1
00:00:01,040 --> 00:00:28,360
Speaker 1: Why why? All right? All right, yeah, it's on. Okay, cool,

2
00:00:29,200 --> 00:00:32,480
Speaker 1: let's start it from their mom ship. All right. See

3
00:00:32,520 --> 00:00:37,000
Speaker 1: I Am Wraport Stereo Podcast coming live and direct listen.

4
00:00:37,800 --> 00:00:40,800
Speaker 1: Sometimes we have reasons for dropping and out of the

5
00:00:40,880 --> 00:00:47,160
Speaker 1: ordinary podcast. Sometimes don't. Okay, today there's no reason, there's

6
00:00:47,200 --> 00:00:51,440
Speaker 1: no excuse. It's just a brand new I Am Rappaport

7
00:00:51,600 --> 00:00:58,000
Speaker 1: Stereo podcast coming live and direct from the gloom Tune. Okay.

8
00:00:58,920 --> 00:01:03,160
Speaker 1: We have special guests, Icon, true icon of all things

9
00:01:03,320 --> 00:01:05,959
Speaker 1: that have to do with anything that's in the world

10
00:01:06,040 --> 00:01:10,040
Speaker 1: of hip hop from the rock Steady Crew. My main man,

11
00:01:10,200 --> 00:01:12,800
Speaker 1: Crazy Legs from the Boogie Down Bronx, one of the

12
00:01:12,840 --> 00:01:16,440
Speaker 1: creators of every single thing that has to do with

13
00:01:16,600 --> 00:01:21,119
Speaker 1: hip hop. He's been boots on the ground doing real

14
00:01:21,160 --> 00:01:24,200
Speaker 1: work in Puerto Rico since the storm hit. Talk to

15
00:01:24,280 --> 00:01:28,319
Speaker 1: him about that everything he's seen, everything that he's witnessed,

16
00:01:29,080 --> 00:01:32,480
Speaker 1: going down to Puerto Rico multiple times since the hurricane

17
00:01:33,360 --> 00:01:37,960
Speaker 1: with support of Red Bull plus Yo, it's Crazy Legs

18
00:01:38,000 --> 00:01:40,120
Speaker 1: rock Steady Crew. We gotta get some hip hop stories,

19
00:01:40,240 --> 00:01:42,840
Speaker 1: all right. This guy was there from the beginning of

20
00:01:42,880 --> 00:01:46,280
Speaker 1: the beginning. So we got the great Crazy Legs, the Icon,

21
00:01:46,360 --> 00:01:49,880
Speaker 1: and I don't use that word often. The legend from

22
00:01:49,920 --> 00:01:52,480
Speaker 1: the rock Steady Crew. Coming up on the Iron Wrap

23
00:01:52,520 --> 00:01:56,040
Speaker 1: Coors Stereo Podcast also got g Moody. Last name rhymes

24
00:01:56,040 --> 00:01:58,400
Speaker 1: with duty and I'm gonna go solo on that. Ask

25
00:01:58,600 --> 00:02:01,680
Speaker 1: all that and more on a brand new hard hitting,

26
00:02:02,120 --> 00:02:07,400
Speaker 1: sloppy Steve Bannon, Dick stained, Donald Trump, Golden Globe discussing,

27
00:02:08,280 --> 00:02:14,280
Speaker 1: LaVar Bold, disgusted, hard hitting smash mouth. I am Rapp

28
00:02:14,320 --> 00:02:19,320
Speaker 1: Reports Stereo podcast coming up next, Stay with me down now.

29
00:02:21,760 --> 00:02:26,880
Speaker 1: Oh yeah, all right, my name is Michael Rapport here.

30
00:02:28,080 --> 00:02:31,280
Speaker 1: I'm rapport Stereo Podcast. The only podcast that prides itself.

31
00:02:32,600 --> 00:02:38,200
Speaker 1: We pride ourselves on not fact checking anything. Anything that

32
00:02:38,280 --> 00:02:44,680
Speaker 1: means that I probably can't be held accountable for any

33
00:02:44,760 --> 00:02:48,799
Speaker 1: of the ship talking I do here on this podcast

34
00:02:49,040 --> 00:02:54,880
Speaker 1: that holds my name sake. Okay, so much has been

35
00:02:54,919 --> 00:02:59,440
Speaker 1: going on, So many things have been going on. The

36
00:02:59,520 --> 00:03:08,120
Speaker 1: Golden Globe Awards just happened. Holy fucking shit. NFL playoffs

37
00:03:08,120 --> 00:03:10,919
Speaker 1: are in full effect. Both the teams that I thought

38
00:03:11,080 --> 00:03:15,280
Speaker 1: We're gonna win the game Saturday lost. My Los Angeles

39
00:03:15,360 --> 00:03:21,840
Speaker 1: Rams lost, Kansas City Chiefs lost somehow some way, the

40
00:03:22,080 --> 00:03:27,760
Speaker 1: Blake Bortles led Jacksonville Jaguars one. I'm not surprised by

41
00:03:27,800 --> 00:03:30,920
Speaker 1: them winning because they have such a good defense and

42
00:03:30,919 --> 00:03:34,000
Speaker 1: it was such a low scoring, ugly game. Um a man,

43
00:03:34,120 --> 00:03:36,880
Speaker 1: Leonard four nette. Um, they won, but they're in for

44
00:03:36,960 --> 00:03:40,400
Speaker 1: a reality check in the next round. And the New

45
00:03:40,520 --> 00:03:45,240
Speaker 1: Orleans Saints they won. They won a tough game. It

46
00:03:45,320 --> 00:03:48,320
Speaker 1: was looking like a blowout. Uh. And then Cam Newton

47
00:03:48,360 --> 00:03:51,640
Speaker 1: started to do his thing. Christian McCaffrey started to do

48
00:03:51,720 --> 00:03:55,920
Speaker 1: his thing, but inevitably, the New Orleans Saints won. Of course,

49
00:03:56,000 --> 00:03:58,800
Speaker 1: if you haven't heard the Sean Payton Interview, The New

50
00:03:58,880 --> 00:04:04,360
Speaker 1: Orleans Saints Sean Peyton Interview. I am rappaport stereo podcast

51
00:04:04,400 --> 00:04:07,560
Speaker 1: from just a few weeks ago, I strongly advise you

52
00:04:07,680 --> 00:04:10,480
Speaker 1: check it out. I know there's new listeners of the

53
00:04:10,520 --> 00:04:14,600
Speaker 1: podcast all the time. Uh. If you love football, that

54
00:04:14,720 --> 00:04:17,600
Speaker 1: was an iconic episode already five five mics. It's been

55
00:04:17,600 --> 00:04:22,600
Speaker 1: given five mics, one of the best podcast episodes ever ever. Um,

56
00:04:22,640 --> 00:04:26,440
Speaker 1: But the NFL playoffs are underway. This ship is going down,

57
00:04:26,480 --> 00:04:30,799
Speaker 1: the New England Patriots. I advise everybody right now, stop

58
00:04:31,480 --> 00:04:34,960
Speaker 1: stop what you're doing, because I'm about to ruin. Stop

59
00:04:35,000 --> 00:04:40,599
Speaker 1: trying to make some ship up. Whether they have drama,

60
00:04:41,080 --> 00:04:45,560
Speaker 1: don't have drama. Whether Belichick, Brady and whatever the fucking

61
00:04:45,560 --> 00:04:49,240
Speaker 1: owner's name is, whether they hate each other, it doesn't matter.

62
00:04:50,839 --> 00:04:54,960
Speaker 1: It doesn't matter. They're throwing around rumors that Bill Belichick

63
00:04:55,040 --> 00:04:58,039
Speaker 1: is gonna leave the New England Patriots had come to

64
00:04:58,120 --> 00:05:00,599
Speaker 1: the New York Giants after this season, and they all

65
00:05:00,640 --> 00:05:05,720
Speaker 1: hate what It doesn't matter, Okay, they can't be stopped.

66
00:05:07,080 --> 00:05:10,080
Speaker 1: Tom Brady's forty and may have played his best season

67
00:05:10,320 --> 00:05:13,839
Speaker 1: ever this year. The motherfucker's forty. I'm starting to think

68
00:05:13,880 --> 00:05:18,000
Speaker 1: he's on some robots ship. He's got no sense of humor.

69
00:05:18,760 --> 00:05:24,039
Speaker 1: He's got that wide jawbone, that incredible chin, those deep

70
00:05:24,080 --> 00:05:27,760
Speaker 1: set eyes. He looks like a fucking cyborg. Okay, and

71
00:05:27,800 --> 00:05:30,360
Speaker 1: he's starting to play like one and behave like one.

72
00:05:30,520 --> 00:05:34,400
Speaker 1: It's forty playing quarterback at a high level. When he

73
00:05:34,400 --> 00:05:38,760
Speaker 1: gets hit, he doesn't really get hit. You can't put

74
00:05:38,800 --> 00:05:42,640
Speaker 1: hands on him. And I'm not getting involved with all

75
00:05:42,680 --> 00:05:46,039
Speaker 1: his gossip. In the playoffs, I want them to lose

76
00:05:46,240 --> 00:05:50,600
Speaker 1: just as much as anybody else, Okay, but don't add

77
00:05:50,600 --> 00:05:53,760
Speaker 1: fuel to the fire. The next round of the playoffs

78
00:05:53,920 --> 00:06:00,960
Speaker 1: looks like this. The afore mentioned New Orleans Saints. My guys,

79
00:06:01,600 --> 00:06:06,000
Speaker 1: I love that fucking team. Okay, my guys. The New

80
00:06:06,120 --> 00:06:09,560
Speaker 1: Orleans Saints will be playing the Minnesota Vikings in Minnesota.

81
00:06:09,880 --> 00:06:13,320
Speaker 1: Considering going out there, but the those are one of

82
00:06:13,320 --> 00:06:15,680
Speaker 1: those flights. That's one of those flights going from Los

83
00:06:15,720 --> 00:06:18,320
Speaker 1: Angeles to Minnesota where you need to go up there,

84
00:06:18,720 --> 00:06:22,400
Speaker 1: uh with your bootstraps, Titans and a mouthpiece in your mouth,

85
00:06:23,279 --> 00:06:25,760
Speaker 1: because I don't care if you're in first class or

86
00:06:25,880 --> 00:06:29,000
Speaker 1: business class or coach if you fly Los Angeles to Minnesota,

87
00:06:29,040 --> 00:06:33,000
Speaker 1: that's one of those flights that ship could pop off on. Okay,

88
00:06:34,120 --> 00:06:37,120
Speaker 1: So I'm considering going to watch that game. But the

89
00:06:37,160 --> 00:06:39,480
Speaker 1: weather and the fact that I don't want to like

90
00:06:40,279 --> 00:06:44,800
Speaker 1: get into a fisticuffs on the way out there concerns me. Um,

91
00:06:44,839 --> 00:06:46,720
Speaker 1: But it may or may not happen. You might see

92
00:06:46,760 --> 00:06:50,680
Speaker 1: me at the Minnesota Vikings New Orleans Saints game rocking

93
00:06:50,920 --> 00:06:55,760
Speaker 1: an Archie manning jersey. Okay, it could happen. The Atlanta

94
00:06:55,880 --> 00:07:01,680
Speaker 1: Falcons who beat the Los Angeles for MS, my Los

95
00:07:01,760 --> 00:07:06,080
Speaker 1: Angeles rams, my man, Jared Goff, I wanted them to win. Uh,

96
00:07:06,200 --> 00:07:11,520
Speaker 1: they're playing. So you've got Minnesota playing New Orleans in Minnesota.

97
00:07:11,640 --> 00:07:15,840
Speaker 1: You got the Atlanta Falcons playing the Philadelphia Eagles in Philadelphia.

98
00:07:16,040 --> 00:07:18,320
Speaker 1: In the a f C, You've got the Tennessee Titans

99
00:07:18,440 --> 00:07:23,120
Speaker 1: playing the New England Patriots. Okay, and the Jacksonville Jaguars

100
00:07:23,160 --> 00:07:25,240
Speaker 1: are gonna go to Pittsburgh and get their asks banked

101
00:07:25,520 --> 00:07:29,320
Speaker 1: by the Pittsburgh Steelers. Okay. That means there's eight teams.

102
00:07:29,440 --> 00:07:31,440
Speaker 1: Then there's gonna be four teams, then there's gonna be

103
00:07:31,520 --> 00:07:33,840
Speaker 1: two teams. There's gonna be a super Bowl. Okay, then

104
00:07:33,920 --> 00:07:36,600
Speaker 1: Justin timber Lake is gonna go out there do what

105
00:07:36,680 --> 00:07:39,960
Speaker 1: he does, and then you know it's almost coming to

106
00:07:40,000 --> 00:07:43,120
Speaker 1: an end. I've been doing fantasy football Sundays for the

107
00:07:43,240 --> 00:07:48,840
Speaker 1: last seventeen weeks straight. I love it, but I needed

108
00:07:48,840 --> 00:07:52,160
Speaker 1: a fucking break. I'm glad it's over. Even the Dingo,

109
00:07:53,240 --> 00:07:58,480
Speaker 1: even me, the Grego Man Dingo, senior Fantasy football analysts

110
00:07:58,520 --> 00:08:03,680
Speaker 1: soon to be executive senior fantasy football analysts, needs a

111
00:08:03,800 --> 00:08:10,240
Speaker 1: break too. Hashtag I need a break too. Um what

112
00:08:10,280 --> 00:08:13,000
Speaker 1: else is going on? This is major news? Now. We

113
00:08:13,120 --> 00:08:16,760
Speaker 1: talked the Bunch last week about Dick Stain, Donald Trump

114
00:08:18,080 --> 00:08:24,520
Speaker 1: talked the Bunch last week about sloppy Steve Bannon, and

115
00:08:24,560 --> 00:08:28,840
Speaker 1: then Donald Trump at some point during the first week

116
00:08:28,920 --> 00:08:34,040
Speaker 1: of January two thousand eighteen, came out when they had

117
00:08:34,080 --> 00:08:37,440
Speaker 1: their big breakup, which apparently now that they're they're they're

118
00:08:37,440 --> 00:08:39,720
Speaker 1: back together. This is how you know these are two

119
00:08:39,800 --> 00:08:43,120
Speaker 1: bitch ass motherfucker's by the way, and I'm gonna get

120
00:08:43,160 --> 00:08:45,840
Speaker 1: to that in the second, because they talk ship in

121
00:08:45,920 --> 00:08:49,760
Speaker 1: public and then out of nowhere they're back. Oh, we

122
00:08:49,840 --> 00:08:52,240
Speaker 1: love each other. We love each other like two bitch

123
00:08:52,320 --> 00:08:58,160
Speaker 1: ass marks. Donald Trump, it's sloppy Steve Bannon. Sorry, Dick Stain,

124
00:08:58,240 --> 00:09:04,480
Speaker 1: Donald's be Steve Bannet. But when I heard Dick Stain

125
00:09:04,600 --> 00:09:11,360
Speaker 1: Donald Trump refer to ship stain Steve as sloppy Steve,

126
00:09:12,360 --> 00:09:17,320
Speaker 1: I said that sounds familiar. Okay, I said that sounds familiar.

