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Speaker 1: R and B Money. We are thanks. We are the

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Speaker 1: authority on all R and B ladies and gentlemen. My

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Speaker 1: name is Tank. This is the Army Money Podcast, the

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Speaker 1: authority on all things R and B and sports and sports.

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Speaker 1: We're gonna get to that. We're gonna get to that.

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Speaker 1: I respect, I respect your love. I respect the ten

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Speaker 1: toes down, I respect it. I'm faithful to the game,

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Speaker 1: to the nine gang man we are. We are foregoing

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Speaker 1: our normal routine. Yeah, and today we're just gonna talk

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Speaker 1: to talk, we wrap up. We're gonna do a wrap up.

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Speaker 1: It's been so much cool R and B ship going

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Speaker 1: on two weeks of cool, two cold weeks of cool. Arbi.

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Speaker 1: We gotta talk about it. And and our first stop

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Speaker 1: where we're going, Where we're going, it's gonna be the

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Speaker 1: twenty twenty four, twenty twenty four Grammys. Great show, great show,

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Speaker 1: great show. I'm saying, an amazing show. That was an

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Speaker 1: amazing show. Yeah, I enjoyed watch listen. Me and a

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Speaker 1: fan we watched it. And I'm not like there's always something,

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Speaker 1: you know, there's always like a I did right right,

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Speaker 1: great show, great show. I agree, you know what I'm saying.

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Speaker 1: I'd like to get into the winners though, because you

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Speaker 1: know this R and B Money podcast, I like to

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Speaker 1: come on, let's get to the winners, talk about these

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Speaker 1: you know these R and B and listen, everybody that

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Speaker 1: was nominated, Congratulations your regulations, because that in itself is

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Speaker 1: an accomplishment your winners. In my book, you should get

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Speaker 1: trophies for that. Let's start certificates, right, you get a

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Speaker 1: nomination certificate, nominated certificate, and a medal medal. Yeah, but

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Speaker 1: there should be like a small little especially if there's

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Speaker 1: a R and B get you get a trinking Album

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Speaker 1: of the Year. You're one of the producers and writers

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Speaker 1: on the album. All right, listen, I might start giving

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Speaker 1: them my candles. We got to give out something because

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Speaker 1: the Valentine we talked to Harvey about this smells amazing

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Speaker 1: to Best R and B Song. The nominees were Cocle Jones,

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Speaker 1: I see you, Haley Angel Helly Is it hally or Hey?

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Speaker 1: I want to say that, right, I think it's Holly.

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Speaker 1: I think it's Halle right, Yeah, yeah, hally Is has

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Speaker 1: got a thing to it, right.

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Speaker 2: I mean, I just I grew up on Holly Berry Holley,

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Speaker 2: So I think when every time I see that name,

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Speaker 2: I just think, okay, okay, y.

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Speaker 1: Uh. Robert Glasper featured siring excisely back to Love What

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Speaker 1: a song, Scissor Snooze, Victoria, Oh my Mama, and the

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Speaker 1: winner was a snooze.

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Speaker 2: I can't say nothing about that. Snoozes listening snoozes amazing.

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Speaker 1: Super amazing. I mean, listen back to Love Special my Mama,

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Speaker 1: you can't even get you can't get away from you

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Speaker 1: can't get.

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Speaker 2: My Mom was a movement. These are a great song,

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Speaker 2: great song. These are great song.

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Speaker 1: I see you that was That was a super viral TikTok.

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Speaker 1: That was everywhere. Angel is just you know what. I

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Speaker 1: like Angel. You know, I like Angel in this category

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Speaker 1: because it's like it's a classic. It's a it's a

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Speaker 1: real classic record, and she is a straight ahead bonafarde

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Speaker 1: flat footage singer. Cold Blood. Cold Blood shout.

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Speaker 2: Out the sism, I mean shout out to Babyface, the

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Speaker 2: baby face yea from the production and you know the

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Speaker 2: music side, and I met the young fella who also

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Speaker 2: wrote and produced with them from the track side.

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Speaker 1: Christopher Rick Times. Christ to that young brother, send me

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Speaker 1: some records, brother, you got Grammy's now on be that's

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Speaker 1: what I say. Progressive. Yeah, where we're at. Best progressive

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Speaker 1: R and B album, Okay Diddy Love Album Off the Grid,

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Speaker 1: Terrence Martin, James foun Leroy No Special, Janel mon Age

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Speaker 1: of Pleasure. I just love that title. Yeah, I vote

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Speaker 1: for that title. Scissor s O s Wow. I always

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Speaker 1: messed this up black that I just I just everybody

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Speaker 1: wanted to say. Six wanting. It's got a little thing.

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Speaker 1: Six lacks came through this whole man ship since since

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Speaker 1: I have a lover, that's that's that title is incredible too.

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Speaker 1: And the Winter amazing album, amazing album in my opinion

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Speaker 1: album what about it? We will get there?

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Speaker 2: Yeah, that's just my opinion though, right because it's we're

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Speaker 2: gonna get there and it's objectives.

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Speaker 1: We gonna get there. Here here, Best R and B

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Speaker 1: performance Chris Brown Summer Too Hot. It's my favorite joints

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Speaker 1: Yeah yeah, uh, Coco Jones, I see you Fire, Robert Glasberg,

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Speaker 1: Sir Alex Eisley, Back to Love says a Kill, Bill

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Speaker 1: Jesus Christ, Victorian Money, How does it make you feel Heavy?

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Speaker 1: Category winner? Coco Jones, I see you what a record?

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Speaker 1: You get? No argument out of me? On that what

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Speaker 1: a record, incredible record.

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Speaker 2: I wouldn't have she sang her heart out on I

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Speaker 2: wouldn't R and B performance, She sang her art.

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Speaker 1: I wouldn't have been mad at I mean, you know,

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Speaker 1: I'll be going back to that, back to love, just

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Speaker 1: be that, back to love be killing me. Yeah, but

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Speaker 1: no argument, not a one. She earned that Best Traditional

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Speaker 1: R and B Performance Babyface featuring Cocal Jones Simple. That

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Speaker 1: album was Fire by the Way, Babyface, Ken Dixon, Lucky Fire,

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Speaker 1: Super Fire, PJ. Morton featuring Susanne Carrol, Good Morning Special,

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Speaker 1: Siza Love Language, Victorian Monette featuring Earth Wind and Fire,

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Speaker 1: and Hazel Money. Shout out to the Baby. Yeah yeah,

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Speaker 1: baby got publishing. Baby. You know what I'm saying, Baby

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Speaker 1: got mechanicals. You know what I'm saying. I love that

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Speaker 1: we're doing that too. Now.

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Speaker 2: You got to that we including the kids and you

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Speaker 2: know what I mean, we letting them get get it early.

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Speaker 1: I think that I think that you know, those handouts,

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Speaker 1: you know, I think we come from a long line

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Speaker 1: of you know, well I had to do it the

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Speaker 1: hard way. You gotta do it the hard way, right.

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Speaker 1: We come from a long line of that, as opposed

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Speaker 1: to Okay, I did that, so you don't have to

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Speaker 1: do that, but you are going to have to do this. Yeah.

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Speaker 2: Now we have to start creating a different type of

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Speaker 2: generational wealth.

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Speaker 1: A different type of generational.

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Speaker 2: Wealth, right because we've had we've had a wealth of

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Speaker 2: a lot of things that aren't lucrative in the positive way.

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Speaker 1: Talk about it, you know what I mean.

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Speaker 2: We have a lot of wealth of violence, a lot

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Speaker 2: of wealth of trauma, a lot of wealth of a

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Speaker 2: lot of foolishness. Let's now create the wealth of success,

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Speaker 2: you know what I mean, as we continue to pass

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Speaker 2: that on to our kids.

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Speaker 1: And I love that.

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Speaker 2: I love the fact that Blue Ivy has a Grammy

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Speaker 2: love that, you know what I'm saying, And that that

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Speaker 2: that Hazel Monette has a nomination. It's what it should

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Speaker 2: be though, you know what I mean? That that was

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Speaker 2: Stevie Wonder's daughter on Isn't she lovely?

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Speaker 1: You know what I mean? So it's like, you know,

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Speaker 1: I'm glad that's something that's you know who the winner

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Speaker 1: on this one was the winner on PJ Morton features

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Speaker 1: Good Morning, Yes, Yes, Shout out to our brother peach Fire,

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Speaker 1: super Fire Record Best R and B Album, Babyface Girls,

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Speaker 1: night Out. I love that album. Coco Jones. What I

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Speaker 1: didn't tell you? Deluxe del you know Deluxe is there,

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Speaker 1: Emily King, Special Occasion, Summer Walker, Clear Too, Soft Life EP.

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Speaker 1: Soft Life is kind of a bar. That's where the

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Speaker 1: girls are now. Victoria Money Jaguar two, which was the winner.

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Speaker 1: Shout out to Victoria Money. Put in the work. She

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Speaker 1: put in the work, in work. They understand how long

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Speaker 1: how long it took for her to get here. Yeah,

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Speaker 1: that was a real process. Like, this is not overnight.

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Speaker 1: A lot of you that are new to the Discovery

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Speaker 1: is just dancing now to own my mama. You have

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Speaker 1: no idea, you know what I mean? And so this

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Speaker 1: is like, this is real. This is rooted in the

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Speaker 1: real foundation of you know, blood, sweat and tears, real foundation. Nothing.

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Speaker 1: This isn't a TikTok. You know, I've overnight sensation. This

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Speaker 1: is I.

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Speaker 2: Met Victoria at least fifteen years ago for the first time.

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Speaker 1: Bro, we we used to be. I'm talking about yeah,

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Speaker 1: one bedroom apartment, one bedroom. Yeah, it might have been

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Speaker 1: a loft in there, but the folks show just one bedroom. Yeah.

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Speaker 1: I was like, okay, all right, you're gonna you're gonna

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Speaker 1: you're gonna get somewhere. I'm telling you. She got a

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Speaker 1: lot of bedrooms. Now, yeah, she got the big house.

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Speaker 1: Yeah yeah, I've seen it on the Instagram, so I

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Speaker 1: seen it. You know, you know, you know the sound travels. Yeah,

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Speaker 1: you know. Shout out to big Man. So awesome, so awesome.

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Speaker 1: Let's go the best new artists. Okay, because that was

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Speaker 1: that was a dope one. Coco Jones, Gracie Abrams, Yes, yes, yes,

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Speaker 1: Fred again Ice Spice, Jelly Row, Jelly Row. Noah, I

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Speaker 1: don't want to say that wrong. I'm gonna say Noah, Kahan.

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Speaker 1: I'm gonna it could be ka Han k Han, just

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Speaker 1: con or just Khan ship. Take a look.

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Speaker 3: It's in up book reading Boo, I can do anything. Uh,

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Speaker 3: Victoria Mone the War and treaty.

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Speaker 1: The war entreaty. I'm not sure if you're tapped into

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Speaker 1: them yet. I am not.

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Speaker 2: They are so cold. I gotta get they are so cold.

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Speaker 2: It's a husband and wife team. And the husband, from

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Speaker 2: my understanding, was like a war vet. I want to

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Speaker 2: say he was in the military, and they're special.

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Speaker 1: They're special. M I gotta give real talk special. Yeah. Well,

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Speaker 1: the winner was Victoria Money. We talked about it. Yeah,

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Speaker 1: large hallways, many bedrooms sound and this is what I'll

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Speaker 1: say about that too.

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Speaker 2: I don't know anybody else's path, all of the other

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Speaker 2: artists that are in it, for sure, I can only

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Speaker 2: attest to her of me seeing it, you know, as

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Speaker 2: a first look direct to her, and I just I

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Speaker 2: commend her for not giving up because you know, I say,

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Speaker 2: I've said it multiple times. I think that the difference

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Speaker 2: between being successful and not being successful and whatever you do,

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Speaker 2: it's just not giving up. And she is literally the

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Speaker 2: proto type of not giving up.

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Speaker 1: Like she did not give up.

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Speaker 2: I've seen her go through all fase is of the

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Speaker 2: music business and it never knocked her down or never

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Speaker 2: was like you know what, this ain't it for me?

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Speaker 1: And she had a great album on on the original Jaguar, Yeah,

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Speaker 1: and COVID happened, all these things been cooking. Can just

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Speaker 1: can hear that?

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Speaker 2: And I don't you know, And this is another thing.

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Speaker 2: I don't know the criteria of when you can't be

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Speaker 2: considered a new artist, but I do know this is

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Speaker 2: her first.

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Speaker 1: Major label album.

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Speaker 2: I don't know how that goes because you know, I

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Speaker 2: saw some of the people in the chatter of Oh, well,

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Speaker 2: how is she best new artists?

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Speaker 1: She been out? Well, I don't know how that goes

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Speaker 1: m personally because are the other ones albums that has

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Speaker 1: to be considered an album in order for you to

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Speaker 1: be our mixtapes, right, So that's what I'm saying.

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Speaker 2: I don't know how that goes, but looked at it,

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Speaker 2: she's very deserving in my opinion, love that award.

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Speaker 1: We also got some R and B in uh in

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Speaker 1: the Song of the Year. I believe with all these

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Speaker 1: you know, Billy Eilish, what was I made for Monster record?

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Speaker 1: Dua Lipa Dance to Night? John Baptiste Butterfly, He's just

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Speaker 1: dumb talent. He just like him like a w mighty

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Speaker 1: Cyrus Flowers loved that song. Incredible. Olivia Rodrigo Vampire. He

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Speaker 1: always gonna act like he knows man to say it

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Speaker 1: the right way. Baby, definitely just I don't know Bill

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Speaker 1: and Taylor's with Anti Hero And that winner was Billie Eilish.

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Speaker 1: Great record, great record, It's an R and B record.

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Speaker 2: I'm still fighting and this is why in this category

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Speaker 2: I'll say this kill Bill in my opinion, is one

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Speaker 2: of the best written songs I've heard in my life,

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Speaker 2: in my life, it scares me. No, no, listen as

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Speaker 2: a man, it scares me because I believe this is

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Speaker 2: my thing of how you should to me.

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Speaker 1: Once again, subjective opinion.

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Speaker 2: All these things are the way I rate music is

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Speaker 2: how it makes me feel, of course, not how it

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Speaker 2: makes nobody else feel.

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Speaker 1: How it makes me feel.

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Speaker 2: And like I said, this record feels like a thriller

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Speaker 2: to me because of what she's saying and how it

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Speaker 2: all ties in and the emotion she evokes from what

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Speaker 2: she's going through. And truth for the matter is think

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Speaker 2: about really what she's saying. It should not be a

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Speaker 2: pop hit. You don't think that it would be a

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Speaker 2: pop hit. She's talking about killing something, she's about double murder.

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Speaker 1: You gotta put them down sometimes.

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Speaker 2: No, you don't. Don't kill the X and his new girl.

