WEBVTT - From the archives: Paula Pell

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from iHeart Radio. Not long ago, there used to

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<v Speaker 1>be two types of comedians, comedians and female comedians. Today

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<v Speaker 1>there are so many women making us laugh that the

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<v Speaker 1>qualifier has been rendered obsolete. Saturday Night Live deserves a

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<v Speaker 1>lot of the credit for this development. The show has

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<v Speaker 1>introduced us to Gilda Radner, Jan Hooks, Maya Rudolph, Tina Fey,

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<v Speaker 1>and Kristin wigg to name just a few. But there's

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<v Speaker 1>been another woman at SNL, a woman who's been quietly

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<v Speaker 1>working day after day for seventeen years, often without sleeping,

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<v Speaker 1>to usher in.

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<v Speaker 2>This reality seventeen years, I've been there yet.

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<v Speaker 1>Paula Pell was working at a Florida theme park when

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<v Speaker 1>she got her dream job as a writer at Saturday

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<v Speaker 1>Night Live. Because the show has such a wide comedic range,

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<v Speaker 1>it's the perfect challenge for Paula. You've got the hard

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<v Speaker 1>hitting news parodies, and then on the other end, you.

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<v Speaker 2>Know, it's got fart jokes. It's got everything in it

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<v Speaker 2>of the low parts of comedy. Mostly me being responsible

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<v Speaker 2>for Thailand ALBM of Alec Baldwin taking a shit in

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<v Speaker 2>a bed while he's sleeping.

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<v Speaker 3>Yeah, Helen albm At least it is a gentle sleep

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<v Speaker 3>bait into your system that allows deep, restless sleep from

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<v Speaker 3>up to ten hours, so deep it turns off your

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<v Speaker 3>brains need to control the bodily functions most likely to

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<v Speaker 3>wake you.

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<v Speaker 4>Rachel was like, did you just shit yourself?

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<v Speaker 1>I've slept like a baby.

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<v Speaker 2>Done.

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<v Speaker 4>You tell me, you tell you tell me, you tell me,

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<v Speaker 4>you tell me.

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<v Speaker 1>In her memoir Bossy Pants, Tina Fay writes that her

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<v Speaker 1>proudest moment as head writer at SNL was fighting for

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<v Speaker 1>one of Pell's sketches introducing co Text. Classic Classic co

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<v Speaker 1>Text is a commercial for the feminine protection of Yesteryear,

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<v Speaker 1>featuring the sexy women proudly encumbered with bulky pads connected

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<v Speaker 1>to belts peeking out of their clothes. I always know

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<v Speaker 1>it's sad.

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<v Speaker 4>You can't beat the original.

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<v Speaker 1>Room girls, old school Paula pel In person is genuine,

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<v Speaker 1>charming and easy, the kind of person you might actually

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<v Speaker 1>talk to if you sat next to her on a plane, which,

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<v Speaker 1>for those of you not in the industry, is not

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<v Speaker 1>a description of the typical comedy writer.

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<v Speaker 2>I was always a bit of a class clown. I

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<v Speaker 2>was a good Catholic girl. So I always wanted to

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<v Speaker 2>be I never wanted to get in trouble, but I

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<v Speaker 2>really pushed the envelope because I would be funny in

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<v Speaker 2>class and i'd do things like one of my teachers.

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<v Speaker 2>I would do a bit where I would go buy

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<v Speaker 2>him and drag my hand along the chalk line, you know,

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<v Speaker 2>the chalk shelf, and then I'd come over and i'd say,

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<v Speaker 2>you know, mister Grocer, just a really great teacher, and

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<v Speaker 2>I'd pat him on the back and i'd leave like

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<v Speaker 2>a handprint. He'd let me make him a little bit

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<v Speaker 2>the full for a moment, and then he'd do you know,

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<v Speaker 2>he looked like Roberry and all in the family at

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<v Speaker 2>the big bushy mustache in the lawn there he paid

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<v Speaker 2>it along. He just kind of looked a camera three,

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<v Speaker 2>you know, non existent, and the audience would you know,

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<v Speaker 2>the audience the class would crack up. Or i'd pass

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<v Speaker 2>notes and say when I sneeze, because I have a

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<v Speaker 2>really good fake sneeze. And I would say when I sneeze,

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<v Speaker 2>everybody fall off their chairs.

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<v Speaker 4>And you know, I'd.

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<v Speaker 2>Always be doing something. But I grew up with an

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<v Speaker 2>extremely funny dad and my mom is what to do.

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<v Speaker 2>He worked for ILLINOI Bell. We grew up in Illinois

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<v Speaker 2>and then moved to Orlando when I was a teenager.

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<v Speaker 2>But my entire childhood, my grandpa was a watchmaker for

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<v Speaker 2>West Clock's, So my dad always learned that from my grandpa.

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<v Speaker 2>And then when he came to Florida, he worked for

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<v Speaker 2>AT and T for many years, and then when he retired,

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<v Speaker 2>he became a teacher of watch repair, watch making, all

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<v Speaker 2>all of it.

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<v Speaker 1>So how does the guy who works for the phone

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<v Speaker 1>company and how does he and he becomes a watch tinkerer?

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<v Speaker 1>How was the funny in his life which get home?

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<v Speaker 4>He's just ungodly witty. He's he's really uh.

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<v Speaker 1>Never wanted to be in the business andself or did

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<v Speaker 1>he express probably did.

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<v Speaker 2>But you know, I look at all the people in

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<v Speaker 2>my family and all the relatives of different generations, and

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<v Speaker 2>they all had their thing. You know, my mom has

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<v Speaker 2>a beautiful singing voice. They all had something that they

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<v Speaker 2>wanted to do. But the way they grew up was

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<v Speaker 2>you just you know, you have kids early, and you

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<v Speaker 2>you kind of figure out what you need to do

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<v Speaker 2>to pay for that, and and so they you know,

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<v Speaker 2>a lot of times didn't have the luxury that kids

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<v Speaker 2>have now. Even though it's hard to get a job,

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<v Speaker 2>to say, you know, oh I'm doing this.

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<v Speaker 1>We'll get wrong with you that you didn't sign on

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<v Speaker 1>to that program. What was wrong with you? Well, I

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<v Speaker 1>they wouldn't just do what you were supposed to do.

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<v Speaker 2>They knew that I was pretty hopeless. I mean at

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<v Speaker 2>my confirmation where you get the Holy Spirit. I came

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<v Speaker 2>down the stairs at my party and had torn like

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<v Speaker 2>eighty holes in my panteos and said I had the

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<v Speaker 2>Holy Spirit and just would do things like that all

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<v Speaker 2>the time.

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<v Speaker 4>You know, And this was before I drank or smoked anything.

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<v Speaker 2>Yeah, I was always a total hand. But my dad

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<v Speaker 2>really taught me that he's the of like. I will

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<v Speaker 2>tell you that. One of the hardest times I laughed

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<v Speaker 2>at him is my mom and I were watching die

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<v Speaker 2>Hard on television. My dad's cutting the yard, and he's

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<v Speaker 2>outside cutting the yard. He's got his little jeen shorts

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<v Speaker 2>on and his tank top, and he keeps coming in

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<v Speaker 2>and walking by and kind of half listening. He's a

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<v Speaker 2>really good, quiet half listener. But then he'll do something

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<v Speaker 2>based on what he's been listening to. I, you know,

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<v Speaker 2>was listening to my mom, and the terrorist had the

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<v Speaker 2>long blonde hair, you know, the big like kind of

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<v Speaker 2>Nordic guy at the.

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<v Speaker 4>Beginning, Yeah, the ballet dancer.

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<v Speaker 1>Yeah.

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<v Speaker 2>And my mom says, you know, I don't know, but

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<v Speaker 2>I don't like long hair, but that is pretty foxy,

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<v Speaker 2>and she's like commenting on him. So we're laughing about

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<v Speaker 2>it and everything. And then I'm not kidding. Like an

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<v Speaker 2>hour later, my dad just walked through. He had gone

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<v Speaker 2>in my room and gotten a wig that I had

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<v Speaker 2>of all my shit in my room, put a long

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<v Speaker 2>wig on with just his grass cutting stuff, and just

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<v Speaker 2>walk through. He didn't stop, he didn't do a bit,

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<v Speaker 2>He just walked through.

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<v Speaker 1>They also knew that rule like that you keep the

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<v Speaker 1>ball in the air and play along. They were good, Yes,

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<v Speaker 1>without the training, they were good improv people. Oh yeah,

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<v Speaker 1>answers always yes.

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<v Speaker 2>King of like a prop he'll just And what I

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<v Speaker 2>love about it is my parents are in their seventies now,

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<v Speaker 2>and you know, and my mom was always like you'd say,

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<v Speaker 2>you know, you go, oh god, Dad is so funny

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<v Speaker 2>to you.

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<v Speaker 4>Thank god, thank god he's funny.

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<v Speaker 2>We had so much laughter in our house, you know,

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<v Speaker 2>despite any any dysfunction. As any family, we always laugh.

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<v Speaker 1>Where did you go to college?

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<v Speaker 2>I went to college at the University of Tennessee. I

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<v Speaker 2>first went to a local college in Orlando, a community

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<v Speaker 2>college for two years.

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<v Speaker 1>So you moved to Florida.

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<v Speaker 2>I moved to Florida. My dad went down for at

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<v Speaker 2>and T for that antitrust suit that they had.

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<v Speaker 1>When they broke up the thund.

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<v Speaker 4>Yeah, it was like late seventies. You know.

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<v Speaker 2>We had gone a few times down to Disney World

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<v Speaker 2>with their little pop up camper, and like that was

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<v Speaker 2>a vacation place.

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<v Speaker 4>That wasn't a place you moved.

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<v Speaker 2>And my parents sent us a little brought back a

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<v Speaker 2>little polaroid of the house they bought, and it was,

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<v Speaker 2>you know, about seventy thousand dollars. But it had this

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<v Speaker 2>gigantic pool because in Orlando so many people have pool

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<v Speaker 2>even with you know, inexpensive houses, and we just thought

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<v Speaker 2>we won the lottery.

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<v Speaker 1>You know.

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<v Speaker 2>It was just insane. But we got there, and it

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<v Speaker 2>was really hard the first year. I just never liked

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<v Speaker 2>to be I mean, I think being new is a

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<v Speaker 2>very important thing to do for growth. I think it

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<v Speaker 2>really galvanizes a lot of stuff inside you of who

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<v Speaker 2>you are and everything, and I'm glad in hindsight, but

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<v Speaker 2>I used to just wake up in the morning and

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<v Speaker 2>just cry, and you know, just because I had so

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<v Speaker 2>much familiarity and comfort with all the kids that I

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<v Speaker 2>went to school with. It's just I was always quiet

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<v Speaker 2>at first, you know, and then by my senior year,

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<v Speaker 2>I got really involved in school and the girls, you know,

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<v Speaker 2>would go because I remember when you'd come in, you know,

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<v Speaker 2>you came in your junior year and I'd say, oh, really, really,

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<v Speaker 2>because I came in my sophomore year and sat next

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<v Speaker 2>to you for an entire class and you were, you know,

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<v Speaker 2>a cold little ass wipe to me.

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<v Speaker 4>But you know that's right. Now we're friends.

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<v Speaker 1>And what was the difference for you in terms of

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<v Speaker 1>the people if you can, if you can character from

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<v Speaker 1>Illinois to Florida, I mean Florida.

