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Speaker 1: It is Drink Chests, motherfucking podcast makesime.

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Speaker 2: He's a legendary queens rapper, he's a greedish Your boy

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Speaker 2: in O R E.

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Speaker 3: He's a Miami hip hop yon there p up as DJ.

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Speaker 4: E f N.

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Speaker 3: Together they drink it up with some.

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Speaker 5: Of the biggest players, you know what I mean.

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Speaker 2: And the most professional unprofessional.

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Speaker 3: Podcast and your number one source for drunk drink chess

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Speaker 3: every day is New Year's E. Listen, It's time for

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Speaker 3: drink Champions.

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Speaker 5: Drink up, motherfuck mother, what a good be over with

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Speaker 5: the boy in O R E. What up is DJ

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Speaker 5: E f N And this is Drink Chests, motherfucker.

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Speaker 1: When I tell you we started this show, we said

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Speaker 1: we wanted to give people that's legends, the people that

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Speaker 1: paved the way, people that came before us, people that's

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Speaker 1: coming right after us, are with us this this episode today.

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Speaker 5: Man, I'm so excited.

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Speaker 2: Man.

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Speaker 1: I couldn't sleep at one point, man, because I'm going

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Speaker 1: through these two brothers discography by themselves. Then I'm thinking

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Speaker 1: about what they're doing together, two projects that they had together,

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Speaker 1: and when I'm thinking about how good it sounds and

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Speaker 1: how musically music like. When I'm listening today, I'm like,

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Speaker 1: this is.

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Speaker 5: Music, bro, Like I'm like the new album, which you know,

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Speaker 5: I have a song called Holy Mouakami. That album is

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Speaker 5: so fucking phenomenal.

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Speaker 1: And if you want to feel how it feels to

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Speaker 1: listen to global music that happened to be made in

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Speaker 1: the West Coast, that album is it. So in case

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Speaker 1: you don't know what the fuck we talk about, we

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Speaker 1: talked about Motherfuckers, a legendary I called DJ Motherfucker Queen.

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Speaker 1: I can't tell you how dope it was listening to

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Speaker 1: this project, how refreshing it is, because it's like, it's music,

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Speaker 1: it's dope, it's music, it's content. You Motherfuckers's funny, you

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Speaker 1: know what I'm saying. And you're keeping the West Coast.

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Speaker 1: Who I did was that for y'all two to come

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Speaker 1: together this this guy.

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Speaker 2: You got the playing with my fucking hero man, I'm

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Speaker 2: gonna do it, you know, Okay, this time around was

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Speaker 2: purely accidental. Though he just bought a new crib. You know,

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Speaker 2: he'd niggas all the time. He ended up tapping in

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Speaker 2: with me, like what you're doing? I was recording, He

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Speaker 2: like pull up. I was like, fucking, I'm gonna come through.

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Speaker 2: I packed up my studio, went over there.

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Speaker 3: He's like, you got your studio with you like all

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Speaker 3: the time.

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Speaker 5: Where you yo.

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Speaker 3: When he facetied me, I was recording in my office.

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Speaker 2: He's like, what you're doing. I'm like jotting down some ideas.

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Speaker 2: I mean, bring that ship over.

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Speaker 3: He had an empty new house. I had carpenters in

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Speaker 3: their buildings. So then there hammering, turning down walls and

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Speaker 3: shipga my nigga came in, popped up in the living

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Speaker 3: room and set the ship down. I'm like, my nigga

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Speaker 3: got the studio mobile, Like I ain't think of that,

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Speaker 3: and then you just start banging out. It started some

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Speaker 3: ships start coming out there. I started geting a little

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Speaker 3: what do you call that?

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Speaker 5: The cleft palette nigga?

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Speaker 2: What is that?

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Speaker 6: Like?

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Speaker 4: Man?

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Speaker 2: He allowed me, He allowed me to be me bro

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Speaker 2: and then I just told him, like, man, we're gonna

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Speaker 2: make it as easy as possible. Man, My god, Jay

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Speaker 2: Worthy came in and helped an artist situation and it just.

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Speaker 3: Exacted producer and one.

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Speaker 2: Of the forty days of Mad This Man, the album

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Speaker 2: came out.

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Speaker 1: So let me ask right, because one of my favorite

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Speaker 1: things about doing this show is asking the artists, what's there?

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Speaker 5: What they drinking?

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Speaker 1: So when I asked, they said, y'all was drinking Ace

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Speaker 1: of Spade. That's true, right, We're gonna drink some a space.

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Speaker 1: So this is what I want to do. I've never

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Speaker 1: did this on the show. I've been having this bottle

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Speaker 1: in my house for years. I've never brun this bottle

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Speaker 1: out when y'all said, I'm a Shampain drinker.

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Speaker 5: But when the other artists, when other.

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Speaker 1: Artists say they going to drink drink vodka with them,

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Speaker 1: they said, so I was so happy.

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Speaker 3: I was like, got classic.

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Speaker 1: So I said, let me let me not only bring

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Speaker 1: a spaper, let me bring one of these special bottles. Look,

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Speaker 1: look that is all that I show from that. That

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Speaker 1: is from Katier. That is from Katier. It's not Yeah, yeah,

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Speaker 1: you got so rich. I wanted to drink this. Y'all, brothers,

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Speaker 1: you know what I'm saying. You can't even buy that. Yes, yes,

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Speaker 1: So we went out, got glasses and ship. We tried

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Speaker 1: to have to you know, make sure y'all right, we

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Speaker 1: got fancy. So let me ask y'all man, the West

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Speaker 1: coast feels so much I don't want to say back, right,

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Speaker 1: because it's not like you're left somewhere, but it's just

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Speaker 1: like it's it's like a euphoric energy that's out there

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Speaker 1: right now.

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Speaker 5: It's like.

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Speaker 1: You understand what I'm trying to say. It's like it

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Speaker 1: feels unified, feels like a rebirth. Not only unification, it

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Speaker 1: feels like a rebirth. It just felt so good. Like,

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Speaker 1: how do y'all feel? How do you how you feeling

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Speaker 1: about that?

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Speaker 2: Ah?

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Speaker 3: Ship Man?

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Speaker 2: I think it kicked off with Tiger allis time the

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Speaker 2: year with Kanye and the dog Town Yeah right right,

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Speaker 2: you know what I'm saying, and that's coming with our project,

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Speaker 2: and then Kemvick just just fucking taking.

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Speaker 3: Over the world.

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Speaker 2: Yeah, it all kind of just happened like nobody kind

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Speaker 2: of knew what was going on, and ship Man, y'all

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Speaker 2: got to see us all together for the first time,

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Speaker 2: even like while we were doing the pop out, like

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Speaker 2: the Dog County, A Quick and Snoop was.

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Speaker 7: In Canada together, Like while my regime was doing we

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Speaker 7: were doing at home, they were back together in Canada

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Speaker 7: and it just looked crazy to the outside world.

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Speaker 2: You know what I'm saying, Look at everybody's working. I

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Speaker 2: can't really say a time where like the.

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Speaker 3: Younger guys are working.

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Speaker 2: The OG's in the vets, so it's kind of like

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Speaker 2: we jumped on a little bit on accident.

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Speaker 5: How do you feel quick about that? Man?

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Speaker 3: It's uh, you know, me being trying to be reclusive

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Speaker 3: and kick back and just stay out and the cut

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Speaker 3: to be outside. It's crazy to me, like I'm actually

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Speaker 3: outside and people are approaching me, people approaching me, like yo, man,

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Speaker 3: you understand love, it's good to see you outside.

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Speaker 5: And I'm like this, this nig this got me all

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Speaker 5: over here ship.

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Speaker 3: You know, it's that thirty four years with you, thirty

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Speaker 3: three thirty three, okay, make so much for.

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Speaker 1: That's last six months out here?

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Speaker 5: That sounding you gotta get it on camera. She's smart,

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Speaker 5: she got it.

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Speaker 1: Don't already, That's what I God, damn it, so hold on,

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Speaker 1: hold on, so let's let's let's let's get into the

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Speaker 1: new album right. One thing I liked it well, I

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Speaker 1: loved is the sound sounds new and classic at the

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Speaker 1: same time. At the same time. It's like it's like

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Speaker 1: you can't you know it's classic, you know it's classic,

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Speaker 1: but it's also that new flavor. You know what I'm saying.

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Speaker 1: So this is a question that I think I know

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Speaker 1: the answer. Did y'all make the project together? Like like

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Speaker 1: meaning like that was in the same studio at the

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Speaker 1: same time.

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Speaker 2: He had to be.

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Speaker 5: Like, that's what I remote.

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Speaker 3: Remote recording is a great concept where you got Jiggle

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Speaker 3: on the East coast, you got you know, Rick Ross

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Speaker 3: or Rick Rick Rock on the west and they just

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Speaker 3: share the you know, send the files and we'll mix it.

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Speaker 3: There's no synergy with that, you know what I mean,

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Speaker 3: there's it's just it's it's semantics, it's work. It's like, yeah,

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Speaker 3: we got the vocals, all right, go ahead, upload them.

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Speaker 3: You know, Nigga start putting his plugins on, sending back

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Speaker 3: y'all like it, Man, take some of the plugins.

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Speaker 5: You know.

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Speaker 3: It's but when you right there doing it and y'all

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Speaker 3: agree immediately, it makes the project move that much faster

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Speaker 3: because we'll play with a song and it'd be like

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Speaker 3: that's enough. We ain't gonta do shit else. We'll do

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Speaker 3: something right away. Like you know, if you need to

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Speaker 3: change a vocal, I go out of the room. I

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Speaker 3: go in there and start cooking, making tacos or whatever.

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Speaker 3: My man is in there.

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Speaker 5: You know, he's a power approach tools power us.

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Speaker 3: Here and it's typing quiet turned to the mic, who

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Speaker 3: last Bogus Like, all right, I got that. Then I'll

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Speaker 3: come and change it because we got two different styles

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Speaker 3: of using pro tools. I'll switch it back to my

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Speaker 3: way and be short key. I'll be trying to show

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Speaker 3: you my short because you're like, I learned it one way.

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Speaker 3: I'm keeping it one with Okay, I see all your business.

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Speaker 3: Then niggas celebrit you start popping up his ship.

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Speaker 5: I'm in there.

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Speaker 3: This there, why we's come in the game.

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Speaker 5: Why you know what walking in? Even the features was

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Speaker 5: done together. Everything was done in forty days. Bro.

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Speaker 2: I like to call it like elevating nostalgia. It's like

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Speaker 2: we want to make sure that the album started with

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Speaker 2: what quick fan base it's known for it, but with

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Speaker 2: using newer sounds and then me thinking of where the

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Speaker 2: West is about to go and where the world's about

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Speaker 2: to go. That's where you get the case nowge the

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Speaker 2: channel treasures on the second half. So everything was done intentional.

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Speaker 2: As far as the features though, like the ones that

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Speaker 2: are the people from.

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Speaker 5: La they came.

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Speaker 2: But Jay jay Worthy, Bro, you're gonna hear his name

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Speaker 2: of a lot of his interview. Once we brought him

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Speaker 2: in to do, like the n R stuff. I would

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Speaker 2: get a call like, yo, send me that beat, and

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Speaker 2: then the day later the currency future pop up or

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Speaker 2: send me that other one, Larry Jone Future will pop

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Speaker 2: up seeing the other one ce Low pop up and

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Speaker 2: you're like, oh ship, So now we're like building around them. Yeah,

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Speaker 2: we're facetiming on face time a little John like, oh,

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Speaker 2: how you want to do this? Boom boom boom bro

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Speaker 2: That forty days was madness. I've never done an album

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Speaker 2: with that.

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Speaker 5: You forgot.

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Speaker 3: Little John was preparing for the super Bowl, so he

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Speaker 3: didn't have time.

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Speaker 5: What made time to be on that? On that workout sit.

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Speaker 3: In the back, it was like, yeah, he's like mush

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Speaker 3: rushed me right now, but I'm finishing at the time.

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Speaker 3: I don't know what he's talking about. I'm like, all right, well,

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Speaker 3: I'm gon taking what you got.

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Speaker 2: Next week the super Bowl, the week before his biggest moment,

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Speaker 2: He's send us out something for tu for cop.

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Speaker 5: Couldn't I couldn't believe it. Bro shott to John, God damn.

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Speaker 1: But coming to coming into this project knowing you know,

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Speaker 1: and then this is the question for you knowing Quick's history, man,

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Speaker 1: you know that he's done all legendary ship, He's still iconic.

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Speaker 1: Was that was that like a burden on your back

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Speaker 1: because you don't want to be the one project relationship already?

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Speaker 2: Right?

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Speaker 5: This this this worked up the legacy, not a lot

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Speaker 5: on you.

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Speaker 2: Honestly, it's like it was the complete opposite, Like, can't

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Speaker 2: fuck it up with you around something this great because he's.

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Speaker 3: Not gonna let you.

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Speaker 5: He'll stop you.

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Speaker 2: Like nah, No, I'm not putting my name on this

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Speaker 2: if it don't work. I've seen him do it with

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Speaker 2: other artists, so I knew what it was going in

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Speaker 2: and you know what I'm saying, and he knows, he

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Speaker 2: knows where I want to go, and he knows I'm

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Speaker 2: ready to push the limit. Like he the one who

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Speaker 2: reminds me to stay dangerous when we do music. Wow,

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Speaker 2: so long as I stay under the tuolage of what

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Speaker 2: he's been teaching me since we met in six oh seven,

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Speaker 2: Like nah, I'm like nah. Plus after funk, I'm telling

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Speaker 2: he was a new house bro. I walk in and

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Speaker 2: he hadn't put the plaques up yet, so they were

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Speaker 2: just stacked all up on his fireplace and I'm talking

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Speaker 2: about all eyes on me right here, Jai Jackson right here.

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Speaker 3: Black album right here.

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Speaker 2: No, there's no way in hell we're not going to

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Speaker 2: make an amazing album with this type of vision in

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Speaker 2: front of me.

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Speaker 4: Everything.

246
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Speaker 2: There's like two hundred million in plaques right here.

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Speaker 3: Every day like then, he's making fire tacoup, he's popping shot.

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Speaker 2: And he just made it feel like he let me

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Speaker 2: make it feel like it was my home, bro, and

250
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Speaker 2: it just for me.

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Speaker 5: It's like, this is the reason why I do music. Bro.

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Speaker 2: I'm a young kid from Compton listening to safe and

253
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Speaker 2: sound so I won't get in trouble on the low.

254
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Speaker 2: And for him, first time I even got to really

255
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Speaker 2: see him. For Terris Martin brought this nigga in my

256
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Speaker 2: house one in the morning. They were working on ego tripping,

257
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Speaker 2: Like y'all gotta pee. I'm like, what you mean, just

258
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Speaker 2: open the door. This nigga come running in my house

259
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Speaker 2: and comps in.

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Speaker 5: In two thousand and.

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Speaker 2: Eight, I got to pee blood at the time. I

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Speaker 2: ain't I ain't worth shit. I'm like, oh my god,

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Speaker 2: nobody's gonna believe this snick quicker in his house peing, bro.

264
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Speaker 2: So I had to take a picture, but my mom

265
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Speaker 2: because it's like one in the morning.

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Speaker 5: So the say, hey, hey, you hungry.

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Speaker 3: I'm like yeah.

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Speaker 2: He like, I'm about to go make homemade posta and

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Speaker 2: homemade PILs from scratch.

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Speaker 5: You want to go to the studio. We went to

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Speaker 5: the grocery store.

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Speaker 2: This nigga literally made posta from scratching apple pie? Is that?

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Speaker 3: Say to god?

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Speaker 2: This is my first really counterwe turn I swear, yeah,

275
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Speaker 2: I'll cook for you. It was one in the morning.

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Speaker 2: He's fine through commed it out.

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Speaker 5: Of course.

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Speaker 2: I don't know what they were doing, and they were

279
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Speaker 2: doing something doing cocaine.

280
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Speaker 3: There it is, but they came out the walk off.

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Speaker 1: By the way, I love the hip. I've been saving

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Speaker 1: this ship for so long. And this is a special moment. Man,

283
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Speaker 1: this is a special moment.

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Speaker 3: He left out something important when that after I came out,

285
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Speaker 3: washed up, came.

286
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Speaker 5: Out of the bathroom. I look up.

287
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Speaker 3: This nigga got a studio on the den like I had.

288
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Speaker 3: That's how I came up like Quis. The name was

289
00:12:37,200 --> 00:12:39,800
Speaker 3: done in a in a kitchen nook with my turn

290
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Speaker 3: table was on the ironing board.

291
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Speaker 2: So I seen him with it.

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Speaker 5: I'm like, you know, Brook, memory like, you got a

293
00:12:44,640 --> 00:12:46,280
Speaker 5: studio up? Sht up there. He's showing me a little

294
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Speaker 5: ship on pro tools.

295
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Speaker 3: I'm like, yeah, I'm gonna learn that, but we gotta

296
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Speaker 3: go back to the studio they put up.

297
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Speaker 5: I had one of my ponds. You know what I'm saying.

298
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Speaker 3: They used to do the things he used to do.

299
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Speaker 5: He knew I did music.

300
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Speaker 3: So he came out with.

301
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Speaker 2: He like, bro, I got all this, I got all

302
00:12:59,600 --> 00:13:01,160
Speaker 2: this quip. I don't know what you need, but just

303
00:13:01,160 --> 00:13:04,360
Speaker 2: take what you need. So I started building this this studio.

304
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Speaker 2: You engineer yourself, yeaheer So yeah, engineer makes not like this.

305
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Speaker 5: Get it so sufficient?

306
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Speaker 3: Yeah? For sure?

307
00:13:15,679 --> 00:13:16,040
Speaker 2: For sure.

308
00:13:16,080 --> 00:13:17,360
Speaker 5: Well quick, let me ask you a question.

309
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Speaker 1: I guess it's a two part question because it never

310
00:13:20,679 --> 00:13:24,600
Speaker 1: seemed like you had a dry time. It just seems

311
00:13:24,640 --> 00:13:28,319
Speaker 1: like you've always been, for lack of a better term,

312
00:13:28,559 --> 00:13:32,640
Speaker 1: that nigga. You always and not only that, it always

313
00:13:32,679 --> 00:13:34,600
Speaker 1: seems seemed like you was never out of the loop.

314
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Speaker 1: Sometimes when a person can continue to be that person,

315
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Speaker 1: they won't relate to the new generation, or they'll be

316
00:13:39,720 --> 00:13:40,760
Speaker 1: out of the loop or someone.

317
00:13:40,880 --> 00:13:41,960
Speaker 5: How do you maintain that?

318
00:13:42,040 --> 00:13:44,079
Speaker 1: Because to me, it seems like you're in the loop

319
00:13:44,320 --> 00:13:46,120
Speaker 1: and you've never kind of like fell off, I had

320
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Speaker 1: a dry spell. That shit is amazing to me.

321
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Speaker 3: I appreciate that, you know. I just looked at you

322
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Speaker 3: know there. We have our times to be effective in

323
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Speaker 3: hip hop, and sometimes some of us push it too

324
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Speaker 3: much and put out records a little too early just

325
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Speaker 3: because we called a way with the last record, you

326
00:14:01,080 --> 00:14:01,800
Speaker 3: want to cash in.

327
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Speaker 5: I did that one time.

328
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Speaker 3: I followed Rhythmalism with Balance and Options, and I didn't

329
00:14:06,280 --> 00:14:08,920
Speaker 3: quite finish Balance and Options. Plus my homeboy Monsburg was

330
00:14:09,000 --> 00:14:11,040
Speaker 3: murdered during the time I was making that record, so

331
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Speaker 3: I didn't finish it with the QUI I thing. It's quality.

332
00:14:14,080 --> 00:14:17,160
Speaker 3: I love quality control. I love making sure it shit

333
00:14:17,240 --> 00:14:20,320
Speaker 3: sound good and last forever. That's my whole thing. But

334
00:14:21,080 --> 00:14:24,000
Speaker 3: when that when that part came and I put out

335
00:14:24,000 --> 00:14:25,720
Speaker 3: that record and it didn't go go, it didn't played.

336
00:14:25,720 --> 00:14:27,640
Speaker 3: That was my first record that didn't plack. So that

337
00:14:27,760 --> 00:14:30,360
Speaker 3: was like a signal to RAS like, uh oh in

338
00:14:30,400 --> 00:14:32,320
Speaker 3: the wall, that's it, get out.

339
00:14:32,360 --> 00:14:32,520
Speaker 2: Yeah.

340
00:14:32,520 --> 00:14:34,120
Speaker 3: I was on as Clive Days on the Boss, you know,

341
00:14:34,120 --> 00:14:37,280
Speaker 3: shout out to Clyde. So then I just I asked

342
00:14:37,280 --> 00:14:39,320
Speaker 3: for a release. I was like, maybe it's time. Maybe

343
00:14:39,320 --> 00:14:40,480
Speaker 3: it's time for me to sit down. I got a

344
00:14:40,480 --> 00:14:42,680
Speaker 3: record that didn't plack, and I, you know, being a kid,

345
00:14:42,760 --> 00:14:44,720
Speaker 3: I should have shut the fuck up and just sat

346
00:14:44,760 --> 00:14:47,200
Speaker 3: down and saved my budget till later, till when it's sign.

347
00:14:47,680 --> 00:14:49,680
Speaker 5: But I stopped doing my ship.

348
00:14:49,560 --> 00:14:51,760
Speaker 3: And then just started fucking with everybody else, Like I

349
00:14:51,840 --> 00:14:55,360
Speaker 3: just went underground, got a release from Arista. Then when

350
00:14:55,360 --> 00:14:57,040
Speaker 3: I started fucking with Doctor Dre with the M and

351
00:14:57,200 --> 00:14:59,160
Speaker 3: M and fifty cent shit, and I started went, I

352
00:14:59,200 --> 00:15:01,280
Speaker 3: went fucking with R and B shit. I was like

353
00:15:02,000 --> 00:15:06,440
Speaker 3: Dina Howard and you know, uh, Jeborah Cox and Jannet Jackson,

354
00:15:06,520 --> 00:15:08,800
Speaker 3: and you know, I just was just producing, like like

355
00:15:08,880 --> 00:15:11,440
Speaker 3: fucking I'm just stay underground and you know, pull up

356
00:15:11,480 --> 00:15:14,000
Speaker 3: to these studios and a little you know, little little

357
00:15:14,000 --> 00:15:17,640
Speaker 3: the little e class bits, not the bigs, you know, jumping.

358
00:15:17,400 --> 00:15:18,040
Speaker 5: Out with a drummer.

359
00:15:18,080 --> 00:15:19,880
Speaker 3: She I even moved to fucking New York for three

360
00:15:19,960 --> 00:15:22,760
Speaker 3: years bro in two thousand before the towers fell in

361
00:15:22,800 --> 00:15:23,520
Speaker 3: Chelsea Village.

362
00:15:23,520 --> 00:15:27,240
Speaker 8: Son Wow, I was on six and twenty seven.

363
00:15:27,280 --> 00:15:29,120
Speaker 3: I was on Avenue in Americas in twenty seventh Street.

364
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Speaker 1: So the person, a person is looking and saying that

365
00:15:32,800 --> 00:15:36,840
Speaker 1: like because like, again, your career is just luxurious, man,

366
00:15:36,920 --> 00:15:40,400
Speaker 1: you know what I'm saying. And there's so many people

367
00:15:41,200 --> 00:15:46,040
Speaker 1: quite heil on Monday, that'll be going on Wednesday, and

368
00:15:46,560 --> 00:15:49,240
Speaker 1: you blast to have this crazy career. If a kid

369
00:15:49,280 --> 00:15:51,240
Speaker 1: is looking at that right now saying I want to

370
00:15:51,480 --> 00:15:55,920
Speaker 1: basically like like be behind DJ quick.

371
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Speaker 5: What would you what advice would you say to all?

372
00:15:57,760 --> 00:15:57,960
Speaker 9: Man?

373
00:15:58,000 --> 00:16:01,520
Speaker 3: It's a it's a tough road, but you have to

374
00:16:01,600 --> 00:16:04,400
Speaker 3: keep believing in what you do, even if don't nobody

375
00:16:04,440 --> 00:16:07,120
Speaker 3: else believe it, because sometimes you have to make them

376
00:16:07,600 --> 00:16:09,560
Speaker 3: understand that they need to believe in what you're doing,

377
00:16:09,920 --> 00:16:13,600
Speaker 3: and they'll do that with you're being consistent. After a while,

378
00:16:13,760 --> 00:16:16,880
Speaker 3: it's like if you can't beat them, arrange to have

379
00:16:16,960 --> 00:16:19,760
Speaker 3: them beaten, you know, join them.

380
00:16:19,840 --> 00:16:22,120
Speaker 5: And I think you mentioned quality. I think that's a

381
00:16:22,200 --> 00:16:23,120
Speaker 5: key thing too to you.

382
00:16:23,560 --> 00:16:25,400
Speaker 6: Like everything you put the most quality, and it's the

383
00:16:25,400 --> 00:16:28,120
Speaker 6: consistency of the quality. A lot of people don't, they

384
00:16:28,120 --> 00:16:30,800
Speaker 6: don't care about the quality, just might not be consistent,

385
00:16:31,040 --> 00:16:33,280
Speaker 6: no quality at all. But your stuff always sounded good

386
00:16:33,440 --> 00:16:34,080
Speaker 6: as on point.

387
00:16:34,160 --> 00:16:35,840
Speaker 5: It always was. The quality was right there.

388
00:16:35,920 --> 00:16:37,480
Speaker 1: That was That was one of the best things about

389
00:16:37,480 --> 00:16:40,520
Speaker 1: the album too, was the secret sing and you know

390
00:16:40,880 --> 00:16:42,640
Speaker 1: how you know it was all put together.

391
00:16:42,400 --> 00:16:45,080
Speaker 5: Like how you like all sounded clips just got you

392
00:16:45,160 --> 00:16:45,600
Speaker 5: over here.

393
00:16:46,040 --> 00:16:49,160
Speaker 1: So it's sounds like if your engineer was working, Yeah right,

394
00:16:49,160 --> 00:16:51,400
Speaker 1: we were.

395
00:16:51,720 --> 00:16:53,360
Speaker 2: I mean, I think I think the beauty of us

396
00:16:53,360 --> 00:16:58,240
Speaker 2: both being engineers makes it where you're not waiting or

397
00:16:58,320 --> 00:17:01,440
Speaker 2: having to tell somebody your ideas. It's like, if he

398
00:17:01,440 --> 00:17:04,080
Speaker 2: hears something, he can like I get up here, I

399
00:17:04,080 --> 00:17:05,920
Speaker 2: got it, and then he can execute.

400
00:17:05,480 --> 00:17:06,639
Speaker 3: It and then go to doing it.

401
00:17:06,760 --> 00:17:08,479
Speaker 2: I'm like, hey, I want to make this the late

402
00:17:08,480 --> 00:17:10,760
Speaker 2: clop like this, He'll just hop ups down, whoop. So

403
00:17:11,080 --> 00:17:13,720
Speaker 2: it made it go real fast and the luxury already

404
00:17:13,760 --> 00:17:16,280
Speaker 2: he's DJ quick, but we're doing a song and it's

405
00:17:16,320 --> 00:17:19,119
Speaker 2: probably about to get mixed right when we're done, so

406
00:17:19,160 --> 00:17:20,600
Speaker 2: it just cuts the time down.

407
00:17:21,000 --> 00:17:21,640
Speaker 5: You know what I'm saying.

408
00:17:21,640 --> 00:17:23,679
Speaker 2: The signal flow is going in perfect because all the

409
00:17:23,720 --> 00:17:25,680
Speaker 2: clocks he got, and if you get to talk from

410
00:17:25,680 --> 00:17:29,760
Speaker 2: clocks and and and synergy and what way goes through.

411
00:17:30,000 --> 00:17:32,040
Speaker 2: You know, Bro's to the point where we have to mix.

412
00:17:32,080 --> 00:17:36,159
Speaker 2: Ship Like I'm already going in mixed shout in my voice.

413
00:17:36,160 --> 00:17:38,440
Speaker 2: It was crazy, it was crazy. He's on one, He's

414
00:17:38,440 --> 00:17:41,160
Speaker 2: onto one. I bought some different.

415
00:17:42,440 --> 00:17:53,200
Speaker 9: Yeah, what was that was that?

416
00:17:53,200 --> 00:17:57,400
Speaker 5: That was dope? That was it's you know, I'm into

417
00:17:57,480 --> 00:17:59,000
Speaker 5: the engineering side of it.

418
00:18:00,080 --> 00:18:01,399
Speaker 3: Yeah, just took me off. What the hell was that

419
00:18:01,600 --> 00:18:04,080
Speaker 3: was talking about talking about the clocks? Oh yeah, so

420
00:18:04,400 --> 00:18:06,119
Speaker 3: you know, you got to spend a little money to

421
00:18:06,119 --> 00:18:08,240
Speaker 3: get these records to sound like as best they can.

422
00:18:08,359 --> 00:18:10,639
Speaker 3: Like some of us try to go back to the

423
00:18:10,640 --> 00:18:13,040
Speaker 3: way shit used to sound with the you know, the tapes,

424
00:18:13,400 --> 00:18:14,080
Speaker 3: but that shit.

425
00:18:14,000 --> 00:18:15,840
Speaker 5: Is like it's just not economical.

426
00:18:15,920 --> 00:18:18,320
Speaker 3: It's just you can't pull a tape machine in your

427
00:18:18,359 --> 00:18:21,320
Speaker 3: fucking house, but you can get these cool pre amps.

428
00:18:21,359 --> 00:18:23,080
Speaker 3: So I bought these new pre ams because I'm like,

429
00:18:23,200 --> 00:18:25,280
Speaker 3: if we're going to do a new record, let's go

430
00:18:25,359 --> 00:18:26,960
Speaker 3: for a whole new sound. I mean, we've been using

431
00:18:26,960 --> 00:18:29,359
Speaker 3: this ship for the longest. This shit is getting dated.

432
00:18:29,400 --> 00:18:32,320
Speaker 3: I bought new fucking a to D's. I bought a

433
00:18:32,400 --> 00:18:34,880
Speaker 3: new fucking Vibeman. What's it called, a little pre am

434
00:18:35,040 --> 00:18:38,720
Speaker 3: Io one, a little new Neve or focus, Right, we

435
00:18:38,800 --> 00:18:41,280
Speaker 3: got new microphones. We plugging the shit in testing tests

436
00:18:41,320 --> 00:18:43,359
Speaker 3: and test test tests, and the shit sound like how

437
00:18:43,400 --> 00:18:45,400
Speaker 3: this shit sound right now? It just sounded super dumb

438
00:18:45,440 --> 00:18:48,199
Speaker 3: ass clean, And when it's clean. It's like you just

439
00:18:48,200 --> 00:18:50,760
Speaker 3: come up with these other ideas because it's like, this

440
00:18:50,840 --> 00:18:53,960
Speaker 3: don't sound like the noyman you know microphone I'm using

441
00:18:54,000 --> 00:18:55,640
Speaker 3: like in eighty five when I'm doing safe the sound,

442
00:18:55,680 --> 00:18:59,399
Speaker 3: this is some new bright, too clean shit. So you

443
00:18:59,400 --> 00:19:00,800
Speaker 3: know it's another sound.

444
00:19:00,920 --> 00:19:02,960
Speaker 5: So we just we we did it with the music too.

445
00:19:03,000 --> 00:19:06,040
Speaker 3: We just went to another pool of music, another pool

446
00:19:06,080 --> 00:19:09,120
Speaker 3: of samples, like, let's match this whole new microphone sound

447
00:19:09,400 --> 00:19:10,680
Speaker 3: with these new sound and beats.

448
00:19:10,720 --> 00:19:13,240
Speaker 2: And this got quarterback with some like minded people though too,

449
00:19:13,280 --> 00:19:16,560
Speaker 2: like Dominique Sanders. I want to shot him out ever

450
00:19:16,840 --> 00:19:18,960
Speaker 2: so bad. He came in into a lot of heavy

451
00:19:19,000 --> 00:19:23,359
Speaker 2: lifting production wise with us, crazy cat out of fucking

452
00:19:23,400 --> 00:19:26,879
Speaker 2: Kansas City. But he knew the language right, so where

453
00:19:27,359 --> 00:19:30,000
Speaker 2: where we I would say, we're probably older than him.

454
00:19:30,320 --> 00:19:32,159
Speaker 2: He knew the while we were dialing the way we

455
00:19:32,240 --> 00:19:34,160
Speaker 2: dial in. He'll be sitting over there and the cut

456
00:19:34,200 --> 00:19:37,359
Speaker 2: having his whiskey on a computer doing able to speeding

457
00:19:37,440 --> 00:19:39,080
Speaker 2: up the ship. We need sped up and just be

458
00:19:39,119 --> 00:19:41,480
Speaker 2: like all plug in. Yeah, and when you got three

459
00:19:41,520 --> 00:19:44,600
Speaker 2: in the that's like already understanding the rhythm like by

460
00:19:44,720 --> 00:19:47,480
Speaker 2: song three. That's why we ended up with like forty

461
00:19:47,520 --> 00:19:48,119
Speaker 2: something records.

462
00:19:48,640 --> 00:19:52,040
Speaker 6: Y'all was working and vocally though y'all like lyrically it

463
00:19:52,160 --> 00:19:54,560
Speaker 6: was there like y'all was challenging each other, like how

464
00:19:54,640 --> 00:19:58,080
Speaker 6: was that doing the vocals and lyrically, man coming after the.

465
00:19:58,000 --> 00:20:00,280
Speaker 5: Records, be a little candid this nigga on me.

466
00:20:00,640 --> 00:20:03,560
Speaker 3: I'm in the back room on my PS five killing

467
00:20:03,560 --> 00:20:06,320
Speaker 3: the motherfuckers on Sniper Leaf five and ship gun niggas down,

468
00:20:06,600 --> 00:20:09,439
Speaker 3: knocking the eyeballs out, and then he'll I'll hear something

469
00:20:09,920 --> 00:20:10,840
Speaker 3: and I'll run in there.

470
00:20:11,320 --> 00:20:12,840
Speaker 5: My fucking Jordan Shorte was like.

471
00:20:12,960 --> 00:20:15,600
Speaker 3: Hey, hey, let me hear that play that turn that

472
00:20:15,680 --> 00:20:17,320
Speaker 3: up that nigga turned up and be like okay, cool.

473
00:20:17,320 --> 00:20:19,840
Speaker 3: So I'll be in there thinking writing and he'll be like, hey,

474
00:20:19,840 --> 00:20:21,960
Speaker 3: it's ready for vocals. I go in there, jump on

475
00:20:22,000 --> 00:20:24,760
Speaker 3: the micsit down and record my vocals to match what

476
00:20:24,760 --> 00:20:26,280
Speaker 3: I'm hearing, Like, let me jump in this shit.

477
00:20:26,320 --> 00:20:28,880
Speaker 5: It's almost like, you know, it's like double Dutch. It's

478
00:20:28,920 --> 00:20:32,120
Speaker 5: like it was somebody jump in. But it was crazy too.

479
00:20:32,160 --> 00:20:34,000
Speaker 2: One time we were working on the beat, like me

480
00:20:34,040 --> 00:20:36,280
Speaker 2: and Dominic were doing something and we think the house

481
00:20:36,359 --> 00:20:38,920
Speaker 2: is quiet, you know what I'm saying I'm just doing

482
00:20:38,920 --> 00:20:39,280
Speaker 2: a drum.

483
00:20:39,320 --> 00:20:39,760
Speaker 5: We're doing it.

484
00:20:39,800 --> 00:20:42,439
Speaker 2: I'm riding the hook and then I just hear from

485
00:20:42,480 --> 00:20:51,880
Speaker 2: the back, Yo, go down down down drums sleep. I said, huh,

486
00:20:52,000 --> 00:20:54,960
Speaker 2: he can't walking out? Look down down down drums here,

487
00:20:55,000 --> 00:20:57,159
Speaker 2: take this little bounds and he found it. He's like,

488
00:20:57,160 --> 00:20:58,959
Speaker 2: all right, put those in there and then walk back

489
00:20:59,080 --> 00:20:59,840
Speaker 2: like some Yoda ship.

490
00:21:01,800 --> 00:21:02,320
Speaker 3: I just did it.

491
00:21:02,440 --> 00:21:04,960
Speaker 5: I'm like, all right, put him in there and was

492
00:21:05,000 --> 00:21:05,400
Speaker 5: he right?

493
00:21:05,600 --> 00:21:07,600
Speaker 3: But I'm like, how the did he know?

494
00:21:07,960 --> 00:21:09,480
Speaker 5: It's just on the game with headfall?

495
00:21:09,960 --> 00:21:10,239
Speaker 3: You know?

496
00:21:10,240 --> 00:21:12,840
Speaker 5: How he heard this song was calling for that because of.

497
00:21:12,800 --> 00:21:15,520
Speaker 3: The melody, like this was some some ship that dom

498
00:21:15,680 --> 00:21:18,119
Speaker 3: dom it wrote and we ultimately ended up getting the

499
00:21:18,119 --> 00:21:19,920
Speaker 3: Free Nationals on it because it's just so open.

500
00:21:19,920 --> 00:21:23,399
Speaker 5: It's just on the too high waves. George Clinton Waz

501
00:21:23,440 --> 00:21:26,600
Speaker 5: ended up hopping on it. That's in my notes. Man, you.

502
00:21:30,800 --> 00:21:32,840
Speaker 1: Ask me ask something because I seen you say in

503
00:21:32,880 --> 00:21:35,119
Speaker 1: the interview that one of the Llis people that you

504
00:21:35,200 --> 00:21:36,560
Speaker 1: was in the studio was Tupac.

505
00:21:36,640 --> 00:21:36,760
Speaker 5: Right.

506
00:21:37,040 --> 00:21:38,600
Speaker 1: It made me think about it today. What are the

507
00:21:38,680 --> 00:21:42,199
Speaker 1: Tupac and Problem records sound like? Man, this man just

508
00:21:42,200 --> 00:21:44,600
Speaker 1: gave me chills thinking about that. It's funny because this

509
00:21:44,680 --> 00:21:45,720
Speaker 1: Nigga is Tupac junior.

510
00:21:46,080 --> 00:21:49,760
Speaker 3: So Pak would have been trying to That's why I first,

511
00:21:50,400 --> 00:21:52,080
Speaker 3: you know, and then then he would have after he

512
00:21:52,200 --> 00:21:54,560
Speaker 3: signed him and making me respect him, then he would

513
00:21:54,560 --> 00:21:56,840
Speaker 3: have showed you his ship in the vault. It was like, hey,

514
00:21:56,920 --> 00:21:58,680
Speaker 3: give me something for this, or right, help me write this.

515
00:21:59,680 --> 00:22:01,960
Speaker 3: I never seeing ask anybody to help him write anything,

516
00:22:02,160 --> 00:22:04,280
Speaker 3: but for some reason, he probably would have trusted you

517
00:22:04,359 --> 00:22:05,240
Speaker 3: to help him write ship.

518
00:22:05,359 --> 00:22:11,200
Speaker 5: Like take the work off of me. That's not ready

519
00:22:11,240 --> 00:22:13,560
Speaker 5: to hear. Bro that ship. That's very humbling to.

520
00:22:13,520 --> 00:22:16,760
Speaker 1: Hear because I heard you say, like how how relentless

521
00:22:16,760 --> 00:22:18,320
Speaker 1: he was in a student like he didn't really care,

522
00:22:18,320 --> 00:22:19,720
Speaker 1: like he just wanted to keep working. I've never seen

523
00:22:19,920 --> 00:22:21,800
Speaker 1: and I feel like I feel like that same energy

524
00:22:21,800 --> 00:22:24,600
Speaker 1: from him. That's why I asked that question. And so

525
00:22:24,680 --> 00:22:26,680
Speaker 1: you said they're the same energy.

526
00:22:26,680 --> 00:22:33,240
Speaker 2: Okay, tours damn clost enough, Okay, did you did you

527
00:22:33,240 --> 00:22:33,720
Speaker 2: think that?

528
00:22:34,400 --> 00:22:35,480
Speaker 5: I would never?

529
00:22:36,320 --> 00:22:38,040
Speaker 2: I mean, as common as I am, I would never

530
00:22:38,320 --> 00:22:40,199
Speaker 2: think in my in my life, he.

531
00:22:41,880 --> 00:22:45,000
Speaker 5: Jump, I'm not comparing the content, comparing the work ethic.

532
00:22:45,119 --> 00:22:47,320
Speaker 2: I wasn't there to see it, you know what I'm saying.

533
00:22:47,640 --> 00:22:50,200
Speaker 2: I've watched it through the TV screen and through stories.

534
00:22:50,359 --> 00:22:53,280
Speaker 2: You know what I'm saying, And I we all thrived

535
00:22:53,480 --> 00:22:56,200
Speaker 2: to be that. Like it's young and like god damn

536
00:22:56,240 --> 00:22:59,359
Speaker 2: sniggas a monster. Like in seven years he did more

537
00:22:59,440 --> 00:23:01,760
Speaker 2: than niggas have been here fifty years, like bro, so

538
00:23:01,840 --> 00:23:04,240
Speaker 2: you had to have been working all day to have

539
00:23:04,320 --> 00:23:06,480
Speaker 2: them type of movies and four and five albums that

540
00:23:06,600 --> 00:23:09,040
Speaker 2: changed the world. So all us young West Coasts and

541
00:23:09,119 --> 00:23:10,840
Speaker 2: Seeds were like, we want to do what he's doing,

542
00:23:10,880 --> 00:23:12,680
Speaker 2: with Cox's doing, with Snoop's doing.

543
00:23:13,080 --> 00:23:15,720
Speaker 5: But to hear that, it's crazy because.

544
00:23:15,400 --> 00:23:17,680
Speaker 3: Your outlaw bro, like you do the same ship. That

545
00:23:17,880 --> 00:23:19,960
Speaker 3: what he wanted the Outlaws to do. He was trying

546
00:23:19,960 --> 00:23:22,360
Speaker 3: to train him to be like a militant ass hip

547
00:23:22,400 --> 00:23:22,960
Speaker 3: hop band.

548
00:23:23,800 --> 00:23:26,639
Speaker 5: But that's what you do naturally militant. You smashed it.

549
00:23:27,040 --> 00:23:32,680
Speaker 5: You know. The white niggas, I'm playing no game.

550
00:23:32,800 --> 00:23:34,960
Speaker 1: Some of that, I think the closest thing that we

551
00:23:35,040 --> 00:23:37,760
Speaker 1: got to that. As far as like like impact, I

552
00:23:37,760 --> 00:23:40,560
Speaker 1: would say DMX, But as far as work ethic, I'm

553
00:23:40,560 --> 00:23:43,600
Speaker 1: gonna be honest with you, I would say pun but

554
00:23:43,640 --> 00:23:45,520
Speaker 1: then he lost point. But I would say lul Wayne

555
00:23:45,960 --> 00:23:48,679
Speaker 1: because like, like like everyone says that, he just he

556
00:23:48,800 --> 00:23:49,800
Speaker 1: just doesn't want to leave.

557
00:23:49,720 --> 00:23:50,960
Speaker 5: The studio, like you know what I mean?

558
00:23:51,280 --> 00:23:59,360
Speaker 1: Like, so yeah, that's interested in the head. So boom

559
00:23:59,680 --> 00:24:04,040
Speaker 1: God comes down, says quick, I want you to produce

560
00:24:04,480 --> 00:24:05,879
Speaker 1: All in the Same Game.

561
00:24:07,720 --> 00:24:11,880
Speaker 5: Right now, and you like.

562
00:24:11,840 --> 00:24:19,280
Speaker 1: This and you can use whatever West Coast artists there

563
00:24:19,400 --> 00:24:23,280
Speaker 1: is dead or alive. No no, no, no no, Let's do

564
00:24:23,320 --> 00:24:25,840
Speaker 1: one version alive right now? Do our live and then

565
00:24:25,880 --> 00:24:27,720
Speaker 1: dead or alive? It's alive right now.

566
00:24:27,960 --> 00:24:31,040
Speaker 3: Well, first of all, I wouldn't even try to produce it.

567
00:24:31,119 --> 00:24:43,040
Speaker 3: I was Let's see if I call called Andre young doctor,

568
00:24:45,359 --> 00:24:49,119
Speaker 3: that's the first call I made, like Dre, Yeah, what up?

569
00:24:49,200 --> 00:24:51,120
Speaker 2: Quick man? They want to do All in the Same

570
00:24:51,160 --> 00:24:52,160
Speaker 2: Game twenty twenty five?

571
00:24:52,200 --> 00:24:56,120
Speaker 3: Bro, Like we got we got jay Worthy, we got Kendrick,

572
00:24:56,280 --> 00:25:01,720
Speaker 3: we got as, we got uh child Tresh who got

573
00:25:03,119 --> 00:25:06,479
Speaker 3: of course this guy crap? Like and who else? Who

574
00:25:06,520 --> 00:25:09,560
Speaker 3: else should I should I call? It's one more name?

575
00:25:09,600 --> 00:25:12,720
Speaker 3: One more name, one more? Like seven groups? One more?

576
00:25:12,480 --> 00:25:15,360
Speaker 3: There was the same game, one more. It's tough, one more?

577
00:25:15,760 --> 00:25:16,520
Speaker 3: Who else would it be?

578
00:25:17,800 --> 00:25:19,080
Speaker 5: Roddy Rich? Was you ready Rich?

579
00:25:19,200 --> 00:25:20,760
Speaker 3: Or definitely Roddy?

580
00:25:21,280 --> 00:25:23,840
Speaker 2: But the one more would be tough because I would

581
00:25:23,880 --> 00:25:26,320
Speaker 2: want to hear the Tyler creator.

582
00:25:27,240 --> 00:25:30,080
Speaker 5: I would want to hear Doja Cat Doja cass from

583
00:25:30,720 --> 00:25:33,840
Speaker 5: from California. Yeah, really yeah, from California.

584
00:25:34,280 --> 00:25:37,239
Speaker 2: I would uh, I would I would want to hear

585
00:25:37,280 --> 00:25:40,880
Speaker 2: like you say, you said dom already, I would want.

586
00:25:40,960 --> 00:25:43,240
Speaker 3: I would want to hear a g Perico. I would

587
00:25:43,240 --> 00:25:43,800
Speaker 3: want to hear.

588
00:25:43,760 --> 00:25:46,240
Speaker 2: Meet the Woops jay Worthy like you said, that'd be

589
00:25:46,280 --> 00:25:49,120
Speaker 2: banged out all of the black hippie.

590
00:25:49,240 --> 00:25:51,320
Speaker 5: That song would have to be twenty five minutes long. Yeah,

591
00:25:51,359 --> 00:25:53,840
Speaker 5: because everybody got something to say.

592
00:25:53,840 --> 00:25:56,640
Speaker 3: Now they don't want they they want they want fifteen

593
00:25:56,640 --> 00:25:58,000
Speaker 3: minutes and fifty seconds of fame.

594
00:25:58,040 --> 00:25:59,840
Speaker 5: Now want they want to hold onto it and roder.

595
00:25:59,920 --> 00:26:02,159
Speaker 6: But not as many groups anymore, but at least in

596
00:26:02,200 --> 00:26:04,399
Speaker 6: that the first one you had n w A and

597
00:26:04,480 --> 00:26:05,320
Speaker 6: Digital Underground thing.

598
00:26:05,560 --> 00:26:06,399
Speaker 5: Those are two groups.

599
00:26:06,480 --> 00:26:08,119
Speaker 2: Absolutely. Yeah.

600
00:26:08,320 --> 00:26:10,479
Speaker 1: How many people was on the original? That was my

601
00:26:10,520 --> 00:26:12,280
Speaker 1: next question. That's crazy. I was about to ask you.

602
00:26:12,280 --> 00:26:13,520
Speaker 1: I was just waiting for you to finish. How many

603
00:26:13,520 --> 00:26:15,560
Speaker 1: people was on the original? All the same?

604
00:26:15,840 --> 00:26:17,679
Speaker 5: I know there was a version. I went on a video.

605
00:26:19,640 --> 00:26:19,920
Speaker 6: Album.

606
00:26:20,640 --> 00:26:21,919
Speaker 4: We have young on him.

607
00:26:22,000 --> 00:26:23,920
Speaker 1: He said that he got a question for you to Yeah,

608
00:26:23,920 --> 00:26:27,240
Speaker 1: he said, he said that he had an eight minute verse.

609
00:26:27,560 --> 00:26:29,600
Speaker 5: Yeah, and he said there was two versions of it,

610
00:26:29,720 --> 00:26:30,320
Speaker 5: two verses of it.

611
00:26:30,400 --> 00:26:32,399
Speaker 1: He said he had an eight barbers and then he

612
00:26:32,440 --> 00:26:35,359
Speaker 1: had a sixteen bar verse. So obviously for the longer

613
00:26:35,400 --> 00:26:36,360
Speaker 1: version they cut it to eight.

614
00:26:36,400 --> 00:26:39,000
Speaker 5: And it was like, wait, what did you know? It was?

615
00:26:43,080 --> 00:26:46,879
Speaker 6: People down to how many verses because you count the

616
00:26:46,880 --> 00:26:58,120
Speaker 6: groups King t Death, Jeff Blah, another group jj Fann

617
00:26:58,119 --> 00:26:58,800
Speaker 6: of the group.

618
00:27:00,640 --> 00:27:02,879
Speaker 2: Crazy story about we all in the same game, all right.

619
00:27:03,119 --> 00:27:05,680
Speaker 2: I was able to get the tape before it came out,

620
00:27:05,760 --> 00:27:07,800
Speaker 2: so microconception.

621
00:27:08,080 --> 00:27:10,480
Speaker 5: Yes today, my auntie.

622
00:27:10,800 --> 00:27:12,960
Speaker 2: So, I remember when he pulled up on ninety seventh

623
00:27:12,960 --> 00:27:15,159
Speaker 2: Street by Jesse Owes part and my pops. He was

624
00:27:15,160 --> 00:27:17,040
Speaker 2: like this, nigga right here, nigga pull. I'm like, what's

625
00:27:17,040 --> 00:27:18,760
Speaker 2: going on? That was the first time I ever seen

626
00:27:18,800 --> 00:27:22,160
Speaker 2: the Mercedes bands that you could drive my hand, yeah,

627
00:27:22,320 --> 00:27:24,720
Speaker 2: because he was paralyzed and he got out the car

628
00:27:25,160 --> 00:27:26,800
Speaker 2: and they got him out the car. He wanted to say,

629
00:27:26,800 --> 00:27:29,000
Speaker 2: what's up to my grandparents or whatever. He's like, man,

630
00:27:29,000 --> 00:27:30,280
Speaker 2: here you go, youngster, and he gave me the we

631
00:27:30,359 --> 00:27:32,680
Speaker 2: all just came CD and the tape and his three

632
00:27:32,840 --> 00:27:36,160
Speaker 2: X T shirt. But I couldn't fig when I asked

633
00:27:36,240 --> 00:27:37,520
Speaker 2: my dad, like who is that guy?

634
00:27:37,560 --> 00:27:40,280
Speaker 5: He was like, well, yeah, he was one start cripts over.

635
00:27:40,119 --> 00:27:40,960
Speaker 3: Here and this is and that.

636
00:27:41,160 --> 00:27:44,359
Speaker 2: Then the fast forward to now find out Top is

637
00:27:44,400 --> 00:27:51,040
Speaker 2: his nephew, and all that Top is Mike. Yeah that's yeah,

638
00:27:51,200 --> 00:27:53,040
Speaker 2: Top microconception.

639
00:27:52,640 --> 00:27:57,720
Speaker 3: Is Top's uncle. Oh wow, this.

640
00:27:59,760 --> 00:28:02,359
Speaker 2: Yeah, I remember because I had posted we all in

641
00:28:02,400 --> 00:28:04,320
Speaker 2: the same gang, and I told the story.

642
00:28:04,359 --> 00:28:07,479
Speaker 3: And Punch like, foun you family family what you mean?

643
00:28:07,560 --> 00:28:10,800
Speaker 5: He's like, you know, that's all. I'm like all and

644
00:28:10,920 --> 00:28:12,520
Speaker 5: explained the doctor Drey the whole.

645
00:28:12,640 --> 00:28:15,880
Speaker 1: It just explained you know, what's the illict thing about

646
00:28:15,880 --> 00:28:18,480
Speaker 1: that record that I just found out that Young is

647
00:28:18,480 --> 00:28:19,399
Speaker 1: not from the West Coast.

648
00:28:19,520 --> 00:28:21,399
Speaker 5: And Jeff talked about it.

649
00:28:21,720 --> 00:28:24,720
Speaker 2: Yeah, self destruction was the after to we all in

650
00:28:24,760 --> 00:28:25,320
Speaker 2: the same gang.

651
00:28:25,640 --> 00:28:28,240
Speaker 5: Oh no, no, was the other way around.

652
00:28:29,359 --> 00:28:31,600
Speaker 6: But we noticed that self Destruction didn't have anybody that

653
00:28:31,720 --> 00:28:34,880
Speaker 6: wasn't from the East coast of the Tristate area, but.

654
00:28:34,600 --> 00:28:36,439
Speaker 1: They had coast people in the video though they had

655
00:28:36,440 --> 00:28:37,520
Speaker 1: West Coast Yeah, I.

656
00:28:37,520 --> 00:28:38,280
Speaker 5: Mean saying lyrically.

657
00:28:38,320 --> 00:28:41,320
Speaker 6: But because we were asking Young him c did did

658
00:28:41,320 --> 00:28:43,719
Speaker 6: he feel awkward on that? He's like, no, he grew up,

659
00:28:43,720 --> 00:28:44,320
Speaker 6: you know on on.

660
00:28:44,760 --> 00:28:46,720
Speaker 5: He said he said. He immediately claimed l A. He

661
00:28:46,800 --> 00:28:47,360
Speaker 5: was like fuck that.

662
00:28:49,160 --> 00:28:51,240
Speaker 3: He was the layed what he was talking to he

663
00:28:51,320 --> 00:28:54,640
Speaker 3: was on Delicious Yeah.

664
00:28:54,520 --> 00:28:57,960
Speaker 5: Right, Okay, that's probably Matt Dyke and Mike Ross. Okay,

665
00:28:58,120 --> 00:29:02,400
Speaker 5: now I'm actually both the same question him. Sixteen artists

666
00:29:02,480 --> 00:29:07,440
Speaker 5: dead or alive quick producing it. We got doctor Dre

667
00:29:07,520 --> 00:29:08,560
Speaker 5: and there Co producing it.

668
00:29:09,040 --> 00:29:09,240
Speaker 2: Yeah.

669
00:29:11,400 --> 00:29:12,680
Speaker 5: Who is they gotta be West Coast?

670
00:29:14,920 --> 00:29:18,760
Speaker 3: Yeah all right, so mandatory. You gotta bring Eric back

671
00:29:18,800 --> 00:29:21,760
Speaker 3: to the studio. Yeah, because you gotta.

672
00:29:23,440 --> 00:29:30,360
Speaker 10: Know what, right, Okay, I gotta bring him back. Okay,

673
00:29:31,160 --> 00:29:36,360
Speaker 10: gotta usually gotta bring Tupac Eazy, you gotta bring Coolio.

674
00:29:38,120 --> 00:29:39,360
Speaker 5: You gotta bring.

675
00:29:41,360 --> 00:29:44,120
Speaker 3: The female mc smooth, I think that was her name,

676
00:29:44,160 --> 00:29:48,560
Speaker 3: Rest in peace. Gotta bring Smooth back. You gotta bring

677
00:29:48,600 --> 00:29:50,320
Speaker 3: Shot back again.

678
00:29:54,240 --> 00:29:54,600
Speaker 2: Who else?

679
00:29:54,600 --> 00:29:55,040
Speaker 3: I am missing?

680
00:29:55,080 --> 00:29:55,400
Speaker 5: Somebody?

681
00:29:57,720 --> 00:30:00,760
Speaker 3: You gotta being krip nipped she hustle m hm. And

682
00:30:00,880 --> 00:30:02,719
Speaker 3: just one more because I think we could do it.

683
00:30:02,800 --> 00:30:03,640
Speaker 5: Everybody got a d D.

684
00:30:03,720 --> 00:30:07,760
Speaker 3: They're not gonna listen to the thirty Verse songs these days.

685
00:30:09,920 --> 00:30:11,840
Speaker 5: One more person. Who's the one more guy?

686
00:30:12,360 --> 00:30:14,560
Speaker 2: I know, I know, I'm gonna go for my sixteenth

687
00:30:15,760 --> 00:30:21,560
Speaker 2: That's it for me. I'm gonna go uh easy for sure. Yeah,

688
00:30:21,760 --> 00:30:33,320
Speaker 2: Tupac for shure. That's three yeah yo s excuse myself,

689
00:30:34,960 --> 00:30:40,320
Speaker 2: y G. Kendrick uh Tyler?

690
00:30:42,400 --> 00:30:43,840
Speaker 3: Uh?

691
00:30:43,880 --> 00:30:46,800
Speaker 2: Who could have thrown at a bet? Asked backwards Billie Eilish,

692
00:30:46,960 --> 00:30:47,480
Speaker 2: she from l.

693
00:30:47,480 --> 00:30:51,160
Speaker 5: A A Yeah.

694
00:30:49,720 --> 00:30:51,600
Speaker 1: Uh, throwing the white girl in that? I respect that

695
00:30:51,720 --> 00:30:56,360
Speaker 1: got respect. Expected something like that.

696
00:30:56,800 --> 00:30:58,160
Speaker 5: From Western life, Like.

697
00:30:59,720 --> 00:31:06,880
Speaker 2: If wor Quick my name snoop corrupt, I would throw

698
00:31:06,920 --> 00:31:08,680
Speaker 2: an instrumental instrumentalist in there.

699
00:31:08,680 --> 00:31:12,320
Speaker 5: So get Tarris Martin. Mm hmm. How many is that?

700
00:31:13,040 --> 00:31:13,760
Speaker 3: That's thirteen?

701
00:31:15,080 --> 00:31:18,720
Speaker 5: Uh? Now I need somebody game?

702
00:31:20,800 --> 00:31:21,560
Speaker 3: Uh?

703
00:31:21,920 --> 00:31:22,520
Speaker 2: Who the funk?

704
00:31:22,600 --> 00:31:22,800
Speaker 5: Else?

705
00:31:22,840 --> 00:31:24,680
Speaker 3: I need ice cube?

706
00:31:24,880 --> 00:31:25,520
Speaker 5: Hell yeah?

707
00:31:26,200 --> 00:31:28,560
Speaker 3: Uh uh?

708
00:31:29,320 --> 00:31:29,960
Speaker 2: And one more?

709
00:31:30,080 --> 00:31:30,560
Speaker 5: One more?

710
00:31:30,640 --> 00:31:31,800
Speaker 3: Who is that last?

711
00:31:32,760 --> 00:31:35,720
Speaker 5: This is? Uh yeah right up righting up right up.

712
00:31:35,800 --> 00:31:38,080
Speaker 5: Let me get somebody the last time on the last one.

713
00:31:40,040 --> 00:31:42,040
Speaker 3: Man in there?

714
00:31:42,080 --> 00:31:44,480
Speaker 1: Go But let me ask you something just like m

715
00:31:44,560 --> 00:31:46,520
Speaker 1: c A and what was it? What was the guy's

716
00:31:46,600 --> 00:31:48,680
Speaker 1: name that was wasn't from the West Coast?

717
00:31:48,760 --> 00:31:50,680
Speaker 5: Was on the record it was.

718
00:31:52,320 --> 00:31:52,600
Speaker 3: Jeff?

719
00:31:52,920 --> 00:31:56,800
Speaker 1: Could there be honorary West Coast? Like to me, whisky

720
00:31:56,880 --> 00:31:59,520
Speaker 1: leave it is from Pittsburgh. We know he's from Pittsburgh,

721
00:31:59,560 --> 00:32:02,920
Speaker 1: but to me, he adapted the l A lifestyle. He's

722
00:32:03,000 --> 00:32:05,000
Speaker 1: like like he's like to me, he's an l A

723
00:32:05,120 --> 00:32:07,280
Speaker 1: dude now, and I mean they all do, just my friend.

724
00:32:07,320 --> 00:32:11,080
Speaker 1: You know, I'm saying that with respect, but actually I gotta,

725
00:32:11,440 --> 00:32:14,920
Speaker 1: you know, not disrespect his origins of him being from Pittsburgh,

726
00:32:14,920 --> 00:32:17,000
Speaker 1: and I respect that. But when I look at him now,

727
00:32:17,040 --> 00:32:19,959
Speaker 1: he's just she bleeds. He believes l A beats boy too.

728
00:32:20,600 --> 00:32:22,320
Speaker 1: He don't even believe like a game member type of

729
00:32:22,880 --> 00:32:24,840
Speaker 1: Like I feel like he'd be surfing and ship like

730
00:32:24,880 --> 00:32:25,680
Speaker 1: you know what I'm saying.

731
00:32:25,480 --> 00:32:25,640
Speaker 4: Like.

732
00:32:28,560 --> 00:32:32,120
Speaker 3: Rick James, Yeah, like he's a different kind of thing.

733
00:32:32,320 --> 00:32:34,880
Speaker 5: What you what you consider that like a like an

734
00:32:34,880 --> 00:32:38,800
Speaker 5: honorary How would consider wiz is from the house for sure?

735
00:32:39,040 --> 00:32:40,960
Speaker 3: But I mean I would.

736
00:32:43,320 --> 00:32:46,120
Speaker 2: Would, man, I think I think that we all in

737
00:32:46,200 --> 00:32:47,960
Speaker 2: the same game. It's kind of saying something we I

738
00:32:48,000 --> 00:32:50,240
Speaker 2: would want people from the East Coast only too right,

739
00:32:50,320 --> 00:32:53,240
Speaker 2: you get what I'm saying, Like DMX would go crazy, but.

740
00:32:53,280 --> 00:32:54,840
Speaker 1: That would be the rule. The rule is like it's

741
00:32:54,840 --> 00:32:57,400
Speaker 1: mainly West Coast, and you know, we get to you

742
00:32:57,440 --> 00:32:59,440
Speaker 1: get too honery, You get to a lot of rules

743
00:32:59,440 --> 00:32:59,600
Speaker 1: on this.

744
00:32:59,720 --> 00:33:05,360
Speaker 3: I want to share something with you. Go ahead, Well,

745
00:33:05,360 --> 00:33:08,880
Speaker 3: this is what y'all probably don't know. Two thousand I

746
00:33:08,920 --> 00:33:11,520
Speaker 3: took the job with Tom Willy at Warner Brothers.

747
00:33:11,760 --> 00:33:17,000
Speaker 1: Got Warner Brothers and your sister snacked your bacon sandwich

748
00:33:17,000 --> 00:33:17,480
Speaker 1: out your hand.

749
00:33:17,760 --> 00:33:20,120
Speaker 5: Yeah, yeah, you know it wasn't It was set up.

750
00:33:20,000 --> 00:33:20,680
Speaker 2: To that job.

751
00:33:20,920 --> 00:33:22,720
Speaker 3: Guess what is happening again?

752
00:33:22,920 --> 00:33:25,040
Speaker 5: I got I got people that go shake people up

753
00:33:25,080 --> 00:33:25,280
Speaker 5: for me.

754
00:33:25,320 --> 00:33:27,240
Speaker 3: Now, I took that long on my own hands because

755
00:33:27,240 --> 00:33:29,440
Speaker 3: the police wouldn't take me seriously. So I went there

756
00:33:29,440 --> 00:33:31,760
Speaker 3: to myself and went to jail, so fucking and fun jail,

757
00:33:31,880 --> 00:33:35,000
Speaker 3: and thought everybody that was there technically very CEOs and

758
00:33:35,040 --> 00:33:36,040
Speaker 3: motherfucking Stress.

759
00:33:35,840 --> 00:33:42,400
Speaker 1: Valley, executive vice president of Warner.

760
00:33:42,160 --> 00:33:47,400
Speaker 3: Brothers, my nigga. When I was there, lots of artists

761
00:33:47,400 --> 00:33:50,040
Speaker 3: would come through accident. This little female rapper. We had

762
00:33:50,040 --> 00:33:52,520
Speaker 3: this girl, Debbie Nova from like South America. Like, I

763
00:33:52,560 --> 00:33:54,880
Speaker 3: got all these young talents in that pool of talents.

764
00:33:54,920 --> 00:34:00,240
Speaker 3: There's fucking there's fucking Jim Jones and Wiskalief when he

765
00:34:00,280 --> 00:34:02,600
Speaker 3: was young. So I'm in there like low key mentoring

766
00:34:02,680 --> 00:34:04,840
Speaker 3: these guys in the studio watching me working. Shit, I'm

767
00:34:04,880 --> 00:34:06,719
Speaker 3: chopping it up with him, talking to him and I mean,

768
00:34:06,720 --> 00:34:11,000
Speaker 3: Wells had a little fro right young kid, and I

769
00:34:11,040 --> 00:34:13,520
Speaker 3: met his mom's and I ended up like just you know,

770
00:34:13,560 --> 00:34:15,560
Speaker 3: giving you like advice and ship watching him work. I'll

771
00:34:15,560 --> 00:34:16,880
Speaker 3: go up to the to the MIDI room where they

772
00:34:16,880 --> 00:34:18,879
Speaker 3: were working there at their own studio and just watch

773
00:34:18,960 --> 00:34:19,560
Speaker 3: him getting down.

