09:22.160
<v Speaker 1>just sitting there like fucking embarrassed. And she stops and

1:09:22.280 --> 1:09:26.200
<v Speaker 1>she she goes, so, don't you have a class tomorrow?

1:09:27.760 --> 1:09:29.479
<v Speaker 1>I said yeah. She said, Dad, what are you doing?

1:09:29.840 --> 1:09:32.400
<v Speaker 1>I said, you know, what you gotta understand, Like it's

1:09:32.439 --> 1:09:37.439
<v Speaker 1>not the second like niggas don't never disrespect facing back

1:09:37.479 --> 1:09:40.439
<v Speaker 1>and forth like so when she said it, I'm sitting

1:09:40.479 --> 1:09:43.960
<v Speaker 1>there and I'm like, damn, like I'm playing a this

1:09:44.160 --> 1:09:47.000
<v Speaker 1>song for my daughter at late forties and ships weird,

1:09:47.720 --> 1:09:49.920
<v Speaker 1>you know what I'm saying, Like, but but the whole,

1:09:50.040 --> 1:09:52.599
<v Speaker 1>you know, the whole, I d like de bo like nigga.

1:09:52.800 --> 1:09:55.439
<v Speaker 1>I'm from Virginia. They didn't ain't nobody never took nothing

1:09:55.479 --> 1:09:59.720
<v Speaker 1>from me but l that period. So it's the New

1:09:59.840 --> 1:10:02.599
<v Speaker 1>York wrap up. Well, this is shot to y'all working

1:10:02.640 --> 1:10:06.840
<v Speaker 1>it out. I hope y'all working out. Let me see

1:10:06.840 --> 1:10:13.040
<v Speaker 1>my child, and I'm warning for myself. Listen, man, you

1:10:13.160 --> 1:10:15.600
<v Speaker 1>know we might work it out if y'all let me

1:10:15.640 --> 1:10:25.200
<v Speaker 1>do link Champs, let's work out. Is that something that's

1:10:25.240 --> 1:10:27.840
<v Speaker 1>a problem in hip hop? It's just like, like you know,

1:10:28.800 --> 1:10:31.160
<v Speaker 1>I see I see the homie walk in my homie

1:10:31.360 --> 1:10:34.360
<v Speaker 1>Snoop home me and I was such a fan of Snoop, right,

1:10:34.439 --> 1:10:37.120
<v Speaker 1>but I never wanted to do nothing Snoop did because

1:10:37.200 --> 1:10:40.280
<v Speaker 1>I felt like that was himp. That's something that's a

1:10:40.400 --> 1:10:43.080
<v Speaker 1>problem in hip hop is that people actually see something

1:10:43.200 --> 1:10:48.040
<v Speaker 1>they like and they imitate. It's a problem now because

1:10:48.320 --> 1:10:50.479
<v Speaker 1>the gate keepers don't call it what it is. Like,

1:10:50.840 --> 1:10:53.200
<v Speaker 1>you didn't take nothing, nigger, you bid it. Let's keep

1:10:53.200 --> 1:10:55.240
<v Speaker 1>it a being. You ain't. I'm from Virginia and they ain't.

1:10:55.280 --> 1:10:58.080
<v Speaker 1>Nobody never took nothing from me. You bid it. Like

1:10:58.240 --> 1:11:01.160
<v Speaker 1>I can't fucking I can't. I'm out tomorrow and make

1:11:01.160 --> 1:11:05.920
<v Speaker 1>an album called the World Report exactly like I can't.

1:11:05.960 --> 1:11:08.160
<v Speaker 1>I can't go to Virginia and get some niggas and say, Yo,

1:11:08.160 --> 1:11:09.840
<v Speaker 1>we're gonna start a new clip. They're like, what's the same.

1:11:09.840 --> 1:11:13.040
<v Speaker 1>I'm like your niggas called dip set, like nigga nah, nigga.

1:11:13.360 --> 1:11:15.600
<v Speaker 1>Like at some point somebody gotta said, I said, it

1:11:15.600 --> 1:11:18.600
<v Speaker 1>ain't cool my nigga like and he nigga like he

1:11:18.880 --> 1:11:22.320
<v Speaker 1>Lennly olden. I'm petty Linly old enough to know he

1:11:22.479 --> 1:11:24.439
<v Speaker 1>like the old enough to know that I respect the

1:11:24.520 --> 1:11:29.240
<v Speaker 1>ference my younger. But but he's actually playing into the game.

1:11:29.479 --> 1:11:32.200
<v Speaker 1>I'm just being a definitely advocate keeping actually pay playing

1:11:32.240 --> 1:11:34.800
<v Speaker 1>into the game. And the game is Brooklyn has always

1:11:34.840 --> 1:11:37.040
<v Speaker 1>been on for Brooklyn keeps on taking Yeah, well, Brooklyn

1:11:37.040 --> 1:11:40.840
<v Speaker 1>ain't taking ship from a nigga like me, I'm like,

1:11:40.960 --> 1:11:43.320
<v Speaker 1>it's not. I'm just saying you can't. You can't just

1:11:43.520 --> 1:11:46.000
<v Speaker 1>take something from me, like it's gonna come with something.

1:11:46.000 --> 1:11:48.360
<v Speaker 1>When I checked them for I was expecting a response,

1:11:48.720 --> 1:11:50.360
<v Speaker 1>and then when I didn't get a worthy response, I

1:11:50.479 --> 1:11:52.320
<v Speaker 1>was like, damn, like I'm not even going at it

1:11:52.360 --> 1:11:55.600
<v Speaker 1>with a nigga that's respectable, Like it's not fad, but

1:11:55.680 --> 1:11:57.479
<v Speaker 1>they ain't kiss It's not you know what I'm saying, Like,

1:11:58.160 --> 1:12:00.400
<v Speaker 1>you know what I mean, I ain't twenty Brooklyn niggas

1:12:00.760 --> 1:12:03.000
<v Speaker 1>in the song that I would rather battle than him,

1:12:03.160 --> 1:12:05.639
<v Speaker 1>Like it was crazy. I was talking cash, I was wild.

1:12:06.240 --> 1:12:09.800
<v Speaker 1>I was definitely wild. Do you regret that? Absolutely not?

1:12:11.160 --> 1:12:13.600
<v Speaker 1>Why what? It's all in the game. You know what

1:12:13.600 --> 1:12:16.000
<v Speaker 1>I'm saying. This hip hop is what we do. It

1:12:16.120 --> 1:12:17.840
<v Speaker 1>was fun this fall with the nigga for a minute

1:12:17.880 --> 1:12:20.479
<v Speaker 1>or something, and then when I realized he really wants fall.

1:12:20.840 --> 1:12:22.800
<v Speaker 1>He just wanted the attention. I was like, we're different.

1:12:22.880 --> 1:12:25.000
<v Speaker 1>I'm not I'm not chasing attention. But is there a

1:12:25.080 --> 1:12:28.200
<v Speaker 1>world world where all these wrap ups do exist, where

1:12:28.240 --> 1:12:31.679
<v Speaker 1>everyone his cordil or so he said, where they're paying

1:12:31.760 --> 1:12:33.920
<v Speaker 1>him homage, where they're paying respect for where it came from.

1:12:33.960 --> 1:12:37.080
<v Speaker 1>That's where he Before two thousand and two, nobody was

1:12:37.160 --> 1:12:40.960
<v Speaker 1>making a yearly recap of what happened to Coach Hippop,

1:12:41.200 --> 1:12:43.680
<v Speaker 1>I invented that ship. And I'm not tripping like like

1:12:43.800 --> 1:12:46.800
<v Speaker 1>I said, I'm not tripping. YouTube niggas doing all day

1:12:46.880 --> 1:12:49.479
<v Speaker 1>half the castle wild and out made wrap ups. But

1:12:49.560 --> 1:12:52.080
<v Speaker 1>they was always like trying to nigga mad skills like

1:12:52.160 --> 1:12:54.920
<v Speaker 1>Andy kept it moving like we gotta call a biter bitter.

1:12:55.439 --> 1:12:57.600
<v Speaker 1>But I gotta, I gotta, I gotta just be the

1:12:57.680 --> 1:13:00.879
<v Speaker 1>devil's advocate. You know how many people for theself slide

1:13:01.800 --> 1:13:08.519
<v Speaker 1>and they don't give me no respect. You know how

1:13:08.560 --> 1:13:14.320
<v Speaker 1>many people there's actually games so slide and you know

1:13:14.400 --> 1:13:16.479
<v Speaker 1>how slim Gotta have been in Let me just tell

1:13:16.479 --> 1:13:18.639
<v Speaker 1>you how sl I'm gonta have been the My boy,

1:13:18.920 --> 1:13:21.120
<v Speaker 1>they're easy. Said, I'm gonna go to the store to

1:13:21.200 --> 1:13:23.960
<v Speaker 1>get a pepper Die sandwich. Do you want anything? And

1:13:24.040 --> 1:13:26.360
<v Speaker 1>pepper Die sound like pepper Broni to me, so I

1:13:26.439 --> 1:13:29.720
<v Speaker 1>said no. The homie came back in the studio with

1:13:29.840 --> 1:13:32.120
<v Speaker 1>a turkey and cheese. I said, that's not pepper Wroni.

1:13:32.360 --> 1:13:34.880
<v Speaker 1>He said, I said, pepper Die not pepper BRONI and

1:13:34.920 --> 1:13:36.920
<v Speaker 1>I said, look, give me half and he said he

1:13:37.080 --> 1:13:40.120
<v Speaker 1>was a slime mask. Nigga, just you a sandwich. And

1:13:40.240 --> 1:13:42.600
<v Speaker 1>I took this ship and from that day on be

1:13:42.680 --> 1:13:46.280
<v Speaker 1>calling each other slide. Simple is that this game is

1:13:46.320 --> 1:13:49.840
<v Speaker 1>called slie. Yeah, they don't salute me. There's young thug.

1:13:50.400 --> 1:13:52.880
<v Speaker 1>This thing's got his whole career. He has never said

1:13:53.160 --> 1:13:56.360
<v Speaker 1>big up normal? Now what now? Mind you? This is

1:13:56.520 --> 1:13:58.519
<v Speaker 1>This goes back. I got a good point, y'all. That

1:13:58.560 --> 1:14:04.000
<v Speaker 1>was a good point, right. This goes back to what

1:14:04.160 --> 1:14:07.320
<v Speaker 1>I said earlier. Niggas don't care about who first, but

1:14:07.479 --> 1:14:09.800
<v Speaker 1>we do. You know what I'm saying. We the tight

1:14:09.920 --> 1:14:11.560
<v Speaker 1>niggas like Yo, like Yo, who got you in the

1:14:11.640 --> 1:14:13.439
<v Speaker 1>hip hop? I'm gonna tell you first niggas I listened

1:14:13.439 --> 1:14:15.280
<v Speaker 1>to that got me starting the ship. I'm not gonna

1:14:15.320 --> 1:14:17.920
<v Speaker 1>disrespect him. I'm not gonna say nothing crazy about him.

1:14:18.080 --> 1:14:20.600
<v Speaker 1>Like we gotta call a spade to spade at some

1:14:20.760 --> 1:14:24.120
<v Speaker 1>point because otherwise niggas just started acting blues like. It's

1:14:24.160 --> 1:14:26.479
<v Speaker 1>not trolling, my nigga. Let's call it what it is.

1:14:26.560 --> 1:14:29.719
<v Speaker 1>You're lying for attention. If I knew something dumb for attention,

1:14:30.080 --> 1:14:33.160
<v Speaker 1>that's called lying for attention. It's not called trolling, my nigga,

1:14:33.320 --> 1:14:38.120
<v Speaker 1>but we fucking and better let me represent for the

1:14:38.160 --> 1:14:41.320
<v Speaker 1>new generation to the new generation. Just didn't know where

1:14:41.360 --> 1:14:47.240
<v Speaker 1>that came from, right, he knew, he knew I'm patty,

1:14:48.040 --> 1:14:50.519
<v Speaker 1>but he ain't new like I can see. I got

1:14:50.560 --> 1:14:53.120
<v Speaker 1>told you. If there's somebody twenty one like yo, I

1:14:53.200 --> 1:14:55.120
<v Speaker 1>see niggas like yo, I'm the new nigga. You know

1:14:55.160 --> 1:14:57.200
<v Speaker 1>what I'm saying. We called we broccoli. I'm like, nigga,

1:14:57.240 --> 1:15:03.280
<v Speaker 1>that's nigga? What you thought? That's the moment they find

1:15:03.320 --> 1:15:06.719
<v Speaker 1>out then you know, you pick it up appropertly efore

1:15:06.760 --> 1:15:11.160
<v Speaker 1>to say, hey, look, little niggas, I had to show

1:15:11.280 --> 1:15:17.920
<v Speaker 1>you up. He got a lot of nigga like one

1:15:17.960 --> 1:15:20.040
<v Speaker 1>of the most illest, one of the nicest guys I've

1:15:20.080 --> 1:15:22.400
<v Speaker 1>ever met, but we gotta call us Spain is Paine

1:15:22.439 --> 1:15:26.240
<v Speaker 1>at some point one of the nicest guy we see.

1:15:26.240 --> 1:15:30.000
<v Speaker 1>If the water isn't around, I'm so wait a minute,

1:15:30.720 --> 1:15:32.680
<v Speaker 1>So we're gonna, we're gonna, we're gonna get No, you

1:15:32.720 --> 1:15:34.439
<v Speaker 1>don't want to work it out. You're saying you don't

1:15:34.640 --> 1:15:36.160
<v Speaker 1>want to work it out, not on a wrapp up?

1:15:36.840 --> 1:15:40.040
<v Speaker 1>How about this? Is this is a crazy thing, right, dude,

1:15:40.040 --> 1:15:42.840
<v Speaker 1>we passed away, right, do pass away off for my hood?

1:15:43.400 --> 1:15:45.439
<v Speaker 1>So do for my hood to come home with jail?

1:15:45.479 --> 1:15:48.240
<v Speaker 1>Says hey man, I want to dish you on the record.

1:15:48.240 --> 1:15:51.040
<v Speaker 1>And I said, for what he said, because I think

1:15:51.080 --> 1:15:54.040
<v Speaker 1>that's the way I can get on corny corny like

1:15:54.479 --> 1:15:57.680
<v Speaker 1>we got called rufy. But so I told him, I said,

1:15:57.720 --> 1:15:59.360
<v Speaker 1>because I knew he was just coming home from jails,

1:15:59.479 --> 1:16:02.960
<v Speaker 1>just wrapping thinking, thinking's death broke all They all right, listen,

1:16:04.520 --> 1:16:07.960
<v Speaker 1>I said, let's do it together on the stage. I

1:16:08.040 --> 1:16:09.680
<v Speaker 1>want you to dis like that. I don't say it

1:16:09.760 --> 1:16:12.439
<v Speaker 1>like that. It's different. I don't want you just me

1:16:12.520 --> 1:16:14.719
<v Speaker 1>in my face and I wanna diss you with your face.

1:16:15.000 --> 1:16:18.200
<v Speaker 1>But I'm also show you I'm a rapper, right, and

1:16:18.280 --> 1:16:21.479
<v Speaker 1>I've never happened, right do you think that like it's

1:16:21.520 --> 1:16:24.400
<v Speaker 1>something like that that can be happen where you guys,

1:16:25.320 --> 1:16:27.280
<v Speaker 1>it's like a face off on the same track for

1:16:27.360 --> 1:16:33.400
<v Speaker 1>the same in the same studio. Get body, man, get body.

1:16:33.880 --> 1:16:37.280
<v Speaker 1>He's not here like he ain't a rapper like that.

1:16:37.479 --> 1:16:39.519
<v Speaker 1>It's more like he like a comedian, you know what

1:16:39.520 --> 1:16:41.400
<v Speaker 1>I'm saying. Like that's how I look at him. I

1:16:41.520 --> 1:16:43.320
<v Speaker 1>think I think I think I'm a murders though. I

1:16:43.400 --> 1:16:46.160
<v Speaker 1>think of the murders though. That's cool, that's cool, that's

1:16:46.160 --> 1:16:48.200
<v Speaker 1>your man is. I get it like I get it.

1:16:48.720 --> 1:16:51.080
<v Speaker 1>I don't think you're dope. It's not no, no, not

1:16:51.200 --> 1:16:53.240
<v Speaker 1>at all. But I'm just saying for me, it's like,

1:16:55.640 --> 1:16:57.960
<v Speaker 1>it just don't feel like hip hop to me. You

1:16:58.000 --> 1:16:59.560
<v Speaker 1>know what I'm saying, Like to me, it does for

1:16:59.640 --> 1:17:02.400
<v Speaker 1>like you just want to see some drama. Yeah, I

1:17:03.320 --> 1:17:09.520
<v Speaker 1>don't even he want to sing to see how you like. Ultimately,

1:17:09.600 --> 1:17:11.920
<v Speaker 1>because that's how I said, I think y'all should do

1:17:11.960 --> 1:17:14.479
<v Speaker 1>the track together. I do it. I do feel like

1:17:14.640 --> 1:17:18.320
<v Speaker 1>I think got like you were saying. First, Yeah, you're

1:17:18.360 --> 1:17:20.360
<v Speaker 1>saying I think you should you to track together, like

1:17:20.479 --> 1:17:22.760
<v Speaker 1>me saying I think I should be when every drink

1:17:22.840 --> 1:17:27.439
<v Speaker 1>chance like maybe when he hears how you're saying it here,

1:17:27.520 --> 1:17:30.479
<v Speaker 1>maybe it maybe and different. I wish the brother no

1:17:30.640 --> 1:17:32.840
<v Speaker 1>ill will man like we did what we did like that.

1:17:32.960 --> 1:17:34.880
<v Speaker 1>I thought something. It was fun. I thought, I know

1:17:35.000 --> 1:17:37.639
<v Speaker 1>you called him like yo keep it going like yeah

1:17:37.640 --> 1:17:39.600
<v Speaker 1>I did. I did the first time I did. I

1:17:39.680 --> 1:17:41.519
<v Speaker 1>did say that I did. That's why I felt felt

1:17:41.520 --> 1:17:43.280
<v Speaker 1>guilty because the first time I heard it, I was like,

1:17:43.360 --> 1:17:45.960
<v Speaker 1>all right, cool, I can't think it was no valance

1:17:46.000 --> 1:17:47.840
<v Speaker 1>towards you for the first one. I don't have that

1:17:47.920 --> 1:17:49.760
<v Speaker 1>kind of time, bro, I don't have fifteen minutes and

1:17:49.800 --> 1:17:53.760
<v Speaker 1>listen to a nigger rap. Maybe you do, yeah, a

1:17:53.800 --> 1:18:06.800
<v Speaker 1>little bit. I'm pending just fact liked, Yeah, I think

1:18:06.800 --> 1:18:10.639
<v Speaker 1>you might be. You know, I'm only that way when

1:18:10.680 --> 1:18:13.040
<v Speaker 1>you poke me, like you gotta stand for three years,

1:18:13.080 --> 1:18:15.120
<v Speaker 1>I'm going to the barbershop, my bar but like yo,

1:18:15.600 --> 1:18:18.400
<v Speaker 1>like nigga, what's up with your man? Noo? And I'm like, yeah, no,

1:18:18.479 --> 1:18:20.519
<v Speaker 1>I'm chilling, you know what I'm saying that like nine nigga.

1:18:20.640 --> 1:18:23.720
<v Speaker 1>Like if you would have told me in nineties six

1:18:23.880 --> 1:18:26.040
<v Speaker 1>ninety seven, when I was going back and forth to

1:18:26.080 --> 1:18:28.800
<v Speaker 1>New York trying to get on that a nigga from

1:18:29.160 --> 1:18:32.439
<v Speaker 1>the Borough would take something from a nigga from Virginia

1:18:32.479 --> 1:18:34.560
<v Speaker 1>to be relevant, I would have been like, nigga, what

1:18:35.240 --> 1:18:38.439
<v Speaker 1>like nigga, y'all are the necka to us? We always

1:18:38.479 --> 1:18:40.240
<v Speaker 1>felt like we had to prove our way, you know

1:18:40.240 --> 1:18:42.760
<v Speaker 1>what I'm saying. I remember going to fucking to the

1:18:42.880 --> 1:18:47.360
<v Speaker 1>to the sheet loops Farrell Mont's video right and Farrell

1:18:48.000 --> 1:18:50.479
<v Speaker 1>Case slaves outside in the drama. I was the biggest

1:18:50.479 --> 1:18:52.880
<v Speaker 1>ship in the world, and I'm like, yo, I'll walk

1:18:52.960 --> 1:18:54.479
<v Speaker 1>up to case saying, I'm like, yo, man, you know

1:18:54.800 --> 1:18:58.320
<v Speaker 1>I think it's graph pepoo some other niggas. I said, Yo, man,

1:18:58.360 --> 1:19:01.479
<v Speaker 1>how I get on the drama our nigga said, I mean,

1:19:01.600 --> 1:19:04.439
<v Speaker 1>ship man, you gotta be nice. Nigga, ain't look at

1:19:05.320 --> 1:19:07.920
<v Speaker 1>like you gotta be nice. I'm like, Day's trying to

1:19:07.960 --> 1:19:10.640
<v Speaker 1>sound nice to say you gotta be nice. So I

1:19:10.840 --> 1:19:13.160
<v Speaker 1>go to Rockers like Nigga, I gotta get on the

1:19:13.240 --> 1:19:16.200
<v Speaker 1>fucking drum out. I don't know how y'all making happens

1:19:16.200 --> 1:19:19.360
<v Speaker 1>the street nigga, Howe mcduffin. He's like, no, Nigga, I

1:19:19.520 --> 1:19:23.439
<v Speaker 1>make it happen. Yet, how we mcduffer you? So? How

1:19:23.600 --> 1:19:27.639
<v Speaker 1>we for niggles it to with me Most and Feral

1:19:28.240 --> 1:19:30.040
<v Speaker 1>and this new nigga that they gotta go up to

1:19:30.120 --> 1:19:32.800
<v Speaker 1>the drama hole. And this was when Rockers was kind

1:19:32.840 --> 1:19:34.960
<v Speaker 1>of nig was like the Ruggers might be the next

1:19:35.000 --> 1:19:37.000
<v Speaker 1>fucking death jam. It's just kind of bubbling, you know

1:19:37.000 --> 1:19:38.920
<v Speaker 1>what I'm saying. We go to the drama hole. I

1:19:39.040 --> 1:19:42.240
<v Speaker 1>never forgot wrapped over in the club. I wrap over

1:19:42.320 --> 1:19:46.080
<v Speaker 1>in the club body the ship and the Niggy case.

1:19:46.080 --> 1:19:49.880
<v Speaker 1>Slay goes Yo. He's talking to Nigga Malacott and Nigga

1:19:49.960 --> 1:19:52.200
<v Speaker 1>used to the boy where he's like your Malco like

1:19:52.360 --> 1:19:54.960
<v Speaker 1>real talk that that might be the hottest freestyle Nigga

1:19:55.000 --> 1:19:58.760
<v Speaker 1>ever said up it, And I'm just like yes, nigger like,

1:19:58.920 --> 1:20:01.840
<v Speaker 1>I'm not no fucking coming, boy, I'm getting fucking busy.

1:20:01.920 --> 1:20:04.080
<v Speaker 1>Like so we always had to go to New York

1:20:04.160 --> 1:20:06.880
<v Speaker 1>to prove ourselves. You know what's the conversation I'm about

1:20:06.880 --> 1:20:13.519
<v Speaker 1>to get into, which one? No, I don't are you

1:20:13.720 --> 1:20:16.960
<v Speaker 1>one of the South guys? Come on, come on, like

1:20:17.040 --> 1:20:19.320
<v Speaker 1>New York don't show love to the South. And I

1:20:19.400 --> 1:20:21.320
<v Speaker 1>want you to be because we talked about this a lot,

1:20:21.320 --> 1:20:24.360
<v Speaker 1>because I talked about the Miami perspective to visit right

1:20:24.640 --> 1:20:27.439
<v Speaker 1>when y'all focused, and I'm putting y'all in the category

1:20:27.520 --> 1:20:31.720
<v Speaker 1>of the South, like another shot, Virginia get another shot.

1:20:31.840 --> 1:20:37.040
<v Speaker 1>So here's what I get a fit because me personally,

1:20:37.479 --> 1:20:39.840
<v Speaker 1>I don't have the experience that a lot of the

1:20:40.040 --> 1:20:42.439
<v Speaker 1>stop people Like I said I was going to Virginia.

1:20:42.840 --> 1:20:46.200
<v Speaker 1>I was we need hen like this. What I'm trying

1:20:46.240 --> 1:20:49.160
<v Speaker 1>to say to you. So, in my opinion, me and

1:20:49.240 --> 1:20:54.719
<v Speaker 1>this guy because he he loves my goddamnit, this someone.

1:20:55.000 --> 1:20:59.880
<v Speaker 1>But what I'm saying is I feel like a lot

1:21:00.040 --> 1:21:03.120
<v Speaker 1>to the South guys are wrong for paying attention to

1:21:03.280 --> 1:21:06.439
<v Speaker 1>what was not shown to you guys as opposed to

1:21:06.600 --> 1:21:10.519
<v Speaker 1>what the love was. You know what, I don't even

1:21:11.400 --> 1:21:15.519
<v Speaker 1>meaning meeting A lot of times you guys sit around

1:21:15.520 --> 1:21:17.479
<v Speaker 1>and you say, you know what, New York can't give love.

1:21:17.680 --> 1:21:20.200
<v Speaker 1>This guy can't get love. But how about the holes?

1:21:20.280 --> 1:21:22.680
<v Speaker 1>How about the Northeast? How about the people who was

1:21:22.760 --> 1:21:25.160
<v Speaker 1>embracing the South? Who was going back? But I tell

1:21:25.240 --> 1:21:27.679
<v Speaker 1>the fact hold holder. But I said this a bunch

1:21:27.720 --> 1:21:30.920
<v Speaker 1>of times on drink. I said it was the industry

1:21:31.040 --> 1:21:33.760
<v Speaker 1>was the biggest problem, working to the industry. You know,

1:21:33.920 --> 1:21:36.080
<v Speaker 1>y'all kept it to yourself, not you, maybe not fact,

1:21:36.200 --> 1:21:38.439
<v Speaker 1>not the individual artist. That's what I needed to hear it. Yeah,

1:21:38.439 --> 1:21:42.760
<v Speaker 1>that's y'all understand y'all are the mecca. So nigger. I

1:21:42.880 --> 1:21:45.559
<v Speaker 1>remember going to the new music seminars of rock Steady

1:21:45.560 --> 1:21:47.960
<v Speaker 1>in the Park just trying to get respect from y'all

1:21:48.040 --> 1:21:51.040
<v Speaker 1>because New York was the mecca. So with fucking stretching

1:21:51.080 --> 1:21:53.639
<v Speaker 1>Barbado told me I was dope and guy was dope

1:21:54.080 --> 1:21:56.679
<v Speaker 1>with mother fucking Q Tip told me I was dope.

1:21:56.840 --> 1:21:58.800
<v Speaker 1>I was dope, you know what I'm saying. Like, so

1:21:58.920 --> 1:22:03.920
<v Speaker 1>it's like when the ships which what about the ship switch.

1:22:04.200 --> 1:22:06.679
<v Speaker 1>It was like we all we gave so much love

1:22:06.760 --> 1:22:10.840
<v Speaker 1>to y'all. A lot of us felt like fucking like

1:22:11.040 --> 1:22:13.519
<v Speaker 1>fucking out cares on the sauce stage like damn like

1:22:14.280 --> 1:22:17.120
<v Speaker 1>swoop like dah, y'all love us. We all understood that,

1:22:17.280 --> 1:22:19.479
<v Speaker 1>Like you know what I'm saying, We all felt we

1:22:19.560 --> 1:22:21.920
<v Speaker 1>did that, but understand what I mean. It was all

1:22:22.040 --> 1:22:30.280
<v Speaker 1>the same thing different but speaking person, we felt like that. Yeah, man,

1:22:32.200 --> 1:22:35.320
<v Speaker 1>we felt and it wasn't personal. You're thinking as individual

1:22:35.439 --> 1:22:38.840
<v Speaker 1>artists or the artists, it's not personal. Come to Miami,

1:22:38.960 --> 1:22:44.760
<v Speaker 1>so like two thousands moved like you've been coming out.

1:22:44.800 --> 1:22:48.439
<v Speaker 1>You're doing a lot of work. South really shouldn't have

1:22:48.640 --> 1:22:54.200
<v Speaker 1>that complaint because she everybody can't speak for us, bro,

1:22:54.800 --> 1:22:59.519
<v Speaker 1>everybody from the East coast. Grandmother had a tie to

1:22:59.600 --> 1:23:02.160
<v Speaker 1>the South. Yes, yeah, okay, I understand. So this is

1:23:02.200 --> 1:23:04.840
<v Speaker 1>what I'm trying to tell. Even from the West Coast sects,

1:23:05.360 --> 1:23:07.800
<v Speaker 1>we all kind of came from the South, slave weeks

1:23:07.840 --> 1:23:12.439
<v Speaker 1>to the South and then So that's what I'm saying.

1:23:12.520 --> 1:23:15.120
<v Speaker 1>I feel like y'all always judged that off for young people,

1:23:15.160 --> 1:23:17.880
<v Speaker 1>young people who didn't travel as much, like, this is

1:23:17.920 --> 1:23:19.800
<v Speaker 1>no way I can go to Atlanta like I went

1:23:19.840 --> 1:23:24.080
<v Speaker 1>to once twilve. What was that ship Atlanta in Atlanta,

1:23:24.640 --> 1:23:26.280
<v Speaker 1>New York? If you would go to the strip club

1:23:26.320 --> 1:23:28.240
<v Speaker 1>in New York, you are waiting stuff. And I was

1:23:28.280 --> 1:23:30.760
<v Speaker 1>out there and they had like it three things you

1:23:30.800 --> 1:23:33.880
<v Speaker 1>don't do in the strip club. You don't tip, you

1:23:33.960 --> 1:23:38.240
<v Speaker 1>don't eat, and you don't ship. The first week in Miami,

1:23:38.320 --> 1:23:41.120
<v Speaker 1>I broke all three of those rules. The first thing

1:23:41.160 --> 1:23:46.240
<v Speaker 1>I like the same time, shout the reason out and

1:23:46.360 --> 1:23:49.040
<v Speaker 1>tip every bitch in there. It was crazy. It was great.

1:23:49.160 --> 1:23:52.559
<v Speaker 1>Like But that's what I've noticed see in New York.

1:23:52.640 --> 1:23:55.560
<v Speaker 1>It wasn't recalling youabamas. We were saying that, you know,

1:23:55.640 --> 1:23:57.599
<v Speaker 1>it was a different people. It was a different cousins

1:23:57.600 --> 1:24:00.760
<v Speaker 1>because I gonna remember y'all, our cousins were all family, man,

1:24:01.000 --> 1:24:03.640
<v Speaker 1>do you understand I'm saying. And when we got to

1:24:03.720 --> 1:24:05.400
<v Speaker 1>the West coast, it was a little different too. But

1:24:05.560 --> 1:24:10.920
<v Speaker 1>the South, honestly is all of our grandmothers have all.

