1 00:00:00,080 --> 00:00:03,360 Speaker 1: I'm a little Duval and this is Conversations with the podcast. 2 00:00:04,760 --> 00:00:07,440 Speaker 1: Today's guest is best known for his role as Tupac 3 00:00:07,560 --> 00:00:10,119 Speaker 1: in the twenty seventeenth bio pick All Lives on me. 4 00:00:10,400 --> 00:00:14,280 Speaker 1: Let's welcome Dmetrious Ship Live and directly some boy little 5 00:00:14,320 --> 00:00:16,720 Speaker 1: Duval checking in one time for the one time, you 6 00:00:16,760 --> 00:00:19,480 Speaker 1: know you country cousin or your uncle, as I should say, 7 00:00:19,520 --> 00:00:21,600 Speaker 1: for my podcast, because that's what it's all about, bringing 8 00:00:21,640 --> 00:00:24,079 Speaker 1: them up, vibes, trying to quit, trying to put a 9 00:00:24,079 --> 00:00:26,640 Speaker 1: little healing in the ecosystem. And that's what I'm here, folks. 10 00:00:26,800 --> 00:00:29,000 Speaker 1: And I got a new guest here. You know, well, 11 00:00:29,040 --> 00:00:31,440 Speaker 1: he not a new guest, but he's a new guest 12 00:00:31,440 --> 00:00:34,080 Speaker 1: for for y'all because y'all ain't y'all ain't never seen 13 00:00:34,159 --> 00:00:36,400 Speaker 1: him on my podcast. Y'all probably don't know how cool 14 00:00:36,440 --> 00:00:38,800 Speaker 1: we are together. But just my man, y'all give it 15 00:00:38,840 --> 00:00:41,440 Speaker 1: up on Man Demetrius Ship, y'all. 16 00:00:42,080 --> 00:00:42,839 Speaker 2: Uh, what's the deal? 17 00:00:43,080 --> 00:00:46,200 Speaker 1: G ain't just over here vibing DC what you got 18 00:00:46,200 --> 00:00:46,840 Speaker 1: going over there? 19 00:00:47,560 --> 00:00:48,040 Speaker 2: Man Ship? 20 00:00:48,200 --> 00:00:52,720 Speaker 3: The same old you know, vibe Dcent myself Daddy due 21 00:00:52,840 --> 00:00:53,760 Speaker 3: the same old program. 22 00:00:53,800 --> 00:00:57,800 Speaker 1: Bro Dan the dude, you got kids? How many kids. 23 00:00:57,800 --> 00:01:00,240 Speaker 1: You gotta tell them many kids you got? Man had 24 00:01:00,240 --> 00:01:03,400 Speaker 1: three kids, bro, That's the reason why it took us 25 00:01:03,400 --> 00:01:05,360 Speaker 1: so long again on this goddamn show, because he's so 26 00:01:05,400 --> 00:01:08,759 Speaker 1: busy being a real dad, nigga being a good father 27 00:01:08,880 --> 00:01:16,240 Speaker 1: and his kids. Like yeah, three full time, hey, full 28 00:01:16,280 --> 00:01:16,840 Speaker 1: of ship. 29 00:01:19,200 --> 00:01:20,240 Speaker 2: It was twice the show. 30 00:01:20,319 --> 00:01:22,640 Speaker 3: But ship man, you already know the kids that ship 31 00:01:22,680 --> 00:01:25,160 Speaker 3: many they be running running my ass low. 32 00:01:25,080 --> 00:01:26,920 Speaker 1: Bro, you know, you know what it is. So for 33 00:01:26,920 --> 00:01:28,480 Speaker 1: those of that don't know, let me give him a 34 00:01:28,520 --> 00:01:30,520 Speaker 1: little bit of history of who you are and what 35 00:01:30,680 --> 00:01:32,440 Speaker 1: got you to this point the way you are right now, 36 00:01:32,480 --> 00:01:34,600 Speaker 1: as far as in the in the success, as far 37 00:01:34,640 --> 00:01:36,160 Speaker 1: as acting and things with that nature. 38 00:01:37,640 --> 00:01:41,200 Speaker 2: Well, for you know, my introduction into acting was me 39 00:01:41,280 --> 00:01:42,680 Speaker 2: landing to lead. 40 00:01:42,600 --> 00:01:45,880 Speaker 3: Role and the you know, the film, the biopic All 41 00:01:45,880 --> 00:01:46,319 Speaker 3: Eyes On Me. 42 00:01:46,400 --> 00:01:48,880 Speaker 1: I played Tupac. That was your first deal. 43 00:01:49,720 --> 00:01:53,640 Speaker 2: Hell yeah, bro, I ain't never acted like that. Jumped 44 00:01:53,680 --> 00:01:55,000 Speaker 2: out the porch, bro, just like that? 45 00:01:56,240 --> 00:01:59,840 Speaker 1: Did it feels huh? Did it feel so real? Like? 46 00:02:00,120 --> 00:02:02,600 Speaker 1: Was it fast? Like not that you not that the 47 00:02:02,680 --> 00:02:05,840 Speaker 1: dust to settle and it's calmed down that looking back 48 00:02:05,880 --> 00:02:08,799 Speaker 1: that did you realize what was going on at the time? 49 00:02:09,160 --> 00:02:10,320 Speaker 1: Was it just like a blur. 50 00:02:11,560 --> 00:02:14,600 Speaker 3: Man, it's a so you're the first person I'm gonna 51 00:02:14,600 --> 00:02:16,560 Speaker 3: tell this part of it, like the story too. It's 52 00:02:16,600 --> 00:02:19,040 Speaker 3: like it was like a blessing and it was like, 53 00:02:19,040 --> 00:02:20,200 Speaker 3: it's like the gift and the curse, but. 54 00:02:20,280 --> 00:02:22,079 Speaker 2: I gotta give it to you real Like that's that. 55 00:02:22,320 --> 00:02:23,560 Speaker 2: That was the whole experience. 56 00:02:23,720 --> 00:02:27,360 Speaker 3: And I didn't realize how much like the blessing and 57 00:02:27,400 --> 00:02:29,560 Speaker 3: the gift part of it was. You know, I came 58 00:02:29,639 --> 00:02:31,480 Speaker 3: to do this role I got, you know, changed my 59 00:02:31,520 --> 00:02:32,000 Speaker 3: life around. 60 00:02:32,040 --> 00:02:32,760 Speaker 2: I'm entertainment. 61 00:02:32,760 --> 00:02:33,760 Speaker 1: I'm doing these things. 62 00:02:34,320 --> 00:02:38,000 Speaker 2: Life is evolving and changing so so drastically. I'm having fun. 63 00:02:40,280 --> 00:02:42,359 Speaker 2: I'm enjoying myself, you know what I'm saying. 64 00:02:42,480 --> 00:02:45,880 Speaker 3: In the process of filming, I fell in love with acting, 65 00:02:46,000 --> 00:02:48,919 Speaker 3: you know what I mean, Like it really became. 66 00:02:48,760 --> 00:02:49,600 Speaker 1: Something I loved. 67 00:02:49,720 --> 00:02:53,080 Speaker 3: I'm I'm on set learning about the cameras and the 68 00:02:53,160 --> 00:02:56,120 Speaker 3: angles and the dps and the sound different departments everything. 69 00:02:56,120 --> 00:02:59,200 Speaker 3: I fucking with all of the processes. But then there's 70 00:02:59,240 --> 00:03:01,400 Speaker 3: like the other part when my world just got turned 71 00:03:01,480 --> 00:03:06,079 Speaker 3: upside down, bro, Like my family dynamics shifted so drastically forever, bro. 72 00:03:07,720 --> 00:03:10,520 Speaker 1: And I was like when you say family man, when 73 00:03:10,520 --> 00:03:13,320 Speaker 1: they saw they saw you bigger than what you was 74 00:03:13,600 --> 00:03:18,200 Speaker 1: or they was. It wasn't even like uh damn. 75 00:03:18,320 --> 00:03:20,600 Speaker 3: So that's that the real detailed part of it is 76 00:03:20,639 --> 00:03:24,480 Speaker 3: like you know, my immediate fanly like my mom's pops, 77 00:03:24,520 --> 00:03:27,040 Speaker 3: like that, me and my dad fell out, and then 78 00:03:27,080 --> 00:03:30,080 Speaker 3: that trickled down into like everything else within my family 79 00:03:30,120 --> 00:03:33,480 Speaker 3: as well. You mean, like so because he had a 80 00:03:33,600 --> 00:03:35,600 Speaker 3: he played a part in me getting the role. So 81 00:03:36,240 --> 00:03:39,040 Speaker 3: there there's that aspect of it as far as you know, 82 00:03:39,120 --> 00:03:41,560 Speaker 3: him helping me get the roll through his connection and 83 00:03:41,600 --> 00:03:44,640 Speaker 3: knowing the producer of the movie and ship, and then 84 00:03:44,680 --> 00:03:49,960 Speaker 3: there's like the other things you know, the yeah, like 85 00:03:49,960 --> 00:03:52,120 Speaker 3: our relationship just drastically. 86 00:03:51,680 --> 00:03:52,520 Speaker 1: Changed, you know what I mean. 87 00:03:52,560 --> 00:03:54,520 Speaker 3: He was looking at me as a you know, an 88 00:03:54,600 --> 00:03:58,240 Speaker 3: avenue to a success for himself again in ways to 89 00:03:58,440 --> 00:04:01,240 Speaker 3: keep it short, uh, and then that just you know 90 00:04:01,280 --> 00:04:03,680 Speaker 3: a lot of things just crumbled from there in terms 91 00:04:03,680 --> 00:04:05,960 Speaker 3: of the fan, the immediate family dynamics, you know what 92 00:04:05,960 --> 00:04:08,600 Speaker 3: I mean. And also like you're saying, it was people 93 00:04:08,600 --> 00:04:11,360 Speaker 3: looking at me. It's just a lot of shit that happened, bro, 94 00:04:11,800 --> 00:04:12,320 Speaker 3: you know what I'm saying. 95 00:04:12,320 --> 00:04:15,320 Speaker 1: But honestly, you just went through what everybody go through 96 00:04:15,400 --> 00:04:18,960 Speaker 1: at the time, like, yeah, everybody you didn't going through 97 00:04:18,960 --> 00:04:21,080 Speaker 1: nothing different, So I don't see it as a bad thing. 98 00:04:21,120 --> 00:04:23,080 Speaker 1: I just I think you just got to understand how 99 00:04:23,120 --> 00:04:25,520 Speaker 1: to cope through and go through it because you ain't 100 00:04:25,560 --> 00:04:27,400 Speaker 1: going through shit. Nobody else ain't been through when they 101 00:04:27,400 --> 00:04:30,960 Speaker 1: first get one now, So I kind of got on 102 00:04:31,200 --> 00:04:34,120 Speaker 1: quick too when I first got on in the speedball. 103 00:04:34,160 --> 00:04:35,839 Speaker 1: But the blessing to me, I got a good family 104 00:04:35,880 --> 00:04:37,920 Speaker 1: that on trip off shit like that, So that was 105 00:04:38,080 --> 00:04:38,640 Speaker 1: plessing to me. 106 00:04:39,440 --> 00:04:41,520 Speaker 3: So there was there was that aspect of it, and 107 00:04:41,520 --> 00:04:46,080 Speaker 3: then there was like people that were also important to 108 00:04:46,120 --> 00:04:49,560 Speaker 3: me in the journey of me getting a role losing them. 109 00:04:49,880 --> 00:04:51,960 Speaker 3: You know what I'm saying in the ways that I did, 110 00:04:52,320 --> 00:04:54,760 Speaker 3: You know what I'm saying, Like my best friend who 111 00:04:55,320 --> 00:04:56,600 Speaker 3: recorded the very first. 112 00:04:56,400 --> 00:04:57,640 Speaker 1: Audition, I did it at his house. 113 00:04:57,640 --> 00:04:59,280 Speaker 3: It's my best friend who I go across the street 114 00:04:59,320 --> 00:05:01,960 Speaker 3: to every day growing up across street with my grandparents, 115 00:05:02,279 --> 00:05:05,480 Speaker 3: Like every day I'm at this your house, he recorded. 116 00:05:05,480 --> 00:05:07,719 Speaker 3: He's the one that tells me, he convinces me to 117 00:05:07,720 --> 00:05:09,320 Speaker 3: do the role. I wasn't even about to go out 118 00:05:09,360 --> 00:05:11,480 Speaker 3: for the for the movie at all. I didn't even 119 00:05:11,480 --> 00:05:13,919 Speaker 3: think it was real to begin with so anyhow, his 120 00:05:14,000 --> 00:05:15,920 Speaker 3: mom and my mom like, that's that's just what it was. 121 00:05:16,960 --> 00:05:19,840 Speaker 2: Long story short, We go to see the movie on 122 00:05:19,920 --> 00:05:21,200 Speaker 2: the trailer, you know. 123 00:05:21,160 --> 00:05:22,599 Speaker 1: What I'm saying, for the first time. 124 00:05:22,680 --> 00:05:25,719 Speaker 3: It's premiered in front of john Wick two and in 125 00:05:25,760 --> 00:05:28,599 Speaker 3: the middle the trailer goes off and his mom was 126 00:05:28,600 --> 00:05:31,800 Speaker 3: in the hospital for something that was not major at 127 00:05:31,839 --> 00:05:34,120 Speaker 3: the time. But man, right after the trailer goes off, 128 00:05:34,120 --> 00:05:36,800 Speaker 3: within minutes they calling us. His mom is like pretty 129 00:05:36,839 --> 00:05:40,480 Speaker 3: much gone. So and then later on I went to London. 130 00:05:40,560 --> 00:05:42,920 Speaker 3: The flight I got on for London my cousin. So 131 00:05:43,400 --> 00:05:44,840 Speaker 3: all in all, it was just a lot of things. 132 00:05:44,839 --> 00:05:47,160 Speaker 3: I was like, damn, bro, what the like was this 133 00:05:47,200 --> 00:05:47,840 Speaker 3: thing a curse? 134 00:05:48,040 --> 00:05:52,360 Speaker 1: But it was every time something was but that's it, 135 00:05:52,960 --> 00:05:53,920 Speaker 1: yeah now for sure. 136 00:05:54,240 --> 00:05:57,039 Speaker 3: So every time something important was happening in the like 137 00:05:57,520 --> 00:06:00,080 Speaker 3: all eyes on me, there was this other thing and 138 00:06:00,160 --> 00:06:03,680 Speaker 3: that was like like pulling or something drastic and major 139 00:06:03,760 --> 00:06:05,839 Speaker 3: was happening, and I was like, bro, So for a 140 00:06:05,839 --> 00:06:09,279 Speaker 3: good while, I just was like I actually didn't even 141 00:06:09,279 --> 00:06:13,160 Speaker 3: notice until later. I was like I was very much 142 00:06:13,279 --> 00:06:16,880 Speaker 3: removed from that whole entire tupac thing. For me, I 143 00:06:16,960 --> 00:06:18,760 Speaker 3: was like, man, I'm going to the iddamn near was 144 00:06:18,800 --> 00:06:20,840 Speaker 3: like going in the house and just chilling and just 145 00:06:20,880 --> 00:06:24,240 Speaker 3: like you know, on some getting away from the getting 146 00:06:24,279 --> 00:06:26,720 Speaker 3: away from all of that tension for the most part 147 00:06:26,800 --> 00:06:29,360 Speaker 3: type shit. But then you know, my life kind of 148 00:06:29,400 --> 00:06:32,080 Speaker 3: went on. I was grateful to get all American. Bennie 149 00:06:32,080 --> 00:06:34,400 Speaker 3: Boom kind of plugged me, not even kind of he 150 00:06:34,440 --> 00:06:36,960 Speaker 3: plugged me with that for sure. He called me, you know, 151 00:06:37,040 --> 00:06:38,560 Speaker 3: I said, told me that he had something for me, 152 00:06:39,880 --> 00:06:41,760 Speaker 3: and I was only expected to do like a one 153 00:06:41,800 --> 00:06:42,760 Speaker 3: off one episode. 