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Speaker 1: Welcome to Drink Champs, the production of The Black Effect

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Speaker 1: and I Heart Radio and it's Drink Chess, motherfucking podcast. Mason,

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Speaker 1: he's a legendary queen's rapper. He's like, is your boy

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Speaker 1: in O R. He's a Miami hippop pioneer. What up

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Speaker 1: is d j e f N? Together they drinking up

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Speaker 1: with some of the biggest players in the most professional

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Speaker 1: unprofessional podcast. And your number one sort for drunk fact

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Speaker 1: drink Mother Day is New Year's e. That's time for

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Speaker 1: Drink Champs. Drink up Mother Mother? Would it good be?

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Speaker 1: Hopefully's when it should be? This is your point in

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Speaker 1: or what up is d j e FN? This tim

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Speaker 1: crazy war? Yeah? Up right now, when you're talking about

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Speaker 1: state boos, when you talk about a legend, when you

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Speaker 1: talk about when you google Virginia, this man face should

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Speaker 1: pop up like the state farm doesn't already, I think

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Speaker 1: it does. But the man we talk about bars bar lord,

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Speaker 1: we talk about lyrical when you're talking about everybody from

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Speaker 1: his state has to pay homage to him, the first

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Speaker 1: very one from that and we won't get to the

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Speaker 1: I if this is the South or notion, But the

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Speaker 1: man has transition the man is a ghostwriter. He's done

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Speaker 1: numerous he's still here and we're don't get to all

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Speaker 1: the controversy everything, But we don't even know right now,

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Speaker 1: Virginia's number one representative in a world. Motherfucking maskillers. Can't

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Speaker 1: we say mankillers? You just wanted me just say something,

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Speaker 1: right because we have a groun'm on here. And this

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Speaker 1: became a controversy topic. He declared Virginia as being the South,

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Speaker 1: but I said that Baltimore was the South to the ball.

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Speaker 1: That was a controversy. People did not like Yeah. They

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Speaker 1: were like, no, we are not the South. Ye be more,

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Speaker 1: be more now, I wouldn't say, be more in the South.

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Speaker 1: So the South starts in Virginia. Yeah, we light on

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Speaker 1: the middle of the Mason Dixon and was the capital

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Speaker 1: of the South, the capital of the South, you know,

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Speaker 1: during the Confederacy, the wealth all day. Wow. Yeah. I

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Speaker 1: kicked out of Virginia Mall because I was, um, yeah, sego.

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Speaker 1: I was walking through and people were following me. And

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Speaker 1: instead of like the police said yo, you know stop

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Speaker 1: the people the police said you gotta go. I said, listening,

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Speaker 1: I said, I said to continue. Crazy, So let's just

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Speaker 1: take it back right because a lot of people got

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Speaker 1: the uh well there's another for real thing too. A

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Speaker 1: lot of people got Telly Rowley was like a person

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Speaker 1: who kind of like made Virginia. How is that accurate

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Speaker 1: to say? But Teddy was from New York? So how

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Speaker 1: did how did that? How how did that go? When

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Speaker 1: Teddy came down? Um, we were like enamored, you know

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Speaker 1: what I'm saying, lost so to speak, because it was

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Speaker 1: like he was right there, you know what I'm saying.

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Speaker 1: So you be like like nigga, Like nigga, you be

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Speaker 1: in school at lunch and Nigga's like, yo, Michael Jackson's

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Speaker 1: people like you. So Um, Teddy coming down and making

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Speaker 1: that move opened up like he opened up a whole

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Speaker 1: fucking stratosphere of opportunities. Like you gotta think Teddy's the

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Speaker 1: only nigga that was a super producer and made like

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Speaker 1: we're not made, but opened the door for two other

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Speaker 1: super producers. Yeah, I'm got a whole genre for him,

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Speaker 1: new jack Swingers, you know what I'm saying. Like, So

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Speaker 1: like you you go, you know, you ride by the

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Speaker 1: studio and see the fucking lamb Older for all You're

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Speaker 1: like think it like it's right there. I'm saying, super close,

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Speaker 1: and I don't want the places that Teddy could have went.

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Speaker 1: What made him pick? You have no clue, I have

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Speaker 1: no clue. I remember being at something in the water

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Speaker 1: the first one. Yeah, at the Yeah, I remember being

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Speaker 1: at something something in the water. My man, Bookie, you

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Speaker 1: know what I'm saying, something man bogie. We're standing there

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Speaker 1: watching Teddy performed, and he's saying he said to me,

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Speaker 1: he said, skills. Do you realize that Teddy is performing

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Speaker 1: rump Shaker on the same beach that he shot the

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Speaker 1: video hosted at a fucking festival body he put on

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Speaker 1: at some amount of years later, Like, that's insane. So

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Speaker 1: women was the first time because I want to be

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Speaker 1: even push your tea sat shout push, So you know

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Speaker 1: this is what I do when I um and a

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Speaker 1: few people, I hit people that's around them, across them.

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Speaker 1: He said, no real story, just that he was really

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Speaker 1: the first rapper that was truly proud of from the

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Speaker 1: v A he was performing with the tribe, I believe

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Speaker 1: when they came to v A four show, and that

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Speaker 1: alone meant that he made it in my eyes. I

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Speaker 1: remember his outfit the Tommy or Polo Chino styles, zip up.

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Speaker 1: We weren't like friends or anything back then. We were

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Speaker 1: it even from the same town. But I thought he

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Speaker 1: represented via the way I wanted it to see it done.

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Speaker 1: He probably he probably doesn't remember that time, might not

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Speaker 1: even remember me there. I don't. I never knew he

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Speaker 1: was there, you know what I'm saying. But n like

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Speaker 1: but like, but let me let me try to say

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Speaker 1: a little bit when when people thought of Virginia it

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Speaker 1: was one person they thought of at one time, because

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Speaker 1: I know we just thought Teddy, but Teddy, Let's just

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Speaker 1: be clear. Teddy from Hall yeah all day. You like

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Speaker 1: when when you google you all of these people names

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Speaker 1: from pushing t to around Off. What was that like?

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Speaker 1: That's one part question. Let's just answer that question first.

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Speaker 1: I mean, to be first was always weird. You know what

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Speaker 1: what I'm saying, like because it's so money and nigga's

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Speaker 1: niggas forget the first. You know, I'm saying that they're

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Speaker 1: quick to him saying I don't feel like we pay

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Speaker 1: enough respects to the bands and the herds, and you

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Speaker 1: know what I'm saying, like like that, So it's like

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Speaker 1: when you first, it's weird. But I knew that where

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Speaker 1: I was from had to be represented in a way

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Speaker 1: that people hadn't seen it before, you know what I'm saying. Like,

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Speaker 1: so it was niggas calling us country, niggas calling us baders.

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Speaker 1: It's the same same ship with Atlanta in a way,

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Speaker 1: like my nigga like like we we we get fucking busy,

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Speaker 1: like we do what we do. Like half of your

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Speaker 1: nigga's down here in school anyway, come down and get

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Speaker 1: show money, drug money. You know what I'm saying that

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Speaker 1: this is what it is. So it's like what you

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Speaker 1: ain't gonna do is clown on us. But nobody was

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Speaker 1: out there. The only nigga was was Dangelo, and that's

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Speaker 1: R and B Like like, oh you know Diangel little

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Speaker 1: you know. I'm like, Nick, what you want to do? Yeah,

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Speaker 1: I'm like he came out first, so I shouldn't have

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Speaker 1: dropped the album dropped. He's held as a R and

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Speaker 1: B superstar and he's like, oh, you know, he don't

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Speaker 1: really say the town. I'm like a lot of pussy.

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Speaker 1: I'm like, nigging here, on B artist, what you want

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Speaker 1: to make a song called fucking cruising in Richmond? Like

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Speaker 1: he on B artists so it was up to me

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Speaker 1: too to hold that flag. And I was like, when

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Speaker 1: I get the shot, like it's gonna be a problem

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Speaker 1: because it was like Michael Vick and yes, and then

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Speaker 1: you like was it yeah? And then we kind of

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Speaker 1: knew because I want to say, like I don't want

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Speaker 1: to say like like conscious, but you were like you

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Speaker 1: you're aware. But when we looked at Michael and we

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Speaker 1: were looked at these guys, and then we looked up

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Speaker 1: Newport News, yeah, bad news. Yeah, So what was it

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Speaker 1: like hearing hearing these guys or you. Yeah, we called

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Speaker 1: we called a bubba chuck. What I'm saying, like, we

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Speaker 1: need that's all we knew, so vic bubba chuck to

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Speaker 1: see them make it, you know what I'm saying. We

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Speaker 1: knew like that we had people in that we were talented,

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Speaker 1: you know what I'm saying. Because you gotta understand, like

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Speaker 1: I'm from where I'm from. I'm from a town called Richmonds,

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Speaker 1: like an hour away from where for rele there. So yeah,

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Speaker 1: they filmed like Virginia Beach, but seven cities in that

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Speaker 1: whole region. So imagine imagine fucking Miami, Imagine Florida Miami.

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Speaker 1: And let's say Fort Myers is twenty minutes away. Orlando's

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Speaker 1: fifteen minutes away, fucking and it's a whole different city.

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Speaker 1: So they got seven different cities from where I'm from,

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Speaker 1: like an hour back towards in Inland. You know what

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Speaker 1: I'm saying, Like rich med so like to see Ai

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Speaker 1: and Vic. Man, it was like somebody you know what

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Speaker 1: I'm saying. And they was rapping in D'Angelo. He was

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Speaker 1: rapping it but he he r and b So it's

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Speaker 1: you know what I'm saying, He ain't about the way

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Speaker 1: eight chains in the vena what I'm saying. So ay man,

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Speaker 1: it's like a guy him and Vic like gods what

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Speaker 1: I'm saying. Wow? Wow, man, let's make some noise for that. Yeah,

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Speaker 1: I don't know bootles, you want to move boggles, Bros.

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Speaker 1: Getn't camera bro Oh that's what they what we got.

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Speaker 1: But you're like regular ship, right, get my part? We

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Speaker 1: do it? Yeah? So um so boom, how did you

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Speaker 1: even come up? Two? Okay, okay, put you on cue tip.

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Speaker 1: I was discovering by Q tip you went too fast.

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Speaker 1: Let's let's describe that. Is this this show that what

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Speaker 1: your tea is talking about? Yes? Well later, So so

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Speaker 1: ninety three, I'll go to Jack the Rapper in the landing.

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Speaker 1: Hold on, hold on, hold on. Those those are the days.

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Speaker 1: I'm sorry to be old right now, but listen, your

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Speaker 1: motherfucker's at Give me to look at your Instagram and

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Speaker 1: you get tags we used to have called Jack the

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Speaker 1: fucking Reverence. Yeah. We we're gonna fucking line to see

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Speaker 1: DJ read Alert thanks to C. D J. Collins to

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Speaker 1: see these people. Yeah, and that was real great. I'm sorry,

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Speaker 1: you just gotta be a flashback. I'm sorry, man, I

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Speaker 1: called the Holy Ghost the Holy rap Ghost. I'm sorry.

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Speaker 1: Was on the original. Yeah, yeah, original before before I

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Speaker 1: could after. So go to I go to Atlanta with

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Speaker 1: with three of my homies and I'm in this lobby

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Speaker 1: I got. We got passed it, so we legit. We

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Speaker 1: ain't sneaking around. We got you know, we paid the money,

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Speaker 1: what I'm saying. So I'm walking around and it's just

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Speaker 1: it's in the lobby. It's huge ass hotel, fucking sixty floors, right.

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Speaker 1: So I see these niggas in the corner like bopping,

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Speaker 1: like niggas is like it's it's a b playing out

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Speaker 1: of here. B I see niggas like bopping. I'm like, yo,

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Speaker 1: who that that be hard saying. I'll walk over and

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Speaker 1: I see fucking cut it. But it's it's it. It's

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Speaker 1: it's like, imagine this this this ship right here, This

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Speaker 1: is a plant, but it's like the lobby so big.

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Speaker 1: It's a fucking tree in the lobby. But bone, this

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Speaker 1: is just some of that Midnight Marauders is about to come.

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Speaker 1: He's he's this is out of this. He found out

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Speaker 1: like he was doing he had did one love. He

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Speaker 1: did the mob deep ship like Nigga's like, oh he

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Speaker 1: doing them beat? So I see it was a producer

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Speaker 1: from from Jersey's name is lot Teeth. These niggas had

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Speaker 1: a radio and they're bopping, and I'm looking and I

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Speaker 1: can't get in. It's too many niggas around to get in.

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Speaker 1: I go to the back of the fucking tree. This

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Speaker 1: ship is like six feet tall. It's like a fucking

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Speaker 1: potted plant. I crawled up on the back of the

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Speaker 1: ship and walk over. So this nigga looks over his shoulder,

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Speaker 1: came out of the tree like he looks over his shoulder, like, damn,

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Speaker 1: who is sonning the trees? But I'm bobbing and I'm like,

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Speaker 1: I'm vibing, so nig ain't trying to rob, you know,

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Speaker 1: so some tips like nothing, so it's a nigga rapping

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Speaker 1: for cute tip and I'm sitting there like, no nigga

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Speaker 1: like now it's now, so I bom I started rapping.

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Speaker 1: So I started rapping and he like he looking like yo,

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Speaker 1: this nigga crazy, like this ship crazy. The nigga that

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Speaker 1: I cut off cut me back off. So now I'm

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Speaker 1: so I cut him off, go mucking. Yeah, yeah, I

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Speaker 1: was definitely back I go him by body. The nigga

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Speaker 1: security comes over, Yo, y'all gotta disperse your my man

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Speaker 1: come down at the tree like y'are doing too much?

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Speaker 1: Are you doing? Ship in the tree? Where from the trip?

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Speaker 1: So I get up off the tree, but I'm standing

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Speaker 1: over to the side, and you know, niggas is walking

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Speaker 1: up the ship like this is my tape You're from

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Speaker 1: Jersey with people. But I see him. He keeps like

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Speaker 1: looking to it right like I guess to see if

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Speaker 1: I'm there. So I'm like, I ain't going to way,

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Speaker 1: I'm just gonna stay here. So I'm standing there. I

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Speaker 1: see the nigga. He's like, yo, yo, commit something. So

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Speaker 1: I walked over like, Yo, what's your name? I said,

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Speaker 1: Mad Skills. He's like, yo, saying you else where are you?

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Speaker 1: Where you from? Sir? I was like, I'm from I'm

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Speaker 1: from Virginia. He's like from where? I said Virginia. He

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Speaker 1: was like, you know what you're doing? After this, I said,

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Speaker 1: now I'm just chilling my nigga, Like what what's up?

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Speaker 1: He's like, Yo, you want to roll to this radio station?

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Speaker 1: And I was like fuck yeah. We go up to

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Speaker 1: his room. This first time I seen the nigga had

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Speaker 1: a sweet. I'm used to walk in the hotel rooms

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Speaker 1: and this is the fucking hotel. We walk in the room,

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Speaker 1: it's the sweet. I'm like, oh, they got the whole.

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Speaker 1: She's like polo shit everywhere, fucking closed tims. You know

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Speaker 1: what I'm saying this. Then in the third he said,

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Speaker 1: y'all gonna get dressed real quick. Let me change the

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Speaker 1: old sitting quick yo, And it's a CD player right

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Speaker 1: here goes the nigga goes, but it's cute, and I'm

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Speaker 1: saying so the nigga goes, jo Um, I'm gonna get

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Speaker 1: dressed real quick, yo. This the album and then niggat

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Speaker 1: hit a button and I hear way and comes out

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Speaker 1: like before the only thing out US Awards tour. No,

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Speaker 1: it's just me if you if you didn't come, who

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Speaker 1: you are, nigga? Pep straight locks no Instagram back then.

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Speaker 1: So I'm sitting there and I'm like what then is

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Speaker 1: that some jash like what the fund did this? And

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Speaker 1: I had but the Linden Bulevard represented and I'm like, oh,

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Speaker 1: Ship like the fucking album, so I hate the fucking album.

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Speaker 1: I think the next song was Awards. So I think

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Speaker 1: the next song was the fight. Uh went through Lyndon

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Speaker 1: Boulevard to get the milkshakes. This nigga comes out of

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Speaker 1: the room like, Yo, you're ready. I'm like yeah, like nigga,

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Speaker 1: because I like you, elder you at that point, Ship,

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Speaker 1: I'm like early twenties. Like one we get in the elevator,

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Speaker 1: light throws in the elevator, his road manager, we go downstairs.

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Speaker 1: We go downstairs, and me being thinking mind I had

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Speaker 1: one of those yellow fucking code that caim I said, Yo,

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Speaker 1: let's take a picture real quick. He's like, all right, cool,

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Speaker 1: the van is supposed to come up take the picture.

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Speaker 1: This little kid walks into the picture. I got to

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Speaker 1: it on my grands crazy little kid walks into the picture.

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Speaker 1: I get into the van, slide over. He get in

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Speaker 1: the front seat. This nigger goes, Yo, this is my

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Speaker 1: man merse and this mace and I turned around and

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Speaker 1: daylight as in the fucking back of the van, and

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Speaker 1: I'm like, nigga, I'm in the name or something like,

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Speaker 1: this was you? Officially No, I wasn't, but I swear

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Speaker 1: I wish I was. And he like he like, he

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Speaker 1: tells post. He goes, you're the nigger. I possible. He crazy,

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Speaker 1: he's like your Sonniger that he was lady to talk.

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Speaker 1: I think about it. This is you know, while it's

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Speaker 1: like bred man is technically woo tags get it? Yeah yeah, okay,

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Speaker 1: all right, So the hip hop Confession series, right, what

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Speaker 1: was what was the motive behind that? Well? I started

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Speaker 1: that's just like ten years old, right, So I started it.

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Speaker 1: And this is what's crazy. I not not really. I'm

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Speaker 1: running around and I'm asking niggas like ship like yo,

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Speaker 1: like tell me some stories, like tell me some hip

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Speaker 1: hop show, like what's what's your hip hop confessions? So

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Speaker 1: it was niggas like, yo, you know, I never really

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Speaker 1: you know, listen to songs. So I don't like songs

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Speaker 1: or as the MC. I know you the hottest thing

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Speaker 1: gout don't like them like it was you would say

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Speaker 1: that you really wouldn't say around the homes. So hip

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Speaker 1: Hop Confession started because me and Big sat down and

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Speaker 1: I had it. Yeah, and I had a whole it

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Speaker 1: was a whole TV show. Yeah, yeah, I had an

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Speaker 1: old TV show and we put the ship out and

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Speaker 1: then after like six episodes, it got it got harder

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Speaker 1: to find niggas to to want to tell the truth,

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Speaker 1: to tell stories. So I fell back off the ship.

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Speaker 1: Than a year later podcast happened, and I'm like, fuck,

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Speaker 1: NIGA was earlier. So the nigga has been asked me

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Speaker 1: for ten years straight, YO, bring back hip Hop Confessions.

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Speaker 1: So I just brought it back like this year. I

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Speaker 1: just wrunn about so um super Naps, what was your

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Speaker 1: relationship your battle I mean, if he was a battle

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Speaker 1: MC at that time, you're going through Supernatural. I send it.

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Speaker 1: I sended the demo in the back of the source

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Speaker 1: to Clark Kent Superman Battle for Work. Yeah, that's my

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00:17:17,359 --> 00:17:20,359
Speaker 1: old g I have funny Clark Kent story too. Everybody

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Speaker 1: I send it. I send the tape in and fucking

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Speaker 1: I get picked. I get to New York and it's

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Speaker 1: the New Music Seminars thirty off right there on fucking

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Speaker 1: Midtown Manhattan, fucking forty nine on whatever, Hella Green Badges

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Speaker 1: all that ship. So it's sixteen M sees that the

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Speaker 1: DJ battle did the rap Battle. It's sixteen M sees.

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Speaker 1: I see this one nigga walking with dreads. I'm like, yeah,

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Speaker 1: this is nike A different, Like it's gonna be me

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Speaker 1: and him like this Nigga different. So he started running,

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Speaker 1: running past motherfucker's getting them out of there. I'm doing

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00:17:54,640 --> 00:17:57,680
Speaker 1: the same thing. Puffers Puffer is on the Judge of Table,

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Speaker 1: Tracy Waits, Sheena Leicester and Todd one from from MTV,

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Speaker 1: from your TV raps. So nigga get to the end

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Speaker 1: and dam is there like this nigga can't like, they

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Speaker 1: can't decide who's gonna win. And I think the winner

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Speaker 1: was you got a demo deal and the jacket and

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Speaker 1: a ring, and then the second person got the demo.

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00:18:23,200 --> 00:18:27,160
Speaker 1: They nobody know about that. So Boo mus keep going

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00:18:27,200 --> 00:18:30,240
Speaker 1: back and forth. He hopped in the crowd. He freestyle

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00:18:30,280 --> 00:18:32,920
Speaker 1: about what niggas get on, I hop into crowding after him,

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00:18:32,960 --> 00:18:36,440
Speaker 1: freestyle by what niggas. Niggas like yo, these niggas said,

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Speaker 1: what they have on? He like Clark like Yo. They're

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Speaker 1: going back and forth, puff like nah, man like these niggas,

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00:18:42,119 --> 00:18:44,919
Speaker 1: don't let them go to Clark like yo, Nigga is like,

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Speaker 1: we got to get the funk out of here. So

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00:18:46,920 --> 00:18:52,040
Speaker 1: they do the whole um the apologip yo' giving up

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Speaker 1: give it up for supernatural from Brooklyn, give it up

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Speaker 1: for mad skills from Virginia. Later I find out he

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Speaker 1: from Brooklyn, but then he was from Indiana. But then

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00:19:02,480 --> 00:19:05,600
Speaker 1: he then they say, like, Yo, this man was nice enough.

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Speaker 1: He's gonna take the ring in the jacket. He's gonna

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00:19:08,200 --> 00:19:11,120
Speaker 1: give him the demo deal. So I'm like, I don't

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00:19:11,119 --> 00:19:13,160
Speaker 1: want the fucking demo deal and they want the ring

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Speaker 1: in the fucking jacket Like me, I want to be

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00:19:14,800 --> 00:19:17,399
Speaker 1: the best. I'm not coming up here to be second.

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00:19:17,400 --> 00:19:20,480
Speaker 1: So I came in second and I got the demo deal,

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00:19:20,880 --> 00:19:23,879
Speaker 1: which which kept me in tune with Clark. I go

339
00:19:24,040 --> 00:19:30,960
Speaker 1: outside and it's a cipher outside jay Z outside demolishing

340
00:19:31,040 --> 00:19:36,440
Speaker 1: niggas running through blow for us. No niggas sign rappers

341
00:19:36,480 --> 00:19:38,520
Speaker 1: was looking at the cipher like, oh you're not I

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00:19:38,600 --> 00:19:40,919
Speaker 1: want the props with this and getting straight in the

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Speaker 1: car service like our home was killing niggas young. It's

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00:19:44,480 --> 00:19:46,760
Speaker 1: a young green Landing and they're looking like a fucking

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Speaker 1: fourteen year old hole and Clark is behind him acting

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Speaker 1: out all the words this and the dird But me

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00:19:53,200 --> 00:19:56,280
Speaker 1: and Clark ended up having a relationship afterwards, and Clark

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Speaker 1: did my demo. I used to go to Clark's house

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Speaker 1: and talk about is he like a dumb man? Record? No? No, no,

350
00:20:05,480 --> 00:20:10,000
Speaker 1: I would go to Clark kiss I'm driving, driving, I

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00:20:10,160 --> 00:20:13,000
Speaker 1: dropped back and forth and I'm going to Clark's house

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00:20:13,119 --> 00:20:15,560
Speaker 1: and I'm still trying to I came in second, so

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Speaker 1: I'm still trying to prove not Nick, I'm the best.

354
00:20:17,640 --> 00:20:19,200
Speaker 1: And He's like, y'all want you listen to this nigger

355
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Speaker 1: I got named named Jay And I'm like all right.

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Speaker 1: So he played me records and Ship and I'm like

357
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Speaker 1: you I'll smash that nigger Clark and he like, yeah, yeah,

358
00:20:28,000 --> 00:20:31,160
Speaker 1: comes to listen to record. Listen to the records again.

359
00:20:31,160 --> 00:20:32,600
Speaker 1: He played he played me in a record call What's

360
00:20:32,600 --> 00:20:34,640
Speaker 1: in the name? Ship was most crazy shot I heard

361
00:20:34,680 --> 00:20:38,480
Speaker 1: my life. He was talking about he was talking about hustling,

362
00:20:38,520 --> 00:20:40,359
Speaker 1: but he was talking. He was using his names and

363
00:20:40,359 --> 00:20:43,680
Speaker 1: the sort like rappers name. It's crazy. It's still ten

364
00:20:43,760 --> 00:20:46,200
Speaker 1: records I heard at Clark's house I've never heard before.

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00:20:46,640 --> 00:20:49,159
Speaker 1: So then I guess maybe after the third time me

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00:20:49,200 --> 00:20:51,560
Speaker 1: and Clark did some ship, Clark just gets tired of

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00:20:51,600 --> 00:20:53,760
Speaker 1: and he like, he played me another jay Z record.

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Speaker 1: I'm listening to the ship. I'm like, I see your

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00:20:56,280 --> 00:20:58,040
Speaker 1: club man, Yo, put me in the room. Then they

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00:20:58,119 --> 00:21:01,400
Speaker 1: got I bought it, and he like, Nigga, I funk

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Speaker 1: with you. I'm gonna do your demos. Jay Z is

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00:21:05,040 --> 00:21:08,440
Speaker 1: at Jesus Christ a rat. Stop talking about j Jesus

373
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Speaker 1: Christ a rat like you got He's like before before.

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00:21:13,520 --> 00:21:18,640
Speaker 1: So at this point I'm like, I'm like the g

375
00:21:18,920 --> 00:21:22,880
Speaker 1: so boom, I'm doing it yours. Fast forward way later,

376
00:21:24,480 --> 00:21:28,639
Speaker 1: I'm in ninety eight or somethhing. I I'm signed with Timberland.

377
00:21:28,880 --> 00:21:31,520
Speaker 1: We're in the Manhattan Center and in the little studio

378
00:21:32,359 --> 00:21:36,040
Speaker 1: knocking out joint. So it's me. I want to say, Tim, Pete, Pablo,

379
00:21:36,560 --> 00:21:39,800
Speaker 1: and Jimmy Douglas, right Tim, I think Pete is there

380
00:21:39,840 --> 00:21:42,520
Speaker 1: don't give me the line. They left me and Jimmy

381
00:21:42,560 --> 00:21:46,159
Speaker 1: Douglass in the studio this ninety eight whole. This nigger

382
00:21:46,200 --> 00:21:49,800
Speaker 1: comes into the studio, just me, Jimmy Douglass, jay Z.

383
00:21:49,920 --> 00:21:51,920
Speaker 1: He like, yo, we're tim man. He's like yo, he left.

384
00:21:51,920 --> 00:21:53,640
Speaker 1: I think he'd be right back. He said, yo, pull

385
00:21:53,760 --> 00:21:55,159
Speaker 1: pull it up? What he what he wants me to

386
00:21:55,359 --> 00:21:58,639
Speaker 1: pull it up? He pulls the beat up beat playing,

387
00:21:59,160 --> 00:22:01,960
Speaker 1: and this nigger takes the tennis ball and just starts

388
00:22:02,000 --> 00:22:04,359
Speaker 1: throwing the tennis ball to the floor, to the wall,

389
00:22:04,440 --> 00:22:07,000
Speaker 1: back to his hand, floor to the wall, back to

390
00:22:07,040 --> 00:22:09,960
Speaker 1: his hand. He just mumbling, floor to the wall, back

391
00:22:10,000 --> 00:22:11,600
Speaker 1: to his hand, floor to the wall, back to his

392
00:22:11,960 --> 00:22:15,439
Speaker 1: fifteen minutes. The nigga looks at Jimmy Duginson goes your bravery.

393
00:22:16,800 --> 00:22:22,359
Speaker 1: I'm sitting there like I'm ready for I heard I

394
00:22:22,400 --> 00:22:27,400
Speaker 1: heard rumors, right, because her rumors, Jay don't right. Never,

395
00:22:27,640 --> 00:22:31,560
Speaker 1: I'm like nigga. This nigga goes into the booth. Is

396
00:22:31,600 --> 00:22:35,440
Speaker 1: you're Pemp nigga, Yeah, Pemp nigga, Loso shrip nigga, los

397
00:22:35,600 --> 00:22:38,080
Speaker 1: shrimp nigga, and what's her name? Jinger? And I can't

398
00:22:38,119 --> 00:22:42,480
Speaker 1: like nigga starts doing the verse right, Nigga starts rapping nigga.

399
00:22:42,560 --> 00:22:46,960
Speaker 1: But like jajover Nigga before, I never got no player.

400
00:22:47,080 --> 00:22:49,000
Speaker 1: Now these bitches wanted to give me more head this

401
00:22:49,040 --> 00:22:53,480
Speaker 1: shot day. When I'm in l A, the the six

402
00:22:53,560 --> 00:22:56,120
Speaker 1: Fords ill, when I'm in a t Ellis to coop

403
00:22:56,200 --> 00:22:59,280
Speaker 1: the Ville. When I'm in Miami, I'm hopping through on

404
00:22:59,400 --> 00:23:01,800
Speaker 1: the all black Ninja with the sock over my shoe,

405
00:23:02,240 --> 00:23:07,040
Speaker 1: Mommy sending the chew like who can stopping you? I'm like, yo, nigger,

406
00:23:07,160 --> 00:23:09,960
Speaker 1: like this nigga did all this ship in one tape.

407
00:23:10,320 --> 00:23:15,400
Speaker 1: I'm sitting there going yet this thing is a great

408
00:23:15,000 --> 00:23:19,639
Speaker 1: like we ra that niggas like, I've never seen it before.

409
00:23:19,680 --> 00:23:23,280
Speaker 1: But hol fucking did that ship in like one take

410
00:23:23,359 --> 00:23:27,480
Speaker 1: and left. It was like back two versus two hooks left.

411
00:23:28,080 --> 00:23:31,439
Speaker 1: I didn't to get the sea chap no no. And

412
00:23:31,440 --> 00:23:33,760
Speaker 1: then months later I hit a record and I'm just

413
00:23:33,800 --> 00:23:39,880
Speaker 1: like this, it's naked bad he different. So your whole

414
00:23:39,960 --> 00:23:45,280
Speaker 1: NAS category, who are you going with? I would have

415
00:23:45,320 --> 00:23:49,480
Speaker 1: to say j because you experienced that nos. Nas watched

416
00:23:49,480 --> 00:23:52,240
Speaker 1: me on the song though, so and NAS watched me

417
00:23:52,240 --> 00:23:55,720
Speaker 1: on a Timberland song like straight did me in so

418
00:23:55,720 --> 00:23:57,920
Speaker 1: so he next year we did a song together called

419
00:23:57,960 --> 00:24:01,600
Speaker 1: to My Niggas and Uh, I did my verse Classics Ship.

420
00:24:01,680 --> 00:24:04,919
Speaker 1: I did my verse and I'm fucking I'm on Tim's

421
00:24:04,960 --> 00:24:07,720
Speaker 1: album and Ship the song comes out, I'm like, oh, Ship,

422
00:24:07,800 --> 00:24:10,720
Speaker 1: I'm on a song with na fucking be come on it,

423
00:24:10,840 --> 00:24:13,840
Speaker 1: don't stop be come on. I'm like, oh, Ship, nos

424
00:24:13,840 --> 00:24:15,639
Speaker 1: about to be on this song. This thick comes out.

425
00:24:15,720 --> 00:24:18,159
Speaker 1: Know it splats your dudes and cats. I used I

426
00:24:18,240 --> 00:24:20,680
Speaker 1: used hanging off my chest because my cash improved. I'm

427
00:24:20,720 --> 00:24:24,479
Speaker 1: just like, oh, I didn't get a chance to change

428
00:24:24,520 --> 00:24:28,439
Speaker 1: my ship, like nigga like this. Nigga was like instead

429
00:24:28,440 --> 00:24:31,120
Speaker 1: of Benny Honness, y'all can eat plenty of nass. Like

430
00:24:31,200 --> 00:24:35,320
Speaker 1: this nigga is going hell. And I'm just like, I

431
00:24:35,359 --> 00:24:37,520
Speaker 1: go back to Virginia. Nigga's like, yeah, you got washed

432
00:24:37,520 --> 00:24:39,800
Speaker 1: going on. But then I got a song with nas

433
00:24:39,840 --> 00:24:44,959
Speaker 1: and I'm saying, take it away from you, because you know,

434
00:24:45,160 --> 00:24:49,080
Speaker 1: for years, the year long discussion was who had the

435
00:24:49,119 --> 00:24:51,199
Speaker 1: better verse of bad and TV right for me? Right?

436
00:24:51,600 --> 00:24:54,840
Speaker 1: And I actually really don't care. But you know, sometimes

437
00:24:54,880 --> 00:24:58,359
Speaker 1: when I pay attention, but overwall, I always looked at

438
00:24:58,359 --> 00:25:01,879
Speaker 1: the record as its totality. I never looked at you know,

439
00:25:01,960 --> 00:25:04,600
Speaker 1: part had the better verse or nature had the better verse.

440
00:25:04,760 --> 00:25:08,240
Speaker 1: I think I had the better problem. I didn't like

441
00:25:08,320 --> 00:25:11,640
Speaker 1: when you don't look at it my totality. Everybody didn't

442
00:25:11,680 --> 00:25:15,399
Speaker 1: at But does that take away from the record when

443
00:25:15,920 --> 00:25:17,920
Speaker 1: when people look at it like that, when people look

444
00:25:17,920 --> 00:25:20,200
Speaker 1: at it like this verse like to me, I look

445
00:25:20,320 --> 00:25:25,119
Speaker 1: I like ren the game as a total soul. I

446
00:25:25,160 --> 00:25:27,560
Speaker 1: didn't relate to Marshall's verse, But I didn't say Marshall's

447
00:25:27,640 --> 00:25:30,960
Speaker 1: versus whack. I like it just saw does that there's

448
00:25:31,000 --> 00:25:32,920
Speaker 1: a factor that you Marshall watched him on that though

449
00:25:33,040 --> 00:25:36,200
Speaker 1: the only time Hope ever, guy was you know why?

450
00:25:36,320 --> 00:25:38,199
Speaker 1: You know what? For me? You know why? For me?

451
00:25:38,760 --> 00:25:42,560
Speaker 1: Like when j J is rapping, he's doing jay. When

452
00:25:42,600 --> 00:25:47,200
Speaker 1: fucking Eminem starts rapping, it sounds like somebody's playing a instrument.

453
00:25:47,680 --> 00:25:49,560
Speaker 1: It sounds like a nigga sat down like the keys

454
00:25:49,600 --> 00:25:52,600
Speaker 1: and win. Now, when I'm in the position to talk

455
00:25:52,640 --> 00:25:54,760
Speaker 1: to these kids and they listen, I ain't no politician,

456
00:25:54,840 --> 00:25:57,120
Speaker 1: but I kicking with it, and I'm just like who

457
00:25:59,640 --> 00:26:01,760
Speaker 1: I got to agree with you, but I also have

458
00:26:01,840 --> 00:26:04,280
Speaker 1: to disagree with you because if they're talking about ship

459
00:26:04,400 --> 00:26:09,720
Speaker 1: that I don't care, like absolutely kill you and they

460
00:26:09,720 --> 00:26:13,080
Speaker 1: don't disrespect then yeah, no, never visires killing my mom's

461
00:26:13,080 --> 00:26:15,879
Speaker 1: like that's whe go. No, I got mad at her

462
00:26:15,960 --> 00:26:21,560
Speaker 1: plenty of time. Let out here. We are as young

463
00:26:21,600 --> 00:26:24,040
Speaker 1: as black men, as funked up as our lives. It's coming.

464
00:26:24,880 --> 00:26:29,080
Speaker 1: We love our mom waks like like like hot was

465
00:26:29,080 --> 00:26:32,160
Speaker 1: like even though he wasn't crashing like Nigga, we could

466
00:26:32,240 --> 00:26:35,160
Speaker 1: never make a video fucking putting up shovel of our

467
00:26:35,160 --> 00:26:39,879
Speaker 1: mom and if we did, BT wouldn't playoffs. I was

468
00:26:40,119 --> 00:26:44,359
Speaker 1: killing the bags giving that you got a video. So

469
00:26:44,400 --> 00:26:47,280
Speaker 1: I'm how I saw my mama like Nigga wasn't like,

470
00:26:47,760 --> 00:26:51,359
Speaker 1: But for me, it's just his caduce Like I've never

471
00:26:51,400 --> 00:26:53,520
Speaker 1: seen understand what you're saying. I'm never looking at the

472
00:26:53,520 --> 00:26:56,560
Speaker 1: technicality of how he's wrong because I've never seen nobody

473
00:26:57,200 --> 00:27:01,440
Speaker 1: fucking manipulate vows the way that Nigga do. I'm talking

474
00:27:01,440 --> 00:27:03,880
Speaker 1: about him like when you listen to lose yourself like

475
00:27:04,200 --> 00:27:07,879
Speaker 1: the two viale sounds and lose yourself as um and

476
00:27:08,080 --> 00:27:11,240
Speaker 1: et right, you got um, you got so when he

477
00:27:11,280 --> 00:27:15,439
Speaker 1: starts sucking wrapping moms spaghetti, these weak arms are heavy.

478
00:27:15,480 --> 00:27:19,240
Speaker 1: That's vomit on his sweater already, Moms spaghetti. He's nervous,

479
00:27:19,280 --> 00:27:21,439
Speaker 1: but on the surface he looks calm and ready to

480
00:27:21,560 --> 00:27:25,280
Speaker 1: drop bomb, like he when when he puts together ship.

481
00:27:26,160 --> 00:27:28,919
Speaker 1: But when you puts together ship, I know it's as

482
00:27:28,960 --> 00:27:31,520
Speaker 1: close to perfect as it can be because the motherfucker

483
00:27:31,640 --> 00:27:36,560
Speaker 1: take full Like Nigga, we walk into booth one take hold.

484
00:27:36,640 --> 00:27:38,200
Speaker 1: We think we want to take hold, Like know what

485
00:27:38,200 --> 00:27:41,040
Speaker 1: I'm doing, Nigga said, trash, know what I'm saying, like

486
00:27:41,359 --> 00:27:44,760
Speaker 1: he will sit down and go. These are the words

487
00:27:44,800 --> 00:27:47,360
Speaker 1: that fucking fit. No other words in the English ain't

488
00:27:47,400 --> 00:27:49,240
Speaker 1: wha was fit because if they did, they'd be here.

489
00:27:49,280 --> 00:27:53,080
Speaker 1: It's like he's writing music, Nike. I've taught classes on him.

490
00:27:53,359 --> 00:27:56,200
Speaker 1: But I think one of the craziest songs of all

491
00:27:56,280 --> 00:28:01,880
Speaker 1: time is the Gun. Yes, yes, yes, that's it is incredible. Man.

492
00:28:02,320 --> 00:28:06,280
Speaker 1: I couldn't understand how you did that? Right? Did that?

493
00:28:06,400 --> 00:28:10,679
Speaker 1: What is a song writing? Yes? Very very much so,

494
00:28:11,000 --> 00:28:14,360
Speaker 1: but also to the point of where it's like like

495
00:28:14,560 --> 00:28:16,600
Speaker 1: some people just gifted you know what I'm saying, to

496
00:28:16,680 --> 00:28:19,320
Speaker 1: be able to like we've heard motherfucker's to signify themselves

497
00:28:19,359 --> 00:28:21,639
Speaker 1: as weed and but signify themselves as hip hop and

498
00:28:21,840 --> 00:28:25,000
Speaker 1: should I did it. Naws is different when it comes

499
00:28:25,000 --> 00:28:27,640
Speaker 1: to that ship and then it gets still looking twenty one,

500
00:28:27,920 --> 00:28:30,200
Speaker 1: you know what I'm saying, Like, so he not he

501
00:28:30,280 --> 00:28:33,200
Speaker 1: wanted the greats man, So I was happy to get

502
00:28:33,200 --> 00:28:37,440
Speaker 1: washed on the song by by Esco. Now, when we

503
00:28:37,520 --> 00:28:39,400
Speaker 1: move with you a lot, one of the first things

504
00:28:39,400 --> 00:28:42,680
Speaker 1: that come up is this famous ghost ride, right, which

505
00:28:42,680 --> 00:28:45,920
Speaker 1: I ain't gonna tell you nothing. I just said, but

506
00:28:46,320 --> 00:28:49,600
Speaker 1: how is one go about that? Like what happens? It's

507
00:28:49,640 --> 00:28:51,760
Speaker 1: the record lady. When I suggested that no no, I

508
00:28:51,840 --> 00:28:55,480
Speaker 1: was in New York, New York DJ at the time,

509
00:28:55,600 --> 00:28:57,160
Speaker 1: I ain't gonna say what he was, he was right

510
00:28:57,200 --> 00:29:02,600
Speaker 1: for fabulously check a little bit. Just now, I'm in

511
00:29:02,600 --> 00:29:05,240
Speaker 1: the studio and I'm you know, I'm just in New York.

512
00:29:05,240 --> 00:29:07,840
Speaker 1: I'm Virginia nigga from in New York, like, and I

513
00:29:07,880 --> 00:29:11,000
Speaker 1: have signed a big beat and fucking he comes in

514
00:29:11,000 --> 00:29:13,360
Speaker 1: into the wrong room like like, oh, ship, I thought

515
00:29:13,400 --> 00:29:14,920
Speaker 1: I thought this was the beat room. I said, no, no,

516
00:29:15,600 --> 00:29:17,960
Speaker 1: it's next door whatever. He's like, okay, cool, oh ship

517
00:29:18,000 --> 00:29:20,080
Speaker 1: skills Right, I'm like, yeah, you know what you're working on?

518
00:29:20,360 --> 00:29:21,880
Speaker 1: So I play him some ship and they're like, no,

519
00:29:22,000 --> 00:29:24,400
Speaker 1: this ship hard, nigga, let me get this, and I'm

520
00:29:24,440 --> 00:29:27,760
Speaker 1: like the DJ saying yeah, but the only thing order

521
00:29:28,040 --> 00:29:30,120
Speaker 1: is the hook. He's like, you should let me get

522
00:29:30,200 --> 00:29:32,720
Speaker 1: this and I'm like, yeah, let me let me put

523
00:29:32,760 --> 00:29:35,640
Speaker 1: my wraps on it. I'm not knowing that the nigga

524
00:29:35,760 --> 00:29:38,560
Speaker 1: saying I want this and I want to put other

525
00:29:38,640 --> 00:29:41,280
Speaker 1: rappers on it. I don't. I don't talk with you

526
00:29:41,360 --> 00:29:43,880
Speaker 1: like this. I know who you are. You use cool,

527
00:29:44,240 --> 00:29:48,640
Speaker 1: but this ship hard. The first time bom ship comes,

528
00:29:49,120 --> 00:29:55,240
Speaker 1: what's you said? This was? I want together? It might

529
00:29:55,240 --> 00:29:59,240
Speaker 1: have been unique, have been unique, and then um so

530
00:29:59,240 --> 00:30:00,920
Speaker 1: I give him the ship was the hook and it

531
00:30:01,040 --> 00:30:04,240
Speaker 1: ship comes out. They hit me for the splits. I

532
00:30:04,280 --> 00:30:06,760
Speaker 1: got a big percentage of the record, but considered writing

533
00:30:06,840 --> 00:30:09,440
Speaker 1: yet because you know, but nobody knew that. But I

534
00:30:09,520 --> 00:30:12,920
Speaker 1: hear these rapping niggas saying my hook and I'm just like, damn.

535
00:30:12,960 --> 00:30:14,720
Speaker 1: They they could put me on the record, but they

536
00:30:14,720 --> 00:30:18,680
Speaker 1: read did the hook the hook? The check comes and

537
00:30:18,720 --> 00:30:21,960
Speaker 1: I'm like, oh, yeah, I'm good. I don't gotta be.

538
00:30:22,080 --> 00:30:24,240
Speaker 1: I don't gotta be on the record what I'm saying.

539
00:30:24,240 --> 00:30:26,920
Speaker 1: So then my name started moving around like yo yo,

540
00:30:27,000 --> 00:30:30,200
Speaker 1: Because some niggers have businesses and ENTI season, they don't

541
00:30:30,280 --> 00:30:33,000
Speaker 1: have the time to sit down the craft the Hot

542
00:30:33,040 --> 00:30:35,440
Speaker 1: six teams. So that's where somebody like me coming there

543
00:30:35,440 --> 00:30:37,880
Speaker 1: because we hear these funny stories like Rico Love and

544
00:30:38,320 --> 00:30:41,680
Speaker 1: you know my friend car Dad. Uh. You know, they're

545
00:30:41,720 --> 00:30:45,360
Speaker 1: very honorable too, But that's I always want to know, like, like,

546
00:30:45,400 --> 00:30:47,400
Speaker 1: how does that happen? So you're saying that was the

547
00:30:47,400 --> 00:30:50,640
Speaker 1: first time, all right to what your words? That? Yo? Right?

548
00:30:50,720 --> 00:30:52,400
Speaker 1: So now I'm like, oh, I'm gonna just send this

549
00:30:52,520 --> 00:30:55,959
Speaker 1: c D to whoooooom and they're like, yo, who wrote this?

550
00:30:56,080 --> 00:30:59,040
Speaker 1: Like oh, you know the nigga skills from Virginia? Oh yeah, yeah,

551
00:30:59,040 --> 00:31:00,960
Speaker 1: not nigga nigga pull up. So it was it was

552
00:31:01,000 --> 00:31:03,040
Speaker 1: getting me in doors that I might not have been

553
00:31:03,040 --> 00:31:05,479
Speaker 1: able to get in before I take something, I'll tell

554
00:31:05,520 --> 00:31:08,680
Speaker 1: you something, and I blew this up for um. I

555
00:31:08,760 --> 00:31:10,640
Speaker 1: used to going Farrell sessions and he used to have

556
00:31:10,800 --> 00:31:13,600
Speaker 1: old records for people, and I used to be like,

557
00:31:13,640 --> 00:31:17,760
Speaker 1: oh with the verses. I used to like, oh, ship,

558
00:31:17,840 --> 00:31:20,040
Speaker 1: you're gonna kill us, and He's like stuff for me,

559
00:31:20,640 --> 00:31:23,560
Speaker 1: but I'd be him referenced out, yeah, you mean him

560
00:31:23,560 --> 00:31:27,400
Speaker 1: doing he said. He said, of them, yeah, yeah, I

561
00:31:27,520 --> 00:31:30,640
Speaker 1: threw it up here, plenty of them. Is that how

562
00:31:30,680 --> 00:31:33,360
Speaker 1: you do it? Like you just send himself? But my

563
00:31:33,480 --> 00:31:35,920
Speaker 1: thing is and I'm right, I right, you know I

564
00:31:35,920 --> 00:31:37,880
Speaker 1: started with hip hop, but should I hadn't done like

565
00:31:37,920 --> 00:31:41,160
Speaker 1: fucking you know, R and B records, Pop records. So

566
00:31:41,240 --> 00:31:43,840
Speaker 1: after a while, I it's like I might reference the

567
00:31:43,840 --> 00:31:46,560
Speaker 1: whole thing, but then just leave something for the artists

568
00:31:46,560 --> 00:31:49,320
Speaker 1: if they want to hop in what I'm saying and

569
00:31:49,440 --> 00:31:51,440
Speaker 1: make it their own, like lead the bridge open, lead

570
00:31:51,440 --> 00:31:52,880
Speaker 1: the second verse open. You know what I'm saying. What

571
00:31:52,960 --> 00:31:54,680
Speaker 1: did you think? I'm sorry, I cut you up. I'm

572
00:31:54,680 --> 00:31:56,920
Speaker 1: going good. What did you think about when you heard

573
00:31:57,000 --> 00:32:01,160
Speaker 1: Drake reference tracks? It was I don't have the sooner later?

