WEBVTT - Episode 419 w/ DJ Quik & Problem

0:00:11.840 --> 0:00:14.120
<v Speaker 1>It is Drink Chests, motherfucking podcast makesime.

0:00:15.000 --> 0:00:18.200
<v Speaker 2>He's a legendary queens rapper, he's a greedish Your boy

0:00:18.239 --> 0:00:18.800
<v Speaker 2>in O R E.

0:00:18.960 --> 0:00:22.279
<v Speaker 3>He's a Miami hip hop yon there p up as DJ.

0:00:22.160 --> 0:00:22.640
<v Speaker 4>E f N.

0:00:22.840 --> 0:00:24.639
<v Speaker 3>Together they drink it up with some.

0:00:24.560 --> 0:00:26.239
<v Speaker 5>Of the biggest players, you know what I mean.

0:00:26.360 --> 0:00:29.760
<v Speaker 2>And the most professional unprofessional.

0:00:29.000 --> 0:00:32.360
<v Speaker 3>Podcast and your number one source for drunk drink chess

0:00:33.240 --> 0:00:35.960
<v Speaker 3>every day is New Year's E. Listen, It's time for

0:00:36.159 --> 0:00:36.960
<v Speaker 3>drink Champions.

0:00:37.240 --> 0:00:44.560
<v Speaker 5>Drink up, motherfuck mother, what a good be over with

0:00:44.640 --> 0:00:46.800
<v Speaker 5>the boy in O R E. What up is DJ

0:00:46.960 --> 0:00:48.600
<v Speaker 5>E f N And this is Drink Chests, motherfucker.

0:00:53.520 --> 0:00:56.520
<v Speaker 1>When I tell you we started this show, we said

0:00:56.520 --> 0:00:58.480
<v Speaker 1>we wanted to give people that's legends, the people that

0:00:58.640 --> 0:01:01.000
<v Speaker 1>paved the way, people that came before us, people that's

0:01:01.040 --> 0:01:04.680
<v Speaker 1>coming right after us, are with us this this episode today.

0:01:04.720 --> 0:01:05.720
<v Speaker 5>Man, I'm so excited.

0:01:05.760 --> 0:01:06.000
<v Speaker 2>Man.

0:01:06.720 --> 0:01:09.119
<v Speaker 1>I couldn't sleep at one point, man, because I'm going

0:01:09.160 --> 0:01:13.160
<v Speaker 1>through these two brothers discography by themselves. Then I'm thinking

0:01:13.240 --> 0:01:16.080
<v Speaker 1>about what they're doing together, two projects that they had together,

0:01:16.400 --> 0:01:18.960
<v Speaker 1>and when I'm thinking about how good it sounds and

0:01:19.040 --> 0:01:22.840
<v Speaker 1>how musically music like. When I'm listening today, I'm like,

0:01:22.880 --> 0:01:23.280
<v Speaker 1>this is.

0:01:23.280 --> 0:01:28.080
<v Speaker 5>Music, bro, Like I'm like the new album, which you know,

0:01:28.080 --> 0:01:32.240
<v Speaker 5>I have a song called Holy Mouakami. That album is

0:01:32.280 --> 0:01:33.479
<v Speaker 5>so fucking phenomenal.

0:01:33.840 --> 0:01:36.280
<v Speaker 1>And if you want to feel how it feels to

0:01:36.640 --> 0:01:38.959
<v Speaker 1>listen to global music that happened to be made in

0:01:39.000 --> 0:01:41.160
<v Speaker 1>the West Coast, that album is it. So in case

0:01:41.160 --> 0:01:42.640
<v Speaker 1>you don't know what the fuck we talk about, we

0:01:42.640 --> 0:01:45.759
<v Speaker 1>talked about Motherfuckers, a legendary I called DJ Motherfucker Queen.

0:01:52.680 --> 0:01:56.080
<v Speaker 1>I can't tell you how dope it was listening to

0:01:56.120 --> 0:02:00.880
<v Speaker 1>this project, how refreshing it is, because it's like, it's music,

0:02:01.320 --> 0:02:06.240
<v Speaker 1>it's dope, it's music, it's content. You Motherfuckers's funny, you

0:02:06.280 --> 0:02:08.320
<v Speaker 1>know what I'm saying. And you're keeping the West Coast.

0:02:08.400 --> 0:02:10.280
<v Speaker 1>Who I did was that for y'all two to come

0:02:10.280 --> 0:02:11.880
<v Speaker 1>together this this guy.

0:02:14.040 --> 0:02:16.920
<v Speaker 2>You got the playing with my fucking hero man, I'm

0:02:16.919 --> 0:02:19.920
<v Speaker 2>gonna do it, you know, Okay, this time around was

0:02:20.200 --> 0:02:22.919
<v Speaker 2>purely accidental. Though he just bought a new crib. You know,

0:02:22.960 --> 0:02:25.720
<v Speaker 2>he'd niggas all the time. He ended up tapping in

0:02:25.760 --> 0:02:27.320
<v Speaker 2>with me, like what you're doing? I was recording, He

0:02:27.400 --> 0:02:29.839
<v Speaker 2>like pull up. I was like, fucking, I'm gonna come through.

0:02:30.120 --> 0:02:31.680
<v Speaker 2>I packed up my studio, went over there.

0:02:31.720 --> 0:02:34.000
<v Speaker 3>He's like, you got your studio with you like all

0:02:34.000 --> 0:02:34.639
<v Speaker 3>the time.

0:02:34.760 --> 0:02:37.000
<v Speaker 5>Where you yo.

0:02:37.000 --> 0:02:39.280
<v Speaker 3>When he facetied me, I was recording in my office.

0:02:39.320 --> 0:02:41.320
<v Speaker 2>He's like, what you're doing. I'm like jotting down some ideas.

0:02:41.639 --> 0:02:42.560
<v Speaker 2>I mean, bring that ship over.

0:02:42.680 --> 0:02:46.120
<v Speaker 3>He had an empty new house. I had carpenters in

0:02:46.160 --> 0:02:49.840
<v Speaker 3>their buildings. So then there hammering, turning down walls and

0:02:49.840 --> 0:02:52.920
<v Speaker 3>shipga my nigga came in, popped up in the living

0:02:53.000 --> 0:02:55.480
<v Speaker 3>room and set the ship down. I'm like, my nigga

0:02:55.520 --> 0:02:57.360
<v Speaker 3>got the studio mobile, Like I ain't think of that,

0:02:57.720 --> 0:02:59.240
<v Speaker 3>and then you just start banging out. It started some

0:02:59.240 --> 0:03:01.000
<v Speaker 3>ships start coming out there. I started geting a little

0:03:01.680 --> 0:03:02.320
<v Speaker 3>what do you call that?

0:03:02.360 --> 0:03:04.200
<v Speaker 5>The cleft palette nigga?

0:03:06.280 --> 0:03:06.880
<v Speaker 2>What is that?

0:03:07.720 --> 0:03:07.760
<v Speaker 6>Like?

0:03:07.960 --> 0:03:08.160
<v Speaker 4>Man?

0:03:08.800 --> 0:03:10.560
<v Speaker 2>He allowed me, He allowed me to be me bro

0:03:10.680 --> 0:03:12.519
<v Speaker 2>and then I just told him, like, man, we're gonna

0:03:12.520 --> 0:03:14.480
<v Speaker 2>make it as easy as possible. Man, My god, Jay

0:03:14.480 --> 0:03:17.560
<v Speaker 2>Worthy came in and helped an artist situation and it just.

0:03:19.800 --> 0:03:21.359
<v Speaker 3>Exacted producer and one.

0:03:21.200 --> 0:03:23.840
<v Speaker 2>Of the forty days of Mad This Man, the album

0:03:23.880 --> 0:03:24.280
<v Speaker 2>came out.

0:03:24.440 --> 0:03:27.320
<v Speaker 1>So let me ask right, because one of my favorite

0:03:27.440 --> 0:03:30.720
<v Speaker 1>things about doing this show is asking the artists, what's there?

0:03:31.280 --> 0:03:32.000
<v Speaker 5>What they drinking?

0:03:32.400 --> 0:03:34.160
<v Speaker 1>So when I asked, they said, y'all was drinking Ace

0:03:34.200 --> 0:03:37.200
<v Speaker 1>of Spade. That's true, right, We're gonna drink some a space.

0:03:37.240 --> 0:03:39.080
<v Speaker 1>So this is what I want to do. I've never

0:03:39.080 --> 0:03:43.200
<v Speaker 1>did this on the show. I've been having this bottle

0:03:43.280 --> 0:03:46.760
<v Speaker 1>in my house for years. I've never brun this bottle

0:03:46.760 --> 0:03:49.880
<v Speaker 1>out when y'all said, I'm a Shampain drinker.

0:03:50.080 --> 0:03:51.560
<v Speaker 5>But when the other artists, when other.

0:03:51.480 --> 0:03:53.720
<v Speaker 1>Artists say they going to drink drink vodka with them,

0:03:53.840 --> 0:03:55.200
<v Speaker 1>they said, so I was so happy.

0:03:55.200 --> 0:03:56.760
<v Speaker 3>I was like, got classic.

0:03:58.960 --> 0:04:00.720
<v Speaker 1>So I said, let me let me not only bring

0:04:00.720 --> 0:04:03.160
<v Speaker 1>a spaper, let me bring one of these special bottles. Look,

0:04:03.200 --> 0:04:06.240
<v Speaker 1>look that is all that I show from that. That

0:04:06.400 --> 0:04:13.520
<v Speaker 1>is from Katier. That is from Katier. It's not Yeah, yeah,

0:04:13.800 --> 0:04:18.080
<v Speaker 1>you got so rich. I wanted to drink this. Y'all, brothers,

0:04:18.080 --> 0:04:20.160
<v Speaker 1>you know what I'm saying. You can't even buy that. Yes, yes,

0:04:20.320 --> 0:04:22.360
<v Speaker 1>So we went out, got glasses and ship. We tried

0:04:22.360 --> 0:04:25.040
<v Speaker 1>to have to you know, make sure y'all right, we

0:04:25.080 --> 0:04:27.719
<v Speaker 1>got fancy. So let me ask y'all man, the West

0:04:27.720 --> 0:04:31.159
<v Speaker 1>coast feels so much I don't want to say back, right,

0:04:31.200 --> 0:04:33.000
<v Speaker 1>because it's not like you're left somewhere, but it's just

0:04:33.040 --> 0:04:36.760
<v Speaker 1>like it's it's like a euphoric energy that's out there

0:04:36.839 --> 0:04:37.200
<v Speaker 1>right now.

0:04:37.200 --> 0:04:37.640
<v Speaker 5>It's like.

0:04:39.080 --> 0:04:40.520
<v Speaker 1>You understand what I'm trying to say. It's like it

0:04:41.360 --> 0:04:45.000
<v Speaker 1>feels unified, feels like a rebirth. Not only unification, it

0:04:45.000 --> 0:04:47.360
<v Speaker 1>feels like a rebirth. It just felt so good. Like,

0:04:47.640 --> 0:04:49.440
<v Speaker 1>how do y'all feel? How do you how you feeling

0:04:49.480 --> 0:04:49.960
<v Speaker 1>about that?

0:04:50.320 --> 0:04:50.640
<v Speaker 2>Ah?

0:04:50.720 --> 0:04:51.240
<v Speaker 3>Ship Man?

0:04:51.279 --> 0:04:53.800
<v Speaker 2>I think it kicked off with Tiger allis time the

0:04:53.880 --> 0:04:58.720
<v Speaker 2>year with Kanye and the dog Town Yeah right right,

0:04:58.720 --> 0:05:01.000
<v Speaker 2>you know what I'm saying, and that's coming with our project,

0:05:01.000 --> 0:05:04.159
<v Speaker 2>and then Kemvick just just fucking taking.

0:05:03.880 --> 0:05:04.520
<v Speaker 3>Over the world.

0:05:05.760 --> 0:05:08.880
<v Speaker 2>Yeah, it all kind of just happened like nobody kind

0:05:08.880 --> 0:05:11.520
<v Speaker 2>of knew what was going on, and ship Man, y'all

0:05:11.560 --> 0:05:13.479
<v Speaker 2>got to see us all together for the first time,

0:05:13.560 --> 0:05:15.919
<v Speaker 2>even like while we were doing the pop out, like

0:05:16.000 --> 0:05:17.800
<v Speaker 2>the Dog County, A Quick and Snoop was.

0:05:17.800 --> 0:05:23.680
<v Speaker 7>In Canada together, Like while my regime was doing we

0:05:23.680 --> 0:05:26.080
<v Speaker 7>were doing at home, they were back together in Canada

0:05:26.120 --> 0:05:28.680
<v Speaker 7>and it just looked crazy to the outside world.

0:05:28.720 --> 0:05:31.200
<v Speaker 2>You know what I'm saying, Look at everybody's working. I

0:05:31.200 --> 0:05:33.160
<v Speaker 2>can't really say a time where like the.

0:05:33.080 --> 0:05:34.119
<v Speaker 3>Younger guys are working.

0:05:34.360 --> 0:05:36.800
<v Speaker 2>The OG's in the vets, so it's kind of like

0:05:36.800 --> 0:05:38.680
<v Speaker 2>we jumped on a little bit on accident.

0:05:41.960 --> 0:05:43.920
<v Speaker 5>How do you feel quick about that? Man?

0:05:43.960 --> 0:05:46.520
<v Speaker 3>It's uh, you know, me being trying to be reclusive

0:05:46.960 --> 0:05:48.720
<v Speaker 3>and kick back and just stay out and the cut

0:05:49.920 --> 0:05:52.479
<v Speaker 3>to be outside. It's crazy to me, like I'm actually

0:05:52.560 --> 0:05:56.280
<v Speaker 3>outside and people are approaching me, people approaching me, like yo, man,

0:05:56.320 --> 0:05:58.400
<v Speaker 3>you understand love, it's good to see you outside.

0:05:58.440 --> 0:06:00.800
<v Speaker 5>And I'm like this, this nig this got me all

0:06:00.839 --> 0:06:01.400
<v Speaker 5>over here ship.

0:06:01.480 --> 0:06:03.679
<v Speaker 3>You know, it's that thirty four years with you, thirty

0:06:03.680 --> 0:06:05.440
<v Speaker 3>three thirty three, okay, make so much for.

0:06:05.360 --> 0:06:10.280
<v Speaker 1>That's last six months out here?

0:06:14.200 --> 0:06:18.000
<v Speaker 5>That sounding you gotta get it on camera. She's smart,

0:06:18.040 --> 0:06:18.280
<v Speaker 5>she got it.

0:06:18.320 --> 0:06:21.120
<v Speaker 1>Don't already, That's what I God, damn it, so hold on,

0:06:21.160 --> 0:06:23.120
<v Speaker 1>hold on, so let's let's let's let's get into the

0:06:23.120 --> 0:06:26.479
<v Speaker 1>new album right. One thing I liked it well, I

0:06:26.560 --> 0:06:34.120
<v Speaker 1>loved is the sound sounds new and classic at the

0:06:34.160 --> 0:06:36.920
<v Speaker 1>same time. At the same time. It's like it's like

0:06:37.360 --> 0:06:40.719
<v Speaker 1>you can't you know it's classic, you know it's classic,

0:06:40.760 --> 0:06:43.400
<v Speaker 1>but it's also that new flavor. You know what I'm saying.

0:06:43.640 --> 0:06:46.800
<v Speaker 1>So this is a question that I think I know

0:06:46.880 --> 0:06:49.760
<v Speaker 1>the answer. Did y'all make the project together? Like like

0:06:49.960 --> 0:06:51.839
<v Speaker 1>meaning like that was in the same studio at the

0:06:51.839 --> 0:06:52.320
<v Speaker 1>same time.

0:06:52.560 --> 0:06:53.320
<v Speaker 2>He had to be.

0:06:54.720 --> 0:06:58.440
<v Speaker 5>Like, that's what I remote.

0:06:58.480 --> 0:07:02.280
<v Speaker 3>Remote recording is a great concept where you got Jiggle

0:07:02.360 --> 0:07:04.880
<v Speaker 3>on the East coast, you got you know, Rick Ross

0:07:04.960 --> 0:07:07.560
<v Speaker 3>or Rick Rick Rock on the west and they just

0:07:07.600 --> 0:07:10.160
<v Speaker 3>share the you know, send the files and we'll mix it.

0:07:10.560 --> 0:07:12.880
<v Speaker 3>There's no synergy with that, you know what I mean,

0:07:12.920 --> 0:07:16.320
<v Speaker 3>there's it's just it's it's semantics, it's work. It's like, yeah,

0:07:16.320 --> 0:07:18.240
<v Speaker 3>we got the vocals, all right, go ahead, upload them.

0:07:18.240 --> 0:07:20.200
<v Speaker 3>You know, Nigga start putting his plugins on, sending back

0:07:20.240 --> 0:07:21.760
<v Speaker 3>y'all like it, Man, take some of the plugins.

0:07:21.760 --> 0:07:21.960
<v Speaker 5>You know.

0:07:22.120 --> 0:07:25.200
<v Speaker 3>It's but when you right there doing it and y'all

0:07:25.240 --> 0:07:28.560
<v Speaker 3>agree immediately, it makes the project move that much faster

0:07:28.640 --> 0:07:31.560
<v Speaker 3>because we'll play with a song and it'd be like

0:07:31.640 --> 0:07:33.480
<v Speaker 3>that's enough. We ain't gonta do shit else. We'll do

0:07:33.560 --> 0:07:35.280
<v Speaker 3>something right away. Like you know, if you need to

0:07:35.360 --> 0:07:37.040
<v Speaker 3>change a vocal, I go out of the room. I

0:07:37.040 --> 0:07:39.000
<v Speaker 3>go in there and start cooking, making tacos or whatever.

0:07:39.240 --> 0:07:40.160
<v Speaker 3>My man is in there.

0:07:40.680 --> 0:07:42.800
<v Speaker 5>You know, he's a power approach tools power us.

0:07:42.720 --> 0:07:45.000
<v Speaker 3>Here and it's typing quiet turned to the mic, who

0:07:46.200 --> 0:07:49.000
<v Speaker 3>last Bogus Like, all right, I got that. Then I'll

0:07:49.000 --> 0:07:51.080
<v Speaker 3>come and change it because we got two different styles

0:07:51.120 --> 0:07:53.120
<v Speaker 3>of using pro tools. I'll switch it back to my

0:07:53.200 --> 0:07:54.880
<v Speaker 3>way and be short key. I'll be trying to show

0:07:54.920 --> 0:07:56.440
<v Speaker 3>you my short because you're like, I learned it one way.

0:07:56.440 --> 0:07:58.640
<v Speaker 3>I'm keeping it one with Okay, I see all your business.

0:07:58.880 --> 0:08:01.000
<v Speaker 3>Then niggas celebrit you start popping up his ship.

0:08:01.000 --> 0:08:01.440
<v Speaker 5>I'm in there.

0:08:01.440 --> 0:08:03.840
<v Speaker 3>This there, why we's come in the game.

0:08:03.920 --> 0:08:07.000
<v Speaker 5>Why you know what walking in? Even the features was

0:08:07.040 --> 0:08:11.680
<v Speaker 5>done together. Everything was done in forty days. Bro.

0:08:11.800 --> 0:08:14.480
<v Speaker 2>I like to call it like elevating nostalgia. It's like

0:08:14.520 --> 0:08:17.040
<v Speaker 2>we want to make sure that the album started with

0:08:17.080 --> 0:08:20.040
<v Speaker 2>what quick fan base it's known for it, but with

0:08:20.240 --> 0:08:23.360
<v Speaker 2>using newer sounds and then me thinking of where the

0:08:23.440 --> 0:08:25.160
<v Speaker 2>West is about to go and where the world's about

0:08:25.200 --> 0:08:26.720
<v Speaker 2>to go. That's where you get the case nowge the

0:08:26.760 --> 0:08:29.600
<v Speaker 2>channel treasures on the second half. So everything was done intentional.

0:08:29.640 --> 0:08:31.800
<v Speaker 2>As far as the features though, like the ones that

0:08:31.880 --> 0:08:32.640
<v Speaker 2>are the people from.

0:08:32.600 --> 0:08:33.480
<v Speaker 5>La they came.

0:08:33.840 --> 0:08:35.800
<v Speaker 2>But Jay jay Worthy, Bro, you're gonna hear his name

0:08:35.800 --> 0:08:38.199
<v Speaker 2>of a lot of his interview. Once we brought him

0:08:38.200 --> 0:08:40.160
<v Speaker 2>in to do, like the n R stuff. I would

0:08:40.160 --> 0:08:42.320
<v Speaker 2>get a call like, yo, send me that beat, and

0:08:42.360 --> 0:08:44.520
<v Speaker 2>then the day later the currency future pop up or

0:08:44.559 --> 0:08:46.560
<v Speaker 2>send me that other one, Larry Jone Future will pop

0:08:46.640 --> 0:08:49.320
<v Speaker 2>up seeing the other one ce Low pop up and

0:08:49.360 --> 0:08:54.880
<v Speaker 2>you're like, oh ship, So now we're like building around them. Yeah,

0:08:54.880 --> 0:08:56.880
<v Speaker 2>we're facetiming on face time a little John like, oh,

0:08:56.920 --> 0:08:58.840
<v Speaker 2>how you want to do this? Boom boom boom bro

0:08:58.960 --> 0:09:01.720
<v Speaker 2>That forty days was madness. I've never done an album

0:09:01.760 --> 0:09:01.960
<v Speaker 2>with that.

0:09:02.400 --> 0:09:02.880
<v Speaker 5>You forgot.

0:09:02.920 --> 0:09:05.319
<v Speaker 3>Little John was preparing for the super Bowl, so he

0:09:05.360 --> 0:09:06.120
<v Speaker 3>didn't have time.

0:09:06.360 --> 0:09:09.920
<v Speaker 5>What made time to be on that? On that workout sit.

0:09:09.800 --> 0:09:17.640
<v Speaker 3>In the back, it was like, yeah, he's like mush

0:09:17.760 --> 0:09:20.040
<v Speaker 3>rushed me right now, but I'm finishing at the time.

0:09:20.080 --> 0:09:22.080
<v Speaker 3>I don't know what he's talking about. I'm like, all right, well,

0:09:22.520 --> 0:09:23.480
<v Speaker 3>I'm gon taking what you got.

0:09:23.840 --> 0:09:26.920
<v Speaker 2>Next week the super Bowl, the week before his biggest moment,

0:09:26.960 --> 0:09:28.480
<v Speaker 2>He's send us out something for tu for cop.

0:09:28.800 --> 0:09:31.000
<v Speaker 5>Couldn't I couldn't believe it. Bro shott to John, God damn.

0:09:33.760 --> 0:09:37.320
<v Speaker 1>But coming to coming into this project knowing you know,

0:09:37.600 --> 0:09:40.080
<v Speaker 1>and then this is the question for you knowing Quick's history, man,

0:09:40.720 --> 0:09:44.080
<v Speaker 1>you know that he's done all legendary ship, He's still iconic.

0:09:45.120 --> 0:09:47.280
<v Speaker 1>Was that was that like a burden on your back

0:09:47.280 --> 0:09:49.880
<v Speaker 1>because you don't want to be the one project relationship already?

0:09:50.000 --> 0:09:50.120
<v Speaker 2>Right?

0:09:53.000 --> 0:09:56.400
<v Speaker 5>This this this worked up the legacy, not a lot

0:09:56.480 --> 0:09:56.720
<v Speaker 5>on you.

0:09:57.000 --> 0:10:00.360
<v Speaker 2>Honestly, it's like it was the complete opposite, Like, can't

0:10:00.400 --> 0:10:02.640
<v Speaker 2>fuck it up with you around something this great because he's.

0:10:02.480 --> 0:10:03.240
<v Speaker 3>Not gonna let you.

0:10:03.880 --> 0:10:04.680
<v Speaker 5>He'll stop you.

0:10:04.800 --> 0:10:07.880
<v Speaker 2>Like nah, No, I'm not putting my name on this

0:10:07.920 --> 0:10:09.200
<v Speaker 2>if it don't work. I've seen him do it with

0:10:09.240 --> 0:10:11.440
<v Speaker 2>other artists, so I knew what it was going in

0:10:11.800 --> 0:10:13.840
<v Speaker 2>and you know what I'm saying, and he knows, he

0:10:13.960 --> 0:10:16.199
<v Speaker 2>knows where I want to go, and he knows I'm

0:10:16.240 --> 0:10:18.000
<v Speaker 2>ready to push the limit. Like he the one who

0:10:18.080 --> 0:10:20.840
<v Speaker 2>reminds me to stay dangerous when we do music. Wow,

0:10:20.960 --> 0:10:23.360
<v Speaker 2>so long as I stay under the tuolage of what

0:10:23.400 --> 0:10:26.000
<v Speaker 2>he's been teaching me since we met in six oh seven,

0:10:26.760 --> 0:10:29.959
<v Speaker 2>Like nah, I'm like nah. Plus after funk, I'm telling

0:10:30.000 --> 0:10:31.640
<v Speaker 2>he was a new house bro. I walk in and

0:10:31.640 --> 0:10:33.240
<v Speaker 2>he hadn't put the plaques up yet, so they were

0:10:33.280 --> 0:10:36.520
<v Speaker 2>just stacked all up on his fireplace and I'm talking

0:10:36.520 --> 0:10:40.520
<v Speaker 2>about all eyes on me right here, Jai Jackson right here.

0:10:41.280 --> 0:10:42.600
<v Speaker 3>Black album right here.

0:10:44.240 --> 0:10:45.760
<v Speaker 2>No, there's no way in hell we're not going to

0:10:45.840 --> 0:10:47.920
<v Speaker 2>make an amazing album with this type of vision in

0:10:47.920 --> 0:10:48.360
<v Speaker 2>front of me.

0:10:48.440 --> 0:10:48.760
<v Speaker 4>Everything.

0:10:51.600 --> 0:10:54.000
<v Speaker 2>There's like two hundred million in plaques right here.

0:10:54.160 --> 0:11:00.000
<v Speaker 3>Every day like then, he's making fire tacoup, he's popping shot.

0:11:00.559 --> 0:11:02.520
<v Speaker 2>And he just made it feel like he let me

0:11:02.520 --> 0:11:04.200
<v Speaker 2>make it feel like it was my home, bro, and

0:11:04.200 --> 0:11:04.840
<v Speaker 2>it just for me.

0:11:04.880 --> 0:11:07.400
<v Speaker 5>It's like, this is the reason why I do music. Bro.

0:11:07.440 --> 0:11:10.439
<v Speaker 2>I'm a young kid from Compton listening to safe and

0:11:10.520 --> 0:11:12.320
<v Speaker 2>sound so I won't get in trouble on the low.

0:11:12.679 --> 0:11:14.920
<v Speaker 2>And for him, first time I even got to really

0:11:14.960 --> 0:11:17.559
<v Speaker 2>see him. For Terris Martin brought this nigga in my

0:11:17.600 --> 0:11:19.960
<v Speaker 2>house one in the morning. They were working on ego tripping,

0:11:20.320 --> 0:11:22.160
<v Speaker 2>Like y'all gotta pee. I'm like, what you mean, just

0:11:22.200 --> 0:11:24.680
<v Speaker 2>open the door. This nigga come running in my house

0:11:24.720 --> 0:11:25.199
<v Speaker 2>and comps in.

0:11:25.160 --> 0:11:26.000
<v Speaker 5>In two thousand and.

0:11:26.040 --> 0:11:29.559
<v Speaker 2>Eight, I got to pee blood at the time. I

0:11:29.600 --> 0:11:33.319
<v Speaker 2>ain't I ain't worth shit. I'm like, oh my god,

0:11:33.320 --> 0:11:35.760
<v Speaker 2>nobody's gonna believe this snick quicker in his house peing, bro.

0:11:36.360 --> 0:11:38.080
<v Speaker 2>So I had to take a picture, but my mom

0:11:38.760 --> 0:11:39.800
<v Speaker 2>because it's like one in the morning.

0:11:40.960 --> 0:11:44.240
<v Speaker 5>So the say, hey, hey, you hungry.

0:11:44.240 --> 0:11:44.960
<v Speaker 3>I'm like yeah.

0:11:45.000 --> 0:11:46.839
<v Speaker 2>He like, I'm about to go make homemade posta and

0:11:47.320 --> 0:11:48.600
<v Speaker 2>homemade PILs from scratch.

0:11:48.600 --> 0:11:51.000
<v Speaker 5>You want to go to the studio. We went to

0:11:51.040 --> 0:11:51.640
<v Speaker 5>the grocery store.

0:11:51.679 --> 0:11:54.199
<v Speaker 2>This nigga literally made posta from scratching apple pie? Is that?

0:11:54.840 --> 0:11:55.400
<v Speaker 3>Say to god?

0:11:55.440 --> 0:12:02.120
<v Speaker 2>This is my first really counterwe turn I swear, yeah,

0:12:02.160 --> 0:12:04.640
<v Speaker 2>I'll cook for you. It was one in the morning.

0:12:04.679 --> 0:12:05.960
<v Speaker 2>He's fine through commed it out.

0:12:06.000 --> 0:12:06.320
<v Speaker 5>Of course.

0:12:06.360 --> 0:12:07.839
<v Speaker 2>I don't know what they were doing, and they were

0:12:07.840 --> 0:12:09.400
<v Speaker 2>doing something doing cocaine.

0:12:09.679 --> 0:12:12.160
<v Speaker 3>There it is, but they came out the walk off.

0:12:18.440 --> 0:12:20.920
<v Speaker 1>By the way, I love the hip. I've been saving

0:12:20.920 --> 0:12:23.959
<v Speaker 1>this ship for so long. And this is a special moment. Man,

0:12:26.920 --> 0:12:27.920
<v Speaker 1>this is a special moment.

0:12:28.000 --> 0:12:30.320
<v Speaker 3>He left out something important when that after I came out,

0:12:30.400 --> 0:12:31.000
<v Speaker 3>washed up, came.

0:12:30.880 --> 0:12:32.880
<v Speaker 5>Out of the bathroom. I look up.

0:12:33.240 --> 0:12:35.480
<v Speaker 3>This nigga got a studio on the den like I had.

0:12:35.520 --> 0:12:37.160
<v Speaker 3>That's how I came up like Quis. The name was

0:12:37.200 --> 0:12:39.800
<v Speaker 3>done in a in a kitchen nook with my turn

0:12:39.840 --> 0:12:40.959
<v Speaker 3>table was on the ironing board.

0:12:41.400 --> 0:12:42.280
<v Speaker 2>So I seen him with it.

0:12:42.360 --> 0:12:44.600
<v Speaker 5>I'm like, you know, Brook, memory like, you got a

0:12:44.640 --> 0:12:46.280
<v Speaker 5>studio up? Sht up there. He's showing me a little

0:12:46.280 --> 0:12:47.120
<v Speaker 5>ship on pro tools.

0:12:47.160 --> 0:12:48.960
<v Speaker 3>I'm like, yeah, I'm gonna learn that, but we gotta

0:12:48.960 --> 0:12:50.640
<v Speaker 3>go back to the studio they put up.

0:12:50.840 --> 0:12:52.520
<v Speaker 5>I had one of my ponds. You know what I'm saying.

0:12:52.520 --> 0:12:54.400
<v Speaker 3>They used to do the things he used to do.

0:12:54.600 --> 0:12:55.840
<v Speaker 5>He knew I did music.

0:12:55.920 --> 0:12:56.800
<v Speaker 3>So he came out with.

0:12:57.120 --> 0:12:59.600
<v Speaker 2>He like, bro, I got all this, I got all

0:12:59.600 --> 0:13:01.160
<v Speaker 2>this quip. I don't know what you need, but just

0:13:01.160 --> 0:13:04.360
<v Speaker 2>take what you need. So I started building this this studio.

0:13:04.600 --> 0:13:10.880
<v Speaker 2>You engineer yourself, yeaheer So yeah, engineer makes not like this.

0:13:13.400 --> 0:13:14.400
<v Speaker 5>Get it so sufficient?

0:13:14.480 --> 0:13:15.600
<v Speaker 3>Yeah? For sure?

0:13:15.679 --> 0:13:16.040
<v Speaker 2>For sure.

0:13:16.080 --> 0:13:17.360
<v Speaker 5>Well quick, let me ask you a question.

0:13:17.520 --> 0:13:20.600
<v Speaker 1>I guess it's a two part question because it never

0:13:20.679 --> 0:13:24.600
<v Speaker 1>seemed like you had a dry time. It just seems

0:13:24.640 --> 0:13:28.319
<v Speaker 1>like you've always been, for lack of a better term,

0:13:28.559 --> 0:13:32.640
<v Speaker 1>that nigga. You always and not only that, it always

0:13:32.679 --> 0:13:34.600
<v Speaker 1>seems seemed like you was never out of the loop.

0:13:34.679 --> 0:13:37.120
<v Speaker 1>Sometimes when a person can continue to be that person,

0:13:37.520 --> 0:13:39.720
<v Speaker 1>they won't relate to the new generation, or they'll be

0:13:39.720 --> 0:13:40.760
<v Speaker 1>out of the loop or someone.

0:13:40.880 --> 0:13:41.960
<v Speaker 5>How do you maintain that?

0:13:42.040 --> 0:13:44.079
<v Speaker 1>Because to me, it seems like you're in the loop

0:13:44.320 --> 0:13:46.120
<v Speaker 1>and you've never kind of like fell off, I had

0:13:46.120 --> 0:13:47.760
<v Speaker 1>a dry spell. That shit is amazing to me.

0:13:48.120 --> 0:13:51.760
<v Speaker 3>I appreciate that, you know. I just looked at you

0:13:51.760 --> 0:13:54.400
<v Speaker 3>know there. We have our times to be effective in

0:13:54.520 --> 0:13:57.000
<v Speaker 3>hip hop, and sometimes some of us push it too

0:13:57.080 --> 0:13:59.319
<v Speaker 3>much and put out records a little too early just

0:13:59.360 --> 0:14:01.040
<v Speaker 3>because we called a way with the last record, you

0:14:01.080 --> 0:14:01.800
<v Speaker 3>want to cash in.

0:14:02.280 --> 0:14:03.360
<v Speaker 5>I did that one time.

0:14:03.559 --> 0:14:06.240
<v Speaker 3>I followed Rhythmalism with Balance and Options, and I didn't

0:14:06.280 --> 0:14:08.920
<v Speaker 3>quite finish Balance and Options. Plus my homeboy Monsburg was

0:14:09.000 --> 0:14:11.040
<v Speaker 3>murdered during the time I was making that record, so

0:14:11.440 --> 0:14:14.040
<v Speaker 3>I didn't finish it with the QUI I thing. It's quality.

0:14:14.080 --> 0:14:17.160
<v Speaker 3>I love quality control. I love making sure it shit

0:14:17.240 --> 0:14:20.320
<v Speaker 3>sound good and last forever. That's my whole thing. But

0:14:21.080 --> 0:14:24.000
<v Speaker 3>when that when that part came and I put out

0:14:24.000 --> 0:14:25.720
<v Speaker 3>that record and it didn't go go, it didn't played.

0:14:25.720 --> 0:14:27.640
<v Speaker 3>That was my first record that didn't plack. So that

0:14:27.760 --> 0:14:30.360
<v Speaker 3>was like a signal to RAS like, uh oh in

0:14:30.400 --> 0:14:32.320
<v Speaker 3>the wall, that's it, get out.

0:14:32.360 --> 0:14:32.520
<v Speaker 2>Yeah.

0:14:32.520 --> 0:14:34.120
<v Speaker 3>I was on as Clive Days on the Boss, you know,

0:14:34.120 --> 0:14:37.280
<v Speaker 3>shout out to Clyde. So then I just I asked

0:14:37.280 --> 0:14:39.320
<v Speaker 3>for a release. I was like, maybe it's time. Maybe

0:14:39.320 --> 0:14:40.480
<v Speaker 3>it's time for me to sit down. I got a

0:14:40.480 --> 0:14:42.680
<v Speaker 3>record that didn't plack, and I, you know, being a kid,

0:14:42.760 --> 0:14:44.720
<v Speaker 3>I should have shut the fuck up and just sat

0:14:44.760 --> 0:14:47.200
<v Speaker 3>down and saved my budget till later, till when it's sign.

0:14:47.680 --> 0:14:49.680
<v Speaker 5>But I stopped doing my ship.

0:14:49.560 --> 0:14:51.760
<v Speaker 3>And then just started fucking with everybody else, Like I

0:14:51.840 --> 0:14:55.360
<v Speaker 3>just went underground, got a release from Arista. Then when

0:14:55.360 --> 0:14:57.040
<v Speaker 3>I started fucking with Doctor Dre with the M and

0:14:57.200 --> 0:14:59.160
<v Speaker 3>M and fifty cent shit, and I started went, I

0:14:59.200 --> 0:15:01.280
<v Speaker 3>went fucking with R and B shit. I was like

0:15:02.000 --> 0:15:06.440
<v Speaker 3>Dina Howard and you know, uh, Jeborah Cox and Jannet Jackson,

0:15:06.520 --> 0:15:08.800
<v Speaker 3>and you know, I just was just producing, like like

0:15:08.880 --> 0:15:11.440
<v Speaker 3>fucking I'm just stay underground and you know, pull up

0:15:11.480 --> 0:15:14.000
<v Speaker 3>to these studios and a little you know, little little

0:15:14.000 --> 0:15:17.640
<v Speaker 3>the little e class bits, not the bigs, you know, jumping.

0:15:17.400 --> 0:15:18.040
<v Speaker 5>Out with a drummer.

0:15:18.080 --> 0:15:19.880
<v Speaker 3>She I even moved to fucking New York for three

0:15:19.960 --> 0:15:22.760
<v Speaker 3>years bro in two thousand before the towers fell in

0:15:22.800 --> 0:15:23.520
<v Speaker 3>Chelsea Village.

0:15:23.520 --> 0:15:27.240
<v Speaker 8>Son Wow, I was on six and twenty seven.

0:15:27.280 --> 0:15:29.120
<v Speaker 3>I was on Avenue in Americas in twenty seventh Street.

0:15:29.440 --> 0:15:32.760
<v Speaker 1>So the person, a person is looking and saying that

0:15:32.800 --> 0:15:36.840
<v Speaker 1>like because like, again, your career is just luxurious, man,

0:15:36.920 --> 0:15:40.400
<v Speaker 1>you know what I'm saying. And there's so many people

0:15:41.200 --> 0:15:46.040
<v Speaker 1>quite heil on Monday, that'll be going on Wednesday, and

0:15:46.560 --> 0:15:49.240
<v Speaker 1>you blast to have this crazy career. If a kid

0:15:49.280 --> 0:15:51.240
<v Speaker 1>is looking at that right now saying I want to

0:15:51.480 --> 0:15:55.920
<v Speaker 1>basically like like be behind DJ quick.

0:15:55.960 --> 0:15:57.680
<v Speaker 5>What would you what advice would you say to all?

0:15:57.760 --> 0:15:57.960
<v Speaker 9>Man?

0:15:58.000 --> 0:16:01.520
<v Speaker 3>It's a it's a tough road, but you have to

0:16:01.600 --> 0:16:04.400
<v Speaker 3>keep believing in what you do, even if don't nobody

0:16:04.440 --> 0:16:07.120
<v Speaker 3>else believe it, because sometimes you have to make them

0:16:07.600 --> 0:16:09.560
<v Speaker 3>understand that they need to believe in what you're doing,

0:16:09.920 --> 0:16:13.600
<v Speaker 3>and they'll do that with you're being consistent. After a while,

0:16:13.760 --> 0:16:16.880
<v Speaker 3>it's like if you can't beat them, arrange to have

0:16:16.960 --> 0:16:19.760
<v Speaker 3>them beaten, you know, join them.

0:16:19.840 --> 0:16:22.120
<v Speaker 5>And I think you mentioned quality. I think that's a

0:16:22.200 --> 0:16:23.120
<v Speaker 5>key thing too to you.

0:16:23.560 --> 0:16:25.400
<v Speaker 6>Like everything you put the most quality, and it's the

0:16:25.400 --> 0:16:28.120
<v Speaker 6>consistency of the quality. A lot of people don't, they

0:16:28.120 --> 0:16:30.800
<v Speaker 6>don't care about the quality, just might not be consistent,

0:16:31.040 --> 0:16:33.280
<v Speaker 6>no quality at all. But your stuff always sounded good

0:16:33.440 --> 0:16:34.080
<v Speaker 6>as on point.

0:16:34.160 --> 0:16:35.840
<v Speaker 5>It always was. The quality was right there.

0:16:35.920 --> 0:16:37.480
<v Speaker 1>That was That was one of the best things about

0:16:37.480 --> 0:16:40.520
<v Speaker 1>the album too, was the secret sing and you know

0:16:40.880 --> 0:16:42.640
<v Speaker 1>how you know it was all put together.

0:16:42.400 --> 0:16:45.080
<v Speaker 5>Like how you like all sounded clips just got you

0:16:45.160 --> 0:16:45.600
<v Speaker 5>over here.

0:16:46.040 --> 0:16:49.160
<v Speaker 1>So it's sounds like if your engineer was working, Yeah right,

0:16:49.160 --> 0:16:51.400
<v Speaker 1>we were.

0:16:51.720 --> 0:16:53.360
<v Speaker 2>I mean, I think I think the beauty of us

0:16:53.360 --> 0:16:58.240
<v Speaker 2>both being engineers makes it where you're not waiting or

0:16:58.320 --> 0:17:01.440
<v Speaker 2>having to tell somebody your ideas. It's like, if he

0:17:01.440 --> 0:17:04.080
<v Speaker 2>hears something, he can like I get up here, I

0:17:04.080 --> 0:17:05.920
<v Speaker 2>got it, and then he can execute.

0:17:05.480 --> 0:17:06.639
<v Speaker 3>It and then go to doing it.

0:17:06.760 --> 0:17:08.479
<v Speaker 2>I'm like, hey, I want to make this the late

0:17:08.480 --> 0:17:10.760
<v Speaker 2>clop like this, He'll just hop ups down, whoop. So

0:17:11.080 --> 0:17:13.720
<v Speaker 2>it made it go real fast and the luxury already

0:17:13.760 --> 0:17:16.280
<v Speaker 2>he's DJ quick, but we're doing a song and it's

0:17:16.320 --> 0:17:19.119
<v Speaker 2>probably about to get mixed right when we're done, so

0:17:19.160 --> 0:17:20.600
<v Speaker 2>it just cuts the time down.

0:17:21.000 --> 0:17:21.640
<v Speaker 5>You know what I'm saying.

0:17:21.640 --> 0:17:23.679
<v Speaker 2>The signal flow is going in perfect because all the

0:17:23.720 --> 0:17:25.680
<v Speaker 2>clocks he got, and if you get to talk from

0:17:25.680 --> 0:17:29.760
<v Speaker 2>clocks and and and synergy and what way goes through.

0:17:30.000 --> 0:17:32.040
<v Speaker 2>You know, Bro's to the point where we have to mix.

0:17:32.080 --> 0:17:36.159
<v Speaker 2>Ship Like I'm already going in mixed shout in my voice.

0:17:36.160 --> 0:17:38.440
<v Speaker 2>It was crazy, it was crazy. He's on one, He's

0:17:38.440 --> 0:17:41.160
<v Speaker 2>onto one. I bought some different.

0:17:42.440 --> 0:17:53.200
<v Speaker 9>Yeah, what was that was that?

0:17:53.200 --> 0:17:57.400
<v Speaker 5>That was dope? That was it's you know, I'm into

0:17:57.480 --> 0:17:59.000
<v Speaker 5>the engineering side of it.

0:18:00.080 --> 0:18:01.399
<v Speaker 3>Yeah, just took me off. What the hell was that

0:18:01.600 --> 0:18:04.080
<v Speaker 3>was talking about talking about the clocks? Oh yeah, so

0:18:04.400 --> 0:18:06.119
<v Speaker 3>you know, you got to spend a little money to

0:18:06.119 --> 0:18:08.240
<v Speaker 3>get these records to sound like as best they can.

0:18:08.359 --> 0:18:10.639
<v Speaker 3>Like some of us try to go back to the

0:18:10.640 --> 0:18:13.040
<v Speaker 3>way shit used to sound with the you know, the tapes,

0:18:13.400 --> 0:18:14.080
<v Speaker 3>but that shit.

0:18:14.000 --> 0:18:15.840
<v Speaker 5>Is like it's just not economical.

0:18:15.920 --> 0:18:18.320
<v Speaker 3>It's just you can't pull a tape machine in your

0:18:18.359 --> 0:18:21.320
<v Speaker 3>fucking house, but you can get these cool pre amps.

0:18:21.359 --> 0:18:23.080
<v Speaker 3>So I bought these new pre ams because I'm like,

0:18:23.200 --> 0:18:25.280
<v Speaker 3>if we're going to do a new record, let's go

0:18:25.359 --> 0:18:26.960
<v Speaker 3>for a whole new sound. I mean, we've been using

0:18:26.960 --> 0:18:29.359
<v Speaker 3>this ship for the longest. This shit is getting dated.

0:18:29.400 --> 0:18:32.320
<v Speaker 3>I bought new fucking a to D's. I bought a

0:18:32.400 --> 0:18:34.880
<v Speaker 3>new fucking Vibeman. What's it called, a little pre am

0:18:35.040 --> 0:18:38.720
<v Speaker 3>Io one, a little new Neve or focus, Right, we

0:18:38.800 --> 0:18:41.280
<v Speaker 3>got new microphones. We plugging the shit in testing tests

0:18:41.320 --> 0:18:43.359
<v Speaker 3>and test test tests, and the shit sound like how

0:18:43.400 --> 0:18:45.400
<v Speaker 3>this shit sound right now? It just sounded super dumb

0:18:45.440 --> 0:18:48.199
<v Speaker 3>ass clean, And when it's clean. It's like you just

0:18:48.200 --> 0:18:50.760
<v Speaker 3>come up with these other ideas because it's like, this

0:18:50.840 --> 0:18:53.960
<v Speaker 3>don't sound like the noyman you know microphone I'm using

0:18:54.000 --> 0:18:55.640
<v Speaker 3>like in eighty five when I'm doing safe the sound,

0:18:55.680 --> 0:18:59.399
<v Speaker 3>this is some new bright, too clean shit. So you

0:18:59.400 --> 0:19:00.800
<v Speaker 3>know it's another sound.

0:19:00.920 --> 0:19:02.960
<v Speaker 5>So we just we we did it with the music too.

0:19:03.000 --> 0:19:06.040
<v Speaker 3>We just went to another pool of music, another pool

0:19:06.080 --> 0:19:09.120
<v Speaker 3>of samples, like, let's match this whole new microphone sound

0:19:09.400 --> 0:19:10.680
<v Speaker 3>with these new sound and beats.

0:19:10.720 --> 0:19:13.240
<v Speaker 2>And this got quarterback with some like minded people though too,

0:19:13.280 --> 0:19:16.560
<v Speaker 2>like Dominique Sanders. I want to shot him out ever

0:19:16.840 --> 0:19:18.960
<v Speaker 2>so bad. He came in into a lot of heavy

0:19:19.000 --> 0:19:23.359
<v Speaker 2>lifting production wise with us, crazy cat out of fucking

0:19:23.400 --> 0:19:26.879
<v Speaker 2>Kansas City. But he knew the language right, so where

0:19:27.359 --> 0:19:30.000
<v Speaker 2>where we I would say, we're probably older than him.

0:19:30.320 --> 0:19:32.159
<v Speaker 2>He knew the while we were dialing the way we

0:19:32.240 --> 0:19:34.160
<v Speaker 2>dial in. He'll be sitting over there and the cut

0:19:34.200 --> 0:19:37.359
<v Speaker 2>having his whiskey on a computer doing able to speeding

0:19:37.440 --> 0:19:39.080
<v Speaker 2>up the ship. We need sped up and just be

0:19:39.119 --> 0:19:41.480
<v Speaker 2>like all plug in. Yeah, and when you got three

0:19:41.520 --> 0:19:44.600
<v Speaker 2>in the that's like already understanding the rhythm like by

0:19:44.720 --> 0:19:47.480
<v Speaker 2>song three. That's why we ended up with like forty

0:19:47.520 --> 0:19:48.119
<v Speaker 2>something records.

0:19:48.640 --> 0:19:52.040
<v Speaker 6>Y'all was working and vocally though y'all like lyrically it

0:19:52.160 --> 0:19:54.560
<v Speaker 6>was there like y'all was challenging each other, like how

0:19:54.640 --> 0:19:58.080
<v Speaker 6>was that doing the vocals and lyrically, man coming after the.

0:19:58.000 --> 0:20:00.280
<v Speaker 5>Records, be a little candid this nigga on me.

0:20:00.640 --> 0:20:03.560
<v Speaker 3>I'm in the back room on my PS five killing

0:20:03.560 --> 0:20:06.320
<v Speaker 3>the motherfuckers on Sniper Leaf five and ship gun niggas down,

0:20:06.600 --> 0:20:09.439
<v Speaker 3>knocking the eyeballs out, and then he'll I'll hear something

0:20:09.920 --> 0:20:10.840
<v Speaker 3>and I'll run in there.

0:20:11.320 --> 0:20:12.840
<v Speaker 5>My fucking Jordan Shorte was like.

0:20:12.960 --> 0:20:15.600
<v Speaker 3>Hey, hey, let me hear that play that turn that

0:20:15.680 --> 0:20:17.320
<v Speaker 3>up that nigga turned up and be like okay, cool.

0:20:17.320 --> 0:20:19.840
<v Speaker 3>So I'll be in there thinking writing and he'll be like, hey,

0:20:19.840 --> 0:20:21.960
<v Speaker 3>it's ready for vocals. I go in there, jump on

0:20:22.000 --> 0:20:24.760
<v Speaker 3>the micsit down and record my vocals to match what

0:20:24.760 --> 0:20:26.280
<v Speaker 3>I'm hearing, Like, let me jump in this shit.

0:20:26.320 --> 0:20:28.880
<v Speaker 5>It's almost like, you know, it's like double Dutch. It's

0:20:28.920 --> 0:20:32.120
<v Speaker 5>like it was somebody jump in. But it was crazy too.

0:20:32.160 --> 0:20:34.000
<v Speaker 2>One time we were working on the beat, like me

0:20:34.040 --> 0:20:36.280
<v Speaker 2>and Dominic were doing something and we think the house

0:20:36.359 --> 0:20:38.920
<v Speaker 2>is quiet, you know what I'm saying I'm just doing

0:20:38.920 --> 0:20:39.280
<v Speaker 2>a drum.

0:20:39.320 --> 0:20:39.760
<v Speaker 5>We're doing it.

0:20:39.800 --> 0:20:42.439
<v Speaker 2>I'm riding the hook and then I just hear from

0:20:42.480 --> 0:20:51.880
<v Speaker 2>the back, Yo, go down down down drums sleep. I said, huh,

0:20:52.000 --> 0:20:54.960
<v Speaker 2>he can't walking out? Look down down down drums here,

0:20:55.000 --> 0:20:57.159
<v Speaker 2>take this little bounds and he found it. He's like,

0:20:57.160 --> 0:20:58.959
<v Speaker 2>all right, put those in there and then walk back

0:20:59.080 --> 0:20:59.840
<v Speaker 2>like some Yoda ship.

0:21:01.800 --> 0:21:02.320
<v Speaker 3>I just did it.

0:21:02.440 --> 0:21:04.960
<v Speaker 5>I'm like, all right, put him in there and was

0:21:05.000 --> 0:21:05.400
<v Speaker 5>he right?

0:21:05.600 --> 0:21:07.600
<v Speaker 3>But I'm like, how the did he know?

0:21:07.960 --> 0:21:09.480
<v Speaker 5>It's just on the game with headfall?

0:21:09.960 --> 0:21:10.239
<v Speaker 3>You know?

0:21:10.240 --> 0:21:12.840
<v Speaker 5>How he heard this song was calling for that because of.

0:21:12.800 --> 0:21:15.520
<v Speaker 3>The melody, like this was some some ship that dom

0:21:15.680 --> 0:21:18.119
<v Speaker 3>dom it wrote and we ultimately ended up getting the

0:21:18.119 --> 0:21:19.920
<v Speaker 3>Free Nationals on it because it's just so open.

0:21:19.920 --> 0:21:23.399
<v Speaker 5>It's just on the too high waves. George Clinton Waz

0:21:23.440 --> 0:21:26.600
<v Speaker 5>ended up hopping on it. That's in my notes. Man, you.

0:21:30.800 --> 0:21:32.840
<v Speaker 1>Ask me ask something because I seen you say in

0:21:32.880 --> 0:21:35.119
<v Speaker 1>the interview that one of the Llis people that you

0:21:35.200 --> 0:21:36.560
<v Speaker 1>was in the studio was Tupac.

0:21:36.640 --> 0:21:36.760
<v Speaker 5>Right.

0:21:37.040 --> 0:21:38.600
<v Speaker 1>It made me think about it today. What are the

0:21:38.680 --> 0:21:42.199
<v Speaker 1>Tupac and Problem records sound like? Man, this man just

0:21:42.200 --> 0:21:44.600
<v Speaker 1>gave me chills thinking about that. It's funny because this

0:21:44.680 --> 0:21:45.720
<v Speaker 1>Nigga is Tupac junior.

0:21:46.080 --> 0:21:49.760
<v Speaker 3>So Pak would have been trying to That's why I first,

0:21:50.400 --> 0:21:52.080
<v Speaker 3>you know, and then then he would have after he

0:21:52.200 --> 0:21:54.560
<v Speaker 3>signed him and making me respect him, then he would

0:21:54.560 --> 0:21:56.840
<v Speaker 3>have showed you his ship in the vault. It was like, hey,

0:21:56.920 --> 0:21:58.680
<v Speaker 3>give me something for this, or right, help me write this.

0:21:59.680 --> 0:22:01.960
<v Speaker 3>I never seeing ask anybody to help him write anything,

0:22:02.160 --> 0:22:04.280
<v Speaker 3>but for some reason, he probably would have trusted you

0:22:04.359 --> 0:22:05.240
<v Speaker 3>to help him write ship.

0:22:05.359 --> 0:22:11.200
<v Speaker 5>Like take the work off of me. That's not ready

0:22:11.240 --> 0:22:13.560
<v Speaker 5>to hear. Bro that ship. That's very humbling to.

0:22:13.520 --> 0:22:16.760
<v Speaker 1>Hear because I heard you say, like how how relentless

0:22:16.760 --> 0:22:18.320
<v Speaker 1>he was in a student like he didn't really care,

0:22:18.320 --> 0:22:19.720
<v Speaker 1>like he just wanted to keep working. I've never seen

0:22:19.920 --> 0:22:21.800
<v Speaker 1>and I feel like I feel like that same energy

0:22:21.800 --> 0:22:24.600
<v Speaker 1>from him. That's why I asked that question. And so

0:22:24.680 --> 0:22:26.680
<v Speaker 1>you said they're the same energy.

0:22:26.680 --> 0:22:33.240
<v Speaker 2>Okay, tours damn clost enough, Okay, did you did you

0:22:33.240 --> 0:22:33.720
<v Speaker 2>think that?

0:22:34.400 --> 0:22:35.480
<v Speaker 5>I would never?

0:22:36.320 --> 0:22:38.040
<v Speaker 2>I mean, as common as I am, I would never

0:22:38.320 --> 0:22:40.199
<v Speaker 2>think in my in my life, he.

0:22:41.880 --> 0:22:45.000
<v Speaker 5>Jump, I'm not comparing the content, comparing the work ethic.

0:22:45.119 --> 0:22:47.320
<v Speaker 2>I wasn't there to see it, you know what I'm saying.

0:22:47.640 --> 0:22:50.200
<v Speaker 2>I've watched it through the TV screen and through stories.

0:22:50.359 --> 0:22:53.280
<v Speaker 2>You know what I'm saying, And I we all thrived

0:22:53.480 --> 0:22:56.200
<v Speaker 2>to be that. Like it's young and like god damn

0:22:56.240 --> 0:22:59.359
<v Speaker 2>sniggas a monster. Like in seven years he did more

0:22:59.440 --> 0:23:01.760
<v Speaker 2>than niggas have been here fifty years, like bro, so

0:23:01.840 --> 0:23:04.240
<v Speaker 2>you had to have been working all day to have

0:23:04.320 --> 0:23:06.480
<v Speaker 2>them type of movies and four and five albums that

0:23:06.600 --> 0:23:09.040
<v Speaker 2>changed the world. So all us young West Coasts and

0:23:09.119 --> 0:23:10.840
<v Speaker 2>Seeds were like, we want to do what he's doing,

0:23:10.880 --> 0:23:12.680
<v Speaker 2>with Cox's doing, with Snoop's doing.

0:23:13.080 --> 0:23:15.720
<v Speaker 5>But to hear that, it's crazy because.

0:23:15.400 --> 0:23:17.680
<v Speaker 3>Your outlaw bro, like you do the same ship. That

0:23:17.880 --> 0:23:19.960
<v Speaker 3>what he wanted the Outlaws to do. He was trying

0:23:19.960 --> 0:23:22.360
<v Speaker 3>to train him to be like a militant ass hip

0:23:22.400 --> 0:23:22.960
<v Speaker 3>hop band.

0:23:23.800 --> 0:23:26.639
<v Speaker 5>But that's what you do naturally militant. You smashed it.

0:23:27.040 --> 0:23:32.680
<v Speaker 5>You know. The white niggas, I'm playing no game.

0:23:32.800 --> 0:23:34.960
<v Speaker 1>Some of that, I think the closest thing that we

0:23:35.040 --> 0:23:37.760
<v Speaker 1>got to that. As far as like like impact, I

0:23:37.760 --> 0:23:40.560
<v Speaker 1>would say DMX, But as far as work ethic, I'm

0:23:40.560 --> 0:23:43.600
<v Speaker 1>gonna be honest with you, I would say pun but

0:23:43.640 --> 0:23:45.520
<v Speaker 1>then he lost point. But I would say lul Wayne

0:23:45.960 --> 0:23:48.679
<v Speaker 1>because like, like like everyone says that, he just he

0:23:48.800 --> 0:23:49.800
<v Speaker 1>just doesn't want to leave.

0:23:49.720 --> 0:23:50.960
<v Speaker 5>The studio, like you know what I mean?

0:23:51.280 --> 0:23:59.360
<v Speaker 1>Like, so yeah, that's interested in the head. So boom

0:23:59.680 --> 0:24:04.040
<v Speaker 1>God comes down, says quick, I want you to produce

0:24:04.480 --> 0:24:05.879
<v Speaker 1>All in the Same Game.

0:24:07.720 --> 0:24:11.880
<v Speaker 5>Right now, and you like.

0:24:11.840 --> 0:24:19.280
<v Speaker 1>This and you can use whatever West Coast artists there

0:24:19.400 --> 0:24:23.280
<v Speaker 1>is dead or alive. No no, no, no no, Let's do

0:24:23.320 --> 0:24:25.840
<v Speaker 1>one version alive right now? Do our live and then

0:24:25.880 --> 0:24:27.720
<v Speaker 1>dead or alive? It's alive right now.

0:24:27.960 --> 0:24:31.040
<v Speaker 3>Well, first of all, I wouldn't even try to produce it.

0:24:31.119 --> 0:24:43.040
<v Speaker 3>I was Let's see if I call called Andre young doctor,

0:24:45.359 --> 0:24:49.119
<v Speaker 3>that's the first call I made, like Dre, Yeah, what up?

0:24:49.200 --> 0:24:51.120
<v Speaker 2>Quick man? They want to do All in the Same

0:24:51.160 --> 0:24:52.160
<v Speaker 2>Game twenty twenty five?

0:24:52.200 --> 0:24:56.120
<v Speaker 3>Bro, Like we got we got jay Worthy, we got Kendrick,

0:24:56.280 --> 0:25:01.720
<v Speaker 3>we got as, we got uh child Tresh who got

0:25:03.119 --> 0:25:06.479
<v Speaker 3>of course this guy crap? Like and who else? Who

0:25:06.520 --> 0:25:09.560
<v Speaker 3>else should I should I call? It's one more name?

0:25:09.600 --> 0:25:12.720
<v Speaker 3>One more name, one more? Like seven groups? One more?

0:25:12.480 --> 0:25:15.360
<v Speaker 3>There was the same game, one more. It's tough, one more?

0:25:15.760 --> 0:25:16.520
<v Speaker 3>Who else would it be?

0:25:17.800 --> 0:25:19.080
<v Speaker 5>Roddy Rich? Was you ready Rich?

0:25:19.200 --> 0:25:20.760
<v Speaker 3>Or definitely Roddy?

0:25:21.280 --> 0:25:23.840
<v Speaker 2>But the one more would be tough because I would

0:25:23.880 --> 0:25:26.320
<v Speaker 2>want to hear the Tyler creator.

0:25:27.240 --> 0:25:30.080
<v Speaker 5>I would want to hear Doja Cat Doja cass from

0:25:30.720 --> 0:25:33.840
<v Speaker 5>from California. Yeah, really yeah, from California.

0:25:34.280 --> 0:25:37.239
<v Speaker 2>I would uh, I would I would want to hear

0:25:37.280 --> 0:25:40.880
<v Speaker 2>like you say, you said dom already, I would want.

0:25:40.960 --> 0:25:43.240
<v Speaker 3>I would want to hear a g Perico. I would

0:25:43.240 --> 0:25:43.800
<v Speaker 3>want to hear.

0:25:43.760 --> 0:25:46.240
<v Speaker 2>Meet the Woops jay Worthy like you said, that'd be

0:25:46.280 --> 0:25:49.120
<v Speaker 2>banged out all of the black hippie.

0:25:49.240 --> 0:25:51.320
<v Speaker 5>That song would have to be twenty five minutes long. Yeah,

0:25:51.359 --> 0:25:53.840
<v Speaker 5>because everybody got something to say.

0:25:53.840 --> 0:25:56.640
<v Speaker 3>Now they don't want they they want they want fifteen

0:25:56.640 --> 0:25:58.000
<v Speaker 3>minutes and fifty seconds of fame.

0:25:58.040 --> 0:25:59.840
<v Speaker 5>Now want they want to hold onto it and roder.

0:25:59.920 --> 0:26:02.159
<v Speaker 6>But not as many groups anymore, but at least in

0:26:02.200 --> 0:26:04.399
<v Speaker 6>that the first one you had n w A and

0:26:04.480 --> 0:26:05.320
<v Speaker 6>Digital Underground thing.

0:26:05.560 --> 0:26:06.399
<v Speaker 5>Those are two groups.

0:26:06.480 --> 0:26:08.119
<v Speaker 2>Absolutely. Yeah.

0:26:08.320 --> 0:26:10.479
<v Speaker 1>How many people was on the original? That was my

0:26:10.520 --> 0:26:12.280
<v Speaker 1>next question. That's crazy. I was about to ask you.

0:26:12.280 --> 0:26:13.520
<v Speaker 1>I was just waiting for you to finish. How many

0:26:13.520 --> 0:26:15.560
<v Speaker 1>people was on the original? All the same?

0:26:15.840 --> 0:26:17.679
<v Speaker 5>I know there was a version. I went on a video.

0:26:19.640 --> 0:26:19.920
<v Speaker 6>Album.

0:26:20.640 --> 0:26:21.919
<v Speaker 4>We have young on him.

0:26:22.000 --> 0:26:23.920
<v Speaker 1>He said that he got a question for you to Yeah,

0:26:23.920 --> 0:26:27.240
<v Speaker 1>he said, he said that he had an eight minute verse.

0:26:27.560 --> 0:26:29.600
<v Speaker 5>Yeah, and he said there was two versions of it,

0:26:29.720 --> 0:26:30.320
<v Speaker 5>two verses of it.

0:26:30.400 --> 0:26:32.399
<v Speaker 1>He said he had an eight barbers and then he

0:26:32.440 --> 0:26:35.359
<v Speaker 1>had a sixteen bar verse. So obviously for the longer

0:26:35.400 --> 0:26:36.360
<v Speaker 1>version they cut it to eight.

0:26:36.400 --> 0:26:39.000
<v Speaker 5>And it was like, wait, what did you know? It was?

0:26:43.080 --> 0:26:46.879
<v Speaker 6>People down to how many verses because you count the

0:26:46.880 --> 0:26:58.120
<v Speaker 6>groups King t Death, Jeff Blah, another group jj Fann

0:26:58.119 --> 0:26:58.800
<v Speaker 6>of the group.

0:27:00.640 --> 0:27:02.879
<v Speaker 2>Crazy story about we all in the same game, all right.

0:27:03.119 --> 0:27:05.680
<v Speaker 2>I was able to get the tape before it came out,

0:27:05.760 --> 0:27:07.800
<v Speaker 2>so microconception.

0:27:08.080 --> 0:27:10.480
<v Speaker 5>Yes today, my auntie.

0:27:10.800 --> 0:27:12.960
<v Speaker 2>So, I remember when he pulled up on ninety seventh

0:27:12.960 --> 0:27:15.159
<v Speaker 2>Street by Jesse Owes part and my pops. He was

0:27:15.160 --> 0:27:17.040
<v Speaker 2>like this, nigga right here, nigga pull. I'm like, what's

0:27:17.040 --> 0:27:18.760
<v Speaker 2>going on? That was the first time I ever seen

0:27:18.800 --> 0:27:22.160
<v Speaker 2>the Mercedes bands that you could drive my hand, yeah,

0:27:22.320 --> 0:27:24.720
<v Speaker 2>because he was paralyzed and he got out the car

0:27:25.160 --> 0:27:26.800
<v Speaker 2>and they got him out the car. He wanted to say,

0:27:26.800 --> 0:27:29.000
<v Speaker 2>what's up to my grandparents or whatever. He's like, man,

0:27:29.000 --> 0:27:30.280
<v Speaker 2>here you go, youngster, and he gave me the we

0:27:30.359 --> 0:27:32.680
<v Speaker 2>all just came CD and the tape and his three

0:27:32.840 --> 0:27:36.160
<v Speaker 2>X T shirt. But I couldn't fig when I asked

0:27:36.240 --> 0:27:37.520
<v Speaker 2>my dad, like who is that guy?