127
00:09:17,600 --> 00:09:22,839
Speaker 1: I talked to the people closest to me, my wife, uh,

128
00:09:22,920 --> 00:09:27,439
Speaker 1: the Iron Rapports stereo podcast team, Gee Moody, Miles, Jordan's

129
00:09:27,480 --> 00:09:32,400
Speaker 1: young shooter, And I said, did I ever cole Steve

130
00:09:32,440 --> 00:09:35,240
Speaker 1: Bannon sloppy Steve? Because I feel like I would call

131
00:09:35,320 --> 00:09:39,480
Speaker 1: him that. Now. It's not the most totally original name,

132
00:09:39,520 --> 00:09:43,280
Speaker 1: but when you look like a piece of ship, like

133
00:09:43,320 --> 00:09:47,880
Speaker 1: Steve Bannon, when you look like him, when you present yourself,

134
00:09:48,800 --> 00:09:51,520
Speaker 1: the way he presents himself. It's just easy. That man's

135
00:09:51,600 --> 00:09:54,439
Speaker 1: name is sloppy Steve Bannett, or that man's name is

136
00:09:54,480 --> 00:09:59,600
Speaker 1: ship stain Steve, whatever floats your boat, okay, And right

137
00:09:59,640 --> 00:10:01,280
Speaker 1: away we couldn't figure it out. We were like we

138
00:10:01,320 --> 00:10:04,440
Speaker 1: we the whole team, whole crew, whole Iron Rapports Stereo

139
00:10:04,520 --> 00:10:10,160
Speaker 1: Podcast conglomerate was like, it sounds familiar, sounds familiar. Boom,

140
00:10:10,280 --> 00:10:16,719
Speaker 1: we found it. You fuck. On January thirtieth, two thousand seventeen,

141
00:10:18,480 --> 00:10:24,320
Speaker 1: on this I Am Rappaport Stereo Podcast, episode number two

142
00:10:24,640 --> 00:10:30,400
Speaker 1: hundred and fifty four, January thirty one, the year of

143
00:10:30,520 --> 00:10:35,560
Speaker 1: two thousand seventeen, almost a year to the day. At

144
00:10:35,640 --> 00:10:42,720
Speaker 1: the twenty eight minute mark, approximately forty five minute mark,

145
00:10:42,800 --> 00:10:48,439
Speaker 1: twenty eight minutes forty five ish seconds into episode number

146
00:10:48,440 --> 00:10:52,079
Speaker 1: two fifty four, I was the first to refer to

147
00:10:52,120 --> 00:10:58,559
Speaker 1: Steve Bannon as sloppy Steve Bannon. Please play the fucking

148
00:10:58,920 --> 00:11:03,400
Speaker 1: tape my else he's got this guy, Steve Bannon two

149
00:11:03,480 --> 00:11:07,680
Speaker 1: thousand and seventeens most famous white person with absolutely no

150
00:11:07,800 --> 00:11:14,600
Speaker 1: lips kiels. Please send this guy, Sloppy Steve Bannon. We're

151
00:11:14,640 --> 00:11:17,760
Speaker 1: starting a Twitter site called sloppy Steve. This guy makes

152
00:11:17,800 --> 00:11:21,560
Speaker 1: me look like a fucking fashion icon, dresses like a

153
00:11:21,600 --> 00:11:26,720
Speaker 1: homeless person that escaped a methodone clinic. Sloppy Steve Bannon.

154
00:11:27,480 --> 00:11:32,440
Speaker 1: M hm. He's Trump's chief strategists. He's lashing out at

155
00:11:32,440 --> 00:11:36,440
Speaker 1: the media, calling the press saying they should shut the

156
00:11:36,480 --> 00:11:40,760
Speaker 1: funk up. They should be embarrassed and humiliated. No, you

157
00:11:40,880 --> 00:11:44,840
Speaker 1: shut up, Steve Bannon, You sloppy, no lip having animal

158
00:11:44,920 --> 00:11:50,960
Speaker 1: you boom you fuck you dare you have it? There?

159
00:11:51,000 --> 00:11:58,440
Speaker 1: You have it now? Donald Trump? You fuck? Do you

160
00:11:58,440 --> 00:12:00,400
Speaker 1: want us to send you a butter soft Iron Rapp

161
00:12:00,400 --> 00:12:07,120
Speaker 1: Reports Stereo Podcast t shirt because obviously you're listening. Okay,

162
00:12:07,800 --> 00:12:11,880
Speaker 1: that's a fucking copyright infringement. I called him sloppy Steve Bannon.

163
00:12:11,960 --> 00:12:16,160
Speaker 1: I called him ship stain. Steve Miles playing one more time.

164
00:12:16,559 --> 00:12:20,480
Speaker 1: He's got this guy, Steve Bannon, two thousand and seventeens

165
00:12:20,559 --> 00:12:26,079
Speaker 1: most famous white person with absolutely no lips, sloppy Steve Bannon.

166
00:12:26,640 --> 00:12:33,680
Speaker 1: The thing of beauty, originality, originality, That is what we

167
00:12:33,840 --> 00:12:37,960
Speaker 1: bring at the Iron Rapp Reports Stereo podcast. We don't

168
00:12:37,960 --> 00:12:41,880
Speaker 1: regurgitate other people ship, we don't bite. Shout out to

169
00:12:41,960 --> 00:12:45,079
Speaker 1: all the other podcasts that bite. Shout out to the

170
00:12:45,320 --> 00:12:51,520
Speaker 1: podcast that bite. Our styles, many stalls, many styles. Roy

171
00:12:51,559 --> 00:12:58,240
Speaker 1: Moore's wife defailed governor elect Senator elect. I don't know

172
00:12:58,280 --> 00:13:01,200
Speaker 1: what the funk he does. Fact check don't fact check

173
00:13:01,600 --> 00:13:06,959
Speaker 1: down in Alabama. She was very brazen, very very proud

174
00:13:07,080 --> 00:13:10,240
Speaker 1: of the fact that she had a Jew lawyer. Her

175
00:13:10,360 --> 00:13:13,080
Speaker 1: Jew lawyer, as it turns out, as we all are

176
00:13:13,200 --> 00:13:18,480
Speaker 1: already reported, voted for the other guy. That's the kind

177
00:13:18,480 --> 00:13:21,440
Speaker 1: of Jew I like, I'm Jewish. That's the kind of

178
00:13:21,440 --> 00:13:24,960
Speaker 1: fucking Jew. I like, I'll represent you. I'll take your money,

179
00:13:25,000 --> 00:13:26,600
Speaker 1: but that don't mean I'm gonna vote for you, funk.

180
00:13:26,880 --> 00:13:29,439
Speaker 1: I like this fucking guy. Turns out her Jew lawyer

181
00:13:29,559 --> 00:13:31,920
Speaker 1: may not even be Jewish anymore. It turns out like

182
00:13:32,080 --> 00:13:35,040
Speaker 1: her Jew lawyer might have converted to Catholicism. That ain't

183
00:13:35,040 --> 00:13:37,120
Speaker 1: my business. I don't give a funk, But Donald Trump,

184
00:13:37,240 --> 00:13:41,720
Speaker 1: I do have true blue jew lawyers on the case.

185
00:13:41,800 --> 00:13:43,800
Speaker 1: You fuck now. If you want to settle out of

186
00:13:43,840 --> 00:13:50,280
Speaker 1: court with me for stealing my creation the moniker Sloppy Steve,

187
00:13:50,600 --> 00:13:54,120
Speaker 1: you know where to find me. You're obviously listening. This

188
00:13:54,200 --> 00:13:56,800
Speaker 1: is my one and final offer to you, if you

189
00:13:56,800 --> 00:14:00,560
Speaker 1: want to settle out of court. I am open to

190
00:14:00,600 --> 00:14:05,960
Speaker 1: a settlement, you filthy dog. You okay, but if I

191
00:14:06,000 --> 00:14:10,200
Speaker 1: do not hear from you, If my jew lawyers, who

192
00:14:10,200 --> 00:14:15,120
Speaker 1: are Jewish, who are fucking Jewish, if they don't hear

193
00:14:15,160 --> 00:14:19,720
Speaker 1: from you, this will not end pretty, you fuck. I

194
00:14:19,880 --> 00:14:22,840
Speaker 1: came up with the Monica Sloppy Steve. I'm the fucking

195
00:14:22,920 --> 00:14:27,560
Speaker 1: stable genius. This lunatic was tweeting all weekend, crying, yelling,

196
00:14:27,880 --> 00:14:30,240
Speaker 1: I'm a genius. I did this. I gotta lect that's

197
00:14:30,240 --> 00:14:32,800
Speaker 1: still talking about Crooked Hillary and blah blah blah. I'm

198
00:14:32,840 --> 00:14:38,040
Speaker 1: the fucking stable genius. Okay me, you fuck you. You

199
00:14:38,080 --> 00:14:42,880
Speaker 1: know where to find me. Animal one and only opportunity

200
00:14:43,000 --> 00:14:46,000
Speaker 1: to settle this puppy out of court. I have my

201
00:14:46,080 --> 00:14:49,280
Speaker 1: jew copyright infringement lawyer on the case. I will not

202
00:14:49,360 --> 00:14:51,800
Speaker 1: say anything more about this motherfucker. You know where to

203
00:14:51,800 --> 00:14:55,040
Speaker 1: find me. I am Wrappports stereo podcast. Smile. Let me

204
00:14:55,040 --> 00:15:00,240
Speaker 1: get some funk. Let me get some funk. So the oh.

205
00:15:00,320 --> 00:15:09,920
Speaker 1: In sixteen, Cleveland Browns parade went off. It went off

206
00:15:09,960 --> 00:15:17,680
Speaker 1: without a hitch. A couple of days ago, Cleveland supposed

207
00:15:17,920 --> 00:15:24,080
Speaker 1: I don't consider them fans. Supposed fans a k people

208
00:15:24,120 --> 00:15:29,040
Speaker 1: with nothing to do on a Saturday, came out to

209
00:15:29,120 --> 00:15:32,040
Speaker 1: the stadium where the Cleveland Browns don't even know the

210
00:15:32,120 --> 00:15:35,480
Speaker 1: name of that ship, all no disrespect to the Cleveland Browns.

211
00:15:35,720 --> 00:15:39,040
Speaker 1: Came out to the stadium where they played this season

212
00:15:39,600 --> 00:15:43,040
Speaker 1: and lost every single game. Of course, eight games were

213
00:15:43,080 --> 00:15:45,080
Speaker 1: at home, eight games are on the road, but you

214
00:15:45,120 --> 00:15:49,680
Speaker 1: get the point. I don't support this fucking parade. Some

215
00:15:49,720 --> 00:15:52,800
Speaker 1: people were saying this is a protest. They marched around

216
00:15:52,840 --> 00:15:57,080
Speaker 1: in the snow and then formed a zero like zero wins.

217
00:15:58,960 --> 00:16:03,240
Speaker 1: I got viciously attacked on Twitter, viciously attacked mind in

218
00:16:03,280 --> 00:16:10,800
Speaker 1: my business stating my opinion, got people saying you suck Rappaport, movie, suck,

219
00:16:12,240 --> 00:16:15,520
Speaker 1: your career, sucks, you have a big nose. All these

220
00:16:15,560 --> 00:16:19,400
Speaker 1: fucking things. I don't know why, mean mean vicious attacks.

221
00:16:20,680 --> 00:16:23,000
Speaker 1: It's the guy stating my opinion. I went on Cleveland

222
00:16:23,080 --> 00:16:27,880
Speaker 1: Radio stated that opinion very strongly. Some people said to me,

223
00:16:28,400 --> 00:16:30,840
Speaker 1: this is all on Twitter that they went to the parade.

224
00:16:30,840 --> 00:16:32,920
Speaker 1: It went off without a hitch. It was a great

225
00:16:32,960 --> 00:16:38,120
Speaker 1: parade slash protest, and everyone hated Michael Rappaport. Well, fuck

226
00:16:38,200 --> 00:16:42,720
Speaker 1: you man, fuck you. Football seasons over for you. Guys,

227
00:16:42,880 --> 00:16:46,840
Speaker 1: and the inevitable is coming. The Cleveland Cavaliers are going

228
00:16:46,880 --> 00:16:50,880
Speaker 1: to make a two D finals bearing injury, and they're

229
00:16:50,880 --> 00:16:53,800
Speaker 1: gonna lose again. And if I have in my way,

230
00:16:53,840 --> 00:16:57,320
Speaker 1: I will be showing up in Cleveland for those aforementioned

231
00:16:57,800 --> 00:17:01,560
Speaker 1: finals with my broom, with the same broom that I

232
00:17:01,600 --> 00:17:06,000
Speaker 1: got last year. I will not be buying a new broom. No. No,

233
00:17:06,200 --> 00:17:10,400
Speaker 1: my checking bag, my luggage will have a broom packed

234
00:17:10,440 --> 00:17:14,120
Speaker 1: in it. That's how bout it bout it I am.

235
00:17:14,160 --> 00:17:17,920
Speaker 1: That's how serious I am about that sweet life. They're

236
00:17:17,920 --> 00:17:20,960
Speaker 1: gonna get their asses kicked and heartbreak on Sue, and

237
00:17:20,960 --> 00:17:23,800
Speaker 1: then Lebron James will be leaving Cleveland, and you guys

238
00:17:23,840 --> 00:17:27,359
Speaker 1: will go back to sports and animity where you feel

239
00:17:27,760 --> 00:17:34,639
Speaker 1: most comfortable speaking of the great Lebron James, because he

240
00:17:34,800 --> 00:17:38,439
Speaker 1: is great, he is sick, he might be playing his

241
00:17:38,480 --> 00:17:43,359
Speaker 1: best basketball the fifteen season. M v P. He's the

242
00:17:43,359 --> 00:17:46,760
Speaker 1: real m v P. He's the real m v P.