574
00:32:01,240 --> 00:32:03,320
Speaker 1: What do you mean by that? Like they was gonna

575
00:32:03,320 --> 00:32:05,240
Speaker 1: come out? You know what I'm saying. Like because at

576
00:32:05,280 --> 00:32:07,520
Speaker 1: the end of the day, nigga's like us, we can

577
00:32:07,760 --> 00:32:10,520
Speaker 1: in nineties seven ninety eight, we gave a fun you

578
00:32:10,640 --> 00:32:12,480
Speaker 1: and then if you tell me, Rock Him didn't write

579
00:32:12,520 --> 00:32:19,400
Speaker 1: microphone film knocking all this ship exactly. But for these

580
00:32:19,480 --> 00:32:22,480
Speaker 1: kids today, like they don't fucking care, Like niggas don't

581
00:32:22,480 --> 00:32:24,360
Speaker 1: even have to. They don't even have a proper place

582
00:32:24,440 --> 00:32:26,960
Speaker 1: to go look to find the credits. Does that matter?

583
00:32:27,560 --> 00:32:32,520
Speaker 1: No matter? A hit record matters, A hit record matters

584
00:32:32,720 --> 00:32:36,880
Speaker 1: who wrote it? Don't matter in one. You ain't even

585
00:32:36,920 --> 00:32:41,880
Speaker 1: right your ship. I'm gonna be honest with you. This

586
00:32:41,960 --> 00:32:44,120
Speaker 1: is how I knew. I was on the fence a

587
00:32:44,160 --> 00:32:48,680
Speaker 1: little bit. One of my greatest records that I love,

588
00:32:49,440 --> 00:32:53,680
Speaker 1: it's Easy saying ice Cube drives that I say, and

589
00:32:53,720 --> 00:32:58,920
Speaker 1: I grew up the whole time. Now find the actually

590
00:32:59,640 --> 00:33:03,800
Speaker 1: was yeah, the thing easy he actually said said everybody

591
00:33:03,880 --> 00:33:07,440
Speaker 1: knew Easy wasn't a rapper. Every we didn't. I didn't

592
00:33:07,440 --> 00:33:12,400
Speaker 1: know event I'm gonna be honest one. I was scared

593
00:33:12,440 --> 00:33:15,560
Speaker 1: of it way you're scared of competent to see. I

594
00:33:15,600 --> 00:33:20,840
Speaker 1: thought Compton was jail like Regen's was like, oh shoot,

595
00:33:20,840 --> 00:33:22,600
Speaker 1: I don't wanta I gotta arrest it one time. I'm

596
00:33:22,760 --> 00:33:25,640
Speaker 1: don't take you to Compton. But he's like, what I was?

597
00:33:25,880 --> 00:33:31,040
Speaker 1: You know, Levin, But they made it notorious? When now,

598
00:33:31,680 --> 00:33:37,120
Speaker 1: how how is it I look at Easy as a great?

599
00:33:37,440 --> 00:33:39,440
Speaker 1: And he said that, how is it I look at

600
00:33:39,520 --> 00:33:43,160
Speaker 1: Dr Dre as a great? And he said that I

601
00:33:43,240 --> 00:33:46,360
Speaker 1: look at the care if I write rhymes, I write, Paul,

602
00:33:46,680 --> 00:33:48,880
Speaker 1: I look at him. It's a great But if I

603
00:33:49,040 --> 00:33:54,200
Speaker 1: found out that balance rope, mad skills, well I'm mad

604
00:33:54,240 --> 00:33:58,000
Speaker 1: at you, right, I get it. Why is that because

605
00:33:58,080 --> 00:34:01,560
Speaker 1: we because we you know what it is, we still

606
00:34:01,800 --> 00:34:05,680
Speaker 1: at some point we still want to believe niggas. You

607
00:34:05,720 --> 00:34:08,319
Speaker 1: know what I'm saying, Like when when I understand pre

608
00:34:08,560 --> 00:34:11,279
Speaker 1: pre spotifaller ship, when I went to the Best Buy

609
00:34:11,640 --> 00:34:14,520
Speaker 1: and I spent eighteen dollars on your fucking CD and

610
00:34:14,600 --> 00:34:16,239
Speaker 1: I got in the car and put that ship in.

611
00:34:16,600 --> 00:34:20,480
Speaker 1: I still believe some of them, like we believe Like

612
00:34:20,560 --> 00:34:22,600
Speaker 1: you said, I believe if I went to Compton and

613
00:34:22,640 --> 00:34:25,200
Speaker 1: I wasn't right, I believe I would get robbed out

614
00:34:25,200 --> 00:34:28,200
Speaker 1: of the gate. Like niggas made us believe everything else,

615
00:34:28,480 --> 00:34:31,000
Speaker 1: so that the lifestyle and the ship came along with it.

616
00:34:31,400 --> 00:34:33,520
Speaker 1: And what you gotta understand is when you put out

617
00:34:33,600 --> 00:34:36,640
Speaker 1: that kind of ship, that's what's gonna come back to you.

618
00:34:37,320 --> 00:34:39,080
Speaker 1: So I never forget O G told me like Yo,

619
00:34:39,239 --> 00:34:41,640
Speaker 1: like Nigga said, Yo, make rhymes. Who you want to

620
00:34:41,640 --> 00:34:45,080
Speaker 1: see in the hotel lobby after your show? Who? O G?

621
00:34:45,239 --> 00:34:47,160
Speaker 1: And Philly? I did a show with the roofs and

622
00:34:47,280 --> 00:34:49,520
Speaker 1: me and my DJ and the lobby drinking and the

623
00:34:49,600 --> 00:34:52,279
Speaker 1: nigga like he's sitting there and the nigga said, Yo,

624
00:34:52,400 --> 00:34:57,279
Speaker 1: you know who told me that? You say, because you

625
00:34:57,320 --> 00:34:59,759
Speaker 1: were trapping on the record. I'm sorry. The nigga said, Yo,

626
00:35:00,480 --> 00:35:03,000
Speaker 1: what y'all do? I said, y'all I wrapped. He was like,

627
00:35:03,320 --> 00:35:05,600
Speaker 1: you make music? I said yeah, because he just did

628
00:35:05,640 --> 00:35:08,359
Speaker 1: the Electric Factory. She was sold out. Who do you mean?

629
00:35:08,800 --> 00:35:10,440
Speaker 1: He's like, hey, let me tell you something, young blood,

630
00:35:10,440 --> 00:35:12,479
Speaker 1: and he got about it. That got us Gary leave.

631
00:35:12,920 --> 00:35:14,719
Speaker 1: Nigga walked off and then tap me on the show.

632
00:35:14,760 --> 00:35:16,440
Speaker 1: He said, YO, make records for who you want to

633
00:35:16,480 --> 00:35:19,320
Speaker 1: see in the lobby after your show. And I said,

634
00:35:20,760 --> 00:35:22,720
Speaker 1: why the funk? I ain't even making records for bitches

635
00:35:23,360 --> 00:35:26,719
Speaker 1: this whole time because after after at my show, after

636
00:35:26,840 --> 00:35:28,680
Speaker 1: my show, I get niggessn't want to talk about why

637
00:35:28,760 --> 00:35:31,560
Speaker 1: Trip called Quest broke up? And what's my top five?

638
00:35:31,760 --> 00:35:34,120
Speaker 1: Like I don't get like I might get women, but

639
00:35:34,440 --> 00:35:36,640
Speaker 1: not like l L you know what I'm saying. Like,

640
00:35:37,440 --> 00:35:39,640
Speaker 1: but you don't think it's a difference between who considered

641
00:35:39,680 --> 00:35:42,960
Speaker 1: themselves a rapper versus an MC or you think that's

642
00:35:42,960 --> 00:35:45,600
Speaker 1: going too deep that might be a little deep because

643
00:35:46,480 --> 00:35:49,480
Speaker 1: at some you know, after a while, it's like motherfucker's

644
00:35:49,480 --> 00:35:51,400
Speaker 1: can't really gauge the difference between the two. You know

645
00:35:51,400 --> 00:35:53,560
Speaker 1: what I'm saying, Like the lines get blurred. Yeah, the

646
00:35:53,640 --> 00:35:55,759
Speaker 1: lines definitely get blurred between you who's living in and

647
00:35:56,320 --> 00:36:00,160
Speaker 1: who ain't. And then it's like who kids like these

648
00:36:00,200 --> 00:36:03,880
Speaker 1: motherfucker's ain't breakdancing. They ain't writing your feeding about this.

649
00:36:03,920 --> 00:36:07,920
Speaker 1: They're definitely not. You're not doing nothing that I did it.

650
00:36:08,680 --> 00:36:10,759
Speaker 1: I did everything that I did just to do it.

651
00:36:11,120 --> 00:36:13,520
Speaker 1: I did. I did too. I did too. I had

652
00:36:13,760 --> 00:36:16,720
Speaker 1: my fucking my first My first rap name was fucking

653
00:36:16,800 --> 00:36:18,719
Speaker 1: corny as fun. But my first rap name is MC

654
00:36:18,840 --> 00:36:21,560
Speaker 1: y'all who with the ball to be? It's true, he

655
00:36:21,600 --> 00:36:25,160
Speaker 1: says it all the time. I'm mad didn't work out.

656
00:36:25,239 --> 00:36:29,640
Speaker 1: My first name was the Funky Orators. Come on that

657
00:36:29,840 --> 00:36:35,239
Speaker 1: right now. That doesn't at all something that at all?

658
00:36:36,280 --> 00:36:42,160
Speaker 1: So all right, kids entertainment, he won that was your

659
00:36:42,280 --> 00:36:45,759
Speaker 1: label and the kids entertainment. Yea. Yeah, it's just me

660
00:36:45,880 --> 00:36:47,799
Speaker 1: trying to keep as much of the bread as I could.

661
00:36:47,920 --> 00:36:51,759
Speaker 1: Okay what I'm saying, Okay, keep a because you know

662
00:36:51,840 --> 00:36:54,160
Speaker 1: they wasn't spend all of us went through contact one,

663
00:36:54,640 --> 00:36:57,480
Speaker 1: every everybody, everybody, everybody, which was land speed before that.

664
00:36:58,560 --> 00:37:00,560
Speaker 1: When it was right after this was I think there's

665
00:37:00,600 --> 00:37:03,200
Speaker 1: at the gym, got of popping you fly high. You

666
00:37:03,239 --> 00:37:11,520
Speaker 1: know what we don't forgetting he got last week, get

667
00:37:11,560 --> 00:37:13,680
Speaker 1: this thing on there to fifty he put out ship

668
00:37:13,760 --> 00:37:16,200
Speaker 1: through there. No, I think that was in the original lands,

669
00:37:16,200 --> 00:37:21,040
Speaker 1: but I'm talking about pop lands. Fifty dragged it after like,

670
00:37:21,280 --> 00:37:24,080
Speaker 1: thank you, sir. Do some shots man, kids and god,

671
00:37:24,120 --> 00:37:32,560
Speaker 1: water man, this is not water chipping out for you,

672
00:37:33,560 --> 00:37:38,359
Speaker 1: for you, for you. I got. I'm a white right,

673
00:37:38,880 --> 00:37:40,960
Speaker 1: I'm do a white grape shot a white gap we got.

674
00:37:41,080 --> 00:37:45,400
Speaker 1: We gotta shout out the Organic Food Kings's incredible. We

675
00:37:45,480 --> 00:37:48,200
Speaker 1: got the truck outside at Organic Food Kings. Make sure

676
00:37:48,239 --> 00:37:50,960
Speaker 1: you check them out. We're gonna beating them all the time.

677
00:37:51,080 --> 00:37:54,399
Speaker 1: Right now, that's the same ship. No, it's different color.

678
00:37:56,120 --> 00:37:59,359
Speaker 1: That's one is bootleg? Which one is bootleg? We don't

679
00:37:59,360 --> 00:38:02,120
Speaker 1: want so what would say? Oh yeah, y'all holding on,

680
00:38:02,280 --> 00:38:05,000
Speaker 1: you got you still got your pit bullshit. They cut

681
00:38:05,080 --> 00:38:07,680
Speaker 1: you with jack. That's that's why that's right here now,

682
00:38:08,040 --> 00:38:11,480
Speaker 1: that's why it always comes out for the shot. So boom,

683
00:38:13,880 --> 00:38:17,040
Speaker 1: the older go back to Q tip was this pre

684
00:38:17,840 --> 00:38:21,760
Speaker 1: or post the beef with with Rex in Effect posts,

685
00:38:22,160 --> 00:38:28,080
Speaker 1: So how is that weird? Like because that's Virginia. I

686
00:38:28,120 --> 00:38:30,680
Speaker 1: had to get involved that. Yeah, Like no, it was

687
00:38:30,840 --> 00:38:33,160
Speaker 1: um you know because Rex in Effect was halland but

688
00:38:33,160 --> 00:38:36,600
Speaker 1: they was running around in Virginia Beach with Teddy. You know,

689
00:38:37,160 --> 00:38:39,319
Speaker 1: I think they I think they took offense to something

690
00:38:39,360 --> 00:38:42,360
Speaker 1: that fight said Fife said, strictly hardcore tracks, not a

691
00:38:42,400 --> 00:38:45,160
Speaker 1: new Jack swing God bless God bless fight. Um, and

692
00:38:45,360 --> 00:38:47,120
Speaker 1: they thought they felt some kind of way about it.

693
00:38:47,200 --> 00:38:49,960
Speaker 1: You know, I wasn't unstan he becoming that a lot

694
00:38:50,000 --> 00:38:57,080
Speaker 1: of people. Yeah, he has to wear always like doing

695
00:38:57,120 --> 00:39:00,960
Speaker 1: this thing like um yeah, but I think they jumped

696
00:39:01,000 --> 00:39:03,680
Speaker 1: him with some ship and he had the patch of

697
00:39:03,719 --> 00:39:07,279
Speaker 1: the video the video Sex on the Platfort Sex on

698
00:39:07,320 --> 00:39:10,759
Speaker 1: the Fat. They say, here, I don't know that's that's

699
00:39:10,960 --> 00:39:14,719
Speaker 1: we talked about it. We talked about it with ship.

700
00:39:14,840 --> 00:39:18,920
Speaker 1: I didn't know that yeah, yeah, yeah, so we forget

701
00:39:18,920 --> 00:39:21,640
Speaker 1: a lot of But now he was very instrumental and

702
00:39:22,080 --> 00:39:24,200
Speaker 1: you know, I'm running around with him and like I said,

703
00:39:24,200 --> 00:39:29,080
Speaker 1: after when I met him after the night after the

704
00:39:29,960 --> 00:39:32,279
Speaker 1: Jack the rapping ship, he gave me his number. So

705
00:39:32,400 --> 00:39:35,920
Speaker 1: I get back home and my my mom said, yo. Um.

706
00:39:36,080 --> 00:39:38,239
Speaker 1: Like two weeks later, my mom said, Yo, somebody named

707
00:39:38,320 --> 00:39:41,560
Speaker 1: RiPP called you. I'm like, who she likes? Somebody named Ripped?

708
00:39:41,560 --> 00:39:43,520
Speaker 1: I don't know. He left a message in the answer machine.

709
00:39:43,760 --> 00:39:45,680
Speaker 1: So I go hit the button on the answer machine

710
00:39:45,920 --> 00:39:47,960
Speaker 1: and I heard, Yo, you know what I'm saying this

711
00:39:48,480 --> 00:39:53,719
Speaker 1: this this just tipping. I'm saying, yo, Yo, I want

712
00:39:53,760 --> 00:39:56,520
Speaker 1: to know something like how before you live from Hampton, Virginia.

713
00:39:56,600 --> 00:39:58,799
Speaker 1: Son hit me up. So I get off the phone.

714
00:39:58,840 --> 00:40:00,759
Speaker 1: I'm like, Yo, this ship is crazy. He's like, my

715
00:40:00,920 --> 00:40:03,520
Speaker 1: fucking life could change. So I called nigga back. He

716
00:40:03,600 --> 00:40:06,000
Speaker 1: asked me how far I lived from via from Hampton,

717
00:40:06,040 --> 00:40:09,200
Speaker 1: which is down there. Bob Pea Mack. I go to

718
00:40:09,320 --> 00:40:12,160
Speaker 1: the show and I've been with him. I have been

719
00:40:12,200 --> 00:40:13,920
Speaker 1: done a a couple of shows with it all nv A.

720
00:40:14,080 --> 00:40:15,759
Speaker 1: I go to this show and they would let me

721
00:40:15,800 --> 00:40:19,359
Speaker 1: freestyle at the end over God Lives through the beat

722
00:40:19,400 --> 00:40:22,800
Speaker 1: for God Lives through. So we we do it. My

723
00:40:22,920 --> 00:40:26,600
Speaker 1: man with me. We're leaving. We're leaving, about to ride

724
00:40:26,640 --> 00:40:29,879
Speaker 1: back to Richmond down down the highway. This nigga comes

725
00:40:29,960 --> 00:40:33,239
Speaker 1: up behind me with sucking silver goloshes. Then he had

726
00:40:33,280 --> 00:40:37,000
Speaker 1: silver gobbles on his head, a silver Donna Karen fucking jacket,

727
00:40:37,360 --> 00:40:41,680
Speaker 1: some black pants, and some silver Donna Karen fucking rain boots.

728
00:40:42,200 --> 00:40:44,600
Speaker 1: And nigga says, yo, man, won't you just on stage

729
00:40:44,600 --> 00:40:46,600
Speaker 1: with tipping them? And I was like yeah, and he

730
00:40:46,760 --> 00:40:48,560
Speaker 1: was like, yo, I gotta I gotta meet him, Man,

731
00:40:48,600 --> 00:40:51,120
Speaker 1: you gotta introduce me. And while we're standing there talking,

732
00:40:51,120 --> 00:40:52,680
Speaker 1: I'm looking at this nigga, like, Yo, this nig is

733
00:40:52,719 --> 00:40:55,440
Speaker 1: weird as fun. The toll buses at the light blinker

734
00:40:55,719 --> 00:40:58,600
Speaker 1: blinker on ship about the move and I'm sitting there

735
00:40:58,640 --> 00:41:00,680
Speaker 1: looking at this nigga and he's like, yo, I said, Yo,

736
00:41:00,719 --> 00:41:02,200
Speaker 1: you rapp He said yeah. I said what's your name?

737
00:41:02,239 --> 00:41:06,400
Speaker 1: He said, Magnum the verb Lord. I said, oh okay,

738
00:41:06,880 --> 00:41:10,240
Speaker 1: So I started beat boxing. My man starts sucking rapping.

739
00:41:10,400 --> 00:41:13,000
Speaker 1: These niggas rapping about the planets and they want to

740
00:41:13,080 --> 00:41:18,040
Speaker 1: keep Mary ship. And that was what they say that

741
00:41:18,360 --> 00:41:21,800
Speaker 1: what was his name an Agnum the verb Lord. That

742
00:41:21,920 --> 00:41:30,200
Speaker 1: was his rapping name. I went with the government, but

743
00:41:31,000 --> 00:41:33,520
Speaker 1: super ill like that's how that's the first time met

744
00:41:33,560 --> 00:41:35,560
Speaker 1: for Rell. So come I want to get back to that.

745
00:41:35,600 --> 00:41:37,040
Speaker 1: But I want to ask you something. You said he

746
00:41:37,120 --> 00:41:41,040
Speaker 1: was freestyle right right, that's a freestyle. Really have to

747
00:41:41,080 --> 00:41:46,799
Speaker 1: be a freestyle the age old conversation. I would say

748
00:41:47,880 --> 00:41:49,480
Speaker 1: a freestyle could be two things. It could be a

749
00:41:49,520 --> 00:41:52,080
Speaker 1: rhyme you never heard, or could be something made up

750
00:41:52,200 --> 00:41:55,000
Speaker 1: in PROMPTU right on the spot. Right, That's that's the

751
00:41:55,080 --> 00:41:57,080
Speaker 1: only two that's gonna go that way. Otherwise just a

752
00:41:57,120 --> 00:42:00,840
Speaker 1: written um. Some niggas were skilled that making it sound

753
00:42:00,960 --> 00:42:02,520
Speaker 1: like I came up with it on the spot. I

754
00:42:02,640 --> 00:42:04,960
Speaker 1: was real good at that. I'm throwing something around the room.

755
00:42:05,120 --> 00:42:06,960
Speaker 1: Then I go into a little bit of rig six

756
00:42:07,920 --> 00:42:11,000
Speaker 1: back like that old ship like, I was real good

757
00:42:11,000 --> 00:42:14,600
Speaker 1: at that. I don't think it matters as long as

758
00:42:14,600 --> 00:42:17,839
Speaker 1: it's dope, you know what I'm saying. Because at certain times,

759
00:42:17,920 --> 00:42:21,520
Speaker 1: it's like niggas would go to Rap City. Let's say

760
00:42:21,520 --> 00:42:24,880
Speaker 1: you go see Tiger, Like, niggas got Cam there, they

761
00:42:24,960 --> 00:42:28,000
Speaker 1: got Jim there, They're doing all these tapings. Fucking A

762
00:42:28,239 --> 00:42:31,000
Speaker 1: Z is ready to do his ship like nigger Like,

763
00:42:31,200 --> 00:42:33,320
Speaker 1: it's no point of going in the booth with ticket

764
00:42:33,440 --> 00:42:35,440
Speaker 1: and trying to freestyle this ship. It's just going to

765
00:42:35,520 --> 00:42:39,479
Speaker 1: eighteen million homes. Make it dope, you know what? I'm saying,

766
00:42:39,840 --> 00:42:42,359
Speaker 1: nobody's gonna give a funk if you fumble. They're going back.

767
00:42:42,360 --> 00:42:44,160
Speaker 1: Then this nigga fumbled in the booth, sound like you're

768
00:42:44,160 --> 00:42:46,920
Speaker 1: trying to come up, like what's the point? So I

769
00:42:47,000 --> 00:42:48,480
Speaker 1: feel like I feel like, you know what it is.

770
00:42:48,520 --> 00:42:51,880
Speaker 1: It's like a dunk, but it's still two points two,

771
00:42:52,360 --> 00:42:54,960
Speaker 1: no matter how good at no matter how good, it's

772
00:42:54,960 --> 00:43:05,800
Speaker 1: still ready even get a cop right, come one. Because

773
00:43:06,239 --> 00:43:10,320
Speaker 1: in this show, we celebrate motherfucker's longevity. They want to

774
00:43:10,360 --> 00:43:12,320
Speaker 1: kill people out the game over it is here we

775
00:43:12,400 --> 00:43:20,960
Speaker 1: celebrate all motherfucking legends. So I look, I like the

776
00:43:21,000 --> 00:43:24,440
Speaker 1: white Great. It's the best white great ever. I like that.

777
00:43:25,160 --> 00:43:26,839
Speaker 1: So I'm gonna get ready for the next one. Ready.

778
00:43:27,719 --> 00:43:29,520
Speaker 1: When I listened to you, When I listened to you,

779
00:43:30,480 --> 00:43:35,719
Speaker 1: it's like every single line matters to right. You think

780
00:43:35,800 --> 00:43:38,359
Speaker 1: that's a plus or a card to a certain extent,

781
00:43:38,480 --> 00:43:41,000
Speaker 1: because if I'm just one thing, I could miss a

782
00:43:41,120 --> 00:43:44,360
Speaker 1: whole truth, the whole concept of this of this. So

783
00:43:44,480 --> 00:43:47,040
Speaker 1: what do you think about years later? When I mean,

784
00:43:47,080 --> 00:43:48,879
Speaker 1: when I listened back to my old raps and ship,

785
00:43:48,960 --> 00:43:53,360
Speaker 1: it's it's almost like I was super fucking confident, cocky,

786
00:43:53,440 --> 00:43:57,680
Speaker 1: and but who wasn't. He was ahead of the around.

787
00:43:57,680 --> 00:44:00,640
Speaker 1: I used to fucking demolish rap like that was my

788
00:44:00,760 --> 00:44:04,160
Speaker 1: whole thing. And you know, um going back and forth,

789
00:44:04,320 --> 00:44:06,120
Speaker 1: you know, from Virginia to New York, riding up in

790
00:44:06,160 --> 00:44:08,840
Speaker 1: the turnpike, trying to get on like we knew that

791
00:44:09,200 --> 00:44:11,439
Speaker 1: we couldn't just be average, you know what I'm saying,

792
00:44:11,560 --> 00:44:14,840
Speaker 1: Like we had to fucking be good, you know, just

793
00:44:14,920 --> 00:44:17,799
Speaker 1: stand out like like yeah, So that's how I ended

794
00:44:17,880 --> 00:44:20,080
Speaker 1: up things like yo, where you from, Nigga? Like and

795
00:44:20,160 --> 00:44:22,720
Speaker 1: I'm like, I'm from Virginia And the answer was always

796
00:44:22,760 --> 00:44:25,520
Speaker 1: from where I didn't know niggas like that in Va

797
00:44:25,640 --> 00:44:28,560
Speaker 1: like Nanda. I'm like like nigga like trying me know

798
00:44:28,560 --> 00:44:30,880
Speaker 1: what I'm saying, Like so that was my whole emo

799
00:44:31,160 --> 00:44:34,160
Speaker 1: like back then. But yeah, no, man, it's just it's

800
00:44:34,200 --> 00:44:36,839
Speaker 1: just it just went that way because because like I said,

801
00:44:36,920 --> 00:44:40,760
Speaker 1: it's just like like it's every single line right it started.

802
00:44:40,800 --> 00:44:45,400
Speaker 1: It started out, It's like and we'll articulated, right because

803
00:44:45,400 --> 00:44:48,480
Speaker 1: I wanted people to understand what I was saying, you

804
00:44:48,520 --> 00:44:50,879
Speaker 1: know what I'm saying, And like the mumbleship came later

805
00:44:51,000 --> 00:44:53,200
Speaker 1: like we you know, we we made sure niggas can

806
00:44:53,320 --> 00:44:55,799
Speaker 1: understand what the we'll be saying, Like for the most part,

807
00:44:56,080 --> 00:44:57,440
Speaker 1: you know what I mean, Like, that's what it was,

808
00:44:57,600 --> 00:45:00,560
Speaker 1: so you like mumble rap for you are listen, man,

809
00:45:00,680 --> 00:45:03,320
Speaker 1: I feel like I always like the music gonna do

810
00:45:03,400 --> 00:45:05,319
Speaker 1: what the youth is doing. But wait, I second hold

811
00:45:05,360 --> 00:45:07,120
Speaker 1: up and said, you're gonna tell me that there's an

812
00:45:07,160 --> 00:45:11,520
Speaker 1: artist out there saying I do mumble rap. Yeah, come on, man,

813
00:45:11,600 --> 00:45:15,760
Speaker 1: what Acsho says I'm mumble wrap is ef? The girls

814
00:45:15,800 --> 00:45:19,960
Speaker 1: clamming up like that, they say, I mean, that's one

815
00:45:20,000 --> 00:45:21,960
Speaker 1: thing to call it mumble rap, but they're going out

816
00:45:21,960 --> 00:45:26,480
Speaker 1: there saying that's my ship, I'm a mumble rapper. Like

817
00:45:26,600 --> 00:45:32,279
Speaker 1: how bad happening? The backpack term didn't like it. That's different, man,

818
00:45:32,320 --> 00:45:34,920
Speaker 1: that's a little distance because what is what it is

819
00:45:35,120 --> 00:45:37,640
Speaker 1: is that for them, it's about the feeling. For us,

820
00:45:37,760 --> 00:45:40,359
Speaker 1: it's about it was about the content. They just they

821
00:45:40,440 --> 00:45:42,800
Speaker 1: just cared about what feel good the music gonna do

822
00:45:42,920 --> 00:45:45,440
Speaker 1: what the kid's gonna do. Bro, you know what I'm saying, Like,

823
00:45:45,560 --> 00:45:51,680
Speaker 1: that's just what it is. Like I like that. I like,

824
00:45:52,760 --> 00:45:55,400
Speaker 1: I don't know what they say. They don't know what

825
00:45:59,480 --> 00:46:02,879
Speaker 1: I got. I'm gonna sept the new generation. The one

826
00:46:02,920 --> 00:46:05,040
Speaker 1: thing that I hated bout the new generation, which blows

827
00:46:05,200 --> 00:46:07,759
Speaker 1: me over, blows me over. Right, I accept him, but

828
00:46:07,880 --> 00:46:10,279
Speaker 1: I do hate this part of right. They'll sit there

829
00:46:10,320 --> 00:46:14,719
Speaker 1: and make a record like uh, Michael Jordan's, They'll make

830
00:46:14,760 --> 00:46:18,719
Speaker 1: a twenty three right, they'll make up Mike Tyson. I

831
00:46:18,800 --> 00:46:21,680
Speaker 1: think you wan't around when Mike Tyson was people are

832
00:46:21,680 --> 00:46:24,640
Speaker 1: you went around what Jordan was playing? And why not

833
00:46:26,600 --> 00:46:29,200
Speaker 1: study your own craft? Why not go out there and

834
00:46:29,320 --> 00:46:31,960
Speaker 1: no know who Mellie mell is to know who Grandmaster

835
00:46:32,040 --> 00:46:34,200
Speaker 1: cast is? No cou hurk is. You know what I'm saying.

836
00:46:34,239 --> 00:46:37,120
Speaker 1: I maybe I went too far because you know who

837
00:46:37,200 --> 00:46:40,120
Speaker 1: are honorious? I teach you not. I went to Sunday

838
00:46:40,160 --> 00:46:43,880
Speaker 1: service one time and I see Cremo just walk right bobs.

839
00:46:44,840 --> 00:46:47,000
Speaker 1: We looked at Krebo. We looked it up and think,

840
00:46:47,040 --> 00:46:50,320
Speaker 1: ain't make our contact, but numbers it was me j

841
00:46:50,520 --> 00:46:53,120
Speaker 1: the kiss and motherfucking fat jokes. I looked at it

842
00:46:53,120 --> 00:46:55,279
Speaker 1: and I said, all right, he he necktizes. Then't need you.

843
00:46:55,560 --> 00:46:58,880
Speaker 1: So I ain't taking personally because what I'm trying to

844
00:46:58,960 --> 00:47:02,480
Speaker 1: say is I could easily like grab because easily said, oh,

845
00:47:02,480 --> 00:47:04,200
Speaker 1: I don't know who it is, and I would have

846
00:47:04,239 --> 00:47:06,839
Speaker 1: had to respect that. I would have been I would

847
00:47:06,880 --> 00:47:09,400
Speaker 1: have been disappointed. But you don't have to respect I

848
00:47:09,400 --> 00:47:12,000
Speaker 1: don't have to respect that because I remember certain people

849
00:47:12,040 --> 00:47:13,960
Speaker 1: that I didn't know when hip hopa came before me,

850
00:47:14,360 --> 00:47:16,440
Speaker 1: and I wanted to study them. Right, but this, so,

851
00:47:17,280 --> 00:47:19,000
Speaker 1: what do you feel like in that situation? It was

852
00:47:19,120 --> 00:47:22,640
Speaker 1: but real. The culture taught us to dig in the crazy,

853
00:47:23,600 --> 00:47:26,200
Speaker 1: to respect el even though we weren't from that. We

854
00:47:26,320 --> 00:47:29,200
Speaker 1: weren't from the mill Melo, grand Master flags, but we

855
00:47:29,360 --> 00:47:32,040
Speaker 1: knew those were the architects of pioneers. And even though

856
00:47:32,080 --> 00:47:34,719
Speaker 1: we didn't listen to them every day, we respected where

857
00:47:34,719 --> 00:47:37,279
Speaker 1: they're going from. We didn't continue that we're saying like

858
00:47:37,320 --> 00:47:40,320
Speaker 1: our generation because I put it in the connotation of

859
00:47:40,480 --> 00:47:42,640
Speaker 1: like a car. Like so, say I had a I

860
00:47:42,719 --> 00:47:45,319
Speaker 1: got a car headed in nineties and it was mine,

861
00:47:45,480 --> 00:47:47,360
Speaker 1: me and you was working in the car. We was

862
00:47:47,400 --> 00:47:50,280
Speaker 1: banging a lot of mob deep, a lot of tribe professors.

863
00:47:50,280 --> 00:47:54,680
Speaker 1: Ship was hard like that. I gave it, y'all. I mean, y'all,

864
00:47:59,239 --> 00:48:02,400
Speaker 1: I wouldn't saying that. So I gave the car with

865
00:48:02,480 --> 00:48:07,160
Speaker 1: my son, right, it's his car. Now he'll give a

866
00:48:07,239 --> 00:48:08,840
Speaker 1: funk about the car and make a dog and the

867
00:48:08,880 --> 00:48:12,160
Speaker 1: ship out of the car. But it's his car. Now,

868
00:48:12,600 --> 00:48:14,840
Speaker 1: I see him pulling the driveway. I'm looking at it.

869
00:48:14,880 --> 00:48:18,640
Speaker 1: I'm like, yo, nigga, like your back tiger, Yo, you

870
00:48:18,760 --> 00:48:23,000
Speaker 1: got slow leak like nigga me cranking up. I'm like, yo, yo,

871
00:48:23,880 --> 00:48:27,160
Speaker 1: corporator sound like. But he's not taking care of the car.

872
00:48:28,000 --> 00:48:31,439
Speaker 1: But it's his car, so we gotta just set back

873
00:48:31,840 --> 00:48:39,040
Speaker 1: and is heavy. That's I'm gonna tell you why. Because

874
00:48:39,040 --> 00:48:41,160
Speaker 1: it's a different time. We're all still in it were

875
00:48:41,239 --> 00:48:44,640
Speaker 1: it's the first this is there, This mom is graduated

876
00:48:44,640 --> 00:48:48,239
Speaker 1: to your grandparents. If you let yourself borrow the cars,

877
00:48:48,400 --> 00:48:50,879
Speaker 1: that's what we all are with old borrowers right, nothing

878
00:48:50,920 --> 00:48:53,279
Speaker 1: that this ship is really are. So we have a

879
00:48:53,520 --> 00:48:57,000
Speaker 1: still choice I borrow, but we're giving him the car.

880
00:48:57,480 --> 00:49:00,200
Speaker 1: I agree with you because I'm gonna tell I'm gonna

881
00:49:00,200 --> 00:49:01,799
Speaker 1: tell him if he borned, I'm gonna say, yo, you've

882
00:49:01,800 --> 00:49:03,320
Speaker 1: better take care. That ship is gonna die on you.

883
00:49:03,520 --> 00:49:04,840
Speaker 1: And then when the ship died on him, I just

884
00:49:04,880 --> 00:49:06,920
Speaker 1: got to go. I told you, nigger, like he sucked

885
00:49:06,920 --> 00:49:11,359
Speaker 1: the car. Or you get them all you change yes

886
00:49:11,480 --> 00:49:17,040
Speaker 1: and put every they say this is on Sundays Nigga's

887
00:49:17,080 --> 00:49:23,279
Speaker 1: My Ship hip hop late late eighties, No, not really

888
00:49:23,480 --> 00:49:27,080
Speaker 1: late eighties, early nineties. So eighty nine I think the

889
00:49:27,400 --> 00:49:30,120
Speaker 1: three I think we come up with the like that's

890
00:49:30,280 --> 00:49:33,839
Speaker 1: that was listening. Bro. We had some funk ups back then,

891
00:49:33,960 --> 00:49:37,600
Speaker 1: but it was it was It was beautiful, man, like

892
00:49:37,680 --> 00:49:39,400
Speaker 1: you know what I'm saying. Like niggas was getting it

893
00:49:40,000 --> 00:49:43,640
Speaker 1: eighty nine and ninety three. Everything was fucking bumping. Everything

894
00:49:43,840 --> 00:49:46,520
Speaker 1: sounded good. Everybody was making quality ship. Niggas was making

895
00:49:46,560 --> 00:49:49,040
Speaker 1: other niggas get back. People were still sampling with it.

896
00:49:49,080 --> 00:49:52,239
Speaker 1: Sound amazing, like niggas was hearing other niggas and then't like, no, no,

897
00:49:52,320 --> 00:49:54,440
Speaker 1: I gotta go get my ship right, you know what

898
00:49:54,480 --> 00:49:57,239
Speaker 1: I'm saying. We didn't trying to sound like that was

899
00:49:57,320 --> 00:49:59,239
Speaker 1: the thing. You couldn't sound like any nigger. I could

900
00:49:59,280 --> 00:50:01,640
Speaker 1: go to a show a fucking ninety and it'll be

901
00:50:01,800 --> 00:50:07,040
Speaker 1: too short. KRS one, Digital Underground, E P. M D.

902
00:50:07,719 --> 00:50:10,399
Speaker 1: Like all these niggas on the same bill like now,

903
00:50:10,560 --> 00:50:13,160
Speaker 1: you could never do no ship like that. You couldn't

904
00:50:13,160 --> 00:50:15,800
Speaker 1: have fucking me Gooes on the same bill with J Cole.

905
00:50:16,440 --> 00:50:19,359
Speaker 1: The ship wouldn't make sense. I don't see that ain't gonna.

906
00:50:20,680 --> 00:50:23,360
Speaker 1: I would, but the kids wouldn't probably, you know what

907
00:50:23,360 --> 00:50:25,600
Speaker 1: I'm saying. Like, so it's a different area. I hate

908
00:50:25,600 --> 00:50:28,960
Speaker 1: the way they can't mesh now because because back then,

909
00:50:29,040 --> 00:50:30,800
Speaker 1: like niggas in that area, like you, you was just

910
00:50:30,920 --> 00:50:32,759
Speaker 1: a nice nigga for then. I kind of like what

911
00:50:32,880 --> 00:50:34,920
Speaker 1: Nas is doing with the kids disease. He kind of

912
00:50:34,960 --> 00:50:37,640
Speaker 1: like put the hit boy. Yeah no no, not like

913
00:50:37,760 --> 00:50:39,680
Speaker 1: I said, like that nigga can do no wrong, bro,

914
00:50:39,880 --> 00:50:42,320
Speaker 1: Like he's Nas can't do no wrong, Like he's a

915
00:50:42,440 --> 00:50:45,000
Speaker 1: fucking god in his rap ship. You know what I'm saying,

916
00:50:45,200 --> 00:50:48,440
Speaker 1: Love him, Love him? So how did um because you

917
00:50:48,480 --> 00:50:50,400
Speaker 1: were signed the timber at my point where he already

918
00:50:50,400 --> 00:50:52,200
Speaker 1: said that, yes, how did you guys hook up? Or

919
00:50:52,239 --> 00:50:53,719
Speaker 1: how did that interally? Because you know it wasn't just

920
00:50:53,800 --> 00:51:00,279
Speaker 1: a Virginia thing or was Magoo fucking I'm where the

921
00:51:01,160 --> 00:51:03,279
Speaker 1: about to say, yo yo, not the nigga. And like

922
00:51:03,360 --> 00:51:05,360
Speaker 1: he managed arts then do real estate? I think he

923
00:51:05,480 --> 00:51:08,120
Speaker 1: man he was managing artists who good like clapping up.

924
00:51:13,120 --> 00:51:16,680
Speaker 1: So what happened? Shots? It's ninety seven, it's the no

925
00:51:16,800 --> 00:51:22,640
Speaker 1: way out to Virginia. In Virginia, they missy Tim and

926
00:51:22,719 --> 00:51:25,479
Speaker 1: Magoo come down to to where I'm from the city

927
00:51:25,520 --> 00:51:28,080
Speaker 1: I'm from to come to the show. Sucking Puff is

928
00:51:28,200 --> 00:51:31,239
Speaker 1: killing this. It's no way out. Biggie has passed and

929
00:51:31,480 --> 00:51:35,799
Speaker 1: the fucking Puff is mashing. I'm backstage sucking d Dot

930
00:51:35,880 --> 00:51:39,360
Speaker 1: the locks May. We're shooting dice and Ship and I

931
00:51:39,480 --> 00:51:42,840
Speaker 1: see Magoo in the hallway and he's like, yo, nigga,

932
00:51:42,880 --> 00:51:44,759
Speaker 1: what you're doing? And I'm like, I said, I can't

933
00:51:44,880 --> 00:51:47,799
Speaker 1: see pump Daddy Like Nigga, He's like, yo, who are

934
00:51:47,800 --> 00:51:50,719
Speaker 1: you winning them? When your new ship coming out? I said, Yo, No,

935
00:51:50,960 --> 00:51:53,120
Speaker 1: like I ain't on Big Beat no more, like that's

936
00:51:53,160 --> 00:51:56,279
Speaker 1: just Junior Mafi out. Nigga like I'm I'm I'm chilling.

937
00:51:56,280 --> 00:51:59,040
Speaker 1: I'm a free agent. Said you ain't no deal. I said, nah,

938
00:51:59,080 --> 00:52:01,800
Speaker 1: he's nick you got me him. I'm like, okay, So

939
00:52:01,920 --> 00:52:07,239
Speaker 1: Nigga introduces me to him. He introduced me to him.

940
00:52:07,320 --> 00:52:10,880
Speaker 1: I see Missy, I seek him and Magoo is like

941
00:52:11,120 --> 00:52:14,040
Speaker 1: pressing him, like, no, Nigga, this is the nigga. He

942
00:52:14,200 --> 00:52:17,200
Speaker 1: gotta be with us Like this, Nigga don't got no deal.

943
00:52:17,320 --> 00:52:19,040
Speaker 1: That's blast forem me. He needed to be with us.

944
00:52:19,239 --> 00:52:21,200
Speaker 1: So Tim like I cool, come to the studio of

945
00:52:21,239 --> 00:52:24,719
Speaker 1: the Marrow, and I drive Virginia Beach, meets him. We

946
00:52:24,840 --> 00:52:27,799
Speaker 1: do like seven songs like in one day, and from

947
00:52:27,840 --> 00:52:30,200
Speaker 1: then on it was I was with him. And that's

948
00:52:30,239 --> 00:52:32,719
Speaker 1: how I ended up hyping man and for Missy. And

949
00:52:32,840 --> 00:52:36,480
Speaker 1: that's when I started watching this song writing process because

950
00:52:36,560 --> 00:52:39,920
Speaker 1: Missy don't even have a deal and the fucking Lambeau

951
00:52:40,080 --> 00:52:42,560
Speaker 1: was purple. You know what I'm saying that the Junes

952
00:52:42,640 --> 00:52:45,440
Speaker 1: is truck and I'm sitting there like, what am I

953
00:52:45,640 --> 00:52:49,719
Speaker 1: doing wrong? Before you start goes right around the time

954
00:52:49,760 --> 00:52:53,840
Speaker 1: because said miss Missy was doing Mariah Carries in the studio,

955
00:52:53,960 --> 00:52:57,560
Speaker 1: Jannet Jackson coming down here like Steve lo seven oh

956
00:52:57,680 --> 00:53:00,520
Speaker 1: two or Leah Ship and I'm just like and she

957
00:53:00,560 --> 00:53:02,680
Speaker 1: don't even want to deal. She like nine they I

958
00:53:02,719 --> 00:53:05,600
Speaker 1: don't want to where to deal and fucking Missy is

959
00:53:05,960 --> 00:53:07,479
Speaker 1: is killing them. And she was like, yeah, I gotta

960
00:53:07,480 --> 00:53:09,560
Speaker 1: do the show because she hated doing shows. She was

961
00:53:10,680 --> 00:53:13,239
Speaker 1: Mona Mona was her manager, and she hated doing shows

962
00:53:13,280 --> 00:53:15,919
Speaker 1: because she was a studio rat. So She's like, yo, skills,

963
00:53:15,960 --> 00:53:17,400
Speaker 1: have called me do this show because she knew I

964
00:53:17,480 --> 00:53:21,040
Speaker 1: can remember all of the words. So Missy hop on

965
00:53:21,200 --> 00:53:23,160
Speaker 1: stage and The thing was when she looked to me.

966
00:53:23,760 --> 00:53:26,160
Speaker 1: That was my cue to finish the rhyme because I

967
00:53:26,200 --> 00:53:28,960
Speaker 1: don't remember this ship like so she she'll Missy be

968
00:53:29,040 --> 00:53:31,319
Speaker 1: putting it down. I'm not how that's around. I told

969
00:53:31,320 --> 00:53:36,080
Speaker 1: your mother's yall stop me now, and then I'm listening,

970
00:53:37,880 --> 00:53:39,440
Speaker 1: and she like, that's what I was there for. I

971
00:53:39,920 --> 00:53:43,800
Speaker 1: Missy for a while, just so. But I learned like

972
00:53:44,000 --> 00:53:52,040
Speaker 1: Missy fucking amazing with that ship, bro she was turned up.

973
00:53:52,400 --> 00:53:56,360
Speaker 1: Turn up Solu. Yeah, not, Missy was amazing. That's what

974
00:53:56,440 --> 00:53:59,520
Speaker 1: you gotta get on missing. We've been trying to get

975
00:53:59,560 --> 00:54:01,440
Speaker 1: missing for never. Then we have a round we have

976
00:54:01,640 --> 00:54:05,520
Speaker 1: with You're gonna get malice. You gotta do this, gonna

977
00:54:05,520 --> 00:54:07,759
Speaker 1: be evil gool. You know we're gonna solve this whole

978
00:54:07,840 --> 00:54:18,120
Speaker 1: Virginia thing. Man Cross Virginia. Thank you, thank you. Broke.

979
00:54:18,239 --> 00:54:20,960
Speaker 1: I'm come on, I'm from a magical place. And let's

980
00:54:20,960 --> 00:54:24,799
Speaker 1: just be clear in my personal career, like Virginia changed

981
00:54:24,840 --> 00:54:28,520
Speaker 1: my life. You're around, he meant, And let's be clear,

982
00:54:29,239 --> 00:54:30,719
Speaker 1: I was the hot dude at the time when I

983
00:54:30,760 --> 00:54:33,440
Speaker 1: met met me and was like, yo, listen, you listen

984
00:54:33,520 --> 00:54:35,120
Speaker 1: to me. We're gonna go number one. He acts like

985
00:54:35,160 --> 00:54:37,280
Speaker 1: he was. He's knocked on. He has a little humble

986
00:54:37,320 --> 00:54:40,640
Speaker 1: now when he was cocky back, I remember like he

987
00:54:40,800 --> 00:54:43,000
Speaker 1: was like Mone was like, yo, you're not just closing

988
00:54:43,080 --> 00:54:45,440
Speaker 1: your album without me on it. And I was like, yes,

989
00:54:46,040 --> 00:54:48,080
Speaker 1: you know what, I believe this little guy like he

990
00:54:48,120 --> 00:54:51,760
Speaker 1: had a trump Man tight you know, I'm saying his clothes,

991
00:54:51,800 --> 00:54:55,600
Speaker 1: he came in the game with type clothes like he was.

