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Speaker 1: Thank you for coming back. Part two is underway. What

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Speaker 1: the Kenan do? Pray?

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Speaker 2: What do?

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Speaker 1: Mike Tyson won't beat you up? Pray the super Bowl?

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Speaker 1: Fox put that on, put you guys on and stole

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Speaker 1: the audience. But Marlon said, you got them in trouble.

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Speaker 1: What you do?

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Speaker 3: I think I did a Gerbil joke with h Richard

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Speaker 3: improvised that it was funny. We only lost one or

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Speaker 3: two sponsors. The dad already got the money. Well, you

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Speaker 3: said about but don't put us on live if you

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Speaker 3: don't want it live.

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Speaker 1: That's what that was.

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Speaker 3: My thing with esen l is this is supposed to

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Speaker 3: be live, and I don't feel no edge.

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Speaker 1: I don't feel this is so I don't know.

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Speaker 3: It's like methodical. Didn't feel like, Oh there's some Dan.

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Speaker 1: Like you like being on the edge.

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Speaker 3: I loved being loved being on it.

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Speaker 1: You're not there anymore.

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Speaker 3: Yeah, No, I'm older, wiser.

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Speaker 1: Co slash safety info. Let me ask you this as

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Speaker 1: a comedian stand up, did you ever want was your

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Speaker 1: goal always? Before I make my other point, was your

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Speaker 1: goal always to do stand up and go to television

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Speaker 1: because it seems like there's a natural progression. You look

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Speaker 1: at Richard Pryor, you look at Gene Wilder, you look

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Speaker 1: at a lot of the others, you know Cosby, you

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Speaker 1: look at a lot of stand up comedians go that route.

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Speaker 1: Was that your goal?

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Speaker 3: No, I just wanted to be as funny as I

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Speaker 3: could be on stage, and stand up became therapy fun me.

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Speaker 3: You know, I've been able to solve a lot of

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Speaker 3: problems in my life by going on stage and I

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Speaker 3: just joy like talking about my foot, I talked about

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Speaker 3: my brother dying and you know, just everything. And I

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Speaker 3: did stand up because I had to, Okay, because you know,

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Speaker 3: I've been suicidal. I've been you know, in very very

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Speaker 3: dark places. But you know, when you go on stage

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Speaker 3: and you talk about it and people laugh, you go,

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Speaker 3: it's not that bad. What else is messed up in

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Speaker 3: my life?

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Speaker 1: If that? What a comedian job is is to take

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Speaker 1: real life events and make them funny, even if even

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Speaker 1: if it's personal events. Like you said you were suicidal,

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Speaker 1: you talk about that and you make a joke out

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Speaker 1: of it, or you see things going on in the world,

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Speaker 1: you make it funny and you make people laugh, and

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Speaker 1: for that set thirty minutes an hour, ninety minutes set,

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Speaker 1: they forget about the problems that there might be going.

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Speaker 3: Yeah, your job as a comedian is to live until

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Speaker 3: you almost die, to survive it and then cry, then

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Speaker 3: put a smile on your face and tell them why. Wow,

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Speaker 3: that's what Richard did.

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Speaker 1: He said at the bar, Yes, wow. Why do you

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Speaker 1: think black men get so much criticism for wearing the

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Speaker 1: dresses in movies when whites have won Academy Awards for

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Speaker 1: doing said same.

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Speaker 3: Thing because blacks is gay?

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Speaker 1: No, I don't know why.

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Speaker 3: I just think. I just think. You know, you can

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Speaker 3: make anything an issue for me. It's like, is it

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Speaker 3: funny right to me? Tyler Perry in a dress all day?

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Speaker 1: Every day?

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Speaker 3: I'm there, right, hello, erth that's funny. You don't care

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Speaker 3: it's funny. So you know, if if you do it

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Speaker 3: and it's not funny, then I got a problem with you,

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Speaker 3: right because you went through hair makeup and you yeah,

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Speaker 3: long period of time and it wasn't funny. White chicks hilarious, Yes,

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Speaker 3: Big Mama House hilarious. I don't. I personally don't have

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Speaker 3: a problem, right, I don't. I think we say it

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Speaker 3: because with crabs in a barrel sometimes and we try

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Speaker 3: to pull people down. But you know, like you said,

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Speaker 3: Dustin Hoffman won an Academy Award, Robin Waide won an

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Speaker 3: Academy Award. You know, it's like, I don't have a

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Speaker 3: problem with it.

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Speaker 1: Are there many any roles that you auditioned for that

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Speaker 1: you didn't get that you felt you should have gotten,

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Speaker 1: or there's a role that you turned down You're like, damn,

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Speaker 1: I probably should have took that one.

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Speaker 3: Every role you auditioned for you think you should have got.

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Speaker 3: But you know, every role is not for you, you know.

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Speaker 3: So I had auditioned, not auditioned. They picked me to

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Speaker 3: be in What That showed me the money?

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Speaker 1: What movie was that?

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Speaker 3: J Jerry McGuire had a big meeting in New York, and.

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Speaker 1: So you're gonna be Cooper Goodings character. I was supposed Yeah,

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Speaker 1: I was. I was up for that. They wanted me.

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Speaker 3: I met with Tom Cruise and the director what's his name, uh,

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Speaker 3: Cameron Crow yeap and I think that's his name. And

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Speaker 3: we're walking around Jim Brooks's apartment in New York and

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Speaker 3: we're doing the scene where he meets him at the

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Speaker 3: mall and he's walking around like this here, and I'm

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Speaker 3: on fire. My brain is just like I'm improvising and

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Speaker 3: they laughing and me and Tom Cruise, I'm just like

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Speaker 3: and out of the corner of my eye see Tom

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Speaker 3: doing this.

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Speaker 1: You're too tall?

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Speaker 3: Yeah, And I'm I'm I'm.

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Speaker 1: Like, what is this?

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Speaker 3: Something on my head?

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Speaker 1: What am I here?

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Speaker 3: I don't know what's going on? And then afterwards I

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Speaker 3: didn't get it, and Cameron wrote me this beautiful five

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Speaker 3: page letter and it's explaining to me like how talented

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Speaker 3: he thinks I am and how great and wonderful and

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Speaker 3: you know, but you know it was out of his

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Speaker 3: control and it's fine because Cooper laid it out. Do

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Speaker 3: I think I would have gotten an oscar? Don't? I

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Speaker 3: don't know, but I don't. I don't even think for

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Speaker 3: one minute about another man's success. I'm happy for him.

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Speaker 3: It's another brother, chalk it up, another one did something good.

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Speaker 1: But you were supposed to be like Batman forever. Also

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Speaker 1: right now, that's Marlin, not Marlon. Richard Pryor about when

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Speaker 1: did that? Because we keep talking about it, and if

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Speaker 1: I'm not mistaken, I think Mike Epps was was like,

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Speaker 1: we're close to doing it, and then something happened.

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Speaker 3: Well, I was the original one that they picked and

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Speaker 3: supposedly Richard wanted me to do it, and Martin Scorsese

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Speaker 3: was going to produce it, and it was, you know,

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Speaker 3: we mad about it. They loved it, and you know,

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Speaker 3: just felt that I could really and then I don't

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Speaker 3: know what happened, but it went from me to Eddie

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Speaker 3: to Mike, Mike Epps to Marlin. It's just like, you know.

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Speaker 1: Are we going to get that? Are we going to

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Speaker 1: get the biop of Richard Pryor? I hope.

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Speaker 3: So there was a wonderful script written by this playwright

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Speaker 3: in New York. I forgot his name, very bad anyway,

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Speaker 3: but he wrote this amazing script based on Richard Pryor's

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Speaker 3: book Prior Misdemeanors, right, and it's just great. And then

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Speaker 3: I don't know what the politics are, but it's a

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Speaker 3: movie that needs to be made.

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Speaker 1: And because his life is complex, I mean, you can't

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Speaker 1: sugarcoat it is. What it is is his life.

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Speaker 3: He lived it, and I think it's his life. I

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Speaker 3: think it's his ex wife, wife who wants to make

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Speaker 3: it her story. Okay, because I read her book A

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Speaker 3: Fallen Angel, which was a good book, but Richard was

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Speaker 3: abusive and she wants it to be more about that.

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Speaker 3: And I met with Jennifer and I was like, look,

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Speaker 3: Richard Pryor is michaelm Max with punchlines. That's how black

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Speaker 3: people see him. They would lose their minds if they

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Speaker 3: made this movie about you.

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Speaker 1: It ain't gonna fly. You are a medical.

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Speaker 3: Part of Richard Pryor to us, So you do yourself

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Speaker 3: a disservice trying to make it. This here, this that

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Speaker 3: you have right now is amazing. You should go with that.

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Speaker 3: And then I never heard from her again.

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Speaker 1: Wow. Bernie Bernie Mack was in more Money? What was

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Speaker 1: Bernie like? Love?

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Speaker 3: Bernie Man one of the funniest guys ever. Oh man,

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Speaker 3: you know Bernie Bernie Mack was. I was there doing

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Speaker 3: in Chicago the Miller Lite Comedy. I guess it was

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Speaker 3: comedy competition and they were given the winner like fifteen

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Speaker 3: thousand dollars and Bernie won. That night I was hosting

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Speaker 3: and Bernie. That was the same night that uh Robin

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Speaker 3: Harris died.

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Speaker 1: Okay, yeah, right, And.

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Speaker 3: He did a tribute to Robin Harris and that's how

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Speaker 3: he won.

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Speaker 1: Wow, I'm looking at this. You and the Last Boy

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Speaker 1: s Guard with Halle Berry and Bruce Willie. How did

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Speaker 1: how did how did that? You and Bruce team up

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Speaker 1: and come up with this?

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Speaker 3: Oh, he didn't team up. I got a call that

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Speaker 3: they wanted to meet me in New York. And it's

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Speaker 3: funny because I I say, Okay, I'm gonna come to

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Speaker 3: New York. He was shooting some movie in New I

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Speaker 3: think Howard Hork or something like that, and they flew

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Speaker 3: me out. The limo driver comes to pick me up

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Speaker 3: at my house and he has a sign of saying

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Speaker 3: Keenan Wayans. I was like, oh, snap man, okay, and

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Speaker 3: I get in the car, get to the airport. The

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Speaker 3: greeter Keenan Ivory Wayans. I think they want Keenan. I

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Speaker 3: get to my hotel, I check in under Keenan and

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Speaker 3: I get it and I'm like, all right, I'm gonna

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Speaker 3: just go for this. And I go and I go

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Speaker 3: to the set and Bruce goes gotcha. I was like,

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Speaker 3: oh you so I was. I was like I had

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Speaker 3: to not my stomach because I was you know, you

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Speaker 3: don't want me, but I'm here and I just wanted

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Speaker 3: to meet you, right, But they wanted me, and they

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Speaker 3: put me in the in the movie, and it was

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Speaker 3: it was, it was. It was good to do a

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Speaker 3: big action film. Yes, you know, it's it's.

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Speaker 1: Weird when you know, when you.

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Speaker 3: Do sketches, it's like five minutes and then you're done.

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Speaker 1: When you're doing a movie three months, six months, yeah.

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Speaker 3: Six months, and you just go, wow, this.

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Speaker 1: Is big ass budget.

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Speaker 3: We have the lobster and steak every day for lunch.

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Speaker 3: I'm like, man, this is crazy.

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Speaker 1: How have you learned? I mean, is it a situation

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Speaker 1: where you've ever been on set and you're doing something

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Speaker 1: and you and maybe someone in the movie don't get along.

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Speaker 1: How do you suppress that? And says, you know what,

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Speaker 1: I'm here to do the movie, damn you, damn him,

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Speaker 1: damn her, whatever the case may be. I'm doing this

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Speaker 1: and then I'm gonna be out. I don't care if

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Speaker 1: I ever see all again.

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Speaker 3: It happens, and you know, you you would see my family.

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Speaker 3: Whenever we do something, it's always a party. You come

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Speaker 3: on a set of a Winds project, it's a part.

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Speaker 3: People hug each other. And they laugh and you know,

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Speaker 3: and it's all right, quiet, let's on the set and

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Speaker 3: we're trying to make the people behind the camera laugh

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Speaker 3: and you know, But then you go on another set,

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Speaker 3: and I've been on toxic sets where he's just damn.

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Speaker 1: This don't feel good, right, this is like this is

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Speaker 1: this is.

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Speaker 3: Horrible, you know, and you okay being this kind of

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Speaker 3: an asshole and you're gonna maintain this for the rest

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Speaker 3: of for the next three months. I don't I don't

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Speaker 3: get it. And I've worked with people.

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Speaker 1: Who are just like, you're ready for it to be

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Speaker 1: over hungh.

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Speaker 3: Yes, ready to like quit, like I'm out check police.

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Speaker 1: Major Pain is that your masterpiece? Is that your is

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Speaker 1: that you're a mona Lisa? Is that your I love

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Speaker 1: Major Pain? If funny thing about Major Pain? And and

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Speaker 1: most of the times with my projects, I worry about

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Speaker 1: other people first. I think about, like, what are the

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Speaker 1: kids do? They do? They know their character?

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Speaker 3: I didn't figure out the character of Major Pain until

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Speaker 3: the cameras roll, So I was like, so there was

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Speaker 3: a guy we had to do, like I work with

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Speaker 3: a tech guy went down to Camp Pendleton and you know,

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Speaker 3: and this guy named Captain Dale died, and Captain Dale

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Speaker 3: died like dance. He was always like yes, and I

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Speaker 3: was like, that's interesting, but that's too it's get on

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Speaker 3: your nerves. And then the stunt coordinator was a guy

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Speaker 3: named Billy Washington, and Billy had an oval bite and

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Speaker 3: talked like this, and Billy would he he was real me.

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Speaker 1: He told the guy a stuntman. We was doing blank Man.

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Speaker 3: He was on a gurney and the guy was opening

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Speaker 3: up multiple doors laying on the gurney, but he had

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Speaker 3: come up too high, so his head was hitting the

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Speaker 3: doors going through and he was going and at the

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Speaker 3: end of the take, Billy said, you want me to

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Speaker 3: call your mama, get your head back on that table

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Speaker 3: and get the scene done. And the guy was his

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Speaker 3: head was bleeding, and I'm like, this dude is crazy.

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Speaker 3: So I took Billy Washington and Captain Dale died and

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Speaker 3: I came with major pain because he had an ulmer

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Speaker 3: bit and he talked and looked crazy, you know, So yeah,

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Speaker 3: it was it was. I think people love it because

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Speaker 3: it's so extreme into torture kids.

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Speaker 1: It's fun, you know what I mean.

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Speaker 3: And to actually get away with it, you know where

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Speaker 3: it's funny. To them and funny to me. And one

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Speaker 3: of the greatest feelings is to sit and watch it

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Speaker 3: with my grandkids and they laugh. Right, you just go, Wow,

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Speaker 3: that's that's amazing.

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Speaker 1: Orlando Brown was a star in your movie. He was very,

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Speaker 1: very talented as a kid, but now seemingly going going

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Speaker 1: viral for all the wrong reasons. Have you have you

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Speaker 1: touched him? Huh? He said, I touched him. He'd be

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Speaker 1: wild with it. Yeah. Have you reached out to him?

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Speaker 1: Have you talked? Have you spoken to him? No?

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Speaker 3: I mean he's he's somebody else who I love Orlando.

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Speaker 3: We had a great time on Major Pain, and you

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Speaker 3: know there were times, but you know, sometimes guy gotta

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Speaker 3: talk to you, right, you know. And I don't know

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Speaker 3: who's around them.

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Speaker 1: I don't know.

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Speaker 3: We don't have that kind of relationship, you know what

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Speaker 3: I mean. I love him. I want what's best one,

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Speaker 3: but you know, he need somebody. Hey, come in younger,

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Speaker 3: let's talk, you know, And I don't feel one.

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Speaker 1: I don't know.

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Speaker 3: I don't have his information.

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Speaker 1: The other thing is, y'all don't have that type of relationship,

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Speaker 1: and I don't.

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Speaker 3: You don't want to get rejected, you know what I mean?

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Speaker 3: You don't know what's when somebody started talking crazy, you

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Speaker 3: don't know what they'll do. It's not what he'll say

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Speaker 3: is what he'll do if I tried to reach out

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Speaker 3: to him.

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Speaker 1: You know what I mean.

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Speaker 3: So I just hope you know that you know, he

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Speaker 3: finds peace, because he definitely is not in a good

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Speaker 3: place right now.

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Speaker 1: As being a top comedic, stand up, being a top actor.

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Speaker 1: Obviously in the nineties you had it going on. What

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Speaker 1: I mean, do you buy anything lavish? Did you? Did

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Speaker 1: you live? I mean, you say you broke your marriage up,

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Speaker 1: so could you you living?