1:24:11.240 --> 1:24:13.400
<v Speaker 1>I think you're talking about different things. Man. You know

1:24:13.560 --> 1:24:15.040
<v Speaker 1>what I'm saying is, here's what I'm trying to say.

1:24:15.720 --> 1:24:18.400
<v Speaker 1>What I'm trying to say is people felt like East

1:24:18.439 --> 1:24:20.200
<v Speaker 1>Coast wasn't giving it up to the South. It was

1:24:20.200 --> 1:24:24.160
<v Speaker 1>always called n't want to get to nobody and the

1:24:24.280 --> 1:24:34.679
<v Speaker 1>industry lived in New York. The radio show City Ship.

1:24:35.520 --> 1:24:38.400
<v Speaker 1>You shouldn't see it. You wouldn't see it. Let me

1:24:38.439 --> 1:24:41.400
<v Speaker 1>ask you a question. Remember I remember watching a podcast

1:24:41.439 --> 1:24:43.640
<v Speaker 1>and you was like, yo, when I went to l A,

1:24:44.520 --> 1:24:46.680
<v Speaker 1>I was, I was, I was looking around, I was,

1:24:46.760 --> 1:24:50.800
<v Speaker 1>I was making sure she was good. Why was you

1:24:50.920 --> 1:24:55.599
<v Speaker 1>doing that? Exactly exactly? So for us, like of course

1:24:55.680 --> 1:24:58.320
<v Speaker 1>it's slow. Everything slow. We're not slow as Texas but

1:24:59.080 --> 1:25:01.360
<v Speaker 1>not just chopped the screw music. But you come down South,

1:25:01.400 --> 1:25:04.640
<v Speaker 1>ship gets slower. But for us, it was like we

1:25:04.800 --> 1:25:07.040
<v Speaker 1>always showed your love, like y'all came down. They went

1:25:07.120 --> 1:25:09.439
<v Speaker 1>to schools, went to the HBCUs. You know what I'm saying,

1:25:09.520 --> 1:25:13.960
<v Speaker 1>Like we got we got out. Was that hole? Was there?

1:25:14.000 --> 1:25:17.040
<v Speaker 1>They getting money? Like I know that you're saying so,

1:25:17.360 --> 1:25:22.200
<v Speaker 1>And it's like we adopted some of the ship. He

1:25:22.280 --> 1:25:24.200
<v Speaker 1>adopted some of this ship from y'all. So it's like

1:25:24.240 --> 1:25:26.280
<v Speaker 1>when when Tim's got popping, we threw on the tails

1:25:26.280 --> 1:25:28.840
<v Speaker 1>when the bubble goose is like everything was about y'all.

1:25:29.200 --> 1:25:31.360
<v Speaker 1>So it was like when it became about somebody else

1:25:31.760 --> 1:25:35.360
<v Speaker 1>to see certain artists like now we're not that ship Cony,

1:25:35.400 --> 1:25:37.920
<v Speaker 1>We're not working with them type niggas like damn like Nigga.

1:25:38.200 --> 1:25:40.000
<v Speaker 1>We were just we're doing what hip hop fays. We're

1:25:40.040 --> 1:25:42.280
<v Speaker 1>rapping about what we know from where we are, you

1:25:42.280 --> 1:25:44.200
<v Speaker 1>know what I'm saying. Like everybody ain't gonna be that,

1:25:44.439 --> 1:25:46.240
<v Speaker 1>you know what I'm saying. So I think when when

1:25:46.280 --> 1:25:48.840
<v Speaker 1>people like Tim and Pharrell got into the studio to

1:25:49.000 --> 1:25:52.160
<v Speaker 1>make music, they knew what they couldn't make. We couldn't

1:25:52.200 --> 1:25:55.200
<v Speaker 1>make no premier type sound bad hip hop. Y'all already

1:25:55.280 --> 1:25:58.160
<v Speaker 1>did that. We couldn't make Baltimore Club. Baltimore Club was

1:25:58.160 --> 1:26:00.800
<v Speaker 1>already popping, couldn't make Jersey House, she was already done,

1:26:00.960 --> 1:26:04.120
<v Speaker 1>couldn't do Go Go, so she was already can't do

1:26:05.080 --> 1:26:08.080
<v Speaker 1>can't do the screw the shop ship, can't do the

1:26:08.120 --> 1:26:10.719
<v Speaker 1>chronic ship. So it's like, damn, nigga, I'm gonna sample

1:26:10.800 --> 1:26:13.000
<v Speaker 1>this baby, you know what I'm say I'm gonna sample

1:26:13.080 --> 1:26:17.040
<v Speaker 1>this last noise if it tim That was the illest

1:26:17.040 --> 1:26:21.439
<v Speaker 1>because I've never seen a nigga sit down and beat

1:26:21.520 --> 1:26:26.360
<v Speaker 1>box a fucking beat and then touch the fucking something

1:26:26.479 --> 1:26:28.640
<v Speaker 1>and make it so the nigga would sit down and go,

1:26:28.720 --> 1:26:33.400
<v Speaker 1>y'all wanted you to go, and the nigga will find

1:26:33.520 --> 1:26:36.800
<v Speaker 1>the sound that went. And I'm sitting there like yo,

1:26:36.880 --> 1:26:39.160
<v Speaker 1>this niggas fucking crag. He beat boxes all the ship.

1:26:39.600 --> 1:26:41.400
<v Speaker 1>I work with timpular Please don't get your story. I

1:26:41.439 --> 1:26:43.200
<v Speaker 1>work with timpularly. At one time he was like this

1:26:43.520 --> 1:26:50.920
<v Speaker 1>nor just how I want your wife to God like

1:26:51.560 --> 1:26:54.800
<v Speaker 1>Mario brothers. I looked at this nigg I said he

1:26:55.000 --> 1:26:58.560
<v Speaker 1>gotta be hot, like that's how he did it. And

1:26:58.600 --> 1:27:02.360
<v Speaker 1>then you see, I took two longer. I had a rock.

1:27:04.000 --> 1:27:09.000
<v Speaker 1>I was like, oh, ship, nigga liga around and fucking

1:27:09.160 --> 1:27:12.400
<v Speaker 1>and till you gotta listen to them too, because they'll

1:27:12.439 --> 1:27:15.360
<v Speaker 1>have you. They'll change your whole life. And niggas wasn't listening.

1:27:15.680 --> 1:27:17.400
<v Speaker 1>You know what I'm saying, Like now, I ain't doing

1:27:17.439 --> 1:27:19.719
<v Speaker 1>that corny same way before him. Give you some babe.

1:27:19.720 --> 1:27:22.160
<v Speaker 1>She's like, I'm not walking around these fake casts for once,

1:27:23.960 --> 1:27:26.160
<v Speaker 1>bake over your check. I don't know what's probably be

1:27:26.880 --> 1:27:29.400
<v Speaker 1>Like I was, y'all guinea pick for two years. I

1:27:29.520 --> 1:27:31.720
<v Speaker 1>was walking around. It's like, you ain't you getting money?

1:27:31.920 --> 1:27:35.160
<v Speaker 1>You having a force once? You don't remember because they

1:27:35.560 --> 1:27:39.679
<v Speaker 1>look just like people were laughing at me. I'm sorry

1:27:40.000 --> 1:27:42.920
<v Speaker 1>those those two dudes man changed to face the music man.

1:27:43.200 --> 1:27:45.200
<v Speaker 1>And it ain't too many people that could say that

1:27:45.320 --> 1:27:48.360
<v Speaker 1>they did that. And for me, like to be from

1:27:48.400 --> 1:27:52.040
<v Speaker 1>where we from, it's truly something in the water. Like

1:27:52.120 --> 1:27:54.600
<v Speaker 1>it's not it's not just something to say, it's a

1:27:54.680 --> 1:27:57.760
<v Speaker 1>special and unique they maybe they create their own unique sounds. Yeah,

1:27:58.360 --> 1:28:01.080
<v Speaker 1>Like I feel like Farrell was the closest thing. Him

1:28:01.120 --> 1:28:02.680
<v Speaker 1>and Chad were the closest thing we ever had to

1:28:02.760 --> 1:28:05.400
<v Speaker 1>happen to sound. You know what I'm saying. But that

1:28:05.840 --> 1:28:07.439
<v Speaker 1>the person time came back around what was the name

1:28:07.479 --> 1:28:08.880
<v Speaker 1>of his group naging him and he wouldn't know it

1:28:09.000 --> 1:28:10.800
<v Speaker 1>was just him. He was a raptor's name was nagging

1:28:10.880 --> 1:28:16.160
<v Speaker 1>the verb lord worked out for him. But that sounds

1:28:16.160 --> 1:28:20.960
<v Speaker 1>like here's the thing. Next time I see him, Hawaiian

1:28:21.080 --> 1:28:23.960
<v Speaker 1>shirt read in the Excess and he's telling the DJ

1:28:24.360 --> 1:28:27.080
<v Speaker 1>played my record and they're like, yeah, like like my

1:28:27.200 --> 1:28:33.439
<v Speaker 1>magnum Yo he's talking about or super Thugger is fucking

1:28:33.520 --> 1:28:36.000
<v Speaker 1>tending the clubs down. He's telling the DJ like, Yo,

1:28:36.120 --> 1:28:39.479
<v Speaker 1>that's my record, and DJ like, yeah, yeah, that's my

1:28:42.080 --> 1:28:46.840
<v Speaker 1>that's my reckord like started, and then the video comes

1:28:46.840 --> 1:28:49.800
<v Speaker 1>out and niggas just like, Yo, that's his record, red

1:28:49.920 --> 1:28:52.679
<v Speaker 1>in excess fucking and I'm like, Yo, the nigga really

1:28:52.760 --> 1:28:56.479
<v Speaker 1>doing that. I though it sounds so cliche that said

1:28:56.960 --> 1:28:59.080
<v Speaker 1>right now, But for the moment I met that motherfucker,

1:28:59.080 --> 1:29:03.040
<v Speaker 1>I knew he was was from earth. Fact, he was.

1:29:03.280 --> 1:29:05.439
<v Speaker 1>He was different, bro, he was It was so easy

1:29:05.479 --> 1:29:09.360
<v Speaker 1>to say that now, like but I wish I was lying,

1:29:09.479 --> 1:29:11.479
<v Speaker 1>but I'm just not. Just looked at him. I wish

1:29:11.520 --> 1:29:19.599
<v Speaker 1>we had the Purple rain for this right now. That's

1:29:19.640 --> 1:29:23.360
<v Speaker 1>my that's my man man, that's my brother. Yeah man um.

1:29:24.400 --> 1:29:27.280
<v Speaker 1>And it's like it feels like in Virginia you all

1:29:27.439 --> 1:29:29.439
<v Speaker 1>have to be tied to each other. It's there artists

1:29:29.479 --> 1:29:32.160
<v Speaker 1>that you're not tied to in Virginia. No, they can't

1:29:32.160 --> 1:29:34.200
<v Speaker 1>be right. Who's this new artist you guy? I think

1:29:34.240 --> 1:29:37.400
<v Speaker 1>we're signed to push your teeth? Oh card I think

1:29:37.439 --> 1:29:40.800
<v Speaker 1>his name is Carden. He signed on pushing teas Labor. Yeah,

1:29:41.040 --> 1:29:44.280
<v Speaker 1>the Petersburg Young Boy Virginia. Yeah, yeah, yeah, not he's

1:29:44.280 --> 1:29:46.160
<v Speaker 1>from with trade songs from Oh. I was saying, you

1:29:46.200 --> 1:29:50.759
<v Speaker 1>gotta think Virginia's Angela, the girls from Chris de Angelo

1:29:51.120 --> 1:29:55.439
<v Speaker 1>me trade songs, Chris Brown for Reno Chris Brown. Chris

1:29:55.560 --> 1:30:01.920
<v Speaker 1>Brown is from Tappahanned Virginia, fucking clips, push you Analyst,

1:30:02.560 --> 1:30:06.800
<v Speaker 1>Missy Macgoo. Like, bro, what was the crew were into?

1:30:07.080 --> 1:30:12.840
<v Speaker 1>Wasn't super free but friends Lonnie b Day so he

1:30:12.960 --> 1:30:16.960
<v Speaker 1>was a dope rapping back. Yeah, he battled up Jojoe

1:30:17.040 --> 1:30:21.640
<v Speaker 1>Pellegrino on the boat the Dirty White Boy. Yeah, man, no,

1:30:21.920 --> 1:30:25.800
<v Speaker 1>man like um so yeah, No, Virginia is a special place, bro,

1:30:26.200 --> 1:30:28.439
<v Speaker 1>something really in the ward. It's listen, it's not just

1:30:28.560 --> 1:30:31.600
<v Speaker 1>something we say. It's not just Molly, It's not just

1:30:31.760 --> 1:30:42.680
<v Speaker 1>probably not Molly. How did you break It's not He's like,

1:30:42.800 --> 1:30:54.519
<v Speaker 1>it's not mon Yeah, man, God damn holy bo. Yeah,

1:30:54.800 --> 1:30:57.000
<v Speaker 1>you know I got does man, you know, let's get

1:30:57.160 --> 1:30:59.360
<v Speaker 1>to those man, you know, you know the easy help

1:30:59.400 --> 1:31:03.320
<v Speaker 1>people do for what album? Because the first was the album? Yeah,

1:31:03.760 --> 1:31:07.320
<v Speaker 1>the whole first album, the first I'm a zyl because

1:31:07.360 --> 1:31:09.200
<v Speaker 1>he did a song for the artifacts, and that was

1:31:09.439 --> 1:31:11.599
<v Speaker 1>I didn't know that he did down to My Soul

1:31:11.640 --> 1:31:13.600
<v Speaker 1>rebix the fact the first niggas ever let me on

1:31:13.680 --> 1:31:16.800
<v Speaker 1>a song, Yeah, all the facts. I'll tame one else

1:31:16.840 --> 1:31:19.599
<v Speaker 1>since then. That was a crazy Actually, I do remember

1:31:19.600 --> 1:31:23.920
<v Speaker 1>that Dona My Soul, the first album from with Yes

1:31:24.040 --> 1:31:25.599
<v Speaker 1>I came out on the same day as the Food

1:31:25.680 --> 1:31:27.880
<v Speaker 1>Jis and All Eyes on Me worst day of in

1:31:27.960 --> 1:31:31.040
<v Speaker 1>South I didn't I don't know what. I don't know where.

1:31:31.080 --> 1:31:35.120
<v Speaker 1>This was a great niggas from Virginia. The album that

1:31:35.479 --> 1:31:39.080
<v Speaker 1>I didn't take. It didn't happen to me. You didn't

1:31:39.080 --> 1:31:43.000
<v Speaker 1>get gold. Now I'm not gold, but back there was

1:31:43.320 --> 1:31:47.240
<v Speaker 1>but little to leave with this leave with the score

1:31:47.400 --> 1:31:49.000
<v Speaker 1>and all I mean to me, I mean that's a

1:31:49.040 --> 1:31:51.800
<v Speaker 1>little I mean that's different everyone, dude that All Eyes

1:31:51.880 --> 1:31:54.439
<v Speaker 1>on Me is that the album after he came Double Yes,

1:31:54.840 --> 1:31:59.680
<v Speaker 1>that's double out kill him did not pick a good day.

1:32:00.080 --> 1:32:06.280
<v Speaker 1>Let's just throw that out there. Okay, okay, you have

1:32:06.400 --> 1:32:09.040
<v Speaker 1>you had large professor producer on that large professor j

1:32:10.200 --> 1:32:15.920
<v Speaker 1>period Clark Kent, not psycho Le's um. And I was

1:32:16.000 --> 1:32:21.000
<v Speaker 1>the first person that ever did this song with j J. Yeah, yeah,

1:32:21.400 --> 1:32:25.360
<v Speaker 1>because that was guy and that's early. Didn't understand. I'm

1:32:25.439 --> 1:32:28.200
<v Speaker 1>with you, Tip, I'm making the album and I'm like,

1:32:28.400 --> 1:32:31.360
<v Speaker 1>niggad you on my album. He's like, yeah, no, son

1:32:31.479 --> 1:32:34.680
<v Speaker 1>got this nigga you gotta I said, Noah, nigga you

1:32:34.760 --> 1:32:39.640
<v Speaker 1>on the album. He comes to Battery Studio Street went

1:32:39.800 --> 1:32:42.840
<v Speaker 1>a little small dude with a fucking Detroit had on

1:32:43.600 --> 1:32:46.840
<v Speaker 1>and he's talking about him the same way he talked

1:32:46.880 --> 1:32:49.280
<v Speaker 1>about me to Pasta, Neuse and Mace. And he's talking

1:32:49.320 --> 1:32:54.160
<v Speaker 1>to you. He's he's going, your son, this, where's yo.

1:32:54.240 --> 1:32:56.639
<v Speaker 1>He's so ill and I'm like even, I'm like, yeah,

1:32:57.080 --> 1:32:59.640
<v Speaker 1>I need to cute Tip beat though He's like, no, no,

1:32:59.720 --> 1:33:01.840
<v Speaker 1>I got at you. But listen to this nigger. He

1:33:02.040 --> 1:33:04.679
<v Speaker 1>hits the beat, he put the I still have the tape.

1:33:04.720 --> 1:33:07.040
<v Speaker 1>He hit the cassette, put the consette, places the cassette.

1:33:07.080 --> 1:33:09.320
<v Speaker 1>As soon as I hit the cassette. But no, and

1:33:10.439 --> 1:33:14.120
<v Speaker 1>and and it's running. I'm like, you play the next one,

1:33:14.439 --> 1:33:17.360
<v Speaker 1>my dumbass. I'm like, play the next one. Next beat

1:33:17.479 --> 1:33:20.240
<v Speaker 1>is the far side. Gotta kick something to me something

1:33:20.439 --> 1:33:23.519
<v Speaker 1>I passed on running. You gotta kick something to me

1:33:23.680 --> 1:33:29.120
<v Speaker 1>something Drop passed on that. And then he gets to

1:33:29.200 --> 1:33:32.000
<v Speaker 1>the song that I take and I never forget. I

1:33:32.080 --> 1:33:34.960
<v Speaker 1>paid him three three bands a song. We did three songs.

1:33:35.040 --> 1:33:37.559
<v Speaker 1>I can't find the third one. If I find it, God, God,

1:33:37.600 --> 1:33:39.760
<v Speaker 1>please let me find that third song. Uh. And I

1:33:39.840 --> 1:33:42.479
<v Speaker 1>paid me here, I paid nags and I remember he

1:33:42.560 --> 1:33:45.640
<v Speaker 1>was in the studio and battery mixing, and he was like, um,

1:33:46.400 --> 1:33:49.200
<v Speaker 1>he said, yo, I never I'll never forget this. And

1:33:49.240 --> 1:33:51.120
<v Speaker 1>I don't care if I get as big as Dr Dre.

1:33:51.720 --> 1:33:53.759
<v Speaker 1>You always be able to give me for three bands

1:33:54.479 --> 1:33:56.519
<v Speaker 1>a song. I don't care how big I get. And

1:33:56.600 --> 1:33:58.280
<v Speaker 1>we never got a chance to do another because he

1:33:58.280 --> 1:34:00.240
<v Speaker 1>passed away. Because he passed and at the home and

1:34:00.280 --> 1:34:02.320
<v Speaker 1>you thought you were missing out on a qute tip beat,

1:34:02.400 --> 1:34:06.360
<v Speaker 1>but q tip hopped on the song with large Professor

1:34:06.439 --> 1:34:15.439
<v Speaker 1>called extra abstract skills, right, my man, I spent more

1:34:15.520 --> 1:34:18.639
<v Speaker 1>money on large professor songs. When you look at the budget,

1:34:18.760 --> 1:34:20.680
<v Speaker 1>because I had an ad it I was gonna R

1:34:20.720 --> 1:34:22.800
<v Speaker 1>and B label and I had to change the faces budget.

1:34:22.840 --> 1:34:24.920
<v Speaker 1>My budget like three fifty or something. Ship. When you

1:34:25.000 --> 1:34:27.720
<v Speaker 1>look at how much you spend a large professor and

1:34:27.880 --> 1:34:31.000
<v Speaker 1>you need studios fucking this saying large professor will come,

1:34:31.160 --> 1:34:33.120
<v Speaker 1>you need to get him on the podcast to Lars,

1:34:33.200 --> 1:34:36.080
<v Speaker 1>professor will come and just listen to records in the

1:34:36.160 --> 1:34:40.320
<v Speaker 1>studio like my nigga like we this is a twelve

1:34:40.400 --> 1:34:44.960
<v Speaker 1>hour block our eight and he like putting the record

1:34:45.920 --> 1:34:47.439
<v Speaker 1>and I'm sitting there looking at my A n R

1:34:47.520 --> 1:34:52.599
<v Speaker 1>reeflight like what we you know what we do? That's

1:34:52.640 --> 1:34:55.400
<v Speaker 1>my and we And you know, I spent so much

1:34:55.479 --> 1:34:58.640
<v Speaker 1>money with large professors just listening to the songs. But

1:34:59.080 --> 1:35:05.760
<v Speaker 1>the knowledge that she just based on what he's said

1:35:06.280 --> 1:35:10.439
<v Speaker 1>waiting long. And Clark Kid was on the album because

1:35:10.479 --> 1:35:12.439
<v Speaker 1>because because he did it them a so of course

1:35:12.479 --> 1:35:14.400
<v Speaker 1>I gotta bring my old chea and make sure he

1:35:14.439 --> 1:35:17.160
<v Speaker 1>could taken care of because he helped me. Even though

1:35:17.160 --> 1:35:20.280
<v Speaker 1>I was talking about hold in his house, Um he was.

1:35:20.520 --> 1:35:23.280
<v Speaker 1>He was on the album. Yeah, the album was on

1:35:23.600 --> 1:35:25.840
<v Speaker 1>the album when it came out, even even on the

1:35:25.880 --> 1:35:29.000
<v Speaker 1>same day that not you know, not the Fuji's and

1:35:29.120 --> 1:35:31.920
<v Speaker 1>fucking Tupac came out. It was in Virginia. It was

1:35:32.000 --> 1:35:36.200
<v Speaker 1>a big thing because he never saw its classic first

1:35:36.240 --> 1:35:39.200
<v Speaker 1>albums from where right, that's what you all eyes on

1:35:39.320 --> 1:35:44.479
<v Speaker 1>me and food. But it was probus called I Ain't

1:35:44.560 --> 1:35:46.760
<v Speaker 1>Mad No More right, That's when I changed it from

1:35:46.800 --> 1:35:52.320
<v Speaker 1>Mad skills and skills, and that's what that was. Rockers

1:35:52.400 --> 1:35:54.880
<v Speaker 1>fucked that whole ship up. I think I ended up

1:35:54.960 --> 1:35:59.040
<v Speaker 1>puttinession the singles came on. The singles came because folded,

1:35:59.560 --> 1:36:03.280
<v Speaker 1>because did Aft stake with m c A and the

1:36:03.360 --> 1:36:05.519
<v Speaker 1>whole ship. I think that was when quality came out

1:36:06.640 --> 1:36:08.920
<v Speaker 1>and sound Brian and Jared. But they was trying to

1:36:09.000 --> 1:36:11.320
<v Speaker 1>get fucking Coogi Wrap to do songs with Nellie and

1:36:11.360 --> 1:36:14.800
<v Speaker 1>ship like they was David wilder Um. But they started out.

1:36:15.400 --> 1:36:17.320
<v Speaker 1>They started out with the writer attention because I believe

1:36:20.479 --> 1:36:22.600
<v Speaker 1>Raucus was probably the last label with As soon as

1:36:22.600 --> 1:36:24.640
<v Speaker 1>they got the record, he was like, I'm funking with this.

1:36:24.960 --> 1:36:27.639
<v Speaker 1>Soon as I started the razor the all I'm gonna

1:36:27.640 --> 1:36:29.800
<v Speaker 1>give this a shot because it's Ruckers. They were thinking

1:36:29.800 --> 1:36:31.479
<v Speaker 1>about the box and some some of the things weren't

1:36:31.520 --> 1:36:32.960
<v Speaker 1>and some of the things then now they was killing

1:36:33.000 --> 1:36:36.040
<v Speaker 1>it for a minute. So what happened? We killed Racers.

1:36:36.600 --> 1:36:39.400
<v Speaker 1>I mean he's m c A. Em c A got

1:36:39.439 --> 1:36:42.080
<v Speaker 1>in for half and the ship went left after Like

1:36:42.120 --> 1:36:43.640
<v Speaker 1>I said, they was trying to get Coogi Rap to

1:36:43.680 --> 1:36:46.240
<v Speaker 1>do songs and Nellie not knowing what they have. You

1:36:46.320 --> 1:36:48.680
<v Speaker 1>got most you got quality. You got Ferrell months like,

1:36:48.840 --> 1:36:51.040
<v Speaker 1>and these niggers are doing numbers with no radio play,

1:36:51.400 --> 1:36:53.559
<v Speaker 1>Like I remember what Simon says got on High Night seven,

1:36:53.600 --> 1:36:57.320
<v Speaker 1>like get the Nigger, like it was done that lawsuit

1:36:57.640 --> 1:37:02.240
<v Speaker 1>and did them. But they had crazy. That was that

1:37:02.400 --> 1:37:05.840
<v Speaker 1>was crazy. But Roucus was Rucus was sucking crazy. I

1:37:06.520 --> 1:37:10.960
<v Speaker 1>remember crazy. Story about rock is real quick. I'm at

1:37:11.040 --> 1:37:17.640
<v Speaker 1>Conway Studios in l a Machine studio. I'm with my

1:37:17.760 --> 1:37:20.360
<v Speaker 1>girl at the time, Esther Dean, who was like a

1:37:20.439 --> 1:37:23.840
<v Speaker 1>super big pop writer. How you know everybody's name? Star

1:37:23.960 --> 1:37:26.800
<v Speaker 1>forgetting nobody's name, he like, he describes it so great.

1:37:27.040 --> 1:37:29.640
<v Speaker 1>So I'm with I'm with Esther and she goes to

1:37:29.720 --> 1:37:32.400
<v Speaker 1>a session with Dr Luke right at this time, this

1:37:32.520 --> 1:37:37.479
<v Speaker 1>is fucking Katie Perry and like killing the ship, right.

1:37:38.120 --> 1:37:40.760
<v Speaker 1>So she's in there cutting of vocals. I'm sitting out

1:37:40.800 --> 1:37:43.400
<v Speaker 1>on the little patio. Dr Luke comes out and he

1:37:43.479 --> 1:37:46.400
<v Speaker 1>got a guitark. So we're just sitting there. He's like, oh, man,

1:37:46.479 --> 1:37:48.280
<v Speaker 1>you know how long you and you and her been dating.

1:37:48.320 --> 1:37:50.680
<v Speaker 1>I'm like, you know, that's the amount of time. And

1:37:50.760 --> 1:37:53.040
<v Speaker 1>I was like, yo, you look wild familiar. He was like,

1:37:53.080 --> 1:37:55.080
<v Speaker 1>where are you from? I said, I'm from Virginia, said

1:37:55.080 --> 1:37:56.639
<v Speaker 1>where you from? He was like, I'm from New York.

1:37:57.160 --> 1:37:59.920
<v Speaker 1>I was like, I said, yo, you ever ever been

1:38:00.160 --> 1:38:02.439
<v Speaker 1>Raucus Records? And this one Funer's playing can talk and

1:38:02.479 --> 1:38:06.720
<v Speaker 1>didn't stop. He said, oh Raucous. I was like yeah,

1:38:06.760 --> 1:38:09.280
<v Speaker 1>he said yeah, No, I used to be at Raucus.

1:38:09.720 --> 1:38:12.360
<v Speaker 1>He's like, I used to sell Brian and Jared their weed.

1:38:13.280 --> 1:38:21.880
<v Speaker 1>And I'm like, what Dr Luke, Katie Perry Katie Perry Cashier.

1:38:22.000 --> 1:38:26.120
<v Speaker 1>So I'm like, I'm like, yo, I saw you at Raucus.

1:38:26.240 --> 1:38:28.479
<v Speaker 1>He was like, no, I used to do like what

1:38:28.640 --> 1:38:30.760
<v Speaker 1>you called it, dubstep remixes. He's like, I would do

1:38:30.880 --> 1:38:34.479
<v Speaker 1>dumb euro remixes. And they realized that every time that

1:38:34.640 --> 1:38:37.120
<v Speaker 1>they would, uh, I would do a remix in the UK,

1:38:37.280 --> 1:38:39.000
<v Speaker 1>the ship would get b d s. They spins will

1:38:39.040 --> 1:38:42.120
<v Speaker 1>go up. He was like, so I started doing remixes

1:38:42.160 --> 1:38:43.880
<v Speaker 1>one that give me that from a cappella and then

1:38:43.960 --> 1:38:45.479
<v Speaker 1>one day I think this is what he says that

1:38:45.560 --> 1:38:48.519
<v Speaker 1>one day like one of the rappers left his voice

1:38:48.600 --> 1:38:52.880
<v Speaker 1>right now, hero, one of the rappers left some weed

1:38:52.960 --> 1:38:55.920
<v Speaker 1>in my studio and I just fucking started selling them

1:38:56.000 --> 1:38:59.679
<v Speaker 1>that the weed. And I'm sitting there going Dr Luke

1:39:00.160 --> 1:39:04.240
<v Speaker 1>was fucking killing the game pop game killing it. Used

1:39:04.280 --> 1:39:07.719
<v Speaker 1>to sell weed to fucking Brian and Jerry, that Raucus

1:39:08.439 --> 1:39:10.000
<v Speaker 1>and then the nigga looks at me. He was like,

1:39:10.160 --> 1:39:13.920
<v Speaker 1>he's looking at the air like Raucus Records. He's like,

1:39:13.960 --> 1:39:15.920
<v Speaker 1>do you think that name would like mean something? Now?

1:39:16.040 --> 1:39:17.960
<v Speaker 1>I was like, what you mean? He's like, you know what?

1:39:18.120 --> 1:39:19.800
<v Speaker 1>Like the emergence is of like the you know, the

1:39:19.920 --> 1:39:22.680
<v Speaker 1>j Coles and the Kendricks. I wonder if I just

1:39:22.800 --> 1:39:26.599
<v Speaker 1>bought the name. And I'm sitting there going, you said,

1:39:26.760 --> 1:39:32.000
<v Speaker 1>let's be partner, Like this is crazy, like super ill

1:39:32.320 --> 1:39:35.360
<v Speaker 1>when like bro as far as songwriter as he's he's

1:39:35.439 --> 1:39:38.880
<v Speaker 1>right behind Max Martin, which is probably the top top tier.

1:39:39.640 --> 1:39:41.040
<v Speaker 1>Let you know how much I know, I don't know.

1:39:41.400 --> 1:39:45.639
<v Speaker 1>You don't know Maxin. Look it up, Dr Luke. Max

1:39:45.760 --> 1:39:47.599
<v Speaker 1>Martin plaining me, come on, please, I don't wanna look

1:39:47.600 --> 1:39:53.000
<v Speaker 1>it up. Max Martin started out nine before right maybe

1:39:53.080 --> 1:39:56.880
<v Speaker 1>nice the year he was born right, but he's had

1:39:56.920 --> 1:40:01.479
<v Speaker 1>a hit on the charts. Britney Spears, Backstreet, Taylor, Taylor

1:40:01.560 --> 1:40:05.559
<v Speaker 1>Swift are on the ground. Like Dr Lucas his his protege.

