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Speaker 1: Eight five eight eighty Smooth Dudes on the eighty fives show.

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Speaker 1: This is Your Man and Patrick Storm playing all the Favorite,

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Speaker 1: playing all your favorite those school jams from the sixties, seventies,

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Speaker 1: eighties and nineties. Oh are you on the phone? Dione?

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Speaker 1: What's up? Man? You know he was on the phone.

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Speaker 1: I was working on my radio voice. Ye get out,

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Speaker 1: se Di? What's that? What's going on? What's happening here?

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Speaker 1: Going on? Should we should we get your dude and

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Speaker 1: have him come on? We could do that? Man, who

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Speaker 1: don't know? Dion cold man? What the funniest is? How

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Speaker 1: to Chicago? Ever? What what's up you had uptown this week? Well?

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Speaker 1: April one and second? Yeah, the first and second. I

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Speaker 1: want everybody come out, everybody, which we could go that

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Speaker 1: to move down thever one everybody. I want everybody. You know,

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Speaker 1: it's a gang of Chicago gangsters down here trying to

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Speaker 1: teach everybody how to stuff. They all got one. I

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Speaker 1: wish we could come. We're on the tour right now,

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Speaker 1: must have said, brother. Oh man, that's what man, y'all

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Speaker 1: y'all get y'all be getting yea yeah, success when they

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Speaker 1: can talk to us about the game up. But hey,

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Speaker 1: but you right on down here. But I hear you,

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Speaker 1: hey man about yeah, I hear about little Man. We

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Speaker 1: hand that you got to return into the black Ish

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Speaker 1: man back, yeah man, and that's great. Yeah. Yeah. See.

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Speaker 1: The whole thing was I just have another show before

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Speaker 1: I have black It's not just have to go. And

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Speaker 1: I got that. Andrew triedbacker show with Steve Carrell and

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Speaker 1: Rashida Jones. So I just went and knocked that out

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Speaker 1: because the first season, I did both of them at

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Speaker 1: the same time, and they told me I had to

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Speaker 1: do one and then the other one and then I

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Speaker 1: had to go back. So episode chose, I said, I said,

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Speaker 1: they told you to choose, when all they just was like, well,

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Speaker 1: in the sense you have to Instead of me doing

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Speaker 1: both episodes at the same time, there was just like

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Speaker 1: this time, you do black Is and then you leave

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Speaker 1: black Is, do Tribacker, and then it was like, you

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Speaker 1: can go back to black Is show black Is do

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Speaker 1: twenty five episode. So I did ten episodes of Blackest,

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Speaker 1: and then I did Tribeca with his ten episodes, and

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Speaker 1: I went back to black to do the five episodes.

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Speaker 1: So yeah, I never did leave. The people thought that,

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Speaker 1: but that's just the perception, but it's all you know,

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Speaker 1: it's all good, man. Just tell them when you're working.

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Speaker 1: You got a young brother, ain't DC on Flyer? Whill

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Speaker 1: do about three episodes? And Amber show us that. What's

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Speaker 1: what's been the feedback though? Man? From what? From just

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Speaker 1: from all the shows you've been doing, Like, I see

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Speaker 1: that the people love a lot of love. Yeah. The

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Speaker 1: Tribeca show is like more like Airplane and Nicky Gun

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Speaker 1: and that kind of comedy. So it's, uh, it's a

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Speaker 1: different kind of comedy and you know a lot of

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Speaker 1: people like it man, because it's different. It's not like

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Speaker 1: it on television. And then you know, black is just

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Speaker 1: you know, it is what it is becoming like you

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Speaker 1: know it. It's been a real big thing in our

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Speaker 1: cultures for US television. And that's what I was just

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Speaker 1: grounds and opening up other doors for other black TV

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Speaker 1: shows and everything. So black, I see the whole the

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Speaker 1: whole planet of black is changing, man, you care to

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Speaker 1: tell us about I saw they did the police brutality episode,

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Speaker 1: and you know they're really going into some harder topics

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Speaker 1: than just you know, the typical funny stuff. Yeah, absolutely,

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Speaker 1: because they first of all, when you're having a show

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Speaker 1: called Blackish. It was kind of like, okay, what's about

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Speaker 1: to happen here? So you had to kind of like

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Speaker 1: go in and showing them that, hey, you know, this

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Speaker 1: is not threatening, this is cool. And then they went, Okay,

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Speaker 1: we like this show. They thought it was gonna be negative. Yeah, yeah,

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Speaker 1: I think we proved ourselves. You know. The second season

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Speaker 1: was alright, come on now, let's now, let's now, now,

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Speaker 1: let's do words like police brutality, do like the N

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Speaker 1: word episode. You know, just then this congrats brother and

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Speaker 1: and and I got a question because y'all shot this

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Speaker 1: in my neighborhood. My Nickedo was in Atlanta, Georgia on

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Speaker 1: the West Side Man Baba's three Man tell Us about

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Speaker 1: tell Us about the move, saying with NICKI mcnaugh you

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Speaker 1: know I rolled up on the scene now, I'm telling you.

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Speaker 1: My phone was like, you know, they shoot bob Shop three.

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Speaker 1: What so you want to go talk to you? I said, no,

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Speaker 1: y'all bought cheer man, y'all cheer, I'm gonna go see

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Speaker 1: what's happen. No, it was live and shout out to everybody.

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Speaker 1: Oh man, and it I was like, oh my god.

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Speaker 1: I stayed down there for like two months shooting. Now

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Speaker 1: it was but Nanna's down there and it was love though.

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Speaker 1: Shout out to everybody. Nana made us still home, treated

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Speaker 1: us well, kicking up. It was dog. We had a

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Speaker 1: good time. A lot of people remember you from the

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Speaker 1: from the first barbershop when you got to hell slap

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Speaker 1: that ain't hell. Yeah, let's shot out of me never

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Speaker 1: that was dope. Yeah, man, it was live. Man. I

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Speaker 1: got a cameo on the first one. Then I had

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Speaker 1: like a little cameo rolling the second one. But for

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Speaker 1: them to extend my role the way that they did

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Speaker 1: in this third one was just great, you know, leaving

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Speaker 1: me and believe that I can hold that down. So man,

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Speaker 1: it was great. Man. We've been on tour too. We've

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Speaker 1: been all over shopping in Cuba's down in Atlanta and Cuban.

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Speaker 1: Out of all of them, but uh yeah, I was

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Speaker 1: at the Silly one in the Chicago one. As far

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Speaker 1: as mooting the tour and it's been great, My dudes, Hey,

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Speaker 1: let's talk. Let's talk comedy real quick about that. Uh

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Speaker 1: that's that's Chicago. Soon you came up in man, you

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Speaker 1: came out with all all of them funny as the core. Yeah, man, yeah, yeah,

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Speaker 1: that was man, that was a golden error. You know.

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Speaker 1: I came up and so Bernie used to always be

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Speaker 1: like this. He like, he used to host this broom

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Speaker 1: called Cotton Club and ship. Then he used to be

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Speaker 1: like this. The only way you could perform on my

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Speaker 1: Mike is if you could follow me. So that was

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Speaker 1: the only way did you get on for a week

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Speaker 1: out the week if you could follow him, then he

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Speaker 1: was out of that. So every week you try to

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Speaker 1: go back up and follow him. And once you started

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Speaker 1: following him and then he respected you. Then he had

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Speaker 1: this other thing called Midnight Mac and uh that he

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Speaker 1: used to do that yeah, yeah, yeah, but he had

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Speaker 1: he had in Chicago at the stace called mil Treneers.

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Speaker 1: That's how I became a show and used to go

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Speaker 1: down there and crap your stuff and man, we should

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Speaker 1: just make it happen, you know, being in the area,

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Speaker 1: everybody coming up. You know, my career come took off

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Speaker 1: a little quick. I just stand up for about maybe

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Speaker 1: like a year, was on dev Jam and ended up

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Speaker 1: getting kicked off the Depth Jym too because I ain't

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Speaker 1: have enough materry. I was doing joke, Yeah, I was

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Speaker 1: doing knock knock jokes on the motherfucking dev dam because

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Speaker 1: I didn't have enough material. I did all my chari time. Yeah, man,

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Speaker 1: but that was the beginning because like soon as soon

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Speaker 1: as they as soon as they too sent me home

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Speaker 1: and Ship, I was sitting in the airport with my

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Speaker 1: depthday I'm jacket on, and that just was like, Yo,

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Speaker 1: we got to start right. Yeah, that's part of the game.

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Speaker 1: But you got to go through something in order to

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Speaker 1: make something happen. Without that, without that happening to me, Ship,

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Speaker 1: I wouldn't have been writing all the sketches, and I

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Speaker 1: wouldn't be writing for Conan O'Brien and Emmy nominated two

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Speaker 1: times and three writings Gil Awards for writing for Conan

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Speaker 1: and all that. Wait a minute, Wait a minute, hold up,

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Speaker 1: did you say nominated for two Emmy Awards. Hue tell

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Speaker 1: us about it, my bio, tell us about it. Huh

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Speaker 1: yeah yeah, brother, oh man, man, that amen, congrats brother,

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Speaker 1: it is And it's crazy that you nominated for two

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Speaker 1: and now you gotta company super special. Yeah, my special job. Man,

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Speaker 1: what's the name of the special? Uh co Deon calls

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Speaker 1: a cold blooded seminar. Hold up, Hold up, let let

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Speaker 1: the people here that one more time? Do you let

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Speaker 1: the people here that one more time? It's called deon

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Speaker 1: call a cold blooded seminar, and it's coming out in

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Speaker 1: coming out this June like he's the mayor June this

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Speaker 1: year on comedy sens. I can't wait to see it.