992
00:54:56,120 --> 00:54:58,239
Speaker 1: He was always different. And what's the craziest when you

993
00:54:58,360 --> 00:55:00,759
Speaker 1: look at it for me, for me to be here,

994
00:55:01,239 --> 00:55:03,920
Speaker 1: like your life was changed by the nigga from Virginia,

995
00:55:04,280 --> 00:55:07,480
Speaker 1: My life was changed by nigga from Queen. You know

996
00:55:07,520 --> 00:55:17,480
Speaker 1: what I'm saying, let me go look great for the

997
00:55:17,560 --> 00:55:22,960
Speaker 1: cute said that's so crazy, Like, oh you have like

998
00:55:23,120 --> 00:55:27,120
Speaker 1: you have a really rich hip hop story. And so

999
00:55:27,840 --> 00:55:29,800
Speaker 1: I was around, I'm moving around. How did did you

1000
00:55:29,880 --> 00:55:33,200
Speaker 1: come up with the wrapp up? Um? I was, I

1001
00:55:33,400 --> 00:55:35,800
Speaker 1: was in uh, I was in Baltimore and my family's

1002
00:55:35,840 --> 00:55:40,360
Speaker 1: crib and I did a mix tape best of It.

1003
00:55:40,440 --> 00:55:43,080
Speaker 1: I was doing mixtapes because Tim was popping at the time.

1004
00:55:43,400 --> 00:55:45,880
Speaker 1: For I was popped. I did the best of Neptunees mixtape.

1005
00:55:46,320 --> 00:55:49,760
Speaker 1: Right I'm wrapping over your ship. I'm wrapping over Grind

1006
00:55:49,880 --> 00:55:53,000
Speaker 1: and I'm wrapping over Model lover all the hard ship

1007
00:55:53,120 --> 00:55:55,560
Speaker 1: that I couldn't get. I didn't beat over, I didn't

1008
00:55:55,640 --> 00:55:59,480
Speaker 1: join over Roscope, be cold change ship. And my man says, yo,

1009
00:56:00,400 --> 00:56:02,000
Speaker 1: my man just time. He said, Yo, you should wrap

1010
00:56:02,080 --> 00:56:05,360
Speaker 1: over that comm and come close ship. And I was like, nigga,

1011
00:56:05,400 --> 00:56:07,880
Speaker 1: they don't even know forever that ain't hard, Like like

1012
00:56:08,040 --> 00:56:11,200
Speaker 1: I want the harsh. I want what happened to that boy? Like, no, nigger,

1013
00:56:11,200 --> 00:56:13,319
Speaker 1: you should do that. And I'm sitting there and I'm

1014
00:56:13,360 --> 00:56:16,200
Speaker 1: watching TV and it was just, uh, it was two

1015
00:56:16,200 --> 00:56:17,799
Speaker 1: thousand or two. It was this thing was talking about

1016
00:56:17,800 --> 00:56:21,520
Speaker 1: the year end whatever whatever. So I go, all right, son,

1017
00:56:21,600 --> 00:56:24,239
Speaker 1: I'll wrap about everything that's about to happen at the

1018
00:56:24,320 --> 00:56:26,160
Speaker 1: end of the year. And if a nigger get to

1019
00:56:26,200 --> 00:56:28,160
Speaker 1: the end of the mixtape, he'll get a little surprised

1020
00:56:28,280 --> 00:56:30,440
Speaker 1: or whatever. And I put the ship at the end.

1021
00:56:30,920 --> 00:56:32,440
Speaker 1: So I put the ship at the end. This was

1022
00:56:32,560 --> 00:56:34,960
Speaker 1: right when the Internet was popping, and my man put

1023
00:56:35,000 --> 00:56:36,600
Speaker 1: it on his website. He called me the next day

1024
00:56:36,600 --> 00:56:38,560
Speaker 1: he said, Yo, man, I gotta I think I like

1025
00:56:38,640 --> 00:56:41,839
Speaker 1: to get more bandwidth. I was like band with he said,

1026
00:56:41,880 --> 00:56:47,440
Speaker 1: you're like Motherucker's Downtack mixtape. And then radio starts playing

1027
00:56:47,480 --> 00:56:51,160
Speaker 1: this Ship and they're playing to wrap up and I'm like, no,

1028
00:56:51,400 --> 00:56:55,200
Speaker 1: nigga play the grinding free style and your body that

1029
00:56:55,320 --> 00:56:58,359
Speaker 1: ship like like they're not playing none of that. They're

1030
00:56:58,400 --> 00:57:01,879
Speaker 1: playing over the conna come close, and then the ship

1031
00:57:02,040 --> 00:57:04,520
Speaker 1: starts burning that radio and then then it comes back

1032
00:57:04,600 --> 00:57:07,560
Speaker 1: around to two thousand three. Nikka said, Yo, you're gonna

1033
00:57:07,560 --> 00:57:11,000
Speaker 1: do another wrap up next year. I'm like, what I

1034
00:57:11,120 --> 00:57:13,120
Speaker 1: call that ship the old two freestyle and he's like, no,

1035
00:57:13,200 --> 00:57:14,960
Speaker 1: you gotta do one more like for this ship. That

1036
00:57:15,000 --> 00:57:17,880
Speaker 1: ship was hot, and I'm like, so I did another

1037
00:57:17,960 --> 00:57:22,280
Speaker 1: one and then the ship just started turning into something else.

1038
00:57:22,640 --> 00:57:25,080
Speaker 1: What I'm saying like, that's the one song niggas won't

1039
00:57:25,160 --> 00:57:27,560
Speaker 1: let me not do. You still enjoy doing them move

1040
00:57:27,880 --> 00:57:30,880
Speaker 1: I do, but it's definitely just feels like an obligation.

1041
00:57:31,080 --> 00:57:33,320
Speaker 1: It definitely feels like you know what I'm saying. It

1042
00:57:33,440 --> 00:57:38,920
Speaker 1: definitely feels like a fucking like niggas want. But but

1043
00:57:39,160 --> 00:57:43,240
Speaker 1: to think about it, um to have something, well, to

1044
00:57:43,320 --> 00:57:45,720
Speaker 1: have something that's your own that people only want from

1045
00:57:45,760 --> 00:57:48,360
Speaker 1: you at this day and age in our career is

1046
00:57:48,400 --> 00:57:51,919
Speaker 1: super fucking we we we. That's like Nika is begging

1047
00:57:51,960 --> 00:57:54,080
Speaker 1: about that ship like Nigga. They still want that ship

1048
00:57:54,280 --> 00:57:56,560
Speaker 1: every Eastern. My fans want me to drop a Nor Easter.

1049
00:57:58,760 --> 00:58:00,960
Speaker 1: Gotta give it. I case, So now I gotta let's

1050
00:58:00,960 --> 00:58:02,640
Speaker 1: take a shot. Let's take a shot. Let's take a shot,

1051
00:58:02,720 --> 00:58:07,280
Speaker 1: and then we're gonna take a shot. Solo, solo, let's

1052
00:58:07,320 --> 00:58:10,720
Speaker 1: get it. So you you, you do this rap up,

1053
00:58:11,040 --> 00:58:13,880
Speaker 1: You make the wrapper up. Everyone knows the year end

1054
00:58:14,360 --> 00:58:17,520
Speaker 1: we skills are gonna come through. You're gonna wrap up

1055
00:58:17,520 --> 00:58:20,440
Speaker 1: the year, gonna make us laugh. Anybody come out with

1056
00:58:20,440 --> 00:58:22,360
Speaker 1: a couple of people too. You come out of people

1057
00:58:22,640 --> 00:58:25,960
Speaker 1: if you wore purple, Rick liten the wrapper right, and

1058
00:58:26,040 --> 00:58:31,480
Speaker 1: all of a sudden you hear a different wrapper. M hmm,

1059
00:58:32,640 --> 00:58:37,240
Speaker 1: what happened? Oh the New York Wrapper. Listen, this is

1060
00:58:37,280 --> 00:58:40,880
Speaker 1: the New York wrap York. No, No, this is New

1061
00:58:41,000 --> 00:58:46,000
Speaker 1: York rapper. I don't know what ship ship I know,

1062
00:58:46,160 --> 00:58:49,080
Speaker 1: I do, that's his real name. But oh we're talking

1063
00:58:49,080 --> 00:58:51,440
Speaker 1: about the line ship. So what happened the first year

1064
00:58:51,560 --> 00:58:54,440
Speaker 1: he dropped it? Where you offended the first year? Or

1065
00:58:54,840 --> 00:58:59,600
Speaker 1: how did this? How did this understanding? Like I've been

1066
00:58:59,640 --> 00:59:03,160
Speaker 1: doing this nineteen years. It's yes, it's fucking it's a

1067
00:59:03,240 --> 00:59:05,600
Speaker 1: it's a it's a Malaysian wrap up, it's a Hong

1068
00:59:05,680 --> 00:59:09,120
Speaker 1: Kong wrap up, it's a UK wrap up. It's Tina

1069
00:59:09,200 --> 00:59:12,840
Speaker 1: fade to the Dirty Rock wrap up. I've written wrap

1070
00:59:12,960 --> 00:59:17,600
Speaker 1: ups for the Wire, SPS, sports, Senda like all this ship.

1071
00:59:17,920 --> 00:59:23,680
Speaker 1: So when the nigga did it, I'm used to the

1072
00:59:24,680 --> 00:59:27,919
Speaker 1: vine was popping YouTube, nigga's doing the ship all over,

1073
00:59:28,320 --> 00:59:30,680
Speaker 1: But most niggas would be like, yo, this is the song,

1074
00:59:30,800 --> 00:59:34,040
Speaker 1: so wrap up shop. My man man skills knew it

1075
00:59:34,120 --> 00:59:38,480
Speaker 1: was bite like, but it was the show love for

1076
00:59:38,680 --> 00:59:46,400
Speaker 1: Lenny because I'm I'm petty for Lenny. It was he

1077
00:59:46,640 --> 00:59:51,320
Speaker 1: did it and it was like fucking ship. So I'm like,

1078
00:59:52,320 --> 00:59:54,760
Speaker 1: so let me let me give your analyogy. I've been

1079
00:59:54,800 --> 01:00:00,040
Speaker 1: in the game longtimes. What's called the negative time? A

1080
01:00:00,160 --> 01:00:02,920
Speaker 1: person hold on because you know we're in a negative

1081
01:00:03,400 --> 01:00:07,920
Speaker 1: moment of drinks. What does that mean? We're in the

1082
01:00:08,000 --> 01:00:14,880
Speaker 1: negative moment to drinks? Your car, the drim h who

1083
01:00:14,960 --> 01:00:17,320
Speaker 1: you're at? If we all go on drink tests right

1084
01:00:17,360 --> 01:00:22,480
Speaker 1: now with bad skills, Okay, don't don't hurt nobody. We're

1085
01:00:22,480 --> 01:00:25,919
Speaker 1: gonna hit your super wee finished. I got you my brother,

1086
01:00:26,440 --> 01:00:29,320
Speaker 1: all right, my bad con so because I saw what

1087
01:00:29,480 --> 01:00:34,360
Speaker 1: you said. UM want y'all do it together? What's this?

1088
01:00:35,560 --> 01:00:38,400
Speaker 1: I've been in the game a long time, twenty years.

1089
01:00:38,400 --> 01:00:42,440
Speaker 1: I know a lot of niggas. I started a podcast,

1090
01:00:42,520 --> 01:00:47,000
Speaker 1: hipop Infests ten years ago. Right, let's say, I said, Yo,

1091
01:00:47,120 --> 01:00:49,520
Speaker 1: I called Dr Dre like y'all want you to be

1092
01:00:49,600 --> 01:00:52,120
Speaker 1: on my podcast. He's like, nigga, let's do it. I

1093
01:00:52,240 --> 01:00:55,479
Speaker 1: call I call Andre three thousand, Yo, nigga, I'm gonna

1094
01:00:55,480 --> 01:00:58,680
Speaker 1: get Andre three thousand and fucking Dr Dre on my

1095
01:00:58,800 --> 01:01:02,400
Speaker 1: fucking podcast. We're holding the ship ship crazy. Next week,

1096
01:01:02,440 --> 01:01:04,640
Speaker 1: I put the ship on YouTube. Ships stupid. It's called

1097
01:01:04,680 --> 01:01:12,320
Speaker 1: Linked Champs, y'all. Nick is cool with that, exactly exactly,

1098
01:01:12,520 --> 01:01:16,680
Speaker 1: like it's parable parable together. It's like that's how Jesus talk. Like,

1099
01:01:17,040 --> 01:01:20,480
Speaker 1: let's keep it as being. I can't call my ship

1100
01:01:20,640 --> 01:01:23,200
Speaker 1: what y'all call y'all ship? This this drink Champs. I

1101
01:01:23,280 --> 01:01:26,400
Speaker 1: can't start Linked Champs next week and fucking I start you.

1102
01:01:26,680 --> 01:01:29,120
Speaker 1: You go on YouTube and you see me sitting at

1103
01:01:29,120 --> 01:01:31,000
Speaker 1: the table with a bunch of licking and I go, Yo,

1104
01:01:31,480 --> 01:01:38,600
Speaker 1: what a dude, what it is that makes something that link.

1105
01:01:38,720 --> 01:01:42,600
Speaker 1: Chaps got a lot of copies out there, didn't you

1106
01:01:42,680 --> 01:01:45,480
Speaker 1: have a lot of I'm saying you wouldn't expect it

1107
01:01:45,600 --> 01:01:48,560
Speaker 1: from me. You're like, come on, it's not like a

1108
01:01:48,680 --> 01:01:51,760
Speaker 1: beer up right. So what I'm saying is what I'm

1109
01:01:51,760 --> 01:01:54,480
Speaker 1: saying is and what I'm saying is it's it's almost

1110
01:01:54,600 --> 01:01:56,920
Speaker 1: like that's the New York wrap up like it is

1111
01:01:57,000 --> 01:02:00,640
Speaker 1: what it is. I don't I'm petty. It is what

1112
01:02:00,800 --> 01:02:03,320
Speaker 1: it is like. But he was the first nigger to

1113
01:02:03,440 --> 01:02:06,760
Speaker 1: be like, fuck me on my ship. I can't how

1114
01:02:06,800 --> 01:02:09,720
Speaker 1: did that? I can't rap over fucking allowed me to

1115
01:02:09,800 --> 01:02:16,160
Speaker 1: reintroduce myself. You like, but how did this start? Because

1116
01:02:16,200 --> 01:02:18,760
Speaker 1: of lack of a better turn? For? What we don't know? Was?

1117
01:02:19,400 --> 01:02:22,000
Speaker 1: I like, it was all up at the first and

1118
01:02:22,120 --> 01:02:24,360
Speaker 1: I heard you and Clark Kid. I heard Kid made

1119
01:02:24,360 --> 01:02:26,480
Speaker 1: a call to you or made a call to him,

1120
01:02:26,520 --> 01:02:28,160
Speaker 1: and you guys got on the phone. At one point,

1121
01:02:28,240 --> 01:02:30,720
Speaker 1: me and him never talked on the phone. So Kid

1122
01:02:30,800 --> 01:02:33,600
Speaker 1: called me O G. I'm like, what's up? O G?

1123
01:02:33,720 --> 01:02:37,400
Speaker 1: He like, yo, listen, you know you know you know

1124
01:02:37,560 --> 01:02:40,040
Speaker 1: Lenny my young right? But I said yeah cool? He

1125
01:02:40,160 --> 01:02:42,080
Speaker 1: said yeah right, So I know he did what he do.

1126
01:02:42,240 --> 01:02:43,760
Speaker 1: He did what he does. He ship funny, you know

1127
01:02:43,800 --> 01:02:46,000
Speaker 1: you're some right rock ship just a the third Like

1128
01:02:46,200 --> 01:02:49,520
Speaker 1: I was thinking, if y'all niggas did this together. I said,

1129
01:02:49,560 --> 01:02:52,360
Speaker 1: Club fund is wrong with you, nigga? He was like,

1130
01:02:52,920 --> 01:02:55,160
Speaker 1: what you mean? I said, club wou would you call

1131
01:02:55,320 --> 01:02:57,960
Speaker 1: Hove and say one savage you want to do twenty

1132
01:02:58,000 --> 01:03:01,360
Speaker 1: two tools but you like it? Don't make sense. I

1133
01:03:01,400 --> 01:03:06,920
Speaker 1: wouldn't take a picture with that, nigga. So I fucking i'm, i'm, I'm,

1134
01:03:07,040 --> 01:03:09,800
Speaker 1: I'm I'm not working with it, but I'm not saying that.

1135
01:03:10,200 --> 01:03:13,320
Speaker 1: And every year it's fun man skills, man skills, So

1136
01:03:13,480 --> 01:03:20,080
Speaker 1: I gotta disagree with that. I didn't hear nigga then,

1137
01:03:20,720 --> 01:03:23,640
Speaker 1: but I think there was an actual interview where you

1138
01:03:23,840 --> 01:03:28,840
Speaker 1: was like, correct me if I'm wrong where Murder was

1139
01:03:28,880 --> 01:03:32,320
Speaker 1: saying he wasn't really claiming it, and then you did

1140
01:03:32,400 --> 01:03:34,080
Speaker 1: an interview and he was like, yeah, I didn't really

1141
01:03:34,160 --> 01:03:36,240
Speaker 1: like it somewhat to what you're saying then, and then

1142
01:03:36,320 --> 01:03:38,480
Speaker 1: that's what he said. He say, I said, I said

1143
01:03:38,520 --> 01:03:40,760
Speaker 1: in one song maybe seventeen, I said a lot into

1144
01:03:40,840 --> 01:03:44,160
Speaker 1: his doing wrap ups. She ain't she ain't helping y'all

1145
01:03:44,240 --> 01:03:46,320
Speaker 1: niggas whatever he felt like. I took a shot right

1146
01:03:46,640 --> 01:03:50,280
Speaker 1: this ten, I get a call, I get a job

1147
01:03:50,360 --> 01:03:54,520
Speaker 1: at a university, nig I'm teaching at the college. Spot.

1148
01:03:58,360 --> 01:03:59,720
Speaker 1: Keep me a lot of jobs and then we'll get

1149
01:03:59,720 --> 01:04:05,080
Speaker 1: me a teach you know college, right, I have a class.

1150
01:04:05,400 --> 01:04:08,720
Speaker 1: I'm a professor. At this point, I'm like, I'm gonna

1151
01:04:08,720 --> 01:04:10,160
Speaker 1: do the wrap up this year. I'm gonna knock it

1152
01:04:10,240 --> 01:04:13,840
Speaker 1: down and said, y'all ain't gonna say nothing about Lenny

1153
01:04:15,000 --> 01:04:19,720
Speaker 1: unless he says something about me. Soon come out, you lisam.

1154
01:04:19,720 --> 01:04:22,560
Speaker 1: Wrap up the nigga man Skills ship Yo, blah blah,

1155
01:04:22,840 --> 01:04:25,640
Speaker 1: starts Rapper. So I go, I'm gonna check this nigga

1156
01:04:26,000 --> 01:04:29,919
Speaker 1: right now, totally. I fucking I put up the ship

1157
01:04:30,160 --> 01:04:32,400
Speaker 1: and I'm gonna tell you what happened. I'm writing the wrapper.

1158
01:04:33,320 --> 01:04:35,600
Speaker 1: I'm in the studio writing the wrapper. Got my notes

1159
01:04:35,760 --> 01:04:39,240
Speaker 1: right in the wrapper. I get a d M from

1160
01:04:39,440 --> 01:04:44,560
Speaker 1: Linny Grant that says, I ain't mean to take your ship,

1161
01:04:45,360 --> 01:04:48,200
Speaker 1: but you the PG version. I'm raided on nigga plus

1162
01:04:48,280 --> 01:04:53,240
Speaker 1: you whack anyway. I said, I'm going to lyrically kick

1163
01:04:53,400 --> 01:04:59,480
Speaker 1: this nigga in the pussy. Yes, let me tell you

1164
01:04:59,600 --> 01:05:07,160
Speaker 1: let me tell how can we see the nigga said, Yo,

1165
01:05:07,240 --> 01:05:09,640
Speaker 1: I ain't even take your ship. You the PG version,

1166
01:05:09,680 --> 01:05:11,600
Speaker 1: I'm the art version plus you fell off anyway, my

1167
01:05:11,760 --> 01:05:16,439
Speaker 1: g I said, I'm gonna check this nigga. Naw I take.

1168
01:05:16,520 --> 01:05:18,680
Speaker 1: I take the d M and make the d I

1169
01:05:18,760 --> 01:05:21,520
Speaker 1: put out a song called murder Gram. Demolished this nigga,

1170
01:05:22,160 --> 01:05:26,280
Speaker 1: demolished them over murder Gram. Boom boom boom had that

1171
01:05:26,440 --> 01:05:32,880
Speaker 1: ship fucking uh. I put the song out and everybody

1172
01:05:32,920 --> 01:05:35,240
Speaker 1: go to the beef because the wrap ups is done.

1173
01:05:35,320 --> 01:05:37,320
Speaker 1: Nigger just don't care about the brown. They're like, oh shit,

1174
01:05:37,800 --> 01:05:40,200
Speaker 1: fucking mad skins and this nigga going there and they've

1175
01:05:40,200 --> 01:05:42,439
Speaker 1: been they've been tossing it back and forth for years,

1176
01:05:42,440 --> 01:05:46,800
Speaker 1: this nigga. I bodied this nigga over murder Gram and

1177
01:05:47,000 --> 01:05:49,600
Speaker 1: made the d M the cover art for the single

1178
01:05:49,720 --> 01:05:51,640
Speaker 1: because I didn't want niggas about why are you this

1179
01:05:51,760 --> 01:05:57,720
Speaker 1: in the naw are you posted this? It's just called

1180
01:05:57,880 --> 01:06:01,680
Speaker 1: It's just called it's called murder Gram. I started the ship.

1181
01:06:01,720 --> 01:06:05,920
Speaker 1: I told the whole story. Um U. I said, motherfucker's

1182
01:06:05,920 --> 01:06:08,000
Speaker 1: want to kill me, but they got the heart. Um

1183
01:06:08,080 --> 01:06:09,680
Speaker 1: So I'm gonna I'm gonna pick the mic back up

1184
01:06:09,760 --> 01:06:11,520
Speaker 1: for this walk in the park. And I don't want

1185
01:06:11,600 --> 01:06:14,480
Speaker 1: credit for this. This ain't nothing. I'm just answering the

1186
01:06:14,560 --> 01:06:17,760
Speaker 1: nigga that kept pressing my buttons. Uncle murder, what's all

1187
01:06:17,840 --> 01:06:20,160
Speaker 1: the fuss about? And they can keep my fucking name.

1188
01:06:20,240 --> 01:06:23,240
Speaker 1: Mit your brown ass mouth, Clark kid, your man about

1189
01:06:23,280 --> 01:06:25,200
Speaker 1: the hole? This ell so roase some weed. I got

1190
01:06:25,280 --> 01:06:27,840
Speaker 1: a story to tell, and I tell the whole ship.

1191
01:06:28,280 --> 01:06:30,920
Speaker 1: Clark hit me, say yo, y'all should link up. This

1192
01:06:31,000 --> 01:06:34,640
Speaker 1: is then the third body. Then I'm waiting you know how?

1193
01:06:34,720 --> 01:06:41,800
Speaker 1: You know how? This wraps nigga took like two weeks

1194
01:06:42,640 --> 01:06:45,920
Speaker 1: and it wasn't a worthy response. And that's when I realized,

1195
01:06:46,240 --> 01:06:48,880
Speaker 1: I'm not beefing with a neiggative kid about rap. I'm

1196
01:06:48,920 --> 01:06:52,200
Speaker 1: beefing with a neiggative kid. By the attention were differently.

1197
01:06:53,720 --> 01:06:57,640
Speaker 1: I'm different. I'm from a different class. So for me,

1198
01:06:58,720 --> 01:07:02,720
Speaker 1: I'm like, I saw you had him here, probably was

1199
01:07:02,800 --> 01:07:09,360
Speaker 1: a slow day. I'm patty. He's definitely not no, no respectful.

1200
01:07:10,720 --> 01:07:15,560
Speaker 1: I'm respectfully patty. You're going in respectfully. But I got

1201
01:07:15,680 --> 01:07:18,760
Speaker 1: love for like I got love for him, but because

1202
01:07:18,800 --> 01:07:20,600
Speaker 1: and I jumped out the window to do some this

1203
01:07:20,720 --> 01:07:22,560
Speaker 1: ship and I was like, he don't want to do that.

1204
01:07:23,000 --> 01:07:25,120
Speaker 1: He just he just wants people to pay attention to

1205
01:07:25,200 --> 01:07:27,680
Speaker 1: what he thought. And I get it that ship works

1206
01:07:28,160 --> 01:07:33,040
Speaker 1: sometimes ship work for fifty and oh too one like,

1207
01:07:33,520 --> 01:07:35,840
Speaker 1: so I did it. It was what it was. But Nigga,

1208
01:07:35,920 --> 01:07:39,120
Speaker 1: I'm like, I'm teaching the class so on World Star

1209
01:07:39,240 --> 01:07:41,800
Speaker 1: at the same time at the faculty meeting, like this

1210
01:07:41,840 --> 01:07:43,800
Speaker 1: ship with and I'm trying to push the ships to

1211
01:07:43,880 --> 01:07:46,240
Speaker 1: the left. I'm trying to put the ships to the left.

1212
01:07:46,480 --> 01:07:50,080
Speaker 1: And they were like, yo, um you know, uh, I

1213
01:07:50,160 --> 01:07:55,120
Speaker 1: know you this song came out. I never forget somebody

1214
01:07:55,280 --> 01:07:57,680
Speaker 1: know to put the professor I work and he was like.

1215
01:07:57,920 --> 01:08:01,520
Speaker 1: The dean was like, to my that fucking that that

1216
01:08:01,840 --> 01:08:06,200
Speaker 1: that hip hop that dis track. Nigga, I'm at the

1217
01:08:06,320 --> 01:08:08,400
Speaker 1: crib right when my daughter, my daughter works at the

1218
01:08:08,440 --> 01:08:10,560
Speaker 1: day kids, she's like twenty five years old. She comes

1219
01:08:10,600 --> 01:08:13,680
Speaker 1: into the house. She's like, hey, I said, Hey, what's up.

1220
01:08:13,760 --> 01:08:18,679
Speaker 1: She said, um, so one of my students parents came

1221
01:08:18,760 --> 01:08:21,519
Speaker 1: in and apparently you made a this song. I was like,

1222
01:08:21,640 --> 01:08:23,680
Speaker 1: I said, I ain't know this song. She was like,

1223
01:08:24,080 --> 01:08:26,040
Speaker 1: you know, they come in and they go, yo, your

1224
01:08:26,200 --> 01:08:34,840
Speaker 1: dad fucking body that was going up. Man. My daughter goes, no, no, no, no, no,

1225
01:08:35,000 --> 01:08:36,760
Speaker 1: that's the wrap up. He does it every year, he said.

1226
01:08:36,920 --> 01:08:39,240
Speaker 1: Nigga said, no, no, no, as as he's putting his

1227
01:08:39,320 --> 01:08:41,120
Speaker 1: coat on his chi No, no, no, I know about

1228
01:08:41,160 --> 01:08:46,439
Speaker 1: the rapperp She like, you got a dish record, Nigga.

1229
01:08:46,520 --> 01:08:48,960
Speaker 1: So I'm sitting there, I said, I said, yo, Nigga

1230
01:08:49,040 --> 01:08:52,040
Speaker 1: kept saying my name like Charris. She's like, let me hear.

1231
01:08:52,160 --> 01:08:54,720
Speaker 1: I like, no, no, no, She's like, dad, let me hear.

1232
01:08:55,479 --> 01:08:57,599
Speaker 1: So I'm like, fun, I have to play my daughter.

1233
01:08:58,640 --> 01:09:01,360
Speaker 1: I hit the button that ship more murder gram boom boom,

1234
01:09:02,240 --> 01:09:04,640
Speaker 1: hardass beat, and she listened to it, and I'm just

1235
01:09:04,720 --> 01:09:08,120
Speaker 1: sitting there like and I'm sucking going. I'm like, Lenny Grant,

1236
01:09:08,160 --> 01:09:09,800
Speaker 1: the nigga your name signed to should be on the

1237
01:09:09,920 --> 01:09:12,160
Speaker 1: side of a funeral home. They get like, Nigga, you

1238
01:09:12,240 --> 01:09:14,880
Speaker 1: signed the g unit ten years too late. I'm going

1239
01:09:15,040 --> 01:09:18,040
Speaker 1: to hands and my daughter's listening to it, and I'm

1240
01:09:18,120 --> 01:09:22,160
Speaker 1: just sitting there like fucking embarrassed. And she stops and

1241
01:09:22,280 --> 01:09:26,200
Speaker 1: she she goes, so, don't you have a class tomorrow?

1242
01:09:27,760 --> 01:09:29,479
Speaker 1: I said yeah. She said, Dad, what are you doing?

1243
01:09:29,840 --> 01:09:32,400
Speaker 1: I said, you know, what you gotta understand, Like it's

1244
01:09:32,439 --> 01:09:37,439
Speaker 1: not the second like niggas don't never disrespect facing back

1245
01:09:37,479 --> 01:09:40,439
Speaker 1: and forth like so when she said it, I'm sitting

1246
01:09:40,479 --> 01:09:43,960
Speaker 1: there and I'm like, damn, like I'm playing a this

1247
01:09:44,160 --> 01:09:47,000
Speaker 1: song for my daughter at late forties and ships weird,

1248
01:09:47,720 --> 01:09:49,920
Speaker 1: you know what I'm saying, Like, but but the whole,

1249
01:09:50,040 --> 01:09:52,599
Speaker 1: you know, the whole, I d like de bo like nigga.

1250
01:09:52,800 --> 01:09:55,439
Speaker 1: I'm from Virginia. They didn't ain't nobody never took nothing

1251
01:09:55,479 --> 01:09:59,720
Speaker 1: from me but l that period. So it's the New

1252
01:09:59,840 --> 01:10:02,599
Speaker 1: York wrap up. Well, this is shot to y'all working

1253
01:10:02,640 --> 01:10:06,840
Speaker 1: it out. I hope y'all working out. Let me see

1254
01:10:06,840 --> 01:10:13,040
Speaker 1: my child, and I'm warning for myself. Listen, man, you

1255
01:10:13,160 --> 01:10:15,600
Speaker 1: know we might work it out if y'all let me

1256
01:10:15,640 --> 01:10:25,200
Speaker 1: do link Champs, let's work out. Is that something that's

1257
01:10:25,240 --> 01:10:27,840
Speaker 1: a problem in hip hop? It's just like, like you know,

1258
01:10:28,800 --> 01:10:31,160
Speaker 1: I see I see the homie walk in my homie

1259
01:10:31,360 --> 01:10:34,360
Speaker 1: Snoop home me and I was such a fan of Snoop, right,

1260
01:10:34,439 --> 01:10:37,120
Speaker 1: but I never wanted to do nothing Snoop did because

1261
01:10:37,200 --> 01:10:40,280
Speaker 1: I felt like that was himp. That's something that's a

1262
01:10:40,400 --> 01:10:43,080
Speaker 1: problem in hip hop is that people actually see something

1263
01:10:43,200 --> 01:10:48,040
Speaker 1: they like and they imitate. It's a problem now because

1264
01:10:48,320 --> 01:10:50,479
Speaker 1: the gate keepers don't call it what it is. Like,

1265
01:10:50,840 --> 01:10:53,200
Speaker 1: you didn't take nothing, nigger, you bid it. Let's keep

1266
01:10:53,200 --> 01:10:55,240
Speaker 1: it a being. You ain't. I'm from Virginia and they ain't.

1267
01:10:55,280 --> 01:10:58,080
Speaker 1: Nobody never took nothing from me. You bid it. Like

1268
01:10:58,240 --> 01:11:01,160
Speaker 1: I can't fucking I can't. I'm out tomorrow and make

1269
01:11:01,160 --> 01:11:05,920
Speaker 1: an album called the World Report exactly like I can't.

1270
01:11:05,960 --> 01:11:08,160
Speaker 1: I can't go to Virginia and get some niggas and say, Yo,

1271
01:11:08,160 --> 01:11:09,840
Speaker 1: we're gonna start a new clip. They're like, what's the same.

1272
01:11:09,840 --> 01:11:13,040
Speaker 1: I'm like your niggas called dip set, like nigga nah, nigga.

1273
01:11:13,360 --> 01:11:15,600
Speaker 1: Like at some point somebody gotta said, I said, it

1274
01:11:15,600 --> 01:11:18,600
Speaker 1: ain't cool my nigga like and he nigga like he

1275
01:11:18,880 --> 01:11:22,320
Speaker 1: Lennly olden. I'm petty Linly old enough to know he

1276
01:11:22,479 --> 01:11:24,439
Speaker 1: like the old enough to know that I respect the

1277
01:11:24,520 --> 01:11:29,240
Speaker 1: ference my younger. But but he's actually playing into the game.

1278
01:11:29,479 --> 01:11:32,200
Speaker 1: I'm just being a definitely advocate keeping actually pay playing

1279
01:11:32,240 --> 01:11:34,800
Speaker 1: into the game. And the game is Brooklyn has always

1280
01:11:34,840 --> 01:11:37,040
Speaker 1: been on for Brooklyn keeps on taking Yeah, well, Brooklyn

1281
01:11:37,040 --> 01:11:40,840
Speaker 1: ain't taking ship from a nigga like me, I'm like,

1282
01:11:40,960 --> 01:11:43,320
Speaker 1: it's not. I'm just saying you can't. You can't just

1283
01:11:43,520 --> 01:11:46,000
Speaker 1: take something from me, like it's gonna come with something.

1284
01:11:46,000 --> 01:11:48,360
Speaker 1: When I checked them for I was expecting a response,

1285
01:11:48,720 --> 01:11:50,360
Speaker 1: and then when I didn't get a worthy response, I

1286
01:11:50,479 --> 01:11:52,320
Speaker 1: was like, damn, like I'm not even going at it

1287
01:11:52,360 --> 01:11:55,600
Speaker 1: with a nigga that's respectable, Like it's not fad, but

1288
01:11:55,680 --> 01:11:57,479
Speaker 1: they ain't kiss It's not you know what I'm saying, Like,

1289
01:11:58,160 --> 01:12:00,400
Speaker 1: you know what I mean, I ain't twenty Brooklyn niggas

1290
01:12:00,760 --> 01:12:03,000
Speaker 1: in the song that I would rather battle than him,

1291
01:12:03,160 --> 01:12:05,639
Speaker 1: Like it was crazy. I was talking cash, I was wild.

1292
01:12:06,240 --> 01:12:09,800
Speaker 1: I was definitely wild. Do you regret that? Absolutely not?

1293
01:12:11,160 --> 01:12:13,600
Speaker 1: Why what? It's all in the game. You know what

1294
01:12:13,600 --> 01:12:16,000
Speaker 1: I'm saying. This hip hop is what we do. It

1295
01:12:16,120 --> 01:12:17,840
Speaker 1: was fun this fall with the nigga for a minute

1296
01:12:17,880 --> 01:12:20,479
Speaker 1: or something, and then when I realized he really wants fall.

1297
01:12:20,840 --> 01:12:22,800
Speaker 1: He just wanted the attention. I was like, we're different.

1298
01:12:22,880 --> 01:12:25,000
Speaker 1: I'm not I'm not chasing attention. But is there a

1299
01:12:25,080 --> 01:12:28,200
Speaker 1: world world where all these wrap ups do exist, where

1300
01:12:28,240 --> 01:12:31,679
Speaker 1: everyone his cordil or so he said, where they're paying

1301
01:12:31,760 --> 01:12:33,920
Speaker 1: him homage, where they're paying respect for where it came from.

1302
01:12:33,960 --> 01:12:37,080
Speaker 1: That's where he Before two thousand and two, nobody was

1303
01:12:37,160 --> 01:12:40,960
Speaker 1: making a yearly recap of what happened to Coach Hippop,

1304
01:12:41,200 --> 01:12:43,680
Speaker 1: I invented that ship. And I'm not tripping like like

1305
01:12:43,800 --> 01:12:46,800
Speaker 1: I said, I'm not tripping. YouTube niggas doing all day

1306
01:12:46,880 --> 01:12:49,479
Speaker 1: half the castle wild and out made wrap ups. But

1307
01:12:49,560 --> 01:12:52,080
Speaker 1: they was always like trying to nigga mad skills like

1308
01:12:52,160 --> 01:12:54,920
Speaker 1: Andy kept it moving like we gotta call a biter bitter.

1309
01:12:55,439 --> 01:12:57,600
Speaker 1: But I gotta, I gotta, I gotta just be the

1310
01:12:57,680 --> 01:13:00,879
Speaker 1: devil's advocate. You know how many people for theself slide

1311
01:13:01,800 --> 01:13:08,519
Speaker 1: and they don't give me no respect. You know how

1312
01:13:08,560 --> 01:13:14,320
Speaker 1: many people there's actually games so slide and you know

1313
01:13:14,400 --> 01:13:16,479
Speaker 1: how slim Gotta have been in Let me just tell

1314
01:13:16,479 --> 01:13:18,639
Speaker 1: you how sl I'm gonta have been the My boy,

1315
01:13:18,920 --> 01:13:21,120
Speaker 1: they're easy. Said, I'm gonna go to the store to

1316
01:13:21,200 --> 01:13:23,960
Speaker 1: get a pepper Die sandwich. Do you want anything? And

1317
01:13:24,040 --> 01:13:26,360
Speaker 1: pepper Die sound like pepper Broni to me, so I

1318
01:13:26,439 --> 01:13:29,720
Speaker 1: said no. The homie came back in the studio with

1319
01:13:29,840 --> 01:13:32,120
Speaker 1: a turkey and cheese. I said, that's not pepper Wroni.

1320
01:13:32,360 --> 01:13:34,880
Speaker 1: He said, I said, pepper Die not pepper BRONI and

1321
01:13:34,920 --> 01:13:36,920
Speaker 1: I said, look, give me half and he said he

1322
01:13:37,080 --> 01:13:40,120
Speaker 1: was a slime mask. Nigga, just you a sandwich. And

1323
01:13:40,240 --> 01:13:42,600
Speaker 1: I took this ship and from that day on be

1324
01:13:42,680 --> 01:13:46,280
Speaker 1: calling each other slide. Simple is that this game is

1325
01:13:46,320 --> 01:13:49,840
Speaker 1: called slie. Yeah, they don't salute me. There's young thug.

1326
01:13:50,400 --> 01:13:52,880
Speaker 1: This thing's got his whole career. He has never said

1327
01:13:53,160 --> 01:13:56,360
Speaker 1: big up normal? Now what now? Mind you? This is

1328
01:13:56,520 --> 01:13:58,519
Speaker 1: This goes back. I got a good point, y'all. That

1329
01:13:58,560 --> 01:14:04,000
Speaker 1: was a good point, right. This goes back to what

1330
01:14:04,160 --> 01:14:07,320
Speaker 1: I said earlier. Niggas don't care about who first, but

1331
01:14:07,479 --> 01:14:09,800
Speaker 1: we do. You know what I'm saying. We the tight

1332
01:14:09,920 --> 01:14:11,560
Speaker 1: niggas like Yo, like Yo, who got you in the

1333
01:14:11,640 --> 01:14:13,439
Speaker 1: hip hop? I'm gonna tell you first niggas I listened

1334
01:14:13,439 --> 01:14:15,280
Speaker 1: to that got me starting the ship. I'm not gonna

1335
01:14:15,320 --> 01:14:17,920
Speaker 1: disrespect him. I'm not gonna say nothing crazy about him.

1336
01:14:18,080 --> 01:14:20,600
Speaker 1: Like we gotta call a spade to spade at some

1337
01:14:20,760 --> 01:14:24,120
Speaker 1: point because otherwise niggas just started acting blues like. It's

1338
01:14:24,160 --> 01:14:26,479
Speaker 1: not trolling, my nigga. Let's call it what it is.

1339
01:14:26,560 --> 01:14:29,719
Speaker 1: You're lying for attention. If I knew something dumb for attention,

1340
01:14:30,080 --> 01:14:33,160
Speaker 1: that's called lying for attention. It's not called trolling, my nigga,

1341
01:14:33,320 --> 01:14:38,120
Speaker 1: but we fucking and better let me represent for the

1342
01:14:38,160 --> 01:14:41,320
Speaker 1: new generation to the new generation. Just didn't know where

1343
01:14:41,360 --> 01:14:47,240
Speaker 1: that came from, right, he knew, he knew I'm patty,

1344
01:14:48,040 --> 01:14:50,519
Speaker 1: but he ain't new like I can see. I got

1345
01:14:50,560 --> 01:14:53,120
Speaker 1: told you. If there's somebody twenty one like yo, I

1346
01:14:53,200 --> 01:14:55,120
Speaker 1: see niggas like yo, I'm the new nigga. You know

1347
01:14:55,160 --> 01:14:57,200
Speaker 1: what I'm saying. We called we broccoli. I'm like, nigga,

1348
01:14:57,240 --> 01:15:03,280
Speaker 1: that's nigga? What you thought? That's the moment they find

1349
01:15:03,320 --> 01:15:06,719
Speaker 1: out then you know, you pick it up appropertly efore

1350
01:15:06,760 --> 01:15:11,160
Speaker 1: to say, hey, look, little niggas, I had to show

1351
01:15:11,280 --> 01:15:17,920
Speaker 1: you up. He got a lot of nigga like one

1352
01:15:17,960 --> 01:15:20,040
Speaker 1: of the most illest, one of the nicest guys I've

1353
01:15:20,080 --> 01:15:22,400
Speaker 1: ever met, but we gotta call us Spain is Paine

1354
01:15:22,439 --> 01:15:26,240
Speaker 1: at some point one of the nicest guy we see.

1355
01:15:26,240 --> 01:15:30,000
Speaker 1: If the water isn't around, I'm so wait a minute,

1356
01:15:30,720 --> 01:15:32,680
Speaker 1: So we're gonna, we're gonna, we're gonna get No, you

1357
01:15:32,720 --> 01:15:34,439
Speaker 1: don't want to work it out. You're saying you don't

1358
01:15:34,640 --> 01:15:36,160
Speaker 1: want to work it out, not on a wrapp up?

1359
01:15:36,840 --> 01:15:40,040
Speaker 1: How about this? Is this is a crazy thing, right, dude,

1360
01:15:40,040 --> 01:15:42,840
Speaker 1: we passed away, right, do pass away off for my hood?

1361
01:15:43,400 --> 01:15:45,439
Speaker 1: So do for my hood to come home with jail?

1362
01:15:45,479 --> 01:15:48,240
Speaker 1: Says hey man, I want to dish you on the record.

1363
01:15:48,240 --> 01:15:51,040
Speaker 1: And I said, for what he said, because I think

1364
01:15:51,080 --> 01:15:54,040
Speaker 1: that's the way I can get on corny corny like

1365
01:15:54,479 --> 01:15:57,680
Speaker 1: we got called rufy. But so I told him, I said,

1366
01:15:57,720 --> 01:15:59,360
Speaker 1: because I knew he was just coming home from jails,

1367
01:15:59,479 --> 01:16:02,960
Speaker 1: just wrapping thinking, thinking's death broke all They all right, listen,

1368
01:16:04,520 --> 01:16:07,960
Speaker 1: I said, let's do it together on the stage. I

1369
01:16:08,040 --> 01:16:09,680
Speaker 1: want you to dis like that. I don't say it

1370
01:16:09,760 --> 01:16:12,439
Speaker 1: like that. It's different. I don't want you just me

1371
01:16:12,520 --> 01:16:14,719
Speaker 1: in my face and I wanna diss you with your face.

1372
01:16:15,000 --> 01:16:18,200
Speaker 1: But I'm also show you I'm a rapper, right, and

1373
01:16:18,280 --> 01:16:21,479
Speaker 1: I've never happened, right do you think that like it's

1374
01:16:21,520 --> 01:16:24,400
Speaker 1: something like that that can be happen where you guys,

1375
01:16:25,320 --> 01:16:27,280
Speaker 1: it's like a face off on the same track for

1376
01:16:27,360 --> 01:16:33,400
Speaker 1: the same in the same studio. Get body, man, get body.

1377
01:16:33,880 --> 01:16:37,280
Speaker 1: He's not here like he ain't a rapper like that.

1378
01:16:37,479 --> 01:16:39,519
Speaker 1: It's more like he like a comedian, you know what

1379
01:16:39,520 --> 01:16:41,400
Speaker 1: I'm saying. Like that's how I look at him. I

1380
01:16:41,520 --> 01:16:43,320
Speaker 1: think I think I think I'm a murders though. I

1381
01:16:43,400 --> 01:16:46,160
Speaker 1: think of the murders though. That's cool, that's cool, that's

1382
01:16:46,160 --> 01:16:48,200
Speaker 1: your man is. I get it like I get it.

1383
01:16:48,720 --> 01:16:51,080
Speaker 1: I don't think you're dope. It's not no, no, not

1384
01:16:51,200 --> 01:16:53,240
Speaker 1: at all. But I'm just saying for me, it's like,

1385
01:16:55,640 --> 01:16:57,960
Speaker 1: it just don't feel like hip hop to me. You

1386
01:16:58,000 --> 01:16:59,560
Speaker 1: know what I'm saying, Like to me, it does for

1387
01:16:59,640 --> 01:17:02,400
Speaker 1: like you just want to see some drama. Yeah, I

1388
01:17:03,320 --> 01:17:09,520
Speaker 1: don't even he want to sing to see how you like. Ultimately,

1389
01:17:09,600 --> 01:17:11,920
Speaker 1: because that's how I said, I think y'all should do

1390
01:17:11,960 --> 01:17:14,479
Speaker 1: the track together. I do it. I do feel like

1391
01:17:14,640 --> 01:17:18,320
Speaker 1: I think got like you were saying. First, Yeah, you're

1392
01:17:18,360 --> 01:17:20,360
Speaker 1: saying I think you should you to track together, like

1393
01:17:20,479 --> 01:17:22,760
Speaker 1: me saying I think I should be when every drink

1394
01:17:22,840 --> 01:17:27,439
Speaker 1: chance like maybe when he hears how you're saying it here,

1395
01:17:27,520 --> 01:17:30,479
Speaker 1: maybe it maybe and different. I wish the brother no

1396
01:17:30,640 --> 01:17:32,840
Speaker 1: ill will man like we did what we did like that.