0:27:37.560 --> 0:27:40.280
<v Speaker 5>He was like, well, yeah, he was one start cripts over.

0:27:40.119 --> 0:27:40.960
<v Speaker 3>Here and this is and that.

0:27:41.160 --> 0:27:44.359
<v Speaker 2>Then the fast forward to now find out Top is

0:27:44.400 --> 0:27:51.040
<v Speaker 2>his nephew, and all that Top is Mike. Yeah that's yeah,

0:27:51.200 --> 0:27:53.040
<v Speaker 2>Top microconception.

0:27:52.640 --> 0:27:57.720
<v Speaker 3>Is Top's uncle. Oh wow, this.

0:27:59.760 --> 0:28:02.359
<v Speaker 2>Yeah, I remember because I had posted we all in

0:28:02.400 --> 0:28:04.320
<v Speaker 2>the same gang, and I told the story.

0:28:04.359 --> 0:28:07.479
<v Speaker 3>And Punch like, foun you family family what you mean?

0:28:07.560 --> 0:28:10.800
<v Speaker 5>He's like, you know, that's all. I'm like all and

0:28:10.920 --> 0:28:12.520
<v Speaker 5>explained the doctor Drey the whole.

0:28:12.640 --> 0:28:15.880
<v Speaker 1>It just explained you know, what's the illict thing about

0:28:15.880 --> 0:28:18.480
<v Speaker 1>that record that I just found out that Young is

0:28:18.480 --> 0:28:19.399
<v Speaker 1>not from the West Coast.

0:28:19.520 --> 0:28:21.399
<v Speaker 5>And Jeff talked about it.

0:28:21.720 --> 0:28:24.720
<v Speaker 2>Yeah, self destruction was the after to we all in

0:28:24.760 --> 0:28:25.320
<v Speaker 2>the same gang.

0:28:25.640 --> 0:28:28.240
<v Speaker 5>Oh no, no, was the other way around.

0:28:29.359 --> 0:28:31.600
<v Speaker 6>But we noticed that self Destruction didn't have anybody that

0:28:31.720 --> 0:28:34.880
<v Speaker 6>wasn't from the East coast of the Tristate area, but.

0:28:34.600 --> 0:28:36.439
<v Speaker 1>They had coast people in the video though they had

0:28:36.440 --> 0:28:37.520
<v Speaker 1>West Coast Yeah, I.

0:28:37.520 --> 0:28:38.280
<v Speaker 5>Mean saying lyrically.

0:28:38.320 --> 0:28:41.320
<v Speaker 6>But because we were asking Young him c did did

0:28:41.320 --> 0:28:43.719
<v Speaker 6>he feel awkward on that? He's like, no, he grew up,

0:28:43.720 --> 0:28:44.320
<v Speaker 6>you know on on.

0:28:44.760 --> 0:28:46.720
<v Speaker 5>He said he said. He immediately claimed l A. He

0:28:46.800 --> 0:28:47.360
<v Speaker 5>was like fuck that.

0:28:49.160 --> 0:28:51.240
<v Speaker 3>He was the layed what he was talking to he

0:28:51.320 --> 0:28:54.640
<v Speaker 3>was on Delicious Yeah.

0:28:54.520 --> 0:28:57.960
<v Speaker 5>Right, Okay, that's probably Matt Dyke and Mike Ross. Okay,

0:28:58.120 --> 0:29:02.400
<v Speaker 5>now I'm actually both the same question him. Sixteen artists

0:29:02.480 --> 0:29:07.440
<v Speaker 5>dead or alive quick producing it. We got doctor Dre

0:29:07.520 --> 0:29:08.560
<v Speaker 5>and there Co producing it.

0:29:09.040 --> 0:29:09.240
<v Speaker 2>Yeah.

0:29:11.400 --> 0:29:12.680
<v Speaker 5>Who is they gotta be West Coast?

0:29:14.920 --> 0:29:18.760
<v Speaker 3>Yeah all right, so mandatory. You gotta bring Eric back

0:29:18.800 --> 0:29:21.760
<v Speaker 3>to the studio. Yeah, because you gotta.

0:29:23.440 --> 0:29:30.360
<v Speaker 10>Know what, right, Okay, I gotta bring him back. Okay,

0:29:31.160 --> 0:29:36.360
<v Speaker 10>gotta usually gotta bring Tupac Eazy, you gotta bring Coolio.

0:29:38.120 --> 0:29:39.360
<v Speaker 5>You gotta bring.

0:29:41.360 --> 0:29:44.120
<v Speaker 3>The female mc smooth, I think that was her name,

0:29:44.160 --> 0:29:48.560
<v Speaker 3>Rest in peace. Gotta bring Smooth back. You gotta bring

0:29:48.600 --> 0:29:50.320
<v Speaker 3>Shot back again.

0:29:54.240 --> 0:29:54.600
<v Speaker 2>Who else?

0:29:54.600 --> 0:29:55.040
<v Speaker 3>I am missing?

0:29:55.080 --> 0:29:55.400
<v Speaker 5>Somebody?

0:29:57.720 --> 0:30:00.760
<v Speaker 3>You gotta being krip nipped she hustle m hm. And

0:30:00.880 --> 0:30:02.719
<v Speaker 3>just one more because I think we could do it.

0:30:02.800 --> 0:30:03.640
<v Speaker 5>Everybody got a d D.

0:30:03.720 --> 0:30:07.760
<v Speaker 3>They're not gonna listen to the thirty Verse songs these days.

0:30:09.920 --> 0:30:11.840
<v Speaker 5>One more person. Who's the one more guy?

0:30:12.360 --> 0:30:14.560
<v Speaker 2>I know, I know, I'm gonna go for my sixteenth

0:30:15.760 --> 0:30:21.560
<v Speaker 2>That's it for me. I'm gonna go uh easy for sure. Yeah,

0:30:21.760 --> 0:30:33.320
<v Speaker 2>Tupac for shure. That's three yeah yo s excuse myself,

0:30:34.960 --> 0:30:40.320
<v Speaker 2>y G. Kendrick uh Tyler?

0:30:42.400 --> 0:30:43.840
<v Speaker 3>Uh?

0:30:43.880 --> 0:30:46.800
<v Speaker 2>Who could have thrown at a bet? Asked backwards Billie Eilish,

0:30:46.960 --> 0:30:47.480
<v Speaker 2>she from l.

0:30:47.480 --> 0:30:51.160
<v Speaker 5>A A Yeah.

0:30:49.720 --> 0:30:51.600
<v Speaker 1>Uh, throwing the white girl in that? I respect that

0:30:51.720 --> 0:30:56.360
<v Speaker 1>got respect. Expected something like that.

0:30:56.800 --> 0:30:58.160
<v Speaker 5>From Western life, Like.

0:30:59.720 --> 0:31:06.880
<v Speaker 2>If wor Quick my name snoop corrupt, I would throw

0:31:06.920 --> 0:31:08.680
<v Speaker 2>an instrumental instrumentalist in there.

0:31:08.680 --> 0:31:12.320
<v Speaker 5>So get Tarris Martin. Mm hmm. How many is that?

0:31:13.040 --> 0:31:13.760
<v Speaker 3>That's thirteen?

0:31:15.080 --> 0:31:18.720
<v Speaker 5>Uh? Now I need somebody game?

0:31:20.800 --> 0:31:21.560
<v Speaker 3>Uh?

0:31:21.920 --> 0:31:22.520
<v Speaker 2>Who the funk?

0:31:22.600 --> 0:31:22.800
<v Speaker 5>Else?

0:31:22.840 --> 0:31:24.680
<v Speaker 3>I need ice cube?

0:31:24.880 --> 0:31:25.520
<v Speaker 5>Hell yeah?

0:31:26.200 --> 0:31:28.560
<v Speaker 3>Uh uh?

0:31:29.320 --> 0:31:29.960
<v Speaker 2>And one more?

0:31:30.080 --> 0:31:30.560
<v Speaker 5>One more?

0:31:30.640 --> 0:31:31.800
<v Speaker 3>Who is that last?

0:31:32.760 --> 0:31:35.720
<v Speaker 5>This is? Uh yeah right up righting up right up.

0:31:35.800 --> 0:31:38.080
<v Speaker 5>Let me get somebody the last time on the last one.

0:31:40.040 --> 0:31:42.040
<v Speaker 3>Man in there?

0:31:42.080 --> 0:31:44.480
<v Speaker 1>Go But let me ask you something just like m

0:31:44.560 --> 0:31:46.520
<v Speaker 1>c A and what was it? What was the guy's

0:31:46.600 --> 0:31:48.680
<v Speaker 1>name that was wasn't from the West Coast?

0:31:48.760 --> 0:31:50.680
<v Speaker 5>Was on the record it was.

0:31:52.320 --> 0:31:52.600
<v Speaker 3>Jeff?

0:31:52.920 --> 0:31:56.800
<v Speaker 1>Could there be honorary West Coast? Like to me, whisky

0:31:56.880 --> 0:31:59.520
<v Speaker 1>leave it is from Pittsburgh. We know he's from Pittsburgh,

0:31:59.560 --> 0:32:02.920
<v Speaker 1>but to me, he adapted the l A lifestyle. He's

0:32:03.000 --> 0:32:05.000
<v Speaker 1>like like he's like to me, he's an l A

0:32:05.120 --> 0:32:07.280
<v Speaker 1>dude now, and I mean they all do, just my friend.

0:32:07.320 --> 0:32:11.080
<v Speaker 1>You know, I'm saying that with respect, but actually I gotta,

0:32:11.440 --> 0:32:14.920
<v Speaker 1>you know, not disrespect his origins of him being from Pittsburgh,

0:32:14.920 --> 0:32:17.000
<v Speaker 1>and I respect that. But when I look at him now,

0:32:17.040 --> 0:32:19.959
<v Speaker 1>he's just she bleeds. He believes l A beats boy too.

0:32:20.600 --> 0:32:22.320
<v Speaker 1>He don't even believe like a game member type of

0:32:22.880 --> 0:32:24.840
<v Speaker 1>Like I feel like he'd be surfing and ship like

0:32:24.880 --> 0:32:25.680
<v Speaker 1>you know what I'm saying.

0:32:25.480 --> 0:32:25.640
<v Speaker 4>Like.

0:32:28.560 --> 0:32:32.120
<v Speaker 3>Rick James, Yeah, like he's a different kind of thing.

0:32:32.320 --> 0:32:34.880
<v Speaker 5>What you what you consider that like a like an

0:32:34.880 --> 0:32:38.800
<v Speaker 5>honorary How would consider wiz is from the house for sure?

0:32:39.040 --> 0:32:40.960
<v Speaker 3>But I mean I would.

0:32:43.320 --> 0:32:46.120
<v Speaker 2>Would, man, I think I think that we all in

0:32:46.200 --> 0:32:47.960
<v Speaker 2>the same game. It's kind of saying something we I

0:32:48.000 --> 0:32:50.240
<v Speaker 2>would want people from the East Coast only too right,

0:32:50.320 --> 0:32:53.240
<v Speaker 2>you get what I'm saying, Like DMX would go crazy, but.

0:32:53.280 --> 0:32:54.840
<v Speaker 1>That would be the rule. The rule is like it's

0:32:54.840 --> 0:32:57.400
<v Speaker 1>mainly West Coast, and you know, we get to you

0:32:57.440 --> 0:32:59.440
<v Speaker 1>get too honery, You get to a lot of rules

0:32:59.440 --> 0:32:59.600
<v Speaker 1>on this.

0:32:59.720 --> 0:33:05.360
<v Speaker 3>I want to share something with you. Go ahead, Well,

0:33:05.360 --> 0:33:08.880
<v Speaker 3>this is what y'all probably don't know. Two thousand I

0:33:08.920 --> 0:33:11.520
<v Speaker 3>took the job with Tom Willy at Warner Brothers.

0:33:11.760 --> 0:33:17.000
<v Speaker 1>Got Warner Brothers and your sister snacked your bacon sandwich

0:33:17.000 --> 0:33:17.480
<v Speaker 1>out your hand.

0:33:17.760 --> 0:33:20.120
<v Speaker 5>Yeah, yeah, you know it wasn't It was set up.

0:33:20.000 --> 0:33:20.680
<v Speaker 2>To that job.

0:33:20.920 --> 0:33:22.720
<v Speaker 3>Guess what is happening again?

0:33:22.920 --> 0:33:25.040
<v Speaker 5>I got I got people that go shake people up

0:33:25.080 --> 0:33:25.280
<v Speaker 5>for me.

0:33:25.320 --> 0:33:27.240
<v Speaker 3>Now, I took that long on my own hands because

0:33:27.240 --> 0:33:29.440
<v Speaker 3>the police wouldn't take me seriously. So I went there

0:33:29.440 --> 0:33:31.760
<v Speaker 3>to myself and went to jail, so fucking and fun jail,

0:33:31.880 --> 0:33:35.000
<v Speaker 3>and thought everybody that was there technically very CEOs and

0:33:35.040 --> 0:33:36.040
<v Speaker 3>motherfucking Stress.

0:33:35.840 --> 0:33:42.400
<v Speaker 1>Valley, executive vice president of Warner.

0:33:42.160 --> 0:33:47.400
<v Speaker 3>Brothers, my nigga. When I was there, lots of artists

0:33:47.400 --> 0:33:50.040
<v Speaker 3>would come through accident. This little female rapper. We had

0:33:50.040 --> 0:33:52.520
<v Speaker 3>this girl, Debbie Nova from like South America. Like, I

0:33:52.560 --> 0:33:54.880
<v Speaker 3>got all these young talents in that pool of talents.

0:33:54.920 --> 0:34:00.240
<v Speaker 3>There's fucking there's fucking Jim Jones and Wiskalief when he

0:34:00.280 --> 0:34:02.600
<v Speaker 3>was young. So I'm in there like low key mentoring

0:34:02.680 --> 0:34:04.840
<v Speaker 3>these guys in the studio watching me working. Shit, I'm

0:34:04.880 --> 0:34:06.719
<v Speaker 3>chopping it up with him, talking to him and I mean,

0:34:06.720 --> 0:34:11.000
<v Speaker 3>Wells had a little fro right young kid, and I

0:34:11.040 --> 0:34:13.520
<v Speaker 3>met his mom's and I ended up like just you know,

0:34:13.560 --> 0:34:15.560
<v Speaker 3>giving you like advice and ship watching him work. I'll

0:34:15.560 --> 0:34:16.880
<v Speaker 3>go up to the to the MIDI room where they

0:34:16.880 --> 0:34:18.879
<v Speaker 3>were working there at their own studio and just watch

0:34:18.960 --> 0:34:19.560
<v Speaker 3>him getting down.

0:34:19.560 --> 0:34:19.640
<v Speaker 11>Bro.

0:34:19.800 --> 0:34:21.880
<v Speaker 5>I was like, this gets a start. He got something.

0:34:22.239 --> 0:34:24.680
<v Speaker 3>So the music he was doing, I guess the record

0:34:24.719 --> 0:34:27.680
<v Speaker 3>company didn't think that it was you know, marketable or

0:34:28.280 --> 0:34:30.160
<v Speaker 3>it was like trying to turn him into his thing.

0:34:30.239 --> 0:34:32.200
<v Speaker 3>And his thing was I know what I want to be,

0:34:32.320 --> 0:34:34.440
<v Speaker 3>Like I'm a rock star, but I just got to

0:34:34.440 --> 0:34:36.759
<v Speaker 3>show y'all. Y'all not gonna believe I can show y'all

0:34:36.760 --> 0:34:38.440
<v Speaker 3>better and I can tell y'all. So he ended up

0:34:38.480 --> 0:34:42.560
<v Speaker 3>branching out and doing his bit. So he ended up

0:34:42.560 --> 0:34:49.399
<v Speaker 3>branching out doing his own thing, and uh.

0:34:47.160 --> 0:34:49.560
<v Speaker 2>Yep, he ended up you know, he ended up blowing

0:34:49.640 --> 0:34:52.200
<v Speaker 2>up like and then people would say shit like quick

0:34:52.920 --> 0:34:54.920
<v Speaker 2>this new kid with leif he kind of sounds like

0:34:55.040 --> 0:34:56.120
<v Speaker 2>he got your star, I'd be.

0:34:56.000 --> 0:34:59.879
<v Speaker 3>Like, I never heard of him, you know, but yeah,

0:35:00.160 --> 0:35:02.920
<v Speaker 3>and so he was. He was ultimately for the West.

0:35:03.360 --> 0:35:05.600
<v Speaker 1>You know what I'm saying, I can't out he was like,

0:35:06.760 --> 0:35:09.920
<v Speaker 1>especially when I heard Young MC say that, I was

0:35:09.960 --> 0:35:13.279
<v Speaker 1>just like, whiz fit that profile so bad, man like

0:35:13.440 --> 0:35:14.080
<v Speaker 1>so much.

0:35:13.920 --> 0:35:14.440
<v Speaker 5>You know what I mean?

0:35:14.520 --> 0:35:16.120
<v Speaker 3>Like, where's I like?

0:35:16.200 --> 0:35:17.600
<v Speaker 5>You know what I'm saying? Like we might have to

0:35:17.640 --> 0:35:18.560
<v Speaker 5>do it all the same game.

0:35:18.600 --> 0:35:23.160
<v Speaker 3>Now, that's a great idea that record. What was going

0:35:23.200 --> 0:35:25.399
<v Speaker 3>on with you? I was, I was new, I wasn't

0:35:25.480 --> 0:35:27.759
<v Speaker 3>I wasn't on yet, you know what I'm saying. I

0:35:27.800 --> 0:35:31.240
<v Speaker 3>was writing. I was doing mixtapes, selling Sweet Black Pussy

0:35:31.239 --> 0:35:34.040
<v Speaker 3>and Tonight and looked out hood, my little gang bang mixtapes.

0:35:34.520 --> 0:35:36.440
<v Speaker 3>But then motherfuckers start selling, so I had to go

0:35:36.480 --> 0:35:40.520
<v Speaker 3>get a duplicator and like start duplicating my own cassettes

0:35:40.560 --> 0:35:43.160
<v Speaker 3>and ship and I'm driving around in a fucking whatever,

0:35:43.239 --> 0:35:46.120
<v Speaker 3>a Maverick. Remember before Mavericks, I was seeing the Mavericks

0:35:46.120 --> 0:35:48.640
<v Speaker 3>selling cassettes out the back seat, you know, at the trunk,

0:35:49.040 --> 0:35:51.120
<v Speaker 3>until it got too until that shit got popular and

0:35:51.120 --> 0:35:53.000
<v Speaker 3>I couldn't do it no more. I had to get

0:35:53.000 --> 0:35:57.279
<v Speaker 3>a record company the right time. We did, just like Compton. No,

0:35:57.400 --> 0:36:00.080
<v Speaker 3>that was ninety two already. I did that after I

0:36:00.080 --> 0:36:02.319
<v Speaker 3>almost got killed in Denver. You know, they almost murdered me.

0:36:02.320 --> 0:36:03.400
<v Speaker 3>They shot up my limousine.

0:36:03.520 --> 0:36:06.080
<v Speaker 5>You talked, You went really specific on that record about them.

0:36:06.239 --> 0:36:09.120
<v Speaker 3>You remember yeah, they forgave me. I forgave them, but

0:36:09.400 --> 0:36:11.000
<v Speaker 3>they really almost killed me. And it was over some

0:36:11.000 --> 0:36:12.719
<v Speaker 3>ship that a nigga and my crew did. I didn't

0:36:12.719 --> 0:36:13.080
<v Speaker 3>even do it.

0:36:13.120 --> 0:36:14.680
<v Speaker 5>I had to just take an l for that. That

0:36:14.680 --> 0:36:15.440
<v Speaker 5>should costs.

0:36:15.200 --> 0:36:17.560
<v Speaker 3>Almost half a million dollars in today's money and legal

0:36:17.560 --> 0:36:19.919
<v Speaker 3>fees and ship or whatever. But you live and you learn,

0:36:19.960 --> 0:36:21.360
<v Speaker 3>you know what I mean. I wasn't out there pressing

0:36:21.360 --> 0:36:23.440
<v Speaker 3>the peak car. I was out there for the girls.

0:36:23.520 --> 0:36:26.000
<v Speaker 3>Like these niggas wanted to be gang bangers. It's like, y'all,

0:36:26.120 --> 0:36:28.799
<v Speaker 3>nigga's gonna get killed. And they didn't let me. They

0:36:28.840 --> 0:36:31.080
<v Speaker 3>even come and support me when they got me in trouble,

0:36:31.239 --> 0:36:33.759
<v Speaker 3>started a riot. These nigga didn't even come to support me.

0:36:33.800 --> 0:36:35.360
<v Speaker 3>When I went to court, I'm like, oh man, you

0:36:35.400 --> 0:36:37.040
<v Speaker 3>guys are jicks.

0:36:40.080 --> 0:36:41.799
<v Speaker 5>I want to I want to that.

0:36:41.920 --> 0:36:45.799
<v Speaker 2>I want to add Hispanic boyl Jeezy, and I like

0:36:45.880 --> 0:36:48.000
<v Speaker 2>left the gun play to them, just my two okay,

0:36:48.040 --> 0:36:49.799
<v Speaker 2>And I see for the that could have been a home.

0:36:49.719 --> 0:36:50.759
<v Speaker 5>Calls dropped that out.

0:36:50.880 --> 0:36:51.560
<v Speaker 2>What you got in there?

0:36:51.600 --> 0:36:53.040
<v Speaker 3>What's that I got?

0:36:53.120 --> 0:36:55.760
<v Speaker 5>I got this when it the blust, This is hash.

0:36:56.000 --> 0:36:57.720
<v Speaker 5>I got a whole bunch of hash in the auto.

0:36:57.760 --> 0:37:00.439
<v Speaker 5>You're gonna have me you show. Yeah yeah, yeah yeah,

0:37:00.719 --> 0:37:06.120
<v Speaker 5>you're ready to go smoke on the course, do whatever

0:37:06.120 --> 0:37:08.239
<v Speaker 5>the hell you want. This your house, My sister, My

0:37:08.320 --> 0:37:09.560
<v Speaker 5>sister then waiting to see this year.

0:37:09.640 --> 0:37:13.719
<v Speaker 1>Okay, our show is about giving people flowers. Man, I'm

0:37:13.800 --> 0:37:16.120
<v Speaker 1>so excited to give you all your flowers face to face. Man,

0:37:16.160 --> 0:37:17.880
<v Speaker 1>the man snoop set is better than grammar because it

0:37:17.920 --> 0:37:19.719
<v Speaker 1>come for your people and we want to give y'all.

0:37:26.480 --> 0:37:27.000
<v Speaker 3>Thank y'all.

0:37:27.400 --> 0:37:32.640
<v Speaker 6>What yeah yeah, man, this is long overdue to Manet.

0:37:35.000 --> 0:37:38.000
<v Speaker 6>This is fire artist makes Man.

0:37:38.040 --> 0:37:39.640
<v Speaker 2>I want to I want to command you guys to

0:37:40.560 --> 0:37:46.320
<v Speaker 2>for making sure that our history they credited and correct.

0:37:46.320 --> 0:37:49.000
<v Speaker 2>They like to like count out like the veterans and

0:37:49.040 --> 0:37:52.080
<v Speaker 2>this hip hop ship, and I'm season that over. Yeah

0:37:52.239 --> 0:37:55.040
<v Speaker 2>you know what I'm saying, Like, honestly, these boys selling

0:37:55.080 --> 0:37:58.440
<v Speaker 2>out more fucking stadiums in the Youngster, and I'm glad

0:37:58.520 --> 0:38:01.080
<v Speaker 2>that it's a place where they can come and be

0:38:01.200 --> 0:38:03.319
<v Speaker 2>fucking idolized the way they're supposed to happen.

0:38:03.360 --> 0:38:04.640
<v Speaker 3>Oh yeah, appreciate you know.

0:38:04.760 --> 0:38:08.480
<v Speaker 5>You know what I noticed the other day, Like that's

0:38:08.560 --> 0:38:11.399
<v Speaker 5>hard if you actually if you actually continue to work

0:38:11.480 --> 0:38:14.200
<v Speaker 5>in this game, there's no way that any any any

0:38:14.560 --> 0:38:17.479
<v Speaker 5>of us should be broke. There's no way. Like I looked.

0:38:17.520 --> 0:38:19.040
<v Speaker 1>I looked the other day, and I've seen you know,

0:38:20.920 --> 0:38:23.719
<v Speaker 1>artists and they had they had that did the show

0:38:24.120 --> 0:38:27.360
<v Speaker 1>thirty days, twenty days out of the month, twenty days.

0:38:27.239 --> 0:38:28.920
<v Speaker 5>Like the older older, older statesman.

0:38:29.120 --> 0:38:30.920
<v Speaker 1>And I was like, you know, some of us, we

0:38:31.000 --> 0:38:33.080
<v Speaker 1>get to a certain level, we're like, ah, we don't

0:38:33.120 --> 0:38:35.440
<v Speaker 1>want to go to Denmark kober Hagen, and we don't

0:38:35.480 --> 0:38:37.040
<v Speaker 1>want to go to But then some of us is like,

0:38:37.080 --> 0:38:38.440
<v Speaker 1>you know where, fuck it. You could really make a

0:38:38.520 --> 0:38:41.719
<v Speaker 1>living if you just supply yourself in work like young

0:38:41.840 --> 0:38:44.399
<v Speaker 1>MC's he was doing three shows a week.

0:38:46.719 --> 0:38:47.440
<v Speaker 5>But there's a lot of the.

0:38:47.719 --> 0:38:51.640
<v Speaker 1>Elder statesmen and they don't understand that, because I don't

0:38:51.640 --> 0:38:53.560
<v Speaker 1>want to say all the young generations don't understand that.

0:38:53.800 --> 0:38:55.200
<v Speaker 5>But to me, we understand that.

0:38:55.239 --> 0:38:57.280
<v Speaker 1>And that's the reason why we give a a motherfucking flowers.

0:39:01.239 --> 0:39:01.880
<v Speaker 5>You've been doing it.

0:39:02.040 --> 0:39:04.440
<v Speaker 1>What is one of your favorite places to perform at?

0:39:04.960 --> 0:39:07.920
<v Speaker 1>And one thing you you get crazy when your performance.

0:39:08.239 --> 0:39:12.640
<v Speaker 3>That man, I've been doing the walk around the stage

0:39:12.719 --> 0:39:15.400
<v Speaker 3>cool shit forever and pointed niggas and shit, now I

0:39:15.680 --> 0:39:18.960
<v Speaker 3>dancing shit, I'm taking my shirt offs from my underwear.

0:39:18.640 --> 0:39:21.319
<v Speaker 5>And shit like, fuck it, you know what I'm saying.

0:39:23.360 --> 0:39:26.000
<v Speaker 3>You know, I mean fifty four, but I don't look

0:39:26.080 --> 0:39:27.560
<v Speaker 3>like I don't act like it. I can still jump

0:39:27.640 --> 0:39:29.040
<v Speaker 3>and ship d cycles.

0:39:29.800 --> 0:39:30.400
<v Speaker 5>Let's go to the.

0:39:30.440 --> 0:39:32.400
<v Speaker 3>Casket drops, let's have some fun. I mean, if you

0:39:32.480 --> 0:39:35.440
<v Speaker 3>think about it. The best thing that happened to me

0:39:35.640 --> 0:39:38.080
<v Speaker 3>just happened to me recently at one of my residency

0:39:38.160 --> 0:39:41.560
<v Speaker 3>shows up in Oakland at Yoshi's where I'm performing for

0:39:42.200 --> 0:39:45.359
<v Speaker 3>people that's my age group, same gray hair. And then

0:39:45.400 --> 0:39:48.439
<v Speaker 3>you got a young teenager in the audience just looking

0:39:48.480 --> 0:39:50.560
<v Speaker 3>at me right, and I'm like, man, who the fuck

0:39:51.520 --> 0:39:56.600
<v Speaker 3>kind of pedophile? Then the lady who was with the teenager,

0:39:57.200 --> 0:39:59.239
<v Speaker 3>she said, this is my daughter. Quick She said, I've

0:39:59.239 --> 0:40:01.360
<v Speaker 3>been a fan of yours ever and I wanted to

0:40:01.640 --> 0:40:03.640
<v Speaker 3>bring my daughter to your show to show her what

0:40:03.920 --> 0:40:07.040
<v Speaker 3>real performances are like, or just to see you get

0:40:07.080 --> 0:40:09.520
<v Speaker 3>down because you've always been my favorite and you stay consistent.

0:40:09.560 --> 0:40:12.200
<v Speaker 3>And I was like, that fucked me up. I was like, wow,

0:40:13.239 --> 0:40:16.640
<v Speaker 3>so that's the thing I'm getting used to, getting introduced

0:40:16.680 --> 0:40:20.160
<v Speaker 3>to new age groups like you know, like the same

0:40:20.200 --> 0:40:21.400
<v Speaker 3>age as my kids and younger.

0:40:21.560 --> 0:40:24.200
<v Speaker 1>So That's why I love to hear that. Like when

0:40:24.239 --> 0:40:27.360
<v Speaker 1>you saying earlier him dog pound snoop, you know what

0:40:27.400 --> 0:40:29.480
<v Speaker 1>I mean. You know, I see people like Buster Rhymes

0:40:29.560 --> 0:40:33.040
<v Speaker 1>and you know Fatjo. I think buses on the tour

0:40:33.120 --> 0:40:39.359
<v Speaker 1>with Missy and Sierra and Joe Rule and Fat Joe

0:40:39.400 --> 0:40:42.240
<v Speaker 1>and I'm gotta, uh what you just said. A resident

0:40:42.320 --> 0:40:45.560
<v Speaker 1>residency and Dougie Fresh and the Quick is a part

0:40:45.600 --> 0:40:47.480
<v Speaker 1>of that too. Like that's it just makes me proud

0:40:47.520 --> 0:40:49.960
<v Speaker 1>of to see other states. Not to say it just

0:40:50.080 --> 0:40:52.040
<v Speaker 1>makes me proud to see the younger generation, but what

0:40:52.120 --> 0:40:54.120
<v Speaker 1>I'm saying is that's something that the younger generation should

0:40:54.120 --> 0:40:55.480
<v Speaker 1>look up to look up.

0:40:55.680 --> 0:40:57.840
<v Speaker 5>I remember, I remember every young nigga that has an

0:40:57.880 --> 0:41:00.359
<v Speaker 5>argument with the old nigga, Like old nigga, you gotta

0:41:00.400 --> 0:41:06.160
<v Speaker 5>realize that ain't that ship.

0:41:06.800 --> 0:41:09.320
<v Speaker 1>But the crazy thing is, if that's that's the dumbest

0:41:09.360 --> 0:41:11.480
<v Speaker 1>thing you can say, It's like, it's the most cliche

0:41:11.560 --> 0:41:12.040
<v Speaker 1>thing you can say.

0:41:12.040 --> 0:41:13.960
<v Speaker 5>It's like argument with somebody with glasses and calling them for.

0:41:15.640 --> 0:41:17.399
<v Speaker 3>These niggas get on my nerves.

0:41:17.440 --> 0:41:19.719
<v Speaker 1>But what I'm saying is, if that's the only thing

0:41:19.760 --> 0:41:22.880
<v Speaker 1>that's calling them an old nigga, guess what you're going

0:41:22.960 --> 0:41:24.160
<v Speaker 1>to pray one day to get My.

0:41:26.200 --> 0:41:27.239
<v Speaker 3>Point is to get old.

0:41:27.400 --> 0:41:29.600
<v Speaker 2>I don't know who the fuck taught black people that

0:41:29.760 --> 0:41:31.120
<v Speaker 2>that's not the way it's supposed to be.

0:41:32.520 --> 0:41:35.600
<v Speaker 3>The less generational the work. Niggas don't do that like they.

0:41:37.440 --> 0:41:37.480
<v Speaker 2>Do.

0:41:38.040 --> 0:41:39.720
<v Speaker 3>That's what I'm saying. Rock music.

0:41:40.000 --> 0:41:42.279
<v Speaker 5>They don't do that. They don't see no rock and

0:41:42.360 --> 0:41:42.799
<v Speaker 5>roll versus.

0:41:42.880 --> 0:41:43.440
<v Speaker 3>They preserve.

0:41:43.560 --> 0:41:45.440
<v Speaker 5>They preserve rock stars.

0:41:47.600 --> 0:41:52.200
<v Speaker 1>Eighty years old, like we need to do challenging the

0:41:52.560 --> 0:41:53.680
<v Speaker 1>niggas not one hundred years old.

0:41:55.760 --> 0:42:00.000
<v Speaker 5>They were born in eighteen. Yeah, they drinking bad to let.

0:42:02.520 --> 0:42:04.680
<v Speaker 3>This is This is the ironic thing though, when we

0:42:05.080 --> 0:42:07.360
<v Speaker 3>came up, you know, and this is a lot of

0:42:07.400 --> 0:42:10.839
<v Speaker 3>people don't understand. This hip hop was made by young

0:42:10.920 --> 0:42:14.799
<v Speaker 3>people right and us and I'll put Dre in this too.

0:42:15.239 --> 0:42:17.840
<v Speaker 3>We honored our old school niggas like George Clinton. We

0:42:17.920 --> 0:42:20.239
<v Speaker 3>sampled their music and looked up to them. You know,

0:42:20.680 --> 0:42:22.800
<v Speaker 3>if the Temptations put at a good record in the eighties,

0:42:22.840 --> 0:42:25.440
<v Speaker 3>that motherfucker got bought treated like a lady, and motherfuckers

0:42:25.480 --> 0:42:26.400
<v Speaker 3>went to see their shows.

0:42:26.520 --> 0:42:29.399
<v Speaker 5>You know, all of these we we never we never

0:42:29.520 --> 0:42:30.279
<v Speaker 5>looked at them, thank you.

0:42:30.360 --> 0:42:32.920
<v Speaker 3>We never looked at them as old because you know

0:42:33.120 --> 0:42:34.800
<v Speaker 3>my my argument now and I take this from my

0:42:34.840 --> 0:42:36.880
<v Speaker 3>O G Homie, when I get that whole you are

0:42:36.920 --> 0:42:38.920
<v Speaker 3>you old motherfucker, I'll be like, look here, little nigga,

0:42:39.200 --> 0:42:42.120
<v Speaker 3>I said, look, I've been your motherfucking age.

0:42:42.719 --> 0:42:44.480
<v Speaker 5>You ain't never been mine, You ain't mine.

0:42:44.800 --> 0:42:54.120
<v Speaker 1>Beautiful, so beautiful and you know, being a little generic

0:42:54.239 --> 0:42:59.440
<v Speaker 1>right now. But that's that's what the difference between our

0:43:00.920 --> 0:43:04.799
<v Speaker 1>like era are our time and what's happening now.

0:43:04.920 --> 0:43:05.200
<v Speaker 5>It's like.

0:43:07.680 --> 0:43:10.240
<v Speaker 1>You got to hit record Homie, some other young generation

0:43:10.280 --> 0:43:12.879
<v Speaker 1>you gotta hit record Homey. You're doing the drill, you're

0:43:12.880 --> 0:43:15.800
<v Speaker 1>doing the praying, the guns, and it's not really really music.

0:43:16.239 --> 0:43:21.680
<v Speaker 5>But at some point you should learn music, right music career, Yes,

0:43:22.200 --> 0:43:23.160
<v Speaker 5>you have a music career.

0:43:23.440 --> 0:43:25.399
<v Speaker 1>And you know some of them are getting lucky because

0:43:25.400 --> 0:43:28.319
<v Speaker 1>they're they're they're doing it in their people's cribs, getting

0:43:28.360 --> 0:43:31.200
<v Speaker 1>lucky and it's working. And then no record label is saying,

0:43:31.200 --> 0:43:32.560
<v Speaker 1>you know what you need to go in with a

0:43:32.640 --> 0:43:34.880
<v Speaker 1>DJ quick, you need you need to learn how to

0:43:35.840 --> 0:43:37.960
<v Speaker 1>pattern your stuff. They're not even doing it because they

0:43:38.040 --> 0:43:39.840
<v Speaker 1>want these kids to self destruct.

0:43:40.040 --> 0:43:41.000
<v Speaker 5>There's no more development.

0:43:41.239 --> 0:43:44.520
<v Speaker 3>They took that A and R was. That's what my

0:43:44.680 --> 0:43:48.040
<v Speaker 3>job was, well, my description was my task. But yeah,

0:43:48.040 --> 0:43:50.200
<v Speaker 3>that that kind of doesn't exist anymore. They leave that

0:43:50.320 --> 0:43:53.480
<v Speaker 3>to the artist now to develop to the numbers.

0:43:53.719 --> 0:43:57.640
<v Speaker 2>They some that they're reading TikTok numbers. It's all do strange,

0:43:57.640 --> 0:43:59.480
<v Speaker 2>but we all know that that's paid for us. It's like,

0:43:59.560 --> 0:44:02.240
<v Speaker 2>why are we reading something that we know can be bought.

0:44:02.600 --> 0:44:06.160
<v Speaker 2>It's like everybody's in this weird time and space. Nobody's

0:44:06.160 --> 0:44:07.840
<v Speaker 2>going off what they hear and feel no more. And

0:44:07.920 --> 0:44:10.800
<v Speaker 2>then second to that, they can't afford to these that

0:44:10.920 --> 0:44:14.000
<v Speaker 2>quick right and and that's the that's the real irony

0:44:14.080 --> 0:44:16.239
<v Speaker 2>of it, because we're not taking no painy cuts over

0:44:16.280 --> 0:44:17.400
<v Speaker 2>here at all.

0:44:19.120 --> 0:44:21.520
<v Speaker 1>But I tell you every now and then, it's a

0:44:21.640 --> 0:44:25.279
<v Speaker 1>universal record that makes everyone can buy it right now?

0:44:25.560 --> 0:44:26.880
<v Speaker 5>That record is they not like.

0:44:28.080 --> 0:44:31.680
<v Speaker 1>I see every race. I don't give a what you are.

0:44:32.800 --> 0:44:34.640
<v Speaker 1>I've seen dinosaurs listening to.

0:44:34.680 --> 0:44:39.040
<v Speaker 3>The shout out to Ray Charles and shout out to

0:44:39.200 --> 0:44:42.000
<v Speaker 3>Mustard for re imagining that sample.

0:44:42.360 --> 0:44:43.239
<v Speaker 2>I believe that.

0:44:44.400 --> 0:44:47.080
<v Speaker 3>I believe it. Remember they was doing that practicing that

0:44:47.160 --> 0:44:53.640
<v Speaker 3>on the movie Ray Believe It. That's that record, yes, sir,

0:44:53.719 --> 0:44:56.480
<v Speaker 3>And it was redone by this guy Munk Higgins on

0:44:56.600 --> 0:44:58.520
<v Speaker 3>a jazz album, and the way he did it was

0:44:58.560 --> 0:45:00.359
<v Speaker 3>a little funkier than the Ray Charles version.

0:45:00.480 --> 0:45:02.839
<v Speaker 2>So that's where this actual sample came from.

0:45:03.000 --> 0:45:06.120
<v Speaker 3>It's an interpolation of Ray Charles's I Believe in the

0:45:06.160 --> 0:45:06.880
<v Speaker 3>Power of Sometime that.

0:45:06.920 --> 0:45:08.080
<v Speaker 5>They forgot the whole title of it.

0:45:08.160 --> 0:45:10.920
<v Speaker 1>But you know, you was involved in one of the

0:45:11.680 --> 0:45:13.640
<v Speaker 1>I don't want to say craziest beefs and hip hop.

0:45:13.560 --> 0:45:16.439
<v Speaker 2>Good lord, but it was one of the first crazy ones.

0:45:16.600 --> 0:45:19.359
<v Speaker 2>It was one of the playing that it was real

0:45:19.400 --> 0:45:21.560
<v Speaker 2>shit happening in the street. It seemed real serious.

0:45:23.080 --> 0:45:26.720
<v Speaker 1>But it was one thing of hearing MC eight said,

0:45:27.480 --> 0:45:29.920
<v Speaker 1>hearing about you performing the actual record in front of

0:45:30.080 --> 0:45:32.840
<v Speaker 1>MC eight, But then it was another thing like we

0:45:32.920 --> 0:45:34.640
<v Speaker 1>had him on the show and he was like he's

0:45:34.800 --> 0:45:38.760
<v Speaker 1>describing it. I was just like, holy shit, Like because

0:45:39.719 --> 0:45:42.400
<v Speaker 1>I don't, I don't, I don't remember if I actually

0:45:42.600 --> 0:45:45.120
<v Speaker 1>saw it off. This is the word of mouth. I

0:45:45.160 --> 0:45:49.720
<v Speaker 1>don't remember. But that's some weird that's some real ship.

0:45:50.120 --> 0:45:52.640
<v Speaker 1>Like did you plan like I'm gonna go to the wars,

0:45:53.040 --> 0:45:54.680
<v Speaker 1>He's going to be here and I'm gonna go perform

0:45:54.760 --> 0:45:55.160
<v Speaker 1>the record.

0:45:55.239 --> 0:45:56.879
<v Speaker 5>Not only that you walked over to him.

0:45:57.560 --> 0:46:02.480
<v Speaker 3>No, okay, okay, What had happened was we did sound

0:46:02.560 --> 0:46:05.719
<v Speaker 3>check and they had to do blocking, and they have

0:46:05.840 --> 0:46:09.040
<v Speaker 3>to do positioning. So in positioning while we sound checking,

0:46:09.680 --> 0:46:11.319
<v Speaker 3>a couple of magical things happened that day too.

0:46:11.320 --> 0:46:13.680
<v Speaker 5>While was sound checking, DJ pull up here with the dog.

0:46:13.960 --> 0:46:16.040
<v Speaker 3>They were working making sure all the shit works behind

0:46:16.120 --> 0:46:20.279
<v Speaker 3>us the jail cells, and I'm looking down in the

0:46:20.320 --> 0:46:23.359
<v Speaker 3>audience where they're going to be, and everybody's names are

0:46:23.440 --> 0:46:27.600
<v Speaker 3>on the seat. So right here front center stage, stage right,

0:46:28.160 --> 0:46:30.920
<v Speaker 3>two rows in, it's FC eight. So I just made

0:46:30.960 --> 0:46:31.960
<v Speaker 3>a little mental note of it.

0:46:32.320 --> 0:46:32.440
<v Speaker 2>Right.

0:46:33.000 --> 0:46:34.719
<v Speaker 3>I also makes you a little nervous too, because you know,

0:46:34.800 --> 0:46:37.200
<v Speaker 3>shit can go wrong live. Murphy's Law is totally in

0:46:37.239 --> 0:46:40.600
<v Speaker 3>effect at all times. So while I'm up there, we

0:46:40.719 --> 0:46:43.759
<v Speaker 3>was taking a break, and we was been out there

0:46:43.800 --> 0:46:46.759
<v Speaker 3>maybe three four days, started missing some things from home,

0:46:47.160 --> 0:46:50.520
<v Speaker 3>so I just started sound checking the house singing California

0:46:51.800 --> 0:46:53.840
<v Speaker 3>knows how the fun it, and.

0:46:53.920 --> 0:46:58.120
<v Speaker 5>Everybody joined in with me. In the city up Alabe

0:46:58.120 --> 0:47:01.600
<v Speaker 5>Pool was like, and that doctor Dre's back there doing

0:47:01.600 --> 0:47:02.040
<v Speaker 5>this shit good.

0:47:02.400 --> 0:47:04.840
<v Speaker 3>This is in California, know this world stage in massive

0:47:04.880 --> 0:47:08.200
<v Speaker 3>square garden I'm just about to see in the city

0:47:08.320 --> 0:47:12.239
<v Speaker 3>of Compton, right, Dre was like, man, you know, like

0:47:12.480 --> 0:47:14.600
<v Speaker 3>I need to use that. Yeah, I'm like that was

0:47:14.640 --> 0:47:18.319
<v Speaker 3>still the cut bro whatever running someone named Runnie something.

0:47:18.560 --> 0:47:21.080
<v Speaker 3>I forgot his name on the record. So fast forward

0:47:21.120 --> 0:47:24.600
<v Speaker 3>to and Tupac was in the last cage, you know,

0:47:24.680 --> 0:47:27.080
<v Speaker 3>his little cutout and he was locked up right, okay,

0:47:27.280 --> 0:47:27.920
<v Speaker 3>so we you.

0:47:27.960 --> 0:47:29.520
<v Speaker 5>Know, the kurf fuffle started.

0:47:29.800 --> 0:47:33.040
<v Speaker 3>You know, I performed for because he did sit in

0:47:33.080 --> 0:47:35.359
<v Speaker 3>his chair and I was like, I got all these

0:47:35.400 --> 0:47:38.320
<v Speaker 3>niggas back. I swelled up a little bit, went for

0:47:38.440 --> 0:47:41.480
<v Speaker 3>it like it's a beef, you know. So I got

0:47:41.560 --> 0:47:44.640
<v Speaker 3>down and he was like he's just like, Hia, you

0:47:44.680 --> 0:47:47.120
<v Speaker 3>know what I'm saying, you know, the guy with the mic,

0:47:47.200 --> 0:47:49.960
<v Speaker 3>the loudst guys or whatever. But I mean, we're cool

0:47:49.960 --> 0:47:54.920
<v Speaker 3>as funk now. But we leave and three days later,

0:47:54.920 --> 0:47:57.960
<v Speaker 3>in a few days later, Tupac walks in the studio,

0:47:58.040 --> 0:48:00.640
<v Speaker 3>Me and Corrupt playing fucking Mortal Kombat on Station two.

0:48:00.880 --> 0:48:02.560
<v Speaker 3>When we look at this nigga walk in the studio,

0:48:02.600 --> 0:48:04.719
<v Speaker 3>its like we just dropped the joystick, Like.

0:48:04.719 --> 0:48:07.480
<v Speaker 5>What the fuck, nigga, what are you doing here? Right?

0:48:07.560 --> 0:48:08.440
<v Speaker 5>He said, nigga, I'm back.

0:48:08.480 --> 0:48:09.080
<v Speaker 2>He was music.

0:48:09.160 --> 0:48:11.360
<v Speaker 5>Give me some fucking music. Quick light of blunt roll

0:48:11.440 --> 0:48:11.719
<v Speaker 5>the blunt.

0:48:11.960 --> 0:48:15.560
<v Speaker 3>He just came in like George Jefferson, like now in

0:48:15.680 --> 0:48:18.040
<v Speaker 3>the back, and I had already did this drop. I

0:48:18.080 --> 0:48:20.520
<v Speaker 3>did this drop for radio for this dude named Theop.

0:48:20.560 --> 0:48:23.000
<v Speaker 3>We should do these neighborhood songs for him because we

0:48:23.080 --> 0:48:25.360
<v Speaker 3>loved our radio station and our sample, Intimate Connection.

0:48:26.040 --> 0:48:27.040
<v Speaker 5>So we go in the back.

0:48:27.719 --> 0:48:30.840
<v Speaker 3>Doctor Dre has this song California Love. Should plays it

0:48:30.880 --> 0:48:32.480
<v Speaker 3>for us, like, tell me what y'all thinking about this

0:48:33.680 --> 0:48:37.320
<v Speaker 3>California Love, Come on, it's banging. Dre does the remix

0:48:37.400 --> 0:48:40.640
<v Speaker 3>of it and he uses the catalys he was doing

0:48:42.480 --> 0:48:48.520
<v Speaker 3>and nobody's ever gonna get me, Craig your.

0:48:53.000 --> 0:48:53.320
<v Speaker 2>Problem.

0:48:55.800 --> 0:48:58.759
<v Speaker 3>So how it culminates is the sample that I used,

0:48:58.800 --> 0:49:01.840
<v Speaker 3>Intimate Connection by Clear. I also used Tonight from that

0:49:01.960 --> 0:49:05.359
<v Speaker 3>group and went platinum with my song Tonight. That's Clear,

0:49:05.480 --> 0:49:08.120
<v Speaker 3>a group that was on the Atlantic Records, and Dre

0:49:08.440 --> 0:49:12.279
<v Speaker 3>it was hard to get that beat. So my man

0:49:12.360 --> 0:49:15.480
<v Speaker 3>from above, the Law who passed away Laylaw, Laylaw, brought

0:49:15.520 --> 0:49:16.600
<v Speaker 3>doctor Dre a CD.

0:49:16.800 --> 0:49:18.440
<v Speaker 5>Of intco Connection, Intimate Connection.

0:49:18.560 --> 0:49:21.200
<v Speaker 3>He's just sampled the break off of instead of reprogramming it,

0:49:21.360 --> 0:49:23.080
<v Speaker 3>and he just had his band play all over it.

0:49:23.400 --> 0:49:25.560
<v Speaker 5>So it was like both of those ideas, the sample of.

0:49:25.600 --> 0:49:31.279
<v Speaker 3>Intcom connection and the Ronnie Ronnie Ronnie, y'all find it

0:49:32.440 --> 0:49:35.200
<v Speaker 3>West Coast pop lock Ronnie dic and I think his

0:49:35.320 --> 0:49:37.960
<v Speaker 3>name was, but that's where it came from. So I'm

0:49:37.960 --> 0:49:40.120
<v Speaker 3>sitting in the room listening to the ship looking at

0:49:40.160 --> 0:49:44.279
<v Speaker 3>Dre like Damn Dre still listens to what's what he

0:49:44.480 --> 0:49:46.840
<v Speaker 3>knows will be hot. I'm thinking out of the bottom

0:49:46.920 --> 0:49:49.080
<v Speaker 3>left hand. He right handed. So I always wanted to

0:49:49.080 --> 0:49:51.160
<v Speaker 3>be that niggas Terry Lewis anyway, you know what I'm saying.

0:49:51.360 --> 0:49:54.920
<v Speaker 3>But this is my Terry Lewis, Jimmy Terry right right.

0:49:55.120 --> 0:49:59.839
<v Speaker 5>You know, is it time? A quick time time, let's see,

0:50:00.120 --> 0:50:04.800
<v Speaker 5>y'all set it up? Send the trunk. Ronnie Hudson that

0:50:04.960 --> 0:50:07.279
<v Speaker 5>was his name. Thank you, And to be clear, did

0:50:07.320 --> 0:50:09.040
<v Speaker 5>you didn't get no credit on the record. I didn't

0:50:09.040 --> 0:50:11.399
<v Speaker 5>want nothing. Who cares making sure he but I helped

0:50:11.480 --> 0:50:12.240
<v Speaker 5>on a lot of records.

0:50:12.880 --> 0:50:13.120
<v Speaker 6>I'm on.

0:50:13.520 --> 0:50:16.440
<v Speaker 3>My dad's going crazy. I was in the studio when

0:50:16.480 --> 0:50:21.520
<v Speaker 3>he was doing meetings. That's my drums. No nigga's satisfaction.

0:50:21.680 --> 0:50:24.239
<v Speaker 3>When I gave Dre them sounds and left, Drake just

0:50:24.320 --> 0:50:26.479
<v Speaker 3>put him all the work, so he'd be like, quick,

0:50:26.520 --> 0:50:28.560
<v Speaker 3>you're busy, No, what's up. I'll go to the studio

0:50:29.080 --> 0:50:31.239
<v Speaker 3>and he'd be like even the booth and ship that

0:50:31.320 --> 0:50:39.000
<v Speaker 3>nigga be like, now I'm gonna do this thing, and

0:50:39.040 --> 0:50:39.319
<v Speaker 3>I'm like.

0:50:39.320 --> 0:50:41.200
<v Speaker 5>Look, I'm getting chills just hot sound and the studio.

0:50:41.239 --> 0:50:45.040
<v Speaker 3>I was like, like, what the fuck is that? And

0:50:45.120 --> 0:50:46.920
<v Speaker 3>he was like, your drums you get I'm like, bro,

0:50:47.200 --> 0:50:49.920
<v Speaker 3>look I'm still getting chilled. Chill just the way he

0:50:50.000 --> 0:50:53.400
<v Speaker 3>made to Crown. You don't understand. They were unreal, Like

0:50:53.840 --> 0:50:56.400
<v Speaker 3>I should have stopped drinking just to be more present.

0:50:57.880 --> 0:50:59.040
<v Speaker 5>I wasn't gonna last while.

0:50:59.560 --> 0:51:03.440
<v Speaker 3>But you know that fucking watching eminem mix Encore and

0:51:03.480 --> 0:51:05.960
<v Speaker 3>Ship and this stripper bitch and knocked me over his

0:51:06.040 --> 0:51:07.239
<v Speaker 3>equipment and ship we both go.

0:51:07.440 --> 0:51:11.120
<v Speaker 12>Falling, and it was like, dr get get your man's

0:51:11.160 --> 0:51:23.960
<v Speaker 12>trade that Puerto Rican drum bitch, drunk titties. You did

0:51:24.000 --> 0:51:25.279
<v Speaker 12>the drums on get Rich.

0:51:25.320 --> 0:51:27.520
<v Speaker 5>Since I tried in the club, I can't do it.

0:51:27.640 --> 0:51:28.200
<v Speaker 5>It can't be done.

0:51:28.400 --> 0:51:30.680
<v Speaker 3>And those are my drum sounds because I knew nobody

0:51:30.800 --> 0:51:34.520
<v Speaker 3>had them that clapped. That's there because everybody was using

0:51:34.560 --> 0:51:37.400
<v Speaker 3>the one that came with the n PC two thousand.

0:51:38.239 --> 0:51:41.000
<v Speaker 5>You know the most exactly. The biggest example is right

0:51:41.080 --> 0:51:41.760
<v Speaker 5>there by chinging.

0:51:41.800 --> 0:51:41.960
<v Speaker 6>You know.

0:51:44.120 --> 0:51:47.480
<v Speaker 3>That little sound that's near. So when I gave him

0:51:47.520 --> 0:51:49.920
<v Speaker 3>the drum sound, that was like it, but more beefed up.

0:51:50.000 --> 0:51:52.399
<v Speaker 3>It went on, If I can't do it, can't be done.

0:51:53.960 --> 0:51:57.040
<v Speaker 3>You know what I'm saying. I think think.

0:51:58.760 --> 0:52:00.920
<v Speaker 5>Because I do sound design. That's really my ship. I

0:52:01.080 --> 0:52:03.160
<v Speaker 5>like just like Dre. He's like Quincy Jones.

0:52:03.480 --> 0:52:05.840
<v Speaker 3>These motherfuckers only want to hear something they ain't never

0:52:05.920 --> 0:52:08.200
<v Speaker 3>heard before. You got impressed him, like Nigga. We didn't

0:52:08.200 --> 0:52:10.520
<v Speaker 3>hear there. I owned the record shop. Nigga impressed me.

0:52:11.000 --> 0:52:13.160
<v Speaker 3>So you gotta go do some ship they never heard before.

0:52:13.800 --> 0:52:15.360
<v Speaker 3>And then they let you in the party and the

0:52:15.400 --> 0:52:17.560
<v Speaker 3>bitches jump on you and the weed comes out. Let

0:52:17.640 --> 0:52:24.920
<v Speaker 3>your the money to check. They had way more fun than.

0:52:28.200 --> 0:52:28.440
<v Speaker 11>It was.

0:52:30.840 --> 0:52:36.719
<v Speaker 5>Instagram Instagram are gonna be the document that.

0:52:38.640 --> 0:52:40.439
<v Speaker 1>I always I always say that I played with people.

0:52:40.440 --> 0:52:43.560
<v Speaker 1>I was like, yo, man, imagine tupact of Instagram.

0:52:44.840 --> 0:52:54.560
<v Speaker 2>Sac like easy Twitter, Twitter, hilarious, man, I missed that.

0:52:54.840 --> 0:52:56.640
<v Speaker 5>Seems like he had a Hello sense. He was the

0:52:56.760 --> 0:53:00.360
<v Speaker 5>fun man. He was a he was joky Smurf. Nigga

0:53:00.440 --> 0:53:04.759
<v Speaker 5>was hilarious. And from Compton, how far our blocks? Yeah?

0:53:04.800 --> 0:53:06.520
<v Speaker 3>Yeah, less than a mile. He's like he was in

0:53:06.600 --> 0:53:08.960
<v Speaker 3>Kelly Park. We in tree Top. You just go down

0:53:09.080 --> 0:53:13.120
<v Speaker 3>fucking a rambi six blocks of Compton Boulevard and make

0:53:13.160 --> 0:53:15.560
<v Speaker 3>a left, go down about four blocks is right there.

0:53:15.600 --> 0:53:17.759
<v Speaker 5>The ship's only ten square miles, it's like.

0:53:17.800 --> 0:53:19.320
<v Speaker 3>Ten fifteen square miles constantly.

0:53:19.320 --> 0:53:22.600
<v Speaker 1>So and you know this is like a close like

0:53:22.640 --> 0:53:25.879
<v Speaker 1>walking distance. Okay, So we're lack of a better term.

0:53:26.920 --> 0:53:29.240
<v Speaker 1>For me not knowing no better, I might sound stupid,

0:53:29.280 --> 0:53:33.080
<v Speaker 1>but let me just act you never like because for

0:53:33.280 --> 0:53:36.160
<v Speaker 1>us back then, we thought that it was full fledged beef.

0:53:36.200 --> 0:53:38.600
<v Speaker 1>Whenever you see somebody in red that's wearing red and

0:53:38.680 --> 0:53:42.960
<v Speaker 1>somebody's wearing blue us, it really won't kid yeah, okay,

0:53:43.040 --> 0:53:46.640
<v Speaker 1>back to our vision was correct, It wasn't exaggerated, okay.

0:53:46.719 --> 0:53:49.279
<v Speaker 3>And the Compton Police Department used to egg that ship

0:53:49.360 --> 0:53:54.000
<v Speaker 3>on and exacerbated by picking up cryp niggas and dropping

0:53:54.000 --> 0:53:56.880
<v Speaker 3>them off in blood and they figuring out blood niggas

0:53:56.880 --> 0:53:59.120
<v Speaker 3>and dropping us off in crip neighborhoods. That'd be like, hey,

0:53:59.200 --> 0:54:02.200
<v Speaker 3>I've gotta slid over here and drive off, and the

0:54:02.280 --> 0:54:05.000
<v Speaker 3>crips figured it out. They was like, man, that was black.

0:54:05.320 --> 0:54:07.239
<v Speaker 3>They say the name of the officering ain't nothing, but

0:54:07.719 --> 0:54:09.759
<v Speaker 3>come on, man, we draw y'all home. They didn't bite,

0:54:09.800 --> 0:54:10.480
<v Speaker 3>they didn't fall for.

0:54:12.000 --> 0:54:14.960
<v Speaker 6>Because in the movie we saw where they don't go

0:54:14.960 --> 0:54:16.520
<v Speaker 6>over to the Mexican neighbor there's a.

0:54:16.560 --> 0:54:18.320
<v Speaker 3>Movie they'd be like, here, come through. It be like

0:54:19.080 --> 0:54:21.920
<v Speaker 3>y'all you know man, you know the carvers got one

0:54:21.960 --> 0:54:22.440
<v Speaker 3>of y'all.

0:54:22.719 --> 0:54:23.320
<v Speaker 5>Some ship like that.

0:54:23.480 --> 0:54:26.320
<v Speaker 2>You'd be like, what the fuck were out there drilling?

0:54:26.400 --> 0:54:28.880
<v Speaker 2>We out there playing basketball or whatever. All yeah, the

0:54:28.960 --> 0:54:30.120
<v Speaker 2>nun he's got day up on y'all.

0:54:30.280 --> 0:54:31.160
<v Speaker 3>It'll be like, bro, we're.

0:54:31.080 --> 0:54:35.040
<v Speaker 5>Twelve thirteen years old, and they're telling you because the police.

0:54:34.880 --> 0:54:37.800
<v Speaker 2>Just so you so so the nigga from one neighborhood

0:54:37.840 --> 0:54:40.160
<v Speaker 2>go over there, they do because it won no Instagram,

0:54:40.200 --> 0:54:40.759
<v Speaker 2>went no Twitter.

0:54:40.840 --> 0:54:42.920
<v Speaker 3>So you didn't know. Yeah, you didn't know better, right,

0:54:43.040 --> 0:54:45.400
<v Speaker 3>you just kind of felt the energy, right, I mean,

0:54:46.680 --> 0:54:50.640
<v Speaker 3>the sheriffs was they was the telegram.

0:54:51.200 --> 0:54:54.520
<v Speaker 5>They were the Instagram. It was the telegram. There were

0:54:54.560 --> 0:54:59.920
<v Speaker 5>the pigeons used to carrier bring Yeah, the carryer pictures

0:55:00.040 --> 0:55:03.280
<v Speaker 5>gonna bring the word because what did you just say, Compton,

0:55:03.360 --> 0:55:03.960
<v Speaker 5>this is only a.

0:55:08.800 --> 0:55:10.279
<v Speaker 3>Square mile the whole thing though.

0:55:10.400 --> 0:55:15.040
<v Speaker 1>But that's a city though, confidence right, Okay, So what's

0:55:15.080 --> 0:55:19.239
<v Speaker 1>the name of their first album, Who's Road Now?

0:55:19.840 --> 0:55:22.360
<v Speaker 3>Roldse Chance is? What is that?

0:55:23.960 --> 0:55:26.520
<v Speaker 2>It's the only street that runs all the way through Compton.

0:55:27.120 --> 0:55:28.000
<v Speaker 2>Anything blocking it.

0:55:28.719 --> 0:55:31.719
<v Speaker 3>Yeah, it's almost like a main streets avenue really okay,

0:55:31.760 --> 0:55:32.960
<v Speaker 3>And it was every day.

0:55:33.280 --> 0:55:35.719
<v Speaker 5>It goes from Lamarada all the way to the beach.

0:55:36.000 --> 0:55:37.600
<v Speaker 3>We used to jump on the bus, the one twenty

0:55:37.640 --> 0:55:39.520
<v Speaker 3>five and just take it west and get off at

0:55:39.560 --> 0:55:41.320
<v Speaker 3>Manhattan Beach like it's unbroken.

0:55:42.200 --> 0:55:45.480
<v Speaker 2>My streets get broken about the railroads or like like

0:55:45.600 --> 0:55:47.520
<v Speaker 2>you'll get like train tracks and will break it.

0:55:47.560 --> 0:55:49.280
<v Speaker 5>It's an artery over, it's an artery.

0:55:49.440 --> 0:55:49.600
<v Speaker 6>Yeah.

0:55:49.640 --> 0:55:51.920
<v Speaker 5>It's the only street that you can just ride through

0:55:52.000 --> 0:55:52.760
<v Speaker 5>Compton straight.

0:55:52.600 --> 0:55:53.839
<v Speaker 3>Through and get to the back of it to get

0:55:53.840 --> 0:55:54.640
<v Speaker 3>to the next city.

0:55:54.440 --> 0:55:57.120
<v Speaker 5>And get out here. But it's not a crip neighborhood.

0:55:57.440 --> 0:56:02.319
<v Speaker 5>It's neighborhood. It drives throughout it to devise everybody. Okay, wow, wow,

0:56:02.960 --> 0:56:13.720
<v Speaker 5>yeah something looking listen listen. Yeah, it's so interesting.

0:56:13.360 --> 0:56:17.600
<v Speaker 1>Because you know the way it's divided right the way

0:56:17.680 --> 0:56:20.680
<v Speaker 1>how like you corrupt as my friend, right, you know,

0:56:21.480 --> 0:56:24.040
<v Speaker 1>And I went up somewhere and I remember him like,

0:56:24.080 --> 0:56:25.960
<v Speaker 1>oh no, no, no, he's not stopping there.

0:56:31.000 --> 0:56:33.399
<v Speaker 5>We get over here, or you're like I'm like all right, cool,

0:56:33.480 --> 0:56:33.840
<v Speaker 5>Like you.

0:56:33.920 --> 0:56:35.400
<v Speaker 1>Know, I didn't want to get into depth and what

0:56:35.680 --> 0:56:39.400
<v Speaker 1>just happened, but like I would always imagine that a

0:56:39.480 --> 0:56:41.920
<v Speaker 1>person could get caught slipping like that, like if you're

0:56:42.000 --> 0:56:44.920
<v Speaker 1>just out there. And I remember Snoop telling us on

0:56:45.080 --> 0:56:47.319
<v Speaker 1>this show he was like one time he's seen nives

0:56:47.360 --> 0:56:48.800
<v Speaker 1>and knives was just so out of pocket.

0:56:49.120 --> 0:56:50.000
<v Speaker 2>He was just like.

0:56:51.640 --> 0:56:53.840
<v Speaker 5>He was all read and he was just like, no,

0:56:54.160 --> 0:56:58.000
<v Speaker 5>I'm I'm not sure you have that over here, but

0:56:59.440 --> 0:57:00.000
<v Speaker 5>is that something?

0:57:00.080 --> 0:57:00.840
<v Speaker 4>And like you know.

0:57:02.360 --> 0:57:04.719
<v Speaker 1>That that that y'all into, Like let me break it

0:57:04.760 --> 0:57:07.239
<v Speaker 1>down a little bit more, Like so many people, it's

0:57:07.280 --> 0:57:11.239
<v Speaker 1>this thing checking in Yeah, right, because right now, and

0:57:11.320 --> 0:57:13.600
<v Speaker 1>I reiterate the question, they say that l A is

0:57:13.640 --> 0:57:16.400
<v Speaker 1>one of the most dangerous places in the world for rappers.

0:57:17.280 --> 0:57:17.400
<v Speaker 2>Right.

0:57:19.720 --> 0:57:21.800
<v Speaker 1>First of if you want to dress that, you would

0:57:21.800 --> 0:57:26.920
<v Speaker 1>love to address it. Okay, let yes, that's not like

0:57:27.000 --> 0:57:29.120
<v Speaker 1>you're not true, but I want to say this bro

0:57:29.240 --> 0:57:29.920
<v Speaker 1>like a lot of.

0:57:30.040 --> 0:57:33.440
<v Speaker 2>Like I would never go to New York and say, man,

0:57:33.440 --> 0:57:36.280
<v Speaker 2>I hate this motherfucker and then open up a business there.

0:57:37.080 --> 0:57:39.680
<v Speaker 5>People come to our city and totally talk.

