1 00:00:02,600 --> 00:00:05,320 Speaker 1: Now it's time for Cannabis Talk one oh one with Blue, 2 00:00:05,519 --> 00:00:08,280 Speaker 1: Joe Grundy and Marking, Craig Watson and the Pot Brothers 3 00:00:08,280 --> 00:00:11,240 Speaker 1: in Law. Our special guest is yuck Mouth from The 4 00:00:11,280 --> 00:00:14,840 Speaker 1: Looney's plus guest appearance from Koala Puffs. Well, all right, 5 00:00:15,040 --> 00:00:16,960 Speaker 1: welcome to Cannabis Talk one on one. My name is Blue. 6 00:00:16,960 --> 00:00:24,239 Speaker 1: Alongside of me is the world famous Joe Rodandall Joe 7 00:00:24,280 --> 00:00:27,880 Speaker 1: Grundy and Mark Wassman from the world famous Pot Brothers 8 00:00:27,880 --> 00:00:33,440 Speaker 1: a Law him okay, okay. Alongside of me is the 9 00:00:33,479 --> 00:00:40,080 Speaker 1: world famous yuck Mouth Lonely and then right to his 10 00:00:40,280 --> 00:00:45,440 Speaker 1: left is the world famous hot and sexy straight from Russia, 11 00:00:47,040 --> 00:00:50,680 Speaker 1: the Soviet. No, she's born and raised here, Miss Koala whatever. 12 00:00:50,720 --> 00:00:52,720 Speaker 1: I don't know where you're from, but miss Koala Puffs 13 00:00:52,720 --> 00:00:54,800 Speaker 1: is hanging out with It's so cool that you're even 14 00:00:54,800 --> 00:00:56,000 Speaker 1: here to be a part of the show today. I 15 00:00:56,040 --> 00:00:58,520 Speaker 1: didn't even I came in for a meeting. I was 16 00:00:58,560 --> 00:01:01,200 Speaker 1: about to leave that. No, no, you're saying, first of all, 17 00:01:01,280 --> 00:01:06,840 Speaker 1: born and reason interviewing. You know what we are, unf 18 00:01:07,959 --> 00:01:13,360 Speaker 1: where are you? And we have to take the whole 19 00:01:13,720 --> 00:01:15,560 Speaker 1: They bring me in and they shut me right down. 20 00:01:15,920 --> 00:01:19,479 Speaker 1: Just be patient, Young Joe tell us what's going down 21 00:01:19,520 --> 00:01:21,080 Speaker 1: on the show. Thank you guys all for listening to 22 00:01:21,120 --> 00:01:23,720 Speaker 1: the podcast Cannabis Talk one oh one. Make sure you 23 00:01:23,800 --> 00:01:24,920 Speaker 1: ever want to be a part of the show. Call 24 00:01:25,000 --> 00:01:28,800 Speaker 1: us up eight nineteen eight. That number again, Mark is eight. 25 00:01:31,080 --> 00:01:33,640 Speaker 1: Make sure you check out our Instagram pages for daily news. 26 00:01:33,760 --> 00:01:36,119 Speaker 1: Learned the script the slam poem. Mark's been getting naked 27 00:01:36,200 --> 00:01:38,160 Speaker 1: on it for some weird reason. But it's at Cannabis 28 00:01:38,200 --> 00:01:40,640 Speaker 1: Talk one oh one, at Pop Brothers at Law. There's 29 00:01:40,640 --> 00:01:43,399 Speaker 1: an underscore between each word there, Mark's at wast Law, 30 00:01:43,760 --> 00:01:46,160 Speaker 1: Craig is at wast Law, Dog Blue is that one? 31 00:01:46,240 --> 00:01:49,000 Speaker 1: Christopher right? I am at Joe grand A fifty two, 32 00:01:49,400 --> 00:01:54,160 Speaker 1: and our guest the Instagram Reggie Reggie me General? Is 33 00:01:54,200 --> 00:01:58,560 Speaker 1: that right? Regime General? Don't want out on Twitter? At 34 00:01:58,640 --> 00:02:00,600 Speaker 1: Chuck Mouth, I don't know why. How about this, I 35 00:02:00,640 --> 00:02:02,080 Speaker 1: don't know why the funk you just didn't put young 36 00:02:02,120 --> 00:02:06,240 Speaker 1: Mouth there made it easier on me? Did you just 37 00:02:06,360 --> 00:02:13,480 Speaker 1: call him? Well? Had a ship? Right? Okay? Mr yung Mouth, 38 00:02:13,520 --> 00:02:15,960 Speaker 1: he's there. And at Koala Puffs. That's the hardest one 39 00:02:16,040 --> 00:02:18,160 Speaker 1: to find because she's been blocked on ig so hard. 40 00:02:18,520 --> 00:02:21,600 Speaker 1: You literally have to spell out Koala dot Puffs that's 41 00:02:21,639 --> 00:02:24,120 Speaker 1: two F two s at the end, and you'll finally 42 00:02:24,160 --> 00:02:25,800 Speaker 1: find her. I was literally looking at her earlier, going, 43 00:02:25,960 --> 00:02:28,960 Speaker 1: how come she's not popping up? You are just banded, dude, 44 00:02:29,000 --> 00:02:33,560 Speaker 1: you're so popular your band. Don't like that, You're like 45 00:02:33,639 --> 00:02:35,880 Speaker 1: the old two Life crew, Like you're just getting banned 46 00:02:36,560 --> 00:02:42,639 Speaker 1: band on Instagram, b inst But we're like, like I 47 00:02:42,800 --> 00:02:44,840 Speaker 1: just said, we got Kuala Puffs joining with us. It's 48 00:02:44,840 --> 00:02:46,840 Speaker 1: a sneak peek with her because she was hanging out 49 00:02:46,880 --> 00:02:48,639 Speaker 1: with us earlier. So you got to hang out with 50 00:02:48,720 --> 00:02:51,000 Speaker 1: us today. For yuck Mouth and for those who don't know, 51 00:02:51,160 --> 00:02:54,359 Speaker 1: the multi platinum Grammy nominated player from the Beta, l 52 00:02:55,160 --> 00:02:58,480 Speaker 1: Looney's is the building with Numb School. CEO of Smoke 53 00:02:58,520 --> 00:03:00,239 Speaker 1: a Lot Records has a brand new end of his 54 00:03:00,240 --> 00:03:02,640 Speaker 1: brand We're Gonna learn a lot about and his podcast 55 00:03:02,720 --> 00:03:05,560 Speaker 1: Smoke a Lot Radio, with his co host comedian Kato 56 00:03:05,680 --> 00:03:08,720 Speaker 1: and former adult actress Simone Taylor. When they're bringing up 57 00:03:08,720 --> 00:03:11,760 Speaker 1: the latest hip hop news, sports, marijuana culture, all kinds 58 00:03:11,800 --> 00:03:13,239 Speaker 1: of stuff. I peeped out a little bit of it. 59 00:03:13,280 --> 00:03:15,880 Speaker 1: I really like what you guys are watching. Well, I 60 00:03:16,040 --> 00:03:19,000 Speaker 1: did Google. I'm not gonna lie you build Simone Taylor. 61 00:03:19,080 --> 00:03:22,440 Speaker 1: Of course I did first thing you did. It was 62 00:03:22,520 --> 00:03:25,639 Speaker 1: the third thing I did. I don't want to know 63 00:03:25,720 --> 00:03:28,079 Speaker 1: about the first two things. Yeah, I did my due 64 00:03:28,120 --> 00:03:30,919 Speaker 1: diligence dog. You know. Bottom line is that that intro music, 65 00:03:31,040 --> 00:03:35,560 Speaker 1: the song you know, means fire. I like what you're 66 00:03:35,600 --> 00:03:37,320 Speaker 1: doing there. But you know from the beta l A 67 00:03:37,440 --> 00:03:39,520 Speaker 1: we're representing. For those who don't know it, I got 68 00:03:39,600 --> 00:03:42,160 Speaker 1: five on it. If you're sleeping, you better google it. 69 00:03:42,240 --> 00:03:45,760 Speaker 1: It's one of the anthems. I mean, I'm sure we 70 00:03:45,800 --> 00:03:47,720 Speaker 1: can pull it up. You can pull it up. We'll 71 00:03:47,760 --> 00:03:50,080 Speaker 1: get it going in the second. But yeah, because Ko 72 00:03:50,360 --> 00:03:53,600 Speaker 1: is a little young, it is, I know what it is. 73 00:03:56,600 --> 00:03:59,640 Speaker 1: The background, we're gonna play it in the background. Yuck, 74 00:03:59,640 --> 00:04:01,320 Speaker 1: You're gonn to wrap over it as we play it. 75 00:04:01,440 --> 00:04:06,280 Speaker 1: So we're just gonna come on it. Oh yeah, he said, 76 00:04:06,320 --> 00:04:08,920 Speaker 1: you are? Who are? It's a virtual concert for those 77 00:04:08,960 --> 00:04:14,360 Speaker 1: who don't know distancing right now. And if you're watching 78 00:04:14,440 --> 00:04:16,600 Speaker 1: us online, thank god you are. If you're not, you're 79 00:04:16,640 --> 00:04:18,600 Speaker 1: hearing the podcast, you get to hear and perform live 80 00:04:18,680 --> 00:04:25,200 Speaker 1: for you. So we went from dick TALKTOK. Yeah that 81 00:04:25,360 --> 00:04:27,120 Speaker 1: wasn't on the air. Yet Dick Talk was something that 82 00:04:27,200 --> 00:04:34,080 Speaker 1: Koala has been working on. Everybody podcast. They know it 83 00:04:34,200 --> 00:04:37,000 Speaker 1: was you. We had fun with it. A matter of fact, 84 00:04:37,040 --> 00:04:38,760 Speaker 1: it was such a great podcast to have you. We 85 00:04:38,839 --> 00:04:40,880 Speaker 1: have to bring her back. They trapped me in here. 86 00:04:40,920 --> 00:04:45,000 Speaker 1: They didn't even bring me back. Now you and a 87 00:04:45,080 --> 00:04:47,200 Speaker 1: business call. You're gonna about to get the diamond go 88 00:04:47,440 --> 00:04:50,200 Speaker 1: front or the CEO the platinum fronts like yet the 89 00:04:50,320 --> 00:04:52,760 Speaker 1: whole nimee. So yeah, what's going down with you? And 90 00:04:52,920 --> 00:04:54,200 Speaker 1: for those of you, like I said, don't know that 91 00:04:54,400 --> 00:04:56,039 Speaker 1: I got five on it, in my opinion, is one 92 00:04:56,040 --> 00:04:59,800 Speaker 1: of the original anthems for smoking weed. And it's just start. 93 00:05:00,000 --> 00:05:01,680 Speaker 1: Ain't in the background. We'll just get it going. But 94 00:05:02,440 --> 00:05:05,840 Speaker 1: do we have it? Yeah, turn it up, turn it out. 95 00:05:07,360 --> 00:05:10,400 Speaker 1: Foods like she know me? Me, ain't not on me 96 00:05:10,480 --> 00:05:13,120 Speaker 1: to begin with. There's too many heads to be Papa. 97 00:05:13,279 --> 00:05:15,840 Speaker 1: Let my friend hit this. Let you pull out the 98 00:05:15,960 --> 00:05:19,560 Speaker 1: fat crispy five dollar bill on the real Betroler's history 99 00:05:20,080 --> 00:05:22,440 Speaker 1: because out of the bag he loves And if you 100 00:05:22,560 --> 00:05:25,640 Speaker 1: had a minute before you do, I'm dumb. I go 101 00:05:25,880 --> 00:05:28,200 Speaker 1: to school. What a Taylor on my hair? Low one 102 00:05:29,480 --> 00:05:32,360 Speaker 1: skeez is a weirdo. Got me coming off the land 103 00:05:32,400 --> 00:05:34,560 Speaker 1: like where the bomb at? Give me two bucks to 104 00:05:34,600 --> 00:05:37,600 Speaker 1: take them and pop my band back. Think like a 105 00:05:37,720 --> 00:05:40,160 Speaker 1: Surfy that SERI is fun, will make a nifty go 106 00:05:40,320 --> 00:05:44,279 Speaker 1: delirious like Eddie Murphy come Brown Pains and vatty that's 107 00:05:44,320 --> 00:05:49,000 Speaker 1: hurt me day to take the down. I got rich, 108 00:05:49,920 --> 00:06:04,120 Speaker 1: fol y'all know it. Befo the baby CHR. I got five, 109 00:06:07,320 --> 00:06:09,440 Speaker 1: Like I said, growing up in the Bay, dog and 110 00:06:09,480 --> 00:06:11,160 Speaker 1: I don't care for you, not from the Bay. But 111 00:06:11,279 --> 00:06:13,400 Speaker 1: that was an anthem. So it's a real pleasure. Maybe 112 00:06:13,440 --> 00:06:17,240 Speaker 1: and I'm sure cross Pass when I worked, that was 113 00:06:17,279 --> 00:06:20,120 Speaker 1: amazing for me over here. I mean, like I said, 114 00:06:20,160 --> 00:06:22,320 Speaker 1: though I mean earlier. First of all, shout out to 115 00:06:22,400 --> 00:06:28,760 Speaker 1: my new background. You know, Joe, we're going on tour 116 00:06:28,920 --> 00:06:34,720 Speaker 1: next month. Let's go shout out. Let me get us. 117 00:06:35,560 --> 00:06:38,400 Speaker 1: Definitely shout out my new background. Guys, stuff in me. 118 00:06:38,680 --> 00:06:40,480 Speaker 1: But I want to go back to that. That's that 119 00:06:40,680 --> 00:06:43,560 Speaker 1: anthem and when you created it, because I wanted the 120 00:06:43,680 --> 00:06:46,400 Speaker 1: story on where that came from, how that came about, 121 00:06:46,680 --> 00:06:49,040 Speaker 1: because like I said, dog, for me growing up, it 122 00:06:49,240 --> 00:06:51,560 Speaker 1: was you got five on this. If not, then you 123 00:06:51,640 --> 00:06:53,520 Speaker 1: were smoking with me, right, you know what I mean? 124 00:06:54,200 --> 00:06:59,880 Speaker 1: It became that lingo. Well, I mean long story long, yeah, yeah, 125 00:07:00,600 --> 00:07:03,800 Speaker 1: we're here for that. Okay. Now we were teenagers, you 126 00:07:03,880 --> 00:07:05,480 Speaker 1: know what I mean at the time, and um this 127 00:07:05,640 --> 00:07:08,360 Speaker 1: is around the time when um Cess we was just 128 00:07:08,480 --> 00:07:11,800 Speaker 1: like super you got to buy a big guys super 129 00:07:11,840 --> 00:07:16,239 Speaker 1: bag and sets for like five dollars. Had a whole 130 00:07:16,440 --> 00:07:19,840 Speaker 1: street on seventy one called the Cess Alley. So they 131 00:07:19,920 --> 00:07:21,880 Speaker 1: were broke, you had to go to the sets Alley. 