1 00:00:15,276 --> 00:00:23,596 Speaker 1: Pushkin. Let's play a game. Line up Americans in a row, 2 00:00:23,876 --> 00:00:26,516 Speaker 1: all of them by how likely they are to start 3 00:00:26,516 --> 00:00:29,436 Speaker 1: a revolution. At the front of the line, you might 4 00:00:29,476 --> 00:00:34,076 Speaker 1: put let's say, a student activist, or an energetic member 5 00:00:34,116 --> 00:00:37,756 Speaker 1: of some aggrieved interest group, or some evil genius with 6 00:00:37,836 --> 00:00:40,836 Speaker 1: a knack for computer programming. At the back of the line, 7 00:00:40,836 --> 00:00:45,236 Speaker 1: you'd put who who among us is least likely to 8 00:00:45,276 --> 00:00:47,516 Speaker 1: go to the trouble of trying to change the world. 9 00:00:48,076 --> 00:00:50,676 Speaker 1: I don't know a lot of us are complacent, but 10 00:00:50,876 --> 00:00:52,836 Speaker 1: somewhere near the end of the line, I think we 11 00:00:52,876 --> 00:00:56,236 Speaker 1: can all agree we'd find the golf and tennis coaches 12 00:00:56,556 --> 00:01:01,036 Speaker 1: of America's country clubs. When I hired on to be 13 00:01:01,156 --> 00:01:08,396 Speaker 1: a tennis pro as a middle class country club in Seaside, California. 14 00:01:08,676 --> 00:01:11,516 Speaker 1: Tim Galway is the name of the board tennis pro 15 00:01:11,716 --> 00:01:14,956 Speaker 1: in this story. He's in his eighties now, but was 16 00:01:14,996 --> 00:01:19,516 Speaker 1: in his thirties when the story begins. It was four 17 00:01:19,556 --> 00:01:23,516 Speaker 1: o'clock in the afternoon. I've been teaching all day, not coaching, 18 00:01:24,236 --> 00:01:29,476 Speaker 1: and it keeps a little boring telling people where the 19 00:01:29,596 --> 00:01:32,996 Speaker 1: weight on their foot should be and where they should 20 00:01:33,076 --> 00:01:36,916 Speaker 1: hit the ball on the racket on the afternoon In question. 21 00:01:37,076 --> 00:01:39,836 Speaker 1: Tim was teaching a guy with a slice backhand who 22 00:01:39,876 --> 00:01:42,676 Speaker 1: wanted to learn how to hit topspin. The guy was 23 00:01:42,716 --> 00:01:47,156 Speaker 1: taking his racket back too high. Ordinarily, Tim Galway would 24 00:01:47,156 --> 00:01:49,676 Speaker 1: just have told the man, hey, don't take the racket 25 00:01:49,716 --> 00:01:52,396 Speaker 1: back too high, but he lost interest in the sound 26 00:01:52,396 --> 00:01:55,396 Speaker 1: of his own voice and pretty much everything else, so 27 00:01:55,436 --> 00:01:58,716 Speaker 1: he just kept quietly tossing balls at the guy's backhand. 28 00:02:00,996 --> 00:02:05,716 Speaker 1: Three or four minutes a strange thing had he was 29 00:02:05,796 --> 00:02:11,556 Speaker 1: hitting topspin back end and said nothing. But then I 30 00:02:11,596 --> 00:02:17,996 Speaker 1: said something in my head, you lazy bum, you missed 31 00:02:18,036 --> 00:02:23,556 Speaker 1: your chance. If you had only taught him before, then 32 00:02:23,636 --> 00:02:27,876 Speaker 1: you would have gotten the credit for his toss spin 33 00:02:27,996 --> 00:02:32,876 Speaker 1: back in. I said, wow, And this was maybe the 34 00:02:33,396 --> 00:02:38,556 Speaker 1: key point. I'm more interested in teaching than I am 35 00:02:38,636 --> 00:02:43,076 Speaker 1: in this student learning. That was the moment that Tim 36 00:02:43,116 --> 00:02:48,356 Speaker 1: Galway had an idea, because I just said, Okay, I'm 37 00:02:48,396 --> 00:02:51,636 Speaker 1: going to see how much improvement I can see in 38 00:02:51,716 --> 00:02:57,476 Speaker 1: front of me with how little teaching for reversing your 39 00:02:57,596 --> 00:03:00,756 Speaker 1: usual approach. How little can you tell them rather than 40 00:03:00,756 --> 00:03:04,836 Speaker 1: how much can you tell them exactly? So you have 41 00:03:05,076 --> 00:03:08,756 Speaker 1: this inside about yourself and your teaching methods, and you 42 00:03:08,836 --> 00:03:11,156 Speaker 1: just you're gonna do it a different way. You're going 43 00:03:11,236 --> 00:03:14,756 Speaker 1: to see how littlely you can say. How long do 44 00:03:14,836 --> 00:03:17,596 Speaker 1: you do that before you start to think I'm onto 45 00:03:17,596 --> 00:03:22,516 Speaker 1: something my next lesson. His next lesson is with a 46 00:03:22,556 --> 00:03:25,636 Speaker 1: complete beginner. She doesn't even know how to hold a 47 00:03:25,676 --> 00:03:29,796 Speaker 1: tennis racket. Goalie thinks maybe he shouldn't try out this 48 00:03:29,836 --> 00:03:35,076 Speaker 1: new idea coaching by not saying anything. Then he thinks, nah, 49 00:03:35,276 --> 00:03:38,236 Speaker 1: screw it, let's try this again. How can I start 50 00:03:38,236 --> 00:03:42,516 Speaker 1: a beginner without telling the fundamentals? And so I said, 51 00:03:42,956 --> 00:03:45,876 Speaker 1: I'll just drop a few and hit them so they'll 52 00:03:45,876 --> 00:03:50,276 Speaker 1: see me. They'll see me. I did that five or 53 00:03:50,316 --> 00:03:54,356 Speaker 1: six times, and she said, I noticed the first thing 54 00:03:54,476 --> 00:03:59,836 Speaker 1: you did was turned your right foot sideways. He said, yeah, yeah, 55 00:03:59,836 --> 00:04:04,636 Speaker 1: I don't worry about and just take these balls and 56 00:04:04,596 --> 00:04:08,196 Speaker 1: the do it. No, I did say shut your eyes 57 00:04:08,756 --> 00:04:12,716 Speaker 1: and see yourself hitting the ball. I didn't say like 58 00:04:12,916 --> 00:04:19,196 Speaker 1: I did. And this is the absolute She hit like this. This, 59 00:04:20,036 --> 00:04:22,876 Speaker 1: I mean everything I would have told. She didn't know 60 00:04:22,956 --> 00:04:26,796 Speaker 1: any different. Her foot didn't move. So the one thing 61 00:04:26,836 --> 00:04:30,556 Speaker 1: she consciously thought about, she didn't do exactly everything that 62 00:04:30,596 --> 00:04:34,236 Speaker 1: she was just kind of unconscious. She did said, oh 63 00:04:34,356 --> 00:04:37,676 Speaker 1: my god, not the one when did she do everything 64 00:04:38,236 --> 00:04:45,596 Speaker 1: without instruction, but she didn't do the one thing she 65 00:04:45,796 --> 00:04:53,516 Speaker 1: decided herself she should do. In the history of coaching, 66 00:04:53,596 --> 00:04:57,036 Speaker 1: this is a revolutionary moment. Who put chocolate in my 67 00:04:57,076 --> 00:05:01,796 Speaker 1: peanut butter moment. Galli discovers that performance is all about focus. 68 00:05:02,596 --> 00:05:05,636 Speaker 1: Focus on the wrong thing, and you'll do the wrong thing. 69 00:05:06,596 --> 00:05:16,396 Speaker 1: What shocks me what was to see Tennes's improving without 70 00:05:16,556 --> 00:05:21,316 Speaker 1: the student trying to improve. All I would do is 71 00:05:21,436 --> 00:05:28,676 Speaker 1: ask them awareness questions or give them awareness instruction. Awareness 72 00:05:28,676 --> 00:05:32,436 Speaker 1: instructions meaning saying stuff that caused them to focus on 73 00:05:32,476 --> 00:05:35,036 Speaker 1: what was useful, like where the ball was when it 74 00:05:35,116 --> 00:05:39,276 Speaker 1: hit the racket. People love Galway's weird tennis lessons. He 75 00:05:39,356 --> 00:05:42,996 Speaker 1: offered no criticism, no praise, hardly any talk at all, 76 00:05:43,756 --> 00:05:45,956 Speaker 1: just to nudge here and there, to silence the voices 77 00:05:45,996 --> 00:05:49,756 Speaker 1: inside their heads, the voices that caused them to tense up. 78 00:05:50,956 --> 00:05:53,396 Speaker 1: One day, one of the country club students blurted out, 79 00:05:53,796 --> 00:05:58,916 Speaker 1: you should write a book. Kim Galway had zero literary ambition, 80 00:05:59,556 --> 00:06:03,316 Speaker 1: but he did it. He wrote a book about how 81 00:06:03,316 --> 00:06:07,396 Speaker 1: to coach tennis. His text was one part Eastern mysticism 82 00:06:07,476 --> 00:06:09,916 Speaker 1: and one part practical advice on how to crush your 83 00:06:09,916 --> 00:06:13,636 Speaker 1: opponent on a tennis court. He thought about calling it 84 00:06:13,836 --> 00:06:18,196 Speaker 1: Yoga tennis. He wound up calling it The Inner Game 85 00:06:18,236 --> 00:06:22,876 Speaker 1: of Tennis. In the fall of nineteen seventy four, right 86 00:06:22,876 --> 00:06:26,316 Speaker 1: before his book came out, Galway asked his publisher how 87 00:06:26,316 --> 00:06:31,116 Speaker 1: many copies they hope to sell. Twenty thousand, they said two. 88 00:06:31,196 --> 00:06:35,916 Speaker 1: Three quarters later, I had got my third royalty statement 89 00:06:35,956 --> 00:06:39,516 Speaker 1: and I had gone from forty thousand to eighty thousand 90 00:06:39,596 --> 00:06:44,076 Speaker 1: to hundred thousand. And I went back to Random House 91 00:06:44,076 --> 00:06:46,556 Speaker 1: and I said, how come it was so wrong in 92 00:06:46,676 --> 00:06:50,876 Speaker 1: your estimates? And he said, well, we thought it was 93 00:06:50,916 --> 00:06:53,956 Speaker 1: a tennis book. The Inner Game of Tennis is not 94 00:06:54,196 --> 00:06:57,756 Speaker 1: a tennis book. It's something else, which