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Speaker 1: Questlove Supreme is a production of iHeartRadio.

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Speaker 2: What's Up Everybody?

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Speaker 3: This is Shuga Steve from questlov Supreme and we are

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Speaker 3: back with part two of our conversation with the incredible

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Speaker 3: James Poyser. We all make fun of each other, but

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Speaker 3: James is a dear friend who has been a joy

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Speaker 3: to work with over the last twenty I did not

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Speaker 3: write this. This is clearly written by somebody else. You

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Speaker 3: have heard him join QLs for our Fred Hammond interview

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Speaker 3: a few years ago, and he popped into let US's

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Speaker 3: Chat earlier this year. But this time James is in.

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Speaker 2: The hot scene.

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Speaker 3: If you haven't go listen to part one, where he

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Speaker 3: talks about growing up in West Philly, his years as

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Speaker 3: a gospel musician, and ultimately getting down with DJ Jazzy, Jeff,

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Speaker 3: Grandmaster Vic and Gamble and Huff as we celebrate Black

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Speaker 3: Music Month. James Poyser has been at the Ebby Center

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Speaker 3: of It for nearly thirty five years, and don't enjoy

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Speaker 3: and thank you James.

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Speaker 4: Your first year of rotation with Professon Ales, I assume

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Speaker 4: ninety one ninety ninety three, Yeah, who are you gigging with?

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Speaker 4: Because I know probably the number one thing I'm asked,

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Speaker 4: like in my d M, it's just like can I.

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Speaker 1: Get a gig? Wow?

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Speaker 5: Same?

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Speaker 4: And you've never had to go through this. You never

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Speaker 4: had to Never audition that the guy because I don't

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Speaker 4: think I would get to work. I definitely wasn't getting chosen.

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Speaker 4: So you hear about the gig and you'd have to

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Speaker 4: go to audition. And I remember going to this. I'm

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Speaker 4: not gonna say that you audition for Boys to Men.

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Speaker 6: You were just about to say it.

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Speaker 7: That was incredible, Toll brothers and y'all ready each other's mind.

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Speaker 1: It was cute.

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Speaker 8: Oh, you were about to say that. But this wasn't

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Speaker 8: the Philly band. This was a New York band that

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Speaker 8: was doing it. I'll never forget. I took the train

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Speaker 8: up here to rehearsal and boys and Men walked in

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Speaker 8: and they was like, okay, let's do the song. And

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Speaker 8: I was like, I don't know the song and just

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Speaker 8: let this go. And I've never heard the song, so

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Speaker 8: that everybody's playing and I'm like, and I think boys

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Speaker 8: and Men said something walked down the MD was like, yo, man,

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Speaker 8: you need to know the music.

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Speaker 1: It's like, nobody sent me to music.

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Speaker 2: How I was supposed to know what.

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Speaker 8: I don't know because we already established I think because

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Speaker 8: the MD at the time was just like.

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Speaker 1: You messed up. Damn, I got to send you the tape.

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Speaker 4: Yes, I thought, now I'll admit that I didn't know

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Speaker 4: about like the auditions for that, And after the four

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Speaker 4: I was like, Yo, why did y'all call me for it?

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Speaker 4: We thought you knew about it? Everybody knew about it, but.

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Speaker 1: I didn't know musicians at all, And so like, how

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Speaker 1: do you know?

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Speaker 8: It's just being in those circles, you know, being around

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Speaker 8: you're on the church scene, or around the boys and

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Speaker 8: guys in the club scene. You hear about things, Hey,

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Speaker 8: so and so looking for a band I put a

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Speaker 8: band together or YadA YadA.

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Speaker 4: All right, So today, of course, if you're six degrees

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Speaker 4: to Blackstone, six degrees to Omar, I don't know who

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Speaker 4: else is man man all of them. Yeah right, So

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Speaker 4: if your six degrees to them, chances are you're going

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Speaker 4: to find some work, because I mean, Adam controls at

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Speaker 4: least seventeen acts, so.

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Speaker 1: He's looking for it, you know what I mean?

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Speaker 4: But what was the lay of the land in the

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Speaker 4: early nineties, Like who should I have known to make

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Speaker 4: my dad. My dad wanted me in that session circle thing.

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Speaker 4: So who should I have known too? Because even Clayton

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Speaker 4: sears like audition for boys and minute I'm.

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Speaker 8: Like, yeah, Clay, Clay Clay. So it was just guys.

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Speaker 6: I can't really put a you have to play with people.

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Speaker 1: Who's the black See. I thought knowing Bill jolly Bill, jolly.

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Speaker 6: Jolly Bill, jolly Bill, jolly Yeah.

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Speaker 1: I thought knowing him would be like, you're in.

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Speaker 8: What's crazy is that it seems to me that the

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Speaker 8: guys that have those runs as mts are mostly bass players.

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Speaker 8: It's kind of funny. Ricky Minor, Yeah, current Kurrent Brantley

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Speaker 8: was a guy back in that area that ran pretty

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Speaker 8: much put all the bands together and that was that

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Speaker 8: was black you know, Black Store.

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Speaker 1: So the bass players are Randy.

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Speaker 4: Jackson, Randy, Yeah, it makes sense to Rachel, right.

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Speaker 2: Yeah.

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Speaker 8: So just being around and I was so I was

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Speaker 8: playing with the wedding bands too at the time that

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Speaker 8: if I didn't mention that, oh my god, I was

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Speaker 8: playing the wedding bands and that was I was making

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Speaker 8: money on the wedding. I would play like I would

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Speaker 8: play the opening whatever that is. Then the ceremony and

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Speaker 8: the cocktail and then the actual.

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Speaker 1: Is there a fake book for the wedding circuit?

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Speaker 8: Yeah, yeah, yeah, but it's just the top all the

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Speaker 8: top forty stuff, right and the whole. Yeah. Yeah, we

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Speaker 8: were played. We were played a hard like shouting music.

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Speaker 1: Everybody dancing the drunk, so they.

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Speaker 5: Don't know what's going on.

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Speaker 1: All these city line avenue weddings. Yeah.

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Speaker 8: It was now my last wedding that I did. I

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Speaker 8: had to drive on a half to this country club.

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Speaker 8: I did the opening thing whatever, just a lot of

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Speaker 8: stuff is piano only, and then the party is with

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Speaker 8: the full band. So I did that, did the ceremony,

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Speaker 8: did the cocktail, did the party after us, I'm exhausted,

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Speaker 8: carrying my keyboard, I had my black tucks on both

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Speaker 8: camera stuff to my car and this little old lady

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Speaker 8: dismissively without looking at me, passing me up a valet

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Speaker 8: ticket and here get my car from what?

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Speaker 5: And I quit the next day?

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Speaker 1: Yeah, we pass I wish you would have took the

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Speaker 1: car and just took high school teams would have done

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Speaker 1: that ship all right.

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Speaker 4: So I remember the first time we played together, and

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Speaker 4: I've told this story before the last day of Hilladolph

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Speaker 4: Half Life.

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Speaker 1: DiAngelo came to Philly.

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Speaker 4: To record The Knotic The Hypnotic and then we had

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Speaker 4: like six hours of spirit. We did a whole lockout,

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Speaker 4: but we knocked the Hypnotic out in like ninety minutes.

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Speaker 4: Like that's how fast he was with harmonizing.

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Speaker 2: Yeah, Dangelo works really fast.

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Speaker 4: Yes, And so we took a food break and then

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Speaker 4: it was like, well shit, we got you know, time

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Speaker 4: on the clock and we did the whole do you

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Speaker 4: know the song? Do you know this song? Do you

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Speaker 4: know this song? Do you know this Song's you on

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Speaker 4: the song? I was like, oh, damn, all right, he

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Speaker 4: knows what he's doing. And that's when Rich said to me,

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Speaker 4: well not for nothing, because in my mind I was like, yeah, man,

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Speaker 4: this out these types of chords, this is what I want.

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Speaker 1: Come on you no no, no, no, no, no no. And

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Speaker 1: Rich was like, well not for nothing.

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Speaker 4: I said, you got someone does better chords than him

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Speaker 4: in Philadelphia, you know, in the backyard. I was like, oh,

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Speaker 4: he's like James Poyser. I was like, who's James Spoyser.

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Speaker 4: He's like, you don't know James Poyser. You know the

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Speaker 4: guy He's like describing it wasn't coming to me, and

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Speaker 4: he said Philly International And I was like, then, I

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Speaker 4: remember the Apollo in London and that stuff. I was like, oh,

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Speaker 4: that guy he plays keyboards, and so he said, yeah,

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Speaker 4: matter of fact, I'm gonna call him. Kadar want sister

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Speaker 4: work with one of his clients, and she's gonna come

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Speaker 4: in from Dallas.

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Speaker 1: And this was maybe four or five days later. So

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Speaker 1: what I do remember.

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Speaker 4: Though, is because she was young, fresh and new, he

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Speaker 4: going back to uh sugar Steve with doing everything. This

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Speaker 4: is the one time I remember Michael D'Angelo Archers showing up, No,

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Speaker 4: three hours early.

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Speaker 6: Wow, he's fine, still fine.

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Speaker 4: He was already back in New York. And I was like, yeah, man,

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Speaker 4: I said, we're working with the.

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Speaker 1: Girl Eric abad.

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Speaker 8: As.

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Speaker 1: I said, what what? I said? Yeah, we're working with

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Speaker 1: Eric Abadu. When when?

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Speaker 4: When I said, uh, I don't know, a couple of

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Speaker 4: hours when she gets here. She she's taking the bus

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Speaker 4: down and we're gonna work with her. Said oh, we're okay,

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Speaker 4: So how long? I said, probably like three days or

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Speaker 4: something like that. Oh we're three days. Huh, she's staying there.

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Speaker 4: I'm not even knowing. I'm falling trap. I said, she's

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Speaker 4: staying down there. I said, I think so, I said, actually,

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Speaker 4: I think some convention in town. So she can't even

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Speaker 4: I don't know if she's like coming from New York

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Speaker 4: or whatever the case. I think she's like gonna crashing

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Speaker 4: Tarik's house. I'm not exaggerating what I said. Yeah, because

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Speaker 4: she the first week of Batleism, Tarik let her stay

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Speaker 4: in his apartment because he was doing something else. Yeah,

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Speaker 4: she's gonna stay with Trekan the Motherfuckers was at Sigma

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Speaker 4: and so then we had a jam that night.

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Speaker 8: Yeah.

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Speaker 1: Yeah, we I mean we even get the story so well.

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Speaker 4: I mean this is that I listened to the work

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Speaker 4: cassette of day one. We basically I think the other

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Speaker 4: side of the game came within damn near three minutes

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Speaker 4: instant aaneously.

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Speaker 6: Can you so tell us about the song's workload situation,

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Speaker 6: because I'm like, so.

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Speaker 8: Can I go back a little bit?

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Speaker 4: Yeah?

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Speaker 8: So at Filly National and I started working with this

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Speaker 8: guy's his name is Fatiene Dance. So me and fatimare

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Speaker 8: writing songs here and there, doing some gigs. I would

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Speaker 8: go to overbook and play and he would say, you

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Speaker 8: know whatever, And one day he hit me like, Yo,

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Speaker 8: just these girls, I'm writing for it because of Jazzy,

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Speaker 8: fat nasty.

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Speaker 1: Come on, man, come down.

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Speaker 8: So that's when I first met Rich at the house.

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Speaker 8: And so he came to the house. Yeah okay, and

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Speaker 8: you guys are on the road I think at the time.

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Speaker 4: Yeah, absolutely, So I brought the jazz us to Philadelphia

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Speaker 4: to you know, hopefully work with him or whatever.

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Speaker 8: So so that's when me and Rich developed this relationship.

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Speaker 8: Rich Nichols, Rich Nichols, and and that's why Rich already

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Speaker 8: about me.

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Speaker 1: What was that?

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Speaker 2: So was y'all what's the record? Uncle? Vention?

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Speaker 1: Ways?

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Speaker 2: Was that?

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Speaker 1: Yah? Yeah he did that?

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Speaker 2: Yeah, Nah, I love that record. Man, That was my one.

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Speaker 4: But I will still maintain that, you know, of all

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Speaker 4: the projects we had our hands in, I felt that

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Speaker 4: we went by that project totally wrong. Now, granted, the

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Speaker 4: fifth beatle Ms situation was Mercedes' brother Jay Swift, producer

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Speaker 4: of the Far Side, and way before I became known

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Speaker 4: for being god guy for j Dill's music, the shit

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Speaker 4: that he did on their record was and this is

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Speaker 4: way before like what's the four to one one? Really

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Speaker 4: was the first? Yeah, singers can do what rappers do

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Speaker 4: to type of thing, because I remember, like when we

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Speaker 4: first got that thing, we just looked at each other

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Speaker 4: in the van, like, wait, she an't allowed to sing.

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Speaker 1: On No Loops? Like what the fuck?

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Speaker 4: It's like a rap record, like singers allowed to make

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Speaker 4: you know, like we were.

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Speaker 1: I was against it. I was like, no, it's like

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Speaker 1: a rap that record.

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Speaker 4: No, And you know, but before that just broke me

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Speaker 4: down to like, Okay, this is where R and B

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Speaker 4: and hip hop really meet, Like the far Side record

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Speaker 4: was the far Side. The Jazzy Fat Nasty album, or

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Speaker 4: at least the seven songs that he did was just

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Speaker 4: like I never heard that level break beat and beat

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Speaker 4: chopping and all that stuff. And then they got the Philadelphia.

