1
00:00:00,160 --> 00:00:02,520
Speaker 1: Yo yo, Yo, yo yo. Welcome back to What's Up

2
00:00:02,560 --> 00:00:06,120
Speaker 1: There podcast. I am your active and attractive hosts for

3
00:00:06,200 --> 00:00:09,840
Speaker 1: another episode of the fastest growing podcast on the market

4
00:00:09,920 --> 00:00:12,640
Speaker 1: right now, we want to say thank you to all supporters.

5
00:00:12,640 --> 00:00:14,840
Speaker 1: Out of the people that's been down for a long time,

6
00:00:14,880 --> 00:00:19,279
Speaker 1: the podcast is continuing to grow at a rate that

7
00:00:19,920 --> 00:00:22,440
Speaker 1: I couldn't imagine, So again I want to thank you

8
00:00:22,440 --> 00:00:25,400
Speaker 1: guys for that. Continue to share, continue to let people

9
00:00:25,560 --> 00:00:28,080
Speaker 1: know about the podcast, let people know where you're tapped

10
00:00:28,120 --> 00:00:31,360
Speaker 1: in at what's another good podcast to listen to and

11
00:00:31,480 --> 00:00:33,839
Speaker 1: just to put it in their rotation or to be

12
00:00:33,920 --> 00:00:37,159
Speaker 1: a part of the conversation. Now, we have restructured the

13
00:00:37,200 --> 00:00:39,560
Speaker 1: business a bit going into the new year to where

14
00:00:39,560 --> 00:00:44,360
Speaker 1: all video will now only be on Patreon. So full

15
00:00:44,520 --> 00:00:49,680
Speaker 1: videos of this unreleased podcast that you would have early

16
00:00:49,720 --> 00:00:53,519
Speaker 1: access to would be available on Patreon to earn your

17
00:00:53,600 --> 00:00:56,920
Speaker 1: leisure episode the Doctor Umar episode the Floor May was

18
00:00:57,120 --> 00:01:01,200
Speaker 1: the episode. All of these episodes will be available on

19
00:01:01,480 --> 00:01:05,600
Speaker 1: Patreon only, depending on the tier. You would also get

20
00:01:05,680 --> 00:01:11,679
Speaker 1: perchs be a part of getting money off of merchandise.

21
00:01:12,319 --> 00:01:15,560
Speaker 1: You'll be in a situation to be in the front

22
00:01:15,800 --> 00:01:18,560
Speaker 1: line of getting tickets to a live event. You know,

23
00:01:18,640 --> 00:01:20,800
Speaker 1: we're taking this up there podcast on the role with

24
00:01:20,880 --> 00:01:23,600
Speaker 1: some of your favorite artists and bringing them to a

25
00:01:23,640 --> 00:01:26,360
Speaker 1: city there you and interviewing them and and having a

26
00:01:26,400 --> 00:01:29,760
Speaker 1: good time. So get there. And also you could have

27
00:01:29,840 --> 00:01:32,319
Speaker 1: one phone call with me a month, depending on what

28
00:01:32,400 --> 00:01:35,560
Speaker 1: tier you pick on Patreon. So let's let's meet up

29
00:01:35,600 --> 00:01:37,560
Speaker 1: there and get that gone. Man, it's a lot going

30
00:01:37,680 --> 00:01:41,240
Speaker 1: on in the culture. Were fresh off of New York City.

31
00:01:42,040 --> 00:01:44,240
Speaker 1: Shout out to New York taking care of business up

32
00:01:44,280 --> 00:01:46,560
Speaker 1: in New York City, Man, I had a great time.

33
00:01:46,840 --> 00:01:49,120
Speaker 1: Shout out to Charlemagne and Guard. Shout out to earn

34
00:01:49,200 --> 00:01:52,280
Speaker 1: your leads to shout out to WTF Studio shows that

35
00:01:52,440 --> 00:01:57,360
Speaker 1: whole team, Chris Munroe, Alex Media, the whole team over there. Man,

36
00:01:58,320 --> 00:02:01,200
Speaker 1: great time over the recording and taking care of a

37
00:02:01,280 --> 00:02:04,000
Speaker 1: few big podcasts. So that was a great, great, big

38
00:02:04,080 --> 00:02:08,919
Speaker 1: dealing and expansion for It's Up There podcast. As we

39
00:02:09,639 --> 00:02:14,040
Speaker 1: navigate through this game, Um, one thing I do say

40
00:02:14,040 --> 00:02:17,720
Speaker 1: about New York, Man, I you know quick story, Man,

41
00:02:17,919 --> 00:02:21,600
Speaker 1: it took me two hours and I still couldn't find parking.

42
00:02:23,919 --> 00:02:26,560
Speaker 1: Like the times I had been in New York before,

43
00:02:26,600 --> 00:02:30,160
Speaker 1: I never have drove around myself. You know, but it

44
00:02:30,240 --> 00:02:33,120
Speaker 1: took two hours and I still couldn't find parking, to

45
00:02:33,160 --> 00:02:35,720
Speaker 1: the point I had to pay somebody. Look, here's one

46
00:02:35,760 --> 00:02:38,280
Speaker 1: hundred dollars, go find me parking, please. I got people

47
00:02:38,320 --> 00:02:41,040
Speaker 1: waiting up there in business to take care of like

48
00:02:41,240 --> 00:02:43,680
Speaker 1: I was there early and couldn't even get in because

49
00:02:43,800 --> 00:02:46,280
Speaker 1: there was no parking. New York is ran out of space.

50
00:02:47,400 --> 00:02:49,680
Speaker 1: When New York gonna figure out they ran out of space,

51
00:02:49,720 --> 00:02:53,200
Speaker 1: ye'll gonna keep smashing everybody in it. D York. All

52
00:02:53,280 --> 00:02:56,760
Speaker 1: the building is tall. They next to each other. I'm saying, yo,

53
00:02:56,840 --> 00:02:59,320
Speaker 1: you could literally jump from building the building. I see

54
00:02:59,360 --> 00:03:01,400
Speaker 1: why they makes Fighter Man out of New York. And

55
00:03:01,480 --> 00:03:04,440
Speaker 1: now that that ship can be damned there you look up, man,

56
00:03:04,480 --> 00:03:07,320
Speaker 1: it's a building so close to another building. It's like, Yo,

57
00:03:07,440 --> 00:03:10,520
Speaker 1: this is crazy. They didn't run out of space, man,

58
00:03:11,600 --> 00:03:13,960
Speaker 1: and they stayed in More Going. They stayed in More Going.

59
00:03:14,080 --> 00:03:16,480
Speaker 1: But man, we had a great episode with Earn Your Leisure,

60
00:03:17,400 --> 00:03:19,680
Speaker 1: one of my best episodes, and I think the people

61
00:03:19,720 --> 00:03:24,280
Speaker 1: will appreciate it again. Get the Patreon and it'll be

62
00:03:24,320 --> 00:03:28,560
Speaker 1: there first to Charleston White episode to Earn Your Leisure episode,

63
00:03:29,680 --> 00:03:33,720
Speaker 1: the Bad Play episode. I mean, so many things would

64
00:03:33,720 --> 00:03:37,960
Speaker 1: be on Patreon exclusively. So just make sure you're part

65
00:03:37,960 --> 00:03:40,440
Speaker 1: of the boom and a part of the game, and

66
00:03:40,480 --> 00:03:43,960
Speaker 1: we'll appreciate that. Well. Before I get into anything, I

67
00:03:44,040 --> 00:03:46,000
Speaker 1: just want to tell people I went to two different

68
00:03:46,000 --> 00:03:48,640
Speaker 1: states in one day. Like I was in New York

69
00:03:48,840 --> 00:03:53,400
Speaker 1: that morning, in LA that night. I'm an independent podcaster, right,

70
00:03:53,600 --> 00:03:55,520
Speaker 1: so I want you to know the level of hustle

71
00:03:55,560 --> 00:03:58,880
Speaker 1: to take for you to even be considered a free agent.

72
00:03:59,600 --> 00:04:02,760
Speaker 1: ILL tell people, man, you guys tend to ask for

73
00:04:02,800 --> 00:04:06,080
Speaker 1: the ball too early. You know what I'm saying, right, So,

74
00:04:06,200 --> 00:04:08,120
Speaker 1: like you, you can't take a shot from where you

75
00:04:08,200 --> 00:04:12,160
Speaker 1: at and it's a high percentage shot. Everybody can shoot.

76
00:04:12,200 --> 00:04:14,840
Speaker 1: It's about normal when the shoot. Jordan can hit from

77
00:04:14,880 --> 00:04:18,720
Speaker 1: anywhere on the court, but he got certain spots that

78
00:04:18,839 --> 00:04:21,200
Speaker 1: he know it's money if I can just get right there.

79
00:04:21,839 --> 00:04:24,080
Speaker 1: And it's the same way with business. They look at

80
00:04:24,120 --> 00:04:26,680
Speaker 1: certain you know, especially in music, and I hate it

81
00:04:26,760 --> 00:04:31,640
Speaker 1: because now as you see the narratives start to change,

82
00:04:32,360 --> 00:04:36,520
Speaker 1: right the record labels are being viewed as banks. That's

83
00:04:36,600 --> 00:04:40,120
Speaker 1: owning masters. A bank should fund what's going. I don't

84
00:04:40,160 --> 00:04:43,000
Speaker 1: make a percentage from that and move forward that I

85
00:04:43,080 --> 00:04:47,400
Speaker 1: don't understand where the ownership of masters playing at that.

86
00:04:47,520 --> 00:04:51,039
Speaker 1: I think at some point they'll have to update that consequently,

87
00:04:51,080 --> 00:04:53,479
Speaker 1: because the game is catching up to that, the information

88
00:04:53,640 --> 00:04:56,320
Speaker 1: is catching up. They ate off there for a long time,

89
00:04:56,360 --> 00:04:58,920
Speaker 1: but I imagine that they're transition as you see them

90
00:04:58,920 --> 00:05:04,760
Speaker 1: buying real estate digitally. When you get on Apple and

91
00:05:05,120 --> 00:05:08,040
Speaker 1: you look and see who what winning well, what playlists?

92
00:05:08,160 --> 00:05:11,920
Speaker 1: What is on hot now and upcoming, and yeah, it's

93
00:05:11,960 --> 00:05:14,560
Speaker 1: paid for space. You know, but you gotta have a

94
00:05:14,600 --> 00:05:18,480
Speaker 1: certain level of hustle to even be identifiable by the

95
00:05:18,560 --> 00:05:22,279
Speaker 1: hustlers you did what I'm saying. It ain't even people

96
00:05:22,279 --> 00:05:24,279
Speaker 1: that you won't even make their radar if it ain't

97
00:05:24,320 --> 00:05:27,000
Speaker 1: a certain amount of hustle. You see what I'm saying.

98
00:05:27,000 --> 00:05:30,599
Speaker 1: But the hustle gotta be in combination with an undeniable concept.

99
00:05:32,080 --> 00:05:34,080
Speaker 1: You know, I always tell people what you know, They

100
00:05:34,120 --> 00:05:36,920
Speaker 1: got to really realize what they're dealing with. You know,

101
00:05:37,000 --> 00:05:40,640
Speaker 1: you better, you better download what I'm upload you see

102
00:05:40,680 --> 00:05:43,400
Speaker 1: what I'm saying and stay close to the truth because

103
00:05:43,640 --> 00:05:47,520
Speaker 1: in podcasting, to be honest in my opinion, you know,

104
00:05:47,640 --> 00:05:50,080
Speaker 1: what I'm doing is the same thing that cash Chef

105
00:05:50,160 --> 00:05:53,480
Speaker 1: did to the financial structure of this country, right, it

106
00:05:53,640 --> 00:05:56,599
Speaker 1: disrupted the whole ship when it started allowing people to

107
00:05:56,640 --> 00:05:59,840
Speaker 1: buy bitcoin and go into stocks and things with the

108
00:06:00,080 --> 00:06:03,320
Speaker 1: cash shell. That was a powerful play. Some people just

109
00:06:03,360 --> 00:06:05,320
Speaker 1: looked at that and they moved on. But I could

110
00:06:05,360 --> 00:06:09,040
Speaker 1: spend three hours about the information just on that that

111
00:06:09,240 --> 00:06:11,760
Speaker 1: was a power move in this structure that you see.

112
00:06:11,800 --> 00:06:16,279
Speaker 1: That wasn't just a little that was something big, you understand.

113
00:06:16,320 --> 00:06:19,080
Speaker 1: So in podcasting, I feel as though I'm kind of

114
00:06:19,120 --> 00:06:22,280
Speaker 1: parallel to that in my niche because what I brain

115
00:06:22,400 --> 00:06:26,960
Speaker 1: to it is the ability to understand both perspectives and

116
00:06:27,279 --> 00:06:32,159
Speaker 1: add a touch of entertainment just naturally, you know. And

117
00:06:33,040 --> 00:06:35,920
Speaker 1: I think I think that that speaks volumes. But I'm

118
00:06:36,000 --> 00:06:39,760
Speaker 1: on nigga here the podcasting rich niggas, I'm on their heels.

119
00:06:39,920 --> 00:06:41,800
Speaker 1: I'm on Nate. When I tell you brought, I'm on

120
00:06:41,920 --> 00:06:47,400
Speaker 1: their heels. I'm on the heels I'm talking about. I'm

121
00:06:47,440 --> 00:06:50,080
Speaker 1: on the heels. You did what I'm saying. So it's

122
00:06:50,080 --> 00:06:53,200
Speaker 1: only a certain amount of time before everything is working

123
00:06:53,440 --> 00:06:55,520
Speaker 1: the exact way I needed to work. Man. And for

124
00:06:55,560 --> 00:06:57,719
Speaker 1: those of you that's on the journey with me, you know,

125
00:06:57,760 --> 00:07:01,719
Speaker 1: I definitely definitely one hundred percent of apreciate y'all. Um,

126
00:07:01,760 --> 00:07:04,839
Speaker 1: we're gonna start with the Jim Jones and Freddie Gibbs situation.

127
00:07:05,200 --> 00:07:07,400
Speaker 1: For those of you that may not know, Jim Jones

128
00:07:07,960 --> 00:07:10,880
Speaker 1: UM and Freddy Gibbs allegedly ran into each other at

129
00:07:10,920 --> 00:07:16,080
Speaker 1: Prime one twelve and a fight ensued, right and allegedly

130
00:07:16,680 --> 00:07:20,720
Speaker 1: Freddy Gibbs Uh was in a situation where he got

131
00:07:20,720 --> 00:07:24,240
Speaker 1: a platinum plaque presented to him. You know that, They said,

132
00:07:24,280 --> 00:07:27,600
Speaker 1: Jim Jones presented a platinum plaque to Freddy Gibbs and

133
00:07:27,720 --> 00:07:31,000
Speaker 1: Um allegedly there's a video out there about that. Now

134
00:07:31,080 --> 00:07:33,680
Speaker 1: we see blogs like academics take that and run with

135
00:07:33,760 --> 00:07:37,240
Speaker 1: it because Freddy is his enemy and Freddy had been

136
00:07:37,320 --> 00:07:39,280
Speaker 1: going at it with him, so he couldn't wait to

137
00:07:39,280 --> 00:07:42,000
Speaker 1: take an opportunity. And I don't really see nothing wrong

138
00:07:42,040 --> 00:07:44,680
Speaker 1: with that, you know what I'm saying, Because you've been

139
00:07:45,080 --> 00:07:47,160
Speaker 1: getting that that dude, that dude come on out the

140
00:07:47,200 --> 00:07:50,040
Speaker 1: wool word with a and and and and putting the

141
00:07:50,120 --> 00:07:53,119
Speaker 1: light on what's going on, you know what I'm saying.

142
00:07:53,160 --> 00:07:57,560
Speaker 1: And Um, and that happened. Now let's examine the situation

143
00:07:57,640 --> 00:07:59,920
Speaker 1: for what it is. So those guys are at Prime

144
00:08:00,160 --> 00:08:05,400
Speaker 1: one twelve, and they have this run in. Sources say

145
00:08:05,880 --> 00:08:12,320
Speaker 1: that Jim Jones and Freddy Gibbs has a checkered pass uh.

146
00:08:12,440 --> 00:08:15,960
Speaker 1: Some people say it it stems over Jim Jones having

147
00:08:16,000 --> 00:08:19,880
Speaker 1: a vamp life brand and Freddie Gibbs being a vice lord.

148
00:08:21,200 --> 00:08:24,800
Speaker 1: They say that those two things cannot coexist because those

149
00:08:25,480 --> 00:08:28,960
Speaker 1: because the meaning of excuse me one of those things

150
00:08:28,960 --> 00:08:31,480
Speaker 1: that has been set in stone and stands for something.

151
00:08:31,520 --> 00:08:35,200
Speaker 1: And Jimmy's like, yo, this rap or this is what

152
00:08:35,320 --> 00:08:37,880
Speaker 1: we're standing on, and so you know, he pushes in

153
00:08:37,920 --> 00:08:39,840
Speaker 1: a certain kind of line and so they finally run

154
00:08:39,880 --> 00:08:45,719
Speaker 1: into to each other one twelve um. The unique thing

155
00:08:45,760 --> 00:08:48,559
Speaker 1: I find about this also is that there's no footage.

156
00:08:49,559 --> 00:08:51,880
Speaker 1: But but when I when I when I say there's

157
00:08:51,920 --> 00:08:54,600
Speaker 1: no footage, I always told people that, in my opinion,

158
00:08:55,040 --> 00:08:57,240
Speaker 1: if me and you get into it right now, we

159
00:08:57,400 --> 00:08:59,480
Speaker 1: had to say, me and you at the dinner spot,

160
00:08:59,640 --> 00:09:02,320
Speaker 1: and we get into it and some dude jump up

161
00:09:02,320 --> 00:09:05,240
Speaker 1: and put his camera off, I'm taking my attention off you,

162
00:09:05,480 --> 00:09:08,120
Speaker 1: and I'm whooping due because he the one trying to

163
00:09:08,120 --> 00:09:11,680
Speaker 1: embarrass me. Me and you, we got a legitimate issue.

164
00:09:11,720 --> 00:09:13,480
Speaker 1: I got a problem with you that we can see

165
00:09:13,480 --> 00:09:17,000
Speaker 1: about this real issue. But he trying to embarrass me

166
00:09:17,040 --> 00:09:18,920
Speaker 1: and he ain't got nothing to do with it. So

167
00:09:19,320 --> 00:09:22,400
Speaker 1: my advice to ain't about it if you're about to

168
00:09:22,440 --> 00:09:24,400
Speaker 1: get into it. And then somebody got the phone. Now

169
00:09:24,480 --> 00:09:26,720
Speaker 1: grabbed the person that got the phone and put them

170
00:09:26,720 --> 00:09:29,640
Speaker 1: in the rack because evidently they want a piece of

171
00:09:29,760 --> 00:09:32,520
Speaker 1: because they want to see it. Yeah, I mean, so

172
00:09:32,760 --> 00:09:34,760
Speaker 1: um yeah, so we're gonna, we're gonna we approach it

173
00:09:34,800 --> 00:09:37,200
Speaker 1: like that. But they said that there's footage out there,

174
00:09:37,240 --> 00:09:41,240
Speaker 1: but it hasn't you know, it won't come out just

175
00:09:41,280 --> 00:09:43,160
Speaker 1: on some gangster shit, you know what I mean. Jim

176
00:09:43,240 --> 00:09:46,240
Speaker 1: Jones has now made an album or an album he's

177
00:09:46,240 --> 00:09:48,440
Speaker 1: already been working on and probably just named it this

178
00:09:48,559 --> 00:09:51,319
Speaker 1: he's naming it Prime one twelve with hit Maker. Hit

179
00:09:51,400 --> 00:09:53,520
Speaker 1: Maker is standing next to Jim Jones, and he know

180
00:09:53,640 --> 00:09:57,880
Speaker 1: he feels protected. He's protected, you know, because Hitmaker by

181
00:09:57,960 --> 00:10:02,400
Speaker 1: himself has been through something in this game that's that's unfavorable,

182
00:10:02,600 --> 00:10:05,360
Speaker 1: you know what I mean. And so you know, Jimmy,

183
00:10:05,480 --> 00:10:09,160
Speaker 1: Jimmy is somebody that that I guess you know, puts

184
00:10:09,200 --> 00:10:11,440
Speaker 1: him in that space. He probably his little brother, you know,

185
00:10:11,480 --> 00:10:13,959
Speaker 1: look at him a certain way. In plus uh, one

186
00:10:14,000 --> 00:10:16,000
Speaker 1: thing about hit maker. He gonna hit you get a

187
00:10:16,000 --> 00:10:19,199
Speaker 1: few dollars. Yeah, yeah, hit maker gonna hit you get

188
00:10:19,240 --> 00:10:20,920
Speaker 1: a few dollars. You know what I mean. He kind

189
00:10:20,920 --> 00:10:23,720
Speaker 1: of know what the algorithm is and what the sound

190
00:10:23,720 --> 00:10:26,439
Speaker 1: is for this generation, so he gonna he gonna put

191
00:10:26,480 --> 00:10:30,319
Speaker 1: you in a good position. Um. Shortly after that, Freddy

192
00:10:30,400 --> 00:10:32,680
Speaker 1: Gibbs came out and did a little video where he

193
00:10:32,720 --> 00:10:35,000
Speaker 1: didn't look bruised up or beat up. I think that's

194
00:10:35,000 --> 00:10:37,520
Speaker 1: what he was showing, like for me to so called

195
00:10:37,520 --> 00:10:41,200
Speaker 1: be stumped out or you know, for somebody so called

196
00:10:41,200 --> 00:10:43,960
Speaker 1: and went platinum on me, I don't look like I've

197
00:10:43,960 --> 00:10:47,720
Speaker 1: been harmed at all, you know. I think that was

198
00:10:47,800 --> 00:10:53,640
Speaker 1: his approach when he put that video out. Nonetheless, Um,

199
00:10:53,679 --> 00:11:00,360
Speaker 1: those guys moved on and um, you know, problem took

200
00:11:00,360 --> 00:11:04,320
Speaker 1: care of. You know, everybody has their time to be

201
00:11:04,360 --> 00:11:06,319
Speaker 1: held accountable for some of these things. It's why I

202
00:11:06,559 --> 00:11:08,920
Speaker 1: tell people to always be careful about the energy you

203
00:11:09,000 --> 00:11:11,720
Speaker 1: put out, because it's a certain amount of time before

204
00:11:11,720 --> 00:11:16,320
Speaker 1: the energy will be presented back to you a full force.

205
00:11:16,960 --> 00:11:21,679
Speaker 1: You know, after my earn your leisure running, you know,

206
00:11:21,720 --> 00:11:25,240
Speaker 1: sitting down on my podcast journey, I thought about so

207
00:11:25,360 --> 00:11:28,840
Speaker 1: much to see those guys. Those guys are independent, making

208
00:11:28,880 --> 00:11:31,720
Speaker 1: a lot of money off podcasting. And for me to

209
00:11:31,800 --> 00:11:35,920
Speaker 1: be there with them and taught me patience. You know,

210
00:11:36,760 --> 00:11:41,719
Speaker 1: I learned from them patience because if you can build it,

211
00:11:41,800 --> 00:11:45,760
Speaker 1: and you can keep that leverage and you can remain

212
00:11:46,840 --> 00:11:52,000
Speaker 1: valuable in the marketplace, you build something that's so lucrative, man,

213
00:11:53,280 --> 00:11:55,760
Speaker 1: it's almost to the point where it changes your mind.

214
00:11:55,800 --> 00:11:58,000
Speaker 1: It's like, yo, lou, you don't want to take a deal,

215
00:11:58,679 --> 00:12:01,520
Speaker 1: like you don't even want know to give you nothing. Right,

216
00:12:01,679 --> 00:12:04,040
Speaker 1: you're growing at a fast pace. It's only a certain

217
00:12:04,080 --> 00:12:07,880
Speaker 1: amount of time. But if somebody gives you something at

218
00:12:07,920 --> 00:12:10,520
Speaker 1: this time, maybe they look at you like, and let's

219
00:12:10,520 --> 00:12:12,960
Speaker 1: just one of my people. My people may know that

220
00:12:13,240 --> 00:12:15,640
Speaker 1: he's a gym. Let's get him, fast track him through

221
00:12:15,640 --> 00:12:18,960
Speaker 1: the process. But if they give me like one of

222
00:12:18,960 --> 00:12:22,080
Speaker 1: these standard deals, then they try to take some ownership

223
00:12:22,200 --> 00:12:24,600
Speaker 1: of my stuff and muzzle me. And I'm not able

224
00:12:24,600 --> 00:12:27,559
Speaker 1: to freely get a game. Now I ruined my whole

225
00:12:28,480 --> 00:12:31,640
Speaker 1: get up. I take my competitive advantage and I flush

226
00:12:31,679 --> 00:12:35,120
Speaker 1: it down the toilet, you know. So you gotta be aware, man,

227
00:12:35,760 --> 00:12:38,199
Speaker 1: And and nowadays you're able to go get the money

228
00:12:38,200 --> 00:12:41,959
Speaker 1: yourself down you're able to go get it yourself. Man,

229
00:12:42,480 --> 00:12:47,360
Speaker 1: So be in a situation man, just to update your information, bro,

230
00:12:47,880 --> 00:12:50,240
Speaker 1: you know what I mean, and continue to chase the journey.

231
00:12:50,440 --> 00:12:54,160
Speaker 1: You know, I hate a motherfucker that copyed me. You

232
00:12:54,200 --> 00:12:56,640
Speaker 1: know I got a real disdain for a motherfucker that

233
00:12:56,760 --> 00:13:01,880
Speaker 1: copied me. You know. Plagiarism Now, I mean when you're

234
00:13:01,920 --> 00:13:03,920
Speaker 1: in a situation to take what it is that I

235
00:13:04,080 --> 00:13:08,120
Speaker 1: do or steal some of my ideas. That irked me. Man.

236
00:13:09,240 --> 00:13:11,240
Speaker 1: I'm telling me that, dude something to me because I

237
00:13:11,320 --> 00:13:13,720
Speaker 1: know you don't have the four to two right, you

238
00:13:13,720 --> 00:13:17,440
Speaker 1: don't have the information or the ability to craft nothing.

239
00:13:17,520 --> 00:13:22,360
Speaker 1: You don't got no craftsmanship about you. So you want

240
00:13:22,400 --> 00:13:24,480
Speaker 1: to steal from the creator. You want to catch me

241
00:13:24,640 --> 00:13:30,120
Speaker 1: loafing somewhere with no information but a high level of productivity.

242
00:13:31,720 --> 00:13:35,480
Speaker 1: No information, high level of productivity. Look how it is clips,

243
00:13:35,480 --> 00:13:38,000
Speaker 1: look at it, sick, look at this and then nobody

244
00:13:38,080 --> 00:13:40,959
Speaker 1: hood dude, this is him starting. What the fuck is

245
00:13:41,000 --> 00:13:46,120
Speaker 1: going on? I know I give him where I'm throwing. Boy.

246
00:13:46,160 --> 00:13:48,160
Speaker 1: Don't want to be a cross but a double cross

247
00:13:49,080 --> 00:13:51,160
Speaker 1: and bustler. Don't want to be the better cross, but

248
00:13:51,200 --> 00:13:53,160
Speaker 1: the trip across a lot of y'all. They made it

249
00:13:53,240 --> 00:13:57,800
Speaker 1: the fire. I was talking the other day that it's

250
00:13:57,800 --> 00:14:03,400
Speaker 1: sixteen years old. But that's the thing. A lot of

251
00:14:03,440 --> 00:14:06,360
Speaker 1: people see this is the problem in the neighborhood, or

252
00:14:06,400 --> 00:14:08,960
Speaker 1: not even the neighborhood, or just with human beings. I

253
00:14:09,040 --> 00:14:12,640
Speaker 1: just sometimes speak about the neighborhood because those are the

254
00:14:12,640 --> 00:14:15,120
Speaker 1: people that gravitate towards me. But I want you to

255
00:14:15,200 --> 00:14:19,520
Speaker 1: know and don't limit me those brains, those big brands

256
00:14:19,600 --> 00:14:23,120
Speaker 1: that's following me, those people in position to put people

257
00:14:23,480 --> 00:14:26,480
Speaker 1: in position. Don't you look at me and see no hood.

258
00:14:27,160 --> 00:14:30,160
Speaker 1: Look at me and see somebody that understands the hood.

259
00:14:30,160 --> 00:14:33,000
Speaker 1: But when he got some information and that's valuable to

260
00:14:33,120 --> 00:14:36,560
Speaker 1: the infrastructure, see me as that, see me as powers,

261
00:14:36,560 --> 00:14:42,080
Speaker 1: see me as see me as the ingredients that's missing. Right,

262
00:14:42,520 --> 00:14:47,160
Speaker 1: But when we're dealing with human beings, oftentimes, right we

263
00:14:47,280 --> 00:14:50,840
Speaker 1: think that we got us a team. We think that

264
00:14:50,880 --> 00:14:53,240
Speaker 1: we don't took our time, or God has placed people

265
00:14:53,280 --> 00:14:56,400
Speaker 1: in our lives that's gonna be there when things get rough.

266
00:14:56,480 --> 00:14:58,320
Speaker 1: For I got this person that will do this. But

267
00:14:58,640 --> 00:15:01,200
Speaker 1: at the tender age of six team, as I navigated

268
00:15:01,240 --> 00:15:05,080
Speaker 1: through the hood, I had to finally test my team.

269
00:15:05,120 --> 00:15:09,240
Speaker 1: I'm sitting in the trap house with older gentlemen, grown men.

270
00:15:10,200 --> 00:15:13,600
Speaker 1: I'm shooting dice. I get up four five grand. A

271
00:15:13,760 --> 00:15:17,480
Speaker 1: situation ensues with someone coming rab or child. I'm a child.

272
00:15:18,520 --> 00:15:20,440
Speaker 1: I just happened to be from the hood, and I

273
00:15:20,520 --> 00:15:24,320
Speaker 1: come up shooting dice. So I'm fine with it. I'm

274
00:15:24,400 --> 00:15:28,800
Speaker 1: telling the mouth file. It's a long story out fast

275
00:15:28,840 --> 00:15:31,440
Speaker 1: forward it. But as I left that, I had to

276
00:15:31,560 --> 00:15:35,880
Speaker 1: make some phone calls. Yo, this just happened to me.

277
00:15:37,560 --> 00:15:39,640
Speaker 1: You know, every problem I had head up until that

278
00:15:39,720 --> 00:15:42,680
Speaker 1: time was problems that I can take care of. You

279
00:15:42,880 --> 00:15:44,360
Speaker 1: may want to do a little tough so I might

280
00:15:44,360 --> 00:15:47,200
Speaker 1: get noun small him talking out of fighting me if

281
00:15:47,200 --> 00:15:49,680
Speaker 1: he's bigger than me, or talking in eternity back, hit

282
00:15:49,760 --> 00:15:52,400
Speaker 1: him with something, you know, hit him with something, get behind,

283
00:15:52,600 --> 00:15:55,280
Speaker 1: hit him again. You know, I might can for naggle

284
00:15:55,400 --> 00:15:57,400
Speaker 1: my way out of those things. This head and then

285
00:15:57,520 --> 00:15:59,840
Speaker 1: got serious. Somebody had a gun. They shot a gun,

286
00:16:00,000 --> 00:16:03,400
Speaker 1: and they were looking for me. See a lot of

287
00:16:03,480 --> 00:16:06,000
Speaker 1: y'all are running around with teams. It's never been tested.