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<v Speaker 2>Well, the biggest, I mean, one thing that really helped

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<v Speaker 2>me was I was always I always sang. So I

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<v Speaker 2>went in immediately into a concert choir, and so that

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<v Speaker 2>was wonderful because then I had a social group pretty quickly.

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<v Speaker 2>But the one thing about Florida that was so different

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<v Speaker 2>that freaked me out was that, you know, I never

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<v Speaker 2>thought I was growing up in Illinois in necessarily I

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<v Speaker 2>mean a cold sort of atmosphere. It was emotionally warm.

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<v Speaker 2>I had great friends, you know, my family warm. But

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<v Speaker 2>when I got to Florida, everybody hugged constantly.

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<v Speaker 1>Really, I was the other way.

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<v Speaker 2>Everyone was so affectionate in such a crazy way that

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<v Speaker 2>I remember saying, it's I remember coming home and going

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<v Speaker 2>stop cupping my nipples tenor I don't know you in

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<v Speaker 2>the choir, no, but people would. I kept thinking it

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<v Speaker 2>was our director's birthday or something. I was like, what

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<v Speaker 2>the hell's going on in here? Everyone is hugging our teacher,

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<v Speaker 2>hugging each other. I realized it was just that was

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<v Speaker 2>just the way everyone did, you know. And then my girl,

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<v Speaker 2>my who eventually became my girlfriend of many years, was

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<v Speaker 2>my best friend in high school and we were very huggy,

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<v Speaker 2>and that all worked.

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<v Speaker 1>Out because I was the right person.

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<v Speaker 2>Not the teacher, not until after we graduated exactly.

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<v Speaker 1>Then then you went to the college down there.

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<v Speaker 2>I went to the college for two years down there,

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<v Speaker 2>and I studied what well. Their theater department was amazing,

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<v Speaker 2>their art department was incredible, and I was also an artist.

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<v Speaker 2>Seminole Community College but I mean the heads of those

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<v Speaker 2>departments and the music department were so incredible that today

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<v Speaker 2>they still are some of my favorite people that have

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<v Speaker 2>Tennessee got time because my art professor, Grady Kimsey, who

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<v Speaker 2>I'm a really good friend with still he had gone

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<v Speaker 2>to ut years and years ago, just kept saying, you

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<v Speaker 2>got to go check out you tea. And then my

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<v Speaker 2>girlfriend was going to North Carolina, so it kind of

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<v Speaker 2>you know, I'd go up and visit, and I'd never

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<v Speaker 2>been up in those mountains, and I just fell in

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<v Speaker 2>love with those there because I'm such a nature freaking Yeah,

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<v Speaker 2>I went crazy for it.

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<v Speaker 1>And when you left there, what happened?

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<v Speaker 2>And then I finished college and I came home and

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<v Speaker 2>I worked at the theme parks.

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<v Speaker 1>What's that like with how do you get the job

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<v Speaker 1>at Disney? Like, who's is there somebody who's like a

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<v Speaker 1>casting person?

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<v Speaker 4>Well, yeah, there's talent people.

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<v Speaker 2>And you know, I had worked with an improv group

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<v Speaker 2>called Ssach Theater in Orlando. They at the time contracted

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<v Speaker 2>out to Disney. So they did all the like in

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<v Speaker 2>Epcot in Italy, the Canadia, dell Art. You know, they

0:10:24.880 --> 0:10:27.040
<v Speaker 2>would do all the comedy. That's kind of the roaming,

0:10:27.440 --> 0:10:31.560
<v Speaker 2>atmospheric comedy. And then they built Pleasure Island, which was

0:10:31.600 --> 0:10:33.480
<v Speaker 2>the nighttime Disney.

0:10:34.160 --> 0:10:37.920
<v Speaker 4>You know, all the night clubs Pleasure Island, Pleasure Island,

0:10:38.160 --> 0:10:44.079
<v Speaker 4>Welcome Come, Mickey has No PANSA.

0:10:42.920 --> 0:10:47.000
<v Speaker 2>An entire island they built that had all these clubs.

0:10:47.040 --> 0:10:49.520
<v Speaker 2>They had like a big discotheque. They had a country

0:10:49.520 --> 0:10:52.240
<v Speaker 2>Western sort of music club. It was just kind of

0:10:52.280 --> 0:10:56.040
<v Speaker 2>like a strip of nighttime establishments, but all in Disney.

0:10:56.320 --> 0:10:57.320
<v Speaker 4>But it was late night and the.

0:10:57.480 --> 0:11:00.000
<v Speaker 1>Kind of a downtown feel, like a cluster like South Streets.

0:11:00.360 --> 0:11:02.440
<v Speaker 2>And they would have like New Year's Eve every night,

0:11:02.520 --> 0:11:05.559
<v Speaker 2>so they'd have dancers come out and they'd dance. And

0:11:05.640 --> 0:11:08.240
<v Speaker 2>it was really a fabulous place to work as a

0:11:08.240 --> 0:11:12.040
<v Speaker 2>young actor because it felt cool and I could and

0:11:12.080 --> 0:11:14.079
<v Speaker 2>I did a lot of improvisation. But then we also

0:11:14.120 --> 0:11:17.319
<v Speaker 2>did like radio shows and singing. We could be kind

0:11:17.320 --> 0:11:20.720
<v Speaker 2>of dirty. I mean, it wasn't filthy. I didn't go

0:11:20.800 --> 0:11:24.959
<v Speaker 2>full tilt my typical filth that you know of well, I.

0:11:24.920 --> 0:11:28.119
<v Speaker 4>Didn't pell out.

0:11:27.360 --> 0:11:29.840
<v Speaker 2>But you would interact with the guests, so there you know,

0:11:29.880 --> 0:11:32.319
<v Speaker 2>you'd be sitting there with some old British dude who's

0:11:32.360 --> 0:11:34.719
<v Speaker 2>getting drunk and just get into a conversation, and I

0:11:34.760 --> 0:11:38.240
<v Speaker 2>played Pamelia Perkins, the president of the Adventures Club, and

0:11:38.280 --> 0:11:40.360
<v Speaker 2>it was kind of a Teddy Roosevelt era sort of place.

0:11:40.360 --> 0:11:43.560
<v Speaker 2>And I had this big bufont and I could just

0:11:43.880 --> 0:11:45.839
<v Speaker 2>be as body as hell. I mean I would get

0:11:45.840 --> 0:11:47.800
<v Speaker 2>on guy's laps and you know, have my legs up

0:11:47.800 --> 0:11:49.520
<v Speaker 2>in the air because I was like a matron sort

0:11:49.559 --> 0:11:52.120
<v Speaker 2>of character. And we used to have such a blast.

0:11:52.200 --> 0:11:56.320
<v Speaker 2>But then also during that time I went down Penis

0:11:56.320 --> 0:11:59.240
<v Speaker 2>Avenue for about two years, I was dating men for

0:11:59.240 --> 0:12:01.520
<v Speaker 2>a little while. I would hook up with people, I

0:12:01.559 --> 0:12:06.120
<v Speaker 2>mean just meeting like different people. I'd meet, well, just guests,

0:12:06.360 --> 0:12:09.760
<v Speaker 2>and you know, you'd meet some super super charismatic, handsome person.

0:12:09.840 --> 0:12:11.880
<v Speaker 2>You'd be sitting there laughing and you'd be in costume,

0:12:11.920 --> 0:12:14.800
<v Speaker 2>and then they'd be like, what are you guys doing after.

0:12:14.640 --> 0:12:17.240
<v Speaker 1>You do the characters? What do these characters do next?

0:12:17.320 --> 0:12:19.760
<v Speaker 2>And there was a restaurant and there were bars down

0:12:19.760 --> 0:12:21.880
<v Speaker 2>the street that they would let us after work go to.

0:12:22.000 --> 0:12:24.200
<v Speaker 2>So you just take change all your clothes and you know,

0:12:24.240 --> 0:12:25.880
<v Speaker 2>blow dry the shit out of your hair and go.

0:12:26.280 --> 0:12:28.640
<v Speaker 2>Now I'm twenty five again. And I'd walk down there

0:12:28.679 --> 0:12:31.560
<v Speaker 2>and and it was New Year's eve every day it

0:12:31.720 --> 0:12:35.680
<v Speaker 2>was New Year's but you vomited every day and lost

0:12:35.720 --> 0:12:37.199
<v Speaker 2>your virginity every day.

0:12:37.280 --> 0:12:40.840
<v Speaker 4>That's what was the Pamelion Pamelia Perkins.

0:12:40.320 --> 0:12:43.520
<v Speaker 1>Pamelia, Pamelia Perkins. Of course he is banging the guests too.

0:12:43.520 --> 0:12:46.559
<v Speaker 2>At a time, I mean for an actor. At that time,

0:12:46.880 --> 0:12:50.560
<v Speaker 2>I was making really good money and had full insurance everything,

0:12:50.600 --> 0:12:52.160
<v Speaker 2>had a car, rented a little house.

0:12:52.200 --> 0:12:52.360
<v Speaker 4>You know.

0:12:52.400 --> 0:12:53.600
<v Speaker 1>It was kind of fun.

0:12:53.720 --> 0:12:54.080
<v Speaker 4>It was.

0:12:54.120 --> 0:12:57.640
<v Speaker 2>It was a beautiful little It was a beautiful life.

0:12:57.720 --> 0:12:59.320
<v Speaker 2>And then I got stir crazy with it. And that

0:12:59.440 --> 0:13:01.640
<v Speaker 2>was just about when happened.

0:13:01.679 --> 0:13:04.400
<v Speaker 1>But how does that happen? How do they find you?

0:13:04.800 --> 0:13:05.040
<v Speaker 3>It was?

0:13:05.400 --> 0:13:08.520
<v Speaker 2>It was a beautifully random, amazing thing.

0:13:11.320 --> 0:13:24.560
<v Speaker 5>We'll be back in a minute.

0:13:26.120 --> 0:13:29.320
<v Speaker 2>I had worked with Sex Theater. They had a theater downtown.

0:13:29.600 --> 0:13:31.679
<v Speaker 2>They would call me every so often and I'd go

0:13:31.760 --> 0:13:34.160
<v Speaker 2>do a set with them where I do a character

0:13:34.200 --> 0:13:36.640
<v Speaker 2>that I had written. And so they said, you know,

0:13:36.679 --> 0:13:39.880
<v Speaker 2>we're going to do this sketch comedy pilot called Chucklehead.

0:13:40.240 --> 0:13:41.680
<v Speaker 2>And they said will you be in it and do

0:13:41.760 --> 0:13:44.080
<v Speaker 2>those characters? And they said sure. I mean I was

0:13:44.120 --> 0:13:46.120
<v Speaker 2>doing like I got beat up in America's most wanted

0:13:46.160 --> 0:13:48.200
<v Speaker 2>you know, all the local, all the things that were

0:13:48.200 --> 0:13:50.520
<v Speaker 2>shooting in Orlando, I would do, you know, And I

0:13:50.520 --> 0:13:53.640
<v Speaker 2>did this lottery character for years in about three states

0:13:53.679 --> 0:13:57.440
<v Speaker 2>that was played the Worlitz Org and you know sexy

0:13:57.480 --> 0:14:02.079
<v Speaker 2>characters Alec, you know, but all from the Matron Handbook.

0:14:02.520 --> 0:14:06.200
<v Speaker 2>I was born at fifty Alec. But they called me.

0:14:06.280 --> 0:14:08.040
<v Speaker 2>My agent called me one day and she said, are

0:14:08.120 --> 0:14:08.800
<v Speaker 2>you sitting down?