243
00:17:47,400 --> 00:17:53,000
Speaker 1: That team is absolutely positively nothing without Lebron James, more

244
00:17:53,080 --> 00:17:57,480
Speaker 1: so than Kyrie Irving, more so than Russell Westbrook, more

245
00:17:57,520 --> 00:18:00,320
Speaker 1: so than my main man Kevin Durant, Steph Curry, who

246
00:18:00,359 --> 00:18:05,240
Speaker 1: scored forty five points. The other night, Steph Curry played

247
00:18:05,240 --> 00:18:09,879
Speaker 1: the l A Clippers. He scored forty five points in

248
00:18:10,000 --> 00:18:15,800
Speaker 1: twenty nine minutes of basketball in a pro game. Yo,

249
00:18:16,040 --> 00:18:18,399
Speaker 1: you have to think about that. Forty five points in

250
00:18:18,440 --> 00:18:24,040
Speaker 1: twenty nine minutes is off the chain on a Saturday

251
00:18:24,520 --> 00:18:27,840
Speaker 1: verse the Clippers in l A. Like he was going

252
00:18:27,880 --> 00:18:30,840
Speaker 1: to get ice cream. Forty five points and like a

253
00:18:30,880 --> 00:18:33,480
Speaker 1: guy scoring forty five points is usually a big deal.

254
00:18:33,480 --> 00:18:37,160
Speaker 1: When Steph Curry scores forty five points, you just oh yeah,

255
00:18:37,359 --> 00:18:40,840
Speaker 1: oh yeah, like that literally, like you got an ice cream,

256
00:18:40,880 --> 00:18:43,640
Speaker 1: a good ice cream cone. But you think that much

257
00:18:43,680 --> 00:18:51,040
Speaker 1: about it barely twice? What was I saying Lebron? He

258
00:18:51,080 --> 00:18:53,160
Speaker 1: was at a basketball game the other day in Orlando.

259
00:18:54,960 --> 00:18:56,800
Speaker 1: I don't support this behavior. I'd like to talk my

260
00:18:56,800 --> 00:18:59,560
Speaker 1: ship from Afar. I don't like to be disrespectful at

261
00:18:59,600 --> 00:19:03,160
Speaker 1: the game. I think it's disrespectful showing up to the broom,

262
00:19:03,359 --> 00:19:12,040
Speaker 1: mind of my business. Not offensive, okay, not disrespectful, taunting, yes, okay, harassment.

263
00:19:13,640 --> 00:19:17,479
Speaker 1: I don't know, but two fans in Orlando showed up

264
00:19:17,520 --> 00:19:20,800
Speaker 1: with shirts T shirts that they had made up with

265
00:19:21,160 --> 00:19:27,840
Speaker 1: Lebron James's mother, uh hemmed up wrapped around arms wrapped

266
00:19:27,840 --> 00:19:30,479
Speaker 1: around these are of course photoshop shirts with Aaron Gordon

267
00:19:31,760 --> 00:19:36,639
Speaker 1: Orlando Orlando Magic Star, high Flying High Duncan Aaron Gordon.

268
00:19:36,880 --> 00:19:39,600
Speaker 1: I don't support that kind of behavior. I don't support it.

269
00:19:39,640 --> 00:19:42,360
Speaker 1: I would never do it because my ship talking ain't personal.

270
00:19:42,960 --> 00:19:48,720
Speaker 1: It's business. To quote the great Michael core Leone. What

271
00:19:48,800 --> 00:19:52,160
Speaker 1: else is going on in the NBA? Fucking LaVar Ball stop,

272
00:19:53,240 --> 00:19:58,480
Speaker 1: mother fucking stop. Why they keep putting microphones in this

273
00:19:58,960 --> 00:20:04,960
Speaker 1: bozos face is beyond me. This is a guy who

274
00:20:05,040 --> 00:20:10,199
Speaker 1: never did ship athletically. He never coached shit athletically. He

275
00:20:10,320 --> 00:20:14,119
Speaker 1: wanted to be a professional basketball player. Wasn't ship. Wanted

276
00:20:14,160 --> 00:20:18,560
Speaker 1: to be a professional football player. Wasn't ship. Had three kids,

277
00:20:18,960 --> 00:20:22,080
Speaker 1: raised them the right way, coached them, never won ship

278
00:20:22,160 --> 00:20:25,320
Speaker 1: as a coach, coached him in a AU. They never

279
00:20:25,359 --> 00:20:28,359
Speaker 1: won no Big A AU tournaments. There's no banners with

280
00:20:28,480 --> 00:20:30,720
Speaker 1: LaVar Balls name on it, because if they did have

281
00:20:30,800 --> 00:20:33,399
Speaker 1: banners with LaVar Balls name on it, we would know

282
00:20:33,480 --> 00:20:36,800
Speaker 1: about it. He'd have them hanging outside of his fucking house.

283
00:20:37,520 --> 00:20:39,760
Speaker 1: Got his two sons, one who's sixteen. I hope this

284
00:20:39,840 --> 00:20:43,320
Speaker 1: fucking kid could read and write. Okay, it's dropped out

285
00:20:43,320 --> 00:20:47,440
Speaker 1: of school. He's in Lithuania sixteen. And the other one,

286
00:20:48,320 --> 00:20:50,800
Speaker 1: the one who's got the knack for taking things without

287
00:20:50,840 --> 00:20:55,919
Speaker 1: paying LaMelo, No, his name is lo Angelo. I fucking

288
00:20:55,920 --> 00:20:58,280
Speaker 1: know these guys names LaMelo, Leano. What a fun his

289
00:20:58,359 --> 00:21:01,640
Speaker 1: name is is? They had their first practice in Lithuania.

290
00:21:01,720 --> 00:21:05,800
Speaker 1: Looked like some ship out of a third grade, deaf,

291
00:21:05,920 --> 00:21:10,560
Speaker 1: dumb and blind basketball clinic. It looked crazy. Look up

292
00:21:10,600 --> 00:21:15,680
Speaker 1: the footage of LaMelo and lo Angelo. That's his fucking name.

293
00:21:16,160 --> 00:21:21,560
Speaker 1: Look at their first practice in Lithuania. Okay, there's special

294
00:21:21,680 --> 00:21:25,720
Speaker 1: education classes. They look more organized than the practices that

295
00:21:25,760 --> 00:21:29,560
Speaker 1: were going over there in Lithuania. But this guy, LaVar

296
00:21:29,720 --> 00:21:33,280
Speaker 1: Ball making comments about the Los Angeles Lakers, who are

297
00:21:33,320 --> 00:21:37,520
Speaker 1: doing better than they should be doing, saying that the

298
00:21:37,680 --> 00:21:42,080
Speaker 1: players don't want to play for Luke Walton anymore. The

299
00:21:42,119 --> 00:21:44,280
Speaker 1: players are quitting, they don't want to play for him,

300
00:21:44,320 --> 00:21:47,560
Speaker 1: and it becomes national news. That's what he said. He said,

301
00:21:47,640 --> 00:21:51,359
Speaker 1: and I quote Luke doesn't have control of the team

302
00:21:51,400 --> 00:21:54,080
Speaker 1: no more. They don't want to play for him. Says

303
00:21:54,160 --> 00:22:00,359
Speaker 1: who says? Who says you your son to told you that?

304
00:22:02,480 --> 00:22:04,200
Speaker 1: Is that what you want people to believe that your

305
00:22:04,200 --> 00:22:06,920
Speaker 1: son told you that if your son did tell you that,

306
00:22:08,080 --> 00:22:12,399
Speaker 1: why would you repeat it? You want his coach to

307
00:22:12,440 --> 00:22:17,199
Speaker 1: think that his player, a Lonzo Ball, is a snitch.

308
00:22:18,000 --> 00:22:21,000
Speaker 1: Are you a fucking snitch? Do you want to work

309
00:22:21,000 --> 00:22:25,320
Speaker 1: at t MZ, Big Bowler Brand, TAMZ the fucking Gossip

310
00:22:26,640 --> 00:22:32,320
Speaker 1: and then the media, the fucking press, ESPN, Bleacher Report,

311
00:22:32,520 --> 00:22:35,560
Speaker 1: all of them, they print this ship and then when

312
00:22:35,560 --> 00:22:39,160
Speaker 1: they're in front of Luke Walton looking up, they they

313
00:22:39,200 --> 00:22:41,840
Speaker 1: they asked him about this, They say, LaVar Ball said

314
00:22:42,520 --> 00:22:46,840
Speaker 1: blah blah blah blah blah, and Luke Walton being caught

315
00:22:46,880 --> 00:22:53,879
Speaker 1: off guard because it's so unusual, so far fetched, so whack,

316
00:22:54,080 --> 00:22:57,399
Speaker 1: so corny, so low brows. That's gossip. This ain't the

317
00:22:57,440 --> 00:23:00,919
Speaker 1: fucking Kardashians, this is not keeping up with the car dashing,

318
00:23:01,160 --> 00:23:05,680
Speaker 1: it's not even Real Housewives of Beverly Hills. But LaVar

319
00:23:05,800 --> 00:23:10,440
Speaker 1: Balls turning it into that kind of environment. They asked him.

320
00:23:10,760 --> 00:23:14,480
Speaker 1: LaVar Ball said blah blah blah blah blah, and Luke

321
00:23:14,520 --> 00:23:18,520
Speaker 1: Walton has to answer the questions. Luke Walton, if you're

322
00:23:18,560 --> 00:23:23,080
Speaker 1: listening the next time they say, LaVar Ball said, stop

323
00:23:23,160 --> 00:23:25,160
Speaker 1: them in their tracks with I don't give a funk

324
00:23:25,240 --> 00:23:29,879
Speaker 1: what that motherfucker said, and the reporter will be like,

325
00:23:30,080 --> 00:23:33,320
Speaker 1: excuse me, you heard me, motherfucker. I don't give a

326
00:23:33,400 --> 00:23:39,080
Speaker 1: fuck what this motherfucker said. Who gives two ships? Who

327
00:23:39,880 --> 00:23:43,200
Speaker 1: I don't give a who cares banned him from coming

328
00:23:43,200 --> 00:23:47,360
Speaker 1: to the Lake of Practices, don't give him free tickets?

329
00:23:48,840 --> 00:23:51,720
Speaker 1: Shut this motherfucker. Now he's trying to cause dissension in

330
00:23:51,800 --> 00:23:57,600
Speaker 1: an NBA team, and the press so desperate because they

331
00:23:57,600 --> 00:24:02,960
Speaker 1: can't come up with their own flash shit, regurgitates this

332
00:24:03,080 --> 00:24:05,719
Speaker 1: and ask an NBA coach and he has to answer

333
00:24:05,720 --> 00:24:09,320
Speaker 1: the ship. Luke Walton. The next time they say LaVar

334
00:24:09,440 --> 00:24:11,400
Speaker 1: Ball is reported to say, I don't give a fuck

335
00:24:11,520 --> 00:24:14,880
Speaker 1: what that motherfucking clown has to say. He ain't done. Ship.

336
00:24:17,440 --> 00:24:20,040
Speaker 1: Bring him to the practice, Luke Walton, play him one

337
00:24:20,080 --> 00:24:22,640
Speaker 1: on one, Bust his ass and give him a bus

338
00:24:22,720 --> 00:24:26,719
Speaker 1: ticket to fucking Tulsa. Get the funk out of l A.

339
00:24:26,760 --> 00:24:29,400
Speaker 1: Bust his asked Luke Walton. He says he could beat everybody,

340
00:24:29,400 --> 00:24:32,720
Speaker 1: says he could beat Michael Jordan, Charles Barkley, chef. Bust

341
00:24:32,800 --> 00:24:37,919
Speaker 1: his ass Luke Walton in practice. Hopefully he'll tear a meniscus,

342
00:24:38,280 --> 00:24:40,760
Speaker 1: stubb his fucking toe and send him on his fucking

343
00:24:40,760 --> 00:24:42,920
Speaker 1: way and film the whole thing, so his credibility is

344
00:24:42,960 --> 00:24:48,200
Speaker 1: just shot ridiculous. Luke wall is a classy dude. His son,

345
00:24:49,560 --> 00:24:54,600
Speaker 1: Alonzo Ball is not even top five Rookie of the

346
00:24:54,680 --> 00:24:57,240
Speaker 1: Year candidate. He's not even top eight Rookie of the

347
00:24:57,320 --> 00:25:03,080
Speaker 1: Year candidate. My god, Donovan Mitchell, Ben Simmons, Dennis Smith Jr.

348
00:25:03,800 --> 00:25:07,959
Speaker 1: Frankie Cigarettes in New York is doing better than him.

349
00:25:08,000 --> 00:25:11,080
Speaker 1: The big Polish kid, Austrian kid. I don't know what

350
00:25:11,359 --> 00:25:13,280
Speaker 1: he is. I don't fact check. I'm not facticking. I'm

351
00:25:13,280 --> 00:25:15,879
Speaker 1: free balling. I'm free balling the Iron Rap cour Stereo

352
00:25:15,920 --> 00:25:19,440
Speaker 1: podcast where we're free ball marking in whatever the fun.

353
00:25:19,520 --> 00:25:24,240
Speaker 1: His name is all better, all more pro Jayson Tatum,

354
00:25:24,280 --> 00:25:29,320
Speaker 1: all more prolific. None of them have a father criticizing

355
00:25:29,359 --> 00:25:35,240
Speaker 1: the coach of their team. Trade this fucking clown, Trade him,

356
00:25:35,320 --> 00:25:37,359
Speaker 1: Luke Walton, Trade to make an example of him. He

357
00:25:37,640 --> 00:25:39,880
Speaker 1: all that you could get some good players for him.

358
00:25:40,200 --> 00:25:42,159
Speaker 1: Trade his ass, and the next time they bring that

359
00:25:42,160 --> 00:25:44,600
Speaker 1: should be like, shut the funk up. You're supposed to

360
00:25:44,640 --> 00:25:48,239
Speaker 1: be a professional. Shame the reporter for even bringing that

361
00:25:48,240 --> 00:25:55,160
Speaker 1: ship up. Undignified whack bullshit, Corny Ship TMZ, Big Bowler Brand, bullshit,

362
00:25:56,280 --> 00:26:01,520
Speaker 1: Big Baller Brand. When the going gets tough, the tough

363
00:26:01,560 --> 00:26:03,720
Speaker 1: will stab you in the back and they may leave

364
00:26:03,800 --> 00:26:06,080
Speaker 1: and go to motherfucking Lithuania. All right, when I get

365
00:26:06,160 --> 00:26:08,440
Speaker 1: right back, I'm gonna be with the Legend, the icon,

366
00:26:09,600 --> 00:26:14,119
Speaker 1: my guy Crazy Legs from the rock Steady Crew talking

367
00:26:14,119 --> 00:26:16,320
Speaker 1: to me about everything that's going on in Puerto Rico

368
00:26:16,359 --> 00:26:20,240
Speaker 1: since the storm, giving me some vintage hip hop stories,

369
00:26:20,240 --> 00:26:22,920
Speaker 1: some rock Steady stories up in the Bronx where the

370
00:26:22,960 --> 00:26:26,399
Speaker 1: people are fresh stories stay tuned from a main man

371
00:26:26,720 --> 00:26:29,920
Speaker 1: Crazy Legs from the rock Steady Crew. And then after that,

372
00:26:30,320 --> 00:26:32,600
Speaker 1: me and G Moody are gonna be discussing everything that

373
00:26:32,640 --> 00:26:39,480
Speaker 1: went down with the Golden Globe. Stay with me, all right,

374
00:26:40,359 --> 00:26:47,280
Speaker 1: without further ado. The word icon, the word legend is

375
00:26:47,359 --> 00:26:52,400
Speaker 1: thrown around too easily these days. This is an actual icon,

376
00:26:53,119 --> 00:26:57,320
Speaker 1: an actual legend, an actual creator, a pillar, a true

377
00:26:57,840 --> 00:27:03,960
Speaker 1: fucking pillar of all things hip hop. A man Crazy Legs.