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Speaker 3: You kind of look at a nice house in a

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Speaker 3: gated community, and Michael Jordan moved in next door to

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Speaker 3: shoot space jam but my wife.

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Speaker 1: Got that check him out, you talk to it. Yeah,

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Speaker 1: we became like friends.

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Speaker 3: But you know I gave Michael his space, right because

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Speaker 3: you don't go behind the gated community to be bothered, right,

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Speaker 3: You have the dude next door, So you know, we

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Speaker 3: we we had to have a friendship and it's based

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Speaker 3: in you know, love and respect. It's taught me a

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Speaker 3: lot of things about life and how to navigate fame

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Speaker 3: and all that other stuff.

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Speaker 1: But she got the house, she got the house. You

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Speaker 1: want it back, No, I want her happy.

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Speaker 3: No, honestly, because it's it's you know, when you say

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Speaker 3: it's over, it's over, right, and you pay whatever. When

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Speaker 3: you think about, you know, giving up, who Jeff Bezos

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Speaker 3: gave up like three billion, No, forty plus billion. No,

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Speaker 3: that was the other guy who was Oh.

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Speaker 1: Yep, it was it was over forty.

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Speaker 3: But that was just for peace, the price of peace.

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Speaker 1: I like, hey, y'all for forty bill.

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Speaker 3: But he gonna go make it yeah, but he got right.

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Speaker 3: But but but but that, you know, as a woman,

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Speaker 3: you got to say, somebody would give me forty b

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Speaker 3: dollars to get out of their life.

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Speaker 1: Damn, I'm what do you think the dumbest purchase you've

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Speaker 1: ever made?

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Speaker 3: Hmmm?

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Speaker 1: Drugs? Mhm.

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Speaker 3: Back in the day, dumb. But I've never really been

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Speaker 3: an attic.

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Speaker 1: I was just stupid hardcore stuff, coke.

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Speaker 3: I've done pretty much everything. But I always like getting

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Speaker 3: up and going to work, so I never could get addicted.

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Speaker 3: They have time to get addicted to anything. But now

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Speaker 3: it's just like you go, well, I'm glad I experienced it,

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Speaker 3: and and I'm and I'm done. I came out on

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Speaker 3: the other side I don't need nothing nothing.

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Speaker 1: Did it interfere with any time that was Was the

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Speaker 1: drugs ever a hindrance for anything that you were doing

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Speaker 1: at the time.

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Speaker 3: No doing the drugs to do Yeah, but if it's

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Speaker 3: like you know, it's I feel bad for people today

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Speaker 3: because it's so dangerous. The drugs they're doing could kill you. Yeah,

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Speaker 3: I ain't never you If you told me this could

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Speaker 3: kill you, I wouldn't do it.

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Speaker 1: Right because you don't know what you get now. They

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Speaker 1: lacing it with everything, And what have you learned about money? Money?

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Speaker 3: You see is money you spend and people always want

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Speaker 3: to spend your money.

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Speaker 1: When they see true true.

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Speaker 3: And the thing is for me, money is not money

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Speaker 3: is a tool, right, And I'm grateful to have some tools,

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Speaker 3: you know, and to be able to help people when

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Speaker 3: I can. Yes, But right now I don't need nothing.

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Speaker 1: I have.

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Speaker 3: I have everything I want life, you know, and really

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Speaker 3: that's my peace with God and peace with men. And

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Speaker 3: then you know, I got my music. I'm a Vinyl freak.

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Speaker 3: I love Finyl music.

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Speaker 1: Oh so you got a bunch of old forty five?

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Speaker 3: Uh no, the albums I don't have twenty five? Yeah,

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Speaker 3: I have the albums I have some forty five, but

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Speaker 3: for disc I used to DJ.

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Speaker 1: Still.

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Speaker 3: I've always DJ, and I've always had two turntables my

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Speaker 3: whole life, right since I was like thirteen years old.

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Speaker 1: You may you say money is a what do you

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Speaker 1: use tool? Because people look at money as different ways.

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Speaker 1: Me I look at money. I like, it's not so

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Speaker 1: much money. I like freedom. Freedom is what money provides,

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Speaker 1: so you know, and I think there are different things.

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Speaker 1: I mean because if I could have freedom and still

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Speaker 1: be what I am be, you know, still don't have

384
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Speaker 1: to worry about anything, because that's what you know. You

385
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Speaker 1: want to get to a place, like we were just

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Speaker 1: talking about the forty See you get forty b You

387
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Speaker 1: could say, f you, I don't care, I don't want

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Speaker 1: to do nothing. Well, I don't like you. I've been

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Speaker 1: wanting to say these for the longest time.

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Speaker 3: Yeah, but you got you know, we live in a

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Speaker 3: at your sketch society where you're no longer free. You

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Speaker 3: can't rely on your money, okay, because you don't know

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Speaker 3: what's going to be written on the next extra sketch

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Speaker 3: right right, so you can't. I feel like I can't

395
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Speaker 3: think about my money right in terms of my freedom

396
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Speaker 3: My freedom is you know what God gave me, my

397
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Speaker 3: ability to create, my ability to love, my ability to

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Speaker 3: be disciplined, and to take care of myself and those

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Speaker 3: I love.

400
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Speaker 1: Right, there was a viral clip you did a stand

401
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Speaker 1: up special and say you were talking about blacks making

402
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Speaker 1: millions then and asked if there's still racism in America?

403
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Speaker 1: And can you believe that video in nineteen ninety we're

404
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Speaker 1: talking about thirty five years ago. It's still viraling today.

405
00:22:00,080 --> 00:22:02,679
Speaker 1: Wasn't never gonna change, like, but people think, But you

406
00:22:02,760 --> 00:22:05,760
Speaker 1: do realize people think that. People think once a black

407
00:22:05,800 --> 00:22:10,480
Speaker 1: person get millions, hundreds of millions, that racism has dissipated.

408
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Speaker 1: If you what, David, if you made one hundred million dollars,

409
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Speaker 1: you worked two hundred million dollars, how's there racism? Right?

410
00:22:17,040 --> 00:22:19,600
Speaker 3: Well, what happens is the more money you make, the

411
00:22:19,720 --> 00:22:23,879
Speaker 3: less black people you see. Money brings you into a

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Speaker 3: new category. You moved to a different house, in a

413
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Speaker 3: different neighborhood, and you get different friends, your money people

414
00:22:31,160 --> 00:22:33,399
Speaker 3: that come around you to help you make the money

415
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Speaker 3: and maintain your money and make more money. The complexion changes,

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Speaker 3: you know what I mean? I like so I love

417
00:22:40,359 --> 00:22:44,720
Speaker 3: about like Lebron. You know, he's got he got mad,

418
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Speaker 3: and he got randy and he got rich. Yeah, so

419
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Speaker 3: he kept he kept that group, yes, around him. Yeah,

420
00:22:52,040 --> 00:22:54,080
Speaker 3: but unless you have that group, because like you say,

421
00:22:54,160 --> 00:22:56,480
Speaker 3: the high use climb, the less you're going to see

422
00:22:56,520 --> 00:22:58,760
Speaker 3: and you're like, okay, well they don't treat me in

423
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Speaker 3: that way. So so it's it's and it's divide and conquer.

424
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Speaker 3: You know, at a certain point they sit you down,

425
00:23:04,800 --> 00:23:08,199
Speaker 3: you know. You know, Beyonce's father, all right, we got

426
00:23:08,240 --> 00:23:11,800
Speaker 3: it from here. The Jackson's all right, Joe got it,

427
00:23:11,840 --> 00:23:13,919
Speaker 3: we got it. You know, you said that and go

428
00:23:14,000 --> 00:23:18,760
Speaker 3: what you know? Venus is Serena. We got them, you know.

429
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Speaker 3: But it's and if you want them to be successful,

430
00:23:23,000 --> 00:23:25,679
Speaker 3: you have to kind of let it happen. And then

431
00:23:25,720 --> 00:23:32,320
Speaker 3: they hit new heights. But you become a liability, you know.

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Speaker 3: I mean as a parent, Well, where were you those

433
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Speaker 3: nights in the rain when we're hitting balls?

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Speaker 1: H Yeah, let me ask you this, when you're on

435
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Speaker 1: top of the world and you were you still are?

436
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Speaker 1: I mean, you gotta you live a great like you said,

437
00:23:50,160 --> 00:23:51,520
Speaker 1: you live a great life. You don't have any you

438
00:23:51,560 --> 00:23:54,359
Speaker 1: don't overly concerned about money. You have a family. You

439
00:23:54,359 --> 00:23:57,040
Speaker 1: can still feed your family. You got grandkids. But when

440
00:23:57,040 --> 00:23:59,720
Speaker 1: you're at that apex in the nineties, what was that?

441
00:23:59,840 --> 00:24:03,919
Speaker 3: Like there's a pain in the ass really yeah, Like

442
00:24:04,000 --> 00:24:10,000
Speaker 3: being famous is like being a beautiful woman on a period. Okay, nobody,

443
00:24:10,440 --> 00:24:13,800
Speaker 3: nobody know the cramps and stuff that you feeling. Yeah,

444
00:24:14,040 --> 00:24:16,320
Speaker 3: they see the external beauty and they think you should

445
00:24:16,320 --> 00:24:21,000
Speaker 3: be happy, and it's like, I'm bleeding, right, okay, you

446
00:24:21,160 --> 00:24:22,440
Speaker 3: running on, I'm bleeding.

447
00:24:24,000 --> 00:24:27,880
Speaker 1: So what what was we see? This external? We see

448
00:24:27,960 --> 00:24:31,560
Speaker 1: damon and everything like man, major pain and more money

449
00:24:31,560 --> 00:24:36,479
Speaker 1: and YadA and YadA. What was brewing inside that we

450
00:24:36,520 --> 00:24:37,200
Speaker 1: couldn't see?

451
00:24:37,920 --> 00:24:39,439
Speaker 3: Club foot?

452
00:24:39,760 --> 00:24:39,960
Speaker 1: You know?

453
00:24:40,080 --> 00:24:43,560
Speaker 3: My foot? I'm always in pain, really, oh, constant pain. Yeah,

454
00:24:44,000 --> 00:24:47,120
Speaker 3: it's like a throbbing pain, you know so, but it's

455
00:24:48,119 --> 00:24:49,040
Speaker 3: you get used to it.

456
00:24:49,160 --> 00:24:50,800
Speaker 1: They can't do anything for it. They can't give you

457
00:24:50,840 --> 00:24:53,200
Speaker 1: like medication or shoot it up or something.

458
00:24:53,320 --> 00:24:58,040
Speaker 3: I don't want medication. It's a reminder to be grateful.

459
00:24:58,280 --> 00:24:59,800
Speaker 3: This foot took me a long way.

460
00:25:00,680 --> 00:25:00,879
Speaker 1: You know.

461
00:25:00,960 --> 00:25:03,679
Speaker 3: If I didn't have this pain, I wouldn't have this edge,

462
00:25:04,240 --> 00:25:06,919
Speaker 3: I wouldn't have my perspective on life. I wouldn't have

463
00:25:07,640 --> 00:25:12,520
Speaker 3: that fire on my tongue. Right, So I'm grateful, But

464
00:25:13,160 --> 00:25:17,240
Speaker 3: people can't see that, right. People can't see that you are.

465
00:25:18,320 --> 00:25:21,520
Speaker 3: You know, the internal conflicts you have, you know with

466
00:25:22,160 --> 00:25:25,639
Speaker 3: family and friends and people. You know that you tend

467
00:25:25,680 --> 00:25:28,560
Speaker 3: to lose friends because you loan the money and then

468
00:25:28,720 --> 00:25:30,920
Speaker 3: they don't pay you back, and then they get mad

469
00:25:30,960 --> 00:25:31,439
Speaker 3: at you.

470
00:25:31,600 --> 00:25:32,720
Speaker 1: Because you asked for it back.

471
00:25:32,840 --> 00:25:35,040
Speaker 3: Yeah, but I had not even for asking for just

472
00:25:35,080 --> 00:25:37,240
Speaker 3: because you look at them, I'm a pay you man.

473
00:25:39,000 --> 00:25:42,040
Speaker 1: Nothing yeah, yeah, but why why is it? Why is

474
00:25:42,080 --> 00:25:45,280
Speaker 1: it like that? Why? I mean, if you come to

475
00:25:45,320 --> 00:25:48,000
Speaker 1: me and ask me for money, I shouldn't have to

476
00:25:48,080 --> 00:25:51,680
Speaker 1: go to you to repay it. You should be mad enough.

477
00:25:51,720 --> 00:25:53,720
Speaker 1: You was mad enough to ask. Here you go. But

478
00:25:53,800 --> 00:25:55,840
Speaker 1: I've learned name and I don't know what you think

479
00:25:55,880 --> 00:25:58,040
Speaker 1: about this. I'll only lend money that I know I

480
00:25:58,040 --> 00:26:01,160
Speaker 1: can lose that I'm not getting back. Yeah, that's how

481
00:26:01,200 --> 00:26:02,920
Speaker 1: I do. I give. I give it because I already know,

482
00:26:02,960 --> 00:26:05,080
Speaker 1: because we're gonna end up falling out, and I don't

483
00:26:05,119 --> 00:26:06,800
Speaker 1: want to fall out. I don't want to ten fifteen,

484
00:26:06,880 --> 00:26:10,160
Speaker 1: twenty thirty year relationship to end over money. So here

485
00:26:10,200 --> 00:26:11,880
Speaker 1: you go, because I know you're not gonna pay me back.

486
00:26:12,080 --> 00:26:14,920
Speaker 3: Right, Well that I mean, that's what that's maturity. It's

487
00:26:14,960 --> 00:26:19,560
Speaker 3: like you know, you just I don't. I've paid a

488
00:26:19,600 --> 00:26:23,160
Speaker 3: lot of people out of my life.

489
00:26:23,720 --> 00:26:27,280
Speaker 1: You mentioned like stand up is? Is stand up therapeutic

490
00:26:27,320 --> 00:26:30,000
Speaker 1: for you? Absolutely? Why do you stop?

491
00:26:30,119 --> 00:26:31,639
Speaker 3: I used to have to need because I don't need

492
00:26:31,640 --> 00:26:32,160
Speaker 3: it anymore.

493
00:26:32,640 --> 00:26:34,040
Speaker 1: And you don't need therapy no more?

494
00:26:34,520 --> 00:26:38,119
Speaker 3: Uh no, No, I'm at peace, I really am. I'm

495
00:26:38,160 --> 00:26:41,719
Speaker 3: at peace. And you know the therapy is knowing that

496
00:26:41,760 --> 00:26:44,240
Speaker 3: I could buy my head, and you know that God

497
00:26:44,320 --> 00:26:47,600
Speaker 3: is hearing my prayers and seeing in my life my

498
00:26:47,640 --> 00:26:50,879
Speaker 3: prayers answered. And it ain't for material things. It's for

499
00:26:50,920 --> 00:26:53,199
Speaker 3: the safety of my family, and you know, for me

500
00:26:53,280 --> 00:26:57,880
Speaker 3: to have wisdom and to be grateful for everything.

501
00:27:00,119 --> 00:27:04,560
Speaker 1: Therapeutic. You don't need to scratch that itch anymore. So

502
00:27:04,640 --> 00:27:08,720
Speaker 1: now what do you do to replace what you gave

503
00:27:08,840 --> 00:27:09,520
Speaker 1: up by doing?

504
00:27:09,520 --> 00:27:13,440
Speaker 3: I write. I write for sport. I draw my son

505
00:27:13,520 --> 00:27:15,840
Speaker 3: crazy because every other week I'm sending him a script.

506
00:27:15,840 --> 00:27:19,760
Speaker 3: Read this, dad, I got a life. I have six kids.

507
00:27:21,080 --> 00:27:22,520
Speaker 3: Come on, man, I just read it when you get

508
00:27:22,560 --> 00:27:28,720
Speaker 3: a chance read it. But I write because I do

509
00:27:28,800 --> 00:27:30,840
Speaker 3: have a fear of going crazy.

510
00:27:31,280 --> 00:27:33,879
Speaker 1: You know, because you have so much going on in

511
00:27:33,920 --> 00:27:34,200
Speaker 1: your head.

512
00:27:34,320 --> 00:27:39,159
Speaker 3: No, because it runs my family. It's like diabetes. You

513
00:27:39,240 --> 00:27:43,800
Speaker 3: gotta know, you gotta know that it's a possibility, right.

514
00:27:43,840 --> 00:27:46,040
Speaker 3: And the thing is, you know, I can't turn my

515
00:27:46,080 --> 00:27:49,840
Speaker 3: brain off. I can't not think about these stories and

516
00:27:49,960 --> 00:27:53,520
Speaker 3: characters that come to mind. So rather than have them

517
00:27:53,600 --> 00:27:55,959
Speaker 3: up in my head scrambled, I put them on paper

518
00:27:56,440 --> 00:27:59,600
Speaker 3: and I go one day I make money off of

519
00:27:59,600 --> 00:28:02,720
Speaker 3: this it or something. But I had to get it out.

