WEBVTT - 2024 Grammys & Super Bowl Recap

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<v Speaker 1>R and B Money. We are thanks. We are the

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<v Speaker 1>authority on all R and B ladies and gentlemen. My

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<v Speaker 1>name is Tank. This is the Army Money Podcast, the

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<v Speaker 1>authority on all things R and B and sports and sports.

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<v Speaker 1>We're gonna get to that. We're gonna get to that.

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<v Speaker 1>I respect, I respect your love. I respect the ten

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<v Speaker 1>toes down, I respect it. I'm faithful to the game,

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<v Speaker 1>to the nine gang man we are. We are foregoing

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<v Speaker 1>our normal routine. Yeah, and today we're just gonna talk

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<v Speaker 1>to talk, we wrap up. We're gonna do a wrap up.

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<v Speaker 1>It's been so much cool R and B ship going

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<v Speaker 1>on two weeks of cool, two cold weeks of cool. Arbi.

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<v Speaker 1>We gotta talk about it. And and our first stop

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<v Speaker 1>where we're going, Where we're going, it's gonna be the

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<v Speaker 1>twenty twenty four, twenty twenty four Grammys. Great show, great show,

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<v Speaker 1>great show. I'm saying, an amazing show. That was an

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<v Speaker 1>amazing show. Yeah, I enjoyed watch listen. Me and a

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<v Speaker 1>fan we watched it. And I'm not like there's always something,

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<v Speaker 1>you know, there's always like a I did right right,

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<v Speaker 1>great show, great show. I agree, you know what I'm saying.

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<v Speaker 1>I'd like to get into the winners though, because you

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<v Speaker 1>know this R and B Money podcast, I like to

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<v Speaker 1>come on, let's get to the winners, talk about these

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<v Speaker 1>you know these R and B and listen, everybody that

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<v Speaker 1>was nominated, Congratulations your regulations, because that in itself is

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<v Speaker 1>an accomplishment your winners. In my book, you should get

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<v Speaker 1>trophies for that. Let's start certificates, right, you get a

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<v Speaker 1>nomination certificate, nominated certificate, and a medal medal. Yeah, but

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<v Speaker 1>there should be like a small little especially if there's

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<v Speaker 1>a R and B get you get a trinking Album

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<v Speaker 1>of the Year. You're one of the producers and writers

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<v Speaker 1>on the album. All right, listen, I might start giving

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<v Speaker 1>them my candles. We got to give out something because

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<v Speaker 1>the Valentine we talked to Harvey about this smells amazing

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<v Speaker 1>to Best R and B Song. The nominees were Cocle Jones,

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<v Speaker 1>I see you, Haley Angel Helly Is it hally or Hey?

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<v Speaker 1>I want to say that, right, I think it's Holly.

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<v Speaker 1>I think it's Halle right, Yeah, yeah, hally Is has

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<v Speaker 1>got a thing to it, right.

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<v Speaker 2>I mean, I just I grew up on Holly Berry Holley,

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<v Speaker 2>So I think when every time I see that name,

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<v Speaker 2>I just think, okay, okay, y.

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<v Speaker 1>Uh. Robert Glasper featured siring excisely back to Love What

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<v Speaker 1>a song, Scissor Snooze, Victoria, Oh my Mama, and the

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<v Speaker 1>winner was a snooze.

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<v Speaker 2>I can't say nothing about that. Snoozes listening snoozes amazing.

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<v Speaker 1>Super amazing. I mean, listen back to Love Special my Mama,

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<v Speaker 1>you can't even get you can't get away from you

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<v Speaker 1>can't get.

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<v Speaker 2>My Mom was a movement. These are a great song,

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<v Speaker 2>great song. These are great song.

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<v Speaker 1>I see you that was That was a super viral TikTok.

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<v Speaker 1>That was everywhere. Angel is just you know what. I

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<v Speaker 1>like Angel. You know, I like Angel in this category

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<v Speaker 1>because it's like it's a classic. It's a it's a

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<v Speaker 1>real classic record, and she is a straight ahead bonafarde

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<v Speaker 1>flat footage singer. Cold Blood. Cold Blood shout.

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<v Speaker 2>Out the sism, I mean shout out to Babyface, the

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<v Speaker 2>baby face yea from the production and you know the

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<v Speaker 2>music side, and I met the young fella who also

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<v Speaker 2>wrote and produced with them from the track side.

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<v Speaker 1>Christopher Rick Times. Christ to that young brother, send me

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<v Speaker 1>some records, brother, you got Grammy's now on be that's

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<v Speaker 1>what I say. Progressive. Yeah, where we're at. Best progressive

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<v Speaker 1>R and B album, Okay Diddy Love Album Off the Grid,

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<v Speaker 1>Terrence Martin, James foun Leroy No Special, Janel mon Age

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<v Speaker 1>of Pleasure. I just love that title. Yeah, I vote

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<v Speaker 1>for that title. Scissor s O s Wow. I always

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<v Speaker 1>messed this up black that I just I just everybody

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<v Speaker 1>wanted to say. Six wanting. It's got a little thing.

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<v Speaker 1>Six lacks came through this whole man ship since since

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<v Speaker 1>I have a lover, that's that's that title is incredible too.

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<v Speaker 1>And the Winter amazing album, amazing album in my opinion

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<v Speaker 1>album what about it? We will get there?

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<v Speaker 2>Yeah, that's just my opinion though, right because it's we're

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<v Speaker 2>gonna get there and it's objectives.

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<v Speaker 1>We gonna get there. Here here, Best R and B

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<v Speaker 1>performance Chris Brown Summer Too Hot. It's my favorite joints

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<v Speaker 1>Yeah yeah, uh, Coco Jones, I see you Fire, Robert Glasberg,

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<v Speaker 1>Sir Alex Eisley, Back to Love says a Kill, Bill

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<v Speaker 1>Jesus Christ, Victorian Money, How does it make you feel Heavy?

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<v Speaker 1>Category winner? Coco Jones, I see you what a record?

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<v Speaker 1>You get? No argument out of me? On that what

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<v Speaker 1>a record, incredible record.

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<v Speaker 2>I wouldn't have she sang her heart out on I

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<v Speaker 2>wouldn't R and B performance, She sang her art.

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<v Speaker 1>I wouldn't have been mad at I mean, you know,

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<v Speaker 1>I'll be going back to that, back to love, just

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<v Speaker 1>be that, back to love be killing me. Yeah, but

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<v Speaker 1>no argument, not a one. She earned that Best Traditional

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<v Speaker 1>R and B Performance Babyface featuring Cocal Jones Simple. That

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<v Speaker 1>album was Fire by the Way, Babyface, Ken Dixon, Lucky Fire,

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<v Speaker 1>Super Fire, PJ. Morton featuring Susanne Carrol, Good Morning Special,

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<v Speaker 1>Siza Love Language, Victorian Monette featuring Earth Wind and Fire,

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<v Speaker 1>and Hazel Money. Shout out to the Baby. Yeah yeah,

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<v Speaker 1>baby got publishing. Baby. You know what I'm saying, Baby

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<v Speaker 1>got mechanicals. You know what I'm saying. I love that

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<v Speaker 1>we're doing that too. Now.

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<v Speaker 2>You got to that we including the kids and you

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<v Speaker 2>know what I mean, we letting them get get it early.

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<v Speaker 1>I think that I think that you know, those handouts,

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<v Speaker 1>you know, I think we come from a long line

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<v Speaker 1>of you know, well I had to do it the

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<v Speaker 1>hard way. You gotta do it the hard way, right.

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<v Speaker 1>We come from a long line of that, as opposed

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<v Speaker 1>to Okay, I did that, so you don't have to

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<v Speaker 1>do that, but you are going to have to do this. Yeah.

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<v Speaker 2>Now we have to start creating a different type of

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<v Speaker 2>generational wealth.

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<v Speaker 1>A different type of generational.

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<v Speaker 2>Wealth, right because we've had we've had a wealth of

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<v Speaker 2>a lot of things that aren't lucrative in the positive way.

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<v Speaker 1>Talk about it, you know what I mean.

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<v Speaker 2>We have a lot of wealth of violence, a lot

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<v Speaker 2>of wealth of trauma, a lot of wealth of a

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<v Speaker 2>lot of foolishness. Let's now create the wealth of success,

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<v Speaker 2>you know what I mean, as we continue to pass

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<v Speaker 2>that on to our kids.

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<v Speaker 1>And I love that.

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<v Speaker 2>I love the fact that Blue Ivy has a Grammy

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<v Speaker 2>love that, you know what I'm saying, And that that

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<v Speaker 2>that Hazel Monette has a nomination. It's what it should

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<v Speaker 2>be though, you know what I mean? That that was

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<v Speaker 2>Stevie Wonder's daughter on Isn't she lovely?

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<v Speaker 1>You know what I mean? So it's like, you know,

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<v Speaker 1>I'm glad that's something that's you know who the winner

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<v Speaker 1>on this one was the winner on PJ Morton features

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<v Speaker 1>Good Morning, Yes, Yes, Shout out to our brother peach Fire,

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<v Speaker 1>super Fire Record Best R and B Album, Babyface Girls,

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<v Speaker 1>night Out. I love that album. Coco Jones. What I

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<v Speaker 1>didn't tell you? Deluxe del you know Deluxe is there,

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<v Speaker 1>Emily King, Special Occasion, Summer Walker, Clear Too, Soft Life EP.

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<v Speaker 1>Soft Life is kind of a bar. That's where the

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<v Speaker 1>girls are now. Victoria Money Jaguar two, which was the winner.

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<v Speaker 1>Shout out to Victoria Money. Put in the work. She

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<v Speaker 1>put in the work, in work. They understand how long

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<v Speaker 1>how long it took for her to get here. Yeah,

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<v Speaker 1>that was a real process. Like, this is not overnight.

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<v Speaker 1>A lot of you that are new to the Discovery

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<v Speaker 1>is just dancing now to own my mama. You have

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<v Speaker 1>no idea, you know what I mean? And so this

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<v Speaker 1>is like, this is real. This is rooted in the

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<v Speaker 1>real foundation of you know, blood, sweat and tears, real foundation. Nothing.

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<v Speaker 1>This isn't a TikTok. You know, I've overnight sensation. This

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<v Speaker 1>is I.

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<v Speaker 2>Met Victoria at least fifteen years ago for the first time.

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<v Speaker 1>Bro, we we used to be. I'm talking about yeah,

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<v Speaker 1>one bedroom apartment, one bedroom. Yeah, it might have been

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<v Speaker 1>a loft in there, but the folks show just one bedroom. Yeah.

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<v Speaker 1>I was like, okay, all right, you're gonna you're gonna

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<v Speaker 1>you're gonna get somewhere. I'm telling you. She got a

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<v Speaker 1>lot of bedrooms. Now, yeah, she got the big house.

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<v Speaker 1>Yeah yeah, I've seen it on the Instagram, so I

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<v Speaker 1>seen it. You know, you know, you know the sound travels. Yeah,

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<v Speaker 1>you know. Shout out to big Man. So awesome, so awesome.

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<v Speaker 1>Let's go the best new artists. Okay, because that was

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<v Speaker 1>that was a dope one. Coco Jones, Gracie Abrams, Yes, yes, yes,

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<v Speaker 1>Fred again Ice Spice, Jelly Row, Jelly Row. Noah, I

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<v Speaker 1>don't want to say that wrong. I'm gonna say Noah, Kahan.

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<v Speaker 1>I'm gonna it could be ka Han k Han, just

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<v Speaker 1>con or just Khan ship. Take a look.

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<v Speaker 3>It's in up book reading Boo, I can do anything. Uh,

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<v Speaker 3>Victoria Mone the War and treaty.

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<v Speaker 1>The war entreaty. I'm not sure if you're tapped into

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<v Speaker 1>them yet. I am not.

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<v Speaker 2>They are so cold. I gotta get they are so cold.

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<v Speaker 2>It's a husband and wife team. And the husband, from

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<v Speaker 2>my understanding, was like a war vet. I want to

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<v Speaker 2>say he was in the military, and they're special.

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<v Speaker 1>They're special. M I gotta give real talk special. Yeah. Well,

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<v Speaker 1>the winner was Victoria Money. We talked about it. Yeah,

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<v Speaker 1>large hallways, many bedrooms sound and this is what I'll

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<v Speaker 1>say about that too.

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<v Speaker 2>I don't know anybody else's path, all of the other

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<v Speaker 2>artists that are in it, for sure, I can only

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<v Speaker 2>attest to her of me seeing it, you know, as

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<v Speaker 2>a first look direct to her, and I just I

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<v Speaker 2>commend her for not giving up because you know, I say,

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<v Speaker 2>I've said it multiple times. I think that the difference

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<v Speaker 2>between being successful and not being successful and whatever you do,

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<v Speaker 2>it's just not giving up. And she is literally the

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<v Speaker 2>proto type of not giving up.

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<v Speaker 1>Like she did not give up.

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<v Speaker 2>I've seen her go through all fase is of the

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<v Speaker 2>music business and it never knocked her down or never

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<v Speaker 2>was like you know what, this ain't it for me?

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<v Speaker 1>And she had a great album on on the original Jaguar, Yeah,

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<v Speaker 1>and COVID happened, all these things been cooking. Can just

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<v Speaker 1>can hear that?

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<v Speaker 2>And I don't you know, And this is another thing.

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<v Speaker 2>I don't know the criteria of when you can't be

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<v Speaker 2>considered a new artist, but I do know this is

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<v Speaker 2>her first.

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<v Speaker 1>Major label album.

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<v Speaker 2>I don't know how that goes because you know, I

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<v Speaker 2>saw some of the people in the chatter of Oh, well,

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<v Speaker 2>how is she best new artists?

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<v Speaker 1>She been out? Well, I don't know how that goes

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<v Speaker 1>m personally because are the other ones albums that has

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<v Speaker 1>to be considered an album in order for you to

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<v Speaker 1>be our mixtapes, right, So that's what I'm saying.

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<v Speaker 2>I don't know how that goes, but looked at it,

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<v Speaker 2>she's very deserving in my opinion, love that award.

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<v Speaker 1>We also got some R and B in uh in

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<v Speaker 1>the Song of the Year. I believe with all these

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<v Speaker 1>you know, Billy Eilish, what was I made for Monster record?

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<v Speaker 1>Dua Lipa Dance to Night? John Baptiste Butterfly, He's just

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<v Speaker 1>dumb talent. He just like him like a w mighty

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<v Speaker 1>Cyrus Flowers loved that song. Incredible. Olivia Rodrigo Vampire. He

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<v Speaker 1>always gonna act like he knows man to say it

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<v Speaker 1>the right way. Baby, definitely just I don't know Bill

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<v Speaker 1>and Taylor's with Anti Hero And that winner was Billie Eilish.

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<v Speaker 1>Great record, great record, It's an R and B record.

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<v Speaker 2>I'm still fighting and this is why in this category

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<v Speaker 2>I'll say this kill Bill in my opinion, is one

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<v Speaker 2>of the best written songs I've heard in my life,

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<v Speaker 2>in my life, it scares me. No, no, listen as

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<v Speaker 2>a man, it scares me because I believe this is

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<v Speaker 2>my thing of how you should to me.

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<v Speaker 1>Once again, subjective opinion.

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<v Speaker 2>All these things are the way I rate music is

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<v Speaker 2>how it makes me feel, of course, not how it

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<v Speaker 2>makes nobody else feel.

0:14:43.560 --> 0:14:45.120
<v Speaker 1>How it makes me feel.

0:14:45.360 --> 0:14:50.480
<v Speaker 2>And like I said, this record feels like a thriller

0:14:50.560 --> 0:14:54.080
<v Speaker 2>to me because of what she's saying and how it

0:14:54.160 --> 0:14:59.120
<v Speaker 2>all ties in and the emotion she evokes from what

0:14:59.320 --> 0:15:04.840
<v Speaker 2>she's going through. And truth for the matter is think

0:15:04.840 --> 0:15:07.880
<v Speaker 2>about really what she's saying. It should not be a

0:15:07.920 --> 0:15:10.280
<v Speaker 2>pop hit. You don't think that it would be a

0:15:10.280 --> 0:15:13.120
<v Speaker 2>pop hit. She's talking about killing something, she's about double murder.

