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Speaker 1: Look may oh, I see you my own look over

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Speaker 1: there is that culture? Yes, wow, Los ding Dong lost Colt.

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Speaker 2: Teresa's calling back at the table, back at the fifty

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Speaker 2: shades table. Yes, across from my girl, staring her straight

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Speaker 2: in the eye. I don't know who's the running mate

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Speaker 2: and who's the presidential candidate, but.

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Speaker 1: That's sort of the vibe you are as a son

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Speaker 1: of a football coach, like Tim Walls. Yeah, I think

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Speaker 1: you might be Tim, which just not to relegate you

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Speaker 1: to a lower status, honey, I'm used to it fine,

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Speaker 1: And I am at least half Asian over here exactly exactly,

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Speaker 1: and I don't know how much else. I don't know

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Speaker 1: what the rest. I haven't done the twenty three. But

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Speaker 1: wait a minute, what if you did? You should? I should?

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Speaker 1: I am. My sister did it, and there's some interesting finding.

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Speaker 1: I guess because she did it, you don't have to

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Speaker 1: do it. But I think the samples have only gotten bigger.

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Speaker 1: You know what I mean, They're able to get more

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Speaker 1: Oh yeah, yeah, as more people do. As more people

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Speaker 1: do it do I just realize. So the thing about

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Speaker 1: this table is we can't get tactile.

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Speaker 2: No, but we are reaching for each other. Actually, could

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Speaker 2: we get a tactile hold on? He had to come

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Speaker 2: out of a speed when we touched.

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Speaker 1: Yeah.

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Speaker 2: Actually, you know, I had been really pulling for walls

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Speaker 2: because girl was making me very nervous. Like you said,

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Speaker 2: can I say what you said? Yeah, it was kind

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Speaker 2: of giving douchebag energy. I didn't say the bag. There's

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Speaker 2: a huge difference between douchebag and douche Yeah, plant douchebag

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Speaker 2: is oh, like you're not even human to me, Like

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Speaker 2: you are so vile and awful and so off putting

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Speaker 2: that like I'm not even I'm not going to give

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Speaker 2: you the digny.

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Speaker 1: I'm gonna say you're a bag of a person.

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Speaker 2: Yeah.

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Speaker 1: Yeah, Yeah, he.

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Speaker 2: Was just giving douche like he was saying things that

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Speaker 2: were sort of like his tone that he was taking

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Speaker 2: was giving douche a douchebag. He's he's he's the governor

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Speaker 2: of Pennsylvania, is.

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Speaker 1: Gonna not a bag wonderful, wonderful executive whatever. But it's

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Speaker 1: just he was already getting defensive about like the school

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Speaker 1: voucher stuff and the and the corporate tax cut stuff.

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Speaker 1: It's like, we can't have this off the.

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Speaker 2: Bat and not great on Uh, not great stuff coming

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Speaker 2: out of the college day from the college days regarding Israel,

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Speaker 2: that's for sure.

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Speaker 1: Well, anyway, some scary attitude, I'm sure. I really look

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Speaker 1: forward to him being in this next wave of Democrats

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Speaker 1: sort of rising up. I think this veepstakes was kind

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Speaker 1: of fun to follow.

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Speaker 2: Yeah, I mean what I think is like the right

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Speaker 2: choice was made because to be honest, like, if you

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Speaker 2: need Shapiro to help us win Pennsylvania, just set him

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Speaker 2: loose on Pennsylvania. The VP is going to have to

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Speaker 2: campaign all over the country. I mean, I like Wals.

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Speaker 2: He actually does remind me of my dad.

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Speaker 1: He's a football coach. He's giving football coach.

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Speaker 2: It's giving football coach who also was head of the

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Speaker 2: Gay Straight Alliance, which is a real thing about him.

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Speaker 2: And also Minnesota is the happiest thing. And I think

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Speaker 2: he speaks with a very clear voice of a leader.

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Speaker 2: I think he keeps things like he gives things the

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Speaker 2: gravity they deserve. But he's also like you got you

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Speaker 2: gotta think it's a giggle fest over there at Harris Walsh.

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Speaker 1: Yeah, it's gotta be. It's at least lost culture level.

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Speaker 1: It's got to be.

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Speaker 2: Maybe they should have come on lost colture together and

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Speaker 2: it's gonna be like our Josh and Aaron episodes, just

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Speaker 2: a cluckfest.

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Speaker 1: A cluckfest. And I think one of them has an

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Speaker 1: Aaron Jackson style. I don't think so or I'm sorry,

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Speaker 1: a Josh Sharp style. I don't think Sony that is.

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Speaker 1: I don't think so honey my wife giving me blowjobs

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Speaker 1: on my birthday.

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Speaker 2: I really hope that one of them can get really

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Speaker 2: real and just talk about their sex life. And I

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Speaker 2: don't think so honeying they're in.

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Speaker 1: But yeah, no, I things are good. Harris Waltz, Baby,

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Speaker 1: we're going for it.

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Speaker 2: I want to point out that there was a tweet

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Speaker 2: last night from Jos Shapiro where he was just it

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Speaker 2: was just a video of him like walking through a

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Speaker 2: town in Pennsylvania.

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Speaker 1: It seemed like it was not staged. It was just

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Speaker 1: like something that like would have been in the real

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Speaker 1: for the race had he been the pick. But the

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Speaker 1: tweet was this was like later last night, it was

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Speaker 1: let's go Pennsylvania one hundred and eighteen days or whatever

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Speaker 1: till Groundhog's Day. People quoteating it being like, oh he lost,

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Speaker 1: Oh he like he's out, he's out about it.

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Speaker 2: He actually announced he's taking about groundhog adfitted from the

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Speaker 2: Beefstakes to groundhogs. Ed.

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Speaker 1: Wow, that is very funny.

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Speaker 2: Honestly, I will say the other one I guess they

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Speaker 2: were talking about was Basher and Kelly. Yeah, but Mark Kelly,

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Speaker 2: I never really thought that was gonna happen because I

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Speaker 2: find him to be void of charisma.

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Speaker 1: I don't think you can deny that Waltz has like

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Speaker 1: an he has like an X.

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Speaker 2: Factor, like he he's the one that labeled them with

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Speaker 2: the word weird that they're now running with, because I

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Speaker 2: think that's the thing that we've been missing is in

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Speaker 2: the disc course about what's going on, is they are weird,

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Speaker 2: Like this is weird, Like you look at them at

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Speaker 2: the RNC. I mean they brought out whole Cogan like

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Speaker 2: it's it's fucking weird.

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Speaker 1: Good luck trying to beat the weird allegations. This is

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Speaker 1: something I'm just saying, like, this is something we've known

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Speaker 1: since the schoolyard. Oh yeah, I've been called weird and

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Speaker 1: it's really I've never been able to successfully convince people otherwise.

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Speaker 2: They are spinning out about it. Like everyone started saying J. D.

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Speaker 2: Vince is weird, He's like I'm not I'm not weird.

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Speaker 2: It's just you can't until I'm not weird at all.

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Speaker 2: It's you call someone weird, It's it's over.

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Speaker 1: It's a kneecapping. It's a knee capping. Like the only

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Speaker 1: way you brush it off is by literally not acknowledging it.

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Speaker 2: Well, this is this is I guess the psychology of

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Speaker 2: being called weird. Right, You get called weird, so then

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Speaker 2: your response to that is to act like unbothered and

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Speaker 2: too cool.

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Speaker 1: Right, And these people don't they don't know what to

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Speaker 1: do how to do that? Oh yeah, they do not

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Speaker 1: know how to do that. Like they only know how

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Speaker 1: to like.

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Speaker 2: Try to provoke and you know, say the thing that

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Speaker 2: they don't really believe that they know is going to

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Speaker 2: get a reaction. And that's odd and it's very try hard,

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Speaker 2: you know what I mean. It's like and I think

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Speaker 2: we thought a few years ago that the our people

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Speaker 2: thought like the meanness that comes from like Trump and

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Speaker 2: his underlings was like real and it was real talk,

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Speaker 2: and it was like there was something maybe to whoever's

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Speaker 2: voting for him, maybe quote unquote.

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Speaker 1: Cool about it. But now it's just like it's so

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Speaker 1: sweaty everything they do feels like on paper, like a joke.

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Speaker 2: It is weird. I think it's the right weird. It's

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Speaker 2: the right weird to use. It's the right word to do,

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Speaker 2: righte weird. Now, let's let's pivot to something else. Sure,

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Speaker 2: if that's what you want to do.

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Speaker 1: I love going to the movies. I think didn't we

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Speaker 1: go last night now that I remember we went last

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Speaker 1: night too, that we had an emotional time at the

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Speaker 1: at the cinema. We had a very emotional time to

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Speaker 1: the cinema. And you will too if you go see

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Speaker 1: Sing Sing right now, go see it. It's so just sublime.

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Speaker 1: What a what a wonderful, hopeful movie. Without it being

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Speaker 1: it didn't It did not seem too treacly or schmaltzy.

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Speaker 1: Although I love schmaltz. I love when the chicken fat

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Speaker 1: renders out onto the pan and I eat the chicken grease.

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Speaker 1: But this is not It was not too rich in

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Speaker 1: that it was like every moment of like joy and

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Speaker 1: tenderness is undercut by a moment of like, oh, the

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Speaker 1: reality of prison of a facility like Sing Sing is

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Speaker 1: extremely grim and dispiriting and dark and awful, and it

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Speaker 1: really kind of and I'm gonna say something so so cringe,

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Speaker 1: but I love a movie about theater. I love. We

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Speaker 1: should say what the movie.

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Speaker 2: Is about, yes, yes, Yang, I don't know if everyone's

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Speaker 2: done the homework, okay please. So the movie is about

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Speaker 2: irustrated men in sing sing and one of the programs

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Speaker 2: that they're involved in, or the program that these particular

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Speaker 2: men are involved in, is.

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Speaker 1: The art program, which is RTA programs.

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Speaker 2: Okay, so, but it is art they were doing. They're

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Speaker 2: in the RTA program, which is you know, it's like

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Speaker 2: essentially a theater group at the prison where they put

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Speaker 2: on plays. And it's not just something that they're involved in,

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Speaker 2: it's actually something that you know, helps these men really

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Speaker 2: process their emotions. A lot of incarcerated men like don't

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Speaker 2: have an outlet to process the anger at their situation,

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Speaker 2: the grief at their situation, the feelings that they might

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Speaker 2: have about their situation. And this is a film about

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Speaker 2: a group of men who are engaged in this program

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Speaker 2: and how it betters them and how it moves them

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Speaker 2: forward and the dynamic relationships within that group. And it's

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Speaker 2: Coleman Domingo is the star of this movie, and what

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Speaker 2: a hero on screen he is, like he's just so winning,

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Speaker 2: he's he's just like you can track every single emotion.

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Speaker 2: This is like a really really perfectly calibrated performance in

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Speaker 2: that it is brimming with emotion, but it's never indulgent.

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Speaker 1: There's a scene which I believe should.

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Speaker 2: Be the Oscar clip and maybe even within him the

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Speaker 2: Oscar where he goes to his parole hearing and he

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Speaker 2: is attempting to you know, it's a very if you've

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Speaker 2: ever seen like Shash and Gradhempshen, you know, they did

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Speaker 2: a great job of talking about what these Pearle hearings

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Speaker 2: are like when these men have to go to this

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Speaker 2: panel and basically explain to them that they're rehabilitated and

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Speaker 2: that they can be you know, that they are a

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Speaker 2: viable candidate to be released back into the free world.

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Speaker 2: And this particular scene you see just how difficult that

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Speaker 2: task is.

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Speaker 1: And what really blew me.

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Speaker 2: Away about Coleman Domingo's performance is that he never breaks,

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Speaker 2: but he's always holding the emotion and just the amount

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Speaker 2: of restraint that he has. It reminds me of something

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Speaker 2: that Jennifer Lewis said to me on the set of

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Speaker 2: I Love That for You, which is like you don't cry.

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Speaker 2: They cry, and he doesn't let it go until so

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Speaker 2: late into the movie. And I won't spoil anything because

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Speaker 2: there's really a lot of very surprising things in the

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Speaker 2: script too, and it was a beautiful script.

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Speaker 1: But just have to commend him on.

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Speaker 2: His control of his emotional instrument, which is at a

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Speaker 2: top point. It's in a point zero zero zero one

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Speaker 2: percentile absolutely of capability of actors that I've seen. Yeah,

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Speaker 2: And just on top of that, he's acting with basically

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Speaker 2: almost entirely non actors who are real alums of that program,

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Speaker 2: non professional actors anyway, who were real incarcerated.

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Speaker 1: Men who are now in this movie.

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Speaker 2: Given these performances and the way as the number one

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Speaker 2: on the call sheet, he must have made them feel

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Speaker 2: comfortable and open and free and at ease to give

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Speaker 2: these performances, some of which are fantastic, all of which

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Speaker 2: are good. Some of them just rise way above Clarence Macklin,

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Speaker 2: Oh my god. And I think he should be nominated

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Speaker 2: for the Sean.

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Speaker 1: San Jose who plays Mikey Mikey Mike Mike, who is

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Speaker 1: like Coleman's character's neighbor, like cell neighbor. Yeah, fantastic model.

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Speaker 2: I mean and also like Clarence Macklin like helped develop

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Speaker 2: the story for this and this guy's performances.

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Speaker 1: I mean, talk about playing an arc.

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Speaker 2: He comes in one way and he believably leaves a

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Speaker 2: completely different way every moment.

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Speaker 1: So truthful, so real.

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Speaker 2: There's a danger in him, but you're always wanting to

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Speaker 2: know more, just like this movie is.

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Speaker 1: I loved it, Yeah, really really enjoyed it. So go

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Speaker 1: see it. It's a fucking contender, girl. Anyway, we did

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Speaker 1: a day yesterday. We went to Barrie's. I tapped out.

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Speaker 1: You know what it was. I think that so I've

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Speaker 1: been going like every day in the morning in the morning,

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Speaker 1: and I think going like late in the afternoon or

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Speaker 1: working out really late in the afternoon.

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Speaker 2: People that work out after work. My hat is off

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Speaker 2: to you, hats off.

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Speaker 1: I need it. In the beginning of the day, I

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Speaker 1: just came back from the gym and I feel amazing. Yeah,

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Speaker 1: but not like yes and yesterday, I was I almost

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Speaker 1: didn't make it to the damn film. You really thought

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Speaker 1: that there was no chance you weren't gonna make No,

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Speaker 1: I was gonna make it to the movie. I was

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Speaker 1: just like it was my first time I've ever ended

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Speaker 1: a barries class early.

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Speaker 2: Really, and it was next to me, and it was

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Speaker 2: how convenient that it was the very first time and

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Speaker 2: I'm the only one who saw it.

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Speaker 1: Liar, you always end you never lied to me. But

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Speaker 1: what a fun what a fun day with math. I

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Speaker 1: always love it when you're in town. Don't go. I

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Speaker 1: know I have to go tomorrow.

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Speaker 2: It's been It's been a very pistiest couple of weeks

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Speaker 2: from me. You guys, pe town was fun. It was

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Speaker 2: a mixed bag. I've been a little emotional for personal reasons.

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Speaker 2: But like summer, I think is like wearing down on me.

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Speaker 2: It's a mixed bag. Yeah, summer is a mixed bag.

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Speaker 2: And that's a rule of culture. That's all culture number what.

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Speaker 1: I think a ninety four summer is a mixed bag.

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Speaker 1: I'm on the record as saying I don't think so, honey, summer,

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Speaker 1: And then you told me you do like summer, and

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Speaker 1: I was like, I promise you. This is where we

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Speaker 1: meet in the middle. It's a mixed bag. There are

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Speaker 1: things that I'm sure you love about summer. I am

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Speaker 1: positive you love certain things about summer. You don't hate

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Speaker 1: it wholesale, No.

