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Speaker 1: Ready, He tells me, I'm ready for another Monday money

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Speaker 1: making conversations. I got the thumbs up for my man Terence.

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Speaker 1: He said, you're ready to Sean. Last week, I was

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Speaker 1: hit with the phone call from a man dealer. A

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Speaker 1: man deala said is this for real? At first, all

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Speaker 1: I heard was negative spirit. When he said is this

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Speaker 1: for real? I just slow it down for a minute

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Speaker 1: because I thought he was gonna blow me up because

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Speaker 1: I don't record my phone calls. All my phone calls

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Speaker 1: are live. So I paused and I asked him what

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Speaker 1: did he mean? He said, is this for real? I

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Speaker 1: like this show. I just can't believe that you're doing

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Speaker 1: this for us. Then he proclaimed me to be the

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Speaker 1: Black Moses. Lead us, Rashan McDonald, lead us with money

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Speaker 1: making conversations, take us to the next level of opportunity,

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Speaker 1: because that's what money making conversations is all about. And

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Speaker 1: what it did for me was he locked it down

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Speaker 1: for me. Accept your responsibilities. That's what all he was

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Speaker 1: telling me, Rashan McDonald, Accept your responsibilities because we're willing

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Speaker 1: to listen, we're willing to learn. You're giving us an

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Speaker 1: opportunity to do something special in life. Do it my friend,

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Speaker 1: do it right now. And that's all I'm trying to do.

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Speaker 1: That's all I'm trying to do every Monday for this

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Speaker 1: two all block that I do on Facebook. If you're

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Speaker 1: watching Facebook, it's at Rashwan McDonald dot com. If you're

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Speaker 1: not watching it, if you're listening to it on the radio,

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Speaker 1: please no. I'm okay, y and d you can go

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Speaker 1: to our Heart. I'm on podcast. You can hear my

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Speaker 1: shows completely on our Heart radio platform. Going to business

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Speaker 1: find you can hear me Rashaan McDonald. I'm doing things.

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Speaker 1: I'm spread I'm going global. You know why because Dylon

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Speaker 1: has told me I'm the Black Moses. If you're gonna

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Speaker 1: be the Black Moses, spread the word, if you're gonna

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Speaker 1: be the Black Moses. Let everybody know what money making

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Speaker 1: conversations is all about. Let me know, let me know,

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Speaker 1: and a lot of things going on in my life.

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Speaker 1: Let me just tell you about Rashan McDonald. I have

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Speaker 1: had my name done. The man on the call, okay, cool,

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Speaker 1: I'll be back later, but I have to get to

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Speaker 1: this phone call because history for me is on the call.

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Speaker 1: History for me is on this phone call. My next

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Speaker 1: guest is best known for his roles on the sitcom's

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Speaker 1: Sister Sister and the BT romantic comedy Less Stayed Together,

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Speaker 1: but now he plays a critically acclaimed role is arguably

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Speaker 1: one of the strongest African American characters on television and

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Speaker 1: stars Survivors Remorse. Please welcome to money making Conversations run

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Speaker 1: Red cod LEA wow for for a boy yat to listen.

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Speaker 1: Yeall know how to make a brother feel very welcome.

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Speaker 1: Thank you so much for having me and is an

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Speaker 1: honor and a pleasure. First of all, Ron Rico, I

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Speaker 1: can hear the humbleness in your voice, and that's what

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Speaker 1: makes you special. Man. I got you for two breaks

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Speaker 1: because I got a lot to talk about, because it's

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Speaker 1: a journey that you are dealing with in your life

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Speaker 1: to be as successful entrepreneur in the career in the

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Speaker 1: field of entertainment. And and there's a show I'm gonna

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Speaker 1: just tell you something, um, Survivor's Remorse. First of all,

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Speaker 1: just tell me what does that title mean before we

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Speaker 1: get into the ny detail. What does that title meaning

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Speaker 1: Survivor's Remorse. Well, it's funny because that the show's inception. Obviously,

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Speaker 1: this show is is ultimately the brain child of Lebron

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Speaker 1: James and Maverick Carter. And as they've experienced success, and

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Speaker 1: my goodness, they've experienced it to such a great degree. Uh,

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Speaker 1: they've often referred to this see league of having remorse

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Speaker 1: because they've survived, survived their circumstances, and they've often felt

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Speaker 1: this pool to go back and to help and feel

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Speaker 1: bad when they can't do everything for everybody. So that's

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Speaker 1: where the show's title comes from. It really ultimately comes

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Speaker 1: from them and a feeling that they've had over the

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Speaker 1: years as they've grown and expanded their territory, and so

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Speaker 1: they've often felt this survivor's remorse. Okay, I'm gonna just

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Speaker 1: tell you just right now, I'm talking to interviewed right now,

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Speaker 1: Rico Lead on this one of the two stars of

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Speaker 1: the Stars series Survivor's Remorse. Rom Rico, you can talk

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Speaker 1: to me about this show. I know you're serious. I

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Speaker 1: watched this serious, So anything you want to talk about

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Speaker 1: you can bring it up to me. I know all

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Speaker 1: the characters. I'm not one of those guys just bring

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Speaker 1: you on the radio. Know a little bit. I watched

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Speaker 1: this serious. In fact, my wife cried on the on

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Speaker 1: the episode after if people I'm gonna do it if

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Speaker 1: they haven't seen this series, I gotta tell you this.

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Speaker 1: But the mic episode after everybody was in the hospital,

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Speaker 1: my wife cried on that episode. I look back at

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Speaker 1: you got to be in episodes like this. It's just that.

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Speaker 1: So you could talk to me about this seriously, I

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Speaker 1: want to talk to you about this series and other

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Speaker 1: things that you're doing in your life, but also the

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Speaker 1: fact that when you when you get a character like

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Speaker 1: this man, and I'm gonna just tell you what I'm

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Speaker 1: gonna just tell you. When I watch you, man, you know,

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Speaker 1: it's like impressive brother and and and and and and

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Speaker 1: and their layers in it, and I want you to

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Speaker 1: tell me about it because some of them remind me

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Speaker 1: of me when I when in my early years of

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Speaker 1: managing Steve Harvey, because I was angry a lot, because

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Speaker 1: I had nowhere to turn because everybody looked at me

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Speaker 1: for information and sometimes I didn't have the information. And

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Speaker 1: if you and you, if you're looking, if you're perceived

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Speaker 1: to be the answer man. Plus you know, I managed

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Speaker 1: him in l A. So I was constanly surrounded by

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Speaker 1: you know that that that gang world, you know, because

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Speaker 1: everybody came to us, and so I see you step

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Speaker 1: in and out of that a lot, and so so

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Speaker 1: the did the drain on that character for you emotionally

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Speaker 1: tell me about it. You know, it's it's tough man

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Speaker 1: and and the funny thing and people may or may

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Speaker 1: not know, but you know, Rashawn was you know, you

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Speaker 1: and I worked together when I first moved to l

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Speaker 1: A and I had so much to learn, and so

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Speaker 1: I looked back in the late nineties to taken on

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Speaker 1: a role, to taken on a role like this and

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Speaker 1: all honesty, man, if the way God works, if God

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Speaker 1: has shown me the amount of responsibility that the page count,

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Speaker 1: the emotional uh depths I'd have to go to for

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Speaker 1: this role, I don't know if I would have accepted

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Speaker 1: it early on, just because I wasn't a percent sure

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Speaker 1: that it was in me. But having said that God

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Speaker 1: never gets anything that you can't handle, it has truly

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Speaker 1: been beyond the blessing for me to explore this character,

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Speaker 1: to be given the free range to really explore it

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Speaker 1: and go deep. They've challenged me on so many different levels,

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Speaker 1: and really, uh, you know, just taught me that there

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Speaker 1: was a a artists in me that I ain't even

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Speaker 1: know was there. And um and and that's really what

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Speaker 1: this role has been. You know, the feedback, the you know,

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Speaker 1: the lack of positive African American males on television and movies. Uh,

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Speaker 1: you know it being able to portray this character and

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Speaker 1: get the type of love that I get from the

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Speaker 1: community is a reward that it's just I can't even

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Speaker 1: begin to tell you. Um, it just feels really great

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Speaker 1: and um and it's just a testament to you know, uh,

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Speaker 1: enduring the the you know this bi business in peace

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Speaker 1: the valley and uh, you know, there's far more values

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Speaker 1: in the our peaks. So when you can get to

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Speaker 1: a role like this and and be given the free

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Speaker 1: reigin to dig in, uh, it's just truly a bus

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Speaker 1: and truly an honor. Right. You know. It's funny because

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Speaker 1: ron Rico mentioned my name early in his career and

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Speaker 1: just get just just go a little deeper on that one.

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Speaker 1: Is that I was young producer writer on the series

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Speaker 1: Sister Sister, and UH had the opportunity to be in

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Speaker 1: the casting room and cast them to be one of

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Speaker 1: the love interests for one of the runs to the

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Speaker 1: character they was Tarik Scott and and the thing about it,

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Speaker 1: and we developed a relationship off camera when he would

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Speaker 1: talk to me and come to me and he and

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Speaker 1: one of the things that always always trip me out

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Speaker 1: about him was he always wanted to know what to

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Speaker 1: do with his money. Yeah, he come serious story, Now

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Speaker 1: you come to my time? How we sit down here?

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Speaker 1: Can I come and talk to you? Because you know,

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Speaker 1: I'm making a little money. I don't want to mess

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Speaker 1: it up, and you know, and young actors don't do that,

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Speaker 1: which means that he always had a plan that this

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Speaker 1: was gonna be his career and he didn't want to

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Speaker 1: mess it up, and he wanted to know what the

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Speaker 1: money he made, what to do with it? What was

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Speaker 1: they want philosophy back then? Because I love the fact

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Speaker 1: that you know I'm now doing and that's been my

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Speaker 1: crusade now is telling people how they advanced, how to

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Speaker 1: tell people to move their careers forward. And I basically

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Speaker 1: was doing this as a hobby way back then. I

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Speaker 1: wanted to say, Rico, you were my first client. You

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Speaker 1: know what, I'm proud to be of first plaan man.

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Speaker 1: I remember that day in Park Libre when I met you.

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Speaker 1: We went and had lunch. You took me to a

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Speaker 1: Harolin bells for the first time and uh and then

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Speaker 1: we went down to Santiago. You took me down to

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Speaker 1: your one of your tailors and uh we but really

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Speaker 1: what I remember sitting down in in in your townhouse

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Speaker 1: and I remember we got you got the newspaper and

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Speaker 1: we started looking at stocks and I remember at the

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Speaker 1: time you were very very heavy on a O L

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Speaker 1: it always stands out and taught me how to look

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Speaker 1: at those stocks. Um and um. You know, it was

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Speaker 1: just you had something, uh aura about you that really

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Speaker 1: drew me to you. And the beauty of you was

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Speaker 1: that you made time any time and you and I

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Speaker 1: said it in a post earlier today, man sees that

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Speaker 1: you sold you You so season me that I still

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Speaker 1: to this day, UH reap the benefits of things that

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Speaker 1: you taught me, things that you just in terms of

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Speaker 1: how you've never was again you said, man, never give

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Speaker 1: l A your money. I was always amazing the fact

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Speaker 1: that you had a place in l A, but your

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Speaker 1: base was still in Houston, I believe. And you had

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Speaker 1: a whole system. You had You had a really nice

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Speaker 1: vehicle that you drove the work, you know, Monday through Friday.

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Speaker 1: After we take you had a Suzuki side kick. I

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Speaker 1: believe that you would drive to the airport and I

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Speaker 1: remember thinking, like, wait a minute, you mean it's possible

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Speaker 1: for me to go back to where I was raised

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Speaker 1: and still be able to have a career in l A.

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Speaker 1: And my my goal from that moment on was to

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Speaker 1: do whatever I had to do to make sure that

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Speaker 1: when it came kind of settle down to buy a house,

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Speaker 1: to get me have kids, I would be able to do.

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Speaker 1: You know that in Georgia because what Houston was, you

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Speaker 1: Georgia was for me. Uh you know, man, what you

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Speaker 1: the time you took from me back being again. Man,

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Speaker 1: I was early twenties, so we're talking, you know, two

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Speaker 1: decades later, Man, I am still still drawing from that information,

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Speaker 1: still drawing from that knowledge, Man, and I just had.

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Speaker 1: And that's just you know, that's just on the business side.

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Speaker 1: There were things you imparted to me as an artist

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Speaker 1: that I still to this day. You know, I never forget. Man.

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Speaker 1: You probably don't remember this, but you know when I

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Speaker 1: started on Sister Sister, Sister Sister was the first four

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Speaker 1: camera show I've ever done. It was really the first

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Speaker 1: comedy I've ever done. For a lot of actors when

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Speaker 1: you're when you come into that comedy where you're still

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Speaker 1: trying to get your feelings. You know, you're trying to

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Speaker 1: trying to find your footing. And I remember you guys

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Speaker 1: cast Dion Richmond opposite right the same time Dian and

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Speaker 1: I got cast. They show yes and and came up

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Speaker 1: in a in a you know, under the tulage of

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Speaker 1: a comedic genius with Bill Cosby, and so I found

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Speaker 1: myself and you noticed that what I started doing was

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Speaker 1: kind of aligning my comedy to Dion's comedy. I'll never

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Speaker 1: forget this. May or may not remember. We was at

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Speaker 1: craft service. You just can't tat me to show, said,

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Speaker 1: let me touch you for a second. We when and

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Speaker 1: we sat down and basically what you were saying to

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Speaker 1: me was find your own voice. You know, we've brought

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Speaker 1: Dion in to do what Dion does. We don't need

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Speaker 1: you to do what Dian. We need you to do

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Speaker 1: what you do. And I remember feeling I'm not only

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Speaker 1: remember initially feeling hurt because as an actor you're sensitive, trapped,

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Speaker 1: YadA yadi. But the more I thought about it, man,

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Speaker 1: it was some of the most vital information that had

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Speaker 1: ever been imparted on me because what it urged me

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Speaker 1: to do, what it pushed me to do, was to

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Speaker 1: create what was my funny, not somebody else's funny. And Man,

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Speaker 1: so I just want you to know that not only

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Speaker 1: from a business standpoint of financial standpoint, but just from

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Speaker 1: a career standpoint, Man, you also imparted knowledge and so

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Speaker 1: sees in me that to this day I still draw

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Speaker 1: upon me. And I've never told you thank you for that,

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Speaker 1: but I appreciate it, man, because you could have very

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Speaker 1: easily allowed me to continue down that path. And you

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Speaker 1: know I never would have developed my own voice you,

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Speaker 1: but you took that time out, man, and that's a

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Speaker 1: that's something God gave you, man, and it's it's listen

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Speaker 1: if you're If you've been a blessing to me, I

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Speaker 1: can only imagine the other people, the thousands and thousands

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Speaker 1: of other people that you've been a blessing to. Man.

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Speaker 1: So I thank you about my heart. I appreciate you

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Speaker 1: because when I've asked you to come to the Able Awards,

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Speaker 1: the Uplift Everyday people, You've shown up. And I know

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Speaker 1: your schedule is busy, and the thing about it, man,

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Speaker 1: I appreciate everything that you're saying about me. I appreciate

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Speaker 1: the fact that you have become the man that I

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Speaker 1: knew you could become. And when I watched and I

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Speaker 1: watched the series, Survivor's remarks if it premiers this Sunday,

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Speaker 1: August twinter Um from m Chuck. You know, to Cam's character,

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Speaker 1: it's not about them playing on the basketball court, is

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Speaker 1: their lives off the court, you know, the new character Chin,

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Speaker 1: his character, and the diversity of the cast, your wife, Missy,

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Speaker 1: you know, it's really what it is. Is there, they're

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Speaker 1: they're they're from the Boston area, Dorchester, Boston area and

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Speaker 1: they moved down to Atlanta, Georgia. That's the setting. And

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Speaker 1: he plays for the Atlanta Hawks, Okay, and the onner

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Speaker 1: the team is in their lives and in fact, let's

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Speaker 1: look I wanted. I'm just I'm just building a picture

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Speaker 1: for everybody who may have not seen the show. Because

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Speaker 1: the one thing I like about the show, and this's

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Speaker 1: just this is the thing about it's a great show

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Speaker 1: to bend watch. It's a great show to bend watch

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Speaker 1: if you have not. It's going into season four, and

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Speaker 1: the great thing about it is that this show will

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Speaker 1: make you cry and this show will make you laugh

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Speaker 1: in the very next scene. It will make you angry.

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Speaker 1: It will make you understand, you know, I think you

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Speaker 1: understand relationships. It'll make you understand the lesbian gay community.

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Speaker 1: And I'll make you feel sympathy for everybody who has

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Speaker 1: uh an emotional plan in life that may not go right,

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Speaker 1: even though they even though we all wanted to right

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Speaker 1: go right. One of my favorite they're telling me you

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Speaker 1: got to go to commercial. Rico, hold on, man, because

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Speaker 1: I got because you know the Jupiter character, the Sean Hey,

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Speaker 1: come on back, I got my ma reco league star

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Speaker 1: of the Stars series Survivors Remorse. We'll be back with

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Speaker 1: more money making conversations. He just did a testimony for

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Speaker 1: me in the first act. The second act, that's gonna

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Speaker 1: be a second break. When we come back, we're gonna

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Speaker 1: talk about his career, where he's going. He wants to

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Speaker 1: be a director. He's the father of two sons, but

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Speaker 1: more importantly he is But Ricos leave because Hi, I'm

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Speaker 1: back to the Sean McDonald of money making conversations. I

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Speaker 1: have on the phone. One of the stars of Survivor's Remorse.

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Speaker 1: It premieres August. Guest stars this upcoming season would be

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Speaker 1: my man, Isaiah Washington. He would be playing Cam's father,

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Speaker 1: d J. Cally Isaiah Whitlock Van. That's about Callaway. This

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Speaker 1: is some of the stars that will be, you know,

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Speaker 1: stepping in playing different roles on Survivor's Remorse this season.

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Speaker 1: But this right now, I got one of the stars,

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Speaker 1: an old friend, a person I'm so proud of just

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Speaker 1: because what he's doing on the on the TV screen

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Speaker 1: right now, it's amazing. It's amazing. I'm telling you. When

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Speaker 1: I've been I've been casting people, I've been watching people,

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Speaker 1: I've been fortunate to produce hit movies, he TV, hit

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Speaker 1: TV shows into watch your talent like ron Rico Lee

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Speaker 1: do his thing effortlessly, efforleently. It's amazing and I'm blessed

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Speaker 1: to have him on the call right now. Uh, Rodrico,

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Speaker 1: you still have my friend? Okay, tell me about this

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Speaker 1: the Father episode, Brother whoa Go? The Father episode? Come on, man,

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Speaker 1: oh day, you something man that episode And I'm gonna

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Speaker 1: let you talk because I want you to break down

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Speaker 1: the steps because that had to be one of those

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Speaker 1: episodes where you had to go there emotionally and when

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Speaker 1: you wrapped up, you couldn't do too many retakes because

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Speaker 1: in the basement boxing and your girl coming down the

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Speaker 1: steps and you throw out that little cute little Joe

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Speaker 1: going up the steps. Nice teddy, Come on now, tell

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Speaker 1: us about that episode. Man, let everybody know why they

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Speaker 1: should be watching Survivors Remorse. That premiers this Sunday, August

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Speaker 1: twenty on stars and yet it also stars my girl

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Speaker 1: to Sheena, who will be on the show later on today. Um,

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Speaker 1: you know, listen, Survirus re Morris is one of those

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Speaker 1: shows that it's unlike anything on television right now in

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Speaker 1: my opinion, and um, you know, it's we've been fortunate

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Speaker 1: enough to to grow and it's kind of been a

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Speaker 1: slow boy. When you look at the numbers, man, they've really, Man,

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Speaker 1: we've really really really been blessed to have the numbers

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Speaker 1: just they all I think they they they almost you know,

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Speaker 1: doubled by over from I think second to thirsty. So

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Speaker 1: we're continually growing. People are finding out about the show,

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Speaker 1: people like you, you know, talking us up having the show.

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Speaker 1: It raises awareness of the show. I think the episode

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Speaker 1: that you're you're speaking to was the season finale last year,

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Speaker 1: and in all honesty, uh, they had given me some

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Speaker 1: indication early on of of that particular scene, but it

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Speaker 1: was a couple of years ago, and so as an actor,

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Speaker 1: you kind of you know you're taking you all right, Well,

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Speaker 1: if it happens, it happens, if it doesn't. So when

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Speaker 1: it didn't happen, I kind of got away from it

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Speaker 1: and uh and and never thought about it. And then

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Speaker 1: two weeks before we shot, maybe a week before we

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Speaker 1: were scheduled to shoot the Zeger Bruster put me aside

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Speaker 1: and say, hey man, we're putting this scene back in.

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Speaker 1: I was like, WHOA. So uh. You know, as a

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Speaker 1: lot of people don't know when you get into the

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Speaker 1: because the weekly grind of making a television show, you know,

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Speaker 1: it's every week it's a new episode, and so it

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Speaker 1: becomes difficult to prepare because you're you know, you you're

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Speaker 1: shooting one episode. You gotta be thinking about the next episode,

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Speaker 1: but you can't afford to not think about the current episode.

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Speaker 1: So it was a lot. It was, It was a lot.

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Speaker 1: It was. It was quite the challenge. Uh and uh,

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Speaker 1: you know, the one thing I did do was I

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Speaker 1: was very much uh in the noah as to how

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Speaker 1: they wanted to shoot it. And so there were a

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Speaker 1: couple of things that I just asked for that I

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Speaker 1: felt would help me and just kind of in shooting it,

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Speaker 1: and that we didn't We didn't do a whole lot

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Speaker 1: of coverage. We just simply kind of we got in

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Speaker 1: there and um, we kind of broke it down. And

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Speaker 1: I did it one time all the way through with

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Speaker 1: this back, and we kind of broke it down. They

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Speaker 1: gave me a couple of points and I told him,

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Speaker 1: I said, looking for some reason, it's not feeling cohesive

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Speaker 1: to break it down. We'll just go straight through it.

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Speaker 1: You know, it worked out that way, Um, I think

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Speaker 1: to go there. People always asked me, I mean, listen,

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Speaker 1: when that episode aired. My d m s, whether it's

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Speaker 1: Facebook and grand Twitter, were just literate with people that

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Speaker 1: had similar, you know, similar experience. And I was really

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Speaker 1: surprised by the women that were raising children that that

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Speaker 1: we're having similar experiences. So I was getting it not

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Speaker 1: only from young men, older men that could relate to it.

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Speaker 1: I was also getting it from women that were ultimately

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Speaker 1: affected by the assets of fathers in their in their

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Speaker 1: son's lives. And so for me, growing up in a

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Speaker 1: two pairent household with a father that I absolutely adore.