1:40:05.680 --> 1:40:10.200
<v Speaker 1>He took him under. He's fucking Kesha Katie Perry. Nick

1:40:10.360 --> 1:40:13.840
<v Speaker 1>had a pop run that was like a Songwriter of

1:40:13.880 --> 1:40:16.760
<v Speaker 1>the Year a bazillion times over. You know what I'm saying,

1:40:16.800 --> 1:40:20.680
<v Speaker 1>Like I pay attention to all types of songwriters, you

1:40:20.720 --> 1:40:22.280
<v Speaker 1>know what I'm saying. So it just as far as

1:40:22.360 --> 1:40:26.840
<v Speaker 1>writing songs like so, um when I got when I

1:40:26.920 --> 1:40:31.080
<v Speaker 1>did the Nicky ship, Um, I did the Nicky song. Yeah,

1:40:31.200 --> 1:40:34.120
<v Speaker 1>so I did the Nicky song. You can't just pop

1:40:34.320 --> 1:40:36.800
<v Speaker 1>pop record. You can talk ABOUTNICKI. I don't know. First

1:40:36.840 --> 1:40:39.280
<v Speaker 1>of all, I ain't writing Nicky raps. She write all

1:40:39.320 --> 1:40:42.479
<v Speaker 1>her wraps. Hook for Nicky called the Night is still young?

1:40:43.400 --> 1:40:48.040
<v Speaker 1>Pop record? Pop record comes out and I'm I'm at

1:40:48.080 --> 1:40:50.920
<v Speaker 1>home looking at this. Was when I think Taylor Swift

1:40:50.960 --> 1:40:53.840
<v Speaker 1>and Nicky got into a little twitter be for whatever.

1:40:54.320 --> 1:40:59.840
<v Speaker 1>Remember that the other chick and Taylor Swift jumped in.

1:41:00.000 --> 1:41:01.760
<v Speaker 1>Then they made up, and then they come out at

1:41:01.800 --> 1:41:06.240
<v Speaker 1>the MTV Awards and I'm watching Taylor Swift on stage

1:41:06.320 --> 1:41:10.560
<v Speaker 1>the MTV Awards sing my words and I'm like, no,

1:41:10.720 --> 1:41:13.400
<v Speaker 1>nigga like niggas, niggas like us can get there. You

1:41:13.439 --> 1:41:16.400
<v Speaker 1>know what I'm saying, Like pop music is is pop music.

1:41:16.520 --> 1:41:21.479
<v Speaker 1>But it's still all music. It's only two kinds of music. Look,

1:41:21.479 --> 1:41:24.439
<v Speaker 1>get up when you see Taylor Swift when it happened

1:41:24.479 --> 1:41:26.519
<v Speaker 1>for you. If you see Taylor Swift singing what you

1:41:26.640 --> 1:41:33.320
<v Speaker 1>wrote and your singing mother, now, man like to watch

1:41:33.479 --> 1:41:36.719
<v Speaker 1>that happen as a songwriter. You know what I'm saying,

1:41:36.760 --> 1:41:39.760
<v Speaker 1>Like I write all conds of songs, bro Like, I

1:41:39.880 --> 1:41:43.280
<v Speaker 1>just do what I do. Fucking uh. Black men don't cheat.

1:41:43.479 --> 1:41:46.200
<v Speaker 1>You know what I'm saying. For for Duval dude, that

1:41:47.040 --> 1:41:49.040
<v Speaker 1>what I'm saying. I could see that, I could see

1:41:49.080 --> 1:41:53.639
<v Speaker 1>that I was pissed when I wrote that. What happened? Oh,

1:41:54.320 --> 1:41:56.719
<v Speaker 1>I don't know if you shot, Let's get another shot.

1:41:56.880 --> 1:41:58.759
<v Speaker 1>You remember the video? I don't know if you remember.

1:41:58.800 --> 1:42:00.560
<v Speaker 1>It was a world star shop was it was this

1:42:00.680 --> 1:42:05.640
<v Speaker 1>girl at McDonald's, black girl, drunk, white dude comes into McDonald's,

1:42:05.640 --> 1:42:08.560
<v Speaker 1>starts talking crazy tour and he said some tour, and

1:42:08.600 --> 1:42:11.240
<v Speaker 1>the black girls just start beating his ass at McDonald's

1:42:11.240 --> 1:42:14.719
<v Speaker 1>across the camp and then there's two dudes in the back,

1:42:14.880 --> 1:42:17.439
<v Speaker 1>like two black dudes, young dudes just looking like yo,

1:42:17.600 --> 1:42:20.880
<v Speaker 1>like damn, he should beating the funk out. And it

1:42:21.040 --> 1:42:24.639
<v Speaker 1>was just an onslaught of light Black women like see,

1:42:24.680 --> 1:42:26.320
<v Speaker 1>this is this is why we don't funk with y'all.

1:42:26.400 --> 1:42:28.840
<v Speaker 1>Y'all don't protect us. Why the fund is this girl

1:42:28.960 --> 1:42:32.439
<v Speaker 1>at McDonald's fighting this man and y'all niggas watching, You're

1:42:32.520 --> 1:42:36.200
<v Speaker 1>not helping. And I'm sitting there going, no, she was

1:42:36.240 --> 1:42:39.519
<v Speaker 1>whipping this nigga ass at one point this ship, she

1:42:40.000 --> 1:42:41.920
<v Speaker 1>and you know how you be at work and you

1:42:42.000 --> 1:42:44.400
<v Speaker 1>gotta everybody got that person that worked there, like, yo,

1:42:44.439 --> 1:42:47.680
<v Speaker 1>don't don't funk with Kim Kimball beat yours with Kim.

1:42:48.160 --> 1:42:51.160
<v Speaker 1>So they watching her beat his ass and black women

1:42:51.240 --> 1:42:54.360
<v Speaker 1>just went crazy online. Was all on the blogs and

1:42:54.439 --> 1:42:56.560
<v Speaker 1>ship and I'm just sitting there watching and she's like,

1:42:56.640 --> 1:42:59.280
<v Speaker 1>why it's always our fault? Like Dad, what what we do?

1:42:59.520 --> 1:43:01.479
<v Speaker 1>So in that moment, I was like, yeo, I want

1:43:01.520 --> 1:43:05.200
<v Speaker 1>to piss off every black woman in America. And I

1:43:05.320 --> 1:43:08.479
<v Speaker 1>wrote black Men Don't Cheat that day, and I was

1:43:08.560 --> 1:43:10.679
<v Speaker 1>about to do the video and I'm sending the video

1:43:10.840 --> 1:43:14.200
<v Speaker 1>to to Apion Nick Cannon, and I just want nigga

1:43:14.280 --> 1:43:16.360
<v Speaker 1>to sing the hook black men don't Cheat because I'm like,

1:43:16.680 --> 1:43:18.960
<v Speaker 1>when black women see this ship, they're gonna be mad

1:43:19.040 --> 1:43:22.320
<v Speaker 1>as fun. So I sent this ship to Charlemagne. Charlemagne

1:43:22.400 --> 1:43:24.280
<v Speaker 1>calls me like, Yo, you know who need this record?

1:43:24.640 --> 1:43:27.000
<v Speaker 1>I said who? He said, a little du vo. This

1:43:27.120 --> 1:43:30.640
<v Speaker 1>is right after um living my best life. He said, Yo,

1:43:30.920 --> 1:43:34.040
<v Speaker 1>you said it a little duvo. But I believe this record.

1:43:34.160 --> 1:43:36.840
<v Speaker 1>So you're telling me I'm a black cousin because I

1:43:36.960 --> 1:43:39.400
<v Speaker 1>thought it was real. Oh listen, I don't cheat. I'm

1:43:39.400 --> 1:43:44.439
<v Speaker 1>a black man, black boys right right now. Here's the thing.

1:43:44.680 --> 1:43:50.559
<v Speaker 1>Duvall was being funny. Charlemagne was like, no, nigga, that's

1:43:50.560 --> 1:43:52.880
<v Speaker 1>about to be the new way I want this ship

1:43:53.000 --> 1:43:55.320
<v Speaker 1>to be. I want this you to be a nigga

1:43:55.360 --> 1:43:57.439
<v Speaker 1>who don't cheat on his girl, will be able to

1:43:57.960 --> 1:43:59.639
<v Speaker 1>work out to the ship and say no, nigga black.

1:43:59.680 --> 1:44:02.479
<v Speaker 1>I want to us to be a movement. So I'm like, y'all,

1:44:02.520 --> 1:44:04.880
<v Speaker 1>go ahead, gave him the record. You know what I'm saying?

1:44:05.400 --> 1:44:07.400
<v Speaker 1>And I figured it was it was it was. It

1:44:07.520 --> 1:44:09.120
<v Speaker 1>worked because it was like it was one nigger that

1:44:09.240 --> 1:44:12.400
<v Speaker 1>was controversial and then one nigger that was funny. Somethings

1:44:12.400 --> 1:44:14.479
<v Speaker 1>are gonna take it as a joke, but Charlottage took

1:44:14.479 --> 1:44:17.800
<v Speaker 1>a super serious. So I was two days away from

1:44:17.840 --> 1:44:20.840
<v Speaker 1>putting out Black men thought she has bad skills, and

1:44:20.960 --> 1:44:22.280
<v Speaker 1>Charlotte Mage was like, yea, you shoul to get this

1:44:22.360 --> 1:44:29.920
<v Speaker 1>in the Duke baigges Man, Charlotte Mane and that you know,

1:44:30.120 --> 1:44:32.960
<v Speaker 1>that's how skills a real drinker. He's taking a shot.

1:44:33.000 --> 1:44:35.960
<v Speaker 1>What a shot? What a regular drink? And I'm thinking

1:44:36.000 --> 1:44:42.200
<v Speaker 1>the p and I actually this already. I'm not sure

1:44:42.240 --> 1:44:44.439
<v Speaker 1>if I did. But what is your favorite part of

1:44:44.520 --> 1:44:50.320
<v Speaker 1>the game? Music? Just just but the music. That's still

1:44:50.560 --> 1:44:53.479
<v Speaker 1>a two part answer, because is it making the music

1:44:53.720 --> 1:44:57.160
<v Speaker 1>or performing the music? I don't really like I like DJ.

1:44:57.680 --> 1:45:01.000
<v Speaker 1>Now I'm a DJ. I've been DJM for five years

1:45:01.920 --> 1:45:05.679
<v Speaker 1>and the passion that I lost for rapping I gained

1:45:06.160 --> 1:45:10.759
<v Speaker 1>in DJ. So for me, it's all it's just music

1:45:10.960 --> 1:45:13.519
<v Speaker 1>is the hub of all of this ship. I started

1:45:13.560 --> 1:45:16.800
<v Speaker 1>out making music, then I ended up writing music for

1:45:16.880 --> 1:45:22.760
<v Speaker 1>other people. Um, now I'm playing music. You know what

1:45:22.760 --> 1:45:27.200
<v Speaker 1>I'm saying. No, No, not just DJ like I DJ heavy,

1:45:27.280 --> 1:45:34.040
<v Speaker 1>like DJ heavy man. I love I love DJ and

1:45:34.520 --> 1:45:37.639
<v Speaker 1>and the the respect that I have for that craft

1:45:38.040 --> 1:45:40.519
<v Speaker 1>because because when I'm from it's like like being from Virginia,

1:45:40.560 --> 1:45:43.400
<v Speaker 1>we always felt like we had to use underdogs. So

1:45:43.520 --> 1:45:45.160
<v Speaker 1>when I started DJ and I was like, I don't

1:45:45.200 --> 1:45:47.439
<v Speaker 1>want to be a rapper. Niggas like, oh yeah, he's

1:45:47.439 --> 1:45:50.200
<v Speaker 1>just up there sucking around, Like that's not scals. You

1:45:50.200 --> 1:45:52.280
<v Speaker 1>know what I'm saying. If he funked up like real

1:45:52.400 --> 1:45:55.320
<v Speaker 1>DC Live Nigga lived. I wanted to be the best.

1:45:56.000 --> 1:45:58.599
<v Speaker 1>I wanted to be good. So when niggas think about

1:45:58.680 --> 1:46:01.400
<v Speaker 1>rappers that used to DJ, I wanted him to think

1:46:01.400 --> 1:46:04.639
<v Speaker 1>about me. D nice biss mark you know what I'm saying,

1:46:04.760 --> 1:46:08.320
<v Speaker 1>was like, pray yourself a biss, keep pushing through. Um.

1:46:08.760 --> 1:46:10.040
<v Speaker 1>You know what I'm saying. I wanted to be one

1:46:10.080 --> 1:46:12.439
<v Speaker 1>of those rappers that people take serious as a DJ.

1:46:12.640 --> 1:46:16.040
<v Speaker 1>So I got in the room and started sucking, practicing

1:46:16.240 --> 1:46:20.600
<v Speaker 1>hard body on my own mixing, mixing, because what you

1:46:20.680 --> 1:46:22.360
<v Speaker 1>gotta understand is that when I get a gig, like

1:46:22.400 --> 1:46:24.040
<v Speaker 1>I did a gig Lass Night, so it's like, when

1:46:24.040 --> 1:46:27.519
<v Speaker 1>I get a gig, I'm gonna get niggas and just

1:46:27.560 --> 1:46:30.160
<v Speaker 1>booked me on the name. It's like, that's that's the

1:46:30.200 --> 1:46:32.639
<v Speaker 1>whole mean, let's get him a back real quicker. He don't.

1:46:32.720 --> 1:46:35.880
<v Speaker 1>Let's bring it through, but I want to kill it.

1:46:37.520 --> 1:46:39.719
<v Speaker 1>I want to tell that on some kick appre ship,

1:46:39.840 --> 1:46:41.960
<v Speaker 1>on some motherfucking s And that's what I'm saying. I

1:46:42.040 --> 1:46:47.200
<v Speaker 1>wanted a part of J Kick Apri hands down, Kick Apre.

1:46:48.600 --> 1:46:52.080
<v Speaker 1>I would say, Kick Apre is definitely my first party

1:46:53.120 --> 1:46:56.200
<v Speaker 1>right now, A party I would love to go to.

1:46:57.160 --> 1:47:01.080
<v Speaker 1>D J Camillo, Yes, I can't live You're not community,

1:47:02.200 --> 1:47:04.479
<v Speaker 1>Yeah yeah, it'd be Koreans in there, Like how you

1:47:04.720 --> 1:47:12.439
<v Speaker 1>Koreans calling something international? Yeah? Yeah, because I feel like

1:47:12.640 --> 1:47:15.519
<v Speaker 1>I feel like as a DJ, I don't know nobody

1:47:15.600 --> 1:47:18.760
<v Speaker 1>that likes just one type of music. Like if I

1:47:19.040 --> 1:47:21.720
<v Speaker 1>ask you to name me your favorite songs, you might

1:47:21.840 --> 1:47:26.680
<v Speaker 1>name me some some reggae ships, some that ship and

1:47:26.880 --> 1:47:29.680
<v Speaker 1>saying nobody likes just one genre of music. So I

1:47:29.720 --> 1:47:32.760
<v Speaker 1>don't think you should ever just play one genre music.

1:47:33.920 --> 1:47:35.479
<v Speaker 1>You know what I'm saying. I'm the type person like

1:47:36.479 --> 1:47:41.280
<v Speaker 1>if I'm if I'm DJing for for black people, I

1:47:41.439 --> 1:47:44.479
<v Speaker 1>know what before I Let Go does to black people,

1:47:45.200 --> 1:47:48.240
<v Speaker 1>right right? I know what that means to black people?

1:47:50.600 --> 1:47:55.519
<v Speaker 1>Oh what's that ship? Bobs and Claire? What's the song

1:47:59.200 --> 1:48:03.760
<v Speaker 1>play was talking about? Like? I want to know, right,

1:48:04.040 --> 1:48:11.679
<v Speaker 1>don't know? I want to take you know, as a DJ,

1:48:12.360 --> 1:48:15.479
<v Speaker 1>As a DJ, I want to know for every for

1:48:15.600 --> 1:48:17.519
<v Speaker 1>every person that could be at a party. What is

1:48:17.680 --> 1:48:20.280
<v Speaker 1>what is the music for them? People coming up to

1:48:20.360 --> 1:48:23.640
<v Speaker 1>you request Yeah, but I don't usually take them. I'm like,

1:48:23.720 --> 1:48:27.519
<v Speaker 1>if you were, you never don't want to. Yeah. Cool,

1:48:27.920 --> 1:48:30.080
<v Speaker 1>But the one thing is, I never want people to

1:48:30.160 --> 1:48:31.840
<v Speaker 1>come to a party. But oh, he's just gonna play

1:48:31.880 --> 1:48:34.400
<v Speaker 1>some nineties hip hop. I'm gonna get some nas, some

1:48:36.040 --> 1:48:40.400
<v Speaker 1>play all that ship. I play everything because the DJ

1:48:40.800 --> 1:48:43.720
<v Speaker 1>a real DJ. It ain't about me, It's about y'all

1:48:45.479 --> 1:48:49.679
<v Speaker 1>for New Home. Oh, man, listen, I'm playing twenty one Savage.

1:48:49.720 --> 1:48:53.439
<v Speaker 1>I'm playing a legend. Yeah, yeah, I'm playing. I'm playing.

1:48:53.560 --> 1:48:56.639
<v Speaker 1>I'm playing. You know is going and five year old?

1:48:57.200 --> 1:49:00.640
<v Speaker 1>You go? If I'm in New York, which ain't been yet,

1:49:01.160 --> 1:49:04.040
<v Speaker 1>you've been shaking some New York shots. Later, man, you're like,

1:49:08.200 --> 1:49:12.280
<v Speaker 1>you know I'm saying I love you, love y'all man,

1:49:12.400 --> 1:49:17.400
<v Speaker 1>you can still listen. Listen, listen, I pull up. I

1:49:17.520 --> 1:49:19.760
<v Speaker 1>love y'all man, Like, listen, what's y'all I've done for

1:49:19.840 --> 1:49:22.519
<v Speaker 1>the culture? Can never be a race. But who's who's

1:49:22.520 --> 1:49:24.519
<v Speaker 1>the newest guy? You gotta set? I needed I need

1:49:24.600 --> 1:49:26.640
<v Speaker 1>to need to know this in my set. Yeah, like

1:49:26.720 --> 1:49:31.599
<v Speaker 1>the newest lab A couple I'll probably play like I said, Savage,

1:49:31.600 --> 1:49:34.360
<v Speaker 1>you're gonna you're gonna hear thug. How about CJ whoop

1:49:34.439 --> 1:49:37.120
<v Speaker 1>d you're not playing whoop? You definitely got a problem

1:49:37.200 --> 1:49:43.360
<v Speaker 1>New York playing Roddy Rebel. Okay, I'm saying when I'm

1:49:43.400 --> 1:49:46.599
<v Speaker 1>playing that you've got two drinks. Ship. I was ready

1:49:46.640 --> 1:49:49.760
<v Speaker 1>for two. Yeah. Man, I'm not doing too but I

1:49:49.800 --> 1:49:52.320
<v Speaker 1>don't feel it up a little more. But you gotta

1:49:52.360 --> 1:49:57.960
<v Speaker 1>play a little c J whoop. Okay, for the rest,

1:49:58.160 --> 1:50:02.040
<v Speaker 1>it ain't fun. It's not it's for us. It's not false.

1:50:02.240 --> 1:50:06.479
<v Speaker 1>Yes it's by us, but it's not for food boom back,

1:50:06.640 --> 1:50:09.080
<v Speaker 1>it's mo foo. And we said we said your favorite

1:50:09.080 --> 1:50:14.479
<v Speaker 1>every we said your favorite part of the game. Yes, Salo, Salo, Salo,

1:50:14.600 --> 1:50:19.280
<v Speaker 1>So nobody said every cull I got through the side.

1:50:22.720 --> 1:50:24.240
<v Speaker 1>That was not enough for me. I'm gonna be an honest.

1:50:24.280 --> 1:50:26.200
<v Speaker 1>I'm going right back here. You got big as ice

1:50:26.240 --> 1:50:29.000
<v Speaker 1>cubes happened. Man, that's a nice cube. Nice cube to

1:50:29.120 --> 1:50:32.040
<v Speaker 1>go for a pause? Join will join you for a second.

1:50:33.000 --> 1:50:39.280
<v Speaker 1>Damn you got motherfucker mad skills. Joes. You want to

1:50:39.280 --> 1:50:45.280
<v Speaker 1>come in here? You want to come in ship? What's up? Jones?

1:50:45.880 --> 1:50:48.719
<v Speaker 1>And I will say, like, big shout to you, because

1:50:48.800 --> 1:50:52.519
<v Speaker 1>anytime somebody that was hit that was hit from VA,

1:50:52.720 --> 1:50:54.800
<v Speaker 1>the first thing you would always say was not the

1:50:54.840 --> 1:50:58.680
<v Speaker 1>first thing I ever heard of. I was playing your

1:50:58.680 --> 1:51:01.000
<v Speaker 1>records out here, I was on the X Tams everything. Yeah,

1:51:01.240 --> 1:51:02.840
<v Speaker 1>I got dropped from you. How can I be down?

1:51:02.960 --> 1:51:05.280
<v Speaker 1>Like thank you? And I mean when you said it

1:51:05.400 --> 1:51:07.640
<v Speaker 1>to me, like you was like no, like drops to me?

1:51:07.720 --> 1:51:11.800
<v Speaker 1>The old ship was like, now is that preussure? Give

1:51:11.880 --> 1:51:17.720
<v Speaker 1>stram much goddamn c so anyone take four shots to

1:51:17.840 --> 1:51:21.439
<v Speaker 1>catch up? You can take the mask off right now?

1:51:21.520 --> 1:51:25.320
<v Speaker 1>Looking a little crazy right now, I appreciate that you're not,

1:51:25.720 --> 1:51:30.599
<v Speaker 1>But like it is that I'm certain about the pressure

1:51:30.680 --> 1:51:36.599
<v Speaker 1>because or is it like all right, let me civilize

1:51:36.680 --> 1:51:41.439
<v Speaker 1>the question. JA Prince, j Prince here? Okay, So to

1:51:41.520 --> 1:51:48.080
<v Speaker 1>a certain stand, everybody from Houston, Texas feels like they

1:51:48.160 --> 1:51:52.360
<v Speaker 1>have to have a Jake Prince stamp a Jay Prince?

1:51:53.640 --> 1:51:57.000
<v Speaker 1>Is it like that? Not for me? Like I don't

1:51:57.200 --> 1:51:59.280
<v Speaker 1>you know, I'm not the person where they feel like

1:51:59.360 --> 1:52:02.240
<v Speaker 1>they have to get through me. I want everybody to

1:52:02.320 --> 1:52:04.439
<v Speaker 1>win because, like I said, we come from a place

1:52:04.520 --> 1:52:07.400
<v Speaker 1>where nobody ever got off. You know what I'm saying,

1:52:07.479 --> 1:52:11.519
<v Speaker 1>so um, I would love to see the young you know,

1:52:11.720 --> 1:52:13.519
<v Speaker 1>like like like the kid pushing god Car. You know

1:52:13.520 --> 1:52:15.200
<v Speaker 1>what I'm saying, Like I would love to see new

1:52:15.360 --> 1:52:17.240
<v Speaker 1>artists coming up from the city, you know what I'm saying,

1:52:17.320 --> 1:52:20.120
<v Speaker 1>like from the state, because I, like I said, I

1:52:20.200 --> 1:52:22.400
<v Speaker 1>realized that it ain't about me no more. Like how

1:52:22.520 --> 1:52:26.240
<v Speaker 1>opened the door so you could get the Farrells, the Misses, Eclipses.

1:52:26.280 --> 1:52:28.519
<v Speaker 1>You know what I'm saying, The Magoo's open that door,

1:52:29.080 --> 1:52:32.439
<v Speaker 1>so it's only right that the door stay open. Like

1:52:32.640 --> 1:52:34.360
<v Speaker 1>you know what I'm saying. I don't want to be Yeah,

1:52:34.360 --> 1:52:36.439
<v Speaker 1>I don't want I don't open the door to close

1:52:36.479 --> 1:52:38.880
<v Speaker 1>the motherfucker. I mean like I want this ship. I

1:52:38.920 --> 1:52:42.000
<v Speaker 1>want everybody to win because because you gotta understand, we

1:52:43.439 --> 1:52:46.080
<v Speaker 1>we birth probably two of the biggest producers in the

1:52:46.200 --> 1:52:49.120
<v Speaker 1>fucking game period, not just in Virginia hip hop like

1:52:49.280 --> 1:52:55.920
<v Speaker 1>Nigga hands down, these niggas big niggas is producers. They

1:52:55.960 --> 1:52:59.599
<v Speaker 1>are song craftsmanships. They know exactly what they're doing. I've

1:52:59.600 --> 1:53:01.680
<v Speaker 1>seen it at a at a at a at an

1:53:01.720 --> 1:53:04.960
<v Speaker 1>early level. I remember being in the studio in Master

1:53:05.080 --> 1:53:08.320
<v Speaker 1>Sound when Niggas was working on Buster. What it is

1:53:08.479 --> 1:53:10.639
<v Speaker 1>right now in one room and was working on Grahamey

1:53:10.720 --> 1:53:14.960
<v Speaker 1>and the next just back. I was there so active,

1:53:15.960 --> 1:53:19.240
<v Speaker 1>so aptly. I was there. So you hear you here

1:53:20.640 --> 1:53:25.680
<v Speaker 1>to buck and then Prime like now I'm like, is

1:53:25.760 --> 1:53:29.200
<v Speaker 1>on fire. You know what I'm saying. Wagons and ship

1:53:29.280 --> 1:53:33.080
<v Speaker 1>in the last you know what I'm saying. Working, It

1:53:33.240 --> 1:53:35.160
<v Speaker 1>was working. So it wasn't this ship didn't come to

1:53:35.240 --> 1:53:38.280
<v Speaker 1>Farrell and Chad and Tim easy man like they was working.

1:53:38.640 --> 1:53:41.880
<v Speaker 1>We was all working. Goddamn make looks for that at

1:53:41.920 --> 1:53:54.480
<v Speaker 1>that building away with that. You ain't take your shottle.

1:53:55.479 --> 1:54:03.360
<v Speaker 1>Motherfucking mass kills man makes a motherfucking noise. I ain't

1:54:03.520 --> 1:54:07.000
<v Speaker 1>drinking either. I'm it's cool now we're not drinkings either.

1:54:07.080 --> 1:54:16.000
<v Speaker 1>We just we just do it camera. So, um, who's

1:54:16.000 --> 1:54:19.760
<v Speaker 1>your favorite producer? If you have one track, listen to

1:54:19.880 --> 1:54:24.519
<v Speaker 1>one trap. This is one track. God comes to you

1:54:24.640 --> 1:54:29.200
<v Speaker 1>and says, listen, You're gonna live forever, m but you

1:54:29.280 --> 1:54:36.440
<v Speaker 1>gotta make me one wrapperpe gonna make me one wrapper,

1:54:37.800 --> 1:54:42.240
<v Speaker 1>one producer for the rest of your life. You live eternally.

1:54:43.400 --> 1:54:48.640
<v Speaker 1>But it's one producer you gotta lock it with. Is

1:54:48.680 --> 1:54:50.520
<v Speaker 1>it a producer you never worked with? Or is the

1:54:50.600 --> 1:54:54.440
<v Speaker 1>producer you're comfortable with? And who is that producers? Great question.

1:54:56.400 --> 1:54:59.760
<v Speaker 1>I can't lie. I express myself. That's that's that's for

1:55:00.120 --> 1:55:09.400
<v Speaker 1>l As for Royal Williams all day, I've never seen

1:55:09.560 --> 1:55:14.360
<v Speaker 1>nobody make music the way that he does, with the

1:55:14.440 --> 1:55:17.400
<v Speaker 1>passion that he does, you know what I'm saying, And

1:55:17.520 --> 1:55:22.040
<v Speaker 1>to to be you know, to be an inspiration to

1:55:22.160 --> 1:55:24.120
<v Speaker 1>all of us. You know what I'm saying, Like that

1:55:24.320 --> 1:55:27.560
<v Speaker 1>nigga is he seriously loves music, you know what I'm saying.

1:55:27.560 --> 1:55:29.920
<v Speaker 1>And that's where I can relate to him because it's

1:55:29.960 --> 1:55:32.400
<v Speaker 1>like I love I love rapping, I love DJ and

1:55:32.480 --> 1:55:35.720
<v Speaker 1>I love writing so all some motherfucker's. I love fucking

1:55:37.120 --> 1:55:41.200
<v Speaker 1>helping niggas put the snare wherever. But it also it

1:55:41.360 --> 1:55:45.720
<v Speaker 1>all revolves around music. So to be around somebody loves

1:55:45.840 --> 1:55:49.080
<v Speaker 1>music just as much, that's the whole point of the game,

1:55:49.160 --> 1:55:51.400
<v Speaker 1>you know what I'm saying, Like want, I want to

1:55:51.400 --> 1:55:53.440
<v Speaker 1>take the time about the big up. Our engineer has

1:55:53.520 --> 1:55:56.400
<v Speaker 1>it the sounds because every time has this sounds, well,

1:55:56.720 --> 1:55:58.600
<v Speaker 1>I do a record with them, give me two or

1:55:58.640 --> 1:56:01.520
<v Speaker 1>three different versions of a record. I love it. I

1:56:01.600 --> 1:56:04.360
<v Speaker 1>tell him, it reminds me of what reality should do. Yeah,

1:56:04.880 --> 1:56:07.400
<v Speaker 1>every records I ever have it for besides Super Thug

1:56:07.800 --> 1:56:12.040
<v Speaker 1>was the third version of that actual record. Like he'll

1:56:12.080 --> 1:56:15.240
<v Speaker 1>try a whole new beat hold and be like and

1:56:15.320 --> 1:56:18.880
<v Speaker 1>I like before I hate that ship. He'd be like

1:56:18.960 --> 1:56:22.080
<v Speaker 1>a cool bo and he'll just keep keep shooting shots.

1:56:22.680 --> 1:56:24.560
<v Speaker 1>It's like it's like you don't go to the gym

1:56:24.680 --> 1:56:27.120
<v Speaker 1>just to shoot one free throwne. Maybe you're gonna keep

1:56:27.160 --> 1:56:29.960
<v Speaker 1>shooting shots, you know what I'm saying. So at that point,

1:56:30.480 --> 1:56:34.720
<v Speaker 1>something's gonna fall and hopefully you'll shoot so many that

1:56:34.840 --> 1:56:42.000
<v Speaker 1>when this game time, you'll make that motherfuck makes mother

1:56:42.120 --> 1:56:44.560
<v Speaker 1>actually saying in question. But yours is different because your

1:56:44.600 --> 1:56:47.520
<v Speaker 1>money gonna slow up. Because once you don't name a

1:56:47.600 --> 1:56:52.760
<v Speaker 1>rapper that they love you, you got one record to produce,

1:56:53.920 --> 1:56:58.880
<v Speaker 1>Lifetime Guards says you're gonna live for got one one

1:56:59.000 --> 1:57:02.040
<v Speaker 1>artist one orders to work with to make a turn.