520
00:28:03,440 --> 00:28:04,920
Speaker 1: Do you sleep? I do?

521
00:28:05,080 --> 00:28:05,920
Speaker 3: I sleep wonderful?

522
00:28:06,200 --> 00:28:08,320
Speaker 1: How you sleep so well? Again? And it's hard for

523
00:28:08,320 --> 00:28:09,520
Speaker 1: you to turn your mind off.

524
00:28:09,480 --> 00:28:14,040
Speaker 3: When you get sixty five, it's easy you just later.

525
00:28:14,119 --> 00:28:14,639
Speaker 1: I got to do it.

526
00:28:14,680 --> 00:28:18,320
Speaker 3: See the bed, it's beautiful.

527
00:28:18,440 --> 00:28:20,040
Speaker 1: Did cancel culture? Scare your way?

528
00:28:20,880 --> 00:28:27,280
Speaker 3: Cancel culture made me not really want to do stand up.

529
00:28:27,320 --> 00:28:31,560
Speaker 3: I had this long conversation with Dave Chappelle. He's like, man,

530
00:28:31,880 --> 00:28:33,320
Speaker 3: we need you to get back out there. Man, we

531
00:28:33,400 --> 00:28:35,560
Speaker 3: need you know, we need that voice come on. And

532
00:28:35,600 --> 00:28:38,440
Speaker 3: I was like, and I had done it again at

533
00:28:38,480 --> 00:28:41,880
Speaker 3: his you know, his him encouraging me to do it.

534
00:28:42,440 --> 00:28:48,640
Speaker 3: But you know what what today you can't be a

535
00:28:48,680 --> 00:28:54,360
Speaker 3: shock comic, especially if you're famous, right, because the hitch

536
00:28:54,440 --> 00:28:58,280
Speaker 3: in your pockets, right, so back in the day, guys

537
00:28:58,320 --> 00:29:01,800
Speaker 3: like Sam Kennison and Dice Club, and you know, that's

538
00:29:01,880 --> 00:29:03,760
Speaker 3: how I grew up. I grew up with guys that

539
00:29:04,200 --> 00:29:07,000
Speaker 3: you know, start trouble, you know they say, and it's

540
00:29:07,080 --> 00:29:11,960
Speaker 3: like people, you know they want to talk about comedy.

541
00:29:12,720 --> 00:29:16,520
Speaker 3: You got reporters talking about comedy. You don't know my world.

542
00:29:16,920 --> 00:29:20,600
Speaker 3: You are not qualified to talk about comedy. If you

543
00:29:20,640 --> 00:29:23,280
Speaker 3: ain't never bought a joke or tol a joke or

544
00:29:23,400 --> 00:29:27,320
Speaker 3: sola joke, or stole a joke or rot a joke,

545
00:29:27,400 --> 00:29:30,800
Speaker 3: you have no business talking about comedy. You ain't have

546
00:29:30,800 --> 00:29:34,680
Speaker 3: been paid in burgers. You can't talk about comedy. So

547
00:29:35,400 --> 00:29:40,360
Speaker 3: I think a conversation about comedy and what's acceptable should

548
00:29:40,400 --> 00:29:44,520
Speaker 3: be held amongst comedians. If Dave Chappelle wants to talk

549
00:29:44,560 --> 00:29:46,640
Speaker 3: to me about my act, I want to hear it.

550
00:29:46,840 --> 00:29:51,000
Speaker 3: If Jerry Seinfeld, if Jay Leno, guys who've done it, Yeah,

551
00:29:51,040 --> 00:29:53,040
Speaker 3: I want to hear what you say, because you're going

552
00:29:53,120 --> 00:29:57,480
Speaker 3: to do it in a way to encourage right, not

553
00:29:57,640 --> 00:30:01,600
Speaker 3: to just tell me you can't. I ain't never put

554
00:30:01,640 --> 00:30:04,400
Speaker 3: on a football helmet and got hit by no guy

555
00:30:05,080 --> 00:30:08,440
Speaker 3: your size and got up and did it again. What

556
00:30:08,560 --> 00:30:11,120
Speaker 3: can I talk to you about football just because I

557
00:30:11,160 --> 00:30:14,160
Speaker 3: watched some games. I can watch a thousand games, and

558
00:30:14,200 --> 00:30:15,960
Speaker 3: I can't tell you what a locker room smell like.

559
00:30:17,720 --> 00:30:18,240
Speaker 1: You know what I mean.

560
00:30:18,320 --> 00:30:21,600
Speaker 3: I don't know the camaraderie sitting on that plane flying

561
00:30:21,680 --> 00:30:26,000
Speaker 3: into bad weather. I haven't experienced that, so I can't

562
00:30:26,120 --> 00:30:30,400
Speaker 3: talk to you intelligently about it. Same thing with comedy.

563
00:30:30,640 --> 00:30:35,240
Speaker 3: It's a conversation for comedians, not reporters.

564
00:30:35,920 --> 00:30:39,320
Speaker 1: But Chappelle has been one of the few guys that

565
00:30:39,360 --> 00:30:42,280
Speaker 1: have been able to beat cancel culture because they can't

566
00:30:42,360 --> 00:30:44,840
Speaker 1: take because you know, normally, like you said, to hit

567
00:30:44,880 --> 00:30:47,479
Speaker 1: you in the purse. But he's like, hey, I just

568
00:30:47,680 --> 00:30:50,920
Speaker 1: put up a dot com and I'll just go do it.

569
00:30:51,040 --> 00:30:54,120
Speaker 1: I don't need Hollywood. I don't need to do movies anymore.

570
00:30:54,280 --> 00:30:57,320
Speaker 1: So you can't really hit me where it hurts me,

571
00:30:57,640 --> 00:31:00,760
Speaker 1: which is financially. It's it's also.

572
00:31:00,680 --> 00:31:05,600
Speaker 3: He's a unicorn, right and Dave has raped rode the

573
00:31:05,640 --> 00:31:10,400
Speaker 3: wave right of you know, he didn't take any breaks.

574
00:31:10,520 --> 00:31:13,040
Speaker 3: It's when you take the break and then you try

575
00:31:13,040 --> 00:31:16,400
Speaker 3: to come back, then they can hit you and get

576
00:31:16,440 --> 00:31:19,000
Speaker 3: you because you you know, he already knows how to

577
00:31:19,040 --> 00:31:21,800
Speaker 3: talk to them. They're his puppets, you know what I mean.

578
00:31:22,320 --> 00:31:26,800
Speaker 3: They bow to Dave Chappelle because he is the only

579
00:31:27,000 --> 00:31:31,520
Speaker 3: real voice out there in terms of holding us down,

580
00:31:32,200 --> 00:31:36,080
Speaker 3: holding comedy down. So you know, yeah, I mean, but

581
00:31:36,880 --> 00:31:40,000
Speaker 3: you can't be a shock comedian today. You have to

582
00:31:40,040 --> 00:31:42,560
Speaker 3: have a conversation. Like I could do stand ups, right,

583
00:31:43,080 --> 00:31:46,080
Speaker 3: but it's like understanding you can't go on stage your

584
00:31:46,080 --> 00:31:49,120
Speaker 3: baby go, man, I hate my wife. And then now

585
00:31:49,200 --> 00:31:52,479
Speaker 3: you say I hate and you hear women, you know,

586
00:31:52,520 --> 00:31:54,680
Speaker 3: and it's like but if you go on stage to

587
00:31:54,720 --> 00:31:58,640
Speaker 3: go I don't understand women, right, that's different. Now the

588
00:31:58,760 --> 00:32:03,840
Speaker 3: guard is down, help me understand why women are.

589
00:32:03,520 --> 00:32:05,680
Speaker 1: Like, you know, say behave in the matter with right.

590
00:32:06,040 --> 00:32:09,720
Speaker 3: It's a conversation, not a proclamation. Right, So yeah, I

591
00:32:09,760 --> 00:32:12,160
Speaker 3: could do it, but I like going on stage and

592
00:32:12,160 --> 00:32:16,240
Speaker 3: say I hate I want to hate stuff.

593
00:32:17,040 --> 00:32:19,600
Speaker 1: I mean, where versus was out? You like you like

594
00:32:19,680 --> 00:32:20,640
Speaker 1: to do a versus.

595
00:32:20,960 --> 00:32:23,360
Speaker 3: I was just having a conversation, right. Somebody in the

596
00:32:23,480 --> 00:32:26,320
Speaker 3: radiant goes, have you ever thought about a versus? And

597
00:32:26,360 --> 00:32:29,200
Speaker 3: I said Dave Chappelle? Because I think Dave Chappelle is like,

598
00:32:29,680 --> 00:32:36,080
Speaker 3: you know, like who should I said, you know, I don't.

599
00:32:36,120 --> 00:32:39,200
Speaker 3: I don't want to dog anybody here. But like you know,

600
00:32:39,360 --> 00:32:43,560
Speaker 3: I'm a great comedian, so I want to do I

601
00:32:43,560 --> 00:32:47,760
Speaker 3: would do a versus against another great comedian, you know

602
00:32:47,800 --> 00:32:50,040
Speaker 3: what I mean. That's all I was saying, but they took.

603
00:32:49,840 --> 00:32:53,360
Speaker 1: It out of they took it out of context. Uh

604
00:32:53,480 --> 00:32:56,760
Speaker 1: would trump being in office? The PC culture because now

605
00:32:56,800 --> 00:32:59,880
Speaker 1: people feel very comfortable saying doing pretty much anything. Are

606
00:32:59,880 --> 00:33:05,120
Speaker 1: you okay with that? I'd rather know how you feel,

607
00:33:05,160 --> 00:33:05,640
Speaker 1: what you think?

608
00:33:06,000 --> 00:33:08,360
Speaker 3: Yeah, you know, I'd rather say no, you don't have

609
00:33:08,400 --> 00:33:13,360
Speaker 3: the job, or say no you got the job, as

610
00:33:13,360 --> 00:33:18,920
Speaker 3: opposed to no black person, we don't want you to work.

611
00:33:19,360 --> 00:33:19,640
Speaker 1: Right.

612
00:33:19,800 --> 00:33:25,520
Speaker 3: So I think it's you know, we've lost our way

613
00:33:26,160 --> 00:33:29,280
Speaker 3: I think as a society, and we're so you know,

614
00:33:31,680 --> 00:33:36,200
Speaker 3: I call it the deification of men where you don't

615
00:33:36,320 --> 00:33:40,160
Speaker 3: you know, it's like everything everybody is I don't know,

616
00:33:40,520 --> 00:33:44,400
Speaker 3: just solvet you know, And it's soft about.

617
00:33:44,160 --> 00:33:45,880
Speaker 1: Everybody scared to say how they really feel.

618
00:33:46,080 --> 00:33:48,680
Speaker 3: Yeah, it's like what what what's wrong with telling them

619
00:33:48,680 --> 00:33:49,120
Speaker 3: the truth?

620
00:33:49,920 --> 00:33:52,480
Speaker 1: Say it? Say the truth?

621
00:33:53,400 --> 00:33:55,560
Speaker 3: At least I know where to go or where you

622
00:33:55,640 --> 00:33:56,440
Speaker 3: know where not to go.

623
00:33:57,640 --> 00:34:00,000
Speaker 1: Joe Rogan said, you need better friends. You needed somebody

624
00:34:00,080 --> 00:34:02,240
Speaker 1: to tell you some damn get your ass back on stage. Man,

625
00:34:02,320 --> 00:34:04,800
Speaker 1: you too good to be housed up. Hold up in

626
00:34:04,880 --> 00:34:08,239
Speaker 1: a house writing, put through the writing and go do

627
00:34:08,280 --> 00:34:10,920
Speaker 1: a set.

628
00:34:11,160 --> 00:34:15,239
Speaker 3: I I love Joe Rogan. I've actually stolen a joke

629
00:34:15,280 --> 00:34:16,160
Speaker 3: from Joe Rogan.

630
00:34:16,280 --> 00:34:18,279
Speaker 1: You stole the joke. Yeah, but you know how people

631
00:34:18,280 --> 00:34:19,480
Speaker 1: feel about now.

632
00:34:19,640 --> 00:34:22,840
Speaker 3: No not not not intentionally, not intentionally. So here's what

633
00:34:22,880 --> 00:34:25,600
Speaker 3: happens with comedians is like you, This is why I

634
00:34:25,600 --> 00:34:30,560
Speaker 3: don't watch comics is because you are You can't help

635
00:34:30,600 --> 00:34:33,799
Speaker 3: but have that writer on in your brain go oh,

636
00:34:33,840 --> 00:34:37,640
Speaker 3: if he'd have done that, right. So the school I

637
00:34:37,680 --> 00:34:41,160
Speaker 3: grew up in, if you watch the comedian do something

638
00:34:41,360 --> 00:34:44,120
Speaker 3: on stage, and then you after he comes up, you go,

639
00:34:44,200 --> 00:34:46,120
Speaker 3: I got to I gotta tag for you, and you

640
00:34:46,160 --> 00:34:48,919
Speaker 3: give him that joke that you wrote in your head

641
00:34:48,960 --> 00:34:52,200
Speaker 3: because that's his right. So when I was coming up,

642
00:34:52,280 --> 00:34:55,120
Speaker 3: it was like, we go this place called Canters, a

643
00:34:55,200 --> 00:34:59,520
Speaker 3: little dive on Fairfax, And after the colubs closed down,

644
00:34:59,560 --> 00:35:02,279
Speaker 3: like two o'clock in the morning, Jerry signed for be

645
00:35:02,320 --> 00:35:05,240
Speaker 3: at a table and Jay Leno and my brother Robert

646
00:35:05,320 --> 00:35:08,799
Speaker 3: Townsend and we were poor, were eating frenchies, sharing some

647
00:35:08,840 --> 00:35:12,399
Speaker 3: French fries. That's how broke we were. But What would

648
00:35:12,480 --> 00:35:14,880
Speaker 3: happen is Jay would come over and go, hey, Ken,

649
00:35:14,960 --> 00:35:16,560
Speaker 3: and I saw you do this joke, and then I

650
00:35:16,600 --> 00:35:18,319
Speaker 3: was thinking of that. And then Keene would get up

651
00:35:18,360 --> 00:35:20,160
Speaker 3: and go and tell Jerry, and Jerry would come on

652
00:35:20,239 --> 00:35:22,920
Speaker 3: and tell our sinio, you know. And it was like

653
00:35:22,960 --> 00:35:27,080
Speaker 3: a community. And if another comedian was on stage doing

654
00:35:27,120 --> 00:35:30,520
Speaker 3: somebody else's act, they would yell up, that's just the serio.

655
00:35:31,640 --> 00:35:35,279
Speaker 3: Really in the middle of your act. Yep, I was

656
00:35:35,320 --> 00:35:38,480
Speaker 3: dead tonight. Joe Rogan was gonna beat up Carlos Mencilla.

657
00:35:39,239 --> 00:35:40,040
Speaker 1: He stole a joke.

658
00:35:40,239 --> 00:35:43,720
Speaker 3: Yeah, and he told and and and Carlos.

659
00:35:43,360 --> 00:35:51,359
Speaker 1: Said, hey, it worked for you. I like that. He's

660
00:35:51,360 --> 00:35:52,000
Speaker 1: so stupid.

661
00:35:52,080 --> 00:35:55,800
Speaker 3: I can't even hit you because you just really believe that.

662
00:35:57,480 --> 00:35:59,400
Speaker 1: I know you. I don't know if you watched the interview,

663
00:35:59,400 --> 00:36:02,319
Speaker 1: but you've heard it. Kat sat down with me about

664
00:36:02,320 --> 00:36:02,839
Speaker 1: a year ago.

665
00:36:03,000 --> 00:36:04,960
Speaker 3: Oh the world heard it, and.

666
00:36:05,360 --> 00:36:08,239
Speaker 1: People got upset with me, damon, because they say, well,

667
00:36:08,280 --> 00:36:10,319
Speaker 1: you should have defended this, you should have defended that,

668
00:36:10,480 --> 00:36:12,600
Speaker 1: or you shouldn't know. All I did was ask him

669
00:36:12,600 --> 00:36:17,359
Speaker 1: a question. I didn't know that there was so much

670
00:36:18,120 --> 00:36:21,760
Speaker 1: animosity or beef between comedians. I don't think the world

671
00:36:21,880 --> 00:36:25,080
Speaker 1: knew it. The comedic world knew it because you live

672
00:36:25,160 --> 00:36:27,160
Speaker 1: in that Like you said, you live in that world,

673
00:36:27,360 --> 00:36:30,200
Speaker 1: so you know what. Guys gals don't get along with

674
00:36:30,239 --> 00:36:33,640
Speaker 1: each other. When you heard the interview, tell me what

675
00:36:33,640 --> 00:36:37,200
Speaker 1: went through your mind. I laughed, because Cat is funny.