154 00:06:43,640 --> 00:06:46,640 Speaker 2: Ended up doing three I was supposed to do. 155 00:06:47,000 --> 00:06:49,280 Speaker 3: Then no, no, no, I got they wanted me for this 156 00:06:49,320 --> 00:06:52,200 Speaker 3: one off for the episode that he was filming, and 157 00:06:52,240 --> 00:06:56,279 Speaker 3: I couldn't do that because the showrunner at the time 158 00:06:56,320 --> 00:06:57,919 Speaker 3: she wanted me for more. So she was like, now 159 00:06:57,960 --> 00:06:59,280 Speaker 3: I want to bring you in for a little like 160 00:06:59,320 --> 00:07:01,960 Speaker 3: maybe three episodd and more long story show. With that, 161 00:07:02,000 --> 00:07:05,440 Speaker 3: I end up doing two seasons like fifteen episodes. And 162 00:07:05,480 --> 00:07:09,520 Speaker 3: that's the blessing that that cut through. The blessing of it, absolutely, man. 163 00:07:10,080 --> 00:07:11,680 Speaker 1: But let me ask you this, like, because I mean, 164 00:07:12,200 --> 00:07:14,560 Speaker 1: you're really into the into the acting in y'all, I 165 00:07:14,560 --> 00:07:18,200 Speaker 1: consider you're a real actor, not like these bullshit actors. 166 00:07:18,360 --> 00:07:20,080 Speaker 1: And so you right there in the meat of it, 167 00:07:20,160 --> 00:07:22,000 Speaker 1: in the in the hustle of it, in the grind 168 00:07:22,080 --> 00:07:24,320 Speaker 1: of it. How do you feel? What do you feel 169 00:07:24,360 --> 00:07:27,280 Speaker 1: about the industry right now as a whole as far 170 00:07:27,320 --> 00:07:31,080 Speaker 1: as acting and actors, not the producing part, just as 171 00:07:31,160 --> 00:07:35,160 Speaker 1: being an actor or actress, like in relative to the 172 00:07:35,200 --> 00:07:38,200 Speaker 1: strike or just where we are where y'all as a hold, 173 00:07:38,200 --> 00:07:40,400 Speaker 1: the strike is just part of all that shit, because 174 00:07:40,680 --> 00:07:42,600 Speaker 1: you wouldn't be having the strike if it wasn't where 175 00:07:43,000 --> 00:07:45,640 Speaker 1: where the climate is, as far as Hollywood is at now. 176 00:07:45,640 --> 00:07:48,080 Speaker 1: So that's why I'm asking you, what do you what 177 00:07:48,120 --> 00:07:50,680 Speaker 1: are you optimistic about? You festimistic? Like, what do you 178 00:07:50,680 --> 00:07:53,680 Speaker 1: see as far as I'm hello optimistic right now within 179 00:07:53,720 --> 00:07:54,160 Speaker 1: the industry? 180 00:07:54,160 --> 00:07:56,480 Speaker 3: And I feel like because of this strike, maybe there's 181 00:07:56,520 --> 00:07:59,760 Speaker 3: some sort of like balancing that may have that will 182 00:07:59,840 --> 00:08:03,480 Speaker 3: now happen. You feel me, I'm both, I'm a little 183 00:08:03,480 --> 00:08:06,040 Speaker 3: bit of both optimistic in terms of like I feel like, 184 00:08:06,120 --> 00:08:08,920 Speaker 3: you know, the playing field I want to I don't 185 00:08:08,920 --> 00:08:10,640 Speaker 3: want to say it's getting even now, but I feel 186 00:08:10,640 --> 00:08:11,200 Speaker 3: like there's going to be. 187 00:08:11,200 --> 00:08:13,560 Speaker 1: A surplus of work right so. 188 00:08:14,960 --> 00:08:18,600 Speaker 3: Around So okay, cool, all right, So where you at, 189 00:08:18,640 --> 00:08:21,080 Speaker 3: I don't even know yet, but I so the fact 190 00:08:21,120 --> 00:08:24,520 Speaker 3: that the writers got what they were Like in favor 191 00:08:24,520 --> 00:08:26,680 Speaker 3: of the writers, they got what they wanted. I feel 192 00:08:26,680 --> 00:08:29,040 Speaker 3: like the actors may get the deal that they want 193 00:08:29,160 --> 00:08:32,520 Speaker 3: right So if that does happen, I feel like Hollywood 194 00:08:32,559 --> 00:08:34,440 Speaker 3: took an l on money, you know what I'm saying, 195 00:08:34,480 --> 00:08:37,360 Speaker 3: Like with all of the you know, the time off 196 00:08:37,400 --> 00:08:41,079 Speaker 3: and everything. So a lot of projects, from what I'm seeing, 197 00:08:41,280 --> 00:08:43,880 Speaker 3: looks like it's going to get like once it gets 198 00:08:43,920 --> 00:08:47,720 Speaker 3: back up and running, everybody gonna looking for content. Jobs 199 00:08:47,760 --> 00:08:51,960 Speaker 3: gonna be wide open. But the other looming issue to 200 00:08:52,080 --> 00:08:56,480 Speaker 3: me is the AI shit. So it's here and it's 201 00:08:56,520 --> 00:09:02,000 Speaker 3: not going anywhere, and eventually what I imagine is that we 202 00:09:02,080 --> 00:09:02,760 Speaker 3: will land. 203 00:09:02,640 --> 00:09:06,000 Speaker 2: At a space where I feel like we're. 204 00:09:05,880 --> 00:09:08,600 Speaker 1: Just pushing off available and they just they just bird 205 00:09:08,640 --> 00:09:10,839 Speaker 1: theme until they get to that point like right now, 206 00:09:10,840 --> 00:09:12,679 Speaker 1: they don't have no choice to like go and give 207 00:09:12,720 --> 00:09:15,360 Speaker 1: them something right now, until we can grab a hold 208 00:09:15,400 --> 00:09:17,080 Speaker 1: of everything, kind of like what they did with social 209 00:09:17,160 --> 00:09:20,280 Speaker 1: media and everything else is just trying to figure out 210 00:09:20,320 --> 00:09:22,520 Speaker 1: how to monetize it and lock it in to where 211 00:09:22,520 --> 00:09:25,439 Speaker 1: they don't have to where they they you can't do nothing. 212 00:09:25,679 --> 00:09:27,559 Speaker 1: So now I mean this is my thing. I might 213 00:09:27,600 --> 00:09:29,480 Speaker 1: be wrong with their motherfucker don't listen to me because 214 00:09:29,520 --> 00:09:31,559 Speaker 1: I don't give a fuck about the shit enough to 215 00:09:32,080 --> 00:09:34,200 Speaker 1: be so in detail of it. But at the same time, 216 00:09:34,640 --> 00:09:38,040 Speaker 1: from just from my assessments, it just looks like, all right, 217 00:09:38,080 --> 00:09:39,800 Speaker 1: this give them something right now, and so we can 218 00:09:39,800 --> 00:09:42,559 Speaker 1: get off all these projects that you're talking about for 219 00:09:42,679 --> 00:09:45,080 Speaker 1: he'll knock them shits out. Then it's gonna be cause 220 00:09:45,120 --> 00:09:48,720 Speaker 1: like I just told today, I wasn't yesterday when Tom 221 00:09:48,760 --> 00:09:52,960 Speaker 1: Heiks was like this, mother, just use my likeness and 222 00:09:53,080 --> 00:09:56,280 Speaker 1: he the biggest He wasn't the biggest in the in 223 00:09:56,320 --> 00:09:58,079 Speaker 1: the shit in Hollywood. 224 00:09:59,440 --> 00:09:59,800 Speaker 2: Damn. 225 00:10:00,840 --> 00:10:02,880 Speaker 1: Oh, let me see it by the find I just 226 00:10:03,000 --> 00:10:04,480 Speaker 1: say so. 227 00:10:04,480 --> 00:10:07,640 Speaker 3: So that's where I'm at because I'm like, we're on 228 00:10:07,679 --> 00:10:09,800 Speaker 3: the same place as far as that, because it's only 229 00:10:09,840 --> 00:10:10,400 Speaker 3: a matter of time. 230 00:10:10,480 --> 00:10:13,520 Speaker 2: So it's there's a small window. I don't imagine like. 231 00:10:13,480 --> 00:10:17,079 Speaker 3: Three three four good real years of Hollywood like Max, 232 00:10:17,120 --> 00:10:19,480 Speaker 3: where this ship is kind of like on the same thing. 233 00:10:20,120 --> 00:10:23,079 Speaker 3: Because that AI shit is going, they're going to start 234 00:10:23,080 --> 00:10:25,199 Speaker 3: inserting it because it makes sense. 235 00:10:27,440 --> 00:10:29,920 Speaker 1: Not to cut you off. But ida Tom Hanks says 236 00:10:30,000 --> 00:10:32,720 Speaker 1: AI version of him used in a dental plan and 237 00:10:32,880 --> 00:10:40,480 Speaker 1: without consent. Yeah. See, so nigga be tom ain'ts nigga. 238 00:10:40,679 --> 00:10:43,920 Speaker 3: So listen, all right, let's say, and this is where 239 00:10:43,960 --> 00:10:47,520 Speaker 3: I'm saying, like, there's gonna be some choices that has 240 00:10:47,520 --> 00:10:50,240 Speaker 3: to be made, and it's probably gonna go in favor 241 00:10:50,280 --> 00:10:52,440 Speaker 3: of what you're talking about, right if you the rock 242 00:10:52,720 --> 00:10:55,800 Speaker 3: the Rock and film, he got movies lined up, you know, 243 00:10:55,880 --> 00:10:58,040 Speaker 3: all year long, right, but he can only do like 244 00:10:58,679 --> 00:11:01,960 Speaker 3: maybe Yeah, I'm a imagine his movie shots probably like 245 00:11:02,000 --> 00:11:04,200 Speaker 3: three month minimals. So let's say he doing three movies 246 00:11:04,240 --> 00:11:07,880 Speaker 3: a year, right, they what are getting like twenty thirty? 247 00:11:08,760 --> 00:11:09,280 Speaker 3: Like thirty? 248 00:11:09,520 --> 00:11:11,680 Speaker 1: He gotta be getting like twenty five at least. I 249 00:11:11,679 --> 00:11:13,640 Speaker 1: don't think he's doing it like that no more, because 250 00:11:13,880 --> 00:11:17,040 Speaker 1: at this point he gotta get a piece of the pie. Yeah, 251 00:11:17,160 --> 00:11:21,240 Speaker 1: the back end. Yeah, it'll only makes sense because the 252 00:11:21,320 --> 00:11:24,120 Speaker 1: studios don't make it up. Like what when't last time 253 00:11:24,160 --> 00:11:25,959 Speaker 1: you heard somebody get a big twenty million dollars check 254 00:11:26,040 --> 00:11:29,800 Speaker 1: just for acting? I don't know, because the box office 255 00:11:29,840 --> 00:11:33,319 Speaker 1: is back cracking. Though box office did ask my question, 256 00:11:33,720 --> 00:11:36,679 Speaker 1: when the last time you heard? Because they put out 257 00:11:36,679 --> 00:11:38,640 Speaker 1: all these shit all the time, such and such got 258 00:11:38,679 --> 00:11:42,080 Speaker 1: this amount of deal for this that's for this movie. Yeah, 259 00:11:42,200 --> 00:11:43,120 Speaker 1: I think that they did. 260 00:11:43,280 --> 00:11:46,040 Speaker 3: I think, all right, so let's say them those certain 261 00:11:46,120 --> 00:11:48,640 Speaker 3: echelon of people. I think they they did go in 262 00:11:48,679 --> 00:11:51,560 Speaker 3: and start like renegotiating to where they getting a piece 263 00:11:51,559 --> 00:11:52,920 Speaker 3: of the pile on the back. You know what I'm saying, 264 00:11:52,920 --> 00:11:54,960 Speaker 3: because it only makes sense, Like even me, I think 265 00:11:55,000 --> 00:11:56,800 Speaker 3: that was the thing that they started demanding, and they 266 00:11:56,880 --> 00:11:59,240 Speaker 3: kind of switched and switched it all up, like nah, 267 00:11:59,400 --> 00:12:01,840 Speaker 3: don't just get the twenty million in it gonna make 268 00:12:01,880 --> 00:12:03,960 Speaker 3: a billion, and only I'm stuck with that twenty you 269 00:12:03,960 --> 00:12:04,320 Speaker 3: feel me? 270 00:12:04,400 --> 00:12:04,640 Speaker 1: Right? 271 00:12:04,760 --> 00:12:07,000 Speaker 3: So I think that they did start wising up and like, 272 00:12:07,000 --> 00:12:08,440 Speaker 3: oh yeah, let me get a piece of that back 273 00:12:08,480 --> 00:12:11,800 Speaker 3: in too. But all that to say, my point is 274 00:12:11,880 --> 00:12:15,760 Speaker 3: if you're the rock and you're gonna make let's say 275 00:12:15,800 --> 00:12:18,000 Speaker 3: he gonna make a hundred million a year and he 276 00:12:18,160 --> 00:12:21,480 Speaker 3: worked in ten months out the year. Ai comes in, 277 00:12:21,800 --> 00:12:25,520 Speaker 3: Sony introduces Ai the Rock and says, look, the Rock, Dwayne, 278 00:12:26,160 --> 00:12:29,840 Speaker 3: We're gonna give you that same hundred million, and we 279 00:12:29,880 --> 00:12:31,440 Speaker 3: only need you to show up to set for two 280 00:12:31,440 --> 00:12:37,079 Speaker 3: months out the year. Does he and his peers at 281 00:12:37,120 --> 00:12:39,679 Speaker 3: that level do they take the check? You get what 282 00:12:39,679 --> 00:12:42,679 Speaker 3: I'm saying to let AI do their thing, or do 283 00:12:42,720 --> 00:12:45,000 Speaker 3: they like, now we reappreciate the craft, we want to 284 00:12:45,040 --> 00:12:46,360 Speaker 3: be there, blah blah blah. 285 00:12:47,200 --> 00:12:49,680 Speaker 1: How they look at to me, I think it depends 286 00:12:49,720 --> 00:12:52,360 Speaker 1: on how they see technology go because if they see 287 00:12:52,360 --> 00:12:56,359 Speaker 1: it like how we said, if we see the inevitable happenings, 288 00:12:56,360 --> 00:12:59,080 Speaker 1: what it's like, it's like everybody's telling they publishing that 289 00:13:00,160 --> 00:13:01,720 Speaker 1: they see ain't no money in the ship, so they 290 00:13:01,800 --> 00:13:04,040 Speaker 1: trying to cash out. So if he looking at as 291 00:13:04,040 --> 00:13:07,160 Speaker 1: a cash out deal, he's like, fucking all right, let 292 00:13:07,160 --> 00:13:10,040 Speaker 1: me go ahead. I'm about fifty some years old. Now 293 00:13:10,480 --> 00:13:12,720 Speaker 1: I go only do so many movies. Now, let me 294 00:13:12,760 --> 00:13:15,079 Speaker 1: go ahead and knock out twenty of these motherfucker movies 295 00:13:15,120 --> 00:13:19,440 Speaker 1: for twenty million apiece and ride out of the sunset exactly. 