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Speaker 1: It was very, very difficult, and so for the first

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Speaker 1: time I think I actually work with a work with

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Speaker 1: an acting coach and uh, and we broke it down

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Speaker 1: over the course of MAB. Yeah, what it was was

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Speaker 1: and more importantly, how I could get there and stay

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Speaker 1: there and um and and and be present throughout that

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Speaker 1: because again, people see what ultimately equation to eight and

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Speaker 1: I maybe ten minutes of on screen, but it's probably

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Speaker 1: boils down to about four and a half hours of

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Speaker 1: actually feeling. That's a long time, you know, to to

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Speaker 1: have to sustain. Uh, and so you have to be

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Speaker 1: aware of it. So that day, Uh, you know, I

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Speaker 1: just really tried to stay to myself, um, but not

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Speaker 1: too much. You know, I didn't want to just be isolated.

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Speaker 1: But but yeah, you know, I'm how to prayer a

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Speaker 1: lot of just kind of letting go and just kind

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Speaker 1: of yielding to what this experience was. You know, Now,

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Speaker 1: I am a father, and a lot of what I

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Speaker 1: was able to draw upon it. I'm a father, I

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Speaker 1: got two boys, and so what I was able to

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Speaker 1: really do is kind of substitute. You know, what if

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Speaker 1: I wasn't my boy's father, what if my what what

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Speaker 1: if my children's father was like the guy that I'm

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Speaker 1: sitting across this table looking from and and and and

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Speaker 1: you know, digging into and so once we you know,

401
00:21:00,240 --> 00:21:01,720
Speaker 1: we had to go through a couple of things to

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Speaker 1: figure out what would kind of ignite that thing in

403
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Speaker 1: me and and we found out it would be trying

404
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Speaker 1: to imagine my children being raised by an abusive father.

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Speaker 1: Uh and and not being there, not being present and

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Speaker 1: uh And as soon as we kind of hit that, uh,

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Speaker 1: you know a lot of times, I think when it

408
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Speaker 1: comes down and the kids, you know, we always think

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Speaker 1: of women being you know, the mothers being very protective

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Speaker 1: emotionally and physically of their child, but actually fathers carry

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Speaker 1: that same trade. And we we you know, we want

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Speaker 1: to protect our children, we want to you know, love

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Speaker 1: our children. And so in the absence of being able

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Speaker 1: to do that or imagine my kid's life, you know,

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Speaker 1: without that type of protection, and then you add on abuse,

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Speaker 1: and you add on all the other things that Reggie

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Speaker 1: talked about in that scene, it became very easy to

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Speaker 1: go there. Yeah, it was two things that really stood

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Speaker 1: out for being a scene. We're talking about a scene

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Speaker 1: in the series Survivor's Remorse where Reggie meets his father,

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Speaker 1: uh and his father and it's not a very uh

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Speaker 1: happy meeting because his father is trying to trying to

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Speaker 1: get back in good graces without Hey, hey, I'll recover.

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Speaker 1: I'm not trying to reveal any of this scene to anybody,

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Speaker 1: but just give you the nuances of what this scene

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Speaker 1: is all about. But there were two things in this

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Speaker 1: scene in this scene that made it a brilliant scene

428
00:22:16,440 --> 00:22:19,800
Speaker 1: to me. One was when the waitress kept coming into

429
00:22:19,840 --> 00:22:22,560
Speaker 1: the scene and you said not right now, which is

430
00:22:22,640 --> 00:22:25,479
Speaker 1: a classic scene that I've had when I'm doing business

431
00:22:25,480 --> 00:22:28,440
Speaker 1: in the restaurant, and I went, wow, man, that was brilliant.

432
00:22:28,640 --> 00:22:31,080
Speaker 1: They have this waitress come in here and you didn't

433
00:22:31,080 --> 00:22:34,280
Speaker 1: break try anywhere. Right now, be with you in a minute,

434
00:22:34,560 --> 00:22:36,320
Speaker 1: not right there, be with you in a minute. Twice

435
00:22:36,320 --> 00:22:38,600
Speaker 1: she came in. And the other great moment in that

436
00:22:38,720 --> 00:22:45,159
Speaker 1: scene which when you was patting your dad on his back, dude, dude,

437
00:22:45,440 --> 00:22:47,240
Speaker 1: because the path they kind of kind of got a

438
00:22:47,280 --> 00:22:50,560
Speaker 1: little heavy and then you pulled up. So so I

439
00:22:51,040 --> 00:22:52,880
Speaker 1: like to know when that scene and then what did

440
00:22:52,880 --> 00:22:56,320
Speaker 1: he say about those paths on this back? Uh? You know,

441
00:22:56,440 --> 00:22:58,400
Speaker 1: Marlon Young is a great actor. I've been a fan

442
00:22:58,440 --> 00:23:01,600
Speaker 1: of his work for years, and he's very much one

443
00:23:01,600 --> 00:23:03,879
Speaker 1: of those actors. He didn't want me to to pull

444
00:23:04,000 --> 00:23:07,040
Speaker 1: pull pull back, man. He needed to feel it. You know,

445
00:23:07,160 --> 00:23:09,200
Speaker 1: he's one of those actors, and he was certainly there

446
00:23:09,240 --> 00:23:12,959
Speaker 1: for me emotionally made himself available. But no, you know,

447
00:23:13,119 --> 00:23:16,000
Speaker 1: it was it was weird even writing to the set,

448
00:23:16,080 --> 00:23:19,119
Speaker 1: you know, and I have very little interaction. Uh you know,

449
00:23:19,160 --> 00:23:21,080
Speaker 1: we kind of wanted this thing to feel like a

450
00:23:21,119 --> 00:23:24,680
Speaker 1: father and son that hadn't seen each other and you know,

451
00:23:24,800 --> 00:23:28,919
Speaker 1: twenty many years, eighteen twenty years. But you know, afterwards

452
00:23:29,000 --> 00:23:32,800
Speaker 1: it was just um, you know, it was it was

453
00:23:32,840 --> 00:23:35,240
Speaker 1: just one of those things, man, where two performers get

454
00:23:35,240 --> 00:23:39,119
Speaker 1: together and they connect and that it just becomes about

455
00:23:39,119 --> 00:23:41,359
Speaker 1: the material. But yeah, no, the pat team wanted him

456
00:23:41,400 --> 00:23:43,639
Speaker 1: is hard, you know, he hard. I could add him.

457
00:23:43,680 --> 00:23:46,240
Speaker 1: That's what he wanted, and that's what I gave a brother.

458
00:23:46,560 --> 00:23:49,400
Speaker 1: That scene was phenomenal. But I was just gonna tell you, man,

459
00:23:49,720 --> 00:23:52,720
Speaker 1: the characters that they developed on this show, the Jupiter

460
00:23:52,840 --> 00:23:57,040
Speaker 1: character who was the football player, the character who was

461
00:23:57,119 --> 00:24:01,040
Speaker 1: Advantagers slash pim Flash, I don't know what they were, Uh,

462
00:24:01,119 --> 00:24:03,879
Speaker 1: tell us about the upcoming season, man, because I'm seeing

463
00:24:03,880 --> 00:24:06,560
Speaker 1: the promos and you're getting in the fight here, look

464
00:24:06,600 --> 00:24:08,480
Speaker 1: like you're going back into the streets a little bit.

465
00:24:08,680 --> 00:24:12,160
Speaker 1: Tell us about the upcoming season here, f Rico. Uh, well,

466
00:24:12,160 --> 00:24:15,040
Speaker 1: you know, listen, we got we got ten episodes to

467
00:24:15,119 --> 00:24:17,760
Speaker 1: cover a lot, a lot of a lot of territory.

468
00:24:18,000 --> 00:24:19,840
Speaker 1: So I think we do just that the show, if

469
00:24:19,840 --> 00:24:21,719
Speaker 1: you look back on the first season to show us

470
00:24:21,720 --> 00:24:25,800
Speaker 1: continued to evolve. Thankfully, our audiences continue to embrace us.

471
00:24:25,800 --> 00:24:28,480
Speaker 1: Hopefully that will continue, because that's the best way to

472
00:24:28,560 --> 00:24:31,560
Speaker 1: ensure we get subsequent seasons five, six, Hey, who knows,

473
00:24:31,600 --> 00:24:34,640
Speaker 1: seven and eight. But but I think this season will

474
00:24:34,640 --> 00:24:38,040
Speaker 1: continue to continue to see uh, you see less of

475
00:24:38,080 --> 00:24:40,760
Speaker 1: the family dynamic. And I just say that. When I

476
00:24:40,800 --> 00:24:42,639
Speaker 1: say that, I mean you don't see as much of

477
00:24:42,680 --> 00:24:46,320
Speaker 1: the family together as everybody kind of in their own worlds,

478
00:24:46,359 --> 00:24:49,679
Speaker 1: dealing with their own issues and just trying to kind

479
00:24:49,680 --> 00:24:54,399
Speaker 1: of hell finding exactly perfect perfect find themselves. You know.

480
00:24:54,480 --> 00:24:57,359
Speaker 1: For Reggie, uh, you know, the situation with his father

481
00:24:57,480 --> 00:24:59,919
Speaker 1: is something that we don't dwell on that much this season.

482
00:25:00,000 --> 00:25:02,119
Speaker 1: But what we really see with him is she's trying

483
00:25:02,119 --> 00:25:04,320
Speaker 1: to continue to grow that legacy and and and so

484
00:25:04,520 --> 00:25:06,720
Speaker 1: not Actually, what he's really trying to do this year

485
00:25:06,960 --> 00:25:10,600
Speaker 1: is focus more so on the Vans he and Missy's legacy,

486
00:25:11,119 --> 00:25:14,159
Speaker 1: uh and and the and the The thing that happens

487
00:25:14,160 --> 00:25:16,760
Speaker 1: this season is, you know, what he kind of envisions

488
00:25:17,240 --> 00:25:20,800
Speaker 1: for his future kind of bumped heads with what Cam

489
00:25:20,920 --> 00:25:24,880
Speaker 1: sees and the very interesting dynamic between the two of them.

490
00:25:25,080 --> 00:25:29,080
Speaker 1: Uh to Sheina Arnold's character. Uh, Cassie goes on a

491
00:25:29,119 --> 00:25:33,239
Speaker 1: spiritual journey. Uh. You know, Cam continues his film, uh,

492
00:25:33,280 --> 00:25:36,480
Speaker 1: you know, continues his work through his foundation. He's still

493
00:25:36,520 --> 00:25:40,560
Speaker 1: growing and watched him actually take a very prominent role

494
00:25:41,040 --> 00:25:43,480
Speaker 1: uh kind of in what serves as our players union

495
00:25:43,520 --> 00:25:47,000
Speaker 1: on the show. Um M. Chuck continues to dig deep

496
00:25:47,000 --> 00:25:50,439
Speaker 1: into her past and feel uh and Missy does the

497
00:25:50,840 --> 00:25:53,800
Speaker 1: Missy still on that same trajectory of really trying to

498
00:25:53,920 --> 00:25:58,119
Speaker 1: make sure that when Cam's career ends, uh, Reggie's career

499
00:25:58,200 --> 00:26:01,679
Speaker 1: doesn't end. And so you know, collectively, everybody's just kind

500
00:26:01,680 --> 00:26:04,800
Speaker 1: of on their own separate journey. Um. And it's you know,

501
00:26:04,840 --> 00:26:06,960
Speaker 1: it's been a it's been a testament to the writers

502
00:26:07,000 --> 00:26:09,640
Speaker 1: to kind of take a show and kind of deviate

503
00:26:09,720 --> 00:26:12,280
Speaker 1: from its initial inception. I think when it was first sold.

504
00:26:12,320 --> 00:26:14,920
Speaker 1: It was sold as a thirty minute sick cop and

505
00:26:15,000 --> 00:26:20,359
Speaker 1: it's become it's become much more than that. And it

506
00:26:20,400 --> 00:26:22,719
Speaker 1: really is, it really is. And sadly, you know, there

507
00:26:22,760 --> 00:26:25,359
Speaker 1: are so few of those that they already categories for

508
00:26:25,440 --> 00:26:28,439
Speaker 1: dramed ease. I think if there were, you know, Survivor's

509
00:26:28,440 --> 00:26:30,840
Speaker 1: Remorse would would get even more critical acclaim than what

510
00:26:30,880 --> 00:26:33,280
Speaker 1: it currently does. But right now we're a show that

511
00:26:33,320 --> 00:26:36,760
Speaker 1: I think, UH will spawn other shows in the future.

512
00:26:36,960 --> 00:26:39,960
Speaker 1: Uh to say that just because your thirty minute comedy

513
00:26:40,000 --> 00:26:42,880
Speaker 1: doesn't mean you can't really delve deep into you know,

514
00:26:43,240 --> 00:26:47,480
Speaker 1: some real emotional storylines that that will make people cry.

515
00:26:47,600 --> 00:26:49,560
Speaker 1: But then on, like you said, a scene later will

516
00:26:49,640 --> 00:26:52,239
Speaker 1: have you cracking up, lasting like my wife crying, you know,

517
00:26:52,760 --> 00:26:57,000
Speaker 1: but just for a good reason, because the characters are relatable. Rico, man,

518
00:26:57,119 --> 00:27:00,240
Speaker 1: I thank you for calling in on my show. And

519
00:27:00,280 --> 00:27:03,080
Speaker 1: it's about It's about careers, man, it's about the journey,

520
00:27:03,119 --> 00:27:05,959
Speaker 1: and I try to slow it down for individuals like

521
00:27:06,000 --> 00:27:08,159
Speaker 1: you so we can hear your story and we can

522
00:27:08,200 --> 00:27:11,480
Speaker 1: hear the you know, the the journey and men, you're

523
00:27:11,480 --> 00:27:14,439
Speaker 1: on a great ride right now. Run Rico. I'm a

524
00:27:14,480 --> 00:27:19,400
Speaker 1: I'm a post on Sunday. Uh a banner telling everybody

525
00:27:19,440 --> 00:27:21,440
Speaker 1: to watch the show August twenty and that's a very

526
00:27:21,480 --> 00:27:25,640
Speaker 1: competitive Sunday we all know, and a man call out

527
00:27:25,680 --> 00:27:28,840
Speaker 1: some time y'all DVR. You know if you have not

528
00:27:28,920 --> 00:27:32,199
Speaker 1: seen the show, go to on demand binge watched. This

529
00:27:32,240 --> 00:27:35,040
Speaker 1: is one of the great great shows. And I'm gonna

530
00:27:35,040 --> 00:27:37,840
Speaker 1: tell you something when you start ranking you know, black show,

531
00:27:38,280 --> 00:27:41,160
Speaker 1: African American shows in history. This is a top ten show.

532
00:27:41,800 --> 00:27:46,840
Speaker 1: Oh brother, from you ro Rico Lee. I got to

533
00:27:46,880 --> 00:27:49,399
Speaker 1: see the Arnold coming up later. My whole show is

534
00:27:49,400 --> 00:27:52,120
Speaker 1: about survivors, Ramon's baby. If they don't know, they're gonna

535
00:27:52,160 --> 00:27:55,480
Speaker 1: know abouty the Rashan McDonald's world. Thank you for calling man,

536
00:27:55,760 --> 00:28:05,080
Speaker 1: money may come. He's a proud father to ricos. Come

537
00:28:05,119 --> 00:28:08,879
Speaker 1: on now, it's time you're hungry. If this is a

538
00:28:08,960 --> 00:28:12,000
Speaker 1: segment you want to listen to, I'm calling all coups

539
00:28:12,280 --> 00:28:15,320
Speaker 1: and beaton who want to be on TV and sell

540
00:28:15,400 --> 00:28:18,720
Speaker 1: your problems. My next guest has been called the young

541
00:28:18,840 --> 00:28:22,280
Speaker 1: Bary White of food. A two time Food Network Cut

542
00:28:22,280 --> 00:28:26,040
Speaker 1: Girls Kitchen winner and semifinalists in the World Food Championship.

543
00:28:26,600 --> 00:28:30,879
Speaker 1: He specialized in French and Asian cuisine. With accasun flair.

544
00:28:31,280 --> 00:28:39,160
Speaker 1: Please welcome to Money Making Conversation. Chaff jarnad. Well, come on, chef,

545
00:28:39,240 --> 00:28:43,480
Speaker 1: talk to me now. We got your on Skype. Can't

546
00:28:43,480 --> 00:28:46,720
Speaker 1: hear him? Hey here, come on that. I cannot hear words?

547
00:28:48,000 --> 00:28:52,840
Speaker 1: Can I hear words? He's saying, you got your phone

548
00:28:52,840 --> 00:28:57,440
Speaker 1: on me? Man, got your phone on mute. Somebody running

549
00:28:57,440 --> 00:28:59,880
Speaker 1: in behind them going hey man, you got your file.

550
00:29:00,520 --> 00:29:03,360
Speaker 1: Dude with the head called out here. Can you here? Man?

551
00:29:03,400 --> 00:29:08,400
Speaker 1: Can you talk now? Can you talk now? I can

552
00:29:08,440 --> 00:29:11,040
Speaker 1: hear you now, Man, I've been seeing you by forty

553
00:29:11,120 --> 00:29:16,120
Speaker 1: five second the bar white of food. No, well ship,

554
00:29:17,240 --> 00:29:20,800
Speaker 1: how you doing my brother? Man? I am doing good.

555
00:29:21,240 --> 00:29:23,760
Speaker 1: First of all. First of all, a great start on Monday.

556
00:29:23,840 --> 00:29:25,640
Speaker 1: And no, no, don't worry about it because guesse what

557
00:29:25,800 --> 00:29:28,440
Speaker 1: you're on my show money Making Conversation, and this is

558
00:29:28,440 --> 00:29:30,240
Speaker 1: not will not be the last time you will be

559
00:29:30,280 --> 00:29:33,320
Speaker 1: on my show. It's about a relationship. And you got

560
00:29:33,360 --> 00:29:36,440
Speaker 1: good people around you that make sure you got in

561
00:29:36,520 --> 00:29:38,280
Speaker 1: front of me. I always tell people the kids to

562
00:29:38,400 --> 00:29:41,440
Speaker 1: success is to get in front of people who you

563
00:29:41,440 --> 00:29:44,400
Speaker 1: want to be seen by. So people felt that I

564
00:29:44,440 --> 00:29:46,320
Speaker 1: needed to have your brand in front of me, and

565
00:29:46,360 --> 00:29:48,560
Speaker 1: they and they would. They were weaving like a call

566
00:29:48,600 --> 00:29:50,880
Speaker 1: you know you changed, they would changed any right from it.

567
00:29:51,120 --> 00:29:53,480
Speaker 1: Finally realized I took down that licening place, which was

568
00:29:53,520 --> 00:29:56,480
Speaker 1: they phoned Umber and I contacted him. Now you're on

569
00:29:56,520 --> 00:30:02,640
Speaker 1: my show, Hill. It happens that fast. And I've been

570
00:30:02,680 --> 00:30:05,560
Speaker 1: seeing you. Hey, you've been making a lot of moves

571
00:30:05,640 --> 00:30:08,520
Speaker 1: man for a lot of years and just seeing what

572
00:30:08,600 --> 00:30:10,920
Speaker 1: you're doing in the food industry on that bak and

573
00:30:10,960 --> 00:30:13,920
Speaker 1: it's on a it's on a whole level, man. And hey,

574
00:30:14,000 --> 00:30:16,240
Speaker 1: as a chef, I got I got to tip my

575
00:30:16,280 --> 00:30:18,160
Speaker 1: hat off to you because you're doing what you need

576
00:30:18,240 --> 00:30:21,160
Speaker 1: to do to make me hungry. There you go and

577
00:30:20,920 --> 00:30:23,560
Speaker 1: the kids chef is this and I'm calling you chef

578
00:30:23,960 --> 00:30:26,880
Speaker 1: chef well, chef j Dub. The thing is is that

579
00:30:27,080 --> 00:30:29,640
Speaker 1: you are a brand. And I try to bring people

580
00:30:29,680 --> 00:30:31,280
Speaker 1: on the show because people want to know how to

581
00:30:31,280 --> 00:30:33,360
Speaker 1: get products on the shelf. People want to know how

582
00:30:33,360 --> 00:30:35,840
Speaker 1: to get on TV. And one of the things that

583
00:30:35,880 --> 00:30:39,040
Speaker 1: you show right away personality. Just because you can cook

584
00:30:39,040 --> 00:30:42,720
Speaker 1: a bake, people still want to have a personality. You

585
00:30:42,800 --> 00:30:45,560
Speaker 1: gotta have to the all of all of it you do,

586
00:30:45,880 --> 00:30:48,080
Speaker 1: and that's what a lot of people don't realize, even

587
00:30:48,120 --> 00:30:51,480
Speaker 1: when it comes to to restaurant to everything you can

588
00:30:51,480 --> 00:30:53,240
Speaker 1: get in the kitchen and you can burn all day,

589
00:30:53,240 --> 00:30:56,800
Speaker 1: but if you're trying to transition into something else, you

590
00:30:56,880 --> 00:30:59,880
Speaker 1: have to be able to take your personality to that level.

591
00:31:00,160 --> 00:31:02,480
Speaker 1: Just because I give you a great meal doesn't mean

592
00:31:02,560 --> 00:31:06,000
Speaker 1: that my my appearance, what I say, what I'm doing,

593
00:31:06,080 --> 00:31:10,040
Speaker 1: contranscend over into your home. And that's what I wanted

594
00:31:10,080 --> 00:31:15,280
Speaker 1: to start doing years ago. Was from owning restaurants, I

595
00:31:15,280 --> 00:31:18,000
Speaker 1: saw the bigger picture as far as I didn't want

596
00:31:18,000 --> 00:31:20,560
Speaker 1: to just wait for consumers to come to my restaurant

597
00:31:20,560 --> 00:31:22,720
Speaker 1: and eat. I wanted to be in their kids and

598
00:31:22,800 --> 00:31:25,320
Speaker 1: cabins when they open their doors. I wanted to be

599
00:31:25,360 --> 00:31:29,040
Speaker 1: on their bookshelves, on their on their coffee tables. So

600
00:31:29,120 --> 00:31:32,760
Speaker 1: what I did was I worked on building up what

601
00:31:32,800 --> 00:31:36,000
Speaker 1: I would call my culinary point of view and and

602
00:31:36,080 --> 00:31:37,840
Speaker 1: my colory point of view. Really at the end of

603
00:31:37,880 --> 00:31:41,320
Speaker 1: the days before fake family's food and fun, and what

604
00:31:41,360 --> 00:31:44,280
Speaker 1: I do is I transcend, and I make it relatable

605
00:31:44,360 --> 00:31:48,760
Speaker 1: to everybody where, everybody in someone's household. Regardless of who

606
00:31:48,800 --> 00:31:52,560
Speaker 1: you are, you gotta chef ginnardio homes and when I say,

607
00:31:52,640 --> 00:31:55,280
Speaker 1: you gotta chef you that makes me more relatable and

608
00:31:55,360 --> 00:31:58,240
Speaker 1: makes makes you more open to bringing me into your home.

