WEBVTT - Kofi Kingston’s Gauntlet Match

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<v Speaker 1>What's up, everybody. It's Freddie Brents Jr. I haven't done

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<v Speaker 1>this before, but I'm gonna answer a question that I

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<v Speaker 1>got on Twitter that at first I just kind of

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<v Speaker 1>was like it was too hard to answer because it

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<v Speaker 1>was an artistic one. You got to kind of take

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<v Speaker 1>time with those I've had like a week with it

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<v Speaker 1>now and I think it was a good enough question

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<v Speaker 1>that we should talk about. And it was wrestlers that

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<v Speaker 1>became actors, um and why does it seem so hard

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<v Speaker 1>to make the transition? But yes, we're going to dive

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<v Speaker 1>into that a little bit. And this week we're going

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<v Speaker 1>to dive into the KOFEE Gauntlet match, and in two

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<v Speaker 1>different directions. One the one you saw on TV that

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<v Speaker 1>got him the opportunity for the World Championship, which he won,

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<v Speaker 1>and the origin of it, which was when I was

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<v Speaker 1>working there and it was the whole writing team, but

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<v Speaker 1>I remember I was the one who pitched it as

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<v Speaker 1>long as as well as the producers behind it, UH

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<v Speaker 1>Freebird and that lot. So we're gonna jump into that

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<v Speaker 1>because it was crazy watching it happen live. So without

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<v Speaker 1>further ado, here we go, now stuffing up to the mic,

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<v Speaker 1>the host of Wrestling with Freddie Freddie Prince June. All right,

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<v Speaker 1>I was up in my attic and a lot of

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<v Speaker 1>you if you listen to my old podcast with Josh Wolfe,

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<v Speaker 1>he calls it my gym Attic. And I was watching

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<v Speaker 1>an episode of I think it was Friday Night SmackDown

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<v Speaker 1>and the Kofi Kingston. This is years after, ten years

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<v Speaker 1>after I left the company, easily ten years. So not

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<v Speaker 1>only does he have to win all his matches in

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<v Speaker 1>a row, he can't lose any to earn his prize,

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<v Speaker 1>his title opportunity, and this is the w w E

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<v Speaker 1>World Championship, but he also has to win them all

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<v Speaker 1>in a row with no rest in between. And it's

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<v Speaker 1>the impossible challenge for the impossible prize, right, And anyone

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<v Speaker 1>who knew the business, there's no way they they thought

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<v Speaker 1>they were going to put the title on Kofi Kingston.

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<v Speaker 1>And then the New day comes around and it's sort

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<v Speaker 1>of re shapes and remolds him, and the hype and

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<v Speaker 1>the and the passion became very very real, and you

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<v Speaker 1>started to see, almost like in a Jeff Hardy way,

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<v Speaker 1>people believing in Kofe and and the crowds were hot,

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<v Speaker 1>and I'm watching this, and all of a sudden, I go,

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<v Speaker 1>holy crap, I think we wrote this. And I texted

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<v Speaker 1>my buddy who no longer worked at the company, or

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<v Speaker 1>maybe he did, but he was there when I was there,

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<v Speaker 1>and I said, oh my gosh, are you watching this

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<v Speaker 1>KOFE Gauntlet match? And he texted me back he goes, Dude,

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<v Speaker 1>we wrote this gauntlet match, and I've freaked out. I

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<v Speaker 1>was like, oh my god, I wonder if they're gonna

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<v Speaker 1>They're not gonna let him win. And all of a sudden,

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<v Speaker 1>he just wins match after match after match, and he

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<v Speaker 1>wins the whole thing, and he gets his title opportunity,

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<v Speaker 1>and then of I'm not connected to the to the

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<v Speaker 1>rest of the story and I have no knowledge of it.

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<v Speaker 1>But then he goes on to win the w w

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<v Speaker 1>E Championship, only to then lose it to the to

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<v Speaker 1>the treaded brock lessner Um a few months later. So

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<v Speaker 1>I'm watching this and I'm I just I have a

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<v Speaker 1>grin from ear to ear on my face. You would

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<v Speaker 1>have thought I was I was going back to Disneyland

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<v Speaker 1>for the first time since I was a little boy.

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<v Speaker 1>Like it was crazy watching the journey, the story that

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<v Speaker 1>they were telling in the ring that night with the

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<v Speaker 1>history involved. So now let's let's go back in time,

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<v Speaker 1>right like Wayne's World, and I'm at the company. I

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<v Speaker 1>barely have any gray hair at all. I was looking smooth,

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<v Speaker 1>and we come up with this idea for Kofe to

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<v Speaker 1>become Intercontinental Champion. I believe I think it was Intercontinental night.

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<v Speaker 1>It could have been the US title again, someone w

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<v Speaker 1>someone will correct me. You is no better than I do.

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<v Speaker 1>And everybody is like writing out their ideas and how

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<v Speaker 1>they would book it this wrestler and how he's gonna

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<v Speaker 1>beat him in that wrestler and how he's gonna beat him,

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<v Speaker 1>And that wasn't my that wasn't my strong suit. I

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<v Speaker 1>was probably the weakest one in the room when it

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<v Speaker 1>came to to who should win and who should lose.

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<v Speaker 1>So I'm sitting in there and I'm trying to, you know,

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<v Speaker 1>write out the story behind it and the and the

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<v Speaker 1>promo that's gonna get us into the story, and thinking

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<v Speaker 1>about after how this is gonna, you know, get over.

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<v Speaker 1>And all this happened because Kofi had this crazy scene

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<v Speaker 1>on live television. Man, maybe it was Monday Night Raw

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<v Speaker 1>and it was the US title but one of the

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<v Speaker 1>NASCAR guys, and I don't follow NASCAR, so I don't

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<v Speaker 1>I don't know their their names the way some of

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<v Speaker 1>you would, so forgive me for not knowing. I think

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<v Speaker 1>the only one I can think of. I was gonna

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<v Speaker 1>say Jeff Jarrett, but that's that's not a professional race

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<v Speaker 1>car driver, so I clearly I don't know the sport.