296 00:13:19,640 --> 00:13:23,040 Speaker 1: How does that help everybody else? Like y'all like you, 297 00:13:23,280 --> 00:13:26,240 Speaker 1: it don't, it don't. That's the thing. 298 00:13:26,320 --> 00:13:28,240 Speaker 3: It's winners and losers in this ship, and you better 299 00:13:28,320 --> 00:13:29,480 Speaker 3: figure out a way to be on the winter sh 300 00:13:29,640 --> 00:13:30,079 Speaker 3: That's not the. 301 00:13:30,000 --> 00:13:31,800 Speaker 1: Only thing I was like, and that's why I get 302 00:13:31,840 --> 00:13:34,760 Speaker 1: went back to the beginning. It's like, do you see 303 00:13:35,280 --> 00:13:37,439 Speaker 1: is it a good? Is it good? Is it good? Future? 304 00:13:37,520 --> 00:13:41,480 Speaker 1: For actors and actresses said, hell no, that shit is inevitable. 305 00:13:41,480 --> 00:13:45,040 Speaker 1: It's over with. So how do you know, how do 306 00:13:45,080 --> 00:13:46,680 Speaker 1: you prepare for it? How do you prepare for it? 307 00:13:46,760 --> 00:13:48,600 Speaker 1: Because I prepared for it twenty years ago because I 308 00:13:48,640 --> 00:13:50,760 Speaker 1: kind of saw it a long time ago. So I 309 00:13:50,840 --> 00:13:54,480 Speaker 1: kind of never leaned on Hollywood more so than I 310 00:13:54,559 --> 00:13:57,160 Speaker 1: just focused on the people. And that's why I'm meant 311 00:13:57,160 --> 00:13:59,320 Speaker 1: why that's why I'm at right now. But now that 312 00:13:59,360 --> 00:14:01,880 Speaker 1: you see where it is, and so whether you how 313 00:14:01,880 --> 00:14:03,880 Speaker 1: do you prepare for it and set yourself up to 314 00:14:03,920 --> 00:14:07,200 Speaker 1: where because everything always changes, So how have you prepared 315 00:14:07,240 --> 00:14:08,160 Speaker 1: more than change for that? 316 00:14:09,120 --> 00:14:11,720 Speaker 3: So I am I am in a process like right 317 00:14:11,760 --> 00:14:16,120 Speaker 3: now diversifying and making myself as brandable as possible because 318 00:14:16,600 --> 00:14:19,960 Speaker 3: with that it's like, you know, you're gonna need ads, 319 00:14:20,000 --> 00:14:22,680 Speaker 3: You're gonna need commercials and so forth and so on, 320 00:14:22,800 --> 00:14:26,480 Speaker 3: like you can always attaching yourself to brands. You know, 321 00:14:27,600 --> 00:14:31,000 Speaker 3: it's a and especially with a lot of the abilities 322 00:14:31,000 --> 00:14:32,640 Speaker 3: that I have that I haven't even kind of like 323 00:14:32,800 --> 00:14:35,600 Speaker 3: done in the way of using them in terms of, uh, 324 00:14:35,720 --> 00:14:39,760 Speaker 3: for entertainment, you know what I mean. But there's two 325 00:14:39,760 --> 00:14:44,040 Speaker 3: ways I'm I'm trying. I'm finding ways to cleverly brand 326 00:14:44,120 --> 00:14:48,920 Speaker 3: myself so that I'm a thing that can you know, 327 00:14:49,040 --> 00:14:51,680 Speaker 3: be of, you know, be be around you know what 328 00:14:51,720 --> 00:14:55,240 Speaker 3: I'm saying. Time goes on, Yeah, exactly, just and then 329 00:14:55,320 --> 00:15:00,000 Speaker 3: also on the other side though, figuring out and starting 330 00:15:00,200 --> 00:15:04,560 Speaker 3: things like a production company that I'm starting or I 331 00:15:04,600 --> 00:15:06,320 Speaker 3: started right now with a couple of friends of mine, 332 00:15:06,640 --> 00:15:08,400 Speaker 3: you know what I'm saying, started my own production company 333 00:15:08,440 --> 00:15:10,520 Speaker 3: with Actually it. 334 00:15:09,840 --> 00:15:10,720 Speaker 1: Is it's Dope High. 335 00:15:10,800 --> 00:15:12,520 Speaker 3: Came together because it's a good friend of mine who 336 00:15:12,560 --> 00:15:16,080 Speaker 3: I was in a movie with Kean Johnson and the 337 00:15:16,120 --> 00:15:20,080 Speaker 3: producer of that movie. We're starting a production company together, 338 00:15:20,160 --> 00:15:23,560 Speaker 3: you know what I mean. And interestingly enough, I hope 339 00:15:23,560 --> 00:15:28,440 Speaker 3: I can say shot it out. It's called Mumbo Mumbo, Inc. 340 00:15:29,320 --> 00:15:32,200 Speaker 1: So uh yeah. 341 00:15:32,320 --> 00:15:35,080 Speaker 3: Interestingly enough, one of the first things that we produced 342 00:15:35,120 --> 00:15:39,080 Speaker 3: and shot is a comedy special for I hope they 343 00:15:39,080 --> 00:15:41,080 Speaker 3: don't Friday for Jeremy Piven. 344 00:15:42,800 --> 00:15:44,160 Speaker 1: You don't want to put it out there, just let 345 00:15:44,160 --> 00:15:44,680 Speaker 1: me right cool. 346 00:15:44,760 --> 00:15:47,520 Speaker 3: Yeah, But Jeremy Piven is doing stand up comedy now, 347 00:15:48,000 --> 00:15:49,840 Speaker 3: and he's been doing it for a few years at 348 00:15:49,840 --> 00:15:52,360 Speaker 3: this point, but we produced his first you know, like 349 00:15:52,560 --> 00:15:55,080 Speaker 3: actual like stand up that's gonna I think it's gonna 350 00:15:55,080 --> 00:15:57,440 Speaker 3: live on like YouTube for to begin with. 351 00:15:57,520 --> 00:15:59,240 Speaker 1: But yeah, we just did that like a month ago. 352 00:15:59,640 --> 00:16:03,000 Speaker 3: So like again, start my own production company stuff like 353 00:16:03,040 --> 00:16:05,360 Speaker 3: that that you know, you're still gonna need people to do. 354 00:16:05,400 --> 00:16:07,200 Speaker 1: You still need people to shoot some of these commercials. 355 00:16:07,200 --> 00:16:09,840 Speaker 3: Everything ain't gonna just be like super AI at the 356 00:16:09,840 --> 00:16:14,360 Speaker 3: game and figuring out how I made my brand is connecting. 357 00:16:13,920 --> 00:16:14,640 Speaker 1: To people as well. 358 00:16:14,640 --> 00:16:16,960 Speaker 3: That's what I was gonna say, figuring out how my 359 00:16:17,080 --> 00:16:21,200 Speaker 3: brand keeps me tethered to the people, you know what 360 00:16:21,240 --> 00:16:25,400 Speaker 3: I'm saying, And so that way, you know, as time 361 00:16:25,480 --> 00:16:27,800 Speaker 3: goes on, I'm not just getting lost in the shuffle 362 00:16:27,800 --> 00:16:30,800 Speaker 3: and it's like, you know, everybody just AI at the 363 00:16:30,840 --> 00:16:32,880 Speaker 3: game and you know we is washed. 364 00:16:33,560 --> 00:16:35,840 Speaker 1: Let me ask you this, if they came to you 365 00:16:35,920 --> 00:16:39,120 Speaker 1: with with two point five and said we want to 366 00:16:39,120 --> 00:16:45,080 Speaker 1: buy your likeness. What you're doing? Ooh, what what you're 367 00:16:45,120 --> 00:16:48,240 Speaker 1: doing by wait? Hold on, hold on, hold on, hold 368 00:16:48,280 --> 00:16:49,440 Speaker 1: on my whole. 369 00:16:49,280 --> 00:16:53,640 Speaker 3: Likeness like now you negotiate go ahead, yeah, nigga, my 370 00:16:53,720 --> 00:16:54,480 Speaker 3: whole likeness. 371 00:16:56,040 --> 00:16:58,320 Speaker 1: The same thing when we were just talking about what 372 00:16:58,440 --> 00:17:01,000 Speaker 1: you just said, the same thing you they give the 373 00:17:01,080 --> 00:17:03,480 Speaker 1: Rock the option. I didn't say twenty million because that 374 00:17:03,520 --> 00:17:05,359 Speaker 1: would be some bullshit because I do it for twenty 375 00:17:05,560 --> 00:17:10,119 Speaker 1: fifty million for you. I'm just trying to make it 376 00:17:10,160 --> 00:17:14,760 Speaker 1: more realistic. Two point five say, look, we need your 377 00:17:14,920 --> 00:17:17,320 Speaker 1: likeness and I'm gonna give you this. We need your 378 00:17:17,440 --> 00:17:23,240 Speaker 1: likeness for ten years. They don't know, they don't need 379 00:17:23,240 --> 00:17:25,600 Speaker 1: it for life. It's a publishing deal. That's pretty much 380 00:17:25,640 --> 00:17:27,800 Speaker 1: what they finished. Start doing publishing deals. 381 00:17:28,720 --> 00:17:32,280 Speaker 3: Damn too, that's exactly right, that's actually correct. 382 00:17:32,480 --> 00:17:33,600 Speaker 2: It is gonna be a publishing deal. 383 00:17:33,800 --> 00:17:36,320 Speaker 1: That's who stay woke. 384 00:17:37,640 --> 00:17:41,240 Speaker 3: Two point five for ten, I'm gonna have to negotiate 385 00:17:41,920 --> 00:17:43,639 Speaker 3: and I'm gonna have to bring that ten down now 386 00:17:43,760 --> 00:17:45,320 Speaker 3: nine ten. I think I'm gonna I think I can 387 00:17:45,400 --> 00:17:47,639 Speaker 3: do if I if I if the thing now, I'm 388 00:17:47,840 --> 00:17:48,640 Speaker 3: I'm gonna turn that down. 389 00:17:48,680 --> 00:17:51,159 Speaker 1: Not ten years. I'm cool. I'm betting on me, straight up. 390 00:17:52,320 --> 00:17:53,879 Speaker 1: I'ma be real with you. I'm betting on me, all right. 391 00:17:54,960 --> 00:17:58,119 Speaker 1: We just talked about how how the industry ate that 392 00:17:58,320 --> 00:18:00,399 Speaker 1: ate that much money left in it will kind of 393 00:18:00,480 --> 00:18:02,119 Speaker 1: dry and this. 394 00:18:02,000 --> 00:18:07,680 Speaker 3: Is you know, yeah, no, it just depends history. Repeat yourself. So, yeah, 395 00:18:08,320 --> 00:18:11,880 Speaker 3: is drying up depending on where you put yourself. 396 00:18:12,040 --> 00:18:15,320 Speaker 1: But flipping like flipping like this. This is how I'm 397 00:18:15,359 --> 00:18:18,440 Speaker 1: looking at it. All Right, they use my likeness, they 398 00:18:18,440 --> 00:18:21,719 Speaker 1: could they gonna promote me free because they gotta promote 399 00:18:21,720 --> 00:18:25,359 Speaker 1: my likeness. Right, I got two forty five million, put 400 00:18:25,400 --> 00:18:29,200 Speaker 1: that in my production company, shoot my own right, piggyback ride, 401 00:18:29,480 --> 00:18:32,639 Speaker 1: and you get bigger after ten years, You're good. I 402 00:18:32,680 --> 00:18:34,640 Speaker 1: mean ten years might be a lot. You might want 403 00:18:34,640 --> 00:18:38,479 Speaker 1: to negotiate, that's what think. Yeah, that's a whole decade, bro, 404 00:18:38,640 --> 00:18:39,800 Speaker 1: You're crazy. 405 00:18:39,840 --> 00:18:41,479 Speaker 3: That's why I say that ten. I'm not fucking with that. 406 00:18:41,520 --> 00:18:47,520 Speaker 3: Ten Nigga ten for two point five it's crazy. I 407 00:18:47,560 --> 00:18:50,600 Speaker 3: gotta say that that one. 408 00:18:52,600 --> 00:18:54,600 Speaker 1: Yeah, that is a lot. That is a lot. But 409 00:18:54,680 --> 00:18:57,640 Speaker 1: I'm just trying because but it sounds like a lot 410 00:18:57,680 --> 00:19:00,600 Speaker 1: of those the type of contracts these companies is yet. 411 00:19:00,760 --> 00:19:03,120 Speaker 1: Think about it. In the music industry, they do ten 412 00:19:03,240 --> 00:19:09,119 Speaker 1: album deals, so it ain't it ain't far fetched, and 413 00:19:09,200 --> 00:19:11,320 Speaker 1: they doing it for less than two point five. Trust me, 414 00:19:11,600 --> 00:19:13,520 Speaker 1: they act like they're getting all that money up front. 415 00:19:15,400 --> 00:19:17,320 Speaker 1: You know what I'm saying. They talking about how much 416 00:19:17,320 --> 00:19:20,359 Speaker 1: they gonna put into the project two point five million, 417 00:19:20,560 --> 00:19:25,440 Speaker 1: So they don't. I just it can't make sense. It 418 00:19:25,640 --> 00:19:29,199 Speaker 1: just gotta you just gotta make it so all to 419 00:19:29,280 --> 00:19:31,720 Speaker 1: your point, here's what's gonna happen. 420 00:19:32,359 --> 00:19:34,960 Speaker 3: There are gonna be people that take that deal and 421 00:19:35,000 --> 00:19:38,240 Speaker 3: that's what's going to saturate and water to market in 422 00:19:38,440 --> 00:19:41,120 Speaker 3: the industry down because it's gonna be like. 423 00:19:41,080 --> 00:19:49,080 Speaker 1: Two for ten years. Give it to me, so you know. 424 00:19:49,600 --> 00:19:52,200 Speaker 1: And that's another thing. It's kind of like, it's kind 425 00:19:52,200 --> 00:19:54,200 Speaker 1: of like what to be doing with with with with 426 00:19:54,720 --> 00:19:58,240 Speaker 1: movies now, it's like ship. You don't want to go 427 00:19:58,280 --> 00:20:00,240 Speaker 1: over there with ship. They give you the good look, 428 00:20:00,359 --> 00:20:03,960 Speaker 1: the good percentages and everything else it makes Honestly, Tube 429 00:20:04,040 --> 00:20:06,640 Speaker 1: is just doing Netflix used to be just like that. 430 00:20:06,840 --> 00:20:09,600 Speaker 1: It's just people forgot by their group. They use niggas 431 00:20:09,600 --> 00:20:14,760 Speaker 1: to build to build a network once everything. That's how. 432 00:20:14,880 --> 00:20:16,880 Speaker 1: But it's not a bad thing though. You just gotta 433 00:20:16,960 --> 00:20:19,439 Speaker 1: understand your place in the game. If you understand your 434 00:20:19,440 --> 00:20:21,280 Speaker 1: place in the game, you can finessing and make it 435 00:20:21,320 --> 00:20:23,520 Speaker 1: and make it bigger and do your old day. That's 436 00:20:23,560 --> 00:20:25,800 Speaker 1: all Tyler Perry and people like that. Dude, you know 437 00:20:25,840 --> 00:20:26,800 Speaker 1: what I'm saying, that's. 438 00:20:26,800 --> 00:20:30,440 Speaker 3: So so okay cool about TV movies. 