1397
01:17:32,960 --> 01:17:34,880
Speaker 1: I thought something. It was fun. I thought, I know

1398
01:17:35,000 --> 01:17:37,639
Speaker 1: you called him like yo keep it going like yeah

1399
01:17:37,640 --> 01:17:39,600
Speaker 1: I did. I did the first time I did. I

1400
01:17:39,680 --> 01:17:41,519
Speaker 1: did say that I did. That's why I felt felt

1401
01:17:41,520 --> 01:17:43,280
Speaker 1: guilty because the first time I heard it, I was like,

1402
01:17:43,360 --> 01:17:45,960
Speaker 1: all right, cool, I can't think it was no valance

1403
01:17:46,000 --> 01:17:47,840
Speaker 1: towards you for the first one. I don't have that

1404
01:17:47,920 --> 01:17:49,760
Speaker 1: kind of time, bro, I don't have fifteen minutes and

1405
01:17:49,800 --> 01:17:53,760
Speaker 1: listen to a nigger rap. Maybe you do, yeah, a

1406
01:17:53,800 --> 01:18:06,800
Speaker 1: little bit. I'm pending just fact liked, Yeah, I think

1407
01:18:06,800 --> 01:18:10,639
Speaker 1: you might be. You know, I'm only that way when

1408
01:18:10,680 --> 01:18:13,040
Speaker 1: you poke me, like you gotta stand for three years,

1409
01:18:13,080 --> 01:18:15,120
Speaker 1: I'm going to the barbershop, my bar but like yo,

1410
01:18:15,600 --> 01:18:18,400
Speaker 1: like nigga, what's up with your man? Noo? And I'm like, yeah, no,

1411
01:18:18,479 --> 01:18:20,519
Speaker 1: I'm chilling, you know what I'm saying that like nine nigga.

1412
01:18:20,640 --> 01:18:23,720
Speaker 1: Like if you would have told me in nineties six

1413
01:18:23,880 --> 01:18:26,040
Speaker 1: ninety seven, when I was going back and forth to

1414
01:18:26,080 --> 01:18:28,800
Speaker 1: New York trying to get on that a nigga from

1415
01:18:29,160 --> 01:18:32,439
Speaker 1: the Borough would take something from a nigga from Virginia

1416
01:18:32,479 --> 01:18:34,560
Speaker 1: to be relevant, I would have been like, nigga, what

1417
01:18:35,240 --> 01:18:38,439
Speaker 1: like nigga, y'all are the necka to us? We always

1418
01:18:38,479 --> 01:18:40,240
Speaker 1: felt like we had to prove our way, you know

1419
01:18:40,240 --> 01:18:42,760
Speaker 1: what I'm saying. I remember going to fucking to the

1420
01:18:42,880 --> 01:18:47,360
Speaker 1: to the sheet loops Farrell Mont's video right and Farrell

1421
01:18:48,000 --> 01:18:50,479
Speaker 1: Case slaves outside in the drama. I was the biggest

1422
01:18:50,479 --> 01:18:52,880
Speaker 1: ship in the world, and I'm like, yo, I'll walk

1423
01:18:52,960 --> 01:18:54,479
Speaker 1: up to case saying, I'm like, yo, man, you know

1424
01:18:54,800 --> 01:18:58,320
Speaker 1: I think it's graph pepoo some other niggas. I said, Yo, man,

1425
01:18:58,360 --> 01:19:01,479
Speaker 1: how I get on the drama our nigga said, I mean,

1426
01:19:01,600 --> 01:19:04,439
Speaker 1: ship man, you gotta be nice. Nigga, ain't look at

1427
01:19:05,320 --> 01:19:07,920
Speaker 1: like you gotta be nice. I'm like, Day's trying to

1428
01:19:07,960 --> 01:19:10,640
Speaker 1: sound nice to say you gotta be nice. So I

1429
01:19:10,840 --> 01:19:13,160
Speaker 1: go to Rockers like Nigga, I gotta get on the

1430
01:19:13,240 --> 01:19:16,200
Speaker 1: fucking drum out. I don't know how y'all making happens

1431
01:19:16,200 --> 01:19:19,360
Speaker 1: the street nigga, Howe mcduffin. He's like, no, Nigga, I

1432
01:19:19,520 --> 01:19:23,439
Speaker 1: make it happen. Yet, how we mcduffer you? So? How

1433
01:19:23,600 --> 01:19:27,639
Speaker 1: we for niggles it to with me Most and Feral

1434
01:19:28,240 --> 01:19:30,040
Speaker 1: and this new nigga that they gotta go up to

1435
01:19:30,120 --> 01:19:32,800
Speaker 1: the drama hole. And this was when Rockers was kind

1436
01:19:32,840 --> 01:19:34,960
Speaker 1: of nig was like the Ruggers might be the next

1437
01:19:35,000 --> 01:19:37,000
Speaker 1: fucking death jam. It's just kind of bubbling, you know

1438
01:19:37,000 --> 01:19:38,920
Speaker 1: what I'm saying. We go to the drama hole. I

1439
01:19:39,040 --> 01:19:42,240
Speaker 1: never forgot wrapped over in the club. I wrap over

1440
01:19:42,320 --> 01:19:46,080
Speaker 1: in the club body the ship and the Niggy case.

1441
01:19:46,080 --> 01:19:49,880
Speaker 1: Slay goes Yo. He's talking to Nigga Malacott and Nigga

1442
01:19:49,960 --> 01:19:52,200
Speaker 1: used to the boy where he's like your Malco like

1443
01:19:52,360 --> 01:19:54,960
Speaker 1: real talk that that might be the hottest freestyle Nigga

1444
01:19:55,000 --> 01:19:58,760
Speaker 1: ever said up it, And I'm just like yes, nigger like,

1445
01:19:58,920 --> 01:20:01,840
Speaker 1: I'm not no fucking coming, boy, I'm getting fucking busy.

1446
01:20:01,920 --> 01:20:04,080
Speaker 1: Like so we always had to go to New York

1447
01:20:04,160 --> 01:20:06,880
Speaker 1: to prove ourselves. You know what's the conversation I'm about

1448
01:20:06,880 --> 01:20:13,519
Speaker 1: to get into, which one? No, I don't are you

1449
01:20:13,720 --> 01:20:16,960
Speaker 1: one of the South guys? Come on, come on, like

1450
01:20:17,040 --> 01:20:19,320
Speaker 1: New York don't show love to the South. And I

1451
01:20:19,400 --> 01:20:21,320
Speaker 1: want you to be because we talked about this a lot,

1452
01:20:21,320 --> 01:20:24,360
Speaker 1: because I talked about the Miami perspective to visit right

1453
01:20:24,640 --> 01:20:27,439
Speaker 1: when y'all focused, and I'm putting y'all in the category

1454
01:20:27,520 --> 01:20:31,720
Speaker 1: of the South, like another shot, Virginia get another shot.

1455
01:20:31,840 --> 01:20:37,040
Speaker 1: So here's what I get a fit because me personally,

1456
01:20:37,479 --> 01:20:39,840
Speaker 1: I don't have the experience that a lot of the

1457
01:20:40,040 --> 01:20:42,439
Speaker 1: stop people Like I said I was going to Virginia.

1458
01:20:42,840 --> 01:20:46,200
Speaker 1: I was we need hen like this. What I'm trying

1459
01:20:46,240 --> 01:20:49,160
Speaker 1: to say to you. So, in my opinion, me and

1460
01:20:49,240 --> 01:20:54,719
Speaker 1: this guy because he he loves my goddamnit, this someone.

1461
01:20:55,000 --> 01:20:59,880
Speaker 1: But what I'm saying is I feel like a lot

1462
01:21:00,040 --> 01:21:03,120
Speaker 1: to the South guys are wrong for paying attention to

1463
01:21:03,280 --> 01:21:06,439
Speaker 1: what was not shown to you guys as opposed to

1464
01:21:06,600 --> 01:21:10,519
Speaker 1: what the love was. You know what, I don't even

1465
01:21:11,400 --> 01:21:15,519
Speaker 1: meaning meeting A lot of times you guys sit around

1466
01:21:15,520 --> 01:21:17,479
Speaker 1: and you say, you know what, New York can't give love.

1467
01:21:17,680 --> 01:21:20,200
Speaker 1: This guy can't get love. But how about the holes?

1468
01:21:20,280 --> 01:21:22,680
Speaker 1: How about the Northeast? How about the people who was

1469
01:21:22,760 --> 01:21:25,160
Speaker 1: embracing the South? Who was going back? But I tell

1470
01:21:25,240 --> 01:21:27,679
Speaker 1: the fact hold holder. But I said this a bunch

1471
01:21:27,720 --> 01:21:30,920
Speaker 1: of times on drink. I said it was the industry

1472
01:21:31,040 --> 01:21:33,760
Speaker 1: was the biggest problem, working to the industry. You know,

1473
01:21:33,920 --> 01:21:36,080
Speaker 1: y'all kept it to yourself, not you, maybe not fact,

1474
01:21:36,200 --> 01:21:38,439
Speaker 1: not the individual artist. That's what I needed to hear it. Yeah,

1475
01:21:38,439 --> 01:21:42,760
Speaker 1: that's y'all understand y'all are the mecca. So nigger. I

1476
01:21:42,880 --> 01:21:45,559
Speaker 1: remember going to the new music seminars of rock Steady

1477
01:21:45,560 --> 01:21:47,960
Speaker 1: in the Park just trying to get respect from y'all

1478
01:21:48,040 --> 01:21:51,040
Speaker 1: because New York was the mecca. So with fucking stretching

1479
01:21:51,080 --> 01:21:53,639
Speaker 1: Barbado told me I was dope and guy was dope

1480
01:21:54,080 --> 01:21:56,679
Speaker 1: with mother fucking Q Tip told me I was dope.

1481
01:21:56,840 --> 01:21:58,800
Speaker 1: I was dope, you know what I'm saying. Like, so

1482
01:21:58,920 --> 01:22:03,920
Speaker 1: it's like when the ships which what about the ship switch.

1483
01:22:04,200 --> 01:22:06,679
Speaker 1: It was like we all we gave so much love

1484
01:22:06,760 --> 01:22:10,840
Speaker 1: to y'all. A lot of us felt like fucking like

1485
01:22:11,040 --> 01:22:13,519
Speaker 1: fucking out cares on the sauce stage like damn like

1486
01:22:14,280 --> 01:22:17,120
Speaker 1: swoop like dah, y'all love us. We all understood that,

1487
01:22:17,280 --> 01:22:19,479
Speaker 1: Like you know what I'm saying, We all felt we

1488
01:22:19,560 --> 01:22:21,920
Speaker 1: did that, but understand what I mean. It was all

1489
01:22:22,040 --> 01:22:30,280
Speaker 1: the same thing different but speaking person, we felt like that. Yeah, man,

1490
01:22:32,200 --> 01:22:35,320
Speaker 1: we felt and it wasn't personal. You're thinking as individual

1491
01:22:35,439 --> 01:22:38,840
Speaker 1: artists or the artists, it's not personal. Come to Miami,

1492
01:22:38,960 --> 01:22:44,760
Speaker 1: so like two thousands moved like you've been coming out.

1493
01:22:44,800 --> 01:22:48,439
Speaker 1: You're doing a lot of work. South really shouldn't have

1494
01:22:48,640 --> 01:22:54,200
Speaker 1: that complaint because she everybody can't speak for us, bro,

1495
01:22:54,800 --> 01:22:59,519
Speaker 1: everybody from the East coast. Grandmother had a tie to

1496
01:22:59,600 --> 01:23:02,160
Speaker 1: the South. Yes, yeah, okay, I understand. So this is

1497
01:23:02,200 --> 01:23:04,840
Speaker 1: what I'm trying to tell. Even from the West Coast sects,

1498
01:23:05,360 --> 01:23:07,800
Speaker 1: we all kind of came from the South, slave weeks

1499
01:23:07,840 --> 01:23:12,439
Speaker 1: to the South and then So that's what I'm saying.

1500
01:23:12,520 --> 01:23:15,120
Speaker 1: I feel like y'all always judged that off for young people,

1501
01:23:15,160 --> 01:23:17,880
Speaker 1: young people who didn't travel as much, like, this is

1502
01:23:17,920 --> 01:23:19,800
Speaker 1: no way I can go to Atlanta like I went

1503
01:23:19,840 --> 01:23:24,080
Speaker 1: to once twilve. What was that ship Atlanta in Atlanta,

1504
01:23:24,640 --> 01:23:26,280
Speaker 1: New York? If you would go to the strip club

1505
01:23:26,320 --> 01:23:28,240
Speaker 1: in New York, you are waiting stuff. And I was

1506
01:23:28,280 --> 01:23:30,760
Speaker 1: out there and they had like it three things you

1507
01:23:30,800 --> 01:23:33,880
Speaker 1: don't do in the strip club. You don't tip, you

1508
01:23:33,960 --> 01:23:38,240
Speaker 1: don't eat, and you don't ship. The first week in Miami,

1509
01:23:38,320 --> 01:23:41,120
Speaker 1: I broke all three of those rules. The first thing

1510
01:23:41,160 --> 01:23:46,240
Speaker 1: I like the same time, shout the reason out and

1511
01:23:46,360 --> 01:23:49,040
Speaker 1: tip every bitch in there. It was crazy. It was great.

1512
01:23:49,160 --> 01:23:52,559
Speaker 1: Like But that's what I've noticed see in New York.

1513
01:23:52,640 --> 01:23:55,560
Speaker 1: It wasn't recalling youabamas. We were saying that, you know,

1514
01:23:55,640 --> 01:23:57,599
Speaker 1: it was a different people. It was a different cousins

1515
01:23:57,600 --> 01:24:00,760
Speaker 1: because I gonna remember y'all, our cousins were all family, man,

1516
01:24:01,000 --> 01:24:03,640
Speaker 1: do you understand I'm saying. And when we got to

1517
01:24:03,720 --> 01:24:05,400
Speaker 1: the West coast, it was a little different too. But

1518
01:24:05,560 --> 01:24:10,920
Speaker 1: the South, honestly is all of our grandmothers have all.

1519
01:24:11,240 --> 01:24:13,400
Speaker 1: I think you're talking about different things. Man. You know

1520
01:24:13,560 --> 01:24:15,040
Speaker 1: what I'm saying is, here's what I'm trying to say.

1521
01:24:15,720 --> 01:24:18,400
Speaker 1: What I'm trying to say is people felt like East

1522
01:24:18,439 --> 01:24:20,200
Speaker 1: Coast wasn't giving it up to the South. It was

1523
01:24:20,200 --> 01:24:24,160
Speaker 1: always called n't want to get to nobody and the

1524
01:24:24,280 --> 01:24:34,679
Speaker 1: industry lived in New York. The radio show City Ship.

1525
01:24:35,520 --> 01:24:38,400
Speaker 1: You shouldn't see it. You wouldn't see it. Let me

1526
01:24:38,439 --> 01:24:41,400
Speaker 1: ask you a question. Remember I remember watching a podcast

1527
01:24:41,439 --> 01:24:43,640
Speaker 1: and you was like, yo, when I went to l A,

1528
01:24:44,520 --> 01:24:46,680
Speaker 1: I was, I was, I was looking around, I was,

1529
01:24:46,760 --> 01:24:50,800
Speaker 1: I was making sure she was good. Why was you

1530
01:24:50,920 --> 01:24:55,599
Speaker 1: doing that? Exactly exactly? So for us, like of course

1531
01:24:55,680 --> 01:24:58,320
Speaker 1: it's slow. Everything slow. We're not slow as Texas but

1532
01:24:59,080 --> 01:25:01,360
Speaker 1: not just chopped the screw music. But you come down South,

1533
01:25:01,400 --> 01:25:04,640
Speaker 1: ship gets slower. But for us, it was like we

1534
01:25:04,800 --> 01:25:07,040
Speaker 1: always showed your love, like y'all came down. They went

1535
01:25:07,120 --> 01:25:09,439
Speaker 1: to schools, went to the HBCUs. You know what I'm saying,

1536
01:25:09,520 --> 01:25:13,960
Speaker 1: Like we got we got out. Was that hole? Was there?

1537
01:25:14,000 --> 01:25:17,040
Speaker 1: They getting money? Like I know that you're saying so,

1538
01:25:17,360 --> 01:25:22,200
Speaker 1: And it's like we adopted some of the ship. He

1539
01:25:22,280 --> 01:25:24,200
Speaker 1: adopted some of this ship from y'all. So it's like

1540
01:25:24,240 --> 01:25:26,280
Speaker 1: when when Tim's got popping, we threw on the tails

1541
01:25:26,280 --> 01:25:28,840
Speaker 1: when the bubble goose is like everything was about y'all.

1542
01:25:29,200 --> 01:25:31,360
Speaker 1: So it was like when it became about somebody else

1543
01:25:31,760 --> 01:25:35,360
Speaker 1: to see certain artists like now we're not that ship Cony,

1544
01:25:35,400 --> 01:25:37,920
Speaker 1: We're not working with them type niggas like damn like Nigga.

1545
01:25:38,200 --> 01:25:40,000
Speaker 1: We were just we're doing what hip hop fays. We're

1546
01:25:40,040 --> 01:25:42,280
Speaker 1: rapping about what we know from where we are, you

1547
01:25:42,280 --> 01:25:44,200
Speaker 1: know what I'm saying. Like everybody ain't gonna be that,

1548
01:25:44,439 --> 01:25:46,240
Speaker 1: you know what I'm saying. So I think when when

1549
01:25:46,280 --> 01:25:48,840
Speaker 1: people like Tim and Pharrell got into the studio to

1550
01:25:49,000 --> 01:25:52,160
Speaker 1: make music, they knew what they couldn't make. We couldn't

1551
01:25:52,200 --> 01:25:55,200
Speaker 1: make no premier type sound bad hip hop. Y'all already

1552
01:25:55,280 --> 01:25:58,160
Speaker 1: did that. We couldn't make Baltimore Club. Baltimore Club was

1553
01:25:58,160 --> 01:26:00,800
Speaker 1: already popping, couldn't make Jersey House, she was already done,

1554
01:26:00,960 --> 01:26:04,120
Speaker 1: couldn't do Go Go, so she was already can't do

1555
01:26:05,080 --> 01:26:08,080
Speaker 1: can't do the screw the shop ship, can't do the

1556
01:26:08,120 --> 01:26:10,719
Speaker 1: chronic ship. So it's like, damn, nigga, I'm gonna sample

1557
01:26:10,800 --> 01:26:13,000
Speaker 1: this baby, you know what I'm say I'm gonna sample

1558
01:26:13,080 --> 01:26:17,040
Speaker 1: this last noise if it tim That was the illest

1559
01:26:17,040 --> 01:26:21,439
Speaker 1: because I've never seen a nigga sit down and beat

1560
01:26:21,520 --> 01:26:26,360
Speaker 1: box a fucking beat and then touch the fucking something

1561
01:26:26,479 --> 01:26:28,640
Speaker 1: and make it so the nigga would sit down and go,

1562
01:26:28,720 --> 01:26:33,400
Speaker 1: y'all wanted you to go, and the nigga will find

1563
01:26:33,520 --> 01:26:36,800
Speaker 1: the sound that went. And I'm sitting there like yo,

1564
01:26:36,880 --> 01:26:39,160
Speaker 1: this niggas fucking crag. He beat boxes all the ship.

1565
01:26:39,600 --> 01:26:41,400
Speaker 1: I work with timpular Please don't get your story. I

1566
01:26:41,439 --> 01:26:43,200
Speaker 1: work with timpularly. At one time he was like this

1567
01:26:43,520 --> 01:26:50,920
Speaker 1: nor just how I want your wife to God like

1568
01:26:51,560 --> 01:26:54,800
Speaker 1: Mario brothers. I looked at this nigg I said he

1569
01:26:55,000 --> 01:26:58,560
Speaker 1: gotta be hot, like that's how he did it. And

1570
01:26:58,600 --> 01:27:02,360
Speaker 1: then you see, I took two longer. I had a rock.

1571
01:27:04,000 --> 01:27:09,000
Speaker 1: I was like, oh, ship, nigga liga around and fucking

1572
01:27:09,160 --> 01:27:12,400
Speaker 1: and till you gotta listen to them too, because they'll

1573
01:27:12,439 --> 01:27:15,360
Speaker 1: have you. They'll change your whole life. And niggas wasn't listening.

1574
01:27:15,680 --> 01:27:17,400
Speaker 1: You know what I'm saying, Like now, I ain't doing

1575
01:27:17,439 --> 01:27:19,719
Speaker 1: that corny same way before him. Give you some babe.

1576
01:27:19,720 --> 01:27:22,160
Speaker 1: She's like, I'm not walking around these fake casts for once,

1577
01:27:23,960 --> 01:27:26,160
Speaker 1: bake over your check. I don't know what's probably be

1578
01:27:26,880 --> 01:27:29,400
Speaker 1: Like I was, y'all guinea pick for two years. I

1579
01:27:29,520 --> 01:27:31,720
Speaker 1: was walking around. It's like, you ain't you getting money?

1580
01:27:31,920 --> 01:27:35,160
Speaker 1: You having a force once? You don't remember because they

1581
01:27:35,560 --> 01:27:39,679
Speaker 1: look just like people were laughing at me. I'm sorry

1582
01:27:40,000 --> 01:27:42,920
Speaker 1: those those two dudes man changed to face the music man.

1583
01:27:43,200 --> 01:27:45,200
Speaker 1: And it ain't too many people that could say that

1584
01:27:45,320 --> 01:27:48,360
Speaker 1: they did that. And for me, like to be from

1585
01:27:48,400 --> 01:27:52,040
Speaker 1: where we from, it's truly something in the water. Like

1586
01:27:52,120 --> 01:27:54,600
Speaker 1: it's not it's not just something to say, it's a

1587
01:27:54,680 --> 01:27:57,760
Speaker 1: special and unique they maybe they create their own unique sounds. Yeah,

1588
01:27:58,360 --> 01:28:01,080
Speaker 1: Like I feel like Farrell was the closest thing. Him

1589
01:28:01,120 --> 01:28:02,680
Speaker 1: and Chad were the closest thing we ever had to

1590
01:28:02,760 --> 01:28:05,400
Speaker 1: happen to sound. You know what I'm saying. But that

1591
01:28:05,840 --> 01:28:07,439
Speaker 1: the person time came back around what was the name

1592
01:28:07,479 --> 01:28:08,880
Speaker 1: of his group naging him and he wouldn't know it

1593
01:28:09,000 --> 01:28:10,800
Speaker 1: was just him. He was a raptor's name was nagging

1594
01:28:10,880 --> 01:28:16,160
Speaker 1: the verb lord worked out for him. But that sounds

1595
01:28:16,160 --> 01:28:20,960
Speaker 1: like here's the thing. Next time I see him, Hawaiian

1596
01:28:21,080 --> 01:28:23,960
Speaker 1: shirt read in the Excess and he's telling the DJ

1597
01:28:24,360 --> 01:28:27,080
Speaker 1: played my record and they're like, yeah, like like my

1598
01:28:27,200 --> 01:28:33,439
Speaker 1: magnum Yo he's talking about or super Thugger is fucking

1599
01:28:33,520 --> 01:28:36,000
Speaker 1: tending the clubs down. He's telling the DJ like, Yo,

1600
01:28:36,120 --> 01:28:39,479
Speaker 1: that's my record, and DJ like, yeah, yeah, that's my

1601
01:28:42,080 --> 01:28:46,840
Speaker 1: that's my reckord like started, and then the video comes

1602
01:28:46,840 --> 01:28:49,800
Speaker 1: out and niggas just like, Yo, that's his record, red

1603
01:28:49,920 --> 01:28:52,679
Speaker 1: in excess fucking and I'm like, Yo, the nigga really

1604
01:28:52,760 --> 01:28:56,479
Speaker 1: doing that. I though it sounds so cliche that said

1605
01:28:56,960 --> 01:28:59,080
Speaker 1: right now, But for the moment I met that motherfucker,

1606
01:28:59,080 --> 01:29:03,040
Speaker 1: I knew he was was from earth. Fact, he was.

1607
01:29:03,280 --> 01:29:05,439
Speaker 1: He was different, bro, he was It was so easy

1608
01:29:05,479 --> 01:29:09,360
Speaker 1: to say that now, like but I wish I was lying,

1609
01:29:09,479 --> 01:29:11,479
Speaker 1: but I'm just not. Just looked at him. I wish

1610
01:29:11,520 --> 01:29:19,599
Speaker 1: we had the Purple rain for this right now. That's

1611
01:29:19,640 --> 01:29:23,360
Speaker 1: my that's my man man, that's my brother. Yeah man um.

1612
01:29:24,400 --> 01:29:27,280
Speaker 1: And it's like it feels like in Virginia you all

1613
01:29:27,439 --> 01:29:29,439
Speaker 1: have to be tied to each other. It's there artists

1614
01:29:29,479 --> 01:29:32,160
Speaker 1: that you're not tied to in Virginia. No, they can't

1615
01:29:32,160 --> 01:29:34,200
Speaker 1: be right. Who's this new artist you guy? I think

1616
01:29:34,240 --> 01:29:37,400
Speaker 1: we're signed to push your teeth? Oh card I think

1617
01:29:37,439 --> 01:29:40,800
Speaker 1: his name is Carden. He signed on pushing teas Labor. Yeah,

1618
01:29:41,040 --> 01:29:44,280
Speaker 1: the Petersburg Young Boy Virginia. Yeah, yeah, yeah, not he's

1619
01:29:44,280 --> 01:29:46,160
Speaker 1: from with trade songs from Oh. I was saying, you

1620
01:29:46,200 --> 01:29:50,759
Speaker 1: gotta think Virginia's Angela, the girls from Chris de Angelo

1621
01:29:51,120 --> 01:29:55,439
Speaker 1: me trade songs, Chris Brown for Reno Chris Brown. Chris

1622
01:29:55,560 --> 01:30:01,920
Speaker 1: Brown is from Tappahanned Virginia, fucking clips, push you Analyst,

1623
01:30:02,560 --> 01:30:06,800
Speaker 1: Missy Macgoo. Like, bro, what was the crew were into?

1624
01:30:07,080 --> 01:30:12,840
Speaker 1: Wasn't super free but friends Lonnie b Day so he

1625
01:30:12,960 --> 01:30:16,960
Speaker 1: was a dope rapping back. Yeah, he battled up Jojoe

1626
01:30:17,040 --> 01:30:21,640
Speaker 1: Pellegrino on the boat the Dirty White Boy. Yeah, man, no,

1627
01:30:21,920 --> 01:30:25,800
Speaker 1: man like um so yeah, No, Virginia is a special place, bro,

1628
01:30:26,200 --> 01:30:28,439
Speaker 1: something really in the ward. It's listen, it's not just

1629
01:30:28,560 --> 01:30:31,600
Speaker 1: something we say. It's not just Molly, It's not just

1630
01:30:31,760 --> 01:30:42,680
Speaker 1: probably not Molly. How did you break It's not He's like,

1631
01:30:42,800 --> 01:30:54,519
Speaker 1: it's not mon Yeah, man, God damn holy bo. Yeah,

1632
01:30:54,800 --> 01:30:57,000
Speaker 1: you know I got does man, you know, let's get

1633
01:30:57,160 --> 01:30:59,360
Speaker 1: to those man, you know, you know the easy help

1634
01:30:59,400 --> 01:31:03,320
Speaker 1: people do for what album? Because the first was the album? Yeah,

1635
01:31:03,760 --> 01:31:07,320
Speaker 1: the whole first album, the first I'm a zyl because

1636
01:31:07,360 --> 01:31:09,200
Speaker 1: he did a song for the artifacts, and that was

1637
01:31:09,439 --> 01:31:11,599
Speaker 1: I didn't know that he did down to My Soul

1638
01:31:11,640 --> 01:31:13,600
Speaker 1: rebix the fact the first niggas ever let me on

1639
01:31:13,680 --> 01:31:16,800
Speaker 1: a song, Yeah, all the facts. I'll tame one else

1640
01:31:16,840 --> 01:31:19,599
Speaker 1: since then. That was a crazy Actually, I do remember

1641
01:31:19,600 --> 01:31:23,920
Speaker 1: that Dona My Soul, the first album from with Yes

1642
01:31:24,040 --> 01:31:25,599
Speaker 1: I came out on the same day as the Food

1643
01:31:25,680 --> 01:31:27,880
Speaker 1: Jis and All Eyes on Me worst day of in

1644
01:31:27,960 --> 01:31:31,040
Speaker 1: South I didn't I don't know what. I don't know where.

1645
01:31:31,080 --> 01:31:35,120
Speaker 1: This was a great niggas from Virginia. The album that

1646
01:31:35,479 --> 01:31:39,080
Speaker 1: I didn't take. It didn't happen to me. You didn't

1647
01:31:39,080 --> 01:31:43,000
Speaker 1: get gold. Now I'm not gold, but back there was

1648
01:31:43,320 --> 01:31:47,240
Speaker 1: but little to leave with this leave with the score

1649
01:31:47,400 --> 01:31:49,000
Speaker 1: and all I mean to me, I mean that's a

1650
01:31:49,040 --> 01:31:51,800
Speaker 1: little I mean that's different everyone, dude that All Eyes

1651
01:31:51,880 --> 01:31:54,439
Speaker 1: on Me is that the album after he came Double Yes,

1652
01:31:54,840 --> 01:31:59,680
Speaker 1: that's double out kill him did not pick a good day.

1653
01:32:00,080 --> 01:32:06,280
Speaker 1: Let's just throw that out there. Okay, okay, you have

1654
01:32:06,400 --> 01:32:09,040
Speaker 1: you had large professor producer on that large professor j

1655
01:32:10,200 --> 01:32:15,920
Speaker 1: period Clark Kent, not psycho Le's um. And I was

1656
01:32:16,000 --> 01:32:21,000
Speaker 1: the first person that ever did this song with j J. Yeah, yeah,

1657
01:32:21,400 --> 01:32:25,360
Speaker 1: because that was guy and that's early. Didn't understand. I'm

1658
01:32:25,439 --> 01:32:28,200
Speaker 1: with you, Tip, I'm making the album and I'm like,

1659
01:32:28,400 --> 01:32:31,360
Speaker 1: niggad you on my album. He's like, yeah, no, son

1660
01:32:31,479 --> 01:32:34,680
Speaker 1: got this nigga you gotta I said, Noah, nigga you

1661
01:32:34,760 --> 01:32:39,640
Speaker 1: on the album. He comes to Battery Studio Street went

1662
01:32:39,800 --> 01:32:42,840
Speaker 1: a little small dude with a fucking Detroit had on

1663
01:32:43,600 --> 01:32:46,840
Speaker 1: and he's talking about him the same way he talked

1664
01:32:46,880 --> 01:32:49,280
Speaker 1: about me to Pasta, Neuse and Mace. And he's talking

1665
01:32:49,320 --> 01:32:54,160
Speaker 1: to you. He's he's going, your son, this, where's yo.

1666
01:32:54,240 --> 01:32:56,639
Speaker 1: He's so ill and I'm like even, I'm like, yeah,

1667
01:32:57,080 --> 01:32:59,640
Speaker 1: I need to cute Tip beat though He's like, no, no,

1668
01:32:59,720 --> 01:33:01,840
Speaker 1: I got at you. But listen to this nigger. He

1669
01:33:02,040 --> 01:33:04,679
Speaker 1: hits the beat, he put the I still have the tape.

1670
01:33:04,720 --> 01:33:07,040
Speaker 1: He hit the cassette, put the consette, places the cassette.

1671
01:33:07,080 --> 01:33:09,320
Speaker 1: As soon as I hit the cassette. But no, and

1672
01:33:10,439 --> 01:33:14,120
Speaker 1: and and it's running. I'm like, you play the next one,

1673
01:33:14,439 --> 01:33:17,360
Speaker 1: my dumbass. I'm like, play the next one. Next beat

1674
01:33:17,479 --> 01:33:20,240
Speaker 1: is the far side. Gotta kick something to me something

1675
01:33:20,439 --> 01:33:23,519
Speaker 1: I passed on running. You gotta kick something to me

1676
01:33:23,680 --> 01:33:29,120
Speaker 1: something Drop passed on that. And then he gets to

1677
01:33:29,200 --> 01:33:32,000
Speaker 1: the song that I take and I never forget. I

1678
01:33:32,080 --> 01:33:34,960
Speaker 1: paid him three three bands a song. We did three songs.

1679
01:33:35,040 --> 01:33:37,559
Speaker 1: I can't find the third one. If I find it, God, God,

1680
01:33:37,600 --> 01:33:39,760
Speaker 1: please let me find that third song. Uh. And I

1681
01:33:39,840 --> 01:33:42,479
Speaker 1: paid me here, I paid nags and I remember he

1682
01:33:42,560 --> 01:33:45,640
Speaker 1: was in the studio and battery mixing, and he was like, um,

1683
01:33:46,400 --> 01:33:49,200
Speaker 1: he said, yo, I never I'll never forget this. And

1684
01:33:49,240 --> 01:33:51,120
Speaker 1: I don't care if I get as big as Dr Dre.

1685
01:33:51,720 --> 01:33:53,759
Speaker 1: You always be able to give me for three bands

1686
01:33:54,479 --> 01:33:56,519
Speaker 1: a song. I don't care how big I get. And

1687
01:33:56,600 --> 01:33:58,280
Speaker 1: we never got a chance to do another because he

1688
01:33:58,280 --> 01:34:00,240
Speaker 1: passed away. Because he passed and at the home and

1689
01:34:00,280 --> 01:34:02,320
Speaker 1: you thought you were missing out on a qute tip beat,

1690
01:34:02,400 --> 01:34:06,360
Speaker 1: but q tip hopped on the song with large Professor

1691
01:34:06,439 --> 01:34:15,439
Speaker 1: called extra abstract skills, right, my man, I spent more

1692
01:34:15,520 --> 01:34:18,639
Speaker 1: money on large professor songs. When you look at the budget,

1693
01:34:18,760 --> 01:34:20,680
Speaker 1: because I had an ad it I was gonna R

1694
01:34:20,720 --> 01:34:22,800
Speaker 1: and B label and I had to change the faces budget.

1695
01:34:22,840 --> 01:34:24,920
Speaker 1: My budget like three fifty or something. Ship. When you

1696
01:34:25,000 --> 01:34:27,720
Speaker 1: look at how much you spend a large professor and

1697
01:34:27,880 --> 01:34:31,000
Speaker 1: you need studios fucking this saying large professor will come,

1698
01:34:31,160 --> 01:34:33,120
Speaker 1: you need to get him on the podcast to Lars,

1699
01:34:33,200 --> 01:34:36,080
Speaker 1: professor will come and just listen to records in the

1700
01:34:36,160 --> 01:34:40,320
Speaker 1: studio like my nigga like we this is a twelve

1701
01:34:40,400 --> 01:34:44,960
Speaker 1: hour block our eight and he like putting the record

1702
01:34:45,920 --> 01:34:47,439
Speaker 1: and I'm sitting there looking at my A n R

1703
01:34:47,520 --> 01:34:52,599
Speaker 1: reeflight like what we you know what we do? That's

1704
01:34:52,640 --> 01:34:55,400
Speaker 1: my and we And you know, I spent so much

1705
01:34:55,479 --> 01:34:58,640
Speaker 1: money with large professors just listening to the songs. But

1706
01:34:59,080 --> 01:35:05,760
Speaker 1: the knowledge that she just based on what he's said

1707
01:35:06,280 --> 01:35:10,439
Speaker 1: waiting long. And Clark Kid was on the album because

1708
01:35:10,479 --> 01:35:12,439
Speaker 1: because because he did it them a so of course

1709
01:35:12,479 --> 01:35:14,400
Speaker 1: I gotta bring my old chea and make sure he

1710
01:35:14,439 --> 01:35:17,160
Speaker 1: could taken care of because he helped me. Even though

1711
01:35:17,160 --> 01:35:20,280
Speaker 1: I was talking about hold in his house, Um he was.

1712
01:35:20,520 --> 01:35:23,280
Speaker 1: He was on the album. Yeah, the album was on

1713
01:35:23,600 --> 01:35:25,840
Speaker 1: the album when it came out, even even on the

1714
01:35:25,880 --> 01:35:29,000
Speaker 1: same day that not you know, not the Fuji's and

1715
01:35:29,120 --> 01:35:31,920
Speaker 1: fucking Tupac came out. It was in Virginia. It was

1716
01:35:32,000 --> 01:35:36,200
Speaker 1: a big thing because he never saw its classic first

1717
01:35:36,240 --> 01:35:39,200
Speaker 1: albums from where right, that's what you all eyes on

1718
01:35:39,320 --> 01:35:44,479
Speaker 1: me and food. But it was probus called I Ain't

1719
01:35:44,560 --> 01:35:46,760
Speaker 1: Mad No More right, That's when I changed it from

1720
01:35:46,800 --> 01:35:52,320
Speaker 1: Mad skills and skills, and that's what that was. Rockers

1721
01:35:52,400 --> 01:35:54,880
Speaker 1: fucked that whole ship up. I think I ended up

1722
01:35:54,960 --> 01:35:59,040
Speaker 1: puttinession the singles came on. The singles came because folded,

1723
01:35:59,560 --> 01:36:03,280
Speaker 1: because did Aft stake with m c A and the

1724
01:36:03,360 --> 01:36:05,519
Speaker 1: whole ship. I think that was when quality came out

1725
01:36:06,640 --> 01:36:08,920
Speaker 1: and sound Brian and Jared. But they was trying to

1726
01:36:09,000 --> 01:36:11,320
Speaker 1: get fucking Coogi Wrap to do songs with Nellie and

1727
01:36:11,360 --> 01:36:14,800
Speaker 1: ship like they was David wilder Um. But they started out.

1728
01:36:15,400 --> 01:36:17,320
Speaker 1: They started out with the writer attention because I believe

1729
01:36:20,479 --> 01:36:22,600
Speaker 1: Raucus was probably the last label with As soon as

1730
01:36:22,600 --> 01:36:24,640
Speaker 1: they got the record, he was like, I'm funking with this.

1731
01:36:24,960 --> 01:36:27,639
Speaker 1: Soon as I started the razor the all I'm gonna

1732
01:36:27,640 --> 01:36:29,800
Speaker 1: give this a shot because it's Ruckers. They were thinking

1733
01:36:29,800 --> 01:36:31,479
Speaker 1: about the box and some some of the things weren't

1734
01:36:31,520 --> 01:36:32,960
Speaker 1: and some of the things then now they was killing

1735
01:36:33,000 --> 01:36:36,040
Speaker 1: it for a minute. So what happened? We killed Racers.

1736
01:36:36,600 --> 01:36:39,400
Speaker 1: I mean he's m c A. Em c A got

1737
01:36:39,439 --> 01:36:42,080
Speaker 1: in for half and the ship went left after Like

1738
01:36:42,120 --> 01:36:43,640
Speaker 1: I said, they was trying to get Coogi Rap to

1739
01:36:43,680 --> 01:36:46,240
Speaker 1: do songs and Nellie not knowing what they have. You

1740
01:36:46,320 --> 01:36:48,680
Speaker 1: got most you got quality. You got Ferrell months like,

1741
01:36:48,840 --> 01:36:51,040
Speaker 1: and these niggers are doing numbers with no radio play,

1742
01:36:51,400 --> 01:36:53,559
Speaker 1: Like I remember what Simon says got on High Night seven,

1743
01:36:53,600 --> 01:36:57,320
Speaker 1: like get the Nigger, like it was done that lawsuit

1744
01:36:57,640 --> 01:37:02,240
Speaker 1: and did them. But they had crazy. That was that

1745
01:37:02,400 --> 01:37:05,840
Speaker 1: was crazy. But Roucus was Rucus was sucking crazy. I

1746
01:37:06,520 --> 01:37:10,960
Speaker 1: remember crazy. Story about rock is real quick. I'm at

1747
01:37:11,040 --> 01:37:17,640
Speaker 1: Conway Studios in l a Machine studio. I'm with my

1748
01:37:17,760 --> 01:37:20,360
Speaker 1: girl at the time, Esther Dean, who was like a

1749
01:37:20,439 --> 01:37:23,840
Speaker 1: super big pop writer. How you know everybody's name? Star

1750
01:37:23,960 --> 01:37:26,800
Speaker 1: forgetting nobody's name, he like, he describes it so great.

1751
01:37:27,040 --> 01:37:29,640
Speaker 1: So I'm with I'm with Esther and she goes to

1752
01:37:29,720 --> 01:37:32,400
Speaker 1: a session with Dr Luke right at this time, this

1753
01:37:32,520 --> 01:37:37,479
Speaker 1: is fucking Katie Perry and like killing the ship, right.

1754
01:37:38,120 --> 01:37:40,760
Speaker 1: So she's in there cutting of vocals. I'm sitting out

1755
01:37:40,800 --> 01:37:43,400
Speaker 1: on the little patio. Dr Luke comes out and he

1756
01:37:43,479 --> 01:37:46,400
Speaker 1: got a guitark. So we're just sitting there. He's like, oh, man,

1757
01:37:46,479 --> 01:37:48,280
Speaker 1: you know how long you and you and her been dating.

1758
01:37:48,320 --> 01:37:50,680
Speaker 1: I'm like, you know, that's the amount of time. And

1759
01:37:50,760 --> 01:37:53,040
Speaker 1: I was like, yo, you look wild familiar. He was like,

1760
01:37:53,080 --> 01:37:55,080
Speaker 1: where are you from? I said, I'm from Virginia, said

1761
01:37:55,080 --> 01:37:56,639
Speaker 1: where you from? He was like, I'm from New York.

1762
01:37:57,160 --> 01:37:59,920
Speaker 1: I was like, I said, yo, you ever ever been

1763
01:38:00,160 --> 01:38:02,439
Speaker 1: Raucus Records? And this one Funer's playing can talk and

1764
01:38:02,479 --> 01:38:06,720
Speaker 1: didn't stop. He said, oh Raucous. I was like yeah,

1765
01:38:06,760 --> 01:38:09,280
Speaker 1: he said yeah, No, I used to be at Raucus.

1766
01:38:09,720 --> 01:38:12,360
Speaker 1: He's like, I used to sell Brian and Jared their weed.

1767
01:38:13,280 --> 01:38:21,880
Speaker 1: And I'm like, what Dr Luke, Katie Perry Katie Perry Cashier.

1768
01:38:22,000 --> 01:38:26,120
Speaker 1: So I'm like, I'm like, yo, I saw you at Raucus.

1769
01:38:26,240 --> 01:38:28,479
Speaker 1: He was like, no, I used to do like what

1770
01:38:28,640 --> 01:38:30,760
Speaker 1: you called it, dubstep remixes. He's like, I would do

1771
01:38:30,880 --> 01:38:34,479
Speaker 1: dumb euro remixes. And they realized that every time that

1772
01:38:34,640 --> 01:38:37,120
Speaker 1: they would, uh, I would do a remix in the UK,

1773
01:38:37,280 --> 01:38:39,000
Speaker 1: the ship would get b d s. They spins will

1774
01:38:39,040 --> 01:38:42,120
Speaker 1: go up. He was like, so I started doing remixes

1775
01:38:42,160 --> 01:38:43,880
Speaker 1: one that give me that from a cappella and then

1776
01:38:43,960 --> 01:38:45,479
Speaker 1: one day I think this is what he says that

1777
01:38:45,560 --> 01:38:48,519
Speaker 1: one day like one of the rappers left his voice

1778
01:38:48,600 --> 01:38:52,880
Speaker 1: right now, hero, one of the rappers left some weed

1779
01:38:52,960 --> 01:38:55,920
Speaker 1: in my studio and I just fucking started selling them

1780
01:38:56,000 --> 01:38:59,679
Speaker 1: that the weed. And I'm sitting there going Dr Luke

1781
01:39:00,160 --> 01:39:04,240
Speaker 1: was fucking killing the game pop game killing it. Used

1782
01:39:04,280 --> 01:39:07,719
Speaker 1: to sell weed to fucking Brian and Jerry, that Raucus

1783
01:39:08,439 --> 01:39:10,000
Speaker 1: and then the nigga looks at me. He was like,

1784
01:39:10,160 --> 01:39:13,920
Speaker 1: he's looking at the air like Raucus Records. He's like,

1785
01:39:13,960 --> 01:39:15,920
Speaker 1: do you think that name would like mean something? Now?

1786
01:39:16,040 --> 01:39:17,960
Speaker 1: I was like, what you mean? He's like, you know what?

1787
01:39:18,120 --> 01:39:19,800
Speaker 1: Like the emergence is of like the you know, the

1788
01:39:19,920 --> 01:39:22,680
Speaker 1: j Coles and the Kendricks. I wonder if I just

1789
01:39:22,800 --> 01:39:26,599
Speaker 1: bought the name. And I'm sitting there going, you said,

1790
01:39:26,760 --> 01:39:32,000
Speaker 1: let's be partner, Like this is crazy, like super ill

1791
01:39:32,320 --> 01:39:35,360
Speaker 1: when like bro as far as songwriter as he's he's

1792
01:39:35,439 --> 01:39:38,880
Speaker 1: right behind Max Martin, which is probably the top top tier.

1793
01:39:39,640 --> 01:39:41,040
Speaker 1: Let you know how much I know, I don't know.

1794
01:39:41,400 --> 01:39:45,639
Speaker 1: You don't know Maxin. Look it up, Dr Luke. Max

1795
01:39:45,760 --> 01:39:47,599
Speaker 1: Martin plaining me, come on, please, I don't wanna look

1796
01:39:47,600 --> 01:39:53,000
Speaker 1: it up. Max Martin started out nine before right maybe

1797
01:39:53,080 --> 01:39:56,880
Speaker 1: nice the year he was born right, but he's had

1798
01:39:56,920 --> 01:40:01,479
Speaker 1: a hit on the charts. Britney Spears, Backstreet, Taylor, Taylor

1799
01:40:01,560 --> 01:40:05,559
Speaker 1: Swift are on the ground. Like Dr Lucas his his protege.

1800
01:40:05,680 --> 01:40:10,200
Speaker 1: He took him under. He's fucking Kesha Katie Perry. Nick

1801
01:40:10,360 --> 01:40:13,840
Speaker 1: had a pop run that was like a Songwriter of

1802
01:40:13,880 --> 01:40:16,760
Speaker 1: the Year a bazillion times over. You know what I'm saying,

1803
01:40:16,800 --> 01:40:20,680
Speaker 1: Like I pay attention to all types of songwriters, you

1804
01:40:20,720 --> 01:40:22,280
Speaker 1: know what I'm saying. So it just as far as

1805
01:40:22,360 --> 01:40:26,840
Speaker 1: writing songs like so, um when I got when I

1806
01:40:26,920 --> 01:40:31,080
Speaker 1: did the Nicky ship, Um, I did the Nicky song. Yeah,

1807
01:40:31,200 --> 01:40:34,120
Speaker 1: so I did the Nicky song. You can't just pop

1808
01:40:34,320 --> 01:40:36,800
Speaker 1: pop record. You can talk ABOUTNICKI. I don't know. First

1809
01:40:36,840 --> 01:40:39,280
Speaker 1: of all, I ain't writing Nicky raps. She write all

1810
01:40:39,320 --> 01:40:42,479
Speaker 1: her wraps. Hook for Nicky called the Night is still young?

1811
01:40:43,400 --> 01:40:48,040
Speaker 1: Pop record? Pop record comes out and I'm I'm at

1812
01:40:48,080 --> 01:40:50,920
Speaker 1: home looking at this. Was when I think Taylor Swift

1813
01:40:50,960 --> 01:40:53,840
Speaker 1: and Nicky got into a little twitter be for whatever.

1814
01:40:54,320 --> 01:40:59,840
Speaker 1: Remember that the other chick and Taylor Swift jumped in.