0:57:39.560 --> 0:57:42.880
<v Speaker 2>Ship about it to us, and you l a niggas man,

0:57:42.880 --> 0:57:44.720
<v Speaker 2>you l NI, but y'all to live here, y'all stay there.

0:57:44.720 --> 0:57:46.760
<v Speaker 5>And it gets to a point where it's like it

0:57:46.880 --> 0:57:48.280
<v Speaker 5>looks so lack. The day is a cool.

0:57:48.680 --> 0:57:50.960
<v Speaker 2>It looks like, oh, it's palm trees. Even our ghettos

0:57:51.080 --> 0:57:53.720
<v Speaker 2>just look nice. You know what I'm saying. So you

0:57:53.960 --> 0:57:56.160
<v Speaker 2>you can you can get caught slipping, get LOLd r.

0:57:56.360 --> 0:57:59.840
<v Speaker 3>Yeah, to believe in it's a palm trees until you

0:58:00.080 --> 0:58:03.200
<v Speaker 3>leaking out your motherfucking transmission fluid on that hot ass

0:58:03.240 --> 0:58:03.560
<v Speaker 3>ask for.

0:58:03.600 --> 0:58:05.360
<v Speaker 2>It looks like it's something to play with, But it's like,

0:58:05.480 --> 0:58:07.520
<v Speaker 2>I would never like to checking in. Thing for me

0:58:07.720 --> 0:58:11.400
<v Speaker 2>is like if I'm going to Atlanta, I'm calling everybody

0:58:11.480 --> 0:58:13.080
<v Speaker 2>I know, Dude a minute I get on the plane,

0:58:13.480 --> 0:58:16.160
<v Speaker 2>I don't care if it's called checking in checking out nothing.

0:58:16.240 --> 0:58:18.120
<v Speaker 2>These are the niggas that I know from the spot

0:58:18.160 --> 0:58:21.160
<v Speaker 2>I'm showing love Y'all'm in your city's popping up. But

0:58:21.240 --> 0:58:23.200
<v Speaker 2>when it comes to La it's like, ain't nobody gonna

0:58:23.200 --> 0:58:25.400
<v Speaker 2>tell me. It's like, bro, we got to get that

0:58:25.600 --> 0:58:27.640
<v Speaker 2>energy to buy of us. That's not the play bro,

0:58:27.840 --> 0:58:30.040
<v Speaker 2>that's not that's not even our culture. Like, if you

0:58:30.080 --> 0:58:32.560
<v Speaker 2>really came to La, this side of the tenth Freeway

0:58:32.800 --> 0:58:35.200
<v Speaker 2>is more Southern. It's all a bunch of people from Louisiana,

0:58:35.320 --> 0:58:37.080
<v Speaker 2>Texas that have brought families down.

0:58:37.200 --> 0:58:40.200
<v Speaker 5>Our family man, come to the barbecue, come chill.

0:58:40.040 --> 0:58:41.840
<v Speaker 3>Out, come hang out. It's not what you think.

0:58:41.880 --> 0:58:42.000
<v Speaker 6>Now.

0:58:42.000 --> 0:58:43.960
<v Speaker 2>If you get caught slipping in Hollywood and all that,

0:58:44.240 --> 0:58:47.320
<v Speaker 2>you're in the gumbo pot. That's where everybody that comes

0:58:47.440 --> 0:58:49.760
<v Speaker 2>to La goes and they chill out and they can

0:58:49.800 --> 0:58:52.360
<v Speaker 2>be their toughest, they can act their richest, they can

0:58:52.440 --> 0:58:54.560
<v Speaker 2>act like whatever they want, and then they'll bump into

0:58:54.720 --> 0:58:57.200
<v Speaker 2>somebody that's really from there and they'll you know, probably

0:58:57.240 --> 0:59:00.360
<v Speaker 2>playing with them. My reverend wrong way, La f gonna

0:59:00.360 --> 0:59:02.280
<v Speaker 2>be loud when he's gonna get you. He's gonna be like,

0:59:03.000 --> 0:59:06.680
<v Speaker 2>all right, got you, and they're gonna wait it out.

0:59:06.800 --> 0:59:07.480
<v Speaker 3>They're gonna do it.

0:59:07.800 --> 0:59:09.120
<v Speaker 2>You know what I'm saying. They're gonna they're gonna do

0:59:09.160 --> 0:59:11.000
<v Speaker 2>it that way. I would just say, man, just respect

0:59:11.080 --> 0:59:14.080
<v Speaker 2>where you're at. Like if I come to Miami, we're

0:59:14.160 --> 0:59:17.120
<v Speaker 2>now cool. I'm like, yo, hey, I'm here. What can

0:59:17.200 --> 0:59:19.600
<v Speaker 2>we do well, not like yo, man, I'm here, man,

0:59:19.600 --> 0:59:22.640
<v Speaker 2>I'm scared what we're gonna do. It's just everywhere got

0:59:22.680 --> 0:59:26.320
<v Speaker 2>some It's just the rappers come to l A and play.

0:59:26.640 --> 0:59:32.160
<v Speaker 5>Right, you know, the niggas and girls. That happens everywhere everywhere.

0:59:32.800 --> 0:59:33.320
<v Speaker 3>You know what I'm saying.

0:59:33.360 --> 0:59:35.000
<v Speaker 2>If some puzzy gonna get you to shoot somebody, you

0:59:35.080 --> 0:59:36.400
<v Speaker 2>are you need to go get therapy anyone.

0:59:38.720 --> 0:59:39.200
<v Speaker 5>That's a whole.

0:59:44.840 --> 0:59:47.200
<v Speaker 2>But as far as just like man, just just come

0:59:47.440 --> 0:59:50.440
<v Speaker 2>come with love. Come come with love, bro, because that's

0:59:50.440 --> 0:59:52.120
<v Speaker 2>what Compton is. That's what I say is That's what

0:59:52.200 --> 0:59:53.960
<v Speaker 2>Long Beach, that's what ing with. I don't know what

0:59:54.040 --> 0:59:57.320
<v Speaker 2>Hockeywood is, right, that's something it's like the free free

0:59:57.520 --> 0:59:59.920
<v Speaker 2>like it's the free fall because everyone is just basically all.

1:00:00.120 --> 1:00:02.320
<v Speaker 2>But that's where all of the dangeroush it happened. Yeah,

1:00:02.880 --> 1:00:05.960
<v Speaker 2>it was time Square, you know what the creative I was.

1:00:06.240 --> 1:00:08.840
<v Speaker 2>I was remember of the Source Awards where everybody got robbed?

1:00:09.880 --> 1:00:10.480
<v Speaker 5>Which one was it?

1:00:10.560 --> 1:00:10.920
<v Speaker 2>In La?

1:00:12.480 --> 1:00:15.920
<v Speaker 3>The only one I got at by the police, I'm

1:00:15.920 --> 1:00:16.240
<v Speaker 3>not sure.

1:00:16.720 --> 1:00:19.520
<v Speaker 5>After everybody got robbed and you.

1:00:19.560 --> 1:00:22.680
<v Speaker 1>Know the crazy ship. I didn't stay in Beverly Hills.

1:00:22.720 --> 1:00:24.320
<v Speaker 1>I mean I stayed in Beverly Hills. But I went

1:00:24.880 --> 1:00:27.040
<v Speaker 1>to the first time going to the Jungles and I

1:00:27.120 --> 1:00:30.240
<v Speaker 1>went to the Jungles. It's before training day. I'll tell

1:00:30.240 --> 1:00:32.320
<v Speaker 1>you that I went to the I did not know

1:00:33.080 --> 1:00:36.480
<v Speaker 1>that before training day because I went through and I

1:00:36.560 --> 1:00:39.080
<v Speaker 1>was like, wait a minute, this is this is a

1:00:39.080 --> 1:00:40.920
<v Speaker 1>little this is a little different from me, you know

1:00:40.960 --> 1:00:42.920
<v Speaker 1>what I mean, it's a little different, like and you know,

1:00:43.000 --> 1:00:45.280
<v Speaker 1>I did that whole little thing, you know all that.

1:00:45.840 --> 1:00:48.840
<v Speaker 1>And then I went to Baldwin Hills next to the

1:00:49.120 --> 1:00:50.680
<v Speaker 1>and there was a bunch of cryptdudes who gave me

1:00:50.760 --> 1:00:51.480
<v Speaker 1>death Row shirts.

1:00:51.600 --> 1:00:53.720
<v Speaker 5>And I was like, I am mad confused.

1:00:56.400 --> 1:00:58.760
<v Speaker 3>I was. I was so confused.

1:00:58.760 --> 1:01:03.040
<v Speaker 5>I was like, wait a minute, like I thought, I

1:01:03.320 --> 1:01:06.720
<v Speaker 5>didn't understand that, Crimson. I didn't understand that.

1:01:06.800 --> 1:01:09.440
<v Speaker 2>Then I was just like, just told you they were cribs,

1:01:09.480 --> 1:01:11.480
<v Speaker 2>just to see what you were going to say. Man, okay,

1:01:11.520 --> 1:01:15.000
<v Speaker 2>that's another I was getting running back. They would dress

1:01:15.080 --> 1:01:17.040
<v Speaker 2>up and the opposite color and just walk up on

1:01:17.120 --> 1:01:19.760
<v Speaker 2>your with you and then you just be like, like,

1:01:20.000 --> 1:01:22.000
<v Speaker 2>what's up, cousin, where you from? He'd be like, oh man,

1:01:22.040 --> 1:01:23.880
<v Speaker 2>because I'm whole, like what blood?

1:01:23.920 --> 1:01:28.240
<v Speaker 1>And then it turned into this thing Wow, the East

1:01:28.240 --> 1:01:32.160
<v Speaker 1>Coast face though they knew. I was, yeah, you don't

1:01:32.680 --> 1:01:35.160
<v Speaker 1>set on tape. I will pull it up. So I

1:01:35.280 --> 1:01:39.720
<v Speaker 1>go through the jungles and this guy name is Adam Favous.

1:01:39.800 --> 1:01:41.680
<v Speaker 1>He used to work for in the Scope records.

1:01:42.120 --> 1:01:42.800
<v Speaker 3>Do we know Adam?

1:01:43.040 --> 1:01:45.160
<v Speaker 5>You know Adam Favous. He's a while he could get

1:01:45.200 --> 1:01:45.919
<v Speaker 5>outside this story.

1:01:46.000 --> 1:01:47.840
<v Speaker 1>I was over there a lot. I went to the

1:01:47.920 --> 1:01:50.480
<v Speaker 1>jail and I turned in and I was I was,

1:01:50.600 --> 1:01:52.200
<v Speaker 1>I was scared. So I was like, you know what,

1:01:52.560 --> 1:01:54.080
<v Speaker 1>I want to get this over with. I want I

1:01:54.160 --> 1:01:55.840
<v Speaker 1>want to I want l a to I want to

1:01:55.880 --> 1:01:57.600
<v Speaker 1>feel it. So I was like, what's the closest hood.

1:01:57.640 --> 1:01:57.960
<v Speaker 3>He was like.

1:01:59.760 --> 1:02:01.480
<v Speaker 5>The I just want to go, just real quick.

1:02:01.960 --> 1:02:04.080
<v Speaker 1>He just looked at me, and then we walked through

1:02:05.320 --> 1:02:08.720
<v Speaker 1>and I realized we had an all Blue Excursion.

1:02:09.840 --> 1:02:16.440
<v Speaker 5>Dangerous two thousand. The gotta be two nine two thousand

1:02:16.520 --> 1:02:20.200
<v Speaker 5>from somewhere. We's not a SoCal war. This is not

1:02:20.360 --> 1:02:21.720
<v Speaker 5>me being there, this is excuse me.

1:02:21.840 --> 1:02:26.200
<v Speaker 1>This is after the Source Awards and my record had

1:02:26.680 --> 1:02:28.960
<v Speaker 1>hit number one in l A and they said you

1:02:29.040 --> 1:02:31.640
<v Speaker 1>gotta stay and everybody from the East Coast went back

1:02:31.680 --> 1:02:34.439
<v Speaker 1>home from by myself. So I was like all right, cool,

1:02:34.520 --> 1:02:36.760
<v Speaker 1>And I went through the juggle and the first listen

1:02:36.840 --> 1:02:40.320
<v Speaker 1>the first person I had met, the guy. I got

1:02:40.360 --> 1:02:42.240
<v Speaker 1>out the car and I was I was filming. Remember

1:02:42.240 --> 1:02:45.080
<v Speaker 1>I was doing the documentary, so I have filmed the guy.

1:02:45.120 --> 1:02:46.560
<v Speaker 1>And I was like, yo, you know I'm from the

1:02:46.600 --> 1:02:47.000
<v Speaker 1>East Coast.

1:02:47.040 --> 1:02:47.640
<v Speaker 5>You know where I am.

1:02:48.080 --> 1:02:52.280
<v Speaker 3>And the dude said, yeah, you little nor little Norri.

1:02:52.520 --> 1:02:54.160
<v Speaker 5>I was like, how the funk I get him? This

1:02:54.320 --> 1:02:58.440
<v Speaker 5>coast becomes little Normy, I swear to god. He's like,

1:02:58.600 --> 1:03:01.120
<v Speaker 5>this is a big Normy. And I was like, all right,

1:03:01.160 --> 1:03:01.560
<v Speaker 5>I'm cool.

1:03:01.960 --> 1:03:05.920
<v Speaker 3>Cool to walking around. He was passed.

1:03:06.040 --> 1:03:07.880
<v Speaker 5>He did something. I don't know if it was the

1:03:07.920 --> 1:03:10.600
<v Speaker 5>pinching ship, I don't remember exactly. He did something.

1:03:10.680 --> 1:03:13.080
<v Speaker 1>He's like, yo, I don't suggest you drive around without

1:03:13.120 --> 1:03:16.160
<v Speaker 1>me letting him know that it's a blue as soon

1:03:16.200 --> 1:03:18.480
<v Speaker 1>as and I'm gonna tell you another thing. As soon

1:03:18.520 --> 1:03:20.520
<v Speaker 1>as I hit the left and they seen the blue

1:03:20.520 --> 1:03:22.880
<v Speaker 1>e skirtions girls ran from me like.

1:03:22.960 --> 1:03:24.880
<v Speaker 5>And I was like, this is not good. I was like,

1:03:25.080 --> 1:03:29.320
<v Speaker 5>this is not good. But and I went through and

1:03:29.400 --> 1:03:31.600
<v Speaker 5>I remember that I remember that that was the time

1:03:31.640 --> 1:03:35.520
<v Speaker 5>I met t Rogers. But yeah, like the rest of BC,

1:03:35.880 --> 1:03:38.920
<v Speaker 5>but big up big up to the motherfucking California.

1:03:38.440 --> 1:03:47.880
<v Speaker 1>Big up to, big up to Big Norri and then

1:03:48.080 --> 1:03:50.800
<v Speaker 1>and then again, I didn't hear this hood. I didn't

1:03:50.800 --> 1:03:53.240
<v Speaker 1>know nothing until I seen training there and I was like,

1:03:53.320 --> 1:03:57.680
<v Speaker 1>oh man, I might.

1:03:57.640 --> 1:04:04.960
<v Speaker 3>Have ship, but I'm I'm used to associate and identify

1:04:05.080 --> 1:04:07.960
<v Speaker 3>as a bloods And when I was younger, I still

1:04:08.040 --> 1:04:09.640
<v Speaker 3>wasn't going to the Juger. It was a little dangerous

1:04:09.640 --> 1:04:09.880
<v Speaker 3>for me.

1:04:13.960 --> 1:04:16.960
<v Speaker 5>Hard And in my defense, I did not know.

1:04:18.960 --> 1:04:23.919
<v Speaker 1>Knew like I was just like you wanted that party,

1:04:23.920 --> 1:04:25.280
<v Speaker 1>wouldn't have made that same move, sir.

1:04:25.360 --> 1:04:28.000
<v Speaker 5>Now I wouldn't probably, but you know, starting.

1:04:30.760 --> 1:04:36.280
<v Speaker 2>You want to shoot joint if you want, like, let's

1:04:36.280 --> 1:04:37.800
<v Speaker 2>stole that money Carlo during the shoot of that.

1:04:38.280 --> 1:04:42.760
<v Speaker 3>That's a flyer, like got That's how they got in

1:04:42.800 --> 1:04:43.160
<v Speaker 3>the movie.

1:04:44.080 --> 1:04:45.840
<v Speaker 5>It was like you give it back, give it back,

1:04:45.880 --> 1:04:48.080
<v Speaker 5>we got put some mommies in the movie. Oh wow,

1:04:48.640 --> 1:04:49.360
<v Speaker 5>that's so dope.

1:04:49.440 --> 1:04:54.280
<v Speaker 3>It's love. I love.

1:04:54.480 --> 1:04:58.240
<v Speaker 5>But actually, because quick quick, I heard you say the.

1:04:58.320 --> 1:05:00.680
<v Speaker 1>Fact, then they used to lie put you with the

1:05:00.760 --> 1:05:06.640
<v Speaker 1>per and the dickies, and now you might you mightn't

1:05:06.640 --> 1:05:08.640
<v Speaker 1>go anywhere and see.

1:05:08.440 --> 1:05:12.880
<v Speaker 3>That same look. Any neighborhood man. Chigi used to have

1:05:12.960 --> 1:05:16.400
<v Speaker 3>a pressing curl and wear cor chairs. That was my

1:05:16.480 --> 1:05:19.560
<v Speaker 3>whole ship, pressing curl cor chairs, and.

1:05:19.600 --> 1:05:21.160
<v Speaker 5>Niggas asked me why I did my hair like that.

1:05:21.240 --> 1:05:24.240
<v Speaker 3>I said, because girls like it, right, same way Prince

1:05:24.320 --> 1:05:28.960
<v Speaker 3>wore my fucking lace because girls like it, and boots girls.

1:05:28.800 --> 1:05:30.760
<v Speaker 5>Like it and was gangster as a motherfucker.

1:05:30.760 --> 1:05:32.040
<v Speaker 2>I ain't trying to I ain't trying to party with

1:05:32.120 --> 1:05:32.919
<v Speaker 2>you later, my guy.

1:05:36.600 --> 1:05:37.200
<v Speaker 3>Right the fuck?

1:05:37.760 --> 1:05:41.000
<v Speaker 1>But but how dope is it to see a legacy

1:05:41.040 --> 1:05:42.600
<v Speaker 1>you started and they spread everywhere?

1:05:42.840 --> 1:05:44.200
<v Speaker 3>Nor it is a dream. It's like a dream.

1:05:44.280 --> 1:05:46.200
<v Speaker 5>Damn, this tastes Good's anxiety.

1:05:47.440 --> 1:05:48.160
<v Speaker 9>Mad hash.

1:05:49.840 --> 1:05:54.600
<v Speaker 5>When you welcome, you welcome more? Hasha? What in the enjoint?

1:05:54.680 --> 1:05:54.960
<v Speaker 2>Let me know?

1:05:56.120 --> 1:05:59.480
<v Speaker 5>Yeah, that's the tobacco like on My My Love is

1:05:59.520 --> 1:06:00.400
<v Speaker 5>stilling the nineties.

1:06:00.680 --> 1:06:02.320
<v Speaker 3>Yeah you doant to joint? Yeah?

1:06:02.360 --> 1:06:04.240
<v Speaker 1>Yeah, you want to joint for them? Hell yeah please,

1:06:05.040 --> 1:06:06.760
<v Speaker 1>My lungs is still in the nineties. Man, I'm sorry,

1:06:06.800 --> 1:06:09.080
<v Speaker 1>I'm going I upgrade.

1:06:09.160 --> 1:06:11.720
<v Speaker 5>I've been cigarette free for like two years this ship.

1:06:11.520 --> 1:06:13.960
<v Speaker 3>And I like, ye, yes, he ain't been drinking either.

1:06:14.040 --> 1:06:14.600
<v Speaker 3>We have to get.

1:06:16.000 --> 1:06:18.680
<v Speaker 2>Really, I was gonna come on totally dry, yeah, which

1:06:18.680 --> 1:06:19.480
<v Speaker 2>would have been fun too.

1:06:19.600 --> 1:06:23.440
<v Speaker 3>Yeah. But our pre this was I was gonna say, Man,

1:06:23.440 --> 1:06:25.640
<v Speaker 3>you need a TV show. Let me tell you something.

1:06:25.720 --> 1:06:27.680
<v Speaker 3>Let me tell you something about let me tell you

1:06:27.760 --> 1:06:33.360
<v Speaker 3>something about your fans. You thinking it's you. You have

1:06:33.440 --> 1:06:34.800
<v Speaker 3>a paying in to the niggas.

1:06:34.520 --> 1:06:37.240
<v Speaker 5>Fanst man, what I mean, I gotta be in. I

1:06:37.280 --> 1:06:42.400
<v Speaker 5>gotta be in the comments say they twitter feed the

1:06:42.520 --> 1:06:43.840
<v Speaker 5>day attacking us.

1:06:44.040 --> 1:06:45.880
<v Speaker 6>They love me, Man, they've been attacking us and we

1:06:45.960 --> 1:06:48.360
<v Speaker 6>were like, what do you mean, because we have a

1:06:48.440 --> 1:06:51.600
<v Speaker 6>guess they think there's us us Like, yeah, so we

1:06:51.840 --> 1:06:53.080
<v Speaker 6>we We've been throwing.

1:06:52.840 --> 1:06:53.120
<v Speaker 5>It on you.

1:06:53.320 --> 1:06:56.800
<v Speaker 1>It's quick man, reversing the real fast like it's not

1:06:57.000 --> 1:06:59.160
<v Speaker 1>us your fans. Let me just tell you something.

1:06:59.680 --> 1:06:59.880
<v Speaker 3>I know.

1:07:00.240 --> 1:07:02.080
<v Speaker 1>This is the best thing about doing this show is

1:07:02.120 --> 1:07:04.280
<v Speaker 1>you get to know the people that you're about.

1:07:04.040 --> 1:07:07.120
<v Speaker 5>To interview fast. When I tell you, they went from

1:07:07.600 --> 1:07:10.560
<v Speaker 5>when it's quick, when it's quick, when it's quick, to

1:07:11.760 --> 1:07:12.760
<v Speaker 5>you hating on quick.

1:07:14.880 --> 1:07:18.200
<v Speaker 3>We have Like your fans is real.

1:07:18.280 --> 1:07:20.560
<v Speaker 5>I'm just saying, you know, like that is that ship

1:07:20.640 --> 1:07:22.400
<v Speaker 5>is scary, Like I'm scared of your fans.

1:07:22.720 --> 1:07:25.600
<v Speaker 3>Like I took a queue out of like how like

1:07:25.720 --> 1:07:28.160
<v Speaker 3>Nicki Minaj got her team. You know what I'm saying

1:07:28.240 --> 1:07:30.760
<v Speaker 3>and to be honestly, got to be high and everybody

1:07:30.840 --> 1:07:32.160
<v Speaker 3>have they click fans.

1:07:32.320 --> 1:07:33.280
<v Speaker 5>What's your fanst name?

1:07:33.480 --> 1:07:36.000
<v Speaker 3>I can't get quick give me, we gotta give them,

1:07:37.080 --> 1:07:37.840
<v Speaker 3>we gotta take on this.

1:07:39.720 --> 1:07:42.160
<v Speaker 5>I'm telling you, I've been doing this for years and

1:07:42.280 --> 1:07:44.920
<v Speaker 5>I know and even more after they were now you

1:07:44.960 --> 1:07:48.400
<v Speaker 5>gottah Yeah, yeah, they really, they really. She ain't go

1:07:48.480 --> 1:07:49.560
<v Speaker 5>to weddings together.

1:07:50.800 --> 1:07:52.360
<v Speaker 2>At the moment they got to do that record on

1:07:52.520 --> 1:07:55.600
<v Speaker 2>Rose Crash. Yeah, we got this TIGG studio, the big deal.

1:07:55.680 --> 1:08:00.600
<v Speaker 2>We came together. Just take drummer like it's like to drive.

1:08:01.720 --> 1:08:04.040
<v Speaker 2>And I'm telling you, I'm eighted for that guy.

1:08:04.160 --> 1:08:06.920
<v Speaker 3>Arbick and they brought each other gifts. It was like.

1:08:08.560 --> 1:08:11.080
<v Speaker 5>As a as a, I always want that relationship with him.

1:08:11.120 --> 1:08:13.800
<v Speaker 3>But they misinterpreted something I said on the mixtape and

1:08:14.000 --> 1:08:17.439
<v Speaker 3>eighty eight eighty and mentioned them did you want me?

1:08:17.640 --> 1:08:19.479
<v Speaker 5>He said on here about the mixtape and hearing it

1:08:19.479 --> 1:08:19.760
<v Speaker 5>and all that.

1:08:19.840 --> 1:08:21.479
<v Speaker 3>Somebody pumped that up because I was like, I'm not

1:08:21.560 --> 1:08:23.200
<v Speaker 3>the n w A, I ain't gay, and I'm on

1:08:23.240 --> 1:08:25.120
<v Speaker 3>my way to the top of the tree for CMW

1:08:25.280 --> 1:08:27.559
<v Speaker 3>t C. I was just naming all the compting. Yeah, y'all,

1:08:27.600 --> 1:08:30.080
<v Speaker 3>it's me like like I want to be y'all at

1:08:30.320 --> 1:08:33.479
<v Speaker 3>this niggas, Like, so you're telling me this record to me,

1:08:33.760 --> 1:08:34.760
<v Speaker 3>like how to rob tell me?

1:08:35.800 --> 1:08:36.240
<v Speaker 5>Not even that.

1:08:36.360 --> 1:08:38.840
<v Speaker 3>It was just it was a misconscious believe it or not.

1:08:38.960 --> 1:08:41.240
<v Speaker 3>It was like over some cool jazz break beat. So

1:08:41.400 --> 1:08:44.600
<v Speaker 3>the beef started over. You said it was miss We

1:08:44.720 --> 1:08:48.880
<v Speaker 3>sampled Life Is for Learning by Marvin Gay, and yeah,

1:08:48.920 --> 1:08:50.360
<v Speaker 3>it was like I was just mentioning them, like I

1:08:50.439 --> 1:08:52.479
<v Speaker 3>did a little record break, like a little four board

1:08:52.520 --> 1:08:54.479
<v Speaker 3>little thing boom, just a little break and just was

1:08:54.560 --> 1:08:57.200
<v Speaker 3>just mentioneding like the end up, you know, the Compton Rappers.

1:08:57.600 --> 1:08:59.800
<v Speaker 3>And I said it was even y'all really beef it

1:08:59.880 --> 1:09:03.640
<v Speaker 3>was people. Yeah, the cat starting that ship. Yeah, no,

1:09:03.840 --> 1:09:06.160
<v Speaker 3>he he's always been cool. We tore together ship.

1:09:06.520 --> 1:09:09.680
<v Speaker 5>Now because one of the disrecords, I believe you.

1:09:09.720 --> 1:09:12.760
<v Speaker 3>Said like I would never fighting, I would never put

1:09:12.800 --> 1:09:15.240
<v Speaker 3>my dukes up with even back then.

1:09:15.280 --> 1:09:17.479
<v Speaker 5>It just wouldn't make sense because then.

1:09:17.320 --> 1:09:19.000
<v Speaker 3>I would have been having to deal with his niggas

1:09:19.040 --> 1:09:21.240
<v Speaker 3>everywhere when he's not there and I'm alone. You know,

1:09:21.920 --> 1:09:23.840
<v Speaker 3>it was just it wasn't It wasn't smart for hip hop.

1:09:23.880 --> 1:09:25.559
<v Speaker 3>It was smart for a company period.

1:09:26.120 --> 1:09:30.160
<v Speaker 1>Now, back then he was all YOUNGERGA understand, but on

1:09:30.280 --> 1:09:33.120
<v Speaker 1>your disrecord you said that you don't got.

1:09:33.120 --> 1:09:37.680
<v Speaker 5>A G because the G fire. That was.

1:09:39.760 --> 1:09:41.320
<v Speaker 3>Ever Bro, that was.

1:09:41.360 --> 1:09:43.479
<v Speaker 5>Fire, Bro, It was it was it was.

1:09:44.080 --> 1:09:48.200
<v Speaker 2>It was like a gladiator fight, Bro, but you know

1:09:48.240 --> 1:09:52.960
<v Speaker 2>it was words war words though, and then get bagged them.

1:09:53.000 --> 1:09:55.080
<v Speaker 5>He said, DJ quick and a Khaki bikini.

1:09:55.160 --> 1:09:59.160
<v Speaker 2>I was like, he goes.

1:09:59.200 --> 1:10:06.599
<v Speaker 5>I heard my girls like, baby, don't even worry. It's

1:10:06.640 --> 1:10:12.760
<v Speaker 5>a little tight. Is that why you spoke quick without

1:10:12.800 --> 1:10:13.760
<v Speaker 5>the ce man.

1:10:14.600 --> 1:10:17.040
<v Speaker 3>I wanted to be the Nestley rabbit that that ship

1:10:17.080 --> 1:10:19.160
<v Speaker 3>was fly. We used to drink quick, Nestie Quick Quick.

1:10:20.640 --> 1:10:22.920
<v Speaker 3>That was my favorite drink, and strawberry Quick made my

1:10:22.920 --> 1:10:23.920
<v Speaker 3>stomach hurt so bad.

1:10:24.000 --> 1:10:26.040
<v Speaker 5>I was like, because.

1:10:27.920 --> 1:10:30.760
<v Speaker 3>Absolutely counterintuitive. If you put the C in there, I'm

1:10:30.800 --> 1:10:31.280
<v Speaker 3>game banging.

1:10:31.280 --> 1:10:32.920
<v Speaker 5>That's c K. That's crip killer. I could paint the

1:10:33.000 --> 1:10:35.559
<v Speaker 5>sea put a slash in it.

1:10:35.600 --> 1:10:38.360
<v Speaker 3>And that's somebody gonna shoot me for that, because it's

1:10:38.439 --> 1:10:42.040
<v Speaker 3>the c K means cript killer like Calvin Klein is like,

1:10:42.200 --> 1:10:45.160
<v Speaker 3>it's like the undertone, like British Knights, like b K.

1:10:45.360 --> 1:10:47.920
<v Speaker 5>It was like those were like double unchundra ships.

1:10:48.880 --> 1:10:55.360
<v Speaker 3>We just learned something, but I wanted they changed their name.

1:10:55.960 --> 1:10:56.559
<v Speaker 3>It's called.

1:10:59.080 --> 1:11:01.960
<v Speaker 5>Me. She was dope. Holy I got it from the

1:11:02.080 --> 1:11:03.360
<v Speaker 5>quick box. That's quick.

1:11:03.400 --> 1:11:07.639
<v Speaker 6>That fucked me up. You want to line, We're gonna

1:11:07.640 --> 1:11:08.920
<v Speaker 6>ask you guys. This is our drinking game.

1:11:08.960 --> 1:11:09.680
<v Speaker 3>But put this out.

1:11:09.960 --> 1:11:13.160
<v Speaker 6>Ask you guys two questions. You pick one, nobody drinks.

1:11:13.240 --> 1:11:15.120
<v Speaker 6>You picked both or neither of them.

1:11:15.160 --> 1:11:15.719
<v Speaker 3>We all drink.

1:11:17.200 --> 1:11:20.800
<v Speaker 5>Okay, fair enough, Well, but you want to do the

1:11:20.880 --> 1:11:24.200
<v Speaker 5>Japanese whiskey with me? Oh see, you know, let's be clear.

1:11:25.200 --> 1:11:29.320
<v Speaker 5>You're already drinking. Yeah, yeah, I'm here. You've been taking

1:11:29.400 --> 1:11:32.400
<v Speaker 5>some restrictive box that man.

1:11:33.040 --> 1:11:33.760
<v Speaker 3>No, I'm not doing that.

1:11:34.080 --> 1:11:37.240
<v Speaker 5>Yeah, well I'm not gonna drink all of that home.

1:11:37.400 --> 1:11:39.160
<v Speaker 3>I drink that call. Yeah, we're not doing that. I'll

1:11:39.160 --> 1:11:40.000
<v Speaker 3>do the Japanese wisk.

1:11:40.080 --> 1:11:42.800
<v Speaker 1>Yeah, do the Japanese whisky. We take small shops because

1:11:44.800 --> 1:11:47.720
<v Speaker 1>uh you he got his own. Yeah all right, yeah,

1:11:47.800 --> 1:11:50.760
<v Speaker 1>so yeah, just men, bro Okay, you want to do

1:11:50.800 --> 1:11:52.519
<v Speaker 1>the first one? I got the first one.

1:11:52.840 --> 1:11:53.160
<v Speaker 3>Let's go.

1:11:56.280 --> 1:11:58.000
<v Speaker 1>I make you got the second one I got. Let

1:11:58.040 --> 1:12:00.200
<v Speaker 1>me take it the first one. I'm making up right now.

1:12:00.520 --> 1:12:03.639
<v Speaker 1>You always throw the second one. There we go, Michael

1:12:03.800 --> 1:12:08.400
<v Speaker 1>Jackson or Prince. It's Prince for me Prince, did you

1:12:08.479 --> 1:12:09.360
<v Speaker 1>say any stories.

1:12:09.120 --> 1:12:10.640
<v Speaker 5>You got, Yeah, we need these stories, man.

1:12:10.680 --> 1:12:14.880
<v Speaker 3>Okay, Well my Prince story is I was at Warner

1:12:14.960 --> 1:12:19.679
<v Speaker 3>Brothers as vice president artist and repertoire, and I think Prince.

1:12:19.560 --> 1:12:23.439
<v Speaker 5>Must have saw that. It was like, I mean, Benny

1:12:23.479 --> 1:12:24.639
<v Speaker 5>Benina's not there anymore.

1:12:25.080 --> 1:12:25.800
<v Speaker 2>They hired quick.

1:12:26.680 --> 1:12:29.360
<v Speaker 5>I like that, tell him I'm coming back.

1:12:29.960 --> 1:12:30.680
<v Speaker 3>Well, I'll be there in the.

1:12:30.720 --> 1:12:33.240
<v Speaker 5>Morning, said Benny Medina is not there anymore. Yeah, But

1:12:33.320 --> 1:12:39.559
<v Speaker 5>the way it sounds like, man, I gotta go visit nigga.

1:12:39.600 --> 1:12:42.000
<v Speaker 5>This nigga came back to the Warner Brothers office. I

1:12:42.080 --> 1:12:45.200
<v Speaker 5>went in one day. It was all Prince all the time.

1:12:45.240 --> 1:12:47.360
<v Speaker 3>They even when he got his that album cover he

1:12:47.400 --> 1:12:49.040
<v Speaker 3>had when he had his hair, just the shirt off

1:12:49.080 --> 1:12:51.000
<v Speaker 3>with his hair. I think it was for you maybe,

1:12:52.120 --> 1:12:55.360
<v Speaker 3>and they put that gigantic blow up. It's a little weird,

1:12:55.680 --> 1:13:00.400
<v Speaker 3>that big nigga, like a little weird. Yeah, you know,

1:13:00.439 --> 1:13:02.360
<v Speaker 3>remember their polls on them. But it was it was

1:13:02.439 --> 1:13:05.519
<v Speaker 3>he was back, so we all got we got the studio.

1:13:05.560 --> 1:13:07.920
<v Speaker 3>I got hints in A and M you know what

1:13:07.960 --> 1:13:10.040
<v Speaker 3>I mean. And I'm in the front and you're going

1:13:10.080 --> 1:13:13.439
<v Speaker 3>from D to B and YadA YadA. Everybody's in there.

1:13:13.560 --> 1:13:17.360
<v Speaker 3>I mean from Wendy and Lisa to Beyonce and Mick Jagger.

1:13:17.360 --> 1:13:19.760
<v Speaker 3>Everybody's just walking through there, like just kids at home,

1:13:19.840 --> 1:13:23.120
<v Speaker 3>like it's normal at Prince studio session, at at my

1:13:23.240 --> 1:13:25.679
<v Speaker 3>studio session. And I'm in the studio with a bunch

1:13:25.680 --> 1:13:26.400
<v Speaker 3>of a bunch.

1:13:26.240 --> 1:13:27.040
<v Speaker 5>Of studio big you know.

1:13:27.080 --> 1:13:29.800
<v Speaker 3>It's A and M basically where Rhythmication was recorded and

1:13:30.040 --> 1:13:35.479
<v Speaker 3>Karen Carpter. But it comes Prince and just shuts like

1:13:36.280 --> 1:13:38.920
<v Speaker 3>he's just he has a way of shutting everything down

1:13:38.920 --> 1:13:41.560
<v Speaker 3>when you walk in. It's like it's it's it's the

1:13:41.640 --> 1:13:44.160
<v Speaker 3>man doesn't walk, he glides like his head doesn't a purple.

1:13:44.560 --> 1:13:50.479
<v Speaker 5>He levitates like like bro touched the ground.

1:13:50.520 --> 1:13:50.600
<v Speaker 6>Bro.

1:13:50.800 --> 1:13:54.160
<v Speaker 3>There's something real magic about that guy. So he comes

1:13:54.200 --> 1:13:57.519
<v Speaker 3>in and I'm doing the session. I think I was mixing,

1:13:57.640 --> 1:14:00.720
<v Speaker 3>uh loyal to the game, maybe we're too or something

1:14:00.760 --> 1:14:04.120
<v Speaker 3>like that. And he had booked that side of the studio.

1:14:04.400 --> 1:14:08.120
<v Speaker 2>He said the security to say, you know, hey, hey,

1:14:08.160 --> 1:14:10.240
<v Speaker 2>what up quick, I'm a Princess security.

1:14:10.520 --> 1:14:11.920
<v Speaker 5>I'm like, oh cool, he said.

1:14:11.960 --> 1:14:21.000
<v Speaker 3>Security told like Prince too. He said, Prince, he saw

1:14:21.040 --> 1:14:23.080
<v Speaker 3>your equipment. He wanted to know if he could borrow

1:14:23.160 --> 1:14:24.920
<v Speaker 3>your rig for like, you know, a couple of hours,

1:14:25.080 --> 1:14:27.439
<v Speaker 3>Is that okay with you? I said, ship Prince, Man,

1:14:27.479 --> 1:14:28.880
<v Speaker 3>well this ship up out of here. Make get that

1:14:28.920 --> 1:14:30.960
<v Speaker 3>ship back. Man, tell hell, yeah, that's all good. We

1:14:31.080 --> 1:14:33.400
<v Speaker 3>put the you know, it's a fucking flight case. We

1:14:33.479 --> 1:14:36.120
<v Speaker 3>put the flight case together. It's gone a couple of hours,

1:14:36.200 --> 1:14:38.519
<v Speaker 3>three hours whatever, four hours. Me and my engineers in

1:14:38.560 --> 1:14:42.040
<v Speaker 3>there going Nika. Prince just sh like.

1:14:44.120 --> 1:14:44.240
<v Speaker 6>Right.

1:14:44.800 --> 1:14:47.720
<v Speaker 3>So my man comes back by five hours later, six

1:14:47.800 --> 1:14:48.200
<v Speaker 3>hours l this.

1:14:48.360 --> 1:14:51.160
<v Speaker 5>Night he comes back in. He said for Prince said,

1:14:51.200 --> 1:14:53.000
<v Speaker 5>thank you man. I said, oh, I said, tell you anytime.

1:14:53.080 --> 1:14:53.559
<v Speaker 5>Man tell him.

1:14:53.560 --> 1:14:55.519
<v Speaker 3>I'm glad he's back to come back to Warner Brother.

1:14:55.560 --> 1:14:57.320
<v Speaker 3>That's a big deal. He said, yeah, that's all good,

1:14:57.320 --> 1:14:59.160
<v Speaker 3>and find that any quick. But Prince wants to know

1:14:59.280 --> 1:15:01.280
<v Speaker 3>what you drink. I said, for what I drink?

1:15:02.040 --> 1:15:03.920
<v Speaker 5>That's easy, hennessy XO.

1:15:04.760 --> 1:15:08.519
<v Speaker 3>Right, he said, okay, he leaves another hour or two,

1:15:08.600 --> 1:15:10.920
<v Speaker 3>layer come by. My man comes back with the box.

1:15:11.680 --> 1:15:14.120
<v Speaker 3>Prince said, thank you. We put that motherfucking box on

1:15:14.240 --> 1:15:16.960
<v Speaker 3>their console at SSL. We didn't drink that motherfucker for

1:15:17.080 --> 1:15:22.639
<v Speaker 3>like three months at this happened, right, Wow. So then

1:15:23.880 --> 1:15:26.519
<v Speaker 3>I get invited for my thirty sixth birthday. I get

1:15:26.560 --> 1:15:29.799
<v Speaker 3>invited to his house for one of them Grammy parties.

1:15:30.000 --> 1:15:31.720
<v Speaker 3>He used to throw Clive used to throw his in

1:15:31.760 --> 1:15:34.640
<v Speaker 3>Beverly Hills. Prince used to throw his mount Olympus. We

1:15:34.800 --> 1:15:38.360
<v Speaker 3>get motherfucking invited to one of his Mount Olympus parties.

1:15:38.560 --> 1:15:41.919
<v Speaker 3>And I'm on the motherfucking golf cart thingy with Nasir,

1:15:42.520 --> 1:15:47.760
<v Speaker 3>with Ludacris and with Jessic Concepts and Spinderella is there

1:15:47.960 --> 1:15:52.040
<v Speaker 3>and fucking Dougie Fresh, and yeah, it was wild. It

1:15:52.120 --> 1:15:54.280
<v Speaker 3>was fucking dope watching this dude sit up there and

1:15:54.479 --> 1:15:58.599
<v Speaker 3>playing bro. This is the thing. He got the most

1:15:58.600 --> 1:16:00.919
<v Speaker 3>beautiful women in the world walking around with silver platters

1:16:01.280 --> 1:16:02.360
<v Speaker 3>with anywhere derv On.

1:16:02.520 --> 1:16:03.840
<v Speaker 5>We could think of Craig gray Goo.

1:16:03.960 --> 1:16:06.840
<v Speaker 3>All this good ship, all this fancy ship, some motherfuckers

1:16:06.960 --> 1:16:09.600
<v Speaker 3>elevators and felt with this with a black light, with

1:16:09.720 --> 1:16:10.880
<v Speaker 3>this logo, and I'm like this.

1:16:11.120 --> 1:16:13.320
<v Speaker 5>God, he got a circus outside.

1:16:13.560 --> 1:16:16.240
<v Speaker 3>The motherfucker's out there with fire and ship. I'm like.

1:16:18.080 --> 1:16:20.160
<v Speaker 5>Glass lamb bitch, I made it.

1:16:22.760 --> 1:16:27.360
<v Speaker 3>Out here to bro what that that man, This man

1:16:27.520 --> 1:16:31.080
<v Speaker 3>through the most awesome fucking parties. That ship he's just

1:16:31.520 --> 1:16:34.880
<v Speaker 3>he made his sons us all. It's like him King

1:16:34.960 --> 1:16:38.479
<v Speaker 3>with justin consistent, like just like ship, just shoot the

1:16:38.520 --> 1:16:41.200
<v Speaker 3>mother fucking reality show. You do what you want, brou

1:16:41.479 --> 1:16:44.320
<v Speaker 3>Prince and everybody just showed up. We all standing up

1:16:44.320 --> 1:16:47.519
<v Speaker 3>there now. Now, f N put me away at that

1:16:48.000 --> 1:16:49.639
<v Speaker 3>that interview.

1:16:50.200 --> 1:16:54.960
<v Speaker 5>I think that was a podcast, and you definitively said

1:16:55.040 --> 1:16:58.280
<v Speaker 5>that Michael Jackson was the crib. I don't know if

1:16:58.280 --> 1:16:59.960
<v Speaker 5>he was being serious, but you seem serious.

1:17:00.360 --> 1:17:04.960
<v Speaker 3>You said, if you're gonna look at the videos, they

1:17:05.000 --> 1:17:06.880
<v Speaker 3>didn't look very piru friendly.

1:17:07.160 --> 1:17:08.120
<v Speaker 2>Let's just put it that way.

1:17:09.280 --> 1:17:12.800
<v Speaker 6>Those pictures, everybody's wondering if it was a AI or

1:17:12.920 --> 1:17:13.920
<v Speaker 6>doctored or photoshop.

1:17:14.360 --> 1:17:20.280
<v Speaker 5>Those have been there before AI photoshop there shot on film,

1:17:21.240 --> 1:17:25.280
<v Speaker 5>So okay, so tell us we don't know. We did

1:17:25.360 --> 1:17:29.240
<v Speaker 5>see the pictures. Minael Jackson become.

1:17:30.840 --> 1:17:34.840
<v Speaker 3>I should apologize for saying that I'm not gonna walk it.

1:17:35.120 --> 1:17:36.760
<v Speaker 3>I ain't gonna walk it back. This is what it is.

1:17:39.560 --> 1:17:41.360
<v Speaker 3>It's just it was a lot of pictures with him

1:17:41.400 --> 1:17:43.799
<v Speaker 3>that just popped up, with him just throwing up cookies

1:17:43.840 --> 1:17:47.720
<v Speaker 3>with his cript friends. Bro like bro, it's like, but

1:17:47.880 --> 1:17:52.160
<v Speaker 3>that was cool, like that he identified with niggas, identify

1:17:52.280 --> 1:17:52.839
<v Speaker 3>with niggas.

1:17:52.920 --> 1:17:53.280
<v Speaker 2>That's it.

1:17:54.120 --> 1:17:54.320
<v Speaker 5>That's what.

1:17:54.439 --> 1:17:57.839
<v Speaker 3>I love him. You know what I mean. I guarantee

1:17:57.840 --> 1:18:00.400
<v Speaker 3>because of Michael Jackson, if I died and got red erected,

1:18:00.600 --> 1:18:02.439
<v Speaker 3>I'm gonna come back as a crip. Fuck it right

1:18:03.960 --> 1:18:06.800
<v Speaker 3>because of Michael Jackson. I want to go to the house.

1:18:06.800 --> 1:18:09.000
<v Speaker 3>I want to play with bubbles who didn't want to

1:18:09.040 --> 1:18:13.120
<v Speaker 3>fuck with Michael Jackson. Come on, man, The first record

1:18:13.160 --> 1:18:15.880
<v Speaker 3>I ever scratched was Billy Jean and I toward the

1:18:15.960 --> 1:18:18.519
<v Speaker 3>other side of the rest rector for DJ too. Oh god,

1:18:19.280 --> 1:18:21.080
<v Speaker 3>I said, that's the first time I pulled a record back.

1:18:21.120 --> 1:18:24.360
<v Speaker 3>I was like, what ship, I'm owing to something here.

1:18:26.000 --> 1:18:31.000
<v Speaker 5>But he had a brother named Tito. That should tell you.

1:18:31.960 --> 1:18:36.720
<v Speaker 3>But E.

1:18:39.560 --> 1:18:41.759
<v Speaker 5>Wasn't Latino exactly.

1:18:41.920 --> 1:18:47.560
<v Speaker 1>Should that should have been a sign wants not.

1:18:47.960 --> 1:18:49.479
<v Speaker 5>Yeah, let's be honest.

1:18:49.600 --> 1:18:50.200
<v Speaker 2>Let's be honest.

1:18:50.240 --> 1:18:53.120
<v Speaker 3>Hold on, I can say this because you know, I

1:18:53.320 --> 1:18:56.000
<v Speaker 3>know the Jackson family, and I don't think Janet would

1:18:56.040 --> 1:18:58.120
<v Speaker 3>be mad if I said anything about her family, because

1:18:58.120 --> 1:19:00.760
<v Speaker 3>I ain't gonna say nothing weird. But we hang out

1:19:00.760 --> 1:19:02.840
<v Speaker 3>with Randy Jackson. He comes to like the pool halls

1:19:02.880 --> 1:19:06.720
<v Speaker 3>and ship and kick it. He's like Randy Jackson, won man.

1:19:06.840 --> 1:19:08.080
<v Speaker 5>Let's not to say Brandy.

1:19:09.680 --> 1:19:10.360
<v Speaker 13>Her Son.

1:19:14.080 --> 1:19:24.679
<v Speaker 5>Randy is cooling, Randy. Let me get away with it, Randy,

1:19:25.040 --> 1:19:26.000
<v Speaker 5>Randy gangster though.

1:19:26.320 --> 1:19:28.400
<v Speaker 3>Randy is the one that you know Jermaine, you know

1:19:28.479 --> 1:19:31.840
<v Speaker 3>boom yeah Randy. But he come to kick it like

1:19:31.960 --> 1:19:34.920
<v Speaker 3>he comes chill talk ship. The nigga a nigga, bro, Okay,

1:19:35.600 --> 1:19:37.439
<v Speaker 3>don't getting sucked up like the the barges them some

1:19:37.560 --> 1:19:41.040
<v Speaker 3>niggas what they think they angels them niggas a pull

1:19:41.080 --> 1:19:45.040
<v Speaker 3>a shot. I'm just playing. He was loud.

1:19:45.560 --> 1:19:47.719
<v Speaker 5>No I did a song with she Goes to Bars?

1:19:47.880 --> 1:19:48.599
<v Speaker 3>Was the label made?

1:19:48.880 --> 1:19:49.040
<v Speaker 6>Yeah?

1:19:49.120 --> 1:19:51.120
<v Speaker 5>No, no, no, she goes to the Bars label mate.

1:19:51.400 --> 1:19:52.840
<v Speaker 5>I just I liked that he got locked up and

1:19:53.080 --> 1:19:55.080
<v Speaker 5>bro I wanted to support that. You know when he

1:19:55.160 --> 1:19:56.639
<v Speaker 5>got out. When he got out, he came to my house,

1:19:58.120 --> 1:20:02.400
<v Speaker 5>Digital underground, Me and him l on the ground, Digit

1:20:02.520 --> 1:20:04.200
<v Speaker 5>on the ground. He came with you. I'm saying no.

1:20:04.360 --> 1:20:08.920
<v Speaker 3>They a party pulled up Tracy Spencer Digital shot money

1:20:09.000 --> 1:20:11.479
<v Speaker 3>and all of them. These niggas went to the fucking

1:20:11.560 --> 1:20:14.760
<v Speaker 3>Players Players ball and took all Icey's bitches and brought

1:20:14.960 --> 1:20:16.320
<v Speaker 3>back to my house and threw them in the pool.

1:20:16.960 --> 1:20:18.000
<v Speaker 5>I had a great life.

1:20:18.240 --> 1:20:18.519
<v Speaker 3>This is.

1:20:22.360 --> 1:20:34.559
<v Speaker 5>So solid, all right.

1:20:36.320 --> 1:20:45.720
<v Speaker 1>That's one we started yeah, we got two stories out

1:20:45.760 --> 1:20:49.600
<v Speaker 1>of it. So that's so I don't even okay.

1:20:49.800 --> 1:20:52.519
<v Speaker 5>Tupac or easy Eric?

1:20:52.840 --> 1:20:52.960
<v Speaker 6>Eric?

1:20:53.080 --> 1:20:56.799
<v Speaker 3>Right, Eric, right, Okay, that was we were We were close.

1:20:58.120 --> 1:21:00.160
<v Speaker 5>Yeah, we're shared bitches.

1:21:00.160 --> 1:21:03.080
<v Speaker 3>Right, hell on, y'all.

1:21:03.400 --> 1:21:06.880
<v Speaker 5>Yeah, how early did you mean?

1:21:06.960 --> 1:21:10.120
<v Speaker 3>Easy eighty nine? Oh?

1:21:10.120 --> 1:21:18.479
<v Speaker 5>I tested the negative. Everybody, Frank just don't work clear? Yeah, no, Eric, Man,

1:21:18.520 --> 1:21:21.160
<v Speaker 5>he's a he's a lovable guy. Like I love that man.

1:21:21.560 --> 1:21:24.599
<v Speaker 3>I love him dearly, like I trusted with my sister

1:21:24.680 --> 1:21:26.680
<v Speaker 3>for christ sakes, Like there, y'all go have out, you know,

1:21:26.800 --> 1:21:27.160
<v Speaker 3>have fun.

1:21:27.680 --> 1:21:29.759
<v Speaker 5>And he showed me how to shop, how to dress.

1:21:30.240 --> 1:21:32.960
<v Speaker 3>The nigga took me to fucking soft big galleria and

1:21:33.320 --> 1:21:35.200
<v Speaker 3>set me loose and guess he was like, man.

1:21:35.120 --> 1:21:37.880
<v Speaker 5>Find your size. Man, I'm wearing the khakis and ship

1:21:37.920 --> 1:21:38.800
<v Speaker 5>that sho gonna get old.

1:21:40.800 --> 1:21:43.240
<v Speaker 3>I'm gonna say both so we don't drink drink.

1:21:43.280 --> 1:21:46.800
<v Speaker 5>I'm going both, all right. So I like that. I

1:21:46.960 --> 1:21:49.760
<v Speaker 5>like that. That look good with y'all drinking.

1:21:49.800 --> 1:21:53.479
<v Speaker 3>I'm like, this is Japanese wish yea, yeah, I don't

1:21:53.880 --> 1:21:55.400
<v Speaker 3>just that Mimmi wana in it.

1:21:56.040 --> 1:21:58.960
<v Speaker 5>It's Mama Juana. Yeah, that's from a Dominican Republic, right,

1:21:59.400 --> 1:22:02.240
<v Speaker 5>he knows looking out because that it is made in

1:22:02.280 --> 1:22:05.320
<v Speaker 5>the toilet bowl. Don't listen, don't listen.

1:22:05.520 --> 1:22:09.880
<v Speaker 3>He made that up. I would some wrong call.

1:22:10.160 --> 1:22:15.559
<v Speaker 2>I would saying, watch, y'all niggas call me. He said, watch,

1:22:19.520 --> 1:22:21.280
<v Speaker 2>we have to drag me out this business.

1:22:21.360 --> 1:22:22.000
<v Speaker 4>We care.

1:22:24.040 --> 1:22:29.639
<v Speaker 1>Take one to drink before that kept going after, I'm

1:22:29.640 --> 1:22:31.439
<v Speaker 1>gonna let you ask this one. You gotta ask this one.

1:22:32.000 --> 1:22:32.679
<v Speaker 3>Let's see.

1:22:34.320 --> 1:22:37.240
<v Speaker 5>Ice Cuban Scarface who Who's who?

1:22:38.120 --> 1:22:39.160
<v Speaker 3>We both got to ask each one.

1:22:43.280 --> 1:22:45.400
<v Speaker 5>Man Face is gonna be mad at me. Bro, have

1:22:45.560 --> 1:22:48.000
<v Speaker 5>to do this. It could be whatever cries here.

1:22:48.080 --> 1:22:50.320
<v Speaker 6>One of them is your better friend, Wie makes better macaroni,

1:22:50.400 --> 1:22:51.600
<v Speaker 6>whatever your criteria is.

1:22:53.200 --> 1:22:59.280
<v Speaker 3>Well, Scarface Brad Jordan, that's my tour buddy too. But

1:22:59.320 --> 1:23:01.439
<v Speaker 3>I tour with i Q too, So it's a this

1:23:01.560 --> 1:23:08.599
<v Speaker 3>is such a paradoxical fucking question. Yeah, I'm gonna go cute.

1:23:09.360 --> 1:23:09.719
<v Speaker 3>I wanna.

1:23:09.840 --> 1:23:12.120
<v Speaker 2>I want to. I want to follow them full the footsteps,

1:23:12.200 --> 1:23:14.479
<v Speaker 2>the movies and TV ship, you know what I'm saying,

1:23:14.520 --> 1:23:16.200
<v Speaker 2>and just the storytelling all of that.

1:23:16.320 --> 1:23:20.960
<v Speaker 5>Bro like he's legendary, legendary, legendary without don't both of

1:23:21.000 --> 1:23:22.200
<v Speaker 5>them are legends as well.

1:23:22.960 --> 1:23:26.679
<v Speaker 3>I did have fun with Cube on tour. We promoted

1:23:26.800 --> 1:23:29.920
<v Speaker 3>quick as the name America's most wanted at the same time.

1:23:30.360 --> 1:23:32.720
<v Speaker 3>Damn that it was hard bro. We used to open

1:23:32.760 --> 1:23:34.600
<v Speaker 3>for that nigga, bro and he come and chair the

1:23:34.640 --> 1:23:37.040
<v Speaker 3>club up he was, That's what he used to do. Uh,

1:23:37.560 --> 1:23:41.360
<v Speaker 3>fucking nigga you love to hate. Look, I'm getting chills

1:23:41.400 --> 1:23:41.840
<v Speaker 3>this nigga.

1:23:41.920 --> 1:23:43.439
<v Speaker 5>I heard paid that's used to come on to that

1:23:43.840 --> 1:23:44.840
<v Speaker 5>and we used to be like.

1:23:46.479 --> 1:23:47.120
<v Speaker 3>Kill lord.

1:23:48.320 --> 1:23:52.439
<v Speaker 5>But yeah, I mean brads my boy. But wait, you

1:23:52.600 --> 1:23:53.280
<v Speaker 5>just know, hold on.

1:23:53.439 --> 1:23:53.519
<v Speaker 2>Just.

1:23:57.320 --> 1:24:01.400
<v Speaker 5>We really took. We took both because you got one. Yeah. Good,

1:24:03.920 --> 1:24:05.960
<v Speaker 5>you want to taste this ship, you want.

1:24:05.800 --> 1:24:06.080
<v Speaker 3>To take some?

1:24:06.760 --> 1:24:10.200
<v Speaker 5>Yeah, alright, cool, that's big. Let's big. Let's big up

1:24:10.240 --> 1:24:18.599
<v Speaker 5>quickly be the first tigre to join you with. How

1:24:18.640 --> 1:24:19.960
<v Speaker 5>the did these other two get here?

1:24:20.040 --> 1:24:25.160
<v Speaker 6>Like one?

1:24:25.280 --> 1:24:26.280
<v Speaker 2>What's the second happened?

1:24:27.360 --> 1:24:28.519
<v Speaker 3>I mean we just earlier.

1:24:28.560 --> 1:24:30.400
<v Speaker 5>We don't go to is like a tonic and.

1:24:31.960 --> 1:24:33.000
<v Speaker 3>We're going on yacht tonight.

1:24:33.040 --> 1:24:38.000
<v Speaker 1>We're gonna okay, you'll be great. This the boat for y'all.

1:24:39.040 --> 1:24:45.200
<v Speaker 1>Dazz are corrupt, thanks easily corrupt. I gotta go corrupt.

1:24:45.240 --> 1:24:47.320
<v Speaker 3>This is my censor. He's the one that grabbed me.

1:24:47.640 --> 1:24:51.120
<v Speaker 2>Uh, Terrrice handed me to corrupt, to like sharpen my

1:24:51.240 --> 1:24:53.000
<v Speaker 2>tools as far as m C and ship like that.

1:24:53.680 --> 1:24:57.200
<v Speaker 1>Yeah, so corrupt. For did you see the clip of

1:24:58.240 --> 1:25:02.040
<v Speaker 1>the one on drink? Yeah, asking grew up? How do

1:25:02.080 --> 1:25:04.799
<v Speaker 1>you feel about bow wow and the toothcake?

1:25:04.920 --> 1:25:09.679
<v Speaker 5>Ut walking? Come up? Come up with So he's.

1:25:09.520 --> 1:25:09.840
<v Speaker 6>Like who.

1:25:12.120 --> 1:25:12.840
<v Speaker 5>He was getting mad?

1:25:15.240 --> 1:25:20.920
<v Speaker 14>I can see him now because don't play with because

1:25:21.080 --> 1:25:26.800
<v Speaker 14>it's not you can die over. I can't hear him

1:25:26.920 --> 1:25:32.360
<v Speaker 14>now like you don't always tell people.

1:25:32.479 --> 1:25:34.880
<v Speaker 1>I said, you never lived life unless you had a

1:25:35.160 --> 1:25:39.400
<v Speaker 1>slight argument with correct like and just hear him get angry.

1:25:41.880 --> 1:25:45.439
<v Speaker 5>Cook cook cook come he used, he's a cousin to

1:25:45.520 --> 1:25:47.719
<v Speaker 5>describe because to come.

1:25:49.520 --> 1:25:49.880
<v Speaker 3>Between.

1:25:50.840 --> 1:25:54.280
<v Speaker 2>He will not take the auto problems like problems because.

1:25:54.240 --> 1:25:57.320
<v Speaker 3>Listen here, like I'm chlorl forever.

1:25:58.640 --> 1:25:59.000
<v Speaker 2>With him.

1:25:59.080 --> 1:26:05.800
<v Speaker 5>It's a cush task for feet. Do we drink?

1:26:09.200 --> 1:26:10.120
<v Speaker 3>You know we're gonna get caught.

1:26:10.479 --> 1:26:18.120
<v Speaker 5>It's a dream chef, Yeah, I got, you're gonna.

1:26:17.880 --> 1:26:23.679
<v Speaker 1>Switch the other one, so jay z or nasty nids jigger, Okay,

1:26:24.640 --> 1:26:26.559
<v Speaker 1>you have to work with them a couple of times.

1:26:27.040 --> 1:26:33.160
<v Speaker 5>Yeah, both all right that I drink with you drink yeah, yeah,

1:26:34.280 --> 1:26:36.920
<v Speaker 5>I drink. Of course we got to drink.

1:26:36.840 --> 1:26:37.280
<v Speaker 3>Giants the.

1:26:41.720 --> 1:26:43.400
<v Speaker 5>Blueprint for when I want to do business wise.

1:26:43.600 --> 1:26:46.600
<v Speaker 2>We want to go just style and fly that niggas

1:26:46.680 --> 1:26:48.160
<v Speaker 2>be fresh as fun.

1:26:50.800 --> 1:26:54.559
<v Speaker 5>One that I gotta do the whole shot because it's

1:26:54.560 --> 1:26:56.960
<v Speaker 5>a big number one. It's a big as health tonic. Man,

1:26:57.400 --> 1:27:00.519
<v Speaker 5>big ass shot that got you even wrong.

1:27:00.920 --> 1:27:02.040
<v Speaker 3>They gave me the short brunch.

1:27:02.479 --> 1:27:05.200
<v Speaker 1>Yeah, because because it's long term. You know, you could

1:27:05.200 --> 1:27:08.400
<v Speaker 1>do my home all kinds of ship. Yeah okay, Rockefella

1:27:08.520 --> 1:27:14.840
<v Speaker 1>or rough riders thinking that chastes like mommy one, nigga.

1:27:21.360 --> 1:27:29.200
<v Speaker 2>You I love the.

1:27:31.840 --> 1:27:39.360
<v Speaker 5>Dr all over the place. Yes, Rockefellas.

1:27:40.600 --> 1:27:44.880
<v Speaker 3>Waiting for me. Yeah fuck.

1:27:46.200 --> 1:27:46.719
<v Speaker 4>Mm hmm.

1:27:48.240 --> 1:27:53.320
<v Speaker 3>Both wow okay, yeah man, we're drinking again. Both man,

1:27:53.880 --> 1:27:56.639
<v Speaker 3>we're about to get up right now. I understand the game.

1:27:57.200 --> 1:28:00.559
<v Speaker 3>If it's both you drink, I got, I got reason

1:28:00.600 --> 1:28:02.280
<v Speaker 3>for all because you got okay, you can bring it down.

1:28:02.320 --> 1:28:03.920
<v Speaker 5>I'm a fan at that time, right.

1:28:04.080 --> 1:28:08.120
<v Speaker 2>So from what Rockefeller represents again, like jay Z, I

1:28:08.280 --> 1:28:12.000
<v Speaker 2>just see great business, great like the branding and.

1:28:12.040 --> 1:28:14.599
<v Speaker 5>All of that, but just like wow, niggas ship.

1:28:15.160 --> 1:28:16.639
<v Speaker 3>Oh you know, I'm for confident.

1:28:16.680 --> 1:28:20.639
<v Speaker 2>I love that. And d MX was like after Tupac Pass,

1:28:21.520 --> 1:28:24.519
<v Speaker 2>we got something that was not that. It was just

1:28:24.760 --> 1:28:29.400
<v Speaker 2>no ship Swiss was doing with Eve and just D

1:28:29.560 --> 1:28:30.760
<v Speaker 2>and Y doing the Nigga ship.

1:28:30.840 --> 1:28:33.800
<v Speaker 5>Make sure they a nephew ad. I'm into all of that.

1:28:34.240 --> 1:28:37.400
<v Speaker 5>I think that that's both bro okay, Yeah, so do

1:28:37.520 --> 1:28:38.920
<v Speaker 5>I get another one? Yeah? Do with this.

1:28:40.880 --> 1:28:43.000
<v Speaker 1>Here's the ultimate one for y'all. It's the cheat code.

1:28:43.160 --> 1:28:46.479
<v Speaker 1>I'm switching this up again. I didn't tell my Rockefeller

1:28:46.560 --> 1:28:49.679
<v Speaker 1>statement wink eleven hundred.

1:28:49.760 --> 1:28:52.280
<v Speaker 3>Shout out to Madky eleven hundred. They taught me how

1:28:52.320 --> 1:28:54.680
<v Speaker 3>to ride those goddamn crush rockets. It's where I was

1:28:54.760 --> 1:28:57.000
<v Speaker 3>standing up Willian and being silly on them, you know,

1:28:57.080 --> 1:28:58.559
<v Speaker 3>one hundred my prior Whillies and ship.

1:28:58.720 --> 1:29:00.320
<v Speaker 5>So it'ston boys because they.

1:29:00.320 --> 1:29:02.920
<v Speaker 3>Just ride hard and I found out through them through

1:29:02.960 --> 1:29:08.200
<v Speaker 3>fucking through uh my boy, Peter Gunns. He brought the

1:29:08.360 --> 1:29:13.040
<v Speaker 3>fucking the soundtrack to me and fucking DMX was rapping

1:29:13.120 --> 1:29:15.000
<v Speaker 3>on it on this record, the usual suspects.

1:29:15.040 --> 1:29:18.400
<v Speaker 5>I'm like, who is that person? He was like, who am?