676
00:36:37,440 --> 00:36:41,680
Speaker 3: Cat is one of the fewest comedians that in one word,

677
00:36:41,760 --> 00:36:45,120
Speaker 3: you know who it is. I'm marry as soon as

678
00:36:45,120 --> 00:36:48,239
Speaker 3: he opened his mouth, and Wanda Sykes, Chris Roth, you

679
00:36:48,280 --> 00:36:52,240
Speaker 3: know that means you have a clear and distinctive voice.

680
00:36:52,760 --> 00:36:53,440
Speaker 1: Right.

681
00:36:53,520 --> 00:36:57,319
Speaker 3: So when I watch a comedian, I'm watching funny. I'm

682
00:36:57,400 --> 00:37:00,880
Speaker 3: watching what's going on behind his eyes, and he goes

683
00:37:01,280 --> 00:37:05,239
Speaker 3: I'm and he reaches for his drink and then he

684
00:37:05,400 --> 00:37:10,320
Speaker 3: starts and he's thinking funny, he's really roasting these guys.

685
00:37:10,800 --> 00:37:14,680
Speaker 3: People took it, you know, like personal, like he's trying to.

686
00:37:14,920 --> 00:37:17,920
Speaker 3: He was just having fun, got that liquor in him,

687
00:37:17,960 --> 00:37:20,160
Speaker 3: had the fire going behind him. You know, he was

688
00:37:20,280 --> 00:37:25,120
Speaker 3: like feeling stuff. I don't think I personally don't think

689
00:37:25,200 --> 00:37:28,680
Speaker 3: it's that. I feel like we're a fraternity and there's

690
00:37:28,800 --> 00:37:31,960
Speaker 3: enough stuff going on out there for you to be

691
00:37:32,040 --> 00:37:35,279
Speaker 3: talking about instead of talking about what's going on in here.

692
00:37:35,760 --> 00:37:40,880
Speaker 3: You know, what I mean, because you know, I, like

693
00:37:40,960 --> 00:37:44,240
Speaker 3: I said, I think it's funny. But everybody steals jokes.

694
00:37:44,680 --> 00:37:48,520
Speaker 3: You know, it's like it's not stealing the joke, it's

695
00:37:48,560 --> 00:37:51,359
Speaker 3: once you know it's not yours, and you keep doing it.

696
00:37:51,400 --> 00:37:57,120
Speaker 3: That's the crime. Because this is you know, it's funny

697
00:37:57,160 --> 00:38:00,200
Speaker 3: how it works. The mind just works, and it's grabbing up,

698
00:38:00,280 --> 00:38:04,160
Speaker 3: especially for you know, people who don't write jokes, right,

699
00:38:04,520 --> 00:38:07,799
Speaker 3: they just go up on stage and talk, right, Kat

700
00:38:07,840 --> 00:38:12,719
Speaker 3: Williams talks, you know, Steve Harvey, you know, that's what

701
00:38:12,880 --> 00:38:16,080
Speaker 3: you just talk. It's almost like being an NC and

702
00:38:16,120 --> 00:38:17,200
Speaker 3: you go, hey, where are you from?

703
00:38:17,239 --> 00:38:17,719
Speaker 1: What you do?

704
00:38:18,320 --> 00:38:20,319
Speaker 3: And the first thing that comes to mind is what

705
00:38:20,400 --> 00:38:24,160
Speaker 3: you say? But sometimes you're saying the first thing that

706
00:38:24,160 --> 00:38:25,759
Speaker 3: came to your mind is somebody else's joke.

707
00:38:27,320 --> 00:38:30,160
Speaker 1: Do you have to give it? If you steal somebody's joke,

708
00:38:30,239 --> 00:38:33,200
Speaker 1: do you have to give them credit for it? No?

709
00:38:33,360 --> 00:38:39,400
Speaker 3: You know, Robin Williams was a notorious thief. His manager

710
00:38:39,520 --> 00:38:43,000
Speaker 3: used to walk around with a check book and Robin

711
00:38:43,040 --> 00:38:45,160
Speaker 3: would come off stage and commedimly say, hey, he just

712
00:38:45,200 --> 00:38:47,040
Speaker 3: took me an age to write him a check seventy

713
00:38:47,040 --> 00:38:51,200
Speaker 3: five dollars damn. Because he knew Robin was all stream

714
00:38:51,239 --> 00:38:54,879
Speaker 3: of conscious and he would steal material he was known.

715
00:38:54,960 --> 00:38:57,720
Speaker 3: Comedians would go, I'm not going on because Robin's here.

716
00:38:58,000 --> 00:39:03,440
Speaker 1: Right, you know, but it's it happens.

717
00:39:03,960 --> 00:39:06,520
Speaker 3: But I always look at like comedy like this, If

718
00:39:06,520 --> 00:39:08,760
Speaker 3: it's not the last joke I'm ever going to tell,

719
00:39:10,239 --> 00:39:13,000
Speaker 3: I ain't gonna treat it like that. Oh okay, you

720
00:39:13,040 --> 00:39:17,000
Speaker 3: ain't taking my wife or my kid. It's just a joke.

721
00:39:17,920 --> 00:39:19,879
Speaker 3: That means I got to think of something else, right,

722
00:39:20,360 --> 00:39:22,800
Speaker 3: you know what I mean. But for people to be all,

723
00:39:23,640 --> 00:39:27,359
Speaker 3: you know, up in arms about a joke, really, what

724
00:39:27,440 --> 00:39:30,440
Speaker 3: is the joke? Did the joke in the war and

725
00:39:30,520 --> 00:39:31,760
Speaker 3: you know in the Middle East?

726
00:39:31,880 --> 00:39:35,480
Speaker 1: Right? Was it that powerful? Then? What you're tripping over?

727
00:39:36,560 --> 00:39:39,200
Speaker 1: The creator from the Jamie Fox Show say he and Jamie,

728
00:39:39,200 --> 00:39:43,160
Speaker 1: if I'm not mistaken, haven't received a check because he said,

729
00:39:43,200 --> 00:39:45,640
Speaker 1: the networks there they're still in the red and if

730
00:39:45,640 --> 00:39:48,879
Speaker 1: they're operating at a loss twenty five years later, it's

731
00:39:48,920 --> 00:39:50,480
Speaker 1: hard for and I think a lot of people when

732
00:39:50,520 --> 00:39:53,040
Speaker 1: they hear that, it's hard for them to believe, especially

733
00:39:53,080 --> 00:39:55,680
Speaker 1: with the success that the Jamie Fox Show enjoyed.

734
00:39:55,920 --> 00:39:58,360
Speaker 3: Well it was on a network, yeah, right, so I

735
00:39:58,480 --> 00:40:01,759
Speaker 3: made a lot of money off a wife, kids. I

736
00:40:01,840 --> 00:40:05,680
Speaker 3: can't relate to that. It's a different network though, So

737
00:40:06,360 --> 00:40:09,359
Speaker 3: Jamie and you know, and Living Color too, I get

738
00:40:09,440 --> 00:40:11,600
Speaker 3: like residual checks for thirty nine cents. I'm like, what

739
00:40:12,200 --> 00:40:13,320
Speaker 3: is that? Trying to be funny?

740
00:40:13,440 --> 00:40:16,279
Speaker 1: Yeah right, yeah, that saved the posterage for that right.

741
00:40:16,480 --> 00:40:18,399
Speaker 3: So, but but that's what they send out.

742
00:40:18,600 --> 00:40:18,759
Speaker 1: Now.

743
00:40:18,760 --> 00:40:22,560
Speaker 3: What happened with these upstart networks. WB was one of them,

744
00:40:22,680 --> 00:40:25,920
Speaker 3: Fox was one of them. They got these sweetheart deals

745
00:40:25,920 --> 00:40:29,520
Speaker 3: from SAG and AFTRA where they didn't have to because

746
00:40:29,560 --> 00:40:33,840
Speaker 3: they were an upstart, right, but they still, you know,

747
00:40:34,080 --> 00:40:37,359
Speaker 3: operating as if they just started right and WB my

748
00:40:37,400 --> 00:40:40,000
Speaker 3: brothers didn't really make no money off the Wayne's Brother show.

749
00:40:40,120 --> 00:40:42,520
Speaker 3: So you know, like I said, I made a lot

750
00:40:42,520 --> 00:40:45,720
Speaker 3: of money from wife and kids.

751
00:40:45,760 --> 00:40:49,840
Speaker 1: So that's why, yeah, I still get checked. Not to

752
00:40:49,880 --> 00:40:52,439
Speaker 1: rub it in, but I still get checked my wife

753
00:40:52,480 --> 00:40:55,920
Speaker 1: and kids. What's your favorite memory, because I mean, like

754
00:40:55,960 --> 00:40:58,000
Speaker 1: I said, you would voted one of the greatest TV

755
00:40:58,160 --> 00:40:59,080
Speaker 1: dads of all time.

756
00:41:00,400 --> 00:41:03,960
Speaker 3: Greatest moments was the bond that I had with Tsha

757
00:41:04,080 --> 00:41:07,560
Speaker 3: and George and Jennifer and Lil Parker. You know, it's

758
00:41:07,719 --> 00:41:10,560
Speaker 3: just some of the best times. And you know, everything

759
00:41:11,040 --> 00:41:14,879
Speaker 3: I do is family. So June David Jr. Was there,

760
00:41:14,920 --> 00:41:19,560
Speaker 3: and my son Michael, and my sister Kim wasn't there.

761
00:41:21,520 --> 00:41:25,320
Speaker 3: But like a lot of family, you know, on a

762
00:41:25,400 --> 00:41:27,359
Speaker 3: day to day and there's nothing like walking in and

763
00:41:27,360 --> 00:41:30,320
Speaker 3: seeing faces that look like you.

764
00:41:30,320 --> 00:41:33,520
Speaker 1: You know, and now is that conscious? And when you

765
00:41:33,560 --> 00:41:35,399
Speaker 1: do things like that, you're like, I want to make

766
00:41:35,440 --> 00:41:39,680
Speaker 1: sure that that that we're well represented.

767
00:41:40,360 --> 00:41:44,160
Speaker 3: If I don't, nobody else will. So if if you

768
00:41:44,239 --> 00:41:47,480
Speaker 3: don't make that conscious effort that, you know, you hire

769
00:41:47,840 --> 00:41:52,680
Speaker 3: a producer who happens to be white because that's who

770
00:41:52,760 --> 00:41:55,600
Speaker 3: the studio wants because they controlled them money and they

771
00:41:55,640 --> 00:41:58,080
Speaker 3: want to make sure that their money. You know, They okay,

772
00:41:58,200 --> 00:42:01,279
Speaker 3: that's cool. And then you tell him the mandate, I

773
00:42:01,320 --> 00:42:03,560
Speaker 3: need you to hire some black folks. He gonna give

774
00:42:03,600 --> 00:42:07,719
Speaker 3: you one or two people hair and makeup, and you go, no,

775
00:42:07,840 --> 00:42:10,760
Speaker 3: that's not enough. I need apartment heads. I want camera,

776
00:42:10,880 --> 00:42:13,600
Speaker 3: I want a cameraman. I want you know, I'm very

777
00:42:13,840 --> 00:42:17,759
Speaker 3: like adamant about what I want. And you know, when

778
00:42:17,800 --> 00:42:20,799
Speaker 3: you walk on and I understand all white sets because

779
00:42:20,920 --> 00:42:23,040
Speaker 3: people want to be it's about a comfort zone.

780
00:42:23,080 --> 00:42:23,680
Speaker 1: Being comfortable.

781
00:42:23,719 --> 00:42:25,920
Speaker 3: You want to be racist and tell those jokes, and

782
00:42:25,960 --> 00:42:27,840
Speaker 3: then you look up and you see the black grip

783
00:42:27,920 --> 00:42:29,840
Speaker 3: walking around. You just feel uncomfortable.

784
00:42:29,960 --> 00:42:30,759
Speaker 1: You can't take it.

785
00:42:30,880 --> 00:42:33,759
Speaker 3: He can't tell your jokes, right right, Okay, But it's

786
00:42:33,840 --> 00:42:36,560
Speaker 3: the same way with us. It's like we bring in

787
00:42:36,640 --> 00:42:40,680
Speaker 3: people and it's a family and you freedom expressions.

788
00:42:40,680 --> 00:42:44,360
Speaker 1: We want to talk about eatingnox tails. Yeah yeah, yeah,

789
00:42:44,880 --> 00:42:47,400
Speaker 1: but you had Kat. Kat was on the set of

790
00:42:47,520 --> 00:42:49,319
Speaker 1: My Wife and Kids for a few episodes. Yeah.

791
00:42:49,360 --> 00:42:52,759
Speaker 3: Cat used to open for me. I knew Kat was up,

792
00:42:52,880 --> 00:42:54,640
Speaker 3: you know, do you know you know Cat was gonna

793
00:42:54,640 --> 00:42:56,359
Speaker 3: blow up. Absolutely. That's why I brought on My Wife

794
00:42:56,360 --> 00:42:58,960
Speaker 3: and Kids because he would open for me. Kat was

795
00:42:59,000 --> 00:43:01,840
Speaker 3: one of those comedians like I took into Vegas. He

796
00:43:01,920 --> 00:43:09,960
Speaker 3: got standovation twenty minute set. Wow, he was powerful, still powerful,

797
00:43:10,040 --> 00:43:14,080
Speaker 3: but like he was like when he was young. He

798
00:43:14,200 --> 00:43:17,279
Speaker 3: was all over the doing split sea, sliding across the

799
00:43:17,320 --> 00:43:18,920
Speaker 3: stage and you just go, wow, I got to bring

800
00:43:18,960 --> 00:43:21,319
Speaker 3: my egg game, you know what I mean? And I

801
00:43:21,360 --> 00:43:25,320
Speaker 3: think you know what most comedians you know respected about

802
00:43:25,360 --> 00:43:29,920
Speaker 3: me is I never told them to not do material,

803
00:43:30,000 --> 00:43:33,040
Speaker 3: like you know, it's customary for the opening act to go, Hey,

804
00:43:33,080 --> 00:43:34,800
Speaker 3: is there any jokes that you don't want to say no,

805
00:43:34,840 --> 00:43:35,080
Speaker 3: I'll go.

806
00:43:35,160 --> 00:43:37,600
Speaker 1: Do you really? Yeah, I don't.

807
00:43:37,680 --> 00:43:40,719
Speaker 3: I don't want you to tamp hold on anything, d Ray,

808
00:43:40,800 --> 00:43:42,799
Speaker 3: all of these guys, Nope, just don't hold it in,

809
00:43:42,960 --> 00:43:44,600
Speaker 3: just go back. I just have to be better.

810
00:43:45,400 --> 00:43:48,080
Speaker 1: Hold on. I'm reading that you have an Oscar Worthy

811
00:43:48,080 --> 00:43:51,160
Speaker 1: field with kat, your brother Marlon Terry Crew that you

812
00:43:51,239 --> 00:43:51,840
Speaker 1: won't release.

813
00:43:52,320 --> 00:43:58,040
Speaker 3: Yeah, why the myth? Oh you, it's just you know

814
00:43:58,200 --> 00:44:01,160
Speaker 3: what happened was? I shot this movie called Behind a

815
00:44:01,200 --> 00:44:04,719
Speaker 3: Smile about this comedian who moved from Cleveland to la

816
00:44:05,280 --> 00:44:08,760
Speaker 3: and he meets his idol who's me, and his idol

817
00:44:08,800 --> 00:44:11,200
Speaker 3: see his potential. He takes him under his wing and

818
00:44:11,200 --> 00:44:15,239
Speaker 3: then destroys him because he's threatened by him, to the

819
00:44:15,239 --> 00:44:18,040
Speaker 3: point where the kid blows his brains out on stage.

820
00:44:19,239 --> 00:44:22,840
Speaker 3: It's called Behind the Smile and Malin is absolutely brilliant

821
00:44:22,840 --> 00:44:25,759
Speaker 3: in this movie. But I went to sell it and

822
00:44:26,680 --> 00:44:29,040
Speaker 3: Netflix was the first place to come to me. This

823
00:44:29,120 --> 00:44:33,759
Speaker 3: is before, So this movie was in two thousand, like

824
00:44:35,120 --> 00:44:37,920
Speaker 3: four or five, and they came to me and I

825
00:44:37,920 --> 00:44:40,399
Speaker 3: didn't like the deal, so I just said I'm put

826
00:44:40,440 --> 00:44:43,800
Speaker 3: in the vault. But that was the like the only

827
00:44:44,360 --> 00:44:46,480
Speaker 3: I mean, we got great reviews and we did a

828
00:44:46,520 --> 00:44:52,480
Speaker 3: festival up in Aspen and Dave Chappelle was like, oh, man,

829
00:44:52,520 --> 00:44:58,279
Speaker 3: that's my favorite movie. That's why I went to Africa.