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Speaker 1: And we just undid all day.

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Speaker 4: Yeah, and it was cool, but like at one point

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Speaker 4: they could have pulled a fantastic Volume one, Volume two

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Speaker 4: level of holy shit that's allowed on the record. And

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Speaker 4: that's that's the one thing I regret about, like the

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Speaker 4: world and not seeing the Jazzy Fat Nasties that I saw.

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Speaker 2: Because those j Siff records would never released.

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Speaker 1: Yeah no, they weren't. They weren't.

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Speaker 4: I think at one point we put like one of

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Speaker 4: their songs in that far and give a dog a

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Speaker 4: bone was kind of that, like, but yeah, so the

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Speaker 4: team brings you to the full, which makes total sense.

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Speaker 1: We were on tour, so we really weren't.

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Speaker 6: So what's the plan forotball? Doism y'all come?

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Speaker 7: Like?

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Speaker 6: How do y'all decide what's what needs to be done?

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Speaker 6: How her vision she was just.

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Speaker 4: Full of like I never saw someone just full of

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Speaker 4: a bunch of ideas. And she mentioned like I'm gonna

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Speaker 4: I got something that's gonna flip like bad boys, what

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Speaker 4: you're gonna do like that sort of thing. And I

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Speaker 4: was like, oh, that's cute. Like she always she had

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Speaker 4: a lot of courses ready. She was the first person

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Speaker 4: I met that like instantly had a clever course ready

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Speaker 4: just in the stash. And so I remember when we

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Speaker 4: sat down three minutes in instantly, like the first course

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Speaker 4: he played was just the beginning, matter of fact, what

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Speaker 4: you're going right? I'm sorry, yes, other side of the game.

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Speaker 4: So literally, when you hear the work tape and it's

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Speaker 4: not like you had it in the chamber or something, it.

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Speaker 1: Just you just all right, bridge here and you just do.

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Speaker 4: That's dope, and literally we cut that's the take that's

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Speaker 4: that's the take. Literally, like yeah, so whatnut, What you

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Speaker 4: know is the other side of the game was musically

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Speaker 4: a first take and then you and Rich did a

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Speaker 4: lot of sweetening it up, like the horns, and so

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Speaker 4: I just knew it as a rhythm track me Hub

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Speaker 4: and you, and then it came. Yeah, it was like

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Speaker 4: a full song by the time I got home off

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Speaker 4: the road and oh, this girl is gonna make it,

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Speaker 4: you know that sort of thing. And yes, Afro was real,

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Speaker 4: it was flat. I was asleep by that point, Like I.

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Speaker 9: Don't with Erica, man, I want to talk specifically about

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Speaker 9: Mama's Gun. That was your kind of you know, I

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Speaker 9: don't say your moment, but that was as I understood

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Speaker 9: that they seeing it top the bottom, that was kind

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Speaker 9: of your executive you know, this producer decision. Talk about

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Speaker 9: that record, man oh man.

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Speaker 8: So just know that I had to leave the Voodoo Tour.

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Speaker 6: I was I don't even know who did y'all replace?

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Speaker 8: Change?

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Speaker 6: Okay, okay, okay, JS.

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Speaker 4: We started the Voodoo Tour in March first of two

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Speaker 4: thousand and all I remember is that we had the

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Speaker 4: eighty six Natalie Cole out of the theater for fight I.

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Speaker 6: Don't understand what you're saying.

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Speaker 1: I don't understand what the women were.

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Speaker 6: I know what that means, dude.

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Speaker 1: The first week of Voodoo at the House of Blues

289
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Speaker 1: was like Chippendale, and then it got bad.

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Speaker 8: It was then halfway through the tour take it.

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Speaker 4: Off the first eighteen minutes and mind you, we're preparing

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Speaker 4: like this three hour extravaganza of every musical reference in

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Speaker 4: the sun. Amazingly, they're looking at they watched it. Okay,

294
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Speaker 4: what song are you gonna take your shirt off on?

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Speaker 7: Which is crazy because to me, that at least to

296
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Speaker 7: where he is today and not like that just ran

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Speaker 7: him away from wanting to be that person anymore in.

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Speaker 1: A way, but he's actually back to that day.

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Speaker 6: Oh is it? Look at you?

300
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Speaker 7: No pressure, mister, no pressure, Do what you need to

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Speaker 7: do to be comfortable and healthy.

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Speaker 6: Sir, good, yeah, mama, yes, yes, yes.

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Speaker 8: So yeah. That album almost killed me man, like well

304
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Speaker 8: towards the end of it, where we were working in

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Speaker 8: four different studios at the same time, and I like

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Speaker 8: all three rooms an electric lady, and I was stuck

307
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Speaker 8: in the studio without going to the hotel for a

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Speaker 8: few days, and I had a beard I'm a common

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Speaker 8: come into this and I want to post a note

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Speaker 8: like help. And then I had a stress attack and

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Speaker 8: the top half of my body stopped working. I couldn't

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Speaker 8: move my own Yeah, I had.

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Speaker 1: It was that extreme.

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Speaker 8: I went to the hospital. I thought they thought I

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Speaker 8: had a stroke, but it was just a stress attacking. Wow,

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Speaker 8: it was I was dealing with I was dealing with Erica,

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Speaker 8: and I was I was trying to insulate her from

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Speaker 8: the label they were, you know, doing it. I was, Yeah,

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Speaker 8: I was dealing with all of that, and it was

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Speaker 8: it was a lot. What was what were they pushing for?

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Speaker 8: Let's get this going now, we need this record now,

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Speaker 8: we need to get this record now. And Erica was

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Speaker 8: just like, I'm moving to my own speed, you know

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Speaker 8: what I mean. And Erica's funny, man, because I don't

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Speaker 8: know if y'all knowiced, Well should I say this, yes?

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Speaker 2: Yes?

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Speaker 1: If you look at the c D, oh the track

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Speaker 1: list is wrong?

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Speaker 8: No no, no, Not only that, yeah, that, but the color

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Speaker 8: if you look at the color on the outside and

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Speaker 8: then look at the actual color of the CD, two

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Speaker 8: different reds. If you notice that. And that was just

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Speaker 8: her being like, ya, ain't tell me what to do.

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Speaker 1: That's wait, okay, sidetrack.

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Speaker 4: When you buy the forty five of what's going on,

336
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Speaker 4: towards the last thirty seconds, there's this thing where you

337
00:18:13,160 --> 00:18:19,159
Speaker 4: are the fake going on and literally Marvion, that was

338
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Speaker 4: Marvin Gaye's middle finger in the back, like, tell me

339
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Speaker 4: what to do?

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Speaker 2: I want to do that right and wow.

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Speaker 7: So it doesn't give you warm and fuzzy feelings to

342
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Speaker 7: talk about it?

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Speaker 6: Do I really want to ask you about green Eyes?

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Speaker 8: It's like, that was one of the greatest experiences I

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Speaker 8: had in this business.

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Speaker 6: Erica's no, I know that amazing.

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Speaker 8: She's called me. I'm a she's my studio wife. I'm

348
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Speaker 8: a studio husband.

349
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Speaker 6: So can you talk about green Eyes? I'm just my

350
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Speaker 6: mom's gonna come just because.

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Speaker 1: So green Eyes we wrote in Dallas.

352
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Speaker 8: She has this old beat up green upright piano that's

353
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Speaker 8: out of tune AND's got paint on it and champbell

354
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Speaker 8: wax everywhere and have the piano key sts and we

355
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Speaker 8: wrote the song there. You know, it went down there.

356
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Speaker 7: And it just when did you decide to like, did

357
00:19:04,880 --> 00:19:06,680
Speaker 7: the song always have so many changes in it? Because

358
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Speaker 7: that to me great, That's why it stands out because

359
00:19:08,280 --> 00:19:09,800
Speaker 7: it's like it changes with her mind.

360
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Speaker 8: That's her, that's she's she's super creative and wants to

361
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Speaker 8: you know, she you know, she'll do wherever. You know

362
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Speaker 8: you got to try and you don't want to. You

363
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Speaker 8: can't ring her in, but you just let her do

364
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Speaker 8: what she wants to do, and just trying to help

365
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Speaker 8: her get her ideas out.

366
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Speaker 1: And you know, I remember, was y'all forcing me? I was.

367
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Speaker 4: I was definitely the night of the ok Player, New

368
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Speaker 4: York Show. Were y'all on that tour with us? This

369
00:19:36,280 --> 00:19:39,679
Speaker 4: was old The cover of the Roots Come Alive is

370
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Speaker 4: that the night of.

371
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Speaker 2: I wasn't there that night. I didn't we ain't come

372
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Speaker 2: alongst like old.

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Speaker 4: Three ish stell okay, okay later yeah, yeah, Like all

374
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Speaker 4: I remember was that I was throat bleeding level of sickness.

375
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Speaker 8: And you were asleep on the dones well playing dog anything.

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Speaker 4: Clever, we're not only tracking in vidual songs like from

377
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Speaker 4: what I remember, Clever kissed me on my neck like

378
00:20:06,800 --> 00:20:09,199
Speaker 4: she wanted to do it as a sweet and I

379
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Speaker 4: was like, look, let's just cut one song. And then

380
00:20:12,240 --> 00:20:14,679
Speaker 4: you know when you go to master like a hatchet

381
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Speaker 4: and make it like no, she's right, Booty and the

382
00:20:20,800 --> 00:20:25,800
Speaker 4: three of them, and she came in gave me a

383
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Speaker 4: barth bucket. There's one point in at the very end

384
00:20:29,200 --> 00:20:31,080
Speaker 4: of Clever, I'm so mad you all to me, you know,

385
00:20:31,160 --> 00:20:35,520
Speaker 4: the anger that you feel on on wake Up when

386
00:20:35,560 --> 00:20:38,680
Speaker 4: we didn't put the delay or what's the last song.

387
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Speaker 1: Waiting for Superman?

388
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Speaker 4: That's all yes, and we didn't put the I'm so mad,

389
00:20:51,040 --> 00:20:55,040
Speaker 4: Like I was trying to sabotage Clever so that y'all

390
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Speaker 4: can say, look, just go home and come back again.

391
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Speaker 1: So this is a point where I started doing.

392
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Speaker 4: Like I was like, I'm drumming bass right now on

393
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Speaker 4: the rim Shot, and I was just trying to funk.

394
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Speaker 1: Up on purpose, and y'all kept all this.

395
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Speaker 5: That's what you get.

396
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Speaker 1: Man.

397
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Speaker 2: Did your production work as well?

398
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Speaker 9: Man, My probably my favorite projectably both of y'all was

399
00:21:17,800 --> 00:21:20,480
Speaker 9: one of my favorite projects, the Algreen Laid Down album.

400
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Speaker 2: Man, I want to talk.

401
00:21:21,680 --> 00:21:24,200
Speaker 9: I mean, I thought y'all just did just an incredible

402
00:21:24,280 --> 00:21:28,480
Speaker 9: job of, you know, being bringing like his original sound,

403
00:21:28,520 --> 00:21:30,880
Speaker 9: like those all those things we loved about the old records.

404
00:21:31,160 --> 00:21:33,359
Speaker 2: But it didn't feel like just you know, cosplay.

405
00:21:33,400 --> 00:21:35,840
Speaker 9: It wasn't like, oh, let's just make it sound old

406
00:21:35,880 --> 00:21:39,080
Speaker 9: like they really sounded like they were great songs, and

407
00:21:39,480 --> 00:21:40,120
Speaker 9: you know, and I.

408
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Speaker 2: Just I thought y'all did a great job of that.

409
00:21:41,760 --> 00:21:42,720
Speaker 2: What was it like working?

410
00:21:42,840 --> 00:21:43,640
Speaker 1: It was a crazy thing.

411
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Speaker 8: We cut all them songs and what sweet Days?

412
00:21:46,400 --> 00:21:47,080
Speaker 2: Yeah? What?

413
00:21:47,920 --> 00:21:50,560
Speaker 8: Because he would just walk in and start singing whatever

414
00:21:50,600 --> 00:21:52,320
Speaker 8: came that was the song. He was like the kool

415
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Speaker 8: aid man like.

416
00:21:55,440 --> 00:21:58,159
Speaker 4: Matter of fact, if I recall correctly, and I have

417
00:21:58,280 --> 00:22:01,960
Speaker 4: this on tape, I think we were just messing around

418
00:22:02,000 --> 00:22:04,600
Speaker 4: with the idea of the title track, laid down, and

419
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Speaker 4: then he just walked in and started singing.

420
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Speaker 1: Like we didn't meet him yet.

421
00:22:08,240 --> 00:22:12,960
Speaker 7: Yeah, we didn't need him yourror.

422
00:22:15,840 --> 00:22:18,119
Speaker 4: We didn't shake his hand or nothing. He just walked

423
00:22:18,200 --> 00:22:22,000
Speaker 4: in and when we and when we heard his voice,

424
00:22:22,560 --> 00:22:24,560
Speaker 4: I think I was trying to text James like on

425
00:22:24,680 --> 00:22:27,560
Speaker 4: the thing you see me, like like what the fuck

426
00:22:28,920 --> 00:22:31,720
Speaker 4: are right now? But he started singing, So I don't

427
00:22:31,720 --> 00:22:33,680
Speaker 4: want to be like, sir, this is really an honoritive

428
00:22:33,760 --> 00:22:39,400
Speaker 4: the Yeah, he just came in and started freestyling, and then.