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Speaker 1: I can't wait to see it. I gotta ask you this, Dion,

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Speaker 1: because you know, I didn't seen you in the hood

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Speaker 1: in Chicago in the places where we're like, you know,

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Speaker 1: we need to get the hell out of here. And

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Speaker 1: I've also seen you. That's what I'm saying, Like I

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Speaker 1: see you in the hood for real, and then I

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Speaker 1: see you on TV with Conan. I gotta ask you,

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Speaker 1: just from a real nigger perspective, nigga, how the hell

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Speaker 1: you pull that off? Exactly? You're with the whitest dude ever,

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Speaker 1: best coon do some real ships O'Connor. There's no real

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Speaker 1: motherfucker's like he is. He like he like genuine motherfucking people.

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Speaker 1: And he I came to him, like when we talked

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Speaker 1: and he chopped it up about what we're gonna do

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Speaker 1: and how we're gonna change the world and get it there.

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Speaker 1: We chopped it up on that just on some real ship.

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Speaker 1: He respected me, I respected him. We came to gather

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Speaker 1: and man, the rest of history went through that whole

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Speaker 1: Ja Mano ship together. Is he cool enough? Even NBC?

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Speaker 1: I said, But is he cool enough where you allow

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Speaker 1: him to call you a nigga? Na? He got a

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Speaker 1: nigga bage yet? Don't get me wrong, My life for

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Speaker 1: no watch could probably cool. Okay, okay, okay, then all right, okay, cool, cool, cool,

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Speaker 1: you know, but white change your life, nigga? You'd be like,

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Speaker 1: you know what, you ever met up? You ever met

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Speaker 1: a white person that was too nice? You didn't even

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Speaker 1: believe in slavery? Like, oh no, no, no, I don't know,

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Speaker 1: I don't believe that ship, not my white black craig.

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Speaker 1: He hated everybody really come you know how Hollywood be

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Speaker 1: making over? Was a slay math and we would have

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Speaker 1: ate at the table. That would have been well him.

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Speaker 1: You know, we're on the eighty five South show Man.

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Speaker 1: This is the most unorthodox podcast out here. You know,

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Speaker 1: this podcast is for Spanish woman with black children. This

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Speaker 1: is the type of you know what I'm saying. That's

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Speaker 1: so we know, we know two thousand and sixteen is

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Speaker 1: a big year. For you, man, I know you got

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Speaker 1: the insight on what's going on in the comedy world.

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Speaker 1: Give us, give us some projects we need to be

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Speaker 1: looking out for. Man, anybody got some ship coming out

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Speaker 1: won't know nothing about. Give us, man. I ain't gonna

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Speaker 1: even why of you right now? You're like, I keep

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Speaker 1: my head so low, man, and keep doing what I'm doing.

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Speaker 1: Like Steve Hobby taught me that. He was like, man, dude,

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Speaker 1: he was like. He was like, don't don't marvel in

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Speaker 1: your success. He was like, let that success catapult another success.

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Speaker 1: He was like, and then you let that success calapult

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Speaker 1: another success. He was like, that's why you see me

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Speaker 1: on the radio and doing family Feuds Hobby show in

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Speaker 1: the book. He was like, because I don't marvel in

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Speaker 1: that ship, and that's why I picked up on that,

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Speaker 1: and that's why you see me doing try bagg baggage

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Speaker 1: And because I don't marveling and I don't be knowing

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Speaker 1: what we're going on, I just be hitting ship and

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Speaker 1: just keep even moving or whatever. But so, what what

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Speaker 1: brothers should be doing? Man, It's like like movies like

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Speaker 1: TV shows and putting them to gather. That's where that

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Speaker 1: money is shot. So check this out. Check this out

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Speaker 1: to my motherfucking dude, Michael or the car that show,

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Speaker 1: that show what some of his boys. That's what I

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Speaker 1: was just about to ask you. You know, comedians sit

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Speaker 1: around and right ship all day. Yeah, they put their

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Speaker 1: egos to the side, and they all collaborated on one show.

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Speaker 1: And now I look at them, they all going. They

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Speaker 1: all can go do whatever they want to now, like

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Speaker 1: that ship that mothers need to do. You know, if

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Speaker 1: people can get along, Bro, that's crazy that you said.

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Speaker 1: Steve Harvard. We're sitting in Steve Harvard studio right now. Boom,

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Speaker 1: look at that. He just let us cook man. He

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Speaker 1: just let us cook Man. Shout out to the baby.

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Speaker 1: That's dope, y'allways, see how he'll be here though. He

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Speaker 1: just his name is Ship. He got magazines and Ship.

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Speaker 1: So we were here. We believe he's been in here.

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Speaker 1: We believe five years ago he was here. It's reminist here.

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Speaker 1: It's a suit in the back. Just got I put

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Speaker 1: it on. It's too damn big. Meet this dude, the

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Speaker 1: food man. My friend requests. We've got to ask you,

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Speaker 1: who are some of your top comedians to your top five?

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Speaker 1: All a lot, man, I mean, it's the Obbyoust, you know,

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Speaker 1: it's rich and Red. Those are the gods, you know,

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Speaker 1: we are right, so those are those in there. But

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Speaker 1: I love Ellen de Generous, I love Steven Wright, George Garland.

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Speaker 1: Uh go to some of some great ones. Comics that's

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Speaker 1: doing it right now that I like that is I

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Speaker 1: look at comics that being inspiring me. Man, when when

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Speaker 1: they'll be right like j J the inspired the ship

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Speaker 1: out of me. He's he's talking about j J from

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Speaker 1: and uh J J Man earthquake, earthquake. Another one, yes

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Speaker 1: said inspire me to write a lot? You know it's

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Speaker 1: Chris Peter inspired me to write a lot. To man,

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Speaker 1: that's man. But you can if you sit, if you

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Speaker 1: sit around Chris for fifteen minutes, you're gonna have a

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Speaker 1: new joke. I'm not even Chris. Chris. Chris is fired

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Speaker 1: when it comes to that, like fire for a shot.

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Speaker 1: Because but I'm some of the comics man that just

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Speaker 1: that inspired at me, right, I look at them and

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Speaker 1: be like damn, uh man, I feel like writing. I

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Speaker 1: just want to get it in, you know. So yeah,

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Speaker 1: look some of the comments definitely a boy. I just

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Speaker 1: didn't think everybody name right now already like Carlos and

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Speaker 1: DC and ship. Yeah I feel yeah, yeah, you know, man,

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Speaker 1: we on this he that's my nigga. Man, all come

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Speaker 1: to my birthday parties and all the type of ship. Man,

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Speaker 1: come through and show love. It's my nigger. Man, appreciate

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Speaker 1: your homing if oh, man, I ain't nothing. Man, y'all

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Speaker 1: phenomenally keep doing drunk keeping only fucking knack man, we'll

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Speaker 1: have no choice trying to kill these mother on the

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Speaker 1: neck you mean, Devin, Man, We appreciate the love. Man.

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Speaker 1: He took time out your busy schedule. Man, you got

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Speaker 1: all this ship we think we be. You got all

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Speaker 1: these extra big ship just you man, I appreciate it.

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Speaker 1: You know, I just came from I was at the

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Speaker 1: White House. All that ship we're going on. Yeah, I

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Speaker 1: was at the Whitehoud. I just landed in Chicago the

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Speaker 1: day we was at the White House. So did you like,

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Speaker 1: did you like feel extra safe, like knowing some sheep

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Speaker 1: we're going down and you're like, yeah, they gotta protect

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Speaker 1: going on. We just stopped seeing guns we never seen before,

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Speaker 1: just showing up like guns with with monitors on them.

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Speaker 1: I'm like, what kind of gun? And had a gun

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Speaker 1: with a gun on it with another gun on it.

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Speaker 1: Who gonna shoot that one with a gun on it? Yeah,

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Speaker 1: it was crazy though. Man, we was out there for

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Speaker 1: the Eastern Egg thing, shout out to the old Blackish cast.

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Speaker 1: Was out there reading to the kids and hanging out

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Speaker 1: with the president, and it was man, it was surreal.

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Speaker 1: I ain't never thought, I ain't never thought jokes to

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Speaker 1: take me that day. Jokes got me at the White House, man,

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Speaker 1: you know, and he got a basketball court on that

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Speaker 1: we're playing. Dude, we was whooping. I got a picture that.

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Speaker 1: Oh man, I got on the White House. Man, I

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Speaker 1: gotta steak out the White House. I gotta see the jump.

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Speaker 1: Oh be so scared. I was missing washooping. It was crazy.

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Speaker 1: That's crazy. Man. Next time you're in the A, you

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Speaker 1: gotta stop by the studio so we could chop this

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Speaker 1: game up. Man, listening, y'all ain't said not. I definitely

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Speaker 1: have come coming kicking. Definitely kicking, y'all. Man, this it's

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Speaker 1: been live, and I don't even do these kind of pods.

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Speaker 1: I don't even do these kind of podcasts. Every now

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Speaker 1: and then your head that I've done one. But man,

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Speaker 1: that's why we got the exclusive ship on Steve Harvin

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Speaker 1: this station. Hell yeah, this is this podcast. Buttons, a

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Speaker 1: whole bunch of buttons in lapel, hell stickers. It's a

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Speaker 1: whole bunch of bedazzled as we got. We got them

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Speaker 1: T shirts with the hardass print on the front. Scratch

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Speaker 1: your chests all up, the old birthday hats. It's a

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Speaker 1: workout trampoline and little as. I don't know what that

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Speaker 1: is with some two power weights. I don't know who that.

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Speaker 1: We got a leather couch. That's a food time You

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Speaker 1: ain't never seen a leather food time exercise bike in

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Speaker 1: the studio. Money. We appreciate you, Bro, I swelling everything. Man,

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Speaker 1: We appreciate you. It's all. Thank you all for the man.

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Speaker 1: Hey man, we're gonna be looking out for the movie.