830
00:44:58,520 --> 00:45:01,880
Speaker 1: So if they were to come back and offer you

831
00:45:01,920 --> 00:45:04,080
Speaker 1: more money, would you let it go? Yeah?

832
00:45:04,120 --> 00:45:06,600
Speaker 3: I was told yeah, I told maland I don't want

833
00:45:06,600 --> 00:45:09,239
Speaker 3: to go shop it. But if he can sell it,

834
00:45:09,360 --> 00:45:12,520
Speaker 3: sell it, it's fine. It's a great It's a He's Brent,

835
00:45:12,760 --> 00:45:16,120
Speaker 3: cat Is Brant. This is like, you know, I got

836
00:45:16,400 --> 00:45:22,520
Speaker 3: Cat Williams, George Wallace, Uh, what's his name? Bob he

837
00:45:22,640 --> 00:45:29,439
Speaker 3: died recently, Bob Saggat, isn't it And Jim Belushi and uh, yeah,

838
00:45:29,480 --> 00:45:31,800
Speaker 3: it's just it's a great, great cast.

839
00:45:32,600 --> 00:45:34,440
Speaker 1: You got many how many movies do you think you're

840
00:45:34,440 --> 00:45:36,759
Speaker 1: having the vault that you've shot? Or you got scripts

841
00:45:36,800 --> 00:45:39,240
Speaker 1: just that one? But of scripts, it's crazy.

842
00:45:40,000 --> 00:45:45,160
Speaker 3: I've got cabinets of scripts, TV and film because I

843
00:45:45,320 --> 00:45:49,479
Speaker 3: have to write. I have to just because it gives

844
00:45:49,520 --> 00:45:53,880
Speaker 3: me peace, and it also gives me something to think about.

845
00:45:54,080 --> 00:45:57,520
Speaker 3: That's like, so when I wake up in the morning,

846
00:45:57,560 --> 00:45:59,919
Speaker 3: I'm thinking about my script. I'm not thinking about what's

847
00:46:00,040 --> 00:46:02,880
Speaker 3: wrong in the world right thinking about these characters.

848
00:46:03,040 --> 00:46:07,840
Speaker 1: You know, I got a production company, right, do you.

849
00:46:08,880 --> 00:46:11,160
Speaker 3: I'm gonna give you them if you want. I gave

850
00:46:11,200 --> 00:46:11,440
Speaker 3: you some.

851
00:46:11,600 --> 00:46:14,279
Speaker 1: I just wrote it. Yeah, I do. Everybody need to

852
00:46:14,280 --> 00:46:18,600
Speaker 1: look at that. Look at that failm I know some

853
00:46:18,600 --> 00:46:19,680
Speaker 1: people that know some people.

854
00:46:20,200 --> 00:46:21,480
Speaker 3: Well, let's meet some people.

855
00:46:22,280 --> 00:46:27,720
Speaker 1: Do some things with some people. Papa's House, your new show. Yes, uh, brother, sister, granddaughter,

856
00:46:27,760 --> 00:46:31,160
Speaker 1: I mean you mentioned that, like when you do something. Hey,

857
00:46:31,280 --> 00:46:32,600
Speaker 1: it's a family affair.

858
00:46:32,600 --> 00:46:35,120
Speaker 3: Right, because I'm gonna go. Here's what's wonderful about like

859
00:46:35,200 --> 00:46:38,600
Speaker 3: doing my show. So my granddaughter is actually an episode.

860
00:46:38,680 --> 00:46:42,320
Speaker 3: She's brilliant. Robert Townsend directed it. Crazy because Robert Townsen

861
00:46:42,360 --> 00:46:44,920
Speaker 3: directed me in my first thing, and then he's directed

862
00:46:44,920 --> 00:46:46,480
Speaker 3: my granddaughter and her first thing.

863
00:46:46,600 --> 00:46:46,920
Speaker 1: Wow.

864
00:46:47,760 --> 00:46:50,880
Speaker 3: Then my sister Kim is a director, writer, Sean is

865
00:46:50,920 --> 00:46:55,799
Speaker 3: a writer. Damien directed in an episode Michael's in the

866
00:46:55,800 --> 00:46:59,520
Speaker 3: writer's room, Kim. And you know it's just like to

867
00:46:59,640 --> 00:47:04,840
Speaker 3: walk in. It's what it does to me psychologically is

868
00:47:04,880 --> 00:47:07,520
Speaker 3: I have to check my ego at the door, right,

869
00:47:07,600 --> 00:47:09,600
Speaker 3: So I walk in and I got to show them

870
00:47:09,640 --> 00:47:12,759
Speaker 3: how to do it, how to lead right. And so

871
00:47:12,960 --> 00:47:16,560
Speaker 3: you know my son is also an EP, but you

872
00:47:16,600 --> 00:47:19,399
Speaker 3: know he's kind of deferring to his dad. But it's

873
00:47:19,400 --> 00:47:25,439
Speaker 3: also like my temperament is so that everybody feels at ease.

874
00:47:26,280 --> 00:47:32,560
Speaker 3: Right as Damon goes, so goes the show right, And

875
00:47:32,880 --> 00:47:35,840
Speaker 3: Junior also is like, you know, it's like, no, we

876
00:47:35,920 --> 00:47:38,960
Speaker 3: got to be here on time all the time. You know,

877
00:47:39,000 --> 00:47:41,880
Speaker 3: you're ep. You gotta set an example right.

878
00:47:42,719 --> 00:47:45,600
Speaker 1: When you say, all so people in your family is

879
00:47:45,600 --> 00:47:49,680
Speaker 1: in the room. How different are you intellectually? Like when

880
00:47:49,680 --> 00:47:53,520
Speaker 1: you write, how close? How similar are you? Like you

881
00:47:53,560 --> 00:47:56,160
Speaker 1: think like Keenan? Do you think like Marlon? Does Kim

882
00:47:56,239 --> 00:47:59,600
Speaker 1: think like you? Does Sean? Sean thinks like this? I'm

883
00:47:59,640 --> 00:48:00,680
Speaker 1: like this, you know.

884
00:48:00,800 --> 00:48:03,440
Speaker 3: And at the end of the day, I have veto power,

885
00:48:03,800 --> 00:48:05,760
Speaker 3: So I want to know what you bring to the table.

886
00:48:06,000 --> 00:48:07,879
Speaker 3: I want to hear what you think. And that's every

887
00:48:07,920 --> 00:48:11,239
Speaker 3: writer in the rum. Everybody has good ideas, right, but

888
00:48:11,960 --> 00:48:15,239
Speaker 3: not every idea is good for this particular episode. But

889
00:48:15,280 --> 00:48:18,080
Speaker 3: I want to hear them all because for the most part,

890
00:48:18,160 --> 00:48:23,399
Speaker 3: my brain works like this, that's it right, and either

891
00:48:23,480 --> 00:48:26,200
Speaker 3: it is or it ain't right right. Either it's a

892
00:48:26,239 --> 00:48:28,800
Speaker 3: good episode, a good story, or it doesn't work in

893
00:48:28,920 --> 00:48:31,960
Speaker 3: my brain because I write all the time, I can

894
00:48:32,040 --> 00:48:34,919
Speaker 3: see it just in the pitch. Okay, yeah, that'll work,

895
00:48:35,480 --> 00:48:40,839
Speaker 3: you know, but I everybody feels good about creating, you know,

896
00:48:41,320 --> 00:48:43,480
Speaker 3: contributing to these episodes.

897
00:48:43,719 --> 00:48:45,640
Speaker 1: You know, we haven't seen Sean in a while because

898
00:48:45,800 --> 00:48:48,000
Speaker 1: I was looking for because I had never I had

899
00:48:48,040 --> 00:48:50,560
Speaker 1: never seen Kim. I think I saw you in passing.

900
00:48:50,880 --> 00:48:53,720
Speaker 1: But to meet you at the NAACP Image Awards. Obviously,

901
00:48:53,760 --> 00:48:57,239
Speaker 1: Marlin a couple of years, many many years ago, I

902
00:48:57,280 --> 00:49:00,800
Speaker 1: met both of them. Is he still right, Sean?

903
00:49:00,880 --> 00:49:04,759
Speaker 3: It's amazing, Sean. They're working on scary movie. I don't

904
00:49:04,760 --> 00:49:05,600
Speaker 3: know what number.

905
00:49:05,400 --> 00:49:09,719
Speaker 1: Six, but yeah, so since Marlin is in Papa's house,

906
00:49:09,760 --> 00:49:13,200
Speaker 1: are you gonna be a scary movie? Probably not? I

907
00:49:13,200 --> 00:49:20,960
Speaker 1: mean you perfect with the foot you are? You? Are you?

908
00:49:21,080 --> 00:49:22,160
Speaker 1: Are you done with movies?

909
00:49:22,800 --> 00:49:25,440
Speaker 3: No, it's not done with movies. It's just the you

910
00:49:25,440 --> 00:49:30,279
Speaker 3: know that particular. You know, they be watching scared movies.

911
00:49:29,960 --> 00:49:31,640
Speaker 1: That I don't that you don't really care for.

912
00:49:32,000 --> 00:49:35,400
Speaker 3: Yeah, I don't play with demons because I don't want

913
00:49:35,440 --> 00:49:36,200
Speaker 3: them playing with me.

914
00:49:36,800 --> 00:49:40,759
Speaker 1: So you know what I've never really had normally when

915
00:49:41,360 --> 00:49:44,200
Speaker 1: I give my family, mommy money. But when you're working

916
00:49:44,239 --> 00:49:46,600
Speaker 1: with family, how you negotiate with them? Cause they be

917
00:49:46,600 --> 00:49:48,520
Speaker 1: trying to they be trying to up charge you.

918
00:49:48,520 --> 00:49:51,600
Speaker 3: No, Well, family gets what they deserve. You know, they

919
00:49:51,600 --> 00:49:54,719
Speaker 3: have fair market value, Kim and Sean, and you know

920
00:49:54,800 --> 00:49:57,200
Speaker 3: it's the younger ones that come along you go. You

921
00:49:57,239 --> 00:49:58,279
Speaker 3: got to earn it, right.

922
00:49:58,320 --> 00:49:58,520
Speaker 1: You know.

923
00:49:58,600 --> 00:50:02,000
Speaker 3: So my son he's a staff writer and he's earned it.

924
00:50:02,360 --> 00:50:04,960
Speaker 3: He got three scripts in this season. So you get

925
00:50:04,960 --> 00:50:06,000
Speaker 3: paid for scripts too.

926
00:50:06,120 --> 00:50:06,440
Speaker 1: Okay.

927
00:50:06,480 --> 00:50:09,960
Speaker 3: You can't cheat the process, right, you know, because then you.

928
00:50:09,719 --> 00:50:11,319
Speaker 1: You don't want to see the bad president, do you,

929
00:50:11,640 --> 00:50:15,400
Speaker 1: Because what if they're not working for you, ain't nobody

930
00:50:15,440 --> 00:50:18,200
Speaker 1: else is gonna be giving them money just because you like,

931
00:50:18,239 --> 00:50:19,640
Speaker 1: I want you to earn it. I want you to

932
00:50:19,680 --> 00:50:21,720
Speaker 1: earn this. I'm not gonna give you what you deserve.

933
00:50:21,719 --> 00:50:23,719
Speaker 1: I'm gonna give you what you earned. And once you

934
00:50:23,800 --> 00:50:25,799
Speaker 1: earn it, that means you deserve it, and I'm gonna

935
00:50:25,800 --> 00:50:26,359
Speaker 1: pay your cording.

936
00:50:26,400 --> 00:50:32,920
Speaker 3: Well, the thing is, like they it's the industry has

937
00:50:32,960 --> 00:50:35,280
Speaker 3: a set for what you get at each level.

938
00:50:35,360 --> 00:50:35,720
Speaker 1: Okay.

939
00:50:35,800 --> 00:50:39,279
Speaker 3: So it's not on me, okay, you know, And they

940
00:50:39,320 --> 00:50:41,320
Speaker 3: can't cheat him even if they wanted to.

941
00:50:41,800 --> 00:50:41,920
Speaker 1: Right.

942
00:50:42,360 --> 00:50:45,879
Speaker 3: So, like next year you put in work and there's

943
00:50:45,920 --> 00:50:48,640
Speaker 3: a bump for it and you'll get a different credit, right,

944
00:50:48,840 --> 00:50:52,319
Speaker 3: you know what I mean. So it's like, but I

945
00:50:52,360 --> 00:50:55,279
Speaker 3: don't feel that I should go in and make them

946
00:50:55,400 --> 00:50:58,640
Speaker 3: make him a co producer, right, Okay, I probably could,

947
00:50:59,520 --> 00:51:02,680
Speaker 3: but that's a disservice to him because now all the

948
00:51:02,719 --> 00:51:04,920
Speaker 3: other people in the room looking at him like this.

949
00:51:05,200 --> 00:51:07,960
Speaker 1: Bro, that's not what you earned, right, right.

950
00:51:08,080 --> 00:51:13,520
Speaker 3: So, like my granddaughter is in an episode coming up, and.

951
00:51:13,920 --> 00:51:16,680
Speaker 1: She had the audition you make up audition.

952
00:51:17,200 --> 00:51:21,440
Speaker 3: She wanted to it. Okay, so she's so amara. She

953
00:51:21,680 --> 00:51:25,160
Speaker 3: is a stand in, right, And I told her, so

954
00:51:25,200 --> 00:51:28,120
Speaker 3: she's doing standing for essence? And I told her, a baby,

955
00:51:28,840 --> 00:51:32,600
Speaker 3: this is an opportunity. When you are doing these lines,

956
00:51:33,200 --> 00:51:36,719
Speaker 3: do them as if you are playing that role. So

957
00:51:37,040 --> 00:51:40,360
Speaker 3: go home and I want you off page after the

958
00:51:40,400 --> 00:51:43,160
Speaker 3: second day. You don't have a script. You memorized it.

959
00:51:43,480 --> 00:51:46,759
Speaker 3: Learn to hit your mark. Say it with enthusiasm, say

960
00:51:46,760 --> 00:51:49,200
Speaker 3: it like you replace essence.

961
00:51:49,880 --> 00:51:50,160
Speaker 1: You're not.

962
00:51:50,960 --> 00:51:53,520
Speaker 3: But if you act like that, you get in your reps.

963
00:51:54,160 --> 00:51:55,320
Speaker 3: Now when it's time.

964
00:51:55,120 --> 00:51:56,560
Speaker 1: To go, you ready to go.

965
00:51:56,719 --> 00:52:00,680
Speaker 3: You're confident. So she walked into that audition, killed it,

966
00:52:01,320 --> 00:52:04,200
Speaker 3: and there was probably twenty other women. So I said

967
00:52:04,239 --> 00:52:07,560
Speaker 3: to the castings, I said, listen, who do you think

968
00:52:07,680 --> 00:52:10,759
Speaker 3: was better than her nobody. Then she got the park.

969
00:52:11,560 --> 00:52:16,560
Speaker 1: Wow, nepotism talking tomorrow and to morrow, I said, man, look here,

970
00:52:17,719 --> 00:52:19,240
Speaker 1: what good is it if I can be in this position,

971
00:52:19,239 --> 00:52:21,640
Speaker 1: if I can't put my family on, what the hell

972
00:52:21,640 --> 00:52:22,200
Speaker 1: am I doing?

973
00:52:23,040 --> 00:52:26,920
Speaker 3: You want to think about nepotism sometimes, you know, you know,

974
00:52:27,040 --> 00:52:29,959
Speaker 3: Keenan said this one time to the family. He goes,

975
00:52:31,080 --> 00:52:34,359
Speaker 3: till you're talk to the next generation. You guys were

976
00:52:34,360 --> 00:52:37,719
Speaker 3: born on the road to success. Why do you keep

977
00:52:37,800 --> 00:52:42,120
Speaker 3: making detours? Mm hm ooh.

978
00:52:41,600 --> 00:52:42,399
Speaker 1: I like that one.

979
00:52:42,680 --> 00:52:44,520
Speaker 3: It's like, just show up and they talk about we

980
00:52:44,600 --> 00:52:49,719
Speaker 3: don't want to do Wayne's probably what what we can't

981
00:52:49,840 --> 00:52:51,240
Speaker 3: keep doing Wayne's brothers?

982
00:52:51,640 --> 00:52:54,319
Speaker 1: What? So?

983
00:52:54,760 --> 00:52:57,200
Speaker 3: Go all right, you go and see how many other

984
00:52:57,200 --> 00:53:01,800
Speaker 3: projects you get. Build your resume off of funny stuff.