774
00:34:19,560 --> 00:34:19,640
Speaker 11: Bro.

775
00:34:19,800 --> 00:34:21,880
Speaker 5: I was like, this gets a start. He got something.

776
00:34:22,239 --> 00:34:24,680
Speaker 3: So the music he was doing, I guess the record

777
00:34:24,719 --> 00:34:27,680
Speaker 3: company didn't think that it was you know, marketable or

778
00:34:28,280 --> 00:34:30,160
Speaker 3: it was like trying to turn him into his thing.

779
00:34:30,239 --> 00:34:32,200
Speaker 3: And his thing was I know what I want to be,

780
00:34:32,320 --> 00:34:34,440
Speaker 3: Like I'm a rock star, but I just got to

781
00:34:34,440 --> 00:34:36,759
Speaker 3: show y'all. Y'all not gonna believe I can show y'all

782
00:34:36,760 --> 00:34:38,440
Speaker 3: better and I can tell y'all. So he ended up

783
00:34:38,480 --> 00:34:42,560
Speaker 3: branching out and doing his bit. So he ended up

784
00:34:42,560 --> 00:34:49,399
Speaker 3: branching out doing his own thing, and uh.

785
00:34:47,160 --> 00:34:49,560
Speaker 2: Yep, he ended up you know, he ended up blowing

786
00:34:49,640 --> 00:34:52,200
Speaker 2: up like and then people would say shit like quick

787
00:34:52,920 --> 00:34:54,920
Speaker 2: this new kid with leif he kind of sounds like

788
00:34:55,040 --> 00:34:56,120
Speaker 2: he got your star, I'd be.

789
00:34:56,000 --> 00:34:59,879
Speaker 3: Like, I never heard of him, you know, but yeah,

790
00:35:00,160 --> 00:35:02,920
Speaker 3: and so he was. He was ultimately for the West.

791
00:35:03,360 --> 00:35:05,600
Speaker 1: You know what I'm saying, I can't out he was like,

792
00:35:06,760 --> 00:35:09,920
Speaker 1: especially when I heard Young MC say that, I was

793
00:35:09,960 --> 00:35:13,279
Speaker 1: just like, whiz fit that profile so bad, man like

794
00:35:13,440 --> 00:35:14,080
Speaker 1: so much.

795
00:35:13,920 --> 00:35:14,440
Speaker 5: You know what I mean?

796
00:35:14,520 --> 00:35:16,120
Speaker 3: Like, where's I like?

797
00:35:16,200 --> 00:35:17,600
Speaker 5: You know what I'm saying? Like we might have to

798
00:35:17,640 --> 00:35:18,560
Speaker 5: do it all the same game.

799
00:35:18,600 --> 00:35:23,160
Speaker 3: Now, that's a great idea that record. What was going

800
00:35:23,200 --> 00:35:25,399
Speaker 3: on with you? I was, I was new, I wasn't

801
00:35:25,480 --> 00:35:27,759
Speaker 3: I wasn't on yet, you know what I'm saying. I

802
00:35:27,800 --> 00:35:31,240
Speaker 3: was writing. I was doing mixtapes, selling Sweet Black Pussy

803
00:35:31,239 --> 00:35:34,040
Speaker 3: and Tonight and looked out hood, my little gang bang mixtapes.

804
00:35:34,520 --> 00:35:36,440
Speaker 3: But then motherfuckers start selling, so I had to go

805
00:35:36,480 --> 00:35:40,520
Speaker 3: get a duplicator and like start duplicating my own cassettes

806
00:35:40,560 --> 00:35:43,160
Speaker 3: and ship and I'm driving around in a fucking whatever,

807
00:35:43,239 --> 00:35:46,120
Speaker 3: a Maverick. Remember before Mavericks, I was seeing the Mavericks

808
00:35:46,120 --> 00:35:48,640
Speaker 3: selling cassettes out the back seat, you know, at the trunk,

809
00:35:49,040 --> 00:35:51,120
Speaker 3: until it got too until that shit got popular and

810
00:35:51,120 --> 00:35:53,000
Speaker 3: I couldn't do it no more. I had to get

811
00:35:53,000 --> 00:35:57,279
Speaker 3: a record company the right time. We did, just like Compton. No,

812
00:35:57,400 --> 00:36:00,080
Speaker 3: that was ninety two already. I did that after I

813
00:36:00,080 --> 00:36:02,319
Speaker 3: almost got killed in Denver. You know, they almost murdered me.

814
00:36:02,320 --> 00:36:03,400
Speaker 3: They shot up my limousine.

815
00:36:03,520 --> 00:36:06,080
Speaker 5: You talked, You went really specific on that record about them.

816
00:36:06,239 --> 00:36:09,120
Speaker 3: You remember yeah, they forgave me. I forgave them, but

817
00:36:09,400 --> 00:36:11,000
Speaker 3: they really almost killed me. And it was over some

818
00:36:11,000 --> 00:36:12,719
Speaker 3: ship that a nigga and my crew did. I didn't

819
00:36:12,719 --> 00:36:13,080
Speaker 3: even do it.

820
00:36:13,120 --> 00:36:14,680
Speaker 5: I had to just take an l for that. That

821
00:36:14,680 --> 00:36:15,440
Speaker 5: should costs.

822
00:36:15,200 --> 00:36:17,560
Speaker 3: Almost half a million dollars in today's money and legal

823
00:36:17,560 --> 00:36:19,919
Speaker 3: fees and ship or whatever. But you live and you learn,

824
00:36:19,960 --> 00:36:21,360
Speaker 3: you know what I mean. I wasn't out there pressing

825
00:36:21,360 --> 00:36:23,440
Speaker 3: the peak car. I was out there for the girls.

826
00:36:23,520 --> 00:36:26,000
Speaker 3: Like these niggas wanted to be gang bangers. It's like, y'all,

827
00:36:26,120 --> 00:36:28,799
Speaker 3: nigga's gonna get killed. And they didn't let me. They

828
00:36:28,840 --> 00:36:31,080
Speaker 3: even come and support me when they got me in trouble,

829
00:36:31,239 --> 00:36:33,759
Speaker 3: started a riot. These nigga didn't even come to support me.

830
00:36:33,800 --> 00:36:35,360
Speaker 3: When I went to court, I'm like, oh man, you

831
00:36:35,400 --> 00:36:37,040
Speaker 3: guys are jicks.

832
00:36:40,080 --> 00:36:41,799
Speaker 5: I want to I want to that.

833
00:36:41,920 --> 00:36:45,799
Speaker 2: I want to add Hispanic boyl Jeezy, and I like

834
00:36:45,880 --> 00:36:48,000
Speaker 2: left the gun play to them, just my two okay,

835
00:36:48,040 --> 00:36:49,799
Speaker 2: And I see for the that could have been a home.

836
00:36:49,719 --> 00:36:50,759
Speaker 5: Calls dropped that out.

837
00:36:50,880 --> 00:36:51,560
Speaker 2: What you got in there?

838
00:36:51,600 --> 00:36:53,040
Speaker 3: What's that I got?

839
00:36:53,120 --> 00:36:55,760
Speaker 5: I got this when it the blust, This is hash.

840
00:36:56,000 --> 00:36:57,720
Speaker 5: I got a whole bunch of hash in the auto.

841
00:36:57,760 --> 00:37:00,439
Speaker 5: You're gonna have me you show. Yeah yeah, yeah yeah,

842
00:37:00,719 --> 00:37:06,120
Speaker 5: you're ready to go smoke on the course, do whatever

843
00:37:06,120 --> 00:37:08,239
Speaker 5: the hell you want. This your house, My sister, My

844
00:37:08,320 --> 00:37:09,560
Speaker 5: sister then waiting to see this year.

845
00:37:09,640 --> 00:37:13,719
Speaker 1: Okay, our show is about giving people flowers. Man, I'm

846
00:37:13,800 --> 00:37:16,120
Speaker 1: so excited to give you all your flowers face to face. Man,

847
00:37:16,160 --> 00:37:17,880
Speaker 1: the man snoop set is better than grammar because it

848
00:37:17,920 --> 00:37:19,719
Speaker 1: come for your people and we want to give y'all.

849
00:37:26,480 --> 00:37:27,000
Speaker 3: Thank y'all.

850
00:37:27,400 --> 00:37:32,640
Speaker 6: What yeah yeah, man, this is long overdue to Manet.

851
00:37:35,000 --> 00:37:38,000
Speaker 6: This is fire artist makes Man.

852
00:37:38,040 --> 00:37:39,640
Speaker 2: I want to I want to command you guys to

853
00:37:40,560 --> 00:37:46,320
Speaker 2: for making sure that our history they credited and correct.

854
00:37:46,320 --> 00:37:49,000
Speaker 2: They like to like count out like the veterans and

855
00:37:49,040 --> 00:37:52,080
Speaker 2: this hip hop ship, and I'm season that over. Yeah

856
00:37:52,239 --> 00:37:55,040
Speaker 2: you know what I'm saying, Like, honestly, these boys selling

857
00:37:55,080 --> 00:37:58,440
Speaker 2: out more fucking stadiums in the Youngster, and I'm glad

858
00:37:58,520 --> 00:38:01,080
Speaker 2: that it's a place where they can come and be

859
00:38:01,200 --> 00:38:03,319
Speaker 2: fucking idolized the way they're supposed to happen.

860
00:38:03,360 --> 00:38:04,640
Speaker 3: Oh yeah, appreciate you know.

861
00:38:04,760 --> 00:38:08,480
Speaker 5: You know what I noticed the other day, Like that's

862
00:38:08,560 --> 00:38:11,399
Speaker 5: hard if you actually if you actually continue to work

863
00:38:11,480 --> 00:38:14,200
Speaker 5: in this game, there's no way that any any any

864
00:38:14,560 --> 00:38:17,479
Speaker 5: of us should be broke. There's no way. Like I looked.

865
00:38:17,520 --> 00:38:19,040
Speaker 1: I looked the other day, and I've seen you know,

866
00:38:20,920 --> 00:38:23,719
Speaker 1: artists and they had they had that did the show

867
00:38:24,120 --> 00:38:27,360
Speaker 1: thirty days, twenty days out of the month, twenty days.

868
00:38:27,239 --> 00:38:28,920
Speaker 5: Like the older older, older statesman.

869
00:38:29,120 --> 00:38:30,920
Speaker 1: And I was like, you know, some of us, we

870
00:38:31,000 --> 00:38:33,080
Speaker 1: get to a certain level, we're like, ah, we don't

871
00:38:33,120 --> 00:38:35,440
Speaker 1: want to go to Denmark kober Hagen, and we don't

872
00:38:35,480 --> 00:38:37,040
Speaker 1: want to go to But then some of us is like,

873
00:38:37,080 --> 00:38:38,440
Speaker 1: you know where, fuck it. You could really make a

874
00:38:38,520 --> 00:38:41,719
Speaker 1: living if you just supply yourself in work like young

875
00:38:41,840 --> 00:38:44,399
Speaker 1: MC's he was doing three shows a week.

876
00:38:46,719 --> 00:38:47,440
Speaker 5: But there's a lot of the.

877
00:38:47,719 --> 00:38:51,640
Speaker 1: Elder statesmen and they don't understand that, because I don't

878
00:38:51,640 --> 00:38:53,560
Speaker 1: want to say all the young generations don't understand that.

879
00:38:53,800 --> 00:38:55,200
Speaker 5: But to me, we understand that.

880
00:38:55,239 --> 00:38:57,280
Speaker 1: And that's the reason why we give a a motherfucking flowers.

881
00:39:01,239 --> 00:39:01,880
Speaker 5: You've been doing it.

882
00:39:02,040 --> 00:39:04,440
Speaker 1: What is one of your favorite places to perform at?

883
00:39:04,960 --> 00:39:07,920
Speaker 1: And one thing you you get crazy when your performance.

884
00:39:08,239 --> 00:39:12,640
Speaker 3: That man, I've been doing the walk around the stage

885
00:39:12,719 --> 00:39:15,400
Speaker 3: cool shit forever and pointed niggas and shit, now I

886
00:39:15,680 --> 00:39:18,960
Speaker 3: dancing shit, I'm taking my shirt offs from my underwear.

887
00:39:18,640 --> 00:39:21,319
Speaker 5: And shit like, fuck it, you know what I'm saying.

888
00:39:23,360 --> 00:39:26,000
Speaker 3: You know, I mean fifty four, but I don't look

889
00:39:26,080 --> 00:39:27,560
Speaker 3: like I don't act like it. I can still jump

890
00:39:27,640 --> 00:39:29,040
Speaker 3: and ship d cycles.

891
00:39:29,800 --> 00:39:30,400
Speaker 5: Let's go to the.

892
00:39:30,440 --> 00:39:32,400
Speaker 3: Casket drops, let's have some fun. I mean, if you

893
00:39:32,480 --> 00:39:35,440
Speaker 3: think about it. The best thing that happened to me

894
00:39:35,640 --> 00:39:38,080
Speaker 3: just happened to me recently at one of my residency

895
00:39:38,160 --> 00:39:41,560
Speaker 3: shows up in Oakland at Yoshi's where I'm performing for

896
00:39:42,200 --> 00:39:45,359
Speaker 3: people that's my age group, same gray hair. And then

897
00:39:45,400 --> 00:39:48,439
Speaker 3: you got a young teenager in the audience just looking

898
00:39:48,480 --> 00:39:50,560
Speaker 3: at me right, and I'm like, man, who the fuck

899
00:39:51,520 --> 00:39:56,600
Speaker 3: kind of pedophile? Then the lady who was with the teenager,

900
00:39:57,200 --> 00:39:59,239
Speaker 3: she said, this is my daughter. Quick She said, I've

901
00:39:59,239 --> 00:40:01,360
Speaker 3: been a fan of yours ever and I wanted to

902
00:40:01,640 --> 00:40:03,640
Speaker 3: bring my daughter to your show to show her what

903
00:40:03,920 --> 00:40:07,040
Speaker 3: real performances are like, or just to see you get

904
00:40:07,080 --> 00:40:09,520
Speaker 3: down because you've always been my favorite and you stay consistent.

905
00:40:09,560 --> 00:40:12,200
Speaker 3: And I was like, that fucked me up. I was like, wow,

906
00:40:13,239 --> 00:40:16,640
Speaker 3: so that's the thing I'm getting used to, getting introduced

907
00:40:16,680 --> 00:40:20,160
Speaker 3: to new age groups like you know, like the same

908
00:40:20,200 --> 00:40:21,400
Speaker 3: age as my kids and younger.

909
00:40:21,560 --> 00:40:24,200
Speaker 1: So That's why I love to hear that. Like when

910
00:40:24,239 --> 00:40:27,360
Speaker 1: you saying earlier him dog pound snoop, you know what

911
00:40:27,400 --> 00:40:29,480
Speaker 1: I mean. You know, I see people like Buster Rhymes

912
00:40:29,560 --> 00:40:33,040
Speaker 1: and you know Fatjo. I think buses on the tour

913
00:40:33,120 --> 00:40:39,359
Speaker 1: with Missy and Sierra and Joe Rule and Fat Joe

914
00:40:39,400 --> 00:40:42,240
Speaker 1: and I'm gotta, uh what you just said. A resident

915
00:40:42,320 --> 00:40:45,560
Speaker 1: residency and Dougie Fresh and the Quick is a part

916
00:40:45,600 --> 00:40:47,480
Speaker 1: of that too. Like that's it just makes me proud

917
00:40:47,520 --> 00:40:49,960
Speaker 1: of to see other states. Not to say it just

918
00:40:50,080 --> 00:40:52,040
Speaker 1: makes me proud to see the younger generation, but what

919
00:40:52,120 --> 00:40:54,120
Speaker 1: I'm saying is that's something that the younger generation should

920
00:40:54,120 --> 00:40:55,480
Speaker 1: look up to look up.

921
00:40:55,680 --> 00:40:57,840
Speaker 5: I remember, I remember every young nigga that has an

922
00:40:57,880 --> 00:41:00,359
Speaker 5: argument with the old nigga, Like old nigga, you gotta

923
00:41:00,400 --> 00:41:06,160
Speaker 5: realize that ain't that ship.

924
00:41:06,800 --> 00:41:09,320
Speaker 1: But the crazy thing is, if that's that's the dumbest

925
00:41:09,360 --> 00:41:11,480
Speaker 1: thing you can say, It's like, it's the most cliche

926
00:41:11,560 --> 00:41:12,040
Speaker 1: thing you can say.

927
00:41:12,040 --> 00:41:13,960
Speaker 5: It's like argument with somebody with glasses and calling them for.

928
00:41:15,640 --> 00:41:17,399
Speaker 3: These niggas get on my nerves.

929
00:41:17,440 --> 00:41:19,719
Speaker 1: But what I'm saying is, if that's the only thing

930
00:41:19,760 --> 00:41:22,880
Speaker 1: that's calling them an old nigga, guess what you're going

931
00:41:22,960 --> 00:41:24,160
Speaker 1: to pray one day to get My.

932
00:41:26,200 --> 00:41:27,239
Speaker 3: Point is to get old.

933
00:41:27,400 --> 00:41:29,600
Speaker 2: I don't know who the fuck taught black people that

934
00:41:29,760 --> 00:41:31,120
Speaker 2: that's not the way it's supposed to be.

935
00:41:32,520 --> 00:41:35,600
Speaker 3: The less generational the work. Niggas don't do that like they.

936
00:41:37,440 --> 00:41:37,480
Speaker 2: Do.

937
00:41:38,040 --> 00:41:39,720
Speaker 3: That's what I'm saying. Rock music.

938
00:41:40,000 --> 00:41:42,279
Speaker 5: They don't do that. They don't see no rock and

939
00:41:42,360 --> 00:41:42,799
Speaker 5: roll versus.

940
00:41:42,880 --> 00:41:43,440
Speaker 3: They preserve.

941
00:41:43,560 --> 00:41:45,440
Speaker 5: They preserve rock stars.

942
00:41:47,600 --> 00:41:52,200
Speaker 1: Eighty years old, like we need to do challenging the

943
00:41:52,560 --> 00:41:53,680
Speaker 1: niggas not one hundred years old.

944
00:41:55,760 --> 00:42:00,000
Speaker 5: They were born in eighteen. Yeah, they drinking bad to let.

945
00:42:02,520 --> 00:42:04,680
Speaker 3: This is This is the ironic thing though, when we

946
00:42:05,080 --> 00:42:07,360
Speaker 3: came up, you know, and this is a lot of

947
00:42:07,400 --> 00:42:10,839
Speaker 3: people don't understand. This hip hop was made by young

948
00:42:10,920 --> 00:42:14,799
Speaker 3: people right and us and I'll put Dre in this too.

949
00:42:15,239 --> 00:42:17,840
Speaker 3: We honored our old school niggas like George Clinton. We

950
00:42:17,920 --> 00:42:20,239
Speaker 3: sampled their music and looked up to them. You know,

951
00:42:20,680 --> 00:42:22,800
Speaker 3: if the Temptations put at a good record in the eighties,

952
00:42:22,840 --> 00:42:25,440
Speaker 3: that motherfucker got bought treated like a lady, and motherfuckers

953
00:42:25,480 --> 00:42:26,400
Speaker 3: went to see their shows.

954
00:42:26,520 --> 00:42:29,399
Speaker 5: You know, all of these we we never we never

955
00:42:29,520 --> 00:42:30,279
Speaker 5: looked at them, thank you.

956
00:42:30,360 --> 00:42:32,920
Speaker 3: We never looked at them as old because you know

957
00:42:33,120 --> 00:42:34,800
Speaker 3: my my argument now and I take this from my

958
00:42:34,840 --> 00:42:36,880
Speaker 3: O G Homie, when I get that whole you are

959
00:42:36,920 --> 00:42:38,920
Speaker 3: you old motherfucker, I'll be like, look here, little nigga,

960
00:42:39,200 --> 00:42:42,120
Speaker 3: I said, look, I've been your motherfucking age.

961
00:42:42,719 --> 00:42:44,480
Speaker 5: You ain't never been mine, You ain't mine.

962
00:42:44,800 --> 00:42:54,120
Speaker 1: Beautiful, so beautiful and you know, being a little generic

963
00:42:54,239 --> 00:42:59,440
Speaker 1: right now. But that's that's what the difference between our

964
00:43:00,920 --> 00:43:04,799
Speaker 1: like era are our time and what's happening now.

965
00:43:04,920 --> 00:43:05,200
Speaker 5: It's like.

966
00:43:07,680 --> 00:43:10,240
Speaker 1: You got to hit record Homie, some other young generation

967
00:43:10,280 --> 00:43:12,879
Speaker 1: you gotta hit record Homey. You're doing the drill, you're

968
00:43:12,880 --> 00:43:15,800
Speaker 1: doing the praying, the guns, and it's not really really music.

969
00:43:16,239 --> 00:43:21,680
Speaker 5: But at some point you should learn music, right music career, Yes,

970
00:43:22,200 --> 00:43:23,160
Speaker 5: you have a music career.

971
00:43:23,440 --> 00:43:25,399
Speaker 1: And you know some of them are getting lucky because

972
00:43:25,400 --> 00:43:28,319
Speaker 1: they're they're they're doing it in their people's cribs, getting

973
00:43:28,360 --> 00:43:31,200
Speaker 1: lucky and it's working. And then no record label is saying,

974
00:43:31,200 --> 00:43:32,560
Speaker 1: you know what you need to go in with a

975
00:43:32,640 --> 00:43:34,880
Speaker 1: DJ quick, you need you need to learn how to

976
00:43:35,840 --> 00:43:37,960
Speaker 1: pattern your stuff. They're not even doing it because they

977
00:43:38,040 --> 00:43:39,840
Speaker 1: want these kids to self destruct.

978
00:43:40,040 --> 00:43:41,000
Speaker 5: There's no more development.

979
00:43:41,239 --> 00:43:44,520
Speaker 3: They took that A and R was. That's what my

980
00:43:44,680 --> 00:43:48,040
Speaker 3: job was, well, my description was my task. But yeah,

981
00:43:48,040 --> 00:43:50,200
Speaker 3: that that kind of doesn't exist anymore. They leave that

982
00:43:50,320 --> 00:43:53,480
Speaker 3: to the artist now to develop to the numbers.

983
00:43:53,719 --> 00:43:57,640
Speaker 2: They some that they're reading TikTok numbers. It's all do strange,

984
00:43:57,640 --> 00:43:59,480
Speaker 2: but we all know that that's paid for us. It's like,

985
00:43:59,560 --> 00:44:02,240
Speaker 2: why are we reading something that we know can be bought.

986
00:44:02,600 --> 00:44:06,160
Speaker 2: It's like everybody's in this weird time and space. Nobody's

987
00:44:06,160 --> 00:44:07,840
Speaker 2: going off what they hear and feel no more. And

988
00:44:07,920 --> 00:44:10,800
Speaker 2: then second to that, they can't afford to these that

989
00:44:10,920 --> 00:44:14,000
Speaker 2: quick right and and that's the that's the real irony

990
00:44:14,080 --> 00:44:16,239
Speaker 2: of it, because we're not taking no painy cuts over

991
00:44:16,280 --> 00:44:17,400
Speaker 2: here at all.

992
00:44:19,120 --> 00:44:21,520
Speaker 1: But I tell you every now and then, it's a

993
00:44:21,640 --> 00:44:25,279
Speaker 1: universal record that makes everyone can buy it right now?

994
00:44:25,560 --> 00:44:26,880
Speaker 5: That record is they not like.

995
00:44:28,080 --> 00:44:31,680
Speaker 1: I see every race. I don't give a what you are.

996
00:44:32,800 --> 00:44:34,640
Speaker 1: I've seen dinosaurs listening to.

997
00:44:34,680 --> 00:44:39,040
Speaker 3: The shout out to Ray Charles and shout out to

998
00:44:39,200 --> 00:44:42,000
Speaker 3: Mustard for re imagining that sample.

999
00:44:42,360 --> 00:44:43,239
Speaker 2: I believe that.

1000
00:44:44,400 --> 00:44:47,080
Speaker 3: I believe it. Remember they was doing that practicing that

1001
00:44:47,160 --> 00:44:53,640
Speaker 3: on the movie Ray Believe It. That's that record, yes, sir,

1002
00:44:53,719 --> 00:44:56,480
Speaker 3: And it was redone by this guy Munk Higgins on

1003
00:44:56,600 --> 00:44:58,520
Speaker 3: a jazz album, and the way he did it was

1004
00:44:58,560 --> 00:45:00,359
Speaker 3: a little funkier than the Ray Charles version.

1005
00:45:00,480 --> 00:45:02,839
Speaker 2: So that's where this actual sample came from.

1006
00:45:03,000 --> 00:45:06,120
Speaker 3: It's an interpolation of Ray Charles's I Believe in the

1007
00:45:06,160 --> 00:45:06,880
Speaker 3: Power of Sometime that.

1008
00:45:06,920 --> 00:45:08,080
Speaker 5: They forgot the whole title of it.

1009
00:45:08,160 --> 00:45:10,920
Speaker 1: But you know, you was involved in one of the

1010
00:45:11,680 --> 00:45:13,640
Speaker 1: I don't want to say craziest beefs and hip hop.

1011
00:45:13,560 --> 00:45:16,439
Speaker 2: Good lord, but it was one of the first crazy ones.

1012
00:45:16,600 --> 00:45:19,359
Speaker 2: It was one of the playing that it was real

1013
00:45:19,400 --> 00:45:21,560
Speaker 2: shit happening in the street. It seemed real serious.

1014
00:45:23,080 --> 00:45:26,720
Speaker 1: But it was one thing of hearing MC eight said,

1015
00:45:27,480 --> 00:45:29,920
Speaker 1: hearing about you performing the actual record in front of

1016
00:45:30,080 --> 00:45:32,840
Speaker 1: MC eight, But then it was another thing like we

1017
00:45:32,920 --> 00:45:34,640
Speaker 1: had him on the show and he was like he's

1018
00:45:34,800 --> 00:45:38,760
Speaker 1: describing it. I was just like, holy shit, Like because

1019
00:45:39,719 --> 00:45:42,400
Speaker 1: I don't, I don't, I don't remember if I actually

1020
00:45:42,600 --> 00:45:45,120
Speaker 1: saw it off. This is the word of mouth. I

1021
00:45:45,160 --> 00:45:49,720
Speaker 1: don't remember. But that's some weird that's some real ship.

1022
00:45:50,120 --> 00:45:52,640
Speaker 1: Like did you plan like I'm gonna go to the wars,

1023
00:45:53,040 --> 00:45:54,680
Speaker 1: He's going to be here and I'm gonna go perform

1024
00:45:54,760 --> 00:45:55,160
Speaker 1: the record.

1025
00:45:55,239 --> 00:45:56,879
Speaker 5: Not only that you walked over to him.

1026
00:45:57,560 --> 00:46:02,480
Speaker 3: No, okay, okay, What had happened was we did sound

1027
00:46:02,560 --> 00:46:05,719
Speaker 3: check and they had to do blocking, and they have

1028
00:46:05,840 --> 00:46:09,040
Speaker 3: to do positioning. So in positioning while we sound checking,

1029
00:46:09,680 --> 00:46:11,319
Speaker 3: a couple of magical things happened that day too.

1030
00:46:11,320 --> 00:46:13,680
Speaker 5: While was sound checking, DJ pull up here with the dog.

1031
00:46:13,960 --> 00:46:16,040
Speaker 3: They were working making sure all the shit works behind

1032
00:46:16,120 --> 00:46:20,279
Speaker 3: us the jail cells, and I'm looking down in the

1033
00:46:20,320 --> 00:46:23,359
Speaker 3: audience where they're going to be, and everybody's names are

1034
00:46:23,440 --> 00:46:27,600
Speaker 3: on the seat. So right here front center stage, stage right,

1035
00:46:28,160 --> 00:46:30,920
Speaker 3: two rows in, it's FC eight. So I just made

1036
00:46:30,960 --> 00:46:31,960
Speaker 3: a little mental note of it.

1037
00:46:32,320 --> 00:46:32,440
Speaker 2: Right.

1038
00:46:33,000 --> 00:46:34,719
Speaker 3: I also makes you a little nervous too, because you know,

1039
00:46:34,800 --> 00:46:37,200
Speaker 3: shit can go wrong live. Murphy's Law is totally in

1040
00:46:37,239 --> 00:46:40,600
Speaker 3: effect at all times. So while I'm up there, we

1041
00:46:40,719 --> 00:46:43,759
Speaker 3: was taking a break, and we was been out there

1042
00:46:43,800 --> 00:46:46,759
Speaker 3: maybe three four days, started missing some things from home,

1043
00:46:47,160 --> 00:46:50,520
Speaker 3: so I just started sound checking the house singing California

1044
00:46:51,800 --> 00:46:53,840
Speaker 3: knows how the fun it, and.

1045
00:46:53,920 --> 00:46:58,120
Speaker 5: Everybody joined in with me. In the city up Alabe

1046
00:46:58,120 --> 00:47:01,600
Speaker 5: Pool was like, and that doctor Dre's back there doing

1047
00:47:01,600 --> 00:47:02,040
Speaker 5: this shit good.

1048
00:47:02,400 --> 00:47:04,840
Speaker 3: This is in California, know this world stage in massive

1049
00:47:04,880 --> 00:47:08,200
Speaker 3: square garden I'm just about to see in the city

1050
00:47:08,320 --> 00:47:12,239
Speaker 3: of Compton, right, Dre was like, man, you know, like

1051
00:47:12,480 --> 00:47:14,600
Speaker 3: I need to use that. Yeah, I'm like that was

1052
00:47:14,640 --> 00:47:18,319
Speaker 3: still the cut bro whatever running someone named Runnie something.

1053
00:47:18,560 --> 00:47:21,080
Speaker 3: I forgot his name on the record. So fast forward

1054
00:47:21,120 --> 00:47:24,600
Speaker 3: to and Tupac was in the last cage, you know,

1055
00:47:24,680 --> 00:47:27,080
Speaker 3: his little cutout and he was locked up right, okay,

1056
00:47:27,280 --> 00:47:27,920
Speaker 3: so we you.

1057
00:47:27,960 --> 00:47:29,520
Speaker 5: Know, the kurf fuffle started.

1058
00:47:29,800 --> 00:47:33,040
Speaker 3: You know, I performed for because he did sit in

1059
00:47:33,080 --> 00:47:35,359
Speaker 3: his chair and I was like, I got all these

1060
00:47:35,400 --> 00:47:38,320
Speaker 3: niggas back. I swelled up a little bit, went for

1061
00:47:38,440 --> 00:47:41,480
Speaker 3: it like it's a beef, you know. So I got

1062
00:47:41,560 --> 00:47:44,640
Speaker 3: down and he was like he's just like, Hia, you

1063
00:47:44,680 --> 00:47:47,120
Speaker 3: know what I'm saying, you know, the guy with the mic,

1064
00:47:47,200 --> 00:47:49,960
Speaker 3: the loudst guys or whatever. But I mean, we're cool

1065
00:47:49,960 --> 00:47:54,920
Speaker 3: as funk now. But we leave and three days later,

1066
00:47:54,920 --> 00:47:57,960
Speaker 3: in a few days later, Tupac walks in the studio,

1067
00:47:58,040 --> 00:48:00,640
Speaker 3: Me and Corrupt playing fucking Mortal Kombat on Station two.

1068
00:48:00,880 --> 00:48:02,560
Speaker 3: When we look at this nigga walk in the studio,

1069
00:48:02,600 --> 00:48:04,719
Speaker 3: its like we just dropped the joystick, Like.

1070
00:48:04,719 --> 00:48:07,480
Speaker 5: What the fuck, nigga, what are you doing here? Right?

1071
00:48:07,560 --> 00:48:08,440
Speaker 5: He said, nigga, I'm back.

1072
00:48:08,480 --> 00:48:09,080
Speaker 2: He was music.

1073
00:48:09,160 --> 00:48:11,360
Speaker 5: Give me some fucking music. Quick light of blunt roll

1074
00:48:11,440 --> 00:48:11,719
Speaker 5: the blunt.

1075
00:48:11,960 --> 00:48:15,560
Speaker 3: He just came in like George Jefferson, like now in

1076
00:48:15,680 --> 00:48:18,040
Speaker 3: the back, and I had already did this drop. I

1077
00:48:18,080 --> 00:48:20,520
Speaker 3: did this drop for radio for this dude named Theop.

1078
00:48:20,560 --> 00:48:23,000
Speaker 3: We should do these neighborhood songs for him because we

1079
00:48:23,080 --> 00:48:25,360
Speaker 3: loved our radio station and our sample, Intimate Connection.

1080
00:48:26,040 --> 00:48:27,040
Speaker 5: So we go in the back.

1081
00:48:27,719 --> 00:48:30,840
Speaker 3: Doctor Dre has this song California Love. Should plays it

1082
00:48:30,880 --> 00:48:32,480
Speaker 3: for us, like, tell me what y'all thinking about this

1083
00:48:33,680 --> 00:48:37,320
Speaker 3: California Love, Come on, it's banging. Dre does the remix

1084
00:48:37,400 --> 00:48:40,640
Speaker 3: of it and he uses the catalys he was doing

1085
00:48:42,480 --> 00:48:48,520
Speaker 3: and nobody's ever gonna get me, Craig your.

1086
00:48:53,000 --> 00:48:53,320
Speaker 2: Problem.

1087
00:48:55,800 --> 00:48:58,759
Speaker 3: So how it culminates is the sample that I used,

1088
00:48:58,800 --> 00:49:01,840
Speaker 3: Intimate Connection by Clear. I also used Tonight from that

1089
00:49:01,960 --> 00:49:05,359
Speaker 3: group and went platinum with my song Tonight. That's Clear,

1090
00:49:05,480 --> 00:49:08,120
Speaker 3: a group that was on the Atlantic Records, and Dre

1091
00:49:08,440 --> 00:49:12,279
Speaker 3: it was hard to get that beat. So my man

1092
00:49:12,360 --> 00:49:15,480
Speaker 3: from above, the Law who passed away Laylaw, Laylaw, brought

1093
00:49:15,520 --> 00:49:16,600
Speaker 3: doctor Dre a CD.

1094
00:49:16,800 --> 00:49:18,440
Speaker 5: Of intco Connection, Intimate Connection.

1095
00:49:18,560 --> 00:49:21,200
Speaker 3: He's just sampled the break off of instead of reprogramming it,

1096
00:49:21,360 --> 00:49:23,080
Speaker 3: and he just had his band play all over it.

1097
00:49:23,400 --> 00:49:25,560
Speaker 5: So it was like both of those ideas, the sample of.

1098
00:49:25,600 --> 00:49:31,279
Speaker 3: Intcom connection and the Ronnie Ronnie Ronnie, y'all find it

1099
00:49:32,440 --> 00:49:35,200
Speaker 3: West Coast pop lock Ronnie dic and I think his

1100
00:49:35,320 --> 00:49:37,960
Speaker 3: name was, but that's where it came from. So I'm

1101
00:49:37,960 --> 00:49:40,120
Speaker 3: sitting in the room listening to the ship looking at

1102
00:49:40,160 --> 00:49:44,279
Speaker 3: Dre like Damn Dre still listens to what's what he

1103
00:49:44,480 --> 00:49:46,840
Speaker 3: knows will be hot. I'm thinking out of the bottom

1104
00:49:46,920 --> 00:49:49,080
Speaker 3: left hand. He right handed. So I always wanted to

1105
00:49:49,080 --> 00:49:51,160
Speaker 3: be that niggas Terry Lewis anyway, you know what I'm saying.

1106
00:49:51,360 --> 00:49:54,920
Speaker 3: But this is my Terry Lewis, Jimmy Terry right right.

1107
00:49:55,120 --> 00:49:59,839
Speaker 5: You know, is it time? A quick time time, let's see,

1108
00:50:00,120 --> 00:50:04,800
Speaker 5: y'all set it up? Send the trunk. Ronnie Hudson that

1109
00:50:04,960 --> 00:50:07,279
Speaker 5: was his name. Thank you, And to be clear, did

1110
00:50:07,320 --> 00:50:09,040
Speaker 5: you didn't get no credit on the record. I didn't

1111
00:50:09,040 --> 00:50:11,399
Speaker 5: want nothing. Who cares making sure he but I helped

1112
00:50:11,480 --> 00:50:12,240
Speaker 5: on a lot of records.

1113
00:50:12,880 --> 00:50:13,120
Speaker 6: I'm on.

1114
00:50:13,520 --> 00:50:16,440
Speaker 3: My dad's going crazy. I was in the studio when

1115
00:50:16,480 --> 00:50:21,520
Speaker 3: he was doing meetings. That's my drums. No nigga's satisfaction.

1116
00:50:21,680 --> 00:50:24,239
Speaker 3: When I gave Dre them sounds and left, Drake just

1117
00:50:24,320 --> 00:50:26,479
Speaker 3: put him all the work, so he'd be like, quick,

1118
00:50:26,520 --> 00:50:28,560
Speaker 3: you're busy, No, what's up. I'll go to the studio

1119
00:50:29,080 --> 00:50:31,239
Speaker 3: and he'd be like even the booth and ship that

1120
00:50:31,320 --> 00:50:39,000
Speaker 3: nigga be like, now I'm gonna do this thing, and

1121
00:50:39,040 --> 00:50:39,319
Speaker 3: I'm like.

1122
00:50:39,320 --> 00:50:41,200
Speaker 5: Look, I'm getting chills just hot sound and the studio.

1123
00:50:41,239 --> 00:50:45,040
Speaker 3: I was like, like, what the fuck is that? And

1124
00:50:45,120 --> 00:50:46,920
Speaker 3: he was like, your drums you get I'm like, bro,

1125
00:50:47,200 --> 00:50:49,920
Speaker 3: look I'm still getting chilled. Chill just the way he

1126
00:50:50,000 --> 00:50:53,400
Speaker 3: made to Crown. You don't understand. They were unreal, Like

1127
00:50:53,840 --> 00:50:56,400
Speaker 3: I should have stopped drinking just to be more present.

1128
00:50:57,880 --> 00:50:59,040
Speaker 5: I wasn't gonna last while.

1129
00:50:59,560 --> 00:51:03,440
Speaker 3: But you know that fucking watching eminem mix Encore and

1130
00:51:03,480 --> 00:51:05,960
Speaker 3: Ship and this stripper bitch and knocked me over his

1131
00:51:06,040 --> 00:51:07,239
Speaker 3: equipment and ship we both go.

1132
00:51:07,440 --> 00:51:11,120
Speaker 12: Falling, and it was like, dr get get your man's

1133
00:51:11,160 --> 00:51:23,960
Speaker 12: trade that Puerto Rican drum bitch, drunk titties. You did

1134
00:51:24,000 --> 00:51:25,279
Speaker 12: the drums on get Rich.

1135
00:51:25,320 --> 00:51:27,520
Speaker 5: Since I tried in the club, I can't do it.

1136
00:51:27,640 --> 00:51:28,200
Speaker 5: It can't be done.

1137
00:51:28,400 --> 00:51:30,680
Speaker 3: And those are my drum sounds because I knew nobody

1138
00:51:30,800 --> 00:51:34,520
Speaker 3: had them that clapped. That's there because everybody was using

1139
00:51:34,560 --> 00:51:37,400
Speaker 3: the one that came with the n PC two thousand.

1140
00:51:38,239 --> 00:51:41,000
Speaker 5: You know the most exactly. The biggest example is right

1141
00:51:41,080 --> 00:51:41,760
Speaker 5: there by chinging.

1142
00:51:41,800 --> 00:51:41,960
Speaker 6: You know.

1143
00:51:44,120 --> 00:51:47,480
Speaker 3: That little sound that's near. So when I gave him

1144
00:51:47,520 --> 00:51:49,920
Speaker 3: the drum sound, that was like it, but more beefed up.

1145
00:51:50,000 --> 00:51:52,399
Speaker 3: It went on, If I can't do it, can't be done.

1146
00:51:53,960 --> 00:51:57,040
Speaker 3: You know what I'm saying. I think think.

1147
00:51:58,760 --> 00:52:00,920
Speaker 5: Because I do sound design. That's really my ship. I

1148
00:52:01,080 --> 00:52:03,160
Speaker 5: like just like Dre. He's like Quincy Jones.

1149
00:52:03,480 --> 00:52:05,840
Speaker 3: These motherfuckers only want to hear something they ain't never

1150
00:52:05,920 --> 00:52:08,200
Speaker 3: heard before. You got impressed him, like Nigga. We didn't

1151
00:52:08,200 --> 00:52:10,520
Speaker 3: hear there. I owned the record shop. Nigga impressed me.

1152
00:52:11,000 --> 00:52:13,160
Speaker 3: So you gotta go do some ship they never heard before.

1153
00:52:13,800 --> 00:52:15,360
Speaker 3: And then they let you in the party and the

1154
00:52:15,400 --> 00:52:17,560
Speaker 3: bitches jump on you and the weed comes out. Let

1155
00:52:17,640 --> 00:52:24,920
Speaker 3: your the money to check. They had way more fun than.

1156
00:52:28,200 --> 00:52:28,440
Speaker 11: It was.

1157
00:52:30,840 --> 00:52:36,719
Speaker 5: Instagram Instagram are gonna be the document that.

1158
00:52:38,640 --> 00:52:40,439
Speaker 1: I always I always say that I played with people.

1159
00:52:40,440 --> 00:52:43,560
Speaker 1: I was like, yo, man, imagine tupact of Instagram.

1160
00:52:44,840 --> 00:52:54,560
Speaker 2: Sac like easy Twitter, Twitter, hilarious, man, I missed that.

1161
00:52:54,840 --> 00:52:56,640
Speaker 5: Seems like he had a Hello sense. He was the

1162
00:52:56,760 --> 00:53:00,360
Speaker 5: fun man. He was a he was joky Smurf. Nigga

1163
00:53:00,440 --> 00:53:04,759
Speaker 5: was hilarious. And from Compton, how far our blocks? Yeah?

1164
00:53:04,800 --> 00:53:06,520
Speaker 3: Yeah, less than a mile. He's like he was in

1165
00:53:06,600 --> 00:53:08,960
Speaker 3: Kelly Park. We in tree Top. You just go down

1166
00:53:09,080 --> 00:53:13,120
Speaker 3: fucking a rambi six blocks of Compton Boulevard and make

1167
00:53:13,160 --> 00:53:15,560
Speaker 3: a left, go down about four blocks is right there.

1168
00:53:15,600 --> 00:53:17,759
Speaker 5: The ship's only ten square miles, it's like.

1169
00:53:17,800 --> 00:53:19,320
Speaker 3: Ten fifteen square miles constantly.

1170
00:53:19,320 --> 00:53:22,600
Speaker 1: So and you know this is like a close like

1171
00:53:22,640 --> 00:53:25,879
Speaker 1: walking distance. Okay, So we're lack of a better term.

1172
00:53:26,920 --> 00:53:29,240
Speaker 1: For me not knowing no better, I might sound stupid,

1173
00:53:29,280 --> 00:53:33,080
Speaker 1: but let me just act you never like because for

1174
00:53:33,280 --> 00:53:36,160
Speaker 1: us back then, we thought that it was full fledged beef.

1175
00:53:36,200 --> 00:53:38,600
Speaker 1: Whenever you see somebody in red that's wearing red and

1176
00:53:38,680 --> 00:53:42,960
Speaker 1: somebody's wearing blue us, it really won't kid yeah, okay,

1177
00:53:43,040 --> 00:53:46,640
Speaker 1: back to our vision was correct, It wasn't exaggerated, okay.

1178
00:53:46,719 --> 00:53:49,279
Speaker 3: And the Compton Police Department used to egg that ship

1179
00:53:49,360 --> 00:53:54,000
Speaker 3: on and exacerbated by picking up cryp niggas and dropping

1180
00:53:54,000 --> 00:53:56,880
Speaker 3: them off in blood and they figuring out blood niggas

1181
00:53:56,880 --> 00:53:59,120
Speaker 3: and dropping us off in crip neighborhoods. That'd be like, hey,

1182
00:53:59,200 --> 00:54:02,200
Speaker 3: I've gotta slid over here and drive off, and the

1183
00:54:02,280 --> 00:54:05,000
Speaker 3: crips figured it out. They was like, man, that was black.

1184
00:54:05,320 --> 00:54:07,239
Speaker 3: They say the name of the officering ain't nothing, but

1185
00:54:07,719 --> 00:54:09,759
Speaker 3: come on, man, we draw y'all home. They didn't bite,

1186
00:54:09,800 --> 00:54:10,480
Speaker 3: they didn't fall for.

1187
00:54:12,000 --> 00:54:14,960
Speaker 6: Because in the movie we saw where they don't go

1188
00:54:14,960 --> 00:54:16,520
Speaker 6: over to the Mexican neighbor there's a.

1189
00:54:16,560 --> 00:54:18,320
Speaker 3: Movie they'd be like, here, come through. It be like

1190
00:54:19,080 --> 00:54:21,920
Speaker 3: y'all you know man, you know the carvers got one

1191
00:54:21,960 --> 00:54:22,440
Speaker 3: of y'all.

1192
00:54:22,719 --> 00:54:23,320
Speaker 5: Some ship like that.

1193
00:54:23,480 --> 00:54:26,320
Speaker 2: You'd be like, what the fuck were out there drilling?

1194
00:54:26,400 --> 00:54:28,880
Speaker 2: We out there playing basketball or whatever. All yeah, the

1195
00:54:28,960 --> 00:54:30,120
Speaker 2: nun he's got day up on y'all.

1196
00:54:30,280 --> 00:54:31,160
Speaker 3: It'll be like, bro, we're.

1197
00:54:31,080 --> 00:54:35,040
Speaker 5: Twelve thirteen years old, and they're telling you because the police.

1198
00:54:34,880 --> 00:54:37,800
Speaker 2: Just so you so so the nigga from one neighborhood

1199
00:54:37,840 --> 00:54:40,160
Speaker 2: go over there, they do because it won no Instagram,

1200
00:54:40,200 --> 00:54:40,759
Speaker 2: went no Twitter.

1201
00:54:40,840 --> 00:54:42,920
Speaker 3: So you didn't know. Yeah, you didn't know better, right,

1202
00:54:43,040 --> 00:54:45,400
Speaker 3: you just kind of felt the energy, right, I mean,

1203
00:54:46,680 --> 00:54:50,640
Speaker 3: the sheriffs was they was the telegram.

1204
00:54:51,200 --> 00:54:54,520
Speaker 5: They were the Instagram. It was the telegram. There were

1205
00:54:54,560 --> 00:54:59,920
Speaker 5: the pigeons used to carrier bring Yeah, the carryer pictures

1206
00:55:00,040 --> 00:55:03,280
Speaker 5: gonna bring the word because what did you just say, Compton,

1207
00:55:03,360 --> 00:55:03,960
Speaker 5: this is only a.

1208
00:55:08,800 --> 00:55:10,279
Speaker 3: Square mile the whole thing though.

1209
00:55:10,400 --> 00:55:15,040
Speaker 1: But that's a city though, confidence right, Okay, So what's

1210
00:55:15,080 --> 00:55:19,239
Speaker 1: the name of their first album, Who's Road Now?

1211
00:55:19,840 --> 00:55:22,360
Speaker 3: Roldse Chance is? What is that?

1212
00:55:23,960 --> 00:55:26,520
Speaker 2: It's the only street that runs all the way through Compton.

1213
00:55:27,120 --> 00:55:28,000
Speaker 2: Anything blocking it.

1214
00:55:28,719 --> 00:55:31,719
Speaker 3: Yeah, it's almost like a main streets avenue really okay,

1215
00:55:31,760 --> 00:55:32,960
Speaker 3: And it was every day.

1216
00:55:33,280 --> 00:55:35,719
Speaker 5: It goes from Lamarada all the way to the beach.

1217
00:55:36,000 --> 00:55:37,600
Speaker 3: We used to jump on the bus, the one twenty

1218
00:55:37,640 --> 00:55:39,520
Speaker 3: five and just take it west and get off at

1219
00:55:39,560 --> 00:55:41,320
Speaker 3: Manhattan Beach like it's unbroken.

1220
00:55:42,200 --> 00:55:45,480
Speaker 2: My streets get broken about the railroads or like like

1221
00:55:45,600 --> 00:55:47,520
Speaker 2: you'll get like train tracks and will break it.

1222
00:55:47,560 --> 00:55:49,280
Speaker 5: It's an artery over, it's an artery.

1223
00:55:49,440 --> 00:55:49,600
Speaker 6: Yeah.

1224
00:55:49,640 --> 00:55:51,920
Speaker 5: It's the only street that you can just ride through

1225
00:55:52,000 --> 00:55:52,760
Speaker 5: Compton straight.

1226
00:55:52,600 --> 00:55:53,839
Speaker 3: Through and get to the back of it to get

1227
00:55:53,840 --> 00:55:54,640
Speaker 3: to the next city.

1228
00:55:54,440 --> 00:55:57,120
Speaker 5: And get out here. But it's not a crip neighborhood.

1229
00:55:57,440 --> 00:56:02,319
Speaker 5: It's neighborhood. It drives throughout it to devise everybody. Okay, wow, wow,

1230
00:56:02,960 --> 00:56:13,720
Speaker 5: yeah something looking listen listen. Yeah, it's so interesting.

1231
00:56:13,360 --> 00:56:17,600
Speaker 1: Because you know the way it's divided right the way

1232
00:56:17,680 --> 00:56:20,680
Speaker 1: how like you corrupt as my friend, right, you know,

1233
00:56:21,480 --> 00:56:24,040
Speaker 1: And I went up somewhere and I remember him like,

1234
00:56:24,080 --> 00:56:25,960
Speaker 1: oh no, no, no, he's not stopping there.

1235
00:56:31,000 --> 00:56:33,399
Speaker 5: We get over here, or you're like I'm like all right, cool,

1236
00:56:33,480 --> 00:56:33,840
Speaker 5: Like you.

1237
00:56:33,920 --> 00:56:35,400
Speaker 1: Know, I didn't want to get into depth and what

1238
00:56:35,680 --> 00:56:39,400
Speaker 1: just happened, but like I would always imagine that a

1239
00:56:39,480 --> 00:56:41,920
Speaker 1: person could get caught slipping like that, like if you're

1240
00:56:42,000 --> 00:56:44,920
Speaker 1: just out there. And I remember Snoop telling us on

1241
00:56:45,080 --> 00:56:47,319
Speaker 1: this show he was like one time he's seen nives

1242
00:56:47,360 --> 00:56:48,800
Speaker 1: and knives was just so out of pocket.

1243
00:56:49,120 --> 00:56:50,000
Speaker 2: He was just like.

1244
00:56:51,640 --> 00:56:53,840
Speaker 5: He was all read and he was just like, no,

1245
00:56:54,160 --> 00:56:58,000
Speaker 5: I'm I'm not sure you have that over here, but

1246
00:56:59,440 --> 00:57:00,000
Speaker 5: is that something?

1247
00:57:00,080 --> 00:57:00,840
Speaker 4: And like you know.

1248
00:57:02,360 --> 00:57:04,719
Speaker 1: That that that y'all into, Like let me break it

1249
00:57:04,760 --> 00:57:07,239
Speaker 1: down a little bit more, Like so many people, it's

1250
00:57:07,280 --> 00:57:11,239
Speaker 1: this thing checking in Yeah, right, because right now, and

1251
00:57:11,320 --> 00:57:13,600
Speaker 1: I reiterate the question, they say that l A is

1252
00:57:13,640 --> 00:57:16,400
Speaker 1: one of the most dangerous places in the world for rappers.

1253
00:57:17,280 --> 00:57:17,400
Speaker 2: Right.

1254
00:57:19,720 --> 00:57:21,800
Speaker 1: First of if you want to dress that, you would

1255
00:57:21,800 --> 00:57:26,920
Speaker 1: love to address it. Okay, let yes, that's not like

1256
00:57:27,000 --> 00:57:29,120
Speaker 1: you're not true, but I want to say this bro

1257
00:57:29,240 --> 00:57:29,920
Speaker 1: like a lot of.

1258
00:57:30,040 --> 00:57:33,440
Speaker 2: Like I would never go to New York and say, man,

1259
00:57:33,440 --> 00:57:36,280
Speaker 2: I hate this motherfucker and then open up a business there.

1260
00:57:37,080 --> 00:57:39,680
Speaker 5: People come to our city and totally talk.

1261
00:57:39,560 --> 00:57:42,880
Speaker 2: Ship about it to us, and you l a niggas man,

1262
00:57:42,880 --> 00:57:44,720
Speaker 2: you l NI, but y'all to live here, y'all stay there.

1263
00:57:44,720 --> 00:57:46,760
Speaker 5: And it gets to a point where it's like it

1264
00:57:46,880 --> 00:57:48,280
Speaker 5: looks so lack. The day is a cool.

1265
00:57:48,680 --> 00:57:50,960
Speaker 2: It looks like, oh, it's palm trees. Even our ghettos

1266
00:57:51,080 --> 00:57:53,720
Speaker 2: just look nice. You know what I'm saying. So you

1267
00:57:53,960 --> 00:57:56,160
Speaker 2: you can you can get caught slipping, get LOLd r.

1268
00:57:56,360 --> 00:57:59,840
Speaker 3: Yeah, to believe in it's a palm trees until you

1269
00:58:00,080 --> 00:58:03,200
Speaker 3: leaking out your motherfucking transmission fluid on that hot ass

1270
00:58:03,240 --> 00:58:03,560
Speaker 3: ask for.

1271
00:58:03,600 --> 00:58:05,360
Speaker 2: It looks like it's something to play with, But it's like,

1272
00:58:05,480 --> 00:58:07,520
Speaker 2: I would never like to checking in. Thing for me

1273
00:58:07,720 --> 00:58:11,400
Speaker 2: is like if I'm going to Atlanta, I'm calling everybody

1274
00:58:11,480 --> 00:58:13,080
Speaker 2: I know, Dude a minute I get on the plane,

1275
00:58:13,480 --> 00:58:16,160
Speaker 2: I don't care if it's called checking in checking out nothing.

1276
00:58:16,240 --> 00:58:18,120
Speaker 2: These are the niggas that I know from the spot

1277
00:58:18,160 --> 00:58:21,160
Speaker 2: I'm showing love Y'all'm in your city's popping up. But

1278
00:58:21,240 --> 00:58:23,200
Speaker 2: when it comes to La it's like, ain't nobody gonna

1279
00:58:23,200 --> 00:58:25,400
Speaker 2: tell me. It's like, bro, we got to get that

1280
00:58:25,600 --> 00:58:27,640
Speaker 2: energy to buy of us. That's not the play bro,

1281
00:58:27,840 --> 00:58:30,040
Speaker 2: that's not that's not even our culture. Like, if you

1282
00:58:30,080 --> 00:58:32,560
Speaker 2: really came to La, this side of the tenth Freeway

1283
00:58:32,800 --> 00:58:35,200
Speaker 2: is more Southern. It's all a bunch of people from Louisiana,

1284
00:58:35,320 --> 00:58:37,080
Speaker 2: Texas that have brought families down.

1285
00:58:37,200 --> 00:58:40,200
Speaker 5: Our family man, come to the barbecue, come chill.

1286
00:58:40,040 --> 00:58:41,840
Speaker 3: Out, come hang out. It's not what you think.

1287
00:58:41,880 --> 00:58:42,000
Speaker 6: Now.

1288
00:58:42,000 --> 00:58:43,960
Speaker 2: If you get caught slipping in Hollywood and all that,

1289
00:58:44,240 --> 00:58:47,320
Speaker 2: you're in the gumbo pot. That's where everybody that comes

1290
00:58:47,440 --> 00:58:49,760
Speaker 2: to La goes and they chill out and they can

1291
00:58:49,800 --> 00:58:52,360
Speaker 2: be their toughest, they can act their richest, they can

1292
00:58:52,440 --> 00:58:54,560
Speaker 2: act like whatever they want, and then they'll bump into

1293
00:58:54,720 --> 00:58:57,200
Speaker 2: somebody that's really from there and they'll you know, probably

1294
00:58:57,240 --> 00:59:00,360
Speaker 2: playing with them. My reverend wrong way, La f gonna

1295
00:59:00,360 --> 00:59:02,280
Speaker 2: be loud when he's gonna get you. He's gonna be like,

1296
00:59:03,000 --> 00:59:06,680
Speaker 2: all right, got you, and they're gonna wait it out.

1297
00:59:06,800 --> 00:59:07,480
Speaker 3: They're gonna do it.

1298
00:59:07,800 --> 00:59:09,120
Speaker 2: You know what I'm saying. They're gonna they're gonna do

1299
00:59:09,160 --> 00:59:11,000
Speaker 2: it that way. I would just say, man, just respect

1300
00:59:11,080 --> 00:59:14,080
Speaker 2: where you're at. Like if I come to Miami, we're

1301
00:59:14,160 --> 00:59:17,120
Speaker 2: now cool. I'm like, yo, hey, I'm here. What can

1302
00:59:17,200 --> 00:59:19,600
Speaker 2: we do well, not like yo, man, I'm here, man,

1303
00:59:19,600 --> 00:59:22,640
Speaker 2: I'm scared what we're gonna do. It's just everywhere got

1304
00:59:22,680 --> 00:59:26,320
Speaker 2: some It's just the rappers come to l A and play.

1305
00:59:26,640 --> 00:59:32,160
Speaker 5: Right, you know, the niggas and girls. That happens everywhere everywhere.

1306
00:59:32,800 --> 00:59:33,320
Speaker 3: You know what I'm saying.

1307
00:59:33,360 --> 00:59:35,000
Speaker 2: If some puzzy gonna get you to shoot somebody, you

1308
00:59:35,080 --> 00:59:36,400
Speaker 2: are you need to go get therapy anyone.

1309
00:59:38,720 --> 00:59:39,200
Speaker 5: That's a whole.

1310
00:59:44,840 --> 00:59:47,200
Speaker 2: But as far as just like man, just just come

1311
00:59:47,440 --> 00:59:50,440
Speaker 2: come with love. Come come with love, bro, because that's

1312
00:59:50,440 --> 00:59:52,120
Speaker 2: what Compton is. That's what I say is That's what

1313
00:59:52,200 --> 00:59:53,960
Speaker 2: Long Beach, that's what ing with. I don't know what

1314
00:59:54,040 --> 00:59:57,320
Speaker 2: Hockeywood is, right, that's something it's like the free free

1315
00:59:57,520 --> 00:59:59,920
Speaker 2: like it's the free fall because everyone is just basically all.

1316
01:00:00,120 --> 01:00:02,320
Speaker 2: But that's where all of the dangeroush it happened. Yeah,

1317
01:00:02,880 --> 01:00:05,960
Speaker 2: it was time Square, you know what the creative I was.

1318
01:00:06,240 --> 01:00:08,840
Speaker 2: I was remember of the Source Awards where everybody got robbed?

1319
01:00:09,880 --> 01:00:10,480
Speaker 5: Which one was it?

1320
01:00:10,560 --> 01:00:10,920
Speaker 2: In La?

1321
01:00:12,480 --> 01:00:15,920
Speaker 3: The only one I got at by the police, I'm

1322
01:00:15,920 --> 01:00:16,240
Speaker 3: not sure.

1323
01:00:16,720 --> 01:00:19,520
Speaker 5: After everybody got robbed and you.

1324
01:00:19,560 --> 01:00:22,680
Speaker 1: Know the crazy ship. I didn't stay in Beverly Hills.

1325
01:00:22,720 --> 01:00:24,320
Speaker 1: I mean I stayed in Beverly Hills. But I went

1326
01:00:24,880 --> 01:00:27,040
Speaker 1: to the first time going to the Jungles and I

1327
01:00:27,120 --> 01:00:30,240
Speaker 1: went to the Jungles. It's before training day. I'll tell

1328
01:00:30,240 --> 01:00:32,320
Speaker 1: you that I went to the I did not know

1329
01:00:33,080 --> 01:00:36,480
Speaker 1: that before training day because I went through and I

1330
01:00:36,560 --> 01:00:39,080
Speaker 1: was like, wait a minute, this is this is a

1331
01:00:39,080 --> 01:00:40,920
Speaker 1: little this is a little different from me, you know

1332
01:00:40,960 --> 01:00:42,920
Speaker 1: what I mean, it's a little different, like and you know,

1333
01:00:43,000 --> 01:00:45,280
Speaker 1: I did that whole little thing, you know all that.

1334
01:00:45,840 --> 01:00:48,840
Speaker 1: And then I went to Baldwin Hills next to the

1335
01:00:49,120 --> 01:00:50,680
Speaker 1: and there was a bunch of cryptdudes who gave me

1336
01:00:50,760 --> 01:00:51,480
Speaker 1: death Row shirts.

1337
01:00:51,600 --> 01:00:53,720
Speaker 5: And I was like, I am mad confused.

1338
01:00:56,400 --> 01:00:58,760
Speaker 3: I was. I was so confused.

1339
01:00:58,760 --> 01:01:03,040
Speaker 5: I was like, wait a minute, like I thought, I

1340
01:01:03,320 --> 01:01:06,720
Speaker 5: didn't understand that, Crimson. I didn't understand that.

1341
01:01:06,800 --> 01:01:09,440
Speaker 2: Then I was just like, just told you they were cribs,

1342
01:01:09,480 --> 01:01:11,480
Speaker 2: just to see what you were going to say. Man, okay,

1343
01:01:11,520 --> 01:01:15,000
Speaker 2: that's another I was getting running back. They would dress

1344
01:01:15,080 --> 01:01:17,040
Speaker 2: up and the opposite color and just walk up on

1345
01:01:17,120 --> 01:01:19,760
Speaker 2: your with you and then you just be like, like,

1346
01:01:20,000 --> 01:01:22,000
Speaker 2: what's up, cousin, where you from? He'd be like, oh man,

1347
01:01:22,040 --> 01:01:23,880
Speaker 2: because I'm whole, like what blood?

1348
01:01:23,920 --> 01:01:28,240
Speaker 1: And then it turned into this thing Wow, the East

1349
01:01:28,240 --> 01:01:32,160
Speaker 1: Coast face though they knew. I was, yeah, you don't

1350
01:01:32,680 --> 01:01:35,160
Speaker 1: set on tape. I will pull it up. So I

1351
01:01:35,280 --> 01:01:39,720
Speaker 1: go through the jungles and this guy name is Adam Favous.

1352
01:01:39,800 --> 01:01:41,680
Speaker 1: He used to work for in the Scope records.

1353
01:01:42,120 --> 01:01:42,800
Speaker 3: Do we know Adam?

1354
01:01:43,040 --> 01:01:45,160
Speaker 5: You know Adam Favous. He's a while he could get

1355
01:01:45,200 --> 01:01:45,919
Speaker 5: outside this story.

1356
01:01:46,000 --> 01:01:47,840
Speaker 1: I was over there a lot. I went to the

1357
01:01:47,920 --> 01:01:50,480
Speaker 1: jail and I turned in and I was I was,

1358
01:01:50,600 --> 01:01:52,200
Speaker 1: I was scared. So I was like, you know what,

1359
01:01:52,560 --> 01:01:54,080
Speaker 1: I want to get this over with. I want I

1360
01:01:54,160 --> 01:01:55,840
Speaker 1: want to I want l a to I want to

1361
01:01:55,880 --> 01:01:57,600
Speaker 1: feel it. So I was like, what's the closest hood.

1362
01:01:57,640 --> 01:01:57,960
Speaker 3: He was like.

1363
01:01:59,760 --> 01:02:01,480
Speaker 5: The I just want to go, just real quick.

1364
01:02:01,960 --> 01:02:04,080
Speaker 1: He just looked at me, and then we walked through

1365
01:02:05,320 --> 01:02:08,720
Speaker 1: and I realized we had an all Blue Excursion.

1366
01:02:09,840 --> 01:02:16,440
Speaker 5: Dangerous two thousand. The gotta be two nine two thousand

1367
01:02:16,520 --> 01:02:20,200
Speaker 5: from somewhere. We's not a SoCal war. This is not

1368
01:02:20,360 --> 01:02:21,720
Speaker 5: me being there, this is excuse me.

1369
01:02:21,840 --> 01:02:26,200
Speaker 1: This is after the Source Awards and my record had

1370
01:02:26,680 --> 01:02:28,960
Speaker 1: hit number one in l A and they said you

1371
01:02:29,040 --> 01:02:31,640
Speaker 1: gotta stay and everybody from the East Coast went back

1372
01:02:31,680 --> 01:02:34,439
Speaker 1: home from by myself. So I was like all right, cool,

1373
01:02:34,520 --> 01:02:36,760
Speaker 1: And I went through the juggle and the first listen

1374
01:02:36,840 --> 01:02:40,320
Speaker 1: the first person I had met, the guy. I got

1375
01:02:40,360 --> 01:02:42,240
Speaker 1: out the car and I was I was filming. Remember

1376
01:02:42,240 --> 01:02:45,080
Speaker 1: I was doing the documentary, so I have filmed the guy.

1377
01:02:45,120 --> 01:02:46,560
Speaker 1: And I was like, yo, you know I'm from the

1378
01:02:46,600 --> 01:02:47,000
Speaker 1: East Coast.

1379
01:02:47,040 --> 01:02:47,640
Speaker 5: You know where I am.

1380
01:02:48,080 --> 01:02:52,280
Speaker 3: And the dude said, yeah, you little nor little Norri.