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Speaker 1: I know it's gonna be number one. And Ship. Carlos Miller,

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Speaker 1: DC Young Fly, cole Man, thank you, bro. All right,

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Speaker 1: y'all love man, love bro all Ship. We're back eighty

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Speaker 1: five South Shows your man, Carlos Miller, my boy is

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Speaker 1: back in the studio. My nigga DC Young Flag, we're

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Speaker 1: back in this bit like a spin. You're hearing me

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Speaker 1: and I got my cousin in here my nigga Clayton English. Yes,

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Speaker 1: most definitely what it feels like. Man, you know what

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Speaker 1: it is. Man, it's that time again. Man, I'm glad

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Speaker 1: to be back up in the studio. Yeah, we appreciate

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Speaker 1: you coming back. Man, I appreciate man. You know, I

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Speaker 1: had to go ahead and get it. I saw a

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Speaker 1: little organizing the documentary way here. One on, I said,

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Speaker 1: let me get mine on. Get your brave game up,

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Speaker 1: Manna stadium ain't even gonna be that. Don't they think

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Speaker 1: it's going to be safer. It's not. It's not out there.

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Speaker 1: I love the Brad, but I don't even like baseball. Yeah.

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Speaker 1: I would rather do community service than to watch the

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Speaker 1: whole baseball, the whole game. So you're rather be a

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Speaker 1: slave and watching? Baby? No, not that why we always

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Speaker 1: got to serve this slave man. Any kind of work

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Speaker 1: for free es slave? No? No, no, not community service

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Speaker 1: when they make you do it. Oh yeah, I know

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Speaker 1: where you do community What kind of service was that?

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Speaker 1: I don't think I was supposed to say that. Yeah, no,

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Speaker 1: I didn't know. I'm out probation. I'm out that probation.

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Speaker 1: They have been watching my dom man, I was si

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Speaker 1: smoking weed on everything a little. I used to, Man,

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Speaker 1: they took you out there yourself and everything. I went

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Speaker 1: to every part. No, it was like mandatory. I went

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Speaker 1: every park in Ana picking up tracks. But that's what

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Speaker 1: I did. But on your own, no, with with a

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Speaker 1: whole bunch of other niggles on probation, people on probation. Yeah, man,

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Speaker 1: you're gonna everybody on probation right now, who's still right now?

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Speaker 1: And shout out people on probation and little lass counties

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Speaker 1: where they ain't even got enough enforcement to extradite you,

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Speaker 1: so they ain't never don't kill you with that six.

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Speaker 1: But this is what I used to do, though. I

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Speaker 1: go to community service and put like glass balls in

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Speaker 1: my bad so when they're like, you ain't picking up that,

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Speaker 1: I just shake my bad clinklink like you like a

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Speaker 1: ghetto jenius. Man, it was beautiful, had like nine balls.

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Speaker 1: Was the only person to find a glass boble collector.

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Speaker 1: Put that ship down. You don't know who's listening to

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Speaker 1: this right now, I gotta say, but I gotta say it.

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Speaker 1: Shout out to all the probation officers who ain't gonna

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Speaker 1: drug tests. Nobody, just them, the real them, the real

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Speaker 1: hero if you walk about them the tests black my nigga. Man,

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Speaker 1: ain't man, you ever get too cool with your approbation officer.

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Speaker 1: I see you later, Pam, I mean miss ms holiday.

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Speaker 1: Anybody play, you're gonna be at church right now. You'll

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Speaker 1: be in the probation office that they don't know about

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Speaker 1: to have their money. It'd be quiet. Well, I got

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Speaker 1: that money. At what you're going for. That's why game,

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Speaker 1: that's life. Rude number. Don't ever go to probation without

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Speaker 1: your money together, you know, to bring the money or

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Speaker 1: that they do not accept cash. You got to bring

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Speaker 1: the money and paying my some much. Sometimes they did

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Speaker 1: not meet. No, we can't take it that up. You

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Speaker 1: better take this ship. You're good. I got three he was.

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Speaker 1: He got off the other probation. But he's still on

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Speaker 1: the other probation, you know, speaking of prob hell no,

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Speaker 1: speaking of probation. Uh my bloody need to put his

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Speaker 1: girl on probation because he hit the side. Nigga O

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Speaker 1: the money. I didn't write this, y'all, My writers wrote this.

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Speaker 1: I thought Carrie an't everybody but Kyrie. That's wrong, man,

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Speaker 1: man ship going crazy? Did you see it? Yeah? So

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Speaker 1: this side dude, allegedly smashing party. Next do let's put

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Speaker 1: it out there, next dog party, the party, next dough.

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Speaker 1: It's cracking up. Oh man, yeah, bro, I don't know,

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Speaker 1: his ass might be as whooping out front and a

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Speaker 1: little bit man automatic drid. First, hold up, wait a minute.

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Speaker 1: First of all, I don't appreciate you calling this nigga

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Speaker 1: is sad nigga, because a sad nigga wouldn't wouldn't conduct

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Speaker 1: himself like that. I'm a sad nigger. If you have

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Speaker 1: sat nigging for a chicken, she thanking the nigga. This

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Speaker 1: is in the NBA. You don't you don't take pictures

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Speaker 1: and expose that. You protect that. Yeah, okay, I feel you,

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Speaker 1: I feel you drop the pictures. Yeah, that's some whole ship.

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Speaker 1: What type of nigga layding in the bed with pussy

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Speaker 1: in the bed taking pictures risk and then and then

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Speaker 1: show it and then show it to the world. And

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Speaker 1: then I had this R and B sing like come

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Speaker 1: get your girl type ship, so pimp and pimp and dictates.

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Speaker 1: He should have just wrote it out with her staying

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Speaker 1: with Kyrie, and then he could have got some of

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Speaker 1: that residual NBA that was gonna get tricked off. He

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Speaker 1: could have been right there at the game. Sad niggas

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Speaker 1: sent their self up to win in life. Yeah, yeah,

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Speaker 1: you don't. Real niggas don't expose nothing. We don't tell

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Speaker 1: nothing nobody. We don't are Yeah, we don't go to

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Speaker 1: the game listening to her music. That's how you're doing exactly,

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Speaker 1: and you're send in the video box exact side. Niggas

397
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Speaker 1: know that that's our girl. We don't do nothing to

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Speaker 1: you at the house. But girls who paid for the

399
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Speaker 1: house he did the NBA dude would pay for the house.

400
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Speaker 1: If your pimping is in order that you're at the

401
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Speaker 1: house not working and you're not paying for the house,

402
00:25:37,480 --> 00:25:39,720
Speaker 1: that's the new niggas. You was ready to trick off,

403
00:25:39,760 --> 00:25:42,000
Speaker 1: though you'll get paid a lot more money than we

404
00:25:42,119 --> 00:25:45,960
Speaker 1: know you say right now, I got to put his

405
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Speaker 1: name on it. Yeah, because you think yourselfish, you think

406
00:25:49,119 --> 00:25:52,840
Speaker 1: the ship all about you. But right there, but I

407
00:25:52,960 --> 00:25:59,160
Speaker 1: use his money, but put my name part of names.

408
00:25:59,240 --> 00:26:03,040
Speaker 1: Though I ain't he from Canada, he's from kind of dog,

409
00:26:05,280 --> 00:26:07,600
Speaker 1: but that was a real whole and ship he's from

410
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Speaker 1: kind of Real Niggas don't expose no women and ships

411
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Speaker 1: that's the type of nigga. That's the type of nigga

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Speaker 1: who were trying to show you naked pictures with him

413
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Speaker 1: in it. Look at this bit she find no, No,

414
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Speaker 1: you point over him and it ain't up him. Wait,

415
00:26:27,840 --> 00:26:30,639
Speaker 1: you're gonna see him in a minute. Hold on the

416
00:26:30,680 --> 00:26:33,160
Speaker 1: first fifteen minutes. It's just me jacking off. But wait

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Speaker 1: till she come in. Wait what no, Oh, party boy,

418
00:26:44,640 --> 00:26:49,200
Speaker 1: you ain't ship. Hold on, hold on, check this, check

419
00:26:49,280 --> 00:26:55,760
Speaker 1: the time, land now, don't do that. Check then, So yesterday,

420
00:26:55,840 --> 00:26:59,240
Speaker 1: everybody laughing and bullshitting about this situation, right, you know

421
00:26:59,280 --> 00:27:01,080
Speaker 1: what I'm saying. Due put the picture out here, like,

422
00:27:01,240 --> 00:27:03,879
Speaker 1: oh ship, it was crazy, it's funny. It was funny.

423
00:27:04,359 --> 00:27:07,240
Speaker 1: Then old girl try to kill herself. Now it's not

424
00:27:07,440 --> 00:27:10,000
Speaker 1: funn Now I can't nobody laughing at the ship. Do

425
00:27:10,119 --> 00:27:13,320
Speaker 1: you see how women will make ship your fault? Man?

426
00:27:13,720 --> 00:27:19,320
Speaker 1: Now he got to apologize and carry I didn't even

427
00:27:19,440 --> 00:27:21,600
Speaker 1: know all the extra ship, but all that ship was

428
00:27:21,680 --> 00:27:25,480
Speaker 1: just on sucker ship at I don't want to hear

429
00:27:25,520 --> 00:27:27,080
Speaker 1: about matter. Heck of you paid. But let me tell

430
00:27:27,080 --> 00:27:29,800
Speaker 1: you that because I thought with everybody what I'm saying,

431
00:27:29,840 --> 00:27:35,359
Speaker 1: even if it did, when the who whoo whoop like that. Man,

432
00:27:35,480 --> 00:27:37,920
Speaker 1: you can't whoop the boot on another man's whoop whoop

433
00:27:37,960 --> 00:27:41,320
Speaker 1: and put it out there. Man, please blame the rules

434
00:27:41,440 --> 00:27:44,760
Speaker 1: to the whoops. Okay, I whoop the whoop and okay,

435
00:27:44,840 --> 00:27:49,080
Speaker 1: whoop the whoop. I ate that pussy tacking him out

436
00:27:49,359 --> 00:27:50,880
Speaker 1: and I did all that. That's the whoop the boop.