1:29:18.439 --> 1:29:20.840
<v Speaker 3>I read the credits It's like this DMX dude got

1:29:20.840 --> 1:29:24.200
<v Speaker 3>the best voice in hip ho Like he's going to

1:29:24.280 --> 1:29:26.760
<v Speaker 3>be the guy whoever that is? If they know dev

1:29:26.880 --> 1:29:28.640
<v Speaker 3>Jam must know because they put the shp out and

1:29:28.720 --> 1:29:30.840
<v Speaker 3>then before you know it, this nigga came out and it.

1:29:30.960 --> 1:29:33.120
<v Speaker 5>Was like I was right. He was like the first

1:29:33.160 --> 1:29:35.439
<v Speaker 5>to do like the flood like that one and two

1:29:35.520 --> 1:29:37.240
<v Speaker 5>albums same year, was like, oh.

1:29:37.200 --> 1:29:40.360
<v Speaker 3>Yeah, yeah, he killed that boy, Bro and my boy

1:29:40.439 --> 1:29:43.479
<v Speaker 3>Jonathan Mannon shot his album covers that one Darken House Hell.

1:29:43.479 --> 1:29:44.840
<v Speaker 5>I think he had one like that and he was

1:29:44.920 --> 1:29:46.960
<v Speaker 5>in Blood. Am I talking too much? No You're not.

1:29:48.400 --> 1:29:51.040
<v Speaker 3>He had the one where he's like in blood that God.

1:29:52.200 --> 1:29:53.960
<v Speaker 5>Johnathan Manuon shot that ship, Bro, that he.

1:29:54.040 --> 1:29:55.880
<v Speaker 2>Was on his Tupac ship, the ship where he took

1:29:55.920 --> 1:29:58.120
<v Speaker 2>the not the tone low, but I heard ton Love

1:29:58.160 --> 1:30:01.960
<v Speaker 2>doing first Boom boom to stay yeah.

1:30:04.840 --> 1:30:07.360
<v Speaker 3>Come banging through Cox life and with this.

1:30:08.000 --> 1:30:12.439
<v Speaker 6>Hard voice, like a contrast on the weapon on my mind.

1:30:12.840 --> 1:30:16.760
<v Speaker 2>I'm like, Yo, Bro is crazy man the way even

1:30:17.160 --> 1:30:19.840
<v Speaker 2>even the girls songs, he had the edge on him

1:30:20.200 --> 1:30:21.479
<v Speaker 2>where he was talking about.

1:30:22.080 --> 1:30:24.200
<v Speaker 5>He gave me that pussy the last is getting fatal.

1:30:24.400 --> 1:30:26.920
<v Speaker 6>I'm like Yo, and the Damien joints when he's flipping

1:30:26.960 --> 1:30:29.920
<v Speaker 6>his voice and he's the devil storytelling Bro, Like, the

1:30:30.000 --> 1:30:31.640
<v Speaker 6>storytelling was just so epic with Bro.

1:30:32.520 --> 1:30:34.920
<v Speaker 5>Okay, so rest in pieces. Yeah, rest of dm X

1:30:35.000 --> 1:30:43.400
<v Speaker 5>mans you this quick. Kendrick Lamar or Drake or Drake? Yeah, okay,

1:30:43.960 --> 1:30:45.320
<v Speaker 5>pour up, pour me up for you?

1:30:46.360 --> 1:30:49.640
<v Speaker 2>You go both? Yeah, pull me in. I'm gonna go

1:30:49.720 --> 1:30:51.559
<v Speaker 2>both only because I met Drake and I can't dis

1:30:51.680 --> 1:30:51.960
<v Speaker 2>that guy.

1:30:52.000 --> 1:30:52.519
<v Speaker 3>I'm not in it.

1:30:52.640 --> 1:30:53.400
<v Speaker 5>That's what's going to do.

1:30:53.560 --> 1:31:01.920
<v Speaker 3>I can't Kendrick none of that.

1:31:02.240 --> 1:31:04.080
<v Speaker 5>I'm not doing no PC ship.

1:31:04.160 --> 1:31:05.400
<v Speaker 3>What do you want to do a feature?

1:31:05.560 --> 1:31:09.559
<v Speaker 2>We're not doing it. You gotta think, Bro, I'm from

1:31:09.640 --> 1:31:12.080
<v Speaker 2>that neighborhood. This is a whole different conversation for me.

1:31:12.160 --> 1:31:14.639
<v Speaker 2>This is a rap ship like bro that my sister

1:31:14.680 --> 1:31:15.679
<v Speaker 2>and him was best friends.

1:31:15.479 --> 1:31:16.040
<v Speaker 3>In high school.

1:31:16.560 --> 1:31:18.800
<v Speaker 5>So why not a whole different reason.

1:31:18.920 --> 1:31:24.040
<v Speaker 2>I like this Bro, I loved one that was supposed

1:31:24.040 --> 1:31:24.599
<v Speaker 2>to be restrained.

1:31:25.760 --> 1:31:26.720
<v Speaker 3>Because we're not gonna do that.

1:31:26.840 --> 1:31:31.519
<v Speaker 5>I know well, you know that we're gonna get it

1:31:31.560 --> 1:31:34.639
<v Speaker 5>to him and the pump out everything. Okay.

1:31:35.080 --> 1:31:40.760
<v Speaker 2>Because I'm in Canada, I was nothing. Look, okay, don't

1:31:40.760 --> 1:31:41.320
<v Speaker 2>swung up on me.

1:31:42.360 --> 1:31:43.400
<v Speaker 3>I swung up on whoever.

1:31:47.479 --> 1:31:50.439
<v Speaker 2>That was my thing. I was in Canada and I played.

1:31:51.560 --> 1:31:54.880
<v Speaker 2>I was in Toronto on stage on the jump Man.

1:31:55.160 --> 1:31:58.680
<v Speaker 2>He's a I played motherfucking I'm thinking you said both.

1:31:59.720 --> 1:32:01.200
<v Speaker 2>But I played like that in Toronto.

1:32:01.280 --> 1:32:01.600
<v Speaker 3>I don't know.

1:32:01.680 --> 1:32:03.320
<v Speaker 5>I don't think Rick Ross could do that.

1:32:03.960 --> 1:32:04.360
<v Speaker 3>I did it.

1:32:07.439 --> 1:32:09.280
<v Speaker 5>I gotta I gotta flip on and it was funny.

1:32:10.479 --> 1:32:13.280
<v Speaker 5>Can you remember that? Because I wanted to ask him? Okay,

1:32:13.840 --> 1:32:15.080
<v Speaker 5>according to you, right.

1:32:17.320 --> 1:32:21.160
<v Speaker 1>The timeline, because this is now the biggest beef in

1:32:21.240 --> 1:32:25.280
<v Speaker 1>hip hop, I would say the biggest. It's the biggest

1:32:25.280 --> 1:32:29.240
<v Speaker 1>beef to me, right, it's the biggest battle. Yeah, even

1:32:29.240 --> 1:32:31.320
<v Speaker 1>though it is other than this foul or whatever whatever,

1:32:31.360 --> 1:32:32.040
<v Speaker 1>but I'm saying is.

1:32:32.280 --> 1:32:34.040
<v Speaker 5>That's the loudest for sure.

1:32:35.280 --> 1:32:37.840
<v Speaker 6>This is all over, This is every everywhere, like you

1:32:37.880 --> 1:32:39.800
<v Speaker 6>account that we're in the social media like it's just

1:32:39.880 --> 1:32:42.080
<v Speaker 6>the way, it's just gone. It's crazy from you being

1:32:42.720 --> 1:32:46.559
<v Speaker 6>Kendrick's friend, how do you see that timeline of how

1:32:46.600 --> 1:32:50.160
<v Speaker 6>this how this happened? Like because it couldn't have started

1:32:50.240 --> 1:32:51.880
<v Speaker 6>with the future record, It couldn't have started.

1:32:52.360 --> 1:32:55.960
<v Speaker 5>Just so as a person that doesn't know, do you

1:32:56.080 --> 1:32:58.080
<v Speaker 5>know the timeline of I don't.

1:32:58.080 --> 1:32:59.640
<v Speaker 2>I don't think there everyone was a beef. I just

1:32:59.720 --> 1:33:01.479
<v Speaker 2>think it was a it's still not a beef. It's

1:33:01.520 --> 1:33:02.840
<v Speaker 2>a rap competition, yes.

1:33:06.560 --> 1:33:10.160
<v Speaker 1>Be any said one of the what is it called

1:33:10.200 --> 1:33:12.760
<v Speaker 1>one of the illis rap competitions whatever to come to

1:33:13.400 --> 1:33:17.280
<v Speaker 1>our game that I've witnessed. So you doing the timeline

1:33:17.320 --> 1:33:22.920
<v Speaker 1>being inside that's a yeah. You see how this timeline started.

1:33:23.520 --> 1:33:27.519
<v Speaker 2>It was I just I just you know, Drake is

1:33:27.560 --> 1:33:31.400
<v Speaker 2>an amazing artist, right, and sometimes like when you've been

1:33:31.479 --> 1:33:35.200
<v Speaker 2>running it for fifteen years, like fifteen years, like that's

1:33:35.360 --> 1:33:39.920
<v Speaker 2>unheard of. You have to start smelling yourself, right. But

1:33:40.120 --> 1:33:43.360
<v Speaker 2>you knew not to play with that guy like we are,

1:33:43.479 --> 1:33:45.400
<v Speaker 2>Like we've all been in the studio with Jack.

1:33:45.840 --> 1:33:50.040
<v Speaker 5>He's too quiet. You we all all know that that

1:33:50.280 --> 1:33:52.320
<v Speaker 5>guy wraps works out.

1:33:53.920 --> 1:33:55.000
<v Speaker 3>That's it family.

1:33:55.760 --> 1:33:59.960
<v Speaker 2>So for you to not be prepared for what was coming,

1:34:00.120 --> 1:34:03.000
<v Speaker 2>man was a slight ass slight to his team. He

1:34:03.120 --> 1:34:04.920
<v Speaker 2>was a loof and the way they do things as

1:34:04.960 --> 1:34:08.160
<v Speaker 2>far as like the grief and Drake, No, I just

1:34:08.240 --> 1:34:10.800
<v Speaker 2>think it was just I just think Dot was like,

1:34:10.920 --> 1:34:13.559
<v Speaker 2>all right, enough's enough enough enough.

1:34:13.640 --> 1:34:14.160
<v Speaker 3>Oh you want this?

1:34:14.360 --> 1:34:16.240
<v Speaker 5>You drop, drop drop.

1:34:16.360 --> 1:34:17.320
<v Speaker 3>You ain't about to back.

1:34:17.160 --> 1:34:17.439
<v Speaker 5>Out of this.

1:34:18.280 --> 1:34:21.320
<v Speaker 2>You you antagonizing the nigga that you know lyrically you

1:34:21.560 --> 1:34:22.600
<v Speaker 2>really can't fuck with.

1:34:22.800 --> 1:34:24.960
<v Speaker 5>They called it tickling the tail of the dragon.

1:34:24.960 --> 1:34:28.320
<v Speaker 2>Because you thought he was gonna look at you like, man,

1:34:28.360 --> 1:34:31.919
<v Speaker 2>I'm doing what I'm doing. No motivation.

1:34:32.280 --> 1:34:34.599
<v Speaker 3>Nah, he this is that dude.

1:34:34.840 --> 1:34:37.000
<v Speaker 2>He went on his last Grammar rat and he said

1:34:37.760 --> 1:34:39.759
<v Speaker 2>all I wanted to do was be an underground rapper.

1:34:40.640 --> 1:34:41.360
<v Speaker 5>He just said that.

1:34:42.280 --> 1:34:46.360
<v Speaker 2>Yeah, that's all his favorite rappers corrupt, but he just

1:34:46.479 --> 1:34:48.439
<v Speaker 2>want to He want to rap. So now it's like, oh,

1:34:48.520 --> 1:34:49.479
<v Speaker 2>this is just going.

1:34:49.360 --> 1:34:51.080
<v Speaker 5>To be rapped. I'm about to go ahead.

1:34:51.080 --> 1:34:52.280
<v Speaker 2>We're gonna do this, and we're gonna do it in

1:34:52.320 --> 1:34:54.519
<v Speaker 2>front of the public, and we're gonna show you something.

1:34:54.600 --> 1:34:56.400
<v Speaker 5>I just think, you know, we got to watch what

1:34:56.520 --> 1:34:57.760
<v Speaker 5>a lot of us already knew.

1:34:58.640 --> 1:34:59.240
<v Speaker 3>You know what I mean.

1:34:59.400 --> 1:35:02.280
<v Speaker 2>Again, I as far as a beef like you guys

1:35:02.320 --> 1:35:05.120
<v Speaker 2>all went through beefs. Yeah yeah, yeah that was right.

1:35:05.240 --> 1:35:06.800
<v Speaker 2>I wrote it that wrong.

1:35:06.920 --> 1:35:09.439
<v Speaker 3>Yeah, this never, this never was going to go outside

1:35:09.479 --> 1:35:13.160
<v Speaker 3>of you. That's over. So now it's just who can

1:35:13.280 --> 1:35:15.960
<v Speaker 3>rap the best and who has the best in this time.

1:35:16.040 --> 1:35:20.160
<v Speaker 2>It's about strategy and release and album covers and who

1:35:20.320 --> 1:35:20.840
<v Speaker 2>said something.

1:35:20.880 --> 1:35:22.040
<v Speaker 5>It's not just the raps.

1:35:22.120 --> 1:35:22.920
<v Speaker 3>You get what I'm saying.

1:35:23.240 --> 1:35:25.760
<v Speaker 2>So just strategy wise. You know, we watched TV run

1:35:25.840 --> 1:35:27.880
<v Speaker 2>this bitch for a long time and now PG lang

1:35:28.240 --> 1:35:30.479
<v Speaker 2>for you to not be prepared. It's just says that

1:35:31.439 --> 1:35:35.000
<v Speaker 2>you must have forgotten. He was aloof and he thought

1:35:35.040 --> 1:35:38.559
<v Speaker 2>he was playing around. He thought that that Kendrick receded

1:35:39.000 --> 1:35:40.759
<v Speaker 2>and Kendrick was just chilling.

1:35:40.840 --> 1:35:42.600
<v Speaker 5>He likes to be alone. He's come from Kenny. He

1:35:42.640 --> 1:35:43.439
<v Speaker 5>don't want that thought.

1:35:43.560 --> 1:35:45.559
<v Speaker 2>And I think he thought that we weren't gonna rally

1:35:45.640 --> 1:35:48.120
<v Speaker 2>behind because you know, Drake has a few records with

1:35:48.200 --> 1:35:49.360
<v Speaker 2>a few people from the city, and he.

1:35:49.400 --> 1:35:51.680
<v Speaker 5>Got houses out there. Yeah, I mean, can you get

1:35:51.840 --> 1:35:53.920
<v Speaker 5>more music in Canada? You can still have them, but

1:35:54.200 --> 1:35:55.080
<v Speaker 5>it's not it's not that.

1:35:55.280 --> 1:35:57.600
<v Speaker 2>But I think he just thought that we were just

1:35:57.680 --> 1:36:00.280
<v Speaker 2>gonna just like, you know, side with people that that

1:36:00.360 --> 1:36:00.759
<v Speaker 2>was popular.

1:36:00.800 --> 1:36:02.720
<v Speaker 1>I believe at one point he was like antagonizing him,

1:36:02.840 --> 1:36:05.200
<v Speaker 1>even posting pictures of his manager, like when are y'all

1:36:05.240 --> 1:36:05.880
<v Speaker 1>coming back right?

1:36:06.240 --> 1:36:06.640
<v Speaker 3>All of that?

1:36:07.200 --> 1:36:10.000
<v Speaker 5>You asked, Like if a nigga asked to get his ass, whooped?

1:36:10.000 --> 1:36:10.800
<v Speaker 5>You whoop his ass?

1:36:11.479 --> 1:36:14.280
<v Speaker 2>From where I come from, Like at this point, bro,

1:36:14.439 --> 1:36:17.960
<v Speaker 2>like you literally were just come outside, Come on, come outside,

1:36:17.960 --> 1:36:18.960
<v Speaker 2>you knocking on that door?

1:36:19.400 --> 1:36:20.720
<v Speaker 1>You know you know what I'm saying, Like, all right,

1:36:20.800 --> 1:36:23.000
<v Speaker 1>bullies get beat up too. Because a lot of people

1:36:23.040 --> 1:36:25.400
<v Speaker 1>were surprised. So you're telling me you wasn't surprised at all.

1:36:25.560 --> 1:36:28.960
<v Speaker 1>Not the no, at least this was gonna happen.

1:36:29.040 --> 1:36:32.000
<v Speaker 5>Listen, man, there's just some guys you know what the

1:36:32.120 --> 1:36:32.680
<v Speaker 5>fucker's beat.

1:36:33.479 --> 1:36:37.640
<v Speaker 2>Some guys you just know just like because like, bro,

1:36:37.800 --> 1:36:39.920
<v Speaker 2>I've never seen like, I've never seen somebody in the

1:36:39.960 --> 1:36:43.120
<v Speaker 2>studio just all right, let's go. And you think they're

1:36:43.120 --> 1:36:45.400
<v Speaker 2>just gonna lay like four bars or like eight this

1:36:45.560 --> 1:36:49.160
<v Speaker 2>Nigga likes the whole song with them, we're voices with

1:36:49.320 --> 1:36:52.240
<v Speaker 2>the sat It's like, bro, did you have this rick?

1:36:53.040 --> 1:36:54.400
<v Speaker 5>And this was in twenty ten?

1:36:54.640 --> 1:36:57.920
<v Speaker 2>He was doing this. This was pre bag, right, and

1:36:58.080 --> 1:37:01.880
<v Speaker 2>that's what distractions. He wasn't at you know, as as

1:37:02.160 --> 1:37:03.200
<v Speaker 2>zen as he is now.

1:37:03.880 --> 1:37:05.000
<v Speaker 5>Oh yeah, bro, it was.

1:37:05.120 --> 1:37:05.320
<v Speaker 6>It was.

1:37:05.520 --> 1:37:08.040
<v Speaker 5>It was so dope to watch, you know, Compton do

1:37:08.120 --> 1:37:08.880
<v Speaker 5>it again, Nigga.

1:37:09.439 --> 1:37:11.479
<v Speaker 3>I tried to get him a deal with EA Sports

1:37:11.520 --> 1:37:13.080
<v Speaker 3>because when they heard the song that he was on

1:37:13.240 --> 1:37:15.680
<v Speaker 3>that I produced for NBA Lit ten, they wanted him.

1:37:16.360 --> 1:37:18.559
<v Speaker 3>And I'm looking at Jay Rock, like, bro, what are

1:37:18.600 --> 1:37:19.800
<v Speaker 3>y'all going to do with this guy?

1:37:19.920 --> 1:37:20.040
<v Speaker 2>Bro?

1:37:20.880 --> 1:37:24.120
<v Speaker 3>This man's voice is crazy. I produced him and I

1:37:24.240 --> 1:37:26.120
<v Speaker 3>was like, how do I pay him? Like, who do

1:37:26.200 --> 1:37:29.360
<v Speaker 3>I pay for this guy? Like he's the price when

1:37:29.479 --> 1:37:32.679
<v Speaker 3>EA sports. I'm getting chills thinking about it. Corrupt merged

1:37:33.360 --> 1:37:36.280
<v Speaker 3>the fucking We did this theme song for NBA LIT

1:37:36.360 --> 1:37:38.760
<v Speaker 3>ten and they heard it and they came back. My

1:37:38.840 --> 1:37:40.960
<v Speaker 3>lawyer was like, David, they wanted to double the price

1:37:41.040 --> 1:37:43.320
<v Speaker 3>and they want to buy the I'm like, whoa, whoa, whoa, whoa.

1:37:43.880 --> 1:37:45.840
<v Speaker 3>Kendrick did the little singing on that ship and I'm

1:37:45.920 --> 1:37:48.200
<v Speaker 3>sure that's why. So I go way back with him,

1:37:48.240 --> 1:37:50.080
<v Speaker 3>like before he got his deal and all that shit

1:37:50.280 --> 1:37:51.200
<v Speaker 3>he was doing Section eighty.

1:37:52.360 --> 1:37:52.760
<v Speaker 2>I love that.

1:37:52.760 --> 1:37:53.200
<v Speaker 3>I'm sorry.

1:37:55.920 --> 1:37:59.280
<v Speaker 2>Like the way like everybody not from California kind of

1:37:59.360 --> 1:37:59.960
<v Speaker 2>rally with Dre.

1:38:00.240 --> 1:38:04.080
<v Speaker 5>Was a little interesting to me. The niggas a foreigner bro, Yeah,

1:38:04.120 --> 1:38:04.519
<v Speaker 5>but man.

1:38:04.479 --> 1:38:07.160
<v Speaker 2>It's so interesting to watch, Like I get New York niggas,

1:38:07.760 --> 1:38:10.960
<v Speaker 2>Atlanta niggas all in my goddamn comments and deals like

1:38:11.320 --> 1:38:12.200
<v Speaker 2>you stupid he's this.

1:38:12.640 --> 1:38:15.320
<v Speaker 5>I'm like, bro, bro, not even from America. This is

1:38:15.680 --> 1:38:17.640
<v Speaker 5>crazy to watch.

1:38:17.840 --> 1:38:23.479
<v Speaker 1>Me question Let's rock because on the new album you

1:38:23.600 --> 1:38:26.000
<v Speaker 1>got game on there a lot. It's something that I

1:38:26.080 --> 1:38:29.200
<v Speaker 1>saw personally, Like just me strolling in the net was

1:38:29.240 --> 1:38:32.559
<v Speaker 1>a lot of California people critiquing Game for jumping out

1:38:32.600 --> 1:38:35.120
<v Speaker 1>there and actually like not I don't want to say

1:38:35.160 --> 1:38:38.040
<v Speaker 1>defending Drake, but like taking up his part of the

1:38:38.160 --> 1:38:41.240
<v Speaker 1>Ross beef. So a lot of California people could see

1:38:41.240 --> 1:38:43.760
<v Speaker 1>the Game is personally my friend and he's one of

1:38:43.840 --> 1:38:45.439
<v Speaker 1>my dudes.

1:38:45.479 --> 1:38:45.920
<v Speaker 5>I looked up.

1:38:46.560 --> 1:38:49.400
<v Speaker 1>I think it's one of the dopest lyrical people out there.

1:38:49.640 --> 1:38:51.680
<v Speaker 1>But I'm just asking you this as a California and

1:38:52.120 --> 1:38:54.559
<v Speaker 1>you know what I'm saying, this is on your side,

1:38:54.600 --> 1:38:57.519
<v Speaker 1>so I won't be able to I'm not qualified, you

1:38:57.600 --> 1:38:58.240
<v Speaker 1>know what I mean to.

1:39:02.120 --> 1:39:03.920
<v Speaker 3>We all love Chuck. We love Chuck.

1:39:04.000 --> 1:39:06.280
<v Speaker 2>Chuck is gonna be Chuck Games is the reason a

1:39:06.360 --> 1:39:08.960
<v Speaker 2>lot of us are able to move around in this business.

1:39:09.120 --> 1:39:11.760
<v Speaker 5>He sold a lot of records. We all know Chuck.

1:39:11.840 --> 1:39:13.040
<v Speaker 5>That's our dysfunctional cousin.

1:39:13.120 --> 1:39:14.479
<v Speaker 3>Bro. He gonna do what he want to do when

1:39:14.520 --> 1:39:16.080
<v Speaker 3>he feels like doing it, and we love him.

1:39:16.640 --> 1:39:18.679
<v Speaker 2>We may be like fuck Chuck some time and can't

1:39:18.720 --> 1:39:19.400
<v Speaker 2>nobody else say it.

1:39:20.040 --> 1:39:21.600
<v Speaker 3>That's how that's gonna always be like.

1:39:21.680 --> 1:39:25.240
<v Speaker 2>But Bro, Bro has been here before us, and he's

1:39:25.280 --> 1:39:26.479
<v Speaker 2>had a voice longer than us.

1:39:26.520 --> 1:39:28.880
<v Speaker 5>And if that's his opinion, man, he's a man.

1:39:28.920 --> 1:39:30.680
<v Speaker 2>He can have that, Like he told me, like, Bro,

1:39:30.840 --> 1:39:34.240
<v Speaker 2>you know, Drake, get my kids, come concert tickets and

1:39:34.600 --> 1:39:37.440
<v Speaker 2>do all this shit. I can't just like in that relationship.

1:39:37.520 --> 1:39:40.639
<v Speaker 2>And for him that makes sense. And then I'm I'm

1:39:40.720 --> 1:39:43.559
<v Speaker 2>full supportive of Game. He's on the album, he gonna

1:39:43.560 --> 1:39:45.960
<v Speaker 2>be on anything else I do. I'm never from the

1:39:46.000 --> 1:39:47.840
<v Speaker 2>cut bro off because when she was fucked up for me,

1:39:48.200 --> 1:39:50.320
<v Speaker 2>he was right there with me. But in this instance,

1:39:50.920 --> 1:39:54.240
<v Speaker 2>I told him, Bro, chill up, fuck not.

1:39:56.200 --> 1:39:56.639
<v Speaker 3>This one.

1:39:56.720 --> 1:39:59.240
<v Speaker 2>But again, Game don't listen to nobody. And that's part

1:39:59.280 --> 1:40:01.880
<v Speaker 2>of why we love on tool. You getting what I'm saying,

1:40:02.000 --> 1:40:05.479
<v Speaker 2>so you know he explained it. And again that's a

1:40:05.520 --> 1:40:07.160
<v Speaker 2>blog here, man, Yeah.

1:40:07.160 --> 1:40:08.280
<v Speaker 5>The blog, the blog.

1:40:09.640 --> 1:40:10.080
<v Speaker 3>What I'm saying.

1:40:10.479 --> 1:40:15.120
<v Speaker 2>The last seventeen minutes, I was like, Bro, that's a

1:40:15.160 --> 1:40:18.920
<v Speaker 2>little long winning, but I mean, you know that that's Chuck.

1:40:19.000 --> 1:40:19.120
<v Speaker 3>Bro.

1:40:19.640 --> 1:40:20.280
<v Speaker 5>That's Chuck. Bro.

1:40:20.400 --> 1:40:22.479
<v Speaker 3>That's Chuck. Chuck is always going to go left when

1:40:22.520 --> 1:40:25.320
<v Speaker 3>we go right, but we kind of expect that. And

1:40:25.400 --> 1:40:27.120
<v Speaker 3>you know what I'm saying, so shout out the Game

1:40:27.560 --> 1:40:28.599
<v Speaker 3>that he's.

1:40:29.160 --> 1:40:33.400
<v Speaker 2>He's antagonistically brilliant, right because he came to the album

1:40:33.479 --> 1:40:34.600
<v Speaker 2>and he destroyed that.

1:40:35.720 --> 1:40:37.880
<v Speaker 5>Thank you, Bron. That that Champagne was done with.

1:40:37.960 --> 1:40:38.840
<v Speaker 3>That was Cardier. Bro.

1:40:39.040 --> 1:40:41.040
<v Speaker 1>That was first, was the Cardiac, and now we don't

1:40:41.240 --> 1:40:45.240
<v Speaker 1>to spend. Yeah, get champagne, champagne. You know what I'm saying,

1:40:45.240 --> 1:40:45.920
<v Speaker 1>it's a campaign.

1:40:46.080 --> 1:40:46.320
<v Speaker 6>I was.

1:40:48.360 --> 1:40:48.760
<v Speaker 2>Ship though.

1:40:49.880 --> 1:40:54.240
<v Speaker 5>It's amazing, nigga, Bro, I've been holding this bottle like

1:40:54.320 --> 1:40:58.320
<v Speaker 5>you understand or like u. He brought that ship with security.

1:41:00.200 --> 1:41:00.760
<v Speaker 3>I was like, yo.

1:41:01.479 --> 1:41:06.120
<v Speaker 5>When I was like, what are they drinking? They said bubbles.

1:41:06.600 --> 1:41:11.000
<v Speaker 5>He got bubbles. I was like finally and I was like,

1:41:11.080 --> 1:41:14.320
<v Speaker 5>you know what? And I went and I said, no, no, no, no,

1:41:14.640 --> 1:41:17.080
<v Speaker 5>let me go on my vault. And I went and

1:41:17.160 --> 1:41:20.880
<v Speaker 5>I looked at that Cardiac and I said, I'm pulling out.

1:41:21.160 --> 1:41:26.720
<v Speaker 3>The bottom like one.

1:41:27.320 --> 1:41:31.720
<v Speaker 1>I want to thank y'all for being classic and being new.

1:41:32.840 --> 1:41:36.240
<v Speaker 1>That balance is so hard to obtain, you know what

1:41:36.240 --> 1:41:39.599
<v Speaker 1>I'm saying, saying like that ship is like you, it's

1:41:39.880 --> 1:41:43.240
<v Speaker 1>in this game like me being you know, Like I'm like,

1:41:43.320 --> 1:41:47.200
<v Speaker 1>I'm kind of fucking scared to go on the studio

1:41:47.280 --> 1:41:49.599
<v Speaker 1>with Pharrell because I don't want to sound like any

1:41:49.600 --> 1:41:52.840
<v Speaker 1>of old ship. But then I don't know, maybe we can't,

1:41:52.960 --> 1:41:54.880
<v Speaker 1>maybe we can sound like some new ship. But he

1:41:54.960 --> 1:41:56.000
<v Speaker 1>got so much going on this.

1:41:56.200 --> 1:41:57.760
<v Speaker 5>In my life. And I got so much going on

1:41:57.840 --> 1:41:58.280
<v Speaker 5>in my life.

1:41:58.360 --> 1:42:00.840
<v Speaker 1>And if I was to tell, if I was to

1:42:00.880 --> 1:42:02.760
<v Speaker 1>get an opportunity, we get in. You know what I

1:42:02.880 --> 1:42:05.000
<v Speaker 1>was saying, I wanted to sound like that album. Man,

1:42:06.160 --> 1:42:07.840
<v Speaker 1>I wanted to be like that. I wanted that to

1:42:07.880 --> 1:42:11.600
<v Speaker 1>be I want I wanted to be classic, but I

1:42:11.680 --> 1:42:14.320
<v Speaker 1>wanted to be in this era. And that's what the

1:42:14.400 --> 1:42:15.080
<v Speaker 1>fuck y'all did.

1:42:15.240 --> 1:42:16.600
<v Speaker 5>Man, So I got to salute that.

1:42:20.960 --> 1:42:21.080
<v Speaker 6>Man.

1:42:21.240 --> 1:42:24.400
<v Speaker 2>Questions we got. I'm loving it, Okay, okay, tell.

1:42:24.360 --> 1:42:28.439
<v Speaker 1>Us come on, okay, okay, they added ship at the end, motherfuckers. Yeah,

1:42:28.520 --> 1:42:31.600
<v Speaker 1>every place in this the slave driver, yes, I know,

1:42:31.680 --> 1:42:34.320
<v Speaker 1>those are the people who write these questions. The Colombian Dominican.

1:42:34.600 --> 1:42:35.800
<v Speaker 1>A lot of cocaine over there.

1:42:35.760 --> 1:42:39.679
<v Speaker 5>Just in case, just in case you already spice cocaine.

1:42:39.720 --> 1:42:41.560
<v Speaker 5>That's the worst thing to ever happened. But I have

1:42:41.640 --> 1:42:52.920
<v Speaker 5>to admit it does smell good. Okay, but you got

1:42:53.000 --> 1:42:53.439
<v Speaker 5>to cocaine.

1:42:53.439 --> 1:42:54.120
<v Speaker 3>Ever, what happened?

1:42:54.520 --> 1:42:57.799
<v Speaker 5>Tell us? Okay, just like this is just the funniest

1:42:57.840 --> 1:42:59.920
<v Speaker 5>word ever say cocaine with laughing.

1:43:00.160 --> 1:43:10.080
<v Speaker 1>You cannot say no, It's unpossible. Here again, God, please,

1:43:10.120 --> 1:43:15.200
<v Speaker 1>can I take minister Society or Boys in the Hood.

1:43:15.600 --> 1:43:17.640
<v Speaker 5>See, I did the soundtrack on one and.

1:43:17.640 --> 1:43:18.160
<v Speaker 2>The other one.

1:43:18.200 --> 1:43:20.240
<v Speaker 3>I'm partial too because I got the chance to see

1:43:20.280 --> 1:43:22.040
<v Speaker 3>if I gotta do both, there's no way you.

1:43:22.000 --> 1:43:24.639
<v Speaker 5>Can break that. We argue with you the same thing.

1:43:25.760 --> 1:43:28.120
<v Speaker 5>I'm not only going with. Okay, yeah, we argue with you.

1:43:28.840 --> 1:43:31.360
<v Speaker 3>I little do that. We're here, take this one right here.

1:43:31.720 --> 1:43:32.080
<v Speaker 3>Mm hmm.

1:43:34.600 --> 1:43:35.400
<v Speaker 5>You've been mixing it.

1:43:37.600 --> 1:43:37.920
<v Speaker 3>Already.

1:43:38.120 --> 1:43:44.160
<v Speaker 1>Yeah, okay, yeah, I was ready. For some reason, I

1:43:44.200 --> 1:43:45.800
<v Speaker 1>feel like ye're both supposed to say both.

1:43:47.120 --> 1:43:49.320
<v Speaker 2>I'm I'm gonna I'm gonna say Boys in the Hood.

1:43:49.800 --> 1:43:51.799
<v Speaker 5>Okay, why I'm.

1:43:52.320 --> 1:43:55.479
<v Speaker 2>Boys in the Hood because I'm I don't gang bang,

1:43:55.760 --> 1:43:58.000
<v Speaker 2>Like I never gang bang. I call myself like a

1:43:58.000 --> 1:44:01.280
<v Speaker 2>civilian with attitude like that. And I like Boys in

1:44:01.360 --> 1:44:05.479
<v Speaker 2>the Hood represented all aspects of the neighborhood. You had

1:44:05.520 --> 1:44:07.720
<v Speaker 2>the football player, you have, the single mom, you have

1:44:07.840 --> 1:44:11.040
<v Speaker 2>the single dad. It was more realistic to my story,

1:44:11.160 --> 1:44:14.800
<v Speaker 2>like I'm Trey in a weird way. Minister Society, though,

1:44:14.880 --> 1:44:18.400
<v Speaker 2>I love like that was the ship. My mom's was

1:44:18.520 --> 1:44:21.639
<v Speaker 2>like it Actually, niggas in my neighborhood was like, nah,

1:44:21.840 --> 1:44:23.360
<v Speaker 2>you can't, you can't do that.

1:44:23.560 --> 1:44:24.960
<v Speaker 3>We see something bigger for you.

1:44:25.439 --> 1:44:27.160
<v Speaker 2>So if I had to pick one, I'm gonna go

1:44:27.280 --> 1:44:29.160
<v Speaker 2>with that one, just because I was able to relate

1:44:29.439 --> 1:44:32.799
<v Speaker 2>with that character more than the ones in Minister Society.

1:44:34.080 --> 1:44:36.960
<v Speaker 3>M hm. That's trying to my boy Milly too. Man,

1:44:37.000 --> 1:44:38.879
<v Speaker 3>he was the young kid in Minister Society.

1:44:40.720 --> 1:44:42.479
<v Speaker 5>Get it pro right?

1:44:46.280 --> 1:44:51.960
<v Speaker 2>Yeah, currency or whiz Khalifa. I gotta go whiz Okay,

1:44:52.240 --> 1:44:52.680
<v Speaker 2>I got to.

1:44:55.200 --> 1:44:55.400
<v Speaker 5>Well.

1:44:55.960 --> 1:44:58.160
<v Speaker 3>If I don't say whiz Khalifa, I'm never going to

1:44:58.280 --> 1:45:04.920
<v Speaker 3>his house again. So whisky for Okay used to on

1:45:04.960 --> 1:45:08.519
<v Speaker 3>the Way resoundingly, christis used to on the way.

1:45:08.880 --> 1:45:17.360
<v Speaker 5>Nas and Jadakiss. If I just nods twice, he didn't

1:45:17.360 --> 1:45:20.680
<v Speaker 5>coming to my house normal, I thought you picked him

1:45:20.720 --> 1:45:24.920
<v Speaker 5>up twice. I'm supposed to switch that up because I

1:45:24.960 --> 1:45:26.720
<v Speaker 5>gotta Jaakis. I did.

1:45:27.200 --> 1:45:29.280
<v Speaker 3>I was on Jadakiss's record when he was on Interscope,

1:45:29.280 --> 1:45:31.000
<v Speaker 3>and it wuldn't go old. I got a Jadakis plaque

1:45:31.000 --> 1:45:33.120
<v Speaker 3>in my house. I don't have a Nas plaque, so

1:45:33.360 --> 1:45:43.719
<v Speaker 3>I have to go Jada kiss Ah. That's tough, alright.

1:45:43.760 --> 1:45:46.040
<v Speaker 5>I mean, I'm gonna do this on this Okay, I'll

1:45:46.040 --> 1:45:46.840
<v Speaker 5>do that thing with you too.

1:45:46.920 --> 1:45:47.519
<v Speaker 2>I'll slow down.

1:45:48.800 --> 1:45:54.840
<v Speaker 5>Yeah, we got a long game here, Okay, we ain't

1:45:54.840 --> 1:46:02.280
<v Speaker 5>gambling to this. Go good with like elements hip you

1:46:02.360 --> 1:46:05.879
<v Speaker 5>know some chips, quick time, quick quick.

1:46:07.920 --> 1:46:19.840
<v Speaker 15>Fire, Yeah, okay, Nip or Draco nip Okay, Wow, I

1:46:19.920 --> 1:46:21.160
<v Speaker 15>gotta say nip okay.

1:46:22.320 --> 1:46:26.040
<v Speaker 5>Rest in peace, Rest in Peace, se Lo or Andre

1:46:26.160 --> 1:46:31.639
<v Speaker 5>three thousand, oh Chelo Green Selo part of the album

1:46:32.560 --> 1:46:38.200
<v Speaker 5>album because there some others, Okay, Larry Junior, Dom Kennedy, Ship,

1:46:38.560 --> 1:46:43.360
<v Speaker 5>Donads broke my boys shout to Larry though, but Don, Yeah,

1:46:43.400 --> 1:46:44.000
<v Speaker 5>it's gotta be Don.

1:46:44.080 --> 1:46:44.559
<v Speaker 3>That's my boy.

1:46:45.640 --> 1:46:48.720
<v Speaker 2>Larry June was hard. Yeah.

1:46:48.880 --> 1:46:52.720
<v Speaker 3>I think Larry June even choose down Ship. He's that

1:46:52.840 --> 1:46:53.280
<v Speaker 3>kind of guy.

1:46:54.400 --> 1:46:58.400
<v Speaker 2>Moti inspired the VI. Larry June is Moti. It's a

1:46:58.520 --> 1:47:02.680
<v Speaker 2>challenge ship be he's a East Karris want to rock him?

1:47:04.040 --> 1:47:04.920
<v Speaker 3>You can't do that to me?

1:47:05.160 --> 1:47:06.880
<v Speaker 5>Which one karas one rock?

1:47:08.200 --> 1:47:08.400
<v Speaker 3>Yeah?

1:47:08.720 --> 1:47:13.880
<v Speaker 5>Oh the albums, yeah, Karous one of rock him both

1:47:13.960 --> 1:47:18.200
<v Speaker 5>because I know them. Okay, So I'm gonna go. We're

1:47:18.200 --> 1:47:22.120
<v Speaker 5>gonna go. Let's go Japanese whiskey this time. Next next one,

1:47:23.040 --> 1:47:23.320
<v Speaker 5>I'm in.

1:47:23.400 --> 1:47:23.640
<v Speaker 3>I'm in.

1:47:23.680 --> 1:47:25.120
<v Speaker 5>I like, I like, I like making it up, I

1:47:25.240 --> 1:47:27.599
<v Speaker 5>like making up the rules. I'm next one, next one,

1:47:28.479 --> 1:47:32.040
<v Speaker 5>I'm gonna go rock Him Yeah, okay, are you picking

1:47:32.720 --> 1:47:37.200
<v Speaker 5>rock him quick as the name or Safeless sound me?

1:47:38.320 --> 1:47:41.439
<v Speaker 3>They're the same, baby, they just had to contractually. I

1:47:41.520 --> 1:47:43.439
<v Speaker 3>had to separate them all, but I would have did.

1:47:44.840 --> 1:47:48.080
<v Speaker 3>They were all this that's from one line, bro, So

1:47:48.280 --> 1:47:50.960
<v Speaker 3>they're both the same thing to me. So both goddamn right.

1:47:51.000 --> 1:47:54.519
<v Speaker 3>Both put down a DJ Quick album and the second

1:47:54.560 --> 1:47:56.679
<v Speaker 3>one costs is seven hundred and fifty thousand dollars.

1:47:56.479 --> 1:47:58.120
<v Speaker 5>A record, different era.

1:47:58.800 --> 1:48:00.960
<v Speaker 2>I'm gonna go saving Sound because that when that came out,

1:48:00.960 --> 1:48:02.600
<v Speaker 2>I was old enough to understand.

1:48:02.520 --> 1:48:06.000
<v Speaker 5>What he was talking about. And Summer Breeze is still

1:48:06.040 --> 1:48:06.840
<v Speaker 5>one of my favorite songs.

1:48:07.040 --> 1:48:07.920
<v Speaker 3>You love for that?

1:48:08.439 --> 1:48:16.320
<v Speaker 5>Yeah, King T or m C eight, I work with both.

1:48:17.240 --> 1:48:22.680
<v Speaker 5>They both come in right, Yeah yeah, m C eight.

1:48:24.640 --> 1:48:28.200
<v Speaker 5>Taylor my dog like my friend, Like I fox with Taylor,

1:48:28.600 --> 1:48:29.040
<v Speaker 5>I gotta go.

1:48:31.000 --> 1:48:33.679
<v Speaker 2>I called him the godfather of Compton bro Like I really,

1:48:33.800 --> 1:48:36.120
<v Speaker 2>I really wish he stood out, just walked outside a

1:48:36.160 --> 1:48:36.840
<v Speaker 2>little bit more.

1:48:36.880 --> 1:48:39.840
<v Speaker 5>And what he inspired with alcoholics and the whole thing

1:48:39.920 --> 1:48:45.000
<v Speaker 5>that man inspired Biggie Smalls Like bro King T was like,

1:48:45.080 --> 1:48:46.639
<v Speaker 5>I don't think he gets enough credit, to be honest

1:48:46.640 --> 1:48:48.720
<v Speaker 5>with you, it's just about coming outside and taking it

1:48:48.800 --> 1:48:50.240
<v Speaker 5>right now. You know what I'm saying.

1:48:50.680 --> 1:48:53.040
<v Speaker 3>Yeah, i'mnna go ye drink.

1:48:54.280 --> 1:48:55.920
<v Speaker 5>I didn't want to drink. I was trying to do

1:48:56.080 --> 1:48:58.120
<v Speaker 5>the thing. But I say you can do this.

1:48:58.280 --> 1:48:58.760
<v Speaker 3>I say both.

1:48:58.800 --> 1:49:00.760
<v Speaker 5>I got a drink right, you did it for us?

1:49:01.640 --> 1:49:01.800
<v Speaker 6>Yeah?

1:49:05.600 --> 1:49:06.479
<v Speaker 3>How long is this game?

1:49:07.760 --> 1:49:13.800
<v Speaker 5>I'm gonna bringing on purpose man, not making it too long?

1:49:13.880 --> 1:49:17.800
<v Speaker 5>This is that's too long now. But we're having fun though, Okay.

1:49:18.920 --> 1:49:22.479
<v Speaker 5>I definitely got to ask you this. Yes, almost positive.

1:49:23.560 --> 1:49:25.040
<v Speaker 5>The way you're gonna answer.

1:49:26.360 --> 1:49:30.360
<v Speaker 3>Digital or analog, that's just that it's fund up because

1:49:30.400 --> 1:49:32.280
<v Speaker 3>now I can't live without either one of them. If

1:49:32.320 --> 1:49:34.479
<v Speaker 3>I say digital, my ship might stop working when I

1:49:34.520 --> 1:49:39.639
<v Speaker 3>get home. That's just since it is it's energy. Analog

1:49:39.840 --> 1:49:43.280
<v Speaker 3>is harder, it's longer, it's everything a man wants to be.

1:49:45.280 --> 1:49:46.519
<v Speaker 5>I didn't catch that back.

1:49:47.520 --> 1:49:50.639
<v Speaker 3>It's just it's it's big, it's huge, it's a movie,

1:49:50.720 --> 1:49:53.680
<v Speaker 3>is cinematic. It's it makes you cry, like you know,

1:49:53.720 --> 1:49:56.200
<v Speaker 3>it makes your skin crawl when you put strings on it.

1:49:56.280 --> 1:49:59.880
<v Speaker 5>It's just some beast in and of itself. I mean

1:50:00.080 --> 1:50:00.479
<v Speaker 5>that ship.

1:50:00.600 --> 1:50:03.679
<v Speaker 1>I always say that, I always pick analog because analog,

1:50:03.760 --> 1:50:05.960
<v Speaker 1>to me, we all had to be in the same room.

1:50:06.840 --> 1:50:08.439
<v Speaker 3>To work magic.

1:50:08.600 --> 1:50:10.960
<v Speaker 6>It was it you that I quoted somebody and I'm

1:50:10.960 --> 1:50:12.760
<v Speaker 6>not sure now if it was you, I believe it was.

1:50:12.760 --> 1:50:16.120
<v Speaker 6>You said something about analog capturing like like the energy

1:50:16.160 --> 1:50:16.479
<v Speaker 6>in the room.

1:50:18.960 --> 1:50:19.439
<v Speaker 2>Think about it.

1:50:19.560 --> 1:50:23.600
<v Speaker 3>We're magnetic, so it catches the energy the vibrations of

1:50:23.720 --> 1:50:24.439
<v Speaker 3>the person too.

1:50:24.920 --> 1:50:27.360
<v Speaker 6>If you near that tape machine you feel a static

1:50:27.439 --> 1:50:32.280
<v Speaker 6>on It's just what tape is everything?

1:50:32.640 --> 1:50:36.439
<v Speaker 5>Like we are we just released a cassette like tape

1:50:36.520 --> 1:50:37.200
<v Speaker 5>is tape?

1:50:37.320 --> 1:50:37.840
<v Speaker 2>Is it all?

1:50:39.880 --> 1:50:49.760
<v Speaker 4>So tell you all the reasons why the other one

1:50:49.800 --> 1:50:50.280
<v Speaker 4>is great.

1:50:51.920 --> 1:50:58.160
<v Speaker 2>Forever? Yeah, just for workflow, okay, like workflow, Like workflow

1:50:58.320 --> 1:50:59.360
<v Speaker 2>is just like a lot quicker.

1:50:59.479 --> 1:51:02.840
<v Speaker 5>We can like analog pieces and then put it into digital.

1:51:03.040 --> 1:51:05.519
<v Speaker 2>That works great, Like I think that's what this album did,

1:51:05.600 --> 1:51:07.560
<v Speaker 2>Like he grabs a lot of analog pieces.

1:51:07.320 --> 1:51:10.320
<v Speaker 5>And we're allowed to like run it through analogue in

1:51:10.400 --> 1:51:11.160
<v Speaker 5>the digital space.

1:51:11.200 --> 1:51:13.800
<v Speaker 2>And with the clock speed, you have people say that

1:51:13.960 --> 1:51:17.479
<v Speaker 2>damn hear don there, Like yes, it's like what is

1:51:17.520 --> 1:51:18.479
<v Speaker 2>this clock universal?

1:51:19.640 --> 1:51:22.960
<v Speaker 3>It stops jitter in the in the digital field and sonically,

1:51:23.680 --> 1:51:25.960
<v Speaker 3>it's not a record that you will hear one time

1:51:26.400 --> 1:51:28.800
<v Speaker 3>right and hate it after that, Like it's cool, but

1:51:29.280 --> 1:51:31.920
<v Speaker 3>something about it it's just it's too just as loud destroyed.

1:51:31.960 --> 1:51:35.559
<v Speaker 5>What it's it's analog clocking. It just stops jitter.

1:51:35.640 --> 1:51:40.400
<v Speaker 3>It just makes every digital clock, every digital slave master

1:51:40.560 --> 1:51:44.479
<v Speaker 3>to it. So it's it mimics analog the best, and

1:51:44.560 --> 1:51:46.599
<v Speaker 3>that's what it is. It's it's it's almost like if

1:51:46.600 --> 1:51:48.639
<v Speaker 3>you think, you just say you want.

1:51:52.040 --> 1:51:55.439
<v Speaker 2>So basically the number that you see on the analog machines,

1:51:55.560 --> 1:51:57.040
<v Speaker 2>like you know, if you if you're like playing a

1:51:57.120 --> 1:51:58.880
<v Speaker 2>tape or if you're doing a dance or whatever, there's

1:51:58.920 --> 1:52:02.160
<v Speaker 2>actually a crack going right the clock, like the millisecond

1:52:02.200 --> 1:52:05.880
<v Speaker 2>or exactly. The clocks that are in his his actual

1:52:06.000 --> 1:52:08.600
<v Speaker 2>MAC are the closest to adaptments.

1:52:10.160 --> 1:52:13.320
<v Speaker 3>They're really expensive analog to digital converters.

1:52:13.560 --> 1:52:16.040
<v Speaker 5>Right, they're just a we call it a DS.

1:52:16.200 --> 1:52:18.000
<v Speaker 3>You're short, you engineer at all?

1:52:18.280 --> 1:52:21.439
<v Speaker 5>No, I mean I'm rounding. So you guys from the West,

1:52:21.439 --> 1:52:22.519
<v Speaker 5>you should come to the studio with me.

1:52:23.080 --> 1:52:27.479
<v Speaker 2>You imagine, imagine you being able to run seven programs

1:52:27.520 --> 1:52:30.720
<v Speaker 2>at once, like imagine like sometimes the Michael cut off

1:52:30.800 --> 1:52:33.960
<v Speaker 2>are right right, right, it's too much computing with his ship,

1:52:34.200 --> 1:52:37.799
<v Speaker 2>you can put up fifteen different things, be recording, be mixing,

1:52:37.960 --> 1:52:39.519
<v Speaker 2>playing a movie, playing I.

1:52:40.600 --> 1:52:43.080
<v Speaker 3>Nothing stopped like his ship never tap.

1:52:43.000 --> 1:52:46.880
<v Speaker 5>Into the ether. Everything. It's like I'm a beast. It's

1:52:46.960 --> 1:52:51.479
<v Speaker 5>like the speed, it's all real time. Bro, It's crazy wow.

1:52:52.040 --> 1:52:53.800
<v Speaker 5>And the sound of it when people come in like

1:52:53.880 --> 1:52:54.600
<v Speaker 5>I'm so came in.

1:52:55.000 --> 1:52:57.360
<v Speaker 3>He was like he was. He said, test two whim

1:52:57.720 --> 1:52:59.439
<v Speaker 3>problem said, do you want us to, you know, get

1:52:59.479 --> 1:53:01.120
<v Speaker 3>it together for you? Like you know, dotty man?

1:53:01.320 --> 1:53:01.880
<v Speaker 5>He said, Man, this.

1:53:01.840 --> 1:53:05.760
<v Speaker 3>Should sound perfect already, And I think he only he

1:53:05.800 --> 1:53:07.639
<v Speaker 3>could hear it in the headphones. He pushed recording. That's

1:53:07.640 --> 1:53:08.160
<v Speaker 3>what y'all got.

1:53:08.240 --> 1:53:10.679
<v Speaker 6>One tape, one tape, because that's the thing about analogue,

1:53:10.720 --> 1:53:11.800
<v Speaker 6>the warmth that gives you.

1:53:12.320 --> 1:53:18.240
<v Speaker 3>Yeah, it's fuzzy, it's it's warm and wide. It's that alcohol.

1:53:23.160 --> 1:53:24.439
<v Speaker 3>Y'all gotta beat that. He's gonna be.

1:53:24.439 --> 1:53:28.880
<v Speaker 16>Made still dre a nothing but nothing but a g

1:53:33.360 --> 1:53:35.280
<v Speaker 16>One is the low Rider record. The one is the

1:53:35.320 --> 1:53:36.479
<v Speaker 16>record that started it all.

1:53:36.880 --> 1:53:38.920
<v Speaker 3>That's been voted the number one hip hop record of

1:53:38.960 --> 1:53:42.400
<v Speaker 3>all time Percidon anybody.

1:53:42.200 --> 1:53:43.600
<v Speaker 5>I would have flipped the way you just said it.

1:53:43.640 --> 1:53:46.360
<v Speaker 5>But okay, you know the G thing was it? I

1:53:46.400 --> 1:53:48.960
<v Speaker 5>look at you think it's a low Riding record though too? Well?

1:53:49.040 --> 1:53:51.400
<v Speaker 3>No, no, do you think is a thing that it

1:53:51.479 --> 1:53:52.479
<v Speaker 3>was low Riders in the video.

1:53:52.840 --> 1:53:53.600
<v Speaker 5>But maybe that's what.

1:53:55.640 --> 1:53:59.160
<v Speaker 3>Still Dre is like the dre like being the drum

1:53:59.280 --> 1:54:02.720
<v Speaker 3>machine compared editor with the Chicago piano, like showing off

1:54:02.760 --> 1:54:06.920
<v Speaker 3>his ship. But g thing is just the fucking syrup

1:54:07.040 --> 1:54:09.680
<v Speaker 3>that make the pancake bang out. Bros. I'm gonna go

1:54:10.160 --> 1:54:11.280
<v Speaker 3>to thing.

1:54:11.400 --> 1:54:12.800
<v Speaker 5>You can hear that that's the time. I mean, they're

1:54:12.800 --> 1:54:15.960
<v Speaker 5>both timeless, but g thing, I think, well, life changed.

1:54:16.240 --> 1:54:19.559
<v Speaker 3>I was lucky enough because I knew should to get

1:54:20.680 --> 1:54:23.200
<v Speaker 3>to go to the studio and watch drain them make

1:54:23.280 --> 1:54:23.880
<v Speaker 3>those records.

1:54:24.000 --> 1:54:27.360
<v Speaker 5>You know, oh so drink to that ship, even if

1:54:27.400 --> 1:54:29.760
<v Speaker 5>it's not a fine fuck it.

1:54:32.160 --> 1:54:34.400
<v Speaker 1>I gotta like take take a chance for this opportunity.

1:54:35.480 --> 1:54:39.720
<v Speaker 1>Because one of the things that we spoke to m

1:54:39.760 --> 1:54:44.160
<v Speaker 1>C eight uh that lasked him, I said, you know,

1:54:46.520 --> 1:54:49.200
<v Speaker 1>you know what happened when you know, like you performed

1:54:49.240 --> 1:54:51.240
<v Speaker 1>in front of him and you dissed them. And then

1:54:51.280 --> 1:54:53.960
<v Speaker 1>he also told us about the time about them the

1:54:54.080 --> 1:54:57.200
<v Speaker 1>mom and sug that he should stepped to and pulled

1:54:57.200 --> 1:54:59.000
<v Speaker 1>them over or something like that to him, like his

1:54:59.160 --> 1:55:02.280
<v Speaker 1>mom to be say like what is the affiliation with you?

1:55:02.400 --> 1:55:05.520
<v Speaker 1>One should like you? What I think he said he

1:55:05.640 --> 1:55:06.240
<v Speaker 1>was managing you.

1:55:06.720 --> 1:55:08.880
<v Speaker 3>Yeah, he's my manager at one point. I mean he

1:55:09.040 --> 1:55:10.760
<v Speaker 3>was one of the first people I had ever signed to,

1:55:11.480 --> 1:55:14.160
<v Speaker 3>Like I signed to Yeah, I signed to him. They

1:55:14.200 --> 1:55:16.440
<v Speaker 3>had a record label called Funky Enough Records with him

1:55:16.440 --> 1:55:18.640
<v Speaker 3>and DLC. But he was always good to me, like

1:55:18.720 --> 1:55:23.600
<v Speaker 3>that during Ruthless, before Ruthless, before before Less, like it

1:55:23.760 --> 1:55:25.120
<v Speaker 3>was when he broke off he I don't think he

1:55:25.200 --> 1:55:27.640
<v Speaker 3>was doing security anymore. He got with this guy and

1:55:27.960 --> 1:55:30.160
<v Speaker 3>got an investor and came and just started signing talent.

1:55:30.240 --> 1:55:32.520
<v Speaker 3>And I was one of people he signed Ruthless.

1:55:32.640 --> 1:55:33.280
<v Speaker 5>That's bad.

1:55:33.600 --> 1:55:37.520
<v Speaker 3>I mean, think about look at the timeline. I was there. Wow,

1:55:37.880 --> 1:55:38.600
<v Speaker 3>I was there when.

1:55:40.440 --> 1:55:41.360
<v Speaker 5>Eighteen nineteen.

1:55:41.560 --> 1:55:43.720
<v Speaker 2>Wow, damn.

1:55:44.000 --> 1:55:45.680
<v Speaker 5>I thought Dick Griffy.

1:55:45.400 --> 1:55:48.200
<v Speaker 3>Wanted me Solar. I wish I would have signed with

1:55:48.240 --> 1:55:53.120
<v Speaker 3>Dick Griffy Solar. Yeah, but he took Dre now got there.

1:55:53.920 --> 1:55:56.640
<v Speaker 5>Didn't Solar do something with with Sugar as well?

1:55:57.800 --> 1:55:58.000
<v Speaker 3>Yeah?

1:55:58.040 --> 1:56:00.960
<v Speaker 5>They mentored him like Solar made the video, used the studio, right,

1:56:01.520 --> 1:56:02.240
<v Speaker 5>Am I wrong about that?

1:56:02.360 --> 1:56:04.960
<v Speaker 3>I'm just being hell reflective, like when I say, you know,

1:56:05.280 --> 1:56:06.800
<v Speaker 3>Simon was a part of a lot of that ship,

1:56:07.040 --> 1:56:08.640
<v Speaker 3>Like I forgive him, like he did some fucked up

1:56:08.640 --> 1:56:10.360
<v Speaker 3>ship to me, like he did some fucked up ship

1:56:10.400 --> 1:56:12.880
<v Speaker 3>to everybody else. But I'm over, like I haven't heard

1:56:12.880 --> 1:56:16.560
<v Speaker 3>about contract wise, I was never signed to him, okay,

1:56:17.040 --> 1:56:20.040
<v Speaker 3>but he represented me like like about a year or whatever.

1:56:20.160 --> 1:56:22.640
<v Speaker 3>But he was too busy with fucking Joji and Park.

1:56:22.720 --> 1:56:24.920
<v Speaker 3>It was like, man, gonna let you have that, bro, you.

1:56:25.440 --> 1:56:26.360
<v Speaker 5>Got your hands pull over.

1:56:27.120 --> 1:56:30.800
<v Speaker 6>I go over here and do it myself. Crazy crazy

1:56:30.880 --> 1:56:33.480
<v Speaker 6>all those people. Everybody's like Chris Crossings.

1:56:33.520 --> 1:56:34.920
<v Speaker 3>But you know, I feel like I could talk like

1:56:35.000 --> 1:56:39.200
<v Speaker 3>this because honestly, my coast is united and galvanized.

1:56:39.400 --> 1:56:42.920
<v Speaker 6>So that's which, in turn, is I think uniting and

1:56:42.960 --> 1:56:45.520
<v Speaker 6>galvanizing hip hop around the nation. To be honest with you,

1:56:45.840 --> 1:56:47.400
<v Speaker 6>I don't know if you guys see it from that side,

1:56:47.680 --> 1:56:49.240
<v Speaker 6>but I feel like it's doing a lot for the

1:56:49.480 --> 1:56:50.280
<v Speaker 6>entire it.

1:56:50.520 --> 1:56:51.760
<v Speaker 3>We're in the magnifying class.

1:56:51.800 --> 1:56:52.280
<v Speaker 5>But I love it.

1:56:52.320 --> 1:56:52.920
<v Speaker 2>It's great.

1:56:54.280 --> 1:56:57.240
<v Speaker 3>And the music is dope, And like you said, my

1:56:57.320 --> 1:57:02.680
<v Speaker 3>clocks are and they're they're in pervious the best clocks

1:57:02.720 --> 1:57:03.240
<v Speaker 3>in the game.

1:57:04.720 --> 1:57:13.880
<v Speaker 5>Clocks. This is the first. All right, No niggas, If

1:57:13.920 --> 1:57:21.360
<v Speaker 5>you can pick being just the artist or just a producer,

1:57:21.640 --> 1:57:24.640
<v Speaker 5>I'll be a producer. I'm a producer. Now, just you

1:57:24.680 --> 1:57:27.080
<v Speaker 5>would pick that? Would you want to be Quincy Jones

1:57:27.280 --> 1:57:29.320
<v Speaker 5>or James Ingram.

1:57:32.840 --> 1:57:33.240
<v Speaker 3>Just one?

1:57:34.080 --> 1:57:38.600
<v Speaker 5>All right, okay, so you will pick being a producer,

1:57:38.720 --> 1:57:41.600
<v Speaker 5>motherfucker right. That's I never wanted. I'm jam Master J

1:57:41.800 --> 1:57:42.480
<v Speaker 5>Bro'm the d J.

1:57:42.880 --> 1:57:45.240
<v Speaker 3>I just wanted to be in the background, rocking about

1:57:46.360 --> 1:57:48.960
<v Speaker 3>and dropping the rhythm for my fucking artist to just

1:57:49.080 --> 1:57:50.320
<v Speaker 3>go and be fucking.

1:57:50.680 --> 1:57:52.640
<v Speaker 5>The most important part that hasn't doesn't have to be

1:57:52.720 --> 1:57:53.760
<v Speaker 5>seen exactly.

1:57:54.320 --> 1:57:56.480
<v Speaker 3>And they pushed me off front. It was like the

1:57:56.520 --> 1:57:58.360
<v Speaker 3>white niggas was like, no, you go do it, you

1:57:58.440 --> 1:58:01.080
<v Speaker 3>just start. I'm like, I'm the DJ. I can't do

1:58:01.240 --> 1:58:01.800
<v Speaker 3>both of them.

1:58:01.840 --> 1:58:02.360
<v Speaker 2>Like it's just.

1:58:03.840 --> 1:58:05.840
<v Speaker 5>Whatever. So yeah, you can take my wrapping all that

1:58:05.880 --> 1:58:11.360
<v Speaker 5>ship away. I'll be quiet DJ quick. Yeah, I ain't

1:58:11.400 --> 1:58:15.040
<v Speaker 5>gonna lie. I didn't. I didn't expect that one. And

1:58:15.160 --> 1:58:20.640
<v Speaker 5>that's what you're gonna say, alcohol, I really gonna sheepish.

1:58:22.440 --> 1:58:23.680
<v Speaker 3>I get to hear them ship.

1:58:23.760 --> 1:58:28.160
<v Speaker 5>But you're like Jason was just.

1:58:28.240 --> 1:58:30.360
<v Speaker 1>Going through a boot ball face and like because now

1:58:30.360 --> 1:58:31.480
<v Speaker 1>I imagine.

1:58:31.120 --> 1:58:37.320
<v Speaker 3>A world and I was like, right over John Carpenter, nigga, Yeah,

1:58:37.880 --> 1:58:41.960
<v Speaker 3>but ship, I mean, I'll be writing all that ship.

1:58:41.960 --> 1:58:45.360
<v Speaker 5>I'll be fucking I'll be Danny Elfman.

1:58:49.360 --> 1:58:52.560
<v Speaker 2>He's dangerous and the stuff you scored a movie, you're

1:58:52.600 --> 1:58:53.720
<v Speaker 2>that right kind of dangerous.

1:58:55.880 --> 1:58:56.320
<v Speaker 5>I scored.

1:58:57.600 --> 1:59:01.840
<v Speaker 3>I scored Head of State for Chris Rock with Mircus Miller.

1:59:02.240 --> 1:59:04.840
<v Speaker 3>I scored Young j Z's documentary like one of his

1:59:05.560 --> 1:59:06.240
<v Speaker 3>Doug motivation.

1:59:06.560 --> 1:59:11.320
<v Speaker 5>Yeah, and you got something. We got something coming up

1:59:11.360 --> 1:59:14.680
<v Speaker 5>to right now? Yeah, scoring is the ship.

1:59:15.040 --> 1:59:18.480
<v Speaker 2>Oh yeah, we can I say, no, let me know,

1:59:18.680 --> 1:59:21.400
<v Speaker 2>we got something, we got something coming out Oka, get ready,

1:59:21.480 --> 1:59:21.880
<v Speaker 2>get ready?

1:59:22.520 --> 1:59:30.040
<v Speaker 3>Okay, pro tools or logic to day for sure, But

1:59:30.120 --> 1:59:34.440
<v Speaker 3>I started on logic. You can't do both though, No, Nah,

1:59:34.560 --> 1:59:37.000
<v Speaker 3>I can't even look that far back because it eventually

1:59:37.080 --> 1:59:42.280
<v Speaker 3>still goes the pro tools no matter what other things

1:59:42.840 --> 1:59:45.800
<v Speaker 3>it's going to hit. That's the common denominator. That's the

1:59:45.880 --> 1:59:48.320
<v Speaker 3>defect in our masters. That's the defacto.

1:59:48.520 --> 1:59:56.200
<v Speaker 5>D A W. Lady of Rage or Eve. I work

1:59:56.240 --> 1:59:58.800
<v Speaker 5>with both of them. That's that's not fair both, Okay,

1:59:58.960 --> 2:00:03.640
<v Speaker 5>don't ask why? Yeah, I like that. I like that Champagne,

2:00:04.480 --> 2:00:11.520
<v Speaker 5>I mean that with that. Oh yeah, Chris RockA Dave Chappelle.

2:00:12.680 --> 2:00:16.120
<v Speaker 5>That's not fair. I work with both they both both, Okay,

2:00:16.680 --> 2:00:18.880
<v Speaker 5>all right on just.

2:00:18.880 --> 2:00:21.480
<v Speaker 3>Real quick, Can I designate a shot taker for this one?

2:00:21.600 --> 2:00:21.880
<v Speaker 5>Okay?

2:00:21.960 --> 2:00:26.960
<v Speaker 3>You can, because you can do that, you can do this. Yeah.