1381
01:02:52,520 --> 01:02:54,160
Speaker 5: I was like, how the funk I get him? This

1382
01:02:54,320 --> 01:02:58,440
Speaker 5: coast becomes little Normy, I swear to god. He's like,

1383
01:02:58,600 --> 01:03:01,120
Speaker 5: this is a big Normy. And I was like, all right,

1384
01:03:01,160 --> 01:03:01,560
Speaker 5: I'm cool.

1385
01:03:01,960 --> 01:03:05,920
Speaker 3: Cool to walking around. He was passed.

1386
01:03:06,040 --> 01:03:07,880
Speaker 5: He did something. I don't know if it was the

1387
01:03:07,920 --> 01:03:10,600
Speaker 5: pinching ship, I don't remember exactly. He did something.

1388
01:03:10,680 --> 01:03:13,080
Speaker 1: He's like, yo, I don't suggest you drive around without

1389
01:03:13,120 --> 01:03:16,160
Speaker 1: me letting him know that it's a blue as soon

1390
01:03:16,200 --> 01:03:18,480
Speaker 1: as and I'm gonna tell you another thing. As soon

1391
01:03:18,520 --> 01:03:20,520
Speaker 1: as I hit the left and they seen the blue

1392
01:03:20,520 --> 01:03:22,880
Speaker 1: e skirtions girls ran from me like.

1393
01:03:22,960 --> 01:03:24,880
Speaker 5: And I was like, this is not good. I was like,

1394
01:03:25,080 --> 01:03:29,320
Speaker 5: this is not good. But and I went through and

1395
01:03:29,400 --> 01:03:31,600
Speaker 5: I remember that I remember that that was the time

1396
01:03:31,640 --> 01:03:35,520
Speaker 5: I met t Rogers. But yeah, like the rest of BC,

1397
01:03:35,880 --> 01:03:38,920
Speaker 5: but big up big up to the motherfucking California.

1398
01:03:38,440 --> 01:03:47,880
Speaker 1: Big up to, big up to Big Norri and then

1399
01:03:48,080 --> 01:03:50,800
Speaker 1: and then again, I didn't hear this hood. I didn't

1400
01:03:50,800 --> 01:03:53,240
Speaker 1: know nothing until I seen training there and I was like,

1401
01:03:53,320 --> 01:03:57,680
Speaker 1: oh man, I might.

1402
01:03:57,640 --> 01:04:04,960
Speaker 3: Have ship, but I'm I'm used to associate and identify

1403
01:04:05,080 --> 01:04:07,960
Speaker 3: as a bloods And when I was younger, I still

1404
01:04:08,040 --> 01:04:09,640
Speaker 3: wasn't going to the Juger. It was a little dangerous

1405
01:04:09,640 --> 01:04:09,880
Speaker 3: for me.

1406
01:04:13,960 --> 01:04:16,960
Speaker 5: Hard And in my defense, I did not know.

1407
01:04:18,960 --> 01:04:23,919
Speaker 1: Knew like I was just like you wanted that party,

1408
01:04:23,920 --> 01:04:25,280
Speaker 1: wouldn't have made that same move, sir.

1409
01:04:25,360 --> 01:04:28,000
Speaker 5: Now I wouldn't probably, but you know, starting.

1410
01:04:30,760 --> 01:04:36,280
Speaker 2: You want to shoot joint if you want, like, let's

1411
01:04:36,280 --> 01:04:37,800
Speaker 2: stole that money Carlo during the shoot of that.

1412
01:04:38,280 --> 01:04:42,760
Speaker 3: That's a flyer, like got That's how they got in

1413
01:04:42,800 --> 01:04:43,160
Speaker 3: the movie.

1414
01:04:44,080 --> 01:04:45,840
Speaker 5: It was like you give it back, give it back,

1415
01:04:45,880 --> 01:04:48,080
Speaker 5: we got put some mommies in the movie. Oh wow,

1416
01:04:48,640 --> 01:04:49,360
Speaker 5: that's so dope.

1417
01:04:49,440 --> 01:04:54,280
Speaker 3: It's love. I love.

1418
01:04:54,480 --> 01:04:58,240
Speaker 5: But actually, because quick quick, I heard you say the.

1419
01:04:58,320 --> 01:05:00,680
Speaker 1: Fact, then they used to lie put you with the

1420
01:05:00,760 --> 01:05:06,640
Speaker 1: per and the dickies, and now you might you mightn't

1421
01:05:06,640 --> 01:05:08,640
Speaker 1: go anywhere and see.

1422
01:05:08,440 --> 01:05:12,880
Speaker 3: That same look. Any neighborhood man. Chigi used to have

1423
01:05:12,960 --> 01:05:16,400
Speaker 3: a pressing curl and wear cor chairs. That was my

1424
01:05:16,480 --> 01:05:19,560
Speaker 3: whole ship, pressing curl cor chairs, and.

1425
01:05:19,600 --> 01:05:21,160
Speaker 5: Niggas asked me why I did my hair like that.

1426
01:05:21,240 --> 01:05:24,240
Speaker 3: I said, because girls like it, right, same way Prince

1427
01:05:24,320 --> 01:05:28,960
Speaker 3: wore my fucking lace because girls like it, and boots girls.

1428
01:05:28,800 --> 01:05:30,760
Speaker 5: Like it and was gangster as a motherfucker.

1429
01:05:30,760 --> 01:05:32,040
Speaker 2: I ain't trying to I ain't trying to party with

1430
01:05:32,120 --> 01:05:32,919
Speaker 2: you later, my guy.

1431
01:05:36,600 --> 01:05:37,200
Speaker 3: Right the fuck?

1432
01:05:37,760 --> 01:05:41,000
Speaker 1: But but how dope is it to see a legacy

1433
01:05:41,040 --> 01:05:42,600
Speaker 1: you started and they spread everywhere?

1434
01:05:42,840 --> 01:05:44,200
Speaker 3: Nor it is a dream. It's like a dream.

1435
01:05:44,280 --> 01:05:46,200
Speaker 5: Damn, this tastes Good's anxiety.

1436
01:05:47,440 --> 01:05:48,160
Speaker 9: Mad hash.

1437
01:05:49,840 --> 01:05:54,600
Speaker 5: When you welcome, you welcome more? Hasha? What in the enjoint?

1438
01:05:54,680 --> 01:05:54,960
Speaker 2: Let me know?

1439
01:05:56,120 --> 01:05:59,480
Speaker 5: Yeah, that's the tobacco like on My My Love is

1440
01:05:59,520 --> 01:06:00,400
Speaker 5: stilling the nineties.

1441
01:06:00,680 --> 01:06:02,320
Speaker 3: Yeah you doant to joint? Yeah?

1442
01:06:02,360 --> 01:06:04,240
Speaker 1: Yeah, you want to joint for them? Hell yeah please,

1443
01:06:05,040 --> 01:06:06,760
Speaker 1: My lungs is still in the nineties. Man, I'm sorry,

1444
01:06:06,800 --> 01:06:09,080
Speaker 1: I'm going I upgrade.

1445
01:06:09,160 --> 01:06:11,720
Speaker 5: I've been cigarette free for like two years this ship.

1446
01:06:11,520 --> 01:06:13,960
Speaker 3: And I like, ye, yes, he ain't been drinking either.

1447
01:06:14,040 --> 01:06:14,600
Speaker 3: We have to get.

1448
01:06:16,000 --> 01:06:18,680
Speaker 2: Really, I was gonna come on totally dry, yeah, which

1449
01:06:18,680 --> 01:06:19,480
Speaker 2: would have been fun too.

1450
01:06:19,600 --> 01:06:23,440
Speaker 3: Yeah. But our pre this was I was gonna say, Man,

1451
01:06:23,440 --> 01:06:25,640
Speaker 3: you need a TV show. Let me tell you something.

1452
01:06:25,720 --> 01:06:27,680
Speaker 3: Let me tell you something about let me tell you

1453
01:06:27,760 --> 01:06:33,360
Speaker 3: something about your fans. You thinking it's you. You have

1454
01:06:33,440 --> 01:06:34,800
Speaker 3: a paying in to the niggas.

1455
01:06:34,520 --> 01:06:37,240
Speaker 5: Fanst man, what I mean, I gotta be in. I

1456
01:06:37,280 --> 01:06:42,400
Speaker 5: gotta be in the comments say they twitter feed the

1457
01:06:42,520 --> 01:06:43,840
Speaker 5: day attacking us.

1458
01:06:44,040 --> 01:06:45,880
Speaker 6: They love me, Man, they've been attacking us and we

1459
01:06:45,960 --> 01:06:48,360
Speaker 6: were like, what do you mean, because we have a

1460
01:06:48,440 --> 01:06:51,600
Speaker 6: guess they think there's us us Like, yeah, so we

1461
01:06:51,840 --> 01:06:53,080
Speaker 6: we We've been throwing.

1462
01:06:52,840 --> 01:06:53,120
Speaker 5: It on you.

1463
01:06:53,320 --> 01:06:56,800
Speaker 1: It's quick man, reversing the real fast like it's not

1464
01:06:57,000 --> 01:06:59,160
Speaker 1: us your fans. Let me just tell you something.

1465
01:06:59,680 --> 01:06:59,880
Speaker 3: I know.

1466
01:07:00,240 --> 01:07:02,080
Speaker 1: This is the best thing about doing this show is

1467
01:07:02,120 --> 01:07:04,280
Speaker 1: you get to know the people that you're about.

1468
01:07:04,040 --> 01:07:07,120
Speaker 5: To interview fast. When I tell you, they went from

1469
01:07:07,600 --> 01:07:10,560
Speaker 5: when it's quick, when it's quick, when it's quick, to

1470
01:07:11,760 --> 01:07:12,760
Speaker 5: you hating on quick.

1471
01:07:14,880 --> 01:07:18,200
Speaker 3: We have Like your fans is real.

1472
01:07:18,280 --> 01:07:20,560
Speaker 5: I'm just saying, you know, like that is that ship

1473
01:07:20,640 --> 01:07:22,400
Speaker 5: is scary, Like I'm scared of your fans.

1474
01:07:22,720 --> 01:07:25,600
Speaker 3: Like I took a queue out of like how like

1475
01:07:25,720 --> 01:07:28,160
Speaker 3: Nicki Minaj got her team. You know what I'm saying

1476
01:07:28,240 --> 01:07:30,760
Speaker 3: and to be honestly, got to be high and everybody

1477
01:07:30,840 --> 01:07:32,160
Speaker 3: have they click fans.

1478
01:07:32,320 --> 01:07:33,280
Speaker 5: What's your fanst name?

1479
01:07:33,480 --> 01:07:36,000
Speaker 3: I can't get quick give me, we gotta give them,

1480
01:07:37,080 --> 01:07:37,840
Speaker 3: we gotta take on this.

1481
01:07:39,720 --> 01:07:42,160
Speaker 5: I'm telling you, I've been doing this for years and

1482
01:07:42,280 --> 01:07:44,920
Speaker 5: I know and even more after they were now you

1483
01:07:44,960 --> 01:07:48,400
Speaker 5: gottah Yeah, yeah, they really, they really. She ain't go

1484
01:07:48,480 --> 01:07:49,560
Speaker 5: to weddings together.

1485
01:07:50,800 --> 01:07:52,360
Speaker 2: At the moment they got to do that record on

1486
01:07:52,520 --> 01:07:55,600
Speaker 2: Rose Crash. Yeah, we got this TIGG studio, the big deal.

1487
01:07:55,680 --> 01:08:00,600
Speaker 2: We came together. Just take drummer like it's like to drive.

1488
01:08:01,720 --> 01:08:04,040
Speaker 2: And I'm telling you, I'm eighted for that guy.

1489
01:08:04,160 --> 01:08:06,920
Speaker 3: Arbick and they brought each other gifts. It was like.

1490
01:08:08,560 --> 01:08:11,080
Speaker 5: As a as a, I always want that relationship with him.

1491
01:08:11,120 --> 01:08:13,800
Speaker 3: But they misinterpreted something I said on the mixtape and

1492
01:08:14,000 --> 01:08:17,439
Speaker 3: eighty eight eighty and mentioned them did you want me?

1493
01:08:17,640 --> 01:08:19,479
Speaker 5: He said on here about the mixtape and hearing it

1494
01:08:19,479 --> 01:08:19,760
Speaker 5: and all that.

1495
01:08:19,840 --> 01:08:21,479
Speaker 3: Somebody pumped that up because I was like, I'm not

1496
01:08:21,560 --> 01:08:23,200
Speaker 3: the n w A, I ain't gay, and I'm on

1497
01:08:23,240 --> 01:08:25,120
Speaker 3: my way to the top of the tree for CMW

1498
01:08:25,280 --> 01:08:27,559
Speaker 3: t C. I was just naming all the compting. Yeah, y'all,

1499
01:08:27,600 --> 01:08:30,080
Speaker 3: it's me like like I want to be y'all at

1500
01:08:30,320 --> 01:08:33,479
Speaker 3: this niggas, Like, so you're telling me this record to me,

1501
01:08:33,760 --> 01:08:34,760
Speaker 3: like how to rob tell me?

1502
01:08:35,800 --> 01:08:36,240
Speaker 5: Not even that.

1503
01:08:36,360 --> 01:08:38,840
Speaker 3: It was just it was a misconscious believe it or not.

1504
01:08:38,960 --> 01:08:41,240
Speaker 3: It was like over some cool jazz break beat. So

1505
01:08:41,400 --> 01:08:44,600
Speaker 3: the beef started over. You said it was miss We

1506
01:08:44,720 --> 01:08:48,880
Speaker 3: sampled Life Is for Learning by Marvin Gay, and yeah,

1507
01:08:48,920 --> 01:08:50,360
Speaker 3: it was like I was just mentioning them, like I

1508
01:08:50,439 --> 01:08:52,479
Speaker 3: did a little record break, like a little four board

1509
01:08:52,520 --> 01:08:54,479
Speaker 3: little thing boom, just a little break and just was

1510
01:08:54,560 --> 01:08:57,200
Speaker 3: just mentioneding like the end up, you know, the Compton Rappers.

1511
01:08:57,600 --> 01:08:59,800
Speaker 3: And I said it was even y'all really beef it

1512
01:08:59,880 --> 01:09:03,640
Speaker 3: was people. Yeah, the cat starting that ship. Yeah, no,

1513
01:09:03,840 --> 01:09:06,160
Speaker 3: he he's always been cool. We tore together ship.

1514
01:09:06,520 --> 01:09:09,680
Speaker 5: Now because one of the disrecords, I believe you.

1515
01:09:09,720 --> 01:09:12,760
Speaker 3: Said like I would never fighting, I would never put

1516
01:09:12,800 --> 01:09:15,240
Speaker 3: my dukes up with even back then.

1517
01:09:15,280 --> 01:09:17,479
Speaker 5: It just wouldn't make sense because then.

1518
01:09:17,320 --> 01:09:19,000
Speaker 3: I would have been having to deal with his niggas

1519
01:09:19,040 --> 01:09:21,240
Speaker 3: everywhere when he's not there and I'm alone. You know,

1520
01:09:21,920 --> 01:09:23,840
Speaker 3: it was just it wasn't It wasn't smart for hip hop.

1521
01:09:23,880 --> 01:09:25,559
Speaker 3: It was smart for a company period.

1522
01:09:26,120 --> 01:09:30,160
Speaker 1: Now, back then he was all YOUNGERGA understand, but on

1523
01:09:30,280 --> 01:09:33,120
Speaker 1: your disrecord you said that you don't got.

1524
01:09:33,120 --> 01:09:37,680
Speaker 5: A G because the G fire. That was.

1525
01:09:39,760 --> 01:09:41,320
Speaker 3: Ever Bro, that was.

1526
01:09:41,360 --> 01:09:43,479
Speaker 5: Fire, Bro, It was it was it was.

1527
01:09:44,080 --> 01:09:48,200
Speaker 2: It was like a gladiator fight, Bro, but you know

1528
01:09:48,240 --> 01:09:52,960
Speaker 2: it was words war words though, and then get bagged them.

1529
01:09:53,000 --> 01:09:55,080
Speaker 5: He said, DJ quick and a Khaki bikini.

1530
01:09:55,160 --> 01:09:59,160
Speaker 2: I was like, he goes.

1531
01:09:59,200 --> 01:10:06,599
Speaker 5: I heard my girls like, baby, don't even worry. It's

1532
01:10:06,640 --> 01:10:12,760
Speaker 5: a little tight. Is that why you spoke quick without

1533
01:10:12,800 --> 01:10:13,760
Speaker 5: the ce man.

1534
01:10:14,600 --> 01:10:17,040
Speaker 3: I wanted to be the Nestley rabbit that that ship

1535
01:10:17,080 --> 01:10:19,160
Speaker 3: was fly. We used to drink quick, Nestie Quick Quick.

1536
01:10:20,640 --> 01:10:22,920
Speaker 3: That was my favorite drink, and strawberry Quick made my

1537
01:10:22,920 --> 01:10:23,920
Speaker 3: stomach hurt so bad.

1538
01:10:24,000 --> 01:10:26,040
Speaker 5: I was like, because.

1539
01:10:27,920 --> 01:10:30,760
Speaker 3: Absolutely counterintuitive. If you put the C in there, I'm

1540
01:10:30,800 --> 01:10:31,280
Speaker 3: game banging.

1541
01:10:31,280 --> 01:10:32,920
Speaker 5: That's c K. That's crip killer. I could paint the

1542
01:10:33,000 --> 01:10:35,559
Speaker 5: sea put a slash in it.

1543
01:10:35,600 --> 01:10:38,360
Speaker 3: And that's somebody gonna shoot me for that, because it's

1544
01:10:38,439 --> 01:10:42,040
Speaker 3: the c K means cript killer like Calvin Klein is like,

1545
01:10:42,200 --> 01:10:45,160
Speaker 3: it's like the undertone, like British Knights, like b K.

1546
01:10:45,360 --> 01:10:47,920
Speaker 5: It was like those were like double unchundra ships.

1547
01:10:48,880 --> 01:10:55,360
Speaker 3: We just learned something, but I wanted they changed their name.

1548
01:10:55,960 --> 01:10:56,559
Speaker 3: It's called.

1549
01:10:59,080 --> 01:11:01,960
Speaker 5: Me. She was dope. Holy I got it from the

1550
01:11:02,080 --> 01:11:03,360
Speaker 5: quick box. That's quick.

1551
01:11:03,400 --> 01:11:07,639
Speaker 6: That fucked me up. You want to line, We're gonna

1552
01:11:07,640 --> 01:11:08,920
Speaker 6: ask you guys. This is our drinking game.

1553
01:11:08,960 --> 01:11:09,680
Speaker 3: But put this out.

1554
01:11:09,960 --> 01:11:13,160
Speaker 6: Ask you guys two questions. You pick one, nobody drinks.

1555
01:11:13,240 --> 01:11:15,120
Speaker 6: You picked both or neither of them.

1556
01:11:15,160 --> 01:11:15,719
Speaker 3: We all drink.

1557
01:11:17,200 --> 01:11:20,800
Speaker 5: Okay, fair enough, Well, but you want to do the

1558
01:11:20,880 --> 01:11:24,200
Speaker 5: Japanese whiskey with me? Oh see, you know, let's be clear.

1559
01:11:25,200 --> 01:11:29,320
Speaker 5: You're already drinking. Yeah, yeah, I'm here. You've been taking

1560
01:11:29,400 --> 01:11:32,400
Speaker 5: some restrictive box that man.

1561
01:11:33,040 --> 01:11:33,760
Speaker 3: No, I'm not doing that.

1562
01:11:34,080 --> 01:11:37,240
Speaker 5: Yeah, well I'm not gonna drink all of that home.

1563
01:11:37,400 --> 01:11:39,160
Speaker 3: I drink that call. Yeah, we're not doing that. I'll

1564
01:11:39,160 --> 01:11:40,000
Speaker 3: do the Japanese wisk.

1565
01:11:40,080 --> 01:11:42,800
Speaker 1: Yeah, do the Japanese whisky. We take small shops because

1566
01:11:44,800 --> 01:11:47,720
Speaker 1: uh you he got his own. Yeah all right, yeah,

1567
01:11:47,800 --> 01:11:50,760
Speaker 1: so yeah, just men, bro Okay, you want to do

1568
01:11:50,800 --> 01:11:52,519
Speaker 1: the first one? I got the first one.

1569
01:11:52,840 --> 01:11:53,160
Speaker 3: Let's go.

1570
01:11:56,280 --> 01:11:58,000
Speaker 1: I make you got the second one I got. Let

1571
01:11:58,040 --> 01:12:00,200
Speaker 1: me take it the first one. I'm making up right now.

1572
01:12:00,520 --> 01:12:03,639
Speaker 1: You always throw the second one. There we go, Michael

1573
01:12:03,800 --> 01:12:08,400
Speaker 1: Jackson or Prince. It's Prince for me Prince, did you

1574
01:12:08,479 --> 01:12:09,360
Speaker 1: say any stories.

1575
01:12:09,120 --> 01:12:10,640
Speaker 5: You got, Yeah, we need these stories, man.

1576
01:12:10,680 --> 01:12:14,880
Speaker 3: Okay, Well my Prince story is I was at Warner

1577
01:12:14,960 --> 01:12:19,679
Speaker 3: Brothers as vice president artist and repertoire, and I think Prince.

1578
01:12:19,560 --> 01:12:23,439
Speaker 5: Must have saw that. It was like, I mean, Benny

1579
01:12:23,479 --> 01:12:24,639
Speaker 5: Benina's not there anymore.

1580
01:12:25,080 --> 01:12:25,800
Speaker 2: They hired quick.

1581
01:12:26,680 --> 01:12:29,360
Speaker 5: I like that, tell him I'm coming back.

1582
01:12:29,960 --> 01:12:30,680
Speaker 3: Well, I'll be there in the.

1583
01:12:30,720 --> 01:12:33,240
Speaker 5: Morning, said Benny Medina is not there anymore. Yeah, But

1584
01:12:33,320 --> 01:12:39,559
Speaker 5: the way it sounds like, man, I gotta go visit nigga.

1585
01:12:39,600 --> 01:12:42,000
Speaker 5: This nigga came back to the Warner Brothers office. I

1586
01:12:42,080 --> 01:12:45,200
Speaker 5: went in one day. It was all Prince all the time.

1587
01:12:45,240 --> 01:12:47,360
Speaker 3: They even when he got his that album cover he

1588
01:12:47,400 --> 01:12:49,040
Speaker 3: had when he had his hair, just the shirt off

1589
01:12:49,080 --> 01:12:51,000
Speaker 3: with his hair. I think it was for you maybe,

1590
01:12:52,120 --> 01:12:55,360
Speaker 3: and they put that gigantic blow up. It's a little weird,

1591
01:12:55,680 --> 01:13:00,400
Speaker 3: that big nigga, like a little weird. Yeah, you know,

1592
01:13:00,439 --> 01:13:02,360
Speaker 3: remember their polls on them. But it was it was

1593
01:13:02,439 --> 01:13:05,519
Speaker 3: he was back, so we all got we got the studio.

1594
01:13:05,560 --> 01:13:07,920
Speaker 3: I got hints in A and M you know what

1595
01:13:07,960 --> 01:13:10,040
Speaker 3: I mean. And I'm in the front and you're going

1596
01:13:10,080 --> 01:13:13,439
Speaker 3: from D to B and YadA YadA. Everybody's in there.

1597
01:13:13,560 --> 01:13:17,360
Speaker 3: I mean from Wendy and Lisa to Beyonce and Mick Jagger.

1598
01:13:17,360 --> 01:13:19,760
Speaker 3: Everybody's just walking through there, like just kids at home,

1599
01:13:19,840 --> 01:13:23,120
Speaker 3: like it's normal at Prince studio session, at at my

1600
01:13:23,240 --> 01:13:25,679
Speaker 3: studio session. And I'm in the studio with a bunch

1601
01:13:25,680 --> 01:13:26,400
Speaker 3: of a bunch.

1602
01:13:26,240 --> 01:13:27,040
Speaker 5: Of studio big you know.

1603
01:13:27,080 --> 01:13:29,800
Speaker 3: It's A and M basically where Rhythmication was recorded and

1604
01:13:30,040 --> 01:13:35,479
Speaker 3: Karen Carpter. But it comes Prince and just shuts like

1605
01:13:36,280 --> 01:13:38,920
Speaker 3: he's just he has a way of shutting everything down

1606
01:13:38,920 --> 01:13:41,560
Speaker 3: when you walk in. It's like it's it's it's the

1607
01:13:41,640 --> 01:13:44,160
Speaker 3: man doesn't walk, he glides like his head doesn't a purple.

1608
01:13:44,560 --> 01:13:50,479
Speaker 5: He levitates like like bro touched the ground.

1609
01:13:50,520 --> 01:13:50,600
Speaker 6: Bro.

1610
01:13:50,800 --> 01:13:54,160
Speaker 3: There's something real magic about that guy. So he comes

1611
01:13:54,200 --> 01:13:57,519
Speaker 3: in and I'm doing the session. I think I was mixing,

1612
01:13:57,640 --> 01:14:00,720
Speaker 3: uh loyal to the game, maybe we're too or something

1613
01:14:00,760 --> 01:14:04,120
Speaker 3: like that. And he had booked that side of the studio.

1614
01:14:04,400 --> 01:14:08,120
Speaker 2: He said the security to say, you know, hey, hey,

1615
01:14:08,160 --> 01:14:10,240
Speaker 2: what up quick, I'm a Princess security.

1616
01:14:10,520 --> 01:14:11,920
Speaker 5: I'm like, oh cool, he said.

1617
01:14:11,960 --> 01:14:21,000
Speaker 3: Security told like Prince too. He said, Prince, he saw

1618
01:14:21,040 --> 01:14:23,080
Speaker 3: your equipment. He wanted to know if he could borrow

1619
01:14:23,160 --> 01:14:24,920
Speaker 3: your rig for like, you know, a couple of hours,

1620
01:14:25,080 --> 01:14:27,439
Speaker 3: Is that okay with you? I said, ship Prince, Man,

1621
01:14:27,479 --> 01:14:28,880
Speaker 3: well this ship up out of here. Make get that

1622
01:14:28,920 --> 01:14:30,960
Speaker 3: ship back. Man, tell hell, yeah, that's all good. We

1623
01:14:31,080 --> 01:14:33,400
Speaker 3: put the you know, it's a fucking flight case. We

1624
01:14:33,479 --> 01:14:36,120
Speaker 3: put the flight case together. It's gone a couple of hours,

1625
01:14:36,200 --> 01:14:38,519
Speaker 3: three hours whatever, four hours. Me and my engineers in

1626
01:14:38,560 --> 01:14:42,040
Speaker 3: there going Nika. Prince just sh like.

1627
01:14:44,120 --> 01:14:44,240
Speaker 6: Right.

1628
01:14:44,800 --> 01:14:47,720
Speaker 3: So my man comes back by five hours later, six

1629
01:14:47,800 --> 01:14:48,200
Speaker 3: hours l this.

1630
01:14:48,360 --> 01:14:51,160
Speaker 5: Night he comes back in. He said for Prince said,

1631
01:14:51,200 --> 01:14:53,000
Speaker 5: thank you man. I said, oh, I said, tell you anytime.

1632
01:14:53,080 --> 01:14:53,559
Speaker 5: Man tell him.

1633
01:14:53,560 --> 01:14:55,519
Speaker 3: I'm glad he's back to come back to Warner Brother.

1634
01:14:55,560 --> 01:14:57,320
Speaker 3: That's a big deal. He said, yeah, that's all good,

1635
01:14:57,320 --> 01:14:59,160
Speaker 3: and find that any quick. But Prince wants to know

1636
01:14:59,280 --> 01:15:01,280
Speaker 3: what you drink. I said, for what I drink?

1637
01:15:02,040 --> 01:15:03,920
Speaker 5: That's easy, hennessy XO.

1638
01:15:04,760 --> 01:15:08,519
Speaker 3: Right, he said, okay, he leaves another hour or two,

1639
01:15:08,600 --> 01:15:10,920
Speaker 3: layer come by. My man comes back with the box.

1640
01:15:11,680 --> 01:15:14,120
Speaker 3: Prince said, thank you. We put that motherfucking box on

1641
01:15:14,240 --> 01:15:16,960
Speaker 3: their console at SSL. We didn't drink that motherfucker for

1642
01:15:17,080 --> 01:15:22,639
Speaker 3: like three months at this happened, right, Wow. So then

1643
01:15:23,880 --> 01:15:26,519
Speaker 3: I get invited for my thirty sixth birthday. I get

1644
01:15:26,560 --> 01:15:29,799
Speaker 3: invited to his house for one of them Grammy parties.

1645
01:15:30,000 --> 01:15:31,720
Speaker 3: He used to throw Clive used to throw his in

1646
01:15:31,760 --> 01:15:34,640
Speaker 3: Beverly Hills. Prince used to throw his mount Olympus. We

1647
01:15:34,800 --> 01:15:38,360
Speaker 3: get motherfucking invited to one of his Mount Olympus parties.

1648
01:15:38,560 --> 01:15:41,919
Speaker 3: And I'm on the motherfucking golf cart thingy with Nasir,

1649
01:15:42,520 --> 01:15:47,760
Speaker 3: with Ludacris and with Jessic Concepts and Spinderella is there

1650
01:15:47,960 --> 01:15:52,040
Speaker 3: and fucking Dougie Fresh, and yeah, it was wild. It

1651
01:15:52,120 --> 01:15:54,280
Speaker 3: was fucking dope watching this dude sit up there and

1652
01:15:54,479 --> 01:15:58,599
Speaker 3: playing bro. This is the thing. He got the most

1653
01:15:58,600 --> 01:16:00,919
Speaker 3: beautiful women in the world walking around with silver platters

1654
01:16:01,280 --> 01:16:02,360
Speaker 3: with anywhere derv On.

1655
01:16:02,520 --> 01:16:03,840
Speaker 5: We could think of Craig gray Goo.

1656
01:16:03,960 --> 01:16:06,840
Speaker 3: All this good ship, all this fancy ship, some motherfuckers

1657
01:16:06,960 --> 01:16:09,600
Speaker 3: elevators and felt with this with a black light, with

1658
01:16:09,720 --> 01:16:10,880
Speaker 3: this logo, and I'm like this.

1659
01:16:11,120 --> 01:16:13,320
Speaker 5: God, he got a circus outside.

1660
01:16:13,560 --> 01:16:16,240
Speaker 3: The motherfucker's out there with fire and ship. I'm like.

1661
01:16:18,080 --> 01:16:20,160
Speaker 5: Glass lamb bitch, I made it.

1662
01:16:22,760 --> 01:16:27,360
Speaker 3: Out here to bro what that that man, This man

1663
01:16:27,520 --> 01:16:31,080
Speaker 3: through the most awesome fucking parties. That ship he's just

1664
01:16:31,520 --> 01:16:34,880
Speaker 3: he made his sons us all. It's like him King

1665
01:16:34,960 --> 01:16:38,479
Speaker 3: with justin consistent, like just like ship, just shoot the

1666
01:16:38,520 --> 01:16:41,200
Speaker 3: mother fucking reality show. You do what you want, brou

1667
01:16:41,479 --> 01:16:44,320
Speaker 3: Prince and everybody just showed up. We all standing up

1668
01:16:44,320 --> 01:16:47,519
Speaker 3: there now. Now, f N put me away at that

1669
01:16:48,000 --> 01:16:49,639
Speaker 3: that interview.

1670
01:16:50,200 --> 01:16:54,960
Speaker 5: I think that was a podcast, and you definitively said

1671
01:16:55,040 --> 01:16:58,280
Speaker 5: that Michael Jackson was the crib. I don't know if

1672
01:16:58,280 --> 01:16:59,960
Speaker 5: he was being serious, but you seem serious.

1673
01:17:00,360 --> 01:17:04,960
Speaker 3: You said, if you're gonna look at the videos, they

1674
01:17:05,000 --> 01:17:06,880
Speaker 3: didn't look very piru friendly.

1675
01:17:07,160 --> 01:17:08,120
Speaker 2: Let's just put it that way.

1676
01:17:09,280 --> 01:17:12,800
Speaker 6: Those pictures, everybody's wondering if it was a AI or

1677
01:17:12,920 --> 01:17:13,920
Speaker 6: doctored or photoshop.

1678
01:17:14,360 --> 01:17:20,280
Speaker 5: Those have been there before AI photoshop there shot on film,

1679
01:17:21,240 --> 01:17:25,280
Speaker 5: So okay, so tell us we don't know. We did

1680
01:17:25,360 --> 01:17:29,240
Speaker 5: see the pictures. Minael Jackson become.

1681
01:17:30,840 --> 01:17:34,840
Speaker 3: I should apologize for saying that I'm not gonna walk it.

1682
01:17:35,120 --> 01:17:36,760
Speaker 3: I ain't gonna walk it back. This is what it is.

1683
01:17:39,560 --> 01:17:41,360
Speaker 3: It's just it was a lot of pictures with him

1684
01:17:41,400 --> 01:17:43,799
Speaker 3: that just popped up, with him just throwing up cookies

1685
01:17:43,840 --> 01:17:47,720
Speaker 3: with his cript friends. Bro like bro, it's like, but

1686
01:17:47,880 --> 01:17:52,160
Speaker 3: that was cool, like that he identified with niggas, identify

1687
01:17:52,280 --> 01:17:52,839
Speaker 3: with niggas.

1688
01:17:52,920 --> 01:17:53,280
Speaker 2: That's it.

1689
01:17:54,120 --> 01:17:54,320
Speaker 5: That's what.

1690
01:17:54,439 --> 01:17:57,839
Speaker 3: I love him. You know what I mean. I guarantee

1691
01:17:57,840 --> 01:18:00,400
Speaker 3: because of Michael Jackson, if I died and got red erected,

1692
01:18:00,600 --> 01:18:02,439
Speaker 3: I'm gonna come back as a crip. Fuck it right

1693
01:18:03,960 --> 01:18:06,800
Speaker 3: because of Michael Jackson. I want to go to the house.

1694
01:18:06,800 --> 01:18:09,000
Speaker 3: I want to play with bubbles who didn't want to

1695
01:18:09,040 --> 01:18:13,120
Speaker 3: fuck with Michael Jackson. Come on, man, The first record

1696
01:18:13,160 --> 01:18:15,880
Speaker 3: I ever scratched was Billy Jean and I toward the

1697
01:18:15,960 --> 01:18:18,519
Speaker 3: other side of the rest rector for DJ too. Oh god,

1698
01:18:19,280 --> 01:18:21,080
Speaker 3: I said, that's the first time I pulled a record back.

1699
01:18:21,120 --> 01:18:24,360
Speaker 3: I was like, what ship, I'm owing to something here.

1700
01:18:26,000 --> 01:18:31,000
Speaker 5: But he had a brother named Tito. That should tell you.

1701
01:18:31,960 --> 01:18:36,720
Speaker 3: But E.

1702
01:18:39,560 --> 01:18:41,759
Speaker 5: Wasn't Latino exactly.

1703
01:18:41,920 --> 01:18:47,560
Speaker 1: Should that should have been a sign wants not.

1704
01:18:47,960 --> 01:18:49,479
Speaker 5: Yeah, let's be honest.

1705
01:18:49,600 --> 01:18:50,200
Speaker 2: Let's be honest.

1706
01:18:50,240 --> 01:18:53,120
Speaker 3: Hold on, I can say this because you know, I

1707
01:18:53,320 --> 01:18:56,000
Speaker 3: know the Jackson family, and I don't think Janet would

1708
01:18:56,040 --> 01:18:58,120
Speaker 3: be mad if I said anything about her family, because

1709
01:18:58,120 --> 01:19:00,760
Speaker 3: I ain't gonna say nothing weird. But we hang out

1710
01:19:00,760 --> 01:19:02,840
Speaker 3: with Randy Jackson. He comes to like the pool halls

1711
01:19:02,880 --> 01:19:06,720
Speaker 3: and ship and kick it. He's like Randy Jackson, won man.

1712
01:19:06,840 --> 01:19:08,080
Speaker 5: Let's not to say Brandy.

1713
01:19:09,680 --> 01:19:10,360
Speaker 13: Her Son.

1714
01:19:14,080 --> 01:19:24,679
Speaker 5: Randy is cooling, Randy. Let me get away with it, Randy,

1715
01:19:25,040 --> 01:19:26,000
Speaker 5: Randy gangster though.

1716
01:19:26,320 --> 01:19:28,400
Speaker 3: Randy is the one that you know Jermaine, you know

1717
01:19:28,479 --> 01:19:31,840
Speaker 3: boom yeah Randy. But he come to kick it like

1718
01:19:31,960 --> 01:19:34,920
Speaker 3: he comes chill talk ship. The nigga a nigga, bro, Okay,

1719
01:19:35,600 --> 01:19:37,439
Speaker 3: don't getting sucked up like the the barges them some

1720
01:19:37,560 --> 01:19:41,040
Speaker 3: niggas what they think they angels them niggas a pull

1721
01:19:41,080 --> 01:19:45,040
Speaker 3: a shot. I'm just playing. He was loud.

1722
01:19:45,560 --> 01:19:47,719
Speaker 5: No I did a song with she Goes to Bars?

1723
01:19:47,880 --> 01:19:48,599
Speaker 3: Was the label made?

1724
01:19:48,880 --> 01:19:49,040
Speaker 6: Yeah?

1725
01:19:49,120 --> 01:19:51,120
Speaker 5: No, no, no, she goes to the Bars label mate.

1726
01:19:51,400 --> 01:19:52,840
Speaker 5: I just I liked that he got locked up and

1727
01:19:53,080 --> 01:19:55,080
Speaker 5: bro I wanted to support that. You know when he

1728
01:19:55,160 --> 01:19:56,639
Speaker 5: got out. When he got out, he came to my house,

1729
01:19:58,120 --> 01:20:02,400
Speaker 5: Digital underground, Me and him l on the ground, Digit

1730
01:20:02,520 --> 01:20:04,200
Speaker 5: on the ground. He came with you. I'm saying no.

1731
01:20:04,360 --> 01:20:08,920
Speaker 3: They a party pulled up Tracy Spencer Digital shot money

1732
01:20:09,000 --> 01:20:11,479
Speaker 3: and all of them. These niggas went to the fucking

1733
01:20:11,560 --> 01:20:14,760
Speaker 3: Players Players ball and took all Icey's bitches and brought

1734
01:20:14,960 --> 01:20:16,320
Speaker 3: back to my house and threw them in the pool.

1735
01:20:16,960 --> 01:20:18,000
Speaker 5: I had a great life.

1736
01:20:18,240 --> 01:20:18,519
Speaker 3: This is.

1737
01:20:22,360 --> 01:20:34,559
Speaker 5: So solid, all right.

1738
01:20:36,320 --> 01:20:45,720
Speaker 1: That's one we started yeah, we got two stories out

1739
01:20:45,760 --> 01:20:49,600
Speaker 1: of it. So that's so I don't even okay.

1740
01:20:49,800 --> 01:20:52,519
Speaker 5: Tupac or easy Eric?

1741
01:20:52,840 --> 01:20:52,960
Speaker 6: Eric?

1742
01:20:53,080 --> 01:20:56,799
Speaker 3: Right, Eric, right, Okay, that was we were We were close.

1743
01:20:58,120 --> 01:21:00,160
Speaker 5: Yeah, we're shared bitches.

1744
01:21:00,160 --> 01:21:03,080
Speaker 3: Right, hell on, y'all.

1745
01:21:03,400 --> 01:21:06,880
Speaker 5: Yeah, how early did you mean?

1746
01:21:06,960 --> 01:21:10,120
Speaker 3: Easy eighty nine? Oh?

1747
01:21:10,120 --> 01:21:18,479
Speaker 5: I tested the negative. Everybody, Frank just don't work clear? Yeah, no, Eric, Man,

1748
01:21:18,520 --> 01:21:21,160
Speaker 5: he's a he's a lovable guy. Like I love that man.

1749
01:21:21,560 --> 01:21:24,599
Speaker 3: I love him dearly, like I trusted with my sister

1750
01:21:24,680 --> 01:21:26,680
Speaker 3: for christ sakes, Like there, y'all go have out, you know,

1751
01:21:26,800 --> 01:21:27,160
Speaker 3: have fun.

1752
01:21:27,680 --> 01:21:29,759
Speaker 5: And he showed me how to shop, how to dress.

1753
01:21:30,240 --> 01:21:32,960
Speaker 3: The nigga took me to fucking soft big galleria and

1754
01:21:33,320 --> 01:21:35,200
Speaker 3: set me loose and guess he was like, man.

1755
01:21:35,120 --> 01:21:37,880
Speaker 5: Find your size. Man, I'm wearing the khakis and ship

1756
01:21:37,920 --> 01:21:38,800
Speaker 5: that sho gonna get old.

1757
01:21:40,800 --> 01:21:43,240
Speaker 3: I'm gonna say both so we don't drink drink.

1758
01:21:43,280 --> 01:21:46,800
Speaker 5: I'm going both, all right. So I like that. I

1759
01:21:46,960 --> 01:21:49,760
Speaker 5: like that. That look good with y'all drinking.

1760
01:21:49,800 --> 01:21:53,479
Speaker 3: I'm like, this is Japanese wish yea, yeah, I don't

1761
01:21:53,880 --> 01:21:55,400
Speaker 3: just that Mimmi wana in it.

1762
01:21:56,040 --> 01:21:58,960
Speaker 5: It's Mama Juana. Yeah, that's from a Dominican Republic, right,

1763
01:21:59,400 --> 01:22:02,240
Speaker 5: he knows looking out because that it is made in

1764
01:22:02,280 --> 01:22:05,320
Speaker 5: the toilet bowl. Don't listen, don't listen.

1765
01:22:05,520 --> 01:22:09,880
Speaker 3: He made that up. I would some wrong call.

1766
01:22:10,160 --> 01:22:15,559
Speaker 2: I would saying, watch, y'all niggas call me. He said, watch,

1767
01:22:19,520 --> 01:22:21,280
Speaker 2: we have to drag me out this business.

1768
01:22:21,360 --> 01:22:22,000
Speaker 4: We care.

1769
01:22:24,040 --> 01:22:29,639
Speaker 1: Take one to drink before that kept going after, I'm

1770
01:22:29,640 --> 01:22:31,439
Speaker 1: gonna let you ask this one. You gotta ask this one.

1771
01:22:32,000 --> 01:22:32,679
Speaker 3: Let's see.

1772
01:22:34,320 --> 01:22:37,240
Speaker 5: Ice Cuban Scarface who Who's who?

1773
01:22:38,120 --> 01:22:39,160
Speaker 3: We both got to ask each one.

1774
01:22:43,280 --> 01:22:45,400
Speaker 5: Man Face is gonna be mad at me. Bro, have

1775
01:22:45,560 --> 01:22:48,000
Speaker 5: to do this. It could be whatever cries here.

1776
01:22:48,080 --> 01:22:50,320
Speaker 6: One of them is your better friend, Wie makes better macaroni,

1777
01:22:50,400 --> 01:22:51,600
Speaker 6: whatever your criteria is.

1778
01:22:53,200 --> 01:22:59,280
Speaker 3: Well, Scarface Brad Jordan, that's my tour buddy too. But

1779
01:22:59,320 --> 01:23:01,439
Speaker 3: I tour with i Q too, So it's a this

1780
01:23:01,560 --> 01:23:08,599
Speaker 3: is such a paradoxical fucking question. Yeah, I'm gonna go cute.

1781
01:23:09,360 --> 01:23:09,719
Speaker 3: I wanna.

1782
01:23:09,840 --> 01:23:12,120
Speaker 2: I want to. I want to follow them full the footsteps,

1783
01:23:12,200 --> 01:23:14,479
Speaker 2: the movies and TV ship, you know what I'm saying,

1784
01:23:14,520 --> 01:23:16,200
Speaker 2: and just the storytelling all of that.

1785
01:23:16,320 --> 01:23:20,960
Speaker 5: Bro like he's legendary, legendary, legendary without don't both of

1786
01:23:21,000 --> 01:23:22,200
Speaker 5: them are legends as well.

1787
01:23:22,960 --> 01:23:26,679
Speaker 3: I did have fun with Cube on tour. We promoted

1788
01:23:26,800 --> 01:23:29,920
Speaker 3: quick as the name America's most wanted at the same time.

1789
01:23:30,360 --> 01:23:32,720
Speaker 3: Damn that it was hard bro. We used to open

1790
01:23:32,760 --> 01:23:34,600
Speaker 3: for that nigga, bro and he come and chair the

1791
01:23:34,640 --> 01:23:37,040
Speaker 3: club up he was, That's what he used to do. Uh,

1792
01:23:37,560 --> 01:23:41,360
Speaker 3: fucking nigga you love to hate. Look, I'm getting chills

1793
01:23:41,400 --> 01:23:41,840
Speaker 3: this nigga.

1794
01:23:41,920 --> 01:23:43,439
Speaker 5: I heard paid that's used to come on to that

1795
01:23:43,840 --> 01:23:44,840
Speaker 5: and we used to be like.

1796
01:23:46,479 --> 01:23:47,120
Speaker 3: Kill lord.

1797
01:23:48,320 --> 01:23:52,439
Speaker 5: But yeah, I mean brads my boy. But wait, you

1798
01:23:52,600 --> 01:23:53,280
Speaker 5: just know, hold on.

1799
01:23:53,439 --> 01:23:53,519
Speaker 2: Just.

1800
01:23:57,320 --> 01:24:01,400
Speaker 5: We really took. We took both because you got one. Yeah. Good,

1801
01:24:03,920 --> 01:24:05,960
Speaker 5: you want to taste this ship, you want.

1802
01:24:05,800 --> 01:24:06,080
Speaker 3: To take some?

1803
01:24:06,760 --> 01:24:10,200
Speaker 5: Yeah, alright, cool, that's big. Let's big. Let's big up

1804
01:24:10,240 --> 01:24:18,599
Speaker 5: quickly be the first tigre to join you with. How

1805
01:24:18,640 --> 01:24:19,960
Speaker 5: the did these other two get here?

1806
01:24:20,040 --> 01:24:25,160
Speaker 6: Like one?

1807
01:24:25,280 --> 01:24:26,280
Speaker 2: What's the second happened?

1808
01:24:27,360 --> 01:24:28,519
Speaker 3: I mean we just earlier.

1809
01:24:28,560 --> 01:24:30,400
Speaker 5: We don't go to is like a tonic and.

1810
01:24:31,960 --> 01:24:33,000
Speaker 3: We're going on yacht tonight.

1811
01:24:33,040 --> 01:24:38,000
Speaker 1: We're gonna okay, you'll be great. This the boat for y'all.

1812
01:24:39,040 --> 01:24:45,200
Speaker 1: Dazz are corrupt, thanks easily corrupt. I gotta go corrupt.

1813
01:24:45,240 --> 01:24:47,320
Speaker 3: This is my censor. He's the one that grabbed me.

1814
01:24:47,640 --> 01:24:51,120
Speaker 2: Uh, Terrrice handed me to corrupt, to like sharpen my

1815
01:24:51,240 --> 01:24:53,000
Speaker 2: tools as far as m C and ship like that.

1816
01:24:53,680 --> 01:24:57,200
Speaker 1: Yeah, so corrupt. For did you see the clip of

1817
01:24:58,240 --> 01:25:02,040
Speaker 1: the one on drink? Yeah, asking grew up? How do

1818
01:25:02,080 --> 01:25:04,799
Speaker 1: you feel about bow wow and the toothcake?

1819
01:25:04,920 --> 01:25:09,679
Speaker 5: Ut walking? Come up? Come up with So he's.

1820
01:25:09,520 --> 01:25:09,840
Speaker 6: Like who.

1821
01:25:12,120 --> 01:25:12,840
Speaker 5: He was getting mad?

1822
01:25:15,240 --> 01:25:20,920
Speaker 14: I can see him now because don't play with because

1823
01:25:21,080 --> 01:25:26,800
Speaker 14: it's not you can die over. I can't hear him

1824
01:25:26,920 --> 01:25:32,360
Speaker 14: now like you don't always tell people.

1825
01:25:32,479 --> 01:25:34,880
Speaker 1: I said, you never lived life unless you had a

1826
01:25:35,160 --> 01:25:39,400
Speaker 1: slight argument with correct like and just hear him get angry.

1827
01:25:41,880 --> 01:25:45,439
Speaker 5: Cook cook cook come he used, he's a cousin to

1828
01:25:45,520 --> 01:25:47,719
Speaker 5: describe because to come.

1829
01:25:49,520 --> 01:25:49,880
Speaker 3: Between.

1830
01:25:50,840 --> 01:25:54,280
Speaker 2: He will not take the auto problems like problems because.

1831
01:25:54,240 --> 01:25:57,320
Speaker 3: Listen here, like I'm chlorl forever.

1832
01:25:58,640 --> 01:25:59,000
Speaker 2: With him.

1833
01:25:59,080 --> 01:26:05,800
Speaker 5: It's a cush task for feet. Do we drink?

1834
01:26:09,200 --> 01:26:10,120
Speaker 3: You know we're gonna get caught.

1835
01:26:10,479 --> 01:26:18,120
Speaker 5: It's a dream chef, Yeah, I got, you're gonna.

1836
01:26:17,880 --> 01:26:23,679
Speaker 1: Switch the other one, so jay z or nasty nids jigger, Okay,

1837
01:26:24,640 --> 01:26:26,559
Speaker 1: you have to work with them a couple of times.

1838
01:26:27,040 --> 01:26:33,160
Speaker 5: Yeah, both all right that I drink with you drink yeah, yeah,

1839
01:26:34,280 --> 01:26:36,920
Speaker 5: I drink. Of course we got to drink.

1840
01:26:36,840 --> 01:26:37,280
Speaker 3: Giants the.

1841
01:26:41,720 --> 01:26:43,400
Speaker 5: Blueprint for when I want to do business wise.

1842
01:26:43,600 --> 01:26:46,600
Speaker 2: We want to go just style and fly that niggas

1843
01:26:46,680 --> 01:26:48,160
Speaker 2: be fresh as fun.

1844
01:26:50,800 --> 01:26:54,559
Speaker 5: One that I gotta do the whole shot because it's

1845
01:26:54,560 --> 01:26:56,960
Speaker 5: a big number one. It's a big as health tonic. Man,

1846
01:26:57,400 --> 01:27:00,519
Speaker 5: big ass shot that got you even wrong.

1847
01:27:00,920 --> 01:27:02,040
Speaker 3: They gave me the short brunch.

1848
01:27:02,479 --> 01:27:05,200
Speaker 1: Yeah, because because it's long term. You know, you could

1849
01:27:05,200 --> 01:27:08,400
Speaker 1: do my home all kinds of ship. Yeah okay, Rockefella

1850
01:27:08,520 --> 01:27:14,840
Speaker 1: or rough riders thinking that chastes like mommy one, nigga.

1851
01:27:21,360 --> 01:27:29,200
Speaker 2: You I love the.

1852
01:27:31,840 --> 01:27:39,360
Speaker 5: Dr all over the place. Yes, Rockefellas.

1853
01:27:40,600 --> 01:27:44,880
Speaker 3: Waiting for me. Yeah fuck.

1854
01:27:46,200 --> 01:27:46,719
Speaker 4: Mm hmm.

1855
01:27:48,240 --> 01:27:53,320
Speaker 3: Both wow okay, yeah man, we're drinking again. Both man,

1856
01:27:53,880 --> 01:27:56,639
Speaker 3: we're about to get up right now. I understand the game.

1857
01:27:57,200 --> 01:28:00,559
Speaker 3: If it's both you drink, I got, I got reason

1858
01:28:00,600 --> 01:28:02,280
Speaker 3: for all because you got okay, you can bring it down.

1859
01:28:02,320 --> 01:28:03,920
Speaker 5: I'm a fan at that time, right.

1860
01:28:04,080 --> 01:28:08,120
Speaker 2: So from what Rockefeller represents again, like jay Z, I

1861
01:28:08,280 --> 01:28:12,000
Speaker 2: just see great business, great like the branding and.

1862
01:28:12,040 --> 01:28:14,599
Speaker 5: All of that, but just like wow, niggas ship.

1863
01:28:15,160 --> 01:28:16,639
Speaker 3: Oh you know, I'm for confident.

1864
01:28:16,680 --> 01:28:20,639
Speaker 2: I love that. And d MX was like after Tupac Pass,

1865
01:28:21,520 --> 01:28:24,519
Speaker 2: we got something that was not that. It was just

1866
01:28:24,760 --> 01:28:29,400
Speaker 2: no ship Swiss was doing with Eve and just D

1867
01:28:29,560 --> 01:28:30,760
Speaker 2: and Y doing the Nigga ship.

1868
01:28:30,840 --> 01:28:33,800
Speaker 5: Make sure they a nephew ad. I'm into all of that.

1869
01:28:34,240 --> 01:28:37,400
Speaker 5: I think that that's both bro okay, Yeah, so do

1870
01:28:37,520 --> 01:28:38,920
Speaker 5: I get another one? Yeah? Do with this.

1871
01:28:40,880 --> 01:28:43,000
Speaker 1: Here's the ultimate one for y'all. It's the cheat code.

1872
01:28:43,160 --> 01:28:46,479
Speaker 1: I'm switching this up again. I didn't tell my Rockefeller

1873
01:28:46,560 --> 01:28:49,679
Speaker 1: statement wink eleven hundred.

1874
01:28:49,760 --> 01:28:52,280
Speaker 3: Shout out to Madky eleven hundred. They taught me how

1875
01:28:52,320 --> 01:28:54,680
Speaker 3: to ride those goddamn crush rockets. It's where I was

1876
01:28:54,760 --> 01:28:57,000
Speaker 3: standing up Willian and being silly on them, you know,

1877
01:28:57,080 --> 01:28:58,559
Speaker 3: one hundred my prior Whillies and ship.

1878
01:28:58,720 --> 01:29:00,320
Speaker 5: So it'ston boys because they.

1879
01:29:00,320 --> 01:29:02,920
Speaker 3: Just ride hard and I found out through them through

1880
01:29:02,960 --> 01:29:08,200
Speaker 3: fucking through uh my boy, Peter Gunns. He brought the

1881
01:29:08,360 --> 01:29:13,040
Speaker 3: fucking the soundtrack to me and fucking DMX was rapping

1882
01:29:13,120 --> 01:29:15,000
Speaker 3: on it on this record, the usual suspects.

1883
01:29:15,040 --> 01:29:18,400
Speaker 5: I'm like, who is that person? He was like, who am?

1884
01:29:18,439 --> 01:29:20,840
Speaker 3: I read the credits It's like this DMX dude got

1885
01:29:20,840 --> 01:29:24,200
Speaker 3: the best voice in hip ho Like he's going to

1886
01:29:24,280 --> 01:29:26,760
Speaker 3: be the guy whoever that is? If they know dev

1887
01:29:26,880 --> 01:29:28,640
Speaker 3: Jam must know because they put the shp out and

1888
01:29:28,720 --> 01:29:30,840
Speaker 3: then before you know it, this nigga came out and it.

1889
01:29:30,960 --> 01:29:33,120
Speaker 5: Was like I was right. He was like the first

1890
01:29:33,160 --> 01:29:35,439
Speaker 5: to do like the flood like that one and two

1891
01:29:35,520 --> 01:29:37,240
Speaker 5: albums same year, was like, oh.

1892
01:29:37,200 --> 01:29:40,360
Speaker 3: Yeah, yeah, he killed that boy, Bro and my boy

1893
01:29:40,439 --> 01:29:43,479
Speaker 3: Jonathan Mannon shot his album covers that one Darken House Hell.

1894
01:29:43,479 --> 01:29:44,840
Speaker 5: I think he had one like that and he was

1895
01:29:44,920 --> 01:29:46,960
Speaker 5: in Blood. Am I talking too much? No You're not.

1896
01:29:48,400 --> 01:29:51,040
Speaker 3: He had the one where he's like in blood that God.

1897
01:29:52,200 --> 01:29:53,960
Speaker 5: Johnathan Manuon shot that ship, Bro, that he.

1898
01:29:54,040 --> 01:29:55,880
Speaker 2: Was on his Tupac ship, the ship where he took

1899
01:29:55,920 --> 01:29:58,120
Speaker 2: the not the tone low, but I heard ton Love

1900
01:29:58,160 --> 01:30:01,960
Speaker 2: doing first Boom boom to stay yeah.

1901
01:30:04,840 --> 01:30:07,360
Speaker 3: Come banging through Cox life and with this.

1902
01:30:08,000 --> 01:30:12,439
Speaker 6: Hard voice, like a contrast on the weapon on my mind.

1903
01:30:12,840 --> 01:30:16,760
Speaker 2: I'm like, Yo, Bro is crazy man the way even

1904
01:30:17,160 --> 01:30:19,840
Speaker 2: even the girls songs, he had the edge on him

1905
01:30:20,200 --> 01:30:21,479
Speaker 2: where he was talking about.

1906
01:30:22,080 --> 01:30:24,200
Speaker 5: He gave me that pussy the last is getting fatal.

1907
01:30:24,400 --> 01:30:26,920
Speaker 6: I'm like Yo, and the Damien joints when he's flipping

1908
01:30:26,960 --> 01:30:29,920
Speaker 6: his voice and he's the devil storytelling Bro, Like, the

1909
01:30:30,000 --> 01:30:31,640
Speaker 6: storytelling was just so epic with Bro.

1910
01:30:32,520 --> 01:30:34,920
Speaker 5: Okay, so rest in pieces. Yeah, rest of dm X

1911
01:30:35,000 --> 01:30:43,400
Speaker 5: mans you this quick. Kendrick Lamar or Drake or Drake? Yeah, okay,

1912
01:30:43,960 --> 01:30:45,320
Speaker 5: pour up, pour me up for you?

1913
01:30:46,360 --> 01:30:49,640
Speaker 2: You go both? Yeah, pull me in. I'm gonna go

1914
01:30:49,720 --> 01:30:51,559
Speaker 2: both only because I met Drake and I can't dis

1915
01:30:51,680 --> 01:30:51,960
Speaker 2: that guy.

1916
01:30:52,000 --> 01:30:52,519
Speaker 3: I'm not in it.

1917
01:30:52,640 --> 01:30:53,400
Speaker 5: That's what's going to do.

1918
01:30:53,560 --> 01:31:01,920
Speaker 3: I can't Kendrick none of that.

1919
01:31:02,240 --> 01:31:04,080
Speaker 5: I'm not doing no PC ship.

1920
01:31:04,160 --> 01:31:05,400
Speaker 3: What do you want to do a feature?

1921
01:31:05,560 --> 01:31:09,559
Speaker 2: We're not doing it. You gotta think, Bro, I'm from

1922
01:31:09,640 --> 01:31:12,080
Speaker 2: that neighborhood. This is a whole different conversation for me.

1923
01:31:12,160 --> 01:31:14,639
Speaker 2: This is a rap ship like bro that my sister

1924
01:31:14,680 --> 01:31:15,679
Speaker 2: and him was best friends.

1925
01:31:15,479 --> 01:31:16,040
Speaker 3: In high school.

1926
01:31:16,560 --> 01:31:18,800
Speaker 5: So why not a whole different reason.

1927
01:31:18,920 --> 01:31:24,040
Speaker 2: I like this Bro, I loved one that was supposed

1928
01:31:24,040 --> 01:31:24,599
Speaker 2: to be restrained.

1929
01:31:25,760 --> 01:31:26,720
Speaker 3: Because we're not gonna do that.

1930
01:31:26,840 --> 01:31:31,519
Speaker 5: I know well, you know that we're gonna get it

1931
01:31:31,560 --> 01:31:34,639
Speaker 5: to him and the pump out everything. Okay.

1932
01:31:35,080 --> 01:31:40,760
Speaker 2: Because I'm in Canada, I was nothing. Look, okay, don't

1933
01:31:40,760 --> 01:31:41,320
Speaker 2: swung up on me.

1934
01:31:42,360 --> 01:31:43,400
Speaker 3: I swung up on whoever.

1935
01:31:47,479 --> 01:31:50,439
Speaker 2: That was my thing. I was in Canada and I played.

1936
01:31:51,560 --> 01:31:54,880
Speaker 2: I was in Toronto on stage on the jump Man.

1937
01:31:55,160 --> 01:31:58,680
Speaker 2: He's a I played motherfucking I'm thinking you said both.

1938
01:31:59,720 --> 01:32:01,200
Speaker 2: But I played like that in Toronto.

1939
01:32:01,280 --> 01:32:01,600
Speaker 3: I don't know.

1940
01:32:01,680 --> 01:32:03,320
Speaker 5: I don't think Rick Ross could do that.

1941
01:32:03,960 --> 01:32:04,360
Speaker 3: I did it.

1942
01:32:07,439 --> 01:32:09,280
Speaker 5: I gotta I gotta flip on and it was funny.

1943
01:32:10,479 --> 01:32:13,280
Speaker 5: Can you remember that? Because I wanted to ask him? Okay,

1944
01:32:13,840 --> 01:32:15,080
Speaker 5: according to you, right.

1945
01:32:17,320 --> 01:32:21,160
Speaker 1: The timeline, because this is now the biggest beef in

1946
01:32:21,240 --> 01:32:25,280
Speaker 1: hip hop, I would say the biggest. It's the biggest

1947
01:32:25,280 --> 01:32:29,240
Speaker 1: beef to me, right, it's the biggest battle. Yeah, even

1948
01:32:29,240 --> 01:32:31,320
Speaker 1: though it is other than this foul or whatever whatever,

1949
01:32:31,360 --> 01:32:32,040
Speaker 1: but I'm saying is.

1950
01:32:32,280 --> 01:32:34,040
Speaker 5: That's the loudest for sure.

1951
01:32:35,280 --> 01:32:37,840
Speaker 6: This is all over, This is every everywhere, like you

1952
01:32:37,880 --> 01:32:39,800
Speaker 6: account that we're in the social media like it's just

1953
01:32:39,880 --> 01:32:42,080
Speaker 6: the way, it's just gone. It's crazy from you being

1954
01:32:42,720 --> 01:32:46,559
Speaker 6: Kendrick's friend, how do you see that timeline of how

1955
01:32:46,600 --> 01:32:50,160
Speaker 6: this how this happened? Like because it couldn't have started

1956
01:32:50,240 --> 01:32:51,880
Speaker 6: with the future record, It couldn't have started.

1957
01:32:52,360 --> 01:32:55,960
Speaker 5: Just so as a person that doesn't know, do you

1958
01:32:56,080 --> 01:32:58,080
Speaker 5: know the timeline of I don't.

1959
01:32:58,080 --> 01:32:59,640
Speaker 2: I don't think there everyone was a beef. I just

1960
01:32:59,720 --> 01:33:01,479
Speaker 2: think it was a it's still not a beef. It's

1961
01:33:01,520 --> 01:33:02,840
Speaker 2: a rap competition, yes.

1962
01:33:06,560 --> 01:33:10,160
Speaker 1: Be any said one of the what is it called

1963
01:33:10,200 --> 01:33:12,760
Speaker 1: one of the illis rap competitions whatever to come to

1964
01:33:13,400 --> 01:33:17,280
Speaker 1: our game that I've witnessed. So you doing the timeline

1965
01:33:17,320 --> 01:33:22,920
Speaker 1: being inside that's a yeah. You see how this timeline started.

1966
01:33:23,520 --> 01:33:27,519
Speaker 2: It was I just I just you know, Drake is

1967
01:33:27,560 --> 01:33:31,400
Speaker 2: an amazing artist, right, and sometimes like when you've been

1968
01:33:31,479 --> 01:33:35,200
Speaker 2: running it for fifteen years, like fifteen years, like that's

1969
01:33:35,360 --> 01:33:39,920
Speaker 2: unheard of. You have to start smelling yourself, right. But

1970
01:33:40,120 --> 01:33:43,360
Speaker 2: you knew not to play with that guy like we are,

1971
01:33:43,479 --> 01:33:45,400
Speaker 2: Like we've all been in the studio with Jack.

1972
01:33:45,840 --> 01:33:50,040
Speaker 5: He's too quiet. You we all all know that that

1973
01:33:50,280 --> 01:33:52,320
Speaker 5: guy wraps works out.

1974
01:33:53,920 --> 01:33:55,000
Speaker 3: That's it family.

1975
01:33:55,760 --> 01:33:59,960
Speaker 2: So for you to not be prepared for what was coming,

1976
01:34:00,120 --> 01:34:03,000
Speaker 2: man was a slight ass slight to his team. He

1977
01:34:03,120 --> 01:34:04,920
Speaker 2: was a loof and the way they do things as

1978
01:34:04,960 --> 01:34:08,160
Speaker 2: far as like the grief and Drake, No, I just

1979
01:34:08,240 --> 01:34:10,800
Speaker 2: think it was just I just think Dot was like,

1980
01:34:10,920 --> 01:34:13,559
Speaker 2: all right, enough's enough enough enough.

1981
01:34:13,640 --> 01:34:14,160
Speaker 3: Oh you want this?

1982
01:34:14,360 --> 01:34:16,240
Speaker 5: You drop, drop drop.

1983
01:34:16,360 --> 01:34:17,320
Speaker 3: You ain't about to back.

1984
01:34:17,160 --> 01:34:17,439
Speaker 5: Out of this.

1985
01:34:18,280 --> 01:34:21,320
Speaker 2: You you antagonizing the nigga that you know lyrically you

1986
01:34:21,560 --> 01:34:22,600
Speaker 2: really can't fuck with.

1987
01:34:22,800 --> 01:34:24,960
Speaker 5: They called it tickling the tail of the dragon.

1988
01:34:24,960 --> 01:34:28,320
Speaker 2: Because you thought he was gonna look at you like, man,

1989
01:34:28,360 --> 01:34:31,919
Speaker 2: I'm doing what I'm doing. No motivation.