is why it's 95 00:06:57,756 --> 00:07:01,396 Speaker 1: now sold something like two million copies. And Galway is 96 00:07:01,516 --> 00:07:04,996 Speaker 1: inundated with requests from people who want his help, because 97 00:07:05,076 --> 00:07:08,116 Speaker 1: inner voices torture all of us, not just country club 98 00:07:08,116 --> 00:07:12,676 Speaker 1: tennis players. I get asked to give a lecture about 99 00:07:12,716 --> 00:07:18,156 Speaker 1: the Inner Game to the Houston Philharmonic. I played no 100 00:07:18,676 --> 00:07:25,316 Speaker 1: classical instruments. At the end, they applaud politely, except for 101 00:07:25,356 --> 00:07:28,236 Speaker 1: the conductor who comes up and says, I'm not going 102 00:07:28,316 --> 00:07:31,796 Speaker 1: to believe this till I see it. And next thing 103 00:07:31,836 --> 00:07:36,076 Speaker 1: he says is who's going to volunteer for some coaching 104 00:07:36,516 --> 00:07:41,156 Speaker 1: from tim as Faye would have it. One tuba player 105 00:07:41,236 --> 00:07:45,876 Speaker 1: volunteered alone. Galway did the same thing with the tuba 106 00:07:45,916 --> 00:07:49,196 Speaker 1: player that he did on the tennis court. Sir, what 107 00:07:49,316 --> 00:07:54,356 Speaker 1: do you find most difficult in performing at your level 108 00:07:54,756 --> 00:07:59,476 Speaker 1: with the tuba? That's the one question that doesn't ruffle 109 00:08:00,036 --> 00:08:04,356 Speaker 1: the ego. You just say what's the hardest thing? Now, 110 00:08:04,396 --> 00:08:09,676 Speaker 1: things are, but what's the most difficult thing your level? 111 00:08:10,396 --> 00:08:16,316 Speaker 1: And so he says articulation in the upper range. Never 112 00:08:16,356 --> 00:08:20,556 Speaker 1: heard the phrase. And I say it was so hard 113 00:08:20,596 --> 00:08:26,276 Speaker 1: about that? Galway has not the first clue about playing 114 00:08:26,276 --> 00:08:29,236 Speaker 1: a brass instrument. He doesn't even know the words you 115 00:08:29,356 --> 00:08:33,956 Speaker 1: need to talk touba. It's all he can do to listen. Well, 116 00:08:33,996 --> 00:08:42,636 Speaker 1: you go, and uh it sounded good to me. I said, 117 00:08:44,196 --> 00:08:50,076 Speaker 1: so how is that in terms of clean articulation? He says, uh, 118 00:08:50,756 --> 00:08:54,396 Speaker 1: not so good. He said, so there was it was 119 00:08:54,476 --> 00:09:00,836 Speaker 1: dirty to some extent. How did you know, as mass Well, 120 00:09:00,876 --> 00:09:04,196 Speaker 1: I can't hear it because Bella the tube is too far, 121 00:09:04,956 --> 00:09:09,476 Speaker 1: but I can feel it in my tongue. My tongue 122 00:09:09,556 --> 00:09:15,556 Speaker 1: gets dry and it's towards feeling thick. Galway tells the 123 00:09:15,556 --> 00:09:18,436 Speaker 1: tuba player to stop trying to hear his own sounds 124 00:09:18,916 --> 00:09:22,196 Speaker 1: and to focus on his tongue. So I said, don't 125 00:09:22,236 --> 00:09:25,876 Speaker 1: try to keep it change. Just notice the changes and moisture. 126 00:09:26,596 --> 00:09:37,956 Speaker 1: It's only a few measures. Sounds about the same to me. 127 00:09:45,956 --> 00:09:49,716 Speaker 1: The whole orchestra gets up on their feet and gives 128 00:09:49,756 --> 00:09:53,036 Speaker 1: us standing ovation, and you can tell the different. So 129 00:10:01,276 --> 00:10:05,436 Speaker 1: I said, oh my god, this is easy. I know 130 00:10:05,716 --> 00:10:09,636 Speaker 1: nothing about tubeas nothing about classical music. I don't know. 131 00:10:10,836 --> 00:10:16,196 Speaker 1: And I got everything from him as I needed, and 132 00:10:17,276 --> 00:10:24,796 Speaker 1: it seemed like magic. Because now this is new. The 133 00:10:24,876 --> 00:10:27,356 Speaker 1: coach doesn't need to know the first thing about what's 134 00:10:27,356 --> 00:10:30,636 Speaker 1: being coached. All the coach needs is a gift for 135 00:10:30,716 --> 00:10:34,836 Speaker 1: playing around with people's minds. Two things follow from this. 136 00:10:36,316 --> 00:10:41,836 Speaker 1: Anyone can coach anything, and anyone doing anything now needs 137 00:10:41,876 --> 00:10:49,356 Speaker 1: a coach. I'm Michael Lewis, and this is Against the Rules, 138 00:10:50,676 --> 00:10:54,956 Speaker 1: a show about various authority figures in American life. This 139 00:10:54,996 --> 00:10:58,356 Speaker 1: season is about the rise of coaches, and this episode 140 00:10:58,636 --> 00:11:08,876 Speaker 1: is about the inner game. The first big leap that 141 00:11:09,316 --> 00:11:13,116 Speaker 1: game coaching makes is into the business world. Tim Galway 142 00:11:13,196 --> 00:11:17,676 Speaker 1: starts getting requests from corporations to help them figure out 143 00:11:17,876 --> 00:11:21,316 Speaker 1: how to coach their executives. In the early eighties, the 144 00:11:21,396 --> 00:11:24,836 Speaker 1: Bell telephone monopoly was being broken up. The new head 145 00:11:24,836 --> 00:11:27,476 Speaker 1: of AT and T Corners Galway on a tennis court. 146 00:11:27,836 --> 00:11:30,156 Speaker 1: He says, the people of AT and T now need 147 00:11:30,196 --> 00:11:33,036 Speaker 1: to learn how to compete. Just a few years earlier, 148 00:11:33,396 --> 00:11:36,436 Speaker 1: Galway had been nothing more than the local club tennis pro. 149 00:11:37,396 --> 00:11:40,076 Speaker 1: Now the head of one of the world's largest corporations 150 00:11:40,556 --> 00:11:42,876 Speaker 1: is inviting him to try to fix one of the 151 00:11:42,876 --> 00:11:48,556 Speaker 1: world's largest corporate cultures. He started out just saying everything 152 00:11:50,236 --> 00:11:56,076 Speaker 1: to change. So at the end of the two minutes, 153 00:11:57,636 --> 00:12:01,316 Speaker 1: summarize in everything from the top level to the bottom 154 00:12:01,396 --> 00:12:07,156 Speaker 1: level to change. He said, So, Tim, what's the problem? 155 00:12:07,356 --> 00:12:13,036 Speaker 1: Galway told him, point plank you the problems you your 156 00:12:13,076 --> 00:12:17,396 Speaker 1: whole bossing people around management style. A monopoly could get 157 00:12:17,396 --> 00:12:20,116 Speaker 1: away with being autocratic, but now that AT and T 158 00:12:20,276 --> 00:12:22,876 Speaker 1: had to compete in the marketplace, well, everyone needed to 159 00:12:22,916 --> 00:12:25,156 Speaker 1: stop listening to the boss's voice in their heads. The 160 00:12:25,276 --> 00:12:29,556 Speaker 1: leader is the interference. Tiffany Gaskell is director of coaching 161 00:12:29,556 --> 00:12:32,996 Speaker 1: and leadership at a British company called Performance Consultants International. 162 00:12:33,396 --> 00:12:36,236 Speaker 1: Tim Gaway helped to create the company thirty five years ago, 163 00:12:36,556 --> 00:12:39,596 Speaker 1: after all these corporations started asking him for advice. When 164 00:12:39,596 --> 00:12:42,556 Speaker 1: you're on the tennis court, you're in your head. That 165 00:12:42,796 --> 00:12:45,556 Speaker 1: voice is the one that's saying, oh, no, you're not 166 00:12:45,556 --> 00:12:49,836 Speaker 1: good enough to do this. In organizations, because the leader 167 00:12:50,196 --> 00:12:52,676 Speaker 1: is the one that knows the way, then the other 168 00:12:52,676 --> 00:12:57,796 Speaker 1: people don't know the way. Performance consultants is still at 169 00:12:57,836 --> 00:13:01,236 Speaker 1: the center of coaching the executive mind, but the inner 170 00:13:01,276 --> 00:13:05,076 Speaker 1: game has become an industry. Gaskell guesses there are roughly 171 00:13:05,116 --> 00:13:08,996 Speaker 1: a quarter million of these coaches worldwide, helping business people 172 00:13:09,236 --> 00:13:11,516 Speaker 1: deal with the voices in their heads that make them 173 00:13:11,516 --> 00:13:15,556 Speaker 1: worse at their jobs. I was working with the managing 174 00:13:15,596 --> 00:13:20,716 Speaker 1: director of a waste company, waste management company, and every 175 00:13:20,836 --> 00:13:24,876 Speaker 1: month they were missing their recycling targets, and so we 176 00:13:24,916 --> 00:13:28,996 Speaker 1: sat down and he said, okay, so what's going on here? 177 00:13:28,996 --> 00:13:34,716 Speaker 1: We're missing our recycling targets. And he explored his own 178 00:13:34,836 --> 00:13:38,196 Speaker 1: beliefs around recycling and realized that he just didn't believe 179 00:13:38,196 --> 00:13:41,476 Speaker 1: in it because he said, you know, we're just sending 180 00:13:41,516 --> 00:13:44,236 Speaker 1: it on a boat to China. It's not really solving 181 00:13:44,236 --> 00:13:47,516 Speaker 1: the problem. Here. We have a common source of interference, 182 00:13:47,996 --> 00:13:49,756 Speaker 1: not really wanting to do the thing you were meant 183 00:13:49,756 --> 00:13:52,796 Speaker 1: to be doing because you don't believe in it. The 184 00:13:52,876 --> 00:13:57,076 Speaker 1: performance coach helped the waste management boss created a recycling 185 00:13:57,116 --> 00:14:00,676 Speaker 1: program that he could be proud of, and from then 186 00:14:00,756 --> 00:14:05,556 Speaker 1: on they hit their recycling targets. That's interesting. I mean 187 00:14:05,596 --> 00:14:07,516 Speaker 1: one response to this would be just to quit the 188 00:14:07,516 --> 00:14:12,236 Speaker 1: waste management business. But he didn't do that. He found 189 00:14:12,276 --> 00:14:15,316 Speaker 1: a better way to recycle. Yeah, and finding a better 190 00:14:15,316 --> 00:14:19,316 Speaker 1: way to recycle eliminated this interference he had that he 191 00:14:19,316 --> 00:14:22,756 Speaker 1: hadn't fully acknowledged that the whole thing was pointless. Yes, exactly. 