378
00:27:03,960 --> 00:27:05,879
Speaker 1: I appreciate you taking the time to rock with me

379
00:27:05,960 --> 00:27:08,240
Speaker 1: for a little bit on the I N Wrap Reports

380
00:27:08,240 --> 00:27:14,960
Speaker 1: Stereo podcast. Man God well, I'm honored to have you.

381
00:27:15,000 --> 00:27:17,560
Speaker 1: Man um. You know, before I got some you know

382
00:27:17,640 --> 00:27:20,560
Speaker 1: some rock Steady crew questions, uh, you know for you.

383
00:27:20,800 --> 00:27:26,000
Speaker 1: But you're Puerto Rican correct born and raised in New

384
00:27:26,080 --> 00:27:30,560
Speaker 1: York City, and you've been you've been uh on the ground.

385
00:27:31,240 --> 00:27:34,840
Speaker 1: Uh and obviously the hurricane UM and all the destruction

386
00:27:34,840 --> 00:27:38,760
Speaker 1: that's taken place in Puerto Rico. I wanna hear what

387
00:27:38,920 --> 00:27:42,840
Speaker 1: you're doing, what you've seen, um, and why you're doing

388
00:27:42,840 --> 00:27:45,520
Speaker 1: it um because you know, like the thing. The thing

389
00:27:45,560 --> 00:27:47,959
Speaker 1: about New York you know, for the listeners that are

390
00:27:47,960 --> 00:27:50,560
Speaker 1: in New Yorker is like, you know, the Puerto Rican

391
00:27:50,600 --> 00:27:54,280
Speaker 1: community is such a part of New York City. You know,

392
00:27:54,320 --> 00:27:59,080
Speaker 1: like other cities, other states, there's different people from uh,

393
00:27:59,119 --> 00:28:00,960
Speaker 1: you know, all over the place. Put but New York

394
00:28:01,000 --> 00:28:03,320
Speaker 1: City and Puerto Rico. To me, growing up in New

395
00:28:03,359 --> 00:28:06,680
Speaker 1: York City, it's anonymous. UM, So what have you seen?

396
00:28:07,119 --> 00:28:09,080
Speaker 1: What are you doing? And how can I help? And

397
00:28:09,080 --> 00:28:10,840
Speaker 1: how can the people help? And just talk to me?

398
00:28:11,040 --> 00:28:13,480
Speaker 1: But everything that you've been involved with since the hurricanes

399
00:28:13,480 --> 00:28:16,920
Speaker 1: and such. Al Right, So when I was first going

400
00:28:17,000 --> 00:28:19,479
Speaker 1: down there, I was actually supposed to go down there

401
00:28:19,520 --> 00:28:24,280
Speaker 1: before before Hurricane Irma, and being that that was coming up,

402
00:28:24,359 --> 00:28:26,840
Speaker 1: I had to put postpone that I was actually going

403
00:28:26,880 --> 00:28:30,280
Speaker 1: down there because I was about to have some meetings

404
00:28:30,440 --> 00:28:33,320
Speaker 1: for a music festival that I do in Puerto Rico

405
00:28:33,400 --> 00:28:36,920
Speaker 1: called Porto Rock Study. And I felt like, all right, well,

406
00:28:37,240 --> 00:28:39,480
Speaker 1: I guess you know, after IRMA, I'll just go down

407
00:28:39,480 --> 00:28:42,040
Speaker 1: there and instead of having meetings, I'll just go do

408
00:28:42,120 --> 00:28:44,160
Speaker 1: some volunteer work and try to help with the clean

409
00:28:44,240 --> 00:28:46,960
Speaker 1: up and I'll deal with the work the work stuff later.

410
00:28:47,560 --> 00:28:50,240
Speaker 1: And then, um, you know, Hurricane Maria was coming right

411
00:28:50,240 --> 00:28:56,479
Speaker 1: behind that, and realizing the severity of it, um, I was.

412
00:28:56,640 --> 00:29:00,240
Speaker 1: I was seriously worried. And I have friends there that

413
00:29:00,480 --> 00:29:02,520
Speaker 1: that I was concerned about to have a home there,

414
00:29:03,200 --> 00:29:07,200
Speaker 1: and I just was in the situation that had me really,

415
00:29:07,520 --> 00:29:13,480
Speaker 1: I guess, emotional. And I told my boy, I was like, yo,

416
00:29:13,520 --> 00:29:15,040
Speaker 1: I don't I don't know how I'm gonna do it.

417
00:29:15,120 --> 00:29:18,760
Speaker 1: But the moment that that you see planes flying over

418
00:29:18,800 --> 00:29:21,080
Speaker 1: Puerto Rico, I will be in one of those planes.

419
00:29:21,160 --> 00:29:24,800
Speaker 1: I didn't know how I was gonna do it. And uh, fortunately, well,

420
00:29:24,840 --> 00:29:27,240
Speaker 1: actually one day I was I was actually in Holland

421
00:29:27,240 --> 00:29:30,560
Speaker 1: when I when I um, when the hurricane was happening,

422
00:29:30,680 --> 00:29:33,440
Speaker 1: and I was at an event and a lot of

423
00:29:33,440 --> 00:29:35,080
Speaker 1: people kept you know how it is to come up

424
00:29:35,080 --> 00:29:39,120
Speaker 1: to your UM autographed photo photo, all this other stuff,

425
00:29:39,400 --> 00:29:43,560
Speaker 1: especially when you're at an event, and that like started

426
00:29:43,600 --> 00:29:46,880
Speaker 1: getting to me. I wasn't emotionally there or and and

427
00:29:46,960 --> 00:29:49,920
Speaker 1: my mind was just everywhere else. So I ended up

428
00:29:49,920 --> 00:29:53,120
Speaker 1: going back to my hotel room and basically, you know,

429
00:29:53,600 --> 00:29:56,000
Speaker 1: bawling my eyes out while I wrote a letter to

430
00:29:56,280 --> 00:29:59,560
Speaker 1: a red Bull and I was basically pleading with him,

431
00:29:59,600 --> 00:30:01,920
Speaker 1: a I get with them to help me help my people.

432
00:30:02,640 --> 00:30:06,760
Speaker 1: And uh, they actually heard my call. And being that

433
00:30:06,800 --> 00:30:10,280
Speaker 1: I've been down with them for now sixteen years, they

434
00:30:10,360 --> 00:30:12,440
Speaker 1: just said, Yo, we got you back, and we're gonna

435
00:30:12,480 --> 00:30:14,320
Speaker 1: make this happen. And we're not just gonna do this

436
00:30:14,440 --> 00:30:16,920
Speaker 1: on a one off. This is gonna be something for

437
00:30:16,960 --> 00:30:19,560
Speaker 1: that one that you know we will work out at

438
00:30:19,640 --> 00:30:23,360
Speaker 1: least a year. And uh, they actually got you know,

439
00:30:23,440 --> 00:30:27,719
Speaker 1: one of the first UM first responder. I guess I

440
00:30:27,840 --> 00:30:29,840
Speaker 1: was one of the first responders there. We had a

441
00:30:29,840 --> 00:30:33,600
Speaker 1: private plane. We brought water filtration systems down there, because

442
00:30:33,640 --> 00:30:37,280
Speaker 1: usually after a devastation like that, there's a contamination in

443
00:30:37,320 --> 00:30:39,920
Speaker 1: the water that leads to color left. Let us be alli,

444
00:30:40,520 --> 00:30:44,520
Speaker 1: uh E COLI actually started and you know, we went

445
00:30:44,600 --> 00:30:48,760
Speaker 1: down there to help prevent things like that. Um, and

446
00:30:49,160 --> 00:30:52,000
Speaker 1: after I got on the ground, I realized how many

447
00:30:52,000 --> 00:30:55,280
Speaker 1: more needs that were uh and uh Red Bull had

448
00:30:55,320 --> 00:30:59,080
Speaker 1: already connected me with Waves for Water, which is an

449
00:30:59,160 --> 00:31:03,240
Speaker 1: organization that actually was doing work in the US Virgin Islands.

450
00:31:03,320 --> 00:31:06,560
Speaker 1: And when Hurricane Maria was coming, they went to Puerto

451
00:31:06,640 --> 00:31:09,880
Speaker 1: Rico and kind of rode out the storm so that

452
00:31:09,960 --> 00:31:12,920
Speaker 1: they can get to work as soon as the storm passed,

453
00:31:12,960 --> 00:31:15,440
Speaker 1: which is you know, that's major props to them because

454
00:31:15,440 --> 00:31:18,400
Speaker 1: they're brave for doing that. And UM, you know I

455
00:31:18,480 --> 00:31:20,880
Speaker 1: met down I remember the people who do Lucy Lights

456
00:31:21,120 --> 00:31:24,600
Speaker 1: Empowered and I just met a whole bunch of people

457
00:31:24,600 --> 00:31:26,640
Speaker 1: who enabled me to do a lot more than just

458
00:31:26,680 --> 00:31:30,520
Speaker 1: the water filtration systems, so that today we have helped

459
00:31:30,560 --> 00:31:33,880
Speaker 1: over a hundred and forty thousand people to have clean water.

460
00:31:34,600 --> 00:31:40,920
Speaker 1: We've got in uh uh solar lights, solar lanterns into

461
00:31:40,960 --> 00:31:45,440
Speaker 1: areas that are don't have that basically don't have power,

462
00:31:46,000 --> 00:31:48,920
Speaker 1: or we got them to communities that are the death

463
00:31:48,960 --> 00:31:52,120
Speaker 1: community and the heart of hearing and uh we just

464
00:31:52,240 --> 00:31:54,520
Speaker 1: so that they're able to communicate when the lights go down,

465
00:31:54,920 --> 00:31:57,600
Speaker 1: when the sun goes down. And you know, we just

466
00:31:57,760 --> 00:32:00,520
Speaker 1: started doing things that we felt were necessary, whether it's

467
00:32:01,160 --> 00:32:06,080
Speaker 1: making donations towards the reforestation of Puerto Rico and agriculture,

468
00:32:06,560 --> 00:32:09,040
Speaker 1: and also supporting the Boys and Girls Club just started

469
00:32:09,080 --> 00:32:11,479
Speaker 1: going into that, going in the direction of having solar

470
00:32:12,160 --> 00:32:14,720
Speaker 1: panels so that if there is something that happens down

471
00:32:14,720 --> 00:32:17,320
Speaker 1: the road, they'll be prepared to have a safe space

472
00:32:17,320 --> 00:32:20,239
Speaker 1: for kids. So what have you seen? Like, you know

473
00:32:20,280 --> 00:32:23,600
Speaker 1: what has been uh, you know the hardest thing you've seen?

474
00:32:23,640 --> 00:32:25,760
Speaker 1: What has been the greatest thing that you've seen? Like?

475
00:32:25,920 --> 00:32:28,320
Speaker 1: What have you seen with your own eyes down Uh?

476
00:32:28,360 --> 00:32:32,920
Speaker 1: Since the hurricane. The first thing that I saw was

477
00:32:33,800 --> 00:32:37,719
Speaker 1: um Man, I had never seen like a whole bald

478
00:32:37,880 --> 00:32:42,120
Speaker 1: island like that. It's like a bomb drop. Everything was brown. Uh.

479
00:32:42,240 --> 00:32:45,200
Speaker 1: You know, I'm used to seeing Puerto Rico as being lushed.

480
00:32:45,280 --> 00:32:47,480
Speaker 1: You know, I have a home down there, so I

481
00:32:48,560 --> 00:32:50,320
Speaker 1: know the beauty of it, and they also know what

482
00:32:50,360 --> 00:32:52,640
Speaker 1: it looks like when there's a drought. And this is

483
00:32:52,720 --> 00:32:55,440
Speaker 1: just something that I had never seen before. And it

484
00:32:55,560 --> 00:32:59,080
Speaker 1: was pretty bare and uh, I was you know, it

485
00:32:59,400 --> 00:33:02,280
Speaker 1: was heartbreak and for me, it was very emotional. The

486
00:33:02,320 --> 00:33:05,960
Speaker 1: place that I normally do my music festival had several

487
00:33:06,040 --> 00:33:09,000
Speaker 1: of the buildings ripped out to see or blown away,

488
00:33:09,640 --> 00:33:14,200
Speaker 1: um yeah, being you know, just people's homes, rooftops ripped off,

489
00:33:14,960 --> 00:33:20,200
Speaker 1: um people homeless, uh cement structures hanging in the ocean

490
00:33:20,600 --> 00:33:25,400
Speaker 1: like halfway in the ocean, and just people of desperate

491
00:33:25,600 --> 00:33:28,840
Speaker 1: desperate for water and desperate for power and desperate for food.

492
00:33:29,520 --> 00:33:32,200
Speaker 1: And that's just heartbreaking to me. But the one of

493
00:33:32,240 --> 00:33:34,280
Speaker 1: the things I did see, and this is kind of

494
00:33:34,280 --> 00:33:36,880
Speaker 1: funny because you know, although when we got off the

495
00:33:36,920 --> 00:33:41,280
Speaker 1: first plane, um, we started making our way to my

496
00:33:41,360 --> 00:33:44,360
Speaker 1: house and we stopped off to uh and and Panada stand.

497
00:33:44,400 --> 00:33:46,360
Speaker 1: I was like, you know what, that little Mom and

498
00:33:46,440 --> 00:33:49,920
Speaker 1: Pops spot is open, so let's just go there right now,

499
00:33:49,960 --> 00:33:52,240
Speaker 1: and let's go buy up all that ship. And we

500
00:33:52,360 --> 00:33:54,800
Speaker 1: bought a whole bunch of empanadas and paid double the

501
00:33:54,920 --> 00:33:56,720
Speaker 1: price for them just for the hull of it, because

502
00:33:56,760 --> 00:33:58,960
Speaker 1: we felt like, yeah, these people are trying to get

503
00:33:58,960 --> 00:34:02,080
Speaker 1: the hustle and we need to support. But the cool

504
00:34:02,120 --> 00:34:04,800
Speaker 1: ship is is that I saw this lady with rollers

505
00:34:04,800 --> 00:34:08,000
Speaker 1: in the hair. I'm like, oh, ship, check this girl out.