1815
01:41:00,000 --> 01:41:01,760
Speaker 1: Then they made up, and then they come out at

1816
01:41:01,800 --> 01:41:06,240
Speaker 1: the MTV Awards and I'm watching Taylor Swift on stage

1817
01:41:06,320 --> 01:41:10,560
Speaker 1: the MTV Awards sing my words and I'm like, no,

1818
01:41:10,720 --> 01:41:13,400
Speaker 1: nigga like niggas, niggas like us can get there. You

1819
01:41:13,439 --> 01:41:16,400
Speaker 1: know what I'm saying, Like pop music is is pop music.

1820
01:41:16,520 --> 01:41:21,479
Speaker 1: But it's still all music. It's only two kinds of music. Look,

1821
01:41:21,479 --> 01:41:24,439
Speaker 1: get up when you see Taylor Swift when it happened

1822
01:41:24,479 --> 01:41:26,519
Speaker 1: for you. If you see Taylor Swift singing what you

1823
01:41:26,640 --> 01:41:33,320
Speaker 1: wrote and your singing mother, now, man like to watch

1824
01:41:33,479 --> 01:41:36,719
Speaker 1: that happen as a songwriter. You know what I'm saying,

1825
01:41:36,760 --> 01:41:39,760
Speaker 1: Like I write all conds of songs, bro Like, I

1826
01:41:39,880 --> 01:41:43,280
Speaker 1: just do what I do. Fucking uh. Black men don't cheat.

1827
01:41:43,479 --> 01:41:46,200
Speaker 1: You know what I'm saying. For for Duval dude, that

1828
01:41:47,040 --> 01:41:49,040
Speaker 1: what I'm saying. I could see that, I could see

1829
01:41:49,080 --> 01:41:53,639
Speaker 1: that I was pissed when I wrote that. What happened? Oh,

1830
01:41:54,320 --> 01:41:56,719
Speaker 1: I don't know if you shot, Let's get another shot.

1831
01:41:56,880 --> 01:41:58,759
Speaker 1: You remember the video? I don't know if you remember.

1832
01:41:58,800 --> 01:42:00,560
Speaker 1: It was a world star shop was it was this

1833
01:42:00,680 --> 01:42:05,640
Speaker 1: girl at McDonald's, black girl, drunk, white dude comes into McDonald's,

1834
01:42:05,640 --> 01:42:08,560
Speaker 1: starts talking crazy tour and he said some tour, and

1835
01:42:08,600 --> 01:42:11,240
Speaker 1: the black girls just start beating his ass at McDonald's

1836
01:42:11,240 --> 01:42:14,719
Speaker 1: across the camp and then there's two dudes in the back,

1837
01:42:14,880 --> 01:42:17,439
Speaker 1: like two black dudes, young dudes just looking like yo,

1838
01:42:17,600 --> 01:42:20,880
Speaker 1: like damn, he should beating the funk out. And it

1839
01:42:21,040 --> 01:42:24,639
Speaker 1: was just an onslaught of light Black women like see,

1840
01:42:24,680 --> 01:42:26,320
Speaker 1: this is this is why we don't funk with y'all.

1841
01:42:26,400 --> 01:42:28,840
Speaker 1: Y'all don't protect us. Why the fund is this girl

1842
01:42:28,960 --> 01:42:32,439
Speaker 1: at McDonald's fighting this man and y'all niggas watching, You're

1843
01:42:32,520 --> 01:42:36,200
Speaker 1: not helping. And I'm sitting there going, no, she was

1844
01:42:36,240 --> 01:42:39,519
Speaker 1: whipping this nigga ass at one point this ship, she

1845
01:42:40,000 --> 01:42:41,920
Speaker 1: and you know how you be at work and you

1846
01:42:42,000 --> 01:42:44,400
Speaker 1: gotta everybody got that person that worked there, like, yo,

1847
01:42:44,439 --> 01:42:47,680
Speaker 1: don't don't funk with Kim Kimball beat yours with Kim.

1848
01:42:48,160 --> 01:42:51,160
Speaker 1: So they watching her beat his ass and black women

1849
01:42:51,240 --> 01:42:54,360
Speaker 1: just went crazy online. Was all on the blogs and

1850
01:42:54,439 --> 01:42:56,560
Speaker 1: ship and I'm just sitting there watching and she's like,

1851
01:42:56,640 --> 01:42:59,280
Speaker 1: why it's always our fault? Like Dad, what what we do?

1852
01:42:59,520 --> 01:43:01,479
Speaker 1: So in that moment, I was like, yeo, I want

1853
01:43:01,520 --> 01:43:05,200
Speaker 1: to piss off every black woman in America. And I

1854
01:43:05,320 --> 01:43:08,479
Speaker 1: wrote black Men Don't Cheat that day, and I was

1855
01:43:08,560 --> 01:43:10,679
Speaker 1: about to do the video and I'm sending the video

1856
01:43:10,840 --> 01:43:14,200
Speaker 1: to to Apion Nick Cannon, and I just want nigga

1857
01:43:14,280 --> 01:43:16,360
Speaker 1: to sing the hook black men don't Cheat because I'm like,

1858
01:43:16,680 --> 01:43:18,960
Speaker 1: when black women see this ship, they're gonna be mad

1859
01:43:19,040 --> 01:43:22,320
Speaker 1: as fun. So I sent this ship to Charlemagne. Charlemagne

1860
01:43:22,400 --> 01:43:24,280
Speaker 1: calls me like, Yo, you know who need this record?

1861
01:43:24,640 --> 01:43:27,000
Speaker 1: I said who? He said, a little du vo. This

1862
01:43:27,120 --> 01:43:30,640
Speaker 1: is right after um living my best life. He said, Yo,

1863
01:43:30,920 --> 01:43:34,040
Speaker 1: you said it a little duvo. But I believe this record.

1864
01:43:34,160 --> 01:43:36,840
Speaker 1: So you're telling me I'm a black cousin because I

1865
01:43:36,960 --> 01:43:39,400
Speaker 1: thought it was real. Oh listen, I don't cheat. I'm

1866
01:43:39,400 --> 01:43:44,439
Speaker 1: a black man, black boys right right now. Here's the thing.

1867
01:43:44,680 --> 01:43:50,559
Speaker 1: Duvall was being funny. Charlemagne was like, no, nigga, that's

1868
01:43:50,560 --> 01:43:52,880
Speaker 1: about to be the new way I want this ship

1869
01:43:53,000 --> 01:43:55,320
Speaker 1: to be. I want this you to be a nigga

1870
01:43:55,360 --> 01:43:57,439
Speaker 1: who don't cheat on his girl, will be able to

1871
01:43:57,960 --> 01:43:59,639
Speaker 1: work out to the ship and say no, nigga black.

1872
01:43:59,680 --> 01:44:02,479
Speaker 1: I want to us to be a movement. So I'm like, y'all,

1873
01:44:02,520 --> 01:44:04,880
Speaker 1: go ahead, gave him the record. You know what I'm saying?

1874
01:44:05,400 --> 01:44:07,400
Speaker 1: And I figured it was it was it was. It

1875
01:44:07,520 --> 01:44:09,120
Speaker 1: worked because it was like it was one nigger that

1876
01:44:09,240 --> 01:44:12,400
Speaker 1: was controversial and then one nigger that was funny. Somethings

1877
01:44:12,400 --> 01:44:14,479
Speaker 1: are gonna take it as a joke, but Charlottage took

1878
01:44:14,479 --> 01:44:17,800
Speaker 1: a super serious. So I was two days away from

1879
01:44:17,840 --> 01:44:20,840
Speaker 1: putting out Black men thought she has bad skills, and

1880
01:44:20,960 --> 01:44:22,280
Speaker 1: Charlotte Mage was like, yea, you shoul to get this

1881
01:44:22,360 --> 01:44:29,920
Speaker 1: in the Duke baigges Man, Charlotte Mane and that you know,

1882
01:44:30,120 --> 01:44:32,960
Speaker 1: that's how skills a real drinker. He's taking a shot.

1883
01:44:33,000 --> 01:44:35,960
Speaker 1: What a shot? What a regular drink? And I'm thinking

1884
01:44:36,000 --> 01:44:42,200
Speaker 1: the p and I actually this already. I'm not sure

1885
01:44:42,240 --> 01:44:44,439
Speaker 1: if I did. But what is your favorite part of

1886
01:44:44,520 --> 01:44:50,320
Speaker 1: the game? Music? Just just but the music. That's still

1887
01:44:50,560 --> 01:44:53,479
Speaker 1: a two part answer, because is it making the music

1888
01:44:53,720 --> 01:44:57,160
Speaker 1: or performing the music? I don't really like I like DJ.

1889
01:44:57,680 --> 01:45:01,000
Speaker 1: Now I'm a DJ. I've been DJM for five years

1890
01:45:01,920 --> 01:45:05,679
Speaker 1: and the passion that I lost for rapping I gained

1891
01:45:06,160 --> 01:45:10,759
Speaker 1: in DJ. So for me, it's all it's just music

1892
01:45:10,960 --> 01:45:13,519
Speaker 1: is the hub of all of this ship. I started

1893
01:45:13,560 --> 01:45:16,800
Speaker 1: out making music, then I ended up writing music for

1894
01:45:16,880 --> 01:45:22,760
Speaker 1: other people. Um, now I'm playing music. You know what

1895
01:45:22,760 --> 01:45:27,200
Speaker 1: I'm saying. No, No, not just DJ like I DJ heavy,

1896
01:45:27,280 --> 01:45:34,040
Speaker 1: like DJ heavy man. I love I love DJ and

1897
01:45:34,520 --> 01:45:37,639
Speaker 1: and the the respect that I have for that craft

1898
01:45:38,040 --> 01:45:40,519
Speaker 1: because because when I'm from it's like like being from Virginia,

1899
01:45:40,560 --> 01:45:43,400
Speaker 1: we always felt like we had to use underdogs. So

1900
01:45:43,520 --> 01:45:45,160
Speaker 1: when I started DJ and I was like, I don't

1901
01:45:45,200 --> 01:45:47,439
Speaker 1: want to be a rapper. Niggas like, oh yeah, he's

1902
01:45:47,439 --> 01:45:50,200
Speaker 1: just up there sucking around, Like that's not scals. You

1903
01:45:50,200 --> 01:45:52,280
Speaker 1: know what I'm saying. If he funked up like real

1904
01:45:52,400 --> 01:45:55,320
Speaker 1: DC Live Nigga lived. I wanted to be the best.

1905
01:45:56,000 --> 01:45:58,599
Speaker 1: I wanted to be good. So when niggas think about

1906
01:45:58,680 --> 01:46:01,400
Speaker 1: rappers that used to DJ, I wanted him to think

1907
01:46:01,400 --> 01:46:04,639
Speaker 1: about me. D nice biss mark you know what I'm saying,

1908
01:46:04,760 --> 01:46:08,320
Speaker 1: was like, pray yourself a biss, keep pushing through. Um.

1909
01:46:08,760 --> 01:46:10,040
Speaker 1: You know what I'm saying. I wanted to be one

1910
01:46:10,080 --> 01:46:12,439
Speaker 1: of those rappers that people take serious as a DJ.

1911
01:46:12,640 --> 01:46:16,040
Speaker 1: So I got in the room and started sucking, practicing

1912
01:46:16,240 --> 01:46:20,600
Speaker 1: hard body on my own mixing, mixing, because what you

1913
01:46:20,680 --> 01:46:22,360
Speaker 1: gotta understand is that when I get a gig, like

1914
01:46:22,400 --> 01:46:24,040
Speaker 1: I did a gig Lass Night, so it's like, when

1915
01:46:24,040 --> 01:46:27,519
Speaker 1: I get a gig, I'm gonna get niggas and just

1916
01:46:27,560 --> 01:46:30,160
Speaker 1: booked me on the name. It's like, that's that's the

1917
01:46:30,200 --> 01:46:32,639
Speaker 1: whole mean, let's get him a back real quicker. He don't.

1918
01:46:32,720 --> 01:46:35,880
Speaker 1: Let's bring it through, but I want to kill it.

1919
01:46:37,520 --> 01:46:39,719
Speaker 1: I want to tell that on some kick appre ship,

1920
01:46:39,840 --> 01:46:41,960
Speaker 1: on some motherfucking s And that's what I'm saying. I

1921
01:46:42,040 --> 01:46:47,200
Speaker 1: wanted a part of J Kick Apri hands down, Kick Apre.

1922
01:46:48,600 --> 01:46:52,080
Speaker 1: I would say, Kick Apre is definitely my first party

1923
01:46:53,120 --> 01:46:56,200
Speaker 1: right now, A party I would love to go to.

1924
01:46:57,160 --> 01:47:01,080
Speaker 1: D J Camillo, Yes, I can't live You're not community,

1925
01:47:02,200 --> 01:47:04,479
Speaker 1: Yeah yeah, it'd be Koreans in there, Like how you

1926
01:47:04,720 --> 01:47:12,439
Speaker 1: Koreans calling something international? Yeah? Yeah, because I feel like

1927
01:47:12,640 --> 01:47:15,519
Speaker 1: I feel like as a DJ, I don't know nobody

1928
01:47:15,600 --> 01:47:18,760
Speaker 1: that likes just one type of music. Like if I

1929
01:47:19,040 --> 01:47:21,720
Speaker 1: ask you to name me your favorite songs, you might

1930
01:47:21,840 --> 01:47:26,680
Speaker 1: name me some some reggae ships, some that ship and

1931
01:47:26,880 --> 01:47:29,680
Speaker 1: saying nobody likes just one genre of music. So I

1932
01:47:29,720 --> 01:47:32,760
Speaker 1: don't think you should ever just play one genre music.

1933
01:47:33,920 --> 01:47:35,479
Speaker 1: You know what I'm saying. I'm the type person like

1934
01:47:36,479 --> 01:47:41,280
Speaker 1: if I'm if I'm DJing for for black people, I

1935
01:47:41,439 --> 01:47:44,479
Speaker 1: know what before I Let Go does to black people,

1936
01:47:45,200 --> 01:47:48,240
Speaker 1: right right? I know what that means to black people?

1937
01:47:50,600 --> 01:47:55,519
Speaker 1: Oh what's that ship? Bobs and Claire? What's the song

1938
01:47:59,200 --> 01:48:03,760
Speaker 1: play was talking about? Like? I want to know, right,

1939
01:48:04,040 --> 01:48:11,679
Speaker 1: don't know? I want to take you know, as a DJ,

1940
01:48:12,360 --> 01:48:15,479
Speaker 1: As a DJ, I want to know for every for

1941
01:48:15,600 --> 01:48:17,519
Speaker 1: every person that could be at a party. What is

1942
01:48:17,680 --> 01:48:20,280
Speaker 1: what is the music for them? People coming up to

1943
01:48:20,360 --> 01:48:23,640
Speaker 1: you request Yeah, but I don't usually take them. I'm like,

1944
01:48:23,720 --> 01:48:27,519
Speaker 1: if you were, you never don't want to. Yeah. Cool,

1945
01:48:27,920 --> 01:48:30,080
Speaker 1: But the one thing is, I never want people to

1946
01:48:30,160 --> 01:48:31,840
Speaker 1: come to a party. But oh, he's just gonna play

1947
01:48:31,880 --> 01:48:34,400
Speaker 1: some nineties hip hop. I'm gonna get some nas, some

1948
01:48:36,040 --> 01:48:40,400
Speaker 1: play all that ship. I play everything because the DJ

1949
01:48:40,800 --> 01:48:43,720
Speaker 1: a real DJ. It ain't about me, It's about y'all

1950
01:48:45,479 --> 01:48:49,679
Speaker 1: for New Home. Oh, man, listen, I'm playing twenty one Savage.

1951
01:48:49,720 --> 01:48:53,439
Speaker 1: I'm playing a legend. Yeah, yeah, I'm playing. I'm playing.

1952
01:48:53,560 --> 01:48:56,639
Speaker 1: I'm playing. You know is going and five year old?

1953
01:48:57,200 --> 01:49:00,640
Speaker 1: You go? If I'm in New York, which ain't been yet,

1954
01:49:01,160 --> 01:49:04,040
Speaker 1: you've been shaking some New York shots. Later, man, you're like,

1955
01:49:08,200 --> 01:49:12,280
Speaker 1: you know I'm saying I love you, love y'all man,

1956
01:49:12,400 --> 01:49:17,400
Speaker 1: you can still listen. Listen, listen, I pull up. I

1957
01:49:17,520 --> 01:49:19,760
Speaker 1: love y'all man, Like, listen, what's y'all I've done for

1958
01:49:19,840 --> 01:49:22,519
Speaker 1: the culture? Can never be a race. But who's who's

1959
01:49:22,520 --> 01:49:24,519
Speaker 1: the newest guy? You gotta set? I needed I need

1960
01:49:24,600 --> 01:49:26,640
Speaker 1: to need to know this in my set. Yeah, like

1961
01:49:26,720 --> 01:49:31,599
Speaker 1: the newest lab A couple I'll probably play like I said, Savage,

1962
01:49:31,600 --> 01:49:34,360
Speaker 1: you're gonna you're gonna hear thug. How about CJ whoop

1963
01:49:34,439 --> 01:49:37,120
Speaker 1: d you're not playing whoop? You definitely got a problem

1964
01:49:37,200 --> 01:49:43,360
Speaker 1: New York playing Roddy Rebel. Okay, I'm saying when I'm

1965
01:49:43,400 --> 01:49:46,599
Speaker 1: playing that you've got two drinks. Ship. I was ready

1966
01:49:46,640 --> 01:49:49,760
Speaker 1: for two. Yeah. Man, I'm not doing too but I

1967
01:49:49,800 --> 01:49:52,320
Speaker 1: don't feel it up a little more. But you gotta

1968
01:49:52,360 --> 01:49:57,960
Speaker 1: play a little c J whoop. Okay, for the rest,

1969
01:49:58,160 --> 01:50:02,040
Speaker 1: it ain't fun. It's not it's for us. It's not false.

1970
01:50:02,240 --> 01:50:06,479
Speaker 1: Yes it's by us, but it's not for food boom back,

1971
01:50:06,640 --> 01:50:09,080
Speaker 1: it's mo foo. And we said we said your favorite

1972
01:50:09,080 --> 01:50:14,479
Speaker 1: every we said your favorite part of the game. Yes, Salo, Salo, Salo,

1973
01:50:14,600 --> 01:50:19,280
Speaker 1: So nobody said every cull I got through the side.

1974
01:50:22,720 --> 01:50:24,240
Speaker 1: That was not enough for me. I'm gonna be an honest.

1975
01:50:24,280 --> 01:50:26,200
Speaker 1: I'm going right back here. You got big as ice

1976
01:50:26,240 --> 01:50:29,000
Speaker 1: cubes happened. Man, that's a nice cube. Nice cube to

1977
01:50:29,120 --> 01:50:32,040
Speaker 1: go for a pause? Join will join you for a second.

1978
01:50:33,000 --> 01:50:39,280
Speaker 1: Damn you got motherfucker mad skills. Joes. You want to

1979
01:50:39,280 --> 01:50:45,280
Speaker 1: come in here? You want to come in ship? What's up? Jones?

1980
01:50:45,880 --> 01:50:48,719
Speaker 1: And I will say, like, big shout to you, because

1981
01:50:48,800 --> 01:50:52,519
Speaker 1: anytime somebody that was hit that was hit from VA,

1982
01:50:52,720 --> 01:50:54,800
Speaker 1: the first thing you would always say was not the

1983
01:50:54,840 --> 01:50:58,680
Speaker 1: first thing I ever heard of. I was playing your

1984
01:50:58,680 --> 01:51:01,000
Speaker 1: records out here, I was on the X Tams everything. Yeah,

1985
01:51:01,240 --> 01:51:02,840
Speaker 1: I got dropped from you. How can I be down?

1986
01:51:02,960 --> 01:51:05,280
Speaker 1: Like thank you? And I mean when you said it

1987
01:51:05,400 --> 01:51:07,640
Speaker 1: to me, like you was like no, like drops to me?

1988
01:51:07,720 --> 01:51:11,800
Speaker 1: The old ship was like, now is that preussure? Give

1989
01:51:11,880 --> 01:51:17,720
Speaker 1: stram much goddamn c so anyone take four shots to

1990
01:51:17,840 --> 01:51:21,439
Speaker 1: catch up? You can take the mask off right now?

1991
01:51:21,520 --> 01:51:25,320
Speaker 1: Looking a little crazy right now, I appreciate that you're not,

1992
01:51:25,720 --> 01:51:30,599
Speaker 1: But like it is that I'm certain about the pressure

1993
01:51:30,680 --> 01:51:36,599
Speaker 1: because or is it like all right, let me civilize

1994
01:51:36,680 --> 01:51:41,439
Speaker 1: the question. JA Prince, j Prince here? Okay, So to

1995
01:51:41,520 --> 01:51:48,080
Speaker 1: a certain stand, everybody from Houston, Texas feels like they

1996
01:51:48,160 --> 01:51:52,360
Speaker 1: have to have a Jake Prince stamp a Jay Prince?

1997
01:51:53,640 --> 01:51:57,000
Speaker 1: Is it like that? Not for me? Like I don't

1998
01:51:57,200 --> 01:51:59,280
Speaker 1: you know, I'm not the person where they feel like

1999
01:51:59,360 --> 01:52:02,240
Speaker 1: they have to get through me. I want everybody to

2000
01:52:02,320 --> 01:52:04,439
Speaker 1: win because, like I said, we come from a place

2001
01:52:04,520 --> 01:52:07,400
Speaker 1: where nobody ever got off. You know what I'm saying,

2002
01:52:07,479 --> 01:52:11,519
Speaker 1: so um, I would love to see the young you know,

2003
01:52:11,720 --> 01:52:13,519
Speaker 1: like like like the kid pushing god Car. You know

2004
01:52:13,520 --> 01:52:15,200
Speaker 1: what I'm saying, Like I would love to see new

2005
01:52:15,360 --> 01:52:17,240
Speaker 1: artists coming up from the city, you know what I'm saying,

2006
01:52:17,320 --> 01:52:20,120
Speaker 1: like from the state, because I, like I said, I

2007
01:52:20,200 --> 01:52:22,400
Speaker 1: realized that it ain't about me no more. Like how

2008
01:52:22,520 --> 01:52:26,240
Speaker 1: opened the door so you could get the Farrells, the Misses, Eclipses.

2009
01:52:26,280 --> 01:52:28,519
Speaker 1: You know what I'm saying, The Magoo's open that door,

2010
01:52:29,080 --> 01:52:32,439
Speaker 1: so it's only right that the door stay open. Like

2011
01:52:32,640 --> 01:52:34,360
Speaker 1: you know what I'm saying. I don't want to be Yeah,

2012
01:52:34,360 --> 01:52:36,439
Speaker 1: I don't want I don't open the door to close

2013
01:52:36,479 --> 01:52:38,880
Speaker 1: the motherfucker. I mean like I want this ship. I

2014
01:52:38,920 --> 01:52:42,000
Speaker 1: want everybody to win because because you gotta understand, we

2015
01:52:43,439 --> 01:52:46,080
Speaker 1: we birth probably two of the biggest producers in the

2016
01:52:46,200 --> 01:52:49,120
Speaker 1: fucking game period, not just in Virginia hip hop like

2017
01:52:49,280 --> 01:52:55,920
Speaker 1: Nigga hands down, these niggas big niggas is producers. They

2018
01:52:55,960 --> 01:52:59,599
Speaker 1: are song craftsmanships. They know exactly what they're doing. I've

2019
01:52:59,600 --> 01:53:01,680
Speaker 1: seen it at a at a at a at an

2020
01:53:01,720 --> 01:53:04,960
Speaker 1: early level. I remember being in the studio in Master

2021
01:53:05,080 --> 01:53:08,320
Speaker 1: Sound when Niggas was working on Buster. What it is

2022
01:53:08,479 --> 01:53:10,639
Speaker 1: right now in one room and was working on Grahamey

2023
01:53:10,720 --> 01:53:14,960
Speaker 1: and the next just back. I was there so active,

2024
01:53:15,960 --> 01:53:19,240
Speaker 1: so aptly. I was there. So you hear you here

2025
01:53:20,640 --> 01:53:25,680
Speaker 1: to buck and then Prime like now I'm like, is

2026
01:53:25,760 --> 01:53:29,200
Speaker 1: on fire. You know what I'm saying. Wagons and ship

2027
01:53:29,280 --> 01:53:33,080
Speaker 1: in the last you know what I'm saying. Working, It

2028
01:53:33,240 --> 01:53:35,160
Speaker 1: was working. So it wasn't this ship didn't come to

2029
01:53:35,240 --> 01:53:38,280
Speaker 1: Farrell and Chad and Tim easy man like they was working.

2030
01:53:38,640 --> 01:53:41,880
Speaker 1: We was all working. Goddamn make looks for that at

2031
01:53:41,920 --> 01:53:54,480
Speaker 1: that building away with that. You ain't take your shottle.

2032
01:53:55,479 --> 01:54:03,360
Speaker 1: Motherfucking mass kills man makes a motherfucking noise. I ain't

2033
01:54:03,520 --> 01:54:07,000
Speaker 1: drinking either. I'm it's cool now we're not drinkings either.

2034
01:54:07,080 --> 01:54:16,000
Speaker 1: We just we just do it camera. So, um, who's

2035
01:54:16,000 --> 01:54:19,760
Speaker 1: your favorite producer? If you have one track, listen to

2036
01:54:19,880 --> 01:54:24,519
Speaker 1: one trap. This is one track. God comes to you

2037
01:54:24,640 --> 01:54:29,200
Speaker 1: and says, listen, You're gonna live forever, m but you

2038
01:54:29,280 --> 01:54:36,440
Speaker 1: gotta make me one wrapperpe gonna make me one wrapper,

2039
01:54:37,800 --> 01:54:42,240
Speaker 1: one producer for the rest of your life. You live eternally.

2040
01:54:43,400 --> 01:54:48,640
Speaker 1: But it's one producer you gotta lock it with. Is

2041
01:54:48,680 --> 01:54:50,520
Speaker 1: it a producer you never worked with? Or is the

2042
01:54:50,600 --> 01:54:54,440
Speaker 1: producer you're comfortable with? And who is that producers? Great question.

2043
01:54:56,400 --> 01:54:59,760
Speaker 1: I can't lie. I express myself. That's that's that's for

2044
01:55:00,120 --> 01:55:09,400
Speaker 1: l As for Royal Williams all day, I've never seen

2045
01:55:09,560 --> 01:55:14,360
Speaker 1: nobody make music the way that he does, with the

2046
01:55:14,440 --> 01:55:17,400
Speaker 1: passion that he does, you know what I'm saying, And

2047
01:55:17,520 --> 01:55:22,040
Speaker 1: to to be you know, to be an inspiration to

2048
01:55:22,160 --> 01:55:24,120
Speaker 1: all of us. You know what I'm saying, Like that

2049
01:55:24,320 --> 01:55:27,560
Speaker 1: nigga is he seriously loves music, you know what I'm saying.

2050
01:55:27,560 --> 01:55:29,920
Speaker 1: And that's where I can relate to him because it's

2051
01:55:29,960 --> 01:55:32,400
Speaker 1: like I love I love rapping, I love DJ and

2052
01:55:32,480 --> 01:55:35,720
Speaker 1: I love writing so all some motherfucker's. I love fucking

2053
01:55:37,120 --> 01:55:41,200
Speaker 1: helping niggas put the snare wherever. But it also it

2054
01:55:41,360 --> 01:55:45,720
Speaker 1: all revolves around music. So to be around somebody loves

2055
01:55:45,840 --> 01:55:49,080
Speaker 1: music just as much, that's the whole point of the game,

2056
01:55:49,160 --> 01:55:51,400
Speaker 1: you know what I'm saying, Like want, I want to

2057
01:55:51,400 --> 01:55:53,440
Speaker 1: take the time about the big up. Our engineer has

2058
01:55:53,520 --> 01:55:56,400
Speaker 1: it the sounds because every time has this sounds, well,

2059
01:55:56,720 --> 01:55:58,600
Speaker 1: I do a record with them, give me two or

2060
01:55:58,640 --> 01:56:01,520
Speaker 1: three different versions of a record. I love it. I

2061
01:56:01,600 --> 01:56:04,360
Speaker 1: tell him, it reminds me of what reality should do. Yeah,

2062
01:56:04,880 --> 01:56:07,400
Speaker 1: every records I ever have it for besides Super Thug

2063
01:56:07,800 --> 01:56:12,040
Speaker 1: was the third version of that actual record. Like he'll

2064
01:56:12,080 --> 01:56:15,240
Speaker 1: try a whole new beat hold and be like and

2065
01:56:15,320 --> 01:56:18,880
Speaker 1: I like before I hate that ship. He'd be like

2066
01:56:18,960 --> 01:56:22,080
Speaker 1: a cool bo and he'll just keep keep shooting shots.

2067
01:56:22,680 --> 01:56:24,560
Speaker 1: It's like it's like you don't go to the gym

2068
01:56:24,680 --> 01:56:27,120
Speaker 1: just to shoot one free throwne. Maybe you're gonna keep

2069
01:56:27,160 --> 01:56:29,960
Speaker 1: shooting shots, you know what I'm saying. So at that point,

2070
01:56:30,480 --> 01:56:34,720
Speaker 1: something's gonna fall and hopefully you'll shoot so many that

2071
01:56:34,840 --> 01:56:42,000
Speaker 1: when this game time, you'll make that motherfuck makes mother

2072
01:56:42,120 --> 01:56:44,560
Speaker 1: actually saying in question. But yours is different because your

2073
01:56:44,600 --> 01:56:47,520
Speaker 1: money gonna slow up. Because once you don't name a

2074
01:56:47,600 --> 01:56:52,760
Speaker 1: rapper that they love you, you got one record to produce,

2075
01:56:53,920 --> 01:56:58,880
Speaker 1: Lifetime Guards says you're gonna live for got one one

2076
01:56:59,000 --> 01:57:02,040
Speaker 1: artist one orders to work with to make a turn.

2077
01:57:02,440 --> 01:57:12,040
Speaker 1: So I'm just throwing it out there. Is he a

2078
01:57:12,120 --> 01:57:19,840
Speaker 1: live Yeah? Some day? All right? Uh? I go with

2079
01:57:19,960 --> 01:57:22,520
Speaker 1: with my goat is NASO. I would do with nas

2080
01:57:22,680 --> 01:57:24,600
Speaker 1: that have me worked with nas in the studio before,

2081
01:57:25,280 --> 01:57:28,520
Speaker 1: you might not I didn't beat, I didn't be, but

2082
01:57:28,560 --> 01:57:30,520
Speaker 1: ive never been in the studio with him. So he

2083
01:57:30,720 --> 01:57:32,880
Speaker 1: rung on one of your beats on the Jade album

2084
01:57:32,960 --> 01:57:36,280
Speaker 1: he did, He's on that joint. So God comes to you,

2085
01:57:36,360 --> 01:57:39,640
Speaker 1: says you liberturnal or even go to shake Tar, maybe

2086
01:57:39,720 --> 01:57:48,400
Speaker 1: jay Z. But you just just yeah, yeah, answer which one?

2087
01:57:48,720 --> 01:57:51,800
Speaker 1: You don't go one of them too? But we need

2088
01:57:51,960 --> 01:57:55,000
Speaker 1: to pick one. I said nas for us. That's that's

2089
01:57:55,080 --> 01:57:56,960
Speaker 1: that's who I was wronging with growing up, the more

2090
01:57:57,000 --> 01:57:59,400
Speaker 1: than Jay. You know what I'm saying. So that's like

2091
01:57:59,480 --> 01:58:03,760
Speaker 1: some golding go Look, okay, as a producer T G E.

2092
01:58:04,000 --> 01:58:09,520
Speaker 1: F year, you get those teams from I don't know,

2093
01:58:09,640 --> 01:58:13,840
Speaker 1: you know you want to do with DJ College DJ

2094
01:58:14,000 --> 01:58:19,840
Speaker 1: Clue album. You got one producer and one artist to pick.

2095
01:58:21,040 --> 01:58:24,200
Speaker 1: God says, if you make it work, you live eternally.

2096
01:58:25,040 --> 01:58:27,040
Speaker 1: If you don't make it work, you're gonna work with

2097
01:58:27,120 --> 01:58:30,720
Speaker 1: the Shape. Well. I already had a chance to work

2098
01:58:30,760 --> 01:58:33,800
Speaker 1: with Premiere on my album. My last album is The

2099
01:58:33,840 --> 01:58:36,800
Speaker 1: beat Maker. Are you picking with me again? I will

2100
01:58:36,840 --> 01:58:39,720
Speaker 1: go again. I like what you're going so far, and

2101
01:58:39,800 --> 01:58:41,800
Speaker 1: I'll go with Cube Man because she was my favorite

2102
01:58:41,880 --> 01:58:45,160
Speaker 1: artist growing up up to what my favorite might not

2103
01:58:45,280 --> 01:58:48,760
Speaker 1: five me? Look it. I don't think i've ever heard it,

2104
01:58:48,960 --> 01:58:51,720
Speaker 1: so I had them together. He definitely in my top five. Yeah,

2105
01:58:52,280 --> 01:58:57,560
Speaker 1: but I want this, that's that's that's that's the Cube

2106
01:58:57,560 --> 01:58:59,720
Speaker 1: by one On. That was Pete Rock, That was pro

2107
01:59:00,040 --> 01:59:03,520
Speaker 1: that Rock did so which which was the Premo? Joe

2108
01:59:05,960 --> 01:59:08,280
Speaker 1: A Primo did the joint where they sucking sample me

2109
01:59:08,640 --> 01:59:11,960
Speaker 1: the game. I never come Lane tight killing in the game.

2110
01:59:12,040 --> 01:59:17,880
Speaker 1: Primo did that, did Cratches. I'm bumkingna be honest with you.

2111
01:59:17,960 --> 01:59:19,920
Speaker 1: I think you need to come up with your aunt Thorus.

2112
01:59:21,960 --> 01:59:29,480
Speaker 1: Thus the Thoris steps up. You're making me because you

2113
01:59:29,520 --> 01:59:33,440
Speaker 1: know I'm sitting back like you're like Google. He's a

2114
01:59:33,520 --> 01:59:37,320
Speaker 1: professor for God says he meets with deeds and they

2115
01:59:37,440 --> 01:59:42,520
Speaker 1: for him boys free style? How do you know? Maybe

2116
01:59:42,560 --> 01:59:45,840
Speaker 1: like why are you on World Star World Store? Like

2117
01:59:47,000 --> 01:59:50,120
Speaker 1: why are you beating with a rapo? World Stop? And

2118
01:59:50,200 --> 01:59:53,840
Speaker 1: then want to answer the question the school play you

2119
01:59:53,960 --> 01:59:56,040
Speaker 1: ask the question. Don't want to ask him if he'd

2120
01:59:56,040 --> 01:59:57,960
Speaker 1: been a studio when when Missy was making the beat,

2121
01:59:58,040 --> 02:00:00,720
Speaker 1: because she makes me Missy don't had nobody in the

2122
02:00:00,800 --> 02:00:06,120
Speaker 1: studio when she recalled her voice. I've seen Missy, Missy, dude,

2123
02:00:06,200 --> 02:00:09,760
Speaker 1: you know she she maybe not sitting down playing, but

2124
02:00:10,280 --> 02:00:12,680
Speaker 1: as far I've never seen, but she'll definitely sit down

2125
02:00:12,720 --> 02:00:16,040
Speaker 1: and tell you I ready to go. Uh is that

2126
02:00:16,120 --> 02:00:20,720
Speaker 1: saying to call a puffy that you tell them how

2127
02:00:20,800 --> 02:00:27,320
Speaker 1: you dine? We call that. That's that's knowing what it

2128
02:00:27,520 --> 02:00:30,800
Speaker 1: isn't Quincy. Joe's mainly kind of yeah, yeah, but he

2129
02:00:30,840 --> 02:00:33,000
Speaker 1: can sit down to play too, but call it. Did

2130
02:00:33,080 --> 02:00:35,080
Speaker 1: he do so when you could just say I wanted

2131
02:00:35,120 --> 02:00:39,440
Speaker 1: to go un the same way like Drey is the

2132
02:00:39,480 --> 02:00:41,640
Speaker 1: same way, not saying he can't play. But the times

2133
02:00:41,680 --> 02:00:43,520
Speaker 1: that I've been around and Dre was definitely like you

2134
02:00:43,560 --> 02:00:46,200
Speaker 1: wrote with Dr Dre, I wrote some ship um it

2135
02:00:46,280 --> 02:00:50,960
Speaker 1: never came out was detox Um, but that was probably, um,

2136
02:00:51,920 --> 02:00:55,680
Speaker 1: probably one of the endest times because I've seen it's

2137
02:00:55,720 --> 02:00:58,040
Speaker 1: like being around Dre. If you ever in the session

2138
02:00:58,080 --> 02:01:00,040
Speaker 1: with Dre, it will be the most important session in

2139
02:01:00,200 --> 02:01:03,880
Speaker 1: your life, you know what I'm saying. Like, And I

2140
02:01:04,120 --> 02:01:08,120
Speaker 1: came out there and I'm bugging because we with the

2141
02:01:08,160 --> 02:01:11,040
Speaker 1: hollywe with the Hollywood Hills and the fucking Laker games

2142
02:01:11,080 --> 02:01:13,400
Speaker 1: on and it's me, Dre and the man that brought

2143
02:01:13,440 --> 02:01:15,960
Speaker 1: me there and maybe like two other people. And I

2144
02:01:16,120 --> 02:01:20,720
Speaker 1: go in and I'm writing, I'm writing a song and

2145
02:01:21,920 --> 02:01:23,560
Speaker 1: he he talking to his men. He's like, yo, like

2146
02:01:23,960 --> 02:01:25,720
Speaker 1: it's like boring, Like you think we should bring some

2147
02:01:25,800 --> 02:01:28,280
Speaker 1: people around. He's like, I mean, I mean, if you

2148
02:01:28,320 --> 02:01:29,760
Speaker 1: want Dre, He's like, yeah, I think we should get

2149
02:01:29,800 --> 02:01:32,840
Speaker 1: some people. It's kind of boring game all. And I

2150
02:01:33,000 --> 02:01:34,840
Speaker 1: go back in the room because I don't want niggers

2151
02:01:34,840 --> 02:01:37,920
Speaker 1: to think I'm there just the fucking party. And I'm

2152
02:01:37,960 --> 02:01:40,080
Speaker 1: coming from the right. So I go back in the

2153
02:01:40,200 --> 02:01:43,840
Speaker 1: room and right and I come out and I tell

2154
02:01:43,960 --> 02:01:45,640
Speaker 1: him I said, yo, I got it done, he said,

2155
02:01:45,720 --> 02:01:47,760
Speaker 1: I come in, So he comes in. He listened to it.

2156
02:01:47,880 --> 02:01:50,120
Speaker 1: He said, Yo, I want you to change line eight,

2157
02:01:50,520 --> 02:01:53,880
Speaker 1: line fourteen, and line three. And I'm like, okay, bom

2158
02:01:54,240 --> 02:01:56,360
Speaker 1: and he's like yeah, make it like you're the one,

2159
02:01:56,480 --> 02:01:59,560
Speaker 1: like make it go uh time. I like say something

2160
02:01:59,640 --> 02:02:01,600
Speaker 1: like to the tod tod and I'm like, okay, cool.

2161
02:02:01,920 --> 02:02:04,720
Speaker 1: So I say it, and then I fu I'm working

2162
02:02:04,760 --> 02:02:06,680
Speaker 1: on these three lines that he wants me to change.

2163
02:02:06,960 --> 02:02:09,360
Speaker 1: And then I come back out to tell him that

2164
02:02:09,480 --> 02:02:12,160
Speaker 1: I redid it, and it's it's a whole fucking part

2165
02:02:12,760 --> 02:02:15,680
Speaker 1: and I'm like, God, damn. Dr Dre just blink his

2166
02:02:15,800 --> 02:02:20,440
Speaker 1: fucking eyes and people show him crazy. Yeah yeah, And

2167
02:02:20,480 --> 02:02:27,560
Speaker 1: it's Grammy weekend, so it's it's sucking buzzle say how

2168
02:02:27,600 --> 02:02:30,160
Speaker 1: to go down? So it's Grammy weekend and I'll do

2169
02:02:30,320 --> 02:02:35,680
Speaker 1: the joint and we finish, everybody leaves and I'm talking

2170
02:02:35,720 --> 02:02:38,200
Speaker 1: to him and I'm like, yo, man, like like he's like,

2171
02:02:38,680 --> 02:02:40,160
Speaker 1: like you like the record. He was like, yeah, no,

2172
02:02:40,200 --> 02:02:42,440
Speaker 1: I'm I'm a with it. I might cut the reference ship.

2173
02:02:42,480 --> 02:02:44,440
Speaker 1: He says it's dope. And I was like, yo, man,

2174
02:02:44,480 --> 02:02:46,840
Speaker 1: I love the house. Man like, this ship is amazing, man,

2175
02:02:46,920 --> 02:02:52,880
Speaker 1: Like I'm in the house right, so like the no,

2176
02:02:52,920 --> 02:02:54,320
Speaker 1: I'm in the house and I'm like, yo, man, this

2177
02:02:54,360 --> 02:02:56,760
Speaker 1: is beautiful. Man like this that's amazing. This home you

2178
02:02:56,840 --> 02:02:59,360
Speaker 1: build here, know what I'm saying. Like, and he said, um,

2179
02:03:00,000 --> 02:03:02,800
Speaker 1: I never forget this ship. The nigger said up, yeah,

2180
02:03:03,160 --> 02:03:04,640
Speaker 1: not this the crib. This is this is like the

2181
02:03:04,680 --> 02:03:08,520
Speaker 1: party crib. I said, what you mean? He said, it's

2182
02:03:08,520 --> 02:03:12,160
Speaker 1: like yo, um he said, no, I don't. I don't

2183
02:03:12,200 --> 02:03:14,360
Speaker 1: like stay here like I don't like lay my head hand.

2184
02:03:15,040 --> 02:03:17,280
Speaker 1: I said what you mean? He said no, no, just

2185
02:03:17,440 --> 02:03:19,880
Speaker 1: like the Cribit crib billion dollars ships like the crib.

2186
02:03:19,960 --> 02:03:21,720
Speaker 1: But you gotta come out, he said, skills. You gotta

2187
02:03:21,720 --> 02:03:23,240
Speaker 1: come out in the sun. I'd be having ship cracking

2188
02:03:23,280 --> 02:03:26,040
Speaker 1: barbecue with the homies. I said, Yo, you don't live

2189
02:03:26,120 --> 02:03:28,240
Speaker 1: in He said, like with my wife and family. I

2190
02:03:28,280 --> 02:03:36,560
Speaker 1: said yeah, he said, oh no, crazy, craziest ship ever.

2191
02:03:36,760 --> 02:03:39,480
Speaker 1: It was the Grammys. I can't remember what year it was,

2192
02:03:39,600 --> 02:03:41,600
Speaker 1: but funk I was like this, nigga, don't even live

2193
02:03:41,640 --> 02:03:43,880
Speaker 1: in this house. Like this is fucking insane. This this

2194
02:03:43,960 --> 02:03:46,360
Speaker 1: house is don't even live in. It was a chill

2195
02:03:46,440 --> 02:03:49,440
Speaker 1: crib that that's someone that we need on drink champs

2196
02:03:50,160 --> 02:03:51,800
Speaker 1: and shout out to Smitty who was trying to make

2197
02:03:51,840 --> 02:03:54,040
Speaker 1: it happen. He's he's in that camp. He's a writer

2198
02:03:54,680 --> 02:03:56,480
Speaker 1: going to him under the bus. But let's let's make

2199
02:03:56,520 --> 02:03:59,440
Speaker 1: it happen. So I leave the crib and I'm with

2200
02:03:59,600 --> 02:04:02,920
Speaker 1: the home me and we're driving and I'm sucking kind

2201
02:04:02,960 --> 02:04:05,160
Speaker 1: of like the homies kind of faded. So he's like, yo,

2202
02:04:05,320 --> 02:04:08,200
Speaker 1: can you drive. I'm like, I bet I'm driving. I

2203
02:04:08,320 --> 02:04:11,320
Speaker 1: made the right I come out and these men and

2204
02:04:11,480 --> 02:04:13,600
Speaker 1: black niggers come out of norwhere and with the fucking

2205
02:04:13,680 --> 02:04:16,200
Speaker 1: end pieces of black glasses and I'm like, yo, what

2206
02:04:16,360 --> 02:04:18,720
Speaker 1: the fund is going on? And do like Yo, where

2207
02:04:18,760 --> 02:04:20,360
Speaker 1: are you going? I said, you know, I'm trying to

2208
02:04:20,400 --> 02:04:22,320
Speaker 1: get back down the sunset. He's like, yeah, no, not

2209
02:04:22,680 --> 02:04:25,320
Speaker 1: back up, do a three point turn, go back that way.

2210
02:04:25,400 --> 02:04:28,040
Speaker 1: I'm like, I like, I felt like he was about

2211
02:04:28,080 --> 02:04:30,280
Speaker 1: to pull out on me. So I'm the homie and

2212
02:04:30,640 --> 02:04:32,960
Speaker 1: he fuked up being the passenger. See. I turned the

2213
02:04:33,000 --> 02:04:34,560
Speaker 1: car around, went the car around. I stopped on in

2214
02:04:34,640 --> 02:04:36,880
Speaker 1: the hill. I said, Yo, what the fund was that? Bro?

2215
02:04:37,400 --> 02:04:41,360
Speaker 1: He said, Yo, my bag, Yo, that's something Leonardo to

2216
02:04:41,440 --> 02:04:44,800
Speaker 1: Cappy over. You can't go up his street. I said, bro,

2217
02:04:44,920 --> 02:04:48,840
Speaker 1: what the fun like? Ship was crazy and being around

2218
02:04:54,200 --> 02:04:56,000
Speaker 1: you have to know you have to answer this now

2219
02:04:56,800 --> 02:04:59,920
Speaker 1: your producer. But that's the thing I read knew that

2220
02:05:00,000 --> 02:05:01,880
Speaker 1: say that. So now you're gonna take a feature on

2221
02:05:02,040 --> 02:05:10,440
Speaker 1: the track, last feature in your life? Yeah, jack stop

2222
02:05:10,600 --> 02:05:18,160
Speaker 1: it stop it. That's to be artist man. But he

2223
02:05:18,200 --> 02:05:23,920
Speaker 1: could be alive or death. It does matter. Really like

2224
02:05:24,040 --> 02:05:26,760
Speaker 1: Easy like that. I really love Easy. I just love

2225
02:05:27,560 --> 02:05:32,080
Speaker 1: his persona. I just love this, like when I went

2226
02:05:32,200 --> 02:05:35,880
Speaker 1: back and I really studied. You know, his life is crazy.

2227
02:05:36,320 --> 02:05:40,520
Speaker 1: I just love this crazy like I love I think

2228
02:05:40,640 --> 02:05:44,560
Speaker 1: he might be my top one. That's the piece why

2229
02:05:44,560 --> 02:05:46,400
Speaker 1: I actually that question earlier. It's like, why do I

2230
02:05:46,480 --> 02:05:49,960
Speaker 1: expect him so much? When it comes down to like

2231
02:05:50,360 --> 02:05:53,640
Speaker 1: there's other people like I get. I just think there's

2232
02:05:53,680 --> 02:05:55,840
Speaker 1: different categories that we should be kind of Like I

2233
02:05:55,960 --> 02:05:57,920
Speaker 1: can't put it nigga in front of your nigga who

2234
02:05:57,960 --> 02:06:01,040
Speaker 1: he influenced or did he nigga he was influenced bot.