288
00:16:06,040 --> 00:16:08,880
Speaker 1: That's why I'd be saying about some of the bloggers

289
00:16:08,920 --> 00:16:11,800
Speaker 1: and the rappers that talk these kind of talks. Your

290
00:16:11,840 --> 00:16:16,040
Speaker 1: security ain't your security. And when my people show up, right,

291
00:16:16,680 --> 00:16:20,400
Speaker 1: some people you show up with security broum. These dudes

292
00:16:20,440 --> 00:16:22,440
Speaker 1: ain't ready to They ain't ready to go through what

293
00:16:22,560 --> 00:16:25,040
Speaker 1: we're willing to take them through. About what you've done,

294
00:16:25,200 --> 00:16:27,680
Speaker 1: you know. But people think they security willing to go

295
00:16:27,720 --> 00:16:33,520
Speaker 1: to extra mind some of these security willing to fight. Now,

296
00:16:33,560 --> 00:16:38,520
Speaker 1: they'll fight. Yeah, we'll knock something out will will Yeah, yeah, yeah,

297
00:16:38,640 --> 00:16:43,360
Speaker 1: knockout artists just because of body size. My body size

298
00:16:43,400 --> 00:16:45,680
Speaker 1: and my ability to lift weight in. Yeah, I'm ready

299
00:16:45,680 --> 00:16:49,200
Speaker 1: to fight. But them them dudes got they wandered down

300
00:16:49,200 --> 00:16:51,600
Speaker 1: when they come through with some you know what I mean.

301
00:16:53,320 --> 00:16:55,560
Speaker 1: And so when people pushing that kind of line, you

302
00:16:55,600 --> 00:16:58,240
Speaker 1: can't depend on your security. Man. You're in two little

303
00:16:58,320 --> 00:17:01,680
Speaker 1: dudes them pushed up. That ain't no security thing. That's

304
00:17:01,680 --> 00:17:04,200
Speaker 1: why I'll be saying, y'all got to know what y'all doing.

305
00:17:05,080 --> 00:17:07,040
Speaker 1: A lot of these teams ain't never been tested. A

306
00:17:07,080 --> 00:17:09,600
Speaker 1: lot of these security guys ain't never been fired on.

307
00:17:10,160 --> 00:17:12,720
Speaker 1: Ain't never had dudes this fresh out of prison push

308
00:17:12,720 --> 00:17:15,520
Speaker 1: a real land on them. They ain't never had no

309
00:17:16,080 --> 00:17:19,240
Speaker 1: you know, no little swollen they got the penitentiary with

310
00:17:19,359 --> 00:17:22,840
Speaker 1: his jil on really popping on off on the security

311
00:17:22,880 --> 00:17:25,919
Speaker 1: and they get cracking right here. You right there, and

312
00:17:26,040 --> 00:17:28,840
Speaker 1: you got nine wolves trying to work through security to

313
00:17:29,000 --> 00:17:33,359
Speaker 1: get at you. You got to security, and once they

314
00:17:33,440 --> 00:17:37,880
Speaker 1: get past your little security, you're worthless. On the fight game, boy,

315
00:17:37,880 --> 00:17:41,119
Speaker 1: you ain't got nothing. So they grab you when they

316
00:17:41,160 --> 00:17:43,239
Speaker 1: do a number with you, and that's just if they

317
00:17:43,280 --> 00:17:45,760
Speaker 1: want to fight. So I all that tough talking. Y'all

318
00:17:45,760 --> 00:17:48,600
Speaker 1: gotta be careful out them, man, be prepared for what

319
00:17:48,680 --> 00:17:52,320
Speaker 1: you're asking for. I also want to talk about if

320
00:17:52,359 --> 00:17:55,080
Speaker 1: you're on a journey, how people doubt you. Right as

321
00:17:55,119 --> 00:17:58,359
Speaker 1: far as me right, I got people around me that no,

322
00:17:58,560 --> 00:18:02,600
Speaker 1: I'm special. How they know I'm special? They've been copying

323
00:18:02,640 --> 00:18:06,480
Speaker 1: me all their life and they didn't saw me you know,

324
00:18:06,600 --> 00:18:09,400
Speaker 1: turn ship to sugar, you know what I'm saying. So

325
00:18:09,960 --> 00:18:12,600
Speaker 1: it's a couple of people that know that to be

326
00:18:12,640 --> 00:18:14,720
Speaker 1: the case. You know, they know me to be the

327
00:18:14,800 --> 00:18:17,600
Speaker 1: guy that can figure it out and make it happen,

328
00:18:18,200 --> 00:18:24,440
Speaker 1: you understand. And I definitely move around with that with

329
00:18:24,480 --> 00:18:26,520
Speaker 1: that in mind. Now when I think about people that

330
00:18:26,600 --> 00:18:31,560
Speaker 1: say able to doubt me, when I think about the hate,

331
00:18:33,920 --> 00:18:35,680
Speaker 1: you know, the people that want to tear you down,

332
00:18:35,720 --> 00:18:38,240
Speaker 1: don't want you to go to your full potential because

333
00:18:39,359 --> 00:18:44,840
Speaker 1: they think your full potential relinquishes they access to you. See,

334
00:18:44,840 --> 00:18:48,760
Speaker 1: I got people around me, right, They think the further

335
00:18:48,840 --> 00:18:52,600
Speaker 1: I go up, the less access that they have to them.

336
00:18:52,600 --> 00:18:54,600
Speaker 1: It's so in a weird way. They love me, but

337
00:18:54,640 --> 00:18:56,600
Speaker 1: they pray that I don't get as far as that

338
00:18:56,960 --> 00:18:59,720
Speaker 1: I know I can go. They pray all my down fault. See,

339
00:18:59,720 --> 00:19:05,160
Speaker 1: people don't understand what praying on your downfall mean. You're

340
00:19:05,200 --> 00:19:09,640
Speaker 1: praying on my downfall for your for your selfishness, right

341
00:19:09,720 --> 00:19:12,080
Speaker 1: you won't you think that you don't have the ability

342
00:19:12,119 --> 00:19:15,960
Speaker 1: to maintain access to me as I continue to elevate.

343
00:19:18,800 --> 00:19:22,840
Speaker 1: You think that the more books I read, the smart

344
00:19:22,960 --> 00:19:26,720
Speaker 1: I get, the more leverage I get in regards to

345
00:19:27,080 --> 00:19:30,720
Speaker 1: people listening or people welcome in my message. The more

346
00:19:30,800 --> 00:19:33,280
Speaker 1: that I get, the less I think about what you

347
00:19:33,440 --> 00:19:37,320
Speaker 1: call me, the less I think about what you think

348
00:19:37,359 --> 00:19:41,000
Speaker 1: about me. Right, So it's a it's a it's a

349
00:19:41,040 --> 00:19:44,280
Speaker 1: weird situation where they prey on your downfall. But to me,

350
00:19:44,400 --> 00:19:49,200
Speaker 1: the hate can only come from the inside. It's the

351
00:19:49,280 --> 00:19:51,639
Speaker 1: people from the inside though, it's the people with the

352
00:19:51,680 --> 00:19:55,119
Speaker 1: information the hate that come from the outside. To me

353
00:19:55,600 --> 00:19:59,760
Speaker 1: that hates should be ineffective. That that hates should be ineffective.

354
00:20:00,080 --> 00:20:04,040
Speaker 1: You know, that shouldn't weigh as much, you know, because

355
00:20:04,440 --> 00:20:06,960
Speaker 1: when it all boils down, these are people that don't

356
00:20:06,960 --> 00:20:09,760
Speaker 1: really know me, or share my experiences, or share any

357
00:20:09,800 --> 00:20:13,560
Speaker 1: real space or position in my life. The real estate

358
00:20:13,640 --> 00:20:16,800
Speaker 1: that's available in my brain and that my heart. They

359
00:20:16,880 --> 00:20:23,320
Speaker 1: don't They don't hold any spot there. But the pain

360
00:20:23,400 --> 00:20:26,359
Speaker 1: attached to the people, right, the pain attached to the

361
00:20:26,359 --> 00:20:29,880
Speaker 1: people that you love that got the information to try

362
00:20:29,880 --> 00:20:32,680
Speaker 1: to use what they think is heavy on your mind

363
00:20:33,040 --> 00:20:35,960
Speaker 1: against your conscience, to kind of beat you down and

364
00:20:36,080 --> 00:20:38,399
Speaker 1: make you think less of yourself. This is what the

365
00:20:38,440 --> 00:20:41,960
Speaker 1: black man goes through all the time. Even amongst his

366
00:20:42,119 --> 00:20:46,159
Speaker 1: peers is love, ones is family. Sometime they tend to

367
00:20:46,200 --> 00:20:48,480
Speaker 1: want to use the things that they think weigh heavy

368
00:20:48,880 --> 00:20:54,680
Speaker 1: on you against you, your transgressions, your mistakes, your downfalls,

369
00:20:54,720 --> 00:20:57,800
Speaker 1: your encounters with disappointment. They want to use your past

370
00:20:58,200 --> 00:21:02,439
Speaker 1: against your future. But that can only come from a

371
00:21:02,480 --> 00:21:06,200
Speaker 1: person that got the information about your pass. Most people

372
00:21:06,240 --> 00:21:09,200
Speaker 1: that's a part of your present don't necessarily care about

373
00:21:09,200 --> 00:21:12,280
Speaker 1: your pass. It's the people from the past that hold

374
00:21:12,359 --> 00:21:14,879
Speaker 1: on to that. That's where the access is, and for me,

375
00:21:15,000 --> 00:21:17,080
Speaker 1: that's the only way you can have an inside info,

376
00:21:17,880 --> 00:21:20,800
Speaker 1: which the hate coming from the inside. You gotta work

377
00:21:20,800 --> 00:21:23,159
Speaker 1: at the bank to know where they dropped it. You

378
00:21:23,240 --> 00:21:25,359
Speaker 1: gotta work at the bank to know the bank teller

379
00:21:25,440 --> 00:21:29,040
Speaker 1: cash cold and the safe cold. You making make somebody

380
00:21:29,119 --> 00:21:31,359
Speaker 1: open it. But just to get it open, you still

381
00:21:31,400 --> 00:21:34,560
Speaker 1: gotta go get somebody that work in the bank, take

382
00:21:34,600 --> 00:21:37,080
Speaker 1: them to the safe and demand that they open it.

383
00:21:37,720 --> 00:21:40,919
Speaker 1: Because if you don't work here, you don't know, you

384
00:21:40,960 --> 00:21:42,840
Speaker 1: don't know the numbers to get this open. You can

385
00:21:42,880 --> 00:21:46,800
Speaker 1: have the biggest gun in the world, but it takes

386
00:21:46,840 --> 00:21:49,320
Speaker 1: somebody from in here to openness for you to have

387
00:21:49,440 --> 00:21:54,320
Speaker 1: us right, So follow me. It's just a situation that

388
00:21:54,359 --> 00:21:58,080
Speaker 1: I want young creators to always remember home. Don't let

389
00:21:58,080 --> 00:22:02,480
Speaker 1: them force pin you up against your mistakes. Say mistakes

390
00:22:02,600 --> 00:22:09,040
Speaker 1: is for bosses. When we're dealing with business shit, then

391
00:22:09,080 --> 00:22:11,920
Speaker 1: when we talk about life, you gotta be careful. Mistakes

392
00:22:11,960 --> 00:22:17,760
Speaker 1: cast you your life measure twice cut once, measure twice

393
00:22:17,800 --> 00:22:20,160
Speaker 1: cut once. But when we're dealing with business and risk

394
00:22:20,240 --> 00:22:24,679
Speaker 1: taking to try to further your household income or your kids'

395
00:22:24,760 --> 00:22:28,160
Speaker 1: future leverage something, man, you gotta go get the money man,

396
00:22:28,240 --> 00:22:31,760
Speaker 1: and so sometimes there's risk involved. I was in two

397
00:22:31,760 --> 00:22:35,160
Speaker 1: different cities in one day, New York, LA. Me myself,

398
00:22:35,280 --> 00:22:41,520
Speaker 1: by myself, for myself about us though now, I mean,

399
00:22:41,920 --> 00:22:44,880
Speaker 1: it's only a few people that can do what I do.

400
00:22:44,880 --> 00:22:46,800
Speaker 1: Don't panick you in the room on one of them.

401
00:22:47,000 --> 00:22:49,199
Speaker 1: I'm right. So let's let's talk about this is a

402
00:22:49,440 --> 00:22:53,679
Speaker 1: very unique situation right here. Tempoole, for those of you

403
00:22:53,720 --> 00:22:55,640
Speaker 1: that don't know, again, I'm a student of the game.

404
00:22:55,720 --> 00:23:00,600
Speaker 1: Tempoole is a guy that does like almost like a

405
00:23:00,720 --> 00:23:03,840
Speaker 1: news kind of show on YouTube, but he's he's he

406
00:23:04,040 --> 00:23:07,440
Speaker 1: goes and get information. He says some disparaging things. Sometimes

407
00:23:07,640 --> 00:23:09,920
Speaker 1: a lot of times them dudes are dealing with information

408
00:23:09,960 --> 00:23:13,480
Speaker 1: and they're smart enough to interpret that information or painting

409
00:23:13,600 --> 00:23:16,680
Speaker 1: or twisted a certain way, or contrary to that what's

410
00:23:16,720 --> 00:23:19,640
Speaker 1: being said in the public. That's smart enough to find

411
00:23:19,680 --> 00:23:22,440
Speaker 1: another route on how to get to that or get

412
00:23:22,480 --> 00:23:25,159
Speaker 1: to a different point, or how those same things that

413
00:23:25,240 --> 00:23:28,760
Speaker 1: you're looking at actually stands for something else. These dudes

414
00:23:28,800 --> 00:23:32,240
Speaker 1: have a unique ability, some of these guys that navigate

415
00:23:32,320 --> 00:23:36,040
Speaker 1: this space. But Tim Poole, being one of those guys

416
00:23:36,080 --> 00:23:41,520
Speaker 1: that's been on Rogan's podcasts, shout out the Lex Freeman too, man,

417
00:23:41,600 --> 00:23:44,040
Speaker 1: I like him a lot as well. But Tim Poole,

418
00:23:44,080 --> 00:23:46,320
Speaker 1: he's been on Rogan, He's been on a lot of

419
00:23:46,359 --> 00:23:50,159
Speaker 1: those kind of guys podcasts. But again, if you just

420
00:23:50,240 --> 00:23:53,240
Speaker 1: need snapshots as to what's going on, sometimes he gives

421
00:23:53,240 --> 00:23:56,119
Speaker 1: those like, hey, white House filed this and this is

422
00:23:56,160 --> 00:23:58,160
Speaker 1: what it means type things. So he's one of those

423
00:23:58,200 --> 00:24:04,080
Speaker 1: in this space. But he had a video with r

424
00:24:04,200 --> 00:24:06,560
Speaker 1: A the Rugged Man, and I gotta get in contact

425
00:24:06,640 --> 00:24:09,480
Speaker 1: with him to get him on the show. I definitely

426
00:24:09,600 --> 00:24:13,639
Speaker 1: like his passion and r A the Rugged Man seems

427
00:24:13,680 --> 00:24:18,840
Speaker 1: to be on our side in regards to understanding. You know,

428
00:24:18,880 --> 00:24:21,320
Speaker 1: it's hard for me without any action to say who's

429
00:24:21,400 --> 00:24:24,880
Speaker 1: on our side. But when I see someone raising the

430
00:24:24,880 --> 00:24:28,440
Speaker 1: flag or throwing the flag of or just hey, I'm

431
00:24:28,480 --> 00:24:31,040
Speaker 1: trying to understand what them folks over there going through,

432
00:24:32,119 --> 00:24:35,399
Speaker 1: you understand, I can appreciate that. So he seems to

433
00:24:35,440 --> 00:24:38,720
Speaker 1: be an ally in that regard right now. He gets

434
00:24:38,760 --> 00:24:41,000
Speaker 1: on with Tim Poole. Tim Poole again is one of

435
00:24:41,000 --> 00:24:44,680
Speaker 1: the people that does the Sandy Hook things or documentary

436
00:24:44,680 --> 00:24:49,879
Speaker 1: on the BLM riots out there and Ferguson or you know,

437
00:24:50,000 --> 00:24:52,600
Speaker 1: things like that. He's one of those guys. So they

438
00:24:52,640 --> 00:24:56,120
Speaker 1: sit down and have a very very very interesting conversation.

439
00:24:56,400 --> 00:24:59,760
Speaker 1: We're gonna look at it in real time, and we're

440
00:24:59,760 --> 00:25:01,480
Speaker 1: gonna gonna go through it, and I'm gonna give some

441
00:25:01,560 --> 00:25:08,000
Speaker 1: game the white community in America. That's a fact. So

442
00:25:08,080 --> 00:25:09,880
Speaker 1: let me. Let me. I want. I want to stop scarage,

443
00:25:09,880 --> 00:25:12,080
Speaker 1: and that's a fact. I want. A black community has

444
00:25:12,080 --> 00:25:15,640
Speaker 1: way more struggles, way more more more you know, problems

445
00:25:15,640 --> 00:25:19,520
Speaker 1: in the community due to systemic racism, which is real,

446
00:25:20,000 --> 00:25:23,840
Speaker 1: and and and the military, um, the penitentiary system, and

447
00:25:24,240 --> 00:25:27,359
Speaker 1: the militarized police and all of that. Um, it's a

448
00:25:27,400 --> 00:25:29,240
Speaker 1: different I want to I want to explain something a

449
00:25:29,280 --> 00:25:30,800
Speaker 1: little more detail that we got we were talking about

450
00:25:30,840 --> 00:25:32,320
Speaker 1: the show that I think they get fleshed out enough.

451
00:25:32,800 --> 00:25:34,560
Speaker 1: So and I'll preface it by saying, I do not

452
00:25:34,600 --> 00:25:38,600
Speaker 1: believe I face more discrimination than black people in this country. Yeah.

453
00:25:38,680 --> 00:25:41,040
Speaker 1: What I can tell you is one of the one

454
00:25:41,080 --> 00:25:44,800
Speaker 1: of the difficulties in my life is people who grow

455
00:25:44,840 --> 00:25:48,640
Speaker 1: up in a white suburb. Everybody's white. I go there,

456
00:25:48,760 --> 00:25:50,920
Speaker 1: I'm not white. I don't believe that. Well, so you're wrong,

457
00:25:50,960 --> 00:25:53,000
Speaker 1: but let me, I don't believe that. I think somebody might.

458
00:25:53,280 --> 00:25:55,760
Speaker 1: You just said on the last show that like some

459
00:25:55,840 --> 00:25:58,879
Speaker 1: people mistaked you for Mexican, that was your biggest I'm

460
00:25:58,920 --> 00:26:01,359
Speaker 1: not one of them. Do dude, like this is the

461
00:26:01,400 --> 00:26:05,239
Speaker 1: life I've lived. I don't. I'm I'm not saying that

462
00:26:05,320 --> 00:26:07,600
Speaker 1: I've got a boot on my neck. I'm saying, well,

463
00:26:07,640 --> 00:26:10,639
Speaker 1: you you need to understand there are people who have

464
00:26:10,800 --> 00:26:12,879
Speaker 1: neck area. If we go up to the stop, up

465
00:26:12,880 --> 00:26:15,760
Speaker 1: the black nobody's looking at you, like, get that guy.

466
00:26:15,880 --> 00:26:17,560
Speaker 1: You know. I didn't say they were, yeah, but what

467
00:26:17,600 --> 00:26:19,280
Speaker 1: I'm saying is if you put somebody else in there

468
00:26:19,280 --> 00:26:21,200
Speaker 1: looking at you funny, You're good, You're good, You're gonna

469
00:26:21,240 --> 00:26:23,480
Speaker 1: say airport, they're not pulling you over because no, no,

470
00:26:23,480 --> 00:26:25,760
Speaker 1: no, no no, no, that's bullshit. They pull you over because yes,

471
00:26:25,880 --> 00:26:28,440
Speaker 1: could you look like what? Could? Yes? Motherfucker you look

472
00:26:28,480 --> 00:26:31,600
Speaker 1: like I get randomly flagged every fucking time I go

473
00:26:31,680 --> 00:26:34,920
Speaker 1: to the airport. See here's what reason? So fuck you

474
00:26:34,960 --> 00:26:37,760
Speaker 1: find out because you look like what? Fuck? If? I know, dude,

475
00:26:38,040 --> 00:26:40,520
Speaker 1: really hurt? I got Yeah, because I get fucking every

476
00:26:40,520 --> 00:26:44,000
Speaker 1: single time I go. And you are a racist, dude,

477
00:26:44,160 --> 00:26:47,879
Speaker 1: you says I couldn't possibly understand every fucking time I

478
00:26:47,920 --> 00:26:52,119
Speaker 1: go to the airport. I'm randomly screamed every time. Every time,

479
00:26:52,520 --> 00:26:54,840
Speaker 1: every time I go to the UK, they put four

480
00:26:55,040 --> 00:26:58,800
Speaker 1: essa for I'm screaming because when I when I hurt

481
00:26:58,840 --> 00:27:00,800
Speaker 1: that you're a white boy, I'm hurt because you're a

482
00:27:00,880 --> 00:27:05,159
Speaker 1: racist and you have this arrogance and elitism that you

483
00:27:05,200 --> 00:27:08,000
Speaker 1: know better than everybody, that you're the white savior, that

484
00:27:08,080 --> 00:27:09,920
Speaker 1: you got to be the struggle for the brown, poor

485
00:27:09,920 --> 00:27:13,560
Speaker 1: brown people, and that every time listen to what I

486
00:27:13,600 --> 00:27:16,119
Speaker 1: have to say when I say something like when I'm

487
00:27:16,119 --> 00:27:18,840
Speaker 1: being when I'm being polite to you, lower your voice

488
00:27:19,040 --> 00:27:21,520
Speaker 1: and I'm being polite to hum when I'm being polite

489
00:27:21,520 --> 00:27:24,439
Speaker 1: to you. And then I say, I deal with this problem,

490
00:27:24,480 --> 00:27:26,600
Speaker 1: and then you laugh at me. Yeah, I laugh. Sometimes

491
00:27:26,640 --> 00:27:28,600
Speaker 1: you're a racist. No, no, it's not racist because it

492
00:27:28,640 --> 00:27:31,919
Speaker 1: is not systematic racism in America. And then you go,

493
00:27:32,040 --> 00:27:35,199
Speaker 1: my struggle is this to discredit the struggle of the

494
00:27:35,200 --> 00:27:37,600
Speaker 1: black man and the black one. That's what you literally

495
00:27:37,640 --> 00:27:41,800
Speaker 1: just said worse than I do. I literally you just

496
00:27:41,920 --> 00:27:44,679
Speaker 1: you just brocade to not take away the side. Yes,

497
00:27:44,760 --> 00:27:48,400
Speaker 1: it was admitting outright saying straight up, and you Jesse

498
00:27:48,520 --> 00:27:52,600
Speaker 1: Smellett holds story about white supremacists coming to your house

499
00:27:52,640 --> 00:27:55,639
Speaker 1: and say no the mixed couple and throwing racist pamphlets

500
00:27:55,680 --> 00:27:58,000
Speaker 1: at you. And you made up a whole Jesse Smellett thing,

501
00:27:58,680 --> 00:28:02,680
Speaker 1: you know, And that's that's the take away from the

502
00:28:02,800 --> 00:28:05,280
Speaker 1: struggle of the black man. It seems like we're blending

503
00:28:05,359 --> 00:28:08,119
Speaker 1: between no, no, you're you're a racist prick. Here's my

504
00:28:08,240 --> 00:28:12,440
Speaker 1: hour long documentary about black straight Ferguson Oh yeah great, yeah, yeah,

505
00:28:12,480 --> 00:28:16,600
Speaker 1: oh great, one hundred thousand dollars budget. James Baldwin interviews

506
00:28:16,600 --> 00:28:18,360
Speaker 1: with people on the ground to talk about what they've

507
00:28:18,359 --> 00:28:20,040
Speaker 1: been through. And you have the nerve to come up

508
00:28:20,080 --> 00:28:22,440
Speaker 1: to me and tell me my experiences don't matter what

509
00:28:22,600 --> 00:28:26,560
Speaker 1: I'm fighting the bitch. Stop screaming. First of all, talk

510
00:28:26,640 --> 00:28:28,720
Speaker 1: like talk to me like I'm because I'm not that guy.

511
00:28:29,080 --> 00:28:31,400
Speaker 1: Yeah you are? You are that? You actually are, dude,

512
00:28:31,640 --> 00:28:38,160
Speaker 1: you are that talk about I'm not trying to bitch.

513
00:28:38,480 --> 00:28:41,760
Speaker 1: Let's calm down, man, you think you can. I'm not

514
00:28:41,920 --> 00:28:44,920
Speaker 1: that guy. Disrespect me? What did you do to me?

515
00:28:45,680 --> 00:28:51,000
Speaker 1: Did you disrespect me? Did you did you laugh at me? Yeah? Laugh?

516
00:28:51,440 --> 00:28:53,600
Speaker 1: Did you do you disrespect me? I was nice to you,

517
00:28:53,680 --> 00:28:55,640
Speaker 1: but I was being nice. Your voice to me like

518
00:28:55,680 --> 00:28:58,440
Speaker 1: I'm your son, bitch. You raise your voice to me, Bro,

519
00:28:58,760 --> 00:29:02,440
Speaker 1: I said I respected you. You wouldn't shut appreciated in

520
00:29:02,480 --> 00:29:04,560
Speaker 1: your voice. Sh I stopped when you told me to.

521
00:29:05,600 --> 00:29:07,560
Speaker 1: You said, lower your voice, So I lowered my voice.

522
00:29:08,560 --> 00:29:10,760
Speaker 1: I told you I respected you. Coming it was a

523
00:29:10,840 --> 00:29:12,960
Speaker 1: good show, I said, I respected you, willing to admit

524
00:29:13,000 --> 00:29:15,080
Speaker 1: when you got things wrong. Bro, I have put so

525
00:29:15,280 --> 00:29:17,600
Speaker 1: much of my life into this. Look at this. I

526
00:29:17,680 --> 00:29:20,280
Speaker 1: watched your videos. I really watched your video. No, I

527
00:29:20,320 --> 00:29:22,600
Speaker 1: see your videos. You don't. You don't see your videos.

528
00:29:22,720 --> 00:29:25,080
Speaker 1: You're gonna say this, this is the non racist thing,

529
00:29:25,320 --> 00:29:28,880
Speaker 1: but mean while you have you have videos promoting Derek

530
00:29:29,040 --> 00:29:32,040
Speaker 1: Chauvin and and acting like he was in the right.

531
00:29:32,560 --> 00:29:35,080
Speaker 1: You have you have videos of that. You have videos

532
00:29:35,120 --> 00:29:37,280
Speaker 1: of this other guy. You have videos of the other

533
00:29:37,400 --> 00:29:41,640
Speaker 1: You have videos of the other guy Armory Um And

534
00:29:41,720 --> 00:29:44,120
Speaker 1: you go, oh, but they grabbed the pistol defending them

535
00:29:44,200 --> 00:29:45,840
Speaker 1: killing the black man in the streets, and he ran

536
00:29:45,960 --> 00:29:48,560
Speaker 1: for them and given excuses. You have these videos, so

537
00:29:48,840 --> 00:29:51,840
Speaker 1: all of this shit doesn't matter, doesn't matter. No, of course,

538
00:29:51,960 --> 00:29:54,240
Speaker 1: not a decade of work doesn't matter. No because not

539
00:29:54,360 --> 00:29:57,040
Speaker 1: if not if no, because lives were lost by police,

540
00:29:57,240 --> 00:29:59,520
Speaker 1: and you would there boot licking the fucking cops. I

541
00:29:59,600 --> 00:30:03,080
Speaker 1: think we abolish the police, but you don't. You claim that,

542
00:30:03,480 --> 00:30:06,680
Speaker 1: so you get away with you talking about and see

543
00:30:06,720 --> 00:30:09,280
Speaker 1: how he's able to. But one thing I will say

544
00:30:09,280 --> 00:30:12,280
Speaker 1: about this guy. You see how he's able to able

545
00:30:12,360 --> 00:30:14,680
Speaker 1: to you see how he's able to shift through the

546
00:30:14,760 --> 00:30:18,560
Speaker 1: bullshit though every time you present something, it's cutting through

547
00:30:18,640 --> 00:30:21,320
Speaker 1: what he's looking for. You. You're trying to, Yeah, I

548
00:30:21,480 --> 00:30:23,480
Speaker 1: know what you do to be doing? You trying to? Yeah,

549
00:30:23,600 --> 00:30:27,200
Speaker 1: so I'm looking for the little trickery. No, it's some trickery. No,

550
00:30:27,320 --> 00:30:29,560
Speaker 1: you claim that to do that, he's on top bum

551
00:30:29,600 --> 00:30:32,040
Speaker 1: because you know they're smart enough to wig all out.

552
00:30:32,760 --> 00:30:34,719
Speaker 1: You know they do certain thing they do want when

553
00:30:34,760 --> 00:30:36,960
Speaker 1: you know, wash one hand with this and wash the other,

554
00:30:37,480 --> 00:30:39,200
Speaker 1: just to make it where you can't pin them to

555
00:30:39,320 --> 00:30:41,720
Speaker 1: one side. They're smart enough to do that. Not I

556
00:30:42,000 --> 00:30:45,000
Speaker 1: I don't know enough about Tempoole. I know that he

557
00:30:45,120 --> 00:30:48,400
Speaker 1: covers both sides, though I do know that to be

558
00:30:48,520 --> 00:30:50,680
Speaker 1: the case, But I don't know enough to know what

559
00:30:50,840 --> 00:30:54,000
Speaker 1: extent that this guy's talking about. Number one, number two.

560
00:30:54,120 --> 00:30:56,440
Speaker 1: I was it was an interesting thing that when this

561
00:30:56,680 --> 00:31:01,120
Speaker 1: came out, when this started the surface that they called

562
00:31:01,200 --> 00:31:05,680
Speaker 1: this guy a rapper. Now him being a rapper, it's secondary.

563
00:31:05,840 --> 00:31:08,320
Speaker 1: He has a name number one and number two. It's

564
00:31:08,400 --> 00:31:13,440
Speaker 1: important that you understand the way that they frame that. See,

565
00:31:13,560 --> 00:31:17,440
Speaker 1: sometimes the framing of something is more important than what's

566
00:31:17,640 --> 00:31:23,240
Speaker 1: even happening there. Again, I always tell y'all again symbolism.

567
00:31:23,640 --> 00:31:26,520
Speaker 1: It's important for us to see during the dance, he's

568
00:31:26,560 --> 00:31:29,760
Speaker 1: doing Jay doing the dance, he's doing Yay doing the dance.