609
00:31:58,480 --> 00:32:00,640
Speaker 1: And so what I did was the first thing I

610
00:32:00,680 --> 00:32:04,880
Speaker 1: did many years ago, was roach started writing my first

611
00:32:04,920 --> 00:32:08,600
Speaker 1: cookbooks and those originally got me in the doors. And

612
00:32:08,640 --> 00:32:11,960
Speaker 1: then from there it would lead on into me creating

613
00:32:11,960 --> 00:32:15,520
Speaker 1: my manufacturing company. Because when I said that I wanted

614
00:32:15,560 --> 00:32:18,320
Speaker 1: to be on I wanted when somebody opened their cabinet door,

615
00:32:18,440 --> 00:32:21,120
Speaker 1: the first thing they saw was one of my products

616
00:32:21,120 --> 00:32:23,640
Speaker 1: and the refrigerated And guess what I stayed on their

617
00:32:23,680 --> 00:32:29,040
Speaker 1: mind then? And so tell us about your products. Okay, um,

618
00:32:29,120 --> 00:32:31,600
Speaker 1: I have, man, I have so many lives of different

619
00:32:31,600 --> 00:32:34,600
Speaker 1: products of but but it's been a long journey. My

620
00:32:34,640 --> 00:32:37,440
Speaker 1: first thing is le shepal Mars Hope within. Currently our

621
00:32:37,480 --> 00:32:39,959
Speaker 1: products are and six over six hundred stores across the

622
00:32:40,000 --> 00:32:44,520
Speaker 1: United States. We specialized in making going the hot sauces,

623
00:32:44,560 --> 00:32:48,880
Speaker 1: barbecue sauces, hot sauces, all natural spices and season But

624
00:32:49,000 --> 00:32:52,160
Speaker 1: what I did was when I created those, I wanted

625
00:32:52,200 --> 00:32:55,360
Speaker 1: to create a line where you could take my products

626
00:32:55,360 --> 00:32:58,680
Speaker 1: straight from the bottom and pour it on anything or

627
00:32:58,760 --> 00:33:01,440
Speaker 1: marinating anything, and you didn't have to do anything else.

628
00:33:01,800 --> 00:33:05,760
Speaker 1: And everyone wants to wants to quit six as well

629
00:33:05,880 --> 00:33:08,800
Speaker 1: as we're operating down the millennial world. And that's how

630
00:33:09,000 --> 00:33:12,480
Speaker 1: custom built the line. And I started to I started

631
00:33:12,520 --> 00:33:15,920
Speaker 1: it over nine years ago, and people wonder how I

632
00:33:16,000 --> 00:33:18,320
Speaker 1: got in stories and how I got in that many stories,

633
00:33:19,040 --> 00:33:22,800
Speaker 1: and it wasn't an easy task, but it was. Well

634
00:33:22,960 --> 00:33:27,160
Speaker 1: when did you start? You said, yeah, I used I

635
00:33:27,240 --> 00:33:32,040
Speaker 1: lunched the manufacttion coming nine years right there. Don't don't

636
00:33:32,040 --> 00:33:34,200
Speaker 1: don't run past that nine years because people want to

637
00:33:34,400 --> 00:33:37,320
Speaker 1: it to happen instantly. What I'm saying, so you built

638
00:33:37,360 --> 00:33:40,280
Speaker 1: your brain to be at this number of stores, to

639
00:33:40,360 --> 00:33:43,719
Speaker 1: be able to make an appearance of Williams Sonoma. Okay,

640
00:33:43,880 --> 00:33:46,800
Speaker 1: you know these are these are top store lines. And

641
00:33:46,840 --> 00:33:49,240
Speaker 1: so it's because you said nine years and you blew

642
00:33:49,280 --> 00:33:51,600
Speaker 1: it off because you've said it so much. It's part

643
00:33:51,600 --> 00:33:54,920
Speaker 1: of your conversation. But people need to understand that a

644
00:33:55,120 --> 00:33:59,560
Speaker 1: journey to success is never overnight. That's a lot of okay,

645
00:33:59,720 --> 00:34:02,280
Speaker 1: and the lot it's no guarantee there. You're trying to

646
00:34:02,320 --> 00:34:06,040
Speaker 1: build fast, absolutely, and so tell us about your career

647
00:34:06,640 --> 00:34:08,840
Speaker 1: that nine years man, because there's a lot of doubts

648
00:34:08,840 --> 00:34:10,919
Speaker 1: in there. There's a lot of people said, hey, man,

649
00:34:11,280 --> 00:34:14,560
Speaker 1: chef of love. What that means, Who's gonna Who's gonna

650
00:34:14,600 --> 00:34:19,040
Speaker 1: believe that the chef of oh Man, You know, it's

651
00:34:19,080 --> 00:34:21,920
Speaker 1: funny you say that. I had so many people to

652
00:34:22,040 --> 00:34:24,239
Speaker 1: tell me that I needed to get rid of that

653
00:34:24,520 --> 00:34:27,920
Speaker 1: because I coined the name the Chef of Love. Over

654
00:34:27,960 --> 00:34:31,680
Speaker 1: eighteen years ago I wrote my and then later on

655
00:34:31,920 --> 00:34:35,239
Speaker 1: ten years later after that, I wrote my first cook

656
00:34:35,360 --> 00:34:37,839
Speaker 1: with But see, I started out cooking at the age

657
00:34:37,840 --> 00:34:40,160
Speaker 1: of sixteen. As a matter of fact, that's when I

658
00:34:40,200 --> 00:34:43,480
Speaker 1: opened my first restaurant up. Oh my first restaurant up

659
00:34:43,520 --> 00:34:46,800
Speaker 1: at sixteen, which later lay it on to having nine

660
00:34:46,880 --> 00:34:50,720
Speaker 1: restaurants over my my career span as of right now.

661
00:34:51,239 --> 00:34:54,840
Speaker 1: But from there, what I did was I stood on

662
00:34:55,040 --> 00:34:57,440
Speaker 1: what I believe and there was several core values, as

663
00:34:57,480 --> 00:35:00,320
Speaker 1: I said, my four else and I never changed that

664
00:35:00,719 --> 00:35:02,920
Speaker 1: and the same is still true. And a lot of

665
00:35:03,000 --> 00:35:06,600
Speaker 1: people saying a street saying, But the saying is get walt,

666
00:35:06,680 --> 00:35:11,480
Speaker 1: hustle and stick to it and then'll pay off. I

667
00:35:11,560 --> 00:35:14,279
Speaker 1: see why you've been on TV. I see why you

668
00:35:14,440 --> 00:35:17,160
Speaker 1: want because guess what, you have a conversation to match

669
00:35:17,200 --> 00:35:20,040
Speaker 1: your personality, plus you have a matching drive and you

670
00:35:20,040 --> 00:35:24,799
Speaker 1: have a plan to win. And then when people question you,

671
00:35:24,800 --> 00:35:27,040
Speaker 1: you look past them and that's you know, people used

672
00:35:27,040 --> 00:35:31,560
Speaker 1: to terminology you haters and then you look, you look

673
00:35:31,600 --> 00:35:34,279
Speaker 1: beyond the haters. And I know because all my life,

674
00:35:34,320 --> 00:35:35,840
Speaker 1: you know, you go when you when you live the

675
00:35:35,880 --> 00:35:38,160
Speaker 1: life and me you know their terminologies like that that

676
00:35:38,160 --> 00:35:41,480
Speaker 1: that come and go. But in the end, I feel

677
00:35:41,520 --> 00:35:43,879
Speaker 1: fortunate to have you on the show because I get

678
00:35:43,880 --> 00:35:46,000
Speaker 1: back and let you do what I want people to hear.

679
00:35:46,280 --> 00:35:49,439
Speaker 1: Motivate people, tell people they can win, and let people

680
00:35:49,520 --> 00:35:52,719
Speaker 1: know that if anybody tells you you cannot be successful,

681
00:35:53,120 --> 00:35:58,600
Speaker 1: walk away, absolutely absolutely, and you should never let people

682
00:35:58,640 --> 00:36:01,279
Speaker 1: put you in a box. And when I always tell

683
00:36:01,360 --> 00:36:04,279
Speaker 1: people when they're using the terminal to think outside the box.

684
00:36:04,360 --> 00:36:06,279
Speaker 1: Let's say, for you're thinking outside the boy, just get

685
00:36:06,320 --> 00:36:08,600
Speaker 1: out the box. Because the thing is, as long as

686
00:36:08,640 --> 00:36:10,760
Speaker 1: you're thinking outside of the box, guess what, you're still

687
00:36:10,800 --> 00:36:13,719
Speaker 1: on the inside of the box, just thinking outwards. So

688
00:36:13,800 --> 00:36:17,640
Speaker 1: the kids is eliminate the barriers, step outside of the box,

689
00:36:17,960 --> 00:36:21,120
Speaker 1: do something beyond your comfort zone. Because what I learned

690
00:36:21,160 --> 00:36:24,360
Speaker 1: over this journey is people tend to want to box

691
00:36:24,400 --> 00:36:27,240
Speaker 1: you in on what their fears are if they haven't

692
00:36:27,239 --> 00:36:29,960
Speaker 1: achieved that. I can't do it. They want to instantly

693
00:36:29,960 --> 00:36:32,879
Speaker 1: tell you that you can't do it because they're only

694
00:36:33,040 --> 00:36:36,800
Speaker 1: rating you against what their success is. And I learned

695
00:36:36,840 --> 00:36:39,279
Speaker 1: that when when I started out, when I launched my

696
00:36:39,360 --> 00:36:42,120
Speaker 1: manufacturing company up. You know what I did. I went

697
00:36:42,200 --> 00:36:46,200
Speaker 1: from store to store personally doing my own pitches to

698
00:36:46,320 --> 00:36:49,279
Speaker 1: get it in there, and and and and and and

699
00:36:49,440 --> 00:36:52,480
Speaker 1: to be honest, I came up with a creative idea.

700
00:36:53,000 --> 00:36:55,040
Speaker 1: I learned back then that if you were going to

701
00:36:55,120 --> 00:36:58,200
Speaker 1: a store and you asked for a product, it was

702
00:36:58,280 --> 00:37:02,520
Speaker 1: that stoes for do very interest to bring that product

703
00:37:02,560 --> 00:37:04,879
Speaker 1: in there. So guess what I did. I took off

704
00:37:05,000 --> 00:37:08,120
Speaker 1: the hat at Chef Guinard and became the business man.

705
00:37:08,200 --> 00:37:10,719
Speaker 1: So I would walk into a store one of my

706
00:37:10,800 --> 00:37:13,400
Speaker 1: bottles of sauce. You know what I would You know

707
00:37:13,480 --> 00:37:17,120
Speaker 1: what I would tell them. I would say, Hey, um,

708
00:37:17,200 --> 00:37:19,279
Speaker 1: this is a realist sauce, and I get it down

709
00:37:19,360 --> 00:37:22,560
Speaker 1: the street at the Localst. Farmer's Market, but only go

710
00:37:22,760 --> 00:37:25,719
Speaker 1: there on Sunday. I shopped at your store almost every

711
00:37:25,760 --> 00:37:28,840
Speaker 1: other day. Would you'll be interested in carrying this sauce

712
00:37:28,840 --> 00:37:31,080
Speaker 1: so that I can buy from you? I never told

713
00:37:31,160 --> 00:37:33,319
Speaker 1: him that I was the one who owned it, you know,

714
00:37:33,880 --> 00:37:36,799
Speaker 1: And they okay, give me the giveing the UPC code,

715
00:37:36,840 --> 00:37:39,400
Speaker 1: the company name. I give the UPC code and the

716
00:37:39,480 --> 00:37:41,920
Speaker 1: company name, and guess what they call in the place

717
00:37:41,960 --> 00:37:43,719
Speaker 1: that order. You know what I would do after they

718
00:37:43,760 --> 00:37:46,680
Speaker 1: called me and say, hey, we got the audience that

719
00:37:46,760 --> 00:37:49,360
Speaker 1: you wanted, I would go in the store and I

720
00:37:49,360 --> 00:37:52,359
Speaker 1: would buy five bottles of them, because after I've had

721
00:37:52,360 --> 00:37:54,560
Speaker 1: an order caation, then I would send other people and

722
00:37:54,640 --> 00:37:57,279
Speaker 1: go in and purchase their falls off the self. But

723
00:37:57,440 --> 00:37:58,960
Speaker 1: they buy the mup guests. What I do? I go

724
00:37:59,080 --> 00:38:09,680
Speaker 1: back and say, hey, I'm all out. But which is

725
00:38:09,719 --> 00:38:11,760
Speaker 1: doing how you have to do it? But people understand

726
00:38:12,040 --> 00:38:15,800
Speaker 1: he has a he has a code. It's not calling

727
00:38:15,840 --> 00:38:18,520
Speaker 1: Pooky house and then your mama driving up there with

728
00:38:18,600 --> 00:38:21,400
Speaker 1: a box. Now this is a professional level, so you

729
00:38:21,400 --> 00:38:23,160
Speaker 1: can have to have things in place in order to

730
00:38:23,200 --> 00:38:25,919
Speaker 1: make that particular call that he made. In other words,

731
00:38:26,000 --> 00:38:28,480
Speaker 1: he playing for success and then he figured out a

732
00:38:28,480 --> 00:38:31,400
Speaker 1: way to be able to take advantage of the options

733
00:38:31,440 --> 00:38:33,680
Speaker 1: that were available to him. And that's really what this

734
00:38:33,800 --> 00:38:36,239
Speaker 1: is all about. This is all about chelf. You know

735
00:38:36,320 --> 00:38:39,040
Speaker 1: the things about it, your success and they're telling me

736
00:38:39,040 --> 00:38:41,000
Speaker 1: I'm running out of time that which is crazy because

737
00:38:41,080 --> 00:38:43,879
Speaker 1: this interview feels like it's five minutes, but that means

738
00:38:43,880 --> 00:38:46,280
Speaker 1: I gotta I gotta bring you back next month, because

739
00:38:46,440 --> 00:38:49,040
Speaker 1: when I bring you back next month, next month, it's

740
00:38:49,080 --> 00:38:52,000
Speaker 1: all about the success plan. First of all, man, you

741
00:38:52,080 --> 00:38:55,000
Speaker 1: are a two break guest. You're not a one break guest.

742
00:38:55,120 --> 00:38:59,320
Speaker 1: I see that now. Secondly, Man, you have a story

743
00:38:59,560 --> 00:39:02,080
Speaker 1: to be told. I'm working on some projects in the

744
00:39:02,120 --> 00:39:04,600
Speaker 1: future hopefully I can bring you in. I got some

745
00:39:04,600 --> 00:39:07,640
Speaker 1: people who are actually watching this stream right now because

746
00:39:07,640 --> 00:39:10,319
Speaker 1: I told him I had Chef Jnard Wells on here

747
00:39:10,360 --> 00:39:12,360
Speaker 1: and I think he's won that you should include in

748
00:39:12,440 --> 00:39:16,239
Speaker 1: your project in Atlanta, Georgia. And so you're beginning an

749
00:39:16,320 --> 00:39:21,560
Speaker 1: email from somebody to go. Rashan McDonald did not lie exactly. Hey,

750
00:39:21,960 --> 00:39:24,080
Speaker 1: I already know it, man, And the thing is, you

751
00:39:24,120 --> 00:39:26,960
Speaker 1: know people, I just want everybody knows this has been

752
00:39:27,000 --> 00:39:28,840
Speaker 1: a journey and that's still a journey. So they know

753
00:39:28,880 --> 00:39:32,000
Speaker 1: they can follow me on Twitter, Instagram, YouTube, the whole

754
00:39:32,120 --> 00:39:36,720
Speaker 1: nine at Chef Jnard or my website chef Jonard dot com.

755
00:39:36,760 --> 00:39:39,640
Speaker 1: And Rasha it has truly been an honor just to

756
00:39:39,680 --> 00:39:43,360
Speaker 1: spend these moments with you, and you allow your gift

757
00:39:43,480 --> 00:39:46,440
Speaker 1: ears over to me to share what I've having. We

758
00:39:46,480 --> 00:39:49,879
Speaker 1: hadn't even scratched the surface where the chef of love

759
00:39:50,000 --> 00:39:51,960
Speaker 1: is going. Every Right, we ain't talking about the bear

760
00:39:52,040 --> 00:39:53,960
Speaker 1: white pak when you're talking about the bear white pauk.

761
00:39:54,160 --> 00:39:57,040
Speaker 1: So next morning, I'm gonna tell my booker, Samantha Taylor,

762
00:39:57,239 --> 00:39:59,360
Speaker 1: she gonna contact your people and we're gonna bring you

763
00:39:59,400 --> 00:40:03,200
Speaker 1: back next month. Okay, I appreciate you, My brother, ladies

764
00:40:03,239 --> 00:40:05,439
Speaker 1: and gentlemen. He's been on my show for the fair

765
00:40:05,520 --> 00:40:07,279
Speaker 1: first time. He gotta come back because he's got a

766
00:40:07,320 --> 00:40:12,200
Speaker 1: lot to say. Chief Gnard Wells, the Baron White and Lottle,

767
00:40:12,440 --> 00:40:15,120
Speaker 1: the Baron Whiton. Cooking coming up next. If you have

768
00:40:15,520 --> 00:40:17,400
Speaker 1: if you want to know about LinkedIn, LinkedIn is the

769
00:40:17,520 --> 00:40:21,080
Speaker 1: new business communicator. I have a LinkedIn expert. Don't you

770
00:40:21,120 --> 00:40:24,480
Speaker 1: go nowhere this money making conversation. I'm telling you how

771
00:40:24,480 --> 00:40:27,040
Speaker 1: to connect your dollars and brand you to the next

772
00:40:27,120 --> 00:40:30,120
Speaker 1: level of success, a LinkedIn experts. You're coming on the show,

773
00:40:30,320 --> 00:40:38,760
Speaker 1: Robert why By young Blood money making conversation. I use LinkedIn,

774
00:40:40,520 --> 00:40:45,520
Speaker 1: I use Facebook, I used Instagram, I used Twitter. But

775
00:40:45,640 --> 00:40:50,080
Speaker 1: from my business and my branding in particular, I use LinkedIn.

776
00:40:50,600 --> 00:40:55,359
Speaker 1: My next guest over the years, has trained numerous individuals

777
00:40:55,360 --> 00:40:59,240
Speaker 1: to improve their communication, leadership and networking skills by teaching

778
00:40:59,239 --> 00:41:03,480
Speaker 1: professionals how to leverage linked In, promote their personal brand,

779
00:41:03,560 --> 00:41:08,120
Speaker 1: and attract new clients. Please welcome though money making conversations.

780
00:41:08,640 --> 00:41:14,440
Speaker 1: Robert young Blood. How you doing that? Robert? Can you

781
00:41:14,480 --> 00:41:17,600
Speaker 1: speak up a little bit? Yes, Sir, Shaan King, Henry,

782
00:41:17,880 --> 00:41:20,359
Speaker 1: I can hear you very clear. Now, hey, Robert, I'm

783
00:41:20,360 --> 00:41:23,640
Speaker 1: gonna tell you something. I am a fan of LinkedIn.

784
00:41:25,440 --> 00:41:31,040
Speaker 1: Now you. I brought you on the show because again,

785
00:41:31,360 --> 00:41:33,279
Speaker 1: you know you, you know, you're on the outside and

786
00:41:33,320 --> 00:41:35,759
Speaker 1: you just you, you know, you're trying to figure it out.

787
00:41:36,160 --> 00:41:39,000
Speaker 1: What are the advantages of LinkedIn? First of all, let

788
00:41:39,000 --> 00:41:41,359
Speaker 1: me stop right there. Tell me about your company. Then

789
00:41:41,400 --> 00:41:43,400
Speaker 1: we're gonna talk about LinkedIn. Tell me about your car.

790
00:41:44,120 --> 00:41:46,319
Speaker 1: Absolutely first and foremost of Sean, I want to say

791
00:41:46,320 --> 00:41:47,960
Speaker 1: thank you for allowing me to be on your show.

792
00:41:48,000 --> 00:41:51,520
Speaker 1: I'm calling in from Richmond, Virginia, or as my mentor

793
00:41:51,640 --> 00:41:55,880
Speaker 1: says rich Man, Virginia, I am a native of Bronx,

794
00:41:55,920 --> 00:41:59,879
Speaker 1: New York. I served as the chief connecting officer why

795
00:42:00,040 --> 00:42:04,240
Speaker 1: Be Connects, which focuses on teaching individuals how to establish

796
00:42:04,280 --> 00:42:08,720
Speaker 1: a solid network through effective communication, leadership and networking skills

797
00:42:09,080 --> 00:42:12,080
Speaker 1: that we focus on helping our clients to attract their ideals,

798
00:42:13,200 --> 00:42:18,480
Speaker 1: client or employment situation. Uh you know it's it's funny

799
00:42:18,480 --> 00:42:22,920
Speaker 1: with Sean. Five years ago tomorrow was the catalyst for

800
00:42:23,000 --> 00:42:25,520
Speaker 1: me launching wide Be connect. I was actually laid off

801
00:42:25,920 --> 00:42:29,760
Speaker 1: from a nonprofit position and as I was leaving that office,

802
00:42:29,880 --> 00:42:32,239
Speaker 1: I prayed to God that he would deposit within me

803
00:42:32,960 --> 00:42:35,560
Speaker 1: something that would allow me to live for him while

804
00:42:35,719 --> 00:42:38,200
Speaker 1: using the skills and talents that he's given me the

805
00:42:38,320 --> 00:42:42,680
Speaker 1: impact people. And that's how rod be Connects got started.

806
00:42:43,120 --> 00:42:46,480
Speaker 1: So how did you get engaged with LinkedIn? So? I

807
00:42:46,560 --> 00:42:49,799
Speaker 1: started using LinkedIn and the chief in two thousand five.