2235
02:06:01,760 --> 02:06:07,480
Speaker 1: I can't put Hove in front of came because Hove

2236
02:06:07,640 --> 02:06:11,520
Speaker 1: was directly influenced by Cage. And I agree with you

2237
02:06:11,920 --> 02:06:14,520
Speaker 1: to a certain STI because you know the reason why

2238
02:06:14,520 --> 02:06:18,200
Speaker 1: I agree with you a certain steps because one thing

2239
02:06:18,240 --> 02:06:23,080
Speaker 1: about these young dudes, they're not gonna respect respect. They're

2240
02:06:23,080 --> 02:06:26,320
Speaker 1: gonna respect what they see is it in front of them?

2241
02:06:26,400 --> 02:06:28,880
Speaker 1: Like like the thing about it is like, you know

2242
02:06:29,000 --> 02:06:32,400
Speaker 1: the old dude on the block that got the most knowledge,

2243
02:06:33,920 --> 02:06:37,080
Speaker 1: but it's a drunk. He's actually hitting you with the

2244
02:06:37,160 --> 02:06:42,360
Speaker 1: most vilege in the world, but pissing on the stuffs.

2245
02:06:42,640 --> 02:06:45,880
Speaker 1: But not every block is a drunk. That's not a

2246
02:06:45,920 --> 02:06:49,680
Speaker 1: good analogy. It's not fair to compare to that. They

2247
02:06:49,800 --> 02:06:52,360
Speaker 1: just an example, I know, But the young guys only

2248
02:06:52,400 --> 02:06:54,080
Speaker 1: seen with in front of them. We have to teach

2249
02:06:54,160 --> 02:06:56,400
Speaker 1: him what's beyond in front of them because that's what's

2250
02:06:56,440 --> 02:06:59,200
Speaker 1: most important, and that's what our role is. Like I

2251
02:06:59,320 --> 02:07:01,560
Speaker 1: can't put it. It is in front of Kane because

2252
02:07:01,600 --> 02:07:04,440
Speaker 1: I know who can influence came influence Jay. He influenced

2253
02:07:04,440 --> 02:07:06,920
Speaker 1: Big Like if there wasn't no Big Dady Cane, that

2254
02:07:06,960 --> 02:07:10,840
Speaker 1: couldn't be Bruce Lineage. So I could never dish in

2255
02:07:10,920 --> 02:07:14,320
Speaker 1: front of the young nigger that doesn't that says I'm

2256
02:07:14,760 --> 02:07:17,120
Speaker 1: with just Jack and that's it. I don't because I

2257
02:07:17,200 --> 02:07:19,160
Speaker 1: see what he sees too. It's just like you know

2258
02:07:19,280 --> 02:07:22,320
Speaker 1: what I love Maham Molley, I really do, got to,

2259
02:07:22,800 --> 02:07:25,800
Speaker 1: but I've never seen a love behind my leaf fight right,

2260
02:07:25,880 --> 02:07:29,920
Speaker 1: actually see all the Floyd by Rollers fights my book.

2261
02:07:30,000 --> 02:07:32,760
Speaker 1: Oh Mike, Mike, I think Floyd by Riel is the

2262
02:07:32,800 --> 02:07:34,760
Speaker 1: best box of all times. Who do you think the

2263
02:07:34,840 --> 02:07:37,960
Speaker 1: best rapp of balls? Who are your top five? Are

2264
02:07:38,000 --> 02:07:49,440
Speaker 1: you said? Easy is top five? Easy? You easy? Eat

2265
02:07:49,520 --> 02:07:53,960
Speaker 1: Bis Markey? Yeah? I love that list can wrote for

2266
02:07:54,080 --> 02:08:00,760
Speaker 1: this Cane. It's my six pick a bug that's today,

2267
02:08:01,000 --> 02:08:04,720
Speaker 1: for today, for the three days? Ye bread Daddy? Are

2268
02:08:04,800 --> 02:08:13,400
Speaker 1: you like Bess Markey's grandpop hard? That's so I think

2269
02:08:13,440 --> 02:08:23,440
Speaker 1: of the Randoms care at one for me? She rock

2270
02:08:23,720 --> 02:08:26,680
Speaker 1: more on the year four. We need one more and

2271
02:08:26,760 --> 02:08:32,440
Speaker 1: I'll never do this. Give you that fit for it, right.

2272
02:08:34,200 --> 02:08:36,600
Speaker 1: I don't gotta go queens with you because fucking y'all,

2273
02:08:38,400 --> 02:08:43,640
Speaker 1: y'all not the bat ship, y'all not growing up. I

2274
02:08:43,760 --> 02:08:45,680
Speaker 1: said right there that you. I said, could you back?

2275
02:08:46,400 --> 02:08:54,480
Speaker 1: You gotta say, could top D made have five? Pull that? Yeah? Yeah, yeah.

2276
02:08:54,520 --> 02:08:57,320
Speaker 1: Tomorrow might be something differ today something I'm feeling very

2277
02:08:57,440 --> 02:08:59,200
Speaker 1: lyrical and scaled in front of you. And that's my

2278
02:08:59,360 --> 02:09:05,240
Speaker 1: fucking five. What's up? Five man? Five? Number five is

2279
02:09:05,960 --> 02:09:09,960
Speaker 1: I'm funked up now at this point. No, not chip ship.

2280
02:09:10,520 --> 02:09:13,640
Speaker 1: We gotta shot. It's too it's too late more. I

2281
02:09:13,680 --> 02:09:26,040
Speaker 1: don't know you come you'll remember your five? You really

2282
02:09:26,080 --> 02:09:28,200
Speaker 1: a five two point fun with you? I'm from with

2283
02:09:28,240 --> 02:09:31,360
Speaker 1: you on some sets, So I let him go. I

2284
02:09:31,480 --> 02:09:35,360
Speaker 1: got yeah, five, no word unless you want to happen. No, no, no,

2285
02:09:35,400 --> 02:09:37,680
Speaker 1: I don't do that or don't do Number five is

2286
02:09:37,720 --> 02:09:40,920
Speaker 1: as I'm in, I'm there with you. It's gonna be

2287
02:09:41,040 --> 02:09:44,080
Speaker 1: you wanna be mad. You're gonna be mad? Number four

2288
02:09:44,680 --> 02:09:52,640
Speaker 1: black thought, why you be mad? People? Number three whole

2289
02:09:53,720 --> 02:09:55,560
Speaker 1: not bad yet. I seem to need the righte lops

2290
02:09:55,640 --> 02:09:58,320
Speaker 1: and shrimp right, in front. That was far was hard,

2291
02:09:58,400 --> 02:10:03,200
Speaker 1: that was hard, number too. Big Daddy came, mm hmm,

2292
02:10:04,200 --> 02:10:06,360
Speaker 1: it wouldn't be no mad scuses. Big Daddy came, I

2293
02:10:06,520 --> 02:10:11,760
Speaker 1: respect that number three, I mean number up. You're number

2294
02:10:11,800 --> 02:10:16,440
Speaker 1: number one, greatest all time. Go to meld On, hold on,

2295
02:10:17,440 --> 02:10:24,400
Speaker 1: everybody hates you, dude, gold time greatest rap hole. I

2296
02:10:24,440 --> 02:10:34,160
Speaker 1: don't get better be kill rock him, nigga, don't nobody

2297
02:10:34,200 --> 02:10:39,640
Speaker 1: can be question Yes, give me five niggas, five rappers,

2298
02:10:40,480 --> 02:10:43,040
Speaker 1: and I'd never be in your top five. Jesus, that's

2299
02:10:44,880 --> 02:10:46,880
Speaker 1: let's do it. Let's do it. And this guy is

2300
02:10:46,920 --> 02:10:51,840
Speaker 1: actually at my TI won't time racks, he must top

2301
02:10:51,920 --> 02:10:54,720
Speaker 1: five and he won't never be fun up now, I

2302
02:10:54,760 --> 02:11:04,960
Speaker 1: mean I couldn't been you. You didn't want that, stupid

2303
02:11:05,080 --> 02:11:07,520
Speaker 1: you know you never be in my top phol stop

2304
02:11:07,720 --> 02:11:10,360
Speaker 1: not now, I'm going back to back with you. Sip

2305
02:11:10,440 --> 02:11:15,200
Speaker 1: Shot can never be in my top respect respect when

2306
02:11:15,280 --> 02:11:18,240
Speaker 1: you can't. I'm okay, sip the Shot can never be

2307
02:11:18,280 --> 02:11:19,960
Speaker 1: in my top five. So this give me a nothing

2308
02:11:20,080 --> 02:11:24,640
Speaker 1: every source of stopping. There's just see no back right now.

2309
02:11:25,160 --> 02:11:26,960
Speaker 1: Let's see him back so that he can never be

2310
02:11:27,120 --> 02:11:29,680
Speaker 1: your time fire. Give me another one. Let's it a

2311
02:11:29,680 --> 02:11:34,560
Speaker 1: hard let me get let me live with this one, definitely,

2312
02:11:38,000 --> 02:11:44,040
Speaker 1: I love, I love that love. If they never they

2313
02:11:44,080 --> 02:11:52,280
Speaker 1: will never be your top five Armis, Juice Jones and didn't.

2314
02:11:54,080 --> 02:11:59,640
Speaker 1: I don't don't care a rap I'm trying to be.

2315
02:12:03,400 --> 02:12:08,320
Speaker 1: Never be it's how five, Nor rest player a wrapper

2316
02:12:08,800 --> 02:12:11,480
Speaker 1: you John what we're talking about? Nor never be in

2317
02:12:11,520 --> 02:12:16,560
Speaker 1: my top five Murphy the same ticks. Never tell you next,

2318
02:12:16,680 --> 02:12:23,400
Speaker 1: good scrap Joe, you're not gonna do befom and twine

2319
02:12:23,920 --> 02:12:29,360
Speaker 1: fucking you's getting ready pretty hardcore, Never be hard, say

2320
02:12:30,080 --> 02:12:33,640
Speaker 1: no disrespect. I love the group. I say a Malachia nutcrack.

2321
02:12:38,760 --> 02:12:52,000
Speaker 1: No that Malachi, it's how five the group Rupper still skids.

2322
02:12:52,040 --> 02:12:56,000
Speaker 1: Not like the wrapper you like, it's actually like the

2323
02:12:56,080 --> 02:13:02,520
Speaker 1: mala clue it was. You aren't giving, you're getting. Let's

2324
02:13:02,520 --> 02:13:05,560
Speaker 1: go train this now because I'm gonna give a like

2325
02:13:05,640 --> 02:13:09,840
Speaker 1: a regular like funking. Let's go No, No, I don't go, man,

2326
02:13:10,320 --> 02:13:17,840
Speaker 1: come back come back to no net wrapper never be okay,

2327
02:13:17,960 --> 02:13:20,440
Speaker 1: get you right, okay to five? Top doesn't come back

2328
02:13:20,480 --> 02:13:24,320
Speaker 1: to You'll never be telling its top top five that

2329
02:13:24,520 --> 02:13:30,080
Speaker 1: sees like never, he'll never be. It's our five. We'll

2330
02:13:30,120 --> 02:13:34,120
Speaker 1: never be in top five. You don't mean, they just

2331
02:13:34,240 --> 02:13:36,240
Speaker 1: mean they're not. It's best to just making sure they're

2332
02:13:36,280 --> 02:13:39,720
Speaker 1: not coming on Drink champ soon because I wanted, No,

2333
02:13:40,440 --> 02:13:42,640
Speaker 1: I want them to be drink We're trying to be

2334
02:13:42,760 --> 02:13:45,640
Speaker 1: politically No, it's not politically correct. I just want them

2335
02:13:45,640 --> 02:13:50,200
Speaker 1: to tell the story of get itself, just thinking get

2336
02:13:50,240 --> 02:13:53,880
Speaker 1: you next, get your No you don't you know? Yeah,

2337
02:13:53,920 --> 02:13:56,560
Speaker 1: the tag team do team would never be in five.

2338
02:13:57,920 --> 02:14:02,480
Speaker 1: Tag team who that is wouldn't be never be your

2339
02:14:02,520 --> 02:14:04,840
Speaker 1: top five. I'm not gonna love and I love these

2340
02:14:04,880 --> 02:14:07,960
Speaker 1: guys and I live in Miami. That's so terrible smiles

2341
02:14:08,040 --> 02:14:11,040
Speaker 1: the South stuff. Oh yeah, they don't be my and

2342
02:14:11,160 --> 02:14:15,440
Speaker 1: my boy names. There it right with me. I was

2343
02:14:15,520 --> 02:14:18,600
Speaker 1: going to a long cool without Luke. He We're like, buddy,

2344
02:14:18,720 --> 02:14:25,280
Speaker 1: whoa what? Just same times he's a whack there not

2345
02:14:25,480 --> 02:14:31,800
Speaker 1: Vericlos and were trying to find an Icos. I'll do

2346
02:14:31,880 --> 02:14:37,160
Speaker 1: another Showyes, I mean that's what. That's the East. That's

2347
02:14:37,160 --> 02:14:42,160
Speaker 1: so oh, I had it. I got it then, great.

2348
02:14:42,360 --> 02:14:48,000
Speaker 1: Never pade my top five. I'm paying pennies. I'm patting

2349
02:14:48,040 --> 02:14:51,760
Speaker 1: my feet. Spram Joe Nick never be his top five?

2350
02:14:52,680 --> 02:14:56,480
Speaker 1: What about own? What's her name? From from Rockefeller to Garden.

2351
02:14:56,560 --> 02:14:59,560
Speaker 1: But a male was like show his name a meal,

2352
02:14:59,640 --> 02:15:06,000
Speaker 1: learning it's top I get, I get very safe. Now

2353
02:15:07,280 --> 02:15:12,880
Speaker 1: who the busts? Who got the bus? Let's go? Who

2354
02:15:12,920 --> 02:15:17,760
Speaker 1: would never dream of my top five? The thing is,

2355
02:15:17,960 --> 02:15:20,440
Speaker 1: I have people in my mind and it's just like, nah,

2356
02:15:23,080 --> 02:15:25,920
Speaker 1: I don't. I'm not worried about him. Like's not she

2357
02:15:26,040 --> 02:15:27,680
Speaker 1: thought of that because I don't think that. Like I

2358
02:15:27,720 --> 02:15:29,720
Speaker 1: don't want to throw share anybody. It doesn't deserve it

2359
02:15:29,720 --> 02:15:32,160
Speaker 1: any No. I'm just it's not saying you whack. It's

2360
02:15:32,200 --> 02:15:35,000
Speaker 1: just saying you would never say it does say in

2361
02:15:35,080 --> 02:15:39,040
Speaker 1: your whack, and it is it is. And the thing

2362
02:15:39,160 --> 02:15:42,040
Speaker 1: that people I'm thinking are alleged in my mind, but

2363
02:15:42,160 --> 02:15:44,560
Speaker 1: they lyrically, they don't stand up to the top five.

2364
02:15:45,520 --> 02:15:48,400
Speaker 1: I'm never being Norm's top five. I'm not skills fro

2365
02:15:48,400 --> 02:15:51,120
Speaker 1: from Virginia. That's cool. I ain't sucking a hold na

2366
02:15:51,760 --> 02:15:57,880
Speaker 1: mother fucking easy top five. I know it, yeah easy

2367
02:15:58,160 --> 02:16:04,320
Speaker 1: my top five. As we can say a million people.

2368
02:16:04,440 --> 02:16:06,120
Speaker 1: But I think the minute you just say it, I

2369
02:16:06,240 --> 02:16:08,480
Speaker 1: just like doing it because niggas always going who he

2370
02:16:08,520 --> 02:16:12,560
Speaker 1: get top five? Like next top top top five, I'll

2371
02:16:12,640 --> 02:16:16,720
Speaker 1: name my top five big el Rock him, ice Cube

2372
02:16:17,640 --> 02:16:22,120
Speaker 1: scar Face might not already say okay and pun I

2373
02:16:22,240 --> 02:16:27,480
Speaker 1: like that. I like that. I like that you said Joyce,

2374
02:16:28,280 --> 02:16:35,400
Speaker 1: I said mine, let's positive, come on positive. Niggas on

2375
02:16:35,440 --> 02:16:39,520
Speaker 1: the shoulder just said fuck me, so I definitely say

2376
02:16:40,240 --> 02:16:42,200
Speaker 1: oh no, no, no no. He didn't say fucking me.

2377
02:16:42,720 --> 02:16:48,360
Speaker 1: He was taking to the shot. And this is when

2378
02:16:48,400 --> 02:16:58,959
Speaker 1: I'm good, I hope, just when you wanted, because I'm square.

2379
02:16:59,000 --> 02:17:03,160
Speaker 1: Who are you not do with? What's that? Will never

2380
02:17:03,280 --> 02:17:05,760
Speaker 1: be in my top five? And yours? Are you gonna?

2381
02:17:05,959 --> 02:17:09,120
Speaker 1: You probably skip? You? Wait? I said something, I said,

2382
02:17:09,240 --> 02:17:11,240
Speaker 1: you say nothing. I said it was a tap team.

2383
02:17:11,600 --> 02:17:16,119
Speaker 1: You don't know that is team? If see brains will

2384
02:17:16,160 --> 02:17:18,920
Speaker 1: never be in my top I see brains. I mean

2385
02:17:18,920 --> 02:17:20,760
Speaker 1: he won't be my top five. That would never be

2386
02:17:20,879 --> 02:17:24,680
Speaker 1: in my Virginia? Who relevant playing with me? Who was

2387
02:17:24,760 --> 02:17:29,879
Speaker 1: relevant right now? Oh? A part of the light skin

2388
02:17:29,920 --> 02:17:31,560
Speaker 1: in my field, which I'm not a part of. I'm

2389
02:17:31,560 --> 02:17:36,440
Speaker 1: a part of the dog skin community, fix up, run

2390
02:17:36,520 --> 02:17:38,080
Speaker 1: out of the Bears. I wanted to be with eight

2391
02:17:38,120 --> 02:17:42,920
Speaker 1: caring Joe Button is never going Joe wouldn't never be

2392
02:17:43,000 --> 02:17:49,240
Speaker 1: in my top do listen? I love like that? Who

2393
02:17:49,360 --> 02:17:52,080
Speaker 1: didn't say that doo joice he said, dude, like dude

2394
02:17:52,120 --> 02:17:57,160
Speaker 1: who doo doo smoothie another shooes. I've never heard of

2395
02:17:57,240 --> 02:18:02,280
Speaker 1: that when Joe, but it is a rapid You can't

2396
02:18:02,680 --> 02:18:05,520
Speaker 1: you can't say you know what y'all need is biased?

2397
02:18:05,720 --> 02:18:07,920
Speaker 1: What's that? Joe? Like? You know I ain't doing this

2398
02:18:08,040 --> 02:18:15,640
Speaker 1: with you? But you know he lokey you music? No,

2399
02:18:15,800 --> 02:18:17,680
Speaker 1: he Loki got mad at me because I put him

2400
02:18:17,680 --> 02:18:19,200
Speaker 1: in the wrap up and ship. What did you say

2401
02:18:19,200 --> 02:18:22,160
Speaker 1: about how to jerks off his goal? I mean that

2402
02:18:22,360 --> 02:18:25,440
Speaker 1: was a little weird, bro, that was weird. I said

2403
02:18:25,600 --> 02:18:27,640
Speaker 1: the girds weird. That was weird. There's no way to

2404
02:18:27,680 --> 02:18:31,080
Speaker 1: getting about how weird that was me. I didn't see it.

2405
02:18:31,120 --> 02:18:32,920
Speaker 1: I just know about the fun I talked about Wait

2406
02:18:32,920 --> 02:18:36,200
Speaker 1: a minute, jerking a little and like you sain't pleasure

2407
02:18:36,280 --> 02:18:39,160
Speaker 1: his doughs because the dogs, he said, girls. So you

2408
02:18:39,160 --> 02:18:42,480
Speaker 1: don't say he join he joined on the show My lack.

2409
02:18:42,840 --> 02:18:44,680
Speaker 1: I didn't come to Miami to talk about Joe Button

2410
02:18:44,760 --> 02:18:50,280
Speaker 1: jerking on his door and jumped on his door. I

2411
02:18:50,360 --> 02:18:52,760
Speaker 1: got a losing for you. I don't said the reason

2412
02:18:52,879 --> 02:18:55,040
Speaker 1: he said. He said, his dog needs to get him,

2413
02:18:55,080 --> 02:18:57,400
Speaker 1: need to release so and jump he had to help

2414
02:18:57,440 --> 02:19:03,199
Speaker 1: the dog. What you know, I had it. It wasn't

2415
02:19:03,200 --> 02:19:07,200
Speaker 1: a joke. The joke and then he missed. Joe Bladen

2416
02:19:07,240 --> 02:19:18,280
Speaker 1: was some motion in his head Turkey girl happy happy,

2417
02:19:19,480 --> 02:19:22,800
Speaker 1: this drink cham happy. Like he got mad at me

2418
02:19:22,879 --> 02:19:25,400
Speaker 1: because he was like, yo, to wrap up. They was like,

2419
02:19:25,640 --> 02:19:28,240
Speaker 1: I didn't listen. I don't I'm not, I don't listen

2420
02:19:28,280 --> 02:19:30,480
Speaker 1: to the podcast. I don't know. She's like yo. Joe

2421
02:19:30,800 --> 02:19:33,600
Speaker 1: said he was going to wrap up trash and did it,

2422
02:19:33,720 --> 02:19:36,000
Speaker 1: and I was like, okay, cool, like that's Joe opinion.

2423
02:19:36,320 --> 02:19:38,200
Speaker 1: And I was like, oh, he probably mac as I said.

2424
02:19:38,760 --> 02:19:41,480
Speaker 1: He jerked off his dogs and we're like, yo, like

2425
02:19:42,160 --> 02:19:46,720
Speaker 1: skills beat was trash. He trashed him and he got

2426
02:19:46,840 --> 02:19:49,400
Speaker 1: a it's a white boy whatever, white way, the black

2427
02:19:49,840 --> 02:19:54,360
Speaker 1: brother whatever. So I was like, I get so. I

2428
02:19:54,480 --> 02:19:57,600
Speaker 1: wasn't I kid it, but you jerked off your dog, boy,

2429
02:19:57,640 --> 02:19:59,480
Speaker 1: would you get mad at it? He talked about then

2430
02:19:59,800 --> 02:20:02,080
Speaker 1: he just seeing about the wrap now he talks about

2431
02:20:02,480 --> 02:20:05,199
Speaker 1: I don't know about to get the rap. He talked

2432
02:20:05,200 --> 02:20:07,920
Speaker 1: to sund like, you don't get mad about it. He

2433
02:20:08,000 --> 02:20:10,360
Speaker 1: talked about talked, I don't even know about if you

2434
02:20:10,400 --> 02:20:13,360
Speaker 1: weren't saying in your podcast. I know if he didn't.

2435
02:20:13,640 --> 02:20:17,000
Speaker 1: He he talked about he got He said that he

2436
02:20:17,080 --> 02:20:18,640
Speaker 1: was like, yo, he needed to release, so if they

2437
02:20:18,680 --> 02:20:20,560
Speaker 1: would have to do and there's like a lead. I

2438
02:20:20,560 --> 02:20:23,760
Speaker 1: don't know this ridal for something showing him, but I

2439
02:20:23,760 --> 02:20:25,200
Speaker 1: don't know it's real. I don't put it in a

2440
02:20:25,240 --> 02:20:29,400
Speaker 1: new wrap up because it might have been real. But

2441
02:20:29,440 --> 02:20:31,959
Speaker 1: I really told me the same ship, like got Great

2442
02:20:32,240 --> 02:20:39,560
Speaker 1: out of the Brute, were the same age. Somebody somebody

2443
02:20:39,600 --> 02:20:41,680
Speaker 1: pull up and see if that's I think there's a

2444
02:20:41,760 --> 02:20:46,400
Speaker 1: video of it. Yeah, somebody told me the video and

2445
02:20:47,440 --> 02:20:58,120
Speaker 1: he spoke on it. No sex is that serious? Death serious?

2446
02:20:58,480 --> 02:21:00,760
Speaker 1: He says that he kids to do it for his dog,

2447
02:21:01,360 --> 02:21:06,440
Speaker 1: for the benefit of his dog. That he now. They

2448
02:21:06,520 --> 02:21:08,840
Speaker 1: told me I got a bulldog, and they told me

2449
02:21:08,959 --> 02:21:11,560
Speaker 1: if I want to they told me they said, if

2450
02:21:11,560 --> 02:21:13,280
Speaker 1: I want to breathe my bulldog, I can make a

2451
02:21:13,320 --> 02:21:17,840
Speaker 1: lot of bread. But I gotta I gotta do this dog.

2452
02:21:19,080 --> 02:21:22,360
Speaker 1: He's doing it. They're saying bulldogs they have trouble. You

2453
02:21:22,400 --> 02:21:26,000
Speaker 1: know what I'm saying, uh breathing. So the owner got

2454
02:21:26,120 --> 02:21:29,520
Speaker 1: to help. I was like, it's not that deep, jerk.

2455
02:21:30,360 --> 02:21:31,960
Speaker 1: You can make a lot of money or bulldogs, but

2456
02:21:32,040 --> 02:21:34,800
Speaker 1: you gotta do the dirty word. I said, I'm good

2457
02:21:34,879 --> 02:21:41,640
Speaker 1: with good that just want to drink your buddy. I'm paid.

2458
02:21:41,840 --> 02:21:43,520
Speaker 1: But this is what I'm saying. Though, If you said

2459
02:21:43,560 --> 02:21:46,040
Speaker 1: it in the wrapper and it's real, why why did

2460
02:21:46,080 --> 02:21:48,160
Speaker 1: he get mad at you? He got pissed because I

2461
02:21:48,240 --> 02:21:50,240
Speaker 1: guess I put his business on front because you must

2462
02:21:50,280 --> 02:21:52,680
Speaker 1: have said it in a way that was disrespectful. But

2463
02:21:52,720 --> 02:21:57,280
Speaker 1: do you think he can rapid? You can jump as

2464
02:21:57,400 --> 02:21:59,800
Speaker 1: weirdough he cool like I've never been a fan, but

2465
02:22:00,240 --> 02:22:02,000
Speaker 1: it is what it is. But here's the thing about

2466
02:22:02,040 --> 02:22:03,720
Speaker 1: the wrap up. If I put you in the wrap up,

2467
02:22:04,000 --> 02:22:06,920
Speaker 1: it's because it happened, right, I'm gonna put it in

2468
02:22:07,000 --> 02:22:10,320
Speaker 1: there because it happened. I'm not gonna be super distressed.

2469
02:22:10,400 --> 02:22:13,200
Speaker 1: I was super disrespectful old two oh three. I'm not

2470
02:22:13,240 --> 02:22:15,640
Speaker 1: gonna be super disrespectful now because it ship don't make

2471
02:22:15,720 --> 02:22:18,320
Speaker 1: sense for me. And that's probably why old boys shit

2472
02:22:19,120 --> 02:22:21,039
Speaker 1: go up, because niggas want to hear the shade. They

2473
02:22:21,080 --> 02:22:23,400
Speaker 1: want to get a tea like he should do Hot

2474
02:22:23,480 --> 02:22:26,720
Speaker 1: Topics or Highlight seven. It would be good for him,

2475
02:22:27,120 --> 02:22:32,520
Speaker 1: but for me, I'm not going this year. I didn't

2476
02:22:32,640 --> 02:22:34,840
Speaker 1: The wrap up was eight minutes and forty six seconds,

2477
02:22:35,360 --> 02:22:37,640
Speaker 1: which was the same amount of time that the nigga

2478
02:22:37,720 --> 02:22:41,640
Speaker 1: had his knee or George Floyd, God bless. So for

2479
02:22:41,800 --> 02:22:44,360
Speaker 1: me it was more of a point. For me, I'm like,

2480
02:22:44,959 --> 02:22:47,080
Speaker 1: I get to the end of the soul and I say,

2481
02:22:47,800 --> 02:22:50,200
Speaker 1: the whole time he been listening to me was the

2482
02:22:50,240 --> 02:22:52,520
Speaker 1: whole time that that nigga had his knee on George

2483
02:22:52,560 --> 02:22:56,200
Speaker 1: Floyd's Imagine listening to a wrapper wrap that long and

2484
02:22:56,240 --> 02:22:58,480
Speaker 1: the nigga was fighting for it's like that long. So

2485
02:22:58,640 --> 02:23:01,080
Speaker 1: the wrap up had a meaning this ship. It was

2486
02:23:01,120 --> 02:23:03,920
Speaker 1: eight minutes forty six seconds because the ship got to

2487
02:23:03,959 --> 02:23:06,680
Speaker 1: reflect the times. So for me, that's what it was.

2488
02:23:07,080 --> 02:23:08,520
Speaker 1: And I think they listened to it. They was like,

2489
02:23:08,600 --> 02:23:11,840
Speaker 1: oh that he was trashed the flows trashed, skills out

2490
02:23:11,879 --> 02:23:13,360
Speaker 1: of here and we're working with the other one. I'm like,

2491
02:23:13,400 --> 02:23:15,280
Speaker 1: all right, cool, But it was a meaning to the ship.

2492
02:23:15,959 --> 02:23:18,360
Speaker 1: Why it was as long as it was, you know

2493
02:23:18,400 --> 02:23:20,080
Speaker 1: what I'm saying. So that's why I did what I did.

2494
02:23:20,160 --> 02:23:22,440
Speaker 1: I respect to him, and the family hit me up like,

2495
02:23:22,520 --> 02:23:24,520
Speaker 1: you know, we appreciate that because I'm like, it's the

2496
02:23:24,680 --> 02:23:27,120
Speaker 1: simble or Floyd happened in the summer I don't want

2497
02:23:27,200 --> 02:23:30,640
Speaker 1: niggas to forget. I'm gonna try to remind niggas one

2498
02:23:30,680 --> 02:23:32,240
Speaker 1: more time, you know what I'm saying, just to let

2499
02:23:32,360 --> 02:23:36,040
Speaker 1: niggas know. So I got a questions. I gotta, I gotta.

2500
02:23:36,240 --> 02:23:37,880
Speaker 1: I got somebody that I would have put on the list.

2501
02:23:37,920 --> 02:23:40,680
Speaker 1: And I wonder and I want to know why, dude,

2502
02:23:40,840 --> 02:23:45,360
Speaker 1: Like I want to know the history behind mcgoole. I

2503
02:23:45,440 --> 02:23:47,960
Speaker 1: talked about that. We're talking about him talking about earlier

2504
02:23:48,120 --> 02:23:50,040
Speaker 1: because I'm wondering why he kept on get thrown in

2505
02:23:50,080 --> 02:23:54,720
Speaker 1: the cipher talking about it earlier like he he's doing well, man,

2506
02:23:54,959 --> 02:23:58,400
Speaker 1: super dope. Do know what I'm saying. But that's that's

2507
02:23:58,800 --> 02:24:01,400
Speaker 1: that was the reason why the ratfle wasn't the amount

2508
02:24:01,400 --> 02:24:04,600
Speaker 1: of time that it was. You know what I meant, questions,

2509
02:24:05,080 --> 02:24:08,000
Speaker 1: what's up? All right? I'm faded now at this point,

2510
02:24:08,040 --> 02:24:10,280
Speaker 1: I'm gonna tell you that it happens. Who was in

2511
02:24:10,360 --> 02:24:12,360
Speaker 1: the room. I want to why he looked for his

2512
02:24:12,480 --> 02:24:16,280
Speaker 1: question who who was in the room? Because the way

2513
02:24:16,320 --> 02:24:19,000
Speaker 1: I became a skills fan was listening to Stretching Bob

2514
02:24:19,120 --> 02:24:20,560
Speaker 1: and that one free style you did. I know, you

2515
02:24:20,600 --> 02:24:22,520
Speaker 1: made a b side out of it. It was like

2516
02:24:22,680 --> 02:24:25,840
Speaker 1: punch laughter, punchline five minute straight. I forgot what beat was,

2517
02:24:26,400 --> 02:24:31,600
Speaker 1: but who that's what it was. It was called, but

2518
02:24:31,680 --> 02:24:33,960
Speaker 1: it had like some some underground like you know what

2519
02:24:35,640 --> 02:24:38,720
Speaker 1: that's you put it on the B side, but who

2520
02:24:38,800 --> 02:24:41,119
Speaker 1: who who? But there was other other mcs there though.

2521
02:24:41,240 --> 02:24:46,920
Speaker 1: Right me and cut stretching. Barbado went crazy. It was like, Yo,

2522
02:24:47,920 --> 02:24:49,840
Speaker 1: we're gonna invite you up here, but you gotta bring

2523
02:24:49,920 --> 02:24:51,960
Speaker 1: cute It. We need to interview Cute Tip so we

2524
02:24:52,000 --> 02:24:53,480
Speaker 1: could talk about So that was the way you got,

2525
02:24:53,600 --> 02:24:55,600
Speaker 1: so we could talk about these beats and how he's

2526
02:24:55,600 --> 02:24:59,000
Speaker 1: been doing one Love and the Naas remix. Cute Tim goals.

2527
02:24:59,360 --> 02:25:02,640
Speaker 1: When they uk me to rap, I'm gonna keep the

2528
02:25:02,640 --> 02:25:07,199
Speaker 1: ship to you and spit that ship. Yet he said,

2529
02:25:09,879 --> 02:25:12,119
Speaker 1: He said, spit that ship. You spit in the lobby,

2530
02:25:12,240 --> 02:25:14,959
Speaker 1: in the letter and the hotel. I said, I vote.

2531
02:25:15,120 --> 02:25:17,800
Speaker 1: Que Tip starts wrapping, throws the ship to me. I

2532
02:25:17,959 --> 02:25:21,000
Speaker 1: do the ship stretching. Barbado wasn't even had me up

2533
02:25:21,040 --> 02:25:24,600
Speaker 1: there if it wasn't for Cute Tip. And then Q

2534
02:25:24,760 --> 02:25:26,280
Speaker 1: Tip threw the ship to me and I did the

2535
02:25:26,400 --> 02:25:29,640
Speaker 1: verse and the ship went it went viral. I guess

2536
02:25:29,680 --> 02:25:32,960
Speaker 1: it's viral is now that ship was on vital bro. Yeah,

2537
02:25:34,760 --> 02:25:38,840
Speaker 1: the rock Steady in the Park start wrapping it. Everybody

2538
02:25:38,920 --> 02:25:40,840
Speaker 1: in Rocksteady in the Park would be And I was

2539
02:25:41,520 --> 02:25:46,400
Speaker 1: just going viral. Was that it was the King? Who?

2540
02:25:46,560 --> 02:25:48,560
Speaker 1: That was another rapper on that it was a song. No,

2541
02:25:48,959 --> 02:25:55,520
Speaker 1: it was Mark King, just instrumental. It was That's what

2542
02:25:55,640 --> 02:25:57,200
Speaker 1: I was gonna watch this, so I was gonna rock

2543
02:25:57,240 --> 02:26:03,320
Speaker 1: the soul Again Records had had a little compilation beating

2544
02:26:03,360 --> 02:26:07,440
Speaker 1: number four was that beat I wrapped over. I should

2545
02:26:07,440 --> 02:26:18,119
Speaker 1: never forgot, never forget that. You guys, Jack the Eliah.

2546
02:26:18,640 --> 02:26:22,320
Speaker 1: Are you that somebody reck? Yes, DJ Lonnie be danjer Monty,

2547
02:26:22,680 --> 02:26:26,640
Speaker 1: I have that vinyl big like it so much. She

2548
02:26:26,800 --> 02:26:29,960
Speaker 1: actually made it an efficient. Yes, that's one of the

2549
02:26:30,560 --> 02:26:36,920
Speaker 1: plaque I got earlier. Danje Mouth wrapped over it. Nie

2550
02:26:37,160 --> 02:26:40,720
Speaker 1: was in the heavier and shot DJ off shot Lonnie

2551
02:26:40,920 --> 02:26:44,360
Speaker 1: and his daughter too, which is the he the first

2552
02:26:44,480 --> 02:26:47,760
Speaker 1: DJ that has his own kid in the heavier. Danjer

2553
02:26:47,840 --> 02:26:51,720
Speaker 1: Mouth wrapped over first played it for me. I rapped

2554
02:26:51,760 --> 02:26:56,640
Speaker 1: over second, Lonnie his it, Bonnie be his and and goes, oh, no,

2555
02:26:57,480 --> 02:27:00,760
Speaker 1: I'm getting off like I need twelve balls. We do it.

2556
02:27:01,040 --> 02:27:03,200
Speaker 1: We give it to this before you can give your

2557
02:27:03,240 --> 02:27:06,520
Speaker 1: song to nigga the radio. Niggas played there. Niggas would

2558
02:27:06,560 --> 02:27:08,400
Speaker 1: never play a song in the radio or ninety eight.

2559
02:27:08,480 --> 02:27:12,039
Speaker 1: What you're rapping on it now, niggnna, you mean this depth? Jam,

2560
02:27:12,080 --> 02:27:15,200
Speaker 1: I'm not about to add you the case you mean.

2561
02:27:15,800 --> 02:27:19,960
Speaker 1: We did the song. The nigga who was p D

2562
02:27:20,160 --> 02:27:22,920
Speaker 1: at the radio station, he came up with us. He

2563
02:27:23,000 --> 02:27:26,360
Speaker 1: started playing the ship. The ship pops off, it gets

2564
02:27:26,400 --> 02:27:29,160
Speaker 1: the Timberland, it gets to Leah Aliyah. Like, now, I

2565
02:27:29,280 --> 02:27:32,240
Speaker 1: want them niggas that at the tunnel to perform with me.

2566
02:27:32,680 --> 02:27:36,080
Speaker 1: We performed with Aliyah at the tune that classic What

2567
02:27:36,240 --> 02:27:40,680
Speaker 1: what year? What years? That some Lenna tell you you

2568
02:27:40,720 --> 02:27:43,040
Speaker 1: know what? You know, every time I think about that record,

2569
02:27:43,440 --> 02:27:45,080
Speaker 1: I think about the year and we brought you to

2570
02:27:45,160 --> 02:27:48,800
Speaker 1: do the show in Miami, your first, your first solo show. Yeah,

2571
02:27:48,959 --> 02:27:52,320
Speaker 1: and I played that record at the club. Listen in Virginia,

2572
02:27:52,440 --> 02:27:56,440
Speaker 1: they don't play no other version but that one. That's

2573
02:27:56,480 --> 02:27:59,040
Speaker 1: the one. That's the only one in Virginia. Niggas, no

2574
02:28:00,240 --> 02:28:05,640
Speaker 1: like shout to Aliyah rest in peace in last you

2575
02:28:05,720 --> 02:28:09,560
Speaker 1: know artists. I met her to Timbo super Sweet, special

2576
02:28:09,680 --> 02:28:13,600
Speaker 1: girl and she's from she's from Detroit. She was from Detroit.

2577
02:28:14,400 --> 02:28:16,520
Speaker 1: That was the first project that Tim and Missy got

2578
02:28:16,640 --> 02:28:19,600
Speaker 1: on their own, like you'll do this Aliyah album and

2579
02:28:19,680 --> 02:28:27,000
Speaker 1: then they get you love you Babe, bab ships schools.

2580
02:28:29,280 --> 02:28:36,920
Speaker 1: That's good. So relationship with Jazz and Jeff uh really,

2581
02:28:37,120 --> 02:28:47,560
Speaker 1: what the hell? Well? I told with him for thirteen years. Um,

2582
02:28:49,600 --> 02:28:54,800
Speaker 1: I was his MC right. I made it so the

2583
02:28:54,840 --> 02:28:56,720
Speaker 1: only nigger that could come get the microphone for me

2584
02:28:56,840 --> 02:29:00,600
Speaker 1: while he was DJ was Will. That's it. It ain't

2585
02:29:00,600 --> 02:29:02,840
Speaker 1: no other nigga coming up me. And that nigga was

2586
02:29:02,920 --> 02:29:05,720
Speaker 1: so tight. I knew when he was gonna play before

2587
02:29:05,760 --> 02:29:09,120
Speaker 1: he played. I tip my hats on my respect and

2588
02:29:09,200 --> 02:29:11,959
Speaker 1: my love him. I'm told I filled up two passports

2589
02:29:12,280 --> 02:29:14,520
Speaker 1: with that nick. I'm on my third ports passport now

2590
02:29:14,640 --> 02:29:20,000
Speaker 1: two of us because the yes everywhere in the world

2591
02:29:20,080 --> 02:29:24,959
Speaker 1: because that nig Like I told you earlier, I started

2592
02:29:25,040 --> 02:29:30,280
Speaker 1: dating est Dean, I moved to l A. I tell

2593
02:29:30,320 --> 02:29:36,000
Speaker 1: the nigga yo, Um, I'm gonna fall back from mc

2594
02:29:36,240 --> 02:29:40,760
Speaker 1: N because I'm out in l A now like I'm working,

2595
02:29:40,800 --> 02:29:43,039
Speaker 1: I'm I'm gonna I'm getting back into my song ready Ship.

2596
02:29:43,120 --> 02:29:50,480
Speaker 1: I wrote the nick becoming Yes Right. I tell him

2597
02:29:51,400 --> 02:29:54,640
Speaker 1: I'm a I'm a chill because what I'm what I'm

2598
02:29:54,680 --> 02:29:57,320
Speaker 1: making with you, I feel like I can you know,

2599
02:29:57,400 --> 02:29:59,200
Speaker 1: I'm gonna just fall back. I'm gonna focus on song

2600
02:29:59,280 --> 02:30:04,920
Speaker 1: ration ship. I quit and the nigga never said nothing

2601
02:30:05,000 --> 02:30:09,800
Speaker 1: to me ever again. And I start DJ, and I

2602
02:30:09,879 --> 02:30:13,000
Speaker 1: started DJ, and I started getting better, and he starts

2603
02:30:13,080 --> 02:30:18,720
Speaker 1: having these DJ retreats at his crib guru there quest

2604
02:30:18,840 --> 02:30:24,120
Speaker 1: love DJ scratch like a call. I'm trying to get

2605
02:30:24,160 --> 02:30:27,560
Speaker 1: them invite I never got never. I never got invited never.

2606
02:30:28,440 --> 02:30:33,560
Speaker 1: And I started DJ, and we never spoke again. And

2607
02:30:33,680 --> 02:30:36,800
Speaker 1: I don't know what happened. I don't know that. This

2608
02:30:36,920 --> 02:30:39,000
Speaker 1: is not in my notes, by the way, I don't

2609
02:30:39,040 --> 02:30:48,720
Speaker 1: know this question. This weird. I thought this a little

2610
02:30:48,760 --> 02:30:51,000
Speaker 1: game after me, had another MC after me, but we

2611
02:30:51,120 --> 02:30:53,960
Speaker 1: never spoke again. I've still haven't spoken to him seven

2612
02:30:54,040 --> 02:30:57,600
Speaker 1: eight years. And I don't know why you quit. You

2613
02:30:57,720 --> 02:31:00,600
Speaker 1: do know why? Yeah, but that shouldn't hear. So the

2614
02:31:00,720 --> 02:31:03,520
Speaker 1: thing is this, I started DJ. You know all called

2615
02:31:03,520 --> 02:31:07,760
Speaker 1: the sad, petty gay, But my thing is this you DJ?

2616
02:31:09,520 --> 02:31:11,280
Speaker 1: I think it is this. I'm a I'm a I'm

2617
02:31:11,320 --> 02:31:13,840
Speaker 1: a dope DJ. I started DJ, and I started doing

2618
02:31:13,879 --> 02:31:17,720
Speaker 1: my thing but what you left. But but you want

2619
02:31:17,800 --> 02:31:19,760
Speaker 1: do you know who you are? You the greatest hip

2620
02:31:19,800 --> 02:31:22,400
Speaker 1: hop DJ? Ever, it can't be because you think he's

2621
02:31:22,440 --> 02:31:25,000
Speaker 1: looking at his competition and how can he has the

2622
02:31:25,120 --> 02:31:28,040
Speaker 1: first hip hop brand? No, you can never ever be

2623
02:31:28,160 --> 02:31:34,800
Speaker 1: in competition. He was heels just I started I started DJ.

2624
02:31:35,560 --> 02:31:38,200
Speaker 1: We all started DJ, and you started DJ, and he

2625
02:31:38,560 --> 02:31:40,840
Speaker 1: just started paying me and did like I told you earlier,

2626
02:31:40,879 --> 02:31:43,240
Speaker 1: I started trying to get better than not not good,

2627
02:31:43,760 --> 02:31:46,840
Speaker 1: and I was just like, damn. But it's not already spoken.

2628
02:31:49,120 --> 02:31:51,480
Speaker 1: I hadn't spoken to him. I don't know what it is.

2629
02:31:52,400 --> 02:31:55,400
Speaker 1: I love him and it is what it is, but

2630
02:31:55,560 --> 02:31:58,400
Speaker 1: we don't speak. That's weird, man, that's not in my notice.

2631
02:31:58,520 --> 02:32:01,680
Speaker 1: That's a little awkward. I'm sure he's that he influenced you.

2632
02:32:02,640 --> 02:32:04,600
Speaker 1: I learned the same thing you learned from the nigger.

2633
02:32:04,600 --> 02:32:06,440
Speaker 1: I learned the same thing now. But we wasn't on

2634
02:32:06,560 --> 02:32:08,520
Speaker 1: tour with him day. But at the same time, Yeah,

2635
02:32:09,160 --> 02:32:13,520
Speaker 1: did you take something from him? Did you take Peter Piper?

2636
02:32:14,080 --> 02:32:16,560
Speaker 1: Peter Piper with team? Did you do Peter Piper? We

2637
02:32:17,000 --> 02:32:28,280
Speaker 1: all got everything you never did not then look, I

2638
02:32:28,360 --> 02:32:30,440
Speaker 1: can do the Peter Piper. See I can never do

2639
02:32:30,560 --> 02:32:36,600
Speaker 1: it as ill as head. I definitely didn't rock you

2640
02:32:36,720 --> 02:32:40,760
Speaker 1: have because I say, Arris want k v A. I

2641
02:32:40,800 --> 02:32:44,120
Speaker 1: didn't rock the belt, but everybody's done to rock the belt.