1990
01:34:32,280 --> 01:34:34,599
Speaker 3: Nah, he this is that dude.

1991
01:34:34,840 --> 01:34:37,000
Speaker 2: He went on his last Grammar rat and he said

1992
01:34:37,760 --> 01:34:39,759
Speaker 2: all I wanted to do was be an underground rapper.

1993
01:34:40,640 --> 01:34:41,360
Speaker 5: He just said that.

1994
01:34:42,280 --> 01:34:46,360
Speaker 2: Yeah, that's all his favorite rappers corrupt, but he just

1995
01:34:46,479 --> 01:34:48,439
Speaker 2: want to He want to rap. So now it's like, oh,

1996
01:34:48,520 --> 01:34:49,479
Speaker 2: this is just going.

1997
01:34:49,360 --> 01:34:51,080
Speaker 5: To be rapped. I'm about to go ahead.

1998
01:34:51,080 --> 01:34:52,280
Speaker 2: We're gonna do this, and we're gonna do it in

1999
01:34:52,320 --> 01:34:54,519
Speaker 2: front of the public, and we're gonna show you something.

2000
01:34:54,600 --> 01:34:56,400
Speaker 5: I just think, you know, we got to watch what

2001
01:34:56,520 --> 01:34:57,760
Speaker 5: a lot of us already knew.

2002
01:34:58,640 --> 01:34:59,240
Speaker 3: You know what I mean.

2003
01:34:59,400 --> 01:35:02,280
Speaker 2: Again, I as far as a beef like you guys

2004
01:35:02,320 --> 01:35:05,120
Speaker 2: all went through beefs. Yeah yeah, yeah that was right.

2005
01:35:05,240 --> 01:35:06,800
Speaker 2: I wrote it that wrong.

2006
01:35:06,920 --> 01:35:09,439
Speaker 3: Yeah, this never, this never was going to go outside

2007
01:35:09,479 --> 01:35:13,160
Speaker 3: of you. That's over. So now it's just who can

2008
01:35:13,280 --> 01:35:15,960
Speaker 3: rap the best and who has the best in this time.

2009
01:35:16,040 --> 01:35:20,160
Speaker 2: It's about strategy and release and album covers and who

2010
01:35:20,320 --> 01:35:20,840
Speaker 2: said something.

2011
01:35:20,880 --> 01:35:22,040
Speaker 5: It's not just the raps.

2012
01:35:22,120 --> 01:35:22,920
Speaker 3: You get what I'm saying.

2013
01:35:23,240 --> 01:35:25,760
Speaker 2: So just strategy wise. You know, we watched TV run

2014
01:35:25,840 --> 01:35:27,880
Speaker 2: this bitch for a long time and now PG lang

2015
01:35:28,240 --> 01:35:30,479
Speaker 2: for you to not be prepared. It's just says that

2016
01:35:31,439 --> 01:35:35,000
Speaker 2: you must have forgotten. He was aloof and he thought

2017
01:35:35,040 --> 01:35:38,559
Speaker 2: he was playing around. He thought that that Kendrick receded

2018
01:35:39,000 --> 01:35:40,759
Speaker 2: and Kendrick was just chilling.

2019
01:35:40,840 --> 01:35:42,600
Speaker 5: He likes to be alone. He's come from Kenny. He

2020
01:35:42,640 --> 01:35:43,439
Speaker 5: don't want that thought.

2021
01:35:43,560 --> 01:35:45,559
Speaker 2: And I think he thought that we weren't gonna rally

2022
01:35:45,640 --> 01:35:48,120
Speaker 2: behind because you know, Drake has a few records with

2023
01:35:48,200 --> 01:35:49,360
Speaker 2: a few people from the city, and he.

2024
01:35:49,400 --> 01:35:51,680
Speaker 5: Got houses out there. Yeah, I mean, can you get

2025
01:35:51,840 --> 01:35:53,920
Speaker 5: more music in Canada? You can still have them, but

2026
01:35:54,200 --> 01:35:55,080
Speaker 5: it's not it's not that.

2027
01:35:55,280 --> 01:35:57,600
Speaker 2: But I think he just thought that we were just

2028
01:35:57,680 --> 01:36:00,280
Speaker 2: gonna just like, you know, side with people that that

2029
01:36:00,360 --> 01:36:00,759
Speaker 2: was popular.

2030
01:36:00,800 --> 01:36:02,720
Speaker 1: I believe at one point he was like antagonizing him,

2031
01:36:02,840 --> 01:36:05,200
Speaker 1: even posting pictures of his manager, like when are y'all

2032
01:36:05,240 --> 01:36:05,880
Speaker 1: coming back right?

2033
01:36:06,240 --> 01:36:06,640
Speaker 3: All of that?

2034
01:36:07,200 --> 01:36:10,000
Speaker 5: You asked, Like if a nigga asked to get his ass, whooped?

2035
01:36:10,000 --> 01:36:10,800
Speaker 5: You whoop his ass?

2036
01:36:11,479 --> 01:36:14,280
Speaker 2: From where I come from, Like at this point, bro,

2037
01:36:14,439 --> 01:36:17,960
Speaker 2: like you literally were just come outside, Come on, come outside,

2038
01:36:17,960 --> 01:36:18,960
Speaker 2: you knocking on that door?

2039
01:36:19,400 --> 01:36:20,720
Speaker 1: You know you know what I'm saying, Like, all right,

2040
01:36:20,800 --> 01:36:23,000
Speaker 1: bullies get beat up too. Because a lot of people

2041
01:36:23,040 --> 01:36:25,400
Speaker 1: were surprised. So you're telling me you wasn't surprised at all.

2042
01:36:25,560 --> 01:36:28,960
Speaker 1: Not the no, at least this was gonna happen.

2043
01:36:29,040 --> 01:36:32,000
Speaker 5: Listen, man, there's just some guys you know what the

2044
01:36:32,120 --> 01:36:32,680
Speaker 5: fucker's beat.

2045
01:36:33,479 --> 01:36:37,640
Speaker 2: Some guys you just know just like because like, bro,

2046
01:36:37,800 --> 01:36:39,920
Speaker 2: I've never seen like, I've never seen somebody in the

2047
01:36:39,960 --> 01:36:43,120
Speaker 2: studio just all right, let's go. And you think they're

2048
01:36:43,120 --> 01:36:45,400
Speaker 2: just gonna lay like four bars or like eight this

2049
01:36:45,560 --> 01:36:49,160
Speaker 2: Nigga likes the whole song with them, we're voices with

2050
01:36:49,320 --> 01:36:52,240
Speaker 2: the sat It's like, bro, did you have this rick?

2051
01:36:53,040 --> 01:36:54,400
Speaker 5: And this was in twenty ten?

2052
01:36:54,640 --> 01:36:57,920
Speaker 2: He was doing this. This was pre bag, right, and

2053
01:36:58,080 --> 01:37:01,880
Speaker 2: that's what distractions. He wasn't at you know, as as

2054
01:37:02,160 --> 01:37:03,200
Speaker 2: zen as he is now.

2055
01:37:03,880 --> 01:37:05,000
Speaker 5: Oh yeah, bro, it was.

2056
01:37:05,120 --> 01:37:05,320
Speaker 6: It was.

2057
01:37:05,520 --> 01:37:08,040
Speaker 5: It was so dope to watch, you know, Compton do

2058
01:37:08,120 --> 01:37:08,880
Speaker 5: it again, Nigga.

2059
01:37:09,439 --> 01:37:11,479
Speaker 3: I tried to get him a deal with EA Sports

2060
01:37:11,520 --> 01:37:13,080
Speaker 3: because when they heard the song that he was on

2061
01:37:13,240 --> 01:37:15,680
Speaker 3: that I produced for NBA Lit ten, they wanted him.

2062
01:37:16,360 --> 01:37:18,559
Speaker 3: And I'm looking at Jay Rock, like, bro, what are

2063
01:37:18,600 --> 01:37:19,800
Speaker 3: y'all going to do with this guy?

2064
01:37:19,920 --> 01:37:20,040
Speaker 2: Bro?

2065
01:37:20,880 --> 01:37:24,120
Speaker 3: This man's voice is crazy. I produced him and I

2066
01:37:24,240 --> 01:37:26,120
Speaker 3: was like, how do I pay him? Like, who do

2067
01:37:26,200 --> 01:37:29,360
Speaker 3: I pay for this guy? Like he's the price when

2068
01:37:29,479 --> 01:37:32,679
Speaker 3: EA sports. I'm getting chills thinking about it. Corrupt merged

2069
01:37:33,360 --> 01:37:36,280
Speaker 3: the fucking We did this theme song for NBA LIT

2070
01:37:36,360 --> 01:37:38,760
Speaker 3: ten and they heard it and they came back. My

2071
01:37:38,840 --> 01:37:40,960
Speaker 3: lawyer was like, David, they wanted to double the price

2072
01:37:41,040 --> 01:37:43,320
Speaker 3: and they want to buy the I'm like, whoa, whoa, whoa, whoa.

2073
01:37:43,880 --> 01:37:45,840
Speaker 3: Kendrick did the little singing on that ship and I'm

2074
01:37:45,920 --> 01:37:48,200
Speaker 3: sure that's why. So I go way back with him,

2075
01:37:48,240 --> 01:37:50,080
Speaker 3: like before he got his deal and all that shit

2076
01:37:50,280 --> 01:37:51,200
Speaker 3: he was doing Section eighty.

2077
01:37:52,360 --> 01:37:52,760
Speaker 2: I love that.

2078
01:37:52,760 --> 01:37:53,200
Speaker 3: I'm sorry.

2079
01:37:55,920 --> 01:37:59,280
Speaker 2: Like the way like everybody not from California kind of

2080
01:37:59,360 --> 01:37:59,960
Speaker 2: rally with Dre.

2081
01:38:00,240 --> 01:38:04,080
Speaker 5: Was a little interesting to me. The niggas a foreigner bro, Yeah,

2082
01:38:04,120 --> 01:38:04,519
Speaker 5: but man.

2083
01:38:04,479 --> 01:38:07,160
Speaker 2: It's so interesting to watch, Like I get New York niggas,

2084
01:38:07,760 --> 01:38:10,960
Speaker 2: Atlanta niggas all in my goddamn comments and deals like

2085
01:38:11,320 --> 01:38:12,200
Speaker 2: you stupid he's this.

2086
01:38:12,640 --> 01:38:15,320
Speaker 5: I'm like, bro, bro, not even from America. This is

2087
01:38:15,680 --> 01:38:17,640
Speaker 5: crazy to watch.

2088
01:38:17,840 --> 01:38:23,479
Speaker 1: Me question Let's rock because on the new album you

2089
01:38:23,600 --> 01:38:26,000
Speaker 1: got game on there a lot. It's something that I

2090
01:38:26,080 --> 01:38:29,200
Speaker 1: saw personally, Like just me strolling in the net was

2091
01:38:29,240 --> 01:38:32,559
Speaker 1: a lot of California people critiquing Game for jumping out

2092
01:38:32,600 --> 01:38:35,120
Speaker 1: there and actually like not I don't want to say

2093
01:38:35,160 --> 01:38:38,040
Speaker 1: defending Drake, but like taking up his part of the

2094
01:38:38,160 --> 01:38:41,240
Speaker 1: Ross beef. So a lot of California people could see

2095
01:38:41,240 --> 01:38:43,760
Speaker 1: the Game is personally my friend and he's one of

2096
01:38:43,840 --> 01:38:45,439
Speaker 1: my dudes.

2097
01:38:45,479 --> 01:38:45,920
Speaker 5: I looked up.

2098
01:38:46,560 --> 01:38:49,400
Speaker 1: I think it's one of the dopest lyrical people out there.

2099
01:38:49,640 --> 01:38:51,680
Speaker 1: But I'm just asking you this as a California and

2100
01:38:52,120 --> 01:38:54,559
Speaker 1: you know what I'm saying, this is on your side,

2101
01:38:54,600 --> 01:38:57,519
Speaker 1: so I won't be able to I'm not qualified, you

2102
01:38:57,600 --> 01:38:58,240
Speaker 1: know what I mean to.

2103
01:39:02,120 --> 01:39:03,920
Speaker 3: We all love Chuck. We love Chuck.

2104
01:39:04,000 --> 01:39:06,280
Speaker 2: Chuck is gonna be Chuck Games is the reason a

2105
01:39:06,360 --> 01:39:08,960
Speaker 2: lot of us are able to move around in this business.

2106
01:39:09,120 --> 01:39:11,760
Speaker 5: He sold a lot of records. We all know Chuck.

2107
01:39:11,840 --> 01:39:13,040
Speaker 5: That's our dysfunctional cousin.

2108
01:39:13,120 --> 01:39:14,479
Speaker 3: Bro. He gonna do what he want to do when

2109
01:39:14,520 --> 01:39:16,080
Speaker 3: he feels like doing it, and we love him.

2110
01:39:16,640 --> 01:39:18,679
Speaker 2: We may be like fuck Chuck some time and can't

2111
01:39:18,720 --> 01:39:19,400
Speaker 2: nobody else say it.

2112
01:39:20,040 --> 01:39:21,600
Speaker 3: That's how that's gonna always be like.

2113
01:39:21,680 --> 01:39:25,240
Speaker 2: But Bro, Bro has been here before us, and he's

2114
01:39:25,280 --> 01:39:26,479
Speaker 2: had a voice longer than us.

2115
01:39:26,520 --> 01:39:28,880
Speaker 5: And if that's his opinion, man, he's a man.

2116
01:39:28,920 --> 01:39:30,680
Speaker 2: He can have that, Like he told me, like, Bro,

2117
01:39:30,840 --> 01:39:34,240
Speaker 2: you know, Drake, get my kids, come concert tickets and

2118
01:39:34,600 --> 01:39:37,440
Speaker 2: do all this shit. I can't just like in that relationship.

2119
01:39:37,520 --> 01:39:40,639
Speaker 2: And for him that makes sense. And then I'm I'm

2120
01:39:40,720 --> 01:39:43,559
Speaker 2: full supportive of Game. He's on the album, he gonna

2121
01:39:43,560 --> 01:39:45,960
Speaker 2: be on anything else I do. I'm never from the

2122
01:39:46,000 --> 01:39:47,840
Speaker 2: cut bro off because when she was fucked up for me,

2123
01:39:48,200 --> 01:39:50,320
Speaker 2: he was right there with me. But in this instance,

2124
01:39:50,920 --> 01:39:54,240
Speaker 2: I told him, Bro, chill up, fuck not.

2125
01:39:56,200 --> 01:39:56,639
Speaker 3: This one.

2126
01:39:56,720 --> 01:39:59,240
Speaker 2: But again, Game don't listen to nobody. And that's part

2127
01:39:59,280 --> 01:40:01,880
Speaker 2: of why we love on tool. You getting what I'm saying,

2128
01:40:02,000 --> 01:40:05,479
Speaker 2: so you know he explained it. And again that's a

2129
01:40:05,520 --> 01:40:07,160
Speaker 2: blog here, man, Yeah.

2130
01:40:07,160 --> 01:40:08,280
Speaker 5: The blog, the blog.

2131
01:40:09,640 --> 01:40:10,080
Speaker 3: What I'm saying.

2132
01:40:10,479 --> 01:40:15,120
Speaker 2: The last seventeen minutes, I was like, Bro, that's a

2133
01:40:15,160 --> 01:40:18,920
Speaker 2: little long winning, but I mean, you know that that's Chuck.

2134
01:40:19,000 --> 01:40:19,120
Speaker 3: Bro.

2135
01:40:19,640 --> 01:40:20,280
Speaker 5: That's Chuck. Bro.

2136
01:40:20,400 --> 01:40:22,479
Speaker 3: That's Chuck. Chuck is always going to go left when

2137
01:40:22,520 --> 01:40:25,320
Speaker 3: we go right, but we kind of expect that. And

2138
01:40:25,400 --> 01:40:27,120
Speaker 3: you know what I'm saying, so shout out the Game

2139
01:40:27,560 --> 01:40:28,599
Speaker 3: that he's.

2140
01:40:29,160 --> 01:40:33,400
Speaker 2: He's antagonistically brilliant, right because he came to the album

2141
01:40:33,479 --> 01:40:34,600
Speaker 2: and he destroyed that.

2142
01:40:35,720 --> 01:40:37,880
Speaker 5: Thank you, Bron. That that Champagne was done with.

2143
01:40:37,960 --> 01:40:38,840
Speaker 3: That was Cardier. Bro.

2144
01:40:39,040 --> 01:40:41,040
Speaker 1: That was first, was the Cardiac, and now we don't

2145
01:40:41,240 --> 01:40:45,240
Speaker 1: to spend. Yeah, get champagne, champagne. You know what I'm saying,

2146
01:40:45,240 --> 01:40:45,920
Speaker 1: it's a campaign.

2147
01:40:46,080 --> 01:40:46,320
Speaker 6: I was.

2148
01:40:48,360 --> 01:40:48,760
Speaker 2: Ship though.

2149
01:40:49,880 --> 01:40:54,240
Speaker 5: It's amazing, nigga, Bro, I've been holding this bottle like

2150
01:40:54,320 --> 01:40:58,320
Speaker 5: you understand or like u. He brought that ship with security.

2151
01:41:00,200 --> 01:41:00,760
Speaker 3: I was like, yo.

2152
01:41:01,479 --> 01:41:06,120
Speaker 5: When I was like, what are they drinking? They said bubbles.

2153
01:41:06,600 --> 01:41:11,000
Speaker 5: He got bubbles. I was like finally and I was like,

2154
01:41:11,080 --> 01:41:14,320
Speaker 5: you know what? And I went and I said, no, no, no, no,

2155
01:41:14,640 --> 01:41:17,080
Speaker 5: let me go on my vault. And I went and

2156
01:41:17,160 --> 01:41:20,880
Speaker 5: I looked at that Cardiac and I said, I'm pulling out.

2157
01:41:21,160 --> 01:41:26,720
Speaker 3: The bottom like one.

2158
01:41:27,320 --> 01:41:31,720
Speaker 1: I want to thank y'all for being classic and being new.

2159
01:41:32,840 --> 01:41:36,240
Speaker 1: That balance is so hard to obtain, you know what

2160
01:41:36,240 --> 01:41:39,599
Speaker 1: I'm saying, saying like that ship is like you, it's

2161
01:41:39,880 --> 01:41:43,240
Speaker 1: in this game like me being you know, Like I'm like,

2162
01:41:43,320 --> 01:41:47,200
Speaker 1: I'm kind of fucking scared to go on the studio

2163
01:41:47,280 --> 01:41:49,599
Speaker 1: with Pharrell because I don't want to sound like any

2164
01:41:49,600 --> 01:41:52,840
Speaker 1: of old ship. But then I don't know, maybe we can't,

2165
01:41:52,960 --> 01:41:54,880
Speaker 1: maybe we can sound like some new ship. But he

2166
01:41:54,960 --> 01:41:56,000
Speaker 1: got so much going on this.

2167
01:41:56,200 --> 01:41:57,760
Speaker 5: In my life. And I got so much going on

2168
01:41:57,840 --> 01:41:58,280
Speaker 5: in my life.

2169
01:41:58,360 --> 01:42:00,840
Speaker 1: And if I was to tell, if I was to

2170
01:42:00,880 --> 01:42:02,760
Speaker 1: get an opportunity, we get in. You know what I

2171
01:42:02,880 --> 01:42:05,000
Speaker 1: was saying, I wanted to sound like that album. Man,

2172
01:42:06,160 --> 01:42:07,840
Speaker 1: I wanted to be like that. I wanted that to

2173
01:42:07,880 --> 01:42:11,600
Speaker 1: be I want I wanted to be classic, but I

2174
01:42:11,680 --> 01:42:14,320
Speaker 1: wanted to be in this era. And that's what the

2175
01:42:14,400 --> 01:42:15,080
Speaker 1: fuck y'all did.

2176
01:42:15,240 --> 01:42:16,600
Speaker 5: Man, So I got to salute that.

2177
01:42:20,960 --> 01:42:21,080
Speaker 6: Man.

2178
01:42:21,240 --> 01:42:24,400
Speaker 2: Questions we got. I'm loving it, Okay, okay, tell.

2179
01:42:24,360 --> 01:42:28,439
Speaker 1: Us come on, okay, okay, they added ship at the end, motherfuckers. Yeah,

2180
01:42:28,520 --> 01:42:31,600
Speaker 1: every place in this the slave driver, yes, I know,

2181
01:42:31,680 --> 01:42:34,320
Speaker 1: those are the people who write these questions. The Colombian Dominican.

2182
01:42:34,600 --> 01:42:35,800
Speaker 1: A lot of cocaine over there.

2183
01:42:35,760 --> 01:42:39,679
Speaker 5: Just in case, just in case you already spice cocaine.

2184
01:42:39,720 --> 01:42:41,560
Speaker 5: That's the worst thing to ever happened. But I have

2185
01:42:41,640 --> 01:42:52,920
Speaker 5: to admit it does smell good. Okay, but you got

2186
01:42:53,000 --> 01:42:53,439
Speaker 5: to cocaine.

2187
01:42:53,439 --> 01:42:54,120
Speaker 3: Ever, what happened?

2188
01:42:54,520 --> 01:42:57,799
Speaker 5: Tell us? Okay, just like this is just the funniest

2189
01:42:57,840 --> 01:42:59,920
Speaker 5: word ever say cocaine with laughing.

2190
01:43:00,160 --> 01:43:10,080
Speaker 1: You cannot say no, It's unpossible. Here again, God, please,

2191
01:43:10,120 --> 01:43:15,200
Speaker 1: can I take minister Society or Boys in the Hood.

2192
01:43:15,600 --> 01:43:17,640
Speaker 5: See, I did the soundtrack on one and.

2193
01:43:17,640 --> 01:43:18,160
Speaker 2: The other one.

2194
01:43:18,200 --> 01:43:20,240
Speaker 3: I'm partial too because I got the chance to see

2195
01:43:20,280 --> 01:43:22,040
Speaker 3: if I gotta do both, there's no way you.

2196
01:43:22,000 --> 01:43:24,639
Speaker 5: Can break that. We argue with you the same thing.

2197
01:43:25,760 --> 01:43:28,120
Speaker 5: I'm not only going with. Okay, yeah, we argue with you.

2198
01:43:28,840 --> 01:43:31,360
Speaker 3: I little do that. We're here, take this one right here.

2199
01:43:31,720 --> 01:43:32,080
Speaker 3: Mm hmm.

2200
01:43:34,600 --> 01:43:35,400
Speaker 5: You've been mixing it.

2201
01:43:37,600 --> 01:43:37,920
Speaker 3: Already.

2202
01:43:38,120 --> 01:43:44,160
Speaker 1: Yeah, okay, yeah, I was ready. For some reason, I

2203
01:43:44,200 --> 01:43:45,800
Speaker 1: feel like ye're both supposed to say both.

2204
01:43:47,120 --> 01:43:49,320
Speaker 2: I'm I'm gonna I'm gonna say Boys in the Hood.

2205
01:43:49,800 --> 01:43:51,799
Speaker 5: Okay, why I'm.

2206
01:43:52,320 --> 01:43:55,479
Speaker 2: Boys in the Hood because I'm I don't gang bang,

2207
01:43:55,760 --> 01:43:58,000
Speaker 2: Like I never gang bang. I call myself like a

2208
01:43:58,000 --> 01:44:01,280
Speaker 2: civilian with attitude like that. And I like Boys in

2209
01:44:01,360 --> 01:44:05,479
Speaker 2: the Hood represented all aspects of the neighborhood. You had

2210
01:44:05,520 --> 01:44:07,720
Speaker 2: the football player, you have, the single mom, you have

2211
01:44:07,840 --> 01:44:11,040
Speaker 2: the single dad. It was more realistic to my story,

2212
01:44:11,160 --> 01:44:14,800
Speaker 2: like I'm Trey in a weird way. Minister Society, though,

2213
01:44:14,880 --> 01:44:18,400
Speaker 2: I love like that was the ship. My mom's was

2214
01:44:18,520 --> 01:44:21,639
Speaker 2: like it Actually, niggas in my neighborhood was like, nah,

2215
01:44:21,840 --> 01:44:23,360
Speaker 2: you can't, you can't do that.

2216
01:44:23,560 --> 01:44:24,960
Speaker 3: We see something bigger for you.

2217
01:44:25,439 --> 01:44:27,160
Speaker 2: So if I had to pick one, I'm gonna go

2218
01:44:27,280 --> 01:44:29,160
Speaker 2: with that one, just because I was able to relate

2219
01:44:29,439 --> 01:44:32,799
Speaker 2: with that character more than the ones in Minister Society.

2220
01:44:34,080 --> 01:44:36,960
Speaker 3: M hm. That's trying to my boy Milly too. Man,

2221
01:44:37,000 --> 01:44:38,879
Speaker 3: he was the young kid in Minister Society.

2222
01:44:40,720 --> 01:44:42,479
Speaker 5: Get it pro right?

2223
01:44:46,280 --> 01:44:51,960
Speaker 2: Yeah, currency or whiz Khalifa. I gotta go whiz Okay,

2224
01:44:52,240 --> 01:44:52,680
Speaker 2: I got to.

2225
01:44:55,200 --> 01:44:55,400
Speaker 5: Well.

2226
01:44:55,960 --> 01:44:58,160
Speaker 3: If I don't say whiz Khalifa, I'm never going to

2227
01:44:58,280 --> 01:45:04,920
Speaker 3: his house again. So whisky for Okay used to on

2228
01:45:04,960 --> 01:45:08,519
Speaker 3: the Way resoundingly, christis used to on the way.

2229
01:45:08,880 --> 01:45:17,360
Speaker 5: Nas and Jadakiss. If I just nods twice, he didn't

2230
01:45:17,360 --> 01:45:20,680
Speaker 5: coming to my house normal, I thought you picked him

2231
01:45:20,720 --> 01:45:24,920
Speaker 5: up twice. I'm supposed to switch that up because I

2232
01:45:24,960 --> 01:45:26,720
Speaker 5: gotta Jaakis. I did.

2233
01:45:27,200 --> 01:45:29,280
Speaker 3: I was on Jadakiss's record when he was on Interscope,

2234
01:45:29,280 --> 01:45:31,000
Speaker 3: and it wuldn't go old. I got a Jadakis plaque

2235
01:45:31,000 --> 01:45:33,120
Speaker 3: in my house. I don't have a Nas plaque, so

2236
01:45:33,360 --> 01:45:43,719
Speaker 3: I have to go Jada kiss Ah. That's tough, alright.

2237
01:45:43,760 --> 01:45:46,040
Speaker 5: I mean, I'm gonna do this on this Okay, I'll

2238
01:45:46,040 --> 01:45:46,840
Speaker 5: do that thing with you too.

2239
01:45:46,920 --> 01:45:47,519
Speaker 2: I'll slow down.

2240
01:45:48,800 --> 01:45:54,840
Speaker 5: Yeah, we got a long game here, Okay, we ain't

2241
01:45:54,840 --> 01:46:02,280
Speaker 5: gambling to this. Go good with like elements hip you

2242
01:46:02,360 --> 01:46:05,879
Speaker 5: know some chips, quick time, quick quick.

2243
01:46:07,920 --> 01:46:19,840
Speaker 15: Fire, Yeah, okay, Nip or Draco nip Okay, Wow, I

2244
01:46:19,920 --> 01:46:21,160
Speaker 15: gotta say nip okay.

2245
01:46:22,320 --> 01:46:26,040
Speaker 5: Rest in peace, Rest in Peace, se Lo or Andre

2246
01:46:26,160 --> 01:46:31,639
Speaker 5: three thousand, oh Chelo Green Selo part of the album

2247
01:46:32,560 --> 01:46:38,200
Speaker 5: album because there some others, Okay, Larry Junior, Dom Kennedy, Ship,

2248
01:46:38,560 --> 01:46:43,360
Speaker 5: Donads broke my boys shout to Larry though, but Don, Yeah,

2249
01:46:43,400 --> 01:46:44,000
Speaker 5: it's gotta be Don.

2250
01:46:44,080 --> 01:46:44,559
Speaker 3: That's my boy.

2251
01:46:45,640 --> 01:46:48,720
Speaker 2: Larry June was hard. Yeah.

2252
01:46:48,880 --> 01:46:52,720
Speaker 3: I think Larry June even choose down Ship. He's that

2253
01:46:52,840 --> 01:46:53,280
Speaker 3: kind of guy.

2254
01:46:54,400 --> 01:46:58,400
Speaker 2: Moti inspired the VI. Larry June is Moti. It's a

2255
01:46:58,520 --> 01:47:02,680
Speaker 2: challenge ship be he's a East Karris want to rock him?

2256
01:47:04,040 --> 01:47:04,920
Speaker 3: You can't do that to me?

2257
01:47:05,160 --> 01:47:06,880
Speaker 5: Which one karas one rock?

2258
01:47:08,200 --> 01:47:08,400
Speaker 3: Yeah?

2259
01:47:08,720 --> 01:47:13,880
Speaker 5: Oh the albums, yeah, Karous one of rock him both

2260
01:47:13,960 --> 01:47:18,200
Speaker 5: because I know them. Okay, So I'm gonna go. We're

2261
01:47:18,200 --> 01:47:22,120
Speaker 5: gonna go. Let's go Japanese whiskey this time. Next next one,

2262
01:47:23,040 --> 01:47:23,320
Speaker 5: I'm in.

2263
01:47:23,400 --> 01:47:23,640
Speaker 3: I'm in.

2264
01:47:23,680 --> 01:47:25,120
Speaker 5: I like, I like, I like making it up, I

2265
01:47:25,240 --> 01:47:27,599
Speaker 5: like making up the rules. I'm next one, next one,

2266
01:47:28,479 --> 01:47:32,040
Speaker 5: I'm gonna go rock Him Yeah, okay, are you picking

2267
01:47:32,720 --> 01:47:37,200
Speaker 5: rock him quick as the name or Safeless sound me?

2268
01:47:38,320 --> 01:47:41,439
Speaker 3: They're the same, baby, they just had to contractually. I

2269
01:47:41,520 --> 01:47:43,439
Speaker 3: had to separate them all, but I would have did.

2270
01:47:44,840 --> 01:47:48,080
Speaker 3: They were all this that's from one line, bro, So

2271
01:47:48,280 --> 01:47:50,960
Speaker 3: they're both the same thing to me. So both goddamn right.

2272
01:47:51,000 --> 01:47:54,519
Speaker 3: Both put down a DJ Quick album and the second

2273
01:47:54,560 --> 01:47:56,679
Speaker 3: one costs is seven hundred and fifty thousand dollars.

2274
01:47:56,479 --> 01:47:58,120
Speaker 5: A record, different era.

2275
01:47:58,800 --> 01:48:00,960
Speaker 2: I'm gonna go saving Sound because that when that came out,

2276
01:48:00,960 --> 01:48:02,600
Speaker 2: I was old enough to understand.

2277
01:48:02,520 --> 01:48:06,000
Speaker 5: What he was talking about. And Summer Breeze is still

2278
01:48:06,040 --> 01:48:06,840
Speaker 5: one of my favorite songs.

2279
01:48:07,040 --> 01:48:07,920
Speaker 3: You love for that?

2280
01:48:08,439 --> 01:48:16,320
Speaker 5: Yeah, King T or m C eight, I work with both.

2281
01:48:17,240 --> 01:48:22,680
Speaker 5: They both come in right, Yeah yeah, m C eight.

2282
01:48:24,640 --> 01:48:28,200
Speaker 5: Taylor my dog like my friend, Like I fox with Taylor,

2283
01:48:28,600 --> 01:48:29,040
Speaker 5: I gotta go.

2284
01:48:31,000 --> 01:48:33,679
Speaker 2: I called him the godfather of Compton bro Like I really,

2285
01:48:33,800 --> 01:48:36,120
Speaker 2: I really wish he stood out, just walked outside a

2286
01:48:36,160 --> 01:48:36,840
Speaker 2: little bit more.

2287
01:48:36,880 --> 01:48:39,840
Speaker 5: And what he inspired with alcoholics and the whole thing

2288
01:48:39,920 --> 01:48:45,000
Speaker 5: that man inspired Biggie Smalls Like bro King T was like,

2289
01:48:45,080 --> 01:48:46,639
Speaker 5: I don't think he gets enough credit, to be honest

2290
01:48:46,640 --> 01:48:48,720
Speaker 5: with you, it's just about coming outside and taking it

2291
01:48:48,800 --> 01:48:50,240
Speaker 5: right now. You know what I'm saying.

2292
01:48:50,680 --> 01:48:53,040
Speaker 3: Yeah, i'mnna go ye drink.

2293
01:48:54,280 --> 01:48:55,920
Speaker 5: I didn't want to drink. I was trying to do

2294
01:48:56,080 --> 01:48:58,120
Speaker 5: the thing. But I say you can do this.

2295
01:48:58,280 --> 01:48:58,760
Speaker 3: I say both.

2296
01:48:58,800 --> 01:49:00,760
Speaker 5: I got a drink right, you did it for us?

2297
01:49:01,640 --> 01:49:01,800
Speaker 6: Yeah?

2298
01:49:05,600 --> 01:49:06,479
Speaker 3: How long is this game?

2299
01:49:07,760 --> 01:49:13,800
Speaker 5: I'm gonna bringing on purpose man, not making it too long?

2300
01:49:13,880 --> 01:49:17,800
Speaker 5: This is that's too long now. But we're having fun though, Okay.

2301
01:49:18,920 --> 01:49:22,479
Speaker 5: I definitely got to ask you this. Yes, almost positive.

2302
01:49:23,560 --> 01:49:25,040
Speaker 5: The way you're gonna answer.

2303
01:49:26,360 --> 01:49:30,360
Speaker 3: Digital or analog, that's just that it's fund up because

2304
01:49:30,400 --> 01:49:32,280
Speaker 3: now I can't live without either one of them. If

2305
01:49:32,320 --> 01:49:34,479
Speaker 3: I say digital, my ship might stop working when I

2306
01:49:34,520 --> 01:49:39,639
Speaker 3: get home. That's just since it is it's energy. Analog

2307
01:49:39,840 --> 01:49:43,280
Speaker 3: is harder, it's longer, it's everything a man wants to be.

2308
01:49:45,280 --> 01:49:46,519
Speaker 5: I didn't catch that back.

2309
01:49:47,520 --> 01:49:50,639
Speaker 3: It's just it's it's big, it's huge, it's a movie,

2310
01:49:50,720 --> 01:49:53,680
Speaker 3: is cinematic. It's it makes you cry, like you know,

2311
01:49:53,720 --> 01:49:56,200
Speaker 3: it makes your skin crawl when you put strings on it.

2312
01:49:56,280 --> 01:49:59,880
Speaker 5: It's just some beast in and of itself. I mean

2313
01:50:00,080 --> 01:50:00,479
Speaker 5: that ship.

2314
01:50:00,600 --> 01:50:03,679
Speaker 1: I always say that, I always pick analog because analog,

2315
01:50:03,760 --> 01:50:05,960
Speaker 1: to me, we all had to be in the same room.

2316
01:50:06,840 --> 01:50:08,439
Speaker 3: To work magic.

2317
01:50:08,600 --> 01:50:10,960
Speaker 6: It was it you that I quoted somebody and I'm

2318
01:50:10,960 --> 01:50:12,760
Speaker 6: not sure now if it was you, I believe it was.

2319
01:50:12,760 --> 01:50:16,120
Speaker 6: You said something about analog capturing like like the energy

2320
01:50:16,160 --> 01:50:16,479
Speaker 6: in the room.

2321
01:50:18,960 --> 01:50:19,439
Speaker 2: Think about it.

2322
01:50:19,560 --> 01:50:23,600
Speaker 3: We're magnetic, so it catches the energy the vibrations of

2323
01:50:23,720 --> 01:50:24,439
Speaker 3: the person too.

2324
01:50:24,920 --> 01:50:27,360
Speaker 6: If you near that tape machine you feel a static

2325
01:50:27,439 --> 01:50:32,280
Speaker 6: on It's just what tape is everything?

2326
01:50:32,640 --> 01:50:36,439
Speaker 5: Like we are we just released a cassette like tape

2327
01:50:36,520 --> 01:50:37,200
Speaker 5: is tape?

2328
01:50:37,320 --> 01:50:37,840
Speaker 2: Is it all?

2329
01:50:39,880 --> 01:50:49,760
Speaker 4: So tell you all the reasons why the other one

2330
01:50:49,800 --> 01:50:50,280
Speaker 4: is great.

2331
01:50:51,920 --> 01:50:58,160
Speaker 2: Forever? Yeah, just for workflow, okay, like workflow, Like workflow

2332
01:50:58,320 --> 01:50:59,360
Speaker 2: is just like a lot quicker.

2333
01:50:59,479 --> 01:51:02,840
Speaker 5: We can like analog pieces and then put it into digital.

2334
01:51:03,040 --> 01:51:05,519
Speaker 2: That works great, Like I think that's what this album did,

2335
01:51:05,600 --> 01:51:07,560
Speaker 2: Like he grabs a lot of analog pieces.

2336
01:51:07,320 --> 01:51:10,320
Speaker 5: And we're allowed to like run it through analogue in

2337
01:51:10,400 --> 01:51:11,160
Speaker 5: the digital space.

2338
01:51:11,200 --> 01:51:13,800
Speaker 2: And with the clock speed, you have people say that

2339
01:51:13,960 --> 01:51:17,479
Speaker 2: damn hear don there, Like yes, it's like what is

2340
01:51:17,520 --> 01:51:18,479
Speaker 2: this clock universal?

2341
01:51:19,640 --> 01:51:22,960
Speaker 3: It stops jitter in the in the digital field and sonically,

2342
01:51:23,680 --> 01:51:25,960
Speaker 3: it's not a record that you will hear one time

2343
01:51:26,400 --> 01:51:28,800
Speaker 3: right and hate it after that, Like it's cool, but

2344
01:51:29,280 --> 01:51:31,920
Speaker 3: something about it it's just it's too just as loud destroyed.

2345
01:51:31,960 --> 01:51:35,559
Speaker 5: What it's it's analog clocking. It just stops jitter.

2346
01:51:35,640 --> 01:51:40,400
Speaker 3: It just makes every digital clock, every digital slave master

2347
01:51:40,560 --> 01:51:44,479
Speaker 3: to it. So it's it mimics analog the best, and

2348
01:51:44,560 --> 01:51:46,599
Speaker 3: that's what it is. It's it's it's almost like if

2349
01:51:46,600 --> 01:51:48,639
Speaker 3: you think, you just say you want.

2350
01:51:52,040 --> 01:51:55,439
Speaker 2: So basically the number that you see on the analog machines,

2351
01:51:55,560 --> 01:51:57,040
Speaker 2: like you know, if you if you're like playing a

2352
01:51:57,120 --> 01:51:58,880
Speaker 2: tape or if you're doing a dance or whatever, there's

2353
01:51:58,920 --> 01:52:02,160
Speaker 2: actually a crack going right the clock, like the millisecond

2354
01:52:02,200 --> 01:52:05,880
Speaker 2: or exactly. The clocks that are in his his actual

2355
01:52:06,000 --> 01:52:08,600
Speaker 2: MAC are the closest to adaptments.

2356
01:52:10,160 --> 01:52:13,320
Speaker 3: They're really expensive analog to digital converters.

2357
01:52:13,560 --> 01:52:16,040
Speaker 5: Right, they're just a we call it a DS.

2358
01:52:16,200 --> 01:52:18,000
Speaker 3: You're short, you engineer at all?

2359
01:52:18,280 --> 01:52:21,439
Speaker 5: No, I mean I'm rounding. So you guys from the West,

2360
01:52:21,439 --> 01:52:22,519
Speaker 5: you should come to the studio with me.

2361
01:52:23,080 --> 01:52:27,479
Speaker 2: You imagine, imagine you being able to run seven programs

2362
01:52:27,520 --> 01:52:30,720
Speaker 2: at once, like imagine like sometimes the Michael cut off

2363
01:52:30,800 --> 01:52:33,960
Speaker 2: are right right, right, it's too much computing with his ship,

2364
01:52:34,200 --> 01:52:37,799
Speaker 2: you can put up fifteen different things, be recording, be mixing,

2365
01:52:37,960 --> 01:52:39,519
Speaker 2: playing a movie, playing I.

2366
01:52:40,600 --> 01:52:43,080
Speaker 3: Nothing stopped like his ship never tap.

2367
01:52:43,000 --> 01:52:46,880
Speaker 5: Into the ether. Everything. It's like I'm a beast. It's

2368
01:52:46,960 --> 01:52:51,479
Speaker 5: like the speed, it's all real time. Bro, It's crazy wow.

2369
01:52:52,040 --> 01:52:53,800
Speaker 5: And the sound of it when people come in like

2370
01:52:53,880 --> 01:52:54,600
Speaker 5: I'm so came in.

2371
01:52:55,000 --> 01:52:57,360
Speaker 3: He was like he was. He said, test two whim

2372
01:52:57,720 --> 01:52:59,439
Speaker 3: problem said, do you want us to, you know, get

2373
01:52:59,479 --> 01:53:01,120
Speaker 3: it together for you? Like you know, dotty man?

2374
01:53:01,320 --> 01:53:01,880
Speaker 5: He said, Man, this.

2375
01:53:01,840 --> 01:53:05,760
Speaker 3: Should sound perfect already, And I think he only he

2376
01:53:05,800 --> 01:53:07,639
Speaker 3: could hear it in the headphones. He pushed recording. That's

2377
01:53:07,640 --> 01:53:08,160
Speaker 3: what y'all got.

2378
01:53:08,240 --> 01:53:10,679
Speaker 6: One tape, one tape, because that's the thing about analogue,

2379
01:53:10,720 --> 01:53:11,800
Speaker 6: the warmth that gives you.

2380
01:53:12,320 --> 01:53:18,240
Speaker 3: Yeah, it's fuzzy, it's it's warm and wide. It's that alcohol.

2381
01:53:23,160 --> 01:53:24,439
Speaker 3: Y'all gotta beat that. He's gonna be.

2382
01:53:24,439 --> 01:53:28,880
Speaker 16: Made still dre a nothing but nothing but a g

2383
01:53:33,360 --> 01:53:35,280
Speaker 16: One is the low Rider record. The one is the

2384
01:53:35,320 --> 01:53:36,479
Speaker 16: record that started it all.

2385
01:53:36,880 --> 01:53:38,920
Speaker 3: That's been voted the number one hip hop record of

2386
01:53:38,960 --> 01:53:42,400
Speaker 3: all time Percidon anybody.

2387
01:53:42,200 --> 01:53:43,600
Speaker 5: I would have flipped the way you just said it.

2388
01:53:43,640 --> 01:53:46,360
Speaker 5: But okay, you know the G thing was it? I

2389
01:53:46,400 --> 01:53:48,960
Speaker 5: look at you think it's a low Riding record though too? Well?

2390
01:53:49,040 --> 01:53:51,400
Speaker 3: No, no, do you think is a thing that it

2391
01:53:51,479 --> 01:53:52,479
Speaker 3: was low Riders in the video.

2392
01:53:52,840 --> 01:53:53,600
Speaker 5: But maybe that's what.

2393
01:53:55,640 --> 01:53:59,160
Speaker 3: Still Dre is like the dre like being the drum

2394
01:53:59,280 --> 01:54:02,720
Speaker 3: machine compared editor with the Chicago piano, like showing off

2395
01:54:02,760 --> 01:54:06,920
Speaker 3: his ship. But g thing is just the fucking syrup

2396
01:54:07,040 --> 01:54:09,680
Speaker 3: that make the pancake bang out. Bros. I'm gonna go

2397
01:54:10,160 --> 01:54:11,280
Speaker 3: to thing.

2398
01:54:11,400 --> 01:54:12,800
Speaker 5: You can hear that that's the time. I mean, they're

2399
01:54:12,800 --> 01:54:15,960
Speaker 5: both timeless, but g thing, I think, well, life changed.

2400
01:54:16,240 --> 01:54:19,559
Speaker 3: I was lucky enough because I knew should to get

2401
01:54:20,680 --> 01:54:23,200
Speaker 3: to go to the studio and watch drain them make

2402
01:54:23,280 --> 01:54:23,880
Speaker 3: those records.

2403
01:54:24,000 --> 01:54:27,360
Speaker 5: You know, oh so drink to that ship, even if

2404
01:54:27,400 --> 01:54:29,760
Speaker 5: it's not a fine fuck it.

2405
01:54:32,160 --> 01:54:34,400
Speaker 1: I gotta like take take a chance for this opportunity.

2406
01:54:35,480 --> 01:54:39,720
Speaker 1: Because one of the things that we spoke to m

2407
01:54:39,760 --> 01:54:44,160
Speaker 1: C eight uh that lasked him, I said, you know,

2408
01:54:46,520 --> 01:54:49,200
Speaker 1: you know what happened when you know, like you performed

2409
01:54:49,240 --> 01:54:51,240
Speaker 1: in front of him and you dissed them. And then

2410
01:54:51,280 --> 01:54:53,960
Speaker 1: he also told us about the time about them the

2411
01:54:54,080 --> 01:54:57,200
Speaker 1: mom and sug that he should stepped to and pulled

2412
01:54:57,200 --> 01:54:59,000
Speaker 1: them over or something like that to him, like his

2413
01:54:59,160 --> 01:55:02,280
Speaker 1: mom to be say like what is the affiliation with you?

2414
01:55:02,400 --> 01:55:05,520
Speaker 1: One should like you? What I think he said he

2415
01:55:05,640 --> 01:55:06,240
Speaker 1: was managing you.

2416
01:55:06,720 --> 01:55:08,880
Speaker 3: Yeah, he's my manager at one point. I mean he

2417
01:55:09,040 --> 01:55:10,760
Speaker 3: was one of the first people I had ever signed to,

2418
01:55:11,480 --> 01:55:14,160
Speaker 3: Like I signed to Yeah, I signed to him. They

2419
01:55:14,200 --> 01:55:16,440
Speaker 3: had a record label called Funky Enough Records with him

2420
01:55:16,440 --> 01:55:18,640
Speaker 3: and DLC. But he was always good to me, like

2421
01:55:18,720 --> 01:55:23,600
Speaker 3: that during Ruthless, before Ruthless, before before Less, like it

2422
01:55:23,760 --> 01:55:25,120
Speaker 3: was when he broke off he I don't think he

2423
01:55:25,200 --> 01:55:27,640
Speaker 3: was doing security anymore. He got with this guy and

2424
01:55:27,960 --> 01:55:30,160
Speaker 3: got an investor and came and just started signing talent.

2425
01:55:30,240 --> 01:55:32,520
Speaker 3: And I was one of people he signed Ruthless.

2426
01:55:32,640 --> 01:55:33,280
Speaker 5: That's bad.

2427
01:55:33,600 --> 01:55:37,520
Speaker 3: I mean, think about look at the timeline. I was there. Wow,

2428
01:55:37,880 --> 01:55:38,600
Speaker 3: I was there when.

2429
01:55:40,440 --> 01:55:41,360
Speaker 5: Eighteen nineteen.

2430
01:55:41,560 --> 01:55:43,720
Speaker 2: Wow, damn.

2431
01:55:44,000 --> 01:55:45,680
Speaker 5: I thought Dick Griffy.

2432
01:55:45,400 --> 01:55:48,200
Speaker 3: Wanted me Solar. I wish I would have signed with

2433
01:55:48,240 --> 01:55:53,120
Speaker 3: Dick Griffy Solar. Yeah, but he took Dre now got there.

2434
01:55:53,920 --> 01:55:56,640
Speaker 5: Didn't Solar do something with with Sugar as well?

2435
01:55:57,800 --> 01:55:58,000
Speaker 3: Yeah?

2436
01:55:58,040 --> 01:56:00,960
Speaker 5: They mentored him like Solar made the video, used the studio, right,

2437
01:56:01,520 --> 01:56:02,240
Speaker 5: Am I wrong about that?

2438
01:56:02,360 --> 01:56:04,960
Speaker 3: I'm just being hell reflective, like when I say, you know,

2439
01:56:05,280 --> 01:56:06,800
Speaker 3: Simon was a part of a lot of that ship,

2440
01:56:07,040 --> 01:56:08,640
Speaker 3: Like I forgive him, like he did some fucked up

2441
01:56:08,640 --> 01:56:10,360
Speaker 3: ship to me, like he did some fucked up ship

2442
01:56:10,400 --> 01:56:12,880
Speaker 3: to everybody else. But I'm over, like I haven't heard

2443
01:56:12,880 --> 01:56:16,560
Speaker 3: about contract wise, I was never signed to him, okay,

2444
01:56:17,040 --> 01:56:20,040
Speaker 3: but he represented me like like about a year or whatever.

2445
01:56:20,160 --> 01:56:22,640
Speaker 3: But he was too busy with fucking Joji and Park.

2446
01:56:22,720 --> 01:56:24,920
Speaker 3: It was like, man, gonna let you have that, bro, you.

2447
01:56:25,440 --> 01:56:26,360
Speaker 5: Got your hands pull over.

2448
01:56:27,120 --> 01:56:30,800
Speaker 6: I go over here and do it myself. Crazy crazy

2449
01:56:30,880 --> 01:56:33,480
Speaker 6: all those people. Everybody's like Chris Crossings.

2450
01:56:33,520 --> 01:56:34,920
Speaker 3: But you know, I feel like I could talk like

2451
01:56:35,000 --> 01:56:39,200
Speaker 3: this because honestly, my coast is united and galvanized.

2452
01:56:39,400 --> 01:56:42,920
Speaker 6: So that's which, in turn, is I think uniting and

2453
01:56:42,960 --> 01:56:45,520
Speaker 6: galvanizing hip hop around the nation. To be honest with you,

2454
01:56:45,840 --> 01:56:47,400
Speaker 6: I don't know if you guys see it from that side,

2455
01:56:47,680 --> 01:56:49,240
Speaker 6: but I feel like it's doing a lot for the

2456
01:56:49,480 --> 01:56:50,280
Speaker 6: entire it.

2457
01:56:50,520 --> 01:56:51,760
Speaker 3: We're in the magnifying class.

2458
01:56:51,800 --> 01:56:52,280
Speaker 5: But I love it.

2459
01:56:52,320 --> 01:56:52,920
Speaker 2: It's great.

2460
01:56:54,280 --> 01:56:57,240
Speaker 3: And the music is dope, And like you said, my

2461
01:56:57,320 --> 01:57:02,680
Speaker 3: clocks are and they're they're in pervious the best clocks

2462
01:57:02,720 --> 01:57:03,240
Speaker 3: in the game.

2463
01:57:04,720 --> 01:57:13,880
Speaker 5: Clocks. This is the first. All right, No niggas, If

2464
01:57:13,920 --> 01:57:21,360
Speaker 5: you can pick being just the artist or just a producer,

2465
01:57:21,640 --> 01:57:24,640
Speaker 5: I'll be a producer. I'm a producer. Now, just you

2466
01:57:24,680 --> 01:57:27,080
Speaker 5: would pick that? Would you want to be Quincy Jones

2467
01:57:27,280 --> 01:57:29,320
Speaker 5: or James Ingram.

2468
01:57:32,840 --> 01:57:33,240
Speaker 3: Just one?

2469
01:57:34,080 --> 01:57:38,600
Speaker 5: All right, okay, so you will pick being a producer,

2470
01:57:38,720 --> 01:57:41,600
Speaker 5: motherfucker right. That's I never wanted. I'm jam Master J

2471
01:57:41,800 --> 01:57:42,480
Speaker 5: Bro'm the d J.

2472
01:57:42,880 --> 01:57:45,240
Speaker 3: I just wanted to be in the background, rocking about

2473
01:57:46,360 --> 01:57:48,960
Speaker 3: and dropping the rhythm for my fucking artist to just

2474
01:57:49,080 --> 01:57:50,320
Speaker 3: go and be fucking.

2475
01:57:50,680 --> 01:57:52,640
Speaker 5: The most important part that hasn't doesn't have to be

2476
01:57:52,720 --> 01:57:53,760
Speaker 5: seen exactly.

2477
01:57:54,320 --> 01:57:56,480
Speaker 3: And they pushed me off front. It was like the

2478
01:57:56,520 --> 01:57:58,360
Speaker 3: white niggas was like, no, you go do it, you

2479
01:57:58,440 --> 01:58:01,080
Speaker 3: just start. I'm like, I'm the DJ. I can't do

2480
01:58:01,240 --> 01:58:01,800
Speaker 3: both of them.

2481
01:58:01,840 --> 01:58:02,360
Speaker 2: Like it's just.

2482
01:58:03,840 --> 01:58:05,840
Speaker 5: Whatever. So yeah, you can take my wrapping all that

2483
01:58:05,880 --> 01:58:11,360
Speaker 5: ship away. I'll be quiet DJ quick. Yeah, I ain't

2484
01:58:11,400 --> 01:58:15,040
Speaker 5: gonna lie. I didn't. I didn't expect that one. And

2485
01:58:15,160 --> 01:58:20,640
Speaker 5: that's what you're gonna say, alcohol, I really gonna sheepish.

2486
01:58:22,440 --> 01:58:23,680
Speaker 3: I get to hear them ship.

2487
01:58:23,760 --> 01:58:28,160
Speaker 5: But you're like Jason was just.

2488
01:58:28,240 --> 01:58:30,360
Speaker 1: Going through a boot ball face and like because now

2489
01:58:30,360 --> 01:58:31,480
Speaker 1: I imagine.

2490
01:58:31,120 --> 01:58:37,320
Speaker 3: A world and I was like, right over John Carpenter, nigga, Yeah,

2491
01:58:37,880 --> 01:58:41,960
Speaker 3: but ship, I mean, I'll be writing all that ship.

2492
01:58:41,960 --> 01:58:45,360
Speaker 5: I'll be fucking I'll be Danny Elfman.

2493
01:58:49,360 --> 01:58:52,560
Speaker 2: He's dangerous and the stuff you scored a movie, you're

2494
01:58:52,600 --> 01:58:53,720
Speaker 2: that right kind of dangerous.

2495
01:58:55,880 --> 01:58:56,320
Speaker 5: I scored.

2496
01:58:57,600 --> 01:59:01,840
Speaker 3: I scored Head of State for Chris Rock with Mircus Miller.

2497
01:59:02,240 --> 01:59:04,840
Speaker 3: I scored Young j Z's documentary like one of his

2498
01:59:05,560 --> 01:59:06,240
Speaker 3: Doug motivation.

2499
01:59:06,560 --> 01:59:11,320
Speaker 5: Yeah, and you got something. We got something coming up

2500
01:59:11,360 --> 01:59:14,680
Speaker 5: to right now? Yeah, scoring is the ship.

2501
01:59:15,040 --> 01:59:18,480
Speaker 2: Oh yeah, we can I say, no, let me know,

2502
01:59:18,680 --> 01:59:21,400
Speaker 2: we got something, we got something coming out Oka, get ready,

2503
01:59:21,480 --> 01:59:21,880
Speaker 2: get ready?

2504
01:59:22,520 --> 01:59:30,040
Speaker 3: Okay, pro tools or logic to day for sure, But

2505
01:59:30,120 --> 01:59:34,440
Speaker 3: I started on logic. You can't do both though, No, Nah,

2506
01:59:34,560 --> 01:59:37,000
Speaker 3: I can't even look that far back because it eventually

2507
01:59:37,080 --> 01:59:42,280
Speaker 3: still goes the pro tools no matter what other things

2508
01:59:42,840 --> 01:59:45,800
Speaker 3: it's going to hit. That's the common denominator. That's the

2509
01:59:45,880 --> 01:59:48,320
Speaker 3: defect in our masters. That's the defacto.

2510
01:59:48,520 --> 01:59:56,200
Speaker 5: D A W. Lady of Rage or Eve. I work

2511
01:59:56,240 --> 01:59:58,800
Speaker 5: with both of them. That's that's not fair both, Okay,

2512
01:59:58,960 --> 02:00:03,640
Speaker 5: don't ask why? Yeah, I like that. I like that Champagne,

2513
02:00:04,480 --> 02:00:11,520
Speaker 5: I mean that with that. Oh yeah, Chris RockA Dave Chappelle.

2514
02:00:12,680 --> 02:00:16,120
Speaker 5: That's not fair. I work with both they both both, Okay,

2515
02:00:16,680 --> 02:00:18,880
Speaker 5: all right on just.

2516
02:00:18,880 --> 02:00:21,480
Speaker 3: Real quick, Can I designate a shot taker for this one?

2517
02:00:21,600 --> 02:00:21,880
Speaker 5: Okay?

2518
02:00:21,960 --> 02:00:26,960
Speaker 3: You can, because you can do that, you can do this. Yeah.

2519
02:00:27,040 --> 02:00:28,680
Speaker 2: Me and my boy j Haro quick, you want to

2520
02:00:28,680 --> 02:00:31,440
Speaker 2: get just that's that's your son over there to David.

2521
02:00:36,200 --> 02:00:38,640
Speaker 5: The presidential X right there. Okay, I see he get out.

2522
02:00:39,400 --> 02:00:42,120
Speaker 3: So you got this shot? He said, I'll take this shot.

2523
02:00:42,280 --> 02:00:44,360
Speaker 3: This This guy was so important.

2524
02:00:46,040 --> 02:00:47,720
Speaker 5: Just sit down. Give him a seat so you can

2525
02:00:47,760 --> 02:00:48,120
Speaker 5: sit down.

2526
02:00:49,560 --> 02:00:52,720
Speaker 3: Oh to go back a little bit. I scored John Henry.

2527
02:00:53,120 --> 02:00:54,720
Speaker 3: It was a movie that went to Netflix. It was

2528
02:00:54,800 --> 02:00:57,520
Speaker 3: number one on like Netflix. People loved it or hated it,

2529
02:00:57,600 --> 02:01:02,360
Speaker 3: but it was It's fucking terry crews and ludicris. It's

2530
02:01:02,400 --> 02:01:04,440
Speaker 3: like a sci fi kind of thing. It kept people,

2531
02:01:05,040 --> 02:01:08,400
Speaker 3: you know, and you know, kept them entertained during the scamdemic.

2532
02:01:08,840 --> 02:01:12,400
Speaker 5: Okay, we're gonna take the show number one, jay Worthy,

2533
02:01:14,160 --> 02:01:18,640
Speaker 5: you already took mine. Yeah. Hey, that's what me wanting. Bro,

2534
02:01:21,280 --> 02:01:21,960
Speaker 5: that's your joint.

2535
02:01:22,080 --> 02:01:22,760
Speaker 3: That's that's what.

2536
02:01:22,800 --> 02:01:23,640
Speaker 5: You're doing right here.

2537
02:01:27,800 --> 02:01:30,000
Speaker 3: This takes you to another place though, I know I'm

2538
02:01:30,000 --> 02:01:37,200
Speaker 3: already there. Religious ceremonies with this. I missed my bus

2539
02:01:37,240 --> 02:01:41,840
Speaker 3: stop one stop ago. No I with that ship though.

2540
02:01:41,840 --> 02:01:44,440
Speaker 3: When I'm out there. It's like that ship. I feel

2541
02:01:44,440 --> 02:01:45,240
Speaker 3: like I'm in the Caribbean.

2542
02:01:46,200 --> 02:01:50,879
Speaker 5: Okay, exhibit or it's for you problem exhibit.

2543
02:01:51,080 --> 02:01:53,080
Speaker 3: That's my doll, that's my dog.

2544
02:01:53,240 --> 02:01:54,720
Speaker 5: Like that man, that man.

2545
02:01:54,800 --> 02:01:56,960
Speaker 2: The last six seven years of my life has changed

2546
02:01:57,000 --> 02:02:00,360
Speaker 2: it just with conversations man like on a personal level.

2547
02:02:00,960 --> 02:02:04,760
Speaker 2: He he teaches me like man ship like superman ship. Bro,

2548
02:02:05,320 --> 02:02:06,840
Speaker 2: you know what I'm saying. I like, right now, we're

2549
02:02:06,840 --> 02:02:09,360
Speaker 2: trying to work out something with some other plays together.

2550
02:02:09,520 --> 02:02:12,400
Speaker 2: His album is coming out. It's phenomenal. I wish he

2551
02:02:12,440 --> 02:02:16,800
Speaker 2: stopped pump faking it here. He's been like Lyric, got

2552
02:02:17,440 --> 02:02:20,120
Speaker 2: all this albums over there, put that ship out.

2553
02:02:21,520 --> 02:02:23,480
Speaker 5: But X for sure on some personal ship.

2554
02:02:23,640 --> 02:02:24,400
Speaker 2: Okay, yes.

2555
02:02:25,960 --> 02:02:27,760
Speaker 5: You want to you want to ask, you want to

2556
02:02:28,000 --> 02:02:28,360
Speaker 5: in on it?

2557
02:02:31,160 --> 02:02:33,560
Speaker 3: Yeah? I guess people can't see my face on the radio,

2558
02:02:36,120 --> 02:02:40,600
Speaker 3: fucking X because X is the brother that I do

2559
02:02:40,680 --> 02:02:43,520
Speaker 3: ship like this for. He's working on this new record

2560
02:02:44,520 --> 02:02:47,760
Speaker 3: and he has a Sony C eight hundred condenser microphone

2561
02:02:48,640 --> 02:02:52,960
Speaker 3: and the microphone breaks. So we go to the studio

2562
02:02:53,000 --> 02:02:55,360
Speaker 3: and he's got this annoyman ship up there and I'm like,

2563
02:02:55,440 --> 02:02:56,560
Speaker 3: what what the fuck is going on?

2564
02:02:56,800 --> 02:02:58,640
Speaker 5: Like he was like feeling like, you know, like his

2565
02:02:59,280 --> 02:02:59,840
Speaker 5: his for.

2566
02:03:00,000 --> 02:03:03,360
Speaker 3: I already got a bun tire on it, and I

2567
02:03:03,480 --> 02:03:06,160
Speaker 3: took his broken microphone, like, bro, you can't do this

2568
02:03:06,240 --> 02:03:09,640
Speaker 3: because it's not gonna be consistent quality controlled. Me kicked in,

2569
02:03:10,400 --> 02:03:13,720
Speaker 3: it's not gonna be consistent with the other songs. You're

2570
02:03:13,720 --> 02:03:16,680
Speaker 3: gonna have to re record anyway because they do two

2571
02:03:16,720 --> 02:03:17,280
Speaker 3: different things.

2572
02:03:18,320 --> 02:03:20,920
Speaker 5: He was like like, so what.

2573
02:03:21,960 --> 02:03:23,920
Speaker 3: So I gave him my Sony C eight hundred. It

2574
02:03:23,960 --> 02:03:27,640
Speaker 3: took his to my specialists, who repaired it over maybe

2575
02:03:27,800 --> 02:03:30,520
Speaker 3: a month or two. But it didn't change his flow,

2576
02:03:30,760 --> 02:03:33,600
Speaker 3: Like I just subbed him mind. And those microphones are

2577
02:03:33,640 --> 02:03:37,440
Speaker 3: like fifteen thousand dollars a piece. So I do shit

2578
02:03:37,520 --> 02:03:40,560
Speaker 3: like that for my boy. And you continue recording this

2579
02:03:40,760 --> 02:03:45,680
Speaker 3: brilliant ass record he's talking about. It's a fuckings, it's

2580
02:03:45,720 --> 02:03:49,560
Speaker 3: a movie. It's the funniest thing ever. It's his best

2581
02:03:49,600 --> 02:03:51,240
Speaker 3: work in a very long time. And I worked on

2582
02:03:51,280 --> 02:03:53,160
Speaker 3: The Restless SELFI y'all got a platinum plat for that,

2583
02:03:54,120 --> 02:03:56,080
Speaker 3: but this shit, it's like a month.

2584
02:03:56,160 --> 02:03:58,400
Speaker 5: It's like a monkey party. You're talking about records that

2585
02:03:58,400 --> 02:04:01,600
Speaker 5: haven't come out yet. Album He's sitting there holding oh yeah,

2586
02:04:01,640 --> 02:04:02,160
Speaker 5: put it up.

2587
02:04:05,080 --> 02:04:09,080
Speaker 3: To be. Dre is fastidious when it comes to judging

2588
02:04:09,160 --> 02:04:11,640
Speaker 3: the record, and you wouldn't want anything else. Let him

2589
02:04:11,680 --> 02:04:15,240
Speaker 3: critique you, let him get the last fucking word, because

2590
02:04:15,240 --> 02:04:18,080
Speaker 3: he's not wrong and he hasn't been, so that's what

2591
02:04:18,200 --> 02:04:20,720
Speaker 3: you have to do. But this record is going to

2592
02:04:20,760 --> 02:04:22,840
Speaker 3: come out and it's gonna be fucking fired. Y'all gonna trip.

2593
02:04:22,920 --> 02:04:25,040
Speaker 3: It's ask yeah.

2594
02:04:27,920 --> 02:04:29,560
Speaker 5: Yet one.

2595
02:04:31,320 --> 02:04:35,880
Speaker 2: Wave plugins, Wave plugins or Universal audio plugins. I use both,

2596
02:04:36,880 --> 02:04:40,440
Speaker 2: but universal audio is the reason that I'm part of

2597
02:04:40,480 --> 02:04:42,640
Speaker 2: the sound. That's what I'm gonna get you for Christmas.

2598
02:04:43,000 --> 02:04:46,160
Speaker 3: These clocks they finally got him better than Antelope, which

2599
02:04:46,240 --> 02:04:51,120
Speaker 3: are really finite, really accurate lo jitter low digital smear clocks.