808
00:42:49,840 --> 00:42:52,200
Speaker 1: I was working with a nonprofit organization and I was

809
00:42:52,239 --> 00:42:56,440
Speaker 1: responsible for fundraising and friend raising. I mean, I was

810
00:42:56,480 --> 00:42:59,400
Speaker 1: looking for volunteers to help us go into schools and

811
00:42:59,480 --> 00:43:02,120
Speaker 1: serve as a speaker for speakers girl and so I

812
00:43:02,320 --> 00:43:05,360
Speaker 1: use LinkedIn as a way of keeping in contact with

813
00:43:05,560 --> 00:43:08,879
Speaker 1: those that I met at various networking and days. Since then,

814
00:43:08,920 --> 00:43:11,520
Speaker 1: I've been able to build these relationships over the years

815
00:43:11,800 --> 00:43:13,640
Speaker 1: to not only help me and my business, but to

816
00:43:13,640 --> 00:43:16,439
Speaker 1: help others in their business. What are the advantage because

817
00:43:16,440 --> 00:43:18,840
Speaker 1: I'm gonna just ask you straight questions, you know, and

818
00:43:18,880 --> 00:43:20,719
Speaker 1: act like I don't even know the platform. Then I'm

819
00:43:20,719 --> 00:43:22,880
Speaker 1: gonna jump in and act like I do know. The

820
00:43:23,400 --> 00:43:25,960
Speaker 1: thing I like about is it important when you post

821
00:43:26,000 --> 00:43:28,840
Speaker 1: on LinkedIn like you could like to get comments? And

822
00:43:28,880 --> 00:43:32,560
Speaker 1: I also give views, you know, because are the views important?

823
00:43:33,719 --> 00:43:36,160
Speaker 1: The views are very important, especially if you're a small

824
00:43:36,200 --> 00:43:39,719
Speaker 1: business owner. You want to know who is being attracted

825
00:43:39,800 --> 00:43:43,480
Speaker 1: to your post or to your to your your your

826
00:43:43,800 --> 00:43:46,520
Speaker 1: your process as people are looking for you when they

827
00:43:46,520 --> 00:43:49,680
Speaker 1: come to your page, because from there you can establish

828
00:43:49,719 --> 00:43:53,440
Speaker 1: the relationships with institutions that will allow you to do

829
00:43:53,520 --> 00:43:56,560
Speaker 1: more business. I love looking at the views because for

830
00:43:56,719 --> 00:44:00,840
Speaker 1: me and lets me know who is interested in what

831
00:44:01,000 --> 00:44:03,600
Speaker 1: I'm posting. And I continue to post those things so

832
00:44:03,600 --> 00:44:05,880
Speaker 1: I can kind attract the people that I'm looking to

833
00:44:05,960 --> 00:44:08,560
Speaker 1: work with. Yeah, because I've just let everybody know exactly

834
00:44:08,640 --> 00:44:10,839
Speaker 1: what I'm talking about on LinkedIn. You know, it gives

835
00:44:10,880 --> 00:44:13,720
Speaker 1: you the ability, Well, I what I used to deal like,

836
00:44:13,840 --> 00:44:16,440
Speaker 1: I gotta say, I'm on Facebook, I'm on Instagram. I

837
00:44:16,480 --> 00:44:19,239
Speaker 1: really don't know who I'm talking to on there. That's

838
00:44:19,320 --> 00:44:21,800
Speaker 1: that's the basic feeling that because it could be my grandma,

839
00:44:22,000 --> 00:44:25,680
Speaker 1: could be my mama's sister, could be my nephew, could

840
00:44:25,719 --> 00:44:28,200
Speaker 1: be just nobody out there, but on LinkedIn, I get

841
00:44:28,200 --> 00:44:32,399
Speaker 1: a sense that I'm talking to like minded individuals who

842
00:44:32,400 --> 00:44:36,200
Speaker 1: are trying to achieve a professional or business career opportunity.

843
00:44:36,400 --> 00:44:39,400
Speaker 1: Am I wrong in saying that that's correct? That's absolutely correct.

844
00:44:39,440 --> 00:44:42,600
Speaker 1: You know, most people are using linked In to enhance

845
00:44:42,640 --> 00:44:46,280
Speaker 1: their professional brand so that they can not only attract

846
00:44:46,440 --> 00:44:48,919
Speaker 1: an employment opportunity, but they can attract their next fine.

847
00:44:49,000 --> 00:44:53,080
Speaker 1: And so they put their best foot forward when producing

848
00:44:53,440 --> 00:44:56,440
Speaker 1: their profile, which is important because you know, if you

849
00:44:56,440 --> 00:44:59,120
Speaker 1: don't have credibility, people won't be business with you. So

850
00:44:59,200 --> 00:45:02,080
Speaker 1: most people will put there too self on LinkedIn because

851
00:45:02,680 --> 00:45:05,520
Speaker 1: to attract their next opportunity. Yeah, and this is what

852
00:45:05,600 --> 00:45:07,640
Speaker 1: excites to me about LinkedIn. Everybody, if you don't have

853
00:45:07,680 --> 00:45:11,239
Speaker 1: a LinkedIn account, please start one today. I get no

854
00:45:11,320 --> 00:45:13,560
Speaker 1: money for saying that. I'm just telling you the advantages

855
00:45:13,840 --> 00:45:16,719
Speaker 1: and the comfort zone that LinkedIn has given me. When

856
00:45:16,719 --> 00:45:21,080
Speaker 1: I post a linked In picture or banner, I immediately

857
00:45:21,160 --> 00:45:23,600
Speaker 1: get these out of it. It tells me who's watching it,

858
00:45:23,640 --> 00:45:26,520
Speaker 1: to tell me what companies that are watching it. It

859
00:45:26,600 --> 00:45:31,000
Speaker 1: tells me, uh, the type of people where they sells people, CEOs,

860
00:45:31,120 --> 00:45:34,399
Speaker 1: executives that are viewing it. It also would tell me

861
00:45:34,719 --> 00:45:38,200
Speaker 1: what cities that I'm viewed the most popular in, like

862
00:45:38,280 --> 00:45:41,960
Speaker 1: New York and like my strongest cities are Atlanta, Houston,

863
00:45:42,600 --> 00:45:44,719
Speaker 1: and New York and Los Angeles. Those are my four

864
00:45:44,840 --> 00:45:48,040
Speaker 1: strongest city. I always get high view ratio and I

865
00:45:48,080 --> 00:45:51,440
Speaker 1: think it's tied to me and being an entertainment also

866
00:45:51,600 --> 00:45:54,200
Speaker 1: because that's that's where my strong base is in New York,

867
00:45:54,400 --> 00:45:57,160
Speaker 1: l A. Houston is where broadcast the show. I'm from

868
00:45:57,200 --> 00:46:00,440
Speaker 1: Houston and also live in Atlanta, where the cause of

869
00:46:00,560 --> 00:46:03,279
Speaker 1: Steve Harvard Radio network was based in Atlanta. So I

870
00:46:03,360 --> 00:46:07,239
Speaker 1: understand that. So when you're trying to monetize this, how

871
00:46:07,280 --> 00:46:13,040
Speaker 1: do you How can one monetize opportunities on this particular network.

872
00:46:13,600 --> 00:46:16,960
Speaker 1: So so money money is created when you connect the

873
00:46:17,080 --> 00:46:21,200
Speaker 1: consumer to a particular productal service. And so the key

874
00:46:21,440 --> 00:46:25,520
Speaker 1: is not the producal service, it's the relationship with the consumer. Right.

875
00:46:25,680 --> 00:46:28,480
Speaker 1: Once you've identified who your target market is, who your

876
00:46:28,480 --> 00:46:31,640
Speaker 1: target audience is, then the next step is to build

877
00:46:31,640 --> 00:46:34,360
Speaker 1: the type of relationships that allow you to have no

878
00:46:34,600 --> 00:46:37,000
Speaker 1: like in trust. Once you get past the no like

879
00:46:37,160 --> 00:46:39,520
Speaker 1: and trust you have the poor you can find out

880
00:46:39,520 --> 00:46:42,279
Speaker 1: what the needs and wants of those individuals are, and

881
00:46:42,360 --> 00:46:46,280
Speaker 1: then you can proceed to connect them to your prodical service,

882
00:46:46,560 --> 00:46:50,960
Speaker 1: thus monetizing your linked in profile. Now, should you be

883
00:46:51,040 --> 00:46:53,520
Speaker 1: selective on who you're allowing to your network or just

884
00:46:53,640 --> 00:46:56,360
Speaker 1: build numbers? That's a great question of Sean. When I

885
00:46:56,360 --> 00:46:58,640
Speaker 1: first got started, I was building numbers because I didn't

886
00:46:58,640 --> 00:47:01,680
Speaker 1: know anybother. But now, what I teach my clients is

887
00:47:02,000 --> 00:47:04,960
Speaker 1: you want to vet everyone who invites you into their

888
00:47:05,040 --> 00:47:08,640
Speaker 1: network and ain't to your network. So if you send

889
00:47:09,160 --> 00:47:13,320
Speaker 1: a request, it is important that you attached a personalized

890
00:47:13,440 --> 00:47:17,399
Speaker 1: message with your request so that the recipient knows why

891
00:47:17,480 --> 00:47:19,879
Speaker 1: you want to connect. And on the opposite side, it's

892
00:47:19,920 --> 00:47:23,080
Speaker 1: important to vet each individual who invite you into your

893
00:47:23,120 --> 00:47:26,480
Speaker 1: network so that you can at least know who they

894
00:47:26,520 --> 00:47:29,240
Speaker 1: are and why they want to connect. This is critical

895
00:47:29,520 --> 00:47:32,960
Speaker 1: because the start of a relationship is the most important

896
00:47:32,960 --> 00:47:36,080
Speaker 1: part of the relationship, especially when you're dealing with people

897
00:47:36,120 --> 00:47:39,360
Speaker 1: you don't know. Awesome, Uh, can you be a regular?

898
00:47:42,440 --> 00:47:44,799
Speaker 1: Come on? Why I be? Why I be looking? At man?

899
00:47:44,840 --> 00:47:47,120
Speaker 1: I'm out of time, but guess what I got? Five

900
00:47:47,160 --> 00:47:51,719
Speaker 1: thousand more questions for you. Definitely, I definitely walk in

901
00:47:51,760 --> 00:47:54,200
Speaker 1: the opportunity to come back, and you know your your

902
00:47:54,239 --> 00:47:57,520
Speaker 1: followers can follow me all a social media why be

903
00:47:57,640 --> 00:48:01,480
Speaker 1: connects is my my my exite why connect dot com

904
00:48:01,520 --> 00:48:03,400
Speaker 1: and they can find me from there on all the

905
00:48:03,440 --> 00:48:06,840
Speaker 1: other other social media platforms. But definitely be a linked

906
00:48:06,920 --> 00:48:09,319
Speaker 1: In and just make sure that they said that they

907
00:48:09,360 --> 00:48:11,200
Speaker 1: heard me here so I can tend to them from that.

908
00:48:11,400 --> 00:48:14,920
Speaker 1: My man, Thank you LinkedIn expert. He's the LinkedIn expert

909
00:48:15,000 --> 00:48:17,960
Speaker 1: for moneymaking conversations. You can follow him on why be

910
00:48:18,120 --> 00:48:22,120
Speaker 1: connect dot com. Why that's young be isn't bought connect

911
00:48:22,560 --> 00:48:25,200
Speaker 1: dot com? Thank you for calling on my show. We'll

912
00:48:25,239 --> 00:48:27,760
Speaker 1: have you back next month. And man, my whole mission

913
00:48:27,840 --> 00:48:31,040
Speaker 1: is to build your brand to the next level. Opportunity

914
00:48:31,040 --> 00:48:33,879
Speaker 1: to said Shaw stop, I'm too big, I'm too bad.

915
00:48:34,800 --> 00:48:37,120
Speaker 1: That's all I want to do for you, Robert why

916
00:48:38,719 --> 00:48:42,800
Speaker 1: Connect Coming up next, wanted to start a survivor's remorse

917
00:48:43,080 --> 00:48:47,480
Speaker 1: to Sheina Harnold. You heard Rodrico Lee earlier. You got

918
00:48:47,480 --> 00:48:51,279
Speaker 1: to hang around and here load up on that at

919
00:48:51,360 --> 00:48:54,960
Speaker 1: Vershawn McDonald my faith fook page at Vershawn McDonald my

920
00:48:55,000 --> 00:48:58,280
Speaker 1: face foot page here y and d app our Heart

921
00:48:58,560 --> 00:49:04,839
Speaker 1: Radio podcast got the business finance, money making Conversations. I'm

922
00:49:04,840 --> 00:49:08,560
Speaker 1: back with Sean McDonald. I'm back because I gotta introduce

923
00:49:09,120 --> 00:49:14,040
Speaker 1: uh superstar on my show, My My Mom. We talked

924
00:49:14,040 --> 00:49:17,200
Speaker 1: earlier with my man round Rico Lee about the start

925
00:49:17,200 --> 00:49:20,920
Speaker 1: of the fourth season and premieres August twenty on Stars

926
00:49:21,080 --> 00:49:25,520
Speaker 1: and Survivors Remorse. The next guest. It's a single actress,

927
00:49:25,560 --> 00:49:29,120
Speaker 1: comedian and mother. Her stepping stone to fame was the

928
00:49:29,160 --> 00:49:32,960
Speaker 1: TV show Martin. But you can catch her tonight on

929
00:49:33,120 --> 00:49:38,720
Speaker 1: VH one's Daytime Divas and on Sunday Stars Survivor's Remorse.

930
00:49:39,200 --> 00:49:45,480
Speaker 1: Please Welcome to money Making Conversations. To Senaarol. Hello, Hello

931
00:49:47,400 --> 00:49:51,600
Speaker 1: with money making conversations at all. Thank you. I'll tell

932
00:49:51,600 --> 00:49:53,719
Speaker 1: you somelfre. First of all, I'm gonna tell you some

933
00:49:53,960 --> 00:49:56,279
Speaker 1: right now. To she I watched your shows, so we

934
00:49:56,320 --> 00:49:59,040
Speaker 1: can talk about anything about these shows. You can talk

935
00:49:59,080 --> 00:50:01,240
Speaker 1: about the character. So I'm not one of these guys

936
00:50:01,480 --> 00:50:04,600
Speaker 1: that you've called in and I kind of know. Oh yeah,

937
00:50:04,680 --> 00:50:07,440
Speaker 1: that's a really good, y'all, go watch it. I know

938
00:50:07,480 --> 00:50:11,520
Speaker 1: about Cassie and Chien, you understand, you know, I know

939
00:50:11,600 --> 00:50:13,960
Speaker 1: the arcs Dad, I know about that you know what

940
00:50:13,960 --> 00:50:16,480
Speaker 1: I'm saying. I know rod Rico what he did with

941
00:50:16,520 --> 00:50:18,919
Speaker 1: his daddy in the restaurant. You know what I'm saying.

942
00:50:19,239 --> 00:50:22,800
Speaker 1: I know y'all from dor Chester, you know, right outside

943
00:50:22,800 --> 00:50:27,560
Speaker 1: of Boston. I know I We had to do a quiz.

944
00:50:27,600 --> 00:50:29,320
Speaker 1: You will win. You probably know more than I do.

945
00:50:30,600 --> 00:50:32,480
Speaker 1: It ain't a bad thing because that's what fans are

946
00:50:32,480 --> 00:50:34,840
Speaker 1: supposed to do. And I'm a fan of your work.

947
00:50:35,320 --> 00:50:37,919
Speaker 1: I'm a fan of your work and before and I'm

948
00:50:37,920 --> 00:50:40,120
Speaker 1: not gonna leave this out because I asked you. I

949
00:50:40,160 --> 00:50:42,080
Speaker 1: asked him for two breaks because it's a couple of

950
00:50:42,080 --> 00:50:43,719
Speaker 1: things I want to talk about. First. I want to

951
00:50:43,719 --> 00:50:45,719
Speaker 1: talk about the Lupus Foundation. We're gonna talk about that

952
00:50:45,800 --> 00:50:48,480
Speaker 1: later because that's important to me. And know you have

953
00:50:48,560 --> 00:50:51,720
Speaker 1: a fan. If you ever doing a gala, doing a walk,

954
00:50:51,800 --> 00:50:55,160
Speaker 1: contact with Sean McDonald, Oh, your contact with Sean McDonald,

955
00:50:55,520 --> 00:50:58,160
Speaker 1: and I will put it on my social media because

956
00:50:58,160 --> 00:51:02,200
Speaker 1: that's an important because my any producer, Tracy Logan, has

957
00:51:02,200 --> 00:51:07,719
Speaker 1: the same illness, so as well. That's good. We appreciate

958
00:51:07,719 --> 00:51:09,879
Speaker 1: it because we're trying to get the word out. There's

959
00:51:09,920 --> 00:51:15,600
Speaker 1: so many people suffer from absolutely know that know that

960
00:51:15,600 --> 00:51:17,480
Speaker 1: that's important. To me, and I wanted to get that

961
00:51:17,520 --> 00:51:19,560
Speaker 1: out and we'll talk about it later on when we

962
00:51:19,600 --> 00:51:22,600
Speaker 1: close out the show, because that's important. And I'm always

963
00:51:22,640 --> 00:51:25,440
Speaker 1: there for her, not only as a you know, an employer,

964
00:51:25,760 --> 00:51:28,319
Speaker 1: but a friend and understand the things that she goes

965
00:51:28,400 --> 00:51:31,600
Speaker 1: through to you know, live a quality of life every day.

966
00:51:31,760 --> 00:51:34,959
Speaker 1: And it's important. But let's go back to the star

967
00:51:35,120 --> 00:51:38,160
Speaker 1: power of you, young lady. You got two TV show

968
00:51:38,320 --> 00:51:44,319
Speaker 1: to TV shows. Well, God has blessed me to keep working. Lord,

969
00:51:44,640 --> 00:51:46,319
Speaker 1: Now here's the deal. Here's the deal, and you do

970
00:51:46,440 --> 00:51:51,719
Speaker 1: keep working. Now, people if they are not watching Daytime Divas,

971
00:51:52,000 --> 00:51:54,640
Speaker 1: which is uh, it's from the It's from Star Jones

972
00:51:54,680 --> 00:51:57,000
Speaker 1: who used to be from the View and she wrote

973
00:51:57,000 --> 00:51:59,759
Speaker 1: a book called Satan's Sisters. And I know Star Jones

974
00:51:59,760 --> 00:52:01,880
Speaker 1: because shar Jones with the college with me at the

975
00:52:01,960 --> 00:52:06,719
Speaker 1: University of Houston. And then and then it's executive to

976
00:52:06,800 --> 00:52:10,640
Speaker 1: produced by Susanne the Past, who gave me one of

977
00:52:10,680 --> 00:52:16,520
Speaker 1: my first writing jobs on Sister Sister sitcom. Okay, so

978
00:52:15,960 --> 00:52:20,160
Speaker 1: so no, we're all in this thing now. Now your

979
00:52:20,239 --> 00:52:23,640
Speaker 1: character is a comedian and basically I'm just let everybody

980
00:52:23,640 --> 00:52:26,360
Speaker 1: know if you've seen the talk, if you've seen. The

981
00:52:26,480 --> 00:52:30,080
Speaker 1: view is that's that's set up, but the story is

982
00:52:30,160 --> 00:52:34,759
Speaker 1: off stage. That's the story exactly. It's what happens in

983
00:52:34,800 --> 00:52:39,160
Speaker 1: the women's lives outside of the talk show. But you know,

984
00:52:39,280 --> 00:52:41,719
Speaker 1: the one thing about those group of women is that

985
00:52:41,800 --> 00:52:45,799
Speaker 1: they all will have each other's back, so they met

986
00:52:45,880 --> 00:52:48,120
Speaker 1: with each other. They don't want anybody else to mess

987
00:52:48,239 --> 00:52:51,200
Speaker 1: with you, so you know, they take care of each other.

988
00:52:51,239 --> 00:52:54,520
Speaker 1: But yeah, you know, it's it's um. It's definitely based

989
00:52:54,560 --> 00:52:58,040
Speaker 1: off of them Guard Jones book, Satan's Sisters. Now that

990
00:52:58,160 --> 00:53:00,440
Speaker 1: the cool thing about is that your care actor went

991
00:53:00,440 --> 00:53:02,520
Speaker 1: on a little journey because your character and if I'm

992
00:53:02,520 --> 00:53:04,800
Speaker 1: saying that there, roll you could correct me. Your character

993
00:53:04,960 --> 00:53:08,319
Speaker 1: was all about you in the beginning. Okay, it was

994
00:53:08,360 --> 00:53:10,719
Speaker 1: all about you. You know. It's all about you know,

995
00:53:10,800 --> 00:53:13,279
Speaker 1: trying to get that that left chair, you know, left chair,

996
00:53:13,560 --> 00:53:17,319
Speaker 1: and all about what it's gonna be about you after.

997
00:53:17,640 --> 00:53:19,040
Speaker 1: You know. I watched the show and I'm a fan

998
00:53:19,200 --> 00:53:21,279
Speaker 1: because of the fact it's it's a well written show,

999
00:53:21,640 --> 00:53:23,560
Speaker 1: and I love the fact that anytime I see a

1000
00:53:23,640 --> 00:53:28,920
Speaker 1: show with strong African American characters and that show has it.

1001
00:53:29,080 --> 00:53:32,560
Speaker 1: And also I like Shaun's character that used to executive

1002
00:53:32,880 --> 00:53:36,520
Speaker 1: on the show. That's a strong diverse character emotionally for me.

1003
00:53:37,560 --> 00:53:42,160
Speaker 1: And then Vanessa, we come on, you got Vanessa Williams.

1004
00:53:42,239 --> 00:53:44,880
Speaker 1: I mean, it's a great cast of people and we

1005
00:53:45,080 --> 00:53:49,279
Speaker 1: really enjoyed I'm doing, you know, playing those roles, you know,

1006
00:53:49,320 --> 00:53:52,560
Speaker 1: because this is a brand new show, um, and it

1007
00:53:52,719 --> 00:53:55,320
Speaker 1: was stars vision and I'm happy that, you know, the

1008
00:53:55,440 --> 00:53:58,719
Speaker 1: share her vision is literally playing out right, you know.