569
00:31:29,800 --> 00:31:32,600
Speaker 1: He's doing Drake doing the dance. He's doing Charlemagne doing

570
00:31:32,680 --> 00:31:35,160
Speaker 1: the dance. He's doing You know, it's important that we

571
00:31:35,280 --> 00:31:39,440
Speaker 1: see these things right because every time you get the

572
00:31:39,480 --> 00:31:43,440
Speaker 1: aggressive behavior to tearing up over studio, somebody getting cuss stout,

573
00:31:43,760 --> 00:31:47,080
Speaker 1: somebody getting fined on, some shots fired, it's gonna be

574
00:31:47,320 --> 00:31:50,080
Speaker 1: rapper or attached to it. They had no reason to

575
00:31:50,160 --> 00:31:52,520
Speaker 1: call him a rapper. This isn't a rap show, This

576
00:31:52,720 --> 00:31:55,640
Speaker 1: isn't a hip hop show. On the contrary, this is something.

577
00:31:56,080 --> 00:32:01,320
Speaker 1: This is a liberal talk show or some shit or

578
00:32:01,480 --> 00:32:05,719
Speaker 1: conservative talk show. Do you understand this is or somewhere

579
00:32:05,760 --> 00:32:08,280
Speaker 1: in between. This is a type of show like that.

580
00:32:08,640 --> 00:32:11,200
Speaker 1: Why you bring rapper into it? Because you know that

581
00:32:11,320 --> 00:32:14,120
Speaker 1: once you say rapper. They're gonna come see, don't nobody

582
00:32:14,360 --> 00:32:17,320
Speaker 1: where I'm from? Those respectfully to home again. I'm gonna

583
00:32:17,320 --> 00:32:19,720
Speaker 1: get him on the show. But nobody knows, bros a

584
00:32:19,840 --> 00:32:23,440
Speaker 1: rapper where we're from. We hear somebody kicking some shiit saying, Yo,

585
00:32:23,520 --> 00:32:25,960
Speaker 1: what you're saying ain't right. And I know enough about

586
00:32:26,040 --> 00:32:28,520
Speaker 1: you to know you're spin out of something. I know

587
00:32:28,680 --> 00:32:30,640
Speaker 1: that you say this to cover up that I know

588
00:32:30,760 --> 00:32:35,400
Speaker 1: what type guy you is. Rapper goes off on Tim Pool.

589
00:32:35,760 --> 00:32:38,240
Speaker 1: It's like, yo, come on, like let's be let's be

590
00:32:38,280 --> 00:32:41,080
Speaker 1: a little more generous with with what we're doing and

591
00:32:41,200 --> 00:32:44,520
Speaker 1: are framing of things because we are now alive, nigga,

592
00:32:44,560 --> 00:32:47,880
Speaker 1: look alive. Understand what they're doing with the framing of

593
00:32:48,040 --> 00:32:51,880
Speaker 1: things like don't go to sleep at the wheel. They're

594
00:32:51,880 --> 00:32:54,320
Speaker 1: gonna kick your door and lie to defend the state. Yeah,

595
00:32:54,400 --> 00:32:57,480
Speaker 1: but then I see you defending cops. You're talking about

596
00:32:57,520 --> 00:33:01,560
Speaker 1: two instances. Oh this more no go no no no

597
00:33:01,640 --> 00:33:03,880
Speaker 1: no no no. I said when Kim Potter shot him,

598
00:33:03,880 --> 00:33:07,600
Speaker 1: I said, she deserves prison for it. See you you look, bro,

599
00:33:08,800 --> 00:33:13,640
Speaker 1: you can't look at two circumstances. It's working, bro. We

600
00:33:13,680 --> 00:33:16,520
Speaker 1: could hear it, you could we could hear him where

601
00:33:16,560 --> 00:33:20,880
Speaker 1: there there's there's two circumstances, high profile ones where the

602
00:33:20,960 --> 00:33:23,040
Speaker 1: core of the issue is the facts of the case.

603
00:33:24,000 --> 00:33:26,800
Speaker 1: It's not a it's it's it's I don't view the

604
00:33:26,840 --> 00:33:28,640
Speaker 1: world collectively the way you do, and I'm not saying

605
00:33:28,640 --> 00:33:30,960
Speaker 1: you're wrong for doing it. I'm saying, if I see

606
00:33:31,120 --> 00:33:34,720
Speaker 1: individual actions, we must protect the innocent, if they're if

607
00:33:34,760 --> 00:33:37,720
Speaker 1: they're the the individual, if they're innocent. So this means

608
00:33:37,800 --> 00:33:40,840
Speaker 1: when I put out a document a documentary about it's

609
00:33:40,840 --> 00:33:43,719
Speaker 1: called the Report from Occupied Territory. It talks about how

610
00:33:43,760 --> 00:33:46,320
Speaker 1: the police we literally interviewed guys who who whose brother

611
00:33:46,440 --> 00:33:49,040
Speaker 1: was murdered by cops and covered up. We talk about

612
00:33:49,080 --> 00:33:53,360
Speaker 1: how the cops systematically focus on these kids to put

613
00:33:53,400 --> 00:33:56,000
Speaker 1: them through what's called it's called going on tour. They'll

614
00:33:56,120 --> 00:33:59,040
Speaker 1: they'll what happens is because in Saint Louis there's like

615
00:33:59,160 --> 00:34:02,400
Speaker 1: ninety nine if you got a busted tail light on

616
00:34:02,560 --> 00:34:04,720
Speaker 1: your way to work, you drive through five cities, each

617
00:34:04,800 --> 00:34:07,400
Speaker 1: cop will give you a taket. So basically they're they're

618
00:34:07,440 --> 00:34:10,800
Speaker 1: just going to continue to speak about the differences in

619
00:34:11,520 --> 00:34:17,200
Speaker 1: the understanding and the approach to police brutality. The unfair

620
00:34:17,280 --> 00:34:22,600
Speaker 1: treatment of the black man and the information and especially

621
00:34:22,800 --> 00:34:28,759
Speaker 1: financial freedom that we don't necessarily ever really get a

622
00:34:28,880 --> 00:34:32,840
Speaker 1: chance to get um. With that being said, you know,

623
00:34:32,920 --> 00:34:35,200
Speaker 1: a lot of times, you know, I speak up for

624
00:34:35,400 --> 00:34:37,560
Speaker 1: us and I speak about us because I know that

625
00:34:38,000 --> 00:34:40,680
Speaker 1: if you didn't grow up like me, if you didn't

626
00:34:40,719 --> 00:34:43,320
Speaker 1: come up in the hood, or you're not a black

627
00:34:43,400 --> 00:34:45,880
Speaker 1: man or a black boy, you probably don't understand our

628
00:34:45,960 --> 00:34:49,960
Speaker 1: experience and your perspective is off. So sometimes I like

629
00:34:50,080 --> 00:34:52,719
Speaker 1: to point out, you know, when the perspective of even

630
00:34:52,760 --> 00:34:56,000
Speaker 1: in our hood is like like dealing with with black men,

631
00:34:56,360 --> 00:34:58,719
Speaker 1: and it gets so it gets so nerve racking. And

632
00:34:58,800 --> 00:35:02,359
Speaker 1: that's why I do applause the guys that put one

633
00:35:02,440 --> 00:35:05,000
Speaker 1: foot in front the other and try to really get

634
00:35:05,080 --> 00:35:09,759
Speaker 1: down in the ghetto and fuk with the kids. You

635
00:35:09,920 --> 00:35:12,400
Speaker 1: understand me, but to see, for me, it's easier to

636
00:35:12,800 --> 00:35:15,359
Speaker 1: mess with some kids of a person that you don't

637
00:35:15,400 --> 00:35:18,440
Speaker 1: necessarily you're not sleeping with, right because I've been in

638
00:35:18,560 --> 00:35:23,800
Speaker 1: situations where people are active in the community, but the

639
00:35:24,000 --> 00:35:27,040
Speaker 1: kids that they the people that they dating, they not

640
00:35:27,239 --> 00:35:31,040
Speaker 1: necessarily active with their children. But see a lot of

641
00:35:31,120 --> 00:35:35,840
Speaker 1: times there's a disconnect with the women and their ability

642
00:35:35,920 --> 00:35:38,799
Speaker 1: to understand that. Baby, it's hard for you to raise

643
00:35:38,880 --> 00:35:41,320
Speaker 1: a man. It's hard for you to understand what a

644
00:35:41,440 --> 00:35:44,560
Speaker 1: man needs. Everything you got you can give your son.

645
00:35:46,000 --> 00:35:49,240
Speaker 1: You can give your son everything you got, but baby,

646
00:35:49,320 --> 00:35:53,239
Speaker 1: what you got ain't useless. When your son get the manhood,

647
00:35:54,520 --> 00:35:58,760
Speaker 1: everything ain't useless. He needs some a mama. He needs

648
00:35:58,840 --> 00:36:00,759
Speaker 1: some a mama. Now, I ain't a saying, but he

649
00:36:00,960 --> 00:36:04,040
Speaker 1: need a whole bunch of daddy. He need a whole

650
00:36:04,160 --> 00:36:10,000
Speaker 1: bunch of male energy. Understanding risk assessment, and what's intends

651
00:36:10,040 --> 00:36:12,359
Speaker 1: to happen is as you try to navigate and help

652
00:36:13,000 --> 00:36:15,239
Speaker 1: with women right with their children. This is one of

653
00:36:15,320 --> 00:36:18,360
Speaker 1: my pet pees. And if someone is out there dealing

654
00:36:18,440 --> 00:36:21,120
Speaker 1: with this, you know, I want you to leave a

655
00:36:21,280 --> 00:36:24,319
Speaker 1: comment or maybe calling into the show because I see

656
00:36:24,360 --> 00:36:27,080
Speaker 1: this happen with some of my homeboys and people who

657
00:36:27,600 --> 00:36:29,600
Speaker 1: even my home girls. I would have to tell her

658
00:36:29,719 --> 00:36:33,520
Speaker 1: now that ain't cool like shouted, that ain't straight like that.

659
00:36:33,920 --> 00:36:37,400
Speaker 1: So let's say the dude right is trying to teach

660
00:36:37,880 --> 00:36:40,640
Speaker 1: or help her with her children. You know, he may

661
00:36:40,719 --> 00:36:44,279
Speaker 1: say something to the beloved like yo, that ain't cool.

662
00:36:44,440 --> 00:36:46,799
Speaker 1: You know, let your children don't do that? Right there,

663
00:36:46,840 --> 00:36:50,480
Speaker 1: that's a mistake. And the woman are going there and say, hey,

664
00:36:50,640 --> 00:36:54,360
Speaker 1: Jimmy said that y'all can't do this. She's driving a wedge.

665
00:36:56,640 --> 00:36:58,799
Speaker 1: She's in a position of what she can't even tell

666
00:36:58,920 --> 00:37:02,440
Speaker 1: her kids know when or accountability. You can't even go

667
00:37:02,560 --> 00:37:05,239
Speaker 1: in there and just say, listen this, you can't do this.

668
00:37:05,800 --> 00:37:08,480
Speaker 1: You gotta blame it on somebody else because you're too

669
00:37:08,520 --> 00:37:11,880
Speaker 1: afraid that your children gonna look at you like anything

670
00:37:12,040 --> 00:37:17,839
Speaker 1: outside of their friend. When you the enforcer and when

671
00:37:17,880 --> 00:37:22,400
Speaker 1: I say enforcer, you the enforcer of understand it. You

672
00:37:22,520 --> 00:37:25,160
Speaker 1: gotta put them in a position to know how to navigate.

673
00:37:25,440 --> 00:37:27,680
Speaker 1: You're not gonna baby to hold their hand and then

674
00:37:27,760 --> 00:37:30,560
Speaker 1: look at you. Sometimes I look at me and I say, yo,

675
00:37:30,719 --> 00:37:33,200
Speaker 1: my children gotta be flight years ahead or where I

676
00:37:33,320 --> 00:37:37,520
Speaker 1: met right now, because I'm already behind schedule and I

677
00:37:37,680 --> 00:37:40,120
Speaker 1: feel it. But here you is trying to aid and

678
00:37:40,239 --> 00:37:42,840
Speaker 1: assist right with children that don't even belong to you.

679
00:37:43,000 --> 00:37:46,160
Speaker 1: And the woman every time that she tells the children

680
00:37:46,520 --> 00:37:49,040
Speaker 1: your ability to aid and assist, she frames it in

681
00:37:49,120 --> 00:37:53,120
Speaker 1: a way, well, Alan is ruining the fun or Alan

682
00:37:53,360 --> 00:37:56,400
Speaker 1: is the one saying and she's wondering why the children

683
00:37:56,520 --> 00:37:59,360
Speaker 1: don't gravitate to them, which you know, it's a cycle,

684
00:37:59,400 --> 00:38:04,960
Speaker 1: it's a vision cycle. My thing is, women, you gotta

685
00:38:05,000 --> 00:38:08,840
Speaker 1: be around somebody you trust. You gotta be around somebody

686
00:38:08,920 --> 00:38:11,440
Speaker 1: you trust. They got your best interests at hard and

687
00:38:11,640 --> 00:38:14,879
Speaker 1: got the children best interests at hard because if it's

688
00:38:14,920 --> 00:38:17,560
Speaker 1: anyway in between, you ain't doing them becausing hell in

689
00:38:17,640 --> 00:38:21,279
Speaker 1: your own life because he gonna whoever the dude this

690
00:38:21,440 --> 00:38:24,919
Speaker 1: is gonna stop putting this best foot forward to aid

691
00:38:25,000 --> 00:38:29,320
Speaker 1: and assists because it turns into you framing it to

692
00:38:29,480 --> 00:38:33,040
Speaker 1: your to your children that he's a problem. Not that

693
00:38:33,200 --> 00:38:36,279
Speaker 1: they can do nothing, but it's just uncomfortable for the

694
00:38:36,400 --> 00:38:39,320
Speaker 1: guy who doesn't have to take yourself through these unnecessary

695
00:38:39,960 --> 00:38:43,319
Speaker 1: term more. You know. But we gotta learn to listen

696
00:38:43,400 --> 00:38:45,839
Speaker 1: to our men about our boys, and learn to listen

697
00:38:45,920 --> 00:38:50,000
Speaker 1: to our women about our girls. You understand, and not

698
00:38:50,200 --> 00:38:54,279
Speaker 1: just listen, but comprehend. We gotta do more than just

699
00:38:54,440 --> 00:38:56,719
Speaker 1: call on the men when you need the furniture brought

700
00:38:56,760 --> 00:38:59,719
Speaker 1: in the house, when you need your tie change. You

701
00:38:59,800 --> 00:39:01,600
Speaker 1: got to listen to the man when he's say, now

702
00:39:01,680 --> 00:39:05,760
Speaker 1: the whome need structure. You gotta listen to the woman

703
00:39:05,800 --> 00:39:09,840
Speaker 1: when the woman say the home need vibrant energy. We

704
00:39:10,000 --> 00:39:13,440
Speaker 1: need better energy. We need plants, we need yeah understand.

705
00:39:13,600 --> 00:39:16,080
Speaker 1: Gotta listen to the woman about the nutrition or side

706
00:39:16,120 --> 00:39:19,200
Speaker 1: of things as well. Maybe she's looking up seeing monster

707
00:39:19,239 --> 00:39:21,920
Speaker 1: effects of eld Bear. Like we gotta listen to the

708
00:39:22,040 --> 00:39:25,040
Speaker 1: men about our boys, and we gotta listen to our

709
00:39:25,120 --> 00:39:28,520
Speaker 1: women about our girls. We're doing ourselves for this service,

710
00:39:28,600 --> 00:39:32,160
Speaker 1: doing anything outside of that, all right? So, um, next

711
00:39:32,239 --> 00:39:34,640
Speaker 1: thing I want to talk about this Russ. For those

712
00:39:34,640 --> 00:39:37,680
Speaker 1: of you that don't know artists, Russ just dropped his

713
00:39:38,080 --> 00:39:43,279
Speaker 1: um new tape called Chomp two. You may have saw

714
00:39:43,400 --> 00:39:49,480
Speaker 1: Russ on Joe Buddon podcast, Rory and Mall podcast Complex. Um.

715
00:39:51,280 --> 00:39:54,920
Speaker 1: He's a he's a he's a very unique He's in

716
00:39:54,960 --> 00:39:59,680
Speaker 1: a very unique situation. Russ the artist is he accumulates

717
00:39:59,719 --> 00:40:03,880
Speaker 1: a lot attraction and earns a lot of income, and

718
00:40:04,520 --> 00:40:09,759
Speaker 1: he's not as world renowned or brought up in a

719
00:40:09,840 --> 00:40:18,600
Speaker 1: conversation as the numbers would prohibit. Right, So oftentimes we

720
00:40:18,680 --> 00:40:21,480
Speaker 1: see Roy's kick out, give a little game about how

721
00:40:21,560 --> 00:40:25,320
Speaker 1: we got Moti without the label help you know what

722
00:40:25,440 --> 00:40:29,480
Speaker 1: he'd done to push yourself in a situation to have leverage,

723
00:40:29,560 --> 00:40:31,799
Speaker 1: have fans be able to sell out Staples Center by

724
00:40:31,840 --> 00:40:35,000
Speaker 1: hisself things like that, right, So he's always been one

725
00:40:35,040 --> 00:40:44,360
Speaker 1: of those people in this genre that was unique in

726
00:40:44,440 --> 00:40:47,160
Speaker 1: that communication. Most people you don't here speak out against

727
00:40:47,160 --> 00:40:49,520
Speaker 1: the label. And I was just talking to earn your

728
00:40:49,600 --> 00:40:52,000
Speaker 1: Leisure about that. A lot of people want to look rich.

729
00:40:52,840 --> 00:40:56,000
Speaker 1: Looking rich is literally all they need, and to be

730
00:40:56,160 --> 00:41:01,360
Speaker 1: in a working rich relationship, meaning you can work the

731
00:41:01,440 --> 00:41:03,319
Speaker 1: hell out of them. And so I can keep looking rich,

732
00:41:03,440 --> 00:41:06,520
Speaker 1: not be rich, just keep working the hell out of them,

733
00:41:06,560 --> 00:41:12,000
Speaker 1: and I'm gonna keep looking rich. There's a disconnect with

734
00:41:12,160 --> 00:41:18,879
Speaker 1: the artists and the business. Most artists even are dumb

735
00:41:19,000 --> 00:41:22,200
Speaker 1: enough to think that these labels are gifting them things

736
00:41:23,040 --> 00:41:26,600
Speaker 1: because they don't check for the invoice. Now the label

737
00:41:26,680 --> 00:41:29,920
Speaker 1: paid for this. No, you paid for this, now to

738
00:41:30,280 --> 00:41:33,439
Speaker 1: my label. Keep me straight, No, you keep you straight.

739
00:41:33,520 --> 00:41:37,839
Speaker 1: They're sending you invoices, bro, surprise party over here, own

740
00:41:37,960 --> 00:41:41,960
Speaker 1: such and such and such and such booking for here.

741
00:41:42,080 --> 00:41:43,719
Speaker 1: And you you said you wanted to go here with

742
00:41:43,880 --> 00:41:47,160
Speaker 1: your girl, and you wanted to go to due Bay

743
00:41:47,280 --> 00:41:50,640
Speaker 1: on the first class flight with the bids and you

744
00:41:50,680 --> 00:41:52,080
Speaker 1: wanted to stay and you didn't have to go in

745
00:41:52,160 --> 00:41:54,879
Speaker 1: your account, they the label took care of and set

746
00:41:54,920 --> 00:41:58,640
Speaker 1: everything up. What you didn't know is the label owned

747
00:41:58,680 --> 00:42:00,680
Speaker 1: houses and due by so what they sending you add

748
00:42:00,719 --> 00:42:03,840
Speaker 1: over there something that they own, but they're invoicing you

749
00:42:03,960 --> 00:42:07,360
Speaker 1: for so again. Russ has always been that type of person.

750
00:42:07,480 --> 00:42:09,400
Speaker 1: He's the one that went on complex and when he

751
00:42:09,480 --> 00:42:12,120
Speaker 1: was speaking of acting on the desk and I think

752
00:42:12,239 --> 00:42:15,239
Speaker 1: Joe Button, it was a situation where he was like, yo,

753
00:42:15,360 --> 00:42:17,759
Speaker 1: y'all didn't even want to let me up him and

754
00:42:17,840 --> 00:42:20,200
Speaker 1: I'll be selling out like I made eleven million dollars

755
00:42:20,320 --> 00:42:22,719
Speaker 1: last year off music and y'all, y'all got dudes up

756
00:42:22,760 --> 00:42:25,080
Speaker 1: here that's badly cracking, such as like he was kicking

757
00:42:25,160 --> 00:42:30,240
Speaker 1: his ship because he felt played. We gotta be careful thought.

758
00:42:30,800 --> 00:42:34,840
Speaker 1: But see he spoke truth to power. These people that

759
00:42:34,880 --> 00:42:37,480
Speaker 1: are sitting in these seats, sometimes they are they are there,

760
00:42:37,560 --> 00:42:40,640
Speaker 1: then they're gone. But if you become an earner in

761
00:42:40,719 --> 00:42:44,840
Speaker 1: this space, you earned the right to navigate around this

762
00:42:44,960 --> 00:42:47,359
Speaker 1: game in a way where you see fit. Let's look

763
00:42:47,400 --> 00:42:49,480
Speaker 1: at a little bit of Russ it and we'll bring

764
00:42:49,600 --> 00:42:53,479
Speaker 1: back some game on it. Sometimes it's like, I don't

765
00:42:53,560 --> 00:42:55,520
Speaker 1: fuck with y'all. I wonder if there's even a game

766
00:42:55,600 --> 00:42:57,319
Speaker 1: to play though, because I don't even think that gets

767
00:42:57,360 --> 00:42:59,759
Speaker 1: you anywhere. See, now this is the conversation me and

768
00:42:59,840 --> 00:43:02,920
Speaker 1: my boy we're having. Imagine this. Imagine I walked into

769
00:43:03,000 --> 00:43:05,040
Speaker 1: the game, I did kiss ass, I did shut up,

770
00:43:05,120 --> 00:43:07,880
Speaker 1: I was quiet, I didn't defend anyone, I didn't ruffle feathers,

771
00:43:08,440 --> 00:43:11,200
Speaker 1: and I still didn't get the approval in the industry. Looks.

772
00:43:11,400 --> 00:43:14,000
Speaker 1: Then I'd be real pissed. Imagine kiss and asking you

773
00:43:14,080 --> 00:43:17,399
Speaker 1: still don't you know what I'm saying? Like shit? Which

774
00:43:17,480 --> 00:43:19,520
Speaker 1: is ninety five percent of all of these dudes. And

775
00:43:20,360 --> 00:43:23,560
Speaker 1: that's why they pop up at thirty with the screenshot

776
00:43:23,680 --> 00:43:25,960
Speaker 1: and the white fie on the black screen like I'm

777
00:43:26,000 --> 00:43:29,920
Speaker 1: doing this today. It's because, yeah, because y'all. Y'all were

778
00:43:30,120 --> 00:43:33,400
Speaker 1: bent over for eight years thinking that if I let

779
00:43:33,480 --> 00:43:36,400
Speaker 1: them fuck me, they'll love me. And they've been fucking

780
00:43:36,440 --> 00:43:38,040
Speaker 1: you for eight years and they still don't like you.

781
00:43:39,000 --> 00:43:43,000
Speaker 1: Damn Russ. It's the truth, though it's seen it a

782
00:43:43,040 --> 00:43:47,120
Speaker 1: million times. People that always want to be but see

783
00:43:47,160 --> 00:43:49,480
Speaker 1: the only thing with that is dain't fucking you to

784
00:43:49,640 --> 00:43:53,360
Speaker 1: like you. You ever seen a niggacy, just like in

785
00:43:53,440 --> 00:43:56,040
Speaker 1: a relationship, some people you meet them just to fuck

786
00:43:56,120 --> 00:43:59,799
Speaker 1: them because you feel like fucking But in this business, dame,

787
00:44:00,080 --> 00:44:03,200
Speaker 1: they ain't. They ain't doing this for no recourse. They're

788
00:44:03,239 --> 00:44:05,840
Speaker 1: doing this because this is how has set up. This

789
00:44:06,080 --> 00:44:08,839
Speaker 1: is a selfish play. This is about me making some money.

790
00:44:08,880 --> 00:44:11,080
Speaker 1: This ain't got nothing to do with me liking you.

791
00:44:11,440 --> 00:44:15,160
Speaker 1: But he's talking about the other rap dudes. You gotta work, bro.

792
00:44:15,280 --> 00:44:17,799
Speaker 1: You gotta remember how the rappers slick confused. They don't

793
00:44:17,840 --> 00:44:20,200
Speaker 1: even know what's going on. They think they're more powerful

794
00:44:20,280 --> 00:44:23,839
Speaker 1: than they is in regards to financially, and they don't

795
00:44:23,880 --> 00:44:27,160
Speaker 1: know how much power they really got as far as publicly,

796
00:44:28,200 --> 00:44:31,600
Speaker 1: So they confused on both ends. They take the power

797
00:44:31,719 --> 00:44:34,400
Speaker 1: that they got publicly and they confuse it with the

798
00:44:34,480 --> 00:44:38,040
Speaker 1: power that they got financially. They usually strong getting one

799
00:44:38,120 --> 00:44:41,680
Speaker 1: spot and weak in the other. And there's an old

800
00:44:41,800 --> 00:44:46,080
Speaker 1: saying that a man is strong and strong everywhere, you know,

801
00:44:46,280 --> 00:44:48,320
Speaker 1: so you can't be weak over here in the business,

802
00:44:48,400 --> 00:44:51,160
Speaker 1: but strong getting the studio. We gotta make sure we

803
00:44:51,280 --> 00:45:00,480
Speaker 1: bridge the gap. And that's what that's all about, right,

804
00:45:00,640 --> 00:45:03,960
Speaker 1: Nobody cares at all. When's the last time you saw

805
00:45:04,000 --> 00:45:05,680
Speaker 1: somebody on the front cover of a magazine and it

806
00:45:05,760 --> 00:45:09,040
Speaker 1: made you want to check out their music? Never because

807
00:45:09,040 --> 00:45:10,760
Speaker 1: by the time you get on the front cover of magazine,

808
00:45:10,800 --> 00:45:12,960
Speaker 1: I'm already If I'm working with your music, I'm already

809
00:45:12,960 --> 00:45:14,640
Speaker 1: fucking with right like that. And if you're not working

810
00:45:14,680 --> 00:45:16,040
Speaker 1: with it, that's not what's gonna do it for me.

811
00:45:16,120 --> 00:45:18,520
Speaker 1: And that's the conversation we were having, and I had

812
00:45:18,560 --> 00:45:23,120
Speaker 1: to check my ego where it's like artists or artists

813
00:45:23,120 --> 00:45:26,960
Speaker 1: with egos, which is everyone have fomo. So if I

814
00:45:27,080 --> 00:45:32,160
Speaker 1: see excuse me, if I see awards events, whatever it is,

815
00:45:32,520 --> 00:45:34,840
Speaker 1: I might get fomo of Like damn, I wish. I

816
00:45:35,000 --> 00:45:36,520
Speaker 1: was like, what can I do to get that? That's

817
00:45:36,560 --> 00:45:40,440
Speaker 1: my ego, trying to be like, you know, approved and recognized.

818
00:45:41,040 --> 00:45:42,880
Speaker 1: But then when I really asked myself, I'm like, what

819
00:45:43,000 --> 00:45:46,400
Speaker 1: does that mean? What is the what is the famous

820
00:45:46,480 --> 00:45:50,080
Speaker 1: girl walking outside of nobu mean? What does the magazine

821
00:45:50,160 --> 00:45:53,400
Speaker 1: cover really mean? Like, it doesn't mean anything. It just

822
00:45:53,480 --> 00:45:55,799
Speaker 1: solidifies my ego, which that's the last thing I'm trying

823
00:45:55,840 --> 00:45:57,920
Speaker 1: to do, to be honest, The ego just is trying

824
00:45:57,960 --> 00:46:01,959
Speaker 1: to survive. I'm trying to live. It's actually a slight,

825
00:46:02,400 --> 00:46:04,919
Speaker 1: slight turn off when I see everybody, when I see

826
00:46:04,960 --> 00:46:08,399
Speaker 1: somebody doing everything except for the music. Yeah, bro, Yeah,

827
00:46:08,960 --> 00:46:12,680
Speaker 1: I agree, put out, drop some hard shit, press play now.

828
00:46:12,880 --> 00:46:19,600
Speaker 1: I also understand, though, that perception is everything. I don't agree.

829
00:46:21,040 --> 00:46:23,160
Speaker 1: I had this conversation with Young I'm not gonna I'm

830
00:46:23,160 --> 00:46:26,359
Speaker 1: not gonna say it's everything on the business though, Charlotte Magne.

831
00:46:26,400 --> 00:46:29,479
Speaker 1: I think he's saying in the business, when you're dealing

832
00:46:29,520 --> 00:46:35,440
Speaker 1: with the fans, perception is important. Very this. That's why

833
00:46:35,440 --> 00:46:37,719
Speaker 1: I said on Hustle Freestyle biggest rapper without a co sign.

834
00:46:38,600 --> 00:46:41,120
Speaker 1: If I was if I was brought into the game

835
00:46:41,200 --> 00:46:44,040
Speaker 1: like this, or if a Kanye went like this to

836
00:46:44,120 --> 00:46:47,319
Speaker 1: me right now, or Drake went my music gets hurt

837
00:46:47,400 --> 00:46:52,279
Speaker 1: differently because it's like, oh, he said it's cool. You

838
00:46:52,400 --> 00:46:55,080
Speaker 1: listen to people's music differently. If your friend says it's

839
00:46:55,120 --> 00:46:57,640
Speaker 1: dope and it's a trusted source, that's all co sign

840
00:46:57,800 --> 00:47:02,240
Speaker 1: is is like Kanye's taste. If Kanye says it's dope,

841
00:47:02,360 --> 00:47:04,799
Speaker 1: then it must be dope, you feel me. So it's

842
00:47:04,840 --> 00:47:07,200
Speaker 1: like I disagree with you, you know, like the fact

843
00:47:07,239 --> 00:47:10,960
Speaker 1: that see I disagree with that. I think that's information

844
00:47:11,080 --> 00:47:13,520
Speaker 1: lost as well. You hear Russ say that he thinks

845
00:47:13,560 --> 00:47:15,880
Speaker 1: a co sign is someone just saying that, hey, I

846
00:47:16,000 --> 00:47:18,640
Speaker 1: trust the music. I think that's a coach sign from

847
00:47:18,640 --> 00:47:21,719
Speaker 1: a certain individual. But I think a coach sign is

848
00:47:21,760 --> 00:47:24,560
Speaker 1: giving me some information on how to navigate this in

849
00:47:24,760 --> 00:47:30,800
Speaker 1: your absence, in conjunction with letting the people know that

850
00:47:31,200 --> 00:47:33,600
Speaker 1: you know, this is a trusted person that I listened

851
00:47:33,600 --> 00:47:37,800
Speaker 1: to or that I would would would would put in

852
00:47:37,880 --> 00:47:40,440
Speaker 1: my tape deck or put in my you know U

853
00:47:41,120 --> 00:47:44,759
Speaker 1: sound cabin. You understand this guy somebody that I would

854
00:47:44,840 --> 00:47:47,480
Speaker 1: ride to or this podcast is what I think. This

855
00:47:47,680 --> 00:47:51,160
Speaker 1: is a dope podcast. But in conjunction with that, I'm

856
00:47:51,160 --> 00:47:54,600
Speaker 1: gonna do an interview with him. To me, that's the

857
00:47:54,719 --> 00:47:58,600
Speaker 1: co sign. Too many times robbers are only looking for

858
00:47:58,719 --> 00:48:02,640
Speaker 1: a post on somebody age or like from an individual.