0:15:13.160 --> 0:15:15.880
<v Speaker 1>You gotta put them down sometimes.

0:15:16.120 --> 0:15:21.120
<v Speaker 2>No, you don't. Don't kill the X and his new girl.

0:15:22.280 --> 0:15:28.840
<v Speaker 2>Like just I would say get over it, but that

0:15:28.840 --> 0:15:31.400
<v Speaker 2>that song just holds a different a different type of

0:15:32.000 --> 0:15:35.120
<v Speaker 2>space for me because I just know how I felt

0:15:35.120 --> 0:15:37.160
<v Speaker 2>when I hear it, or how I feel when I

0:15:37.200 --> 0:15:39.760
<v Speaker 2>hear it, And to me, that makes it where I

0:15:39.760 --> 0:15:43.119
<v Speaker 2>don't think nothing should be a record like that to me.

0:15:42.920 --> 0:15:44.480
<v Speaker 1>To me, you know when I'm with you and when

0:15:44.480 --> 0:15:47.360
<v Speaker 1>I heard it, I thought it was. I thought it

0:15:47.400 --> 0:15:49.920
<v Speaker 1>was of course creative genius. I thought the way it

0:15:49.960 --> 0:15:54.360
<v Speaker 1>was written was just amazingly done. It still felt like

0:15:56.560 --> 0:16:02.440
<v Speaker 1>it still felt cute to me, though, cute because it's

0:16:02.480 --> 0:16:05.280
<v Speaker 1>still felt because it's still a bright it's kind of dark.

0:16:05.320 --> 0:16:08.080
<v Speaker 2>I get it, and that's probably why it's worked so well.

0:16:09.640 --> 0:16:15.160
<v Speaker 1>It has the dark under disguised, yes, under the under

0:16:15.200 --> 0:16:19.680
<v Speaker 1>the sesame streets, like we're just like, I'm gonna kill Mack,

0:16:20.120 --> 0:16:22.640
<v Speaker 1>But what did you say? That's why it's so fucking

0:16:22.680 --> 0:16:24.880
<v Speaker 1>great to me, I think. But when I heard that,

0:16:25.520 --> 0:16:28.760
<v Speaker 1>when I heard that what was I Made for? I was,

0:16:28.840 --> 0:16:34.760
<v Speaker 1>I was. I was moved like I was like I was,

0:16:35.040 --> 0:16:38.280
<v Speaker 1>I was stuck listening to the record. I was stuck

0:16:38.360 --> 0:16:45.440
<v Speaker 1>and I was like this tone, of course melody and

0:16:45.760 --> 0:16:48.600
<v Speaker 1>of course the words like it's just it's it's like,

0:16:50.200 --> 0:16:53.320
<v Speaker 1>I mean, especially no, you can't, you can't.

0:16:53.360 --> 0:16:56.400
<v Speaker 2>I'm just saying my personally, my personal pick would have

0:16:56.400 --> 0:16:58.520
<v Speaker 2>been killed Bill, because I just I feel that, you

0:16:58.560 --> 0:17:00.800
<v Speaker 2>know that record is level for me.

0:17:02.440 --> 0:17:05.239
<v Speaker 1>Album of the Year. Mm hmm mm hmm. There was

0:17:05.280 --> 0:17:07.480
<v Speaker 1>there was you know, there's people in there. We're gonna

0:17:07.480 --> 0:17:09.920
<v Speaker 1>go straight there, we'll go out let's go. Let's no, No,

0:17:10.000 --> 0:17:11.399
<v Speaker 1>let's go, let's go. Let's have it, Let's have it,

0:17:11.640 --> 0:17:13.719
<v Speaker 1>get it, let's get to it. Let's get to year.

0:17:14.920 --> 0:17:19.440
<v Speaker 1>Uh Boy, Genius the Record, Janelle Monet, Age of Pleasure,

0:17:20.520 --> 0:17:24.919
<v Speaker 1>John Baptiste, World Music Radio, Lina del Ray. Did you

0:17:25.080 --> 0:17:28.920
<v Speaker 1>know that there's a there's a tunnel under Ocean Boulevard

0:17:29.280 --> 0:17:36.520
<v Speaker 1>that's fire? Uh Manley Cyrus, Endless Summer Vacation, Olivia Rodrigo, Guts,

0:17:37.800 --> 0:17:43.879
<v Speaker 1>sizz A s o S. Taylor Swift, Midnights Winter Taylor Swift.

0:17:47.280 --> 0:17:51.399
<v Speaker 2>I don't agree, not for me, for me once again,

0:17:51.520 --> 0:17:53.640
<v Speaker 2>for me, Yeah, you know what I mean. I think

0:17:53.680 --> 0:17:56.800
<v Speaker 2>it was a great album. Did I feel like it

0:17:56.840 --> 0:17:59.199
<v Speaker 2>was album of the year. No, because once again I

0:17:59.200 --> 0:18:00.840
<v Speaker 2>felt like Sis had album of the Year.

0:18:01.040 --> 0:18:08.000
<v Speaker 1>To me, I felt like Sissa had so many standouts, right,

0:18:08.560 --> 0:18:13.040
<v Speaker 1>that has to ultimately lead to the best body of

0:18:13.119 --> 0:18:18.080
<v Speaker 1>work if you have that many call out records from

0:18:18.080 --> 0:18:23.800
<v Speaker 1>an album like my kid, my daughter is Siss a

0:18:25.280 --> 0:18:30.680
<v Speaker 1>fan club times a thousand from this this this album.

0:18:31.280 --> 0:18:35.879
<v Speaker 2>Yeah gone, yeah, no, she she she did something, She

0:18:35.960 --> 0:18:39.200
<v Speaker 2>did something amazing with this with this project. It's a

0:18:39.320 --> 0:18:44.120
<v Speaker 2>full project and she really like you could you could

0:18:44.119 --> 0:18:47.719
<v Speaker 2>feel what she was going through this whole album and

0:18:47.920 --> 0:18:51.199
<v Speaker 2>just the way it's written and it's not and you know,

0:18:51.320 --> 0:18:54.119
<v Speaker 2>you know me, I'm I'm an advocate for all things

0:18:54.200 --> 0:18:56.760
<v Speaker 2>R and B, but it's not fully just an R

0:18:56.800 --> 0:18:59.359
<v Speaker 2>and B not at all.

0:18:58.760 --> 0:19:03.320
<v Speaker 1>It's hip pop, R and B pop. It's everywhere it has,

0:19:04.480 --> 0:19:05.560
<v Speaker 1>but it's cohesive.

0:19:06.160 --> 0:19:10.040
<v Speaker 2>It's like she doesn't lose herself within this album where

0:19:10.040 --> 0:19:11.760
<v Speaker 2>it's like, oh, I'm just trying to make all these

0:19:11.760 --> 0:19:12.359
<v Speaker 2>people happy.

0:19:12.400 --> 0:19:13.880
<v Speaker 1>I'm just like, no, this is just who I am.

0:19:14.000 --> 0:19:16.520
<v Speaker 1>They don't even think this conversation is even against Taylor.

0:19:16.560 --> 0:19:20.320
<v Speaker 1>I think Taylor made a grill. She makes great music.

0:19:20.520 --> 0:19:24.040
<v Speaker 1>But I think what this album did for Sissa and

0:19:24.080 --> 0:19:27.959
<v Speaker 1>where it placed Sissa in the conversation overall as a

0:19:28.000 --> 0:19:33.199
<v Speaker 1>world superstar speaks to the weight that that album holds,

0:19:33.240 --> 0:19:35.320
<v Speaker 1>you know what I mean? Like, I think we've we've

0:19:35.520 --> 0:19:38.879
<v Speaker 1>we've seen we've seen Taylor in stadiums for good a

0:19:38.880 --> 0:19:40.960
<v Speaker 1>little while now, we've seen at the top of the

0:19:41.040 --> 0:19:42.919
<v Speaker 1>charts for quite some time now. She's been in the

0:19:42.960 --> 0:19:49.000
<v Speaker 1>world music dominance conversation for for quite a while. But this,

0:19:49.320 --> 0:19:52.760
<v Speaker 1>the weight of this Scissor album propelled her into a

0:19:52.800 --> 0:19:56.920
<v Speaker 1>whole other world, the three of that conversation.

0:19:57.280 --> 0:20:00.320
<v Speaker 2>No, she up there, she's when you mentioned now from

0:20:00.320 --> 0:20:02.920
<v Speaker 2>this and listen, people can say what they want, but

0:20:03.000 --> 0:20:07.400
<v Speaker 2>now when you mention the top women in music, because yeah,

0:20:07.840 --> 0:20:11.280
<v Speaker 2>she's absolutely in the top artist too, for sure, but

0:20:11.680 --> 0:20:14.359
<v Speaker 2>women have been kicking everybody's ass. And when you women,

0:20:14.440 --> 0:20:17.280
<v Speaker 2>I mean when you when you mentioned women, she's in there,

0:20:17.320 --> 0:20:22.040
<v Speaker 2>when you mentioned Rihanna, Beyonce, Taylor Swift, Sizza has now

0:20:22.240 --> 0:20:26.520
<v Speaker 2>entered that conversational. And that's tough. That's it's really hard

0:20:26.560 --> 0:20:29.320
<v Speaker 2>to get into that space. The weight of that album

0:20:29.400 --> 0:20:31.920
<v Speaker 2>and that's what that album that album, and that's why

0:20:31.960 --> 0:20:34.720
<v Speaker 2>for me, it's like, yeah, the power of that album

0:20:34.760 --> 0:20:38.160
<v Speaker 2>can thrust you into that right. Shout out the top

0:20:38.160 --> 0:20:40.600
<v Speaker 2>dog entertain Shout out to that, Shout out to top dog,

0:20:40.640 --> 0:20:44.160
<v Speaker 2>Shout out to Punch, Shout out to those amazing young

0:20:44.280 --> 0:20:44.800
<v Speaker 2>black men.

0:20:46.320 --> 0:21:02.959
<v Speaker 1>Huh doing the thing? I want to say, those two

0:21:03.080 --> 0:21:08.399
<v Speaker 1>artists out there, and songwriters and producers and an rs

0:21:08.480 --> 0:21:11.320
<v Speaker 1>and labels, it's a testament to taking your time in

0:21:11.440 --> 0:21:12.080
<v Speaker 1>doing something.

0:21:12.280 --> 0:21:18.119
<v Speaker 2>Yes, yes, they be attacking my dog punch on Twitter.

0:21:18.440 --> 0:21:20.679
<v Speaker 2>They be attacking punch because they say punch. It be

0:21:20.680 --> 0:21:26.560
<v Speaker 2>holding up the albums. But that's great an RN. You

0:21:26.600 --> 0:21:29.200
<v Speaker 2>will get it when it's right. I forgot shout out

0:21:29.200 --> 0:21:30.960
<v Speaker 2>to Mixed by Ali too, because that that man is

0:21:31.000 --> 0:21:32.399
<v Speaker 2>amazing as an engineer in the mixer.

0:21:33.440 --> 0:21:36.520
<v Speaker 1>You will get it when it's right. Yeah, yeah, and

0:21:36.600 --> 0:21:37.720
<v Speaker 1>the results are.

0:21:39.359 --> 0:21:41.119
<v Speaker 2>I have to say, yeah, now you're in that space.

0:21:41.280 --> 0:21:44.280
<v Speaker 2>But while we're here, right, like, let's have a real

0:21:44.280 --> 0:21:50.240
<v Speaker 2>conversation about how these awards are won though, right because

0:21:50.240 --> 0:21:51.480
<v Speaker 2>we're going to talk about Album of the Year while

0:21:51.480 --> 0:21:53.719
<v Speaker 2>we're still at Album of the Year. And you know,

0:21:54.680 --> 0:21:56.960
<v Speaker 2>there was there was also the moment in the awards

0:21:58.160 --> 0:22:01.480
<v Speaker 2>where jay Z spoke on the fact that Beyonce don't

0:22:01.520 --> 0:22:04.440
<v Speaker 2>have no Album of the Years. And in my opinion,

0:22:04.440 --> 0:22:09.240
<v Speaker 2>the reason that that happens that a lot less urban

0:22:09.400 --> 0:22:14.480
<v Speaker 2>artists black yep don't have Album of the Years is

0:22:14.560 --> 0:22:19.199
<v Speaker 2>because everyone can vote on Album of the Year. And

0:22:19.280 --> 0:22:25.640
<v Speaker 2>what happens is now the disparity in how many voters

0:22:25.680 --> 0:22:31.440
<v Speaker 2>are black, are Spanish, are of color that really really

0:22:31.520 --> 0:22:33.159
<v Speaker 2>listened to urban music.

0:22:35.040 --> 0:22:37.199
<v Speaker 1>It's an imbalance. It's an imbalance. Well, there was a

0:22:37.240 --> 0:22:40.760
<v Speaker 1>greater imbalance, it was absolute greater in balance before Harvey

0:22:40.800 --> 0:22:41.120
<v Speaker 1>came in.

0:22:41.240 --> 0:22:43.720
<v Speaker 2>Yes, yeah, I want to say it went from like

0:22:43.800 --> 0:22:47.080
<v Speaker 2>eight percent, yeah, to twenty eight percent. And he's come

0:22:47.119 --> 0:22:50.159
<v Speaker 2>in and tried to since he's been the chairman chairman

0:22:50.200 --> 0:22:56.040
<v Speaker 2>to encourage more of us. Hey, man, get involved because

0:22:56.520 --> 0:22:58.080
<v Speaker 2>this is a voting process.

0:22:58.160 --> 0:23:00.760
<v Speaker 1>No, I mean, I listen. I had to conversations with

0:23:00.880 --> 0:23:01.560
<v Speaker 1>Harvey and.

0:23:01.520 --> 0:23:05.600
<v Speaker 2>With Alicia when Melisia was still at the Grammys, and

0:23:05.720 --> 0:23:09.320
<v Speaker 2>how adamant they were about more urban membership, you know

0:23:09.359 --> 0:23:11.560
<v Speaker 2>what I mean, and really going out there and advocating

0:23:11.600 --> 0:23:14.600
<v Speaker 2>for it and just even calling me like Jay. You know,

0:23:14.920 --> 0:23:18.320
<v Speaker 2>since you're a member, you can get to people, you

0:23:18.359 --> 0:23:20.280
<v Speaker 2>can give invitations and the members and you know what

0:23:20.280 --> 0:23:24.240
<v Speaker 2>I mean, And if you have enough, I don't know.

0:23:24.520 --> 0:23:27.439
<v Speaker 2>The exact thing is, you have to have certain a

0:23:27.440 --> 0:23:33.640
<v Speaker 2>certain criteria to be It's either be on an album

0:23:34.160 --> 0:23:35.800
<v Speaker 2>or it's not. Only even think it has to be

0:23:35.840 --> 0:23:38.119
<v Speaker 2>a Grammy nominated album, but I think you just have

0:23:38.200 --> 0:23:40.720
<v Speaker 2>to prove that you actually work in the music business

0:23:41.000 --> 0:23:44.240
<v Speaker 2>and can join theirs, be a and be a voting member.

0:23:46.080 --> 0:23:49.119
<v Speaker 2>And even for me, I've I've been an advocate over

0:23:49.200 --> 0:23:52.359
<v Speaker 2>the last few years of just telling people like yo, bro,

0:23:52.400 --> 0:23:55.199
<v Speaker 2>you got to join, you got to find out you

0:23:55.240 --> 0:23:57.320
<v Speaker 2>got to, you know, go go to the website, go,

0:23:57.640 --> 0:24:00.720
<v Speaker 2>you know, go to the Recording that academ your website

0:24:01.200 --> 0:24:03.240
<v Speaker 2>and try to figure out how to become a voting member,

0:24:03.280 --> 0:24:08.320
<v Speaker 2>because obviously, when you're voting on these type of awards,

0:24:09.240 --> 0:24:12.760
<v Speaker 2>if the numbers are like this, it's less.

0:24:12.640 --> 0:24:15.560
<v Speaker 1>Like that we really have a real chance.

0:24:16.400 --> 0:24:20.040
<v Speaker 2>Even when we have albums that should be listen that

0:24:20.040 --> 0:24:21.280
<v Speaker 2>should be album of the Year.