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<v Speaker 1>But there's a Jeff there that drives fast. One of

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<v Speaker 1>these guys gave Randy Orton a NASCAR, like an actual

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<v Speaker 1>race car NASCAR, and it's shiny and it's got all

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<v Speaker 1>the logos. It looks like, you know, straight out of

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<v Speaker 1>Tom Cruise's Days of Thunder, and maybe not with as

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<v Speaker 1>good of hair as he had, but still the same vibe,

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<v Speaker 1>and it's it's glistening the way they have the lights

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<v Speaker 1>on it, and Kofe's going just ballistic for something that happened.

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<v Speaker 1>Forgive me again. This is a long time ago. I

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<v Speaker 1>can't I can't remember, but he takes an axe of

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<v Speaker 1>fire axe to this NASCAR while he's cutting the promo,

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<v Speaker 1>so there's a ton of effort and breath behind it,

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<v Speaker 1>and it doesn't sound like the standard baby face promo

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<v Speaker 1>or baby face, trying to be a tough guy. Help trying.

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<v Speaker 1>The man's holding an axe and he's cutting holes into

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<v Speaker 1>the hood of what looks like it's clearly not, but

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<v Speaker 1>of what looks like, you know, a two million dollar car,

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<v Speaker 1>however much in the ASCAR costs. I have no idea,

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<v Speaker 1>And he's like, is this what you wanted? Is that

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<v Speaker 1>what you And it's like he's yelling every time the

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<v Speaker 1>axe hits, and we're watching I'm watching Vince's reactions to this,

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<v Speaker 1>and he's just lighting up like a teenager watching it.

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<v Speaker 1>I mean, you just see when he sees something and

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<v Speaker 1>somebody's like, that's that. Damn it? Yes, and you can

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<v Speaker 1>he's just behind him all the way. And then Kofe

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<v Speaker 1>finally like puts the axe through the windshield or if

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<v Speaker 1>you're in England, the windscreen I respect all cultures, and

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<v Speaker 1>he jumps off the car and he storms off, and

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<v Speaker 1>Vince is like, damn it, yes, and he's this kid's

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<v Speaker 1>going to be a star. So that was the impetus

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<v Speaker 1>to write, is that the right word to to write

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<v Speaker 1>the story? The seed that that sort of sprouted when

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<v Speaker 1>when Vince fertilized it, so to speak, and we started

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<v Speaker 1>riding crazy as fast as we could because we knew

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<v Speaker 1>we had a green light. And when you work at

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<v Speaker 1>that company, there's so much certainty, and so much of

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<v Speaker 1>your hard work feels like it goes to waste sometimes

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<v Speaker 1>because you get assignments that aren't even approved by the boss,

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<v Speaker 1>or maybe they were just approved but in passing. So

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<v Speaker 1>he wasn't really listening, you know, like when you tell

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<v Speaker 1>your your better half man or woman yes, just to

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<v Speaker 1>get them to stop asking you questions and talking because

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<v Speaker 1>you're watching something that you really like, or you're trying

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<v Speaker 1>to play a video game, you're like, yeah, that sounds amazing.

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<v Speaker 1>Have you heard nothing of it? So you know it

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<v Speaker 1>could have been that, or it could just be random politics,

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<v Speaker 1>which is where this story goes. We have this story,

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<v Speaker 1>the whole team is motivated, and again I don't remember

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<v Speaker 1>everyone who worked on it, so I'm just including everyone,

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<v Speaker 1>but I know I wasn't alone on this. We finished

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<v Speaker 1>the whole thing up, and everybody thinks we have this

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<v Speaker 1>great run to the title. We bring it and it

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<v Speaker 1>gets a proved by Steph. She's she's way behind it.

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<v Speaker 1>I don't think Shane was back in the company at

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<v Speaker 1>that point. I think he was over in China at

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<v Speaker 1>that point in time. In the meantime, Randy Orton and

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<v Speaker 1>Kofi have a match. This is a week later. In

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<v Speaker 1>the match, a spot gets blown. And for those who

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<v Speaker 1>don't understand, who aren't wrestling fans, that's like if if

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<v Speaker 1>a scene on Saturday Night Live a live show, or

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<v Speaker 1>if you're watching a sitcom that happened to be taped live,

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<v Speaker 1>like Rock back in the Day, or or I think

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<v Speaker 1>Will and Grace eventually went live. Things like that. You

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<v Speaker 1>can't have people making what you would deem a foolish

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<v Speaker 1>mistake because it could kill the whole show. Now, in

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<v Speaker 1>a sitcom, it's sort of funny, so the audience is

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<v Speaker 1>laughing and you kind of roll with it. But imagine

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<v Speaker 1>if it was Law and Order Live and someone just

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<v Speaker 1>blew their line and started laughing when they're trying to

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<v Speaker 1>you know, arrest or break up some like pornography ring right,

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<v Speaker 1>It's it would just kill the show. So a spot

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<v Speaker 1>gets blown and Randy gets piste on live TV and

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<v Speaker 1>you see him and you can check this on YouTube.

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<v Speaker 1>You know, stupid with that deep orton booming voice and

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<v Speaker 1>that that that Vince wanted him to be Johnny Cash

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<v Speaker 1>and and present himself even though everyone already knew he

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<v Speaker 1>was Randy Orton as Hello, I'm Randy Orton. Like, Yo,

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<v Speaker 1>that's exactly like it is from the trailer that you

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<v Speaker 1>saw in that movie. Goes Yeah, that's great. We already

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<v Speaker 1>know he's the best wrestler in the world. Everybody knows

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<v Speaker 1>who he is anyway. So this spot gets blown, meaning

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<v Speaker 1>a technique, a stunt in the in the match gets blown.

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<v Speaker 1>You can tell something doesn't look good. I don't know

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<v Speaker 1>what it is because I don't see the spot when

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<v Speaker 1>it when it happens, so I don't know what happened.

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<v Speaker 1>I just know something is not good. Right. We get

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<v Speaker 1>to TV the next week with our story and it's

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<v Speaker 1>written in the script and again I can't remember if

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<v Speaker 1>it's a SmackDown or a row and we're in there

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<v Speaker 1>pitching it. I'm pitching it, the producers are pitching it.