1009
00:53:58,760 --> 00:54:00,520
Speaker 1: And the and the cool thing about the shows that

1010
00:54:00,640 --> 00:54:03,400
Speaker 1: they have celebrities on the show. It's like, you know,

1011
00:54:03,640 --> 00:54:08,040
Speaker 1: like when you ran into uh, Tomarry Maori at the

1012
00:54:08,160 --> 00:54:09,959
Speaker 1: at the at the at the at the clothing store,

1013
00:54:10,040 --> 00:54:14,400
Speaker 1: y'all was fighting over that shirt and so and so

1014
00:54:14,520 --> 00:54:16,080
Speaker 1: she told you ain't got no job on the rail

1015
00:54:16,120 --> 00:54:17,560
Speaker 1: and got no job on the rail. Now you know,

1016
00:54:17,600 --> 00:54:19,480
Speaker 1: you better get your butt back on that show. And

1017
00:54:19,560 --> 00:54:22,320
Speaker 1: so my whole thing is that when you get these roles,

1018
00:54:22,480 --> 00:54:24,680
Speaker 1: you know, because you're you're a talented singer, you know,

1019
00:54:25,080 --> 00:54:28,719
Speaker 1: and then and then you're you're funny, you're attractive, and

1020
00:54:28,760 --> 00:54:32,120
Speaker 1: then you and then you then you're dramatic and all

1021
00:54:32,160 --> 00:54:34,920
Speaker 1: these things. And so so if you watch the series,

1022
00:54:35,320 --> 00:54:37,520
Speaker 1: you know, you start out and guess what and you're

1023
00:54:37,520 --> 00:54:39,799
Speaker 1: a woman's woman. You know you, you know you, you

1024
00:54:39,800 --> 00:54:41,640
Speaker 1: you let everybody know you still got it going on,

1025
00:54:41,800 --> 00:54:47,799
Speaker 1: you still find And I think that's import Guess what.

1026
00:54:47,920 --> 00:54:52,960
Speaker 1: And I think that's important because sexy don't die. Well,

1027
00:54:53,000 --> 00:54:57,759
Speaker 1: I wouldn't say sexy. You know, I always chose comedy.

1028
00:54:57,800 --> 00:55:01,800
Speaker 1: Comedy came natural to me. And I really love doing drama.

1029
00:55:01,880 --> 00:55:04,680
Speaker 1: But you know, you gotta get ugly for comedy. But

1030
00:55:04,719 --> 00:55:06,919
Speaker 1: I love about it. You know, there ain't no time

1031
00:55:06,960 --> 00:55:10,120
Speaker 1: to be playing no cute games, right right, right, and

1032
00:55:09,920 --> 00:55:12,360
Speaker 1: and that's what happens in this series, and so and

1033
00:55:12,400 --> 00:55:14,279
Speaker 1: so in the last series. In the last episode I

1034
00:55:14,320 --> 00:55:16,840
Speaker 1: just saw was the episode where this is what I

1035
00:55:16,880 --> 00:55:18,920
Speaker 1: was talking about, the journey of your character. And I'm

1036
00:55:19,000 --> 00:55:20,960
Speaker 1: and I'm talking about the show because I'm not trying

1037
00:55:20,960 --> 00:55:24,160
Speaker 1: to reveal, you know, key plot points in the show.

1038
00:55:24,200 --> 00:55:27,320
Speaker 1: Because I feel everybody should watch the watch started tonight.

1039
00:55:27,760 --> 00:55:30,120
Speaker 1: If you have not seen the series from the beginning,

1040
00:55:30,440 --> 00:55:33,400
Speaker 1: you can being watch it just go on demand and

1041
00:55:33,480 --> 00:55:36,520
Speaker 1: being watched. The show is well worth it. You will laugh,

1042
00:55:37,120 --> 00:55:41,200
Speaker 1: you will you. The characters are very relatable. Vanessa Williams

1043
00:55:41,239 --> 00:55:47,040
Speaker 1: Diva role is fantastic. It has selations She's just an

1044
00:55:47,040 --> 00:55:49,960
Speaker 1: awesome person. I love the word selations, plot lines. I'm

1045
00:55:49,960 --> 00:55:53,640
Speaker 1: talking about these characters. They go be y'all, just normal behavior.

1046
00:55:53,960 --> 00:55:55,839
Speaker 1: But I love the fact that in the end, when

1047
00:55:55,880 --> 00:55:59,239
Speaker 1: you came back and defended Kippy character, you know, you

1048
00:55:59,400 --> 00:56:01,799
Speaker 1: saved her character. And that's what I was saying, is

1049
00:56:01,840 --> 00:56:05,840
Speaker 1: that your character is more than in the beginning, you know,

1050
00:56:06,000 --> 00:56:08,480
Speaker 1: use about you and I And that's when you stopped

1051
00:56:08,480 --> 00:56:11,680
Speaker 1: you in the hallway. She said, really, you about somebody

1052
00:56:11,680 --> 00:56:14,279
Speaker 1: other than you? Tell me about that journey. And when

1053
00:56:14,320 --> 00:56:17,279
Speaker 1: you take these roles, are you looking to develop your

1054
00:56:17,360 --> 00:56:20,879
Speaker 1: characters or just be funny and do what they tell you? No, no, no,

1055
00:56:21,040 --> 00:56:23,040
Speaker 1: never just be funny and do what they tell you.

1056
00:56:23,080 --> 00:56:26,640
Speaker 1: That is never the key to success nor being happy

1057
00:56:26,719 --> 00:56:30,480
Speaker 1: at what you do. Um, I have to like I

1058
00:56:30,520 --> 00:56:33,440
Speaker 1: was asked to do this, to to this role, you know,

1059
00:56:33,440 --> 00:56:35,360
Speaker 1: and play the part of more, which is always a

1060
00:56:35,440 --> 00:56:38,239
Speaker 1: pleasure because when you're asked to something, that means they

1061
00:56:38,280 --> 00:56:41,520
Speaker 1: trust your opinion and what choices you will make. And

1062
00:56:42,520 --> 00:56:45,960
Speaker 1: with mo, I just it's just the character screamed out

1063
00:56:45,960 --> 00:56:48,560
Speaker 1: of me. I just laughed and laughed, and I saw

1064
00:56:48,640 --> 00:56:50,959
Speaker 1: that she had a lot of hearts, but I kind

1065
00:56:50,960 --> 00:56:53,239
Speaker 1: of love the fact that I was you know that

1066
00:56:53,920 --> 00:56:55,799
Speaker 1: I would be hated a little bit by a lot

1067
00:56:55,840 --> 00:56:59,600
Speaker 1: of people, which was cool too, But it's somewhere there's

1068
00:56:59,600 --> 00:57:02,200
Speaker 1: a reason. And first, you know, there's always a deeper

1069
00:57:02,400 --> 00:57:08,120
Speaker 1: there's a deeper layer to every character, and the layers

1070
00:57:08,160 --> 00:57:13,319
Speaker 1: that uh that that MO has really uh intrigued me,

1071
00:57:13,520 --> 00:57:15,640
Speaker 1: which was one of the reasons why I really really

1072
00:57:15,640 --> 00:57:18,840
Speaker 1: wanted to play the role. Um. And that's what I'm like.

1073
00:57:18,960 --> 00:57:20,960
Speaker 1: I mean, everything is in the writing, you know, and

1074
00:57:21,040 --> 00:57:24,760
Speaker 1: black women we need to be We were so many things,

1075
00:57:24,760 --> 00:57:29,280
Speaker 1: so we should be represented correctly. And uh, that's always

1076
00:57:29,320 --> 00:57:31,720
Speaker 1: a fight, you know, it's always you know, you gotta

1077
00:57:31,800 --> 00:57:34,800
Speaker 1: keep that integrity. But that's me as a mom, me

1078
00:57:34,880 --> 00:57:37,840
Speaker 1: as a as an actress, me as a survivor of

1079
00:57:38,360 --> 00:57:40,720
Speaker 1: being a show business so long. You know, people call

1080
00:57:40,800 --> 00:57:43,160
Speaker 1: me a legend, but you know, I'm a survivor. I've

1081
00:57:43,160 --> 00:57:46,439
Speaker 1: been able to be in the industry over thirties six years.

1082
00:57:46,480 --> 00:57:48,320
Speaker 1: I've seen a lot of people come and go. But

1083
00:57:48,800 --> 00:57:51,200
Speaker 1: I wake up every day loving what I do. God's

1084
00:57:51,200 --> 00:57:53,880
Speaker 1: bless me to to do what I love doing, and

1085
00:57:54,000 --> 00:57:56,480
Speaker 1: I respected, so I put it in high regard. So

1086
00:57:56,520 --> 00:57:58,960
Speaker 1: I'm gonna treat it that way. Well, that's the show

1087
00:57:59,000 --> 00:58:00,880
Speaker 1: we're talking about right now, because we're gonna talk about

1088
00:58:00,880 --> 00:58:04,280
Speaker 1: other show, Survivors Remorse, which premierors this Sunday, August twenty

1089
00:58:04,600 --> 00:58:07,439
Speaker 1: stars we're talking about here currently is her other show

1090
00:58:07,560 --> 00:58:09,800
Speaker 1: that's on v H one. You can watch it tonight.

1091
00:58:09,840 --> 00:58:12,480
Speaker 1: It's called Daytime Divas. And one of the things that

1092
00:58:12,520 --> 00:58:15,520
Speaker 1: I like about the characters, there are strong female characters.

1093
00:58:15,720 --> 00:58:18,120
Speaker 1: They are diversed. But one of the things that you

1094
00:58:18,160 --> 00:58:20,920
Speaker 1: said something in your speech is the fact that you

1095
00:58:21,040 --> 00:58:24,760
Speaker 1: are a mother. You're a single mother, you know, and

1096
00:58:24,800 --> 00:58:28,080
Speaker 1: that that so what you do on screen plays an

1097
00:58:28,080 --> 00:58:30,960
Speaker 1: important role to what your daughter sees. Is that correct?

1098
00:58:31,240 --> 00:58:34,600
Speaker 1: Most definitely I had a you know, when my daughter

1099
00:58:34,680 --> 00:58:37,640
Speaker 1: was younger, I had a rule. You know, if she

1100
00:58:37,720 --> 00:58:42,560
Speaker 1: can't watch it, I don't take the role. Now she's older,

1101
00:58:42,640 --> 00:58:45,880
Speaker 1: you know, she can stomach more a little more because

1102
00:58:46,080 --> 00:58:49,080
Speaker 1: got a couple of moments in that truck. You know,

1103
00:58:49,440 --> 00:58:51,360
Speaker 1: even if she was young, I still would have taken

1104
00:58:51,360 --> 00:58:54,920
Speaker 1: the role of mole because um, it's just the way

1105
00:58:55,160 --> 00:58:58,080
Speaker 1: they are. They're developing the character. But I always said,

1106
00:58:58,120 --> 00:59:02,440
Speaker 1: you know, I have to take full responsibility for my

1107
00:59:02,520 --> 00:59:05,680
Speaker 1: position in life, and that is I am a mother first,

1108
00:59:05,720 --> 00:59:09,560
Speaker 1: so I have to represent myself correctly as best as

1109
00:59:09,600 --> 00:59:12,720
Speaker 1: I can. Now, you know, I also have a lot

1110
00:59:12,720 --> 00:59:14,600
Speaker 1: of young people out there that look up to me

1111
00:59:14,680 --> 00:59:17,240
Speaker 1: and that are looking up to me like my fellow

1112
00:59:17,360 --> 00:59:20,080
Speaker 1: you know, actors that look to me. You know, Hey,

1113
00:59:20,160 --> 00:59:22,880
Speaker 1: you survived as long. How can you help us? So?

1114
00:59:23,000 --> 00:59:24,960
Speaker 1: How can you? So? I The best way I can't

1115
00:59:24,960 --> 00:59:27,920
Speaker 1: help anybody else is helping myself. And that's making the

1116
00:59:28,000 --> 00:59:29,480
Speaker 1: right chart. Try to make the right cho and you

1117
00:59:29,520 --> 00:59:32,160
Speaker 1: make the right charge over and over again. I try,

1118
00:59:32,200 --> 00:59:35,240
Speaker 1: I try. I tried so hard. I'm taking something. You know.

1119
00:59:35,320 --> 00:59:37,120
Speaker 1: When I've asked you to come to the Neighborhood Awards

1120
00:59:37,160 --> 00:59:39,560
Speaker 1: or the Hoodie Awards, You've come there, you know, And

1121
00:59:39,600 --> 00:59:42,120
Speaker 1: that's that's giving your time because you knew that made people?

1122
00:59:42,160 --> 00:59:44,600
Speaker 1: Are your fans feel good that you care about them?

1123
00:59:44,840 --> 00:59:46,840
Speaker 1: Did you have time for them? Where will we be

1124
00:59:46,960 --> 00:59:49,600
Speaker 1: without the fans? And as long as they enjoy it,

1125
00:59:49,720 --> 00:59:53,040
Speaker 1: they keep us working, So why would we not? Now

1126
00:59:53,080 --> 00:59:55,040
Speaker 1: I was reading something about this. You have something that

1127
00:59:55,080 --> 00:59:57,760
Speaker 1: you do with your daughter on Instagram is called morning

1128
00:59:57,800 --> 01:00:00,760
Speaker 1: school playlist. Yeah, school morning for a list. That's what

1129
01:00:00,840 --> 01:00:05,040
Speaker 1: I caught yeah. I started that because my daughter, she

1130
01:00:05,320 --> 01:00:07,520
Speaker 1: is just so talented. She really is. She has a

1131
01:00:07,560 --> 01:00:10,320
Speaker 1: lot of gifts. God gave her the gift of a dance,

1132
01:00:10,680 --> 01:00:13,640
Speaker 1: she gave her the gifts a song, and now she

1133
01:00:13,680 --> 01:00:16,320
Speaker 1: wants to do some more acting. So I said, okay.

1134
01:00:16,680 --> 01:00:19,720
Speaker 1: But I was a single mother, so starting out, it

1135
01:00:19,760 --> 01:00:22,080
Speaker 1: was just like, oh my god, we're fighting in the mornings,

1136
01:00:22,080 --> 01:00:25,000
Speaker 1: trying to get dressed with the school. And I said,

1137
01:00:25,120 --> 01:00:28,320
Speaker 1: somebody has got to feel my pain right now. So

1138
01:00:28,520 --> 01:00:30,440
Speaker 1: how do I turn this around? How do I make

1139
01:00:30,480 --> 01:00:34,640
Speaker 1: this a pleasant experience for both she and I? And

1140
01:00:35,040 --> 01:00:37,080
Speaker 1: I said, you know what, maybe let's turn on some music.

1141
01:00:37,120 --> 01:00:39,880
Speaker 1: And I started turning on music and she just learned

1142
01:00:39,920 --> 01:00:44,400
Speaker 1: all these songs. She listened to music all the time.

1143
01:00:44,440 --> 01:00:46,200
Speaker 1: So I said, you know what, let me start recording

1144
01:00:46,200 --> 01:00:50,600
Speaker 1: it sharing it with people, and I mean, it just

1145
01:00:50,640 --> 01:00:52,960
Speaker 1: got such a great response from people, people like, all,

1146
01:00:53,040 --> 01:00:54,960
Speaker 1: can you please put some more videos up? You know,

1147
01:00:55,040 --> 01:00:57,640
Speaker 1: we love watching your daughter and you in the morning.

1148
01:00:57,680 --> 01:01:00,600
Speaker 1: So I don't mind when people I don't mind sharing

1149
01:01:00,640 --> 01:01:05,240
Speaker 1: our faults or our our personal lives if it's gonna

1150
01:01:05,280 --> 01:01:09,160
Speaker 1: help somebody else. And I saw that me and Eliza,

1151
01:01:09,320 --> 01:01:12,280
Speaker 1: what we were going through in the morning time, helping

1152
01:01:12,320 --> 01:01:15,080
Speaker 1: other mothers get their kids ready, and then just even

1153
01:01:15,080 --> 01:01:17,400
Speaker 1: if you know that somebody else is going through it

1154
01:01:17,440 --> 01:01:21,840
Speaker 1: and you're not, it helps. So I just kind of

1155
01:01:21,880 --> 01:01:25,360
Speaker 1: developed from there, and Elijah enjoyed doing it. It's amazing

1156
01:01:25,440 --> 01:01:27,400
Speaker 1: for laughing because I get this. I'm watching the video

1157
01:01:27,440 --> 01:01:29,840
Speaker 1: because it plays back on my Facebook stream, and I'm

1158
01:01:29,840 --> 01:01:31,800
Speaker 1: getting to see you, guys, Accel in the car, She's

1159
01:01:31,880 --> 01:01:33,960
Speaker 1: dancing in the back seat and you're in the front

1160
01:01:33,960 --> 01:01:36,160
Speaker 1: seat dancing and things like that. So this is on

1161
01:01:36,200 --> 01:01:40,600
Speaker 1: your Instagram at the sena Arnold Morning school playlist correct, Yeah,

1162
01:01:40,760 --> 01:01:44,000
Speaker 1: school morning playlist, morning past. Just I keep saying it

1163
01:01:44,040 --> 01:01:47,080
Speaker 1: wrong because they put it wrong on this piece of paper. Good.

1164
01:01:47,400 --> 01:01:50,200
Speaker 1: It's so good. Listen, you're man. You got good memory

1165
01:01:50,200 --> 01:01:54,080
Speaker 1: because you remember a lot of stuff that we got

1166
01:01:54,120 --> 01:01:57,640
Speaker 1: some more to talk about, which is in particular, you know,

1167
01:01:57,960 --> 01:02:02,120
Speaker 1: Survivor's remorse. I left a whole first X section about

1168
01:02:02,200 --> 01:02:04,760
Speaker 1: daytime fevers, because when you're a star, you know, just

1169
01:02:04,840 --> 01:02:08,000
Speaker 1: cramp everything in the one break. Coming up next, we're

1170
01:02:08,040 --> 01:02:11,680
Speaker 1: gonna talk about the dramatic end to the third season.

1171
01:02:11,800 --> 01:02:14,960
Speaker 1: We're gonna talk about that car crash when Unc died

1172
01:02:15,720 --> 01:02:18,520
Speaker 1: your brother. We're gonna get the emotional, We're gonna laugh.

1173
01:02:18,960 --> 01:02:22,680
Speaker 1: Stay tuned, y'all hanging there. I got the great legendary

1174
01:02:22,960 --> 01:02:26,960
Speaker 1: funny singer single Mob to see the on on the call.

1175
01:02:27,600 --> 01:02:31,919
Speaker 1: We'll be right back with more money making conversation. I'm back.

1176
01:02:32,680 --> 01:02:35,280
Speaker 1: I gotta bring her back up real quick. She's on hold.

1177
01:02:36,080 --> 01:02:37,920
Speaker 1: She hung in with me for one break. Now we're

1178
01:02:37,920 --> 01:02:40,040
Speaker 1: gonna wrap up this next break because premier in this

1179
01:02:40,200 --> 01:02:45,480
Speaker 1: Sunday August is the fourth season of Survivors Remorse, starring

1180
01:02:45,920 --> 01:02:51,160
Speaker 1: she On Stars. Does she know how you're doing? Here's

1181
01:02:51,200 --> 01:02:53,600
Speaker 1: the great thing about this that is that in real life,

1182
01:02:53,640 --> 01:02:56,840
Speaker 1: your single mom on this episode or this series, which

1183
01:02:56,880 --> 01:02:59,040
Speaker 1: is I'm gonna tell you I have run recoiently on

1184
01:02:59,120 --> 01:03:02,120
Speaker 1: earlier and I'm gonna just tell you because I don't don't.

1185
01:03:02,120 --> 01:03:03,960
Speaker 1: I want to make sure you hear what I'm saying

1186
01:03:03,960 --> 01:03:09,520
Speaker 1: about how I love this show. This show is from

1187
01:03:09,560 --> 01:03:13,160
Speaker 1: an African American standpoint, is one of the best shows

1188
01:03:13,200 --> 01:03:17,680
Speaker 1: I've seen in my life. I gotta say this because

1189
01:03:17,680 --> 01:03:21,040
Speaker 1: it's a drama d and I say that because very

1190
01:03:21,040 --> 01:03:23,440
Speaker 1: few shows have the ability because we want to know

1191
01:03:23,440 --> 01:03:26,440
Speaker 1: where the classic drama is Mash Mash is one of

1192
01:03:26,480 --> 01:03:31,480
Speaker 1: the all time great classic drama dy series in television history. Well,

1193
01:03:31,600 --> 01:03:34,400
Speaker 1: one minute you're crying, one minute you're taking on the

1194
01:03:34,480 --> 01:03:38,080
Speaker 1: emotional journey, and then the next minute you're laughing and

1195
01:03:38,120 --> 01:03:42,320
Speaker 1: you're finding every character relatable. And that's what the key

1196
01:03:42,360 --> 01:03:44,680
Speaker 1: of this show is all about. And you play a

1197
01:03:44,720 --> 01:03:48,640
Speaker 1: single mall on this show to m Chuck and to

1198
01:03:48,800 --> 01:03:52,760
Speaker 1: Cam and camras the basketball superstar. Who's who think that

1199
01:03:52,880 --> 01:03:56,520
Speaker 1: this family would migrated down from Boston, Dorchester's their community

1200
01:03:56,720 --> 01:03:59,360
Speaker 1: to live in Atlanta, so they're coming down the whole

1201
01:03:59,360 --> 01:04:02,360
Speaker 1: Atlantis new experience. I'm just I'm just I'm just painting

1202
01:04:02,400 --> 01:04:04,000
Speaker 1: the story for him so they won't be lost. You

1203
01:04:04,080 --> 01:04:06,600
Speaker 1: start talking about, I need to take you on the road.

1204
01:04:08,040 --> 01:04:11,560
Speaker 1: I love this show. I love this show. My wife

1205
01:04:11,600 --> 01:04:15,200
Speaker 1: has cried twice on this show. She cried. She cried

1206
01:04:15,200 --> 01:04:21,120
Speaker 1: when Uncle Ju die. You know that car accident. Whoa?

1207
01:04:22,560 --> 01:04:26,200
Speaker 1: And then and then the hospital scene, whoa? I'm telling

1208
01:04:26,200 --> 01:04:29,200
Speaker 1: you and then you know, I'm just letting everybody know.

1209
01:04:29,320 --> 01:04:31,240
Speaker 1: I'm not gonna go in detail because you need to,

1210
01:04:31,560 --> 01:04:34,560
Speaker 1: as they say, start bench watching, watching the series this

1211
01:04:34,600 --> 01:04:37,600
Speaker 1: week so you can be ready for the August premiere

1212
01:04:37,680 --> 01:04:42,080
Speaker 1: on Stars. Yes, tell us about your character Cassie, who

1213
01:04:42,120 --> 01:04:46,120
Speaker 1: now has a relationship with Shin. Yes, And I'm just

1214
01:04:46,160 --> 01:04:49,439
Speaker 1: gonna give you a little backstory. Um Chen is played

1215
01:04:49,480 --> 01:04:53,040
Speaker 1: by Robert Wool, great actor. He came on, we had

1216
01:04:53,080 --> 01:04:55,360
Speaker 1: a scene together, and the scene that we had together

1217
01:04:55,480 --> 01:04:58,040
Speaker 1: just was so he just did so well. And I

1218
01:04:58,040 --> 01:05:00,520
Speaker 1: would say, you know what, I really really want to

1219
01:05:00,600 --> 01:05:04,160
Speaker 1: delve a little. I want my character to um double

1220
01:05:04,160 --> 01:05:08,320
Speaker 1: a little deeper into this relationship because for so long

1221
01:05:08,480 --> 01:05:13,360
Speaker 1: I have not seen on television black women adorned, truly loved.