0:24:21.359 --> 0:24:27.480
<v Speaker 1>I will say this, Beyonce should have at least two

0:24:27.600 --> 0:24:28.520
<v Speaker 1>albums of the Year.

0:24:28.640 --> 0:24:34.639
<v Speaker 2>I agree dangerously in Love and Lemonade at least at

0:24:34.760 --> 0:24:36.520
<v Speaker 2>least at the least at the least.

0:24:36.920 --> 0:24:44.160
<v Speaker 1>And I understand I understand jay Z's pain in his speech,

0:24:44.840 --> 0:24:49.760
<v Speaker 1>but I also felt like, if I'm being honest, you know,

0:24:49.760 --> 0:24:51.919
<v Speaker 1>I guess you're gonna articulate it however you feel. You know,

0:24:52.080 --> 0:24:53.760
<v Speaker 1>what's on your heart is, You're gonna drop it how

0:24:53.760 --> 0:24:56.800
<v Speaker 1>you feel it is what it is. But it was

0:24:57.520 --> 0:25:03.080
<v Speaker 1>I felt like Doctor Dre is standing there. This is

0:25:03.119 --> 0:25:07.720
<v Speaker 1>a Black Grammy, and we are giving you the Doctor

0:25:07.880 --> 0:25:12.919
<v Speaker 1>Dre Award for all the work that you've done, you know,

0:25:13.200 --> 0:25:16.600
<v Speaker 1>to speak everything that goes along with that, I don't

0:25:16.880 --> 0:25:19.560
<v Speaker 1>I don't know if if within that within the speech

0:25:19.680 --> 0:25:24.040
<v Speaker 1>or you know, with within him advocating, uh for the wife.

0:25:24.080 --> 0:25:27.240
<v Speaker 1>I don't know if I ever heard the thank you

0:25:28.680 --> 0:25:32.000
<v Speaker 1>in a sense for getting that type of award, a

0:25:32.119 --> 0:25:36.760
<v Speaker 1>doctor Dre award. I feel like him, him feeling that

0:25:36.760 --> 0:25:40.919
<v Speaker 1>the wife had been slighted kind of kind of stole

0:25:41.000 --> 0:25:43.679
<v Speaker 1>the moment of what that award was about.

0:25:43.800 --> 0:25:47.600
<v Speaker 2>You heard Frank Lucas, you know you heard Frank Lucas.

0:25:48.480 --> 0:25:50.800
<v Speaker 2>You heard Denzel Washington. What does Zel Washington say?

0:25:50.960 --> 0:25:52.879
<v Speaker 1>What do you say? What does it Washington say? Come on,

0:25:53.040 --> 0:25:54.760
<v Speaker 1>come on, come on, come on. De Zel Junior Jr.

0:25:54.960 --> 0:25:56.399
<v Speaker 1>What do you say he said a bunch of stuff

0:25:56.560 --> 0:25:59.320
<v Speaker 1>you got about his wife? What did Denzel say about

0:25:59.359 --> 0:26:01.280
<v Speaker 1>his wife in that movie? What you say they tried

0:26:01.760 --> 0:26:07.119
<v Speaker 1>to kill my wife when it's about your wife? Listen, listen,

0:26:07.600 --> 0:26:11.480
<v Speaker 1>the gloves are off. I understand, I understand. I'm not

0:26:11.520 --> 0:26:14.119
<v Speaker 1>saying I don't understand. We gotta protect our women. We

0:26:14.119 --> 0:26:16.639
<v Speaker 1>gotta protect our women. But it also had a double effect.

0:26:16.720 --> 0:26:20.240
<v Speaker 1>Right as he was as he's protecting her, he's it

0:26:20.280 --> 0:26:26.520
<v Speaker 1>felt like he was also killing the the weight of

0:26:26.520 --> 0:26:31.120
<v Speaker 1>everybody else's award, because it's almost like these awards ain't

0:26:31.119 --> 0:26:36.720
<v Speaker 1>ship kind of vibe, okay, which is what I kind

0:26:36.720 --> 0:26:41.119
<v Speaker 1>of got. So we also go back to a man

0:26:41.280 --> 0:26:45.639
<v Speaker 1>who you know, had to watch his genre of music

0:26:46.440 --> 0:26:51.200
<v Speaker 1>not get televised Grammys. I'm so in his wet.

0:26:51.200 --> 0:26:54.000
<v Speaker 2>We gotta take we gotta take into account the lead

0:26:54.080 --> 0:26:57.600
<v Speaker 2>up of all these things. Like you said, I boycotted,

0:26:57.680 --> 0:26:59.720
<v Speaker 2>but I still watched it. It wasn't a great boycott, right,

0:26:59.760 --> 0:27:02.960
<v Speaker 2>but yeah, yeah, right, Like so this is a build up,

0:27:03.000 --> 0:27:06.760
<v Speaker 2>This is a This isn't just I made this decision tonight.

0:27:06.880 --> 0:27:11.840
<v Speaker 2>This is hey, man, this happened. Look what happened with

0:27:11.880 --> 0:27:14.280
<v Speaker 2>Will Smith? Look what happened? You know what I'm saying.

0:27:14.320 --> 0:27:17.240
<v Speaker 1>Like, and my question to you is this killing Mike

0:27:18.080 --> 0:27:21.560
<v Speaker 1>his award? We had to find out through texts. I

0:27:21.600 --> 0:27:24.280
<v Speaker 1>agree with you still, So my my question to you

0:27:24.359 --> 0:27:28.240
<v Speaker 1>is this, is that a conversation that should be had

0:27:28.359 --> 0:27:34.000
<v Speaker 1>with the the governing body of the Grammys. Is that

0:27:34.080 --> 0:27:36.680
<v Speaker 1>a conversation where you say, hey, I like to sit

0:27:36.720 --> 0:27:39.840
<v Speaker 1>down with you guys and try to understand X, Y

0:27:39.880 --> 0:27:44.880
<v Speaker 1>and Z and and and really you know, and get

0:27:44.880 --> 0:27:49.119
<v Speaker 1>to the bottom of what I feel is wrong with

0:27:49.200 --> 0:27:53.480
<v Speaker 1>this system, Right, I mean that that's definitely a way

0:27:53.600 --> 0:27:56.360
<v Speaker 1>to go about it, or is it? You know, I'm

0:27:56.400 --> 0:27:59.320
<v Speaker 1>just looking at the weight of the award. I'm such

0:27:59.320 --> 0:28:02.639
<v Speaker 1>a big Doctor Dre fan that if anybody's giving me

0:28:02.880 --> 0:28:09.359
<v Speaker 1>Doctor Dre anything, right, like, I thank you to doctor

0:28:09.440 --> 0:28:11.760
<v Speaker 1>Dre and for the for what the weight of this weight,

0:28:11.960 --> 0:28:15.280
<v Speaker 1>the weight of this award means to have this given

0:28:15.359 --> 0:28:16.439
<v Speaker 1>to me based on.

0:28:16.600 --> 0:28:18.480
<v Speaker 2>He didn't say it the way you just said it,

0:28:18.840 --> 0:28:20.959
<v Speaker 2>but he did shout him out. He did shout out

0:28:21.040 --> 0:28:23.000
<v Speaker 2>Dre snoop. And you know what I'm saying, like he

0:28:23.240 --> 0:28:25.879
<v Speaker 2>did he did. He just said the way you just

0:28:25.920 --> 0:28:26.280
<v Speaker 2>said it.

0:28:26.760 --> 0:28:29.800
<v Speaker 1>Did you did you feel it? Though? Because what do

0:28:29.840 --> 0:28:36.800
<v Speaker 1>we you know me? I'm like, listen.

0:28:36.720 --> 0:28:38.800
<v Speaker 2>If I'm jay Z, I'm a billion strong and I

0:28:38.800 --> 0:28:41.080
<v Speaker 2>got forty seven thousand grammys at the house. I want

0:28:41.080 --> 0:28:43.320
<v Speaker 2>to know why there's not an hour of a year

0:28:43.360 --> 0:28:44.560
<v Speaker 2>one up on the map.

0:28:44.640 --> 0:28:46.840
<v Speaker 1>But think about where you're able to speak from at

0:28:46.880 --> 0:28:50.800
<v Speaker 1>a billion dollars forty eight grammys at the house, right right,

0:28:50.920 --> 0:28:53.640
<v Speaker 1>right right. But it's nothing more powerful to getting upon

0:28:53.720 --> 0:28:55.640
<v Speaker 1>that you put in front of all the people and

0:28:55.720 --> 0:28:59.800
<v Speaker 1>saying it, I get it, I get it. That's what

0:28:59.800 --> 0:29:03.120
<v Speaker 1>I'm say. It's two parts. It's it is you gotta

0:29:03.120 --> 0:29:05.240
<v Speaker 1>protect your speak up for you, There's no doubt about that.

0:29:06.360 --> 0:29:09.040
<v Speaker 1>But it's also it's also it's also going to come

0:29:09.120 --> 0:29:11.440
<v Speaker 1>at the expense of a few things. And I think

0:29:11.440 --> 0:29:13.400
<v Speaker 1>it was maybe at the expense of the weight of

0:29:13.440 --> 0:29:15.360
<v Speaker 1>the type of award he was receiving from doctor Dre

0:29:15.920 --> 0:29:19.600
<v Speaker 1>and at the expense like even I'll even throw I'll

0:29:19.600 --> 0:29:22.320
<v Speaker 1>even throw Miley Cyrus in there where it felt like

0:29:22.440 --> 0:29:23.920
<v Speaker 1>a piece of her. Was like, I mean, it's just

0:29:23.920 --> 0:29:27.040
<v Speaker 1>a grammy, and you know whatever. You guys are excited, Okay, good, fine,

0:29:27.880 --> 0:29:33.160
<v Speaker 1>And I'm like, we have Victoria Monet winning three. She

0:29:33.320 --> 0:29:39.320
<v Speaker 1>worked for that, and she Victorian one worked for that,

0:29:39.760 --> 0:29:44.320
<v Speaker 1>like hard, So it's just it's just a grammy. You

0:29:44.320 --> 0:29:46.200
<v Speaker 1>guys can be excited. I'm not. And I get that

0:29:46.280 --> 0:29:49.640
<v Speaker 1>some people may feel that way. But when you blanket

0:29:49.680 --> 0:29:53.120
<v Speaker 1>it like that in front of everybody, now it starts

0:29:53.160 --> 0:29:57.320
<v Speaker 1>to you know, matriculate down to everybody. Should I not

0:29:57.400 --> 0:29:58.280
<v Speaker 1>be excited, but.

0:30:00.280 --> 0:30:04.920
<v Speaker 2>Think that some people are just disruptors too. Drake is

0:30:04.960 --> 0:30:08.400
<v Speaker 2>a disruptor because Drake pretty much not even pretty much.

0:30:08.400 --> 0:30:11.080
<v Speaker 1>He said he uses his as a doorstop. He did

0:30:11.160 --> 0:30:11.440
<v Speaker 1>you know what.

0:30:11.400 --> 0:30:14.400
<v Speaker 2>I'm saying on record on Big Records you know what

0:30:14.400 --> 0:30:17.040
<v Speaker 2>I'm saying. So it's like and I'm just like, do

0:30:17.120 --> 0:30:20.720
<v Speaker 2>you do both? Do you accept the award and say yeah?

0:30:20.800 --> 0:30:25.080
<v Speaker 1>And here's another doorstopper, God bless you what you show up?

0:30:26.440 --> 0:30:28.120
<v Speaker 1>If you fly, you pay a lot of money to

0:30:28.120 --> 0:30:30.480
<v Speaker 1>get here. If that's how you feel to come on

0:30:30.640 --> 0:30:33.600
<v Speaker 1>the award show to get the award that the voter,

0:30:33.720 --> 0:30:36.280
<v Speaker 1>that these people everybody stands is different and just to

0:30:36.320 --> 0:30:40.320
<v Speaker 1>say yeah, another door, another sippy cup, another yeah. And

0:30:40.360 --> 0:30:42.560
<v Speaker 1>the other part is or if it's that to you,

0:30:42.600 --> 0:30:43.840
<v Speaker 1>why show up?

0:30:44.640 --> 0:30:47.240
<v Speaker 2>Because sometime you want to slap people with it, and

0:30:47.320 --> 0:30:48.800
<v Speaker 2>sometimes you know what I mean, sometime you want to

0:30:48.840 --> 0:30:50.560
<v Speaker 2>go and drink your Hennessy out of it, or you'll

0:30:50.560 --> 0:30:52.880
<v Speaker 2>do say because you have your own liquor, and you

0:30:52.880 --> 0:30:53.280
<v Speaker 2>know what I mean.

0:30:53.480 --> 0:30:56.040
<v Speaker 1>Sometimes you listen on the other side of that, What

0:30:56.120 --> 0:31:00.960
<v Speaker 1>does that mean to those young those young producers, as songwriters,

0:31:01.000 --> 0:31:07.760
<v Speaker 1>singers and everybody else coming up? Who are here's a question, right,

0:31:08.720 --> 0:31:11.560
<v Speaker 1>if you don't believe in Santa Claus, right, I don't,

0:31:13.960 --> 0:31:17.040
<v Speaker 1>you're gonna be over somebody house that's celebrating Christmas and

0:31:17.080 --> 0:31:20.080
<v Speaker 1>getting their kids, helping their kids baked cookies for Santa

0:31:20.120 --> 0:31:22.840
<v Speaker 1>coming and the reindeer and leaving milk out and all

0:31:22.880 --> 0:31:24.640
<v Speaker 1>that stuff, and say, man, what the fuck y'all doing

0:31:24.680 --> 0:31:27.200
<v Speaker 1>the No goddamn Santa Claus and this motherfucker man they

0:31:27.240 --> 0:31:29.840
<v Speaker 1>bought all that motherfucking toys. Peel that shit off, man,

0:31:29.840 --> 0:31:39.520
<v Speaker 1>Ain't nobody are you gonna do that? Because I've definitely

0:31:39.520 --> 0:31:41.720
<v Speaker 1>done some wild ship when it comes to Santa in

0:31:41.800 --> 0:31:46.360
<v Speaker 1>my black household. These gets us from Daddy Nigga bought this,

0:31:46.560 --> 0:31:49.520
<v Speaker 1>surely me, that's who who?

0:31:50.920 --> 0:31:55.160
<v Speaker 2>So yes, I felt like it had, But I also

0:31:55.280 --> 0:31:57.760
<v Speaker 2>do I also don't think which I haven't won a

0:31:57.800 --> 0:32:01.360
<v Speaker 2>Grammy and I want to. I I also don't think

0:32:01.400 --> 0:32:04.960
<v Speaker 2>it cheapens when I win. Mind, well, I know the

0:32:05.000 --> 0:32:08.040
<v Speaker 2>work I gotta do, and I feel like at one

0:32:08.040 --> 0:32:11.520
<v Speaker 2>point I'm gonna have my speech. Right, it doesn't cheapen

0:32:12.000 --> 0:32:14.800
<v Speaker 2>my Grammy at all. That one man drinks whatever he

0:32:14.880 --> 0:32:17.000
<v Speaker 2>drinks out of it, and another man used it as

0:32:17.040 --> 0:32:21.200
<v Speaker 2>a doorstop, and another young lady says, hey, I only

0:32:21.240 --> 0:32:24.880
<v Speaker 2>came here to see Mariah like that don't mean nothing

0:32:24.920 --> 0:32:31.120
<v Speaker 2>to me about that Grammy that I'm going to win, right.

0:32:31.240 --> 0:32:33.960
<v Speaker 1>It's just is what it is, you know, And is

0:32:33.960 --> 0:32:36.640
<v Speaker 1>it a flawed system. It is. I believe that it's

0:32:36.640 --> 0:32:37.640
<v Speaker 1>a flaw system.

0:32:38.080 --> 0:32:40.480
<v Speaker 2>But I also believe that's a part of why our

0:32:40.520 --> 0:32:44.080
<v Speaker 2>community has to get more involved.

0:32:43.600 --> 0:32:47.200
<v Speaker 1>Absolutely in the system, so we have somebody in the

0:32:47.280 --> 0:32:50.240
<v Speaker 1>system who's from our community trying to get us in

0:32:50.360 --> 0:32:51.960
<v Speaker 1>so we can balance it out.

