WEBVTT - All Eyes On Me with Demetrius Shipp Jr.

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<v Speaker 1>I'm a little Duval and this is Conversations with the podcast.

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<v Speaker 1>Today's guest is best known for his role as Tupac

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<v Speaker 1>in the twenty seventeenth bio pick All Lives on me.

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<v Speaker 1>Let's welcome Dmetrious Ship Live and directly some boy little

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<v Speaker 1>Duval checking in one time for the one time, you

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<v Speaker 1>know you country cousin or your uncle, as I should say,

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<v Speaker 1>for my podcast, because that's what it's all about, bringing

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<v Speaker 1>them up, vibes, trying to quit, trying to put a

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<v Speaker 1>little healing in the ecosystem. And that's what I'm here, folks.

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<v Speaker 1>And I got a new guest here. You know, well,

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<v Speaker 1>he not a new guest, but he's a new guest

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<v Speaker 1>for for y'all because y'all ain't y'all ain't never seen

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<v Speaker 1>him on my podcast. Y'all probably don't know how cool

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<v Speaker 1>we are together. But just my man, y'all give it

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<v Speaker 1>up on Man Demetrius Ship, y'all.

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<v Speaker 2>Uh, what's the deal?

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<v Speaker 1>G ain't just over here vibing DC what you got

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<v Speaker 1>going over there?

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<v Speaker 2>Man Ship?

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<v Speaker 3>The same old you know, vibe Dcent myself Daddy due

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<v Speaker 3>the same old program.

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<v Speaker 1>Bro Dan the dude, you got kids? How many kids.

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<v Speaker 1>You gotta tell them many kids you got? Man had

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<v Speaker 1>three kids, bro, That's the reason why it took us

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<v Speaker 1>so long again on this goddamn show, because he's so

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<v Speaker 1>busy being a real dad, nigga being a good father

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<v Speaker 1>and his kids. Like yeah, three full time, hey, full

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<v Speaker 1>of ship.

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<v Speaker 2>It was twice the show.

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<v Speaker 3>But ship man, you already know the kids that ship

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<v Speaker 3>many they be running running my ass low.

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<v Speaker 1>Bro, you know, you know what it is. So for

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<v Speaker 1>those of that don't know, let me give him a

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<v Speaker 1>little bit of history of who you are and what

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<v Speaker 1>got you to this point the way you are right now,

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<v Speaker 1>as far as in the in the success, as far

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<v Speaker 1>as acting and things with that nature.

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<v Speaker 2>Well, for you know, my introduction into acting was me

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<v Speaker 2>landing to lead.

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<v Speaker 3>Role and the you know, the film, the biopic All

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<v Speaker 3>Eyes On Me.

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<v Speaker 1>I played Tupac. That was your first deal.

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<v Speaker 2>Hell yeah, bro, I ain't never acted like that. Jumped

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<v Speaker 2>out the porch, bro, just like that?

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<v Speaker 1>Did it feels huh? Did it feel so real? Like?

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<v Speaker 1>Was it fast? Like not that you not that the

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<v Speaker 1>dust to settle and it's calmed down that looking back

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<v Speaker 1>that did you realize what was going on at the time?

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<v Speaker 1>Was it just like a blur.

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<v Speaker 3>Man, it's a so you're the first person I'm gonna

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<v Speaker 3>tell this part of it, like the story too. It's

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<v Speaker 3>like it was like a blessing and it was like,

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<v Speaker 3>it's like the gift and the curse, but.

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<v Speaker 2>I gotta give it to you real Like that's that.

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<v Speaker 2>That was the whole experience.

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<v Speaker 3>And I didn't realize how much like the blessing and

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<v Speaker 3>the gift part of it was. You know, I came

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<v Speaker 3>to do this role I got, you know, changed my

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<v Speaker 3>life around.

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<v Speaker 2>I'm entertainment.

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<v Speaker 1>I'm doing these things.

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<v Speaker 2>Life is evolving and changing so so drastically. I'm having fun.

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<v Speaker 2>I'm enjoying myself, you know what I'm saying.

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<v Speaker 3>In the process of filming, I fell in love with acting,

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<v Speaker 3>you know what I mean, Like it really became.

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<v Speaker 1>Something I loved.

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<v Speaker 3>I'm I'm on set learning about the cameras and the

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<v Speaker 3>angles and the dps and the sound different departments everything.

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<v Speaker 3>I fucking with all of the processes. But then there's

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<v Speaker 3>like the other part when my world just got turned

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<v Speaker 3>upside down, bro, Like my family dynamics shifted so drastically forever, bro.

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<v Speaker 1>And I was like when you say family man, when

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<v Speaker 1>they saw they saw you bigger than what you was

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<v Speaker 1>or they was. It wasn't even like uh damn.

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<v Speaker 3>So that's that the real detailed part of it is

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<v Speaker 3>like you know, my immediate fanly like my mom's pops,

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<v Speaker 3>like that, me and my dad fell out, and then

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<v Speaker 3>that trickled down into like everything else within my family

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<v Speaker 3>as well. You mean, like so because he had a

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<v Speaker 3>he played a part in me getting the role. So

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<v Speaker 3>there there's that aspect of it as far as you know,

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<v Speaker 3>him helping me get the roll through his connection and

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<v Speaker 3>knowing the producer of the movie and ship, and then

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<v Speaker 3>there's like the other things you know, the yeah, like

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<v Speaker 3>our relationship just drastically.

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<v Speaker 1>Changed, you know what I mean.

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<v Speaker 3>He was looking at me as a you know, an

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<v Speaker 3>avenue to a success for himself again in ways to

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<v Speaker 3>keep it short, uh, and then that just you know

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<v Speaker 3>a lot of things just crumbled from there in terms

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<v Speaker 3>of the fan, the immediate family dynamics, you know what

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<v Speaker 3>I mean. And also like you're saying, it was people

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<v Speaker 3>looking at me. It's just a lot of shit that happened, bro,

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<v Speaker 3>you know what I'm saying.

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<v Speaker 1>But honestly, you just went through what everybody go through

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<v Speaker 1>at the time, like, yeah, everybody you didn't going through

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<v Speaker 1>nothing different, So I don't see it as a bad thing.

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<v Speaker 1>I just I think you just got to understand how

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<v Speaker 1>to cope through and go through it because you ain't

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<v Speaker 1>going through shit. Nobody else ain't been through when they

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<v Speaker 1>first get one now, So I kind of got on

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<v Speaker 1>quick too when I first got on in the speedball.

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<v Speaker 1>But the blessing to me, I got a good family

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<v Speaker 1>that on trip off shit like that, So that was

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<v Speaker 1>plessing to me.

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<v Speaker 3>So there was there was that aspect of it, and

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<v Speaker 3>then there was like people that were also important to

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<v Speaker 3>me in the journey of me getting a role losing them.

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<v Speaker 3>You know what I'm saying in the ways that I did,

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<v Speaker 3>You know what I'm saying, Like my best friend who

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<v Speaker 3>recorded the very first.

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<v Speaker 1>Audition, I did it at his house.

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<v Speaker 3>It's my best friend who I go across the street

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<v Speaker 3>to every day growing up across street with my grandparents,

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<v Speaker 3>Like every day I'm at this your house, he recorded.

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<v Speaker 3>He's the one that tells me, he convinces me to

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<v Speaker 3>do the role. I wasn't even about to go out

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<v Speaker 3>for the for the movie at all. I didn't even

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<v Speaker 3>think it was real to begin with so anyhow, his

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<v Speaker 3>mom and my mom like, that's that's just what it was.

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<v Speaker 2>Long story short, We go to see the movie on

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<v Speaker 2>the trailer, you know.

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<v Speaker 1>What I'm saying, for the first time.

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<v Speaker 3>It's premiered in front of john Wick two and in

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<v Speaker 3>the middle the trailer goes off and his mom was

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<v Speaker 3>in the hospital for something that was not major at

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<v Speaker 3>the time. But man, right after the trailer goes off,

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<v Speaker 3>within minutes they calling us. His mom is like pretty

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<v Speaker 3>much gone. So and then later on I went to London.

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<v Speaker 3>The flight I got on for London my cousin. So

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<v Speaker 3>all in all, it was just a lot of things.

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<v Speaker 3>I was like, damn, bro, what the like was this

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<v Speaker 3>thing a curse?

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<v Speaker 1>But it was every time something was but that's it,

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<v Speaker 1>yeah now for sure.

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<v Speaker 3>So every time something important was happening in the like

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<v Speaker 3>all eyes on me, there was this other thing and

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<v Speaker 3>that was like like pulling or something drastic and major

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<v Speaker 3>was happening, and I was like, bro, So for a

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<v Speaker 3>good while, I just was like I actually didn't even

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<v Speaker 3>notice until later. I was like I was very much

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<v Speaker 3>removed from that whole entire tupac thing. For me, I

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<v Speaker 3>was like, man, I'm going to the iddamn near was

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<v Speaker 3>like going in the house and just chilling and just

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<v Speaker 3>like you know, on some getting away from the getting

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<v Speaker 3>away from all of that tension for the most part

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<v Speaker 3>type shit. But then you know, my life kind of

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<v Speaker 3>went on. I was grateful to get all American. Bennie

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<v Speaker 3>Boom kind of plugged me, not even kind of he

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<v Speaker 3>plugged me with that for sure. He called me, you know,

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<v Speaker 3>I said, told me that he had something for me,

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<v Speaker 3>and I was only expected to do like a one

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<v Speaker 3>off one episode.

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<v Speaker 2>Ended up doing three I was supposed to do.

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<v Speaker 3>Then no, no, no, I got they wanted me for this

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<v Speaker 3>one off for the episode that he was filming, and

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<v Speaker 3>I couldn't do that because the showrunner at the time

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<v Speaker 3>she wanted me for more. So she was like, now

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<v Speaker 3>I want to bring you in for a little like

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<v Speaker 3>maybe three episodd and more long story show. With that,

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<v Speaker 3>I end up doing two seasons like fifteen episodes. And

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<v Speaker 3>that's the blessing that that cut through. The blessing of it, absolutely, man.

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<v Speaker 1>But let me ask you this, like, because I mean,

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<v Speaker 1>you're really into the into the acting in y'all, I

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<v Speaker 1>consider you're a real actor, not like these bullshit actors.

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<v Speaker 1>And so you right there in the meat of it,

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<v Speaker 1>in the in the hustle of it, in the grind

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<v Speaker 1>of it. How do you feel? What do you feel

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<v Speaker 1>about the industry right now as a whole as far

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<v Speaker 1>as acting and actors, not the producing part, just as

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<v Speaker 1>being an actor or actress, like in relative to the

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<v Speaker 1>strike or just where we are where y'all as a hold,

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<v Speaker 1>the strike is just part of all that shit, because

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<v Speaker 1>you wouldn't be having the strike if it wasn't where

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<v Speaker 1>where the climate is, as far as Hollywood is at now.

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<v Speaker 1>So that's why I'm asking you, what do you what

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<v Speaker 1>are you optimistic about? You festimistic? Like, what do you

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<v Speaker 1>see as far as I'm hello optimistic right now within

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<v Speaker 1>the industry?

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<v Speaker 3>And I feel like because of this strike, maybe there's

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<v Speaker 3>some sort of like balancing that may have that will

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<v Speaker 3>now happen. You feel me, I'm both, I'm a little

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<v Speaker 3>bit of both optimistic in terms of like I feel like,

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<v Speaker 3>you know, the playing field I want to I don't

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<v Speaker 3>want to say it's getting even now, but I feel

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<v Speaker 3>like there's going to be.

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<v Speaker 1>A surplus of work right so.

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<v Speaker 3>Around So okay, cool, all right, So where you at,

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<v Speaker 3>I don't even know yet, but I so the fact

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<v Speaker 3>that the writers got what they were Like in favor

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<v Speaker 3>of the writers, they got what they wanted. I feel

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<v Speaker 3>like the actors may get the deal that they want

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<v Speaker 3>right So if that does happen, I feel like Hollywood

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<v Speaker 3>took an l on money, you know what I'm saying,

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<v Speaker 3>Like with all of the you know, the time off

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<v Speaker 3>and everything. So a lot of projects, from what I'm seeing,

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<v Speaker 3>looks like it's going to get like once it gets

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<v Speaker 3>back up and running, everybody gonna looking for content. Jobs

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<v Speaker 3>gonna be wide open. But the other looming issue to

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<v Speaker 3>me is the AI shit. So it's here and it's

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<v Speaker 3>not going anywhere, and eventually what I imagine is that we

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<v Speaker 3>will land.

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<v Speaker 2>At a space where I feel like we're.

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<v Speaker 1>Just pushing off available and they just they just bird

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<v Speaker 1>theme until they get to that point like right now,

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<v Speaker 1>they don't have no choice to like go and give

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<v Speaker 1>them something right now, until we can grab a hold

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<v Speaker 1>of everything, kind of like what they did with social

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<v Speaker 1>media and everything else is just trying to figure out

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<v Speaker 1>how to monetize it and lock it in to where

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<v Speaker 1>they don't have to where they they you can't do nothing.

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<v Speaker 1>So now I mean this is my thing. I might

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<v Speaker 1>be wrong with their motherfucker don't listen to me because

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<v Speaker 1>I don't give a fuck about the shit enough to

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<v Speaker 1>be so in detail of it. But at the same time,

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<v Speaker 1>from just from my assessments, it just looks like, all right,

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<v Speaker 1>this give them something right now, and so we can

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<v Speaker 1>get off all these projects that you're talking about for

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<v Speaker 1>he'll knock them shits out. Then it's gonna be cause

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<v Speaker 1>like I just told today, I wasn't yesterday when Tom

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<v Speaker 1>Heiks was like this, mother, just use my likeness and

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<v Speaker 1>he the biggest He wasn't the biggest in the in

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<v Speaker 1>the shit in Hollywood.

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<v Speaker 2>Damn.

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<v Speaker 1>Oh, let me see it by the find I just

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<v Speaker 1>say so.