506
00:34:08,040 --> 00:34:11,480
Speaker 1: She's really ready for Friday night. He got her rollers

507
00:34:11,480 --> 00:34:13,799
Speaker 1: in her heads. He getting ready of party. So the

508
00:34:13,880 --> 00:34:19,080
Speaker 1: resilience throughout that traumatic experience has been amazing because a

509
00:34:19,080 --> 00:34:23,000
Speaker 1: lot of people have actually been rebuilding their homes, putting

510
00:34:23,000 --> 00:34:26,160
Speaker 1: the rooftops back on them. And and uh also even

511
00:34:26,160 --> 00:34:30,960
Speaker 1: when it came to the airport in a Wadia the like,

512
00:34:31,000 --> 00:34:34,200
Speaker 1: FEMA had no no hand in helping that airport to

513
00:34:34,200 --> 00:34:36,760
Speaker 1: get back on its feet. It was the airport community

514
00:34:36,840 --> 00:34:40,760
Speaker 1: and the local handymen and women that put the airport together.

515
00:34:40,920 --> 00:34:44,759
Speaker 1: So when that airport was put together and female was

516
00:34:45,080 --> 00:34:48,120
Speaker 1: FEMA basically told them, look, you have to secure his

517
00:34:48,200 --> 00:34:50,359
Speaker 1: airport in order to any kind of surprise to come

518
00:34:50,400 --> 00:34:54,240
Speaker 1: down here. They they said, they do it in five days,

519
00:34:54,280 --> 00:34:56,080
Speaker 1: and then they ended up doing it doing it in

520
00:34:56,160 --> 00:34:58,920
Speaker 1: three days. And still FEMA did not have a plane

521
00:34:58,960 --> 00:35:01,720
Speaker 1: or the US government and not have a plane land

522
00:35:01,760 --> 00:35:07,440
Speaker 1: with supplies until two weeks after the airport was already fixed. Yeah,

523
00:35:07,520 --> 00:35:10,040
Speaker 1: so some bullshit. So the thing is that that same

524
00:35:10,120 --> 00:35:12,799
Speaker 1: airport is the airport that I landed in and I

525
00:35:12,960 --> 00:35:16,160
Speaker 1: was there before FEMA and the president, and the president

526
00:35:16,360 --> 00:35:18,279
Speaker 1: never even made it over there, so you know, he

527
00:35:18,280 --> 00:35:19,840
Speaker 1: didn't make it to the west side of the island,

528
00:35:20,360 --> 00:35:22,799
Speaker 1: but you know, we were there. I make connections with

529
00:35:22,880 --> 00:35:25,960
Speaker 1: people over there. We were able to get uh about

530
00:35:26,040 --> 00:35:29,320
Speaker 1: nine hundred thousand pounds of supplies over to the West side,

531
00:35:29,800 --> 00:35:33,759
Speaker 1: which when no one else was dropping supplies there. And

532
00:35:34,520 --> 00:35:36,200
Speaker 1: you know, we we've just been able to kind of

533
00:35:36,239 --> 00:35:40,680
Speaker 1: like have a modern day underground railroad happening, and we've

534
00:35:40,680 --> 00:35:43,120
Speaker 1: taken it upon ourselves. Just you know, it's funny. I

535
00:35:43,480 --> 00:35:45,440
Speaker 1: went there as a Puerto Rican, but I left there

536
00:35:45,440 --> 00:35:48,759
Speaker 1: a human being man, So it became bigger than just

537
00:35:48,840 --> 00:35:50,959
Speaker 1: being Puerto Rican. It was just on a human level,

538
00:35:51,200 --> 00:35:52,680
Speaker 1: this is some ship that we had to do and

539
00:35:52,760 --> 00:35:55,360
Speaker 1: we needed to get our hands dirty and make sure

540
00:35:55,520 --> 00:35:59,520
Speaker 1: that we do it because we can't sit around waiting

541
00:35:59,520 --> 00:36:01,319
Speaker 1: for the US government to do it because they were

542
00:36:01,320 --> 00:36:04,120
Speaker 1: doing a horrible job. The local Puerto Rican government was

543
00:36:04,120 --> 00:36:06,560
Speaker 1: doing a horrible job. So we were like, hey, you know,

544
00:36:06,840 --> 00:36:09,040
Speaker 1: this is gonna be uh for the people, by the

545
00:36:09,080 --> 00:36:11,560
Speaker 1: people kind of thing, all right, and and and where

546
00:36:11,560 --> 00:36:13,840
Speaker 1: can I donate and where can other people donate and

547
00:36:13,880 --> 00:36:19,080
Speaker 1: find out more information uh going forward? Yes, So we

548
00:36:19,200 --> 00:36:22,359
Speaker 1: started a fundraise or go fund me, and actually where

549
00:36:22,360 --> 00:36:26,960
Speaker 1: it's for forming a Rock Study for Life foundation at

550
00:36:26,960 --> 00:36:30,839
Speaker 1: the moment. But the fundraisers started off with a ten

551
00:36:30,880 --> 00:36:34,200
Speaker 1: thousand dollars ago and up today today we've been we

552
00:36:34,360 --> 00:36:37,799
Speaker 1: raised over between the go fund me and other sources,

553
00:36:38,280 --> 00:36:41,200
Speaker 1: um over a hundred and fifty six thousand dollars you know,

554
00:36:41,280 --> 00:36:44,640
Speaker 1: beyond that ten thousand dollars a go and then you know,

555
00:36:44,760 --> 00:36:47,720
Speaker 1: people can go to go fund me dot com, uh

556
00:36:47,760 --> 00:36:51,480
Speaker 1: slash RND for life or just search rock Study for

557
00:36:51,560 --> 00:36:54,040
Speaker 1: Life on go fund me. I'm gonna donate. I'm gonna

558
00:36:54,120 --> 00:36:59,160
Speaker 1: encourage the listeners of the podcast that donate. And UM,

559
00:36:59,200 --> 00:37:03,320
Speaker 1: you know, I respect what you're doing. You're such an icon. Uh.

560
00:37:03,360 --> 00:37:05,480
Speaker 1: And you know, I know you're you're, you're all New

561
00:37:05,560 --> 00:37:08,600
Speaker 1: York everything. Um, I mean you're, you're, you're about as

562
00:37:08,680 --> 00:37:13,440
Speaker 1: quintessential of a New Yorker as it gets. Man. Thank you.

563
00:37:13,560 --> 00:37:15,680
Speaker 1: I appreciate it, man. And you know, just so do

564
00:37:15,760 --> 00:37:18,800
Speaker 1: people know out there, Uh, we haven't used one penny

565
00:37:18,800 --> 00:37:23,040
Speaker 1: of these funds raised for ourselves, any of our personal expenses,

566
00:37:23,400 --> 00:37:26,680
Speaker 1: even for myself. They're either come aby me or Red Bull,

567
00:37:27,000 --> 00:37:28,960
Speaker 1: who has been been having my back on this one.

568
00:37:29,760 --> 00:37:33,759
Speaker 1: But all money's raised, uh go towards helping the people

569
00:37:33,760 --> 00:37:36,120
Speaker 1: of Puerto Rico. All right, good, you're you're you're a

570
00:37:36,120 --> 00:37:38,000
Speaker 1: part of that. And you're making sure that that's happening.

571
00:37:39,040 --> 00:37:42,920
Speaker 1: Oh yeah, we are hands on. We're doing everything hands

572
00:37:42,920 --> 00:37:45,960
Speaker 1: on and every way front line. I'm going back to

573
00:37:46,000 --> 00:37:48,560
Speaker 1: Puerto Rico and about in less than two weeks and

574
00:37:48,640 --> 00:37:51,920
Speaker 1: we'll do another mission. Alright, dope, all right? Can I

575
00:37:51,920 --> 00:37:53,719
Speaker 1: ask you some hip hop questions? Can I ask you

576
00:37:53,719 --> 00:37:56,680
Speaker 1: some Rock City Crew questions? I mean, let me let

577
00:37:56,680 --> 00:38:00,320
Speaker 1: me ask you this. When's the first time you all

578
00:38:01,640 --> 00:38:05,680
Speaker 1: that you could remember someone rapping and deejaying and what

579
00:38:05,760 --> 00:38:08,640
Speaker 1: was that? Like? Where did you see it? And paint

580
00:38:08,680 --> 00:38:12,680
Speaker 1: that picture for me? All right? So the first time

581
00:38:12,719 --> 00:38:16,960
Speaker 1: I had my first hip hop experience, not knowing what

582
00:38:17,080 --> 00:38:20,120
Speaker 1: it was, had to be in nineteen seventy six. I

583
00:38:20,160 --> 00:38:23,480
Speaker 1: didn't know that the uh, the house parties on the

584
00:38:23,480 --> 00:38:26,440
Speaker 1: basement parties that were happening of the block to me

585
00:38:26,480 --> 00:38:31,120
Speaker 1: on Garfield Street in the Bronx were these little, you know,

586
00:38:31,600 --> 00:38:34,759
Speaker 1: underground jams. And then one day my cousin moved to

587
00:38:34,840 --> 00:38:38,920
Speaker 1: an area in the Bronx called Platona Avenue and right

588
00:38:39,000 --> 00:38:42,879
Speaker 1: by one street they used to throw park jams in there.

589
00:38:42,920 --> 00:38:47,200
Speaker 1: So in uh, nineteen seventy seven, he brought me to

590
00:38:47,600 --> 00:38:51,520
Speaker 1: a park jam and I was blown away. I was

591
00:38:51,640 --> 00:38:55,160
Speaker 1: tending tending a half years old, and I'm thinking like, wow,

592
00:38:55,360 --> 00:38:58,279
Speaker 1: you know, I'm looking at graffiti, writers tagged up in

593
00:38:58,320 --> 00:39:02,000
Speaker 1: each other's books, be boys and be girls and getting

594
00:39:02,040 --> 00:39:03,400
Speaker 1: down on the sci fi. I didn't know what they

595
00:39:03,440 --> 00:39:07,239
Speaker 1: were doing, and uh DJ's and MC. So it was

596
00:39:07,280 --> 00:39:09,600
Speaker 1: it was kind of like a coming to life moment

597
00:39:09,640 --> 00:39:12,200
Speaker 1: for me. And I'm over here. I'm a little shorty

598
00:39:12,320 --> 00:39:14,680
Speaker 1: and then all these people, whether they're two or three

599
00:39:14,719 --> 00:39:16,919
Speaker 1: years older than me, that's a big difference in height

600
00:39:16,960 --> 00:39:21,160
Speaker 1: when at that age. So I'm thinking like, wow, this thing,

601
00:39:21,360 --> 00:39:24,520
Speaker 1: this is colossal, this is amazing. I try to break

602
00:39:24,560 --> 00:39:27,440
Speaker 1: that day in my b boy bumwear or whatever, and

603
00:39:27,640 --> 00:39:30,920
Speaker 1: I was just like a scrub and I played myself.

604
00:39:30,960 --> 00:39:33,160
Speaker 1: I had the corny clothes and trying to dance with

605
00:39:33,239 --> 00:39:36,080
Speaker 1: no moves. So that was me. But I fell in

606
00:39:36,080 --> 00:39:38,759
Speaker 1: love with what I saw and and he stayed with

607
00:39:38,800 --> 00:39:44,280
Speaker 1: me ever since. But you know, it just became something

608
00:39:44,320 --> 00:39:47,879
Speaker 1: that I got involved with. My cousin started teaching me,

609
00:39:48,200 --> 00:39:50,839
Speaker 1: and then six months later, because of the way I

610
00:39:50,880 --> 00:39:56,279
Speaker 1: was evolving, I started teaching my cousin. So people are

611
00:39:56,280 --> 00:39:59,160
Speaker 1: moving fast with me. But you know, we're also talking

612
00:39:59,200 --> 00:40:01,800
Speaker 1: about you of the Boogie Down Bronx, which was also

613
00:40:01,840 --> 00:40:04,480
Speaker 1: known that known as the Burned Down Bronx. So it

614
00:40:04,560 --> 00:40:08,759
Speaker 1: wasn't sexy, you know, and it wasn't that glamorous as

615
00:40:08,760 --> 00:40:10,680
Speaker 1: I thought it was. It was just I was blown

616
00:40:10,719 --> 00:40:12,920
Speaker 1: away as a little kid. But we lived in a

617
00:40:12,960 --> 00:40:18,080
Speaker 1: real fucked up environment, so uh, you know, we we

618
00:40:18,160 --> 00:40:21,239
Speaker 1: even uh even when I met the guys, the guys

619
00:40:21,239 --> 00:40:24,680
Speaker 1: who started rock Steady, Um, they brought me to go

620
00:40:24,800 --> 00:40:28,120
Speaker 1: snatch a purse on the day that I met them,

621
00:40:28,120 --> 00:40:29,719
Speaker 1: you know, so it was kind of like, all right,

622
00:40:29,719 --> 00:40:32,120
Speaker 1: we're gonna bring you a child world, let's go snatch

623
00:40:32,120 --> 00:40:36,000
Speaker 1: a purse right now. We were unsuccessful, that crazy, you know,

624
00:40:37,239 --> 00:40:40,960
Speaker 1: but that's that was kind of like along the paths

625
00:40:41,000 --> 00:40:44,200
Speaker 1: of breaking we were paralleled during you know, some funcked

626
00:40:44,239 --> 00:40:48,520
Speaker 1: up ship. When did you get a sense that breakdancing

627
00:40:49,080 --> 00:40:52,799
Speaker 1: and rhyming and DJ was becoming a thing outside of

628
00:40:52,800 --> 00:40:55,600
Speaker 1: the Bronx, Like, what do you remember about it becoming like,

629
00:40:55,920 --> 00:40:58,120
Speaker 1: oh ship, not even like when it got you know,

630
00:40:58,200 --> 00:41:00,680
Speaker 1: big in the flash dance das and while it's not

631
00:41:00,800 --> 00:41:02,839
Speaker 1: like but like what was your first memory of it?

632
00:41:02,960 --> 00:41:05,520
Speaker 1: Was like, oh, this is like a thing that other

633
00:41:05,600 --> 00:41:08,200
Speaker 1: people know about as opposed to just us us up

634
00:41:08,239 --> 00:41:11,760
Speaker 1: here in the Bronx. Well, anyone that knew about it.