2:00:27.040 --> 2:00:28.680
<v Speaker 2>Me and my boy j Haro quick, you want to

2:00:28.680 --> 2:00:31.440
<v Speaker 2>get just that's that's your son over there to David.

2:00:36.200 --> 2:00:38.640
<v Speaker 5>The presidential X right there. Okay, I see he get out.

2:00:39.400 --> 2:00:42.120
<v Speaker 3>So you got this shot? He said, I'll take this shot.

2:00:42.280 --> 2:00:44.360
<v Speaker 3>This This guy was so important.

2:00:46.040 --> 2:00:47.720
<v Speaker 5>Just sit down. Give him a seat so you can

2:00:47.760 --> 2:00:48.120
<v Speaker 5>sit down.

2:00:49.560 --> 2:00:52.720
<v Speaker 3>Oh to go back a little bit. I scored John Henry.

2:00:53.120 --> 2:00:54.720
<v Speaker 3>It was a movie that went to Netflix. It was

2:00:54.800 --> 2:00:57.520
<v Speaker 3>number one on like Netflix. People loved it or hated it,

2:00:57.600 --> 2:01:02.360
<v Speaker 3>but it was It's fucking terry crews and ludicris. It's

2:01:02.400 --> 2:01:04.440
<v Speaker 3>like a sci fi kind of thing. It kept people,

2:01:05.040 --> 2:01:08.400
<v Speaker 3>you know, and you know, kept them entertained during the scamdemic.

2:01:08.840 --> 2:01:12.400
<v Speaker 5>Okay, we're gonna take the show number one, jay Worthy,

2:01:14.160 --> 2:01:18.640
<v Speaker 5>you already took mine. Yeah. Hey, that's what me wanting. Bro,

2:01:21.280 --> 2:01:21.960
<v Speaker 5>that's your joint.

2:01:22.080 --> 2:01:22.760
<v Speaker 3>That's that's what.

2:01:22.800 --> 2:01:23.640
<v Speaker 5>You're doing right here.

2:01:27.800 --> 2:01:30.000
<v Speaker 3>This takes you to another place though, I know I'm

2:01:30.000 --> 2:01:37.200
<v Speaker 3>already there. Religious ceremonies with this. I missed my bus

2:01:37.240 --> 2:01:41.840
<v Speaker 3>stop one stop ago. No I with that ship though.

2:01:41.840 --> 2:01:44.440
<v Speaker 3>When I'm out there. It's like that ship. I feel

2:01:44.440 --> 2:01:45.240
<v Speaker 3>like I'm in the Caribbean.

2:01:46.200 --> 2:01:50.879
<v Speaker 5>Okay, exhibit or it's for you problem exhibit.

2:01:51.080 --> 2:01:53.080
<v Speaker 3>That's my doll, that's my dog.

2:01:53.240 --> 2:01:54.720
<v Speaker 5>Like that man, that man.

2:01:54.800 --> 2:01:56.960
<v Speaker 2>The last six seven years of my life has changed

2:01:57.000 --> 2:02:00.360
<v Speaker 2>it just with conversations man like on a personal level.

2:02:00.960 --> 2:02:04.760
<v Speaker 2>He he teaches me like man ship like superman ship. Bro,

2:02:05.320 --> 2:02:06.840
<v Speaker 2>you know what I'm saying. I like, right now, we're

2:02:06.840 --> 2:02:09.360
<v Speaker 2>trying to work out something with some other plays together.

2:02:09.520 --> 2:02:12.400
<v Speaker 2>His album is coming out. It's phenomenal. I wish he

2:02:12.440 --> 2:02:16.800
<v Speaker 2>stopped pump faking it here. He's been like Lyric, got

2:02:17.440 --> 2:02:20.120
<v Speaker 2>all this albums over there, put that ship out.

2:02:21.520 --> 2:02:23.480
<v Speaker 5>But X for sure on some personal ship.

2:02:23.640 --> 2:02:24.400
<v Speaker 2>Okay, yes.

2:02:25.960 --> 2:02:27.760
<v Speaker 5>You want to you want to ask, you want to

2:02:28.000 --> 2:02:28.360
<v Speaker 5>in on it?

2:02:31.160 --> 2:02:33.560
<v Speaker 3>Yeah? I guess people can't see my face on the radio,

2:02:36.120 --> 2:02:40.600
<v Speaker 3>fucking X because X is the brother that I do

2:02:40.680 --> 2:02:43.520
<v Speaker 3>ship like this for. He's working on this new record

2:02:44.520 --> 2:02:47.760
<v Speaker 3>and he has a Sony C eight hundred condenser microphone

2:02:48.640 --> 2:02:52.960
<v Speaker 3>and the microphone breaks. So we go to the studio

2:02:53.000 --> 2:02:55.360
<v Speaker 3>and he's got this annoyman ship up there and I'm like,

2:02:55.440 --> 2:02:56.560
<v Speaker 3>what what the fuck is going on?

2:02:56.800 --> 2:02:58.640
<v Speaker 5>Like he was like feeling like, you know, like his

2:02:59.280 --> 2:02:59.840
<v Speaker 5>his for.

2:03:00.000 --> 2:03:03.360
<v Speaker 3>I already got a bun tire on it, and I

2:03:03.480 --> 2:03:06.160
<v Speaker 3>took his broken microphone, like, bro, you can't do this

2:03:06.240 --> 2:03:09.640
<v Speaker 3>because it's not gonna be consistent quality controlled. Me kicked in,

2:03:10.400 --> 2:03:13.720
<v Speaker 3>it's not gonna be consistent with the other songs. You're

2:03:13.720 --> 2:03:16.680
<v Speaker 3>gonna have to re record anyway because they do two

2:03:16.720 --> 2:03:17.280
<v Speaker 3>different things.

2:03:18.320 --> 2:03:20.920
<v Speaker 5>He was like like, so what.

2:03:21.960 --> 2:03:23.920
<v Speaker 3>So I gave him my Sony C eight hundred. It

2:03:23.960 --> 2:03:27.640
<v Speaker 3>took his to my specialists, who repaired it over maybe

2:03:27.800 --> 2:03:30.520
<v Speaker 3>a month or two. But it didn't change his flow,

2:03:30.760 --> 2:03:33.600
<v Speaker 3>Like I just subbed him mind. And those microphones are

2:03:33.640 --> 2:03:37.440
<v Speaker 3>like fifteen thousand dollars a piece. So I do shit

2:03:37.520 --> 2:03:40.560
<v Speaker 3>like that for my boy. And you continue recording this

2:03:40.760 --> 2:03:45.680
<v Speaker 3>brilliant ass record he's talking about. It's a fuckings, it's

2:03:45.720 --> 2:03:49.560
<v Speaker 3>a movie. It's the funniest thing ever. It's his best

2:03:49.600 --> 2:03:51.240
<v Speaker 3>work in a very long time. And I worked on

2:03:51.280 --> 2:03:53.160
<v Speaker 3>The Restless SELFI y'all got a platinum plat for that,

2:03:54.120 --> 2:03:56.080
<v Speaker 3>but this shit, it's like a month.

2:03:56.160 --> 2:03:58.400
<v Speaker 5>It's like a monkey party. You're talking about records that

2:03:58.400 --> 2:04:01.600
<v Speaker 5>haven't come out yet. Album He's sitting there holding oh yeah,

2:04:01.640 --> 2:04:02.160
<v Speaker 5>put it up.

2:04:05.080 --> 2:04:09.080
<v Speaker 3>To be. Dre is fastidious when it comes to judging

2:04:09.160 --> 2:04:11.640
<v Speaker 3>the record, and you wouldn't want anything else. Let him

2:04:11.680 --> 2:04:15.240
<v Speaker 3>critique you, let him get the last fucking word, because

2:04:15.240 --> 2:04:18.080
<v Speaker 3>he's not wrong and he hasn't been, so that's what

2:04:18.200 --> 2:04:20.720
<v Speaker 3>you have to do. But this record is going to

2:04:20.760 --> 2:04:22.840
<v Speaker 3>come out and it's gonna be fucking fired. Y'all gonna trip.

2:04:22.920 --> 2:04:25.040
<v Speaker 3>It's ask yeah.

2:04:27.920 --> 2:04:29.560
<v Speaker 5>Yet one.

2:04:31.320 --> 2:04:35.880
<v Speaker 2>Wave plugins, Wave plugins or Universal audio plugins. I use both,

2:04:36.880 --> 2:04:40.440
<v Speaker 2>but universal audio is the reason that I'm part of

2:04:40.480 --> 2:04:42.640
<v Speaker 2>the sound. That's what I'm gonna get you for Christmas.

2:04:43.000 --> 2:04:46.160
<v Speaker 3>These clocks they finally got him better than Antelope, which

2:04:46.240 --> 2:04:51.120
<v Speaker 3>are really finite, really accurate lo jitter low digital smear clocks.

2:04:51.400 --> 2:04:53.640
<v Speaker 3>I'm about to buy him one Universal Audio all day.

2:04:53.840 --> 2:04:56.400
<v Speaker 3>Shout out to Bill Putningham and Bill Putnham Junior. I

2:04:56.440 --> 2:04:58.720
<v Speaker 3>love y'all fucking music, y'all. The reason that I know

2:04:58.760 --> 2:05:00.520
<v Speaker 3>I'm good to Grammy at some point point because of

2:05:00.600 --> 2:05:01.960
<v Speaker 3>the sound. So thank you.

2:05:02.120 --> 2:05:04.120
<v Speaker 6>How you're getting into text space, the way you're talking

2:05:04.120 --> 2:05:06.120
<v Speaker 6>about all these things, Bro, you need to get a

2:05:06.200 --> 2:05:07.880
<v Speaker 6>part of this text bace and get that money from

2:05:07.960 --> 2:05:08.600
<v Speaker 6>Dave Jobs.

2:05:11.720 --> 2:05:15.120
<v Speaker 3>I'm gonna say, I'm gonna say we'll be all right.

2:05:15.200 --> 2:05:15.280
<v Speaker 10>Bro.

2:05:15.560 --> 2:05:22.360
<v Speaker 3>Yeah good tu. Yeah you got Kanye or Dre doctor Dre. Yeah,

2:05:22.520 --> 2:05:26.000
<v Speaker 3>it's not even Kanye is a little me like he's simple.

2:05:26.040 --> 2:05:28.400
<v Speaker 3>But he told me simple music, simple your drums. I'm

2:05:28.440 --> 2:05:33.120
<v Speaker 3>like thanks, Yeah, yeah she was a comfortable. But but

2:05:33.640 --> 2:05:35.200
<v Speaker 3>it's really both. I ain't gonna hate it. I know

2:05:35.280 --> 2:05:38.640
<v Speaker 3>you're gonna be like Dre all day. But Kanye was

2:05:38.680 --> 2:05:39.240
<v Speaker 3>never mean to me.

2:05:39.360 --> 2:05:45.920
<v Speaker 2>So both I'm I'm actually going to say Ray, but

2:05:46.280 --> 2:05:49.160
<v Speaker 2>I would love to see a Dre versus Kanye versus.

2:05:49.720 --> 2:05:50.000
<v Speaker 3>Wow.

2:05:51.040 --> 2:05:53.880
<v Speaker 2>No, I don't ever happen. I don't think it'll ever happen.

2:05:53.880 --> 2:05:57.120
<v Speaker 2>I'm just I would love that would be. I think

2:05:57.160 --> 2:06:00.320
<v Speaker 2>I do think Dray will win. But if I watch

2:06:00.480 --> 2:06:03.720
<v Speaker 2>this thing, oh my, I think.

2:06:03.640 --> 2:06:05.480
<v Speaker 5>That was a parallel universe.

2:06:06.840 --> 2:06:09.680
<v Speaker 6>You're talking about itself, this battle, I get to watch

2:06:09.840 --> 2:06:12.320
<v Speaker 6>and all, and then the artists that will come out

2:06:12.440 --> 2:06:16.200
<v Speaker 6>on the record, even the songs, the way the stage

2:06:16.200 --> 2:06:18.120
<v Speaker 6>will be set up with both Like.

2:06:18.360 --> 2:06:20.840
<v Speaker 2>So you know how Dre did Super Bowl, Yeah, he

2:06:20.880 --> 2:06:22.440
<v Speaker 2>does his thing like letting them.

2:06:22.360 --> 2:06:25.360
<v Speaker 5>Get to that size something I never even thought about that.

2:06:26.800 --> 2:06:28.800
<v Speaker 3>Again, I'm taking Drake the heart.

2:06:30.480 --> 2:06:32.480
<v Speaker 5>I will. I would sit there and be like, Yo,

2:06:32.560 --> 2:06:37.960
<v Speaker 5>there's probably about some basics my life, my life. He's

2:06:38.000 --> 2:06:39.000
<v Speaker 5>like a promoter right now.

2:06:40.680 --> 2:06:42.480
<v Speaker 2>I'm a fan, bro like, I don't let I don't

2:06:42.520 --> 2:06:44.760
<v Speaker 2>let myself get so in this music.

2:06:45.040 --> 2:06:46.360
<v Speaker 5>But he said both, so we gotta drink.

2:06:46.760 --> 2:06:50.200
<v Speaker 3>I don't know myself gets what I like?

2:06:50.920 --> 2:06:52.680
<v Speaker 5>Ainybody trying to make you like nothing else you got.

2:06:53.640 --> 2:06:57.960
<v Speaker 5>You're strange, man.

2:06:58.120 --> 2:06:58.840
<v Speaker 3>I love them both.

2:06:58.920 --> 2:07:03.400
<v Speaker 5>Man, he loves me. Man, Okay, game or Rick Ross?

2:07:04.840 --> 2:07:08.640
<v Speaker 5>I got game you're talking about like better rapper whatever

2:07:08.720 --> 2:07:08.920
<v Speaker 5>for you?

2:07:09.080 --> 2:07:12.680
<v Speaker 3>It's whatever game. I'm biased. I'm biased, bro.

2:07:12.800 --> 2:07:21.080
<v Speaker 5>I respect that. I'll take Hurricane ka mm hmm. That's right.

2:07:23.800 --> 2:07:27.240
<v Speaker 5>I mean I think we already said m J and Prince. Yeah,

2:07:27.520 --> 2:07:29.440
<v Speaker 5>I stole that question early. I didn't even know if

2:07:29.480 --> 2:07:33.120
<v Speaker 5>you had that. Why you ain't asked Magic versus Bird

2:07:33.240 --> 2:07:37.960
<v Speaker 5>like them kind of questions. I mean, you know it's

2:07:37.960 --> 2:07:42.800
<v Speaker 5>gonna be if it's a shot in there whatever, I'm

2:07:42.840 --> 2:07:43.560
<v Speaker 5>not getting it down with.

2:07:43.760 --> 2:07:47.040
<v Speaker 2>I'll go Kobe versus Lebron though. I mean m J

2:07:47.280 --> 2:07:51.920
<v Speaker 2>for sure, Kby over MJ for sure? Easy, you're picking

2:07:52.000 --> 2:07:55.360
<v Speaker 2>Kobe for sure? What do you mean he did more

2:07:55.440 --> 2:07:55.800
<v Speaker 2>or less?

2:07:56.840 --> 2:07:57.040
<v Speaker 3>Yeah?

2:07:58.000 --> 2:08:01.400
<v Speaker 5>Generation love what you were just gonna get this can

2:08:01.480 --> 2:08:03.840
<v Speaker 5>get this can get crazy if we did, okay, because

2:08:04.240 --> 2:08:08.200
<v Speaker 5>I'm staying out of it. I mean, was I wish,

2:08:08.240 --> 2:08:08.960
<v Speaker 5>I wish sports.

2:08:10.280 --> 2:08:12.160
<v Speaker 3>I can tell you what it is. Really it is

2:08:12.360 --> 2:08:16.560
<v Speaker 3>definitely Kobe Bean over Michael Jordan, because we tried to

2:08:16.600 --> 2:08:19.240
<v Speaker 3>say hi to Michael Jordan at the MGM Grand Hotel

2:08:20.000 --> 2:08:21.880
<v Speaker 3>and he sonned us so bad.

2:08:22.400 --> 2:08:23.120
<v Speaker 2>He fell up.

2:08:23.680 --> 2:08:29.480
<v Speaker 3>I fell mid, but he got het. But I've always

2:08:29.520 --> 2:08:31.760
<v Speaker 3>had fun with Kobe whenever we hung out like Kobe,

2:08:31.840 --> 2:08:35.000
<v Speaker 3>I did like Kobe was toy drives and ship type ships,

2:08:35.200 --> 2:08:37.640
<v Speaker 3>like whole ships.

2:08:37.640 --> 2:08:40.440
<v Speaker 5>What happened with Jordan tell us nothing, that's it. He

2:08:40.520 --> 2:08:41.480
<v Speaker 5>just didn't want to funk with us.

2:08:41.520 --> 2:08:42.920
<v Speaker 3>I just wanted to go say, how did this dude

2:08:42.920 --> 2:08:45.000
<v Speaker 3>because he was in there being a hot dude was

2:08:45.080 --> 2:08:47.600
<v Speaker 3>gam I wanted to talk about his excessive gambling. But

2:08:48.480 --> 2:08:51.160
<v Speaker 3>half a million dollars in like over the course of

2:08:51.360 --> 2:08:54.480
<v Speaker 3>just a couple of hours. It's like, are you just

2:08:54.640 --> 2:08:57.560
<v Speaker 3>showing off? Like I know you can dunk, but that's

2:08:57.600 --> 2:09:00.960
<v Speaker 3>how you feel about your mother. But it was just

2:09:01.000 --> 2:09:02.800
<v Speaker 3>weird to me to see that at that young age,

2:09:05.120 --> 2:09:06.840
<v Speaker 3>I could did so much with that money. So what

2:09:06.920 --> 2:09:10.760
<v Speaker 3>happened you try to try to. You know, he wasn't nigga,

2:09:10.760 --> 2:09:13.560
<v Speaker 3>stay away from us, get these niggas away from me.

2:09:13.560 --> 2:09:18.120
<v Speaker 3>I don't do niggas. I was like, he's right, that's

2:09:18.120 --> 2:09:21.320
<v Speaker 3>what his own story story.

2:09:23.320 --> 2:09:29.480
<v Speaker 5>Yeah, we won't shoes. Mine gave me some sign shoes.

2:09:31.440 --> 2:09:31.960
<v Speaker 5>I never won.

2:09:33.440 --> 2:09:34.840
<v Speaker 3>Mine is all hoop, It's all hoop.

2:09:35.520 --> 2:09:37.800
<v Speaker 2>It's just Michael Jordan's never won a playoff series without

2:09:37.800 --> 2:09:38.440
<v Speaker 2>Scottie Pippen.

2:09:38.840 --> 2:09:42.880
<v Speaker 17>Okay, like ever, you got the real sports ship. Like,

2:09:45.960 --> 2:09:48.680
<v Speaker 17>he's never won a fucking He's never got in the

2:09:48.840 --> 2:09:49.480
<v Speaker 17>first round.

2:09:50.000 --> 2:09:51.480
<v Speaker 5>You know, you see, I can see how you get.

2:09:54.480 --> 2:09:56.360
<v Speaker 3>He never got out the.

2:09:56.360 --> 2:09:59.200
<v Speaker 2>First round ever without Scotty Piper. Scotty Pippen was a

2:09:59.280 --> 2:10:04.640
<v Speaker 2>live away from championship. They won sixty some games. The

2:10:04.800 --> 2:10:06.240
<v Speaker 2>last year before he went retired.

2:10:06.440 --> 2:10:07.280
<v Speaker 5>What you got, you got something?

2:10:07.640 --> 2:10:10.360
<v Speaker 3>They won seventy two. No, you got to take off.

2:10:15.160 --> 2:10:17.480
<v Speaker 2>I'm talking about the year before he retired. They won

2:10:18.400 --> 2:10:22.320
<v Speaker 2>high fifties, late sixty games. Right, the year he retired,

2:10:22.440 --> 2:10:25.360
<v Speaker 2>Scottie Pippen wins fifty five games.

2:10:27.240 --> 2:10:32.000
<v Speaker 3>Scotty almost went to the finals. So we got.

2:10:33.920 --> 2:10:36.720
<v Speaker 5>Right right Game seven, bro like.

2:10:39.200 --> 2:10:41.680
<v Speaker 3>That, Scotty got shipped on legacy wise.

2:10:41.920 --> 2:10:43.280
<v Speaker 5>No, it has nothing to do with Pippen. This is

2:10:43.320 --> 2:10:45.680
<v Speaker 5>about saying, can we say that as well? No, I'm

2:10:45.720 --> 2:10:46.560
<v Speaker 5>just talking about.

2:10:46.360 --> 2:10:50.120
<v Speaker 2>Michael Jordan never winning a playoff series without that one guy,

2:10:51.400 --> 2:10:52.640
<v Speaker 2>and we can't say that about call.

2:10:52.760 --> 2:10:55.040
<v Speaker 5>That's why you said Kobe is the better. We did

2:10:55.080 --> 2:10:58.880
<v Speaker 5>it with Shy, then he did it with Luke Walton.

2:10:58.920 --> 2:11:02.240
<v Speaker 5>That did it matter who he was. I'm just saying, though,

2:11:02.560 --> 2:11:03.720
<v Speaker 5>these are the fast.

2:11:03.880 --> 2:11:05.120
<v Speaker 3>Kobe ain't doing fast.

2:11:06.400 --> 2:11:08.120
<v Speaker 5>Kobe bing never played with Lebron James.

2:11:09.440 --> 2:11:12.520
<v Speaker 2>This is the fact you are the smartest smart the

2:11:12.600 --> 2:11:14.320
<v Speaker 2>smartest tune in the talk.

2:11:15.800 --> 2:11:17.680
<v Speaker 3>You're the drill with the little screws.

2:11:19.200 --> 2:11:19.320
<v Speaker 6>Bro.

2:11:19.480 --> 2:11:22.240
<v Speaker 3>You are hey man having the sum Bro.

2:11:22.760 --> 2:11:22.840
<v Speaker 1>Bro.

2:11:25.120 --> 2:11:26.640
<v Speaker 3>Remember we're not talking about.

2:11:28.440 --> 2:11:29.760
<v Speaker 5>You know, six six.

2:11:31.440 --> 2:11:32.000
<v Speaker 2>One man.

2:11:32.800 --> 2:11:39.200
<v Speaker 5>What exceeds exceeds it's a great No.

2:11:39.640 --> 2:11:42.480
<v Speaker 2>No, I think Michael Michael Jordan has Michael Jordan.

2:11:42.400 --> 2:11:45.520
<v Speaker 5>Has better shoes. But that's the fact he has better

2:11:45.560 --> 2:11:50.200
<v Speaker 5>shoes for sure players, he has better show basketball.

2:11:50.200 --> 2:11:52.960
<v Speaker 2>But when it comes to that whole ship like like

2:11:53.080 --> 2:11:55.720
<v Speaker 2>twelfth Man on the on the twelfth Man first.

2:11:55.560 --> 2:11:57.920
<v Speaker 5>Ship about it, that's crazy, bro, think about it.

2:11:58.080 --> 2:12:00.800
<v Speaker 3>We're talking about that man and he's been for for

2:12:01.000 --> 2:12:04.520
<v Speaker 3>four years, right, Kobe, Yeah, right, what's the last two

2:12:04.600 --> 2:12:05.919
<v Speaker 3>years of this millennium?

2:12:06.600 --> 2:12:09.080
<v Speaker 2>Where are we living in? What year is this twenty four?

2:12:10.360 --> 2:12:11.280
<v Speaker 5>Mm hmmm, Uh.

2:12:12.920 --> 2:12:19.560
<v Speaker 2>Okay, it's simple Kobe here, Kobe, Yeah, we just gave me.

2:12:20.080 --> 2:12:21.600
<v Speaker 2>We're gonna leave that along, you know what I'm saying.

2:12:21.640 --> 2:12:23.760
<v Speaker 2>But I've talked to this conversation with a few people

2:12:23.800 --> 2:12:26.840
<v Speaker 2>and it's just like it's not that far as everybody

2:12:26.920 --> 2:12:29.440
<v Speaker 2>try to say it is, right, But.

2:12:29.520 --> 2:12:32.680
<v Speaker 5>Yeah, Kobe made it miss for all the little Lakers kids.

2:12:36.640 --> 2:12:41.440
<v Speaker 3>To test your head. I mean, shah.

2:12:46.880 --> 2:12:48.840
<v Speaker 12>Sure, you know.

2:12:50.840 --> 2:12:53.800
<v Speaker 3>Yeah, I don't want to take it.

2:12:53.960 --> 2:13:03.440
<v Speaker 1>Back of Elly or against the world, both of y'all.

2:13:03.640 --> 2:13:06.040
<v Speaker 1>Y I tried to like get cross out of it,

2:13:06.120 --> 2:13:08.200
<v Speaker 1>and look, both of y'all know, he.

2:13:08.240 --> 2:13:12.560
<v Speaker 3>Said, mcablly because it came after All Eyes on Me,

2:13:12.680 --> 2:13:15.680
<v Speaker 3>which was the album that I mixed a lot of,

2:13:16.720 --> 2:13:19.720
<v Speaker 3>not all of it. Then Doctor Dre mixed them fucking

2:13:20.280 --> 2:13:22.400
<v Speaker 3>you Can't see Me in California Love and sent that

2:13:22.480 --> 2:13:23.680
<v Speaker 3>ship into the front room and.

2:13:25.240 --> 2:13:26.760
<v Speaker 5>Made the speakers almost catch.

2:13:26.560 --> 2:13:29.160
<v Speaker 3>Your fire, niggas Doctor d B putting the speakers on fire.

2:13:30.680 --> 2:13:34.280
<v Speaker 2>Mcavelly Macabelly blast for me one of my favorite Tupop

2:13:34.360 --> 2:13:38.960
<v Speaker 2>songs ever. Ever, it's like horribly mixed. It's like it's

2:13:39.280 --> 2:13:43.040
<v Speaker 2>it's like ratchet, but it's like the vocals mcabelly. You're

2:13:43.040 --> 2:13:46.360
<v Speaker 2>talking about mcavelly, but blasphemy. The song number five, okay,

2:13:46.760 --> 2:13:49.320
<v Speaker 2>my favorite tupop song ever. I didn't mix it. That's

2:13:49.320 --> 2:13:52.520
<v Speaker 2>why it sucks. Mixed it, I don't know, it sucks

2:13:52.560 --> 2:13:59.320
<v Speaker 2>you crazy? She said, up, that's what you liked about it,

2:13:59.520 --> 2:14:03.000
<v Speaker 2>Like what I fucked with. You could tell it was

2:14:03.120 --> 2:14:05.720
<v Speaker 2>like you could tell it was just like that. Nigga

2:14:05.800 --> 2:14:08.480
<v Speaker 2>was really mad that day, and even if it was mixed,

2:14:08.520 --> 2:14:09.640
<v Speaker 2>he was just yelling.

2:14:10.000 --> 2:14:12.360
<v Speaker 5>See me, send me some of that record.

2:14:13.880 --> 2:14:14.440
<v Speaker 3>Playing right now.

2:14:16.760 --> 2:14:18.400
<v Speaker 5>Nobody got to take a piss on me every time.

2:14:18.480 --> 2:14:21.400
<v Speaker 5>Hey man, I'm too much into this ship. I can't

2:14:21.440 --> 2:14:22.040
<v Speaker 5>I can't move.

2:14:22.240 --> 2:14:23.680
<v Speaker 3>I can't move.

2:14:24.680 --> 2:14:27.320
<v Speaker 5>I can't move, and I'm trying to think of what

2:14:27.680 --> 2:14:28.280
<v Speaker 5>RECOGNI is.

2:14:29.560 --> 2:14:31.640
<v Speaker 3>You know about that when you.

2:14:31.680 --> 2:14:34.440
<v Speaker 1>Said back when I said, mcafello, you know what's fucked up.

2:14:35.280 --> 2:14:38.640
<v Speaker 1>I didn't know music by names at that time. I

2:14:38.800 --> 2:14:41.280
<v Speaker 1>was like, I'm like number seventeen, but number twelve.

2:14:41.320 --> 2:14:44.840
<v Speaker 5>So if you said number five, I'm thinking of the

2:14:44.920 --> 2:14:47.720
<v Speaker 5>number that was the CD era, So I'm thinking of

2:14:47.800 --> 2:14:52.360
<v Speaker 5>the number. So I'm like, like, that was fun up.

2:14:52.360 --> 2:14:56.120
<v Speaker 5>You remember that era that lets you know a number

2:14:56.200 --> 2:14:58.880
<v Speaker 5>five on your CD? I like how you call it

2:15:00.080 --> 2:15:01.000
<v Speaker 5>was that you don't remember?

2:15:01.040 --> 2:15:03.280
<v Speaker 2>That's the CD era, like the BA the base when

2:15:03.320 --> 2:15:07.160
<v Speaker 2>I dropping you here, don't start that that should just

2:15:07.240 --> 2:15:09.280
<v Speaker 2>like yo, y'all got it.

2:15:09.680 --> 2:15:11.200
<v Speaker 5>They say Jesus was a common man.

2:15:11.800 --> 2:15:14.640
<v Speaker 3>You understand the records sold three million units like that.

2:15:15.680 --> 2:15:18.120
<v Speaker 3>But the mix wasn't dope they needed. There was some

2:15:18.240 --> 2:15:19.000
<v Speaker 3>magic it needed.

2:15:19.080 --> 2:15:23.760
<v Speaker 2>Hey, I did listen Omars pure, It's happy, just another

2:15:23.880 --> 2:15:25.120
<v Speaker 2>jo God.

2:15:26.280 --> 2:15:33.760
<v Speaker 5>It's still should have been mixed. Mockers so much profits

2:15:34.160 --> 2:15:36.240
<v Speaker 5>that we even knew that mix was fucked up. Just

2:15:36.360 --> 2:15:38.480
<v Speaker 5>said it, yow.

2:15:38.160 --> 2:15:39.680
<v Speaker 2>Her was terrible.

2:15:40.200 --> 2:15:40.920
<v Speaker 5>It's terrible.

2:15:41.840 --> 2:15:42.680
<v Speaker 3>It's terrible.

2:15:42.960 --> 2:15:47.680
<v Speaker 5>I didn't even repeat that that was great. It was terrible.

2:15:47.840 --> 2:15:52.360
<v Speaker 5>Like the storted vocals speaking ship though he was talking bro.

2:15:52.600 --> 2:15:54.200
<v Speaker 5>It made it where I had to listen to the words.

2:15:54.400 --> 2:15:57.440
<v Speaker 3>Will produced that record. I think like one producer did

2:15:57.560 --> 2:16:00.240
<v Speaker 3>that project. He mixed it and produced a whole. Yeah,

2:16:00.440 --> 2:16:01.960
<v Speaker 3>it was hard to listen to out there. We just

2:16:02.000 --> 2:16:03.560
<v Speaker 3>did all that work on all lives on me. It

2:16:03.680 --> 2:16:06.160
<v Speaker 3>was like and he died too, he had listened to

2:16:06.360 --> 2:16:08.880
<v Speaker 3>what he did. It was like, don't die, just come

2:16:08.920 --> 2:16:12.080
<v Speaker 3>on vacation. It was the same stop working to get

2:16:12.120 --> 2:16:12.760
<v Speaker 3>himself to death.

2:16:13.000 --> 2:16:17.800
<v Speaker 2>Put some furniture in this mansion, you know, talking about Yeah,

2:16:18.360 --> 2:16:19.920
<v Speaker 2>I won't even be a homebody.

2:16:20.040 --> 2:16:23.480
<v Speaker 1>He said, that makes me I didn't understand you to

2:16:23.600 --> 2:16:26.960
<v Speaker 1>you and said it Marymo and then he said and

2:16:27.040 --> 2:16:29.840
<v Speaker 1>then I was like all right, cool. You know that

2:16:30.000 --> 2:16:40.560
<v Speaker 1>album was so disruptive like that, but it was dope.

2:16:40.640 --> 2:16:43.440
<v Speaker 1>So everyone still had to listen like like like I

2:16:43.600 --> 2:16:45.680
<v Speaker 1>know this, but Drake. I love Drake, but I know

2:16:45.840 --> 2:16:48.160
<v Speaker 1>he gotta like not like us too, Like I know

2:16:48.320 --> 2:16:49.960
<v Speaker 1>he gotta like it. It's like because it's just a

2:16:50.080 --> 2:16:53.280
<v Speaker 1>dope record. So even if somebody say that, like.

2:16:53.280 --> 2:16:56.039
<v Speaker 5>How you put that, like sometimes sits just dope. It's

2:16:56.080 --> 2:16:59.120
<v Speaker 5>just like yo, like you just said, like you going

2:16:59.200 --> 2:17:01.000
<v Speaker 5>at it like this, this is a line that you

2:17:01.160 --> 2:17:02.400
<v Speaker 5>like his that he said about you.

2:17:02.840 --> 2:17:03.840
<v Speaker 3>It's like it was the thing.

2:17:03.959 --> 2:17:06.160
<v Speaker 5>But that record was a high record, like he went

2:17:06.280 --> 2:17:07.480
<v Speaker 5>gold with that record.

2:17:08.120 --> 2:17:12.160
<v Speaker 3>This record against me. Yeah, yeah, he fucked me out.

2:17:12.520 --> 2:17:14.320
<v Speaker 3>I was in some random hood when I heard the

2:17:14.400 --> 2:17:15.560
<v Speaker 3>record too, Like somebody.

2:17:15.360 --> 2:17:21.840
<v Speaker 2>Said, ship I got I got eighteen rims look like

2:17:21.959 --> 2:17:22.720
<v Speaker 2>movie rules.

2:17:23.160 --> 2:17:27.200
<v Speaker 5>I'm flying easy bought me and I listened to this.

2:17:27.240 --> 2:17:30.280
<v Speaker 2>Nigga and fucking the i E an apartment building. This

2:17:30.360 --> 2:17:32.640
<v Speaker 2>nigga getting off on me and somebody's I'm listening to it.

2:17:32.720 --> 2:17:36.360
<v Speaker 3>I'm in the i E Hot Hottest fish greed, so

2:17:36.400 --> 2:17:38.560
<v Speaker 3>I'm like, this nigga is getting me again. I thought

2:17:38.640 --> 2:17:39.440
<v Speaker 3>we just talked.

2:17:41.400 --> 2:17:42.880
<v Speaker 5>I said, let's got this each other.

2:17:45.200 --> 2:17:47.240
<v Speaker 3>I wanted to fuck the Source magazine because they was

2:17:47.320 --> 2:17:50.080
<v Speaker 3>just eating off that ship all our beefs. So it's like, bro,

2:17:50.200 --> 2:17:52.080
<v Speaker 3>let's just get it, do a record together and just

2:17:52.120 --> 2:17:52.680
<v Speaker 3>fuck them up.

2:17:52.760 --> 2:17:53.440
<v Speaker 5>He was like SHEI.

2:17:54.040 --> 2:17:58.680
<v Speaker 3>I was like, but he had already finished this song,

2:17:58.800 --> 2:18:00.800
<v Speaker 3>so he couldn't tell me that because it would have

2:18:00.840 --> 2:18:03.280
<v Speaker 3>been irate dude, I don't know or whatever, like the

2:18:03.360 --> 2:18:05.760
<v Speaker 3>real ship. It was like it was but it's still dope.

2:18:06.000 --> 2:18:08.440
<v Speaker 3>But it ended up like the record came out. He

2:18:08.480 --> 2:18:10.600
<v Speaker 3>couldn't say that. He didn't already shoot at me. Just

2:18:10.680 --> 2:18:11.440
<v Speaker 3>bullet just hit me.

2:18:11.440 --> 2:18:13.039
<v Speaker 5>After he left right.

2:18:15.040 --> 2:18:18.880
<v Speaker 3>From like no Vascollino like that let me know it

2:18:19.040 --> 2:18:23.840
<v Speaker 3>was cool to be that was the record disrespectful. Yeah,

2:18:24.080 --> 2:18:30.400
<v Speaker 3>to be man to be, damn said, and he just

2:18:30.640 --> 2:18:32.360
<v Speaker 3>him all the way to the end when the record

2:18:32.400 --> 2:18:36.120
<v Speaker 3>goes off. Everything he's everybody when the record goes off.

2:18:37.360 --> 2:18:41.240
<v Speaker 5>Yeah, yeah, no vasline is the title of the record

2:18:41.360 --> 2:18:48.480
<v Speaker 5>is disrespectful. Yeah, you know you know that you can't

2:18:49.520 --> 2:18:55.840
<v Speaker 5>like with the white ass man. Yeah, And to see

2:18:55.920 --> 2:18:57.000
<v Speaker 5>them flip on each other.

2:18:57.560 --> 2:18:59.560
<v Speaker 2>That she was like, but they loved each other because

2:18:59.640 --> 2:19:02.880
<v Speaker 2>que ran into Easy in New York and he was

2:19:03.000 --> 2:19:04.640
<v Speaker 2>like his business.

2:19:04.680 --> 2:19:06.400
<v Speaker 5>You did what you have to do, and you said

2:19:06.400 --> 2:19:09.039
<v Speaker 5>he wanted to work with Dre for his solo project

2:19:09.080 --> 2:19:12.200
<v Speaker 5>and I just found that to hang Shockley and Keith

2:19:12.240 --> 2:19:16.560
<v Speaker 5>Shockley kind of publican in me the album.

2:19:16.600 --> 2:19:18.880
<v Speaker 2>But he did. Yeah, America's most want It just happened

2:19:18.920 --> 2:19:20.640
<v Speaker 2>to happen after that would have been and Dre.

2:19:20.800 --> 2:19:22.680
<v Speaker 5>He was looking for another producer, but he really wanted

2:19:22.760 --> 2:19:24.040
<v Speaker 5>Dre to produce it. Wow.

2:19:24.040 --> 2:19:26.160
<v Speaker 1>Imagine he would have been dissing them and still having

2:19:26.200 --> 2:19:26.760
<v Speaker 1>Dre producer.

2:19:27.040 --> 2:19:30.240
<v Speaker 5>No, no, he was missing him on that record.

2:19:31.480 --> 2:19:32.039
<v Speaker 3>Was a new chapter.

2:19:32.400 --> 2:19:34.840
<v Speaker 5>They came at him with the Bends.

2:19:34.440 --> 2:19:36.720
<v Speaker 3>One hundred miles and Run. It's called Ben Victor Arnold.

2:19:36.760 --> 2:19:37.920
<v Speaker 3>But it was a lot of ship. It was just

2:19:38.040 --> 2:19:39.960
<v Speaker 3>like you know now, it was full because the three

2:19:40.080 --> 2:19:42.080
<v Speaker 3>couldn't make it Like we watched that beef and hated

2:19:42.120 --> 2:19:44.160
<v Speaker 3>it the whole time. I was hanging out with Easy

2:19:44.200 --> 2:19:45.800
<v Speaker 3>while he was beef, and it was like, this is

2:19:45.879 --> 2:19:48.640
<v Speaker 3>weird because I just seen you, like fucking water the

2:19:48.680 --> 2:19:52.280
<v Speaker 3>Bush Club all just coom by. Everybody was chilling like nigga.

2:19:53.000 --> 2:19:55.080
<v Speaker 3>Everybody was there like all the n W A ran

2:19:55.120 --> 2:19:56.960
<v Speaker 3>Everybody wasn't exaggerated.

2:19:56.959 --> 2:19:59.840
<v Speaker 5>But Yellow was there, Drey was there, c was there.

2:20:00.200 --> 2:20:02.000
<v Speaker 3>Easy there do you think because it was the time

2:20:02.040 --> 2:20:05.240
<v Speaker 3>it took to get records out like they were like the.

2:20:07.760 --> 2:20:11.279
<v Speaker 5>Press final in the final, and then they have fixed

2:20:11.320 --> 2:20:13.640
<v Speaker 5>it by then. It's like one of the greatest conversations

2:20:13.680 --> 2:20:19.240
<v Speaker 5>on drinking all that stuffy white the white label was

2:20:19.280 --> 2:20:20.280
<v Speaker 5>the league bro.

2:20:20.920 --> 2:20:23.680
<v Speaker 3>So that same at least two months to get too much.

2:20:23.720 --> 2:20:24.199
<v Speaker 3>At least.

2:20:26.400 --> 2:20:30.960
<v Speaker 5>They got to keep week wants to be it still

2:20:31.000 --> 2:20:34.400
<v Speaker 5>been on because you still thought I.

2:20:34.480 --> 2:20:37.600
<v Speaker 1>Did that, But I did that was crazy because if

2:20:37.920 --> 2:20:38.520
<v Speaker 1>I want to tell you.

2:20:38.600 --> 2:20:41.280
<v Speaker 5>Like this, when we did L A l A.

2:20:43.000 --> 2:20:45.000
<v Speaker 3>As the answer to New York, New York, this is

2:20:45.080 --> 2:20:47.000
<v Speaker 3>the answer to the New York, New York. I drink that.

2:20:50.280 --> 2:20:53.520
<v Speaker 5>The only verse that even sounded remotely because we didn't

2:20:53.560 --> 2:20:54.040
<v Speaker 5>sound like this.

2:20:54.280 --> 2:20:54.800
<v Speaker 4>It wasn't this.

2:20:55.000 --> 2:20:56.240
<v Speaker 3>It was just it was like this.

2:20:56.520 --> 2:20:58.560
<v Speaker 5>I was like New York, New York, l A, l A.

2:20:58.720 --> 2:21:01.400
<v Speaker 1>But what I try to tell you is odgy was

2:21:02.000 --> 2:21:05.960
<v Speaker 1>his verse was the only verse that's referred to l A.

2:21:06.080 --> 2:21:08.000
<v Speaker 5>Like none of us said l A. And he said

2:21:08.360 --> 2:21:10.400
<v Speaker 5>the intro and the intro no, no, no, We just

2:21:10.560 --> 2:21:13.040
<v Speaker 5>copied them back because they like it was like it

2:21:13.160 --> 2:21:14.080
<v Speaker 5>was like, what's up, what's up?

2:21:14.720 --> 2:21:15.840
<v Speaker 3>What's up? What's up?

2:21:21.040 --> 2:21:23.480
<v Speaker 1>So there was nothing on this, but Prodigy said JFK

2:21:23.680 --> 2:21:27.640
<v Speaker 1>on our way to l A. And by the time

2:21:27.720 --> 2:21:31.160
<v Speaker 1>the record came out, Prodigy took the worst off and

2:21:31.280 --> 2:21:32.560
<v Speaker 1>he said he didn't want to be a part of

2:21:32.640 --> 2:21:34.520
<v Speaker 1>the record. And then when he didn't want to be

2:21:34.560 --> 2:21:35.959
<v Speaker 1>a part of the record, that's we hit him up

2:21:36.000 --> 2:21:37.440
<v Speaker 1>came out and he was like, I want to be

2:21:37.480 --> 2:21:38.320
<v Speaker 1>a part of the record again.

2:21:39.959 --> 2:21:44.360
<v Speaker 5>But it was it was that too much. Was the

2:21:44.480 --> 2:21:47.400
<v Speaker 5>only one who took his verse off. Man, he was

2:21:47.480 --> 2:21:51.360
<v Speaker 5>the only one that actually attacked think about it, because

2:21:51.840 --> 2:21:56.240
<v Speaker 5>but pack is hearing the original version. If I would

2:21:56.240 --> 2:21:57.880
<v Speaker 5>have waited it too much that we have now that

2:21:57.959 --> 2:22:02.200
<v Speaker 5>did you lost some translation would have never been they

2:22:02.200 --> 2:22:03.640
<v Speaker 5>would have been hit them up, but it wouldn't have

2:22:03.680 --> 2:22:06.400
<v Speaker 5>been disinvolved deep and it wouldn't have been dising nona.

2:22:06.560 --> 2:22:06.680
<v Speaker 2>Ye.

2:22:06.879 --> 2:22:09.800
<v Speaker 1>Yes, wouldn't be got fixed before the album came up.

2:22:10.320 --> 2:22:13.240
<v Speaker 5>Yes, yes, yeah. You know what I'm saying.

2:22:13.280 --> 2:22:15.840
<v Speaker 1>That's too much span and we're talking about That's why.

2:22:16.959 --> 2:22:18.760
<v Speaker 1>That's why I love your answer when I say analog

2:22:18.840 --> 2:22:23.280
<v Speaker 1>and digital, because I love analog for when it comes

2:22:23.320 --> 2:22:25.320
<v Speaker 1>to music, when it's coming in like in time, like

2:22:25.520 --> 2:22:28.240
<v Speaker 1>like if us doing a record, like if I get

2:22:28.280 --> 2:22:29.760
<v Speaker 1>a DJ quick beat, I.

2:22:29.760 --> 2:22:31.560
<v Speaker 5>Want to be a studio. You know what I'm saying.

2:22:31.959 --> 2:22:34.840
<v Speaker 5>But then I like, I like analog because sometimes you

2:22:34.920 --> 2:22:37.080
<v Speaker 5>gotta fix some ship or digital.

2:22:38.480 --> 2:22:41.520
<v Speaker 1>Excuse because sometimes you gotta fix some ship in real time.

2:22:42.080 --> 2:22:44.120
<v Speaker 1>So yeah, that's the funniest ship in the world. That's

2:22:44.160 --> 2:22:47.000
<v Speaker 1>what made the beef with with Dodd, and it's real

2:22:47.120 --> 2:22:51.480
<v Speaker 1>time utilizing the strategy.

2:22:53.560 --> 2:22:55.720
<v Speaker 5>Is coming out. I ain't gonna lie of different they

2:22:55.760 --> 2:22:57.840
<v Speaker 5>were kings of the Internet, because I ain't gonna lie

2:22:57.840 --> 2:22:57.920
<v Speaker 5>to you.

2:22:58.000 --> 2:23:01.080
<v Speaker 1>I was waking up every morning going downstair. I live

2:23:01.120 --> 2:23:02.800
<v Speaker 1>on a beachy that this doesn't matter, but I go

2:23:02.879 --> 2:23:05.240
<v Speaker 1>downstairs and I was drinking my little coffee.

2:23:04.959 --> 2:23:06.840
<v Speaker 5>And I'm like, which one has dropped the record down and.

2:23:06.879 --> 2:23:09.279
<v Speaker 1>Then we get downstairs by myself and just drinking coffee

2:23:09.280 --> 2:23:10.080
<v Speaker 1>and everybody.

2:23:09.800 --> 2:23:12.200
<v Speaker 6>Responding on Twitter in real time, the fans of the

2:23:12.440 --> 2:23:16.480
<v Speaker 6>people involved, like that's like it was mixtapes and it

2:23:16.600 --> 2:23:18.759
<v Speaker 6>was yet to respond on a magazine.

2:23:19.000 --> 2:23:22.800
<v Speaker 5>To record it, to get it mixed. Both of them

2:23:22.800 --> 2:23:24.560
<v Speaker 5>are King Internet. So that's the reason why.

2:23:24.920 --> 2:23:26.200
<v Speaker 1>I mean, I don't know if that was a word,

2:23:26.400 --> 2:23:29.280
<v Speaker 1>but yeah, but like they knew how to use the Internet.

2:23:29.400 --> 2:23:31.640
<v Speaker 5>So that's it was, like I said, this was the

2:23:31.680 --> 2:23:33.760
<v Speaker 5>biggest rap battle. You corrected me.

2:23:33.879 --> 2:23:36.039
<v Speaker 3>I said, King Internet.

2:23:36.160 --> 2:23:38.680
<v Speaker 1>We mean rap beat like a rap batrap. We don't

2:23:38.720 --> 2:23:41.520
<v Speaker 1>mean beat back on the street beat. And I've never

2:23:41.680 --> 2:23:45.000
<v Speaker 1>been anywhere in the world. And everyone was talking about

2:23:45.000 --> 2:23:45.320
<v Speaker 1>that ship.

2:23:45.480 --> 2:23:49.000
<v Speaker 6>But but but we got to go back to you

2:23:49.160 --> 2:23:50.720
<v Speaker 6>and m C eight. But I think is so dope

2:23:50.840 --> 2:23:54.160
<v Speaker 6>is that it was actually a real problem at one point.

2:23:54.560 --> 2:23:56.120
<v Speaker 6>And the most beautiful thing is that you guys are

2:23:56.120 --> 2:23:58.959
<v Speaker 6>both friends today and I think that's amazing and thank

2:23:59.000 --> 2:23:59.480
<v Speaker 6>God for that.

2:23:59.600 --> 2:23:59.720
<v Speaker 4>Man.

2:24:00.680 --> 2:24:08.640
<v Speaker 1>Right, Let's we all pray for Kendrick Lamar and Drakes

2:24:08.920 --> 2:24:11.240
<v Speaker 1>and Drake right now, things and like that as well,

2:24:11.800 --> 2:24:14.080
<v Speaker 1>you know what I'm saying, Like I think the great

2:24:14.160 --> 2:24:17.080
<v Speaker 1>greatest moment hip hop and seeing him and mc et

2:24:17.640 --> 2:24:21.199
<v Speaker 1>together great moments and hip hop, seeing you know, common

2:24:21.280 --> 2:24:22.560
<v Speaker 1>sense and we don't know.

2:24:22.600 --> 2:24:25.240
<v Speaker 5>There's different times, different ways of this all this.

2:24:25.360 --> 2:24:29.000
<v Speaker 2>Nigger got a lyric on our record? Okay, cool, we

2:24:29.080 --> 2:24:33.080
<v Speaker 2>got a record, a lyric on a troop of copper? Okay, shocky?

2:24:33.200 --> 2:24:36.680
<v Speaker 2>What's uh talk about? Independently speaking?

2:24:36.760 --> 2:24:42.600
<v Speaker 5>And because the right all the time, see each other

2:24:42.800 --> 2:24:43.480
<v Speaker 5>is still alive.

2:24:43.520 --> 2:24:48.480
<v Speaker 2>Start pretending with beef and plucky the way each other

2:24:48.600 --> 2:24:50.240
<v Speaker 2>in public, pretending.

2:24:50.879 --> 2:24:53.080
<v Speaker 5>That's not a beef. But we don't lost too many

2:24:53.120 --> 2:24:53.800
<v Speaker 5>people for real.

2:24:53.920 --> 2:24:56.680
<v Speaker 3>It's like to be like ship. You know what I'm saying.

2:24:56.720 --> 2:24:57.440
<v Speaker 3>We're just rapping.

2:24:58.320 --> 2:25:01.640
<v Speaker 2>It ain't deep, it's not it's not posted saying we're

2:25:01.680 --> 2:25:04.960
<v Speaker 2>not beefing. If we disagree publicly, we're not.

2:25:05.280 --> 2:25:05.520
<v Speaker 3>We're not.

2:25:06.040 --> 2:25:08.959
<v Speaker 2>I don't not like you personally, but I'm We're human.

2:25:09.000 --> 2:25:10.520
<v Speaker 2>I don't have to agree with everything you do.

2:25:10.760 --> 2:25:12.880
<v Speaker 5>Absolutely you have a beef for somebody on records, and

2:25:12.920 --> 2:25:13.400
<v Speaker 5>the great it is.

2:25:13.959 --> 2:25:16.160
<v Speaker 2>I mean, everybody's went through shit in this, you know

2:25:16.200 --> 2:25:19.400
<v Speaker 2>what I'm saying, But not no, because ain't nobody died

2:25:19.720 --> 2:25:22.039
<v Speaker 2>and I ain't send nobody after nobody, and nobody send

2:25:22.080 --> 2:25:25.040
<v Speaker 2>nobody after me. I've been in competition since I started,

2:25:25.480 --> 2:25:26.200
<v Speaker 2>you know what I'm saying.

2:25:26.280 --> 2:25:29.160
<v Speaker 3>But nah, hell no, I don't do that kind of stuff.

2:25:30.720 --> 2:25:32.600
<v Speaker 5>Do we feel we live in different times where there

2:25:32.640 --> 2:25:35.360
<v Speaker 5>are artists they they kill you.

2:25:35.680 --> 2:25:38.280
<v Speaker 3>I feel sorry. I ain't gonna say feel sorry. I

2:25:38.720 --> 2:25:46.960
<v Speaker 3>just don't agree with the the the danger on that

2:25:47.160 --> 2:25:49.920
<v Speaker 3>side of being a young artist in hip hop. I

2:25:49.959 --> 2:25:53.640
<v Speaker 3>don't agree with the how how mortal real. It's how

2:25:53.800 --> 2:25:57.199
<v Speaker 3>mortal it is. It's a fucking it should be fun.

2:25:57.440 --> 2:26:00.120
<v Speaker 3>Like are you not having fun in the form in

2:26:00.200 --> 2:26:03.200
<v Speaker 3>the years of your life? Like what's just like the

2:26:03.240 --> 2:26:06.240
<v Speaker 3>little kids that just got shot live? I can't here

2:26:06.240 --> 2:26:09.400
<v Speaker 3>in Florida, I'm not that's some bullshit. Like I got

2:26:09.520 --> 2:26:13.200
<v Speaker 3>kids right now that want to be they're young and

2:26:13.280 --> 2:26:15.400
<v Speaker 3>they want to die their hair like x x xiden

2:26:15.640 --> 2:26:17.320
<v Speaker 3>owned hear me?

2:26:18.360 --> 2:26:20.920
<v Speaker 5>Little kids like that, don't they want to relate to that.

2:26:21.160 --> 2:26:24.800
<v Speaker 5>They want o g almost because that's because.

2:26:24.840 --> 2:26:27.120
<v Speaker 2>To them, that's what they want to be. Like Like,

2:26:27.480 --> 2:26:30.320
<v Speaker 2>so you know, how do you martyr a hip hop artist?

2:26:30.400 --> 2:26:33.000
<v Speaker 2>Like stop that ship? That should never happened. So that's

2:26:33.360 --> 2:26:35.240
<v Speaker 2>for him too, bro, Like he was the first, like

2:26:35.680 --> 2:26:39.600
<v Speaker 2>red Flag guys like industry wide, he went.

2:26:39.480 --> 2:26:41.920
<v Speaker 5>Through a whole lot of ship. You know what I'm

2:26:41.959 --> 2:26:42.600
<v Speaker 5>saying as far.

2:26:42.520 --> 2:26:46.200
<v Speaker 3>I don't have PTSD, not ship, it's just what it is, man.

2:26:46.240 --> 2:26:49.199
<v Speaker 3>I mean, I'm you know, I wanted to be ems

2:26:49.280 --> 2:26:52.280
<v Speaker 3>for Christ's six, So I see. It's such another way.

2:26:52.320 --> 2:26:55.680
<v Speaker 5>You think social media that it's in real time and

2:26:55.800 --> 2:26:58.080
<v Speaker 5>that's are you kidding?

2:26:58.320 --> 2:27:01.240
<v Speaker 3>Like that's that's the drop a dot and send your

2:27:01.280 --> 2:27:02.360
<v Speaker 3>location so we can scrap.

2:27:02.480 --> 2:27:04.320
<v Speaker 5>That gives you too much time to do something negative.

2:27:04.320 --> 2:27:07.360
<v Speaker 3>It's like that's not right, you know, And why this

2:27:07.480 --> 2:27:10.160
<v Speaker 3>have to be the most mortal business that there is

2:27:10.280 --> 2:27:13.240
<v Speaker 3>when you know it's more dangerous than being a fucking

2:27:13.480 --> 2:27:17.120
<v Speaker 3>like a skyscraper builder, you know, motherfucker walking fucking I beams.

2:27:17.200 --> 2:27:19.200
<v Speaker 3>Just how can it be more dangerous than that when

2:27:19.200 --> 2:27:23.879
<v Speaker 3>it's a fun game. Exactly just music, Bro's just jams,

2:27:23.959 --> 2:27:26.280
<v Speaker 3>like exactly, make the party song, don't do the new

2:27:26.360 --> 2:27:29.200
<v Speaker 3>fifty cent this record and y'all let me put them up.

2:27:29.440 --> 2:27:30.960
<v Speaker 3>I'm a share this and I hope you all take

2:27:31.000 --> 2:27:33.960
<v Speaker 3>it to the young people out here and should the

2:27:34.000 --> 2:27:37.360
<v Speaker 3>camera directly if you want to be like an artist

2:27:37.440 --> 2:27:41.560
<v Speaker 3>in this music business and you want a nickname, don't

2:27:41.640 --> 2:27:44.040
<v Speaker 3>do like us. Don't put the word gangster in your

2:27:44.120 --> 2:27:46.360
<v Speaker 3>name because you're gonna have to answer to that.

2:27:46.440 --> 2:27:50.400
<v Speaker 5>Ship by the Street might not make it too long,

2:27:51.120 --> 2:27:51.840
<v Speaker 5>So don't don't.

2:27:51.879 --> 2:27:55.120
<v Speaker 3>Don't give yourself stupid nicknames like you know young did

2:27:55.200 --> 2:27:56.880
<v Speaker 3>one on one like you know what I'm saying like,

2:27:57.400 --> 2:27:59.720
<v Speaker 3>because it's gonna end up happening. Words become things. So

2:28:00.240 --> 2:28:03.600
<v Speaker 3>pick your all nicknames wisely and rock out. I'm DJ

2:28:03.800 --> 2:28:08.280
<v Speaker 3>Quick It's a good nickname. Jason Martin artist. Be an

2:28:08.360 --> 2:28:11.120
<v Speaker 3>artist for sure, But don't dish your homeboys, don't dis

2:28:11.200 --> 2:28:14.760
<v Speaker 3>the hood, don't put a dot on yourself. Don't become

2:28:14.800 --> 2:28:19.200
<v Speaker 3>a targets. That's it's counterintuitive. You want to live as

2:28:19.280 --> 2:28:21.240
<v Speaker 3>long as you want to be old. We ain't trendy,

2:28:21.320 --> 2:28:23.200
<v Speaker 3>but I'm old. Yeah, but you want to be able

2:28:23.240 --> 2:28:25.520
<v Speaker 3>to say that you got old too. That's how that works.

2:28:27.240 --> 2:28:33.320
<v Speaker 3>Stall that was all.

2:28:33.800 --> 2:28:36.480
<v Speaker 5>I'm still on quick song. Yes we are slow time

2:28:36.520 --> 2:28:39.840
<v Speaker 5>with Slime. That's beautiful. I love it. We got the

2:28:39.959 --> 2:28:40.720
<v Speaker 5>luxury right.

2:28:41.160 --> 2:28:43.800
<v Speaker 2>Oh ship brother fu they send it.

2:28:45.000 --> 2:28:48.680
<v Speaker 3>It's my motherfucker eyes sight is going all right?

2:28:49.000 --> 2:28:49.760
<v Speaker 5>Did we do NPC?

2:28:49.959 --> 2:28:50.119
<v Speaker 6>Yet?

2:28:52.000 --> 2:28:59.760
<v Speaker 5>We did it? NPC? Three thousand X or MPC three thousand, Yes, yeah,

2:29:02.040 --> 2:29:05.560
<v Speaker 5>two thousand, that's so yeah two thousand.

2:29:05.920 --> 2:29:07.680
<v Speaker 3>Uh, it's like.

2:29:09.520 --> 2:29:11.240
<v Speaker 5>The next one up is just it's kind of too

2:29:11.280 --> 2:29:11.840
<v Speaker 5>many options.

2:29:11.879 --> 2:29:13.800
<v Speaker 2>It takes away from when you actually get protuns and

2:29:13.800 --> 2:29:16.360
<v Speaker 2>you can't funk around too much. It's like when you're

2:29:16.400 --> 2:29:18.040
<v Speaker 2>touching the path you want to be at a like,

2:29:18.640 --> 2:29:20.760
<v Speaker 2>it's something about the real time on the touch that's

2:29:20.760 --> 2:29:23.440
<v Speaker 2>still there in the two thousand that's not there in

2:29:23.520 --> 2:29:24.160
<v Speaker 2>the one after that.

2:29:24.800 --> 2:29:26.480
<v Speaker 5>Like I like that joint that dam use, I don't

2:29:26.480 --> 2:29:26.960
<v Speaker 5>know what that is.

2:29:27.440 --> 2:29:28.840
<v Speaker 3>That's a lie. That's the NPC.

2:29:29.280 --> 2:29:30.600
<v Speaker 5>Yeah, that's probably the closest.

2:29:30.640 --> 2:29:32.879
<v Speaker 2>But if you like really a doubt in in the NPC,

2:29:33.480 --> 2:29:38.280
<v Speaker 2>it's something about that one that still kind of holds. Yeah,

2:29:38.480 --> 2:29:40.720
<v Speaker 2>Like yeah, cat he still pull that joint out. Like

2:29:40.800 --> 2:29:42.880
<v Speaker 2>the ones that like really know how to like touch it,

2:29:44.440 --> 2:29:46.120
<v Speaker 2>they ain't mimic that right there yet, you know what

2:29:46.120 --> 2:29:49.320
<v Speaker 2>I'm saying. That was the last one good I heard that.

2:29:49.879 --> 2:29:51.000
<v Speaker 5>It's my turn here.

2:29:51.840 --> 2:29:55.680
<v Speaker 3>Shout out to Jackie o'donnald CEO of a Kai Electronics.

2:29:59.120 --> 2:30:02.560
<v Speaker 3>Ind it's always class. That's why you just sitting list and.

2:30:02.640 --> 2:30:03.440
<v Speaker 5>Get the message.

2:30:04.560 --> 2:30:11.080
<v Speaker 3>Yo, shout out to doctor Roger Lynn oh shit, for

2:30:11.280 --> 2:30:15.119
<v Speaker 3>making the NPC three thousand. Shout out to Jackie o'donald

2:30:15.440 --> 2:30:21.840
<v Speaker 3>for letting me help design the NPC Renaissance. I was

2:30:21.879 --> 2:30:24.279
<v Speaker 3>a part of the beta testing team for that machine.

2:30:24.920 --> 2:30:27.959
<v Speaker 3>So it was Teddy Riley we helped build the Renaissance,

2:30:28.120 --> 2:30:30.920
<v Speaker 3>and we wanted it to be just like the NPC

2:30:31.080 --> 2:30:34.039
<v Speaker 3>three thousand, because it already was a two thousand, because

2:30:34.080 --> 2:30:36.280
<v Speaker 3>it was digital well as we say, it was a

2:30:36.400 --> 2:30:39.320
<v Speaker 3>sound card. You couldn't put anything, and it wasn't stand alone.

2:30:39.760 --> 2:30:42.440
<v Speaker 3>And we also made it sound like the SE twelve hundred,

2:30:42.720 --> 2:30:45.680
<v Speaker 3>the pushbow button, and it had real time cues like

2:30:46.280 --> 2:30:48.480
<v Speaker 3>you can do all your edits just right on the

2:30:48.520 --> 2:30:52.040
<v Speaker 3>fly time stretching already, and now you can upgrade it

2:30:52.120 --> 2:30:53.080
<v Speaker 3>to stems if you want.

2:30:53.680 --> 2:30:56.920
<v Speaker 5>But the three thousand, I whoop.

2:30:56.720 --> 2:30:59.320
<v Speaker 3>Niggas ask in the dark with that motherfucker, I mean

2:30:59.680 --> 2:31:02.680
<v Speaker 3>in the club came off that motherfucker safe in sound

2:31:02.920 --> 2:31:07.520
<v Speaker 3>way too funky, All eyes on me, fucking Janet Jackson's record,

2:31:07.800 --> 2:31:13.840
<v Speaker 3>fucking oh my god, Donard's is this fucking wait?

2:31:14.240 --> 2:31:21.440
<v Speaker 5>Hold on, Whitney Houston, Devik Cox, Tony, Tony, Tony, Let's.

2:31:21.240 --> 2:31:26.640
<v Speaker 3>Get down r Kelly home Along, hold on, hold on,

2:31:26.760 --> 2:31:29.360
<v Speaker 3>There's more, and wait, there's more, there's more.

2:31:30.080 --> 2:31:33.840
<v Speaker 5>Oh my god, Sugar Freeze album.

2:31:34.360 --> 2:31:36.360
<v Speaker 3>Uh, the thing I did for Jermaine Dupree on the

2:31:36.400 --> 2:31:38.200
<v Speaker 3>fucking Life of fourteen seventy one album.

2:31:39.400 --> 2:31:44.000
<v Speaker 5>God damn it, all these what else.

2:31:46.680 --> 2:31:53.880
<v Speaker 3>Fucking Snoop Dogg, Warren G moss Burg, fucking all the

2:31:54.000 --> 2:31:59.040
<v Speaker 3>soundtrack ships, all the fucking what I do? How to

2:31:59.080 --> 2:32:02.800
<v Speaker 3>be a player minister Society? All that ship came off

2:32:02.800 --> 2:32:07.400
<v Speaker 3>the dumbass drum machine, bro Renaissance, the three thousand. The

2:32:07.440 --> 2:32:10.920
<v Speaker 3>Renaissance is the one design. The Renaissance is like, what

2:32:11.120 --> 2:32:16.560
<v Speaker 3>was your first machine? It was a six oh six

2:32:16.680 --> 2:32:20.600
<v Speaker 3>two R six oh six by Rolling Boat. What's their

2:32:20.600 --> 2:32:26.080
<v Speaker 3>little subsidiary name, the little Boss Boss? I had a

2:32:26.120 --> 2:32:29.400
<v Speaker 3>Boss t R six oh six in nineteen eighty five. Nope,

2:32:29.560 --> 2:32:32.840
<v Speaker 3>but I also had access to a Lendrom. Uh, the

2:32:32.920 --> 2:32:35.440
<v Speaker 3>same one that Press used in nineteen ninety four at

2:32:35.480 --> 2:32:36.440
<v Speaker 3>the studio in Hollywood.

2:32:36.520 --> 2:32:42.600
<v Speaker 5>In nineteen eighty four, studio in Hollywood. What is itv

2:32:42.879 --> 2:32:44.200
<v Speaker 5>or nev or Avalon?

2:32:45.600 --> 2:32:50.359
<v Speaker 3>You just asked, yeah, yeah, nev Well, I had Avalon

2:32:50.400 --> 2:32:53.000
<v Speaker 3>BT seven thirty seven s P and they they're dope.