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<v Speaker 3>So that's where I'm at because I'm like, we're on

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<v Speaker 3>the same place as far as that, because it's only

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<v Speaker 3>a matter of time.

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<v Speaker 2>So it's there's a small window. I don't imagine like.

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<v Speaker 3>Three three four good real years of Hollywood like Max,

0:10:17.120 --> 0:10:19.480
<v Speaker 3>where this ship is kind of like on the same thing.

0:10:20.120 --> 0:10:23.079
<v Speaker 3>Because that AI shit is going, they're going to start

0:10:23.080 --> 0:10:25.199
<v Speaker 3>inserting it because it makes sense.

0:10:27.440 --> 0:10:29.920
<v Speaker 1>Not to cut you off. But ida Tom Hanks says

0:10:30.000 --> 0:10:32.720
<v Speaker 1>AI version of him used in a dental plan and

0:10:32.880 --> 0:10:40.480
<v Speaker 1>without consent. Yeah. See, so nigga be tom ain'ts nigga.

0:10:40.679 --> 0:10:43.920
<v Speaker 3>So listen, all right, let's say, and this is where

0:10:43.960 --> 0:10:47.520
<v Speaker 3>I'm saying, like, there's gonna be some choices that has

0:10:47.520 --> 0:10:50.240
<v Speaker 3>to be made, and it's probably gonna go in favor

0:10:50.280 --> 0:10:52.440
<v Speaker 3>of what you're talking about, right if you the rock

0:10:52.720 --> 0:10:55.800
<v Speaker 3>the Rock and film, he got movies lined up, you know,

0:10:55.880 --> 0:10:58.040
<v Speaker 3>all year long, right, but he can only do like

0:10:58.679 --> 0:11:01.960
<v Speaker 3>maybe Yeah, I'm a imagine his movie shots probably like

0:11:02.000 --> 0:11:04.200
<v Speaker 3>three month minimals. So let's say he doing three movies

0:11:04.240 --> 0:11:07.880
<v Speaker 3>a year, right, they what are getting like twenty thirty?

0:11:08.760 --> 0:11:09.280
<v Speaker 3>Like thirty?

0:11:09.520 --> 0:11:11.680
<v Speaker 1>He gotta be getting like twenty five at least. I

0:11:11.679 --> 0:11:13.640
<v Speaker 1>don't think he's doing it like that no more, because

0:11:13.880 --> 0:11:17.040
<v Speaker 1>at this point he gotta get a piece of the pie. Yeah,

0:11:17.160 --> 0:11:21.240
<v Speaker 1>the back end. Yeah, it'll only makes sense because the

0:11:21.320 --> 0:11:24.120
<v Speaker 1>studios don't make it up. Like what when't last time

0:11:24.160 --> 0:11:25.959
<v Speaker 1>you heard somebody get a big twenty million dollars check

0:11:26.040 --> 0:11:29.800
<v Speaker 1>just for acting? I don't know, because the box office

0:11:29.840 --> 0:11:33.319
<v Speaker 1>is back cracking. Though box office did ask my question,

0:11:33.720 --> 0:11:36.679
<v Speaker 1>when the last time you heard? Because they put out

0:11:36.679 --> 0:11:38.640
<v Speaker 1>all these shit all the time, such and such got

0:11:38.679 --> 0:11:42.080
<v Speaker 1>this amount of deal for this that's for this movie. Yeah,

0:11:42.200 --> 0:11:43.120
<v Speaker 1>I think that they did.

0:11:43.280 --> 0:11:46.040
<v Speaker 3>I think, all right, so let's say them those certain

0:11:46.120 --> 0:11:48.640
<v Speaker 3>echelon of people. I think they they did go in

0:11:48.679 --> 0:11:51.560
<v Speaker 3>and start like renegotiating to where they getting a piece

0:11:51.559 --> 0:11:52.920
<v Speaker 3>of the pile on the back. You know what I'm saying,

0:11:52.920 --> 0:11:54.960
<v Speaker 3>because it only makes sense, Like even me, I think

0:11:55.000 --> 0:11:56.800
<v Speaker 3>that was the thing that they started demanding, and they

0:11:56.880 --> 0:11:59.240
<v Speaker 3>kind of switched and switched it all up, like nah,

0:11:59.400 --> 0:12:01.840
<v Speaker 3>don't just get the twenty million in it gonna make

0:12:01.880 --> 0:12:03.960
<v Speaker 3>a billion, and only I'm stuck with that twenty you

0:12:03.960 --> 0:12:04.320
<v Speaker 3>feel me?

0:12:04.400 --> 0:12:04.640
<v Speaker 1>Right?

0:12:04.760 --> 0:12:07.000
<v Speaker 3>So I think that they did start wising up and like,

0:12:07.000 --> 0:12:08.440
<v Speaker 3>oh yeah, let me get a piece of that back

0:12:08.480 --> 0:12:11.800
<v Speaker 3>in too. But all that to say, my point is

0:12:11.880 --> 0:12:15.760
<v Speaker 3>if you're the rock and you're gonna make let's say

0:12:15.800 --> 0:12:18.000
<v Speaker 3>he gonna make a hundred million a year and he

0:12:18.160 --> 0:12:21.480
<v Speaker 3>worked in ten months out the year. Ai comes in,

0:12:21.800 --> 0:12:25.520
<v Speaker 3>Sony introduces Ai the Rock and says, look, the Rock, Dwayne,

0:12:26.160 --> 0:12:29.840
<v Speaker 3>We're gonna give you that same hundred million, and we

0:12:29.880 --> 0:12:31.440
<v Speaker 3>only need you to show up to set for two

0:12:31.440 --> 0:12:37.079
<v Speaker 3>months out the year. Does he and his peers at

0:12:37.120 --> 0:12:39.679
<v Speaker 3>that level do they take the check? You get what

0:12:39.679 --> 0:12:42.679
<v Speaker 3>I'm saying to let AI do their thing, or do

0:12:42.720 --> 0:12:45.000
<v Speaker 3>they like, now we reappreciate the craft, we want to

0:12:45.040 --> 0:12:46.360
<v Speaker 3>be there, blah blah blah.

0:12:47.200 --> 0:12:49.680
<v Speaker 1>How they look at to me, I think it depends

0:12:49.720 --> 0:12:52.360
<v Speaker 1>on how they see technology go because if they see

0:12:52.360 --> 0:12:56.359
<v Speaker 1>it like how we said, if we see the inevitable happenings,

0:12:56.360 --> 0:12:59.080
<v Speaker 1>what it's like, it's like everybody's telling they publishing that

0:13:00.160 --> 0:13:01.720
<v Speaker 1>they see ain't no money in the ship, so they

0:13:01.800 --> 0:13:04.040
<v Speaker 1>trying to cash out. So if he looking at as

0:13:04.040 --> 0:13:07.160
<v Speaker 1>a cash out deal, he's like, fucking all right, let

0:13:07.160 --> 0:13:10.040
<v Speaker 1>me go ahead. I'm about fifty some years old. Now

0:13:10.480 --> 0:13:12.720
<v Speaker 1>I go only do so many movies. Now, let me

0:13:12.760 --> 0:13:15.079
<v Speaker 1>go ahead and knock out twenty of these motherfucker movies

0:13:15.120 --> 0:13:19.440
<v Speaker 1>for twenty million apiece and ride out of the sunset exactly.

0:13:19.640 --> 0:13:23.040
<v Speaker 1>How does that help everybody else? Like y'all like you,

0:13:23.280 --> 0:13:26.240
<v Speaker 1>it don't, it don't. That's the thing.

0:13:26.320 --> 0:13:28.240
<v Speaker 3>It's winners and losers in this ship, and you better

0:13:28.320 --> 0:13:29.480
<v Speaker 3>figure out a way to be on the winter sh

0:13:29.640 --> 0:13:30.079
<v Speaker 3>That's not the.

0:13:30.000 --> 0:13:31.800
<v Speaker 1>Only thing I was like, and that's why I get

0:13:31.840 --> 0:13:34.760
<v Speaker 1>went back to the beginning. It's like, do you see

0:13:35.280 --> 0:13:37.439
<v Speaker 1>is it a good? Is it good? Is it good? Future?

0:13:37.520 --> 0:13:41.480
<v Speaker 1>For actors and actresses said, hell no, that shit is inevitable.

0:13:41.480 --> 0:13:45.040
<v Speaker 1>It's over with. So how do you know, how do

0:13:45.080 --> 0:13:46.680
<v Speaker 1>you prepare for it? How do you prepare for it?

0:13:46.760 --> 0:13:48.600
<v Speaker 1>Because I prepared for it twenty years ago because I

0:13:48.640 --> 0:13:50.760
<v Speaker 1>kind of saw it a long time ago. So I

0:13:50.840 --> 0:13:54.480
<v Speaker 1>kind of never leaned on Hollywood more so than I

0:13:54.559 --> 0:13:57.160
<v Speaker 1>just focused on the people. And that's why I'm meant

0:13:57.160 --> 0:13:59.320
<v Speaker 1>why that's why I'm at right now. But now that

0:13:59.360 --> 0:14:01.880
<v Speaker 1>you see where it is, and so whether you how

0:14:01.880 --> 0:14:03.880
<v Speaker 1>do you prepare for it and set yourself up to

0:14:03.920 --> 0:14:07.200
<v Speaker 1>where because everything always changes, So how have you prepared

0:14:07.240 --> 0:14:08.160
<v Speaker 1>more than change for that?

0:14:09.120 --> 0:14:11.720
<v Speaker 3>So I am I am in a process like right

0:14:11.760 --> 0:14:16.120
<v Speaker 3>now diversifying and making myself as brandable as possible because

0:14:16.600 --> 0:14:19.960
<v Speaker 3>with that it's like, you know, you're gonna need ads,

0:14:20.000 --> 0:14:22.680
<v Speaker 3>You're gonna need commercials and so forth and so on,

0:14:22.800 --> 0:14:26.480
<v Speaker 3>like you can always attaching yourself to brands. You know,

0:14:27.600 --> 0:14:31.000
<v Speaker 3>it's a and especially with a lot of the abilities

0:14:31.000 --> 0:14:32.640
<v Speaker 3>that I have that I haven't even kind of like

0:14:32.800 --> 0:14:35.600
<v Speaker 3>done in the way of using them in terms of, uh,

0:14:35.720 --> 0:14:39.760
<v Speaker 3>for entertainment, you know what I mean. But there's two

0:14:39.760 --> 0:14:44.040
<v Speaker 3>ways I'm I'm trying. I'm finding ways to cleverly brand

0:14:44.120 --> 0:14:48.920
<v Speaker 3>myself so that I'm a thing that can you know,

0:14:49.040 --> 0:14:51.680
<v Speaker 3>be of, you know, be be around you know what

0:14:51.720 --> 0:14:55.240
<v Speaker 3>I'm saying. Time goes on, Yeah, exactly, just and then

0:14:55.320 --> 0:15:00.000
<v Speaker 3>also on the other side though, figuring out and starting

0:15:00.200 --> 0:15:04.560
<v Speaker 3>things like a production company that I'm starting or I

0:15:04.600 --> 0:15:06.320
<v Speaker 3>started right now with a couple of friends of mine,

0:15:06.640 --> 0:15:08.400
<v Speaker 3>you know what I'm saying, started my own production company

0:15:08.440 --> 0:15:10.520
<v Speaker 3>with Actually it.

0:15:09.840 --> 0:15:10.720
<v Speaker 1>Is it's Dope High.

0:15:10.800 --> 0:15:12.520
<v Speaker 3>Came together because it's a good friend of mine who

0:15:12.560 --> 0:15:16.080
<v Speaker 3>I was in a movie with Kean Johnson and the

0:15:16.120 --> 0:15:20.080
<v Speaker 3>producer of that movie. We're starting a production company together,

0:15:20.160 --> 0:15:23.560
<v Speaker 3>you know what I mean. And interestingly enough, I hope

0:15:23.560 --> 0:15:28.440
<v Speaker 3>I can say shot it out. It's called Mumbo Mumbo, Inc.

0:15:29.320 --> 0:15:32.200
<v Speaker 1>So uh yeah.

0:15:32.320 --> 0:15:35.080
<v Speaker 3>Interestingly enough, one of the first things that we produced

0:15:35.120 --> 0:15:39.080
<v Speaker 3>and shot is a comedy special for I hope they

0:15:39.080 --> 0:15:41.080
<v Speaker 3>don't Friday for Jeremy Piven.

0:15:42.800 --> 0:15:44.160
<v Speaker 1>You don't want to put it out there, just let

0:15:44.160 --> 0:15:44.680
<v Speaker 1>me right cool.

0:15:44.760 --> 0:15:47.520
<v Speaker 3>Yeah, But Jeremy Piven is doing stand up comedy now,

0:15:48.000 --> 0:15:49.840
<v Speaker 3>and he's been doing it for a few years at

0:15:49.840 --> 0:15:52.360
<v Speaker 3>this point, but we produced his first you know, like

0:15:52.560 --> 0:15:55.080
<v Speaker 3>actual like stand up that's gonna I think it's gonna

0:15:55.080 --> 0:15:57.440
<v Speaker 3>live on like YouTube for to begin with.

0:15:57.520 --> 0:15:59.240
<v Speaker 1>But yeah, we just did that like a month ago.

0:15:59.640 --> 0:16:03.000
<v Speaker 3>So like again, start my own production company stuff like

0:16:03.040 --> 0:16:05.360
<v Speaker 3>that that you know, you're still gonna need people to do.

0:16:05.400 --> 0:16:07.200
<v Speaker 1>You still need people to shoot some of these commercials.

0:16:07.200 --> 0:16:09.840
<v Speaker 3>Everything ain't gonna just be like super AI at the

0:16:09.840 --> 0:16:14.360
<v Speaker 3>game and figuring out how I made my brand is connecting.

0:16:13.920 --> 0:16:14.640
<v Speaker 1>To people as well.