0:14:08.880 --> 0:14:09.440
<v Speaker 4>I said yes.

0:14:10.120 --> 0:14:14.360
<v Speaker 2>She said, Saturday Night Live saw that pilot Lauren wants

0:14:14.400 --> 0:14:18.960
<v Speaker 2>to meet you. And I'm like, okay, for what? And

0:14:19.000 --> 0:14:22.840
<v Speaker 2>she goes, now, it is not an audition, but he

0:14:22.880 --> 0:14:24.520
<v Speaker 2>wants to fly you up and talk to you. And

0:14:24.520 --> 0:14:25.760
<v Speaker 2>I'm like, well, what is it?

0:14:25.840 --> 0:14:28.560
<v Speaker 4>An orgy? Am I being summoned for.

0:14:30.840 --> 0:14:30.920
<v Speaker 3>What?

0:14:31.440 --> 0:14:34.240
<v Speaker 2>In the f And I said okay? And so I

0:14:34.400 --> 0:14:37.440
<v Speaker 2>flew up there, you know, talk about defecating. I mean,

0:14:37.440 --> 0:14:40.920
<v Speaker 2>it was like Emodium City the entire two days of

0:14:40.960 --> 0:14:43.280
<v Speaker 2>getting there. He was two hours, you know, or three

0:14:43.280 --> 0:14:47.720
<v Speaker 2>hours late for the meeting, but he was super nice.

0:14:47.880 --> 0:14:51.160
<v Speaker 2>And I sat with Marci Klein and Ayala in the

0:14:51.200 --> 0:14:54.320
<v Speaker 2>talent room and I was so nervous that they ordered

0:14:54.360 --> 0:14:58.560
<v Speaker 2>food and they said, we're ordering zen Palette, you know, vegetarian.

0:14:58.640 --> 0:15:00.560
<v Speaker 4>We're ordering zen palette. Do you want anything?

0:15:00.560 --> 0:15:03.480
<v Speaker 2>And I said, just a just like a coup of

0:15:03.480 --> 0:15:05.880
<v Speaker 2>white rice would make good, just like rice. And I

0:15:06.000 --> 0:15:08.320
<v Speaker 2>just got a dry cup of white rice and set

0:15:08.360 --> 0:15:11.360
<v Speaker 2>and ate it. I went in and he said, we

0:15:11.560 --> 0:15:13.480
<v Speaker 2>have just cleaned house. It was ninety five. It was

0:15:13.520 --> 0:15:16.280
<v Speaker 2>when Will Ferrell and everybody came. He said, we've cleaned house.

0:15:16.680 --> 0:15:21.000
<v Speaker 2>We're starting over. You know, it's gonna rise again. We're hoping,

0:15:21.080 --> 0:15:23.040
<v Speaker 2>and we're gonna try to infuse it with new talent,

0:15:23.120 --> 0:15:26.160
<v Speaker 2>and we would like to hire you to be a writer.

0:15:26.680 --> 0:15:28.520
<v Speaker 2>When I was like, oh, well, I've never done that.

0:15:28.600 --> 0:15:30.120
<v Speaker 2>I you know, I don't even I mean, I didn't

0:15:30.160 --> 0:15:32.320
<v Speaker 2>even use a computer at that point. And I said

0:15:32.360 --> 0:15:34.800
<v Speaker 2>I can't, you know. And if you tell them you can't,

0:15:34.920 --> 0:15:37.760
<v Speaker 2>then they will. You will keep saying well, and he said,

0:15:37.800 --> 0:15:38.800
<v Speaker 2>well we'll show you.

0:15:38.680 --> 0:15:39.600
<v Speaker 1>You know, we have people.

0:15:40.000 --> 0:15:41.440
<v Speaker 4>But it was so quick.

0:15:41.560 --> 0:15:43.920
<v Speaker 2>That it made me worry that there was something wrong,

0:15:44.080 --> 0:15:46.240
<v Speaker 2>like there was a scam or something like this was

0:15:46.360 --> 0:15:48.920
<v Speaker 2>all some kind of frickin' joke, because I was like,

0:15:48.960 --> 0:15:49.520
<v Speaker 2>this can't be.

0:15:50.160 --> 0:15:52.480
<v Speaker 1>And so soon after that, were you moving to New York?

0:15:52.960 --> 0:15:55.760
<v Speaker 2>I had five days to move, packed up, my whole

0:15:55.800 --> 0:15:57.880
<v Speaker 2>life gave my animals to my mom temporarily.

0:15:58.240 --> 0:16:00.320
<v Speaker 1>Farewell to Pleasure is up.

0:16:00.280 --> 0:16:03.200
<v Speaker 2>To New York City, and you know, just was just

0:16:04.480 --> 0:16:10.480
<v Speaker 2>ungodly miserable, and I mean with fear. But Mike Shoemaker

0:16:10.640 --> 0:16:13.120
<v Speaker 2>called me right before I left because I was starting

0:16:13.120 --> 0:16:15.880
<v Speaker 2>to freak out to the point of going, I'm going

0:16:15.920 --> 0:16:18.920
<v Speaker 2>to my dream place. I mean, I was obsessed with us.

0:16:18.960 --> 0:16:19.120
<v Speaker 4>Now.

0:16:19.120 --> 0:16:20.760
<v Speaker 2>When I was little, I used to audio tape it.

0:16:21.000 --> 0:16:23.400
<v Speaker 2>I used to perform Rosanna and Rosanna Dana for my

0:16:23.520 --> 0:16:26.360
<v Speaker 2>high school in the auditorium, and I thought, I'm just

0:16:26.400 --> 0:16:28.920
<v Speaker 2>going to be sitting around with like, you know, ten

0:16:29.040 --> 0:16:31.160
<v Speaker 2>Harvard dudes looking at me, going, who the fuck is

0:16:32.360 --> 0:16:36.120
<v Speaker 2>who hired Kathy Bates Light and you know, and why

0:16:36.240 --> 0:16:38.480
<v Speaker 2>is she? And I adore Kathy Baits, by the way,

0:16:38.520 --> 0:16:40.240
<v Speaker 2>but they were just you know, I thought they I

0:16:40.240 --> 0:16:43.880
<v Speaker 2>would be so not of their world, of these writerly.

0:16:43.520 --> 0:16:44.680
<v Speaker 4>Sort of people.

0:16:44.880 --> 0:16:48.080
<v Speaker 2>And I didn't realize how many writers there are performers.

0:16:48.760 --> 0:16:51.920
<v Speaker 2>And so Shoemaker called me, and I still thank him

0:16:51.960 --> 0:16:53.760
<v Speaker 2>for this because he really is the reason that I

0:16:53.840 --> 0:16:54.920
<v Speaker 2>ended up getting.

0:16:54.640 --> 0:16:55.720
<v Speaker 4>The balls to get there.

0:16:55.720 --> 0:16:58.360
<v Speaker 2>But he called and he said, some people want to

0:16:58.400 --> 0:17:00.200
<v Speaker 2>say hi, And it was you know, Cindy can Up

0:17:00.200 --> 0:17:02.640
<v Speaker 2>and Era and Lori Nesso and all these people that

0:17:02.680 --> 0:17:05.080
<v Speaker 2>were new that were terrified, and they all got on

0:17:05.119 --> 0:17:07.000
<v Speaker 2>the phone going, we can't wait to meet you. And

0:17:07.520 --> 0:17:09.640
<v Speaker 2>I hung up the phone and I just burst into tears.

0:17:09.720 --> 0:17:11.440
<v Speaker 2>I said, it's all going to be okay. No matter what,

0:17:11.480 --> 0:17:13.639
<v Speaker 2>it's going to be okay. It's just a group of people.

0:17:13.680 --> 0:17:15.879
<v Speaker 2>It's almost like of all the years of doing plays.

0:17:15.920 --> 0:17:18.480
<v Speaker 2>It's like it's a new cast. You're seventeen, You're getting

0:17:18.480 --> 0:17:21.359
<v Speaker 2>in a cast seventeen years. I've been there yet seventeen,

0:17:21.440 --> 0:17:22.359
<v Speaker 2>and I was it changed?

0:17:22.680 --> 0:17:23.000
<v Speaker 4>Well.

0:17:23.960 --> 0:17:27.160
<v Speaker 2>I think in general, comedy has gotten a little, you know,

0:17:27.320 --> 0:17:29.920
<v Speaker 2>it's gone through its ebbs and flows in terms of

0:17:31.000 --> 0:17:34.640
<v Speaker 2>things being more character driven or or you know, more conceptual.

0:17:34.680 --> 0:17:36.960
<v Speaker 2>I mean, I think that show always has a great

0:17:37.080 --> 0:17:40.080
<v Speaker 2>amount of both. And I always loved the fact that

0:17:40.080 --> 0:17:42.080
<v Speaker 2>that show had something for everybody. You know, I'd sit

0:17:42.119 --> 0:17:45.680
<v Speaker 2>with a group of people that I'd love certain things

0:17:45.680 --> 0:17:49.480
<v Speaker 2>and they'd love certain things, and so I, yeah, I

0:17:49.560 --> 0:17:51.720
<v Speaker 2>love I love the balance, you know, I love the

0:17:51.720 --> 0:17:55.000
<v Speaker 2>balance of it. But one of the biggest things that's

0:17:55.080 --> 0:17:59.160
<v Speaker 2>changed in general to me is the Internet. Because when

0:17:59.200 --> 0:18:01.439
<v Speaker 2>I was growing up and you were an actor, you

0:18:01.520 --> 0:18:04.280
<v Speaker 2>had to create a body of work by really doing

0:18:04.320 --> 0:18:07.000
<v Speaker 2>it and getting hired, and then they would give you

0:18:07.080 --> 0:18:10.679
<v Speaker 2>access to tape of it. You know, you couldn't just

0:18:10.800 --> 0:18:16.199
<v Speaker 2>go on machines and videotape yourself and make a beautifully edited,

0:18:16.359 --> 0:18:19.000
<v Speaker 2>great comedy piece and put that on the internet. I mean,

0:18:19.720 --> 0:18:22.000
<v Speaker 2>you just can't do it. I mean my reel I

0:18:22.080 --> 0:18:24.679
<v Speaker 2>just remember, you know, I do a tiny role in

0:18:24.760 --> 0:18:27.439
<v Speaker 2>something and just love that. I was adding that to

0:18:27.520 --> 0:18:29.240
<v Speaker 2>my reel, and you'd have to go to like a

0:18:29.320 --> 0:18:31.720
<v Speaker 2>video place and pay the guy to sit there and

0:18:32.080 --> 0:18:33.960
<v Speaker 2>do it on the gigantic machine.

0:18:34.160 --> 0:18:36.159
<v Speaker 1>The Internet has changed things profound Yeah, it.

0:18:36.240 --> 0:18:39.200
<v Speaker 2>Just and I think in a bad way. It gave

0:18:39.280 --> 0:18:42.200
<v Speaker 2>people a sense of entitlement of there isn't as much

0:18:42.280 --> 0:18:45.240
<v Speaker 2>awe of all of it because they do it themselves.

0:18:45.320 --> 0:18:47.280
<v Speaker 2>So it's like, oh, yeah, I have you know this

0:18:47.400 --> 0:18:50.320
<v Speaker 2>and I've done my show. You know, they create it themselves,

0:18:50.320 --> 0:18:53.000
<v Speaker 2>which is very empowering and wonderful. And it's also getting

0:18:53.000 --> 0:18:55.439
<v Speaker 2>a lot more comedy out there of hilarious people that

0:18:55.480 --> 0:18:58.800
<v Speaker 2>would never usually walk into a room nervous and an audition,

0:18:59.000 --> 0:19:00.400
<v Speaker 2>right right, right.