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<v Speaker 1>I'm trying to help shape and tell the story and

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<v Speaker 1>bring a lot of passion and energy to it. They're

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<v Speaker 1>talking about, Yeah, the guys have worked this out. They've

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<v Speaker 1>worked that out. You know, he's gonna save face here's

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<v Speaker 1>meaning he's not gonna look bad when he loses. We've

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<v Speaker 1>got some real creative ways and they're spelling it all out,

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<v Speaker 1>and Vince just kind of looks at Kevin, and Kevin

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<v Speaker 1>has this sort of knowing smile, right like he just

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<v Speaker 1>let us do this whole pitch for no reason other

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<v Speaker 1>than to watch it get shot down with joy and pleasure,

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<v Speaker 1>which is so weird and counterproductive to me, but to

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<v Speaker 1>each their own. And it's because I'm sending to the

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<v Speaker 1>dryboard on that and like the everyone's hearts, like you

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<v Speaker 1>just heard like multiple thumps on the floor, like blah

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<v Speaker 1>blah blah blah blah boa And they weren't toes tapping.

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<v Speaker 1>It was just everyone was crushed and no one would

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<v Speaker 1>would tell me why at first. And so I'm sitting

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<v Speaker 1>through this two and a half three hour production meeting

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<v Speaker 1>and my story is dead. I've tried to save it

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<v Speaker 1>for about ten fifteen minutes. And when I say my story,

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<v Speaker 1>my team's story, it's my job to sell their crap.

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<v Speaker 1>It's my job to put it over. That's that's my job.

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<v Speaker 1>Is your salesman in there on on production day. And

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<v Speaker 1>when I say crap, I don't mean bad stuff. I

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<v Speaker 1>was behind this. I believed in this story. I say

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<v Speaker 1>that about my crap two, don't worry, But ten fifteen minutes,

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<v Speaker 1>I'm fighting for it, and it's just there's no there's

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<v Speaker 1>no winning this battle. So now I'm trying to fix it.

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<v Speaker 1>I'm offering, you know, alternative solutions. Other people are offering

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<v Speaker 1>alternative solutions. The whole thing's just gone at debt. So

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<v Speaker 1>finally I just shut up and we move on. And

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<v Speaker 1>I don't think CoFe even worked that night. And I

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<v Speaker 1>get out and they tell me what happened. They tell

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<v Speaker 1>me about this blown spot and and he's piste at him,

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<v Speaker 1>and it's got it got shut down, and they ended up.

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<v Speaker 1>For those who aren't in the know, they ended up

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<v Speaker 1>using that real moment of why Randy sort of held

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<v Speaker 1>KOFE down in the actual story of KOFE winning the

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<v Speaker 1>title after winning the Gauntlet match that I saw ten

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<v Speaker 1>years later off of Randy Orton. They literally put that

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<v Speaker 1>into the story, like, you know, because of the person

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<v Speaker 1>you were, that opportunity was taken away from me. Those

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<v Speaker 1>aren't the exact words, but I'm just trying to communicate

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<v Speaker 1>the gist of it as quickly as possible. Um, But

0:12:39.280 --> 0:12:42.640
<v Speaker 1>I remember watching that and it all came from this

0:12:42.760 --> 0:12:47.760
<v Speaker 1>sort of this moment of of acting, which was him

0:12:47.800 --> 0:12:50.360
<v Speaker 1>on the hood of the car, which kind of inspired

0:12:50.679 --> 0:12:52.839
<v Speaker 1>the thought on the question that I got from Twitter,

0:12:52.960 --> 0:12:58.800
<v Speaker 1>which was who are the best wrestlers turned actor? Who

0:12:58.880 --> 0:13:03.120
<v Speaker 1>are those wrestlers that have turned actor? And why do

0:13:03.320 --> 0:13:07.480
<v Speaker 1>I think that it's such a hard transition from one

0:13:07.600 --> 0:13:10.200
<v Speaker 1>part of showbizzs to the next. So we'll get into

0:13:10.720 --> 0:13:14.960
<v Speaker 1>to all these. The obvious ones are the Rock Hulk,

0:13:15.040 --> 0:13:18.760
<v Speaker 1>Hogan did a did a few, John Cena. Some of

0:13:18.840 --> 0:13:22.559
<v Speaker 1>the movies that they did. I think you can kind

0:13:22.600 --> 0:13:27.199
<v Speaker 1>of see the the talented actors almost always leave, you know.

0:13:27.400 --> 0:13:30.120
<v Speaker 1>Halt did did a few. You know. The only good

0:13:30.160 --> 0:13:32.679
<v Speaker 1>one I think was No Holds Barred where he played

0:13:32.800 --> 0:13:36.439
<v Speaker 1>rip that had it was Zeus Verus his rip. That

0:13:36.559 --> 0:13:40.360
<v Speaker 1>was tiny Zeus Lister, Rest in Peace teny uh tiny

0:13:40.440 --> 0:13:42.800
<v Speaker 1>Zeus Lister Jr. I believe, And I think that was

0:13:43.640 --> 0:13:48.439
<v Speaker 1>nine uh Rowdy Roddy Piper rest in Peace. Uh. He

0:13:48.679 --> 0:13:50.880
<v Speaker 1>was a solid actor. You guys could see this cult

0:13:50.960 --> 0:13:54.920
<v Speaker 1>movie that John Carpenter directed and I think wrote from

0:13:55.320 --> 0:13:58.080
<v Speaker 1>eighty eight the year The Doctors in the World series.

0:13:58.160 --> 0:14:01.000
<v Speaker 1>That's how I remember that it's called They Live and

0:14:01.200 --> 0:14:04.120
<v Speaker 1>Piper is just great in it. One of my dad's

0:14:04.200 --> 0:14:07.120
<v Speaker 1>best childhood friends, Keith David is in that movie. He's

0:14:07.160 --> 0:14:09.840
<v Speaker 1>the black dude, the voice spawn from the animated series

0:14:10.240 --> 0:14:12.439
<v Speaker 1>and he's the other lead in in that movie. And

0:14:12.480 --> 0:14:16.040
<v Speaker 1>they have this great, like seven minute fight in an

0:14:16.080 --> 0:14:19.560
<v Speaker 1>alleyway over a pair of sunglasses. And that's all I'm

0:14:19.600 --> 0:14:25.440
<v Speaker 1>gonna say. And it's ridiculously eighties awesome in every possible

0:14:25.600 --> 0:14:29.080
<v Speaker 1>eighties way. Uh, that was a great one. People. I