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Speaker 2: Like just I would say get over it, but that

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Speaker 2: that song just holds a different a different type of

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Speaker 2: space for me because I just know how I felt

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Speaker 2: when I hear it, or how I feel when I

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Speaker 2: hear it, And to me, that makes it where I

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Speaker 2: don't think nothing should be a record like that to me.

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Speaker 1: To me, you know when I'm with you and when

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Speaker 1: I heard it, I thought it was. I thought it

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Speaker 1: was of course creative genius. I thought the way it

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Speaker 1: was written was just amazingly done. It still felt like

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Speaker 1: it still felt cute to me, though, cute because it's

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Speaker 1: still felt because it's still a bright it's kind of dark.

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Speaker 2: I get it, and that's probably why it's worked so well.

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Speaker 1: It has the dark under disguised, yes, under the under

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Speaker 1: the sesame streets, like we're just like, I'm gonna kill Mack,

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Speaker 1: But what did you say? That's why it's so fucking

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Speaker 1: great to me, I think. But when I heard that,

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Speaker 1: when I heard that what was I Made for? I was,

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Speaker 1: I was. I was moved like I was like I was,

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Speaker 1: I was stuck listening to the record. I was stuck

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Speaker 1: and I was like this tone, of course melody and

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Speaker 1: of course the words like it's just it's it's like,

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Speaker 1: I mean, especially no, you can't, you can't.

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Speaker 2: I'm just saying my personally, my personal pick would have

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Speaker 2: been killed Bill, because I just I feel that, you

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Speaker 2: know that record is level for me.

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Speaker 1: Album of the Year. Mm hmm mm hmm. There was

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Speaker 1: there was you know, there's people in there. We're gonna

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Speaker 1: go straight there, we'll go out let's go. Let's no, No,

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Speaker 1: let's go, let's go. Let's have it, Let's have it,

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Speaker 1: get it, let's get to it. Let's get to year.

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Speaker 1: Uh Boy, Genius the Record, Janelle Monet, Age of Pleasure,

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Speaker 1: John Baptiste, World Music Radio, Lina del Ray. Did you

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Speaker 1: know that there's a there's a tunnel under Ocean Boulevard

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Speaker 1: that's fire? Uh Manley Cyrus, Endless Summer Vacation, Olivia Rodrigo, Guts,

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Speaker 1: sizz A s o S. Taylor Swift, Midnights Winter Taylor Swift.

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Speaker 2: I don't agree, not for me, for me once again,

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Speaker 2: for me, Yeah, you know what I mean. I think

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Speaker 2: it was a great album. Did I feel like it

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Speaker 2: was album of the year. No, because once again I

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Speaker 2: felt like Sis had album of the Year.

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Speaker 1: To me, I felt like Sissa had so many standouts, right,

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Speaker 1: that has to ultimately lead to the best body of

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Speaker 1: work if you have that many call out records from

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Speaker 1: an album like my kid, my daughter is Siss a

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Speaker 1: fan club times a thousand from this this this album.

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Speaker 2: Yeah gone, yeah, no, she she she did something, She

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Speaker 2: did something amazing with this with this project. It's a

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Speaker 2: full project and she really like you could you could

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Speaker 2: feel what she was going through this whole album and

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Speaker 2: just the way it's written and it's not and you know,

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Speaker 2: you know me, I'm I'm an advocate for all things

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Speaker 2: R and B, but it's not fully just an R

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Speaker 2: and B not at all.

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Speaker 1: It's hip pop, R and B pop. It's everywhere it has,

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Speaker 1: but it's cohesive.

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Speaker 2: It's like she doesn't lose herself within this album where

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Speaker 2: it's like, oh, I'm just trying to make all these

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Speaker 2: people happy.

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Speaker 1: I'm just like, no, this is just who I am.

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Speaker 1: They don't even think this conversation is even against Taylor.

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Speaker 1: I think Taylor made a grill. She makes great music.

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Speaker 1: But I think what this album did for Sissa and

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Speaker 1: where it placed Sissa in the conversation overall as a

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Speaker 1: world superstar speaks to the weight that that album holds,

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Speaker 1: you know what I mean? Like, I think we've we've

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Speaker 1: we've seen we've seen Taylor in stadiums for good a

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Speaker 1: little while now, we've seen at the top of the

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Speaker 1: charts for quite some time now. She's been in the

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Speaker 1: world music dominance conversation for for quite a while. But this,

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Speaker 1: the weight of this Scissor album propelled her into a

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Speaker 1: whole other world, the three of that conversation.

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Speaker 2: No, she up there, she's when you mentioned now from

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Speaker 2: this and listen, people can say what they want, but

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Speaker 2: now when you mention the top women in music, because yeah,

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Speaker 2: she's absolutely in the top artist too, for sure, but

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Speaker 2: women have been kicking everybody's ass. And when you women,

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Speaker 2: I mean when you when you mentioned women, she's in there,

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Speaker 2: when you mentioned Rihanna, Beyonce, Taylor Swift, Sizza has now

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Speaker 2: entered that conversational. And that's tough. That's it's really hard

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Speaker 2: to get into that space. The weight of that album

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Speaker 2: and that's what that album that album, and that's why

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Speaker 2: for me, it's like, yeah, the power of that album

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Speaker 2: can thrust you into that right. Shout out the top

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Speaker 2: dog entertain Shout out to that, Shout out to top dog,

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Speaker 2: Shout out to Punch, Shout out to those amazing young

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Speaker 2: black men.

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Speaker 1: Huh doing the thing? I want to say, those two

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Speaker 1: artists out there, and songwriters and producers and an rs

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Speaker 1: and labels, it's a testament to taking your time in

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Speaker 1: doing something.

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Speaker 2: Yes, yes, they be attacking my dog punch on Twitter.

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Speaker 2: They be attacking punch because they say punch. It be

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Speaker 2: holding up the albums. But that's great an RN. You

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Speaker 2: will get it when it's right. I forgot shout out

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Speaker 2: to Mixed by Ali too, because that that man is

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Speaker 2: amazing as an engineer in the mixer.

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Speaker 1: You will get it when it's right. Yeah, yeah, and

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Speaker 1: the results are.

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Speaker 2: I have to say, yeah, now you're in that space.

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Speaker 2: But while we're here, right, like, let's have a real

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Speaker 2: conversation about how these awards are won though, right because

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Speaker 2: we're going to talk about Album of the Year while

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Speaker 2: we're still at Album of the Year. And you know,

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Speaker 2: there was there was also the moment in the awards

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Speaker 2: where jay Z spoke on the fact that Beyonce don't

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Speaker 2: have no Album of the Years. And in my opinion,

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Speaker 2: the reason that that happens that a lot less urban

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Speaker 2: artists black yep don't have Album of the Years is

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Speaker 2: because everyone can vote on Album of the Year. And

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Speaker 2: what happens is now the disparity in how many voters

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Speaker 2: are black, are Spanish, are of color that really really

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Speaker 2: listened to urban music.

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Speaker 1: It's an imbalance. It's an imbalance. Well, there was a

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Speaker 1: greater imbalance, it was absolute greater in balance before Harvey

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Speaker 1: came in.

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Speaker 2: Yes, yeah, I want to say it went from like

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Speaker 2: eight percent, yeah, to twenty eight percent. And he's come

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Speaker 2: in and tried to since he's been the chairman chairman

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Speaker 2: to encourage more of us. Hey, man, get involved because

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Speaker 2: this is a voting process.

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Speaker 1: No, I mean, I listen. I had to conversations with

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Speaker 1: Harvey and.

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Speaker 2: With Alicia when Melisia was still at the Grammys, and

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Speaker 2: how adamant they were about more urban membership, you know

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Speaker 2: what I mean, and really going out there and advocating

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Speaker 2: for it and just even calling me like Jay. You know,

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Speaker 2: since you're a member, you can get to people, you

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Speaker 2: can give invitations and the members and you know what

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Speaker 2: I mean, And if you have enough, I don't know.

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Speaker 2: The exact thing is, you have to have certain a

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Speaker 2: certain criteria to be It's either be on an album

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Speaker 2: or it's not. Only even think it has to be

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Speaker 2: a Grammy nominated album, but I think you just have

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Speaker 2: to prove that you actually work in the music business

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Speaker 2: and can join theirs, be a and be a voting member.

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Speaker 2: And even for me, I've I've been an advocate over

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Speaker 2: the last few years of just telling people like yo, bro,

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Speaker 2: you got to join, you got to find out you

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Speaker 2: got to, you know, go go to the website, go,

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Speaker 2: you know, go to the Recording that academ your website

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Speaker 2: and try to figure out how to become a voting member,

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Speaker 2: because obviously, when you're voting on these type of awards,

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Speaker 2: if the numbers are like this, it's less.

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Speaker 1: Like that we really have a real chance.

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Speaker 2: Even when we have albums that should be listen that

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Speaker 2: should be album of the Year.

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Speaker 1: I will say this, Beyonce should have at least two

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Speaker 1: albums of the Year.

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Speaker 2: I agree dangerously in Love and Lemonade at least at

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Speaker 2: least at the least at the least.

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Speaker 1: And I understand I understand jay Z's pain in his speech,

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Speaker 1: but I also felt like, if I'm being honest, you know,

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Speaker 1: I guess you're gonna articulate it however you feel. You know,

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Speaker 1: what's on your heart is, You're gonna drop it how

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Speaker 1: you feel it is what it is. But it was

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Speaker 1: I felt like Doctor Dre is standing there. This is

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Speaker 1: a Black Grammy, and we are giving you the Doctor

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Speaker 1: Dre Award for all the work that you've done, you know,

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Speaker 1: to speak everything that goes along with that, I don't

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Speaker 1: I don't know if if within that within the speech

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Speaker 1: or you know, with within him advocating, uh for the wife.

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Speaker 1: I don't know if I ever heard the thank you

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Speaker 1: in a sense for getting that type of award, a

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Speaker 1: doctor Dre award. I feel like him, him feeling that

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Speaker 1: the wife had been slighted kind of kind of stole

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Speaker 1: the moment of what that award was about.

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Speaker 2: You heard Frank Lucas, you know you heard Frank Lucas.

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Speaker 2: You heard Denzel Washington. What does Zel Washington say?

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Speaker 1: What do you say? What does it Washington say? Come on,

404
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Speaker 1: come on, come on, come on. De Zel Junior Jr.

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Speaker 1: What do you say he said a bunch of stuff

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Speaker 1: you got about his wife? What did Denzel say about

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Speaker 1: his wife in that movie? What you say they tried

408
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Speaker 1: to kill my wife when it's about your wife? Listen, listen,

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Speaker 1: the gloves are off. I understand, I understand. I'm not

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Speaker 1: saying I don't understand. We gotta protect our women. We

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Speaker 1: gotta protect our women. But it also had a double effect.

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Speaker 1: Right as he was as he's protecting her, he's it

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Speaker 1: felt like he was also killing the the weight of

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Speaker 1: everybody else's award, because it's almost like these awards ain't

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Speaker 1: ship kind of vibe, okay, which is what I kind

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Speaker 1: of got. So we also go back to a man

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Speaker 1: who you know, had to watch his genre of music

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Speaker 1: not get televised Grammys. I'm so in his wet.

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Speaker 2: We gotta take we gotta take into account the lead

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Speaker 2: up of all these things. Like you said, I boycotted,

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Speaker 2: but I still watched it. It wasn't a great boycott, right,

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00:26:59,760 --> 00:27:02,960
Speaker 2: but yeah, yeah, right, Like so this is a build up,

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Speaker 2: This is a This isn't just I made this decision tonight.

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Speaker 2: This is hey, man, this happened. Look what happened with

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Speaker 2: Will Smith? Look what happened? You know what I'm saying.

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Speaker 1: Like, and my question to you is this killing Mike

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Speaker 1: his award? We had to find out through texts. I

428
00:27:21,600 --> 00:27:24,280
Speaker 1: agree with you still, So my my question to you

429
00:27:24,359 --> 00:27:28,240
Speaker 1: is this, is that a conversation that should be had

430
00:27:28,359 --> 00:27:34,000
Speaker 1: with the the governing body of the Grammys. Is that

431
00:27:34,080 --> 00:27:36,680
Speaker 1: a conversation where you say, hey, I like to sit

432
00:27:36,720 --> 00:27:39,840
Speaker 1: down with you guys and try to understand X, Y

433
00:27:39,880 --> 00:27:44,880
Speaker 1: and Z and and and really you know, and get

434
00:27:44,880 --> 00:27:49,119
Speaker 1: to the bottom of what I feel is wrong with

435
00:27:49,200 --> 00:27:53,480
Speaker 1: this system, Right, I mean that that's definitely a way

436
00:27:53,600 --> 00:27:56,360
Speaker 1: to go about it, or is it? You know, I'm

437
00:27:56,400 --> 00:27:59,320
Speaker 1: just looking at the weight of the award. I'm such

438
00:27:59,320 --> 00:28:02,639
Speaker 1: a big Doctor Dre fan that if anybody's giving me

439
00:28:02,880 --> 00:28:09,359
Speaker 1: Doctor Dre anything, right, like, I thank you to doctor

440
00:28:09,440 --> 00:28:11,760
Speaker 1: Dre and for the for what the weight of this weight,

441
00:28:11,960 --> 00:28:15,280
Speaker 1: the weight of this award means to have this given

442
00:28:15,359 --> 00:28:16,439
Speaker 1: to me based on.

443
00:28:16,600 --> 00:28:18,480
Speaker 2: He didn't say it the way you just said it,

444
00:28:18,840 --> 00:28:20,959
Speaker 2: but he did shout him out. He did shout out

445
00:28:21,040 --> 00:28:23,000
Speaker 2: Dre snoop. And you know what I'm saying, like he

446
00:28:23,240 --> 00:28:25,879
Speaker 2: did he did. He just said the way you just

447
00:28:25,920 --> 00:28:26,280
Speaker 2: said it.

448
00:28:26,760 --> 00:28:29,800
Speaker 1: Did you did you feel it? Though? Because what do

449
00:28:29,840 --> 00:28:36,800
Speaker 1: we you know me? I'm like, listen.

450
00:28:36,720 --> 00:28:38,800
Speaker 2: If I'm jay Z, I'm a billion strong and I

451
00:28:38,800 --> 00:28:41,080
Speaker 2: got forty seven thousand grammys at the house. I want

452
00:28:41,080 --> 00:28:43,320
Speaker 2: to know why there's not an hour of a year

453
00:28:43,360 --> 00:28:44,560
Speaker 2: one up on the map.

454
00:28:44,640 --> 00:28:46,840
Speaker 1: But think about where you're able to speak from at

455
00:28:46,880 --> 00:28:50,800
Speaker 1: a billion dollars forty eight grammys at the house, right right,

456
00:28:50,920 --> 00:28:53,640
Speaker 1: right right. But it's nothing more powerful to getting upon

457
00:28:53,720 --> 00:28:55,640
Speaker 1: that you put in front of all the people and

458
00:28:55,720 --> 00:28:59,800
Speaker 1: saying it, I get it, I get it. That's what

459
00:28:59,800 --> 00:29:03,120
Speaker 1: I'm say. It's two parts. It's it is you gotta

460
00:29:03,120 --> 00:29:05,240
Speaker 1: protect your speak up for you, There's no doubt about that.