0:32:52.000 --> 0:32:54.200
<v Speaker 2>I'm not even telling it that we need to get

0:32:54.200 --> 0:32:57.160
<v Speaker 2>in so we can be you know, seventy two percent

0:32:57.200 --> 0:33:00.520
<v Speaker 2>to their twenty eight. No, I'm saying, let's figure even

0:33:00.520 --> 0:33:03.320
<v Speaker 2>if it's fifty to fifty and its scales or even which.

0:33:03.160 --> 0:33:05.280
<v Speaker 1>Just life ain't like that, but let's just get in.

0:33:05.440 --> 0:33:07.880
<v Speaker 2>Let's get in so then you can really have an

0:33:07.920 --> 0:33:10.960
<v Speaker 2>opinion on it and say how you feel. Because I'm

0:33:10.960 --> 0:33:13.840
<v Speaker 2>a voting member, so I say how I feel, I

0:33:13.880 --> 0:33:15.960
<v Speaker 2>say what I voted for. I say what I would

0:33:15.960 --> 0:33:19.200
<v Speaker 2>have voted for if I could have gotten into multiple categories.

0:33:19.200 --> 0:33:22.520
<v Speaker 2>But you know, the whole thing now is you get

0:33:22.520 --> 0:33:26.040
<v Speaker 2>your categories that you can vote into the but the big.

0:33:25.800 --> 0:33:27.720
<v Speaker 1>Categories everybody can weigh in on.

0:33:27.960 --> 0:33:30.760
<v Speaker 2>Everybody can weigh in on that. And as another big

0:33:30.800 --> 0:33:32.920
<v Speaker 2>category that I want to shout out and I cannot

0:33:32.920 --> 0:33:39.480
<v Speaker 2>forget song Writer of the Year, my god t Ron.

0:33:39.400 --> 0:33:43.160
<v Speaker 1>My brother, I just talked to him too. I said, man,

0:33:43.200 --> 0:33:45.800
<v Speaker 1>where's my records at? We was down in Jacksonville. Yeah,

0:33:45.840 --> 0:33:48.280
<v Speaker 1>I said, what are my songs at? He said, yeah,

0:33:48.280 --> 0:33:50.080
<v Speaker 1>we gotta get in there and just you know, we

0:33:50.160 --> 0:33:52.640
<v Speaker 1>do something together. I said, no, I just want songs.

0:33:53.120 --> 0:33:56.240
<v Speaker 1>I want your song. Your songs, man, man, and I'm

0:33:56.240 --> 0:33:59.480
<v Speaker 1>gonna tell you what I did, your song I did. Yeah.

0:34:00.280 --> 0:34:04.080
<v Speaker 2>First, I congratulated him, put him you know, on the story.

0:34:04.520 --> 0:34:09.040
<v Speaker 2>I called that man multiple times. He hit me, bro,

0:34:09.400 --> 0:34:11.520
<v Speaker 2>thank you Broever, no, no, no, no, no. I'm gonna call

0:34:11.560 --> 0:34:13.240
<v Speaker 2>you again because I need you to hear my voice

0:34:13.239 --> 0:34:15.920
<v Speaker 2>telling you congratulations.

0:34:16.560 --> 0:34:20.359
<v Speaker 1>You did it. I love you, brother, I'm proud of you.

0:34:20.360 --> 0:34:23.200
<v Speaker 1>Give mm hmmm. I had to though.

0:34:23.600 --> 0:34:26.040
<v Speaker 2>It was like Nigga, me and him play phone tag

0:34:26.080 --> 0:34:28.400
<v Speaker 2>for about a day and a half and we finally

0:34:28.400 --> 0:34:28.960
<v Speaker 2>got on the line.

0:34:28.960 --> 0:34:31.919
<v Speaker 1>He sent me a voice no further cool, cool, cool, cool.

0:34:32.640 --> 0:34:35.280
<v Speaker 2>I'm going to call you again because I know you're busy,

0:34:35.880 --> 0:34:39.759
<v Speaker 2>because Nigga, for this, you got to get that full congratulations. Bro,

0:34:40.200 --> 0:34:42.319
<v Speaker 2>you got to hear me tell it to you and

0:34:42.520 --> 0:34:48.200
<v Speaker 2>don't disappear. You know what, he ain't gonna different, He different,

0:34:48.760 --> 0:34:50.840
<v Speaker 2>He different. So that's why even him winning.

0:34:51.360 --> 0:34:57.040
<v Speaker 1>He no, exactly, exactly, one of everybody proud. It's one

0:34:57.080 --> 0:34:58.799
<v Speaker 1>of us up there. I don't know what nigga I

0:34:58.960 --> 0:35:04.239
<v Speaker 1>was mad about. T Ron was all. We all took

0:35:04.239 --> 0:35:07.480
<v Speaker 1>a shot to that one. Yeah, yeah, one of our guys.

0:35:07.520 --> 0:35:11.399
<v Speaker 2>And then we'll get to best Rap Album. You want

0:35:11.400 --> 0:35:13.440
<v Speaker 2>to go to rap album, Let's let me because because

0:35:13.440 --> 0:35:17.439
<v Speaker 2>that was a thing. That was a thing, killing Mike

0:35:17.520 --> 0:35:21.320
<v Speaker 2>winning and killing Mike being mid to late forties winning

0:35:21.360 --> 0:35:25.319
<v Speaker 2>Best Rap Album, which is considered you know, a young

0:35:25.400 --> 0:35:27.919
<v Speaker 2>man sport.

0:35:28.600 --> 0:35:30.760
<v Speaker 1>If you listen to that album, that man is wrapping

0:35:30.840 --> 0:35:34.759
<v Speaker 1>his ass off. If you didn't understand it when he

0:35:34.880 --> 0:35:39.640
<v Speaker 1>got the award, I pray you win and did your research,

0:35:39.840 --> 0:35:44.640
<v Speaker 1>research to your research. I pray you went and listened

0:35:44.960 --> 0:35:48.799
<v Speaker 1>to that body of work. You know her Lily won

0:35:48.880 --> 0:35:52.800
<v Speaker 1>another Grammy being on that album. Right. I don't like Carolin.

0:35:53.239 --> 0:35:58.000
<v Speaker 1>It's the greatest bro. He's the great always somewhere, so

0:35:58.040 --> 0:36:03.959
<v Speaker 1>you just get always some we're doing something killer Mike

0:36:04.840 --> 0:36:11.880
<v Speaker 1>his album. Mm hmm. When I lift weights, killing Mike's album,

0:36:12.360 --> 0:36:17.040
<v Speaker 1>I break my gym. Mhmm, my gym breaks because he

0:36:17.120 --> 0:36:22.759
<v Speaker 1>put me in a mold. What what? And when I

0:36:22.800 --> 0:36:25.600
<v Speaker 1>say he he say, he say, because I was rapping

0:36:25.600 --> 0:36:29.600
<v Speaker 1>my ass off. He on there wrapping his ass off.

0:36:30.800 --> 0:36:35.160
<v Speaker 1>I don't know what y'all thought. This ain't no rapid rap.

0:36:35.239 --> 0:36:40.560
<v Speaker 1>Nigga say, this ain't no rapit rap that nigga spitting.

0:36:41.440 --> 0:36:44.640
<v Speaker 1>This ain't no rapidy rap. This ain't no vibe, This

0:36:44.680 --> 0:36:45.319
<v Speaker 1>ain't no way.

0:36:45.719 --> 0:36:48.759
<v Speaker 2>He took his time. He took his time, real songwriting,

0:36:49.280 --> 0:36:50.040
<v Speaker 2>real songwriting.

0:36:50.640 --> 0:37:00.240
<v Speaker 1>This is art. Yeah, this is a student of the game. Yeah, graduating.

0:37:00.080 --> 0:37:04.080
<v Speaker 1>Thing is bachelor's, that is masters, and then it's PhD.

0:37:05.920 --> 0:37:14.279
<v Speaker 1>This is that certified monster. If you you don't get that, man,

0:37:14.600 --> 0:37:16.640
<v Speaker 1>sp it's another rap Grammy. I want to.

0:37:17.480 --> 0:37:22.080
<v Speaker 2>I want to shout out best melodic rap performance.

0:37:22.360 --> 0:37:26.400
<v Speaker 1>Who got that? Won by Little Dirk and j Cole

0:37:27.800 --> 0:37:31.759
<v Speaker 1>all my life? You know why I like that? You

0:37:31.840 --> 0:37:36.040
<v Speaker 1>know why I like that because I like that for Dirk.

0:37:36.600 --> 0:37:39.040
<v Speaker 1>I love that for Dirk. I like that for him

0:37:39.160 --> 0:37:43.960
<v Speaker 1>because of the message in that record. Yes, I like

0:37:44.120 --> 0:37:48.600
<v Speaker 1>him for winning for that that record, for that record, Yes,

0:37:49.239 --> 0:37:53.080
<v Speaker 1>for wanting to be something different, something wanting to be better,

0:37:53.400 --> 0:37:54.920
<v Speaker 1>to want to better himself.

0:37:56.320 --> 0:38:01.880
<v Speaker 2>And so I spoke about this and in my in

0:38:01.960 --> 0:38:07.640
<v Speaker 2>my episode. Obviously you know it was a moment where

0:38:07.640 --> 0:38:13.399
<v Speaker 2>I spoke about me helping to discover Chief Keef. Little

0:38:13.440 --> 0:38:17.359
<v Speaker 2>Dirk was signed after that discovery to dev jam no

0:38:17.440 --> 0:38:21.719
<v Speaker 2>Id signed him right and he had his major record deal.

0:38:22.440 --> 0:38:26.040
<v Speaker 2>Nothing really came of it. They you know, however it

0:38:26.120 --> 0:38:29.799
<v Speaker 2>works out at labels. Little Dirt could have went away,

0:38:30.640 --> 0:38:35.600
<v Speaker 2>stayed at it, stayed at it when Independent stayed on

0:38:35.600 --> 0:38:40.960
<v Speaker 2>his grind, the mixtapes went crazy. Built all that up

0:38:41.440 --> 0:38:45.600
<v Speaker 2>ends up doing the deal with Alamo with Todd, and

0:38:45.640 --> 0:38:50.200
<v Speaker 2>then Juliet came over talk to talk and what they've

0:38:50.200 --> 0:38:55.000
<v Speaker 2>built and going after it and even just even being

0:38:55.040 --> 0:38:58.920
<v Speaker 2>in a situation where somebody will submit the label will

0:38:58.960 --> 0:39:02.200
<v Speaker 2>submit a record for because we didn't talk about that part,

0:39:02.239 --> 0:39:05.680
<v Speaker 2>like the submission of records labels have to your label

0:39:05.680 --> 0:39:08.120
<v Speaker 2>has to submit your records too, or you have to

0:39:08.120 --> 0:39:11.040
<v Speaker 2>see somebody in your team that's to submit your records.

0:39:11.880 --> 0:39:15.440
<v Speaker 2>And there's a campaign that's involved with people, the voting

0:39:15.520 --> 0:39:17.960
<v Speaker 2>members knowing you have this music out so that you

0:39:18.000 --> 0:39:20.720
<v Speaker 2>even get the nomination. So shout out to Alamo Records,

0:39:21.120 --> 0:39:24.239
<v Speaker 2>Shout out to Juliet for having you know, the the

0:39:25.640 --> 0:39:27.759
<v Speaker 2>for foreseeing it and having a you know what I mean,

0:39:27.960 --> 0:39:29.760
<v Speaker 2>her mind and in that place to say.

0:39:29.600 --> 0:39:32.760
<v Speaker 1>You know what, this should be submitted, this should.

0:39:32.520 --> 0:39:34.879
<v Speaker 2>Be we should go after this Grammy Award winning record,

0:39:34.920 --> 0:39:37.279
<v Speaker 2>you know what I mean. And and hey, derk, it's

0:39:37.280 --> 0:39:39.040
<v Speaker 2>gonna be some some work that gotta get done because

0:39:39.040 --> 0:39:40.040
<v Speaker 2>everybody don't just know you.

0:39:40.719 --> 0:39:42.080
<v Speaker 1>Because that's the other space too.

0:39:42.600 --> 0:39:46.759
<v Speaker 2>Let's talk about that where bro, you have to it's

0:39:46.800 --> 0:39:48.240
<v Speaker 2>like anything, it's like running for office.

0:39:48.400 --> 0:39:51.640
<v Speaker 1>No, it's not like running right, Like, you gotta go

0:39:51.719 --> 0:39:54.799
<v Speaker 1>campaign your records just to get the nomination because there

0:39:55.160 --> 0:40:00.640
<v Speaker 1>are there are there are divisions, you know what I mean.

0:40:00.680 --> 0:40:02.879
<v Speaker 1>There are territories. You know what I'm saying. It's East Coast,

0:40:02.880 --> 0:40:04.960
<v Speaker 1>there's West Coast, it's down south. And there are different

0:40:05.000 --> 0:40:08.640
<v Speaker 1>people that are running these different sector sections and sectors

0:40:10.040 --> 0:40:11.800
<v Speaker 1>of the different R and B I mean the different

0:40:11.800 --> 0:40:18.640
<v Speaker 1>Grammy regions. Yeah, that's the word. And so it would

0:40:18.640 --> 0:40:22.960
<v Speaker 1>behoove you, yes to go in campaign and campaign and

0:40:23.000 --> 0:40:25.759
<v Speaker 1>see all those people just to raise your hand say

0:40:25.760 --> 0:40:27.560
<v Speaker 1>hey guys, I got some cool stuff out managed want

0:40:27.600 --> 0:40:31.880
<v Speaker 1>to make sure it's on your radar. That's simple. And

0:40:31.920 --> 0:40:35.440
<v Speaker 1>then another another recipe that is too. When you're making

0:40:35.480 --> 0:40:38.719
<v Speaker 1>these albums, sit with all the people you're making the

0:40:38.800 --> 0:40:40.800
<v Speaker 1>album with, and make.

0:40:40.760 --> 0:40:43.800
<v Speaker 2>Sure they're voting members voting, because you can vote for

0:40:43.840 --> 0:40:47.160
<v Speaker 2>yourself and if you know, especially in urban music, is

0:40:47.520 --> 0:40:50.839
<v Speaker 2>a reason why they've been on this whole thing where

0:40:50.880 --> 0:40:54.120
<v Speaker 2>they don't want to give out all those multiple Grammys

0:40:54.360 --> 0:40:57.920
<v Speaker 2>to all these you know, writers and producers that are

0:40:57.920 --> 0:41:01.040
<v Speaker 2>on R and B Album of the Year or which

0:41:01.239 --> 0:41:04.160
<v Speaker 2>everyone that plays a part should get her damn grand

0:41:05.360 --> 0:41:07.960
<v Speaker 2>Everybody should get a Grammy. If you're if you win,

0:41:08.760 --> 0:41:11.160
<v Speaker 2>you should get a Grammy. You should actually get the hardware, right,

0:41:11.920 --> 0:41:17.520
<v Speaker 2>So get everybody that's it. If it's thirty people on

0:41:17.560 --> 0:41:20.120
<v Speaker 2>this album, sit them down. That's thirty votes.

0:41:20.200 --> 0:41:26.120
<v Speaker 1>It's thirty votes every single person. Hope y'all listening, because

0:41:26.120 --> 0:41:27.760
<v Speaker 1>this is not rocket science.

0:41:27.960 --> 0:41:31.680
<v Speaker 2>No, no, y'all all went to school, you remember running

0:41:31.680 --> 0:41:32.440
<v Speaker 2>for class president.

0:41:33.560 --> 0:41:37.319
<v Speaker 1>Get some candy, niggas. Tell him you're going to try

0:41:37.320 --> 0:41:42.920
<v Speaker 1>to figure out how to extend recess longer. Lunch longer,

0:41:43.040 --> 0:41:47.520
<v Speaker 1>lunch with the people. That's really what that shit is, though,

0:41:47.680 --> 0:41:50.120
<v Speaker 1>Like you gotta get to it. Yeah, you gotta get

0:41:50.120 --> 0:41:50.319
<v Speaker 1>to it.