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Speaker 2: No, I don't hate it wholesale. In fact, I always

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Speaker 2: go into it excited and then I just get fucking exhausted.

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Speaker 2: And I'll be real, I think that mid thirties is

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Speaker 2: really hitting hard. And I am now in the mind

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Speaker 2: frame of, like, Okay, what changes do I have to

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Speaker 2: make because I think that I don't know what it is,

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Speaker 2: but I'm starting to like examine a lot of things

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Speaker 2: about my life, and I'm like it sometimes is it's

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Speaker 2: a little overwhelming to think just at this age, like

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Speaker 2: where do I live?

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Speaker 1: You know what I mean?

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Speaker 2: Like I'm like half between New York and half between

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Speaker 2: LA which I thought would be cool.

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Speaker 1: But now it's just kind of like it's in your twenties.

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Speaker 2: I think it's yeah, if you can pull off Bi

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Speaker 2: Coastal in your twenties, like hell yeah, congratulations on the.

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Speaker 1: Money you made too, Like that was not my reality,

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Speaker 1: but I thought it would be.

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Speaker 2: And it has been fun to be like free and

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Speaker 2: have that availability to go wherever I want and do

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Speaker 2: whatever I want to do. But it's getting to the

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Speaker 2: point where it's like no one ever knows where you are.

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Speaker 2: It's very hard to date like this, and I think

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Speaker 2: the travel just really I mean I like me telling

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Speaker 2: you that travel wears on you, like obviously you know,

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Speaker 2: but it does wear on you, and it's just like

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Speaker 2: it's very taxing. And also the social media element of

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Speaker 2: the summer is very overwhelming. And I also get that

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Speaker 2: it looks like I'm fucking killing it on social media

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Speaker 2: in the summer, like people have been like, Wow, your

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Speaker 2: summer looks amazing, and I'm like, really, because I've been

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Speaker 2: sad most of the days and that's not for anyone

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Speaker 2: to be like, oh pity him or like what's going on.

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Speaker 2: It's just like a reality and I think, I don't know.

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Speaker 2: I'm starting small. I'm starting with drinking a lot less,

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Speaker 2: maybe not really at all. And you showed me that

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Speaker 2: app that you've been using.

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Speaker 1: Oh, I'm gonna get some I'm gonna get some guff

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Speaker 1: for this, But what is it? It's okay that you

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Speaker 1: get guff because it's what it's I told that about

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Speaker 1: seventy five hard and some people might know about this.

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Speaker 1: It's a very I would say, incredibly broie, like I

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Speaker 1: would say douchier than Tim Ferriss. The situation it's like,

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Speaker 1: but I think the framework around it is I can

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Speaker 1: agree with that it's like, here's what's tell us what

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Speaker 1: it is? The full monty seventy five hard is two

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Speaker 1: forty five minute this is every day. This is the

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Speaker 1: laundry list, two forty five minute workouts. One of them

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Speaker 1: should be outside, which good luck in the winter. But anyway,

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Speaker 1: I know I'm already, I'm already like two anyway, let

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Speaker 1: me just get through. This is like the full version,

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Speaker 1: and I do I downloaded in an alternate app that

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Speaker 1: is basically the same idea, but it's not quite as

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Speaker 1: like toxic mask, and it's just a little bit more

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Speaker 1: like soft. But it's two forty five minute workouts. To day,

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Speaker 1: you drink one gallon of water one hundred and twenty

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Speaker 1: eight milli liters or ounces one hundred twenty eight ounces,

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Speaker 1: which is double that recommended sixty four. It's so much better.

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Speaker 1: This programmer is a full time job already. It's sixteen

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Speaker 1: eight ounce glasses. Yeah, of water. When people tell you

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Speaker 1: to drink eight and you're good, and even that's like

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Speaker 1: good luck. Ten pages of reading a day, I say

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Speaker 1: ten minutes, like it depends on the pagination, it depends

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Speaker 1: on the line spacing whatever. And then no drinking alcohol

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Speaker 1: and no cheat meals slash you should be on a diet.

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Speaker 1: That thing. I'm like, oh no, whatever, Like I'm what

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Speaker 1: I am sort of like going towards right now is

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Speaker 1: twenty vegetables a week. Twenty vegetables a week, and it's

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Speaker 1: fun and it's and it actually like it's a diet

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Speaker 1: without being a diet because I'm like, let me just

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Speaker 1: like get the vegetables in. Yeah, can I say something?

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Speaker 1: Love vegetables. I love I love roasting vegetables on a

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Speaker 1: damn sheet pan. Babe.

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Speaker 2: You heard me talk about cucumber here. Yes, you heard

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Speaker 2: me get into it about cucumber. And by the way,

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Speaker 2: people have been reached out and saying they've been doing

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Speaker 2: that cucumber thing that I talked.

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Speaker 1: To remind us with the cure.

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Speaker 2: It was that you cut up the cucumber and put

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Speaker 2: a little bit of hot sauce and some salt and

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Speaker 2: pepper on a plate and you just you mix it

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Speaker 2: up like it's like tost almost like buffalo cucumber.

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Speaker 3: Yeah.

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Speaker 1: The people have been saying that it is the snack

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Speaker 1: of the sun, the sack of the summer. It is

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Speaker 1: actually a nominee next year, the culture was for best

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Speaker 1: mapp best snack cucumber with a little bit of hot sun.

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Speaker 1: I think we announced that we did too.

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Speaker 2: I think we did too, but no, I love vegetables.

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Speaker 2: There's parts of that that do sound too much, like yeah,

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Speaker 2: it sounds like too much.

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Speaker 1: Well, committing to.

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Speaker 2: Two forty five minute workouts today is a lot so

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Speaker 2: on this alternate app which let me let me find it, because.

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Speaker 1: Once I work out, once, I'm like, okay, I worked

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Speaker 1: out today.

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Speaker 2: And also the thing about the dieting is like, that's

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Speaker 2: why you work out so that you can be you

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Speaker 2: can eat sort of whatever you want to eat, and

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Speaker 2: you can have cheat meals like that that that language

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Speaker 2: starts to get fuzzy for me.

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Speaker 1: It's called seventy five days Challenge rather than seventy five

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Speaker 1: herds seventy five heard. It's a little bit like anytime

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Speaker 1: you like miss the day. It's like there's a picture

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Speaker 1: of the guy who founded it. It's like, mo, mean

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Speaker 1: looking dude, who's like, did you give up?

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Speaker 2: No, I hate that. It's a little too about that's Sushapiro.

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Speaker 2: For me, it's a little too so. I need a

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Speaker 2: Tim walt Summer. I need a Tim Waltz seventy five

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Speaker 2: days Challenge. So now I'm on I'm on the medium

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Speaker 2: difficulty Medium Challenge. I'm on day five and it's just

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Speaker 2: one workout. Yeah, and that's basically it.

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Speaker 1: Yeah, okay, cool, and it also gets well then the

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Speaker 1: soft and then the easies setting is one workout, ten pages,

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Speaker 1: diet water you can drink in social situations.

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Speaker 2: Yeah, that's I mean, honestly, here's the thing. I'm not

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Speaker 2: even saying I'm sober now. I'm just saying it has

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Speaker 2: to change, we have to.

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Speaker 1: Adjust, we have to dial it down so we can

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Speaker 1: dial it back up if we want to, just to

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Speaker 1: like have the energy, have the balance. Yeah, I mean,

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Speaker 1: that's the thing is. It's like late July August hit.

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Speaker 1: I had my I think I had my literal breaking

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Speaker 1: point on Monday, like.

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Speaker 2: So it was like town, yeah, and it was just

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Speaker 2: and we had just gotten there and I was just like, okay,

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Speaker 2: you know what, I am emotionally exhausted, and I like,

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Speaker 2: don't It's not that I don't know why, but I

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00:19:12,880 --> 00:19:16,360
Speaker 2: don't know enough about why I feel like this to

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Speaker 2: the point where I'm like, let's just try to actively

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Speaker 2: be healthier. And I'm really happy that I've been prioritizing exercise.

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Speaker 2: And I'm not saying like I think anyone should cut

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Speaker 2: out alcohol. I'm not making any decisions for you. It's

401
00:19:27,240 --> 00:19:27,960
Speaker 2: just something that's.

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Speaker 1: Been on my mind a lot more. And but what

403
00:19:31,680 --> 00:19:37,400
Speaker 1: a wonderful instinct for you to like understand what your

404
00:19:37,400 --> 00:19:40,000
Speaker 1: coordinates are right now and be like, oh, let me

405
00:19:41,280 --> 00:19:43,000
Speaker 1: I know what to do, or let me try this out.

406
00:19:43,040 --> 00:19:47,120
Speaker 1: You're doing AMDR. You're well every now and then, well,

407
00:19:47,320 --> 00:19:49,919
Speaker 1: you're just doing it, doesn't it doesn't matter how often,

408
00:19:50,480 --> 00:20:06,959
Speaker 1: and you are taking very concrete actions. How are you feeling?

409
00:20:07,320 --> 00:20:13,760
Speaker 1: I feel pretty good. Yeah, I feel pretty good. That's good. Yeah,

410
00:20:14,520 --> 00:20:18,040
Speaker 1: that's it. I feel good.

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Speaker 2: I had a nice answer though, like I feel pretty

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Speaker 2: good and that's it. There's not much to allaborary.

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Speaker 1: No, I've got nothing to complain about. I really don't

414
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Speaker 1: like what a huge from last summer. But I'm really

415
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Speaker 1: I'm really sorry you feel this way, and it's been

416
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Speaker 1: hard to watch you struggle. But I know I have

417
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Speaker 1: to give you some space and I'm there. I'm always

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Speaker 1: there for you. That's another thing is like I am

419
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Speaker 1: so much more introverted than I used to be, and

420
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Speaker 1: I'm wondering about why. I wonder what that is. Like,

421
00:20:45,440 --> 00:20:49,520
Speaker 1: my social battery drains so much faster than it used

422
00:20:49,560 --> 00:20:54,080
Speaker 1: to drain. I think because I think honestly, because I'm

423
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Speaker 1: not settled anywhere. I genuinely think I can.

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Speaker 2: Trace it down to the bicoastal thing is not work

425
00:21:00,200 --> 00:21:03,240
Speaker 2: from Oh, and that makes me sad because I'll have

426
00:21:03,280 --> 00:21:06,760
Speaker 2: to sacrifice something in each city. Like I love New

427
00:21:06,840 --> 00:21:09,760
Speaker 2: York because it's fun and like I genuinely think, like,

428
00:21:09,760 --> 00:21:11,960
Speaker 2: like my group of friends is here, you know what

429
00:21:11,960 --> 00:21:14,800
Speaker 2: I mean. I feel like it's dating is more fun

430
00:21:14,840 --> 00:21:18,080
Speaker 2: here in New York. I think that that's like, and

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00:21:18,119 --> 00:21:20,600
Speaker 2: I like being close to my family. I love New

432
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Speaker 2: York energy. But then in Los Angeles, like I'm like

433
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Speaker 2: a healthier version of myself. I take care of myself

434
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Speaker 2: more like I have a couple of relationships there that

435
00:21:29,240 --> 00:21:32,159
Speaker 2: are like indispensable to me, like Jared and Greta, like

436
00:21:32,320 --> 00:21:34,359
Speaker 2: Truly and Sudi, and like I would I don't know

437
00:21:34,400 --> 00:21:36,439
Speaker 2: what I would do if I was not if I

438
00:21:36,440 --> 00:21:38,600
Speaker 2: didn't have those with an access to me. But it's

439
00:21:38,640 --> 00:21:40,720
Speaker 2: the first time in my life where I have no

440
00:21:41,119 --> 00:21:44,360
Speaker 2: instinct about what to do.

441
00:21:44,359 --> 00:21:45,399
Speaker 1: What to do as and where to be.

442
00:21:45,720 --> 00:21:49,400
Speaker 2: Yeah, yeah, as I'm like where to be, like where

443
00:21:49,400 --> 00:21:51,040
Speaker 2: to put my roots down, and where to like start

444
00:21:51,080 --> 00:21:54,399
Speaker 2: things I thought I knew, And then all of a sudden,

445
00:21:54,400 --> 00:21:55,320
Speaker 2: I confuse myself.

446
00:21:55,359 --> 00:21:56,080
Speaker 1: And I think it's.

447
00:21:55,960 --> 00:21:59,679
Speaker 2: Because you know, well, a lot of reasons, but like

448
00:21:59,720 --> 00:22:02,040
Speaker 2: when you don't have to worry about the career anymore,

449
00:22:02,359 --> 00:22:05,240
Speaker 2: and the career is all you worried about for your twenties,

450
00:22:05,680 --> 00:22:08,199
Speaker 2: it's like, now it's like, that's the part of my

451
00:22:08,240 --> 00:22:09,840
Speaker 2: life I feel most secure about.

452
00:22:10,040 --> 00:22:12,440
Speaker 1: That's good. That's good. No, it's good.

453
00:22:12,480 --> 00:22:14,399
Speaker 2: But then all of a sudden, you're like, oh, I

454
00:22:14,480 --> 00:22:17,000
Speaker 2: only ever focused on that, you know what I mean,

455
00:22:17,040 --> 00:22:20,679
Speaker 2: That's not really true. My social life is wonderful. I

456
00:22:20,720 --> 00:22:23,720
Speaker 2: have my close friends, and I mean I have lots

457
00:22:23,760 --> 00:22:28,439
Speaker 2: of things. But the realization that like you might be

458
00:22:28,440 --> 00:22:31,400
Speaker 2: behind in one area because you gave everything to another

459
00:22:32,359 --> 00:22:34,520
Speaker 2: is I think maybe a mid thirties moment.

460
00:22:34,920 --> 00:22:39,359
Speaker 1: It's just reframing what you are saying about, Like you

461
00:22:39,440 --> 00:22:43,920
Speaker 1: thought you knew where to be, but you didn't arrive

462
00:22:43,960 --> 00:22:47,280
Speaker 1: at a decision because what your quote unquote decision was

463
00:22:47,280 --> 00:22:50,840
Speaker 1: was splitting time between two places, which is not a decision, right.

464
00:22:51,240 --> 00:22:54,720
Speaker 2: Yeah, it's literally actually trying to have it both ways, yeah,

465
00:22:54,840 --> 00:22:58,119
Speaker 2: which is wonderful, and you really made it work. Yeah,

466
00:22:58,200 --> 00:23:02,320
Speaker 2: And I am so awestruck it the way you've like

467
00:23:02,440 --> 00:23:05,560
Speaker 2: really made it. I feel like you we're genuinely the

468
00:23:05,560 --> 00:23:07,480
Speaker 2: only girl I knew who was making the by Coastal

469
00:23:07,520 --> 00:23:08,520
Speaker 2: thing like look good.

470
00:23:09,960 --> 00:23:12,399
Speaker 1: I feel like it's like a dirty word too, by Coastal.

471
00:23:13,560 --> 00:23:15,760
Speaker 1: It's like made up. Yeah. Well, Like it's like.

472
00:23:15,760 --> 00:23:17,359
Speaker 2: I'll be on the dating app and they'll be like,

473
00:23:17,400 --> 00:23:19,080
Speaker 2: so where do you live and I'll be like, well,

474
00:23:19,160 --> 00:23:21,800
Speaker 2: I'm in I'm by Coastal in New York and l A.

475
00:23:21,880 --> 00:23:24,879
Speaker 1: And I just feel like it's like it's already like yeah, yeah, okay,

476
00:23:25,520 --> 00:23:28,240
Speaker 1: like no one, no one wants to get involved with

477
00:23:28,320 --> 00:23:32,600
Speaker 1: someone that's like not around sure, like who wants that? Yeah?

478
00:23:32,720 --> 00:23:36,080
Speaker 1: I do have to bring up my first two seasons

479
00:23:36,119 --> 00:23:39,080
Speaker 1: working at us an l A. Heidi Gardner and Julia Torres.