437
00:27:51,400 --> 00:27:53,520
Speaker 1: You can't let the world know that you whoop the

438
00:27:53,600 --> 00:27:57,000
Speaker 1: whoop because he's now whooping the booping, right, you feel

439
00:27:57,000 --> 00:28:02,920
Speaker 1: what I'm saying. So if y'all both boos stooping to whoopies, Yeah,

440
00:28:02,960 --> 00:28:06,280
Speaker 1: if two whoopies seem to whoop back, do you feel

441
00:28:06,280 --> 00:28:08,560
Speaker 1: what I'm saying? So, if I'm whooping the whooping but

442
00:28:08,680 --> 00:28:11,119
Speaker 1: it's not being known, but this is your main whoop

443
00:28:11,160 --> 00:28:14,960
Speaker 1: the whoop, we are still whooping the whooping you feel,

444
00:28:15,000 --> 00:28:17,040
Speaker 1: don't let the know you can now you don't lost

445
00:28:17,600 --> 00:28:19,480
Speaker 1: the whoop. He don't lost his whoop the whoop, And

446
00:28:19,520 --> 00:28:22,240
Speaker 1: now she trying to whoop the whoop, right, because I

447
00:28:22,320 --> 00:28:26,199
Speaker 1: feel like it's it's a sponsibility that come with whooping

448
00:28:26,240 --> 00:28:28,879
Speaker 1: the whoop. And if she trust you with the whoop

449
00:28:28,920 --> 00:28:32,040
Speaker 1: the whoop, you can't break that trust because she trust

450
00:28:32,119 --> 00:28:35,000
Speaker 1: you with the whoop. You can't break the trust with

451
00:28:35,000 --> 00:28:37,680
Speaker 1: the whoo. Who can't with the whoop the whoop? You

452
00:28:37,840 --> 00:28:40,560
Speaker 1: can't slip up. You can't if you gave it to

453
00:28:40,720 --> 00:28:42,560
Speaker 1: you can. Now you don't lost the whoop the whoop

454
00:28:42,600 --> 00:28:47,800
Speaker 1: and now you gotta man. Now you're palmling for you know,

455
00:28:47,880 --> 00:28:50,959
Speaker 1: you only get a whoop the whoop. Everybody to get

456
00:28:50,960 --> 00:28:53,240
Speaker 1: a few whoop the whoops in and then say that

457
00:28:53,360 --> 00:28:59,280
Speaker 1: again and everybody everybody get wanted to man whoop? If

458
00:28:59,320 --> 00:29:03,400
Speaker 1: you had three whoop the whoops. Let me tell you something,

459
00:29:03,520 --> 00:29:07,360
Speaker 1: if your part never asked you, if y'r part never

460
00:29:07,400 --> 00:29:10,520
Speaker 1: asked you bout again and he said, hey, look she

461
00:29:10,640 --> 00:29:14,960
Speaker 1: would whoo. That might not be the one you like

462
00:29:15,120 --> 00:29:18,800
Speaker 1: the god down. You know they're gonna when last time

463
00:29:18,880 --> 00:29:21,720
Speaker 1: you got caught up with woop? Man, I think I

464
00:29:21,720 --> 00:29:24,680
Speaker 1: got caught on the other day. Man, she's gonna in

465
00:29:24,840 --> 00:29:28,400
Speaker 1: boy my other again some time we don't whoot the whoop.

466
00:29:28,400 --> 00:29:33,120
Speaker 1: And I'm like, baby, I didn't need whoop that she

467
00:29:33,320 --> 00:29:38,120
Speaker 1: talking about Julia whoop whoop. I'm like that boopoy true baby,

468
00:29:38,680 --> 00:29:44,320
Speaker 1: it wasn't even I had a right. Yeah, she shouldn't

469
00:29:44,320 --> 00:29:50,280
Speaker 1: even be all up in your lady, and that's that

470
00:29:50,640 --> 00:29:52,640
Speaker 1: he put the rubber on in everything. You ain't really

471
00:29:52,720 --> 00:29:54,880
Speaker 1: fun if you think about it being I ain't need

472
00:29:54,920 --> 00:29:57,520
Speaker 1: whoop the whoop. I was just so conscious I would

473
00:29:57,520 --> 00:30:01,960
Speaker 1: like we fucking know, yeah, but when you whoop the whoop,

474
00:30:02,000 --> 00:30:09,680
Speaker 1: it's raw dog secret. Why not on the whoo whoo whoof?

475
00:30:10,960 --> 00:30:12,520
Speaker 1: I felt it. If you're going a row dog and

476
00:30:12,520 --> 00:30:15,880
Speaker 1: you're whooping the whooping, hey, man, if you have you

477
00:30:15,960 --> 00:30:18,480
Speaker 1: owe her explanation. That's the only tap you got to

478
00:30:18,520 --> 00:30:22,200
Speaker 1: explain yourself. Yeah, yeah, but if you if you have

479
00:30:22,320 --> 00:30:26,400
Speaker 1: a rub on, man go I don't get damn question.

480
00:30:26,960 --> 00:30:29,360
Speaker 1: They got some new rugger, keep asking me ship over

481
00:30:29,400 --> 00:30:32,840
Speaker 1: and over again. They got that cover your whole body

482
00:30:33,040 --> 00:30:38,080
Speaker 1: like an x me and cost can't catch nothing there,

483
00:30:38,320 --> 00:30:42,480
Speaker 1: not even a broad. Three people to die fucking around.

484
00:30:42,560 --> 00:30:45,160
Speaker 1: They say, don't put it over your face. You got

485
00:30:45,360 --> 00:30:53,360
Speaker 1: leave it like batman. Yeah, you being man being here

486
00:30:53,480 --> 00:30:59,400
Speaker 1: with man is oio. Damn you did south about southwest?

487
00:30:59,440 --> 00:31:02,880
Speaker 1: He was out there. I was going probably got like

488
00:31:03,040 --> 00:31:08,000
Speaker 1: both fights, but it was fight. I don't like almost Yeah,

489
00:31:08,480 --> 00:31:16,160
Speaker 1: what almost got? You have four almost fights? Could that

490
00:31:16,200 --> 00:31:19,560
Speaker 1: should be funny when you talk the same of going

491
00:31:19,640 --> 00:31:22,960
Speaker 1: back in there. Yeah, when you turned around and the

492
00:31:23,040 --> 00:31:25,400
Speaker 1: security guard dumping it on the head, Like all right, cool,

493
00:31:25,440 --> 00:31:27,600
Speaker 1: we leave it. I make a trip and you turned

494
00:31:27,640 --> 00:31:31,000
Speaker 1: around the security guard and dump him my head. You'd

495
00:31:31,000 --> 00:31:32,760
Speaker 1: be arguing with the nigg on the way. I'm gonna

496
00:31:33,000 --> 00:31:37,720
Speaker 1: just up when I come back. Security before I go

497
00:31:37,880 --> 00:31:42,160
Speaker 1: in demonstrated what he could do when he slam on

498
00:31:42,200 --> 00:31:47,560
Speaker 1: the head. When you was like, I'm good laughing, I'm like,

499
00:31:47,720 --> 00:31:50,360
Speaker 1: because if I'm about to say what he's hating, go

500
00:31:50,480 --> 00:31:52,160
Speaker 1: right past me and like head but in the other

501
00:31:52,200 --> 00:31:56,920
Speaker 1: black I think it's do but hey, trip, let do it.

502
00:31:57,360 --> 00:32:00,480
Speaker 1: Then they got his own security man. Hilarious. That really

503
00:32:00,560 --> 00:32:03,080
Speaker 1: is a cure, like a pot who just don't man

504
00:32:03,200 --> 00:32:09,760
Speaker 1: going to jail man, you're just giving head button people.

505
00:32:10,760 --> 00:32:13,720
Speaker 1: You're s okay, okay, I got security. Then they could

506
00:32:13,720 --> 00:32:17,440
Speaker 1: be complaining her man and nobody say do that. I'll

507
00:32:17,480 --> 00:32:21,560
Speaker 1: tell you you got shoulder, you shoulders, You've got a

508
00:32:21,640 --> 00:32:24,720
Speaker 1: lot of other body parts. I don't know this about

509
00:32:24,760 --> 00:32:28,400
Speaker 1: their head, but no matter what I'll do with my hands,

510
00:32:28,520 --> 00:32:32,320
Speaker 1: I'm like, look, you're trimping that haird but is good

511
00:32:32,360 --> 00:32:36,000
Speaker 1: for that moment. That moment. The follow up after the head.

512
00:32:36,040 --> 00:32:37,880
Speaker 1: But if you didn't put him down with the head.

513
00:32:37,960 --> 00:32:40,280
Speaker 1: But if you you can knock yourself out with the head,

514
00:32:40,320 --> 00:32:43,160
Speaker 1: but you don't do it right, Molteneous knock both of

515
00:32:43,240 --> 00:32:47,240
Speaker 1: y'all out. Just stupid. Whoever get up like Oklahoma drill

516
00:32:47,480 --> 00:32:52,000
Speaker 1: bro not even like on the super famous ship. But

517
00:32:52,240 --> 00:32:54,760
Speaker 1: when you out and people recognize you for whatever, man,

518
00:32:54,840 --> 00:32:57,000
Speaker 1: you need somebody there to at least push you out

519
00:32:57,040 --> 00:33:00,440
Speaker 1: the goddamn with like me be some real crazy people

520
00:33:00,440 --> 00:33:03,280
Speaker 1: who just run up to you just telling people that's

521
00:33:03,320 --> 00:33:07,120
Speaker 1: more famous hell, Like yes they be like they like,

522
00:33:07,120 --> 00:33:10,240
Speaker 1: oh my god, Nick Cannon, See you're cool when Nick Cannon.

523
00:33:11,080 --> 00:33:16,600
Speaker 1: The white girls like Nick touching my COUCHI yeah, they do, say,

524
00:33:17,280 --> 00:33:21,640
Speaker 1: I'll be telling Nick. You don't even tell them the story.