461
00:29:06,360 --> 00:29:09,040
Speaker 1: But it's also it's also it's also going to come

462
00:29:09,120 --> 00:29:11,440
Speaker 1: at the expense of a few things. And I think

463
00:29:11,440 --> 00:29:13,400
Speaker 1: it was maybe at the expense of the weight of

464
00:29:13,440 --> 00:29:15,360
Speaker 1: the type of award he was receiving from doctor Dre

465
00:29:15,920 --> 00:29:19,600
Speaker 1: and at the expense like even I'll even throw I'll

466
00:29:19,600 --> 00:29:22,320
Speaker 1: even throw Miley Cyrus in there where it felt like

467
00:29:22,440 --> 00:29:23,920
Speaker 1: a piece of her. Was like, I mean, it's just

468
00:29:23,920 --> 00:29:27,040
Speaker 1: a grammy, and you know whatever. You guys are excited, Okay, good, fine,

469
00:29:27,880 --> 00:29:33,160
Speaker 1: And I'm like, we have Victoria Monet winning three. She

470
00:29:33,320 --> 00:29:39,320
Speaker 1: worked for that, and she Victorian one worked for that,

471
00:29:39,760 --> 00:29:44,320
Speaker 1: like hard, So it's just it's just a grammy. You

472
00:29:44,320 --> 00:29:46,200
Speaker 1: guys can be excited. I'm not. And I get that

473
00:29:46,280 --> 00:29:49,640
Speaker 1: some people may feel that way. But when you blanket

474
00:29:49,680 --> 00:29:53,120
Speaker 1: it like that in front of everybody, now it starts

475
00:29:53,160 --> 00:29:57,320
Speaker 1: to you know, matriculate down to everybody. Should I not

476
00:29:57,400 --> 00:29:58,280
Speaker 1: be excited, but.

477
00:30:00,280 --> 00:30:04,920
Speaker 2: Think that some people are just disruptors too. Drake is

478
00:30:04,960 --> 00:30:08,400
Speaker 2: a disruptor because Drake pretty much not even pretty much.

479
00:30:08,400 --> 00:30:11,080
Speaker 1: He said he uses his as a doorstop. He did

480
00:30:11,160 --> 00:30:11,440
Speaker 1: you know what.

481
00:30:11,400 --> 00:30:14,400
Speaker 2: I'm saying on record on Big Records you know what

482
00:30:14,400 --> 00:30:17,040
Speaker 2: I'm saying. So it's like and I'm just like, do

483
00:30:17,120 --> 00:30:20,720
Speaker 2: you do both? Do you accept the award and say yeah?

484
00:30:20,800 --> 00:30:25,080
Speaker 1: And here's another doorstopper, God bless you what you show up?

485
00:30:26,440 --> 00:30:28,120
Speaker 1: If you fly, you pay a lot of money to

486
00:30:28,120 --> 00:30:30,480
Speaker 1: get here. If that's how you feel to come on

487
00:30:30,640 --> 00:30:33,600
Speaker 1: the award show to get the award that the voter,

488
00:30:33,720 --> 00:30:36,280
Speaker 1: that these people everybody stands is different and just to

489
00:30:36,320 --> 00:30:40,320
Speaker 1: say yeah, another door, another sippy cup, another yeah. And

490
00:30:40,360 --> 00:30:42,560
Speaker 1: the other part is or if it's that to you,

491
00:30:42,600 --> 00:30:43,840
Speaker 1: why show up?

492
00:30:44,640 --> 00:30:47,240
Speaker 2: Because sometime you want to slap people with it, and

493
00:30:47,320 --> 00:30:48,800
Speaker 2: sometimes you know what I mean, sometime you want to

494
00:30:48,840 --> 00:30:50,560
Speaker 2: go and drink your Hennessy out of it, or you'll

495
00:30:50,560 --> 00:30:52,880
Speaker 2: do say because you have your own liquor, and you

496
00:30:52,880 --> 00:30:53,280
Speaker 2: know what I mean.

497
00:30:53,480 --> 00:30:56,040
Speaker 1: Sometimes you listen on the other side of that, What

498
00:30:56,120 --> 00:31:00,960
Speaker 1: does that mean to those young those young producers, as songwriters,

499
00:31:01,000 --> 00:31:07,760
Speaker 1: singers and everybody else coming up? Who are here's a question, right,

500
00:31:08,720 --> 00:31:11,560
Speaker 1: if you don't believe in Santa Claus, right, I don't,

501
00:31:13,960 --> 00:31:17,040
Speaker 1: you're gonna be over somebody house that's celebrating Christmas and

502
00:31:17,080 --> 00:31:20,080
Speaker 1: getting their kids, helping their kids baked cookies for Santa

503
00:31:20,120 --> 00:31:22,840
Speaker 1: coming and the reindeer and leaving milk out and all

504
00:31:22,880 --> 00:31:24,640
Speaker 1: that stuff, and say, man, what the fuck y'all doing

505
00:31:24,680 --> 00:31:27,200
Speaker 1: the No goddamn Santa Claus and this motherfucker man they

506
00:31:27,240 --> 00:31:29,840
Speaker 1: bought all that motherfucking toys. Peel that shit off, man,

507
00:31:29,840 --> 00:31:39,520
Speaker 1: Ain't nobody are you gonna do that? Because I've definitely

508
00:31:39,520 --> 00:31:41,720
Speaker 1: done some wild ship when it comes to Santa in

509
00:31:41,800 --> 00:31:46,360
Speaker 1: my black household. These gets us from Daddy Nigga bought this,

510
00:31:46,560 --> 00:31:49,520
Speaker 1: surely me, that's who who?

511
00:31:50,920 --> 00:31:55,160
Speaker 2: So yes, I felt like it had, But I also

512
00:31:55,280 --> 00:31:57,760
Speaker 2: do I also don't think which I haven't won a

513
00:31:57,800 --> 00:32:01,360
Speaker 2: Grammy and I want to. I I also don't think

514
00:32:01,400 --> 00:32:04,960
Speaker 2: it cheapens when I win. Mind, well, I know the

515
00:32:05,000 --> 00:32:08,040
Speaker 2: work I gotta do, and I feel like at one

516
00:32:08,040 --> 00:32:11,520
Speaker 2: point I'm gonna have my speech. Right, it doesn't cheapen

517
00:32:12,000 --> 00:32:14,800
Speaker 2: my Grammy at all. That one man drinks whatever he

518
00:32:14,880 --> 00:32:17,000
Speaker 2: drinks out of it, and another man used it as

519
00:32:17,040 --> 00:32:21,200
Speaker 2: a doorstop, and another young lady says, hey, I only

520
00:32:21,240 --> 00:32:24,880
Speaker 2: came here to see Mariah like that don't mean nothing

521
00:32:24,920 --> 00:32:31,120
Speaker 2: to me about that Grammy that I'm going to win, right.

522
00:32:31,240 --> 00:32:33,960
Speaker 1: It's just is what it is, you know, And is

523
00:32:33,960 --> 00:32:36,640
Speaker 1: it a flawed system. It is. I believe that it's

524
00:32:36,640 --> 00:32:37,640
Speaker 1: a flaw system.

525
00:32:38,080 --> 00:32:40,480
Speaker 2: But I also believe that's a part of why our

526
00:32:40,520 --> 00:32:44,080
Speaker 2: community has to get more involved.

527
00:32:43,600 --> 00:32:47,200
Speaker 1: Absolutely in the system, so we have somebody in the

528
00:32:47,280 --> 00:32:50,240
Speaker 1: system who's from our community trying to get us in

529
00:32:50,360 --> 00:32:51,960
Speaker 1: so we can balance it out.

530
00:32:52,000 --> 00:32:54,200
Speaker 2: I'm not even telling it that we need to get

531
00:32:54,200 --> 00:32:57,160
Speaker 2: in so we can be you know, seventy two percent

532
00:32:57,200 --> 00:33:00,520
Speaker 2: to their twenty eight. No, I'm saying, let's figure even

533
00:33:00,520 --> 00:33:03,320
Speaker 2: if it's fifty to fifty and its scales or even which.

534
00:33:03,160 --> 00:33:05,280
Speaker 1: Just life ain't like that, but let's just get in.

535
00:33:05,440 --> 00:33:07,880
Speaker 2: Let's get in so then you can really have an

536
00:33:07,920 --> 00:33:10,960
Speaker 2: opinion on it and say how you feel. Because I'm

537
00:33:10,960 --> 00:33:13,840
Speaker 2: a voting member, so I say how I feel, I

538
00:33:13,880 --> 00:33:15,960
Speaker 2: say what I voted for. I say what I would

539
00:33:15,960 --> 00:33:19,200
Speaker 2: have voted for if I could have gotten into multiple categories.

540
00:33:19,200 --> 00:33:22,520
Speaker 2: But you know, the whole thing now is you get

541
00:33:22,520 --> 00:33:26,040
Speaker 2: your categories that you can vote into the but the big.

542
00:33:25,800 --> 00:33:27,720
Speaker 1: Categories everybody can weigh in on.

543
00:33:27,960 --> 00:33:30,760
Speaker 2: Everybody can weigh in on that. And as another big

544
00:33:30,800 --> 00:33:32,920
Speaker 2: category that I want to shout out and I cannot

545
00:33:32,920 --> 00:33:39,480
Speaker 2: forget song Writer of the Year, my god t Ron.

546
00:33:39,400 --> 00:33:43,160
Speaker 1: My brother, I just talked to him too. I said, man,

547
00:33:43,200 --> 00:33:45,800
Speaker 1: where's my records at? We was down in Jacksonville. Yeah,

548
00:33:45,840 --> 00:33:48,280
Speaker 1: I said, what are my songs at? He said, yeah,

549
00:33:48,280 --> 00:33:50,080
Speaker 1: we gotta get in there and just you know, we

550
00:33:50,160 --> 00:33:52,640
Speaker 1: do something together. I said, no, I just want songs.

551
00:33:53,120 --> 00:33:56,240
Speaker 1: I want your song. Your songs, man, man, and I'm

552
00:33:56,240 --> 00:33:59,480
Speaker 1: gonna tell you what I did, your song I did. Yeah.

553
00:34:00,280 --> 00:34:04,080
Speaker 2: First, I congratulated him, put him you know, on the story.

554
00:34:04,520 --> 00:34:09,040
Speaker 2: I called that man multiple times. He hit me, bro,

555
00:34:09,400 --> 00:34:11,520
Speaker 2: thank you Broever, no, no, no, no, no. I'm gonna call

556
00:34:11,560 --> 00:34:13,240
Speaker 2: you again because I need you to hear my voice

557
00:34:13,239 --> 00:34:15,920
Speaker 2: telling you congratulations.

558
00:34:16,560 --> 00:34:20,359
Speaker 1: You did it. I love you, brother, I'm proud of you.

559
00:34:20,360 --> 00:34:23,200
Speaker 1: Give mm hmmm. I had to though.

560
00:34:23,600 --> 00:34:26,040
Speaker 2: It was like Nigga, me and him play phone tag

561
00:34:26,080 --> 00:34:28,400
Speaker 2: for about a day and a half and we finally

562
00:34:28,400 --> 00:34:28,960
Speaker 2: got on the line.

563
00:34:28,960 --> 00:34:31,919
Speaker 1: He sent me a voice no further cool, cool, cool, cool.

564
00:34:32,640 --> 00:34:35,280
Speaker 2: I'm going to call you again because I know you're busy,

565
00:34:35,880 --> 00:34:39,759
Speaker 2: because Nigga, for this, you got to get that full congratulations. Bro,

566
00:34:40,200 --> 00:34:42,319
Speaker 2: you got to hear me tell it to you and

567
00:34:42,520 --> 00:34:48,200
Speaker 2: don't disappear. You know what, he ain't gonna different, He different,

568
00:34:48,760 --> 00:34:50,840
Speaker 2: He different. So that's why even him winning.

569
00:34:51,360 --> 00:34:57,040
Speaker 1: He no, exactly, exactly, one of everybody proud. It's one

570
00:34:57,080 --> 00:34:58,799
Speaker 1: of us up there. I don't know what nigga I

571
00:34:58,960 --> 00:35:04,239
Speaker 1: was mad about. T Ron was all. We all took

572
00:35:04,239 --> 00:35:07,480
Speaker 1: a shot to that one. Yeah, yeah, one of our guys.

573
00:35:07,520 --> 00:35:11,399
Speaker 2: And then we'll get to best Rap Album. You want

574
00:35:11,400 --> 00:35:13,440
Speaker 2: to go to rap album, Let's let me because because

575
00:35:13,440 --> 00:35:17,439
Speaker 2: that was a thing. That was a thing, killing Mike

576
00:35:17,520 --> 00:35:21,320
Speaker 2: winning and killing Mike being mid to late forties winning

577
00:35:21,360 --> 00:35:25,319
Speaker 2: Best Rap Album, which is considered you know, a young

578
00:35:25,400 --> 00:35:27,919
Speaker 2: man sport.

579
00:35:28,600 --> 00:35:30,760
Speaker 1: If you listen to that album, that man is wrapping

580
00:35:30,840 --> 00:35:34,759
Speaker 1: his ass off. If you didn't understand it when he

581
00:35:34,880 --> 00:35:39,640
Speaker 1: got the award, I pray you win and did your research,

582
00:35:39,840 --> 00:35:44,640
Speaker 1: research to your research. I pray you went and listened

583
00:35:44,960 --> 00:35:48,799
Speaker 1: to that body of work. You know her Lily won

584
00:35:48,880 --> 00:35:52,800
Speaker 1: another Grammy being on that album. Right. I don't like Carolin.

585
00:35:53,239 --> 00:35:58,000
Speaker 1: It's the greatest bro. He's the great always somewhere, so

586
00:35:58,040 --> 00:36:03,959
Speaker 1: you just get always some we're doing something killer Mike

587
00:36:04,840 --> 00:36:11,880
Speaker 1: his album. Mm hmm. When I lift weights, killing Mike's album,

588
00:36:12,360 --> 00:36:17,040
Speaker 1: I break my gym. Mhmm, my gym breaks because he

589
00:36:17,120 --> 00:36:22,759
Speaker 1: put me in a mold. What what? And when I

590
00:36:22,800 --> 00:36:25,600
Speaker 1: say he he say, he say, because I was rapping

591
00:36:25,600 --> 00:36:29,600
Speaker 1: my ass off. He on there wrapping his ass off.

592
00:36:30,800 --> 00:36:35,160
Speaker 1: I don't know what y'all thought. This ain't no rapid rap.

593
00:36:35,239 --> 00:36:40,560
Speaker 1: Nigga say, this ain't no rapit rap that nigga spitting.

594
00:36:41,440 --> 00:36:44,640
Speaker 1: This ain't no rapidy rap. This ain't no vibe, This

595
00:36:44,680 --> 00:36:45,319
Speaker 1: ain't no way.