0:16:14.640 --> 0:16:16.960
<v Speaker 3>That's what I was gonna say, figuring out how my

0:16:17.080 --> 0:16:21.200
<v Speaker 3>brand keeps me tethered to the people, you know what

0:16:21.240 --> 0:16:25.400
<v Speaker 3>I'm saying, And so that way, you know, as time

0:16:25.480 --> 0:16:27.800
<v Speaker 3>goes on, I'm not just getting lost in the shuffle

0:16:27.800 --> 0:16:30.800
<v Speaker 3>and it's like, you know, everybody just AI at the

0:16:30.840 --> 0:16:32.880
<v Speaker 3>game and you know we is washed.

0:16:33.560 --> 0:16:35.840
<v Speaker 1>Let me ask you this, if they came to you

0:16:35.920 --> 0:16:39.120
<v Speaker 1>with with two point five and said we want to

0:16:39.120 --> 0:16:45.080
<v Speaker 1>buy your likeness. What you're doing? Ooh, what what you're

0:16:45.120 --> 0:16:48.240
<v Speaker 1>doing by wait? Hold on, hold on, hold on, hold

0:16:48.280 --> 0:16:49.440
<v Speaker 1>on my whole.

0:16:49.280 --> 0:16:53.640
<v Speaker 3>Likeness like now you negotiate go ahead, yeah, nigga, my

0:16:53.720 --> 0:16:54.480
<v Speaker 3>whole likeness.

0:16:56.040 --> 0:16:58.320
<v Speaker 1>The same thing when we were just talking about what

0:16:58.440 --> 0:17:01.000
<v Speaker 1>you just said, the same thing you they give the

0:17:01.080 --> 0:17:03.480
<v Speaker 1>Rock the option. I didn't say twenty million because that

0:17:03.520 --> 0:17:05.359
<v Speaker 1>would be some bullshit because I do it for twenty

0:17:05.560 --> 0:17:10.119
<v Speaker 1>fifty million for you. I'm just trying to make it

0:17:10.160 --> 0:17:14.760
<v Speaker 1>more realistic. Two point five say, look, we need your

0:17:14.920 --> 0:17:17.320
<v Speaker 1>likeness and I'm gonna give you this. We need your

0:17:17.440 --> 0:17:23.240
<v Speaker 1>likeness for ten years. They don't know, they don't need

0:17:23.240 --> 0:17:25.600
<v Speaker 1>it for life. It's a publishing deal. That's pretty much

0:17:25.640 --> 0:17:27.800
<v Speaker 1>what they finished. Start doing publishing deals.

0:17:28.720 --> 0:17:32.280
<v Speaker 3>Damn too, that's exactly right, that's actually correct.

0:17:32.480 --> 0:17:33.600
<v Speaker 2>It is gonna be a publishing deal.

0:17:33.800 --> 0:17:36.320
<v Speaker 1>That's who stay woke.

0:17:37.640 --> 0:17:41.240
<v Speaker 3>Two point five for ten, I'm gonna have to negotiate

0:17:41.920 --> 0:17:43.639
<v Speaker 3>and I'm gonna have to bring that ten down now

0:17:43.760 --> 0:17:45.320
<v Speaker 3>nine ten. I think I'm gonna I think I can

0:17:45.400 --> 0:17:47.639
<v Speaker 3>do if I if I if the thing now, I'm

0:17:47.840 --> 0:17:48.640
<v Speaker 3>I'm gonna turn that down.

0:17:48.680 --> 0:17:51.159
<v Speaker 1>Not ten years. I'm cool. I'm betting on me, straight up.

0:17:52.320 --> 0:17:53.879
<v Speaker 1>I'ma be real with you. I'm betting on me, all right.

0:17:54.960 --> 0:17:58.119
<v Speaker 1>We just talked about how how the industry ate that

0:17:58.320 --> 0:18:00.399
<v Speaker 1>ate that much money left in it will kind of

0:18:00.480 --> 0:18:02.119
<v Speaker 1>dry and this.

0:18:02.000 --> 0:18:07.680
<v Speaker 3>Is you know, yeah, no, it just depends history. Repeat yourself. So, yeah,

0:18:08.320 --> 0:18:11.880
<v Speaker 3>is drying up depending on where you put yourself.

0:18:12.040 --> 0:18:15.320
<v Speaker 1>But flipping like flipping like this. This is how I'm

0:18:15.359 --> 0:18:18.440
<v Speaker 1>looking at it. All Right, they use my likeness, they

0:18:18.440 --> 0:18:21.719
<v Speaker 1>could they gonna promote me free because they gotta promote

0:18:21.720 --> 0:18:25.359
<v Speaker 1>my likeness. Right, I got two forty five million, put

0:18:25.400 --> 0:18:29.200
<v Speaker 1>that in my production company, shoot my own right, piggyback ride,

0:18:29.480 --> 0:18:32.639
<v Speaker 1>and you get bigger after ten years, You're good. I

0:18:32.680 --> 0:18:34.640
<v Speaker 1>mean ten years might be a lot. You might want

0:18:34.640 --> 0:18:38.479
<v Speaker 1>to negotiate, that's what think. Yeah, that's a whole decade, bro,

0:18:38.640 --> 0:18:39.800
<v Speaker 1>You're crazy.

0:18:39.840 --> 0:18:41.479
<v Speaker 3>That's why I say that ten. I'm not fucking with that.

0:18:41.520 --> 0:18:47.520
<v Speaker 3>Ten Nigga ten for two point five it's crazy. I

0:18:47.560 --> 0:18:50.600
<v Speaker 3>gotta say that that one.

0:18:52.600 --> 0:18:54.600
<v Speaker 1>Yeah, that is a lot. That is a lot. But

0:18:54.680 --> 0:18:57.640
<v Speaker 1>I'm just trying because but it sounds like a lot

0:18:57.680 --> 0:19:00.600
<v Speaker 1>of those the type of contracts these companies is yet.

0:19:00.760 --> 0:19:03.120
<v Speaker 1>Think about it. In the music industry, they do ten

0:19:03.240 --> 0:19:09.119
<v Speaker 1>album deals, so it ain't it ain't far fetched, and

0:19:09.200 --> 0:19:11.320
<v Speaker 1>they doing it for less than two point five. Trust me,

0:19:11.600 --> 0:19:13.520
<v Speaker 1>they act like they're getting all that money up front.

0:19:15.400 --> 0:19:17.320
<v Speaker 1>You know what I'm saying. They talking about how much

0:19:17.320 --> 0:19:20.359
<v Speaker 1>they gonna put into the project two point five million,

0:19:20.560 --> 0:19:25.440
<v Speaker 1>So they don't. I just it can't make sense. It

0:19:25.640 --> 0:19:29.199
<v Speaker 1>just gotta you just gotta make it so all to

0:19:29.280 --> 0:19:31.720
<v Speaker 1>your point, here's what's gonna happen.

0:19:32.359 --> 0:19:34.960
<v Speaker 3>There are gonna be people that take that deal and

0:19:35.000 --> 0:19:38.240
<v Speaker 3>that's what's going to saturate and water to market in

0:19:38.440 --> 0:19:41.120
<v Speaker 3>the industry down because it's gonna be like.

0:19:41.080 --> 0:19:49.080
<v Speaker 1>Two for ten years. Give it to me, so you know.

0:19:49.600 --> 0:19:52.200
<v Speaker 1>And that's another thing. It's kind of like, it's kind

0:19:52.200 --> 0:19:54.200
<v Speaker 1>of like what to be doing with with with with

0:19:54.720 --> 0:19:58.240
<v Speaker 1>movies now, it's like ship. You don't want to go

0:19:58.280 --> 0:20:00.240
<v Speaker 1>over there with ship. They give you the good look,

0:20:00.359 --> 0:20:03.960
<v Speaker 1>the good percentages and everything else it makes Honestly, Tube

0:20:04.040 --> 0:20:06.640
<v Speaker 1>is just doing Netflix used to be just like that.

0:20:06.840 --> 0:20:09.600
<v Speaker 1>It's just people forgot by their group. They use niggas

0:20:09.600 --> 0:20:14.760
<v Speaker 1>to build to build a network once everything. That's how.

0:20:14.880 --> 0:20:16.880
<v Speaker 1>But it's not a bad thing though. You just gotta

0:20:16.960 --> 0:20:19.439
<v Speaker 1>understand your place in the game. If you understand your

0:20:19.440 --> 0:20:21.280
<v Speaker 1>place in the game, you can finessing and make it

0:20:21.320 --> 0:20:23.520
<v Speaker 1>and make it bigger and do your old day. That's

0:20:23.560 --> 0:20:25.800
<v Speaker 1>all Tyler Perry and people like that. Dude, you know

0:20:25.840 --> 0:20:26.800
<v Speaker 1>what I'm saying, that's.

0:20:26.800 --> 0:20:30.440
<v Speaker 3>So so okay cool about TV movies.

0:20:30.480 --> 0:20:32.800
<v Speaker 1>Let me ask you that from an active standpoint, how

0:20:32.840 --> 0:20:35.880
<v Speaker 1>you feel about to because well, I ain't watching the movie.

0:20:36.800 --> 0:20:38.600
<v Speaker 3>I ain't watch the TV movie, so I'm not gonna

0:20:38.600 --> 0:20:42.679
<v Speaker 3>I don't have no like distinct answer, no depinion of

0:20:42.720 --> 0:20:43.960
<v Speaker 3>it because I ain't watching nothing.

0:20:44.200 --> 0:20:50.840
<v Speaker 1>Let me DoD you thought it. Cooby has got better, bro,

0:20:50.920 --> 0:20:54.000
<v Speaker 1>They're getting better. You gotta go what David Wallams just

0:20:54.000 --> 0:20:57.080
<v Speaker 1>did a show that WI him and I forgot the

0:20:57.119 --> 0:21:01.240
<v Speaker 1>girl that played the young girl that plays on the power, uh,

0:21:01.280 --> 0:21:05.040
<v Speaker 1>the one the power that's uh that Mary J Bligoe.

0:21:05.080 --> 0:21:08.200
<v Speaker 1>I don't know, it's so real. She the young girl.

0:21:08.240 --> 0:21:09.720
<v Speaker 1>You know what I'm talking about, the young black girl.

0:21:09.760 --> 0:21:13.639
<v Speaker 1>I don't even know well the way she she she

0:21:13.800 --> 0:21:16.560
<v Speaker 1>Oh there, it's it's it's written three did it getting better?

0:21:17.400 --> 0:21:21.200
<v Speaker 1>It's getting right in but in boom whatever.

0:21:21.440 --> 0:21:23.399
<v Speaker 3>Maybe that's somebody need to start putting into my you

0:21:23.400 --> 0:21:26.439
<v Speaker 3>know what I'm saying into my things of to what

0:21:26.560 --> 0:21:27.240
<v Speaker 3>to watch out for.

0:21:29.160 --> 0:21:31.199
<v Speaker 1>It. It's the perfect time to do it while they

0:21:31.280 --> 0:21:34.600
<v Speaker 1>open to anything. You know what I'm saying you gotta

0:21:34.640 --> 0:21:38.800
<v Speaker 1>do is bring something good exactly all right? Cool?

0:21:38.840 --> 0:21:40.240
<v Speaker 3>So I was about there. I was about to ask

0:21:40.280 --> 0:21:43.880
<v Speaker 3>you that question. So that's the other thing about where

0:21:44.000 --> 0:21:49.560
<v Speaker 3>entertainment is. This is music and film and television.

0:21:49.080 --> 0:21:51.080
<v Speaker 1>Right or filming, Yeah, movies and TV.

0:21:51.359 --> 0:21:55.560
<v Speaker 3>I'm like the quality amongst everything, especially the music is

0:21:55.720 --> 0:21:56.359
<v Speaker 3>so bad.

0:21:57.200 --> 0:21:57.960
<v Speaker 1>I feel like.

0:21:59.720 --> 0:22:05.119
<v Speaker 3>The don't make real quality comes about, real talent comes about.

0:22:05.400 --> 0:22:06.360
<v Speaker 2>It's going to emergent.

0:22:06.400 --> 0:22:07.639
<v Speaker 1>It's going to like blow up.

0:22:07.720 --> 0:22:09.960
<v Speaker 2>That's where I feel now. That's my question to you.

0:22:10.240 --> 0:22:12.280
<v Speaker 3>Do you feel like we're in such a space now

0:22:12.880 --> 0:22:17.520
<v Speaker 3>within entertainment that when real talent is, you know, emerges,

0:22:17.800 --> 0:22:20.800
<v Speaker 3>that it'll be appreciated and recognized as such and it

0:22:20.880 --> 0:22:23.560
<v Speaker 3>will go to that those next, you know, those higher.

0:22:23.840 --> 0:22:26.840
<v Speaker 1>I think real talent. I think real talent already. I

0:22:26.880 --> 0:22:29.320
<v Speaker 1>just think the audience don't care enough how we want

0:22:29.359 --> 0:22:32.560
<v Speaker 1>them to care. You got to sneak talent on the

0:22:32.359 --> 0:22:35.199
<v Speaker 1>on the consumer. They don't care enough about it. They

0:22:35.320 --> 0:22:40.240
<v Speaker 1>just consuming. So that's why sometimes you don't realize it afterwards,

0:22:40.240 --> 0:22:42.639
<v Speaker 1>like man, this muffler, muffle got some shit, this muffled

0:22:42.680 --> 0:22:44.440
<v Speaker 1>Like say, this is like somebody like j Cole's or

0:22:44.520 --> 0:22:48.000
<v Speaker 1>Kendrick Lamar. They really talented and they show it the

0:22:48.080 --> 0:22:50.520
<v Speaker 1>more and more you listen to them, But you didn't

0:22:50.520 --> 0:22:52.240
<v Speaker 1>really give a fuck. You just was going about the

0:22:52.280 --> 0:22:54.159
<v Speaker 1>it song at first. Are you just love them for

0:22:54.200 --> 0:22:56.240
<v Speaker 1>who they are? So I feel like I feel like

0:22:56.240 --> 0:22:58.280
<v Speaker 1>it's plenty of talented muffler that's like you you a

0:22:58.359 --> 0:23:00.479
<v Speaker 1>talented that dude, you know what I'm say saying, but

0:23:00.520 --> 0:23:03.040
<v Speaker 1>you ain't where you want to be. But so so

0:23:03.160 --> 0:23:06.000
<v Speaker 1>I just feel like it's tailor out there's just and

0:23:06.320 --> 0:23:08.320
<v Speaker 1>I feel like I feel like.