525
00:33:21,760 --> 00:33:23,840
Speaker 1: The other night when we came off stage, it was

526
00:33:23,960 --> 00:33:25,920
Speaker 1: it was two white girls just in the dressing room

527
00:33:27,080 --> 00:33:29,640
Speaker 1: just sleep. They had the attitude and had the attitude

528
00:33:29,680 --> 00:33:31,520
Speaker 1: like why you guys so loud, like bitch, you're not

529
00:33:31,600 --> 00:33:34,560
Speaker 1: he supposed to be sending that bitch had a glad

530
00:33:34,680 --> 00:33:36,840
Speaker 1: coat on like one of them little and put carpets

531
00:33:36,880 --> 00:33:40,480
Speaker 1: in the bathroom, had on one of the mosest slipples.

532
00:33:40,520 --> 00:33:42,200
Speaker 1: I said, But you're gonna get your toy to stopper

533
00:33:42,200 --> 00:33:44,840
Speaker 1: looking ass out of here? Man, how are you liking

534
00:33:44,880 --> 00:33:49,320
Speaker 1: the toy life? Man? Beautiful? Were on the wild chatting

535
00:33:49,400 --> 00:33:54,320
Speaker 1: on the road? Man, how y'all doing this? Nick don't

536
00:33:54,360 --> 00:33:59,480
Speaker 1: want about nine thousand? You don't want? About how much

537
00:33:59,520 --> 00:34:03,360
Speaker 1: you don't want? Probably about oh a lost a lot?

538
00:34:04,160 --> 00:34:09,880
Speaker 1: So you didn't walk away before. We've been a roll

539
00:34:09,960 --> 00:34:12,200
Speaker 1: like one half? Yeah, okay, so what y'all do like

540
00:34:12,280 --> 00:34:15,560
Speaker 1: thy the right? No, we do what like I think

541
00:34:15,600 --> 00:34:17,239
Speaker 1: the longest we did was like what we can have

542
00:34:17,400 --> 00:34:20,799
Speaker 1: two weeks and then come on, you know we're trying

543
00:34:20,840 --> 00:34:23,399
Speaker 1: to because we're still work around Nick ship too, got

544
00:34:24,000 --> 00:34:26,719
Speaker 1: crazy man. That's so what's your gambling on the game.

545
00:34:26,800 --> 00:34:30,200
Speaker 1: It's like two card guts, ye, two car pokes. You

546
00:34:30,239 --> 00:34:32,799
Speaker 1: gotta have guts to gamble, Yeah, because if you lose,

547
00:34:32,880 --> 00:34:35,400
Speaker 1: you gotta play the entire part. Whatever the party is,

548
00:34:37,719 --> 00:34:42,879
Speaker 1: all right, not losing should be going up. Man, you're

549
00:34:42,920 --> 00:34:45,880
Speaker 1: looking at that nig I ain't paying that part you.

550
00:34:46,120 --> 00:34:47,680
Speaker 1: I've been wanting to fight you anyway, but you know

551
00:34:47,760 --> 00:34:50,040
Speaker 1: what's funny, so you put it in the past. The

552
00:34:50,200 --> 00:34:53,640
Speaker 1: arguments don't never don't never start when there's three thousand,

553
00:34:53,760 --> 00:34:56,879
Speaker 1: four thousand dollar part the arguments on the five dollar game.

554
00:34:57,719 --> 00:35:01,080
Speaker 1: That be funny. You can have eight hundred dollars like, yeah,

555
00:35:01,120 --> 00:35:02,759
Speaker 1: that's cool. You got that, bro, go ahead and do that,

556
00:35:02,960 --> 00:35:07,880
Speaker 1: enjoy yourself. But the third dollar part, I put my

557
00:35:07,960 --> 00:35:11,759
Speaker 1: mother money back up there. But crazy about it. Will

558
00:35:11,880 --> 00:35:14,640
Speaker 1: family or everybody be asking how do y'all? How do

559
00:35:14,719 --> 00:35:17,440
Speaker 1: y'all you know what I'm saying act amongst each other, like, bro,

560
00:35:18,080 --> 00:35:21,040
Speaker 1: we really be chilling. Didn't really like y'all got his

561
00:35:21,120 --> 00:35:22,719
Speaker 1: face because like when we was on that kind of

562
00:35:22,840 --> 00:35:25,480
Speaker 1: standing to him, man, everybody pretty much grown like and

563
00:35:25,600 --> 00:35:29,839
Speaker 1: you got room. So like I feel y'all y'all kick

564
00:35:29,920 --> 00:35:34,960
Speaker 1: it though, man, that's what everybody play their part in position,

565
00:35:35,040 --> 00:35:37,520
Speaker 1: Like we know who the ship talking is. You know

566
00:35:37,600 --> 00:35:39,200
Speaker 1: what we know who the nigger who just want a

567
00:35:39,320 --> 00:35:43,000
Speaker 1: tention is the wild up. I don't really the wild up.

568
00:35:43,600 --> 00:35:45,960
Speaker 1: It don't matter who. It's always one motherfuck in the

569
00:35:46,000 --> 00:35:49,319
Speaker 1: group that's always sleeping. I don't get that people want

570
00:35:49,360 --> 00:35:51,759
Speaker 1: to sleeping mother I don't break it down, break all

571
00:35:51,800 --> 00:35:55,680
Speaker 1: the ship down, all right? So who would you? Who

572
00:35:55,719 --> 00:35:58,080
Speaker 1: would you? Because on my tour, I was like I

573
00:35:58,239 --> 00:36:01,400
Speaker 1: was the I was h and I see I felt

574
00:36:01,480 --> 00:36:03,359
Speaker 1: like I'm just saying because I was in the back

575
00:36:03,440 --> 00:36:05,080
Speaker 1: a lot. I bought the place station before. I had

576
00:36:05,080 --> 00:36:07,360
Speaker 1: a lot of weed. I smoked the windows open. I

577
00:36:07,480 --> 00:36:09,960
Speaker 1: felt good, and everybody else was sleep and everybody else

578
00:36:10,080 --> 00:36:12,440
Speaker 1: was grown. And they ain't really kick it. Y'all known

579
00:36:12,480 --> 00:36:14,520
Speaker 1: some ship with people that kick it. So you know

580
00:36:14,560 --> 00:36:16,440
Speaker 1: what I'm saying, We didn't really have I ain't had that,

581
00:36:16,600 --> 00:36:23,759
Speaker 1: so so how you always think he's broken? Yeah, Matt

582
00:36:23,800 --> 00:36:26,280
Speaker 1: sleep is hell. She would let you check his wallet.

583
00:36:26,400 --> 00:36:29,560
Speaker 1: I don't have money, bro, check my wallet. Check my wallet,

584
00:36:29,719 --> 00:36:33,000
Speaker 1: like no, let me see it. Then let me man,

585
00:36:33,360 --> 00:36:39,640
Speaker 1: he said, check, I don't have any money. Bro, You're right.

586
00:36:39,719 --> 00:36:41,160
Speaker 1: I take to a lot of You're right, he didn't

587
00:36:41,160 --> 00:36:43,960
Speaker 1: have you right, give it back. They d be trying

588
00:36:44,000 --> 00:36:45,880
Speaker 1: to rob the little nigga all the time. Now you

589
00:36:45,920 --> 00:36:49,200
Speaker 1: know you're on before like two time, I'm just man,

590
00:36:49,239 --> 00:36:54,399
Speaker 1: don't give him no moment with DC. Then we got

591
00:36:54,880 --> 00:36:56,880
Speaker 1: then you know DC, this nigga is crazy. I got

592
00:36:56,960 --> 00:36:58,680
Speaker 1: to tell the story. As soon as we get on

593
00:36:58,760 --> 00:37:00,480
Speaker 1: the bus. We got the old white dude. You know

594
00:37:00,600 --> 00:37:03,840
Speaker 1: he don't like black people already. Why d C go

595
00:37:04,080 --> 00:37:06,640
Speaker 1: on the bus and ship on the bush. You don't

596
00:37:06,680 --> 00:37:08,719
Speaker 1: know that rule. I didn't know that. I've never been

597
00:37:08,760 --> 00:37:21,320
Speaker 1: on the DC. The bus driver, you do, so, he

598
00:37:21,440 --> 00:37:24,000
Speaker 1: telled the bus driver. And I didn't know what he said.

599
00:37:24,000 --> 00:37:26,359
Speaker 1: I didn't know we couldn't ship. He said, oh, yes

600
00:37:26,440 --> 00:37:28,440
Speaker 1: you did, Yes you did. I looked you right in

601
00:37:28,520 --> 00:37:31,759
Speaker 1: your face and I said that it went over my head.

602
00:37:33,680 --> 00:37:36,040
Speaker 1: Out of all the people on the bus, he hate DC.

603
00:37:36,239 --> 00:37:38,320
Speaker 1: He just be looking at him and he got these dinches.

604
00:37:38,360 --> 00:37:40,920
Speaker 1: He just be clicking him, like don't make it be pop.

605
00:37:43,000 --> 00:37:52,120
Speaker 1: So look, so he had to fix the train. Why

606
00:37:52,200 --> 00:37:55,440
Speaker 1: he was giving us toilet updates the whole time, like, yep,

607
00:37:56,000 --> 00:38:00,560
Speaker 1: order the part, but you're here Thursday. So I just

608
00:38:00,640 --> 00:38:04,520
Speaker 1: can't use bad from the thirsty Why are you telling

609
00:38:04,560 --> 00:38:14,200
Speaker 1: me this ship? What mean ships? I know? How foul

610
00:38:14,239 --> 00:38:16,800
Speaker 1: that ship? Thank? Like just with the regular ship that

611
00:38:16,960 --> 00:38:18,800
Speaker 1: was going when when nobody shopping on the bus and

612
00:38:18,800 --> 00:38:21,360
Speaker 1: I'd be like who then pissmel like, hey, let me

613
00:38:21,360 --> 00:38:23,360
Speaker 1: tell you something. That bitch had a flush and tissue.