480
00:23:40,359 --> 00:23:44,240
Speaker 2: Submitted a sketch twice, and I really wish I would

481
00:23:44,280 --> 00:23:48,720
Speaker 2: have gotten picked, but it was just a girl named

482
00:23:47,960 --> 00:23:51,920
Speaker 2: who's Collin Jared? Obviously, I'll just call you back to

483
00:23:52,080 --> 00:23:57,320
Speaker 2: a Freida. Frida's second appearance. I know he's he's major

484
00:23:57,920 --> 00:24:01,600
Speaker 2: third appearance and like that that count as an appearance,

485
00:24:01,640 --> 00:24:02,639
Speaker 2: I think, so should I have?

486
00:24:02,960 --> 00:24:04,000
Speaker 1: Should I have answered the call?

487
00:24:04,160 --> 00:24:04,440
Speaker 2: No?

488
00:24:04,440 --> 00:24:06,920
Speaker 1: No, no, don't answer? Oh my god, no hiding and

489
00:24:07,000 --> 00:24:10,040
Speaker 1: Julio wrote a sketch about a woman named Deirdre. Julio

490
00:24:10,040 --> 00:24:12,080
Speaker 1: loves the same Deirdre because as you know, Deirdre is

491
00:24:12,080 --> 00:24:13,600
Speaker 1: also after.

492
00:24:14,040 --> 00:24:20,160
Speaker 2: As a name, Julio, but it was Heidi playing named

493
00:24:20,200 --> 00:24:24,200
Speaker 2: ded Heidi does give Deirdre. Heidi gives Deirdre.

494
00:24:24,280 --> 00:24:26,879
Speaker 1: But then her whole thing was her catchphrase was in

495
00:24:26,920 --> 00:24:31,680
Speaker 1: this accident which I can't quite place, is Deirdre by Coastal.

496
00:24:34,680 --> 00:24:36,920
Speaker 1: Her whole thing was I work at Chipotle.

497
00:24:38,520 --> 00:24:42,960
Speaker 2: By Coastal Chipotle and coastal Chipotle employee named Deirdre.

498
00:24:43,080 --> 00:24:46,440
Speaker 1: What is the Heidi Gardener, Julio Torres bending, Yeah, yeah, yeah, yeah,

499
00:24:46,480 --> 00:24:46,920
Speaker 1: yeah yeah.

500
00:24:47,240 --> 00:24:49,639
Speaker 2: Here's the thing about the Deirdre lifestyle, which is what

501
00:24:49,680 --> 00:24:51,200
Speaker 2: I'm going to call by Crystal.

502
00:24:50,960 --> 00:24:51,640
Speaker 1: From now on. Huh.

503
00:24:53,560 --> 00:24:58,000
Speaker 2: The Deirdre lifestyle title e that the Dirda lifestyle. The

504
00:24:58,000 --> 00:25:01,399
Speaker 2: thing about that is like, if Dere's anything like me,

505
00:25:01,880 --> 00:25:05,840
Speaker 2: she also doesn't like really like either of her apartments,

506
00:25:06,280 --> 00:25:09,320
Speaker 2: because I also don't own anything. So that's the other

507
00:25:09,359 --> 00:25:11,879
Speaker 2: thing is it's like I go to my own it

508
00:25:11,960 --> 00:25:14,560
Speaker 2: to like it. No, I know, but like I'm just saying, like,

509
00:25:15,000 --> 00:25:17,280
Speaker 2: maybe it would be better and maybe I would enjoy

510
00:25:17,320 --> 00:25:19,640
Speaker 2: my dear dre lifestyle a little bit more. You liked

511
00:25:20,040 --> 00:25:22,280
Speaker 2: if I know, maybe, yeah, sure, if I liked one

512
00:25:22,320 --> 00:25:24,480
Speaker 2: of them. But like, you know what it is. It's

513
00:25:24,480 --> 00:25:26,440
Speaker 2: like in New York, I have like a great location,

514
00:25:26,920 --> 00:25:28,680
Speaker 2: but it's not the dream like.

515
00:25:28,640 --> 00:25:32,879
Speaker 1: You had drumming a fucking guys, I don't want to

516
00:25:32,920 --> 00:25:35,320
Speaker 1: tell you that my neighbor in my New York apartment,

517
00:25:35,440 --> 00:25:38,800
Speaker 1: his son got a drum kit. That is that is

518
00:25:39,560 --> 00:25:43,159
Speaker 1: such a huge no no in New York City. You

519
00:25:43,280 --> 00:25:45,840
Speaker 1: cannot buy a drum set in New York.

520
00:25:46,600 --> 00:25:49,200
Speaker 2: And especially because he knows how thin the walls are,

521
00:25:49,480 --> 00:25:51,439
Speaker 2: like if he knows he's in New York City, New

522
00:25:51,520 --> 00:25:51,960
Speaker 2: York City.

523
00:25:52,560 --> 00:25:56,639
Speaker 1: Yeah, you cannot play the drums, no, I'm sorry, Or

524
00:25:56,640 --> 00:26:00,240
Speaker 1: you go to drum class to a studio you rented out. Oh,

525
00:26:00,280 --> 00:26:00,920
Speaker 1: And then part of.

526
00:26:00,840 --> 00:26:04,159
Speaker 2: Me feels bad because I'm like, you know, like this

527
00:26:04,280 --> 00:26:07,240
Speaker 2: kid micro up to be Ringo star like. And then

528
00:26:07,240 --> 00:26:09,680
Speaker 2: I ran into the guy in the hallway and he goes, hey,

529
00:26:10,000 --> 00:26:11,640
Speaker 2: you're you're Matthew, right, And I.

530
00:26:11,560 --> 00:26:12,160
Speaker 1: Was like yeah.

531
00:26:12,240 --> 00:26:13,800
Speaker 2: He's like, you're in four f I was like m hm,

532
00:26:14,480 --> 00:26:17,320
Speaker 2: and he was like, sorry about the drums, and I

533
00:26:17,359 --> 00:26:19,680
Speaker 2: was like yeah, I wasn't going to make an issue

534
00:26:19,720 --> 00:26:21,840
Speaker 2: of it just because it's been one day, but I

535
00:26:21,880 --> 00:26:22,840
Speaker 2: do wonder if.

536
00:26:22,720 --> 00:26:25,879
Speaker 1: It's gonna get better. And the guy goes to me,

537
00:26:25,960 --> 00:26:27,639
Speaker 1: this is funny. He goes, well, trust me, it's a

538
00:26:27,640 --> 00:26:29,960
Speaker 1: lot louder in there than it is out here. Well,

539
00:26:30,240 --> 00:26:33,520
Speaker 1: he signed up for it, and you didn't like be

540
00:26:33,680 --> 00:26:34,400
Speaker 1: that as it may.

541
00:26:35,080 --> 00:26:35,480
Speaker 3: You should have.

542
00:26:35,640 --> 00:26:37,760
Speaker 1: You should have gone Dolores catann on his ass. Oh,

543
00:26:37,880 --> 00:26:40,879
Speaker 1: we'll get to that. I apologize, Well, you should apologize,

544
00:26:40,880 --> 00:26:41,720
Speaker 1: so you should apologize.

545
00:26:41,720 --> 00:26:44,280
Speaker 2: Should apologize. You think I'm a slob. And then I

546
00:26:44,320 --> 00:26:48,119
Speaker 2: was like you are a lying cut Wait no, okay.

547
00:26:48,119 --> 00:26:50,720
Speaker 2: So then he was like, don't worry, I'm gonna get panels,

548
00:26:51,560 --> 00:26:51,920
Speaker 2: and I.

549
00:26:51,840 --> 00:26:52,280
Speaker 1: Was like what.

550
00:26:53,000 --> 00:26:55,080
Speaker 2: I was like, oh great, And then I said to him,

551
00:26:55,119 --> 00:26:57,399
Speaker 2: I was like, well, it'll all be worth it when

552
00:26:57,440 --> 00:27:00,199
Speaker 2: he becomes ringo star. And the guy goes, yeah, I

553
00:27:00,240 --> 00:27:02,880
Speaker 2: hope so, and go say in this apartment and I'm like.

554
00:27:03,560 --> 00:27:06,000
Speaker 1: Okay, okay, so it might be time to hang it up.

555
00:27:06,040 --> 00:27:08,240
Speaker 1: He's a great father, clearly.

556
00:27:08,119 --> 00:27:10,760
Speaker 2: There's something else in my heart, which is like I

557
00:27:10,760 --> 00:27:13,920
Speaker 2: don't want to discourage this chistic impulses. Of course, and

558
00:27:14,400 --> 00:27:16,320
Speaker 2: we're not saying now, we're not. This is not the

559
00:27:16,440 --> 00:27:17,200
Speaker 2: kid's fault.

560
00:27:17,240 --> 00:27:22,000
Speaker 1: It's just it's really tough to buy drums in this

561
00:27:22,440 --> 00:27:25,240
Speaker 1: city or any city where people are stacked up. On

562
00:27:25,280 --> 00:27:26,360
Speaker 1: top of it, it's not the.

563
00:27:26,440 --> 00:27:31,959
Speaker 2: Instrument to give your kid if your living situation is apartment,

564
00:27:32,320 --> 00:27:36,800
Speaker 2: especially like apartment with walls this thin, Like I swear

565
00:27:36,840 --> 00:27:39,159
Speaker 2: to god, I'll sometimes watch like YouTube videos on my

566
00:27:39,240 --> 00:27:41,720
Speaker 2: laptop and you turn it down and I'll be thinking,

567
00:27:41,720 --> 00:27:42,960
Speaker 2: am I bothering my neighbors?

568
00:27:43,440 --> 00:27:46,040
Speaker 1: That's the that's the porn thing for me? Classically, I'm like,

569
00:27:46,119 --> 00:27:47,320
Speaker 1: am I playing this porn too?

570
00:27:47,720 --> 00:27:49,960
Speaker 2: Oh? This is the worst. When you have to put

571
00:27:49,960 --> 00:27:51,520
Speaker 2: yourself on self tape for an audition?

572
00:27:51,640 --> 00:27:54,040
Speaker 1: Oh terrible? Well you don't. You probably don't do that anymore,

573
00:27:54,040 --> 00:27:55,520
Speaker 1: but I know that.

574
00:27:55,600 --> 00:27:57,240
Speaker 2: But like when you have to put yourself on self

575
00:27:57,240 --> 00:27:59,359
Speaker 2: tape for an audition and you're in your apartment and

576
00:27:59,400 --> 00:28:02,040
Speaker 2: you have to do it several times, and sometimes you

577
00:28:02,040 --> 00:28:04,560
Speaker 2: have to like get angry or yell or say things

578
00:28:04,560 --> 00:28:06,840
Speaker 2: that are not what you are saying. But they're what

579
00:28:06,880 --> 00:28:09,119
Speaker 2: the character is saying, and you think, what the fuck

580
00:28:09,160 --> 00:28:10,520
Speaker 2: are they thinking out there right now?

581
00:28:10,520 --> 00:28:13,679
Speaker 1: I'm saying these lines that are beyond and you can't

582
00:28:13,720 --> 00:28:17,760
Speaker 1: care because guess who doesn't care? Cecily Strong, because the

583
00:28:17,880 --> 00:28:21,320
Speaker 1: entire time she worked at SNL, she was screaming, trying

584
00:28:21,359 --> 00:28:24,119
Speaker 1: out accents and different characters in her apartment. She's like,

585
00:28:24,119 --> 00:28:26,400
Speaker 1: I don't fucking care, Like, say what you want, I'm

586
00:28:26,600 --> 00:28:27,760
Speaker 1: Cecily Strong.

587
00:28:27,880 --> 00:28:30,240
Speaker 2: Yeah, but you know what, though, I guarantee Cicely Strong

588
00:28:30,280 --> 00:28:32,080
Speaker 2: had a nice apartment with good walls.

589
00:28:32,400 --> 00:28:36,560
Speaker 1: Who knows, just like Tim Goodwall, good Walls. Maybe good

590
00:28:36,560 --> 00:28:38,400
Speaker 1: Walls is the name of the episode. That's better.

591
00:28:38,440 --> 00:28:41,479
Speaker 2: That's a better title episode than because you're gonna look

592
00:28:41,480 --> 00:28:42,600
Speaker 2: at the dear Life and be like, what.

593
00:28:42,560 --> 00:28:45,560
Speaker 1: The fuck is that? The good Walls they're clicking, they're clicking. Also,

594
00:28:45,680 --> 00:28:51,120
Speaker 1: good luck trying to spell the name Deirdre. No try.

595
00:28:51,320 --> 00:28:53,600
Speaker 2: I mean, there's no right or wrong answers to thing,

596
00:28:53,680 --> 00:28:56,280
Speaker 2: but go this is the way you spell. Okay, okay,

597
00:28:56,400 --> 00:28:58,760
Speaker 2: d well, let me do it like it's a spelling bee.

598
00:28:59,120 --> 00:29:03,880
Speaker 2: We should have a lost couple spelling being that day,

599
00:29:04,440 --> 00:29:08,840
Speaker 2: we should definitely do a Lost Coach spelling that's really good.

600
00:29:09,280 --> 00:29:14,240
Speaker 2: And it's like your word is sure zinger and it

601
00:29:14,320 --> 00:29:16,040
Speaker 2: has to then everyone has to be like, can you

602
00:29:16,120 --> 00:29:19,600
Speaker 2: use it as a sentence icle Nicole.

603
00:29:20,600 --> 00:29:24,959
Speaker 1: Glorious Glorius wanton as was what's her face? I just

604
00:29:25,640 --> 00:29:29,560
Speaker 1: that's a Norman Desmond nor Desmond Glorious wants to play.

605
00:29:30,120 --> 00:29:32,120
Speaker 2: Well, don't worry, honey, because when it comes next year

606
00:29:32,160 --> 00:29:35,840
Speaker 2: on Broadway, we're going we're seeing Norma. Was I saying, oh,

607
00:29:36,000 --> 00:29:39,280
Speaker 2: this is how you spell it deirdre d I e

608
00:29:40,000 --> 00:29:43,160
Speaker 2: r d r E Deirdre.

609
00:29:43,880 --> 00:29:45,960
Speaker 1: I would say that is that is my spelling as well?

610
00:29:46,320 --> 00:29:48,240
Speaker 1: Should we text Julio and see how he spells it?

611
00:29:48,800 --> 00:29:54,840
Speaker 1: I'm texting him right now, Julio. Okay, I'm actually gonna

612
00:29:54,840 --> 00:29:55,480
Speaker 1: see see you too.

613
00:29:55,640 --> 00:29:59,560
Speaker 2: Okay, great, see you, Julio. We are talking about how

614
00:29:59,600 --> 00:30:00,719
Speaker 2: do you you spell?

615
00:30:02,640 --> 00:30:02,760
Speaker 1: Oh?

616
00:30:02,840 --> 00:30:06,200
Speaker 2: No, I guess I'm gonna have to spell it the name?

617
00:30:08,480 --> 00:30:11,280
Speaker 2: Are you texting him separately when I'm on this one time?

618
00:30:10,880 --> 00:30:14,080
Speaker 1: But I'm on the thread with you? Okay, how do

619
00:30:14,160 --> 00:30:17,360
Speaker 1: we get across what made let's let's voice them yea, yeah, yeah,

620
00:30:17,400 --> 00:30:18,520
Speaker 1: yeah yeah, dear dra.

621
00:30:21,040 --> 00:30:27,760
Speaker 2: Hold on, oh but here's here's here's how Apple dictation

622
00:30:27,920 --> 00:30:33,840
Speaker 2: spells it okay, how d E I? No, that's so stupid, honey,

623
00:30:33,960 --> 00:30:37,520
Speaker 2: d E I R D R E doctor dre.