0:19:00.440 --> 0:19:02.560
<v Speaker 1>So that seems to me to have been the condition

0:19:02.640 --> 0:19:07.600
<v Speaker 1>for me, which is I'd come to SNL and the

0:19:07.680 --> 0:19:10.360
<v Speaker 1>signals that I picked up in nineteen ninety Jan Hooks

0:19:10.359 --> 0:19:14.080
<v Speaker 1>and all that crowd back then was you know, my

0:19:14.280 --> 0:19:19.800
<v Speaker 1>career wasn't that iconic to send up me and my

0:19:19.960 --> 0:19:23.600
<v Speaker 1>career And so it's not like I'm Stallone or Schwartzenegro

0:19:23.680 --> 0:19:26.040
<v Speaker 1>or something like that where we do that. So you

0:19:26.080 --> 0:19:27.719
<v Speaker 1>come in and right away you pick up I've got

0:19:27.760 --> 0:19:29.679
<v Speaker 1>to become like everybody else and become a member of

0:19:29.680 --> 0:19:31.919
<v Speaker 1>the company, right right. And as soon as I got that,

0:19:32.000 --> 0:19:33.560
<v Speaker 1>as soon as I kind of picked up that vibe

0:19:33.560 --> 0:19:36.040
<v Speaker 1>from them, I was, you know, asked to come back

0:19:36.040 --> 0:19:38.520
<v Speaker 1>and come back and come back. And what it does

0:19:38.600 --> 0:19:41.400
<v Speaker 1>is for me as a performer, it's killed everything else

0:19:41.440 --> 0:19:44.240
<v Speaker 1>that's supposed to be funny. And I wonder what that's

0:19:44.320 --> 0:19:46.600
<v Speaker 1>like for you where you're in the world where you

0:19:46.680 --> 0:19:48.520
<v Speaker 1>work with the funniest people. No matter what people say

0:19:48.520 --> 0:19:50.600
<v Speaker 1>about SNL, you know, it's not always going to work,

0:19:50.640 --> 0:19:52.680
<v Speaker 1>but when it works, it's I think it's the best.

0:19:52.920 --> 0:19:54.040
<v Speaker 1>What's it been like for you?

0:19:54.119 --> 0:19:56.320
<v Speaker 2>Well, you get so you get so insultly, you know,

0:19:56.600 --> 0:20:01.800
<v Speaker 2>isolated there in great ways and weird because it's there's

0:20:01.880 --> 0:20:04.840
<v Speaker 2>nothing like it. You cannot compare that experience with anything,

0:20:05.000 --> 0:20:07.520
<v Speaker 2>but it really is so intense. And you you know,

0:20:07.560 --> 0:20:11.520
<v Speaker 2>I started writing movies two years ago and working into that,

0:20:11.760 --> 0:20:14.560
<v Speaker 2>I realized how stretched out the time is, to the

0:20:14.600 --> 0:20:17.800
<v Speaker 2>point where, you know, I mean, we'll go between dress

0:20:17.840 --> 0:20:19.480
<v Speaker 2>and air and Lauren will say, I don't like the

0:20:19.480 --> 0:20:22.000
<v Speaker 2>whole top of that, like, add, you know, a couple

0:20:22.240 --> 0:20:24.879
<v Speaker 2>new jokes. So you're coming up with new jokes at

0:20:25.040 --> 0:20:27.080
<v Speaker 2>eleven fifteen, and so let me let me just.

0:20:27.040 --> 0:20:29.680
<v Speaker 1>Put a finer point on that for our radio audience,

0:20:29.680 --> 0:20:33.960
<v Speaker 1>our podcast audience, because that SNL does a full dress

0:20:34.000 --> 0:20:37.560
<v Speaker 1>rehearsal at eight o'clock on Saturday night with an audience

0:20:37.680 --> 0:20:40.800
<v Speaker 1>with a lengthier show. And let's say normally they have

0:20:40.840 --> 0:20:42.919
<v Speaker 1>seven sketches on the air show, they do like eleven

0:20:42.960 --> 0:20:45.440
<v Speaker 1>sketches at eight, and they're going to pick what worked

0:20:45.480 --> 0:20:47.600
<v Speaker 1>best and then they're going to be right. So when

0:20:47.600 --> 0:20:52.280
<v Speaker 1>that finishes at ten, maybe ten fifteen, maybe ten thirty, who.

0:20:52.119 --> 0:20:53.120
<v Speaker 4>Knows, it's a long show.

0:20:53.160 --> 0:20:55.120
<v Speaker 1>It's a long show. And then you've got an hour

0:20:55.200 --> 0:20:57.080
<v Speaker 1>where you're sitting in a room. And in that hour

0:20:57.200 --> 0:21:00.359
<v Speaker 1>between shows, that's when Lauren and the Pretty and the

0:21:00.480 --> 0:21:02.359
<v Speaker 1>riders edit that show and choose what they're going to

0:21:02.400 --> 0:21:03.520
<v Speaker 1>do and ask for rewrites.

0:21:03.320 --> 0:21:05.320
<v Speaker 2>And they're getting rid of that audience. They're bringing in

0:21:05.359 --> 0:21:08.480
<v Speaker 2>a new one. The band is warming up the new audience,

0:21:08.600 --> 0:21:11.640
<v Speaker 2>and you'll walk through and have a task to change something,

0:21:11.720 --> 0:21:13.800
<v Speaker 2>and you're walking by these people that are walking in

0:21:14.359 --> 0:21:16.760
<v Speaker 2>to their seats looking like I'm so excited I'm here,

0:21:16.800 --> 0:21:18.480
<v Speaker 2>and you're like, I don't know what we're going to

0:21:18.560 --> 0:21:20.480
<v Speaker 2>have for you, but we're going to do it right now.

0:21:20.520 --> 0:21:20.719
<v Speaker 4>You know.

0:21:21.160 --> 0:21:23.560
<v Speaker 2>I did a Bobby and Marty one time with Will

0:21:23.600 --> 0:21:27.840
<v Speaker 2>and Anna, and they found out that we were losing

0:21:27.880 --> 0:21:30.560
<v Speaker 2>time quickly, and so they said, you have to take

0:21:30.640 --> 0:21:32.320
<v Speaker 2>like two minutes out of this. I mean it just

0:21:32.480 --> 0:21:36.520
<v Speaker 2>and it was between the commercial break. So I went

0:21:36.560 --> 0:21:40.560
<v Speaker 2>downstairs and I was kneeling down with the cue card people.

0:21:41.359 --> 0:21:44.679
<v Speaker 2>They were just putting tape over sections and we're like.

0:21:44.760 --> 0:21:47.560
<v Speaker 4>Okay, does that make sense? Does it does? And go with.

0:21:47.520 --> 0:21:48.840
<v Speaker 1>The drown our children?

0:21:48.920 --> 0:21:51.760
<v Speaker 2>And I'm pretty sure that if like doctor Oz did

0:21:51.760 --> 0:21:53.680
<v Speaker 2>my actual age. You know how they test you and

0:21:53.760 --> 0:21:56.080
<v Speaker 2>you're actually I'm probably one hundred and eighty now because

0:21:56.119 --> 0:21:59.760
<v Speaker 2>the stress of that. It's just such adrenaline and you know,

0:22:00.080 --> 0:22:03.639
<v Speaker 2>but I mean the beautiful thing about SNL is hosts

0:22:03.680 --> 0:22:06.080
<v Speaker 2>will come in and and you know, never you because

0:22:06.119 --> 0:22:09.640
<v Speaker 2>you were always very approachable. Whenever anyone asked me about hosts,

0:22:09.640 --> 0:22:12.160
<v Speaker 2>I always tell them that, you know, you are always

0:22:12.280 --> 0:22:15.080
<v Speaker 2>one of my favorite hosts. I'm not blowing air up

0:22:15.119 --> 0:22:17.000
<v Speaker 2>your culo.

0:22:17.560 --> 0:22:20.239
<v Speaker 4>I get at I'm going to look that way. What

0:22:20.359 --> 0:22:20.840
<v Speaker 4>is kulo?

0:22:20.880 --> 0:22:24.520
<v Speaker 1>And as yeah, well yeah, if you're blowing smoke up.

0:22:24.480 --> 0:22:28.760
<v Speaker 4>And could you have men do have other holes.

0:22:30.080 --> 0:22:31.600
<v Speaker 2>But like you know, hosts will come in with their

0:22:31.640 --> 0:22:35.280
<v Speaker 2>people and and they're very nice and very scared, but

0:22:35.320 --> 0:22:38.000
<v Speaker 2>they they have a little bit of that sometimes because

0:22:38.000 --> 0:22:41.040
<v Speaker 2>they're fearful and they have people protecting them. And by

0:22:41.040 --> 0:22:43.080
<v Speaker 2>the end of the week, they're just always at that

0:22:43.119 --> 0:22:45.600
<v Speaker 2>after party. You know, they're sitting with everybody and laying

0:22:45.640 --> 0:22:48.320
<v Speaker 2>across everybody because it feels like theater. It feels like

0:22:48.880 --> 0:22:52.679
<v Speaker 2>I'm in theater camp. And this is what I miss doing.

0:22:58.000 --> 0:23:00.480
<v Speaker 1>More from Paul la Pel In a moment, this is

0:23:00.520 --> 0:23:10.240
<v Speaker 1>Alec Baldwin and you're listening to here's the thing. Paul

0:23:10.280 --> 0:23:14.160
<v Speaker 1>la Pell has been writing sketches at SNL for seventeen years.

0:23:14.720 --> 0:23:17.760
<v Speaker 1>But like any of us. Sometimes she just gets tired

0:23:17.800 --> 0:23:18.360
<v Speaker 1>of comedy.

0:23:18.600 --> 0:23:20.119
<v Speaker 4>Oh my god, Yeah, you don't want.

0:23:19.960 --> 0:23:21.919
<v Speaker 1>To watch My Sorrow and the Pity.

0:23:22.240 --> 0:23:26.840
<v Speaker 2>No, my gal of fourteen years. She watches a lot

0:23:26.880 --> 0:23:30.320
<v Speaker 2>of TV, and she watches shows that I wouldn't generally watch,

0:23:30.400 --> 0:23:33.399
<v Speaker 2>like Castle or you know, like hawife I BO, or

0:23:33.440 --> 0:23:37.120
<v Speaker 2>like murdersh and I mean, you know, murder shows, CSI

0:23:37.280 --> 0:23:37.960
<v Speaker 2>and CIS.

0:23:38.000 --> 0:23:39.200
<v Speaker 4>She'll watch all She'll tape.

0:23:39.359 --> 0:23:41.760
<v Speaker 2>She'll tape all these shows in like elementary, all these

0:23:41.760 --> 0:23:45.040
<v Speaker 2>new shows, and I'll get totally hooked on things and

0:23:45.080 --> 0:23:49.200
<v Speaker 2>realize that I just love I always loved having drama

0:23:49.240 --> 0:23:51.240
<v Speaker 2>and comedy together. I mean, that's the fun thing about

0:23:51.240 --> 0:23:53.640
<v Speaker 2>writing movies now is you can have a moment that's

0:23:53.800 --> 0:23:57.399
<v Speaker 2>just a heart wrenching moment in a comedy that's that's real.