132 00:07:22,200 --> 00:07:24,840 Speaker 1: Now if you had money, money, you had money, mean, 133 00:07:25,240 --> 00:07:27,440 Speaker 1: you had to go to seventy one and favorite street, 134 00:07:27,480 --> 00:07:36,280 Speaker 1: which had to dank, get right dank. So we always 135 00:07:36,360 --> 00:07:38,680 Speaker 1: pitch in, like, funk that five for the sets man. 136 00:07:38,760 --> 00:07:40,640 Speaker 1: You pitch in your five that you got for the set, 137 00:07:40,680 --> 00:07:42,920 Speaker 1: and we just go get some dank that set. So 138 00:07:43,440 --> 00:07:45,560 Speaker 1: we had to pitch in because we just let you 139 00:07:45,600 --> 00:07:47,760 Speaker 1: know what I mean. And then at that time they 140 00:07:47,800 --> 00:07:50,760 Speaker 1: would not sell you know, weight right like if you 141 00:07:50,880 --> 00:07:53,520 Speaker 1: were broken down. No, if you will spend the hundred dollars, 142 00:07:53,560 --> 00:07:59,440 Speaker 1: they will give you ten sacks, eleven sacks. You want 143 00:07:59,480 --> 00:08:07,800 Speaker 1: to get a sack, then seven they're giving you ten sacks. Sacks. 144 00:08:07,840 --> 00:08:10,320 Speaker 1: There they're gonna give you five twenty sacks with an 145 00:08:10,360 --> 00:08:12,840 Speaker 1: extra twenty sac. They're not gonna give you a half 146 00:08:13,480 --> 00:08:15,800 Speaker 1: fourteen grams none of that ship. So it was when 147 00:08:15,840 --> 00:08:17,600 Speaker 1: you had to really buy a sack for sacks. So 148 00:08:18,080 --> 00:08:21,160 Speaker 1: Snoop had came with um on one of them songs, 149 00:08:21,280 --> 00:08:23,800 Speaker 1: just like once again, I got five on the twenties sacks. 150 00:08:23,840 --> 00:08:28,960 Speaker 1: It's like that doesn't matter on my back. So that 151 00:08:29,040 --> 00:08:31,720 Speaker 1: Snoop Doggy Dog. He came out ninety three. We got 152 00:08:31,840 --> 00:08:34,480 Speaker 1: signed to ninety three. Uh to see no records with 153 00:08:34,760 --> 00:08:38,400 Speaker 1: Drew Down. He was signed year, he was signed there already, 154 00:08:38,440 --> 00:08:40,920 Speaker 1: and we basically turned the drug down to a record deal. 155 00:08:41,360 --> 00:08:43,719 Speaker 1: We turned the negative into a positive, like we was 156 00:08:43,760 --> 00:08:45,120 Speaker 1: there me and now I was there to buy some 157 00:08:45,200 --> 00:08:48,280 Speaker 1: work and seeing h the executive producer just happened to 158 00:08:48,280 --> 00:08:50,160 Speaker 1: be there, you know, the dude that we was copping from. 159 00:08:50,280 --> 00:08:52,480 Speaker 1: And I noticed that he hain't with too short because 160 00:08:52,480 --> 00:08:54,079 Speaker 1: he'd be on all the videos and ship. They called 161 00:08:54,120 --> 00:08:57,880 Speaker 1: him baby Jesus back and remember baby Jesus, So I'm like, 162 00:08:57,960 --> 00:09:01,040 Speaker 1: that's baby Jesus. No, that's baby Jesus. Sure would say 163 00:09:01,040 --> 00:09:03,080 Speaker 1: that in all a lot of the songs. Yeah, yeah, 164 00:09:03,240 --> 00:09:05,760 Speaker 1: fuck this cope, man. We could rap and he's like 165 00:09:05,840 --> 00:09:07,400 Speaker 1: let me hear you wrap and I bust the ice 166 00:09:07,480 --> 00:09:10,360 Speaker 1: cream man. He was like, yo studio tomorrow. And at 167 00:09:10,400 --> 00:09:12,800 Speaker 1: that time he was working with Drew Down, and Drew 168 00:09:12,840 --> 00:09:16,200 Speaker 1: Down was getting all his music done by Banks story 169 00:09:16,559 --> 00:09:19,959 Speaker 1: Ba at Dangerous Studios. So, um, we go there the 170 00:09:20,040 --> 00:09:23,040 Speaker 1: next day and um, you know, I end up having 171 00:09:23,080 --> 00:09:26,040 Speaker 1: to have a rap battle. You know how that goes battle, 172 00:09:27,280 --> 00:09:35,400 Speaker 1: You gotta stand up. It was so we had Yeah, 173 00:09:35,440 --> 00:09:39,240 Speaker 1: k was my background, she had my bars, but anyway, Um, 174 00:09:39,400 --> 00:09:42,240 Speaker 1: I had to rap against the legendary rapping around rest 175 00:09:42,280 --> 00:09:44,000 Speaker 1: in peace. You know you heard about wrapping around and 176 00:09:44,040 --> 00:09:47,200 Speaker 1: bad influence. So there was two short artists, so too short. 177 00:09:47,200 --> 00:09:49,720 Speaker 1: I was like, yeah, man, let's have a rap battle 178 00:09:49,760 --> 00:09:51,319 Speaker 1: with our artists who have a wind got about the 179 00:09:51,320 --> 00:09:56,760 Speaker 1: whole studio pieces. That's fair game. Let's go. So end up, 180 00:09:56,800 --> 00:09:58,800 Speaker 1: I'm going through him, right, it's three of um against me, 181 00:09:59,200 --> 00:10:00,959 Speaker 1: So I'm going through them, going through them, going through 182 00:10:01,000 --> 00:10:02,920 Speaker 1: him to tap out. So just me and wrap around 183 00:10:03,000 --> 00:10:05,360 Speaker 1: at the end. It's a long story short wrap around 184 00:10:05,440 --> 00:10:07,760 Speaker 1: the water freestyle, you know what I mean? You could 185 00:10:07,760 --> 00:10:09,719 Speaker 1: wrap like you got the shirt on and you got 186 00:10:09,760 --> 00:10:11,800 Speaker 1: the bear with the you got this in here, you know, 187 00:10:11,960 --> 00:10:14,480 Speaker 1: just bring everybody into it instead of somebody just saying 188 00:10:14,720 --> 00:10:16,560 Speaker 1: a regular rap that they wrote. So I was saying 189 00:10:16,600 --> 00:10:18,319 Speaker 1: wraps that I wrote that was killing it. But he 190 00:10:18,480 --> 00:10:21,480 Speaker 1: was able to rap about everything pop brothers in law 191 00:10:21,760 --> 00:10:24,800 Speaker 1: man man, we're doing all that ship. But he talked 192 00:10:24,800 --> 00:10:28,280 Speaker 1: about banks on the beat too short with the tea 193 00:10:28,640 --> 00:10:34,439 Speaker 1: and everybody guess and everybody else like this motherfucker's nine 194 00:10:34,600 --> 00:10:36,439 Speaker 1: three and then to the end that he was like 195 00:10:37,160 --> 00:10:40,160 Speaker 1: to short roll up the reef and c h, you lost, 196 00:10:40,280 --> 00:10:57,480 Speaker 1: go to the motherfucking piece he even gave him. So 197 00:10:57,840 --> 00:11:00,040 Speaker 1: Drew Damn makes this big ass hit called Pimp of 198 00:11:00,120 --> 00:11:03,800 Speaker 1: the Year when you loved It, got the remakeup. I 199 00:11:03,840 --> 00:11:09,880 Speaker 1: don't know what the original beat is with that just fired. 200 00:11:10,200 --> 00:11:14,240 Speaker 1: So it's our turn. We get the fast fourth time, 201 00:11:14,280 --> 00:11:16,560 Speaker 1: we start working on our album, which is still ninety three, 202 00:11:17,160 --> 00:11:19,599 Speaker 1: and it's our turn to come with it, you know 203 00:11:19,600 --> 00:11:21,840 Speaker 1: what I mean. So we like we love Club Move Vote. 204 00:11:22,080 --> 00:11:24,480 Speaker 1: They didn't did rumors and did everything, but they didn't 205 00:11:24,480 --> 00:11:27,240 Speaker 1: do I got um the white treat me so bad. 206 00:11:27,880 --> 00:11:30,439 Speaker 1: So we're gonna grab the album. We're gonna grab the 207 00:11:30,520 --> 00:11:32,800 Speaker 1: album Club Movote and we bring it the tone capone 208 00:11:32,880 --> 00:11:35,720 Speaker 1: our producer at the time. Now he whips it up, 209 00:11:35,840 --> 00:11:37,640 Speaker 1: you know what I mean? And I say the hook 210 00:11:37,679 --> 00:11:39,920 Speaker 1: at the time, and um, it was just me talking, 211 00:11:40,360 --> 00:11:42,160 Speaker 1: you know what I mean, me just saying the hook, right. 212 00:11:42,200 --> 00:11:44,480 Speaker 1: There was no singer on it. And Tone Capone knew 213 00:11:44,760 --> 00:11:47,599 Speaker 1: Mike Marshall from the time Next Social Club, who was 214 00:11:47,640 --> 00:11:50,240 Speaker 1: actually a part of you know, Club New Vote before 215 00:11:50,280 --> 00:11:54,240 Speaker 1: Club New Vote started. So he took what I said 216 00:11:54,280 --> 00:11:56,920 Speaker 1: on the hook and had Mike Marshall sing it, and 217 00:11:57,120 --> 00:12:02,880 Speaker 1: the rest is his history. Oh so you got that 218 00:12:03,000 --> 00:12:05,360 Speaker 1: hook first. And they said when you heard saying that 219 00:12:05,559 --> 00:12:08,120 Speaker 1: I got five on it? Gorat Bill Folk, Oh, let's 220 00:12:08,160 --> 00:12:12,000 Speaker 1: get kid, I got five, Like, had this man sing 221 00:12:12,160 --> 00:12:14,400 Speaker 1: this ship. We came back to the studio the next 222 00:12:14,480 --> 00:12:16,160 Speaker 1: day and he was just singing that I mean. And 223 00:12:16,240 --> 00:12:18,480 Speaker 1: it's funny because that was the time though, when you know, 224 00:12:18,880 --> 00:12:22,439 Speaker 1: especially for me, we're doing old English forties and we're 225 00:12:22,480 --> 00:12:24,800 Speaker 1: smoking blunts and it was just a great time. So 226 00:12:25,000 --> 00:12:28,200 Speaker 1: that's why the hook was so crucial ninety three nine, 227 00:12:28,840 --> 00:12:31,000 Speaker 1: and in my opinion even still till this day, when 228 00:12:31,040 --> 00:12:33,319 Speaker 1: you think of anthems, it's one of the top anthems 229 00:12:33,360 --> 00:12:35,880 Speaker 1: by far for cannabis. You know weed smokers, But we 230 00:12:36,000 --> 00:12:38,439 Speaker 1: made it in ninety three because we was influenced not 231 00:12:38,520 --> 00:12:40,640 Speaker 1: only by Snoop you know what I mean, but by 232 00:12:40,840 --> 00:12:43,400 Speaker 1: true downs hit that got damn pit for the year, 233 00:12:43,520 --> 00:12:46,760 Speaker 1: Like how we gonna come Like that was a huge 234 00:12:47,040 --> 00:12:50,120 Speaker 1: ass song. We gotta really come up the back, you 