192 00:14:23,236 --> 00:14:26,276 Speaker 1: So It's like, as we become aware of stuff, then 193 00:14:26,356 --> 00:14:30,556 Speaker 1: we can we have a choice and responsibility to do 194 00:14:30,636 --> 00:14:35,316 Speaker 1: something about it or not about now. I can hear 195 00:14:35,396 --> 00:14:39,316 Speaker 1: Bobby Knight throwing a chair across the room. I mean, 196 00:14:39,956 --> 00:14:43,116 Speaker 1: what is this bullshit? It all started on some country 197 00:14:43,116 --> 00:14:46,636 Speaker 1: club tennis court. And these mind coaches or performance coaches, 198 00:14:46,676 --> 00:14:48,516 Speaker 1: or wherever you want to call them, they've only got 199 00:14:48,556 --> 00:14:50,996 Speaker 1: a few simple ideas that they repeat over and over. 200 00:14:52,116 --> 00:14:55,316 Speaker 1: The voice inside your head needs to be managed. Screw that. 201 00:14:55,476 --> 00:14:58,916 Speaker 1: I don't have time for headcases. Criticism and praise are 202 00:14:58,956 --> 00:15:02,516 Speaker 1: equally counterproductive, as they both amplify the inner critic. Suck 203 00:15:02,556 --> 00:15:06,436 Speaker 1: it up, you whimp. Focus your attention on things you 204 00:15:06,436 --> 00:15:09,636 Speaker 1: can control rather than the things you cannot. Work your 205 00:15:09,676 --> 00:15:15,116 Speaker 1: ass off, and you'll control everything. On the other hand, 206 00:15:15,796 --> 00:15:18,676 Speaker 1: Bobby Knight might be shocked by who's finding this stuff useful? 207 00:15:27,276 --> 00:15:30,636 Speaker 1: Before the Break, I talked about how coaches are now 208 00:15:30,676 --> 00:15:34,156 Speaker 1: being brought in to help people who've never had coaches before. 209 00:15:34,596 --> 00:15:37,076 Speaker 1: We are what we repeatedly do excellence that has done 210 00:15:37,116 --> 00:15:39,916 Speaker 1: an act, but a habit. So we don't rise to 211 00:15:39,956 --> 00:15:43,036 Speaker 1: the occasion. We sing to our training. Right. You gotta 212 00:15:43,036 --> 00:15:47,036 Speaker 1: put together effective routines to operate well under pressure. There's 213 00:15:47,076 --> 00:15:52,556 Speaker 1: a mental game of firefighting huge. That's Jason Bresler, former 214 00:15:52,596 --> 00:15:55,956 Speaker 1: baseball player at the US Naval Academy, lieutenant in the 215 00:15:55,996 --> 00:15:59,356 Speaker 1: Marine Corps. Fought in the Battle of Fallujah, fought other 216 00:15:59,356 --> 00:16:02,876 Speaker 1: battles in Afghanistan. In between battles, he joined the New 217 00:16:02,956 --> 00:16:06,196 Speaker 1: York City Fire Department, where he now fights fires, among 218 00:16:06,236 --> 00:16:10,476 Speaker 1: other things. To challenge that our generation has is one 219 00:16:10,596 --> 00:16:12,716 Speaker 1: is the complexity of these events that we go to. 220 00:16:13,196 --> 00:16:15,796 Speaker 1: They're just ever increasing into complexity because there's the active 221 00:16:15,796 --> 00:16:20,676 Speaker 1: shooter threat, there's terrorism, there's transportation accidents, there's biological exposure. 222 00:16:20,676 --> 00:16:22,676 Speaker 1: All these like, it's we do far more than just 223 00:16:22,716 --> 00:16:26,436 Speaker 1: go to fires. No, two emergencies are the same, but 224 00:16:26,516 --> 00:16:29,996 Speaker 1: they all have one thing in common, an inner game. 225 00:16:31,516 --> 00:16:35,156 Speaker 1: All right, more stressful at time? Hopefully what do we 226 00:16:35,236 --> 00:16:40,676 Speaker 1: think stressful? Why? By my heart rate was elevated, I 227 00:16:40,796 --> 00:16:44,836 Speaker 1: was I esk guys like, do you ever have a 228 00:16:44,876 --> 00:16:48,796 Speaker 1: negative conversation with your with yourself? You know, like in 229 00:16:48,796 --> 00:16:51,036 Speaker 1: a moment where you're just like, don't suck, right, or 230 00:16:51,236 --> 00:16:53,556 Speaker 1: now you make a mistake and you're like, I freaking suck. 231 00:16:54,196 --> 00:16:57,996 Speaker 1: And universally, every single guy, particularly the most experienced guys 232 00:16:58,036 --> 00:16:59,956 Speaker 1: that have been to so many fires, and they say 233 00:17:00,036 --> 00:17:03,036 Speaker 1: yeah all the time. Jason fights fires himself, but he 234 00:17:03,076 --> 00:17:06,116 Speaker 1: also helps to run the training programs for firefighters, and 235 00:17:06,196 --> 00:17:09,596 Speaker 1: he noticed that firefighters didn't usually dwell on their inner states. 236 00:17:10,076 --> 00:17:13,636 Speaker 1: They fought fires, and they didn't talk about the conversations 237 00:17:13,676 --> 00:17:15,676 Speaker 1: they had with themselves when they did it. And at 238 00:17:15,716 --> 00:17:18,396 Speaker 1: first they looked at me like I was kind of crazy, right, 239 00:17:18,436 --> 00:17:21,036 Speaker 1: I'd say, well, hold on a second, hold on a second, 240 00:17:21,676 --> 00:17:24,436 Speaker 1: do you recognize that conversation isn't at least bit helpful? 241 00:17:25,676 --> 00:17:27,956 Speaker 1: And everyone would say yeah, I'm like, well, is it 242 00:17:27,996 --> 00:17:30,516 Speaker 1: easy to change that conversation? And they're like hell No. 243 00:17:31,156 --> 00:17:33,236 Speaker 1: All of them were game to be coached about a 244 00:17:33,276 --> 00:17:36,716 Speaker 1: thing they hadn't ever really put into words. So Jason 245 00:17:36,756 --> 00:17:39,516 Speaker 1: brought in a twenty nine year old mind coach named 246 00:17:39,556 --> 00:17:42,716 Speaker 1: Ben Oliva. One of the things we're trying to do 247 00:17:42,876 --> 00:17:47,476 Speaker 1: here is speed up the path to being an expert. 248 00:17:47,996 --> 00:17:50,636 Speaker 1: So this coach wears jeans and a hoodie with a 249 00:17:50,756 --> 00:17:55,116 Speaker 1: kangaroo pouch. He'd never fought a fire. He'd never been 250 00:17:55,156 --> 00:17:57,836 Speaker 1: in a fire. He might have started a fire to 251 00:17:57,996 --> 00:18:02,316 Speaker 1: roast marshmallows or something. He knows fires the way Tim 252 00:18:02,316 --> 00:18:05,476 Speaker 1: Galway knew tubas. But he's talking to a group of 253 00:18:05,476 --> 00:18:07,756 Speaker 1: firefighters who seemed to believe he could make them better 254 00:18:07,796 --> 00:18:10,836 Speaker 1: at their jobs. I think is the difference between routines 255 00:18:10,916 --> 00:18:17,356 Speaker 1: and superstitions. Okay, so I'm going to suggest that there 256 00:18:17,476 --> 00:18:25,076 Speaker 1: is a difference. Ben has a laptop and a power point. 257 00:18:25,956 --> 00:18:30,196 Speaker 1: The firefighters sit in a semicircle around him. Firefighters always 258 00:18:30,196 --> 00:18:32,756 Speaker 1: seem like they're waiting for something to happen. Okay, So 259 00:18:32,876 --> 00:18:35,756 Speaker 1: if you're you're a superstition. If you don't do it, 260 00:18:35,836 --> 00:18:37,956 Speaker 1: you can't perform well. Yea like a lapse of your 261 00:18:38,036 --> 00:18:40,436 Speaker 1: routine is going to throw you off right, kind of 262 00:18:40,436 --> 00:18:43,036 Speaker 1: like they're tied together. What if this happens, some this 263 00:18:43,076 --> 00:18:45,516 Speaker 1: won't happen. You're pointing to an important point here, which 264 00:18:45,556 --> 00:18:49,236 Speaker 1: is that superstitions often give us the impression that we 265 00:18:49,396 --> 00:18:52,956 Speaker 1: cannot be successful if we don't do them, whereas routines 266 00:18:53,196 --> 00:18:58,876 Speaker 1: are more flexible. Ben studied astrophysics and psychology at Williams College, 267 00:18:58,876 --> 00:19:01,796 Speaker 1: where he also played baseball and football. That Williams, he 268 00:19:01,876 --> 00:19:04,116 Speaker 1: noticed that some of his teammates were just way better 269 00:19:04,116 --> 00:19:07,236 Speaker 1: in practice than they were in games. Why was that 270 00:19:08,116 --> 00:19:11,356 Speaker 1: he left Williams and got a masters in sports psychology. 