0:14:29.160 --> 0:14:33.320
<v Speaker 1>think sleep on Jesse Jesse Ventura, uh from The Running

0:14:33.360 --> 0:14:37.840
<v Speaker 1>Man and from Predator, which was Predator. I don't know. Man,

0:14:37.920 --> 0:14:39.600
<v Speaker 1>maybe he was better than Running Man because he actually

0:14:39.640 --> 0:14:41.360
<v Speaker 1>got to be kind of funny in that one. But

0:14:41.520 --> 0:14:44.800
<v Speaker 1>Predator he was such a badass. He played Blaine. That

0:14:45.000 --> 0:14:49.560
<v Speaker 1>was eighties seven or eighty eight. That's John mctiernen. He

0:14:49.600 --> 0:14:54.400
<v Speaker 1>also did movies like die Hard and uh, random one

0:14:54.440 --> 0:14:56.640
<v Speaker 1>that I don't know why. I know, The Thirteenth Warrior

0:14:56.720 --> 0:15:00.400
<v Speaker 1>with Antonio banderis underrated, flick kind of Viking Norseman bology

0:15:00.440 --> 0:15:02.760
<v Speaker 1>which was kind of cool. Um, and those were sort

0:15:02.800 --> 0:15:04.360
<v Speaker 1>of like, you know, oh, he did uh Hunt for

0:15:04.440 --> 0:15:07.480
<v Speaker 1>Red October. Everybody saw that movie, so cool director there.

0:15:07.880 --> 0:15:13.040
<v Speaker 1>But um, you know, the modern wrestler Dwayne is another

0:15:13.120 --> 0:15:17.000
<v Speaker 1>one who's work you saw grow right, he made it through.

0:15:17.160 --> 0:15:21.120
<v Speaker 1>But it's hard. You can We're not at ten, you

0:15:21.200 --> 0:15:23.520
<v Speaker 1>know what I mean. Like, you can count Andre if

0:15:23.600 --> 0:15:27.720
<v Speaker 1>you want, you could count. You can count Big Show

0:15:27.960 --> 0:15:30.520
<v Speaker 1>for sure, you could count Edge for sure. They've done

0:15:30.560 --> 0:15:32.600
<v Speaker 1>a lot of a lot of work. Jericho has done

0:15:32.640 --> 0:15:35.360
<v Speaker 1>a lot of work. But as far as like what

0:15:35.600 --> 0:15:37.680
<v Speaker 1>this question was in reference to, like the ones that

0:15:37.800 --> 0:15:39.720
<v Speaker 1>make it, as far as the Rock, it's really the

0:15:39.880 --> 0:15:42.360
<v Speaker 1>Rock and John Cena is on his way. He's on

0:15:42.440 --> 0:15:45.640
<v Speaker 1>a skyrocket there. So let's discuss some of the wrestlers

0:15:45.720 --> 0:15:50.120
<v Speaker 1>that are working today in the that aren't out there

0:15:50.240 --> 0:15:53.880
<v Speaker 1>making movies that I think could transition. Um, I think

0:15:53.920 --> 0:15:57.240
<v Speaker 1>a very easy one that everyone would agree with would

0:15:57.240 --> 0:16:00.520
<v Speaker 1>be Bray Wyatt. I think he has the kind range

0:16:00.960 --> 0:16:05.440
<v Speaker 1>and the level of commitment necessary to play multiple types

0:16:05.480 --> 0:16:08.800
<v Speaker 1>of rules, not just the scary guy, but he could

0:16:08.840 --> 0:16:11.160
<v Speaker 1>do I know he can do comedy because I saw

0:16:11.240 --> 0:16:14.440
<v Speaker 1>him do scenes back in promo class where we would

0:16:14.480 --> 0:16:17.040
<v Speaker 1>pull scenes from like Beverly Hills, Cop and stuff like that,

0:16:17.200 --> 0:16:18.760
<v Speaker 1>and he would just knock him out of the park.

0:16:19.360 --> 0:16:24.200
<v Speaker 1>But his chops are no joke. His commitment is next level.

0:16:24.840 --> 0:16:27.400
<v Speaker 1>He's the kind of guy that I could see make

0:16:27.520 --> 0:16:31.280
<v Speaker 1>that transition. It would be a much stranger role, you know,

0:16:31.320 --> 0:16:33.040
<v Speaker 1>because he's not that he doesn't have the look of

0:16:33.120 --> 0:16:35.280
<v Speaker 1>a typical leading man, right, He's never going to have

0:16:35.400 --> 0:16:38.160
<v Speaker 1>the body of the rock. So you have to kind

0:16:38.160 --> 0:16:43.040
<v Speaker 1>of carve out what kind of not necessarily a character actor,

0:16:43.160 --> 0:16:46.160
<v Speaker 1>but what character would become his sort of signature character.

0:16:46.560 --> 0:16:49.520
<v Speaker 1>But I think he could do it. I think Miss

0:16:50.000 --> 0:16:53.640
<v Speaker 1>could be the lead on any sitcom on any channel,

0:16:54.360 --> 0:16:56.320
<v Speaker 1>and he could find a way for that thing to

0:16:56.400 --> 0:16:58.880
<v Speaker 1>be on for ten years. I've loved Miss for a

0:16:58.960 --> 0:17:01.280
<v Speaker 1>long time. He's been asked on here. If you haven't

0:17:01.320 --> 0:17:04.040
<v Speaker 1>listened to that episode, you really should. All my guests

0:17:04.320 --> 0:17:06.080
<v Speaker 1>kind of the main thing that I try to focus

0:17:06.200 --> 0:17:09.920
<v Speaker 1>on is is how they accomplished their dream. And I

0:17:10.119 --> 0:17:11.800
<v Speaker 1>tried not all my guests are going to be people

0:17:11.880 --> 0:17:14.040
<v Speaker 1>I know. Some it's just people I respect, But the

0:17:14.119 --> 0:17:18.000
<v Speaker 1>ones I know are always people who who are problem solvers,

0:17:18.080 --> 0:17:22.080
<v Speaker 1>not problem identify irs. They're constantly looking for solutions, and

0:17:22.240 --> 0:17:23.800
<v Speaker 1>MS is the kind of guy that can do that.