1:57:02.440 --> 1:57:12.040
<v Speaker 1>So I'm just throwing it out there. Is he a

1:57:12.120 --> 1:57:19.840
<v Speaker 1>live Yeah? Some day? All right? Uh? I go with

1:57:19.960 --> 1:57:22.520
<v Speaker 1>with my goat is NASO. I would do with nas

1:57:22.680 --> 1:57:24.600
<v Speaker 1>that have me worked with nas in the studio before,

1:57:25.280 --> 1:57:28.520
<v Speaker 1>you might not I didn't beat, I didn't be, but

1:57:28.560 --> 1:57:30.520
<v Speaker 1>ive never been in the studio with him. So he

1:57:30.720 --> 1:57:32.880
<v Speaker 1>rung on one of your beats on the Jade album

1:57:32.960 --> 1:57:36.280
<v Speaker 1>he did, He's on that joint. So God comes to you,

1:57:36.360 --> 1:57:39.640
<v Speaker 1>says you liberturnal or even go to shake Tar, maybe

1:57:39.720 --> 1:57:48.400
<v Speaker 1>jay Z. But you just just yeah, yeah, answer which one?

1:57:48.720 --> 1:57:51.800
<v Speaker 1>You don't go one of them too? But we need

1:57:51.960 --> 1:57:55.000
<v Speaker 1>to pick one. I said nas for us. That's that's

1:57:55.080 --> 1:57:56.960
<v Speaker 1>that's who I was wronging with growing up, the more

1:57:57.000 --> 1:57:59.400
<v Speaker 1>than Jay. You know what I'm saying. So that's like

1:57:59.480 --> 1:58:03.760
<v Speaker 1>some golding go Look, okay, as a producer T G E.

1:58:04.000 --> 1:58:09.520
<v Speaker 1>F year, you get those teams from I don't know,

1:58:09.640 --> 1:58:13.840
<v Speaker 1>you know you want to do with DJ College DJ

1:58:14.000 --> 1:58:19.840
<v Speaker 1>Clue album. You got one producer and one artist to pick.

1:58:21.040 --> 1:58:24.200
<v Speaker 1>God says, if you make it work, you live eternally.

1:58:25.040 --> 1:58:27.040
<v Speaker 1>If you don't make it work, you're gonna work with

1:58:27.120 --> 1:58:30.720
<v Speaker 1>the Shape. Well. I already had a chance to work

1:58:30.760 --> 1:58:33.800
<v Speaker 1>with Premiere on my album. My last album is The

1:58:33.840 --> 1:58:36.800
<v Speaker 1>beat Maker. Are you picking with me again? I will

1:58:36.840 --> 1:58:39.720
<v Speaker 1>go again. I like what you're going so far, and

1:58:39.800 --> 1:58:41.800
<v Speaker 1>I'll go with Cube Man because she was my favorite

1:58:41.880 --> 1:58:45.160
<v Speaker 1>artist growing up up to what my favorite might not

1:58:45.280 --> 1:58:48.760
<v Speaker 1>five me? Look it. I don't think i've ever heard it,

1:58:48.960 --> 1:58:51.720
<v Speaker 1>so I had them together. He definitely in my top five. Yeah,

1:58:52.280 --> 1:58:57.560
<v Speaker 1>but I want this, that's that's that's that's the Cube

1:58:57.560 --> 1:58:59.720
<v Speaker 1>by one On. That was Pete Rock, That was pro

1:59:00.040 --> 1:59:03.520
<v Speaker 1>that Rock did so which which was the Premo? Joe

1:59:05.960 --> 1:59:08.280
<v Speaker 1>A Primo did the joint where they sucking sample me

1:59:08.640 --> 1:59:11.960
<v Speaker 1>the game. I never come Lane tight killing in the game.

1:59:12.040 --> 1:59:17.880
<v Speaker 1>Primo did that, did Cratches. I'm bumkingna be honest with you.

1:59:17.960 --> 1:59:19.920
<v Speaker 1>I think you need to come up with your aunt Thorus.

1:59:21.960 --> 1:59:29.480
<v Speaker 1>Thus the Thoris steps up. You're making me because you

1:59:29.520 --> 1:59:33.440
<v Speaker 1>know I'm sitting back like you're like Google. He's a

1:59:33.520 --> 1:59:37.320
<v Speaker 1>professor for God says he meets with deeds and they

1:59:37.440 --> 1:59:42.520
<v Speaker 1>for him boys free style? How do you know? Maybe

1:59:42.560 --> 1:59:45.840
<v Speaker 1>like why are you on World Star World Store? Like

1:59:47.000 --> 1:59:50.120
<v Speaker 1>why are you beating with a rapo? World Stop? And

1:59:50.200 --> 1:59:53.840
<v Speaker 1>then want to answer the question the school play you

1:59:53.960 --> 1:59:56.040
<v Speaker 1>ask the question. Don't want to ask him if he'd

1:59:56.040 --> 1:59:57.960
<v Speaker 1>been a studio when when Missy was making the beat,

1:59:58.040 --> 2:00:00.720
<v Speaker 1>because she makes me Missy don't had nobody in the

2:00:00.800 --> 2:00:06.120
<v Speaker 1>studio when she recalled her voice. I've seen Missy, Missy, dude,

2:00:06.200 --> 2:00:09.760
<v Speaker 1>you know she she maybe not sitting down playing, but

2:00:10.280 --> 2:00:12.680
<v Speaker 1>as far I've never seen, but she'll definitely sit down

2:00:12.720 --> 2:00:16.040
<v Speaker 1>and tell you I ready to go. Uh is that

2:00:16.120 --> 2:00:20.720
<v Speaker 1>saying to call a puffy that you tell them how

2:00:20.800 --> 2:00:27.320
<v Speaker 1>you dine? We call that. That's that's knowing what it

2:00:27.520 --> 2:00:30.800
<v Speaker 1>isn't Quincy. Joe's mainly kind of yeah, yeah, but he

2:00:30.840 --> 2:00:33.000
<v Speaker 1>can sit down to play too, but call it. Did

2:00:33.080 --> 2:00:35.080
<v Speaker 1>he do so when you could just say I wanted

2:00:35.120 --> 2:00:39.440
<v Speaker 1>to go un the same way like Drey is the

2:00:39.480 --> 2:00:41.640
<v Speaker 1>same way, not saying he can't play. But the times

2:00:41.680 --> 2:00:43.520
<v Speaker 1>that I've been around and Dre was definitely like you

2:00:43.560 --> 2:00:46.200
<v Speaker 1>wrote with Dr Dre, I wrote some ship um it

2:00:46.280 --> 2:00:50.960
<v Speaker 1>never came out was detox Um, but that was probably, um,

2:00:51.920 --> 2:00:55.680
<v Speaker 1>probably one of the endest times because I've seen it's

2:00:55.720 --> 2:00:58.040
<v Speaker 1>like being around Dre. If you ever in the session

2:00:58.080 --> 2:01:00.040
<v Speaker 1>with Dre, it will be the most important session in

2:01:00.200 --> 2:01:03.880
<v Speaker 1>your life, you know what I'm saying. Like, And I

2:01:04.120 --> 2:01:08.120
<v Speaker 1>came out there and I'm bugging because we with the

2:01:08.160 --> 2:01:11.040
<v Speaker 1>hollywe with the Hollywood Hills and the fucking Laker games

2:01:11.080 --> 2:01:13.400
<v Speaker 1>on and it's me, Dre and the man that brought

2:01:13.440 --> 2:01:15.960
<v Speaker 1>me there and maybe like two other people. And I

2:01:16.120 --> 2:01:20.720
<v Speaker 1>go in and I'm writing, I'm writing a song and

2:01:21.920 --> 2:01:23.560
<v Speaker 1>he he talking to his men. He's like, yo, like

2:01:23.960 --> 2:01:25.720
<v Speaker 1>it's like boring, Like you think we should bring some

2:01:25.800 --> 2:01:28.280
<v Speaker 1>people around. He's like, I mean, I mean, if you

2:01:28.320 --> 2:01:29.760
<v Speaker 1>want Dre, He's like, yeah, I think we should get

2:01:29.800 --> 2:01:32.840
<v Speaker 1>some people. It's kind of boring game all. And I

2:01:33.000 --> 2:01:34.840
<v Speaker 1>go back in the room because I don't want niggers

2:01:34.840 --> 2:01:37.920
<v Speaker 1>to think I'm there just the fucking party. And I'm

2:01:37.960 --> 2:01:40.080
<v Speaker 1>coming from the right. So I go back in the

2:01:40.200 --> 2:01:43.840
<v Speaker 1>room and right and I come out and I tell

2:01:43.960 --> 2:01:45.640
<v Speaker 1>him I said, yo, I got it done, he said,

2:01:45.720 --> 2:01:47.760
<v Speaker 1>I come in, So he comes in. He listened to it.

2:01:47.880 --> 2:01:50.120
<v Speaker 1>He said, Yo, I want you to change line eight,

2:01:50.520 --> 2:01:53.880
<v Speaker 1>line fourteen, and line three. And I'm like, okay, bom

2:01:54.240 --> 2:01:56.360
<v Speaker 1>and he's like yeah, make it like you're the one,

2:01:56.480 --> 2:01:59.560
<v Speaker 1>like make it go uh time. I like say something

2:01:59.640 --> 2:02:01.600
<v Speaker 1>like to the tod tod and I'm like, okay, cool.

2:02:01.920 --> 2:02:04.720
<v Speaker 1>So I say it, and then I fu I'm working

2:02:04.760 --> 2:02:06.680
<v Speaker 1>on these three lines that he wants me to change.

2:02:06.960 --> 2:02:09.360
<v Speaker 1>And then I come back out to tell him that

2:02:09.480 --> 2:02:12.160
<v Speaker 1>I redid it, and it's it's a whole fucking part

2:02:12.760 --> 2:02:15.680
<v Speaker 1>and I'm like, God, damn. Dr Dre just blink his

2:02:15.800 --> 2:02:20.440
<v Speaker 1>fucking eyes and people show him crazy. Yeah yeah, And

2:02:20.480 --> 2:02:27.560
<v Speaker 1>it's Grammy weekend, so it's it's sucking buzzle say how

2:02:27.600 --> 2:02:30.160
<v Speaker 1>to go down? So it's Grammy weekend and I'll do

2:02:30.320 --> 2:02:35.680
<v Speaker 1>the joint and we finish, everybody leaves and I'm talking

2:02:35.720 --> 2:02:38.200
<v Speaker 1>to him and I'm like, yo, man, like like he's like,

2:02:38.680 --> 2:02:40.160
<v Speaker 1>like you like the record. He was like, yeah, no,

2:02:40.200 --> 2:02:42.440
<v Speaker 1>I'm I'm a with it. I might cut the reference ship.

2:02:42.480 --> 2:02:44.440
<v Speaker 1>He says it's dope. And I was like, yo, man,

2:02:44.480 --> 2:02:46.840
<v Speaker 1>I love the house. Man like, this ship is amazing, man,

2:02:46.920 --> 2:02:52.880
<v Speaker 1>Like I'm in the house right, so like the no,

2:02:52.920 --> 2:02:54.320
<v Speaker 1>I'm in the house and I'm like, yo, man, this

2:02:54.360 --> 2:02:56.760
<v Speaker 1>is beautiful. Man like this that's amazing. This home you

2:02:56.840 --> 2:02:59.360
<v Speaker 1>build here, know what I'm saying. Like, and he said, um,

2:03:00.000 --> 2:03:02.800
<v Speaker 1>I never forget this ship. The nigger said up, yeah,

2:03:03.160 --> 2:03:04.640
<v Speaker 1>not this the crib. This is this is like the

2:03:04.680 --> 2:03:08.520
<v Speaker 1>party crib. I said, what you mean? He said, it's

2:03:08.520 --> 2:03:12.160
<v Speaker 1>like yo, um he said, no, I don't. I don't

2:03:12.200 --> 2:03:14.360
<v Speaker 1>like stay here like I don't like lay my head hand.

2:03:15.040 --> 2:03:17.280
<v Speaker 1>I said what you mean? He said no, no, just

2:03:17.440 --> 2:03:19.880
<v Speaker 1>like the Cribit crib billion dollars ships like the crib.

2:03:19.960 --> 2:03:21.720
<v Speaker 1>But you gotta come out, he said, skills. You gotta

2:03:21.720 --> 2:03:23.240
<v Speaker 1>come out in the sun. I'd be having ship cracking

2:03:23.280 --> 2:03:26.040
<v Speaker 1>barbecue with the homies. I said, Yo, you don't live

2:03:26.120 --> 2:03:28.240
<v Speaker 1>in He said, like with my wife and family. I

2:03:28.280 --> 2:03:36.560
<v Speaker 1>said yeah, he said, oh no, crazy, craziest ship ever.

2:03:36.760 --> 2:03:39.480
<v Speaker 1>It was the Grammys. I can't remember what year it was,

2:03:39.600 --> 2:03:41.600
<v Speaker 1>but funk I was like this, nigga, don't even live

2:03:41.640 --> 2:03:43.880
<v Speaker 1>in this house. Like this is fucking insane. This this

2:03:43.960 --> 2:03:46.360
<v Speaker 1>house is don't even live in. It was a chill

2:03:46.440 --> 2:03:49.440
<v Speaker 1>crib that that's someone that we need on drink champs

2:03:50.160 --> 2:03:51.800
<v Speaker 1>and shout out to Smitty who was trying to make

2:03:51.840 --> 2:03:54.040
<v Speaker 1>it happen. He's he's in that camp. He's a writer

2:03:54.680 --> 2:03:56.480
<v Speaker 1>going to him under the bus. But let's let's make

2:03:56.520 --> 2:03:59.440
<v Speaker 1>it happen. So I leave the crib and I'm with

2:03:59.600 --> 2:04:02.920
<v Speaker 1>the home me and we're driving and I'm sucking kind

2:04:02.960 --> 2:04:05.160
<v Speaker 1>of like the homies kind of faded. So he's like, yo,

2:04:05.320 --> 2:04:08.200
<v Speaker 1>can you drive. I'm like, I bet I'm driving. I

2:04:08.320 --> 2:04:11.320
<v Speaker 1>made the right I come out and these men and

2:04:11.480 --> 2:04:13.600
<v Speaker 1>black niggers come out of norwhere and with the fucking

2:04:13.680 --> 2:04:16.200
<v Speaker 1>end pieces of black glasses and I'm like, yo, what

2:04:16.360 --> 2:04:18.720
<v Speaker 1>the fund is going on? And do like Yo, where

2:04:18.760 --> 2:04:20.360
<v Speaker 1>are you going? I said, you know, I'm trying to

2:04:20.400 --> 2:04:22.320
<v Speaker 1>get back down the sunset. He's like, yeah, no, not

2:04:22.680 --> 2:04:25.320
<v Speaker 1>back up, do a three point turn, go back that way.

2:04:25.400 --> 2:04:28.040
<v Speaker 1>I'm like, I like, I felt like he was about

2:04:28.080 --> 2:04:30.280
<v Speaker 1>to pull out on me. So I'm the homie and

2:04:30.640 --> 2:04:32.960
<v Speaker 1>he fuked up being the passenger. See. I turned the

2:04:33.000 --> 2:04:34.560
<v Speaker 1>car around, went the car around. I stopped on in

2:04:34.640 --> 2:04:36.880
<v Speaker 1>the hill. I said, Yo, what the fund was that? Bro?

2:04:37.400 --> 2:04:41.360
<v Speaker 1>He said, Yo, my bag, Yo, that's something Leonardo to

2:04:41.440 --> 2:04:44.800
<v Speaker 1>Cappy over. You can't go up his street. I said, bro,

2:04:44.920 --> 2:04:48.840
<v Speaker 1>what the fun like? Ship was crazy and being around

2:04:54.200 --> 2:04:56.000
<v Speaker 1>you have to know you have to answer this now

2:04:56.800 --> 2:04:59.920
<v Speaker 1>your producer. But that's the thing I read knew that

2:05:00.000 --> 2:05:01.880
<v Speaker 1>say that. So now you're gonna take a feature on

2:05:02.040 --> 2:05:10.440
<v Speaker 1>the track, last feature in your life? Yeah, jack stop

2:05:10.600 --> 2:05:18.160
<v Speaker 1>it stop it. That's to be artist man. But he

2:05:18.200 --> 2:05:23.920
<v Speaker 1>could be alive or death. It does matter. Really like

2:05:24.040 --> 2:05:26.760
<v Speaker 1>Easy like that. I really love Easy. I just love

2:05:27.560 --> 2:05:32.080
<v Speaker 1>his persona. I just love this, like when I went

2:05:32.200 --> 2:05:35.880
<v Speaker 1>back and I really studied. You know, his life is crazy.

2:05:36.320 --> 2:05:40.520
<v Speaker 1>I just love this crazy like I love I think

2:05:40.640 --> 2:05:44.560
<v Speaker 1>he might be my top one. That's the piece why

2:05:44.560 --> 2:05:46.400
<v Speaker 1>I actually that question earlier. It's like, why do I

2:05:46.480 --> 2:05:49.960
<v Speaker 1>expect him so much? When it comes down to like

2:05:50.360 --> 2:05:53.640
<v Speaker 1>there's other people like I get. I just think there's

2:05:53.680 --> 2:05:55.840
<v Speaker 1>different categories that we should be kind of Like I

2:05:55.960 --> 2:05:57.920
<v Speaker 1>can't put it nigga in front of your nigga who

2:05:57.960 --> 2:06:01.040
<v Speaker 1>he influenced or did he nigga he was influenced bot.

2:06:01.760 --> 2:06:07.480
<v Speaker 1>I can't put Hove in front of came because Hove

2:06:07.640 --> 2:06:11.520
<v Speaker 1>was directly influenced by Cage. And I agree with you

2:06:11.920 --> 2:06:14.520
<v Speaker 1>to a certain STI because you know the reason why

2:06:14.520 --> 2:06:18.200
<v Speaker 1>I agree with you a certain steps because one thing

2:06:18.240 --> 2:06:23.080
<v Speaker 1>about these young dudes, they're not gonna respect respect. They're

2:06:23.080 --> 2:06:26.320
<v Speaker 1>gonna respect what they see is it in front of them?

2:06:26.400 --> 2:06:28.880
<v Speaker 1>Like like the thing about it is like, you know

2:06:29.000 --> 2:06:32.400
<v Speaker 1>the old dude on the block that got the most knowledge,

2:06:33.920 --> 2:06:37.080
<v Speaker 1>but it's a drunk. He's actually hitting you with the

2:06:37.160 --> 2:06:42.360
<v Speaker 1>most vilege in the world, but pissing on the stuffs.

2:06:42.640 --> 2:06:45.880
<v Speaker 1>But not every block is a drunk. That's not a

2:06:45.920 --> 2:06:49.680
<v Speaker 1>good analogy. It's not fair to compare to that. They

2:06:49.800 --> 2:06:52.360
<v Speaker 1>just an example, I know, But the young guys only

2:06:52.400 --> 2:06:54.080
<v Speaker 1>seen with in front of them. We have to teach

2:06:54.160 --> 2:06:56.400
<v Speaker 1>him what's beyond in front of them because that's what's

2:06:56.440 --> 2:06:59.200
<v Speaker 1>most important, and that's what our role is. Like I

2:06:59.320 --> 2:07:01.560
<v Speaker 1>can't put it. It is in front of Kane because

2:07:01.600 --> 2:07:04.440
<v Speaker 1>I know who can influence came influence Jay. He influenced

2:07:04.440 --> 2:07:06.920
<v Speaker 1>Big Like if there wasn't no Big Dady Cane, that

2:07:06.960 --> 2:07:10.840
<v Speaker 1>couldn't be Bruce Lineage. So I could never dish in

2:07:10.920 --> 2:07:14.320
<v Speaker 1>front of the young nigger that doesn't that says I'm

2:07:14.760 --> 2:07:17.120
<v Speaker 1>with just Jack and that's it. I don't because I

2:07:17.200 --> 2:07:19.160
<v Speaker 1>see what he sees too. It's just like you know

2:07:19.280 --> 2:07:22.320
<v Speaker 1>what I love Maham Molley, I really do, got to,

2:07:22.800 --> 2:07:25.800
<v Speaker 1>but I've never seen a love behind my leaf fight right,

2:07:25.880 --> 2:07:29.920
<v Speaker 1>actually see all the Floyd by Rollers fights my book.

2:07:30.000 --> 2:07:32.760
<v Speaker 1>Oh Mike, Mike, I think Floyd by Riel is the

2:07:32.800 --> 2:07:34.760
<v Speaker 1>best box of all times. Who do you think the

2:07:34.840 --> 2:07:37.960
<v Speaker 1>best rapp of balls? Who are your top five? Are

2:07:38.000 --> 2:07:49.440
<v Speaker 1>you said? Easy is top five? Easy? You easy? Eat

2:07:49.520 --> 2:07:53.960
<v Speaker 1>Bis Markey? Yeah? I love that list can wrote for

2:07:54.080 --> 2:08:00.760
<v Speaker 1>this Cane. It's my six pick a bug that's today,

2:08:01.000 --> 2:08:04.720
<v Speaker 1>for today, for the three days? Ye bread Daddy? Are

2:08:04.800 --> 2:08:13.400
<v Speaker 1>you like Bess Markey's grandpop hard? That's so I think

2:08:13.440 --> 2:08:23.440
<v Speaker 1>of the Randoms care at one for me? She rock

2:08:23.720 --> 2:08:26.680
<v Speaker 1>more on the year four. We need one more and

2:08:26.760 --> 2:08:32.440
<v Speaker 1>I'll never do this. Give you that fit for it, right.

2:08:34.200 --> 2:08:36.600
<v Speaker 1>I don't gotta go queens with you because fucking y'all,

2:08:38.400 --> 2:08:43.640
<v Speaker 1>y'all not the bat ship, y'all not growing up. I

2:08:43.760 --> 2:08:45.680
<v Speaker 1>said right there that you. I said, could you back?

2:08:46.400 --> 2:08:54.480
<v Speaker 1>You gotta say, could top D made have five? Pull that? Yeah? Yeah, yeah.

2:08:54.520 --> 2:08:57.320
<v Speaker 1>Tomorrow might be something differ today something I'm feeling very

2:08:57.440 --> 2:08:59.200
<v Speaker 1>lyrical and scaled in front of you. And that's my

2:08:59.360 --> 2:09:05.240
<v Speaker 1>fucking five. What's up? Five man? Five? Number five is

2:09:05.960 --> 2:09:09.960
<v Speaker 1>I'm funked up now at this point. No, not chip ship.

2:09:10.520 --> 2:09:13.640
<v Speaker 1>We gotta shot. It's too it's too late more. I

2:09:13.680 --> 2:09:26.040
<v Speaker 1>don't know you come you'll remember your five? You really

2:09:26.080 --> 2:09:28.200
<v Speaker 1>a five two point fun with you? I'm from with

2:09:28.240 --> 2:09:31.360
<v Speaker 1>you on some sets, So I let him go. I

2:09:31.480 --> 2:09:35.360
<v Speaker 1>got yeah, five, no word unless you want to happen. No, no, no,

2:09:35.400 --> 2:09:37.680
<v Speaker 1>I don't do that or don't do Number five is

2:09:37.720 --> 2:09:40.920
<v Speaker 1>as I'm in, I'm there with you. It's gonna be

2:09:41.040 --> 2:09:44.080
<v Speaker 1>you wanna be mad. You're gonna be mad? Number four

2:09:44.680 --> 2:09:52.640
<v Speaker 1>black thought, why you be mad? People? Number three whole

2:09:53.720 --> 2:09:55.560
<v Speaker 1>not bad yet. I seem to need the righte lops

2:09:55.640 --> 2:09:58.320
<v Speaker 1>and shrimp right, in front. That was far was hard,

2:09:58.400 --> 2:10:03.200
<v Speaker 1>that was hard, number too. Big Daddy came, mm hmm,

2:10:04.200 --> 2:10:06.360
<v Speaker 1>it wouldn't be no mad scuses. Big Daddy came, I

2:10:06.520 --> 2:10:11.760
<v Speaker 1>respect that number three, I mean number up. You're number

2:10:11.800 --> 2:10:16.440
<v Speaker 1>number one, greatest all time. Go to meld On, hold on,

2:10:17.440 --> 2:10:24.400
<v Speaker 1>everybody hates you, dude, gold time greatest rap hole. I

2:10:24.440 --> 2:10:34.160
<v Speaker 1>don't get better be kill rock him, nigga, don't nobody

2:10:34.200 --> 2:10:39.640
<v Speaker 1>can be question Yes, give me five niggas, five rappers,

2:10:40.480 --> 2:10:43.040
<v Speaker 1>and I'd never be in your top five. Jesus, that's

2:10:44.880 --> 2:10:46.880
<v Speaker 1>let's do it. Let's do it. And this guy is

2:10:46.920 --> 2:10:51.840
<v Speaker 1>actually at my TI won't time racks, he must top

2:10:51.920 --> 2:10:54.720
<v Speaker 1>five and he won't never be fun up now, I

2:10:54.760 --> 2:11:04.960
<v Speaker 1>mean I couldn't been you. You didn't want that, stupid

2:11:05.080 --> 2:11:07.520
<v Speaker 1>you know you never be in my top phol stop

2:11:07.720 --> 2:11:10.360
<v Speaker 1>not now, I'm going back to back with you. Sip

2:11:10.440 --> 2:11:15.200
<v Speaker 1>Shot can never be in my top respect respect when

2:11:15.280 --> 2:11:18.240
<v Speaker 1>you can't. I'm okay, sip the Shot can never be

2:11:18.280 --> 2:11:19.960
<v Speaker 1>in my top five. So this give me a nothing

2:11:20.080 --> 2:11:24.640
<v Speaker 1>every source of stopping. There's just see no back right now.

2:11:25.160 --> 2:11:26.960
<v Speaker 1>Let's see him back so that he can never be

2:11:27.120 --> 2:11:29.680
<v Speaker 1>your time fire. Give me another one. Let's it a

2:11:29.680 --> 2:11:34.560
<v Speaker 1>hard let me get let me live with this one, definitely,

2:11:38.000 --> 2:11:44.040
<v Speaker 1>I love, I love that love. If they never they

2:11:44.080 --> 2:11:52.280
<v Speaker 1>will never be your top five Armis, Juice Jones and didn't.

2:11:54.080 --> 2:11:59.640
<v Speaker 1>I don't don't care a rap I'm trying to be.

2:12:03.400 --> 2:12:08.320
<v Speaker 1>Never be it's how five, Nor rest player a wrapper

2:12:08.800 --> 2:12:11.480
<v Speaker 1>you John what we're talking about? Nor never be in

2:12:11.520 --> 2:12:16.560
<v Speaker 1>my top five Murphy the same ticks. Never tell you next,

2:12:16.680 --> 2:12:23.400
<v Speaker 1>good scrap Joe, you're not gonna do befom and twine

2:12:23.920 --> 2:12:29.360
<v Speaker 1>fucking you's getting ready pretty hardcore, Never be hard, say

2:12:30.080 --> 2:12:33.640
<v Speaker 1>no disrespect. I love the group. I say a Malachia nutcrack.

2:12:38.760 --> 2:12:52.000
<v Speaker 1>No that Malachi, it's how five the group Rupper still skids.

2:12:52.040 --> 2:12:56.000
<v Speaker 1>Not like the wrapper you like, it's actually like the

2:12:56.080 --> 2:13:02.520
<v Speaker 1>mala clue it was. You aren't giving, you're getting. Let's

2:13:02.520 --> 2:13:05.560
<v Speaker 1>go train this now because I'm gonna give a like

2:13:05.640 --> 2:13:09.840
<v Speaker 1>a regular like funking. Let's go No, No, I don't go, man,

2:13:10.320 --> 2:13:17.840
<v Speaker 1>come back come back to no net wrapper never be okay,

2:13:17.960 --> 2:13:20.440
<v Speaker 1>get you right, okay to five? Top doesn't come back

2:13:20.480 --> 2:13:24.320
<v Speaker 1>to You'll never be telling its top top five that

2:13:24.520 --> 2:13:30.080
<v Speaker 1>sees like never, he'll never be. It's our five. We'll

2:13:30.120 --> 2:13:34.120
<v Speaker 1>never be in top five. You don't mean, they just

2:13:34.240 --> 2:13:36.240
<v Speaker 1>mean they're not. It's best to just making sure they're

2:13:36.280 --> 2:13:39.720
<v Speaker 1>not coming on Drink champ soon because I wanted, No,

2:13:40.440 --> 2:13:42.640
<v Speaker 1>I want them to be drink We're trying to be

2:13:42.760 --> 2:13:45.640
<v Speaker 1>politically No, it's not politically correct. I just want them

2:13:45.640 --> 2:13:50.200
<v Speaker 1>to tell the story of get itself, just thinking get

2:13:50.240 --> 2:13:53.880
<v Speaker 1>you next, get your No you don't you know? Yeah,

2:13:53.920 --> 2:13:56.560
<v Speaker 1>the tag team do team would never be in five.

2:13:57.920 --> 2:14:02.480
<v Speaker 1>Tag team who that is wouldn't be never be your

2:14:02.520 --> 2:14:04.840
<v Speaker 1>top five. I'm not gonna love and I love these

2:14:04.880 --> 2:14:07.960
<v Speaker 1>guys and I live in Miami. That's so terrible smiles

2:14:08.040 --> 2:14:11.040
<v Speaker 1>the South stuff. Oh yeah, they don't be my and

2:14:11.160 --> 2:14:15.440
<v Speaker 1>my boy names. There it right with me. I was

2:14:15.520 --> 2:14:18.600
<v Speaker 1>going to a long cool without Luke. He We're like, buddy,

2:14:18.720 --> 2:14:25.280
<v Speaker 1>whoa what? Just same times he's a whack there not

2:14:25.480 --> 2:14:31.800
<v Speaker 1>Vericlos and were trying to find an Icos. I'll do

2:14:31.880 --> 2:14:37.160
<v Speaker 1>another Showyes, I mean that's what. That's the East. That's

2:14:37.160 --> 2:14:42.160
<v Speaker 1>so oh, I had it. I got it then, great.

2:14:42.360 --> 2:14:48.000
<v Speaker 1>Never pade my top five. I'm paying pennies. I'm patting

2:14:48.040 --> 2:14:51.760
<v Speaker 1>my feet. Spram Joe Nick never be his top five?

2:14:52.680 --> 2:14:56.480
<v Speaker 1>What about own? What's her name? From from Rockefeller to Garden.

2:14:56.560 --> 2:14:59.560
<v Speaker 1>But a male was like show his name a meal,

2:14:59.640 --> 2:15:06.000
<v Speaker 1>learning it's top I get, I get very safe. Now

2:15:07.280 --> 2:15:12.880
<v Speaker 1>who the busts? Who got the bus? Let's go? Who

2:15:12.920 --> 2:15:17.760
<v Speaker 1>would never dream of my top five? The thing is,

2:15:17.960 --> 2:15:20.440
<v Speaker 1>I have people in my mind and it's just like, nah,

2:15:23.080 --> 2:15:25.920
<v Speaker 1>I don't. I'm not worried about him. Like's not she

2:15:26.040 --> 2:15:27.680
<v Speaker 1>thought of that because I don't think that. Like I

2:15:27.720 --> 2:15:29.720
<v Speaker 1>don't want to throw share anybody. It doesn't deserve it

2:15:29.720 --> 2:15:32.160
<v Speaker 1>any No. I'm just it's not saying you whack. It's

2:15:32.200 --> 2:15:35.000
<v Speaker 1>just saying you would never say it does say in

2:15:35.080 --> 2:15:39.040
<v Speaker 1>your whack, and it is it is. And the thing

2:15:39.160 --> 2:15:42.040
<v Speaker 1>that people I'm thinking are alleged in my mind, but

2:15:42.160 --> 2:15:44.560
<v Speaker 1>they lyrically, they don't stand up to the top five.