596
00:36:45,719 --> 00:36:48,759
Speaker 2: He took his time. He took his time, real songwriting,

597
00:36:49,280 --> 00:36:50,040
Speaker 2: real songwriting.

598
00:36:50,640 --> 00:37:00,240
Speaker 1: This is art. Yeah, this is a student of the game. Yeah, graduating.

599
00:37:00,080 --> 00:37:04,080
Speaker 1: Thing is bachelor's, that is masters, and then it's PhD.

600
00:37:05,920 --> 00:37:14,279
Speaker 1: This is that certified monster. If you you don't get that, man,

601
00:37:14,600 --> 00:37:16,640
Speaker 1: sp it's another rap Grammy. I want to.

602
00:37:17,480 --> 00:37:22,080
Speaker 2: I want to shout out best melodic rap performance.

603
00:37:22,360 --> 00:37:26,400
Speaker 1: Who got that? Won by Little Dirk and j Cole

604
00:37:27,800 --> 00:37:31,759
Speaker 1: all my life? You know why I like that? You

605
00:37:31,840 --> 00:37:36,040
Speaker 1: know why I like that because I like that for Dirk.

606
00:37:36,600 --> 00:37:39,040
Speaker 1: I love that for Dirk. I like that for him

607
00:37:39,160 --> 00:37:43,960
Speaker 1: because of the message in that record. Yes, I like

608
00:37:44,120 --> 00:37:48,600
Speaker 1: him for winning for that that record, for that record, Yes,

609
00:37:49,239 --> 00:37:53,080
Speaker 1: for wanting to be something different, something wanting to be better,

610
00:37:53,400 --> 00:37:54,920
Speaker 1: to want to better himself.

611
00:37:56,320 --> 00:38:01,880
Speaker 2: And so I spoke about this and in my in

612
00:38:01,960 --> 00:38:07,640
Speaker 2: my episode. Obviously you know it was a moment where

613
00:38:07,640 --> 00:38:13,399
Speaker 2: I spoke about me helping to discover Chief Keef. Little

614
00:38:13,440 --> 00:38:17,359
Speaker 2: Dirk was signed after that discovery to dev jam no

615
00:38:17,440 --> 00:38:21,719
Speaker 2: Id signed him right and he had his major record deal.

616
00:38:22,440 --> 00:38:26,040
Speaker 2: Nothing really came of it. They you know, however it

617
00:38:26,120 --> 00:38:29,799
Speaker 2: works out at labels. Little Dirt could have went away,

618
00:38:30,640 --> 00:38:35,600
Speaker 2: stayed at it, stayed at it when Independent stayed on

619
00:38:35,600 --> 00:38:40,960
Speaker 2: his grind, the mixtapes went crazy. Built all that up

620
00:38:41,440 --> 00:38:45,600
Speaker 2: ends up doing the deal with Alamo with Todd, and

621
00:38:45,640 --> 00:38:50,200
Speaker 2: then Juliet came over talk to talk and what they've

622
00:38:50,200 --> 00:38:55,000
Speaker 2: built and going after it and even just even being

623
00:38:55,040 --> 00:38:58,920
Speaker 2: in a situation where somebody will submit the label will

624
00:38:58,960 --> 00:39:02,200
Speaker 2: submit a record for because we didn't talk about that part,

625
00:39:02,239 --> 00:39:05,680
Speaker 2: like the submission of records labels have to your label

626
00:39:05,680 --> 00:39:08,120
Speaker 2: has to submit your records too, or you have to

627
00:39:08,120 --> 00:39:11,040
Speaker 2: see somebody in your team that's to submit your records.

628
00:39:11,880 --> 00:39:15,440
Speaker 2: And there's a campaign that's involved with people, the voting

629
00:39:15,520 --> 00:39:17,960
Speaker 2: members knowing you have this music out so that you

630
00:39:18,000 --> 00:39:20,720
Speaker 2: even get the nomination. So shout out to Alamo Records,

631
00:39:21,120 --> 00:39:24,239
Speaker 2: Shout out to Juliet for having you know, the the

632
00:39:25,640 --> 00:39:27,759
Speaker 2: for foreseeing it and having a you know what I mean,

633
00:39:27,960 --> 00:39:29,760
Speaker 2: her mind and in that place to say.

634
00:39:29,600 --> 00:39:32,760
Speaker 1: You know what, this should be submitted, this should.

635
00:39:32,520 --> 00:39:34,879
Speaker 2: Be we should go after this Grammy Award winning record,

636
00:39:34,920 --> 00:39:37,279
Speaker 2: you know what I mean. And and hey, derk, it's

637
00:39:37,280 --> 00:39:39,040
Speaker 2: gonna be some some work that gotta get done because

638
00:39:39,040 --> 00:39:40,040
Speaker 2: everybody don't just know you.

639
00:39:40,719 --> 00:39:42,080
Speaker 1: Because that's the other space too.

640
00:39:42,600 --> 00:39:46,759
Speaker 2: Let's talk about that where bro, you have to it's

641
00:39:46,800 --> 00:39:48,240
Speaker 2: like anything, it's like running for office.

642
00:39:48,400 --> 00:39:51,640
Speaker 1: No, it's not like running right, Like, you gotta go

643
00:39:51,719 --> 00:39:54,799
Speaker 1: campaign your records just to get the nomination because there

644
00:39:55,160 --> 00:40:00,640
Speaker 1: are there are there are divisions, you know what I mean.

645
00:40:00,680 --> 00:40:02,879
Speaker 1: There are territories. You know what I'm saying. It's East Coast,

646
00:40:02,880 --> 00:40:04,960
Speaker 1: there's West Coast, it's down south. And there are different

647
00:40:05,000 --> 00:40:08,640
Speaker 1: people that are running these different sector sections and sectors

648
00:40:10,040 --> 00:40:11,800
Speaker 1: of the different R and B I mean the different

649
00:40:11,800 --> 00:40:18,640
Speaker 1: Grammy regions. Yeah, that's the word. And so it would

650
00:40:18,640 --> 00:40:22,960
Speaker 1: behoove you, yes to go in campaign and campaign and

651
00:40:23,000 --> 00:40:25,759
Speaker 1: see all those people just to raise your hand say

652
00:40:25,760 --> 00:40:27,560
Speaker 1: hey guys, I got some cool stuff out managed want

653
00:40:27,600 --> 00:40:31,880
Speaker 1: to make sure it's on your radar. That's simple. And

654
00:40:31,920 --> 00:40:35,440
Speaker 1: then another another recipe that is too. When you're making

655
00:40:35,480 --> 00:40:38,719
Speaker 1: these albums, sit with all the people you're making the

656
00:40:38,800 --> 00:40:40,800
Speaker 1: album with, and make.

657
00:40:40,760 --> 00:40:43,800
Speaker 2: Sure they're voting members voting, because you can vote for

658
00:40:43,840 --> 00:40:47,160
Speaker 2: yourself and if you know, especially in urban music, is

659
00:40:47,520 --> 00:40:50,839
Speaker 2: a reason why they've been on this whole thing where

660
00:40:50,880 --> 00:40:54,120
Speaker 2: they don't want to give out all those multiple Grammys

661
00:40:54,360 --> 00:40:57,920
Speaker 2: to all these you know, writers and producers that are

662
00:40:57,920 --> 00:41:01,040
Speaker 2: on R and B Album of the Year or which

663
00:41:01,239 --> 00:41:04,160
Speaker 2: everyone that plays a part should get her damn grand

664
00:41:05,360 --> 00:41:07,960
Speaker 2: Everybody should get a Grammy. If you're if you win,

665
00:41:08,760 --> 00:41:11,160
Speaker 2: you should get a Grammy. You should actually get the hardware, right,

666
00:41:11,920 --> 00:41:17,520
Speaker 2: So get everybody that's it. If it's thirty people on

667
00:41:17,560 --> 00:41:20,120
Speaker 2: this album, sit them down. That's thirty votes.

668
00:41:20,200 --> 00:41:26,120
Speaker 1: It's thirty votes every single person. Hope y'all listening, because

669
00:41:26,120 --> 00:41:27,760
Speaker 1: this is not rocket science.

670
00:41:27,960 --> 00:41:31,680
Speaker 2: No, no, y'all all went to school, you remember running

671
00:41:31,680 --> 00:41:32,440
Speaker 2: for class president.

672
00:41:33,560 --> 00:41:37,319
Speaker 1: Get some candy, niggas. Tell him you're going to try

673
00:41:37,320 --> 00:41:42,920
Speaker 1: to figure out how to extend recess longer. Lunch longer,

674
00:41:43,040 --> 00:41:47,520
Speaker 1: lunch with the people. That's really what that shit is, though,

675
00:41:47,680 --> 00:41:50,120
Speaker 1: Like you gotta get to it. Yeah, you gotta get

676
00:41:50,120 --> 00:41:50,319
Speaker 1: to it.

677
00:41:50,320 --> 00:41:54,080
Speaker 2: The marketing doesn't stop, the promotion doesn't stop. It's the

678
00:41:54,120 --> 00:41:58,239
Speaker 2: same thing. We've said this before when Tyler Creator. He

679
00:41:58,360 --> 00:42:00,759
Speaker 2: has the viral clip that talks about how you gonna

680
00:42:00,760 --> 00:42:03,879
Speaker 2: put out an album and only promoted for the first week,

681
00:42:04,440 --> 00:42:06,400
Speaker 2: talk about it. I've been promoting this album for the

682
00:42:06,480 --> 00:42:07,000
Speaker 2: last two.

683
00:42:06,920 --> 00:42:09,640
Speaker 1: Years, and I'm not gonna stop keep promoting.

684
00:42:10,160 --> 00:42:12,360
Speaker 2: I mean, I got three songs out right now, you

685
00:42:12,400 --> 00:42:14,600
Speaker 2: know what I'm saying. Thank me for that before the

686
00:42:14,600 --> 00:42:18,040
Speaker 2: streets the day after. I'm gonna keep promoting them songs,

687
00:42:18,080 --> 00:42:19,520
Speaker 2: and I'm gonna put out some more songs and I'm

688
00:42:19,560 --> 00:42:21,719
Speaker 2: gonna keep promoting those for the album that's coming.

689
00:42:21,920 --> 00:42:25,359
Speaker 1: Conversations with women and this candle conversation is available. Who

690
00:42:25,400 --> 00:42:28,799
Speaker 1: you're talking to? Contrast what women with the women because

691
00:42:28,800 --> 00:42:29,879
Speaker 1: you know what I mean, because the man you talk

692
00:42:30,280 --> 00:42:34,440
Speaker 1: one woman the women. Conversations with women, you know what

693
00:42:34,440 --> 00:42:36,640
Speaker 1: I mean. Okay, it's a round table. You want your

694
00:42:36,640 --> 00:42:39,200
Speaker 1: house to smell like the Valentine. Talk to him. Get

695
00:42:39,200 --> 00:42:41,080
Speaker 1: the candle. You know this is this is one hundred

696
00:42:41,080 --> 00:42:44,759
Speaker 1: percent marble. Yeah not not you know not not. This

697
00:42:44,800 --> 00:42:53,600
Speaker 1: ain't no hotel smell you hear this? That mean it's strong. Listen,

698
00:42:54,600 --> 00:42:57,480
Speaker 1: that's what go down with this candle. You should hear

699
00:43:04,400 --> 00:43:06,359
Speaker 1: that comes with the grammy. You know what I mean

700
00:43:06,440 --> 00:43:11,000
Speaker 1: and play and play slow play whim we yeah, you

701
00:43:11,040 --> 00:43:15,160
Speaker 1: know we play play before the streets and after you

702
00:43:15,200 --> 00:43:17,680
Speaker 1: finished play. Thank me for that. Thank me for that.

703
00:43:19,280 --> 00:43:23,840
Speaker 4: On the day after because I I taught the patience

704
00:43:25,239 --> 00:43:29,880
Speaker 4: totally went and say ship, turn it up.

705
00:43:31,200 --> 00:43:35,120
Speaker 1: I'm trying to just be still. So yeah, that's that's

706
00:43:35,160 --> 00:43:39,000
Speaker 1: the Grammys. Shout out to uh Tyler one for Water too.

707
00:43:39,520 --> 00:43:42,560
Speaker 1: You know, I love that record. I love that record.

708
00:43:42,640 --> 00:43:45,640
Speaker 1: I was with Shaka last night was the last night, yeah,

709
00:43:46,320 --> 00:43:49,680
Speaker 1: and we were at the club at this week. We're

710
00:43:49,680 --> 00:43:51,839
Speaker 1: at this dinner spot. I can't call it by name,

711
00:43:51,880 --> 00:43:53,640
Speaker 1: and then he said, you need to come upstairs and

712
00:43:53,680 --> 00:43:57,919
Speaker 1: hear this. And it's the style of music that water

713
00:43:58,360 --> 00:44:03,000
Speaker 1: Water is. I'm thinking Water is Afrobeat. It is not.

714
00:44:03,880 --> 00:44:06,239
Speaker 1: I'm a piano. That's the sound A M A p

715
00:44:06,400 --> 00:44:09,680
Speaker 1: I n O. I'm a I'm a piano, like I

716
00:44:09,719 --> 00:44:13,759
Speaker 1: am a piano, I'm a A I am a well

717
00:44:13,760 --> 00:44:16,080
Speaker 1: you know the kids, now that's how they say like

718
00:44:17,080 --> 00:44:19,000
Speaker 1: I'm a piano. That's that's the style of the music.

719
00:44:19,080 --> 00:44:21,040
Speaker 1: That's the style of music. It's a whole different thing, right,

720
00:44:21,360 --> 00:44:25,840
Speaker 1: It's it's the nuance is slightly different, right, and we're upstairs.

721
00:44:26,760 --> 00:44:31,920
Speaker 1: We go upstairs. It's a Tuesday. It's water wall mm hmm,

722
00:44:32,920 --> 00:44:37,160
Speaker 1: it's dark, and this music is playing and they are

723
00:44:37,280 --> 00:44:47,399
Speaker 1: going crazy and I'm like, he looking at this, I said,

724
00:44:47,440 --> 00:44:50,920
Speaker 1: I need to know who's doing it. I need to

725
00:44:50,960 --> 00:44:55,240
Speaker 1: know who's doing it, and I need it now because

726
00:44:55,239 --> 00:44:58,640
Speaker 1: it's the it's it's now the new thing, it's now

727
00:44:58,680 --> 00:45:02,920
Speaker 1: the next thing. And I never I didn't understand what

728
00:45:02,960 --> 00:45:04,880
Speaker 1: he was saying until he took until he said, come

729
00:45:04,920 --> 00:45:09,040
Speaker 1: upstairs and hear this. I was like, I need it.

730
00:45:09,040 --> 00:45:13,880
Speaker 1: It's incredible. It is incredible, man. And her song is

731
00:45:13,960 --> 00:45:15,640
Speaker 1: That's why her song is what it is to me.