0:17:24.480 --> 0:17:26.840
<v Speaker 1>UM one of the best actors on the entire roster,

0:17:27.000 --> 0:17:29.120
<v Speaker 1>or in all of wrestling, I think is Alexa Bliss.

0:17:29.400 --> 0:17:32.200
<v Speaker 1>I think she's shown that over the last two three

0:17:32.320 --> 0:17:37.040
<v Speaker 1>years easily even when they mess up segments that should

0:17:37.080 --> 0:17:40.679
<v Speaker 1>be so simple, and she would be so easily written

0:17:40.720 --> 0:17:43.400
<v Speaker 1>if they didn't have twelve people writing it. She's able

0:17:43.440 --> 0:17:46.359
<v Speaker 1>to pull off even some moments that I would not

0:17:46.640 --> 0:17:48.520
<v Speaker 1>want to sell as an actor if I read it

0:17:48.560 --> 0:17:50.240
<v Speaker 1>in the script as hey man, we've got to change

0:17:50.280 --> 0:17:52.800
<v Speaker 1>this line. The same the same work, and oh I

0:17:52.920 --> 0:17:54.800
<v Speaker 1>really like it, and then you hit him with the Well,

0:17:54.840 --> 0:17:56.399
<v Speaker 1>maybe I'm just not good enough to do that, so

0:17:56.800 --> 0:17:58.920
<v Speaker 1>if you could help me out. That's Meryl Street said

0:17:58.920 --> 0:18:00.560
<v Speaker 1>that in an interview once, was like, oh my god,

0:18:00.640 --> 0:18:03.159
<v Speaker 1>I'm stealing that because they hired you. The first thing

0:18:03.160 --> 0:18:05.040
<v Speaker 1>they're gonna say, Oh no, no, of course you couldn't.

0:18:05.400 --> 0:18:08.600
<v Speaker 1>We'll change the line. It works, But in wrestling you

0:18:08.640 --> 0:18:11.359
<v Speaker 1>don't get to do that unless you're you know, top

0:18:11.520 --> 0:18:14.359
<v Speaker 1>top dog with a with a belt around your waist.

0:18:14.480 --> 0:18:17.680
<v Speaker 1>But I think her skills are our next level. Um.

0:18:18.200 --> 0:18:21.879
<v Speaker 1>I love Kevin Owens, but I'm trying to think, like,

0:18:22.119 --> 0:18:25.000
<v Speaker 1>what would he be if he became an actor? Would

0:18:25.040 --> 0:18:28.880
<v Speaker 1>he be? Would he be like like the tough guy

0:18:29.040 --> 0:18:31.640
<v Speaker 1>version of Monk, Like would he be a detective solving

0:18:31.760 --> 0:18:34.639
<v Speaker 1>crimes on like the USA Network. Would he be a

0:18:34.760 --> 0:18:37.480
<v Speaker 1>bad guy in movies, like the scumbag that you always

0:18:37.520 --> 0:18:40.800
<v Speaker 1>want to take out? Would he be the Mr Mom

0:18:41.000 --> 0:18:43.960
<v Speaker 1>kind of dad, like the eighties Mr Mom with Michael Keaton.

0:18:44.240 --> 0:18:46.720
<v Speaker 1>But I know he can act, like I've seen him

0:18:47.040 --> 0:18:52.560
<v Speaker 1>commit to everything from the absolute most absurd ridiculous comedy

0:18:52.680 --> 0:18:55.879
<v Speaker 1>takes that you could possibly even have the guts to

0:18:55.960 --> 0:18:59.920
<v Speaker 1>put out there, to improv type stuff two serious series

0:19:00.000 --> 0:19:02.720
<v Speaker 1>of stuff, to evil son of a bitch kind of stuff.

0:19:11.560 --> 0:19:14.040
<v Speaker 1>And then I already mentioned Edge, but I think you know,

0:19:14.160 --> 0:19:16.800
<v Speaker 1>out of the shield. I really wanted to be able

0:19:16.840 --> 0:19:19.159
<v Speaker 1>to say all three of them, but I think the

0:19:19.320 --> 0:19:23.800
<v Speaker 1>one who would have the biggest shot. And if you

0:19:23.920 --> 0:19:25.840
<v Speaker 1>disagree with me, I'd be interested because I think I

0:19:25.960 --> 0:19:29.160
<v Speaker 1>know which way you'll go. But I think I'm gonna

0:19:29.240 --> 0:19:33.720
<v Speaker 1>go with Seth Rollins and here's why. And in second,

0:19:33.760 --> 0:19:35.600
<v Speaker 1>I would put Moxley, and I think that's where a

0:19:35.640 --> 0:19:38.520
<v Speaker 1>lot of you are going to go. Moxley definitely has

0:19:38.640 --> 0:19:42.119
<v Speaker 1>his thing right. He has the uh it's the Jack

0:19:42.200 --> 0:19:46.720
<v Speaker 1>Bower quality right, and he's had that for a long time,

0:19:47.040 --> 0:19:50.080
<v Speaker 1>whether he's a baby face or a heel, so he

0:19:50.200 --> 0:19:54.280
<v Speaker 1>could definitely pull that off. But Seth lately has been

0:19:54.320 --> 0:19:58.480
<v Speaker 1>able to do something where he showed arrange that I wasn't.

0:19:59.240 --> 0:20:01.680
<v Speaker 1>I didn't know he had right. So and so check

0:20:01.760 --> 0:20:04.679
<v Speaker 1>this out. He becomes the Monday Night Messiah and now

0:20:04.720 --> 0:20:06.960
<v Speaker 1>he's the Friday Night Messiah or whatever night he is.

0:20:07.040 --> 0:20:11.000
<v Speaker 1>He's the Messiah and uh the w w E version,

0:20:11.720 --> 0:20:17.680
<v Speaker 1>And I hated it. I hated that laugh, that forced laugh.