624
00:30:38,920 --> 00:30:42,080
Speaker 1: Okay. I don't think that there's any way that he's

625
00:30:42,120 --> 00:30:44,280
Speaker 1: going to come back and say, d E I R

626
00:30:44,480 --> 00:30:47,240
Speaker 1: D R E. Well, I don't want. I hope his

627
00:30:47,320 --> 00:30:49,440
Speaker 1: phone and I'm sure it doesn't. I hope his phone

628
00:30:49,480 --> 00:30:52,840
Speaker 1: does not have the dictation, sort of like the transcription,

629
00:30:53,440 --> 00:30:57,080
Speaker 1: the audit transcription. Julia has not updated his phone since

630
00:30:57,360 --> 00:31:01,240
Speaker 1: twenty seventeen. That reads he probably should. He has ten

631
00:31:01,280 --> 00:31:04,200
Speaker 1: thousand unready emails. You're fucking kidding? How many do I have?

632
00:31:04,280 --> 00:31:06,960
Speaker 2: This? I shouldn't talk. Wait, how many I have? Oh

633
00:31:07,000 --> 00:31:08,960
Speaker 2: my god, you're not gonna help me. How many number?

634
00:31:08,960 --> 00:31:11,760
Speaker 2: I'll tell you my number first. No, this is really scary. Actually,

635
00:31:12,120 --> 00:31:14,320
Speaker 2: do you know how many? How many unread emails?

636
00:31:14,360 --> 00:31:17,840
Speaker 1: I have? Thirty five thousand, six hundred eighty nine? Go on,

637
00:31:17,880 --> 00:31:22,720
Speaker 1: I'm not kidding. Look, thirty five thousand, six hundred eighty nine.

638
00:31:22,880 --> 00:31:24,920
Speaker 1: How have you not gone mad? Because let me tell

639
00:31:24,920 --> 00:31:26,920
Speaker 1: you something about my inbox and I'm looking at it

640
00:31:27,000 --> 00:31:29,440
Speaker 1: right now. It is all bullshit.

641
00:31:29,680 --> 00:31:33,800
Speaker 2: It's all sag after communications American Express that's Delta Airlines,

642
00:31:33,840 --> 00:31:37,640
Speaker 2: lift receipts, Google Calendar, I get like Google calendar emails.

643
00:31:37,880 --> 00:31:41,000
Speaker 2: Don't ever say anything about the union being bullshit, No, no, no,

644
00:31:41,040 --> 00:31:43,360
Speaker 2: I just mean what they're sending me is bullshit.

645
00:31:43,600 --> 00:31:47,920
Speaker 1: Sure you need not bait. You need to scroll down

646
00:31:48,120 --> 00:31:51,000
Speaker 1: and click on subscribe on these hose.

647
00:31:51,160 --> 00:31:53,760
Speaker 2: I know, I know, and trust me, I never wanted

648
00:31:53,800 --> 00:31:55,800
Speaker 2: to be like this. You think I ever wanted to

649
00:31:55,840 --> 00:31:58,320
Speaker 2: be sad in the summer thirty five thousand, six hundred

650
00:31:58,360 --> 00:32:00,960
Speaker 2: eighty nine emails in my in my Gmail, unsure of

651
00:32:01,000 --> 00:32:02,600
Speaker 2: how to spell a Deirdre single.

652
00:32:04,000 --> 00:32:05,880
Speaker 1: You're about burnt out. This is about to be an

653
00:32:05,880 --> 00:32:08,840
Speaker 1: episode of Hoarders where I'm showing you the dead, flattened cats,

654
00:32:09,240 --> 00:32:12,280
Speaker 1: the carcasses, and you are screaming, crying, running out of

655
00:32:12,320 --> 00:32:15,160
Speaker 1: the house. We need to go through this email account.

656
00:32:15,520 --> 00:32:18,240
Speaker 1: But meanwhile, totally fruitless at this point. But meanwhile, I

657
00:32:18,280 --> 00:32:20,040
Speaker 1: think you're so on top of the email.

658
00:32:20,040 --> 00:32:22,520
Speaker 2: I am on top of all the important ones, anything

659
00:32:22,560 --> 00:32:25,200
Speaker 2: that we're on together, anything that needs my attention, I

660
00:32:25,320 --> 00:32:26,400
Speaker 2: respond immediately.

661
00:32:26,440 --> 00:32:27,480
Speaker 1: I'm just telling you.

662
00:32:27,400 --> 00:32:31,400
Speaker 2: I get so much bullshit in here, like so much

663
00:32:31,440 --> 00:32:34,840
Speaker 2: bullshit in here. Who the fuck is Scott Dwarkin And

664
00:32:34,880 --> 00:32:36,640
Speaker 2: why do I need to know from him that Kamala

665
00:32:36,680 --> 00:32:39,360
Speaker 2: Harris picks Tim Waltz for VP. I have like literally

666
00:32:39,440 --> 00:32:42,120
Speaker 2: Instagram for that. I can hear from Kamala herself. God knows,

667
00:32:42,160 --> 00:32:44,400
Speaker 2: she texts me on an automated message three times a day.

668
00:32:44,520 --> 00:32:46,800
Speaker 1: You gotta stop. You gotta stop to quit those, babe.

669
00:32:46,880 --> 00:32:49,600
Speaker 2: It's like Weeds, though, you stop to quit one six

670
00:32:49,720 --> 00:32:53,160
Speaker 2: more pop up, Nancy Pelosi, I lose my number. I'm

671
00:32:53,200 --> 00:32:54,920
Speaker 2: so grateful for you and what you've done to get

672
00:32:54,920 --> 00:32:57,040
Speaker 2: Waltz picked. Don't text me.

673
00:32:57,600 --> 00:32:59,520
Speaker 1: I thought you when you said Weeds. We're gonna talk

674
00:32:59,520 --> 00:33:02,840
Speaker 1: about the two V show. The handle box is on

675
00:33:02,880 --> 00:33:06,280
Speaker 1: the heelside. It the theme song of Weeds. Yes, I

676
00:33:06,320 --> 00:33:09,040
Speaker 1: never really watched Weeks. Oh. I loved the first three

677
00:33:09,800 --> 00:33:12,520
Speaker 1: three seasons were good. The season four they were they

678
00:33:12,560 --> 00:33:15,040
Speaker 1: were trying to make it new and fresh. They I

679
00:33:15,040 --> 00:33:17,160
Speaker 1: think they moved to Tijuana or something.

680
00:33:17,240 --> 00:33:20,240
Speaker 2: Yeah, yeah, yeah, I remember them rebooting a lot Like now,

681
00:33:20,280 --> 00:33:21,760
Speaker 2: It's like, aren't they supposed.

682
00:33:21,480 --> 00:33:23,680
Speaker 1: To reboot it? Oh yeah, I think they are.

683
00:33:23,640 --> 00:33:26,200
Speaker 2: Supposed to like fully bring it back. And I'm like, so,

684
00:33:26,280 --> 00:33:29,640
Speaker 2: what is she gonna start selling like cocaine? Like because

685
00:33:29,680 --> 00:33:30,880
Speaker 2: weeds a whole fing.

686
00:33:30,720 --> 00:33:34,040
Speaker 1: Weeds are kind of thanks to people like Tim Walls. Yeah,

687
00:33:34,080 --> 00:33:34,960
Speaker 1: it ain't no thing.

688
00:33:35,040 --> 00:33:37,160
Speaker 2: It ain't nothing. I mean, like we can literally walk

689
00:33:37,160 --> 00:33:38,120
Speaker 2: outside into the corner.

690
00:33:38,160 --> 00:33:40,920
Speaker 1: Start. By the way, you've never smoked weed, like the

691
00:33:40,920 --> 00:33:42,560
Speaker 1: weed you can get on the street in New York.

692
00:33:43,160 --> 00:33:45,160
Speaker 1: I'm telling you, I don't really get it off the street.

693
00:33:45,200 --> 00:33:45,640
Speaker 1: Oh I do.

694
00:33:45,960 --> 00:33:48,400
Speaker 2: You're talking about like the shops. Yeah, yeah, yeah, I'm

695
00:33:48,400 --> 00:33:49,880
Speaker 2: not talking about like calling the girls.

696
00:33:49,920 --> 00:33:52,960
Speaker 1: The shops are like okay, meanwhile, shout out to the

697
00:33:53,000 --> 00:33:56,800
Speaker 1: travel agency. But all the weed shops love.

698
00:33:57,040 --> 00:34:01,600
Speaker 2: I'm not even talking about like any of the boutique places.

699
00:34:01,640 --> 00:34:03,960
Speaker 2: I'm talking about like the walk into a place like

700
00:34:04,000 --> 00:34:05,640
Speaker 2: a bodega and they have shit that's like.

701
00:34:05,680 --> 00:34:09,000
Speaker 1: Rolled and Keith, Yeah, you're on planet Moon. Yeah.

702
00:34:09,040 --> 00:34:13,560
Speaker 2: And I swear to you, Jared Praeter, the biggest stoner

703
00:34:13,640 --> 00:34:17,080
Speaker 2: I know, he can't handle the weed that I smoke.

704
00:34:17,280 --> 00:34:20,120
Speaker 1: That's saying something. Yeah.

705
00:34:20,160 --> 00:34:22,200
Speaker 2: And by the way, I'm also aware of the fact that,

706
00:34:22,280 --> 00:34:25,239
Speaker 2: like I do have this big major vice, which is marijuana.

707
00:34:25,719 --> 00:34:28,759
Speaker 1: But I won't give that up. No, no, no, no.

708
00:34:28,800 --> 00:34:30,160
Speaker 1: And I don't know what it's telling you. Seventy my

709
00:34:30,360 --> 00:34:31,520
Speaker 1: heart is not telling you get that up.

710
00:34:31,640 --> 00:34:33,320
Speaker 2: And I did ask you that I was like a

711
00:34:33,360 --> 00:34:35,200
Speaker 2: seventy five hard making me stop smoking weed.

712
00:34:35,360 --> 00:34:39,560
Speaker 1: I did take a peek at the subreddit. Unfortunately, not unfortunately.

713
00:34:39,160 --> 00:34:41,920
Speaker 2: It's seventy five hard subreddit. It's a whole thing and

714
00:34:42,200 --> 00:34:44,440
Speaker 2: people are and why. I just looked up like seventy

715
00:34:44,480 --> 00:34:46,600
Speaker 2: five hard can you smoke weed? And people and there's

716
00:34:46,600 --> 00:34:49,359
Speaker 2: a whole there's a bunch of threads on reddit, and

717
00:34:49,400 --> 00:34:51,480
Speaker 2: the people in the comments were like, well, the guy,

718
00:34:51,600 --> 00:34:54,360
Speaker 2: this big mean guy who invented it, who like confronts

719
00:34:54,400 --> 00:34:58,560
Speaker 2: you on the on the ogham, he goes the reason

720
00:34:58,719 --> 00:35:00,319
Speaker 2: they tell you to give up alcohol is to like

721
00:35:00,400 --> 00:35:03,400
Speaker 2: get out of the brain fog, and we kind.

722
00:35:03,200 --> 00:35:04,560
Speaker 1: Of gives you the same thing. But I'm like no,

723
00:35:04,640 --> 00:35:07,040
Speaker 1: but we kind of like we'd opened up something for me.

724
00:35:07,280 --> 00:35:09,160
Speaker 1: Alcohol like fucking shuts it down.

725
00:35:09,400 --> 00:35:12,800
Speaker 2: Yeah, you know, for me, it's like a weed actually

726
00:35:12,920 --> 00:35:16,080
Speaker 2: like makes me come down to a normal level because

727
00:35:16,120 --> 00:35:18,600
Speaker 2: my anxiety is out of control. But like, remember when

728
00:35:18,600 --> 00:35:20,480
Speaker 2: we were asking them, we went to that museum and

729
00:35:20,520 --> 00:35:23,400
Speaker 2: they had that Robbie Williams exhibit. Yeah, do you remember

730
00:35:23,520 --> 00:35:26,640
Speaker 2: that one room where it was a picture It was

731
00:35:26,680 --> 00:35:28,680
Speaker 2: like a picture of someone's head and there was like

732
00:35:28,680 --> 00:35:31,640
Speaker 2: a million thoughts in the head that were like this

733
00:35:31,680 --> 00:35:34,920
Speaker 2: is me. When I go into a social interaction, you felt.

734
00:35:34,680 --> 00:35:36,600
Speaker 1: Like you were looking to the day of mirror. I

735
00:35:36,840 --> 00:35:40,840
Speaker 1: was so shook by it. I was like we were stoned.

736
00:35:41,360 --> 00:35:43,560
Speaker 2: No, we weren't, but I was just like, this is

737
00:35:43,600 --> 00:35:48,120
Speaker 2: the reason why I look for ways to quiet things down,

738
00:35:48,680 --> 00:35:53,799
Speaker 2: like is because there is I can't stop thinking, I

739
00:35:53,840 --> 00:35:57,680
Speaker 2: can't stop my like inside out too. When anxiety, played

740
00:35:57,680 --> 00:36:00,680
Speaker 2: by my Alehac like took the wheels and like drew

741
00:36:00,760 --> 00:36:03,040
Speaker 2: up the five hundred things that could happen, like in

742
00:36:03,080 --> 00:36:05,399
Speaker 2: your brain at any given time, based on any event

743
00:36:05,440 --> 00:36:08,560
Speaker 2: that may happen, I was like, that is so what

744
00:36:08,600 --> 00:36:12,400
Speaker 2: it is. And I think that's why sometimes, like in

745
00:36:12,440 --> 00:36:16,279
Speaker 2: a self assessment, it feels like I leave things like

746
00:36:16,600 --> 00:36:20,920
Speaker 2: whether shows we're doing, sometimes this podcast, or like social

747
00:36:20,920 --> 00:36:24,120
Speaker 2: interactions I have, and if I assess myself, I'm like, wow,

748
00:36:24,160 --> 00:36:27,360
Speaker 2: you really did the most, Like you're exhausted. That's just

749
00:36:27,400 --> 00:36:30,040
Speaker 2: like my anxiety like responding in a way where it's

750
00:36:30,040 --> 00:36:33,040
Speaker 2: like do more fill the space, like don't let there

751
00:36:33,080 --> 00:36:35,000
Speaker 2: be silenced. That's don't be boring.

752
00:36:34,719 --> 00:36:37,120
Speaker 1: That's you flushing the thoughts in your head. Yeah.

753
00:36:37,520 --> 00:36:42,440
Speaker 2: Yeah, It's just been really interesting to deeply understand that

754
00:36:42,440 --> 00:36:45,239
Speaker 2: that is the way that my social anxiety manifests in

755
00:36:45,280 --> 00:36:47,880
Speaker 2: a way that probably no one would ever think I

756
00:36:48,000 --> 00:36:52,000
Speaker 2: have it, but I have it so bad and it's

757
00:36:52,040 --> 00:36:54,360
Speaker 2: incredibly hard for me to get out of the house.

758
00:36:54,719 --> 00:36:58,040
Speaker 2: And then when I get somewhere, I'm seeming fine because

759
00:36:58,040 --> 00:36:59,960
Speaker 2: I'm going a mile a minute and turn the charm

760
00:37:00,080 --> 00:37:02,759
Speaker 2: on one hundred percent and like, am you know me?

761
00:37:03,520 --> 00:37:06,279
Speaker 2: But like then I leave and I'm like exhausted, and

762
00:37:06,320 --> 00:37:09,320
Speaker 2: I feel like I never really knew that people identified

763
00:37:09,320 --> 00:37:11,040
Speaker 2: with it in that way. I just thought I was like,

764
00:37:11,320 --> 00:37:14,440
Speaker 2: you know, crazy and at ten and like was me

765
00:37:14,560 --> 00:37:18,319
Speaker 2: Matt Rogers like a heightened person? But like I'm now understanding,

766
00:37:18,360 --> 00:37:22,279
Speaker 2: and honestly, Robby Williams exhibit helped me realize this, Like, oh,

767
00:37:22,320 --> 00:37:25,399
Speaker 2: this is like an anxiety response I'm having, like I'm

768
00:37:25,440 --> 00:37:28,239
Speaker 2: not comfortable and so that's why I can't slow down.