429
00:22:39,840 --> 00:22:43,840
Speaker 8: And then walked off the room and saw Sky was

430
00:22:43,880 --> 00:22:47,960
Speaker 8: like Spanky Chamers Alfred.

431
00:22:48,040 --> 00:22:53,359
Speaker 1: Yes, he knew Spanky. Everybody if we talk about songs.

432
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Speaker 7: Can I just throw out one real quick with the y'all,

433
00:22:55,320 --> 00:22:58,320
Speaker 7: I would like to throw out sometimes blow. I would

434
00:22:58,400 --> 00:23:01,000
Speaker 7: like to talk about that song and how that came

435
00:23:01,040 --> 00:23:03,439
Speaker 7: together in such magnificence because it's one of my favorite

436
00:23:03,560 --> 00:23:05,000
Speaker 7: Mirror James collaborations.

437
00:23:05,480 --> 00:23:09,679
Speaker 4: You know, teasing, teasing common wait wait wait we we

438
00:23:09,800 --> 00:23:13,680
Speaker 4: kind of I know we wait wait wait, hang on, okay,

439
00:23:16,000 --> 00:23:21,040
Speaker 4: I literally just found a bunch of the Algreen kind

440
00:23:21,040 --> 00:23:21,600
Speaker 4: of words.

441
00:23:22,359 --> 00:23:26,639
Speaker 1: No, just on just the the demos and stuff.

442
00:23:27,320 --> 00:23:30,119
Speaker 5: Wills Mirror is always like I just found that like

443
00:23:30,400 --> 00:23:32,239
Speaker 5: poof right, like.

444
00:23:32,800 --> 00:23:34,000
Speaker 1: So we tried this once.

445
00:23:34,200 --> 00:23:39,640
Speaker 4: Uh remember we tried to convince him to cover crazy

446
00:23:40,800 --> 00:23:45,680
Speaker 4: uh with Sharon Jones and we played him see Little

447
00:23:45,720 --> 00:23:50,600
Speaker 4: Green's version. He just felt like that sounds like there's

448
00:23:50,640 --> 00:23:54,760
Speaker 4: something about the cords that he's I don't like that.

449
00:23:54,760 --> 00:24:02,399
Speaker 1: That's that's the mind. But typically we would just play.

450
00:24:03,400 --> 00:24:03,960
Speaker 1: We were playing.

451
00:24:04,000 --> 00:24:06,680
Speaker 8: It was the one plan that I think we both

452
00:24:06,760 --> 00:24:11,080
Speaker 8: had was we gotta have and each song have a

453
00:24:11,119 --> 00:24:12,840
Speaker 8: break that somebody would want to sample.

454
00:24:13,000 --> 00:24:21,240
Speaker 5: Right exactly, good plan, Oh my god.

455
00:24:26,640 --> 00:24:29,520
Speaker 1: But literally we were just this is out. Every session

456
00:24:29,560 --> 00:24:30,800
Speaker 1: is with us. We'll just play.

457
00:24:31,760 --> 00:24:36,920
Speaker 4: I didn't know that you're supposed to like pre write Elsewhere, demo.

458
00:24:36,720 --> 00:24:40,080
Speaker 5: Elsewhere, No wonder things go so quickly and then go

459
00:24:40,160 --> 00:24:42,080
Speaker 5: in the studio and do it like we just go

460
00:24:42,119 --> 00:24:42,920
Speaker 5: in the studio and write this.

461
00:24:48,600 --> 00:24:52,040
Speaker 4: I've told this story a few times, but common thought

462
00:24:52,160 --> 00:24:56,080
Speaker 4: that he was going well. He sprung on us that

463
00:24:56,200 --> 00:24:59,119
Speaker 4: he was going to be an actor, and literally we

464
00:24:59,119 --> 00:25:01,120
Speaker 4: were like like behind the.

465
00:25:01,080 --> 00:25:01,520
Speaker 2: Back, like.

466
00:25:03,480 --> 00:25:06,200
Speaker 1: I've heard this, and so uh.

467
00:25:05,960 --> 00:25:09,640
Speaker 4: Yeah, he comes in all excited and it's like yeah, man, uh,

468
00:25:09,800 --> 00:25:14,479
Speaker 4: I'm gonna do Carmen, Carmen Robert Townsend and Mike uh

469
00:25:14,640 --> 00:25:17,000
Speaker 4: what's his name that used to run the Source doing

470
00:25:17,000 --> 00:25:19,320
Speaker 4: a hip hopera thing, and he's like, yeah, old girl

471
00:25:19,320 --> 00:25:23,280
Speaker 4: from Destiny Shout, it's gonna be like old Girl gonna

472
00:25:23,280 --> 00:25:26,199
Speaker 4: be you know, leading lady and all that stuff. And

473
00:25:26,440 --> 00:25:28,439
Speaker 4: instantly I was like, yo, we're gonna duct her in

474
00:25:28,440 --> 00:25:29,280
Speaker 4: the soul queries.

475
00:25:31,560 --> 00:25:32,639
Speaker 2: Wow.

476
00:25:32,359 --> 00:25:38,040
Speaker 4: Wow, all of At this point, while his relationship flourished

477
00:25:38,119 --> 00:25:40,159
Speaker 4: with his work wife.

478
00:25:40,080 --> 00:25:43,040
Speaker 1: Yes, mine was souring a little bit. I'm not on

479
00:25:43,119 --> 00:25:44,080
Speaker 1: Worldwide Underground.

480
00:25:44,520 --> 00:25:47,320
Speaker 6: I didn't want to say yeah yeah, and so.

481
00:25:48,080 --> 00:25:51,160
Speaker 4: My thing was like okay, so I'm gonna bring more

482
00:25:51,359 --> 00:25:52,400
Speaker 4: energy into the full.

483
00:25:52,840 --> 00:25:55,160
Speaker 1: This is the one time where I was actively.

484
00:25:54,760 --> 00:25:57,600
Speaker 4: Campaigning, like yo, we're gonna bring her into the and

485
00:25:57,640 --> 00:26:01,760
Speaker 4: we were this close, like we were we were close anyway,

486
00:26:01,960 --> 00:26:05,920
Speaker 4: so you know, he came in the audition all excieity.

487
00:26:05,920 --> 00:26:09,199
Speaker 4: He wore like a vest in his Jeff hat, like

488
00:26:09,200 --> 00:26:11,959
Speaker 4: like he's going to the club, like his audition closed

489
00:26:12,359 --> 00:26:13,720
Speaker 4: and everything, and he.

490
00:26:13,680 --> 00:26:15,320
Speaker 1: Goes there and we're like, yo, you gotta do it,

491
00:26:15,320 --> 00:26:16,000
Speaker 1: you gotta do it.

492
00:26:16,320 --> 00:26:19,440
Speaker 4: And he came back and I didn't get it, and

493
00:26:19,560 --> 00:26:23,679
Speaker 4: we just got right and then he said it, and

494
00:26:23,720 --> 00:26:27,480
Speaker 4: then he said most got the role, and instantly a

495
00:26:27,560 --> 00:26:33,119
Speaker 4: four hour session ensues with us any given chance playing,

496
00:26:33,280 --> 00:26:36,800
Speaker 4: Umi says. And then James really brought up the temperature

497
00:26:36,800 --> 00:26:43,960
Speaker 4: where he started singing, and then after two hours of

498
00:26:44,000 --> 00:26:46,800
Speaker 4: doing that ship then Bloud just started singing to it.

499
00:26:46,960 --> 00:26:50,000
Speaker 8: I was like, okay, well it was like a joke, like.

500
00:26:50,000 --> 00:26:54,439
Speaker 4: Sometimes I wish I would have passed that audition, and

501
00:26:54,440 --> 00:26:58,199
Speaker 4: and then suddenly it was like whoa, this is something like.

502
00:27:01,000 --> 00:27:03,040
Speaker 1: Right, So that's how that got made.

503
00:27:03,640 --> 00:27:08,600
Speaker 4: And well Chicken Grease also, Chicken Grease was definitely a

504
00:27:08,640 --> 00:27:09,359
Speaker 4: common song.

505
00:27:09,520 --> 00:27:14,000
Speaker 8: It was a common song. It was studio see Electric Lady.

506
00:27:13,920 --> 00:27:14,679
Speaker 1: Yeah, yeah, up.

507
00:27:16,280 --> 00:27:20,560
Speaker 4: All I remember was that D'Angelo was working on the

508
00:27:20,600 --> 00:27:26,239
Speaker 4: City okay, because CDs can only hold yeah, seventy two

509
00:27:26,480 --> 00:27:30,080
Speaker 4: seventy well, seventy nine minutes for some plants, but d'angelo's

510
00:27:30,080 --> 00:27:34,719
Speaker 4: plant was seventy two, so he had to drop. The

511
00:27:34,760 --> 00:27:37,240
Speaker 4: second song off of Voodoo was a song called the City,

512
00:27:37,280 --> 00:27:41,520
Speaker 4: which was really like a Roy Hargrove tutorial of just

513
00:27:41,560 --> 00:27:47,040
Speaker 4: like amazingness. And I remember de was working on the

514
00:27:47,040 --> 00:27:52,920
Speaker 4: City downstairs, and we were working on chicken grease upstairs,

515
00:27:52,920 --> 00:27:56,520
Speaker 4: thinking it was common shit, And I remember D'Angelo walked

516
00:27:56,520 --> 00:27:59,040
Speaker 4: in and he kind of looked at.

517
00:27:58,880 --> 00:28:02,639
Speaker 1: Me and James like, now, y'all know, like but it

518
00:28:02,720 --> 00:28:05,200
Speaker 1: was the thing, you know. Com was all geeked like, yeah, man,

519
00:28:05,240 --> 00:28:05,680
Speaker 1: I got it.

520
00:28:06,160 --> 00:28:08,639
Speaker 4: And then when I went to the bathroom, you know,

521
00:28:08,840 --> 00:28:12,359
Speaker 4: like Tupac was waiting for Omar Epps around the locker

522
00:28:12,440 --> 00:28:13,439
Speaker 4: and Juice.

523
00:28:16,359 --> 00:28:21,880
Speaker 1: I got out of the bathroom and he says, yo, man, bro,

524
00:28:22,880 --> 00:28:26,399
Speaker 1: you know good and well, that boy don't know what

525
00:28:26,480 --> 00:28:32,040
Speaker 1: to do with that funk. He's gonna waste that song.

526
00:28:32,800 --> 00:28:34,320
Speaker 1: I was like, what did you say? He said, I

527
00:28:34,320 --> 00:28:36,840
Speaker 1: gotta have that song. That's my song.

528
00:28:37,600 --> 00:28:40,760
Speaker 4: Y'all, y'all, y'all doing me without me in there, and

529
00:28:40,800 --> 00:28:43,040
Speaker 4: I was like, come on, man, like, just let him

530
00:28:43,040 --> 00:28:46,040
Speaker 4: have it. O man, that's my funk, Like, don't give

531
00:28:46,120 --> 00:28:49,680
Speaker 4: him my funk. And then I was like trade off.

532
00:28:49,880 --> 00:28:54,280
Speaker 4: So it just so happens that two days ago before then,

533
00:28:54,560 --> 00:28:58,880
Speaker 4: we were trying to find a song for Miss Hill to.

534
00:28:58,840 --> 00:29:02,040
Speaker 1: Come and do with it. Like it was. It was

535
00:29:02,080 --> 00:29:06,680
Speaker 1: like any day now she'll come off the road. No,

536
00:29:06,920 --> 00:29:14,400
Speaker 1: they had they had they had a quick pro crow arrangement.

537
00:29:14,880 --> 00:29:16,080
Speaker 1: He was gonna do nothing either.

538
00:29:16,120 --> 00:29:19,720
Speaker 6: I remember the story in the time she was gonna do.

539
00:29:21,200 --> 00:29:24,360
Speaker 1: Well. I mean eventually that there was a Diller song,

540
00:29:24,600 --> 00:29:27,320
Speaker 1: didn't do it, she didn't show up it, and then

541
00:29:27,560 --> 00:29:28,880
Speaker 1: what we know is Ghetto Heaven.

542
00:29:30,320 --> 00:29:31,040
Speaker 6: I remember that.

543
00:29:31,320 --> 00:29:33,600
Speaker 4: We just did that that day and I said, look,

544
00:29:33,920 --> 00:29:36,800
Speaker 4: you don't want the Ghetto Heaven's at the times the

545
00:29:36,800 --> 00:29:40,880
Speaker 4: Gang Star song, and so I had the broker the trade.

546
00:29:40,600 --> 00:29:42,920
Speaker 1: Between Common and D'Angelo to take each other's song.

547
00:29:43,040 --> 00:29:47,440
Speaker 9: So yeah, you talk about Common, man, uh, Electric Circus,

548
00:29:47,680 --> 00:29:50,400
Speaker 9: I want you to talk about new wave because I

549
00:29:50,920 --> 00:29:54,720
Speaker 9: swore that was a stereo lab like I thought they

550
00:29:55,200 --> 00:29:55,360
Speaker 9: you know.

551
00:29:55,360 --> 00:29:55,800
Speaker 2: What I'm saying.