2:15:45.520 --> 2:15:48.400
<v Speaker 1>I'm never being Norm's top five. I'm not skills fro

2:15:48.400 --> 2:15:51.120
<v Speaker 1>from Virginia. That's cool. I ain't sucking a hold na

2:15:51.760 --> 2:15:57.880
<v Speaker 1>mother fucking easy top five. I know it, yeah easy

2:15:58.160 --> 2:16:04.320
<v Speaker 1>my top five. As we can say a million people.

2:16:04.440 --> 2:16:06.120
<v Speaker 1>But I think the minute you just say it, I

2:16:06.240 --> 2:16:08.480
<v Speaker 1>just like doing it because niggas always going who he

2:16:08.520 --> 2:16:12.560
<v Speaker 1>get top five? Like next top top top five, I'll

2:16:12.640 --> 2:16:16.720
<v Speaker 1>name my top five big el Rock him, ice Cube

2:16:17.640 --> 2:16:22.120
<v Speaker 1>scar Face might not already say okay and pun I

2:16:22.240 --> 2:16:27.480
<v Speaker 1>like that. I like that. I like that you said Joyce,

2:16:28.280 --> 2:16:35.400
<v Speaker 1>I said mine, let's positive, come on positive. Niggas on

2:16:35.440 --> 2:16:39.520
<v Speaker 1>the shoulder just said fuck me, so I definitely say

2:16:40.240 --> 2:16:42.200
<v Speaker 1>oh no, no, no no. He didn't say fucking me.

2:16:42.720 --> 2:16:48.360
<v Speaker 1>He was taking to the shot. And this is when

2:16:48.400 --> 2:16:58.959
<v Speaker 1>I'm good, I hope, just when you wanted, because I'm square.

2:16:59.000 --> 2:17:03.160
<v Speaker 1>Who are you not do with? What's that? Will never

2:17:03.280 --> 2:17:05.760
<v Speaker 1>be in my top five? And yours? Are you gonna?

2:17:05.959 --> 2:17:09.120
<v Speaker 1>You probably skip? You? Wait? I said something, I said,

2:17:09.240 --> 2:17:11.240
<v Speaker 1>you say nothing. I said it was a tap team.

2:17:11.600 --> 2:17:16.119
<v Speaker 1>You don't know that is team? If see brains will

2:17:16.160 --> 2:17:18.920
<v Speaker 1>never be in my top I see brains. I mean

2:17:18.920 --> 2:17:20.760
<v Speaker 1>he won't be my top five. That would never be

2:17:20.879 --> 2:17:24.680
<v Speaker 1>in my Virginia? Who relevant playing with me? Who was

2:17:24.760 --> 2:17:29.879
<v Speaker 1>relevant right now? Oh? A part of the light skin

2:17:29.920 --> 2:17:31.560
<v Speaker 1>in my field, which I'm not a part of. I'm

2:17:31.560 --> 2:17:36.440
<v Speaker 1>a part of the dog skin community, fix up, run

2:17:36.520 --> 2:17:38.080
<v Speaker 1>out of the Bears. I wanted to be with eight

2:17:38.120 --> 2:17:42.920
<v Speaker 1>caring Joe Button is never going Joe wouldn't never be

2:17:43.000 --> 2:17:49.240
<v Speaker 1>in my top do listen? I love like that? Who

2:17:49.360 --> 2:17:52.080
<v Speaker 1>didn't say that doo joice he said, dude, like dude

2:17:52.120 --> 2:17:57.160
<v Speaker 1>who doo doo smoothie another shooes. I've never heard of

2:17:57.240 --> 2:18:02.280
<v Speaker 1>that when Joe, but it is a rapid You can't

2:18:02.680 --> 2:18:05.520
<v Speaker 1>you can't say you know what y'all need is biased?

2:18:05.720 --> 2:18:07.920
<v Speaker 1>What's that? Joe? Like? You know I ain't doing this

2:18:08.040 --> 2:18:15.640
<v Speaker 1>with you? But you know he lokey you music? No,

2:18:15.800 --> 2:18:17.680
<v Speaker 1>he Loki got mad at me because I put him

2:18:17.680 --> 2:18:19.200
<v Speaker 1>in the wrap up and ship. What did you say

2:18:19.200 --> 2:18:22.160
<v Speaker 1>about how to jerks off his goal? I mean that

2:18:22.360 --> 2:18:25.440
<v Speaker 1>was a little weird, bro, that was weird. I said

2:18:25.600 --> 2:18:27.640
<v Speaker 1>the girds weird. That was weird. There's no way to

2:18:27.680 --> 2:18:31.080
<v Speaker 1>getting about how weird that was me. I didn't see it.

2:18:31.120 --> 2:18:32.920
<v Speaker 1>I just know about the fun I talked about Wait

2:18:32.920 --> 2:18:36.200
<v Speaker 1>a minute, jerking a little and like you sain't pleasure

2:18:36.280 --> 2:18:39.160
<v Speaker 1>his doughs because the dogs, he said, girls. So you

2:18:39.160 --> 2:18:42.480
<v Speaker 1>don't say he join he joined on the show My lack.

2:18:42.840 --> 2:18:44.680
<v Speaker 1>I didn't come to Miami to talk about Joe Button

2:18:44.760 --> 2:18:50.280
<v Speaker 1>jerking on his door and jumped on his door. I

2:18:50.360 --> 2:18:52.760
<v Speaker 1>got a losing for you. I don't said the reason

2:18:52.879 --> 2:18:55.040
<v Speaker 1>he said. He said, his dog needs to get him,

2:18:55.080 --> 2:18:57.400
<v Speaker 1>need to release so and jump he had to help

2:18:57.440 --> 2:19:03.199
<v Speaker 1>the dog. What you know, I had it. It wasn't

2:19:03.200 --> 2:19:07.200
<v Speaker 1>a joke. The joke and then he missed. Joe Bladen

2:19:07.240 --> 2:19:18.280
<v Speaker 1>was some motion in his head Turkey girl happy happy,

2:19:19.480 --> 2:19:22.800
<v Speaker 1>this drink cham happy. Like he got mad at me

2:19:22.879 --> 2:19:25.400
<v Speaker 1>because he was like, yo, to wrap up. They was like,

2:19:25.640 --> 2:19:28.240
<v Speaker 1>I didn't listen. I don't I'm not, I don't listen

2:19:28.280 --> 2:19:30.480
<v Speaker 1>to the podcast. I don't know. She's like yo. Joe

2:19:30.800 --> 2:19:33.600
<v Speaker 1>said he was going to wrap up trash and did it,

2:19:33.720 --> 2:19:36.000
<v Speaker 1>and I was like, okay, cool, like that's Joe opinion.

2:19:36.320 --> 2:19:38.200
<v Speaker 1>And I was like, oh, he probably mac as I said.

2:19:38.760 --> 2:19:41.480
<v Speaker 1>He jerked off his dogs and we're like, yo, like

2:19:42.160 --> 2:19:46.720
<v Speaker 1>skills beat was trash. He trashed him and he got

2:19:46.840 --> 2:19:49.400
<v Speaker 1>a it's a white boy whatever, white way, the black

2:19:49.840 --> 2:19:54.360
<v Speaker 1>brother whatever. So I was like, I get so. I

2:19:54.480 --> 2:19:57.600
<v Speaker 1>wasn't I kid it, but you jerked off your dog, boy,

2:19:57.640 --> 2:19:59.480
<v Speaker 1>would you get mad at it? He talked about then

2:19:59.800 --> 2:20:02.080
<v Speaker 1>he just seeing about the wrap now he talks about

2:20:02.480 --> 2:20:05.199
<v Speaker 1>I don't know about to get the rap. He talked

2:20:05.200 --> 2:20:07.920
<v Speaker 1>to sund like, you don't get mad about it. He

2:20:08.000 --> 2:20:10.360
<v Speaker 1>talked about talked, I don't even know about if you

2:20:10.400 --> 2:20:13.360
<v Speaker 1>weren't saying in your podcast. I know if he didn't.

2:20:13.640 --> 2:20:17.000
<v Speaker 1>He he talked about he got He said that he

2:20:17.080 --> 2:20:18.640
<v Speaker 1>was like, yo, he needed to release, so if they

2:20:18.680 --> 2:20:20.560
<v Speaker 1>would have to do and there's like a lead. I

2:20:20.560 --> 2:20:23.760
<v Speaker 1>don't know this ridal for something showing him, but I

2:20:23.760 --> 2:20:25.200
<v Speaker 1>don't know it's real. I don't put it in a

2:20:25.240 --> 2:20:29.400
<v Speaker 1>new wrap up because it might have been real. But

2:20:29.440 --> 2:20:31.959
<v Speaker 1>I really told me the same ship, like got Great

2:20:32.240 --> 2:20:39.560
<v Speaker 1>out of the Brute, were the same age. Somebody somebody

2:20:39.600 --> 2:20:41.680
<v Speaker 1>pull up and see if that's I think there's a

2:20:41.760 --> 2:20:46.400
<v Speaker 1>video of it. Yeah, somebody told me the video and

2:20:47.440 --> 2:20:58.120
<v Speaker 1>he spoke on it. No sex is that serious? Death serious?

2:20:58.480 --> 2:21:00.760
<v Speaker 1>He says that he kids to do it for his dog,

2:21:01.360 --> 2:21:06.440
<v Speaker 1>for the benefit of his dog. That he now. They

2:21:06.520 --> 2:21:08.840
<v Speaker 1>told me I got a bulldog, and they told me

2:21:08.959 --> 2:21:11.560
<v Speaker 1>if I want to they told me they said, if

2:21:11.560 --> 2:21:13.280
<v Speaker 1>I want to breathe my bulldog, I can make a

2:21:13.320 --> 2:21:17.840
<v Speaker 1>lot of bread. But I gotta I gotta do this dog.

2:21:19.080 --> 2:21:22.360
<v Speaker 1>He's doing it. They're saying bulldogs they have trouble. You

2:21:22.400 --> 2:21:26.000
<v Speaker 1>know what I'm saying, uh breathing. So the owner got

2:21:26.120 --> 2:21:29.520
<v Speaker 1>to help. I was like, it's not that deep, jerk.

2:21:30.360 --> 2:21:31.960
<v Speaker 1>You can make a lot of money or bulldogs, but

2:21:32.040 --> 2:21:34.800
<v Speaker 1>you gotta do the dirty word. I said, I'm good

2:21:34.879 --> 2:21:41.640
<v Speaker 1>with good that just want to drink your buddy. I'm paid.

2:21:41.840 --> 2:21:43.520
<v Speaker 1>But this is what I'm saying. Though, If you said

2:21:43.560 --> 2:21:46.040
<v Speaker 1>it in the wrapper and it's real, why why did

2:21:46.080 --> 2:21:48.160
<v Speaker 1>he get mad at you? He got pissed because I

2:21:48.240 --> 2:21:50.240
<v Speaker 1>guess I put his business on front because you must

2:21:50.280 --> 2:21:52.680
<v Speaker 1>have said it in a way that was disrespectful. But

2:21:52.720 --> 2:21:57.280
<v Speaker 1>do you think he can rapid? You can jump as

2:21:57.400 --> 2:21:59.800
<v Speaker 1>weirdough he cool like I've never been a fan, but

2:22:00.240 --> 2:22:02.000
<v Speaker 1>it is what it is. But here's the thing about

2:22:02.040 --> 2:22:03.720
<v Speaker 1>the wrap up. If I put you in the wrap up,

2:22:04.000 --> 2:22:06.920
<v Speaker 1>it's because it happened, right, I'm gonna put it in

2:22:07.000 --> 2:22:10.320
<v Speaker 1>there because it happened. I'm not gonna be super distressed.

2:22:10.400 --> 2:22:13.200
<v Speaker 1>I was super disrespectful old two oh three. I'm not

2:22:13.240 --> 2:22:15.640
<v Speaker 1>gonna be super disrespectful now because it ship don't make

2:22:15.720 --> 2:22:18.320
<v Speaker 1>sense for me. And that's probably why old boys shit

2:22:19.120 --> 2:22:21.039
<v Speaker 1>go up, because niggas want to hear the shade. They

2:22:21.080 --> 2:22:23.400
<v Speaker 1>want to get a tea like he should do Hot

2:22:23.480 --> 2:22:26.720
<v Speaker 1>Topics or Highlight seven. It would be good for him,

2:22:27.120 --> 2:22:32.520
<v Speaker 1>but for me, I'm not going this year. I didn't

2:22:32.640 --> 2:22:34.840
<v Speaker 1>The wrap up was eight minutes and forty six seconds,

2:22:35.360 --> 2:22:37.640
<v Speaker 1>which was the same amount of time that the nigga

2:22:37.720 --> 2:22:41.640
<v Speaker 1>had his knee or George Floyd, God bless. So for

2:22:41.800 --> 2:22:44.360
<v Speaker 1>me it was more of a point. For me, I'm like,

2:22:44.959 --> 2:22:47.080
<v Speaker 1>I get to the end of the soul and I say,

2:22:47.800 --> 2:22:50.200
<v Speaker 1>the whole time he been listening to me was the

2:22:50.240 --> 2:22:52.520
<v Speaker 1>whole time that that nigga had his knee on George

2:22:52.560 --> 2:22:56.200
<v Speaker 1>Floyd's Imagine listening to a wrapper wrap that long and

2:22:56.240 --> 2:22:58.480
<v Speaker 1>the nigga was fighting for it's like that long. So

2:22:58.640 --> 2:23:01.080
<v Speaker 1>the wrap up had a meaning this ship. It was

2:23:01.120 --> 2:23:03.920
<v Speaker 1>eight minutes forty six seconds because the ship got to

2:23:03.959 --> 2:23:06.680
<v Speaker 1>reflect the times. So for me, that's what it was.

2:23:07.080 --> 2:23:08.520
<v Speaker 1>And I think they listened to it. They was like,

2:23:08.600 --> 2:23:11.840
<v Speaker 1>oh that he was trashed the flows trashed, skills out

2:23:11.879 --> 2:23:13.360
<v Speaker 1>of here and we're working with the other one. I'm like,

2:23:13.400 --> 2:23:15.280
<v Speaker 1>all right, cool, But it was a meaning to the ship.

2:23:15.959 --> 2:23:18.360
<v Speaker 1>Why it was as long as it was, you know

2:23:18.400 --> 2:23:20.080
<v Speaker 1>what I'm saying. So that's why I did what I did.

2:23:20.160 --> 2:23:22.440
<v Speaker 1>I respect to him, and the family hit me up like,

2:23:22.520 --> 2:23:24.520
<v Speaker 1>you know, we appreciate that because I'm like, it's the

2:23:24.680 --> 2:23:27.120
<v Speaker 1>simble or Floyd happened in the summer I don't want

2:23:27.200 --> 2:23:30.640
<v Speaker 1>niggas to forget. I'm gonna try to remind niggas one

2:23:30.680 --> 2:23:32.240
<v Speaker 1>more time, you know what I'm saying, just to let

2:23:32.360 --> 2:23:36.040
<v Speaker 1>niggas know. So I got a questions. I gotta, I gotta.

2:23:36.240 --> 2:23:37.880
<v Speaker 1>I got somebody that I would have put on the list.

2:23:37.920 --> 2:23:40.680
<v Speaker 1>And I wonder and I want to know why, dude,

2:23:40.840 --> 2:23:45.360
<v Speaker 1>Like I want to know the history behind mcgoole. I

2:23:45.440 --> 2:23:47.960
<v Speaker 1>talked about that. We're talking about him talking about earlier

2:23:48.120 --> 2:23:50.040
<v Speaker 1>because I'm wondering why he kept on get thrown in

2:23:50.080 --> 2:23:54.720
<v Speaker 1>the cipher talking about it earlier like he he's doing well, man,

2:23:54.959 --> 2:23:58.400
<v Speaker 1>super dope. Do know what I'm saying. But that's that's

2:23:58.800 --> 2:24:01.400
<v Speaker 1>that was the reason why the ratfle wasn't the amount

2:24:01.400 --> 2:24:04.600
<v Speaker 1>of time that it was. You know what I meant, questions,

2:24:05.080 --> 2:24:08.000
<v Speaker 1>what's up? All right? I'm faded now at this point,

2:24:08.040 --> 2:24:10.280
<v Speaker 1>I'm gonna tell you that it happens. Who was in

2:24:10.360 --> 2:24:12.360
<v Speaker 1>the room. I want to why he looked for his

2:24:12.480 --> 2:24:16.280
<v Speaker 1>question who who was in the room? Because the way

2:24:16.320 --> 2:24:19.000
<v Speaker 1>I became a skills fan was listening to Stretching Bob

2:24:19.120 --> 2:24:20.560
<v Speaker 1>and that one free style you did. I know, you

2:24:20.600 --> 2:24:22.520
<v Speaker 1>made a b side out of it. It was like

2:24:22.680 --> 2:24:25.840
<v Speaker 1>punch laughter, punchline five minute straight. I forgot what beat was,

2:24:26.400 --> 2:24:31.600
<v Speaker 1>but who that's what it was. It was called, but

2:24:31.680 --> 2:24:33.960
<v Speaker 1>it had like some some underground like you know what

2:24:35.640 --> 2:24:38.720
<v Speaker 1>that's you put it on the B side, but who

2:24:38.800 --> 2:24:41.119
<v Speaker 1>who who? But there was other other mcs there though.

2:24:41.240 --> 2:24:46.920
<v Speaker 1>Right me and cut stretching. Barbado went crazy. It was like, Yo,

2:24:47.920 --> 2:24:49.840
<v Speaker 1>we're gonna invite you up here, but you gotta bring

2:24:49.920 --> 2:24:51.960
<v Speaker 1>cute It. We need to interview Cute Tip so we

2:24:52.000 --> 2:24:53.480
<v Speaker 1>could talk about So that was the way you got,

2:24:53.600 --> 2:24:55.600
<v Speaker 1>so we could talk about these beats and how he's

2:24:55.600 --> 2:24:59.000
<v Speaker 1>been doing one Love and the Naas remix. Cute Tim goals.

2:24:59.360 --> 2:25:02.640
<v Speaker 1>When they uk me to rap, I'm gonna keep the

2:25:02.640 --> 2:25:07.199
<v Speaker 1>ship to you and spit that ship. Yet he said,

2:25:09.879 --> 2:25:12.119
<v Speaker 1>He said, spit that ship. You spit in the lobby,

2:25:12.240 --> 2:25:14.959
<v Speaker 1>in the letter and the hotel. I said, I vote.

2:25:15.120 --> 2:25:17.800
<v Speaker 1>Que Tip starts wrapping, throws the ship to me. I

2:25:17.959 --> 2:25:21.000
<v Speaker 1>do the ship stretching. Barbado wasn't even had me up

2:25:21.040 --> 2:25:24.600
<v Speaker 1>there if it wasn't for Cute Tip. And then Q

2:25:24.760 --> 2:25:26.280
<v Speaker 1>Tip threw the ship to me and I did the

2:25:26.400 --> 2:25:29.640
<v Speaker 1>verse and the ship went it went viral. I guess

2:25:29.680 --> 2:25:32.960
<v Speaker 1>it's viral is now that ship was on vital bro. Yeah,

2:25:34.760 --> 2:25:38.840
<v Speaker 1>the rock Steady in the Park start wrapping it. Everybody

2:25:38.920 --> 2:25:40.840
<v Speaker 1>in Rocksteady in the Park would be And I was

2:25:41.520 --> 2:25:46.400
<v Speaker 1>just going viral. Was that it was the King? Who?

2:25:46.560 --> 2:25:48.560
<v Speaker 1>That was another rapper on that it was a song. No,

2:25:48.959 --> 2:25:55.520
<v Speaker 1>it was Mark King, just instrumental. It was That's what

2:25:55.640 --> 2:25:57.200
<v Speaker 1>I was gonna watch this, so I was gonna rock

2:25:57.240 --> 2:26:03.320
<v Speaker 1>the soul Again Records had had a little compilation beating

2:26:03.360 --> 2:26:07.440
<v Speaker 1>number four was that beat I wrapped over. I should

2:26:07.440 --> 2:26:18.119
<v Speaker 1>never forgot, never forget that. You guys, Jack the Eliah.

2:26:18.640 --> 2:26:22.320
<v Speaker 1>Are you that somebody reck? Yes, DJ Lonnie be danjer Monty,

2:26:22.680 --> 2:26:26.640
<v Speaker 1>I have that vinyl big like it so much. She

2:26:26.800 --> 2:26:29.960
<v Speaker 1>actually made it an efficient. Yes, that's one of the

2:26:30.560 --> 2:26:36.920
<v Speaker 1>plaque I got earlier. Danje Mouth wrapped over it. Nie

2:26:37.160 --> 2:26:40.720
<v Speaker 1>was in the heavier and shot DJ off shot Lonnie

2:26:40.920 --> 2:26:44.360
<v Speaker 1>and his daughter too, which is the he the first

2:26:44.480 --> 2:26:47.760
<v Speaker 1>DJ that has his own kid in the heavier. Danjer

2:26:47.840 --> 2:26:51.720
<v Speaker 1>Mouth wrapped over first played it for me. I rapped

2:26:51.760 --> 2:26:56.640
<v Speaker 1>over second, Lonnie his it, Bonnie be his and and goes, oh, no,

2:26:57.480 --> 2:27:00.760
<v Speaker 1>I'm getting off like I need twelve balls. We do it.

2:27:01.040 --> 2:27:03.200
<v Speaker 1>We give it to this before you can give your

2:27:03.240 --> 2:27:06.520
<v Speaker 1>song to nigga the radio. Niggas played there. Niggas would

2:27:06.560 --> 2:27:08.400
<v Speaker 1>never play a song in the radio or ninety eight.

2:27:08.480 --> 2:27:12.039
<v Speaker 1>What you're rapping on it now, niggnna, you mean this depth? Jam,

2:27:12.080 --> 2:27:15.200
<v Speaker 1>I'm not about to add you the case you mean.

2:27:15.800 --> 2:27:19.960
<v Speaker 1>We did the song. The nigga who was p D

2:27:20.160 --> 2:27:22.920
<v Speaker 1>at the radio station, he came up with us. He

2:27:23.000 --> 2:27:26.360
<v Speaker 1>started playing the ship. The ship pops off, it gets

2:27:26.400 --> 2:27:29.160
<v Speaker 1>the Timberland, it gets to Leah Aliyah. Like, now, I

2:27:29.280 --> 2:27:32.240
<v Speaker 1>want them niggas that at the tunnel to perform with me.

2:27:32.680 --> 2:27:36.080
<v Speaker 1>We performed with Aliyah at the tune that classic What

2:27:36.240 --> 2:27:40.680
<v Speaker 1>what year? What years? That some Lenna tell you you

2:27:40.720 --> 2:27:43.040
<v Speaker 1>know what? You know, every time I think about that record,

2:27:43.440 --> 2:27:45.080
<v Speaker 1>I think about the year and we brought you to

2:27:45.160 --> 2:27:48.800
<v Speaker 1>do the show in Miami, your first, your first solo show. Yeah,

2:27:48.959 --> 2:27:52.320
<v Speaker 1>and I played that record at the club. Listen in Virginia,

2:27:52.440 --> 2:27:56.440
<v Speaker 1>they don't play no other version but that one. That's

2:27:56.480 --> 2:27:59.040
<v Speaker 1>the one. That's the only one in Virginia. Niggas, no

2:28:00.240 --> 2:28:05.640
<v Speaker 1>like shout to Aliyah rest in peace in last you

2:28:05.720 --> 2:28:09.560
<v Speaker 1>know artists. I met her to Timbo super Sweet, special

2:28:09.680 --> 2:28:13.600
<v Speaker 1>girl and she's from she's from Detroit. She was from Detroit.

2:28:14.400 --> 2:28:16.520
<v Speaker 1>That was the first project that Tim and Missy got

2:28:16.640 --> 2:28:19.600
<v Speaker 1>on their own, like you'll do this Aliyah album and

2:28:19.680 --> 2:28:27.000
<v Speaker 1>then they get you love you Babe, bab ships schools.

2:28:29.280 --> 2:28:36.920
<v Speaker 1>That's good. So relationship with Jazz and Jeff uh really,

2:28:37.120 --> 2:28:47.560
<v Speaker 1>what the hell? Well? I told with him for thirteen years. Um,

2:28:49.600 --> 2:28:54.800
<v Speaker 1>I was his MC right. I made it so the

2:28:54.840 --> 2:28:56.720
<v Speaker 1>only nigger that could come get the microphone for me

2:28:56.840 --> 2:29:00.600
<v Speaker 1>while he was DJ was Will. That's it. It ain't

2:29:00.600 --> 2:29:02.840
<v Speaker 1>no other nigga coming up me. And that nigga was

2:29:02.920 --> 2:29:05.720
<v Speaker 1>so tight. I knew when he was gonna play before

2:29:05.760 --> 2:29:09.120
<v Speaker 1>he played. I tip my hats on my respect and

2:29:09.200 --> 2:29:11.959
<v Speaker 1>my love him. I'm told I filled up two passports

2:29:12.280 --> 2:29:14.520
<v Speaker 1>with that nick. I'm on my third ports passport now

2:29:14.640 --> 2:29:20.000
<v Speaker 1>two of us because the yes everywhere in the world

2:29:20.080 --> 2:29:24.959
<v Speaker 1>because that nig Like I told you earlier, I started

2:29:25.040 --> 2:29:30.280
<v Speaker 1>dating est Dean, I moved to l A. I tell

2:29:30.320 --> 2:29:36.000
<v Speaker 1>the nigga yo, Um, I'm gonna fall back from mc

2:29:36.240 --> 2:29:40.760
<v Speaker 1>N because I'm out in l A now like I'm working,

2:29:40.800 --> 2:29:43.039
<v Speaker 1>I'm I'm gonna I'm getting back into my song ready Ship.

2:29:43.120 --> 2:29:50.480
<v Speaker 1>I wrote the nick becoming Yes Right. I tell him

2:29:51.400 --> 2:29:54.640
<v Speaker 1>I'm a I'm a chill because what I'm what I'm

2:29:54.680 --> 2:29:57.320
<v Speaker 1>making with you, I feel like I can you know,

2:29:57.400 --> 2:29:59.200
<v Speaker 1>I'm gonna just fall back. I'm gonna focus on song

2:29:59.280 --> 2:30:04.920
<v Speaker 1>ration ship. I quit and the nigga never said nothing

2:30:05.000 --> 2:30:09.800
<v Speaker 1>to me ever again. And I start DJ, and I

2:30:09.879 --> 2:30:13.000
<v Speaker 1>started DJ, and I started getting better, and he starts

2:30:13.080 --> 2:30:18.720
<v Speaker 1>having these DJ retreats at his crib guru there quest

2:30:18.840 --> 2:30:24.120
<v Speaker 1>love DJ scratch like a call. I'm trying to get

2:30:24.160 --> 2:30:27.560
<v Speaker 1>them invite I never got never. I never got invited never.

2:30:28.440 --> 2:30:33.560
<v Speaker 1>And I started DJ, and we never spoke again. And

2:30:33.680 --> 2:30:36.800
<v Speaker 1>I don't know what happened. I don't know that. This

2:30:36.920 --> 2:30:39.000
<v Speaker 1>is not in my notes, by the way, I don't

2:30:39.040 --> 2:30:48.720
<v Speaker 1>know this question. This weird. I thought this a little

2:30:48.760 --> 2:30:51.000
<v Speaker 1>game after me, had another MC after me, but we

2:30:51.120 --> 2:30:53.960
<v Speaker 1>never spoke again. I've still haven't spoken to him seven

2:30:54.040 --> 2:30:57.600
<v Speaker 1>eight years. And I don't know why you quit. You

2:30:57.720 --> 2:31:00.600
<v Speaker 1>do know why? Yeah, but that shouldn't hear. So the

2:31:00.720 --> 2:31:03.520
<v Speaker 1>thing is this, I started DJ. You know all called

2:31:03.520 --> 2:31:07.760
<v Speaker 1>the sad, petty gay, But my thing is this you DJ?

2:31:09.520 --> 2:31:11.280
<v Speaker 1>I think it is this. I'm a I'm a I'm

2:31:11.320 --> 2:31:13.840
<v Speaker 1>a dope DJ. I started DJ, and I started doing

2:31:13.879 --> 2:31:17.720
<v Speaker 1>my thing but what you left. But but you want

2:31:17.800 --> 2:31:19.760
<v Speaker 1>do you know who you are? You the greatest hip

2:31:19.800 --> 2:31:22.400
<v Speaker 1>hop DJ? Ever, it can't be because you think he's

2:31:22.440 --> 2:31:25.000
<v Speaker 1>looking at his competition and how can he has the

2:31:25.120 --> 2:31:28.040
<v Speaker 1>first hip hop brand? No, you can never ever be

2:31:28.160 --> 2:31:34.800
<v Speaker 1>in competition. He was heels just I started I started DJ.

2:31:35.560 --> 2:31:38.200
<v Speaker 1>We all started DJ, and you started DJ, and he

2:31:38.560 --> 2:31:40.840
<v Speaker 1>just started paying me and did like I told you earlier,

2:31:40.879 --> 2:31:43.240
<v Speaker 1>I started trying to get better than not not good,

2:31:43.760 --> 2:31:46.840
<v Speaker 1>and I was just like, damn. But it's not already spoken.

2:31:49.120 --> 2:31:51.480
<v Speaker 1>I hadn't spoken to him. I don't know what it is.

2:31:52.400 --> 2:31:55.400
<v Speaker 1>I love him and it is what it is, but

2:31:55.560 --> 2:31:58.400
<v Speaker 1>we don't speak. That's weird, man, that's not in my notice.

2:31:58.520 --> 2:32:01.680
<v Speaker 1>That's a little awkward. I'm sure he's that he influenced you.

2:32:02.640 --> 2:32:04.600
<v Speaker 1>I learned the same thing you learned from the nigger.

2:32:04.600 --> 2:32:06.440
<v Speaker 1>I learned the same thing now. But we wasn't on

2:32:06.560 --> 2:32:08.520
<v Speaker 1>tour with him day. But at the same time, Yeah,

2:32:09.160 --> 2:32:13.520
<v Speaker 1>did you take something from him? Did you take Peter Piper?

2:32:14.080 --> 2:32:16.560
<v Speaker 1>Peter Piper with team? Did you do Peter Piper? We

2:32:17.000 --> 2:32:28.280
<v Speaker 1>all got everything you never did not then look, I

2:32:28.360 --> 2:32:30.440
<v Speaker 1>can do the Peter Piper. See I can never do

2:32:30.560 --> 2:32:36.600
<v Speaker 1>it as ill as head. I definitely didn't rock you

2:32:36.720 --> 2:32:40.760
<v Speaker 1>have because I say, Arris want k v A. I

2:32:40.800 --> 2:32:44.120
<v Speaker 1>didn't rock the belt, but everybody's done to rock the belt.