0:41:50.320 --> 0:41:54.080
<v Speaker 2>The marketing doesn't stop, the promotion doesn't stop. It's the

0:41:54.120 --> 0:41:58.239
<v Speaker 2>same thing. We've said this before when Tyler Creator. He

0:41:58.360 --> 0:42:00.759
<v Speaker 2>has the viral clip that talks about how you gonna

0:42:00.760 --> 0:42:03.879
<v Speaker 2>put out an album and only promoted for the first week,

0:42:04.440 --> 0:42:06.400
<v Speaker 2>talk about it. I've been promoting this album for the

0:42:06.480 --> 0:42:07.000
<v Speaker 2>last two.

0:42:06.920 --> 0:42:09.640
<v Speaker 1>Years, and I'm not gonna stop keep promoting.

0:42:10.160 --> 0:42:12.360
<v Speaker 2>I mean, I got three songs out right now, you

0:42:12.400 --> 0:42:14.600
<v Speaker 2>know what I'm saying. Thank me for that before the

0:42:14.600 --> 0:42:18.040
<v Speaker 2>streets the day after. I'm gonna keep promoting them songs,

0:42:18.080 --> 0:42:19.520
<v Speaker 2>and I'm gonna put out some more songs and I'm

0:42:19.560 --> 0:42:21.719
<v Speaker 2>gonna keep promoting those for the album that's coming.

0:42:21.920 --> 0:42:25.359
<v Speaker 1>Conversations with women and this candle conversation is available. Who

0:42:25.400 --> 0:42:28.799
<v Speaker 1>you're talking to? Contrast what women with the women because

0:42:28.800 --> 0:42:29.879
<v Speaker 1>you know what I mean, because the man you talk

0:42:30.280 --> 0:42:34.440
<v Speaker 1>one woman the women. Conversations with women, you know what

0:42:34.440 --> 0:42:36.640
<v Speaker 1>I mean. Okay, it's a round table. You want your

0:42:36.640 --> 0:42:39.200
<v Speaker 1>house to smell like the Valentine. Talk to him. Get

0:42:39.200 --> 0:42:41.080
<v Speaker 1>the candle. You know this is this is one hundred

0:42:41.080 --> 0:42:44.759
<v Speaker 1>percent marble. Yeah not not you know not not. This

0:42:44.800 --> 0:42:53.600
<v Speaker 1>ain't no hotel smell you hear this? That mean it's strong. Listen,

0:42:54.600 --> 0:42:57.480
<v Speaker 1>that's what go down with this candle. You should hear

0:43:04.400 --> 0:43:06.359
<v Speaker 1>that comes with the grammy. You know what I mean

0:43:06.440 --> 0:43:11.000
<v Speaker 1>and play and play slow play whim we yeah, you

0:43:11.040 --> 0:43:15.160
<v Speaker 1>know we play play before the streets and after you

0:43:15.200 --> 0:43:17.680
<v Speaker 1>finished play. Thank me for that. Thank me for that.

0:43:19.280 --> 0:43:23.840
<v Speaker 4>On the day after because I I taught the patience

0:43:25.239 --> 0:43:29.880
<v Speaker 4>totally went and say ship, turn it up.

0:43:31.200 --> 0:43:35.120
<v Speaker 1>I'm trying to just be still. So yeah, that's that's

0:43:35.160 --> 0:43:39.000
<v Speaker 1>the Grammys. Shout out to uh Tyler one for Water too.

0:43:39.520 --> 0:43:42.560
<v Speaker 1>You know, I love that record. I love that record.

0:43:42.640 --> 0:43:45.640
<v Speaker 1>I was with Shaka last night was the last night, yeah,

0:43:46.320 --> 0:43:49.680
<v Speaker 1>and we were at the club at this week. We're

0:43:49.680 --> 0:43:51.839
<v Speaker 1>at this dinner spot. I can't call it by name,

0:43:51.880 --> 0:43:53.640
<v Speaker 1>and then he said, you need to come upstairs and

0:43:53.680 --> 0:43:57.919
<v Speaker 1>hear this. And it's the style of music that water

0:43:58.360 --> 0:44:03.000
<v Speaker 1>Water is. I'm thinking Water is Afrobeat. It is not.

0:44:03.880 --> 0:44:06.239
<v Speaker 1>I'm a piano. That's the sound A M A p

0:44:06.400 --> 0:44:09.680
<v Speaker 1>I n O. I'm a I'm a piano, like I

0:44:09.719 --> 0:44:13.759
<v Speaker 1>am a piano, I'm a A I am a well

0:44:13.760 --> 0:44:16.080
<v Speaker 1>you know the kids, now that's how they say like

0:44:17.080 --> 0:44:19.000
<v Speaker 1>I'm a piano. That's that's the style of the music.

0:44:19.080 --> 0:44:21.040
<v Speaker 1>That's the style of music. It's a whole different thing, right,

0:44:21.360 --> 0:44:25.840
<v Speaker 1>It's it's the nuance is slightly different, right, and we're upstairs.

0:44:26.760 --> 0:44:31.920
<v Speaker 1>We go upstairs. It's a Tuesday. It's water wall mm hmm,

0:44:32.920 --> 0:44:37.160
<v Speaker 1>it's dark, and this music is playing and they are

0:44:37.280 --> 0:44:47.399
<v Speaker 1>going crazy and I'm like, he looking at this, I said,

0:44:47.440 --> 0:44:50.920
<v Speaker 1>I need to know who's doing it. I need to

0:44:50.960 --> 0:44:55.240
<v Speaker 1>know who's doing it, and I need it now because

0:44:55.239 --> 0:44:58.640
<v Speaker 1>it's the it's it's now the new thing, it's now

0:44:58.680 --> 0:45:02.920
<v Speaker 1>the next thing. And I never I didn't understand what

0:45:02.960 --> 0:45:04.880
<v Speaker 1>he was saying until he took until he said, come

0:45:04.920 --> 0:45:09.040
<v Speaker 1>upstairs and hear this. I was like, I need it.

0:45:09.040 --> 0:45:13.880
<v Speaker 1>It's incredible. It is incredible, man. And her song is

0:45:13.960 --> 0:45:15.640
<v Speaker 1>That's why her song is what it is to me.

0:45:15.680 --> 0:45:17.719
<v Speaker 1>That's why it feels like that to me, because you

0:45:17.760 --> 0:45:20.600
<v Speaker 1>know it's it's, it's it's it falls in line with that.

0:45:20.719 --> 0:45:25.439
<v Speaker 1>I'm a piano whatever that thing is, I need it.

0:45:26.360 --> 0:45:36.520
<v Speaker 1>I gotta be involved. Let's so, let's let's touch on

0:45:37.840 --> 0:45:42.000
<v Speaker 1>whenever you're going, bro, Bro, we gotta go to super Bowl. Bro.

0:45:42.360 --> 0:45:44.879
<v Speaker 1>You're going, Bro, we gotta go to Super Bowl Bro.

0:45:46.400 --> 0:45:50.919
<v Speaker 1>R and B. It was an R and B halftime show.

0:45:50.920 --> 0:45:52.799
<v Speaker 2>Before we get to the halftime show, before we get

0:45:52.800 --> 0:45:54.160
<v Speaker 2>to the have time show, Let's start with to do

0:45:54.239 --> 0:45:56.799
<v Speaker 2>our first. Let's let's let's let's go in in order.

0:45:56.920 --> 0:45:58.439
<v Speaker 2>All right, let's go in order to come on baby,

0:45:58.440 --> 0:46:01.000
<v Speaker 2>because it was a big night. It was a you

0:46:01.000 --> 0:46:01.560
<v Speaker 2>know what I mean, it.

0:46:01.600 --> 0:46:04.080
<v Speaker 1>Was a du walk the night before. Shout out my garden.

0:46:04.239 --> 0:46:06.640
<v Speaker 1>Yeah yeah, it was a you feel me, you know

0:46:06.640 --> 0:46:14.440
<v Speaker 1>what I'm saying. Oh ag entertainment. Yeah yeah. Shout out

0:46:14.480 --> 0:46:21.440
<v Speaker 1>to my brothers, Neo Mario, Yeah, myself myself. Shout out

0:46:21.480 --> 0:46:27.080
<v Speaker 1>to me. Shout out to me. Uh, your niggas had

0:46:27.080 --> 0:46:30.600
<v Speaker 1>a code event. We were in the theater at the Saharah.

0:46:30.640 --> 0:46:32.880
<v Speaker 1>Wall to wall, wall to wall.

0:46:34.440 --> 0:46:36.520
<v Speaker 2>Yeah, y'all look like zoo animals up there. I had

0:46:36.560 --> 0:46:37.719
<v Speaker 2>to walk to the back couple of times.

0:46:37.760 --> 0:46:39.480
<v Speaker 1>I'm like, you know what, this feels a little weird,

0:46:40.040 --> 0:46:42.600
<v Speaker 1>but you know, suggressive people were saying in the comments,

0:46:42.719 --> 0:46:46.120
<v Speaker 1>all these niggas, don't say, as a guy, it's our tables.

0:46:46.160 --> 0:46:49.560
<v Speaker 1>It wasn't just random people. Our tables were on stage.

0:46:49.560 --> 0:46:51.719
<v Speaker 1>That's what the people were on stage behind me. I

0:46:51.719 --> 0:46:53.320
<v Speaker 1>was trying to figure out a way to pick my

0:46:53.320 --> 0:46:56.880
<v Speaker 1>my couch up and put it behind the curtain so

0:46:56.960 --> 0:46:59.080
<v Speaker 1>I could really just have me a good time back there.

0:46:59.840 --> 0:47:06.120
<v Speaker 1>I know you were I was like, you can't leave

0:47:06.200 --> 0:47:08.880
<v Speaker 1>it like this, man, I'll be back. Let's say what

0:47:08.880 --> 0:47:14.640
<v Speaker 1>you do man, Just you know, it's such a dope moment.

0:47:14.680 --> 0:47:18.040
<v Speaker 1>And I think, you know, the beauty of that moment

0:47:18.120 --> 0:47:24.040
<v Speaker 1>to me was, you know, shout out to DJ Infamous,

0:47:24.800 --> 0:47:29.319
<v Speaker 1>my guy, and shout out to DJ A Fly guy,

0:47:30.960 --> 0:47:32.680
<v Speaker 1>and everybody was just trying to figure out how it

0:47:32.800 --> 0:47:35.799
<v Speaker 1>was going to go down. And I was like, bro,

0:47:36.000 --> 0:47:41.360
<v Speaker 1>we just go. We just go song for song, everybody

0:47:41.440 --> 0:47:46.239
<v Speaker 1>just do a song, man, let's just kill who go first,

0:47:46.239 --> 0:47:48.759
<v Speaker 1>who last? That's just And everybody looked at me was

0:47:48.800 --> 0:47:51.960
<v Speaker 1>like hell yeah that was and then Infamous was like,

0:47:52.120 --> 0:47:55.640
<v Speaker 1>but do this though, what's it? I like your style?

0:47:57.040 --> 0:48:00.200
<v Speaker 1>I like your style and and it just turned in too.

0:48:00.840 --> 0:48:04.560
<v Speaker 1>It turned into a cool, really cool R and B celebration. Yeah,

0:48:04.600 --> 0:48:04.839
<v Speaker 1>and the.

0:48:04.760 --> 0:48:06.480
<v Speaker 2>People on the internet wanted to know why you were

0:48:06.520 --> 0:48:09.160
<v Speaker 2>looking at Neo while he was singing like that while he.

0:48:09.239 --> 0:48:11.040
<v Speaker 1>Was like he was cooking.

0:48:12.040 --> 0:48:14.759
<v Speaker 2>And that's why I say that to you, because what

0:48:14.880 --> 0:48:18.759
<v Speaker 2>people don't realize about this man is that he is

0:48:18.800 --> 0:48:24.839
<v Speaker 2>a celebrator of talent. Yes, all things, like you said,

0:48:24.880 --> 0:48:28.360
<v Speaker 2>all things. So if you get busy that nigga t

0:48:28.400 --> 0:48:31.680
<v Speaker 2>ain't gonna down in and it may look funny to

0:48:31.760 --> 0:48:33.600
<v Speaker 2>you on the internet because you're not there, and that

0:48:33.640 --> 0:48:34.000
<v Speaker 2>whole thing.

0:48:34.280 --> 0:48:34.680
<v Speaker 1>I've seen it.

0:48:34.800 --> 0:48:36.240
<v Speaker 2>You know, you don't mean I be reading the comments.

0:48:36.280 --> 0:48:38.000
<v Speaker 2>I'm like, they really don't get it.

0:48:38.040 --> 0:48:40.799
<v Speaker 1>That's people who ain't who've never been looked at like

0:48:40.840 --> 0:48:46.480
<v Speaker 1>that before. Because when when if you've ever done something great,

0:48:47.560 --> 0:48:52.840
<v Speaker 1>somebody's looked at you like nigga, nigga. They didn't say

0:48:52.280 --> 0:48:55.520
<v Speaker 1>the face said it right right, you know. To see

0:48:55.600 --> 0:49:00.920
<v Speaker 1>Usher sing R and B music at the halftime of

0:49:00.960 --> 0:49:02.399
<v Speaker 1>the Super Bowl, Yeah, and.

0:49:02.719 --> 0:49:05.040
<v Speaker 2>Really it was an Usher concert and a football game

0:49:05.160 --> 0:49:05.560
<v Speaker 2>was going on.

0:49:06.560 --> 0:49:08.759
<v Speaker 1>Let's keep it a buck, Let's keep it a thousand.

0:49:10.760 --> 0:49:13.680
<v Speaker 1>Usher was having a show and they don't play some football,

0:49:13.680 --> 0:49:20.080
<v Speaker 1>and they let him play some football. Yeah, hm hmm, yeah. Yeah.

0:49:21.320 --> 0:49:22.880
<v Speaker 1>Let's get into it. Let's get into it. Let's get

0:49:22.880 --> 0:49:25.879
<v Speaker 1>into it. Let's get into it. Like here's what I'll say.

0:49:26.480 --> 0:49:30.080
<v Speaker 1>I have wishes when it's after the fact. Everybody always

0:49:30.120 --> 0:49:33.520
<v Speaker 1>has after the fact brilliance. Right, I would have. But

0:49:34.560 --> 0:49:42.920
<v Speaker 1>he didn't miss in in his execution of that show

0:49:42.960 --> 0:49:47.279
<v Speaker 1>from top to bottom something you pointed out earlier. He

0:49:47.480 --> 0:49:50.560
<v Speaker 1>sang the whole thing live live. Let's start that.

0:49:50.640 --> 0:49:52.759
<v Speaker 2>And I don't know about nobody else, right, And I'm

0:49:52.760 --> 0:49:55.840
<v Speaker 2>not gonna claim to know every single Super Bowl.

0:49:55.719 --> 0:49:57.360
<v Speaker 1>Show, halftime show. I don't know.

0:49:57.400 --> 0:50:00.480
<v Speaker 2>I don't know, but I know singing at the super

0:50:00.520 --> 0:50:10.400
<v Speaker 2>Bowl live live TV and singing, singing cut up pieces

0:50:10.880 --> 0:50:13.680
<v Speaker 2>of your songs. You're not even going with muscle memory.

0:50:13.960 --> 0:50:17.000
<v Speaker 1>You're not even in United You can't control rhythm, you

0:50:17.040 --> 0:50:19.279
<v Speaker 1>can't go on cruise control, you can't jump into a rhythm.

0:50:19.400 --> 0:50:22.320
<v Speaker 1>Especially now think about this. He has a residency, yes,

0:50:22.560 --> 0:50:27.040
<v Speaker 1>where he gets into a rhythm with all of these songs,

0:50:27.120 --> 0:50:29.880
<v Speaker 1>takes a minute to minute and a half, two minutes

0:50:29.880 --> 0:50:33.279
<v Speaker 1>in we cruising. Now, now I'm into none of that.

0:50:33.640 --> 0:50:39.719
<v Speaker 2>These because he's doing twenty thirty years of music in

0:50:39.880 --> 0:50:41.800
<v Speaker 2>twelve and a half thirteen minutes.