732
00:45:15,680 --> 00:45:17,719
Speaker 1: That's why it feels like that to me, because you

733
00:45:17,760 --> 00:45:20,600
Speaker 1: know it's it's, it's it's it falls in line with that.

734
00:45:20,719 --> 00:45:25,439
Speaker 1: I'm a piano whatever that thing is, I need it.

735
00:45:26,360 --> 00:45:36,520
Speaker 1: I gotta be involved. Let's so, let's let's touch on

736
00:45:37,840 --> 00:45:42,000
Speaker 1: whenever you're going, bro, Bro, we gotta go to super Bowl. Bro.

737
00:45:42,360 --> 00:45:44,879
Speaker 1: You're going, Bro, we gotta go to Super Bowl Bro.

738
00:45:46,400 --> 00:45:50,919
Speaker 1: R and B. It was an R and B halftime show.

739
00:45:50,920 --> 00:45:52,799
Speaker 2: Before we get to the halftime show, before we get

740
00:45:52,800 --> 00:45:54,160
Speaker 2: to the have time show, Let's start with to do

741
00:45:54,239 --> 00:45:56,799
Speaker 2: our first. Let's let's let's let's go in in order.

742
00:45:56,920 --> 00:45:58,439
Speaker 2: All right, let's go in order to come on baby,

743
00:45:58,440 --> 00:46:01,000
Speaker 2: because it was a big night. It was a you

744
00:46:01,000 --> 00:46:01,560
Speaker 2: know what I mean, it.

745
00:46:01,600 --> 00:46:04,080
Speaker 1: Was a du walk the night before. Shout out my garden.

746
00:46:04,239 --> 00:46:06,640
Speaker 1: Yeah yeah, it was a you feel me, you know

747
00:46:06,640 --> 00:46:14,440
Speaker 1: what I'm saying. Oh ag entertainment. Yeah yeah. Shout out

748
00:46:14,480 --> 00:46:21,440
Speaker 1: to my brothers, Neo Mario, Yeah, myself myself. Shout out

749
00:46:21,480 --> 00:46:27,080
Speaker 1: to me. Shout out to me. Uh, your niggas had

750
00:46:27,080 --> 00:46:30,600
Speaker 1: a code event. We were in the theater at the Saharah.

751
00:46:30,640 --> 00:46:32,880
Speaker 1: Wall to wall, wall to wall.

752
00:46:34,440 --> 00:46:36,520
Speaker 2: Yeah, y'all look like zoo animals up there. I had

753
00:46:36,560 --> 00:46:37,719
Speaker 2: to walk to the back couple of times.

754
00:46:37,760 --> 00:46:39,480
Speaker 1: I'm like, you know what, this feels a little weird,

755
00:46:40,040 --> 00:46:42,600
Speaker 1: but you know, suggressive people were saying in the comments,

756
00:46:42,719 --> 00:46:46,120
Speaker 1: all these niggas, don't say, as a guy, it's our tables.

757
00:46:46,160 --> 00:46:49,560
Speaker 1: It wasn't just random people. Our tables were on stage.

758
00:46:49,560 --> 00:46:51,719
Speaker 1: That's what the people were on stage behind me. I

759
00:46:51,719 --> 00:46:53,320
Speaker 1: was trying to figure out a way to pick my

760
00:46:53,320 --> 00:46:56,880
Speaker 1: my couch up and put it behind the curtain so

761
00:46:56,960 --> 00:46:59,080
Speaker 1: I could really just have me a good time back there.

762
00:46:59,840 --> 00:47:06,120
Speaker 1: I know you were I was like, you can't leave

763
00:47:06,200 --> 00:47:08,880
Speaker 1: it like this, man, I'll be back. Let's say what

764
00:47:08,880 --> 00:47:14,640
Speaker 1: you do man, Just you know, it's such a dope moment.

765
00:47:14,680 --> 00:47:18,040
Speaker 1: And I think, you know, the beauty of that moment

766
00:47:18,120 --> 00:47:24,040
Speaker 1: to me was, you know, shout out to DJ Infamous,

767
00:47:24,800 --> 00:47:29,319
Speaker 1: my guy, and shout out to DJ A Fly guy,

768
00:47:30,960 --> 00:47:32,680
Speaker 1: and everybody was just trying to figure out how it

769
00:47:32,800 --> 00:47:35,799
Speaker 1: was going to go down. And I was like, bro,

770
00:47:36,000 --> 00:47:41,360
Speaker 1: we just go. We just go song for song, everybody

771
00:47:41,440 --> 00:47:46,239
Speaker 1: just do a song, man, let's just kill who go first,

772
00:47:46,239 --> 00:47:48,759
Speaker 1: who last? That's just And everybody looked at me was

773
00:47:48,800 --> 00:47:51,960
Speaker 1: like hell yeah that was and then Infamous was like,

774
00:47:52,120 --> 00:47:55,640
Speaker 1: but do this though, what's it? I like your style?

775
00:47:57,040 --> 00:48:00,200
Speaker 1: I like your style and and it just turned in too.

776
00:48:00,840 --> 00:48:04,560
Speaker 1: It turned into a cool, really cool R and B celebration. Yeah,

777
00:48:04,600 --> 00:48:04,839
Speaker 1: and the.

778
00:48:04,760 --> 00:48:06,480
Speaker 2: People on the internet wanted to know why you were

779
00:48:06,520 --> 00:48:09,160
Speaker 2: looking at Neo while he was singing like that while he.

780
00:48:09,239 --> 00:48:11,040
Speaker 1: Was like he was cooking.

781
00:48:12,040 --> 00:48:14,759
Speaker 2: And that's why I say that to you, because what

782
00:48:14,880 --> 00:48:18,759
Speaker 2: people don't realize about this man is that he is

783
00:48:18,800 --> 00:48:24,839
Speaker 2: a celebrator of talent. Yes, all things, like you said,

784
00:48:24,880 --> 00:48:28,360
Speaker 2: all things. So if you get busy that nigga t

785
00:48:28,400 --> 00:48:31,680
Speaker 2: ain't gonna down in and it may look funny to

786
00:48:31,760 --> 00:48:33,600
Speaker 2: you on the internet because you're not there, and that

787
00:48:33,640 --> 00:48:34,000
Speaker 2: whole thing.

788
00:48:34,280 --> 00:48:34,680
Speaker 1: I've seen it.

789
00:48:34,800 --> 00:48:36,240
Speaker 2: You know, you don't mean I be reading the comments.

790
00:48:36,280 --> 00:48:38,000
Speaker 2: I'm like, they really don't get it.

791
00:48:38,040 --> 00:48:40,799
Speaker 1: That's people who ain't who've never been looked at like

792
00:48:40,840 --> 00:48:46,480
Speaker 1: that before. Because when when if you've ever done something great,

793
00:48:47,560 --> 00:48:52,840
Speaker 1: somebody's looked at you like nigga, nigga. They didn't say

794
00:48:52,280 --> 00:48:55,520
Speaker 1: the face said it right right, you know. To see

795
00:48:55,600 --> 00:49:00,920
Speaker 1: Usher sing R and B music at the halftime of

796
00:49:00,960 --> 00:49:02,399
Speaker 1: the Super Bowl, Yeah, and.

797
00:49:02,719 --> 00:49:05,040
Speaker 2: Really it was an Usher concert and a football game

798
00:49:05,160 --> 00:49:05,560
Speaker 2: was going on.

799
00:49:06,560 --> 00:49:08,759
Speaker 1: Let's keep it a buck, Let's keep it a thousand.

800
00:49:10,760 --> 00:49:13,680
Speaker 1: Usher was having a show and they don't play some football,

801
00:49:13,680 --> 00:49:20,080
Speaker 1: and they let him play some football. Yeah, hm hmm, yeah. Yeah.

802
00:49:21,320 --> 00:49:22,880
Speaker 1: Let's get into it. Let's get into it. Let's get

803
00:49:22,880 --> 00:49:25,879
Speaker 1: into it. Let's get into it. Like here's what I'll say.

804
00:49:26,480 --> 00:49:30,080
Speaker 1: I have wishes when it's after the fact. Everybody always

805
00:49:30,120 --> 00:49:33,520
Speaker 1: has after the fact brilliance. Right, I would have. But

806
00:49:34,560 --> 00:49:42,920
Speaker 1: he didn't miss in in his execution of that show

807
00:49:42,960 --> 00:49:47,279
Speaker 1: from top to bottom something you pointed out earlier. He

808
00:49:47,480 --> 00:49:50,560
Speaker 1: sang the whole thing live live. Let's start that.

809
00:49:50,640 --> 00:49:52,759
Speaker 2: And I don't know about nobody else, right, And I'm

810
00:49:52,760 --> 00:49:55,840
Speaker 2: not gonna claim to know every single Super Bowl.

811
00:49:55,719 --> 00:49:57,360
Speaker 1: Show, halftime show. I don't know.

812
00:49:57,400 --> 00:50:00,480
Speaker 2: I don't know, but I know singing at the super

813
00:50:00,520 --> 00:50:10,400
Speaker 2: Bowl live live TV and singing, singing cut up pieces

814
00:50:10,880 --> 00:50:13,680
Speaker 2: of your songs. You're not even going with muscle memory.

815
00:50:13,960 --> 00:50:17,000
Speaker 1: You're not even in United You can't control rhythm, you

816
00:50:17,040 --> 00:50:19,279
Speaker 1: can't go on cruise control, you can't jump into a rhythm.

817
00:50:19,400 --> 00:50:22,320
Speaker 1: Especially now think about this. He has a residency, yes,

818
00:50:22,560 --> 00:50:27,040
Speaker 1: where he gets into a rhythm with all of these songs,

819
00:50:27,120 --> 00:50:29,880
Speaker 1: takes a minute to minute and a half, two minutes

820
00:50:29,880 --> 00:50:33,279
Speaker 1: in we cruising. Now, now I'm into none of that.

821
00:50:33,640 --> 00:50:39,719
Speaker 2: These because he's doing twenty thirty years of music in

822
00:50:39,880 --> 00:50:41,800
Speaker 2: twelve and a half thirteen minutes.

823
00:50:41,840 --> 00:50:44,960
Speaker 1: Fifteen, you get fifteen, Yes, you can get fifteen, You

824
00:50:44,960 --> 00:50:47,880
Speaker 1: get fifteen. No, Usher got fifty, you got fifteen, Okay,

825
00:50:48,000 --> 00:50:51,359
Speaker 1: you get twelve. Oh, Usher got fifteen. Okay, he came

826
00:50:51,400 --> 00:50:56,800
Speaker 1: up with the extent. Okay, come all right, fifteen minutes,

827
00:50:57,800 --> 00:51:01,279
Speaker 1: all those hits and he's and listen and he's still

828
00:51:01,320 --> 00:51:07,480
Speaker 1: missed some Yeah, yeah, he didn't sing climax, right, Yeah,

829
00:51:07,520 --> 00:51:11,000
Speaker 1: I didn't think about that. I needed that. Wow, I

830
00:51:11,000 --> 00:51:15,239
Speaker 1: didn't even think about that. That's my only wish I want.

831
00:51:15,440 --> 00:51:17,439
Speaker 2: I just want to climax, you know me, I won't

832
00:51:17,520 --> 00:51:19,440
Speaker 2: can handle it at the super Bowl.

833
00:51:22,880 --> 00:51:30,000
Speaker 1: Some seduction siculous you know what I'm saying there All

834
00:51:30,120 --> 00:51:35,080
Speaker 1: it's all magic, yes, magic, but you know it gives people. Now.

835
00:51:35,960 --> 00:51:38,520
Speaker 1: For me, it's like that was just a preview if

836
00:51:38,520 --> 00:51:41,120
Speaker 1: you never made it to Vegas, right, that's just that's

837
00:51:41,160 --> 00:51:44,120
Speaker 1: just a preview of what this world tour is going

838
00:51:44,200 --> 00:51:44,400
Speaker 1: to be.

839
00:51:44,480 --> 00:51:44,600
Speaker 5: Like.

840
00:51:45,120 --> 00:51:49,920
Speaker 1: That's just a small crazy crazy already sold out. You know.

841
00:51:49,960 --> 00:51:53,080
Speaker 2: The fact that the fact that he's saying live it

842
00:51:53,120 --> 00:51:55,359
Speaker 2: was I felt like it was a statement for sure,

843
00:51:55,400 --> 00:51:58,200
Speaker 2: you know what I mean? Because and and in the

844
00:51:58,360 --> 00:52:04,480
Speaker 2: age of everybody attempting to sound perfect through all of

845
00:52:04,520 --> 00:52:08,040
Speaker 2: the studio ship. Now, the other thing that happens when

846
00:52:08,040 --> 00:52:10,040
Speaker 2: you when your attempt to sound perfect, is that you

847
00:52:10,160 --> 00:52:14,359
Speaker 2: lose feeling. You lose feeling. You need the crack every

848
00:52:14,400 --> 00:52:17,040
Speaker 2: now and then you need you know what I'm saying, like,

849
00:52:17,800 --> 00:52:21,600
Speaker 2: you need to note that's off for people to really

850
00:52:21,680 --> 00:52:24,239
Speaker 2: feel what you're doing. And that's why you know, to me,

851
00:52:24,520 --> 00:52:28,840
Speaker 2: I think that when people talk about why music isn't

852
00:52:28,880 --> 00:52:29,840
Speaker 2: the same anymore.

853
00:52:30,920 --> 00:52:32,040
Speaker 1: A big part of that.

854
00:52:33,680 --> 00:52:36,160
Speaker 2: Is all of the things in the in the computer

855
00:52:36,800 --> 00:52:39,360
Speaker 2: that make you sound so much better. You know what

856
00:52:39,400 --> 00:52:44,360
Speaker 2: I mean, everybody wants to sound like a computer. Usher

857
00:52:44,440 --> 00:52:46,920
Speaker 2: was like, no, no, no, no, no, I'm human. I'm human,

858
00:52:47,200 --> 00:52:49,960
Speaker 2: Alicia Keys, I'm human. I'm human, Like these vocals are

859
00:52:50,040 --> 00:52:50,800
Speaker 2: human vocals.

860
00:52:50,880 --> 00:52:53,480
Speaker 1: Listen, we heard Keys crack at the beginning. So what

861
00:52:53,600 --> 00:52:57,200
Speaker 1: that's called singing? That's singing live, That's what that's called.

862
00:52:57,440 --> 00:53:01,160
Speaker 1: So what it's fucking Alicia Keys? Talk to some respect

863
00:53:01,400 --> 00:53:04,560
Speaker 1: on her. Yeah, you know what I'm saying.

864
00:53:04,760 --> 00:53:10,120
Speaker 2: You get up in front of millions and two.

865
00:53:10,040 --> 00:53:12,719
Speaker 1: Hundred million people, they say all together, watch it.

866
00:53:12,840 --> 00:53:16,480
Speaker 2: If they call you, they probably won't.

867
00:53:16,600 --> 00:53:17,200
Speaker 1: You know what I'm saying.