635
00:41:11,760 --> 00:41:14,719
Speaker 1: It happened because look, you had your Flashes and all

636
00:41:14,719 --> 00:41:16,960
Speaker 1: these other people who had it in seventy nine, they

637
00:41:16,960 --> 00:41:20,360
Speaker 1: had their record deals Curtis Blow, but they weren't presenting

638
00:41:20,440 --> 00:41:23,480
Speaker 1: hip hop. They were presenting wraps. So the thing is

639
00:41:23,520 --> 00:41:26,360
Speaker 1: that when we first started going down to the downtown

640
00:41:26,400 --> 00:41:29,520
Speaker 1: scene and performing because of Henry child Fund or who

641
00:41:29,600 --> 00:41:33,920
Speaker 1: Lady Blue, we were hitting spaces like the Mud Club,

642
00:41:34,200 --> 00:41:39,680
Speaker 1: the Kitchen Center for Performing Arts, Solvo Grounds, the Peppermint Lounge,

643
00:41:40,080 --> 00:41:44,680
Speaker 1: the Grille, Dances Syria, and the Roxy. So during that time,

644
00:41:44,800 --> 00:41:48,719
Speaker 1: that's when a Studio fifty four was transitioning and phasing out,

645
00:41:49,040 --> 00:41:51,800
Speaker 1: so we was a new hot ship. So you people

646
00:41:51,920 --> 00:41:55,319
Speaker 1: like like Bara Fots that majors hanging out in the

647
00:41:55,400 --> 00:42:01,160
Speaker 1: Roxy and uh who else the sex pistols, whether reggae

648
00:42:01,560 --> 00:42:03,640
Speaker 1: or hip hop. He started to see this merger of

649
00:42:03,680 --> 00:42:06,400
Speaker 1: these people who are kind of like against the grain,

650
00:42:06,520 --> 00:42:10,560
Speaker 1: anti establishment people all hanging out in the downtown scene,

651
00:42:10,840 --> 00:42:15,720
Speaker 1: and that led to UH magazines, magazines and newspapers covering

652
00:42:15,760 --> 00:42:18,879
Speaker 1: it like the East Village I, the Village Boys, UH

653
00:42:19,160 --> 00:42:22,040
Speaker 1: New Musical Express, Like a lot of British tabloids and

654
00:42:22,440 --> 00:42:25,720
Speaker 1: magazines were covering it, and that's what led to this whole,

655
00:42:26,000 --> 00:42:29,560
Speaker 1: this whole wave of of hip hop to to start

656
00:42:29,560 --> 00:42:32,960
Speaker 1: going on tour. But for me personally, I'll tell you

657
00:42:33,520 --> 00:42:35,960
Speaker 1: all that stuff. We did that and it's something that

658
00:42:36,000 --> 00:42:38,840
Speaker 1: we never tried to chase. We weren't chasing in the industry.

659
00:42:39,080 --> 00:42:41,560
Speaker 1: We were just trying to get some ghetto fame. But

660
00:42:42,280 --> 00:42:46,200
Speaker 1: after we had done some promotion for Flash Dance, and

661
00:42:46,239 --> 00:42:49,759
Speaker 1: this is already eight three three, We've already been on

662
00:42:49,800 --> 00:42:53,680
Speaker 1: tour already, I'm sitting in in Hawaii in Ypki and

663
00:42:53,719 --> 00:42:56,160
Speaker 1: this this this white man comes up to me in

664
00:42:56,280 --> 00:43:00,720
Speaker 1: his doctors and blue shirts and and he's he sits

665
00:43:00,760 --> 00:43:02,279
Speaker 1: next to me, He's like, hey, why don't you on

666
00:43:02,360 --> 00:43:06,040
Speaker 1: David Letterman Show. And I'm like yeah, and that in

667
00:43:06,160 --> 00:43:09,439
Speaker 1: that moment, I was watching seventeen years old and I'm thinking, oh,

668
00:43:09,640 --> 00:43:14,440
Speaker 1: ship Man, I'm kind of famous, you know, you know,

669
00:43:14,480 --> 00:43:16,719
Speaker 1: it's now it's like beyond ghetto. Same That's when I

670
00:43:16,800 --> 00:43:20,239
Speaker 1: first realized that there was a serious impact. And you know,

671
00:43:20,280 --> 00:43:23,560
Speaker 1: we we've already we've already done like Lincoln Center and

672
00:43:23,600 --> 00:43:26,320
Speaker 1: all these other places. But when you're six thousand miles

673
00:43:26,320 --> 00:43:27,920
Speaker 1: away and someone comes up to you and says they

674
00:43:27,960 --> 00:43:33,000
Speaker 1: know who you are and you're seventeen and it's night three, Damn,

675
00:43:34,360 --> 00:43:38,719
Speaker 1: that's crazy. How big was like Flash Dance and and

676
00:43:38,719 --> 00:43:40,799
Speaker 1: and obviously you know you had been a part of

677
00:43:40,840 --> 00:43:43,480
Speaker 1: I mean, you're you're so much a part of of

678
00:43:43,640 --> 00:43:45,880
Speaker 1: all this ship, you know, with Wild Style and like

679
00:43:45,960 --> 00:43:49,600
Speaker 1: just I mean even the ship that's not documented, the

680
00:43:49,600 --> 00:43:52,240
Speaker 1: the memories you know, um, but you know, the people,

681
00:43:52,280 --> 00:43:55,000
Speaker 1: the things that people could grasp on like myself, you know,

682
00:43:55,080 --> 00:43:59,480
Speaker 1: like Wild Style, sty Wars, uh, Beach Street uh. And

683
00:43:59,480 --> 00:44:02,640
Speaker 1: obviously Flashdance took things to a whole other level in

684
00:44:02,760 --> 00:44:04,319
Speaker 1: terms of I mean, you guys were just in the

685
00:44:04,360 --> 00:44:07,200
Speaker 1: movie when you look back on it, not for you,

686
00:44:07,200 --> 00:44:09,759
Speaker 1: You're just in there that one scene. And then you know,

687
00:44:10,239 --> 00:44:12,239
Speaker 1: is it true that you actually did some of the

688
00:44:12,360 --> 00:44:16,719
Speaker 1: dancing for Jennifer Beale's Yeah, at the end when she's

689
00:44:16,760 --> 00:44:19,319
Speaker 1: doing the audition. I just do the back spend, so

690
00:44:19,719 --> 00:44:22,160
Speaker 1: you know, I had to uh wear Lead's hard and

691
00:44:22,280 --> 00:44:26,200
Speaker 1: tights and a way and compe c os and you know,

692
00:44:26,239 --> 00:44:28,719
Speaker 1: I think the worst thing about that for me was that,

693
00:44:29,160 --> 00:44:32,560
Speaker 1: you know, I'm I was seventeen years old, and I'm thinking,

694
00:44:32,600 --> 00:44:35,360
Speaker 1: like fus man, they I'm just growing a mustache and

695
00:44:35,360 --> 00:44:38,160
Speaker 1: not only want me to shave it a little my

696
00:44:38,280 --> 00:44:40,440
Speaker 1: chees more thing going on, And so I think I

697
00:44:40,520 --> 00:44:43,000
Speaker 1: was disturbed more by that than anything else because that

698
00:44:43,080 --> 00:44:45,439
Speaker 1: felt like, damn, I shaved this, It's gonna be harder

699
00:44:45,440 --> 00:44:48,760
Speaker 1: to get girls because all my boys got mustachees. That's funny.

700
00:44:50,200 --> 00:44:53,000
Speaker 1: But when Flash Dance blew up, and I was thirteen

701
00:44:53,040 --> 00:44:55,880
Speaker 1: at the time, and you know, that's when things you know,

702
00:44:56,080 --> 00:44:58,360
Speaker 1: sort of encompassing and run DMC was out and you know,

703
00:44:58,360 --> 00:45:01,400
Speaker 1: it started popping off. Like but at that at that time,

704
00:45:01,440 --> 00:45:04,440
Speaker 1: like how crazy did it get? In? Like, were you

705
00:45:04,520 --> 00:45:07,719
Speaker 1: going all around the world at that point? Yeah, we

706
00:45:07,800 --> 00:45:12,120
Speaker 1: are already traveling a lot. We were constantly traveling, whether

707
00:45:12,160 --> 00:45:16,400
Speaker 1: it be Japan, France, uh, UK, Germany or you know,

708
00:45:17,520 --> 00:45:20,520
Speaker 1: Netherlands and all that stuff. And it was pretty busy

709
00:45:20,600 --> 00:45:23,680
Speaker 1: for us be were we were doing at It's great

710
00:45:23,680 --> 00:45:25,520
Speaker 1: because we were touring a lot more than a lot

711
00:45:25,560 --> 00:45:30,360
Speaker 1: of recording artists were touring. You know, we were um

712
00:45:30,400 --> 00:45:33,880
Speaker 1: doing something that was basically you know, number one, we

713
00:45:33,880 --> 00:45:38,400
Speaker 1: were teenagers, uh and we represented the streets. So usually

714
00:45:38,400 --> 00:45:41,399
Speaker 1: every anything that teenagers do that's like sucking super cool,

715
00:45:41,480 --> 00:45:43,200
Speaker 1: it's like all the ship all the other kids want

716
00:45:43,239 --> 00:45:45,480
Speaker 1: to do it. And when you're going through those defining

717
00:45:45,560 --> 00:45:47,560
Speaker 1: years in your life, when you're trying to establish your

718
00:45:47,600 --> 00:45:50,120
Speaker 1: identity and you're still trying to like not do what

719
00:45:50,200 --> 00:45:52,319
Speaker 1: your parents are saying, but do you do your own thing,

720
00:45:52,800 --> 00:45:54,680
Speaker 1: a lot of people did what we were doing, and

721
00:45:54,719 --> 00:45:58,520
Speaker 1: they wanted to become what we were. We were, you know,

722
00:45:58,800 --> 00:46:01,040
Speaker 1: not knowing that we were like also living a double

723
00:46:01,120 --> 00:46:03,480
Speaker 1: lifestyle at the same time because we go on tour

724
00:46:03,880 --> 00:46:06,040
Speaker 1: and then we did some like really fussed up ship,

725
00:46:06,080 --> 00:46:09,000
Speaker 1: like go rob somebody after we get off store. So

726
00:46:09,640 --> 00:46:13,160
Speaker 1: you know, we were we were super rough around the edges. Man,

727
00:46:13,200 --> 00:46:16,799
Speaker 1: we were wilding out, and you know that was that

728
00:46:16,880 --> 00:46:18,960
Speaker 1: had a lot to do with our environment and how

729
00:46:18,960 --> 00:46:21,680
Speaker 1: we grew up in and the desperation that we lived in,

730
00:46:22,000 --> 00:46:24,800
Speaker 1: you know, whether it being a welfare or domestic violence

731
00:46:24,840 --> 00:46:29,040
Speaker 1: in the house. You know, just really uh um dysfunctional

732
00:46:29,200 --> 00:46:32,040
Speaker 1: home situations that a lot of us lived in and

733
00:46:32,120 --> 00:46:35,359
Speaker 1: lead to kind of like us just wilding out back

734
00:46:35,400 --> 00:46:39,560
Speaker 1: then that's crazy and your wildest dreams, legs and your

735
00:46:39,640 --> 00:46:44,239
Speaker 1: wildest fucking dreams? Did you ever imagine that hip hop

736
00:46:44,239 --> 00:46:46,279
Speaker 1: would be what it is today in two thousand and

737
00:46:46,320 --> 00:46:50,480
Speaker 1: eighteen with all the money all I mean forget cross over,

738
00:46:50,600 --> 00:46:52,600
Speaker 1: forget you know, like I remember, you know, when it

739
00:46:52,760 --> 00:46:56,759
Speaker 1: was like you know, like uh, serial commercials, you know,

740
00:46:56,840 --> 00:46:59,880
Speaker 1: I mean and and he's I mean forget forget all

741
00:47:00,000 --> 00:47:02,520
Speaker 1: at because that's like child's played. Compared to where we

742
00:47:02,560 --> 00:47:05,439
Speaker 1: are now and your wildest fucking dreams, did you ever

743
00:47:05,520 --> 00:47:09,960
Speaker 1: imagine that it would still be such a prominent important

744
00:47:10,000 --> 00:47:13,360
Speaker 1: part of beyond New York City, it's the entire world? Like,

745
00:47:13,560 --> 00:47:17,080
Speaker 1: did you ever like fathom the ship? No? I mean

746
00:47:17,120 --> 00:47:19,440
Speaker 1: when you think about where we lived and how we

747
00:47:19,480 --> 00:47:23,759
Speaker 1: grew up, the ghetto, props and meeting meeting girls as

748
00:47:23,800 --> 00:47:26,319
Speaker 1: a little kid was all we wanted. There was no

749
00:47:26,440 --> 00:47:30,360
Speaker 1: opportunity or any lane that would established for us to

750
00:47:30,440 --> 00:47:33,200
Speaker 1: have our lane, uh you know, our lights on Broadway

751
00:47:33,239 --> 00:47:36,839
Speaker 1: and and on the silver screen or having a record deal.

752
00:47:36,920 --> 00:47:39,680
Speaker 1: So none of that was was a reality for us.

753
00:47:39,760 --> 00:47:43,480
Speaker 1: We had the typical ghetto dreams of being an athlete

754
00:47:43,640 --> 00:47:47,799
Speaker 1: or or a musician. We didn't have many things to

755
00:47:48,400 --> 00:47:51,280
Speaker 1: basically look at and say, hey, you know this person

756
00:47:51,320 --> 00:47:53,840
Speaker 1: in my family is doing this, you know, so I

757
00:47:53,880 --> 00:47:56,160
Speaker 1: want to be that because they inspired me, they did

758
00:47:56,200 --> 00:47:59,040
Speaker 1: great things. We didn't really have those things. So no,

759
00:47:59,480 --> 00:48:02,080
Speaker 1: not at all, man. I mean, you know, when when

760
00:48:02,080 --> 00:48:06,080
Speaker 1: you're uh, even when people are on tour, we never

761
00:48:06,120 --> 00:48:10,080
Speaker 1: really stopped to look. So you know, I would say

762
00:48:10,080 --> 00:48:14,279
Speaker 1: from eighties five eighty six to eighty nine we were

763
00:48:14,320 --> 00:48:19,359
Speaker 1: on hiatus me personally. And when we started doing things

764
00:48:19,400 --> 00:48:22,919
Speaker 1: again in nineteen ninety, you know, and I realized, oh ship,

765
00:48:23,160 --> 00:48:25,359
Speaker 1: I just still tour and people still you know, I'm

766
00:48:25,400 --> 00:48:28,239
Speaker 1: relevant when it comes to the history of what we did.

767
00:48:28,719 --> 00:48:31,359
Speaker 1: I have promised myself that I would stopping looking looking

768
00:48:31,440 --> 00:48:34,080
Speaker 1: this time around and and appreciate what I was part of.

