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Speaker 1: Bold reverence and occasionally random. The Sunday Hang with Clay

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Speaker 1: Buck podcast starts now. So OutKick company that I sold

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Speaker 1: the Fox couple of years ago, Sports Media Company and

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Speaker 1: check it out. OutKick dot Com hired Kurt Schilling, who

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Speaker 1: should be in the Hall of Fame. Do you know

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Speaker 1: Kurt Schilling at all? Buck, Yes, and you are okay.

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Speaker 1: So Kurt Schilling became, for those of you out there

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Speaker 1: who not super baseball fans or supersports fans in general,

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Speaker 1: very famous with the so called Bloody Sock Game when

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Speaker 1: the Boston Red Sox finally ended there their long running

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Speaker 1: see A futility as it pertained to winning the World Series.

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Speaker 1: He was the pitcher on a team that was very

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Speaker 1: important to making that happen. And so as I was

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Speaker 1: rolling into the studio at Fox on Friday, there was

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Speaker 1: a Media Matters story. Now, Media Matters basically is just

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Speaker 1: a left wing propaganda outlet that is constantly obsessed with

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Speaker 1: trying to shut down anybody who is anything other than

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Speaker 1: far left wing, and so they had an article ripping

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Speaker 1: us for hiring Kurt Schilling, and I thought this was great.

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Speaker 1: I'm only mentioned as one sentence in the article, but

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Speaker 1: here's how I am described. This is on Media Matters website.

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Speaker 1: Right wing conspiracy theorist and sexist commentator Clay Travis founded

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Speaker 1: the site, so I couldn't help but laugh as I

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Speaker 1: was reading their article ripping us for hiring Kurtschilling. The

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Speaker 1: only mention of me is right wing conspiracy theorist and

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Speaker 1: sexist commentator Clay Travis. I mean, I am jealous, by

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Speaker 1: the way. That's an awesome way to be described by

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Speaker 1: the left. The more when the Libs hate you and

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Speaker 1: don't even feel the need to explore lane why they

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Speaker 1: can call you the things that they do, that's when

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Speaker 1: you know you've really made it, you know. That's so

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Speaker 1: funny about it, Like there's no description of any of that.

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Speaker 1: It's just like I am those things they are labeling them.

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Speaker 1: And the funniest response I saw was, Oh, you should

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Speaker 1: just read this as sexiest commentator, which is I'm certainly

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Speaker 1: not true. But if we could ask if you're gonna

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Speaker 1: call the change the impact there, if you're going to

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Speaker 1: call somebody a conspiracy theorist, I think as a general

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Speaker 1: rule you should have to at least cite what the

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Speaker 1: conspiracy theory is, because I mean, in your case, I'm

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Speaker 1: assuming they probably were pulling that from from COVID in

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Speaker 1: some capacity, right, that's the most likely site. I don't

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Speaker 1: even know in the show with me for two years.

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Speaker 1: Can you think of anything that I've said on the

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Speaker 1: air that you're like, Oh, that's a big conspiracy theory thing,

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Speaker 1: Like just what we both said about vaccines and masks

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Speaker 1: and things that have now all been proven to be

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Speaker 1: correct or certainly much more correct than what was being

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Speaker 1: said by the fauci Can census. And so yeah, to me,

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Speaker 1: it just goes to show you, clay, when you're over

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Speaker 1: the target, you're taking flat my friends. So so good

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Speaker 1: for you. Good for you in getting that one and

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Speaker 1: getting some heat. You know. There's a I had to

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Speaker 1: tweet up a second ago. But Anne Applebaum is a

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Speaker 1: well known Soviet historian and has written some very highly

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Speaker 1: regarded books history books. So that's why I know of

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Speaker 1: her from that Specifically, I think on Ukraine and the

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Speaker 1: Holidam or the famine, the forced famine, it should be

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Speaker 1: noted by the Soviets in Ukraine as part of a

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Speaker 1: effort to a liquidate the Kulocks and Ukrainians in general.