868
00:53:17,200 --> 00:53:19,160
Speaker 2: But and I'm not and I'm not saying that on

869
00:53:19,200 --> 00:53:20,640
Speaker 2: some inner defense of No.

870
00:53:21,280 --> 00:53:25,120
Speaker 1: This is what singing is. Live.

871
00:53:25,239 --> 00:53:31,080
Speaker 2: Singing is about emotion, and sometimes it's about mistakes.

872
00:53:30,800 --> 00:53:35,200
Speaker 1: Imperfections, the beauty and those imperfections. I watched listen, I

873
00:53:35,200 --> 00:53:39,560
Speaker 1: watched Mary J. Blige were going online. Not a perfect singer.

874
00:53:40,360 --> 00:53:42,440
Speaker 1: But I dare you to follow it. You can't.

875
00:53:42,680 --> 00:53:45,640
Speaker 2: I dare you to try one of the greatest singers

876
00:53:45,680 --> 00:53:50,080
Speaker 2: of all times, Stevie Wonder, he don't hit every single note.

877
00:53:53,640 --> 00:53:56,560
Speaker 1: One of the greatest living are dead.

878
00:53:57,760 --> 00:54:00,879
Speaker 2: Of all time all times. He does not hit every

879
00:54:00,920 --> 00:54:03,959
Speaker 2: single note. So for me to watch Usher say, Okay,

880
00:54:03,960 --> 00:54:06,840
Speaker 2: you know why I get this opportunity. I'm about to

881
00:54:06,840 --> 00:54:09,319
Speaker 2: give them these vocals and I respect it.

882
00:54:09,320 --> 00:54:12,400
Speaker 1: And I'm ana dance and I'm a dance and I'm

883
00:54:12,440 --> 00:54:14,920
Speaker 1: a roller skate and I'm an outfit change and I'm

884
00:54:14,880 --> 00:54:17,239
Speaker 1: an outfit change, and I'm gonna give them all this

885
00:54:17,400 --> 00:54:21,880
Speaker 1: army ship because you know what, taking my motherfucking shirt off. Listen.

886
00:54:22,280 --> 00:54:24,359
Speaker 1: You know they talked about you know what I mean,

887
00:54:24,840 --> 00:54:29,560
Speaker 1: the motherfucker titty pop leears ago both yeah, both out,

888
00:54:29,680 --> 00:54:32,160
Speaker 1: both titties out. You know, listen, if you don't do

889
00:54:32,200 --> 00:54:34,399
Speaker 1: this R and B thing, you're gonna have to take

890
00:54:34,400 --> 00:54:36,360
Speaker 1: your shirt off. I've been trying to tell you fools

891
00:54:36,400 --> 00:54:39,120
Speaker 1: for a long time. There's a certain kind of shape,

892
00:54:40,080 --> 00:54:43,160
Speaker 1: certain kind of conditions. Yeah, you got to be in

893
00:54:43,280 --> 00:54:45,560
Speaker 1: for a woman to believe that you are even capable

894
00:54:45,600 --> 00:54:50,320
Speaker 1: of the things you're singing about. And Usher just confirmed

895
00:54:50,320 --> 00:54:57,640
Speaker 1: that at the Super Bowl shirt off that was open

896
00:54:57,680 --> 00:55:02,680
Speaker 1: Man said, doors, open bank. You should You should have

897
00:55:02,760 --> 00:55:06,080
Speaker 1: seen them women in the all they lost it. They

898
00:55:06,120 --> 00:55:08,600
Speaker 1: lost it as they should. That's they're supposed to do

899
00:55:09,239 --> 00:55:13,319
Speaker 1: at an R and B show. M Honey, would you

900
00:55:13,360 --> 00:55:24,120
Speaker 1: look at that man's got a shirt on? Yeah? Show

901
00:55:24,200 --> 00:55:26,439
Speaker 1: show what the women was looking like in the uh

902
00:55:26,640 --> 00:55:29,759
Speaker 1: the motherfucking boxes in the in the luxury box.

903
00:55:29,840 --> 00:55:32,640
Speaker 5: We definitely need a shot panning when he had when

904
00:55:32,680 --> 00:55:34,799
Speaker 5: he took his shirt on all the women, and we

905
00:55:34,920 --> 00:55:38,640
Speaker 5: need to find a few faces because I promise you

906
00:55:38,719 --> 00:55:42,879
Speaker 5: the energy got real real R and B.

907
00:55:43,160 --> 00:55:47,359
Speaker 1: Shout out to Usher for his team killing that ship.

908
00:55:47,400 --> 00:55:50,000
Speaker 1: Shout out, yeah, yeah, shout out to them for killing

909
00:55:50,000 --> 00:55:52,520
Speaker 1: that ship. Man. Shout out to our brothers and Villa brothers.

910
00:55:53,880 --> 00:55:56,680
Speaker 1: I did it. Man, Hey listen. Shout out to a

911
00:55:56,680 --> 00:56:00,160
Speaker 1: little John, little job. I want to fly outfit it

912
00:56:00,200 --> 00:56:04,400
Speaker 1: in shape, shout out to. Shout out to our brother

913
00:56:05,360 --> 00:56:07,759
Speaker 1: Jermaine du Prix with the pearly sock. Shout out to

914
00:56:07,840 --> 00:56:11,240
Speaker 1: little socks. You know what I'm saying. Shout out to listen,

915
00:56:11,360 --> 00:56:14,799
Speaker 1: I know what the socks say. Like the writing, it

916
00:56:14,840 --> 00:56:18,040
Speaker 1: was the loafer with the sock and the short that made.

917
00:56:17,840 --> 00:56:21,680
Speaker 2: You you don't hey, listen, but listen. But here's the

918
00:56:21,719 --> 00:56:25,520
Speaker 2: other thing. This is what I'm going to say. If

919
00:56:25,520 --> 00:56:30,400
Speaker 2: you're going to show up, you gotta show out. Everybody

920
00:56:30,440 --> 00:56:35,160
Speaker 2: ain't gonna respect your show out every time. But I'm

921
00:56:35,160 --> 00:56:37,520
Speaker 2: going to leave an impression when I get there.

922
00:56:37,640 --> 00:56:40,799
Speaker 1: Better be a conversation the next day, Jermaine, The Prix

923
00:56:40,840 --> 00:56:43,759
Speaker 1: is a conversation. Conversation is a conversations. It's right now,

924
00:56:43,760 --> 00:56:51,360
Speaker 1: it's the conversation. What right now, right now to this day, memes, everything, everything. Listen,

925
00:56:51,400 --> 00:56:54,160
Speaker 1: if they not talking about you, you didn't do what

926
00:56:54,160 --> 00:56:56,600
Speaker 1: you was supposed to do. And Jermaine was only on

927
00:56:56,640 --> 00:57:00,520
Speaker 1: stage for thirty seconds, y'all know what this is got

928
00:57:00,520 --> 00:57:07,640
Speaker 1: a billion impressions. Listen. I told him on this page.

929
00:57:07,920 --> 00:57:09,680
Speaker 1: You know what I mean. I said, my dog wore

930
00:57:09,719 --> 00:57:11,879
Speaker 1: the pearly socks. You definitely get into the pearly gates

931
00:57:13,040 --> 00:57:14,560
Speaker 1: them go. You know what I mean, them gonna get

932
00:57:14,600 --> 00:57:20,000
Speaker 1: you into Heaven. Come on now.

933
00:57:20,040 --> 00:57:23,560
Speaker 2: But they came out shout out to her, shout out

934
00:57:23,600 --> 00:57:26,680
Speaker 2: to her, shouts at the bear, and she represented very well.

935
00:57:26,840 --> 00:57:29,160
Speaker 1: Her is just magnificent. But she got her.

936
00:57:29,240 --> 00:57:31,320
Speaker 2: She came out with her prince vibe too. She was like,

937
00:57:31,360 --> 00:57:33,520
Speaker 2: you know what I mean, This guitar. I'm gonna give

938
00:57:33,560 --> 00:57:34,400
Speaker 2: him the Prince looks.

939
00:57:34,720 --> 00:57:37,880
Speaker 1: She's just magnificent. Yeah, and she saw she's not even

940
00:57:37,880 --> 00:57:43,280
Speaker 1: on that song. Shout out to Usher for that phone call.

941
00:57:44,000 --> 00:57:45,880
Speaker 1: Seeing her on that stage with him was just like

942
00:57:47,280 --> 00:57:49,040
Speaker 1: that was that was incredible.

943
00:57:49,160 --> 00:57:55,120
Speaker 2: Yeah, incredible proback.

944
00:57:56,120 --> 00:57:58,160
Speaker 1: I want to say this, and in big ass boots.

945
00:57:58,360 --> 00:58:02,080
Speaker 1: They don't give Luda, ah nah, they don't the top

946
00:58:02,240 --> 00:58:08,680
Speaker 1: five top ten credit. He deserves Luda. Chris will outrap

947
00:58:09,880 --> 00:58:14,360
Speaker 1: a lot of people in your top ten will out

948
00:58:14,560 --> 00:58:20,400
Speaker 1: rap that motherfucker can rap. And when he gets on

949
00:58:20,520 --> 00:58:23,240
Speaker 1: stage and starts delivering, no, let me say something now,

950
00:58:23,280 --> 00:58:25,840
Speaker 1: he's electric. When Lula walked on that stage and I

951
00:58:25,880 --> 00:58:28,440
Speaker 1: say that stadium went crazy, I think he knows he's

952
00:58:28,480 --> 00:58:31,600
Speaker 1: a superstar, but that stadium let him know he was

953
00:58:31,600 --> 00:58:35,440
Speaker 1: a superstar. Yeah, they let him know for sure. He

954
00:58:35,560 --> 00:58:41,480
Speaker 1: went he went crazy, He went grace Yeah, and everything

955
00:58:41,520 --> 00:58:42,800
Speaker 1: that like I was want to say out everything I

956
00:58:42,800 --> 00:58:44,520
Speaker 1: saw him doing that weekend, everything he was tagged on

957
00:58:44,840 --> 00:58:48,280
Speaker 1: every time. He he's going crazy like Luda. I don't

958
00:58:48,280 --> 00:58:49,640
Speaker 1: know what ludis. I don't know what was going through

959
00:58:49,680 --> 00:58:53,520
Speaker 1: right now, but he's he's he's really having a moment

960
00:58:53,560 --> 00:58:55,240
Speaker 1: right now, I don't know what's going on, you know

961
00:58:55,240 --> 00:58:58,960
Speaker 1: what I'm saying, skin glowing and fro is picked out nice,

962
00:58:59,080 --> 00:59:01,720
Speaker 1: like it's a good time for loader. Right now. It's

963
00:59:01,760 --> 00:59:04,560
Speaker 1: time for a record load. It's definitely time for it's

964
00:59:04,600 --> 00:59:06,600
Speaker 1: time for a record. It's time for a record and

965
00:59:06,640 --> 00:59:08,439
Speaker 1: if you need somebody to sing on it, Like I'm

966
00:59:08,480 --> 00:59:10,600
Speaker 1: not saying, I know you got a usher like usher,

967
00:59:10,680 --> 00:59:11,680
Speaker 1: you know that's your guy. You know what I'm saying.

968
00:59:11,680 --> 00:59:13,840
Speaker 1: You got a guy you just super all together? You know,

969
00:59:13,840 --> 00:59:14,800
Speaker 1: I know he'll sing on it too.

970
00:59:15,560 --> 00:59:21,160
Speaker 2: But to the genius himself, what I am? What I

971
00:59:21,200 --> 00:59:24,120
Speaker 2: am came through with my fucking helmet on. That's kind

972
00:59:24,120 --> 00:59:27,800
Speaker 2: of like a helmet kind of glass shade.

973
00:59:27,800 --> 00:59:32,040
Speaker 1: It's kind of a glassy helmet. Niggas a superstar, Bro.

974
00:59:32,280 --> 00:59:35,480
Speaker 1: You never he's not from this planet. No, No, you

975
00:59:35,480 --> 00:59:36,880
Speaker 1: see the car he's been driving around in. Have you

976
00:59:36,960 --> 00:59:39,840
Speaker 1: looked on this page? He's not. He made it. He made.

977
00:59:39,880 --> 00:59:43,920
Speaker 1: He's not from this car. He made and he can

978
00:59:43,960 --> 00:59:50,880
Speaker 1: make beat in it. He turned left. It's like, well,

979
00:59:50,960 --> 00:59:53,479
Speaker 1: I am, bro, shout out to what I am who

980
00:59:53,480 --> 00:59:57,960
Speaker 1: I sat next to at my boy DJ's wedding and

981
00:59:58,160 --> 01:00:03,440
Speaker 1: he is the most interesting, fun guy, genius, genius. I

982
01:00:03,520 --> 01:00:07,840
Speaker 1: probably ever met genius. It's never a dult moment, never

983
01:00:07,920 --> 01:00:11,200
Speaker 1: a dull moment. It's always what what because he said

984
01:00:11,240 --> 01:00:14,560
Speaker 1: whatever's on his mind too, And then the way he

985
01:00:14,600 --> 01:00:18,720
Speaker 1: breaks it down to you is like what it ain't

986
01:00:18,760 --> 01:00:22,280
Speaker 1: look at you? I hate that. That makes sense? I

987
01:00:22,320 --> 01:00:24,880
Speaker 1: hate that. Will I hate it, and will if you

988
01:00:25,000 --> 01:00:26,160
Speaker 1: if you you know, if you have, send me some

989
01:00:26,160 --> 01:00:28,280
Speaker 1: tracks too, I love that. Come on, we've been supposed

990
01:00:28,280 --> 01:00:30,520
Speaker 1: to work together for a long time. So just throwing

991
01:00:30,520 --> 01:00:33,120
Speaker 1: that back out there. Shout out, listen, shout out to

992
01:00:33,160 --> 01:00:39,600
Speaker 1: the numptials, HM, shout out to locking it in. Yeah, yeah, yeah,

993
01:00:40,640 --> 01:00:45,000
Speaker 1: on my biggest night. Let me do something even bigger.

994
01:00:47,560 --> 01:00:51,400
Speaker 1: Let me lock in, lock this woman in. Let her

995
01:00:51,480 --> 01:00:53,960
Speaker 1: know where we're at. That should be out here, he liketing.

996
01:00:54,080 --> 01:00:56,880
Speaker 1: I mean married, where I stand? Let me know you,

997
01:00:57,200 --> 01:00:59,439
Speaker 1: Let me let you know where I stand with all

998
01:00:59,480 --> 01:01:04,360
Speaker 1: of this something getting Yeah, you matter the most. I

999
01:01:04,440 --> 01:01:09,480
Speaker 1: respect it, I respect it, I respect it. And it

1000
01:01:09,600 --> 01:01:13,080
Speaker 1: was flawed. So let's talk about this dumb ass football game. Now.