552
00:29:55,800 --> 00:29:57,560
Speaker 9: I got the credits, so I thought it was just

553
00:29:57,600 --> 00:30:00,800
Speaker 9: so dope. How you captured their sound? I mean you

554
00:30:00,880 --> 00:30:03,880
Speaker 9: like it sounded like a stereo lab joint, but you

555
00:30:03,920 --> 00:30:04,760
Speaker 9: captured it perfectly.

556
00:30:04,760 --> 00:30:07,640
Speaker 4: Man, Well that's a mirror. Oh okay, that was no

557
00:30:07,760 --> 00:30:11,120
Speaker 4: I played it, but we had the part that Common

558
00:30:11,200 --> 00:30:13,960
Speaker 4: was rapping over. That was the whole song, and we're like, yeah,

559
00:30:13,960 --> 00:30:17,960
Speaker 4: we're gonna send this the stereo lab and then you

560
00:30:18,040 --> 00:30:20,680
Speaker 4: came in the studio was like, no, man, it needs

561
00:30:20,720 --> 00:30:24,160
Speaker 4: a different hook. Yeah, they got it, like knowing I

562
00:30:24,200 --> 00:30:27,320
Speaker 4: was always listening to dots and loops, and then I

563
00:30:27,320 --> 00:30:30,520
Speaker 4: put Dyla onto it, and so basically I just went

564
00:30:30,600 --> 00:30:32,320
Speaker 4: and brought all their CDs and like, this is the

565
00:30:32,400 --> 00:30:34,800
Speaker 4: kind of happy ship they sing to. So you guys

566
00:30:34,840 --> 00:30:39,240
Speaker 4: gotta find a way to amalgamate that into the song socause.

567
00:30:39,560 --> 00:30:42,680
Speaker 1: Yeah, because Dylan and him did that track together.

568
00:30:43,280 --> 00:30:44,680
Speaker 8: And he walked in, so let me think to change

569
00:30:44,680 --> 00:30:46,800
Speaker 8: your hook and then and then we just created that.

570
00:30:47,160 --> 00:30:52,080
Speaker 8: But if you can go back to Chicken grease. So

571
00:30:52,760 --> 00:30:57,760
Speaker 8: I think we left the studio around five am. I

572
00:30:57,840 --> 00:31:00,520
Speaker 8: left because I was when them two get together, Man,

573
00:31:00,760 --> 00:31:03,080
Speaker 8: they start talking about and they start geeking out about music.

574
00:31:03,120 --> 00:31:06,480
Speaker 5: It's like I love music, but it's like lost Supreme

575
00:31:06,520 --> 00:31:08,800
Speaker 5: episode without I feel like I know this feeling.

576
00:31:09,160 --> 00:31:11,800
Speaker 8: You love music, but I love music, but I don't

577
00:31:11,800 --> 00:31:14,320
Speaker 8: love it like y'all love it.

578
00:31:15,120 --> 00:31:17,600
Speaker 4: So I was like, I'm taking a cab to the hotel.

579
00:31:17,880 --> 00:31:20,680
Speaker 4: So I get in the cab, I have to walk

580
00:31:20,720 --> 00:31:23,560
Speaker 4: out the eighth Street at five in the morning. Finally

581
00:31:23,560 --> 00:31:25,160
Speaker 4: got a cab and I get out in the hotel

582
00:31:26,480 --> 00:31:28,640
Speaker 4: and these range over pulls up with him in the

583
00:31:28,640 --> 00:31:29,720
Speaker 4: mirror and and they're like yo.

584
00:31:30,640 --> 00:31:33,600
Speaker 8: I was like, what cause I'm dead tired. They getting

585
00:31:33,680 --> 00:31:37,520
Speaker 8: back seat and I was held hostage in that back

586
00:31:37,520 --> 00:31:40,520
Speaker 8: seat for like another two hours while they listened to

587
00:31:40,600 --> 00:31:41,320
Speaker 8: that song.

588
00:31:41,240 --> 00:31:48,000
Speaker 1: Over over over which one chicken grease. Yes, yes, this

589
00:31:48,040 --> 00:31:50,200
Speaker 1: is vocals on it, This is no, this is just

590
00:31:50,200 --> 00:31:51,120
Speaker 1: the just the track.

591
00:31:55,000 --> 00:31:55,200
Speaker 8: You know.

592
00:31:55,240 --> 00:31:57,440
Speaker 1: Them two get together and I'm on the.

593
00:31:57,360 --> 00:31:59,960
Speaker 8: Tour bus and voodoo. Them two will be at the front,

594
00:32:00,120 --> 00:32:03,200
Speaker 8: like watching James Brownie. Look he moved his left knuckle

595
00:32:04,720 --> 00:32:08,480
Speaker 8: and the band and the band went to gh and

596
00:32:08,520 --> 00:32:10,680
Speaker 8: I'll be like, I'm going to the I'm going to the.

597
00:32:13,960 --> 00:32:16,200
Speaker 4: Here's the thing though, I don't know if you remember this, man,

598
00:32:16,440 --> 00:32:19,800
Speaker 4: but speaking of new wave, you know that was the

599
00:32:19,920 --> 00:32:25,280
Speaker 4: last thing that Mary sang one. Really she the bike accident,

600
00:32:25,760 --> 00:32:29,000
Speaker 4: she did her vocals, She went to the studio to

601
00:32:29,080 --> 00:32:32,200
Speaker 4: do her vocals on that bike ride home.

602
00:32:32,760 --> 00:32:34,120
Speaker 8: Oh, I didn't know what.

603
00:32:34,760 --> 00:32:35,480
Speaker 6: Is talking about.

604
00:32:35,520 --> 00:32:39,880
Speaker 9: This is Mary Mary Han, Mary Hanson of stere to

605
00:32:40,280 --> 00:32:44,080
Speaker 9: Vote Mary Hanson. Yeah and yeah, Mary, she died in

606
00:32:44,080 --> 00:32:47,000
Speaker 9: the biking accident. I didn't know that was her last record.

607
00:32:47,840 --> 00:32:49,840
Speaker 9: That was one of her last records.

608
00:32:50,040 --> 00:32:53,040
Speaker 4: It wasn't after she did it was it was something

609
00:32:53,080 --> 00:32:57,120
Speaker 4: related either like Dubley had to communicate with like either

610
00:32:57,160 --> 00:32:59,760
Speaker 4: her check or something like that. But all I remember

611
00:32:59,880 --> 00:33:03,520
Speaker 4: was that like Doubly had dealt with her hours before

612
00:33:03,760 --> 00:33:05,880
Speaker 4: and then as soon as we got to the studio.

613
00:33:06,680 --> 00:33:10,440
Speaker 1: It was like she passed away. I have a question,

614
00:33:10,800 --> 00:33:11,560
Speaker 1: shut up stage.

615
00:33:11,720 --> 00:33:13,120
Speaker 5: I know, I feel like we haven't done that much.

616
00:33:13,480 --> 00:33:16,360
Speaker 3: Yeah, it was time for one. We've heard a lot

617
00:33:16,360 --> 00:33:19,600
Speaker 3: of about Amir's relationship with Dyla. What was your like

618
00:33:19,640 --> 00:33:23,400
Speaker 3: when did you meet him? And this was, uh like

619
00:33:23,480 --> 00:33:25,000
Speaker 3: water for chocolate, you know.

620
00:33:25,160 --> 00:33:27,320
Speaker 8: Com was like, yo, man, we gonna go to Detroit

621
00:33:27,480 --> 00:33:30,920
Speaker 8: and uh, I'm working with Dylan and I've never met Dyla,

622
00:33:31,080 --> 00:33:35,360
Speaker 8: never seen him. And of course I love the music,

623
00:33:35,400 --> 00:33:39,200
Speaker 8: but in my mind, I'm like Dyla was six eight

624
00:33:39,960 --> 00:33:41,920
Speaker 8: three hundred pounds.

625
00:33:42,800 --> 00:33:46,200
Speaker 1: I remember. I remember going to the private and they

626
00:33:46,240 --> 00:33:47,960
Speaker 1: opened the door and I'm looking up like.

627
00:33:49,600 --> 00:33:53,080
Speaker 5: Oh that's true.

628
00:33:53,120 --> 00:33:53,720
Speaker 8: What's up man?

629
00:33:55,040 --> 00:33:57,880
Speaker 1: Yep yep, yep, yep, yep, yep, yep, yep.

630
00:33:58,240 --> 00:34:03,040
Speaker 8: So that same that day we wonte Literally the same

631
00:34:03,040 --> 00:34:07,520
Speaker 8: thing happened, just instantly. Questions and I forget what else but.

632
00:34:09,640 --> 00:34:12,759
Speaker 9: Questions, Yeah, cold blood.

633
00:34:12,640 --> 00:34:19,600
Speaker 1: Question uh no doing it yeah not We're doing it funky.

634
00:34:19,320 --> 00:34:25,239
Speaker 8: For you, all right? So I mean I was just

635
00:34:25,280 --> 00:34:30,279
Speaker 8: a fan again, the not only his approach to drums,

636
00:34:30,840 --> 00:34:33,440
Speaker 8: but what I loved about him being a piano player,

637
00:34:33,600 --> 00:34:39,080
Speaker 8: his approach, the way he would put samples together. Changes, Yeah,

638
00:34:39,120 --> 00:34:43,360
Speaker 8: the changes. It was almost like he instead of twelve

639
00:34:43,440 --> 00:34:46,240
Speaker 8: notes and it was like there was like eighteen notes

640
00:34:46,360 --> 00:34:48,439
Speaker 8: in it. Because just the way that things would mesh

641
00:34:48,520 --> 00:34:51,600
Speaker 8: that you wouldn't imagine. And you can try and play

642
00:34:51,640 --> 00:34:58,719
Speaker 8: the stuff, but your fingers can't really do its, you know.

643
00:34:58,840 --> 00:35:01,239
Speaker 8: So I love that about him, and you know that

644
00:35:01,320 --> 00:35:02,120
Speaker 8: was that was my guy.

645
00:35:03,680 --> 00:35:06,879
Speaker 1: When the Anthenyum was a five star hotel, oh.

646
00:35:06,800 --> 00:35:08,680
Speaker 8: I stayed the Infinium Hotel all the time.

647
00:35:08,760 --> 00:35:11,360
Speaker 1: Infinium now is like a one and a half star hotel.

648
00:35:13,680 --> 00:35:17,719
Speaker 7: Can I ask y'all to a question sol aquarians how

649
00:35:18,160 --> 00:35:20,120
Speaker 7: I don't even know where to start, but I kind

650
00:35:20,120 --> 00:35:22,359
Speaker 7: of want to say, in twenty twenty twenty four, how

651
00:35:22,360 --> 00:35:23,759
Speaker 7: do y'all see the sol aquarians?

652
00:35:23,800 --> 00:35:25,759
Speaker 6: And what do you in retrospect?

653
00:35:25,840 --> 00:35:28,200
Speaker 1: Like, Man, it's weird, all right.

654
00:35:28,200 --> 00:35:33,400
Speaker 4: So Roch called me yesterday, Roch Common and he's been

655
00:35:33,400 --> 00:35:37,440
Speaker 4: getting poached by you know, Hollywood connection on that stuff.

656
00:35:37,480 --> 00:35:44,560
Speaker 4: And you know, the idea of it is nice. But

657
00:35:45,360 --> 00:35:50,239
Speaker 4: I'm really at a place now where I want a

658
00:35:50,360 --> 00:35:52,800
Speaker 4: stress free existence.

659
00:35:53,760 --> 00:35:54,360
Speaker 5: In some friends.

660
00:35:54,360 --> 00:35:56,759
Speaker 6: But y'all are older people. Okay, I got you.

661
00:35:57,200 --> 00:36:00,239
Speaker 3: Yeah, But it's just like, you know, maybe just do

662
00:36:00,280 --> 00:36:02,520
Speaker 3: an updated photo shoot and be dumba there we go.

663
00:36:03,800 --> 00:36:06,960
Speaker 1: But even that would take twelve years. That would take

664
00:36:07,000 --> 00:36:07,880
Speaker 1: twelve years.

665
00:36:08,200 --> 00:36:10,440
Speaker 4: I mean, I'm not trying to be like overly dramatical,

666
00:36:10,480 --> 00:36:12,400
Speaker 4: like talk a bunch of shit and then cut to

667
00:36:13,280 --> 00:36:15,200
Speaker 4: all right, guys, let's organize and do it together.

668
00:36:16,480 --> 00:36:20,680
Speaker 1: But it's just like I, for one, similar to you.

669
00:36:21,360 --> 00:36:28,719
Speaker 4: I'll say that I've had four secret hospital trips in

670
00:36:28,800 --> 00:36:32,080
Speaker 4: the last twenty years. Four of them were always sold

671
00:36:32,160 --> 00:36:39,960
Speaker 4: queer and related just the stress the stress of you know,

672
00:36:40,320 --> 00:36:41,680
Speaker 4: and I can't.

673
00:36:41,520 --> 00:36:43,320
Speaker 6: Do that anymore.

674
00:36:44,120 --> 00:36:48,920
Speaker 4: Yeah, but no, no, no, not to this level. So I mean, yeah,

675
00:36:49,040 --> 00:36:50,960
Speaker 4: I love the history of it. And plus it's also

676
00:36:51,080 --> 00:36:55,200
Speaker 4: like I went through so much drama after that photo

677
00:36:55,320 --> 00:36:58,839
Speaker 4: was taken, where really the story was like.