0:23:08.320 --> 0:23:12.560
<v Speaker 3>Well, hold on, hold on, hold music though music is entertainment,

0:23:12.600 --> 0:23:14.199
<v Speaker 3>you know what I'm saying, movie see me all that.

0:23:14.400 --> 0:23:16.679
<v Speaker 3>You're right, I can rock with you there because it

0:23:16.760 --> 0:23:18.480
<v Speaker 3>is a lot of people getting down. I actually got

0:23:18.480 --> 0:23:20.000
<v Speaker 3>to switch that. It's a lot of people that's on

0:23:20.240 --> 0:23:23.600
<v Speaker 3>like on on the screen that get down. Music though

0:23:23.760 --> 0:23:26.800
<v Speaker 3>music is man, I ain't rolling with that.

0:23:26.880 --> 0:23:29.600
<v Speaker 1>Music is tracking. It's a lot of good music out here.

0:23:29.640 --> 0:23:31.399
<v Speaker 3>You gotta send me some ship thing, bro, because I've

0:23:31.440 --> 0:23:33.679
<v Speaker 3>been I one.

0:23:33.600 --> 0:23:35.640
<v Speaker 1>Good not the two ball. Hold but I ain't making

0:23:35.640 --> 0:23:38.919
<v Speaker 1>a bad song yet. But they take me out to

0:23:39.119 --> 0:23:42.159
<v Speaker 1>tech for real, take me out to the cooin for real,

0:23:42.200 --> 0:23:45.760
<v Speaker 1>because it's it'll be biased, but it's a lot of

0:23:45.800 --> 0:23:48.159
<v Speaker 1>good talent that. It's a lot of good music out here.

0:23:48.200 --> 0:23:50.360
<v Speaker 1>I send you some ship. It's a lot of good

0:23:50.359 --> 0:23:54.040
<v Speaker 1>ship out you just gotta look it and all five

0:23:54.119 --> 0:23:56.480
<v Speaker 1>you know, like me right now, I like music without

0:23:56.560 --> 0:23:59.680
<v Speaker 1>without lyrics. I listened to a lot of a lot

0:23:59.720 --> 0:24:03.639
<v Speaker 1>of a lot of a lot of that's South African music.

0:24:04.800 --> 0:24:10.840
<v Speaker 1>Yeah what I play. Yeah, that's like it's kind of

0:24:10.880 --> 0:24:14.879
<v Speaker 1>like a it's kind of like an idiom but uh

0:24:15.680 --> 0:24:19.399
<v Speaker 1>African vibe. It's hard to explain, but it's it's I

0:24:19.400 --> 0:24:24.440
<v Speaker 1>forgot you're making that you're making. It's everything's reggae, it's

0:24:24.480 --> 0:24:29.080
<v Speaker 1>everything all messed and one, but it's no lyrics. Now,

0:24:29.160 --> 0:24:30.560
<v Speaker 1>it's not for them. I mean they had a little

0:24:30.560 --> 0:24:38.960
<v Speaker 1>lips like blah blah blah ship like that blah blah

0:24:39.000 --> 0:24:45.520
<v Speaker 1>blah ship Like, man, you had me at first, I

0:24:45.560 --> 0:24:50.320
<v Speaker 1>wanted to hear it now, hold on, hold on, you

0:24:50.359 --> 0:24:52.399
<v Speaker 1>had me at first. I was interested, like I need

0:24:52.440 --> 0:24:56.320
<v Speaker 1>to when you do, it's one of my favorite songs.

0:24:57.720 --> 0:25:03.760
<v Speaker 1>I don't know if you did. It's a low and

0:25:03.800 --> 0:25:06.040
<v Speaker 1>they song below that ship is really for the club.

0:25:06.200 --> 0:25:10.479
<v Speaker 4>Hold on oh okay yeah yeah, yeah, yeah, yeah, I

0:25:10.560 --> 0:25:11.040
<v Speaker 4>rock with that.

0:25:11.119 --> 0:25:15.480
<v Speaker 1>I rock with that, Okay, yeah yeah, I rock with that.

0:25:15.760 --> 0:25:16.080
<v Speaker 1>I did.

0:25:16.160 --> 0:25:20.359
<v Speaker 3>I heard some ship like that in like Dubai and

0:25:20.440 --> 0:25:22.760
<v Speaker 3>I Care and it was yeah yeah yeah.

0:25:22.760 --> 0:25:23.400
<v Speaker 1>Because when you.

0:25:23.560 --> 0:25:25.800
<v Speaker 3>It's it's like a, it's a it ain't like so

0:25:25.960 --> 0:25:28.720
<v Speaker 3>much of a lyrical thing. It's more of a beyond

0:25:28.920 --> 0:25:31.440
<v Speaker 3>like ship. Yea, I'm gonna see you that that ship hard.

0:25:32.640 --> 0:25:33.479
<v Speaker 1>So let me ask you this.

0:25:33.560 --> 0:25:36.280
<v Speaker 3>Then, how did you feel about the Drake.

0:25:36.080 --> 0:25:39.879
<v Speaker 1>Honesty never mind? I mean, but bro, it's just a song.

0:25:39.960 --> 0:25:42.560
<v Speaker 1>He just threw out a song with Drake Drake? Is

0:25:42.600 --> 0:25:46.639
<v Speaker 1>you can't the album? That's about the album? Oh, the

0:25:46.680 --> 0:25:49.840
<v Speaker 1>whole album? Yea, my whole album. It's just another one,

0:25:49.880 --> 0:25:50.160
<v Speaker 1>just game.

0:25:50.200 --> 0:25:52.720
<v Speaker 3>I thought, no, no, no, no, the honesty never mind,

0:25:52.760 --> 0:25:55.680
<v Speaker 3>the one that was like the you know, the I

0:25:55.680 --> 0:25:56.359
<v Speaker 3>don't want to say that.

0:25:56.359 --> 0:25:58.399
<v Speaker 1>What would we called it? What will we classify that

0:25:58.440 --> 0:26:04.960
<v Speaker 1>as a mix? It's like it's like dance. Ain't that Oh?

0:26:05.000 --> 0:26:08.160
<v Speaker 1>Oh that one? No? I liked that? Yeah, all right,

0:26:08.240 --> 0:26:15.719
<v Speaker 1>I knew you would. I knew you would. No, that

0:26:15.840 --> 0:26:19.080
<v Speaker 1>is yacht music. That's both music. Man, come on now

0:26:19.880 --> 0:26:23.600
<v Speaker 1>talking about why I'm bad? Nah?

0:26:23.640 --> 0:26:26.320
<v Speaker 3>Okay, so you know what I feel that? So I'm

0:26:26.320 --> 0:26:28.440
<v Speaker 3>definitely on some like a rap to me, I'll say

0:26:28.480 --> 0:26:29.280
<v Speaker 3>this for sure, a rap.

0:26:29.320 --> 0:26:31.560
<v Speaker 1>I'm cool. So who are you listening to? Since who

0:26:31.680 --> 0:26:32.280
<v Speaker 1>you listening to?

0:26:34.040 --> 0:26:37.639
<v Speaker 3>Everything right here is is old, bro, I thought that honestly,

0:26:37.680 --> 0:26:39.720
<v Speaker 3>never mind knowing about four times a week noo' lenna

0:26:39.720 --> 0:26:42.560
<v Speaker 3>tell you that for the sure. Uh you know, my

0:26:42.600 --> 0:26:44.520
<v Speaker 3>favorite artist is still a Lena Barage.

0:26:44.600 --> 0:26:45.600
<v Speaker 1>She just dropped some ship.

0:26:45.680 --> 0:26:50.199
<v Speaker 3>I tacked in with Travis Scott album a couple of joints.

0:26:50.240 --> 0:26:51.960
<v Speaker 1>You know what I'm saying. I know you fuck with

0:26:51.960 --> 0:26:56.720
<v Speaker 1>Gunnan album. Gun Out was cool, but gun Out was cool,

0:26:56.720 --> 0:27:00.240
<v Speaker 1>but I think Gunner was more so of everything that

0:27:00.320 --> 0:27:02.480
<v Speaker 1>was going on. So that built up the anticipation and

0:27:02.520 --> 0:27:04.600
<v Speaker 1>all that ship right right right now.

0:27:04.640 --> 0:27:07.840
<v Speaker 4>The fact I hate you earlier this year about my

0:27:07.840 --> 0:27:09.960
<v Speaker 4>my r D compilation that I was putting together.

0:27:10.080 --> 0:27:17.359
<v Speaker 1>Remember, uh remember, nigga, I told you that. I don't remember.

0:27:17.800 --> 0:27:19.560
<v Speaker 1>I don't remember. I don't remember.

0:27:19.840 --> 0:27:22.280
<v Speaker 3>I called you and I talked to you about doing it,

0:27:22.320 --> 0:27:24.400
<v Speaker 3>and you were gonna do like the Midnight Like.

0:27:25.040 --> 0:27:27.080
<v Speaker 1>I mean, I'm doing that for you because you're a dog.

0:27:27.200 --> 0:27:28.840
<v Speaker 1>So yeah.

0:27:30.280 --> 0:27:33.679
<v Speaker 2>So no, My point is now we can we can

0:27:33.760 --> 0:27:34.800
<v Speaker 2>work on doing this one.

0:27:34.880 --> 0:27:35.320
<v Speaker 1>You know what I'm saying.

0:27:35.359 --> 0:27:38.080
<v Speaker 3>Doing that together type ship since you were left off

0:27:38.080 --> 0:27:39.840
<v Speaker 3>the DNY album means you could put ours together.

0:27:39.840 --> 0:27:42.479
<v Speaker 1>We could do our ship together. You know, just compared

0:27:42.520 --> 0:27:44.320
<v Speaker 1>yourself to Dinny. Since you're gonna do it the Didny,

0:27:44.320 --> 0:27:47.920
<v Speaker 1>you matter what do it with me? Hey? I got that, Like,

0:27:48.119 --> 0:27:50.240
<v Speaker 1>since you don't do a deal with Eli Musk, you

0:27:50.320 --> 0:27:57.320
<v Speaker 1>matter what do with me? Hey? Look, we we put

0:27:57.320 --> 0:27:57.960
<v Speaker 1>some ship together.

0:27:58.200 --> 0:28:00.920
<v Speaker 3>I feel like our ship, like especially with the idea

0:28:01.000 --> 0:28:02.399
<v Speaker 3>of you talking through that, That's what it was.

0:28:02.520 --> 0:28:04.320
<v Speaker 1>That's what I was talking to you about. You was

0:28:04.359 --> 0:28:05.159
<v Speaker 1>gonna talk through.

0:28:05.040 --> 0:28:07.439
<v Speaker 2>The whole album, like the intros and outros, a lot

0:28:07.480 --> 0:28:08.480
<v Speaker 2>of all of the songs.

0:28:09.040 --> 0:28:10.720
<v Speaker 1>I'm with whatever you want to do, man, Like, just

0:28:10.800 --> 0:28:12.040
<v Speaker 1>let me know when you want to do it. I'm

0:28:12.040 --> 0:28:14.040
<v Speaker 1>with it. So you got to arn so you so

0:28:14.080 --> 0:28:15.399
<v Speaker 1>you got to let them know about your R and

0:28:15.400 --> 0:28:19.280
<v Speaker 1>B ship because they don't know them. Oh man.

0:28:19.480 --> 0:28:21.399
<v Speaker 2>So that's the part of me that you know.

0:28:21.640 --> 0:28:24.439
<v Speaker 3>I came up in the game. Like I've been in

0:28:24.520 --> 0:28:26.879
<v Speaker 3>music my whole life. So my my postures are producer.

0:28:26.920 --> 0:28:29.400
<v Speaker 3>So I've been in I've been seeing music. My postures

0:28:29.400 --> 0:28:30.439
<v Speaker 3>are part of truth, you.

0:28:30.480 --> 0:28:30.920
<v Speaker 1>Know what I mean?

0:28:31.080 --> 0:28:33.360
<v Speaker 2>So I that's the world.

0:28:34.720 --> 0:28:36.000
<v Speaker 1>Truth, nigga.

0:28:36.240 --> 0:28:40.600
<v Speaker 2>The last one, the last album, I don't let me go.

0:28:40.760 --> 0:28:44.520
<v Speaker 1>Look at this ship, hold up the truth.

0:28:46.000 --> 0:28:48.240
<v Speaker 3>The very last one was Steve. It was only Stem

0:28:48.320 --> 0:28:49.280
<v Speaker 3>out of my pops.

0:28:49.840 --> 0:28:52.040
<v Speaker 1>All I do is think of you.

0:28:52.320 --> 0:28:53.040
<v Speaker 3>No no, no no.

0:28:53.280 --> 0:28:57.160
<v Speaker 1>That that not that album. That's the other joints wings.

0:28:58.040 --> 0:29:04.760
<v Speaker 1>If like song, I know you're probably not gonna know

0:29:04.800 --> 0:29:09.200
<v Speaker 1>to the song, but it was a lost album. Okay. Yeah.

0:29:09.240 --> 0:29:11.640
<v Speaker 3>But Post was always right producing. He did, you know,

0:29:11.680 --> 0:29:13.720
<v Speaker 3>a lot of music with He worked with Teddy Early,

0:29:13.760 --> 0:29:18.280
<v Speaker 3>he worked with He was working with Steve, he worked

0:29:18.320 --> 0:29:21.520
<v Speaker 3>with He did a lot of reget everything. Yeah, I

0:29:21.520 --> 0:29:23.320
<v Speaker 3>was born in this ship. So that's my my love

0:29:23.400 --> 0:29:28.240
<v Speaker 3>and passion for music being been there, feel me and

0:29:28.280 --> 0:29:30.600
<v Speaker 3>then I've gone on myself to work with different artists that.