859
00:48:02,719 --> 00:48:05,279
Speaker 1: To me, that's not a coach saying. That's engagement. And

860
00:48:06,000 --> 00:48:09,359
Speaker 1: I'm sure the artists appreciates that or the podcast or who.

861
00:48:09,760 --> 00:48:13,160
Speaker 1: But a real co sign is saying, little bro, let

862
00:48:13,200 --> 00:48:15,439
Speaker 1: me show you how to structure that. Let me show

863
00:48:15,480 --> 00:48:17,040
Speaker 1: you how to go get some paper with that. You

864
00:48:17,160 --> 00:48:20,080
Speaker 1: got something right there, I'm gonna wrap my arm around it,

865
00:48:20,120 --> 00:48:22,080
Speaker 1: and I'm gonna let the people know, y'all go get

866
00:48:22,160 --> 00:48:25,400
Speaker 1: with home. That's what the co saying looked like. And

867
00:48:25,520 --> 00:48:27,600
Speaker 1: in this game, you must know what the coach saying

868
00:48:27,680 --> 00:48:30,799
Speaker 1: looked like. It's all about the communication and language. Don't

869
00:48:30,840 --> 00:48:34,040
Speaker 1: say if we family, don't say we la la fi

870
00:48:34,200 --> 00:48:39,920
Speaker 1: familiar if we ain't family, Because now you're playing with

871
00:48:40,080 --> 00:48:43,880
Speaker 1: my intelligence, right, I'm looking at things from a holistic

872
00:48:44,000 --> 00:48:46,600
Speaker 1: standpoint and me and stand next to their words and

873
00:48:46,680 --> 00:48:49,680
Speaker 1: stand on top of what they say. Right, So I'm thinking, oh,

874
00:48:49,840 --> 00:48:54,960
Speaker 1: you say were family, so we family? But this is

875
00:48:55,000 --> 00:48:58,160
Speaker 1: this how family do family. That's a whole other conversation.

876
00:48:58,280 --> 00:49:00,600
Speaker 1: But again, I just disagree with the coach saying being

877
00:49:01,080 --> 00:49:04,120
Speaker 1: you know, as simple as Kanye saying, yo, I like

878
00:49:04,320 --> 00:49:08,479
Speaker 1: his music. Nah, Kanye, you got said I like his music.

879
00:49:08,560 --> 00:49:12,799
Speaker 1: I'm producing this next album, or I'm dropping this single

880
00:49:12,880 --> 00:49:14,960
Speaker 1: with him, or he's coming on tour with me, or

881
00:49:15,440 --> 00:49:17,319
Speaker 1: you know, we gotta you gotta know what the coach

882
00:49:17,360 --> 00:49:21,000
Speaker 1: saying looked like. In my opinion, to be as successful

883
00:49:21,040 --> 00:49:25,120
Speaker 1: as I am with fuck a co sign the opposite

884
00:49:25,160 --> 00:49:26,920
Speaker 1: of a co sign. A lot of people in the

885
00:49:27,000 --> 00:49:28,600
Speaker 1: industry there was a time where it was just like,

886
00:49:29,480 --> 00:49:32,600
Speaker 1: we don't fuck with you. There's our co sign. We

887
00:49:32,680 --> 00:49:34,880
Speaker 1: don't like you, we don't fuck with you. Your whack.

888
00:49:35,160 --> 00:49:37,240
Speaker 1: You know what I'm saying, like, you got Metro booming,

889
00:49:37,520 --> 00:49:40,359
Speaker 1: the one of the biggest producers who I've never even met,

890
00:49:41,280 --> 00:49:44,560
Speaker 1: posting something saying Russ's whack. I'm even talking about the music,

891
00:49:44,640 --> 00:49:48,279
Speaker 1: just his spirit. Eighty thousand retweets. It's like, dog, what

892
00:49:48,719 --> 00:49:50,640
Speaker 1: when did you do that? I missed that? That was

893
00:49:50,800 --> 00:49:52,719
Speaker 1: like that also started a whole That's what I'm saying,

894
00:49:52,760 --> 00:49:55,920
Speaker 1: Like people started, No, that just like went that added

895
00:49:56,000 --> 00:49:58,440
Speaker 1: onto it, like and you know Little Pump saying me

896
00:49:58,520 --> 00:50:02,520
Speaker 1: and Jay Cole cold cool now was fuck Russ. It's like,

897
00:50:03,640 --> 00:50:05,640
Speaker 1: what the fuck did I do to y'all? Shut the

898
00:50:05,760 --> 00:50:07,800
Speaker 1: fuck up? You know what I'm saying, Like, shut the

899
00:50:07,880 --> 00:50:10,520
Speaker 1: fuck up. You're too grown, Like not Little Pump, but

900
00:50:10,760 --> 00:50:13,919
Speaker 1: like Metro, You're too grown to be doing weird shit

901
00:50:14,040 --> 00:50:16,879
Speaker 1: like that. You never met him. I've never met him,

902
00:50:17,440 --> 00:50:20,399
Speaker 1: never had a conversation. So I just look at shit

903
00:50:20,520 --> 00:50:23,400
Speaker 1: like that, and I'm like, you're a weirdo. Because at

904
00:50:23,440 --> 00:50:26,000
Speaker 1: the end of the day, as a grown man who's

905
00:50:26,080 --> 00:50:28,839
Speaker 1: in this ship and who understands that, look, we're all

906
00:50:29,040 --> 00:50:33,680
Speaker 1: like up against obstacles of just even like self doubt

907
00:50:33,920 --> 00:50:37,000
Speaker 1: and trying to like tackle this industry, and and we're

908
00:50:37,000 --> 00:50:40,040
Speaker 1: already dealing with bullshit from the outside. We're supposed to

909
00:50:40,040 --> 00:50:42,640
Speaker 1: be on the same team. We're not supposed to be

910
00:50:42,680 --> 00:50:46,800
Speaker 1: trying to like start uh my mentality smear campaigns with

911
00:50:46,920 --> 00:50:49,600
Speaker 1: our platform against another artist who we don't even fucking

912
00:50:49,840 --> 00:50:52,520
Speaker 1: know what type of shit is that. So you're telling

913
00:50:52,520 --> 00:50:56,240
Speaker 1: me that Metro just tweeted Russ's whack for no reason.

914
00:50:56,600 --> 00:50:58,560
Speaker 1: I think he. I think it was because I mentioned

915
00:50:58,600 --> 00:51:00,440
Speaker 1: how a lot of the productions sound was the same

916
00:51:00,520 --> 00:51:04,040
Speaker 1: these days. Oh okay, okay, and then so social media

917
00:51:04,160 --> 00:51:08,480
Speaker 1: probably started adding yeah, but I think metrics beats are hard.

918
00:51:08,560 --> 00:51:11,280
Speaker 1: I'm just I was just making observation. What's the issue?

919
00:51:11,560 --> 00:51:16,040
Speaker 1: Like I can say this, man, I've never used my

920
00:51:16,160 --> 00:51:19,960
Speaker 1: platform to tear down another artist or producer in my life,

921
00:51:20,120 --> 00:51:22,880
Speaker 1: and I never would I use it to big people up,

922
00:51:22,920 --> 00:51:26,279
Speaker 1: to be honest, It's like, I guess I'm just more

923
00:51:26,360 --> 00:51:29,920
Speaker 1: responsible with my platform. I don't use yo. The metric

924
00:51:30,080 --> 00:51:33,920
Speaker 1: is the is the business working? Do you think it's

925
00:51:34,000 --> 00:51:37,120
Speaker 1: popping to me? Right? Because popping to me is what

926
00:51:38,280 --> 00:51:40,520
Speaker 1: you do. And I tell you why because I see

927
00:51:40,560 --> 00:51:44,200
Speaker 1: the numbers. Yeah, I see the money yeah being made.

928
00:51:44,440 --> 00:51:48,120
Speaker 1: If it's not translating into dollars. Okay, it's popping. It's popping,

929
00:51:48,200 --> 00:51:50,920
Speaker 1: just your followers on social media as you get posted

930
00:51:51,000 --> 00:51:54,920
Speaker 1: on Shade Room and you know, Hollywood Unlocked. So is

931
00:51:54,960 --> 00:51:58,719
Speaker 1: that your metric? Metric is the money? Absolutely? I feel you.

932
00:51:59,120 --> 00:52:01,320
Speaker 1: I'm not mad at that. It's a bit. The metric

933
00:52:01,440 --> 00:52:05,440
Speaker 1: is is the business working? For sure? The metric is

934
00:52:05,480 --> 00:52:10,759
Speaker 1: the business working. For sure. The metric, the metric is

935
00:52:10,840 --> 00:52:13,800
Speaker 1: the business working. I don't want to hear nothing about

936
00:52:13,840 --> 00:52:16,960
Speaker 1: what you're saying and talking about. You here always talk

937
00:52:17,000 --> 00:52:19,960
Speaker 1: about I'm results based. I don't want to really hear

938
00:52:20,000 --> 00:52:22,120
Speaker 1: too much of the yip yap. I'm trying to see

939
00:52:22,160 --> 00:52:26,120
Speaker 1: what we talk about. I'm trying to see what we're

940
00:52:26,160 --> 00:52:30,680
Speaker 1: talking about seeing. That's why they gotta download what I'm uploading,

941
00:52:31,080 --> 00:52:34,400
Speaker 1: because the game I'm putting down telling you to see, look,

942
00:52:34,719 --> 00:52:37,279
Speaker 1: find the results. Don't let them talk you to death.

943
00:52:38,120 --> 00:52:40,440
Speaker 1: Don't let them talk you to death. How effective is

944
00:52:40,480 --> 00:52:44,520
Speaker 1: this shit you kicking? I'm trying to check the parameters

945
00:52:44,600 --> 00:52:47,160
Speaker 1: of it. But see, the game is full of fake smiles,

946
00:52:47,840 --> 00:52:50,600
Speaker 1: fake promises. That's why you hear Drake say, no friends

947
00:52:50,640 --> 00:52:53,800
Speaker 1: in the industry, the number one artists in the world,

948
00:52:53,920 --> 00:52:56,520
Speaker 1: No friends in the industry. The industry is a weird place.

949
00:52:57,520 --> 00:52:59,759
Speaker 1: It teaches these dudes how to fake kick it, how

950
00:52:59,800 --> 00:53:01,600
Speaker 1: to out of each other, how to act like, now

951
00:53:01,640 --> 00:53:04,160
Speaker 1: I'm looking your best interest. Bro y'all say I'm from

952
00:53:04,200 --> 00:53:07,160
Speaker 1: the street, and they thank you again. They think they're stealing,

953
00:53:07,600 --> 00:53:10,480
Speaker 1: They think I can't peep that. They think I don't

954
00:53:10,520 --> 00:53:14,960
Speaker 1: see this dude full of shit, right, but the tables

955
00:53:15,000 --> 00:53:17,080
Speaker 1: are turning. You gotta thank you dealing with a man

956
00:53:17,160 --> 00:53:19,239
Speaker 1: that had to deal with some people. They've been dealing

957
00:53:19,320 --> 00:53:22,520
Speaker 1: with some people. So we come from a lineage of thinkers.

958
00:53:22,760 --> 00:53:24,239
Speaker 1: This is how we had to come up out of

959
00:53:24,320 --> 00:53:27,680
Speaker 1: this dog. You dudes came out smart us when it

960
00:53:27,760 --> 00:53:33,960
Speaker 1: comes to survival tactics. Right. So when a real street

961
00:53:34,080 --> 00:53:37,280
Speaker 1: dude get in the industry, get weird, shit gets slippery,

962
00:53:38,239 --> 00:53:40,520
Speaker 1: you know, because they'll promise you all been lit because

963
00:53:40,560 --> 00:53:42,640
Speaker 1: they're in you're sitting and they want to be comfortable.

964
00:53:44,320 --> 00:53:46,279
Speaker 1: They know the people won't tell you know, and they're

965
00:53:46,320 --> 00:53:49,359
Speaker 1: close enough for you to grab them or make it uncomfortable.

966
00:53:49,400 --> 00:53:53,000
Speaker 1: What you ain't even thinking like that, you understand, But

967
00:53:53,120 --> 00:53:56,560
Speaker 1: they so caught up in their own man that they're

968
00:53:56,600 --> 00:53:58,959
Speaker 1: scared of what they don't know right, So they're thinking

969
00:53:59,040 --> 00:54:01,520
Speaker 1: that you won't problem. You don't even it ain't even

970
00:54:01,600 --> 00:54:04,719
Speaker 1: like that, So they promised things the dudes, man, I'm

971
00:54:04,719 --> 00:54:06,600
Speaker 1: missing with your music. Man, I'm gonna do a feature

972
00:54:06,600 --> 00:54:09,080
Speaker 1: with your man, then let me know and then don't answer.

973
00:54:09,680 --> 00:54:13,439
Speaker 1: You create your own beef. You creating beef with people

974
00:54:13,480 --> 00:54:15,520
Speaker 1: that you don't even have beef? Why are you promising

975
00:54:15,600 --> 00:54:19,880
Speaker 1: folk things? They say? Jay Princeton is real, yo, bro,

976
00:54:20,040 --> 00:54:22,200
Speaker 1: you come down to Houston, man, you need it. You

977
00:54:22,920 --> 00:54:25,560
Speaker 1: come and told us all letting then come up missing man?

978
00:54:25,560 --> 00:54:28,000
Speaker 1: Who you think what? You're right? But y'all come from

979
00:54:28,040 --> 00:54:30,560
Speaker 1: a place where you come up in that corporate office

980
00:54:31,520 --> 00:54:34,680
Speaker 1: where you you got a minute, you tell to shut

981
00:54:34,760 --> 00:54:36,920
Speaker 1: the door, hey, and just been on her phone at

982
00:54:36,960 --> 00:54:38,759
Speaker 1: her desk. You know, I didn't want to say nothing,

983
00:54:38,760 --> 00:54:40,480
Speaker 1: and hopefully you won't let them know what I'm saying.

984
00:54:40,680 --> 00:54:43,239
Speaker 1: You y'all going in there telling on people, and y'all

985
00:54:43,280 --> 00:54:46,560
Speaker 1: come from that background of you know, snaking your man's

986
00:54:46,600 --> 00:54:49,439
Speaker 1: out on the deal where he didn't know but didn't

987
00:54:49,480 --> 00:54:51,640
Speaker 1: come in the next morning. Hey, how's it going, y'all?

988
00:54:51,800 --> 00:54:55,440
Speaker 1: Like y'all on some other shit? They wit they deep, man,

989
00:54:55,440 --> 00:54:58,680
Speaker 1: ain't this shit go deep, man, you know what I mean.

990
00:54:58,880 --> 00:55:01,520
Speaker 1: So so it t it teaches them how to It

991
00:55:01,640 --> 00:55:04,399
Speaker 1: teaches them. That teaches them how to lie. Now you're

992
00:55:04,440 --> 00:55:06,040
Speaker 1: dealing with a lot of men and come out of

993
00:55:06,040 --> 00:55:09,640
Speaker 1: the industry. They're just really good liars, fake kickers. So

994
00:55:09,760 --> 00:55:14,000
Speaker 1: now they attached themselves to a woman. You understand. But

995
00:55:14,080 --> 00:55:16,239
Speaker 1: now the woman got sense enough to know because she

996
00:55:16,920 --> 00:55:20,480
Speaker 1: in the inside. Now, if this ain't the first rodeo. Now,

997
00:55:20,520 --> 00:55:23,239
Speaker 1: if this old girl first rodeo with a rapper who

998
00:55:23,320 --> 00:55:25,920
Speaker 1: don't got no information but he popped, she may think

999
00:55:25,960 --> 00:55:29,400
Speaker 1: he really rich. But you got some people that have

1000
00:55:29,480 --> 00:55:32,360
Speaker 1: been dealing with rappers for a decade. Now she know

1001
00:55:32,520 --> 00:55:35,080
Speaker 1: the rapper that's living off the label and the rapper

1002
00:55:35,160 --> 00:55:38,840
Speaker 1: that's really really got some paper. A lot of times

1003
00:55:39,160 --> 00:55:41,799
Speaker 1: she know the nigga were broke, and she still got

1004
00:55:41,920 --> 00:55:47,000
Speaker 1: pregnant because she a gremlin. He understand. Yes, she knew

1005
00:55:47,040 --> 00:55:49,879
Speaker 1: the nigga were broke, and she still got pregnant because

1006
00:55:49,920 --> 00:55:53,759
Speaker 1: she a gremlin. Sometimes the girls sitting next to the rapper. No,

1007
00:55:54,040 --> 00:55:57,360
Speaker 1: he ain't really got nothing. I made this little parman.

1008
00:55:57,440 --> 00:55:59,919
Speaker 1: He stay are they d got six hundred thousand follow

1009
00:56:00,120 --> 00:56:03,879
Speaker 1: was on Instagram. He really doing bad. But they think

1010
00:56:03,920 --> 00:56:07,400
Speaker 1: he popping everything he got them and gave to him.

1011
00:56:07,520 --> 00:56:11,560
Speaker 1: He ain't really earned nothing with this following or nothing.

1012
00:56:11,640 --> 00:56:14,000
Speaker 1: He don't know how to structure this thing, right. So

1013
00:56:14,160 --> 00:56:16,960
Speaker 1: you're dealing with Sometimes you're dealing with men that know

1014
00:56:17,080 --> 00:56:19,480
Speaker 1: how to trick the women, but sometimes you're dealing with

1015
00:56:19,600 --> 00:56:24,319
Speaker 1: women that's just out of touch with their reality. You're

1016
00:56:24,360 --> 00:56:27,359
Speaker 1: thinking that you're gonna be able to harness this dude

1017
00:56:27,440 --> 00:56:29,360
Speaker 1: and the starting to love you or treat you a

1018
00:56:29,480 --> 00:56:33,000
Speaker 1: different way, and that just ain't gonna happen either. So

1019
00:56:33,239 --> 00:56:36,040
Speaker 1: sometimes it's the man faults. Sometimes it's the woman fault.

1020
00:56:36,080 --> 00:56:38,920
Speaker 1: That's why I say us together, we all we we

1021
00:56:39,800 --> 00:56:45,279
Speaker 1: we need a more fucking update. As a as a community,

1022
00:56:45,480 --> 00:56:49,200
Speaker 1: we need an update now. I mean, or were handling

1023
00:56:49,320 --> 00:56:53,239
Speaker 1: things with the wrong intentions. You did what I'm saying.

1024
00:56:53,280 --> 00:56:55,680
Speaker 1: Some of this need to be handled with care. Some

1025
00:56:55,840 --> 00:56:57,680
Speaker 1: of this ship can be through just on the porch

1026
00:56:57,760 --> 00:56:59,880
Speaker 1: and key rolling. Some of this you need a signature,

1027
00:57:01,239 --> 00:57:02,799
Speaker 1: you know what I mean. So you just gotta keep

1028
00:57:02,880 --> 00:57:04,759
Speaker 1: your eyes open. Man, Let's listen to a little bit

1029
00:57:04,840 --> 00:57:08,920
Speaker 1: more what Russ was saying and we'll move on. Just

1030
00:57:09,200 --> 00:57:11,520
Speaker 1: is your business, that's fair. I agree, that's what that's

1031
00:57:11,560 --> 00:57:13,560
Speaker 1: that's what that's what I look at because other stuff

1032
00:57:13,600 --> 00:57:18,280
Speaker 1: ain't business. That's just agree bulls. Yeah, I agree. Are

1033
00:57:18,280 --> 00:57:20,800
Speaker 1: you selling tickets? Yeah, yes, that's what I said. I think,

1034
00:57:20,800 --> 00:57:22,920
Speaker 1: can you sell our shows? He's selling merch or yeah,

1035
00:57:22,960 --> 00:57:26,760
Speaker 1: I'm selling. If the business is booming, that's popping to me.

1036
00:57:27,000 --> 00:57:29,760
Speaker 1: But see I can't even like, I can't even believe

1037
00:57:29,800 --> 00:57:34,200
Speaker 1: album sales anymore. That's why I said I restored her

1038
00:57:34,920 --> 00:57:37,600
Speaker 1: so um so yeah, So that's Roy. I mean russ Man.

1039
00:57:37,640 --> 00:57:40,400
Speaker 1: Go check russ out on Breakfast Club Shout with Charlemagne.

1040
00:57:40,480 --> 00:57:43,880
Speaker 1: Charlemagne of course conducted a pretty good interview with him,

1041
00:57:44,400 --> 00:57:46,760
Speaker 1: about an hour long, so they got a lot of game,

1042
00:57:46,840 --> 00:57:49,040
Speaker 1: mat Man. So we're gonna take a quick break and

1043
00:57:49,120 --> 00:57:52,000
Speaker 1: then we'll be back. Yo yo yo, We're back. So

1044
00:57:52,760 --> 00:57:55,280
Speaker 1: the next thing I wanted to get into and speak

1045
00:57:55,280 --> 00:57:59,000
Speaker 1: about is Magan the Stallion and tour relanes Um. For

1046
00:57:59,120 --> 00:58:02,560
Speaker 1: those of you to something, well, Um, Megan the Stallion

1047
00:58:03,480 --> 00:58:05,760
Speaker 1: and to re Lanz had an altercation I think about

1048
00:58:05,800 --> 00:58:10,840
Speaker 1: two years ago, UM where she was reportedly shot um

1049
00:58:10,920 --> 00:58:13,360
Speaker 1: and took to a hospital. UM. At that time, she

1050
00:58:13,560 --> 00:58:17,760
Speaker 1: did not um say that she was shot. Um from

1051
00:58:17,840 --> 00:58:20,240
Speaker 1: her mouth, she said that she was protecting tour Re

1052
00:58:20,320 --> 00:58:24,400
Speaker 1: Lanz at that time. Um, police brutality was heightened, and

1053
00:58:24,920 --> 00:58:26,959
Speaker 1: and there was a lot going on at that time,

1054
00:58:27,520 --> 00:58:29,720
Speaker 1: just to kind of frame what was, you know, really

1055
00:58:29,840 --> 00:58:33,000
Speaker 1: happening in real time. But um, if you were shot

1056
00:58:33,080 --> 00:58:35,600
Speaker 1: by my still think maybe you should have, you know,

1057
00:58:35,960 --> 00:58:39,840
Speaker 1: let that be known to them, especially if you're gonna

1058
00:58:39,880 --> 00:58:42,720
Speaker 1: take this approach at this point. Nonetheless, we don't like

1059
00:58:42,880 --> 00:58:46,640
Speaker 1: to see people hurting in that manner or or by

1060
00:58:46,920 --> 00:58:51,240
Speaker 1: anyone under those circumstances. Of course, the point I'm making,

1061
00:58:51,560 --> 00:58:55,280
Speaker 1: um is just framing what's happening, is that when this happened,

1062
00:58:55,320 --> 00:58:58,840
Speaker 1: this was in Beverly Hills, I think or Calabasa. So

1063
00:58:58,880 --> 00:59:03,880
Speaker 1: they were leaving a pool party with Kylie Jenner. And

1064
00:59:04,000 --> 00:59:06,959
Speaker 1: I'm only saying that because you've heard the point made

1065
00:59:07,040 --> 00:59:11,600
Speaker 1: by several people that in those kind of areas you're

1066
00:59:11,600 --> 00:59:17,160
Speaker 1: dealing with damn this surveillance. See again, it's levels to

1067
00:59:17,240 --> 00:59:21,640
Speaker 1: everything in the projects and the little boy homes. You're

1068
00:59:21,680 --> 00:59:24,840
Speaker 1: dealing with the ring camera, you know, you know what

1069
00:59:24,880 --> 00:59:27,280
Speaker 1: I'm saying, You're dealing with old rheing camera or a

1070
00:59:27,400 --> 00:59:32,200
Speaker 1: lottle old vivid, old, simple, safe, you know, understand, but

1071
00:59:32,360 --> 00:59:35,040
Speaker 1: you're just dealing with the ring camera. When you get

1072
00:59:35,160 --> 00:59:38,040
Speaker 1: up to a little cooler sub division, then you might

1073
00:59:38,120 --> 00:59:41,600
Speaker 1: be dealing with the ring camera, a few indoor cameras,

1074
00:59:41,680 --> 00:59:46,000
Speaker 1: but when you get the Calabassis, Beverly Hills, you know, Brentwood,

1075
00:59:46,160 --> 00:59:49,560
Speaker 1: things like that, you're dealing with surveillance. So you're dealing

1076
00:59:49,600 --> 00:59:53,280
Speaker 1: with cameras all around. These people in their own writer

1077
00:59:53,440 --> 00:59:56,120
Speaker 1: trying to protect themselves. They feel as though they're valuable

1078
00:59:56,200 --> 00:59:59,040
Speaker 1: based on the amount of money they have, so you

1079
00:59:59,200 --> 01:00:03,960
Speaker 1: deal with people that has a high level of security. Again,

1080
01:00:04,400 --> 01:00:07,560
Speaker 1: damn is damn then like surveillance. So when that first happened,

1081
01:00:07,600 --> 01:00:10,480
Speaker 1: everybody was saying, yo, we should see a video of this.

1082
01:00:10,840 --> 01:00:14,480
Speaker 1: Somebody camera caught something, as we see rappers dying with

1083
01:00:14,600 --> 01:00:17,160
Speaker 1: the ring cameras and things like that. So a lot

1084
01:00:17,200 --> 01:00:19,240
Speaker 1: of people were saying that some you know, some some

1085
01:00:19,440 --> 01:00:22,080
Speaker 1: evidence of footage or something should have came out. Nothing

1086
01:00:22,160 --> 01:00:26,520
Speaker 1: came out. So now we started to see two superstars

1087
01:00:26,600 --> 01:00:29,520
Speaker 1: at the time, because if you remember, Tory Lanes was

1088
01:00:29,600 --> 01:00:32,360
Speaker 1: just about to depart from Interscope, so he was still

1089
01:00:32,480 --> 01:00:37,720
Speaker 1: considered a valuable asset to a fortune five hundred company. Right,

1090
01:00:37,880 --> 01:00:43,040
Speaker 1: So that would that would be in the thought process

1091
01:00:43,160 --> 01:00:45,600
Speaker 1: of the company, you know, to protect him and how

1092
01:00:45,640 --> 01:00:50,560
Speaker 1: they portray him in the public. So at first what

1093
01:00:50,720 --> 01:00:55,560
Speaker 1: you saw was Interscope take their hands off the wheel

1094
01:00:56,200 --> 01:00:58,120
Speaker 1: because they knew he was out the door. I think

1095
01:00:58,160 --> 01:01:00,840
Speaker 1: he had already been negotiating with them and had said

1096
01:01:00,960 --> 01:01:04,560
Speaker 1: something disparaging about them in the public, maybe something like

1097
01:01:04,680 --> 01:01:07,200
Speaker 1: I'm exposed to them, or what they're doing is and right,

1098
01:01:07,360 --> 01:01:10,480
Speaker 1: or something going on in their building, something to that effect,

1099
01:01:10,520 --> 01:01:15,280
Speaker 1: and it made them take a a different outlook on them,

1100
01:01:15,320 --> 01:01:17,520
Speaker 1: so they pulled back, they took their hand off the wheel.

1101
01:01:17,600 --> 01:01:21,160
Speaker 1: Then this stuff happened, and now you're dealing with Meg

1102
01:01:21,440 --> 01:01:24,960
Speaker 1: being valuable to rock Nation and three hundred, and if

1103
01:01:25,000 --> 01:01:27,760
Speaker 1: you know the people behind three hundred, they're big dogs

1104
01:01:27,840 --> 01:01:30,280
Speaker 1: in the game. And if you know rock Nation, you

1105
01:01:30,400 --> 01:01:33,440
Speaker 1: know what that stands for by itself. Just so she's

1106
01:01:33,560 --> 01:01:38,080
Speaker 1: valuable to both those companies, right, And so you start

1107
01:01:38,160 --> 01:01:41,240
Speaker 1: to see one person saying he did it, one person

1108
01:01:41,320 --> 01:01:44,160
Speaker 1: saying he didn't. Right, So you had Meg basically saying

1109
01:01:44,640 --> 01:01:47,600
Speaker 1: he shot me, and you had dudes saying, how I

1110
01:01:47,760 --> 01:01:51,080
Speaker 1: shoot you? And you know you would turned around and

1111
01:01:51,200 --> 01:01:54,160
Speaker 1: he was saying certain things like that that, you know,

1112
01:01:54,400 --> 01:01:56,400
Speaker 1: kind of try to make her feel as though or look,

1113
01:01:56,720 --> 01:02:02,320
Speaker 1: you know, his side of the story basically, so because

1114
01:02:02,360 --> 01:02:04,840
Speaker 1: at first I remember taking a hard line to him,

1115
01:02:04,920 --> 01:02:07,160
Speaker 1: like what is he doing? Bro? You got to but

1116
01:02:07,520 --> 01:02:09,600
Speaker 1: I didn't even see what was happening, And I still

1117
01:02:09,680 --> 01:02:13,560
Speaker 1: don't know what happened, right, But as it starts to unfold, right,

1118
01:02:13,600 --> 01:02:17,360
Speaker 1: it's been a long time. And then I said that

1119
01:02:17,920 --> 01:02:19,880
Speaker 1: they drained a lot of the energy out of it

1120
01:02:20,000 --> 01:02:22,040
Speaker 1: by keeping no, I ain't yes, I am no, I

1121
01:02:22,080 --> 01:02:24,600
Speaker 1: ain't yes, I am no. They did that for a while,

1122
01:02:24,680 --> 01:02:26,840
Speaker 1: and it was just like people was just turned off,

1123
01:02:27,800 --> 01:02:30,920
Speaker 1: you know, by even really discussing what was going on

1124
01:02:31,160 --> 01:02:34,280
Speaker 1: with them at any point after that, you know. So

1125
01:02:36,480 --> 01:02:38,640
Speaker 1: the situation put me in a place to kind of

1126
01:02:39,200 --> 01:02:41,880
Speaker 1: pull back in regards to, you know, speaking about it

1127
01:02:42,000 --> 01:02:44,640
Speaker 1: or really looking it up, because I didn't know where

1128
01:02:44,680 --> 01:02:49,520
Speaker 1: they stood. Now it's fast forward two years later, as

1129
01:02:49,560 --> 01:02:52,760
Speaker 1: you've seen tour relays, you've seen people start to embrace

1130
01:02:52,920 --> 01:02:56,640
Speaker 1: Tory again. You see your favorite rappers, your favorite singers,

1131
01:02:56,680 --> 01:02:59,360
Speaker 1: your ball players. People started to let tour relays come

1132
01:02:59,400 --> 01:03:02,240
Speaker 1: back around. We hear people like Joe Budden and other

1133
01:03:02,360 --> 01:03:05,520
Speaker 1: podcasts to say that was a sign that the industry

1134
01:03:05,600 --> 01:03:09,040
Speaker 1: saw what happened or they knew that Meg was stretching

1135
01:03:09,120 --> 01:03:13,240
Speaker 1: the truth. Basically, this is what they're saying, right, So

1136
01:03:13,400 --> 01:03:15,680
Speaker 1: they're saying that they knew Meg was stretching the truth,

1137
01:03:16,200 --> 01:03:19,720
Speaker 1: which made the industry be like, we beg missing with

1138
01:03:19,800 --> 01:03:24,640
Speaker 1: Tory Lance. So you start to see him with the baby,

1139
01:03:24,720 --> 01:03:27,920
Speaker 1: you start to see him with you know people that

1140
01:03:28,160 --> 01:03:32,200
Speaker 1: was that would have been brand conscious, is what people

1141
01:03:32,240 --> 01:03:34,440
Speaker 1: are saying. They would have been more aware and alert

1142
01:03:34,760 --> 01:03:37,240
Speaker 1: of how they look standing next to somebody that shot

1143
01:03:37,720 --> 01:03:41,480
Speaker 1: a woman and also a megastar like Megna Stallion and

1144
01:03:41,600 --> 01:03:43,800
Speaker 1: she's a black woman in this climb and shot her.