271 00:19:11,956 --> 00:19:14,476 Speaker 1: Now he coaches the minds of players for the Boston 272 00:19:14,556 --> 00:19:17,676 Speaker 1: Red Sox and the New York Giants. Also a bunch 273 00:19:17,676 --> 00:19:20,796 Speaker 1: of lawyers and doctors and some actors and singers you've 274 00:19:20,796 --> 00:19:24,356 Speaker 1: heard of. Bene Leavitt does the same work with firefighters 275 00:19:24,396 --> 00:19:27,196 Speaker 1: that he does with everyone else, starting with trying to 276 00:19:27,196 --> 00:19:31,436 Speaker 1: eliminate interference distractors. One are the things that pop in 277 00:19:31,516 --> 00:19:33,556 Speaker 1: your head. They end up posing on that you don't 278 00:19:33,596 --> 00:19:37,116 Speaker 1: have full control. Decisions that a fire that already have 279 00:19:37,236 --> 00:19:42,676 Speaker 1: been made in executy, past decisions, other people's readiness, other 280 00:19:42,716 --> 00:19:47,716 Speaker 1: people's readiness. Okay, so like other people's performance. Yeah yeah, 281 00:19:47,756 --> 00:19:51,756 Speaker 1: other people time of year. So external factors in the environment, 282 00:19:52,756 --> 00:19:57,196 Speaker 1: whether excellently. That throws so many apps up. Oh it's gold. 283 00:19:57,196 --> 00:20:05,676 Speaker 1: I can't play well. One of the guys had girls. 284 00:20:05,716 --> 00:20:09,636 Speaker 1: That one gets me a lot. There's one, a really 285 00:20:09,676 --> 00:20:11,156 Speaker 1: big one that I'd like to point out that we 286 00:20:11,196 --> 00:20:16,476 Speaker 1: haven't hit yet. Past mistakes, past mistakes. I can sort 287 00:20:16,476 --> 00:20:19,676 Speaker 1: of understand baseball players getting hung up that way, they're 288 00:20:19,716 --> 00:20:23,356 Speaker 1: all head cases. But firefighters tactical technique. He's not going 289 00:20:23,356 --> 00:20:26,276 Speaker 1: to make us a better firefighter. Jason Bressler Again, he 290 00:20:26,316 --> 00:20:28,636 Speaker 1: says he can see the effect mind coaching has on 291 00:20:28,676 --> 00:20:30,876 Speaker 1: the way that fires get fought. In the course of 292 00:20:30,956 --> 00:20:34,916 Speaker 1: adopting these techniques and applying them, we're likely to become 293 00:20:34,916 --> 00:20:37,476 Speaker 1: a better version of ourself, which then inevitably is going 294 00:20:37,516 --> 00:20:39,556 Speaker 1: to make us a better firefighter. Who doesn't want to 295 00:20:39,556 --> 00:20:44,116 Speaker 1: accomplish that. Plus, it's like you're nobody unless you have 296 00:20:44,116 --> 00:20:45,876 Speaker 1: a mine coach. That's gonna be part of this, right, 297 00:20:45,956 --> 00:20:47,676 Speaker 1: I mean, if everyone else has a mind coach and 298 00:20:47,716 --> 00:20:55,836 Speaker 1: you don't, how can you compete? How do I compete? Hey, 299 00:20:55,876 --> 00:21:00,876 Speaker 1: Michael hold up? Just need to adjust your mic rolling 300 00:21:00,916 --> 00:21:04,796 Speaker 1: in Berkeley. So I've just made you performance coach against 301 00:21:04,836 --> 00:21:08,116 Speaker 1: the rules. You are our podcast performance coach, and I 302 00:21:08,196 --> 00:21:11,196 Speaker 1: bring you in for the first conversation and you come 303 00:21:11,276 --> 00:21:14,956 Speaker 1: sit in our studio. What are the things you ask 304 00:21:15,076 --> 00:21:21,556 Speaker 1: me to try to figure out? Try to diagnose? And Okay, so, um, 305 00:21:21,556 --> 00:21:26,916 Speaker 1: should we should we do this? Should we do? Like? Um, yes, 306 00:21:27,036 --> 00:21:31,596 Speaker 1: let's do this. Tiffany Gaskell of Performance Consultants International. I 307 00:21:31,716 --> 00:21:34,516 Speaker 1: just finished interviewing her and was about to let her go. 308 00:21:35,556 --> 00:21:37,596 Speaker 1: But you can't talk to one of these mine coaches 309 00:21:37,596 --> 00:21:40,636 Speaker 1: for long before you start thinking about new uses to 310 00:21:40,716 --> 00:21:44,036 Speaker 1: which they might be put. Yeah, because none of the 311 00:21:44,036 --> 00:21:46,596 Speaker 1: people who've worked on the podcast have improved in any way. 312 00:21:47,036 --> 00:21:49,156 Speaker 1: So they're just trapped in their own little worlds. And 313 00:21:49,196 --> 00:21:50,836 Speaker 1: I just think, I think what I think of them, 314 00:21:50,996 --> 00:21:54,396 Speaker 1: and but nobody's made any progress at all. So it 315 00:21:54,396 --> 00:21:56,996 Speaker 1: would be nice if we could go somewhere I don't 316 00:21:56,996 --> 00:22:01,996 Speaker 1: know where, so help us. So I'm just putting my 317 00:22:02,076 --> 00:22:05,756 Speaker 1: hand on my head because um, there was um. So 318 00:22:06,076 --> 00:22:09,316 Speaker 1: they come from, right, That's the first thing that's really port. 319 00:22:09,556 --> 00:22:13,996 Speaker 1: The first thing is that it is not a remedial thing. 320 00:22:14,276 --> 00:22:20,396 Speaker 1: So Michael Um, in terms of me coaching you, then 321 00:22:20,836 --> 00:22:23,636 Speaker 1: it's like I'm going on a journey with you and 322 00:22:23,716 --> 00:22:26,916 Speaker 1: walk walking down a path. So what I would ask 323 00:22:27,196 --> 00:22:31,716 Speaker 1: is that essentially we work on you, not all the 324 00:22:31,716 --> 00:22:35,596 Speaker 1: people around you. See what I mean? All right? The leaders, 325 00:22:35,596 --> 00:22:40,556 Speaker 1: the interference I almost forgot. Okay, so let's start this. So, Michael, 326 00:22:41,556 --> 00:22:44,796 Speaker 1: if you had something you wanted to be coached on, 327 00:22:44,836 --> 00:22:48,516 Speaker 1: what would that be? You mean, how would I like 328 00:22:48,596 --> 00:22:51,996 Speaker 1: to improve? Is that the question? Um? Yes, that's a 329 00:22:52,036 --> 00:22:58,436 Speaker 1: good one. Here's here's one. It's it's not huge, but 330 00:22:58,476 --> 00:23:02,916 Speaker 1: it's noticeable. I don't like the way I am can 331 00:23:02,956 --> 00:23:07,076 Speaker 1: be distracted by small irritations. A microcosm of this is 332 00:23:07,116 --> 00:23:12,676 Speaker 1: just driving. My ideal state as a driver is detached 333 00:23:12,956 --> 00:23:16,836 Speaker 1: amusement at the poor habits of other drivers. I have 334 00:23:16,916 --> 00:23:21,476 Speaker 1: trouble staying in that ideal state and not not descending 335 00:23:21,556 --> 00:23:26,476 Speaker 1: into bitterness and fury on the road. So that's just 336 00:23:26,516 --> 00:23:29,756 Speaker 1: an example. But I assume if I'm that way in 337 00:23:29,796 --> 00:23:32,956 Speaker 1: the car, I'm that way with other things, and I 338 00:23:32,956 --> 00:23:36,676 Speaker 1: don't see any benefit to the bitterness and anger I 339 00:23:36,716 --> 00:23:40,356 Speaker 1: feel towards others when they are inept. Okay, that's a 340 00:23:40,396 --> 00:23:43,396 Speaker 1: great thing for us to work on. Okay, you're ready 341 00:23:43,436 --> 00:23:50,276 Speaker 1: to go. Yes, So um, Let's imagine that you are 342 00:23:50,316 --> 00:23:54,396 Speaker 1: sitting in the car. We're doing your dream scenario. Now, Okay, 343 00:23:55,036 --> 00:23:59,636 Speaker 1: I've got my eyes closed, great, me too. You're sitting 344 00:23:59,676 --> 00:24:05,676 Speaker 1: in the car and everything is just as you'd love 345 00:24:05,716 --> 00:24:08,676 Speaker 1: it to be. Tell me about what that feels like. 346 00:24:10,876 --> 00:24:13,876 Speaker 1: It feels like being in a sensory deprivation chamber where 347 00:24:13,876 --> 00:24:16,156 Speaker 1: I'm alone with my thoughts and the car is almost 348 00:24:16,196 --> 00:24:23,716 Speaker 1: just driving itself. So you are enjoying being with yourself, 349 00:24:24,396 --> 00:24:29,356 Speaker 1: moving along, getting to where you're going to m And 350 00:24:31,716 --> 00:24:34,716 Speaker 1: in terms of like our goal for the end of this, 351 00:24:35,076 --> 00:24:38,876 Speaker 1: let's say that something happens outside of your little bubble. 352 00:24:40,196 --> 00:24:43,116 Speaker 1: How is it you stay in your bubble? How would 353 00:24:43,116 --> 00:24:44,756 Speaker 1: I stay in my bubble if I was trying to 354 00:24:44,756 --> 00:24:47,076 Speaker 1: stay in my bubble? Well, if I'm in a good 355 00:24:47,116 --> 00:24:53,236 Speaker 1: state of mind, I laugh. I see someone run a 356 00:24:53,276 --> 00:24:58,836 Speaker 1: four way stop, or someone tailgating me, or an ancient 357 00:24:58,836 --> 00:25:02,356 Speaker 1: person going three miles an hour, and I think different 358 00:25:02,356 --> 00:25:07,596 Speaker 1: strokes for different folks. Isn't it got detachment? The detachment? 359 00:25:07,876 --> 00:25:12,396 Speaker 1: You're detached. I'm detached, That's the way I Otherwise I 360 00:25:12,396 --> 00:25:15,756 Speaker 1: start to get upset. And when you get upset, what's 361 00:25:15,876 --> 00:25:22,556 Speaker 1: there instead m a desire to reek reek vengeance and 362 00:25:23,036 --> 00:25:26,956 Speaker 1: a kind of fury that is just inexplicable given what's happened. Okay, 363 00:25:27,116 --> 00:25:29,756 Speaker 1: I desire to let them know just how awful they 364 00:25:29,796 --> 00:25:32,916 Speaker 1: are as human beings. Okay, so we got judgment right there. 365 00:25:32,996 --> 00:25:36,916 Speaker 1: Right there, you go a lot of judgment. Okay, So 366 00:25:37,076 --> 00:25:42,196 Speaker 1: there's the detached happy place. There's the judgment hell place. 