439 00:20:30,480 --> 00:20:32,800 Speaker 1: Let me ask you that from an active standpoint, how 440 00:20:32,840 --> 00:20:35,880 Speaker 1: you feel about to because well, I ain't watching the movie. 441 00:20:36,800 --> 00:20:38,600 Speaker 3: I ain't watch the TV movie, so I'm not gonna 442 00:20:38,600 --> 00:20:42,679 Speaker 3: I don't have no like distinct answer, no depinion of 443 00:20:42,720 --> 00:20:43,960 Speaker 3: it because I ain't watching nothing. 444 00:20:44,200 --> 00:20:50,840 Speaker 1: Let me DoD you thought it. Cooby has got better, bro, 445 00:20:50,920 --> 00:20:54,000 Speaker 1: They're getting better. You gotta go what David Wallams just 446 00:20:54,000 --> 00:20:57,080 Speaker 1: did a show that WI him and I forgot the 447 00:20:57,119 --> 00:21:01,240 Speaker 1: girl that played the young girl that plays on the power, uh, 448 00:21:01,280 --> 00:21:05,040 Speaker 1: the one the power that's uh that Mary J Bligoe. 449 00:21:05,080 --> 00:21:08,200 Speaker 1: I don't know, it's so real. She the young girl. 450 00:21:08,240 --> 00:21:09,720 Speaker 1: You know what I'm talking about, the young black girl. 451 00:21:09,760 --> 00:21:13,639 Speaker 1: I don't even know well the way she she she 452 00:21:13,800 --> 00:21:16,560 Speaker 1: Oh there, it's it's it's written three did it getting better? 453 00:21:17,400 --> 00:21:21,200 Speaker 1: It's getting right in but in boom whatever. 454 00:21:21,440 --> 00:21:23,399 Speaker 3: Maybe that's somebody need to start putting into my you 455 00:21:23,400 --> 00:21:26,439 Speaker 3: know what I'm saying into my things of to what 456 00:21:26,560 --> 00:21:27,240 Speaker 3: to watch out for. 457 00:21:29,160 --> 00:21:31,199 Speaker 1: It. It's the perfect time to do it while they 458 00:21:31,280 --> 00:21:34,600 Speaker 1: open to anything. You know what I'm saying you gotta 459 00:21:34,640 --> 00:21:38,800 Speaker 1: do is bring something good exactly all right? Cool? 460 00:21:38,840 --> 00:21:40,240 Speaker 3: So I was about there. I was about to ask 461 00:21:40,280 --> 00:21:43,880 Speaker 3: you that question. So that's the other thing about where 462 00:21:44,000 --> 00:21:49,560 Speaker 3: entertainment is. This is music and film and television. 463 00:21:49,080 --> 00:21:51,080 Speaker 1: Right or filming, Yeah, movies and TV. 464 00:21:51,359 --> 00:21:55,560 Speaker 3: I'm like the quality amongst everything, especially the music is 465 00:21:55,720 --> 00:21:56,359 Speaker 3: so bad. 466 00:21:57,200 --> 00:21:57,960 Speaker 1: I feel like. 467 00:21:59,720 --> 00:22:05,119 Speaker 3: The don't make real quality comes about, real talent comes about. 468 00:22:05,400 --> 00:22:06,360 Speaker 2: It's going to emergent. 469 00:22:06,400 --> 00:22:07,639 Speaker 1: It's going to like blow up. 470 00:22:07,720 --> 00:22:09,960 Speaker 2: That's where I feel now. That's my question to you. 471 00:22:10,240 --> 00:22:12,280 Speaker 3: Do you feel like we're in such a space now 472 00:22:12,880 --> 00:22:17,520 Speaker 3: within entertainment that when real talent is, you know, emerges, 473 00:22:17,800 --> 00:22:20,800 Speaker 3: that it'll be appreciated and recognized as such and it 474 00:22:20,880 --> 00:22:23,560 Speaker 3: will go to that those next, you know, those higher. 475 00:22:23,840 --> 00:22:26,840 Speaker 1: I think real talent. I think real talent already. I 476 00:22:26,880 --> 00:22:29,320 Speaker 1: just think the audience don't care enough how we want 477 00:22:29,359 --> 00:22:32,560 Speaker 1: them to care. You got to sneak talent on the 478 00:22:32,359 --> 00:22:35,199 Speaker 1: on the consumer. They don't care enough about it. They 479 00:22:35,320 --> 00:22:40,240 Speaker 1: just consuming. So that's why sometimes you don't realize it afterwards, 480 00:22:40,240 --> 00:22:42,639 Speaker 1: like man, this muffler, muffle got some shit, this muffled 481 00:22:42,680 --> 00:22:44,440 Speaker 1: Like say, this is like somebody like j Cole's or 482 00:22:44,520 --> 00:22:48,000 Speaker 1: Kendrick Lamar. They really talented and they show it the 483 00:22:48,080 --> 00:22:50,520 Speaker 1: more and more you listen to them, But you didn't 484 00:22:50,520 --> 00:22:52,240 Speaker 1: really give a fuck. You just was going about the 485 00:22:52,280 --> 00:22:54,159 Speaker 1: it song at first. Are you just love them for 486 00:22:54,200 --> 00:22:56,240 Speaker 1: who they are? So I feel like I feel like 487 00:22:56,240 --> 00:22:58,280 Speaker 1: it's plenty of talented muffler that's like you you a 488 00:22:58,359 --> 00:23:00,479 Speaker 1: talented that dude, you know what I'm say saying, but 489 00:23:00,520 --> 00:23:03,040 Speaker 1: you ain't where you want to be. But so so 490 00:23:03,160 --> 00:23:06,000 Speaker 1: I just feel like it's tailor out there's just and 491 00:23:06,320 --> 00:23:08,320 Speaker 1: I feel like I feel like. 492 00:23:08,320 --> 00:23:12,560 Speaker 3: Well, hold on, hold on, hold music though music is entertainment, 493 00:23:12,600 --> 00:23:14,199 Speaker 3: you know what I'm saying, movie see me all that. 494 00:23:14,400 --> 00:23:16,679 Speaker 3: You're right, I can rock with you there because it 495 00:23:16,760 --> 00:23:18,480 Speaker 3: is a lot of people getting down. I actually got 496 00:23:18,480 --> 00:23:20,000 Speaker 3: to switch that. It's a lot of people that's on 497 00:23:20,240 --> 00:23:23,600 Speaker 3: like on on the screen that get down. Music though 498 00:23:23,760 --> 00:23:26,800 Speaker 3: music is man, I ain't rolling with that. 499 00:23:26,880 --> 00:23:29,600 Speaker 1: Music is tracking. It's a lot of good music out here. 500 00:23:29,640 --> 00:23:31,399 Speaker 3: You gotta send me some ship thing, bro, because I've 501 00:23:31,440 --> 00:23:33,679 Speaker 3: been I one. 502 00:23:33,600 --> 00:23:35,640 Speaker 1: Good not the two ball. Hold but I ain't making 503 00:23:35,640 --> 00:23:38,919 Speaker 1: a bad song yet. But they take me out to 504 00:23:39,119 --> 00:23:42,159 Speaker 1: tech for real, take me out to the cooin for real, 505 00:23:42,200 --> 00:23:45,760 Speaker 1: because it's it'll be biased, but it's a lot of 506 00:23:45,800 --> 00:23:48,159 Speaker 1: good talent that. It's a lot of good music out here. 507 00:23:48,200 --> 00:23:50,360 Speaker 1: I send you some ship. It's a lot of good 508 00:23:50,359 --> 00:23:54,040 Speaker 1: ship out you just gotta look it and all five 509 00:23:54,119 --> 00:23:56,480 Speaker 1: you know, like me right now, I like music without 510 00:23:56,560 --> 00:23:59,680 Speaker 1: without lyrics. I listened to a lot of a lot 511 00:23:59,720 --> 00:24:03,639 Speaker 1: of a lot of a lot of that's South African music. 512 00:24:04,800 --> 00:24:10,840 Speaker 1: Yeah what I play. Yeah, that's like it's kind of 513 00:24:10,880 --> 00:24:14,879 Speaker 1: like a it's kind of like an idiom but uh 514 00:24:15,680 --> 00:24:19,399 Speaker 1: African vibe. It's hard to explain, but it's it's I 515 00:24:19,400 --> 00:24:24,440 Speaker 1: forgot you're making that you're making. It's everything's reggae, it's 516 00:24:24,480 --> 00:24:29,080 Speaker 1: everything all messed and one, but it's no lyrics. Now, 517 00:24:29,160 --> 00:24:30,560 Speaker 1: it's not for them. I mean they had a little 518 00:24:30,560 --> 00:24:38,960 Speaker 1: lips like blah blah blah ship like that blah blah 519 00:24:39,000 --> 00:24:45,520 Speaker 1: blah ship Like, man, you had me at first, I 520 00:24:45,560 --> 00:24:50,320 Speaker 1: wanted to hear it now, hold on, hold on, you 521 00:24:50,359 --> 00:24:52,399 Speaker 1: had me at first. I was interested, like I need 522 00:24:52,440 --> 00:24:56,320 Speaker 1: to when you do, it's one of my favorite songs. 523 00:24:57,720 --> 00:25:03,760 Speaker 1: I don't know if you did. It's a low and 524 00:25:03,800 --> 00:25:06,040 Speaker 1: they song below that ship is really for the club. 525 00:25:06,200 --> 00:25:10,479 Speaker 4: Hold on oh okay yeah yeah, yeah, yeah, yeah, I 526 00:25:10,560 --> 00:25:11,040 Speaker 4: rock with that. 527 00:25:11,119 --> 00:25:15,480 Speaker 1: I rock with that, Okay, yeah yeah, I rock with that. 528 00:25:15,760 --> 00:25:16,080 Speaker 1: I did. 529 00:25:16,160 --> 00:25:20,359 Speaker 3: I heard some ship like that in like Dubai and 530 00:25:20,440 --> 00:25:22,760 Speaker 3: I Care and it was yeah yeah yeah. 531 00:25:22,760 --> 00:25:23,400 Speaker 1: Because when you. 532 00:25:23,560 --> 00:25:25,800 Speaker 3: It's it's like a, it's a it ain't like so 533 00:25:25,960 --> 00:25:28,720 Speaker 3: much of a lyrical thing. It's more of a beyond 534 00:25:28,920 --> 00:25:31,440 Speaker 3: like ship. Yea, I'm gonna see you that that ship hard. 535 00:25:32,640 --> 00:25:33,479 Speaker 1: So let me ask you this. 536 00:25:33,560 --> 00:25:36,280 Speaker 3: Then, how did you feel about the Drake. 537 00:25:36,080 --> 00:25:39,879 Speaker 1: Honesty never mind? I mean, but bro, it's just a song. 538 00:25:39,960 --> 00:25:42,560 Speaker 1: He just threw out a song with Drake Drake? Is 539 00:25:42,600 --> 00:25:46,639 Speaker 1: you can't the album? That's about the album? Oh, the 540 00:25:46,680 --> 00:25:49,840 Speaker 1: whole album? Yea, my whole album. It's just another one, 541 00:25:49,880 --> 00:25:50,160 Speaker 1: just game. 542 00:25:50,200 --> 00:25:52,720 Speaker 3: I thought, no, no, no, no, the honesty never mind, 543 00:25:52,760 --> 00:25:55,680 Speaker 3: the one that was like the you know, the I 544 00:25:55,680 --> 00:25:56,359 Speaker 3: don't want to say that. 545 00:25:56,359 --> 00:25:58,399 Speaker 1: What would we called it? What will we classify that 546 00:25:58,440 --> 00:26:04,960 Speaker 1: as a mix? It's like it's like dance. Ain't that Oh? 547 00:26:05,000 --> 00:26:08,160 Speaker 1: Oh that one? No? I liked that? Yeah, all right, 548 00:26:08,240 --> 00:26:15,719 Speaker 1: I knew you would. I knew you would. No, that 549 00:26:15,840 --> 00:26:19,080 Speaker 1: is yacht music. That's both music. Man, come on now 550 00:26:19,880 --> 00:26:23,600 Speaker 1: talking about why I'm bad? Nah? 551 00:26:23,640 --> 00:26:26,320 Speaker 3: Okay, so you know what I feel that? So I'm 552 00:26:26,320 --> 00:26:28,440 Speaker 3: definitely on some like a rap to me, I'll say 553 00:26:28,480 --> 00:26:29,280 Speaker 3: this for sure, a rap. 554 00:26:29,320 --> 00:26:31,560 Speaker 1: I'm cool. So who are you listening to? Since who 555 00:26:31,680 --> 00:26:32,280 Speaker 1: you listening to? 556 00:26:34,040 --> 00:26:37,639 Speaker 3: Everything right here is is old, bro, I thought that honestly, 557 00:26:37,680 --> 00:26:39,720 Speaker 3: never mind knowing about four times a week noo' lenna 558 00:26:39,720 --> 00:26:42,560 Speaker 3: tell you that for the sure. Uh you know, my 559 00:26:42,600 --> 00:26:44,520 Speaker 3: favorite artist is still a Lena Barage. 560 00:26:44,600 --> 00:26:45,600 Speaker 1: She just dropped some ship. 561 00:26:45,680 --> 00:26:50,199 Speaker 3: I tacked in with Travis Scott album a couple of joints. 562 00:26:50,240 --> 00:26:51,960 Speaker 1: You know what I'm saying. I know you fuck with 563 00:26:51,960 --> 00:26:56,720 Speaker 1: Gunnan album. Gun Out was cool, but gun Out was cool, 564 00:26:56,720 --> 00:27:00,240 Speaker 1: but I think Gunner was more so of everything that 565 00:27:00,320 --> 00:27:02,480 Speaker 1: was going on. So that built up the anticipation and 566 00:27:02,520 --> 00:27:04,600 Speaker 1: all that ship right right right now. 567 00:27:04,640 --> 00:27:07,840 Speaker 4: The fact I hate you earlier this year about my 568 00:27:07,840 --> 00:27:09,960 Speaker 4: my r D compilation that I was putting together. 569 00:27:10,080 --> 00:27:17,359 Speaker 1: Remember, uh remember, nigga, I told you that. I don't remember. 570 00:27:17,800 --> 00:27:19,560 Speaker 1: I don't remember. I don't remember. 