769
00:37:28,760 --> 00:37:34,920
Speaker 1: Anxiety is also like a future focused thing. You are

770
00:37:34,960 --> 00:37:40,000
Speaker 1: just accounting for all all these different outcomes. I feel

771
00:37:40,040 --> 00:37:43,759
Speaker 1: like you are constantly thinking about the future because and

772
00:37:43,800 --> 00:37:45,520
Speaker 1: I don't know if this sounds silly, but it's like

773
00:37:45,840 --> 00:37:49,200
Speaker 1: I think it's because you constantly have literally a flight

774
00:37:49,280 --> 00:37:52,960
Speaker 1: to catch, because you know, when you know, when you

775
00:37:53,160 --> 00:37:54,759
Speaker 1: have travel plans and like you're kind of like thinking

776
00:37:54,760 --> 00:37:56,759
Speaker 1: about it's like what the scaries are and stuff. It's

777
00:37:56,800 --> 00:38:00,279
Speaker 1: like you just like have a different place I used

778
00:38:00,280 --> 00:38:03,239
Speaker 1: to be in a matter of days, and that is

779
00:38:03,280 --> 00:38:05,960
Speaker 1: going to put you in that space constantly.

780
00:38:06,800 --> 00:38:09,480
Speaker 2: I completely understand why you feel that way based on

781
00:38:09,560 --> 00:38:12,319
Speaker 2: what I project, because I think when I'm around like

782
00:38:12,520 --> 00:38:14,719
Speaker 2: any of my friends or anyone else, like I want

783
00:38:14,719 --> 00:38:18,160
Speaker 2: people to think like I'm moving, I'm going because when

784
00:38:18,200 --> 00:38:21,200
Speaker 2: I am by myself, all I think about is the past.

785
00:38:22,280 --> 00:38:26,280
Speaker 2: So like when i'm I get so stuck. Oh my god,

786
00:38:27,840 --> 00:38:33,800
Speaker 2: I get so stuck in like what like what's happened

787
00:38:33,840 --> 00:38:34,600
Speaker 2: and stuff like that.

788
00:38:34,719 --> 00:38:36,279
Speaker 1: I can't like that.

789
00:38:36,360 --> 00:38:39,680
Speaker 2: I feel like I have to, like then like put

790
00:38:39,840 --> 00:38:41,719
Speaker 2: so much on the schedule and stuff like that. Like

791
00:38:41,760 --> 00:38:44,640
Speaker 2: it's just like a lot and I can never just

792
00:38:44,719 --> 00:38:47,439
Speaker 2: like sit like in a moment, so I can never

793
00:38:47,520 --> 00:38:53,600
Speaker 2: enjoy anything. I'm sorry, No, I'm sorry, Matt.

794
00:38:54,160 --> 00:38:54,760
Speaker 1: It's okay.

795
00:38:54,880 --> 00:38:56,600
Speaker 2: I mean, like I didn't even mean to be like this,

796
00:38:56,800 --> 00:38:59,600
Speaker 2: What do you mean, because we don't mean to be

797
00:38:59,680 --> 00:39:00,319
Speaker 2: like any now.

798
00:39:00,239 --> 00:39:02,279
Speaker 1: I like will start judging myself for doing this on

799
00:39:02,320 --> 00:39:05,799
Speaker 1: the podcast. Girl, I don't know.

800
00:39:05,840 --> 00:39:08,800
Speaker 2: I think I'm just like because now tomorrow I'm leaving again,

801
00:39:09,800 --> 00:39:11,759
Speaker 2: and I'm like, I don't.

802
00:39:12,080 --> 00:39:15,000
Speaker 1: I just trying to figure out, like this is what

803
00:39:15,040 --> 00:39:18,040
Speaker 1: I'm saying, Matt, like, you have you have no literally

804
00:39:18,080 --> 00:39:24,600
Speaker 1: no grounding. Yeah, true, you have. You're you're living the

805
00:39:24,640 --> 00:39:25,640
Speaker 1: deer tore lifestyle.

806
00:39:26,640 --> 00:39:29,759
Speaker 2: Lifestyle is chipping away at me. I think because it's

807
00:39:29,760 --> 00:39:34,520
Speaker 2: been like a year and a half it and it's

808
00:39:34,520 --> 00:39:39,000
Speaker 2: connected to other things and it's just like yeah, but

809
00:39:39,120 --> 00:39:41,520
Speaker 2: I I literally will be fine because I think the

810
00:39:41,520 --> 00:39:43,640
Speaker 2: fact that I'm even able to acknowledge all this stuff

811
00:39:43,760 --> 00:39:46,360
Speaker 2: means a positive thing. Like I think, like like the

812
00:39:46,480 --> 00:39:50,120
Speaker 2: damn breaking a little bit of emotionally is good and

813
00:39:50,200 --> 00:39:52,760
Speaker 2: you and I think that alcohol will make me very

814
00:39:52,800 --> 00:39:54,840
Speaker 2: sad when I'm in this state, like I feel, I

815
00:39:54,880 --> 00:39:57,279
Speaker 2: kind of feel like them around Beverly Hills and Kyle

816
00:39:57,360 --> 00:39:58,560
Speaker 2: Richards was like, I can't.

817
00:39:58,400 --> 00:40:01,759
Speaker 1: Afford to be tired and said in the morning, I

818
00:40:01,800 --> 00:40:03,120
Speaker 1: can't drink. It's dark.

819
00:40:03,440 --> 00:40:05,920
Speaker 2: Yeah, I know it's for me. It's I don't think

820
00:40:05,920 --> 00:40:08,120
Speaker 2: it's that dark, but it is like I do get that.

821
00:40:08,239 --> 00:40:10,960
Speaker 2: I'm like, I can't add the extra thing right now

822
00:40:11,040 --> 00:40:12,439
Speaker 2: of like right.

823
00:40:12,360 --> 00:40:15,040
Speaker 1: Way would you like if that's like if that's the

824
00:40:15,120 --> 00:40:17,720
Speaker 1: toggle or if that if that like flips the switch,

825
00:40:17,840 --> 00:40:21,000
Speaker 1: then like there's no reason to do it. Yeah, you

826
00:40:21,040 --> 00:40:21,600
Speaker 1: know what I mean.

827
00:40:22,239 --> 00:40:25,040
Speaker 2: I also think it's just like like a myth that

828
00:40:25,080 --> 00:40:27,920
Speaker 2: it's something you need, you know what I mean.

829
00:40:27,960 --> 00:40:30,160
Speaker 1: It's like it's it's really not well, this is what

830
00:40:30,239 --> 00:40:35,480
Speaker 1: people point out all the time, especially and like AA

831
00:40:36,280 --> 00:40:41,960
Speaker 1: is like it's so hard because it is literally shoved

832
00:40:42,000 --> 00:40:46,279
Speaker 1: in our faces constantly. Yeah, yeah, yeah, you know what

833
00:40:46,320 --> 00:40:46,640
Speaker 1: I mean.

834
00:40:46,760 --> 00:40:50,359
Speaker 2: I'm just thinking about us like doing absolute vodka. Sure,

835
00:40:50,960 --> 00:40:53,279
Speaker 2: I mean like, but that's that's not no, that's to

836
00:40:53,320 --> 00:40:55,680
Speaker 2: have a nice celebratory time. And guess what I think

837
00:40:55,719 --> 00:41:00,880
Speaker 2: that every now and then have a causma back to me,

838
00:41:01,040 --> 00:41:06,919
Speaker 2: back to the check. I Julio answered, what the fuck

839
00:41:07,040 --> 00:41:10,839
Speaker 2: is that? He's no, he just he just sent back

840
00:41:11,239 --> 00:41:17,239
Speaker 2: d E I R D R E I dere tell him,

841
00:41:17,680 --> 00:41:19,799
Speaker 2: tell him, yeah, this is too much.

842
00:41:20,040 --> 00:41:22,799
Speaker 1: You are indulging. Yeah he is. He is being very

843
00:41:22,840 --> 00:41:27,360
Speaker 1: indulgent as he's want to do as he's wanted to do.

844
00:41:27,480 --> 00:41:38,560
Speaker 1: We love him for that. Anyway, I will not continue

845
00:41:38,600 --> 00:41:41,680
Speaker 1: to drag this into the depths. No, but see, this

846
00:41:41,800 --> 00:41:44,080
Speaker 1: is what what is this instinct of not wanting to

847
00:41:44,080 --> 00:41:46,080
Speaker 1: talk about this unless you really don't feel comfortable talking

848
00:41:46,080 --> 00:41:48,239
Speaker 1: about it. I think the instinct to not want to

849
00:41:48,239 --> 00:41:50,239
Speaker 1: talk about it is just well clearly I did talk

850
00:41:50,280 --> 00:41:50,680
Speaker 1: about it.

851
00:41:50,760 --> 00:41:53,000
Speaker 2: So and it's it's been the way that I'm feeling

852
00:41:53,400 --> 00:41:57,279
Speaker 2: for like kind of a while. And I think that

853
00:41:57,480 --> 00:41:59,399
Speaker 2: maybe the reason for like a new connection with Lana

854
00:41:59,440 --> 00:42:02,440
Speaker 2: del Ray. But I will say this, all the music

855
00:42:02,480 --> 00:42:06,160
Speaker 2: that I'm listening to actually is starting to terrorize me.

856
00:42:06,360 --> 00:42:08,520
Speaker 2: It's starting to chase me around. So talk about this.

857
00:42:08,600 --> 00:42:10,560
Speaker 2: So I need to get out of the loop that

858
00:42:10,600 --> 00:42:13,759
Speaker 2: I'm in because all the all the like and this

859
00:42:13,800 --> 00:42:16,560
Speaker 2: is I literally think, and this is something Spotify you

860
00:42:16,640 --> 00:42:19,200
Speaker 2: I I need a Spotify. I need to like wipe

861
00:42:19,200 --> 00:42:21,640
Speaker 2: it clean and just start fresh. I don't know how

862
00:42:21,640 --> 00:42:24,959
Speaker 2: to do that because literally it's like it's like.

863
00:42:24,920 --> 00:42:26,279
Speaker 1: There's a whole place in the New York about how

864
00:42:26,280 --> 00:42:29,759
Speaker 1: this Spotify user experience is actually really damaging and it's

865
00:42:29,800 --> 00:42:32,840
Speaker 1: like not sorry, we love we love your Spotify, but

866
00:42:32,920 --> 00:42:36,680
Speaker 1: also like the way the user experience is designed does

867
00:42:36,719 --> 00:42:38,759
Speaker 1: not incentivize you to discover new things.

868
00:42:38,840 --> 00:42:43,480
Speaker 2: It literally the other day, Bowen, I was in a

869
00:42:43,520 --> 00:42:47,000
Speaker 2: bad mood, and I swear to God, I love I

870
00:42:47,080 --> 00:42:50,160
Speaker 2: love her so much. I love her so much, Lana.

871
00:42:50,320 --> 00:42:54,320
Speaker 2: But I did not want to listen to chapelone again.

872
00:42:54,719 --> 00:42:55,520
Speaker 1: I understand.

873
00:42:55,600 --> 00:42:57,759
Speaker 2: I did not want to listen to Espresso again. I

874
00:42:57,840 --> 00:42:59,799
Speaker 2: understand I actually needed a little bit of a break

875
00:42:59,800 --> 00:43:02,719
Speaker 2: from tortured Bowet's. It was making me too sad. I

876
00:43:02,800 --> 00:43:05,560
Speaker 2: didn't want to look, and then I literally looked. It

877
00:43:05,640 --> 00:43:09,040
Speaker 2: was almost like I couldn't find new music. Oh It's

878
00:43:09,080 --> 00:43:13,160
Speaker 2: almost like I was like Spotify would only regurgitate to

879
00:43:13,200 --> 00:43:16,200
Speaker 2: me things that I had listened to before, are things

880
00:43:16,200 --> 00:43:19,200
Speaker 2: that were exactly the same, right, And I'm like, wait,

881
00:43:19,600 --> 00:43:23,640
Speaker 2: it really boxes you into this zone and keeps you

882
00:43:23,719 --> 00:43:26,880
Speaker 2: there so that it can identify more easily what you like.

883
00:43:27,040 --> 00:43:31,040
Speaker 1: This is this is the James seamous thing. Yeah, Like,

884
00:43:32,239 --> 00:43:34,720
Speaker 1: at a certain point, you go, I don't want any

885
00:43:34,760 --> 00:43:37,320
Speaker 1: of this right now, none of it.

886
00:43:37,320 --> 00:43:41,120
Speaker 2: It's it's dating apps, it's shopping online, it's it's streaming.

887
00:43:41,160 --> 00:43:42,040
Speaker 1: It's like, it's this is.

888
00:43:41,960 --> 00:43:44,440
Speaker 2: I'm sorry, I forget about how dating apps has attacked

889
00:43:44,520 --> 00:43:45,160
Speaker 2: me recently.

890
00:43:45,320 --> 00:43:47,839
Speaker 1: I'm harping on this so much, but to talk about

891
00:43:47,840 --> 00:43:50,800
Speaker 1: this forget about it. Just it's almost like it's actually scary.

892
00:43:51,040 --> 00:43:54,120
Speaker 1: It's almost like, well, I'm not going to see this person. Boom.

893
00:43:54,320 --> 00:43:56,560
Speaker 2: Well I'm not going to see this type of person. Boom,

894
00:43:56,960 --> 00:43:58,560
Speaker 2: Well I'm not going to This is never this will

895
00:43:58,560 --> 00:44:02,120
Speaker 2: never happen. Boom. It's just like I hate feeling so

896
00:44:03,160 --> 00:44:07,080
Speaker 2: known and basic by my devices, you know what I mean.

897
00:44:07,160 --> 00:44:09,160
Speaker 2: It's like it will literally make you feel like the

898
00:44:09,200 --> 00:44:13,520
Speaker 2: smallest person in the world your phone. And this is

899
00:44:13,520 --> 00:44:16,680
Speaker 2: another Gabe Leban shout out from his seminole stand up

900
00:44:16,719 --> 00:44:20,360
Speaker 2: album HII. But this was before like we had like

901
00:44:20,760 --> 00:44:25,120
Speaker 2: a common like discourse around algorithms and shit, like it

902
00:44:25,239 --> 00:44:26,560
Speaker 2: came out like twenty fourteen.

903
00:44:26,600 --> 00:44:28,200
Speaker 1: I want to say, I might be getting the date wrong,

904
00:44:28,280 --> 00:44:30,200
Speaker 1: the year wrong. But he has a he has a

905
00:44:30,200 --> 00:44:34,480
Speaker 1: whole joke where he's like, it's creepy how Netflix finds

906
00:44:34,520 --> 00:44:36,560
Speaker 1: out that you're gay because you don't tell it that

907
00:44:37,600 --> 00:44:39,560
Speaker 1: because he goes meanwhile, like I go on Facebook and

908
00:44:39,600 --> 00:44:42,120
Speaker 1: I'm like, I'm Gabe and I'm a big old Helmo

909
00:44:42,280 --> 00:44:44,359
Speaker 1: And then the whole right thing of my screen is.

910
00:44:44,880 --> 00:44:51,520
Speaker 3: Tank toptops for sale, which was just which just like

911
00:44:51,840 --> 00:44:55,120
Speaker 3: this is the thing though, It's like, why does it

912
00:44:55,160 --> 00:44:56,320
Speaker 3: feel like an insult?