985
00:53:01,840 --> 00:53:03,600
Speaker 3: That's what you know is gonna happen. If you do

986
00:53:03,640 --> 00:53:07,360
Speaker 3: a Wayne's project, it's gonna be funny. There's levels to

987
00:53:07,480 --> 00:53:09,880
Speaker 3: how funny it'll be, right, But for the most part,

988
00:53:10,040 --> 00:53:12,239
Speaker 3: you can say you did some comedy right that you

989
00:53:12,239 --> 00:53:14,400
Speaker 3: can put on your resume. You go do one or

990
00:53:14,400 --> 00:53:16,960
Speaker 3: two lines and somebody else's stuff you ain't gonna get

991
00:53:16,960 --> 00:53:18,120
Speaker 3: off because they don't care about you.

992
00:53:18,320 --> 00:53:22,960
Speaker 1: Right you are. I've always asked. I wanted to ask

993
00:53:23,000 --> 00:53:25,640
Speaker 1: this my mom because people ask why because I look

994
00:53:25,760 --> 00:53:27,759
Speaker 1: just like my dad. My mom they asked my mom,

995
00:53:27,800 --> 00:53:30,160
Speaker 1: why did not name me a junior? And my mom

996
00:53:30,239 --> 00:53:34,400
Speaker 1: says that wasn't gonna happen. Lebron says he kind of

997
00:53:34,400 --> 00:53:39,160
Speaker 1: hate naming his son Lebron James Junior because of if

998
00:53:39,200 --> 00:53:45,200
Speaker 1: you are someone the natural comparison you are, you have

999
00:53:45,280 --> 00:53:49,840
Speaker 1: a junior and you and people automatically think you're funny

1000
00:53:49,920 --> 00:53:52,879
Speaker 1: like your dad? Can you write like your dad? King

1001
00:53:52,920 --> 00:53:57,040
Speaker 1: Griffy Jr. Deon Sanders Junior, Lebron James Jr. What made you?

1002
00:53:57,080 --> 00:53:58,960
Speaker 1: Did you think? Did you factor? It? Is like, well, no,

1003
00:53:59,000 --> 00:53:59,960
Speaker 1: I just want to name him junior.

1004
00:54:00,680 --> 00:54:02,160
Speaker 3: I didn't think he was gonna be in show business.

1005
00:54:02,160 --> 00:54:04,480
Speaker 3: I thought he wanted to be an animator. Okay, right,

1006
00:54:04,640 --> 00:54:07,239
Speaker 3: So I never like, you know, when you name him,

1007
00:54:07,239 --> 00:54:09,640
Speaker 3: you just I got my son, right, you know what

1008
00:54:09,640 --> 00:54:11,840
Speaker 3: I mean? I want him to be named after me.

1009
00:54:12,040 --> 00:54:12,840
Speaker 1: Yeah, I ain't.

1010
00:54:12,680 --> 00:54:14,600
Speaker 3: Thinking about I didn't even know what I was going

1011
00:54:14,680 --> 00:54:16,480
Speaker 3: to do back then, right, you know what I mean?

1012
00:54:16,640 --> 00:54:18,120
Speaker 1: So you know.

1013
00:54:18,280 --> 00:54:21,600
Speaker 3: He he has jokes about being a junior. He says

1014
00:54:21,600 --> 00:54:26,200
Speaker 3: it's the most arrogant thing you could do to name

1015
00:54:26,280 --> 00:54:29,359
Speaker 3: somebody after you, like I'm so wonderful. Look I'm gonna

1016
00:54:29,400 --> 00:54:33,920
Speaker 3: make another meat. But he was able to navigate, you know,

1017
00:54:34,000 --> 00:54:36,239
Speaker 3: a very tough road because at the height of my

1018
00:54:36,440 --> 00:54:40,920
Speaker 3: fame he started doing stand up and you know, because

1019
00:54:41,360 --> 00:54:43,560
Speaker 3: I wouldn't give him the money. You had a baby, bitter,

1020
00:54:43,719 --> 00:54:46,200
Speaker 3: I can teach you the family business, you know. So

1021
00:54:46,239 --> 00:54:48,120
Speaker 3: I took him on the road and he would he

1022
00:54:48,280 --> 00:54:55,279
Speaker 3: changed his name to something Kyle Green, and he'd go

1023
00:54:55,360 --> 00:54:58,960
Speaker 3: up on stage and half his act the young that

1024
00:54:59,160 --> 00:55:07,240
Speaker 3: name of son. So he just had the own Damien

1025
00:55:07,280 --> 00:55:10,880
Speaker 3: Ways Junior, right, you know. But because he wasn't able

1026
00:55:10,880 --> 00:55:14,480
Speaker 3: to concentrate on stage because he kept hearing people, you know,

1027
00:55:14,640 --> 00:55:17,080
Speaker 3: say you look just like your daddy. Oh yeah, you

1028
00:55:17,200 --> 00:55:17,799
Speaker 3: spend him out.

1029
00:55:17,840 --> 00:55:18,640
Speaker 1: He spit you out.

1030
00:55:19,000 --> 00:55:21,000
Speaker 3: And it's just like just say it, address it and

1031
00:55:21,000 --> 00:55:22,120
Speaker 3: then keep it moving.

1032
00:55:22,160 --> 00:55:25,479
Speaker 1: Now. Be funny situation. We saw a couple of weeks

1033
00:55:25,480 --> 00:55:29,279
Speaker 1: ago Michael Jordan's son running to some issues that had

1034
00:55:29,400 --> 00:55:32,399
Speaker 1: some some drug issues and things like that. I don't

1035
00:55:32,400 --> 00:55:34,200
Speaker 1: know if your kids have ever been I gave him

1036
00:55:34,239 --> 00:55:39,200
Speaker 1: the drug. How would you have that situation if one

1037
00:55:39,200 --> 00:55:42,719
Speaker 1: of your one of your kids got into a similar situation.

1038
00:55:43,880 --> 00:55:45,400
Speaker 1: Here was funny boy my family.

1039
00:55:46,200 --> 00:55:49,480
Speaker 3: We are a comedian, right, Oh, so you don't want

1040
00:55:49,480 --> 00:55:51,280
Speaker 3: to write us some new material?

1041
00:55:53,000 --> 00:55:53,880
Speaker 1: I can kid you not.

1042
00:55:54,120 --> 00:55:56,880
Speaker 3: I got a phone call this morning from some dude

1043
00:55:56,920 --> 00:56:00,080
Speaker 3: who said he's a hacker, a hacker, and that he

1044
00:56:00,160 --> 00:56:07,960
Speaker 3: has some explicit images from some young I think he

1045
00:56:08,000 --> 00:56:12,120
Speaker 3: said boys on one of my family's phone that he

1046
00:56:12,239 --> 00:56:16,399
Speaker 3: hacked into. And I said, listen, we're comedians. Tell me who,

1047
00:56:16,400 --> 00:56:25,960
Speaker 3: because I want to write I need to know who

1048
00:56:26,040 --> 00:56:29,040
Speaker 3: the perfectly. I said, you can't, and he was like,

1049
00:56:29,120 --> 00:56:32,080
Speaker 3: you think it's funny. I said, yeah, it's funny, and

1050
00:56:32,280 --> 00:56:33,560
Speaker 3: go ahead and release it.

1051
00:56:33,560 --> 00:56:36,719
Speaker 1: It's funny. And that's how my family would deal with

1052
00:56:41,400 --> 00:56:46,960
Speaker 1: in my life, haven't No, Yeah, raising kids in a

1053
00:56:47,000 --> 00:56:50,640
Speaker 1: privileged situation, because that's not how you grew up. And

1054
00:56:50,680 --> 00:56:53,400
Speaker 1: the thing is, we always well, I want my kids

1055
00:56:53,440 --> 00:56:56,040
Speaker 1: to have so much more, and sometimes we do a

1056
00:56:56,080 --> 00:56:58,839
Speaker 1: disservice to our kids because we give them more and

1057
00:56:58,920 --> 00:57:02,840
Speaker 1: they and they're not always appreciative. Because tough times create

1058
00:57:02,920 --> 00:57:07,880
Speaker 1: tough men. Yes, tough men create easy times, that's true.

1059
00:57:08,760 --> 00:57:13,120
Speaker 1: Kids that come from hard easy times create hard times

1060
00:57:13,160 --> 00:57:18,000
Speaker 1: all over again. So how were you able raised having

1061
00:57:18,080 --> 00:57:22,040
Speaker 1: what you have kids grew up with fifty times more

1062
00:57:22,080 --> 00:57:24,360
Speaker 1: than what you had. How did you get your kids

1063
00:57:24,400 --> 00:57:26,480
Speaker 1: to say, you know what my daddy has, but that

1064
00:57:26,520 --> 00:57:28,240
Speaker 1: ain't me. I'm gonna go get my own.

1065
00:57:29,120 --> 00:57:34,560
Speaker 3: You gotta start out. You gotta start them out. You

1066
00:57:34,560 --> 00:57:36,960
Speaker 3: give them bare minimal. If you're happy with seven hundred

1067
00:57:36,960 --> 00:57:42,439
Speaker 3: dollars a week, okay, that's gonna be your life. See

1068
00:57:42,480 --> 00:57:44,760
Speaker 3: how good that's seven hundred dollars. I'm gonna keep you

1069
00:57:44,840 --> 00:57:49,880
Speaker 3: off the pole, you know, I'm gonna keep you off

1070
00:57:49,880 --> 00:57:53,400
Speaker 3: the crack because you can't afford it, you know. So

1071
00:57:54,360 --> 00:57:59,120
Speaker 3: now and with that comes opportunities to make and to

1072
00:57:59,360 --> 00:58:01,440
Speaker 3: I can give you job, I can't give you a career.

1073
00:58:02,800 --> 00:58:06,920
Speaker 3: And the thing about having like the next generation, they

1074
00:58:06,960 --> 00:58:11,520
Speaker 3: don't have that, you know, And that's what it takes

1075
00:58:11,560 --> 00:58:16,720
Speaker 3: to really hit that next level that yes, you know

1076
00:58:16,880 --> 00:58:19,840
Speaker 3: I have that because I missed meals. My kids never

1077
00:58:19,880 --> 00:58:20,720
Speaker 3: missed missed the meal.

1078
00:58:22,200 --> 00:58:25,320
Speaker 1: And they wasn't eating you know, pig knuckles and everything

1079
00:58:25,360 --> 00:58:27,120
Speaker 1: like that. They eating steak, they eating loft and the

1080
00:58:28,040 --> 00:58:29,120
Speaker 1: crab legs they eating.

1081
00:58:29,160 --> 00:58:30,600
Speaker 3: They have snack, a snack.

1082
00:58:32,800 --> 00:58:33,480
Speaker 1: What do you call that?

1083
00:58:33,560 --> 00:58:42,000
Speaker 3: A pantry with snacks chips yes, Yeah, I ain't had

1084
00:58:42,040 --> 00:58:44,720
Speaker 3: none of that. We had nwladi that you kept in

1085
00:58:44,720 --> 00:58:46,800
Speaker 3: your pocket and if you wanted to eat one, you

1086
00:58:46,840 --> 00:58:50,440
Speaker 3: had to sneak it out, slide it up your arm

1087
00:58:50,520 --> 00:58:56,320
Speaker 3: here because if my brothers find out, they're gonna take.

1088
00:58:56,200 --> 00:59:00,560
Speaker 1: It from me. You know what I mean. Now that

1089
00:59:00,640 --> 00:59:02,000
Speaker 1: you're a grandparent.

1090
00:59:02,120 --> 00:59:06,320
Speaker 3: And a great grandfather and great grandfather, Joe dam I

1091
00:59:06,400 --> 00:59:06,840
Speaker 3: didn't know that.

1092
00:59:06,880 --> 00:59:07,560
Speaker 1: We didn't know that.

1093
00:59:07,640 --> 00:59:08,600
Speaker 3: Yeah, it's beautiful.

1094
00:59:08,760 --> 00:59:12,040
Speaker 1: What's the because a lot of times that I'm a granddad,

1095
00:59:12,080 --> 00:59:15,280
Speaker 1: not two times. My son just had welcomed a daughter

1096
00:59:15,560 --> 00:59:20,720
Speaker 1: about three weeks ago. And when I heard people say

1097
00:59:21,240 --> 00:59:23,920
Speaker 1: my grandmother, and I'm living testament to this, I believe

1098
00:59:23,960 --> 00:59:26,120
Speaker 1: my grandmother loved her three grands more than she loved

1099
00:59:26,120 --> 00:59:26,680
Speaker 1: her own nine.

1100
00:59:26,760 --> 00:59:33,560
Speaker 3: Yeah, I love my grandkids more than my kids. And

1101
00:59:33,560 --> 00:59:38,120
Speaker 3: I'm gonna tell you why, because it's a different love. Right,

1102
00:59:38,200 --> 00:59:41,160
Speaker 3: So your kids, all your hopes and dreams is in

1103
00:59:41,240 --> 00:59:44,720
Speaker 3: your kids. Right when they say something smart to someone,

1104
00:59:44,800 --> 00:59:47,040
Speaker 3: it's a reflection on you. You don't talk to mister

1105
00:59:47,160 --> 00:59:51,360
Speaker 3: Jones like that. You go apologize my granddaughter he's fat. Yeah,

1106
00:59:51,400 --> 00:59:57,920
Speaker 3: go tell them it's funny, you know, because it's a

1107
00:59:57,920 --> 01:00:00,560
Speaker 3: different kind of parent thing, you know. So I frustrate

1108
01:00:00,640 --> 01:00:04,880
Speaker 3: my kids because they want me to. I said, listen,

1109
01:00:05,000 --> 01:00:08,400
Speaker 3: it's on a need to know my kids, the grandkids,

1110
01:00:08,400 --> 01:00:11,320
Speaker 3: the relationship I have with them, they could tell me anything.

1111
01:00:11,400 --> 01:00:14,000
Speaker 3: They tell me the stuff they're too afraid to tell you,

1112
01:00:14,520 --> 01:00:17,840
Speaker 3: and I'm gonna give them the best advice possible because

1113
01:00:18,040 --> 01:00:21,840
Speaker 3: part of my title is parent, right right, right, So,

1114
01:00:21,920 --> 01:00:23,919
Speaker 3: but if I feel you really need to know something,

1115
01:00:23,920 --> 01:00:26,000
Speaker 3: I'm gonna tell you, and I'm gonna tell them that

1116
01:00:26,040 --> 01:00:27,960
Speaker 3: I'm gonna tell you right.

1117
01:00:28,080 --> 01:00:29,720
Speaker 1: But right now they saying stuff you don't need to know.

1118
01:00:30,080 --> 01:00:35,000
Speaker 3: Yeah, but they because they feel comfortable around me, and

1119
01:00:35,080 --> 01:00:38,000
Speaker 3: I feel my granddaughter told me yesterday that Pop, I'm

1120
01:00:38,000 --> 01:00:41,200
Speaker 3: gonna come to you for advice from now on because

1121
01:00:41,240 --> 01:00:43,920
Speaker 3: we talk about stuff that they feel like they can't

1122
01:00:43,960 --> 01:00:45,200
Speaker 3: really tell their parents.

1123
01:00:45,920 --> 01:00:48,280
Speaker 1: Let me, who are some of the people that had

1124
01:00:48,360 --> 01:00:51,600
Speaker 1: they been around when you guys were doing in Living

1125
01:00:51,640 --> 01:00:59,200
Speaker 1: Color that you would love to do a sketch about Kanye.

1126
01:00:58,200 --> 01:01:01,040
Speaker 3: Kanye Yeah, but you know what, I love Kanye, you know,

1127
01:01:01,080 --> 01:01:04,240
Speaker 3: and people are mad at him. You know, what he's

1128
01:01:04,240 --> 01:01:07,360
Speaker 3: doing is wild. But you know, when you see a

1129
01:01:07,360 --> 01:01:10,840
Speaker 3: homeless person in the street, and they're talking to theirself.

1130
01:01:11,440 --> 01:01:15,160
Speaker 3: You can't be mad at them. Something wrong. They're sick, right, Kanye,

1131
01:01:15,560 --> 01:01:19,480
Speaker 3: something wrong with him, you know. And people I don't

1132
01:01:19,800 --> 01:01:22,280
Speaker 3: listen to the homeless man yelling stuff and think, oh

1133
01:01:22,320 --> 01:01:25,800
Speaker 3: he mean that. He don't mean that. It's just coming

1134
01:01:25,840 --> 01:01:32,480
Speaker 3: out right, right. So somebody needs to grab him, somebody,

1135
01:01:32,520 --> 01:01:35,120
Speaker 3: you know, that's what you need, an uncle, right, grab him? Hey,

1136
01:01:35,160 --> 01:01:36,760
Speaker 3: come here, boy, let me talk to you. You don't

1137
01:01:36,800 --> 01:01:39,480
Speaker 3: say that, you don't do that somebody who he loves

1138
01:01:39,480 --> 01:01:41,640
Speaker 3: and respects. Does he have that in his life? I

1139
01:01:41,640 --> 01:01:44,960
Speaker 3: don't know, but I love Kanye. He's a musical genius.