1001
01:01:14,080 --> 01:01:15,200
Speaker 1: I don't want you to do I don't want you

1002
01:01:15,240 --> 01:01:17,520
Speaker 1: to have to do that. Man. I think I think

1003
01:01:17,560 --> 01:01:23,520
Speaker 1: you should just you know, let it burn, I think

1004
01:01:27,880 --> 01:01:33,840
Speaker 1: because and then they fired the defensive coordinator. I'm not

1005
01:01:34,040 --> 01:01:35,520
Speaker 1: I don't want to make it a racial thing.

1006
01:01:35,600 --> 01:01:37,920
Speaker 2: So so I'm going to tell you my experience now

1007
01:01:38,120 --> 01:01:40,080
Speaker 2: because we talked, we talked about yours and you know

1008
01:01:40,120 --> 01:01:40,400
Speaker 2: what I mean.

1009
01:01:41,040 --> 01:01:42,680
Speaker 1: So m hm.

1010
01:01:44,360 --> 01:01:47,680
Speaker 2: There was a moment that I went to Vegas and

1011
01:01:47,840 --> 01:01:53,120
Speaker 2: I was like, Okay, I'm getting to this game. And

1012
01:01:53,160 --> 01:01:55,280
Speaker 2: then I had a moment where I said to myself,

1013
01:01:57,240 --> 01:02:00,600
Speaker 2: maybe I shouldn't go to the game because the last

1014
01:02:00,600 --> 01:02:04,240
Speaker 2: time I went to the game, we lost. We were

1015
01:02:04,240 --> 01:02:06,600
Speaker 2: there together, we were there, right, So I'm thinking to

1016
01:02:06,640 --> 01:02:10,040
Speaker 2: my because I will keep it funky. When we played Detroit,

1017
01:02:10,160 --> 01:02:13,760
Speaker 2: the Detroit Lions, I watched the whole first half they

1018
01:02:13,880 --> 01:02:14,920
Speaker 2: kicking our ass.

1019
01:02:14,680 --> 01:02:16,920
Speaker 1: And then I said, I'm turning off the TV.

1020
01:02:17,240 --> 01:02:21,480
Speaker 2: Mm hmm, And I literally watched the game through the

1021
01:02:21,520 --> 01:02:25,360
Speaker 2: notes on my phone when you like reading, you know,

1022
01:02:25,480 --> 01:02:28,680
Speaker 2: as it's going on, oh ship on the twelve. I

1023
01:02:28,720 --> 01:02:31,160
Speaker 2: watched the game that way and we won. So I

1024
01:02:31,200 --> 01:02:34,960
Speaker 2: am a bit of a superstitious guy. I'm not gonna go.

1025
01:02:37,000 --> 01:02:41,919
Speaker 2: So we have a great friend, our brother Marlin, who

1026
01:02:42,280 --> 01:02:46,240
Speaker 2: made it made it a happen for US, and I

1027
01:02:46,320 --> 01:02:49,000
Speaker 2: was able to go watch the game in the high roller.

1028
01:02:48,840 --> 01:02:52,840
Speaker 1: Ball room to top mm hm. You know what I

1029
01:02:52,840 --> 01:02:57,720
Speaker 1: mean of the Win Hotel. You know what I mean? Yeah,

1030
01:02:57,840 --> 01:02:58,680
Speaker 1: the only way.

1031
01:03:00,080 --> 01:03:02,000
Speaker 2: You even get in there is that you got a

1032
01:03:02,040 --> 01:03:04,160
Speaker 2: gamble certain amount of Yeah, I mean, this is a

1033
01:03:04,160 --> 01:03:04,680
Speaker 2: mother ship.

1034
01:03:04,720 --> 01:03:06,160
Speaker 1: That's the only way to do FACUS. Just let you

1035
01:03:06,240 --> 01:03:08,480
Speaker 1: know that. And you think he made sure I was

1036
01:03:08,480 --> 01:03:09,080
Speaker 1: in the building.

1037
01:03:11,320 --> 01:03:16,720
Speaker 2: The mistake I think I made as I wore this jersey.

1038
01:03:18,080 --> 01:03:22,840
Speaker 2: It's the same jersey I wore when we lost in Miami.

1039
01:03:24,400 --> 01:03:25,960
Speaker 1: You didn't. You didn't pick up on that when you

1040
01:03:26,480 --> 01:03:29,880
Speaker 1: put it. No, no, because I'm thinking, this is Prime time.

1041
01:03:31,160 --> 01:03:36,400
Speaker 1: Well you know, Prime just lost. Man, Now you tell

1042
01:03:36,440 --> 01:03:40,680
Speaker 1: me this ship. Now you mean he won, But see

1043
01:03:41,000 --> 01:03:44,840
Speaker 1: now you remind me he lost. He's a winner. When

1044
01:03:44,840 --> 01:03:48,000
Speaker 1: he played for US, he won. Yeah. Right, but it's

1045
01:03:48,040 --> 01:03:50,520
Speaker 1: ain't ninety four. But it's two thousand and four, right,

1046
01:03:50,560 --> 01:03:55,120
Speaker 1: this is this ninety four. You feel me? You don't

1047
01:03:55,120 --> 01:03:59,880
Speaker 1: feel me thirty years? You lost once in that jersey?

1048
01:04:00,120 --> 01:04:02,680
Speaker 1: I know, but I was thinking like the thirty though

1049
01:04:02,800 --> 01:04:05,840
Speaker 1: in Prime only won four games, I was thinking about

1050
01:04:05,880 --> 01:04:08,680
Speaker 1: the thirty. I know what you was thinking. Thirty years

1051
01:04:08,920 --> 01:04:11,280
Speaker 1: I know you have used up against a lot.

1052
01:04:11,360 --> 01:04:13,240
Speaker 2: This was all in my head, right, but I'm not

1053
01:04:13,320 --> 01:04:15,600
Speaker 2: thinking y'all lost in that jersey. You probably should have

1054
01:04:15,600 --> 01:04:19,600
Speaker 2: warn your Kaepernick because I got the Kaepernick too, which

1055
01:04:19,640 --> 01:04:22,640
Speaker 2: is a whole other conversation when I'm walking around in

1056
01:04:22,720 --> 01:04:23,840
Speaker 2: the Kaepernick right.

1057
01:04:24,960 --> 01:04:28,640
Speaker 1: But maybe just maybe just a polo. No, we're not

1058
01:04:28,720 --> 01:04:31,280
Speaker 1: wearing no polo because listen, I had and I had

1059
01:04:31,560 --> 01:04:33,960
Speaker 1: maybe and I had my forty nine er kids jacket on.

1060
01:04:34,040 --> 01:04:36,360
Speaker 1: You know what I mean? It is limited that that

1061
01:04:36,360 --> 01:04:43,080
Speaker 1: that sounds more exciting than than picking a jersey from like, man,

1062
01:04:43,160 --> 01:04:46,200
Speaker 1: this is d I should have worked, but it missed

1063
01:04:46,200 --> 01:04:48,439
Speaker 1: the first time. So that's why you should have taken

1064
01:04:48,440 --> 01:04:51,200
Speaker 1: it off. You should have known that, Yeah, I should have.

1065
01:04:51,520 --> 01:04:52,000
Speaker 1: I should have.

1066
01:04:54,120 --> 01:04:56,520
Speaker 2: So I got all the phone calls before the Super Bowl.

1067
01:04:56,520 --> 01:04:58,360
Speaker 2: As soon as we got into Super Bowl, all my

1068
01:04:58,440 --> 01:05:00,680
Speaker 2: niggas can't shout out on my niggs can city because listen,

1069
01:05:01,440 --> 01:05:03,920
Speaker 2: y'all niggas made great music, great y'all got great barbecue,

1070
01:05:04,360 --> 01:05:06,160
Speaker 2: and y'all got a great fucking football team. I'm gonna

1071
01:05:06,200 --> 01:05:07,880
Speaker 2: keep it a buck. I'm not the nigga that hate

1072
01:05:07,920 --> 01:05:08,760
Speaker 2: on nobody's team.

1073
01:05:08,960 --> 01:05:09,240
Speaker 1: Y'all.

1074
01:05:09,240 --> 01:05:13,360
Speaker 2: Team is fucking great. Y'all might have the next goat

1075
01:05:13,520 --> 01:05:17,400
Speaker 2: at quarterback. If you win a couple of mo like

1076
01:05:18,320 --> 01:05:19,640
Speaker 2: he was, he three out of four.

1077
01:05:19,520 --> 01:05:23,600
Speaker 1: You have to go that tight End close to over Grunk,

1078
01:05:23,880 --> 01:05:29,640
Speaker 1: close to right they got. It's kind of yeah, they're

1079
01:05:29,760 --> 01:05:32,880
Speaker 1: very close. One more, they very close probably for both

1080
01:05:32,920 --> 01:05:34,800
Speaker 1: of ye know, my homes gotta do, like a little

1081
01:05:34,800 --> 01:05:38,040
Speaker 1: more more. But then then than what Kelsey gotta do. Yeah,

1082
01:05:38,200 --> 01:05:41,280
Speaker 1: Kelsey just gotta get. And then here's the other reason

1083
01:05:41,760 --> 01:05:44,080
Speaker 1: why you know, this is my opinion.

1084
01:05:44,440 --> 01:05:49,000
Speaker 2: This is my opinion. I just wish are tight End

1085
01:05:51,800 --> 01:06:00,720
Speaker 2: would have made that same relationship choice because I don't

1086
01:06:00,720 --> 01:06:04,440
Speaker 2: think the NFL was gonna let her lose. Y'all can

1087
01:06:04,480 --> 01:06:06,360
Speaker 2: say whatever y'all want. Y'all call me as many haters

1088
01:06:06,360 --> 01:06:08,720
Speaker 2: as you want to. But one thing I know, one

1089
01:06:08,720 --> 01:06:13,800
Speaker 2: thing I've done for a long time is business. I

1090
01:06:13,920 --> 01:06:17,000
Speaker 2: understand the money that's been made and that the money

1091
01:06:17,000 --> 01:06:20,080
Speaker 2: that's going to be made off of people wanting to

1092
01:06:20,120 --> 01:06:25,040
Speaker 2: see her have a celebration kiss with her boyfriend who

1093
01:06:25,240 --> 01:06:25,680
Speaker 2: just won.

1094
01:06:25,600 --> 01:06:26,200
Speaker 1: The super Bowl.

1095
01:06:28,160 --> 01:06:31,280
Speaker 2: Listen if you want to go and everything is googleable.

1096
01:06:31,320 --> 01:06:33,920
Speaker 2: It was really good for business, y'all. Y'all can go

1097
01:06:33,960 --> 01:06:37,360
Speaker 2: see how much more money the NFL than made since

1098
01:06:37,360 --> 01:06:38,560
Speaker 2: she's been part of the NFL.

1099
01:06:39,800 --> 01:06:45,480
Speaker 1: Be the NFL. It's uh, I'm not gonna argue with you,

1100
01:06:45,560 --> 01:06:45,960
Speaker 1: my friends.

1101
01:06:46,000 --> 01:06:47,760
Speaker 2: So when I got that phone call from all my

1102
01:06:47,840 --> 01:06:51,720
Speaker 2: homies from KC, I told everybody who called me about betting,

1103
01:06:52,360 --> 01:06:53,920
Speaker 2: I'm not betting against her.

1104
01:06:54,640 --> 01:06:56,680
Speaker 1: It's like, man, you crat that ain't got nothing to do.

1105
01:06:56,800 --> 01:06:59,560
Speaker 1: I said, listen, it's cool, but I'm not betting. That's

1106
01:06:59,560 --> 01:07:02,440
Speaker 1: what I said. Well, I said her. I wasn't betting

1107
01:07:02,480 --> 01:07:05,240
Speaker 1: against her for sure. I said, I'm not betting against

1108
01:07:05,320 --> 01:07:11,040
Speaker 1: Dais Swim. But a guy told me, Warrant said, you

1109
01:07:11,080 --> 01:07:14,120
Speaker 1: bet on that quarterback right there. You bet on the

1110
01:07:14,120 --> 01:07:19,000
Speaker 1: best quarterback on the field before the game started. He's

1111
01:07:19,000 --> 01:07:21,840
Speaker 1: the best quarterback on the field. He's the best quarterback

1112
01:07:21,840 --> 01:07:24,720
Speaker 1: in the NFL. So Flitch, he said, I'm not going

1113
01:07:24,760 --> 01:07:28,120
Speaker 1: against the best quarterback. Yeah, he's right there. That's who

1114
01:07:28,160 --> 01:07:31,520
Speaker 1: you bet on, because it's gonna come down there him,

1115
01:07:31,720 --> 01:07:33,400
Speaker 1: and it came down there, down now, and it came

1116
01:07:33,440 --> 01:07:33,760
Speaker 1: down there.

1117
01:07:34,400 --> 01:07:37,720
Speaker 2: I just want to know though, because the spread the

1118
01:07:37,800 --> 01:07:41,120
Speaker 2: over and under was forty seven point five. You know

1119
01:07:41,160 --> 01:07:44,880
Speaker 2: what the score ended up being forty seven. How y'all

1120
01:07:44,960 --> 01:07:49,360
Speaker 2: niggas knew that y'all was on point five? Point five

1121
01:07:49,400 --> 01:07:51,400
Speaker 2: don't even exist. Nigga can't score point five.

1122
01:07:51,440 --> 01:07:54,880
Speaker 1: I can't score point five. A nigga can't even score

1123
01:07:54,960 --> 01:07:59,560
Speaker 1: point five. They had the forty nine ers one and

1124
01:07:59,600 --> 01:08:03,640
Speaker 1: a half and the over and umber over and under

1125
01:08:03,720 --> 01:08:09,160
Speaker 1: forty seven five. That's just your niggas is who didn't

1126
01:08:09,360 --> 01:08:10,360
Speaker 1: how you nigga?

1127
01:08:10,400 --> 01:08:15,400
Speaker 2: Yeah ya just yeah, oh yeah, that's why I don't

1128
01:08:15,440 --> 01:08:20,080
Speaker 2: bet on sports listen. But great football team. But it's

1129
01:08:20,600 --> 01:08:22,439
Speaker 2: I'm saying all the funny ship and all the ship,

1130
01:08:22,560 --> 01:08:25,759
Speaker 2: it's cool. That's that's you know, that's just me speaking

1131
01:08:25,760 --> 01:08:29,840
Speaker 2: from being a true fan of my team. But the

1132
01:08:29,840 --> 01:08:33,519
Speaker 2: the real, the ultimate real is Kansasy is a great

1133
01:08:33,560 --> 01:08:36,479
Speaker 2: fucking football amazing team and y'all got great players on

1134
01:08:36,520 --> 01:08:37,320
Speaker 2: that team.