235 00:12:50,160 --> 00:12:51,880 Speaker 1: know what I mean. So we're like, okay, what what 236 00:12:52,240 --> 00:12:54,120 Speaker 1: we make? We're gonna make, you know what I mean. 237 00:12:54,200 --> 00:12:56,280 Speaker 1: Now this is when Puff is, We're making all this ship, 238 00:12:56,440 --> 00:12:57,959 Speaker 1: you know what I mean. Everything is going down with 239 00:12:58,040 --> 00:13:00,040 Speaker 1: the remakes. Now, you did a lot of torying with 240 00:13:00,200 --> 00:13:03,040 Speaker 1: with Drew two, right, I mean with with Puffy and them. Yeah, 241 00:13:03,280 --> 00:13:05,840 Speaker 1: that happened after So we make five on the ninety 242 00:13:05,880 --> 00:13:08,800 Speaker 1: three fast forward and we tuck it. We tuck it, 243 00:13:08,840 --> 00:13:09,880 Speaker 1: you know what I mean. And we throw out a 244 00:13:09,920 --> 00:13:11,440 Speaker 1: little mixtape you know what I mean, and we get 245 00:13:11,520 --> 00:13:14,040 Speaker 1: signed after Drew Down get signed the ninety four and 246 00:13:14,080 --> 00:13:16,200 Speaker 1: then we own version of records. We dropped this song 247 00:13:16,360 --> 00:13:19,439 Speaker 1: five on it two years later and it still goes. 248 00:13:19,520 --> 00:13:21,920 Speaker 1: So that was a two year old song we had 249 00:13:21,960 --> 00:13:24,400 Speaker 1: since ninety three. Stash that bitch, like we know this 250 00:13:24,559 --> 00:13:28,800 Speaker 1: is it? Yeah? Yeah, everybody who heard it was like, 251 00:13:28,880 --> 00:13:31,000 Speaker 1: this is your anthem. This is nobody nobody heard it, 252 00:13:31,040 --> 00:13:33,079 Speaker 1: but they mean amongst the homies, like anybody heard it. Yeah, 253 00:13:33,320 --> 00:13:35,040 Speaker 1: was like I put that away. Man, we're gonna when 254 00:13:35,080 --> 00:13:36,600 Speaker 1: we come with the real album because we just did 255 00:13:36,679 --> 00:13:38,800 Speaker 1: a mixtape and we started on our mixtape like, no, 256 00:13:39,000 --> 00:13:40,959 Speaker 1: this ain't going on the fucking mixtape. Ooh, this to 257 00:13:41,040 --> 00:13:44,079 Speaker 1: the side, Yeah, this is this is him, period, and 258 00:13:44,760 --> 00:13:47,640 Speaker 1: we put that motherfucker out into and that ship when 259 00:13:47,679 --> 00:13:51,480 Speaker 1: a platinum in one month the single, Yeah, we as 260 00:13:51,559 --> 00:13:54,839 Speaker 1: a number one on the Billboard over Michael Jackson for 261 00:13:54,960 --> 00:14:00,400 Speaker 1: two weeks, just just Michael Jackson people. But I know 262 00:14:01,480 --> 00:14:02,920 Speaker 1: there was a lot of people, a lot of the 263 00:14:03,000 --> 00:14:06,240 Speaker 1: top dogs. Tupac was charting at that time, from for 264 00:14:06,360 --> 00:14:09,800 Speaker 1: the All Eyes on Me still charting, Biggie was charting. 265 00:14:10,400 --> 00:14:13,240 Speaker 1: Uh remember Whutine was charging that and it was like, 266 00:14:13,320 --> 00:14:16,400 Speaker 1: who's this group out of Oakland, California, Russian making all 267 00:14:16,480 --> 00:14:18,960 Speaker 1: the noise? Who are these cats? It was number one 268 00:14:19,000 --> 00:14:22,280 Speaker 1: for three weeks on the Billboard, took Michael Jackson down. Yeah, 269 00:14:22,280 --> 00:14:24,360 Speaker 1: I mean period on our first run, nobody knew who 270 00:14:24,360 --> 00:14:26,520 Speaker 1: the funk we was. Yeah, I mean, so for that 271 00:14:26,680 --> 00:14:28,640 Speaker 1: to happen, it was just a blessing period because it 272 00:14:28,720 --> 00:14:30,640 Speaker 1: was the whole album. It wasn't the single. The sing 273 00:14:30,760 --> 00:14:32,600 Speaker 1: already did what it did. The album dropped the month 274 00:14:32,680 --> 00:14:34,920 Speaker 1: later on the fourth of July and ninety five, and 275 00:14:35,000 --> 00:14:37,400 Speaker 1: that motherfucker was to the end of the whole July. 276 00:14:37,560 --> 00:14:41,400 Speaker 1: That ship was number one period and tells some places 277 00:14:41,440 --> 00:14:42,920 Speaker 1: it took you to. That was crazy because I know 278 00:14:43,000 --> 00:14:45,040 Speaker 1: when when that ship went. And even still to this day, 279 00:14:45,080 --> 00:14:47,640 Speaker 1: you guys are still touring playing it. It's still anthems. 280 00:14:47,720 --> 00:14:49,120 Speaker 1: It's like, Okay, we want you here and there, but 281 00:14:49,280 --> 00:14:51,840 Speaker 1: where's some place where? Like damn, Mama, you ain't gonna 282 00:14:51,880 --> 00:14:54,640 Speaker 1: believe where I'm at right now? Um I say, Oprah 283 00:14:54,680 --> 00:14:58,600 Speaker 1: Winfrey Show, yeah, show, did you give you a car? 284 00:15:01,600 --> 00:15:03,600 Speaker 1: You got a car? You get a car? You get 285 00:15:03,680 --> 00:15:09,040 Speaker 1: a car? I wish? And then how but but shout 286 00:15:09,080 --> 00:15:11,800 Speaker 1: out Quincy Jones because that's how we Grahamy nominated. We 287 00:15:11,880 --> 00:15:14,920 Speaker 1: did a song on Quincy Jones, uh juke joint. That's 288 00:15:15,000 --> 00:15:16,960 Speaker 1: like when he's doing the Back on the Block compilations 289 00:15:17,040 --> 00:15:18,520 Speaker 1: with all the artists and ships. So he did a 290 00:15:18,600 --> 00:15:21,360 Speaker 1: jew joint and he had did the hip hop song 291 00:15:21,480 --> 00:15:24,840 Speaker 1: called Stump and had me shock. I mean the Looney Shack, 292 00:15:25,000 --> 00:15:28,880 Speaker 1: Shaquille O'Neill, hell of people on it. Right. So Oprah 293 00:15:28,960 --> 00:15:33,080 Speaker 1: is doing a special on Quincy Jones and he's releasing 294 00:15:33,200 --> 00:15:35,600 Speaker 1: his juke joint and he has Tamiya, you know what 295 00:15:35,640 --> 00:15:39,480 Speaker 1: I mean, everybody, Tevin Campbell, Uh, everybody that was, you know, 296 00:15:39,680 --> 00:15:42,200 Speaker 1: on on Quincy Jones Records. And then he had the 297 00:15:42,240 --> 00:15:44,360 Speaker 1: people that was on the album. So we all performing, 298 00:15:44,440 --> 00:15:47,200 Speaker 1: we got flew to Chicago, you know what I mean. Oprah, 299 00:15:47,320 --> 00:15:50,160 Speaker 1: She's like giving us the rundown we had the day before. 300 00:15:50,400 --> 00:15:52,640 Speaker 1: Like we're in the studio where is just nobody there. 301 00:15:53,120 --> 00:15:55,480 Speaker 1: She's in a sweatsuit and the head back, like just 302 00:15:55,600 --> 00:15:57,720 Speaker 1: regular Oprah, no makeup, none of this ship. So I've 303 00:15:57,720 --> 00:16:00,520 Speaker 1: seen her just regular and the sweat soon and I've 304 00:16:00,560 --> 00:16:02,520 Speaker 1: seen her done up and just super open, you know 305 00:16:02,560 --> 00:16:04,680 Speaker 1: what I mean. So she had hell of love, you 306 00:16:04,720 --> 00:16:06,560 Speaker 1: know what I mean. Quincy Jones had hell of love 307 00:16:06,680 --> 00:16:08,360 Speaker 1: even bringing us out there, you know what I mean. 308 00:16:08,480 --> 00:16:10,600 Speaker 1: So yeah, shout out to Quincy Jones, man. But that 309 00:16:10,720 --> 00:16:12,240 Speaker 1: was one of the biggest I think, to just go 310 00:16:12,360 --> 00:16:15,280 Speaker 1: to Chicago with Quincy and up. And it's funny because 311 00:16:15,320 --> 00:16:18,680 Speaker 1: growing up obviously smoking weed. I mean, you allegedly move 312 00:16:18,800 --> 00:16:20,760 Speaker 1: some powder back in the day to get in the game. 313 00:16:21,200 --> 00:16:23,960 Speaker 1: And that's our deal. We turned the dope deal into 314 00:16:24,040 --> 00:16:26,520 Speaker 1: a record deal. And it is so funny because there's 315 00:16:26,600 --> 00:16:29,360 Speaker 1: so many artists that come up around that. Even still 316 00:16:29,440 --> 00:16:31,440 Speaker 1: to this day, these jon cats are on these streets 317 00:16:31,800 --> 00:16:34,040 Speaker 1: that are still pushing and trying and still wrapping and 318 00:16:34,280 --> 00:16:37,280 Speaker 1: being able to spit their life and become the next deal. 319 00:16:37,840 --> 00:16:39,720 Speaker 1: And as you see these youngsters like that, what do 320 00:16:39,800 --> 00:16:41,920 Speaker 1: you say to these cats? Turn the negative into a 321 00:16:42,000 --> 00:16:44,480 Speaker 1: positive like I did. Because that same money that you're 322 00:16:44,520 --> 00:16:46,880 Speaker 1: using a copy, you can pay for studio time, you 323 00:16:46,920 --> 00:16:48,600 Speaker 1: know what I mean. You can pay for your own videos, 324 00:16:48,680 --> 00:16:50,960 Speaker 1: You can pay for your own production, your own album 325 00:16:51,040 --> 00:16:53,080 Speaker 1: to be done, your own artwork, you know what I mean. 326 00:16:53,160 --> 00:16:55,080 Speaker 1: Everything and everything is like to push up a button 327 00:16:55,120 --> 00:16:57,640 Speaker 1: and you can upload the YouTube, upload the you know 328 00:16:57,680 --> 00:17:00,480 Speaker 1: what I mean. Uh iTunes know what I mean. If 329 00:17:00,480 --> 00:17:02,440 Speaker 1: you've got the right proper hook up, everything is that 330 00:17:02,520 --> 00:17:03,840 Speaker 1: the push of a button. You don't even need a 331 00:17:03,880 --> 00:17:06,440 Speaker 1: record label. So if you believe in yourself, put some 332 00:17:06,520 --> 00:17:08,800 Speaker 1: money up. Yeah, I mean period to think about the 333 00:17:08,840 --> 00:17:11,600 Speaker 1: record label difference from the record label and I hate 334 00:17:11,640 --> 00:17:14,360 Speaker 1: this up. Let's break this ship down. Why herd, let's 335 00:17:14,359 --> 00:17:16,920 Speaker 1: break down the coach of voting. I don't like that 336 00:17:17,240 --> 00:17:19,800 Speaker 1: the culture, but don't I don't. I don't like. I 337 00:17:19,880 --> 00:17:23,280 Speaker 1: don't like. I don't like. I don't like the term 338 00:17:23,440 --> 00:17:26,120 Speaker 1: coach of voter because at the end of the day, 339 00:17:26,160 --> 00:17:28,080 Speaker 1: these are people that rolled the dice. They didn't know 340 00:17:28,119 --> 00:17:29,639 Speaker 1: the ship was gonna win. You know what I mean? 341 00:17:29,720 --> 00:17:31,879 Speaker 1: These record labels roll the dice every day. It's like 342 00:17:33,000 --> 00:17:35,880 Speaker 1: lose you get that win and really win at eight 343 00:17:35,960 --> 00:17:39,000 Speaker 1: percent is a tax right off? Right? So the ones 344 00:17:39,000 --> 00:17:41,439 Speaker 1: who really win, they believed in you when nobody did. 345 00:17:41,520 --> 00:17:43,520 Speaker 1: They put the money up, They put the muscle behind 346 00:17:43,560 --> 00:17:45,439 Speaker 1: you to make you even chart and go. These all 347 00:17:45,480 --> 00:17:48,960 Speaker 1: these places, radio, everything working across the country for you. 348 00:17:49,160 --> 00:17:52,200 Speaker 1: So once you blow up, now you're mad, I ain't 349 00:17:52,240 --> 00:17:54,560 Speaker 1: making enough money all that. I feel that they used 350 00:17:54,600 --> 00:17:58,080 Speaker 1: me when actuality they believed in you first. So to 351 00:17:58,119 --> 00:17:59,879 Speaker 1: cut that coach and vote ship out, why don't you 352 00:18:00,040 --> 00:18:03,119 Speaker 1: start putting money into yourself upsta, so you don't have 353 00:18:03,200 --> 00:18:05,160 Speaker 1: to say, oh they are culture, they use me. I'm 354 00:18:05,240 --> 00:18:08,639 Speaker 1: still a slave like and even nowadays more so, because 355 00:18:08,720 --> 00:18:11,719 Speaker 1: these young cats have what you didn't have growing up. 356 00:18:11,960 --> 00:18:20,920 Speaker 1: They didn't have the Instagram, the YouTube face, we don't 357 00:18:21,000 --> 00:18:23,920 Speaker 1: have that. I mean, Koala Puffs is a major viral example. 