571 00:27:19,840 --> 00:27:22,280 Speaker 3: I called you and I talked to you about doing it, 572 00:27:22,320 --> 00:27:24,400 Speaker 3: and you were gonna do like the Midnight Like. 573 00:27:25,040 --> 00:27:27,080 Speaker 1: I mean, I'm doing that for you because you're a dog. 574 00:27:27,200 --> 00:27:28,840 Speaker 1: So yeah. 575 00:27:30,280 --> 00:27:33,679 Speaker 2: So no, My point is now we can we can 576 00:27:33,760 --> 00:27:34,800 Speaker 2: work on doing this one. 577 00:27:34,880 --> 00:27:35,320 Speaker 1: You know what I'm saying. 578 00:27:35,359 --> 00:27:38,080 Speaker 3: Doing that together type ship since you were left off 579 00:27:38,080 --> 00:27:39,840 Speaker 3: the DNY album means you could put ours together. 580 00:27:39,840 --> 00:27:42,479 Speaker 1: We could do our ship together. You know, just compared 581 00:27:42,520 --> 00:27:44,320 Speaker 1: yourself to Dinny. Since you're gonna do it the Didny, 582 00:27:44,320 --> 00:27:47,920 Speaker 1: you matter what do it with me? Hey? I got that, Like, 583 00:27:48,119 --> 00:27:50,240 Speaker 1: since you don't do a deal with Eli Musk, you 584 00:27:50,320 --> 00:27:57,320 Speaker 1: matter what do with me? Hey? Look, we we put 585 00:27:57,320 --> 00:27:57,960 Speaker 1: some ship together. 586 00:27:58,200 --> 00:28:00,920 Speaker 3: I feel like our ship, like especially with the idea 587 00:28:01,000 --> 00:28:02,399 Speaker 3: of you talking through that, That's what it was. 588 00:28:02,520 --> 00:28:04,320 Speaker 1: That's what I was talking to you about. You was 589 00:28:04,359 --> 00:28:05,159 Speaker 1: gonna talk through. 590 00:28:05,040 --> 00:28:07,439 Speaker 2: The whole album, like the intros and outros, a lot 591 00:28:07,480 --> 00:28:08,480 Speaker 2: of all of the songs. 592 00:28:09,040 --> 00:28:10,720 Speaker 1: I'm with whatever you want to do, man, Like, just 593 00:28:10,800 --> 00:28:12,040 Speaker 1: let me know when you want to do it. I'm 594 00:28:12,040 --> 00:28:14,040 Speaker 1: with it. So you got to arn so you so 595 00:28:14,080 --> 00:28:15,399 Speaker 1: you got to let them know about your R and 596 00:28:15,400 --> 00:28:19,280 Speaker 1: B ship because they don't know them. Oh man. 597 00:28:19,480 --> 00:28:21,399 Speaker 2: So that's the part of me that you know. 598 00:28:21,640 --> 00:28:24,439 Speaker 3: I came up in the game. Like I've been in 599 00:28:24,520 --> 00:28:26,879 Speaker 3: music my whole life. So my my postures are producer. 600 00:28:26,920 --> 00:28:29,400 Speaker 3: So I've been in I've been seeing music. My postures 601 00:28:29,400 --> 00:28:30,439 Speaker 3: are part of truth, you. 602 00:28:30,480 --> 00:28:30,920 Speaker 1: Know what I mean? 603 00:28:31,080 --> 00:28:33,360 Speaker 2: So I that's the world. 604 00:28:34,720 --> 00:28:36,000 Speaker 1: Truth, nigga. 605 00:28:36,240 --> 00:28:40,600 Speaker 2: The last one, the last album, I don't let me go. 606 00:28:40,760 --> 00:28:44,520 Speaker 1: Look at this ship, hold up the truth. 607 00:28:46,000 --> 00:28:48,240 Speaker 3: The very last one was Steve. It was only Stem 608 00:28:48,320 --> 00:28:49,280 Speaker 3: out of my pops. 609 00:28:49,840 --> 00:28:52,040 Speaker 1: All I do is think of you. 610 00:28:52,320 --> 00:28:53,040 Speaker 3: No no, no no. 611 00:28:53,280 --> 00:28:57,160 Speaker 1: That that not that album. That's the other joints wings. 612 00:28:58,040 --> 00:29:04,760 Speaker 1: If like song, I know you're probably not gonna know 613 00:29:04,800 --> 00:29:09,200 Speaker 1: to the song, but it was a lost album. Okay. Yeah. 614 00:29:09,240 --> 00:29:11,640 Speaker 3: But Post was always right producing. He did, you know, 615 00:29:11,680 --> 00:29:13,720 Speaker 3: a lot of music with He worked with Teddy Early, 616 00:29:13,760 --> 00:29:18,280 Speaker 3: he worked with He was working with Steve, he worked 617 00:29:18,320 --> 00:29:21,520 Speaker 3: with He did a lot of reget everything. Yeah, I 618 00:29:21,520 --> 00:29:23,320 Speaker 3: was born in this ship. So that's my my love 619 00:29:23,400 --> 00:29:28,240 Speaker 3: and passion for music being been there, feel me and 620 00:29:28,280 --> 00:29:30,600 Speaker 3: then I've gone on myself to work with different artists that. 621 00:29:32,280 --> 00:29:33,120 Speaker 1: I talk about. 622 00:29:33,480 --> 00:29:37,400 Speaker 3: You showed the world because I this is the other 623 00:29:37,440 --> 00:29:41,280 Speaker 3: interesting thing about me, right, I never wanted to be 624 00:29:41,680 --> 00:29:44,280 Speaker 3: like a person, you know what I'm saying, like a celebrity. 625 00:29:45,040 --> 00:29:46,640 Speaker 3: I never wanted to be a person that was a 626 00:29:46,640 --> 00:29:49,160 Speaker 3: figure or a name that you like, had to put 627 00:29:49,160 --> 00:29:50,640 Speaker 3: a fake that you could put a face to, you 628 00:29:50,720 --> 00:29:53,080 Speaker 3: know what I'm saying. Type ship I really wanted to be. 629 00:29:53,320 --> 00:29:54,320 Speaker 3: You know't You probably don't know me. 630 00:29:54,560 --> 00:29:57,600 Speaker 1: His producer named sound Way, but he's Kendrick Lamar's producer. 631 00:29:58,080 --> 00:30:00,560 Speaker 3: That's the type of career I was aiming for in 632 00:30:00,680 --> 00:30:02,160 Speaker 3: terms of like successful music. 633 00:30:02,200 --> 00:30:03,760 Speaker 2: You know what I'm saying, entertainment. 634 00:30:03,480 --> 00:30:07,120 Speaker 1: Was like being a really really dope ass producer. You 635 00:30:07,600 --> 00:30:09,680 Speaker 1: knew me? Yeah, if you knew me, you knew me, 636 00:30:09,680 --> 00:30:10,840 Speaker 1: you could don't cool. 637 00:30:11,080 --> 00:30:13,800 Speaker 3: Like I've been in concerts and walk right right up 638 00:30:13,840 --> 00:30:16,800 Speaker 3: to Soundway said what's up or whatever? And everybody around 639 00:30:16,840 --> 00:30:20,000 Speaker 3: has no idea that this nigga curated all of the sounds. 640 00:30:20,200 --> 00:30:22,840 Speaker 2: What everything that Kendrick Lamart does sound Way do is 641 00:30:22,880 --> 00:30:23,240 Speaker 2: the guy? 642 00:30:23,920 --> 00:30:24,200 Speaker 1: Right? 643 00:30:24,280 --> 00:30:26,920 Speaker 3: So that's what I was, you know what I'm saying. 644 00:30:26,960 --> 00:30:28,880 Speaker 3: I always approach music from that standpoint. 645 00:30:28,920 --> 00:30:30,600 Speaker 1: I didn't want to be out and I'm still probably 646 00:30:30,880 --> 00:30:37,920 Speaker 1: That's what famus So nigga. Now I'm like cool, here 647 00:30:37,960 --> 00:30:38,240 Speaker 1: we are. 648 00:30:38,920 --> 00:30:41,040 Speaker 3: Now, how do I capitalize on all of you know 649 00:30:41,080 --> 00:30:43,640 Speaker 3: what I'm saying, the famous and celebrity with the talents. 650 00:30:43,920 --> 00:30:46,280 Speaker 3: You know what I'm saying, everything that I've accomplished, Now, 651 00:30:46,560 --> 00:30:48,479 Speaker 3: how do I advance that and use it to my 652 00:30:48,760 --> 00:30:52,040 Speaker 3: benefit and make you know, make that into my brand? 653 00:30:52,960 --> 00:30:54,640 Speaker 1: So what are you planning on doing? Because I mean, 654 00:30:55,080 --> 00:30:57,600 Speaker 1: I know you got plenty of music. You just sound 655 00:30:57,680 --> 00:31:01,160 Speaker 1: like you're scared. Oh no, hell no, I scared. You 656 00:31:01,240 --> 00:31:04,320 Speaker 1: sound like why are you saying you post nothing on 657 00:31:04,360 --> 00:31:07,160 Speaker 1: your social media about your music. I know you and 658 00:31:07,160 --> 00:31:08,760 Speaker 1: and all the time you probably told me that and 659 00:31:08,760 --> 00:31:10,520 Speaker 1: I just said yeah, because I fuck with you, but 660 00:31:11,000 --> 00:31:15,160 Speaker 1: I don't. I ain't heard that one song. Well it's 661 00:31:15,200 --> 00:31:19,360 Speaker 1: not me singing, first of all, so well whatever it is, 662 00:31:19,480 --> 00:31:26,080 Speaker 1: Rappings singing, that's the thing. So it's producing, yeah, nigga, 663 00:31:26,080 --> 00:31:34,600 Speaker 1: while you ain't send me no beats ever produced? Here, nigga, 664 00:31:34,640 --> 00:31:39,600 Speaker 1: here man, that's on this show. If you're a producer, 665 00:31:39,720 --> 00:31:42,760 Speaker 1: that's just like my cousin Jehan. My cousin Jehan. He 666 00:31:43,240 --> 00:31:45,480 Speaker 1: kind of like said, wait, you gotta know him to 667 00:31:45,520 --> 00:31:48,760 Speaker 1: know him. But this nigga got music with Taylor Swift Drake, 668 00:31:48,880 --> 00:31:52,840 Speaker 1: he got everybody. Yeah, this nigga's Yeah. 669 00:31:52,920 --> 00:31:56,400 Speaker 3: Jahann's whole come up was hard, bro, because it was 670 00:31:56,480 --> 00:31:58,479 Speaker 3: like if motherfuckers paid attention. 671 00:31:58,600 --> 00:32:00,880 Speaker 1: You been posting and trying what I'm saying, showing him 672 00:32:00,920 --> 00:32:01,640 Speaker 1: love you watching. 673 00:32:04,240 --> 00:32:08,040 Speaker 3: Yeah, that ship, That ship is incredible, and you could 674 00:32:08,080 --> 00:32:10,400 Speaker 3: tell it was organic as well, like it wasn't no 675 00:32:10,600 --> 00:32:12,320 Speaker 3: like whoa. 676 00:32:12,360 --> 00:32:15,600 Speaker 1: That's the crazy point. I'm proud of it because for one, 677 00:32:16,280 --> 00:32:18,240 Speaker 1: he did it all on his own. You know what 678 00:32:18,280 --> 00:32:21,040 Speaker 1: I'm saying, and too, he listened, you know what I'm saying, 679 00:32:21,360 --> 00:32:24,240 Speaker 1: not just to me, he listened to He listened to 680 00:32:24,600 --> 00:32:26,800 Speaker 1: the right people, you know what I'm saying. So when 681 00:32:26,800 --> 00:32:29,200 Speaker 1: he fuck up, if he if he know he fuck up, 682 00:32:29,200 --> 00:32:32,000 Speaker 1: he can stand as straighten because you can tell everybody, 683 00:32:32,120 --> 00:32:34,840 Speaker 1: you can tell everybody the same ship, but it don't 684 00:32:34,880 --> 00:32:38,400 Speaker 1: go through. So you gotta give him. And he's actually 685 00:32:38,440 --> 00:32:42,000 Speaker 1: talented and that's what he's that's the that's the best 686 00:32:42,000 --> 00:32:43,680 Speaker 1: part of it because just like we were saying before, 687 00:32:43,840 --> 00:32:46,240 Speaker 1: like it feels like talent ain't getting shown no love 688 00:32:46,320 --> 00:32:49,560 Speaker 1: no more. But he's a prime example that the kream 689 00:32:49,640 --> 00:32:51,480 Speaker 1: rides to the top. You know what I'm saying, People 690 00:32:51,600 --> 00:32:54,000 Speaker 1: like yeah, you know, people like Bresha. You know what 691 00:32:54,040 --> 00:32:56,440 Speaker 1: I'm saying. I like watching her grow, you see what 692 00:32:56,440 --> 00:32:59,560 Speaker 1: I'm saying, how she blossom not just in not just 693 00:32:59,600 --> 00:33:01,479 Speaker 1: in a in a business, in a in a uh 694 00:33:01,640 --> 00:33:04,640 Speaker 1: in a in a business, in a career, but also 695 00:33:04,680 --> 00:33:05,600 Speaker 1: in a personal. 696 00:33:05,360 --> 00:33:07,840 Speaker 2: Life right right, Yeah, that's fire exactly. 697 00:33:08,160 --> 00:33:11,680 Speaker 1: So you see, if you see good people win, you 698 00:33:11,680 --> 00:33:13,240 Speaker 1: know what I'm saying, just to see you win it. 699 00:33:13,760 --> 00:33:15,280 Speaker 1: I love to see it, you know what I'm saying. 700 00:33:15,360 --> 00:33:17,680 Speaker 1: Every time if I'm flipping through the challenges because you 701 00:33:17,680 --> 00:33:19,960 Speaker 1: don't call me and tell me, hey man, I just 702 00:33:20,000 --> 00:33:21,920 Speaker 1: think that's just a man ship because we just don't 703 00:33:22,000 --> 00:33:25,120 Speaker 1: like to do ship certain ship. But you can call 704 00:33:25,240 --> 00:33:26,720 Speaker 1: me and say, hey man, I'm all such and such, 705 00:33:27,040 --> 00:33:29,120 Speaker 1: shot me out and stuff like that there and I 706 00:33:29,160 --> 00:33:31,320 Speaker 1: don't give a fun specially by fuck with you, but 707 00:33:31,360 --> 00:33:35,120 Speaker 1: you gotta left me. So that's the thing too. 708 00:33:35,200 --> 00:33:38,320 Speaker 3: So it's I feel like the last few years has 709 00:33:38,400 --> 00:33:42,239 Speaker 3: been me figuring out how to go about doing all 710 00:33:42,280 --> 00:33:45,160 Speaker 3: of these things. So that's that's where it really has 711 00:33:45,200 --> 00:33:48,840 Speaker 3: come down to me, is like, uh, how am I 712 00:33:48,920 --> 00:33:50,880 Speaker 3: going to be in music? How am I going to 713 00:33:51,120 --> 00:33:53,760 Speaker 3: you know, also be because it's if you look at it, 714 00:33:53,840 --> 00:33:58,080 Speaker 3: like not many people simultaneously do both at the same time. 715 00:33:58,160 --> 00:33:58,960 Speaker 1: At a high level. 716 00:33:59,120 --> 00:34:01,880 Speaker 2: You're either like doing and one really well and the 717 00:34:01,920 --> 00:34:02,440 Speaker 2: other one. 718 00:34:02,360 --> 00:34:04,600 Speaker 3: Is like you know, everybody that came into acting from music, 719 00:34:05,000 --> 00:34:07,840 Speaker 3: they acting their music career always since. 