0:23:57.680 --> 0:24:00.600
<v Speaker 2>You know, that feels more three dimensional, because after seventeen

0:24:00.640 --> 0:24:03.200
<v Speaker 2>years of sketches, you do get a little stir crazy

0:24:03.240 --> 0:24:06.360
<v Speaker 2>with feeling like you're just writing something on the surface.

0:24:06.400 --> 0:24:08.720
<v Speaker 2>I mean, it's great to make people laugh, but when

0:24:08.720 --> 0:24:12.320
<v Speaker 2>I go home, I love to watch dramas or some

0:24:12.480 --> 0:24:13.399
<v Speaker 2>reality things.

0:24:13.480 --> 0:24:15.720
<v Speaker 4>I love to just not think about comedy.

0:24:15.880 --> 0:24:17.639
<v Speaker 1>Yeah, I mean, I do the show and I go

0:24:17.720 --> 0:24:21.000
<v Speaker 1>out there and it's really and I'll say, I'm never

0:24:21.080 --> 0:24:24.000
<v Speaker 1>doing this. Yeah, this is ridiculous. I can't be bothered

0:24:24.040 --> 0:24:27.880
<v Speaker 1>with this toasty Thisiclou too young. These people are all young,

0:24:27.960 --> 0:24:30.800
<v Speaker 1>and they're all crazy and they're all pure Isle and

0:24:30.840 --> 0:24:34.040
<v Speaker 1>all they talk about is foughts and Brazias and so forth.

0:24:34.400 --> 0:24:37.639
<v Speaker 1>And then it's I'm gonna go do as you like

0:24:37.680 --> 0:24:40.359
<v Speaker 1>it in the park. Then of course, you know, Lauren

0:24:40.400 --> 0:24:42.560
<v Speaker 1>calls me. I'm like, no, okay, yeah, well he'll call

0:24:42.600 --> 0:24:44.440
<v Speaker 1>me like I get thrown off the plane on American

0:24:44.480 --> 0:24:47.959
<v Speaker 1>Airlines for playing words with friends. The phone rings like

0:24:48.400 --> 0:24:51.600
<v Speaker 1>three four days there, it's Lauren and he literally literally

0:24:51.640 --> 0:24:59.360
<v Speaker 1>he literally goes, so perhaps we should do something. And

0:24:59.400 --> 0:25:01.399
<v Speaker 1>I was like, oh, oh my god, I can't believe

0:25:01.440 --> 0:25:02.480
<v Speaker 1>you people are insane.

0:25:02.520 --> 0:25:06.000
<v Speaker 4>This would be the week. This would be the week.

0:25:06.119 --> 0:25:08.120
<v Speaker 1>This would be the week, you know, which like that

0:25:08.240 --> 0:25:11.679
<v Speaker 1>thing where we have to do it now, but you

0:25:11.720 --> 0:25:14.119
<v Speaker 1>can't say no to them. You feel like your family.

0:25:14.400 --> 0:25:17.680
<v Speaker 2>You just forget how immediate it is, you know. Years

0:25:17.680 --> 0:25:21.199
<v Speaker 2>ago I did a sketch with with a little young,

0:25:21.800 --> 0:25:25.639
<v Speaker 2>little sweet faced justin Timberlake when he was in sync.

0:25:25.880 --> 0:25:29.480
<v Speaker 2>I used to write a sketch called six Degrees Celsius

0:25:29.520 --> 0:25:33.320
<v Speaker 2>and it was like a boy group and Will Ferrell

0:25:33.480 --> 0:25:35.560
<v Speaker 2>was their manager and he had to stay three hundred

0:25:35.560 --> 0:25:38.080
<v Speaker 2>feet away from them because clearly he had done some

0:25:38.160 --> 0:25:40.000
<v Speaker 2>inappropriate things. He had tinted glasses.

0:25:40.000 --> 0:25:40.960
<v Speaker 4>Of course, you know.

0:25:41.000 --> 0:25:43.800
<v Speaker 2>It was Jimmy Fallon and Chris Catan and Horatio and

0:25:43.840 --> 0:25:46.800
<v Speaker 2>they were and they were Chris Parnell and they were

0:25:46.840 --> 0:25:49.040
<v Speaker 2>a boy group. And then we'd have the host in

0:25:49.119 --> 0:25:52.200
<v Speaker 2>it well that week and sinc was there. We asked

0:25:52.200 --> 0:25:54.960
<v Speaker 2>in Sync to be another boy group in this competition

0:25:55.520 --> 0:25:58.320
<v Speaker 2>on the show, playing a fake boy group, and so

0:25:58.440 --> 0:26:00.800
<v Speaker 2>I wrote a song called hold the Pick, and they

0:26:00.800 --> 0:26:04.480
<v Speaker 2>were like McDonald's employees, and so En Sing came out

0:26:04.520 --> 0:26:07.480
<v Speaker 2>with like McDonald's outfits on and saying hold the pit girl,

0:26:07.640 --> 0:26:10.640
<v Speaker 2>and they're so they were so crazy talented, like they

0:26:10.680 --> 0:26:12.399
<v Speaker 2>got there and looked at it for ten minutes and

0:26:12.440 --> 0:26:15.440
<v Speaker 2>had full harmonies and full choreography. I mean they threw

0:26:15.560 --> 0:26:18.560
<v Speaker 2>that shit together. I was just amazed they came on.

0:26:18.720 --> 0:26:21.680
<v Speaker 2>And then you remember what was the MTV thing every

0:26:21.800 --> 0:26:24.320
<v Speaker 2>Sunday like the Big I can't think of the name

0:26:24.359 --> 0:26:28.200
<v Speaker 2>of it, but the show the like show that they'd

0:26:28.200 --> 0:26:30.240
<v Speaker 2>show all the videos and everything at that time. Do

0:26:30.280 --> 0:26:32.679
<v Speaker 2>you remember what that was? Okay, well, anyway, it was.

0:26:32.840 --> 0:26:35.680
<v Speaker 2>It was a very I do know the big video show,

0:26:35.840 --> 0:26:37.760
<v Speaker 2>you know, the big video show that the kids used

0:26:37.760 --> 0:26:40.919
<v Speaker 2>to dance to. But the next morning, I'm in my

0:26:41.000 --> 0:26:44.680
<v Speaker 2>little apartment and you know, I probably ordered four entrees

0:26:44.720 --> 0:26:47.600
<v Speaker 2>from some to go things to eat my pain, because

0:26:47.600 --> 0:26:50.080
<v Speaker 2>you always did. On Sunday and I turned on the

0:26:50.119 --> 0:26:53.399
<v Speaker 2>TV and Justin Timberlake was on TV on the show

0:26:53.560 --> 0:26:58.159
<v Speaker 2>at noon in Times Square, and there were just hundreds

0:26:58.200 --> 0:27:00.199
<v Speaker 2>of girls down there waving to him, and they had

0:27:00.200 --> 0:27:02.679
<v Speaker 2>a banner with the words to the song hold the

0:27:02.680 --> 0:27:06.719
<v Speaker 2>Pickle on the banner that they had painted. And I

0:27:06.800 --> 0:27:09.439
<v Speaker 2>was looking at it, going that cannot be because we

0:27:09.680 --> 0:27:12.199
<v Speaker 2>just did this, like I just woke up and we

0:27:12.320 --> 0:27:14.760
<v Speaker 2>just and then I just remembered like I used to

0:27:14.800 --> 0:27:16.679
<v Speaker 2>get obsessed. You know, I didn't have the Internet, I

0:27:16.680 --> 0:27:19.960
<v Speaker 2>didn't have videos, but back at the day, I mean,

0:27:20.000 --> 0:27:20.760
<v Speaker 2>my god, if I.

0:27:20.800 --> 0:27:23.160
<v Speaker 4>Would have grown up in the Internet era, I would have.

0:27:23.119 --> 0:27:27.040
<v Speaker 2>Been the queen of like, you know, just having my

0:27:27.080 --> 0:27:29.919
<v Speaker 2>own fan site. Yeah, because I just loved it and

0:27:30.000 --> 0:27:32.920
<v Speaker 2>I wanted and we were having a funny conversation the

0:27:32.960 --> 0:27:33.400
<v Speaker 2>other day.

0:27:34.119 --> 0:27:35.920
<v Speaker 4>In my journals. When I was young, I.

0:27:35.840 --> 0:27:38.919
<v Speaker 2>Would talk about Rocky because I was obsessed with Rocky

0:27:38.920 --> 0:27:42.200
<v Speaker 2>Sylvester Stallone and the very first Rocky movie.

0:27:42.240 --> 0:27:45.680
<v Speaker 4>And I would talk about, like, in.

0:27:45.600 --> 0:27:48.280
<v Speaker 2>Two weeks people Magazine's going to have an article about him,

0:27:48.920 --> 0:27:51.320
<v Speaker 2>and I would wait until we got that magazine and

0:27:51.359 --> 0:27:52.879
<v Speaker 2>then I would take it home and I'd cut it

0:27:52.920 --> 0:27:55.000
<v Speaker 2>out and put it in a script. You know, you

0:27:55.520 --> 0:27:59.000
<v Speaker 2>had to wait to get information or a photo of someone,

0:27:59.080 --> 0:28:00.800
<v Speaker 2>or if you really loved to singer, you had to

0:28:00.840 --> 0:28:03.840
<v Speaker 2>wait for their album to come up. And now you

0:28:03.920 --> 0:28:05.280
<v Speaker 2>just you just observe.

0:28:05.440 --> 0:28:07.640
<v Speaker 1>Years older than you are. Remember when I was a kid,

0:28:07.680 --> 0:28:10.840
<v Speaker 1>there was no cable, there was no DVD. The trailers

0:28:10.880 --> 0:28:13.600
<v Speaker 1>for movies and the build up, the ramp up of

0:28:13.640 --> 0:28:16.720
<v Speaker 1>a campaign to advertise the film was or at least

0:28:16.720 --> 0:28:19.800
<v Speaker 1>it seemed so far reaching back then. I'll never forget.

0:28:19.840 --> 0:28:22.600
<v Speaker 1>We went to The Godfather and I was underage and

0:28:22.280 --> 0:28:25.119
<v Speaker 1>we snuck in. I forget how now we stood in

0:28:25.200 --> 0:28:27.399
<v Speaker 1>line and it was like three screenings, you know, like

0:28:27.440 --> 0:28:30.359
<v Speaker 1>one o'clock, four o'clock, seven o'clock, and you go to

0:28:30.400 --> 0:28:32.040
<v Speaker 1>the top of the line and didn't get in. So

0:28:32.040 --> 0:28:36.280
<v Speaker 1>you waited another three hours, you know, reading Mad magazine

0:28:36.359 --> 0:28:37.840
<v Speaker 1>or some crap we read back then.

0:28:38.320 --> 0:28:40.360
<v Speaker 2>And I always say, now people wait to stream a

0:28:40.400 --> 0:28:42.680
<v Speaker 2>movie and it's like, you know, four minutes to stream

0:28:42.680 --> 0:28:45.360
<v Speaker 2>it in their tip and their foot and going come on, yeah.

0:28:45.480 --> 0:28:47.160
<v Speaker 1>You know exactly. And the other thing is that they'll

0:28:47.160 --> 0:28:48.880
<v Speaker 1>watch twenty minutes of it. Then they'll pause and they'll

0:28:48.920 --> 0:28:52.040
<v Speaker 1>go talk on the phone and they'll go play in it. Yeah,

0:28:52.640 --> 0:28:56.520
<v Speaker 1>now you are? You left to do a television show?