358 00:18:24,040 --> 00:18:27,960 Speaker 1: But she's getting blocked. But your point, yeah, you're still 359 00:18:28,040 --> 00:18:30,440 Speaker 1: doing it, still making money doing it. And it's funny 360 00:18:30,520 --> 00:18:33,280 Speaker 1: that that's such a right spit and you know, you 361 00:18:33,359 --> 00:18:35,760 Speaker 1: know knowledge for these kids out there going, how could 362 00:18:35,800 --> 00:18:39,000 Speaker 1: I become like that? Well? So different? One of the things, 363 00:18:39,119 --> 00:18:41,200 Speaker 1: one of the things that's super important to realize is 364 00:18:41,600 --> 00:18:43,159 Speaker 1: you know, and I always say it too, because a 365 00:18:43,160 --> 00:18:44,920 Speaker 1: lot of people forget who brought him to the dance, 366 00:18:45,240 --> 00:18:49,680 Speaker 1: you know what I'm saying. They forget when you get there, 367 00:18:50,119 --> 00:18:51,600 Speaker 1: and then and then you're like, I could dance on 368 00:18:51,680 --> 00:18:57,480 Speaker 1: my own. And then they try to dance. They try 369 00:18:57,520 --> 00:18:59,720 Speaker 1: to dance on the own and get kicked out the party, right, 370 00:19:01,400 --> 00:19:03,520 Speaker 1: and then everybody turns and goes damn like you used 371 00:19:03,560 --> 00:19:04,960 Speaker 1: to be dope. And then you have a bunch of 372 00:19:04,960 --> 00:19:06,879 Speaker 1: people eating you up from all the way down, and 373 00:19:06,920 --> 00:19:09,240 Speaker 1: then you end up back in and you know, the 374 00:19:09,400 --> 00:19:11,600 Speaker 1: the what do they say, the crabs and the lobsters 375 00:19:11,760 --> 00:19:16,760 Speaker 1: or you know the bottom. Yeah, they start pulling you 376 00:19:16,880 --> 00:19:18,960 Speaker 1: back down because now all a set and then your 377 00:19:19,000 --> 00:19:21,200 Speaker 1: own people you want to pull them up to you know, 378 00:19:21,240 --> 00:19:23,399 Speaker 1: because when you're doing well, you want to help, you know, 379 00:19:23,600 --> 00:19:25,639 Speaker 1: that's your natural instinct is like let's help my man 380 00:19:25,760 --> 00:19:27,960 Speaker 1: or something. But what you realize is that they're not 381 00:19:28,040 --> 00:19:30,080 Speaker 1: even they're really to help themselves all the time, so 382 00:19:30,200 --> 00:19:32,720 Speaker 1: you gotta kind of walk on them and it just 383 00:19:32,840 --> 00:19:35,720 Speaker 1: becomes a bad environment. So and I think it's hard 384 00:19:35,800 --> 00:19:38,280 Speaker 1: to cross over, realize where you're at, remember your team 385 00:19:38,480 --> 00:19:41,119 Speaker 1: even through the good and bad times, and then and 386 00:19:41,200 --> 00:19:44,240 Speaker 1: then continue pushing through all the bullshit because I think 387 00:19:44,280 --> 00:19:47,040 Speaker 1: that's the biggest artist problem, you know, because artists get 388 00:19:47,080 --> 00:19:50,000 Speaker 1: to this level in their mind just go fuck you know, 389 00:19:50,080 --> 00:19:52,399 Speaker 1: I'm here, like I don't need them. Let's look at 390 00:19:52,480 --> 00:19:55,399 Speaker 1: what the amigos is going through, like QC like that, 391 00:19:55,640 --> 00:19:59,280 Speaker 1: Like that's that's heartbreaking because you've seen the work that 392 00:19:59,440 --> 00:20:01,760 Speaker 1: QC put into these artists, you know what I mean. 393 00:20:01,880 --> 00:20:03,919 Speaker 1: So at the end of the day, it's it's about 394 00:20:04,359 --> 00:20:07,040 Speaker 1: you putting your own money up so you could not 395 00:20:07,200 --> 00:20:09,720 Speaker 1: have no problems period. Like with my crew to range name, 396 00:20:09,720 --> 00:20:11,880 Speaker 1: we got techno and we got everybody in the crew, 397 00:20:12,000 --> 00:20:14,480 Speaker 1: but I don't they ain't signed to me. You we 398 00:20:14,640 --> 00:20:17,679 Speaker 1: all individuals. We crew up. We bring we like a fraternity, 399 00:20:18,160 --> 00:20:21,040 Speaker 1: a rap fraternity. Like, we just all bring help each 400 00:20:21,080 --> 00:20:23,120 Speaker 1: other money to the table so we all could eat, 401 00:20:23,400 --> 00:20:24,840 Speaker 1: you know what I mean. Now, when that money come 402 00:20:24,880 --> 00:20:27,520 Speaker 1: involved it, it sucked people up, you know what I mean. Period. 403 00:20:27,640 --> 00:20:29,639 Speaker 1: So when you got groups you know what I mean 404 00:20:29,680 --> 00:20:32,520 Speaker 1: that ain't getting their money, that foxed everything up. So 405 00:20:32,640 --> 00:20:36,080 Speaker 1: instead of going through that, put up your own fucking money, period, 406 00:20:36,760 --> 00:20:39,000 Speaker 1: so you could stop blaming it on the record label 407 00:20:39,680 --> 00:20:46,040 Speaker 1: on yourself. You're invested. You're invested in yourself. Period. Well 408 00:20:46,040 --> 00:20:48,879 Speaker 1: it's easier to sunk out someone else's money than you 409 00:20:49,560 --> 00:20:51,960 Speaker 1: know what I mean, You just started life less to 410 00:20:52,080 --> 00:20:55,280 Speaker 1: It don't matter if his music, if it's like it 411 00:20:55,320 --> 00:20:57,000 Speaker 1: could be when you want to move out your house, 412 00:20:57,119 --> 00:20:58,840 Speaker 1: it could be when you want to try to grow 413 00:20:58,960 --> 00:21:02,720 Speaker 1: up or then go do it guess on your own. 414 00:21:03,359 --> 00:21:04,960 Speaker 1: I just want to say, like I feel. What I 415 00:21:05,119 --> 00:21:08,359 Speaker 1: noticed the most is people are they think everything is 416 00:21:08,400 --> 00:21:10,040 Speaker 1: so hard because they look at the big picture. I 417 00:21:10,160 --> 00:21:11,520 Speaker 1: want to be this, I want to do this, this 418 00:21:11,680 --> 00:21:13,320 Speaker 1: is where I want to be in life, instead of 419 00:21:13,400 --> 00:21:15,399 Speaker 1: being like what's my next step? Because if you just 420 00:21:15,480 --> 00:21:17,199 Speaker 1: take one step at a time, you look back at 421 00:21:17,240 --> 00:21:18,840 Speaker 1: a year from now, two years from now, You're like, 422 00:21:18,920 --> 00:21:21,760 Speaker 1: I took all these baby steps and I'm very very 423 00:21:21,800 --> 00:21:23,440 Speaker 1: close to my dream or this goal that I had. 424 00:21:23,720 --> 00:21:26,400 Speaker 1: But some people get so spooked by how much work 425 00:21:26,440 --> 00:21:29,320 Speaker 1: will go into just being what your goal is. And 426 00:21:29,840 --> 00:21:32,160 Speaker 1: my advice is, don't focus on that. Set the goal 427 00:21:32,320 --> 00:21:34,240 Speaker 1: and set the baby steps. Focus on the next step. 428 00:21:34,280 --> 00:21:36,439 Speaker 1: Don't look above and their long nights and early mornings. 429 00:21:36,480 --> 00:21:40,639 Speaker 1: Focus I saw a tweet the other day that was like, 430 00:21:40,720 --> 00:21:42,920 Speaker 1: when you quit your nine to five to work nine 431 00:21:42,960 --> 00:21:49,160 Speaker 1: am to three am, that's like four in the morning 432 00:21:49,280 --> 00:21:53,560 Speaker 1: last night, and come do this and you slept when 433 00:21:53,600 --> 00:22:01,040 Speaker 1: you when you when your work is what you love 434 00:22:01,119 --> 00:22:06,920 Speaker 1: though there's no time, there's no time. The best mixed 435 00:22:06,920 --> 00:22:08,880 Speaker 1: together some of the best things that I've ever heard 436 00:22:08,960 --> 00:22:11,240 Speaker 1: you know about business, and this goes with the artists 437 00:22:11,280 --> 00:22:14,560 Speaker 1: and given people hope and thought is that you know, 438 00:22:14,760 --> 00:22:16,600 Speaker 1: if you look at the end result and you set 439 00:22:16,680 --> 00:22:19,080 Speaker 1: goals and figure out how to get to the end, 440 00:22:19,119 --> 00:22:21,480 Speaker 1: then you'll understand the way through the journey. You know, 441 00:22:21,600 --> 00:22:24,520 Speaker 1: you'll understand that journey and then um, you know, once 442 00:22:24,560 --> 00:22:26,840 Speaker 1: your mind expands from its original form, it can never 443 00:22:26,960 --> 00:22:29,680 Speaker 1: come back. So what I'm saying is is if you've 444 00:22:29,760 --> 00:22:33,120 Speaker 1: expanded your thought process to a certain level, you never 445 00:22:33,280 --> 00:22:35,639 Speaker 1: can go backwards. And if you do, that's because of 446 00:22:35,760 --> 00:22:40,639 Speaker 1: an idiotic, stupid ahead. And so the mindset, the mindset 447 00:22:40,720 --> 00:22:42,879 Speaker 1: starts to build, people start to become, you know, this 448 00:22:43,040 --> 00:22:45,440 Speaker 1: thing that they didn't believe they could become. And and 449 00:22:45,560 --> 00:22:48,240 Speaker 1: sometimes you don't realize that when you're that person, you know, 450 00:22:48,400 --> 00:22:50,280 Speaker 1: and so you don't understand the effect you have on 451 00:22:50,400 --> 00:22:52,760 Speaker 1: others and how it how it resonates. But with that 452 00:22:52,840 --> 00:22:55,359 Speaker 1: being said, we'll be right back after this break. Be 453 00:23:04,800 --> 00:23:07,560 Speaker 1: welcome back to cannabis talk on one on one. That 454 00:23:07,680 --> 00:23:15,960 Speaker 1: was a good break. I couldn't even find Can you 455 00:23:16,000 --> 00:23:20,720 Speaker 1: give your Mouther's teeth back? Please? Yeah? Those were mine 456 00:23:20,840 --> 00:23:23,000 Speaker 1: in the first place. He got them from me three years. 457 00:23:23,280 --> 00:23:26,600 Speaker 1: There you go. Let's talk about the cannabis game. Lord 458 00:23:26,640 --> 00:23:29,119 Speaker 1: knows you've been moving this cannabis and doing the I 459 00:23:29,240 --> 00:23:36,560 Speaker 1: gotta have it. Well, I didn't mean moving the cannabis like, 460 00:23:37,520 --> 00:23:42,840 Speaker 1: I'm not talking about that's not the eighties, early nineties, 461 00:23:42,880 --> 00:23:44,639 Speaker 1: not been hung out up. I'm not talking about you 462 00:23:44,800 --> 00:23:48,520 Speaker 1: on the sport teeth the king hanging out in front 463 00:23:48,520 --> 00:23:51,119 Speaker 1: of flints barbecue trying to push that. Like I told you, 464 00:23:51,240 --> 00:23:54,920 Speaker 1: I'm from Why you bullshit, That's what I used to 465 00:23:55,000 --> 00:24:00,240 Speaker 1: grind that Flints barbecue folk, you know Flints by Street 466 00:24:00,240 --> 00:24:07,560 Speaker 1: from the big probably bought a sef allegedly. I wasn't there. 