2642
02:32:44,800 --> 02:32:46,800
Speaker 1: It might have been a little different because it was me,

2643
02:32:47,720 --> 02:32:49,520
Speaker 1: but my fingers bro when it came down to me

2644
02:32:49,720 --> 02:32:52,160
Speaker 1: on that. In the terms tables, I funked with the

2645
02:32:52,200 --> 02:32:54,760
Speaker 1: B Junkies. I funk with DJ Manuel, I funk with

2646
02:32:54,840 --> 02:32:56,640
Speaker 1: d J Lonnie B. I funk with d J B

2647
02:32:56,760 --> 02:32:58,720
Speaker 1: out of v A. Those are the niggas that taught

2648
02:32:58,800 --> 02:33:01,680
Speaker 1: me this anything I learned from him as a DJ,

2649
02:33:02,200 --> 02:33:04,640
Speaker 1: the same thing, y'all nigga's learned. You watch them, we

2650
02:33:04,720 --> 02:33:06,760
Speaker 1: watch the videos that in the third I don't know

2651
02:33:06,840 --> 02:33:10,160
Speaker 1: why we don't talk. I'm sucking up right now. I

2652
02:33:10,320 --> 02:33:12,640
Speaker 1: love you, nigga. That's what you want to talk to

2653
02:33:12,760 --> 02:33:16,760
Speaker 1: this this this is camera right here, Jetty. But I

2654
02:33:16,879 --> 02:33:27,600
Speaker 1: love you, my nigga, Thank you for everything. It's like,

2655
02:33:28,320 --> 02:33:32,520
Speaker 1: let's Jones mbra carry just Jack because no, no, that's

2656
02:33:32,520 --> 02:33:36,920
Speaker 1: a good look. We don't mind carry Yeah, do my

2657
02:33:37,080 --> 02:33:39,960
Speaker 1: name on it. I don't know. I can't find the record. Yeah,

2658
02:33:40,560 --> 02:33:43,760
Speaker 1: but let's see. You know you got whatever you want

2659
02:33:43,760 --> 02:33:47,600
Speaker 1: with she she gotta come tell the story once. Yeah,

2660
02:33:47,640 --> 02:33:53,240
Speaker 1: we need we got to drink. I tell you, we

2661
02:33:53,320 --> 02:33:57,240
Speaker 1: tell them dropped out about you choosing to um to

2662
02:33:57,320 --> 02:34:01,080
Speaker 1: get a cor verse instead of she was gonna give

2663
02:34:01,080 --> 02:34:02,680
Speaker 1: me some bread to get on the remix and then

2664
02:34:02,720 --> 02:34:05,280
Speaker 1: you take you took the chorus with the pun. You

2665
02:34:05,360 --> 02:34:11,040
Speaker 1: gotta relax. Yeah, that was the time. Hold on, I

2666
02:34:11,120 --> 02:34:13,480
Speaker 1: was like saying, I tried to got that. I got story,

2667
02:34:13,879 --> 02:34:15,720
Speaker 1: I got the story we could tell. We can tell

2668
02:34:15,760 --> 02:34:19,720
Speaker 1: the actual story. That's scrap, that's time. That's great, it's

2669
02:34:19,720 --> 02:34:22,199
Speaker 1: a dope story. Now. I actually was like the first

2670
02:34:22,320 --> 02:34:27,320
Speaker 1: black man that actually had land on thirty second and

2671
02:34:27,520 --> 02:34:31,160
Speaker 1: Madison the hood lab prittily, So let's put it in

2672
02:34:31,280 --> 02:34:33,000
Speaker 1: that bad can I can I put it in pus

2673
02:34:33,080 --> 02:34:37,800
Speaker 1: back then? You please? Scrabo just made a shot. Yeah

2674
02:34:37,840 --> 02:34:48,240
Speaker 1: yeahs basically, yeah, you're gonna wire here. What are you doing? Like?

2675
02:34:48,280 --> 02:34:50,800
Speaker 1: It looks sis but come on, I think it looks

2676
02:34:50,800 --> 02:34:57,640
Speaker 1: storm for the chip. Yeah come on you let me

2677
02:34:57,680 --> 02:34:59,800
Speaker 1: do remember all of you. I'm trying to remember playing

2678
02:35:00,120 --> 02:35:07,360
Speaker 1: right now. You're shot. Tell your story, the story, the story,

2679
02:35:07,640 --> 02:35:09,960
Speaker 1: rewind it and you had property on thirty six and

2680
02:35:10,000 --> 02:35:17,640
Speaker 1: Matty second thirty second boom so boom. I was engineering,

2681
02:35:17,840 --> 02:35:20,480
Speaker 1: producing for Norrie coming through every day. He was nor

2682
02:35:20,680 --> 02:35:22,560
Speaker 1: was the tite to jump on the socket every morning

2683
02:35:22,640 --> 02:35:24,880
Speaker 1: to like twelve or fifteen people your way y'are at

2684
02:35:25,000 --> 02:35:29,360
Speaker 1: and talking about a lot of how to squad that

2685
02:35:30,240 --> 02:35:34,520
Speaker 1: I was done and the socking. So I was the

2686
02:35:34,600 --> 02:35:36,560
Speaker 1: one to press the buttons. But he only press the

2687
02:35:36,640 --> 02:35:38,000
Speaker 1: buns like once in the day. The rest of the

2688
02:35:38,080 --> 02:35:40,400
Speaker 1: day was just drinking pino and bullshit it. But if

2689
02:35:40,400 --> 02:35:42,360
Speaker 1: it was a moment of record, you know, he jumped

2690
02:35:42,400 --> 02:35:44,600
Speaker 1: into it one taking and then go back to chilling.

2691
02:35:44,680 --> 02:35:48,800
Speaker 1: You know what, you know, we have to fix it.

2692
02:35:51,440 --> 02:35:54,280
Speaker 1: I picked up. So that's where that's what he just

2693
02:35:54,400 --> 02:35:57,160
Speaker 1: dropped all maconto and the and the rock rock lit

2694
02:35:57,240 --> 02:36:00,200
Speaker 1: familiar blew up. That's when that's when the reggaetone two

2695
02:36:00,240 --> 02:36:02,600
Speaker 1: thousand or six. I think there was one build number

2696
02:36:02,600 --> 02:36:05,959
Speaker 1: one record in the building. Can we talk about about

2697
02:36:05,959 --> 02:36:14,080
Speaker 1: take them turning down today? Shout to nature for actually

2698
02:36:14,120 --> 02:36:20,400
Speaker 1: bringing me through to you first. Come on, let's get

2699
02:36:20,440 --> 02:36:24,119
Speaker 1: some more shots going on about my mother ship off

2700
02:36:24,200 --> 02:36:29,120
Speaker 1: my hoodie. What are you gonna do? I'm taking another peoples,

2701
02:36:29,120 --> 02:36:47,840
Speaker 1: I'm gonna yeah, I'm gonna follow him one bathroom. We'll

2702
02:36:47,879 --> 02:36:49,480
Speaker 1: do it. We'll do it. How long do you mind me?

2703
02:36:49,520 --> 02:36:54,200
Speaker 1: By the way, I'll lead them off. Okay, so all right,

2704
02:36:55,560 --> 02:37:01,400
Speaker 1: the studio, all right, so bas the league. I stopped

2705
02:37:01,400 --> 02:37:03,800
Speaker 1: becoming regular at your hood quote hood Lab, even though

2706
02:37:03,840 --> 02:37:07,000
Speaker 1: it's on Madison, six empty rooms, only one room with

2707
02:37:07,040 --> 02:37:09,360
Speaker 1: the computer them like the rest is mice running around

2708
02:37:09,640 --> 02:37:11,680
Speaker 1: and the work that we don't wear bubbles like like

2709
02:37:11,760 --> 02:37:14,840
Speaker 1: there's no heed. It's just like a foul situation. But

2710
02:37:14,920 --> 02:37:21,440
Speaker 1: it's over the chest. But yeah, yeah, so that's it,

2711
02:37:21,640 --> 02:37:24,840
Speaker 1: like you know, as an upper coming producer DJ, obviously

2712
02:37:25,400 --> 02:37:27,560
Speaker 1: it's not it's not it's not what you knows who

2713
02:37:27,600 --> 02:37:29,120
Speaker 1: you know. It's about beating the right place. So I

2714
02:37:29,160 --> 02:37:31,360
Speaker 1: already knew if I'm gonna planting myself there, nor you know,

2715
02:37:31,440 --> 02:37:35,000
Speaker 1: everybody everybody showing up boom boom networking. And then when

2716
02:37:35,040 --> 02:37:38,640
Speaker 1: he got signed a rock life familiar Dame Dash surprising

2717
02:37:38,720 --> 02:37:41,160
Speaker 1: but bringing the ride to the Hood Lab. So when

2718
02:37:41,240 --> 02:37:42,720
Speaker 1: she showed up, I was ready in front of the

2719
02:37:42,800 --> 02:37:48,160
Speaker 1: boards and everybody was on the DVD color exactly critically

2720
02:37:48,600 --> 02:37:52,480
Speaker 1: now that's the fact, But everybody was contracting the DVD

2721
02:37:52,560 --> 02:37:54,880
Speaker 1: because I was DVD, so you was talking to DVD

2722
02:37:55,000 --> 02:37:57,120
Speaker 1: try to get his footage, and I'm sitting there like, ship,

2723
02:37:57,200 --> 02:37:59,360
Speaker 1: I should play some beats in the background. You know

2724
02:37:59,400 --> 02:38:02,760
Speaker 1: what I'm saying. Small By the fifth beat, She's like,

2725
02:38:02,879 --> 02:38:05,640
Speaker 1: what's that? And then after that, you know what I'm saying,

2726
02:38:05,800 --> 02:38:07,760
Speaker 1: do the pass off? And then she she picked something

2727
02:38:07,840 --> 02:38:19,360
Speaker 1: but let's study. Yeah, this was you know, I had

2728
02:38:19,400 --> 02:38:21,960
Speaker 1: searched for studios. What happened was I started to notice

2729
02:38:22,000 --> 02:38:24,280
Speaker 1: that I was losing money when I put a studio

2730
02:38:24,360 --> 02:38:27,160
Speaker 1: in Queens, because Queens is either it's in a nice part,

2731
02:38:27,800 --> 02:38:29,600
Speaker 1: but to get to that nice part, you gotta go

2732
02:38:29,680 --> 02:38:33,600
Speaker 1: do something crazy. Jersey just seemed too far to people.

2733
02:38:35,440 --> 02:38:39,400
Speaker 1: I finally got the perfect location thirty second at Baptist.

2734
02:38:40,080 --> 02:38:42,440
Speaker 1: The person who was renting it to me at the

2735
02:38:42,520 --> 02:38:45,920
Speaker 1: time one of like the whole year's rent up front.

2736
02:38:46,000 --> 02:38:48,480
Speaker 1: I think it was like sixty the first year. So

2737
02:38:48,600 --> 02:38:50,760
Speaker 1: he wanted all off. No, no, it's not for the

2738
02:38:50,800 --> 02:38:53,920
Speaker 1: whole year. I thought. He wanted like six a month.

2739
02:38:54,080 --> 02:38:59,520
Speaker 1: Damn man, the whole east for the for the whole year.

2740
02:38:59,600 --> 02:39:06,640
Speaker 1: He wanted six thousand fours each month changed and I

2741
02:39:06,760 --> 02:39:09,440
Speaker 1: was just like, you know what, I'm not I'm gonna

2742
02:39:09,480 --> 02:39:12,120
Speaker 1: put the money into the rig and not the equipment.

2743
02:39:12,240 --> 02:39:15,280
Speaker 1: So we really didn't even have equipment. Shout. Can I

2744
02:39:15,320 --> 02:39:17,560
Speaker 1: give a shout out to somebody? Can I just say

2745
02:39:17,600 --> 02:39:21,400
Speaker 1: one name? Shout the chin. Okay, shout in the chin man.

2746
02:39:22,800 --> 02:39:25,640
Speaker 1: So this is like provided the equipment. But then he

2747
02:39:25,720 --> 02:39:31,800
Speaker 1: got a third made for the whole year. I got

2748
02:39:32,040 --> 02:39:34,880
Speaker 1: illustrious property a thirty second, but when you went in,

2749
02:39:35,000 --> 02:39:39,240
Speaker 1: it was not so illustrious. No, it's illustrious outside decorations

2750
02:39:40,760 --> 02:39:43,200
Speaker 1: because because crazy, because we have to sleep there a

2751
02:39:43,240 --> 02:39:44,920
Speaker 1: couple of times. Thank you very much. I appreciate it

2752
02:39:47,440 --> 02:39:55,640
Speaker 1: back there since I got this ill fucking students like,

2753
02:39:55,720 --> 02:39:59,080
Speaker 1: everyone's gonna come in to give the address. So what

2754
02:39:59,200 --> 02:40:04,039
Speaker 1: happens is right, carry wants to hang out. They das

2755
02:40:04,320 --> 02:40:08,960
Speaker 1: he said, goes because she lives a block away, literally

2756
02:40:09,080 --> 02:40:12,640
Speaker 1: a block away, but I think it actually walked over wow,

2757
02:40:13,400 --> 02:40:15,920
Speaker 1: and she go up to the that and I could

2758
02:40:16,000 --> 02:40:19,480
Speaker 1: not believe how she was about. I didn't know who wants.

2759
02:40:20,200 --> 02:40:22,120
Speaker 1: I mean, it's more bride, but I didn't know how

2760
02:40:22,320 --> 02:40:27,040
Speaker 1: much like hood nig Is turned into groupies. Like all

2761
02:40:27,080 --> 02:40:33,320
Speaker 1: the time I was bucked up and he was alreadypies groupies,

2762
02:40:34,680 --> 02:40:38,560
Speaker 1: groupies called loopies. No, dude, that the battery already because

2763
02:40:38,560 --> 02:40:47,480
Speaker 1: he was drinking that peanut with This is what crack Meau.

2764
02:40:47,560 --> 02:40:50,240
Speaker 1: She's sitting there chilling and I'm like, yo, you drink

2765
02:40:50,280 --> 02:40:53,680
Speaker 1: peanut green and she's like, yeah, listen, I had to

2766
02:40:53,840 --> 02:40:56,000
Speaker 1: just don't happen. I had a fidgerated peanut gree Let

2767
02:40:56,080 --> 02:41:02,600
Speaker 1: me tell you more. Every morning put on pots, get

2768
02:41:02,680 --> 02:41:05,560
Speaker 1: to is this is our third day having the hood

2769
02:41:05,600 --> 02:41:07,360
Speaker 1: of that thirty second of man between thirty second and

2770
02:41:07,440 --> 02:41:11,360
Speaker 1: thirty person of Madison. It's a luxurious problem. I did

2771
02:41:11,480 --> 02:41:14,280
Speaker 1: not order the furn of you yet. I'm your first

2772
02:41:14,640 --> 02:41:24,880
Speaker 1: never did remember, Yeah, you're from left Rand and Property.

2773
02:41:25,000 --> 02:41:29,240
Speaker 1: And Mariah walks in and she wants to sit down

2774
02:41:30,120 --> 02:41:35,000
Speaker 1: and she could sit down on creak, but yeah, I

2775
02:41:35,080 --> 02:41:39,720
Speaker 1: was getting I would saying Barriss the same time, like

2776
02:41:43,640 --> 02:41:45,680
Speaker 1: not having to me. He was like, this is kind

2777
02:41:45,760 --> 02:41:48,320
Speaker 1: of fucked up on the part of he was like

2778
02:41:52,520 --> 02:41:55,320
Speaker 1: my shop was on the ground by the way, and

2779
02:41:55,560 --> 02:41:58,120
Speaker 1: I'm YouTube, like I said once people is just the

2780
02:41:58,160 --> 02:42:01,200
Speaker 1: penot grigio. She just she dranks. She ran around the

2781
02:42:01,240 --> 02:42:04,840
Speaker 1: students drop. You had Mariah sitting on the milk crap.

2782
02:42:09,520 --> 02:42:11,200
Speaker 1: But hold on, let me finish the story about that

2783
02:42:11,240 --> 02:42:13,280
Speaker 1: feature because I don't know what did you even record

2784
02:42:13,320 --> 02:42:15,960
Speaker 1: to it? Yeah? Alright, so boom, so let me just

2785
02:42:16,000 --> 02:42:20,000
Speaker 1: tell you much. I remember you're calling me and you're

2786
02:42:20,040 --> 02:42:22,400
Speaker 1: like yo yo, Marian. You called me like four in

2787
02:42:22,440 --> 02:42:24,440
Speaker 1: the morning, You're like yo. Ryan just says, she got

2788
02:42:24,560 --> 02:42:26,400
Speaker 1: like fifty racts for me to do the remix, but

2789
02:42:26,480 --> 02:42:28,760
Speaker 1: I'm gonna pass on it, and I'm gonna tell her

2790
02:42:28,760 --> 02:42:30,200
Speaker 1: I need a hook for this joint. I got a

2791
02:42:30,320 --> 02:42:33,200
Speaker 1: pun to a Greenland up beat. So you remember he

2792
02:42:33,280 --> 02:42:36,200
Speaker 1: was like, I'm the hook from her. I said, that's

2793
02:42:36,200 --> 02:42:38,200
Speaker 1: all you want to pass the fifty bands I get?

2794
02:42:38,600 --> 02:42:42,800
Speaker 1: And then that record? Did that record? Ain't it never

2795
02:42:42,920 --> 02:42:46,640
Speaker 1: came out? This one runs, I don't never came out. No,

2796
02:42:46,920 --> 02:42:48,600
Speaker 1: so that he got a hook from her, but it

2797
02:42:48,720 --> 02:42:51,360
Speaker 1: was on. It was the punt The punt verse was sensitive.

2798
02:42:51,440 --> 02:42:53,120
Speaker 1: So it then come out. I had a punt Verse,

2799
02:42:53,200 --> 02:42:56,400
Speaker 1: had an unreleased punt verse, and me and me and

2800
02:42:56,440 --> 02:43:01,560
Speaker 1: Punt had a song called friends all right, and we

2801
02:43:01,680 --> 02:43:06,039
Speaker 1: jacked the friendship. But yeah, so we knew we couldn't

2802
02:43:06,120 --> 02:43:08,840
Speaker 1: do that. And so when Marian came and did that.

2803
02:43:08,920 --> 02:43:10,800
Speaker 1: I was like, you know what, let me just and

2804
02:43:11,000 --> 02:43:13,560
Speaker 1: she's listed, so we had gave it the original being

2805
02:43:13,600 --> 02:43:21,360
Speaker 1: they said, come ask baby, rest in peace, Ecstacy from WHOA.

2806
02:43:22,560 --> 02:43:25,880
Speaker 1: Bottom line, that's some more ran carry big, upset and carry.

2807
02:43:25,920 --> 02:43:28,000
Speaker 1: But what happened to that verse? Though? I have no

2808
02:43:28,120 --> 02:43:30,040
Speaker 1: idea you have to do because I never even heard

2809
02:43:30,120 --> 02:43:34,160
Speaker 1: your verse they promoted it. I just kept googling it

2810
02:43:34,560 --> 02:43:38,120
Speaker 1: and kept coming up like Marian and it just came

2811
02:43:38,200 --> 02:43:40,200
Speaker 1: up with Joel's and camp because they jacked that. They

2812
02:43:40,240 --> 02:43:42,680
Speaker 1: did like a mixtape version of it, and she ran

2813
02:43:42,920 --> 02:43:46,880
Speaker 1: with that. And you know what, I'm grateful for that.

2814
02:43:46,959 --> 02:43:50,280
Speaker 1: I grateful for that Moment's just us knowing like this

2815
02:43:50,440 --> 02:43:51,800
Speaker 1: is at the end of day. This is the hood,

2816
02:43:51,879 --> 02:43:54,959
Speaker 1: dudes opening up for three days, and you got one

2817
02:43:54,959 --> 02:43:59,920
Speaker 1: of the most biggest stuff. That's the reason why I

2818
02:44:00,520 --> 02:44:03,040
Speaker 1: never really changed her lab. I never really did that.

2819
02:44:03,200 --> 02:44:06,520
Speaker 1: Granted you listen, I had Evie Queen coming to Evie

2820
02:44:06,560 --> 02:44:08,680
Speaker 1: Queen whatever you a. I'm so sorry we need her

2821
02:44:08,680 --> 02:44:11,120
Speaker 1: on drink chances. I'm so sorry she came into the

2822
02:44:11,160 --> 02:44:13,960
Speaker 1: hood lad and she took up her shoes and I

2823
02:44:14,080 --> 02:44:18,600
Speaker 1: wanted to tell our maid is fired forever please put

2824
02:44:18,640 --> 02:44:21,840
Speaker 1: your shoes back on. This is not the place to

2825
02:44:22,000 --> 02:44:26,879
Speaker 1: take your shoes. But I could. Evie Queen was so gast.

2826
02:44:26,959 --> 02:44:31,800
Speaker 1: I was just like, you don't care. Everywhere she went like, oh,

2827
02:44:32,560 --> 02:44:34,600
Speaker 1: like I know we had Mike. He mentioned that earlier.

2828
02:44:35,480 --> 02:44:38,600
Speaker 1: You guys had a lot of things that I stopped that.

2829
02:44:38,600 --> 02:44:41,800
Speaker 1: I think that ghost in that motherfucker and I got

2830
02:44:41,840 --> 02:44:48,600
Speaker 1: stuck on on the elevator, petty cracking couple. Elevator was elevated,

2831
02:44:48,760 --> 02:44:56,200
Speaker 1: spect it wasn't right down the street. That's all I

2832
02:44:56,320 --> 02:44:59,520
Speaker 1: made that Miami things are going to this couple. That's

2833
02:44:59,520 --> 02:45:02,600
Speaker 1: how we need, you know, white caps. Y'all like Miami

2834
02:45:02,680 --> 02:45:07,320
Speaker 1: subs to New York posts. That's sucking phenomenal to New

2835
02:45:07,400 --> 02:45:09,560
Speaker 1: York people, but y'all hate it. And that's that's how

2836
02:45:09,600 --> 02:45:14,320
Speaker 1: we are enjoy It's a part of my people. Gotta dope.

2837
02:45:15,720 --> 02:45:22,600
Speaker 1: We we go left hand, we right listen. This is

2838
02:45:22,680 --> 02:45:24,400
Speaker 1: we're gonna end this out because you still got a

2839
02:45:24,440 --> 02:45:26,760
Speaker 1: shot from last time. Oh ship, you know you gotta

2840
02:45:26,800 --> 02:45:33,240
Speaker 1: skill you one more because what we're taking a shot

2841
02:45:34,160 --> 02:45:35,760
Speaker 1: minster is already done. I gotta feel up. Hold on,

2842
02:45:35,959 --> 02:45:38,560
Speaker 1: that's y'all last year shot. But what's all I gotta say,

2843
02:45:38,680 --> 02:45:41,600
Speaker 1: is on our show. We want like to pick up

2844
02:45:41,640 --> 02:45:48,960
Speaker 1: all legends, um other genres of music. It's not even

2845
02:45:49,000 --> 02:45:51,680
Speaker 1: a word called washed up. Okay, bus up, bus you

2846
02:45:51,760 --> 02:45:54,320
Speaker 1: got lied. You gotta put it. You gotta put bus on.

2847
02:45:54,440 --> 02:45:57,840
Speaker 1: Speaking your bust, the bus were here, drink chance of masks?

2848
02:46:02,600 --> 02:46:07,200
Speaker 1: What's going on? I get you what I'm done, Bro,

2849
02:46:07,360 --> 02:46:09,120
Speaker 1: I got you, I got your man. You out all

2850
02:46:09,200 --> 02:46:12,959
Speaker 1: right now? I keep that sitting there. What's the rounds

2851
02:46:12,959 --> 02:46:21,520
Speaker 1: called during the Mad Skills episode call let you know

2852
02:46:21,680 --> 02:46:27,200
Speaker 1: my phone is hot. Goddamn. But we want to pick

2853
02:46:27,280 --> 02:46:31,880
Speaker 1: you up because in our game, and when I'm looking

2854
02:46:31,879 --> 02:46:34,200
Speaker 1: at like these other genmas of music, like jazz and

2855
02:46:34,240 --> 02:46:36,880
Speaker 1: all those other things, there's no word called washed up.

2856
02:46:36,879 --> 02:46:38,880
Speaker 1: There's no word called like you've been here too long,

2857
02:46:39,200 --> 02:46:41,520
Speaker 1: Like I see these rock and roll people they talked

2858
02:46:41,920 --> 02:46:45,720
Speaker 1: thirty years in this game, and everyone chares the more

2859
02:46:46,160 --> 02:46:50,560
Speaker 1: so I along with my partner. Yeah, we want to

2860
02:46:50,680 --> 02:46:52,879
Speaker 1: change the narrative of that. We want to let people

2861
02:46:52,959 --> 02:47:01,080
Speaker 1: know that, you know, Champaigne is hazed your mind. Real

2862
02:47:01,120 --> 02:47:08,400
Speaker 1: ships age two eight seven don't carryall. There's certain years

2863
02:47:09,040 --> 02:47:12,880
Speaker 1: of a certain page that this is great one the

2864
02:47:13,040 --> 02:47:15,240
Speaker 1: same ship And the thing is, I want to change

2865
02:47:15,280 --> 02:47:17,880
Speaker 1: the narrative for our culture. I want people to know that.

2866
02:47:18,720 --> 02:47:21,120
Speaker 1: You know, it's like you said earlier, like you know

2867
02:47:22,360 --> 02:47:26,120
Speaker 1: y'are borrowing the car. Yeah, y'all got the car, and

2868
02:47:26,200 --> 02:47:28,760
Speaker 1: we ain't mad we gave you at the car. But

2869
02:47:28,879 --> 02:47:30,879
Speaker 1: take care of you. Just take care of it. Get

2870
02:47:30,959 --> 02:47:34,080
Speaker 1: your transmission, your mouth, Like right now, I don't even

2871
02:47:34,080 --> 02:47:37,039
Speaker 1: got to oil change my old car because if I'm

2872
02:47:37,080 --> 02:47:40,040
Speaker 1: sucking up, because because if you don't take care of it,

2873
02:47:40,160 --> 02:47:42,240
Speaker 1: and they take care of you, yellow engine, like cut

2874
02:47:42,320 --> 02:47:44,160
Speaker 1: it off soon as I cut the car. Just all

2875
02:47:44,200 --> 02:47:50,520
Speaker 1: remember what would be without the cars, without hip hop, bro, exactly,

2876
02:47:50,840 --> 02:47:53,800
Speaker 1: that's what we really need to we We fucking we

2877
02:47:53,959 --> 02:47:57,000
Speaker 1: come from a special music man that has changed the world.

2878
02:47:57,160 --> 02:48:01,320
Speaker 1: Most popular art form in the in the world, the world,

2879
02:48:01,600 --> 02:48:03,640
Speaker 1: the world, the world. I'm saying, like it is what

2880
02:48:03,760 --> 02:48:06,360
Speaker 1: it is like these corporations and these businesses, they know

2881
02:48:06,520 --> 02:48:08,840
Speaker 1: what we bring to the table. Man, hip hop has

2882
02:48:08,959 --> 02:48:12,040
Speaker 1: changed the fucking world. So with that being said, you know,

2883
02:48:12,600 --> 02:48:14,400
Speaker 1: we just got to cultivate it. You know what I'm saying,

2884
02:48:14,480 --> 02:48:20,879
Speaker 1: White grape on you, white grape you ever wrapped up

2885
02:48:20,879 --> 02:48:24,520
Speaker 1: a scrap Jones? But I remember I used to call

2886
02:48:24,640 --> 02:48:26,760
Speaker 1: him like, no, no, no, first of all, no, no,

2887
02:48:27,680 --> 02:48:30,040
Speaker 1: first of all, this nig did a song. This this

2888
02:48:30,200 --> 02:48:33,600
Speaker 1: guy did a song called We's got into the song

2889
02:48:33,680 --> 02:48:35,920
Speaker 1: called Forking the Road, and I remember hearing it and

2890
02:48:35,959 --> 02:48:38,480
Speaker 1: it was most amazing. Ship that I say, he's gonna

2891
02:48:38,480 --> 02:48:42,320
Speaker 1: call you called him and I remember calling him and

2892
02:48:42,440 --> 02:48:43,880
Speaker 1: at this point in his life, he told me he

2893
02:48:43,920 --> 02:48:45,400
Speaker 1: was like Scott, wasn't sure if I was gonna DJ,

2894
02:48:45,520 --> 02:48:47,640
Speaker 1: if I was gonna wrap some dudes. I called him

2895
02:48:47,640 --> 02:48:50,320
Speaker 1: and I said, Yo, I hit him on the d M.

2896
02:48:50,800 --> 02:48:55,160
Speaker 1: I said, yo, Twitter, I said, yo, fam, you better

2897
02:48:55,560 --> 02:48:58,440
Speaker 1: than Kanye? You you are? You? Did I tell you that?

2898
02:48:58,480 --> 02:48:59,960
Speaker 1: I did? I not tell you that. He put the back.

2899
02:49:00,000 --> 02:49:03,520
Speaker 1: I said, you keep doing your Ship. Never met him

2900
02:49:03,520 --> 02:49:05,360
Speaker 1: a day of my life. I might have seen him

2901
02:49:05,360 --> 02:49:07,400
Speaker 1: beginning to do over maybe a couple of years ago,

2902
02:49:07,480 --> 02:49:10,000
Speaker 1: but we never met. But I've always been a super

2903
02:49:10,440 --> 02:49:12,040
Speaker 1: I've always been a fan of him. You know what

2904
02:49:12,080 --> 02:49:17,280
Speaker 1: I'm saying, Like producers beats, I wouldn't even happen, you know,

2905
02:49:17,400 --> 02:49:24,400
Speaker 1: I wouldn't need rapping songs in my mixes. Like my

2906
02:49:24,520 --> 02:49:26,520
Speaker 1: thing is whatever I'm doing. If I stop with you,

2907
02:49:26,600 --> 02:49:29,560
Speaker 1: I'm gonna put your ship into what I'm doing. I'm saying,

2908
02:49:29,600 --> 02:49:31,800
Speaker 1: if I do a podcast, I'm gonna drop your name

2909
02:49:31,840 --> 02:49:34,040
Speaker 1: on my podcast. If I'm doing the mix, I'm gonna

2910
02:49:34,080 --> 02:49:36,120
Speaker 1: play your song in my mix. I did a ship

2911
02:49:36,240 --> 02:49:38,680
Speaker 1: in plenty of times, and he played my ship early,

2912
02:49:38,840 --> 02:49:42,560
Speaker 1: like back back. What I'm saying non factor big b

2913
02:49:42,760 --> 02:49:54,120
Speaker 1: days like fan man that take address that I'm fucked

2914
02:49:54,160 --> 02:50:00,760
Speaker 1: up to himself. Drink, I'm so gonna got a beatbox

2915
02:50:00,800 --> 02:50:05,440
Speaker 1: outside drink. We saw on the side this ship crazy.

2916
02:50:05,440 --> 02:50:13,520
Speaker 1: We're twenty drink minimum, So let me get over her.

2917
02:50:13,680 --> 02:50:16,520
Speaker 1: Tell me about that, because that's after I Ain't Man

2918
02:50:16,600 --> 02:50:18,240
Speaker 1: and I got I asked about the albums in the

2919
02:50:18,280 --> 02:50:20,760
Speaker 1: beginning about it I Ain't Man no More, and competition

2920
02:50:20,840 --> 02:50:22,840
Speaker 1: of the Goes writing was the Rockings album, which was

2921
02:50:22,879 --> 02:50:25,440
Speaker 1: the same album I was on tour with Nerds in

2922
02:50:25,560 --> 02:50:29,280
Speaker 1: two thousand two. I started selling them ships out there,

2923
02:50:29,560 --> 02:50:34,920
Speaker 1: out there at the shows and finished the show you know,

2924
02:50:35,080 --> 02:50:37,400
Speaker 1: meet me at the merged. Move from selling CDs and

2925
02:50:37,640 --> 02:50:40,320
Speaker 1: Matt Skills T shirts. I sold probably more than ships

2926
02:50:40,360 --> 02:50:43,200
Speaker 1: than rockers, so I was moving them because I knew

2927
02:50:43,440 --> 02:50:46,119
Speaker 1: rockers out of business. So I'm like, no, I'm gonna

2928
02:50:46,120 --> 02:50:49,000
Speaker 1: sell my music. My ship only came out. It only

2929
02:50:49,040 --> 02:50:51,400
Speaker 1: came out, and like it came out real quickly, and

2930
02:50:51,400 --> 02:50:53,880
Speaker 1: they didn't press up no more CD. So I pressed

2931
02:50:53,920 --> 02:50:56,440
Speaker 1: up CDs on my own, like a mixtape, show them

2932
02:50:56,480 --> 02:50:59,320
Speaker 1: ships and a million dollar backpack. Who was in a

2933
02:50:59,400 --> 02:51:06,920
Speaker 1: million dollar back million hours? I don't really know, I

2934
02:51:07,160 --> 02:51:10,640
Speaker 1: don't That was. That was the one after after Gym

2935
02:51:10,760 --> 02:51:13,760
Speaker 1: got a popping Shadow Stokes. I'm saying the saw on

2936
02:51:13,800 --> 02:51:17,240
Speaker 1: the Graham those my niggas. Um. That was when I

2937
02:51:17,320 --> 02:51:20,560
Speaker 1: did the song with Common Freeway Black Thought who else

2938
02:51:20,600 --> 02:51:24,640
Speaker 1: ahead on the album Tyler Quality. Um, that's the first

2939
02:51:24,680 --> 02:51:27,600
Speaker 1: time I did a song for women and realized, like

2940
02:51:27,720 --> 02:51:29,800
Speaker 1: I've gone back when the O G said, Yo, make

2941
02:51:29,879 --> 02:51:33,320
Speaker 1: songs with who you think? I made a song called

2942
02:51:33,360 --> 02:51:36,560
Speaker 1: heat on Me for real. Women loved it. I feel

2943
02:51:36,600 --> 02:51:44,520
Speaker 1: like l for fanteen minutes. She was amazing, loved it. Yes, Yes,

2944
02:51:44,600 --> 02:51:51,120
Speaker 1: I'm a cute nigga. Sometimes the weekend niking something that

2945
02:51:51,360 --> 02:51:58,320
Speaker 1: it depends something, No, depends. When I got there, James

2946
02:51:58,360 --> 02:52:03,120
Speaker 1: Pony killing them differences so anxious him and Tim was

2947
02:52:03,160 --> 02:52:05,400
Speaker 1: getting big. I was the rapper, you know what I'm saying.

2948
02:52:05,440 --> 02:52:10,040
Speaker 1: When I popped in it was Pete Barba Swalks, Mrs

2949
02:52:10,120 --> 02:52:15,280
Speaker 1: j uh and then Missy had this artist from from

2950
02:52:15,320 --> 02:52:19,039
Speaker 1: my hood name what was her name? Mocha Nicole Ray

2951
02:52:20,879 --> 02:52:23,680
Speaker 1: brother name Kenney shouted to Kenny Um, we was doing

2952
02:52:23,720 --> 02:52:26,480
Speaker 1: songs together. But I never oh no, I never hopped

2953
02:52:26,520 --> 02:52:30,560
Speaker 1: on the genuine joint. Wasn't wasn't no beating get on

2954
02:52:30,600 --> 02:52:38,080
Speaker 1: the poem. He wasn't like that hop the remixed and

2955
02:52:38,200 --> 02:52:41,360
Speaker 1: that was that was what took us questions good, you

2956
02:52:41,959 --> 02:52:43,840
Speaker 1: do a lot of you do a lot of lives

2957
02:52:43,879 --> 02:52:46,080
Speaker 1: streaming for the ladies. You do like brunches, and like,

2958
02:52:47,120 --> 02:52:49,960
Speaker 1: ever got some buns off of that? I haven't got

2959
02:52:50,040 --> 02:52:52,000
Speaker 1: no buns yet off of the stream that I knew

2960
02:52:52,080 --> 02:52:54,520
Speaker 1: every weekend nineties girl brunts. But it's a it's a

2961
02:52:54,600 --> 02:52:59,959
Speaker 1: community of women, people that have gravitated and people start

2962
02:53:00,200 --> 02:53:03,560
Speaker 1: it was Dope the DJ, and people started supporting each other, like, yo,

2963
02:53:03,680 --> 02:53:06,000
Speaker 1: your your daughter cell. Girls got cookies, I'm goa boy

2964
02:53:06,080 --> 02:53:08,800
Speaker 1: something from her. You do a fitness class, I'm gonna

2965
02:53:08,879 --> 02:53:12,160
Speaker 1: take your fitness. Like dope community built the whole community

2966
02:53:12,760 --> 02:53:15,800
Speaker 1: when when the quarantine and niggas couldn't really go out,

2967
02:53:17,040 --> 02:53:21,160
Speaker 1: no buds. The world needs More Skills one of my

2968
02:53:21,280 --> 02:53:26,360
Speaker 1: favorite albums. Uh. I wrote the song called Celebrate Life.

2969
02:53:26,400 --> 02:53:28,080
Speaker 1: That was for Ross. I don't even know if Ross

2970
02:53:28,160 --> 02:53:29,960
Speaker 1: ever heard it. But if you hear, if you hit

2971
02:53:30,000 --> 02:53:33,840
Speaker 1: the song now, can't you can't see you? What do

2972
02:53:33,920 --> 02:53:36,160
Speaker 1: you mean? I mean it was more than one Ross

2973
02:53:36,200 --> 02:53:39,720
Speaker 1: in the world. The way you made that you just

2974
02:53:40,200 --> 02:53:44,080
Speaker 1: just no, no no for the the hook. I was

2975
02:53:44,120 --> 02:53:47,520
Speaker 1: trying to be Rose. I don't know if he ever

2976
02:53:47,640 --> 02:53:49,280
Speaker 1: heard it, but it was for him, but I ended

2977
02:53:49,320 --> 02:53:53,879
Speaker 1: up keeping it from myself. Um. Craziest song called Celebrate Life.

2978
02:53:54,560 --> 02:53:57,440
Speaker 1: Shot the video in in Vegas when I was on

2979
02:53:57,560 --> 02:53:59,920
Speaker 1: Told with Jeff. Shot the video on Vegas with my

2980
02:54:00,080 --> 02:54:03,879
Speaker 1: man Christopher Schaefer. Ship costs like four hundred dollars. Ship

2981
02:54:03,959 --> 02:54:07,760
Speaker 1: looked like a fucking he doesn't know why he doesn't

2982
02:54:07,760 --> 02:54:09,960
Speaker 1: speak the job. Jeff no more no no, I was

2983
02:54:10,040 --> 02:54:15,640
Speaker 1: here guy. Yeah. Uh it last it last album. Um.

2984
02:54:16,400 --> 02:54:19,000
Speaker 1: I love the songs and it just made sense to

2985
02:54:19,080 --> 02:54:22,560
Speaker 1: making at the time. Okay, Thoughts Become Things that was

2986
02:54:22,560 --> 02:54:25,560
Speaker 1: supposed to be my last album. It was not. It

2987
02:54:25,720 --> 02:54:33,480
Speaker 1: was not Thoughts Become Things was more so me saying

2988
02:54:33,600 --> 02:54:35,640
Speaker 1: this is this is my black album. I want some

2989
02:54:35,720 --> 02:54:39,360
Speaker 1: whole ship my mouth after this did it? She was dope.

2990
02:54:39,400 --> 02:54:43,039
Speaker 1: I put it out myself. Um. One of the crazy

2991
02:54:43,120 --> 02:54:45,760
Speaker 1: things about the album is as a kid, I'm on

2992
02:54:45,879 --> 02:54:48,240
Speaker 1: the cover of the album sitting on the floor watching

2993
02:54:48,640 --> 02:54:52,840
Speaker 1: Run DMC on TV Fluence first niggas that made me

2994
02:54:53,000 --> 02:54:58,760
Speaker 1: want to get into the game. My didis suck MC

2995
02:54:59,040 --> 02:55:03,280
Speaker 1: changed my life. Yeah, I'm saying, Um, Run and d

2996
02:55:03,520 --> 02:55:06,600
Speaker 1: had to be the coolest niggers in the world. One

2997
02:55:06,680 --> 02:55:09,480
Speaker 1: time I wanted to beat the ship out of Run,

2998
02:55:10,080 --> 02:55:17,200
Speaker 1: but that's a whole story. And rever Run did me

2999
02:55:17,320 --> 02:55:19,360
Speaker 1: so dirty one time. You're gonna have to say it.

3000
02:55:19,440 --> 02:55:37,640
Speaker 1: Can't tell you that you people on the buffet, we

3001
02:55:37,800 --> 02:55:41,280
Speaker 1: need thirteen years old. I'm in favor of North Carolina.

3002
02:55:41,440 --> 02:55:43,560
Speaker 1: I mean, run DMC at a record store. I wait

3003
02:55:43,640 --> 02:55:47,840
Speaker 1: all day, Right, DMC, show up pictures on my grand niggas,

3004
02:55:48,000 --> 02:55:51,480
Speaker 1: Run DMC, show up, Run d J Amazing. I'm in

3005
02:55:51,560 --> 02:55:54,400
Speaker 1: the breakdance group with my cousin and his sister Ship

3006
02:55:54,520 --> 02:56:00,320
Speaker 1: crazy me. Run DMC take a picture twenty at ten whatever.

3007
02:56:00,440 --> 02:56:03,120
Speaker 1: Years later, I'm on raucous high the Mighty and I

3008
02:56:03,240 --> 02:56:06,279
Speaker 1: saw the most death called b boy document ships Popper.

3009
02:56:06,480 --> 02:56:09,560
Speaker 1: Remember when Cool used to do those those cigarette parties

3010
02:56:09,560 --> 02:56:11,600
Speaker 1: where they had to they had to have a party

3011
02:56:11,640 --> 02:56:21,360
Speaker 1: to every they would have a comedian, they would have

3012
02:56:21,400 --> 02:56:29,640
Speaker 1: a comedian, rap artists, a fucking graffiti. They it. I'm

3013
02:56:29,680 --> 02:56:32,640
Speaker 1: on the shiet the most Death High. The Mighty Rue

3014
02:56:32,760 --> 02:56:35,080
Speaker 1: DFC is closing out the build Virginia Beach. I'm down

3015
02:56:35,160 --> 02:56:37,720
Speaker 1: in with for Reldon from I came to them telling

3016
02:56:37,720 --> 02:56:40,280
Speaker 1: the story. I see this nigga run on the side

3017
02:56:40,280 --> 02:56:42,720
Speaker 1: of the stage. I walk up to the nigga, I said, Yo,

3018
02:56:42,800 --> 02:56:45,120
Speaker 1: my nigga, my name Mad Skills. I met you when

3019
02:56:45,160 --> 02:56:48,440
Speaker 1: I was thirteen years on Favored, North Carolina. I love you, man,

3020
02:56:48,600 --> 02:56:51,680
Speaker 1: like listen, you changed my life. I'm a rapper. I'm

3021
02:56:53,160 --> 02:56:56,800
Speaker 1: the field. This field is too long, I said, yo.

3022
02:56:57,280 --> 02:56:59,480
Speaker 1: I said, I just got this thing. I just like

3023
02:56:59,600 --> 02:57:02,240
Speaker 1: shaking wrap his hands with with the hands that I

3024
02:57:02,360 --> 02:57:04,400
Speaker 1: write my proms with. My nigga, thank you so much,

3025
02:57:04,480 --> 02:57:06,600
Speaker 1: And they tap me on the shoulder. Nig said, that's

3026
02:57:06,600 --> 02:57:13,160
Speaker 1: what something like, I'm like this. He left you. I said,

3027
02:57:13,200 --> 02:57:20,520
Speaker 1: oh right, he was. He was a dick at of

3028
02:57:20,600 --> 02:57:22,879
Speaker 1: eighty five when I met him. But the house thirteen

3029
02:57:23,160 --> 02:57:26,200
Speaker 1: didn't matter. It was running first. Can you forget it?

3030
02:57:26,320 --> 02:57:30,600
Speaker 1: The same second time I met him. I shock, he's

3031
02:57:30,640 --> 02:57:35,000
Speaker 1: the reverend. They ain't shake it fast fool, you're showing

3032
02:57:35,040 --> 02:57:41,480
Speaker 1: not a German phone of the funk, all that fast fools.

3033
02:57:42,200 --> 02:57:44,480
Speaker 1: Black Thought calls me say, yo, I need you to

3034
02:57:44,600 --> 02:57:47,760
Speaker 1: help me. Come to in New York. No, no, no,

3035
02:57:48,040 --> 02:57:49,840
Speaker 1: come to New York and do this. Help me out

3036
02:57:49,840 --> 02:57:51,880
Speaker 1: on the handems we're doing the show for super When

3037
02:57:51,920 --> 02:57:54,240
Speaker 1: the super Bowl was in New York, I said, I

3038
02:57:54,440 --> 02:57:57,120
Speaker 1: bet he said, Yo. They called me, they fly me in.

3039
02:57:57,600 --> 02:58:00,400
Speaker 1: I got I brought a brand new five D camera.

3040
02:58:00,920 --> 02:58:03,160
Speaker 1: I'm like, yeah, I got my five D camera. All

3041
02:58:03,240 --> 02:58:07,240
Speaker 1: my hip hop legends are perform the right. Pete Rock,

3042
02:58:07,360 --> 02:58:10,120
Speaker 1: Cel I don't know that they're not cool. I don't care.

3043
02:58:10,360 --> 02:58:14,480
Speaker 1: Dayl So still cool, nor anybody nature they be No No,

3044
02:58:14,680 --> 02:58:17,040
Speaker 1: Vinnie Vinnie and trucks like that. You don't know that

3045
02:58:17,160 --> 02:58:22,520
Speaker 1: day not cool. Super Bowl It listen to the Super

3046
02:58:22,600 --> 02:58:26,960
Speaker 1: Bowl The Roots Present hip Hop featuring Run DMC featuring

3047
02:58:27,040 --> 02:58:30,160
Speaker 1: Pete Rock and Cel Smooth featuring Douggie Fresh as Slick

3048
02:58:30,240 --> 02:58:34,000
Speaker 1: Rick featuring Daylight Soul and featuring Jim Joney. How to

3049
02:58:34,040 --> 02:58:37,360
Speaker 1: get to New York because the Super bowls in New

3050
02:58:37,440 --> 02:58:47,040
Speaker 1: York it's freezing fucking I get to the vine, get good, good,

3051
02:58:47,440 --> 02:58:51,920
Speaker 1: I get to the venue. It's everybody's backstage. Ship's crazy,

3052
02:58:52,120 --> 02:58:55,920
Speaker 1: Ship's super wild, right, I'm liker bet I see ed Love,

3053
02:58:56,040 --> 02:58:58,440
Speaker 1: I see I s T Coco. It's it's it's this,

3054
02:58:58,760 --> 02:59:01,240
Speaker 1: I see fucking ed Love. This ship is New York

3055
02:59:01,320 --> 02:59:04,480
Speaker 1: and this essays freezing outside. They got some sins the same.

3056
02:59:04,560 --> 02:59:08,000
Speaker 1: The third all my hip hop heros Or performed. Douggy

3057
02:59:08,080 --> 02:59:10,760
Speaker 1: Fresh performs with Slick Rick. They do the fucking show.

3058
02:59:10,840 --> 02:59:14,840
Speaker 1: I'm bucking. Daly I Sold performs, They Still Cool, Pete Rocket,

3059
02:59:14,920 --> 02:59:20,360
Speaker 1: Cel Smooth perform, Villian tracks, and KG performed Ship's Crazy Run.

3060
02:59:20,520 --> 02:59:23,320
Speaker 1: DMZ performs I'm like, no, nigga, I'm going in the

3061
02:59:23,440 --> 02:59:26,720
Speaker 1: front with my camp. I gotta get this ship. He

3062
02:59:26,879 --> 02:59:31,200
Speaker 1: shitting on. I'm like, Nigga, I gotta get this ship. Nigga.