0:50:41.840 --> 0:50:44.960
<v Speaker 1>Fifteen, you get fifteen, Yes, you can get fifteen, You

0:50:44.960 --> 0:50:47.880
<v Speaker 1>get fifteen. No, Usher got fifty, you got fifteen, Okay,

0:50:48.000 --> 0:50:51.359
<v Speaker 1>you get twelve. Oh, Usher got fifteen. Okay, he came

0:50:51.400 --> 0:50:56.800
<v Speaker 1>up with the extent. Okay, come all right, fifteen minutes,

0:50:57.800 --> 0:51:01.279
<v Speaker 1>all those hits and he's and listen and he's still

0:51:01.320 --> 0:51:07.480
<v Speaker 1>missed some Yeah, yeah, he didn't sing climax, right, Yeah,

0:51:07.520 --> 0:51:11.000
<v Speaker 1>I didn't think about that. I needed that. Wow, I

0:51:11.000 --> 0:51:15.239
<v Speaker 1>didn't even think about that. That's my only wish I want.

0:51:15.440 --> 0:51:17.439
<v Speaker 2>I just want to climax, you know me, I won't

0:51:17.520 --> 0:51:19.440
<v Speaker 2>can handle it at the super Bowl.

0:51:22.880 --> 0:51:30.000
<v Speaker 1>Some seduction siculous you know what I'm saying there All

0:51:30.120 --> 0:51:35.080
<v Speaker 1>it's all magic, yes, magic, but you know it gives people. Now.

0:51:35.960 --> 0:51:38.520
<v Speaker 1>For me, it's like that was just a preview if

0:51:38.520 --> 0:51:41.120
<v Speaker 1>you never made it to Vegas, right, that's just that's

0:51:41.160 --> 0:51:44.120
<v Speaker 1>just a preview of what this world tour is going

0:51:44.200 --> 0:51:44.400
<v Speaker 1>to be.

0:51:44.480 --> 0:51:44.600
<v Speaker 5>Like.

0:51:45.120 --> 0:51:49.920
<v Speaker 1>That's just a small crazy crazy already sold out. You know.

0:51:49.960 --> 0:51:53.080
<v Speaker 2>The fact that the fact that he's saying live it

0:51:53.120 --> 0:51:55.359
<v Speaker 2>was I felt like it was a statement for sure,

0:51:55.400 --> 0:51:58.200
<v Speaker 2>you know what I mean? Because and and in the

0:51:58.360 --> 0:52:04.480
<v Speaker 2>age of everybody attempting to sound perfect through all of

0:52:04.520 --> 0:52:08.040
<v Speaker 2>the studio ship. Now, the other thing that happens when

0:52:08.040 --> 0:52:10.040
<v Speaker 2>you when your attempt to sound perfect, is that you

0:52:10.160 --> 0:52:14.359
<v Speaker 2>lose feeling. You lose feeling. You need the crack every

0:52:14.400 --> 0:52:17.040
<v Speaker 2>now and then you need you know what I'm saying, like,

0:52:17.800 --> 0:52:21.600
<v Speaker 2>you need to note that's off for people to really

0:52:21.680 --> 0:52:24.239
<v Speaker 2>feel what you're doing. And that's why you know, to me,

0:52:24.520 --> 0:52:28.840
<v Speaker 2>I think that when people talk about why music isn't

0:52:28.880 --> 0:52:29.840
<v Speaker 2>the same anymore.

0:52:30.920 --> 0:52:32.040
<v Speaker 1>A big part of that.

0:52:33.680 --> 0:52:36.160
<v Speaker 2>Is all of the things in the in the computer

0:52:36.800 --> 0:52:39.360
<v Speaker 2>that make you sound so much better. You know what

0:52:39.400 --> 0:52:44.360
<v Speaker 2>I mean, everybody wants to sound like a computer. Usher

0:52:44.440 --> 0:52:46.920
<v Speaker 2>was like, no, no, no, no, no, I'm human. I'm human,

0:52:47.200 --> 0:52:49.960
<v Speaker 2>Alicia Keys, I'm human. I'm human, Like these vocals are

0:52:50.040 --> 0:52:50.800
<v Speaker 2>human vocals.

0:52:50.880 --> 0:52:53.480
<v Speaker 1>Listen, we heard Keys crack at the beginning. So what

0:52:53.600 --> 0:52:57.200
<v Speaker 1>that's called singing? That's singing live, That's what that's called.

0:52:57.440 --> 0:53:01.160
<v Speaker 1>So what it's fucking Alicia Keys? Talk to some respect

0:53:01.400 --> 0:53:04.560
<v Speaker 1>on her. Yeah, you know what I'm saying.

0:53:04.760 --> 0:53:10.120
<v Speaker 2>You get up in front of millions and two.

0:53:10.040 --> 0:53:12.719
<v Speaker 1>Hundred million people, they say all together, watch it.

0:53:12.840 --> 0:53:16.480
<v Speaker 2>If they call you, they probably won't.

0:53:16.600 --> 0:53:17.200
<v Speaker 1>You know what I'm saying.

0:53:17.200 --> 0:53:19.160
<v Speaker 2>But and I'm not and I'm not saying that on

0:53:19.200 --> 0:53:20.640
<v Speaker 2>some inner defense of No.

0:53:21.280 --> 0:53:25.120
<v Speaker 1>This is what singing is. Live.

0:53:25.239 --> 0:53:31.080
<v Speaker 2>Singing is about emotion, and sometimes it's about mistakes.

0:53:30.800 --> 0:53:35.200
<v Speaker 1>Imperfections, the beauty and those imperfections. I watched listen, I

0:53:35.200 --> 0:53:39.560
<v Speaker 1>watched Mary J. Blige were going online. Not a perfect singer.

0:53:40.360 --> 0:53:42.440
<v Speaker 1>But I dare you to follow it. You can't.

0:53:42.680 --> 0:53:45.640
<v Speaker 2>I dare you to try one of the greatest singers

0:53:45.680 --> 0:53:50.080
<v Speaker 2>of all times, Stevie Wonder, he don't hit every single note.

0:53:53.640 --> 0:53:56.560
<v Speaker 1>One of the greatest living are dead.

0:53:57.760 --> 0:54:00.879
<v Speaker 2>Of all time all times. He does not hit every

0:54:00.920 --> 0:54:03.959
<v Speaker 2>single note. So for me to watch Usher say, Okay,

0:54:03.960 --> 0:54:06.840
<v Speaker 2>you know why I get this opportunity. I'm about to

0:54:06.840 --> 0:54:09.319
<v Speaker 2>give them these vocals and I respect it.

0:54:09.320 --> 0:54:12.400
<v Speaker 1>And I'm ana dance and I'm a dance and I'm

0:54:12.440 --> 0:54:14.920
<v Speaker 1>a roller skate and I'm an outfit change and I'm

0:54:14.880 --> 0:54:17.239
<v Speaker 1>an outfit change, and I'm gonna give them all this

0:54:17.400 --> 0:54:21.880
<v Speaker 1>army ship because you know what, taking my motherfucking shirt off. Listen.

0:54:22.280 --> 0:54:24.359
<v Speaker 1>You know they talked about you know what I mean,

0:54:24.840 --> 0:54:29.560
<v Speaker 1>the motherfucker titty pop leears ago both yeah, both out,

0:54:29.680 --> 0:54:32.160
<v Speaker 1>both titties out. You know, listen, if you don't do

0:54:32.200 --> 0:54:34.399
<v Speaker 1>this R and B thing, you're gonna have to take

0:54:34.400 --> 0:54:36.360
<v Speaker 1>your shirt off. I've been trying to tell you fools

0:54:36.400 --> 0:54:39.120
<v Speaker 1>for a long time. There's a certain kind of shape,

0:54:40.080 --> 0:54:43.160
<v Speaker 1>certain kind of conditions. Yeah, you got to be in

0:54:43.280 --> 0:54:45.560
<v Speaker 1>for a woman to believe that you are even capable

0:54:45.600 --> 0:54:50.320
<v Speaker 1>of the things you're singing about. And Usher just confirmed

0:54:50.320 --> 0:54:57.640
<v Speaker 1>that at the Super Bowl shirt off that was open

0:54:57.680 --> 0:55:02.680
<v Speaker 1>Man said, doors, open bank. You should You should have

0:55:02.760 --> 0:55:06.080
<v Speaker 1>seen them women in the all they lost it. They

0:55:06.120 --> 0:55:08.600
<v Speaker 1>lost it as they should. That's they're supposed to do

0:55:09.239 --> 0:55:13.319
<v Speaker 1>at an R and B show. M Honey, would you

0:55:13.360 --> 0:55:24.120
<v Speaker 1>look at that man's got a shirt on? Yeah? Show

0:55:24.200 --> 0:55:26.439
<v Speaker 1>show what the women was looking like in the uh

0:55:26.640 --> 0:55:29.759
<v Speaker 1>the motherfucking boxes in the in the luxury box.

0:55:29.840 --> 0:55:32.640
<v Speaker 5>We definitely need a shot panning when he had when

0:55:32.680 --> 0:55:34.799
<v Speaker 5>he took his shirt on all the women, and we

0:55:34.920 --> 0:55:38.640
<v Speaker 5>need to find a few faces because I promise you

0:55:38.719 --> 0:55:42.879
<v Speaker 5>the energy got real real R and B.

0:55:43.160 --> 0:55:47.359
<v Speaker 1>Shout out to Usher for his team killing that ship.

0:55:47.400 --> 0:55:50.000
<v Speaker 1>Shout out, yeah, yeah, shout out to them for killing

0:55:50.000 --> 0:55:52.520
<v Speaker 1>that ship. Man. Shout out to our brothers and Villa brothers.

0:55:53.880 --> 0:55:56.680
<v Speaker 1>I did it. Man, Hey listen. Shout out to a

0:55:56.680 --> 0:56:00.160
<v Speaker 1>little John, little job. I want to fly outfit it

0:56:00.200 --> 0:56:04.400
<v Speaker 1>in shape, shout out to. Shout out to our brother

0:56:05.360 --> 0:56:07.759
<v Speaker 1>Jermaine du Prix with the pearly sock. Shout out to

0:56:07.840 --> 0:56:11.240
<v Speaker 1>little socks. You know what I'm saying. Shout out to listen,

0:56:11.360 --> 0:56:14.799
<v Speaker 1>I know what the socks say. Like the writing, it

0:56:14.840 --> 0:56:18.040
<v Speaker 1>was the loafer with the sock and the short that made.

0:56:17.840 --> 0:56:21.680
<v Speaker 2>You you don't hey, listen, but listen. But here's the

0:56:21.719 --> 0:56:25.520
<v Speaker 2>other thing. This is what I'm going to say. If

0:56:25.520 --> 0:56:30.400
<v Speaker 2>you're going to show up, you gotta show out. Everybody

0:56:30.440 --> 0:56:35.160
<v Speaker 2>ain't gonna respect your show out every time. But I'm

0:56:35.160 --> 0:56:37.520
<v Speaker 2>going to leave an impression when I get there.

0:56:37.640 --> 0:56:40.799
<v Speaker 1>Better be a conversation the next day, Jermaine, The Prix

0:56:40.840 --> 0:56:43.759
<v Speaker 1>is a conversation. Conversation is a conversations. It's right now,

0:56:43.760 --> 0:56:51.360
<v Speaker 1>it's the conversation. What right now, right now to this day, memes, everything, everything. Listen,

0:56:51.400 --> 0:56:54.160
<v Speaker 1>if they not talking about you, you didn't do what

0:56:54.160 --> 0:56:56.600
<v Speaker 1>you was supposed to do. And Jermaine was only on

0:56:56.640 --> 0:57:00.520
<v Speaker 1>stage for thirty seconds, y'all know what this is got

0:57:00.520 --> 0:57:07.640
<v Speaker 1>a billion impressions. Listen. I told him on this page.

0:57:07.920 --> 0:57:09.680
<v Speaker 1>You know what I mean. I said, my dog wore

0:57:09.719 --> 0:57:11.879
<v Speaker 1>the pearly socks. You definitely get into the pearly gates

0:57:13.040 --> 0:57:14.560
<v Speaker 1>them go. You know what I mean, them gonna get

0:57:14.600 --> 0:57:20.000
<v Speaker 1>you into Heaven. Come on now.

0:57:20.040 --> 0:57:23.560
<v Speaker 2>But they came out shout out to her, shout out

0:57:23.600 --> 0:57:26.680
<v Speaker 2>to her, shouts at the bear, and she represented very well.

0:57:26.840 --> 0:57:29.160
<v Speaker 1>Her is just magnificent. But she got her.

0:57:29.240 --> 0:57:31.320
<v Speaker 2>She came out with her prince vibe too. She was like,

0:57:31.360 --> 0:57:33.520
<v Speaker 2>you know what I mean, This guitar. I'm gonna give

0:57:33.560 --> 0:57:34.400
<v Speaker 2>him the Prince looks.

0:57:34.720 --> 0:57:37.880
<v Speaker 1>She's just magnificent. Yeah, and she saw she's not even

0:57:37.880 --> 0:57:43.280
<v Speaker 1>on that song. Shout out to Usher for that phone call.

0:57:44.000 --> 0:57:45.880
<v Speaker 1>Seeing her on that stage with him was just like

0:57:47.280 --> 0:57:49.040
<v Speaker 1>that was that was incredible.

0:57:49.160 --> 0:57:55.120
<v Speaker 2>Yeah, incredible proback.

0:57:56.120 --> 0:57:58.160
<v Speaker 1>I want to say this, and in big ass boots.

0:57:58.360 --> 0:58:02.080
<v Speaker 1>They don't give Luda, ah nah, they don't the top

0:58:02.240 --> 0:58:08.680
<v Speaker 1>five top ten credit. He deserves Luda. Chris will outrap

0:58:09.880 --> 0:58:14.360
<v Speaker 1>a lot of people in your top ten will out

0:58:14.560 --> 0:58:20.400
<v Speaker 1>rap that motherfucker can rap. And when he gets on

0:58:20.520 --> 0:58:23.240
<v Speaker 1>stage and starts delivering, no, let me say something now,

0:58:23.280 --> 0:58:25.840
<v Speaker 1>he's electric. When Lula walked on that stage and I

0:58:25.880 --> 0:58:28.440
<v Speaker 1>say that stadium went crazy, I think he knows he's

0:58:28.480 --> 0:58:31.600
<v Speaker 1>a superstar, but that stadium let him know he was

0:58:31.600 --> 0:58:35.440
<v Speaker 1>a superstar. Yeah, they let him know for sure. He

0:58:35.560 --> 0:58:41.480
<v Speaker 1>went he went crazy, He went grace Yeah, and everything

0:58:41.520 --> 0:58:42.800
<v Speaker 1>that like I was want to say out everything I

0:58:42.800 --> 0:58:44.520
<v Speaker 1>saw him doing that weekend, everything he was tagged on

0:58:44.840 --> 0:58:48.280
<v Speaker 1>every time. He he's going crazy like Luda. I don't

0:58:48.280 --> 0:58:49.640
<v Speaker 1>know what ludis. I don't know what was going through

0:58:49.680 --> 0:58:53.520
<v Speaker 1>right now, but he's he's he's really having a moment

0:58:53.560 --> 0:58:55.240
<v Speaker 1>right now, I don't know what's going on, you know

0:58:55.240 --> 0:58:58.960
<v Speaker 1>what I'm saying, skin glowing and fro is picked out nice,

0:58:59.080 --> 0:59:01.720
<v Speaker 1>like it's a good time for loader. Right now. It's

0:59:01.760 --> 0:59:04.560
<v Speaker 1>time for a record load. It's definitely time for it's

0:59:04.600 --> 0:59:06.600
<v Speaker 1>time for a record. It's time for a record and

0:59:06.640 --> 0:59:08.439
<v Speaker 1>if you need somebody to sing on it, Like I'm

0:59:08.480 --> 0:59:10.600
<v Speaker 1>not saying, I know you got a usher like usher,

0:59:10.680 --> 0:59:11.680
<v Speaker 1>you know that's your guy. You know what I'm saying.

0:59:11.680 --> 0:59:13.840
<v Speaker 1>You got a guy you just super all together? You know,

0:59:13.840 --> 0:59:14.800
<v Speaker 1>I know he'll sing on it too.