467 00:24:07,640 --> 00:24:12,000 Speaker 1: I was in the mission, trying to give me some mission. Now, 468 00:24:12,160 --> 00:24:14,600 Speaker 1: he described my whole hood. You're gonna be by Flips. 469 00:24:14,720 --> 00:24:17,560 Speaker 1: I was in front of Flips. You gotta be old 470 00:24:17,600 --> 00:24:20,560 Speaker 1: school baby to know what I'm talking about. The cat 471 00:24:20,640 --> 00:24:23,239 Speaker 1: you are from there, you know, And shoutouts to our 472 00:24:23,320 --> 00:24:25,960 Speaker 1: guy from the bay, from the from the dispensary cup 473 00:24:26,119 --> 00:24:28,240 Speaker 1: what was his name again? One uh, the other brother 474 00:24:28,280 --> 00:24:33,040 Speaker 1: that has that dispensary, the buck cars, Clinton Walker, all 475 00:24:33,080 --> 00:24:36,240 Speaker 1: these other cats and understand that they go. But where 476 00:24:36,280 --> 00:24:38,040 Speaker 1: do you see it now? And I believe you're pushing 477 00:24:38,080 --> 00:24:40,640 Speaker 1: a brand now to that shout out to my gas 478 00:24:40,720 --> 00:24:42,680 Speaker 1: cold buddies, you know what I mean. Gave me a 479 00:24:42,720 --> 00:24:46,800 Speaker 1: strand called coolatto youth colado, you know what I mean. 480 00:24:46,880 --> 00:24:49,119 Speaker 1: And it's um, it's nice, you know what I mean. 481 00:24:49,200 --> 00:24:51,440 Speaker 1: This award winning, we won a couple of awards. We 482 00:24:51,520 --> 00:24:54,360 Speaker 1: want cush Dock, the last cush doc they just did. 483 00:24:54,520 --> 00:24:57,480 Speaker 1: We want to Blaze's cup. I mean we go. Yeah, 484 00:24:57,520 --> 00:24:59,520 Speaker 1: we got a couple of handles around. Look at him. 485 00:24:59,520 --> 00:25:02,480 Speaker 1: The smell just fired. I've been hanging out with you 486 00:25:02,600 --> 00:25:04,840 Speaker 1: for like two hours? Are you kidding me? I haven't 487 00:25:04,920 --> 00:25:09,480 Speaker 1: heard about anything about you pulled out your own weeds. Well, 488 00:25:09,640 --> 00:25:12,080 Speaker 1: I didn't know. How did you hook up with these catch? 489 00:25:12,800 --> 00:25:17,159 Speaker 1: Basically my my buddy right here? Man, Pete CALLI in 490 00:25:17,200 --> 00:25:20,520 Speaker 1: the building. You know Italy brown grown over there? I 491 00:25:20,600 --> 00:25:24,119 Speaker 1: love it. No, you're look at that's Pete Alley homies, 492 00:25:24,119 --> 00:25:25,680 Speaker 1: you know what I mean. And they was looking for 493 00:25:25,760 --> 00:25:27,879 Speaker 1: a face to represent the brand, you know what I mean? 494 00:25:27,960 --> 00:25:29,840 Speaker 1: Far as that strand, they already had it. They had 495 00:25:29,920 --> 00:25:32,879 Speaker 1: just released it like literally like the first time. What 496 00:25:33,040 --> 00:25:35,080 Speaker 1: was that at a cud stock on a high time stock? 497 00:25:35,480 --> 00:25:37,080 Speaker 1: I think it was at a cudh stock when they 498 00:25:37,119 --> 00:25:41,760 Speaker 1: had first the big No, no, no, not the last one. 499 00:25:42,720 --> 00:25:45,480 Speaker 1: A few a few more cush a few years. But 500 00:25:45,520 --> 00:25:48,120 Speaker 1: I remember, so I know I know them boys really well. 501 00:25:48,280 --> 00:25:50,400 Speaker 1: You know what I mean. People good people, great grow 502 00:25:50,760 --> 00:25:53,879 Speaker 1: great great. Yeah, like let's talk about their business. I 503 00:25:53,920 --> 00:25:57,520 Speaker 1: mean their business is good. They got to the Sea company. Yeah, 504 00:25:58,240 --> 00:26:07,760 Speaker 1: great grower. But he's been going for years he's telling 505 00:26:13,240 --> 00:26:19,080 Speaker 1: it's Dasolene, Joe, It'sasolene. Man. This dude will just tell everything. 506 00:26:19,200 --> 00:26:23,680 Speaker 1: Don't tell him nothing, right, stop sharing. So these cats 507 00:26:23,680 --> 00:26:26,000 Speaker 1: have been growing blue what do you know? So really? 508 00:26:26,119 --> 00:26:28,840 Speaker 1: I mean, they're a unique group of individuals that are 509 00:26:28,920 --> 00:26:33,560 Speaker 1: locally um, you know, and and they run gasc very 510 00:26:33,600 --> 00:26:36,120 Speaker 1: smarter them. They hooked up with yuckingout I'm saying. I'm 511 00:26:36,160 --> 00:26:38,080 Speaker 1: guessing it's about about a year and a half, two 512 00:26:38,119 --> 00:26:40,480 Speaker 1: years ago, about three week about working. We're going on 513 00:26:40,920 --> 00:26:43,359 Speaker 1: almost some three years now, and I remember it, you 514 00:26:43,400 --> 00:26:44,879 Speaker 1: know what I mean, they've been they've been working on 515 00:26:44,960 --> 00:26:46,600 Speaker 1: records too, because one of the guys in their raps 516 00:26:46,640 --> 00:26:48,800 Speaker 1: and stuff like that shoutouts sick with it. Um. But 517 00:26:48,960 --> 00:26:51,280 Speaker 1: the team is strong though. They're just a good group 518 00:26:51,320 --> 00:26:55,280 Speaker 1: of individual honest business and and they grow like their 519 00:26:55,400 --> 00:26:58,720 Speaker 1: quality is putting everybody on the ropes. I mean, and 520 00:26:59,200 --> 00:27:02,040 Speaker 1: I say that, you know, probably because I've seen their 521 00:27:02,119 --> 00:27:07,160 Speaker 1: quality of cannabis and it's freaking amazing. It's it's amazing, 522 00:27:07,680 --> 00:27:10,560 Speaker 1: Like Yo, they remind me of my dudes from up 523 00:27:10,640 --> 00:27:13,320 Speaker 1: top because I'm from the Bay and all them dudes 524 00:27:13,400 --> 00:27:16,760 Speaker 1: up there that humble exotics, the hum Humble Boys up there, 525 00:27:16,960 --> 00:27:20,800 Speaker 1: yeah man, and the Lakeville Boys up there, yeah, man, 526 00:27:20,880 --> 00:27:24,119 Speaker 1: remind me of them, you know. But but because it's exotic, 527 00:27:24,240 --> 00:27:26,760 Speaker 1: like l A is an o G y'all go on 528 00:27:26,840 --> 00:27:31,199 Speaker 1: to YAG. So when they got the Exoto was going like, man, 529 00:27:31,480 --> 00:27:34,120 Speaker 1: it's amaze. It's actually for right now, it's funny because 530 00:27:34,200 --> 00:27:37,880 Speaker 1: the exotics are are starting to take more of interest 531 00:27:38,080 --> 00:27:40,159 Speaker 1: to the community for cannabis. And if you don't know 532 00:27:40,320 --> 00:27:42,800 Speaker 1: like exotics or o g s, they're you know, they're 533 00:27:42,840 --> 00:27:45,360 Speaker 1: just you know, let's say, purples are different kinds of flavors, 534 00:27:45,440 --> 00:27:47,800 Speaker 1: and you know, they're creating different strands words O Jesus, 535 00:27:47,960 --> 00:27:50,040 Speaker 1: like a kind of a unique smell, unique taste, you 536 00:27:50,080 --> 00:27:53,040 Speaker 1: know exactly what it is. It's a California thing. But 537 00:27:53,760 --> 00:27:57,640 Speaker 1: right now, I think exotics are like more everybody everybody 538 00:27:58,320 --> 00:28:00,720 Speaker 1: the names that runts and all the little names and 539 00:28:00,800 --> 00:28:03,560 Speaker 1: ship like that, like my ship when I got behind it, 540 00:28:03,680 --> 00:28:05,760 Speaker 1: because you know, I come from the dank, you know, 541 00:28:05,880 --> 00:28:08,480 Speaker 1: the big area, and they had the purple the Granddaddy problem. 542 00:28:08,640 --> 00:28:11,720 Speaker 1: So it reminded me just to look because it was 543 00:28:11,880 --> 00:28:16,320 Speaker 1: so dark. Purple was black. It was fucking black, like 544 00:28:16,400 --> 00:28:18,960 Speaker 1: I ain't never seen no weed like this. Literally, like, okay, 545 00:28:19,040 --> 00:28:21,680 Speaker 1: that ship looked like like a fucking like have you 546 00:28:21,760 --> 00:28:24,159 Speaker 1: had the pop tart that has the purple from the 547 00:28:24,240 --> 00:28:29,040 Speaker 1: top purple? I know that you got this fat kid 548 00:28:29,080 --> 00:28:34,080 Speaker 1: in my just pop tart with the purple frosting on 549 00:28:34,200 --> 00:28:39,840 Speaker 1: the I'm like, you're liking yours? Come down. It looked 550 00:28:39,880 --> 00:28:42,560 Speaker 1: like you could eat Oh my god. And just the 551 00:28:42,840 --> 00:28:46,120 Speaker 1: sparkles in the in the terps and this ship was 552 00:28:46,160 --> 00:28:49,200 Speaker 1: just like diamonds on me too. So I was like, yeah, 553 00:28:49,240 --> 00:28:50,720 Speaker 1: that's it. And then I smoked it and it blew 554 00:28:50,760 --> 00:28:53,080 Speaker 1: my mind back. So I'm like, yeah, you know, and 555 00:28:53,120 --> 00:28:54,960 Speaker 1: then me being a five on the dude, I gotta 556 00:28:55,000 --> 00:28:57,400 Speaker 1: have a real good strand. I can't have no bullshit 557 00:28:57,480 --> 00:28:59,920 Speaker 1: strand and put my name behind. So shout out the 558 00:29:00,240 --> 00:29:03,440 Speaker 1: gas Coote Brothers, the Vote Sea Bank. They are the 559 00:29:03,560 --> 00:29:06,280 Speaker 1: genetic kings. Man. I'm glad I'm with him. How did 560 00:29:06,280 --> 00:29:08,280 Speaker 1: you come up with the name? They already had the 561 00:29:08,400 --> 00:29:11,840 Speaker 1: name for your strange They had the name for They 562 00:29:11,880 --> 00:29:14,200 Speaker 1: already had the name, and they just pu me attached 563 00:29:14,240 --> 00:29:15,560 Speaker 1: to it, you know what I mean? They just needed 564 00:29:15,760 --> 00:29:17,920 Speaker 1: most of their strands. They already have the name, you know, 565 00:29:17,920 --> 00:29:20,280 Speaker 1: what I mean. So they got one called trap a trap, 566 00:29:20,320 --> 00:29:24,640 Speaker 1: a lotto, trap altto be real. Yeah, that's trap called 567 00:29:24,840 --> 00:29:28,880 Speaker 1: uh D Tonight back Tonight, which is with Demrick. Yeah. Yeah. 568 00:29:29,000 --> 00:29:32,000 Speaker 1: I'm because from back in the day when he was 569 00:29:32,080 --> 00:29:34,240 Speaker 1: with ye yeah I know, yeah, you was rapping with 570 00:29:34,360 --> 00:29:39,920 Speaker 1: him back yeah yeah, back boy became his real Rick, 571 00:29:40,280 --> 00:29:46,240 Speaker 1: the government name. Once he signed up with be and 572 00:29:46,320 --> 00:29:48,240 Speaker 1: all that. You know, he ended up taking off and 573 00:29:48,240 --> 00:29:51,080 Speaker 1: then end up with Exhibit and touring with anybody. I'm 574 00:29:51,080 --> 00:29:53,120 Speaker 1: proud of him, man, man, man, he gotta, he gotta. 