3063
02:59:31,280 --> 02:59:33,360
Speaker 1: I go to the front. D Nice with me, Deep

3064
02:59:33,480 --> 02:59:36,000
Speaker 1: Nice sitting next to me because he this is when

3065
02:59:36,040 --> 02:59:38,720
Speaker 1: he earned it with the term sho s D Knix.

3066
02:59:39,040 --> 02:59:43,720
Speaker 1: We sitting in the paparazzi pit backtrack. I'm backstage. Or

3067
02:59:43,800 --> 02:59:45,840
Speaker 1: DJ walks up to me, said, Yo, my nigga, I'm

3068
02:59:45,879 --> 02:59:47,440
Speaker 1: a fan. My nigga. I used to bang your ship

3069
02:59:47,520 --> 02:59:50,360
Speaker 1: in college. My name is Charlie chan I DJ for

3070
02:59:50,480 --> 02:59:53,240
Speaker 1: d M d MC. I said, that's just up appreciated

3071
02:59:53,280 --> 02:59:56,560
Speaker 1: my nigga. The ground was new. Twitter was popping, the

3072
02:59:56,640 --> 02:59:59,560
Speaker 1: brand was new. Nigga takes a picture with me a

3073
02:59:59,720 --> 03:00:01,800
Speaker 1: me you posted to the ground. I'm like, oh, she

3074
03:00:02,040 --> 03:00:03,920
Speaker 1: just need a really a fan da, that's the dope.

3075
03:00:04,640 --> 03:00:07,879
Speaker 1: Fast forward, I'm in the I'm in the pit watching bread.

3076
03:00:07,959 --> 03:00:14,480
Speaker 1: DMC performed film with Muhammad. Nigga got done, they got

3077
03:00:14,560 --> 03:00:16,760
Speaker 1: two d J jam mssing day, God bless your dad.

3078
03:00:16,879 --> 03:00:19,520
Speaker 1: J MR Dad passed away. D J rukis is with

3079
03:00:19,920 --> 03:00:22,880
Speaker 1: run d J Charlie shand then they got took a

3080
03:00:22,920 --> 03:00:25,680
Speaker 1: picture with earlier. It's with DMC. I'm in the crowd

3081
03:00:25,760 --> 03:00:29,040
Speaker 1: performing watching the ship, got my candy reforming. No, no, no,

3082
03:00:29,160 --> 03:00:33,680
Speaker 1: I'm in the crowd. Fuck up. Maybe it's the brother crowd.

3083
03:00:34,000 --> 03:00:37,840
Speaker 1: I'm in the crowd with my five d can right

3084
03:00:37,879 --> 03:00:42,720
Speaker 1: the crowd run filming ring DMC. These niggas hard time

3085
03:00:42,959 --> 03:00:45,160
Speaker 1: walk this way this that In the third the nigga

3086
03:00:45,280 --> 03:00:48,480
Speaker 1: d MS. The nigga run takes his motherfucking hat off

3087
03:00:48,879 --> 03:00:52,000
Speaker 1: and says Joe who's the biggest run DMC fan and

3088
03:00:52,040 --> 03:00:55,160
Speaker 1: this motherfucker to night this corporate, it's the roots, it's

3089
03:00:55,240 --> 03:01:00,080
Speaker 1: bud Wis, it's corporate. I'm like, has d taste it

3090
03:01:00,160 --> 03:01:03,320
Speaker 1: off and the door. I'm gonna get this hat to

3091
03:01:03,400 --> 03:01:08,160
Speaker 1: the biggest run DMC fans back. I'm like nigga, I'm looking.

3092
03:01:08,240 --> 03:01:09,600
Speaker 1: I've been on my I've been on my ship. I

3093
03:01:09,680 --> 03:01:11,600
Speaker 1: got a twelve and signed by met the Man Red Man.

3094
03:01:11,680 --> 03:01:13,520
Speaker 1: I got an ill maddic CAUSEPT that I bought off

3095
03:01:13,600 --> 03:01:16,320
Speaker 1: Hunting twenty five signed by nine. I'm on my ship

3096
03:01:18,640 --> 03:01:23,720
Speaker 1: setting this by he got he got hit, gotta setting

3097
03:01:23,720 --> 03:01:26,040
Speaker 1: list by Trump call quite signed by all four members.

3098
03:01:26,200 --> 03:01:29,000
Speaker 1: I'm gonna add this hat to my ship. I'm looking

3099
03:01:29,040 --> 03:01:32,440
Speaker 1: at this ship like Yo, this nigga. This nigga says, Yo,

3100
03:01:32,560 --> 03:01:35,280
Speaker 1: give me something, give me a silver shot. Somebody give

3101
03:01:35,320 --> 03:01:37,640
Speaker 1: me a silver shot. They bringing my shop. He nigga

3102
03:01:37,680 --> 03:01:41,120
Speaker 1: signs the hat. I'm watching this ship like nigga. If

3103
03:01:41,120 --> 03:01:45,480
Speaker 1: I get that fucking hat, get it happy. DMC Yo

3104
03:01:45,640 --> 03:01:48,840
Speaker 1: did signed the ship. Man sign the ship. D DNC

3105
03:01:49,160 --> 03:01:52,160
Speaker 1: signs the hat. I'm like nigga, when I put I

3106
03:01:52,160 --> 03:01:54,160
Speaker 1: don't know, I don't please just sing this shot for you, Jo,

3107
03:01:55,480 --> 03:01:59,640
Speaker 1: who got who got that? Nigga? So this is a

3108
03:01:59,680 --> 03:02:04,640
Speaker 1: bill up. I'm gon who got If I get that

3109
03:02:04,760 --> 03:02:09,040
Speaker 1: fucking hat, I'm out the I'm out the game. This

3110
03:02:09,280 --> 03:02:12,920
Speaker 1: is the route Late Night with him fallis not the

3111
03:02:13,000 --> 03:02:17,120
Speaker 1: tonight show. Yet they're doing the they jay Leno still on.

3112
03:02:17,240 --> 03:02:19,640
Speaker 1: They're doing the ship after jay Leno Dame moved up.

3113
03:02:19,760 --> 03:02:22,960
Speaker 1: Yet the routes. Black Thought called me say, I need

3114
03:02:23,000 --> 03:02:24,880
Speaker 1: you to come down with these ad lite blah bo

3115
03:02:24,959 --> 03:02:27,879
Speaker 1: I do it run DMCs before run sign the hat,

3116
03:02:28,000 --> 03:02:31,039
Speaker 1: D sign the hat. He like, YO did some rock

3117
03:02:31,120 --> 03:02:33,879
Speaker 1: and roll Hall of Fame ship. Who is the biggest

3118
03:02:34,000 --> 03:02:37,760
Speaker 1: run DMC family here tonight? I'm seeing it going. I'm

3119
03:02:37,800 --> 03:02:40,400
Speaker 1: a thirteen year old kid in Fairville, North Carolina. I

3120
03:02:40,520 --> 03:02:43,920
Speaker 1: need that hat. I look at the DJ who took

3121
03:02:43,959 --> 03:02:46,040
Speaker 1: a picture with me for the Graham earlier. I say,

3122
03:02:46,080 --> 03:02:55,640
Speaker 1: yo family. Nigga says it's because the DJ go Charlie said,

3123
03:02:55,959 --> 03:02:59,160
Speaker 1: he goes, I got you skills mouse it to me.

3124
03:02:59,200 --> 03:03:00,760
Speaker 1: He don't say it. No, my he mouthed to me.

3125
03:03:00,840 --> 03:03:03,800
Speaker 1: I'm like, oh, nigga, man, run walking back and forth

3126
03:03:03,879 --> 03:03:07,640
Speaker 1: and stage with the happen. Who is the biggest run

3127
03:03:07,760 --> 03:03:10,960
Speaker 1: DMC fan in here tonight, Charlie Chad tapped the mike, Yo,

3128
03:03:11,160 --> 03:03:14,680
Speaker 1: run you're gonna up my nigga. Yo. I think I

3129
03:03:14,800 --> 03:03:17,400
Speaker 1: know who the biggest run DMC fan is. Yo. Who

3130
03:03:17,480 --> 03:03:19,960
Speaker 1: that Yo? It's my man Mad Skills right there in

3131
03:03:20,000 --> 03:03:23,480
Speaker 1: the front row. That's the biggest run DMC fan. I said,

3132
03:03:23,600 --> 03:03:28,360
Speaker 1: Oh ship, the nigga goes. I know you ain't get

3133
03:03:28,400 --> 03:03:31,080
Speaker 1: it right there. The nigg don't know who I am.

3134
03:03:31,120 --> 03:03:34,440
Speaker 1: I'm not expecting no I am. Nigga. Run goes who

3135
03:03:35,600 --> 03:03:38,640
Speaker 1: he said. He says it again, Yo, my nigga Mad

3136
03:03:38,720 --> 03:03:41,280
Speaker 1: Skills in the front row, black hat right there. That's

3137
03:03:41,280 --> 03:03:44,560
Speaker 1: the biggest RUNC fan. I know my nigga. The nigga goes,

3138
03:03:44,760 --> 03:03:48,880
Speaker 1: run goes and the nigga ain't no fan of nigga working.

3139
03:03:49,120 --> 03:03:57,080
Speaker 1: Like I said, biggest one. What I listen, I gonna

3140
03:04:00,120 --> 03:04:03,400
Speaker 1: yeah you hit d Nice and all of the Poplar

3141
03:04:03,480 --> 03:04:08,800
Speaker 1: riz Yo d Knights, all the poplar Rizzi go. I

3142
03:04:08,920 --> 03:04:10,880
Speaker 1: put the I put the kaplins on the on the

3143
03:04:11,000 --> 03:04:13,480
Speaker 1: on the camera. I closed the camera cart the camera.

3144
03:04:13,640 --> 03:04:15,879
Speaker 1: I walked back to the side of the stage. They're

3145
03:04:15,920 --> 03:04:17,840
Speaker 1: like yo. I walked up to the side of the stage.

3146
03:04:17,879 --> 03:04:19,840
Speaker 1: I got my past. I'm on the side of the stage.

3147
03:04:19,840 --> 03:04:22,600
Speaker 1: We get him. See performing there, I'm pacing back and

3148
03:04:22,720 --> 03:04:25,560
Speaker 1: forth his kids. His kids are right in front of me.

3149
03:04:25,840 --> 03:04:30,199
Speaker 1: Jeff Daylick soul. But fucking see how smooth I'm pasting.

3150
03:04:30,600 --> 03:04:33,920
Speaker 1: They're like like Yo, I said, Yo, I'm pacing. I'm

3151
03:04:33,920 --> 03:04:39,880
Speaker 1: gonna I'm smacking ship out of him. Nigga, I'm gonna

3152
03:04:39,920 --> 03:04:42,279
Speaker 1: know Rod Rod Nigga. Niggas don't even see I'm pacing

3153
03:04:42,800 --> 03:04:47,080
Speaker 1: niggas like Jazzy. Jeff goes Yo, skills you good. I said, Yo,

3154
03:04:47,120 --> 03:04:51,000
Speaker 1: I'm gonna smacking ship out there, nigga. Bro. Niggas like no, no, no,

3155
03:04:51,080 --> 03:04:53,520
Speaker 1: no no. I said, no, Bro, he hadn't do that. Bro.

3156
03:04:53,800 --> 03:04:56,080
Speaker 1: He said, you're working. He said they they don't working.

3157
03:04:56,240 --> 03:04:59,720
Speaker 1: But what mean they looking? They because I had a

3158
03:04:59,800 --> 03:05:06,240
Speaker 1: ca I remember he goes skills you good. I said, Yo,

3159
03:05:06,560 --> 03:05:08,320
Speaker 1: I want this. I want his kids to hear me.

3160
03:05:08,879 --> 03:05:11,080
Speaker 1: I said, when I see that nigga, I'm gonna snack

3161
03:05:11,160 --> 03:05:17,440
Speaker 1: the ship. Black story. Black boy sees me goes, Yo,

3162
03:05:17,520 --> 03:05:19,959
Speaker 1: You're good. I said, not Bro, fun that nigga. Bro.

3163
03:05:20,120 --> 03:05:22,760
Speaker 1: I'm trying. I'm trying to be loud. I wanted niggas

3164
03:05:22,800 --> 03:05:27,200
Speaker 1: to hit me. You're like raw raw, Like yeah. Now,

3165
03:05:27,680 --> 03:05:30,200
Speaker 1: Black Thought comes over to me, said, skills, what are

3166
03:05:30,240 --> 03:05:33,160
Speaker 1: you doing? I said, Reek because I called him to Reek.

3167
03:05:33,240 --> 03:05:35,920
Speaker 1: I said, Reek, I'm gonna smack ship out that nigga

3168
03:05:35,920 --> 03:05:38,000
Speaker 1: when he come off stage. Bro, he's the skills. You

3169
03:05:38,080 --> 03:05:40,240
Speaker 1: can't do that. I said, why the funk not Bro?

3170
03:05:41,000 --> 03:05:43,400
Speaker 1: He said, the skills core? Bro, this my shirt. I said,

3171
03:05:43,440 --> 03:05:46,560
Speaker 1: funk that Reek. That nigga, Yo, that's the third time

3172
03:05:46,600 --> 03:05:51,440
Speaker 1: I nigga to play. You know he skill this Nigga

3173
03:05:51,520 --> 03:05:53,480
Speaker 1: reached on to talk to him. Me. He never sing.

3174
03:05:53,600 --> 03:05:56,000
Speaker 1: I know Black Thought twenty years, he never seen me

3175
03:05:56,040 --> 03:05:58,120
Speaker 1: act like this, and they're like, Yo, skills, I'm not

3176
03:05:58,240 --> 03:06:00,000
Speaker 1: some words for you. I said, what, he's a nigga,

3177
03:06:00,240 --> 03:06:06,119
Speaker 1: NBC Jimmy Fallon digga. But like meanwhile, a white bits

3178
03:06:06,200 --> 03:06:07,920
Speaker 1: got the hat. You don't even know what the run

3179
03:06:08,000 --> 03:06:13,920
Speaker 1: dmc me. He said, skills, you can't do that. I said, Bro,

3180
03:06:14,120 --> 03:06:17,240
Speaker 1: when I see when run finishes, weren't want to smack

3181
03:06:17,320 --> 03:06:20,320
Speaker 1: the ship out of him. Then he turns around like

3182
03:06:21,959 --> 03:06:24,360
Speaker 1: like Nigga, niggas ain't gonna smack He hurt you like

3183
03:06:24,480 --> 03:06:26,520
Speaker 1: I can't remember it was Da Jojo was one of them.

3184
03:06:26,640 --> 03:06:28,920
Speaker 1: Like Nick, Nick ain't gonna smacks my dad. I'm not

3185
03:06:29,000 --> 03:06:31,600
Speaker 1: getting what run coming like nigga. They took me off

3186
03:06:31,680 --> 03:06:34,520
Speaker 1: the stage, put me in a room in the back,

3187
03:06:34,879 --> 03:06:38,000
Speaker 1: had security with me and kept me there, and so

3188
03:06:38,200 --> 03:06:41,240
Speaker 1: run dmc got off the stage. I've never told the

3189
03:06:41,320 --> 03:06:44,720
Speaker 1: story in my life. I was gonna save it for

3190
03:06:44,800 --> 03:06:54,000
Speaker 1: the book. Every time I met and Queen's is the

3191
03:06:54,080 --> 03:06:57,280
Speaker 1: best burrow for rappings. But every time I met that

3192
03:06:57,520 --> 03:07:00,520
Speaker 1: nigga run from run dmc heat treat me like a

3193
03:07:00,680 --> 03:07:04,880
Speaker 1: piece of ship, and I almost beat his ass at

3194
03:07:04,959 --> 03:07:13,920
Speaker 1: the team fucking shot no right, I love you, but

3195
03:07:14,080 --> 03:07:17,240
Speaker 1: every time I met you, you treated me like ship.

3196
03:07:18,120 --> 03:07:22,760
Speaker 1: It changes the It changes the perspective of two years ago.

3197
03:07:23,200 --> 03:07:27,680
Speaker 1: A friend of my fucking like yo. I don't know

3198
03:07:27,760 --> 03:07:30,280
Speaker 1: if he was in a bad move. I think it's rooting.

3199
03:07:30,320 --> 03:07:34,080
Speaker 1: I run didn't see prospects. It's in a bad move.

3200
03:07:34,959 --> 03:07:38,920
Speaker 1: But every time I met him, every time I met him, Bro,

3201
03:07:39,080 --> 03:07:42,680
Speaker 1: he treated me bad and I never forgotten, to the

3202
03:07:42,800 --> 03:07:45,000
Speaker 1: point that I was almost ready to throw hands with him.

3203
03:07:46,720 --> 03:07:49,880
Speaker 1: And he probably has no clue, never knew, But damn, Bro,

3204
03:07:50,280 --> 03:07:52,440
Speaker 1: I was. I met you in our third team, and

3205
03:07:52,560 --> 03:07:54,480
Speaker 1: I loved you, and every time I met you, you

3206
03:07:54,640 --> 03:08:02,880
Speaker 1: treating me like ship you got people. Yeah, he just

3207
03:08:03,600 --> 03:08:06,280
Speaker 1: he just took the kick with that. But they say

3208
03:08:06,320 --> 03:08:08,280
Speaker 1: they say, never meet your hero roes Man because you

3209
03:08:09,600 --> 03:08:11,880
Speaker 1: never fleet your hair ros because they're gonna remix your

3210
03:08:11,879 --> 03:08:15,240
Speaker 1: whole deal with him. I probably got curved before by hero.

3211
03:08:15,440 --> 03:08:17,960
Speaker 1: I can't got curve about Noriega. Maybe I don't know

3212
03:08:19,920 --> 03:08:25,280
Speaker 1: the sacred thing, but not nor I see you curb

3213
03:08:25,320 --> 03:08:28,360
Speaker 1: a couple of niggas in v A cur I'm pretty

3214
03:08:28,400 --> 03:08:35,160
Speaker 1: curve balls. Yeah, a couple of niggas at the height

3215
03:08:35,240 --> 03:08:39,440
Speaker 1: of super thumb. Yeah, never last last more people go

3216
03:08:39,520 --> 03:08:41,920
Speaker 1: on me let me relaxt. No, you're not a couple

3217
03:08:41,920 --> 03:08:45,200
Speaker 1: of niggs. Yeah. I mean it's crazy man, one of

3218
03:08:45,280 --> 03:08:50,320
Speaker 1: the illiests. No, no, don't tell that story. No, no,

3219
03:08:51,440 --> 03:08:57,760
Speaker 1: I told mine. No, huh, I would say that was crazy.

3220
03:08:58,040 --> 03:09:01,280
Speaker 1: That's a great story. But you know we're gonna do.

3221
03:09:01,360 --> 03:09:03,600
Speaker 1: We're gonna bring guys together here. I'll drink Champs. I

3222
03:09:03,640 --> 03:09:06,199
Speaker 1: would love to just hug. He's gonna break is Jase

3223
03:09:08,120 --> 03:09:13,880
Speaker 1: gonna be jasse Jack? Give me jazz Ja. When you

3224
03:09:14,000 --> 03:09:16,200
Speaker 1: cooling yourself, I want you to give yourself the ball

3225
03:09:16,680 --> 03:09:19,880
Speaker 1: like it plops us. Y'all best friends. So when you

3226
03:09:20,000 --> 03:09:23,080
Speaker 1: google me, it comes up me and Jazz as best

3227
03:09:23,080 --> 03:09:26,560
Speaker 1: At first. I wish we were, but that's fat. Like

3228
03:09:26,640 --> 03:09:28,680
Speaker 1: I said, you call him right now, I'll speak. I

3229
03:09:28,760 --> 03:09:34,760
Speaker 1: think we should call j Jeff. Don't come on when

3230
03:09:34,800 --> 03:09:37,200
Speaker 1: you might, You're nothing. See how this works? Come on,

3231
03:09:37,400 --> 03:09:45,520
Speaker 1: I think, yeah, Para, now you want to let's see this.

3232
03:09:45,640 --> 03:09:52,920
Speaker 1: Jazz and Jack really a little jack jaw try bird Man.

3233
03:09:53,400 --> 03:10:12,520
Speaker 1: Let's just I would not call. I only got emails.

3234
03:10:12,560 --> 03:10:15,400
Speaker 1: Sorry email, I don't even know if I had him.

3235
03:10:15,480 --> 03:10:17,320
Speaker 1: Come on, let's see. Let's see that. You call him

3236
03:10:17,320 --> 03:10:20,200
Speaker 1: man call because we don't make sense. You gotta make

3237
03:10:20,280 --> 03:10:22,560
Speaker 1: sense of its trading places right now. You gotta help

3238
03:10:22,640 --> 03:10:25,840
Speaker 1: us out. I don't even know what's the next question.

3239
03:10:28,600 --> 03:10:30,480
Speaker 1: I got. The next one dogs me a couple of

3240
03:10:30,520 --> 03:10:32,880
Speaker 1: things we already were talking to about Dad, all right.

3241
03:10:32,920 --> 03:10:37,199
Speaker 1: The last one Aden Virginia. We're big listen, Big Dog

3242
03:10:37,800 --> 03:10:39,960
Speaker 1: one of the best down the phone, call M I

3243
03:10:39,959 --> 03:10:47,080
Speaker 1: don't have his number, Bing Dog. Let me see bing Dog. Uh.

3244
03:10:48,240 --> 03:10:50,240
Speaker 1: One of the best producers I've met in my life.

3245
03:10:50,920 --> 03:10:55,720
Speaker 1: And we made an album call Made in Virginia. And

3246
03:10:56,000 --> 03:10:59,640
Speaker 1: that nigga is amazing, and he don't get the credit.

3247
03:11:00,200 --> 03:11:02,720
Speaker 1: You know what I'm saying that he should. But wait,

3248
03:11:02,800 --> 03:11:06,600
Speaker 1: I do have jazz jas number whole type. You don't

3249
03:11:06,600 --> 03:11:09,800
Speaker 1: get the credit that he should. But Devil in a

3250
03:11:09,879 --> 03:11:15,560
Speaker 1: new dress. You meet him and her that bake, No,

3251
03:11:16,000 --> 03:11:20,120
Speaker 1: that's bike, it's definitely party. Are you at? I was

3252
03:11:20,160 --> 03:11:24,920
Speaker 1: somewhere else. Think if I think about Jazzy Jess Champ Champs,

3253
03:11:28,879 --> 03:11:37,119
Speaker 1: that's Devils lights camera action. You meet him and her

3254
03:11:37,840 --> 03:11:43,480
Speaker 1: whole monster beans. And when they talk about the blue print,

3255
03:11:43,600 --> 03:11:49,840
Speaker 1: they always talk about just they always talk about yeah, good, yeah, biggest,

3256
03:11:51,200 --> 03:11:53,920
Speaker 1: that's my brother. The rule is back all I need

3257
03:11:54,520 --> 03:11:57,879
Speaker 1: all of that, Like the nigger is a fucking problem man.

3258
03:11:58,520 --> 03:12:01,920
Speaker 1: And that's what I heard. Hustler won not hunted Hustler

3259
03:12:05,360 --> 03:12:07,640
Speaker 1: like all of the name dog ship, I got love

3260
03:12:08,280 --> 03:12:17,000
Speaker 1: corrupt fucking like big yes a pause, yeah, oh pause,

3261
03:12:18,760 --> 03:12:22,800
Speaker 1: I understand. Put some respect on my brother's name, giving

3262
03:12:22,840 --> 03:12:30,520
Speaker 1: up a big dog a big tape real quick. And

3263
03:12:30,520 --> 03:12:32,320
Speaker 1: then were gonna get about here. And then we called

3264
03:12:32,400 --> 03:12:38,880
Speaker 1: Jase Jeff can wait for that ship. Let's see, let's

3265
03:12:38,879 --> 03:12:44,200
Speaker 1: put a face face the probably won't pick up faces

3266
03:12:44,520 --> 03:12:48,160
Speaker 1: respectfully I would pick a face ring. He might be black,

3267
03:12:48,400 --> 03:12:54,560
Speaker 1: I might be black. Let's let's say something. Appreciate something,

3268
03:12:54,600 --> 03:13:10,840
Speaker 1: appreciate we face something. Let's see with the cara. Let's

3269
03:13:10,840 --> 03:13:18,720
Speaker 1: go let Jazzy Jay Jasmin. Listen. Man, when we google masks,

3270
03:13:19,000 --> 03:13:22,320
Speaker 1: we see that two brothers was together on tour forever.

3271
03:13:22,920 --> 03:13:25,440
Speaker 1: You don't understand wh we don't see y'all together. I

3272
03:13:25,600 --> 03:13:28,760
Speaker 1: asked him this question. He couldn't answer the question. So

3273
03:13:29,040 --> 03:13:33,440
Speaker 1: we want to ask you. Okay, you gotta carry what's

3274
03:13:33,480 --> 03:13:40,640
Speaker 1: going on? I'm okay. And you wouldn't pick the phone

3275
03:13:40,640 --> 03:13:43,400
Speaker 1: if you didn't funk with them, because obviously would do. Yeah,

3276
03:13:45,040 --> 03:13:51,200
Speaker 1: I got that. We need to see y'all to go

3277
03:13:51,440 --> 03:14:10,600
Speaker 1: lookin skills huh, and you ain't like that? This is okay.

3278
03:14:11,720 --> 03:14:18,880
Speaker 1: Worried about any other man on this plan. But what

3279
03:14:21,200 --> 03:14:24,720
Speaker 1: I'm talking on the mic now, I think skills DJ

3280
03:14:25,040 --> 03:14:31,280
Speaker 1: and I'm ready to sign that podcast whatever it's called.

3281
03:14:31,720 --> 03:14:38,600
Speaker 1: This is SI DJ shops up, so we might had

3282
03:14:38,680 --> 03:14:42,480
Speaker 1: to do. I'm back to back set. Hello, letta other

3283
03:14:43,120 --> 03:14:46,560
Speaker 1: y'all tell y'all need to make that right each other.

3284
03:14:46,840 --> 03:14:55,960
Speaker 1: Let's say you did you see I listen, hey, bro,

3285
03:14:56,160 --> 03:14:58,640
Speaker 1: they asked me I didn't know what to tell us.

3286
03:14:59,320 --> 03:15:03,400
Speaker 1: I'm fucked, Jel. I'm about to cry, but I love

3287
03:15:03,480 --> 03:15:07,160
Speaker 1: you man. I love you, Bro, thank you, thank you

3288
03:15:07,240 --> 03:15:10,680
Speaker 1: for everything you did for me. Man, and I just

3289
03:15:10,840 --> 03:15:21,120
Speaker 1: want to say thank you. Man with skills with thirteen

3290
03:15:21,240 --> 03:15:30,080
Speaker 1: years understand that dys we circle the glues. Listen, Man, hey, Bro,

3291
03:15:32,000 --> 03:15:44,840
Speaker 1: I'm want drink chips and I love you many good chips.

3292
03:15:45,440 --> 03:15:56,480
Speaker 1: Huh are you drinking on Janzy Jel? I'm je you

3293
03:15:56,640 --> 03:16:01,240
Speaker 1: know I cadn't drink man a Man. I love you Man.

3294
03:16:01,320 --> 03:16:03,600
Speaker 1: I'll call you afterwards. Man. It's just good to see

3295
03:16:03,640 --> 03:16:13,199
Speaker 1: your face. Man, Absolutely all right. I love you many chance.

3296
03:16:14,080 --> 03:16:17,959
Speaker 1: That's a Jake chances out there. That's what the about

3297
03:16:18,520 --> 03:16:19,880
Speaker 1: it for one more, because it's got to be the

3298
03:16:20,000 --> 03:16:23,080
Speaker 1: last question, because this is too much. This is too much.

3299
03:16:23,120 --> 03:16:25,600
Speaker 1: Is so great. That was amazing when we walked there

3300
03:16:25,640 --> 03:16:28,120
Speaker 1: and we talked about some real ship and you said

3301
03:16:28,160 --> 03:16:31,520
Speaker 1: you gotta d backstory. Oh yeah, yeah, yeah, we gotta

3302
03:16:31,560 --> 03:16:35,680
Speaker 1: get that. This is absolutely last question. Yo, You're a

3303
03:16:35,800 --> 03:16:42,720
Speaker 1: great man. That was that was god. Listen. You're an

3304
03:16:42,760 --> 03:16:46,520
Speaker 1: amazing podcast host. Okayea make seven. He just helping the listen.

3305
03:16:46,640 --> 03:16:52,680
Speaker 1: That's a seven years. I'm trying to get because that's

3306
03:16:53,920 --> 03:16:59,720
Speaker 1: we need those chance for radio. We haven't spoken seven years.

3307
03:17:07,480 --> 03:17:10,600
Speaker 1: That that's what we need. That's what drinks is about,

3308
03:17:10,879 --> 03:17:13,760
Speaker 1: dreams about Give me a motherfucker another shot. I can't.

3309
03:17:13,800 --> 03:17:21,800
Speaker 1: I can't retreat next summer. That's a clue. Man, so bad.

3310
03:17:21,959 --> 03:17:25,440
Speaker 1: I'm sorry, I'm sorry. So DX story. So I'm in

3311
03:17:25,600 --> 03:17:28,680
Speaker 1: I'm in Virginia. We had this club called twenty four

3312
03:17:28,760 --> 03:17:31,880
Speaker 1: South Union, might have been called Flavors. Uhcram come on

3313
03:17:34,879 --> 03:17:40,640
Speaker 1: and d NX has a show. I'm opening up. You know, Nick,

3314
03:17:40,680 --> 03:17:42,920
Speaker 1: it's still throwing me a bag for opening up. Dn

3315
03:17:42,959 --> 03:17:45,960
Speaker 1: MIX comes up and this was before, right before he

3316
03:17:46,040 --> 03:17:48,080
Speaker 1: had he had a case. I don't want to bring

3317
03:17:48,160 --> 03:17:49,480
Speaker 1: us up, but I'm gonna have to because it makes

3318
03:17:49,480 --> 03:17:51,880
Speaker 1: sense of the story. Somebody say he raped him or

3319
03:17:51,920 --> 03:17:54,600
Speaker 1: whatever whatever. I think he ended up getting clear. But

3320
03:17:54,680 --> 03:17:56,200
Speaker 1: it was a girl was like yo, he took it.

3321
03:17:56,440 --> 03:17:59,840
Speaker 1: You know. The DNAX had a case. I go, I

3322
03:18:00,400 --> 03:18:03,760
Speaker 1: I did the show. I fucking go to the airport

3323
03:18:03,800 --> 03:18:06,320
Speaker 1: the next morning, me, my my baby, mom and my daughter.

3324
03:18:07,520 --> 03:18:12,119
Speaker 1: DNMEX is white hot at the tom He's fucking insane.

3325
03:18:12,600 --> 03:18:14,720
Speaker 1: This is the year he had two albums number one

3326
03:18:14,760 --> 03:18:17,520
Speaker 1: the same. I get to the Hope, I get to

3327
03:18:17,600 --> 03:18:22,040
Speaker 1: the airport, I get to the gate, fucking dnmex of

3328
03:18:22,120 --> 03:18:24,440
Speaker 1: the gate sill. I just opened up for him, so

3329
03:18:24,480 --> 03:18:26,720
Speaker 1: I know you know where I am. I'm like, yo, ex,

3330
03:18:26,920 --> 03:18:32,040
Speaker 1: what's up? Dog? What's good? I'm like, oh, ship, what's up?

3331
03:18:32,080 --> 03:18:38,800
Speaker 1: He's like, bro, kill that ship last night? Thank you?

3332
03:18:39,400 --> 03:18:41,480
Speaker 1: Like yo, you know what I mean? Like you're going

3333
03:18:41,520 --> 03:18:43,280
Speaker 1: to New York. I said, y'all got a meeting up

3334
03:18:43,320 --> 03:18:46,680
Speaker 1: at rockets or whatever wherever I'm going, Like yo, oh

3335
03:18:46,800 --> 03:18:49,600
Speaker 1: that's good, ship man, Like fun with your ship, my nigga,

3336
03:18:49,920 --> 03:18:54,000
Speaker 1: Like we get to that. We had the gate, we're

3337
03:18:54,040 --> 03:18:56,360
Speaker 1: sitting at showing. I don't want to crowd the nigga.

3338
03:18:56,560 --> 03:18:59,800
Speaker 1: He buyse up like him, a security guard, maybe a DJ.

3339
03:19:01,400 --> 03:19:05,200
Speaker 1: Fucking the plane gets canceled. They're like flights canceled to

3340
03:19:05,400 --> 03:19:09,680
Speaker 1: Jeff Kes, like Yo, the fucking calling. Motherfucker's yo, I

3341
03:19:09,760 --> 03:19:11,080
Speaker 1: need to be on the next thing, Like I'm about

3342
03:19:11,080 --> 03:19:12,720
Speaker 1: to do the ship. You know how to be on set?

3343
03:19:12,760 --> 03:19:17,400
Speaker 1: And they're like, yo, whatever whatever. This is Virginia Richmond,

3344
03:19:17,600 --> 03:19:22,680
Speaker 1: Virginia Airport. D Mix goes. I called my baby moms,

3345
03:19:23,600 --> 03:19:25,840
Speaker 1: like yo, come back and get me. The flight delayed

3346
03:19:25,920 --> 03:19:27,760
Speaker 1: to like five. Me and DN Mix of the airport

3347
03:19:27,840 --> 03:19:31,000
Speaker 1: leven am. I said, Yo, the flight delayed to five,

3348
03:19:31,080 --> 03:19:32,840
Speaker 1: Come back and get me. She's like, i'mbody getting on

3349
03:19:32,840 --> 03:19:34,560
Speaker 1: the high and say, yo, circle back, come get me.

3350
03:19:35,360 --> 03:19:39,600
Speaker 1: She got my daughter in the car. Fucking she comes back.

3351
03:19:39,640 --> 03:19:42,520
Speaker 1: She's like, I'm out fronts like yo, she's about to

3352
03:19:42,560 --> 03:19:45,600
Speaker 1: do I said, yo, man, my baby, My baby mom said,

3353
03:19:46,120 --> 03:19:48,840
Speaker 1: my mother just go fucking waste some time to fucking

3354
03:19:49,000 --> 03:20:01,640
Speaker 1: five PM. Y'alls. I'm a roll baby. Maybe mom at

3355
03:20:01,680 --> 03:20:06,080
Speaker 1: a Ford expedition. Baby mom had afforded by mom had

3356
03:20:06,080 --> 03:20:08,800
Speaker 1: a Ford expedition. My daughter is in the back seat

3357
03:20:09,720 --> 03:20:12,000
Speaker 1: in the child seats. She comes back around the loop.

3358
03:20:12,640 --> 03:20:15,440
Speaker 1: He tells us DJ or whoever, y'all, I'll be back.

3359
03:20:15,520 --> 03:20:18,920
Speaker 1: They're like, damn actually gonna like yo, good, I'm fun

3360
03:20:19,000 --> 03:20:24,439
Speaker 1: with skills. My baby Mom's comes around me and DX.

3361
03:20:25,160 --> 03:20:27,920
Speaker 1: I get into passenger seat D and Mex gets into

3362
03:20:28,200 --> 03:20:32,680
Speaker 1: the passenger seat beside my door. I know, yo, axcess,

3363
03:20:32,720 --> 03:20:39,280
Speaker 1: my baby mom, Yo, how you doing? Oh? It's Mix.

3364
03:20:40,360 --> 03:20:42,680
Speaker 1: He's like, Yo, how you doing. Love. She's like He's like,

3365
03:20:43,040 --> 03:20:49,920
Speaker 1: sock my daughter sitting there. My daughter. She's old enough,

3366
03:20:50,040 --> 03:20:55,320
Speaker 1: she's three maybe four. I said, yo, you hungry. He said, yeah,

3367
03:20:55,360 --> 03:20:58,760
Speaker 1: Let's get some new I'm like, I bet true story.

3368
03:20:59,440 --> 03:21:03,560
Speaker 1: We stopped at a KFC. We go to KFC. It

3369
03:21:03,720 --> 03:21:05,440
Speaker 1: wasn't need cantank you for a chicken because I don't

3370
03:21:05,440 --> 03:21:07,040
Speaker 1: even know if they was calling the ship chicken at

3371
03:21:07,080 --> 03:21:12,520
Speaker 1: this point. They no, just KFC, it's the Curtiner. We

3372
03:21:12,560 --> 03:21:17,120
Speaker 1: don't have Kennedy. We get to the fucking ME and

3373
03:21:17,280 --> 03:21:22,800
Speaker 1: DMX walk into the fucking KFC. I'm like, yo, let

3374
03:21:22,840 --> 03:21:28,000
Speaker 1: me get a twelve piece. The girl was standing there like, no,

3375
03:21:28,240 --> 03:21:31,400
Speaker 1: y'all Nick, She's looking at it. She looking at me.

3376
03:21:31,480 --> 03:21:33,720
Speaker 1: I'm like, yo, let me get a twelve piece. You

3377
03:21:33,760 --> 03:21:36,879
Speaker 1: know what I'm saying, cold slaw, master potatoes and give

3378
03:21:36,920 --> 03:21:38,840
Speaker 1: me get some biscuits, candis and hot saw. She's like

3379
03:21:38,959 --> 03:21:43,240
Speaker 1: yeah sure. It's like, what do you have? Ex goes, yo,

3380
03:21:44,440 --> 03:21:47,720
Speaker 1: I want to get I want to get a piece.

3381
03:21:47,920 --> 03:22:00,840
Speaker 1: No skin, no skin of my Chicken's like she said,

3382
03:22:02,000 --> 03:22:05,280
Speaker 1: you don't want no skin on your chicken? No skin

3383
03:22:06,280 --> 03:22:13,360
Speaker 1: rich She goes she had heard his voice. She goes,

3384
03:22:13,720 --> 03:22:18,760
Speaker 1: oh shit, oh my Kennisha, Oh ship, Kendisha, come here,

3385
03:22:19,320 --> 03:22:25,000
Speaker 1: don't you say you want again a piece, No, nigga,

3386
03:22:25,080 --> 03:22:28,160
Speaker 1: we get a twelve piece. We get a twilt piece

3387
03:22:28,200 --> 03:22:31,520
Speaker 1: of a piece. Too fast to say those two fucking

3388
03:22:32,680 --> 03:22:35,360
Speaker 1: skin on that motherfuck nigga. The food comes out and

3389
03:22:35,520 --> 03:22:38,880
Speaker 1: she's like, oh my god, it's him. It's him. He's like, YO,

3390
03:22:39,200 --> 03:22:42,880
Speaker 1: appreciate you, Nigga. We eat the chicken. In the car.

3391
03:22:44,080 --> 03:22:46,120
Speaker 1: We're riding around. I don't know what the fund to

3392
03:22:46,200 --> 03:22:51,120
Speaker 1: do till five with MX just telling my baby mom, Yo,

3393
03:22:51,280 --> 03:22:56,640
Speaker 1: just ride around, my nigga. That's Ivory Street, this chore.

3394
03:22:56,959 --> 03:22:58,920
Speaker 1: This is the maze spot when Nigga's come to this

3395
03:22:59,040 --> 03:23:01,240
Speaker 1: to let out like nigga. We go back to the

3396
03:23:01,360 --> 03:23:04,760
Speaker 1: airport after the club, I mean, after the fucking after

3397
03:23:04,920 --> 03:23:08,600
Speaker 1: riding around. My baby Mom's like, my my daughter's wide

3398
03:23:08,640 --> 03:23:11,680
Speaker 1: and she recognized his voice. You know what I'm saying

3399
03:23:11,720 --> 03:23:14,800
Speaker 1: from from get at me, dogs, get at me dogs insane.

3400
03:23:14,840 --> 03:23:18,920
Speaker 1: At the time, my daughter's like she's tripping because she

3401
03:23:19,040 --> 03:23:23,400
Speaker 1: knows this is voice. We get to the airport. Back

3402
03:23:23,440 --> 03:23:25,920
Speaker 1: to the airport, DAMEX gets on the plane. I don't play.

3403
03:23:26,080 --> 03:23:29,120
Speaker 1: Small ship. We're flying from from from Richmonds in Virginia.

3404
03:23:29,200 --> 03:23:34,320
Speaker 1: Small ship sixteen passengers, quick, quick flip, yeah, quick, forty

3405
03:23:34,440 --> 03:23:38,359
Speaker 1: forty minute fly. I'm on the plane with fucking DMX

3406
03:23:38,400 --> 03:23:41,640
Speaker 1: and all these fucking businessmen that work in Virginia but

3407
03:23:41,760 --> 03:23:45,480
Speaker 1: live in New York. Ties suits the whole ship. I'm

3408
03:23:45,560 --> 03:23:51,320
Speaker 1: flying to New York JFK with DMX. We to a

3409
03:23:51,840 --> 03:23:54,880
Speaker 1: to be Ain't no first class because all this ship small.

3410
03:23:55,320 --> 03:23:59,080
Speaker 1: The nigga like, yeah, let's go. I said, you know what,

3411
03:23:59,080 --> 03:24:02,880
Speaker 1: I'm chilling, But was movie and ship hype? I said, word,

3412
03:24:02,920 --> 03:24:04,880
Speaker 1: what is it? Now? I don't know what he's gonna call?

3413
03:24:05,160 --> 03:24:07,760
Speaker 1: Nas is in it? You know it? Nas is in it?

3414
03:24:07,879 --> 03:24:12,200
Speaker 1: Sucking t BOS just this with me crazy. I'm embarrassed.

3415
03:24:13,120 --> 03:24:19,480
Speaker 1: I'm embarrassed because I'm like, it's me, DMX and twelve

3416
03:24:19,600 --> 03:24:24,640
Speaker 1: white businessman. This motherfucker's on the plane. Yeah you mean excess,

3417
03:24:26,879 --> 03:24:30,000
Speaker 1: you mean that's t BOS you know what I mean?

3418
03:24:30,080 --> 03:24:32,959
Speaker 1: And I'm just like, you know, he's talking so crazy.

3419
03:24:33,640 --> 03:24:37,640
Speaker 1: He tells me the whole premise of the movie. Now

3420
03:24:37,640 --> 03:24:41,600
Speaker 1: it's like two niggas, how do they getting money? Went

3421
03:24:41,640 --> 03:24:49,000
Speaker 1: out and again trying to the game, and at the end,

3422
03:24:49,360 --> 03:24:52,039
Speaker 1: the nigga they try to get the nigga that assassinated

3423
03:24:52,320 --> 03:24:54,240
Speaker 1: you know, what I mean one of the reference nigga

3424
03:24:54,240 --> 03:24:59,440
Speaker 1: won't do you know, I mean NASA, it's a it's

3425
03:24:59,480 --> 03:25:03,760
Speaker 1: a nig bucks bucks. And I'm just sitting there like, yo,

3426
03:25:03,879 --> 03:25:11,600
Speaker 1: why are you so loud? I fly JFK we fucking

3427
03:25:11,680 --> 03:25:14,240
Speaker 1: DMEX says, yo, you know, I mean I see you

3428
03:25:15,400 --> 03:25:19,400
Speaker 1: all day, you know, I mean with you. Two days later,

3429
03:25:20,200 --> 03:25:23,440
Speaker 1: d mix rap up you know what I'm saying, comes out,

3430
03:25:24,560 --> 03:25:27,000
Speaker 1: you know, but he got off. But the girl said

3431
03:25:27,160 --> 03:25:29,520
Speaker 1: girls trying to come up. She says some crazy ship

3432
03:25:29,520 --> 03:25:32,680
Speaker 1: about DMX. She comes out two days later and I'm

3433
03:25:32,720 --> 03:25:37,119
Speaker 1: just like, yo, it's just crazy. Ben Belly comes out

3434
03:25:37,200 --> 03:25:40,160
Speaker 1: and I'm like, that's the movie he was talking about.

3435
03:25:40,280 --> 03:25:42,880
Speaker 1: Oh you didn't cause yeah, you have no reference point, Buns.

3436
03:25:43,000 --> 03:25:47,920
Speaker 1: It sounds crazy. It's buns. It's t Bux and the

3437
03:25:48,000 --> 03:25:54,480
Speaker 1: ship ship and I'm just like swaying the ship. And

3438
03:25:54,520 --> 03:26:07,440
Speaker 1: then Belly comes out, WoT I can't no more? Get

3439
03:26:07,440 --> 03:26:10,480
Speaker 1: your shot, brother, get your shot, and then comes out,

3440
03:26:12,360 --> 03:26:14,320
Speaker 1: I'm sorry mass because you can't say you can't drink

3441
03:26:14,400 --> 03:26:16,080
Speaker 1: no more. You're gonna take one more drinking and say

3442
03:26:16,120 --> 03:26:18,720
Speaker 1: you can't drink that normal. That's it. It's a drink chat.

3443
03:26:22,360 --> 03:26:28,480
Speaker 1: You Pleasure, Drink Drink Chat Fraternity. I just want to

3444
03:26:28,520 --> 03:26:32,760
Speaker 1: say thank you. That's thanks for being open, thank you

3445
03:26:32,840 --> 03:26:37,760
Speaker 1: for you know this, this is what it is is. Oh,

3446
03:26:38,560 --> 03:26:41,840
Speaker 1: everybody in hip hop is a superhero. I believe that.

3447
03:26:42,240 --> 03:26:46,280
Speaker 1: So our job is to to to show that superheroes. Kate.

3448
03:26:46,959 --> 03:26:49,240
Speaker 1: I believe that our job to show that. Our job

3449
03:26:49,400 --> 03:26:52,520
Speaker 1: is to sit back there and even like you know,

3450
03:26:52,600 --> 03:26:57,720
Speaker 1: for poor righteous teachers to you know, you know, when

3451
03:26:57,800 --> 03:27:01,000
Speaker 1: little oozy work becomes a legend, job to sit there

3452
03:27:01,000 --> 03:27:05,680
Speaker 1: and say, wow, they're legend. I'm proud to prove and

3453
03:27:05,800 --> 03:27:10,640
Speaker 1: show to people who you are, how you are and

3454
03:27:10,800 --> 03:27:19,720
Speaker 1: what you are. Thank you, motherfucking legends. Let's do it.

3455
03:27:22,360 --> 03:27:24,760
Speaker 1: Thanks for joining us for another episode of Drink Champs,

3456
03:27:24,840 --> 03:27:27,400
Speaker 1: hosted by yours truly, d J E F and n

3457
03:27:27,480 --> 03:27:29,520
Speaker 1: O r E. Please make sure to follow us on

3458
03:27:29,560 --> 03:27:32,720
Speaker 1: all our socials. Let's add Drink Champs across all platforms

3459
03:27:33,240 --> 03:27:36,720
Speaker 1: at the Real Noriegon, I g at Noriega on Twitter,

3460
03:27:37,160 --> 03:27:40,120
Speaker 1: mine is at Who's Crazy on I g at d

3461
03:27:40,280 --> 03:27:42,840
Speaker 1: J E F N on Twitter, and most importantly, stay

3462
03:27:42,920 --> 03:27:45,879
Speaker 1: up to date with the latest releases, news and merch

3463
03:27:46,080 --> 03:27:52,080
Speaker 1: by going to drink Champs dot com. For more podcasts

3464
03:27:52,120 --> 03:27:56,360
Speaker 1: from my heart Radio, visit the iHeart Radio app, Apple podcast,

3465
03:27:56,560 --> 03:27:58,480
Speaker 1: or wherever you listen to your favorite shows.