367 00:25:42,836 --> 00:25:47,196 Speaker 1: Is that right? Yeah? True? Okay, yea. So um, let's 368 00:25:47,236 --> 00:25:52,916 Speaker 1: just get back into your detached happy place. I mean, 369 00:25:52,956 --> 00:25:56,996 Speaker 1: I'm there. Great. Just tell me about this bubble. What's 370 00:25:57,036 --> 00:25:59,236 Speaker 1: going on inside the bubble? Yeah? What's the bubble? Like 371 00:25:59,956 --> 00:26:04,956 Speaker 1: the bubbles playful? You could also be seriously playful in 372 00:26:04,996 --> 00:26:10,516 Speaker 1: the bubble. I'm thinking about uh famla, or I'm thinking about, 373 00:26:10,796 --> 00:26:14,836 Speaker 1: more commonly, something i'm working on, like this long scene 374 00:26:14,836 --> 00:26:17,476 Speaker 1: in the middle of this episode. I could be thinking 375 00:26:17,556 --> 00:26:20,436 Speaker 1: about whether to let this tape just play or insert 376 00:26:20,516 --> 00:26:23,836 Speaker 1: some narration to break it up. But I'm not because 377 00:26:23,836 --> 00:26:27,436 Speaker 1: of the noise in my head. Okay. So have you 378 00:26:27,516 --> 00:26:32,916 Speaker 1: got your feet on the ground toes? Yes? Great, So 379 00:26:33,196 --> 00:26:35,516 Speaker 1: just putting your feet on the ground, do you feel 380 00:26:35,516 --> 00:26:40,356 Speaker 1: that connection with the ground and staying in the bubble 381 00:26:41,716 --> 00:26:47,756 Speaker 1: and just really feeling this positivity and the bubble around you. 382 00:26:48,036 --> 00:26:52,996 Speaker 1: What color is a bubble? Blue? Light blue, kind of 383 00:26:53,036 --> 00:26:57,636 Speaker 1: a sky blue, and so you've got that all around you. 384 00:26:58,716 --> 00:27:02,716 Speaker 1: It could be pink too. What's the feeling in this bubble? 385 00:27:05,356 --> 00:27:11,916 Speaker 1: It's warm and cozy. Great, no negativity? Yeah, no negativity. 386 00:27:11,956 --> 00:27:15,396 Speaker 1: And on a scale of one to ten, how strong 387 00:27:15,436 --> 00:27:19,716 Speaker 1: are you feeling this right now at this very moment, yes, 388 00:27:20,876 --> 00:27:23,316 Speaker 1: call it an eight. So what we want to do 389 00:27:23,396 --> 00:27:28,756 Speaker 1: now is find a point on your body which you 390 00:27:28,796 --> 00:27:30,956 Speaker 1: can associate this feeling with. So you've got your feet 391 00:27:30,956 --> 00:27:36,076 Speaker 1: flat on the ground and you can feel this is 392 00:27:36,116 --> 00:27:40,276 Speaker 1: resonating around you, isn't it the bubble? Mhmm? Sometimes blue, 393 00:27:40,316 --> 00:27:43,956 Speaker 1: sometimes pink, but yes, it's resonating. And so where's the 394 00:27:43,996 --> 00:27:46,596 Speaker 1: place on your body that you can, like, for example, 395 00:27:46,636 --> 00:27:50,196 Speaker 1: your chest, to access this feeling. If you keep mentioning 396 00:27:50,276 --> 00:27:51,796 Speaker 1: my chest, it's hard for me to think of anything 397 00:27:51,836 --> 00:27:56,076 Speaker 1: but my sorry about I'm feeling. Yes, I feel like 398 00:27:56,076 --> 00:27:58,156 Speaker 1: I am being led to my chest where it might 399 00:27:58,196 --> 00:27:59,996 Speaker 1: be who knows where it might be, my tip of 400 00:28:00,036 --> 00:28:03,956 Speaker 1: my nose or my little toe could be anywhere for it. Um, 401 00:28:04,076 --> 00:28:09,236 Speaker 1: I would actually say, my toes great, and to tell 402 00:28:09,276 --> 00:28:12,316 Speaker 1: me about that, tell me about your toes, And well, 403 00:28:12,476 --> 00:28:15,756 Speaker 1: normally your toasts take your toes for granted, right unless 404 00:28:15,796 --> 00:28:18,796 Speaker 1: they're injured or they're unsightly and you don't have shoes on. 405 00:28:19,356 --> 00:28:22,436 Speaker 1: But otherwise you don't really think about your toes. They're 406 00:28:22,436 --> 00:28:26,276 Speaker 1: in your shoes. But when you're really aware of your 407 00:28:26,316 --> 00:28:30,956 Speaker 1: body and you wiggle your toes inside your shoe, it's 408 00:28:30,996 --> 00:28:34,316 Speaker 1: a it's a very distinct sensation, and it's a it 409 00:28:34,316 --> 00:28:38,076 Speaker 1: makes you feel very self aware. So I'm wiggling my 410 00:28:38,156 --> 00:28:41,836 Speaker 1: toes inside my shoes and it's giving me pleasure. Can 411 00:28:41,916 --> 00:28:45,716 Speaker 1: that give you access to the bubble? It might? It might. 412 00:28:46,316 --> 00:28:48,356 Speaker 1: It might also cause me to hit the accelerator a 413 00:28:48,356 --> 00:28:51,916 Speaker 1: little fast in the car. But but it's it's um 414 00:28:51,956 --> 00:28:57,516 Speaker 1: But yes, absolutely, I could work on connecting the feeling 415 00:28:57,596 --> 00:29:01,676 Speaker 1: of the wiggly toes to the bubble. So my request 416 00:29:01,676 --> 00:29:04,476 Speaker 1: to you is that next time you aren't driving, that 417 00:29:04,516 --> 00:29:08,076 Speaker 1: this is what you do, all right, when your face 418 00:29:08,156 --> 00:29:12,076 Speaker 1: with a situation that could get you into that judgment place, 419 00:29:13,036 --> 00:29:18,636 Speaker 1: I promise I will do it. It seemed like such 420 00:29:18,636 --> 00:29:21,596 Speaker 1: a simple request, but the inner game is not as 421 00:29:21,596 --> 00:29:34,156 Speaker 1: easy as it looks I came to this episode with 422 00:29:34,316 --> 00:29:39,756 Speaker 1: one question, why why are these inner game coaches now everywhere? 423 00:29:40,396 --> 00:29:42,876 Speaker 1: I mean, they used not to exist, and it's not 424 00:29:42,916 --> 00:29:46,236 Speaker 1: as if they required some new technology to make them possible. 425 00:29:47,076 --> 00:29:49,916 Speaker 1: Leonardo da Vinci could have had this kind of coaching. Now. 426 00:29:49,916 --> 00:29:52,996 Speaker 1: There was a guy with interference issues, hardly finished anything 427 00:29:52,996 --> 00:29:56,116 Speaker 1: he started. Maybe if he'd had a mind coach, Saudi 428 00:29:56,196 --> 00:29:58,396 Speaker 1: Princes would not have to shell out four hundred and 429 00:29:58,396 --> 00:30:01,716 Speaker 1: fifty million dollars for fake Leonardo's because there'd be so 430 00:30:01,756 --> 00:30:04,916 Speaker 1: many real ones to choose from. Anyway, here's a thought. 431 00:30:05,476 --> 00:30:09,036 Speaker 1: This explosion in mind coaching first required that a scide 432 00:30:09,276 --> 00:30:13,916 Speaker 1: give itself over entirely to markets. It needed life to 433 00:30:13,956 --> 00:30:18,156 Speaker 1: be seen as one giant winner take all competition. It 434 00:30:18,276 --> 00:30:26,916 Speaker 1: needed a new kind of anxiety. So you feel like 435 00:30:26,956 --> 00:30:29,116 Speaker 1: you've put a ton of time into the physical side, 436 00:30:29,196 --> 00:30:33,196 Speaker 1: but the mental side you haven't had that much direction. 437 00:30:33,276 --> 00:30:36,916 Speaker 1: In training, Ben Oliva trainer of pro baseball players and 438 00:30:36,956 --> 00:30:40,756 Speaker 1: Wall Street traders and New York City firefighters. He spends 439 00:30:40,756 --> 00:30:44,556 Speaker 1: a shocking amount of his time coaching young people, teenagers 440 00:30:44,996 --> 00:30:48,196 Speaker 1: who have somehow become swept up in our general performance 441 00:30:48,236 --> 00:30:52,356 Speaker 1: anxiety and so you're interested in figuring out, Yeah, what 442 00:30:52,436 --> 00:30:55,036 Speaker 1: you can do to get better from that? I know 443 00:30:55,156 --> 00:30:58,756 Speaker 1: about you from what your dad told me. But here's 444 00:30:58,796 --> 00:31:01,716 Speaker 1: the thing. I work with lots of high school athletes 445 00:31:01,756 --> 00:31:07,556 Speaker 1: and parents are kind of unreliable source. Yeah, so I'm 446 00:31:07,596 --> 00:31:10,996 Speaker 1: not going to fully rely on what he was telling me. Okay, 447 00:31:12,316 --> 00:31:15,516 Speaker 1: the girl is a seventeen year old high school softball player. 448 00:31:16,116 --> 00:31:18,636 Speaker 1: She's hoping to be recruited to play at elite colleges. 449 00:31:19,556 --> 00:31:22,276 Speaker 1: She thinks her father can't help her. But that's not new. 450 00:31:22,676 --> 00:31:25,436 Speaker 1: Teenagers have always found their parents to be mostly useless. 451 00:31:26,036 --> 00:31:29,516 Speaker 1: What's new is their urgent need to optimize their performance. 