1145
01:03:44,120 --> 01:03:47,680
Speaker 1: They wouldn't stand beside her side him. So this is

1146
01:03:47,760 --> 01:03:51,200
Speaker 1: what being said now. So again they go to court,

1147
01:03:51,400 --> 01:03:54,120
Speaker 1: they get out of court. Now you see the machines

1148
01:03:54,200 --> 01:03:56,480
Speaker 1: go to work. First day they get out of court,

1149
01:03:56,560 --> 01:04:01,760
Speaker 1: you see Magnam side come out. You know, Tory Holidays

1150
01:04:01,880 --> 01:04:05,920
Speaker 1: bitch before he shot, he made a dance, you know this,

1151
01:04:06,160 --> 01:04:09,120
Speaker 1: that and the third came out. Then the next day

1152
01:04:09,440 --> 01:04:15,440
Speaker 1: you saw tor Relane side come out basically saying they

1153
01:04:15,560 --> 01:04:18,600
Speaker 1: can't find no bullet fragments, so she how can you

1154
01:04:18,680 --> 01:04:21,120
Speaker 1: even say she was shot? Her and a friend was

1155
01:04:21,280 --> 01:04:24,560
Speaker 1: arguing over tor relanes in the back seat, so there

1156
01:04:24,680 --> 01:04:26,840
Speaker 1: was some beef between her and the friend. There were

1157
01:04:26,920 --> 01:04:33,320
Speaker 1: no bullet fragments or gunpowder. There was no gunpowder on

1158
01:04:33,480 --> 01:04:36,240
Speaker 1: tor relanes, but it was gunpowder on the friend. Like

1159
01:04:36,360 --> 01:04:38,400
Speaker 1: it was things like that that started to come out,

1160
01:04:39,320 --> 01:04:42,320
Speaker 1: and I started saying, oh my god, so this is

1161
01:04:42,400 --> 01:04:46,840
Speaker 1: getting a little this is looking funny, and I'm gonna

1162
01:04:46,840 --> 01:04:49,240
Speaker 1: be honest, my mind didn't even take me to well,

1163
01:04:51,320 --> 01:04:55,000
Speaker 1: I now land, you know. I listened to a couple

1164
01:04:55,040 --> 01:04:57,200
Speaker 1: of people and they started to say that you think

1165
01:04:57,280 --> 01:04:59,600
Speaker 1: it's the first, because I tell you, when I thought

1166
01:04:59,640 --> 01:05:03,200
Speaker 1: about three hundred selling, I was more focused on because

1167
01:05:03,200 --> 01:05:05,960
Speaker 1: I'm from the South, and I know we always ostracized,

1168
01:05:06,000 --> 01:05:08,080
Speaker 1: and they don't want to let us really, really really

1169
01:05:08,200 --> 01:05:11,280
Speaker 1: get in. They deal with us because you gotta deal

1170
01:05:11,320 --> 01:05:13,800
Speaker 1: with us. We take up so much of the market share,

1171
01:05:14,640 --> 01:05:16,880
Speaker 1: but I don't necessarily think they want to see us

1172
01:05:17,000 --> 01:05:20,920
Speaker 1: really something about it. Just give me those vibes. And

1173
01:05:21,040 --> 01:05:24,520
Speaker 1: so when I thought about three hundred selling, I was

1174
01:05:24,600 --> 01:05:26,800
Speaker 1: so focused on why they didn't let pe get it

1175
01:05:27,360 --> 01:05:29,720
Speaker 1: because I know Pete really was trying to get it.

1176
01:05:30,600 --> 01:05:33,160
Speaker 1: It's like, Yo, why they didn't let Pe get three hundred?

1177
01:05:33,240 --> 01:05:35,520
Speaker 1: They see what he's doing emerged them two ever being

1178
01:05:35,680 --> 01:05:39,240
Speaker 1: super crazy, but it's almost like and I was focused

1179
01:05:39,320 --> 01:05:41,120
Speaker 1: on that. Now on the other side, they say, yo,

1180
01:05:41,280 --> 01:05:44,640
Speaker 1: you know why three hundred selling, don't you? Three hundred

1181
01:05:44,720 --> 01:05:47,880
Speaker 1: is selling because it's probably about to come out that

1182
01:05:48,320 --> 01:05:53,920
Speaker 1: Meg maybe didn't wasn't accurate in her description of the

1183
01:05:54,040 --> 01:05:59,520
Speaker 1: events that took place that night, which will consequently take

1184
01:05:59,560 --> 01:06:03,560
Speaker 1: the company. And if she's the highest thing on the company,

1185
01:06:03,640 --> 01:06:05,840
Speaker 1: then they start talking about you see how they how

1186
01:06:05,880 --> 01:06:08,560
Speaker 1: they got her through everything. They took her through every

1187
01:06:08,600 --> 01:06:11,920
Speaker 1: awards show, masure she get all the awards, and she

1188
01:06:12,040 --> 01:06:14,320
Speaker 1: went and got deals with Popeye's and this and that.

1189
01:06:14,480 --> 01:06:16,720
Speaker 1: They've done the utless so they can sell the company.

1190
01:06:16,760 --> 01:06:21,000
Speaker 1: And as I'm thinking more, I'm like, oh, that supreme game,

1191
01:06:21,600 --> 01:06:23,880
Speaker 1: because I would do that if that's the case. I

1192
01:06:23,920 --> 01:06:25,880
Speaker 1: don't know if that's the case, but I'm just putting

1193
01:06:25,920 --> 01:06:29,000
Speaker 1: that out there. That's super duper something to think about.

1194
01:06:30,040 --> 01:06:34,640
Speaker 1: Three hundred. Just three hundred just sold, Like why, I

1195
01:06:34,760 --> 01:06:36,960
Speaker 1: don't know why they will be selling three hundred. She

1196
01:06:37,120 --> 01:06:41,840
Speaker 1: started off saying that she was protecting him, you see,

1197
01:06:42,320 --> 01:06:46,280
Speaker 1: And so I don't know who I gotta talk to

1198
01:06:46,440 --> 01:06:49,400
Speaker 1: tour So I'm a real nigga, So I can't just

1199
01:06:50,040 --> 01:06:53,360
Speaker 1: say how I feel about something, you know, because I

1200
01:06:53,440 --> 01:06:56,560
Speaker 1: don't know his texture. I see his work, and he's

1201
01:06:56,600 --> 01:06:58,040
Speaker 1: a hell of an artist, but I don't know the

1202
01:06:58,160 --> 01:07:01,200
Speaker 1: texture cut from. So you know, some of these people

1203
01:07:01,240 --> 01:07:03,640
Speaker 1: that are speaking on his behalf, I think they got

1204
01:07:03,760 --> 01:07:07,560
Speaker 1: personal relationships with him, you know, so they're able to say, no,

1205
01:07:07,800 --> 01:07:10,400
Speaker 1: Tories a good dude. The Tory got this kind of

1206
01:07:10,560 --> 01:07:15,280
Speaker 1: vibe or you know what I'm saying. But when you know,

1207
01:07:15,440 --> 01:07:18,240
Speaker 1: she when she first came out, she was protecting him.

1208
01:07:18,640 --> 01:07:21,040
Speaker 1: And then people now are saying that she's used her

1209
01:07:21,120 --> 01:07:24,600
Speaker 1: platform to kind of try to ostracize him. But I

1210
01:07:24,760 --> 01:07:29,720
Speaker 1: think Meg has a whole bunch of the general consumers

1211
01:07:30,280 --> 01:07:33,480
Speaker 1: as her fans, like she got some of the some

1212
01:07:33,640 --> 01:07:35,960
Speaker 1: of the of our real coaching in there too. Now,

1213
01:07:36,040 --> 01:07:38,520
Speaker 1: don't get it confused, but I think some people that

1214
01:07:38,640 --> 01:07:42,000
Speaker 1: watch daytime television and I'll let they kind of know

1215
01:07:42,120 --> 01:07:45,720
Speaker 1: about Meg. So when you get to dip into those people,

1216
01:07:45,800 --> 01:07:49,560
Speaker 1: those people are or what's called fickle, Those people are

1217
01:07:49,720 --> 01:07:52,720
Speaker 1: never gonna be on one side or the other. They're

1218
01:07:52,760 --> 01:07:55,280
Speaker 1: gonna move as the needle moves. So if you hot

1219
01:07:55,400 --> 01:07:57,720
Speaker 1: right now, they're rocking with you, but as soon as

1220
01:07:57,760 --> 01:08:00,560
Speaker 1: you get cold, they move away from you. Some people

1221
01:08:00,640 --> 01:08:03,600
Speaker 1: have the core fan base, and I think me, we

1222
01:08:03,760 --> 01:08:06,720
Speaker 1: haven't really identified how much of her fan base is

1223
01:08:06,800 --> 01:08:11,560
Speaker 1: really her core. And I think if this trial or

1224
01:08:11,680 --> 01:08:16,160
Speaker 1: something happens that's unfavorable for her, she'll really see what

1225
01:08:16,360 --> 01:08:20,200
Speaker 1: her core fan base sits at, you know. And for Tor,

1226
01:08:20,479 --> 01:08:23,920
Speaker 1: you know, as much as I want to just be like, yo,

1227
01:08:24,040 --> 01:08:28,880
Speaker 1: he didn't do it right, because it's like, I'm a

1228
01:08:29,000 --> 01:08:33,760
Speaker 1: black man, right, so I know what it's like that

1229
01:08:33,880 --> 01:08:36,760
Speaker 1: people don't give us the benefit of the doubt. It's like, okay, long,

1230
01:08:37,640 --> 01:08:39,840
Speaker 1: look what you're looking at. If he was a white boy,

1231
01:08:39,920 --> 01:08:43,120
Speaker 1: would that be different, right, because look what you're looking at.

1232
01:08:43,160 --> 01:08:45,559
Speaker 1: You're looking at a black dude. They said shot a girl.

1233
01:08:46,040 --> 01:08:49,360
Speaker 1: The police had her walking on her feet that she

1234
01:08:49,479 --> 01:08:52,679
Speaker 1: said she was shot in. I've had five bones broken

1235
01:08:52,760 --> 01:08:56,000
Speaker 1: my foot. I know the foot has nothing but bones.

1236
01:08:56,080 --> 01:08:58,639
Speaker 1: So if a bullet go in there, nine times out

1237
01:08:58,680 --> 01:09:01,479
Speaker 1: of ten it'll hit a bone. Right, there was no

1238
01:09:01,680 --> 01:09:05,240
Speaker 1: broken bones, hints her ability to walk when the police

1239
01:09:05,320 --> 01:09:07,720
Speaker 1: walked back. If this was a white dude and a

1240
01:09:07,800 --> 01:09:10,920
Speaker 1: white girl out there, right, and they tested the white boy,

1241
01:09:11,000 --> 01:09:14,760
Speaker 1: and the white boy don't got no gun, don't got

1242
01:09:14,880 --> 01:09:17,400
Speaker 1: no gunpowered on him. There's nothing that says he shot

1243
01:09:17,439 --> 01:09:24,639
Speaker 1: a firearm. There's reports that the white girl and her

1244
01:09:24,720 --> 01:09:27,680
Speaker 1: friend were in the car arguing, maybe been drinking a

1245
01:09:27,760 --> 01:09:30,519
Speaker 1: little bit and arguing prior to that, and the girl

1246
01:09:30,640 --> 01:09:32,839
Speaker 1: that was in the car ended up with some fragments

1247
01:09:32,960 --> 01:09:35,640
Speaker 1: on her some kind of way. But yet they got

1248
01:09:35,720 --> 01:09:38,760
Speaker 1: the white dude in the courtroom saying that he shot her.

1249
01:09:39,200 --> 01:09:42,280
Speaker 1: I wonder how many people would already be out saying, yo,

1250
01:09:42,439 --> 01:09:46,519
Speaker 1: that's not that's not true, he didn't shoot her. But see,

1251
01:09:46,720 --> 01:09:50,519
Speaker 1: I get the thinking. Is it less about Tory being

1252
01:09:50,640 --> 01:09:55,160
Speaker 1: black and more about Meg being black? You know, because

1253
01:09:55,280 --> 01:09:57,759
Speaker 1: she's a black woman, And it's like, damn, what happened.

1254
01:09:57,800 --> 01:10:00,559
Speaker 1: But I ain't saying nothing didn't happen. I ain't saying

1255
01:10:00,600 --> 01:10:03,200
Speaker 1: Tory wasn't wrong that night. A lot of people are

1256
01:10:03,280 --> 01:10:07,479
Speaker 1: just saying, Tory didn't shoot you that night, though, you

1257
01:10:07,560 --> 01:10:09,719
Speaker 1: know what I'm saying, And that's what she gets slippery

1258
01:10:09,720 --> 01:10:13,000
Speaker 1: because I wasn't there and I'm wondering, if there's footage

1259
01:10:13,040 --> 01:10:15,519
Speaker 1: we can definitively say it, then that's one thing. But

1260
01:10:16,160 --> 01:10:18,280
Speaker 1: I don't know, Dog, it gets slippery, you know, it

1261
01:10:18,320 --> 01:10:20,760
Speaker 1: gets slippery for people when you go to thinking about it.

1262
01:10:21,160 --> 01:10:22,720
Speaker 1: You know what I'm saying, because you don't want to,

1263
01:10:23,160 --> 01:10:27,120
Speaker 1: like Bro, I don't know, even with I understand the

1264
01:10:27,280 --> 01:10:30,439
Speaker 1: entertainment game, even with me thinking like I was thinking

1265
01:10:30,600 --> 01:10:34,560
Speaker 1: last time, like, man, just think if if that's my

1266
01:10:34,720 --> 01:10:38,879
Speaker 1: old lady, or if that's my mama and she on stage,

1267
01:10:39,000 --> 01:10:42,439
Speaker 1: or or she do sing into something, or let's just

1268
01:10:42,560 --> 01:10:45,920
Speaker 1: say she had a work convention, right, or she maybe

1269
01:10:45,960 --> 01:10:49,160
Speaker 1: it's a real estate guru. Now I put in position

1270
01:10:49,240 --> 01:10:52,560
Speaker 1: she a real estate guru. So she's talking at a

1271
01:10:52,640 --> 01:10:55,720
Speaker 1: real estate convention and there's a guy that got a

1272
01:10:55,880 --> 01:10:59,599
Speaker 1: charge her ex or something. There's a charge on him

1273
01:11:00,600 --> 01:11:04,840
Speaker 1: for doing something to her, and another person that's on

1274
01:11:05,080 --> 01:11:09,360
Speaker 1: the real estate expo brings him out as a special guest.

1275
01:11:09,439 --> 01:11:12,120
Speaker 1: It's like, I don't know, I'd be like, yo, man,

1276
01:11:12,200 --> 01:11:15,240
Speaker 1: that's deep. You know. That was my first reaction. But

1277
01:11:15,320 --> 01:11:17,640
Speaker 1: I never thought about what if they saw the tape, BRO,

1278
01:11:17,760 --> 01:11:20,240
Speaker 1: and that ain't what happened, and they're like yo, we

1279
01:11:20,439 --> 01:11:22,439
Speaker 1: both black, bro, we ain't gonna let them do. It's

1280
01:11:22,520 --> 01:11:25,000
Speaker 1: like that, the same way day Chappelle grab hold of

1281
01:11:25,080 --> 01:11:28,160
Speaker 1: the baby. You know. They the same way Kanye grab

1282
01:11:28,320 --> 01:11:31,040
Speaker 1: hold of day Chappelle. Like everybody grab and hold each

1283
01:11:31,080 --> 01:11:33,880
Speaker 1: other as they try to pull you down a little bit.

1284
01:11:33,920 --> 01:11:36,000
Speaker 1: It's like, you know, Son, I don't know if it

1285
01:11:36,200 --> 01:11:38,760
Speaker 1: was that, Like did she get crab? I won't think

1286
01:11:38,760 --> 01:11:41,920
Speaker 1: about it. It's too much going on with that, you know,

1287
01:11:42,000 --> 01:11:44,920
Speaker 1: It's just be too much going on. Then it's it

1288
01:11:45,040 --> 01:11:47,760
Speaker 1: gets sensitive, you know what I mean as far as

1289
01:11:47,800 --> 01:11:50,320
Speaker 1: those things. And then for me, you know, I'm looking

1290
01:11:50,360 --> 01:11:52,920
Speaker 1: to do business and all market, so I gotta make

1291
01:11:52,920 --> 01:11:56,040
Speaker 1: sure not to be radioactive anyway. And it ain't my business.

1292
01:11:56,400 --> 01:11:59,519
Speaker 1: If it's my business, I'm talking about it radioactive or none.

1293
01:11:59,560 --> 01:12:01,760
Speaker 1: But some of these things that ain't my business. I

1294
01:12:01,960 --> 01:12:05,400
Speaker 1: never crashed my business for something that ain't my business,

1295
01:12:06,120 --> 01:12:08,160
Speaker 1: you know what I'm saying. So you fucking with a nigga,

1296
01:12:08,200 --> 01:12:10,599
Speaker 1: you can't fuck with all right. So so next we're

1297
01:12:10,600 --> 01:12:13,559
Speaker 1: gonna talk about Little Dirt. Little Dirk is now known

1298
01:12:13,640 --> 01:12:16,320
Speaker 1: as the Voice of the Husbands. You know, the voice

1299
01:12:16,360 --> 01:12:18,280
Speaker 1: of the streets is now the voice of the husbands,

1300
01:12:18,320 --> 01:12:20,800
Speaker 1: you know what I'm saying. So we give a congratulations

1301
01:12:20,880 --> 01:12:22,960
Speaker 1: to a little dirk. You know, a lot of y'all

1302
01:12:23,479 --> 01:12:27,080
Speaker 1: have to understand that. I always tell you that most

1303
01:12:27,120 --> 01:12:29,720
Speaker 1: street dudes are more layer than they get credit for.

1304
01:12:31,280 --> 01:12:34,880
Speaker 1: The problem is a lot of y'all are with street dudes,

1305
01:12:35,360 --> 01:12:38,880
Speaker 1: but you haven't been tested, see you. It's a certain

1306
01:12:38,920 --> 01:12:43,080
Speaker 1: amount of testing for a street dude to really know

1307
01:12:43,840 --> 01:12:47,519
Speaker 1: that you can, you know, stay on the roller coaster

1308
01:12:47,640 --> 01:12:50,200
Speaker 1: with him, because our life, it's just our life is

1309
01:12:50,280 --> 01:12:53,680
Speaker 1: like that. Sometimes we up, we down, sometimes we may

1310
01:12:53,760 --> 01:12:56,120
Speaker 1: be ill maybe you know what I mean. So much

1311
01:12:56,200 --> 01:13:00,320
Speaker 1: goals on. So it's a certain amount of it's a

1312
01:13:00,400 --> 01:13:05,479
Speaker 1: certain amount of strength you gotta have. You know, you

1313
01:13:05,600 --> 01:13:08,360
Speaker 1: gotta damn there be elastic fucking with a nigga that

1314
01:13:08,439 --> 01:13:11,720
Speaker 1: scribble outside the line, especially when a nigga come from

1315
01:13:11,760 --> 01:13:14,960
Speaker 1: the street for real and try to pull his way

1316
01:13:15,080 --> 01:13:18,000
Speaker 1: up out of that like here, a different kind of nigga, man,

1317
01:13:18,040 --> 01:13:20,280
Speaker 1: it's a different kind of work to come from nothing.

1318
01:13:20,320 --> 01:13:22,680
Speaker 1: To some it's a different kind of thing. And we

1319
01:13:22,720 --> 01:13:26,240
Speaker 1: ain't talking and we're talking millions. It's a different kind

1320
01:13:26,280 --> 01:13:28,800
Speaker 1: of mindset and you're dealing with a lot of these dudes,

1321
01:13:29,320 --> 01:13:32,320
Speaker 1: although they've been through a lot far as street things,

1322
01:13:32,439 --> 01:13:35,840
Speaker 1: that kind of shit we can handle because that's part

1323
01:13:35,920 --> 01:13:40,000
Speaker 1: of what we have grew up around. Right, So anything

1324
01:13:40,080 --> 01:13:44,800
Speaker 1: you grow up around, you get a you become adapting to. Right,

1325
01:13:44,920 --> 01:13:48,479
Speaker 1: you start to be able to not only manipulate how

1326
01:13:48,640 --> 01:13:53,360
Speaker 1: things in your environment turn out, but you become a

1327
01:13:53,479 --> 01:13:57,160
Speaker 1: product of that environment. So now you become part of

1328
01:13:58,160 --> 01:14:02,960
Speaker 1: the reason, part of the solution. One way or the other.

1329
01:14:03,080 --> 01:14:05,759
Speaker 1: You part of something. But you're gonna be part of something,

1330
01:14:06,200 --> 01:14:08,840
Speaker 1: you know. But we're gonna look at dirt right quick. Right,

1331
01:14:09,800 --> 01:14:13,200
Speaker 1: proposed to belove it, you know, shout out to India.

1332
01:14:13,640 --> 01:14:46,439
Speaker 1: You know what I'm saying, and then we'll come back. Well,

1333
01:14:46,479 --> 01:14:56,280
Speaker 1: that's yo, that's dope. That's the dope, Yo, that's dope. Man.

1334
01:14:56,439 --> 01:14:59,760
Speaker 1: For those of y'all listening, he sold out show in

1335
01:15:00,080 --> 01:15:03,280
Speaker 1: we can his hometown of Chicago, probably about seventy thousand

1336
01:15:03,320 --> 01:15:12,800
Speaker 1: people in love and he's proposing to India. He's down

1337
01:15:12,920 --> 01:15:15,360
Speaker 1: on one knee in front of everybody, family like their

1338
01:15:15,479 --> 01:15:31,240
Speaker 1: children out there, and she said, yes, of course of

1339
01:15:31,400 --> 01:15:34,599
Speaker 1: people are are proud and happy. You see you see,

1340
01:15:35,400 --> 01:15:38,960
Speaker 1: you see how happy to help people are for her

1341
01:15:39,040 --> 01:15:41,439
Speaker 1: to be, you know, loving and in love, and a

1342
01:15:41,479 --> 01:15:43,080
Speaker 1: lot of times we don't even get to see that

1343
01:15:43,200 --> 01:15:46,160
Speaker 1: in our coach. A lot of y'all mad at your

1344
01:15:46,240 --> 01:15:49,000
Speaker 1: home girls that they fall in love, a lot of

1345
01:15:49,080 --> 01:15:53,160
Speaker 1: y'all mad at your homeboard that fall in love, and

1346
01:15:53,280 --> 01:15:57,439
Speaker 1: people that fall in love, y'all be mad and wanna

1347
01:15:57,520 --> 01:16:01,760
Speaker 1: hate and wanna tad down, especially of women. I won't

1348
01:16:01,800 --> 01:16:08,679
Speaker 1: even say that, especially everybody human being. So that's just dupe,

1349
01:16:10,320 --> 01:16:15,760
Speaker 1: say that. It's just dune again. I always say, man,

1350
01:16:15,880 --> 01:16:20,799
Speaker 1: street dudes are probably more loyal than any other guys.

1351
01:16:20,920 --> 01:16:23,400
Speaker 1: You can get it. It's probably more bumps in the road,

1352
01:16:23,479 --> 01:16:28,120
Speaker 1: probably gonna be some growing, some growing pain, some arrested development,

1353
01:16:28,600 --> 01:16:30,560
Speaker 1: some things like that. But if you get you a

1354
01:16:30,640 --> 01:16:33,920
Speaker 1: street dude, a real one, and then you get put

1355
01:16:34,000 --> 01:16:38,120
Speaker 1: through any kind of real tests, you went for a

1356
01:16:38,240 --> 01:16:42,720
Speaker 1: pleasant surprise in regards to lord to you know what

1357
01:16:42,800 --> 01:16:46,599
Speaker 1: I mean, despite you know, because we know what dirt

1358
01:16:46,680 --> 01:16:49,960
Speaker 1: pot is being presented with. I always tell you, man,

1359
01:16:50,000 --> 01:16:53,400
Speaker 1: we're dealing with see high level street niggas. It's certain

1360
01:16:53,479 --> 01:16:57,040
Speaker 1: things about us, you know what I'm saying. It don't

1361
01:16:57,080 --> 01:16:59,559
Speaker 1: matter what's coming at me, man, I've been doing certain

1362
01:16:59,640 --> 01:17:02,360
Speaker 1: things and knowing how to navigate life for so long,

1363
01:17:02,560 --> 01:17:04,920
Speaker 1: like once I lock in with you, when you really

1364
01:17:05,160 --> 01:17:08,519
Speaker 1: you really? Is that you? Really that dough I'm talking

1365
01:17:08,560 --> 01:17:11,560
Speaker 1: about you? Really that dough. You ain't doing all the

1366
01:17:12,080 --> 01:17:14,120
Speaker 1: back and forth. You ain't trying to tame. But I

1367
01:17:14,160 --> 01:17:17,080
Speaker 1: ain't never seen her get online, dude, No, I ain't

1368
01:17:17,080 --> 01:17:20,240
Speaker 1: never seen There's never been. No, I don't know. I mean,

1369
01:17:20,280 --> 01:17:23,160
Speaker 1: of course, I know they got problems. Every relationship gonna

1370
01:17:23,200 --> 01:17:29,439
Speaker 1: have problems, but the respect can't be negotiated. I'm still

1371
01:17:29,560 --> 01:17:32,840
Speaker 1: the man, I'm still your man, so respect can't be

1372
01:17:33,000 --> 01:17:38,240
Speaker 1: negotiated when we talk about relationships. You understand what I'm saying.

1373
01:17:39,280 --> 01:17:42,799
Speaker 1: But when somebody break that boundary and then they started

1374
01:17:42,920 --> 01:17:45,519
Speaker 1: and then they want you to live there, a mistake

1375
01:17:45,680 --> 01:17:49,120
Speaker 1: is one thing, right, Hey, Yo, I made a mistake

1376
01:17:49,200 --> 01:17:52,000
Speaker 1: in regards to saying that to you, and I don't

1377
01:17:52,000 --> 01:17:56,200
Speaker 1: have no problem saying that. But I got a problem

1378
01:17:56,280 --> 01:17:58,680
Speaker 1: when you when you want me to live what you

1379
01:17:58,800 --> 01:18:03,479
Speaker 1: want me to live, what you lying about. Yeah, I

1380
01:18:03,560 --> 01:18:05,519
Speaker 1: got a big problem when you want me to live

1381
01:18:05,640 --> 01:18:08,880
Speaker 1: what you're lying about, especially when you ain't did nothing.

1382
01:18:08,960 --> 01:18:12,000
Speaker 1: Nigga's just coincidence. You in the room with a real nigga.

1383
01:18:13,680 --> 01:18:15,280
Speaker 1: You ain't done nothing to be in the room with

1384
01:18:15,439 --> 01:18:18,479
Speaker 1: no real nigga. This shit is mere coincidence. And now

1385
01:18:18,560 --> 01:18:20,880
Speaker 1: you want me to live what you're lying about. And

1386
01:18:21,040 --> 01:18:24,400
Speaker 1: then now if I don't right now, I become a

1387
01:18:24,640 --> 01:18:30,360
Speaker 1: victim of your truth, right and then your truth has

1388
01:18:30,439 --> 01:18:34,080
Speaker 1: so much pain and emotion in it. You see what

1389
01:18:34,080 --> 01:18:37,040
Speaker 1: I'm saying. So now you you, you, you, You won't

1390
01:18:37,080 --> 01:18:39,000
Speaker 1: give me the benefit of the doubt. You want me

1391
01:18:39,120 --> 01:18:41,920
Speaker 1: to live there. You want me to live in. Whatever

1392
01:18:42,080 --> 01:18:46,280
Speaker 1: disappointment I caused you, or whatever misunderstanding I may have

1393
01:18:46,439 --> 01:18:49,080
Speaker 1: caused you, you want me to live right there. You

1394
01:18:49,200 --> 01:18:52,200
Speaker 1: want my cot to park right there when I've told

1395
01:18:52,280 --> 01:18:54,719
Speaker 1: you that was a mistake and I tried to move

1396
01:18:54,880 --> 01:18:57,280
Speaker 1: up and go that way about that, But you want

1397
01:18:57,320 --> 01:18:59,800
Speaker 1: me to park right there because if I parked there,

1398
01:19:00,120 --> 01:19:04,439
Speaker 1: I won't see what's up ahead. You see, and all

1399
01:19:04,520 --> 01:19:06,920
Speaker 1: these things, whether you know them or not, see, we

1400
01:19:07,000 --> 01:19:09,760
Speaker 1: gotta start to talk about it in our community. Intentions

1401
01:19:09,880 --> 01:19:13,839
Speaker 1: versus impact, what you meant to do and what happened,

1402
01:19:15,680 --> 01:19:18,640
Speaker 1: how you meaning to come off, and highs being received.

1403
01:19:19,320 --> 01:19:23,120
Speaker 1: These things gotta be communicated in our neighborhoods Now but

1404
01:19:23,720 --> 01:19:29,080
Speaker 1: back to Dolf and just guys being probably more lord

1405
01:19:29,120 --> 01:19:31,920
Speaker 1: than we get credit for, especially street dudes that really

1406
01:19:32,000 --> 01:19:34,880
Speaker 1: know what it's like to be outside with nobody on

1407
01:19:35,120 --> 01:19:37,880
Speaker 1: the your side, and you gotta hide money, you gotta

1408
01:19:38,000 --> 01:19:40,439
Speaker 1: hide this, and you gotta move around with a gun

1409
01:19:40,560 --> 01:19:43,400
Speaker 1: and walk in the house. I remember having bags on

1410
01:19:43,600 --> 01:19:46,960
Speaker 1: me right to the point where, of course, if somebody

1411
01:19:46,960 --> 01:19:49,200
Speaker 1: to see you with a bag, they gonna know something's

1412
01:19:49,240 --> 01:19:52,920
Speaker 1: in the bag. So dudes stuff them all down, got

1413
01:19:53,040 --> 01:19:55,080
Speaker 1: bags of money or bags of shit, and walking in

1414
01:19:55,240 --> 01:19:58,400
Speaker 1: like ain't nothing on, got nothing those things, just all

1415
01:19:58,439 --> 01:20:00,519
Speaker 1: of that kind of shit. The mand and said, the

1416
01:20:00,640 --> 01:20:03,000
Speaker 1: place that they push you in, it ain't even the

1417
01:20:03,080 --> 01:20:05,759
Speaker 1: water to get you. Sometime it's out of getting prepared

1418
01:20:05,880 --> 01:20:09,720
Speaker 1: for war. It's the ship leading up the war. They

1419
01:20:09,840 --> 01:20:13,080
Speaker 1: training every goddamn day. They can't get you know, they

1420
01:20:13,240 --> 01:20:15,920
Speaker 1: shaved my head, shaved this. They're telling me I gotta kill,

1421
01:20:16,040 --> 01:20:18,280
Speaker 1: even if it's a kid that they showing me. People

1422
01:20:18,320 --> 01:20:22,439
Speaker 1: getting blue. You know, sometimes it's it's it's everything before

1423
01:20:23,280 --> 01:20:25,559
Speaker 1: the thing they can they can tell you down. Man.