2600
02:04:51,400 --> 02:04:53,640
Speaker 3: I'm about to buy him one Universal Audio all day.

2601
02:04:53,840 --> 02:04:56,400
Speaker 3: Shout out to Bill Putningham and Bill Putnham Junior. I

2602
02:04:56,440 --> 02:04:58,720
Speaker 3: love y'all fucking music, y'all. The reason that I know

2603
02:04:58,760 --> 02:05:00,520
Speaker 3: I'm good to Grammy at some point point because of

2604
02:05:00,600 --> 02:05:01,960
Speaker 3: the sound. So thank you.

2605
02:05:02,120 --> 02:05:04,120
Speaker 6: How you're getting into text space, the way you're talking

2606
02:05:04,120 --> 02:05:06,120
Speaker 6: about all these things, Bro, you need to get a

2607
02:05:06,200 --> 02:05:07,880
Speaker 6: part of this text bace and get that money from

2608
02:05:07,960 --> 02:05:08,600
Speaker 6: Dave Jobs.

2609
02:05:11,720 --> 02:05:15,120
Speaker 3: I'm gonna say, I'm gonna say we'll be all right.

2610
02:05:15,200 --> 02:05:15,280
Speaker 10: Bro.

2611
02:05:15,560 --> 02:05:22,360
Speaker 3: Yeah good tu. Yeah you got Kanye or Dre doctor Dre. Yeah,

2612
02:05:22,520 --> 02:05:26,000
Speaker 3: it's not even Kanye is a little me like he's simple.

2613
02:05:26,040 --> 02:05:28,400
Speaker 3: But he told me simple music, simple your drums. I'm

2614
02:05:28,440 --> 02:05:33,120
Speaker 3: like thanks, Yeah, yeah she was a comfortable. But but

2615
02:05:33,640 --> 02:05:35,200
Speaker 3: it's really both. I ain't gonna hate it. I know

2616
02:05:35,280 --> 02:05:38,640
Speaker 3: you're gonna be like Dre all day. But Kanye was

2617
02:05:38,680 --> 02:05:39,240
Speaker 3: never mean to me.

2618
02:05:39,360 --> 02:05:45,920
Speaker 2: So both I'm I'm actually going to say Ray, but

2619
02:05:46,280 --> 02:05:49,160
Speaker 2: I would love to see a Dre versus Kanye versus.

2620
02:05:49,720 --> 02:05:50,000
Speaker 3: Wow.

2621
02:05:51,040 --> 02:05:53,880
Speaker 2: No, I don't ever happen. I don't think it'll ever happen.

2622
02:05:53,880 --> 02:05:57,120
Speaker 2: I'm just I would love that would be. I think

2623
02:05:57,160 --> 02:06:00,320
Speaker 2: I do think Dray will win. But if I watch

2624
02:06:00,480 --> 02:06:03,720
Speaker 2: this thing, oh my, I think.

2625
02:06:03,640 --> 02:06:05,480
Speaker 5: That was a parallel universe.

2626
02:06:06,840 --> 02:06:09,680
Speaker 6: You're talking about itself, this battle, I get to watch

2627
02:06:09,840 --> 02:06:12,320
Speaker 6: and all, and then the artists that will come out

2628
02:06:12,440 --> 02:06:16,200
Speaker 6: on the record, even the songs, the way the stage

2629
02:06:16,200 --> 02:06:18,120
Speaker 6: will be set up with both Like.

2630
02:06:18,360 --> 02:06:20,840
Speaker 2: So you know how Dre did Super Bowl, Yeah, he

2631
02:06:20,880 --> 02:06:22,440
Speaker 2: does his thing like letting them.

2632
02:06:22,360 --> 02:06:25,360
Speaker 5: Get to that size something I never even thought about that.

2633
02:06:26,800 --> 02:06:28,800
Speaker 3: Again, I'm taking Drake the heart.

2634
02:06:30,480 --> 02:06:32,480
Speaker 5: I will. I would sit there and be like, Yo,

2635
02:06:32,560 --> 02:06:37,960
Speaker 5: there's probably about some basics my life, my life. He's

2636
02:06:38,000 --> 02:06:39,000
Speaker 5: like a promoter right now.

2637
02:06:40,680 --> 02:06:42,480
Speaker 2: I'm a fan, bro like, I don't let I don't

2638
02:06:42,520 --> 02:06:44,760
Speaker 2: let myself get so in this music.

2639
02:06:45,040 --> 02:06:46,360
Speaker 5: But he said both, so we gotta drink.

2640
02:06:46,760 --> 02:06:50,200
Speaker 3: I don't know myself gets what I like?

2641
02:06:50,920 --> 02:06:52,680
Speaker 5: Ainybody trying to make you like nothing else you got.

2642
02:06:53,640 --> 02:06:57,960
Speaker 5: You're strange, man.

2643
02:06:58,120 --> 02:06:58,840
Speaker 3: I love them both.

2644
02:06:58,920 --> 02:07:03,400
Speaker 5: Man, he loves me. Man, Okay, game or Rick Ross?

2645
02:07:04,840 --> 02:07:08,640
Speaker 5: I got game you're talking about like better rapper whatever

2646
02:07:08,720 --> 02:07:08,920
Speaker 5: for you?

2647
02:07:09,080 --> 02:07:12,680
Speaker 3: It's whatever game. I'm biased. I'm biased, bro.

2648
02:07:12,800 --> 02:07:21,080
Speaker 5: I respect that. I'll take Hurricane ka mm hmm. That's right.

2649
02:07:23,800 --> 02:07:27,240
Speaker 5: I mean I think we already said m J and Prince. Yeah,

2650
02:07:27,520 --> 02:07:29,440
Speaker 5: I stole that question early. I didn't even know if

2651
02:07:29,480 --> 02:07:33,120
Speaker 5: you had that. Why you ain't asked Magic versus Bird

2652
02:07:33,240 --> 02:07:37,960
Speaker 5: like them kind of questions. I mean, you know it's

2653
02:07:37,960 --> 02:07:42,800
Speaker 5: gonna be if it's a shot in there whatever, I'm

2654
02:07:42,840 --> 02:07:43,560
Speaker 5: not getting it down with.

2655
02:07:43,760 --> 02:07:47,040
Speaker 2: I'll go Kobe versus Lebron though. I mean m J

2656
02:07:47,280 --> 02:07:51,920
Speaker 2: for sure, Kby over MJ for sure? Easy, you're picking

2657
02:07:52,000 --> 02:07:55,360
Speaker 2: Kobe for sure? What do you mean he did more

2658
02:07:55,440 --> 02:07:55,800
Speaker 2: or less?

2659
02:07:56,840 --> 02:07:57,040
Speaker 3: Yeah?

2660
02:07:58,000 --> 02:08:01,400
Speaker 5: Generation love what you were just gonna get this can

2661
02:08:01,480 --> 02:08:03,840
Speaker 5: get this can get crazy if we did, okay, because

2662
02:08:04,240 --> 02:08:08,200
Speaker 5: I'm staying out of it. I mean, was I wish,

2663
02:08:08,240 --> 02:08:08,960
Speaker 5: I wish sports.

2664
02:08:10,280 --> 02:08:12,160
Speaker 3: I can tell you what it is. Really it is

2665
02:08:12,360 --> 02:08:16,560
Speaker 3: definitely Kobe Bean over Michael Jordan, because we tried to

2666
02:08:16,600 --> 02:08:19,240
Speaker 3: say hi to Michael Jordan at the MGM Grand Hotel

2667
02:08:20,000 --> 02:08:21,880
Speaker 3: and he sonned us so bad.

2668
02:08:22,400 --> 02:08:23,120
Speaker 2: He fell up.

2669
02:08:23,680 --> 02:08:29,480
Speaker 3: I fell mid, but he got het. But I've always

2670
02:08:29,520 --> 02:08:31,760
Speaker 3: had fun with Kobe whenever we hung out like Kobe,

2671
02:08:31,840 --> 02:08:35,000
Speaker 3: I did like Kobe was toy drives and ship type ships,

2672
02:08:35,200 --> 02:08:37,640
Speaker 3: like whole ships.

2673
02:08:37,640 --> 02:08:40,440
Speaker 5: What happened with Jordan tell us nothing, that's it. He

2674
02:08:40,520 --> 02:08:41,480
Speaker 5: just didn't want to funk with us.

2675
02:08:41,520 --> 02:08:42,920
Speaker 3: I just wanted to go say, how did this dude

2676
02:08:42,920 --> 02:08:45,000
Speaker 3: because he was in there being a hot dude was

2677
02:08:45,080 --> 02:08:47,600
Speaker 3: gam I wanted to talk about his excessive gambling. But

2678
02:08:48,480 --> 02:08:51,160
Speaker 3: half a million dollars in like over the course of

2679
02:08:51,360 --> 02:08:54,480
Speaker 3: just a couple of hours. It's like, are you just

2680
02:08:54,640 --> 02:08:57,560
Speaker 3: showing off? Like I know you can dunk, but that's

2681
02:08:57,600 --> 02:09:00,960
Speaker 3: how you feel about your mother. But it was just

2682
02:09:01,000 --> 02:09:02,800
Speaker 3: weird to me to see that at that young age,

2683
02:09:05,120 --> 02:09:06,840
Speaker 3: I could did so much with that money. So what

2684
02:09:06,920 --> 02:09:10,760
Speaker 3: happened you try to try to. You know, he wasn't nigga,

2685
02:09:10,760 --> 02:09:13,560
Speaker 3: stay away from us, get these niggas away from me.

2686
02:09:13,560 --> 02:09:18,120
Speaker 3: I don't do niggas. I was like, he's right, that's

2687
02:09:18,120 --> 02:09:21,320
Speaker 3: what his own story story.

2688
02:09:23,320 --> 02:09:29,480
Speaker 5: Yeah, we won't shoes. Mine gave me some sign shoes.

2689
02:09:31,440 --> 02:09:31,960
Speaker 5: I never won.

2690
02:09:33,440 --> 02:09:34,840
Speaker 3: Mine is all hoop, It's all hoop.

2691
02:09:35,520 --> 02:09:37,800
Speaker 2: It's just Michael Jordan's never won a playoff series without

2692
02:09:37,800 --> 02:09:38,440
Speaker 2: Scottie Pippen.

2693
02:09:38,840 --> 02:09:42,880
Speaker 17: Okay, like ever, you got the real sports ship. Like,

2694
02:09:45,960 --> 02:09:48,680
Speaker 17: he's never won a fucking He's never got in the

2695
02:09:48,840 --> 02:09:49,480
Speaker 17: first round.

2696
02:09:50,000 --> 02:09:51,480
Speaker 5: You know, you see, I can see how you get.

2697
02:09:54,480 --> 02:09:56,360
Speaker 3: He never got out the.

2698
02:09:56,360 --> 02:09:59,200
Speaker 2: First round ever without Scotty Piper. Scotty Pippen was a

2699
02:09:59,280 --> 02:10:04,640
Speaker 2: live away from championship. They won sixty some games. The

2700
02:10:04,800 --> 02:10:06,240
Speaker 2: last year before he went retired.

2701
02:10:06,440 --> 02:10:07,280
Speaker 5: What you got, you got something?

2702
02:10:07,640 --> 02:10:10,360
Speaker 3: They won seventy two. No, you got to take off.

2703
02:10:15,160 --> 02:10:17,480
Speaker 2: I'm talking about the year before he retired. They won

2704
02:10:18,400 --> 02:10:22,320
Speaker 2: high fifties, late sixty games. Right, the year he retired,

2705
02:10:22,440 --> 02:10:25,360
Speaker 2: Scottie Pippen wins fifty five games.

2706
02:10:27,240 --> 02:10:32,000
Speaker 3: Scotty almost went to the finals. So we got.

2707
02:10:33,920 --> 02:10:36,720
Speaker 5: Right right Game seven, bro like.

2708
02:10:39,200 --> 02:10:41,680
Speaker 3: That, Scotty got shipped on legacy wise.

2709
02:10:41,920 --> 02:10:43,280
Speaker 5: No, it has nothing to do with Pippen. This is

2710
02:10:43,320 --> 02:10:45,680
Speaker 5: about saying, can we say that as well? No, I'm

2711
02:10:45,720 --> 02:10:46,560
Speaker 5: just talking about.

2712
02:10:46,360 --> 02:10:50,120
Speaker 2: Michael Jordan never winning a playoff series without that one guy,

2713
02:10:51,400 --> 02:10:52,640
Speaker 2: and we can't say that about call.

2714
02:10:52,760 --> 02:10:55,040
Speaker 5: That's why you said Kobe is the better. We did

2715
02:10:55,080 --> 02:10:58,880
Speaker 5: it with Shy, then he did it with Luke Walton.

2716
02:10:58,920 --> 02:11:02,240
Speaker 5: That did it matter who he was. I'm just saying, though,

2717
02:11:02,560 --> 02:11:03,720
Speaker 5: these are the fast.

2718
02:11:03,880 --> 02:11:05,120
Speaker 3: Kobe ain't doing fast.

2719
02:11:06,400 --> 02:11:08,120
Speaker 5: Kobe bing never played with Lebron James.

2720
02:11:09,440 --> 02:11:12,520
Speaker 2: This is the fact you are the smartest smart the

2721
02:11:12,600 --> 02:11:14,320
Speaker 2: smartest tune in the talk.

2722
02:11:15,800 --> 02:11:17,680
Speaker 3: You're the drill with the little screws.

2723
02:11:19,200 --> 02:11:19,320
Speaker 6: Bro.

2724
02:11:19,480 --> 02:11:22,240
Speaker 3: You are hey man having the sum Bro.

2725
02:11:22,760 --> 02:11:22,840
Speaker 1: Bro.

2726
02:11:25,120 --> 02:11:26,640
Speaker 3: Remember we're not talking about.

2727
02:11:28,440 --> 02:11:29,760
Speaker 5: You know, six six.

2728
02:11:31,440 --> 02:11:32,000
Speaker 2: One man.

2729
02:11:32,800 --> 02:11:39,200
Speaker 5: What exceeds exceeds it's a great No.

2730
02:11:39,640 --> 02:11:42,480
Speaker 2: No, I think Michael Michael Jordan has Michael Jordan.

2731
02:11:42,400 --> 02:11:45,520
Speaker 5: Has better shoes. But that's the fact he has better

2732
02:11:45,560 --> 02:11:50,200
Speaker 5: shoes for sure players, he has better show basketball.

2733
02:11:50,200 --> 02:11:52,960
Speaker 2: But when it comes to that whole ship like like

2734
02:11:53,080 --> 02:11:55,720
Speaker 2: twelfth Man on the on the twelfth Man first.

2735
02:11:55,560 --> 02:11:57,920
Speaker 5: Ship about it, that's crazy, bro, think about it.

2736
02:11:58,080 --> 02:12:00,800
Speaker 3: We're talking about that man and he's been for for

2737
02:12:01,000 --> 02:12:04,520
Speaker 3: four years, right, Kobe, Yeah, right, what's the last two

2738
02:12:04,600 --> 02:12:05,919
Speaker 3: years of this millennium?

2739
02:12:06,600 --> 02:12:09,080
Speaker 2: Where are we living in? What year is this twenty four?

2740
02:12:10,360 --> 02:12:11,280
Speaker 5: Mm hmmm, Uh.

2741
02:12:12,920 --> 02:12:19,560
Speaker 2: Okay, it's simple Kobe here, Kobe, Yeah, we just gave me.

2742
02:12:20,080 --> 02:12:21,600
Speaker 2: We're gonna leave that along, you know what I'm saying.

2743
02:12:21,640 --> 02:12:23,760
Speaker 2: But I've talked to this conversation with a few people

2744
02:12:23,800 --> 02:12:26,840
Speaker 2: and it's just like it's not that far as everybody

2745
02:12:26,920 --> 02:12:29,440
Speaker 2: try to say it is, right, But.

2746
02:12:29,520 --> 02:12:32,680
Speaker 5: Yeah, Kobe made it miss for all the little Lakers kids.

2747
02:12:36,640 --> 02:12:41,440
Speaker 3: To test your head. I mean, shah.

2748
02:12:46,880 --> 02:12:48,840
Speaker 12: Sure, you know.

2749
02:12:50,840 --> 02:12:53,800
Speaker 3: Yeah, I don't want to take it.

2750
02:12:53,960 --> 02:13:03,440
Speaker 1: Back of Elly or against the world, both of y'all.

2751
02:13:03,640 --> 02:13:06,040
Speaker 1: Y I tried to like get cross out of it,

2752
02:13:06,120 --> 02:13:08,200
Speaker 1: and look, both of y'all know, he.

2753
02:13:08,240 --> 02:13:12,560
Speaker 3: Said, mcablly because it came after All Eyes on Me,

2754
02:13:12,680 --> 02:13:15,680
Speaker 3: which was the album that I mixed a lot of,

2755
02:13:16,720 --> 02:13:19,720
Speaker 3: not all of it. Then Doctor Dre mixed them fucking

2756
02:13:20,280 --> 02:13:22,400
Speaker 3: you Can't see Me in California Love and sent that

2757
02:13:22,480 --> 02:13:23,680
Speaker 3: ship into the front room and.

2758
02:13:25,240 --> 02:13:26,760
Speaker 5: Made the speakers almost catch.

2759
02:13:26,560 --> 02:13:29,160
Speaker 3: Your fire, niggas Doctor d B putting the speakers on fire.

2760
02:13:30,680 --> 02:13:34,280
Speaker 2: Mcavelly Macabelly blast for me one of my favorite Tupop

2761
02:13:34,360 --> 02:13:38,960
Speaker 2: songs ever. Ever, it's like horribly mixed. It's like it's

2762
02:13:39,280 --> 02:13:43,040
Speaker 2: it's like ratchet, but it's like the vocals mcabelly. You're

2763
02:13:43,040 --> 02:13:46,360
Speaker 2: talking about mcavelly, but blasphemy. The song number five, okay,

2764
02:13:46,760 --> 02:13:49,320
Speaker 2: my favorite tupop song ever. I didn't mix it. That's

2765
02:13:49,320 --> 02:13:52,520
Speaker 2: why it sucks. Mixed it, I don't know, it sucks

2766
02:13:52,560 --> 02:13:59,320
Speaker 2: you crazy? She said, up, that's what you liked about it,

2767
02:13:59,520 --> 02:14:03,000
Speaker 2: Like what I fucked with. You could tell it was

2768
02:14:03,120 --> 02:14:05,720
Speaker 2: like you could tell it was just like that. Nigga

2769
02:14:05,800 --> 02:14:08,480
Speaker 2: was really mad that day, and even if it was mixed,

2770
02:14:08,520 --> 02:14:09,640
Speaker 2: he was just yelling.

2771
02:14:10,000 --> 02:14:12,360
Speaker 5: See me, send me some of that record.

2772
02:14:13,880 --> 02:14:14,440
Speaker 3: Playing right now.

2773
02:14:16,760 --> 02:14:18,400
Speaker 5: Nobody got to take a piss on me every time.

2774
02:14:18,480 --> 02:14:21,400
Speaker 5: Hey man, I'm too much into this ship. I can't

2775
02:14:21,440 --> 02:14:22,040
Speaker 5: I can't move.

2776
02:14:22,240 --> 02:14:23,680
Speaker 3: I can't move.

2777
02:14:24,680 --> 02:14:27,320
Speaker 5: I can't move, and I'm trying to think of what

2778
02:14:27,680 --> 02:14:28,280
Speaker 5: RECOGNI is.

2779
02:14:29,560 --> 02:14:31,640
Speaker 3: You know about that when you.

2780
02:14:31,680 --> 02:14:34,440
Speaker 1: Said back when I said, mcafello, you know what's fucked up.

2781
02:14:35,280 --> 02:14:38,640
Speaker 1: I didn't know music by names at that time. I

2782
02:14:38,800 --> 02:14:41,280
Speaker 1: was like, I'm like number seventeen, but number twelve.

2783
02:14:41,320 --> 02:14:44,840
Speaker 5: So if you said number five, I'm thinking of the

2784
02:14:44,920 --> 02:14:47,720
Speaker 5: number that was the CD era, So I'm thinking of

2785
02:14:47,800 --> 02:14:52,360
Speaker 5: the number. So I'm like, like, that was fun up.

2786
02:14:52,360 --> 02:14:56,120
Speaker 5: You remember that era that lets you know a number

2787
02:14:56,200 --> 02:14:58,880
Speaker 5: five on your CD? I like how you call it

2788
02:15:00,080 --> 02:15:01,000
Speaker 5: was that you don't remember?

2789
02:15:01,040 --> 02:15:03,280
Speaker 2: That's the CD era, like the BA the base when

2790
02:15:03,320 --> 02:15:07,160
Speaker 2: I dropping you here, don't start that that should just

2791
02:15:07,240 --> 02:15:09,280
Speaker 2: like yo, y'all got it.

2792
02:15:09,680 --> 02:15:11,200
Speaker 5: They say Jesus was a common man.

2793
02:15:11,800 --> 02:15:14,640
Speaker 3: You understand the records sold three million units like that.

2794
02:15:15,680 --> 02:15:18,120
Speaker 3: But the mix wasn't dope they needed. There was some

2795
02:15:18,240 --> 02:15:19,000
Speaker 3: magic it needed.

2796
02:15:19,080 --> 02:15:23,760
Speaker 2: Hey, I did listen Omars pure, It's happy, just another

2797
02:15:23,880 --> 02:15:25,120
Speaker 2: jo God.

2798
02:15:26,280 --> 02:15:33,760
Speaker 5: It's still should have been mixed. Mockers so much profits

2799
02:15:34,160 --> 02:15:36,240
Speaker 5: that we even knew that mix was fucked up. Just

2800
02:15:36,360 --> 02:15:38,480
Speaker 5: said it, yow.

2801
02:15:38,160 --> 02:15:39,680
Speaker 2: Her was terrible.

2802
02:15:40,200 --> 02:15:40,920
Speaker 5: It's terrible.

2803
02:15:41,840 --> 02:15:42,680
Speaker 3: It's terrible.

2804
02:15:42,960 --> 02:15:47,680
Speaker 5: I didn't even repeat that that was great. It was terrible.

2805
02:15:47,840 --> 02:15:52,360
Speaker 5: Like the storted vocals speaking ship though he was talking bro.

2806
02:15:52,600 --> 02:15:54,200
Speaker 5: It made it where I had to listen to the words.

2807
02:15:54,400 --> 02:15:57,440
Speaker 3: Will produced that record. I think like one producer did

2808
02:15:57,560 --> 02:16:00,240
Speaker 3: that project. He mixed it and produced a whole. Yeah,

2809
02:16:00,440 --> 02:16:01,960
Speaker 3: it was hard to listen to out there. We just

2810
02:16:02,000 --> 02:16:03,560
Speaker 3: did all that work on all lives on me. It

2811
02:16:03,680 --> 02:16:06,160
Speaker 3: was like and he died too, he had listened to

2812
02:16:06,360 --> 02:16:08,880
Speaker 3: what he did. It was like, don't die, just come

2813
02:16:08,920 --> 02:16:12,080
Speaker 3: on vacation. It was the same stop working to get

2814
02:16:12,120 --> 02:16:12,760
Speaker 3: himself to death.

2815
02:16:13,000 --> 02:16:17,800
Speaker 2: Put some furniture in this mansion, you know, talking about Yeah,

2816
02:16:18,360 --> 02:16:19,920
Speaker 2: I won't even be a homebody.

2817
02:16:20,040 --> 02:16:23,480
Speaker 1: He said, that makes me I didn't understand you to

2818
02:16:23,600 --> 02:16:26,960
Speaker 1: you and said it Marymo and then he said and

2819
02:16:27,040 --> 02:16:29,840
Speaker 1: then I was like all right, cool. You know that

2820
02:16:30,000 --> 02:16:40,560
Speaker 1: album was so disruptive like that, but it was dope.

2821
02:16:40,640 --> 02:16:43,440
Speaker 1: So everyone still had to listen like like like I

2822
02:16:43,600 --> 02:16:45,680
Speaker 1: know this, but Drake. I love Drake, but I know

2823
02:16:45,840 --> 02:16:48,160
Speaker 1: he gotta like not like us too, Like I know

2824
02:16:48,320 --> 02:16:49,960
Speaker 1: he gotta like it. It's like because it's just a

2825
02:16:50,080 --> 02:16:53,280
Speaker 1: dope record. So even if somebody say that, like.

2826
02:16:53,280 --> 02:16:56,039
Speaker 5: How you put that, like sometimes sits just dope. It's

2827
02:16:56,080 --> 02:16:59,120
Speaker 5: just like yo, like you just said, like you going

2828
02:16:59,200 --> 02:17:01,000
Speaker 5: at it like this, this is a line that you

2829
02:17:01,160 --> 02:17:02,400
Speaker 5: like his that he said about you.

2830
02:17:02,840 --> 02:17:03,840
Speaker 3: It's like it was the thing.

2831
02:17:03,959 --> 02:17:06,160
Speaker 5: But that record was a high record, like he went

2832
02:17:06,280 --> 02:17:07,480
Speaker 5: gold with that record.

2833
02:17:08,120 --> 02:17:12,160
Speaker 3: This record against me. Yeah, yeah, he fucked me out.

2834
02:17:12,520 --> 02:17:14,320
Speaker 3: I was in some random hood when I heard the

2835
02:17:14,400 --> 02:17:15,560
Speaker 3: record too, Like somebody.

2836
02:17:15,360 --> 02:17:21,840
Speaker 2: Said, ship I got I got eighteen rims look like

2837
02:17:21,959 --> 02:17:22,720
Speaker 2: movie rules.

2838
02:17:23,160 --> 02:17:27,200
Speaker 5: I'm flying easy bought me and I listened to this.

2839
02:17:27,240 --> 02:17:30,280
Speaker 2: Nigga and fucking the i E an apartment building. This

2840
02:17:30,360 --> 02:17:32,640
Speaker 2: nigga getting off on me and somebody's I'm listening to it.

2841
02:17:32,720 --> 02:17:36,360
Speaker 3: I'm in the i E Hot Hottest fish greed, so

2842
02:17:36,400 --> 02:17:38,560
Speaker 3: I'm like, this nigga is getting me again. I thought

2843
02:17:38,640 --> 02:17:39,440
Speaker 3: we just talked.

2844
02:17:41,400 --> 02:17:42,880
Speaker 5: I said, let's got this each other.

2845
02:17:45,200 --> 02:17:47,240
Speaker 3: I wanted to fuck the Source magazine because they was

2846
02:17:47,320 --> 02:17:50,080
Speaker 3: just eating off that ship all our beefs. So it's like, bro,

2847
02:17:50,200 --> 02:17:52,080
Speaker 3: let's just get it, do a record together and just

2848
02:17:52,120 --> 02:17:52,680
Speaker 3: fuck them up.

2849
02:17:52,760 --> 02:17:53,440
Speaker 5: He was like SHEI.

2850
02:17:54,040 --> 02:17:58,680
Speaker 3: I was like, but he had already finished this song,

2851
02:17:58,800 --> 02:18:00,800
Speaker 3: so he couldn't tell me that because it would have

2852
02:18:00,840 --> 02:18:03,280
Speaker 3: been irate dude, I don't know or whatever, like the

2853
02:18:03,360 --> 02:18:05,760
Speaker 3: real ship. It was like it was but it's still dope.

2854
02:18:06,000 --> 02:18:08,440
Speaker 3: But it ended up like the record came out. He

2855
02:18:08,480 --> 02:18:10,600
Speaker 3: couldn't say that. He didn't already shoot at me. Just

2856
02:18:10,680 --> 02:18:11,440
Speaker 3: bullet just hit me.

2857
02:18:11,440 --> 02:18:13,039
Speaker 5: After he left right.

2858
02:18:15,040 --> 02:18:18,880
Speaker 3: From like no Vascollino like that let me know it

2859
02:18:19,040 --> 02:18:23,840
Speaker 3: was cool to be that was the record disrespectful. Yeah,

2860
02:18:24,080 --> 02:18:30,400
Speaker 3: to be man to be, damn said, and he just

2861
02:18:30,640 --> 02:18:32,360
Speaker 3: him all the way to the end when the record

2862
02:18:32,400 --> 02:18:36,120
Speaker 3: goes off. Everything he's everybody when the record goes off.

2863
02:18:37,360 --> 02:18:41,240
Speaker 5: Yeah, yeah, no vasline is the title of the record

2864
02:18:41,360 --> 02:18:48,480
Speaker 5: is disrespectful. Yeah, you know you know that you can't

2865
02:18:49,520 --> 02:18:55,840
Speaker 5: like with the white ass man. Yeah, And to see

2866
02:18:55,920 --> 02:18:57,000
Speaker 5: them flip on each other.

2867
02:18:57,560 --> 02:18:59,560
Speaker 2: That she was like, but they loved each other because

2868
02:18:59,640 --> 02:19:02,880
Speaker 2: que ran into Easy in New York and he was

2869
02:19:03,000 --> 02:19:04,640
Speaker 2: like his business.

2870
02:19:04,680 --> 02:19:06,400
Speaker 5: You did what you have to do, and you said

2871
02:19:06,400 --> 02:19:09,039
Speaker 5: he wanted to work with Dre for his solo project

2872
02:19:09,080 --> 02:19:12,200
Speaker 5: and I just found that to hang Shockley and Keith

2873
02:19:12,240 --> 02:19:16,560
Speaker 5: Shockley kind of publican in me the album.

2874
02:19:16,600 --> 02:19:18,880
Speaker 2: But he did. Yeah, America's most want It just happened

2875
02:19:18,920 --> 02:19:20,640
Speaker 2: to happen after that would have been and Dre.

2876
02:19:20,800 --> 02:19:22,680
Speaker 5: He was looking for another producer, but he really wanted

2877
02:19:22,760 --> 02:19:24,040
Speaker 5: Dre to produce it. Wow.

2878
02:19:24,040 --> 02:19:26,160
Speaker 1: Imagine he would have been dissing them and still having

2879
02:19:26,200 --> 02:19:26,760
Speaker 1: Dre producer.

2880
02:19:27,040 --> 02:19:30,240
Speaker 5: No, no, he was missing him on that record.

2881
02:19:31,480 --> 02:19:32,039
Speaker 3: Was a new chapter.

2882
02:19:32,400 --> 02:19:34,840
Speaker 5: They came at him with the Bends.

2883
02:19:34,440 --> 02:19:36,720
Speaker 3: One hundred miles and Run. It's called Ben Victor Arnold.

2884
02:19:36,760 --> 02:19:37,920
Speaker 3: But it was a lot of ship. It was just

2885
02:19:38,040 --> 02:19:39,960
Speaker 3: like you know now, it was full because the three

2886
02:19:40,080 --> 02:19:42,080
Speaker 3: couldn't make it Like we watched that beef and hated

2887
02:19:42,120 --> 02:19:44,160
Speaker 3: it the whole time. I was hanging out with Easy

2888
02:19:44,200 --> 02:19:45,800
Speaker 3: while he was beef, and it was like, this is

2889
02:19:45,879 --> 02:19:48,640
Speaker 3: weird because I just seen you, like fucking water the

2890
02:19:48,680 --> 02:19:52,280
Speaker 3: Bush Club all just coom by. Everybody was chilling like nigga.

2891
02:19:53,000 --> 02:19:55,080
Speaker 3: Everybody was there like all the n W A ran

2892
02:19:55,120 --> 02:19:56,960
Speaker 3: Everybody wasn't exaggerated.

2893
02:19:56,959 --> 02:19:59,840
Speaker 5: But Yellow was there, Drey was there, c was there.

2894
02:20:00,200 --> 02:20:02,000
Speaker 3: Easy there do you think because it was the time

2895
02:20:02,040 --> 02:20:05,240
Speaker 3: it took to get records out like they were like the.

2896
02:20:07,760 --> 02:20:11,279
Speaker 5: Press final in the final, and then they have fixed

2897
02:20:11,320 --> 02:20:13,640
Speaker 5: it by then. It's like one of the greatest conversations

2898
02:20:13,680 --> 02:20:19,240
Speaker 5: on drinking all that stuffy white the white label was

2899
02:20:19,280 --> 02:20:20,280
Speaker 5: the league bro.

2900
02:20:20,920 --> 02:20:23,680
Speaker 3: So that same at least two months to get too much.

2901
02:20:23,720 --> 02:20:24,199
Speaker 3: At least.

2902
02:20:26,400 --> 02:20:30,960
Speaker 5: They got to keep week wants to be it still

2903
02:20:31,000 --> 02:20:34,400
Speaker 5: been on because you still thought I.

2904
02:20:34,480 --> 02:20:37,600
Speaker 1: Did that, But I did that was crazy because if

2905
02:20:37,920 --> 02:20:38,520
Speaker 1: I want to tell you.

2906
02:20:38,600 --> 02:20:41,280
Speaker 5: Like this, when we did L A l A.

2907
02:20:43,000 --> 02:20:45,000
Speaker 3: As the answer to New York, New York, this is

2908
02:20:45,080 --> 02:20:47,000
Speaker 3: the answer to the New York, New York. I drink that.

2909
02:20:50,280 --> 02:20:53,520
Speaker 5: The only verse that even sounded remotely because we didn't

2910
02:20:53,560 --> 02:20:54,040
Speaker 5: sound like this.

2911
02:20:54,280 --> 02:20:54,800
Speaker 4: It wasn't this.

2912
02:20:55,000 --> 02:20:56,240
Speaker 3: It was just it was like this.

2913
02:20:56,520 --> 02:20:58,560
Speaker 5: I was like New York, New York, l A, l A.

2914
02:20:58,720 --> 02:21:01,400
Speaker 1: But what I try to tell you is odgy was

2915
02:21:02,000 --> 02:21:05,960
Speaker 1: his verse was the only verse that's referred to l A.

2916
02:21:06,080 --> 02:21:08,000
Speaker 5: Like none of us said l A. And he said

2917
02:21:08,360 --> 02:21:10,400
Speaker 5: the intro and the intro no, no, no, We just

2918
02:21:10,560 --> 02:21:13,040
Speaker 5: copied them back because they like it was like it

2919
02:21:13,160 --> 02:21:14,080
Speaker 5: was like, what's up, what's up?

2920
02:21:14,720 --> 02:21:15,840
Speaker 3: What's up? What's up?

2921
02:21:21,040 --> 02:21:23,480
Speaker 1: So there was nothing on this, but Prodigy said JFK

2922
02:21:23,680 --> 02:21:27,640
Speaker 1: on our way to l A. And by the time

2923
02:21:27,720 --> 02:21:31,160
Speaker 1: the record came out, Prodigy took the worst off and

2924
02:21:31,280 --> 02:21:32,560
Speaker 1: he said he didn't want to be a part of

2925
02:21:32,640 --> 02:21:34,520
Speaker 1: the record. And then when he didn't want to be

2926
02:21:34,560 --> 02:21:35,959
Speaker 1: a part of the record, that's we hit him up

2927
02:21:36,000 --> 02:21:37,440
Speaker 1: came out and he was like, I want to be

2928
02:21:37,480 --> 02:21:38,320
Speaker 1: a part of the record again.

2929
02:21:39,959 --> 02:21:44,360
Speaker 5: But it was it was that too much. Was the

2930
02:21:44,480 --> 02:21:47,400
Speaker 5: only one who took his verse off. Man, he was

2931
02:21:47,480 --> 02:21:51,360
Speaker 5: the only one that actually attacked think about it, because

2932
02:21:51,840 --> 02:21:56,240
Speaker 5: but pack is hearing the original version. If I would

2933
02:21:56,240 --> 02:21:57,880
Speaker 5: have waited it too much that we have now that

2934
02:21:57,959 --> 02:22:02,200
Speaker 5: did you lost some translation would have never been they

2935
02:22:02,200 --> 02:22:03,640
Speaker 5: would have been hit them up, but it wouldn't have

2936
02:22:03,680 --> 02:22:06,400
Speaker 5: been disinvolved deep and it wouldn't have been dising nona.

2937
02:22:06,560 --> 02:22:06,680
Speaker 2: Ye.

2938
02:22:06,879 --> 02:22:09,800
Speaker 1: Yes, wouldn't be got fixed before the album came up.

2939
02:22:10,320 --> 02:22:13,240
Speaker 5: Yes, yes, yeah. You know what I'm saying.

2940
02:22:13,280 --> 02:22:15,840
Speaker 1: That's too much span and we're talking about That's why.

2941
02:22:16,959 --> 02:22:18,760
Speaker 1: That's why I love your answer when I say analog

2942
02:22:18,840 --> 02:22:23,280
Speaker 1: and digital, because I love analog for when it comes

2943
02:22:23,320 --> 02:22:25,320
Speaker 1: to music, when it's coming in like in time, like

2944
02:22:25,520 --> 02:22:28,240
Speaker 1: like if us doing a record, like if I get

2945
02:22:28,280 --> 02:22:29,760
Speaker 1: a DJ quick beat, I.

2946
02:22:29,760 --> 02:22:31,560
Speaker 5: Want to be a studio. You know what I'm saying.

2947
02:22:31,959 --> 02:22:34,840
Speaker 5: But then I like, I like analog because sometimes you

2948
02:22:34,920 --> 02:22:37,080
Speaker 5: gotta fix some ship or digital.

2949
02:22:38,480 --> 02:22:41,520
Speaker 1: Excuse because sometimes you gotta fix some ship in real time.

2950
02:22:42,080 --> 02:22:44,120
Speaker 1: So yeah, that's the funniest ship in the world. That's

2951
02:22:44,160 --> 02:22:47,000
Speaker 1: what made the beef with with Dodd, and it's real

2952
02:22:47,120 --> 02:22:51,480
Speaker 1: time utilizing the strategy.

2953
02:22:53,560 --> 02:22:55,720
Speaker 5: Is coming out. I ain't gonna lie of different they

2954
02:22:55,760 --> 02:22:57,840
Speaker 5: were kings of the Internet, because I ain't gonna lie

2955
02:22:57,840 --> 02:22:57,920
Speaker 5: to you.

2956
02:22:58,000 --> 02:23:01,080
Speaker 1: I was waking up every morning going downstair. I live

2957
02:23:01,120 --> 02:23:02,800
Speaker 1: on a beachy that this doesn't matter, but I go

2958
02:23:02,879 --> 02:23:05,240
Speaker 1: downstairs and I was drinking my little coffee.

2959
02:23:04,959 --> 02:23:06,840
Speaker 5: And I'm like, which one has dropped the record down and.

2960
02:23:06,879 --> 02:23:09,279
Speaker 1: Then we get downstairs by myself and just drinking coffee

2961
02:23:09,280 --> 02:23:10,080
Speaker 1: and everybody.

2962
02:23:09,800 --> 02:23:12,200
Speaker 6: Responding on Twitter in real time, the fans of the

2963
02:23:12,440 --> 02:23:16,480
Speaker 6: people involved, like that's like it was mixtapes and it

2964
02:23:16,600 --> 02:23:18,759
Speaker 6: was yet to respond on a magazine.

2965
02:23:19,000 --> 02:23:22,800
Speaker 5: To record it, to get it mixed. Both of them

2966
02:23:22,800 --> 02:23:24,560
Speaker 5: are King Internet. So that's the reason why.

2967
02:23:24,920 --> 02:23:26,200
Speaker 1: I mean, I don't know if that was a word,

2968
02:23:26,400 --> 02:23:29,280
Speaker 1: but yeah, but like they knew how to use the Internet.

2969
02:23:29,400 --> 02:23:31,640
Speaker 5: So that's it was, like I said, this was the

2970
02:23:31,680 --> 02:23:33,760
Speaker 5: biggest rap battle. You corrected me.

2971
02:23:33,879 --> 02:23:36,039
Speaker 3: I said, King Internet.

2972
02:23:36,160 --> 02:23:38,680
Speaker 1: We mean rap beat like a rap batrap. We don't

2973
02:23:38,720 --> 02:23:41,520
Speaker 1: mean beat back on the street beat. And I've never

2974
02:23:41,680 --> 02:23:45,000
Speaker 1: been anywhere in the world. And everyone was talking about

2975
02:23:45,000 --> 02:23:45,320
Speaker 1: that ship.

2976
02:23:45,480 --> 02:23:49,000
Speaker 6: But but but we got to go back to you

2977
02:23:49,160 --> 02:23:50,720
Speaker 6: and m C eight. But I think is so dope

2978
02:23:50,840 --> 02:23:54,160
Speaker 6: is that it was actually a real problem at one point.

2979
02:23:54,560 --> 02:23:56,120
Speaker 6: And the most beautiful thing is that you guys are

2980
02:23:56,120 --> 02:23:58,959
Speaker 6: both friends today and I think that's amazing and thank

2981
02:23:59,000 --> 02:23:59,480
Speaker 6: God for that.

2982
02:23:59,600 --> 02:23:59,720
Speaker 4: Man.

2983
02:24:00,680 --> 02:24:08,640
Speaker 1: Right, Let's we all pray for Kendrick Lamar and Drakes

2984
02:24:08,920 --> 02:24:11,240
Speaker 1: and Drake right now, things and like that as well,

2985
02:24:11,800 --> 02:24:14,080
Speaker 1: you know what I'm saying, Like I think the great

2986
02:24:14,160 --> 02:24:17,080
Speaker 1: greatest moment hip hop and seeing him and mc et

2987
02:24:17,640 --> 02:24:21,199
Speaker 1: together great moments and hip hop, seeing you know, common

2988
02:24:21,280 --> 02:24:22,560
Speaker 1: sense and we don't know.

2989
02:24:22,600 --> 02:24:25,240
Speaker 5: There's different times, different ways of this all this.

2990
02:24:25,360 --> 02:24:29,000
Speaker 2: Nigger got a lyric on our record? Okay, cool, we

2991
02:24:29,080 --> 02:24:33,080
Speaker 2: got a record, a lyric on a troop of copper? Okay, shocky?

2992
02:24:33,200 --> 02:24:36,680
Speaker 2: What's uh talk about? Independently speaking?

2993
02:24:36,760 --> 02:24:42,600
Speaker 5: And because the right all the time, see each other

2994
02:24:42,800 --> 02:24:43,480
Speaker 5: is still alive.

2995
02:24:43,520 --> 02:24:48,480
Speaker 2: Start pretending with beef and plucky the way each other

2996
02:24:48,600 --> 02:24:50,240
Speaker 2: in public, pretending.

2997
02:24:50,879 --> 02:24:53,080
Speaker 5: That's not a beef. But we don't lost too many

2998
02:24:53,120 --> 02:24:53,800
Speaker 5: people for real.

2999
02:24:53,920 --> 02:24:56,680
Speaker 3: It's like to be like ship. You know what I'm saying.

3000
02:24:56,720 --> 02:24:57,440
Speaker 3: We're just rapping.

3001
02:24:58,320 --> 02:25:01,640
Speaker 2: It ain't deep, it's not it's not posted saying we're

3002
02:25:01,680 --> 02:25:04,960
Speaker 2: not beefing. If we disagree publicly, we're not.

3003
02:25:05,280 --> 02:25:05,520
Speaker 3: We're not.

3004
02:25:06,040 --> 02:25:08,959
Speaker 2: I don't not like you personally, but I'm We're human.

3005
02:25:09,000 --> 02:25:10,520
Speaker 2: I don't have to agree with everything you do.

3006
02:25:10,760 --> 02:25:12,880
Speaker 5: Absolutely you have a beef for somebody on records, and

3007
02:25:12,920 --> 02:25:13,400
Speaker 5: the great it is.

3008
02:25:13,959 --> 02:25:16,160
Speaker 2: I mean, everybody's went through shit in this, you know

3009
02:25:16,200 --> 02:25:19,400
Speaker 2: what I'm saying, But not no, because ain't nobody died

3010
02:25:19,720 --> 02:25:22,039
Speaker 2: and I ain't send nobody after nobody, and nobody send

3011
02:25:22,080 --> 02:25:25,040
Speaker 2: nobody after me. I've been in competition since I started,

3012
02:25:25,480 --> 02:25:26,200
Speaker 2: you know what I'm saying.

3013
02:25:26,280 --> 02:25:29,160
Speaker 3: But nah, hell no, I don't do that kind of stuff.

3014
02:25:30,720 --> 02:25:32,600
Speaker 5: Do we feel we live in different times where there

3015
02:25:32,640 --> 02:25:35,360
Speaker 5: are artists they they kill you.

3016
02:25:35,680 --> 02:25:38,280
Speaker 3: I feel sorry. I ain't gonna say feel sorry. I

3017
02:25:38,720 --> 02:25:46,960
Speaker 3: just don't agree with the the the danger on that

3018
02:25:47,160 --> 02:25:49,920
Speaker 3: side of being a young artist in hip hop. I

3019
02:25:49,959 --> 02:25:53,640
Speaker 3: don't agree with the how how mortal real. It's how

3020
02:25:53,800 --> 02:25:57,199
Speaker 3: mortal it is. It's a fucking it should be fun.

3021
02:25:57,440 --> 02:26:00,120
Speaker 3: Like are you not having fun in the form in

3022
02:26:00,200 --> 02:26:03,200
Speaker 3: the years of your life? Like what's just like the

3023
02:26:03,240 --> 02:26:06,240
Speaker 3: little kids that just got shot live? I can't here

3024
02:26:06,240 --> 02:26:09,400
Speaker 3: in Florida, I'm not that's some bullshit. Like I got

3025
02:26:09,520 --> 02:26:13,200
Speaker 3: kids right now that want to be they're young and

3026
02:26:13,280 --> 02:26:15,400
Speaker 3: they want to die their hair like x x xiden

3027
02:26:15,640 --> 02:26:17,320
Speaker 3: owned hear me?

3028
02:26:18,360 --> 02:26:20,920
Speaker 5: Little kids like that, don't they want to relate to that.

3029
02:26:21,160 --> 02:26:24,800
Speaker 5: They want o g almost because that's because.

3030
02:26:24,840 --> 02:26:27,120
Speaker 2: To them, that's what they want to be. Like Like,

3031
02:26:27,480 --> 02:26:30,320
Speaker 2: so you know, how do you martyr a hip hop artist?

3032
02:26:30,400 --> 02:26:33,000
Speaker 2: Like stop that ship? That should never happened. So that's

3033
02:26:33,360 --> 02:26:35,240
Speaker 2: for him too, bro, Like he was the first, like

3034
02:26:35,680 --> 02:26:39,600
Speaker 2: red Flag guys like industry wide, he went.

3035
02:26:39,480 --> 02:26:41,920
Speaker 5: Through a whole lot of ship. You know what I'm

3036
02:26:41,959 --> 02:26:42,600
Speaker 5: saying as far.

3037
02:26:42,520 --> 02:26:46,200
Speaker 3: I don't have PTSD, not ship, it's just what it is, man.

3038
02:26:46,240 --> 02:26:49,199
Speaker 3: I mean, I'm you know, I wanted to be ems

3039
02:26:49,280 --> 02:26:52,280
Speaker 3: for Christ's six, So I see. It's such another way.

3040
02:26:52,320 --> 02:26:55,680
Speaker 5: You think social media that it's in real time and

3041
02:26:55,800 --> 02:26:58,080
Speaker 5: that's are you kidding?

3042
02:26:58,320 --> 02:27:01,240
Speaker 3: Like that's that's the drop a dot and send your

3043
02:27:01,280 --> 02:27:02,360
Speaker 3: location so we can scrap.

3044
02:27:02,480 --> 02:27:04,320
Speaker 5: That gives you too much time to do something negative.

3045
02:27:04,320 --> 02:27:07,360
Speaker 3: It's like that's not right, you know, And why this

3046
02:27:07,480 --> 02:27:10,160
Speaker 3: have to be the most mortal business that there is

3047
02:27:10,280 --> 02:27:13,240
Speaker 3: when you know it's more dangerous than being a fucking

3048
02:27:13,480 --> 02:27:17,120
Speaker 3: like a skyscraper builder, you know, motherfucker walking fucking I beams.

3049
02:27:17,200 --> 02:27:19,200
Speaker 3: Just how can it be more dangerous than that when

3050
02:27:19,200 --> 02:27:23,879
Speaker 3: it's a fun game. Exactly just music, Bro's just jams,

3051
02:27:23,959 --> 02:27:26,280
Speaker 3: like exactly, make the party song, don't do the new

3052
02:27:26,360 --> 02:27:29,200
Speaker 3: fifty cent this record and y'all let me put them up.

3053
02:27:29,440 --> 02:27:30,960
Speaker 3: I'm a share this and I hope you all take

3054
02:27:31,000 --> 02:27:33,960
Speaker 3: it to the young people out here and should the

3055
02:27:34,000 --> 02:27:37,360
Speaker 3: camera directly if you want to be like an artist

3056
02:27:37,440 --> 02:27:41,560
Speaker 3: in this music business and you want a nickname, don't

3057
02:27:41,640 --> 02:27:44,040
Speaker 3: do like us. Don't put the word gangster in your

3058
02:27:44,120 --> 02:27:46,360
Speaker 3: name because you're gonna have to answer to that.

3059
02:27:46,440 --> 02:27:50,400
Speaker 5: Ship by the Street might not make it too long,

3060
02:27:51,120 --> 02:27:51,840
Speaker 5: So don't don't.

3061
02:27:51,879 --> 02:27:55,120
Speaker 3: Don't give yourself stupid nicknames like you know young did

3062
02:27:55,200 --> 02:27:56,880
Speaker 3: one on one like you know what I'm saying like,

3063
02:27:57,400 --> 02:27:59,720
Speaker 3: because it's gonna end up happening. Words become things. So

3064
02:28:00,240 --> 02:28:03,600
Speaker 3: pick your all nicknames wisely and rock out. I'm DJ

3065
02:28:03,800 --> 02:28:08,280
Speaker 3: Quick It's a good nickname. Jason Martin artist. Be an

3066
02:28:08,360 --> 02:28:11,120
Speaker 3: artist for sure, But don't dish your homeboys, don't dis

3067
02:28:11,200 --> 02:28:14,760
Speaker 3: the hood, don't put a dot on yourself. Don't become

3068
02:28:14,800 --> 02:28:19,200
Speaker 3: a targets. That's it's counterintuitive. You want to live as

3069
02:28:19,280 --> 02:28:21,240
Speaker 3: long as you want to be old. We ain't trendy,

3070
02:28:21,320 --> 02:28:23,200
Speaker 3: but I'm old. Yeah, but you want to be able

3071
02:28:23,240 --> 02:28:25,520
Speaker 3: to say that you got old too. That's how that works.

3072
02:28:27,240 --> 02:28:33,320
Speaker 3: Stall that was all.

3073
02:28:33,800 --> 02:28:36,480
Speaker 5: I'm still on quick song. Yes we are slow time

3074
02:28:36,520 --> 02:28:39,840
Speaker 5: with Slime. That's beautiful. I love it. We got the

3075
02:28:39,959 --> 02:28:40,720
Speaker 5: luxury right.

3076
02:28:41,160 --> 02:28:43,800
Speaker 2: Oh ship brother fu they send it.

3077
02:28:45,000 --> 02:28:48,680
Speaker 3: It's my motherfucker eyes sight is going all right?

3078
02:28:49,000 --> 02:28:49,760
Speaker 5: Did we do NPC?

3079
02:28:49,959 --> 02:28:50,119
Speaker 6: Yet?

3080
02:28:52,000 --> 02:28:59,760
Speaker 5: We did it? NPC? Three thousand X or MPC three thousand, Yes, yeah,

3081
02:29:02,040 --> 02:29:05,560
Speaker 5: two thousand, that's so yeah two thousand.

3082
02:29:05,920 --> 02:29:07,680
Speaker 3: Uh, it's like.

3083
02:29:09,520 --> 02:29:11,240
Speaker 5: The next one up is just it's kind of too

3084
02:29:11,280 --> 02:29:11,840
Speaker 5: many options.

3085
02:29:11,879 --> 02:29:13,800
Speaker 2: It takes away from when you actually get protuns and

3086
02:29:13,800 --> 02:29:16,360
Speaker 2: you can't funk around too much. It's like when you're

3087
02:29:16,400 --> 02:29:18,040
Speaker 2: touching the path you want to be at a like,

3088
02:29:18,640 --> 02:29:20,760
Speaker 2: it's something about the real time on the touch that's

3089
02:29:20,760 --> 02:29:23,440
Speaker 2: still there in the two thousand that's not there in

3090
02:29:23,520 --> 02:29:24,160
Speaker 2: the one after that.

3091
02:29:24,800 --> 02:29:26,480
Speaker 5: Like I like that joint that dam use, I don't

3092
02:29:26,480 --> 02:29:26,960
Speaker 5: know what that is.

3093
02:29:27,440 --> 02:29:28,840
Speaker 3: That's a lie. That's the NPC.

3094
02:29:29,280 --> 02:29:30,600
Speaker 5: Yeah, that's probably the closest.

3095
02:29:30,640 --> 02:29:32,879
Speaker 2: But if you like really a doubt in in the NPC,

3096
02:29:33,480 --> 02:29:38,280
Speaker 2: it's something about that one that still kind of holds. Yeah,

3097
02:29:38,480 --> 02:29:40,720
Speaker 2: Like yeah, cat he still pull that joint out. Like

3098
02:29:40,800 --> 02:29:42,880
Speaker 2: the ones that like really know how to like touch it,

3099
02:29:44,440 --> 02:29:46,120
Speaker 2: they ain't mimic that right there yet, you know what

3100
02:29:46,120 --> 02:29:49,320
Speaker 2: I'm saying. That was the last one good I heard that.

3101
02:29:49,879 --> 02:29:51,000
Speaker 5: It's my turn here.

3102
02:29:51,840 --> 02:29:55,680
Speaker 3: Shout out to Jackie o'donnald CEO of a Kai Electronics.

3103
02:29:59,120 --> 02:30:02,560
Speaker 3: Ind it's always class. That's why you just sitting list and.

3104
02:30:02,640 --> 02:30:03,440
Speaker 5: Get the message.

3105
02:30:04,560 --> 02:30:11,080
Speaker 3: Yo, shout out to doctor Roger Lynn oh shit, for

3106
02:30:11,280 --> 02:30:15,119
Speaker 3: making the NPC three thousand. Shout out to Jackie o'donald

3107
02:30:15,440 --> 02:30:21,840
Speaker 3: for letting me help design the NPC Renaissance. I was

3108
02:30:21,879 --> 02:30:24,279
Speaker 3: a part of the beta testing team for that machine.

3109
02:30:24,920 --> 02:30:27,959
Speaker 3: So it was Teddy Riley we helped build the Renaissance,

3110
02:30:28,120 --> 02:30:30,920
Speaker 3: and we wanted it to be just like the NPC

3111
02:30:31,080 --> 02:30:34,039
Speaker 3: three thousand, because it already was a two thousand, because

3112
02:30:34,080 --> 02:30:36,280
Speaker 3: it was digital well as we say, it was a

3113
02:30:36,400 --> 02:30:39,320
Speaker 3: sound card. You couldn't put anything, and it wasn't stand alone.

3114
02:30:39,760 --> 02:30:42,440
Speaker 3: And we also made it sound like the SE twelve hundred,

3115
02:30:42,720 --> 02:30:45,680
Speaker 3: the pushbow button, and it had real time cues like

3116
02:30:46,280 --> 02:30:48,480
Speaker 3: you can do all your edits just right on the

3117
02:30:48,520 --> 02:30:52,040
Speaker 3: fly time stretching already, and now you can upgrade it

3118
02:30:52,120 --> 02:30:53,080
Speaker 3: to stems if you want.

3119
02:30:53,680 --> 02:30:56,920
Speaker 5: But the three thousand, I whoop.

3120
02:30:56,720 --> 02:30:59,320
Speaker 3: Niggas ask in the dark with that motherfucker, I mean

3121
02:30:59,680 --> 02:31:02,680
Speaker 3: in the club came off that motherfucker safe in sound

3122
02:31:02,920 --> 02:31:07,520
Speaker 3: way too funky, All eyes on me, fucking Janet Jackson's record,

3123
02:31:07,800 --> 02:31:13,840
Speaker 3: fucking oh my god, Donard's is this fucking wait?

3124
02:31:14,240 --> 02:31:21,440
Speaker 5: Hold on, Whitney Houston, Devik Cox, Tony, Tony, Tony, Let's.

3125
02:31:21,240 --> 02:31:26,640
Speaker 3: Get down r Kelly home Along, hold on, hold on,

3126
02:31:26,760 --> 02:31:29,360
Speaker 3: There's more, and wait, there's more, there's more.

3127
02:31:30,080 --> 02:31:33,840
Speaker 5: Oh my god, Sugar Freeze album.

3128
02:31:34,360 --> 02:31:36,360
Speaker 3: Uh, the thing I did for Jermaine Dupree on the

3129
02:31:36,400 --> 02:31:38,200
Speaker 3: fucking Life of fourteen seventy one album.

3130
02:31:39,400 --> 02:31:44,000
Speaker 5: God damn it, all these what else.

3131
02:31:46,680 --> 02:31:53,880
Speaker 3: Fucking Snoop Dogg, Warren G moss Burg, fucking all the

3132
02:31:54,000 --> 02:31:59,040
Speaker 3: soundtrack ships, all the fucking what I do? How to

3133
02:31:59,080 --> 02:32:02,800
Speaker 3: be a player minister Society? All that ship came off

3134
02:32:02,800 --> 02:32:07,400
Speaker 3: the dumbass drum machine, bro Renaissance, the three thousand. The

3135
02:32:07,440 --> 02:32:10,920
Speaker 3: Renaissance is the one design. The Renaissance is like, what

3136
02:32:11,120 --> 02:32:16,560
Speaker 3: was your first machine? It was a six oh six

3137
02:32:16,680 --> 02:32:20,600
Speaker 3: two R six oh six by Rolling Boat. What's their

3138
02:32:20,600 --> 02:32:26,080
Speaker 3: little subsidiary name, the little Boss Boss? I had a

3139
02:32:26,120 --> 02:32:29,400
Speaker 3: Boss t R six oh six in nineteen eighty five. Nope,

3140
02:32:29,560 --> 02:32:32,840
Speaker 3: but I also had access to a Lendrom. Uh, the

3141
02:32:32,920 --> 02:32:35,440
Speaker 3: same one that Press used in nineteen ninety four at

3142
02:32:35,480 --> 02:32:36,440
Speaker 3: the studio in Hollywood.

3143
02:32:36,520 --> 02:32:42,600
Speaker 5: In nineteen eighty four, studio in Hollywood. What is itv

3144
02:32:42,879 --> 02:32:44,200
Speaker 5: or nev or Avalon?

3145
02:32:45,600 --> 02:32:50,359
Speaker 3: You just asked, yeah, yeah, nev Well, I had Avalon

3146
02:32:50,400 --> 02:32:53,000
Speaker 3: BT seven thirty seven s P and they they're dope.

3147
02:32:53,080 --> 02:32:55,240
Speaker 3: They just the chows go out and they're kind of

3148
02:32:55,360 --> 02:32:59,200
Speaker 3: sometimes fussy to get choose for him, Neive Rupert Neve

3149
02:32:59,360 --> 02:33:01,320
Speaker 3: was on the greatest electronic designers ever.

3150
02:33:01,440 --> 02:33:01,520
Speaker 6: Bro.

3151
02:33:02,160 --> 02:33:04,720
Speaker 3: His slew rates on his motherfucking ns in seventy three

3152
02:33:04,800 --> 02:33:08,720
Speaker 3: yard to be admired. He's the reason that Nirvana's records sound.

3153
02:33:08,600 --> 02:33:09,680
Speaker 5: Like that forever in the day.

3154
02:33:10,120 --> 02:33:12,600
Speaker 3: Neve is the ship, and that's the preamp set we

3155
02:33:12,760 --> 02:33:16,080
Speaker 3: use for this Trooper Cobo album. I used eve Wow

3156
02:33:17,400 --> 02:33:22,280
Speaker 3: before digital Art, before the Apollo, before the interface. I

3157
02:33:22,400 --> 02:33:24,439
Speaker 3: used it before that, Like I get the sound outside

3158
02:33:25,400 --> 02:33:29,000
Speaker 3: and it's a fucking IO one focus right. Preamp is

3159
02:33:29,360 --> 02:33:33,480
Speaker 3: a fucking Celine Dion. Need that motherfucker she stopped being

3160
02:33:33,520 --> 02:33:34,360
Speaker 3: stiff on that bitch.

3161
02:33:38,160 --> 02:33:38,200
Speaker 6: What.

3162
02:33:38,600 --> 02:33:39,800
Speaker 3: I wasn't a joker.

3163
02:33:40,879 --> 02:33:44,480
Speaker 5: Producing and rapping both, y'all. I asked him that. Yeah,

3164
02:33:45,000 --> 02:33:47,200
Speaker 5: I didn't ask you that. I don't think you answered it.

3165
02:33:47,280 --> 02:33:49,320
Speaker 3: I asked him that already, because you are a producer, Bro,

3166
02:33:49,400 --> 02:33:56,640
Speaker 3: and we need you as a producer, so bang, go ahead, bang, Like.

3167
02:33:57,360 --> 02:34:01,320
Speaker 2: I started as a producer, But I don't know, man,

3168
02:34:01,360 --> 02:34:02,920
Speaker 2: It's something about that stage, Bro.

3169
02:34:04,200 --> 02:34:09,000
Speaker 11: It's intoxicated about he was gonna say producer and it

3170
02:34:09,120 --> 02:34:12,320
Speaker 11: almost stay rapper because I think because like, if I

3171
02:34:12,400 --> 02:34:14,840
Speaker 11: can be a rapper, why he produces, I can be

3172
02:34:14,959 --> 02:34:16,600
Speaker 11: my best version of a rapper.

3173
02:34:17,200 --> 02:34:19,760
Speaker 2: Like if I'm just if I'm a rapper and the

3174
02:34:19,879 --> 02:34:23,439
Speaker 2: producer isn't producing me, then I have to become the producer.

3175
02:34:23,760 --> 02:34:26,080
Speaker 5: Then I can't be my best version of a rapper.

3176
02:34:26,959 --> 02:34:27,640
Speaker 3: You know what I'm saying.

3177
02:34:27,760 --> 02:34:31,000
Speaker 2: Like, so this project Rose Krantz is where I sound

3178
02:34:31,080 --> 02:34:34,600
Speaker 2: the best in my whole career because I didn't have

3179
02:34:34,720 --> 02:34:38,600
Speaker 2: to like like I think, push like to I.

3180
02:34:38,600 --> 02:34:39,240
Speaker 3: Gotta make the beat.

3181
02:34:39,240 --> 02:34:40,000
Speaker 5: I gotta mix the beat.

3182
02:34:40,040 --> 02:34:42,080
Speaker 2: I gotta think of how the video gonna look, what

3183
02:34:42,120 --> 02:34:44,280
Speaker 2: I'm gonna wear, all of this ship that you have

3184
02:34:44,400 --> 02:34:47,320
Speaker 2: to do when you are independent artist. So with this

3185
02:34:47,720 --> 02:34:49,640
Speaker 2: I can literally just be like all right, he can

3186
02:34:49,720 --> 02:34:51,040
Speaker 2: eat forty and just tell me where to go.

3187
02:34:53,520 --> 02:34:54,840
Speaker 5: I'm my best in that.

3188
02:34:55,120 --> 02:35:00,200
Speaker 2: So I would say rapper or rapper for sure got

3189
02:35:00,200 --> 02:35:02,440
Speaker 2: in New York. Well then if you're gonna do that

3190
02:35:02,959 --> 02:35:04,800
Speaker 2: right here on drink chance was just the starting the

3191
02:35:04,879 --> 02:35:06,640
Speaker 2: group one d m C.

3192
02:35:09,240 --> 02:35:09,640
Speaker 3: I love it.

3193
02:35:09,760 --> 02:35:18,760
Speaker 5: This nigga right here, how did you come up with you?

3194
02:35:18,879 --> 02:35:24,360
Speaker 5: For Cobra? This guy that's just finished, so shout out

3195
02:35:24,440 --> 02:35:27,760
Speaker 5: to good luck forming on his bad luck.

3196
02:35:28,440 --> 02:35:30,960
Speaker 2: My partner Ron, we used to just play around like

3197
02:35:31,040 --> 02:35:33,240
Speaker 2: we'll be riding on road trips or whatever. I be like, yeah,

3198
02:35:33,240 --> 02:35:38,320
Speaker 2: I've seen four tube of covers in my life. To him,

3199
02:35:39,320 --> 02:35:41,280
Speaker 2: he was like, man, shot the funk. I'm like, yeah,

3200
02:35:41,280 --> 02:35:41,680
Speaker 2: he time you.

3201
02:35:41,680 --> 02:35:43,800
Speaker 5: Go down and dry day, like right here and right here.

3202
02:35:44,320 --> 02:35:47,720
Speaker 5: So that was just a joke in l A. Right,

3203
02:35:47,800 --> 02:35:50,840
Speaker 5: it was a joke. We're going through. I've heard of

3204
02:35:51,240 --> 02:35:55,920
Speaker 5: gablas in places, but I don't know l A popular one.

3205
02:35:56,320 --> 02:35:59,680
Speaker 2: I say, what it did was make He went and

3206
02:35:59,720 --> 02:36:01,520
Speaker 2: did his homework on what it was, and then I

3207
02:36:01,680 --> 02:36:04,040
Speaker 2: told him so I always just like, man, I should

3208
02:36:04,120 --> 02:36:07,320
Speaker 2: call something that either a shirt, some like a beverage

3209
02:36:07,520 --> 02:36:09,600
Speaker 2: or whatever. We just had the name wrote down. So

3210
02:36:09,720 --> 02:36:12,600
Speaker 2: then when we were doing the project, bro, what the

3211
02:36:12,800 --> 02:36:14,160
Speaker 2: we're gonna call this ship? You know what I'm saying.