1140
01:01:46,040 --> 01:01:47,760
Speaker 1: You were married for fifteen years. What do you learn

1141
01:01:47,800 --> 01:01:50,040
Speaker 1: about marriage? What do you learn about yourself during a marriage?

1142
01:01:50,040 --> 01:01:52,760
Speaker 1: I was married nineteen nineteen. Damn, I showed you for

1143
01:01:52,880 --> 01:01:53,960
Speaker 1: my bad. I'm added back home.

1144
01:01:53,960 --> 01:01:58,080
Speaker 3: It's cheap of the keeper or cheap of the killer.

1145
01:02:00,640 --> 01:02:01,439
Speaker 1: Keep killing.

1146
01:02:01,680 --> 01:02:08,560
Speaker 3: But but you know, marriage is not just the moment, right.

1147
01:02:08,800 --> 01:02:13,000
Speaker 3: You have to get through moments. You know, it's it's

1148
01:02:13,120 --> 01:02:17,160
Speaker 3: tough like so, you know, trying to tell my sons,

1149
01:02:17,320 --> 01:02:22,040
Speaker 3: like you know you want to get married because brands

1150
01:02:22,800 --> 01:02:28,960
Speaker 3: want to know. If you think about Bill Gates and uh, jobs,

1151
01:02:29,040 --> 01:02:31,960
Speaker 3: and you know all these guys bezil is about to

1152
01:02:32,000 --> 01:02:36,280
Speaker 3: get married again. Why because when you sit down and

1153
01:02:36,360 --> 01:02:39,840
Speaker 3: people think about being in business with you, if you

1154
01:02:39,920 --> 01:02:44,280
Speaker 3: can make manage your marriage, I can be in business

1155
01:02:44,320 --> 01:02:46,000
Speaker 3: with you because I know on a day to day

1156
01:02:46,240 --> 01:02:51,000
Speaker 3: you are having to humble yourself and have to kind

1157
01:02:51,000 --> 01:02:55,000
Speaker 3: of work through stuff. So with business you'll do the

1158
01:02:55,040 --> 01:02:58,280
Speaker 3: same thing. I feel like you would do the same thing.

1159
01:02:59,080 --> 01:02:59,280
Speaker 1: You know.

1160
01:03:00,400 --> 01:03:05,280
Speaker 3: I think marriage is beautiful, But marriage when you get

1161
01:03:06,480 --> 01:03:12,800
Speaker 3: to the older years where it becomes a ballet where

1162
01:03:12,840 --> 01:03:15,480
Speaker 3: they don't say much. You know, after all these years,

1163
01:03:15,520 --> 01:03:19,560
Speaker 3: she know what shut up me? She know she's not talkative.

1164
01:03:20,120 --> 01:03:23,520
Speaker 3: She make your little coffee in the morning, and your

1165
01:03:23,600 --> 01:03:28,560
Speaker 3: toasts not breakfast. You know, she figured out you need

1166
01:03:28,640 --> 01:03:32,000
Speaker 3: something to eat. And come downstairs and the paper's there

1167
01:03:32,040 --> 01:03:34,440
Speaker 3: and you read it and y'all just exist together.

1168
01:03:35,160 --> 01:03:35,360
Speaker 1: You know.

1169
01:03:35,600 --> 01:03:38,080
Speaker 3: You fart and you look at she ain't laughing, Okay,

1170
01:03:38,160 --> 01:03:43,240
Speaker 3: go back to the paper, you know, and then she

1171
01:03:43,480 --> 01:03:48,920
Speaker 3: talk and you just and when you get to a

1172
01:03:48,920 --> 01:03:51,640
Speaker 3: certain age, you got the most wonderful thing in the world,

1173
01:03:51,640 --> 01:03:57,160
Speaker 3: which is hearing ad you turn that down, just looking out.

1174
01:03:58,800 --> 01:04:00,880
Speaker 1: So what did you do? Mm?

1175
01:04:02,440 --> 01:04:05,480
Speaker 3: And that's that's what it is. But you think about

1176
01:04:05,520 --> 01:04:09,160
Speaker 3: all that you've been through and the kids and the grandkids,

1177
01:04:09,840 --> 01:04:12,520
Speaker 3: you know, and it's it's special. I think marriage is

1178
01:04:12,560 --> 01:04:14,240
Speaker 3: a beautiful arrangement.

1179
01:04:15,120 --> 01:04:15,320
Speaker 1: You know.

1180
01:04:15,440 --> 01:04:18,480
Speaker 3: I was just too young and dumb to know that

1181
01:04:18,560 --> 01:04:18,960
Speaker 3: back then.

1182
01:04:19,640 --> 01:04:22,240
Speaker 1: Are you on? Are you on good terms? Yeah?

1183
01:04:22,400 --> 01:04:25,560
Speaker 3: Here's what's crazy is you know, for the longest, like

1184
01:04:25,720 --> 01:04:29,400
Speaker 3: she and I would, you know, we we never said

1185
01:04:29,400 --> 01:04:32,160
Speaker 3: it to each other, but we just made up our

1186
01:04:32,280 --> 01:04:36,200
Speaker 3: minds that we can't let the grandkids feel our resentment.

1187
01:04:36,240 --> 01:04:39,400
Speaker 3: And there was resentment, you know. She'd come in and

1188
01:04:39,440 --> 01:04:42,200
Speaker 3: sit over there, and I'd sit over there. And then

1189
01:04:42,880 --> 01:04:46,240
Speaker 3: probably about seven years ago, I was over at Junior's

1190
01:04:46,280 --> 01:04:48,959
Speaker 3: house family gathering because she I would, they kids would

1191
01:04:49,000 --> 01:04:51,760
Speaker 3: invite her to barbecues at my house and it's fine,

1192
01:04:51,840 --> 01:04:55,400
Speaker 3: you know. And what it was is the fear of

1193
01:04:55,640 --> 01:04:59,280
Speaker 3: having to relitigate what happened in the marriage, right, And

1194
01:04:59,360 --> 01:05:01,800
Speaker 3: I know I messed up. I messed up, so I

1195
01:05:01,840 --> 01:05:03,880
Speaker 3: don't want to deal That's why I pay you animony,

1196
01:05:03,920 --> 01:05:05,120
Speaker 3: so I don't have to deal with that.

1197
01:05:05,240 --> 01:05:05,479
Speaker 1: Right.

1198
01:05:06,120 --> 01:05:08,560
Speaker 3: But about seven years ago we over Junior's house and

1199
01:05:08,600 --> 01:05:14,200
Speaker 3: were sitting outside and she's over there, somewhere and we're laughing.

1200
01:05:14,200 --> 01:05:16,840
Speaker 3: We all, that's what we do is laugh and joke,

1201
01:05:16,920 --> 01:05:19,919
Speaker 3: and we start reminiscing. And then she came and sat

1202
01:05:20,000 --> 01:05:23,200
Speaker 3: right next to me and start chiming in. And then

1203
01:05:23,280 --> 01:05:25,360
Speaker 3: we were talking about she brought up a story and

1204
01:05:25,400 --> 01:05:27,560
Speaker 3: I was like, I remember, I remember, and it was

1205
01:05:27,600 --> 01:05:33,360
Speaker 3: and the kids were like talking. But I could feel

1206
01:05:34,400 --> 01:05:38,400
Speaker 3: all the tension just leaves disipate. The relationship changed. I

1207
01:05:38,440 --> 01:05:41,240
Speaker 3: love her and I was able to say I love you,

1208
01:05:41,760 --> 01:05:44,120
Speaker 3: and she says that to me when we see each other.

1209
01:05:44,280 --> 01:05:46,440
Speaker 3: I care for I don't want nothing bad happening, right,

1210
01:05:47,360 --> 01:05:50,760
Speaker 3: you know. And and it's it's a it's maturity, right,

1211
01:05:51,040 --> 01:05:53,560
Speaker 3: you know. And she said the last week when I

1212
01:05:53,560 --> 01:05:56,080
Speaker 3: saw her, She's like, we did good by the kids, right,

1213
01:05:56,840 --> 01:05:57,560
Speaker 3: We high five?

1214
01:05:57,720 --> 01:06:01,479
Speaker 1: Yeah? Wow? So what what's what's what's the dating life

1215
01:06:01,640 --> 01:06:04,240
Speaker 1: like for? Because I need you know, I'm I'm headed

1216
01:06:04,280 --> 01:06:05,120
Speaker 1: towards sixty two.

1217
01:06:05,160 --> 01:06:07,480
Speaker 3: Bro, I don't date. I'm happy.

1218
01:06:07,560 --> 01:06:08,080
Speaker 1: You happy.

1219
01:06:08,640 --> 01:06:10,880
Speaker 3: I wake up in the morning like a kid, you know,

1220
01:06:10,960 --> 01:06:15,440
Speaker 3: you run outside and come home smelling like pennies. I

1221
01:06:15,480 --> 01:06:18,040
Speaker 3: could do whatever I want to do. That's he's in

1222
01:06:18,160 --> 01:06:19,760
Speaker 3: my house, right, I don't.

1223
01:06:19,560 --> 01:06:20,560
Speaker 1: Have to Hey, we're good.

1224
01:06:21,200 --> 01:06:24,880
Speaker 3: All right? You need thing I don't. I could not.

1225
01:06:25,720 --> 01:06:28,760
Speaker 3: I've been by myself too long.

1226
01:06:29,200 --> 01:06:33,160
Speaker 1: You sitting waves in Huh? So you ain't getting married?

1227
01:06:33,160 --> 01:06:33,520
Speaker 1: No more?

1228
01:06:33,720 --> 01:06:38,360
Speaker 3: No, I never say never, because if some woman can

1229
01:06:38,440 --> 01:06:46,520
Speaker 3: climb over the wall of resentment, the bile that I have, Yeah,

1230
01:06:46,600 --> 01:06:49,840
Speaker 3: for twenty five years, I've been writing checks, all the money,

1231
01:06:50,000 --> 01:06:51,600
Speaker 3: if she can come out. She was sent by God.

1232
01:06:52,240 --> 01:06:53,080
Speaker 3: That's a superhero.

1233
01:06:54,480 --> 01:06:57,440
Speaker 1: Hold on, this can't be true that you dated the

1234
01:06:57,480 --> 01:07:01,000
Speaker 1: same woman as your nephew wants. Yeah.

1235
01:07:01,120 --> 01:07:03,400
Speaker 3: I was in love with her, that's the thing. Come on,

1236
01:07:03,520 --> 01:07:06,680
Speaker 3: you ain't never did Jackson five?

1237
01:07:09,280 --> 01:07:11,920
Speaker 1: I mean a for a family moment, that's south Limit's damon. No,

1238
01:07:12,040 --> 01:07:12,440
Speaker 1: But he was.

1239
01:07:12,600 --> 01:07:16,680
Speaker 3: It wasn't like they were in love. Do you know

1240
01:07:16,720 --> 01:07:20,640
Speaker 3: how small the pool is out here in CALLI yeah,

1241
01:07:20,760 --> 01:07:25,400
Speaker 3: dating pool? Like and this was probably what two thousand

1242
01:07:25,480 --> 01:07:27,840
Speaker 3: and what two thousand and one?

1243
01:07:27,960 --> 01:07:31,560
Speaker 1: Two? Did you know? What? Originally? Did she know? Originally?

1244
01:07:31,600 --> 01:07:31,680
Speaker 2: That?

1245
01:07:32,160 --> 01:07:32,400
Speaker 1: Yes?

1246
01:07:32,440 --> 01:07:34,760
Speaker 3: When I met I so I was. I got divorced

1247
01:07:35,280 --> 01:07:38,200
Speaker 3: and I was by myself for two years, right right,

1248
01:07:38,440 --> 01:07:40,280
Speaker 3: And then I saw her and I was just like,

1249
01:07:40,440 --> 01:07:42,720
Speaker 3: oh my god, I'm in love. And I found out

1250
01:07:42,720 --> 01:07:45,120
Speaker 3: my nephew had dated it. I'm like, you know, what's

1251
01:07:45,160 --> 01:07:48,160
Speaker 3: up with that? He goes, that's you. I was like, okay,

1252
01:07:48,240 --> 01:07:57,760
Speaker 3: pastor ki and I went ahead and I fell in love,

1253
01:07:58,920 --> 01:08:01,280
Speaker 3: fell in love and it was okay.

1254
01:08:01,760 --> 01:08:03,880
Speaker 1: But it's just they clowned you, didn't it.

1255
01:08:04,160 --> 01:08:07,080
Speaker 3: Yeah, family gatherings is awkward.

1256
01:08:13,000 --> 01:08:17,120
Speaker 1: I don't know about that one. Damn I matter. I would

1257
01:08:17,120 --> 01:08:17,960
Speaker 1: just have to let her go.

1258
01:08:18,520 --> 01:08:23,759
Speaker 3: No, you see it, you understand. And she cooked.

1259
01:08:24,120 --> 01:08:27,799
Speaker 1: She went to caught on blue, what she can, artail,

1260
01:08:28,080 --> 01:08:31,000
Speaker 1: nick bone, baggage, color.

1261
01:08:30,840 --> 01:08:35,879
Speaker 3: Green, hairy, all that, and then so with turkey desert dessert.

1262
01:08:36,000 --> 01:08:36,960
Speaker 1: Come on, oh.

1263
01:08:36,880 --> 01:08:39,200
Speaker 3: Man, like a bona fide like chef. I think she

1264
01:08:39,240 --> 01:08:41,480
Speaker 3: does that now amazing.

1265
01:08:42,200 --> 01:08:45,560
Speaker 1: I might either think about it and then the other things.

1266
01:08:49,320 --> 01:08:50,240
Speaker 3: While she cooked.

1267
01:08:55,840 --> 01:09:02,360
Speaker 1: I do not. You have type two diabetesies of the

1268
01:09:03,160 --> 01:09:06,400
Speaker 1: how's it going? Yeah, I mean it's like my club foot, No,

1269
01:09:08,400 --> 01:09:10,280
Speaker 1: it's good. Did you always have diabetes?

1270
01:09:11,280 --> 01:09:14,840
Speaker 3: Yeah, in twenty seventeen. I don't know.

1271
01:09:14,840 --> 01:09:17,160
Speaker 1: It's it's in your family, jeans.

1272
01:09:17,240 --> 01:09:21,719
Speaker 3: Here's why I'm learning because I have a freestyle leave breaking.

1273
01:09:21,840 --> 01:09:24,439
Speaker 1: Yeah, with checks change my life right.

1274
01:09:24,960 --> 01:09:27,640
Speaker 3: And what it is is we eat stuff and you

1275
01:09:27,680 --> 01:09:32,040
Speaker 3: don't know what's good or how your body is breaking down, right,

1276
01:09:32,240 --> 01:09:34,760
Speaker 3: So this gives me. I got the gluecos monitor, and

1277
01:09:34,840 --> 01:09:36,360
Speaker 3: I can look at it and I know where I'm

1278
01:09:36,360 --> 01:09:40,439
Speaker 3: at at all time. The thing is, I walked into

1279
01:09:40,520 --> 01:09:43,760
Speaker 3: the hospital, I was I felt delirious. My sugar is

1280
01:09:43,800 --> 01:09:47,719
Speaker 3: at five thirty five, supposed to be between eighty and yeah, twenty.

1281
01:09:47,520 --> 01:09:49,200
Speaker 1: You about to go into a diabetic coma, That's what

1282
01:09:49,240 --> 01:09:49,559
Speaker 1: he said.

1283
01:09:50,000 --> 01:09:53,880
Speaker 3: I So I tell Keenan, and Keenan's like, okay, you

1284
01:09:53,920 --> 01:09:57,080
Speaker 3: gotta change your diet. What do you mean, because well,

1285
01:09:57,120 --> 01:10:03,080
Speaker 3: if you don't eat sugar, you won't have a sugar problem, right,

1286
01:10:03,240 --> 01:10:06,960
Speaker 3: life changing. So he goes through my cabinets and stuff

1287
01:10:06,960 --> 01:10:09,120
Speaker 3: and you're gonna throw away this. You're gonna throw away

1288
01:10:09,120 --> 01:10:10,960
Speaker 3: this ketchup got sugar everything?

1289
01:10:11,000 --> 01:10:14,360
Speaker 1: I like, got you it does, And I was like wow.

1290
01:10:14,800 --> 01:10:18,679
Speaker 3: So then I'm like, I still had to take insulin.

1291
01:10:18,800 --> 01:10:21,360
Speaker 3: You know, you're taking five six units with every meal.