452 00:31:30,076 --> 00:31:32,796 Speaker 1: We're going to refocus like we're training a puppy. If 453 00:31:32,836 --> 00:31:34,916 Speaker 1: we're going to train your mind like we train a 454 00:31:34,916 --> 00:31:38,676 Speaker 1: puppy all time us for two minutes, my suggestion is 455 00:31:38,676 --> 00:31:41,956 Speaker 1: you close your eyes. You do not have to on 456 00:31:42,116 --> 00:31:47,396 Speaker 1: your marks. Good, said guy. I'll do it. These sessions 457 00:31:47,436 --> 00:31:50,156 Speaker 1: are usually confidential, but he's made an exception here because 458 00:31:50,156 --> 00:31:53,556 Speaker 1: the girl is my daughter, Dixie. A lot of the 459 00:31:53,676 --> 00:31:57,516 Speaker 1: time when I go to bed, I have a bunch 460 00:31:57,516 --> 00:32:00,396 Speaker 1: of things on my mind. So I was like, well, 461 00:32:00,876 --> 00:32:03,276 Speaker 1: this is kind of a form of meditation. Let's see 462 00:32:03,276 --> 00:32:06,196 Speaker 1: if I can. Because when we did it, like, all 463 00:32:06,236 --> 00:32:08,516 Speaker 1: I really had to focus on was that I wasn't 464 00:32:08,516 --> 00:32:11,316 Speaker 1: thinking about the test I just studied for, or like 465 00:32:11,956 --> 00:32:15,476 Speaker 1: the practice SUCH just had. So I definitely had to 466 00:32:15,516 --> 00:32:20,876 Speaker 1: restart a lot. We live in Berkeley, California, so a 467 00:32:20,916 --> 00:32:24,316 Speaker 1: lot of Dixie's teachers already make her meditate. If they 468 00:32:24,356 --> 00:32:28,996 Speaker 1: gave Olympic medals and meditation, we might just sweep. We'd 469 00:32:29,036 --> 00:32:33,156 Speaker 1: also win recycling. Okay, So when you got distracted and 470 00:32:33,196 --> 00:32:37,116 Speaker 1: then brought your attention back. Yeah. One of the other 471 00:32:37,156 --> 00:32:40,436 Speaker 1: pieces of this is noticing if you judge yourself right, 472 00:32:40,556 --> 00:32:45,116 Speaker 1: distracted right, because one of the bigger themes here is 473 00:32:45,276 --> 00:32:48,036 Speaker 1: trying to manage our self judgment, usually in a way 474 00:32:48,076 --> 00:32:52,436 Speaker 1: that's actually helpful for us rather than unhelpful. Yeah. I 475 00:32:52,556 --> 00:32:54,916 Speaker 1: know she's my child because when she's told to meditate, 476 00:32:55,036 --> 00:32:57,716 Speaker 1: her first reaction is to win at it. She may 477 00:32:57,756 --> 00:33:00,876 Speaker 1: never have heard of Bill Parcels, the legendary football coach, 478 00:33:01,836 --> 00:33:05,076 Speaker 1: but she'd agree with his most famous line, you are 479 00:33:05,436 --> 00:33:08,796 Speaker 1: what your record says you are. Okay, So what's the 480 00:33:10,196 --> 00:33:16,076 Speaker 1: problem with judging our success based on outcomes? Well, we 481 00:33:16,116 --> 00:33:19,236 Speaker 1: get into a mindset where we think we're supposed to 482 00:33:19,236 --> 00:33:24,796 Speaker 1: get on base every time one and that's like, are 483 00:33:24,836 --> 00:33:27,716 Speaker 1: you kind of a perfectionist in that way? Well, that's 484 00:33:27,756 --> 00:33:31,676 Speaker 1: the thing. It's like, I don't like that's definitely how 485 00:33:31,716 --> 00:33:34,276 Speaker 1: I am a lot more in high school. So that's 486 00:33:34,316 --> 00:33:37,156 Speaker 1: the problem of judging ourselves based on outcomes is that 487 00:33:37,676 --> 00:33:40,596 Speaker 1: we lose track of the things that get us the 488 00:33:40,596 --> 00:33:44,356 Speaker 1: best outcomes. So by focusing all our energy on the outcomes, 489 00:33:44,916 --> 00:33:47,796 Speaker 1: we end up getting worse outcomes. Yeah, it's really kind 490 00:33:47,836 --> 00:33:52,276 Speaker 1: of twisted. It's even more twisted than that. My child 491 00:33:52,356 --> 00:33:55,636 Speaker 1: has been engaged in this insane competition for the attention 492 00:33:55,636 --> 00:33:59,676 Speaker 1: of college coaches since she was thirteen years old. The 493 00:33:59,716 --> 00:34:03,436 Speaker 1: pressure on her grows every year. She has the sense 494 00:34:03,476 --> 00:34:05,996 Speaker 1: that any given at bat might cause a coach to 495 00:34:06,076 --> 00:34:08,956 Speaker 1: love her or to hate, and thus determine the course 496 00:34:08,956 --> 00:34:13,116 Speaker 1: of life. Every weekend, Dixie travels with your club softball team. 497 00:34:13,796 --> 00:34:15,436 Speaker 1: It's one of the best teams in the country, and 498 00:34:15,476 --> 00:34:18,756 Speaker 1: it plays against the other best teams. Wherever they play, 499 00:34:18,876 --> 00:34:21,836 Speaker 1: college coaches gather to watch, but only because they are 500 00:34:21,916 --> 00:34:24,956 Speaker 1: one of the best teams. If they started losing all 501 00:34:24,996 --> 00:34:26,796 Speaker 1: the time, they wouldn't be invited to play against the 502 00:34:26,796 --> 00:34:28,316 Speaker 1: best teams, and no one would want to see them 503 00:34:28,316 --> 00:34:32,036 Speaker 1: play except maybe their parents. Lose, and the coach from 504 00:34:32,036 --> 00:34:35,436 Speaker 1: your dream school might never see how good you really are. 505 00:34:38,116 --> 00:34:39,956 Speaker 1: To get a sense of what it feels like to 506 00:34:39,996 --> 00:34:43,676 Speaker 1: be inside my child's dugout, probably also inside her head. 507 00:34:44,076 --> 00:34:46,676 Speaker 1: We stuck a wire on her coach, who was reacting 508 00:34:46,676 --> 00:34:49,316 Speaker 1: to some screw up by one of Dixie's teammates. That 509 00:34:49,316 --> 00:34:51,356 Speaker 1: one wasn't even any of dirt, and you missed it. 510 00:34:51,476 --> 00:34:55,116 Speaker 1: Get around the fucking blood. Don't be positivity. Shut up, 511 00:34:55,196 --> 00:34:59,756 Speaker 1: so I'll give you positivity. I know you want to 512 00:34:59,756 --> 00:35:03,076 Speaker 1: call child Protective Services. And if Dixie's coach said this 513 00:35:03,116 --> 00:35:05,996 Speaker 1: sort of stuff inside of an institution a high school, say, 514 00:35:06,076 --> 00:35:08,996 Speaker 1: or college, some parent would complain and should be FI. 515 00:35:11,316 --> 00:35:13,076 Speaker 1: But you know who'd be the most upset if that 516 00:35:13,156 --> 00:35:17,036 Speaker 1: happened her players. Well, when you know her, you don't 517 00:35:17,076 --> 00:35:21,636 Speaker 1: take any of that really seriously, like if that makes sense, 518 00:35:21,716 --> 00:35:25,916 Speaker 1: like that's just her, Like it's not you don't you 519 00:35:26,036 --> 00:35:29,076 Speaker 1: just can't take it personally, is it was it harder 520 00:35:30,556 --> 00:35:33,036 Speaker 1: to sort of keep your mind in the right place 521 00:35:33,876 --> 00:35:37,636 Speaker 1: when you had a coach that you were intimidated by. 522 00:35:38,596 --> 00:35:41,796 Speaker 1: That's me obviously talking with Dixie in the car after 523 00:35:41,836 --> 00:35:44,796 Speaker 1: a softball practice. I mean I was intimidated by her 524 00:35:44,836 --> 00:35:47,796 Speaker 1: in the beginning, like the very beginning, but it was 525 00:35:47,876 --> 00:35:51,716 Speaker 1: more I just really didn't want to disappoint her. If 526 00:35:51,716 --> 00:35:53,916 Speaker 1: she's not yelling at you, then you're doing something wrong. 527 00:35:53,996 --> 00:35:57,236 Speaker 1: If she's not noticing you, then that's a bad sign. 528 00:35:57,596 --> 00:35:59,876 Speaker 1: Why is that? Because she's not paying attention to you. 529 00:35:59,996 --> 00:36:03,236 Speaker 1: She's like, she doesn't care what you're doing. She If 530 00:36:03,276 --> 00:36:05,236 Speaker 1: she's paying attention to you and yelling at you, it 531 00:36:05,236 --> 00:36:13,236 Speaker 1: means she cares. And that's the most important part. Oh 532 00:36:13,276 --> 00:36:19,356 Speaker 1: my god, we're living this fucking team here. We have 533 00:36:19,396 --> 00:36:21,796 Speaker 1: a paradox. Why don't you try to seeing them all? 534 00:36:21,916 --> 00:36:24,676 Speaker 1: That will be a good strategy is to actually look 535 00:36:24,716 --> 00:36:27,676 Speaker 1: at it. Play at the highest levels of any competitive sport, 536 00:36:28,076 --> 00:36:29,996 Speaker 1: you'll hear a lot of this sort of critical voice. 537 00:36:30,836 --> 00:36:32,956 Speaker 1: You might even sense that you need to hear this 538 00:36:33,076 --> 00:36:36,116 Speaker 1: voice to push you to places that you never push yourself. 539 00:36:37,156 --> 00:36:40,036 Speaker 1: The paradox is that you also need to silence that voice, 540 00:36:40,476 --> 00:36:43,956 Speaker 1: at least inside your own head. This comes up over 541 00:36:44,076 --> 00:36:47,556 Speaker 1: and over again in Dixie sessions with Ben, how much 542 00:36:47,596 --> 00:36:50,876 Speaker 1: she cares about her coaches, but how hard it is 543 00:36:50,916 --> 00:36:54,196 Speaker 1: to stay calm in their presence and how hard it 544 00:36:54,236 --> 00:36:56,796 Speaker 1: is to play well when you're not calm. I'm really 545 00:36:56,836 --> 00:37:00,316 Speaker 1: hard on myself for some reason, like on that team 546 00:37:00,356 --> 00:37:03,076 Speaker 1: with the coaches that I had, Like it's almost like 547 00:37:03,116 --> 00:37:05,356 Speaker 1: I had like so much respect for them that I 548 00:37:05,396 --> 00:37:10,156 Speaker 1: didn't want to let them down because like and my coaches. 