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Speaker 1: She was somebody who in response in twenty twenty in

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Speaker 1: response to the COVID Wuhan lab leak theory, called it

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Speaker 1: Soviet level propaganda. In twenty twenty, in response specifically to

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Speaker 1: Tom Cotton talking about it on TV. Why why don't

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Speaker 1: people feel any shame for this? Like if I had

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Speaker 1: accused somebody of Soviet level propaganda and they were entirely right,

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Speaker 1: I may not like them, but I would at least

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Speaker 1: say you were right. I was wrong. I shouldn't. I

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Speaker 1: shouldn't have said that that was And I'm just using

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Speaker 1: her as a stand in for the entire Democrat media apparatus.

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Speaker 1: None of them feel the need to say they were

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Speaker 1: wrong about this. None of them feel the need to

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Speaker 1: say I'm sorry. I mean, there were fact checks written

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Speaker 1: about me, there were attacks on me in the New

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Speaker 1: York Times that were total bullcrap. And on top of that,

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Speaker 1: I was right and they were wrong. Are there any apologies?

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Speaker 1: I mean, we just got attacked the Times. I was

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Speaker 1: attacked the Times before that, though, and you know I

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Speaker 1: was attacked by PolitiFact. You're now being called a conspiracy

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Speaker 1: theorist by it was an am media ite or media matters,

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Speaker 1: All media matters Media Matters. Yeah. Well, by the way,

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Speaker 1: that's the you want your own vertical at Media Matters,

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Speaker 1: you know what I mean, You need to have your

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Speaker 1: They need to devote someone to just this show. If

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Speaker 1: they're not already, I think they might be, because when

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Speaker 1: the pseudo public interest and education group of Media Matters

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Speaker 1: starts attacking you, then then you know you're you're doing

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Speaker 1: God's work because they're the worst. They're the worst alleged

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Speaker 1: media organization or supposed media organization I think of all

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Speaker 1: of them, and they're laughably grotesque in what they do.

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Speaker 1: And I just think that we still need to get

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Speaker 1: people to come clean on how they were wrong about

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Speaker 1: all this stuff, because you can still go out and

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Speaker 1: find it out there. They basically slandered people, and they

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Speaker 1: don't they don't seem to care. There's no there's no

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Speaker 1: problem whatsoever with it, And I think that that's something

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Speaker 1: that it's it's not okay for that to stay out there.

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Speaker 1: And if we had gotten something really wrong about COVID,

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Speaker 1: I'd come on the show and say it. No. In fact,

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Speaker 1: people try to get people fired for saying the right

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Speaker 1: things about COVID and they feel no remorse whatsoever because

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Speaker 1: it was just attack the enemy with lies, whatever you

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Speaker 1: have to do, attack the enemy. And you and I

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Speaker 1: are the enemy, my friend, the enemy of the commies,

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Speaker 1: which is a good person to be the enemy of.

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Speaker 1: And you know, I'm happy to be out there taking

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Speaker 1: you know, shrapnel every single day over this stuff. But

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Speaker 1: what I see is the attacks are increasingly a rear

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Speaker 1: guard action as they are trying to retreat from the

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Speaker 1: battlefield because they've just been swamped with the actual truth.

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Speaker 1: And the way that I think that's best to explain it,

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Speaker 1: buck is no one is getting any of these COVID

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Speaker 1: shots anymore. No one. When you look at the earnings reports,

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Speaker 1: and I was reading over the weekend, Maderna came out

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Speaker 1: with their earnings report. They made twenty billion dollars in

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Speaker 1: profit off of the COVID shots. That's our taxpayer dollars.

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Speaker 1: They now are warning that their dollars profit is diminishing

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Speaker 1: rapidly because nobody's taking these shots. So even people who

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Speaker 1: are out there arguing, oh, the COVID shot is one

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Speaker 1: of the greatest scientific advances of all time, they're not

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Speaker 1: taking it either. In fact, they are going to be

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Speaker 1: tens of millions of dollars a maderna Fizer vaccine doses

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Speaker 1: that are never used because the gig is up. People

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Speaker 1: have recognized since they've been wied to. I guess getting

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Speaker 1: shot number twelve not such a good idea. Sunday, hang

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Speaker 1: with Clay and Buck. Get your wedding advice. Buck, you

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Speaker 1: just put up on Twitter asking people for their best

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Speaker 1: wedding advice for you. Uh, and a lot of stuff

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Speaker 1: you know, they're you know, there's fun. Obviously, there's funny

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Speaker 1: stuff and tongue and cheek stuff to people, but a

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Speaker 1: lot of really insightful stuff. Um. Yeah, well, I'm I'm

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Speaker 1: excited to to have that conversation with the audience tomorrow.