1292
01:10:21,360 --> 01:10:23,559
Speaker 3: I'm like, I don't want to do this sticking your

1293
01:10:23,600 --> 01:10:26,599
Speaker 3: finger to pray. Oh my god, It's like I don't.

1294
01:10:26,920 --> 01:10:30,920
Speaker 3: But what I found out having this glucose monitor is

1295
01:10:30,920 --> 01:10:35,400
Speaker 3: if I lift weights, heavier weights, then my sugar goes

1296
01:10:35,479 --> 01:10:41,519
Speaker 3: down all day and especially legs. Right, So that's the

1297
01:10:41,520 --> 01:10:44,120
Speaker 3: first thing that go when you start. When you get older,

1298
01:10:44,160 --> 01:10:47,759
Speaker 3: you stop doing the legs. You think walking is working

1299
01:10:47,800 --> 01:10:50,599
Speaker 3: your legs. Oh, I walk three miles and nothing.

1300
01:10:50,760 --> 01:10:52,120
Speaker 1: In order for a muscle to girl, you got to

1301
01:10:52,120 --> 01:10:54,080
Speaker 1: put it on the stress that part, you know.

1302
01:10:54,120 --> 01:10:56,519
Speaker 3: They say there's a part of your brain that only

1303
01:10:56,560 --> 01:10:58,400
Speaker 3: grows when you do stuff you don't want to do.

1304
01:11:00,479 --> 01:11:02,880
Speaker 3: Tend to have the most developed part of that brain.

1305
01:11:03,200 --> 01:11:06,080
Speaker 3: And this part of the brain has to do with discipline,

1306
01:11:06,439 --> 01:11:10,599
Speaker 3: self control, stick to itiveness, you know. And so I'm

1307
01:11:10,640 --> 01:11:12,920
Speaker 3: trying to develop that part of my brain.

1308
01:11:13,000 --> 01:11:18,080
Speaker 1: Right. So we see lebar Ball have some complications with diabetes,

1309
01:11:18,400 --> 01:11:22,200
Speaker 1: end up having to have a limb amputated. IRV Gotti.

1310
01:11:22,280 --> 01:11:24,720
Speaker 1: I think he ended up he had type two diabetes.

1311
01:11:24,760 --> 01:11:27,439
Speaker 1: He ended up succumbing to it. So now, so how

1312
01:11:27,479 --> 01:11:29,720
Speaker 1: does how does Damon Wine eat now? And I read

1313
01:11:29,760 --> 01:11:31,640
Speaker 1: that you like only eat you know, do you have

1314
01:11:31,680 --> 01:11:32,440
Speaker 1: a garden.

1315
01:11:32,200 --> 01:11:34,760
Speaker 3: Protein vegetables? I do you eat from my garden every day?

1316
01:11:34,840 --> 01:11:39,960
Speaker 3: People think I'm crazy, but I you know, it's it's delicious.

1317
01:11:40,000 --> 01:11:41,640
Speaker 3: I don't put a whole lot of season It's just

1318
01:11:41,720 --> 01:11:44,360
Speaker 3: salt and pepper. And then I have my you know,

1319
01:11:44,560 --> 01:11:48,200
Speaker 3: like turkey. Crazy thing is I can eat turkey, but

1320
01:11:48,360 --> 01:11:51,880
Speaker 3: chicken don't sit well and don't digest. Really yeah, you

1321
01:11:51,960 --> 01:11:54,879
Speaker 3: think it's just it's the cousins, yes, yeah, right, Why

1322
01:11:54,920 --> 01:11:57,799
Speaker 3: am I having problems?

1323
01:11:58,040 --> 01:11:58,280
Speaker 1: Right?

1324
01:11:58,400 --> 01:12:03,040
Speaker 3: But you know I learned that with the glucose mine.

1325
01:12:03,439 --> 01:12:07,840
Speaker 3: You know, the yams, shoot my blood, sugar, blueberries, it's

1326
01:12:07,880 --> 01:12:10,360
Speaker 3: all the stuff that they tell you can have. No,

1327
01:12:10,439 --> 01:12:11,599
Speaker 3: you can't be very high in.

1328
01:12:11,560 --> 01:12:14,479
Speaker 1: Sugar though, especially fruit is very high in fruit chokes.

1329
01:12:17,000 --> 01:12:21,479
Speaker 3: You had brain surgery, yep, I had a tumor on

1330
01:12:21,560 --> 01:12:25,800
Speaker 3: my pituitary, so everything was shut down. You that's your

1331
01:12:25,880 --> 01:12:32,240
Speaker 3: master gland, yes, right, So Testarchian was low, my drenals

1332
01:12:32,240 --> 01:12:36,320
Speaker 3: were blown out. So I go there and what was

1333
01:12:36,360 --> 01:12:41,280
Speaker 3: crazy is I was starting to see cock eyed because

1334
01:12:41,320 --> 01:12:45,280
Speaker 3: the thing was the size of a lemon inside my brain.

1335
01:12:45,360 --> 01:12:48,320
Speaker 3: So if you do like this, that's where the petuitary

1336
01:12:48,360 --> 01:12:51,240
Speaker 3: is in the middle, right underneath. Doctor told me that's

1337
01:12:51,280 --> 01:12:54,160
Speaker 3: the best place to get a tumor because they don't

1338
01:12:54,160 --> 01:12:56,000
Speaker 3: have to cut your head open and went in through

1339
01:12:56,000 --> 01:13:01,559
Speaker 3: my nose right, so you know, I'm Jehovah's witness. Couldn't

1340
01:13:01,560 --> 01:13:04,240
Speaker 3: do it with blood, so I had.

1341
01:13:04,120 --> 01:13:06,479
Speaker 1: To tell the doctor, so you don't transfusions, right, No

1342
01:13:06,520 --> 01:13:07,760
Speaker 1: transfusion right.

1343
01:13:07,880 --> 01:13:10,800
Speaker 3: So the crazy thing is when I found out I

1344
01:13:10,840 --> 01:13:12,240
Speaker 3: had the tumor, I thought they were gonna cut my

1345
01:13:12,280 --> 01:13:14,240
Speaker 3: brain open. So I'm like, I don't know if I'm

1346
01:13:14,280 --> 01:13:16,080
Speaker 3: do I'm just write it out. I had a good life,

1347
01:13:16,120 --> 01:13:20,200
Speaker 3: Thank you and my family, Kim especially. It's like, you

1348
01:13:20,280 --> 01:13:22,640
Speaker 3: were going to get this surgery. I'm gonna punch that

1349
01:13:22,680 --> 01:13:27,200
Speaker 3: thing out your head. So I like it was crazy

1350
01:13:27,200 --> 01:13:32,720
Speaker 3: because you know, not doing the blood. You know you

1351
01:13:32,880 --> 01:13:34,439
Speaker 3: have to really you know, this is a test of

1352
01:13:34,479 --> 01:13:37,040
Speaker 3: your faith. Absolutely, So they give you that thing and

1353
01:13:37,080 --> 01:13:39,760
Speaker 3: there's no turning back, right, and you don't know what's

1354
01:13:39,760 --> 01:13:42,720
Speaker 3: gonna happen when you go out underneath. But here's how

1355
01:13:42,800 --> 01:13:45,639
Speaker 3: faith works. So I say my prayer and I ask

1356
01:13:45,760 --> 01:13:47,360
Speaker 3: God what I'm gonna do it? Okay, I'm gonna do

1357
01:13:47,400 --> 01:13:55,280
Speaker 3: it no blood. Not only was this it's successful, but

1358
01:13:55,520 --> 01:14:00,360
Speaker 3: the number one doctor in the world to perform this

1359
01:14:00,479 --> 01:14:07,000
Speaker 3: surgery did my surgery, Wow, doctor Kelly at Saint Joseph's Hospital,

1360
01:14:08,000 --> 01:14:11,280
Speaker 3: and he went in and got it all nine percent

1361
01:14:11,360 --> 01:14:15,360
Speaker 3: of it and I didn't have to do no blood.

1362
01:14:16,560 --> 01:14:23,360
Speaker 3: So when you when you put God first, good things happened.

1363
01:14:24,400 --> 01:14:27,920
Speaker 3: But I remember being in the hospital afterwards, and you

1364
01:14:27,960 --> 01:14:31,680
Speaker 3: know that recovery sleep is amazing, isn't it amazing?

1365
01:14:31,760 --> 01:14:34,240
Speaker 1: They just don't let you get a loan. They wake up,

1366
01:14:34,400 --> 01:14:37,960
Speaker 1: the start leave me alone.

1367
01:14:39,040 --> 01:14:42,240
Speaker 3: But I all I remember is a kaleidoscope of wansas.

1368
01:14:42,600 --> 01:14:45,080
Speaker 3: Every time I opened my eyes, there's somebody different there.

1369
01:14:45,200 --> 01:14:48,520
Speaker 3: There's so much love in my family, you know, grandkids,

1370
01:14:48,600 --> 01:14:52,840
Speaker 3: and my brothers and sisters and you know, and nieces.

1371
01:14:52,880 --> 01:14:57,000
Speaker 3: And it was just like there was never not anybody there.

1372
01:14:57,640 --> 01:14:58,000
Speaker 1: Wow.

1373
01:14:58,479 --> 01:14:59,920
Speaker 3: You know, because in the hospital they tried to up

1374
01:15:00,120 --> 01:15:02,599
Speaker 3: tell you. Yeah, you know, they're constantly trying to put

1375
01:15:02,600 --> 01:15:04,960
Speaker 3: something else in there, and you go, no, no, no, no, no, no,

1376
01:15:05,320 --> 01:15:07,800
Speaker 3: you need somebody to advocate. No, he don't need that,

1377
01:15:08,920 --> 01:15:12,080
Speaker 3: he said, no blood. But the blood is the most

1378
01:15:12,120 --> 01:15:13,400
Speaker 3: expensive thing they can give.

1379
01:15:13,280 --> 01:15:18,439
Speaker 1: You, the brain surgery, the diabetes. What have you learned

1380
01:15:18,439 --> 01:15:21,000
Speaker 1: most about life? What do you embrace most about life?

1381
01:15:24,600 --> 01:15:28,479
Speaker 3: I have a beautiful family, I have a wonderful God.

1382
01:15:29,600 --> 01:15:30,240
Speaker 1: I have.

1383
01:15:32,240 --> 01:15:37,200
Speaker 3: So many blessings that you know. I'm the anger that

1384
01:15:37,280 --> 01:15:39,240
Speaker 3: I used to have when I was young, I no

1385
01:15:39,280 --> 01:15:45,479
Speaker 3: longer have because I just know that God has his

1386
01:15:45,600 --> 01:15:50,160
Speaker 3: hand on me. And my family. Right, He's protected us

1387
01:15:50,200 --> 01:15:54,280
Speaker 3: for years and years. And I know not everybody with

1388
01:15:54,360 --> 01:16:00,759
Speaker 3: the last name Wave you know, is good or tries

1389
01:16:00,800 --> 01:16:04,759
Speaker 3: to be good. But what we do have is others

1390
01:16:05,680 --> 01:16:08,920
Speaker 3: that will correct you, and we ain't shy about going hey,

1391
01:16:09,040 --> 01:16:12,720
Speaker 3: you're acting to fool like that, you get checked. And

1392
01:16:12,760 --> 01:16:17,519
Speaker 3: so for that reason, I truly appreciate my family and

1393
01:16:18,000 --> 01:16:21,479
Speaker 3: this wonderful journey that I'm on. You know, people, I

1394
01:16:21,600 --> 01:16:26,800
Speaker 3: jokingly said when people when I die, I want it

1395
01:16:26,840 --> 01:16:30,200
Speaker 3: on my tombstone. Don't cry for me, you're next.

1396
01:16:38,320 --> 01:16:40,240
Speaker 1: What if Damon Williams wanted his legacy to.

1397
01:16:40,160 --> 01:16:43,000
Speaker 3: Be I just want people to smile when they think

1398
01:16:43,040 --> 01:16:44,960
Speaker 3: about me. I just want them to smile because that

1399
01:16:45,080 --> 01:16:47,519
Speaker 3: dude he loved life. He was funny.

1400
01:16:48,240 --> 01:16:54,240
Speaker 1: Is it what your family? What can people take away

1401
01:16:54,240 --> 01:16:57,160
Speaker 1: from the Walliam's family with the way you guys interact?

1402
01:16:57,200 --> 01:17:00,360
Speaker 1: What would you like other families to take most away

1403
01:17:00,360 --> 01:17:02,599
Speaker 1: from the way you interact with your family or your

1404
01:17:02,640 --> 01:17:03,920
Speaker 1: family interact with each other.

1405
01:17:05,160 --> 01:17:08,840
Speaker 3: That you never know what could happen or will happen,

1406
01:17:09,640 --> 01:17:13,240
Speaker 3: So all that stuff you hold on to let it go.

1407
01:17:14,080 --> 01:17:16,400
Speaker 3: You know, I don't always agree with my brothers and

1408
01:17:16,479 --> 01:17:20,559
Speaker 3: sisters and we have our little disagreement, but for the

1409
01:17:20,600 --> 01:17:24,240
Speaker 3: most part, you never know what tomorrow brings, So don't

1410
01:17:24,240 --> 01:17:29,439
Speaker 3: bring tomorrow today, right, Which is I wish i'd I

1411
01:17:29,479 --> 01:17:32,080
Speaker 3: could have. I know so many people I don't understand

1412
01:17:32,320 --> 01:17:35,320
Speaker 3: families that don't get along. You don't talk to your brother. Yeah,

1413
01:17:35,439 --> 01:17:39,720
Speaker 3: you know you stop talking to your mother. How that

1414
01:17:39,800 --> 01:17:42,240
Speaker 3: happened that my mother come kick the door down, she

1415
01:17:42,320 --> 01:17:44,599
Speaker 3: climbing through the window. You don't stop talking to hu.

1416
01:17:45,720 --> 01:17:48,160
Speaker 3: You know That's not how my family. I just wish

1417
01:17:48,520 --> 01:17:51,720
Speaker 3: that people. The funny thing is like on my set,

1418
01:17:52,240 --> 01:17:56,040
Speaker 3: people are hugging and kissing when they come in and

1419
01:17:56,040 --> 01:17:58,759
Speaker 3: they tell me, we don't do this in my family

1420
01:18:00,080 --> 01:18:03,839
Speaker 3: should yeah, And they just think may some wonderful cards

1421
01:18:04,000 --> 01:18:07,880
Speaker 3: thanking me. It's not me, it's it's my family. It's

1422
01:18:07,920 --> 01:18:11,559
Speaker 3: how just we are and we and we get work

1423
01:18:11,600 --> 01:18:12,160
Speaker 3: done right.

1424
01:18:13,960 --> 01:18:16,080
Speaker 1: Anything you want to promote. I know you have Papa's

1425
01:18:16,080 --> 01:18:17,439
Speaker 1: house now, just.

1426
01:18:17,400 --> 01:18:19,759
Speaker 3: Papa's house and the movie that we're gonna do together.

1427
01:18:20,439 --> 01:18:23,400
Speaker 1: I like that. David don't want to thank you. Thank

1428
01:18:23,439 --> 01:18:26,960
Speaker 1: you continue success, everything you've done in this business, in

1429
01:18:26,960 --> 01:18:29,920
Speaker 1: what your family has meant to this community. I think

1430
01:18:29,960 --> 01:18:31,840
Speaker 1: I speak for everybody that's gonna watch this and it's

1431
01:18:31,840 --> 01:18:36,680
Speaker 1: gonna listen to this. Thank you, God, Bush, I appreciate you.

1432
01:18:37,280 --> 01:18:40,439
Speaker 1: Thank you. Spotlight l A the newest exclusive nightclub for

1433
01:18:40,520 --> 01:18:43,000
Speaker 1: a love and club shap shade of film here. Spotlight

1434
01:18:43,160 --> 01:18:45,439
Speaker 1: l A is a place for anything and everything, with

1435
01:18:45,600 --> 01:18:49,280
Speaker 1: something programmed for everyone. Keep up with Spotlight on Instagram

1436
01:18:49,360 --> 01:18:50,680
Speaker 1: at Spotlight dot La.

1437
01:18:51,400 --> 01:18:56,040
Speaker 2: All my life, grunting all my life, Sacrifice, hustle, price,

1438
01:18:56,720 --> 01:19:00,960
Speaker 2: want to slice all my life. I've been grinding all

1439
01:19:00,960 --> 01:19:04,000
Speaker 2: my life, all my life, been grinning all my life.

1440
01:19:04,600 --> 01:19:08,080
Speaker 1: It's like the price, that's what play the price one slice,

1441
01:19:08,400 --> 01:19:10,639
Speaker 1: not the poe that all my life.

1442
01:19:10,680 --> 01:23:01,519
Speaker 2: I've been grinding all my life at