1424
01:20:26,000 --> 01:20:29,960
Speaker 1: Of course, Derka married a girl who when the niggas

1425
01:20:30,040 --> 01:20:32,160
Speaker 1: came and try to run in the house, and kill them,

1426
01:20:32,200 --> 01:20:35,640
Speaker 1: and she went the shooting at them. What else I'm

1427
01:20:35,680 --> 01:20:38,800
Speaker 1: gonna do with her? One of y'all suckers, come tell

1428
01:20:38,920 --> 01:20:40,360
Speaker 1: me what to do with the girl. They got the

1429
01:20:40,439 --> 01:20:42,840
Speaker 1: shooting when the when them niggas came in the house

1430
01:20:42,920 --> 01:20:46,559
Speaker 1: trying to kill me, y'all nigga don't what of course

1431
01:20:46,600 --> 01:20:48,680
Speaker 1: I'm gonna married hunt? What are y'all talking about her?

1432
01:20:49,120 --> 01:20:51,479
Speaker 1: It don't even make sense that what I'm saying women don't.

1433
01:20:51,720 --> 01:20:56,240
Speaker 1: Sometimes you gotta understand certain things that obvious. Baby, make

1434
01:20:56,320 --> 01:21:00,479
Speaker 1: it obvious, you feel what I'm saying. And for for dude,

1435
01:21:00,520 --> 01:21:03,280
Speaker 1: this obvious yo bo yo. Who what I'm gonna do

1436
01:21:03,400 --> 01:21:05,240
Speaker 1: with him? When I'm gonna keep sucking and keeping on

1437
01:21:05,439 --> 01:21:08,840
Speaker 1: keeping on the side. The girded got the shooting when

1438
01:21:08,880 --> 01:21:11,840
Speaker 1: the people came in to try to kill me. What

1439
01:21:11,920 --> 01:21:13,800
Speaker 1: I'm gonna do with her? One of y'all tell me.

1440
01:21:15,240 --> 01:21:18,599
Speaker 1: But again, that's the part they don't talk about. Once

1441
01:21:18,640 --> 01:21:20,880
Speaker 1: you started to deal with common sense, some of these

1442
01:21:21,000 --> 01:21:23,559
Speaker 1: things you can see from a mile away. I wouldn't.

1443
01:21:23,760 --> 01:21:27,599
Speaker 1: I'm not necessarily surprised. What I am surprised that it's

1444
01:21:27,680 --> 01:21:31,559
Speaker 1: people not understanding that the marriage on the man's side

1445
01:21:31,760 --> 01:21:35,720
Speaker 1: comes with a certain amount of confidence. He gotta have

1446
01:21:36,040 --> 01:21:39,960
Speaker 1: in your afford or two, he gotta have a certain

1447
01:21:40,040 --> 01:21:45,480
Speaker 1: level of confidence in your ability to maintain. You understand,

1448
01:21:45,600 --> 01:21:48,599
Speaker 1: because she gonna shit may get rough. So once once

1449
01:21:48,680 --> 01:21:51,160
Speaker 1: he get that checked off the box, those other things

1450
01:21:51,240 --> 01:21:53,960
Speaker 1: that y'all think means something. I got my own money,

1451
01:21:54,120 --> 01:21:57,519
Speaker 1: I got my own this, those things are unimportant. And

1452
01:21:57,680 --> 01:22:02,600
Speaker 1: I'm starting to believe that once that that, once we

1453
01:22:02,720 --> 01:22:05,400
Speaker 1: get those kind of things like, hey man, let's do

1454
01:22:05,560 --> 01:22:07,800
Speaker 1: for each other what we need to do for each other.

1455
01:22:08,400 --> 01:22:10,720
Speaker 1: You do for yourself, what you do for yourself. If

1456
01:22:10,760 --> 01:22:12,519
Speaker 1: you think you need that amount of money for you,

1457
01:22:12,680 --> 01:22:15,479
Speaker 1: that's fine. But what you do for me don't revolve

1458
01:22:15,560 --> 01:22:18,479
Speaker 1: around you having more money than me. That don't That

1459
01:22:18,600 --> 01:22:22,920
Speaker 1: don't mean nothing to me. You understand that shit don't

1460
01:22:23,000 --> 01:22:25,760
Speaker 1: mean nothing to me when you talk about those kind

1461
01:22:25,800 --> 01:22:28,640
Speaker 1: of things. We gotta remember, but being tested is what

1462
01:22:28,800 --> 01:22:30,960
Speaker 1: you gotta remember. Has to happen for the man to

1463
01:22:31,080 --> 01:22:34,559
Speaker 1: turn that light switch on. A lot of y'all doing

1464
01:22:34,640 --> 01:22:39,280
Speaker 1: Siara prayer, But are y'all doing Siatra work? You feel

1465
01:22:39,320 --> 01:22:42,519
Speaker 1: what I'm saying, everybody say, you know, I'm gonna pray

1466
01:22:42,600 --> 01:22:46,040
Speaker 1: for what Siara pray for But did y'all doing Siara work?

1467
01:22:46,360 --> 01:22:49,200
Speaker 1: Because the work and the prayers what the combination to

1468
01:22:49,320 --> 01:22:52,479
Speaker 1: the success? You turn that light switch on and due

1469
01:22:52,600 --> 01:22:56,360
Speaker 1: here the ayo, this is that and then this is

1470
01:22:56,400 --> 01:22:58,280
Speaker 1: what the man gotta ask him? Said? What you want

1471
01:22:58,320 --> 01:23:00,120
Speaker 1: me to do with the woman? To take care of me?

1472
01:23:01,320 --> 01:23:03,000
Speaker 1: You tell me that what you want me to do

1473
01:23:03,120 --> 01:23:06,599
Speaker 1: with the woman that provide me a piece and take

1474
01:23:06,720 --> 01:23:08,640
Speaker 1: good care of me and cook for me and make

1475
01:23:08,720 --> 01:23:11,000
Speaker 1: sure I'm good and a shooter a nigga if they

1476
01:23:11,080 --> 01:23:13,160
Speaker 1: come in here trying to harm, what you expect for

1477
01:23:13,240 --> 01:23:18,160
Speaker 1: me to do with her? It's the same question on

1478
01:23:18,240 --> 01:23:20,519
Speaker 1: the other side, what you expect the man to do

1479
01:23:20,640 --> 01:23:23,479
Speaker 1: with the woman that are every day? She don't fuck

1480
01:23:23,560 --> 01:23:25,880
Speaker 1: him good, she don't clean up, she don't talk nice

1481
01:23:25,920 --> 01:23:28,120
Speaker 1: to him, she doubted him, she talked for what you're

1482
01:23:28,160 --> 01:23:34,240
Speaker 1: expected the man to do with her? Marah, it's calming sense.

1483
01:23:35,040 --> 01:23:37,760
Speaker 1: Some of this shit ain't even worth talking about. But

1484
01:23:37,880 --> 01:23:39,760
Speaker 1: I know we're so far gone. I got to go.

1485
01:23:39,960 --> 01:23:42,559
Speaker 1: I gotta put the game down. But what you expect

1486
01:23:42,680 --> 01:23:48,439
Speaker 1: dude to do? Indeed, put work in bro and I

1487
01:23:48,479 --> 01:23:50,880
Speaker 1: don't give a fun like you know. It's so many

1488
01:23:50,960 --> 01:23:53,400
Speaker 1: people that see the problem. I'm gonna tell you something

1489
01:23:53,439 --> 01:23:56,160
Speaker 1: that I think is happening, whether or not as true

1490
01:23:56,200 --> 01:23:59,719
Speaker 1: as one thing, but I have a podcast, a popping podcast,

1491
01:23:59,760 --> 01:24:04,880
Speaker 1: so I have to speak about it. I think they're

1492
01:24:04,960 --> 01:24:08,879
Speaker 1: in relationship. Sometimes we have a problem with identifying the prize.

1493
01:24:10,840 --> 01:24:13,439
Speaker 1: Whether or not you the prize or not, it's up

1494
01:24:13,479 --> 01:24:17,560
Speaker 1: for debate, But whether or not a prize is involved

1495
01:24:17,800 --> 01:24:21,800
Speaker 1: 't up for debate. Somebody the prize in here, right,

1496
01:24:22,320 --> 01:24:25,320
Speaker 1: fuck whoever it is. This situation is special you. We

1497
01:24:25,439 --> 01:24:28,479
Speaker 1: gotta do something to keep keep this situation close to

1498
01:24:28,560 --> 01:24:33,160
Speaker 1: each other. But oftentimes they find themselves, right, people find

1499
01:24:33,240 --> 01:24:36,000
Speaker 1: themselves when you thought you the pride, but I'm the pride.

1500
01:24:36,000 --> 01:24:38,080
Speaker 1: I'm gonna show you I'm the prize. You ain't the prize.

1501
01:24:38,120 --> 01:24:40,360
Speaker 1: I'm the pride, and you always thank you the prize.

1502
01:24:40,400 --> 01:24:44,360
Speaker 1: You outway that It's like, Yo, what is it's the vibe, right,

1503
01:24:45,520 --> 01:24:51,080
Speaker 1: make it obvious, make it obvious. The fuck I'm gonna

1504
01:24:51,120 --> 01:24:53,040
Speaker 1: do with this nigga. It's the same way. That's because

1505
01:24:53,160 --> 01:24:55,519
Speaker 1: guess what me and making it obvious. A lot of

1506
01:24:55,600 --> 01:24:58,080
Speaker 1: these dudes, I know, rich niggas, they got these girls,

1507
01:24:58,280 --> 01:25:00,559
Speaker 1: they come right in and make it obvious. She gotta

1508
01:25:00,560 --> 01:25:02,479
Speaker 1: ask herself, what you want me to do with the

1509
01:25:02,560 --> 01:25:06,000
Speaker 1: nigga that's sending me flyer was every motherfucking day picking

1510
01:25:06,040 --> 01:25:09,400
Speaker 1: me up, taking me shop, and taking me to restaurants

1511
01:25:09,439 --> 01:25:12,320
Speaker 1: to eat, spending time with me, coming home every night

1512
01:25:12,439 --> 01:25:15,200
Speaker 1: eating We're sitting at the table watching our favorite. What

1513
01:25:15,360 --> 01:25:18,040
Speaker 1: you expect her to do with him? Not lock in

1514
01:25:18,240 --> 01:25:23,400
Speaker 1: with him? It's it don't make sense. You see what

1515
01:25:23,439 --> 01:25:25,160
Speaker 1: I'm saying, so you can me and it's mate. A

1516
01:25:25,240 --> 01:25:27,400
Speaker 1: lot of times, men is making it obvious. Name you

1517
01:25:27,840 --> 01:25:30,800
Speaker 1: a little boy? He ain't he probably playing. He probably

1518
01:25:30,840 --> 01:25:33,000
Speaker 1: gonna hit you and get He gonna probably hit you

1519
01:25:33,080 --> 01:25:34,800
Speaker 1: and get You know what I mean, get out of there.

1520
01:25:35,479 --> 01:25:37,720
Speaker 1: But I'm talking about wants you in that stratosphere. The

1521
01:25:37,800 --> 01:25:40,200
Speaker 1: dudes like me, We don't have a lot of time.

1522
01:25:40,680 --> 01:25:43,360
Speaker 1: It ain't gonna be no whole bunch of It's like, yo,

1523
01:25:43,680 --> 01:25:47,679
Speaker 1: I fuck with you. She know yo Yo. It's clear

1524
01:25:48,000 --> 01:25:50,639
Speaker 1: it's obvious dude fuck with So that's it. I gotta

1525
01:25:50,720 --> 01:25:54,519
Speaker 1: keep moving. Any misunderstanding outside of that, we gotta figure

1526
01:25:54,520 --> 01:25:57,200
Speaker 1: out a way to clarify that. But whoever the prize

1527
01:25:57,439 --> 01:26:03,880
Speaker 1: is don't matter. Is the situation special, and you do

1528
01:26:04,040 --> 01:26:09,120
Speaker 1: what you can to keep warm when he get cold. Yeah,

1529
01:26:09,200 --> 01:26:10,960
Speaker 1: when he get cold. We don't give a fuck what

1530
01:26:11,200 --> 01:26:15,240
Speaker 1: we burn just to stay warm. The goal is to

1531
01:26:15,320 --> 01:26:17,479
Speaker 1: stay warm. The goal is to stay in love. We

1532
01:26:17,560 --> 01:26:19,680
Speaker 1: don't give a fuck how we stay in love. But

1533
01:26:19,800 --> 01:26:22,360
Speaker 1: the goal is to stay in love again. Once you

1534
01:26:22,479 --> 01:26:25,200
Speaker 1: cut it on on the man's side, it gets easier

1535
01:26:25,280 --> 01:26:28,960
Speaker 1: from there. And once it's a real test involved and

1536
01:26:29,120 --> 01:26:37,000
Speaker 1: you ace it in a man's eyes, is over with checkmate, Nancy, Yo,

1537
01:26:37,080 --> 01:26:39,840
Speaker 1: the ball in your court. Just whatever you're trying to do,

1538
01:26:39,880 --> 01:26:41,800
Speaker 1: because I know you would. I know what you're gonna do.

1539
01:26:42,479 --> 01:26:46,360
Speaker 1: You really for me. See, sometimes they halfway for you,

1540
01:26:47,360 --> 01:26:50,400
Speaker 1: you understand. Sometimes people go to being halfway for you.

1541
01:26:50,520 --> 01:26:52,439
Speaker 1: They hip you, and they hold it over your head.

1542
01:26:53,560 --> 01:26:56,439
Speaker 1: They teach you, and they write it down. They do

1543
01:26:56,640 --> 01:26:59,000
Speaker 1: something for you. When they remember it, then they bring

1544
01:26:59,080 --> 01:27:01,080
Speaker 1: it up out of you know what I mean these things.

1545
01:27:01,160 --> 01:27:03,519
Speaker 1: I forget what I do for people. I own my

1546
01:27:03,720 --> 01:27:08,160
Speaker 1: kid's life. I forget. I do not keep a counter. Um. Well,

1547
01:27:08,240 --> 01:27:10,519
Speaker 1: one time I had told you, suddenly suthing, I gave

1548
01:27:10,560 --> 01:27:13,160
Speaker 1: you five hundred dollars like I just don't if I

1549
01:27:13,320 --> 01:27:15,800
Speaker 1: do it it's really in real time. That's that I

1550
01:27:15,960 --> 01:27:19,599
Speaker 1: might remember it, bring it up, say things right six

1551
01:27:19,760 --> 01:27:22,640
Speaker 1: months or something, but man, I got that shit is

1552
01:27:22,680 --> 01:27:25,680
Speaker 1: over with, you know what I'm saying. We ain't doing

1553
01:27:25,760 --> 01:27:28,000
Speaker 1: too much of that, like you know what I mean.

1554
01:27:28,200 --> 01:27:30,760
Speaker 1: It's just like you know, you gotta be genuine man

1555
01:27:31,000 --> 01:27:33,080
Speaker 1: with what you're doing for God to bless it, for

1556
01:27:33,200 --> 01:27:35,720
Speaker 1: God to come in and increase it, you know what

1557
01:27:35,720 --> 01:27:38,240
Speaker 1: I mean. And I really stand by that. But if

1558
01:27:38,320 --> 01:27:41,479
Speaker 1: you gotta do or a woman out there and you

1559
01:27:41,600 --> 01:27:46,519
Speaker 1: are able to make it obvious, yeah, man, so you know,

1560
01:27:46,840 --> 01:27:48,640
Speaker 1: make it obvious what you what you want me to

1561
01:27:48,720 --> 01:27:51,200
Speaker 1: do with the and then put out I want to

1562
01:27:51,280 --> 01:27:54,080
Speaker 1: start that challenge what you want me to do with her?

1563
01:27:54,160 --> 01:27:56,400
Speaker 1: And then put a hashtager all this shit to do

1564
01:27:56,560 --> 01:27:59,920
Speaker 1: your your your mate do for you or your relationship

1565
01:28:00,080 --> 01:28:02,600
Speaker 1: whoever you're in a relationship with. You know, what you

1566
01:28:02,680 --> 01:28:04,639
Speaker 1: want me to do with the guy that and then

1567
01:28:04,760 --> 01:28:06,240
Speaker 1: run it down, or what you want me to do

1568
01:28:06,400 --> 01:28:08,679
Speaker 1: with the woman. And of course I'm gonna marry them,

1569
01:28:09,240 --> 01:28:11,639
Speaker 1: you know because to me that's just it's an obvious thing.

1570
01:28:13,320 --> 01:28:17,120
Speaker 1: And then those days in between right where you you

1571
01:28:17,400 --> 01:28:20,280
Speaker 1: you don't even understand like, you got to provide peace

1572
01:28:20,400 --> 01:28:23,720
Speaker 1: to these people. People want to be peaceful. When they

1573
01:28:23,840 --> 01:28:27,800
Speaker 1: talk about spending the rest of their life somewhere, think

1574
01:28:27,840 --> 01:28:32,360
Speaker 1: about that. Think about that, spending the rest of your

1575
01:28:32,439 --> 01:28:35,040
Speaker 1: life somewhere. You gotta think about some shit about that.

1576
01:28:36,000 --> 01:28:39,720
Speaker 1: You know, it got to be a peaceful environment. You know,

1577
01:28:39,920 --> 01:28:42,880
Speaker 1: we gotta know that each other. Like I was talking

1578
01:28:42,920 --> 01:28:45,280
Speaker 1: to earn your leisure and I asked them, yo, what

1579
01:28:45,520 --> 01:28:48,120
Speaker 1: makes shit like this word? And they said something that

1580
01:28:48,240 --> 01:28:53,240
Speaker 1: made a lot of sense. They said, our personalities don't class.

1581
01:28:54,600 --> 01:28:57,840
Speaker 1: Sometimes it's a personality class. And that'll be you'll be

1582
01:28:58,000 --> 01:29:00,240
Speaker 1: eighty years old and it still be that person out

1583
01:29:00,280 --> 01:29:04,200
Speaker 1: of the class going on. She's still coming in there

1584
01:29:04,280 --> 01:29:06,920
Speaker 1: bringing up to you that you that you left for

1585
01:29:07,040 --> 01:29:09,719
Speaker 1: water ball on the thing, and it's like, you'ren't about

1586
01:29:09,800 --> 01:29:12,280
Speaker 1: the house, you'ren't about the cause you know, I'm done

1587
01:29:12,320 --> 01:29:16,120
Speaker 1: all you could and she's still hauling about, Yo, no, sir.

1588
01:29:16,400 --> 01:29:19,200
Speaker 1: So that's back in the old days when the peking,

1589
01:29:19,280 --> 01:29:23,559
Speaker 1: when the peekins was slim. But nowadays niggas ain't. Yeah,

1590
01:29:23,720 --> 01:29:26,080
Speaker 1: niggas ain't doing that. But again, you gotta ask yourself

1591
01:29:26,120 --> 01:29:28,840
Speaker 1: what you expect for dirt to do with the girl

1592
01:29:28,880 --> 01:29:31,000
Speaker 1: to hold them down in that way, you know, and

1593
01:29:31,080 --> 01:29:35,400
Speaker 1: they take a certain kind of in individual to even

1594
01:29:35,479 --> 01:29:39,040
Speaker 1: know you're being held down. See a lot of y'all

1595
01:29:39,120 --> 01:29:41,639
Speaker 1: think you being held back when you're being held down,

1596
01:29:43,080 --> 01:29:45,240
Speaker 1: you know what I'm saying. And I don't mean held

1597
01:29:45,280 --> 01:29:47,280
Speaker 1: down in a bad way like an anchor. I mean

1598
01:29:47,400 --> 01:29:52,240
Speaker 1: held down like being took care of, looked out for. Again,

1599
01:29:52,400 --> 01:29:56,160
Speaker 1: some people perspective got an update. There's a lot of

1600
01:29:56,240 --> 01:30:02,080
Speaker 1: y'all gremlins. Yeah, a lot of y'all grimlins here. You know, Yes,

1601
01:30:02,160 --> 01:30:04,760
Speaker 1: she knew the nigga were broke, but she still got

1602
01:30:04,840 --> 01:30:07,800
Speaker 1: pregnant because she a gremlin, you know what I mean.

1603
01:30:10,920 --> 01:30:13,360
Speaker 1: And then you got the nerve to wonder why you know,

1604
01:30:13,520 --> 01:30:15,320
Speaker 1: you can't get him to give you nothing, and things

1605
01:30:15,400 --> 01:30:17,360
Speaker 1: that are happening in the way it is happening. You know,

1606
01:30:17,479 --> 01:30:20,719
Speaker 1: you gotta really you gotta really um, you gotta really

1607
01:30:20,760 --> 01:30:22,840
Speaker 1: look yourself in the mirror. Same with guys, you know

1608
01:30:22,880 --> 01:30:25,599
Speaker 1: what I mean. But let's talk about the Jake Paul, dude,

1609
01:30:27,320 --> 01:30:30,960
Speaker 1: Jake Paul for anybody that don't know, as I think,

1610
01:30:31,280 --> 01:30:33,200
Speaker 1: I'm not sure, I don't know the number. So I'm

1611
01:30:33,240 --> 01:30:36,720
Speaker 1: gonna say that. But Jake Paul just had another fight

1612
01:30:36,840 --> 01:30:39,320
Speaker 1: with Tyrone Woodley. For those of you that may not know,

1613
01:30:39,439 --> 01:30:41,920
Speaker 1: on showtime, he's selling pay per views. He's a big

1614
01:30:42,000 --> 01:30:44,240
Speaker 1: deal in the space. I will give him their respect.

1615
01:30:45,320 --> 01:30:48,719
Speaker 1: Tyrone Woodley is fighting him again after already losing once.

1616
01:30:49,280 --> 01:30:52,160
Speaker 1: I think this says. I know Tyrone Woodley is like

1617
01:30:52,280 --> 01:30:55,840
Speaker 1: a warrior or fight or UFC guy. But you know,

1618
01:30:56,360 --> 01:30:58,479
Speaker 1: I think this kind of ship might say that you

1619
01:30:58,680 --> 01:31:05,160
Speaker 1: financially m vulnerable. You know, I think he's financially vulnerable,

1620
01:31:05,320 --> 01:31:07,280
Speaker 1: you know, to get in there with with this dude,

1621
01:31:07,320 --> 01:31:10,559
Speaker 1: and then you know you had to get his name

1622
01:31:10,720 --> 01:31:13,200
Speaker 1: tattooed on you. Like that's a little much for me.

1623
01:31:13,920 --> 01:31:16,439
Speaker 1: Like fighting you is one thing, Like you'll fighter, I'll

1624
01:31:16,479 --> 01:31:19,640
Speaker 1: fight you, but your name on me. Anybody from a

1625
01:31:19,760 --> 01:31:23,200
Speaker 1: different race name can't go on me, especially I don't know.

1626
01:31:24,160 --> 01:31:26,840
Speaker 1: I made you get my nine. That will never happen,

1627
01:31:27,200 --> 01:31:29,920
Speaker 1: you know what I mean. So Um, if somebody from

1628
01:31:29,960 --> 01:31:31,840
Speaker 1: a different race name get on me, it's because it's

1629
01:31:31,920 --> 01:31:34,400
Speaker 1: real love that and they you know, they don't prove

1630
01:31:34,520 --> 01:31:36,960
Speaker 1: it's been tested. I keep telling you make it obvious,

1631
01:31:37,840 --> 01:31:40,760
Speaker 1: you know what I'm saying. So um, And I mean

1632
01:31:40,920 --> 01:31:45,599
Speaker 1: from a family friend perspective of a business. Anything make

1633
01:31:45,680 --> 01:31:48,880
Speaker 1: it obvious that it's real, you know what I mean? So, um,

1634
01:31:49,479 --> 01:31:52,040
Speaker 1: that was just to me embarrassing. So I said, you know,

1635
01:31:52,320 --> 01:31:56,040
Speaker 1: me being a business man. Okay, maybe he's financially vulnerable,

1636
01:31:56,439 --> 01:31:58,800
Speaker 1: you know. So he doubled back for the second fight.

1637
01:31:58,960 --> 01:32:01,000
Speaker 1: Jake Paul is in a situation where he would fin

1638
01:32:01,080 --> 01:32:03,720
Speaker 1: to fight somebody else. But guess who we know who

1639
01:32:03,760 --> 01:32:06,559
Speaker 1: would take the fight, old mister Woollard. So he called

1640
01:32:06,600 --> 01:32:09,479
Speaker 1: wood up. Other duty was fil to fight. I don't

1641
01:32:09,520 --> 01:32:11,120
Speaker 1: know what happened, would dude, but he had to. He

1642
01:32:11,200 --> 01:32:13,679
Speaker 1: had to dip. So two weeks left, switched to fight

1643
01:32:13,800 --> 01:32:17,479
Speaker 1: Tyron Woodling. They sail the fight. Now me and my

1644
01:32:17,520 --> 01:32:19,840
Speaker 1: old lady sitting there watching the fight. It had to

1645
01:32:19,880 --> 01:32:23,160
Speaker 1: be one of the worst fights, one of the most

1646
01:32:23,280 --> 01:32:27,120
Speaker 1: boringess fights that I've ever encountered. Like I've saw fights

1647
01:32:27,160 --> 01:32:30,599
Speaker 1: in my neighborhood that had most sween going on at

1648
01:32:30,680 --> 01:32:34,000
Speaker 1: certain points. Now it's boxing, so I know how boxing works.

1649
01:32:34,040 --> 01:32:36,680
Speaker 1: I know what the clinch is, I know what's going on, right,

1650
01:32:36,760 --> 01:32:39,280
Speaker 1: So I'm watching, I'm watching, but they're doing a lot

1651
01:32:39,360 --> 01:32:43,120
Speaker 1: of clinching. Jake Paul looked like he ain't worth for dolling.

1652
01:32:43,320 --> 01:32:46,840
Speaker 1: Now he came worth you know, a few dollars, and

1653
01:32:47,040 --> 01:32:49,360
Speaker 1: at this point he looked like he worth fifteen cin.

1654
01:32:49,840 --> 01:32:53,320
Speaker 1: So he in that breathing, hardy, bleeding dude being rastling

1655
01:32:53,439 --> 01:32:57,760
Speaker 1: him down, treating him bad, and hit him with a

1656
01:32:58,320 --> 01:33:00,320
Speaker 1: hit him with an air bow and got him to bleed,

1657
01:33:01,080 --> 01:33:04,040
Speaker 1: you know. Um and also for I continued shout out

1658
01:33:04,080 --> 01:33:07,360
Speaker 1: to my boy Brandon Marshall. He was there calling a

1659
01:33:07,479 --> 01:33:09,839
Speaker 1: couple of the fights. Man, so shout out to the homie.

1660
01:33:10,240 --> 01:33:15,680
Speaker 1: You know, I rock with you for show. But um,

1661
01:33:16,360 --> 01:33:20,880
Speaker 1: so Paul looking bad. And now I'm saying, man, he

1662
01:33:20,960 --> 01:33:24,040
Speaker 1: finna get whooped. Dude pressing the line on him. Dude

1663
01:33:24,080 --> 01:33:26,000
Speaker 1: pressing the line on something. I'm saying, Man, he fin

1664
01:33:26,479 --> 01:33:30,240
Speaker 1: dude for the lose this main fnna lose man. Next thing,

1665
01:33:30,360 --> 01:33:33,040
Speaker 1: you know, he hit him with one of the meanest

1666
01:33:33,160 --> 01:33:35,960
Speaker 1: motherfucking punches I probably have seen in a long time

1667
01:33:36,000 --> 01:33:38,439
Speaker 1: and knocked the shit out of them. I'm gonna run

1668
01:33:38,520 --> 01:33:40,439
Speaker 1: you out through a couple of the highlights real quick.

1669
01:33:45,760 --> 01:33:49,240
Speaker 1: That was the shot to knock him out. That's running

1670
01:33:49,280 --> 01:33:53,120
Speaker 1: that back. That's the shot that knocked him out. Now

1671
01:33:53,200 --> 01:33:56,160
Speaker 1: play closer attending this right here was this right? Here

1672
01:33:56,320 --> 01:34:00,599
Speaker 1: was this right? Here was something different? Check it out now.

1673
01:34:00,720 --> 01:34:02,920
Speaker 1: For those of you that listening, of course, again, my

1674
01:34:03,120 --> 01:34:06,439
Speaker 1: videos are available only on Patreon. It's up there podcast.

1675
01:34:06,520 --> 01:34:10,040
Speaker 1: You won't catch full videos anywhere else. You gotta subscribe

1676
01:34:10,080 --> 01:34:13,280
Speaker 1: there to get full videos, so get there now. But

1677
01:34:13,400 --> 01:34:19,840
Speaker 1: for those of you that's listening, um, this shot right

1678
01:34:19,920 --> 01:34:24,120
Speaker 1: here was a super clean shot to the fucking head.

1679
01:34:24,439 --> 01:34:27,920
Speaker 1: In my opinion, he looked like he dropped his he

1680
01:34:28,080 --> 01:34:29,880
Speaker 1: dropped his hand and kind of I don't know if

1681
01:34:29,920 --> 01:34:31,920
Speaker 1: he was blocking the body of well, I don't know

1682
01:34:32,040 --> 01:34:34,559
Speaker 1: what he was dropping his hand for. But he dropped

1683
01:34:34,640 --> 01:34:37,920
Speaker 1: his hand and left it wide open. And it looked

1684
01:34:37,960 --> 01:34:40,840
Speaker 1: like Jake tricked him. Like Jake looked like he was

1685
01:34:40,960 --> 01:34:43,519
Speaker 1: going lower or something. He tricked him a little bit

1686
01:34:43,600 --> 01:34:46,080
Speaker 1: and hit him, knocked the shit out of Watch it again.

1687
01:34:46,520 --> 01:34:51,519
Speaker 1: I knocked him, but he knocked the shit out of

1688
01:35:00,360 --> 01:35:04,920
Speaker 1: then he knocked to sit out of that. Man, it

1689
01:35:05,120 --> 01:35:11,439
Speaker 1: surprised him, He was even surprised. Look that's hurt, man,

1690
01:35:11,560 --> 01:35:17,160
Speaker 1: that he even surprised. Man. I don't think he thought

1691
01:35:17,200 --> 01:35:20,320
Speaker 1: that was going to happen. Man, Man, he caught that

1692
01:35:20,479 --> 01:35:39,080
Speaker 1: dude with a clean look at his brother. His brother

1693
01:35:39,280 --> 01:35:42,800
Speaker 1: is his brought a man blown like what the fuck

1694
01:35:42,960 --> 01:35:44,840
Speaker 1: just happened? Because he was just look at the cut

1695
01:35:44,920 --> 01:35:47,680
Speaker 1: on his head for those of you listening, got a

1696
01:35:47,800 --> 01:35:50,360
Speaker 1: massive cut on his head. Man and dudes, he was

1697
01:35:50,760 --> 01:35:54,959
Speaker 1: dude kind of hand him on the lower What a knockout.