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Speaker 1: We'll open up phone lines. We'll let people have some

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Speaker 1: fun with that because Buck's getting married on Saturday. But

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Speaker 1: we did want to play you the audio of AOC

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Speaker 1: losing her mind, which I believe we now have grabbed.

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Speaker 1: This was a little bit earlier in the day on

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Speaker 1: the House floor. As h as elon Omar is being

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Speaker 1: pulled off of her committee assignment, AOC here she is enjoyed.

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Speaker 1: Tell me that this is about an abdicate, a condemnation

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Speaker 1: of anti Semitic remarks when you have a member of

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Speaker 1: the Republican Caucus who who has talked about Jewish space

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Speaker 1: lasers and an entired amount of tropes and also elevated

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Speaker 1: her to some of the highest committee assignments in this body.

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Speaker 1: This is about targeting women of color in the United

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Speaker 1: States of America. Don't tell me because I didn't get

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Speaker 1: a single attirely spy my life was threatened? What first?

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Speaker 1: Who is supposed to apologize her? Because there are death

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Speaker 1: threats from lunatics out there, which every public figure that

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Speaker 1: I can think of has to contend with. It's unfortunate,

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Speaker 1: and I wish it didn't exist. But this idea that

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Speaker 1: if somebody makes a death threat to you, you are

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Speaker 1: going to use it for political advantage, and it's evidence

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Speaker 1: of how awful your opponents are. Look, it's unfortunate. In

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Speaker 1: the public eye, people say awful things to you all

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Speaker 1: day long, every day. I mean, just just imagine, you know,

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Speaker 1: I'm I'm a member of Congress, and I'm I'm in

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Speaker 1: a you know, in a Florida debate with other members

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Speaker 1: of Congress or whatever, and I'm saying, you know, yeah, guys,

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Speaker 1: I just I really don't agree with putting my signature

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Speaker 1: on that trade bill, and and and you know what,

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Speaker 1: if you disagree with me, then you're siding with the

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Speaker 1: rando that he built me a death threat a week ago. Yeah,

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Speaker 1: is that a fair way to approach anything? I mean,

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Speaker 1: I'm just wondering, is that like an emotional blackmail or

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Speaker 1: what it's supposed to be a trump card? Yeah, it's

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Speaker 1: exactly what's supposed to be. It's supposed to be like,

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Speaker 1: you can't disagree with me because the people who disagree

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Speaker 1: with me are so vile they're trying to kill me that.

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Speaker 1: I mean, that's basically what she's saying. And it's a

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Speaker 1: strange way to end that bid. I think we also

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Speaker 1: have Rashida Talib who started to cry over this. Um

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Speaker 1: so you can enjoy this as well. Censor Congresswoman Omar

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Speaker 1: In the same week they answer just a bill to

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Speaker 1: band federal employees from engaging and censor ship. Where are

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Speaker 1: the free speech warriors today? The hypocrisy is obvious to

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Speaker 1: the American people. You are showing who you all are. Really.

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Speaker 1: Gentle woman's time has expired, not be silence. The gentlewoman's

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Speaker 1: time cospired, Omar is expired. That our country is failing

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Speaker 1: you today through this chamber is no longer recognized. I mean,

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Speaker 1: what is that? Who are these emotional lunatics who hear

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Speaker 1: that and think I'm so glad they're speaking out for me.

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Speaker 1: This is why I say these people don't have actual audiences.

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Speaker 1: They really don't. Um this is a total I really

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Speaker 1: believe this manufactured social media created idea that the squad

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Speaker 1: is super influential. I mean, can we play that one

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Speaker 1: more time? I just I mean, she sounds like and

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Speaker 1: completely unhinged lunatic. This is on the floor of the

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Speaker 1: House of Representatives. Whatever your political opinions are, if you

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Speaker 1: heard this woman, would you be like, yeah, I'm with her?

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Speaker 1: Censor Congresswoman Omar. In the same week, they introduced a

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Speaker 1: bill to banned federal employees from engaging and censorship. Where

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Speaker 1: are the free speech warriors today? The hypocrisy is obvious

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Speaker 1: to the American people. You are showing who you all are. Really.