0:28:56.800 --> 0:28:57.200
<v Speaker 4>I left.

0:28:57.280 --> 0:28:59.760
<v Speaker 2>I left about six years ago to do I wrote

0:28:59.800 --> 0:29:02.360
<v Speaker 2>au pilot called Thick and Thin that was about two

0:29:03.280 --> 0:29:06.440
<v Speaker 2>fat sisters that grew up fat and one gets really

0:29:06.480 --> 0:29:08.680
<v Speaker 2>hot and thin and beautiful.

0:29:09.440 --> 0:29:11.680
<v Speaker 4>NBC. Yeah, we shot the pilot.

0:29:11.720 --> 0:29:14.480
<v Speaker 2>It got picked up for like thirteen, but it was

0:29:15.400 --> 0:29:18.520
<v Speaker 2>a bad year for multi camera sitcoms. It was kind

0:29:18.560 --> 0:29:20.920
<v Speaker 2>of when they were getting phased out. And it was

0:29:21.040 --> 0:29:24.240
<v Speaker 2>also about a subject that was a little weird still

0:29:24.440 --> 0:29:27.080
<v Speaker 2>back in that era of you know, there wasn't a

0:29:27.080 --> 0:29:29.760
<v Speaker 2>whole bunch of stuff with weight stuff. And I really

0:29:29.800 --> 0:29:34.040
<v Speaker 2>wanted like real people that look fat, you know, that

0:29:34.120 --> 0:29:35.960
<v Speaker 2>look fat because I had struggled with my weight all

0:29:35.960 --> 0:29:37.760
<v Speaker 2>my life and lost huge amounts of Wait a couple

0:29:37.800 --> 0:29:41.160
<v Speaker 2>times in my life. Sharon Glass and Martin Bull played

0:29:41.160 --> 0:29:43.960
<v Speaker 2>the parents, and they played my parents, so it was

0:29:44.000 --> 0:29:46.560
<v Speaker 2>their names. They did all my dad's stick. I mean,

0:29:46.800 --> 0:29:49.640
<v Speaker 2>it was really a special thing. My parents came to

0:29:49.680 --> 0:29:51.880
<v Speaker 2>the pilot, and you know, it was it was very

0:29:51.880 --> 0:29:55.440
<v Speaker 2>emotional and wonderful and fun. But the process of developing

0:29:55.760 --> 0:29:58.920
<v Speaker 2>a network show like that is so hard, and I really,

0:29:59.200 --> 0:30:01.840
<v Speaker 2>in hindsight learned so you know, learn so many things

0:30:01.920 --> 0:30:02.520
<v Speaker 2>after the fact.

0:30:02.880 --> 0:30:05.240
<v Speaker 1>You know, it's one thing you learned that you can say,

0:30:05.320 --> 0:30:05.880
<v Speaker 1>what'd you learn?

0:30:07.480 --> 0:30:11.440
<v Speaker 2>Well, the biggest thing I learned was I'm a people

0:30:11.560 --> 0:30:14.320
<v Speaker 2>pleaser and I always like to get to know people

0:30:14.360 --> 0:30:16.360
<v Speaker 2>and see the good sides of them, and I wanted

0:30:16.360 --> 0:30:18.960
<v Speaker 2>to have a lot of positive energy with them because

0:30:18.960 --> 0:30:20.880
<v Speaker 2>I had known so many people that develop stuff that

0:30:20.920 --> 0:30:24.000
<v Speaker 2>were like welcome to hell. You know, everyone just gets

0:30:24.000 --> 0:30:25.480
<v Speaker 2>so negative about it. And I thought, you know what,

0:30:25.520 --> 0:30:27.680
<v Speaker 2>I'm going to go into this. I'm so lucky to

0:30:27.760 --> 0:30:31.120
<v Speaker 2>be doing this. I'm so thrilled. But I befriended everyone

0:30:31.280 --> 0:30:35.120
<v Speaker 2>so intensely, you know, especially like network people and everything.

0:30:35.160 --> 0:30:38.160
<v Speaker 2>I befriended everyone, so then there was this sort of

0:30:38.320 --> 0:30:40.680
<v Speaker 2>discomfort at telling them things they didn't want to hear,

0:30:40.800 --> 0:30:44.440
<v Speaker 2>or me pushing back in bigger ways. And because I

0:30:44.440 --> 0:30:46.720
<v Speaker 2>had already established that we're all just friends and we're

0:30:46.720 --> 0:30:49.680
<v Speaker 2>all having fun and we're laughing, then they would suggest

0:30:49.720 --> 0:30:52.640
<v Speaker 2>things that were just show ruining and I would just

0:30:52.680 --> 0:30:55.440
<v Speaker 2>be like, okay, well, you know, and I just at

0:30:55.440 --> 0:30:59.040
<v Speaker 2>the time didn't really have my voice as a creative

0:30:59.080 --> 0:31:01.400
<v Speaker 2>person to lead something like that, you know, so I

0:31:02.000 --> 0:31:05.320
<v Speaker 2>regret that, and I regret not pushing more. I mean,

0:31:05.360 --> 0:31:08.560
<v Speaker 2>casting was, you know, a little brutal, just because of

0:31:08.600 --> 0:31:11.040
<v Speaker 2>the weight thing is they would they would bring people

0:31:11.040 --> 0:31:14.280
<v Speaker 2>in that were I wanted real people that were you know,

0:31:14.320 --> 0:31:16.520
<v Speaker 2>I wanted the other sister to be to be a

0:31:16.560 --> 0:31:20.600
<v Speaker 2>real heavy person. And when they'd audition heavy people sometimes

0:31:20.640 --> 0:31:23.200
<v Speaker 2>I'd watch their faces when they're auditioning them, and they're

0:31:23.280 --> 0:31:25.040
<v Speaker 2>kind of like looking at their bodies, and I'm going,

0:31:25.080 --> 0:31:27.239
<v Speaker 2>this is not good. They don't get it that like

0:31:27.280 --> 0:31:30.720
<v Speaker 2>the you know, Roseanne was freaking huge hit show. It's like,

0:31:30.760 --> 0:31:33.000
<v Speaker 2>come on, I don't even remember who said this to me,

0:31:33.080 --> 0:31:35.840
<v Speaker 2>but one of the network people pulled me aside during

0:31:35.840 --> 0:31:37.720
<v Speaker 2>one of the castings and she said, did you audition

0:31:37.800 --> 0:31:40.000
<v Speaker 2>this other girl for that part? For the heavy sister

0:31:40.080 --> 0:31:42.960
<v Speaker 2>and I said no. I auditioned her for the thin sister,

0:31:43.000 --> 0:31:45.680
<v Speaker 2>and she said, you couldn't pad her, could you. And

0:31:45.720 --> 0:31:47.920
<v Speaker 2>I just remember walking away going, this is so dead

0:31:47.960 --> 0:31:48.440
<v Speaker 2>in the water.

0:31:48.640 --> 0:31:51.560
<v Speaker 1>You know, now movies, You're doing a movie now?

0:31:51.840 --> 0:31:52.480
<v Speaker 4>Yeah, I did.

0:31:52.640 --> 0:31:55.320
<v Speaker 2>I worked a little bit on Bridesmaids. I just came

0:31:55.560 --> 0:31:57.880
<v Speaker 2>a couple of different times and just you know, pitched

0:31:57.960 --> 0:31:59.520
<v Speaker 2>jokes on the set, did that kind of thing. Had

0:31:59.560 --> 0:32:03.040
<v Speaker 2>never done anything movie wise ever, And I really really

0:32:03.080 --> 0:32:05.520
<v Speaker 2>had fun doing it. I really enjoyed it. And then

0:32:05.640 --> 0:32:08.520
<v Speaker 2>I jud started hiring me to do some rewrites on

0:32:08.560 --> 0:32:12.120
<v Speaker 2>different movies and punch ups and stuff, and I started

0:32:12.160 --> 0:32:14.280
<v Speaker 2>to see, you know, because I had tried to get

0:32:14.320 --> 0:32:17.680
<v Speaker 2>into it before in other eras of my life. But

0:32:17.800 --> 0:32:20.640
<v Speaker 2>at the same time, I had had an idea for

0:32:20.680 --> 0:32:24.880
<v Speaker 2>a while about my journal, my childhood journal, of doing

0:32:24.920 --> 0:32:26.960
<v Speaker 2>something with it. I wanted to do a little play

0:32:27.000 --> 0:32:29.120
<v Speaker 2>based on it. I'd wanted to do something with it,

0:32:29.760 --> 0:32:32.200
<v Speaker 2>and Tina had, you know, I'd read it to her

0:32:32.240 --> 0:32:33.960
<v Speaker 2>many times in s and L I'd read it to

0:32:34.000 --> 0:32:36.959
<v Speaker 2>people before I came up with an idea for a

0:32:37.120 --> 0:32:40.240
<v Speaker 2>movie to do to pitch, and I pitched it to

0:32:40.320 --> 0:32:43.120
<v Speaker 2>Universal and they bought it with Tina attached to it

0:32:43.160 --> 0:32:46.760
<v Speaker 2>as a producer and potentially to be in it, And

0:32:46.920 --> 0:32:49.080
<v Speaker 2>so I wrote that that's in the work. So we're

0:32:49.080 --> 0:32:51.400
<v Speaker 2>waiting to find out all the finals on you know,

0:32:51.480 --> 0:32:54.520
<v Speaker 2>on that, what's happening with that. It's it's it's been

0:32:54.680 --> 0:32:56.480
<v Speaker 2>you know, gone through its rewrites and all that. So

0:32:56.480 --> 0:33:00.880
<v Speaker 2>I'm excited about that about two sisters and Judd and

0:33:00.880 --> 0:33:04.040
<v Speaker 2>I just wrote a movie, and then last summer I

0:33:04.080 --> 0:33:06.800
<v Speaker 2>worked on my first full movie experience with This is forty.

0:33:06.800 --> 0:33:08.360
<v Speaker 2>I was the executive producer on that.

0:33:08.720 --> 0:33:10.800
<v Speaker 1>This sounds horrible, but do you ever wonder what it

0:33:10.840 --> 0:33:13.160
<v Speaker 1>would be like if you and your wife were separated

0:33:13.160 --> 0:33:17.480
<v Speaker 1>by something bigger death like her death? I have given

0:33:17.520 --> 0:33:19.880
<v Speaker 1>it a fair amount of thought, not in any painful way,

0:33:19.880 --> 0:33:23.320
<v Speaker 1>but is like a gentle floating off. It's got to

0:33:23.360 --> 0:33:23.960
<v Speaker 1>be peaceful.

0:33:24.000 --> 0:33:25.719
<v Speaker 3>I mean, this is the mother of your children.

0:33:25.800 --> 0:33:27.240
<v Speaker 1>And then the new wife would be great.

0:33:27.480 --> 0:33:30.160
<v Speaker 5>God, I can't wait to meet my second wife.

0:33:30.400 --> 0:33:32.160
<v Speaker 1>I hope she likes me better than this one.

0:33:32.320 --> 0:33:35.080
<v Speaker 2>I've finally kind of gotten my foothold in the movie

0:33:35.120 --> 0:33:37.120
<v Speaker 2>thing now and it's really fun.

0:33:37.280 --> 0:33:37.880
<v Speaker 4>I really love it.