2:32:53.080 --> 2:32:55.240
<v Speaker 3>They just the chows go out and they're kind of

2:32:55.360 --> 2:32:59.200
<v Speaker 3>sometimes fussy to get choose for him, Neive Rupert Neve

2:32:59.360 --> 2:33:01.320
<v Speaker 3>was on the greatest electronic designers ever.

2:33:01.440 --> 2:33:01.520
<v Speaker 6>Bro.

2:33:02.160 --> 2:33:04.720
<v Speaker 3>His slew rates on his motherfucking ns in seventy three

2:33:04.800 --> 2:33:08.720
<v Speaker 3>yard to be admired. He's the reason that Nirvana's records sound.

2:33:08.600 --> 2:33:09.680
<v Speaker 5>Like that forever in the day.

2:33:10.120 --> 2:33:12.600
<v Speaker 3>Neve is the ship, and that's the preamp set we

2:33:12.760 --> 2:33:16.080
<v Speaker 3>use for this Trooper Cobo album. I used eve Wow

2:33:17.400 --> 2:33:22.280
<v Speaker 3>before digital Art, before the Apollo, before the interface. I

2:33:22.400 --> 2:33:24.439
<v Speaker 3>used it before that, Like I get the sound outside

2:33:25.400 --> 2:33:29.000
<v Speaker 3>and it's a fucking IO one focus right. Preamp is

2:33:29.360 --> 2:33:33.480
<v Speaker 3>a fucking Celine Dion. Need that motherfucker she stopped being

2:33:33.520 --> 2:33:34.360
<v Speaker 3>stiff on that bitch.

2:33:38.160 --> 2:33:38.200
<v Speaker 6>What.

2:33:38.600 --> 2:33:39.800
<v Speaker 3>I wasn't a joker.

2:33:40.879 --> 2:33:44.480
<v Speaker 5>Producing and rapping both, y'all. I asked him that. Yeah,

2:33:45.000 --> 2:33:47.200
<v Speaker 5>I didn't ask you that. I don't think you answered it.

2:33:47.280 --> 2:33:49.320
<v Speaker 3>I asked him that already, because you are a producer, Bro,

2:33:49.400 --> 2:33:56.640
<v Speaker 3>and we need you as a producer, so bang, go ahead, bang, Like.

2:33:57.360 --> 2:34:01.320
<v Speaker 2>I started as a producer, But I don't know, man,

2:34:01.360 --> 2:34:02.920
<v Speaker 2>It's something about that stage, Bro.

2:34:04.200 --> 2:34:09.000
<v Speaker 11>It's intoxicated about he was gonna say producer and it

2:34:09.120 --> 2:34:12.320
<v Speaker 11>almost stay rapper because I think because like, if I

2:34:12.400 --> 2:34:14.840
<v Speaker 11>can be a rapper, why he produces, I can be

2:34:14.959 --> 2:34:16.600
<v Speaker 11>my best version of a rapper.

2:34:17.200 --> 2:34:19.760
<v Speaker 2>Like if I'm just if I'm a rapper and the

2:34:19.879 --> 2:34:23.439
<v Speaker 2>producer isn't producing me, then I have to become the producer.

2:34:23.760 --> 2:34:26.080
<v Speaker 5>Then I can't be my best version of a rapper.

2:34:26.959 --> 2:34:27.640
<v Speaker 3>You know what I'm saying.

2:34:27.760 --> 2:34:31.000
<v Speaker 2>Like, so this project Rose Krantz is where I sound

2:34:31.080 --> 2:34:34.600
<v Speaker 2>the best in my whole career because I didn't have

2:34:34.720 --> 2:34:38.600
<v Speaker 2>to like like I think, push like to I.

2:34:38.600 --> 2:34:39.240
<v Speaker 3>Gotta make the beat.

2:34:39.240 --> 2:34:40.000
<v Speaker 5>I gotta mix the beat.

2:34:40.040 --> 2:34:42.080
<v Speaker 2>I gotta think of how the video gonna look, what

2:34:42.120 --> 2:34:44.280
<v Speaker 2>I'm gonna wear, all of this ship that you have

2:34:44.400 --> 2:34:47.320
<v Speaker 2>to do when you are independent artist. So with this

2:34:47.720 --> 2:34:49.640
<v Speaker 2>I can literally just be like all right, he can

2:34:49.720 --> 2:34:51.040
<v Speaker 2>eat forty and just tell me where to go.

2:34:53.520 --> 2:34:54.840
<v Speaker 5>I'm my best in that.

2:34:55.120 --> 2:35:00.200
<v Speaker 2>So I would say rapper or rapper for sure got

2:35:00.200 --> 2:35:02.440
<v Speaker 2>in New York. Well then if you're gonna do that

2:35:02.959 --> 2:35:04.800
<v Speaker 2>right here on drink chance was just the starting the

2:35:04.879 --> 2:35:06.640
<v Speaker 2>group one d m C.

2:35:09.240 --> 2:35:09.640
<v Speaker 3>I love it.

2:35:09.760 --> 2:35:18.760
<v Speaker 5>This nigga right here, how did you come up with you?

2:35:18.879 --> 2:35:24.360
<v Speaker 5>For Cobra? This guy that's just finished, so shout out

2:35:24.440 --> 2:35:27.760
<v Speaker 5>to good luck forming on his bad luck.

2:35:28.440 --> 2:35:30.960
<v Speaker 2>My partner Ron, we used to just play around like

2:35:31.040 --> 2:35:33.240
<v Speaker 2>we'll be riding on road trips or whatever. I be like, yeah,

2:35:33.240 --> 2:35:38.320
<v Speaker 2>I've seen four tube of covers in my life. To him,

2:35:39.320 --> 2:35:41.280
<v Speaker 2>he was like, man, shot the funk. I'm like, yeah,

2:35:41.280 --> 2:35:41.680
<v Speaker 2>he time you.

2:35:41.680 --> 2:35:43.800
<v Speaker 5>Go down and dry day, like right here and right here.

2:35:44.320 --> 2:35:47.720
<v Speaker 5>So that was just a joke in l A. Right,

2:35:47.800 --> 2:35:50.840
<v Speaker 5>it was a joke. We're going through. I've heard of

2:35:51.240 --> 2:35:55.920
<v Speaker 5>gablas in places, but I don't know l A popular one.

2:35:56.320 --> 2:35:59.680
<v Speaker 2>I say, what it did was make He went and

2:35:59.720 --> 2:36:01.520
<v Speaker 2>did his homework on what it was, and then I

2:36:01.680 --> 2:36:04.040
<v Speaker 2>told him so I always just like, man, I should

2:36:04.120 --> 2:36:07.320
<v Speaker 2>call something that either a shirt, some like a beverage

2:36:07.520 --> 2:36:09.600
<v Speaker 2>or whatever. We just had the name wrote down. So

2:36:09.720 --> 2:36:12.600
<v Speaker 2>then when we were doing the project, bro, what the

2:36:12.800 --> 2:36:14.160
<v Speaker 2>we're gonna call this ship? You know what I'm saying.

2:36:14.200 --> 2:36:17.600
<v Speaker 2>So I'm thinking, I'm like, oh, the one thing that

2:36:17.720 --> 2:36:18.959
<v Speaker 2>all the goats are afraid of.

2:36:20.400 --> 2:36:29.440
<v Speaker 5>The ghost, they also the cows and all that other.

2:36:33.080 --> 2:36:36.720
<v Speaker 3>So so it was more so like again like we've

2:36:36.800 --> 2:36:38.039
<v Speaker 3>been like the guys that.

2:36:39.560 --> 2:36:41.720
<v Speaker 2>Been in the studio that handles the tech part of it,

2:36:41.879 --> 2:36:44.199
<v Speaker 2>are the other stuff of it. You know what I'm saying,

2:36:44.240 --> 2:36:46.520
<v Speaker 2>The idea handles the you know what I'm saying that

2:36:47.160 --> 2:36:51.480
<v Speaker 2>the the thought leaders with other people. So it's like, well,

2:36:51.840 --> 2:36:54.200
<v Speaker 2>it's like, well, ship man, let's get all the trouper

2:36:54.240 --> 2:36:56.560
<v Speaker 2>covers together and like let's just put out a project.

2:36:58.400 --> 2:37:00.200
<v Speaker 5>So this is no slight to like who you your

2:37:00.240 --> 2:37:02.560
<v Speaker 5>goat is. But that was the play of it.

2:37:04.040 --> 2:37:06.800
<v Speaker 2>The one guys that all the goals are very aware

2:37:06.879 --> 2:37:10.000
<v Speaker 2>of when it comes to that studio, and I think

2:37:10.400 --> 2:37:14.760
<v Speaker 2>that's where we like bonded at, you know what I'm saying.

2:37:14.879 --> 2:37:16.600
<v Speaker 5>So that that was it, and it was like, you know,

2:37:16.680 --> 2:37:19.600
<v Speaker 5>get with it's cruel, it's kind of like branded out.

2:37:20.240 --> 2:37:21.520
<v Speaker 2>But yeah, that.

2:37:23.600 --> 2:37:27.880
<v Speaker 5>Was a great breaking. I never thought that ethern Okay,

2:37:28.040 --> 2:37:36.280
<v Speaker 5>I thought it was because quick being Dominican public, the

2:37:36.480 --> 2:37:37.879
<v Speaker 5>fucking candle.

2:37:40.320 --> 2:37:46.760
<v Speaker 1>Want holy ship. Okay, you know what we're gonna show this.

2:37:48.360 --> 2:37:49.960
<v Speaker 1>This is for both of y'all. This is what we

2:37:50.120 --> 2:37:53.000
<v Speaker 1>asked to everybody. And I'm not going to leave the witness,

2:37:53.800 --> 2:37:55.720
<v Speaker 1>leave the witness. Loyalty or respect.

2:37:59.080 --> 2:38:07.880
<v Speaker 3>Wow, well on mine, I haven't been devoid of loyalty.

2:38:08.440 --> 2:38:13.720
<v Speaker 3>I want my respect. Loyalty is fleeting both can change

2:38:13.720 --> 2:38:16.360
<v Speaker 3>over you overnight, even though you ain't get up to

2:38:17.800 --> 2:38:19.800
<v Speaker 3>be putting a different pair of pants on because somebody

2:38:19.920 --> 2:38:23.760
<v Speaker 3>sold you out. Respect me, I got mine on all

2:38:23.840 --> 2:38:24.880
<v Speaker 3>you suckers, right.

2:38:27.040 --> 2:38:29.840
<v Speaker 2>My thing is like, if you respect me, you loyal

2:38:29.959 --> 2:38:32.520
<v Speaker 2>to me, and if you love to me, it's because

2:38:32.560 --> 2:38:35.840
<v Speaker 2>you respect me. So they kind of go hand in hand.

2:38:37.400 --> 2:38:40.039
<v Speaker 2>I think one without the others still fake.

2:38:41.120 --> 2:38:43.240
<v Speaker 5>I agree with you, I don't. I don't really, I

2:38:43.320 --> 2:38:43.600
<v Speaker 5>don't know.

2:38:43.760 --> 2:38:44.280
<v Speaker 3>You know what I'm saying.

2:38:44.280 --> 2:38:46.560
<v Speaker 2>Those are kind of like them are kissing cousins. At

2:38:46.600 --> 2:38:49.360
<v Speaker 2>the end of the day, they got it. They both

2:38:49.400 --> 2:38:51.240
<v Speaker 2>got to be there or I'm shripping.

2:38:51.440 --> 2:38:54.680
<v Speaker 5>I'm taking a shot for that exactly how we always

2:38:54.720 --> 2:38:57.520
<v Speaker 5>want both. We always want both on that one. Well,

2:38:58.320 --> 2:38:59.400
<v Speaker 5>why we gotta choose.

2:39:03.840 --> 2:39:10.480
<v Speaker 3>Yu ching up? Yeah, I'm scared of this.

2:39:10.560 --> 2:39:12.920
<v Speaker 5>Hash joint more bro Oh yeah, I hate it.

2:39:13.000 --> 2:39:14.840
<v Speaker 3>And I'm like, oh, okay, we're not playing.

2:39:15.440 --> 2:39:18.879
<v Speaker 5>Let's talk about you better better watch yourself.

2:39:20.240 --> 2:39:20.520
<v Speaker 3>Hard.

2:39:20.879 --> 2:39:21.160
<v Speaker 5>What's that.

2:39:23.240 --> 2:39:23.920
<v Speaker 14>That dead?

2:39:24.360 --> 2:39:26.680
<v Speaker 1>Let's talk about what was going through your mind, what

2:39:26.800 --> 2:39:28.600
<v Speaker 1>you're doing to make that man?

2:39:28.680 --> 2:39:33.160
<v Speaker 2>At the time, my career was in this crazy spot.

2:39:33.600 --> 2:39:36.400
<v Speaker 2>I'm like, okay, I got to draw the line. Somewhere

2:39:36.840 --> 2:39:38.160
<v Speaker 2>and just kind of let people know, you know what

2:39:38.160 --> 2:39:40.160
<v Speaker 2>I'm saying, just watch yourself when it comes to when

2:39:40.160 --> 2:39:42.840
<v Speaker 2>you're speaking on me, talking about me or talking for me.

2:39:44.600 --> 2:39:48.000
<v Speaker 2>And then I wanted to like show that my beat

2:39:48.040 --> 2:39:49.640
<v Speaker 2>making skills were up to part two.

2:39:50.840 --> 2:39:52.960
<v Speaker 5>So you know, I want to be one hundred on

2:39:53.040 --> 2:39:54.279
<v Speaker 5>this whole thing reading.

2:39:54.120 --> 2:39:54.960
<v Speaker 3>Produced by me.

2:39:55.160 --> 2:39:57.840
<v Speaker 2>So I'm just in the studio one day, banging out.

2:39:57.879 --> 2:40:01.360
<v Speaker 2>And that was just the attitude I was on, like, bro, man,

2:40:01.480 --> 2:40:04.600
<v Speaker 2>I am not playing. Just watch yourself when it comes

2:40:04.640 --> 2:40:07.080
<v Speaker 2>to all of that, just so it don't tiptoe into

2:40:07.160 --> 2:40:09.920
<v Speaker 2>some places it could be m So that was the message.

2:40:10.440 --> 2:40:14.280
<v Speaker 3>Yeah, talk about those girls. When you produced it for

2:40:14.360 --> 2:40:17.560
<v Speaker 3>Snoop Man, that shit was fun. That was Teddy Riley,

2:40:18.800 --> 2:40:24.280
<v Speaker 3>myself and uh my uh bass player. His name is

2:40:24.400 --> 2:40:28.600
<v Speaker 3>COMS co producer Teddy Eric Coombs. Yeah, we did that

2:40:28.720 --> 2:40:31.880
<v Speaker 3>together for Ego Tripping Wow, and uh Teddy was just

2:40:31.959 --> 2:40:34.600
<v Speaker 3>in there. Teddy and man, it's like he's such ab

2:40:35.120 --> 2:40:38.600
<v Speaker 3>you don't understand this. Motherfuckers bad as fun, this nigga

2:40:38.640 --> 2:40:41.600
<v Speaker 3>being there with all the new technology technology he had,

2:40:41.680 --> 2:40:44.560
<v Speaker 3>like the Nicos, the little Nico keyboard where the computer

2:40:44.720 --> 2:40:47.720
<v Speaker 3>was on it and the synthesized like the.

2:40:48.160 --> 2:40:53.760
<v Speaker 2>Coirty keyboard thing built around him in the like it

2:40:53.879 --> 2:40:56.240
<v Speaker 2>was like he was stepped in two.

2:40:56.800 --> 2:40:58.960
<v Speaker 5>Yeah, live into the little podiums like it was like

2:40:59.040 --> 2:41:01.560
<v Speaker 5>a pod. He made the look he became the machine.

2:41:02.240 --> 2:41:02.400
<v Speaker 4>Yeah.

2:41:02.440 --> 2:41:04.520
<v Speaker 3>He was definitely iron Man before it was popular, and

2:41:04.840 --> 2:41:09.039
<v Speaker 3>so he he wanted we had to change the music

2:41:09.120 --> 2:41:13.520
<v Speaker 3>because the original was a sample of nobody gets too

2:41:13.560 --> 2:41:16.400
<v Speaker 3>Much Heaven by the Beg's you know what I mean,

2:41:17.600 --> 2:41:20.119
<v Speaker 3>got a lot of love and sun but we couldn't

2:41:20.160 --> 2:41:22.600
<v Speaker 3>clear it. They was like no, but they had let

2:41:22.680 --> 2:41:25.400
<v Speaker 3>him use love you inside out. That's crazy because they

2:41:25.480 --> 2:41:26.080
<v Speaker 3>care so much.

2:41:26.120 --> 2:41:26.320
<v Speaker 2>Ship.

2:41:27.800 --> 2:41:31.120
<v Speaker 3>They let him clear that one, but they in my life,

2:41:31.640 --> 2:41:35.440
<v Speaker 3>they weren't having it. That's the baby baby, the dollar baby.

2:41:35.840 --> 2:41:38.840
<v Speaker 5>So Snoop was like, hey, because they didn't clear the

2:41:38.879 --> 2:41:40.880
<v Speaker 5>motherfucking sample, quick wat you'll do that ship over.

2:41:41.440 --> 2:41:42.320
<v Speaker 3>So we just did it over.

2:41:50.080 --> 2:41:52.280
<v Speaker 5>But we just did you know those girls, we had

2:41:53.320 --> 2:41:56.360
<v Speaker 5>those girls. We just cut it all up. That was

2:41:57.440 --> 2:42:05.240
<v Speaker 5>that's uh, that's Frost sign producer was Scoop to scoop

2:42:06.640 --> 2:42:09.800
<v Speaker 5>Ego trip album was fire. You know that school? Do

2:42:09.840 --> 2:42:11.720
<v Speaker 5>you know that Scoop on Women Wet and Weather.

2:42:12.120 --> 2:42:15.119
<v Speaker 3>I didn't know that he's going crazy.

2:42:17.600 --> 2:42:17.800
<v Speaker 2>We did.

2:42:17.879 --> 2:42:18.480
<v Speaker 5>I want to rock.

2:42:18.640 --> 2:42:18.840
<v Speaker 3>He did.

2:42:19.200 --> 2:42:21.920
<v Speaker 5>I got a record with School. He's dope man fire.

2:42:22.000 --> 2:42:22.879
<v Speaker 3>That's my nephew. Bro.

2:42:24.000 --> 2:42:26.520
<v Speaker 5>He we mixed what I mixed for him. I mixed

2:42:26.879 --> 2:42:27.560
<v Speaker 5>life for the party.

2:42:28.680 --> 2:42:30.320
<v Speaker 3>Oh mister fab and too Short.

2:42:32.120 --> 2:42:34.360
<v Speaker 5>Scoop we met.

2:42:34.440 --> 2:42:36.520
<v Speaker 3>We actually bought it on Ego Tripp and that was

2:42:36.680 --> 2:42:38.080
<v Speaker 3>our yeah, nex.

2:42:38.120 --> 2:42:40.960
<v Speaker 5>Month hanging thing. That's what this dude, I'm like, brought

2:42:41.000 --> 2:42:43.959
<v Speaker 5>me what she was helped right, you know, I don't

2:42:44.000 --> 2:42:46.920
<v Speaker 5>want to say right because that's like living that project.

2:42:47.280 --> 2:42:50.400
<v Speaker 3>Yeah, Snoop was just well, I want to say. We

2:42:50.440 --> 2:42:51.120
<v Speaker 3>would collaborate.

2:42:51.160 --> 2:42:53.560
<v Speaker 2>He would tell me what the words and how he

2:42:53.680 --> 2:42:54.760
<v Speaker 2>wanted it to be and all that.

2:42:54.840 --> 2:42:56.920
<v Speaker 5>And I was like a young new guy and was like,

2:42:57.440 --> 2:43:01.920
<v Speaker 5>I hear like this cold what I'm saying. This nigga

2:43:02.040 --> 2:43:02.520
<v Speaker 5>was writing this.

2:43:02.800 --> 2:43:02.879
<v Speaker 6>Bro.

2:43:03.040 --> 2:43:04.040
<v Speaker 5>You are dope ass writer.

2:43:04.160 --> 2:43:04.879
<v Speaker 3>Bro, I appreciate.

2:43:04.920 --> 2:43:06.680
<v Speaker 5>I love seeing you do that. Ship, My nigga, you

2:43:07.000 --> 2:43:07.879
<v Speaker 5>made me sharpening my ship.

2:43:07.920 --> 2:43:09.080
<v Speaker 3>I was in there sharpening my ship.

2:43:14.040 --> 2:43:15.440
<v Speaker 5>Blood it is I paid.

2:43:15.520 --> 2:43:18.800
<v Speaker 3>I play dirty because I don't always I waste time

2:43:18.840 --> 2:43:20.200
<v Speaker 3>getting dressed to go to a studio.

2:43:20.560 --> 2:43:23.119
<v Speaker 5>So if I just turned my house into a studio.

2:43:23.520 --> 2:43:25.240
<v Speaker 3>I can come straight out of the shower niggas and

2:43:25.360 --> 2:43:27.240
<v Speaker 3>Jordan's shorts and tear your ass.

2:43:27.879 --> 2:43:33.240
<v Speaker 5>I used to do it. Just bullshit.

2:43:33.520 --> 2:43:35.440
<v Speaker 3>You done got a call from somebody you like, you know,

2:43:35.560 --> 2:43:37.800
<v Speaker 3>fuck your whole mood up. It's like, bro, like it's

2:43:37.879 --> 2:43:39.920
<v Speaker 3>just but I go in there and listen to what

2:43:40.000 --> 2:43:42.440
<v Speaker 3>he left last night and just jump on him without

2:43:42.480 --> 2:43:45.720
<v Speaker 3>all the editing and let me get composed.

2:43:45.760 --> 2:43:47.720
<v Speaker 5>You know, eighty tracks or takes to one.

2:43:48.000 --> 2:43:50.440
<v Speaker 3>No, I'm trying to hang to thee these guys because

2:43:50.760 --> 2:43:51.680
<v Speaker 3>these niggas are there.

2:43:52.000 --> 2:43:55.080
<v Speaker 5>I'm then this is now right? Quiet?

2:43:55.360 --> 2:44:01.000
<v Speaker 6>Wow, we can't and it's fucked up because we were.

2:44:01.080 --> 2:44:03.160
<v Speaker 6>We told young m we would call him to ask

2:44:03.240 --> 2:44:05.840
<v Speaker 6>you the question you because he beat me on, motherfucker.

2:44:07.480 --> 2:44:13.080
<v Speaker 3>No, no, he beat me on, motherfucking What was Anne's

2:44:13.240 --> 2:44:16.560
<v Speaker 3>show called the Weakest Link? He said he didn't hit

2:44:16.640 --> 2:44:19.959
<v Speaker 3>my version of and I lost because I mispronounced coodo

2:44:20.040 --> 2:44:21.920
<v Speaker 3>salami it was. I thought it was codo. The bitch

2:44:21.920 --> 2:44:23.960
<v Speaker 3>said it was Cado and he kicked me off and

2:44:24.000 --> 2:44:25.119
<v Speaker 3>I walked on her ass.

2:44:25.160 --> 2:44:27.120
<v Speaker 5>I bagged on it. She said, quick, why is your

2:44:27.200 --> 2:44:28.640
<v Speaker 5>jeury smaller than everyone else?

2:44:28.800 --> 2:44:29.360
<v Speaker 3>I said, bitch.

2:44:32.040 --> 2:44:35.640
<v Speaker 5>That's our smallest quaint. He baked you, but he no,

2:44:35.760 --> 2:44:38.160
<v Speaker 5>he won. He beat the game him in the exhibit

2:44:38.200 --> 2:44:40.440
<v Speaker 5>the hell, he said he was one of the ms

2:44:40.760 --> 2:44:43.920
<v Speaker 5>who young m C. He said, you one of the ills.

2:44:44.080 --> 2:44:46.560
<v Speaker 5>That's how you feel about it. When did he say

2:44:46.600 --> 2:44:48.360
<v Speaker 5>that I gotta call him? He said, we just had

2:44:48.400 --> 2:44:49.000
<v Speaker 5>the last week.

2:44:51.080 --> 2:44:52.080
<v Speaker 3>We'll try to call him.

2:44:52.000 --> 2:44:55.000
<v Speaker 6>But before he had a question that he told us

2:44:55.080 --> 2:44:56.320
<v Speaker 6>that he wanted to ask him. I was supposed to

2:44:56.360 --> 2:44:58.199
<v Speaker 6>call him, but I'm gonna just ask him on the phone.

2:44:58.840 --> 2:45:00.640
<v Speaker 6>Hold up, guys, you're like, but he will come in

2:45:00.680 --> 2:45:02.680
<v Speaker 6>and we'll try it. We'll try it again, but I'm

2:45:02.720 --> 2:45:04.760
<v Speaker 6>I asking anyway. He said that he heard a rumor

2:45:05.320 --> 2:45:09.080
<v Speaker 6>that you locked yourself in the crib right for like

2:45:09.200 --> 2:45:15.760
<v Speaker 6>a year with equipment producing a record something like that. Yeah,

2:45:15.959 --> 2:45:18.800
<v Speaker 6>is this true or not? I don't know how he know.

2:45:18.959 --> 2:45:20.080
<v Speaker 6>He should have came and saw.

2:45:20.320 --> 2:45:22.480
<v Speaker 3>He should have came and sorry for itself, because right

2:45:22.520 --> 2:45:26.000
<v Speaker 3>now it's it's speculative. So but it's kind of not

2:45:26.480 --> 2:45:29.920
<v Speaker 3>like if you tell us, well, of course, you know

2:45:30.040 --> 2:45:32.560
<v Speaker 3>you gotta buy it. In the book J Quick Story.

2:45:32.480 --> 2:45:33.320
<v Speaker 5>Oh god, damn.

2:45:36.879 --> 2:45:41.400
<v Speaker 3>Man, I'm I get him on the phone ship that.

2:45:41.440 --> 2:45:42.320
<v Speaker 5>It's the deposition.

2:45:44.160 --> 2:45:52.039
<v Speaker 18>He's motherfucker, but no, he actually did Okay, it was Yeah,

2:45:52.720 --> 2:45:55.400
<v Speaker 18>it was locked Yourself as an exaggerated.

2:45:55.000 --> 2:45:57.080
<v Speaker 3>Album I was doing before Rhythm Lives. It was called

2:45:57.120 --> 2:45:59.320
<v Speaker 3>Q four. It was like I did one, two, three

2:46:00.080 --> 2:46:03.840
<v Speaker 3>and all they plaid, I got that broke whatever that

2:46:04.040 --> 2:46:09.920
<v Speaker 3>was crazy anyway it was. It was called Q four

2:46:10.680 --> 2:46:14.480
<v Speaker 3>and it ended up being Rhythmalism, my fourth record with Aristers,

2:46:15.280 --> 2:46:15.879
<v Speaker 3>and it won't go.

2:46:16.040 --> 2:46:18.520
<v Speaker 5>To but one year. Locked up in the in the crib.

2:46:18.640 --> 2:46:19.120
<v Speaker 3>Yeah, why not?

2:46:19.520 --> 2:46:21.080
<v Speaker 5>Prince did it a little do it?

2:46:21.120 --> 2:46:21.160
<v Speaker 6>What?

2:46:21.320 --> 2:46:23.920
<v Speaker 5>What what am I doing here? I ain't trying to

2:46:23.920 --> 2:46:24.400
<v Speaker 5>fool y'all.

2:46:24.440 --> 2:46:27.959
<v Speaker 3>Bro I sleep on purple range sheets, Nigga, My mattress

2:46:28.080 --> 2:46:29.520
<v Speaker 3>is called purple. Look it up.

2:46:30.080 --> 2:46:33.480
<v Speaker 5>Oh you sleep on purple rain sheets. Goddamn right out

2:46:33.520 --> 2:46:42.520
<v Speaker 5>of control, motherfucker right right, got that day something I

2:46:42.640 --> 2:46:44.600
<v Speaker 5>know when I get out there, motherfuckers, we reach out

2:46:44.640 --> 2:46:46.920
<v Speaker 5>for each other. As I'm walking out the room, I

2:46:47.000 --> 2:46:49.360
<v Speaker 5>got people I don't think. Got to get back to

2:46:49.440 --> 2:46:49.879
<v Speaker 5>my sheets.

2:46:51.640 --> 2:46:56.760
<v Speaker 3>Yeah, y'all know, I funk with Dave Chappelle and questioning

2:46:56.760 --> 2:46:59.720
<v Speaker 3>them like I really fucking them niggas, Dazapelle and who

2:47:00.080 --> 2:47:02.920
<v Speaker 3>and Chris Rock and Chris Rock it was both both

2:47:02.959 --> 2:47:08.600
<v Speaker 3>my leggs man, my boys. You got a Dave Chappelle's story.

2:47:09.280 --> 2:47:11.480
<v Speaker 3>Of course, Dave Chappelle used to come to the studio

2:47:11.520 --> 2:47:14.240
<v Speaker 3>when I was working on my Trauma album. We used

2:47:14.240 --> 2:47:16.959
<v Speaker 3>to go to the wide Cliff Studio and forty six

2:47:17.120 --> 2:47:20.359
<v Speaker 3>in Broadway, fifty six fifty fourth on Broadway.

2:47:20.160 --> 2:47:24.520
<v Speaker 5>Yeah, studio, Platinum flat sound, Platinum sound. Yeah, there you go.

2:47:25.160 --> 2:47:26.920
<v Speaker 3>They're hanging out with this nigga, this nigga and there

2:47:27.000 --> 2:47:28.840
<v Speaker 3>trying not to be funny, but being so funny that

2:47:28.959 --> 2:47:30.880
<v Speaker 3>if you listen to him, you'll throw up because he'll

2:47:30.959 --> 2:47:33.200
<v Speaker 3>catch you eating lasagna and you'll spit it on yourself

2:47:33.560 --> 2:47:36.720
<v Speaker 3>because he's too funny. You think for one minute he's

2:47:36.760 --> 2:47:38.720
<v Speaker 3>not being David Chappelle, and then he'll just say some shit.

2:47:38.760 --> 2:47:42.959
<v Speaker 5>You be like, right, hold on, man, look, I gotta

2:47:42.959 --> 2:47:43.400
<v Speaker 5>take five.

2:47:43.480 --> 2:47:44.840
<v Speaker 3>He's that. He's that guy.

2:47:47.320 --> 2:47:49.680
<v Speaker 5>They're like zeniffs when it comes to comedy.

2:47:49.800 --> 2:47:53.000
<v Speaker 3>So Chris is one of the asks Ali Leroy how

2:47:53.080 --> 2:47:55.320
<v Speaker 3>he feels about Chris, and he always tell you Chris.

2:47:55.280 --> 2:47:57.960
<v Speaker 5>Is like easily one of the most stellar comics in

2:47:58.000 --> 2:47:59.600
<v Speaker 5>the world. Ever, what did you feel when you've seen

2:47:59.640 --> 2:48:03.080
<v Speaker 5>the Smiths. I didn't feel because I wasn't there.

2:48:03.080 --> 2:48:07.160
<v Speaker 3>I didn't get the slap, but empathetically, Yeah, that was wrong.

2:48:07.600 --> 2:48:12.520
<v Speaker 3>But Will Chris didn't expect that either. Yeah, misplaced misplaced anger,

2:48:12.680 --> 2:48:19.120
<v Speaker 3>misplaced rage. Yeah, it was weird because I'm thinking, Damn,

2:48:19.720 --> 2:48:21.000
<v Speaker 3>I do that, I'm going to jail.

2:48:22.360 --> 2:48:26.200
<v Speaker 5>He stayed, stay, see me do that. I'm gonna be

2:48:26.240 --> 2:48:30.000
<v Speaker 5>calling somebody for bail money. He had drinks. He cried clearly.

2:48:30.280 --> 2:48:34.480
<v Speaker 19>Yeah, he stayed, He's talking Will ship and he got

2:48:34.520 --> 2:48:37.320
<v Speaker 19>his award after that, he said that, he said, the

2:48:37.360 --> 2:48:41.160
<v Speaker 19>whole ships that deep.

2:48:41.200 --> 2:48:44.360
<v Speaker 2>Though it's not for both of them actually exactly, it's

2:48:44.360 --> 2:48:48.520
<v Speaker 2>not that, I think in a weird way.

2:48:48.680 --> 2:48:49.280
<v Speaker 5>It worked out.

2:48:49.360 --> 2:48:50.879
<v Speaker 3>It worked you don't think.

2:48:50.959 --> 2:48:52.039
<v Speaker 5>So it rolled out.

2:48:54.320 --> 2:48:57.640
<v Speaker 3>With Will at the Mass Grammys, at the West Coast

2:48:57.680 --> 2:48:59.840
<v Speaker 3>Grammys like the not to the West Coast Grammys that

2:48:59.879 --> 2:49:02.520
<v Speaker 3>we and this was after all the ship broke and

2:49:02.560 --> 2:49:04.199
<v Speaker 3>Will is like he's unbothered.

2:49:04.280 --> 2:49:05.400
<v Speaker 5>I mean, Will is a hero.

2:49:05.560 --> 2:49:08.240
<v Speaker 3>Let's just be real. That's still a fresh prince nigga too,

2:49:08.360 --> 2:49:10.480
<v Speaker 3>like Girls of the World, Ain't nothing but trouble. Was

2:49:10.480 --> 2:49:12.440
<v Speaker 3>one of the loudest twelve inches I ever had that

2:49:12.480 --> 2:49:16.039
<v Speaker 3>shit was dope. I remember take my advice to keep

2:49:16.040 --> 2:49:21.320
<v Speaker 3>the hell away ship that record.

2:49:21.760 --> 2:49:24.280
<v Speaker 5>Yeah, say your feelings on it.

2:49:25.080 --> 2:49:25.440
<v Speaker 3>I took it.

2:49:26.240 --> 2:49:28.240
<v Speaker 5>Hold on, hold on, he got feelings, he got feelings

2:49:28.240 --> 2:49:28.400
<v Speaker 5>on it.

2:49:28.480 --> 2:49:30.680
<v Speaker 3>I think, you know what my mix sit this one

2:49:30.760 --> 2:49:31.519
<v Speaker 3>out because.

2:49:31.240 --> 2:49:35.120
<v Speaker 5>I mean we could. We don't want it afterwards, but

2:49:35.640 --> 2:49:40.680
<v Speaker 5>not just like like slapping. No, it shouldn't have been slapping.

2:49:41.000 --> 2:49:42.360
<v Speaker 3>Slapping a black man.

2:49:42.600 --> 2:49:43.680
<v Speaker 5>It's crazy to me.

2:49:44.440 --> 2:49:46.280
<v Speaker 2>I don't give a funk about none of that ship

2:49:46.800 --> 2:49:49.360
<v Speaker 2>like and then doing that in front of people is

2:49:49.480 --> 2:49:56.480
<v Speaker 2>crazy and no, like, no, bro, Like, I'll say this,

2:49:56.800 --> 2:49:58.120
<v Speaker 2>you know what I'm saying, and we can you know,

2:49:58.240 --> 2:49:59.960
<v Speaker 2>we can watch through that and figure out we're gonna

2:50:00.040 --> 2:50:00.440
<v Speaker 2>keep it or not.

2:50:00.560 --> 2:50:05.280
<v Speaker 3>But nigga slap me. It ain't even that.

2:50:05.400 --> 2:50:07.880
<v Speaker 2>It's just you're not standing in the building. We're not

2:50:08.000 --> 2:50:11.640
<v Speaker 2>doing that. You're gonna beat me up because it's just

2:50:11.760 --> 2:50:14.360
<v Speaker 2>not cool. And like at a certain age, like bro,

2:50:14.480 --> 2:50:16.280
<v Speaker 2>we look up to people like we look up to him,

2:50:16.320 --> 2:50:18.600
<v Speaker 2>We look up to Chris, and I just wish that

2:50:18.800 --> 2:50:21.400
<v Speaker 2>didn't do that. You know what I'm saying, Your issue

2:50:21.520 --> 2:50:23.520
<v Speaker 2>is a valid one, Like you're not you got a wife.

2:50:23.520 --> 2:50:24.800
<v Speaker 2>You know what I'm saying we all got we got

2:50:24.840 --> 2:50:25.680
<v Speaker 2>what we got in.

2:50:25.720 --> 2:50:26.560
<v Speaker 5>Here talking about that.

2:50:27.760 --> 2:50:31.120
<v Speaker 2>It's just like, if I'm disrespecting you and we're on

2:50:31.200 --> 2:50:32.680
<v Speaker 2>in front of millions of people, just put me to

2:50:32.760 --> 2:50:34.680
<v Speaker 2>the side, bro, It's really easy.

2:50:35.240 --> 2:50:36.039
<v Speaker 3>Put me to the side.

2:50:36.080 --> 2:50:39.120
<v Speaker 2>Like, Bro, I don't like that. We're gonna catch that.

2:50:40.200 --> 2:50:43.400
<v Speaker 2>We're gonna catch it here, but not not in front

2:50:43.400 --> 2:50:46.560
<v Speaker 2>of them folks. Just not in front of the folks. Yeah,

2:50:47.080 --> 2:50:50.400
<v Speaker 2>Like I got kids, bro, Well, like I can't lose

2:50:50.440 --> 2:50:52.480
<v Speaker 2>a fight right now. I come home and my daughter

2:50:52.560 --> 2:50:55.080
<v Speaker 2>see me with a black eye and me trying to explain.

2:50:54.800 --> 2:50:57.240
<v Speaker 5>That now you're superheroes to your kids, come home with

2:50:57.320 --> 2:50:59.360
<v Speaker 5>the black guy? Like, how does nigga christ can win

2:50:59.360 --> 2:51:00.200
<v Speaker 5>an argument right that.

2:51:00.280 --> 2:51:01.240
<v Speaker 3>With his little young.

2:51:02.640 --> 2:51:05.160
<v Speaker 5>Anytime you get out of the body that you know

2:51:05.240 --> 2:51:05.560
<v Speaker 5>what I do.

2:51:07.240 --> 2:51:09.600
<v Speaker 3>They don't put me in that. Don't put me in

2:51:09.640 --> 2:51:12.120
<v Speaker 3>that over this ship, don't do that. Not with me.

2:51:13.160 --> 2:51:17.200
<v Speaker 5>Chris let me score a film. Yes, he let me.

2:51:18.040 --> 2:51:23.160
<v Speaker 1>Cool when he was told me and then he went

2:51:23.280 --> 2:51:28.199
<v Speaker 1>and became the president. The play homeboy, I came to party.

2:51:28.520 --> 2:51:31.480
<v Speaker 1>They play that one. Yeah, yeah, so that was you

2:51:31.800 --> 2:51:32.680
<v Speaker 1>god damn good looking.

2:51:32.800 --> 2:51:44.320
<v Speaker 3>Come on, yeah, everybody quick effect it's awesome.

2:51:44.760 --> 2:51:49.920
<v Speaker 5>That's a the DJ quick motherfucking family treat. I do

2:51:50.120 --> 2:51:52.119
<v Speaker 5>the work, so you don't have to like the tiny bowl.

2:51:52.160 --> 2:51:54.080
<v Speaker 1>Man, you got a shot, because I'm taking a shot

2:51:54.120 --> 2:51:55.520
<v Speaker 1>of that one that deserves shot here.

2:51:55.640 --> 2:51:58.280
<v Speaker 5>So I'm going back to Japanese whiskey. I'm sorry. You

2:51:58.400 --> 2:52:02.279
<v Speaker 5>gonna jump the Japanese y'all. Thank to Mommy Juana.

2:52:03.280 --> 2:52:06.000
<v Speaker 3>We gotta get Chris Christaplechin to do it, so called

2:52:06.080 --> 2:52:10.000
<v Speaker 3>Japanese whiskey. Let me ask you, let me chase your

2:52:10.040 --> 2:52:11.600
<v Speaker 3>Japanese whiskey. Did you hear.

2:52:13.840 --> 2:52:13.880
<v Speaker 6>You?

2:52:14.000 --> 2:52:15.120
<v Speaker 3>Bro like that?

2:52:16.160 --> 2:52:18.720
<v Speaker 5>I had the mamajuana, but I haven't had the Japanese

2:52:18.760 --> 2:52:22.800
<v Speaker 5>whiskey yet. Let me ask you a problem. You said

2:52:22.800 --> 2:52:24.879
<v Speaker 5>something that's very interested to me earlier.

2:52:25.760 --> 2:52:29.760
<v Speaker 1>So you don't gang bang, but by way of your neighborhood,

2:52:29.920 --> 2:52:33.600
<v Speaker 1>aren't you always affiliated to whatever gang is in your neighborhood?

2:52:33.920 --> 2:52:34.080
<v Speaker 3>Yes?

2:52:35.840 --> 2:52:37.480
<v Speaker 5>Yeah, So what gangs in your neighborhood?

2:52:38.120 --> 2:52:41.119
<v Speaker 2>The west side, Aparos, the Foe line, the deuce line,

2:52:41.160 --> 2:52:45.400
<v Speaker 2>and Neel's everything around that surrounding situation is where I

2:52:45.440 --> 2:52:45.920
<v Speaker 2>grew up at.

2:52:46.480 --> 2:52:48.680
<v Speaker 1>So now let me ask you another This is this

2:52:48.879 --> 2:52:50.920
<v Speaker 1>is what do you call like a square question because

2:52:50.920 --> 2:52:56.119
<v Speaker 1>I don't know. Like when I look at Kendrick Lamar video, right,

2:52:57.920 --> 2:53:03.720
<v Speaker 1>it's clearly two different types of dances, I can't tell

2:53:03.760 --> 2:53:06.960
<v Speaker 1>the different Really, is it clear? I'm guessing because a

2:53:07.080 --> 2:53:09.879
<v Speaker 1>certain times I feel like it's like b walking.

2:53:09.920 --> 2:53:11.400
<v Speaker 5>Then I feel like it's a sea wall. I can't

2:53:11.400 --> 2:53:14.720
<v Speaker 5>tell the difference unless they got on those colors. Can

2:53:14.800 --> 2:53:16.800
<v Speaker 5>you tell the difference from a person? Of course? I

2:53:16.959 --> 2:53:17.920
<v Speaker 5>mean definitely.

2:53:18.440 --> 2:53:20.960
<v Speaker 2>I mean, listen, man, just you know, I'll say that

2:53:21.280 --> 2:53:23.160
<v Speaker 2>everything ain't for everybody, right.

2:53:24.400 --> 2:53:27.240
<v Speaker 3>Maybe maybe that ain't for y'all to know who's doing.

2:53:28.920 --> 2:53:29.960
<v Speaker 5>Should y'all?

2:53:30.520 --> 2:53:34.000
<v Speaker 3>I'm glad you think that's your culture that I'm.

2:53:33.959 --> 2:53:35.959
<v Speaker 2>Like, oh that's fire. But if I knew too much

2:53:35.959 --> 2:53:38.560
<v Speaker 2>about it, I don't know. And I think that's just

2:53:38.680 --> 2:53:40.960
<v Speaker 2>kind of ours. You know what I'm saying. It's a

2:53:41.040 --> 2:53:42.560
<v Speaker 2>secret it's a secret message.

2:53:44.480 --> 2:53:49.280
<v Speaker 1>But is that message California or is that message gang Gangafornia?

2:53:49.440 --> 2:53:53.600
<v Speaker 1>I mean it's gang Wait those are now got killed

2:53:54.280 --> 2:53:55.240
<v Speaker 1>California gang.

2:53:55.800 --> 2:54:09.640
<v Speaker 3>There there's no aut clearly, and I'm one of the message. Bro,

2:54:09.920 --> 2:54:12.879
<v Speaker 3>Don't don't read too much into it's like because they're

2:54:12.920 --> 2:54:16.840
<v Speaker 3>not gangs anymore. Clubs Like it's the Tree Top Club.

2:54:17.200 --> 2:54:19.959
<v Speaker 3>It's like, because we wanted to be a more club

2:54:20.400 --> 2:54:23.080
<v Speaker 3>than anything else. We would rather that to be a

2:54:23.160 --> 2:54:27.040
<v Speaker 3>gang because a gang is there, unpredictable and who wants

2:54:27.360 --> 2:54:29.120
<v Speaker 3>just the key to is to make it home safe.

2:54:29.600 --> 2:54:31.240
<v Speaker 3>I hope that's what we're all about.

2:54:31.879 --> 2:54:35.920
<v Speaker 5>So I'd rather have a club. You know, look, turn

2:54:36.040 --> 2:54:38.320
<v Speaker 5>up and have some free liquid. You ain't gonna pay

2:54:38.360 --> 2:54:39.120
<v Speaker 5>for the ship, just pay for it.

2:54:39.200 --> 2:54:42.360
<v Speaker 2>I want to shout out to uh, all the and Compton.

2:54:42.400 --> 2:54:46.200
<v Speaker 2>They just did a peace treaty. Yeah each other, Yes,

2:54:47.440 --> 2:54:50.320
<v Speaker 2>each other. Yeah. Shout outs all the powers and Compton

2:54:50.400 --> 2:54:52.400
<v Speaker 2>that are on that peace treaty right now. I think

2:54:52.440 --> 2:54:55.560
<v Speaker 2>it's like two three weeks and that's really happened between them.

2:54:55.640 --> 2:54:58.600
<v Speaker 5>Hopefully get in line and anyway for both sides together

2:54:58.720 --> 2:54:59.240
<v Speaker 5>in line.

2:54:59.080 --> 2:55:01.640
<v Speaker 2>Like like after run a gay. Honestly, that's above my

2:55:01.720 --> 2:55:05.480
<v Speaker 2>pay grade. I'm just saying, like I'm because I don't

2:55:05.520 --> 2:55:09.000
<v Speaker 2>gave I just what you think it could happen. I'm

2:55:09.040 --> 2:55:11.280
<v Speaker 2>just celebrating what I see, If that makes any sense.

2:55:12.920 --> 2:55:15.800
<v Speaker 2>I've never seen it. So instead of like always digging

2:55:15.840 --> 2:55:18.000
<v Speaker 2>into the negative side of it, I'm like, I can't

2:55:18.120 --> 2:55:19.760
<v Speaker 2>ask y'all to clean it up. Then when y'all clean

2:55:19.840 --> 2:55:21.880
<v Speaker 2>it up, just not I stopped talking about it. That

2:55:22.280 --> 2:55:24.760
<v Speaker 2>fucks it up. So it's like if I can make

2:55:24.840 --> 2:55:27.039
<v Speaker 2>it loud, like yo, the power rules that some ship

2:55:27.080 --> 2:55:30.520
<v Speaker 2>I've never seen since I've been alive, I've.

2:55:30.440 --> 2:55:32.040
<v Speaker 5>Never seen this for a long time.

2:55:32.160 --> 2:55:33.320
<v Speaker 3>And they're three weeks.

2:55:33.080 --> 2:55:35.760
<v Speaker 2>Into something that's like like that can be like very

2:55:35.840 --> 2:55:37.000
<v Speaker 2>beneficial to my city.

2:55:37.280 --> 2:55:39.080
<v Speaker 5>I just want to talk about it, yell it out.

2:55:39.160 --> 2:55:42.480
<v Speaker 5>That's still but that's that's the I believe that's the confusion.

2:55:42.879 --> 2:55:43.200
<v Speaker 5>When it.

2:55:45.080 --> 2:55:48.200
<v Speaker 1>Spread throughout the world like it is, we just thought,

2:55:48.200 --> 2:55:49.640
<v Speaker 1>all right, cool, it's bloods and crypts.

2:55:49.680 --> 2:55:49.800
<v Speaker 2>Right.

2:55:49.920 --> 2:55:54.480
<v Speaker 1>Then we understood that it was bloods against crypts, right,

2:55:55.480 --> 2:55:57.600
<v Speaker 1>and then we started to hear that it was actually

2:55:58.640 --> 2:56:01.520
<v Speaker 1>crypts on crypts and bloods on bloods, and then bloods

2:56:01.560 --> 2:56:04.080
<v Speaker 1>on bloods, and some of the bloods on bloods beef

2:56:04.320 --> 2:56:06.520
<v Speaker 1>go just as long as a crypt and a blood

2:56:06.560 --> 2:56:09.160
<v Speaker 1>beef will go. Again, some of the crypt on crypt

2:56:09.200 --> 2:56:13.640
<v Speaker 1>beef lasted just as long as a blood on crypt beef.

2:56:14.040 --> 2:56:16.520
<v Speaker 1>I thought that that was like so interesting, And again

2:56:16.560 --> 2:56:19.160
<v Speaker 1>that's what I kept telling to you'll earlier. It was

2:56:19.200 --> 2:56:22.800
<v Speaker 1>almost like you have to be from there to understand it,

2:56:23.520 --> 2:56:25.080
<v Speaker 1>Like it almost sounds like you know what I mean.

2:56:25.040 --> 2:56:26.800
<v Speaker 5>Like and like you said, it's some things that we're

2:56:26.840 --> 2:56:29.080
<v Speaker 5>not meant to understand. Yeah, yeah, I think it's been

2:56:29.120 --> 2:56:30.320
<v Speaker 5>a black on black beef.

2:56:30.560 --> 2:56:31.240
<v Speaker 2>You better say that.

2:56:32.040 --> 2:56:34.160
<v Speaker 5>And that's what's fucked up and stupid about it.

2:56:34.520 --> 2:56:38.240
<v Speaker 3>Nobody ever understood why it's been that anybody wants the

2:56:38.320 --> 2:56:41.080
<v Speaker 3>gang bang. When I became a DJ, so we could

2:56:41.080 --> 2:56:44.680
<v Speaker 3>have fun, not to have fights. I played music music

2:56:44.760 --> 2:56:47.760
<v Speaker 3>stop fights. The right song is stopped.

2:56:48.400 --> 2:56:50.840
<v Speaker 5>After the rise and the peace Treaty? How how legit

2:56:51.040 --> 2:56:51.720
<v Speaker 5>was the peace treaty?

2:56:51.879 --> 2:56:52.080
<v Speaker 3>It was.

2:56:52.160 --> 2:56:56.680
<v Speaker 5>It was awesome for a few weeks because it was

2:56:56.720 --> 2:57:02.080
<v Speaker 5>a honeymoon, right, Yeah, yeah, we actually to go over here. Whoa,

2:57:02.160 --> 2:57:02.840
<v Speaker 5>I went everywhere.

2:57:02.879 --> 2:57:05.520
<v Speaker 6>I was all in remember cam with the record Peace Treaty,

2:57:05.520 --> 2:57:07.879
<v Speaker 6>and I remember we're all looking at the West Coast

2:57:07.920 --> 2:57:09.080
<v Speaker 6>like they did a peace treaty.

2:57:09.120 --> 2:57:15.160
<v Speaker 5>It's legit is love. You said you went everywhere, yeah,

2:57:15.320 --> 2:57:17.640
<v Speaker 5>like meaning you went to like every interviewing.

2:57:18.000 --> 2:57:24.400
<v Speaker 3>That right, I was, man, I had an accurate NSX.

2:57:24.440 --> 2:57:25.720
<v Speaker 3>I was driving that bitch everywhere.

2:57:26.120 --> 2:57:26.600
<v Speaker 5>That's fire.

2:57:26.720 --> 2:57:29.600
<v Speaker 3>I saw Michael Keaton, that bitch leaving our motherfucking agency.

2:57:30.000 --> 2:57:31.840
<v Speaker 3>I mean, he just got his money for a Batman

2:57:32.440 --> 2:57:35.840
<v Speaker 3>Warner Brothers. Wow, we pulled up in a motherfucking Scooby

2:57:35.920 --> 2:57:37.920
<v Speaker 3>Doo man. So this dude leaving in a row Lex

2:57:37.959 --> 2:57:40.280
<v Speaker 3>and a fucking accurate nsex. I said, I'm gonna do

2:57:40.320 --> 2:57:42.720
<v Speaker 3>that next year, and the next year I had a

2:57:42.840 --> 2:57:44.200
<v Speaker 3>Rolex and an accurate nssex.

2:57:48.040 --> 2:57:50.039
<v Speaker 5>Listen, now, yeah, that's shaken her.

2:57:50.280 --> 2:57:50.800
<v Speaker 3>It's crazy.

2:57:50.879 --> 2:57:53.879
<v Speaker 2>It's a it's a it's beautiful to watch the city

2:57:54.000 --> 2:57:56.920
<v Speaker 2>right now. Everybody just at least taking a stab at

2:57:57.000 --> 2:57:59.440
<v Speaker 2>peace even you know what I'm saying, Like, again, bro,

2:57:59.640 --> 2:58:01.240
<v Speaker 2>we don't we don't know how it's gonna go.

2:58:01.280 --> 2:58:02.560
<v Speaker 5>And a lot of people, like I hear a lot

2:58:02.560 --> 2:58:04.280
<v Speaker 5>of people it's gonna be fucked up in this long

2:58:04.360 --> 2:58:05.240
<v Speaker 5>It's like, right.

2:58:05.160 --> 2:58:09.320
<v Speaker 2>Now, that's just kind of pause and enjoy the fact

2:58:09.360 --> 2:58:10.279
<v Speaker 2>that it's kind.

2:58:10.120 --> 2:58:11.560
<v Speaker 5>Of everybody's outside.

2:58:11.879 --> 2:58:16.000
<v Speaker 1>I'm outside of that's the inside of the inside of

2:58:16.080 --> 2:58:17.920
<v Speaker 1>looking out. And I was out there for five days

2:58:17.959 --> 2:58:20.600
<v Speaker 1>and I felt so I felt that peace, Like I

2:58:20.680 --> 2:58:23.080
<v Speaker 1>got to feel that I didn't know that that was

2:58:23.400 --> 2:58:27.360
<v Speaker 1>going on, that was out there, and I was just like, damn,

2:58:27.720 --> 2:58:30.680
<v Speaker 1>I felt like everybody like complied. Everybody was on that

2:58:30.800 --> 2:58:33.320
<v Speaker 1>type of order, like, yo, you talk for the show, Yeah,

2:58:33.879 --> 2:58:34.200
<v Speaker 1>I can't.

2:58:34.360 --> 2:58:37.680
<v Speaker 5>I can't. A day before the video, no, day before

2:58:37.720 --> 2:58:41.040
<v Speaker 5>the and then I stayed like actually a couple of

2:58:41.160 --> 2:58:43.520
<v Speaker 5>days and you know, I'm just I'm just just the

2:58:43.720 --> 2:58:45.240
<v Speaker 5>energy I was feeling the energy.

2:58:45.320 --> 2:58:47.400
<v Speaker 1>It was just like it was just different out there,

2:58:47.440 --> 2:58:49.640
<v Speaker 1>and I was just like I couldn't understand. But now

2:58:50.040 --> 2:58:52.240
<v Speaker 1>you say that, maybe that makes sense. That's probably one

2:58:52.240 --> 2:58:55.120
<v Speaker 1>of the energies that I was feeling. But yeah, it

2:58:55.200 --> 2:58:58.520
<v Speaker 1>just felt good. It just felt right out there. Bro, Like, yeah,

2:58:59.200 --> 2:59:00.000
<v Speaker 1>I'm happy for y'all.

2:59:00.120 --> 2:59:02.360
<v Speaker 2>Bro, we've been and talks about just making sure that

2:59:03.360 --> 2:59:08.000
<v Speaker 2>like again, like nobody's above the program, like nobody with

2:59:08.080 --> 2:59:10.400
<v Speaker 2>a microphone outside.

2:59:10.040 --> 2:59:12.520
<v Speaker 5>Of a few people can really dictate the way it is.

2:59:12.640 --> 2:59:14.080
<v Speaker 5>But would die for what he did.

2:59:15.000 --> 2:59:17.880
<v Speaker 2>He took a moment that would be deemed negative and

2:59:17.959 --> 2:59:21.080
<v Speaker 2>then turned into positive for everybody from California.

2:59:20.640 --> 2:59:24.560
<v Speaker 3>Made everybody step there pining up this motherfucking sample, my latest,

2:59:24.640 --> 2:59:27.320
<v Speaker 3>my greatest inspiration as a part of his district. I'm

2:59:27.440 --> 2:59:27.720
<v Speaker 3>over it.

2:59:27.840 --> 2:59:33.240
<v Speaker 5>That's that's that is so sally hip hop in general more.

2:59:33.160 --> 2:59:37.000
<v Speaker 2>Than I think it's and I think it's bigger than

2:59:37.120 --> 2:59:41.959
<v Speaker 2>music though it's like, no, like it's this ain't really

2:59:42.000 --> 2:59:45.440
<v Speaker 2>about he is the reason, but yes, no, he took

2:59:45.720 --> 2:59:48.959
<v Speaker 2>music and instead of like making it about him, didn't

2:59:48.959 --> 2:59:52.640
<v Speaker 2>agree that it about like us, do we drinking? That's tough, Okay,

2:59:52.720 --> 2:59:55.720
<v Speaker 2>y'all hold on, y'all not to stop me on this part,

2:59:57.600 --> 2:59:59.680
<v Speaker 2>because there's some really ship going on. Like right now,

2:59:59.760 --> 3:00:02.200
<v Speaker 2>you you know what I'm saying and from what he did, Bro,

3:00:02.440 --> 3:00:04.720
<v Speaker 2>I really like people are talking about like a rap

3:00:04.800 --> 3:00:06.680
<v Speaker 2>and all of that. Bro, I've never been able to

3:00:06.720 --> 3:00:08.720
<v Speaker 2>walk around Los Angeles the way I've been able to

3:00:08.760 --> 3:00:11.720
<v Speaker 2>walk on say that, and that's brand new for me.

3:00:12.000 --> 3:00:17.520
<v Speaker 3>I'm not a young guy, right, And yes, it's light.

3:00:18.080 --> 3:00:21.160
<v Speaker 2>Everybody's showing love, like you gotta say, like jay Worthy,

3:00:21.200 --> 3:00:22.600
<v Speaker 2>he's from the same neighborhood as Bro.

3:00:23.000 --> 3:00:25.360
<v Speaker 5>Like it's light for the first time.

3:00:26.000 --> 3:00:26.840
<v Speaker 3>You get what I'm saying.

3:00:26.959 --> 3:00:29.360
<v Speaker 5>And y'all have been in LA when it wasn't light.

3:00:31.000 --> 3:00:33.440
<v Speaker 2>So to take a moment where it's like, all right, bro,

3:00:33.600 --> 3:00:36.040
<v Speaker 2>me and him, y'all having a rap competition, but everybody

3:00:36.080 --> 3:00:40.280
<v Speaker 2>about to look at me. Everybody else would make that

3:00:40.400 --> 3:00:45.080
<v Speaker 2>moment about them. Everybody else I've watched have made that

3:00:45.160 --> 3:00:50.200
<v Speaker 2>moment about film from everywhere. This ain't this, ain't the

3:00:50.240 --> 3:00:53.320
<v Speaker 2>West East Coach, none of that. He made that moment

3:00:53.400 --> 3:00:56.680
<v Speaker 2>about us, and that's what the fuck we need to

3:00:56.800 --> 3:00:59.400
<v Speaker 2>be talking about. I'm tired of all his selfish ship

3:01:00.240 --> 3:01:03.039
<v Speaker 2>because when the nigga that's our, Michael Jackson, decided to say, look,

3:01:03.080 --> 3:01:05.480
<v Speaker 2>I'm gonna take a gamble on thirty one knuckleheads that

3:01:05.640 --> 3:01:10.040
<v Speaker 2>never got along, and we all got along. We all

3:01:10.160 --> 3:01:13.800
<v Speaker 2>was fresh as fuck, always fly. We looked like how

3:01:13.800 --> 3:01:17.600
<v Speaker 2>the West Cot was supposed to look. We're not about

3:01:17.600 --> 3:01:20.920
<v Speaker 2>to cloud that with no beef with that and know

3:01:21.120 --> 3:01:23.440
<v Speaker 2>who did don't know. We're not doing none of that.

3:01:23.720 --> 3:01:24.800
<v Speaker 2>I'm not going for it.

3:01:25.280 --> 3:01:27.200
<v Speaker 5>Bro did He took a real risk on a lot

3:01:27.280 --> 3:01:27.560
<v Speaker 5>of us.

3:01:28.840 --> 3:01:32.000
<v Speaker 2>Trust me, that picture has only been done one time,

3:01:32.040 --> 3:01:32.800
<v Speaker 2>when y'all did it?

3:01:33.200 --> 3:01:36.480
<v Speaker 1>Listen, No, let me ask you, you know what was crazy?

3:01:37.200 --> 3:01:39.120
<v Speaker 1>I forget where I was at I was. I was

3:01:39.360 --> 3:01:42.080
<v Speaker 1>out of town somewhere. But I see the picture and

3:01:42.520 --> 3:01:45.840
<v Speaker 1>I don't identify what I'm seeing. All I'm seeing is

3:01:46.400 --> 3:01:48.760
<v Speaker 1>that should look good, like that should look ill? And

3:01:48.879 --> 3:01:51.840
<v Speaker 1>then I believe it was on the group chat and

3:01:51.959 --> 3:01:55.840
<v Speaker 1>then somebody said, those are all rappers from different neighborhoods.

3:01:57.600 --> 3:02:01.800
<v Speaker 2>Look. Look, it was like and I was like, oh,

3:02:02.280 --> 3:02:08.920
<v Speaker 2>you're watching elegance this, NBA Olympians, all Stars, clowns, kids, cribs,

3:02:09.000 --> 3:02:13.320
<v Speaker 2>every bloods, women, dancers, nigga, Like what really Los Angeles

3:02:13.440 --> 3:02:16.440
<v Speaker 2>really is right? Like the gag banging shit kind of

3:02:16.520 --> 3:02:20.000
<v Speaker 2>make it like water it down, say that they make

3:02:20.080 --> 3:02:23.000
<v Speaker 2>it where it's this one dimensional thing, where that it's

3:02:23.160 --> 3:02:26.360
<v Speaker 2>just that that's happening in like one spot when there's

3:02:26.640 --> 3:02:30.280
<v Speaker 2>so many things. It's beautiful. Bro, it was black business

3:02:30.360 --> 3:02:34.160
<v Speaker 2>in there. Bro, it's real black business. Like I will

3:02:34.320 --> 3:02:36.680
<v Speaker 2>not allow anybody to turn this into about like who

3:02:36.800 --> 3:02:39.880
<v Speaker 2>rap better? Who sound better? That's cool, We've done that.

3:02:41.480 --> 3:02:42.879
<v Speaker 2>It's like who feel better?

3:02:43.000 --> 3:02:43.160
<v Speaker 17>Now?

3:02:44.080 --> 3:02:46.400
<v Speaker 2>It's cracking on the side. When we got me and

3:02:46.560 --> 3:02:48.200
<v Speaker 2>him up here together. You know what I'm saying, This

3:02:48.320 --> 3:02:51.320
<v Speaker 2>is a lot of West Coast lineage. We got them

3:02:51.360 --> 3:02:53.720
<v Speaker 2>niggas going out to county getting a lot of money together.

3:02:54.040 --> 3:02:55.920
<v Speaker 2>You got us getting a lot of money together. You

3:02:56.040 --> 3:02:58.640
<v Speaker 2>got the younger guys that got a shot to be

3:02:58.800 --> 3:03:02.840
<v Speaker 2>seen in front of the world. Twenty million motherfuckers watch that.

3:03:03.760 --> 3:03:06.520
<v Speaker 2>If we're not minimized, that's no fucking rap beef.

3:03:06.920 --> 3:03:09.440
<v Speaker 5>Bro, get out of here. Man.

3:03:09.520 --> 3:03:10.120
<v Speaker 3>You know what I'm saying.

3:03:10.840 --> 3:03:12.080
<v Speaker 5>It's a real copist ship though.

3:03:12.480 --> 3:03:15.160
<v Speaker 3>Yeah, can I interject here, gentlemen, go for it. You

3:03:15.280 --> 3:03:18.000
<v Speaker 3>got two things to say here, Okay, you what love it?

3:03:19.040 --> 3:03:23.560
<v Speaker 3>Stand down, stand back? He would speaker.

3:03:23.959 --> 3:03:27.240
<v Speaker 5>That ain't number one. I'm gonna photoshop myself into that.

3:03:29.680 --> 3:03:29.960
<v Speaker 2>Call me.

3:03:30.600 --> 3:03:42.280
<v Speaker 3>He likes that sort there, so man, that I mean, the.

3:03:42.320 --> 3:03:44.240
<v Speaker 5>Name is perfect, but imagine that would have made it

3:03:44.280 --> 3:03:47.240
<v Speaker 5>perfect card perfect man.

3:03:47.320 --> 3:03:48.160
<v Speaker 3>That was b man.

3:03:48.680 --> 3:03:50.240
<v Speaker 2>Man, from what I hear, we got to get shout

3:03:50.320 --> 3:03:55.440
<v Speaker 2>to that before. Come on, man, get real, real.

3:03:56.840 --> 3:04:02.720
<v Speaker 5>Japanese. This is Japanese whiskey. Yeah, it's cool called Yes,

3:04:02.959 --> 3:04:09.320
<v Speaker 5>I'm making it up here. Okay, so you two things

3:04:09.360 --> 3:04:12.560
<v Speaker 5>you have to say quickly. Thing number two Okay, they wouldn't.

3:04:12.640 --> 3:04:15.920
<v Speaker 5>Don't don't yourself that story number one. No, no, we've

3:04:15.920 --> 3:04:19.920
<v Speaker 5>already had that established it. Okay, that's the story. Would

3:04:21.280 --> 3:04:26.280
<v Speaker 5>do what you later? Number two.

3:04:27.160 --> 3:04:30.360
<v Speaker 3>Don't let this god damn weper snapper over sive y'all.

3:04:30.560 --> 3:04:32.600
<v Speaker 3>He's been on jet skis for the last two THI

3:04:34.200 --> 3:04:36.280
<v Speaker 3>this motherfucker's having the time of his life out here

3:04:36.320 --> 3:04:38.320
<v Speaker 3>in Miami. And this motherfucker's been on the ocean the

3:04:38.320 --> 3:04:40.520
<v Speaker 3>whole time. I swear he's Amphibian.