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Speaker 1: Gentle woman's time has expired. Not be silence. The gentlewoman's

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Speaker 1: time cospired. Omar gime is expired. That our country is

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Speaker 1: failing you today through this chambers no longer recognize God.

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Speaker 1: We just need to grab we need to start grabbing

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Speaker 1: a few audio clips. The last like six seconds there

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Speaker 1: is totally unhinged, lunatic behavior. Can we just grab that

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Speaker 1: audio and save it? So we're upset, it's not she's

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Speaker 1: not even like being fired from her job, or she's

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Speaker 1: just not on the on the Foreign Affairs Committee anymore.

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Speaker 1: Not everybody in Congress gets to be on the Foreign

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Speaker 1: Affairs Committee. They removed her from a committee. It's what

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Speaker 1: are we even talking about over there? Also, man, what

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Speaker 1: a bad public speaker. Just the voice inflection is so

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Speaker 1: strange and off putting. And this is what I was

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Speaker 1: saying the other day that I think is unfortunate. I

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Speaker 1: really wish that we had, uh, you know, we the

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Speaker 1: IQ level of our politicians, I think is far too

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Speaker 1: low to get very high level representation. There are a

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Speaker 1: lot of dumb people, I'm gonna be fair, of both

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Speaker 1: political parties. There are a lot of dumb people who

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Speaker 1: are in Congress and in the Senate and frankly in

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Speaker 1: the governor's offices. It's it's really like they just can't

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Speaker 1: process information and so they end up just like screaming,

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Speaker 1: really like in a strange way. I mean, that was

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Speaker 1: just super weird. To be happening on the House floor.

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Speaker 1: Yeah right, I mean that's like, that's that's really really

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Speaker 1: was just inappropriate. Yeah, it just it just how could

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Speaker 1: you be like, oh, she made the case that I

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Speaker 1: wish I could make. Yeah, that's what you should want

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Speaker 1: your concressmen to make. If you heard in the last

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Speaker 1: eight seconds of that speech, there was anybody out there

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Speaker 1: like I'm so glad she's speaking up for me, like

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Speaker 1: the average person in her district, could you know what

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Speaker 1: the eloquent I would be willing to bet. I mean,

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Speaker 1: we can check on this. You know who's gonna have

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Speaker 1: a speaking slot tonight in primetime on MSNBC that congresswoman.

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Speaker 1: Let's hear one more time buckets we go into this

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Speaker 1: is the final ten seconds. I just I can't get

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Speaker 1: enough of this is expired, that our country is telling

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Speaker 1: you to day this chamber no longer recognize and that's

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Speaker 1: gonna be a block a block in primetime on tonight.

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Speaker 1: She will be there, I guarantee you. It makes me

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Speaker 1: think like it's like a really bad Lifetime drama when

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Speaker 1: somebody is confronting they finally found out who the killer was.

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Speaker 1: That's what the screaming session sounds like like you belong

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Speaker 1: in this country. We failed you, Like I can't even

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Speaker 1: I can't even believe that that was a real speech

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Speaker 1: on the House floor, just in the last couple of hours.

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Speaker 1: To your point, Buck over a committee seat, right, No

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Speaker 1: one's getting sent to prison here, you know what I mean.

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Speaker 1: It's not that big a deal. It's like, not without

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Speaker 1: my daughter back in the way, you'd think that the

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Speaker 1: Iranians were trying to take her daughter away from her.

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Speaker 1: There's an old school in nineteen eighties movie reference for you,

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Speaker 1: is that Sally Field. I think it was Sally Field, oh,

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Speaker 1: playing an Iranian woman. I don't know. That might have

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Speaker 1: been cultural appropriation. Sundays with Clay and Buck I teased

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Speaker 1: off the top of the show that something unbelievable it happen,

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Speaker 1: and there were such a ridiculous situation that whoope, Goldberg

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Speaker 1: and I the view star will be Goldberg and I

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Speaker 1: have ended up on the same side of an issue,

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Speaker 1: and it has to do with all of this ridiculous

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Speaker 1: censorship of books rewriting. Basically, for those of you out

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Speaker 1: there who'd missed this story is going on what seems

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Speaker 1: to me quite commonly, I would just like to drop

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Speaker 1: this thought out there for millions of people across the country.