0:20:17.960 --> 0:20:21.840
<v Speaker 1>I hated all of that. And then I realized, because

0:20:21.840 --> 0:20:26.000
<v Speaker 1>I'm an idiot, I'm supposed to it's not making me

0:20:26.200 --> 0:20:29.359
<v Speaker 1>change the channel. It's making me want to shut him

0:20:29.440 --> 0:20:32.000
<v Speaker 1>up and punch him in the face for laughing at

0:20:32.119 --> 0:20:34.960
<v Speaker 1>something that he and I both no, it's not funny

0:20:35.080 --> 0:20:37.280
<v Speaker 1>in any way, shape or form. So I actually think

0:20:37.359 --> 0:20:40.119
<v Speaker 1>he's doing a great job with this character. And for

0:20:40.240 --> 0:20:43.600
<v Speaker 1>the first few weeks I did not, And I love

0:20:43.680 --> 0:20:47.680
<v Speaker 1>getting proved wrong. I loved watching The New Day explode. Um.

0:20:48.240 --> 0:20:50.399
<v Speaker 1>I didn't like Elias when he first Kate was in

0:20:50.600 --> 0:20:52.280
<v Speaker 1>n x D, and then he hit on w w

0:20:52.480 --> 0:20:54.840
<v Speaker 1>E Monday Night Run. I was like, oh my god,

0:20:54.880 --> 0:20:57.920
<v Speaker 1>I love this guy. Adam Cole finished a promo with

0:20:58.160 --> 0:21:04.080
<v Speaker 1>Babe after executing this beautiful promo, and I was literally like, wait, what, dude?

0:21:04.359 --> 0:21:07.000
<v Speaker 1>But I had never seen Adam call and I watched

0:21:07.040 --> 0:21:11.000
<v Speaker 1>him week after week after week, and by the time

0:21:11.119 --> 0:21:13.440
<v Speaker 1>is the fifth week, he's finishing his promo and I'm

0:21:13.520 --> 0:21:17.400
<v Speaker 1>right there with him at I'm called baby, and I'm

0:21:17.680 --> 0:21:20.600
<v Speaker 1>all on that train. And so I get proven wrong

0:21:20.680 --> 0:21:23.080
<v Speaker 1>a lot. And that's kind of the great thing about

0:21:23.320 --> 0:21:29.240
<v Speaker 1>art is we have these these preconceived notions based on

0:21:29.400 --> 0:21:32.720
<v Speaker 1>how we were I used the term programmed, but based

0:21:32.760 --> 0:21:37.280
<v Speaker 1>on how we were raised culturally, what our parents tastes were,

0:21:37.760 --> 0:21:40.639
<v Speaker 1>what our friends tastes were, what the kids who were

0:21:40.720 --> 0:21:42.880
<v Speaker 1>cool but we weren't allowed to hang out with because

0:21:42.880 --> 0:21:45.400
<v Speaker 1>they were older than us, what they thought was cool.

0:21:45.760 --> 0:21:48.720
<v Speaker 1>All those things shape how we interpret art, whether it

0:21:48.840 --> 0:21:53.240
<v Speaker 1>be wrestling or or literature or or anything. Right, So,

0:21:54.280 --> 0:21:57.280
<v Speaker 1>if if a man is writing a script or a book,

0:21:57.680 --> 0:22:00.840
<v Speaker 1>the woman is usually underwritten, but the men reading it

0:22:00.960 --> 0:22:03.640
<v Speaker 1>don't notice that as much as the woman does. If

0:22:03.800 --> 0:22:07.480
<v Speaker 1>a man ever read like one of those female mystery

0:22:07.560 --> 0:22:10.000
<v Speaker 1>books where you know, they get framed for murder and

0:22:10.080 --> 0:22:13.520
<v Speaker 1>things like this, the husband almost always does it. An

0:22:13.560 --> 0:22:16.119
<v Speaker 1>insecure guy would be like, you know, yo, this men

0:22:16.200 --> 0:22:18.680
<v Speaker 1>are underwritten. We're not all horrible people, right like, We're

0:22:18.720 --> 0:22:23.000
<v Speaker 1>all programmed to interpret this in different ways. And and

0:22:23.080 --> 0:22:26.000
<v Speaker 1>there is no wrong when it comes to art. Is

0:22:26.040 --> 0:22:28.240
<v Speaker 1>if you like something and I go, oh that sucks

0:22:28.320 --> 0:22:31.760
<v Speaker 1>because of ABC and D, none of those effects the

0:22:31.960 --> 0:22:34.200
<v Speaker 1>reasons A, B, C and D Y you like it,

0:22:34.760 --> 0:22:38.680
<v Speaker 1>and vice versa. So there are Picasso paintings out there

0:22:38.800 --> 0:22:42.520
<v Speaker 1>that I I don't like at all. I would literally

0:22:42.600 --> 0:22:45.920
<v Speaker 1>walk right by. They would have zero impact on my life.

0:22:46.480 --> 0:22:48.639
<v Speaker 1>There are the ones paintings that I've seen that it

0:22:48.760 --> 0:22:51.800
<v Speaker 1>made me cry. That's oil on canvas, man, that's not

0:22:51.960 --> 0:22:54.920
<v Speaker 1>even a photograph, it's not even real, but it made

0:22:54.960 --> 0:22:58.920
<v Speaker 1>me cry. So you know, taste is it is it?

0:22:59.640 --> 0:23:02.000
<v Speaker 1>As I always been a tricky thing now as far

0:23:02.080 --> 0:23:05.040
<v Speaker 1>as the business side of it, Hollywood has been weird

0:23:05.119 --> 0:23:08.080
<v Speaker 1>with wrestling for as long as I've been in the business,

0:23:08.240 --> 0:23:11.120
<v Speaker 1>all right. I moved to Los Angeles from New Mexico

0:23:11.800 --> 0:23:16.040
<v Speaker 1>or back to Los Angeles to begin my acting career,

0:23:16.920 --> 0:23:21.520
<v Speaker 1>and things happened quickly for me. Um, for those who

0:23:21.840 --> 0:23:24.080
<v Speaker 1>haven't listened in, my father was in this business. It

0:23:24.160 --> 0:23:26.680
<v Speaker 1>provided me some opportunities that I had to be ready

0:23:26.720 --> 0:23:29.080
<v Speaker 1>for it. I was a very disciplined young man and

0:23:29.160 --> 0:23:31.840
<v Speaker 1>I was ready for most of the opportunities that came

0:23:31.880 --> 0:23:34.399
<v Speaker 1>my way, and I moved up the line quick. And

0:23:34.520 --> 0:23:37.320
<v Speaker 1>I'm telling you this because wrestling has always been a