769
00:48:34,760 --> 00:48:36,880
Speaker 1: So you know, I took it more serious a second

770
00:48:36,880 --> 00:48:40,200
Speaker 1: time around, because you know, in the seventies eighties, I

771
00:48:40,280 --> 00:48:42,560
Speaker 1: was just a little ghetto bastard. I got you, I

772
00:48:42,600 --> 00:48:46,759
Speaker 1: got you. Where is rock Steady Crew now? Now that

773
00:48:46,840 --> 00:48:49,880
Speaker 1: it's been so long and you you guys have grown

774
00:48:49,960 --> 00:48:52,760
Speaker 1: up and there there's you know, like you've learned business

775
00:48:53,040 --> 00:48:55,560
Speaker 1: and all, Like what is what is rock Steady Crew

776
00:48:55,640 --> 00:48:58,759
Speaker 1: today in two thousand eighteen in terms of you know,

777
00:48:58,880 --> 00:49:01,200
Speaker 1: the world wide thing? Like how many people are involved.

778
00:49:01,200 --> 00:49:02,759
Speaker 1: Like what does it mean to you and what do

779
00:49:02,800 --> 00:49:06,360
Speaker 1: you think it means to the world. Well, we're definitely

780
00:49:06,400 --> 00:49:09,600
Speaker 1: not snatching any persons. I say that, snatching no more

781
00:49:09,600 --> 00:49:15,000
Speaker 1: person's legs, you know. Um, here's the thing when we

782
00:49:15,080 --> 00:49:16,719
Speaker 1: got when I got into Rock Study, it was it

783
00:49:16,760 --> 00:49:19,120
Speaker 1: was wild. You know, some stick of kids or whatever

784
00:49:19,360 --> 00:49:21,720
Speaker 1: people were doing the street stuff. How how many people

785
00:49:21,760 --> 00:49:23,680
Speaker 1: were in there at first? Like when you the first

786
00:49:23,680 --> 00:49:26,120
Speaker 1: time you heard Rock Study crew, how many people were

787
00:49:26,120 --> 00:49:29,040
Speaker 1: in and who? What were their names? Wow, Jimmy D

788
00:49:29,280 --> 00:49:31,520
Speaker 1: Jimmy it was it was probably by ten twelve people,

789
00:49:31,560 --> 00:49:33,960
Speaker 1: Jimmy D, Jimmy Lee, there was those are the founders

790
00:49:34,360 --> 00:49:38,520
Speaker 1: do named Joe Joe Easy, Mike CN, a brother named Weevils,

791
00:49:39,200 --> 00:49:41,600
Speaker 1: and uh a few other heads I can't even remember

792
00:49:41,600 --> 00:49:44,640
Speaker 1: because I didn't really grow up with them. But Rock

793
00:49:44,719 --> 00:49:47,279
Speaker 1: said he was eventually given to me in nineteen seventy nine,

794
00:49:47,960 --> 00:49:50,719
Speaker 1: and I grew Rock Study to be up to five

795
00:49:50,800 --> 00:49:53,480
Speaker 1: hundred people back in the eighties. And when you think

796
00:49:53,480 --> 00:49:55,759
Speaker 1: about how old I was, and I was running a

797
00:49:55,800 --> 00:49:59,640
Speaker 1: group of five hundred people and I had no uh

798
00:50:00,000 --> 00:50:02,920
Speaker 1: training and how to manage a group like that, it

799
00:50:03,000 --> 00:50:06,520
Speaker 1: was pretty wild. But right now, uh, we have about

800
00:50:06,520 --> 00:50:09,960
Speaker 1: forty five people. And if you're a young person, you

801
00:50:10,040 --> 00:50:14,120
Speaker 1: have to basically be doing really well in school. Everyone

802
00:50:14,160 --> 00:50:17,000
Speaker 1: and all the kids in Rock Study right now are

803
00:50:17,320 --> 00:50:21,120
Speaker 1: pretty much a student, you know, whether they're in whether

804
00:50:21,160 --> 00:50:25,319
Speaker 1: they're in college, high school, middle school, whatever, everyone is

805
00:50:26,000 --> 00:50:28,600
Speaker 1: expected to do really well and everyone's on is on

806
00:50:29,080 --> 00:50:33,440
Speaker 1: a great path. I actually um put two younger people

807
00:50:33,880 --> 00:50:36,759
Speaker 1: in charge of Rock Study because I feel like, you know,

808
00:50:36,840 --> 00:50:39,160
Speaker 1: sometimes you have to know when when, you know, pass

809
00:50:39,200 --> 00:50:42,920
Speaker 1: the baton so that this quession is stays relevant. And

810
00:50:43,000 --> 00:50:44,960
Speaker 1: so there's this girl, she's twenty one years old. Her

811
00:50:45,040 --> 00:50:48,040
Speaker 1: name is the Girl Phoenix, and she lives in l A.

812
00:50:48,760 --> 00:50:51,520
Speaker 1: And she's vice president of Rock Study. And my boy

813
00:50:51,600 --> 00:50:53,879
Speaker 1: why Not, the boy why Not is a senior vice

814
00:50:53,920 --> 00:50:57,520
Speaker 1: president Rock Study. And I'm actually focusing more on music,

815
00:50:57,680 --> 00:51:00,480
Speaker 1: you know, creating music festivals and build thing the Rock

816
00:51:00,520 --> 00:51:03,520
Speaker 1: Steady brand on the business tip while they keep Rock

817
00:51:03,600 --> 00:51:07,360
Speaker 1: Steady alive on the battlefront. I got the dance and performing,

818
00:51:08,080 --> 00:51:10,760
Speaker 1: you know. And in regards to the dancing and the performing,

819
00:51:11,239 --> 00:51:14,799
Speaker 1: you know, what you guys did and created and and

820
00:51:14,840 --> 00:51:16,799
Speaker 1: you know, and obviously that there was a whole bunch

821
00:51:16,840 --> 00:51:20,680
Speaker 1: of you um, and when you see what kids do now,

822
00:51:20,800 --> 00:51:23,359
Speaker 1: like with their bodies, Like, what is your take on it?

823
00:51:23,600 --> 00:51:26,440
Speaker 1: Because you see it differently than like I see it.

824
00:51:26,440 --> 00:51:28,960
Speaker 1: I can't fucking I could barely walking, you know, to

825
00:51:29,160 --> 00:51:31,600
Speaker 1: gum at the same time, I got my little two step.

826
00:51:31,640 --> 00:51:33,960
Speaker 1: That's it. You know. I can't break dance. I can't

827
00:51:34,000 --> 00:51:36,440
Speaker 1: up rock, I can't, I can't nothing. But when you

828
00:51:36,480 --> 00:51:38,319
Speaker 1: see what people could do with their bodies and the

829
00:51:38,360 --> 00:51:41,520
Speaker 1: flips and the craziness, and like, what is your impression

830
00:51:41,560 --> 00:51:43,480
Speaker 1: of it just as a dancer and somebody that's so

831
00:51:43,600 --> 00:51:47,839
Speaker 1: integral to creating this stuff. Well, now now that I'm

832
00:51:47,880 --> 00:51:52,920
Speaker 1: not focusing on the dance from a competitive aspect me personally,

833
00:51:53,320 --> 00:51:55,000
Speaker 1: I get to look at that for what look at

834
00:51:55,000 --> 00:51:56,839
Speaker 1: it for what it is, and I get to appreciate

835
00:51:56,920 --> 00:52:00,560
Speaker 1: and support the next generation. I'm happy right now that

836
00:52:00,640 --> 00:52:03,640
Speaker 1: we're at a point within the dance where there's a

837
00:52:03,760 --> 00:52:07,600
Speaker 1: nice balance between like the funk, the flavor of the acrobatics,

838
00:52:07,640 --> 00:52:11,960
Speaker 1: and the style and the rhythmic patterns. So I'm very

839
00:52:12,000 --> 00:52:14,400
Speaker 1: supportive of them, even when it comes to like, you know,

840
00:52:14,440 --> 00:52:17,680
Speaker 1: I know a lot of people have issues with with um.

841
00:52:17,719 --> 00:52:19,920
Speaker 1: You know, the idea that yeah. We even when with

842
00:52:20,000 --> 00:52:23,359
Speaker 1: rap music, we like what we like, you know, growing up,

843
00:52:23,400 --> 00:52:26,200
Speaker 1: and I think that a lot of music that we

844
00:52:26,280 --> 00:52:29,080
Speaker 1: liked while we were growing up was at a you know,

845
00:52:29,160 --> 00:52:32,240
Speaker 1: pivotal time in our lives. We were really establishing our lanes.

846
00:52:32,320 --> 00:52:34,439
Speaker 1: And those are the times when you had your first

847
00:52:34,480 --> 00:52:36,759
Speaker 1: kisses and your prom and all that other stuff. So

848
00:52:36,800 --> 00:52:38,520
Speaker 1: all this ship that was playing while all that was

849
00:52:38,600 --> 00:52:42,359
Speaker 1: happening is the soundtrack to our lives. So even even

850
00:52:42,400 --> 00:52:45,400
Speaker 1: with trap music, I don't I don't bother the kids

851
00:52:45,400 --> 00:52:47,719
Speaker 1: on their music. You know, I'm like, do your thing,

852
00:52:47,760 --> 00:52:52,200
Speaker 1: because you know, number one there those kids are should

853
00:52:52,239 --> 00:52:55,640
Speaker 1: be our kids right now. And number two, uh, they're

854
00:52:55,640 --> 00:52:57,640
Speaker 1: gonna make their own mistakes the same way, in the

855
00:52:57,640 --> 00:52:59,880
Speaker 1: same way I did. Like when we were doing stickups

856
00:52:59,880 --> 00:53:04,640
Speaker 1: and dumb Ship and number three, it's like, let him live.

857
00:53:05,080 --> 00:53:07,399
Speaker 1: They're gonna figure it out later on the good ship

858
00:53:07,480 --> 00:53:10,960
Speaker 1: and the whack Ship. There's gonna be some classics, you know,

859
00:53:11,000 --> 00:53:13,200
Speaker 1: even some of our classics right now that we can't

860
00:53:13,200 --> 00:53:16,600
Speaker 1: get out of our head were Whack. Yeah. I remember

861
00:53:16,600 --> 00:53:22,600
Speaker 1: that ship, you know, dog dog like wrapping dude, like

862
00:53:22,680 --> 00:53:26,200
Speaker 1: really right right right, it's funny. It's funny. Because because

863
00:53:26,880 --> 00:53:28,880
Speaker 1: at the time that ship was it was whack and

864
00:53:28,920 --> 00:53:31,960
Speaker 1: then you know, and then obviously with Biggie name dropped

865
00:53:32,000 --> 00:53:34,120
Speaker 1: it and then but like when you look back on it,

866
00:53:34,160 --> 00:53:36,719
Speaker 1: you sort of have a softer, a softer appeal for

867
00:53:36,760 --> 00:53:41,040
Speaker 1: it because of the nostalgia. Nostalgia does a lot exactly

868
00:53:41,719 --> 00:53:44,880
Speaker 1: exactly because you know that that could also lead to

869
00:53:44,920 --> 00:53:47,319
Speaker 1: the funny stories of like, yeah, remember that corn Baill

870
00:53:47,400 --> 00:53:49,879
Speaker 1: dude was singing it that day on Man that ship

871
00:53:50,000 --> 00:53:53,440
Speaker 1: was funny. You know, we start shooting spitballs at him. Remember.

872
00:53:55,400 --> 00:53:59,640
Speaker 1: All right, Well, your ladies, I appreciate you're taking the time. Again.

873
00:54:00,200 --> 00:54:03,560
Speaker 1: You can check out the the go for me for Rock,

874
00:54:03,640 --> 00:54:06,239
Speaker 1: Stay for Life. It's you know, go fund me dot com,

875
00:54:06,320 --> 00:54:10,719
Speaker 1: forward slash r s C for Life. I'm gonna post

876
00:54:10,719 --> 00:54:14,239
Speaker 1: it with the podcast. I appreciate what you're doing. All right,

877
00:54:14,320 --> 00:54:16,400
Speaker 1: thank you, And like I said, you know, you know

878
00:54:16,480 --> 00:54:19,600
Speaker 1: the word legend and icon, it's thrown around a lot,

879
00:54:19,640 --> 00:54:22,040
Speaker 1: but you you are actually a legend, actually an icon,

880
00:54:22,200 --> 00:54:25,800
Speaker 1: actually a person who's so much a part of uh

881
00:54:25,840 --> 00:54:28,480
Speaker 1: of everything hip hop today and nothing but respect. And

882
00:54:29,280 --> 00:54:30,880
Speaker 1: you know, I could vow just is this is a

883
00:54:30,920 --> 00:54:34,440
Speaker 1: good dude, And I'm gonna support myself and I encourage

884
00:54:34,440 --> 00:54:37,279
Speaker 1: everybody else to look into uh look into it and

885
00:54:37,280 --> 00:54:41,439
Speaker 1: support themselves as much or as little as you possibly can. Yeah,

886
00:54:41,480 --> 00:54:46,200
Speaker 1: and anything matters, you know, Alright, Cool Legs. I appreciate

887
00:54:46,239 --> 00:54:48,480
Speaker 1: the time. I appreciate you rocking with me, up rocking

888
00:54:48,480 --> 00:54:51,600
Speaker 1: with me on the I am wrapping for stereo podcast. Yeah,

889
00:54:51,640 --> 00:54:53,360
Speaker 1: so we gotta get you up to Puerto Rico. I

890
00:54:53,360 --> 00:54:55,280
Speaker 1: would love it. I would love it. Well, let's do it,

891
00:54:56,440 --> 00:54:58,160
Speaker 1: cool bro, thank you all right, my man, I'll talk

892
00:54:58,160 --> 00:55:06,279
Speaker 1: to you soon. As I said, G Moody last name

893
00:55:06,320 --> 00:55:11,000
Speaker 1: rhymes with duty, would be joining me on the Iron

894
00:55:11,080 --> 00:55:15,560
Speaker 1: Rap Reports stereo podcast. I had a great interview with

895
00:55:15,640 --> 00:55:25,920
Speaker 1: the icon rock Steady Crew Crazy Legs icon. I mean, listen,

896
00:55:26,040 --> 00:55:28,520
Speaker 1: if if you don't know who Crazy Legs is, you

897
00:55:28,520 --> 00:55:31,319
Speaker 1: don't get shamed here, just look it up. Look up

898
00:55:31,360 --> 00:55:34,680
Speaker 1: the rock Steady Crew Crazy Legs, because I employ you

899
00:55:35,480 --> 00:55:39,760
Speaker 1: to know about the history of all things hip hop. UM.