2:32:44.800 --> 2:32:46.800
<v Speaker 1>It might have been a little different because it was me,

2:32:47.720 --> 2:32:49.520
<v Speaker 1>but my fingers bro when it came down to me

2:32:49.720 --> 2:32:52.160
<v Speaker 1>on that. In the terms tables, I funked with the

2:32:52.200 --> 2:32:54.760
<v Speaker 1>B Junkies. I funk with DJ Manuel, I funk with

2:32:54.840 --> 2:32:56.640
<v Speaker 1>d J Lonnie B. I funk with d J B

2:32:56.760 --> 2:32:58.720
<v Speaker 1>out of v A. Those are the niggas that taught

2:32:58.800 --> 2:33:01.680
<v Speaker 1>me this anything I learned from him as a DJ,

2:33:02.200 --> 2:33:04.640
<v Speaker 1>the same thing, y'all nigga's learned. You watch them, we

2:33:04.720 --> 2:33:06.760
<v Speaker 1>watch the videos that in the third I don't know

2:33:06.840 --> 2:33:10.160
<v Speaker 1>why we don't talk. I'm sucking up right now. I

2:33:10.320 --> 2:33:12.640
<v Speaker 1>love you, nigga. That's what you want to talk to

2:33:12.760 --> 2:33:16.760
<v Speaker 1>this this this is camera right here, Jetty. But I

2:33:16.879 --> 2:33:27.600
<v Speaker 1>love you, my nigga, Thank you for everything. It's like,

2:33:28.320 --> 2:33:32.520
<v Speaker 1>let's Jones mbra carry just Jack because no, no, that's

2:33:32.520 --> 2:33:36.920
<v Speaker 1>a good look. We don't mind carry Yeah, do my

2:33:37.080 --> 2:33:39.960
<v Speaker 1>name on it. I don't know. I can't find the record. Yeah,

2:33:40.560 --> 2:33:43.760
<v Speaker 1>but let's see. You know you got whatever you want

2:33:43.760 --> 2:33:47.600
<v Speaker 1>with she she gotta come tell the story once. Yeah,

2:33:47.640 --> 2:33:53.240
<v Speaker 1>we need we got to drink. I tell you, we

2:33:53.320 --> 2:33:57.240
<v Speaker 1>tell them dropped out about you choosing to um to

2:33:57.320 --> 2:34:01.080
<v Speaker 1>get a cor verse instead of she was gonna give

2:34:01.080 --> 2:34:02.680
<v Speaker 1>me some bread to get on the remix and then

2:34:02.720 --> 2:34:05.280
<v Speaker 1>you take you took the chorus with the pun. You

2:34:05.360 --> 2:34:11.040
<v Speaker 1>gotta relax. Yeah, that was the time. Hold on, I

2:34:11.120 --> 2:34:13.480
<v Speaker 1>was like saying, I tried to got that. I got story,

2:34:13.879 --> 2:34:15.720
<v Speaker 1>I got the story we could tell. We can tell

2:34:15.760 --> 2:34:19.720
<v Speaker 1>the actual story. That's scrap, that's time. That's great, it's

2:34:19.720 --> 2:34:22.199
<v Speaker 1>a dope story. Now. I actually was like the first

2:34:22.320 --> 2:34:27.320
<v Speaker 1>black man that actually had land on thirty second and

2:34:27.520 --> 2:34:31.160
<v Speaker 1>Madison the hood lab prittily, So let's put it in

2:34:31.280 --> 2:34:33.000
<v Speaker 1>that bad can I can I put it in pus

2:34:33.080 --> 2:34:37.800
<v Speaker 1>back then? You please? Scrabo just made a shot. Yeah

2:34:37.840 --> 2:34:48.240
<v Speaker 1>yeahs basically, yeah, you're gonna wire here. What are you doing? Like?

2:34:48.280 --> 2:34:50.800
<v Speaker 1>It looks sis but come on, I think it looks

2:34:50.800 --> 2:34:57.640
<v Speaker 1>storm for the chip. Yeah come on you let me

2:34:57.680 --> 2:34:59.800
<v Speaker 1>do remember all of you. I'm trying to remember playing

2:35:00.120 --> 2:35:07.360
<v Speaker 1>right now. You're shot. Tell your story, the story, the story,

2:35:07.640 --> 2:35:09.960
<v Speaker 1>rewind it and you had property on thirty six and

2:35:10.000 --> 2:35:17.640
<v Speaker 1>Matty second thirty second boom so boom. I was engineering,

2:35:17.840 --> 2:35:20.480
<v Speaker 1>producing for Norrie coming through every day. He was nor

2:35:20.680 --> 2:35:22.560
<v Speaker 1>was the tite to jump on the socket every morning

2:35:22.640 --> 2:35:24.880
<v Speaker 1>to like twelve or fifteen people your way y'are at

2:35:25.000 --> 2:35:29.360
<v Speaker 1>and talking about a lot of how to squad that

2:35:30.240 --> 2:35:34.520
<v Speaker 1>I was done and the socking. So I was the

2:35:34.600 --> 2:35:36.560
<v Speaker 1>one to press the buttons. But he only press the

2:35:36.640 --> 2:35:38.000
<v Speaker 1>buns like once in the day. The rest of the

2:35:38.080 --> 2:35:40.400
<v Speaker 1>day was just drinking pino and bullshit it. But if

2:35:40.400 --> 2:35:42.360
<v Speaker 1>it was a moment of record, you know, he jumped

2:35:42.400 --> 2:35:44.600
<v Speaker 1>into it one taking and then go back to chilling.

2:35:44.680 --> 2:35:48.800
<v Speaker 1>You know what, you know, we have to fix it.

2:35:51.440 --> 2:35:54.280
<v Speaker 1>I picked up. So that's where that's what he just

2:35:54.400 --> 2:35:57.160
<v Speaker 1>dropped all maconto and the and the rock rock lit

2:35:57.240 --> 2:36:00.200
<v Speaker 1>familiar blew up. That's when that's when the reggaetone two

2:36:00.240 --> 2:36:02.600
<v Speaker 1>thousand or six. I think there was one build number

2:36:02.600 --> 2:36:05.959
<v Speaker 1>one record in the building. Can we talk about about

2:36:05.959 --> 2:36:14.080
<v Speaker 1>take them turning down today? Shout to nature for actually

2:36:14.120 --> 2:36:20.400
<v Speaker 1>bringing me through to you first. Come on, let's get

2:36:20.440 --> 2:36:24.119
<v Speaker 1>some more shots going on about my mother ship off

2:36:24.200 --> 2:36:29.120
<v Speaker 1>my hoodie. What are you gonna do? I'm taking another peoples,

2:36:29.120 --> 2:36:47.840
<v Speaker 1>I'm gonna yeah, I'm gonna follow him one bathroom. We'll

2:36:47.879 --> 2:36:49.480
<v Speaker 1>do it. We'll do it. How long do you mind me?

2:36:49.520 --> 2:36:54.200
<v Speaker 1>By the way, I'll lead them off. Okay, so all right,

2:36:55.560 --> 2:37:01.400
<v Speaker 1>the studio, all right, so bas the league. I stopped

2:37:01.400 --> 2:37:03.800
<v Speaker 1>becoming regular at your hood quote hood Lab, even though

2:37:03.840 --> 2:37:07.000
<v Speaker 1>it's on Madison, six empty rooms, only one room with

2:37:07.040 --> 2:37:09.360
<v Speaker 1>the computer them like the rest is mice running around

2:37:09.640 --> 2:37:11.680
<v Speaker 1>and the work that we don't wear bubbles like like

2:37:11.760 --> 2:37:14.840
<v Speaker 1>there's no heed. It's just like a foul situation. But

2:37:14.920 --> 2:37:21.440
<v Speaker 1>it's over the chest. But yeah, yeah, so that's it,

2:37:21.640 --> 2:37:24.840
<v Speaker 1>like you know, as an upper coming producer DJ, obviously

2:37:25.400 --> 2:37:27.560
<v Speaker 1>it's not it's not it's not what you knows who

2:37:27.600 --> 2:37:29.120
<v Speaker 1>you know. It's about beating the right place. So I

2:37:29.160 --> 2:37:31.360
<v Speaker 1>already knew if I'm gonna planting myself there, nor you know,

2:37:31.440 --> 2:37:35.000
<v Speaker 1>everybody everybody showing up boom boom networking. And then when

2:37:35.040 --> 2:37:38.640
<v Speaker 1>he got signed a rock life familiar Dame Dash surprising

2:37:38.720 --> 2:37:41.160
<v Speaker 1>but bringing the ride to the Hood Lab. So when

2:37:41.240 --> 2:37:42.720
<v Speaker 1>she showed up, I was ready in front of the

2:37:42.800 --> 2:37:48.160
<v Speaker 1>boards and everybody was on the DVD color exactly critically

2:37:48.600 --> 2:37:52.480
<v Speaker 1>now that's the fact, But everybody was contracting the DVD

2:37:52.560 --> 2:37:54.880
<v Speaker 1>because I was DVD, so you was talking to DVD

2:37:55.000 --> 2:37:57.120
<v Speaker 1>try to get his footage, and I'm sitting there like, ship,

2:37:57.200 --> 2:37:59.360
<v Speaker 1>I should play some beats in the background. You know

2:37:59.400 --> 2:38:02.760
<v Speaker 1>what I'm saying. Small By the fifth beat, She's like,

2:38:02.879 --> 2:38:05.640
<v Speaker 1>what's that? And then after that, you know what I'm saying,

2:38:05.800 --> 2:38:07.760
<v Speaker 1>do the pass off? And then she she picked something

2:38:07.840 --> 2:38:19.360
<v Speaker 1>but let's study. Yeah, this was you know, I had

2:38:19.400 --> 2:38:21.960
<v Speaker 1>searched for studios. What happened was I started to notice

2:38:22.000 --> 2:38:24.280
<v Speaker 1>that I was losing money when I put a studio

2:38:24.360 --> 2:38:27.160
<v Speaker 1>in Queens, because Queens is either it's in a nice part,

2:38:27.800 --> 2:38:29.600
<v Speaker 1>but to get to that nice part, you gotta go

2:38:29.680 --> 2:38:33.600
<v Speaker 1>do something crazy. Jersey just seemed too far to people.

2:38:35.440 --> 2:38:39.400
<v Speaker 1>I finally got the perfect location thirty second at Baptist.

2:38:40.080 --> 2:38:42.440
<v Speaker 1>The person who was renting it to me at the

2:38:42.520 --> 2:38:45.920
<v Speaker 1>time one of like the whole year's rent up front.

2:38:46.000 --> 2:38:48.480
<v Speaker 1>I think it was like sixty the first year. So

2:38:48.600 --> 2:38:50.760
<v Speaker 1>he wanted all off. No, no, it's not for the

2:38:50.800 --> 2:38:53.920
<v Speaker 1>whole year. I thought. He wanted like six a month.

2:38:54.080 --> 2:38:59.520
<v Speaker 1>Damn man, the whole east for the for the whole year.

2:38:59.600 --> 2:39:06.640
<v Speaker 1>He wanted six thousand fours each month changed and I

2:39:06.760 --> 2:39:09.440
<v Speaker 1>was just like, you know what, I'm not I'm gonna

2:39:09.480 --> 2:39:12.120
<v Speaker 1>put the money into the rig and not the equipment.

2:39:12.240 --> 2:39:15.280
<v Speaker 1>So we really didn't even have equipment. Shout. Can I

2:39:15.320 --> 2:39:17.560
<v Speaker 1>give a shout out to somebody? Can I just say

2:39:17.600 --> 2:39:21.400
<v Speaker 1>one name? Shout the chin. Okay, shout in the chin man.

2:39:22.800 --> 2:39:25.640
<v Speaker 1>So this is like provided the equipment. But then he

2:39:25.720 --> 2:39:31.800
<v Speaker 1>got a third made for the whole year. I got

2:39:32.040 --> 2:39:34.880
<v Speaker 1>illustrious property a thirty second, but when you went in,

2:39:35.000 --> 2:39:39.240
<v Speaker 1>it was not so illustrious. No, it's illustrious outside decorations

2:39:40.760 --> 2:39:43.200
<v Speaker 1>because because crazy, because we have to sleep there a

2:39:43.240 --> 2:39:44.920
<v Speaker 1>couple of times. Thank you very much. I appreciate it

2:39:47.440 --> 2:39:55.640
<v Speaker 1>back there since I got this ill fucking students like,

2:39:55.720 --> 2:39:59.080
<v Speaker 1>everyone's gonna come in to give the address. So what

2:39:59.200 --> 2:40:04.039
<v Speaker 1>happens is right, carry wants to hang out. They das

2:40:04.320 --> 2:40:08.960
<v Speaker 1>he said, goes because she lives a block away, literally

2:40:09.080 --> 2:40:12.640
<v Speaker 1>a block away, but I think it actually walked over wow,

2:40:13.400 --> 2:40:15.920
<v Speaker 1>and she go up to the that and I could

2:40:16.000 --> 2:40:19.480
<v Speaker 1>not believe how she was about. I didn't know who wants.

2:40:20.200 --> 2:40:22.120
<v Speaker 1>I mean, it's more bride, but I didn't know how

2:40:22.320 --> 2:40:27.040
<v Speaker 1>much like hood nig Is turned into groupies. Like all

2:40:27.080 --> 2:40:33.320
<v Speaker 1>the time I was bucked up and he was alreadypies groupies,

2:40:34.680 --> 2:40:38.560
<v Speaker 1>groupies called loopies. No, dude, that the battery already because

2:40:38.560 --> 2:40:47.480
<v Speaker 1>he was drinking that peanut with This is what crack Meau.

2:40:47.560 --> 2:40:50.240
<v Speaker 1>She's sitting there chilling and I'm like, yo, you drink

2:40:50.280 --> 2:40:53.680
<v Speaker 1>peanut green and she's like, yeah, listen, I had to

2:40:53.840 --> 2:40:56.000
<v Speaker 1>just don't happen. I had a fidgerated peanut gree Let

2:40:56.080 --> 2:41:02.600
<v Speaker 1>me tell you more. Every morning put on pots, get

2:41:02.680 --> 2:41:05.560
<v Speaker 1>to is this is our third day having the hood

2:41:05.600 --> 2:41:07.360
<v Speaker 1>of that thirty second of man between thirty second and

2:41:07.440 --> 2:41:11.360
<v Speaker 1>thirty person of Madison. It's a luxurious problem. I did

2:41:11.480 --> 2:41:14.280
<v Speaker 1>not order the furn of you yet. I'm your first

2:41:14.640 --> 2:41:24.880
<v Speaker 1>never did remember, Yeah, you're from left Rand and Property.

2:41:25.000 --> 2:41:29.240
<v Speaker 1>And Mariah walks in and she wants to sit down

2:41:30.120 --> 2:41:35.000
<v Speaker 1>and she could sit down on creak, but yeah, I

2:41:35.080 --> 2:41:39.720
<v Speaker 1>was getting I would saying Barriss the same time, like

2:41:43.640 --> 2:41:45.680
<v Speaker 1>not having to me. He was like, this is kind

2:41:45.760 --> 2:41:48.320
<v Speaker 1>of fucked up on the part of he was like

2:41:52.520 --> 2:41:55.320
<v Speaker 1>my shop was on the ground by the way, and

2:41:55.560 --> 2:41:58.120
<v Speaker 1>I'm YouTube, like I said once people is just the

2:41:58.160 --> 2:42:01.200
<v Speaker 1>penot grigio. She just she dranks. She ran around the

2:42:01.240 --> 2:42:04.840
<v Speaker 1>students drop. You had Mariah sitting on the milk crap.

2:42:09.520 --> 2:42:11.200
<v Speaker 1>But hold on, let me finish the story about that

2:42:11.240 --> 2:42:13.280
<v Speaker 1>feature because I don't know what did you even record

2:42:13.320 --> 2:42:15.960
<v Speaker 1>to it? Yeah? Alright, so boom, so let me just

2:42:16.000 --> 2:42:20.000
<v Speaker 1>tell you much. I remember you're calling me and you're

2:42:20.040 --> 2:42:22.400
<v Speaker 1>like yo yo, Marian. You called me like four in

2:42:22.440 --> 2:42:24.440
<v Speaker 1>the morning, You're like yo. Ryan just says, she got

2:42:24.560 --> 2:42:26.400
<v Speaker 1>like fifty racts for me to do the remix, but

2:42:26.480 --> 2:42:28.760
<v Speaker 1>I'm gonna pass on it, and I'm gonna tell her

2:42:28.760 --> 2:42:30.200
<v Speaker 1>I need a hook for this joint. I got a

2:42:30.320 --> 2:42:33.200
<v Speaker 1>pun to a Greenland up beat. So you remember he

2:42:33.280 --> 2:42:36.200
<v Speaker 1>was like, I'm the hook from her. I said, that's

2:42:36.200 --> 2:42:38.200
<v Speaker 1>all you want to pass the fifty bands I get?

2:42:38.600 --> 2:42:42.800
<v Speaker 1>And then that record? Did that record? Ain't it never

2:42:42.920 --> 2:42:46.640
<v Speaker 1>came out? This one runs, I don't never came out. No,

2:42:46.920 --> 2:42:48.600
<v Speaker 1>so that he got a hook from her, but it

2:42:48.720 --> 2:42:51.360
<v Speaker 1>was on. It was the punt The punt verse was sensitive.

2:42:51.440 --> 2:42:53.120
<v Speaker 1>So it then come out. I had a punt Verse,

2:42:53.200 --> 2:42:56.400
<v Speaker 1>had an unreleased punt verse, and me and me and

2:42:56.440 --> 2:43:01.560
<v Speaker 1>Punt had a song called friends all right, and we

2:43:01.680 --> 2:43:06.039
<v Speaker 1>jacked the friendship. But yeah, so we knew we couldn't

2:43:06.120 --> 2:43:08.840
<v Speaker 1>do that. And so when Marian came and did that.

2:43:08.920 --> 2:43:10.800
<v Speaker 1>I was like, you know what, let me just and

2:43:11.000 --> 2:43:13.560
<v Speaker 1>she's listed, so we had gave it the original being

2:43:13.600 --> 2:43:21.360
<v Speaker 1>they said, come ask baby, rest in peace, Ecstacy from WHOA.

2:43:22.560 --> 2:43:25.880
<v Speaker 1>Bottom line, that's some more ran carry big, upset and carry.

2:43:25.920 --> 2:43:28.000
<v Speaker 1>But what happened to that verse? Though? I have no

2:43:28.120 --> 2:43:30.040
<v Speaker 1>idea you have to do because I never even heard

2:43:30.120 --> 2:43:34.160
<v Speaker 1>your verse they promoted it. I just kept googling it

2:43:34.560 --> 2:43:38.120
<v Speaker 1>and kept coming up like Marian and it just came

2:43:38.200 --> 2:43:40.200
<v Speaker 1>up with Joel's and camp because they jacked that. They

2:43:40.240 --> 2:43:42.680
<v Speaker 1>did like a mixtape version of it, and she ran

2:43:42.920 --> 2:43:46.880
<v Speaker 1>with that. And you know what, I'm grateful for that.

2:43:46.959 --> 2:43:50.280
<v Speaker 1>I grateful for that Moment's just us knowing like this

2:43:50.440 --> 2:43:51.800
<v Speaker 1>is at the end of day. This is the hood,

2:43:51.879 --> 2:43:54.959
<v Speaker 1>dudes opening up for three days, and you got one

2:43:54.959 --> 2:43:59.920
<v Speaker 1>of the most biggest stuff. That's the reason why I

2:44:00.520 --> 2:44:03.040
<v Speaker 1>never really changed her lab. I never really did that.

2:44:03.200 --> 2:44:06.520
<v Speaker 1>Granted you listen, I had Evie Queen coming to Evie

2:44:06.560 --> 2:44:08.680
<v Speaker 1>Queen whatever you a. I'm so sorry we need her

2:44:08.680 --> 2:44:11.120
<v Speaker 1>on drink chances. I'm so sorry she came into the

2:44:11.160 --> 2:44:13.960
<v Speaker 1>hood lad and she took up her shoes and I

2:44:14.080 --> 2:44:18.600
<v Speaker 1>wanted to tell our maid is fired forever please put

2:44:18.640 --> 2:44:21.840
<v Speaker 1>your shoes back on. This is not the place to

2:44:22.000 --> 2:44:26.879
<v Speaker 1>take your shoes. But I could. Evie Queen was so gast.

2:44:26.959 --> 2:44:31.800
<v Speaker 1>I was just like, you don't care. Everywhere she went like, oh,

2:44:32.560 --> 2:44:34.600
<v Speaker 1>like I know we had Mike. He mentioned that earlier.

2:44:35.480 --> 2:44:38.600
<v Speaker 1>You guys had a lot of things that I stopped that.

2:44:38.600 --> 2:44:41.800
<v Speaker 1>I think that ghost in that motherfucker and I got

2:44:41.840 --> 2:44:48.600
<v Speaker 1>stuck on on the elevator, petty cracking couple. Elevator was elevated,

2:44:48.760 --> 2:44:56.200
<v Speaker 1>spect it wasn't right down the street. That's all I

2:44:56.320 --> 2:44:59.520
<v Speaker 1>made that Miami things are going to this couple. That's

2:44:59.520 --> 2:45:02.600
<v Speaker 1>how we need, you know, white caps. Y'all like Miami

2:45:02.680 --> 2:45:07.320
<v Speaker 1>subs to New York posts. That's sucking phenomenal to New

2:45:07.400 --> 2:45:09.560
<v Speaker 1>York people, but y'all hate it. And that's that's how

2:45:09.600 --> 2:45:14.320
<v Speaker 1>we are enjoy It's a part of my people. Gotta dope.

2:45:15.720 --> 2:45:22.600
<v Speaker 1>We we go left hand, we right listen. This is

2:45:22.680 --> 2:45:24.400
<v Speaker 1>we're gonna end this out because you still got a

2:45:24.440 --> 2:45:26.760
<v Speaker 1>shot from last time. Oh ship, you know you gotta

2:45:26.800 --> 2:45:33.240
<v Speaker 1>skill you one more because what we're taking a shot

2:45:34.160 --> 2:45:35.760
<v Speaker 1>minster is already done. I gotta feel up. Hold on,

2:45:35.959 --> 2:45:38.560
<v Speaker 1>that's y'all last year shot. But what's all I gotta say,

2:45:38.680 --> 2:45:41.600
<v Speaker 1>is on our show. We want like to pick up

2:45:41.640 --> 2:45:48.960
<v Speaker 1>all legends, um other genres of music. It's not even

2:45:49.000 --> 2:45:51.680
<v Speaker 1>a word called washed up. Okay, bus up, bus you

2:45:51.760 --> 2:45:54.320
<v Speaker 1>got lied. You gotta put it. You gotta put bus on.

2:45:54.440 --> 2:45:57.840
<v Speaker 1>Speaking your bust, the bus were here, drink chance of masks?

2:46:02.600 --> 2:46:07.200
<v Speaker 1>What's going on? I get you what I'm done, Bro,

2:46:07.360 --> 2:46:09.120
<v Speaker 1>I got you, I got your man. You out all

2:46:09.200 --> 2:46:12.959
<v Speaker 1>right now? I keep that sitting there. What's the rounds

2:46:12.959 --> 2:46:21.520
<v Speaker 1>called during the Mad Skills episode call let you know

2:46:21.680 --> 2:46:27.200
<v Speaker 1>my phone is hot. Goddamn. But we want to pick

2:46:27.280 --> 2:46:31.880
<v Speaker 1>you up because in our game, and when I'm looking

2:46:31.879 --> 2:46:34.200
<v Speaker 1>at like these other genmas of music, like jazz and

2:46:34.240 --> 2:46:36.880
<v Speaker 1>all those other things, there's no word called washed up.

2:46:36.879 --> 2:46:38.880
<v Speaker 1>There's no word called like you've been here too long,

2:46:39.200 --> 2:46:41.520
<v Speaker 1>Like I see these rock and roll people they talked

2:46:41.920 --> 2:46:45.720
<v Speaker 1>thirty years in this game, and everyone chares the more

2:46:46.160 --> 2:46:50.560
<v Speaker 1>so I along with my partner. Yeah, we want to

2:46:50.680 --> 2:46:52.879
<v Speaker 1>change the narrative of that. We want to let people

2:46:52.959 --> 2:47:01.080
<v Speaker 1>know that, you know, Champaigne is hazed your mind. Real

2:47:01.120 --> 2:47:08.400
<v Speaker 1>ships age two eight seven don't carryall. There's certain years

2:47:09.040 --> 2:47:12.880
<v Speaker 1>of a certain page that this is great one the

2:47:13.040 --> 2:47:15.240
<v Speaker 1>same ship And the thing is, I want to change

2:47:15.280 --> 2:47:17.880
<v Speaker 1>the narrative for our culture. I want people to know that.

2:47:18.720 --> 2:47:21.120
<v Speaker 1>You know, it's like you said earlier, like you know

2:47:22.360 --> 2:47:26.120
<v Speaker 1>y'are borrowing the car. Yeah, y'all got the car, and

2:47:26.200 --> 2:47:28.760
<v Speaker 1>we ain't mad we gave you at the car. But

2:47:28.879 --> 2:47:30.879
<v Speaker 1>take care of you. Just take care of it. Get

2:47:30.959 --> 2:47:34.080
<v Speaker 1>your transmission, your mouth, Like right now, I don't even

2:47:34.080 --> 2:47:37.039
<v Speaker 1>got to oil change my old car because if I'm

2:47:37.080 --> 2:47:40.040
<v Speaker 1>sucking up, because because if you don't take care of it,

2:47:40.160 --> 2:47:42.240
<v Speaker 1>and they take care of you, yellow engine, like cut

2:47:42.320 --> 2:47:44.160
<v Speaker 1>it off soon as I cut the car. Just all

2:47:44.200 --> 2:47:50.520
<v Speaker 1>remember what would be without the cars, without hip hop, bro, exactly,

2:47:50.840 --> 2:47:53.800
<v Speaker 1>that's what we really need to we We fucking we

2:47:53.959 --> 2:47:57.000
<v Speaker 1>come from a special music man that has changed the world.

2:47:57.160 --> 2:48:01.320
<v Speaker 1>Most popular art form in the in the world, the world,

2:48:01.600 --> 2:48:03.640
<v Speaker 1>the world, the world. I'm saying, like it is what

2:48:03.760 --> 2:48:06.360
<v Speaker 1>it is like these corporations and these businesses, they know

2:48:06.520 --> 2:48:08.840
<v Speaker 1>what we bring to the table. Man, hip hop has

2:48:08.959 --> 2:48:12.040
<v Speaker 1>changed the fucking world. So with that being said, you know,

2:48:12.600 --> 2:48:14.400
<v Speaker 1>we just got to cultivate it. You know what I'm saying,

2:48:14.480 --> 2:48:20.879
<v Speaker 1>White grape on you, white grape you ever wrapped up

2:48:20.879 --> 2:48:24.520
<v Speaker 1>a scrap Jones? But I remember I used to call

2:48:24.640 --> 2:48:26.760
<v Speaker 1>him like, no, no, no, first of all, no, no,

2:48:27.680 --> 2:48:30.040
<v Speaker 1>first of all, this nig did a song. This this

2:48:30.200 --> 2:48:33.600
<v Speaker 1>guy did a song called We's got into the song

2:48:33.680 --> 2:48:35.920
<v Speaker 1>called Forking the Road, and I remember hearing it and

2:48:35.959 --> 2:48:38.480
<v Speaker 1>it was most amazing. Ship that I say, he's gonna

2:48:38.480 --> 2:48:42.320
<v Speaker 1>call you called him and I remember calling him and

2:48:42.440 --> 2:48:43.880
<v Speaker 1>at this point in his life, he told me he

2:48:43.920 --> 2:48:45.400
<v Speaker 1>was like Scott, wasn't sure if I was gonna DJ,

2:48:45.520 --> 2:48:47.640
<v Speaker 1>if I was gonna wrap some dudes. I called him

2:48:47.640 --> 2:48:50.320
<v Speaker 1>and I said, Yo, I hit him on the d M.

2:48:50.800 --> 2:48:55.160
<v Speaker 1>I said, yo, Twitter, I said, yo, fam, you better

2:48:55.560 --> 2:48:58.440
<v Speaker 1>than Kanye? You you are? You? Did I tell you that?

2:48:58.480 --> 2:48:59.960
<v Speaker 1>I did? I not tell you that. He put the back.

2:49:00.000 --> 2:49:03.520
<v Speaker 1>I said, you keep doing your Ship. Never met him

2:49:03.520 --> 2:49:05.360
<v Speaker 1>a day of my life. I might have seen him

2:49:05.360 --> 2:49:07.400
<v Speaker 1>beginning to do over maybe a couple of years ago,

2:49:07.480 --> 2:49:10.000
<v Speaker 1>but we never met. But I've always been a super

2:49:10.440 --> 2:49:12.040
<v Speaker 1>I've always been a fan of him. You know what

2:49:12.080 --> 2:49:17.280
<v Speaker 1>I'm saying, Like producers beats, I wouldn't even happen, you know,

2:49:17.400 --> 2:49:24.400
<v Speaker 1>I wouldn't need rapping songs in my mixes. Like my

2:49:24.520 --> 2:49:26.520
<v Speaker 1>thing is whatever I'm doing. If I stop with you,

2:49:26.600 --> 2:49:29.560
<v Speaker 1>I'm gonna put your ship into what I'm doing. I'm saying,

2:49:29.600 --> 2:49:31.800
<v Speaker 1>if I do a podcast, I'm gonna drop your name

2:49:31.840 --> 2:49:34.040
<v Speaker 1>on my podcast. If I'm doing the mix, I'm gonna

2:49:34.080 --> 2:49:36.120
<v Speaker 1>play your song in my mix. I did a ship

2:49:36.240 --> 2:49:38.680
<v Speaker 1>in plenty of times, and he played my ship early,

2:49:38.840 --> 2:49:42.560
<v Speaker 1>like back back. What I'm saying non factor big b

2:49:42.760 --> 2:49:54.120
<v Speaker 1>days like fan man that take address that I'm fucked

2:49:54.160 --> 2:50:00.760
<v Speaker 1>up to himself. Drink, I'm so gonna got a beatbox

2:50:00.800 --> 2:50:05.440
<v Speaker 1>outside drink. We saw on the side this ship crazy.

2:50:05.440 --> 2:50:13.520
<v Speaker 1>We're twenty drink minimum, So let me get over her.