0:29:32.280 --> 0:29:33.120
<v Speaker 1>I talk about.

0:29:33.480 --> 0:29:37.400
<v Speaker 3>You showed the world because I this is the other

0:29:37.440 --> 0:29:41.280
<v Speaker 3>interesting thing about me, right, I never wanted to be

0:29:41.680 --> 0:29:44.280
<v Speaker 3>like a person, you know what I'm saying, like a celebrity.

0:29:45.040 --> 0:29:46.640
<v Speaker 3>I never wanted to be a person that was a

0:29:46.640 --> 0:29:49.160
<v Speaker 3>figure or a name that you like, had to put

0:29:49.160 --> 0:29:50.640
<v Speaker 3>a fake that you could put a face to, you

0:29:50.720 --> 0:29:53.080
<v Speaker 3>know what I'm saying. Type ship I really wanted to be.

0:29:53.320 --> 0:29:54.320
<v Speaker 3>You know't You probably don't know me.

0:29:54.560 --> 0:29:57.600
<v Speaker 1>His producer named sound Way, but he's Kendrick Lamar's producer.

0:29:58.080 --> 0:30:00.560
<v Speaker 3>That's the type of career I was aiming for in

0:30:00.680 --> 0:30:02.160
<v Speaker 3>terms of like successful music.

0:30:02.200 --> 0:30:03.760
<v Speaker 2>You know what I'm saying, entertainment.

0:30:03.480 --> 0:30:07.120
<v Speaker 1>Was like being a really really dope ass producer. You

0:30:07.600 --> 0:30:09.680
<v Speaker 1>knew me? Yeah, if you knew me, you knew me,

0:30:09.680 --> 0:30:10.840
<v Speaker 1>you could don't cool.

0:30:11.080 --> 0:30:13.800
<v Speaker 3>Like I've been in concerts and walk right right up

0:30:13.840 --> 0:30:16.800
<v Speaker 3>to Soundway said what's up or whatever? And everybody around

0:30:16.840 --> 0:30:20.000
<v Speaker 3>has no idea that this nigga curated all of the sounds.

0:30:20.200 --> 0:30:22.840
<v Speaker 2>What everything that Kendrick Lamart does sound Way do is

0:30:22.880 --> 0:30:23.240
<v Speaker 2>the guy?

0:30:23.920 --> 0:30:24.200
<v Speaker 1>Right?

0:30:24.280 --> 0:30:26.920
<v Speaker 3>So that's what I was, you know what I'm saying.

0:30:26.960 --> 0:30:28.880
<v Speaker 3>I always approach music from that standpoint.

0:30:28.920 --> 0:30:30.600
<v Speaker 1>I didn't want to be out and I'm still probably

0:30:30.880 --> 0:30:37.920
<v Speaker 1>That's what famus So nigga. Now I'm like cool, here

0:30:37.960 --> 0:30:38.240
<v Speaker 1>we are.

0:30:38.920 --> 0:30:41.040
<v Speaker 3>Now, how do I capitalize on all of you know

0:30:41.080 --> 0:30:43.640
<v Speaker 3>what I'm saying, the famous and celebrity with the talents.

0:30:43.920 --> 0:30:46.280
<v Speaker 3>You know what I'm saying, everything that I've accomplished, Now,

0:30:46.560 --> 0:30:48.479
<v Speaker 3>how do I advance that and use it to my

0:30:48.760 --> 0:30:52.040
<v Speaker 3>benefit and make you know, make that into my brand?

0:30:52.960 --> 0:30:54.640
<v Speaker 1>So what are you planning on doing? Because I mean,

0:30:55.080 --> 0:30:57.600
<v Speaker 1>I know you got plenty of music. You just sound

0:30:57.680 --> 0:31:01.160
<v Speaker 1>like you're scared. Oh no, hell no, I scared. You

0:31:01.240 --> 0:31:04.320
<v Speaker 1>sound like why are you saying you post nothing on

0:31:04.360 --> 0:31:07.160
<v Speaker 1>your social media about your music. I know you and

0:31:07.160 --> 0:31:08.760
<v Speaker 1>and all the time you probably told me that and

0:31:08.760 --> 0:31:10.520
<v Speaker 1>I just said yeah, because I fuck with you, but

0:31:11.000 --> 0:31:15.160
<v Speaker 1>I don't. I ain't heard that one song. Well it's

0:31:15.200 --> 0:31:19.360
<v Speaker 1>not me singing, first of all, so well whatever it is,

0:31:19.480 --> 0:31:26.080
<v Speaker 1>Rappings singing, that's the thing. So it's producing, yeah, nigga,

0:31:26.080 --> 0:31:34.600
<v Speaker 1>while you ain't send me no beats ever produced? Here, nigga,

0:31:34.640 --> 0:31:39.600
<v Speaker 1>here man, that's on this show. If you're a producer,

0:31:39.720 --> 0:31:42.760
<v Speaker 1>that's just like my cousin Jehan. My cousin Jehan. He

0:31:43.240 --> 0:31:45.480
<v Speaker 1>kind of like said, wait, you gotta know him to

0:31:45.520 --> 0:31:48.760
<v Speaker 1>know him. But this nigga got music with Taylor Swift Drake,

0:31:48.880 --> 0:31:52.840
<v Speaker 1>he got everybody. Yeah, this nigga's Yeah.

0:31:52.920 --> 0:31:56.400
<v Speaker 3>Jahann's whole come up was hard, bro, because it was

0:31:56.480 --> 0:31:58.479
<v Speaker 3>like if motherfuckers paid attention.

0:31:58.600 --> 0:32:00.880
<v Speaker 1>You been posting and trying what I'm saying, showing him

0:32:00.920 --> 0:32:01.640
<v Speaker 1>love you watching.

0:32:04.240 --> 0:32:08.040
<v Speaker 3>Yeah, that ship, That ship is incredible, and you could

0:32:08.080 --> 0:32:10.400
<v Speaker 3>tell it was organic as well, like it wasn't no

0:32:10.600 --> 0:32:12.320
<v Speaker 3>like whoa.

0:32:12.360 --> 0:32:15.600
<v Speaker 1>That's the crazy point. I'm proud of it because for one,

0:32:16.280 --> 0:32:18.240
<v Speaker 1>he did it all on his own. You know what

0:32:18.280 --> 0:32:21.040
<v Speaker 1>I'm saying, and too, he listened, you know what I'm saying,

0:32:21.360 --> 0:32:24.240
<v Speaker 1>not just to me, he listened to He listened to

0:32:24.600 --> 0:32:26.800
<v Speaker 1>the right people, you know what I'm saying. So when

0:32:26.800 --> 0:32:29.200
<v Speaker 1>he fuck up, if he if he know he fuck up,

0:32:29.200 --> 0:32:32.000
<v Speaker 1>he can stand as straighten because you can tell everybody,

0:32:32.120 --> 0:32:34.840
<v Speaker 1>you can tell everybody the same ship, but it don't

0:32:34.880 --> 0:32:38.400
<v Speaker 1>go through. So you gotta give him. And he's actually

0:32:38.440 --> 0:32:42.000
<v Speaker 1>talented and that's what he's that's the that's the best

0:32:42.000 --> 0:32:43.680
<v Speaker 1>part of it because just like we were saying before,

0:32:43.840 --> 0:32:46.240
<v Speaker 1>like it feels like talent ain't getting shown no love

0:32:46.320 --> 0:32:49.560
<v Speaker 1>no more. But he's a prime example that the kream

0:32:49.640 --> 0:32:51.480
<v Speaker 1>rides to the top. You know what I'm saying, People

0:32:51.600 --> 0:32:54.000
<v Speaker 1>like yeah, you know, people like Bresha. You know what

0:32:54.040 --> 0:32:56.440
<v Speaker 1>I'm saying. I like watching her grow, you see what

0:32:56.440 --> 0:32:59.560
<v Speaker 1>I'm saying, how she blossom not just in not just

0:32:59.600 --> 0:33:01.479
<v Speaker 1>in a in a business, in a in a uh

0:33:01.640 --> 0:33:04.640
<v Speaker 1>in a in a business, in a career, but also

0:33:04.680 --> 0:33:05.600
<v Speaker 1>in a personal.

0:33:05.360 --> 0:33:07.840
<v Speaker 2>Life right right, Yeah, that's fire exactly.

0:33:08.160 --> 0:33:11.680
<v Speaker 1>So you see, if you see good people win, you

0:33:11.680 --> 0:33:13.240
<v Speaker 1>know what I'm saying, just to see you win it.

0:33:13.760 --> 0:33:15.280
<v Speaker 1>I love to see it, you know what I'm saying.

0:33:15.360 --> 0:33:17.680
<v Speaker 1>Every time if I'm flipping through the challenges because you

0:33:17.680 --> 0:33:19.960
<v Speaker 1>don't call me and tell me, hey man, I just

0:33:20.000 --> 0:33:21.920
<v Speaker 1>think that's just a man ship because we just don't

0:33:22.000 --> 0:33:25.120
<v Speaker 1>like to do ship certain ship. But you can call

0:33:25.240 --> 0:33:26.720
<v Speaker 1>me and say, hey man, I'm all such and such,

0:33:27.040 --> 0:33:29.120
<v Speaker 1>shot me out and stuff like that there and I

0:33:29.160 --> 0:33:31.320
<v Speaker 1>don't give a fun specially by fuck with you, but

0:33:31.360 --> 0:33:35.120
<v Speaker 1>you gotta left me. So that's the thing too.

0:33:35.200 --> 0:33:38.320
<v Speaker 3>So it's I feel like the last few years has

0:33:38.400 --> 0:33:42.239
<v Speaker 3>been me figuring out how to go about doing all

0:33:42.280 --> 0:33:45.160
<v Speaker 3>of these things. So that's that's where it really has

0:33:45.200 --> 0:33:48.840
<v Speaker 3>come down to me, is like, uh, how am I

0:33:48.920 --> 0:33:50.880
<v Speaker 3>going to be in music? How am I going to

0:33:51.120 --> 0:33:53.760
<v Speaker 3>you know, also be because it's if you look at it,

0:33:53.840 --> 0:33:58.080
<v Speaker 3>like not many people simultaneously do both at the same time.

0:33:58.160 --> 0:33:58.960
<v Speaker 1>At a high level.

0:33:59.120 --> 0:34:01.880
<v Speaker 2>You're either like doing and one really well and the

0:34:01.920 --> 0:34:02.440
<v Speaker 2>other one.

0:34:02.360 --> 0:34:04.600
<v Speaker 3>Is like you know, everybody that came into acting from music,

0:34:05.000 --> 0:34:07.840
<v Speaker 3>they acting their music career always since.

0:34:08.239 --> 0:34:10.279
<v Speaker 1>How you feel about doing pretty good?

0:34:11.480 --> 0:34:13.920
<v Speaker 3>So that's fire you feel me because he kind of

0:34:13.960 --> 0:34:19.239
<v Speaker 3>like switched over exactly, like he's definitely been able to

0:34:19.239 --> 0:34:21.080
<v Speaker 3>He's he's crossed over and he stayed at it. He's

0:34:21.080 --> 0:34:24.400
<v Speaker 3>stay consistent. So it's it's been me really taking the

0:34:24.480 --> 0:34:27.560
<v Speaker 3>last I would say, three years to just like, all right,

0:34:27.719 --> 0:34:31.240
<v Speaker 3>how am I going to make myself as brandable as possible?

0:34:31.280 --> 0:34:33.439
<v Speaker 3>What is the things that I'm that I like doing?

0:34:33.520 --> 0:34:35.520
<v Speaker 3>What are the things that not only do I like

0:34:35.560 --> 0:34:38.239
<v Speaker 3>doing though that people are responsive to? You know what

0:34:38.239 --> 0:34:40.040
<v Speaker 3>I'm saying, And that makes sense for me to do.

0:34:40.080 --> 0:34:42.080
<v Speaker 3>And I feel like now I really have a real

0:34:42.160 --> 0:34:43.360
<v Speaker 3>great plan on how to have.

0:34:44.960 --> 0:34:50.560
<v Speaker 1>You looked into roles where you're playing the musical artist. Bro,

0:34:50.920 --> 0:34:54.920
<v Speaker 1>That's why that's crazy. I would love love to do

0:34:55.000 --> 0:34:56.760
<v Speaker 1>something like that. Like I made a joke.

0:34:58.880 --> 0:35:00.839
<v Speaker 2>One time playing like.

0:35:01.080 --> 0:35:02.600
<v Speaker 3>Said I would I would play because I had these

0:35:02.680 --> 0:35:05.799
<v Speaker 3>chops on set somewhere, these big as uh you know,

0:35:06.160 --> 0:35:09.880
<v Speaker 3>the chops of the sideburns, yuh. And I I made

0:35:09.920 --> 0:35:11.520
<v Speaker 3>a joke like, yeah, I'm gonna play. I'm gonna play

0:35:11.680 --> 0:35:14.360
<v Speaker 3>ron Eisley or or Marvin Gay or some ship. But

0:35:14.400 --> 0:35:16.360
<v Speaker 3>I would love to do that because I play piano,

0:35:16.680 --> 0:35:17.320
<v Speaker 3>you know what I'm saying.

0:35:17.880 --> 0:35:21.880
<v Speaker 1>So I would love I mean, like, of course you

0:35:21.920 --> 0:35:23.560
<v Speaker 1>want to get a bigger role, but if you do,

0:35:24.040 --> 0:35:27.160
<v Speaker 1>it's like auditioning for a role like that just set

0:35:27.239 --> 0:35:29.560
<v Speaker 1>up yours. You got a production company, set up your

0:35:29.560 --> 0:35:32.760
<v Speaker 1>own skins, and post that ship all your pages exactly.