1222
01:05:14,360 --> 01:05:16,840
Speaker 1: And I said, you know what, I want him to,

1223
01:05:17,280 --> 01:05:19,960
Speaker 1: you know, truly love her and show his love for her.

1224
01:05:20,360 --> 01:05:22,640
Speaker 1: And what better way didn't have a billionaire love you?

1225
01:05:24,760 --> 01:05:28,600
Speaker 1: So um you know it's and that's every woman's fantasy

1226
01:05:28,720 --> 01:05:31,320
Speaker 1: to be loved like that. So I said, let's let's

1227
01:05:31,320 --> 01:05:34,280
Speaker 1: do it. And and Michael Mallley, the good thing about

1228
01:05:34,400 --> 01:05:39,280
Speaker 1: him is that he's not the executive producer. But every season,

1229
01:05:39,880 --> 01:05:43,080
Speaker 1: you know, we as actors, we individually sit there and

1230
01:05:43,120 --> 01:05:46,120
Speaker 1: we go in the writer's room ending of each season

1231
01:05:46,200 --> 01:05:48,960
Speaker 1: and we talk about what would we see our characters,

1232
01:05:49,400 --> 01:05:53,520
Speaker 1: talk about our storyline. So your survivors Remorris is you

1233
01:05:53,560 --> 01:05:57,960
Speaker 1: know a lot of our input as well, because you

1234
01:05:57,960 --> 01:06:00,600
Speaker 1: know we we you know when you put a character

1235
01:06:00,640 --> 01:06:02,880
Speaker 1: but for so long, you know, it becomes a part

1236
01:06:02,920 --> 01:06:04,960
Speaker 1: of you. And of course you wanted to see a grow.

1237
01:06:05,080 --> 01:06:07,600
Speaker 1: You want to see no different, you want to experience

1238
01:06:07,680 --> 01:06:10,360
Speaker 1: different things. So that was one of my things with Cassie.

1239
01:06:10,440 --> 01:06:16,800
Speaker 1: But this season, the amazing Isaiah Washington who is coming

1240
01:06:16,920 --> 01:06:21,280
Speaker 1: on and he just comes on and just now he's

1241
01:06:21,360 --> 01:06:24,960
Speaker 1: Cam's father. Correct, Yes, He's Cam's father, Okay, and now

1242
01:06:25,040 --> 01:06:27,240
Speaker 1: and that that's how this last season end where you

1243
01:06:27,320 --> 01:06:30,840
Speaker 1: want to visit him in jail. Correct, Okay? Cool. So

1244
01:06:30,840 --> 01:06:33,280
Speaker 1: so I'm not gonna reveal too much. Yeah, you don't

1245
01:06:33,320 --> 01:06:35,960
Speaker 1: want to take that. So many different this year, You're

1246
01:06:35,960 --> 01:06:40,240
Speaker 1: gonna see so many different plots and story lines. You'll

1247
01:06:40,240 --> 01:06:43,280
Speaker 1: still see us as a family cohesive, but you know

1248
01:06:43,960 --> 01:06:47,520
Speaker 1: we are. Yeah. Well, the key the thing I liked

1249
01:06:47,520 --> 01:06:50,120
Speaker 1: about I like about the series is, first of all,

1250
01:06:50,400 --> 01:06:52,800
Speaker 1: when I was talking to rod Rico is the anger

1251
01:06:52,920 --> 01:06:56,320
Speaker 1: because it's a family. You know, you got money now

1252
01:06:56,440 --> 01:07:01,040
Speaker 1: didn't have money, kind of little hoodish, little hoodie. You know,

1253
01:07:01,120 --> 01:07:06,800
Speaker 1: I got got of the hood. But you but you,

1254
01:07:06,880 --> 01:07:10,160
Speaker 1: but you respect you respect your son. Now you have

1255
01:07:10,240 --> 01:07:14,360
Speaker 1: two children. Uh, let's break down to the listener and

1256
01:07:14,440 --> 01:07:17,600
Speaker 1: to the view about your child. IM Chuck which is

1257
01:07:17,640 --> 01:07:21,200
Speaker 1: short for Mary Charles. And then Cam who's the basketball

1258
01:07:21,240 --> 01:07:25,600
Speaker 1: superstar who was signed to play basketball at the for

1259
01:07:25,680 --> 01:07:29,320
Speaker 1: the A lot of Hawks. Yes, now, UM, they both

1260
01:07:30,320 --> 01:07:34,240
Speaker 1: as we established that UM I was raped, gang raped

1261
01:07:35,160 --> 01:07:38,400
Speaker 1: by um one of them Chucked, Well she you know,

1262
01:07:38,520 --> 01:07:40,840
Speaker 1: she went down that path of finding her father, M Chuck.

1263
01:07:41,320 --> 01:07:45,440
Speaker 1: And then UM Cam's father obviously now is Isaiah Washington.

1264
01:07:45,600 --> 01:07:51,680
Speaker 1: So UM I have two children that are obviously completely different, right,

1265
01:07:52,000 --> 01:07:56,040
Speaker 1: but um who love each other and who um who

1266
01:07:56,080 --> 01:07:59,080
Speaker 1: are basically on my life, you know, as with any

1267
01:07:59,120 --> 01:08:01,960
Speaker 1: other any mother, you know, we make our children our lives.

1268
01:08:01,960 --> 01:08:05,760
Speaker 1: And you know, I think Cassie does puts Cam in

1269
01:08:05,760 --> 01:08:08,840
Speaker 1: a position because he is the moneymaker he is, you know,

1270
01:08:09,160 --> 01:08:11,520
Speaker 1: but she's still her son, and I don't think she

1271
01:08:11,600 --> 01:08:14,880
Speaker 1: ever loses sight of that. So she's always going to

1272
01:08:15,000 --> 01:08:19,479
Speaker 1: give him her honest opinion. She's never going to uh

1273
01:08:19,680 --> 01:08:24,559
Speaker 1: steer him wrong. Right now, her opinions that can be

1274
01:08:24,600 --> 01:08:28,280
Speaker 1: a little different sometimes, but it's because she's been through it,

1275
01:08:28,479 --> 01:08:32,080
Speaker 1: you know, because she's she's overcome a lot of different obstacles,

1276
01:08:32,120 --> 01:08:35,280
Speaker 1: so you know, she she has the right as the

1277
01:08:35,360 --> 01:08:40,040
Speaker 1: matriarch of the show as well to um, let's just

1278
01:08:40,080 --> 01:08:43,160
Speaker 1: say speak come on, and she has no Cassy has

1279
01:08:43,200 --> 01:08:46,840
Speaker 1: no problem doing it now is because whatever you do,

1280
01:08:46,920 --> 01:08:49,000
Speaker 1: because this is the drama side of the series, and

1281
01:08:49,000 --> 01:08:52,120
Speaker 1: when you start getting involved with deaf scenes and and

1282
01:08:52,160 --> 01:08:54,439
Speaker 1: still have to be funny. And you know, because one

1283
01:08:54,479 --> 01:08:56,320
Speaker 1: singe has written said and the other things, you have

1284
01:08:56,360 --> 01:09:01,080
Speaker 1: to deliver a funny line to break the ice. As actress,

1285
01:09:01,120 --> 01:09:03,679
Speaker 1: how do you build on that? How did you create

1286
01:09:03,720 --> 01:09:07,519
Speaker 1: that moment um? You go with the moment, you believe

1287
01:09:07,640 --> 01:09:10,599
Speaker 1: the moment. You know, Um, all of us as actors

1288
01:09:10,600 --> 01:09:12,880
Speaker 1: on the show, we all insert a little bit of ourselves.

1289
01:09:13,080 --> 01:09:15,760
Speaker 1: I know that I do try to with every role

1290
01:09:15,840 --> 01:09:18,720
Speaker 1: that I take so that I will be believable. But

1291
01:09:19,479 --> 01:09:21,479
Speaker 1: you insert a little bit of yourself and you try

1292
01:09:21,479 --> 01:09:25,240
Speaker 1: to identify with what's going on in the actual scene.

1293
01:09:26,360 --> 01:09:31,760
Speaker 1: And we have great writers. You better believe you've got

1294
01:09:31,760 --> 01:09:35,280
Speaker 1: great writers. When you have good writers, that is always

1295
01:09:35,280 --> 01:09:39,080
Speaker 1: a great combination. So because of our writers and because

1296
01:09:39,120 --> 01:09:42,880
Speaker 1: of you know, our executive producers, and because there's such

1297
01:09:42,880 --> 01:09:45,200
Speaker 1: a great vision for the show, and we try to

1298
01:09:45,240 --> 01:09:47,400
Speaker 1: play that vision out as best as possible. It makes

1299
01:09:47,400 --> 01:09:49,760
Speaker 1: it a little easier. And you know, like I said,

1300
01:09:49,880 --> 01:09:51,720
Speaker 1: it comes, you know, a lot of it is our

1301
01:09:51,760 --> 01:09:56,200
Speaker 1: own input. Now it's a little easier being harder to

1302
01:09:56,320 --> 01:09:59,000
Speaker 1: play and you know, you know, being a sitcom writer

1303
01:09:59,360 --> 01:10:01,439
Speaker 1: and no one what you have to do. And that's

1304
01:10:01,479 --> 01:10:03,160
Speaker 1: why I just love First of all, I gotta have talent.

1305
01:10:03,560 --> 01:10:07,360
Speaker 1: And when you looked at cast, such a talented, talented cast.

1306
01:10:07,640 --> 01:10:10,120
Speaker 1: When the show came out, the big fan fare was

1307
01:10:10,400 --> 01:10:12,960
Speaker 1: it was Lebron James executive produced. That's what that was

1308
01:10:13,000 --> 01:10:16,000
Speaker 1: the hype on that. And I'm just telling everybody who's

1309
01:10:16,040 --> 01:10:18,880
Speaker 1: listening or who's watching on my Facebook page and who

1310
01:10:18,920 --> 01:10:22,200
Speaker 1: will here played back on my Heart Radio podcast that

1311
01:10:22,360 --> 01:10:26,120
Speaker 1: this is a show that is incredibly funny, a cast

1312
01:10:26,160 --> 01:10:30,439
Speaker 1: that is very relatable, and the diversity on this show

1313
01:10:30,720 --> 01:10:33,200
Speaker 1: is amazing. And the thing I like about the show

1314
01:10:33,560 --> 01:10:36,040
Speaker 1: is that when I go to m Chuck, I see

1315
01:10:36,040 --> 01:10:39,479
Speaker 1: an averry young lady, but a beautiful young lady, and

1316
01:10:39,600 --> 01:10:42,839
Speaker 1: she's trying to find herself. She's in a lesbian world.

1317
01:10:43,320 --> 01:10:46,400
Speaker 1: You know, she has a major voice, but she's she

1318
01:10:46,439 --> 01:10:49,920
Speaker 1: doesn't even know who she is. And the season end

1319
01:10:50,000 --> 01:10:52,759
Speaker 1: with her trying to find her father. That's how the season.

1320
01:10:52,880 --> 01:10:56,200
Speaker 1: That's that's the season for storyline. Correct. Yeah, so that's

1321
01:10:56,240 --> 01:11:01,200
Speaker 1: one of them, and then and then you have and

1322
01:11:01,240 --> 01:11:04,000
Speaker 1: then the other storyline just setting the tone for storylines,

1323
01:11:04,120 --> 01:11:07,080
Speaker 1: not Cam. I'm assuming you one of his story lines

1324
01:11:07,240 --> 01:11:11,599
Speaker 1: is gonna be his relationship with his father. Correct, two

1325
01:11:11,680 --> 01:11:15,400
Speaker 1: kids pursuing their past with their father. Okay, cool. Then

1326
01:11:15,560 --> 01:11:18,000
Speaker 1: if if if he's going to pursue his relationship with

1327
01:11:18,080 --> 01:11:20,960
Speaker 1: his father, then once his father, Isaiah Washington comes in

1328
01:11:21,000 --> 01:11:25,559
Speaker 1: the world, that means there's gonna be some connectivity with you. Correct, yes, correct,

1329
01:11:25,600 --> 01:11:28,240
Speaker 1: without me telling the storyline, which means there's going to

1330
01:11:28,320 --> 01:11:37,160
Speaker 1: be a problem with the billionaire. Not good, look, you

1331
01:11:37,200 --> 01:11:39,720
Speaker 1: ain't gonna get it out of me. And then you

1332
01:11:39,800 --> 01:11:43,320
Speaker 1: got Reggie and Missy who plays his wife on the show.

1333
01:11:43,640 --> 01:11:46,639
Speaker 1: And Reggie is the cousins who's also the manager because

1334
01:11:46,680 --> 01:11:49,679
Speaker 1: Missy is so busy trying to make sure he has

1335
01:11:49,720 --> 01:11:53,360
Speaker 1: a career outside of Cam, and Kim's fighting with that

1336
01:11:53,640 --> 01:11:58,519
Speaker 1: because guess what the reason he's hit is because of Cam. Yep, yep.

1337
01:11:58,720 --> 01:12:01,960
Speaker 1: So you're gonna see that a ship dynamic. It's some

1338
01:12:02,160 --> 01:12:06,680
Speaker 1: great tell you something I would tell you something. I

1339
01:12:06,760 --> 01:12:12,679
Speaker 1: am a faith you are really listen. You are proving

1340
01:12:12,720 --> 01:12:15,479
Speaker 1: yourself to be a true fan. That's for sure. I'm

1341
01:12:15,520 --> 01:12:18,320
Speaker 1: a fan because this is what we want people to do.

1342
01:12:18,439 --> 01:12:21,320
Speaker 1: We want you to dissect it. We want you to

1343
01:12:21,400 --> 01:12:24,599
Speaker 1: pay attention to those little things. We want you to

1344
01:12:24,640 --> 01:12:28,599
Speaker 1: have an opinion. We actually do listen to people that

1345
01:12:28,640 --> 01:12:30,920
Speaker 1: follow us on Twitter and they give us their opinion

1346
01:12:30,960 --> 01:12:34,200
Speaker 1: on Facebook. We pay attention to all of that because

1347
01:12:34,320 --> 01:12:37,160
Speaker 1: we want to be able to service everybody. Okay, but

1348
01:12:37,200 --> 01:12:39,320
Speaker 1: before before we get out of here game, let me

1349
01:12:39,320 --> 01:12:40,640
Speaker 1: just tell every if I want to talk about the

1350
01:12:40,640 --> 01:12:43,160
Speaker 1: foundation before, because we hit on it a little bit

1351
01:12:43,200 --> 01:12:44,640
Speaker 1: in the beginning, but I want to give it the

1352
01:12:44,680 --> 01:12:48,400
Speaker 1: time that it deserves. Now. Survivor's Remore, the fourth season,

1353
01:12:49,000 --> 01:12:53,280
Speaker 1: premieres this Sunday, August on Stars. Now. If you've never

1354
01:12:53,360 --> 01:12:57,559
Speaker 1: seen an episode of Survivor's Remorse, I'm talking right now

1355
01:12:57,680 --> 01:13:01,120
Speaker 1: to Sheina Arnold. I have run co le on earlier.

1356
01:13:01,240 --> 01:13:05,040
Speaker 1: A fantastic cast. It's a drama day. Something that's not

1357
01:13:05,040 --> 01:13:08,599
Speaker 1: gonna t you right now. An amazing African American cash

1358
01:13:08,680 --> 01:13:11,360
Speaker 1: with a lot of diversity. That's the great thing about

1359
01:13:11,400 --> 01:13:14,400
Speaker 1: this show. Now you can binge watch. Just go to

1360
01:13:14,439 --> 01:13:17,080
Speaker 1: on the main go to on demand, just bend watched,

1361
01:13:17,120 --> 01:13:19,880
Speaker 1: just just start. Just just get you some water, get

1362
01:13:19,880 --> 01:13:23,160
Speaker 1: you some cheetos and start laughing, you know, pause on

1363
01:13:23,200 --> 01:13:26,680
Speaker 1: the bathroom breaks and go do your thing. You need

1364
01:13:26,760 --> 01:13:31,200
Speaker 1: to be ready for this. You got the bench watched

1365
01:13:31,400 --> 01:13:34,000
Speaker 1: because it's it's great. It's not that long. Episodes go

1366
01:13:34,080 --> 01:13:37,880
Speaker 1: by like that. It's half hour. It's half hour. Now.

1367
01:13:37,960 --> 01:13:40,240
Speaker 1: With that being said, I talked to hear about the

1368
01:13:40,280 --> 01:13:43,160
Speaker 1: Luver's Foundation. Give me some details of why it's important

1369
01:13:43,400 --> 01:13:45,880
Speaker 1: and how we can you know, either donate now or

1370
01:13:45,920 --> 01:13:49,439
Speaker 1: participate in any cause that you have in relationship, in

1371
01:13:49,479 --> 01:13:52,880
Speaker 1: relations in relation to this in the future. Yes, well, well,

1372
01:13:52,920 --> 01:13:56,840
Speaker 1: I I have my sister and I have an organization

1373
01:13:56,920 --> 01:14:01,000
Speaker 1: called We Went Foundation. My sister has seven order immune diseases.

1374
01:14:02,040 --> 01:14:05,479
Speaker 1: The seventh one she was diagnosed with was lupus. She

1375
01:14:05,560 --> 01:14:07,200
Speaker 1: asked me to talk about it. I said, you know,

1376
01:14:07,240 --> 01:14:09,800
Speaker 1: once I opened my big mouth and there's gonna be

1377
01:14:09,800 --> 01:14:13,679
Speaker 1: no stopping. So we started talking about it, and um,

1378
01:14:14,040 --> 01:14:16,439
Speaker 1: you know, we once we once we started talking about it,

1379
01:14:16,520 --> 01:14:20,080
Speaker 1: we found that so many people were suffering from it.

1380
01:14:20,720 --> 01:14:23,400
Speaker 1: Even if you weren't suffer room from it. Somebody knew

1381
01:14:23,439 --> 01:14:27,040
Speaker 1: somebody else from it from and it really affected It's

1382
01:14:27,040 --> 01:14:30,680
Speaker 1: affecting our black and Latino women the worst, and and

1383
01:14:31,080 --> 01:14:34,800
Speaker 1: even men and we So what we've been doing is

1384
01:14:34,920 --> 01:14:38,280
Speaker 1: just talking about it and just teaching everybody to listen

1385
01:14:38,320 --> 01:14:40,600
Speaker 1: to your body, to be afraid to go to the

1386
01:14:40,680 --> 01:14:43,599
Speaker 1: doctor and see. My sister in lie dormant for a

1387
01:14:43,600 --> 01:14:46,160
Speaker 1: long time. So by the time it was her seventh

1388
01:14:46,200 --> 01:14:48,519
Speaker 1: disease that she was diagnosed with, she told the doctor, well,

1389
01:14:48,600 --> 01:14:50,280
Speaker 1: just give me a pill and let me keep it moving.

1390
01:14:50,320 --> 01:14:53,240
Speaker 1: And he's like, no, it's incurable. So that's when we

1391
01:14:53,280 --> 01:14:56,920
Speaker 1: was like, Okay, we gotta really figured this out. So

1392
01:14:57,000 --> 01:15:00,800
Speaker 1: once we started talking about it and we we our

1393
01:15:00,920 --> 01:15:03,479
Speaker 1: our model is is the reason why we say that

1394
01:15:03,600 --> 01:15:06,320
Speaker 1: we win. That's when my my sister says all the time,

1395
01:15:06,560 --> 01:15:11,320
Speaker 1: because you can, despite your obstacles, despite your illness, get

1396
01:15:11,320 --> 01:15:14,360
Speaker 1: through it. So we want to take and take care

1397
01:15:14,600 --> 01:15:17,639
Speaker 1: of people and help them. Now you know, we were

1398
01:15:17,680 --> 01:15:21,160
Speaker 1: looking for cure, but just any sort of relief. If

1399
01:15:21,200 --> 01:15:25,160
Speaker 1: somebody pays your telephone bill, that's one less thing, you know.

1400
01:15:25,240 --> 01:15:27,559
Speaker 1: So we're just we're trying to help people the best

1401
01:15:27,600 --> 01:15:30,920
Speaker 1: way we know how. And uh, and teach awareness and

1402
01:15:30,920 --> 01:15:33,559
Speaker 1: and and let's get it from the beginning. That's let's

1403
01:15:33,560 --> 01:15:36,120
Speaker 1: not wait, even with prostate cancer and all the stuff.

1404
01:15:36,400 --> 01:15:38,680
Speaker 1: We let's pay attention to our bodies and not be

1405
01:15:38,760 --> 01:15:43,879
Speaker 1: afraid to go to the doctor. It's called the we

1406
01:15:43,920 --> 01:15:48,160
Speaker 1: Win Foundation dot org. Is do we Win Foundation dot org.

1407
01:15:48,479 --> 01:15:53,160
Speaker 1: It was started because of our sister, but it benefits everyone. Yes,

1408
01:15:53,360 --> 01:15:56,280
Speaker 1: so let's go to this site today, we Win Foundation

1409
01:15:56,320 --> 01:15:58,400
Speaker 1: dot org. It's about lupus. As soon as I saw

1410
01:15:58,439 --> 01:16:02,360
Speaker 1: that part came to me, I merely listener to uh Tracy,

1411
01:16:02,640 --> 01:16:05,599
Speaker 1: Tracy Logan, and she, uh, you know, she said, thank you.

1412
01:16:05,800 --> 01:16:07,800
Speaker 1: It's about this is what we need. We need people

1413
01:16:07,840 --> 01:16:11,400
Speaker 1: who who put the word out. Yeah, we need people

1414
01:16:11,479 --> 01:16:13,760
Speaker 1: like you. And I appreciate it because you know, a

1415
01:16:13,760 --> 01:16:16,280
Speaker 1: lot of people, when you're not going through it the time,

1416
01:16:16,360 --> 01:16:18,400
Speaker 1: you don't care. You're like, keep it moving. But until

1417
01:16:18,439 --> 01:16:20,880
Speaker 1: it affects you, that's when you're like, oh wait a minute.