3212
02:36:14,200 --> 02:36:17,600
Speaker 2: So I'm thinking, I'm like, oh, the one thing that

3213
02:36:17,720 --> 02:36:18,959
Speaker 2: all the goats are afraid of.

3214
02:36:20,400 --> 02:36:29,440
Speaker 5: The ghost, they also the cows and all that other.

3215
02:36:33,080 --> 02:36:36,720
Speaker 3: So so it was more so like again like we've

3216
02:36:36,800 --> 02:36:38,039
Speaker 3: been like the guys that.

3217
02:36:39,560 --> 02:36:41,720
Speaker 2: Been in the studio that handles the tech part of it,

3218
02:36:41,879 --> 02:36:44,199
Speaker 2: are the other stuff of it. You know what I'm saying,

3219
02:36:44,240 --> 02:36:46,520
Speaker 2: The idea handles the you know what I'm saying that

3220
02:36:47,160 --> 02:36:51,480
Speaker 2: the the thought leaders with other people. So it's like, well,

3221
02:36:51,840 --> 02:36:54,200
Speaker 2: it's like, well, ship man, let's get all the trouper

3222
02:36:54,240 --> 02:36:56,560
Speaker 2: covers together and like let's just put out a project.

3223
02:36:58,400 --> 02:37:00,200
Speaker 5: So this is no slight to like who you your

3224
02:37:00,240 --> 02:37:02,560
Speaker 5: goat is. But that was the play of it.

3225
02:37:04,040 --> 02:37:06,800
Speaker 2: The one guys that all the goals are very aware

3226
02:37:06,879 --> 02:37:10,000
Speaker 2: of when it comes to that studio, and I think

3227
02:37:10,400 --> 02:37:14,760
Speaker 2: that's where we like bonded at, you know what I'm saying.

3228
02:37:14,879 --> 02:37:16,600
Speaker 5: So that that was it, and it was like, you know,

3229
02:37:16,680 --> 02:37:19,600
Speaker 5: get with it's cruel, it's kind of like branded out.

3230
02:37:20,240 --> 02:37:21,520
Speaker 2: But yeah, that.

3231
02:37:23,600 --> 02:37:27,880
Speaker 5: Was a great breaking. I never thought that ethern Okay,

3232
02:37:28,040 --> 02:37:36,280
Speaker 5: I thought it was because quick being Dominican public, the

3233
02:37:36,480 --> 02:37:37,879
Speaker 5: fucking candle.

3234
02:37:40,320 --> 02:37:46,760
Speaker 1: Want holy ship. Okay, you know what we're gonna show this.

3235
02:37:48,360 --> 02:37:49,960
Speaker 1: This is for both of y'all. This is what we

3236
02:37:50,120 --> 02:37:53,000
Speaker 1: asked to everybody. And I'm not going to leave the witness,

3237
02:37:53,800 --> 02:37:55,720
Speaker 1: leave the witness. Loyalty or respect.

3238
02:37:59,080 --> 02:38:07,880
Speaker 3: Wow, well on mine, I haven't been devoid of loyalty.

3239
02:38:08,440 --> 02:38:13,720
Speaker 3: I want my respect. Loyalty is fleeting both can change

3240
02:38:13,720 --> 02:38:16,360
Speaker 3: over you overnight, even though you ain't get up to

3241
02:38:17,800 --> 02:38:19,800
Speaker 3: be putting a different pair of pants on because somebody

3242
02:38:19,920 --> 02:38:23,760
Speaker 3: sold you out. Respect me, I got mine on all

3243
02:38:23,840 --> 02:38:24,880
Speaker 3: you suckers, right.

3244
02:38:27,040 --> 02:38:29,840
Speaker 2: My thing is like, if you respect me, you loyal

3245
02:38:29,959 --> 02:38:32,520
Speaker 2: to me, and if you love to me, it's because

3246
02:38:32,560 --> 02:38:35,840
Speaker 2: you respect me. So they kind of go hand in hand.

3247
02:38:37,400 --> 02:38:40,039
Speaker 2: I think one without the others still fake.

3248
02:38:41,120 --> 02:38:43,240
Speaker 5: I agree with you, I don't. I don't really, I

3249
02:38:43,320 --> 02:38:43,600
Speaker 5: don't know.

3250
02:38:43,760 --> 02:38:44,280
Speaker 3: You know what I'm saying.

3251
02:38:44,280 --> 02:38:46,560
Speaker 2: Those are kind of like them are kissing cousins. At

3252
02:38:46,600 --> 02:38:49,360
Speaker 2: the end of the day, they got it. They both

3253
02:38:49,400 --> 02:38:51,240
Speaker 2: got to be there or I'm shripping.

3254
02:38:51,440 --> 02:38:54,680
Speaker 5: I'm taking a shot for that exactly how we always

3255
02:38:54,720 --> 02:38:57,520
Speaker 5: want both. We always want both on that one. Well,

3256
02:38:58,320 --> 02:38:59,400
Speaker 5: why we gotta choose.

3257
02:39:03,840 --> 02:39:10,480
Speaker 3: Yu ching up? Yeah, I'm scared of this.

3258
02:39:10,560 --> 02:39:12,920
Speaker 5: Hash joint more bro Oh yeah, I hate it.

3259
02:39:13,000 --> 02:39:14,840
Speaker 3: And I'm like, oh, okay, we're not playing.

3260
02:39:15,440 --> 02:39:18,879
Speaker 5: Let's talk about you better better watch yourself.

3261
02:39:20,240 --> 02:39:20,520
Speaker 3: Hard.

3262
02:39:20,879 --> 02:39:21,160
Speaker 5: What's that.

3263
02:39:23,240 --> 02:39:23,920
Speaker 14: That dead?

3264
02:39:24,360 --> 02:39:26,680
Speaker 1: Let's talk about what was going through your mind, what

3265
02:39:26,800 --> 02:39:28,600
Speaker 1: you're doing to make that man?

3266
02:39:28,680 --> 02:39:33,160
Speaker 2: At the time, my career was in this crazy spot.

3267
02:39:33,600 --> 02:39:36,400
Speaker 2: I'm like, okay, I got to draw the line. Somewhere

3268
02:39:36,840 --> 02:39:38,160
Speaker 2: and just kind of let people know, you know what

3269
02:39:38,160 --> 02:39:40,160
Speaker 2: I'm saying, just watch yourself when it comes to when

3270
02:39:40,160 --> 02:39:42,840
Speaker 2: you're speaking on me, talking about me or talking for me.

3271
02:39:44,600 --> 02:39:48,000
Speaker 2: And then I wanted to like show that my beat

3272
02:39:48,040 --> 02:39:49,640
Speaker 2: making skills were up to part two.

3273
02:39:50,840 --> 02:39:52,960
Speaker 5: So you know, I want to be one hundred on

3274
02:39:53,040 --> 02:39:54,279
Speaker 5: this whole thing reading.

3275
02:39:54,120 --> 02:39:54,960
Speaker 3: Produced by me.

3276
02:39:55,160 --> 02:39:57,840
Speaker 2: So I'm just in the studio one day, banging out.

3277
02:39:57,879 --> 02:40:01,360
Speaker 2: And that was just the attitude I was on, like, bro, man,

3278
02:40:01,480 --> 02:40:04,600
Speaker 2: I am not playing. Just watch yourself when it comes

3279
02:40:04,640 --> 02:40:07,080
Speaker 2: to all of that, just so it don't tiptoe into

3280
02:40:07,160 --> 02:40:09,920
Speaker 2: some places it could be m So that was the message.

3281
02:40:10,440 --> 02:40:14,280
Speaker 3: Yeah, talk about those girls. When you produced it for

3282
02:40:14,360 --> 02:40:17,560
Speaker 3: Snoop Man, that shit was fun. That was Teddy Riley,

3283
02:40:18,800 --> 02:40:24,280
Speaker 3: myself and uh my uh bass player. His name is

3284
02:40:24,400 --> 02:40:28,600
Speaker 3: COMS co producer Teddy Eric Coombs. Yeah, we did that

3285
02:40:28,720 --> 02:40:31,880
Speaker 3: together for Ego Tripping Wow, and uh Teddy was just

3286
02:40:31,959 --> 02:40:34,600
Speaker 3: in there. Teddy and man, it's like he's such ab

3287
02:40:35,120 --> 02:40:38,600
Speaker 3: you don't understand this. Motherfuckers bad as fun, this nigga

3288
02:40:38,640 --> 02:40:41,600
Speaker 3: being there with all the new technology technology he had,

3289
02:40:41,680 --> 02:40:44,560
Speaker 3: like the Nicos, the little Nico keyboard where the computer

3290
02:40:44,720 --> 02:40:47,720
Speaker 3: was on it and the synthesized like the.

3291
02:40:48,160 --> 02:40:53,760
Speaker 2: Coirty keyboard thing built around him in the like it

3292
02:40:53,879 --> 02:40:56,240
Speaker 2: was like he was stepped in two.

3293
02:40:56,800 --> 02:40:58,960
Speaker 5: Yeah, live into the little podiums like it was like

3294
02:40:59,040 --> 02:41:01,560
Speaker 5: a pod. He made the look he became the machine.

3295
02:41:02,240 --> 02:41:02,400
Speaker 4: Yeah.

3296
02:41:02,440 --> 02:41:04,520
Speaker 3: He was definitely iron Man before it was popular, and

3297
02:41:04,840 --> 02:41:09,039
Speaker 3: so he he wanted we had to change the music

3298
02:41:09,120 --> 02:41:13,520
Speaker 3: because the original was a sample of nobody gets too

3299
02:41:13,560 --> 02:41:16,400
Speaker 3: Much Heaven by the Beg's you know what I mean,

3300
02:41:17,600 --> 02:41:20,119
Speaker 3: got a lot of love and sun but we couldn't

3301
02:41:20,160 --> 02:41:22,600
Speaker 3: clear it. They was like no, but they had let

3302
02:41:22,680 --> 02:41:25,400
Speaker 3: him use love you inside out. That's crazy because they

3303
02:41:25,480 --> 02:41:26,080
Speaker 3: care so much.

3304
02:41:26,120 --> 02:41:26,320
Speaker 2: Ship.

3305
02:41:27,800 --> 02:41:31,120
Speaker 3: They let him clear that one, but they in my life,

3306
02:41:31,640 --> 02:41:35,440
Speaker 3: they weren't having it. That's the baby baby, the dollar baby.

3307
02:41:35,840 --> 02:41:38,840
Speaker 5: So Snoop was like, hey, because they didn't clear the

3308
02:41:38,879 --> 02:41:40,880
Speaker 5: motherfucking sample, quick wat you'll do that ship over.

3309
02:41:41,440 --> 02:41:42,320
Speaker 3: So we just did it over.

3310
02:41:50,080 --> 02:41:52,280
Speaker 5: But we just did you know those girls, we had

3311
02:41:53,320 --> 02:41:56,360
Speaker 5: those girls. We just cut it all up. That was

3312
02:41:57,440 --> 02:42:05,240
Speaker 5: that's uh, that's Frost sign producer was Scoop to scoop

3313
02:42:06,640 --> 02:42:09,800
Speaker 5: Ego trip album was fire. You know that school? Do

3314
02:42:09,840 --> 02:42:11,720
Speaker 5: you know that Scoop on Women Wet and Weather.

3315
02:42:12,120 --> 02:42:15,119
Speaker 3: I didn't know that he's going crazy.

3316
02:42:17,600 --> 02:42:17,800
Speaker 2: We did.

3317
02:42:17,879 --> 02:42:18,480
Speaker 5: I want to rock.

3318
02:42:18,640 --> 02:42:18,840
Speaker 3: He did.

3319
02:42:19,200 --> 02:42:21,920
Speaker 5: I got a record with School. He's dope man fire.

3320
02:42:22,000 --> 02:42:22,879
Speaker 3: That's my nephew. Bro.

3321
02:42:24,000 --> 02:42:26,520
Speaker 5: He we mixed what I mixed for him. I mixed

3322
02:42:26,879 --> 02:42:27,560
Speaker 5: life for the party.

3323
02:42:28,680 --> 02:42:30,320
Speaker 3: Oh mister fab and too Short.

3324
02:42:32,120 --> 02:42:34,360
Speaker 5: Scoop we met.

3325
02:42:34,440 --> 02:42:36,520
Speaker 3: We actually bought it on Ego Tripp and that was

3326
02:42:36,680 --> 02:42:38,080
Speaker 3: our yeah, nex.

3327
02:42:38,120 --> 02:42:40,960
Speaker 5: Month hanging thing. That's what this dude, I'm like, brought

3328
02:42:41,000 --> 02:42:43,959
Speaker 5: me what she was helped right, you know, I don't

3329
02:42:44,000 --> 02:42:46,920
Speaker 5: want to say right because that's like living that project.

3330
02:42:47,280 --> 02:42:50,400
Speaker 3: Yeah, Snoop was just well, I want to say. We

3331
02:42:50,440 --> 02:42:51,120
Speaker 3: would collaborate.

3332
02:42:51,160 --> 02:42:53,560
Speaker 2: He would tell me what the words and how he

3333
02:42:53,680 --> 02:42:54,760
Speaker 2: wanted it to be and all that.

3334
02:42:54,840 --> 02:42:56,920
Speaker 5: And I was like a young new guy and was like,

3335
02:42:57,440 --> 02:43:01,920
Speaker 5: I hear like this cold what I'm saying. This nigga

3336
02:43:02,040 --> 02:43:02,520
Speaker 5: was writing this.

3337
02:43:02,800 --> 02:43:02,879
Speaker 6: Bro.

3338
02:43:03,040 --> 02:43:04,040
Speaker 5: You are dope ass writer.

3339
02:43:04,160 --> 02:43:04,879
Speaker 3: Bro, I appreciate.

3340
02:43:04,920 --> 02:43:06,680
Speaker 5: I love seeing you do that. Ship, My nigga, you

3341
02:43:07,000 --> 02:43:07,879
Speaker 5: made me sharpening my ship.

3342
02:43:07,920 --> 02:43:09,080
Speaker 3: I was in there sharpening my ship.

3343
02:43:14,040 --> 02:43:15,440
Speaker 5: Blood it is I paid.

3344
02:43:15,520 --> 02:43:18,800
Speaker 3: I play dirty because I don't always I waste time

3345
02:43:18,840 --> 02:43:20,200
Speaker 3: getting dressed to go to a studio.

3346
02:43:20,560 --> 02:43:23,119
Speaker 5: So if I just turned my house into a studio.

3347
02:43:23,520 --> 02:43:25,240
Speaker 3: I can come straight out of the shower niggas and

3348
02:43:25,360 --> 02:43:27,240
Speaker 3: Jordan's shorts and tear your ass.

3349
02:43:27,879 --> 02:43:33,240
Speaker 5: I used to do it. Just bullshit.

3350
02:43:33,520 --> 02:43:35,440
Speaker 3: You done got a call from somebody you like, you know,

3351
02:43:35,560 --> 02:43:37,800
Speaker 3: fuck your whole mood up. It's like, bro, like it's

3352
02:43:37,879 --> 02:43:39,920
Speaker 3: just but I go in there and listen to what

3353
02:43:40,000 --> 02:43:42,440
Speaker 3: he left last night and just jump on him without

3354
02:43:42,480 --> 02:43:45,720
Speaker 3: all the editing and let me get composed.

3355
02:43:45,760 --> 02:43:47,720
Speaker 5: You know, eighty tracks or takes to one.

3356
02:43:48,000 --> 02:43:50,440
Speaker 3: No, I'm trying to hang to thee these guys because

3357
02:43:50,760 --> 02:43:51,680
Speaker 3: these niggas are there.

3358
02:43:52,000 --> 02:43:55,080
Speaker 5: I'm then this is now right? Quiet?

3359
02:43:55,360 --> 02:44:01,000
Speaker 6: Wow, we can't and it's fucked up because we were.

3360
02:44:01,080 --> 02:44:03,160
Speaker 6: We told young m we would call him to ask

3361
02:44:03,240 --> 02:44:05,840
Speaker 6: you the question you because he beat me on, motherfucker.

3362
02:44:07,480 --> 02:44:13,080
Speaker 3: No, no, he beat me on, motherfucking What was Anne's

3363
02:44:13,240 --> 02:44:16,560
Speaker 3: show called the Weakest Link? He said he didn't hit

3364
02:44:16,640 --> 02:44:19,959
Speaker 3: my version of and I lost because I mispronounced coodo

3365
02:44:20,040 --> 02:44:21,920
Speaker 3: salami it was. I thought it was codo. The bitch

3366
02:44:21,920 --> 02:44:23,960
Speaker 3: said it was Cado and he kicked me off and

3367
02:44:24,000 --> 02:44:25,119
Speaker 3: I walked on her ass.

3368
02:44:25,160 --> 02:44:27,120
Speaker 5: I bagged on it. She said, quick, why is your

3369
02:44:27,200 --> 02:44:28,640
Speaker 5: jeury smaller than everyone else?

3370
02:44:28,800 --> 02:44:29,360
Speaker 3: I said, bitch.

3371
02:44:32,040 --> 02:44:35,640
Speaker 5: That's our smallest quaint. He baked you, but he no,

3372
02:44:35,760 --> 02:44:38,160
Speaker 5: he won. He beat the game him in the exhibit

3373
02:44:38,200 --> 02:44:40,440
Speaker 5: the hell, he said he was one of the ms

3374
02:44:40,760 --> 02:44:43,920
Speaker 5: who young m C. He said, you one of the ills.

3375
02:44:44,080 --> 02:44:46,560
Speaker 5: That's how you feel about it. When did he say

3376
02:44:46,600 --> 02:44:48,360
Speaker 5: that I gotta call him? He said, we just had

3377
02:44:48,400 --> 02:44:49,000
Speaker 5: the last week.

3378
02:44:51,080 --> 02:44:52,080
Speaker 3: We'll try to call him.

3379
02:44:52,000 --> 02:44:55,000
Speaker 6: But before he had a question that he told us

3380
02:44:55,080 --> 02:44:56,320
Speaker 6: that he wanted to ask him. I was supposed to

3381
02:44:56,360 --> 02:44:58,199
Speaker 6: call him, but I'm gonna just ask him on the phone.

3382
02:44:58,840 --> 02:45:00,640
Speaker 6: Hold up, guys, you're like, but he will come in

3383
02:45:00,680 --> 02:45:02,680
Speaker 6: and we'll try it. We'll try it again, but I'm

3384
02:45:02,720 --> 02:45:04,760
Speaker 6: I asking anyway. He said that he heard a rumor

3385
02:45:05,320 --> 02:45:09,080
Speaker 6: that you locked yourself in the crib right for like

3386
02:45:09,200 --> 02:45:15,760
Speaker 6: a year with equipment producing a record something like that. Yeah,

3387
02:45:15,959 --> 02:45:18,800
Speaker 6: is this true or not? I don't know how he know.

3388
02:45:18,959 --> 02:45:20,080
Speaker 6: He should have came and saw.

3389
02:45:20,320 --> 02:45:22,480
Speaker 3: He should have came and sorry for itself, because right

3390
02:45:22,520 --> 02:45:26,000
Speaker 3: now it's it's speculative. So but it's kind of not

3391
02:45:26,480 --> 02:45:29,920
Speaker 3: like if you tell us, well, of course, you know

3392
02:45:30,040 --> 02:45:32,560
Speaker 3: you gotta buy it. In the book J Quick Story.

3393
02:45:32,480 --> 02:45:33,320
Speaker 5: Oh god, damn.

3394
02:45:36,879 --> 02:45:41,400
Speaker 3: Man, I'm I get him on the phone ship that.

3395
02:45:41,440 --> 02:45:42,320
Speaker 5: It's the deposition.

3396
02:45:44,160 --> 02:45:52,039
Speaker 18: He's motherfucker, but no, he actually did Okay, it was Yeah,

3397
02:45:52,720 --> 02:45:55,400
Speaker 18: it was locked Yourself as an exaggerated.

3398
02:45:55,000 --> 02:45:57,080
Speaker 3: Album I was doing before Rhythm Lives. It was called

3399
02:45:57,120 --> 02:45:59,320
Speaker 3: Q four. It was like I did one, two, three

3400
02:46:00,080 --> 02:46:03,840
Speaker 3: and all they plaid, I got that broke whatever that

3401
02:46:04,040 --> 02:46:09,920
Speaker 3: was crazy anyway it was. It was called Q four

3402
02:46:10,680 --> 02:46:14,480
Speaker 3: and it ended up being Rhythmalism, my fourth record with Aristers,

3403
02:46:15,280 --> 02:46:15,879
Speaker 3: and it won't go.

3404
02:46:16,040 --> 02:46:18,520
Speaker 5: To but one year. Locked up in the in the crib.

3405
02:46:18,640 --> 02:46:19,120
Speaker 3: Yeah, why not?

3406
02:46:19,520 --> 02:46:21,080
Speaker 5: Prince did it a little do it?

3407
02:46:21,120 --> 02:46:21,160
Speaker 6: What?

3408
02:46:21,320 --> 02:46:23,920
Speaker 5: What what am I doing here? I ain't trying to

3409
02:46:23,920 --> 02:46:24,400
Speaker 5: fool y'all.

3410
02:46:24,440 --> 02:46:27,959
Speaker 3: Bro I sleep on purple range sheets, Nigga, My mattress

3411
02:46:28,080 --> 02:46:29,520
Speaker 3: is called purple. Look it up.

3412
02:46:30,080 --> 02:46:33,480
Speaker 5: Oh you sleep on purple rain sheets. Goddamn right out

3413
02:46:33,520 --> 02:46:42,520
Speaker 5: of control, motherfucker right right, got that day something I

3414
02:46:42,640 --> 02:46:44,600
Speaker 5: know when I get out there, motherfuckers, we reach out

3415
02:46:44,640 --> 02:46:46,920
Speaker 5: for each other. As I'm walking out the room, I

3416
02:46:47,000 --> 02:46:49,360
Speaker 5: got people I don't think. Got to get back to

3417
02:46:49,440 --> 02:46:49,879
Speaker 5: my sheets.

3418
02:46:51,640 --> 02:46:56,760
Speaker 3: Yeah, y'all know, I funk with Dave Chappelle and questioning

3419
02:46:56,760 --> 02:46:59,720
Speaker 3: them like I really fucking them niggas, Dazapelle and who

3420
02:47:00,080 --> 02:47:02,920
Speaker 3: and Chris Rock and Chris Rock it was both both

3421
02:47:02,959 --> 02:47:08,600
Speaker 3: my leggs man, my boys. You got a Dave Chappelle's story.

3422
02:47:09,280 --> 02:47:11,480
Speaker 3: Of course, Dave Chappelle used to come to the studio

3423
02:47:11,520 --> 02:47:14,240
Speaker 3: when I was working on my Trauma album. We used

3424
02:47:14,240 --> 02:47:16,959
Speaker 3: to go to the wide Cliff Studio and forty six

3425
02:47:17,120 --> 02:47:20,359
Speaker 3: in Broadway, fifty six fifty fourth on Broadway.

3426
02:47:20,160 --> 02:47:24,520
Speaker 5: Yeah, studio, Platinum flat sound, Platinum sound. Yeah, there you go.

3427
02:47:25,160 --> 02:47:26,920
Speaker 3: They're hanging out with this nigga, this nigga and there

3428
02:47:27,000 --> 02:47:28,840
Speaker 3: trying not to be funny, but being so funny that

3429
02:47:28,959 --> 02:47:30,880
Speaker 3: if you listen to him, you'll throw up because he'll

3430
02:47:30,959 --> 02:47:33,200
Speaker 3: catch you eating lasagna and you'll spit it on yourself

3431
02:47:33,560 --> 02:47:36,720
Speaker 3: because he's too funny. You think for one minute he's

3432
02:47:36,760 --> 02:47:38,720
Speaker 3: not being David Chappelle, and then he'll just say some shit.

3433
02:47:38,760 --> 02:47:42,959
Speaker 5: You be like, right, hold on, man, look, I gotta

3434
02:47:42,959 --> 02:47:43,400
Speaker 5: take five.

3435
02:47:43,480 --> 02:47:44,840
Speaker 3: He's that. He's that guy.

3436
02:47:47,320 --> 02:47:49,680
Speaker 5: They're like zeniffs when it comes to comedy.

3437
02:47:49,800 --> 02:47:53,000
Speaker 3: So Chris is one of the asks Ali Leroy how

3438
02:47:53,080 --> 02:47:55,320
Speaker 3: he feels about Chris, and he always tell you Chris.

3439
02:47:55,280 --> 02:47:57,960
Speaker 5: Is like easily one of the most stellar comics in

3440
02:47:58,000 --> 02:47:59,600
Speaker 5: the world. Ever, what did you feel when you've seen

3441
02:47:59,640 --> 02:48:03,080
Speaker 5: the Smiths. I didn't feel because I wasn't there.

3442
02:48:03,080 --> 02:48:07,160
Speaker 3: I didn't get the slap, but empathetically, Yeah, that was wrong.

3443
02:48:07,600 --> 02:48:12,520
Speaker 3: But Will Chris didn't expect that either. Yeah, misplaced misplaced anger,

3444
02:48:12,680 --> 02:48:19,120
Speaker 3: misplaced rage. Yeah, it was weird because I'm thinking, Damn,

3445
02:48:19,720 --> 02:48:21,000
Speaker 3: I do that, I'm going to jail.

3446
02:48:22,360 --> 02:48:26,200
Speaker 5: He stayed, stay, see me do that. I'm gonna be

3447
02:48:26,240 --> 02:48:30,000
Speaker 5: calling somebody for bail money. He had drinks. He cried clearly.

3448
02:48:30,280 --> 02:48:34,480
Speaker 19: Yeah, he stayed, He's talking Will ship and he got

3449
02:48:34,520 --> 02:48:37,320
Speaker 19: his award after that, he said that, he said, the

3450
02:48:37,360 --> 02:48:41,160
Speaker 19: whole ships that deep.

3451
02:48:41,200 --> 02:48:44,360
Speaker 2: Though it's not for both of them actually exactly, it's

3452
02:48:44,360 --> 02:48:48,520
Speaker 2: not that, I think in a weird way.

3453
02:48:48,680 --> 02:48:49,280
Speaker 5: It worked out.

3454
02:48:49,360 --> 02:48:50,879
Speaker 3: It worked you don't think.

3455
02:48:50,959 --> 02:48:52,039
Speaker 5: So it rolled out.

3456
02:48:54,320 --> 02:48:57,640
Speaker 3: With Will at the Mass Grammys, at the West Coast

3457
02:48:57,680 --> 02:48:59,840
Speaker 3: Grammys like the not to the West Coast Grammys that

3458
02:48:59,879 --> 02:49:02,520
Speaker 3: we and this was after all the ship broke and

3459
02:49:02,560 --> 02:49:04,199
Speaker 3: Will is like he's unbothered.

3460
02:49:04,280 --> 02:49:05,400
Speaker 5: I mean, Will is a hero.

3461
02:49:05,560 --> 02:49:08,240
Speaker 3: Let's just be real. That's still a fresh prince nigga too,

3462
02:49:08,360 --> 02:49:10,480
Speaker 3: like Girls of the World, Ain't nothing but trouble. Was

3463
02:49:10,480 --> 02:49:12,440
Speaker 3: one of the loudest twelve inches I ever had that

3464
02:49:12,480 --> 02:49:16,039
Speaker 3: shit was dope. I remember take my advice to keep

3465
02:49:16,040 --> 02:49:21,320
Speaker 3: the hell away ship that record.

3466
02:49:21,760 --> 02:49:24,280
Speaker 5: Yeah, say your feelings on it.

3467
02:49:25,080 --> 02:49:25,440
Speaker 3: I took it.

3468
02:49:26,240 --> 02:49:28,240
Speaker 5: Hold on, hold on, he got feelings, he got feelings

3469
02:49:28,240 --> 02:49:28,400
Speaker 5: on it.

3470
02:49:28,480 --> 02:49:30,680
Speaker 3: I think, you know what my mix sit this one

3471
02:49:30,760 --> 02:49:31,519
Speaker 3: out because.

3472
02:49:31,240 --> 02:49:35,120
Speaker 5: I mean we could. We don't want it afterwards, but

3473
02:49:35,640 --> 02:49:40,680
Speaker 5: not just like like slapping. No, it shouldn't have been slapping.

3474
02:49:41,000 --> 02:49:42,360
Speaker 3: Slapping a black man.

3475
02:49:42,600 --> 02:49:43,680
Speaker 5: It's crazy to me.

3476
02:49:44,440 --> 02:49:46,280
Speaker 2: I don't give a funk about none of that ship

3477
02:49:46,800 --> 02:49:49,360
Speaker 2: like and then doing that in front of people is

3478
02:49:49,480 --> 02:49:56,480
Speaker 2: crazy and no, like, no, bro, Like, I'll say this,

3479
02:49:56,800 --> 02:49:58,120
Speaker 2: you know what I'm saying, and we can you know,

3480
02:49:58,240 --> 02:49:59,960
Speaker 2: we can watch through that and figure out we're gonna

3481
02:50:00,040 --> 02:50:00,440
Speaker 2: keep it or not.

3482
02:50:00,560 --> 02:50:05,280
Speaker 3: But nigga slap me. It ain't even that.

3483
02:50:05,400 --> 02:50:07,880
Speaker 2: It's just you're not standing in the building. We're not

3484
02:50:08,000 --> 02:50:11,640
Speaker 2: doing that. You're gonna beat me up because it's just

3485
02:50:11,760 --> 02:50:14,360
Speaker 2: not cool. And like at a certain age, like bro,

3486
02:50:14,480 --> 02:50:16,280
Speaker 2: we look up to people like we look up to him,

3487
02:50:16,320 --> 02:50:18,600
Speaker 2: We look up to Chris, and I just wish that

3488
02:50:18,800 --> 02:50:21,400
Speaker 2: didn't do that. You know what I'm saying, Your issue

3489
02:50:21,520 --> 02:50:23,520
Speaker 2: is a valid one, Like you're not you got a wife.

3490
02:50:23,520 --> 02:50:24,800
Speaker 2: You know what I'm saying we all got we got

3491
02:50:24,840 --> 02:50:25,680
Speaker 2: what we got in.

3492
02:50:25,720 --> 02:50:26,560
Speaker 5: Here talking about that.

3493
02:50:27,760 --> 02:50:31,120
Speaker 2: It's just like, if I'm disrespecting you and we're on

3494
02:50:31,200 --> 02:50:32,680
Speaker 2: in front of millions of people, just put me to

3495
02:50:32,760 --> 02:50:34,680
Speaker 2: the side, bro, It's really easy.

3496
02:50:35,240 --> 02:50:36,039
Speaker 3: Put me to the side.

3497
02:50:36,080 --> 02:50:39,120
Speaker 2: Like, Bro, I don't like that. We're gonna catch that.

3498
02:50:40,200 --> 02:50:43,400
Speaker 2: We're gonna catch it here, but not not in front

3499
02:50:43,400 --> 02:50:46,560
Speaker 2: of them folks. Just not in front of the folks. Yeah,

3500
02:50:47,080 --> 02:50:50,400
Speaker 2: Like I got kids, bro, Well, like I can't lose

3501
02:50:50,440 --> 02:50:52,480
Speaker 2: a fight right now. I come home and my daughter

3502
02:50:52,560 --> 02:50:55,080
Speaker 2: see me with a black eye and me trying to explain.

3503
02:50:54,800 --> 02:50:57,240
Speaker 5: That now you're superheroes to your kids, come home with

3504
02:50:57,320 --> 02:50:59,360
Speaker 5: the black guy? Like, how does nigga christ can win

3505
02:50:59,360 --> 02:51:00,200
Speaker 5: an argument right that.

3506
02:51:00,280 --> 02:51:01,240
Speaker 3: With his little young.

3507
02:51:02,640 --> 02:51:05,160
Speaker 5: Anytime you get out of the body that you know

3508
02:51:05,240 --> 02:51:05,560
Speaker 5: what I do.

3509
02:51:07,240 --> 02:51:09,600
Speaker 3: They don't put me in that. Don't put me in

3510
02:51:09,640 --> 02:51:12,120
Speaker 3: that over this ship, don't do that. Not with me.

3511
02:51:13,160 --> 02:51:17,200
Speaker 5: Chris let me score a film. Yes, he let me.

3512
02:51:18,040 --> 02:51:23,160
Speaker 1: Cool when he was told me and then he went

3513
02:51:23,280 --> 02:51:28,199
Speaker 1: and became the president. The play homeboy, I came to party.

3514
02:51:28,520 --> 02:51:31,480
Speaker 1: They play that one. Yeah, yeah, so that was you

3515
02:51:31,800 --> 02:51:32,680
Speaker 1: god damn good looking.

3516
02:51:32,800 --> 02:51:44,320
Speaker 3: Come on, yeah, everybody quick effect it's awesome.

3517
02:51:44,760 --> 02:51:49,920
Speaker 5: That's a the DJ quick motherfucking family treat. I do

3518
02:51:50,120 --> 02:51:52,119
Speaker 5: the work, so you don't have to like the tiny bowl.

3519
02:51:52,160 --> 02:51:54,080
Speaker 1: Man, you got a shot, because I'm taking a shot

3520
02:51:54,120 --> 02:51:55,520
Speaker 1: of that one that deserves shot here.

3521
02:51:55,640 --> 02:51:58,280
Speaker 5: So I'm going back to Japanese whiskey. I'm sorry. You

3522
02:51:58,400 --> 02:52:02,279
Speaker 5: gonna jump the Japanese y'all. Thank to Mommy Juana.

3523
02:52:03,280 --> 02:52:06,000
Speaker 3: We gotta get Chris Christaplechin to do it, so called

3524
02:52:06,080 --> 02:52:10,000
Speaker 3: Japanese whiskey. Let me ask you, let me chase your

3525
02:52:10,040 --> 02:52:11,600
Speaker 3: Japanese whiskey. Did you hear.

3526
02:52:13,840 --> 02:52:13,880
Speaker 6: You?

3527
02:52:14,000 --> 02:52:15,120
Speaker 3: Bro like that?

3528
02:52:16,160 --> 02:52:18,720
Speaker 5: I had the mamajuana, but I haven't had the Japanese

3529
02:52:18,760 --> 02:52:22,800
Speaker 5: whiskey yet. Let me ask you a problem. You said

3530
02:52:22,800 --> 02:52:24,879
Speaker 5: something that's very interested to me earlier.

3531
02:52:25,760 --> 02:52:29,760
Speaker 1: So you don't gang bang, but by way of your neighborhood,

3532
02:52:29,920 --> 02:52:33,600
Speaker 1: aren't you always affiliated to whatever gang is in your neighborhood?

3533
02:52:33,920 --> 02:52:34,080
Speaker 3: Yes?

3534
02:52:35,840 --> 02:52:37,480
Speaker 5: Yeah, So what gangs in your neighborhood?

3535
02:52:38,120 --> 02:52:41,119
Speaker 2: The west side, Aparos, the Foe line, the deuce line,

3536
02:52:41,160 --> 02:52:45,400
Speaker 2: and Neel's everything around that surrounding situation is where I

3537
02:52:45,440 --> 02:52:45,920
Speaker 2: grew up at.

3538
02:52:46,480 --> 02:52:48,680
Speaker 1: So now let me ask you another This is this

3539
02:52:48,879 --> 02:52:50,920
Speaker 1: is what do you call like a square question because

3540
02:52:50,920 --> 02:52:56,119
Speaker 1: I don't know. Like when I look at Kendrick Lamar video, right,

3541
02:52:57,920 --> 02:53:03,720
Speaker 1: it's clearly two different types of dances, I can't tell

3542
02:53:03,760 --> 02:53:06,960
Speaker 1: the different Really, is it clear? I'm guessing because a

3543
02:53:07,080 --> 02:53:09,879
Speaker 1: certain times I feel like it's like b walking.

3544
02:53:09,920 --> 02:53:11,400
Speaker 5: Then I feel like it's a sea wall. I can't

3545
02:53:11,400 --> 02:53:14,720
Speaker 5: tell the difference unless they got on those colors. Can

3546
02:53:14,800 --> 02:53:16,800
Speaker 5: you tell the difference from a person? Of course? I

3547
02:53:16,959 --> 02:53:17,920
Speaker 5: mean definitely.

3548
02:53:18,440 --> 02:53:20,960
Speaker 2: I mean, listen, man, just you know, I'll say that

3549
02:53:21,280 --> 02:53:23,160
Speaker 2: everything ain't for everybody, right.

3550
02:53:24,400 --> 02:53:27,240
Speaker 3: Maybe maybe that ain't for y'all to know who's doing.

3551
02:53:28,920 --> 02:53:29,960
Speaker 5: Should y'all?

3552
02:53:30,520 --> 02:53:34,000
Speaker 3: I'm glad you think that's your culture that I'm.

3553
02:53:33,959 --> 02:53:35,959
Speaker 2: Like, oh that's fire. But if I knew too much

3554
02:53:35,959 --> 02:53:38,560
Speaker 2: about it, I don't know. And I think that's just

3555
02:53:38,680 --> 02:53:40,960
Speaker 2: kind of ours. You know what I'm saying. It's a

3556
02:53:41,040 --> 02:53:42,560
Speaker 2: secret it's a secret message.

3557
02:53:44,480 --> 02:53:49,280
Speaker 1: But is that message California or is that message gang Gangafornia?

3558
02:53:49,440 --> 02:53:53,600
Speaker 1: I mean it's gang Wait those are now got killed

3559
02:53:54,280 --> 02:53:55,240
Speaker 1: California gang.

3560
02:53:55,800 --> 02:54:09,640
Speaker 3: There there's no aut clearly, and I'm one of the message. Bro,

3561
02:54:09,920 --> 02:54:12,879
Speaker 3: Don't don't read too much into it's like because they're

3562
02:54:12,920 --> 02:54:16,840
Speaker 3: not gangs anymore. Clubs Like it's the Tree Top Club.

3563
02:54:17,200 --> 02:54:19,959
Speaker 3: It's like, because we wanted to be a more club

3564
02:54:20,400 --> 02:54:23,080
Speaker 3: than anything else. We would rather that to be a

3565
02:54:23,160 --> 02:54:27,040
Speaker 3: gang because a gang is there, unpredictable and who wants

3566
02:54:27,360 --> 02:54:29,120
Speaker 3: just the key to is to make it home safe.

3567
02:54:29,600 --> 02:54:31,240
Speaker 3: I hope that's what we're all about.

3568
02:54:31,879 --> 02:54:35,920
Speaker 5: So I'd rather have a club. You know, look, turn

3569
02:54:36,040 --> 02:54:38,320
Speaker 5: up and have some free liquid. You ain't gonna pay

3570
02:54:38,360 --> 02:54:39,120
Speaker 5: for the ship, just pay for it.

3571
02:54:39,200 --> 02:54:42,360
Speaker 2: I want to shout out to uh, all the and Compton.

3572
02:54:42,400 --> 02:54:46,200
Speaker 2: They just did a peace treaty. Yeah each other, Yes,

3573
02:54:47,440 --> 02:54:50,320
Speaker 2: each other. Yeah. Shout outs all the powers and Compton

3574
02:54:50,400 --> 02:54:52,400
Speaker 2: that are on that peace treaty right now. I think

3575
02:54:52,440 --> 02:54:55,560
Speaker 2: it's like two three weeks and that's really happened between them.

3576
02:54:55,640 --> 02:54:58,600
Speaker 5: Hopefully get in line and anyway for both sides together

3577
02:54:58,720 --> 02:54:59,240
Speaker 5: in line.

3578
02:54:59,080 --> 02:55:01,640
Speaker 2: Like like after run a gay. Honestly, that's above my

3579
02:55:01,720 --> 02:55:05,480
Speaker 2: pay grade. I'm just saying, like I'm because I don't

3580
02:55:05,520 --> 02:55:09,000
Speaker 2: gave I just what you think it could happen. I'm

3581
02:55:09,040 --> 02:55:11,280
Speaker 2: just celebrating what I see, If that makes any sense.

3582
02:55:12,920 --> 02:55:15,800
Speaker 2: I've never seen it. So instead of like always digging

3583
02:55:15,840 --> 02:55:18,000
Speaker 2: into the negative side of it, I'm like, I can't

3584
02:55:18,120 --> 02:55:19,760
Speaker 2: ask y'all to clean it up. Then when y'all clean

3585
02:55:19,840 --> 02:55:21,880
Speaker 2: it up, just not I stopped talking about it. That

3586
02:55:22,280 --> 02:55:24,760
Speaker 2: fucks it up. So it's like if I can make

3587
02:55:24,840 --> 02:55:27,039
Speaker 2: it loud, like yo, the power rules that some ship

3588
02:55:27,080 --> 02:55:30,520
Speaker 2: I've never seen since I've been alive, I've.

3589
02:55:30,440 --> 02:55:32,040
Speaker 5: Never seen this for a long time.

3590
02:55:32,160 --> 02:55:33,320
Speaker 3: And they're three weeks.

3591
02:55:33,080 --> 02:55:35,760
Speaker 2: Into something that's like like that can be like very

3592
02:55:35,840 --> 02:55:37,000
Speaker 2: beneficial to my city.

3593
02:55:37,280 --> 02:55:39,080
Speaker 5: I just want to talk about it, yell it out.

3594
02:55:39,160 --> 02:55:42,480
Speaker 5: That's still but that's that's the I believe that's the confusion.

3595
02:55:42,879 --> 02:55:43,200
Speaker 5: When it.

3596
02:55:45,080 --> 02:55:48,200
Speaker 1: Spread throughout the world like it is, we just thought,

3597
02:55:48,200 --> 02:55:49,640
Speaker 1: all right, cool, it's bloods and crypts.

3598
02:55:49,680 --> 02:55:49,800
Speaker 2: Right.

3599
02:55:49,920 --> 02:55:54,480
Speaker 1: Then we understood that it was bloods against crypts, right,

3600
02:55:55,480 --> 02:55:57,600
Speaker 1: and then we started to hear that it was actually

3601
02:55:58,640 --> 02:56:01,520
Speaker 1: crypts on crypts and bloods on bloods, and then bloods

3602
02:56:01,560 --> 02:56:04,080
Speaker 1: on bloods, and some of the bloods on bloods beef

3603
02:56:04,320 --> 02:56:06,520
Speaker 1: go just as long as a crypt and a blood

3604
02:56:06,560 --> 02:56:09,160
Speaker 1: beef will go. Again, some of the crypt on crypt

3605
02:56:09,200 --> 02:56:13,640
Speaker 1: beef lasted just as long as a blood on crypt beef.

3606
02:56:14,040 --> 02:56:16,520
Speaker 1: I thought that that was like so interesting, And again

3607
02:56:16,560 --> 02:56:19,160
Speaker 1: that's what I kept telling to you'll earlier. It was

3608
02:56:19,200 --> 02:56:22,800
Speaker 1: almost like you have to be from there to understand it,

3609
02:56:23,520 --> 02:56:25,080
Speaker 1: Like it almost sounds like you know what I mean.

3610
02:56:25,040 --> 02:56:26,800
Speaker 5: Like and like you said, it's some things that we're

3611
02:56:26,840 --> 02:56:29,080
Speaker 5: not meant to understand. Yeah, yeah, I think it's been

3612
02:56:29,120 --> 02:56:30,320
Speaker 5: a black on black beef.

3613
02:56:30,560 --> 02:56:31,240
Speaker 2: You better say that.

3614
02:56:32,040 --> 02:56:34,160
Speaker 5: And that's what's fucked up and stupid about it.

3615
02:56:34,520 --> 02:56:38,240
Speaker 3: Nobody ever understood why it's been that anybody wants the

3616
02:56:38,320 --> 02:56:41,080
Speaker 3: gang bang. When I became a DJ, so we could

3617
02:56:41,080 --> 02:56:44,680
Speaker 3: have fun, not to have fights. I played music music

3618
02:56:44,760 --> 02:56:47,760
Speaker 3: stop fights. The right song is stopped.

3619
02:56:48,400 --> 02:56:50,840
Speaker 5: After the rise and the peace Treaty? How how legit

3620
02:56:51,040 --> 02:56:51,720
Speaker 5: was the peace treaty?

3621
02:56:51,879 --> 02:56:52,080
Speaker 3: It was.

3622
02:56:52,160 --> 02:56:56,680
Speaker 5: It was awesome for a few weeks because it was

3623
02:56:56,720 --> 02:57:02,080
Speaker 5: a honeymoon, right, Yeah, yeah, we actually to go over here. Whoa,

3624
02:57:02,160 --> 02:57:02,840
Speaker 5: I went everywhere.

3625
02:57:02,879 --> 02:57:05,520
Speaker 6: I was all in remember cam with the record Peace Treaty,

3626
02:57:05,520 --> 02:57:07,879
Speaker 6: and I remember we're all looking at the West Coast

3627
02:57:07,920 --> 02:57:09,080
Speaker 6: like they did a peace treaty.

3628
02:57:09,120 --> 02:57:15,160
Speaker 5: It's legit is love. You said you went everywhere, yeah,

3629
02:57:15,320 --> 02:57:17,640
Speaker 5: like meaning you went to like every interviewing.

3630
02:57:18,000 --> 02:57:24,400
Speaker 3: That right, I was, man, I had an accurate NSX.

3631
02:57:24,440 --> 02:57:25,720
Speaker 3: I was driving that bitch everywhere.

3632
02:57:26,120 --> 02:57:26,600
Speaker 5: That's fire.

3633
02:57:26,720 --> 02:57:29,600
Speaker 3: I saw Michael Keaton, that bitch leaving our motherfucking agency.

3634
02:57:30,000 --> 02:57:31,840
Speaker 3: I mean, he just got his money for a Batman

3635
02:57:32,440 --> 02:57:35,840
Speaker 3: Warner Brothers. Wow, we pulled up in a motherfucking Scooby

3636
02:57:35,920 --> 02:57:37,920
Speaker 3: Doo man. So this dude leaving in a row Lex

3637
02:57:37,959 --> 02:57:40,280
Speaker 3: and a fucking accurate nsex. I said, I'm gonna do

3638
02:57:40,320 --> 02:57:42,720
Speaker 3: that next year, and the next year I had a

3639
02:57:42,840 --> 02:57:44,200
Speaker 3: Rolex and an accurate nssex.

3640
02:57:48,040 --> 02:57:50,039
Speaker 5: Listen, now, yeah, that's shaken her.

3641
02:57:50,280 --> 02:57:50,800
Speaker 3: It's crazy.

3642
02:57:50,879 --> 02:57:53,879
Speaker 2: It's a it's a it's beautiful to watch the city

3643
02:57:54,000 --> 02:57:56,920
Speaker 2: right now. Everybody just at least taking a stab at

3644
02:57:57,000 --> 02:57:59,440
Speaker 2: peace even you know what I'm saying, Like, again, bro,

3645
02:57:59,640 --> 02:58:01,240
Speaker 2: we don't we don't know how it's gonna go.

3646
02:58:01,280 --> 02:58:02,560
Speaker 5: And a lot of people, like I hear a lot

3647
02:58:02,560 --> 02:58:04,280
Speaker 5: of people it's gonna be fucked up in this long

3648
02:58:04,360 --> 02:58:05,240
Speaker 5: It's like, right.

3649
02:58:05,160 --> 02:58:09,320
Speaker 2: Now, that's just kind of pause and enjoy the fact

3650
02:58:09,360 --> 02:58:10,279
Speaker 2: that it's kind.

3651
02:58:10,120 --> 02:58:11,560
Speaker 5: Of everybody's outside.

3652
02:58:11,879 --> 02:58:16,000
Speaker 1: I'm outside of that's the inside of the inside of

3653
02:58:16,080 --> 02:58:17,920
Speaker 1: looking out. And I was out there for five days

3654
02:58:17,959 --> 02:58:20,600
Speaker 1: and I felt so I felt that peace, Like I

3655
02:58:20,680 --> 02:58:23,080
Speaker 1: got to feel that I didn't know that that was

3656
02:58:23,400 --> 02:58:27,360
Speaker 1: going on, that was out there, and I was just like, damn,

3657
02:58:27,720 --> 02:58:30,680
Speaker 1: I felt like everybody like complied. Everybody was on that

3658
02:58:30,800 --> 02:58:33,320
Speaker 1: type of order, like, yo, you talk for the show, Yeah,

3659
02:58:33,879 --> 02:58:34,200
Speaker 1: I can't.

3660
02:58:34,360 --> 02:58:37,680
Speaker 5: I can't. A day before the video, no, day before

3661
02:58:37,720 --> 02:58:41,040
Speaker 5: the and then I stayed like actually a couple of

3662
02:58:41,160 --> 02:58:43,520
Speaker 5: days and you know, I'm just I'm just just the

3663
02:58:43,720 --> 02:58:45,240
Speaker 5: energy I was feeling the energy.

3664
02:58:45,320 --> 02:58:47,400
Speaker 1: It was just like it was just different out there,

3665
02:58:47,440 --> 02:58:49,640
Speaker 1: and I was just like I couldn't understand. But now

3666
02:58:50,040 --> 02:58:52,240
Speaker 1: you say that, maybe that makes sense. That's probably one

3667
02:58:52,240 --> 02:58:55,120
Speaker 1: of the energies that I was feeling. But yeah, it

3668
02:58:55,200 --> 02:58:58,520
Speaker 1: just felt good. It just felt right out there. Bro, Like, yeah,

3669
02:58:59,200 --> 02:59:00,000
Speaker 1: I'm happy for y'all.

3670
02:59:00,120 --> 02:59:02,360
Speaker 2: Bro, we've been and talks about just making sure that

3671
02:59:03,360 --> 02:59:08,000
Speaker 2: like again, like nobody's above the program, like nobody with

3672
02:59:08,080 --> 02:59:10,400
Speaker 2: a microphone outside.

3673
02:59:10,040 --> 02:59:12,520
Speaker 5: Of a few people can really dictate the way it is.

3674
02:59:12,640 --> 02:59:14,080
Speaker 5: But would die for what he did.

3675
02:59:15,000 --> 02:59:17,880
Speaker 2: He took a moment that would be deemed negative and

3676
02:59:17,959 --> 02:59:21,080
Speaker 2: then turned into positive for everybody from California.

3677
02:59:20,640 --> 02:59:24,560
Speaker 3: Made everybody step there pining up this motherfucking sample, my latest,

3678
02:59:24,640 --> 02:59:27,320
Speaker 3: my greatest inspiration as a part of his district. I'm

3679
02:59:27,440 --> 02:59:27,720
Speaker 3: over it.

3680
02:59:27,840 --> 02:59:33,240
Speaker 5: That's that's that is so sally hip hop in general more.

3681
02:59:33,160 --> 02:59:37,000
Speaker 2: Than I think it's and I think it's bigger than

3682
02:59:37,120 --> 02:59:41,959
Speaker 2: music though it's like, no, like it's this ain't really

3683
02:59:42,000 --> 02:59:45,440
Speaker 2: about he is the reason, but yes, no, he took

3684
02:59:45,720 --> 02:59:48,959
Speaker 2: music and instead of like making it about him, didn't

3685
02:59:48,959 --> 02:59:52,640
Speaker 2: agree that it about like us, do we drinking? That's tough, Okay,

3686
02:59:52,720 --> 02:59:55,720
Speaker 2: y'all hold on, y'all not to stop me on this part,

3687
02:59:57,600 --> 02:59:59,680
Speaker 2: because there's some really ship going on. Like right now,

3688
02:59:59,760 --> 03:00:02,200
Speaker 2: you you know what I'm saying and from what he did, Bro,

3689
03:00:02,440 --> 03:00:04,720
Speaker 2: I really like people are talking about like a rap

3690
03:00:04,800 --> 03:00:06,680
Speaker 2: and all of that. Bro, I've never been able to

3691
03:00:06,720 --> 03:00:08,720
Speaker 2: walk around Los Angeles the way I've been able to

3692
03:00:08,760 --> 03:00:11,720
Speaker 2: walk on say that, and that's brand new for me.

3693
03:00:12,000 --> 03:00:17,520
Speaker 3: I'm not a young guy, right, And yes, it's light.

3694
03:00:18,080 --> 03:00:21,160
Speaker 2: Everybody's showing love, like you gotta say, like jay Worthy,

3695
03:00:21,200 --> 03:00:22,600
Speaker 2: he's from the same neighborhood as Bro.

3696
03:00:23,000 --> 03:00:25,360
Speaker 5: Like it's light for the first time.

3697
03:00:26,000 --> 03:00:26,840
Speaker 3: You get what I'm saying.

3698
03:00:26,959 --> 03:00:29,360
Speaker 5: And y'all have been in LA when it wasn't light.

3699
03:00:31,000 --> 03:00:33,440
Speaker 2: So to take a moment where it's like, all right, bro,

3700
03:00:33,600 --> 03:00:36,040
Speaker 2: me and him, y'all having a rap competition, but everybody

3701
03:00:36,080 --> 03:00:40,280
Speaker 2: about to look at me. Everybody else would make that

3702
03:00:40,400 --> 03:00:45,080
Speaker 2: moment about them. Everybody else I've watched have made that

3703
03:00:45,160 --> 03:00:50,200
Speaker 2: moment about film from everywhere. This ain't this, ain't the

3704
03:00:50,240 --> 03:00:53,320
Speaker 2: West East Coach, none of that. He made that moment

3705
03:00:53,400 --> 03:00:56,680
Speaker 2: about us, and that's what the fuck we need to

3706
03:00:56,800 --> 03:00:59,400
Speaker 2: be talking about. I'm tired of all his selfish ship

3707
03:01:00,240 --> 03:01:03,039
Speaker 2: because when the nigga that's our, Michael Jackson, decided to say, look,

3708
03:01:03,080 --> 03:01:05,480
Speaker 2: I'm gonna take a gamble on thirty one knuckleheads that

3709
03:01:05,640 --> 03:01:10,040
Speaker 2: never got along, and we all got along. We all

3710
03:01:10,160 --> 03:01:13,800
Speaker 2: was fresh as fuck, always fly. We looked like how

3711
03:01:13,800 --> 03:01:17,600
Speaker 2: the West Cot was supposed to look. We're not about

3712
03:01:17,600 --> 03:01:20,920
Speaker 2: to cloud that with no beef with that and know

3713
03:01:21,120 --> 03:01:23,440
Speaker 2: who did don't know. We're not doing none of that.

3714
03:01:23,720 --> 03:01:24,800
Speaker 2: I'm not going for it.

3715
03:01:25,280 --> 03:01:27,200
Speaker 5: Bro did He took a real risk on a lot

3716
03:01:27,280 --> 03:01:27,560
Speaker 5: of us.

3717
03:01:28,840 --> 03:01:32,000
Speaker 2: Trust me, that picture has only been done one time,

3718
03:01:32,040 --> 03:01:32,800
Speaker 2: when y'all did it?

3719
03:01:33,200 --> 03:01:36,480
Speaker 1: Listen, No, let me ask you, you know what was crazy?

3720
03:01:37,200 --> 03:01:39,120
Speaker 1: I forget where I was at I was. I was

3721
03:01:39,360 --> 03:01:42,080
Speaker 1: out of town somewhere. But I see the picture and

3722
03:01:42,520 --> 03:01:45,840
Speaker 1: I don't identify what I'm seeing. All I'm seeing is

3723
03:01:46,400 --> 03:01:48,760
Speaker 1: that should look good, like that should look ill? And

3724
03:01:48,879 --> 03:01:51,840
Speaker 1: then I believe it was on the group chat and

3725
03:01:51,959 --> 03:01:55,840
Speaker 1: then somebody said, those are all rappers from different neighborhoods.

3726
03:01:57,600 --> 03:02:01,800
Speaker 2: Look. Look, it was like and I was like, oh,

3727
03:02:02,280 --> 03:02:08,920
Speaker 2: you're watching elegance this, NBA Olympians, all Stars, clowns, kids, cribs,

3728
03:02:09,000 --> 03:02:13,320
Speaker 2: every bloods, women, dancers, nigga, Like what really Los Angeles

3729
03:02:13,440 --> 03:02:16,440
Speaker 2: really is right? Like the gag banging shit kind of

3730
03:02:16,520 --> 03:02:20,000
Speaker 2: make it like water it down, say that they make

3731
03:02:20,080 --> 03:02:23,000
Speaker 2: it where it's this one dimensional thing, where that it's

3732
03:02:23,160 --> 03:02:26,360
Speaker 2: just that that's happening in like one spot when there's

3733
03:02:26,640 --> 03:02:30,280
Speaker 2: so many things. It's beautiful. Bro, it was black business

3734
03:02:30,360 --> 03:02:34,160
Speaker 2: in there. Bro, it's real black business. Like I will

3735
03:02:34,320 --> 03:02:36,680
Speaker 2: not allow anybody to turn this into about like who

3736
03:02:36,800 --> 03:02:39,880
Speaker 2: rap better? Who sound better? That's cool, We've done that.

3737
03:02:41,480 --> 03:02:42,879
Speaker 2: It's like who feel better?

3738
03:02:43,000 --> 03:02:43,160
Speaker 17: Now?

3739
03:02:44,080 --> 03:02:46,400
Speaker 2: It's cracking on the side. When we got me and

3740
03:02:46,560 --> 03:02:48,200
Speaker 2: him up here together. You know what I'm saying, This

3741
03:02:48,320 --> 03:02:51,320
Speaker 2: is a lot of West Coast lineage. We got them

3742
03:02:51,360 --> 03:02:53,720
Speaker 2: niggas going out to county getting a lot of money together.

3743
03:02:54,040 --> 03:02:55,920
Speaker 2: You got us getting a lot of money together. You

3744
03:02:56,040 --> 03:02:58,640
Speaker 2: got the younger guys that got a shot to be

3745
03:02:58,800 --> 03:03:02,840
Speaker 2: seen in front of the world. Twenty million motherfuckers watch that.

3746
03:03:03,760 --> 03:03:06,520
Speaker 2: If we're not minimized, that's no fucking rap beef.

3747
03:03:06,920 --> 03:03:09,440
Speaker 5: Bro, get out of here. Man.

3748
03:03:09,520 --> 03:03:10,120
Speaker 3: You know what I'm saying.

3749
03:03:10,840 --> 03:03:12,080
Speaker 5: It's a real copist ship though.

3750
03:03:12,480 --> 03:03:15,160
Speaker 3: Yeah, can I interject here, gentlemen, go for it. You

3751
03:03:15,280 --> 03:03:18,000
Speaker 3: got two things to say here, Okay, you what love it?

3752
03:03:19,040 --> 03:03:23,560
Speaker 3: Stand down, stand back? He would speaker.

3753
03:03:23,959 --> 03:03:27,240
Speaker 5: That ain't number one. I'm gonna photoshop myself into that.

3754
03:03:29,680 --> 03:03:29,960
Speaker 2: Call me.

3755
03:03:30,600 --> 03:03:42,280
Speaker 3: He likes that sort there, so man, that I mean, the.

3756
03:03:42,320 --> 03:03:44,240
Speaker 5: Name is perfect, but imagine that would have made it

3757
03:03:44,280 --> 03:03:47,240
Speaker 5: perfect card perfect man.

3758
03:03:47,320 --> 03:03:48,160
Speaker 3: That was b man.

3759
03:03:48,680 --> 03:03:50,240
Speaker 2: Man, from what I hear, we got to get shout

3760
03:03:50,320 --> 03:03:55,440
Speaker 2: to that before. Come on, man, get real, real.

3761
03:03:56,840 --> 03:04:02,720
Speaker 5: Japanese. This is Japanese whiskey. Yeah, it's cool called Yes,

3762
03:04:02,959 --> 03:04:09,320
Speaker 5: I'm making it up here. Okay, so you two things

3763
03:04:09,360 --> 03:04:12,560
Speaker 5: you have to say quickly. Thing number two Okay, they wouldn't.

3764
03:04:12,640 --> 03:04:15,920
Speaker 5: Don't don't yourself that story number one. No, no, we've

3765
03:04:15,920 --> 03:04:19,920
Speaker 5: already had that established it. Okay, that's the story. Would

3766
03:04:21,280 --> 03:04:26,280
Speaker 5: do what you later? Number two.

3767
03:04:27,160 --> 03:04:30,360
Speaker 3: Don't let this god damn weper snapper over sive y'all.

3768
03:04:30,560 --> 03:04:32,600
Speaker 3: He's been on jet skis for the last two THI

3769
03:04:34,200 --> 03:04:36,280
Speaker 3: this motherfucker's having the time of his life out here

3770
03:04:36,320 --> 03:04:38,320
Speaker 3: in Miami. And this motherfucker's been on the ocean the

3771
03:04:38,320 --> 03:04:40,520
Speaker 3: whole time. I swear he's Amphibian.

3772
03:04:44,480 --> 03:04:48,920
Speaker 2: Sea than me. That's all I wanted to say. That's

3773
03:04:48,959 --> 03:04:52,600
Speaker 2: my two things and got right here, man, grab me

3774
03:04:52,640 --> 03:04:55,720
Speaker 2: and put me here man with nobody else did so. Yeah,

3775
03:04:55,760 --> 03:04:57,360
Speaker 2: this is just a beautiful thing to be sitting here

3776
03:04:57,440 --> 03:04:57,680
Speaker 2: with them.

3777
03:04:58,080 --> 03:05:01,720
Speaker 1: You know what it is, the two eras that makes

3778
03:05:01,760 --> 03:05:04,120
Speaker 1: it so dope that y'all can come together and make

3779
03:05:04,320 --> 03:05:06,480
Speaker 1: a new era, you know what I'm.

3780
03:05:06,320 --> 03:05:08,160
Speaker 6: Saying, Like, that's what makes this and this is a legacy,

3781
03:05:08,280 --> 03:05:09,600
Speaker 6: because this is legacy right here.

3782
03:05:10,560 --> 03:05:12,720
Speaker 3: Shout out Eddie Murphy. Random shout out Eddie Murphy for

3783
03:05:12,800 --> 03:05:21,280
Speaker 3: that new Beverly Hills cop movie. I've been trying to

3784
03:05:21,320 --> 03:05:23,240
Speaker 3: sit down and watch something. Just have them. You got

3785
03:05:23,360 --> 03:05:25,720
Speaker 3: to see them still a helicopter, the funniest ship ever

3786
03:05:25,840 --> 03:05:28,199
Speaker 3: right down not shot after Eddie.

3787
03:05:32,879 --> 03:05:33,160
Speaker 5: Hip hop.

3788
03:05:35,360 --> 03:05:39,080
Speaker 1: You know what I like about it, Like how it

3789
03:05:39,160 --> 03:05:41,640
Speaker 1: started and then they went to Beverly Hills again, Like

3790
03:05:41,760 --> 03:05:44,840
Speaker 1: that ship is crazy and Eddie, Eddie Murphy was still

3791
03:05:44,879 --> 03:05:47,279
Speaker 1: being funny, Like I didn't think he was ready.

3792
03:05:47,080 --> 03:05:56,480
Speaker 3: Because drink when he's promoting Netflix just gave him every

3793
03:05:56,520 --> 03:06:00,440
Speaker 3: billboard on Sunset but and on Hireland in front of

3794
03:06:00,480 --> 03:06:03,800
Speaker 3: the boat. All you see is Eddie Murphy all through

3795
03:06:03,840 --> 03:06:07,040
Speaker 3: Hollywood right now. That movie it's through here. The culture

3796
03:06:07,040 --> 03:06:08,080
Speaker 3: of shift for sure.

3797
03:06:08,240 --> 03:06:10,360
Speaker 5: And that that beat he was just doing the that

3798
03:06:10,520 --> 03:06:10,680
Speaker 5: was the.

3799
03:06:13,480 --> 03:06:14,120
Speaker 4: That was my ship.

3800
03:06:14,160 --> 03:06:14,960
Speaker 3: I had that on the book.

3801
03:06:15,040 --> 03:06:17,200
Speaker 5: On that beat. I don't repeat. I don't repeat on

3802
03:06:17,240 --> 03:06:20,240
Speaker 5: my boot cuckoo. Everyone they used the same again.

3803
03:06:20,680 --> 03:06:21,960
Speaker 3: They have to say that's Eddie Murphy.

3804
03:06:22,040 --> 03:06:26,520
Speaker 5: Stinged music from the It was called axle Steamer. It's

3805
03:06:26,680 --> 03:06:27,280
Speaker 5: it's the thing so.

3806
03:06:30,360 --> 03:06:30,480
Speaker 3: Far.

3807
03:06:30,720 --> 03:06:37,680
Speaker 5: His back guy he put the tailor. The judge Ryant Hole. Yeah,

3808
03:06:37,720 --> 03:06:42,679
Speaker 5: they judge Ryan Hold and the older guy too. It's

3809
03:06:42,680 --> 03:06:50,680
Speaker 5: a bigger dude, right, Yeah, he was Taggard. He plays yeah,

3810
03:06:51,680 --> 03:06:56,720
Speaker 5: and he killed that ship. It's funny. I was blurry

3811
03:06:56,720 --> 03:06:58,320
Speaker 5: because you know, I want to ruin my talent.

3812
03:06:58,400 --> 03:07:01,720
Speaker 3: First of all, Markley never made a good sequel because

3813
03:07:01,720 --> 03:07:03,560
Speaker 3: there was too much money about partoun didn't want to

3814
03:07:03,560 --> 03:07:06,160
Speaker 3: pay for it. Now Netflix has made him a partner

3815
03:07:06,240 --> 03:07:07,920
Speaker 3: so he can do these things while.