720 00:34:08,239 --> 00:34:10,279 Speaker 1: How you feel about doing pretty good? 721 00:34:11,480 --> 00:34:13,920 Speaker 3: So that's fire you feel me because he kind of 722 00:34:13,960 --> 00:34:19,239 Speaker 3: like switched over exactly, like he's definitely been able to 723 00:34:19,239 --> 00:34:21,080 Speaker 3: He's he's crossed over and he stayed at it. He's 724 00:34:21,080 --> 00:34:24,400 Speaker 3: stay consistent. So it's it's been me really taking the 725 00:34:24,480 --> 00:34:27,560 Speaker 3: last I would say, three years to just like, all right, 726 00:34:27,719 --> 00:34:31,240 Speaker 3: how am I going to make myself as brandable as possible? 727 00:34:31,280 --> 00:34:33,439 Speaker 3: What is the things that I'm that I like doing? 728 00:34:33,520 --> 00:34:35,520 Speaker 3: What are the things that not only do I like 729 00:34:35,560 --> 00:34:38,239 Speaker 3: doing though that people are responsive to? You know what 730 00:34:38,239 --> 00:34:40,040 Speaker 3: I'm saying, And that makes sense for me to do. 731 00:34:40,080 --> 00:34:42,080 Speaker 3: And I feel like now I really have a real 732 00:34:42,160 --> 00:34:43,360 Speaker 3: great plan on how to have. 733 00:34:44,960 --> 00:34:50,560 Speaker 1: You looked into roles where you're playing the musical artist. Bro, 734 00:34:50,920 --> 00:34:54,920 Speaker 1: That's why that's crazy. I would love love to do 735 00:34:55,000 --> 00:34:56,760 Speaker 1: something like that. Like I made a joke. 736 00:34:58,880 --> 00:35:00,839 Speaker 2: One time playing like. 737 00:35:01,080 --> 00:35:02,600 Speaker 3: Said I would I would play because I had these 738 00:35:02,680 --> 00:35:05,799 Speaker 3: chops on set somewhere, these big as uh you know, 739 00:35:06,160 --> 00:35:09,880 Speaker 3: the chops of the sideburns, yuh. And I I made 740 00:35:09,920 --> 00:35:11,520 Speaker 3: a joke like, yeah, I'm gonna play. I'm gonna play 741 00:35:11,680 --> 00:35:14,360 Speaker 3: ron Eisley or or Marvin Gay or some ship. But 742 00:35:14,400 --> 00:35:16,360 Speaker 3: I would love to do that because I play piano, 743 00:35:16,680 --> 00:35:17,320 Speaker 3: you know what I'm saying. 744 00:35:17,880 --> 00:35:21,880 Speaker 1: So I would love I mean, like, of course you 745 00:35:21,920 --> 00:35:23,560 Speaker 1: want to get a bigger role, but if you do, 746 00:35:24,040 --> 00:35:27,160 Speaker 1: it's like auditioning for a role like that just set 747 00:35:27,239 --> 00:35:29,560 Speaker 1: up yours. You got a production company, set up your 748 00:35:29,560 --> 00:35:32,760 Speaker 1: own skins, and post that ship all your pages exactly. 749 00:35:32,800 --> 00:35:34,359 Speaker 1: So that's one of the things that I'm that way 750 00:35:34,440 --> 00:35:38,640 Speaker 1: you slowly but surely, your audience they they by the 751 00:35:38,680 --> 00:35:41,000 Speaker 1: time if you do get the movie is organically happen 752 00:35:41,120 --> 00:35:44,360 Speaker 1: kind of like like Jamie Fox, he organically happen to 753 00:35:44,360 --> 00:35:47,160 Speaker 1: do it. It just naturally. He's not even thinking, is 754 00:35:47,200 --> 00:35:49,680 Speaker 1: he an actor? A saying kind of like me, they 755 00:35:49,680 --> 00:35:51,880 Speaker 1: don't think like at first they did, but now with 756 00:35:52,000 --> 00:35:54,120 Speaker 1: like go the bus shows, they expected both. 757 00:35:54,400 --> 00:35:56,240 Speaker 2: They expected yeah exactly. 758 00:35:56,239 --> 00:35:59,040 Speaker 1: But you have to you have to put the you 759 00:35:59,080 --> 00:36:01,960 Speaker 1: have to do it yourself, like you gotta take the 760 00:36:02,000 --> 00:36:05,000 Speaker 1: first initiative to do it. It's gonna feel weird, it's 761 00:36:05,000 --> 00:36:08,359 Speaker 1: gonna feel cord now, niggas says ship like, oh lord, 762 00:36:08,440 --> 00:36:11,200 Speaker 1: here he goes saying it. But nigga, now if you 763 00:36:11,360 --> 00:36:14,800 Speaker 1: just doing it. But what you're what you're saying is 764 00:36:15,160 --> 00:36:15,640 Speaker 1: is pure. 765 00:36:16,040 --> 00:36:19,520 Speaker 3: I take it as nothing more, nothing less than confirmation, bro, 766 00:36:19,640 --> 00:36:21,399 Speaker 3: because that's exactly you're saying. 767 00:36:21,400 --> 00:36:22,880 Speaker 1: All right, you got to integrate it and roll it 768 00:36:22,960 --> 00:36:23,680 Speaker 1: out on your own. 769 00:36:23,880 --> 00:36:27,600 Speaker 3: So that's exactly what the last like I said a 770 00:36:27,760 --> 00:36:29,560 Speaker 3: few years have been for me to like, all right, 771 00:36:29,560 --> 00:36:31,399 Speaker 3: how am I gonna do this? How am I gonna 772 00:36:31,440 --> 00:36:33,719 Speaker 3: introduce this as a part of who I am and 773 00:36:33,840 --> 00:36:35,920 Speaker 3: what I for the world to receive it as such, 774 00:36:36,040 --> 00:36:39,279 Speaker 3: and then for things to start moving in that, you 775 00:36:39,320 --> 00:36:42,400 Speaker 3: know what, in that space like I and I'm I 776 00:36:42,520 --> 00:36:44,040 Speaker 3: have a lot of ideas and things that I'm going 777 00:36:44,120 --> 00:36:46,880 Speaker 3: to start doing and rolling out via social media that 778 00:36:47,000 --> 00:36:48,960 Speaker 3: will put me in a place of people receiving it 779 00:36:49,080 --> 00:36:51,800 Speaker 3: and seeing me as you know, oh, somebody who is 780 00:36:51,880 --> 00:36:54,440 Speaker 3: just more than an actor who has musicianship to them. 781 00:36:54,480 --> 00:36:54,960 Speaker 1: You know what I'm saying? 782 00:36:55,080 --> 00:36:57,080 Speaker 3: Because I do I do that and I play the drums, 783 00:36:57,160 --> 00:36:58,880 Speaker 3: is well, I'm a natural drummer. That's what I started 784 00:36:58,920 --> 00:37:01,520 Speaker 3: off with, you feel me? So I play drums and 785 00:37:01,560 --> 00:37:05,120 Speaker 3: I played the piano. So all of those things I 786 00:37:05,239 --> 00:37:10,120 Speaker 3: plan on very creatively rolling out and so that people 787 00:37:10,200 --> 00:37:12,080 Speaker 3: start to like receive. 788 00:37:11,840 --> 00:37:15,520 Speaker 1: That your music, because I wouldn't hear how you play? 789 00:37:15,600 --> 00:37:19,680 Speaker 1: Would I would hear you play your old keys? Yeah? 790 00:37:19,680 --> 00:37:22,319 Speaker 1: I play my Yeah, nigga, I can play for the show. 791 00:37:23,160 --> 00:37:25,880 Speaker 1: You ain't fucking with your HND man, Oh no, hell no, 792 00:37:26,160 --> 00:37:28,560 Speaker 1: I ain't crazy. But if I get lessons, if I 793 00:37:28,640 --> 00:37:30,600 Speaker 1: get some lessons. I'll tell you a story and I 794 00:37:30,640 --> 00:37:34,160 Speaker 1: can with the Juilliard. Oh yeah, he cold. 795 00:37:34,360 --> 00:37:36,279 Speaker 3: I didn't heart him play for sure, Like I didn't 796 00:37:36,280 --> 00:37:38,960 Speaker 3: see the family thing, the family functions. Shit, I see 797 00:37:38,960 --> 00:37:41,719 Speaker 3: a nigga, you're high ge there you cold? But I 798 00:37:41,880 --> 00:37:44,200 Speaker 3: knew I had something. And it's funny because last year, 799 00:37:47,040 --> 00:37:49,960 Speaker 3: like last year, October like ended October, I ended up 800 00:37:50,000 --> 00:37:52,960 Speaker 3: at doctor Dre house because I messed with like his 801 00:37:53,080 --> 00:37:55,600 Speaker 3: sister is my people's right, so shout out to them. 802 00:37:55,960 --> 00:37:59,759 Speaker 3: But we was I was in the crib chilling and 803 00:38:00,000 --> 00:38:03,440 Speaker 3: and basically we got into the conversation to playing and 804 00:38:03,560 --> 00:38:04,080 Speaker 3: I ended. 805 00:38:04,000 --> 00:38:06,200 Speaker 2: Up playing for Drake and this is one of the 806 00:38:06,320 --> 00:38:07,959 Speaker 2: most dopest moments of my life. 807 00:38:08,800 --> 00:38:11,799 Speaker 3: He was like it nah, somebody recorded it, but they 808 00:38:11,960 --> 00:38:16,160 Speaker 3: like Drey not letting no footage go, Like no, I see, 809 00:38:21,040 --> 00:38:23,520 Speaker 3: I see one day it's gonna make it out for sure, 810 00:38:23,520 --> 00:38:24,640 Speaker 3: And shout out my bro mark A. 811 00:38:25,280 --> 00:38:28,400 Speaker 1: The pictures in the videos. He has them, so you 812 00:38:28,480 --> 00:38:31,000 Speaker 1: know he like Broke Drey and you know he very. 813 00:38:31,000 --> 00:38:33,160 Speaker 2: Particular about how he gonna let shit roll out whatever. 814 00:38:33,560 --> 00:38:34,560 Speaker 2: Someday we'll see it. 815 00:38:35,120 --> 00:38:38,520 Speaker 3: But basically I was playing and Dre was like caught 816 00:38:38,560 --> 00:38:41,480 Speaker 3: off guard and I was telling him I taught myself. 817 00:38:42,080 --> 00:38:44,040 Speaker 2: And it came a moment where I was playing to 818 00:38:44,200 --> 00:38:46,239 Speaker 2: the point Dre was like, hey, nigga. 819 00:38:46,040 --> 00:38:47,600 Speaker 1: Like are you fucking with me? He's like, you better 820 00:38:47,800 --> 00:38:48,960 Speaker 1: fuck with me? Like you really don't know how to 821 00:38:48,960 --> 00:38:50,520 Speaker 1: play like that? He like, you really taught yourself. 822 00:38:50,600 --> 00:38:52,279 Speaker 3: Because I was telling him like I don't know the 823 00:38:53,120 --> 00:38:55,560 Speaker 3: the keys and all of that, but the way I 824 00:38:55,719 --> 00:38:58,799 Speaker 3: play this, you know what I'm saying, He's definitely something 825 00:38:58,880 --> 00:39:00,439 Speaker 3: that just not like an amateur for sure. 826 00:39:01,000 --> 00:39:03,200 Speaker 1: Yeah. So all and then he told me, he went 827 00:39:03,239 --> 00:39:04,719 Speaker 1: on to tem like you gotta do something with that, 828 00:39:04,880 --> 00:39:07,279 Speaker 1: So that stuck with me. I think that's the first 829 00:39:07,320 --> 00:39:09,439 Speaker 1: thing you should do on your social media. Just play 830 00:39:09,560 --> 00:39:12,959 Speaker 1: something freestyle on the keyboard that because for one, women 831 00:39:13,040 --> 00:39:15,240 Speaker 1: are open to that. You're gonna get all types of bitches, 832 00:39:15,280 --> 00:39:17,560 Speaker 1: and I mean women, you'll get all types of women. 833 00:39:17,600 --> 00:39:20,160 Speaker 1: Open up the door, so that show the show. Oh 834 00:39:20,200 --> 00:39:24,200 Speaker 1: he's musically talented too, right, I think you should show 835 00:39:24,320 --> 00:39:26,520 Speaker 1: some of that, just that part of it, and that'll 836 00:39:26,560 --> 00:39:28,920 Speaker 1: open the door to show. All right, he's musically inclined 837 00:39:29,000 --> 00:39:30,960 Speaker 1: because you because you gotta think about piano. You can't 838 00:39:31,040 --> 00:39:34,439 Speaker 1: fake that, right for sure. You know what I'm saying. 839 00:39:34,440 --> 00:39:36,000 Speaker 1: You got all type people to get up there and 840 00:39:36,080 --> 00:39:38,120 Speaker 1: saying or get a beat. You can could pose you 841 00:39:38,160 --> 00:39:41,800 Speaker 1: could you could build a song in the studio. That 842 00:39:42,000 --> 00:39:45,480 Speaker 1: keyboard is showing your that that piano showing your row talent. 843 00:39:46,200 --> 00:39:48,719 Speaker 1: So I think show that that's the best way to 844 00:39:48,800 --> 00:39:52,280 Speaker 1: introduce them to all right, I'm d shipped the goddamn 845 00:39:53,280 --> 00:39:54,600 Speaker 1: the entertainer. 846 00:39:55,680 --> 00:40:00,520 Speaker 2: Absolutely, that's part of playing SI video. 847 00:40:00,800 --> 00:40:04,520 Speaker 1: Old boy did is crazy, Bron, which was where he 848 00:40:05,120 --> 00:40:08,640 Speaker 1: the one where uh where he did the uh the 849 00:40:09,120 --> 00:40:11,600 Speaker 1: comparison to you with the with the with the car. Yeah, 850 00:40:11,640 --> 00:40:13,960 Speaker 1: that's funny as fuck though, that's shit. 851 00:40:14,040 --> 00:40:15,320 Speaker 2: Funny as hell, Bron. 852 00:40:15,400 --> 00:40:18,480 Speaker 1: That's funny as fuck. All right, we're gonna wrap it up. 853 00:40:18,520 --> 00:40:20,640 Speaker 1: But before I wrap it up, I give everybody one 854 00:40:20,680 --> 00:40:23,680 Speaker 1: more time, one more question that asks me ask, oh 855 00:40:24,120 --> 00:40:26,040 Speaker 1: that you always wanted to ask somebody, but you ain't 856 00:40:26,040 --> 00:40:28,319 Speaker 1: have nobody to ask. I'm right here, so you get 857 00:40:28,400 --> 00:40:30,160 Speaker 1: to ask me something right now, nigga. 858 00:40:29,960 --> 00:40:33,840 Speaker 3: So go ahead, all right, just gonna suck you up. Okay, 859 00:40:34,560 --> 00:40:36,360 Speaker 3: damn No, it's not because you roll like that. I 860 00:40:36,360 --> 00:40:43,879 Speaker 3: will ask you about liking polygamy and ship Okay, would 861 00:40:43,880 --> 00:40:46,080 Speaker 3: you be so? Would you if you had it? How 862 00:40:46,160 --> 00:40:47,520 Speaker 3: you you know what I'm saying. If the if the 863 00:40:47,640 --> 00:40:49,000 Speaker 3: if the bread and everything was. 864 00:40:49,280 --> 00:40:53,480 Speaker 1: Butter like you needed it to, would you do polygamy? 