1698
01:35:55,200 --> 01:35:58,080
Speaker 1: The Paul brothers co wrote the script are plane motive.

1699
01:35:58,360 --> 01:36:02,479
Speaker 1: Jake Paul just putting tyrand Woodley. He didn't play moved.

1700
01:36:02,560 --> 01:36:04,960
Speaker 1: He put him on a pamper man watching right for him.

1701
01:36:05,040 --> 01:36:08,160
Speaker 1: Oh and you know what he means, like he was

1702
01:36:08,200 --> 01:36:13,000
Speaker 1: gonna throw something there and it then he came with

1703
01:36:13,120 --> 01:36:15,880
Speaker 1: the overhand right so he looked down as if he

1704
01:36:16,000 --> 01:36:17,760
Speaker 1: was gonna throw a jabb or a right hand to

1705
01:36:17,840 --> 01:36:20,000
Speaker 1: the body. See him looked down and he and he

1706
01:36:20,360 --> 01:36:23,080
Speaker 1: fainted with the jab told you that's what he did.

1707
01:36:23,600 --> 01:36:26,960
Speaker 1: I told you, And I never heard him say did.

1708
01:36:28,120 --> 01:36:33,280
Speaker 1: I watched it in real time and boyle boy, that

1709
01:36:33,720 --> 01:36:39,719
Speaker 1: knot tyran Woodley and Jake Paul gets his Christmas wish.

1710
01:36:40,080 --> 01:36:41,640
Speaker 1: He didn't get a knock out in the fifth, but

1711
01:36:41,760 --> 01:36:44,320
Speaker 1: he did get a very he wanted to knockout. He

1712
01:36:44,479 --> 01:36:46,400
Speaker 1: got it. He got it in the sixth Reeve and

1713
01:36:46,479 --> 01:36:56,639
Speaker 1: looking like, oh my god, yeah he's done it. Yeah Paul,

1714
01:36:57,800 --> 01:37:00,240
Speaker 1: but he ended up knocking him out. When I watch

1715
01:37:00,320 --> 01:37:03,160
Speaker 1: the Jake Paul with that belty guy, I said, see,

1716
01:37:04,000 --> 01:37:06,040
Speaker 1: I think when you really go to looking at it,

1717
01:37:07,200 --> 01:37:13,280
Speaker 1: white boys, white boys, right, they come from like they

1718
01:37:13,360 --> 01:37:15,559
Speaker 1: want to be a part of the culture. They may

1719
01:37:15,680 --> 01:37:20,280
Speaker 1: be worse than black dudes. They get money, you know,

1720
01:37:20,640 --> 01:37:22,519
Speaker 1: the little a little nigger from the hood to get

1721
01:37:22,600 --> 01:37:25,000
Speaker 1: some money, you know, spelling from the South. You'll see

1722
01:37:25,040 --> 01:37:28,439
Speaker 1: them have that inch wheels on a little car or

1723
01:37:28,479 --> 01:37:31,559
Speaker 1: something like. They do some outrageous you know what I mean.

1724
01:37:31,760 --> 01:37:36,040
Speaker 1: Sometimes white suburbian kids they get money that's rebellious to

1725
01:37:36,160 --> 01:37:40,360
Speaker 1: their families. They they they like they'll do some crazy

1726
01:37:40,439 --> 01:37:43,280
Speaker 1: stuff like his bell to do bell got watches on it,

1727
01:37:43,520 --> 01:37:47,200
Speaker 1: like the most valuable bell. Like that is a weird idea,

1728
01:37:47,400 --> 01:37:50,040
Speaker 1: bro like, and it may work, but that's a weird

1729
01:37:50,080 --> 01:37:52,680
Speaker 1: little idea. That's something they come from. Somebody that's just

1730
01:37:53,439 --> 01:37:56,000
Speaker 1: don't know what to do with their money. I ain't

1731
01:37:56,000 --> 01:37:58,360
Speaker 1: gonna say you ain't making investments, but you just do

1732
01:37:58,760 --> 01:38:00,960
Speaker 1: silly ship with money, all right. So now I'm gonna

1733
01:38:00,960 --> 01:38:03,599
Speaker 1: speak about the Big Sean interview man, Big Sean went

1734
01:38:03,720 --> 01:38:06,760
Speaker 1: up to Drink Champs to respond to Kanye West as

1735
01:38:06,840 --> 01:38:09,479
Speaker 1: Kanye West went on that and said that signing Big

1736
01:38:09,520 --> 01:38:11,439
Speaker 1: Sean is one of the worst things he ever did,

1737
01:38:12,320 --> 01:38:14,679
Speaker 1: and spoke about him and John Legend kind of switching

1738
01:38:14,720 --> 01:38:20,679
Speaker 1: sides when he decided to run for president. Big Sean

1739
01:38:20,840 --> 01:38:24,679
Speaker 1: is a unique artist, a unique person, and a totally

1740
01:38:24,800 --> 01:38:29,439
Speaker 1: different person. I think he's someone that shines a light

1741
01:38:29,560 --> 01:38:35,080
Speaker 1: on how humans can evolve, especially rappers. Again, I think

1742
01:38:35,160 --> 01:38:38,960
Speaker 1: we all need representation in different spaces. I always tell

1743
01:38:39,080 --> 01:38:40,719
Speaker 1: y'all that. But let's take a look at a little

1744
01:38:40,720 --> 01:38:43,799
Speaker 1: bit of the interview and we'll bring some of it back. Okay,

1745
01:38:47,120 --> 01:38:53,599
Speaker 1: we had who is considered a god, a Google rule,

1746
01:38:53,800 --> 01:39:00,200
Speaker 1: a person that sat here and he said one of

1747
01:39:00,280 --> 01:39:05,479
Speaker 1: the worst things that he ever did was signed you. Now,

1748
01:39:05,880 --> 01:39:08,240
Speaker 1: I'm gonna be honest. After I looked at it, I

1749
01:39:08,360 --> 01:39:11,439
Speaker 1: analyzed it because if you look at my face, my

1750
01:39:11,560 --> 01:39:14,920
Speaker 1: facial structure, I'm thinking, he hits you wrong. Yeah, we didn't.

1751
01:39:14,920 --> 01:39:18,120
Speaker 1: We didn't catch So I'm actually I'm actually clapping. I'm like, Yo,

1752
01:39:18,360 --> 01:39:20,679
Speaker 1: that's so dope. If you look at my facial spression,

1753
01:39:21,479 --> 01:39:26,880
Speaker 1: you caught it. Last I was because it don't makes sense.

1754
01:39:27,800 --> 01:39:35,599
Speaker 1: So yeah, and before a question, I was blown away

1755
01:39:35,880 --> 01:39:39,040
Speaker 1: because I didn't understand it. But I need to understand you.

1756
01:39:39,240 --> 01:39:42,120
Speaker 1: But then he said for some political reasons. Remember he said, yeah,

1757
01:39:42,400 --> 01:39:44,280
Speaker 1: but hold on, but let's just let's just let's just

1758
01:39:44,479 --> 01:39:46,840
Speaker 1: let's take it at the time when you first heard that,

1759
01:39:49,400 --> 01:39:51,960
Speaker 1: what did you think? What was the first reaction? At first,

1760
01:39:52,000 --> 01:39:55,040
Speaker 1: I thought it was hilarious. I thought this ship was funny.

1761
01:39:55,439 --> 01:39:58,400
Speaker 1: Then I take it personal, right, cool? I take it

1762
01:39:58,479 --> 01:40:02,519
Speaker 1: personal because I'm the only artist who's put out five

1763
01:40:02,640 --> 01:40:05,840
Speaker 1: albums under good music. Cuttie left a long time ago

1764
01:40:06,320 --> 01:40:09,000
Speaker 1: business wise, you know what I'm saying, and they still

1765
01:40:09,040 --> 01:40:11,400
Speaker 1: clicked up and linked up right, Yeah, I'm talking. So

1766
01:40:11,479 --> 01:40:13,720
Speaker 1: I'm the only artist who put out five albums under

1767
01:40:13,760 --> 01:40:15,640
Speaker 1: good music. I'm the only one who put out back

1768
01:40:15,680 --> 01:40:19,000
Speaker 1: to back to back number ones platinum albums, double platinum albums,

1769
01:40:19,240 --> 01:40:26,840
Speaker 1: platinum album You know what I'm saying. And when, and

1770
01:40:27,000 --> 01:40:29,560
Speaker 1: by the way, being signed at Kanye is a golden opportunity.

1771
01:40:29,760 --> 01:40:32,639
Speaker 1: But it's something that I would He changed my life

1772
01:40:32,680 --> 01:40:35,080
Speaker 1: and I love him for that. But every time Kanye

1773
01:40:35,160 --> 01:40:37,560
Speaker 1: has called on me, every single time, no matter what

1774
01:40:37,640 --> 01:40:40,479
Speaker 1: I was doing, within one day's notice, I'm wherever he's at,

1775
01:40:40,560 --> 01:40:42,960
Speaker 1: bro and it rather it's to contribute to him in

1776
01:40:43,040 --> 01:40:46,120
Speaker 1: his studio, whether it's to contribute a line, write a

1777
01:40:46,240 --> 01:40:48,559
Speaker 1: verse for him. He just takes maybe parts of the verse,

1778
01:40:48,600 --> 01:40:50,400
Speaker 1: maybe the whole verse, maybe just to help him with

1779
01:40:50,479 --> 01:40:52,200
Speaker 1: his vibe, like just to help him catch a vibe

1780
01:40:52,240 --> 01:40:54,160
Speaker 1: wherever he's at in the world. Where I've traveled around

1781
01:40:54,200 --> 01:40:56,640
Speaker 1: the world for this man every time he's called, and

1782
01:40:56,800 --> 01:40:59,120
Speaker 1: have done this and not ask for publishing a lot

1783
01:40:59,160 --> 01:41:01,559
Speaker 1: of the times. Why because he gave me a golden

1784
01:41:01,640 --> 01:41:04,240
Speaker 1: opportunity of signing the good music. Right, A lot of

1785
01:41:04,280 --> 01:41:05,960
Speaker 1: people have signed to good music. I just want to

1786
01:41:06,000 --> 01:41:08,280
Speaker 1: keep that in mind, but not a lot of people

1787
01:41:08,320 --> 01:41:10,240
Speaker 1: on good Nobody on good music has put out five

1788
01:41:10,479 --> 01:41:13,240
Speaker 1: LPs and back to back to back number one. Right,

1789
01:41:13,680 --> 01:41:18,559
Speaker 1: So for Iron, any sake, for Irony Sake. In twenty fifteen,

1790
01:41:19,760 --> 01:41:24,040
Speaker 1: when I won a VMA with Ya and John Legend

1791
01:41:24,120 --> 01:41:27,200
Speaker 1: for ire any sake for one man could change the world.

1792
01:41:29,160 --> 01:41:31,839
Speaker 1: I was the first person to tweet Kanye for president,

1793
01:41:33,840 --> 01:41:41,840
Speaker 1: the first one. Right, Yeah, I'm listening, Okay, So when well,

1794
01:41:41,920 --> 01:41:45,280
Speaker 1: picture being the earner being, picture being the top earner, right,

1795
01:41:45,600 --> 01:41:52,200
Speaker 1: because picture being the top employees somethwell. Picture being the

1796
01:41:52,360 --> 01:41:58,320
Speaker 1: top money generator, the top score on the team, the

1797
01:41:58,400 --> 01:42:01,200
Speaker 1: guy with the most yards, the guy with the most assist,

1798
01:42:01,320 --> 01:42:06,400
Speaker 1: the man with the most three points, three pointers, the

1799
01:42:06,520 --> 01:42:12,639
Speaker 1: man that got the most game winning shots. And then

1800
01:42:12,680 --> 01:42:14,479
Speaker 1: the owner other league gets up and say, you know

1801
01:42:14,680 --> 01:42:17,000
Speaker 1: that man, So I can kind of you know, I

1802
01:42:17,040 --> 01:42:19,040
Speaker 1: can kind of feel where he's coming from, just from

1803
01:42:19,080 --> 01:42:22,599
Speaker 1: a factual standpoint, though, when we look at the facts

1804
01:42:22,640 --> 01:42:24,720
Speaker 1: of if the boy saying the facts, now, if he's

1805
01:42:24,760 --> 01:42:27,560
Speaker 1: saying I'm the only artists that ever put out this

1806
01:42:27,760 --> 01:42:30,559
Speaker 1: amount of work, I'm I was. I was the mule

1807
01:42:30,680 --> 01:42:34,160
Speaker 1: over there, and I'm putting numbers on this. I made

1808
01:42:34,200 --> 01:42:38,040
Speaker 1: you over thirty million. That means somebody that looked into this.

1809
01:42:39,240 --> 01:42:42,920
Speaker 1: This is verifiable information. See some people just talking long

1810
01:42:43,080 --> 01:42:46,560
Speaker 1: dealing with verifiable information. When I'm talking shit that I

1811
01:42:46,720 --> 01:42:51,800
Speaker 1: talk about is verifiable things. I don't live vicariously through

1812
01:42:51,920 --> 01:42:55,960
Speaker 1: my home boards. I don't. I don't. I don't use

1813
01:42:56,920 --> 01:43:00,720
Speaker 1: a false sense of who I am to place me

1814
01:43:00,920 --> 01:43:05,599
Speaker 1: in scenarios I've never been in that ain't who I am.

1815
01:43:05,760 --> 01:43:09,280
Speaker 1: So when you deal with people that's talking specific numbers, dudes,

1816
01:43:09,320 --> 01:43:13,280
Speaker 1: he's dealing with the specifics, the details, somebody that took

1817
01:43:13,320 --> 01:43:15,559
Speaker 1: a look at it. So I've made you thirty million

1818
01:43:15,920 --> 01:43:18,240
Speaker 1: and being the only one that's put out this level

1819
01:43:18,280 --> 01:43:22,080
Speaker 1: of production. Yet this is the behavior that that that

1820
01:43:22,479 --> 01:43:25,519
Speaker 1: makes you exhibit towards me. I think that feels a

1821
01:43:25,600 --> 01:43:31,719
Speaker 1: way being honest. You know, my manager saw my record

1822
01:43:31,760 --> 01:43:34,280
Speaker 1: doing said this is a shitty record deal. I would

1823
01:43:34,320 --> 01:43:36,280
Speaker 1: never say that, though, because why it was an opportunity

1824
01:43:36,280 --> 01:43:37,800
Speaker 1: that I can work my way out of anything. And

1825
01:43:37,880 --> 01:43:40,360
Speaker 1: when you say manage, that's saying rock nation. Yeah, I'm

1826
01:43:40,360 --> 01:43:43,400
Speaker 1: saying rock nation. Yeah. Yeah, actually he hooked me up.

1827
01:43:43,400 --> 01:43:45,400
Speaker 1: Well yeah, I'm saying rock nation. I'm saying Jay Brown

1828
01:43:45,800 --> 01:43:47,880
Speaker 1: said it was the worst deal he'd ever seen. Wow,

1829
01:43:49,280 --> 01:43:52,920
Speaker 1: and this man, I had to spend my own money

1830
01:43:53,720 --> 01:43:56,920
Speaker 1: all the team my label because millions of dollars are missing.

1831
01:43:57,000 --> 01:43:58,719
Speaker 1: And you can tell what millions of dollars are missing,

1832
01:43:58,840 --> 01:44:02,679
Speaker 1: of course, right, yes, you should be. I spent hundreds

1833
01:44:02,680 --> 01:44:05,640
Speaker 1: and thousands of dollars on my label, thinking Universal owd

1834
01:44:05,680 --> 01:44:07,280
Speaker 1: me this money, and the money had been paid to

1835
01:44:07,400 --> 01:44:11,360
Speaker 1: good music. So let me ask you before we finish. No,

1836
01:44:11,520 --> 01:44:14,160
Speaker 1: let me ask you, bro, if somebody owed you five

1837
01:44:14,240 --> 01:44:17,800
Speaker 1: hundred thousand dollars? How would you feel? No, listen, how

1838
01:44:17,840 --> 01:44:19,600
Speaker 1: would you feel? I would feel fun? And there was

1839
01:44:19,720 --> 01:44:22,160
Speaker 1: up one hundred million? How would you feel? Yeah? Crazy?

1840
01:44:22,479 --> 01:44:24,920
Speaker 1: What if if they old you a million? What if

1841
01:44:24,920 --> 01:44:27,760
Speaker 1: they owed you three million? Okay? What if they old

1842
01:44:27,760 --> 01:44:31,920
Speaker 1: you five million dollars? What if they old you six?

1843
01:44:32,720 --> 01:44:35,160
Speaker 1: And listen, listen, what if they owed you that? Bro?

1844
01:44:35,760 --> 01:44:37,519
Speaker 1: I understand you showed up for them and you did

1845
01:44:37,560 --> 01:44:42,240
Speaker 1: all these things right, right, and they helped billions. And

1846
01:44:42,320 --> 01:44:44,760
Speaker 1: then the nigga who comes at them, who talks the

1847
01:44:44,880 --> 01:44:48,840
Speaker 1: most shit, he'd be bigging up in the interview, and shit,

1848
01:44:50,680 --> 01:44:52,840
Speaker 1: when who we talked about? We gotta be Drake Champ

1849
01:44:52,920 --> 01:44:56,360
Speaker 1: talking about Drake Okay, okay who he you know loves?

1850
01:44:58,120 --> 01:45:00,679
Speaker 1: And my thing is, Bro, you want to talk about

1851
01:45:00,720 --> 01:45:03,840
Speaker 1: Lord to a fault right when you're talking about that

1852
01:45:03,920 --> 01:45:08,200
Speaker 1: song or not just that song, just the mentality like, yeah,

1853
01:45:08,240 --> 01:45:10,840
Speaker 1: I've been loyal because I'm I feel like I'm the

1854
01:45:10,880 --> 01:45:13,160
Speaker 1: only one who stayed that long for good music. So yeah,

1855
01:45:13,200 --> 01:45:17,320
Speaker 1: it was a personal It affected me personally, bro, And

1856
01:45:19,040 --> 01:45:20,599
Speaker 1: you know he texted me the next day and said,

1857
01:45:20,600 --> 01:45:21,920
Speaker 1: I want to meet with you and your mom to

1858
01:45:22,000 --> 01:45:24,800
Speaker 1: begin healing on both sides, and I was angry. We

1859
01:45:25,040 --> 01:45:28,040
Speaker 1: took home after what yeah, after that shit Eric, after

1860
01:45:28,120 --> 01:45:30,680
Speaker 1: this Sunday service when y'all saw each other. No, he

1861
01:45:30,680 --> 01:45:35,200
Speaker 1: hadn't say nothing okay after this is yes, okay continue,

1862
01:45:35,840 --> 01:45:38,640
Speaker 1: And I you know I couldn't. I took it too

1863
01:45:38,720 --> 01:45:41,800
Speaker 1: personally because it's like you publicly humiliated me when I've

1864
01:45:41,840 --> 01:45:43,920
Speaker 1: been down for you not peped this out. While he

1865
01:45:44,000 --> 01:45:48,720
Speaker 1: was running for president, I didn't have his contact. I

1866
01:45:48,960 --> 01:45:56,880
Speaker 1: purposely didn't endorse anybody publicly politically because my man's just running.

1867
01:45:57,680 --> 01:46:01,160
Speaker 1: I don't even have his contact at the time because

1868
01:46:01,240 --> 01:46:03,120
Speaker 1: I'm trying to figure out other business. We got other

1869
01:46:03,160 --> 01:46:05,960
Speaker 1: things to talk about. But I don't even have his

1870
01:46:06,040 --> 01:46:08,920
Speaker 1: contact at the time. But I still had enough respect.

1871
01:46:09,000 --> 01:46:11,040
Speaker 1: Now he ain't Now, I ain't nobody ever showed me

1872
01:46:11,120 --> 01:46:14,200
Speaker 1: that support. Ain't nobody ever not consider me in that way.

1873
01:46:15,600 --> 01:46:19,920
Speaker 1: So I'm the number one earned an artists on good Music.

1874
01:46:22,120 --> 01:46:25,240
Speaker 1: And I didn't come out of support no Democratic Party

1875
01:46:25,280 --> 01:46:27,320
Speaker 1: because my man's was running and he wasn't even on

1876
01:46:27,400 --> 01:46:31,400
Speaker 1: the ballots in thirty some states. Yeah, you see what

1877
01:46:31,479 --> 01:46:35,519
Speaker 1: I'm saying. So when he said all that, it just

1878
01:46:35,640 --> 01:46:41,600
Speaker 1: had no um That's why it was funny because it

1879
01:46:41,680 --> 01:46:43,040
Speaker 1: just was not true, Like I didn't come out of

1880
01:46:43,080 --> 01:46:46,200
Speaker 1: the Democratic Party, bro, like maybe John Legend did. I

1881
01:46:46,280 --> 01:46:49,679
Speaker 1: don't know, I didn't. But to be fair, he said,

1882
01:46:49,720 --> 01:46:52,640
Speaker 1: both of y'all dare so Big Sean goes on to

1883
01:46:52,720 --> 01:46:55,280
Speaker 1: speak on a couple of things that happened between them, right,

1884
01:46:55,400 --> 01:47:00,280
Speaker 1: So that's clearly an issue. That's clearly things behind the

1885
01:47:00,360 --> 01:47:02,920
Speaker 1: scenes that has happened. A lot of them seemed to

1886
01:47:03,000 --> 01:47:08,679
Speaker 1: be revolving around Drake and according to them, Yea trying

1887
01:47:08,760 --> 01:47:13,960
Speaker 1: to position himself to leverage him over Drake and a

1888
01:47:14,000 --> 01:47:20,200
Speaker 1: lot of these in a lot of these instances. Big

1889
01:47:20,280 --> 01:47:23,360
Speaker 1: Sean is an interesting guy. Right when we look at

1890
01:47:23,439 --> 01:47:25,920
Speaker 1: him as an artist, you gotta remember what Sean is.

1891
01:47:26,640 --> 01:47:31,599
Speaker 1: Sean caught Jay and Kanye in they groove. He caught

1892
01:47:32,240 --> 01:47:35,040
Speaker 1: Jay and Kanye and they grow together. Right, you got

1893
01:47:35,160 --> 01:47:38,200
Speaker 1: a thing. And they poured out of there quickly. They

1894
01:47:38,320 --> 01:47:41,200
Speaker 1: got into that with each other and pulled out very fast.

1895
01:47:41,320 --> 01:47:43,559
Speaker 1: There wasn't no they didn't live there a long time

1896
01:47:43,680 --> 01:47:46,920
Speaker 1: because maybe those two artists are too big or they

1897
01:47:47,200 --> 01:47:50,320
Speaker 1: maybe the egos are just the same. But when they

1898
01:47:50,400 --> 01:47:53,080
Speaker 1: made magic together for this short period of time, there

1899
01:47:53,160 --> 01:47:54,960
Speaker 1: was certain artists that was able to be there to

1900
01:47:55,040 --> 01:47:58,879
Speaker 1: catch that, like a big Sean, like a hit ball producer,

1901
01:47:59,000 --> 01:48:02,679
Speaker 1: hit boy, um who else. I think they had a round,

1902
01:48:02,720 --> 01:48:05,320
Speaker 1: can't really remember because it wasn't many. They didn't need many.

1903
01:48:05,400 --> 01:48:08,160
Speaker 1: They had Ja I know, Rihanna, the in house people

1904
01:48:08,280 --> 01:48:10,800
Speaker 1: like that. But Sean was one of those ones that

1905
01:48:10,960 --> 01:48:14,519
Speaker 1: was able to kitchen um, able to work with those

1906
01:48:14,640 --> 01:48:18,240
Speaker 1: dudes in that time. Um. He says he made Kanye

1907
01:48:18,439 --> 01:48:20,360
Speaker 1: thirty million dollars. Again, that's a lot of money and

1908
01:48:20,439 --> 01:48:23,880
Speaker 1: Kanye on money. Um again, I think we're hearing from

1909
01:48:23,920 --> 01:48:27,360
Speaker 1: a hurt guy. I can tell he's done DMT. I

1910
01:48:27,479 --> 01:48:30,839
Speaker 1: can definitely tell he's done DMT. If you do DMT,

1911
01:48:31,080 --> 01:48:35,559
Speaker 1: DMTUM for me, I'm afraid to do DMT, especially right

1912
01:48:35,680 --> 01:48:39,479
Speaker 1: now it's too much going on. But if you do DMT,

1913
01:48:39,720 --> 01:48:43,400
Speaker 1: what that does is it strips your ego away from you.

1914
01:48:44,479 --> 01:48:47,800
Speaker 1: I'm talking about it'll take you. You will be, you'll

1915
01:48:47,880 --> 01:48:51,800
Speaker 1: problem man. You can be the biggest superstars. A lot

1916
01:48:51,880 --> 01:48:55,439
Speaker 1: of super mega famous people that do that because it

1917
01:48:55,640 --> 01:48:58,040
Speaker 1: brings him back down to reality. What it does it

1918
01:48:58,760 --> 01:49:00,880
Speaker 1: strips all your eat go and they'll let you know

1919
01:49:01,040 --> 01:49:04,080
Speaker 1: that you only a micro cause them in a very big,

1920
01:49:04,280 --> 01:49:08,320
Speaker 1: micro macro universe. So you're a very small piece and

1921
01:49:08,400 --> 01:49:11,160
Speaker 1: a very big puzzle. And it puts that shit in

1922
01:49:11,280 --> 01:49:15,920
Speaker 1: perspective like you're nothing bro like in real life. Like

1923
01:49:16,160 --> 01:49:19,080
Speaker 1: I'm telling you, start looking man. I'm telling man, I

1924
01:49:19,160 --> 01:49:21,400
Speaker 1: know a lot about it. Man, you know, but you

1925
01:49:21,560 --> 01:49:23,360
Speaker 1: know I've yet to do it because I know once

1926
01:49:23,479 --> 01:49:26,600
Speaker 1: once that happens, it changes you. It makes you. It

1927
01:49:26,760 --> 01:49:29,960
Speaker 1: makes you kind of like him if you're not already there,

1928
01:49:30,720 --> 01:49:32,479
Speaker 1: you know, And a lot of the rap shit is

1929
01:49:32,520 --> 01:49:37,280
Speaker 1: bravado and it's it's artificial intelligence, you know, it's artificial

1930
01:49:37,479 --> 01:49:40,680
Speaker 1: bravado and things like that. And once you start to

1931
01:49:40,800 --> 01:49:43,519
Speaker 1: travel tour those roads, you can't. You no longer operate

1932
01:49:43,600 --> 01:49:46,479
Speaker 1: with that. That's a waste of time. And so some

1933
01:49:46,640 --> 01:49:51,800
Speaker 1: of the ingredients you may need, you know, to be

1934
01:49:51,920 --> 01:49:55,280
Speaker 1: successful as a rapper or someone that appeals as a rapper,

1935
01:49:56,280 --> 01:49:59,559
Speaker 1: I think DMT takes from you. And that's even why

1936
01:49:59,600 --> 01:50:01,880
Speaker 1: you see Big Sean struggled to get back to where

1937
01:50:01,880 --> 01:50:04,080
Speaker 1: he was. There was a moment they would mention him

1938
01:50:04,160 --> 01:50:07,960
Speaker 1: with Cole and Drake and Kendrick, but he's fell out

1939
01:50:08,000 --> 01:50:10,599
Speaker 1: of that race because he's you know, I would say,

1940
01:50:10,680 --> 01:50:14,960
Speaker 1: because the d MT, I would say, you know, and

1941
01:50:15,080 --> 01:50:17,000
Speaker 1: it makes you want to go hike and the sky

1942
01:50:17,160 --> 01:50:20,800
Speaker 1: dive and all these things. It opens that up. You know,

1943
01:50:21,160 --> 01:50:24,200
Speaker 1: you've been wasting a lot of time. And you know,

1944
01:50:25,479 --> 01:50:27,479
Speaker 1: I think it's for each his own. You know what

1945
01:50:27,520 --> 01:50:29,679
Speaker 1: I'm saying, for each his own. For ship show, let's

1946
01:50:29,680 --> 01:50:33,559
Speaker 1: look at a little more. You go, you go to university,

1947
01:50:33,640 --> 01:50:36,439
Speaker 1: you say no, because I got an auditor. This isn't

1948
01:50:36,439 --> 01:50:38,880
Speaker 1: me making up a number. I got an auditor who

1949
01:50:40,280 --> 01:50:42,200
Speaker 1: auditor the books. You know what I'm saying. And it

1950
01:50:42,360 --> 01:50:44,640
Speaker 1: was more than that. Some of has been paid. And

1951
01:50:44,920 --> 01:50:48,400
Speaker 1: to me, it's just like I'm an authentic person. Bro,

1952
01:50:48,400 --> 01:50:50,280
Speaker 1: I'm an keeper real. I ain't gonna blast my brother.

1953
01:50:50,320 --> 01:50:52,160
Speaker 1: I'm not trying to tear nobody down. I'm not trying

1954
01:50:52,160 --> 01:51:00,759
Speaker 1: to tear it down. Man, change my life. But you bees,

1955
01:51:00,920 --> 01:51:03,160
Speaker 1: and you owe me this money that ain't probably ain't

1956
01:51:03,200 --> 01:51:05,600
Speaker 1: nothing to him. That's life changing money for me. You

1957
01:51:05,640 --> 01:51:08,200
Speaker 1: know that that could go towards things I'm trying to do.

1958
01:51:08,280 --> 01:51:10,320
Speaker 1: Like you said, I'm building a movie theater, I'm doing

1959
01:51:10,360 --> 01:51:12,439
Speaker 1: all these things. I'm trying to help my community. I'm

1960
01:51:12,560 --> 01:51:14,800
Speaker 1: you know, doing a VC. I'm like invested in a

1961
01:51:14,880 --> 01:51:20,240
Speaker 1: lot of things an angel investor. Um, it's not it's him,

1962
01:51:20,280 --> 01:51:22,360
Speaker 1: it's the business. Yeah, because that's that's what he said.

1963
01:51:22,439 --> 01:51:25,240
Speaker 1: Physicals what he said, and that's why. That's why. But

1964
01:51:25,520 --> 01:51:27,400
Speaker 1: at this point I tried to allude to that. I

1965
01:51:27,439 --> 01:51:30,160
Speaker 1: don't know if you have seen an interview, and I said, um,

1966
01:51:30,439 --> 01:51:32,560
Speaker 1: do you still have big Sean Son? And what he

1967
01:51:32,640 --> 01:51:35,280
Speaker 1: said was I just signed him to a bigger slave ship.

1968
01:51:36,479 --> 01:51:38,200
Speaker 1: Did you see that part where he said that? No,

1969
01:51:38,800 --> 01:51:41,080
Speaker 1: I said, but do you still have He said, I

1970
01:51:41,120 --> 01:51:43,080
Speaker 1: just sign I sign him to a bigger slave ship.

1971
01:51:43,160 --> 01:51:45,920
Speaker 1: Meaning he's trying to say that your deal is basically

1972
01:51:46,080 --> 01:51:51,560
Speaker 1: with Vivendi, it's basically with Universal death Cham right to

1973
01:51:51,720 --> 01:51:54,920
Speaker 1: his deals with death Cham his deals. I don't work.