0:23:37.320 --> 0:23:40.880
<v Speaker 1>passion of mine and I have always tried to find

0:23:40.960 --> 0:23:44.399
<v Speaker 1>opportunities throughout my career to try and bring wrestling to

0:23:44.640 --> 0:23:49.480
<v Speaker 1>mainstream Hollywood. And it has always been like running into

0:23:49.640 --> 0:23:57.400
<v Speaker 1>a brick wall. It is the disdain that this business

0:23:57.480 --> 0:24:01.760
<v Speaker 1>has for it. I just I get it, but I

0:24:01.840 --> 0:24:06.200
<v Speaker 1>don't understand it. I get everyone has their taste, but

0:24:07.080 --> 0:24:11.119
<v Speaker 1>we can talk about documented things like before the c

0:24:11.440 --> 0:24:13.800
<v Speaker 1>W was the c W, it was known as the WB,

0:24:14.560 --> 0:24:17.880
<v Speaker 1>and they had an executive there named Jamie Kelder, who

0:24:18.119 --> 0:24:21.320
<v Speaker 1>I knew because he was the main executive on a

0:24:21.400 --> 0:24:24.639
<v Speaker 1>little show called Buffy the Vampire Slayer. He also happens

0:24:24.680 --> 0:24:27.440
<v Speaker 1>to be the executive that hated professional wrestling when he

0:24:27.520 --> 0:24:29.920
<v Speaker 1>went to T n T and basically got rid of it.

0:24:30.800 --> 0:24:35.399
<v Speaker 1>And his perspective on the business was very is the

0:24:35.440 --> 0:24:40.440
<v Speaker 1>word pervasive was very just sort of universally accepted is

0:24:40.440 --> 0:24:45.400
<v Speaker 1>probably a better term then than anyone else's that I've seen,

0:24:45.480 --> 0:24:48.720
<v Speaker 1>at least in a position of power. So a lot

0:24:48.800 --> 0:24:52.200
<v Speaker 1>of times when I've even mentioned wrestlers for hey, you

0:24:52.320 --> 0:24:54.560
<v Speaker 1>need to meet wrestler X, Y or Z just on

0:24:54.640 --> 0:24:58.040
<v Speaker 1>a general casting meeting, they can really act. Here's some clips.

0:24:58.080 --> 0:25:00.400
<v Speaker 1>And I've done this for wrestlers in the past. I've

0:25:00.480 --> 0:25:03.000
<v Speaker 1>literally gotten hit back with yeah, but they worked for

0:25:03.160 --> 0:25:06.280
<v Speaker 1>w W and I'm like, so what they would They'll quit.

0:25:07.720 --> 0:25:10.560
<v Speaker 1>A TV contracts better than a w W E contract,

0:25:10.640 --> 0:25:13.360
<v Speaker 1>I assure you, and SAG is better insurance than having

0:25:13.400 --> 0:25:17.320
<v Speaker 1>to go in there with your own so it's always

0:25:17.720 --> 0:25:20.200
<v Speaker 1>there's always a speed bump. I'll give you some more examples.

0:25:20.480 --> 0:25:23.440
<v Speaker 1>I tried to pitch two wrestling shows last year and

0:25:23.800 --> 0:25:27.320
<v Speaker 1>two friendly or two friendly faces only no strangers, and

0:25:28.119 --> 0:25:29.960
<v Speaker 1>one of them I pitched to three networks and the

0:25:30.040 --> 0:25:33.000
<v Speaker 1>other one I pitched a four that I had again

0:25:33.200 --> 0:25:35.840
<v Speaker 1>friendly faces and people that I've known over a decade,

0:25:36.640 --> 0:25:39.000
<v Speaker 1>who I said, listen, I know, you know you guys

0:25:39.040 --> 0:25:43.040
<v Speaker 1>aren't necessarily looking for this, but here's something different. One

0:25:43.160 --> 0:25:46.359
<v Speaker 1>was sort of around the world of women's wrestling, and

0:25:46.720 --> 0:25:50.840
<v Speaker 1>one was in the world of sort of comedy wrestling

0:25:51.240 --> 0:25:57.440
<v Speaker 1>or yeah. More theatrical wrestling. So both times in all

0:25:57.600 --> 0:26:01.639
<v Speaker 1>seven rooms, four for one, three or the other, it

0:26:01.960 --> 0:26:06.600
<v Speaker 1>was every single question, how do we sell this? And

0:26:06.680 --> 0:26:09.480
<v Speaker 1>I'm sitting there, I'm like, like any other show, what

0:26:09.560 --> 0:26:12.000
<v Speaker 1>are you? What are you talking about? You? People know

0:26:12.119 --> 0:26:17.160
<v Speaker 1>it's fake? Well yeah, but people know that the green

0:26:17.320 --> 0:26:19.560
<v Speaker 1>arrows fake, that no one could shoot an arrow it

0:26:19.600 --> 0:26:22.760
<v Speaker 1>at nice in real life except catnets like what are

0:26:22.800 --> 0:26:25.119
<v Speaker 1>we talking about here? And everything was always about that.

0:26:25.320 --> 0:26:27.040
<v Speaker 1>And then a lot of times they talked about the

0:26:27.160 --> 0:26:29.880
<v Speaker 1>level of acting, the quality of acting, or the lack

0:26:30.040 --> 0:26:33.080
<v Speaker 1>thereof that they found, and that was an argument that

0:26:33.200 --> 0:26:36.320
<v Speaker 1>I wasn't always able to match because not every great

0:26:36.400 --> 0:26:39.399
<v Speaker 1>wrestler is great on the mic because they don't have

0:26:39.560 --> 0:26:42.840
<v Speaker 1>to be. You're not there to watch at acting and

0:26:42.960 --> 0:26:45.919
<v Speaker 1>to match. You're there to watch wrestling. And if someone

0:26:46.080 --> 0:26:48.760
<v Speaker 1>can talk, you want to get them either fired up

0:26:48.880 --> 0:26:52.360
<v Speaker 1>with you or fired up against you. That's a wrestling show.