865 00:40:55,400 --> 00:40:55,520 Speaker 2: Uh? 866 00:40:55,760 --> 00:40:57,960 Speaker 1: Yeah, I do it. There can, but it's not so much. 867 00:40:58,120 --> 00:41:00,800 Speaker 1: But see my my definition, it's a little different. Like 868 00:41:01,200 --> 00:41:03,600 Speaker 1: I like having the old lady and and we just 869 00:41:03,840 --> 00:41:07,400 Speaker 1: like having fun with with other girls. That's to me, 870 00:41:07,560 --> 00:41:10,200 Speaker 1: that's I'm cool with that. And we might have people 871 00:41:10,280 --> 00:41:11,960 Speaker 1: we cool with that were tight with and that's what 872 00:41:12,040 --> 00:41:15,880 Speaker 1: we kick it with. But all that happened, you gotta understand, 873 00:41:16,000 --> 00:41:18,960 Speaker 1: like having a bunch of women, that's that's a that's 874 00:41:19,000 --> 00:41:21,319 Speaker 1: a headache. Like that's why I never really like when 875 00:41:21,360 --> 00:41:23,919 Speaker 1: I did cheat, I just used to fuck. I ain't 876 00:41:23,920 --> 00:41:27,919 Speaker 1: had no girlfriends, Like yay, I'm not girlfriends. I'm gonna 877 00:41:27,960 --> 00:41:31,520 Speaker 1: have one old lady and all my all my side 878 00:41:31,560 --> 00:41:33,560 Speaker 1: bitch is gonna know my old lady. And that's what 879 00:41:33,760 --> 00:41:36,520 Speaker 1: So every time I got caught, my old lady was looking. 880 00:41:36,840 --> 00:41:39,560 Speaker 1: So I'm never one of them niggas that's gonna have 881 00:41:39,800 --> 00:41:43,200 Speaker 1: a bunch of relationship. But I understand it, Like I 882 00:41:43,280 --> 00:41:45,120 Speaker 1: feel like you should handle it as much as you 883 00:41:45,200 --> 00:41:48,200 Speaker 1: can afford and as much you can have this mentally. 884 00:41:49,120 --> 00:41:51,759 Speaker 3: Okay, hold on, I got another question, because strong up 885 00:41:51,960 --> 00:41:54,719 Speaker 3: all right with the with with AI going like it's going, 886 00:41:55,760 --> 00:42:00,560 Speaker 3: and with us seeing black mirror right, and it's so 887 00:42:00,719 --> 00:42:01,760 Speaker 3: much shit that that's happened. 888 00:42:02,840 --> 00:42:06,000 Speaker 2: Where we at twenty thirty? What you see money? Where 889 00:42:06,080 --> 00:42:09,200 Speaker 2: where is AI taking this? What does human action interaction 890 00:42:09,360 --> 00:42:09,680 Speaker 2: look like? 891 00:42:10,040 --> 00:42:11,880 Speaker 1: What are we doing? Do? We got the chips and 892 00:42:11,920 --> 00:42:14,279 Speaker 1: we got the eye things, what we're doing? I think 893 00:42:14,360 --> 00:42:16,879 Speaker 1: we already here. We just you can see the future. Ugg. 894 00:42:17,600 --> 00:42:20,120 Speaker 1: I think we already here. We just ain't accepted it yet. 895 00:42:20,280 --> 00:42:23,320 Speaker 1: Just kind of like everything that we're using now. It 896 00:42:23,440 --> 00:42:25,840 Speaker 1: was dere before, it was de before twenty twenty, but 897 00:42:25,920 --> 00:42:29,160 Speaker 1: we started using it more doing twenty twenty. And that's 898 00:42:29,160 --> 00:42:30,800 Speaker 1: why we had the problem. That's why we have this 899 00:42:30,880 --> 00:42:33,480 Speaker 1: problem in the in the music, I mean entertainment industry 900 00:42:33,840 --> 00:42:37,120 Speaker 1: is because all this shit been here, it's just doing 901 00:42:37,200 --> 00:42:40,400 Speaker 1: the doing the twenty twenty the networkstar resalizing, like the 902 00:42:40,480 --> 00:42:43,960 Speaker 1: network start realizing, wait a minute, I don't need these motherfuckers. 903 00:42:44,200 --> 00:42:47,040 Speaker 1: I don't need a staff for three hundred people. All 904 00:42:47,080 --> 00:42:49,200 Speaker 1: I need is twenty people. So I feel like we 905 00:42:49,360 --> 00:42:53,239 Speaker 1: already is just we gonna get adjusted and like the 906 00:42:53,320 --> 00:42:55,759 Speaker 1: same thing in Hollywood, how we saying the inevitable coming. 907 00:42:55,880 --> 00:42:57,360 Speaker 1: It's gonna get to a point to where it is. 908 00:42:57,440 --> 00:42:59,960 Speaker 1: I mean, it's gonna it ain't gonna be a bad 909 00:43:00,120 --> 00:43:01,960 Speaker 1: all good thing. It's just gonna be evolved with you 910 00:43:02,080 --> 00:43:04,759 Speaker 1: gonna roll with or get rolled over. But this is 911 00:43:04,800 --> 00:43:05,920 Speaker 1: the time to figure it. 912 00:43:05,960 --> 00:43:09,680 Speaker 2: Out that I ain't done. I got another question. 913 00:43:09,800 --> 00:43:10,640 Speaker 1: Let me this is a cat. 914 00:43:10,760 --> 00:43:14,480 Speaker 2: This is another question, all right? 915 00:43:14,760 --> 00:43:19,600 Speaker 1: So why would you or what other country would you 916 00:43:19,719 --> 00:43:20,080 Speaker 1: move to? This? 917 00:43:20,200 --> 00:43:22,040 Speaker 3: My I think this might be my last one because 918 00:43:22,040 --> 00:43:24,440 Speaker 3: I feeling like, is this just some shit that's happening 919 00:43:24,520 --> 00:43:27,520 Speaker 3: in America? Right with this AI and all this chaos 920 00:43:27,600 --> 00:43:32,440 Speaker 3: that's going on, Like, is there somewhere safer go inside 921 00:43:32,480 --> 00:43:32,920 Speaker 3: the world to. 922 00:43:33,000 --> 00:43:36,000 Speaker 1: Jodge this shit? The maitrice real talk, ain't no place 923 00:43:36,080 --> 00:43:39,440 Speaker 1: better than America, no place you the men everywhere too, 924 00:43:40,239 --> 00:43:42,560 Speaker 1: It ain't no I mean everywhere else cool, it's cool 925 00:43:42,600 --> 00:43:45,719 Speaker 1: to visit everywhere else. You really gotta have money. This 926 00:43:45,800 --> 00:43:48,360 Speaker 1: is the only place left. It is barely getting like that, 927 00:43:48,440 --> 00:43:50,840 Speaker 1: and that whole place a person can come from nothing 928 00:43:51,400 --> 00:43:54,040 Speaker 1: and become a millionaire, a billionaire, where else can you 929 00:43:54,120 --> 00:43:58,120 Speaker 1: do that? Everybody else that do that, they already tiedy 930 00:43:58,239 --> 00:44:00,719 Speaker 1: in some type of way. They tied in as far 931 00:44:00,719 --> 00:44:04,600 Speaker 1: as bloodline, they tied in, as far as businesses or family. 932 00:44:05,160 --> 00:44:08,120 Speaker 1: It just is what it is where America, And it's 933 00:44:08,200 --> 00:44:11,880 Speaker 1: barely like that now because shit, shit is they locking 934 00:44:11,920 --> 00:44:14,480 Speaker 1: it in and locking in their families and their teams, 935 00:44:14,560 --> 00:44:16,839 Speaker 1: and it is what it is. But if you ain't 936 00:44:16,920 --> 00:44:19,359 Speaker 1: on that, if you ain't on that side, we see 937 00:44:19,400 --> 00:44:20,879 Speaker 1: it now people getting rich and poor. 938 00:44:22,200 --> 00:44:25,320 Speaker 3: So all right, so take away the facts of like 939 00:44:25,719 --> 00:44:28,520 Speaker 3: you you were born into it, you acquire it while 940 00:44:28,560 --> 00:44:32,160 Speaker 3: you're here where if you say, right now, America's about 941 00:44:32,160 --> 00:44:35,200 Speaker 3: to go to shit, and which it is, and you're 942 00:44:35,200 --> 00:44:38,319 Speaker 3: gonna take your wealth somewhere, it. 943 00:44:38,400 --> 00:44:41,800 Speaker 1: Depends gonna take your wealth. So it all depends on 944 00:44:42,640 --> 00:44:45,160 Speaker 1: if I got pool in the other country, if I 945 00:44:45,960 --> 00:44:47,919 Speaker 1: if I got a setup to where I can build 946 00:44:47,960 --> 00:44:50,319 Speaker 1: another business over there, Because I don't give fuck how 947 00:44:50,360 --> 00:44:53,520 Speaker 1: much money you got lets you into unless you owe 948 00:44:53,680 --> 00:44:55,560 Speaker 1: like my age to where it's like, all right, I 949 00:44:55,640 --> 00:44:57,919 Speaker 1: only got about thirty forty more years left on earth, 950 00:44:58,120 --> 00:45:01,520 Speaker 1: so I can God damn affoord the cash out at 951 00:45:01,560 --> 00:45:04,000 Speaker 1: twenty million to live off there. But if you're young, 952 00:45:04,160 --> 00:45:06,080 Speaker 1: still trying to like, you're gonna have to have some 953 00:45:06,160 --> 00:45:08,160 Speaker 1: type of income coming in the way. The ship sets 954 00:45:08,160 --> 00:45:14,520 Speaker 1: set up designed. Okay, ship costs more overseas too, depending 955 00:45:14,520 --> 00:45:17,920 Speaker 1: on where you go. But listen, place twenty two dollars 956 00:45:18,840 --> 00:45:24,399 Speaker 1: for this day for you lion gas my old lady 957 00:45:24,480 --> 00:45:27,040 Speaker 1: right now, she'll tell you, like shit, call ga. A 958 00:45:27,160 --> 00:45:29,800 Speaker 1: gallon of gas is like eight dollars a gallon on 959 00:45:29,960 --> 00:45:34,440 Speaker 1: my eye. And Bahamas, yes, but that's on your island 960 00:45:35,400 --> 00:45:37,840 Speaker 1: on everything, like say, for the most shit getting important 961 00:45:37,880 --> 00:45:42,040 Speaker 1: from America or from from from Japan. So that's how 962 00:45:42,239 --> 00:45:44,320 Speaker 1: that's how places like Bahamas make their money off of 963 00:45:44,440 --> 00:45:47,520 Speaker 1: import and ship like that there. So for instance, I 964 00:45:47,640 --> 00:45:51,360 Speaker 1: got a call over there my car that they charge 965 00:45:51,360 --> 00:45:54,280 Speaker 1: you for duty they get your car there. It's whatever 966 00:45:54,480 --> 00:45:57,680 Speaker 1: the car worth is, seventy five or eighty percent whatever 967 00:45:57,760 --> 00:46:01,160 Speaker 1: the car work. So if I buy a Jeep, if 968 00:46:01,200 --> 00:46:04,240 Speaker 1: I buy a Jeep for fifty thousand of them states, 969 00:46:05,280 --> 00:46:07,160 Speaker 1: I'm gonna have to end up spending about thirty five 970 00:46:07,239 --> 00:46:13,919 Speaker 1: forty extra to get it to the Bahamas. Damn shit 971 00:46:14,040 --> 00:46:16,799 Speaker 1: costs brou And on top of that, the reason why 972 00:46:16,800 --> 00:46:18,800 Speaker 1: I say America's great, it's great for us because we 973 00:46:18,920 --> 00:46:22,080 Speaker 1: spoiled and we able to get everything accessible. And if 974 00:46:22,120 --> 00:46:24,799 Speaker 1: you ain't used to not being without shit, you're gonna 975 00:46:24,840 --> 00:46:28,320 Speaker 1: have problems going like a mile and everything closed at six. 976 00:46:29,480 --> 00:46:31,560 Speaker 1: You telling me you can't just run to the store 977 00:46:31,560 --> 00:46:35,440 Speaker 1: and get some get some cough drops, and hey, what 978 00:46:35,600 --> 00:46:38,560 Speaker 1: you do? Hey, hey, that you do the cough drops 979 00:46:38,640 --> 00:46:42,839 Speaker 1: might get fired or they're gonna be thirty dollars. Yeah, 980 00:46:43,080 --> 00:46:46,759 Speaker 1: it's exactly. Nigga. Nigga wasn't the ship And one of 981 00:46:46,760 --> 00:46:50,080 Speaker 1: the gas station baken is the one that costs five 982 00:46:50,160 --> 00:46:54,520 Speaker 1: ten dollars in the store forty dollars the first bread. 983 00:46:58,239 --> 00:47:01,520 Speaker 1: I'm telling you what I mean. I think America's great. 984 00:47:01,560 --> 00:47:03,600 Speaker 1: It's just gotta understanding and take it. You gotta look 985 00:47:03,640 --> 00:47:05,880 Speaker 1: at it like put it this way. This is how 986 00:47:05,920 --> 00:47:07,879 Speaker 1: you this, This is how you know America is still 987 00:47:07,960 --> 00:47:11,160 Speaker 1: good because people are still coming over here and coming 988 00:47:11,239 --> 00:47:18,080 Speaker 1: up all right, And I'm not I'm not African's coming 989 00:47:18,120 --> 00:47:21,120 Speaker 1: over here. Oh you know they're doing it. They're coming 990 00:47:21,200 --> 00:47:23,359 Speaker 1: over here, coming up and taking their money and taking 991 00:47:23,360 --> 00:47:25,800 Speaker 1: their hands back over there, which ain't nothing wrong with it, 992 00:47:26,320 --> 00:47:27,160 Speaker 1: so that lets you know. 993 00:47:29,040 --> 00:47:31,120 Speaker 3: So that's my question though, if you have the infrastructure 994 00:47:31,160 --> 00:47:33,520 Speaker 3: here right, if you got if Ridge Broke thinking, we 995 00:47:33,680 --> 00:47:36,480 Speaker 3: gotta have a side conversation because I'm trying to Jay Skids, 996 00:47:36,480 --> 00:47:37,919 Speaker 3: who the VP of Ridge Broke. 997 00:47:39,480 --> 00:47:41,080 Speaker 1: Let's just talk, you know. Listen, man, you think I'm 998 00:47:41,080 --> 00:47:44,440 Speaker 1: gonna make this nigga ba that nigga? You got your 999 00:47:44,480 --> 00:47:48,320 Speaker 1: goddamn man that Jackie bitch the here. But go ahead, 1000 00:47:49,360 --> 00:47:54,920 Speaker 1: you said, men an example, go ahead, you. 1001 00:47:55,040 --> 00:47:58,640 Speaker 3: Crazy here, But nah, I'm being funny answered at the 1002 00:47:58,640 --> 00:47:59,879 Speaker 3: same time, n I don't even a position. 