549 00:37:10,756 --> 00:37:14,156 Speaker 1: And then another thing I do definitely when I'm nervous 550 00:37:14,756 --> 00:37:18,316 Speaker 1: is like I don't know, like my eyes almost like 551 00:37:18,436 --> 00:37:24,756 Speaker 1: freeze and it's really stressful because I have like naturally 552 00:37:24,876 --> 00:37:28,596 Speaker 1: really good hand eye coordination, and so I'll still hit 553 00:37:28,676 --> 00:37:31,916 Speaker 1: the ball, but I know if my eyes were on it, 554 00:37:32,116 --> 00:37:34,436 Speaker 1: I would have hit it a lot better. Right, So 555 00:37:34,556 --> 00:37:37,116 Speaker 1: think about that. That means your attention is somewhere in 556 00:37:37,156 --> 00:37:41,196 Speaker 1: the future on what if this happens, what if that happens, 557 00:37:41,316 --> 00:37:45,276 Speaker 1: rather than on the present moment actually on trying to 558 00:37:45,316 --> 00:37:47,916 Speaker 1: pick that ball up right out of her view. So 559 00:37:48,076 --> 00:37:50,876 Speaker 1: let's do an exercise just to show you that you 560 00:37:50,956 --> 00:37:55,836 Speaker 1: have control of your attention when you are aware of it. Right, 561 00:37:55,876 --> 00:37:59,836 Speaker 1: So what's your attention talking to you? Right? I would 562 00:37:59,836 --> 00:38:01,956 Speaker 1: hope that it's on me at least for the most part. 563 00:38:03,196 --> 00:38:05,836 Speaker 1: But if we want to write, I can tell you 564 00:38:05,836 --> 00:38:08,636 Speaker 1: to shift your attention to the way that the seat 565 00:38:08,716 --> 00:38:12,476 Speaker 1: feels underneath you, the way that your weight feels on 566 00:38:12,476 --> 00:38:18,596 Speaker 1: that seat. That's really a weird thing to pay attention to, right, Yeah, 567 00:38:18,636 --> 00:38:20,556 Speaker 1: And it would be weird if you were sitting here 568 00:38:20,596 --> 00:38:24,356 Speaker 1: talking to me paying attention to that sensation. Yeah, that 569 00:38:24,556 --> 00:38:28,716 Speaker 1: would be like a really weird thing to be doing. Yet. 570 00:38:29,396 --> 00:38:31,356 Speaker 1: But you can do it if you want to, right, 571 00:38:33,076 --> 00:38:36,156 Speaker 1: Or you can just wiggle your toes. The point is 572 00:38:36,156 --> 00:38:38,676 Speaker 1: that Dixie can learn to pay attention to the things 573 00:38:38,676 --> 00:38:41,636 Speaker 1: that are useful, to pay attention to her breath, for example, 574 00:38:41,836 --> 00:38:44,196 Speaker 1: or the ball as it leaves the pitcher's hand. Just 575 00:38:44,236 --> 00:38:46,596 Speaker 1: as the tuba player can stop trying to listen to 576 00:38:46,636 --> 00:38:52,156 Speaker 1: his own music and focus on his tongue, Dixie needs 577 00:38:52,156 --> 00:38:54,676 Speaker 1: to find the thing that helps to focus on. I 578 00:38:54,716 --> 00:38:58,076 Speaker 1: don't know what the right focused cues are. This is personal, 579 00:38:58,596 --> 00:39:01,836 Speaker 1: it's individualized. There's there's not focused cues that are best 580 00:39:01,876 --> 00:39:03,916 Speaker 1: for everybody. But you just told me you hit your 581 00:39:03,916 --> 00:39:07,916 Speaker 1: best when you're aggressive and loose. That sounds like a 582 00:39:08,036 --> 00:39:13,916 Speaker 1: killer focused kid. Ben and Dixie spoke over Skype every 583 00:39:13,916 --> 00:39:17,236 Speaker 1: week for months, just the two of them. We taped 584 00:39:17,276 --> 00:39:19,036 Speaker 1: only a few of these sessions, and even then we 585 00:39:19,076 --> 00:39:22,156 Speaker 1: didn't listen in. But one day, when I was driving 586 00:39:22,196 --> 00:39:24,596 Speaker 1: her home after softball practice, I asked her how it 587 00:39:24,636 --> 00:39:26,956 Speaker 1: was going, and she told me that when she stepped 588 00:39:26,956 --> 00:39:29,396 Speaker 1: into the batter's box, she now had a phrase in 589 00:39:29,476 --> 00:39:34,676 Speaker 1: her head, loose and aggressive. And is it like, how 590 00:39:34,716 --> 00:39:36,396 Speaker 1: do you say it the way you would say it 591 00:39:36,476 --> 00:39:39,276 Speaker 1: to yourself? Like you hear it in your head? Loose 592 00:39:39,356 --> 00:39:44,476 Speaker 1: and aggressive, loose and aggressive. Loose and aggressive. So it's light, 593 00:39:44,876 --> 00:39:51,116 Speaker 1: it's not loud. Yeah, what would have been in your 594 00:39:51,116 --> 00:39:55,716 Speaker 1: head before you did those drills with him? Don't swing 595 00:39:55,756 --> 00:40:01,836 Speaker 1: and miss, you have to move the runner, don't fuck up, 596 00:40:03,636 --> 00:40:09,036 Speaker 1: don't look at your coach. Typically things that started with 597 00:40:09,236 --> 00:40:17,596 Speaker 1: don't get rid of the don't That's what Ben had 598 00:40:17,636 --> 00:40:20,996 Speaker 1: been teaching her. The new strategy gets this trial run 599 00:40:20,996 --> 00:40:24,516 Speaker 1: into tournament being inspected by roughly fifty college softball coaches. 600 00:40:25,516 --> 00:40:28,276 Speaker 1: The opposing team's pitcher has already signed with the University 601 00:40:28,276 --> 00:40:32,716 Speaker 1: of Texas. She lights out, her dropball drops, her rise 602 00:40:32,796 --> 00:40:35,076 Speaker 1: ball rises, and her fastball comes in at sixty five 603 00:40:35,116 --> 00:40:37,236 Speaker 1: miles an hour, which is the equivalent of a ninety 604 00:40:37,236 --> 00:40:40,796 Speaker 1: four mile an hour fastball and baseball Dixie's teammates all 605 00:40:40,796 --> 00:40:43,956 Speaker 1: have trouble dealing with it. Everyone's striking out, her swinging late. 606 00:40:44,716 --> 00:40:48,836 Speaker 1: Everything feels like it's happening too fast. Dixie now comes 607 00:40:48,876 --> 00:40:50,956 Speaker 1: to the plate. There we go next day, Get on time. 608 00:40:51,316 --> 00:40:54,316 Speaker 1: The first pitch is a fastball, high and inside, just 609 00:40:54,436 --> 00:40:57,156 Speaker 1: extremely hard to react to quickly enough to hit hard. 610 00:40:57,836 --> 00:41:01,076 Speaker 1: A month earlier, she'd have been frozen by it. Oh, 611 00:41:02,836 --> 00:41:05,836 Speaker 1: you did it. That's the sound of it. Hit. It's 612 00:41:05,836 --> 00:41:08,756 Speaker 1: a rocket down the left field line. She didn't just 613 00:41:08,836 --> 00:41:13,236 Speaker 1: not freeze, she was ahead of it. She never reacted 614 00:41:13,236 --> 00:41:17,116 Speaker 1: so quickly to a pitch in her entire life. After 615 00:41:17,116 --> 00:41:18,756 Speaker 1: the game, I didn't say anything about it. I'd read 616 00:41:18,796 --> 00:41:20,676 Speaker 1: the inner game of Tennis, and the last thing my 617 00:41:20,756 --> 00:41:23,676 Speaker 1: daughter needed was another voice in her head. She'd been 618 00:41:23,676 --> 00:41:28,116 Speaker 1: coached to stop thinking and trust her reactions, which can 619 00:41:28,156 --> 00:41:32,276 Speaker 1: be hard for a smart person to do. But eventually 620 00:41:32,316 --> 00:41:34,836 Speaker 1: I debriefed her, asked her what she thought had happened. 621 00:41:35,556 --> 00:41:39,476 Speaker 1: I developed a routine that acted kind of like a 622 00:41:39,516 --> 00:41:42,076 Speaker 1: safety net for me, Like knowing that I had a 623 00:41:42,076 --> 00:41:45,236 Speaker 1: plan made me know if I executed it or not, 624 00:41:45,636 --> 00:41:48,476 Speaker 1: and so having that as my goal instead of focusing 625 00:41:48,476 --> 00:41:52,556 Speaker 1: on the outcome it made it a lot easier to 626 00:41:52,596 --> 00:41:54,276 Speaker 1: not be hard on myself because I was like, well, 627 00:41:54,556 --> 00:41:57,356 Speaker 1: I executed my plan, I did everything I was supposed 628 00:41:57,356 --> 00:42:00,396 Speaker 1: to do, and it just didn't work out. And that's 629 00:42:00,436 --> 00:42:02,596 Speaker 1: how this game works. So I just have to let 630 00:42:02,596 --> 00:42:05,716 Speaker 1: it go and do the same thing next time. And right, 631 00:42:06,036 --> 00:42:08,076 Speaker 1: you know, like because it made me realize that I 632 00:42:08,156 --> 00:42:14,276 Speaker 1: cannot control everything. Right, my daughter is saying I cannot 633 00:42:14,276 --> 00:42:17,676 Speaker 1: control everything of her own free will. And I'm sitting 634 00:42:17,676 --> 00:42:21,156 Speaker 1: in the driver's seat about to drive home from softball practice, 635 00:42:21,436 --> 00:42:24,516 Speaker 1: wiggling my toes at every intersection instead of screaming at 636 00:42:24,516 --> 00:42:28,676 Speaker 1: the other drivers. And yet there's still a part of 637 00:42:28,676 --> 00:42:31,116 Speaker 1: me that thinks there is just no way this shit 638 00:42:31,236 --> 00:42:35,676 Speaker 1: can work. Explain to me why people didn't figure this 639 00:42:35,716 --> 00:42:38,036 Speaker 1: out five hundred years ago. Yeah, it's interesting, isn't it. 640 00:42:38,316 --> 00:42:42,196 Speaker 1: Tiffany Gaskell again, creator of my pink road rage bubble. 641 00:42:42,676 --> 00:42:45,916 Speaker 1: People have cared about performance for a long time. Why 642 00:42:46,036 --> 00:42:51,116 Speaker 1: wasn't Sir Lancelot when he was jousting, Why wasn't he 643 00:42:51,196 --> 00:42:55,196 Speaker 1: wiggling his toes or clenching his abs or I don't understand. 644 00:42:56,156 --> 00:43:00,036 Speaker 1: I'm thinking about the evolution of humankind, and I'm thinking 645 00:43:00,076 --> 00:43:02,516 Speaker 1: that we are in a place now where we are 646 00:43:03,076 --> 00:43:06,116 Speaker 1: you know Maslow's hierarchy of human needs. There you go 647 00:43:06,396 --> 00:43:09,356 Speaker 1: so basically like once you've got various stuff to can 648 00:43:09,356 --> 00:43:12,356 Speaker 1: care of, so that's like survival, than we're going relationships, 649 00:43:12,396 --> 00:43:15,916 Speaker 1: than we're going up to relationships with other and then 650 00:43:15,996 --> 00:43:18,116 Speaker 1: we can go into the place where we can self actualize. 