913
00:44:57,000 --> 00:44:59,440
Speaker 2: It's does it feel is because it makes because it

914
00:44:59,480 --> 00:45:04,120
Speaker 2: makes you feel your interests are very limited, That's what

915
00:45:04,160 --> 00:45:06,839
Speaker 2: it is. And I know that's not true about myself. Yes,

916
00:45:07,040 --> 00:45:09,560
Speaker 2: And I honestly think, if I'm to be very real,

917
00:45:10,000 --> 00:45:12,080
Speaker 2: I think it hurts this podcast sometimes.

918
00:45:12,239 --> 00:45:13,839
Speaker 1: Of course it guys, We're like, what we're talking about

919
00:45:13,880 --> 00:45:14,720
Speaker 1: the same shit.

920
00:45:14,880 --> 00:45:19,759
Speaker 2: I feel redundant and boring, and so sometimes I'm just like,

921
00:45:20,400 --> 00:45:22,640
Speaker 2: you know what, it might be nice.

922
00:45:22,440 --> 00:45:24,960
Speaker 1: For some app to force me to read a book.

923
00:45:25,480 --> 00:45:28,040
Speaker 2: And I have, really I've been trying to put myself

924
00:45:28,080 --> 00:45:30,240
Speaker 2: out there in regard I honestly a lot.

925
00:45:30,120 --> 00:45:31,120
Speaker 1: Of it with self protection.

926
00:45:31,239 --> 00:45:34,080
Speaker 2: And pop music is a drug, and especially as it

927
00:45:34,120 --> 00:45:37,880
Speaker 2: gets shorter, it's like a little tiny hit that's supposed

928
00:45:37,880 --> 00:45:40,120
Speaker 2: to make you feel better in a second. And guess what,

929
00:45:40,640 --> 00:45:42,719
Speaker 2: a lot of these girls are really good at it

930
00:45:42,800 --> 00:45:45,239
Speaker 2: and doing it in elevated ways. I think that's what

931
00:45:45,360 --> 00:45:48,600
Speaker 2: pisses me off kind of about woman's world is because

932
00:45:48,640 --> 00:45:52,080
Speaker 2: it's trying to be nothing and so therefore it is

933
00:45:52,440 --> 00:45:54,200
Speaker 2: and when it gets in my ears, I'm like a

934
00:45:54,200 --> 00:45:58,640
Speaker 2: little insulted. I'm like, this is such bullshit and garbage

935
00:45:58,680 --> 00:46:01,719
Speaker 2: nothing that I feel like you thought you really could

936
00:46:01,760 --> 00:46:04,680
Speaker 2: get away with it, and you used to actually challenge

937
00:46:04,680 --> 00:46:07,239
Speaker 2: the pop landscape Katie Perry, Like, I'll say again, like

938
00:46:07,440 --> 00:46:09,440
Speaker 2: when you came out with I Kissed a Girl, everyone

939
00:46:09,560 --> 00:46:11,960
Speaker 2: was like, who's that? What's she all about? That's a

940
00:46:12,000 --> 00:46:14,279
Speaker 2: new perspective, this is a new sound, this is a

941
00:46:14,320 --> 00:46:18,080
Speaker 2: new thing. She's like a warped tour like pop Girl.

942
00:46:18,160 --> 00:46:21,200
Speaker 2: It was like a new fresh thing. Now she's it's

943
00:46:21,239 --> 00:46:24,040
Speaker 2: a woman's world. And I'm sorry. I know that Lifetimes

944
00:46:24,080 --> 00:46:27,200
Speaker 2: is better, but it's the same thing, you know what

945
00:46:27,280 --> 00:46:32,120
Speaker 2: I mean. Her second single is called Lifetime. I get

946
00:46:32,160 --> 00:46:34,160
Speaker 2: that it's like a better song and it's not as

947
00:46:34,239 --> 00:46:38,040
Speaker 2: like on the nose vanilla like, but it's also have

948
00:46:38,120 --> 00:46:38,799
Speaker 2: you not heard it yet?

949
00:46:39,040 --> 00:46:39,359
Speaker 1: Heard it?

950
00:46:40,480 --> 00:46:42,360
Speaker 2: She's pushing it like they're already moving on to the

951
00:46:42,400 --> 00:46:44,320
Speaker 2: second single because the first one was such a flop.

952
00:46:44,560 --> 00:46:47,319
Speaker 2: But even that song, like, yeah, you could definitely turn

953
00:46:47,360 --> 00:46:49,240
Speaker 2: this on into a gay party and we could all

954
00:46:49,280 --> 00:46:52,840
Speaker 2: like not think about it, and sure, it's just ambious.

955
00:46:52,920 --> 00:46:54,840
Speaker 2: It's not doing anything.

956
00:46:55,560 --> 00:47:00,200
Speaker 1: I mean, first of all, I want to say, made

957
00:47:00,200 --> 00:47:03,680
Speaker 1: the switch over to Apple Music, enjoying it, but that

958
00:47:03,760 --> 00:47:06,160
Speaker 1: might turn to do the same thing so far, not

959
00:47:06,320 --> 00:47:10,960
Speaker 1: because it's reminding me of iPod days, okay, and I

960
00:47:11,160 --> 00:47:14,040
Speaker 1: happen to like some discovery stuff on there. There's an

961
00:47:14,040 --> 00:47:16,440
Speaker 1: app called song Shift that'll just import your whole Spotify

962
00:47:16,440 --> 00:47:18,319
Speaker 1: library over to Apple if you want that. But it

963
00:47:18,320 --> 00:47:20,200
Speaker 1: sounds like you want to start fresh, which maybe, but

964
00:47:20,320 --> 00:47:23,120
Speaker 1: like whatever, it's there for you if you want. I've

965
00:47:23,160 --> 00:47:26,160
Speaker 1: been like dipping into techno, like Ven from Bergheim, like

966
00:47:26,239 --> 00:47:28,200
Speaker 1: curating a techno playlist and I'm like, oh, like like

967
00:47:28,239 --> 00:47:30,200
Speaker 1: he has on Apple and I'm just like listening to it.

968
00:47:30,239 --> 00:47:33,480
Speaker 1: I'm like, this is perfect. This is perfect. Every day

969
00:47:33,760 --> 00:47:36,520
Speaker 1: doesn't feel like like what you're saying, like a quick

970
00:47:36,600 --> 00:47:39,960
Speaker 1: hit of something. It just feels it is intentionally ambient

971
00:47:40,080 --> 00:47:43,040
Speaker 1: rather than like deceptively ambient in the way that like

972
00:47:43,080 --> 00:47:45,600
Speaker 1: Lifetimes might be like put it on a gay party

973
00:47:45,600 --> 00:47:47,440
Speaker 1: and I guess we'll just like do other stuff while

974
00:47:47,560 --> 00:47:50,400
Speaker 1: that plays. Techno is like I'm reading to this and

975
00:47:50,800 --> 00:47:53,280
Speaker 1: it works, or I'm just like doing washing the dishes

976
00:47:53,320 --> 00:47:55,160
Speaker 1: to techno and if it's a vibe and I'm like

977
00:47:55,680 --> 00:47:58,520
Speaker 1: this is like there's an authentic thing to this kind

978
00:47:58,560 --> 00:48:00,440
Speaker 1: of music and to listening to music and way where

979
00:48:00,480 --> 00:48:02,759
Speaker 1: you're like, this is just to put on in play.

980
00:48:02,840 --> 00:48:04,920
Speaker 1: It's like putting on a vinyl on on the fucking

981
00:48:05,560 --> 00:48:08,440
Speaker 1: record player and all you can do is drop the

982
00:48:08,440 --> 00:48:10,480
Speaker 1: needle and let it play. And like if you're fussy

983
00:48:10,520 --> 00:48:13,120
Speaker 1: with like skipping a track, it's like you're not really

984
00:48:13,160 --> 00:48:14,600
Speaker 1: supposed to do that. You're supposed to just let it

985
00:48:14,640 --> 00:48:17,920
Speaker 1: play continuously. That is what we are kind of missing

986
00:48:18,000 --> 00:48:21,200
Speaker 1: right now. Am I making sense? No, yeah, it is.

987
00:48:21,280 --> 00:48:23,200
Speaker 1: It doesn't make sense to me, But we're about to

988
00:48:23,239 --> 00:48:23,640
Speaker 1: say something.

989
00:48:23,640 --> 00:48:28,240
Speaker 2: I think because it exists and breathes, whereas like pop music,

990
00:48:28,360 --> 00:48:31,280
Speaker 2: like it's literally a little hit, it's picks and valleys.

991
00:48:31,280 --> 00:48:33,200
Speaker 1: It's like drugs and some of.

992
00:48:33,200 --> 00:48:35,440
Speaker 2: These girls are drug dealers and they're incredible. I think

993
00:48:35,480 --> 00:48:37,960
Speaker 2: Sabrina Carpenter is an amazing drug dealer.

994
00:48:38,040 --> 00:48:40,920
Speaker 1: That's a real culture. Number seventy.

995
00:48:41,200 --> 00:48:45,440
Speaker 2: I think is an amazing drug dealer because she keeps

996
00:48:45,520 --> 00:48:46,080
Speaker 2: you hooked.

997
00:48:46,360 --> 00:48:48,440
Speaker 1: I mean please.

998
00:48:48,480 --> 00:48:51,160
Speaker 2: And now do you hear the new song what's called

999
00:48:51,200 --> 00:48:51,960
Speaker 2: slim Pickens?

1000
00:48:52,239 --> 00:48:56,120
Speaker 1: Oh uh huh? Like out it's there's an acoustic version

1001
00:48:56,120 --> 00:48:59,080
Speaker 1: that she performs at the Grammy Museum with Jack Antonov.

1002
00:48:59,560 --> 00:49:01,640
Speaker 2: That's like out there. We'll listen to it after this.

1003
00:49:02,080 --> 00:49:06,440
Speaker 2: But she's just like she's she's super smart and funny,

1004
00:49:06,520 --> 00:49:08,480
Speaker 2: and I think the album is gonna be great. I

1005
00:49:09,000 --> 00:49:10,399
Speaker 2: think you know what it is. Like we've been talking

1006
00:49:10,440 --> 00:49:12,640
Speaker 2: about how this year is like the year of pop gurlies,

1007
00:49:12,680 --> 00:49:15,759
Speaker 2: pop girlies, pop gurlies, that there's been so much that

1008
00:49:15,800 --> 00:49:18,680
Speaker 2: it's been all I'm consuming, and then suddenly my Spotify

1009
00:49:18,800 --> 00:49:23,480
Speaker 2: is like your one thing. You are one thing. It's

1010
00:49:23,520 --> 00:49:27,439
Speaker 2: not anyone's fault, like that works there or whatever. It's

1011
00:49:27,440 --> 00:49:30,200
Speaker 2: just algorithmic and I get it. Like, but even on

1012
00:49:30,239 --> 00:49:32,160
Speaker 2: YouTube and stuff, which is how I've ended up getting

1013
00:49:32,160 --> 00:49:35,680
Speaker 2: a lot of my news, it's like you forget you

1014
00:49:35,719 --> 00:49:38,279
Speaker 2: have other interests than the three things that they send

1015
00:49:38,320 --> 00:49:42,040
Speaker 2: you on YouTube. Yeah, if people are identifying with this, Holly,

1016
00:49:42,040 --> 00:49:44,319
Speaker 2: if you hear me, Holl, I think people have to

1017
00:49:44,360 --> 00:49:48,120
Speaker 2: be though, because that's like the way the internet works, and.

1018
00:49:48,040 --> 00:49:52,600
Speaker 1: It's dehumanizing right in a very literal way. It's like, oh,

1019
00:49:52,719 --> 00:49:57,120
Speaker 1: you think I'm an ATM and I buy three things

1020
00:49:57,840 --> 00:50:00,279
Speaker 1: not metaphor doesn't really make sense an ATM and I

1021
00:50:00,280 --> 00:50:06,880
Speaker 1: buy three things, like you think I'm an ATM and yeah,

1022
00:50:06,960 --> 00:50:09,480
Speaker 1: I whatever, you know what I mean. It's like I

1023
00:50:09,520 --> 00:50:11,919
Speaker 1: spin out money or you're an ATM and you think

1024
00:50:11,920 --> 00:50:14,640
Speaker 1: I come to you for there's only one thing, sure exactly,

1025
00:50:15,280 --> 00:50:16,120
Speaker 1: I'm sorry.

1026
00:50:15,880 --> 00:50:19,000
Speaker 2: No, you're an ATM.

1027
00:50:19,040 --> 00:50:23,400
Speaker 1: Also, what you're what you're talking about is really obsessing

1028
00:50:23,400 --> 00:50:26,000
Speaker 1: over the past and then having anxiety over the future.

1029
00:50:26,640 --> 00:50:29,600
Speaker 1: Like literally, what's missing? Not to sound this is so

1030
00:50:30,040 --> 00:50:34,600
Speaker 1: fucking irolly, but like what's missing is like a presence,

1031
00:50:35,120 --> 00:50:37,919
Speaker 1: you know, like it was like and that you should

1032
00:50:39,560 --> 00:50:44,279
Speaker 1: be present, Yeah, and breathe. It's the only sort of

1033
00:50:44,280 --> 00:50:48,200
Speaker 1: a conscious and unconscious thing process in the body, you

1034
00:50:48,239 --> 00:50:51,480
Speaker 1: know what I mean. It happens if you think about

1035
00:50:51,480 --> 00:50:52,359
Speaker 1: it happens if you don't.

1036
00:50:53,000 --> 00:50:54,960
Speaker 2: Well, it's like I think I used to like call

1037
00:50:55,000 --> 00:50:57,319
Speaker 2: it like manifesting. I was like, oh no, I'm not

1038
00:50:57,440 --> 00:51:01,640
Speaker 2: like fixated on like what's gonna happen. I'm just manifesting,

1039
00:51:02,080 --> 00:51:03,919
Speaker 2: you know what I mean. But that's like and that's

1040
00:51:03,920 --> 00:51:06,239
Speaker 2: always worked for me, you know what I mean. It's

1041
00:51:06,280 --> 00:51:08,640
Speaker 2: just like lately, I don't know, I'm just I'm just.

1042
00:51:08,760 --> 00:51:12,480
Speaker 1: Changing speak of YouTube. And I really hope this populates

1043
00:51:12,520 --> 00:51:15,880
Speaker 1: a lot of people's algorithms. Look up the School of Life.

1044
00:51:16,400 --> 00:51:19,040
Speaker 1: I think I've told you about this, and I've told

1045
00:51:19,200 --> 00:51:21,439
Speaker 1: I think I've mentioned this on the pod. But they're

1046
00:51:21,480 --> 00:51:23,680
Speaker 1: this like really cute British company and they like sell

1047
00:51:23,680 --> 00:51:25,799
Speaker 1: books at urban outfitters and shit, and it's like little

1048
00:51:25,880 --> 00:51:28,680
Speaker 1: journals and they're really good actually, and I sound like

1049
00:51:28,719 --> 00:51:32,560
Speaker 1: a teenager. But they make videos too about how like

1050
00:51:33,400 --> 00:51:36,040
Speaker 1: an early bedtime is actually really nice. I love it

1051
00:51:36,600 --> 00:51:38,040
Speaker 1: and I love but then that, but then that all

1052
00:51:38,120 --> 00:51:41,200
Speaker 1: leads to like, at a certain point in life, you

1053
00:51:41,280 --> 00:51:44,759
Speaker 1: realize that like a simpler life is the answer to everything.

1054
00:51:45,719 --> 00:51:47,799
Speaker 1: An early bedtime you just watch what you eat every

1055
00:51:47,840 --> 00:51:52,120
Speaker 1: now and then, not for like any like vanity project,

1056
00:51:52,200 --> 00:51:55,120
Speaker 1: but just as a way of just like taking care

1057
00:51:55,160 --> 00:51:57,600
Speaker 1: of yourself. I don't know. It's like a really lovely thing.