0:59:15.560 --> 0:59:21.160
<v Speaker 2>But to the genius himself, what I am? What I

0:59:21.200 --> 0:59:24.120
<v Speaker 2>am came through with my fucking helmet on. That's kind

0:59:24.120 --> 0:59:27.800
<v Speaker 2>of like a helmet kind of glass shade.

0:59:27.800 --> 0:59:32.040
<v Speaker 1>It's kind of a glassy helmet. Niggas a superstar, Bro.

0:59:32.280 --> 0:59:35.480
<v Speaker 1>You never he's not from this planet. No, No, you

0:59:35.480 --> 0:59:36.880
<v Speaker 1>see the car he's been driving around in. Have you

0:59:36.960 --> 0:59:39.840
<v Speaker 1>looked on this page? He's not. He made it. He made.

0:59:39.880 --> 0:59:43.920
<v Speaker 1>He's not from this car. He made and he can

0:59:43.960 --> 0:59:50.880
<v Speaker 1>make beat in it. He turned left. It's like, well,

0:59:50.960 --> 0:59:53.479
<v Speaker 1>I am, bro, shout out to what I am who

0:59:53.480 --> 0:59:57.960
<v Speaker 1>I sat next to at my boy DJ's wedding and

0:59:58.160 --> 1:00:03.440
<v Speaker 1>he is the most interesting, fun guy, genius, genius. I

1:00:03.520 --> 1:00:07.840
<v Speaker 1>probably ever met genius. It's never a dult moment, never

1:00:07.920 --> 1:00:11.200
<v Speaker 1>a dull moment. It's always what what because he said

1:00:11.240 --> 1:00:14.560
<v Speaker 1>whatever's on his mind too, And then the way he

1:00:14.600 --> 1:00:18.720
<v Speaker 1>breaks it down to you is like what it ain't

1:00:18.760 --> 1:00:22.280
<v Speaker 1>look at you? I hate that. That makes sense? I

1:00:22.320 --> 1:00:24.880
<v Speaker 1>hate that. Will I hate it, and will if you

1:00:25.000 --> 1:00:26.160
<v Speaker 1>if you you know, if you have, send me some

1:00:26.160 --> 1:00:28.280
<v Speaker 1>tracks too, I love that. Come on, we've been supposed

1:00:28.280 --> 1:00:30.520
<v Speaker 1>to work together for a long time. So just throwing

1:00:30.520 --> 1:00:33.120
<v Speaker 1>that back out there. Shout out, listen, shout out to

1:00:33.160 --> 1:00:39.600
<v Speaker 1>the numptials, HM, shout out to locking it in. Yeah, yeah, yeah,

1:00:40.640 --> 1:00:45.000
<v Speaker 1>on my biggest night. Let me do something even bigger.

1:00:47.560 --> 1:00:51.400
<v Speaker 1>Let me lock in, lock this woman in. Let her

1:00:51.480 --> 1:00:53.960
<v Speaker 1>know where we're at. That should be out here, he liketing.

1:00:54.080 --> 1:00:56.880
<v Speaker 1>I mean married, where I stand? Let me know you,

1:00:57.200 --> 1:00:59.439
<v Speaker 1>Let me let you know where I stand with all

1:00:59.480 --> 1:01:04.360
<v Speaker 1>of this something getting Yeah, you matter the most. I

1:01:04.440 --> 1:01:09.480
<v Speaker 1>respect it, I respect it, I respect it. And it

1:01:09.600 --> 1:01:13.080
<v Speaker 1>was flawed. So let's talk about this dumb ass football game. Now.

1:01:14.080 --> 1:01:15.200
<v Speaker 1>I don't want you to do I don't want you

1:01:15.240 --> 1:01:17.520
<v Speaker 1>to have to do that. Man. I think I think

1:01:17.560 --> 1:01:23.520
<v Speaker 1>you should just you know, let it burn, I think

1:01:27.880 --> 1:01:33.840
<v Speaker 1>because and then they fired the defensive coordinator. I'm not

1:01:34.040 --> 1:01:35.520
<v Speaker 1>I don't want to make it a racial thing.

1:01:35.600 --> 1:01:37.920
<v Speaker 2>So so I'm going to tell you my experience now

1:01:38.120 --> 1:01:40.080
<v Speaker 2>because we talked, we talked about yours and you know

1:01:40.120 --> 1:01:40.400
<v Speaker 2>what I mean.

1:01:41.040 --> 1:01:42.680
<v Speaker 1>So m hm.

1:01:44.360 --> 1:01:47.680
<v Speaker 2>There was a moment that I went to Vegas and

1:01:47.840 --> 1:01:53.120
<v Speaker 2>I was like, Okay, I'm getting to this game. And

1:01:53.160 --> 1:01:55.280
<v Speaker 2>then I had a moment where I said to myself,

1:01:57.240 --> 1:02:00.600
<v Speaker 2>maybe I shouldn't go to the game because the last

1:02:00.600 --> 1:02:04.240
<v Speaker 2>time I went to the game, we lost. We were

1:02:04.240 --> 1:02:06.600
<v Speaker 2>there together, we were there, right, So I'm thinking to

1:02:06.640 --> 1:02:10.040
<v Speaker 2>my because I will keep it funky. When we played Detroit,

1:02:10.160 --> 1:02:13.760
<v Speaker 2>the Detroit Lions, I watched the whole first half they

1:02:13.880 --> 1:02:14.920
<v Speaker 2>kicking our ass.

1:02:14.680 --> 1:02:16.920
<v Speaker 1>And then I said, I'm turning off the TV.

1:02:17.240 --> 1:02:21.480
<v Speaker 2>Mm hmm, And I literally watched the game through the

1:02:21.520 --> 1:02:25.360
<v Speaker 2>notes on my phone when you like reading, you know,

1:02:25.480 --> 1:02:28.680
<v Speaker 2>as it's going on, oh ship on the twelve. I

1:02:28.720 --> 1:02:31.160
<v Speaker 2>watched the game that way and we won. So I

1:02:31.200 --> 1:02:34.960
<v Speaker 2>am a bit of a superstitious guy. I'm not gonna go.

1:02:37.000 --> 1:02:41.919
<v Speaker 2>So we have a great friend, our brother Marlin, who

1:02:42.280 --> 1:02:46.240
<v Speaker 2>made it made it a happen for US, and I

1:02:46.320 --> 1:02:49.000
<v Speaker 2>was able to go watch the game in the high roller.

1:02:48.840 --> 1:02:52.840
<v Speaker 1>Ball room to top mm hm. You know what I

1:02:52.840 --> 1:02:57.720
<v Speaker 1>mean of the Win Hotel. You know what I mean? Yeah,

1:02:57.840 --> 1:02:58.680
<v Speaker 1>the only way.

1:03:00.080 --> 1:03:02.000
<v Speaker 2>You even get in there is that you got a

1:03:02.040 --> 1:03:04.160
<v Speaker 2>gamble certain amount of Yeah, I mean, this is a

1:03:04.160 --> 1:03:04.680
<v Speaker 2>mother ship.

1:03:04.720 --> 1:03:06.160
<v Speaker 1>That's the only way to do FACUS. Just let you

1:03:06.240 --> 1:03:08.480
<v Speaker 1>know that. And you think he made sure I was

1:03:08.480 --> 1:03:09.080
<v Speaker 1>in the building.

1:03:11.320 --> 1:03:16.720
<v Speaker 2>The mistake I think I made as I wore this jersey.

1:03:18.080 --> 1:03:22.840
<v Speaker 2>It's the same jersey I wore when we lost in Miami.

1:03:24.400 --> 1:03:25.960
<v Speaker 1>You didn't. You didn't pick up on that when you

1:03:26.480 --> 1:03:29.880
<v Speaker 1>put it. No, no, because I'm thinking, this is Prime time.

1:03:31.160 --> 1:03:36.400
<v Speaker 1>Well you know, Prime just lost. Man, Now you tell

1:03:36.440 --> 1:03:40.680
<v Speaker 1>me this ship. Now you mean he won, But see

1:03:41.000 --> 1:03:44.840
<v Speaker 1>now you remind me he lost. He's a winner. When

1:03:44.840 --> 1:03:48.000
<v Speaker 1>he played for US, he won. Yeah. Right, but it's

1:03:48.040 --> 1:03:50.520
<v Speaker 1>ain't ninety four. But it's two thousand and four, right,

1:03:50.560 --> 1:03:55.120
<v Speaker 1>this is this ninety four. You feel me? You don't

1:03:55.120 --> 1:03:59.880
<v Speaker 1>feel me thirty years? You lost once in that jersey?

1:04:00.120 --> 1:04:02.680
<v Speaker 1>I know, but I was thinking like the thirty though

1:04:02.800 --> 1:04:05.840
<v Speaker 1>in Prime only won four games, I was thinking about

1:04:05.880 --> 1:04:08.680
<v Speaker 1>the thirty. I know what you was thinking. Thirty years

1:04:08.920 --> 1:04:11.280
<v Speaker 1>I know you have used up against a lot.

1:04:11.360 --> 1:04:13.240
<v Speaker 2>This was all in my head, right, but I'm not

1:04:13.320 --> 1:04:15.600
<v Speaker 2>thinking y'all lost in that jersey. You probably should have

1:04:15.600 --> 1:04:19.600
<v Speaker 2>warn your Kaepernick because I got the Kaepernick too, which

1:04:19.640 --> 1:04:22.640
<v Speaker 2>is a whole other conversation when I'm walking around in

1:04:22.720 --> 1:04:23.840
<v Speaker 2>the Kaepernick right.

1:04:24.960 --> 1:04:28.640
<v Speaker 1>But maybe just maybe just a polo. No, we're not

1:04:28.720 --> 1:04:31.280
<v Speaker 1>wearing no polo because listen, I had and I had

1:04:31.560 --> 1:04:33.960
<v Speaker 1>maybe and I had my forty nine er kids jacket on.

1:04:34.040 --> 1:04:36.360
<v Speaker 1>You know what I mean? It is limited that that

1:04:36.360 --> 1:04:43.080
<v Speaker 1>that sounds more exciting than than picking a jersey from like, man,

1:04:43.160 --> 1:04:46.200
<v Speaker 1>this is d I should have worked, but it missed

1:04:46.200 --> 1:04:48.439
<v Speaker 1>the first time. So that's why you should have taken

1:04:48.440 --> 1:04:51.200
<v Speaker 1>it off. You should have known that, Yeah, I should have.

1:04:51.520 --> 1:04:52.000
<v Speaker 1>I should have.

1:04:54.120 --> 1:04:56.520
<v Speaker 2>So I got all the phone calls before the Super Bowl.

1:04:56.520 --> 1:04:58.360
<v Speaker 2>As soon as we got into Super Bowl, all my

1:04:58.440 --> 1:05:00.680
<v Speaker 2>niggas can't shout out on my niggs can city because listen,

1:05:01.440 --> 1:05:03.920
<v Speaker 2>y'all niggas made great music, great y'all got great barbecue,

1:05:04.360 --> 1:05:06.160
<v Speaker 2>and y'all got a great fucking football team. I'm gonna

1:05:06.200 --> 1:05:07.880
<v Speaker 2>keep it a buck. I'm not the nigga that hate

1:05:07.920 --> 1:05:08.760
<v Speaker 2>on nobody's team.

1:05:08.960 --> 1:05:09.240
<v Speaker 1>Y'all.

1:05:09.240 --> 1:05:13.360
<v Speaker 2>Team is fucking great. Y'all might have the next goat

1:05:13.520 --> 1:05:17.400
<v Speaker 2>at quarterback. If you win a couple of mo like

1:05:18.320 --> 1:05:19.640
<v Speaker 2>he was, he three out of four.

1:05:19.520 --> 1:05:23.600
<v Speaker 1>You have to go that tight End close to over Grunk,

1:05:23.880 --> 1:05:29.640
<v Speaker 1>close to right they got. It's kind of yeah, they're

1:05:29.760 --> 1:05:32.880
<v Speaker 1>very close. One more, they very close probably for both

1:05:32.920 --> 1:05:34.800
<v Speaker 1>of ye know, my homes gotta do, like a little

1:05:34.800 --> 1:05:38.040
<v Speaker 1>more more. But then then than what Kelsey gotta do. Yeah,

1:05:38.200 --> 1:05:41.280
<v Speaker 1>Kelsey just gotta get. And then here's the other reason

1:05:41.760 --> 1:05:44.080
<v Speaker 1>why you know, this is my opinion.

1:05:44.440 --> 1:05:49.000
<v Speaker 2>This is my opinion. I just wish are tight End

1:05:51.800 --> 1:06:00.720
<v Speaker 2>would have made that same relationship choice because I don't

1:06:00.720 --> 1:06:04.440
<v Speaker 2>think the NFL was gonna let her lose. Y'all can

1:06:04.480 --> 1:06:06.360
<v Speaker 2>say whatever y'all want. Y'all call me as many haters

1:06:06.360 --> 1:06:08.720
<v Speaker 2>as you want to. But one thing I know, one

1:06:08.720 --> 1:06:13.800
<v Speaker 2>thing I've done for a long time is business. I

1:06:13.920 --> 1:06:17.000
<v Speaker 2>understand the money that's been made and that the money

1:06:17.000 --> 1:06:20.080
<v Speaker 2>that's going to be made off of people wanting to

1:06:20.120 --> 1:06:25.040
<v Speaker 2>see her have a celebration kiss with her boyfriend who

1:06:25.240 --> 1:06:25.680
<v Speaker 2>just won.

1:06:25.600 --> 1:06:26.200
<v Speaker 1>The super Bowl.

1:06:28.160 --> 1:06:31.280
<v Speaker 2>Listen if you want to go and everything is googleable.

1:06:31.320 --> 1:06:33.920
<v Speaker 2>It was really good for business, y'all. Y'all can go

1:06:33.960 --> 1:06:37.360
<v Speaker 2>see how much more money the NFL than made since

1:06:37.360 --> 1:06:38.560
<v Speaker 2>she's been part of the NFL.

1:06:39.800 --> 1:06:45.480
<v Speaker 1>Be the NFL. It's uh, I'm not gonna argue with you,

1:06:45.560 --> 1:06:45.960
<v Speaker 1>my friends.

1:06:46.000 --> 1:06:47.760
<v Speaker 2>So when I got that phone call from all my

1:06:47.840 --> 1:06:51.720
<v Speaker 2>homies from KC, I told everybody who called me about betting,

1:06:52.360 --> 1:06:53.920
<v Speaker 2>I'm not betting against her.

1:06:54.640 --> 1:06:56.680
<v Speaker 1>It's like, man, you crat that ain't got nothing to do.

1:06:56.800 --> 1:06:59.560
<v Speaker 1>I said, listen, it's cool, but I'm not betting. That's

1:06:59.560 --> 1:07:02.440
<v Speaker 1>what I said. Well, I said her. I wasn't betting

1:07:02.480 --> 1:07:05.240
<v Speaker 1>against her for sure. I said, I'm not betting against

1:07:05.320 --> 1:07:11.040
<v Speaker 1>Dais Swim. But a guy told me, Warrant said, you

1:07:11.080 --> 1:07:14.120
<v Speaker 1>bet on that quarterback right there. You bet on the

1:07:14.120 --> 1:07:19.000
<v Speaker 1>best quarterback on the field before the game started. He's

1:07:19.000 --> 1:07:21.840
<v Speaker 1>the best quarterback on the field. He's the best quarterback

1:07:21.840 --> 1:07:24.720
<v Speaker 1>in the NFL. So Flitch, he said, I'm not going

1:07:24.760 --> 1:07:28.120
<v Speaker 1>against the best quarterback. Yeah, he's right there. That's who

1:07:28.160 --> 1:07:31.520
<v Speaker 1>you bet on, because it's gonna come down there him,

1:07:31.720 --> 1:07:33.400
<v Speaker 1>and it came down there, down now, and it came

1:07:33.440 --> 1:07:33.760
<v Speaker 1>down there.