575 00:29:53,240 --> 00:29:55,560 Speaker 1: He got a crazy strand too, because his strand is 576 00:29:55,600 --> 00:29:59,200 Speaker 1: mixed with mine. It's coolto and it's the uh, it's 577 00:29:59,280 --> 00:30:04,880 Speaker 1: the it's the cool lotto on the map the Mac one. Okay, 578 00:30:05,200 --> 00:30:08,239 Speaker 1: that's on the Max. Yeah, the mix on the Max one. 579 00:30:08,280 --> 00:30:13,280 Speaker 1: So I'm proud. I'm a proud dad. Yeah yeah. And 580 00:30:13,440 --> 00:30:16,760 Speaker 1: is it all over California right now? Many dispensaries, some 581 00:30:16,920 --> 00:30:20,280 Speaker 1: unique ones only um we we we we We were 582 00:30:20,400 --> 00:30:22,880 Speaker 1: seed companies, so we sell seeds, you know what I mean. 583 00:30:23,000 --> 00:30:29,800 Speaker 1: So you guys could buy It's not my problems problem 584 00:30:30,120 --> 00:30:32,640 Speaker 1: there you guys good buy the season. Yeah, don't make 585 00:30:32,680 --> 00:30:34,520 Speaker 1: it go grow it. Yeah, here you go grow it. 586 00:30:34,600 --> 00:30:37,640 Speaker 1: Joe's great, Grab your kids and start growing. Grab your kids, 587 00:30:37,680 --> 00:30:40,239 Speaker 1: start growing, man, So can you start growing in here? 588 00:30:40,360 --> 00:30:41,959 Speaker 1: Just to show everybody has like a little grow right 589 00:30:41,960 --> 00:30:43,560 Speaker 1: here in the corner. And it's funny is at our 590 00:30:43,640 --> 00:30:48,120 Speaker 1: last At the first year six studio we had that's 591 00:30:48,160 --> 00:30:51,040 Speaker 1: how it starts. Not recording studio, but the first cannabis 592 00:30:51,120 --> 00:30:54,320 Speaker 1: talk one on one studio, we had one plant growing 593 00:30:54,400 --> 00:30:55,920 Speaker 1: under a light, you know what I mean, and a 594 00:30:56,000 --> 00:30:58,479 Speaker 1: little tent, you know, and and people used to come 595 00:30:58,520 --> 00:31:00,240 Speaker 1: over and want the water. Let me water. I don't 596 00:31:00,240 --> 00:31:01,520 Speaker 1: want to be part of it, you know. And it 597 00:31:01,640 --> 00:31:04,200 Speaker 1: was it became like a thing, you know, And then 598 00:31:04,280 --> 00:31:08,040 Speaker 1: the attorney started getting scary and well no, we just 599 00:31:08,120 --> 00:31:12,360 Speaker 1: tried to be smart about it. This could lead you 600 00:31:12,480 --> 00:31:13,960 Speaker 1: to your other one, that will lead you to this 601 00:31:14,080 --> 00:31:16,479 Speaker 1: one that could get to the big one and then 602 00:31:16,520 --> 00:31:18,320 Speaker 1: you're done. And there were three hundred plants a week 603 00:31:18,440 --> 00:31:23,200 Speaker 1: later with hun lights. Let's go. That's great, man, let's 604 00:31:23,240 --> 00:31:25,920 Speaker 1: get it. So now so listen, what about let's go 605 00:31:26,000 --> 00:31:29,640 Speaker 1: into music. You know, funnest artists you've ever ever worked with? Man, 606 00:31:30,440 --> 00:31:40,440 Speaker 1: funnest artists ever? Mac dre, mac dre, why why because 607 00:31:40,480 --> 00:31:43,520 Speaker 1: he was the funnest person fucking ever, Like it was 608 00:31:43,560 --> 00:31:46,040 Speaker 1: the coolest. He was the funnest dude, like it was. 609 00:31:46,120 --> 00:31:48,040 Speaker 1: He was like a young dude that hard like he 610 00:31:48,120 --> 00:31:50,520 Speaker 1: was older than me, but he's still the dude that's 611 00:31:50,560 --> 00:31:52,840 Speaker 1: buying you know what I mean, dirt bikes and ship, 612 00:31:53,080 --> 00:31:54,800 Speaker 1: you know what I mean, Like you got the swimming pool, 613 00:31:54,840 --> 00:31:58,640 Speaker 1: We got the motherfucking a boat, little swimming pool. Got 614 00:31:58,680 --> 00:32:02,840 Speaker 1: a little boat like you do kid it ship paintball 615 00:32:02,960 --> 00:32:06,440 Speaker 1: fighting and ship, fun of dope kid ship and this 616 00:32:06,600 --> 00:32:08,760 Speaker 1: coolest fuck you like, look out for the whole crew. 617 00:32:08,840 --> 00:32:11,120 Speaker 1: He the type of dude that he'd go do a show, 618 00:32:11,280 --> 00:32:13,320 Speaker 1: take his whole crew week, paying for everybody to go, 619 00:32:13,920 --> 00:32:17,840 Speaker 1: and it showed money tapping anybody uh coming. So he 620 00:32:18,000 --> 00:32:22,280 Speaker 1: was like a real family orientated type of keeping his 621 00:32:22,360 --> 00:32:24,960 Speaker 1: crew together, looking out for He has a legacy like that, 622 00:32:25,080 --> 00:32:27,239 Speaker 1: and everybody loves you. You never heard nobody said one 623 00:32:27,280 --> 00:32:29,280 Speaker 1: bad thing about the cat like he was. He was 624 00:32:29,360 --> 00:32:32,800 Speaker 1: reaching out to everybody, like he had a Latin division 625 00:32:32,880 --> 00:32:35,400 Speaker 1: called this Latin's where he was just focused on you 626 00:32:35,440 --> 00:32:37,960 Speaker 1: know what I mean, Mexican artists and Latin artists and ship. 627 00:32:38,120 --> 00:32:39,880 Speaker 1: So he was sucking with everybody. And he was the 628 00:32:39,920 --> 00:32:42,560 Speaker 1: funnest motherfucker. You see him ghost riding the whip, dancing 629 00:32:42,960 --> 00:32:46,240 Speaker 1: the battles and glasses and ship looking crazy and ship. 630 00:32:46,360 --> 00:32:49,240 Speaker 1: But it was it was a coach. It's called getting stupid. 631 00:32:49,360 --> 00:32:52,440 Speaker 1: So the more crazy you look, the more fly you was. 632 00:32:53,080 --> 00:32:55,440 Speaker 1: I mean, you got the big Grandma shades on and 633 00:32:55,560 --> 00:32:58,000 Speaker 1: she got four or five raad of hats on different ways, 634 00:32:58,080 --> 00:33:00,400 Speaker 1: and ship one glowing one lighting up. You know what 635 00:33:00,400 --> 00:33:02,240 Speaker 1: I mean. You got shipped on you that's glowing in 636 00:33:02,720 --> 00:33:05,440 Speaker 1: like low sticks and you're dancing, you're gooping, and you're gigging, 637 00:33:05,480 --> 00:33:07,280 Speaker 1: and you know, top of your car. Well, I just 638 00:33:08,000 --> 00:33:13,640 Speaker 1: ride by myself. Nobody tried getting stupid and dumb all 639 00:33:13,680 --> 00:33:18,720 Speaker 1: that time. That's fun. And he was like the head 640 00:33:18,800 --> 00:33:21,840 Speaker 1: the face of that going stupid, going dumb had to face. 641 00:33:22,240 --> 00:33:24,240 Speaker 1: It would be Matt Dre. So yeah, that's the funnest 642 00:33:24,280 --> 00:33:26,440 Speaker 1: dude iever. I mean it as you say mac dre 643 00:33:26,720 --> 00:33:29,600 Speaker 1: and yourself. You know the loonies, I think of the forties, 644 00:33:29,720 --> 00:33:32,520 Speaker 1: the two Shorts, and you know the Bay Area hip 645 00:33:32,560 --> 00:33:35,880 Speaker 1: hop that that came from there. It's just funny when people, 646 00:33:36,000 --> 00:33:38,400 Speaker 1: if they don't know the history and the culture of 647 00:33:38,520 --> 00:33:46,440 Speaker 1: how much slang, how much street RBR post r Oh really, 648 00:33:47,000 --> 00:33:49,160 Speaker 1: oh man, I just all that ship though. It's like 649 00:33:49,240 --> 00:33:51,440 Speaker 1: some cats don't even realize where a lot of the 650 00:33:51,560 --> 00:33:54,360 Speaker 1: slang and lingo even came from. Right right, Matt Ray 651 00:33:54,520 --> 00:33:57,400 Speaker 1: had a lot to do with it. Three times crazy forty, 652 00:33:57,640 --> 00:33:59,680 Speaker 1: you know, I mean, keep the sneak a lot, keep 653 00:34:00,240 --> 00:34:04,760 Speaker 1: a lot of it about d shot bringing back shot Man, 654 00:34:04,840 --> 00:34:06,720 Speaker 1: shout out for the whole crew to click, you know 655 00:34:06,760 --> 00:34:09,080 Speaker 1: what I mean, like them dudes forty and them to 656 00:34:09,200 --> 00:34:13,560 Speaker 1: click too short, dangerous Dame pool Man, all them type 657 00:34:13,560 --> 00:34:16,280 Speaker 1: of dudes was was our influence, Like they like damn 658 00:34:16,520 --> 00:34:17,920 Speaker 1: they could do it, We could do it. So they 659 00:34:18,000 --> 00:34:19,799 Speaker 1: was our like O G s Like we looked up 660 00:34:19,840 --> 00:34:22,560 Speaker 1: to them like mc hamming and ship like that, Tony 661 00:34:22,600 --> 00:34:24,680 Speaker 1: Tony Tony, all the big people made it out the 662 00:34:24,760 --> 00:34:28,480 Speaker 1: bait and them and ship like that, like oh ship. 663 00:34:28,680 --> 00:34:30,600 Speaker 1: I did a couple of records with the Rona from 664 00:34:30,840 --> 00:34:35,880 Speaker 1: the Running Bennett. Oh She's They're just man incredible, They're incredible. 665 00:34:35,920 --> 00:34:37,680 Speaker 1: Their voices are just like you know, And then I 666 00:34:37,680 --> 00:34:41,160 Speaker 1: mean when you take incredible Tony Tony, Tony, when you 667 00:34:41,239 --> 00:34:44,759 Speaker 1: say that, I just think it. I mean, it's just 668 00:34:45,000 --> 00:34:48,200 Speaker 1: good music and good vibes. And of course Forty with 669 00:34:48,360 --> 00:34:56,040 Speaker 1: his anthems and all that stuff. There's underground. I'm talking 670 00:34:56,080 --> 00:35:01,960 Speaker 1: about fast fun people. They are fucking fun. Yeah. Shot 671 00:35:02,640 --> 00:35:06,200 Speaker 1: is a party animal and Cats didn't even realize how 672 00:35:06,280 --> 00:35:08,480 Speaker 1: Hawk was was dancing with them. Cat's way back in 673 00:35:08,520 --> 00:35:11,200 Speaker 1: the day. Dance Tuplok came from that digital underground party. 674 00:35:14,120 --> 00:35:15,880 Speaker 1: Have you been to one of these shows. Yeah, man, 675 00:35:16,360 --> 00:35:20,520 Speaker 1: he's not not real. I meant Shock used to do 676 00:35:20,680 --> 00:35:23,040 Speaker 1: the Rainbow I mean the Rainbow what's next to the 677 00:35:23,160 --> 00:35:27,200 Speaker 1: Rainbow Room? Um, the Rocky Roxy When when we were 678 00:35:27,200 --> 00:35:29,480 Speaker 1: all hanging out on the Rainbow Room on Sunset like 679 00:35:29,840 --> 00:35:31,960 Speaker 1: real right there, Yeah, we all should sit there and 680 00:35:32,200 --> 00:35:35,160 Speaker 1: party there. That was you know, our our corner, so 681 00:35:36,520 --> 00:35:41,080 Speaker 1: over there four back then, yes, yeah, remember with when 682 00:35:41,200 --> 00:35:44,400 Speaker 1: O G first came out. Yeah. O G was Marv 683 00:35:44,600 --> 00:35:47,719 Speaker 1: Big Marv and everybody was all right there. Yeah. So 684 00:35:48,160 --> 00:35:50,000 Speaker 1: so he came through, so it was kind of like 685 00:35:50,200 --> 00:35:53,040 Speaker 1: after the the big push, but he was doing the 686 00:35:53,120 --> 00:35:55,960 Speaker 1: show still and having a good time. But he was, 687 00:35:56,239 --> 00:35:58,759 Speaker 1: you know, having a lot of fun. Yeah, he was 688 00:35:58,800 --> 00:36:00,520 Speaker 1: getting a lot of fun. So you you only got 689 00:36:00,600 --> 00:36:04,160 Speaker 1: part of the show. It was like money have to 690 00:36:04,200 --> 00:36:06,040 Speaker 1: fill in for him to jump in. I'll do the 691 00:36:06,080 --> 00:36:09,799 Speaker 1: whole song. It was just here the show like two 692 00:36:09,880 --> 00:36:14,120 Speaker 1: five when I got the sex, Dollars and ship. That's 693 00:36:14,160 --> 00:36:24,160 Speaker 1: the original show. That's literally hub on stage. That's when 694 00:36:24,200 --> 00:36:25,640 Speaker 1: you can get away with a lot. I felt like 695 00:36:26,200 --> 00:36:28,719 Speaker 1: it's different in seerts and things like that. Even when 696 00:36:28,719 --> 00:36:30,719 Speaker 1: I was doing morning show in the Bay Area and 697 00:36:30,800 --> 00:36:33,040 Speaker 1: the show The Dogs, we got away with so much 698 00:36:33,120 --> 00:36:35,800 Speaker 1: crazy ship that you just can't get away with anymore. 