3816
03:07:07,760 --> 03:07:14,560
Speaker 5: He's still young enough and still have co stars. I

3817
03:07:14,680 --> 03:07:16,520
Speaker 5: watched them both back to back. I watched the old

3818
03:07:16,600 --> 03:07:17,720
Speaker 5: one and the new one.

3819
03:07:18,800 --> 03:07:22,400
Speaker 1: Murphy production like I watched the I watched the new

3820
03:07:22,440 --> 03:07:23,840
Speaker 1: one first and then I watched.

3821
03:07:23,640 --> 03:07:29,440
Speaker 5: The old one. There's one, two, and three right.

3822
03:07:32,200 --> 03:07:36,520
Speaker 1: Preparation just wanting to was fo right, Yeah, I watched

3823
03:07:39,280 --> 03:07:41,360
Speaker 1: watched the new one and and and the original one,

3824
03:07:41,560 --> 03:07:45,320
Speaker 1: and I was like, this is I forgot about the

3825
03:07:45,600 --> 03:07:46,000
Speaker 1: second one?

3826
03:07:46,400 --> 03:07:46,600
Speaker 5: Yeah?

3827
03:07:46,600 --> 03:07:46,960
Speaker 2: I like that.

3828
03:07:47,040 --> 03:07:47,400
Speaker 5: I like that.

3829
03:07:47,480 --> 03:07:51,840
Speaker 1: I like now all of O O G is one

3830
03:07:51,879 --> 03:07:55,600
Speaker 1: of my biggest conversations. Is them owner than the Masters?

3831
03:07:55,640 --> 03:07:57,840
Speaker 1: Some of them get what is it called reverse over

3832
03:07:58,040 --> 03:07:58,840
Speaker 1: the thirty year thing?

3833
03:07:59,520 --> 03:07:59,720
Speaker 2: Yeah?

3834
03:08:00,120 --> 03:08:05,359
Speaker 1: Up reversion reversion? There you go, Ah, do you already

3835
03:08:05,400 --> 03:08:06,320
Speaker 1: own all your masters?

3836
03:08:06,480 --> 03:08:10,480
Speaker 3: Or I was smart enough to duplicate the Master tapes

3837
03:08:10,520 --> 03:08:12,600
Speaker 3: and send those to Profile Records and keep the Masters

3838
03:08:12,680 --> 03:08:15,800
Speaker 3: in my fucking possession. I got all my masters.

3839
03:08:16,040 --> 03:08:16,879
Speaker 5: Hey look, dame.

3840
03:08:19,680 --> 03:08:24,000
Speaker 3: Mean hey, I'm like I got a princi of all

3841
03:08:24,040 --> 03:08:25,960
Speaker 3: I can go. Y'all going that motherfucker y'all could be

3842
03:08:25,959 --> 03:08:26,920
Speaker 3: pulling out everything like.

3843
03:08:27,040 --> 03:08:30,000
Speaker 5: Reading bro, he really got everything.

3844
03:08:31,480 --> 03:08:32,119
Speaker 3: From Niles.

3845
03:08:32,760 --> 03:08:35,440
Speaker 6: But hold up for Layman's what does that mean you duplicated?

3846
03:08:35,600 --> 03:08:39,840
Speaker 6: What didn't the masters mean that? Whoever owns well gener stipulation.

3847
03:08:39,640 --> 03:08:43,600
Speaker 3: That if Profile Records didn't get the tapes of the

3848
03:08:44,320 --> 03:08:46,960
Speaker 3: of our recording the reels, if they didn't get the

3849
03:08:47,560 --> 03:08:49,440
Speaker 3: sports hit the tape. If they didn't get the reels,

3850
03:08:49,600 --> 03:08:54,120
Speaker 3: we wouldn't get the second installment of our payment, the

3851
03:08:54,160 --> 03:08:55,320
Speaker 3: big money, the end of it.

3852
03:08:56,200 --> 03:08:57,560
Speaker 5: So you had to send them the tapes.

3853
03:08:58,640 --> 03:09:01,680
Speaker 3: But they got nobody profile talk about let's check these

3854
03:09:01,720 --> 03:09:03,400
Speaker 3: tapes to see if what's on is on there.

3855
03:09:03,480 --> 03:09:05,240
Speaker 5: The niggas got motherfucking some red.

3856
03:09:05,120 --> 03:09:09,160
Speaker 3: S kencing comedy albums. I got quick, I got weak.

3857
03:09:12,200 --> 03:09:16,320
Speaker 3: Tell me, bro, I just told me.

3858
03:09:16,400 --> 03:09:19,920
Speaker 20: He got everything he learnedly got every day. You said,

3859
03:09:20,040 --> 03:09:25,040
Speaker 20: black tapes, hip hop, I got my change, I said.

3860
03:09:25,280 --> 03:09:26,920
Speaker 20: Some other just told you he could pull up the

3861
03:09:26,959 --> 03:09:29,439
Speaker 20: drip up clear water Revival.

3862
03:09:32,520 --> 03:09:38,520
Speaker 3: They got that. They got that fucking summer breeze. Made duplicates.

3863
03:09:38,640 --> 03:09:42,160
Speaker 3: I made duplicates, like believe you with your duplicates right now? Man,

3864
03:09:42,240 --> 03:09:43,400
Speaker 3: you mean you saying something else.

3865
03:09:43,800 --> 03:09:46,720
Speaker 5: I'm a duplicator, bro, Yeah, he said.

3866
03:09:46,600 --> 03:09:54,240
Speaker 2: Duplicates, said duplicate. But yeah, he got everything right, he

3867
03:09:54,320 --> 03:09:55,440
Speaker 2: got it all counts.

3868
03:09:55,560 --> 03:09:59,040
Speaker 3: That's all. He got everything. The operative word meaning dupe.

3869
03:09:59,360 --> 03:10:02,200
Speaker 3: But okay, say no more, say no more.

3870
03:10:03,520 --> 03:10:03,920
Speaker 4: If you know.

3871
03:10:05,400 --> 03:10:06,680
Speaker 5: I'm Jamie Starr nigga.

3872
03:10:06,840 --> 03:10:09,360
Speaker 1: So if a Foley wanted to call you right now

3873
03:10:10,400 --> 03:10:13,240
Speaker 1: to score a movie using your old ship.

3874
03:10:13,320 --> 03:10:14,720
Speaker 5: You don't have to you don't have to speak to

3875
03:10:14,760 --> 03:10:18,040
Speaker 5: the label. You can you can playing you know, you

3876
03:10:18,120 --> 03:10:19,720
Speaker 5: know what I mean. I was making a point.

3877
03:10:20,879 --> 03:10:22,840
Speaker 3: If I want to make him feel important, I'll call

3878
03:10:22,920 --> 03:10:24,600
Speaker 3: him and ask him if I could use it. Okay,

3879
03:10:24,959 --> 03:10:26,600
Speaker 3: just so you know, because the niggas that owner Shi

3880
03:10:26,680 --> 03:10:29,600
Speaker 3: is still alive, they I'd be alive for that much

3881
03:10:29,640 --> 03:10:32,960
Speaker 3: money too. In theory, I gat used motherfuckers. Like I

3882
03:10:33,040 --> 03:10:35,440
Speaker 3: sold three and a half million records on an independent label.

3883
03:10:36,480 --> 03:10:37,120
Speaker 2: That's tough to do.

3884
03:10:37,800 --> 03:10:40,080
Speaker 3: Hell yeah, tough to do, ship, but I did it

3885
03:10:40,120 --> 03:10:42,200
Speaker 3: with run DMC money, so it ain't really that bad.

3886
03:10:42,520 --> 03:10:47,360
Speaker 3: That was raising hell raised me basically literally, what label

3887
03:10:47,440 --> 03:10:48,320
Speaker 3: was this profile?

3888
03:10:48,480 --> 03:10:50,560
Speaker 5: Okay, that's why that's independent at that time?

3889
03:10:50,720 --> 03:10:53,520
Speaker 3: Yeah, okay, but these motherfuckers were like a major that

3890
03:10:53,600 --> 03:10:55,520
Speaker 3: was your first that was your first deal, right, Yeah.

3891
03:10:56,240 --> 03:10:58,440
Speaker 3: I got one hundred and twenty five grand to sign

3892
03:10:59,000 --> 03:11:01,840
Speaker 3: and got that Time seven with bumps, and I was

3893
03:11:01,879 --> 03:11:03,720
Speaker 3: getting all my bumps like Michael Jackson was getting his

3894
03:11:03,800 --> 03:11:07,080
Speaker 3: bumps for Thriller, Like at sixteen point seventeen point eight

3895
03:11:07,360 --> 03:11:09,320
Speaker 3: percent whatever. It was like, hey man, I went gold,

3896
03:11:09,320 --> 03:11:10,879
Speaker 3: you get a bonus for that? Give me the bonus.

3897
03:11:10,879 --> 03:11:12,840
Speaker 3: I'm looking for that bonus because I got bikes and

3898
03:11:12,920 --> 03:11:16,840
Speaker 3: ship motorcycles. I would need some CR eighties in one

3899
03:11:16,920 --> 03:11:19,000
Speaker 3: twenty five. Give me this money so I could go

3900
03:11:19,120 --> 03:11:22,520
Speaker 3: buy these things, you know. But yeah, I was smart

3901
03:11:22,600 --> 03:11:24,720
Speaker 3: enough to keep all my tapes and Problem. I'm gonna

3902
03:11:24,720 --> 03:11:26,760
Speaker 3: shut it up because probably was like, man, you be

3903
03:11:26,840 --> 03:11:30,560
Speaker 3: running along, man, you be talking on that sh Yeah,

3904
03:11:30,760 --> 03:11:33,600
Speaker 3: I got my ship me. I'm about to get the

3905
03:11:33,680 --> 03:11:35,720
Speaker 3: control of it to be able to do whatever I want.

3906
03:11:35,760 --> 03:11:40,320
Speaker 3: But said I performed when I perform. I performed them

3907
03:11:40,360 --> 03:11:42,640
Speaker 3: songs just like they I did when I first made them.

3908
03:11:43,040 --> 03:11:44,240
Speaker 3: So those are my assets.

3909
03:11:44,320 --> 03:11:48,640
Speaker 2: That's my grand then my grand grandchildren's money legacy I own.

3910
03:11:48,800 --> 03:11:52,800
Speaker 2: I own the Jason White Ones Diamond Lane, which is

3911
03:11:53,440 --> 03:11:56,400
Speaker 2: my partner. Yeah, yeah, he owns all the ones prior

3912
03:11:56,440 --> 03:11:56,600
Speaker 2: to me.

3913
03:11:56,760 --> 03:11:57,520
Speaker 3: My name changed.

3914
03:11:59,040 --> 03:12:01,920
Speaker 5: The reason for the name Shane, No, not at all

3915
03:12:01,959 --> 03:12:08,360
Speaker 5: because because everything is all laid out the right way.

3916
03:12:08,640 --> 03:12:09,320
Speaker 3: You get what I'm saying.

3917
03:12:10,240 --> 03:12:15,200
Speaker 2: So when Problem makes money, Jason Martin makes money, and

3918
03:12:16,200 --> 03:12:17,680
Speaker 2: we had to do it that way.

3919
03:12:20,080 --> 03:12:22,360
Speaker 3: So yeah, yeah, we own them.

3920
03:12:22,440 --> 03:12:24,959
Speaker 2: It's it's it's kind of dope because when you're can

3921
03:12:25,160 --> 03:12:27,400
Speaker 2: like do the license in Yourself and like you said,

3922
03:12:27,400 --> 03:12:30,080
Speaker 2: you brought up Better Watch Yourself like a lot of

3923
03:12:30,160 --> 03:12:31,800
Speaker 2: my my records that kind of went.

3924
03:12:32,120 --> 03:12:33,320
Speaker 3: I was a producer on them.

3925
03:12:33,959 --> 03:12:35,640
Speaker 2: So some of them are one hundred, some of them

3926
03:12:35,680 --> 03:12:38,120
Speaker 2: are like forty five. Some are like when you say,

3927
03:12:38,200 --> 03:12:40,320
Speaker 2: like percentage wise publishing. Some of them are like just

3928
03:12:40,560 --> 03:12:42,200
Speaker 2: higher than the rapper side of it. But I just

3929
03:12:42,320 --> 03:12:45,880
Speaker 2: never was loud about it. When we're doing these licenses.

3930
03:12:46,240 --> 03:12:50,840
Speaker 2: Instead of seven to eight signatures, it's two right, and

3931
03:12:50,959 --> 03:12:53,240
Speaker 2: it's made it where the Better Watch Yourself like it

3932
03:12:53,320 --> 03:12:55,680
Speaker 2: may not have went like platinum, but we able to

3933
03:12:55,800 --> 03:13:03,240
Speaker 2: do in Japan when the what's the guys that answer Guysawaukee.

3934
03:13:01,959 --> 03:13:04,520
Speaker 5: Shave Milwaukee's they take it, they do it, dance to it,

3935
03:13:04,720 --> 03:13:05,720
Speaker 5: and then it goes.

3936
03:13:06,520 --> 03:13:09,320
Speaker 2: They do it at the Golden State Warriors game in

3937
03:13:09,400 --> 03:13:13,040
Speaker 2: the championship and then it's we can make money off

3938
03:13:13,080 --> 03:13:15,600
Speaker 2: of it like all over the place instead of just

3939
03:13:15,720 --> 03:13:16,440
Speaker 2: like record sales.

3940
03:13:16,520 --> 03:13:18,600
Speaker 5: Do you remember when our song got used for it?

3941
03:13:18,680 --> 03:13:20,880
Speaker 2: So you think you get Wes rose Crass, that's whe

3942
03:13:21,000 --> 03:13:23,160
Speaker 2: he got to see like it was crazy. When we

3943
03:13:23,240 --> 03:13:25,440
Speaker 2: did the project together with rosekrans So shout out with

3944
03:13:25,480 --> 03:13:30,160
Speaker 2: Diamond Lane Empire, we were licensing a lot. He was

3945
03:13:30,200 --> 03:13:32,920
Speaker 2: able to license the songs through the movie he did

3946
03:13:33,040 --> 03:13:35,199
Speaker 2: what's the name of the movie, which one the movie

3947
03:13:35,879 --> 03:13:39,120
Speaker 2: with the black guy with the hammer John Henry. He

3948
03:13:39,240 --> 03:13:40,800
Speaker 2: was able to use a lot of those songs in there,

3949
03:13:40,800 --> 03:13:43,720
Speaker 2: and it was then easier signature to get TV stuff.

3950
03:13:43,760 --> 03:13:45,160
Speaker 2: We were able to just get it done a lot

3951
03:13:45,280 --> 03:13:48,119
Speaker 2: quicker because we owned it as.

3952
03:13:48,040 --> 03:13:50,200
Speaker 5: Opposed to like the how it usually tastes right.

3953
03:13:50,400 --> 03:13:53,520
Speaker 3: You know, this dude is so fair that he's like

3954
03:13:53,600 --> 03:13:56,480
Speaker 3: a publishing magnet, Like he'd be showing like side artists

3955
03:13:56,600 --> 03:13:58,240
Speaker 3: how to you know, get paid, how to be a

3956
03:13:58,280 --> 03:14:00,840
Speaker 3: part of a thing, and don't just be like be

3957
03:14:00,920 --> 03:14:03,879
Speaker 3: about to raw raw, like really calm down and earn

3958
03:14:04,080 --> 03:14:06,520
Speaker 3: while you're not even visible, you know what I'm saying.

3959
03:14:06,640 --> 03:14:08,400
Speaker 3: Like it ain't ghost producing, no none of that ship.

3960
03:14:08,400 --> 03:14:10,600
Speaker 3: It's just a smart way of just you know, I'm

3961
03:14:10,600 --> 03:14:12,320
Speaker 3: gonna pay you in publishing, like I'm not gonna pay

3962
03:14:12,320 --> 03:14:15,760
Speaker 3: you in like no cash or you know, it's just

3963
03:14:15,879 --> 03:14:17,879
Speaker 3: make money on the back end because we've been.

3964
03:14:17,800 --> 03:14:20,400
Speaker 2: In he's such an advocate for that, he's he a beast.

3965
03:14:20,560 --> 03:14:22,240
Speaker 2: But I'm gonna make sure everybody got what they got.

3966
03:14:22,280 --> 03:14:23,400
Speaker 2: Everybody a solution.

3967
03:14:25,640 --> 03:14:27,360
Speaker 3: A problem straight up.

3968
03:14:27,680 --> 03:14:29,039
Speaker 2: But it's like, no, I just want to make sure,

3969
03:14:29,120 --> 03:14:31,400
Speaker 2: Like even with like jay Worthy, we figured out a

3970
03:14:31,440 --> 03:14:34,360
Speaker 2: way to get him the look because he just did

3971
03:14:34,440 --> 03:14:36,400
Speaker 2: so much. It's like, bro, we got to pay the

3972
03:14:36,480 --> 03:14:39,080
Speaker 2: ship for it in this business because they try to.

3973
03:14:39,600 --> 03:14:43,240
Speaker 2: They want us to say ghosts and ghosts and ghosts

3974
03:14:43,320 --> 03:14:45,880
Speaker 2: like why then they don't do that in no other business.

3975
03:14:46,000 --> 03:14:48,600
Speaker 3: You know why because once you become a ghost owned

3976
03:14:48,600 --> 03:14:49,560
Speaker 3: all your ship right.

3977
03:14:49,920 --> 03:14:52,840
Speaker 5: Fuck that this business built up people.

3978
03:14:53,160 --> 03:14:53,480
Speaker 3: Let's just.

3979
03:14:55,240 --> 03:14:57,840
Speaker 2: I'm an advocate on just like I'm gonna pay you

3980
03:14:58,080 --> 03:15:01,120
Speaker 2: how fast I want to be paid. I want my

3981
03:15:01,200 --> 03:15:03,200
Speaker 2: ship the minute it is all to me. So if

3982
03:15:03,240 --> 03:15:05,920
Speaker 2: I owe somebody something, have you got a question? Like

3983
03:15:06,320 --> 03:15:08,320
Speaker 2: all of this, this other way of doing business, this

3984
03:15:08,400 --> 03:15:11,560
Speaker 2: whimsical way of doing business and rap music is so

3985
03:15:11,920 --> 03:15:15,600
Speaker 2: fucking weird to me. I can't understand why these conversations

3986
03:15:15,600 --> 03:15:18,440
Speaker 2: are so deep. We're not selling crack, We're not we're

3987
03:15:18,480 --> 03:15:19,240
Speaker 2: not doing anything.

3988
03:15:19,360 --> 03:15:20,000
Speaker 5: We did these.

3989
03:15:19,920 --> 03:15:23,240
Speaker 3: Songs in our own students said, Oh, it's like, why

3990
03:15:23,480 --> 03:15:24,480
Speaker 3: don't make dollars?

3991
03:15:24,840 --> 03:15:26,320
Speaker 5: It don't make sense why?

3992
03:15:26,800 --> 03:15:30,560
Speaker 2: But I said that are afraid of confrontational conversations. They

3993
03:15:30,640 --> 03:15:33,320
Speaker 2: think we have to agree, and they think we're beefing.

3994
03:15:33,480 --> 03:15:36,480
Speaker 3: This ship is just not agree without being violently disagreeable.

3995
03:15:36,840 --> 03:15:39,640
Speaker 3: Just let's just talk till we agree. It's not deep,

3996
03:15:40,080 --> 03:15:41,880
Speaker 3: but the fact that we're talking is an agreement.

3997
03:15:42,000 --> 03:15:43,440
Speaker 5: This is something that we should have had a quick

3998
03:15:43,480 --> 03:15:52,240
Speaker 5: time with live y'all major or independent both? Gonnah on Jim, Jimmy,

3999
03:15:52,240 --> 03:15:55,560
Speaker 5: I V that's my oracle. He said.

4000
03:15:57,240 --> 03:15:59,920
Speaker 3: He just had a meeting. Worthy just had a fucking

4001
03:16:00,080 --> 03:16:01,959
Speaker 3: meeting with all three of them, and did you knock

4002
03:16:02,000 --> 03:16:14,480
Speaker 3: come out like that? Ship take him up talking about.

4003
03:16:16,280 --> 03:16:28,240
Speaker 13: To open the word together, like yeah, yah, yeah, yeah, yeah,

4004
03:16:28,600 --> 03:16:29,080
Speaker 13: I'm gonna go.

4005
03:16:29,160 --> 03:16:34,920
Speaker 5: Indy, I'm an Empire good No, Jim mean is the man?

4006
03:16:36,400 --> 03:16:38,279
Speaker 3: I don't think. I don't know the other side.

4007
03:16:38,520 --> 03:16:43,080
Speaker 5: Thinking of the Gazi. We just did this with Empire myology.

4008
03:16:43,120 --> 03:16:46,040
Speaker 2: I'm sorry, I'm sorry, I'm sorry. I forgot Empire is

4009
03:16:46,120 --> 03:16:49,080
Speaker 2: a major. Empire is a major. Now, So I started

4010
03:16:49,080 --> 03:16:51,240
Speaker 2: with Empire when they were empires a major?

4011
03:16:51,480 --> 03:16:54,160
Speaker 3: Yeah, yeah, yeah they are.

4012
03:16:54,280 --> 03:16:54,640
Speaker 2: I didn't.

4013
03:16:54,680 --> 03:16:57,080
Speaker 5: I my negligence was wrong.

4014
03:16:57,280 --> 03:16:59,400
Speaker 2: I started with them like all my earlier stuff was

4015
03:16:59,480 --> 03:17:03,920
Speaker 2: through Diamond Learning and Empire well in twenty eleven twelve.

4016
03:17:04,200 --> 03:17:06,760
Speaker 2: But now they're definitely. They got number one record right

4017
03:17:06,760 --> 03:17:08,240
Speaker 2: now with Chaboozi. I want to say, so that's a

4018
03:17:08,360 --> 03:17:11,359
Speaker 2: major label to Kaboozie.

4019
03:17:10,879 --> 03:17:12,920
Speaker 5: That's the country but he got he got it, that's

4020
03:17:12,959 --> 03:17:17,280
Speaker 5: the country singer. Yeah, yeah, oh yeah, we're on a

4021
03:17:17,360 --> 03:17:17,840
Speaker 5: major now.

4022
03:17:18,400 --> 03:17:19,120
Speaker 3: Yeah, thank you?

4023
03:17:19,720 --> 03:17:23,680
Speaker 2: So you picking major, he said, both. I'm I'm I'm

4024
03:17:23,760 --> 03:17:25,880
Speaker 2: waiting to see what my ask is gonna be right now.

4025
03:17:27,879 --> 03:17:29,400
Speaker 2: It's been amazing thus far.

4026
03:17:29,560 --> 03:17:29,920
Speaker 5: For sure.

4027
03:17:30,920 --> 03:17:33,440
Speaker 3: You know they calling in they wanted to sing.

4028
03:17:33,920 --> 03:17:34,440
Speaker 2: You know what I'm saying.

4029
03:17:34,440 --> 03:17:36,520
Speaker 5: We're gonna have a guit time. We gonna see what happens.

4030
03:17:37,440 --> 03:17:40,800
Speaker 3: I'll see like a baseball player like show right now,

4031
03:17:42,120 --> 03:17:43,920
Speaker 3: just went to jail niggas they can steal their.

4032
03:17:43,879 --> 03:17:47,279
Speaker 5: Money on your account. Show do it in Japanese.

4033
03:17:47,400 --> 03:17:48,880
Speaker 3: I don't know how to do it.

4034
03:17:49,320 --> 03:17:52,880
Speaker 1: Yeah yeah, so yeah that's me and e F n we.

4035
03:17:53,400 --> 03:17:57,200
Speaker 1: I always I like I like the major push with

4036
03:17:57,320 --> 03:18:01,960
Speaker 1: the independent ownership. But but but I love Major. I

4037
03:18:02,040 --> 03:18:04,840
Speaker 1: can't lie to you like like like I like the

4038
03:18:04,920 --> 03:18:11,440
Speaker 1: good hotels. Yeah yeah, the wiki Diggs boy, you'd be like.

4039
03:18:14,280 --> 03:18:22,359
Speaker 3: To make sure that's all right. I gotta make better decisions, yes, yes, yes, exactly.

4040
03:18:25,160 --> 03:18:27,680
Speaker 2: Yeah, I don't y'all had real major though, Like I

4041
03:18:27,760 --> 03:18:30,120
Speaker 2: want to tell like Ego tripping was probably the.

4042
03:18:30,200 --> 03:18:33,560
Speaker 3: Last major labeled thing I saw.

4043
03:18:33,959 --> 03:18:37,600
Speaker 2: Oh my gosh, six months Fish Studios, that niggas Snoop

4044
03:18:37,680 --> 03:18:40,120
Speaker 2: was running over plans whenever you need to eat that

4045
03:18:40,160 --> 03:18:41,800
Speaker 2: f you pull up, go there, get your food.

4046
03:18:42,120 --> 03:18:42,520
Speaker 4: He had it.

4047
03:18:42,720 --> 03:18:43,160
Speaker 9: He had it.

4048
03:18:44,720 --> 03:18:48,359
Speaker 2: Everybody was propably, but that nigga does independent.

4049
03:18:48,520 --> 03:18:50,040
Speaker 3: So you know who's that?

4050
03:18:51,440 --> 03:18:55,720
Speaker 5: Yeah, all independent though, So this is my first time.

4051
03:18:55,920 --> 03:19:00,560
Speaker 2: Like it's weird because I began with Empire when they

4052
03:19:00,600 --> 03:19:03,720
Speaker 2: were a super indie and now they're a major respect

4053
03:19:03,760 --> 03:19:06,520
Speaker 2: and and this time I'm like more involved business wise.

4054
03:19:06,560 --> 03:19:09,240
Speaker 2: I wasn't the first time. I was just full artists moke.

4055
03:19:09,920 --> 03:19:12,960
Speaker 2: But I will say it's been dope. Man. Shout out

4056
03:19:12,959 --> 03:19:15,280
Speaker 2: to Chase Infinite from making sure that ship went right, bro,

4057
03:19:15,520 --> 03:19:20,119
Speaker 2: like Bro Chase, Tina, David Davis, David.

4058
03:19:19,840 --> 03:19:20,440
Speaker 3: You know what I'm saying.

4059
03:19:20,640 --> 03:19:24,000
Speaker 2: What I'm saying, you know what I'm saying, Like Gentry, Jada, Bria,

4060
03:19:24,600 --> 03:19:27,120
Speaker 2: everybody over there, everybody over there has been Nima.

4061
03:19:27,240 --> 03:19:29,680
Speaker 5: Everybody's been a t treat.

4062
03:19:29,720 --> 03:19:30,800
Speaker 3: Gods, he just talked to him.

4063
03:19:30,959 --> 03:19:33,320
Speaker 5: Guys. I can't wait to see what we keep doing. Together,

4064
03:19:33,560 --> 03:19:41,600
Speaker 5: Gui pick up the Gazi shout out, shout.

4065
03:19:41,360 --> 03:19:43,640
Speaker 2: Out to Sean Sony Orchard and next, you know what

4066
03:19:43,640 --> 03:19:45,600
Speaker 2: I'm saying, my boy John too many.

4067
03:19:47,200 --> 03:19:50,680
Speaker 5: The Big Johns Monument. Here, Matt, you got take a drink?

4068
03:19:50,760 --> 03:19:51,320
Speaker 5: He said both?

4069
03:19:51,560 --> 03:19:52,080
Speaker 3: He said both.

4070
03:19:52,520 --> 03:19:53,880
Speaker 5: I took myself when he said both.

4071
03:19:55,160 --> 03:19:58,120
Speaker 3: That's how you know this show Who's gonna win this?

4072
03:19:58,320 --> 03:20:01,120
Speaker 3: Whos gonna win this little competition in them drinks? Who's

4073
03:20:01,160 --> 03:20:01,720
Speaker 3: the drink chap?

4074
03:20:01,800 --> 03:20:07,840
Speaker 2: Because I'm definitely not no, No, that's okay, got to

4075
03:20:07,879 --> 03:20:10,080
Speaker 2: be because you came to us with mother.

4076
03:20:10,040 --> 03:20:14,360
Speaker 3: Fucking Caribbean drink too, like I'm not fun So yeah,

4077
03:20:14,520 --> 03:20:17,120
Speaker 3: that looked like a free DZ bro. That's Dick fixing it.

4078
03:20:20,879 --> 03:20:22,320
Speaker 5: I got light skin. I don't have to do nothing

4079
03:20:22,360 --> 03:20:24,840
Speaker 5: but like skining shit, we do light skin and ship.

4080
03:20:26,120 --> 03:20:27,920
Speaker 5: So I'm playing. I'm just hope I'm funny.

4081
03:20:29,360 --> 03:20:32,080
Speaker 3: Hold on just like Compton, right, yes, sir.

4082
03:20:33,080 --> 03:20:36,440
Speaker 5: That came out before I came out in nineteen ninety two.

4083
03:20:37,200 --> 03:20:40,000
Speaker 5: And then when did Summer Vacation come out? Uh?

4084
03:20:40,280 --> 03:20:42,760
Speaker 3: This on my summer vacation When he said, now you

4085
03:20:42,800 --> 03:20:44,240
Speaker 3: got his ass in Minnesota? That record?

4086
03:20:45,040 --> 03:20:47,280
Speaker 5: Yeah, how close did those records come out?

4087
03:20:47,720 --> 03:20:48,200
Speaker 14: I need one.

4088
03:20:49,480 --> 03:20:50,000
Speaker 2: Well, we were.

4089
03:20:50,800 --> 03:20:52,880
Speaker 3: It was a blur because we were always spending a

4090
03:20:52,920 --> 03:20:54,480
Speaker 3: lot of time in Saint Louis, Missouri.

4091
03:20:54,760 --> 03:20:56,480
Speaker 6: The reason why, I said, because I feel like that's

4092
03:20:56,520 --> 03:20:59,440
Speaker 6: the blueprint to show the outside world from the West

4093
03:20:59,480 --> 03:21:05,240
Speaker 6: Coast how gang culture spread spread. Yeah, like I think

4094
03:21:05,280 --> 03:21:08,160
Speaker 6: summer vacation is like the Ills, like explanation. It should

4095
03:21:08,160 --> 03:21:11,440
Speaker 6: be a movie, Cube should explain. Cube is a poet laureate.

4096
03:21:11,480 --> 03:21:16,000
Speaker 6: And then and then, just like Compton with that record,

4097
03:21:16,280 --> 03:21:18,520
Speaker 6: what I was going to bring it, I had I

4098
03:21:18,640 --> 03:21:21,520
Speaker 6: have to have, you know, still performing. I just performed

4099
03:21:21,520 --> 03:21:25,840
Speaker 6: that in Oakland. But I read like that record is

4100
03:21:26,000 --> 03:21:29,000
Speaker 6: those two records explain a lot about gang culture to

4101
03:21:29,040 --> 03:21:30,840
Speaker 6: people who don't know anything about the West Coast.

4102
03:21:31,120 --> 03:21:34,000
Speaker 3: Rock that record, Chris Chris Rock said that that's one

4103
03:21:34,040 --> 03:21:37,240
Speaker 3: of his favorite records. Like it made sense when I

4104
03:21:37,320 --> 03:21:40,680
Speaker 3: did it. So, Yeah, how big was that record for you?

4105
03:21:41,000 --> 03:21:44,880
Speaker 5: It went gold in one week. My album Wow Fish

4106
03:21:45,720 --> 03:21:48,080
Speaker 5: Physical Physical, I was physical.

4107
03:21:48,160 --> 03:21:51,640
Speaker 2: I went totally different fire.

4108
03:21:50,680 --> 03:21:53,320
Speaker 1: Because because one one dude of downloads you said seven

4109
03:21:53,360 --> 03:21:55,640
Speaker 1: times physical, you got to go to the store seven

4110
03:21:55,640 --> 03:21:58,280
Speaker 1: time physical is crazy or act for seven copies.

4111
03:21:58,360 --> 03:22:00,920
Speaker 2: You can listen to our songs fifteen hundred times before

4112
03:22:00,959 --> 03:22:01,800
Speaker 2: we make ten bucks.

4113
03:22:01,840 --> 03:22:07,640
Speaker 1: That squall, that's before you make ten bucks then streaming,

4114
03:22:07,720 --> 03:22:10,200
Speaker 1: and you won't even get those ten bucks until you

4115
03:22:10,320 --> 03:22:11,400
Speaker 1: reach another threshold.

4116
03:22:11,520 --> 03:22:13,840
Speaker 5: I can't wear a shirt twice and then pay for

4117
03:22:13,959 --> 03:22:18,240
Speaker 5: it and bring it back what it wants, get it paid.

4118
03:22:18,040 --> 03:22:20,720
Speaker 3: For us crazy, that's crazy. Right now.

4119
03:22:20,760 --> 03:22:22,560
Speaker 5: They're gonna fix that though. That's why we can't with

4120
03:22:22,640 --> 03:22:23,360
Speaker 5: the walkman Vinyl.

4121
03:22:23,480 --> 03:22:26,160
Speaker 3: But you know what YouTube's doing it. They already fixed it.

4122
03:22:26,240 --> 03:22:29,280
Speaker 3: We got we got people in Congress that are up

4123
03:22:29,320 --> 03:22:29,640
Speaker 3: for us.

4124
03:22:29,720 --> 03:22:29,840
Speaker 6: Bro.

4125
03:22:30,120 --> 03:22:32,200
Speaker 5: That Maks an optimist right now, I see this in

4126
03:22:32,320 --> 03:22:36,840
Speaker 5: him right now, the future Bro.

4127
03:22:37,040 --> 03:22:40,240
Speaker 3: Right now, Bro, I'm I'm silly Walker right now, I

4128
03:22:40,400 --> 03:22:40,800
Speaker 3: noticed ship.

4129
03:22:40,879 --> 03:22:42,960
Speaker 5: You believe in those tech guys that have the best

4130
03:22:43,000 --> 03:22:44,040
Speaker 5: interest for the musicians.

4131
03:22:44,080 --> 03:22:47,640
Speaker 3: I don't know, man, Well, the thing is somebody has

4132
03:22:47,680 --> 03:22:50,240
Speaker 3: to vouch for that music, and AI can't run in

4133
03:22:50,280 --> 03:22:53,800
Speaker 3: there and sign a fucking contract. It's still about being

4134
03:22:54,160 --> 03:22:56,600
Speaker 3: alive and having your ship in perpetuity.

4135
03:22:57,040 --> 03:22:59,680
Speaker 5: Until AI started creating the music and the label, what

4136
03:22:59,760 --> 03:22:59,959
Speaker 5: are we.

4137
03:23:02,000 --> 03:23:02,040
Speaker 2: Know?

4138
03:23:02,200 --> 03:23:05,800
Speaker 6: They can't they can't. But this is the thing, this corrupt.

4139
03:23:05,840 --> 03:23:07,800
Speaker 6: I was trying to talk to Growth about it. We're

4140
03:23:07,840 --> 03:23:10,280
Speaker 6: gonna get to a point where the next generation. They're

4141
03:23:10,320 --> 03:23:13,480
Speaker 6: gonna program that generation to think this is good, just

4142
03:23:13,560 --> 03:23:16,640
Speaker 6: like they're programming the generation that with a social media

4143
03:23:16,720 --> 03:23:19,279
Speaker 6: that this is proper, this is good, this is entertainment.

4144
03:23:19,800 --> 03:23:21,680
Speaker 5: Bro, the youth, don't fuck with that.

4145
03:23:21,959 --> 03:23:25,440
Speaker 2: Don't don't think the youth feel more than than a

4146
03:23:25,560 --> 03:23:26,880
Speaker 2: few of our generations have.

4147
03:23:27,000 --> 03:23:27,840
Speaker 3: They like feel.

4148
03:23:28,080 --> 03:23:30,200
Speaker 5: So you know, I'm telling you, I got daughters and

4149
03:23:30,240 --> 03:23:31,600
Speaker 5: ship like from a from.

4150
03:23:34,440 --> 03:23:37,400
Speaker 2: I listened to them. They can tell when ship don't

4151
03:23:37,560 --> 03:23:38,840
Speaker 2: feel right, like they.

4152
03:23:39,560 --> 03:23:42,360
Speaker 5: See that they're true. They don't understand what.

4153
03:23:42,400 --> 03:23:44,440
Speaker 3: A gang banger is, like, why kill each other in color?

4154
03:23:44,480 --> 03:23:45,200
Speaker 3: That makes no sense.

4155
03:23:45,400 --> 03:23:47,720
Speaker 6: But the point of AI is to eventually trick you

4156
03:23:47,840 --> 03:23:51,320
Speaker 6: to not un even know that it's anything robotic, anything technology.

4157
03:23:51,360 --> 03:23:53,720
Speaker 2: I think that's the trick the spender of us that's older.

4158
03:23:53,959 --> 03:23:56,520
Speaker 2: I don't think that you're not gonna trick these these yet.

4159
03:23:56,560 --> 03:24:00,360
Speaker 5: They are, Damnit. I hope So I'm hoping. Yeah, what's

4160
03:24:00,680 --> 03:24:01,240
Speaker 5: what you got?

4161
03:24:01,280 --> 03:24:01,800
Speaker 3: You got kids?

4162
03:24:01,920 --> 03:24:02,120
Speaker 4: Yeah?

4163
03:24:02,120 --> 03:24:04,800
Speaker 2: I got the youngest four and six. You got an

4164
03:24:04,840 --> 03:24:07,920
Speaker 2: older one? No, no, okay, all right, it's probably difference.

4165
03:24:08,280 --> 03:24:11,360
Speaker 2: Like my oldest graduated from college. I got a twenty

4166
03:24:11,400 --> 03:24:13,000
Speaker 2: one year old that go to groundlar right now too.

4167
03:24:13,360 --> 03:24:16,440
Speaker 2: So it's different. Like I talk to them, they don't

4168
03:24:16,520 --> 03:24:19,080
Speaker 2: see it like we see it, Like they spot that

4169
03:24:19,200 --> 03:24:19,920
Speaker 2: bullshit quick.

4170
03:24:20,000 --> 03:24:21,520
Speaker 5: They're not drinking as much alcohol.

4171
03:24:21,800 --> 03:24:24,440
Speaker 6: But it's not them, Bro, What I'm telling you is

4172
03:24:24,480 --> 03:24:27,840
Speaker 6: another future. Okay, it's beyond their future already.

4173
03:24:27,840 --> 03:24:31,280
Speaker 5: It's another future going on. Hmm. I'm saying it's a

4174
03:24:31,320 --> 03:24:33,480
Speaker 5: younger general. So talking to like the eight year olds.

4175
03:24:33,959 --> 03:24:36,440
Speaker 6: When when we start to see this, this next thing

4176
03:24:36,560 --> 03:24:39,120
Speaker 6: that's AI that it's like we didn't even imagine it.

4177
03:24:39,240 --> 03:24:41,600
Speaker 5: This future it's gonna start to happen.

4178
03:24:41,760 --> 03:24:44,080
Speaker 6: Well, you don't even know that this video is not

4179
03:24:44,160 --> 03:24:46,039
Speaker 6: a real person, but it's AI generated.

4180
03:24:46,160 --> 03:24:49,360
Speaker 2: Mean, like they believe in the highest music. They keep

4181
03:24:49,400 --> 03:24:51,880
Speaker 2: tweaking AI. It's gonna be like they use us to

4182
03:24:51,920 --> 03:24:52,680
Speaker 2: model to get it right.

4183
03:24:52,800 --> 03:24:54,800
Speaker 3: You said that I don't agree with something you said.

4184
03:24:56,280 --> 03:24:58,440
Speaker 3: How can they do this ship that we can't imagine?

4185
03:24:59,320 --> 03:25:05,320
Speaker 3: We imagine AIM. We did David from AI the movie

4186
03:25:06,160 --> 03:25:07,840
Speaker 3: that was my ship too. It was a little star's

4187
03:25:07,920 --> 03:25:10,480
Speaker 3: name on the movie Artificial Intelligence.

4188
03:25:12,600 --> 03:25:13,320
Speaker 5: His name is David.

4189
03:25:14,760 --> 03:25:18,119
Speaker 3: We made AI. I've been programming Apple computers since nineteen

4190
03:25:18,160 --> 03:25:22,959
Speaker 3: seventy eight. I was an apples now it's command legit.

4191
03:25:23,280 --> 03:25:29,240
Speaker 5: I was apple Z Yeah, apple Shit, Steve Kosky, Steve Jobs.

4192
03:25:30,040 --> 03:25:34,640
Speaker 3: It's different since an eight year old. I was DJ

4193
03:25:34,879 --> 03:25:36,120
Speaker 3: before I could talk and walk.

4194
03:25:36,240 --> 03:25:36,320
Speaker 6: Bro.

4195
03:25:36,440 --> 03:25:39,160
Speaker 3: I was like walking to the turntable because I wanted

4196
03:25:39,200 --> 03:25:40,560
Speaker 3: to play those people that were in it.

4197
03:25:40,800 --> 03:25:42,520
Speaker 5: He thought people were in there. I thought they were

4198
03:25:42,520 --> 03:25:46,120
Speaker 5: in the record to like, this is not something he

4199
03:25:46,240 --> 03:25:47,240
Speaker 5: just DJ.

4200
03:25:47,360 --> 03:25:50,039
Speaker 2: I was scratching BRO before I was talking in there,

4201
03:25:50,160 --> 03:25:51,680
Speaker 2: so he wanted to hear their voice talk.

4202
03:25:51,760 --> 03:25:52,360
Speaker 5: But that's dope.

4203
03:25:53,280 --> 03:25:54,320
Speaker 3: That's two or three years old.

4204
03:25:54,320 --> 03:25:56,160
Speaker 5: He with DJ at parties and he's like, let me

4205
03:25:56,200 --> 03:25:56,760
Speaker 5: play the ghost.

4206
03:25:57,200 --> 03:26:00,760
Speaker 3: Yeah, the ghost exactly. He thought. Became to go inside

4207
03:26:00,800 --> 03:26:01,680
Speaker 3: the joint type ship.

4208
03:26:01,760 --> 03:26:06,320
Speaker 2: It was like I heard this mother wow, so I

4209
03:26:06,440 --> 03:26:08,200
Speaker 2: need to take apart that Bro.

4210
03:26:08,280 --> 03:26:09,760
Speaker 3: I used to take apart my equipment and put it

4211
03:26:09,800 --> 03:26:12,480
Speaker 3: back together because I was looking for other people inside.

4212
03:26:13,720 --> 03:26:14,000
Speaker 2: Ship.

4213
03:26:14,600 --> 03:26:16,680
Speaker 5: Then I learned how to do schematics. I'm a radio

4214
03:26:16,760 --> 03:26:18,840
Speaker 5: shock kid, like I know how to make radio check.

4215
03:26:19,040 --> 03:26:22,680
Speaker 3: You know how to transceivers transponder like I was technical.

4216
03:26:24,000 --> 03:26:28,000
Speaker 3: I had my first soldern kid at fourteen or fifteen fifteen,

4217
03:26:28,120 --> 03:26:29,959
Speaker 3: I had a soldering kid. Soldering is wow.

4218
03:26:30,320 --> 03:26:30,879
Speaker 5: I learned something.

4219
03:26:31,520 --> 03:26:33,320
Speaker 6: Brother, they don't even teach that shit, don't think anymore

4220
03:26:33,320 --> 03:26:34,119
Speaker 6: like how to like put.

4221
03:26:34,040 --> 03:26:34,480
Speaker 5: Together like that.

4222
03:26:34,600 --> 03:26:36,440
Speaker 6: I still got a ship that I made in junior

4223
03:26:36,680 --> 03:26:39,920
Speaker 6: with my soldering that I'm a fucking nerd.

4224
03:26:40,040 --> 03:26:42,120
Speaker 5: I hate it trying to be cool.

4225
03:26:42,280 --> 03:26:43,320
Speaker 3: That ain't like.

4226
03:26:48,680 --> 03:26:50,280
Speaker 5: Everybody needs to be a fucking nerd.

4227
03:26:50,720 --> 03:26:55,520
Speaker 1: No, it's it's so dope because I love the fact

4228
03:26:55,600 --> 03:26:59,279
Speaker 1: that you know us coming from the East Coast hearing djur,

4229
03:26:59,400 --> 03:27:00,240
Speaker 1: that's all we order.

4230
03:27:00,360 --> 03:27:02,880
Speaker 5: It was was gang culture. We thought of, like you know,

4231
03:27:03,440 --> 03:27:03,879
Speaker 5: and then and.

4232
03:27:03,920 --> 03:27:06,000
Speaker 3: Then like, there's no other than that.

4233
03:27:06,280 --> 03:27:08,400
Speaker 5: Again, when we see West Coast dudes.

4234
03:27:08,640 --> 03:27:12,320
Speaker 1: Walking, Jerry curls and then firms like because we hadn't

4235
03:27:12,360 --> 03:27:14,080
Speaker 1: seen that on the East Coast. When we seen that,

4236
03:27:14,360 --> 03:27:17,080
Speaker 1: we identified with that as Oh. At first it was like,

4237
03:27:17,080 --> 03:27:19,240
Speaker 1: wait a minute, they different why they don't got to

4238
03:27:19,240 --> 03:27:21,320
Speaker 1: fade they have moved that, you know what I mean?

4239
03:27:21,600 --> 03:27:24,840
Speaker 1: And then we said, oh ship, that's a that's gang ship.

4240
03:27:25,840 --> 03:27:32,720
Speaker 5: The perma I got it with some pimp ship. It

4241
03:27:32,840 --> 03:27:35,360
Speaker 5: was it was that pimp is down with a gang. Well,

4242
03:27:35,440 --> 03:27:38,520
Speaker 5: I mean, yeah, that makes sense. I guess I was

4243
03:27:38,560 --> 03:27:42,680
Speaker 5: with a game because I liked my ship. But I

4244
03:27:42,760 --> 03:27:43,160
Speaker 5: see I.

4245
03:27:44,680 --> 03:27:49,800
Speaker 3: Want gas gang. You can say it's a little cs

4246
03:27:49,879 --> 03:27:52,320
Speaker 3: I career is what it is. But I like the

4247
03:27:52,440 --> 03:27:54,440
Speaker 3: ice tea that off the six in the morning, mother

4248
03:27:54,480 --> 03:27:57,880
Speaker 3: fucking off the month, Cold War Madness coming on Saturday

4249
03:27:58,000 --> 03:28:00,800
Speaker 3: records that Jimmy James Terry Lewis produce. I wanted to

4250
03:28:00,879 --> 03:28:03,600
Speaker 3: wear my hair like iced Tea on Motherfuck and Power

4251
03:28:03,760 --> 03:28:04,880
Speaker 3: Album on Warner Brothers.

4252
03:28:05,480 --> 03:28:07,120
Speaker 5: That's the iced tea. I did my hair like that

4253
03:28:07,600 --> 03:28:11,400
Speaker 5: and Shabby Blue and pimpin Carl. I see.

4254
03:28:12,560 --> 03:28:13,400
Speaker 6: You know the.

4255
03:28:13,440 --> 03:28:17,200
Speaker 2: Misconception of California though, because you think because he has

4256
03:28:17,320 --> 03:28:20,320
Speaker 2: not he's obtained this knowledge that he won't to fuck

4257
03:28:20,400 --> 03:28:20,680
Speaker 2: you up.

4258
03:28:20,720 --> 03:28:26,560
Speaker 3: Though that's that's not true. The flip side is.

4259
03:28:29,560 --> 03:28:33,280
Speaker 2: The story that happened during Ego tripping. I'm not I'm

4260
03:28:33,680 --> 03:28:37,440
Speaker 2: I'm just getting my life, getting my life started. Problems

4261
03:28:38,000 --> 03:28:41,160
Speaker 2: come here with Snoop Dogg. I'm saying everybody every day.

4262
03:28:41,400 --> 03:28:43,440
Speaker 2: So at this point, were like two weeks in, he's

4263
03:28:43,480 --> 03:28:44,520
Speaker 2: taking a liking something like this.

4264
03:28:44,640 --> 03:28:46,280
Speaker 5: Okay, so we said it against it. I'm sorry.

4265
03:28:46,640 --> 03:28:46,840
Speaker 16: Sorry.

4266
03:28:47,480 --> 03:28:49,680
Speaker 2: Ego tripping Terrace has brought me in. But now I'm

4267
03:28:49,760 --> 03:28:52,920
Speaker 2: like two weeks into this six month situation and He's

4268
03:28:52,959 --> 03:28:54,720
Speaker 2: figured out that I'm from the same.

4269
03:28:54,640 --> 03:28:57,680
Speaker 3: Area as him. Believe it here, you're you're gonna sit

4270
03:28:57,760 --> 03:28:58,000
Speaker 3: with me.

4271
03:28:58,160 --> 03:28:59,120
Speaker 5: But y'all new to each other.

4272
03:28:59,200 --> 03:29:01,600
Speaker 3: Though we didn't know we did each other.

4273
03:29:01,640 --> 03:29:05,120
Speaker 2: We knew each other each other like this, like we

4274
03:29:05,640 --> 03:29:08,800
Speaker 2: had always shown lovely from confident. This is like every

4275
03:29:09,000 --> 03:29:12,280
Speaker 2: day we meet up at ten, leave at two, the

4276
03:29:12,360 --> 03:29:15,640
Speaker 2: whole thing. So I'm sitting with him and like we

4277
03:29:15,760 --> 03:29:17,880
Speaker 2: was working that shit was crazy. I'm sitting with him

4278
03:29:17,879 --> 03:29:19,680
Speaker 2: while he's mixing one of the records on Ego Trippers.

4279
03:29:19,720 --> 03:29:21,560
Speaker 2: So I used to sit there and just kind of watch,

4280
03:29:21,640 --> 03:29:23,600
Speaker 2: you know what I'm saying. He's working the big board,

4281
03:29:23,840 --> 03:29:27,080
Speaker 2: but he's he's one of the first ones dollar in analog.

4282
03:29:26,720 --> 03:29:29,320
Speaker 5: With digital, like this was two thousand and nine, two

4283
03:29:29,360 --> 03:29:30,640
Speaker 5: thousand and eight, something like that.

4284
03:29:30,959 --> 03:29:33,320
Speaker 2: So I'm just kind of just watching, just watching, watching,

4285
03:29:33,680 --> 03:29:35,800
Speaker 2: and Rihanna's coming through there, motherfucker.

4286
03:29:35,800 --> 03:29:36,800
Speaker 5: Anybody's coming through there.

4287
03:29:36,879 --> 03:29:38,000
Speaker 3: But he don't break.

4288
03:29:38,440 --> 03:29:40,480
Speaker 5: He on, he on so corrupt.

4289
03:29:40,640 --> 03:29:44,400
Speaker 2: Bring somebody by one night and it's maybe thirty people

4290
03:29:44,480 --> 03:29:47,240
Speaker 2: in the studio while he's mixing, and maybe nineteen of

4291
03:29:47,240 --> 03:29:51,720
Speaker 2: the more women and it's like a five to eleven

4292
03:29:51,879 --> 03:29:54,720
Speaker 2: type sit where it's like guys, summer gangs, whatever. So

4293
03:29:54,879 --> 03:29:56,880
Speaker 2: this guy walks in, He's like, what's up, He's up,

4294
03:29:57,040 --> 03:29:58,400
Speaker 2: what's up? Like if I came in here and went

4295
03:29:58,440 --> 03:29:59,840
Speaker 2: across the room, it was just like, what's.

4296
03:29:59,760 --> 03:30:00,360
Speaker 3: Up, what's up?

4297
03:30:00,440 --> 03:30:00,800
Speaker 5: What's up?

4298
03:30:00,879 --> 03:30:01,840
Speaker 3: What's up? What's up?

4299
03:30:01,879 --> 03:30:02,240
Speaker 2: What's up?

4300
03:30:02,280 --> 03:30:02,640
Speaker 5: What's up?

4301
03:30:02,720 --> 03:30:03,080
Speaker 3: What's up.

4302
03:30:03,280 --> 03:30:06,600
Speaker 5: He get to him and he go what's up? And

4303
03:30:06,720 --> 03:30:07,720
Speaker 5: then you go, what's up?

4304
03:30:07,800 --> 03:30:08,240
Speaker 3: What's up?

4305
03:30:09,040 --> 03:30:11,959
Speaker 2: So he he's fucking around and he just looks up

4306
03:30:12,000 --> 03:30:14,960
Speaker 2: at me, go like this. I looked at him and

4307
03:30:15,080 --> 03:30:17,280
Speaker 2: he goes, he's just hop up. He like I was

4308
03:30:17,320 --> 03:30:21,840
Speaker 2: having blood? What fuck you talking to? Hes just going

4309
03:30:21,920 --> 03:30:27,280
Speaker 2: on like niggas treats off. Nigga, come fucked up. So

4310
03:30:27,440 --> 03:30:28,320
Speaker 2: I'm sitting there like this.

4311
03:30:28,760 --> 03:30:33,439
Speaker 5: I'm like, so, I'm like, because he said everybody else because.

4312
03:30:33,240 --> 03:30:36,520
Speaker 2: Him only it's I'm like, so mind you, I only

4313
03:30:36,680 --> 03:30:39,039
Speaker 2: know like the version of y'all just saw with the words.

4314
03:30:40,720 --> 03:30:44,000
Speaker 5: But I'm I'm ten, Oliviers. Don't listen to this nigga.

4315
03:30:44,000 --> 03:30:47,000
Speaker 5: I'm like, I want to see that other thing too.

4316
03:30:47,200 --> 03:30:50,880
Speaker 5: You know there's another version. Hey that dude, that dude

4317
03:30:50,959 --> 03:30:53,080
Speaker 5: like he said, oh man, my man.

4318
03:30:53,480 --> 03:30:58,440
Speaker 3: He was like, nigga sat down. He said, hey, could

4319
03:30:58,440 --> 03:30:59,760
Speaker 3: you just the osculators with the left.

4320
03:31:01,920 --> 03:31:03,920
Speaker 5: Where he said, God, I'm sitting there like.

4321
03:31:05,840 --> 03:31:06,760
Speaker 4: The crazy thing.

4322
03:31:07,160 --> 03:31:11,280
Speaker 5: Okay, and to the point where the dude corrupt find out.

4323
03:31:11,200 --> 03:31:15,560
Speaker 3: About it, finds out about it, drives him back.

4324
03:31:17,680 --> 03:31:20,840
Speaker 2: Apologize to Uncle Quick because I'm gonna knock you out.

4325
03:31:20,920 --> 03:31:23,440
Speaker 2: It just became this other thing that going. And he

4326
03:31:23,520 --> 03:31:26,640
Speaker 2: apologized and then he left. And then I was like,

4327
03:31:26,879 --> 03:31:29,400
Speaker 2: this is DJ Quick in a nutshell right here. He

4328
03:31:29,560 --> 03:31:32,280
Speaker 2: really want to be chilling, but niggas keep tapping at him.

4329
03:31:33,160 --> 03:31:35,520
Speaker 2: And then all right, I'm wanted to answer.

4330
03:31:35,320 --> 03:31:39,040
Speaker 5: That question quick. You think home boy did it on

4331
03:31:39,160 --> 03:31:40,280
Speaker 5: purpose or I know.

4332
03:31:40,360 --> 03:31:41,080
Speaker 3: He did it on purpose.

4333
03:31:41,160 --> 03:31:44,000
Speaker 5: Okay, you can't not do it on purpose.

4334
03:31:45,040 --> 03:31:47,200
Speaker 3: Come on, it just wasn't the time, and it was

4335
03:31:47,240 --> 03:31:53,320
Speaker 3: inappropriate time sometime, that was not the time because we

4336
03:31:53,400 --> 03:31:55,920
Speaker 3: were on the clock, and I'm getting gang tested while

4337
03:31:55,920 --> 03:31:57,920
Speaker 3: I'm on the clock. This is a different This is

4338
03:31:57,920 --> 03:32:00,520
Speaker 3: a caveat Let me you know what.

4339
03:32:00,840 --> 03:32:04,720
Speaker 5: Let's make this make sense. Do you mind if I

4340
03:32:04,800 --> 03:32:05,520
Speaker 5: trip a little.

4341
03:32:05,440 --> 03:32:06,480
Speaker 3: He looked, He looked at me.

4342
03:32:06,520 --> 03:32:08,600
Speaker 5: I just love to trip a little man.

4343
03:32:10,000 --> 03:32:13,960
Speaker 2: Look here, he with one. Let me talk to you.

4344
03:32:16,400 --> 03:32:23,480
Speaker 5: She mean, don't you ever come in this business talking

4345
03:32:23,560 --> 03:32:23,879
Speaker 5: that ship.

4346
03:32:24,640 --> 03:32:27,480
Speaker 3: I don't know who you is. I know that somebody

4347
03:32:27,600 --> 03:32:30,480
Speaker 3: somewhere must love you because you're here. Now get back

4348
03:32:30,520 --> 03:32:34,200
Speaker 3: to him safely. If you play that ship one more time,

4349
03:32:34,920 --> 03:32:35,960
Speaker 3: I'm gonna show you what to do.

4350
03:32:36,640 --> 03:32:39,640
Speaker 2: And I hate being that guy, But don't come in

4351
03:32:39,720 --> 03:32:41,480
Speaker 2: here with that. That's like the teacher of the class.

4352
03:32:41,680 --> 03:32:42,800
Speaker 2: I'm finish corrupt.

4353
03:32:42,520 --> 03:32:45,000
Speaker 3: This whole class. I got students that will.

4354
03:32:44,879 --> 03:32:48,760
Speaker 2: Be kick your ass outside that let me nope, turn

4355
03:32:48,800 --> 03:32:52,080
Speaker 2: the phone off in the com not alert the front office,

4356
03:32:52,640 --> 03:32:54,039
Speaker 2: deal with this in the hallway right.

4357
03:32:54,360 --> 03:32:57,800
Speaker 5: And then after it happened, he looked at me. After

4358
03:32:57,840 --> 03:33:02,080
Speaker 5: he looked at me both ways of Sunday you looked

4359
03:33:02,120 --> 03:33:02,280
Speaker 5: at me.

4360
03:33:02,320 --> 03:33:09,240
Speaker 3: He was like, that's immature. Oh my god.

4361
03:33:10,200 --> 03:33:14,200
Speaker 2: He looked at me, just was like did I It

4362
03:33:14,360 --> 03:33:17,480
Speaker 2: was amazing, Like as a as a child that was

4363
03:33:17,560 --> 03:33:18,080
Speaker 2: just wanting you.

4364
03:33:18,600 --> 03:33:20,279
Speaker 5: You kind of expected in this way.

4365
03:33:20,120 --> 03:33:22,480
Speaker 2: But you wait, No, it's just it's not that I

4366
03:33:22,600 --> 03:33:25,879
Speaker 2: expected it. It was just like I hadn't seen it yet.

4367
03:33:26,959 --> 03:33:28,440
Speaker 2: I don't know, Like, bro, like you know what I'm saying.

4368
03:33:28,480 --> 03:33:29,320
Speaker 2: He was an asshole.

4369
03:33:30,400 --> 03:33:31,080
Speaker 5: Were just supposed to do.

4370
03:33:31,200 --> 03:33:34,160
Speaker 2: But I'm saying I'm I'm i hold him at such

4371
03:33:34,200 --> 03:33:35,199
Speaker 2: a high regard.

4372
03:33:36,200 --> 03:33:40,120
Speaker 5: It's like, not will he go down there? Does he

4373
03:33:40,200 --> 03:33:46,120
Speaker 5: still like to go down there? He felt like the

4374
03:33:46,200 --> 03:33:46,920
Speaker 5: other way he said it.

4375
03:33:48,600 --> 03:33:50,880
Speaker 2: Like not he he could have literally ignored it and

4376
03:33:50,959 --> 03:33:53,720
Speaker 2: it wouldn't be anything he could have This is DJ

4377
03:33:54,200 --> 03:33:56,840
Speaker 2: quick exactly. Man, he could have literally he could have

4378
03:33:56,959 --> 03:33:59,080
Speaker 2: like kicked me twice. Not a fire on that nigga,

4379
03:33:59,160 --> 03:34:02,480
Speaker 2: just because I'm with him, right, it was just like,

4380
03:34:02,760 --> 03:34:04,840
Speaker 2: let me show you something, let me show you something

4381
03:34:04,840 --> 03:34:05,240
Speaker 2: real quick.

4382
03:34:06,400 --> 03:34:10,800
Speaker 5: Sorry, He's like, it's just like, hold on, I got

4383
03:34:10,879 --> 03:34:12,480
Speaker 5: to see what I grew up to.

4384
03:34:14,040 --> 03:34:17,200
Speaker 1: Yeah, so let me ask you quick, right, Because in

4385
03:34:17,360 --> 03:34:25,720
Speaker 1: certain places, blood is a slang me right, right, Blood

4386
03:34:25,800 --> 03:34:27,480
Speaker 1: is like saying somebody saying what's up?

4387
03:34:27,520 --> 03:34:30,840
Speaker 5: Blood is a slang but they don't mean, they don't mean,

4388
03:34:31,480 --> 03:34:33,560
Speaker 5: they don't mean, they don't mean gang.

4389
03:34:33,400 --> 03:34:35,760
Speaker 1: Banging and certain places because it is a slang, right,

4390
03:34:36,320 --> 03:34:39,320
Speaker 1: can you identify if someone called you a blood or

4391
03:34:39,360 --> 03:34:41,039
Speaker 1: because in a place that.

4392
03:34:42,720 --> 03:34:48,200
Speaker 8: Is in gang random? Yes, it's the funny thing. The

4393
03:34:48,360 --> 03:34:54,680
Speaker 8: thing is is that'sh ship the fun Ready for this question.

4394
03:34:56,800 --> 03:34:59,400
Speaker 3: I'm gonna smoke your let's go do whatever you need.

4395
03:35:00,040 --> 03:35:01,760
Speaker 5: How long you take you to think of that question, though,

4396
03:35:02,720 --> 03:35:04,120
Speaker 5: how long it take you to come up with that? Cus,

4397
03:35:04,840 --> 03:35:07,960
Speaker 5: you just now pothize that was random, That's like it

4398
03:35:08,080 --> 03:35:08,360
Speaker 5: just came.

4399
03:35:09,520 --> 03:35:10,000
Speaker 3: That was ill.

4400
03:35:10,760 --> 03:35:12,600
Speaker 5: All the we're probably said.

4401
03:35:12,600 --> 03:35:16,520
Speaker 3: It's like we have been desensitizing blood and crip and

4402
03:35:16,640 --> 03:35:19,520
Speaker 3: cuz and all the nicknames as much as we've been

4403
03:35:19,600 --> 03:35:21,720
Speaker 3: trying to desensitize the word nigga.

4404
03:35:22,040 --> 03:35:22,280
Speaker 2: Wow.

4405
03:35:23,720 --> 03:35:26,279
Speaker 3: Wow, we're making it more common and we're taking ownership

4406
03:35:26,320 --> 03:35:28,760
Speaker 3: of it. We're turning into terms of endearment and love.

4407
03:35:28,840 --> 03:35:31,080
Speaker 3: But it's it's kind of hard when you really know

4408
03:35:31,240 --> 03:35:34,160
Speaker 3: the truth about you know, derogatory terms and all this.

4409
03:35:34,600 --> 03:35:37,080
Speaker 3: But if we could just make take the sting out

4410
03:35:37,080 --> 03:35:38,480
Speaker 3: of it, all of it, it's just you know, like,

4411
03:35:38,760 --> 03:35:40,600
Speaker 3: oh my god, you know, I mean, it don't have

4412
03:35:40,720 --> 03:35:46,400
Speaker 3: to be political. We're deep. We're citizenizing, like you said, citizen,

4413
03:35:46,760 --> 03:35:50,360
Speaker 3: We're citizenizing Bluzz and Cris. We just we're just all citizens, bro,

4414
03:35:50,480 --> 03:35:52,240
Speaker 3: and we're all the same color at the same time,

4415
03:35:52,800 --> 03:35:55,039
Speaker 3: you know what I mean. It's it's anything every it's

4416
03:35:55,160 --> 03:35:59,080
Speaker 3: everything everywhere, all at once, but at least less control

4417
03:35:59,200 --> 03:36:01,920
Speaker 3: the energy and a narrative of it, Like let's diffuse

4418
03:36:01,959 --> 03:36:04,959
Speaker 3: the bullshit let's make it more to where I can

4419
03:36:05,080 --> 03:36:07,200
Speaker 3: come and get a fucking burger at tams Bro and

4420
03:36:07,200 --> 03:36:11,080
Speaker 3: your neighborhood is fine because I like fucking like fucking

4421
03:36:11,120 --> 03:36:13,120
Speaker 3: PERSTROMI on my fries, my asshole.

4422
03:36:13,840 --> 03:36:16,040
Speaker 5: Y'all got over here. I'm not gonna mess with your girls.

4423
03:36:18,280 --> 03:36:18,760
Speaker 3: That show.

4424
03:36:20,040 --> 03:36:22,640
Speaker 5: That show I keep saying, I've just never seen it,

4425
03:36:23,280 --> 03:36:23,640
Speaker 5: And let.

4426
03:36:23,560 --> 03:36:26,080
Speaker 1: Me ask you all, because what Kendrick said on stage

4427
03:36:26,280 --> 03:36:28,360
Speaker 1: was it wasn't not just the first time y'all was

4428
03:36:28,400 --> 03:36:31,119
Speaker 1: at rehearsal before the right man.