1003 00:48:00,160 --> 00:48:01,080 Speaker 1: We need to talk rich Broke. 1004 00:48:01,160 --> 00:48:03,600 Speaker 3: But rich Broke is here in the States, Rich say 1005 00:48:03,640 --> 00:48:06,640 Speaker 3: we get rich Broke popping right, and it's the brand, 1006 00:48:06,719 --> 00:48:08,880 Speaker 3: that's the ship for the next you know, for the 1007 00:48:09,000 --> 00:48:12,680 Speaker 3: next twenty years. And you got whatever number you want. 1008 00:48:12,920 --> 00:48:17,279 Speaker 3: Rich Broke got you up one hundred million. Where are 1009 00:48:17,360 --> 00:48:18,879 Speaker 3: you you just staying here? 1010 00:48:21,280 --> 00:48:26,600 Speaker 1: Yeah? Because fuck I stay here and now I ain't 1011 00:48:26,600 --> 00:48:28,080 Speaker 1: got to stay here, you know that, right, I ain't 1012 00:48:28,080 --> 00:48:29,080 Speaker 1: got to stand I know that. 1013 00:48:29,200 --> 00:48:31,240 Speaker 3: But that's what I'm saying on so like there's nowhere 1014 00:48:31,320 --> 00:48:35,000 Speaker 3: else you would go, and like you know what I'm saying, 1015 00:48:35,280 --> 00:48:35,840 Speaker 3: not only that. 1016 00:48:35,920 --> 00:48:38,880 Speaker 1: I love my people. I love black people in America. 1017 00:48:38,920 --> 00:48:40,880 Speaker 1: I love I feel like I'm here for a reason 1018 00:48:40,960 --> 00:48:43,960 Speaker 1: to help them. So I mean, I mean, I mean, 1019 00:48:44,080 --> 00:48:45,640 Speaker 1: like when I want to get out and I do 1020 00:48:45,840 --> 00:48:49,040 Speaker 1: move on, I stay in the Bahamas. But I also don't. 1021 00:48:49,600 --> 00:48:53,480 Speaker 1: I don't lean on needing people and needing that love 1022 00:48:53,640 --> 00:48:56,520 Speaker 1: from the community too. That's why, that's why I kind 1023 00:48:56,520 --> 00:48:59,359 Speaker 1: of program myself on the island where if the world 1024 00:48:59,440 --> 00:49:02,560 Speaker 1: say fuck me, I'm still good. You geel what I'm saying. 1025 00:49:02,600 --> 00:49:06,719 Speaker 1: But at the same time, America is great. Like people 1026 00:49:06,840 --> 00:49:11,640 Speaker 1: hate Florida. I love Florida. I'm cool with if I 1027 00:49:11,719 --> 00:49:15,600 Speaker 1: don't die the Bahamas, I'm cool with dining Florida. That's 1028 00:49:15,640 --> 00:49:17,720 Speaker 1: how much I love it. I don't see why nobody 1029 00:49:17,920 --> 00:49:21,879 Speaker 1: like it. It's fun, even the crazy shit I think 1030 00:49:21,880 --> 00:49:23,960 Speaker 1: about social media born as fuck without Florida. 1031 00:49:26,040 --> 00:49:30,360 Speaker 3: Man, listen, I guess I'm just I'm just trying to see, like, 1032 00:49:30,520 --> 00:49:34,280 Speaker 3: so all right, exactly what you are our previous conversation 1033 00:49:34,480 --> 00:49:37,040 Speaker 3: of like AI and how crazy the world is. Now, 1034 00:49:37,360 --> 00:49:39,040 Speaker 3: that's the reason why I'm asking this, because like YO, 1035 00:49:39,400 --> 00:49:41,800 Speaker 3: to me, this shit only about to get more chaotic. 1036 00:49:42,600 --> 00:49:45,080 Speaker 1: You used that you used ai fu for your own ship. 1037 00:49:45,640 --> 00:49:48,120 Speaker 1: You use it for good, like because everybody's gonna use it, 1038 00:49:48,360 --> 00:49:50,160 Speaker 1: so you might use it for your own ship. Like 1039 00:49:50,280 --> 00:49:53,040 Speaker 1: they finished this right now. If I want to say, damn, 1040 00:49:53,239 --> 00:49:56,120 Speaker 1: I want to make a song about love, hey make 1041 00:49:56,160 --> 00:49:58,799 Speaker 1: me a song about love getting breaking up? They right, 1042 00:49:58,840 --> 00:50:03,880 Speaker 1: all this right there for you. It sounds fucked up, 1043 00:50:03,920 --> 00:50:06,200 Speaker 1: but it is what it is. If you don't do it, 1044 00:50:06,239 --> 00:50:09,799 Speaker 1: somebody gonna do it for you. True. Same thing happened 1045 00:50:09,840 --> 00:50:12,640 Speaker 1: in Hollywood. That's what they learned. They're like, I can 1046 00:50:12,680 --> 00:50:16,160 Speaker 1: get a I just write me a whole movie, right 1047 00:50:17,560 --> 00:50:19,400 Speaker 1: and the shit gonna be good. Nigga, I done used 1048 00:50:19,440 --> 00:50:27,640 Speaker 1: it before. That motherfucker's not to put some words together, Nigga, 1049 00:50:27,719 --> 00:50:30,719 Speaker 1: I told, Nigga. I told the one time. I was like, 1050 00:50:31,320 --> 00:50:34,160 Speaker 1: tell me a little Duval Joe. That motherfucker told me 1051 00:50:34,160 --> 00:50:36,839 Speaker 1: a duval joke. It wasn't funny, But pretty soon it's 1052 00:50:36,840 --> 00:50:39,239 Speaker 1: gonna get funny. Once AI get smart and the algorithms 1053 00:50:39,239 --> 00:50:41,080 Speaker 1: start getting better, it's gonna get funny. 1054 00:50:41,840 --> 00:50:46,040 Speaker 3: Yeah, because they just clocking us all they just clocking 1055 00:50:46,080 --> 00:50:47,560 Speaker 3: and watching and recording it. 1056 00:50:47,880 --> 00:50:50,120 Speaker 1: Think about it. Your kids put it this way. You 1057 00:50:50,239 --> 00:50:52,760 Speaker 1: got kids, right, They watch you, and you see yourself 1058 00:50:52,800 --> 00:50:57,120 Speaker 1: and you right. Yeah, So just imagine an artificial intelligence 1059 00:50:57,160 --> 00:51:01,319 Speaker 1: that's watching your every fucking movies, program, you every fucking move. 1060 00:51:02,600 --> 00:51:05,640 Speaker 1: It already knew you. That's like what people are talking about. 1061 00:51:05,719 --> 00:51:07,880 Speaker 1: I'm gonna talk about. I'm gonna do this when the 1062 00:51:08,160 --> 00:51:11,239 Speaker 1: you know that that alarm that just went off, I'm 1063 00:51:11,280 --> 00:51:13,279 Speaker 1: a cup by fuck. They don't give a fuck. They 1064 00:51:13,360 --> 00:51:16,759 Speaker 1: already got you. You can't stop. This is what it is. 1065 00:51:19,000 --> 00:51:21,440 Speaker 1: That's what that's the other part about it. I'm glad, 1066 00:51:21,600 --> 00:51:24,120 Speaker 1: and that's what I want to say too. I had 1067 00:51:24,200 --> 00:51:27,240 Speaker 1: one thing that I was like, you know, I wanted 1068 00:51:27,280 --> 00:51:27,799 Speaker 1: to say what I. 1069 00:51:27,800 --> 00:51:30,480 Speaker 3: Got on here, and it is that I appreciate and 1070 00:51:30,560 --> 00:51:33,000 Speaker 3: you go and see my teats about this. But like comedians, bro, 1071 00:51:33,560 --> 00:51:37,800 Speaker 3: the world needs to y'all are y'all are God's favorites. 1072 00:51:37,840 --> 00:51:44,520 Speaker 3: I'm gonna tell you why because y'all have limitless perspective. 1073 00:51:45,200 --> 00:51:47,560 Speaker 3: You know what I'm saying, y'all ability to zoom out 1074 00:51:47,920 --> 00:51:50,640 Speaker 3: on everything, you know what I'm saying in life as 1075 00:51:50,680 --> 00:51:54,120 Speaker 3: a whole and make that shit funny and get people 1076 00:51:54,280 --> 00:51:57,319 Speaker 3: laugh or enjoy inside of zoom lot like you can 1077 00:51:57,400 --> 00:51:57,640 Speaker 3: take you. 1078 00:51:57,719 --> 00:51:59,840 Speaker 1: No, I don't know about other comedians, but for me, 1079 00:52:00,640 --> 00:52:03,840 Speaker 1: I understand that everybody is full of ship and everybody's 1080 00:52:03,880 --> 00:52:08,360 Speaker 1: walking contradiction. Once you understand that, you get it for 1081 00:52:08,440 --> 00:52:12,160 Speaker 1: what it is. So there's always a h a good 1082 00:52:12,239 --> 00:52:14,719 Speaker 1: side in the band's side, there's always there is no 1083 00:52:15,560 --> 00:52:20,000 Speaker 1: there's no equals. So once you understand that it's all 1084 00:52:20,080 --> 00:52:22,640 Speaker 1: a game, you just get on the on the winning's 1085 00:52:22,640 --> 00:52:25,320 Speaker 1: side and play that game. And that's how I treat it. 1086 00:52:25,400 --> 00:52:30,200 Speaker 3: Like So that's I fuck with that and that's what 1087 00:52:30,360 --> 00:52:34,160 Speaker 3: makes me like so like in tune with comedians lately, 1088 00:52:36,239 --> 00:52:40,200 Speaker 3: but also what the hardship for me has been adapting 1089 00:52:40,360 --> 00:52:46,000 Speaker 3: that view of life but moving as such amongst people 1090 00:52:46,040 --> 00:52:47,480 Speaker 3: who don't kind of get that. 1091 00:52:47,719 --> 00:52:49,080 Speaker 2: It's hard because. 1092 00:52:48,800 --> 00:52:53,080 Speaker 1: Everybody like I deal with a bunch of slow motherfuckers 1093 00:52:53,120 --> 00:52:57,600 Speaker 1: my whole career. Nigga, if I can make you, you maga. 1094 00:52:58,000 --> 00:53:00,680 Speaker 1: This shit frustrating to this day, even simple as telling 1095 00:53:00,719 --> 00:53:04,719 Speaker 1: somebody record me walking out the house these niggas is horrible, man, 1096 00:53:07,040 --> 00:53:09,239 Speaker 1: But you gotta work around it. Man. It is what 1097 00:53:09,360 --> 00:53:13,160 Speaker 1: it is. Like, It's it's hard, but everybody have ship 1098 00:53:13,200 --> 00:53:16,239 Speaker 1: they got to overcome, man, But it is what it is. 1099 00:53:16,400 --> 00:53:19,680 Speaker 3: Yeah, now that that's that's it. Okay that that lasts 1100 00:53:19,680 --> 00:53:21,319 Speaker 3: one when I was it though, for sure, Yeah, that's 1101 00:53:21,440 --> 00:53:24,279 Speaker 3: that's it. You just gotta take it for what it is. 1102 00:53:24,400 --> 00:53:28,520 Speaker 3: But I that limitless perspective. I'm always able to zoom out. Now, 1103 00:53:28,960 --> 00:53:29,800 Speaker 3: even for myself. 1104 00:53:30,239 --> 00:53:32,600 Speaker 1: This is another thing I do too. This another thing 1105 00:53:32,680 --> 00:53:35,680 Speaker 1: I do, even with depths and everything. I put things 1106 00:53:35,719 --> 00:53:38,279 Speaker 1: in perspective, especially ship that you can't control. It's like 1107 00:53:39,000 --> 00:53:41,080 Speaker 1: you can feel down and all that if we all 1108 00:53:41,239 --> 00:53:43,920 Speaker 1: naturally gonna have emotions. But at the end of the day, 1109 00:53:44,360 --> 00:53:46,320 Speaker 1: you ain't the first and last person to go through this, 1110 00:53:46,400 --> 00:53:47,919 Speaker 1: and this ain't the first and last person you're gonna 1111 00:53:47,920 --> 00:53:50,840 Speaker 1: see it go through this. So it's just like you 1112 00:53:50,920 --> 00:53:53,920 Speaker 1: gotta take it for what it is. It's reality, you know. 1113 00:53:54,080 --> 00:53:56,280 Speaker 1: It's just like we hate the face reality because humans 1114 00:53:56,880 --> 00:53:59,799 Speaker 1: we arrogant if they think that we bigger than life. 1115 00:53:59,880 --> 00:54:04,520 Speaker 1: But defferent we ain't shit. So once you understand and 1116 00:54:04,600 --> 00:54:07,560 Speaker 1: have a full perspective of that, you take things for 1117 00:54:07,640 --> 00:54:09,840 Speaker 1: how they come, and you try to work with it 1118 00:54:09,880 --> 00:54:12,000 Speaker 1: and try to try to finesse the world that you 1119 00:54:12,120 --> 00:54:15,360 Speaker 1: can stay on the good side of the goddamn universe. 1120 00:54:15,600 --> 00:54:17,399 Speaker 1: And you do that just by being a genuine person. 1121 00:54:17,520 --> 00:54:19,400 Speaker 2: Nah, that's real, that's just bad. Well, yeah, man, I 1122 00:54:19,400 --> 00:54:20,320 Speaker 2: appreciate you having me on. 1123 00:54:20,520 --> 00:54:20,680 Speaker 1: Man. 1124 00:54:20,719 --> 00:54:22,839 Speaker 2: I gotta hit you after this, of course, and get 1125 00:54:22,880 --> 00:54:24,440 Speaker 2: through the dates locked in so I can pull up. 1126 00:54:24,400 --> 00:54:26,759 Speaker 1: On you in the Bahamas man, for sure. Man, I 1127 00:54:26,800 --> 00:54:29,080 Speaker 1: appreciate you coming on the show, man, and I thank 1128 00:54:29,160 --> 00:54:31,360 Speaker 1: everybody for listening. I hope y'all got some jewels from this. 1129 00:54:31,480 --> 00:54:32,920 Speaker 1: If you didn't, I don't give a fuck. He did, 1130 00:54:33,160 --> 00:54:35,439 Speaker 1: so that's all. That's maut. You got this bitch Black 1131 00:54:35,440 --> 00:54:38,200 Speaker 1: Effect in the house. Thank you for listen to another 1132 00:54:38,239 --> 00:54:41,919 Speaker 1: episode of Conversation with Me, Little Duval. We got this bitch. 1133 00:54:43,200 --> 00:54:46,640 Speaker 1: Don't miss an episode of Conversations with Listen and subscribe 1134 00:54:46,760 --> 00:54:50,360 Speaker 1: on the Black Effect Podcast Network, iHeartRadio, app or wherever 1135 00:54:50,400 --> 00:54:53,800 Speaker 1: you get your podcast. Conversation with Podcasts is a production 1136 00:54:53,960 --> 00:54:57,160 Speaker 1: of the Black Effect Podcast Network and our executive producer 1137 00:54:57,280 --> 00:55:00,200 Speaker 1: is Dolly Bishop and produced by Aaron A. King Ow.