0:35:32.800 --> 0:35:34.359
<v Speaker 1>So that's one of the things that I'm that way

0:35:34.440 --> 0:35:38.640
<v Speaker 1>you slowly but surely, your audience they they by the

0:35:38.680 --> 0:35:41.000
<v Speaker 1>time if you do get the movie is organically happen

0:35:41.120 --> 0:35:44.360
<v Speaker 1>kind of like like Jamie Fox, he organically happen to

0:35:44.360 --> 0:35:47.160
<v Speaker 1>do it. It just naturally. He's not even thinking, is

0:35:47.200 --> 0:35:49.680
<v Speaker 1>he an actor? A saying kind of like me, they

0:35:49.680 --> 0:35:51.880
<v Speaker 1>don't think like at first they did, but now with

0:35:52.000 --> 0:35:54.120
<v Speaker 1>like go the bus shows, they expected both.

0:35:54.400 --> 0:35:56.240
<v Speaker 2>They expected yeah exactly.

0:35:56.239 --> 0:35:59.040
<v Speaker 1>But you have to you have to put the you

0:35:59.080 --> 0:36:01.960
<v Speaker 1>have to do it yourself, like you gotta take the

0:36:02.000 --> 0:36:05.000
<v Speaker 1>first initiative to do it. It's gonna feel weird, it's

0:36:05.000 --> 0:36:08.359
<v Speaker 1>gonna feel cord now, niggas says ship like, oh lord,

0:36:08.440 --> 0:36:11.200
<v Speaker 1>here he goes saying it. But nigga, now if you

0:36:11.360 --> 0:36:14.800
<v Speaker 1>just doing it. But what you're what you're saying is

0:36:15.160 --> 0:36:15.640
<v Speaker 1>is pure.

0:36:16.040 --> 0:36:19.520
<v Speaker 3>I take it as nothing more, nothing less than confirmation, bro,

0:36:19.640 --> 0:36:21.399
<v Speaker 3>because that's exactly you're saying.

0:36:21.400 --> 0:36:22.880
<v Speaker 1>All right, you got to integrate it and roll it

0:36:22.960 --> 0:36:23.680
<v Speaker 1>out on your own.

0:36:23.880 --> 0:36:27.600
<v Speaker 3>So that's exactly what the last like I said a

0:36:27.760 --> 0:36:29.560
<v Speaker 3>few years have been for me to like, all right,

0:36:29.560 --> 0:36:31.399
<v Speaker 3>how am I gonna do this? How am I gonna

0:36:31.440 --> 0:36:33.719
<v Speaker 3>introduce this as a part of who I am and

0:36:33.840 --> 0:36:35.920
<v Speaker 3>what I for the world to receive it as such,

0:36:36.040 --> 0:36:39.279
<v Speaker 3>and then for things to start moving in that, you

0:36:39.320 --> 0:36:42.400
<v Speaker 3>know what, in that space like I and I'm I

0:36:42.520 --> 0:36:44.040
<v Speaker 3>have a lot of ideas and things that I'm going

0:36:44.120 --> 0:36:46.880
<v Speaker 3>to start doing and rolling out via social media that

0:36:47.000 --> 0:36:48.960
<v Speaker 3>will put me in a place of people receiving it

0:36:49.080 --> 0:36:51.800
<v Speaker 3>and seeing me as you know, oh, somebody who is

0:36:51.880 --> 0:36:54.440
<v Speaker 3>just more than an actor who has musicianship to them.

0:36:54.480 --> 0:36:54.960
<v Speaker 1>You know what I'm saying?

0:36:55.080 --> 0:36:57.080
<v Speaker 3>Because I do I do that and I play the drums,

0:36:57.160 --> 0:36:58.880
<v Speaker 3>is well, I'm a natural drummer. That's what I started

0:36:58.920 --> 0:37:01.520
<v Speaker 3>off with, you feel me? So I play drums and

0:37:01.560 --> 0:37:05.120
<v Speaker 3>I played the piano. So all of those things I

0:37:05.239 --> 0:37:10.120
<v Speaker 3>plan on very creatively rolling out and so that people

0:37:10.200 --> 0:37:12.080
<v Speaker 3>start to like receive.

0:37:11.840 --> 0:37:15.520
<v Speaker 1>That your music, because I wouldn't hear how you play?

0:37:15.600 --> 0:37:19.680
<v Speaker 1>Would I would hear you play your old keys? Yeah?

0:37:19.680 --> 0:37:22.319
<v Speaker 1>I play my Yeah, nigga, I can play for the show.

0:37:23.160 --> 0:37:25.880
<v Speaker 1>You ain't fucking with your HND man, Oh no, hell no,

0:37:26.160 --> 0:37:28.560
<v Speaker 1>I ain't crazy. But if I get lessons, if I

0:37:28.640 --> 0:37:30.600
<v Speaker 1>get some lessons. I'll tell you a story and I

0:37:30.640 --> 0:37:34.160
<v Speaker 1>can with the Juilliard. Oh yeah, he cold.

0:37:34.360 --> 0:37:36.279
<v Speaker 3>I didn't heart him play for sure, Like I didn't

0:37:36.280 --> 0:37:38.960
<v Speaker 3>see the family thing, the family functions. Shit, I see

0:37:38.960 --> 0:37:41.719
<v Speaker 3>a nigga, you're high ge there you cold? But I

0:37:41.880 --> 0:37:44.200
<v Speaker 3>knew I had something. And it's funny because last year,

0:37:47.040 --> 0:37:49.960
<v Speaker 3>like last year, October like ended October, I ended up

0:37:50.000 --> 0:37:52.960
<v Speaker 3>at doctor Dre house because I messed with like his

0:37:53.080 --> 0:37:55.600
<v Speaker 3>sister is my people's right, so shout out to them.

0:37:55.960 --> 0:37:59.759
<v Speaker 3>But we was I was in the crib chilling and

0:38:00.000 --> 0:38:03.440
<v Speaker 3>and basically we got into the conversation to playing and

0:38:03.560 --> 0:38:04.080
<v Speaker 3>I ended.

0:38:04.000 --> 0:38:06.200
<v Speaker 2>Up playing for Drake and this is one of the

0:38:06.320 --> 0:38:07.959
<v Speaker 2>most dopest moments of my life.

0:38:08.800 --> 0:38:11.799
<v Speaker 3>He was like it nah, somebody recorded it, but they

0:38:11.960 --> 0:38:16.160
<v Speaker 3>like Drey not letting no footage go, Like no, I see,

0:38:21.040 --> 0:38:23.520
<v Speaker 3>I see one day it's gonna make it out for sure,

0:38:23.520 --> 0:38:24.640
<v Speaker 3>And shout out my bro mark A.

0:38:25.280 --> 0:38:28.400
<v Speaker 1>The pictures in the videos. He has them, so you

0:38:28.480 --> 0:38:31.000
<v Speaker 1>know he like Broke Drey and you know he very.

0:38:31.000 --> 0:38:33.160
<v Speaker 2>Particular about how he gonna let shit roll out whatever.

0:38:33.560 --> 0:38:34.560
<v Speaker 2>Someday we'll see it.

0:38:35.120 --> 0:38:38.520
<v Speaker 3>But basically I was playing and Dre was like caught

0:38:38.560 --> 0:38:41.480
<v Speaker 3>off guard and I was telling him I taught myself.

0:38:42.080 --> 0:38:44.040
<v Speaker 2>And it came a moment where I was playing to

0:38:44.200 --> 0:38:46.239
<v Speaker 2>the point Dre was like, hey, nigga.

0:38:46.040 --> 0:38:47.600
<v Speaker 1>Like are you fucking with me? He's like, you better

0:38:47.800 --> 0:38:48.960
<v Speaker 1>fuck with me? Like you really don't know how to

0:38:48.960 --> 0:38:50.520
<v Speaker 1>play like that? He like, you really taught yourself.

0:38:50.600 --> 0:38:52.279
<v Speaker 3>Because I was telling him like I don't know the

0:38:53.120 --> 0:38:55.560
<v Speaker 3>the keys and all of that, but the way I

0:38:55.719 --> 0:38:58.799
<v Speaker 3>play this, you know what I'm saying, He's definitely something

0:38:58.880 --> 0:39:00.439
<v Speaker 3>that just not like an amateur for sure.

0:39:01.000 --> 0:39:03.200
<v Speaker 1>Yeah. So all and then he told me, he went

0:39:03.239 --> 0:39:04.719
<v Speaker 1>on to tem like you gotta do something with that,

0:39:04.880 --> 0:39:07.279
<v Speaker 1>So that stuck with me. I think that's the first

0:39:07.320 --> 0:39:09.439
<v Speaker 1>thing you should do on your social media. Just play

0:39:09.560 --> 0:39:12.959
<v Speaker 1>something freestyle on the keyboard that because for one, women

0:39:13.040 --> 0:39:15.240
<v Speaker 1>are open to that. You're gonna get all types of bitches,

0:39:15.280 --> 0:39:17.560
<v Speaker 1>and I mean women, you'll get all types of women.

0:39:17.600 --> 0:39:20.160
<v Speaker 1>Open up the door, so that show the show. Oh

0:39:20.200 --> 0:39:24.200
<v Speaker 1>he's musically talented too, right, I think you should show

0:39:24.320 --> 0:39:26.520
<v Speaker 1>some of that, just that part of it, and that'll

0:39:26.560 --> 0:39:28.920
<v Speaker 1>open the door to show. All right, he's musically inclined

0:39:29.000 --> 0:39:30.960
<v Speaker 1>because you because you gotta think about piano. You can't

0:39:31.040 --> 0:39:34.439
<v Speaker 1>fake that, right for sure. You know what I'm saying.

0:39:34.440 --> 0:39:36.000
<v Speaker 1>You got all type people to get up there and

0:39:36.080 --> 0:39:38.120
<v Speaker 1>saying or get a beat. You can could pose you

0:39:38.160 --> 0:39:41.800
<v Speaker 1>could you could build a song in the studio. That

0:39:42.000 --> 0:39:45.480
<v Speaker 1>keyboard is showing your that that piano showing your row talent.

0:39:46.200 --> 0:39:48.719
<v Speaker 1>So I think show that that's the best way to

0:39:48.800 --> 0:39:52.280
<v Speaker 1>introduce them to all right, I'm d shipped the goddamn

0:39:53.280 --> 0:39:54.600
<v Speaker 1>the entertainer.

0:39:55.680 --> 0:40:00.520
<v Speaker 2>Absolutely, that's part of playing SI video.

0:40:00.800 --> 0:40:04.520
<v Speaker 1>Old boy did is crazy, Bron, which was where he

0:40:05.120 --> 0:40:08.640
<v Speaker 1>the one where uh where he did the uh the

0:40:09.120 --> 0:40:11.600
<v Speaker 1>comparison to you with the with the with the car. Yeah,

0:40:11.640 --> 0:40:13.960
<v Speaker 1>that's funny as fuck though, that's shit.

0:40:14.040 --> 0:40:15.320
<v Speaker 2>Funny as hell, Bron.

0:40:15.400 --> 0:40:18.480
<v Speaker 1>That's funny as fuck. All right, we're gonna wrap it up.

0:40:18.520 --> 0:40:20.640
<v Speaker 1>But before I wrap it up, I give everybody one

0:40:20.680 --> 0:40:23.680
<v Speaker 1>more time, one more question that asks me ask, oh

0:40:24.120 --> 0:40:26.040
<v Speaker 1>that you always wanted to ask somebody, but you ain't

0:40:26.040 --> 0:40:28.319
<v Speaker 1>have nobody to ask. I'm right here, so you get

0:40:28.400 --> 0:40:30.160
<v Speaker 1>to ask me something right now, nigga.

0:40:29.960 --> 0:40:33.840
<v Speaker 3>So go ahead, all right, just gonna suck you up. Okay,

0:40:34.560 --> 0:40:36.360
<v Speaker 3>damn No, it's not because you roll like that. I

0:40:36.360 --> 0:40:43.879
<v Speaker 3>will ask you about liking polygamy and ship Okay, would

0:40:43.880 --> 0:40:46.080
<v Speaker 3>you be so? Would you if you had it? How

0:40:46.160 --> 0:40:47.520
<v Speaker 3>you you know what I'm saying. If the if the

0:40:47.640 --> 0:40:49.000
<v Speaker 3>if the bread and everything was.

0:40:49.280 --> 0:40:53.480
<v Speaker 1>Butter like you needed it to, would you do polygamy?

0:40:55.400 --> 0:40:55.520
<v Speaker 2>Uh?

0:40:55.760 --> 0:40:57.960
<v Speaker 1>Yeah, I do it. There can, but it's not so much.

0:40:58.120 --> 0:41:00.800
<v Speaker 1>But see my my definition, it's a little different. Like

0:41:01.200 --> 0:41:03.600
<v Speaker 1>I like having the old lady and and we just

0:41:03.840 --> 0:41:07.400
<v Speaker 1>like having fun with with other girls. That's to me,

0:41:07.560 --> 0:41:10.200
<v Speaker 1>that's I'm cool with that. And we might have people

0:41:10.280 --> 0:41:11.960
<v Speaker 1>we cool with that were tight with and that's what

0:41:12.040 --> 0:41:15.880
<v Speaker 1>we kick it with. But all that happened, you gotta understand,

0:41:16.000 --> 0:41:18.960
<v Speaker 1>like having a bunch of women, that's that's a that's

0:41:19.000 --> 0:41:21.319
<v Speaker 1>a headache. Like that's why I never really like when

0:41:21.360 --> 0:41:23.919
<v Speaker 1>I did cheat, I just used to fuck. I ain't

0:41:23.920 --> 0:41:27.919
<v Speaker 1>had no girlfriends, Like yay, I'm not girlfriends. I'm gonna

0:41:27.960 --> 0:41:31.520
<v Speaker 1>have one old lady and all my all my side

0:41:31.560 --> 0:41:33.560
<v Speaker 1>bitch is gonna know my old lady. And that's what

0:41:33.760 --> 0:41:36.520
<v Speaker 1>So every time I got caught, my old lady was looking.

0:41:36.840 --> 0:41:39.560
<v Speaker 1>So I'm never one of them niggas that's gonna have

0:41:39.800 --> 0:41:43.200
<v Speaker 1>a bunch of relationship. But I understand it, Like I

0:41:43.280 --> 0:41:45.120
<v Speaker 1>feel like you should handle it as much as you

0:41:45.200 --> 0:41:48.200
<v Speaker 1>can afford and as much you can have this mentally.