651 00:43:18,156 --> 00:43:21,556 Speaker 1: And I think that a lot of the developed world 652 00:43:21,716 --> 00:43:24,796 Speaker 1: is in that place right now. Are you just smuggling 653 00:43:24,836 --> 00:43:27,316 Speaker 1: therapy into people's lives by calling it coaching and making 654 00:43:27,316 --> 00:43:32,036 Speaker 1: them feel better about it? Well, actually, therapy is more 655 00:43:32,076 --> 00:43:34,876 Speaker 1: about things that have happened to you in the past 656 00:43:35,116 --> 00:43:37,996 Speaker 1: that you're trying to deal with, and coaching is really 657 00:43:38,036 --> 00:43:41,276 Speaker 1: about okay, going forward. You know, there's a saying which 658 00:43:41,396 --> 00:43:43,956 Speaker 1: is therapy is a path of tears and coaching is 659 00:43:43,956 --> 00:43:51,156 Speaker 1: the path of laughter. There was one other surprise in 660 00:43:51,196 --> 00:43:54,516 Speaker 1: all this. It occurred to me as I watched Dixie play. 661 00:43:54,676 --> 00:43:56,756 Speaker 1: It had taken me longer to notice, and I was 662 00:43:56,796 --> 00:43:59,156 Speaker 1: more hesitant to credit her inner game coach for it, 663 00:43:59,756 --> 00:44:05,076 Speaker 1: even though the change was entirely in her mind. It 664 00:44:05,236 --> 00:44:08,116 Speaker 1: seemed like she was aggressive there. Then had come to 665 00:44:08,116 --> 00:44:10,596 Speaker 1: Southern California on other business and I dragged him out 666 00:44:10,636 --> 00:44:13,236 Speaker 1: to see Dixie play. He said he didn't usually do 667 00:44:13,276 --> 00:44:15,276 Speaker 1: this because he got so wrapped up in outcomes and 668 00:44:15,316 --> 00:44:19,076 Speaker 1: started doing stuff that was counterproductive to his coaching, like cheering. 669 00:44:19,556 --> 00:44:22,476 Speaker 1: Praise was bad because it was still judge. Anyway, we 670 00:44:22,476 --> 00:44:24,836 Speaker 1: were standing along the left field fence, surrounded on all 671 00:44:24,876 --> 00:44:29,036 Speaker 1: sides by college scouts and anxious parents and screaming coaches. 672 00:44:29,836 --> 00:44:31,636 Speaker 1: Me trying not to care too much about what was 673 00:44:31,676 --> 00:44:35,196 Speaker 1: going on on the field. Ben actually not caring too much. 674 00:44:36,156 --> 00:44:39,156 Speaker 1: Since she started talking to you, she's been the two 675 00:44:39,196 --> 00:44:43,516 Speaker 1: things I've noticed. One is she's been much more aggressive 676 00:44:43,516 --> 00:44:46,636 Speaker 1: in the zone without losing her discipline. So her at 677 00:44:46,636 --> 00:44:49,556 Speaker 1: bats have been very good. The outcome has not always 678 00:44:49,596 --> 00:44:51,716 Speaker 1: been what she'd hope, but it's been fine. I mean, 679 00:44:51,756 --> 00:44:55,436 Speaker 1: she's hit well pretty well. But the other thing is 680 00:44:56,116 --> 00:45:00,116 Speaker 1: I think she's starting to learn not to be hard 681 00:45:00,116 --> 00:45:05,796 Speaker 1: on herself. It's our focus, and where I notice it 682 00:45:05,876 --> 00:45:09,076 Speaker 1: is it when she's hard on herself, it's an express 683 00:45:09,356 --> 00:45:11,996 Speaker 1: have a more general trait, which is she's very judgmental. 684 00:45:11,996 --> 00:45:14,916 Speaker 1: She's hard on a lot of people. She's critical, and 685 00:45:14,956 --> 00:45:17,116 Speaker 1: so she will sit there and be meant. She won't 686 00:45:17,156 --> 00:45:19,196 Speaker 1: say it, but she'll have thoughts about her, critical thoughts 687 00:45:19,196 --> 00:45:22,876 Speaker 1: about her teammates, and of course critical thoughts about her 688 00:45:22,876 --> 00:45:29,636 Speaker 1: parents and m and learning to take that off herself. 689 00:45:30,596 --> 00:45:34,476 Speaker 1: She's been noticeably nicer to me, like like all of 690 00:45:34,516 --> 00:45:37,676 Speaker 1: a sudden, Tabitha turn to me a couple of weeks 691 00:45:37,676 --> 00:45:40,516 Speaker 1: ago and said, who is this child? And so it's 692 00:45:40,956 --> 00:45:43,156 Speaker 1: I don't want to give you that much credit yet, 693 00:45:43,476 --> 00:45:45,596 Speaker 1: and who knows how long last. And I've not said 694 00:45:45,636 --> 00:45:47,796 Speaker 1: a word to her about any of this, but it's 695 00:45:47,796 --> 00:45:53,556 Speaker 1: been it's been really surprising to see just a little 696 00:45:53,556 --> 00:45:58,796 Speaker 1: bit of hesitation before she goes into the critical negative mode. 697 00:46:00,756 --> 00:46:06,476 Speaker 1: Winnings great, so's kindness. That kindness might help you to win. Well, 698 00:46:06,516 --> 00:46:12,116 Speaker 1: you gotta love that. It looks like we're playing fucking 699 00:46:12,236 --> 00:46:14,596 Speaker 1: a B tenant under team and it's two to nothing. 700 00:46:15,476 --> 00:46:18,276 Speaker 1: They are like seven hundred softball coaches in Northern California 701 00:46:18,276 --> 00:46:20,476 Speaker 1: that Dixie could have played for. There's a reason she 702 00:46:20,556 --> 00:46:24,596 Speaker 1: insists on playing for this particular coach. It's not always 703 00:46:24,596 --> 00:46:27,436 Speaker 1: easy or pleasant, but there's a point to it. Tim 704 00:46:27,476 --> 00:46:32,116 Speaker 1: Galway might say the coach was creating interference. Dixie would too, 705 00:46:32,396 --> 00:46:35,996 Speaker 1: but she thinks the interference is important to have you 706 00:46:36,156 --> 00:46:41,796 Speaker 1: know that's bullshit. That's a bullshit approach to life. We 707 00:46:41,876 --> 00:46:45,796 Speaker 1: can benefit from interference. We need coaches who teach us 708 00:46:45,796 --> 00:46:48,156 Speaker 1: how to be comfortable being uncomfortable in a way our 709 00:46:48,156 --> 00:46:51,516 Speaker 1: parents don't and probably shouldn't do. You need to stop 710 00:46:51,556 --> 00:46:53,556 Speaker 1: being a lazy piece of shit and get around the 711 00:46:53,596 --> 00:46:55,956 Speaker 1: ball and get your ass up and block and work 712 00:46:55,996 --> 00:46:59,396 Speaker 1: for your picture or I'm going to kick your ass. 713 00:46:59,436 --> 00:47:03,436 Speaker 1: Got its? The trick is to let their voice into 714 00:47:03,476 --> 00:47:06,516 Speaker 1: your head and then let it out again, use it, 715 00:47:07,036 --> 00:47:10,596 Speaker 1: learn from it, then learn to mute it. Yeah, Miya's 716 00:47:10,636 --> 00:47:18,636 Speaker 1: going to get ahead in account and throw so fast, Stayley, 717 00:47:18,756 --> 00:47:36,156 Speaker 1: so fast, luc agressive, blue senecrest. Oh, I'm Michael Lewis. 718 00:47:36,916 --> 00:47:40,516 Speaker 1: Thanks for listening to Against the Rules. Against the Rules 719 00:47:40,636 --> 00:47:43,996 Speaker 1: is brought to you by Pushkin Industries. The show's produced 720 00:47:44,036 --> 00:47:48,436 Speaker 1: by Audrey Dilling and Katherine Gerardo, with research assistance from Lydia, 721 00:47:48,516 --> 00:47:53,276 Speaker 1: Jane Cott, and Zooe Wynn. Our editor is Julia Barton. 722 00:47:53,996 --> 00:47:58,436 Speaker 1: Mia Lobell is our executive producer. Our theme was composed 723 00:47:58,436 --> 00:48:03,076 Speaker 1: by Nick Brittell, with additional scoring by Stellwagon Symphonette. We 724 00:48:03,196 --> 00:48:06,676 Speaker 1: got fact checked by Beth Johnson. Our show was recorded 725 00:48:06,676 --> 00:48:10,396 Speaker 1: by Tofa Ruth and Trey Schultz at Northgate Studios in Berkeley. 726 00:48:10,796 --> 00:48:13,476 Speaker 1: We got recording helped this episode in Milwaukee from Jaw 727 00:48:13,556 --> 00:48:18,196 Speaker 1: Media and Neo Soul Productions. Special thanks to Deputy Chief 728 00:48:18,276 --> 00:48:22,356 Speaker 1: Dan Lipski and Eric Nurnberg of the Milwaukee Fire Department 729 00:48:22,476 --> 00:48:26,516 Speaker 1: and Jason Brasler, Christopher g iSER, and Ralph Longo of 730 00:48:26,556 --> 00:48:31,036 Speaker 1: the New York City Fire Department. As always, thanks to 731 00:48:31,116 --> 00:48:34,636 Speaker 1: Pushkin's founders, without whom I would not exist, Jacob Weisberg 732 00:48:34,716 --> 00:48:40,276 Speaker 1: and Malcolm Gladwell. My dad is totally oblivious to it too, 733 00:48:40,316 --> 00:48:42,236 Speaker 1: Like he's just working out in the other room where 734 00:48:42,236 --> 00:48:44,756 Speaker 1: I was originally setting up recording. He's like, no, no, no, 735 00:48:44,796 --> 00:48:46,796 Speaker 1: you have to get out here. I'm working out, And 736 00:48:46,836 --> 00:48:49,756 Speaker 1: I was like, Dad, I'm doing this for you. Also 737 00:48:49,996 --> 00:48:55,316 Speaker 1: like I have this Mica, but yeah, I just switch 738 00:48:55,396 --> 00:49:09,676 Speaker 1: around everything. What are you doing? That's hilarious. No,