3:04:44.480 --> 3:04:48.920
<v Speaker 2>Sea than me. That's all I wanted to say. That's

3:04:48.959 --> 3:04:52.600
<v Speaker 2>my two things and got right here, man, grab me

3:04:52.640 --> 3:04:55.720
<v Speaker 2>and put me here man with nobody else did so. Yeah,

3:04:55.760 --> 3:04:57.360
<v Speaker 2>this is just a beautiful thing to be sitting here

3:04:57.440 --> 3:04:57.680
<v Speaker 2>with them.

3:04:58.080 --> 3:05:01.720
<v Speaker 1>You know what it is, the two eras that makes

3:05:01.760 --> 3:05:04.120
<v Speaker 1>it so dope that y'all can come together and make

3:05:04.320 --> 3:05:06.480
<v Speaker 1>a new era, you know what I'm.

3:05:06.320 --> 3:05:08.160
<v Speaker 6>Saying, Like, that's what makes this and this is a legacy,

3:05:08.280 --> 3:05:09.600
<v Speaker 6>because this is legacy right here.

3:05:10.560 --> 3:05:12.720
<v Speaker 3>Shout out Eddie Murphy. Random shout out Eddie Murphy for

3:05:12.800 --> 3:05:21.280
<v Speaker 3>that new Beverly Hills cop movie. I've been trying to

3:05:21.320 --> 3:05:23.240
<v Speaker 3>sit down and watch something. Just have them. You got

3:05:23.360 --> 3:05:25.720
<v Speaker 3>to see them still a helicopter, the funniest ship ever

3:05:25.840 --> 3:05:28.199
<v Speaker 3>right down not shot after Eddie.

3:05:32.879 --> 3:05:33.160
<v Speaker 5>Hip hop.

3:05:35.360 --> 3:05:39.080
<v Speaker 1>You know what I like about it, Like how it

3:05:39.160 --> 3:05:41.640
<v Speaker 1>started and then they went to Beverly Hills again, Like

3:05:41.760 --> 3:05:44.840
<v Speaker 1>that ship is crazy and Eddie, Eddie Murphy was still

3:05:44.879 --> 3:05:47.279
<v Speaker 1>being funny, Like I didn't think he was ready.

3:05:47.080 --> 3:05:56.480
<v Speaker 3>Because drink when he's promoting Netflix just gave him every

3:05:56.520 --> 3:06:00.440
<v Speaker 3>billboard on Sunset but and on Hireland in front of

3:06:00.480 --> 3:06:03.800
<v Speaker 3>the boat. All you see is Eddie Murphy all through

3:06:03.840 --> 3:06:07.040
<v Speaker 3>Hollywood right now. That movie it's through here. The culture

3:06:07.040 --> 3:06:08.080
<v Speaker 3>of shift for sure.

3:06:08.240 --> 3:06:10.360
<v Speaker 5>And that that beat he was just doing the that

3:06:10.520 --> 3:06:10.680
<v Speaker 5>was the.

3:06:13.480 --> 3:06:14.120
<v Speaker 4>That was my ship.

3:06:14.160 --> 3:06:14.960
<v Speaker 3>I had that on the book.

3:06:15.040 --> 3:06:17.200
<v Speaker 5>On that beat. I don't repeat. I don't repeat on

3:06:17.240 --> 3:06:20.240
<v Speaker 5>my boot cuckoo. Everyone they used the same again.

3:06:20.680 --> 3:06:21.960
<v Speaker 3>They have to say that's Eddie Murphy.

3:06:22.040 --> 3:06:26.520
<v Speaker 5>Stinged music from the It was called axle Steamer. It's

3:06:26.680 --> 3:06:27.280
<v Speaker 5>it's the thing so.

3:06:30.360 --> 3:06:30.480
<v Speaker 3>Far.

3:06:30.720 --> 3:06:37.680
<v Speaker 5>His back guy he put the tailor. The judge Ryant Hole. Yeah,

3:06:37.720 --> 3:06:42.679
<v Speaker 5>they judge Ryan Hold and the older guy too. It's

3:06:42.680 --> 3:06:50.680
<v Speaker 5>a bigger dude, right, Yeah, he was Taggard. He plays yeah,

3:06:51.680 --> 3:06:56.720
<v Speaker 5>and he killed that ship. It's funny. I was blurry

3:06:56.720 --> 3:06:58.320
<v Speaker 5>because you know, I want to ruin my talent.

3:06:58.400 --> 3:07:01.720
<v Speaker 3>First of all, Markley never made a good sequel because

3:07:01.720 --> 3:07:03.560
<v Speaker 3>there was too much money about partoun didn't want to

3:07:03.560 --> 3:07:06.160
<v Speaker 3>pay for it. Now Netflix has made him a partner

3:07:06.240 --> 3:07:07.920
<v Speaker 3>so he can do these things while.

3:07:07.760 --> 3:07:14.560
<v Speaker 5>He's still young enough and still have co stars. I

3:07:14.680 --> 3:07:16.520
<v Speaker 5>watched them both back to back. I watched the old

3:07:16.600 --> 3:07:17.720
<v Speaker 5>one and the new one.

3:07:18.800 --> 3:07:22.400
<v Speaker 1>Murphy production like I watched the I watched the new

3:07:22.440 --> 3:07:23.840
<v Speaker 1>one first and then I watched.

3:07:23.640 --> 3:07:29.440
<v Speaker 5>The old one. There's one, two, and three right.

3:07:32.200 --> 3:07:36.520
<v Speaker 1>Preparation just wanting to was fo right, Yeah, I watched

3:07:39.280 --> 3:07:41.360
<v Speaker 1>watched the new one and and and the original one,

3:07:41.560 --> 3:07:45.320
<v Speaker 1>and I was like, this is I forgot about the

3:07:45.600 --> 3:07:46.000
<v Speaker 1>second one?

3:07:46.400 --> 3:07:46.600
<v Speaker 5>Yeah?

3:07:46.600 --> 3:07:46.960
<v Speaker 2>I like that.

3:07:47.040 --> 3:07:47.400
<v Speaker 5>I like that.

3:07:47.480 --> 3:07:51.840
<v Speaker 1>I like now all of O O G is one

3:07:51.879 --> 3:07:55.600
<v Speaker 1>of my biggest conversations. Is them owner than the Masters?

3:07:55.640 --> 3:07:57.840
<v Speaker 1>Some of them get what is it called reverse over

3:07:58.040 --> 3:07:58.840
<v Speaker 1>the thirty year thing?

3:07:59.520 --> 3:07:59.720
<v Speaker 2>Yeah?

3:08:00.120 --> 3:08:05.359
<v Speaker 1>Up reversion reversion? There you go, Ah, do you already

3:08:05.400 --> 3:08:06.320
<v Speaker 1>own all your masters?

3:08:06.480 --> 3:08:10.480
<v Speaker 3>Or I was smart enough to duplicate the Master tapes

3:08:10.520 --> 3:08:12.600
<v Speaker 3>and send those to Profile Records and keep the Masters

3:08:12.680 --> 3:08:15.800
<v Speaker 3>in my fucking possession. I got all my masters.

3:08:16.040 --> 3:08:16.879
<v Speaker 5>Hey look, dame.

3:08:19.680 --> 3:08:24.000
<v Speaker 3>Mean hey, I'm like I got a princi of all

3:08:24.040 --> 3:08:25.960
<v Speaker 3>I can go. Y'all going that motherfucker y'all could be

3:08:25.959 --> 3:08:26.920
<v Speaker 3>pulling out everything like.

3:08:27.040 --> 3:08:30.000
<v Speaker 5>Reading bro, he really got everything.

3:08:31.480 --> 3:08:32.119
<v Speaker 3>From Niles.

3:08:32.760 --> 3:08:35.440
<v Speaker 6>But hold up for Layman's what does that mean you duplicated?

3:08:35.600 --> 3:08:39.840
<v Speaker 6>What didn't the masters mean that? Whoever owns well gener stipulation.

3:08:39.640 --> 3:08:43.600
<v Speaker 3>That if Profile Records didn't get the tapes of the

3:08:44.320 --> 3:08:46.960
<v Speaker 3>of our recording the reels, if they didn't get the

3:08:47.560 --> 3:08:49.440
<v Speaker 3>sports hit the tape. If they didn't get the reels,

3:08:49.600 --> 3:08:54.120
<v Speaker 3>we wouldn't get the second installment of our payment, the

3:08:54.160 --> 3:08:55.320
<v Speaker 3>big money, the end of it.

3:08:56.200 --> 3:08:57.560
<v Speaker 5>So you had to send them the tapes.

3:08:58.640 --> 3:09:01.680
<v Speaker 3>But they got nobody profile talk about let's check these

3:09:01.720 --> 3:09:03.400
<v Speaker 3>tapes to see if what's on is on there.

3:09:03.480 --> 3:09:05.240
<v Speaker 5>The niggas got motherfucking some red.

3:09:05.120 --> 3:09:09.160
<v Speaker 3>S kencing comedy albums. I got quick, I got weak.

3:09:12.200 --> 3:09:16.320
<v Speaker 3>Tell me, bro, I just told me.

3:09:16.400 --> 3:09:19.920
<v Speaker 20>He got everything he learnedly got every day. You said,

3:09:20.040 --> 3:09:25.040
<v Speaker 20>black tapes, hip hop, I got my change, I said.

3:09:25.280 --> 3:09:26.920
<v Speaker 20>Some other just told you he could pull up the

3:09:26.959 --> 3:09:29.439
<v Speaker 20>drip up clear water Revival.

3:09:32.520 --> 3:09:38.520
<v Speaker 3>They got that. They got that fucking summer breeze. Made duplicates.

3:09:38.640 --> 3:09:42.160
<v Speaker 3>I made duplicates, like believe you with your duplicates right now? Man,

3:09:42.240 --> 3:09:43.400
<v Speaker 3>you mean you saying something else.

3:09:43.800 --> 3:09:46.720
<v Speaker 5>I'm a duplicator, bro, Yeah, he said.

3:09:46.600 --> 3:09:54.240
<v Speaker 2>Duplicates, said duplicate. But yeah, he got everything right, he

3:09:54.320 --> 3:09:55.440
<v Speaker 2>got it all counts.

3:09:55.560 --> 3:09:59.040
<v Speaker 3>That's all. He got everything. The operative word meaning dupe.

3:09:59.360 --> 3:10:02.200
<v Speaker 3>But okay, say no more, say no more.

3:10:03.520 --> 3:10:03.920
<v Speaker 4>If you know.

3:10:05.400 --> 3:10:06.680
<v Speaker 5>I'm Jamie Starr nigga.

3:10:06.840 --> 3:10:09.360
<v Speaker 1>So if a Foley wanted to call you right now

3:10:10.400 --> 3:10:13.240
<v Speaker 1>to score a movie using your old ship.

3:10:13.320 --> 3:10:14.720
<v Speaker 5>You don't have to you don't have to speak to

3:10:14.760 --> 3:10:18.040
<v Speaker 5>the label. You can you can playing you know, you

3:10:18.120 --> 3:10:19.720
<v Speaker 5>know what I mean. I was making a point.

3:10:20.879 --> 3:10:22.840
<v Speaker 3>If I want to make him feel important, I'll call

3:10:22.920 --> 3:10:24.600
<v Speaker 3>him and ask him if I could use it. Okay,

3:10:24.959 --> 3:10:26.600
<v Speaker 3>just so you know, because the niggas that owner Shi

3:10:26.680 --> 3:10:29.600
<v Speaker 3>is still alive, they I'd be alive for that much

3:10:29.640 --> 3:10:32.960
<v Speaker 3>money too. In theory, I gat used motherfuckers. Like I

3:10:33.040 --> 3:10:35.440
<v Speaker 3>sold three and a half million records on an independent label.

3:10:36.480 --> 3:10:37.120
<v Speaker 2>That's tough to do.

3:10:37.800 --> 3:10:40.080
<v Speaker 3>Hell yeah, tough to do, ship, but I did it

3:10:40.120 --> 3:10:42.200
<v Speaker 3>with run DMC money, so it ain't really that bad.

3:10:42.520 --> 3:10:47.360
<v Speaker 3>That was raising hell raised me basically literally, what label

3:10:47.440 --> 3:10:48.320
<v Speaker 3>was this profile?

3:10:48.480 --> 3:10:50.560
<v Speaker 5>Okay, that's why that's independent at that time?

3:10:50.720 --> 3:10:53.520
<v Speaker 3>Yeah, okay, but these motherfuckers were like a major that

3:10:53.600 --> 3:10:55.520
<v Speaker 3>was your first that was your first deal, right, Yeah.

3:10:56.240 --> 3:10:58.440
<v Speaker 3>I got one hundred and twenty five grand to sign

3:10:59.000 --> 3:11:01.840
<v Speaker 3>and got that Time seven with bumps, and I was

3:11:01.879 --> 3:11:03.720
<v Speaker 3>getting all my bumps like Michael Jackson was getting his

3:11:03.800 --> 3:11:07.080
<v Speaker 3>bumps for Thriller, Like at sixteen point seventeen point eight

3:11:07.360 --> 3:11:09.320
<v Speaker 3>percent whatever. It was like, hey man, I went gold,

3:11:09.320 --> 3:11:10.879
<v Speaker 3>you get a bonus for that? Give me the bonus.

3:11:10.879 --> 3:11:12.840
<v Speaker 3>I'm looking for that bonus because I got bikes and

3:11:12.920 --> 3:11:16.840
<v Speaker 3>ship motorcycles. I would need some CR eighties in one

3:11:16.920 --> 3:11:19.000
<v Speaker 3>twenty five. Give me this money so I could go

3:11:19.120 --> 3:11:22.520
<v Speaker 3>buy these things, you know. But yeah, I was smart

3:11:22.600 --> 3:11:24.720
<v Speaker 3>enough to keep all my tapes and Problem. I'm gonna

3:11:24.720 --> 3:11:26.760
<v Speaker 3>shut it up because probably was like, man, you be

3:11:26.840 --> 3:11:30.560
<v Speaker 3>running along, man, you be talking on that sh Yeah,

3:11:30.760 --> 3:11:33.600
<v Speaker 3>I got my ship me. I'm about to get the

3:11:33.680 --> 3:11:35.720
<v Speaker 3>control of it to be able to do whatever I want.

3:11:35.760 --> 3:11:40.320
<v Speaker 3>But said I performed when I perform. I performed them

3:11:40.360 --> 3:11:42.640
<v Speaker 3>songs just like they I did when I first made them.

3:11:43.040 --> 3:11:44.240
<v Speaker 3>So those are my assets.

3:11:44.320 --> 3:11:48.640
<v Speaker 2>That's my grand then my grand grandchildren's money legacy I own.

3:11:48.800 --> 3:11:52.800
<v Speaker 2>I own the Jason White Ones Diamond Lane, which is

3:11:53.440 --> 3:11:56.400
<v Speaker 2>my partner. Yeah, yeah, he owns all the ones prior

3:11:56.440 --> 3:11:56.600
<v Speaker 2>to me.

3:11:56.760 --> 3:11:57.520
<v Speaker 3>My name changed.

3:11:59.040 --> 3:12:01.920
<v Speaker 5>The reason for the name Shane, No, not at all

3:12:01.959 --> 3:12:08.360
<v Speaker 5>because because everything is all laid out the right way.

3:12:08.640 --> 3:12:09.320
<v Speaker 3>You get what I'm saying.

3:12:10.240 --> 3:12:15.200
<v Speaker 2>So when Problem makes money, Jason Martin makes money, and

3:12:16.200 --> 3:12:17.680
<v Speaker 2>we had to do it that way.

3:12:20.080 --> 3:12:22.360
<v Speaker 3>So yeah, yeah, we own them.

3:12:22.440 --> 3:12:24.959
<v Speaker 2>It's it's it's kind of dope because when you're can

3:12:25.160 --> 3:12:27.400
<v Speaker 2>like do the license in Yourself and like you said,

3:12:27.400 --> 3:12:30.080
<v Speaker 2>you brought up Better Watch Yourself like a lot of

3:12:30.160 --> 3:12:31.800
<v Speaker 2>my my records that kind of went.

3:12:32.120 --> 3:12:33.320
<v Speaker 3>I was a producer on them.

3:12:33.959 --> 3:12:35.640
<v Speaker 2>So some of them are one hundred, some of them

3:12:35.680 --> 3:12:38.120
<v Speaker 2>are like forty five. Some are like when you say,

3:12:38.200 --> 3:12:40.320
<v Speaker 2>like percentage wise publishing. Some of them are like just

3:12:40.560 --> 3:12:42.200
<v Speaker 2>higher than the rapper side of it. But I just

3:12:42.320 --> 3:12:45.880
<v Speaker 2>never was loud about it. When we're doing these licenses.

3:12:46.240 --> 3:12:50.840
<v Speaker 2>Instead of seven to eight signatures, it's two right, and

3:12:50.959 --> 3:12:53.240
<v Speaker 2>it's made it where the Better Watch Yourself like it

3:12:53.320 --> 3:12:55.680
<v Speaker 2>may not have went like platinum, but we able to

3:12:55.800 --> 3:13:03.240
<v Speaker 2>do in Japan when the what's the guys that answer Guysawaukee.

3:13:01.959 --> 3:13:04.520
<v Speaker 5>Shave Milwaukee's they take it, they do it, dance to it,

3:13:04.720 --> 3:13:05.720
<v Speaker 5>and then it goes.

3:13:06.520 --> 3:13:09.320
<v Speaker 2>They do it at the Golden State Warriors game in

3:13:09.400 --> 3:13:13.040
<v Speaker 2>the championship and then it's we can make money off

3:13:13.080 --> 3:13:15.600
<v Speaker 2>of it like all over the place instead of just

3:13:15.720 --> 3:13:16.440
<v Speaker 2>like record sales.

3:13:16.520 --> 3:13:18.600
<v Speaker 5>Do you remember when our song got used for it?

3:13:18.680 --> 3:13:20.880
<v Speaker 2>So you think you get Wes rose Crass, that's whe

3:13:21.000 --> 3:13:23.160
<v Speaker 2>he got to see like it was crazy. When we

3:13:23.240 --> 3:13:25.440
<v Speaker 2>did the project together with rosekrans So shout out with

3:13:25.480 --> 3:13:30.160
<v Speaker 2>Diamond Lane Empire, we were licensing a lot. He was

3:13:30.200 --> 3:13:32.920
<v Speaker 2>able to license the songs through the movie he did

3:13:33.040 --> 3:13:35.199
<v Speaker 2>what's the name of the movie, which one the movie

3:13:35.879 --> 3:13:39.120
<v Speaker 2>with the black guy with the hammer John Henry. He

3:13:39.240 --> 3:13:40.800
<v Speaker 2>was able to use a lot of those songs in there,

3:13:40.800 --> 3:13:43.720
<v Speaker 2>and it was then easier signature to get TV stuff.

3:13:43.760 --> 3:13:45.160
<v Speaker 2>We were able to just get it done a lot

3:13:45.280 --> 3:13:48.119
<v Speaker 2>quicker because we owned it as.

3:13:48.040 --> 3:13:50.200
<v Speaker 5>Opposed to like the how it usually tastes right.

3:13:50.400 --> 3:13:53.520
<v Speaker 3>You know, this dude is so fair that he's like

3:13:53.600 --> 3:13:56.480
<v Speaker 3>a publishing magnet, Like he'd be showing like side artists

3:13:56.600 --> 3:13:58.240
<v Speaker 3>how to you know, get paid, how to be a

3:13:58.280 --> 3:14:00.840
<v Speaker 3>part of a thing, and don't just be like be

3:14:00.920 --> 3:14:03.879
<v Speaker 3>about to raw raw, like really calm down and earn

3:14:04.080 --> 3:14:06.520
<v Speaker 3>while you're not even visible, you know what I'm saying.

3:14:06.640 --> 3:14:08.400
<v Speaker 3>Like it ain't ghost producing, no none of that ship.

3:14:08.400 --> 3:14:10.600
<v Speaker 3>It's just a smart way of just you know, I'm

3:14:10.600 --> 3:14:12.320
<v Speaker 3>gonna pay you in publishing, like I'm not gonna pay

3:14:12.320 --> 3:14:15.760
<v Speaker 3>you in like no cash or you know, it's just

3:14:15.879 --> 3:14:17.879
<v Speaker 3>make money on the back end because we've been.

3:14:17.800 --> 3:14:20.400
<v Speaker 2>In he's such an advocate for that, he's he a beast.

3:14:20.560 --> 3:14:22.240
<v Speaker 2>But I'm gonna make sure everybody got what they got.

3:14:22.280 --> 3:14:23.400
<v Speaker 2>Everybody a solution.

3:14:25.640 --> 3:14:27.360
<v Speaker 3>A problem straight up.

3:14:27.680 --> 3:14:29.039
<v Speaker 2>But it's like, no, I just want to make sure,

3:14:29.120 --> 3:14:31.400
<v Speaker 2>Like even with like jay Worthy, we figured out a

3:14:31.440 --> 3:14:34.360
<v Speaker 2>way to get him the look because he just did

3:14:34.440 --> 3:14:36.400
<v Speaker 2>so much. It's like, bro, we got to pay the

3:14:36.480 --> 3:14:39.080
<v Speaker 2>ship for it in this business because they try to.

3:14:39.600 --> 3:14:43.240
<v Speaker 2>They want us to say ghosts and ghosts and ghosts

3:14:43.320 --> 3:14:45.880
<v Speaker 2>like why then they don't do that in no other business.

3:14:46.000 --> 3:14:48.600
<v Speaker 3>You know why because once you become a ghost owned

3:14:48.600 --> 3:14:49.560
<v Speaker 3>all your ship right.

3:14:49.920 --> 3:14:52.840
<v Speaker 5>Fuck that this business built up people.

3:14:53.160 --> 3:14:53.480
<v Speaker 3>Let's just.

3:14:55.240 --> 3:14:57.840
<v Speaker 2>I'm an advocate on just like I'm gonna pay you

3:14:58.080 --> 3:15:01.120
<v Speaker 2>how fast I want to be paid. I want my

3:15:01.200 --> 3:15:03.200
<v Speaker 2>ship the minute it is all to me. So if

3:15:03.240 --> 3:15:05.920
<v Speaker 2>I owe somebody something, have you got a question? Like

3:15:06.320 --> 3:15:08.320
<v Speaker 2>all of this, this other way of doing business, this

3:15:08.400 --> 3:15:11.560
<v Speaker 2>whimsical way of doing business and rap music is so

3:15:11.920 --> 3:15:15.600
<v Speaker 2>fucking weird to me. I can't understand why these conversations

3:15:15.600 --> 3:15:18.440
<v Speaker 2>are so deep. We're not selling crack, We're not we're

3:15:18.480 --> 3:15:19.240
<v Speaker 2>not doing anything.

3:15:19.360 --> 3:15:20.000
<v Speaker 5>We did these.

3:15:19.920 --> 3:15:23.240
<v Speaker 3>Songs in our own students said, Oh, it's like, why

3:15:23.480 --> 3:15:24.480
<v Speaker 3>don't make dollars?

3:15:24.840 --> 3:15:26.320
<v Speaker 5>It don't make sense why?

3:15:26.800 --> 3:15:30.560
<v Speaker 2>But I said that are afraid of confrontational conversations. They

3:15:30.640 --> 3:15:33.320
<v Speaker 2>think we have to agree, and they think we're beefing.

3:15:33.480 --> 3:15:36.480
<v Speaker 3>This ship is just not agree without being violently disagreeable.

3:15:36.840 --> 3:15:39.640
<v Speaker 3>Just let's just talk till we agree. It's not deep,

3:15:40.080 --> 3:15:41.880
<v Speaker 3>but the fact that we're talking is an agreement.

3:15:42.000 --> 3:15:43.440
<v Speaker 5>This is something that we should have had a quick

3:15:43.480 --> 3:15:52.240
<v Speaker 5>time with live y'all major or independent both? Gonnah on Jim, Jimmy,

3:15:52.240 --> 3:15:55.560
<v Speaker 5>I V that's my oracle. He said.

3:15:57.240 --> 3:15:59.920
<v Speaker 3>He just had a meeting. Worthy just had a fucking

3:16:00.080 --> 3:16:01.959
<v Speaker 3>meeting with all three of them, and did you knock

3:16:02.000 --> 3:16:14.480
<v Speaker 3>come out like that? Ship take him up talking about.

3:16:16.280 --> 3:16:28.240
<v Speaker 13>To open the word together, like yeah, yah, yeah, yeah, yeah,

3:16:28.600 --> 3:16:29.080
<v Speaker 13>I'm gonna go.

3:16:29.160 --> 3:16:34.920
<v Speaker 5>Indy, I'm an Empire good No, Jim mean is the man?

3:16:36.400 --> 3:16:38.279
<v Speaker 3>I don't think. I don't know the other side.

3:16:38.520 --> 3:16:43.080
<v Speaker 5>Thinking of the Gazi. We just did this with Empire myology.

3:16:43.120 --> 3:16:46.040
<v Speaker 2>I'm sorry, I'm sorry, I'm sorry. I forgot Empire is

3:16:46.120 --> 3:16:49.080
<v Speaker 2>a major. Empire is a major. Now, So I started

3:16:49.080 --> 3:16:51.240
<v Speaker 2>with Empire when they were empires a major?

3:16:51.480 --> 3:16:54.160
<v Speaker 3>Yeah, yeah, yeah they are.

3:16:54.280 --> 3:16:54.640
<v Speaker 2>I didn't.

3:16:54.680 --> 3:16:57.080
<v Speaker 5>I my negligence was wrong.

3:16:57.280 --> 3:16:59.400
<v Speaker 2>I started with them like all my earlier stuff was

3:16:59.480 --> 3:17:03.920
<v Speaker 2>through Diamond Learning and Empire well in twenty eleven twelve.

3:17:04.200 --> 3:17:06.760
<v Speaker 2>But now they're definitely. They got number one record right

3:17:06.760 --> 3:17:08.240
<v Speaker 2>now with Chaboozi. I want to say, so that's a

3:17:08.360 --> 3:17:11.359
<v Speaker 2>major label to Kaboozie.

3:17:10.879 --> 3:17:12.920
<v Speaker 5>That's the country but he got he got it, that's

3:17:12.959 --> 3:17:17.280
<v Speaker 5>the country singer. Yeah, yeah, oh yeah, we're on a

3:17:17.360 --> 3:17:17.840
<v Speaker 5>major now.

3:17:18.400 --> 3:17:19.120
<v Speaker 3>Yeah, thank you?

3:17:19.720 --> 3:17:23.680
<v Speaker 2>So you picking major, he said, both. I'm I'm I'm

3:17:23.760 --> 3:17:25.880
<v Speaker 2>waiting to see what my ask is gonna be right now.

3:17:27.879 --> 3:17:29.400
<v Speaker 2>It's been amazing thus far.

3:17:29.560 --> 3:17:29.920
<v Speaker 5>For sure.

3:17:30.920 --> 3:17:33.440
<v Speaker 3>You know they calling in they wanted to sing.

3:17:33.920 --> 3:17:34.440
<v Speaker 2>You know what I'm saying.

3:17:34.440 --> 3:17:36.520
<v Speaker 5>We're gonna have a guit time. We gonna see what happens.

3:17:37.440 --> 3:17:40.800
<v Speaker 3>I'll see like a baseball player like show right now,

3:17:42.120 --> 3:17:43.920
<v Speaker 3>just went to jail niggas they can steal their.

3:17:43.879 --> 3:17:47.279
<v Speaker 5>Money on your account. Show do it in Japanese.

3:17:47.400 --> 3:17:48.880
<v Speaker 3>I don't know how to do it.

3:17:49.320 --> 3:17:52.880
<v Speaker 1>Yeah yeah, so yeah that's me and e F n we.

3:17:53.400 --> 3:17:57.200
<v Speaker 1>I always I like I like the major push with

3:17:57.320 --> 3:18:01.960
<v Speaker 1>the independent ownership. But but but I love Major. I

3:18:02.040 --> 3:18:04.840
<v Speaker 1>can't lie to you like like like I like the

3:18:04.920 --> 3:18:11.440
<v Speaker 1>good hotels. Yeah yeah, the wiki Diggs boy, you'd be like.

3:18:14.280 --> 3:18:22.359
<v Speaker 3>To make sure that's all right. I gotta make better decisions, yes, yes, yes, exactly.

3:18:25.160 --> 3:18:27.680
<v Speaker 2>Yeah, I don't y'all had real major though, Like I

3:18:27.760 --> 3:18:30.120
<v Speaker 2>want to tell like Ego tripping was probably the.

3:18:30.200 --> 3:18:33.560
<v Speaker 3>Last major labeled thing I saw.

3:18:33.959 --> 3:18:37.600
<v Speaker 2>Oh my gosh, six months Fish Studios, that niggas Snoop

3:18:37.680 --> 3:18:40.120
<v Speaker 2>was running over plans whenever you need to eat that

3:18:40.160 --> 3:18:41.800
<v Speaker 2>f you pull up, go there, get your food.

3:18:42.120 --> 3:18:42.520
<v Speaker 4>He had it.

3:18:42.720 --> 3:18:43.160
<v Speaker 9>He had it.

3:18:44.720 --> 3:18:48.359
<v Speaker 2>Everybody was propably, but that nigga does independent.

3:18:48.520 --> 3:18:50.040
<v Speaker 3>So you know who's that?

3:18:51.440 --> 3:18:55.720
<v Speaker 5>Yeah, all independent though, So this is my first time.

3:18:55.920 --> 3:19:00.560
<v Speaker 2>Like it's weird because I began with Empire when they

3:19:00.600 --> 3:19:03.720
<v Speaker 2>were a super indie and now they're a major respect

3:19:03.760 --> 3:19:06.520
<v Speaker 2>and and this time I'm like more involved business wise.

3:19:06.560 --> 3:19:09.240
<v Speaker 2>I wasn't the first time. I was just full artists moke.

3:19:09.920 --> 3:19:12.960
<v Speaker 2>But I will say it's been dope. Man. Shout out

3:19:12.959 --> 3:19:15.280
<v Speaker 2>to Chase Infinite from making sure that ship went right, bro,

3:19:15.520 --> 3:19:20.119
<v Speaker 2>like Bro Chase, Tina, David Davis, David.

3:19:19.840 --> 3:19:20.440
<v Speaker 3>You know what I'm saying.

3:19:20.640 --> 3:19:24.000
<v Speaker 2>What I'm saying, you know what I'm saying, Like Gentry, Jada, Bria,

3:19:24.600 --> 3:19:27.120
<v Speaker 2>everybody over there, everybody over there has been Nima.

3:19:27.240 --> 3:19:29.680
<v Speaker 5>Everybody's been a t treat.

3:19:29.720 --> 3:19:30.800
<v Speaker 3>Gods, he just talked to him.

3:19:30.959 --> 3:19:33.320
<v Speaker 5>Guys. I can't wait to see what we keep doing. Together,

3:19:33.560 --> 3:19:41.600
<v Speaker 5>Gui pick up the Gazi shout out, shout.

3:19:41.360 --> 3:19:43.640
<v Speaker 2>Out to Sean Sony Orchard and next, you know what

3:19:43.640 --> 3:19:45.600
<v Speaker 2>I'm saying, my boy John too many.

3:19:47.200 --> 3:19:50.680
<v Speaker 5>The Big Johns Monument. Here, Matt, you got take a drink?

3:19:50.760 --> 3:19:51.320
<v Speaker 5>He said both?

3:19:51.560 --> 3:19:52.080
<v Speaker 3>He said both.

3:19:52.520 --> 3:19:53.880
<v Speaker 5>I took myself when he said both.

3:19:55.160 --> 3:19:58.120
<v Speaker 3>That's how you know this show Who's gonna win this?

3:19:58.320 --> 3:20:01.120
<v Speaker 3>Whos gonna win this little competition in them drinks? Who's

3:20:01.160 --> 3:20:01.720
<v Speaker 3>the drink chap?

3:20:01.800 --> 3:20:07.840
<v Speaker 2>Because I'm definitely not no, No, that's okay, got to

3:20:07.879 --> 3:20:10.080
<v Speaker 2>be because you came to us with mother.

3:20:10.040 --> 3:20:14.360
<v Speaker 3>Fucking Caribbean drink too, like I'm not fun So yeah,

3:20:14.520 --> 3:20:17.120
<v Speaker 3>that looked like a free DZ bro. That's Dick fixing it.

3:20:20.879 --> 3:20:22.320
<v Speaker 5>I got light skin. I don't have to do nothing

3:20:22.360 --> 3:20:24.840
<v Speaker 5>but like skining shit, we do light skin and ship.

3:20:26.120 --> 3:20:27.920
<v Speaker 5>So I'm playing. I'm just hope I'm funny.

3:20:29.360 --> 3:20:32.080
<v Speaker 3>Hold on just like Compton, right, yes, sir.

3:20:33.080 --> 3:20:36.440
<v Speaker 5>That came out before I came out in nineteen ninety two.

3:20:37.200 --> 3:20:40.000
<v Speaker 5>And then when did Summer Vacation come out? Uh?

3:20:40.280 --> 3:20:42.760
<v Speaker 3>This on my summer vacation When he said, now you

3:20:42.800 --> 3:20:44.240
<v Speaker 3>got his ass in Minnesota? That record?

3:20:45.040 --> 3:20:47.280
<v Speaker 5>Yeah, how close did those records come out?

3:20:47.720 --> 3:20:48.200
<v Speaker 14>I need one.

3:20:49.480 --> 3:20:50.000
<v Speaker 2>Well, we were.

3:20:50.800 --> 3:20:52.880
<v Speaker 3>It was a blur because we were always spending a

3:20:52.920 --> 3:20:54.480
<v Speaker 3>lot of time in Saint Louis, Missouri.

3:20:54.760 --> 3:20:56.480
<v Speaker 6>The reason why, I said, because I feel like that's

3:20:56.520 --> 3:20:59.440
<v Speaker 6>the blueprint to show the outside world from the West

3:20:59.480 --> 3:21:05.240
<v Speaker 6>Coast how gang culture spread spread. Yeah, like I think

3:21:05.280 --> 3:21:08.160
<v Speaker 6>summer vacation is like the Ills, like explanation. It should

3:21:08.160 --> 3:21:11.440
<v Speaker 6>be a movie, Cube should explain. Cube is a poet laureate.

3:21:11.480 --> 3:21:16.000
<v Speaker 6>And then and then, just like Compton with that record,

3:21:16.280 --> 3:21:18.520
<v Speaker 6>what I was going to bring it, I had I

3:21:18.640 --> 3:21:21.520
<v Speaker 6>have to have, you know, still performing. I just performed

3:21:21.520 --> 3:21:25.840
<v Speaker 6>that in Oakland. But I read like that record is

3:21:26.000 --> 3:21:29.000
<v Speaker 6>those two records explain a lot about gang culture to

3:21:29.040 --> 3:21:30.840
<v Speaker 6>people who don't know anything about the West Coast.

3:21:31.120 --> 3:21:34.000
<v Speaker 3>Rock that record, Chris Chris Rock said that that's one

3:21:34.040 --> 3:21:37.240
<v Speaker 3>of his favorite records. Like it made sense when I

3:21:37.320 --> 3:21:40.680
<v Speaker 3>did it. So, Yeah, how big was that record for you?

3:21:41.000 --> 3:21:44.880
<v Speaker 5>It went gold in one week. My album Wow Fish

3:21:45.720 --> 3:21:48.080
<v Speaker 5>Physical Physical, I was physical.

3:21:48.160 --> 3:21:51.640
<v Speaker 2>I went totally different fire.

3:21:50.680 --> 3:21:53.320
<v Speaker 1>Because because one one dude of downloads you said seven

3:21:53.360 --> 3:21:55.640
<v Speaker 1>times physical, you got to go to the store seven

3:21:55.640 --> 3:21:58.280
<v Speaker 1>time physical is crazy or act for seven copies.

3:21:58.360 --> 3:22:00.920
<v Speaker 2>You can listen to our songs fifteen hundred times before

3:22:00.959 --> 3:22:01.800
<v Speaker 2>we make ten bucks.

3:22:01.840 --> 3:22:07.640
<v Speaker 1>That squall, that's before you make ten bucks then streaming,

3:22:07.720 --> 3:22:10.200
<v Speaker 1>and you won't even get those ten bucks until you

3:22:10.320 --> 3:22:11.400
<v Speaker 1>reach another threshold.

3:22:11.520 --> 3:22:13.840
<v Speaker 5>I can't wear a shirt twice and then pay for

3:22:13.959 --> 3:22:18.240
<v Speaker 5>it and bring it back what it wants, get it paid.

3:22:18.040 --> 3:22:20.720
<v Speaker 3>For us crazy, that's crazy. Right now.

3:22:20.760 --> 3:22:22.560
<v Speaker 5>They're gonna fix that though. That's why we can't with

3:22:22.640 --> 3:22:23.360
<v Speaker 5>the walkman Vinyl.

3:22:23.480 --> 3:22:26.160
<v Speaker 3>But you know what YouTube's doing it. They already fixed it.

3:22:26.240 --> 3:22:29.280
<v Speaker 3>We got we got people in Congress that are up

3:22:29.320 --> 3:22:29.640
<v Speaker 3>for us.

3:22:29.720 --> 3:22:29.840
<v Speaker 6>Bro.

3:22:30.120 --> 3:22:32.200
<v Speaker 5>That Maks an optimist right now, I see this in

3:22:32.320 --> 3:22:36.840
<v Speaker 5>him right now, the future Bro.

3:22:37.040 --> 3:22:40.240
<v Speaker 3>Right now, Bro, I'm I'm silly Walker right now, I

3:22:40.400 --> 3:22:40.800
<v Speaker 3>noticed ship.

3:22:40.879 --> 3:22:42.960
<v Speaker 5>You believe in those tech guys that have the best

3:22:43.000 --> 3:22:44.040
<v Speaker 5>interest for the musicians.

3:22:44.080 --> 3:22:47.640
<v Speaker 3>I don't know, man, Well, the thing is somebody has

3:22:47.680 --> 3:22:50.240
<v Speaker 3>to vouch for that music, and AI can't run in

3:22:50.280 --> 3:22:53.800
<v Speaker 3>there and sign a fucking contract. It's still about being

3:22:54.160 --> 3:22:56.600
<v Speaker 3>alive and having your ship in perpetuity.

3:22:57.040 --> 3:22:59.680
<v Speaker 5>Until AI started creating the music and the label, what

3:22:59.760 --> 3:22:59.959
<v Speaker 5>are we.

3:23:02.000 --> 3:23:02.040
<v Speaker 2>Know?

3:23:02.200 --> 3:23:05.800
<v Speaker 6>They can't they can't. But this is the thing, this corrupt.

3:23:05.840 --> 3:23:07.800
<v Speaker 6>I was trying to talk to Growth about it. We're

3:23:07.840 --> 3:23:10.280
<v Speaker 6>gonna get to a point where the next generation. They're

3:23:10.320 --> 3:23:13.480
<v Speaker 6>gonna program that generation to think this is good, just

3:23:13.560 --> 3:23:16.640
<v Speaker 6>like they're programming the generation that with a social media

3:23:16.720 --> 3:23:19.279
<v Speaker 6>that this is proper, this is good, this is entertainment.

3:23:19.800 --> 3:23:21.680
<v Speaker 5>Bro, the youth, don't fuck with that.

3:23:21.959 --> 3:23:25.440
<v Speaker 2>Don't don't think the youth feel more than than a

3:23:25.560 --> 3:23:26.880
<v Speaker 2>few of our generations have.

3:23:27.000 --> 3:23:27.840
<v Speaker 3>They like feel.

3:23:28.080 --> 3:23:30.200
<v Speaker 5>So you know, I'm telling you, I got daughters and

3:23:30.240 --> 3:23:31.600
<v Speaker 5>ship like from a from.

3:23:34.440 --> 3:23:37.400
<v Speaker 2>I listened to them. They can tell when ship don't

3:23:37.560 --> 3:23:38.840
<v Speaker 2>feel right, like they.

3:23:39.560 --> 3:23:42.360
<v Speaker 5>See that they're true. They don't understand what.

3:23:42.400 --> 3:23:44.440
<v Speaker 3>A gang banger is, like, why kill each other in color?

3:23:44.480 --> 3:23:45.200
<v Speaker 3>That makes no sense.

3:23:45.400 --> 3:23:47.720
<v Speaker 6>But the point of AI is to eventually trick you

3:23:47.840 --> 3:23:51.320
<v Speaker 6>to not un even know that it's anything robotic, anything technology.

3:23:51.360 --> 3:23:53.720
<v Speaker 2>I think that's the trick the spender of us that's older.

3:23:53.959 --> 3:23:56.520
<v Speaker 2>I don't think that you're not gonna trick these these yet.

3:23:56.560 --> 3:24:00.360
<v Speaker 5>They are, Damnit. I hope So I'm hoping. Yeah, what's

3:24:00.680 --> 3:24:01.240
<v Speaker 5>what you got?

3:24:01.280 --> 3:24:01.800
<v Speaker 3>You got kids?

3:24:01.920 --> 3:24:02.120
<v Speaker 4>Yeah?

3:24:02.120 --> 3:24:04.800
<v Speaker 2>I got the youngest four and six. You got an

3:24:04.840 --> 3:24:07.920
<v Speaker 2>older one? No, no, okay, all right, it's probably difference.

3:24:08.280 --> 3:24:11.360
<v Speaker 2>Like my oldest graduated from college. I got a twenty

3:24:11.400 --> 3:24:13.000
<v Speaker 2>one year old that go to groundlar right now too.

3:24:13.360 --> 3:24:16.440
<v Speaker 2>So it's different. Like I talk to them, they don't

3:24:16.520 --> 3:24:19.080
<v Speaker 2>see it like we see it, Like they spot that

3:24:19.200 --> 3:24:19.920
<v Speaker 2>bullshit quick.

3:24:20.000 --> 3:24:21.520
<v Speaker 5>They're not drinking as much alcohol.

3:24:21.800 --> 3:24:24.440
<v Speaker 6>But it's not them, Bro, What I'm telling you is

3:24:24.480 --> 3:24:27.840
<v Speaker 6>another future. Okay, it's beyond their future already.

3:24:27.840 --> 3:24:31.280
<v Speaker 5>It's another future going on. Hmm. I'm saying it's a

3:24:31.320 --> 3:24:33.480
<v Speaker 5>younger general. So talking to like the eight year olds.

3:24:33.959 --> 3:24:36.440
<v Speaker 6>When when we start to see this, this next thing

3:24:36.560 --> 3:24:39.120
<v Speaker 6>that's AI that it's like we didn't even imagine it.

3:24:39.240 --> 3:24:41.600
<v Speaker 5>This future it's gonna start to happen.

3:24:41.760 --> 3:24:44.080
<v Speaker 6>Well, you don't even know that this video is not

3:24:44.160 --> 3:24:46.039
<v Speaker 6>a real person, but it's AI generated.

3:24:46.160 --> 3:24:49.360
<v Speaker 2>Mean, like they believe in the highest music. They keep

3:24:49.400 --> 3:24:51.880
<v Speaker 2>tweaking AI. It's gonna be like they use us to

3:24:51.920 --> 3:24:52.680
<v Speaker 2>model to get it right.

3:24:52.800 --> 3:24:54.800
<v Speaker 3>You said that I don't agree with something you said.

3:24:56.280 --> 3:24:58.440
<v Speaker 3>How can they do this ship that we can't imagine?

3:24:59.320 --> 3:25:05.320
<v Speaker 3>We imagine AIM. We did David from AI the movie

3:25:06.160 --> 3:25:07.840
<v Speaker 3>that was my ship too. It was a little star's

3:25:07.920 --> 3:25:10.480
<v Speaker 3>name on the movie Artificial Intelligence.

3:25:12.600 --> 3:25:13.320
<v Speaker 5>His name is David.

3:25:14.760 --> 3:25:18.119
<v Speaker 3>We made AI. I've been programming Apple computers since nineteen

3:25:18.160 --> 3:25:22.959
<v Speaker 3>seventy eight. I was an apples now it's command legit.

3:25:23.280 --> 3:25:29.240
<v Speaker 5>I was apple Z Yeah, apple Shit, Steve Kosky, Steve Jobs.

3:25:30.040 --> 3:25:34.640
<v Speaker 3>It's different since an eight year old. I was DJ

3:25:34.879 --> 3:25:36.120
<v Speaker 3>before I could talk and walk.

3:25:36.240 --> 3:25:36.320
<v Speaker 6>Bro.

3:25:36.440 --> 3:25:39.160
<v Speaker 3>I was like walking to the turntable because I wanted

3:25:39.200 --> 3:25:40.560
<v Speaker 3>to play those people that were in it.

3:25:40.800 --> 3:25:42.520
<v Speaker 5>He thought people were in there. I thought they were

3:25:42.520 --> 3:25:46.120
<v Speaker 5>in the record to like, this is not something he

3:25:46.240 --> 3:25:47.240
<v Speaker 5>just DJ.

3:25:47.360 --> 3:25:50.039
<v Speaker 2>I was scratching BRO before I was talking in there,

3:25:50.160 --> 3:25:51.680
<v Speaker 2>so he wanted to hear their voice talk.

3:25:51.760 --> 3:25:52.360
<v Speaker 5>But that's dope.

3:25:53.280 --> 3:25:54.320
<v Speaker 3>That's two or three years old.

3:25:54.320 --> 3:25:56.160
<v Speaker 5>He with DJ at parties and he's like, let me

3:25:56.200 --> 3:25:56.760
<v Speaker 5>play the ghost.

3:25:57.200 --> 3:26:00.760
<v Speaker 3>Yeah, the ghost exactly. He thought. Became to go inside

3:26:00.800 --> 3:26:01.680
<v Speaker 3>the joint type ship.

3:26:01.760 --> 3:26:06.320
<v Speaker 2>It was like I heard this mother wow, so I

3:26:06.440 --> 3:26:08.200
<v Speaker 2>need to take apart that Bro.

3:26:08.280 --> 3:26:09.760
<v Speaker 3>I used to take apart my equipment and put it

3:26:09.800 --> 3:26:12.480
<v Speaker 3>back together because I was looking for other people inside.

3:26:13.720 --> 3:26:14.000
<v Speaker 2>Ship.

3:26:14.600 --> 3:26:16.680
<v Speaker 5>Then I learned how to do schematics. I'm a radio

3:26:16.760 --> 3:26:18.840
<v Speaker 5>shock kid, like I know how to make radio check.

3:26:19.040 --> 3:26:22.680
<v Speaker 3>You know how to transceivers transponder like I was technical.

3:26:24.000 --> 3:26:28.000
<v Speaker 3>I had my first soldern kid at fourteen or fifteen fifteen,

3:26:28.120 --> 3:26:29.959
<v Speaker 3>I had a soldering kid. Soldering is wow.

3:26:30.320 --> 3:26:30.879
<v Speaker 5>I learned something.

3:26:31.520 --> 3:26:33.320
<v Speaker 6>Brother, they don't even teach that shit, don't think anymore

3:26:33.320 --> 3:26:34.119
<v Speaker 6>like how to like put.

3:26:34.040 --> 3:26:34.480
<v Speaker 5>Together like that.

3:26:34.600 --> 3:26:36.440
<v Speaker 6>I still got a ship that I made in junior

3:26:36.680 --> 3:26:39.920
<v Speaker 6>with my soldering that I'm a fucking nerd.

3:26:40.040 --> 3:26:42.120
<v Speaker 5>I hate it trying to be cool.

3:26:42.280 --> 3:26:43.320
<v Speaker 3>That ain't like.

3:26:48.680 --> 3:26:50.280
<v Speaker 5>Everybody needs to be a fucking nerd.

3:26:50.720 --> 3:26:55.520
<v Speaker 1>No, it's it's so dope because I love the fact

3:26:55.600 --> 3:26:59.279
<v Speaker 1>that you know us coming from the East Coast hearing djur,

3:26:59.400 --> 3:27:00.240
<v Speaker 1>that's all we order.

3:27:00.360 --> 3:27:02.880
<v Speaker 5>It was was gang culture. We thought of, like you know,

3:27:03.440 --> 3:27:03.879
<v Speaker 5>and then and.

3:27:03.920 --> 3:27:06.000
<v Speaker 3>Then like, there's no other than that.

3:27:06.280 --> 3:27:08.400
<v Speaker 5>Again, when we see West Coast dudes.

3:27:08.640 --> 3:27:12.320
<v Speaker 1>Walking, Jerry curls and then firms like because we hadn't

3:27:12.360 --> 3:27:14.080
<v Speaker 1>seen that on the East Coast. When we seen that,

3:27:14.360 --> 3:27:17.080
<v Speaker 1>we identified with that as Oh. At first it was like,

3:27:17.080 --> 3:27:19.240
<v Speaker 1>wait a minute, they different why they don't got to

3:27:19.240 --> 3:27:21.320
<v Speaker 1>fade they have moved that, you know what I mean?

3:27:21.600 --> 3:27:24.840
<v Speaker 1>And then we said, oh ship, that's a that's gang ship.

3:27:25.840 --> 3:27:32.720
<v Speaker 5>The perma I got it with some pimp ship. It

3:27:32.840 --> 3:27:35.360
<v Speaker 5>was it was that pimp is down with a gang. Well,

3:27:35.440 --> 3:27:38.520
<v Speaker 5>I mean, yeah, that makes sense. I guess I was

3:27:38.560 --> 3:27:42.680
<v Speaker 5>with a game because I liked my ship. But I

3:27:42.760 --> 3:27:43.160
<v Speaker 5>see I.

3:27:44.680 --> 3:27:49.800
<v Speaker 3>Want gas gang. You can say it's a little cs

3:27:49.879 --> 3:27:52.320
<v Speaker 3>I career is what it is. But I like the

3:27:52.440 --> 3:27:54.440
<v Speaker 3>ice tea that off the six in the morning, mother

3:27:54.480 --> 3:27:57.880
<v Speaker 3>fucking off the month, Cold War Madness coming on Saturday

3:27:58.000 --> 3:28:00.800
<v Speaker 3>records that Jimmy James Terry Lewis produce. I wanted to

3:28:00.879 --> 3:28:03.600
<v Speaker 3>wear my hair like iced Tea on Motherfuck and Power

3:28:03.760 --> 3:28:04.880
<v Speaker 3>Album on Warner Brothers.

3:28:05.480 --> 3:28:07.120
<v Speaker 5>That's the iced tea. I did my hair like that

3:28:07.600 --> 3:28:11.400
<v Speaker 5>and Shabby Blue and pimpin Carl. I see.

3:28:12.560 --> 3:28:13.400
<v Speaker 6>You know the.

3:28:13.440 --> 3:28:17.200
<v Speaker 2>Misconception of California though, because you think because he has

3:28:17.320 --> 3:28:20.320
<v Speaker 2>not he's obtained this knowledge that he won't to fuck

3:28:20.400 --> 3:28:20.680
<v Speaker 2>you up.

3:28:20.720 --> 3:28:26.560
<v Speaker 3>Though that's that's not true. The flip side is.

3:28:29.560 --> 3:28:33.280
<v Speaker 2>The story that happened during Ego tripping. I'm not I'm

3:28:33.680 --> 3:28:37.440
<v Speaker 2>I'm just getting my life, getting my life started. Problems

3:28:38.000 --> 3:28:41.160
<v Speaker 2>come here with Snoop Dogg. I'm saying everybody every day.

3:28:41.400 --> 3:28:43.440
<v Speaker 2>So at this point, were like two weeks in, he's

3:28:43.480 --> 3:28:44.520
<v Speaker 2>taking a liking something like this.

3:28:44.640 --> 3:28:46.280
<v Speaker 5>Okay, so we said it against it. I'm sorry.

3:28:46.640 --> 3:28:46.840
<v Speaker 16>Sorry.

3:28:47.480 --> 3:28:49.680
<v Speaker 2>Ego tripping Terrace has brought me in. But now I'm

3:28:49.760 --> 3:28:52.920
<v Speaker 2>like two weeks into this six month situation and He's

3:28:52.959 --> 3:28:54.720
<v Speaker 2>figured out that I'm from the same.

3:28:54.640 --> 3:28:57.680
<v Speaker 3>Area as him. Believe it here, you're you're gonna sit

3:28:57.760 --> 3:28:58.000
<v Speaker 3>with me.

3:28:58.160 --> 3:28:59.120
<v Speaker 5>But y'all new to each other.

3:28:59.200 --> 3:29:01.600
<v Speaker 3>Though we didn't know we did each other.

3:29:01.640 --> 3:29:05.120
<v Speaker 2>We knew each other each other like this, like we

3:29:05.640 --> 3:29:08.800
<v Speaker 2>had always shown lovely from confident. This is like every

3:29:09.000 --> 3:29:12.280
<v Speaker 2>day we meet up at ten, leave at two, the

3:29:12.360 --> 3:29:15.640
<v Speaker 2>whole thing. So I'm sitting with him and like we

3:29:15.760 --> 3:29:17.880
<v Speaker 2>was working that shit was crazy. I'm sitting with him

3:29:17.879 --> 3:29:19.680
<v Speaker 2>while he's mixing one of the records on Ego Trippers.

3:29:19.720 --> 3:29:21.560
<v Speaker 2>So I used to sit there and just kind of watch,

3:29:21.640 --> 3:29:23.600
<v Speaker 2>you know what I'm saying. He's working the big board,

3:29:23.840 --> 3:29:27.080
<v Speaker 2>but he's he's one of the first ones dollar in analog.

3:29:26.720 --> 3:29:29.320
<v Speaker 5>With digital, like this was two thousand and nine, two

3:29:29.360 --> 3:29:30.640
<v Speaker 5>thousand and eight, something like that.

3:29:30.959 --> 3:29:33.320
<v Speaker 2>So I'm just kind of just watching, just watching, watching,

3:29:33.680 --> 3:29:35.800
<v Speaker 2>and Rihanna's coming through there, motherfucker.

3:29:35.800 --> 3:29:36.800
<v Speaker 5>Anybody's coming through there.

3:29:36.879 --> 3:29:38.000
<v Speaker 3>But he don't break.

3:29:38.440 --> 3:29:40.480
<v Speaker 5>He on, he on so corrupt.

3:29:40.640 --> 3:29:44.400
<v Speaker 2>Bring somebody by one night and it's maybe thirty people

3:29:44.480 --> 3:29:47.240
<v Speaker 2>in the studio while he's mixing, and maybe nineteen of

3:29:47.240 --> 3:29:51.720
<v Speaker 2>the more women and it's like a five to eleven

3:29:51.879 --> 3:29:54.720
<v Speaker 2>type sit where it's like guys, summer gangs, whatever. So

3:29:54.879 --> 3:29:56.880
<v Speaker 2>this guy walks in, He's like, what's up, He's up,

3:29:57.040 --> 3:29:58.400
<v Speaker 2>what's up? Like if I came in here and went

3:29:58.440 --> 3:29:59.840
<v Speaker 2>across the room, it was just like, what's.

3:29:59.760 --> 3:30:00.360
<v Speaker 3>Up, what's up?

3:30:00.440 --> 3:30:00.800
<v Speaker 5>What's up?

3:30:00.879 --> 3:30:01.840
<v Speaker 3>What's up? What's up?

3:30:01.879 --> 3:30:02.240
<v Speaker 2>What's up?

3:30:02.280 --> 3:30:02.640
<v Speaker 5>What's up?

3:30:02.720 --> 3:30:03.080
<v Speaker 3>What's up.

3:30:03.280 --> 3:30:06.600
<v Speaker 5>He get to him and he go what's up? And

3:30:06.720 --> 3:30:07.720
<v Speaker 5>then you go, what's up?

3:30:07.800 --> 3:30:08.240
<v Speaker 3>What's up?

3:30:09.040 --> 3:30:11.959
<v Speaker 2>So he he's fucking around and he just looks up

3:30:12.000 --> 3:30:14.960
<v Speaker 2>at me, go like this. I looked at him and

3:30:15.080 --> 3:30:17.280
<v Speaker 2>he goes, he's just hop up. He like I was

3:30:17.320 --> 3:30:21.840
<v Speaker 2>having blood? What fuck you talking to? Hes just going

3:30:21.920 --> 3:30:27.280
<v Speaker 2>on like niggas treats off. Nigga, come fucked up. So

3:30:27.440 --> 3:30:28.320
<v Speaker 2>I'm sitting there like this.

3:30:28.760 --> 3:30:33.439
<v Speaker 5>I'm like, so, I'm like, because he said everybody else because.

3:30:33.240 --> 3:30:36.520
<v Speaker 2>Him only it's I'm like, so mind you, I only

3:30:36.680 --> 3:30:39.039
<v Speaker 2>know like the version of y'all just saw with the words.

3:30:40.720 --> 3:30:44.000
<v Speaker 5>But I'm I'm ten, Oliviers. Don't listen to this nigga.

3:30:44.000 --> 3:30:47.000
<v Speaker 5>I'm like, I want to see that other thing too.

3:30:47.200 --> 3:30:50.880
<v Speaker 5>You know there's another version. Hey that dude, that dude

3:30:50.959 --> 3:30:53.080
<v Speaker 5>like he said, oh man, my man.

3:30:53.480 --> 3:30:58.440
<v Speaker 3>He was like, nigga sat down. He said, hey, could

3:30:58.440 --> 3:30:59.760
<v Speaker 3>you just the osculators with the left.

3:31:01.920 --> 3:31:03.920
<v Speaker 5>Where he said, God, I'm sitting there like.

3:31:05.840 --> 3:31:06.760
<v Speaker 4>The crazy thing.

3:31:07.160 --> 3:31:11.280
<v Speaker 5>Okay, and to the point where the dude corrupt find out.

3:31:11.200 --> 3:31:15.560
<v Speaker 3>About it, finds out about it, drives him back.

3:31:17.680 --> 3:31:20.840
<v Speaker 2>Apologize to Uncle Quick because I'm gonna knock you out.

3:31:20.920 --> 3:31:23.440
<v Speaker 2>It just became this other thing that going. And he

3:31:23.520 --> 3:31:26.640
<v Speaker 2>apologized and then he left. And then I was like,

3:31:26.879 --> 3:31:29.400
<v Speaker 2>this is DJ Quick in a nutshell right here. He

3:31:29.560 --> 3:31:32.280
<v Speaker 2>really want to be chilling, but niggas keep tapping at him.

3:31:33.160 --> 3:31:35.520
<v Speaker 2>And then all right, I'm wanted to answer.

3:31:35.320 --> 3:31:39.040
<v Speaker 5>That question quick. You think home boy did it on

3:31:39.160 --> 3:31:40.280
<v Speaker 5>purpose or I know.

3:31:40.360 --> 3:31:41.080
<v Speaker 3>He did it on purpose.

3:31:41.160 --> 3:31:44.000
<v Speaker 5>Okay, you can't not do it on purpose.

3:31:45.040 --> 3:31:47.200
<v Speaker 3>Come on, it just wasn't the time, and it was

3:31:47.240 --> 3:31:53.320
<v Speaker 3>inappropriate time sometime, that was not the time because we

3:31:53.400 --> 3:31:55.920
<v Speaker 3>were on the clock, and I'm getting gang tested while

3:31:55.920 --> 3:31:57.920
<v Speaker 3>I'm on the clock. This is a different This is

3:31:57.920 --> 3:32:00.520
<v Speaker 3>a caveat Let me you know what.

3:32:00.840 --> 3:32:04.720
<v Speaker 5>Let's make this make sense. Do you mind if I

3:32:04.800 --> 3:32:05.520
<v Speaker 5>trip a little.

3:32:05.440 --> 3:32:06.480
<v Speaker 3>He looked, He looked at me.

3:32:06.520 --> 3:32:08.600
<v Speaker 5>I just love to trip a little man.

3:32:10.000 --> 3:32:13.960
<v Speaker 2>Look here, he with one. Let me talk to you.

3:32:16.400 --> 3:32:23.480
<v Speaker 5>She mean, don't you ever come in this business talking

3:32:23.560 --> 3:32:23.879
<v Speaker 5>that ship.

3:32:24.640 --> 3:32:27.480
<v Speaker 3>I don't know who you is. I know that somebody

3:32:27.600 --> 3:32:30.480
<v Speaker 3>somewhere must love you because you're here. Now get back

3:32:30.520 --> 3:32:34.200
<v Speaker 3>to him safely. If you play that ship one more time,

3:32:34.920 --> 3:32:35.960
<v Speaker 3>I'm gonna show you what to do.

3:32:36.640 --> 3:32:39.640
<v Speaker 2>And I hate being that guy, But don't come in

3:32:39.720 --> 3:32:41.480
<v Speaker 2>here with that. That's like the teacher of the class.

3:32:41.680 --> 3:32:42.800
<v Speaker 2>I'm finish corrupt.

3:32:42.520 --> 3:32:45.000
<v Speaker 3>This whole class. I got students that will.

3:32:44.879 --> 3:32:48.760
<v Speaker 2>Be kick your ass outside that let me nope, turn

3:32:48.800 --> 3:32:52.080
<v Speaker 2>the phone off in the com not alert the front office,

3:32:52.640 --> 3:32:54.039
<v Speaker 2>deal with this in the hallway right.

3:32:54.360 --> 3:32:57.800
<v Speaker 5>And then after it happened, he looked at me. After

3:32:57.840 --> 3:33:02.080
<v Speaker 5>he looked at me both ways of Sunday you looked

3:33:02.120 --> 3:33:02.280
<v Speaker 5>at me.

3:33:02.320 --> 3:33:09.240
<v Speaker 3>He was like, that's immature. Oh my god.

3:33:10.200 --> 3:33:14.200
<v Speaker 2>He looked at me, just was like did I It

3:33:14.360 --> 3:33:17.480
<v Speaker 2>was amazing, Like as a as a child that was

3:33:17.560 --> 3:33:18.080
<v Speaker 2>just wanting you.

3:33:18.600 --> 3:33:20.279
<v Speaker 5>You kind of expected in this way.

3:33:20.120 --> 3:33:22.480
<v Speaker 2>But you wait, No, it's just it's not that I

3:33:22.600 --> 3:33:25.879
<v Speaker 2>expected it. It was just like I hadn't seen it yet.

3:33:26.959 --> 3:33:28.440
<v Speaker 2>I don't know, Like, bro, like you know what I'm saying.

3:33:28.480 --> 3:33:29.320
<v Speaker 2>He was an asshole.

3:33:30.400 --> 3:33:31.080
<v Speaker 5>Were just supposed to do.

3:33:31.200 --> 3:33:34.160
<v Speaker 2>But I'm saying I'm I'm i hold him at such

3:33:34.200 --> 3:33:35.199
<v Speaker 2>a high regard.

3:33:36.200 --> 3:33:40.120
<v Speaker 5>It's like, not will he go down there? Does he

3:33:40.200 --> 3:33:46.120
<v Speaker 5>still like to go down there? He felt like the

3:33:46.200 --> 3:33:46.920
<v Speaker 5>other way he said it.

3:33:48.600 --> 3:33:50.880
<v Speaker 2>Like not he he could have literally ignored it and

3:33:50.959 --> 3:33:53.720
<v Speaker 2>it wouldn't be anything he could have This is DJ

3:33:54.200 --> 3:33:56.840
<v Speaker 2>quick exactly. Man, he could have literally he could have

3:33:56.959 --> 3:33:59.080
<v Speaker 2>like kicked me twice. Not a fire on that nigga,

3:33:59.160 --> 3:34:02.480
<v Speaker 2>just because I'm with him, right, it was just like,

3:34:02.760 --> 3:34:04.840
<v Speaker 2>let me show you something, let me show you something

3:34:04.840 --> 3:34:05.240
<v Speaker 2>real quick.

3:34:06.400 --> 3:34:10.800
<v Speaker 5>Sorry, He's like, it's just like, hold on, I got

3:34:10.879 --> 3:34:12.480
<v Speaker 5>to see what I grew up to.

3:34:14.040 --> 3:34:17.200
<v Speaker 1>Yeah, so let me ask you quick, right, Because in

3:34:17.360 --> 3:34:25.720
<v Speaker 1>certain places, blood is a slang me right, right, Blood

3:34:25.800 --> 3:34:27.480
<v Speaker 1>is like saying somebody saying what's up?

3:34:27.520 --> 3:34:30.840
<v Speaker 5>Blood is a slang but they don't mean, they don't mean,

3:34:31.480 --> 3:34:33.560
<v Speaker 5>they don't mean, they don't mean gang.

3:34:33.400 --> 3:34:35.760
<v Speaker 1>Banging and certain places because it is a slang, right,

3:34:36.320 --> 3:34:39.320
<v Speaker 1>can you identify if someone called you a blood or

3:34:39.360 --> 3:34:41.039
<v Speaker 1>because in a place that.

3:34:42.720 --> 3:34:48.200
<v Speaker 8>Is in gang random? Yes, it's the funny thing. The

3:34:48.360 --> 3:34:54.680
<v Speaker 8>thing is is that'sh ship the fun Ready for this question.

3:34:56.800 --> 3:34:59.400
<v Speaker 3>I'm gonna smoke your let's go do whatever you need.

3:35:00.040 --> 3:35:01.760
<v Speaker 5>How long you take you to think of that question, though,

3:35:02.720 --> 3:35:04.120
<v Speaker 5>how long it take you to come up with that? Cus,

3:35:04.840 --> 3:35:07.960
<v Speaker 5>you just now pothize that was random, That's like it

3:35:08.080 --> 3:35:08.360
<v Speaker 5>just came.

3:35:09.520 --> 3:35:10.000
<v Speaker 3>That was ill.

3:35:10.760 --> 3:35:12.600
<v Speaker 5>All the we're probably said.

3:35:12.600 --> 3:35:16.520
<v Speaker 3>It's like we have been desensitizing blood and crip and

3:35:16.640 --> 3:35:19.520
<v Speaker 3>cuz and all the nicknames as much as we've been

3:35:19.600 --> 3:35:21.720
<v Speaker 3>trying to desensitize the word nigga.

3:35:22.040 --> 3:35:22.280
<v Speaker 2>Wow.

3:35:23.720 --> 3:35:26.279
<v Speaker 3>Wow, we're making it more common and we're taking ownership

3:35:26.320 --> 3:35:28.760
<v Speaker 3>of it. We're turning into terms of endearment and love.