1418
01:16:21,080 --> 01:16:22,840
Speaker 1: And that's what happened. You know. Even with me and

1419
01:16:22,880 --> 01:16:26,839
Speaker 1: my sister, I took it. You know, I'm thinking, okay,

1420
01:16:26,880 --> 01:16:29,040
Speaker 1: well she'll be all right, you know, And and and

1421
01:16:29,080 --> 01:16:31,599
Speaker 1: it really dawned on me. I gotta route awake. Then

1422
01:16:31,640 --> 01:16:33,920
Speaker 1: when we were going through the airport and I'm like

1423
01:16:34,040 --> 01:16:36,760
Speaker 1: the name, come on, hurry up, and she said, I

1424
01:16:36,800 --> 01:16:40,799
Speaker 1: can't untie my shoe. So something as simple as tying

1425
01:16:40,840 --> 01:16:44,600
Speaker 1: your shoe, rushing your teeth, Lupa's affects people in so

1426
01:16:44,800 --> 01:16:47,880
Speaker 1: many different ways. So you know, just be you know you,

1427
01:16:48,160 --> 01:16:52,120
Speaker 1: I'm I'm considered as a caregiver, and um, you know

1428
01:16:52,160 --> 01:16:54,720
Speaker 1: we even us caregivers, we gotta learn how to deal

1429
01:16:54,760 --> 01:16:57,679
Speaker 1: with the people that have and others were my friend.

1430
01:16:58,439 --> 01:17:01,599
Speaker 1: I got to hear you your half out. We talked

1431
01:17:01,600 --> 01:17:05,960
Speaker 1: about Daytime Davis. Watch it tonight on vh one Daytime Divis.

1432
01:17:06,000 --> 01:17:09,920
Speaker 1: She's players. She plays the character More Evans. Sunday, August fourth,

1433
01:17:09,960 --> 01:17:13,560
Speaker 1: on Stars, the fourth season of Survivors Remorse released the

1434
01:17:13,640 --> 01:17:17,080
Speaker 1: roll of Cassie. She has an organization just trying to

1435
01:17:17,120 --> 01:17:20,320
Speaker 1: find a cure for LUPUS. We Win Foundation dot org.

1436
01:17:20,920 --> 01:17:25,120
Speaker 1: She's a mother, you know, single parents. She's doing her thing.

1437
01:17:25,840 --> 01:17:29,240
Speaker 1: Ladies and gentlemen, without further ado, give some love, continued

1438
01:17:29,240 --> 01:17:31,280
Speaker 1: to support the one and on it to Sheena honor,

1439
01:17:34,560 --> 01:17:37,240
Speaker 1: thank you, my friend. We're coming up next. If you

1440
01:17:37,280 --> 01:17:39,320
Speaker 1: want to get in the private jet. I hadn't been

1441
01:17:39,360 --> 01:17:42,280
Speaker 1: in the private jet. If you're think of private jet,

1442
01:17:42,360 --> 01:17:44,320
Speaker 1: you can afford to get the private jet day something.

1443
01:17:44,720 --> 01:17:48,040
Speaker 1: It ain't that high, It ain't that high. Don't let

1444
01:17:48,080 --> 01:17:51,040
Speaker 1: the image of the jet landing real. Don't let them

1445
01:17:51,080 --> 01:17:54,360
Speaker 1: a little small flame scare you. Don't scare. I fly

1446
01:17:55,200 --> 01:17:59,640
Speaker 1: it once a while. But guess what I'm about to

1447
01:17:59,640 --> 01:18:01,800
Speaker 1: bring a young man on him. That's what you do

1448
01:18:01,920 --> 01:18:05,599
Speaker 1: for a living, and he's African American. Be right back

1449
01:18:05,640 --> 01:18:08,479
Speaker 1: with more money making conversation. Thank y'all. Well, we're having

1450
01:18:08,479 --> 01:18:11,720
Speaker 1: a great show. Oh that's every money. I can't wait them.

1451
01:18:11,960 --> 01:18:20,000
Speaker 1: Oh hell did cool? Welcome back to money making conversations.

1452
01:18:20,880 --> 01:18:26,400
Speaker 1: These planes are called celebrity enrich people are travel private jets?

1453
01:18:27,200 --> 01:18:30,200
Speaker 1: Are they affordable for you? My next tell us, My

1454
01:18:30,360 --> 01:18:34,320
Speaker 1: next guest tells us more about Principle Jets, what exactly

1455
01:18:34,600 --> 01:18:37,880
Speaker 1: his company does, and how you're different from the why

1456
01:18:37,920 --> 01:18:40,600
Speaker 1: they are different from larger competitors. Please work on the

1457
01:18:40,600 --> 01:18:45,720
Speaker 1: money making conversations. The owner of Principal Jets, Charles Robinson,

1458
01:18:47,080 --> 01:18:50,240
Speaker 1: how you do so well doing this, McDonald, thanks so

1459
01:18:50,320 --> 01:18:53,080
Speaker 1: much for having me. Okay man. The first thing that

1460
01:18:53,280 --> 01:18:55,120
Speaker 1: when you hear the word private jet, and I'm gonna

1461
01:18:55,120 --> 01:18:58,160
Speaker 1: just tell you because it's becoming more and more normal

1462
01:18:58,720 --> 01:19:01,040
Speaker 1: to a lot of people and travel. You know, it's

1463
01:19:01,160 --> 01:19:03,320
Speaker 1: people I can't far that, and I'm not trying to

1464
01:19:03,320 --> 01:19:05,800
Speaker 1: say that everybody can afford it. But when people start

1465
01:19:05,840 --> 01:19:08,400
Speaker 1: flying first class, they and if you fly, if you

1466
01:19:08,479 --> 01:19:11,160
Speaker 1: flying first class and a group of y'all going in

1467
01:19:11,200 --> 01:19:14,160
Speaker 1: the same direction, you pretty much can fly first class.

1468
01:19:14,280 --> 01:19:18,160
Speaker 1: You can go private, correct, Absolutely, It depends on where

1469
01:19:18,160 --> 01:19:20,439
Speaker 1: you're going, how many people you have, and what type

1470
01:19:20,479 --> 01:19:22,680
Speaker 1: aircraft you're using. But but by all means you're you're

1471
01:19:22,680 --> 01:19:24,479
Speaker 1: getting pretty close. If you have a group of people

1472
01:19:25,000 --> 01:19:29,080
Speaker 1: flying first class, you can definitely consider flying privately. It's

1473
01:19:29,120 --> 01:19:32,519
Speaker 1: not beyond the realm of expectation, expectations in terms of cost.

1474
01:19:33,160 --> 01:19:34,519
Speaker 1: And I'm gonna just tell you this. I'm gonna talk

1475
01:19:34,520 --> 01:19:37,840
Speaker 1: a little bit private jack conversations. Why why I like

1476
01:19:38,000 --> 01:19:40,799
Speaker 1: it when I do it? First of all, the plane

1477
01:19:40,800 --> 01:19:44,559
Speaker 1: don't lead to you tell it to lead. In fact,

1478
01:19:44,800 --> 01:19:47,719
Speaker 1: you ever late for the plane. Okay, you got that flock,

1479
01:19:47,800 --> 01:19:50,040
Speaker 1: you bought that flock private jet. It's at one o'clock,

1480
01:19:50,080 --> 01:19:52,840
Speaker 1: you get there one thirty, it goes still be waiting

1481
01:19:52,840 --> 01:19:55,920
Speaker 1: on it. Okay, the player will be waiting for you. Absolutely. Second,

1482
01:19:56,160 --> 01:19:59,040
Speaker 1: don't nobody patch you down. Don't know body pat you down,

1483
01:19:59,400 --> 01:20:03,120
Speaker 1: Nobody going your underwear, Ain't nobody kicking off your shoes,

1484
01:20:03,439 --> 01:20:06,960
Speaker 1: Ain't nobody touching your head. All that's cool with private

1485
01:20:07,040 --> 01:20:10,120
Speaker 1: jet travel. And the other thing is that the person

1486
01:20:10,120 --> 01:20:14,360
Speaker 1: is sitting across from me. You know him exactly, you

1487
01:20:14,400 --> 01:20:17,800
Speaker 1: know him. I can't tell you how often I fly.

1488
01:20:18,320 --> 01:20:21,720
Speaker 1: I got somebody'll enter your away from my skin, and

1489
01:20:21,800 --> 01:20:25,680
Speaker 1: I don't say nothing to him for four hours. Right, Absolutely,

1490
01:20:25,800 --> 01:20:30,040
Speaker 1: that's commercial travel. Yeah, that's a really good point about

1491
01:20:30,080 --> 01:20:32,720
Speaker 1: the security and t s A and all of that

1492
01:20:33,160 --> 01:20:35,400
Speaker 1: flying privately. That's one of the benefits of flying privately

1493
01:20:35,479 --> 01:20:37,080
Speaker 1: is that you don't have to go through all that.

1494
01:20:37,600 --> 01:20:40,120
Speaker 1: You save time from that end the hassle. So it's

1495
01:20:40,160 --> 01:20:41,639
Speaker 1: a it's a win win in a in a couple

1496
01:20:41,680 --> 01:20:45,799
Speaker 1: of different areas. So, so tell us a about your background. Okay,

1497
01:20:46,160 --> 01:20:48,680
Speaker 1: I'm from a little small town in Mississippi, ridly in Mississippi.

1498
01:20:48,720 --> 01:20:49,720
Speaker 1: As a matter of fact, I think you're in my

1499
01:20:49,760 --> 01:20:53,759
Speaker 1: hometown not too Longergan absolutely, sir, Absolutely, Hey, baking cakes,

1500
01:20:53,880 --> 01:20:59,000
Speaker 1: baking cakes. Good people graduated from jack the state um

1501
01:20:59,120 --> 01:21:00,720
Speaker 1: and and in my like a year of college, I

1502
01:21:00,800 --> 01:21:03,960
Speaker 1: joined their National Guard, help my parents offsets on the

1503
01:21:04,000 --> 01:21:07,360
Speaker 1: cost of my college experience expenses by getting you know,

1504
01:21:07,400 --> 01:21:10,080
Speaker 1: taking advantage of the g I bill UH. In the

1505
01:21:10,080 --> 01:21:12,440
Speaker 1: Air Guard, I became a crew chief. I was responsible

1506
01:21:12,520 --> 01:21:15,879
Speaker 1: for uh these high performance fighter jets F four fantoms

1507
01:21:15,880 --> 01:21:20,080
Speaker 1: and then F sixteens, which gave me the opportunity to

1508
01:21:20,200 --> 01:21:23,479
Speaker 1: learn a whole lot about high performance airplane and UH

1509
01:21:23,560 --> 01:21:27,080
Speaker 1: and and here I am. This is why I like

1510
01:21:27,160 --> 01:21:28,920
Speaker 1: talking to you, because you have a lot you know,

1511
01:21:28,920 --> 01:21:31,599
Speaker 1: they have ned jets, all these ideas. You know, got

1512
01:21:31,600 --> 01:21:33,120
Speaker 1: a lot of a lot of comple I've flown on

1513
01:21:33,160 --> 01:21:36,920
Speaker 1: a lot of different companies to be very selective on

1514
01:21:37,040 --> 01:21:40,160
Speaker 1: where you get your jet from, because all private jets

1515
01:21:40,160 --> 01:21:43,000
Speaker 1: are not created. Just gonna let you know exactly, okay.

1516
01:21:43,160 --> 01:21:44,760
Speaker 1: And one of the reasons I say that is that,

1517
01:21:44,880 --> 01:21:47,800
Speaker 1: first of all, I'm talking something to someone who has

1518
01:21:47,880 --> 01:21:51,920
Speaker 1: flown before. The average person you talked to, they just

1519
01:21:51,960 --> 01:21:55,280
Speaker 1: sales people. They know nothing about that plane. They never

1520
01:21:55,320 --> 01:21:57,880
Speaker 1: know about hours. And I'm just I'm trying to come

1521
01:21:58,120 --> 01:21:59,920
Speaker 1: what I'm trying to do, Charles, I'm trying to actip

1522
01:22:00,000 --> 01:22:02,840
Speaker 1: to fire two people because people need to understand that.

1523
01:22:03,160 --> 01:22:05,400
Speaker 1: You know, if you if you're gonna upgrade in life,

1524
01:22:05,400 --> 01:22:07,320
Speaker 1: if you're wanna say, I got someone wanna treat my

1525
01:22:07,360 --> 01:22:10,240
Speaker 1: wife special, I want to go somewhere else. You can

1526
01:22:10,280 --> 01:22:12,439
Speaker 1: do this with a private jet because it's it's fun,

1527
01:22:12,520 --> 01:22:15,519
Speaker 1: it's fun, it's the ultimate birthday president is the ultimate

1528
01:22:15,560 --> 01:22:18,680
Speaker 1: wedding gift, all these things. So how would they go

1529
01:22:18,720 --> 01:22:22,280
Speaker 1: about reaching you and getting engaged in the opportunity to

1530
01:22:22,360 --> 01:22:23,960
Speaker 1: get a private what what are the what are the

1531
01:22:24,040 --> 01:22:27,519
Speaker 1: rules and what are the procedures. The easiest way to

1532
01:22:27,560 --> 01:22:30,360
Speaker 1: do that is to go to my website. It's principal

1533
01:22:30,479 --> 01:22:33,479
Speaker 1: Jets dot com and spell p R I N C

1534
01:22:33,800 --> 01:22:37,400
Speaker 1: I P A L J E T S dot com.

1535
01:22:37,840 --> 01:22:40,160
Speaker 1: Go to that website. There's a tab on there that

1536
01:22:40,200 --> 01:22:43,400
Speaker 1: says requests a quote. Real simple, just click on that

1537
01:22:43,840 --> 01:22:45,840
Speaker 1: and it will open a splash page and they'll ask

1538
01:22:45,880 --> 01:22:48,920
Speaker 1: you for some pieces of information. If you just type

1539
01:22:48,920 --> 01:22:52,120
Speaker 1: in that information and press send, it will send us

1540
01:22:52,120 --> 01:22:54,360
Speaker 1: an email and we'll have all your details. So we'll

1541
01:22:54,400 --> 01:22:56,920
Speaker 1: follow up with you, give you all the details you need.

1542
01:22:57,360 --> 01:22:59,439
Speaker 1: We'll discuss you know, what kind of budget you want

1543
01:22:59,439 --> 01:23:02,040
Speaker 1: to stay with and where you're trying to go. How

1544
01:23:02,080 --> 01:23:04,599
Speaker 1: many people are flying with you? Do you have any

1545
01:23:04,640 --> 01:23:08,840
Speaker 1: preferences in terms of your catering? You need ground transportation

1546
01:23:08,880 --> 01:23:11,679
Speaker 1: when you get there or from your place of origin?

1547
01:23:12,479 --> 01:23:15,400
Speaker 1: Do you need security? Well, you need he wants to

1548
01:23:15,439 --> 01:23:17,320
Speaker 1: travel with you to make sure that you know you're stay.

1549
01:23:17,520 --> 01:23:20,799
Speaker 1: Depending upon you know your profession, that might be something

1550
01:23:20,840 --> 01:23:24,200
Speaker 1: that you need, right, But that's a real clean and

1551
01:23:24,240 --> 01:23:26,560
Speaker 1: simple way of doing it. Uh, just go there and

1552
01:23:26,560 --> 01:23:28,439
Speaker 1: we'll take care of it from there. Well, the amazing

1553
01:23:28,479 --> 01:23:30,160
Speaker 1: thing about it this is like you said, catering, and

1554
01:23:30,160 --> 01:23:32,360
Speaker 1: I'm gonna just tell you something, every time you ask

1555
01:23:32,439 --> 01:23:34,559
Speaker 1: for something, a bill comes with it. You know, you

1556
01:23:34,560 --> 01:23:36,840
Speaker 1: can fly. You can on the plane and not have catering.

1557
01:23:36,840 --> 01:23:38,960
Speaker 1: Don't worry about you can fly plane, don't have an

1558
01:23:39,000 --> 01:23:44,720
Speaker 1: ask toward a flight attended. That's the various planes, you know,

1559
01:23:45,520 --> 01:23:47,880
Speaker 1: cost different levels of money. We're not trying to get

1560
01:23:47,880 --> 01:23:50,160
Speaker 1: you on a Beyonce a jay Z plane. Okay, we

1561
01:23:50,240 --> 01:23:53,559
Speaker 1: all know that's kind of like a whole lot of

1562
01:23:53,560 --> 01:23:57,400
Speaker 1: people's price range. We've put on planes that that available

1563
01:23:57,560 --> 01:24:00,559
Speaker 1: short hops, can go from coast to coast, can go

1564
01:24:00,640 --> 01:24:04,400
Speaker 1: to the islands. What are some of the popular destination

1565
01:24:04,520 --> 01:24:06,600
Speaker 1: rentals that you get at least did you get for

1566
01:24:06,640 --> 01:24:09,519
Speaker 1: your planes. One of the things that get more commonly

1567
01:24:09,560 --> 01:24:12,519
Speaker 1: than anything is along the East Coast. You have a

1568
01:24:12,600 --> 01:24:15,679
Speaker 1: lot of people traveling north and south along the East

1569
01:24:15,680 --> 01:24:18,640
Speaker 1: Coast from from uh, say, the Miami area up to

1570
01:24:18,680 --> 01:24:21,599
Speaker 1: New York or or the d C area. So because

1571
01:24:21,600 --> 01:24:25,800
Speaker 1: of that, it's such a busy UH traffic route that

1572
01:24:25,920 --> 01:24:28,519
Speaker 1: we're able to offset some of the cost by you know,

1573
01:24:28,960 --> 01:24:31,639
Speaker 1: just doing true one way UH. A lot of times

1574
01:24:31,640 --> 01:24:33,840
Speaker 1: people don't understand that when you fly privately, if you

1575
01:24:34,160 --> 01:24:36,040
Speaker 1: if your to a jet to go from here from

1576
01:24:36,080 --> 01:24:39,200
Speaker 1: point A to point B, in most cases you're gonna

1577
01:24:39,240 --> 01:24:40,640
Speaker 1: have to pay for that jet to go back to

1578
01:24:40,680 --> 01:24:44,000
Speaker 1: where it came as based at that location. But on

1579
01:24:44,040 --> 01:24:46,080
Speaker 1: the East Coast, as we have so much traffic growing

1580
01:24:46,160 --> 01:24:49,720
Speaker 1: up and down the East Coast, we're typically able to

1581
01:24:49,760 --> 01:24:52,120
Speaker 1: accommodate you on a true one way basis because we

1582
01:24:52,160 --> 01:24:54,360
Speaker 1: know if you fly from Miami up to New York,

1583
01:24:54,600 --> 01:24:56,679
Speaker 1: we know nine times out of tchay and somebody there's

1584
01:24:56,720 --> 01:24:59,240
Speaker 1: someone else waiting for a jet to go back down

1585
01:24:59,240 --> 01:25:02,320
Speaker 1: to Miami. Salute. This kind of offset them both that way.

1586
01:25:02,600 --> 01:25:04,680
Speaker 1: Get a lot of email notices about that they call

1587
01:25:04,760 --> 01:25:08,280
Speaker 1: an open leg exactly, empty leg, empty legs. Here we go,

1588
01:25:08,320 --> 01:25:10,439
Speaker 1: empty leg. So it means that you know, you get

1589
01:25:10,479 --> 01:25:13,120
Speaker 1: a cheaper way. Now, what is something the missnownment that

1590
01:25:13,200 --> 01:25:16,960
Speaker 1: you have to fight to let everybody understand the brand

1591
01:25:17,000 --> 01:25:21,639
Speaker 1: of private jets Charles? Yes, yes, how much flying can

1592
01:25:21,720 --> 01:25:29,799
Speaker 1: you let me do for free? Know? How many hours

1593
01:25:30,000 --> 01:25:34,200
Speaker 1: can you donate to us? Things of that nature. I'm

1594
01:25:34,240 --> 01:25:38,760
Speaker 1: a I'm a I'm a well known person. So can

1595
01:25:38,840 --> 01:25:41,160
Speaker 1: you just put my name on your marketing materials and

1596
01:25:41,240 --> 01:25:44,720
Speaker 1: let us fly based on that? And we're running a

1597
01:25:44,760 --> 01:25:48,439
Speaker 1: business and that's just that's just really really hard to justify. Now.

1598
01:25:48,439 --> 01:25:50,519
Speaker 1: I never used that. I've never used the well known

1599
01:25:50,600 --> 01:25:53,160
Speaker 1: person because I keep telling people you want to make

1600
01:25:53,200 --> 01:25:55,920
Speaker 1: sure the plane you get in goes up and lands,

1601
01:25:56,520 --> 01:26:00,000
Speaker 1: so you pay for the quality that you get. Now exactly,

1602
01:26:00,040 --> 01:26:01,720
Speaker 1: But let me let me clarify one thing. Though you

1603
01:26:01,760 --> 01:26:04,480
Speaker 1: mentioned um the names of some of these larger competitors,

1604
01:26:06,320 --> 01:26:08,240
Speaker 1: I want people to know that although we are a

1605
01:26:08,280 --> 01:26:12,400
Speaker 1: smaller company, were minority owned, were also veteran owned. The

1606
01:26:12,439 --> 01:26:16,679
Speaker 1: planes we fly our manufacturers and the exact same factory

1607
01:26:16,760 --> 01:26:20,320
Speaker 1: that as the ones flown by our larger competitors. Uh,

1608
01:26:20,360 --> 01:26:23,680
Speaker 1: you know so, and they're they're maintained and managed at

1609
01:26:23,680 --> 01:26:28,360
Speaker 1: the same FA standards that are required to conduct charter operations.

1610
01:26:28,400 --> 01:26:30,839
Speaker 1: But we also go beyond that and ensured that they've

1611
01:26:31,000 --> 01:26:34,920
Speaker 1: received additional audits above what the FA requires to ensure

1612
01:26:35,240 --> 01:26:38,480
Speaker 1: an additional level of safety. So even though we're smaller,

1613
01:26:39,040 --> 01:26:41,160
Speaker 1: you know, don't be fooled by the name and the

1614
01:26:41,200 --> 01:26:44,040
Speaker 1: logo of the larger competitor, because you're paying for that.

1615
01:26:44,920 --> 01:26:47,160
Speaker 1: We can offer you a more cost effective option to

1616
01:26:47,240 --> 01:26:50,559
Speaker 1: flying privately. And I tell you me, as the head

1617
01:26:50,600 --> 01:26:54,160
Speaker 1: of this company, UM, I have a really solid background

1618
01:26:54,160 --> 01:26:57,240
Speaker 1: in in aviation safety. I know what to look for

1619
01:26:57,400 --> 01:26:59,920
Speaker 1: in terms of the records on the aircraft made to

1620
01:27:00,040 --> 01:27:04,160
Speaker 1: the history and uh numbers on in terms of aircrew

1621
01:27:04,960 --> 01:27:07,400
Speaker 1: are they truly capable of to fly plane with you

1622
01:27:07,479 --> 01:27:11,599
Speaker 1: in it? So, uh, you know you'll see once you know,

1623
01:27:11,640 --> 01:27:14,920
Speaker 1: if you give us a chance, whoever the prospective client is,

1624
01:27:15,800 --> 01:27:18,759
Speaker 1: you'll be pretty comfortable with the the option we provide.