1135
01:08:37,600 --> 01:08:39,880
Speaker 1: And shout out to my brother Travis Kelsey. We have

1136
01:08:39,920 --> 01:08:44,040
Speaker 1: a you know where we're partners and oh yeah wine

1137
01:08:44,360 --> 01:08:48,160
Speaker 1: yeah yeah, the rewind team, shout out the Fat Show. Yeah,

1138
01:08:49,200 --> 01:08:53,240
Speaker 1: but you know, uh who else is on there with

1139
01:08:53,400 --> 01:08:58,679
Speaker 1: Tyson Beckford? Yeah? You don't know the rest? You can

1140
01:08:58,760 --> 01:09:00,720
Speaker 1: I do know the rest, you know, That's what do

1141
01:09:01,280 --> 01:09:05,000
Speaker 1: that's another one. DJ Kalli is there with us. You

1142
01:09:05,040 --> 01:09:07,240
Speaker 1: know what I'm saying. He got me and I have

1143
01:09:07,400 --> 01:09:09,559
Speaker 1: the best hair color for men. I have the dark.

1144
01:09:10,160 --> 01:09:14,000
Speaker 1: That's what you want. Rewind here. You don't want the

1145
01:09:14,080 --> 01:09:17,240
Speaker 1: charco no, no, no, you want you want the natural black.

1146
01:09:17,280 --> 01:09:19,439
Speaker 1: You know what I'm saying. Tyson his is the same.

1147
01:09:19,800 --> 01:09:22,600
Speaker 1: But Tyson's mostly ball headed and old like that he was.

1148
01:09:22,840 --> 01:09:24,320
Speaker 1: He had this hot moment when he was ball head.

1149
01:09:24,360 --> 01:09:26,719
Speaker 1: Ain't handle her. I got hair, you know what I'm saying.

1150
01:09:26,800 --> 01:09:28,479
Speaker 1: So it's like, you want to go with the guy

1151
01:09:28,479 --> 01:09:31,120
Speaker 1: who actually has hair. Get the bit the box with

1152
01:09:31,160 --> 01:09:34,160
Speaker 1: my face on. There are more benefits to the box

1153
01:09:34,200 --> 01:09:36,519
Speaker 1: with my face on it. Get get paid once you

1154
01:09:36,560 --> 01:09:40,320
Speaker 1: get it. When you get his box balls to you

1155
01:09:40,479 --> 01:09:45,080
Speaker 1: don't want to get hit. Jesus, I've been watching too

1156
01:09:45,160 --> 01:09:53,160
Speaker 1: much of Cavin made. It is shout love y'all show.

1157
01:09:53,240 --> 01:09:56,559
Speaker 1: You had a pause. I love y'all show, Bro, And

1158
01:09:56,680 --> 01:09:59,639
Speaker 1: they got j Simpson on there, Bro and Mark Jackson

1159
01:09:59,640 --> 01:10:02,559
Speaker 1: like it's let us want to shout out. I gotta go.

1160
01:10:02,640 --> 01:10:05,920
Speaker 1: This is a good round. Shout out to Shout out

1161
01:10:05,960 --> 01:10:09,880
Speaker 1: to Mike Epps and Shannon Shark for uh talking like men.

1162
01:10:10,880 --> 01:10:13,320
Speaker 1: I just wanted to throw that out there. I just

1163
01:10:13,320 --> 01:10:18,280
Speaker 1: want to throw that out there because I know Mike Apps,

1164
01:10:17,920 --> 01:10:26,400
Speaker 1: thank you guys. Think you think he's a comedian? Ain't

1165
01:10:26,400 --> 01:10:31,640
Speaker 1: you funny? He is in his hometown, in his hometown. Yeah,

1166
01:10:31,680 --> 01:10:34,800
Speaker 1: I'm glad. Yeah, I'm glad they were able to you know,

1167
01:10:34,840 --> 01:10:37,080
Speaker 1: of course, ain't no punk, so we're not We're definitely

1168
01:10:37,080 --> 01:10:39,639
Speaker 1: not saying that, no, but they just came to understanding men.

1169
01:10:40,880 --> 01:10:45,639
Speaker 1: And I think that, you know, sometimes you just got

1170
01:10:45,640 --> 01:10:47,599
Speaker 1: to be mindful, you know what I'm saying.

1171
01:10:48,439 --> 01:10:52,800
Speaker 2: That these are in all of this that's going on,

1172
01:10:53,400 --> 01:10:58,400
Speaker 2: it's all comedians. Comedians should be able to be funny,

1173
01:10:58,840 --> 01:11:01,800
Speaker 2: even if it hurts your feelings. Sometime if I go

1174
01:11:01,880 --> 01:11:04,519
Speaker 2: to a comedy show, I want to be like, oh

1175
01:11:05,280 --> 01:11:05,800
Speaker 2: and laugh.

1176
01:11:05,960 --> 01:11:09,360
Speaker 1: I don't want I think I think Joe, I think yes.

1177
01:11:09,760 --> 01:11:14,400
Speaker 1: But I also think that especially with Shannon being as

1178
01:11:14,479 --> 01:11:17,200
Speaker 1: old school as he is, you know what I'm saying,

1179
01:11:17,200 --> 01:11:19,280
Speaker 1: And from that, you know, from the part of town

1180
01:11:19,280 --> 01:11:21,680
Speaker 1: that he's from, like you know that, and he's not

1181
01:11:21,720 --> 01:11:26,080
Speaker 1: a comedian, right that the whole you know, and I

1182
01:11:26,080 --> 01:11:27,400
Speaker 1: don't want to go too far into this, but that

1183
01:11:27,479 --> 01:11:30,559
Speaker 1: whole using gay to tear Black Ben down. It's like

1184
01:11:30,560 --> 01:11:33,759
Speaker 1: a that's a thing, and it can be a trigger

1185
01:11:34,640 --> 01:11:40,080
Speaker 1: for you know what I'm saying. So I understand what

1186
01:11:40,120 --> 01:11:42,960
Speaker 1: you're saying, because for me, it's like tell you jokes man,

1187
01:11:43,600 --> 01:11:45,000
Speaker 1: you know what I'm saying. But I just I can

1188
01:11:45,000 --> 01:11:47,160
Speaker 1: see how it can be triggering to somebody who's just

1189
01:11:48,360 --> 01:11:52,080
Speaker 1: that's too motherfucking you know. But I'm glad they got

1190
01:11:52,080 --> 01:11:54,840
Speaker 1: to work that out. You know, maybe I'll be on

1191
01:11:54,880 --> 01:11:57,719
Speaker 1: Club Sha, you know, maybe maybe you know, maybe Harry

1192
01:11:57,800 --> 01:12:00,960
Speaker 1: Money making appearance on Club You know what I'm saying,

1193
01:12:01,400 --> 01:12:03,040
Speaker 1: I open up for Mike. You know what I'm saying.

1194
01:12:03,040 --> 01:12:05,040
Speaker 1: I open up, you know, do my comedy set before

1195
01:12:05,520 --> 01:12:07,280
Speaker 1: I'm gonna bring me on. Man, you know my jokes

1196
01:12:07,320 --> 01:12:10,519
Speaker 1: is right. Come on, man, they're gonna throw your ass

1197
01:12:10,520 --> 01:12:13,800
Speaker 1: into that all these comedians and now they gonna be

1198
01:12:13,800 --> 01:12:16,080
Speaker 1: talking shit about you. Let him talk shit. I got

1199
01:12:16,200 --> 01:12:18,120
Speaker 1: I got ship to talk I don't think I got

1200
01:12:18,160 --> 01:12:18,920
Speaker 1: ship to talk back.

1201
01:12:19,120 --> 01:12:21,320
Speaker 2: I don't want to talk shit about nobody, man. I

1202
01:12:21,360 --> 01:12:25,439
Speaker 2: want to continue to keep our positive brain jo niggas up,

1203
01:12:25,560 --> 01:12:26,560
Speaker 2: keep smooth.

1204
01:12:26,640 --> 01:12:29,040
Speaker 1: Most comedians can't dress anyway. They clothes be fucked up.

1205
01:12:29,280 --> 01:12:33,479
Speaker 1: I'm gonna start with your clothes, start with your facial hairs,

1206
01:12:33,600 --> 01:12:38,280
Speaker 1: your beards be fucked up. Is it like a thing

1207
01:12:38,320 --> 01:12:40,599
Speaker 1: wearing comedy where niggas have to wear fucked up clothes

1208
01:12:40,600 --> 01:12:42,479
Speaker 1: so they jokes are better? Like what is that? Like?

1209
01:12:43,120 --> 01:12:46,200
Speaker 1: It's never good clothes until you like get to the top.

1210
01:12:46,960 --> 01:12:49,720
Speaker 1: Like Kevin is probably the only one that wears good clothes. No,

1211
01:12:49,800 --> 01:12:52,759
Speaker 1: Mike wears good clothes. Might be flying. Mike and Kevin

1212
01:12:52,800 --> 01:12:56,679
Speaker 1: be flying. Outside of that and during the air, Kings

1213
01:12:56,680 --> 01:12:59,240
Speaker 1: of Comedy, that was different. I didn't wear them suits,

1214
01:12:59,240 --> 01:13:03,759
Speaker 1: but I get it. We can name five. I warded

1215
01:13:03,800 --> 01:13:10,360
Speaker 1: Steve Harvey big bodies, what teaking pants? Come on, man

1216
01:13:10,479 --> 01:13:14,040
Speaker 1: getting fat? Give me the vest, to give me the vest,

1217
01:13:14,920 --> 01:13:18,559
Speaker 1: Come on, man, Steve Harvey blessed me with the hell

1218
01:13:18,600 --> 01:13:24,800
Speaker 1: of suits. Nigga, shout up to Steve. Niggas were suiting

1219
01:13:24,840 --> 01:13:27,800
Speaker 1: the movie and right now that niggas, Steve be clean.

1220
01:13:27,920 --> 01:13:30,719
Speaker 1: Kings of Comedy, hear different, clean, he a different clean

1221
01:13:30,760 --> 01:13:34,120
Speaker 1: now clean. You don't wave now, but everybody almost comedians

1222
01:13:34,120 --> 01:13:35,519
Speaker 1: are just like that. Yeah, no, no no.

1223
01:13:35,600 --> 01:13:38,280
Speaker 2: But also let's keep it a buck too, though, nigga,

1224
01:13:38,320 --> 01:13:41,799
Speaker 2: it's like it's expensive to wear.

1225
01:13:42,320 --> 01:13:44,840
Speaker 1: And you gotta get to a certain Listen, man, listen, man.

1226
01:13:45,080 --> 01:13:47,439
Speaker 1: When I was just playing at church for seventy five

1227
01:13:47,479 --> 01:13:49,840
Speaker 1: hours a Sunday, we're gonna pull up the pictures of

1228
01:13:49,920 --> 01:13:54,479
Speaker 1: you and your slacks. Bro, listen, old Tree, You're gonna

1229
01:13:54,479 --> 01:13:59,519
Speaker 1: look like boys, Jean, I put it. We look nice though, yeah,

1230
01:13:59,560 --> 01:14:02,000
Speaker 1: looking now. They had a question at least about one

1231
01:14:02,000 --> 01:14:05,040
Speaker 1: of the articles of clothing I had on. Somebody we

1232
01:14:05,120 --> 01:14:07,200
Speaker 1: get that shirt from there? Somebody put up.

1233
01:14:07,240 --> 01:14:09,160
Speaker 2: I know there's a lot of people that's from tanks,

1234
01:14:09,200 --> 01:14:11,519
Speaker 2: church days, and the church that he went to that

1235
01:14:11,640 --> 01:14:13,320
Speaker 2: got some pictures of him when he's walking around with

1236
01:14:13,360 --> 01:14:16,160
Speaker 2: his Bible at home room in high school.

1237
01:14:16,040 --> 01:14:19,679
Speaker 1: In high school suit and boot it. It wasn't expensive suits.

1238
01:14:19,680 --> 01:14:20,880
Speaker 1: It was a suit side of the four. But I

1239
01:14:20,880 --> 01:14:23,000
Speaker 1: put them things together because I wanted to look like

1240
01:14:23,000 --> 01:14:29,200
Speaker 1: something clean. I keep them clean tens, but clean. All right.

1241
01:14:29,240 --> 01:14:32,920
Speaker 1: That's the recap, man. Man. Shout out to all the

1242
01:14:32,920 --> 01:14:34,920
Speaker 1: Grammy Award winners. Shout out to all the Grammy No

1243
01:14:35,000 --> 01:14:38,519
Speaker 1: my knees. Shout out to our brother Harvey Mason Junior

1244
01:14:38,600 --> 01:14:41,519
Speaker 1: over there at the Grammys. Trying to get it all right,

1245
01:14:41,560 --> 01:14:43,040
Speaker 1: man and put in put it in put in a

1246
01:14:43,040 --> 01:14:46,639
Speaker 1: good space. Man, shout out to Usher, you.

1247
01:14:46,600 --> 01:14:50,920
Speaker 2: Got any I ain't saying no names stories from super

1248
01:14:51,000 --> 01:14:54,800
Speaker 2: Bowl Week or Grammy or Grammy Week. I like to say,

1249
01:14:54,840 --> 01:14:57,040
Speaker 2: shout out to that NBA all start that threw up

1250
01:14:57,080 --> 01:14:57,719
Speaker 2: on the table.

1251
01:15:04,200 --> 01:15:22,679
Speaker 6: What Yeah, I gotta tell you my shout out.

1252
01:15:23,400 --> 01:15:26,719
Speaker 1: That was it I got I think I ain't fucking

1253
01:15:26,760 --> 01:15:30,880
Speaker 1: with that, ladies. And this is the Army Money podcast,

1254
01:15:30,920 --> 01:15:34,080
Speaker 1: the authority on all things R and B. This has

1255
01:15:34,120 --> 01:15:38,160
Speaker 1: been the recap Grammys, uh, the Usher celebration. Man. Make

1256
01:15:38,200 --> 01:15:40,200
Speaker 1: sure you go check our brother out on the door man,

1257
01:15:40,560 --> 01:15:43,080
Speaker 1: and the next time you see us, we'll have another

1258
01:15:43,120 --> 01:15:46,599
Speaker 1: guest in the hot seat representing this R and B

1259
01:15:47,560 --> 01:15:49,080
Speaker 1: R and B Money.

1260
01:15:49,800 --> 01:15:51,559
Speaker 2: R and B Money is a production of the Black

1261
01:15:51,600 --> 01:15:56,240
Speaker 2: Effect podcast Network. For more podcasts from iHeart Radio, visit

1262
01:15:56,320 --> 01:16:00,000
Speaker 2: the iHeartRadio app, Apple Podcasts, or wherever you listen to

1263
01:16:00,200 --> 01:16:03,760
Speaker 2: your favorite shows. Don't forget to subscribe to and rate

1264
01:16:03,800 --> 01:16:06,280
Speaker 2: our show, and you can connect with us on social

1265
01:16:06,320 --> 01:16:09,960
Speaker 2: media at Jy Valentine and at the Real Tank. For

1266
01:16:10,040 --> 01:16:15,240
Speaker 2: the extended episode, subscribe to YouTube dot com, forward slash,

1267
01:16:15,520 --> 01:16:16,200
Speaker 2: R and B Money