614
00:38:23,680 --> 00:38:25,520
Speaker 1: Once I went in the bathroom, I said tissue and

615
00:38:25,640 --> 00:38:32,279
Speaker 1: flush so and I was and that she went down. Hey,

616
00:38:32,400 --> 00:38:35,120
Speaker 1: our bus driver used to on the ship he used

617
00:38:35,160 --> 00:38:38,719
Speaker 1: to drive for a triple six, so that mother be

618
00:38:38,760 --> 00:38:40,960
Speaker 1: trying to see where the we this dude bus drive.

619
00:38:41,480 --> 00:38:44,759
Speaker 1: Check on, my fucker, he's in there eating chilly and driving. No,

620
00:38:46,920 --> 00:38:49,360
Speaker 1: he used to drive shot. He said. It was just

621
00:38:49,560 --> 00:38:51,479
Speaker 1: him and her and her suster and they just kicked

622
00:38:51,520 --> 00:38:54,839
Speaker 1: it and everybody was cool. That be cool. I want

623
00:38:54,880 --> 00:38:58,600
Speaker 1: to go on. You know what's funny to seeing this

624
00:38:58,760 --> 00:39:01,400
Speaker 1: nigga he gets on his hell everywhere he goes to

625
00:39:01,400 --> 00:39:05,239
Speaker 1: take his shirt, ain't never been. It'd be funny. We'll

626
00:39:05,239 --> 00:39:07,160
Speaker 1: be at these nice schools and they'd be like, yeah,

627
00:39:07,480 --> 00:39:09,560
Speaker 1: this is the vice chance to right here for this nigga.

628
00:39:09,600 --> 00:39:11,759
Speaker 1: No shirt on, sweay the head like coming back, can

629
00:39:11,800 --> 00:39:18,439
Speaker 1: picture he got this ship? Like we go to play

630
00:39:18,800 --> 00:39:21,920
Speaker 1: family reunion, right, this nigger like, I don't even with

631
00:39:21,960 --> 00:39:24,360
Speaker 1: nobody to say like it real life. It's the craziest,

632
00:39:24,400 --> 00:39:26,439
Speaker 1: funniest nig I ever met in my life. We're playing

633
00:39:26,520 --> 00:39:30,560
Speaker 1: family reunion, right, this nigger said, some ship when ain't

634
00:39:30,600 --> 00:39:32,680
Speaker 1: nobody looking. She let me play with a titty and

635
00:39:32,719 --> 00:39:35,160
Speaker 1: he grabbed this girl titty like he didn't even talk

636
00:39:35,200 --> 00:39:39,319
Speaker 1: about this ship with nothing. They're gonna get us locked up, man,

637
00:39:41,680 --> 00:39:43,480
Speaker 1: So you can't put that out there now that you said,

638
00:39:43,520 --> 00:39:46,600
Speaker 1: And now they're gonna be trying to put a regular

639
00:39:46,920 --> 00:39:49,080
Speaker 1: That's why I said, it's not a regular occurrence. It's

640
00:39:49,120 --> 00:39:53,160
Speaker 1: just some ship that he did. I'm saying, they're gonna

641
00:39:53,160 --> 00:39:55,560
Speaker 1: put them titties in your hand. That's what I want

642
00:39:55,640 --> 00:39:57,600
Speaker 1: held on. Let's shout out to the titties, big tittis,

643
00:39:58,080 --> 00:40:00,960
Speaker 1: little tittis them, get some win and sit down, to

644
00:40:01,040 --> 00:40:06,399
Speaker 1: get somewhere and sat down exactly they could we cut

645
00:40:06,440 --> 00:40:10,359
Speaker 1: off and you could sell a titty. How about how

646
00:40:10,360 --> 00:40:12,320
Speaker 1: about the titto that ain't really a titty, just a

647
00:40:12,440 --> 00:40:14,960
Speaker 1: nipple that's pouring down a little bit. What about the

648
00:40:15,040 --> 00:40:17,480
Speaker 1: titty where you can tell they sag because you see

649
00:40:17,480 --> 00:40:24,200
Speaker 1: the stretch marks. Yeah, they used to be big the chain. Yeah.

650
00:40:25,640 --> 00:40:27,680
Speaker 1: Shout out to them titties that slid to the armpit

651
00:40:27,800 --> 00:40:33,399
Speaker 1: when you lay down them, the real titties right there. Yeah, yeah, Yeah,

652
00:40:33,440 --> 00:40:35,560
Speaker 1: shout out to the black ass nipples that show all

653
00:40:35,560 --> 00:40:40,160
Speaker 1: the way through the tank top, the black nipples. Nipple

654
00:40:40,400 --> 00:40:41,880
Speaker 1: had a white girl, I was licking her teeth, and

655
00:40:41,880 --> 00:40:43,640
Speaker 1: I'll be like, I thought, you's about to say you

656
00:40:43,719 --> 00:40:46,120
Speaker 1: had a white girl with a black ass I'll confined.

657
00:40:46,200 --> 00:40:48,399
Speaker 1: She had like one of them real there. You haven't

658
00:40:48,440 --> 00:40:51,160
Speaker 1: had dipping dots from the game. She had a deeping dot.

659
00:40:51,280 --> 00:40:54,280
Speaker 1: Nipples you've seen them in bird and nipples. They be inside,

660
00:40:55,239 --> 00:40:56,719
Speaker 1: be shot. You play with it to come out, and

661
00:40:56,960 --> 00:40:58,520
Speaker 1: you gotta dump it to get it to go out.

662
00:40:58,600 --> 00:41:00,440
Speaker 1: I hate the little nipple couple to I hate the

663
00:41:00,440 --> 00:41:04,520
Speaker 1: little nipple with the big gas surrounding. You know, yeah,

664
00:41:05,160 --> 00:41:09,239
Speaker 1: this is the big rounding part. But he lived here

665
00:41:10,160 --> 00:41:15,279
Speaker 1: the extra pepper, the extra pepper room shut out to

666
00:41:15,320 --> 00:41:17,239
Speaker 1: the nipple bumps, you know that, to keep the titter

667
00:41:17,320 --> 00:41:19,399
Speaker 1: from slipping out. The baby maw. I hate, I hate,

668
00:41:19,440 --> 00:41:24,000
Speaker 1: I hate happy he had titties, the little around bitch.

669
00:41:24,320 --> 00:41:26,480
Speaker 1: We went from just gotta go ahead and plug it. Man,

670
00:41:26,960 --> 00:41:29,120
Speaker 1: she gotta plug. You know, you gotta go ahead and

671
00:41:29,160 --> 00:41:31,160
Speaker 1: do it. She goes say our and then it's gonna

672
00:41:31,200 --> 00:41:33,279
Speaker 1: grow bag and two more gonna grow bag, and I

673
00:41:33,360 --> 00:41:42,600
Speaker 1: mean bite them off. Speaking of name some cities with

674
00:41:42,680 --> 00:41:45,880
Speaker 1: the best test clay. Name some cities the best titties

675
00:41:45,960 --> 00:41:50,040
Speaker 1: on the low. Okay, let's see right now. Rhode Island

676
00:41:52,880 --> 00:41:58,840
Speaker 1: types of nice LEXI thinking tucky nots of lots of

677
00:41:59,080 --> 00:42:05,000
Speaker 1: nice white titties. I would like to say, uh fucking uh.

678
00:42:05,200 --> 00:42:10,960
Speaker 1: Let me see any they got some of them. Baptist

679
00:42:11,040 --> 00:42:14,640
Speaker 1: Church in Detroit. Yeah, yeah they do. They got some

680
00:42:14,760 --> 00:42:17,239
Speaker 1: of them, big plastic. You might find some cocaine and

681
00:42:17,800 --> 00:42:21,799
Speaker 1: rubber made as titties smuggling cocaine. And yeah, that's why

682
00:42:21,840 --> 00:42:24,680
Speaker 1: I got them green veins. But that's how, that's how

683
00:42:24,719 --> 00:42:29,320
Speaker 1: I picked my favorite over those with the very code.

684
00:42:31,080 --> 00:42:36,400
Speaker 1: Well anymore we leave out places with nice um. I

685
00:42:36,480 --> 00:42:39,279
Speaker 1: think Memphis got they got some gangster as titties and

686
00:42:39,400 --> 00:42:46,400
Speaker 1: man one go to yeah, don't hurt the shout out,

687
00:42:47,440 --> 00:42:49,279
Speaker 1: shout out to all the bitches with blue braids and

688
00:42:49,360 --> 00:42:52,799
Speaker 1: big titties. Remembers, you get the funk out of here.

689
00:42:53,000 --> 00:42:55,440
Speaker 1: Anybody any bitch with blue braids? And she didn't have

690
00:42:55,440 --> 00:42:57,880
Speaker 1: had syphies? Bro? What was that one? What was that

691
00:42:57,960 --> 00:43:01,000
Speaker 1: school we went to? Now? And how you remember we

692
00:43:01,080 --> 00:43:02,600
Speaker 1: went to that school? And know how you all the

693
00:43:02,640 --> 00:43:05,399
Speaker 1: white girls had some bigg as titties and big as

694
00:43:05,440 --> 00:43:08,799
Speaker 1: buddhis and I was this ship was like scared man

695
00:43:11,400 --> 00:43:15,359
Speaker 1: motor boat. Even though they smelled a little a little weedy. Yeah,

696
00:43:15,560 --> 00:43:19,279
Speaker 1: but that's really what makes a city. But they need

697
00:43:19,360 --> 00:43:23,240
Speaker 1: to come out with titty Deolder, specifically titties. Nobody wants

698
00:43:23,480 --> 00:43:28,800
Speaker 1: lickor titty and taste dove. Yeah they need titty deoldor

699
00:43:29,600 --> 00:43:31,439
Speaker 1: what are some of the cities with the best weed?