0:26:53.040 --> 0:26:55.480
<v Speaker 1>So and I know it's evolved and changed over the years,

0:26:55.520 --> 0:26:57.760
<v Speaker 1>but in the heart of a wrestling show, that's what

0:26:57.920 --> 0:27:00.280
<v Speaker 1>it is. So not everyone has to talk. And by

0:27:00.320 --> 0:27:02.840
<v Speaker 1>the way, not every actor on every network is a

0:27:02.920 --> 0:27:05.840
<v Speaker 1>great actor. Okay, I look at the movies I did

0:27:05.920 --> 0:27:08.399
<v Speaker 1>when I first started, compared to when I stopped, my

0:27:08.520 --> 0:27:10.320
<v Speaker 1>work got a lot better near the end than it

0:27:10.520 --> 0:27:13.719
<v Speaker 1>was at the beginning. So maybe that's where their argument

0:27:13.760 --> 0:27:17.000
<v Speaker 1>falls flat. But it's their perspective, so it's not gonna

0:27:17.560 --> 0:27:20.080
<v Speaker 1>it's not gonna change with me just saying no, you're wrong,

0:27:20.160 --> 0:27:23.320
<v Speaker 1>and here's why nobody's trying to hear that. So I've

0:27:23.480 --> 0:27:29.000
<v Speaker 1>always run into massive brick walls and I and again,

0:27:29.080 --> 0:27:31.359
<v Speaker 1>these are people that like me. These are people that

0:27:31.480 --> 0:27:34.040
<v Speaker 1>I've sold things to in the past. These are people

0:27:34.119 --> 0:27:37.439
<v Speaker 1>that I've taken no money at all and just said, hey,

0:27:37.480 --> 0:27:38.960
<v Speaker 1>you need to meet my friend. They have a great

0:27:39.040 --> 0:27:41.960
<v Speaker 1>idea and everything worked. Like they trust my opinion on

0:27:42.080 --> 0:27:45.159
<v Speaker 1>these things. So to go in there and get just

0:27:45.280 --> 0:27:49.680
<v Speaker 1>shot down universally time and time again, it's very, very frustrating,

0:27:50.119 --> 0:27:53.200
<v Speaker 1>to the point where, like, my dream is to have

0:27:53.400 --> 0:27:56.960
<v Speaker 1>my own wrestling federation one day, right, that's my like

0:27:57.480 --> 0:28:01.520
<v Speaker 1>final retirement project. And I had to change my whole

0:28:01.600 --> 0:28:04.800
<v Speaker 1>perspective on it, which was I have to have enough

0:28:04.840 --> 0:28:08.480
<v Speaker 1>money for two years of failure. I'm gonna let it

0:28:08.560 --> 0:28:12.120
<v Speaker 1>fail for two years while constantly working to build bridges,

0:28:12.520 --> 0:28:15.480
<v Speaker 1>open up connections, find homes for it to the point

0:28:15.520 --> 0:28:19.360
<v Speaker 1>where it can finally start financing itself, paying the wrestlers themselves,

0:28:19.480 --> 0:28:22.159
<v Speaker 1>providing insurance for the wrestlers, things like that, things that

0:28:22.240 --> 0:28:24.920
<v Speaker 1>I feel are important. And if if it can't, then

0:28:25.080 --> 0:28:28.600
<v Speaker 1>I'll fail and in that venture and I'll move on

0:28:28.720 --> 0:28:31.600
<v Speaker 1>to something else. But that's what's necessary in order for

0:28:31.680 --> 0:28:34.760
<v Speaker 1>me to try and jump into this train. And I

0:28:34.840 --> 0:28:37.600
<v Speaker 1>don't want to compete with w W E or a

0:28:37.760 --> 0:28:39.360
<v Speaker 1>e W. I just want to kind of have my

0:28:39.480 --> 0:28:44.160
<v Speaker 1>own thing and have it on smaller channels, smaller networks.

0:28:44.440 --> 0:28:47.520
<v Speaker 1>Have it be a SAG show so that they're all

0:28:47.720 --> 0:28:51.280
<v Speaker 1>Screen Actors Guild, that's what SAG stands for, and then

0:28:51.320 --> 0:28:53.280
<v Speaker 1>they can have some insurance for as long as that

0:28:53.480 --> 0:28:57.240
<v Speaker 1>union lasts. I'm sure there's some scheme to bust that

0:28:57.400 --> 0:29:00.880
<v Speaker 1>one up too, But if it's still there, than uh

0:29:01.280 --> 0:29:03.640
<v Speaker 1>than Yeah, But I've been uh I went back to work.

0:29:04.680 --> 0:29:08.480
<v Speaker 1>I'm excited for it. I'm putting together my little my

0:29:08.560 --> 0:29:12.200
<v Speaker 1>little wrestling well what do they call that, my little

0:29:12.240 --> 0:29:15.480
<v Speaker 1>piggy bank, But there's a cooler word I can't think of. Anyway,

0:29:15.520 --> 0:29:17.760
<v Speaker 1>I'm putting some money in there for the next year

0:29:17.800 --> 0:29:19.440
<v Speaker 1>and a half, a little over a year and a

0:29:19.480 --> 0:29:23.400
<v Speaker 1>half and then I'm going in on my indie wrestling brand.

0:29:24.000 --> 0:29:27.640
<v Speaker 1>And that's about setting small goals and then finishing with

0:29:27.760 --> 0:29:30.600
<v Speaker 1>something great, which is the moral of each podcast for you,

0:29:30.720 --> 0:29:34.080
<v Speaker 1>my friends. Thank you guys for listening. I'll see all

0:29:34.160 --> 0:29:36.280
<v Speaker 1>of you next week and make sure you check out

0:29:36.320 --> 0:29:38.720
<v Speaker 1>everything here on the Michael Jorter Network. They're doing cool

0:29:38.800 --> 0:29:40.480
<v Speaker 1>things and I'm very happy to be a part of it.

0:29:40.560 --> 0:29:44.920
<v Speaker 1>So thanks guys, to see you next week. This has

0:29:44.960 --> 0:29:47.920
<v Speaker 1>been a production of I Hearts Michael podcast Network. For

0:29:48.000 --> 0:29:50.440
<v Speaker 1>more podcasts for My Heart Radio, visit the I Heart

0:29:50.520 --> 0:29:53.400
<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

0:29:53.440 --> 0:29:54.080
<v Speaker 1>favorite shows.