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Speaker 1: I think Whoopee needs to invite you on the View, Clay.

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Speaker 1: I think it needs to happen. I'll be in the audience.

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Speaker 1: I'll be cheering you on Be Great TV. I think

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Speaker 1: they still require their audience to wear masks. But I

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Speaker 1: would love to go on the View as a guest.

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Speaker 1: I think I would be incredible theater. I would definitely

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Speaker 1: get booed. It would it would be riveting. But they

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Speaker 1: started with it. I pronounced the name Rold Dahl, who

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Speaker 1: wrote Charlie and the Chocolate Factory, Matilda James and the

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Speaker 1: Giant Peach. Probably a good chance that either you or

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Speaker 1: your kids or grandkids have read these books over the

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Speaker 1: last forty or so years fifty years, as they have

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Speaker 1: been wildly popular for many children, and they've decided to

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Speaker 1: replace offensive and offensive is in quotation marks language throughout

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Speaker 1: his children's books. Sometimes if a kid is fat, they're

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Speaker 1: now referred to as enormous. Would be an example, even

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Speaker 1: the books that some of these kids are reading. I'd

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Speaker 1: rather be called fat than enormous. You know, enormous is

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Speaker 1: like super fat to be fair, Yes, and Roolipoly is condescending.

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Speaker 1: No one wants to be called roly Poly. Also like

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Speaker 1: Augustus Gloop I think was that German kid's name. If

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Speaker 1: I remember correctly, his weight is a big part of

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Speaker 1: what happens to him spoiler alert as he goes through

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Speaker 1: the chocolate factory. This is why he's like mommy on,

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Speaker 1: it's a chocolate river, all of it in my mass

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Speaker 1: at one time. Or us, Oh no, I fellon's a

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Speaker 1: chocolate river and I float because of my boyancy. Yes,

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Speaker 1: this is a very good accent. A fat kid is

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Speaker 1: on a bull as you might expect to restrain himself

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Speaker 1: inside of a chocolate factory, A bit of a bull

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Speaker 1: with a with a towel kind of situation. He's being taunted.

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Speaker 1: What is you? What is your weakness? Like? What is

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Speaker 1: your your You know, I don't you don't smoke, I

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Speaker 1: don't think you drink my like, what is your I

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Speaker 1: bring it up just because like I think I might

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Speaker 1: have an addiction to chocolate, which my wife could now

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Speaker 1: come could be like, um, I I that's a fantastic question.

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Speaker 1: Probably that I am. Uh, I'm overconfident, Like I just

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Speaker 1: think that I can do things that I can't, you know,

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Speaker 1: like and then I just meant. I meant more like

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Speaker 1: food and substances. But okay, if you're going I thought

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Speaker 1: you were going deep into the psychology there. I could

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Speaker 1: eat chicken palm for every meal I could eat like

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Speaker 1: you could eat a chicken parm that you're disgusted at

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Speaker 1: yourself afterwards with how much chicken palm you va. It's

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Speaker 1: hard for me to stop eating cobbler or pecan pie

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Speaker 1: like I could just go to town on those. It's

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Speaker 1: hard for me to put it put an ending to it.

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Speaker 1: So back to the Chubby German kid, roll rolled Dahl

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Speaker 1: Chubby German kid. They are changing the language in this

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Speaker 1: kid's books. And we know this has already happened with

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Speaker 1: Doctor Seuss, where they even took a step further and said,

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Speaker 1: oh my goodness, there's a drawing or there's a plot point,

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Speaker 1: or there's a page where people are out there, and

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Speaker 1: they're saying these books can no longer be published. Well,

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Speaker 1: they're now doing it to the James Bond books, which

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Speaker 1: were written by Ian Fleming. I think buck these books

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Speaker 1: would have come out in the early nineteen sixties. I

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Speaker 1: think I am correct. The first ever James Bond book

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Speaker 1: by Ian Fleming would have been written in like nineteen

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Speaker 1: sixties something like that. Does that sound right? Yeah? Ian

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Speaker 1: Fleming is fascinating in that he was a part of

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Speaker 1: I believe, British naval intelligence in the Second World War,

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Speaker 1: so he was a guy writing really the greatest spy

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Speaker 1: novel franchise of all time as somebody who had worked