1058
00:51:57,640 --> 00:51:59,839
Speaker 1: And like when I went through that whole moment last summer,

1059
00:52:01,200 --> 00:52:02,920
Speaker 1: I was reading their books, I was watching these videos

1060
00:52:02,960 --> 00:52:14,680
Speaker 1: and I was like, oh, this is a comfort. Do

1061
00:52:14,760 --> 00:52:18,400
Speaker 1: you remember when we saw Varta Jean at the Errorstour.

1062
00:52:19,719 --> 00:52:21,920
Speaker 2: At the Crown and Anchor and at one point she

1063
00:52:22,040 --> 00:52:26,680
Speaker 2: leaves the stage and the piano player played Miley Cyrus.

1064
00:52:26,960 --> 00:52:30,879
Speaker 1: I know I used to be crazy. I know I

1065
00:52:31,040 --> 00:52:34,560
Speaker 1: used to be fun. I was like, on the first

1066
00:52:36,560 --> 00:52:40,480
Speaker 1: it's such a good song. It's great that Miley cyrus

1067
00:52:40,719 --> 00:52:46,080
Speaker 1: that Miley loves that song. Adele Adele, I.

1068
00:52:46,120 --> 00:52:48,240
Speaker 2: Think Patrick, I think House was telling me that Adele's

1069
00:52:48,239 --> 00:52:51,040
Speaker 2: only shouted at two people at her Vega shows, Miley

1070
00:52:51,719 --> 00:52:54,479
Speaker 2: for I used to be young and Sabrina Carpenter yep first.

1071
00:52:54,719 --> 00:52:57,239
Speaker 1: So yeah, yeah, yep. Adele gets it.

1072
00:52:57,320 --> 00:53:00,480
Speaker 2: Adela Spotify too when it's feeding her the same shit.

1073
00:53:00,440 --> 00:53:02,280
Speaker 1: Too, do you think?

1074
00:53:02,680 --> 00:53:06,400
Speaker 2: Oh yeah, I will say like, this was not to

1075
00:53:06,480 --> 00:53:07,560
Speaker 2: knock any of my girls.

1076
00:53:07,560 --> 00:53:09,440
Speaker 1: I was just in a in a moment.

1077
00:53:09,480 --> 00:53:11,759
Speaker 2: I was within an hour where I was like, you

1078
00:53:11,800 --> 00:53:14,640
Speaker 2: know what, Chapel, I've been listening to you not.

1079
00:53:14,960 --> 00:53:17,640
Speaker 1: That this moment is indicative of something. Yes it is.

1080
00:53:17,719 --> 00:53:20,279
Speaker 2: It's just me wanting to like expand a little bit

1081
00:53:20,320 --> 00:53:22,600
Speaker 2: more and feel like a little bit more comfortable and secure,

1082
00:53:23,000 --> 00:53:26,160
Speaker 2: that's all. And like I think being like sort of

1083
00:53:26,239 --> 00:53:30,080
Speaker 2: attacked on the internet by the things that you associate

1084
00:53:30,200 --> 00:53:33,240
Speaker 2: with a bad time is not great.

1085
00:53:33,719 --> 00:53:34,200
Speaker 1: What do you mean?

1086
00:53:34,920 --> 00:53:37,160
Speaker 2: Like, it's a lot of this music that's like emotional

1087
00:53:37,520 --> 00:53:39,560
Speaker 2: and like really puts me in my feelings about things

1088
00:53:39,600 --> 00:53:41,840
Speaker 2: I've been through and I'm like I don't want to

1089
00:53:41,880 --> 00:53:42,719
Speaker 2: hear that song again.

1090
00:53:42,840 --> 00:53:46,680
Speaker 1: Yeah, like I know, I don't want to hear this

1091
00:53:46,760 --> 00:53:47,320
Speaker 1: song again.

1092
00:53:47,480 --> 00:53:51,000
Speaker 2: I know, like leave Me Alone Coffee by Chapelone, Oh

1093
00:53:51,160 --> 00:53:52,800
Speaker 2: beautiful song so good.

1094
00:53:54,120 --> 00:53:57,160
Speaker 1: After this. But anyway, let's actually do I don't think so, honey,

1095
00:53:57,160 --> 00:53:59,520
Speaker 1: and you go first, because it's gonna kick us into

1096
00:53:59,520 --> 00:54:01,160
Speaker 1: a conversation about a cultural topic.

1097
00:54:01,880 --> 00:54:05,480
Speaker 2: I was, Yes, I'm doing that for later. Oh you're

1098
00:54:05,480 --> 00:54:07,839
Speaker 2: doing that for later? Yes, okay, got it?

1099
00:54:07,840 --> 00:54:10,080
Speaker 1: Does that make sense? Yes, it makes sense. And Anna

1100
00:54:10,200 --> 00:54:11,600
Speaker 1: are gonna go. We have some work to do, and

1101
00:54:11,600 --> 00:54:12,920
Speaker 1: then we have to go to Watch It Happens Live.

1102
00:54:12,920 --> 00:54:13,880
Speaker 1: We're doing Watch It Happens Live.

1103
00:54:13,920 --> 00:54:15,880
Speaker 2: We're gonna be on this Sunday, and then they're having

1104
00:54:15,960 --> 00:54:18,280
Speaker 2: us do I don't think they're having things on it, okay,

1105
00:54:18,320 --> 00:54:20,600
Speaker 2: So then I don't want then I want to say

1106
00:54:20,719 --> 00:54:23,520
Speaker 2: one thing okay on this podcast because I don't know

1107
00:54:23,560 --> 00:54:25,040
Speaker 2: how much of it we're gonna have to be able

1108
00:54:25,040 --> 00:54:25,560
Speaker 2: to get out.

1109
00:54:26,040 --> 00:54:27,560
Speaker 1: Let me go on Watch It Happens Live. Yeah.

1110
00:54:27,640 --> 00:54:31,279
Speaker 2: Yeah, all this hysteria about needing to reboot The Real

1111
00:54:31,320 --> 00:54:36,120
Speaker 2: Housewives of New Jersey, guys, calm down. There is a

1112
00:54:36,239 --> 00:54:39,480
Speaker 2: very clear answer here to what needs to happen. Theresa

1113
00:54:39,600 --> 00:54:44,720
Speaker 2: Judaice is married to a man who is dark, toxic, weird,

1114
00:54:45,080 --> 00:54:48,719
Speaker 2: and potentially a little dangerous. So as long as she

1115
00:54:48,920 --> 00:54:53,600
Speaker 2: is on the show, her storylines are gonna be dark, toxic, weird,

1116
00:54:54,239 --> 00:54:57,960
Speaker 2: and a little dangerous. And Jen is her lackey and

1117
00:54:58,040 --> 00:55:01,400
Speaker 2: completely spinning out and clearly miserable and acts like a

1118
00:55:01,600 --> 00:55:04,239
Speaker 2: seventh grader in the way that she treats people and

1119
00:55:04,280 --> 00:55:05,960
Speaker 2: the way that she talks to people and the way

1120
00:55:05,960 --> 00:55:09,680
Speaker 2: that she interacts with the world around her. They are

1121
00:55:11,160 --> 00:55:15,200
Speaker 2: the only thing besides Jackie who's like, well, I don't

1122
00:55:15,200 --> 00:55:18,919
Speaker 2: even know what happened. It's so disappointed, but obviously never

1123
00:55:19,239 --> 00:55:21,880
Speaker 2: not coming back. And it's crazy because I've met Jackie

1124
00:55:21,920 --> 00:55:23,960
Speaker 2: personally a couple times, and I just don't understand.

1125
00:55:24,040 --> 00:55:24,839
Speaker 1: What do you think she's doing.

1126
00:55:24,840 --> 00:55:28,200
Speaker 2: You met her and her husband, Adam glad the Gladawars, Yeah,

1127
00:55:28,200 --> 00:55:30,480
Speaker 2: And then I met her at pravocand I've always thought

1128
00:55:30,480 --> 00:55:32,960
Speaker 2: she was lovely and smart and great, and I just

1129
00:55:33,040 --> 00:55:36,239
Speaker 2: don't understand a single thing that she's done. And I

1130
00:55:36,320 --> 00:55:40,040
Speaker 2: hope everything's okay. But my thing with the two of

1131
00:55:40,080 --> 00:55:43,560
Speaker 2: them is it's just like they're the cancer here. They

1132
00:55:43,600 --> 00:55:46,840
Speaker 2: are the problem. Teresa and Jen. You have a great

1133
00:55:46,880 --> 00:55:53,440
Speaker 2: show there with Rachel, Danielle, Dolores, Jen Fessler, Margaret and Melissa.

1134
00:55:53,800 --> 00:55:56,759
Speaker 2: That's like a six people right there, and then cast

1135
00:55:56,800 --> 00:55:59,960
Speaker 2: a couple new women the reboot of it all. It's like,

1136
00:56:00,160 --> 00:56:02,359
Speaker 2: you don't need to do that, especially when you have

1137
00:56:03,000 --> 00:56:06,120
Speaker 2: already large group of women with working dynamics.

1138
00:56:06,120 --> 00:56:08,120
Speaker 1: Did you see Dolores when she was.

1139
00:56:08,080 --> 00:56:10,319
Speaker 2: In the the well, You guys didn't see this yet,

1140
00:56:10,320 --> 00:56:13,520
Speaker 2: but we saw it anyway. It's so clear Dolores actually

1141
00:56:13,640 --> 00:56:15,960
Speaker 2: enjoys one group more than the other, but for some reason,

1142
00:56:16,000 --> 00:56:18,839
Speaker 2: she has to pretend that she likes Teresa and Jen

1143
00:56:18,960 --> 00:56:21,480
Speaker 2: more than the rest of them, and it's to her detriment.

1144
00:56:21,200 --> 00:56:24,319
Speaker 1: Being Switzerland is overrated. I think it's something that's worked

1145
00:56:24,320 --> 00:56:27,279
Speaker 1: for her entire life. But that's the thing too, It's

1146
00:56:27,280 --> 00:56:30,080
Speaker 1: like you're not making a decision right, there's no conviction.

1147
00:56:30,200 --> 00:56:32,400
Speaker 2: And I think that if she's exhausted by being in

1148
00:56:32,440 --> 00:56:35,480
Speaker 2: the middle, that's something she can fix for herself. But

1149
00:56:35,560 --> 00:56:38,120
Speaker 2: I also think Dolores Ktanya and I think I like

1150
00:56:38,160 --> 00:56:40,439
Speaker 2: this about her all right. I understand this about her.

1151
00:56:40,600 --> 00:56:44,400
Speaker 2: She has a difficult time letting go, and I think

1152
00:56:44,440 --> 00:56:48,840
Speaker 2: that she's getting better at it in her personal life

1153
00:56:48,960 --> 00:56:51,640
Speaker 2: and stuff. But you know, she was so close to

1154
00:56:51,640 --> 00:56:53,680
Speaker 2: Frank for such a long time, and you understand why

1155
00:56:53,719 --> 00:56:55,640
Speaker 2: she's not going to like toss someone like Teresa out.

1156
00:56:55,680 --> 00:56:58,319
Speaker 2: They've been like lifelong friends. But like right is right

1157
00:56:58,360 --> 00:57:01,080
Speaker 2: and wrong is wrong, and there's a lot of right

1158
00:57:01,120 --> 00:57:03,520
Speaker 2: and wrong here. The last thing I'll say on the

1159
00:57:03,520 --> 00:57:07,600
Speaker 2: issue is if Dolores Ktanya is taking off my television screens,

1160
00:57:08,680 --> 00:57:09,520
Speaker 2: I'm out.

1161
00:57:09,840 --> 00:57:12,200
Speaker 1: I'm no longer a Bravo fan, and I do want

1162
00:57:12,200 --> 00:57:14,359
Speaker 1: to publicly. Maybe I'll do this on the show on

1163
00:57:14,360 --> 00:57:18,919
Speaker 1: what it happens. I do want to There's been documented

1164
00:57:18,960 --> 00:57:22,480
Speaker 1: moments of me questioning your love of Dolores. Yeah, there

1165
00:57:22,520 --> 00:57:26,240
Speaker 1: is on video. No less, and I have to say

1166
00:57:26,280 --> 00:57:29,280
Speaker 1: now that I've really like committed to New Jersey. I

1167
00:57:29,320 --> 00:57:35,320
Speaker 1: totally get it. What a fabulous No. We just worked

1168
00:57:35,320 --> 00:57:36,720
Speaker 1: it out on the remix. We did just work it

1169
00:57:36,720 --> 00:57:38,800
Speaker 1: out on the remix. Should we do all of things? Money,

1170
00:57:38,960 --> 00:57:40,880
Speaker 1: Let's do it. This is I don't think Soney. This

1171
00:57:40,920 --> 00:57:43,080
Speaker 1: is where we take one minute to rail against something

1172
00:57:43,120 --> 00:57:46,720
Speaker 1: in culture. Matt, do you want to go first? Sure?

1173
00:57:47,160 --> 00:57:50,160
Speaker 1: I'm also happy to know I have something good, Okay,

1174
00:57:50,200 --> 00:57:51,560
Speaker 1: this is Matt Rogers. I don't think so many as

1175
00:57:51,560 --> 00:57:54,240
Speaker 1: time starts now, I don't think so honey. Everyone hounding

1176
00:57:54,320 --> 00:57:56,760
Speaker 1: me on my Instagram reel where I eat the steamer.

1177
00:57:57,040 --> 00:57:59,320
Speaker 2: It's a steamer clan. People don't seem to know what

1178
00:57:59,360 --> 00:58:02,120
Speaker 2: it is like. People are fascinated by this type of food.

1179
00:58:02,160 --> 00:58:03,760
Speaker 2: I'll explain it to you so you don't have to

1180
00:58:03,760 --> 00:58:04,760
Speaker 2: say I don't think so honey.

1181
00:58:04,760 --> 00:58:05,360
Speaker 1: I know what this is.

1182
00:58:05,880 --> 00:58:08,560
Speaker 2: A steamer clam is a soft shell clam that is

1183
00:58:08,600 --> 00:58:12,439
Speaker 2: served in like a garlicky broth, and it's they pop

1184
00:58:12,480 --> 00:58:14,479
Speaker 2: open and what you do is you take the tail off,

1185
00:58:14,720 --> 00:58:17,480
Speaker 2: you dip it in some water to clean off the

1186
00:58:17,480 --> 00:58:19,960
Speaker 2: steamer because sometimes there's still some stuff from the sea,

1187
00:58:20,000 --> 00:58:21,960
Speaker 2: sand and stuff. You clean it off, You dip it

1188
00:58:21,960 --> 00:58:25,880
Speaker 2: in butter, and then you eat the sucker. Sometimes this

1189
00:58:25,920 --> 00:58:29,320
Speaker 2: steamer clam can be quite large. And we were in Provincetown,

1190
00:58:29,880 --> 00:58:31,760
Speaker 2: and I don't think so honey, that anyone was going

1191
00:58:31,800 --> 00:58:34,600
Speaker 2: to eat this big one but me. So I said,

1192
00:58:34,640 --> 00:58:35,880
Speaker 2: remember how big that steamer was?

1193
00:58:36,080 --> 00:58:37,120
Speaker 1: A big steamer.

1194
00:58:37,320 --> 00:58:40,200
Speaker 2: The one was the person that recorded this, and I

1195
00:58:40,200 --> 00:58:42,280
Speaker 2: put that in my mouth and I wanted it recorded,

1196
00:58:42,320 --> 00:58:44,760
Speaker 2: so I could show people my culture. So I don't think,

1197
00:58:44,800 --> 00:58:47,400
Speaker 2: so honey, all us are coming from my culture research.