1:07:34.400 --> 1:07:37.720
<v Speaker 2>I just want to know though, because the spread the

1:07:37.800 --> 1:07:41.120
<v Speaker 2>over and under was forty seven point five. You know

1:07:41.160 --> 1:07:44.880
<v Speaker 2>what the score ended up being forty seven. How y'all

1:07:44.960 --> 1:07:49.360
<v Speaker 2>niggas knew that y'all was on point five? Point five

1:07:49.400 --> 1:07:51.400
<v Speaker 2>don't even exist. Nigga can't score point five.

1:07:51.440 --> 1:07:54.880
<v Speaker 1>I can't score point five. A nigga can't even score

1:07:54.960 --> 1:07:59.560
<v Speaker 1>point five. They had the forty nine ers one and

1:07:59.600 --> 1:08:03.640
<v Speaker 1>a half and the over and umber over and under

1:08:03.720 --> 1:08:09.160
<v Speaker 1>forty seven five. That's just your niggas is who didn't

1:08:09.360 --> 1:08:10.360
<v Speaker 1>how you nigga?

1:08:10.400 --> 1:08:15.400
<v Speaker 2>Yeah ya just yeah, oh yeah, that's why I don't

1:08:15.440 --> 1:08:20.080
<v Speaker 2>bet on sports listen. But great football team. But it's

1:08:20.600 --> 1:08:22.439
<v Speaker 2>I'm saying all the funny ship and all the ship,

1:08:22.560 --> 1:08:25.759
<v Speaker 2>it's cool. That's that's you know, that's just me speaking

1:08:25.760 --> 1:08:29.840
<v Speaker 2>from being a true fan of my team. But the

1:08:29.840 --> 1:08:33.519
<v Speaker 2>the real, the ultimate real is Kansasy is a great

1:08:33.560 --> 1:08:36.479
<v Speaker 2>fucking football amazing team and y'all got great players on

1:08:36.520 --> 1:08:37.320
<v Speaker 2>that team.

1:08:37.600 --> 1:08:39.880
<v Speaker 1>And shout out to my brother Travis Kelsey. We have

1:08:39.920 --> 1:08:44.040
<v Speaker 1>a you know where we're partners and oh yeah wine

1:08:44.360 --> 1:08:48.160
<v Speaker 1>yeah yeah, the rewind team, shout out the Fat Show. Yeah,

1:08:49.200 --> 1:08:53.240
<v Speaker 1>but you know, uh who else is on there with

1:08:53.400 --> 1:08:58.679
<v Speaker 1>Tyson Beckford? Yeah? You don't know the rest? You can

1:08:58.760 --> 1:09:00.720
<v Speaker 1>I do know the rest, you know, That's what do

1:09:01.280 --> 1:09:05.000
<v Speaker 1>that's another one. DJ Kalli is there with us. You

1:09:05.040 --> 1:09:07.240
<v Speaker 1>know what I'm saying. He got me and I have

1:09:07.400 --> 1:09:09.559
<v Speaker 1>the best hair color for men. I have the dark.

1:09:10.160 --> 1:09:14.000
<v Speaker 1>That's what you want. Rewind here. You don't want the

1:09:14.080 --> 1:09:17.240
<v Speaker 1>charco no, no, no, you want you want the natural black.

1:09:17.280 --> 1:09:19.439
<v Speaker 1>You know what I'm saying. Tyson his is the same.

1:09:19.800 --> 1:09:22.600
<v Speaker 1>But Tyson's mostly ball headed and old like that he was.

1:09:22.840 --> 1:09:24.320
<v Speaker 1>He had this hot moment when he was ball head.

1:09:24.360 --> 1:09:26.719
<v Speaker 1>Ain't handle her. I got hair, you know what I'm saying.

1:09:26.800 --> 1:09:28.479
<v Speaker 1>So it's like, you want to go with the guy

1:09:28.479 --> 1:09:31.120
<v Speaker 1>who actually has hair. Get the bit the box with

1:09:31.160 --> 1:09:34.160
<v Speaker 1>my face on. There are more benefits to the box

1:09:34.200 --> 1:09:36.519
<v Speaker 1>with my face on it. Get get paid once you

1:09:36.560 --> 1:09:40.320
<v Speaker 1>get it. When you get his box balls to you

1:09:40.479 --> 1:09:45.080
<v Speaker 1>don't want to get hit. Jesus, I've been watching too

1:09:45.160 --> 1:09:53.160
<v Speaker 1>much of Cavin made. It is shout love y'all show.

1:09:53.240 --> 1:09:56.559
<v Speaker 1>You had a pause. I love y'all show, Bro, And

1:09:56.680 --> 1:09:59.639
<v Speaker 1>they got j Simpson on there, Bro and Mark Jackson

1:09:59.640 --> 1:10:02.559
<v Speaker 1>like it's let us want to shout out. I gotta go.

1:10:02.640 --> 1:10:05.920
<v Speaker 1>This is a good round. Shout out to Shout out

1:10:05.960 --> 1:10:09.880
<v Speaker 1>to Mike Epps and Shannon Shark for uh talking like men.

1:10:10.880 --> 1:10:13.320
<v Speaker 1>I just wanted to throw that out there. I just

1:10:13.320 --> 1:10:18.280
<v Speaker 1>want to throw that out there because I know Mike Apps,

1:10:17.920 --> 1:10:26.400
<v Speaker 1>thank you guys. Think you think he's a comedian? Ain't

1:10:26.400 --> 1:10:31.640
<v Speaker 1>you funny? He is in his hometown, in his hometown. Yeah,

1:10:31.680 --> 1:10:34.800
<v Speaker 1>I'm glad. Yeah, I'm glad they were able to you know,

1:10:34.840 --> 1:10:37.080
<v Speaker 1>of course, ain't no punk, so we're not We're definitely

1:10:37.080 --> 1:10:39.639
<v Speaker 1>not saying that, no, but they just came to understanding men.

1:10:40.880 --> 1:10:45.639
<v Speaker 1>And I think that, you know, sometimes you just got

1:10:45.640 --> 1:10:47.599
<v Speaker 1>to be mindful, you know what I'm saying.

1:10:48.439 --> 1:10:52.800
<v Speaker 2>That these are in all of this that's going on,

1:10:53.400 --> 1:10:58.400
<v Speaker 2>it's all comedians. Comedians should be able to be funny,

1:10:58.840 --> 1:11:01.800
<v Speaker 2>even if it hurts your feelings. Sometime if I go

1:11:01.880 --> 1:11:04.519
<v Speaker 2>to a comedy show, I want to be like, oh

1:11:05.280 --> 1:11:05.800
<v Speaker 2>and laugh.

1:11:05.960 --> 1:11:09.360
<v Speaker 1>I don't want I think I think Joe, I think yes.

1:11:09.760 --> 1:11:14.400
<v Speaker 1>But I also think that especially with Shannon being as

1:11:14.479 --> 1:11:17.200
<v Speaker 1>old school as he is, you know what I'm saying,

1:11:17.200 --> 1:11:19.280
<v Speaker 1>And from that, you know, from the part of town

1:11:19.280 --> 1:11:21.680
<v Speaker 1>that he's from, like you know that, and he's not

1:11:21.720 --> 1:11:26.080
<v Speaker 1>a comedian, right that the whole you know, and I

1:11:26.080 --> 1:11:27.400
<v Speaker 1>don't want to go too far into this, but that

1:11:27.479 --> 1:11:30.559
<v Speaker 1>whole using gay to tear Black Ben down. It's like

1:11:30.560 --> 1:11:33.759
<v Speaker 1>a that's a thing, and it can be a trigger

1:11:34.640 --> 1:11:40.080
<v Speaker 1>for you know what I'm saying. So I understand what

1:11:40.120 --> 1:11:42.960
<v Speaker 1>you're saying, because for me, it's like tell you jokes man,

1:11:43.600 --> 1:11:45.000
<v Speaker 1>you know what I'm saying. But I just I can

1:11:45.000 --> 1:11:47.160
<v Speaker 1>see how it can be triggering to somebody who's just

1:11:48.360 --> 1:11:52.080
<v Speaker 1>that's too motherfucking you know. But I'm glad they got

1:11:52.080 --> 1:11:54.840
<v Speaker 1>to work that out. You know, maybe I'll be on

1:11:54.880 --> 1:11:57.719
<v Speaker 1>Club Sha, you know, maybe maybe you know, maybe Harry

1:11:57.800 --> 1:12:00.960
<v Speaker 1>Money making appearance on Club You know what I'm saying,

1:12:01.400 --> 1:12:03.040
<v Speaker 1>I open up for Mike. You know what I'm saying.

1:12:03.040 --> 1:12:05.040
<v Speaker 1>I open up, you know, do my comedy set before

1:12:05.520 --> 1:12:07.280
<v Speaker 1>I'm gonna bring me on. Man, you know my jokes

1:12:07.320 --> 1:12:10.519
<v Speaker 1>is right. Come on, man, they're gonna throw your ass

1:12:10.520 --> 1:12:13.800
<v Speaker 1>into that all these comedians and now they gonna be

1:12:13.800 --> 1:12:16.080
<v Speaker 1>talking shit about you. Let him talk shit. I got

1:12:16.200 --> 1:12:18.120
<v Speaker 1>I got ship to talk I don't think I got

1:12:18.160 --> 1:12:18.920
<v Speaker 1>ship to talk back.

1:12:19.120 --> 1:12:21.320
<v Speaker 2>I don't want to talk shit about nobody, man. I

1:12:21.360 --> 1:12:25.439
<v Speaker 2>want to continue to keep our positive brain jo niggas up,

1:12:25.560 --> 1:12:26.560
<v Speaker 2>keep smooth.

1:12:26.640 --> 1:12:29.040
<v Speaker 1>Most comedians can't dress anyway. They clothes be fucked up.

1:12:29.280 --> 1:12:33.479
<v Speaker 1>I'm gonna start with your clothes, start with your facial hairs,

1:12:33.600 --> 1:12:38.280
<v Speaker 1>your beards be fucked up. Is it like a thing

1:12:38.320 --> 1:12:40.599
<v Speaker 1>wearing comedy where niggas have to wear fucked up clothes

1:12:40.600 --> 1:12:42.479
<v Speaker 1>so they jokes are better? Like what is that? Like?

1:12:43.120 --> 1:12:46.200
<v Speaker 1>It's never good clothes until you like get to the top.

1:12:46.960 --> 1:12:49.720
<v Speaker 1>Like Kevin is probably the only one that wears good clothes. No,

1:12:49.800 --> 1:12:52.759
<v Speaker 1>Mike wears good clothes. Might be flying. Mike and Kevin

1:12:52.800 --> 1:12:56.679
<v Speaker 1>be flying. Outside of that and during the air, Kings

1:12:56.680 --> 1:12:59.240
<v Speaker 1>of Comedy, that was different. I didn't wear them suits,

1:12:59.240 --> 1:13:03.759
<v Speaker 1>but I get it. We can name five. I warded

1:13:03.800 --> 1:13:10.360
<v Speaker 1>Steve Harvey big bodies, what teaking pants? Come on, man

1:13:10.479 --> 1:13:14.040
<v Speaker 1>getting fat? Give me the vest, to give me the vest,

1:13:14.920 --> 1:13:18.559
<v Speaker 1>Come on, man, Steve Harvey blessed me with the hell

1:13:18.600 --> 1:13:24.800
<v Speaker 1>of suits. Nigga, shout up to Steve. Niggas were suiting

1:13:24.840 --> 1:13:27.800
<v Speaker 1>the movie and right now that niggas, Steve be clean.

1:13:27.920 --> 1:13:30.719
<v Speaker 1>Kings of Comedy, hear different, clean, he a different clean

1:13:30.760 --> 1:13:34.120
<v Speaker 1>now clean. You don't wave now, but everybody almost comedians

1:13:34.120 --> 1:13:35.519
<v Speaker 1>are just like that. Yeah, no, no no.

1:13:35.600 --> 1:13:38.280
<v Speaker 2>But also let's keep it a buck too, though, nigga,

1:13:38.320 --> 1:13:41.799
<v Speaker 2>it's like it's expensive to wear.

1:13:42.320 --> 1:13:44.840
<v Speaker 1>And you gotta get to a certain Listen, man, listen, man.

1:13:45.080 --> 1:13:47.439
<v Speaker 1>When I was just playing at church for seventy five

1:13:47.479 --> 1:13:49.840
<v Speaker 1>hours a Sunday, we're gonna pull up the pictures of

1:13:49.920 --> 1:13:54.479
<v Speaker 1>you and your slacks. Bro, listen, old Tree, You're gonna

1:13:54.479 --> 1:13:59.519
<v Speaker 1>look like boys, Jean, I put it. We look nice though, yeah,

1:13:59.560 --> 1:14:02.000
<v Speaker 1>looking now. They had a question at least about one

1:14:02.000 --> 1:14:05.040
<v Speaker 1>of the articles of clothing I had on. Somebody we

1:14:05.120 --> 1:14:07.200
<v Speaker 1>get that shirt from there? Somebody put up.

1:14:07.240 --> 1:14:09.160
<v Speaker 2>I know there's a lot of people that's from tanks,

1:14:09.200 --> 1:14:11.519
<v Speaker 2>church days, and the church that he went to that

1:14:11.640 --> 1:14:13.320
<v Speaker 2>got some pictures of him when he's walking around with

1:14:13.360 --> 1:14:16.160
<v Speaker 2>his Bible at home room in high school.

1:14:16.040 --> 1:14:19.679
<v Speaker 1>In high school suit and boot it. It wasn't expensive suits.

1:14:19.680 --> 1:14:20.880
<v Speaker 1>It was a suit side of the four. But I

1:14:20.880 --> 1:14:23.000
<v Speaker 1>put them things together because I wanted to look like

1:14:23.000 --> 1:14:29.200
<v Speaker 1>something clean. I keep them clean tens, but clean. All right.

1:14:29.240 --> 1:14:32.920
<v Speaker 1>That's the recap, man. Man. Shout out to all the

1:14:32.920 --> 1:14:34.920
<v Speaker 1>Grammy Award winners. Shout out to all the Grammy No

1:14:35.000 --> 1:14:38.519
<v Speaker 1>my knees. Shout out to our brother Harvey Mason Junior

1:14:38.600 --> 1:14:41.519
<v Speaker 1>over there at the Grammys. Trying to get it all right,

1:14:41.560 --> 1:14:43.040
<v Speaker 1>man and put in put it in put in a

1:14:43.040 --> 1:14:46.639
<v Speaker 1>good space. Man, shout out to Usher, you.

1:14:46.600 --> 1:14:50.920
<v Speaker 2>Got any I ain't saying no names stories from super

1:14:51.000 --> 1:14:54.800
<v Speaker 2>Bowl Week or Grammy or Grammy Week. I like to say,

1:14:54.840 --> 1:14:57.040
<v Speaker 2>shout out to that NBA all start that threw up

1:14:57.080 --> 1:14:57.719
<v Speaker 2>on the table.

1:15:04.200 --> 1:15:22.679
<v Speaker 6>What Yeah, I gotta tell you my shout out.

1:15:23.400 --> 1:15:26.719
<v Speaker 1>That was it I got I think I ain't fucking

1:15:26.760 --> 1:15:30.880
<v Speaker 1>with that, ladies. And this is the Army Money podcast,

1:15:30.920 --> 1:15:34.080
<v Speaker 1>the authority on all things R and B. This has

1:15:34.120 --> 1:15:38.160
<v Speaker 1>been the recap Grammys, uh, the Usher celebration. Man. Make

1:15:38.200 --> 1:15:40.200
<v Speaker 1>sure you go check our brother out on the door man,

1:15:40.560 --> 1:15:43.080
<v Speaker 1>and the next time you see us, we'll have another

1:15:43.120 --> 1:15:46.599
<v Speaker 1>guest in the hot seat representing this R and B

1:15:47.560 --> 1:15:49.080
<v Speaker 1>R and B Money.

1:15:49.800 --> 1:15:51.559
<v Speaker 2>R and B Money is a production of the Black

1:15:51.600 --> 1:15:56.240
<v Speaker 2>Effect podcast Network. For more podcasts from iHeart Radio, visit

1:15:56.320 --> 1:16:00.000
<v Speaker 2>the iHeartRadio app, Apple Podcasts, or wherever you listen to

1:16:00.200 --> 1:16:03.760
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1:16:10.040 --> 1:16:15.240
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<v Speaker 2>R and B Money