678
00:36:58,920 --> 00:37:00,000
Speaker 6: Look left out.

679
00:37:00,000 --> 00:37:02,520
Speaker 4: I remember that yet not left out, but it was

680
00:37:02,640 --> 00:37:06,319
Speaker 4: just like the territorial pissing part of it. You know,

681
00:37:06,560 --> 00:37:09,640
Speaker 4: that story should have been in a mere story. But

682
00:37:09,760 --> 00:37:11,839
Speaker 4: because I was in a place where I didn't want

683
00:37:11,840 --> 00:37:15,759
Speaker 4: to own or whatever, the whole anti Flower ship, I

684
00:37:15,800 --> 00:37:18,600
Speaker 4: was like, put everybody in it because it's all it's

685
00:37:18,640 --> 00:37:23,200
Speaker 4: like all of ours and yeah, it's just.

686
00:37:23,640 --> 00:37:25,040
Speaker 6: What's the James translation?

687
00:37:25,880 --> 00:37:33,200
Speaker 4: What was your James had a nice coat? I was like, wait,

688
00:37:33,239 --> 00:37:37,439
Speaker 4: why am I the dn't asked Marie Malone's T shirt Erica,

689
00:37:37,560 --> 00:37:39,040
Speaker 4: Like I got you this shirt, but.

690
00:37:39,040 --> 00:37:42,000
Speaker 1: James got a hair coat, Like.

691
00:37:43,440 --> 00:37:46,560
Speaker 8: Hey. That whole experience to me was was funny because

692
00:37:46,640 --> 00:37:49,480
Speaker 8: I always I was looking at like I am I

693
00:37:49,520 --> 00:37:52,239
Speaker 8: am very happy to be here, you know what I mean.

694
00:37:53,160 --> 00:37:58,960
Speaker 8: It's just me, Like it was like just everybody around,

695
00:37:59,600 --> 00:38:04,359
Speaker 8: even the musical side of it. Before this, I was like,

696
00:38:04,960 --> 00:38:08,120
Speaker 8: you gotta understand what what I've said a lot of

697
00:38:08,160 --> 00:38:11,560
Speaker 8: the stuff was created instantly, So to me it was like,

698
00:38:11,640 --> 00:38:14,719
Speaker 8: oh man, I'm just playing and it's people like it.

699
00:38:15,520 --> 00:38:17,239
Speaker 8: So it was. It was everything was a bit of

700
00:38:17,239 --> 00:38:20,000
Speaker 8: a surprise to me at that time, like I'm just here,

701
00:38:20,200 --> 00:38:22,920
Speaker 8: you know, everything was. I was right out and bushytailed

702
00:38:22,920 --> 00:38:23,480
Speaker 8: and everything.

703
00:38:24,200 --> 00:38:29,399
Speaker 4: So mind beautiful when it works, it's beautiful, but it's

704
00:38:29,440 --> 00:38:29,839
Speaker 4: just lead.

705
00:38:31,160 --> 00:38:32,640
Speaker 6: But it's still working a little bit. For James and

706
00:38:32,680 --> 00:38:36,120
Speaker 6: way like you, y'all, love of my life was postal.

707
00:38:36,239 --> 00:38:38,840
Speaker 8: I'm just talking about all that, like the drama and stuff.

708
00:38:38,880 --> 00:38:41,400
Speaker 8: I wasn't really that's what I'm I saw it was

709
00:38:41,440 --> 00:38:43,799
Speaker 8: affecting him, but I was like, I am just here.

710
00:38:43,840 --> 00:38:44,799
Speaker 2: I'm just a piano man.

711
00:38:45,280 --> 00:38:46,879
Speaker 1: You look like, oh, I'm just the money you meant

712
00:38:46,880 --> 00:38:51,000
Speaker 1: in the bus. And to be honest with you, like

713
00:38:51,120 --> 00:38:53,080
Speaker 1: we've never broken up.

714
00:38:53,680 --> 00:38:55,600
Speaker 4: I mean at the moment that the wants to go

715
00:38:55,640 --> 00:38:58,520
Speaker 4: in the studio, chances are he's gonna hit me up

716
00:38:58,640 --> 00:39:02,360
Speaker 4: or something like that. And ship we just started working

717
00:39:02,400 --> 00:39:04,120
Speaker 4: on even though the small steps.

718
00:39:05,320 --> 00:39:08,320
Speaker 1: Actually none of those Pete.

719
00:39:08,360 --> 00:39:09,720
Speaker 8: Uh, I'm sorry.

720
00:39:10,200 --> 00:39:13,040
Speaker 6: Oh, I mean he's edited himsel because he said something shouldn't.

721
00:39:12,680 --> 00:39:13,239
Speaker 1: Go ahead it right?

722
00:39:13,280 --> 00:39:15,239
Speaker 4: No, no, no, no, I was gonna say Oh, by the way,

723
00:39:15,280 --> 00:39:17,120
Speaker 4: none of our interludes made it because.

724
00:39:19,320 --> 00:39:20,439
Speaker 1: It is my record. Yeah.

725
00:39:20,760 --> 00:39:27,640
Speaker 5: So, James, you look like the soul Quarian's pimp. It's

726
00:39:27,680 --> 00:39:29,920
Speaker 5: like it's like they're all dressed for something cool. He's like,

727
00:39:30,360 --> 00:39:31,440
Speaker 5: better pay me, bitch.

728
00:39:33,560 --> 00:39:37,200
Speaker 6: He looks expensive.

729
00:39:38,520 --> 00:39:42,480
Speaker 7: I'm just ask the question as safe and as possible, James,

730
00:39:42,719 --> 00:39:46,439
Speaker 7: what was the biggest lesson you learned, especially coming from

731
00:39:46,440 --> 00:39:52,280
Speaker 7: a finance background and your experience working on the album

732
00:39:52,280 --> 00:39:56,360
Speaker 7: that should not be named Ah because you touched it?

733
00:39:57,280 --> 00:39:59,120
Speaker 2: What is the album that should not be named.

734
00:40:00,360 --> 00:40:02,239
Speaker 1: Oh, got you Miss Lady?

735
00:40:02,760 --> 00:40:07,680
Speaker 7: The mis education of Lauren Hill Jack education.

736
00:40:08,239 --> 00:40:11,479
Speaker 1: I mean, the finance thing is if you're gonna look.

737
00:40:11,360 --> 00:40:13,640
Speaker 6: At it from that, keeping it safe, so but you

738
00:40:13,640 --> 00:40:13,920
Speaker 6: can go.

739
00:40:14,320 --> 00:40:15,920
Speaker 8: I'm just saying, if you're looking from that point of view,

740
00:40:15,920 --> 00:40:17,920
Speaker 8: it's like, be careful what you're invest in.

741
00:40:19,239 --> 00:40:21,000
Speaker 6: Okay, Okay, you know what I mean.

742
00:40:21,360 --> 00:40:24,640
Speaker 8: Some things that you think you're investing in, the returns

743
00:40:25,160 --> 00:40:27,239
Speaker 8: don't come back the way they're supposed to come back.

744
00:40:28,000 --> 00:40:33,120
Speaker 5: If you want to talk, Yeah, that ambiguous and fantastic going.

745
00:40:33,920 --> 00:40:38,960
Speaker 8: I'll say the really so it started with uh one

746
00:40:39,040 --> 00:40:40,799
Speaker 8: day will all make sense for common.

747
00:40:43,080 --> 00:40:46,520
Speaker 1: You know what I asked doing those those Common sessions.

748
00:40:47,040 --> 00:40:50,759
Speaker 4: I was like, dog, do you not realize like back

749
00:40:50,800 --> 00:40:52,759
Speaker 4: then we heard that ship and I was like, oh man,

750
00:40:53,200 --> 00:40:55,680
Speaker 4: it was like a Calvin got a job moment. I said,

751
00:40:55,719 --> 00:40:58,479
Speaker 4: but you do realize that that's one of the most

752
00:40:58,520 --> 00:41:02,919
Speaker 4: tune death Like, yeah, it really doesn't have Every time

753
00:41:02,920 --> 00:41:06,000
Speaker 4: it started playing, we thought we thought it was like.

754
00:41:06,320 --> 00:41:07,520
Speaker 6: Two hundred and fifty dollars work.

755
00:41:10,880 --> 00:41:13,200
Speaker 1: Yeah, but yeah, we laughed and he's like, yeah, I

756
00:41:13,280 --> 00:41:16,360
Speaker 1: realized I was going it started.

757
00:41:16,560 --> 00:41:19,040
Speaker 8: So with that song, you know, Common was in the

758
00:41:19,280 --> 00:41:21,480
Speaker 8: in the session in New York with No ID and

759
00:41:21,480 --> 00:41:22,959
Speaker 8: they were like, yo, when I'm working on a song

760
00:41:23,000 --> 00:41:26,040
Speaker 8: with Lauren Hill, but the vibe ain't right, can you

761
00:41:26,040 --> 00:41:29,719
Speaker 8: come up? So I took the train up sort of

762
00:41:29,719 --> 00:41:32,360
Speaker 8: reworked the song with him, and it came out great,

763
00:41:32,360 --> 00:41:34,879
Speaker 8: and Long was excited. Yeah. So I get a call

764
00:41:34,960 --> 00:41:36,880
Speaker 8: a couple months later and Long was like, can you

765
00:41:36,920 --> 00:41:40,000
Speaker 8: come up to Jersey? So I go up to Jersey

766
00:41:40,000 --> 00:41:42,920
Speaker 8: to our house and I met We'll never forget this conversation.

767
00:41:42,960 --> 00:41:45,279
Speaker 8: Sitting there, she's eating breakfast. Yeah, I want you to

768
00:41:45,320 --> 00:41:47,520
Speaker 8: come in and help me work on this album. Play

769
00:41:47,560 --> 00:41:52,000
Speaker 8: some stuff, write some stuff, produce, some stuff on the album.

770
00:41:51,400 --> 00:41:53,800
Speaker 6: Those three things play right produce so.

771
00:41:53,719 --> 00:41:58,960
Speaker 8: Cool chicks, so you know, and we developed a relationship.

772
00:41:59,160 --> 00:41:59,400
Speaker 1: You know.

773
00:41:59,520 --> 00:42:02,160
Speaker 8: It was like yo, ell el boogie, you know, learn

774
00:42:02,280 --> 00:42:04,840
Speaker 8: what up. I'll go up there. I would Spade stay

775
00:42:05,560 --> 00:42:09,360
Speaker 8: days at the house I was. This was when I

776
00:42:09,400 --> 00:42:11,600
Speaker 8: was staying in Sion's bedroom the baby at the time,

777
00:42:11,719 --> 00:42:15,080
Speaker 8: you know, working in the studio. She she already had

778
00:42:15,320 --> 00:42:17,760
Speaker 8: a crew of guys that she's working with, the Newark guys,

779
00:42:17,840 --> 00:42:21,200
Speaker 8: Vader and them, and also my brother Chay Pope was

780
00:42:21,480 --> 00:42:24,319
Speaker 8: working on some stuff also, So me and Chay, who's

781
00:42:24,360 --> 00:42:29,000
Speaker 8: still like he just text me, you know, we're still together.

782
00:42:29,040 --> 00:42:32,840
Speaker 8: But we were working on things for I was playing

783
00:42:32,880 --> 00:42:35,640
Speaker 8: on some things. It was just a lot of moving

784
00:42:35,880 --> 00:42:38,400
Speaker 8: parts and a lot of stuff happening, even though some

785
00:42:38,440 --> 00:42:40,440
Speaker 8: of the other projects she was working on, like Aretha

786
00:42:40,480 --> 00:42:43,960
Speaker 8: Franklin Rose, you know, I remember her calling me. I

787
00:42:44,000 --> 00:42:45,359
Speaker 8: think it was like because it's you too.

788
00:42:45,760 --> 00:42:46,000
Speaker 1: Yeah.

789
00:42:46,320 --> 00:42:48,440
Speaker 8: I was in my studio in Philly and I think

790
00:42:48,440 --> 00:42:49,880
Speaker 8: it was eight o'clock at night, Can you come to

791
00:42:49,920 --> 00:42:51,560
Speaker 8: New York? So I jumped to my car, drove out there,

792
00:42:51,640 --> 00:42:53,680
Speaker 8: played on the Rose and still the Rose, you know,

793
00:42:54,040 --> 00:42:57,160
Speaker 8: crashed at the crib crib whatnot. So those kind of

794
00:42:57,160 --> 00:43:00,600
Speaker 8: things was happening at all times. So was the end

795
00:43:00,640 --> 00:43:04,120
Speaker 8: of when the albums being wrapped up. That's when things changed.

796
00:43:05,920 --> 00:43:07,919
Speaker 8: That's when I couldn't get along on the phone without

797
00:43:07,920 --> 00:43:10,399
Speaker 8: the manager being on the phone. And it was like, oh, yeah,

798
00:43:10,480 --> 00:43:12,680
Speaker 8: you you did agree to that work for hire thing.

799
00:43:13,680 --> 00:43:16,680
Speaker 8: I was like, what what youre talking about? Willis?

800
00:43:16,680 --> 00:43:16,840
Speaker 2: You know?

801
00:43:18,800 --> 00:43:19,600
Speaker 1: Long story shirt?