1625
01:27:18,760 --> 01:27:20,400
Speaker 1: And we always do a follow up as well to

1626
01:27:20,439 --> 01:27:23,679
Speaker 1: find out not if you liked it, but we want

1627
01:27:23,680 --> 01:27:26,320
Speaker 1: to find out what could we have done better? Even still,

1628
01:27:26,920 --> 01:27:30,760
Speaker 1: what's that website? Chaws Principal Jets dot Com, P R I,

1629
01:27:31,000 --> 01:27:33,600
Speaker 1: N C, I, P A, L J E T S

1630
01:27:33,640 --> 01:27:35,320
Speaker 1: dot Com. What I'm gonna do is I'm gonna bring

1631
01:27:35,360 --> 01:27:37,360
Speaker 1: you back on the show in November because I know

1632
01:27:37,400 --> 01:27:40,759
Speaker 1: that's that's when people started flying heavy and that falls

1633
01:27:41,320 --> 01:27:43,679
Speaker 1: that East coast, So we could just put the word

1634
01:27:43,720 --> 01:27:45,599
Speaker 1: out again. I know when your brand in or your

1635
01:27:45,640 --> 01:27:48,200
Speaker 1: marketing is never a one off. You have to keep

1636
01:27:48,200 --> 01:27:51,000
Speaker 1: telling people over and over again and one day they

1637
01:27:51,000 --> 01:27:53,760
Speaker 1: are here and go, oh yeah, Principal Jets dot Com

1638
01:27:53,880 --> 01:27:56,240
Speaker 1: let me call them. So, my brother, I appreciate you

1639
01:27:56,280 --> 01:27:58,600
Speaker 1: coming on the show. I know people probably say I

1640
01:27:58,640 --> 01:28:00,360
Speaker 1: can't afford it. It's not about what you came for.

1641
01:28:00,479 --> 01:28:04,559
Speaker 1: It's about information and Charles, keep doing what you're doing. UM,

1642
01:28:04,880 --> 01:28:08,360
Speaker 1: so I'm gonna use your service one day, Bro, I

1643
01:28:08,400 --> 01:28:10,800
Speaker 1: look forward to hearing from I thank you, Principal Jack

1644
01:28:11,400 --> 01:28:14,720
Speaker 1: on the phone and Scott my man, Charles Robinson. We'll

1645
01:28:14,760 --> 01:28:20,439
Speaker 1: be back own. That's Oprah Winfrey Network, the music Supervisor Angel.

1646
01:28:20,520 --> 01:28:24,559
Speaker 1: Let your love at Own come right back. Money make

1647
01:28:24,600 --> 01:28:31,880
Speaker 1: a conversation. Hi, just re Sean McDonald. I'm back on

1648
01:28:31,920 --> 01:28:36,760
Speaker 1: money making conversations. Let's get right to it. My next

1649
01:28:36,760 --> 01:28:40,840
Speaker 1: guest Oprah Winfrey and for Let's just just stop right there,

1650
01:28:40,960 --> 01:28:45,520
Speaker 1: Oprah Winfrey Network. She supervises the music for the Acclaim

1651
01:28:45,640 --> 01:28:49,559
Speaker 1: Oprah Winfrey Network original Serious Green Leave you know Green Leaf,

1652
01:28:50,120 --> 01:28:56,280
Speaker 1: which stars Keith David Lynn Woodfield and Merril Dandridge. Superstars

1653
01:28:57,360 --> 01:29:00,640
Speaker 1: got an album coming out. She's hear the talk about it.

1654
01:29:00,840 --> 01:29:07,960
Speaker 1: Please welcome the money making conversations Angela, Joe Lovatt, How

1655
01:29:08,040 --> 01:29:10,920
Speaker 1: you on? Angela? Hey? Mr McDonald, how are you who

1656
01:29:11,080 --> 01:29:13,559
Speaker 1: love at? Mr McDonald. I'll getting respect level girl, I'll

1657
01:29:13,560 --> 01:29:19,240
Speaker 1: get respect level. Respect. I like to respect my people.

1658
01:29:19,680 --> 01:29:22,599
Speaker 1: Come on, good, tell tell us about the moon Baby Media.

1659
01:29:22,680 --> 01:29:24,360
Speaker 1: Come on, tell us. I'm getting write in to it

1660
01:29:24,439 --> 01:29:27,679
Speaker 1: with you. Tell us about that well. Moon Baby Media

1661
01:29:27,880 --> 01:29:32,000
Speaker 1: is my new venture I launched seventeen and there is

1662
01:29:32,040 --> 01:29:37,519
Speaker 1: a multimedia company where I create content, branded content, on camera,

1663
01:29:37,600 --> 01:29:41,560
Speaker 1: hosts and music supervisor full time for film and television.

1664
01:29:41,960 --> 01:29:45,479
Speaker 1: And my first client is MS Winfrey. Okay, okay, let's

1665
01:29:45,479 --> 01:29:47,080
Speaker 1: slow that down. Let's slow it down because you said

1666
01:29:47,080 --> 01:29:48,840
Speaker 1: it real fast now and you said a lot of

1667
01:29:48,880 --> 01:29:51,840
Speaker 1: significant things. Now, what exactly is moon You launched it

1668
01:29:51,840 --> 01:29:56,679
Speaker 1: in twenty seventeen, What exactly is moon Baby Media? Well,

1669
01:29:56,720 --> 01:29:59,400
Speaker 1: I spent the last decade of my life at the

1670
01:29:59,439 --> 01:30:02,479
Speaker 1: recording that oud of me, the Grammy, The Grammy. Yeah.

1671
01:30:03,040 --> 01:30:08,240
Speaker 1: So I resigned in June of this year, starting Techni Media.

1672
01:30:08,360 --> 01:30:12,120
Speaker 1: So I was the gatekeeper for gospel music for a decade,

1673
01:30:12,439 --> 01:30:15,759
Speaker 1: given out all the awards to everyone in Gospel Christian

1674
01:30:15,880 --> 01:30:19,720
Speaker 1: CCN side and Gospel side. And also I oversaw a

1675
01:30:19,800 --> 01:30:24,519
Speaker 1: television film so best Compilation, Best Score for Motion Picture Television,

1676
01:30:24,600 --> 01:30:30,040
Speaker 1: Best Song Written for So those two worlds colliding multimedia, television,

1677
01:30:30,120 --> 01:30:34,440
Speaker 1: film VIC and gospel led me to this amazing opportunity

1678
01:30:34,479 --> 01:30:37,240
Speaker 1: on Green Leaf this season. But it all led me

1679
01:30:37,320 --> 01:30:39,559
Speaker 1: right out the door to start my own company, which

1680
01:30:39,560 --> 01:30:41,720
Speaker 1: is moon Baby Media. And and that's what this show

1681
01:30:41,800 --> 01:30:44,000
Speaker 1: is about. I'm glad you came on the show because

1682
01:30:44,000 --> 01:30:46,519
Speaker 1: see that means you you. Let's let me use some

1683
01:30:46,560 --> 01:30:49,559
Speaker 1: words and like the words safe use. Ten years of

1684
01:30:49,560 --> 01:30:51,880
Speaker 1: Grammars Grammar is not going anywhere Grammars. And now he

1685
01:30:51,960 --> 01:30:54,400
Speaker 1: was a senior project manage over there for gospel and

1686
01:30:54,400 --> 01:30:57,959
Speaker 1: television film music at the Grammars. But then you said, hey,

1687
01:30:58,520 --> 01:31:01,080
Speaker 1: I see another vision in my life. What made you

1688
01:31:01,200 --> 01:31:04,559
Speaker 1: do that? What made you say? I'm comfortable? But I

1689
01:31:04,600 --> 01:31:08,720
Speaker 1: need to do something else for me because I wasn't comfortable.

1690
01:31:08,880 --> 01:31:11,880
Speaker 1: You know, for me, it was always going there and

1691
01:31:11,960 --> 01:31:16,360
Speaker 1: you know, just really learning growing. You know, ten years

1692
01:31:16,400 --> 01:31:18,400
Speaker 1: is a really long time for me personally. I didn't

1693
01:31:18,400 --> 01:31:20,679
Speaker 1: expect to even be there a whole decade of my life.

1694
01:31:20,680 --> 01:31:23,560
Speaker 1: But you know, I always say it was a divine appointment,

1695
01:31:23,680 --> 01:31:27,639
Speaker 1: you know, from I never set out to do gospel music.

1696
01:31:27,680 --> 01:31:30,120
Speaker 1: You know, back was always hip hop and R and B,

1697
01:31:30,360 --> 01:31:34,479
Speaker 1: and you know, listening to hip hop from day one.

1698
01:31:34,960 --> 01:31:37,720
Speaker 1: But now God had other plans for me, and you know,

1699
01:31:37,760 --> 01:31:40,519
Speaker 1: he opened that door to the Academy to oversee the

1700
01:31:40,560 --> 01:31:43,599
Speaker 1: gospel field. So you know, at the end of the day,

1701
01:31:43,760 --> 01:31:47,040
Speaker 1: like that is an organization that is you know, basically

1702
01:31:47,160 --> 01:31:50,519
Speaker 1: driven the nucleus of this business for music. So every

1703
01:31:50,560 --> 01:31:54,599
Speaker 1: walk of life you're interface with from engineers, producers, labels, artists,

1704
01:31:54,680 --> 01:31:58,160
Speaker 1: you know, and it's really an organization that can catalyst

1705
01:31:58,240 --> 01:32:01,040
Speaker 1: you to in a place because that's what it was

1706
01:32:01,080 --> 01:32:03,719
Speaker 1: created for, you know, not just for that award show

1707
01:32:03,800 --> 01:32:05,960
Speaker 1: and that Grammy that you see every year. Like this

1708
01:32:06,040 --> 01:32:09,479
Speaker 1: is a peer to peer organization, So anyone that's serious

1709
01:32:09,520 --> 01:32:12,479
Speaker 1: about being in the music business on the business level,

1710
01:32:12,920 --> 01:32:14,479
Speaker 1: you know, they need to be a member of that

1711
01:32:14,520 --> 01:32:17,280
Speaker 1: type of organization. So for me, you know, I went

1712
01:32:17,320 --> 01:32:19,360
Speaker 1: in there, like I said, to learn and grow, and

1713
01:32:19,439 --> 01:32:21,479
Speaker 1: my path was sort of created for me as I

1714
01:32:21,560 --> 01:32:25,080
Speaker 1: was there. But I had to be patient and persistent

1715
01:32:25,160 --> 01:32:27,600
Speaker 1: but know that there was a bigger picture, an opportunity

1716
01:32:27,640 --> 01:32:30,040
Speaker 1: for me down the road, you know, because music has

1717
01:32:30,040 --> 01:32:32,840
Speaker 1: always been something I knew on the business then that

1718
01:32:32,880 --> 01:32:34,720
Speaker 1: I was going to be a huge part of. And

1719
01:32:34,720 --> 01:32:37,000
Speaker 1: I'm still creating that picture and vision of what that

1720
01:32:37,040 --> 01:32:39,519
Speaker 1: looks like in my life, you know. But that was

1721
01:32:39,640 --> 01:32:42,120
Speaker 1: a stepping stone, a piece of the puzzle for me

1722
01:32:42,280 --> 01:32:44,920
Speaker 1: to open the door to the next plateau, which is

1723
01:32:44,960 --> 01:32:47,120
Speaker 1: where I am now as a music supervisor. Now I'm

1724
01:32:47,120 --> 01:32:49,760
Speaker 1: looking at this, says r C. Inspiration and Lions Cave

1725
01:32:49,800 --> 01:32:52,800
Speaker 1: announced that they were released Green Leaf soundtrack season two

1726
01:32:53,200 --> 01:32:56,200
Speaker 1: coming up September eight. What is your exact role in that,

1727
01:32:57,360 --> 01:33:00,559
Speaker 1: I'm the album producer, so pretty much, you know, did

1728
01:33:00,600 --> 01:33:02,640
Speaker 1: all the music that you see in the show on

1729
01:33:02,800 --> 01:33:05,439
Speaker 1: camera performances. A lot of artists were written into the

1730
01:33:05,439 --> 01:33:10,679
Speaker 1: script this season, like in the final episode, Jacquelin Car

1731
01:33:10,760 --> 01:33:12,960
Speaker 1: a brand new artist Korean hearth on on r C

1732
01:33:13,200 --> 01:33:16,160
Speaker 1: that was on The Voice season eight. So my role

1733
01:33:16,200 --> 01:33:19,240
Speaker 1: in that was basically producing this soundtrack and taking some

1734
01:33:19,280 --> 01:33:21,040
Speaker 1: of the songs that we created on the show or

1735
01:33:21,160 --> 01:33:24,000
Speaker 1: licensed for the show to do a deal with our

1736
01:33:24,080 --> 01:33:27,600
Speaker 1: theater distribute the album, and basically I was responsible for

1737
01:33:27,720 --> 01:33:30,000
Speaker 1: putting that track list together. Now I'm just gonna let

1738
01:33:30,000 --> 01:33:32,400
Speaker 1: it everybody in the r C a inspiration. Now. They

1739
01:33:32,479 --> 01:33:36,519
Speaker 1: got all the mega gospel artists there, Donnie mcclarkin, Israel Horton,

1740
01:33:36,840 --> 01:33:40,519
Speaker 1: Marvin sap Leandrew Johnson. I'll tell you so. So they've

1741
01:33:40,560 --> 01:33:43,920
Speaker 1: where they're supposed to be in distribution. Heavy hitters, huh,

1742
01:33:44,560 --> 01:33:46,680
Speaker 1: all the heavy hitters and all the heavy hitters. Now,

1743
01:33:46,760 --> 01:33:49,320
Speaker 1: this r C a inspiration in Last Gate. Now, the

1744
01:33:49,360 --> 01:33:51,280
Speaker 1: beauty of this is that when I'm looking at this,

1745
01:33:51,520 --> 01:33:53,400
Speaker 1: looking at some of the artists on that the one

1746
01:33:53,479 --> 01:33:55,320
Speaker 1: artist that jumps out to me. I know, Kurt Frank,

1747
01:33:55,960 --> 01:34:02,320
Speaker 1: but Mavis sta mm hmmm, Let's opera. How was it

1748
01:34:02,439 --> 01:34:06,040
Speaker 1: working with her? Well, this was actually a remix we

1749
01:34:06,120 --> 01:34:09,800
Speaker 1: did of her song that one. This was a song

1750
01:34:09,920 --> 01:34:14,040
Speaker 1: that we just had some producers come in and given

1751
01:34:14,080 --> 01:34:17,519
Speaker 1: a new sound. So I mean that the incredible voice,

1752
01:34:17,760 --> 01:34:20,040
Speaker 1: you know. I saw her documentary and you know she

1753
01:34:20,160 --> 01:34:22,160
Speaker 1: talking about old the whole journey from Bob Dylan to

1754
01:34:22,320 --> 01:34:25,559
Speaker 1: now this an amazing person. Now some of the artists, Now,

1755
01:34:26,000 --> 01:34:27,920
Speaker 1: did you do any any studio work with any of

1756
01:34:28,000 --> 01:34:29,760
Speaker 1: these autists or they just did the art They just

1757
01:34:29,880 --> 01:34:32,720
Speaker 1: did supply the songs for the CD. Well, we have

1758
01:34:32,840 --> 01:34:36,599
Speaker 1: a music producer, Matt Head in Atlanta, So Close Together,

1759
01:34:36,720 --> 01:34:39,200
Speaker 1: where he created a lot of original content as well

1760
01:34:39,280 --> 01:34:42,280
Speaker 1: for the show. So Jaquelin card the song that she

1761
01:34:42,400 --> 01:34:46,559
Speaker 1: recorded homey Close on the soundtrack basically debor joy Wine

1762
01:34:46,640 --> 01:34:48,559
Speaker 1: and you know when the lead actresses on the show

1763
01:34:49,680 --> 01:34:52,360
Speaker 1: formed the song on the show. But my idea was,

1764
01:34:52,640 --> 01:34:55,280
Speaker 1: you know, to have Jaqualin basically going and record the

1765
01:34:55,360 --> 01:34:57,439
Speaker 1: songs so we can actually release it as a single

1766
01:34:57,560 --> 01:35:00,519
Speaker 1: by a major artist. So that's how that ended up

1767
01:35:00,560 --> 01:35:03,080
Speaker 1: on the soundtrack outside of the show with Jakalin is

1768
01:35:03,080 --> 01:35:05,760
Speaker 1: singing that. So things like that happened where we have

1769
01:35:05,880 --> 01:35:08,320
Speaker 1: an idea, we're working together, we have it in the show,

1770
01:35:08,479 --> 01:35:11,160
Speaker 1: and then I come in and as creative and say

1771
01:35:11,320 --> 01:35:14,200
Speaker 1: let's have Jakalin, who's an amazing young voice and talent,

1772
01:35:14,600 --> 01:35:17,360
Speaker 1: come in. She cameoed in one of the episodes. However,

1773
01:35:17,520 --> 01:35:20,120
Speaker 1: now re record the song for the soundtrack, so we

1774
01:35:20,160 --> 01:35:23,480
Speaker 1: can also release it as a single. Wow. So September

1775
01:35:23,520 --> 01:35:25,840
Speaker 1: eight is when it when it's released, But you can't

1776
01:35:25,840 --> 01:35:28,600
Speaker 1: pre order. How can they pre ordered them? Angela? You

1777
01:35:28,680 --> 01:35:32,200
Speaker 1: can go to iTunes and Amazon and anywhere music is

1778
01:35:32,280 --> 01:35:35,240
Speaker 1: sold and pre order now and get a sneak peek

1779
01:35:35,320 --> 01:35:37,280
Speaker 1: to the soundtrack. And we'll be back on air actually

1780
01:35:37,360 --> 01:35:41,320
Speaker 1: tomorrow April fifteenth and sixteen for to Night mid season premiere.

1781
01:35:41,640 --> 01:35:44,200
Speaker 1: There's eight more episodes you'll see this season and it's

1782
01:35:44,240 --> 01:35:47,439
Speaker 1: gonna get juicy. So i'ma tell you something. I just

1783
01:35:47,520 --> 01:35:49,280
Speaker 1: can just shut up because you know what you're doing,

1784
01:35:49,479 --> 01:35:52,040
Speaker 1: and that's a that's a special gift your talent, young ladies,

1785
01:35:52,080 --> 01:35:54,479
Speaker 1: not only with music, but they were just to sell

1786
01:35:54,520 --> 01:35:56,920
Speaker 1: your product and build your brain and get the word out.

1787
01:35:57,040 --> 01:35:59,280
Speaker 1: I want to thank you for coming on my show. No,

1788
01:35:59,479 --> 01:36:01,639
Speaker 1: thank you for having me and you know I love

1789
01:36:01,680 --> 01:36:03,840
Speaker 1: what you're doing. So it's so great to finally connect

1790
01:36:03,880 --> 01:36:06,559
Speaker 1: with you and definitely make sure you check out my soundtrack.

1791
01:36:06,920 --> 01:36:08,800
Speaker 1: What I'm gonna do is not only that, I'm gonna

1792
01:36:08,840 --> 01:36:10,880
Speaker 1: check out how can that check out moon Baby Media

1793
01:36:11,040 --> 01:36:13,120
Speaker 1: before we go? How can I guy? Can I access that?

1794
01:36:13,920 --> 01:36:16,800
Speaker 1: Moon Baby Media dot com is the website and development,

1795
01:36:16,920 --> 01:36:19,479
Speaker 1: and you can follow me on social at d J

1796
01:36:20,080 --> 01:36:24,000
Speaker 1: moon Baby, d J moon Like in the Sky, baby

1797
01:36:24,120 --> 01:36:27,040
Speaker 1: Baby y on all socials and they can also follow

1798
01:36:27,040 --> 01:36:30,599
Speaker 1: you on LinkedIn, LinkedIn, Angela jall of that, and there

1799
01:36:30,680 --> 01:36:33,840
Speaker 1: you go. That's why I that's why I'm at LinkedIn too. Now,

1800
01:36:33,920 --> 01:36:36,479
Speaker 1: don't don't slip on LinkedIn now, that's the right place

1801
01:36:36,520 --> 01:36:40,240
Speaker 1: to be. That's right there, important tool. No, but definitely,

1802
01:36:40,360 --> 01:36:42,800
Speaker 1: you know, I appreciate everyone. Make sure you continue to

1803
01:36:42,840 --> 01:36:45,040
Speaker 1: follow me. Have a lot of amazing projects in the works,

1804
01:36:45,520 --> 01:36:48,799
Speaker 1: and I just love creating platforms for artists and amazing

1805
01:36:48,880 --> 01:36:52,040
Speaker 1: music and just keep watching me. Okay, what we're gonna

1806
01:36:52,040 --> 01:36:54,840
Speaker 1: do is, how about November. You're coming back on the show.

1807
01:36:56,280 --> 01:37:00,320
Speaker 1: Deal it's done. It's done, Ladies and gentleman, moon Baby Media.

1808
01:37:01,120 --> 01:37:05,080
Speaker 1: The second season green Leaf Sound Greedy sound Track is

1809
01:37:05,120 --> 01:37:07,240
Speaker 1: coming out. You can pre article to Amazon on iTunes.

1810
01:37:07,320 --> 01:37:09,800
Speaker 1: You can pre order right now or September eight, you

1811
01:37:09,800 --> 01:37:11,920
Speaker 1: can get it into But ladies and gentlemen, I've been

1812
01:37:11,960 --> 01:37:15,439
Speaker 1: on air all day long. Please thank you for coming

1813
01:37:15,479 --> 01:37:18,240
Speaker 1: on my show. Money Making Conversations next week. It's a

1814
01:37:18,320 --> 01:37:22,160
Speaker 1: funny one it's a funny one. Some more comedian, some

1815
01:37:22,240 --> 01:37:25,919
Speaker 1: more comedian. Earthquake next week. And I also remember September

1816
01:37:26,000 --> 01:37:30,639
Speaker 1: six teen, Sickle Say, Sickle Cell five k rock, Sickle

1817
01:37:30,720 --> 01:37:33,320
Speaker 1: Cell five k rock. Go to k Y and D

1818
01:37:33,479 --> 01:37:37,000
Speaker 1: radio dot com, the Register. Right now, we're trying to

1819
01:37:37,080 --> 01:37:39,920
Speaker 1: find a cure. We're trying to bring our awareness again.

1820
01:37:40,280 --> 01:37:44,040
Speaker 1: Thank you for watching, Thank you for listening to money

1821
01:37:44,080 --> 01:37:47,599
Speaker 1: making conversations. This has been your hope. Ra Sean McCom,

1822
01:37:47,880 --> 01:37:48,160
Speaker 1: thank you.