700
00:43:33,440 --> 00:43:36,319
Speaker 1: You know what? You know what, Atlanta that I don't

701
00:43:36,360 --> 00:43:39,600
Speaker 1: get the credit that we deserved for having. I'm gonna

702
00:43:39,600 --> 00:43:45,240
Speaker 1: say that. I'm gonna say that repeatedly. Atlanta. I wanted

703
00:43:45,239 --> 00:43:46,520
Speaker 1: to them, you know what, I don't know what it

704
00:43:46,680 --> 00:43:48,560
Speaker 1: is the place that have legal weed. I don't know

705
00:43:48,600 --> 00:43:51,280
Speaker 1: if the weed extra fluffy, and maybe I'm not rolling

706
00:43:51,480 --> 00:43:54,480
Speaker 1: enough of it, but it just don't feel like it's

707
00:43:54,560 --> 00:43:57,120
Speaker 1: doing this job all the way. Like here, it seemed

708
00:43:57,120 --> 00:43:59,839
Speaker 1: to be a little denser. Callie was super cool then

709
00:44:00,200 --> 00:44:02,320
Speaker 1: I wasn't that it didn't impress me as much. It

710
00:44:02,400 --> 00:44:09,919
Speaker 1: was some cool things. Yeah, christ Burn where it's cold that. Yeah,

711
00:44:11,360 --> 00:44:14,080
Speaker 1: they got their drag cush up there. You know what,

712
00:44:14,160 --> 00:44:15,640
Speaker 1: they got a lot of good weed in the Bay

713
00:44:16,880 --> 00:44:19,720
Speaker 1: of course. Man, they they're giving away weed in Oakland.

714
00:44:19,800 --> 00:44:25,759
Speaker 1: I like the bad that's the most rest in peace

715
00:44:27,800 --> 00:44:34,160
Speaker 1: man career. How about the best food? Though had the

716
00:44:34,200 --> 00:44:36,040
Speaker 1: best food. I like places they got their own food,

717
00:44:36,080 --> 00:44:38,319
Speaker 1: like New Orleans got their own style of food. That's

718
00:44:38,360 --> 00:44:40,920
Speaker 1: a city with their own style of California. I have

719
00:44:41,000 --> 00:44:43,720
Speaker 1: been the dueling them for overfeeds. It's in the hood.

720
00:44:44,080 --> 00:44:49,480
Speaker 1: What is that in Californias? Okay, what about hearing it?

721
00:44:50,080 --> 00:44:56,680
Speaker 1: What about in Atlanta? The best old net So I'm

722
00:44:56,760 --> 00:45:00,440
Speaker 1: so food busy. You don't like busy. I'm so I'm

723
00:45:00,480 --> 00:45:02,960
Speaker 1: so Mississippi. I can't even go to the restaurant to

724
00:45:03,000 --> 00:45:05,040
Speaker 1: eat no sofu because I'd been like, they ain't working

725
00:45:05,040 --> 00:45:07,160
Speaker 1: with this. They got ruded chicken to I don't like

726
00:45:07,200 --> 00:45:13,640
Speaker 1: to eat myself outside on the porch. So ful man Maryland.

727
00:45:13,920 --> 00:45:17,520
Speaker 1: The crab cakes them real crab cakes. You know when

728
00:45:17,560 --> 00:45:20,000
Speaker 1: they come to food. I don't think no place fucking

729
00:45:20,040 --> 00:45:22,200
Speaker 1: with New York because you can get some good ass

730
00:45:22,360 --> 00:45:27,080
Speaker 1: food for a dollar right out. You're ever hungry, and

731
00:45:27,239 --> 00:45:32,319
Speaker 1: you in New York that's ever maybe a bunch of ship.

732
00:45:33,160 --> 00:45:40,960
Speaker 1: It's been super media female in New York definition. Everybody

733
00:45:41,000 --> 00:45:45,520
Speaker 1: got somewhere to go. Yeah, I get hit drum. That's

734
00:45:45,520 --> 00:45:47,879
Speaker 1: why I'm gonna just texting. St. Louis. Got good food

735
00:45:49,480 --> 00:45:53,480
Speaker 1: with the emost piece of white Castle. Them chicken gooey cake,

736
00:45:54,880 --> 00:45:58,680
Speaker 1: that gooey butter cake. St. Louis Man, that's so good man.

737
00:45:58,840 --> 00:46:09,439
Speaker 1: You ever had y Yes, oh Man, that's the best man.

738
00:46:10,680 --> 00:46:12,839
Speaker 1: This was a lot of dopet places we've been. Man,

739
00:46:12,880 --> 00:46:17,400
Speaker 1: Florida was at food to Florida. Florida was food. Man, Yeah, Florida.

740
00:46:17,840 --> 00:46:20,440
Speaker 1: I mean, you know, I'm look, you don't want I

741
00:46:20,520 --> 00:46:23,040
Speaker 1: love Florida. The women in Florida love of fun. They're

742
00:46:23,080 --> 00:46:26,319
Speaker 1: just walking around with drawers on, all things looking good

743
00:46:26,360 --> 00:46:32,000
Speaker 1: as hot. Ain't sure to do you don't can't shout

744
00:46:32,000 --> 00:46:34,799
Speaker 1: out to Florida. You know, Florida looked like the dick

745
00:46:34,920 --> 00:46:37,000
Speaker 1: just hanging off to your But you know, Florida different

746
00:46:37,400 --> 00:46:39,440
Speaker 1: the further nor don't just look like a dick just

747
00:46:39,560 --> 00:46:44,480
Speaker 1: hanging on. That's America's dick. America's the further north. You're

748
00:46:44,480 --> 00:46:48,000
Speaker 1: going Florida, south of the most racist they top. It's

749
00:46:48,040 --> 00:46:55,279
Speaker 1: on South Florida. Amery go over here talking about where

750
00:46:55,360 --> 00:47:00,879
Speaker 1: Fox something up that little floor the dick you got

751
00:47:00,960 --> 00:47:09,080
Speaker 1: that like the side pussy being a pussy, God damn

752
00:47:10,239 --> 00:47:17,799
Speaker 1: got that little him pussy Hi texts Everything big in Texas, man,

753
00:47:18,040 --> 00:47:20,480
Speaker 1: including the clay. Tell the phone what you got going on?

754
00:47:20,560 --> 00:47:22,600
Speaker 1: Maybe you got coming up? They got here winning bro

755
00:47:22,719 --> 00:47:24,960
Speaker 1: he's on the load, and then you're getting all the auditions,

756
00:47:25,000 --> 00:47:30,279
Speaker 1: all the movie roles. Ain't putting the bat, I'm on

757
00:47:30,400 --> 00:47:35,160
Speaker 1: the road. That's it man, TV woman look, and a

758
00:47:35,239 --> 00:47:40,680
Speaker 1: little audition for trying. Man, I got you on Unsung already?

759
00:47:42,400 --> 00:47:50,920
Speaker 1: What happened behind the music? Man up? He had a

760
00:47:50,960 --> 00:47:57,160
Speaker 1: hit song, he dog, I don't never want down to

761
00:47:57,200 --> 00:47:59,800
Speaker 1: shoot no ship about me? Where they zoom in on

762
00:48:00,040 --> 00:48:03,640
Speaker 1: my face slow, do not. I don't give a funk

763
00:48:03,680 --> 00:48:06,239
Speaker 1: if I did die. However tragic it was, don't you

764
00:48:06,400 --> 00:48:09,640
Speaker 1: zoom in on my face? Slow? It all began when

765
00:48:09,719 --> 00:48:13,360
Speaker 1: he started to dabble in drugs, and then the zoom

766
00:48:13,440 --> 00:48:16,319
Speaker 1: in start. Oh, this nigg is dead, we know here

767
00:48:16,360 --> 00:48:22,920
Speaker 1: from him. That's what it all changed. And from there

768
00:48:22,960 --> 00:48:25,239
Speaker 1: it was all down here. You'll be watching Unsung, bro,

769
00:48:25,760 --> 00:48:28,040
Speaker 1: I'll be watching this sad and ship even though yeah

770
00:48:28,040 --> 00:48:29,680
Speaker 1: they were hot for good three months and then they

771
00:48:29,760 --> 00:48:34,560
Speaker 1: just crack cocaine and like Unsung all the way until

772
00:48:34,560 --> 00:48:37,440
Speaker 1: they get to the end, would still be trying again. Yeah,

773
00:48:37,480 --> 00:48:44,600
Speaker 1: I make a few beats, No niggers count count. They'd

774
00:48:44,600 --> 00:48:49,200
Speaker 1: be up to now, be like man that I started

775
00:48:49,239 --> 00:48:51,520
Speaker 1: using drugs and that's when I started experimenting when the

776
00:48:51,640 --> 00:48:54,240
Speaker 1: music let me hear some of it. Well, I didn't

777
00:48:54,239 --> 00:48:58,480
Speaker 1: actually make it, didn't come out. I still got mine

778
00:48:58,520 --> 00:49:03,480
Speaker 1: on the flipping here it's on. It would never be

779
00:49:03,680 --> 00:49:09,520
Speaker 1: used like, man, he'll get your dass so bad. Oh man, man,

780
00:49:10,239 --> 00:49:12,960
Speaker 1: what you got going on the way? Man? This is

781
00:49:13,040 --> 00:49:15,959
Speaker 1: the eighty five self show and I'm calling those Miller,

782
00:49:16,080 --> 00:49:18,000
Speaker 1: this is what the funk I got going though. I

783
00:49:18,160 --> 00:49:23,640
Speaker 1: make podcasts. Now you feel I'm in the podcast. This

784
00:49:23,880 --> 00:49:28,120
Speaker 1: podcast right here, this is for women who got more

785
00:49:28,200 --> 00:49:31,560
Speaker 1: tissue in the bathroom garbage can than they have in

786
00:49:31,640 --> 00:49:36,359
Speaker 1: the actual bathroom. That's a lot of throne. Shout out