0:41:49.120 --> 0:41:51.759
<v Speaker 3>Okay, hold on, I got another question, because strong up

0:41:51.960 --> 0:41:54.719
<v Speaker 3>all right with the with with AI going like it's going,

0:41:55.760 --> 0:42:00.560
<v Speaker 3>and with us seeing black mirror right, and it's so

0:42:00.719 --> 0:42:01.760
<v Speaker 3>much shit that that's happened.

0:42:02.840 --> 0:42:06.000
<v Speaker 2>Where we at twenty thirty? What you see money? Where

0:42:06.080 --> 0:42:09.200
<v Speaker 2>where is AI taking this? What does human action interaction

0:42:09.360 --> 0:42:09.680
<v Speaker 2>look like?

0:42:10.040 --> 0:42:11.880
<v Speaker 1>What are we doing? Do? We got the chips and

0:42:11.920 --> 0:42:14.279
<v Speaker 1>we got the eye things, what we're doing? I think

0:42:14.360 --> 0:42:16.879
<v Speaker 1>we already here. We just you can see the future. Ugg.

0:42:17.600 --> 0:42:20.120
<v Speaker 1>I think we already here. We just ain't accepted it yet.

0:42:20.280 --> 0:42:23.320
<v Speaker 1>Just kind of like everything that we're using now. It

0:42:23.440 --> 0:42:25.840
<v Speaker 1>was dere before, it was de before twenty twenty, but

0:42:25.920 --> 0:42:29.160
<v Speaker 1>we started using it more doing twenty twenty. And that's

0:42:29.160 --> 0:42:30.800
<v Speaker 1>why we had the problem. That's why we have this

0:42:30.880 --> 0:42:33.480
<v Speaker 1>problem in the in the music, I mean entertainment industry

0:42:33.840 --> 0:42:37.120
<v Speaker 1>is because all this shit been here, it's just doing

0:42:37.200 --> 0:42:40.400
<v Speaker 1>the doing the twenty twenty the networkstar resalizing, like the

0:42:40.480 --> 0:42:43.960
<v Speaker 1>network start realizing, wait a minute, I don't need these motherfuckers.

0:42:44.200 --> 0:42:47.040
<v Speaker 1>I don't need a staff for three hundred people. All

0:42:47.080 --> 0:42:49.200
<v Speaker 1>I need is twenty people. So I feel like we

0:42:49.360 --> 0:42:53.239
<v Speaker 1>already is just we gonna get adjusted and like the

0:42:53.320 --> 0:42:55.759
<v Speaker 1>same thing in Hollywood, how we saying the inevitable coming.

0:42:55.880 --> 0:42:57.360
<v Speaker 1>It's gonna get to a point to where it is.

0:42:57.440 --> 0:42:59.960
<v Speaker 1>I mean, it's gonna it ain't gonna be a bad

0:43:00.120 --> 0:43:01.960
<v Speaker 1>all good thing. It's just gonna be evolved with you

0:43:02.080 --> 0:43:04.759
<v Speaker 1>gonna roll with or get rolled over. But this is

0:43:04.800 --> 0:43:05.920
<v Speaker 1>the time to figure it.

0:43:05.960 --> 0:43:09.680
<v Speaker 2>Out that I ain't done. I got another question.

0:43:09.800 --> 0:43:10.640
<v Speaker 1>Let me this is a cat.

0:43:10.760 --> 0:43:14.480
<v Speaker 2>This is another question, all right?

0:43:14.760 --> 0:43:19.600
<v Speaker 1>So why would you or what other country would you

0:43:19.719 --> 0:43:20.080
<v Speaker 1>move to? This?

0:43:20.200 --> 0:43:22.040
<v Speaker 3>My I think this might be my last one because

0:43:22.040 --> 0:43:24.440
<v Speaker 3>I feeling like, is this just some shit that's happening

0:43:24.520 --> 0:43:27.520
<v Speaker 3>in America? Right with this AI and all this chaos

0:43:27.600 --> 0:43:32.440
<v Speaker 3>that's going on, Like, is there somewhere safer go inside

0:43:32.480 --> 0:43:32.920
<v Speaker 3>the world to.

0:43:33.000 --> 0:43:36.000
<v Speaker 1>Jodge this shit? The maitrice real talk, ain't no place

0:43:36.080 --> 0:43:39.440
<v Speaker 1>better than America, no place you the men everywhere too,

0:43:40.239 --> 0:43:42.560
<v Speaker 1>It ain't no I mean everywhere else cool, it's cool

0:43:42.600 --> 0:43:45.719
<v Speaker 1>to visit everywhere else. You really gotta have money. This

0:43:45.800 --> 0:43:48.360
<v Speaker 1>is the only place left. It is barely getting like that,

0:43:48.440 --> 0:43:50.840
<v Speaker 1>and that whole place a person can come from nothing

0:43:51.400 --> 0:43:54.040
<v Speaker 1>and become a millionaire, a billionaire, where else can you

0:43:54.120 --> 0:43:58.120
<v Speaker 1>do that? Everybody else that do that, they already tiedy

0:43:58.239 --> 0:44:00.719
<v Speaker 1>in some type of way. They tied in as far

0:44:00.719 --> 0:44:04.600
<v Speaker 1>as bloodline, they tied in, as far as businesses or family.

0:44:05.160 --> 0:44:08.120
<v Speaker 1>It just is what it is where America, And it's

0:44:08.200 --> 0:44:11.880
<v Speaker 1>barely like that now because shit, shit is they locking

0:44:11.920 --> 0:44:14.480
<v Speaker 1>it in and locking in their families and their teams,

0:44:14.560 --> 0:44:16.839
<v Speaker 1>and it is what it is. But if you ain't

0:44:16.920 --> 0:44:19.359
<v Speaker 1>on that, if you ain't on that side, we see

0:44:19.400 --> 0:44:20.879
<v Speaker 1>it now people getting rich and poor.

0:44:22.200 --> 0:44:25.320
<v Speaker 3>So all right, so take away the facts of like

0:44:25.719 --> 0:44:28.520
<v Speaker 3>you you were born into it, you acquire it while

0:44:28.560 --> 0:44:32.160
<v Speaker 3>you're here where if you say, right now, America's about

0:44:32.160 --> 0:44:35.200
<v Speaker 3>to go to shit, and which it is, and you're

0:44:35.200 --> 0:44:38.319
<v Speaker 3>gonna take your wealth somewhere, it.

0:44:38.400 --> 0:44:41.800
<v Speaker 1>Depends gonna take your wealth. So it all depends on

0:44:42.640 --> 0:44:45.160
<v Speaker 1>if I got pool in the other country, if I

0:44:45.960 --> 0:44:47.919
<v Speaker 1>if I got a setup to where I can build

0:44:47.960 --> 0:44:50.319
<v Speaker 1>another business over there, Because I don't give fuck how

0:44:50.360 --> 0:44:53.520
<v Speaker 1>much money you got lets you into unless you owe

0:44:53.680 --> 0:44:55.560
<v Speaker 1>like my age to where it's like, all right, I

0:44:55.640 --> 0:44:57.919
<v Speaker 1>only got about thirty forty more years left on earth,

0:44:58.120 --> 0:45:01.520
<v Speaker 1>so I can God damn affoord the cash out at

0:45:01.560 --> 0:45:04.000
<v Speaker 1>twenty million to live off there. But if you're young,

0:45:04.160 --> 0:45:06.080
<v Speaker 1>still trying to like, you're gonna have to have some

0:45:06.160 --> 0:45:08.160
<v Speaker 1>type of income coming in the way. The ship sets

0:45:08.160 --> 0:45:14.520
<v Speaker 1>set up designed. Okay, ship costs more overseas too, depending

0:45:14.520 --> 0:45:17.920
<v Speaker 1>on where you go. But listen, place twenty two dollars

0:45:18.840 --> 0:45:24.399
<v Speaker 1>for this day for you lion gas my old lady

0:45:24.480 --> 0:45:27.040
<v Speaker 1>right now, she'll tell you, like shit, call ga. A

0:45:27.160 --> 0:45:29.800
<v Speaker 1>gallon of gas is like eight dollars a gallon on

0:45:29.960 --> 0:45:34.440
<v Speaker 1>my eye. And Bahamas, yes, but that's on your island

0:45:35.400 --> 0:45:37.840
<v Speaker 1>on everything, like say, for the most shit getting important

0:45:37.880 --> 0:45:42.040
<v Speaker 1>from America or from from from Japan. So that's how

0:45:42.239 --> 0:45:44.320
<v Speaker 1>that's how places like Bahamas make their money off of

0:45:44.440 --> 0:45:47.520
<v Speaker 1>import and ship like that there. So for instance, I

0:45:47.640 --> 0:45:51.360
<v Speaker 1>got a call over there my car that they charge

0:45:51.360 --> 0:45:54.280
<v Speaker 1>you for duty they get your car there. It's whatever

0:45:54.480 --> 0:45:57.680
<v Speaker 1>the car worth is, seventy five or eighty percent whatever

0:45:57.760 --> 0:46:01.160
<v Speaker 1>the car work. So if I buy a Jeep, if

0:46:01.200 --> 0:46:04.240
<v Speaker 1>I buy a Jeep for fifty thousand of them states,

0:46:05.280 --> 0:46:07.160
<v Speaker 1>I'm gonna have to end up spending about thirty five

0:46:07.239 --> 0:46:13.919
<v Speaker 1>forty extra to get it to the Bahamas. Damn shit

0:46:14.040 --> 0:46:16.799
<v Speaker 1>costs brou And on top of that, the reason why

0:46:16.800 --> 0:46:18.800
<v Speaker 1>I say America's great, it's great for us because we

0:46:18.920 --> 0:46:22.080
<v Speaker 1>spoiled and we able to get everything accessible. And if

0:46:22.120 --> 0:46:24.799
<v Speaker 1>you ain't used to not being without shit, you're gonna

0:46:24.840 --> 0:46:28.320
<v Speaker 1>have problems going like a mile and everything closed at six.

0:46:29.480 --> 0:46:31.560
<v Speaker 1>You telling me you can't just run to the store

0:46:31.560 --> 0:46:35.440
<v Speaker 1>and get some get some cough drops, and hey, what

0:46:35.600 --> 0:46:38.560
<v Speaker 1>you do? Hey, hey, that you do the cough drops

0:46:38.640 --> 0:46:42.839
<v Speaker 1>might get fired or they're gonna be thirty dollars. Yeah,

0:46:43.080 --> 0:46:46.759
<v Speaker 1>it's exactly. Nigga. Nigga wasn't the ship And one of

0:46:46.760 --> 0:46:50.080
<v Speaker 1>the gas station baken is the one that costs five

0:46:50.160 --> 0:46:54.520
<v Speaker 1>ten dollars in the store forty dollars the first bread.

0:46:58.239 --> 0:47:01.520
<v Speaker 1>I'm telling you what I mean. I think America's great.

0:47:01.560 --> 0:47:03.600
<v Speaker 1>It's just gotta understanding and take it. You gotta look

0:47:03.640 --> 0:47:05.880
<v Speaker 1>at it like put it this way. This is how

0:47:05.920 --> 0:47:07.879
<v Speaker 1>you this, This is how you know America is still

0:47:07.960 --> 0:47:11.160
<v Speaker 1>good because people are still coming over here and coming

0:47:11.239 --> 0:47:18.080
<v Speaker 1>up all right, And I'm not I'm not African's coming

0:47:18.120 --> 0:47:21.120
<v Speaker 1>over here. Oh you know they're doing it. They're coming

0:47:21.200 --> 0:47:23.359
<v Speaker 1>over here, coming up and taking their money and taking

0:47:23.360 --> 0:47:25.800
<v Speaker 1>their hands back over there, which ain't nothing wrong with it,

0:47:26.320 --> 0:47:27.160
<v Speaker 1>so that lets you know.

0:47:29.040 --> 0:47:31.120
<v Speaker 3>So that's my question though, if you have the infrastructure

0:47:31.160 --> 0:47:33.520
<v Speaker 3>here right, if you got if Ridge Broke thinking, we

0:47:33.680 --> 0:47:36.480
<v Speaker 3>gotta have a side conversation because I'm trying to Jay Skids,

0:47:36.480 --> 0:47:37.919
<v Speaker 3>who the VP of Ridge Broke.

0:47:39.480 --> 0:47:41.080
<v Speaker 1>Let's just talk, you know. Listen, man, you think I'm

0:47:41.080 --> 0:47:44.440
<v Speaker 1>gonna make this nigga ba that nigga? You got your

0:47:44.480 --> 0:47:48.320
<v Speaker 1>goddamn man that Jackie bitch the here. But go ahead,

0:47:49.360 --> 0:47:54.920
<v Speaker 1>you said, men an example, go ahead, you.

0:47:55.040 --> 0:47:58.640
<v Speaker 3>Crazy here, But nah, I'm being funny answered at the

0:47:58.640 --> 0:47:59.879
<v Speaker 3>same time, n I don't even a position.

0:48:00.160 --> 0:48:01.080
<v Speaker 1>We need to talk rich Broke.

0:48:01.160 --> 0:48:03.600
<v Speaker 3>But rich Broke is here in the States, Rich say

0:48:03.640 --> 0:48:06.640
<v Speaker 3>we get rich Broke popping right, and it's the brand,

0:48:06.719 --> 0:48:08.880
<v Speaker 3>that's the ship for the next you know, for the

0:48:09.000 --> 0:48:12.680
<v Speaker 3>next twenty years. And you got whatever number you want.

0:48:12.920 --> 0:48:17.279
<v Speaker 3>Rich Broke got you up one hundred million. Where are

0:48:17.360 --> 0:48:18.879
<v Speaker 3>you you just staying here?