802
00:43:19,719 --> 00:43:24,040
Speaker 8: I uh, you know, I did follow a lawsuit, but

803
00:43:24,080 --> 00:43:26,440
Speaker 8: then I dropped the lawsuit because I just I was

804
00:43:26,600 --> 00:43:28,120
Speaker 8: at the time, I wasn't strong enough to deal with

805
00:43:28,160 --> 00:43:30,080
Speaker 8: it because it was a lot of stress. You know,

806
00:43:30,200 --> 00:43:34,600
Speaker 8: it was a lot of and you know, I chalked

807
00:43:34,600 --> 00:43:36,280
Speaker 8: it up to a loss and a learned experience.

808
00:43:36,280 --> 00:43:38,920
Speaker 7: And while the urban legend goes that James Foult, he

809
00:43:38,960 --> 00:43:40,239
Speaker 7: did and he won. He got a lot of money.

810
00:43:40,239 --> 00:43:41,279
Speaker 7: I just need you to know that that was the

811
00:43:41,360 --> 00:43:41,839
Speaker 7: urban legend.

812
00:43:41,880 --> 00:43:44,400
Speaker 1: No, no, he was. He was part of the He

813
00:43:44,480 --> 00:43:44,799
Speaker 1: was the.

814
00:43:44,680 --> 00:43:47,760
Speaker 7: One that start, the first one that started the legitious situation,

815
00:43:47,960 --> 00:43:49,879
Speaker 7: and so nobody did anybody ever.

816
00:43:52,080 --> 00:43:55,000
Speaker 8: Yeah, it took him a while a few years, right, yeah,

817
00:43:55,120 --> 00:43:56,880
Speaker 8: But I was like, I'm just washing my hands of

818
00:43:56,960 --> 00:43:59,279
Speaker 8: it and move on. I've been cool ever since you know,

819
00:43:59,640 --> 00:44:03,800
Speaker 8: I'm good. So, yeah, it happened, you know, learning experience.

820
00:44:06,160 --> 00:44:09,040
Speaker 4: Do you feel in general, because I hear a lot

821
00:44:09,160 --> 00:44:13,400
Speaker 4: that like everyone's writes a passage or trial by fire

822
00:44:13,480 --> 00:44:17,759
Speaker 4: thing is like the getting gang story. Yeah that it

823
00:44:17,840 --> 00:44:21,680
Speaker 4: is absolutely, absolutely it is. Well someone's gonna get jerked.

824
00:44:22,320 --> 00:44:24,680
Speaker 7: Yeah, yeah, So what is the thing that you now

825
00:44:24,719 --> 00:44:26,680
Speaker 7: do different you had started doing different from that moment,

826
00:44:26,719 --> 00:44:28,440
Speaker 7: Like even is it a paperwork thing, is it a

827
00:44:28,480 --> 00:44:30,399
Speaker 7: conversation that you now have before or.

828
00:44:30,520 --> 00:44:33,040
Speaker 5: A lawyer or if it's a lawyer.

829
00:44:33,520 --> 00:44:36,480
Speaker 8: Here's the thing, though, everything that I did in that

830
00:44:36,560 --> 00:44:40,680
Speaker 8: situation is what I've done with other artists and have

831
00:44:40,760 --> 00:44:42,399
Speaker 8: continued to do, and it's all been cool.

832
00:44:43,840 --> 00:44:45,480
Speaker 1: It was just that it was just that kind.

833
00:44:45,360 --> 00:44:48,239
Speaker 4: Of thing, not not that my two senses needed in

834
00:44:48,280 --> 00:44:51,000
Speaker 4: this matter. But I think a lot of the unspoken

835
00:44:51,760 --> 00:44:55,840
Speaker 4: elephant in Room of it All is that perhaps maybe

836
00:44:55,880 --> 00:44:59,160
Speaker 4: she was under the impression of you know, this whole

837
00:44:59,200 --> 00:45:02,280
Speaker 4: like the Stevie the Prince written and produced the arrange

838
00:45:02,280 --> 00:45:03,680
Speaker 4: and da da da da dad like that.

839
00:45:04,440 --> 00:45:05,840
Speaker 1: But I don't know any.

840
00:45:05,680 --> 00:45:10,319
Speaker 4: Situation that doesn't require a village, Like even all the

841
00:45:10,360 --> 00:45:13,920
Speaker 4: Prince's stuff was you know, here revolution members now saying

842
00:45:14,320 --> 00:45:19,160
Speaker 4: I wrote that baseline and that sort of thing, you know.

843
00:45:19,520 --> 00:45:23,480
Speaker 4: I wish that she knew that, because I often wonder

844
00:45:23,520 --> 00:45:28,880
Speaker 4: if she's punishing herself by stalling.

845
00:45:30,440 --> 00:45:31,480
Speaker 1: As a means to.

846
00:45:33,160 --> 00:45:35,799
Speaker 4: If it was humiliating to get caught out there with

847
00:45:35,800 --> 00:45:39,160
Speaker 4: the hand and her cookie jar, Like does she think, like, see,

848
00:45:39,160 --> 00:45:41,640
Speaker 4: we told you she wasn't no real producer, da da da.

849
00:45:42,040 --> 00:45:44,040
Speaker 4: She had people to do it for, but it's like

850
00:45:44,280 --> 00:45:48,160
Speaker 4: dude like productions literally giving your two cents to what

851
00:45:48,239 --> 00:45:52,600
Speaker 4: you think the musicians should do, and the you know,

852
00:45:52,680 --> 00:45:55,319
Speaker 4: that sort of thing. But I don't know, I feel

853
00:45:55,400 --> 00:45:58,640
Speaker 4: like if she has a better relationship that like, I'm

854
00:45:58,640 --> 00:46:00,480
Speaker 4: not judging her because of that.

855
00:46:00,520 --> 00:46:04,440
Speaker 1: It's like surprise, everyone works on everyone's records, and.

856
00:46:04,400 --> 00:46:06,840
Speaker 9: That doesn't take away from my enjoyment of those records

857
00:46:07,000 --> 00:46:08,919
Speaker 9: by knowing, you know what I'm saying.

858
00:46:09,200 --> 00:46:10,160
Speaker 2: If it's dope, it's dope.

859
00:46:10,280 --> 00:46:11,759
Speaker 1: But almost feel as though, like.

860
00:46:13,280 --> 00:46:17,880
Speaker 4: The the insular side of her story starts with you know,

861
00:46:18,000 --> 00:46:20,960
Speaker 4: the revolution, you know, because the way that she initially

862
00:46:21,000 --> 00:46:24,680
Speaker 4: I guess she initially won the case, and then and

863
00:46:24,680 --> 00:46:30,080
Speaker 4: then the last minute, eleventh hour videotape revelation of the.

864
00:46:30,000 --> 00:46:32,440
Speaker 6: Proof that they were doing other people were right.

865
00:46:32,680 --> 00:46:35,279
Speaker 4: That came into play and then it's you know, and

866
00:46:35,320 --> 00:46:38,120
Speaker 4: I almost felt like, wow, she probably feels like we're

867
00:46:38,200 --> 00:46:39,320
Speaker 4: judging it and all that stuff.

868
00:46:39,320 --> 00:46:43,759
Speaker 3: But no, didn't Michael Jackson scrubs someone's name off off

869
00:46:43,760 --> 00:46:44,959
Speaker 3: the credits or something like that.

870
00:46:44,960 --> 00:46:45,040
Speaker 4: Or.

871
00:46:49,280 --> 00:46:52,960
Speaker 9: Great feeling games writing the bridge on everybody.

872
00:46:54,120 --> 00:46:54,919
Speaker 1: It's listen.

873
00:46:55,000 --> 00:46:57,879
Speaker 8: It's like, you know, I didn't write one hundred percent

874
00:46:57,920 --> 00:46:59,719
Speaker 8: of the song. I will be the first submitted. She

875
00:47:00,080 --> 00:47:04,800
Speaker 8: absolutely it is supremely talented. But you know, my little

876
00:47:05,440 --> 00:47:07,680
Speaker 8: played a small part. Just give me that credit. The

877
00:47:07,760 --> 00:47:08,279
Speaker 8: small part.

878
00:47:09,840 --> 00:47:12,080
Speaker 1: I get it.

879
00:47:16,840 --> 00:47:18,760
Speaker 4: Damn this is I feel like this is a special

880
00:47:18,760 --> 00:47:23,440
Speaker 4: episode of good Times when nig Mamas just passed and whatnot.

881
00:47:23,600 --> 00:47:25,440
Speaker 6: Just happy. James felt comfortable having that conversation.

882
00:47:25,480 --> 00:47:27,440
Speaker 4: So this is what I always want to know, because

883
00:47:27,680 --> 00:47:31,240
Speaker 4: you know, you could tell the fiber of America based

884
00:47:31,280 --> 00:47:36,840
Speaker 4: on interactions and airports and yeah, to this day, that's.

885
00:47:36,719 --> 00:47:39,880
Speaker 5: Not what I thought you were gonna say.

886
00:47:39,320 --> 00:47:42,120
Speaker 1: I don't know, but not that I agreed, like I

887
00:47:42,200 --> 00:47:46,080
Speaker 1: know what you're talking about. No, I'm just saying.

888
00:47:46,120 --> 00:47:49,439
Speaker 4: Man Yay once famously said that you know, he'll sit

889
00:47:49,480 --> 00:47:53,400
Speaker 4: in airports like when he designs an easy sneaker. He

890
00:47:53,920 --> 00:47:57,560
Speaker 4: hints the not like the whatever the medicine shoes or

891
00:47:57,600 --> 00:48:01,080
Speaker 4: the geriatric shoes or whatever they call it. But you know,

892
00:48:01,800 --> 00:48:04,279
Speaker 4: everyone always comes up to me and says, hey, I

893
00:48:04,320 --> 00:48:07,560
Speaker 4: love your CNN special on racism and all that stuff.

894
00:48:11,040 --> 00:48:14,120
Speaker 1: But I know post thank you notes.

895
00:48:15,160 --> 00:48:17,399
Speaker 4: I know that post thank you notes, your life might

896
00:48:17,480 --> 00:48:20,200
Speaker 4: have to be somewhat hellish of people.

897
00:48:20,760 --> 00:48:28,600
Speaker 2: Nelson George, shut up. I never seen Nelson George and

898
00:48:28,640 --> 00:48:29,440
Speaker 2: James poising.

899
00:48:29,200 --> 00:48:29,719
Speaker 1: The same room.

900
00:48:31,800 --> 00:48:32,719
Speaker 6: That is hilarious.

901
00:48:40,239 --> 00:48:42,040
Speaker 1: That's going to live rent for you my head. No,

902
00:48:44,120 --> 00:48:44,880
Speaker 1: that is crazy.

903
00:48:44,920 --> 00:48:47,560
Speaker 8: That's funny.

904
00:48:48,080 --> 00:48:54,040
Speaker 5: I never thought about it between pimp Aquarius and.

905
00:48:55,560 --> 00:48:55,680
Speaker 6: No.

906
00:48:55,760 --> 00:48:57,520
Speaker 4: But I'm just saying that. You know, and I know

907
00:48:57,600 --> 00:49:00,719
Speaker 4: this is very weird to say, but you being.

908
00:49:00,880 --> 00:49:05,480
Speaker 1: That is you? Yes, you forgot what he looked like.

909
00:49:07,120 --> 00:49:08,600
Speaker 1: I'm pretty sure that's you.

910
00:49:08,680 --> 00:49:11,520
Speaker 5: Okay, sorry you, but you.

911
00:49:11,080 --> 00:49:15,640
Speaker 4: Being uh highly utilized and recognizable Jiff.

912
00:49:16,800 --> 00:49:20,640
Speaker 1: It's actually not none of the scot fat either.

913
00:49:20,560 --> 00:49:22,279
Speaker 2: Because that's new celebrity now.

914
00:49:22,320 --> 00:49:25,560
Speaker 1: That's yeah. I'm not a Jiff, you know what I mean.

915
00:49:25,800 --> 00:49:26,120
Speaker 5: You are.

916
00:49:26,800 --> 00:49:28,400
Speaker 1: I'm a gift, but I'm not a go.

917
00:49:28,560 --> 00:49:29,719
Speaker 6: To like James.

918
00:49:29,800 --> 00:49:39,160
Speaker 4: Yeah, if it's shade or citizens this space comes up first.

919
00:49:40,200 --> 00:49:41,719
Speaker 4: Is that a weird feeling for you?

920
00:49:41,840 --> 00:49:44,600
Speaker 2: It is to be because you.

921
00:49:46,840 --> 00:49:47,759
Speaker 1: I get recognized.

922
00:49:47,800 --> 00:49:50,800
Speaker 8: It's crazy that I get recognized. And it's the funny

923
00:49:50,840 --> 00:49:53,840
Speaker 8: thing is always older grandmother.

924
00:49:53,960 --> 00:49:56,759
Speaker 5: Yeah, they love Nelson, Joe.

925
00:49:56,840 --> 00:49:59,759
Speaker 1: They watched the Tonight Show. They watched the Tonight Show.

926
00:50:00,920 --> 00:50:02,160
Speaker 8: And I can hear I'm walking up here and I

927
00:50:02,200 --> 00:50:05,080
Speaker 8: hear James shut. So when I hear that, I'm instantly

928
00:50:05,200 --> 00:50:16,920
Speaker 8: I noticed it, Like, Hey, I don't like, I don't know, that's.