0:33:37.920 --> 0:33:39.520
<v Speaker 2>I mean, it's a lot of it's a lot of

0:33:39.560 --> 0:33:42.320
<v Speaker 2>waiting around for news on things. It's a lot of

0:33:42.360 --> 0:33:44.560
<v Speaker 2>you know, I can't plan anything because you don't know

0:33:44.560 --> 0:33:46.520
<v Speaker 2>what your next year is going to be a different

0:33:46.560 --> 0:33:49.200
<v Speaker 2>find out. But so beautiful to be able to work

0:33:49.360 --> 0:33:52.400
<v Speaker 2>at home with my animals and D and just like

0:33:52.960 --> 0:33:53.320
<v Speaker 2>to be.

0:33:53.760 --> 0:33:56.000
<v Speaker 1>Our home buddy, aren't you Well you always come bacted

0:33:56.040 --> 0:33:57.640
<v Speaker 1>the same thing when I've spoken to you with Yeah,

0:33:57.760 --> 0:33:59.840
<v Speaker 1>I was despondent when you left because you know it

0:33:59.880 --> 0:34:02.160
<v Speaker 1>was you were such a great You're such a great rider.

0:34:02.240 --> 0:34:04.000
<v Speaker 1>You're one of my favorite writers of all times. You're

0:34:04.040 --> 0:34:07.200
<v Speaker 1>so funny. No but everything mean that and you And

0:34:07.240 --> 0:34:08.920
<v Speaker 1>then when you left and you said the same that,

0:34:08.920 --> 0:34:10.279
<v Speaker 1>You're like, Oh, just want to go home to D

0:34:10.440 --> 0:34:12.680
<v Speaker 1>and my animals, my animal animal.

0:34:12.760 --> 0:34:15.359
<v Speaker 4>I want to go live the lesbian life. I want

0:34:15.400 --> 0:34:17.839
<v Speaker 4>to be on a lesbian far. I want to wear

0:34:17.880 --> 0:34:19.560
<v Speaker 4>my dance go clogs.

0:34:19.800 --> 0:34:22.319
<v Speaker 2>I want to get a mag light and go under

0:34:22.360 --> 0:34:24.640
<v Speaker 2>a dumpster and get some feral cats.

0:34:24.320 --> 0:34:24.839
<v Speaker 4>Out of there.

0:34:27.120 --> 0:34:29.359
<v Speaker 2>I have a horse up there, I have, you know,

0:34:29.560 --> 0:34:32.400
<v Speaker 2>just it's so beautiful and inexpensive up there in the

0:34:32.440 --> 0:34:36.480
<v Speaker 2>Hudson Valley. It's like the amazing place, but also just

0:34:36.640 --> 0:34:39.799
<v Speaker 2>I'm realizing too, just the finite amount of time. You know,

0:34:39.840 --> 0:34:42.279
<v Speaker 2>I've spent more time since I've been doing the movie

0:34:42.320 --> 0:34:45.040
<v Speaker 2>stuff the last two years, I've spent more time with

0:34:45.080 --> 0:34:47.080
<v Speaker 2>my family. I've been down in Florida a lot to

0:34:47.160 --> 0:34:51.000
<v Speaker 2>visit them. It's just feeling so much better for me.

0:34:51.239 --> 0:34:54.160
<v Speaker 2>And also, I love like Lauren whenever I'm there. I

0:34:54.200 --> 0:34:57.360
<v Speaker 2>did the Louis ck Show, and I'm doing this next

0:34:57.360 --> 0:34:59.960
<v Speaker 2>to here, and and you know, Lauren will say to

0:35:00.200 --> 0:35:02.920
<v Speaker 2>it's still fun, right, it's fun. You had fun, and

0:35:02.960 --> 0:35:06.000
<v Speaker 2>I go, oh my god, it's amazing. But if I

0:35:06.080 --> 0:35:07.759
<v Speaker 2>did it all the time now, I would be like

0:35:07.800 --> 0:35:10.440
<v Speaker 2>a you know, a bitter hag, because I just feel

0:35:10.480 --> 0:35:14.319
<v Speaker 2>like I wasn't having time or energy to do other things.

0:35:14.320 --> 0:35:17.000
<v Speaker 2>And also everyone is very young. I mean my nieces

0:35:17.000 --> 0:35:21.760
<v Speaker 2>and nephews I saw delivered out of my sister's vagine

0:35:22.120 --> 0:35:23.720
<v Speaker 2>and they are in their mid.

0:35:23.560 --> 0:35:25.360
<v Speaker 4>Twenties and one's a physician's assistant.

0:35:25.400 --> 0:35:28.800
<v Speaker 2>And I mean, I've named myself at SNL Nanny SNL

0:35:28.800 --> 0:35:31.080
<v Speaker 2>because I'll sit at the reway table, like, what is

0:35:31.200 --> 0:35:34.440
<v Speaker 2>the name of that where's that detective on television?

0:35:34.440 --> 0:35:36.560
<v Speaker 1>I'm like, I call myself Grandpa Oh my god, I

0:35:36.600 --> 0:35:38.160
<v Speaker 1>got you know, Grandpa, They'll knock on the door and

0:35:38.160 --> 0:35:41.120
<v Speaker 1>sleeper ready. I'm like, Grandpa will be right there. I'll

0:35:41.160 --> 0:35:43.160
<v Speaker 1>be right there. God jamm it.

0:35:43.600 --> 0:35:45.279
<v Speaker 2>But if you have a good night there, you feel

0:35:45.280 --> 0:35:47.120
<v Speaker 2>like you're twenty again. I mean, you know, if you

0:35:47.160 --> 0:35:50.080
<v Speaker 2>have a night where you feel like I mean, last

0:35:50.080 --> 0:35:52.799
<v Speaker 2>week I had a really fun scotch I wrote with

0:35:52.840 --> 0:35:55.160
<v Speaker 2>Kate McKinnon for her and Louis c. K and it

0:35:55.239 --> 0:35:58.840
<v Speaker 2>was funny and dirty and where they were at last

0:35:58.880 --> 0:36:01.279
<v Speaker 2>call at a bar and they're just trying to find

0:36:01.280 --> 0:36:03.600
<v Speaker 2>common ground because they know they're the only two people left.

0:36:03.640 --> 0:36:05.560
<v Speaker 4>So they're like, wait, you're from Arizona. Oh my god,

0:36:05.560 --> 0:36:09.439
<v Speaker 4>I'm from northern California. That's crazy. And they were.

0:36:09.520 --> 0:36:12.879
<v Speaker 2>They made out in the most disgusting, face eating way

0:36:12.880 --> 0:36:16.520
<v Speaker 2>you could ever imagine. And I just went home on

0:36:16.560 --> 0:36:20.080
<v Speaker 2>that old school SNL high, just a whole high, you know,

0:36:20.239 --> 0:36:22.840
<v Speaker 2>like the whole weekend, just bouncing off the walls. And

0:36:22.880 --> 0:36:24.440
<v Speaker 2>then you start going, maybe I could do this all

0:36:24.440 --> 0:36:24.719
<v Speaker 2>the time.

0:36:24.760 --> 0:36:26.400
<v Speaker 4>I got no, I'm gonna do it.

0:36:26.440 --> 0:36:28.520
<v Speaker 1>I would leave there after a good show, I leave

0:36:28.560 --> 0:36:29.959
<v Speaker 1>there's I'm gonna be a cast edition.

0:36:30.920 --> 0:36:33.600
<v Speaker 2>I'll do even odd shows like the gas Ration.

0:36:34.360 --> 0:36:37.200
<v Speaker 1>Now now Twitter, You're on Twitter. On on Twitter? You

0:36:37.360 --> 0:36:38.120
<v Speaker 1>kill me on Twitter?

0:36:38.200 --> 0:36:38.520
<v Speaker 4>Thank you.

0:36:38.600 --> 0:36:40.080
<v Speaker 1>I talk about like I was laying on a bed

0:36:40.120 --> 0:36:41.360
<v Speaker 1>and I was having a great time and I was

0:36:41.360 --> 0:36:43.120
<v Speaker 1>eating sacks and I was really cozy and everything was

0:36:43.160 --> 0:36:45.560
<v Speaker 1>just I felt so great, and then security guard came

0:36:45.640 --> 0:36:47.640
<v Speaker 1>up me. You know, tgget is closed.

0:36:47.800 --> 0:36:47.960
<v Speaker 2>Man.

0:36:48.560 --> 0:36:50.160
<v Speaker 1>Yeah, it's like the Tony Benet routine.

0:36:50.160 --> 0:36:52.560
<v Speaker 2>People always really respond to my target tweets.

0:36:52.680 --> 0:36:54.000
<v Speaker 1>Twitter is just another form for you.

0:36:54.120 --> 0:36:56.840
<v Speaker 2>Twitter is really I got very addicted to it just

0:36:56.840 --> 0:36:59.000
<v Speaker 2>because it's so simple and it's like a video game

0:36:59.040 --> 0:37:02.120
<v Speaker 2>for comedy writers to just do a one liner about something.

0:37:02.160 --> 0:37:06.600
<v Speaker 2>And I started doing these hey young girl tweets and

0:37:06.719 --> 0:37:09.600
<v Speaker 2>I might do a little book of them maybe and

0:37:09.719 --> 0:37:12.520
<v Speaker 2>illustrate it. You know, my nieces, I just used to

0:37:12.880 --> 0:37:14.359
<v Speaker 2>drive them insane when they were.

0:37:14.320 --> 0:37:15.360
<v Speaker 4>Growing up because I was so.

0:37:17.080 --> 0:37:17.360
<v Speaker 1>Girls.

0:37:17.400 --> 0:37:20.720
<v Speaker 2>I remember, Hey young girls, keep your boobs in your shirt,

0:37:20.719 --> 0:37:23.799
<v Speaker 2>your button, your pants, your eyes on, your dreams, your

0:37:23.800 --> 0:37:24.520
<v Speaker 2>head in the cloud.

0:37:24.560 --> 0:37:26.120
<v Speaker 1>You know that I can also say the thing about

0:37:26.160 --> 0:37:27.600
<v Speaker 1>you if the guy does this.

0:37:28.000 --> 0:37:31.880
<v Speaker 2>Yeah, the hey young girl stuff just came out of

0:37:31.880 --> 0:37:34.080
<v Speaker 2>my nieces because I would bring them to Esnel and

0:37:34.400 --> 0:37:36.839
<v Speaker 2>they were just these dropped out gorgeous girls. And they

0:37:36.880 --> 0:37:39.360
<v Speaker 2>would have people I'm not talking about people just checking

0:37:39.360 --> 0:37:41.239
<v Speaker 2>them out, but like at the if I brought them

0:37:41.520 --> 0:37:44.600
<v Speaker 2>backstage or whatever, there'd be some some dude that would

0:37:44.680 --> 0:37:47.360
<v Speaker 2>just end up coming up and saying, you know, really

0:37:47.360 --> 0:37:50.080
<v Speaker 2>aggressive checking them out. And so they still imitate me

0:37:50.480 --> 0:37:53.320
<v Speaker 2>how I would grab them with my meaty, polish firm

0:37:53.600 --> 0:37:56.080
<v Speaker 2>wife arm and she's fourteen.

0:37:56.160 --> 0:37:57.040
<v Speaker 4>You want to talk about it.

0:37:57.080 --> 0:37:59.839
<v Speaker 2>I mean I would just become this raving crazy woman

0:38:00.080 --> 0:38:02.840
<v Speaker 2>looking at them, like, you know, and so I always

0:38:02.880 --> 0:38:05.000
<v Speaker 2>i'd always be like, are you're sexually active? I would

0:38:05.040 --> 0:38:07.520
<v Speaker 2>always want to know all their details and everything.