1198
00:58:47,760 --> 00:58:49,640
Speaker 2: They did serve that at the restaurant. They serve it

1199
00:58:49,640 --> 00:58:52,040
Speaker 2: all around the Northeast and around the country. Go get

1200
00:58:52,040 --> 00:58:54,600
Speaker 2: yourself a steamer clam. I do think so honey. They're delicious,

1201
00:58:54,640 --> 00:58:56,840
Speaker 2: And that's one minute. I love steamer. I've think about

1202
00:58:56,840 --> 00:58:59,120
Speaker 2: steamers my whole life. But you are really doing a

1203
00:58:59,120 --> 00:59:02,800
Speaker 2: lot of I guess, educational work and telling people what

1204
00:59:02,840 --> 00:59:05,560
Speaker 2: these things are. And I think that I obviously it

1205
00:59:05,600 --> 00:59:08,520
Speaker 2: was an on if you go to my Instagram, less

1206
00:59:08,760 --> 00:59:12,120
Speaker 2: real that I posted it's this one. Yeah, but it

1207
00:59:12,160 --> 00:59:14,920
Speaker 2: was an uncommonly large one, like everyone at the table was.

1208
00:59:15,240 --> 00:59:16,520
Speaker 2: It looked even bigger in person.

1209
00:59:16,600 --> 00:59:20,280
Speaker 1: It was huge. It was huge. You are really a

1210
00:59:20,400 --> 00:59:23,560
Speaker 1: true Pisces. You are a child of the seas. I'm

1211
00:59:23,600 --> 00:59:27,120
Speaker 1: of the sea, I'm of the waters. I love that.

1212
00:59:27,120 --> 00:59:30,440
Speaker 1: That's one of my favorite textual things about you is

1213
00:59:30,440 --> 00:59:34,240
Speaker 1: that you are you grew up by the ocean. I'm

1214
00:59:34,280 --> 00:59:38,240
Speaker 1: a nautical and pown is like so my culture, I think.

1215
00:59:38,360 --> 00:59:41,520
Speaker 1: But I think my my number one moment being there

1216
00:59:41,640 --> 00:59:44,600
Speaker 1: was eating that steamer, but also tied with us watching

1217
00:59:45,040 --> 00:59:47,240
Speaker 1: thirty Rock oh my god. We went back and watched

1218
00:59:47,240 --> 00:59:50,240
Speaker 1: thirty watching Dirty Rocks. We we went to a house

1219
00:59:50,240 --> 00:59:51,600
Speaker 1: and then we were like, let's go back home and

1220
00:59:51,600 --> 00:59:54,880
Speaker 1: watch thirty Rock because I I've always been obsessed with

1221
00:59:54,880 --> 00:59:56,680
Speaker 1: this joke and I finally had to get there, get

1222
00:59:56,680 --> 00:59:58,560
Speaker 1: the get the wording right for the quotes. But it's

1223
00:59:58,840 --> 01:00:03,440
Speaker 1: it's a lane stretches Jacks mom Colleen and she she

1224
01:00:03,560 --> 01:00:06,760
Speaker 1: meets Lizz's family. I think this is a Ludica Christmas

1225
01:00:06,800 --> 01:00:10,120
Speaker 1: episode from season two, and they go they go out

1226
01:00:10,120 --> 01:00:13,480
Speaker 1: to eat together. I like a restaurant thirty Rock in

1227
01:00:13,480 --> 01:00:16,280
Speaker 1: the concourse, like some like chili style place, and then

1228
01:00:16,320 --> 01:00:21,640
Speaker 1: she she just goes it's so hard to choose. The

1229
01:00:21,640 --> 01:00:26,240
Speaker 1: photos of the food looks so good, like it's like

1230
01:00:26,240 --> 01:00:29,840
Speaker 1: a perfectly calibrated trick. It's like not too jokey, but

1231
01:00:29,920 --> 01:00:34,480
Speaker 1: it's like so in character for that, for that scene

1232
01:00:34,520 --> 01:00:36,320
Speaker 1: and for her, and oh I love it.

1233
01:00:36,920 --> 01:00:39,240
Speaker 2: I mean we also watched The Queen of Jordan Jordan,

1234
01:00:39,400 --> 01:00:43,360
Speaker 2: which where was Sherry Shepherd's Emmy? Where was Sherry Shepherd's

1235
01:00:43,360 --> 01:00:46,120
Speaker 2: Emmy for the Queen of Jordan? Tell me now, explain

1236
01:00:46,160 --> 01:00:50,920
Speaker 2: it to me. I don't understand. That was amazing that

1237
01:00:50,960 --> 01:00:52,760
Speaker 2: episode of TV is incredible.

1238
01:00:52,840 --> 01:00:54,760
Speaker 1: I wanted to be a singer ever since I was

1239
01:00:54,800 --> 01:00:58,520
Speaker 1: a little Drumglas booked a recordings to you last night?

1240
01:00:59,120 --> 01:01:02,440
Speaker 1: What did what was her name? Randy? Randy said something

1241
01:01:02,480 --> 01:01:06,040
Speaker 1: at one point that was completely insane. After my second

1242
01:01:06,120 --> 01:01:09,000
Speaker 1: husband shot me for the second time. After my second

1243
01:01:09,080 --> 01:01:11,160
Speaker 1: husband shot me for the second time, I knew that

1244
01:01:11,240 --> 01:01:18,400
Speaker 1: love with you watching Lynn and it was up watching

1245
01:01:18,480 --> 01:01:21,960
Speaker 1: Lynn and Frank work out their differences. I offered to

1246
01:01:22,200 --> 01:01:25,120
Speaker 1: rent out my strip Lotties studio that I got after

1247
01:01:25,240 --> 01:01:27,240
Speaker 1: I after I got money from the city after that

1248
01:01:27,320 --> 01:01:29,800
Speaker 1: cops shop. Here's something she just her character game is

1249
01:01:29,840 --> 01:01:33,280
Speaker 1: that she just keeps getting shot by people. It's so crazy.

1250
01:01:33,480 --> 01:01:37,280
Speaker 1: Also Portia, I don't care what anyone says. I keep

1251
01:01:37,360 --> 01:01:46,480
Speaker 1: them three D glasses and then don't do impressions about

1252
01:01:46,480 --> 01:01:50,160
Speaker 1: the races, Sherry Shepherd. That line delivery from Sherry don't

1253
01:01:50,200 --> 01:01:53,840
Speaker 1: do impressions about the races? Good.

1254
01:01:54,320 --> 01:01:57,160
Speaker 2: Obviously, there's you know the famous my single my single

1255
01:01:57,200 --> 01:01:58,440
Speaker 2: is Dropping has dropped, one of.

1256
01:01:58,400 --> 01:02:02,640
Speaker 1: The cleanest, purest, simplest jokes. Pors reads the papers. She

1257
01:02:02,720 --> 01:02:05,080
Speaker 1: reads the piece my single my single is dropping is dropping?

1258
01:02:05,320 --> 01:02:08,560
Speaker 1: Is the for sales two shoes never worn. It's like

1259
01:02:08,600 --> 01:02:10,360
Speaker 1: it's a full story. Wait.

1260
01:02:10,480 --> 01:02:12,880
Speaker 2: Wait, Also, this is the beginning of the scene where

1261
01:02:12,920 --> 01:02:14,800
Speaker 2: she's shopping and she goes, I need to look good

1262
01:02:14,800 --> 01:02:16,760
Speaker 2: for my party, and I refuse to wear anything in

1263
01:02:16,800 --> 01:02:18,920
Speaker 2: my size or appropriate for my age.

1264
01:02:22,600 --> 01:02:28,840
Speaker 1: Would go I happen to be a Christian illiterate. We'll

1265
01:02:28,880 --> 01:02:31,720
Speaker 1: donate to the Obama campaign. We support you, Setta, we

1266
01:02:31,760 --> 01:02:36,120
Speaker 1: support Yousett. I'm sorry, but I need a mental rule

1267
01:02:36,120 --> 01:02:39,640
Speaker 1: of culture. My single, my single is dropping, is the

1268
01:02:39,720 --> 01:02:44,000
Speaker 1: for sale baby shoes never worn of jokes? Yeah, really good, Okay,

1269
01:02:44,400 --> 01:02:47,400
Speaker 1: let's do it. What rule of the country is that two?

1270
01:02:48,120 --> 01:02:52,480
Speaker 2: My single Dropping is dropping? Dropping is the for sale

1271
01:02:52,640 --> 01:02:55,040
Speaker 2: sale baby baby shoes never worn.

1272
01:02:55,840 --> 01:02:57,479
Speaker 1: It's a full story. It tells the story to getting

1273
01:02:57,480 --> 01:02:59,920
Speaker 1: middle Woman. It really does. My single, my single is drop,

1274
01:03:00,080 --> 01:03:03,040
Speaker 1: I dropping it? Okay, Oh I had I just had one?

1275
01:03:03,480 --> 01:03:06,400
Speaker 1: Oh no, damn it. I hate this feeling.

1276
01:03:07,160 --> 01:03:10,880
Speaker 2: What is this feeling? So sudden and new? I felt

1277
01:03:10,880 --> 01:03:13,680
Speaker 2: the moment I forgot why? I don't think so honey.

1278
01:03:14,720 --> 01:03:17,680
Speaker 1: Okay, okay, okay, okay, are you ready queen it? Yep?

1279
01:03:17,760 --> 01:03:20,000
Speaker 2: All right, this is gonna be Bowen Yang's I don't

1280
01:03:20,040 --> 01:03:22,919
Speaker 2: think so honey, and his time starts now.

1281
01:03:23,200 --> 01:03:27,120
Speaker 1: I don't think so, honey. I don't mean to kill

1282
01:03:27,160 --> 01:03:30,840
Speaker 1: these plants, and yet I do. I am trying to

1283
01:03:30,920 --> 01:03:33,960
Speaker 1: keep this snake plant alive. No, sorry, not the snake plant.

1284
01:03:33,960 --> 01:03:37,760
Speaker 1: This I'm oh. I think it's an Indian dragon tree.

1285
01:03:37,800 --> 01:03:39,400
Speaker 1: I might be making that up hold on them. See,

1286
01:03:39,640 --> 01:03:41,400
Speaker 1: maybe this is maybe this is the problem to begin with.

1287
01:03:41,440 --> 01:03:42,920
Speaker 1: I don't even know the names of these things, and

1288
01:03:43,000 --> 01:03:45,880
Speaker 1: I I am not gonna here's the thing. I'm not

1289
01:03:45,920 --> 01:03:49,200
Speaker 1: gonna name these plants because I it's so hard to

1290
01:03:49,240 --> 01:03:51,040
Speaker 1: say goodbye, and then I'm gonna feel even more guilty

1291
01:03:51,080 --> 01:03:54,840
Speaker 1: for killing them. It's a song of India. The leaves

1292
01:03:54,880 --> 01:03:58,640
Speaker 1: keep yellowing. I water so diligently. I am on a schedule,

1293
01:03:58,880 --> 01:04:02,200
Speaker 1: on an app on Planta. I am. I am making

1294
01:04:02,200 --> 01:04:04,120
Speaker 1: sure these plants stay alive. And for the most part

1295
01:04:04,160 --> 01:04:06,840
Speaker 1: they are. But this song of India is really hard

1296
01:04:06,920 --> 01:04:10,000
Speaker 1: and I it's a huge, heavy pot and I'm pretty

1297
01:04:10,000 --> 01:04:12,000
Speaker 1: I'm like eighty five percent sure there's a hole in

1298
01:04:12,040 --> 01:04:13,880
Speaker 1: it for drainage.

1299
01:04:14,040 --> 01:04:16,800
Speaker 2: But I need some help. I need the plant doctor

1300
01:04:16,840 --> 01:04:19,280
Speaker 2: to come into my house. If you take house calls,

1301
01:04:19,280 --> 01:04:20,240
Speaker 2: plant doctor.

1302
01:04:20,280 --> 01:04:23,160
Speaker 1: Come on over. That's one minute. I will say it

1303
01:04:23,320 --> 01:04:27,000
Speaker 1: looks pretty healthy to me. There's some yellowing. I don't know.

1304
01:04:27,200 --> 01:04:29,560
Speaker 2: That has to be a pretty complicated guy to keep it.

1305
01:04:29,560 --> 01:04:32,040
Speaker 2: It's tear down, but it should. It's a little bare

1306
01:04:32,080 --> 01:04:33,880
Speaker 2: bones and I want it to be more lush, and

1307
01:04:33,920 --> 01:04:37,480
Speaker 2: it's a little anyway. It seemed better days. Yeah, I

1308
01:04:37,520 --> 01:04:41,280
Speaker 2: would say, don't be too hard on yourself. You're doing

1309
01:04:41,280 --> 01:04:42,920
Speaker 2: the best that you can. How many times do you

1310
01:04:43,000 --> 01:04:43,880
Speaker 2: water it?

1311
01:04:43,880 --> 01:04:46,760
Speaker 1: It's like once every eight days. It doesn't need that

1312
01:04:46,840 --> 01:04:48,960
Speaker 1: much water. And yet and it's in a good spot.

1313
01:04:48,960 --> 01:04:50,720
Speaker 1: I mean it's right in the winds, right in the window.

1314
01:04:50,800 --> 01:04:53,240
Speaker 1: It's fine. I'll all figure it out. What about this one?

1315
01:04:53,560 --> 01:04:56,840
Speaker 1: These are flowers that I get every week that I

1316
01:04:56,880 --> 01:05:02,720
Speaker 1: give a week plant that's flowers flower? Okay? The difference, Well,

1317
01:05:03,280 --> 01:05:06,640
Speaker 1: this has been an episode of last cult that we

1318
01:05:06,680 --> 01:05:10,120
Speaker 1: will remember. I think it was releasing the valve a

1319
01:05:10,120 --> 01:05:10,520
Speaker 1: little bit.

1320
01:05:10,600 --> 01:05:12,280
Speaker 2: I had to release the valve a little bit. I've

1321
01:05:12,360 --> 01:05:14,640
Speaker 2: kind of been releasing the valve every day and you

1322
01:05:14,720 --> 01:05:17,600
Speaker 2: have to Yeah, isn't that weird? Like sometimes you just

1323
01:05:17,640 --> 01:05:20,720
Speaker 2: really are more emotional than other times. Like I remember,

1324
01:05:20,720 --> 01:05:22,880
Speaker 2: like a few months ago, I couldn't even I couldn't

1325
01:05:22,920 --> 01:05:24,360
Speaker 2: even think about creating tears.

1326
01:05:25,760 --> 01:05:29,840
Speaker 1: I'm like every day, I'm jealous of y'all. Y'all motherfuckers

1327
01:05:29,840 --> 01:05:34,160
Speaker 1: who cry. I cry. I love to cry. I'm that Pisces,

1328
01:05:34,240 --> 01:05:38,280
Speaker 1: Pisces cancer, and that's who I am. I'm a Scorpio down.

1329
01:05:38,360 --> 01:05:41,919
Speaker 1: The only wetness comes out of the other end, totally fun,

1330
01:05:42,120 --> 01:05:48,360
Speaker 1: dripped drip drip on hardwood floors and dens across the board. Anyway,

1331
01:05:50,040 --> 01:05:57,120
Speaker 1: we and every single episode of the song, Oh No,

1332
01:05:57,480 --> 01:06:02,400
Speaker 1: I used to be crazy, Hona used to be one,

1333
01:06:03,440 --> 01:06:08,840
Speaker 1: I used to be wild. Because you don't know the song,

1334
01:06:09,240 --> 01:06:16,800
Speaker 1: I know it, Bye bye Last Culture. Racis is the

1335
01:06:16,800 --> 01:06:19,680
Speaker 1: production by Will Ferrell's Big Money Players in iHeart Radio Podcasts.

1336
01:06:19,720 --> 01:06:23,040
Speaker 2: Created and hosted by Matt Rogers and Bowen Yang. Executive

1337
01:06:23,040 --> 01:06:25,360
Speaker 2: produced by Anna Hasnier and Hans Soni

1338
01:06:25,520 --> 01:06:28,840
Speaker 1: Produced by Becker Ramos, edited mixed by Doug Babmimnifla board

1339
01:06:29,040 --> 01:06:30,880
Speaker 1: and our music is by Henry Koberski