4429
03:36:31,320 --> 03:36:33,440
Speaker 5: Rehearsal was like.

4430
03:36:33,480 --> 03:36:36,280
Speaker 2: The county jet, like the county jail at first Bro

4431
03:36:37,120 --> 03:36:38,800
Speaker 2: the county because everybody.

4432
03:36:42,600 --> 03:36:44,440
Speaker 3: Like the way you pull in. It was just like

4433
03:36:44,560 --> 03:36:45,800
Speaker 3: you get to see who pulling up.

4434
03:36:46,360 --> 03:36:48,320
Speaker 2: And again, I'm probably like the oldest niggad there, so

4435
03:36:48,360 --> 03:36:50,280
Speaker 2: I'm just kind of just watching energy, Me and whack

4436
03:36:50,320 --> 03:36:53,840
Speaker 2: Off we watching. I'm like, okay, yeah, oh okay, they

4437
03:36:53,920 --> 03:36:57,800
Speaker 2: got okay, they coming okay, And everybody brought the version

4438
03:36:57,840 --> 03:36:59,960
Speaker 2: to everybody, so it was cool, you know what I'm saying.

4439
03:37:00,200 --> 03:37:01,320
Speaker 3: And then like DJ Head, he.

4440
03:37:01,360 --> 03:37:01,960
Speaker 5: Set the tone.

4441
03:37:02,280 --> 03:37:06,520
Speaker 2: Everybody came with the attitude of like it's trying to win. Yeah,

4442
03:37:07,080 --> 03:37:12,840
Speaker 2: like everybody, nobody was on bullshit. Nobody looks scared, nobody

4443
03:37:12,959 --> 03:37:15,960
Speaker 2: was nervous, nobody was thinking it was about to be

4444
03:37:16,400 --> 03:37:18,280
Speaker 2: Like people I think were excited to be.

4445
03:37:19,800 --> 03:37:24,920
Speaker 5: Welcomed. I think that's what it was like. Everybody felt

4446
03:37:25,000 --> 03:37:26,520
Speaker 5: like they were happy to be welcomed.

4447
03:37:26,959 --> 03:37:29,080
Speaker 1: That like I would have thought something with elite from

4448
03:37:29,120 --> 03:37:31,680
Speaker 1: the rehearsals, the fact that every ya was all in

4449
03:37:31,760 --> 03:37:32,920
Speaker 1: cahoop's like like.

4450
03:37:33,120 --> 03:37:36,600
Speaker 5: Like like that's real, that's that's it, yeah, because somebody

4451
03:37:36,640 --> 03:37:41,920
Speaker 5: would have violated. It was for me, for me, For me,

4452
03:37:42,040 --> 03:37:45,600
Speaker 5: I got to see y'all, I was all together. I

4453
03:37:45,680 --> 03:37:49,680
Speaker 5: got to see how like five hundred million dollar businesses

4454
03:37:49,760 --> 03:37:52,400
Speaker 5: run is what I got to watch. Like they were

4455
03:37:52,520 --> 03:37:55,120
Speaker 5: definitely like if you do this, you can't perform. You

4456
03:37:55,200 --> 03:37:59,960
Speaker 5: do this, you can't perform whatever, like that's not that's

4457
03:38:00,360 --> 03:38:00,880
Speaker 5: my pey Gray.

4458
03:38:00,920 --> 03:38:02,800
Speaker 3: I don't I don't know what I saw. I know

4459
03:38:02,920 --> 03:38:05,920
Speaker 3: if you you did six seven things, you asked the

4460
03:38:05,959 --> 03:38:07,959
Speaker 3: pot of there all of.

4461
03:38:08,000 --> 03:38:11,520
Speaker 1: That, I imagine Doctor Dray wasn't that rehearsals, so he

4462
03:38:11,760 --> 03:38:14,080
Speaker 1: was he was was really was that had to be

4463
03:38:14,800 --> 03:38:16,560
Speaker 1: reearsal oh ship I left Earth.

4464
03:38:16,440 --> 03:38:18,280
Speaker 2: Yeah he was, but that had to be one of

4465
03:38:18,360 --> 03:38:21,680
Speaker 2: those like don't say that. No, Drey was fucking comfortable

4466
03:38:21,720 --> 03:38:25,520
Speaker 2: as fun. That's like, don't say nothing about No, we

4467
03:38:25,760 --> 03:38:30,280
Speaker 2: wasn't saying nothing about nothing, Like you couldn't know, Like what, Bro,

4468
03:38:30,560 --> 03:38:32,640
Speaker 2: we knew what we were about to do to the city.

4469
03:38:32,920 --> 03:38:35,160
Speaker 3: It was like, hold on, like, why would I be

4470
03:38:35,240 --> 03:38:38,080
Speaker 3: the one that leak it the world? The city?

4471
03:38:38,680 --> 03:38:38,880
Speaker 2: Nah?

4472
03:38:39,040 --> 03:38:39,320
Speaker 3: World?

4473
03:38:39,360 --> 03:38:42,080
Speaker 5: No, no, no, no, no, the city the world got

4474
03:38:42,120 --> 03:38:42,600
Speaker 5: to watch it.

4475
03:38:43,000 --> 03:38:46,320
Speaker 2: This was really about Los Angeles, like, Bro, I heard

4476
03:38:46,400 --> 03:38:47,520
Speaker 2: wrote really.

4477
03:38:47,320 --> 03:38:52,040
Speaker 5: About that, really about that? Like I heard, I don't

4478
03:38:52,080 --> 03:38:53,480
Speaker 5: know this is true, so don't do that.

4479
03:38:53,680 --> 03:38:57,039
Speaker 2: But I heard there was refunds if you were if

4480
03:38:57,080 --> 03:38:59,320
Speaker 2: your area code wasn't in California.

4481
03:39:00,440 --> 03:39:01,080
Speaker 5: I heard you say that.

4482
03:39:02,280 --> 03:39:02,800
Speaker 3: I heard that.

4483
03:39:02,959 --> 03:39:07,920
Speaker 5: I was like, wow, he Bro, the weekend was.

4484
03:39:07,920 --> 03:39:09,320
Speaker 3: In the bias straight up.

4485
03:39:09,680 --> 03:39:12,120
Speaker 2: The weekend was in the spot Rick Ross or they

4486
03:39:12,320 --> 03:39:14,000
Speaker 2: could they wasn't going on the stage though.

4487
03:39:16,640 --> 03:39:18,640
Speaker 5: That was about yeah, yeah yeah, they wasn't.

4488
03:39:20,160 --> 03:39:21,560
Speaker 3: For there, right Nick?

4489
03:39:21,879 --> 03:39:22,160
Speaker 5: Come on?

4490
03:39:22,360 --> 03:39:23,280
Speaker 2: That was bro.

4491
03:39:23,440 --> 03:39:24,600
Speaker 5: That was genius, man.

4492
03:39:25,879 --> 03:39:29,160
Speaker 2: That was yeah, Bro, it was no, why would we

4493
03:39:29,240 --> 03:39:31,400
Speaker 2: be the ones that that make it leak? And then

4494
03:39:31,480 --> 03:39:33,840
Speaker 2: we be on we be on the weirdose side of things.

4495
03:39:34,120 --> 03:39:39,160
Speaker 5: That's called sabotage, right, bro Bro.

4496
03:39:39,160 --> 03:39:41,200
Speaker 2: Didn't need none of us there for us for y'all

4497
03:39:41,240 --> 03:39:44,560
Speaker 2: to watch. So it's like, nah, we're not about to

4498
03:39:44,640 --> 03:39:47,000
Speaker 2: do that. This is this is this is about to

4499
03:39:47,040 --> 03:39:48,680
Speaker 2: be cool. I didn't know it was going to do this,

4500
03:39:49,120 --> 03:39:52,560
Speaker 2: but but that's a great time for California for y'all.

4501
03:39:52,760 --> 03:39:55,360
Speaker 3: I think it was great for him everywhere. I think

4502
03:39:55,400 --> 03:40:00,520
Speaker 3: it was bigger than California. I mean, what for hip

4503
03:40:00,520 --> 03:40:00,920
Speaker 3: hop too.

4504
03:40:01,200 --> 03:40:03,960
Speaker 1: It's big for hip hop and showing that cammaraderie and

4505
03:40:04,040 --> 03:40:06,280
Speaker 1: that unity that you know what I mean that we've

4506
03:40:06,320 --> 03:40:08,760
Speaker 1: never seen it was in that side. Everybody never seen

4507
03:40:08,840 --> 03:40:12,040
Speaker 1: from that side. So that since all in the same gang,

4508
03:40:12,280 --> 03:40:14,039
Speaker 1: you know, that's that's been the whole thing. Talking about

4509
03:40:14,080 --> 03:40:15,680
Speaker 1: that and like to see it. Like I said, I

4510
03:40:15,760 --> 03:40:17,720
Speaker 1: was on vacation somewhere. I don't forget where I was at.

4511
03:40:17,840 --> 03:40:19,720
Speaker 1: I just shot a pitcher at first, and I was

4512
03:40:19,760 --> 03:40:22,520
Speaker 1: just like, wait a minute, that sit just looked at

4513
03:40:22,600 --> 03:40:24,760
Speaker 1: it just looked at crazy to it tripped.

4514
03:40:24,520 --> 03:40:27,400
Speaker 2: Out Like I went when we landed, I had to

4515
03:40:27,440 --> 03:40:28,959
Speaker 2: go to the mall to grass and shit or whatever,

4516
03:40:29,080 --> 03:40:31,320
Speaker 2: and I'm just like I saw the billboard pop up

4517
03:40:31,840 --> 03:40:33,840
Speaker 2: and I saw it like pop up all over the mall.

4518
03:40:33,920 --> 03:40:39,039
Speaker 2: I'm like, y'all after the joke yesterday here, the mall

4519
03:40:39,160 --> 03:40:41,720
Speaker 2: is here, flew into Miami. I want to go grab

4520
03:40:41,840 --> 03:40:43,360
Speaker 2: some ship for you know what I'm saying, just hanging

4521
03:40:43,400 --> 03:40:45,400
Speaker 2: out or whatever, and I'm just watching the billboard that

4522
03:40:45,800 --> 03:40:48,560
Speaker 2: he's on the fucking billboard in the morning here, so

4523
03:40:49,720 --> 03:40:51,920
Speaker 2: we're just watching it. But I'm in Miami, bro, I'm

4524
03:40:51,959 --> 03:40:53,360
Speaker 2: not at the house. But you know what I'm saying,

4525
03:40:53,400 --> 03:40:55,120
Speaker 2: we got ours at the house. I heard it's like

4526
03:40:55,200 --> 03:40:57,560
Speaker 2: eleven to twelve cities that shit has flowed around through

4527
03:40:57,560 --> 03:40:58,640
Speaker 2: and it's about the triple up.

4528
03:40:58,760 --> 03:41:02,360
Speaker 3: So for that to just be something that you can

4529
03:41:02,440 --> 03:41:03,080
Speaker 3: you can say.

4530
03:41:02,879 --> 03:41:05,879
Speaker 2: You was a part of, deserve shout out to that boy,

4531
03:41:06,040 --> 03:41:09,520
Speaker 2: Kendrick Man, PG Lang, Free Lunch, DJ Head Mustard, everybody

4532
03:41:09,640 --> 03:41:10,280
Speaker 2: that was involved.

4533
03:41:10,840 --> 03:41:13,560
Speaker 3: For sure. For us to see that though outside of

4534
03:41:13,800 --> 03:41:15,279
Speaker 3: l A oh on man.

4535
03:41:15,320 --> 03:41:19,720
Speaker 5: Wow, wow, wow, make some noise for that.

4536
03:41:20,120 --> 03:41:20,640
Speaker 3: That's right.

4537
03:41:24,200 --> 03:41:28,000
Speaker 5: I'll be honest, I could do this all night, but damn,

4538
03:41:28,040 --> 03:41:28,760
Speaker 5: that was so dope.

4539
03:41:28,840 --> 03:41:29,000
Speaker 3: Man.

4540
03:41:29,440 --> 03:41:32,879
Speaker 1: I'm so proud of what y'all doing, what y'all continue

4541
03:41:32,920 --> 03:41:41,240
Speaker 1: to do. You know what, I'm proud I'm proud of

4542
03:41:41,680 --> 03:41:43,400
Speaker 1: I'm proud of your whole coast, man, You know what

4543
03:41:43,440 --> 03:41:46,280
Speaker 1: I'm saying, like to tell you the truth, Like like

4544
03:41:46,400 --> 03:41:48,360
Speaker 1: even us being from the East coast, like we didn't

4545
03:41:48,360 --> 03:41:49,480
Speaker 1: have no West coast beef.

4546
03:41:49,600 --> 03:41:49,800
Speaker 3: It was.

4547
03:41:50,200 --> 03:41:50,800
Speaker 5: It was stupid.

4548
03:41:50,840 --> 03:41:52,640
Speaker 1: We was following us some dumb ship and they was

4549
03:41:52,720 --> 03:41:54,920
Speaker 1: following some dumb ship. But for me to see y'all

4550
03:41:55,040 --> 03:41:59,000
Speaker 1: do that together, because guess what, I just like how

4551
03:41:59,040 --> 03:42:01,920
Speaker 1: you just said you just see the Bloods do that,

4552
03:42:02,120 --> 03:42:05,160
Speaker 1: then the crypt Shore follow suit. After we see l

4553
03:42:05,200 --> 03:42:09,880
Speaker 1: A do that, New York should follow suit. Remember self

4554
03:42:09,879 --> 03:42:13,080
Speaker 1: instruction came first, right now all in the same then

4555
03:42:13,240 --> 03:42:16,520
Speaker 1: a game. Now y'all all in the same game coming first.

4556
03:42:16,840 --> 03:42:19,360
Speaker 1: Now New York gotta step it up.

4557
03:42:19,400 --> 03:42:20,520
Speaker 5: We gotta do theirself not.

4558
03:42:22,200 --> 03:42:22,800
Speaker 3: Self destruction.

4559
03:42:23,360 --> 03:42:28,440
Speaker 5: Yeah yeah, yeah, making sure, yes, y'all made sure it's

4560
03:42:28,520 --> 03:42:30,440
Speaker 5: on another level entertainment with you.

4561
03:42:30,879 --> 03:42:31,640
Speaker 3: That's whole of the story.

4562
03:42:31,720 --> 03:42:34,160
Speaker 1: But yeah, but no, I just want to tell you

4563
03:42:34,280 --> 03:42:36,600
Speaker 1: how proud I am a y'all man, because and I

4564
03:42:36,760 --> 03:42:40,680
Speaker 1: proudly I am of y'all being proud of yourself. I

4565
03:42:40,720 --> 03:42:42,480
Speaker 1: don't know if that makes sense, but what I'm saying

4566
03:42:42,520 --> 03:42:44,279
Speaker 1: to say is I can see it with y'all.

4567
03:42:44,320 --> 03:42:45,280
Speaker 5: Like I see it. I can see.

4568
03:42:45,560 --> 03:42:47,720
Speaker 1: I see the way y'all walk. Now, I can see

4569
03:42:47,760 --> 03:42:51,680
Speaker 1: your hair cuts. It different, you're close different. Search is

4570
03:42:51,760 --> 03:42:55,200
Speaker 1: silky here, you know what I mean. Your restaurants some

4571
03:42:55,240 --> 03:42:57,720
Speaker 1: more spits word, you know what I mean. Like it's

4572
03:42:57,800 --> 03:43:01,160
Speaker 1: just all like be proud, beautiful, and it's just like

4573
03:43:01,520 --> 03:43:03,200
Speaker 1: like I got to see it, Like I said, you know,

4574
03:43:03,280 --> 03:43:04,119
Speaker 1: obviously I can't.

4575
03:43:04,440 --> 03:43:05,920
Speaker 5: You know, I'm not that connected.

4576
03:43:06,000 --> 03:43:08,320
Speaker 1: But for those five days just walking around and me

4577
03:43:08,560 --> 03:43:11,520
Speaker 1: traveling to LA for twenty seven years, twenty six years,

4578
03:43:11,800 --> 03:43:14,440
Speaker 1: you know what I'm saying, I'm seeing like like y'all

4579
03:43:14,640 --> 03:43:17,920
Speaker 1: like it's the morales just boosted back, and it's just

4580
03:43:18,040 --> 03:43:20,080
Speaker 1: like that's that's ill what Kendrick did.

4581
03:43:20,160 --> 03:43:20,760
Speaker 5: You know what I'm saying.

4582
03:43:20,800 --> 03:43:22,959
Speaker 2: And I think it's bigger than like the West Coast

4583
03:43:23,000 --> 03:43:26,720
Speaker 2: because I think he wants y'all to do the same

4584
03:43:26,800 --> 03:43:30,920
Speaker 2: thing Atlanta, Chicago. Bro, it's about it's about hip hop,

4585
03:43:31,160 --> 03:43:35,520
Speaker 2: Like it's about hip hop not becoming this New York

4586
03:43:35,560 --> 03:43:39,279
Speaker 2: b hip hop can't turn into the drug business, Bronia

4587
03:43:39,959 --> 03:43:41,280
Speaker 2: going to jail man.

4588
03:43:41,480 --> 03:43:43,240
Speaker 3: I think it's longer than the West Coast.

4589
03:43:43,280 --> 03:43:47,040
Speaker 6: It's bigger hip hop movement and Kendrick represents like this

4590
03:43:47,160 --> 03:43:50,240
Speaker 6: hip hop movement that he was inspired by, probably not

4591
03:43:50,360 --> 03:43:53,720
Speaker 6: even him. West Coast resonated somewhere else, but he brought

4592
03:43:53,760 --> 03:43:55,760
Speaker 6: it the West and he took it everywhere.

4593
03:43:55,800 --> 03:43:57,760
Speaker 5: He's like, Yo, this is what we're doing, guys.

4594
03:43:57,760 --> 03:43:58,960
Speaker 2: Absolutely.

4595
03:44:00,080 --> 03:44:02,680
Speaker 3: Right, I like.

4596
03:44:04,160 --> 03:44:04,640
Speaker 4: The whole time.

4597
03:44:05,520 --> 03:44:09,160
Speaker 5: Yeah, he's the only thing to say is.

4598
03:44:09,200 --> 03:44:14,960
Speaker 3: That bad jay Z said the devil's in the details. Yeah,

4599
03:44:15,879 --> 03:44:18,400
Speaker 3: let's talk about that before before beginning like that was

4600
03:44:18,480 --> 03:44:19,600
Speaker 3: drinking his liquor too.

4601
03:44:19,680 --> 03:44:22,560
Speaker 5: Yes, yes, yes, yes. What happens when you get this

4602
03:44:22,720 --> 03:44:24,760
Speaker 5: call that that jay Z wants to work with you?

4603
03:44:25,800 --> 03:44:30,280
Speaker 2: Uh, first of all, don't believe it, right, because I've been.

4604
03:44:30,200 --> 03:44:31,280
Speaker 3: In the house for a year.

4605
03:44:31,600 --> 03:44:34,160
Speaker 5: Hold you said by myself. You know, I cut the

4606
03:44:34,200 --> 03:44:35,000
Speaker 5: outside world off.

4607
03:44:35,040 --> 03:44:36,520
Speaker 3: Remember your man said I was in the house for

4608
03:44:36,560 --> 03:44:38,840
Speaker 3: a year, and he's right. And it was like my

4609
03:44:38,920 --> 03:44:40,920
Speaker 3: agent was like, hey man, they suck this up, bro,

4610
03:44:41,080 --> 03:44:43,640
Speaker 3: like you already sucked up the entourage meeting dude for HBO.

4611
03:44:43,720 --> 03:44:45,120
Speaker 3: I'm like, I'll be up there. I'm up there with

4612
03:44:45,200 --> 03:44:49,119
Speaker 3: Kevin Bacon them watching payroll get done. Fucking he got

4613
03:44:49,200 --> 03:44:51,840
Speaker 3: me this kids, man, he's my I missed this guy.

4614
03:44:51,840 --> 03:44:54,240
Speaker 3: I need to get this Asian back anyway. He was

4615
03:44:54,320 --> 03:44:57,440
Speaker 3: like dre like he said, Jay likes one of your beats. Bro,

4616
03:44:57,520 --> 03:44:59,680
Speaker 3: you got to New York. So I went to New

4617
03:44:59,800 --> 03:45:03,040
Speaker 3: York and stayed in fucking Jay's studio for a while,

4618
03:45:04,040 --> 03:45:07,000
Speaker 3: based like five days, yeah, based on okay and then

4619
03:45:07,200 --> 03:45:10,280
Speaker 3: about you know you got It's like I'm like, I'm here.

4620
03:45:11,080 --> 03:45:14,680
Speaker 3: They was like Cook doesn't get it. Just just leave

4621
03:45:14,720 --> 03:45:18,920
Speaker 3: him there, just telling him I beat need it right,

4622
03:45:21,760 --> 03:45:22,480
Speaker 3: don't tell him.

4623
03:45:26,520 --> 03:45:29,160
Speaker 5: Control is that?

4624
03:45:29,360 --> 03:45:34,520
Speaker 3: Man? No, look Monday, I got hardest around. I'm fading

4625
03:45:34,560 --> 03:45:35,160
Speaker 3: on Thursday.

4626
03:45:35,240 --> 03:45:37,480
Speaker 2: It's like the Friday and they put up with me.

4627
03:45:37,560 --> 03:45:40,800
Speaker 3: I say, I'm like, just I just went too hard

4628
03:45:40,840 --> 03:45:42,800
Speaker 3: and I was just like they finally came out like.

4629
03:45:44,400 --> 03:45:47,160
Speaker 5: You had to wait, said I love how you moved

4630
03:45:47,240 --> 03:45:48,440
Speaker 5: like he has something to do.

4631
03:45:48,640 --> 03:45:52,440
Speaker 3: He's busy guy. Yeah, bro, but no, it was funny

4632
03:45:52,640 --> 03:45:55,000
Speaker 3: like you know. Then he pulled up and I was like, bro,

4633
03:45:55,240 --> 03:45:56,400
Speaker 3: god damn things.

4634
03:45:56,480 --> 03:45:56,680
Speaker 5: Man.

4635
03:45:56,879 --> 03:46:01,080
Speaker 3: I was probably here like man, Guru is too smart, Bro, like,

4636
03:46:01,160 --> 03:46:04,480
Speaker 3: don't put me in rude to smart and showed me

4637
03:46:04,520 --> 03:46:08,520
Speaker 3: ship I've never seen before. Bro, Like, bro, just pick

4638
03:46:08,879 --> 03:46:14,119
Speaker 3: do you like to beat? He's like, quick shoe you wear.

4639
03:46:17,200 --> 03:46:17,560
Speaker 5: Got you.

4640
03:46:19,320 --> 03:46:23,000
Speaker 3: Starts coming on the way right now you love this

4641
03:46:23,120 --> 03:46:28,200
Speaker 3: pretty quick. You gotta see what I did. That's the

4642
03:46:28,280 --> 03:46:32,280
Speaker 3: best ever. You don't know when they see it, jay Z,

4643
03:46:32,760 --> 03:46:37,760
Speaker 3: I'm doing that, horrible jay Z. But is he always

4644
03:46:37,879 --> 03:46:41,480
Speaker 3: He's ahead, He's always ahead. He's a bro. He's one

4645
03:46:41,520 --> 03:46:43,840
Speaker 3: of the greatest writers ever. I watched him write without writing.

4646
03:46:44,560 --> 03:46:47,920
Speaker 3: It's like on in the in the Dragon, he started

4647
03:46:48,000 --> 03:46:51,760
Speaker 3: fighting without fighting. The first time you saw that, Yeah,

4648
03:46:51,760 --> 03:46:53,400
Speaker 3: I couldn't believe it. I was like, how the fun

4649
03:46:53,959 --> 03:46:56,680
Speaker 3: I mean I had? I don't still walking around with pencil, paper,

4650
03:46:56,800 --> 03:46:58,400
Speaker 3: chute jay Z. I was like, oh, I guess I

4651
03:46:58,440 --> 03:47:03,800
Speaker 3: don't need that anymore. But this motherfucker wrote the song

4652
03:47:03,840 --> 03:47:06,760
Speaker 3: without writing anything down. I'm like, and other songs, I'm like,

4653
03:47:07,160 --> 03:47:09,800
Speaker 3: how the fuck is he doing this? He listened to

4654
03:47:09,879 --> 03:47:12,280
Speaker 3: the Beaty kick Back and he home a little bit,

4655
03:47:12,560 --> 03:47:15,920
Speaker 3: got this motherfucking Goocy shoes on, But there he is.

4656
03:47:16,040 --> 03:47:17,279
Speaker 5: He's like, he bought Goosey.

4657
03:47:21,760 --> 03:47:22,879
Speaker 3: Do you remember them shoes?

4658
03:47:24,560 --> 03:47:27,600
Speaker 5: They're talking about the Black album, right, yes, my god.

4659
03:47:30,120 --> 03:47:30,959
Speaker 5: He changed his head.

4660
03:47:30,959 --> 03:47:36,400
Speaker 3: He's like, all right, I got it, guru, Yeah, he

4661
03:47:36,480 --> 03:47:37,040
Speaker 3: got me gooan.

4662
03:47:38,160 --> 03:47:40,920
Speaker 5: Then they went and just nailed it. Came I out.

4663
03:47:41,000 --> 03:47:42,400
Speaker 5: He did like one take he was like.

4664
03:47:43,480 --> 03:47:47,160
Speaker 3: They'll run it again. I'll do it again, killing that one.

4665
03:47:47,280 --> 03:47:50,040
Speaker 3: It's like, it's like Jay, them ships is all good.

4666
03:47:50,120 --> 03:47:52,320
Speaker 3: He was like, And Guru was like, what just lame,

4667
03:47:52,760 --> 03:47:55,960
Speaker 3: just lame. I'm like, bro, like the record's done. He

4668
03:47:56,120 --> 03:47:58,840
Speaker 3: just bro he just did three sixteen bar verses without

4669
03:47:58,879 --> 03:48:02,200
Speaker 3: writing anything down. A y'all, just my am am, I

4670
03:48:02,360 --> 03:48:06,000
Speaker 3: tripping some genius sh like this is the funk you

4671
03:48:06,040 --> 03:48:06,560
Speaker 3: I've been doing.

4672
03:48:08,240 --> 03:48:09,440
Speaker 5: You realize they've been doing that.

4673
03:48:12,360 --> 03:48:17,280
Speaker 3: At that point, at the moment, Oh, this niggas a machine,

4674
03:48:19,280 --> 03:48:22,240
Speaker 3: So all be all the fucking change clothes and all

4675
03:48:22,320 --> 03:48:23,160
Speaker 3: makeson's all of it.

4676
03:48:23,560 --> 03:48:24,840
Speaker 5: I'm cheam j all the way.

4677
03:48:25,640 --> 03:48:27,480
Speaker 3: But I just couldn't believe that he didn't write that

4678
03:48:27,520 --> 03:48:29,840
Speaker 3: ship down on justify my thought. I came a little

4679
03:48:29,879 --> 03:48:32,360
Speaker 3: short on the beat because I tried to hurry up

4680
03:48:32,400 --> 03:48:34,920
Speaker 3: and mix it and Trede needed his studio back. I

4681
03:48:35,000 --> 03:48:36,840
Speaker 3: mixed that ship at Record One, which is the best

4682
03:48:36,879 --> 03:48:38,039
Speaker 3: studio in the world, and.

4683
03:48:38,959 --> 03:48:40,160
Speaker 5: That was the Madonna sample.

4684
03:48:40,320 --> 03:48:45,240
Speaker 3: We stood up like we were scrubbed. She was supposed

4685
03:48:45,280 --> 03:48:49,440
Speaker 3: to come, just by my th she she was gonna

4686
03:48:49,440 --> 03:48:51,160
Speaker 3: be on. She flaked on us on the last day

4687
03:48:51,160 --> 03:48:52,880
Speaker 3: and we were just so confused. It's like I was,

4688
03:48:53,240 --> 03:48:55,720
Speaker 3: I'm like, she showed for the Sweet, but she want

4689
03:48:55,720 --> 03:48:57,280
Speaker 3: to show for DJ Quick. I was hurt.

4690
03:48:57,879 --> 03:49:01,280
Speaker 5: But girls you can't predict what they're gonna do. Hey,

4691
03:49:01,760 --> 03:49:04,120
Speaker 5: we sold you wrong. We did it. That's the backstory.

4692
03:49:05,120 --> 03:49:08,760
Speaker 5: That's my say that the album for me, like, I'll

4693
03:49:08,880 --> 03:49:11,800
Speaker 5: say that she was supposed to come up there. I

4694
03:49:11,840 --> 03:49:13,800
Speaker 5: want to man give her her privacy.

4695
03:49:13,560 --> 03:49:15,440
Speaker 3: Just going there and seeing that ship like you did

4696
03:49:15,560 --> 03:49:16,480
Speaker 3: on that nasty video.

4697
03:49:16,600 --> 03:49:18,880
Speaker 5: You did he having fun?

4698
03:49:20,960 --> 03:49:22,920
Speaker 3: You were wrong. You like having fun.

4699
03:49:23,120 --> 03:49:26,040
Speaker 2: You abandoned your kid at school.

4700
03:49:33,440 --> 03:49:37,160
Speaker 5: It's over. You're taking the picture. I got one more questions.

4701
03:49:38,520 --> 03:49:39,080
Speaker 3: I gotta watch.

4702
03:49:39,640 --> 03:49:42,640
Speaker 5: I gotta watch. I had a lie.

4703
03:49:44,000 --> 03:49:48,880
Speaker 3: I gotta yeah, I gotta watch lie. I'm taking a

4704
03:49:48,920 --> 03:49:51,520
Speaker 3: shot for shout out man shot.

4705
03:49:52,280 --> 03:49:56,320
Speaker 5: I was a question because y'all better use this too.

4706
03:49:56,440 --> 03:50:00,280
Speaker 5: She owed me something. No, no, no, we using we're

4707
03:50:00,280 --> 03:50:00,840
Speaker 5: not using.

4708
03:50:02,680 --> 03:50:07,520
Speaker 1: Listen, you know, geminis right and Tupac like what I'm

4709
03:50:07,520 --> 03:50:10,320
Speaker 1: saying that, it's like like three different versions.

4710
03:50:10,520 --> 03:50:13,760
Speaker 5: I don't appreciate nothing that bro Gemini three maybe two.

4711
03:50:13,920 --> 03:50:20,160
Speaker 3: Maybe two birthday in eight, but in this case January,

4712
03:50:22,320 --> 03:50:23,200
Speaker 3: but hold on, hold on, hold on.

4713
03:50:23,400 --> 03:50:27,080
Speaker 1: In this case with Tupac, Right, there is two different

4714
03:50:27,160 --> 03:50:29,920
Speaker 1: versions of it. There is like a digital underground version,

4715
03:50:30,480 --> 03:50:33,040
Speaker 1: then that's that version right in between, and then it's

4716
03:50:33,080 --> 03:50:33,960
Speaker 1: the death roversion.

4717
03:50:34,640 --> 03:50:34,720
Speaker 6: Bro.

4718
03:50:34,840 --> 03:50:35,640
Speaker 3: He's a yall man.

4719
03:50:36,000 --> 03:50:39,720
Speaker 5: I toured with him, Bro, he was he was a roadie.

4720
03:50:40,000 --> 03:50:43,040
Speaker 5: He was a roady. I didn't hold on y'all.

4721
03:50:43,960 --> 03:50:48,000
Speaker 3: Look, he was a roadie on the tour. Like yeah,

4722
03:50:48,720 --> 03:50:51,800
Speaker 3: but he was shining on stage like we were. We

4723
03:50:51,920 --> 03:50:53,920
Speaker 3: were all you know, we were all that was Tommy Boy.

4724
03:50:53,960 --> 03:50:57,160
Speaker 3: We were profile like we was on tom this Capitol Records.

4725
03:50:57,680 --> 03:50:59,760
Speaker 5: Bro, it was all the same thing.

4726
03:51:00,160 --> 03:51:05,200
Speaker 2: But Park was like he was the Humpty Dance record

4727
03:51:05,280 --> 03:51:08,520
Speaker 2: right when everybody was doing Humpty Dance.

4728
03:51:09,400 --> 03:51:14,760
Speaker 3: Park was more like the director, like the you know, choreographer.

4729
03:51:15,280 --> 03:51:17,960
Speaker 3: I wouldn't call it that. He was just the brightest.

4730
03:51:18,440 --> 03:51:22,120
Speaker 3: He was the brightest diamond in the bunch, you know,

4731
03:51:23,240 --> 03:51:26,720
Speaker 3: and he made the shows lit. So when when Shoan

4732
03:51:26,800 --> 03:51:29,240
Speaker 3: did the record for him, it just blew him up.

4733
03:51:29,240 --> 03:51:31,160
Speaker 3: We all waited for that, you know what I'm saying.

4734
03:51:31,200 --> 03:51:34,680
Speaker 3: He was. He was this dope little he was almost

4735
03:51:34,760 --> 03:51:36,720
Speaker 3: like a black panther, but we didn't know that's what

4736
03:51:36,840 --> 03:51:40,480
Speaker 3: it was. He just had a lot of enthusiasm. You

4737
03:51:40,520 --> 03:51:42,480
Speaker 3: know what I mean at that young age, that ship

4738
03:51:42,520 --> 03:51:45,480
Speaker 3: was amazing. That's crazy dating yo yo. He was dating

4739
03:51:45,560 --> 03:51:46,240
Speaker 3: fucking yo yo.

4740
03:51:46,400 --> 03:51:46,520
Speaker 6: Bro.

4741
03:51:46,920 --> 03:51:54,720
Speaker 5: Wait, Puk was dating yoyo. That's not news. Well in

4742
03:51:54,800 --> 03:52:01,280
Speaker 5: this team, money Love denied that part. Bro, what's.

4743
03:52:03,600 --> 03:52:04,920
Speaker 4: That's my that's.

4744
03:52:07,040 --> 03:52:07,240
Speaker 5: He was.

4745
03:52:07,240 --> 03:52:07,960
Speaker 3: I wouldn't believe that.

4746
03:52:08,120 --> 03:52:08,600
Speaker 5: I mean it was.

4747
03:52:10,880 --> 03:52:14,400
Speaker 2: But we were looking up the was like this is

4748
03:52:14,440 --> 03:52:16,600
Speaker 2: the next thing, you know what I mean, like he said,

4749
03:52:16,680 --> 03:52:17,560
Speaker 2: he already set it up.

4750
03:52:17,920 --> 03:52:19,240
Speaker 5: He was like quick, this is the next thing.

4751
03:52:19,360 --> 03:52:21,400
Speaker 3: Like and he knew it when he when he sat

4752
03:52:21,480 --> 03:52:24,720
Speaker 3: with Roger Troupman to do that took to do pox

4753
03:52:24,800 --> 03:52:28,720
Speaker 3: record that was like homage because you know, only ice

4754
03:52:28,800 --> 03:52:31,680
Speaker 3: Cube at that point could wrap over Za beats. You know.

4755
03:52:32,280 --> 03:52:35,760
Speaker 3: That's how we saw it, like he got the beat

4756
03:52:36,440 --> 03:52:40,080
Speaker 3: done by a Bay Area beasts like Greg Jacobs shout

4757
03:52:40,120 --> 03:52:46,760
Speaker 3: out to the great shot. I still can't wait.

4758
03:52:47,560 --> 03:52:49,920
Speaker 1: So let me ask you do you do you look

4759
03:52:50,000 --> 03:52:52,360
Speaker 1: at like a Bay Area guy or you look at

4760
03:52:52,440 --> 03:52:53,480
Speaker 1: him like an l A guy.

4761
03:52:54,560 --> 03:52:58,760
Speaker 3: I look at him as the fucking roadie on the

4762
03:52:58,960 --> 03:53:03,520
Speaker 3: tour who got it, got got his record out? He

4763
03:53:03,960 --> 03:53:06,680
Speaker 3: he he did, He got out wrapped on his first album,

4764
03:53:06,840 --> 03:53:09,920
Speaker 3: Unfortunately ice Cube got on there and just shined.

4765
03:53:10,120 --> 03:53:12,240
Speaker 2: It was what it was, but he was he.

4766
03:53:12,960 --> 03:53:15,000
Speaker 3: It was like he was a prize fighter on his

4767
03:53:15,160 --> 03:53:17,680
Speaker 3: very first album, was very first album. Everybody know, it's

4768
03:53:17,720 --> 03:53:20,560
Speaker 3: no secret, but the fact that he came back and

4769
03:53:20,680 --> 03:53:23,960
Speaker 3: did this thing where he just took on this persona.

4770
03:53:24,880 --> 03:53:27,760
Speaker 3: When I heard Dear Mama, bro like, I got out

4771
03:53:27,800 --> 03:53:31,720
Speaker 3: of my car. Each he changed from all that you

4772
03:53:31,760 --> 03:53:34,360
Speaker 3: know him, the scivity hobby, you know, dost effectus, whatever

4773
03:53:34,520 --> 03:53:35,080
Speaker 3: he was going for.

4774
03:53:35,200 --> 03:53:36,560
Speaker 5: It was like it was it was his thing.

4775
03:53:36,600 --> 03:53:38,720
Speaker 3: He was telling his story and you know, it was cool,

4776
03:53:38,800 --> 03:53:41,080
Speaker 3: but I was being Maybe I was being vain because

4777
03:53:41,080 --> 03:53:43,440
Speaker 3: I was already rich and famous, and I probably didn't

4778
03:53:43,520 --> 03:53:45,720
Speaker 3: listen to him like I should have. I didn't hear

4779
03:53:45,800 --> 03:53:49,040
Speaker 3: his civil rights guy until I heard Dear Mama, and

4780
03:53:49,160 --> 03:53:50,880
Speaker 3: it was like and then I had to go back.

4781
03:53:51,240 --> 03:53:54,000
Speaker 3: Unfortunately for me, I was wrong, and I had to

4782
03:53:54,080 --> 03:53:58,320
Speaker 3: go back and listen to his discography again and reintroduced

4783
03:53:58,360 --> 03:54:00,160
Speaker 3: myself to him when I was too busy promote my

4784
03:54:00,240 --> 03:54:00,840
Speaker 3: own records.

4785
03:54:01,520 --> 03:54:03,120
Speaker 5: Butchupac, I'm Maris.

4786
03:54:02,840 --> 03:54:04,880
Speaker 2: Shakur was a beast in the studio.

4787
03:54:05,280 --> 03:54:07,200
Speaker 3: It was one of the most funniest times I had

4788
03:54:07,240 --> 03:54:08,760
Speaker 3: in my life, and I wish I could have been there,

4789
03:54:09,000 --> 03:54:10,880
Speaker 3: so I would have easily jumped in front of the shooter.

4790
03:54:12,720 --> 03:54:14,640
Speaker 1: What do you think I would have happened and I

4791
03:54:14,760 --> 03:54:17,960
Speaker 1: miss him if Pak would have still been signed to

4792
03:54:18,040 --> 03:54:21,320
Speaker 1: death role but didn't indulge in in gang banging.

4793
03:54:21,080 --> 03:54:24,240
Speaker 3: At it wasn't gang banging activity. He was never off

4794
03:54:24,480 --> 03:54:28,120
Speaker 3: of fucking. He was never free from that case. He

4795
03:54:28,320 --> 03:54:31,400
Speaker 3: was out on parole, so he never got comfortable because

4796
03:54:31,400 --> 03:54:32,720
Speaker 3: he knew at some point, maybe you have to go

4797
03:54:32,800 --> 03:54:35,400
Speaker 3: to jail. I don't know. He wasn't free.

4798
03:54:36,640 --> 03:54:39,760
Speaker 2: He still had to go and rectify that situation, which

4799
03:54:39,840 --> 03:54:41,720
Speaker 2: we all later found out what it was. But it

4800
03:54:41,800 --> 03:54:44,360
Speaker 2: was like he didn't He never felt free. That's why

4801
03:54:44,440 --> 03:54:47,000
Speaker 2: he never furnished his houses. That's why he you know,

4802
03:54:47,160 --> 03:54:50,960
Speaker 2: it was fleeting between him and Kadata and I love

4803
03:54:51,040 --> 03:54:51,560
Speaker 2: him both.

4804
03:54:51,520 --> 03:54:53,840
Speaker 3: Like I wish that that was. They were a beautiful

4805
03:54:53,880 --> 03:54:56,480
Speaker 3: dream that we were just watching coming to fruition and

4806
03:54:56,600 --> 03:54:58,560
Speaker 3: it didn't end up the way it was supposed to

4807
03:54:58,600 --> 03:54:58,840
Speaker 3: end up.

4808
03:54:59,840 --> 03:55:00,480
Speaker 5: Us she's doing.

4809
03:55:01,320 --> 03:55:03,400
Speaker 3: I'm talking about his wife. I don't know all about

4810
03:55:03,720 --> 03:55:05,520
Speaker 3: you know, I wasn't in her daddy business at that point.

4811
03:55:06,040 --> 03:55:12,560
Speaker 3: I remember him and the cute girl you know that

4812
03:55:12,680 --> 03:55:13,320
Speaker 3: was that was love.

4813
03:55:13,440 --> 03:55:16,800
Speaker 5: It was finally I was like, yeah love. You know.

4814
03:55:18,120 --> 03:55:20,400
Speaker 3: God damn he didn't get a chance to live his life, bro,

4815
03:55:20,640 --> 03:55:22,800
Speaker 3: and that sucks because we're all just left with all

4816
03:55:22,800 --> 03:55:26,840
Speaker 3: these questions and what ifs and hypotheses that don't mean anything.

4817
03:55:27,360 --> 03:55:31,480
Speaker 3: We're just throwing ideas like we're just crumbling butterflies. Bro,

4818
03:55:31,880 --> 03:55:33,480
Speaker 3: We're talking about what could have been.

4819
03:55:34,400 --> 03:55:36,680
Speaker 2: This is dope. Bro, this is a dub like hip

4820
03:55:36,680 --> 03:55:40,800
Speaker 2: hop conversation. So much for allowing me to sit in

4821
03:55:40,960 --> 03:55:43,680
Speaker 2: and watch this. Crazy to me, BRO, I hope you

4822
03:55:43,760 --> 03:55:51,280
Speaker 2: are entertained. You it was than me. It is crazy

4823
03:55:51,320 --> 03:55:53,080
Speaker 2: to me to just watch, bro, just as fans of

4824
03:55:53,160 --> 03:55:54,800
Speaker 2: everybody just like this is crazy.

4825
03:55:55,120 --> 03:55:56,600
Speaker 5: Let me just tell you something. Appreciate this.

4826
03:55:57,080 --> 03:56:01,680
Speaker 1: This and this is also eight years a brutal beat

4827
03:56:01,800 --> 03:56:03,920
Speaker 1: downs me and e f N been receiving.

4828
03:56:04,480 --> 03:56:08,240
Speaker 5: They've been like, yo, you're fronting on quick and We're

4829
03:56:08,360 --> 03:56:10,360
Speaker 5: like what they were tripping on you.

4830
03:56:11,360 --> 03:56:14,480
Speaker 1: We've been trying to get trying to we're trying to

4831
03:56:14,520 --> 03:56:16,840
Speaker 1: get numbers so quick. We've been trying to get you

4832
03:56:17,000 --> 03:56:22,320
Speaker 1: so bad. I ain't gonna should be with you.

4833
03:56:23,720 --> 03:56:24,080
Speaker 2: I can't.

4834
03:56:24,120 --> 03:56:24,760
Speaker 3: We're gonna tell you.

4835
03:56:31,960 --> 03:56:35,480
Speaker 2: Why you was so crazy happened. I'm like, bro, this

4836
03:56:35,960 --> 03:56:37,960
Speaker 2: on my f you don't get access. I don't like

4837
03:56:38,080 --> 03:56:38,760
Speaker 2: you know what I'm saying.

4838
03:56:39,040 --> 03:56:42,360
Speaker 5: Listen to me. Ship Very is very like, well this

4839
03:56:42,520 --> 03:56:44,960
Speaker 5: is dope. I'm gonna know all listen.

4840
03:56:44,800 --> 03:56:49,560
Speaker 1: Your fanst I'm gonna tell you fans is in there

4841
03:56:49,640 --> 03:56:51,160
Speaker 1: with one of them as they should be.

4842
03:56:51,960 --> 03:56:55,360
Speaker 3: They should be that they should you. That's what that's

4843
03:56:55,360 --> 03:56:55,800
Speaker 3: what's crazy.

4844
03:56:55,800 --> 03:57:01,280
Speaker 1: That's why when he said both, I can tell that

4845
03:57:01,800 --> 03:57:04,760
Speaker 1: when he left Majors his fans with with him with

4846
03:57:05,040 --> 03:57:06,200
Speaker 1: the Independent, some.

4847
03:57:06,280 --> 03:57:07,840
Speaker 3: Of them did. Yeah, they did.

4848
03:57:08,760 --> 03:57:11,080
Speaker 5: His shows are crazy, bro. We were like, what's the said.

4849
03:57:11,160 --> 03:57:12,680
Speaker 2: He'd be like, I'll let y'all know when we get

4850
03:57:12,680 --> 03:57:15,000
Speaker 2: out there freestyle the whole show.

4851
03:57:15,080 --> 03:57:16,600
Speaker 5: Bro, we don't know what's about to have it. We're

4852
03:57:16,640 --> 03:57:19,560
Speaker 5: just kind of sitting there up in the crowd.

4853
03:57:19,800 --> 03:57:20,480
Speaker 3: It's beautiful.

4854
03:57:22,960 --> 03:57:25,680
Speaker 5: You like producing on the spot. You're ready for the

4855
03:57:25,720 --> 03:57:26,880
Speaker 5: living on turn up.

4856
03:57:26,880 --> 03:57:28,480
Speaker 3: It was about to be crazy. I ain't got to

4857
03:57:28,480 --> 03:57:28,880
Speaker 3: say where.

4858
03:57:28,880 --> 03:57:30,880
Speaker 5: We gotta do nothing, get ready for the Living.

4859
03:57:30,760 --> 03:57:36,800
Speaker 3: On turning into what it's supposed to be everywhere everywhere

4860
03:57:36,840 --> 03:57:40,760
Speaker 3: I go, just watching building on fucking Google, so so

4861
03:57:40,880 --> 03:57:43,960
Speaker 3: happy to see that, Like, bro, this is amazing to

4862
03:57:44,040 --> 03:57:45,760
Speaker 3: build my house. It is so cool.

4863
03:57:46,760 --> 03:57:52,000
Speaker 5: Yeah, man, thank y'all man so much, Thank you again, man,

4864
03:57:52,120 --> 03:57:54,520
Speaker 5: Like I'm just telling y'all man, like you know, hip

4865
03:57:54,560 --> 03:57:57,160
Speaker 5: hop has its way a shifting and going places that

4866
03:57:57,240 --> 03:57:59,400
Speaker 5: it's supposed to be when it's supposed to be, And

4867
03:57:59,560 --> 03:58:00,800
Speaker 5: right now was y'all world.

4868
03:58:01,320 --> 03:58:03,960
Speaker 1: You know what I'm saying, Like I ain't afraid to

4869
03:58:04,040 --> 03:58:06,880
Speaker 1: admit that, and I ain't ashamed to admit that it's

4870
03:58:06,960 --> 03:58:08,920
Speaker 1: your world, Like you know, I got to feel it,

4871
03:58:08,960 --> 03:58:10,360
Speaker 1: Like I said, I only been when I was out

4872
03:58:10,400 --> 03:58:13,760
Speaker 1: there like five days, but that five days in the

4873
03:58:13,840 --> 03:58:17,040
Speaker 1: five percent teaches that's power a firement, and then that was.

4874
03:58:17,120 --> 03:58:19,160
Speaker 3: Actually what's the first word of that is power?

4875
03:58:19,480 --> 03:58:21,120
Speaker 1: And I got to feel it, like I got to

4876
03:58:21,200 --> 03:58:22,400
Speaker 1: feel it, like you know what I'm saying, Like I've

4877
03:58:22,400 --> 03:58:23,920
Speaker 1: been out there so long, so I got my own

4878
03:58:24,000 --> 03:58:26,720
Speaker 1: little people that I fuck with, but I'm sitting out

4879
03:58:26,720 --> 03:58:28,320
Speaker 1: there and I'm watching it and I'm feeling it, and

4880
03:58:28,400 --> 03:58:31,880
Speaker 1: I and the energy it's just euphoric, like it's everywhere

4881
03:58:32,320 --> 03:58:35,440
Speaker 1: like and it's just like, you know what, that's what's

4882
03:58:35,480 --> 03:58:37,400
Speaker 1: the biggest thing about it. You know, you know God

4883
03:58:37,520 --> 03:58:40,760
Speaker 1: so Himan, you know Kendrick and Drake, you know, Beef

4884
03:58:40,920 --> 03:58:43,560
Speaker 1: or whatever the thing is. He brung y'all back together.

4885
03:58:45,280 --> 03:58:48,840
Speaker 1: It is so it is so like, man, I want

4886
03:58:48,880 --> 03:58:51,240
Speaker 1: to congratulate y'all, and I want to tell y'all continue

4887
03:58:51,280 --> 03:58:53,880
Speaker 1: to do the thing because right now, you know, maybe yeah,

4888
03:58:54,040 --> 03:58:56,680
Speaker 1: hip hop does come from the East Coast, it does

4889
03:58:56,760 --> 03:58:57,520
Speaker 1: come from New York.

4890
03:58:57,960 --> 03:59:03,000
Speaker 5: Right now, y'all leading it. It's y'all the leaders, y'all.

4891
03:59:06,560 --> 03:59:08,200
Speaker 3: I'm I'm gonna say this.

4892
03:59:08,720 --> 03:59:12,720
Speaker 2: Yeah, just like everybody can come to Hollywood, man, come

4893
03:59:12,800 --> 03:59:13,679
Speaker 2: to Compton.

4894
03:59:17,200 --> 03:59:17,680
Speaker 4: With Compton.

4895
03:59:17,760 --> 03:59:17,840
Speaker 3: Bro.

4896
03:59:18,000 --> 03:59:20,320
Speaker 2: Listen, I get to l A and listen. I don't

4897
03:59:20,320 --> 03:59:24,280
Speaker 2: have no problem with nobody come to Compton man, Like

4898
03:59:24,640 --> 03:59:28,840
Speaker 2: think the white girl came to the Nobody let me

4899
03:59:28,920 --> 03:59:29,120
Speaker 2: do this.

4900
03:59:30,680 --> 03:59:34,640
Speaker 5: I mean, I'm not about to do that. I see what. Listen,

4901
03:59:34,720 --> 03:59:37,520
Speaker 5: all the queens right that's wondering.

4902
03:59:37,560 --> 03:59:39,960
Speaker 3: White people can come to Crank, that's damn. But they

4903
03:59:40,000 --> 03:59:41,000
Speaker 3: can come to Common.

4904
03:59:42,640 --> 03:59:45,160
Speaker 5: Said, we're not here to harm or hurt nobody. That's

4905
03:59:45,200 --> 03:59:45,840
Speaker 5: it's done.

4906
03:59:46,520 --> 03:59:48,120
Speaker 2: Come off to the city, bro, We're gonna get this

4907
03:59:48,240 --> 03:59:49,600
Speaker 2: motherfucking Compton Walker.

4908
03:59:49,360 --> 03:59:50,200
Speaker 3: Frame going next.

4909
03:59:50,840 --> 03:59:54,600
Speaker 2: Getting ready for the Comptant Walking frame ain't no point

4910
03:59:54,640 --> 03:59:57,520
Speaker 2: of bringing that the when I with y'all, let's get

4911
03:59:57,520 --> 03:59:58,320
Speaker 2: that doctor's.

4912
03:59:58,040 --> 03:59:59,600
Speaker 3: Right, Kndrick, that dj a quick.

4913
04:00:00,120 --> 04:00:01,680
Speaker 2: The more the rose and you know what I'm saying,

4914
04:00:02,080 --> 04:00:03,320
Speaker 2: you know, I mean, let's get that right.

4915
04:00:03,280 --> 04:00:06,880
Speaker 3: There, Rose Krans, Rose Kran.

4916
04:00:06,960 --> 04:00:08,600
Speaker 5: It's the block to go through everything that's getting up,

4917
04:00:08,840 --> 04:00:10,560
Speaker 5: all those cramps, you know what I'm saying.

4918
04:00:10,720 --> 04:00:12,640
Speaker 1: Like I'm gonna take a ride through Rose Crans. I

4919
04:00:12,680 --> 04:00:16,440
Speaker 1: could do it, definitely, the whole thing. Okay, I mean

4920
04:00:16,480 --> 04:00:18,600
Speaker 1: to go to the beach though. That's the ship, Okay,

4921
04:00:18,880 --> 04:00:20,200
Speaker 1: comp they got the beach, No.

4922
04:00:21,760 --> 04:00:27,240
Speaker 3: Take it goes right to the beach. If you get

4923
04:00:27,280 --> 04:00:30,760
Speaker 3: off when it ends you at the coast, your Pacific

4924
04:00:30,840 --> 04:00:32,400
Speaker 3: coachy p when it.

4925
04:00:32,480 --> 04:00:37,760
Speaker 5: Takes your p H. You know, appreciate sip coast. I appreciates.

4926
04:00:37,840 --> 04:00:44,160
Speaker 2: I'm building beach in Compa.

4927
04:00:46,360 --> 04:00:48,400
Speaker 3: I need to do my chest. I don't want to

4928
04:00:48,440 --> 04:00:49,040
Speaker 3: go nowhere else.

4929
04:00:49,360 --> 04:00:50,200
Speaker 5: Listen to my brothers.

4930
04:00:50,360 --> 04:00:52,920
Speaker 1: I couldn't be so more happier, man, I thank you

4931
04:00:53,160 --> 04:00:55,480
Speaker 1: so much. So before we get about him, it's anything

4932
04:00:55,600 --> 04:00:56,520
Speaker 1: y'all feel like you want.

4933
04:00:56,480 --> 04:00:58,240
Speaker 5: To say, get up your tests or anything.

4934
04:00:59,480 --> 04:01:02,280
Speaker 2: I'm happy to be here and I'm so happy to

4935
04:01:02,360 --> 04:01:06,640
Speaker 2: watch this fucking man be able to get this fucking moment.

4936
04:01:13,040 --> 04:01:15,560
Speaker 3: Because you know what he was talking retired talk to me.

4937
04:01:16,760 --> 04:01:20,720
Speaker 5: Oh yeah, we left that off right now.

4938
04:01:20,840 --> 04:01:25,000
Speaker 2: Bro, he just getting started. He just getting started, man,

4939
04:01:25,040 --> 04:01:27,880
Speaker 2: And I can't wait. This is my hear to watch

4940
04:01:27,960 --> 04:01:28,800
Speaker 2: this man get his.

4941
04:01:31,160 --> 04:01:33,120
Speaker 3: Let's go. This is my.

4942
04:01:34,640 --> 04:01:37,280
Speaker 5: This is the Fawns, y'all. This is the real Fawns.

4943
04:01:37,360 --> 04:01:41,400
Speaker 3: Like he's that swaggy character that that that actually gets

4944
04:01:41,640 --> 04:01:45,720
Speaker 3: us major record deals, like with just a little effort,

4945
04:01:45,840 --> 04:01:47,840
Speaker 3: like this dude is whipping people into shape. Bro.

4946
04:01:47,960 --> 04:01:48,480
Speaker 5: This is great.

4947
04:01:48,560 --> 04:01:48,680
Speaker 3: Bro.

4948
04:01:49,320 --> 04:01:52,360
Speaker 5: We've been motivating me lately, like you know, come on, man, bro,

4949
04:01:52,840 --> 04:01:56,720
Speaker 5: let's keep going, keep major label.

4950
04:01:56,840 --> 04:01:59,640
Speaker 1: Because I watched you on another interview and they said

4951
04:01:59,800 --> 04:02:03,240
Speaker 1: this was prior to the n w A album cover

4952
04:02:03,560 --> 04:02:06,920
Speaker 1: I'm a Compton movie coming out, and they said to you,

4953
04:02:07,280 --> 04:02:12,040
Speaker 1: to you, are you excited? And I think you say

4954
04:02:12,280 --> 04:02:14,320
Speaker 1: sort of trailers or whatever, but I don't think there's

4955
04:02:14,360 --> 04:02:18,120
Speaker 1: been something documented. If you co signed the straight out

4956
04:02:18,120 --> 04:02:19,160
Speaker 1: of Compton movie.

4957
04:02:19,120 --> 04:02:24,600
Speaker 3: Well, there's no trauma or drama there. I go to

4958
04:02:24,960 --> 04:02:28,880
Speaker 3: Easy's grave and fucking Rose Hills and I rectify that

4959
04:02:29,200 --> 04:02:29,480
Speaker 3: by that.

4960
04:02:30,120 --> 04:02:32,640
Speaker 5: Okay, So I still see it as tangible.

4961
04:02:33,280 --> 04:02:36,880
Speaker 3: I'm related to this guy in a way that's like

4962
04:02:37,200 --> 04:02:43,080
Speaker 3: brotherly and honest, And even though I boohooed poo pooted

4963
04:02:43,120 --> 04:02:47,000
Speaker 3: earlier loyalty, I still fuck with Eric. So I'm very

4964
04:02:47,240 --> 04:02:50,720
Speaker 3: partial to how he's being portrayed, you know what I mean.

4965
04:02:50,800 --> 04:02:52,440
Speaker 3: And if I don't like it, I don't like it.

4966
04:02:52,520 --> 04:02:54,640
Speaker 3: If I like it, I like it because I know

4967
04:02:54,720 --> 04:02:57,280
Speaker 3: the real him and I knew how he would react

4968
04:02:57,360 --> 04:02:59,880
Speaker 3: and respond. If you look at the n w A videos,

4969
04:03:00,000 --> 04:03:03,000
Speaker 3: they're all works of art that's like some Andy Warhol shit.

4970
04:03:03,600 --> 04:03:04,800
Speaker 5: It is just brilliant.

4971
04:03:04,880 --> 04:03:05,720
Speaker 2: But that's who he was.

4972
04:03:05,880 --> 04:03:07,720
Speaker 3: He saw it bigger than what we saw it. We

4973
04:03:07,840 --> 04:03:09,400
Speaker 3: saw it just so we can get enough money to

4974
04:03:09,400 --> 04:03:11,280
Speaker 3: get the bands. He saw it to where he can

4975
04:03:11,360 --> 04:03:13,560
Speaker 3: get enough money to go have dinner with the president

4976
04:03:14,200 --> 04:03:17,200
Speaker 3: and get a million dollars worth the press on fifteen

4977
04:03:17,280 --> 04:03:18,040
Speaker 3: hundred dollars.

4978
04:03:20,000 --> 04:03:21,200
Speaker 5: Gus mission.

4979
04:03:22,000 --> 04:03:23,400
Speaker 3: I want to add on to what he's saying.

4980
04:03:25,240 --> 04:03:28,080
Speaker 2: It's just kind of fucked up, bro. Like with our films,

4981
04:03:29,640 --> 04:03:32,000
Speaker 2: we don't get to have people from our.

4982
04:03:32,800 --> 04:03:37,080
Speaker 5: Area play us. But this one was doctor Dre and.

4983
04:03:38,560 --> 04:03:40,560
Speaker 2: I don't know, this is just a We're just having

4984
04:03:40,600 --> 04:03:43,880
Speaker 2: a fan conversation. So when I watched movies that represent

4985
04:03:43,960 --> 04:03:47,120
Speaker 2: the East Coast, I can never get that role to

4986
04:03:47,200 --> 04:03:52,720
Speaker 2: play Noriega in a film. When we watch Atlanta outside

4987
04:03:52,720 --> 04:03:55,240
Speaker 2: of my boy Jackie Long, it's kind of tough. They

4988
04:03:55,280 --> 04:03:57,000
Speaker 2: play a little bit ball, but they have like the

4989
04:03:57,120 --> 04:04:03,240
Speaker 2: main representatives of Los Angeles and I'm playing Atlanta Snowfall.

4990
04:04:03,480 --> 04:04:05,800
Speaker 2: We didn't get that opportunity. A lot of our films

4991
04:04:05,840 --> 04:04:09,200
Speaker 2: are like the League. Guys are not from where we're from,

4992
04:04:09,760 --> 04:04:11,960
Speaker 2: so it's kind of tough and easy. The guy that

4993
04:04:12,000 --> 04:04:14,400
Speaker 2: play Easy is my friend, so we've had this conversation,

4994
04:04:15,120 --> 04:04:18,240
Speaker 2: but he's from New Orleans and it's just like for me,

4995
04:04:18,360 --> 04:04:22,760
Speaker 2: it's like bro like Friday work because everybody from was

4996
04:04:22,760 --> 04:04:23,480
Speaker 2: from Saves.

4997
04:04:23,520 --> 04:04:24,160
Speaker 3: We got to see it.

4998
04:04:24,680 --> 04:04:26,720
Speaker 2: But do you think it's a regional thing because me,

4999
04:04:27,160 --> 04:04:28,720
Speaker 2: I think it's a Hollywood budget thing.

5000
04:04:29,320 --> 04:04:32,880
Speaker 5: Man, what I think it's a Hollywood budget thing? Rich

5001
04:04:32,960 --> 04:04:33,600
Speaker 5: for my blood.

5002
04:04:34,320 --> 04:04:36,680
Speaker 2: I don't think it's I don't think it's nothing to

5003
04:04:36,760 --> 04:04:38,520
Speaker 2: do with none of that. It's a Hollywood budget thing.

5004
04:04:38,880 --> 04:04:42,520
Speaker 2: And we gotta like I've auditioned for roles for Shitting Compton.

5005
04:04:42,640 --> 04:04:44,640
Speaker 2: They told me, I know you don't you don't fit

5006
04:04:44,880 --> 04:04:52,360
Speaker 2: that's crazy from knowledge. Their version of what they think

5007
04:04:52,480 --> 04:04:55,720
Speaker 2: my city is is totally off. That's why it doesn't

5008
04:04:55,760 --> 04:04:58,520
Speaker 2: resonate us and it don't work tell the truth.

5009
04:04:58,560 --> 04:04:59,040
Speaker 5: It's off.

5010
04:04:59,640 --> 04:05:02,560
Speaker 2: I'm from confident, just like his, just like say Worthy

5011
04:05:02,640 --> 04:05:05,960
Speaker 2: comes through there, just like like game Is and Roddy

5012
04:05:06,040 --> 04:05:09,520
Speaker 2: and YJ and Kendrick, We're all and let's go Steve Lacy,

5013
04:05:09,600 --> 04:05:12,360
Speaker 2: let's go Thundercat, let's go Buddy, let's go av, let's

5014
04:05:12,400 --> 04:05:16,640
Speaker 2: go Ad, let's go pun We're all nineteen different niggas.

5015
04:05:17,480 --> 04:05:20,080
Speaker 2: So you're not gonna just tell us what we are.

5016
04:05:21,360 --> 04:05:24,160
Speaker 2: And that's the fucking problem with all of this shit.

5017
04:05:25,640 --> 04:05:27,240
Speaker 2: You know what I'm saying, shout out to the community

5018
04:05:27,320 --> 04:05:28,840
Speaker 2: to figure out you know what I'm saying, fi community,

5019
04:05:28,920 --> 04:05:30,840
Speaker 2: everybody that's doing their thing in that space.

5020
04:05:31,560 --> 04:05:33,640
Speaker 5: Nah, we got to like readjust this thing.

5021
04:05:33,880 --> 04:05:40,560
Speaker 2: It was clowns, basketball players, gang bangers, ladies, dancers, kids, icons,

5022
04:05:40,960 --> 04:05:44,440
Speaker 2: every street niggas on that one picture. So don't let's

5023
04:05:44,480 --> 04:05:46,440
Speaker 2: stop misrepresenting.

5024
04:05:47,280 --> 04:05:48,240
Speaker 3: What we are over there.

5025
04:05:56,320 --> 04:05:59,680
Speaker 6: Drink Champs is a drink Champs LLC production hosts and

5026
04:05:59,760 --> 04:06:03,280
Speaker 6: executive producers n O r E and DJ e FN

5027
04:06:04,440 --> 04:06:08,560
Speaker 6: listen to drink Champs on Apple Podcast, Amazon Music, Spotify,

5028
04:06:08,840 --> 04:06:12,480
Speaker 6: or wherever you get your podcasts. Thanks for joining us

5029
04:06:12,520 --> 04:06:15,120
Speaker 6: for another episode of Drink Champs, hosted by Yours truly,

5030
04:06:15,280 --> 04:06:17,840
Speaker 6: dj e f N and n O r E. Please

5031
04:06:17,880 --> 04:06:20,080
Speaker 6: make sure to follow us on all our socials That's

5032
04:06:20,120 --> 04:06:23,480
Speaker 6: at drink Champs across all platforms, at the Real Norrie,

5033
04:06:23,520 --> 04:06:27,000
Speaker 6: go on ig at Noriega on Twitter, Mine is at

5034
04:06:27,040 --> 04:06:30,760
Speaker 6: Who's Crazy, on ig at dj e f N on Twitter,

5035
04:06:31,120 --> 04:06:33,680
Speaker 6: and most importantly, stay up to date with the latest releases,

5036
04:06:34,080 --> 04:06:37,240
Speaker 6: news and merch by going to drink champs dot com