0:38:07.280 --> 0:38:09.080
<v Speaker 1>Like a character out of our rock huts and movie.

0:38:09.120 --> 0:38:11.240
<v Speaker 4>Yeah, the chaperone, Yeah, I'm the chaperone.

0:38:11.280 --> 0:38:14.800
<v Speaker 2>That's you're all sturrying my son away from the Hucci.

0:38:14.920 --> 0:38:16.080
<v Speaker 4>You're a Lucie dancers.

0:38:16.120 --> 0:38:20.600
<v Speaker 1>You know, you're a woman, and you're a woman in comedy.

0:38:20.800 --> 0:38:25.359
<v Speaker 1>And comedy has changed a lot over the last forty years,

0:38:25.360 --> 0:38:27.080
<v Speaker 1>but I you know, I feel like it's changed a

0:38:27.080 --> 0:38:30.120
<v Speaker 1>lot over the last fifteen years. It's even more. You've

0:38:30.120 --> 0:38:31.799
<v Speaker 1>got people who are much more you know, they're just

0:38:31.840 --> 0:38:33.680
<v Speaker 1>like the guys I mean Sarah silvermen and people who

0:38:33.680 --> 0:38:36.360
<v Speaker 1>are much more in living color, if you will. I

0:38:36.440 --> 0:38:38.880
<v Speaker 1>wanted to ask you, you know, your assessment of that,

0:38:38.960 --> 0:38:42.800
<v Speaker 1>how that's changed for women over your career, and also

0:38:43.000 --> 0:38:46.000
<v Speaker 1>do you think that there's like certain glass ceilings still,

0:38:46.040 --> 0:38:48.279
<v Speaker 1>like on late night comedy shows, like do you think

0:38:48.280 --> 0:38:51.759
<v Speaker 1>they'll ever replace Letterman? Or like can a woman do

0:38:51.880 --> 0:38:54.520
<v Speaker 1>that job? Because you have women hosting daytime shows, right

0:38:54.520 --> 0:38:56.719
<v Speaker 1>and any one's on during the day, but the big

0:38:56.760 --> 0:38:58.640
<v Speaker 1>three in the networks they don't have a woman doing

0:38:58.640 --> 0:39:00.000
<v Speaker 1>that show. Do you think that'll ever change?

0:39:01.080 --> 0:39:01.480
<v Speaker 4>I don't know.

0:39:01.560 --> 0:39:03.879
<v Speaker 2>I mean it's you know, I remember that era where

0:39:03.880 --> 0:39:06.440
<v Speaker 2>a couple of them were doing it, Joan Rivers and

0:39:06.480 --> 0:39:08.400
<v Speaker 2>different people were trying it, and they were you know,

0:39:08.400 --> 0:39:11.120
<v Speaker 2>they were all stand ups, but they had been around for.

0:39:11.080 --> 0:39:12.840
<v Speaker 4>A long time, but not lately.

0:39:12.960 --> 0:39:16.520
<v Speaker 2>So I feel like now a lot of those young

0:39:17.080 --> 0:39:19.560
<v Speaker 2>funny girls are either getting their own show, you know,

0:39:19.640 --> 0:39:23.560
<v Speaker 2>doing a show, a television show, but not a talk show,

0:39:24.000 --> 0:39:26.560
<v Speaker 2>you know. I mean Jimmy, he's such a fan of

0:39:26.600 --> 0:39:29.520
<v Speaker 2>everyone and so enthusiastic and joyful about music and everything

0:39:29.560 --> 0:39:32.000
<v Speaker 2>that that was like a perfect fit for him and

0:39:32.120 --> 0:39:34.719
<v Speaker 2>hilarious so he worked out so great for that. But

0:39:35.200 --> 0:39:38.720
<v Speaker 2>I think with women it's also sometimes hard. At SNL,

0:39:38.800 --> 0:39:41.759
<v Speaker 2>like with auditions now, where you go, well, you see

0:39:41.760 --> 0:39:44.879
<v Speaker 2>people and you go, where are a lot of the

0:39:45.040 --> 0:39:47.960
<v Speaker 2>super funny you know, super funny women and you know

0:39:48.040 --> 0:39:50.839
<v Speaker 2>they're around, you know they exist, but a lot of

0:39:50.840 --> 0:39:54.720
<v Speaker 2>them do. They are young, and they they're aggressively getting

0:39:55.080 --> 0:39:57.879
<v Speaker 2>their own shows and stuff like that. The second year

0:39:57.920 --> 0:39:59.959
<v Speaker 2>I was at SNL, second or third, I remember having

0:40:00.440 --> 0:40:03.040
<v Speaker 2>an agent say to me, yeah, we got to get you, uh,

0:40:03.360 --> 0:40:04.759
<v Speaker 2>you know, we got to get a game plan for

0:40:04.800 --> 0:40:06.719
<v Speaker 2>you and get you know, so you can get get

0:40:06.760 --> 0:40:09.719
<v Speaker 2>out of here and and get a get a show going.

0:40:09.480 --> 0:40:09.799
<v Speaker 1>And all that.

0:40:09.800 --> 0:40:11.839
<v Speaker 4>And I remember thinking, what are they talking about?

0:40:11.880 --> 0:40:13.600
<v Speaker 2>I'm like, what are you talking about? You know, this

0:40:13.640 --> 0:40:16.319
<v Speaker 2>is like the dream job. So but I think I

0:40:16.320 --> 0:40:19.160
<v Speaker 2>think for women it's just like I've always said about

0:40:19.200 --> 0:40:21.960
<v Speaker 2>us and L, it's like the funny rises to the

0:40:21.960 --> 0:40:25.000
<v Speaker 2>top with it. And if somebody's super funny and has

0:40:25.080 --> 0:40:27.440
<v Speaker 2>abandon and enjoy and they're not trying, you know, I

0:40:27.440 --> 0:40:30.600
<v Speaker 2>don't like ever with a comedy person them acting like

0:40:30.640 --> 0:40:33.560
<v Speaker 2>someone else or acting dirty just to be funny. I'm

0:40:33.600 --> 0:40:36.719
<v Speaker 2>the filthiest person on earth. But if it's not funny dirty,

0:40:36.800 --> 0:40:39.600
<v Speaker 2>if I'm not being funny dirty, you know, then forget it,

0:40:39.680 --> 0:40:42.360
<v Speaker 2>because there's got to be some class to my to

0:40:42.480 --> 0:40:43.400
<v Speaker 2>my vulvage.

0:40:44.000 --> 0:40:46.120
<v Speaker 4>If a vul of a joke does not have a

0:40:46.239 --> 0:40:48.120
<v Speaker 4>class to it, then forget it.

0:40:48.640 --> 0:40:51.360
<v Speaker 2>But you know, for a while, there are some auditions

0:40:51.400 --> 0:40:54.000
<v Speaker 2>I would watch where girls would come out and just

0:40:54.200 --> 0:40:56.360
<v Speaker 2>try to just sex it up and be funny and dirty,

0:40:56.360 --> 0:40:58.080
<v Speaker 2>you know, and it's like, that's not fun.

0:40:57.840 --> 0:40:59.440
<v Speaker 1>And you feel like not all of them, certainly, but

0:40:59.600 --> 0:41:01.240
<v Speaker 1>enough of them. They go out in front of a camera,

0:41:01.280 --> 0:41:02.680
<v Speaker 1>a lot of them in the comedy world, and they

0:41:02.680 --> 0:41:04.200
<v Speaker 1>think feel like, well, I don't want to go too

0:41:04.200 --> 0:41:05.680
<v Speaker 1>far over this long because I don't want to lose

0:41:05.680 --> 0:41:08.000
<v Speaker 1>this other things. I really would like to kiss Leo

0:41:08.080 --> 0:41:09.600
<v Speaker 1>in a movie, right, I want to be as.

0:41:09.520 --> 0:41:09.960
<v Speaker 5>Much I think.

0:41:10.040 --> 0:41:12.640
<v Speaker 2>You don't want to see anyone thinking too hard while

0:41:12.640 --> 0:41:15.640
<v Speaker 2>they're you know, the greatest auditions at SNL were people

0:41:15.719 --> 0:41:18.799
<v Speaker 2>that came in purely as themselves, came in, did a

0:41:18.840 --> 0:41:21.160
<v Speaker 2>bunch of crazy ass characters, and you just went, this

0:41:21.239 --> 0:41:22.280
<v Speaker 2>is a force of nature?

0:41:22.320 --> 0:41:23.920
<v Speaker 4>What is this? What is this human?

0:41:24.320 --> 0:41:25.960
<v Speaker 2>Like? They were making me laugh so hard and I

0:41:25.960 --> 0:41:28.080
<v Speaker 2>don't even know where they're getting it from.

0:41:28.520 --> 0:41:31.399
<v Speaker 1>Women have the condition though, where it's like they sit

0:41:31.440 --> 0:41:33.080
<v Speaker 1>there and they you know, I mean I've seen women

0:41:33.440 --> 0:41:36.879
<v Speaker 1>who they would make fun of actresses, I mean about comedy. Yeah,

0:41:37.000 --> 0:41:41.480
<v Speaker 1>they would just tear apart. They would lacerate actresses who

0:41:41.520 --> 0:41:43.359
<v Speaker 1>they thought were, you know, leaning too much on the

0:41:43.400 --> 0:41:47.839
<v Speaker 1>sex button. And then those comedy actresses became stars and

0:41:47.880 --> 0:41:50.360
<v Speaker 1>they popped another button and they put the makeup on

0:41:50.400 --> 0:41:52.160
<v Speaker 1>their cleavage and they were like and they were just

0:41:52.200 --> 0:41:54.560
<v Speaker 1>like they were camera ready. I mean, they became the thing.

0:41:54.600 --> 0:41:56.440
<v Speaker 1>They made fun of it. Yeah, and you and you

0:41:56.520 --> 0:41:58.840
<v Speaker 1>realize for women, that's a tough angle.

0:42:00.000 --> 0:42:02.440
<v Speaker 2>How many girls tended to grow up being the goofy

0:42:02.480 --> 0:42:04.359
<v Speaker 2>looking you know, the goofy looking ones that.

0:42:04.320 --> 0:42:05.719
<v Speaker 4>Weren't getting the attention that way.

0:42:05.760 --> 0:42:08.200
<v Speaker 2>So when they become famous and have a lot of

0:42:08.840 --> 0:42:11.600
<v Speaker 2>money and people putting beautiful dresses on them, I think

0:42:11.640 --> 0:42:12.920
<v Speaker 2>they do go They do go.

0:42:13.000 --> 0:42:13.600
<v Speaker 4>That way, you know.

0:42:13.719 --> 0:42:16.200
<v Speaker 2>I mean, I've got a lot of pretty sparkly pantsuits

0:42:16.239 --> 0:42:18.839
<v Speaker 2>I wear to the Emmys now, and I really get

0:42:19.000 --> 0:42:20.080
<v Speaker 2>up my own ass on it.

0:42:20.160 --> 0:42:28.600
<v Speaker 1>Because Paula Pell will soon be stepping out in those

0:42:28.719 --> 0:42:31.880
<v Speaker 1>paths for the release of This Is forty, a film

0:42:31.920 --> 0:42:36.000
<v Speaker 1>she helped produce, set to open December twenty First, this

0:42:36.120 --> 0:42:39.800
<v Speaker 1>is Alec Baldwin. Here's the Thing. Comes from w NYC

0:42:40.560 --> 0:42:44.480
<v Speaker 1>Radio