2:50:13.680 --> 2:50:16.520
<v Speaker 1>Tell me about that, because that's after I Ain't Man

2:50:16.600 --> 2:50:18.240
<v Speaker 1>and I got I asked about the albums in the

2:50:18.280 --> 2:50:20.760
<v Speaker 1>beginning about it I Ain't Man no More, and competition

2:50:20.840 --> 2:50:22.840
<v Speaker 1>of the Goes writing was the Rockings album, which was

2:50:22.879 --> 2:50:25.440
<v Speaker 1>the same album I was on tour with Nerds in

2:50:25.560 --> 2:50:29.280
<v Speaker 1>two thousand two. I started selling them ships out there,

2:50:29.560 --> 2:50:34.920
<v Speaker 1>out there at the shows and finished the show you know,

2:50:35.080 --> 2:50:37.400
<v Speaker 1>meet me at the merged. Move from selling CDs and

2:50:37.640 --> 2:50:40.320
<v Speaker 1>Matt Skills T shirts. I sold probably more than ships

2:50:40.360 --> 2:50:43.200
<v Speaker 1>than rockers, so I was moving them because I knew

2:50:43.440 --> 2:50:46.119
<v Speaker 1>rockers out of business. So I'm like, no, I'm gonna

2:50:46.120 --> 2:50:49.000
<v Speaker 1>sell my music. My ship only came out. It only

2:50:49.040 --> 2:50:51.400
<v Speaker 1>came out, and like it came out real quickly, and

2:50:51.400 --> 2:50:53.880
<v Speaker 1>they didn't press up no more CD. So I pressed

2:50:53.920 --> 2:50:56.440
<v Speaker 1>up CDs on my own, like a mixtape, show them

2:50:56.480 --> 2:50:59.320
<v Speaker 1>ships and a million dollar backpack. Who was in a

2:50:59.400 --> 2:51:06.920
<v Speaker 1>million dollar back million hours? I don't really know, I

2:51:07.160 --> 2:51:10.640
<v Speaker 1>don't That was. That was the one after after Gym

2:51:10.760 --> 2:51:13.760
<v Speaker 1>got a popping Shadow Stokes. I'm saying the saw on

2:51:13.800 --> 2:51:17.240
<v Speaker 1>the Graham those my niggas. Um. That was when I

2:51:17.320 --> 2:51:20.560
<v Speaker 1>did the song with Common Freeway Black Thought who else

2:51:20.600 --> 2:51:24.640
<v Speaker 1>ahead on the album Tyler Quality. Um, that's the first

2:51:24.680 --> 2:51:27.600
<v Speaker 1>time I did a song for women and realized, like

2:51:27.720 --> 2:51:29.800
<v Speaker 1>I've gone back when the O G said, Yo, make

2:51:29.879 --> 2:51:33.320
<v Speaker 1>songs with who you think? I made a song called

2:51:33.360 --> 2:51:36.560
<v Speaker 1>heat on Me for real. Women loved it. I feel

2:51:36.600 --> 2:51:44.520
<v Speaker 1>like l for fanteen minutes. She was amazing, loved it. Yes, Yes,

2:51:44.600 --> 2:51:51.120
<v Speaker 1>I'm a cute nigga. Sometimes the weekend niking something that

2:51:51.360 --> 2:51:58.320
<v Speaker 1>it depends something, No, depends. When I got there, James

2:51:58.360 --> 2:52:03.120
<v Speaker 1>Pony killing them differences so anxious him and Tim was

2:52:03.160 --> 2:52:05.400
<v Speaker 1>getting big. I was the rapper, you know what I'm saying.

2:52:05.440 --> 2:52:10.040
<v Speaker 1>When I popped in it was Pete Barba Swalks, Mrs

2:52:10.120 --> 2:52:15.280
<v Speaker 1>j uh and then Missy had this artist from from

2:52:15.320 --> 2:52:19.039
<v Speaker 1>my hood name what was her name? Mocha Nicole Ray

2:52:20.879 --> 2:52:23.680
<v Speaker 1>brother name Kenney shouted to Kenny Um, we was doing

2:52:23.720 --> 2:52:26.480
<v Speaker 1>songs together. But I never oh no, I never hopped

2:52:26.520 --> 2:52:30.560
<v Speaker 1>on the genuine joint. Wasn't wasn't no beating get on

2:52:30.600 --> 2:52:38.080
<v Speaker 1>the poem. He wasn't like that hop the remixed and

2:52:38.200 --> 2:52:41.360
<v Speaker 1>that was that was what took us questions good, you

2:52:41.959 --> 2:52:43.840
<v Speaker 1>do a lot of you do a lot of lives

2:52:43.879 --> 2:52:46.080
<v Speaker 1>streaming for the ladies. You do like brunches, and like,

2:52:47.120 --> 2:52:49.960
<v Speaker 1>ever got some buns off of that? I haven't got

2:52:50.040 --> 2:52:52.000
<v Speaker 1>no buns yet off of the stream that I knew

2:52:52.080 --> 2:52:54.520
<v Speaker 1>every weekend nineties girl brunts. But it's a it's a

2:52:54.600 --> 2:52:59.959
<v Speaker 1>community of women, people that have gravitated and people start

2:53:00.200 --> 2:53:03.560
<v Speaker 1>it was Dope the DJ, and people started supporting each other, like, yo,

2:53:03.680 --> 2:53:06.000
<v Speaker 1>your your daughter cell. Girls got cookies, I'm goa boy

2:53:06.080 --> 2:53:08.800
<v Speaker 1>something from her. You do a fitness class, I'm gonna

2:53:08.879 --> 2:53:12.160
<v Speaker 1>take your fitness. Like dope community built the whole community

2:53:12.760 --> 2:53:15.800
<v Speaker 1>when when the quarantine and niggas couldn't really go out,

2:53:17.040 --> 2:53:21.160
<v Speaker 1>no buds. The world needs More Skills one of my

2:53:21.280 --> 2:53:26.360
<v Speaker 1>favorite albums. Uh. I wrote the song called Celebrate Life.

2:53:26.400 --> 2:53:28.080
<v Speaker 1>That was for Ross. I don't even know if Ross

2:53:28.160 --> 2:53:29.960
<v Speaker 1>ever heard it. But if you hear, if you hit

2:53:30.000 --> 2:53:33.840
<v Speaker 1>the song now, can't you can't see you? What do

2:53:33.920 --> 2:53:36.160
<v Speaker 1>you mean? I mean it was more than one Ross

2:53:36.200 --> 2:53:39.720
<v Speaker 1>in the world. The way you made that you just

2:53:40.200 --> 2:53:44.080
<v Speaker 1>just no, no no for the the hook. I was

2:53:44.120 --> 2:53:47.520
<v Speaker 1>trying to be Rose. I don't know if he ever

2:53:47.640 --> 2:53:49.280
<v Speaker 1>heard it, but it was for him, but I ended

2:53:49.320 --> 2:53:53.879
<v Speaker 1>up keeping it from myself. Um. Craziest song called Celebrate Life.

2:53:54.560 --> 2:53:57.440
<v Speaker 1>Shot the video in in Vegas when I was on

2:53:57.560 --> 2:53:59.920
<v Speaker 1>Told with Jeff. Shot the video on Vegas with my

2:54:00.080 --> 2:54:03.879
<v Speaker 1>man Christopher Schaefer. Ship costs like four hundred dollars. Ship

2:54:03.959 --> 2:54:07.760
<v Speaker 1>looked like a fucking he doesn't know why he doesn't

2:54:07.760 --> 2:54:09.960
<v Speaker 1>speak the job. Jeff no more no no, I was

2:54:10.040 --> 2:54:15.640
<v Speaker 1>here guy. Yeah. Uh it last it last album. Um.

2:54:16.400 --> 2:54:19.000
<v Speaker 1>I love the songs and it just made sense to

2:54:19.080 --> 2:54:22.560
<v Speaker 1>making at the time. Okay, Thoughts Become Things that was

2:54:22.560 --> 2:54:25.560
<v Speaker 1>supposed to be my last album. It was not. It

2:54:25.720 --> 2:54:33.480
<v Speaker 1>was not Thoughts Become Things was more so me saying

2:54:33.600 --> 2:54:35.640
<v Speaker 1>this is this is my black album. I want some

2:54:35.720 --> 2:54:39.360
<v Speaker 1>whole ship my mouth after this did it? She was dope.

2:54:39.400 --> 2:54:43.039
<v Speaker 1>I put it out myself. Um. One of the crazy

2:54:43.120 --> 2:54:45.760
<v Speaker 1>things about the album is as a kid, I'm on

2:54:45.879 --> 2:54:48.240
<v Speaker 1>the cover of the album sitting on the floor watching

2:54:48.640 --> 2:54:52.840
<v Speaker 1>Run DMC on TV Fluence first niggas that made me

2:54:53.000 --> 2:54:58.760
<v Speaker 1>want to get into the game. My didis suck MC

2:54:59.040 --> 2:55:03.280
<v Speaker 1>changed my life. Yeah, I'm saying, Um, Run and d

2:55:03.520 --> 2:55:06.600
<v Speaker 1>had to be the coolest niggers in the world. One

2:55:06.680 --> 2:55:09.480
<v Speaker 1>time I wanted to beat the ship out of Run,

2:55:10.080 --> 2:55:17.200
<v Speaker 1>but that's a whole story. And rever Run did me

2:55:17.320 --> 2:55:19.360
<v Speaker 1>so dirty one time. You're gonna have to say it.

2:55:19.440 --> 2:55:37.640
<v Speaker 1>Can't tell you that you people on the buffet, we

2:55:37.800 --> 2:55:41.280
<v Speaker 1>need thirteen years old. I'm in favor of North Carolina.

2:55:41.440 --> 2:55:43.560
<v Speaker 1>I mean, run DMC at a record store. I wait

2:55:43.640 --> 2:55:47.840
<v Speaker 1>all day, Right, DMC, show up pictures on my grand niggas,

2:55:48.000 --> 2:55:51.480
<v Speaker 1>Run DMC, show up, Run d J Amazing. I'm in

2:55:51.560 --> 2:55:54.400
<v Speaker 1>the breakdance group with my cousin and his sister Ship

2:55:54.520 --> 2:56:00.320
<v Speaker 1>crazy me. Run DMC take a picture twenty at ten whatever.

2:56:00.440 --> 2:56:03.120
<v Speaker 1>Years later, I'm on raucous high the Mighty and I

2:56:03.240 --> 2:56:06.279
<v Speaker 1>saw the most death called b boy document ships Popper.

2:56:06.480 --> 2:56:09.560
<v Speaker 1>Remember when Cool used to do those those cigarette parties

2:56:09.560 --> 2:56:11.600
<v Speaker 1>where they had to they had to have a party

2:56:11.640 --> 2:56:21.360
<v Speaker 1>to every they would have a comedian, they would have

2:56:21.400 --> 2:56:29.640
<v Speaker 1>a comedian, rap artists, a fucking graffiti. They it. I'm

2:56:29.680 --> 2:56:32.640
<v Speaker 1>on the shiet the most Death High. The Mighty Rue

2:56:32.760 --> 2:56:35.080
<v Speaker 1>DFC is closing out the build Virginia Beach. I'm down

2:56:35.160 --> 2:56:37.720
<v Speaker 1>in with for Reldon from I came to them telling

2:56:37.720 --> 2:56:40.280
<v Speaker 1>the story. I see this nigga run on the side

2:56:40.280 --> 2:56:42.720
<v Speaker 1>of the stage. I walk up to the nigga, I said, Yo,

2:56:42.800 --> 2:56:45.120
<v Speaker 1>my nigga, my name Mad Skills. I met you when

2:56:45.160 --> 2:56:48.440
<v Speaker 1>I was thirteen years on Favored, North Carolina. I love you, man,

2:56:48.600 --> 2:56:51.680
<v Speaker 1>like listen, you changed my life. I'm a rapper. I'm

2:56:53.160 --> 2:56:56.800
<v Speaker 1>the field. This field is too long, I said, yo.

2:56:57.280 --> 2:56:59.480
<v Speaker 1>I said, I just got this thing. I just like

2:56:59.600 --> 2:57:02.240
<v Speaker 1>shaking wrap his hands with with the hands that I

2:57:02.360 --> 2:57:04.400
<v Speaker 1>write my proms with. My nigga, thank you so much,

2:57:04.480 --> 2:57:06.600
<v Speaker 1>And they tap me on the shoulder. Nig said, that's

2:57:06.600 --> 2:57:13.160
<v Speaker 1>what something like, I'm like this. He left you. I said,

2:57:13.200 --> 2:57:20.520
<v Speaker 1>oh right, he was. He was a dick at of

2:57:20.600 --> 2:57:22.879
<v Speaker 1>eighty five when I met him. But the house thirteen

2:57:23.160 --> 2:57:26.200
<v Speaker 1>didn't matter. It was running first. Can you forget it?

2:57:26.320 --> 2:57:30.600
<v Speaker 1>The same second time I met him. I shock, he's

2:57:30.640 --> 2:57:35.000
<v Speaker 1>the reverend. They ain't shake it fast fool, you're showing

2:57:35.040 --> 2:57:41.480
<v Speaker 1>not a German phone of the funk, all that fast fools.

2:57:42.200 --> 2:57:44.480
<v Speaker 1>Black Thought calls me say, yo, I need you to

2:57:44.600 --> 2:57:47.760
<v Speaker 1>help me. Come to in New York. No, no, no,

2:57:48.040 --> 2:57:49.840
<v Speaker 1>come to New York and do this. Help me out

2:57:49.840 --> 2:57:51.880
<v Speaker 1>on the handems we're doing the show for super When

2:57:51.920 --> 2:57:54.240
<v Speaker 1>the super Bowl was in New York, I said, I

2:57:54.440 --> 2:57:57.120
<v Speaker 1>bet he said, Yo. They called me, they fly me in.

2:57:57.600 --> 2:58:00.400
<v Speaker 1>I got I brought a brand new five D camera.

2:58:00.920 --> 2:58:03.160
<v Speaker 1>I'm like, yeah, I got my five D camera. All

2:58:03.240 --> 2:58:07.240
<v Speaker 1>my hip hop legends are perform the right. Pete Rock,

2:58:07.360 --> 2:58:10.120
<v Speaker 1>Cel I don't know that they're not cool. I don't care.

2:58:10.360 --> 2:58:14.480
<v Speaker 1>Dayl So still cool, nor anybody nature they be No No,

2:58:14.680 --> 2:58:17.040
<v Speaker 1>Vinnie Vinnie and trucks like that. You don't know that

2:58:17.160 --> 2:58:22.520
<v Speaker 1>day not cool. Super Bowl It listen to the Super

2:58:22.600 --> 2:58:26.960
<v Speaker 1>Bowl The Roots Present hip Hop featuring Run DMC featuring

2:58:27.040 --> 2:58:30.160
<v Speaker 1>Pete Rock and Cel Smooth featuring Douggie Fresh as Slick

2:58:30.240 --> 2:58:34.000
<v Speaker 1>Rick featuring Daylight Soul and featuring Jim Joney. How to

2:58:34.040 --> 2:58:37.360
<v Speaker 1>get to New York because the Super bowls in New

2:58:37.440 --> 2:58:47.040
<v Speaker 1>York it's freezing fucking I get to the vine, get good, good,

2:58:47.440 --> 2:58:51.920
<v Speaker 1>I get to the venue. It's everybody's backstage. Ship's crazy,

2:58:52.120 --> 2:58:55.920
<v Speaker 1>Ship's super wild, right, I'm liker bet I see ed Love,

2:58:56.040 --> 2:58:58.440
<v Speaker 1>I see I s T Coco. It's it's it's this,

2:58:58.760 --> 2:59:01.240
<v Speaker 1>I see fucking ed Love. This ship is New York

2:59:01.320 --> 2:59:04.480
<v Speaker 1>and this essays freezing outside. They got some sins the same.

2:59:04.560 --> 2:59:08.000
<v Speaker 1>The third all my hip hop heros Or performed. Douggy

2:59:08.080 --> 2:59:10.760
<v Speaker 1>Fresh performs with Slick Rick. They do the fucking show.

2:59:10.840 --> 2:59:14.840
<v Speaker 1>I'm bucking. Daly I Sold performs, They Still Cool, Pete Rocket,

2:59:14.920 --> 2:59:20.360
<v Speaker 1>Cel Smooth perform, Villian tracks, and KG performed Ship's Crazy Run.

2:59:20.520 --> 2:59:23.320
<v Speaker 1>DMZ performs I'm like, no, nigga, I'm going in the

2:59:23.440 --> 2:59:26.720
<v Speaker 1>front with my camp. I gotta get this ship. He

2:59:26.879 --> 2:59:31.200
<v Speaker 1>shitting on. I'm like, Nigga, I gotta get this ship. Nigga.

2:59:31.280 --> 2:59:33.360
<v Speaker 1>I go to the front. D Nice with me, Deep

2:59:33.480 --> 2:59:36.000
<v Speaker 1>Nice sitting next to me because he this is when

2:59:36.040 --> 2:59:38.720
<v Speaker 1>he earned it with the term sho s D Knix.

2:59:39.040 --> 2:59:43.720
<v Speaker 1>We sitting in the paparazzi pit backtrack. I'm backstage. Or

2:59:43.800 --> 2:59:45.840
<v Speaker 1>DJ walks up to me, said, Yo, my nigga, I'm

2:59:45.879 --> 2:59:47.440
<v Speaker 1>a fan. My nigga. I used to bang your ship

2:59:47.520 --> 2:59:50.360
<v Speaker 1>in college. My name is Charlie chan I DJ for

2:59:50.480 --> 2:59:53.240
<v Speaker 1>d M d MC. I said, that's just up appreciated

2:59:53.280 --> 2:59:56.560
<v Speaker 1>my nigga. The ground was new. Twitter was popping, the

2:59:56.640 --> 2:59:59.560
<v Speaker 1>brand was new. Nigga takes a picture with me a

2:59:59.720 --> 3:00:01.800
<v Speaker 1>me you posted to the ground. I'm like, oh, she

3:00:02.040 --> 3:00:03.920
<v Speaker 1>just need a really a fan da, that's the dope.

3:00:04.640 --> 3:00:07.879
<v Speaker 1>Fast forward, I'm in the I'm in the pit watching bread.

3:00:07.959 --> 3:00:14.480
<v Speaker 1>DMC performed film with Muhammad. Nigga got done, they got

3:00:14.560 --> 3:00:16.760
<v Speaker 1>two d J jam mssing day, God bless your dad.

3:00:16.879 --> 3:00:19.520
<v Speaker 1>J MR Dad passed away. D J rukis is with

3:00:19.920 --> 3:00:22.880
<v Speaker 1>run d J Charlie shand then they got took a

3:00:22.920 --> 3:00:25.680
<v Speaker 1>picture with earlier. It's with DMC. I'm in the crowd

3:00:25.760 --> 3:00:29.040
<v Speaker 1>performing watching the ship, got my candy reforming. No, no, no,

3:00:29.160 --> 3:00:33.680
<v Speaker 1>I'm in the crowd. Fuck up. Maybe it's the brother crowd.

3:00:34.000 --> 3:00:37.840
<v Speaker 1>I'm in the crowd with my five d can right

3:00:37.879 --> 3:00:42.720
<v Speaker 1>the crowd run filming ring DMC. These niggas hard time

3:00:42.959 --> 3:00:45.160
<v Speaker 1>walk this way this that In the third the nigga

3:00:45.280 --> 3:00:48.480
<v Speaker 1>d MS. The nigga run takes his motherfucking hat off

3:00:48.879 --> 3:00:52.000
<v Speaker 1>and says Joe who's the biggest run DMC fan and

3:00:52.040 --> 3:00:55.160
<v Speaker 1>this motherfucker to night this corporate, it's the roots, it's

3:00:55.240 --> 3:01:00.080
<v Speaker 1>bud Wis, it's corporate. I'm like, has d taste it

3:01:00.160 --> 3:01:03.320
<v Speaker 1>off and the door. I'm gonna get this hat to

3:01:03.400 --> 3:01:08.160
<v Speaker 1>the biggest run DMC fans back. I'm like nigga, I'm looking.

3:01:08.240 --> 3:01:09.600
<v Speaker 1>I've been on my I've been on my ship. I

3:01:09.680 --> 3:01:11.600
<v Speaker 1>got a twelve and signed by met the Man Red Man.

3:01:11.680 --> 3:01:13.520
<v Speaker 1>I got an ill maddic CAUSEPT that I bought off

3:01:13.600 --> 3:01:16.320
<v Speaker 1>Hunting twenty five signed by nine. I'm on my ship

3:01:18.640 --> 3:01:23.720
<v Speaker 1>setting this by he got he got hit, gotta setting

3:01:23.720 --> 3:01:26.040
<v Speaker 1>list by Trump call quite signed by all four members.

3:01:26.200 --> 3:01:29.000
<v Speaker 1>I'm gonna add this hat to my ship. I'm looking

3:01:29.040 --> 3:01:32.440
<v Speaker 1>at this ship like Yo, this nigga. This nigga says, Yo,

3:01:32.560 --> 3:01:35.280
<v Speaker 1>give me something, give me a silver shot. Somebody give

3:01:35.320 --> 3:01:37.640
<v Speaker 1>me a silver shot. They bringing my shop. He nigga

3:01:37.680 --> 3:01:41.120
<v Speaker 1>signs the hat. I'm watching this ship like nigga. If

3:01:41.120 --> 3:01:45.480
<v Speaker 1>I get that fucking hat, get it happy. DMC Yo

3:01:45.640 --> 3:01:48.840
<v Speaker 1>did signed the ship. Man sign the ship. D DNC

3:01:49.160 --> 3:01:52.160
<v Speaker 1>signs the hat. I'm like nigga, when I put I

3:01:52.160 --> 3:01:54.160
<v Speaker 1>don't know, I don't please just sing this shot for you, Jo,

3:01:55.480 --> 3:01:59.640
<v Speaker 1>who got who got that? Nigga? So this is a

3:01:59.680 --> 3:02:04.640
<v Speaker 1>bill up. I'm gon who got If I get that

3:02:04.760 --> 3:02:09.040
<v Speaker 1>fucking hat, I'm out the I'm out the game. This

3:02:09.280 --> 3:02:12.920
<v Speaker 1>is the route Late Night with him fallis not the

3:02:13.000 --> 3:02:17.120
<v Speaker 1>tonight show. Yet they're doing the they jay Leno still on.

3:02:17.240 --> 3:02:19.640
<v Speaker 1>They're doing the ship after jay Leno Dame moved up.

3:02:19.760 --> 3:02:22.960
<v Speaker 1>Yet the routes. Black Thought called me say, I need

3:02:23.000 --> 3:02:24.880
<v Speaker 1>you to come down with these ad lite blah bo

3:02:24.959 --> 3:02:27.879
<v Speaker 1>I do it run DMCs before run sign the hat,

3:02:28.000 --> 3:02:31.039
<v Speaker 1>D sign the hat. He like, YO did some rock

3:02:31.120 --> 3:02:33.879
<v Speaker 1>and roll Hall of Fame ship. Who is the biggest

3:02:34.000 --> 3:02:37.760
<v Speaker 1>run DMC family here tonight? I'm seeing it going. I'm

3:02:37.800 --> 3:02:40.400
<v Speaker 1>a thirteen year old kid in Fairville, North Carolina. I

3:02:40.520 --> 3:02:43.920
<v Speaker 1>need that hat. I look at the DJ who took

3:02:43.959 --> 3:02:46.040
<v Speaker 1>a picture with me for the Graham earlier. I say,

3:02:46.080 --> 3:02:55.640
<v Speaker 1>yo family. Nigga says it's because the DJ go Charlie said,

3:02:55.959 --> 3:02:59.160
<v Speaker 1>he goes, I got you skills mouse it to me.

3:02:59.200 --> 3:03:00.760
<v Speaker 1>He don't say it. No, my he mouthed to me.

3:03:00.840 --> 3:03:03.800
<v Speaker 1>I'm like, oh, nigga, man, run walking back and forth

3:03:03.879 --> 3:03:07.640
<v Speaker 1>and stage with the happen. Who is the biggest run

3:03:07.760 --> 3:03:10.960
<v Speaker 1>DMC fan in here tonight, Charlie Chad tapped the mike, Yo,

3:03:11.160 --> 3:03:14.680
<v Speaker 1>run you're gonna up my nigga. Yo. I think I

3:03:14.800 --> 3:03:17.400
<v Speaker 1>know who the biggest run DMC fan is. Yo. Who

3:03:17.480 --> 3:03:19.960
<v Speaker 1>that Yo? It's my man Mad Skills right there in

3:03:20.000 --> 3:03:23.480
<v Speaker 1>the front row. That's the biggest run DMC fan. I said,

3:03:23.600 --> 3:03:28.360
<v Speaker 1>Oh ship, the nigga goes. I know you ain't get

3:03:28.400 --> 3:03:31.080
<v Speaker 1>it right there. The nigg don't know who I am.

3:03:31.120 --> 3:03:34.440
<v Speaker 1>I'm not expecting no I am. Nigga. Run goes who

3:03:35.600 --> 3:03:38.640
<v Speaker 1>he said. He says it again, Yo, my nigga Mad

3:03:38.720 --> 3:03:41.280
<v Speaker 1>Skills in the front row, black hat right there. That's

3:03:41.280 --> 3:03:44.560
<v Speaker 1>the biggest RUNC fan. I know my nigga. The nigga goes,

3:03:44.760 --> 3:03:48.880
<v Speaker 1>run goes and the nigga ain't no fan of nigga working.

3:03:49.120 --> 3:03:57.080
<v Speaker 1>Like I said, biggest one. What I listen, I gonna

3:04:00.120 --> 3:04:03.400
<v Speaker 1>yeah you hit d Nice and all of the Poplar

3:04:03.480 --> 3:04:08.800
<v Speaker 1>riz Yo d Knights, all the poplar Rizzi go. I

3:04:08.920 --> 3:04:10.880
<v Speaker 1>put the I put the kaplins on the on the

3:04:11.000 --> 3:04:13.480
<v Speaker 1>on the camera. I closed the camera cart the camera.

3:04:13.640 --> 3:04:15.879
<v Speaker 1>I walked back to the side of the stage. They're

3:04:15.920 --> 3:04:17.840
<v Speaker 1>like yo. I walked up to the side of the stage.

3:04:17.879 --> 3:04:19.840
<v Speaker 1>I got my past. I'm on the side of the stage.

3:04:19.840 --> 3:04:22.600
<v Speaker 1>We get him. See performing there, I'm pacing back and

3:04:22.720 --> 3:04:25.560
<v Speaker 1>forth his kids. His kids are right in front of me.

3:04:25.840 --> 3:04:30.199
<v Speaker 1>Jeff Daylick soul. But fucking see how smooth I'm pasting.

3:04:30.600 --> 3:04:33.920
<v Speaker 1>They're like like Yo, I said, Yo, I'm pacing. I'm

3:04:33.920 --> 3:04:39.880
<v Speaker 1>gonna I'm smacking ship out of him. Nigga, I'm gonna

3:04:39.920 --> 3:04:42.279
<v Speaker 1>know Rod Rod Nigga. Niggas don't even see I'm pacing

3:04:42.800 --> 3:04:47.080
<v Speaker 1>niggas like Jazzy. Jeff goes Yo, skills you good. I said, Yo,

3:04:47.120 --> 3:04:51.000
<v Speaker 1>I'm gonna smacking ship out there, nigga. Bro. Niggas like no, no, no,

3:04:51.080 --> 3:04:53.520
<v Speaker 1>no no. I said, no, Bro, he hadn't do that. Bro.

3:04:53.800 --> 3:04:56.080
<v Speaker 1>He said, you're working. He said they they don't working.

3:04:56.240 --> 3:04:59.720
<v Speaker 1>But what mean they looking? They because I had a

3:04:59.800 --> 3:05:06.240
<v Speaker 1>ca I remember he goes skills you good. I said, Yo,

3:05:06.560 --> 3:05:08.320
<v Speaker 1>I want this. I want his kids to hear me.

3:05:08.879 --> 3:05:11.080
<v Speaker 1>I said, when I see that nigga, I'm gonna snack

3:05:11.160 --> 3:05:17.440
<v Speaker 1>the ship. Black story. Black boy sees me goes, Yo,

3:05:17.520 --> 3:05:19.959
<v Speaker 1>You're good. I said, not Bro, fun that nigga. Bro.

3:05:20.120 --> 3:05:22.760
<v Speaker 1>I'm trying. I'm trying to be loud. I wanted niggas

3:05:22.800 --> 3:05:27.200
<v Speaker 1>to hit me. You're like raw raw, Like yeah. Now,

3:05:27.680 --> 3:05:30.200
<v Speaker 1>Black Thought comes over to me, said, skills, what are

3:05:30.240 --> 3:05:33.160
<v Speaker 1>you doing? I said, Reek because I called him to Reek.

3:05:33.240 --> 3:05:35.920
<v Speaker 1>I said, Reek, I'm gonna smack ship out that nigga

3:05:35.920 --> 3:05:38.000
<v Speaker 1>when he come off stage. Bro, he's the skills. You

3:05:38.080 --> 3:05:40.240
<v Speaker 1>can't do that. I said, why the funk not Bro?

3:05:41.000 --> 3:05:43.400
<v Speaker 1>He said, the skills core? Bro, this my shirt. I said,

3:05:43.440 --> 3:05:46.560
<v Speaker 1>funk that Reek. That nigga, Yo, that's the third time

3:05:46.600 --> 3:05:51.440
<v Speaker 1>I nigga to play. You know he skill this Nigga

3:05:51.520 --> 3:05:53.480
<v Speaker 1>reached on to talk to him. Me. He never sing.

3:05:53.600 --> 3:05:56.000
<v Speaker 1>I know Black Thought twenty years, he never seen me

3:05:56.040 --> 3:05:58.120
<v Speaker 1>act like this, and they're like, Yo, skills, I'm not

3:05:58.240 --> 3:06:00.000
<v Speaker 1>some words for you. I said, what, he's a nigga,

3:06:00.240 --> 3:06:06.119
<v Speaker 1>NBC Jimmy Fallon digga. But like meanwhile, a white bits

3:06:06.200 --> 3:06:07.920
<v Speaker 1>got the hat. You don't even know what the run

3:06:08.000 --> 3:06:13.920
<v Speaker 1>dmc me. He said, skills, you can't do that. I said, Bro,

3:06:14.120 --> 3:06:17.240
<v Speaker 1>when I see when run finishes, weren't want to smack

3:06:17.320 --> 3:06:20.320
<v Speaker 1>the ship out of him. Then he turns around like

3:06:21.959 --> 3:06:24.360
<v Speaker 1>like Nigga, niggas ain't gonna smack He hurt you like

3:06:24.480 --> 3:06:26.520
<v Speaker 1>I can't remember it was Da Jojo was one of them.

3:06:26.640 --> 3:06:28.920
<v Speaker 1>Like Nick, Nick ain't gonna smacks my dad. I'm not

3:06:29.000 --> 3:06:31.600
<v Speaker 1>getting what run coming like nigga. They took me off

3:06:31.680 --> 3:06:34.520
<v Speaker 1>the stage, put me in a room in the back,

3:06:34.879 --> 3:06:38.000
<v Speaker 1>had security with me and kept me there, and so

3:06:38.200 --> 3:06:41.240
<v Speaker 1>run dmc got off the stage. I've never told the

3:06:41.320 --> 3:06:44.720
<v Speaker 1>story in my life. I was gonna save it for

3:06:44.800 --> 3:06:54.000
<v Speaker 1>the book. Every time I met and Queen's is the

3:06:54.080 --> 3:06:57.280
<v Speaker 1>best burrow for rappings. But every time I met that

3:06:57.520 --> 3:07:00.520
<v Speaker 1>nigga run from run dmc heat treat me like a

3:07:00.680 --> 3:07:04.880
<v Speaker 1>piece of ship, and I almost beat his ass at

3:07:04.959 --> 3:07:13.920
<v Speaker 1>the team fucking shot no right, I love you, but

3:07:14.080 --> 3:07:17.240
<v Speaker 1>every time I met you, you treated me like ship.