699 00:36:35,920 --> 00:36:38,640 Speaker 1: But you still well, I did go to jail. Future 700 00:36:40,120 --> 00:36:41,960 Speaker 1: that being said, we'll take a break and come back 701 00:36:41,960 --> 00:36:45,400 Speaker 1: with the high Why why wouldn't go about here? His 702 00:36:45,560 --> 00:36:50,000 Speaker 1: daughter's here, bring up, bring up your ship, but our 703 00:36:50,080 --> 00:36:52,640 Speaker 1: kids aren't here. Right now, man, I'm ready to learn 704 00:36:52,680 --> 00:37:04,440 Speaker 1: about anything. Right back after this, Welcome back to Kenni's 705 00:37:04,440 --> 00:37:07,080 Speaker 1: Talk one oh one. It's Mark and Craig Pop Brothers, 706 00:37:07,120 --> 00:37:11,200 Speaker 1: that Law with Joe and Blue yuck Mouth and Koala 707 00:37:11,320 --> 00:37:13,800 Speaker 1: Puffs here and right now, we gotta take a moment 708 00:37:14,440 --> 00:37:21,120 Speaker 1: and thank some very special people Pitt Peanut, Jennifer, Elvis, 709 00:37:21,480 --> 00:37:24,000 Speaker 1: Elvis and don't forget all of our listeners. Man, without 710 00:37:24,040 --> 00:37:27,080 Speaker 1: you guys, when nothing thank you our Radio, Apple Podcast 711 00:37:27,160 --> 00:37:29,160 Speaker 1: wherever you get your podcast or Darren loads Man. Thank 712 00:37:29,200 --> 00:37:32,719 Speaker 1: you guys so much for following the world. And now 713 00:37:33,200 --> 00:37:36,719 Speaker 1: it is the time, the time we all been waiting for. 714 00:37:36,920 --> 00:37:40,360 Speaker 1: It's the Cannabis Talk one on one High five with 715 00:37:40,600 --> 00:37:44,480 Speaker 1: yuck Mouse's right, yuck Mouth from the Looneys, who got 716 00:37:44,560 --> 00:37:46,640 Speaker 1: five questions for you, brother, just like you got five 717 00:37:46,719 --> 00:37:53,759 Speaker 1: on it. We got five questions. Here we go, yuk Mouth. 718 00:37:53,880 --> 00:37:56,120 Speaker 1: Question number one, how old are you the first time 719 00:37:56,160 --> 00:37:58,600 Speaker 1: you smoke weed? And where'd you get it from? Ship? 720 00:37:58,719 --> 00:38:02,560 Speaker 1: I think it was their and I got it. No no, no, 721 00:38:02,640 --> 00:38:04,200 Speaker 1: no no no no no no, no, no, no ten 722 00:38:04,680 --> 00:38:08,239 Speaker 1: and it was my homeboys. Uh sister, big sister, and 723 00:38:08,320 --> 00:38:10,200 Speaker 1: he was living with her, was in her apartment and 724 00:38:10,280 --> 00:38:13,759 Speaker 1: she let us hit to hit the sess. Remember when 725 00:38:13,920 --> 00:38:17,000 Speaker 1: he was a brick And this is when I used 726 00:38:17,000 --> 00:38:19,279 Speaker 1: out of shoe box. Remember that the shoebox was the 727 00:38:19,320 --> 00:38:21,880 Speaker 1: first road trade back in back in the eighties. So 728 00:38:22,000 --> 00:38:25,200 Speaker 1: he had the shoebox held it like like seeds and everything, 729 00:38:25,320 --> 00:38:27,439 Speaker 1: and it just rolled that motherfuck up in the joint 730 00:38:27,480 --> 00:38:29,160 Speaker 1: and let us hit it. He's out of motherfucking mind 731 00:38:29,320 --> 00:38:31,000 Speaker 1: and little stems and seeds might be in it. But 732 00:38:31,080 --> 00:38:32,840 Speaker 1: that's okay man. We didn't give a funk. We just 733 00:38:32,960 --> 00:38:38,000 Speaker 1: high a Question number two of the High five your mouth, 734 00:38:38,120 --> 00:38:41,960 Speaker 1: What is your favorite way to use cannabis? Ship man? 735 00:38:42,480 --> 00:38:47,200 Speaker 1: Goddamn leaf? Leaf like flowers. I like flowers, like flowers 736 00:38:47,480 --> 00:38:50,279 Speaker 1: in the paper? Are you smoking the leaves like the 737 00:38:50,400 --> 00:38:53,560 Speaker 1: leaf fom leaves? Yeah, I like the leaves. Question number 738 00:38:53,680 --> 00:38:56,759 Speaker 1: three of the High five with yuck, mouth of the 739 00:38:56,920 --> 00:39:06,000 Speaker 1: loony if the craziest place you've ever used cannabis or 740 00:39:06,120 --> 00:39:11,840 Speaker 1: smoked on the airplane. We were just coming from Germany, 741 00:39:11,880 --> 00:39:14,040 Speaker 1: and we're just coming from actually yeah, Germany, but we 742 00:39:14,160 --> 00:39:17,040 Speaker 1: had took a trip to uh, I mean Amsterdam, you 743 00:39:17,080 --> 00:39:18,400 Speaker 1: know what I mean. We had a few days off, 744 00:39:18,480 --> 00:39:20,720 Speaker 1: so we went to Amsterdam and bought a few ounces 745 00:39:20,760 --> 00:39:22,719 Speaker 1: of ship burned it down. But we had so much 746 00:39:22,840 --> 00:39:27,120 Speaker 1: motherfucking um uh hash she's they just gave us a 747 00:39:27,160 --> 00:39:31,640 Speaker 1: big as so we got rid of all the week. 748 00:39:31,719 --> 00:39:33,680 Speaker 1: But we had to has she like, okay man, we're 749 00:39:33,680 --> 00:39:35,440 Speaker 1: gonna bring the ship on the plane. We got thirteen 750 00:39:35,480 --> 00:39:37,960 Speaker 1: hour of flight. Man, And this is a smoking flights. 751 00:39:38,000 --> 00:39:40,439 Speaker 1: It's called Lofonsa Airlines. That's when they had the double 752 00:39:40,520 --> 00:39:43,400 Speaker 1: deckers Yeah, so you're gonna smoke upstairs and you had 753 00:39:43,480 --> 00:39:46,319 Speaker 1: to down you know the FLA. That's how I moved 754 00:39:46,360 --> 00:39:51,239 Speaker 1: to the United States. Yeah, that's awesome. So boom. So 755 00:39:51,360 --> 00:39:54,040 Speaker 1: you had the motherfucking upper deck or the double decker upstairs, 756 00:39:54,080 --> 00:39:56,120 Speaker 1: you could smoke downstairs, you know what I mean. So 757 00:39:56,239 --> 00:39:58,360 Speaker 1: we're up there and burning it down. But instead of 758 00:39:58,719 --> 00:40:00,719 Speaker 1: we had a little half of time us. Remember half 759 00:40:00,760 --> 00:40:04,680 Speaker 1: of tampers. This was before the fucking vague, lack of mouth, 760 00:40:04,840 --> 00:40:08,080 Speaker 1: black and halper Tampa with the wood tips. So yeah, 761 00:40:08,280 --> 00:40:11,239 Speaker 1: that Tampa. I never the hamper damper, just tamper the tampas. Yeah. 762 00:40:11,280 --> 00:40:13,239 Speaker 1: So we have the Tampa, a hell of tampers and 763 00:40:13,280 --> 00:40:15,760 Speaker 1: were gutting them out and it's putting the motherfucking hashing 764 00:40:15,840 --> 00:40:20,920 Speaker 1: and then hit him and the harsh a mother that 765 00:40:21,080 --> 00:40:23,880 Speaker 1: ship down I was and I was going to sleep, 766 00:40:23,920 --> 00:40:26,680 Speaker 1: waking back up, burning and waking to sleep. Man. By 767 00:40:26,680 --> 00:40:29,640 Speaker 1: the time we landed, Man, they told everybody stay sleep. 768 00:40:29,680 --> 00:40:31,960 Speaker 1: Everybody stays. We got the federal officers coming on the 769 00:40:32,000 --> 00:40:35,120 Speaker 1: plane right now. All the fuckers came upstairs and you 770 00:40:35,239 --> 00:40:37,440 Speaker 1: you you you you cover with us, get all your 771 00:40:37,520 --> 00:40:40,440 Speaker 1: things and oh ship. So they thought they took us 772 00:40:40,440 --> 00:40:42,440 Speaker 1: down the customers and ship and served as a cavity 773 00:40:42,480 --> 00:40:44,879 Speaker 1: searchers and ship like we had we weed was gone. Yeah, 774 00:40:46,719 --> 00:40:51,719 Speaker 1: that ship was on. You're too late to motherfucker we 775 00:40:51,840 --> 00:40:57,440 Speaker 1: got away? What a great story got away? Man? That 776 00:40:57,800 --> 00:40:59,680 Speaker 1: was crazy. Yeah, we got pulled over by the federal 777 00:40:59,760 --> 00:41:02,160 Speaker 1: marsh and ship. Yeah. It's always scary though, no matter what. 778 00:41:03,960 --> 00:41:07,080 Speaker 1: We just gotta plaque from Germany, like for going platinum. 779 00:41:07,080 --> 00:41:11,160 Speaker 1: So we have artists like even more reason why we're 780 00:41:11,200 --> 00:41:13,839 Speaker 1: heading over? Where is it plat on the goddamn ground? 781 00:41:13,880 --> 00:41:16,120 Speaker 1: And take this cavity sera? Know what song you see? 782 00:41:17,719 --> 00:41:21,399 Speaker 1: See that? Mother? All right, we got another question here 783 00:41:21,480 --> 00:41:24,359 Speaker 1: for you. Um what is your favorite go to month 784 00:41:24,480 --> 00:41:28,279 Speaker 1: after you smoke? Oh? God, one man? Um, I like 785 00:41:28,560 --> 00:41:35,399 Speaker 1: fucking Cereal, man, seriously, Cereal. I'm a like motherfucker captain crunch. Yeah, 786 00:41:37,400 --> 00:41:42,160 Speaker 1: Cereal like frosted flakes. Yeah, man, I'm like motherfucking cookie, 787 00:41:42,200 --> 00:41:49,279 Speaker 1: Chris Cookie. I like motherfucking cinnamon toast crunch. Thank you, love. 788 00:41:50,000 --> 00:41:51,719 Speaker 1: I love how fat you guys are at heart, because 789 00:41:51,760 --> 00:41:54,520 Speaker 1: you know, I'm just drooling over here. I like Cereal. 790 00:41:54,680 --> 00:41:57,400 Speaker 1: That's my goal to when I'm fucking It's not a 791 00:41:57,440 --> 00:41:59,640 Speaker 1: bad thing at all. Question number five in the High 792 00:41:59,719 --> 00:42:01,799 Speaker 1: five A young mouth from the Loony's If you could 793 00:42:01,800 --> 00:42:05,800 Speaker 1: smoke with anyone dead are alive, who would it be? 794 00:42:06,680 --> 00:42:12,640 Speaker 1: The hands are up now White Bob. Bob was the 795 00:42:13,040 --> 00:42:16,719 Speaker 1: Daniabilities build Sniff mind the big boy smiff Mind. You 796 00:42:16,800 --> 00:42:21,360 Speaker 1: got it down like that. That's not what's your favorite 797 00:42:21,360 --> 00:42:25,600 Speaker 1: Bob song? Oh man ship man. Uh, there's so many 798 00:42:25,719 --> 00:42:27,960 Speaker 1: here is, but I like, uh, I like the um 799 00:42:29,680 --> 00:42:33,120 Speaker 1: the uh ship just so you put on the spot. 800 00:42:33,880 --> 00:42:35,759 Speaker 1: I mean yeah, it's like a million. I mean no, 801 00:42:35,880 --> 00:42:37,920 Speaker 1: don't ask me, but I mean I like Redemption song 802 00:42:38,000 --> 00:42:40,320 Speaker 1: always comes in my head. I like redemption. I like 803 00:42:40,440 --> 00:42:44,000 Speaker 1: good up, stand up. I like I like what's that 804 00:42:44,600 --> 00:42:55,400 Speaker 1: soldier the group Gemin Gemin and Gem Gem. Yeah, and 805 00:42:55,960 --> 00:42:58,799 Speaker 1: it's funny because his name I just name got can't 806 00:42:58,840 --> 00:43:01,759 Speaker 1: be wondered. That was my That was a how moment. 807 00:43:01,840 --> 00:43:05,320 Speaker 1: That wasn't even got done by Molly Man. But everybody's 808 00:43:05,680 --> 00:43:11,960 Speaker 1: standing strike that. But it could have been that. Yeah, 809 00:43:12,320 --> 00:43:15,439 Speaker 1: Jamming in the Name of the Lord, Now that's about Molly. 