1974
01:51:54,960 --> 01:51:58,519
Speaker 1: I don't work my way out of my deal. Just now. Wow,

1975
01:51:59,080 --> 01:52:01,400
Speaker 1: I had to work my way out of that deal, okay, man,

1976
01:52:01,600 --> 01:52:03,160
Speaker 1: Like I said, I'm not shipping on the deal. But

1977
01:52:03,320 --> 01:52:06,360
Speaker 1: it was a golden opportunity. My manager said it was

1978
01:52:06,360 --> 01:52:09,200
Speaker 1: the worst deal he's ever seen. What I'm saying is

1979
01:52:09,240 --> 01:52:11,160
Speaker 1: I put at least thirty million dollars in this man

1980
01:52:11,240 --> 01:52:14,599
Speaker 1: pocket or more and he owes me money and he's

1981
01:52:14,680 --> 01:52:19,839
Speaker 1: up billions him or his company. He said that the masters.

1982
01:52:19,920 --> 01:52:22,200
Speaker 1: He said he was gonna give his artists back his masters,

1983
01:52:22,200 --> 01:52:24,120
Speaker 1: and it's just like that hasn't happened yet, But that

1984
01:52:24,200 --> 01:52:27,559
Speaker 1: would benefit me a lot. And if I was up bees,

1985
01:52:27,960 --> 01:52:29,280
Speaker 1: and if I was a man of my word and

1986
01:52:29,320 --> 01:52:31,040
Speaker 1: not just saying something to look good in that moment,

1987
01:52:31,160 --> 01:52:33,280
Speaker 1: like I would pay my artists day masters or what

1988
01:52:33,479 --> 01:52:34,800
Speaker 1: at least what they were. I if he's not in

1989
01:52:34,880 --> 01:52:36,640
Speaker 1: a position to do that, But that's just me. So

1990
01:52:36,800 --> 01:52:38,439
Speaker 1: let me ask you something. When you look at your

1991
01:52:38,439 --> 01:52:40,840
Speaker 1: contract and your lawyers speak to you, do they say

1992
01:52:40,960 --> 01:52:44,240
Speaker 1: that it's it's it's it's good music, or they say

1993
01:52:44,479 --> 01:52:47,760
Speaker 1: that it's good music, depth jam ven, the you know,

1994
01:52:47,880 --> 01:52:51,479
Speaker 1: all of it as a conglostate Universal, or they saying

1995
01:52:51,600 --> 01:52:57,400
Speaker 1: it's yeah, that's on you to answer it, answer it

1996
01:52:57,520 --> 01:53:00,920
Speaker 1: whichever way you want. It's all of them, but right,

1997
01:53:01,360 --> 01:53:03,080
Speaker 1: But the one thing he said is that they paid.

1998
01:53:03,560 --> 01:53:07,000
Speaker 1: I don't give him who it is, bro the Universal

1999
01:53:07,160 --> 01:53:11,120
Speaker 1: paid the money that I'm old too, good music, Okay,

2000
01:53:11,200 --> 01:53:12,599
Speaker 1: that's what I'm trying. So I don't give a fuck

2001
01:53:12,640 --> 01:53:16,360
Speaker 1: what it is out of a deal that I signed

2002
01:53:16,439 --> 01:53:19,160
Speaker 1: that was an unfair deal to me as an artist.

2003
01:53:19,240 --> 01:53:22,160
Speaker 1: You know what I'm saying to According to others, I

2004
01:53:22,320 --> 01:53:25,760
Speaker 1: earned millions of dollars because I sold over fifty some

2005
01:53:25,920 --> 01:53:28,880
Speaker 1: million records. I was one of the top selling hip

2006
01:53:28,920 --> 01:53:31,360
Speaker 1: hop artists between two thy ten and twenty twenty. I

2007
01:53:31,439 --> 01:53:34,200
Speaker 1: was in the top ten, sold over fifty some million

2008
01:53:34,280 --> 01:53:36,880
Speaker 1: records and earned a certain amount of money. But I

2009
01:53:37,000 --> 01:53:40,320
Speaker 1: worked my ass off, bro. I fucking drove myself to depression.

2010
01:53:40,360 --> 01:53:44,400
Speaker 1: I drove myself. I drove my fucking self to to

2011
01:53:44,680 --> 01:53:47,000
Speaker 1: the brink of wanting to not live, bro, because of

2012
01:53:47,080 --> 01:53:49,519
Speaker 1: the work overworking myself. So what I'm saying is, in

2013
01:53:49,640 --> 01:53:51,840
Speaker 1: that time where I earned the money, I still haven't

2014
01:53:51,840 --> 01:53:55,080
Speaker 1: gotten this money, bro. And it's not all about the money.

2015
01:53:55,120 --> 01:53:57,760
Speaker 1: It's not all about the money. It's the principle. It's

2016
01:53:57,760 --> 01:54:01,519
Speaker 1: the principle because I haven't parlam is. We expect Kanye

2017
01:54:01,600 --> 01:54:05,240
Speaker 1: to break the change, right because his access to his

2018
01:54:05,400 --> 01:54:10,880
Speaker 1: financial of freedom and liberation, it seems to be his

2019
01:54:11,120 --> 01:54:17,480
Speaker 1: master that so so there's a certain level of expectation,

2020
01:54:18,040 --> 01:54:22,400
Speaker 1: right attaest to Jay, attest to did he attached to Kanye,

2021
01:54:22,560 --> 01:54:26,880
Speaker 1: attest to QC, attest to you know, p attest to

2022
01:54:27,560 --> 01:54:31,240
Speaker 1: you know all these people, there's a certain amount of cash.

2023
01:54:31,439 --> 01:54:34,040
Speaker 1: It's a certain amount of We would think you would

2024
01:54:34,080 --> 01:54:36,920
Speaker 1: want to break the chains where you are in the game, right,

2025
01:54:37,000 --> 01:54:40,080
Speaker 1: So I would expect Kanye to come down and and

2026
01:54:40,320 --> 01:54:42,880
Speaker 1: do what he said and pation and give him the

2027
01:54:42,960 --> 01:54:46,960
Speaker 1: masters like he said. Um, but I always tell people

2028
01:54:47,040 --> 01:54:51,840
Speaker 1: that our first game is always to copy. So we

2029
01:54:52,000 --> 01:54:54,560
Speaker 1: get into the music business not knowing nothing about the

2030
01:54:54,680 --> 01:54:57,200
Speaker 1: music business. They treat us and make us think they're

2031
01:54:57,200 --> 01:55:00,160
Speaker 1: family when they're not family. So they teach us how

2032
01:55:00,200 --> 01:55:02,480
Speaker 1: to do business the same way that they do bid

2033
01:55:02,560 --> 01:55:05,440
Speaker 1: And it's so consequently were just doing when you're taking

2034
01:55:05,480 --> 01:55:08,800
Speaker 1: a contract, putting a copy machine, taking deaf Jam off

2035
01:55:08,840 --> 01:55:12,840
Speaker 1: and putting Rockefeller there and signing you, taking deaf Jam

2036
01:55:13,000 --> 01:55:15,560
Speaker 1: off and putting good music there and signing you. But

2037
01:55:15,680 --> 01:55:18,520
Speaker 1: it's really a carbon copy of what they have implemented.

2038
01:55:18,520 --> 01:55:21,600
Speaker 1: Because we don't know what this is. We just copy

2039
01:55:21,760 --> 01:55:24,240
Speaker 1: the game, and that's its game involved in knowing to

2040
01:55:24,320 --> 01:55:26,840
Speaker 1: do that knowing Look, I'm in a place I know

2041
01:55:27,000 --> 01:55:31,120
Speaker 1: nothing about. Let's copy what they're doing. Every real creator

2042
01:55:31,200 --> 01:55:33,680
Speaker 1: goes to creator shows and things like that, and they

2043
01:55:33,760 --> 01:55:35,920
Speaker 1: pull a little bit from it. Oh, I pull a

2044
01:55:35,960 --> 01:55:37,920
Speaker 1: little bit from Loan, I pull a little bit from

2045
01:55:37,960 --> 01:55:40,040
Speaker 1: earn your leaves. You're pull a little bit from bank.

2046
01:55:40,320 --> 01:55:42,280
Speaker 1: I pull a little bit from Joe Budding, a little

2047
01:55:42,320 --> 01:55:44,840
Speaker 1: bit from Charlemagne, a little bit from Rogan, a little

2048
01:55:44,840 --> 01:55:47,200
Speaker 1: bit from this and that. Right, So what happens is

2049
01:55:47,720 --> 01:55:51,760
Speaker 1: you become who you are. But all the real creators,

2050
01:55:52,480 --> 01:55:55,400
Speaker 1: they they tend, they tend to do that, you know

2051
01:55:55,440 --> 01:55:58,000
Speaker 1: what I'm saying. But when we're dealing with somebody this um,

2052
01:55:59,280 --> 01:56:02,760
Speaker 1: that high, the latter, with that much access to financial freedom,

2053
01:56:03,080 --> 01:56:04,920
Speaker 1: I think we do have a certain level. And I

2054
01:56:05,000 --> 01:56:07,040
Speaker 1: think he'll do it because that's what he represented, That's

2055
01:56:07,040 --> 01:56:10,320
Speaker 1: what his brain and his whole fight is. The thing is,

2056
01:56:10,360 --> 01:56:13,320
Speaker 1: it's like, Yo, we're breaking the chains. We no longer

2057
01:56:13,440 --> 01:56:15,320
Speaker 1: viewed that way, this way and the third. So I

2058
01:56:15,400 --> 01:56:19,440
Speaker 1: just wanted to say that seven am on brittle path.

2059
01:56:19,520 --> 01:56:22,120
Speaker 1: I haven't done on it. I haven't put it in nothing,

2060
01:56:22,200 --> 01:56:24,600
Speaker 1: you know what I'm saying. And it's just like I

2061
01:56:24,680 --> 01:56:27,440
Speaker 1: had an issue with all the respect that was being

2062
01:56:27,520 --> 01:56:30,760
Speaker 1: paid to somebody who publicly did that. And I know

2063
01:56:30,840 --> 01:56:32,720
Speaker 1: that people would be like going through things making up

2064
01:56:32,760 --> 01:56:34,280
Speaker 1: and all that. That's beautiful. I want to see my

2065
01:56:34,320 --> 01:56:38,160
Speaker 1: brothers together. But to me, yeah, I have I take

2066
01:56:38,240 --> 01:56:40,600
Speaker 1: that personal. But what made you even think to order?

2067
01:56:40,760 --> 01:56:43,480
Speaker 1: Like you was thinking money was missing? Like I mean,

2068
01:56:44,160 --> 01:56:46,560
Speaker 1: that's a normal thing. That's a normal thing. So it's

2069
01:56:46,640 --> 01:56:48,280
Speaker 1: definitely a normal thing. But I just want to say,

2070
01:56:49,520 --> 01:56:52,160
Speaker 1: what triggers that your own money? That has to be

2071
01:56:52,280 --> 01:56:55,120
Speaker 1: something that I encouraged every artist who has ever gone

2072
01:56:55,200 --> 01:56:59,120
Speaker 1: platinum or had any type of success, and something that

2073
01:56:59,240 --> 01:57:05,280
Speaker 1: pays out residuals or royalties to audit, because there's probably

2074
01:57:05,360 --> 01:57:08,240
Speaker 1: money there. Every time I've audited every aspect of my career,

2075
01:57:08,320 --> 01:57:10,760
Speaker 1: I've always be correct. But it had to be something.

2076
01:57:12,600 --> 01:57:14,840
Speaker 1: Jay Brown just came to you and said, you'll listen,

2077
01:57:15,440 --> 01:57:17,160
Speaker 1: She said, when the last time you audited the label?

2078
01:57:17,160 --> 01:57:21,040
Speaker 1: I said, I never have. He was like, audit them,

2079
01:57:21,840 --> 01:57:24,640
Speaker 1: auditing them owned this royalty on that royalty and then

2080
01:57:25,640 --> 01:57:28,440
Speaker 1: all sorts of things, and then it was like, wait

2081
01:57:28,440 --> 01:57:32,320
Speaker 1: a minute, it's some MS missing. Wow, And the MS

2082
01:57:32,320 --> 01:57:36,120
Speaker 1: had been paid. So, you know, like I'm saying, I

2083
01:57:36,280 --> 01:57:38,960
Speaker 1: also learned to I can't be angry. I'm not angry

2084
01:57:39,120 --> 01:57:40,880
Speaker 1: because that's too much of a burden for me to

2085
01:57:40,960 --> 01:57:43,600
Speaker 1: carry it always. You know what I'm saying, I don't

2086
01:57:43,640 --> 01:57:46,040
Speaker 1: take it personal. That's what it was nervous about. But whatever.

2087
01:57:46,280 --> 01:57:49,000
Speaker 1: But they said big Sean, I said, oh, I don't

2088
01:57:49,040 --> 01:57:53,400
Speaker 1: want Yeah, it's just like it's like just you know, no,

2089
01:57:53,520 --> 01:57:55,840
Speaker 1: I love Kane bro I respect, I love him for

2090
01:57:55,880 --> 01:57:58,280
Speaker 1: the opportunity he gave me and all these things. But

2091
01:57:59,000 --> 01:58:00,680
Speaker 1: I thought what he said with some bitch ass shit,

2092
01:58:01,400 --> 01:58:06,480
Speaker 1: and I thought that and I thought that, um, that

2093
01:58:06,640 --> 01:58:09,680
Speaker 1: wasn't GOLLI you know, that wasn't It was just like

2094
01:58:10,280 --> 01:58:12,680
Speaker 1: it was a personal attack for no reason. You know.

2095
01:58:12,720 --> 01:58:13,920
Speaker 1: I feel like he didn't have to do all that,

2096
01:58:14,280 --> 01:58:16,520
Speaker 1: and the fact that why he said it was completely wrong.

2097
01:58:16,880 --> 01:58:20,440
Speaker 1: I didn't come out and endorse no political party. I

2098
01:58:20,600 --> 01:58:25,160
Speaker 1: didn't for because my man's was voting. Literally, So you're

2099
01:58:25,200 --> 01:58:28,440
Speaker 1: dealing with again. And I know it's a deeper reason

2100
01:58:28,560 --> 01:58:30,200
Speaker 1: why it goes back to all of that. I don't

2101
01:58:30,200 --> 01:58:32,320
Speaker 1: even know. That might be something I can talk about

2102
01:58:32,360 --> 01:58:35,440
Speaker 1: another time, but it all goes back to the song Blessings.

2103
01:58:36,040 --> 01:58:38,880
Speaker 1: Everything goes back to like, so this is the story

2104
01:58:38,960 --> 01:58:41,880
Speaker 1: he see, this is what he said about the Drake thing.

2105
01:58:41,960 --> 01:58:44,360
Speaker 1: And some of the people that he's just been so

2106
01:58:44,520 --> 01:58:47,840
Speaker 1: critical of have a problem with the ability of him

2107
01:58:47,960 --> 01:58:50,720
Speaker 1: to squash you with Drake so fast because a lot

2108
01:58:50,800 --> 01:58:54,720
Speaker 1: of they issue alliance with him on the own behalf

2109
01:58:54,800 --> 01:58:57,040
Speaker 1: for Drake, like a push your t like a big

2110
01:58:57,120 --> 01:58:59,920
Speaker 1: sean some of these things. You were drawing a pushing

2111
01:59:00,080 --> 01:59:03,040
Speaker 1: the hard land. But see sometimes dude, do that when

2112
01:59:03,080 --> 01:59:06,560
Speaker 1: they pound, like they're gonna make you choose. Hopped on

2113
01:59:06,640 --> 01:59:09,360
Speaker 1: two other songs already on Dark Scott Paradise. He was

2114
01:59:09,400 --> 01:59:11,480
Speaker 1: on One Man Could Change the World. He was on

2115
01:59:11,560 --> 01:59:14,280
Speaker 1: All Your Fall, So that would have been three songs.

2116
01:59:14,320 --> 01:59:16,160
Speaker 1: He's on the album. He's I need to be on

2117
01:59:16,240 --> 01:59:19,680
Speaker 1: this record. I was like, bro, my pre order goes

2118
01:59:19,760 --> 01:59:22,040
Speaker 1: up tomorrow. He's like, we were about to do it

2119
01:59:22,160 --> 01:59:24,320
Speaker 1: right now. And I helped him write his verse for

2120
01:59:24,400 --> 01:59:27,200
Speaker 1: the song for Blessings. For Blessings Okay, so I hit

2121
01:59:27,280 --> 01:59:28,960
Speaker 1: up Drake. Drake was the one who came up with

2122
01:59:29,040 --> 01:59:32,320
Speaker 1: the idea of the song. Drake had a concept like

2123
01:59:32,400 --> 01:59:34,480
Speaker 1: you know, a little scratch of the hook. We got

2124
01:59:34,560 --> 01:59:37,680
Speaker 1: in the studio and finished it together. So when I

2125
01:59:37,880 --> 01:59:40,760
Speaker 1: when I talked to Drake about it, Drake didn't want you.

2126
01:59:41,360 --> 01:59:43,120
Speaker 1: I wouldn't say he didn't want him on it. I said,

2127
01:59:43,160 --> 01:59:45,280
Speaker 1: his song has already done. You know. He was just

2128
01:59:45,400 --> 01:59:48,200
Speaker 1: kind of on some like it don't really need it,

2129
01:59:48,240 --> 01:59:50,120
Speaker 1: don't really need all that. It's already long. It was

2130
01:59:50,200 --> 01:59:54,360
Speaker 1: three verses already, and he was like, I mean, we

2131
01:59:54,360 --> 01:59:56,240
Speaker 1: don't really need him on it. But what I said was,

2132
01:59:56,520 --> 01:59:58,160
Speaker 1: and by the way, I helped Kant you write his verse.

2133
01:59:58,720 --> 02:00:00,480
Speaker 1: I say, bro, Bro got it, be on it, Bro,

2134
02:00:00,640 --> 02:00:03,920
Speaker 1: like you know what I mean, Like he said he

2135
02:00:04,320 --> 02:00:05,600
Speaker 1: had to be on it. He gotta be on it.

2136
02:00:06,640 --> 02:00:08,120
Speaker 1: So and I feel like that kind of I don't

2137
02:00:08,160 --> 02:00:10,360
Speaker 1: know if that had any effect on me and Drake relationship,

2138
02:00:10,480 --> 02:00:13,200
Speaker 1: but like I said, Drake wasn't like, don't put him

2139
02:00:13,240 --> 02:00:17,200
Speaker 1: on his ship, but I got the vibes, you know

2140
02:00:17,240 --> 02:00:22,880
Speaker 1: what I'm saying. So anyway, I write the verse with ya,

2141
02:00:24,280 --> 02:00:26,560
Speaker 1: I tell everybody in the studio send it to Mastering.

2142
02:00:27,920 --> 02:00:32,560
Speaker 1: His engineer. Another person was in the room. Another person

2143
02:00:32,720 --> 02:00:34,200
Speaker 1: was a CEO of good send it to it. I'm like,

2144
02:00:34,280 --> 02:00:37,640
Speaker 1: my ship comes out tomorrow, okay, okay for sean next day,

2145
02:00:37,800 --> 02:00:39,520
Speaker 1: I hit a Mastering. I'm not an A and R

2146
02:00:39,560 --> 02:00:41,240
Speaker 1: by the way, and I'm calling out so he's making

2147
02:00:41,320 --> 02:00:43,480
Speaker 1: the point that he's trying his best to get Kanye

2148
02:00:43,640 --> 02:00:46,560
Speaker 1: on the record. It ended up not happening it Kanye

2149
02:00:46,880 --> 02:00:49,960
Speaker 1: ended up. They end up putting Kanye on a later version.

2150
02:00:50,080 --> 02:00:52,440
Speaker 1: They show up at a video. Kanye snapped on it

2151
02:00:54,160 --> 02:00:56,480
Speaker 1: and said, you going a gets me for Drake again.

2152
02:00:56,840 --> 02:01:00,440
Speaker 1: Drake was a lot of pressure for guys. Drake. Drake

2153
02:01:00,520 --> 02:01:02,480
Speaker 1: put a lot of pressure on the board. Just be

2154
02:01:02,640 --> 02:01:05,600
Speaker 1: clear when you are that disruptive in the sound of

2155
02:01:05,720 --> 02:01:08,080
Speaker 1: business all that shit. He was running around getting deals

2156
02:01:08,120 --> 02:01:11,880
Speaker 1: with Apple exclusivity, shit that dudes never did. So he

2157
02:01:12,080 --> 02:01:15,160
Speaker 1: was very disruptive and the big guys knew that he

2158
02:01:15,320 --> 02:01:17,280
Speaker 1: was coming and then what't nothing they can do about it.

2159
02:01:17,360 --> 02:01:20,200
Speaker 1: He had already locked in with the highest label through

2160
02:01:20,320 --> 02:01:24,320
Speaker 1: bird Man. He didn't have to come through nobody, you know.

2161
02:01:24,560 --> 02:01:26,080
Speaker 1: So he didn't have to come through some of the

2162
02:01:26,200 --> 02:01:28,520
Speaker 1: names because they're right bird Man off because he's from

2163
02:01:28,560 --> 02:01:31,120
Speaker 1: the South. If they could. But that's why I come

2164
02:01:31,200 --> 02:01:34,400
Speaker 1: in that. But I'm saying because they think they act

2165
02:01:34,480 --> 02:01:36,720
Speaker 1: like out of business being done up north in the West,

2166
02:01:36,800 --> 02:01:38,920
Speaker 1: and it ain't. It been some good business done in

2167
02:01:39,000 --> 02:01:42,080
Speaker 1: the South. Prince been there for a while, Pe being there,

2168
02:01:42,520 --> 02:01:46,280
Speaker 1: cash money being there, and and a lot more people

2169
02:01:46,320 --> 02:01:48,840
Speaker 1: that we're gonna talk about. I had to pull him

2170
02:01:48,840 --> 02:01:50,360
Speaker 1: aside a few times and be like, yeah, you know,

2171
02:01:51,760 --> 02:01:54,600
Speaker 1: you know what happened right with that song, Like I

2172
02:01:54,760 --> 02:02:01,839
Speaker 1: helped you write your verse. So that's just That's one aspect.

2173
02:02:02,240 --> 02:02:05,640
Speaker 1: Could be more. And like I said, I ain't gonna

2174
02:02:05,640 --> 02:02:07,040
Speaker 1: hear gossip in and telling them what it is or

2175
02:02:07,080 --> 02:02:09,080
Speaker 1: what I'm saying is this ship got to do. This

2176
02:02:09,160 --> 02:02:10,840
Speaker 1: shit got to do with This is shit that I've

2177
02:02:10,840 --> 02:02:12,960
Speaker 1: been holding around and carrying around as a you know,

2178
02:02:13,080 --> 02:02:16,680
Speaker 1: as a soldier as you know, you know, some shit.

2179
02:02:16,880 --> 02:02:19,800
Speaker 1: But it's been bothering me, Bro, it's been bothering me.

2180
02:02:19,880 --> 02:02:22,600
Speaker 1: And I'm like, I'm tired of like not being able

2181
02:02:22,640 --> 02:02:24,880
Speaker 1: to speak out because of other people and ship when

2182
02:02:24,880 --> 02:02:28,120
Speaker 1: people don't got that same regard for me, like I

2183
02:02:28,200 --> 02:02:31,160
Speaker 1: ain't like I ain't motherfucking put the work in, or

2184
02:02:31,200 --> 02:02:33,120
Speaker 1: like I ain't showed up for people or carried a

2185
02:02:33,280 --> 02:02:36,240
Speaker 1: label on my back. So but how it was, I

2186
02:02:36,280 --> 02:02:38,160
Speaker 1: don't know if you heard the preface talking to the

2187
02:02:39,520 --> 02:02:42,320
Speaker 1: interview dropped. The Brefersh Club had did a survey, right

2188
02:02:44,120 --> 02:02:46,520
Speaker 1: and they was like, um, well, who do you guys

2189
02:02:46,600 --> 02:02:51,880
Speaker 1: agree with? Do you agree with? Do you agree with

2190
02:02:52,000 --> 02:02:55,560
Speaker 1: Big Sean? Did you hear oh Angela yeah, I did.

2191
02:02:55,680 --> 02:02:57,680
Speaker 1: I did. Yeah, you heard that right, Yeah, because he

2192
02:02:57,920 --> 02:03:01,000
Speaker 1: is my My daughter is Charlotte man and heavy. Yeah. Right.

2193
02:03:01,360 --> 02:03:04,520
Speaker 1: So they did a survey and a lot of people.

2194
02:03:04,760 --> 02:03:07,640
Speaker 1: I didn't see the actual thing because bro, I heard

2195
02:03:07,680 --> 02:03:09,600
Speaker 1: about it. Somebody hit me like, yo, they were showing love.

2196
02:03:09,640 --> 02:03:11,840
Speaker 1: You see how people supporting, but they were it was

2197
02:03:11,960 --> 02:03:14,160
Speaker 1: it was I would say, it was like pretty even, right.

2198
02:03:14,200 --> 02:03:17,800
Speaker 1: So what happened was they were saying, so how they

2199
02:03:17,920 --> 02:03:21,560
Speaker 1: described it on our show was that you just went

2200
02:03:21,720 --> 02:03:25,440
Speaker 1: and supported I guess hillyby Clinton or the Democrats or whatever.

2201
02:03:25,640 --> 02:03:30,160
Speaker 1: And I didn't. Yeah, and I didn't. Here's how he

2202
02:03:30,240 --> 02:03:35,560
Speaker 1: described it. Here's the thing, and I didn't and I

2203
02:03:35,680 --> 02:03:38,520
Speaker 1: did not. In fact, I supported him and while he

2204
02:03:38,560 --> 02:03:40,520
Speaker 1: was running for president, I didn't even have his fucking number.

2205
02:03:41,280 --> 02:03:42,960
Speaker 1: And I'm gonna reach them trying to reach out to him.

2206
02:03:43,040 --> 02:03:45,280
Speaker 1: So what I'm supposed to do support somebody that I

2207
02:03:45,360 --> 02:03:47,600
Speaker 1: can't even get in contact with at the time, which

2208
02:03:47,680 --> 02:03:54,800
Speaker 1: I still did. So, h, I don't care what people

2209
02:03:54,840 --> 02:03:57,160
Speaker 1: agree with me. If you think that like I'm wrong

2210
02:03:57,240 --> 02:04:01,360
Speaker 1: in any way in this situation, you all you must

2211
02:04:01,680 --> 02:04:04,200
Speaker 1: I feel you. You love this man. I love this man,

2212
02:04:04,800 --> 02:04:07,240
Speaker 1: whatever it is. You know what I'm saying. But that's

2213
02:04:07,320 --> 02:04:10,400
Speaker 1: fucking that's some fucking bullshit though, right, so listen because

2214
02:04:10,440 --> 02:04:14,240
Speaker 1: it's not true. Okay, so um, but let's just let's

2215
02:04:14,280 --> 02:04:19,040
Speaker 1: take it from how he he thought this was okay

2216
02:04:19,520 --> 02:04:23,800
Speaker 1: in his mind, he's running for president. He puts on

2217
02:04:23,880 --> 02:04:29,280
Speaker 1: a magnu hot he's not running for president putting the out. Yeah,

2218
02:04:29,400 --> 02:04:33,040
Speaker 1: that's not that's enough for that. So yeah, man, I mean,

2219
02:04:33,200 --> 02:04:36,080
Speaker 1: like I say, hate to see what's going on with

2220
02:04:36,200 --> 02:04:39,800
Speaker 1: those gentlemen, but the game is the game. Sometimes you

2221
02:04:39,840 --> 02:04:42,000
Speaker 1: gotta know, man, and and then you gotta make sure

2222
02:04:42,040 --> 02:04:44,640
Speaker 1: you get some information because that's what a liberation is.

2223
02:04:45,080 --> 02:04:47,680
Speaker 1: You can't let them just feed you money because they

2224
02:04:47,760 --> 02:04:50,560
Speaker 1: your access to money. And then when that money runs

2225
02:04:50,600 --> 02:04:53,000
Speaker 1: out or when they don't want to give you any money,

2226
02:04:53,080 --> 02:04:55,440
Speaker 1: now you don't know nothing. Then you're dumb and stupid.

2227
02:04:55,920 --> 02:04:57,840
Speaker 1: Now you can't fund nothing. You don't know how to

2228
02:04:57,920 --> 02:04:59,600
Speaker 1: do a business, you don't know how to go get

2229
02:04:59,640 --> 02:05:02,880
Speaker 1: the l you don't know nothing. So again, understand where

2230
02:05:02,880 --> 02:05:04,840
Speaker 1: you are and know what your position is and know

2231
02:05:04,960 --> 02:05:07,280
Speaker 1: how to get out of you know, because again, in

2232
02:05:07,360 --> 02:05:11,200
Speaker 1: the hood, financial freedom is like the escate room. You

2233
02:05:11,320 --> 02:05:14,000
Speaker 1: know what I mean, it's like that escape room shitting

2234
02:05:14,040 --> 02:05:16,440
Speaker 1: everybody trying to make their way out, and some of

2235
02:05:16,560 --> 02:05:18,840
Speaker 1: us get out, some of us don't, but some of

2236
02:05:18,960 --> 02:05:21,680
Speaker 1: us can come back and leave clues for others, you

2237
02:05:21,760 --> 02:05:24,800
Speaker 1: know what I mean, and sou and that's what it's about, man,

2238
02:05:24,880 --> 02:05:27,720
Speaker 1: So thank you all for listening. Another episode. Man, Like

2239
02:05:27,800 --> 02:05:31,080
Speaker 1: I said, we're going down in the books. The video

2240
02:05:31,280 --> 02:05:35,640
Speaker 1: only available on Patreon. Subscribe. Now it's set up again.

2241
02:05:35,800 --> 02:05:39,200
Speaker 1: The tears are set up like flights, because you know

2242
02:05:39,320 --> 02:05:42,000
Speaker 1: the brand is Flag Get flown over, AFO, GFO, it's

2243
02:05:42,080 --> 02:05:45,560
Speaker 1: up there. Podcasts all this up there fly shit that

2244
02:05:45,680 --> 02:05:49,240
Speaker 1: we got going on. So the tears are based as flights.

2245
02:05:50,120 --> 02:05:52,840
Speaker 1: You can get the economy, you can get the first class,

2246
02:05:52,920 --> 02:05:57,120
Speaker 1: you can go private, you understand me. Main cabin you

2247
02:05:57,360 --> 02:06:00,400
Speaker 1: understand me. And you can sit in the cockpit. You

2248
02:06:00,720 --> 02:06:04,440
Speaker 1: understand me. So make sure y'all get over the Patreon

2249
02:06:04,600 --> 02:06:06,360
Speaker 1: and be a part of that and get to tibble.

2250
02:06:06,400 --> 02:06:08,880
Speaker 1: We can chop it up once a month and see

2251
02:06:08,920 --> 02:06:11,480
Speaker 1: what you got going and how maybe can contribute. Man,

2252
02:06:11,960 --> 02:06:14,200
Speaker 1: you know, the game is the game. It's up there podcast.

2253
02:06:14,280 --> 02:06:14,720
Speaker 1: Appreciate