929
00:50:13,000 --> 00:50:15,520
Speaker 9: Like the new sampling. Like it really like means that's

930
00:50:15,560 --> 00:50:18,480
Speaker 9: like the new sampling. Like it totally just exposes you

931
00:50:18,840 --> 00:50:21,160
Speaker 9: to a new audience that never would have got to

932
00:50:21,200 --> 00:50:21,880
Speaker 9: you otherwise.

933
00:50:22,080 --> 00:50:25,759
Speaker 7: So yeah, on a follon note a mirror, I just

934
00:50:25,800 --> 00:50:28,600
Speaker 7: like to ask you, like, why did you feel like

935
00:50:28,640 --> 00:50:29,040
Speaker 7: you had to.

936
00:50:29,040 --> 00:50:30,680
Speaker 6: Have James on this this ride?

937
00:50:31,480 --> 00:50:37,920
Speaker 4: Mostly we wanted to double down on every instrument because

938
00:50:38,000 --> 00:50:41,920
Speaker 4: one person as a keyboard player, then if James is sick,

939
00:50:42,520 --> 00:50:46,200
Speaker 4: you know, our parents are up there in age anything,

940
00:50:46,400 --> 00:50:49,120
Speaker 4: you know what I mean, we need to double down.

941
00:50:49,160 --> 00:50:54,000
Speaker 4: So there's always like two keyboard players, two drummers.

942
00:50:53,560 --> 00:50:54,280
Speaker 6: Two drummers.

943
00:50:54,600 --> 00:50:57,399
Speaker 1: Wait, Elliott, Okay, I'm in a band called The Root.

944
00:50:58,400 --> 00:51:01,239
Speaker 7: But okay, don't do that because this people don't think

945
00:51:01,280 --> 00:51:01,919
Speaker 7: drummer Strow.

946
00:51:01,960 --> 00:51:04,120
Speaker 6: Okay, because they see Strow, I don't do that. They

947
00:51:04,160 --> 00:51:05,040
Speaker 6: see him on a little thing.

948
00:51:05,360 --> 00:51:08,120
Speaker 3: I think a lot of what happens on the Tonight

949
00:51:08,200 --> 00:51:11,919
Speaker 3: show is kind of like live scoring of like what's

950
00:51:12,160 --> 00:51:15,399
Speaker 3: whatever's happening on the stage. And so James is good

951
00:51:15,480 --> 00:51:15,799
Speaker 3: at that.

952
00:51:16,239 --> 00:51:18,000
Speaker 6: I thought that's what he was going. What's that where

953
00:51:18,040 --> 00:51:19,680
Speaker 6: I thought he was going to go with more with I.

954
00:51:19,640 --> 00:51:21,840
Speaker 3: Mean, there's other reasons, but that's one of the reasons

955
00:51:21,920 --> 00:51:22,920
Speaker 3: I see.

956
00:51:23,360 --> 00:51:25,279
Speaker 1: I'm sorry.

957
00:51:25,320 --> 00:51:28,440
Speaker 4: Well, besides, he could play his ass off obvious things.

958
00:51:28,480 --> 00:51:33,520
Speaker 1: I thought we knew that already. You're reading, right my

959
00:51:33,680 --> 00:51:39,600
Speaker 1: reading think necessary? No, Well, so I can.

960
00:51:40,000 --> 00:51:42,719
Speaker 5: I can write piano music, but I can't play it

961
00:51:42,760 --> 00:51:45,040
Speaker 5: for the ship like two staffs at the same time. Nope,

962
00:51:45,360 --> 00:51:45,840
Speaker 5: not happening.

963
00:51:45,920 --> 00:51:47,920
Speaker 8: The guys that can read, is it worth it?

964
00:51:47,920 --> 00:51:50,160
Speaker 5: It depends on your profession in my opinion.

965
00:51:49,960 --> 00:51:52,319
Speaker 4: I don't know, man, I feel like, I mean, once

966
00:51:52,520 --> 00:51:56,520
Speaker 4: I found the Philadelphia school curriculum is dropping cursive writing

967
00:51:56,560 --> 00:51:58,440
Speaker 4: and penmanship, Well that's different.

968
00:51:59,000 --> 00:52:01,040
Speaker 6: They can't get rid of it. Come on, imagine Kaplain

969
00:52:01,040 --> 00:52:01,520
Speaker 6: and I haven't it.

970
00:52:02,120 --> 00:52:04,560
Speaker 1: They don't have it. They're not reading music.

971
00:52:04,880 --> 00:52:09,400
Speaker 7: No, no, oh yeah, no, I know the chur curses

972
00:52:09,440 --> 00:52:10,160
Speaker 7: a rape.

973
00:52:10,480 --> 00:52:11,719
Speaker 1: Is there anything we didn't cover?

974
00:52:13,280 --> 00:52:14,000
Speaker 6: It was just too much.

975
00:52:14,520 --> 00:52:17,719
Speaker 4: You're doing it now, like talk about talk about the

976
00:52:18,360 --> 00:52:21,320
Speaker 4: TV shows. Yeah, like your your life as a score

977
00:52:21,960 --> 00:52:23,640
Speaker 4: and thank you for totally awesome by the way, I

978
00:52:23,640 --> 00:52:24,120
Speaker 4: think you could.

979
00:52:24,840 --> 00:52:26,480
Speaker 1: That movie was hilarious.

980
00:52:27,440 --> 00:52:28,600
Speaker 2: That movie that was like a.

981
00:52:28,520 --> 00:52:33,440
Speaker 9: Spoof movie with Chris Chris I think it was Chris

982
00:52:34,280 --> 00:52:35,200
Speaker 9: the Brand directed.

983
00:52:35,280 --> 00:52:36,560
Speaker 8: Yeah, Neil, Neil.

984
00:52:38,239 --> 00:52:38,480
Speaker 2: This is.

985
00:52:40,400 --> 00:52:43,400
Speaker 5: James's current job is the Jason Siegel character on whatever

986
00:52:43,440 --> 00:52:46,279
Speaker 5: that show is. He just plays low tones and like actually.

987
00:52:47,200 --> 00:52:48,240
Speaker 1: He said in front of TV.

988
00:52:51,600 --> 00:52:54,160
Speaker 4: Say it was frustrating for me because they never know

989
00:52:54,200 --> 00:52:55,360
Speaker 4: what they want.

990
00:52:55,600 --> 00:52:56,680
Speaker 1: They know what they don't want.

991
00:52:57,080 --> 00:52:59,600
Speaker 8: That's it. That's the thing. You got to learn to

992
00:52:59,760 --> 00:53:03,359
Speaker 8: break the notes writing whatever they tell you. You know, I've

993
00:53:03,360 --> 00:53:03,920
Speaker 8: had to learn that.

994
00:53:04,040 --> 00:53:06,080
Speaker 1: Take a huge broke you.

995
00:53:06,440 --> 00:53:08,520
Speaker 9: I learned that you were a big part of teaching

996
00:53:08,560 --> 00:53:11,080
Speaker 9: me that when we did that Fame record, because you know,

997
00:53:11,080 --> 00:53:12,520
Speaker 9: you talk about me telling you the truth, like I

998
00:53:12,520 --> 00:53:15,560
Speaker 9: would send the joint and you came back. It was like, okay, man, Yeah,

999
00:53:15,560 --> 00:53:16,919
Speaker 9: this is dope. But I think, you know this part

1000
00:53:16,920 --> 00:53:19,120
Speaker 9: you should change and do a little bit whatever. And

1001
00:53:19,280 --> 00:53:21,839
Speaker 9: that was the thing that taught me of like listen, man,

1002
00:53:21,960 --> 00:53:23,640
Speaker 9: like this is not yours.

1003
00:53:23,960 --> 00:53:26,920
Speaker 2: You're working in service of something bigger. So if they

1004
00:53:26,920 --> 00:53:29,640
Speaker 2: want more cowvill, just give them more for exactly. That's

1005
00:53:29,680 --> 00:53:30,080
Speaker 2: the end of it.

1006
00:53:30,120 --> 00:53:31,839
Speaker 8: I had to you know, I didn't realize I had

1007
00:53:31,840 --> 00:53:35,520
Speaker 8: an ego, but that part the first time you hear

1008
00:53:35,760 --> 00:53:40,359
Speaker 8: when somebody says that's cool, but no, wow, when.

1009
00:53:40,280 --> 00:53:43,040
Speaker 4: You get the equalizer, how is it fed to you

1010
00:53:43,040 --> 00:53:46,839
Speaker 4: when you're giving scenes like we need something here?

1011
00:53:47,400 --> 00:53:49,879
Speaker 8: Yeah. So I'm co scoring that with a guy named

1012
00:53:49,960 --> 00:53:53,000
Speaker 8: Robert Duncan, who's done who did it from the beginning

1013
00:53:53,520 --> 00:53:55,840
Speaker 8: for the first free seasons. I came on on the

1014
00:53:55,840 --> 00:53:59,000
Speaker 8: third season. I'm in season four now. So he was

1015
00:53:59,040 --> 00:54:02,719
Speaker 8: a true vet at the stuff. So I'm he's been

1016
00:54:02,719 --> 00:54:03,319
Speaker 8: teaching me a lot.

1017
00:54:04,960 --> 00:54:08,840
Speaker 4: Uh. Dana and Sha called me when I was like,

1018
00:54:08,880 --> 00:54:10,520
Speaker 4: I really want to do the scoring thing. I reached

1019
00:54:10,520 --> 00:54:12,360
Speaker 4: out to a lot of people like, hey.

1020
00:54:13,160 --> 00:54:14,960
Speaker 8: If you need music for anything, I'm trying to do it.

1021
00:54:15,000 --> 00:54:16,279
Speaker 8: And hit me back.

1022
00:54:16,360 --> 00:54:17,960
Speaker 1: You know, it's a whole the brain side.

1023
00:54:18,080 --> 00:54:22,200
Speaker 8: It's not It's not like a whole d M. I

1024
00:54:22,320 --> 00:54:26,320
Speaker 8: was like, yo, if so, she hired me for Cherished

1025
00:54:26,360 --> 00:54:30,400
Speaker 8: Today and I did. I did the first three episodes.

1026
00:54:30,400 --> 00:54:31,200
Speaker 1: We got fired.

1027
00:54:33,080 --> 00:54:35,719
Speaker 8: You got listen when I got fired, my agent said,

1028
00:54:36,080 --> 00:54:38,080
Speaker 8: you're officially in a composer.

1029
00:54:39,640 --> 00:54:43,120
Speaker 1: Wow, oh what's that like? It sucks?

1030
00:54:43,280 --> 00:54:45,120
Speaker 8: It sucks, but it is, it is what it is.

1031
00:54:45,160 --> 00:54:47,279
Speaker 6: You learn from You are so blessed. That's beautiful. That

1032
00:54:47,320 --> 00:54:48,040
Speaker 6: was a beautiful question.

1033
00:54:48,200 --> 00:54:51,720
Speaker 5: I got fired before I got fired by Terry Gilliam,

1034
00:54:51,880 --> 00:54:52,040
Speaker 5: you know.

1035
00:54:52,200 --> 00:54:52,520
Speaker 1: Wow.

1036
00:54:52,760 --> 00:54:55,359
Speaker 5: Yeah, I did some like weird it was like some

1037
00:54:55,440 --> 00:54:59,200
Speaker 5: NASCAR thing and it just wasn't happening. I got the uh,

1038
00:54:59,360 --> 00:55:03,520
Speaker 5: it's going on away different, like a whole different direction.

1039
00:55:05,160 --> 00:55:05,719
Speaker 1: I know it was.

1040
00:55:05,920 --> 00:55:06,560
Speaker 2: It was for me.

1041
00:55:06,719 --> 00:55:07,360
Speaker 5: I just didn't have it.

1042
00:55:08,080 --> 00:55:15,040
Speaker 3: I got fired from Schizzler for stealing Fried Trimp.

1043
00:55:18,440 --> 00:55:21,000
Speaker 2: So the scoring you do that pretty much from the crib.

1044
00:55:21,200 --> 00:55:25,360
Speaker 8: Yeah, from from the house. Yeah, you're working on Equalizer.

1045
00:55:25,520 --> 00:55:28,640
Speaker 8: Started a new show which I can't really talk about

1046
00:55:28,920 --> 00:55:34,960
Speaker 8: right now, comedy. It's actually a crime drammer, a bunch

1047
00:55:35,040 --> 00:55:39,640
Speaker 8: of actually it's not that's more Equalized. This is more

1048
00:55:39,719 --> 00:55:43,840
Speaker 8: string quartet, right yeah.

1049
00:55:43,960 --> 00:55:44,640
Speaker 2: And a lot of stuff.

1050
00:55:45,560 --> 00:55:47,719
Speaker 6: When can we talk about it?

1051
00:55:48,480 --> 00:55:50,040
Speaker 8: When it comes out because you don't know when you're

1052
00:55:50,040 --> 00:55:50,720
Speaker 8: gonna get fired.

1053
00:55:52,960 --> 00:55:57,000
Speaker 5: Preach you like writing for strings that it's it's something new,

1054
00:55:57,440 --> 00:55:57,680
Speaker 5: you know.

1055
00:55:57,800 --> 00:56:01,400
Speaker 8: Again, I'm pretty much educated and a lot of that stuff,

1056
00:56:01,640 --> 00:56:04,879
Speaker 8: but I had to YouTube. University is a beautiful place.