810 00:43:17,160 --> 00:43:19,239 Speaker 1: It's kind of the same vibe. But yeah, but you're right, 811 00:43:19,320 --> 00:43:22,799 Speaker 1: Stevie doesn't have a step one. What you were saying 812 00:43:24,040 --> 00:43:26,759 Speaker 1: moment it took too many breaks. I think you just 813 00:43:26,840 --> 00:43:30,680 Speaker 1: gotta smoke more now. Yeah, we all got to put 814 00:43:30,719 --> 00:43:32,080 Speaker 1: some of the weed on the table and see what 815 00:43:32,160 --> 00:43:34,719 Speaker 1: it looks like. It's like, it's always a pleasure to 816 00:43:34,800 --> 00:43:36,440 Speaker 1: have you on the show man. Anything actually want to 817 00:43:36,440 --> 00:43:39,040 Speaker 1: promote out there? Oh man, I got the podcast, you know, 818 00:43:39,120 --> 00:43:41,240 Speaker 1: I mean, I got the motherfucking Smoke a Lot Radio 819 00:43:41,400 --> 00:43:45,000 Speaker 1: with with Kato. Uh. Simone Taylor, the lovely Titty Taylor. 820 00:43:45,160 --> 00:43:47,239 Speaker 1: They called Simone Titty Taylor because you know the things 821 00:43:47,280 --> 00:43:48,880 Speaker 1: that be going on. All you gotta do is google 822 00:43:48,920 --> 00:43:52,920 Speaker 1: Ill Taylor, Google Simone Taylor, and I put oh my god, 823 00:43:55,120 --> 00:43:58,480 Speaker 1: do it right now, Simone Taylor s A M O 824 00:43:58,800 --> 00:44:01,040 Speaker 1: N E T A Y l O. Or you're gonna 825 00:44:01,080 --> 00:44:08,440 Speaker 1: get a little yeah. Okay, guys my back. You probably 826 00:44:08,440 --> 00:44:10,480 Speaker 1: already have it in your history right there, real quick. 827 00:44:10,520 --> 00:44:12,840 Speaker 1: When when did when did the podcast start? And and 828 00:44:13,200 --> 00:44:15,400 Speaker 1: what's going on with it? You know, what's the format 829 00:44:15,480 --> 00:44:17,879 Speaker 1: of you know, you know it's over there. Be Real TV. Okay, 830 00:44:18,000 --> 00:44:20,520 Speaker 1: we started up be Real TV and uh two thousand 831 00:44:20,520 --> 00:44:23,120 Speaker 1: and fourteen, right and we was there for two years 832 00:44:23,160 --> 00:44:25,760 Speaker 1: and then we we kind of you know, split ways 833 00:44:25,840 --> 00:44:27,480 Speaker 1: you know what I mean. So, Um, I start of 834 00:44:27,600 --> 00:44:29,600 Speaker 1: went back into WRAP for a couple of years and 835 00:44:29,680 --> 00:44:33,000 Speaker 1: then UM got back with my crew and we got 836 00:44:33,080 --> 00:44:37,439 Speaker 1: with Digital Soapbox UH last year and we've been rocking since. 837 00:44:37,480 --> 00:44:39,480 Speaker 1: It's been over a year, almost two years rocking with 838 00:44:39,560 --> 00:44:43,319 Speaker 1: Digital Soapbox. So we came from we went from CBS 839 00:44:43,480 --> 00:44:46,960 Speaker 1: to UH to notrvious. So we've just been moving everything 840 00:44:47,080 --> 00:44:51,839 Speaker 1: that's been stepping stepping up. So yeah, everything to stepping up, man, 841 00:44:51,960 --> 00:44:54,440 Speaker 1: So shout out to the crew. We also got a 842 00:44:54,520 --> 00:44:58,680 Speaker 1: marijuana influenced I mean influence show called Smoke Runs Nice, 843 00:44:58,680 --> 00:45:00,320 Speaker 1: you know what I mean. And that's basically where we 844 00:45:00,440 --> 00:45:04,040 Speaker 1: just you know, basically put the especially like you have 845 00:45:04,160 --> 00:45:06,719 Speaker 1: them eating food and the food shows and you've got 846 00:45:06,760 --> 00:45:08,920 Speaker 1: people that's going different restaurants eating well, we go to 847 00:45:09,000 --> 00:45:11,399 Speaker 1: different dispensaries, you know what I mean, test their crop, 848 00:45:11,480 --> 00:45:13,279 Speaker 1: you know what I mean, Expect their pot, you know 849 00:45:13,280 --> 00:45:16,239 Speaker 1: what I mean. Like tell you what what good shops, Yeah, 850 00:45:16,400 --> 00:45:19,080 Speaker 1: tell you what good clubs to go to, good service, 851 00:45:19,239 --> 00:45:21,239 Speaker 1: like just a service everything, you know what I mean 852 00:45:21,320 --> 00:45:24,040 Speaker 1: talking about T A C. I mean CBD to you 853 00:45:24,080 --> 00:45:26,280 Speaker 1: know what I mean, the medical part of it. Everything, 854 00:45:26,360 --> 00:45:28,680 Speaker 1: So it's basically a marijuana show that is breaking down 855 00:45:28,719 --> 00:45:31,480 Speaker 1: and promoting clubs, you know what I mean, promote dispensaries, 856 00:45:31,520 --> 00:45:34,680 Speaker 1: promote wellness and uh with marijuana, you know what I mean. 857 00:45:35,280 --> 00:45:37,719 Speaker 1: So that's what we're doing, smoke runs and uh, I 858 00:45:37,840 --> 00:45:41,919 Speaker 1: got beyond that. I got a comic book coming out. Yeah, 859 00:45:43,160 --> 00:45:53,759 Speaker 1: yeah you should. Yeah that marks the real character. Ye 860 00:45:54,480 --> 00:45:56,160 Speaker 1: brothers in law here they come. And you heard a 861 00:45:56,239 --> 00:46:02,480 Speaker 1: slamp hom not today? Oh you get it. So I 862 00:46:02,560 --> 00:46:04,400 Speaker 1: got the comic book coming It's called The Legend of 863 00:46:04,480 --> 00:46:07,320 Speaker 1: Yung Mouthice put out by UM. I'm partnered up with 864 00:46:07,360 --> 00:46:10,520 Speaker 1: a versus UH Comics USA. Yeh yeah, I mean, so 865 00:46:10,560 --> 00:46:13,640 Speaker 1: we're putting that out at the end of uh like 866 00:46:13,760 --> 00:46:16,200 Speaker 1: August or September. We're putting it out. It's coming with 867 00:46:16,320 --> 00:46:19,520 Speaker 1: like three songs type of EP songs coming with it. 868 00:46:19,640 --> 00:46:24,879 Speaker 1: So yeah, being a former cartoonist, you know, I'm still 869 00:46:24,920 --> 00:46:27,080 Speaker 1: a cartoonist. I just love that I could finally have 870 00:46:27,160 --> 00:46:30,880 Speaker 1: my own comic book series. And the illustrator so dope, 871 00:46:30,960 --> 00:46:32,840 Speaker 1: Like I'm dope, but I ain't dope like him, like 872 00:46:32,960 --> 00:46:36,520 Speaker 1: he made it like some Marvel comic. Like hey, it's crazy. 873 00:46:36,640 --> 00:46:39,320 Speaker 1: It's the same people that get my comic book. Just 874 00:46:39,400 --> 00:46:42,520 Speaker 1: did a comic book with Hahai Davis. They put his out, 875 00:46:42,719 --> 00:46:44,040 Speaker 1: you know what I mean, a few months ago. So 876 00:46:44,160 --> 00:46:46,600 Speaker 1: Mines is next and we're gonna keep it going. It's 877 00:46:46,640 --> 00:46:49,040 Speaker 1: just the first episode. Man, So I definitely got the 878 00:46:49,080 --> 00:46:51,719 Speaker 1: comic book coming. Um what else I got going on? 879 00:46:51,840 --> 00:46:57,520 Speaker 1: Sponsored by Royal Blunt definitely met shout out the great people, 880 00:46:57,600 --> 00:47:00,480 Speaker 1: great people. Um what else I got going Oh? Man, 881 00:47:00,560 --> 00:47:07,400 Speaker 1: God music, Rock pecking the album and the Airport. Not 882 00:47:07,520 --> 00:47:10,319 Speaker 1: too long ago, Pete Rock throwing an album called crack Rock. 883 00:47:10,400 --> 00:47:12,680 Speaker 1: He's doing all the production and I'm doing the rapping. Man, 884 00:47:13,840 --> 00:47:16,319 Speaker 1: stay tuned for that. We were knocking it down. It's 885 00:47:16,360 --> 00:47:18,160 Speaker 1: almost that we like in the middle of it. I say, 886 00:47:18,239 --> 00:47:20,000 Speaker 1: probably at the end of the year or the beginning 887 00:47:20,000 --> 00:47:21,719 Speaker 1: of the year. I don't want to put it out 888 00:47:21,760 --> 00:47:24,600 Speaker 1: in the pandemic when everybody's just going through. What I want, 889 00:47:24,719 --> 00:47:26,320 Speaker 1: you know what I mean, at least to have some 890 00:47:26,520 --> 00:47:29,440 Speaker 1: type of normals or normalcy back to life, you know 891 00:47:29,480 --> 00:47:31,320 Speaker 1: what I mean, back to going back out and party 892 00:47:31,360 --> 00:47:35,200 Speaker 1: and having fun. Back to the strip clubs like that. 893 00:47:35,360 --> 00:47:38,560 Speaker 1: You know there strip clubs. You're not going to talk 894 00:47:38,560 --> 00:47:43,920 Speaker 1: about your only fans I'm just kidding. Hold on, what 895 00:47:44,080 --> 00:47:45,520 Speaker 1: is only? I don't even know what that means? What 896 00:47:45,640 --> 00:47:48,080 Speaker 1: is that? What does that mean? Kala, you little pervert? 897 00:47:48,200 --> 00:47:51,120 Speaker 1: What I'm trying to collect? Everybody's only fans? Who got 898 00:47:51,160 --> 00:47:52,640 Speaker 1: one in here? Give me the swipe ups? Let's go, 899 00:47:53,560 --> 00:47:55,080 Speaker 1: do you really? What? Does I have no idea? What 900 00:47:56,480 --> 00:48:03,520 Speaker 1: that's a Kouala puff thing right right back out of her. Listen, 901 00:48:03,600 --> 00:48:06,279 Speaker 1: we want to subscribe to the photos we don't see 902 00:48:06,480 --> 00:48:11,319 Speaker 1: on Instagram. Wipe up. We want to know if that's 903 00:48:11,360 --> 00:48:14,040 Speaker 1: possible for you. Every by we, I mean him he 904 00:48:14,160 --> 00:48:20,600 Speaker 1: told me that. Not me, but I heard everybody from 905 00:48:20,800 --> 00:48:25,040 Speaker 1: Loving hip hop, including the men have only fans didn't 906 00:48:25,040 --> 00:48:29,680 Speaker 1: really the year shout out go Turfs, Man shout out 907 00:48:30,400 --> 00:48:34,680 Speaker 1: Man definitely Turkey Turp and turn Yeah, man, my boy, 908 00:48:35,040 --> 00:48:37,320 Speaker 1: my boys got it cracking and man shout out the 909 00:48:37,360 --> 00:48:39,880 Speaker 1: digit the soapbox man definitely. Man for helping us with 910 00:48:40,000 --> 00:48:42,879 Speaker 1: the podcast situation and everything. Man um and I'm trying 911 00:48:42,880 --> 00:48:46,120 Speaker 1: to try to be like yea and everything. Everything we're 912 00:48:46,160 --> 00:48:49,120 Speaker 1: doing the same, man, everything is. We're all growing together, brother, 913 00:48:49,200 --> 00:48:52,400 Speaker 1: We're all going together. That cracking chopping this year or 914 00:48:52,480 --> 00:48:54,960 Speaker 1: the first quarter that next year. Man and yeah man, 915 00:48:55,000 --> 00:48:58,000 Speaker 1: it's coming out. Nice man. P Rock gave me some firelox. No, 916 00:48:58,160 --> 00:49:01,359 Speaker 1: it is man East Coast West to next man. Wait boy, 917 00:49:01,719 --> 00:49:03,319 Speaker 1: you have no doubt. Thank you Crimins to the show. 918 00:49:03,360 --> 00:49:06,000 Speaker 1: Young man. We appreciate you so much. Man Kouala Puff, 919 00:49:06,040 --> 00:49:11,239 Speaker 1: we always love you hanging out. It's Cannabis Talk one 920 00:49:11,280 --> 00:49:13,600 Speaker 1: oh one. Remember this. If no one else loves you, 921 00:49:13,960 --> 00:49:19,880 Speaker 1: we do da Thanks for listening to another podcast of 922 00:49:19,920 --> 00:49:22,600 Speaker 1: Cannabis Talk one oh one, the world's number one source 923 00:49:22,680 --> 00:49:26,080 Speaker 1: for everything cannabis, featuring Young Mouth from the Looney's and 924 00:49:26,239 --> 00:49:27,160 Speaker 1: Koala Puffs