3:07:18.120 --> 3:07:22.760
<v Speaker 1>It changes the It changes the perspective of two years ago.

3:07:23.200 --> 3:07:27.680
<v Speaker 1>A friend of my fucking like yo. I don't know

3:07:27.760 --> 3:07:30.280
<v Speaker 1>if he was in a bad move. I think it's rooting.

3:07:30.320 --> 3:07:34.080
<v Speaker 1>I run didn't see prospects. It's in a bad move.

3:07:34.959 --> 3:07:38.920
<v Speaker 1>But every time I met him, every time I met him, Bro,

3:07:39.080 --> 3:07:42.680
<v Speaker 1>he treated me bad and I never forgotten, to the

3:07:42.800 --> 3:07:45.000
<v Speaker 1>point that I was almost ready to throw hands with him.

3:07:46.720 --> 3:07:49.880
<v Speaker 1>And he probably has no clue, never knew, But damn, Bro,

3:07:50.280 --> 3:07:52.440
<v Speaker 1>I was. I met you in our third team, and

3:07:52.560 --> 3:07:54.480
<v Speaker 1>I loved you, and every time I met you, you

3:07:54.640 --> 3:08:02.880
<v Speaker 1>treating me like ship you got people. Yeah, he just

3:08:03.600 --> 3:08:06.280
<v Speaker 1>he just took the kick with that. But they say

3:08:06.320 --> 3:08:08.280
<v Speaker 1>they say, never meet your hero roes Man because you

3:08:09.600 --> 3:08:11.880
<v Speaker 1>never fleet your hair ros because they're gonna remix your

3:08:11.879 --> 3:08:15.240
<v Speaker 1>whole deal with him. I probably got curved before by hero.

3:08:15.440 --> 3:08:17.960
<v Speaker 1>I can't got curve about Noriega. Maybe I don't know

3:08:19.920 --> 3:08:25.280
<v Speaker 1>the sacred thing, but not nor I see you curb

3:08:25.320 --> 3:08:28.360
<v Speaker 1>a couple of niggas in v A cur I'm pretty

3:08:28.400 --> 3:08:35.160
<v Speaker 1>curve balls. Yeah, a couple of niggas at the height

3:08:35.240 --> 3:08:39.440
<v Speaker 1>of super thumb. Yeah, never last last more people go

3:08:39.520 --> 3:08:41.920
<v Speaker 1>on me let me relaxt. No, you're not a couple

3:08:41.920 --> 3:08:45.200
<v Speaker 1>of niggs. Yeah. I mean it's crazy man, one of

3:08:45.280 --> 3:08:50.320
<v Speaker 1>the illiests. No, no, don't tell that story. No, no,

3:08:51.440 --> 3:08:57.760
<v Speaker 1>I told mine. No, huh, I would say that was crazy.

3:08:58.040 --> 3:09:01.280
<v Speaker 1>That's a great story. But you know we're gonna do.

3:09:01.360 --> 3:09:03.600
<v Speaker 1>We're gonna bring guys together here. I'll drink Champs. I

3:09:03.640 --> 3:09:06.199
<v Speaker 1>would love to just hug. He's gonna break is Jase

3:09:08.120 --> 3:09:13.880
<v Speaker 1>gonna be jasse Jack? Give me jazz Ja. When you

3:09:14.000 --> 3:09:16.200
<v Speaker 1>cooling yourself, I want you to give yourself the ball

3:09:16.680 --> 3:09:19.880
<v Speaker 1>like it plops us. Y'all best friends. So when you

3:09:20.000 --> 3:09:23.080
<v Speaker 1>google me, it comes up me and Jazz as best

3:09:23.080 --> 3:09:26.560
<v Speaker 1>At first. I wish we were, but that's fat. Like

3:09:26.640 --> 3:09:28.680
<v Speaker 1>I said, you call him right now, I'll speak. I

3:09:28.760 --> 3:09:34.760
<v Speaker 1>think we should call j Jeff. Don't come on when

3:09:34.800 --> 3:09:37.200
<v Speaker 1>you might, You're nothing. See how this works? Come on,

3:09:37.400 --> 3:09:45.520
<v Speaker 1>I think, yeah, Para, now you want to let's see this.

3:09:45.640 --> 3:09:52.920
<v Speaker 1>Jazz and Jack really a little jack jaw try bird Man.

3:09:53.400 --> 3:10:12.520
<v Speaker 1>Let's just I would not call. I only got emails.

3:10:12.560 --> 3:10:15.400
<v Speaker 1>Sorry email, I don't even know if I had him.

3:10:15.480 --> 3:10:17.320
<v Speaker 1>Come on, let's see. Let's see that. You call him

3:10:17.320 --> 3:10:20.200
<v Speaker 1>man call because we don't make sense. You gotta make

3:10:20.280 --> 3:10:22.560
<v Speaker 1>sense of its trading places right now. You gotta help

3:10:22.640 --> 3:10:25.840
<v Speaker 1>us out. I don't even know what's the next question.

3:10:28.600 --> 3:10:30.480
<v Speaker 1>I got. The next one dogs me a couple of

3:10:30.520 --> 3:10:32.880
<v Speaker 1>things we already were talking to about Dad, all right.

3:10:32.920 --> 3:10:37.199
<v Speaker 1>The last one Aden Virginia. We're big listen, Big Dog

3:10:37.800 --> 3:10:39.960
<v Speaker 1>one of the best down the phone, call M I

3:10:39.959 --> 3:10:47.080
<v Speaker 1>don't have his number, Bing Dog. Let me see bing Dog. Uh.

3:10:48.240 --> 3:10:50.240
<v Speaker 1>One of the best producers I've met in my life.

3:10:50.920 --> 3:10:55.720
<v Speaker 1>And we made an album call Made in Virginia. And

3:10:56.000 --> 3:10:59.640
<v Speaker 1>that nigga is amazing, and he don't get the credit.

3:11:00.200 --> 3:11:02.720
<v Speaker 1>You know what I'm saying that he should. But wait,

3:11:02.800 --> 3:11:06.600
<v Speaker 1>I do have jazz jas number whole type. You don't

3:11:06.600 --> 3:11:09.800
<v Speaker 1>get the credit that he should. But Devil in a

3:11:09.879 --> 3:11:15.560
<v Speaker 1>new dress. You meet him and her that bake, No,

3:11:16.000 --> 3:11:20.120
<v Speaker 1>that's bike, it's definitely party. Are you at? I was

3:11:20.160 --> 3:11:24.920
<v Speaker 1>somewhere else. Think if I think about Jazzy Jess Champ Champs,

3:11:28.879 --> 3:11:37.119
<v Speaker 1>that's Devils lights camera action. You meet him and her

3:11:37.840 --> 3:11:43.480
<v Speaker 1>whole monster beans. And when they talk about the blue print,

3:11:43.600 --> 3:11:49.840
<v Speaker 1>they always talk about just they always talk about yeah, good, yeah, biggest,

3:11:51.200 --> 3:11:53.920
<v Speaker 1>that's my brother. The rule is back all I need

3:11:54.520 --> 3:11:57.879
<v Speaker 1>all of that, Like the nigger is a fucking problem man.

3:11:58.520 --> 3:12:01.920
<v Speaker 1>And that's what I heard. Hustler won not hunted Hustler

3:12:05.360 --> 3:12:07.640
<v Speaker 1>like all of the name dog ship, I got love

3:12:08.280 --> 3:12:17.000
<v Speaker 1>corrupt fucking like big yes a pause, yeah, oh pause,

3:12:18.760 --> 3:12:22.800
<v Speaker 1>I understand. Put some respect on my brother's name, giving

3:12:22.840 --> 3:12:30.520
<v Speaker 1>up a big dog a big tape real quick. And

3:12:30.520 --> 3:12:32.320
<v Speaker 1>then were gonna get about here. And then we called

3:12:32.400 --> 3:12:38.880
<v Speaker 1>Jase Jeff can wait for that ship. Let's see, let's

3:12:38.879 --> 3:12:44.200
<v Speaker 1>put a face face the probably won't pick up faces

3:12:44.520 --> 3:12:48.160
<v Speaker 1>respectfully I would pick a face ring. He might be black,

3:12:48.400 --> 3:12:54.560
<v Speaker 1>I might be black. Let's let's say something. Appreciate something,

3:12:54.600 --> 3:13:10.840
<v Speaker 1>appreciate we face something. Let's see with the cara. Let's

3:13:10.840 --> 3:13:18.720
<v Speaker 1>go let Jazzy Jay Jasmin. Listen. Man, when we google masks,

3:13:19.000 --> 3:13:22.320
<v Speaker 1>we see that two brothers was together on tour forever.

3:13:22.920 --> 3:13:25.440
<v Speaker 1>You don't understand wh we don't see y'all together. I

3:13:25.600 --> 3:13:28.760
<v Speaker 1>asked him this question. He couldn't answer the question. So

3:13:29.040 --> 3:13:33.440
<v Speaker 1>we want to ask you. Okay, you gotta carry what's

3:13:33.480 --> 3:13:40.640
<v Speaker 1>going on? I'm okay. And you wouldn't pick the phone

3:13:40.640 --> 3:13:43.400
<v Speaker 1>if you didn't funk with them, because obviously would do. Yeah,

3:13:45.040 --> 3:13:51.200
<v Speaker 1>I got that. We need to see y'all to go

3:13:51.440 --> 3:14:10.600
<v Speaker 1>lookin skills huh, and you ain't like that? This is okay.

3:14:11.720 --> 3:14:18.880
<v Speaker 1>Worried about any other man on this plan. But what

3:14:21.200 --> 3:14:24.720
<v Speaker 1>I'm talking on the mic now, I think skills DJ

3:14:25.040 --> 3:14:31.280
<v Speaker 1>and I'm ready to sign that podcast whatever it's called.

3:14:31.720 --> 3:14:38.600
<v Speaker 1>This is SI DJ shops up, so we might had

3:14:38.680 --> 3:14:42.480
<v Speaker 1>to do. I'm back to back set. Hello, letta other

3:14:43.120 --> 3:14:46.560
<v Speaker 1>y'all tell y'all need to make that right each other.

3:14:46.840 --> 3:14:55.960
<v Speaker 1>Let's say you did you see I listen, hey, bro,

3:14:56.160 --> 3:14:58.640
<v Speaker 1>they asked me I didn't know what to tell us.

3:14:59.320 --> 3:15:03.400
<v Speaker 1>I'm fucked, Jel. I'm about to cry, but I love

3:15:03.480 --> 3:15:07.160
<v Speaker 1>you man. I love you, Bro, thank you, thank you

3:15:07.240 --> 3:15:10.680
<v Speaker 1>for everything you did for me. Man, and I just

3:15:10.840 --> 3:15:21.120
<v Speaker 1>want to say thank you. Man with skills with thirteen

3:15:21.240 --> 3:15:30.080
<v Speaker 1>years understand that dys we circle the glues. Listen, Man, hey, Bro,

3:15:32.000 --> 3:15:44.840
<v Speaker 1>I'm want drink chips and I love you many good chips.

3:15:45.440 --> 3:15:56.480
<v Speaker 1>Huh are you drinking on Janzy Jel? I'm je you

3:15:56.640 --> 3:16:01.240
<v Speaker 1>know I cadn't drink man a Man. I love you Man.

3:16:01.320 --> 3:16:03.600
<v Speaker 1>I'll call you afterwards. Man. It's just good to see

3:16:03.640 --> 3:16:13.199
<v Speaker 1>your face. Man, Absolutely all right. I love you many chance.

3:16:14.080 --> 3:16:17.959
<v Speaker 1>That's a Jake chances out there. That's what the about

3:16:18.520 --> 3:16:19.880
<v Speaker 1>it for one more, because it's got to be the

3:16:20.000 --> 3:16:23.080
<v Speaker 1>last question, because this is too much. This is too much.

3:16:23.120 --> 3:16:25.600
<v Speaker 1>Is so great. That was amazing when we walked there

3:16:25.640 --> 3:16:28.120
<v Speaker 1>and we talked about some real ship and you said

3:16:28.160 --> 3:16:31.520
<v Speaker 1>you gotta d backstory. Oh yeah, yeah, yeah, we gotta

3:16:31.560 --> 3:16:35.680
<v Speaker 1>get that. This is absolutely last question. Yo, You're a

3:16:35.800 --> 3:16:42.720
<v Speaker 1>great man. That was that was god. Listen. You're an

3:16:42.760 --> 3:16:46.520
<v Speaker 1>amazing podcast host. Okayea make seven. He just helping the listen.

3:16:46.640 --> 3:16:52.680
<v Speaker 1>That's a seven years. I'm trying to get because that's

3:16:53.920 --> 3:16:59.720
<v Speaker 1>we need those chance for radio. We haven't spoken seven years.

3:17:07.480 --> 3:17:10.600
<v Speaker 1>That that's what we need. That's what drinks is about,

3:17:10.879 --> 3:17:13.760
<v Speaker 1>dreams about Give me a motherfucker another shot. I can't.

3:17:13.800 --> 3:17:21.800
<v Speaker 1>I can't retreat next summer. That's a clue. Man, so bad.

3:17:21.959 --> 3:17:25.440
<v Speaker 1>I'm sorry, I'm sorry. So DX story. So I'm in

3:17:25.600 --> 3:17:28.680
<v Speaker 1>I'm in Virginia. We had this club called twenty four

3:17:28.760 --> 3:17:31.880
<v Speaker 1>South Union, might have been called Flavors. Uhcram come on

3:17:34.879 --> 3:17:40.640
<v Speaker 1>and d NX has a show. I'm opening up. You know, Nick,

3:17:40.680 --> 3:17:42.920
<v Speaker 1>it's still throwing me a bag for opening up. Dn

3:17:42.959 --> 3:17:45.960
<v Speaker 1>MIX comes up and this was before, right before he

3:17:46.040 --> 3:17:48.080
<v Speaker 1>had he had a case. I don't want to bring

3:17:48.160 --> 3:17:49.480
<v Speaker 1>us up, but I'm gonna have to because it makes

3:17:49.480 --> 3:17:51.880
<v Speaker 1>sense of the story. Somebody say he raped him or

3:17:51.920 --> 3:17:54.600
<v Speaker 1>whatever whatever. I think he ended up getting clear. But

3:17:54.680 --> 3:17:56.200
<v Speaker 1>it was a girl was like yo, he took it.

3:17:56.440 --> 3:17:59.840
<v Speaker 1>You know. The DNAX had a case. I go, I

3:18:00.400 --> 3:18:03.760
<v Speaker 1>I did the show. I fucking go to the airport

3:18:03.800 --> 3:18:06.320
<v Speaker 1>the next morning, me, my my baby, mom and my daughter.

3:18:07.520 --> 3:18:12.119
<v Speaker 1>DNMEX is white hot at the tom He's fucking insane.

3:18:12.600 --> 3:18:14.720
<v Speaker 1>This is the year he had two albums number one

3:18:14.760 --> 3:18:17.520
<v Speaker 1>the same. I get to the Hope, I get to

3:18:17.600 --> 3:18:22.040
<v Speaker 1>the airport, I get to the gate, fucking dnmex of

3:18:22.120 --> 3:18:24.440
<v Speaker 1>the gate sill. I just opened up for him, so

3:18:24.480 --> 3:18:26.720
<v Speaker 1>I know you know where I am. I'm like, yo, ex,

3:18:26.920 --> 3:18:32.040
<v Speaker 1>what's up? Dog? What's good? I'm like, oh, ship, what's up?

3:18:32.080 --> 3:18:38.800
<v Speaker 1>He's like, bro, kill that ship last night? Thank you?

3:18:39.400 --> 3:18:41.480
<v Speaker 1>Like yo, you know what I mean? Like you're going

3:18:41.520 --> 3:18:43.280
<v Speaker 1>to New York. I said, y'all got a meeting up

3:18:43.320 --> 3:18:46.680
<v Speaker 1>at rockets or whatever wherever I'm going, Like yo, oh

3:18:46.800 --> 3:18:49.600
<v Speaker 1>that's good, ship man, Like fun with your ship, my nigga,

3:18:49.920 --> 3:18:54.000
<v Speaker 1>Like we get to that. We had the gate, we're

3:18:54.040 --> 3:18:56.360
<v Speaker 1>sitting at showing. I don't want to crowd the nigga.

3:18:56.560 --> 3:18:59.800
<v Speaker 1>He buyse up like him, a security guard, maybe a DJ.

3:19:01.400 --> 3:19:05.200
<v Speaker 1>Fucking the plane gets canceled. They're like flights canceled to

3:19:05.400 --> 3:19:09.680
<v Speaker 1>Jeff Kes, like Yo, the fucking calling. Motherfucker's yo, I

3:19:09.760 --> 3:19:11.080
<v Speaker 1>need to be on the next thing, Like I'm about

3:19:11.080 --> 3:19:12.720
<v Speaker 1>to do the ship. You know how to be on set?

3:19:12.760 --> 3:19:17.400
<v Speaker 1>And they're like, yo, whatever whatever. This is Virginia Richmond,

3:19:17.600 --> 3:19:22.680
<v Speaker 1>Virginia Airport. D Mix goes. I called my baby moms,

3:19:23.600 --> 3:19:25.840
<v Speaker 1>like yo, come back and get me. The flight delayed

3:19:25.920 --> 3:19:27.760
<v Speaker 1>to like five. Me and DN Mix of the airport

3:19:27.840 --> 3:19:31.000
<v Speaker 1>leven am. I said, Yo, the flight delayed to five,

3:19:31.080 --> 3:19:32.840
<v Speaker 1>Come back and get me. She's like, i'mbody getting on

3:19:32.840 --> 3:19:34.560
<v Speaker 1>the high and say, yo, circle back, come get me.

3:19:35.360 --> 3:19:39.600
<v Speaker 1>She got my daughter in the car. Fucking she comes back.

3:19:39.640 --> 3:19:42.520
<v Speaker 1>She's like, I'm out fronts like yo, she's about to

3:19:42.560 --> 3:19:45.600
<v Speaker 1>do I said, yo, man, my baby, My baby mom said,

3:19:46.120 --> 3:19:48.840
<v Speaker 1>my mother just go fucking waste some time to fucking

3:19:49.000 --> 3:20:01.640
<v Speaker 1>five PM. Y'alls. I'm a roll baby. Maybe mom at

3:20:01.680 --> 3:20:06.080
<v Speaker 1>a Ford expedition. Baby mom had afforded by mom had

3:20:06.080 --> 3:20:08.800
<v Speaker 1>a Ford expedition. My daughter is in the back seat

3:20:09.720 --> 3:20:12.000
<v Speaker 1>in the child seats. She comes back around the loop.

3:20:12.640 --> 3:20:15.440
<v Speaker 1>He tells us DJ or whoever, y'all, I'll be back.

3:20:15.520 --> 3:20:18.920
<v Speaker 1>They're like, damn actually gonna like yo, good, I'm fun

3:20:19.000 --> 3:20:24.439
<v Speaker 1>with skills. My baby Mom's comes around me and DX.

3:20:25.160 --> 3:20:27.920
<v Speaker 1>I get into passenger seat D and Mex gets into

3:20:28.200 --> 3:20:32.680
<v Speaker 1>the passenger seat beside my door. I know, yo, axcess,

3:20:32.720 --> 3:20:39.280
<v Speaker 1>my baby mom, Yo, how you doing? Oh? It's Mix.

3:20:40.360 --> 3:20:42.680
<v Speaker 1>He's like, Yo, how you doing. Love. She's like He's like,

3:20:43.040 --> 3:20:49.920
<v Speaker 1>sock my daughter sitting there. My daughter. She's old enough,

3:20:50.040 --> 3:20:55.320
<v Speaker 1>she's three maybe four. I said, yo, you hungry. He said, yeah,

3:20:55.360 --> 3:20:58.760
<v Speaker 1>Let's get some new I'm like, I bet true story.

3:20:59.440 --> 3:21:03.560
<v Speaker 1>We stopped at a KFC. We go to KFC. It

3:21:03.720 --> 3:21:05.440
<v Speaker 1>wasn't need cantank you for a chicken because I don't

3:21:05.440 --> 3:21:07.040
<v Speaker 1>even know if they was calling the ship chicken at

3:21:07.080 --> 3:21:12.520
<v Speaker 1>this point. They no, just KFC, it's the Curtiner. We

3:21:12.560 --> 3:21:17.120
<v Speaker 1>don't have Kennedy. We get to the fucking ME and

3:21:17.280 --> 3:21:22.800
<v Speaker 1>DMX walk into the fucking KFC. I'm like, yo, let

3:21:22.840 --> 3:21:28.000
<v Speaker 1>me get a twelve piece. The girl was standing there like, no,

3:21:28.240 --> 3:21:31.400
<v Speaker 1>y'all Nick, She's looking at it. She looking at me.

3:21:31.480 --> 3:21:33.720
<v Speaker 1>I'm like, yo, let me get a twelve piece. You

3:21:33.760 --> 3:21:36.879
<v Speaker 1>know what I'm saying, cold slaw, master potatoes and give

3:21:36.920 --> 3:21:38.840
<v Speaker 1>me get some biscuits, candis and hot saw. She's like

3:21:38.959 --> 3:21:43.240
<v Speaker 1>yeah sure. It's like, what do you have? Ex goes, yo,

3:21:44.440 --> 3:21:47.720
<v Speaker 1>I want to get I want to get a piece.

3:21:47.920 --> 3:22:00.840
<v Speaker 1>No skin, no skin of my Chicken's like she said,

3:22:02.000 --> 3:22:05.280
<v Speaker 1>you don't want no skin on your chicken? No skin

3:22:06.280 --> 3:22:13.360
<v Speaker 1>rich She goes she had heard his voice. She goes,

3:22:13.720 --> 3:22:18.760
<v Speaker 1>oh shit, oh my Kennisha, Oh ship, Kendisha, come here,

3:22:19.320 --> 3:22:25.000
<v Speaker 1>don't you say you want again a piece, No, nigga,

3:22:25.080 --> 3:22:28.160
<v Speaker 1>we get a twelve piece. We get a twilt piece

3:22:28.200 --> 3:22:31.520
<v Speaker 1>of a piece. Too fast to say those two fucking

3:22:32.680 --> 3:22:35.360
<v Speaker 1>skin on that motherfuck nigga. The food comes out and

3:22:35.520 --> 3:22:38.880
<v Speaker 1>she's like, oh my god, it's him. It's him. He's like, YO,

3:22:39.200 --> 3:22:42.880
<v Speaker 1>appreciate you, Nigga. We eat the chicken. In the car.

3:22:44.080 --> 3:22:46.120
<v Speaker 1>We're riding around. I don't know what the fund to

3:22:46.200 --> 3:22:51.120
<v Speaker 1>do till five with MX just telling my baby mom, Yo,

3:22:51.280 --> 3:22:56.640
<v Speaker 1>just ride around, my nigga. That's Ivory Street, this chore.

3:22:56.959 --> 3:22:58.920
<v Speaker 1>This is the maze spot when Nigga's come to this

3:22:59.040 --> 3:23:01.240
<v Speaker 1>to let out like nigga. We go back to the

3:23:01.360 --> 3:23:04.760
<v Speaker 1>airport after the club, I mean, after the fucking after

3:23:04.920 --> 3:23:08.600
<v Speaker 1>riding around. My baby Mom's like, my my daughter's wide

3:23:08.640 --> 3:23:11.680
<v Speaker 1>and she recognized his voice. You know what I'm saying

3:23:11.720 --> 3:23:14.800
<v Speaker 1>from from get at me, dogs, get at me dogs insane.

3:23:14.840 --> 3:23:18.920
<v Speaker 1>At the time, my daughter's like she's tripping because she

3:23:19.040 --> 3:23:23.400
<v Speaker 1>knows this is voice. We get to the airport. Back

3:23:23.440 --> 3:23:25.920
<v Speaker 1>to the airport, DAMEX gets on the plane. I don't play.

3:23:26.080 --> 3:23:29.120
<v Speaker 1>Small ship. We're flying from from from Richmonds in Virginia.

3:23:29.200 --> 3:23:34.320
<v Speaker 1>Small ship sixteen passengers, quick, quick flip, yeah, quick, forty

3:23:34.440 --> 3:23:38.359
<v Speaker 1>forty minute fly. I'm on the plane with fucking DMX

3:23:38.400 --> 3:23:41.640
<v Speaker 1>and all these fucking businessmen that work in Virginia but

3:23:41.760 --> 3:23:45.480
<v Speaker 1>live in New York. Ties suits the whole ship. I'm

3:23:45.560 --> 3:23:51.320
<v Speaker 1>flying to New York JFK with DMX. We to a

3:23:51.840 --> 3:23:54.880
<v Speaker 1>to be Ain't no first class because all this ship small.

3:23:55.320 --> 3:23:59.080
<v Speaker 1>The nigga like, yeah, let's go. I said, you know what,

3:23:59.080 --> 3:24:02.880
<v Speaker 1>I'm chilling, But was movie and ship hype? I said, word,

3:24:02.920 --> 3:24:04.880
<v Speaker 1>what is it? Now? I don't know what he's gonna call?

3:24:05.160 --> 3:24:07.760
<v Speaker 1>Nas is in it? You know it? Nas is in it?

3:24:07.879 --> 3:24:12.200
<v Speaker 1>Sucking t BOS just this with me crazy. I'm embarrassed.

3:24:13.120 --> 3:24:19.480
<v Speaker 1>I'm embarrassed because I'm like, it's me, DMX and twelve

3:24:19.600 --> 3:24:24.640
<v Speaker 1>white businessman. This motherfucker's on the plane. Yeah you mean excess,

3:24:26.879 --> 3:24:30.000
<v Speaker 1>you mean that's t BOS you know what I mean?

3:24:30.080 --> 3:24:32.959
<v Speaker 1>And I'm just like, you know, he's talking so crazy.

3:24:33.640 --> 3:24:37.640
<v Speaker 1>He tells me the whole premise of the movie. Now

3:24:37.640 --> 3:24:41.600
<v Speaker 1>it's like two niggas, how do they getting money? Went

3:24:41.640 --> 3:24:49.000
<v Speaker 1>out and again trying to the game, and at the end,

3:24:49.360 --> 3:24:52.039
<v Speaker 1>the nigga they try to get the nigga that assassinated

3:24:52.320 --> 3:24:54.240
<v Speaker 1>you know, what I mean one of the reference nigga

3:24:54.240 --> 3:24:59.440
<v Speaker 1>won't do you know, I mean NASA, it's a it's

3:24:59.480 --> 3:25:03.760
<v Speaker 1>a nig bucks bucks. And I'm just sitting there like, yo,

3:25:03.879 --> 3:25:11.600
<v Speaker 1>why are you so loud? I fly JFK we fucking

3:25:11.680 --> 3:25:14.240
<v Speaker 1>DMEX says, yo, you know, I mean I see you

3:25:15.400 --> 3:25:19.400
<v Speaker 1>all day, you know, I mean with you. Two days later,

3:25:20.200 --> 3:25:23.440
<v Speaker 1>d mix rap up you know what I'm saying, comes out,

3:25:24.560 --> 3:25:27.000
<v Speaker 1>you know, but he got off. But the girl said

3:25:27.160 --> 3:25:29.520
<v Speaker 1>girls trying to come up. She says some crazy ship

3:25:29.520 --> 3:25:32.680
<v Speaker 1>about DMX. She comes out two days later and I'm

3:25:32.720 --> 3:25:37.119
<v Speaker 1>just like, yo, it's just crazy. Ben Belly comes out

3:25:37.200 --> 3:25:40.160
<v Speaker 1>and I'm like, that's the movie he was talking about.

3:25:40.280 --> 3:25:42.880
<v Speaker 1>Oh you didn't cause yeah, you have no reference point, Buns.

3:25:43.000 --> 3:25:47.920
<v Speaker 1>It sounds crazy. It's buns. It's t Bux and the

3:25:48.000 --> 3:25:54.480
<v Speaker 1>ship ship and I'm just like swaying the ship. And

3:25:54.520 --> 3:26:07.440
<v Speaker 1>then Belly comes out, WoT I can't no more? Get

3:26:07.440 --> 3:26:10.480
<v Speaker 1>your shot, brother, get your shot, and then comes out,

3:26:12.360 --> 3:26:14.320
<v Speaker 1>I'm sorry mass because you can't say you can't drink

3:26:14.400 --> 3:26:16.080
<v Speaker 1>no more. You're gonna take one more drinking and say

3:26:16.120 --> 3:26:18.720
<v Speaker 1>you can't drink that normal. That's it. It's a drink chat.

3:26:22.360 --> 3:26:28.480
<v Speaker 1>You Pleasure, Drink Drink Chat Fraternity. I just want to

3:26:28.520 --> 3:26:32.760
<v Speaker 1>say thank you. That's thanks for being open, thank you

3:26:32.840 --> 3:26:37.760
<v Speaker 1>for you know this, this is what it is is. Oh,

3:26:38.560 --> 3:26:41.840
<v Speaker 1>everybody in hip hop is a superhero. I believe that.

3:26:42.240 --> 3:26:46.280
<v Speaker 1>So our job is to to to show that superheroes. Kate.

3:26:46.959 --> 3:26:49.240
<v Speaker 1>I believe that our job to show that. Our job

3:26:49.400 --> 3:26:52.520
<v Speaker 1>is to sit back there and even like you know,

3:26:52.600 --> 3:26:57.720
<v Speaker 1>for poor righteous teachers to you know, you know, when

3:26:57.800 --> 3:27:01.000
<v Speaker 1>little oozy work becomes a legend, job to sit there

3:27:01.000 --> 3:27:05.680
<v Speaker 1>and say, wow, they're legend. I'm proud to prove and

3:27:05.800 --> 3:27:10.640
<v Speaker 1>show to people who you are, how you are and

3:27:10.800 --> 3:27:19.720
<v Speaker 1>what you are. Thank you, motherfucking legends. Let's do it.

3:27:22.360 --> 3:27:24.760
<v Speaker 1>Thanks for joining us for another episode of Drink Champs,

3:27:24.840 --> 3:27:27.400
<v Speaker 1>hosted by yours truly, d J E F and n

3:27:27.480 --> 3:27:29.520
<v Speaker 1>O r E. Please make sure to follow us on

3:27:29.560 --> 3:27:32.720
<v Speaker 1>all our socials. Let's add Drink Champs across all platforms

3:27:33.240 --> 3:27:36.720
<v Speaker 1>at the Real Noriegon, I g at Noriega on Twitter,

3:27:37.160 --> 3:27:40.120
<v Speaker 1>mine is at Who's Crazy on I g at d

3:27:40.280 --> 3:27:42.840
<v Speaker 1>J E F N on Twitter, and most importantly, stay

3:27:42.920 --> 3:27:45.879
<v Speaker 1>up to date with the latest releases, news and merch

3:27:46.080 --> 3:27:52.080
<v Speaker 1>by going to drink Champs dot com. For more podcasts

3:27:52.120 --> 3:27:56.360
<v Speaker 1>from my heart Radio, visit the iHeart Radio app, Apple podcast,

3:27:56.560 --> 3:27:58.480
<v Speaker 1>or wherever you listen to your favorite shows.