1057
00:56:07,280 --> 00:56:10,799
Speaker 1: What's the crunch education version of scoring? Like what did

1058
00:56:10,840 --> 00:56:11,160
Speaker 1: you have.

1059
00:56:11,160 --> 00:56:14,919
Speaker 8: To learn the it's not and it wasn't anything musical Again,

1060
00:56:14,960 --> 00:56:18,720
Speaker 8: It's what we talked about, losing the ego and learning

1061
00:56:18,840 --> 00:56:23,600
Speaker 8: really really truly learning that you got to do what

1062
00:56:23,719 --> 00:56:26,799
Speaker 8: they want period right period, So you can be as

1063
00:56:26,840 --> 00:56:28,719
Speaker 8: musical as you want to be. If that ain't it,

1064
00:56:28,920 --> 00:56:29,720
Speaker 8: that ain't the picture.

1065
00:56:30,719 --> 00:56:31,440
Speaker 1: Stick to the picture.

1066
00:56:31,440 --> 00:56:32,919
Speaker 8: You have to stick to what they what they want.

1067
00:56:33,719 --> 00:56:36,200
Speaker 4: Well, I always you know, the first thing they always

1068
00:56:36,239 --> 00:56:38,400
Speaker 4: lose when I got called was no drums.

1069
00:56:38,760 --> 00:56:40,879
Speaker 5: So you're like.

1070
00:56:41,120 --> 00:56:42,800
Speaker 1: Because it gets in the way of the dialogue, and

1071
00:56:42,880 --> 00:56:45,000
Speaker 1: I'm like, well, I'm not this is not for me.

1072
00:56:45,040 --> 00:56:47,759
Speaker 8: It's funny though that I've read and seen that there's

1073
00:56:47,800 --> 00:56:50,840
Speaker 8: a lot of like really heavyweight producers that try to

1074
00:56:50,880 --> 00:56:52,880
Speaker 8: do this and they can.

1075
00:56:53,400 --> 00:56:56,040
Speaker 9: They don't like being told no, yeah, and to like

1076
00:56:56,200 --> 00:56:58,560
Speaker 9: doing working on TV that's a different timeline, Like you

1077
00:56:58,600 --> 00:57:01,160
Speaker 9: don't have time to sit and talk for two hours

1078
00:57:01,160 --> 00:57:04,360
Speaker 9: about It's like we need this ship now, Yeah.

1079
00:57:04,239 --> 00:57:06,320
Speaker 4: That's what it is, all right, So we got to

1080
00:57:06,360 --> 00:57:10,040
Speaker 4: get you past Ludwig. Like for me, Ludwig is the

1081
00:57:11,000 --> 00:57:12,680
Speaker 4: try that has to Yeah.

1082
00:57:12,760 --> 00:57:15,040
Speaker 1: I mean he started a community and then he did

1083
00:57:15,080 --> 00:57:16,320
Speaker 1: all He's Cold lover stuff.

1084
00:57:16,480 --> 00:57:20,800
Speaker 4: He's amazing, and then he did Black Panther and behind

1085
00:57:20,360 --> 00:57:24,000
Speaker 4: it just one Gordons and the composer.

1086
00:57:24,840 --> 00:57:28,160
Speaker 6: I got context clues I figured out about.

1087
00:57:29,440 --> 00:57:31,800
Speaker 1: Yeah, but you know him.

1088
00:57:31,920 --> 00:57:33,840
Speaker 8: Chris Bowles is another one that's.

1089
00:57:33,640 --> 00:57:37,360
Speaker 4: Just like, ah, yeah, Chris, So those are the mountains

1090
00:57:37,400 --> 00:57:39,440
Speaker 4: you have to climb to get to the prime stuff.

1091
00:57:39,760 --> 00:57:42,000
Speaker 1: Yeah, what is it that you want to score?

1092
00:57:42,640 --> 00:57:48,040
Speaker 8: I would love to do some big budget Hollywood John

1093
00:57:48,080 --> 00:57:48,840
Speaker 8: Williams ship.

1094
00:57:49,280 --> 00:57:51,720
Speaker 6: Action, action, don't matter.

1095
00:57:51,880 --> 00:57:54,520
Speaker 8: Yeah, you know I love all kinds of film, you

1096
00:57:54,560 --> 00:57:55,000
Speaker 8: know I love.

1097
00:57:55,240 --> 00:57:59,600
Speaker 3: Maybe you want to circle back to common or maybe

1098
00:58:00,480 --> 00:58:03,680
Speaker 3: maybe a question the guy who you made fun of

1099
00:58:03,680 --> 00:58:07,400
Speaker 3: not getting the gig, maybe you should call him.

1100
00:58:06,960 --> 00:58:11,280
Speaker 1: Movies these days?

1101
00:58:11,320 --> 00:58:16,880
Speaker 4: Like for you is besides the never released Randy Watson record?

1102
00:58:17,520 --> 00:58:21,280
Speaker 1: Is there? You've done everything? Now?

1103
00:58:21,400 --> 00:58:25,120
Speaker 4: Like, what is your preferred method of creativity? Do you

1104
00:58:25,200 --> 00:58:29,840
Speaker 4: prefer live ship? Do you prefer creating a record from

1105
00:58:29,920 --> 00:58:30,680
Speaker 4: Souper Nuts.

1106
00:58:31,800 --> 00:58:33,520
Speaker 8: It's a combination of all of it.

1107
00:58:33,640 --> 00:58:36,600
Speaker 1: You know what I mean doing it? You wish you

1108
00:58:36,600 --> 00:58:38,240
Speaker 1: were doing what's over there.

1109
00:58:38,560 --> 00:58:41,400
Speaker 8: For me, if I do too much of one thing,

1110
00:58:41,440 --> 00:58:43,240
Speaker 8: I get kind of cranking. It's like I gotta go.

1111
00:58:43,600 --> 00:58:45,920
Speaker 8: I need to go to a jam session or go play.

1112
00:58:46,640 --> 00:58:48,760
Speaker 8: You know, it's crazy. We only play. We play less

1113
00:58:48,760 --> 00:58:52,160
Speaker 8: than ten minutes of music on the show. Really, so

1114
00:58:52,640 --> 00:58:54,200
Speaker 8: you want to play.

1115
00:58:53,920 --> 00:58:54,160
Speaker 1: You know.

1116
00:58:54,280 --> 00:58:56,680
Speaker 8: That's why we started doing those jazz gigs around town

1117
00:58:56,760 --> 00:58:57,520
Speaker 8: just so we could.

1118
00:58:58,840 --> 00:59:01,400
Speaker 7: Did you could just pop up at all.

1119
00:59:01,520 --> 00:59:04,200
Speaker 4: He was at Djengo at the Django, which was like

1120
00:59:04,240 --> 00:59:07,600
Speaker 4: a really hip New York jazz jazz in the ground spot.

1121
00:59:07,640 --> 00:59:10,920
Speaker 1: But now Chief has Uncle Chiefs have you guys.

1122
00:59:10,640 --> 00:59:12,560
Speaker 8: Don't get played. I played that before. It's great.

1123
00:59:12,840 --> 00:59:17,920
Speaker 4: Yeah, so yeah, Dave Guy and Ian Hendrickson and James.

1124
00:59:19,040 --> 00:59:20,600
Speaker 1: James is really uh.

1125
00:59:20,880 --> 00:59:26,440
Speaker 4: He downplays his actual piano ability. Let me find out

1126
00:59:26,440 --> 00:59:29,600
Speaker 4: that James doesn't think that he's a good piano player.

1127
00:59:29,600 --> 00:59:32,640
Speaker 6: I'm still learning, as you should. There's nothing wrong with that,

1128
00:59:33,000 --> 00:59:34,080
Speaker 6: but not.

1129
00:59:33,960 --> 00:59:37,840
Speaker 4: Even like he's a very capable piano player, because we

1130
00:59:37,880 --> 00:59:40,280
Speaker 4: wouldn't utilized them all these decades.

1131
00:59:41,040 --> 00:59:46,960
Speaker 8: Shut up but the best thing is the balance of

1132
00:59:47,240 --> 00:59:50,400
Speaker 8: sitting in front of a computer screen doing whatever, playing

1133
00:59:50,440 --> 00:59:53,920
Speaker 8: with the band, playing live, you know, just the combination

1134
00:59:54,000 --> 00:59:56,160
Speaker 8: of all of those things, doing session work. You know,

1135
00:59:56,640 --> 00:59:58,520
Speaker 8: that's just I love it all. I love it.

1136
00:59:58,560 --> 01:00:00,000
Speaker 6: What's the next record that you are working?

1137
01:00:00,560 --> 01:00:00,600
Speaker 7: Like?

1138
01:00:00,720 --> 01:00:04,400
Speaker 6: Artists wise, I'm working with Tank, Tanking, the Bankers.

1139
01:00:05,640 --> 01:00:07,520
Speaker 8: Poetry album, Tanking, the Bangers.

1140
01:00:08,240 --> 01:00:11,800
Speaker 6: But first of all, either way, I'm good, okay, but Tank, I.

1141
01:00:11,440 --> 01:00:14,440
Speaker 1: Feel like you're given I feel like you were given

1142
01:00:14,640 --> 01:00:15,560
Speaker 1: other tank energy.

1143
01:00:15,680 --> 01:00:18,240
Speaker 6: I was given other Tankery because I was just jameson.

1144
01:00:23,640 --> 01:00:28,520
Speaker 8: If she's listening, what up be that's my that's my

1145
01:00:28,560 --> 01:00:30,800
Speaker 8: New Orleans as she hates.

1146
01:00:31,600 --> 01:00:32,439
Speaker 6: She's been on this show.

1147
01:00:32,520 --> 01:00:34,880
Speaker 5: Sounds Jamaican does That's what she said.

1148
01:00:36,040 --> 01:00:38,520
Speaker 4: Okay, So before we wrap up, Stevens, there anything else

1149
01:00:38,520 --> 01:00:39,040
Speaker 4: you want to add?

1150
01:00:39,160 --> 01:00:41,760
Speaker 3: James Poison is a legend, totally.

1151
01:00:41,880 --> 01:00:42,680
Speaker 1: No real bro.

1152
01:00:42,960 --> 01:00:44,480
Speaker 8: Thank you, thank you man.

1153
01:00:44,920 --> 01:00:49,240
Speaker 4: You know I will say that you know, of all

1154
01:00:49,280 --> 01:00:59,920
Speaker 4: the keyboard players in the world from West Philly, Kate Bourne,

1155
01:01:03,880 --> 01:01:05,360
Speaker 4: extremely specific.

1156
01:01:06,800 --> 01:01:10,160
Speaker 5: Like Nelson George, Yes exactly, I wouldn't.

1157
01:01:09,760 --> 01:01:12,040
Speaker 6: You in a room. No, that's that's a bit though,

1158
01:01:12,080 --> 01:01:13,360
Speaker 6: that Nelson George saying.

1159
01:01:15,200 --> 01:01:17,320
Speaker 4: I gotta find that on my damn so now, thank

1160
01:01:17,360 --> 01:01:22,120
Speaker 4: you for doing this and you know taking flowers and serious.

1161
01:01:22,120 --> 01:01:24,840
Speaker 1: Thank you man, thank you for always being a big

1162
01:01:24,880 --> 01:01:25,320
Speaker 1: brother man.

1163
01:01:25,720 --> 01:01:26,240
Speaker 8: Appreciate it.

1164
01:01:28,640 --> 01:01:30,520
Speaker 7: In the film the TV world like that's dope, like

1165
01:01:30,560 --> 01:01:33,280
Speaker 7: that theis of that is like, oh no, that was.

1166
01:01:33,240 --> 01:01:37,600
Speaker 1: My first you guys except for.

1167
01:01:41,000 --> 01:01:46,280
Speaker 4: James and Phil and like in Fanto and Sugar uh

1168
01:01:46,320 --> 01:01:48,200
Speaker 4: this of course Love Supreme will see you all next week.

1169
01:01:49,760 --> 01:01:50,640
Speaker 1: This is Sugar Steve.

1170
01:01:50,840 --> 01:01:54,040
Speaker 3: Thank you for listening to Quest Love Supreme. This podcast

1171
01:01:54,080 --> 01:01:56,760
Speaker 3: is hosted by a mere Quest Love Thompson, Saint Clair,

1172
01:01:56,920 --> 01:02:01,360
Speaker 3: Ponte Colman, Sugar Steve Mandel, and unpaid Bill Fairman. The

1173
01:02:01,440 --> 01:02:04,120
Speaker 3: executive producers are a mere Quest of Thompson, Sean Ge

1174
01:02:04,320 --> 01:02:08,520
Speaker 3: and Brian Calvin, produced by Britney Benjamin, Jake Payne and

1175
01:02:08,640 --> 01:02:14,160
Speaker 3: Liiah Saint Clair, edited by Alex Conroy. Produced for iHeart

1176
01:02:14,160 --> 01:02:15,000
Speaker 3: by Noel Brown and.

1177
01:02:23,840 --> 01:02:26,680
Speaker 1: What'stlum. Supreme is a production of iHeartRadio.

1178
01:02:31,440 --> 01:02:35,920
Speaker 4: For more podcasts from iHeartRadio, visit the iHeartRadio app, Apple Podcasts,

1179
01:02:36,320 --> 01:02:38,000
Speaker 4: or wherever you listen to your favorite shows.