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Speaker 1: as in since we're not supposed to call the spy

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Speaker 1: is the person who works for the intelligence officer just

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Speaker 1: so everyone knows, so you don't usually refer to yourself

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Speaker 1: as a spy if you are in the CIA or

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Speaker 1: am I six. The people that are bringing you the

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Speaker 1: information are the spies. And another thing too, was keep

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Speaker 1: in mind if anyone ever tells you they were a

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Speaker 1: CIA agent, Clay, be very suspicious because anybody who's ever

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Speaker 1: worked in the agency knows it is CIA officer. But

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Speaker 1: Ian flem I, Hey, when they do TV and they

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Speaker 1: call me a former CI age and I'm like, now

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Speaker 1: it sounds like, you know, this was something I made

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Speaker 1: up to impress ladies at bars, which, by the way,

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Speaker 1: let me tell you, they're not impressed. They're like, wait,

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Speaker 1: you work for the government. How much money do you make.

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Speaker 1: They'd much rather hear your professional sports player. And I

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Speaker 1: would also say that Ian Fleming was part of Operation Mincemeat,

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Speaker 1: I believe, which they actually made a movie of it,

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Speaker 1: which was the landing of a well, I should say,

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Speaker 1: the floating of a body with fake invasion plans off

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Speaker 1: the coast of Spain. He was part of that in

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Speaker 1: real pretty cool and actuality anyway, Sorry, but I just

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Speaker 1: think I think Ian Fleming fascinating guy. Yeah, well, I

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Speaker 1: wanted to get make sure I got this right. The

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Speaker 1: first James Bond book was published in nineteen fifty three

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Speaker 1: Casino Royale. It appears he published about twelve of them. Obviously,

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Speaker 1: those then have turned into iconic movies that continue to

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Speaker 1: have a great deal of power to this day. But

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Speaker 1: I read some of these books when I was a

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Speaker 1: kid because I was James Bond guy, and I was like,

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Speaker 1: these are super cool and interesting. And you know, as

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Speaker 1: you read a book that was written in the nineteen

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Speaker 1: fifties or the nineteen sixties, anything by modern sensibilities is

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Speaker 1: going to sound different. So they are now editing them

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Speaker 1: based on race and sexism related issues. Racism and sexism

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Speaker 1: related issues and buck to her credit. Whoopie Goldberg on

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Speaker 1: the View has come out and ripped this idea. Listen,

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Speaker 1: look y'all got to stop this. Okay, just put a

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Speaker 1: disclaimer on it. Yeah, that says, listen, this book was

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Speaker 1: written at this time, you know, or put out the

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Speaker 1: rich you know and what you all have done, because

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Speaker 1: kids should have the right to read how people thought. Yeah,

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Speaker 1: so that they know how to make the change. But

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Speaker 1: you know they tried to do this with Mark Twain

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Speaker 1: as well, because they were so concerned that the N

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Speaker 1: word was in the book. Well that's how they did it.

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Speaker 1: That's what it was. We don't want people doing it today,

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Speaker 1: and you don't see it as much. That's how people learn.

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Speaker 1: I feel like James Carville in old School when he's

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Speaker 1: like on the debate stage and goes, that was perfect.

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Speaker 1: I have no response. She's totally right. She nailed it right,

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Speaker 1: she nailed it. I mean, I think she even used

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Speaker 1: the same example as I did on the show. And

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Speaker 1: we talked about Dolls books being edited. Huckleberry Finn. You

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Speaker 1: need to see the totality of that work. And here's

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Speaker 1: what I would suggest. I mean, not that my books

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Speaker 1: have any sign of great historical legacy or anything. But

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Speaker 1: as an author, I find the idea that after I'm dead,

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Speaker 1: somebody can go in and change the words that I

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Speaker 1: published in my book to be awful. If I'm dead,

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Speaker 1: it's a little bit more challenging if the existing author,

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Speaker 1: you know, like some people got upset buck with George

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Speaker 1: Lucas because he went back in and altered some of

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Speaker 1: his Star Wars movies right, added different scenes, did different

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Speaker 1: things that he wished he had included. And if the

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Speaker 1: author creator is still alive, I'm a bit more you know,

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Speaker 1: open to the idea of, Hey, this is my work

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Speaker 1: and I've decided I want to revise it. I don't