3:35:28.840 --> 3:35:31.080
<v Speaker 3>But it's it's kind of hard when you really know

3:35:31.240 --> 3:35:34.160
<v Speaker 3>the truth about you know, derogatory terms and all this.

3:35:34.600 --> 3:35:37.080
<v Speaker 3>But if we could just make take the sting out

3:35:37.080 --> 3:35:38.480
<v Speaker 3>of it, all of it, it's just you know, like,

3:35:38.760 --> 3:35:40.600
<v Speaker 3>oh my god, you know, I mean, it don't have

3:35:40.720 --> 3:35:46.400
<v Speaker 3>to be political. We're deep. We're citizenizing, like you said, citizen,

3:35:46.760 --> 3:35:50.360
<v Speaker 3>We're citizenizing Bluzz and Cris. We just we're just all citizens, bro,

3:35:50.480 --> 3:35:52.240
<v Speaker 3>and we're all the same color at the same time,

3:35:52.800 --> 3:35:55.039
<v Speaker 3>you know what I mean. It's it's anything every it's

3:35:55.160 --> 3:35:59.080
<v Speaker 3>everything everywhere, all at once, but at least less control

3:35:59.200 --> 3:36:01.920
<v Speaker 3>the energy and a narrative of it, Like let's diffuse

3:36:01.959 --> 3:36:04.959
<v Speaker 3>the bullshit let's make it more to where I can

3:36:05.080 --> 3:36:07.200
<v Speaker 3>come and get a fucking burger at tams Bro and

3:36:07.200 --> 3:36:11.080
<v Speaker 3>your neighborhood is fine because I like fucking like fucking

3:36:11.120 --> 3:36:13.120
<v Speaker 3>PERSTROMI on my fries, my asshole.

3:36:13.840 --> 3:36:16.040
<v Speaker 5>Y'all got over here. I'm not gonna mess with your girls.

3:36:18.280 --> 3:36:18.760
<v Speaker 3>That show.

3:36:20.040 --> 3:36:22.640
<v Speaker 5>That show I keep saying, I've just never seen it,

3:36:23.280 --> 3:36:23.640
<v Speaker 5>And let.

3:36:23.560 --> 3:36:26.080
<v Speaker 1>Me ask you all, because what Kendrick said on stage

3:36:26.280 --> 3:36:28.360
<v Speaker 1>was it wasn't not just the first time y'all was

3:36:28.400 --> 3:36:31.119
<v Speaker 1>at rehearsal before the right man.

3:36:31.320 --> 3:36:33.440
<v Speaker 5>Rehearsal was like.

3:36:33.480 --> 3:36:36.280
<v Speaker 2>The county jet, like the county jail at first Bro

3:36:37.120 --> 3:36:38.800
<v Speaker 2>the county because everybody.

3:36:42.600 --> 3:36:44.440
<v Speaker 3>Like the way you pull in. It was just like

3:36:44.560 --> 3:36:45.800
<v Speaker 3>you get to see who pulling up.

3:36:46.360 --> 3:36:48.320
<v Speaker 2>And again, I'm probably like the oldest niggad there, so

3:36:48.360 --> 3:36:50.280
<v Speaker 2>I'm just kind of just watching energy, Me and whack

3:36:50.320 --> 3:36:53.840
<v Speaker 2>Off we watching. I'm like, okay, yeah, oh okay, they

3:36:53.920 --> 3:36:57.800
<v Speaker 2>got okay, they coming okay, And everybody brought the version

3:36:57.840 --> 3:36:59.960
<v Speaker 2>to everybody, so it was cool, you know what I'm saying.

3:37:00.200 --> 3:37:01.320
<v Speaker 3>And then like DJ Head, he.

3:37:01.360 --> 3:37:01.960
<v Speaker 5>Set the tone.

3:37:02.280 --> 3:37:06.520
<v Speaker 2>Everybody came with the attitude of like it's trying to win. Yeah,

3:37:07.080 --> 3:37:12.840
<v Speaker 2>like everybody, nobody was on bullshit. Nobody looks scared, nobody

3:37:12.959 --> 3:37:15.960
<v Speaker 2>was nervous, nobody was thinking it was about to be

3:37:16.400 --> 3:37:18.280
<v Speaker 2>Like people I think were excited to be.

3:37:19.800 --> 3:37:24.920
<v Speaker 5>Welcomed. I think that's what it was like. Everybody felt

3:37:25.000 --> 3:37:26.520
<v Speaker 5>like they were happy to be welcomed.

3:37:26.959 --> 3:37:29.080
<v Speaker 1>That like I would have thought something with elite from

3:37:29.120 --> 3:37:31.680
<v Speaker 1>the rehearsals, the fact that every ya was all in

3:37:31.760 --> 3:37:32.920
<v Speaker 1>cahoop's like like.

3:37:33.120 --> 3:37:36.600
<v Speaker 5>Like like that's real, that's that's it, yeah, because somebody

3:37:36.640 --> 3:37:41.920
<v Speaker 5>would have violated. It was for me, for me, For me,

3:37:42.040 --> 3:37:45.600
<v Speaker 5>I got to see y'all, I was all together. I

3:37:45.680 --> 3:37:49.680
<v Speaker 5>got to see how like five hundred million dollar businesses

3:37:49.760 --> 3:37:52.400
<v Speaker 5>run is what I got to watch. Like they were

3:37:52.520 --> 3:37:55.120
<v Speaker 5>definitely like if you do this, you can't perform. You

3:37:55.200 --> 3:37:59.960
<v Speaker 5>do this, you can't perform whatever, like that's not that's

3:38:00.360 --> 3:38:00.880
<v Speaker 5>my pey Gray.

3:38:00.920 --> 3:38:02.800
<v Speaker 3>I don't I don't know what I saw. I know

3:38:02.920 --> 3:38:05.920
<v Speaker 3>if you you did six seven things, you asked the

3:38:05.959 --> 3:38:07.959
<v Speaker 3>pot of there all of.

3:38:08.000 --> 3:38:11.520
<v Speaker 1>That, I imagine Doctor Dray wasn't that rehearsals, so he

3:38:11.760 --> 3:38:14.080
<v Speaker 1>was he was was really was that had to be

3:38:14.800 --> 3:38:16.560
<v Speaker 1>reearsal oh ship I left Earth.

3:38:16.440 --> 3:38:18.280
<v Speaker 2>Yeah he was, but that had to be one of

3:38:18.360 --> 3:38:21.680
<v Speaker 2>those like don't say that. No, Drey was fucking comfortable

3:38:21.720 --> 3:38:25.520
<v Speaker 2>as fun. That's like, don't say nothing about No, we

3:38:25.760 --> 3:38:30.280
<v Speaker 2>wasn't saying nothing about nothing, Like you couldn't know, Like what, Bro,

3:38:30.560 --> 3:38:32.640
<v Speaker 2>we knew what we were about to do to the city.

3:38:32.920 --> 3:38:35.160
<v Speaker 3>It was like, hold on, like, why would I be

3:38:35.240 --> 3:38:38.080
<v Speaker 3>the one that leak it the world? The city?

3:38:38.680 --> 3:38:38.880
<v Speaker 2>Nah?

3:38:39.040 --> 3:38:39.320
<v Speaker 3>World?

3:38:39.360 --> 3:38:42.080
<v Speaker 5>No, no, no, no, no, the city the world got

3:38:42.120 --> 3:38:42.600
<v Speaker 5>to watch it.

3:38:43.000 --> 3:38:46.320
<v Speaker 2>This was really about Los Angeles, like, Bro, I heard

3:38:46.400 --> 3:38:47.520
<v Speaker 2>wrote really.

3:38:47.320 --> 3:38:52.040
<v Speaker 5>About that, really about that? Like I heard, I don't

3:38:52.080 --> 3:38:53.480
<v Speaker 5>know this is true, so don't do that.

3:38:53.680 --> 3:38:57.039
<v Speaker 2>But I heard there was refunds if you were if

3:38:57.080 --> 3:38:59.320
<v Speaker 2>your area code wasn't in California.

3:39:00.440 --> 3:39:01.080
<v Speaker 5>I heard you say that.

3:39:02.280 --> 3:39:02.800
<v Speaker 3>I heard that.

3:39:02.959 --> 3:39:07.920
<v Speaker 5>I was like, wow, he Bro, the weekend was.

3:39:07.920 --> 3:39:09.320
<v Speaker 3>In the bias straight up.

3:39:09.680 --> 3:39:12.120
<v Speaker 2>The weekend was in the spot Rick Ross or they

3:39:12.320 --> 3:39:14.000
<v Speaker 2>could they wasn't going on the stage though.

3:39:16.640 --> 3:39:18.640
<v Speaker 5>That was about yeah, yeah yeah, they wasn't.

3:39:20.160 --> 3:39:21.560
<v Speaker 3>For there, right Nick?

3:39:21.879 --> 3:39:22.160
<v Speaker 5>Come on?

3:39:22.360 --> 3:39:23.280
<v Speaker 2>That was bro.

3:39:23.440 --> 3:39:24.600
<v Speaker 5>That was genius, man.

3:39:25.879 --> 3:39:29.160
<v Speaker 2>That was yeah, Bro, it was no, why would we

3:39:29.240 --> 3:39:31.400
<v Speaker 2>be the ones that that make it leak? And then

3:39:31.480 --> 3:39:33.840
<v Speaker 2>we be on we be on the weirdose side of things.

3:39:34.120 --> 3:39:39.160
<v Speaker 5>That's called sabotage, right, bro Bro.

3:39:39.160 --> 3:39:41.200
<v Speaker 2>Didn't need none of us there for us for y'all

3:39:41.240 --> 3:39:44.560
<v Speaker 2>to watch. So it's like, nah, we're not about to

3:39:44.640 --> 3:39:47.000
<v Speaker 2>do that. This is this is this is about to

3:39:47.040 --> 3:39:48.680
<v Speaker 2>be cool. I didn't know it was going to do this,

3:39:49.120 --> 3:39:52.560
<v Speaker 2>but but that's a great time for California for y'all.

3:39:52.760 --> 3:39:55.360
<v Speaker 3>I think it was great for him everywhere. I think

3:39:55.400 --> 3:40:00.520
<v Speaker 3>it was bigger than California. I mean, what for hip

3:40:00.520 --> 3:40:00.920
<v Speaker 3>hop too.

3:40:01.200 --> 3:40:03.960
<v Speaker 1>It's big for hip hop and showing that cammaraderie and

3:40:04.040 --> 3:40:06.280
<v Speaker 1>that unity that you know what I mean that we've

3:40:06.320 --> 3:40:08.760
<v Speaker 1>never seen it was in that side. Everybody never seen

3:40:08.840 --> 3:40:12.040
<v Speaker 1>from that side. So that since all in the same gang,

3:40:12.280 --> 3:40:14.039
<v Speaker 1>you know, that's that's been the whole thing. Talking about

3:40:14.080 --> 3:40:15.680
<v Speaker 1>that and like to see it. Like I said, I

3:40:15.760 --> 3:40:17.720
<v Speaker 1>was on vacation somewhere. I don't forget where I was at.

3:40:17.840 --> 3:40:19.720
<v Speaker 1>I just shot a pitcher at first, and I was

3:40:19.760 --> 3:40:22.520
<v Speaker 1>just like, wait a minute, that sit just looked at

3:40:22.600 --> 3:40:24.760
<v Speaker 1>it just looked at crazy to it tripped.

3:40:24.520 --> 3:40:27.400
<v Speaker 2>Out Like I went when we landed, I had to

3:40:27.440 --> 3:40:28.959
<v Speaker 2>go to the mall to grass and shit or whatever,

3:40:29.080 --> 3:40:31.320
<v Speaker 2>and I'm just like I saw the billboard pop up

3:40:31.840 --> 3:40:33.840
<v Speaker 2>and I saw it like pop up all over the mall.

3:40:33.920 --> 3:40:39.039
<v Speaker 2>I'm like, y'all after the joke yesterday here, the mall

3:40:39.160 --> 3:40:41.720
<v Speaker 2>is here, flew into Miami. I want to go grab

3:40:41.840 --> 3:40:43.360
<v Speaker 2>some ship for you know what I'm saying, just hanging

3:40:43.400 --> 3:40:45.400
<v Speaker 2>out or whatever, and I'm just watching the billboard that

3:40:45.800 --> 3:40:48.560
<v Speaker 2>he's on the fucking billboard in the morning here, so

3:40:49.720 --> 3:40:51.920
<v Speaker 2>we're just watching it. But I'm in Miami, bro, I'm

3:40:51.959 --> 3:40:53.360
<v Speaker 2>not at the house. But you know what I'm saying,

3:40:53.400 --> 3:40:55.120
<v Speaker 2>we got ours at the house. I heard it's like

3:40:55.200 --> 3:40:57.560
<v Speaker 2>eleven to twelve cities that shit has flowed around through

3:40:57.560 --> 3:40:58.640
<v Speaker 2>and it's about the triple up.

3:40:58.760 --> 3:41:02.360
<v Speaker 3>So for that to just be something that you can

3:41:02.440 --> 3:41:03.080
<v Speaker 3>you can say.

3:41:02.879 --> 3:41:05.879
<v Speaker 2>You was a part of, deserve shout out to that boy,

3:41:06.040 --> 3:41:09.520
<v Speaker 2>Kendrick Man, PG Lang, Free Lunch, DJ Head Mustard, everybody

3:41:09.640 --> 3:41:10.280
<v Speaker 2>that was involved.

3:41:10.840 --> 3:41:13.560
<v Speaker 3>For sure. For us to see that though outside of

3:41:13.800 --> 3:41:15.279
<v Speaker 3>l A oh on man.

3:41:15.320 --> 3:41:19.720
<v Speaker 5>Wow, wow, wow, make some noise for that.

3:41:20.120 --> 3:41:20.640
<v Speaker 3>That's right.

3:41:24.200 --> 3:41:28.000
<v Speaker 5>I'll be honest, I could do this all night, but damn,

3:41:28.040 --> 3:41:28.760
<v Speaker 5>that was so dope.

3:41:28.840 --> 3:41:29.000
<v Speaker 3>Man.

3:41:29.440 --> 3:41:32.879
<v Speaker 1>I'm so proud of what y'all doing, what y'all continue

3:41:32.920 --> 3:41:41.240
<v Speaker 1>to do. You know what, I'm proud I'm proud of

3:41:41.680 --> 3:41:43.400
<v Speaker 1>I'm proud of your whole coast, man, You know what

3:41:43.440 --> 3:41:46.280
<v Speaker 1>I'm saying, like to tell you the truth, Like like

3:41:46.400 --> 3:41:48.360
<v Speaker 1>even us being from the East coast, like we didn't

3:41:48.360 --> 3:41:49.480
<v Speaker 1>have no West coast beef.

3:41:49.600 --> 3:41:49.800
<v Speaker 3>It was.

3:41:50.200 --> 3:41:50.800
<v Speaker 5>It was stupid.

3:41:50.840 --> 3:41:52.640
<v Speaker 1>We was following us some dumb ship and they was

3:41:52.720 --> 3:41:54.920
<v Speaker 1>following some dumb ship. But for me to see y'all

3:41:55.040 --> 3:41:59.000
<v Speaker 1>do that together, because guess what, I just like how

3:41:59.040 --> 3:42:01.920
<v Speaker 1>you just said you just see the Bloods do that,

3:42:02.120 --> 3:42:05.160
<v Speaker 1>then the crypt Shore follow suit. After we see l

3:42:05.200 --> 3:42:09.880
<v Speaker 1>A do that, New York should follow suit. Remember self

3:42:09.879 --> 3:42:13.080
<v Speaker 1>instruction came first, right now all in the same then

3:42:13.240 --> 3:42:16.520
<v Speaker 1>a game. Now y'all all in the same game coming first.

3:42:16.840 --> 3:42:19.360
<v Speaker 1>Now New York gotta step it up.

3:42:19.400 --> 3:42:20.520
<v Speaker 5>We gotta do theirself not.

3:42:22.200 --> 3:42:22.800
<v Speaker 3>Self destruction.

3:42:23.360 --> 3:42:28.440
<v Speaker 5>Yeah yeah, yeah, making sure, yes, y'all made sure it's

3:42:28.520 --> 3:42:30.440
<v Speaker 5>on another level entertainment with you.

3:42:30.879 --> 3:42:31.640
<v Speaker 3>That's whole of the story.

3:42:31.720 --> 3:42:34.160
<v Speaker 1>But yeah, but no, I just want to tell you

3:42:34.280 --> 3:42:36.600
<v Speaker 1>how proud I am a y'all man, because and I

3:42:36.760 --> 3:42:40.680
<v Speaker 1>proudly I am of y'all being proud of yourself. I

3:42:40.720 --> 3:42:42.480
<v Speaker 1>don't know if that makes sense, but what I'm saying

3:42:42.520 --> 3:42:44.279
<v Speaker 1>to say is I can see it with y'all.

3:42:44.320 --> 3:42:45.280
<v Speaker 5>Like I see it. I can see.

3:42:45.560 --> 3:42:47.720
<v Speaker 1>I see the way y'all walk. Now, I can see

3:42:47.760 --> 3:42:51.680
<v Speaker 1>your hair cuts. It different, you're close different. Search is

3:42:51.760 --> 3:42:55.200
<v Speaker 1>silky here, you know what I mean. Your restaurants some

3:42:55.240 --> 3:42:57.720
<v Speaker 1>more spits word, you know what I mean. Like it's

3:42:57.800 --> 3:43:01.160
<v Speaker 1>just all like be proud, beautiful, and it's just like

3:43:01.520 --> 3:43:03.200
<v Speaker 1>like I got to see it, Like I said, you know,

3:43:03.280 --> 3:43:04.119
<v Speaker 1>obviously I can't.

3:43:04.440 --> 3:43:05.920
<v Speaker 5>You know, I'm not that connected.

3:43:06.000 --> 3:43:08.320
<v Speaker 1>But for those five days just walking around and me

3:43:08.560 --> 3:43:11.520
<v Speaker 1>traveling to LA for twenty seven years, twenty six years,

3:43:11.800 --> 3:43:14.440
<v Speaker 1>you know what I'm saying, I'm seeing like like y'all

3:43:14.640 --> 3:43:17.920
<v Speaker 1>like it's the morales just boosted back, and it's just

3:43:18.040 --> 3:43:20.080
<v Speaker 1>like that's that's ill what Kendrick did.

3:43:20.160 --> 3:43:20.760
<v Speaker 5>You know what I'm saying.

3:43:20.800 --> 3:43:22.959
<v Speaker 2>And I think it's bigger than like the West Coast

3:43:23.000 --> 3:43:26.720
<v Speaker 2>because I think he wants y'all to do the same

3:43:26.800 --> 3:43:30.920
<v Speaker 2>thing Atlanta, Chicago. Bro, it's about it's about hip hop,

3:43:31.160 --> 3:43:35.520
<v Speaker 2>Like it's about hip hop not becoming this New York

3:43:35.560 --> 3:43:39.279
<v Speaker 2>b hip hop can't turn into the drug business, Bronia

3:43:39.959 --> 3:43:41.280
<v Speaker 2>going to jail man.

3:43:41.480 --> 3:43:43.240
<v Speaker 3>I think it's longer than the West Coast.

3:43:43.280 --> 3:43:47.040
<v Speaker 6>It's bigger hip hop movement and Kendrick represents like this

3:43:47.160 --> 3:43:50.240
<v Speaker 6>hip hop movement that he was inspired by, probably not

3:43:50.360 --> 3:43:53.720
<v Speaker 6>even him. West Coast resonated somewhere else, but he brought

3:43:53.760 --> 3:43:55.760
<v Speaker 6>it the West and he took it everywhere.

3:43:55.800 --> 3:43:57.760
<v Speaker 5>He's like, Yo, this is what we're doing, guys.

3:43:57.760 --> 3:43:58.960
<v Speaker 2>Absolutely.

3:44:00.080 --> 3:44:02.680
<v Speaker 3>Right, I like.

3:44:04.160 --> 3:44:04.640
<v Speaker 4>The whole time.

3:44:05.520 --> 3:44:09.160
<v Speaker 5>Yeah, he's the only thing to say is.

3:44:09.200 --> 3:44:14.960
<v Speaker 3>That bad jay Z said the devil's in the details. Yeah,

3:44:15.879 --> 3:44:18.400
<v Speaker 3>let's talk about that before before beginning like that was

3:44:18.480 --> 3:44:19.600
<v Speaker 3>drinking his liquor too.

3:44:19.680 --> 3:44:22.560
<v Speaker 5>Yes, yes, yes, yes. What happens when you get this

3:44:22.720 --> 3:44:24.760
<v Speaker 5>call that that jay Z wants to work with you?

3:44:25.800 --> 3:44:30.280
<v Speaker 2>Uh, first of all, don't believe it, right, because I've been.

3:44:30.200 --> 3:44:31.280
<v Speaker 3>In the house for a year.

3:44:31.600 --> 3:44:34.160
<v Speaker 5>Hold you said by myself. You know, I cut the

3:44:34.200 --> 3:44:35.000
<v Speaker 5>outside world off.

3:44:35.040 --> 3:44:36.520
<v Speaker 3>Remember your man said I was in the house for

3:44:36.560 --> 3:44:38.840
<v Speaker 3>a year, and he's right. And it was like my

3:44:38.920 --> 3:44:40.920
<v Speaker 3>agent was like, hey man, they suck this up, bro,

3:44:41.080 --> 3:44:43.640
<v Speaker 3>like you already sucked up the entourage meeting dude for HBO.

3:44:43.720 --> 3:44:45.120
<v Speaker 3>I'm like, I'll be up there. I'm up there with

3:44:45.200 --> 3:44:49.119
<v Speaker 3>Kevin Bacon them watching payroll get done. Fucking he got

3:44:49.200 --> 3:44:51.840
<v Speaker 3>me this kids, man, he's my I missed this guy.

3:44:51.840 --> 3:44:54.240
<v Speaker 3>I need to get this Asian back anyway. He was

3:44:54.320 --> 3:44:57.440
<v Speaker 3>like dre like he said, Jay likes one of your beats. Bro,

3:44:57.520 --> 3:44:59.680
<v Speaker 3>you got to New York. So I went to New

3:44:59.800 --> 3:45:03.040
<v Speaker 3>York and stayed in fucking Jay's studio for a while,

3:45:04.040 --> 3:45:07.000
<v Speaker 3>based like five days, yeah, based on okay and then

3:45:07.200 --> 3:45:10.280
<v Speaker 3>about you know you got It's like I'm like, I'm here.

3:45:11.080 --> 3:45:14.680
<v Speaker 3>They was like Cook doesn't get it. Just just leave

3:45:14.720 --> 3:45:18.920
<v Speaker 3>him there, just telling him I beat need it right,

3:45:21.760 --> 3:45:22.480
<v Speaker 3>don't tell him.

3:45:26.520 --> 3:45:29.160
<v Speaker 5>Control is that?

3:45:29.360 --> 3:45:34.520
<v Speaker 3>Man? No, look Monday, I got hardest around. I'm fading

3:45:34.560 --> 3:45:35.160
<v Speaker 3>on Thursday.

3:45:35.240 --> 3:45:37.480
<v Speaker 2>It's like the Friday and they put up with me.

3:45:37.560 --> 3:45:40.800
<v Speaker 3>I say, I'm like, just I just went too hard

3:45:40.840 --> 3:45:42.800
<v Speaker 3>and I was just like they finally came out like.

3:45:44.400 --> 3:45:47.160
<v Speaker 5>You had to wait, said I love how you moved

3:45:47.240 --> 3:45:48.440
<v Speaker 5>like he has something to do.

3:45:48.640 --> 3:45:52.440
<v Speaker 3>He's busy guy. Yeah, bro, but no, it was funny

3:45:52.640 --> 3:45:55.000
<v Speaker 3>like you know. Then he pulled up and I was like, bro,

3:45:55.240 --> 3:45:56.400
<v Speaker 3>god damn things.

3:45:56.480 --> 3:45:56.680
<v Speaker 5>Man.

3:45:56.879 --> 3:46:01.080
<v Speaker 3>I was probably here like man, Guru is too smart, Bro, like,

3:46:01.160 --> 3:46:04.480
<v Speaker 3>don't put me in rude to smart and showed me

3:46:04.520 --> 3:46:08.520
<v Speaker 3>ship I've never seen before. Bro, Like, bro, just pick

3:46:08.879 --> 3:46:14.119
<v Speaker 3>do you like to beat? He's like, quick shoe you wear.

3:46:17.200 --> 3:46:17.560
<v Speaker 5>Got you.

3:46:19.320 --> 3:46:23.000
<v Speaker 3>Starts coming on the way right now you love this

3:46:23.120 --> 3:46:28.200
<v Speaker 3>pretty quick. You gotta see what I did. That's the

3:46:28.280 --> 3:46:32.280
<v Speaker 3>best ever. You don't know when they see it, jay Z,

3:46:32.760 --> 3:46:37.760
<v Speaker 3>I'm doing that, horrible jay Z. But is he always

3:46:37.879 --> 3:46:41.480
<v Speaker 3>He's ahead, He's always ahead. He's a bro. He's one

3:46:41.520 --> 3:46:43.840
<v Speaker 3>of the greatest writers ever. I watched him write without writing.

3:46:44.560 --> 3:46:47.920
<v Speaker 3>It's like on in the in the Dragon, he started

3:46:48.000 --> 3:46:51.760
<v Speaker 3>fighting without fighting. The first time you saw that, Yeah,

3:46:51.760 --> 3:46:53.400
<v Speaker 3>I couldn't believe it. I was like, how the fun

3:46:53.959 --> 3:46:56.680
<v Speaker 3>I mean I had? I don't still walking around with pencil, paper,

3:46:56.800 --> 3:46:58.400
<v Speaker 3>chute jay Z. I was like, oh, I guess I

3:46:58.440 --> 3:47:03.800
<v Speaker 3>don't need that anymore. But this motherfucker wrote the song

3:47:03.840 --> 3:47:06.760
<v Speaker 3>without writing anything down. I'm like, and other songs, I'm like,

3:47:07.160 --> 3:47:09.800
<v Speaker 3>how the fuck is he doing this? He listened to

3:47:09.879 --> 3:47:12.280
<v Speaker 3>the Beaty kick Back and he home a little bit,

3:47:12.560 --> 3:47:15.920
<v Speaker 3>got this motherfucking Goocy shoes on, But there he is.

3:47:16.040 --> 3:47:17.279
<v Speaker 5>He's like, he bought Goosey.

3:47:21.760 --> 3:47:22.879
<v Speaker 3>Do you remember them shoes?

3:47:24.560 --> 3:47:27.600
<v Speaker 5>They're talking about the Black album, right, yes, my god.

3:47:30.120 --> 3:47:30.959
<v Speaker 5>He changed his head.

3:47:30.959 --> 3:47:36.400
<v Speaker 3>He's like, all right, I got it, guru, Yeah, he

3:47:36.480 --> 3:47:37.040
<v Speaker 3>got me gooan.

3:47:38.160 --> 3:47:40.920
<v Speaker 5>Then they went and just nailed it. Came I out.

3:47:41.000 --> 3:47:42.400
<v Speaker 5>He did like one take he was like.

3:47:43.480 --> 3:47:47.160
<v Speaker 3>They'll run it again. I'll do it again, killing that one.

3:47:47.280 --> 3:47:50.040
<v Speaker 3>It's like, it's like Jay, them ships is all good.

3:47:50.120 --> 3:47:52.320
<v Speaker 3>He was like, And Guru was like, what just lame,

3:47:52.760 --> 3:47:55.960
<v Speaker 3>just lame. I'm like, bro, like the record's done. He

3:47:56.120 --> 3:47:58.840
<v Speaker 3>just bro he just did three sixteen bar verses without

3:47:58.879 --> 3:48:02.200
<v Speaker 3>writing anything down. A y'all, just my am am, I

3:48:02.360 --> 3:48:06.000
<v Speaker 3>tripping some genius sh like this is the funk you

3:48:06.040 --> 3:48:06.560
<v Speaker 3>I've been doing.

3:48:08.240 --> 3:48:09.440
<v Speaker 5>You realize they've been doing that.

3:48:12.360 --> 3:48:17.280
<v Speaker 3>At that point, at the moment, Oh, this niggas a machine,

3:48:19.280 --> 3:48:22.240
<v Speaker 3>So all be all the fucking change clothes and all

3:48:22.320 --> 3:48:23.160
<v Speaker 3>makeson's all of it.

3:48:23.560 --> 3:48:24.840
<v Speaker 5>I'm cheam j all the way.

3:48:25.640 --> 3:48:27.480
<v Speaker 3>But I just couldn't believe that he didn't write that

3:48:27.520 --> 3:48:29.840
<v Speaker 3>ship down on justify my thought. I came a little

3:48:29.879 --> 3:48:32.360
<v Speaker 3>short on the beat because I tried to hurry up

3:48:32.400 --> 3:48:34.920
<v Speaker 3>and mix it and Trede needed his studio back. I

3:48:35.000 --> 3:48:36.840
<v Speaker 3>mixed that ship at Record One, which is the best

3:48:36.879 --> 3:48:38.039
<v Speaker 3>studio in the world, and.

3:48:38.959 --> 3:48:40.160
<v Speaker 5>That was the Madonna sample.

3:48:40.320 --> 3:48:45.240
<v Speaker 3>We stood up like we were scrubbed. She was supposed

3:48:45.280 --> 3:48:49.440
<v Speaker 3>to come, just by my th she she was gonna

3:48:49.440 --> 3:48:51.160
<v Speaker 3>be on. She flaked on us on the last day

3:48:51.160 --> 3:48:52.880
<v Speaker 3>and we were just so confused. It's like I was,

3:48:53.240 --> 3:48:55.720
<v Speaker 3>I'm like, she showed for the Sweet, but she want

3:48:55.720 --> 3:48:57.280
<v Speaker 3>to show for DJ Quick. I was hurt.

3:48:57.879 --> 3:49:01.280
<v Speaker 5>But girls you can't predict what they're gonna do. Hey,

3:49:01.760 --> 3:49:04.120
<v Speaker 5>we sold you wrong. We did it. That's the backstory.

3:49:05.120 --> 3:49:08.760
<v Speaker 5>That's my say that the album for me, like, I'll

3:49:08.880 --> 3:49:11.800
<v Speaker 5>say that she was supposed to come up there. I

3:49:11.840 --> 3:49:13.800
<v Speaker 5>want to man give her her privacy.

3:49:13.560 --> 3:49:15.440
<v Speaker 3>Just going there and seeing that ship like you did

3:49:15.560 --> 3:49:16.480
<v Speaker 3>on that nasty video.

3:49:16.600 --> 3:49:18.880
<v Speaker 5>You did he having fun?

3:49:20.960 --> 3:49:22.920
<v Speaker 3>You were wrong. You like having fun.

3:49:23.120 --> 3:49:26.040
<v Speaker 2>You abandoned your kid at school.

3:49:33.440 --> 3:49:37.160
<v Speaker 5>It's over. You're taking the picture. I got one more questions.

3:49:38.520 --> 3:49:39.080
<v Speaker 3>I gotta watch.

3:49:39.640 --> 3:49:42.640
<v Speaker 5>I gotta watch. I had a lie.

3:49:44.000 --> 3:49:48.880
<v Speaker 3>I gotta yeah, I gotta watch lie. I'm taking a

3:49:48.920 --> 3:49:51.520
<v Speaker 3>shot for shout out man shot.

3:49:52.280 --> 3:49:56.320
<v Speaker 5>I was a question because y'all better use this too.

3:49:56.440 --> 3:50:00.280
<v Speaker 5>She owed me something. No, no, no, we using we're

3:50:00.280 --> 3:50:00.840
<v Speaker 5>not using.

3:50:02.680 --> 3:50:07.520
<v Speaker 1>Listen, you know, geminis right and Tupac like what I'm

3:50:07.520 --> 3:50:10.320
<v Speaker 1>saying that, it's like like three different versions.

3:50:10.520 --> 3:50:13.760
<v Speaker 5>I don't appreciate nothing that bro Gemini three maybe two.

3:50:13.920 --> 3:50:20.160
<v Speaker 3>Maybe two birthday in eight, but in this case January,

3:50:22.320 --> 3:50:23.200
<v Speaker 3>but hold on, hold on, hold on.

3:50:23.400 --> 3:50:27.080
<v Speaker 1>In this case with Tupac, Right, there is two different

3:50:27.160 --> 3:50:29.920
<v Speaker 1>versions of it. There is like a digital underground version,

3:50:30.480 --> 3:50:33.040
<v Speaker 1>then that's that version right in between, and then it's

3:50:33.080 --> 3:50:33.960
<v Speaker 1>the death roversion.

3:50:34.640 --> 3:50:34.720
<v Speaker 6>Bro.

3:50:34.840 --> 3:50:35.640
<v Speaker 3>He's a yall man.

3:50:36.000 --> 3:50:39.720
<v Speaker 5>I toured with him, Bro, he was he was a roadie.

3:50:40.000 --> 3:50:43.040
<v Speaker 5>He was a roady. I didn't hold on y'all.

3:50:43.960 --> 3:50:48.000
<v Speaker 3>Look, he was a roadie on the tour. Like yeah,

3:50:48.720 --> 3:50:51.800
<v Speaker 3>but he was shining on stage like we were. We

3:50:51.920 --> 3:50:53.920
<v Speaker 3>were all you know, we were all that was Tommy Boy.

3:50:53.960 --> 3:50:57.160
<v Speaker 3>We were profile like we was on tom this Capitol Records.

3:50:57.680 --> 3:50:59.760
<v Speaker 5>Bro, it was all the same thing.

3:51:00.160 --> 3:51:05.200
<v Speaker 2>But Park was like he was the Humpty Dance record

3:51:05.280 --> 3:51:08.520
<v Speaker 2>right when everybody was doing Humpty Dance.

3:51:09.400 --> 3:51:14.760
<v Speaker 3>Park was more like the director, like the you know, choreographer.

3:51:15.280 --> 3:51:17.960
<v Speaker 3>I wouldn't call it that. He was just the brightest.

3:51:18.440 --> 3:51:22.120
<v Speaker 3>He was the brightest diamond in the bunch, you know,

3:51:23.240 --> 3:51:26.720
<v Speaker 3>and he made the shows lit. So when when Shoan

3:51:26.800 --> 3:51:29.240
<v Speaker 3>did the record for him, it just blew him up.

3:51:29.240 --> 3:51:31.160
<v Speaker 3>We all waited for that, you know what I'm saying.

3:51:31.200 --> 3:51:34.680
<v Speaker 3>He was. He was this dope little he was almost

3:51:34.760 --> 3:51:36.720
<v Speaker 3>like a black panther, but we didn't know that's what

3:51:36.840 --> 3:51:40.480
<v Speaker 3>it was. He just had a lot of enthusiasm. You

3:51:40.520 --> 3:51:42.480
<v Speaker 3>know what I mean at that young age, that ship

3:51:42.520 --> 3:51:45.480
<v Speaker 3>was amazing. That's crazy dating yo yo. He was dating

3:51:45.560 --> 3:51:46.240
<v Speaker 3>fucking yo yo.

3:51:46.400 --> 3:51:46.520
<v Speaker 6>Bro.

3:51:46.920 --> 3:51:54.720
<v Speaker 5>Wait, Puk was dating yoyo. That's not news. Well in

3:51:54.800 --> 3:52:01.280
<v Speaker 5>this team, money Love denied that part. Bro, what's.

3:52:03.600 --> 3:52:04.920
<v Speaker 4>That's my that's.

3:52:07.040 --> 3:52:07.240
<v Speaker 5>He was.

3:52:07.240 --> 3:52:07.960
<v Speaker 3>I wouldn't believe that.

3:52:08.120 --> 3:52:08.600
<v Speaker 5>I mean it was.

3:52:10.880 --> 3:52:14.400
<v Speaker 2>But we were looking up the was like this is

3:52:14.440 --> 3:52:16.600
<v Speaker 2>the next thing, you know what I mean, like he said,

3:52:16.680 --> 3:52:17.560
<v Speaker 2>he already set it up.

3:52:17.920 --> 3:52:19.240
<v Speaker 5>He was like quick, this is the next thing.

3:52:19.360 --> 3:52:21.400
<v Speaker 3>Like and he knew it when he when he sat

3:52:21.480 --> 3:52:24.720
<v Speaker 3>with Roger Troupman to do that took to do pox

3:52:24.800 --> 3:52:28.720
<v Speaker 3>record that was like homage because you know, only ice

3:52:28.800 --> 3:52:31.680
<v Speaker 3>Cube at that point could wrap over Za beats. You know.

3:52:32.280 --> 3:52:35.760
<v Speaker 3>That's how we saw it, like he got the beat

3:52:36.440 --> 3:52:40.080
<v Speaker 3>done by a Bay Area beasts like Greg Jacobs shout

3:52:40.120 --> 3:52:46.760
<v Speaker 3>out to the great shot. I still can't wait.

3:52:47.560 --> 3:52:49.920
<v Speaker 1>So let me ask you do you do you look

3:52:50.000 --> 3:52:52.360
<v Speaker 1>at like a Bay Area guy or you look at

3:52:52.440 --> 3:52:53.480
<v Speaker 1>him like an l A guy.

3:52:54.560 --> 3:52:58.760
<v Speaker 3>I look at him as the fucking roadie on the

3:52:58.960 --> 3:53:03.520
<v Speaker 3>tour who got it, got got his record out? He

3:53:03.960 --> 3:53:06.680
<v Speaker 3>he he did, He got out wrapped on his first album,

3:53:06.840 --> 3:53:09.920
<v Speaker 3>Unfortunately ice Cube got on there and just shined.

3:53:10.120 --> 3:53:12.240
<v Speaker 2>It was what it was, but he was he.

3:53:12.960 --> 3:53:15.000
<v Speaker 3>It was like he was a prize fighter on his

3:53:15.160 --> 3:53:17.680
<v Speaker 3>very first album, was very first album. Everybody know, it's

3:53:17.720 --> 3:53:20.560
<v Speaker 3>no secret, but the fact that he came back and

3:53:20.680 --> 3:53:23.960
<v Speaker 3>did this thing where he just took on this persona.

3:53:24.880 --> 3:53:27.760
<v Speaker 3>When I heard Dear Mama, bro like, I got out

3:53:27.800 --> 3:53:31.720
<v Speaker 3>of my car. Each he changed from all that you

3:53:31.760 --> 3:53:34.360
<v Speaker 3>know him, the scivity hobby, you know, dost effectus, whatever

3:53:34.520 --> 3:53:35.080
<v Speaker 3>he was going for.

3:53:35.200 --> 3:53:36.560
<v Speaker 5>It was like it was it was his thing.

3:53:36.600 --> 3:53:38.720
<v Speaker 3>He was telling his story and you know, it was cool,

3:53:38.800 --> 3:53:41.080
<v Speaker 3>but I was being Maybe I was being vain because

3:53:41.080 --> 3:53:43.440
<v Speaker 3>I was already rich and famous, and I probably didn't

3:53:43.520 --> 3:53:45.720
<v Speaker 3>listen to him like I should have. I didn't hear

3:53:45.800 --> 3:53:49.040
<v Speaker 3>his civil rights guy until I heard Dear Mama, and

3:53:49.160 --> 3:53:50.880
<v Speaker 3>it was like and then I had to go back.

3:53:51.240 --> 3:53:54.000
<v Speaker 3>Unfortunately for me, I was wrong, and I had to

3:53:54.080 --> 3:53:58.320
<v Speaker 3>go back and listen to his discography again and reintroduced

3:53:58.360 --> 3:54:00.160
<v Speaker 3>myself to him when I was too busy promote my

3:54:00.240 --> 3:54:00.840
<v Speaker 3>own records.

3:54:01.520 --> 3:54:03.120
<v Speaker 5>Butchupac, I'm Maris.

3:54:02.840 --> 3:54:04.880
<v Speaker 2>Shakur was a beast in the studio.

3:54:05.280 --> 3:54:07.200
<v Speaker 3>It was one of the most funniest times I had

3:54:07.240 --> 3:54:08.760
<v Speaker 3>in my life, and I wish I could have been there,

3:54:09.000 --> 3:54:10.880
<v Speaker 3>so I would have easily jumped in front of the shooter.

3:54:12.720 --> 3:54:14.640
<v Speaker 1>What do you think I would have happened and I

3:54:14.760 --> 3:54:17.960
<v Speaker 1>miss him if Pak would have still been signed to

3:54:18.040 --> 3:54:21.320
<v Speaker 1>death role but didn't indulge in in gang banging.

3:54:21.080 --> 3:54:24.240
<v Speaker 3>At it wasn't gang banging activity. He was never off

3:54:24.480 --> 3:54:28.120
<v Speaker 3>of fucking. He was never free from that case. He

3:54:28.320 --> 3:54:31.400
<v Speaker 3>was out on parole, so he never got comfortable because

3:54:31.400 --> 3:54:32.720
<v Speaker 3>he knew at some point, maybe you have to go

3:54:32.800 --> 3:54:35.400
<v Speaker 3>to jail. I don't know. He wasn't free.

3:54:36.640 --> 3:54:39.760
<v Speaker 2>He still had to go and rectify that situation, which

3:54:39.840 --> 3:54:41.720
<v Speaker 2>we all later found out what it was. But it

3:54:41.800 --> 3:54:44.360
<v Speaker 2>was like he didn't He never felt free. That's why

3:54:44.440 --> 3:54:47.000
<v Speaker 2>he never furnished his houses. That's why he you know,

3:54:47.160 --> 3:54:50.960
<v Speaker 2>it was fleeting between him and Kadata and I love

3:54:51.040 --> 3:54:51.560
<v Speaker 2>him both.

3:54:51.520 --> 3:54:53.840
<v Speaker 3>Like I wish that that was. They were a beautiful

3:54:53.880 --> 3:54:56.480
<v Speaker 3>dream that we were just watching coming to fruition and

3:54:56.600 --> 3:54:58.560
<v Speaker 3>it didn't end up the way it was supposed to

3:54:58.600 --> 3:54:58.840
<v Speaker 3>end up.

3:54:59.840 --> 3:55:00.480
<v Speaker 5>Us she's doing.

3:55:01.320 --> 3:55:03.400
<v Speaker 3>I'm talking about his wife. I don't know all about

3:55:03.720 --> 3:55:05.520
<v Speaker 3>you know, I wasn't in her daddy business at that point.

3:55:06.040 --> 3:55:12.560
<v Speaker 3>I remember him and the cute girl you know that

3:55:12.680 --> 3:55:13.320
<v Speaker 3>was that was love.

3:55:13.440 --> 3:55:16.800
<v Speaker 5>It was finally I was like, yeah love. You know.

3:55:18.120 --> 3:55:20.400
<v Speaker 3>God damn he didn't get a chance to live his life, bro,

3:55:20.640 --> 3:55:22.800
<v Speaker 3>and that sucks because we're all just left with all

3:55:22.800 --> 3:55:26.840
<v Speaker 3>these questions and what ifs and hypotheses that don't mean anything.

3:55:27.360 --> 3:55:31.480
<v Speaker 3>We're just throwing ideas like we're just crumbling butterflies. Bro,

3:55:31.880 --> 3:55:33.480
<v Speaker 3>We're talking about what could have been.

3:55:34.400 --> 3:55:36.680
<v Speaker 2>This is dope. Bro, this is a dub like hip

3:55:36.680 --> 3:55:40.800
<v Speaker 2>hop conversation. So much for allowing me to sit in

3:55:40.960 --> 3:55:43.680
<v Speaker 2>and watch this. Crazy to me, BRO, I hope you

3:55:43.760 --> 3:55:51.280
<v Speaker 2>are entertained. You it was than me. It is crazy

3:55:51.320 --> 3:55:53.080
<v Speaker 2>to me to just watch, bro, just as fans of

3:55:53.160 --> 3:55:54.800
<v Speaker 2>everybody just like this is crazy.

3:55:55.120 --> 3:55:56.600
<v Speaker 5>Let me just tell you something. Appreciate this.

3:55:57.080 --> 3:56:01.680
<v Speaker 1>This and this is also eight years a brutal beat

3:56:01.800 --> 3:56:03.920
<v Speaker 1>downs me and e f N been receiving.

3:56:04.480 --> 3:56:08.240
<v Speaker 5>They've been like, yo, you're fronting on quick and We're

3:56:08.360 --> 3:56:10.360
<v Speaker 5>like what they were tripping on you.

3:56:11.360 --> 3:56:14.480
<v Speaker 1>We've been trying to get trying to we're trying to

3:56:14.520 --> 3:56:16.840
<v Speaker 1>get numbers so quick. We've been trying to get you

3:56:17.000 --> 3:56:22.320
<v Speaker 1>so bad. I ain't gonna should be with you.

3:56:23.720 --> 3:56:24.080
<v Speaker 2>I can't.

3:56:24.120 --> 3:56:24.760
<v Speaker 3>We're gonna tell you.

3:56:31.960 --> 3:56:35.480
<v Speaker 2>Why you was so crazy happened. I'm like, bro, this

3:56:35.960 --> 3:56:37.960
<v Speaker 2>on my f you don't get access. I don't like

3:56:38.080 --> 3:56:38.760
<v Speaker 2>you know what I'm saying.

3:56:39.040 --> 3:56:42.360
<v Speaker 5>Listen to me. Ship Very is very like, well this

3:56:42.520 --> 3:56:44.960
<v Speaker 5>is dope. I'm gonna know all listen.

3:56:44.800 --> 3:56:49.560
<v Speaker 1>Your fanst I'm gonna tell you fans is in there

3:56:49.640 --> 3:56:51.160
<v Speaker 1>with one of them as they should be.

3:56:51.960 --> 3:56:55.360
<v Speaker 3>They should be that they should you. That's what that's

3:56:55.360 --> 3:56:55.800
<v Speaker 3>what's crazy.

3:56:55.800 --> 3:57:01.280
<v Speaker 1>That's why when he said both, I can tell that

3:57:01.800 --> 3:57:04.760
<v Speaker 1>when he left Majors his fans with with him with

3:57:05.040 --> 3:57:06.200
<v Speaker 1>the Independent, some.

3:57:06.280 --> 3:57:07.840
<v Speaker 3>Of them did. Yeah, they did.

3:57:08.760 --> 3:57:11.080
<v Speaker 5>His shows are crazy, bro. We were like, what's the said.

3:57:11.160 --> 3:57:12.680
<v Speaker 2>He'd be like, I'll let y'all know when we get

3:57:12.680 --> 3:57:15.000
<v Speaker 2>out there freestyle the whole show.

3:57:15.080 --> 3:57:16.600
<v Speaker 5>Bro, we don't know what's about to have it. We're

3:57:16.640 --> 3:57:19.560
<v Speaker 5>just kind of sitting there up in the crowd.

3:57:19.800 --> 3:57:20.480
<v Speaker 3>It's beautiful.

3:57:22.960 --> 3:57:25.680
<v Speaker 5>You like producing on the spot. You're ready for the

3:57:25.720 --> 3:57:26.880
<v Speaker 5>living on turn up.

3:57:26.880 --> 3:57:28.480
<v Speaker 3>It was about to be crazy. I ain't got to

3:57:28.480 --> 3:57:28.880
<v Speaker 3>say where.

3:57:28.880 --> 3:57:30.880
<v Speaker 5>We gotta do nothing, get ready for the Living.

3:57:30.760 --> 3:57:36.800
<v Speaker 3>On turning into what it's supposed to be everywhere everywhere

3:57:36.840 --> 3:57:40.760
<v Speaker 3>I go, just watching building on fucking Google, so so

3:57:40.880 --> 3:57:43.960
<v Speaker 3>happy to see that, Like, bro, this is amazing to

3:57:44.040 --> 3:57:45.760
<v Speaker 3>build my house. It is so cool.

3:57:46.760 --> 3:57:52.000
<v Speaker 5>Yeah, man, thank y'all man so much, Thank you again, man,

3:57:52.120 --> 3:57:54.520
<v Speaker 5>Like I'm just telling y'all man, like you know, hip

3:57:54.560 --> 3:57:57.160
<v Speaker 5>hop has its way a shifting and going places that

3:57:57.240 --> 3:57:59.400
<v Speaker 5>it's supposed to be when it's supposed to be, And

3:57:59.560 --> 3:58:00.800
<v Speaker 5>right now was y'all world.

3:58:01.320 --> 3:58:03.960
<v Speaker 1>You know what I'm saying, Like I ain't afraid to

3:58:04.040 --> 3:58:06.880
<v Speaker 1>admit that, and I ain't ashamed to admit that it's

3:58:06.960 --> 3:58:08.920
<v Speaker 1>your world, Like you know, I got to feel it,

3:58:08.960 --> 3:58:10.360
<v Speaker 1>Like I said, I only been when I was out

3:58:10.400 --> 3:58:13.760
<v Speaker 1>there like five days, but that five days in the

3:58:13.840 --> 3:58:17.040
<v Speaker 1>five percent teaches that's power a firement, and then that was.

3:58:17.120 --> 3:58:19.160
<v Speaker 3>Actually what's the first word of that is power?

3:58:19.480 --> 3:58:21.120
<v Speaker 1>And I got to feel it, like I got to

3:58:21.200 --> 3:58:22.400
<v Speaker 1>feel it, like you know what I'm saying, Like I've

3:58:22.400 --> 3:58:23.920
<v Speaker 1>been out there so long, so I got my own

3:58:24.000 --> 3:58:26.720
<v Speaker 1>little people that I fuck with, but I'm sitting out

3:58:26.720 --> 3:58:28.320
<v Speaker 1>there and I'm watching it and I'm feeling it, and

3:58:28.400 --> 3:58:31.880
<v Speaker 1>I and the energy it's just euphoric, like it's everywhere

3:58:32.320 --> 3:58:35.440
<v Speaker 1>like and it's just like, you know what, that's what's

3:58:35.480 --> 3:58:37.400
<v Speaker 1>the biggest thing about it. You know, you know God

3:58:37.520 --> 3:58:40.760
<v Speaker 1>so Himan, you know Kendrick and Drake, you know, Beef

3:58:40.920 --> 3:58:43.560
<v Speaker 1>or whatever the thing is. He brung y'all back together.

3:58:45.280 --> 3:58:48.840
<v Speaker 1>It is so it is so like, man, I want

3:58:48.880 --> 3:58:51.240
<v Speaker 1>to congratulate y'all, and I want to tell y'all continue

3:58:51.280 --> 3:58:53.880
<v Speaker 1>to do the thing because right now, you know, maybe yeah,

3:58:54.040 --> 3:58:56.680
<v Speaker 1>hip hop does come from the East Coast, it does

3:58:56.760 --> 3:58:57.520
<v Speaker 1>come from New York.

3:58:57.960 --> 3:59:03.000
<v Speaker 5>Right now, y'all leading it. It's y'all the leaders, y'all.

3:59:06.560 --> 3:59:08.200
<v Speaker 3>I'm I'm gonna say this.

3:59:08.720 --> 3:59:12.720
<v Speaker 2>Yeah, just like everybody can come to Hollywood, man, come

3:59:12.800 --> 3:59:13.679
<v Speaker 2>to Compton.

3:59:17.200 --> 3:59:17.680
<v Speaker 4>With Compton.

3:59:17.760 --> 3:59:17.840
<v Speaker 3>Bro.

3:59:18.000 --> 3:59:20.320
<v Speaker 2>Listen, I get to l A and listen. I don't

3:59:20.320 --> 3:59:24.280
<v Speaker 2>have no problem with nobody come to Compton man, Like

3:59:24.640 --> 3:59:28.840
<v Speaker 2>think the white girl came to the Nobody let me

3:59:28.920 --> 3:59:29.120
<v Speaker 2>do this.

3:59:30.680 --> 3:59:34.640
<v Speaker 5>I mean, I'm not about to do that. I see what. Listen,

3:59:34.720 --> 3:59:37.520
<v Speaker 5>all the queens right that's wondering.

3:59:37.560 --> 3:59:39.960
<v Speaker 3>White people can come to Crank, that's damn. But they

3:59:40.000 --> 3:59:41.000
<v Speaker 3>can come to Common.

3:59:42.640 --> 3:59:45.160
<v Speaker 5>Said, we're not here to harm or hurt nobody. That's

3:59:45.200 --> 3:59:45.840
<v Speaker 5>it's done.

3:59:46.520 --> 3:59:48.120
<v Speaker 2>Come off to the city, bro, We're gonna get this

3:59:48.240 --> 3:59:49.600
<v Speaker 2>motherfucking Compton Walker.

3:59:49.360 --> 3:59:50.200
<v Speaker 3>Frame going next.

3:59:50.840 --> 3:59:54.600
<v Speaker 2>Getting ready for the Comptant Walking frame ain't no point

3:59:54.640 --> 3:59:57.520
<v Speaker 2>of bringing that the when I with y'all, let's get

3:59:57.520 --> 3:59:58.320
<v Speaker 2>that doctor's.

3:59:58.040 --> 3:59:59.600
<v Speaker 3>Right, Kndrick, that dj a quick.

4:00:00.120 --> 4:00:01.680
<v Speaker 2>The more the rose and you know what I'm saying,

4:00:02.080 --> 4:00:03.320
<v Speaker 2>you know, I mean, let's get that right.

4:00:03.280 --> 4:00:06.880
<v Speaker 3>There, Rose Krans, Rose Kran.

4:00:06.960 --> 4:00:08.600
<v Speaker 5>It's the block to go through everything that's getting up,

4:00:08.840 --> 4:00:10.560
<v Speaker 5>all those cramps, you know what I'm saying.

4:00:10.720 --> 4:00:12.640
<v Speaker 1>Like I'm gonna take a ride through Rose Crans. I

4:00:12.680 --> 4:00:16.440
<v Speaker 1>could do it, definitely, the whole thing. Okay, I mean

4:00:16.480 --> 4:00:18.600
<v Speaker 1>to go to the beach though. That's the ship, Okay,

4:00:18.880 --> 4:00:20.200
<v Speaker 1>comp they got the beach, No.

4:00:21.760 --> 4:00:27.240
<v Speaker 3>Take it goes right to the beach. If you get

4:00:27.280 --> 4:00:30.760
<v Speaker 3>off when it ends you at the coast, your Pacific

4:00:30.840 --> 4:00:32.400
<v Speaker 3>coachy p when it.

4:00:32.480 --> 4:00:37.760
<v Speaker 5>Takes your p H. You know, appreciate sip coast. I appreciates.

4:00:37.840 --> 4:00:44.160
<v Speaker 2>I'm building beach in Compa.

4:00:46.360 --> 4:00:48.400
<v Speaker 3>I need to do my chest. I don't want to

4:00:48.440 --> 4:00:49.040
<v Speaker 3>go nowhere else.

4:00:49.360 --> 4:00:50.200
<v Speaker 5>Listen to my brothers.

4:00:50.360 --> 4:00:52.920
<v Speaker 1>I couldn't be so more happier, man, I thank you

4:00:53.160 --> 4:00:55.480
<v Speaker 1>so much. So before we get about him, it's anything

4:00:55.600 --> 4:00:56.520
<v Speaker 1>y'all feel like you want.

4:00:56.480 --> 4:00:58.240
<v Speaker 5>To say, get up your tests or anything.

4:00:59.480 --> 4:01:02.280
<v Speaker 2>I'm happy to be here and I'm so happy to

4:01:02.360 --> 4:01:06.640
<v Speaker 2>watch this fucking man be able to get this fucking moment.

4:01:13.040 --> 4:01:15.560
<v Speaker 3>Because you know what he was talking retired talk to me.

4:01:16.760 --> 4:01:20.720
<v Speaker 5>Oh yeah, we left that off right now.

4:01:20.840 --> 4:01:25.000
<v Speaker 2>Bro, he just getting started. He just getting started, man,

4:01:25.040 --> 4:01:27.880
<v Speaker 2>And I can't wait. This is my hear to watch

4:01:27.960 --> 4:01:28.800
<v Speaker 2>this man get his.

4:01:31.160 --> 4:01:33.120
<v Speaker 3>Let's go. This is my.

4:01:34.640 --> 4:01:37.280
<v Speaker 5>This is the Fawns, y'all. This is the real Fawns.

4:01:37.360 --> 4:01:41.400
<v Speaker 3>Like he's that swaggy character that that that actually gets

4:01:41.640 --> 4:01:45.720
<v Speaker 3>us major record deals, like with just a little effort,

4:01:45.840 --> 4:01:47.840
<v Speaker 3>like this dude is whipping people into shape. Bro.

4:01:47.960 --> 4:01:48.480
<v Speaker 5>This is great.

4:01:48.560 --> 4:01:48.680
<v Speaker 3>Bro.

4:01:49.320 --> 4:01:52.360
<v Speaker 5>We've been motivating me lately, like you know, come on, man, bro,

4:01:52.840 --> 4:01:56.720
<v Speaker 5>let's keep going, keep major label.

4:01:56.840 --> 4:01:59.640
<v Speaker 1>Because I watched you on another interview and they said

4:01:59.800 --> 4:02:03.240
<v Speaker 1>this was prior to the n w A album cover

4:02:03.560 --> 4:02:06.920
<v Speaker 1>I'm a Compton movie coming out, and they said to you,

4:02:07.280 --> 4:02:12.040
<v Speaker 1>to you, are you excited? And I think you say

4:02:12.280 --> 4:02:14.320
<v Speaker 1>sort of trailers or whatever, but I don't think there's

4:02:14.360 --> 4:02:18.120
<v Speaker 1>been something documented. If you co signed the straight out

4:02:18.120 --> 4:02:19.160
<v Speaker 1>of Compton movie.

4:02:19.120 --> 4:02:24.600
<v Speaker 3>Well, there's no trauma or drama there. I go to

4:02:24.960 --> 4:02:28.880
<v Speaker 3>Easy's grave and fucking Rose Hills and I rectify that

4:02:29.200 --> 4:02:29.480
<v Speaker 3>by that.

4:02:30.120 --> 4:02:32.640
<v Speaker 5>Okay, So I still see it as tangible.

4:02:33.280 --> 4:02:36.880
<v Speaker 3>I'm related to this guy in a way that's like

4:02:37.200 --> 4:02:43.080
<v Speaker 3>brotherly and honest, And even though I boohooed poo pooted

4:02:43.120 --> 4:02:47.000
<v Speaker 3>earlier loyalty, I still fuck with Eric. So I'm very

4:02:47.240 --> 4:02:50.720
<v Speaker 3>partial to how he's being portrayed, you know what I mean.

4:02:50.800 --> 4:02:52.440
<v Speaker 3>And if I don't like it, I don't like it.

4:02:52.520 --> 4:02:54.640
<v Speaker 3>If I like it, I like it because I know

4:02:54.720 --> 4:02:57.280
<v Speaker 3>the real him and I knew how he would react

4:02:57.360 --> 4:02:59.880
<v Speaker 3>and respond. If you look at the n w A videos,

4:03:00.000 --> 4:03:03.000
<v Speaker 3>they're all works of art that's like some Andy Warhol shit.

4:03:03.600 --> 4:03:04.800
<v Speaker 5>It is just brilliant.

4:03:04.880 --> 4:03:05.720
<v Speaker 2>But that's who he was.

4:03:05.880 --> 4:03:07.720
<v Speaker 3>He saw it bigger than what we saw it. We

4:03:07.840 --> 4:03:09.400
<v Speaker 3>saw it just so we can get enough money to

4:03:09.400 --> 4:03:11.280
<v Speaker 3>get the bands. He saw it to where he can

4:03:11.360 --> 4:03:13.560
<v Speaker 3>get enough money to go have dinner with the president

4:03:14.200 --> 4:03:17.200
<v Speaker 3>and get a million dollars worth the press on fifteen

4:03:17.280 --> 4:03:18.040
<v Speaker 3>hundred dollars.

4:03:20.000 --> 4:03:21.200
<v Speaker 5>Gus mission.

4:03:22.000 --> 4:03:23.400
<v Speaker 3>I want to add on to what he's saying.

4:03:25.240 --> 4:03:28.080
<v Speaker 2>It's just kind of fucked up, bro. Like with our films,

4:03:29.640 --> 4:03:32.000
<v Speaker 2>we don't get to have people from our.

4:03:32.800 --> 4:03:37.080
<v Speaker 5>Area play us. But this one was doctor Dre and.

4:03:38.560 --> 4:03:40.560
<v Speaker 2>I don't know, this is just a We're just having

4:03:40.600 --> 4:03:43.880
<v Speaker 2>a fan conversation. So when I watched movies that represent

4:03:43.960 --> 4:03:47.120
<v Speaker 2>the East Coast, I can never get that role to

4:03:47.200 --> 4:03:52.720
<v Speaker 2>play Noriega in a film. When we watch Atlanta outside

4:03:52.720 --> 4:03:55.240
<v Speaker 2>of my boy Jackie Long, it's kind of tough. They

4:03:55.280 --> 4:03:57.000
<v Speaker 2>play a little bit ball, but they have like the

4:03:57.120 --> 4:04:03.240
<v Speaker 2>main representatives of Los Angeles and I'm playing Atlanta Snowfall.

4:04:03.480 --> 4:04:05.800
<v Speaker 2>We didn't get that opportunity. A lot of our films

4:04:05.840 --> 4:04:09.200
<v Speaker 2>are like the League. Guys are not from where we're from,

4:04:09.760 --> 4:04:11.960
<v Speaker 2>so it's kind of tough and easy. The guy that

4:04:12.000 --> 4:04:14.400
<v Speaker 2>play Easy is my friend, so we've had this conversation,

4:04:15.120 --> 4:04:18.240
<v Speaker 2>but he's from New Orleans and it's just like for me,

4:04:18.360 --> 4:04:22.760
<v Speaker 2>it's like bro like Friday work because everybody from was

4:04:22.760 --> 4:04:23.480
<v Speaker 2>from Saves.

4:04:23.520 --> 4:04:24.160
<v Speaker 3>We got to see it.

4:04:24.680 --> 4:04:26.720
<v Speaker 2>But do you think it's a regional thing because me,

4:04:27.160 --> 4:04:28.720
<v Speaker 2>I think it's a Hollywood budget thing.

4:04:29.320 --> 4:04:32.880
<v Speaker 5>Man, what I think it's a Hollywood budget thing? Rich

4:04:32.960 --> 4:04:33.600
<v Speaker 5>for my blood.

4:04:34.320 --> 4:04:36.680
<v Speaker 2>I don't think it's I don't think it's nothing to

4:04:36.760 --> 4:04:38.520
<v Speaker 2>do with none of that. It's a Hollywood budget thing.

4:04:38.880 --> 4:04:42.520
<v Speaker 2>And we gotta like I've auditioned for roles for Shitting Compton.

4:04:42.640 --> 4:04:44.640
<v Speaker 2>They told me, I know you don't you don't fit

4:04:44.880 --> 4:04:52.360
<v Speaker 2>that's crazy from knowledge. Their version of what they think

4:04:52.480 --> 4:04:55.720
<v Speaker 2>my city is is totally off. That's why it doesn't

4:04:55.760 --> 4:04:58.520
<v Speaker 2>resonate us and it don't work tell the truth.

4:04:58.560 --> 4:04:59.040
<v Speaker 5>It's off.

4:04:59.640 --> 4:05:02.560
<v Speaker 2>I'm from confident, just like his, just like say Worthy

4:05:02.640 --> 4:05:05.960
<v Speaker 2>comes through there, just like like game Is and Roddy

4:05:06.040 --> 4:05:09.520
<v Speaker 2>and YJ and Kendrick, We're all and let's go Steve Lacy,

4:05:09.600 --> 4:05:12.360
<v Speaker 2>let's go Thundercat, let's go Buddy, let's go av, let's

4:05:12.400 --> 4:05:16.640
<v Speaker 2>go Ad, let's go pun We're all nineteen different niggas.

4:05:17.480 --> 4:05:20.080
<v Speaker 2>So you're not gonna just tell us what we are.

4:05:21.360 --> 4:05:24.160
<v Speaker 2>And that's the fucking problem with all of this shit.

4:05:25.640 --> 4:05:27.240
<v Speaker 2>You know what I'm saying, shout out to the community

4:05:27.320 --> 4:05:28.840
<v Speaker 2>to figure out you know what I'm saying, fi community,

4:05:28.920 --> 4:05:30.840
<v Speaker 2>everybody that's doing their thing in that space.

4:05:31.560 --> 4:05:33.640
<v Speaker 5>Nah, we got to like readjust this thing.

4:05:33.880 --> 4:05:40.560
<v Speaker 2>It was clowns, basketball players, gang bangers, ladies, dancers, kids, icons,

4:05:40.960 --> 4:05:44.440
<v Speaker 2>every street niggas on that one picture. So don't let's

4:05:44.480 --> 4:05:46.440
<v Speaker 2>stop misrepresenting.

4:05:47.280 --> 4:05:48.240
<v Speaker 3>What we are over there.

4:05:56.320 --> 4:05:59.680
<v Speaker 6>Drink Champs is a drink Champs LLC production hosts and

4:05:59.760 --> 4:06:03.280
<v Speaker 6>executive producers n O r E and DJ e FN

4:06:04.440 --> 4:06:08.560
<v Speaker 6>listen to drink Champs on Apple Podcast, Amazon Music, Spotify,

4:06:08.840 --> 4:06:12.480
<v Speaker 6>or wherever you get your podcasts. Thanks for joining us

4:06:12.520 --> 4:06:15.120
<v Speaker 6>for another episode of Drink Champs, hosted by Yours truly,

4:06:15.280 --> 4:06:17.840
<v Speaker 6>dj e f N and n O r E. Please

4:06:17.880 --> 4:06:20.080
<v Speaker 6>make sure to follow us on all our socials That's

4:06:20.120 --> 4:06:23.480
<v Speaker 6>at drink Champs across all platforms, at the Real Norrie,

4:06:23.520 --> 4:06:27.000
<v Speaker 6>go on ig at Noriega on Twitter, Mine is at

4:06:27.040 --> 4:06:30.760
<v Speaker 6>Who's Crazy, on ig at dj e f N on Twitter,

4:06:31.120 --> 4:06:33.680
<v Speaker 6>and most importantly, stay up to date with the latest releases,

4:06:34.080 --> 4:06:37.240
<v Speaker 6>news and merch by going to drink champs dot com