0:48:21.280 --> 0:48:26.600
<v Speaker 1>Yeah? Because fuck I stay here and now I ain't

0:48:26.600 --> 0:48:28.080
<v Speaker 1>got to stay here, you know that, right, I ain't

0:48:28.080 --> 0:48:29.080
<v Speaker 1>got to stand I know that.

0:48:29.200 --> 0:48:31.240
<v Speaker 3>But that's what I'm saying on so like there's nowhere

0:48:31.320 --> 0:48:35.000
<v Speaker 3>else you would go, and like you know what I'm saying,

0:48:35.280 --> 0:48:35.840
<v Speaker 3>not only that.

0:48:35.920 --> 0:48:38.880
<v Speaker 1>I love my people. I love black people in America.

0:48:38.920 --> 0:48:40.880
<v Speaker 1>I love I feel like I'm here for a reason

0:48:40.960 --> 0:48:43.960
<v Speaker 1>to help them. So I mean, I mean, I mean,

0:48:44.080 --> 0:48:45.640
<v Speaker 1>like when I want to get out and I do

0:48:45.840 --> 0:48:49.040
<v Speaker 1>move on, I stay in the Bahamas. But I also don't.

0:48:49.600 --> 0:48:53.480
<v Speaker 1>I don't lean on needing people and needing that love

0:48:53.640 --> 0:48:56.520
<v Speaker 1>from the community too. That's why, that's why I kind

0:48:56.520 --> 0:48:59.359
<v Speaker 1>of program myself on the island where if the world

0:48:59.440 --> 0:49:02.560
<v Speaker 1>say fuck me, I'm still good. You geel what I'm saying.

0:49:02.600 --> 0:49:06.719
<v Speaker 1>But at the same time, America is great. Like people

0:49:06.840 --> 0:49:11.640
<v Speaker 1>hate Florida. I love Florida. I'm cool with if I

0:49:11.719 --> 0:49:15.600
<v Speaker 1>don't die the Bahamas, I'm cool with dining Florida. That's

0:49:15.640 --> 0:49:17.720
<v Speaker 1>how much I love it. I don't see why nobody

0:49:17.920 --> 0:49:21.879
<v Speaker 1>like it. It's fun, even the crazy shit I think

0:49:21.880 --> 0:49:23.960
<v Speaker 1>about social media born as fuck without Florida.

0:49:26.040 --> 0:49:30.360
<v Speaker 3>Man, listen, I guess I'm just I'm just trying to see, like,

0:49:30.520 --> 0:49:34.280
<v Speaker 3>so all right, exactly what you are our previous conversation

0:49:34.480 --> 0:49:37.040
<v Speaker 3>of like AI and how crazy the world is. Now,

0:49:37.360 --> 0:49:39.040
<v Speaker 3>that's the reason why I'm asking this, because like YO,

0:49:39.400 --> 0:49:41.800
<v Speaker 3>to me, this shit only about to get more chaotic.

0:49:42.600 --> 0:49:45.080
<v Speaker 1>You used that you used ai fu for your own ship.

0:49:45.640 --> 0:49:48.120
<v Speaker 1>You use it for good, like because everybody's gonna use it,

0:49:48.360 --> 0:49:50.160
<v Speaker 1>so you might use it for your own ship. Like

0:49:50.280 --> 0:49:53.040
<v Speaker 1>they finished this right now. If I want to say, damn,

0:49:53.239 --> 0:49:56.120
<v Speaker 1>I want to make a song about love, hey make

0:49:56.160 --> 0:49:58.799
<v Speaker 1>me a song about love getting breaking up? They right,

0:49:58.840 --> 0:50:03.880
<v Speaker 1>all this right there for you. It sounds fucked up,

0:50:03.920 --> 0:50:06.200
<v Speaker 1>but it is what it is. If you don't do it,

0:50:06.239 --> 0:50:09.799
<v Speaker 1>somebody gonna do it for you. True. Same thing happened

0:50:09.840 --> 0:50:12.640
<v Speaker 1>in Hollywood. That's what they learned. They're like, I can

0:50:12.680 --> 0:50:16.160
<v Speaker 1>get a I just write me a whole movie, right

0:50:17.560 --> 0:50:19.400
<v Speaker 1>and the shit gonna be good. Nigga, I done used

0:50:19.440 --> 0:50:27.640
<v Speaker 1>it before. That motherfucker's not to put some words together, Nigga,

0:50:27.719 --> 0:50:30.719
<v Speaker 1>I told, Nigga. I told the one time. I was like,

0:50:31.320 --> 0:50:34.160
<v Speaker 1>tell me a little Duval Joe. That motherfucker told me

0:50:34.160 --> 0:50:36.839
<v Speaker 1>a duval joke. It wasn't funny, But pretty soon it's

0:50:36.840 --> 0:50:39.239
<v Speaker 1>gonna get funny. Once AI get smart and the algorithms

0:50:39.239 --> 0:50:41.080
<v Speaker 1>start getting better, it's gonna get funny.

0:50:41.840 --> 0:50:46.040
<v Speaker 3>Yeah, because they just clocking us all they just clocking

0:50:46.080 --> 0:50:47.560
<v Speaker 3>and watching and recording it.

0:50:47.880 --> 0:50:50.120
<v Speaker 1>Think about it. Your kids put it this way. You

0:50:50.239 --> 0:50:52.760
<v Speaker 1>got kids, right, They watch you, and you see yourself

0:50:52.800 --> 0:50:57.120
<v Speaker 1>and you right. Yeah, So just imagine an artificial intelligence

0:50:57.160 --> 0:51:01.319
<v Speaker 1>that's watching your every fucking movies, program, you every fucking move.

0:51:02.600 --> 0:51:05.640
<v Speaker 1>It already knew you. That's like what people are talking about.

0:51:05.719 --> 0:51:07.880
<v Speaker 1>I'm gonna talk about. I'm gonna do this when the

0:51:08.160 --> 0:51:11.239
<v Speaker 1>you know that that alarm that just went off, I'm

0:51:11.280 --> 0:51:13.279
<v Speaker 1>a cup by fuck. They don't give a fuck. They

0:51:13.360 --> 0:51:16.759
<v Speaker 1>already got you. You can't stop. This is what it is.

0:51:19.000 --> 0:51:21.440
<v Speaker 1>That's what that's the other part about it. I'm glad,

0:51:21.600 --> 0:51:24.120
<v Speaker 1>and that's what I want to say too. I had

0:51:24.200 --> 0:51:27.240
<v Speaker 1>one thing that I was like, you know, I wanted

0:51:27.280 --> 0:51:27.799
<v Speaker 1>to say what I.

0:51:27.800 --> 0:51:30.480
<v Speaker 3>Got on here, and it is that I appreciate and

0:51:30.560 --> 0:51:33.000
<v Speaker 3>you go and see my teats about this. But like comedians, bro,

0:51:33.560 --> 0:51:37.800
<v Speaker 3>the world needs to y'all are y'all are God's favorites.

0:51:37.840 --> 0:51:44.520
<v Speaker 3>I'm gonna tell you why because y'all have limitless perspective.

0:51:45.200 --> 0:51:47.560
<v Speaker 3>You know what I'm saying, y'all ability to zoom out

0:51:47.920 --> 0:51:50.640
<v Speaker 3>on everything, you know what I'm saying in life as

0:51:50.680 --> 0:51:54.120
<v Speaker 3>a whole and make that shit funny and get people

0:51:54.280 --> 0:51:57.319
<v Speaker 3>laugh or enjoy inside of zoom lot like you can

0:51:57.400 --> 0:51:57.640
<v Speaker 3>take you.

0:51:57.719 --> 0:51:59.840
<v Speaker 1>No, I don't know about other comedians, but for me,

0:52:00.640 --> 0:52:03.840
<v Speaker 1>I understand that everybody is full of ship and everybody's

0:52:03.880 --> 0:52:08.360
<v Speaker 1>walking contradiction. Once you understand that, you get it for

0:52:08.440 --> 0:52:12.160
<v Speaker 1>what it is. So there's always a h a good

0:52:12.239 --> 0:52:14.719
<v Speaker 1>side in the band's side, there's always there is no

0:52:15.560 --> 0:52:20.000
<v Speaker 1>there's no equals. So once you understand that it's all

0:52:20.080 --> 0:52:22.640
<v Speaker 1>a game, you just get on the on the winning's

0:52:22.640 --> 0:52:25.320
<v Speaker 1>side and play that game. And that's how I treat it.

0:52:25.400 --> 0:52:30.200
<v Speaker 3>Like So that's I fuck with that and that's what

0:52:30.360 --> 0:52:34.160
<v Speaker 3>makes me like so like in tune with comedians lately,

0:52:36.239 --> 0:52:40.200
<v Speaker 3>but also what the hardship for me has been adapting

0:52:40.360 --> 0:52:46.000
<v Speaker 3>that view of life but moving as such amongst people

0:52:46.040 --> 0:52:47.480
<v Speaker 3>who don't kind of get that.

0:52:47.719 --> 0:52:49.080
<v Speaker 2>It's hard because.

0:52:48.800 --> 0:52:53.080
<v Speaker 1>Everybody like I deal with a bunch of slow motherfuckers

0:52:53.120 --> 0:52:57.600
<v Speaker 1>my whole career. Nigga, if I can make you, you maga.

0:52:58.000 --> 0:53:00.680
<v Speaker 1>This shit frustrating to this day, even simple as telling

0:53:00.719 --> 0:53:04.719
<v Speaker 1>somebody record me walking out the house these niggas is horrible, man,

0:53:07.040 --> 0:53:09.239
<v Speaker 1>But you gotta work around it. Man. It is what

0:53:09.360 --> 0:53:13.160
<v Speaker 1>it is. Like, It's it's hard, but everybody have ship

0:53:13.200 --> 0:53:16.239
<v Speaker 1>they got to overcome, man, But it is what it is.

0:53:16.400 --> 0:53:19.680
<v Speaker 3>Yeah, now that that's that's it. Okay that that lasts

0:53:19.680 --> 0:53:21.319
<v Speaker 3>one when I was it though, for sure, Yeah, that's

0:53:21.440 --> 0:53:24.279
<v Speaker 3>that's it. You just gotta take it for what it is.

0:53:24.400 --> 0:53:28.520
<v Speaker 3>But I that limitless perspective. I'm always able to zoom out. Now,

0:53:28.960 --> 0:53:29.800
<v Speaker 3>even for myself.

0:53:30.239 --> 0:53:32.600
<v Speaker 1>This is another thing I do too. This another thing

0:53:32.680 --> 0:53:35.680
<v Speaker 1>I do, even with depths and everything. I put things

0:53:35.719 --> 0:53:38.279
<v Speaker 1>in perspective, especially ship that you can't control. It's like

0:53:39.000 --> 0:53:41.080
<v Speaker 1>you can feel down and all that if we all

0:53:41.239 --> 0:53:43.920
<v Speaker 1>naturally gonna have emotions. But at the end of the day,

0:53:44.360 --> 0:53:46.320
<v Speaker 1>you ain't the first and last person to go through this,

0:53:46.400 --> 0:53:47.919
<v Speaker 1>and this ain't the first and last person you're gonna

0:53:47.920 --> 0:53:50.840
<v Speaker 1>see it go through this. So it's just like you

0:53:50.920 --> 0:53:53.920
<v Speaker 1>gotta take it for what it is. It's reality, you know.

0:53:54.080 --> 0:53:56.280
<v Speaker 1>It's just like we hate the face reality because humans

0:53:56.880 --> 0:53:59.799
<v Speaker 1>we arrogant if they think that we bigger than life.

0:53:59.880 --> 0:54:04.520
<v Speaker 1>But defferent we ain't shit. So once you understand and

0:54:04.600 --> 0:54:07.560
<v Speaker 1>have a full perspective of that, you take things for

0:54:07.640 --> 0:54:09.840
<v Speaker 1>how they come, and you try to work with it

0:54:09.880 --> 0:54:12.000
<v Speaker 1>and try to try to finesse the world that you

0:54:12.120 --> 0:54:15.360
<v Speaker 1>can stay on the good side of the goddamn universe.

0:54:15.600 --> 0:54:17.399
<v Speaker 1>And you do that just by being a genuine person.

0:54:17.520 --> 0:54:19.400
<v Speaker 2>Nah, that's real, that's just bad. Well, yeah, man, I

0:54:19.400 --> 0:54:20.320
<v Speaker 2>appreciate you having me on.

0:54:20.520 --> 0:54:20.680
<v Speaker 1>Man.

0:54:20.719 --> 0:54:22.839
<v Speaker 2>I gotta hit you after this, of course, and get

0:54:22.880 --> 0:54:24.440
<v Speaker 2>through the dates locked in so I can pull up.

0:54:24.400 --> 0:54:26.759
<v Speaker 1>On you in the Bahamas man, for sure. Man, I

0:54:26.800 --> 0:54:29.080
<v Speaker 1>appreciate you coming on the show, man, and I thank

0:54:29.160 --> 0:54:31.360
<v Speaker 1>everybody for listening. I hope y'all got some jewels from this.

0:54:31.480 --> 0:54:32.920
<v Speaker 1>If you didn't, I don't give a fuck. He did,

0:54:33.160 --> 0:54:35.439
<v Speaker 1>so that's all. That's maut. You got this bitch Black

0:54:35.440 --> 0:54:38.200
<v Speaker 1>Effect in the house. Thank you for listen to another

0:54:38.239 --> 0:54:41.919
<v Speaker 1>episode of Conversation with Me, Little Duval. We got this bitch.

0:54:43.200 --> 0:54:46.640
<v Speaker 1>Don't miss an episode of Conversations with Listen and subscribe

0:54:46.760 --> 0:54:50.360
<v Speaker 1>on the Black Effect Podcast Network, iHeartRadio, app or wherever

0:54:50.400 --> 0:54:53.800
<v Speaker 1>you get your podcast. Conversation with Podcasts is a production

0:54:53.960 --> 0:54:57.160
<v Speaker 1>of the Black Effect Podcast Network and our executive producer

0:54:57.280 --> 0:55:00.200
<v Speaker 1>is Dolly Bishop and produced by Aaron A. King Ow.