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Speaker 1: like it because I think the work should stand for itself,

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Speaker 1: because it's a representation of the time an era in

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Speaker 1: which it was created. And if you come back thirty

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Speaker 1: or forty years later and alter it, I don't like

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Speaker 1: that personally, But I'm at least open to the idea

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Speaker 1: if the creator of the work decides that he or

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Speaker 1: she wants to amend it in some way. But the

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Speaker 1: idea that you change and author's works after he or

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Speaker 1: she is dead is like you should be able to

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Speaker 1: sign something that keeps that from ever occurring. Well, we

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Speaker 1: can think about you know, times in history and modesty

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Speaker 1: movements with regard to art and the fig leafs and

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Speaker 1: making leaves and making sure that you know, we weren't

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Speaker 1: showing any any exposed breasts or you know, with statues

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Speaker 1: or paintings, and who think about these these movements movements

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Speaker 1: of the past, and you think, well that that's an overreaction,

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Speaker 1: that that shouldn't be done. That's what they're doing right now.

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Speaker 1: You know, we look historically at points in time and

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Speaker 1: they was like, oh, we need to cover up all

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Speaker 1: those those Greco Roman statues because of the ladies boobs clay.

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Speaker 1: As you know, we can always be more than me,

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Speaker 1: we can always believe in and we realize that that's

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Speaker 1: so silly, and yet here we are, just with a

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Speaker 1: slightly different framework, doing the same thing. I mean, as

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Speaker 1: others have pointed out, I think it's an obvious points.

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Speaker 1: I'll make it as well. What happens to Shakespeare? I mean, honestly, now,

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Speaker 1: I think that the left are a lot of people

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Speaker 1: on the left too. You know, shake spear is a

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Speaker 1: little a little tough. They'd have to actually get in

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Speaker 1: and understand some of the stuff but they know that

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Speaker 1: there's things in there that are political being correct, things

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Speaker 1: in there that would be considered problematic. So are we

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Speaker 1: gonna start editing Shakespeare? I mean, this is where where

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Speaker 1: does this end? You know, when the Soviets did this

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Speaker 1: kind of stuff, when they were suppressing art and theater

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Speaker 1: and literature, we said, oh, how horrible it is, and

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Speaker 1: it was. But somehow the left in this country, which

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Speaker 1: thinks of itself as the place for creativity and for

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Speaker 1: the creative class, they have become the little commissars. Yeah,

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00:24:35,960 --> 00:24:38,480
Speaker 1: all the now two or credit Whoopi Goldberg for examples,

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00:24:38,560 --> 00:24:41,800
Speaker 1: sending up saying this is crazy, and she's right, and

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00:24:41,840 --> 00:24:44,080
Speaker 1: she deserves she deserves the applause she got from the

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Speaker 1: audience on that one, But so many on the left, Clay,

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Speaker 1: I mean, she's not going to stop them. This is

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Speaker 1: going to continue. I wonder did it would be Whoopi

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Speaker 1: Goldberg appear in the color purple? Wasn't that when like

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Speaker 1: a movie that she was in the novel? I'd have

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00:24:59,160 --> 00:25:02,119
Speaker 1: to check get up into break. Yeah, she was. And

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Speaker 1: the reason why I bring that up is that novel

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00:25:04,359 --> 00:25:07,240
Speaker 1: was considered very controversial. I believe it was by Alice

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Speaker 1: Walker and Whoopee, to her credit, may recognize that the idea.

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Speaker 1: There are scenes in that novel that are very problematic, right,

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00:25:16,840 --> 00:25:19,800
Speaker 1: they're tough sometimes for teenage kids to read. That doesn't

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00:25:19,800 --> 00:25:22,080
Speaker 1: mean they shouldn't read it right. And there's a difference,

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Speaker 1: and we talked about this on the show, and I

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Speaker 1: think it's an important one. There's also a difference between

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Speaker 1: changing the language in a book and deciding what's appropriate

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00:25:31,880 --> 00:25:35,200
Speaker 1: for a kid to read right. And I think there's

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00:25:35,200 --> 00:25:38,320
Speaker 1: a big difference there, and oftentimes it it gets ignored

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Speaker 1: or isn't recognized, and that's an important part of this

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Speaker 1: distinction here