787
00:49:36,400 --> 00:49:38,280
Speaker 1: to all the niggas who can't wrap, but they believe

788
00:49:38,320 --> 00:49:41,440
Speaker 1: in theirselves. That's all it takes that can take that

789
00:49:41,560 --> 00:49:43,560
Speaker 1: same face and put it to someone else. You will

790
00:49:43,560 --> 00:49:46,200
Speaker 1: be something. You will beat somebody. You know. Maybe they

791
00:49:46,239 --> 00:49:50,480
Speaker 1: won't though, maybe because they just won't be ship and

792
00:49:50,680 --> 00:49:52,560
Speaker 1: rap is the only thing where you can maybe not

793
00:49:52,760 --> 00:49:55,560
Speaker 1: be ship and people just believe it long enough for

794
00:49:55,680 --> 00:50:00,279
Speaker 1: you to actually be ships. So just sound like the

795
00:50:00,280 --> 00:50:02,840
Speaker 1: ship of work. I'm just saying, man, you know you

796
00:50:02,920 --> 00:50:07,000
Speaker 1: ain't ship, but you put enough into not being shipped,

797
00:50:07,400 --> 00:50:12,640
Speaker 1: did you so basically, don't ever not believe that you

798
00:50:12,719 --> 00:50:14,840
Speaker 1: ain't ship. It's some people that lucked up on some

799
00:50:15,880 --> 00:50:19,680
Speaker 1: can be successful. Not oh man, it's some very successful

800
00:50:19,719 --> 00:50:23,839
Speaker 1: not ship motherfucker. Oh motherfucker's that just be just ain't

801
00:50:23,920 --> 00:50:27,560
Speaker 1: never had their own ship, but always got some ship. Bleak.

802
00:50:27,840 --> 00:50:30,040
Speaker 1: This is my house, This ain't your house, and you

803
00:50:30,080 --> 00:50:32,319
Speaker 1: ain't never had. I know I'm staying here, but yeah,

804
00:50:32,440 --> 00:50:34,319
Speaker 1: who the fuck is? Then you never see the person

805
00:50:35,840 --> 00:50:42,160
Speaker 1: for this? What label? Label? What label? The it's called

806
00:50:42,239 --> 00:50:47,480
Speaker 1: the stupid I hate correct. That's the you know what

807
00:50:47,640 --> 00:50:49,360
Speaker 1: kind of deals are people getting to? Man, I just

808
00:50:49,440 --> 00:50:53,319
Speaker 1: gotta deal, but they don't. Never have eight thousand dollar

809
00:50:53,560 --> 00:50:58,960
Speaker 1: five album deal. Hold up, hold up, somebody got an

810
00:50:59,000 --> 00:51:04,440
Speaker 1: eight eight thousand dollar five album deal. That's some street workership.

811
00:51:05,080 --> 00:51:06,960
Speaker 1: Take the eight thousands so they can run into the

812
00:51:07,400 --> 00:51:12,000
Speaker 1: eight dollars five album deal. I don't want to. I

813
00:51:12,040 --> 00:51:14,319
Speaker 1: don't want to meet no more niggers in Atlanta who

814
00:51:14,360 --> 00:51:16,759
Speaker 1: tell me they the CEO and then say, yeah, I'm

815
00:51:16,800 --> 00:51:21,800
Speaker 1: the CEO. These my artists arts. You don't have no

816
00:51:21,920 --> 00:51:26,000
Speaker 1: motherfucking artists. It's artists. Don't funk nobody career up out

817
00:51:26,080 --> 00:51:32,680
Speaker 1: here calling them your artists. I slapped my artists right here,

818
00:51:32,680 --> 00:51:35,400
Speaker 1: I'm the CEO. What does that mean? Compute it in

819
00:51:35,520 --> 00:51:40,080
Speaker 1: my house? Hey, and stop coming out? Yeah, man, ship

820
00:51:40,120 --> 00:51:41,719
Speaker 1: about to come out? No it's not. And if I'm

821
00:51:41,760 --> 00:51:45,839
Speaker 1: meeting with I know you heard this ship right here? Yeah? Man,

822
00:51:45,880 --> 00:51:48,000
Speaker 1: who's gonna drop the single? But he got leaked? Who

823
00:51:48,080 --> 00:51:51,680
Speaker 1: the fucking leaked to sing? What? Nobody even waiting on

824
00:51:51,800 --> 00:51:56,960
Speaker 1: the goddamn single? Sound Damn? You can't leak your own ship, man.

825
00:51:57,000 --> 00:52:01,759
Speaker 1: You know they're trying to bootleg who? Bootleg who on

826
00:52:01,840 --> 00:52:09,040
Speaker 1: YouTube got four hundred and thirty eight views. That is

827
00:52:09,200 --> 00:52:11,920
Speaker 1: not affecting the drop date. And they got father to

828
00:52:11,960 --> 00:52:15,520
Speaker 1: talk about. Then you go to SoundCloud the ship had

829
00:52:15,600 --> 00:52:23,800
Speaker 1: seventeen players who then nobody emerged. No, it's got seventeen

830
00:52:23,880 --> 00:52:25,880
Speaker 1: views from you checking that bit. Shout out to the

831
00:52:26,000 --> 00:52:29,719
Speaker 1: niggas man into take a right. We all know who

832
00:52:29,920 --> 00:52:32,719
Speaker 1: is this? This the eighty five South Show? When does

833
00:52:32,760 --> 00:52:35,040
Speaker 1: this ship come on? Man? This ship come out? Everything?

834
00:52:35,160 --> 00:52:39,080
Speaker 1: You'll never know when to go? We added ship soon

835
00:52:39,080 --> 00:52:42,080
Speaker 1: as we eat? When did this ship come over? Man? Hey, man,

836
00:52:42,640 --> 00:52:48,920
Speaker 1: I don't even know what. I don't know what. My

837
00:52:49,040 --> 00:52:52,440
Speaker 1: name is Carlo S. Miller I'm the CEO DS my artists.

838
00:52:52,719 --> 00:52:55,960
Speaker 1: I'm dc on Fly on the Press, and the body's

839
00:52:56,000 --> 00:52:59,960
Speaker 1: president because we ain't got nobody to ClOH Clay lash

840
00:53:02,680 --> 00:53:06,800
Speaker 1: c O. I'm the UFO. You were in charge of

841
00:53:06,920 --> 00:53:15,200
Speaker 1: the Uterus department. Blaby. All we do right now specialized

842
00:53:15,280 --> 00:53:18,480
Speaker 1: in making other artists. That's kind of like other artists.

843
00:53:19,120 --> 00:53:21,440
Speaker 1: It might have seen designer. We worked with them and

844
00:53:21,520 --> 00:53:25,160
Speaker 1: then the nigga left us. Some bullshit. Man. Were the

845
00:53:25,239 --> 00:53:29,160
Speaker 1: one told the nigga. We said, nigga, look you, what

846
00:53:29,280 --> 00:53:31,360
Speaker 1: you're doing is fine, but you should do it like

847
00:53:31,520 --> 00:53:35,360
Speaker 1: somebody else. You already and we buy nigga some shoes

848
00:53:35,440 --> 00:53:38,759
Speaker 1: to make it seem like we got money. Motherfucker, because

849
00:53:39,480 --> 00:53:41,000
Speaker 1: we don't really buy them to him. We just let

850
00:53:41,080 --> 00:53:43,360
Speaker 1: him hold Them's got a lot of shoes, right, We

851
00:53:43,480 --> 00:53:45,200
Speaker 1: let him hold on. Let me give him the message.

852
00:53:45,600 --> 00:53:47,839
Speaker 1: Go ahead. If you want to listen to a podcast

853
00:53:48,400 --> 00:53:52,560
Speaker 1: with a cameraman, ain't all in the motherfucking videos. The

854
00:53:52,680 --> 00:53:55,960
Speaker 1: caman gotta stay. Niggas ain't talking all over each other.

855
00:53:56,040 --> 00:53:59,000
Speaker 1: You can hear some crispy as audio funk with Data

856
00:53:59,320 --> 00:54:03,399
Speaker 1: South Show. Yeah, I'm Carlos Miller. And if you want

857
00:54:03,440 --> 00:54:07,480
Speaker 1: to post on Instagram. Even though you signed us, you

858
00:54:07,480 --> 00:54:11,399
Speaker 1: still gotta pay me five bitch calling out your check hole.

859
00:54:12,080 --> 00:54:14,399
Speaker 1: You want to work in a real studio. You wanna

860
00:54:14,440 --> 00:54:17,360
Speaker 1: see real house. You wanna eat real food. I know

861
00:54:17,480 --> 00:54:20,520
Speaker 1: you tied little wings and ship little Everybody can't live

862
00:54:20,560 --> 00:54:24,400
Speaker 1: off hot pockets. I get it. We over here every day, nigger,

863
00:54:25,480 --> 00:54:28,600
Speaker 1: every day we out here eating pizza and not. They

864
00:54:28,640 --> 00:54:32,080
Speaker 1: ain't hot and ready. They was made in a brick oven. Yeah,

865
00:54:33,040 --> 00:54:35,440
Speaker 1: nigga with a mustache that curled up. I got to

866
00:54:35,520 --> 00:54:37,919
Speaker 1: a promise. You want to meet that man right there? Yeah,

867
00:54:38,280 --> 00:54:41,080
Speaker 1: look over there, over there, you want to meet him?

868
00:54:42,120 --> 00:54:46,719
Speaker 1: Can be signed to us? All right, I'm saying this

869
00:54:46,920 --> 00:54:53,160
Speaker 1: in concussion, my niggas. The streets ain't made for everybody,

870
00:54:53,560 --> 00:54:58,800
Speaker 1: So get your puss as something side. Won't nigger like me?

871
00:54:58,880 --> 00:55:05,520
Speaker 1: A drive on the side won't eat man eighty five.

872
00:55:07,280 --> 00:55:32,200
Speaker 1: Aby ha ha aby pie bo bo mhm