900
00:55:39,800 --> 00:55:42,319
Speaker 1: But now with the uh, the three peating champion, the

901
00:55:42,360 --> 00:55:47,040
Speaker 1: man who uh back to back to back podcast co

902
00:55:47,160 --> 00:55:49,960
Speaker 1: host of the year, um couldn't be on the whole

903
00:55:49,960 --> 00:55:52,719
Speaker 1: podcast with me today. He was flying east coast to

904
00:55:52,719 --> 00:55:56,360
Speaker 1: West Coast had a tumultuous, tumultuous time getting from the

905
00:55:56,400 --> 00:55:59,360
Speaker 1: East Coast to the West coast. Isn't that right, Mr Moody? Yeah,

906
00:55:59,560 --> 00:56:03,359
Speaker 1: JF Hey is it tatters? Uh? They won't even give

907
00:56:03,400 --> 00:56:06,279
Speaker 1: you your fucking bags. They can't. They can't give you

908
00:56:06,280 --> 00:56:09,399
Speaker 1: your bags out of the fucking uh baggage claimed, They

909
00:56:09,480 --> 00:56:12,760
Speaker 1: just put them out. If you go out, you'll see

910
00:56:13,400 --> 00:56:18,319
Speaker 1: luggage all over the floor. Why is this ship frozen? Yes,

911
00:56:19,080 --> 00:56:20,640
Speaker 1: and you have to pick yours. You have to pick

912
00:56:20,680 --> 00:56:27,000
Speaker 1: it out. Um, you're not a big TV guy. I

913
00:56:27,000 --> 00:56:30,160
Speaker 1: don't think we've ever discussed an award show in full. Um,

914
00:56:30,200 --> 00:56:33,560
Speaker 1: we're not going over the awards. Um. Listen. At the

915
00:56:33,680 --> 00:56:35,920
Speaker 1: end of the day, I think this was a very

916
00:56:35,920 --> 00:56:40,479
Speaker 1: successful Golden Globes Award show. Oprah Winfrey shut it down.

917
00:56:40,880 --> 00:56:44,319
Speaker 1: Almost brought me to a tear. Oh yeah, almost brought

918
00:56:44,360 --> 00:56:46,680
Speaker 1: me to a tear. Her speech about her life and

919
00:56:47,400 --> 00:56:51,279
Speaker 1: her struggle and everything that you know got her to

920
00:56:51,640 --> 00:56:54,839
Speaker 1: getting this you know, Lifetime Achievement Award. Again, we don't

921
00:56:54,840 --> 00:56:58,920
Speaker 1: fact Jack here at the Iron Rap or Stereo podcast. Um,

922
00:56:58,960 --> 00:57:03,400
Speaker 1: but she won basic the Lifetime Achievement Award. Um. And

923
00:57:03,400 --> 00:57:07,040
Speaker 1: she gave a great speech. Uh, and and it was cool.

924
00:57:07,080 --> 00:57:11,319
Speaker 1: I have to say, uh, friend, co star of the

925
00:57:11,320 --> 00:57:16,200
Speaker 1: movie Beautiful Girls, I love her. I didn't really like

926
00:57:16,280 --> 00:57:20,200
Speaker 1: what my girl, Natali Apportman said right after Oprah Winfrey

927
00:57:20,240 --> 00:57:23,560
Speaker 1: left the stage over gave her speech, standing ovation, people

928
00:57:23,560 --> 00:57:26,600
Speaker 1: are crying, people are excited. Um. You know, obviously it

929
00:57:26,640 --> 00:57:29,560
Speaker 1: was very pro pro female, as it should be. She

930
00:57:29,680 --> 00:57:36,680
Speaker 1: exemplified and articulated every single thing, uh with the bringing

931
00:57:36,760 --> 00:57:40,720
Speaker 1: the the attention that the hashtag me too, all of

932
00:57:40,760 --> 00:57:44,240
Speaker 1: that to the attention. And then the next thing um

933
00:57:44,920 --> 00:57:47,800
Speaker 1: that was said was by my girl natal Deportman, who

934
00:57:47,840 --> 00:57:50,920
Speaker 1: I won't disrespect because I love her, but her comment

935
00:57:51,480 --> 00:57:54,960
Speaker 1: right afterwards she was doing the the Best Director Award

936
00:57:55,480 --> 00:57:59,160
Speaker 1: and she said the all male nominees are and I'm like, yo, see,

937
00:57:59,160 --> 00:58:03,360
Speaker 1: Oprah wasn't doing all that. You're disrespecting these people that

938
00:58:03,440 --> 00:58:08,760
Speaker 1: put their work up there um for no reason, right right.

939
00:58:08,760 --> 00:58:11,919
Speaker 1: That's discrimination. You're discriminating. Like she she was like saying,

940
00:58:11,920 --> 00:58:14,480
Speaker 1: oh it should be Listen. I don't know all the

941
00:58:14,520 --> 00:58:16,320
Speaker 1: movies this year, and I don't know who got left out,

942
00:58:16,320 --> 00:58:18,200
Speaker 1: who didn't get left out, But they're not gonna give

943
00:58:18,200 --> 00:58:21,600
Speaker 1: the awards based on gender. Or race this year if

944
00:58:21,600 --> 00:58:24,840
Speaker 1: it's all male nominees. It's all male nominees and that's okay,

945
00:58:26,480 --> 00:58:27,920
Speaker 1: Like what were they supposed to do, Like, oh, we

946
00:58:27,960 --> 00:58:30,960
Speaker 1: gotta make sure we give two women, uh, two men.

947
00:58:31,160 --> 00:58:32,920
Speaker 1: One of them has to be black, another one has

948
00:58:32,920 --> 00:58:36,000
Speaker 1: to be Asian. Uh, you can't like for for for

949
00:58:36,040 --> 00:58:38,760
Speaker 1: her to say that after Oprah, who who was was

950
00:58:38,880 --> 00:58:42,520
Speaker 1: very open and and very um loving towards everybody. I

951
00:58:42,560 --> 00:58:45,760
Speaker 1: just thought it was was in bad taste. Right, it's

952
00:58:45,800 --> 00:58:48,600
Speaker 1: on the merits of your work. If they happened to

953
00:58:48,760 --> 00:58:51,400
Speaker 1: be men, or if they happened to be women or women,

954
00:58:51,800 --> 00:58:55,840
Speaker 1: it's okay too. Plenty of women won awards all night, Right,

955
00:58:56,160 --> 00:58:58,320
Speaker 1: the best director of a TV show was a woman.

956
00:58:58,560 --> 00:59:03,440
Speaker 1: And the point is is that listen, listen. Oprah was great.

957
00:59:03,920 --> 00:59:07,560
Speaker 1: I still don't know what Steadman does. Is that her man?

958
00:59:08,560 --> 00:59:11,800
Speaker 1: They are they married? Yeah? I don't know what Steadman does.

959
00:59:12,040 --> 00:59:15,640
Speaker 1: He don't speak. He'd just be chilling and ship like

960
00:59:15,840 --> 00:59:18,120
Speaker 1: he's been chilling for like thirty five years in the cut,

961
00:59:18,240 --> 00:59:21,480
Speaker 1: like he what's your deal? Steman, He's a he's a

962
00:59:21,560 --> 00:59:25,480
Speaker 1: kept guy. All he gotta do is just lay the pipe.

963
00:59:26,440 --> 00:59:30,800
Speaker 1: He don't say ship he's never out anywhere. He's a

964
00:59:31,080 --> 00:59:33,640
Speaker 1: he's a kept guy and his job is to just

965
00:59:33,840 --> 00:59:40,760
Speaker 1: late pipe. There you go, There you go, bro. He

966
00:59:40,880 --> 00:59:44,840
Speaker 1: knows that right. There's no shame in it that that

967
00:59:44,880 --> 00:59:47,160
Speaker 1: woman is a billionaire. I do the same ship. There

968
00:59:47,200 --> 00:59:50,479
Speaker 1: you go, my man, that's my man right there. Gim

969
00:59:50,600 --> 00:59:56,200
Speaker 1: Nettie Gie Moody. Last name rhymes with duty. Um. You know,

970
00:59:56,400 --> 01:00:01,800
Speaker 1: so overall, you know, I think that the point was made. Um,

971
01:00:01,840 --> 01:00:04,680
Speaker 1: I think it's gonna be obviously, there has to be

972
01:00:04,720 --> 01:00:08,080
Speaker 1: followed through. It's all good to bring people who are

973
01:00:08,200 --> 01:00:13,440
Speaker 1: lifelong UH activists to the awards show. What did you

974
01:00:13,480 --> 01:00:15,720
Speaker 1: think of them bringing the activists of the award show?

975
01:00:15,800 --> 01:00:22,200
Speaker 1: Mr Moody, I'm sick of it. Every every year. It's

976
01:00:22,320 --> 01:00:25,600
Speaker 1: some pawn that they put out here every year. I

977
01:00:25,680 --> 01:00:27,960
Speaker 1: tune in. You said, I'm not a TV guy, but

978
01:00:28,080 --> 01:00:30,640
Speaker 1: I am certain at certain times because I do like

979
01:00:30,720 --> 01:00:33,120
Speaker 1: these awards shows. Sometime I'd like to see the glamour

980
01:00:33,120 --> 01:00:36,440
Speaker 1: of the glitz and all that, but I'm it's always

981
01:00:36,520 --> 01:00:41,600
Speaker 1: I'm inundated with people with with their platforms. Get the award,

982
01:00:42,440 --> 01:00:45,520
Speaker 1: thank your family, and get the funk off stage, or

983
01:00:45,560 --> 01:00:47,840
Speaker 1: the next person can get the award. I want to

984
01:00:47,880 --> 01:00:53,600
Speaker 1: see what the show was designed for, to celebrate the arts,

985
01:00:53,800 --> 01:00:59,960
Speaker 1: to celebrate great works. Now it's this, uh, this me too.

986
01:01:00,080 --> 01:01:04,720
Speaker 1: Next year it's gonna be hashtag Oh you forgot about me. Listen,

987
01:01:05,240 --> 01:01:08,120
Speaker 1: I want to see the awards. I don't want to hear.

988
01:01:08,640 --> 01:01:11,760
Speaker 1: Of course, the sexual assault SHI is terrible, of course,

989
01:01:12,640 --> 01:01:15,000
Speaker 1: but listen, man, this has been going on for eight months,

990
01:01:15,040 --> 01:01:17,520
Speaker 1: and I want to get a reprieve from that because

991
01:01:17,640 --> 01:01:21,520
Speaker 1: I know about it. It's it's every day. Get the award,

992
01:01:22,320 --> 01:01:25,120
Speaker 1: thank your mom's, thank your pops, thanks the agents, and

993
01:01:25,160 --> 01:01:27,920
Speaker 1: get the funk off stage, yo, get the award and

994
01:01:27,960 --> 01:01:30,600
Speaker 1: get the funk off off the stage too. And and

995
01:01:30,640 --> 01:01:33,280
Speaker 1: I want to say this, there's some of these new

996
01:01:33,360 --> 01:01:37,600
Speaker 1: jack young actors up there. Yo. If you show up

997
01:01:37,600 --> 01:01:40,760
Speaker 1: at an award show and you're asked to present, if

998
01:01:40,760 --> 01:01:44,120
Speaker 1: you don't smile in all that ship, they should yank

999
01:01:44,160 --> 01:01:46,240
Speaker 1: you the funk up off the stage too, like you're

1000
01:01:46,280 --> 01:01:49,200
Speaker 1: you're you're too serious and you mightna get the funk

1001
01:01:49,240 --> 01:01:51,120
Speaker 1: up off the stage. Man, you have the golden globes,

1002
01:01:51,160 --> 01:01:53,040
Speaker 1: mean you're presenting an award. I don't even remember this

1003
01:01:53,080 --> 01:01:55,200
Speaker 1: one kid's and he's up there, like not smiling. He's

1004
01:01:55,200 --> 01:01:59,560
Speaker 1: also beat it money. Yeah, if it's so hard, and

1005
01:01:59,600 --> 01:02:01,920
Speaker 1: it's if it's so uncomfortable for you to present that

1006
01:02:01,960 --> 01:02:05,480
Speaker 1: the Golden Globes, you're in the wrong business. These guys

1007
01:02:05,480 --> 01:02:08,040
Speaker 1: went there with their full shyness and all that. If

1008
01:02:08,080 --> 01:02:11,720
Speaker 1: you're so shy, you shouldn't accepted the offer to present

1009
01:02:11,800 --> 01:02:15,800
Speaker 1: that the Golden Globes money. You look like you got

1010
01:02:15,800 --> 01:02:17,840
Speaker 1: a gun to your fucking back. I don't even know

1011
01:02:17,920 --> 01:02:20,320
Speaker 1: the name of it, wanting the dude. One of these

1012
01:02:20,400 --> 01:02:24,680
Speaker 1: star wars asked, uh, you know one of these star

1013
01:02:24,760 --> 01:02:28,600
Speaker 1: wars asked Shakespearean asked, motherfucker's up there, like looking like

1014
01:02:28,600 --> 01:02:31,480
Speaker 1: he don't want to be there, And you could have

1015
01:02:31,520 --> 01:02:33,600
Speaker 1: called me and moody we would have been happy as fuck.

1016
01:02:35,680 --> 01:02:37,920
Speaker 1: It would have been a great show. But yo, Also,

1017
01:02:38,160 --> 01:02:43,040
Speaker 1: I've noticed the cross hairs are now on the white men,

1018
01:02:43,600 --> 01:02:46,680
Speaker 1: on white on white man, on the white man in general.

1019
01:02:47,240 --> 01:02:49,479
Speaker 1: He's in the cross hairs. But you gotta watch out

1020
01:02:50,120 --> 01:02:56,200
Speaker 1: because the white man controls all this ship. So you

1021
01:02:56,320 --> 01:02:59,280
Speaker 1: whistle blow and you you all is squealing. It's not

1022
01:02:59,440 --> 01:03:02,520
Speaker 1: it's it's not gonna be good. It's not gonna be

1023
01:03:02,560 --> 01:03:06,320
Speaker 1: good because he's gonna give blowback because he's in the cross.

1024
01:03:06,360 --> 01:03:12,440
Speaker 1: Here's telling you the self effacing uh uh jokes. Just

1025
01:03:12,520 --> 01:03:16,520
Speaker 1: in the monologue Seth Myers, the the the the host

1026
01:03:16,560 --> 01:03:20,400
Speaker 1: of the show this he mentioned white man and he

1027
01:03:20,480 --> 01:03:26,120
Speaker 1: made self effacing white men jokes, generalizing four times in

1028
01:03:26,200 --> 01:03:30,400
Speaker 1: the monologue. The last of his four jokes was oh,

1029
01:03:30,520 --> 01:03:32,400
Speaker 1: he was bringing up the presenters and he said, oh,

1030
01:03:32,440 --> 01:03:36,680
Speaker 1: I hope it's not too white men. Why not? Yeah?

1031
01:03:36,960 --> 01:03:41,680
Speaker 1: You you you, you snarky cornball motherfucker. Like, listen, I

1032
01:03:42,080 --> 01:03:47,640
Speaker 1: am not free of guilt. I am not free of prejudice, okay,

1033
01:03:47,680 --> 01:03:50,240
Speaker 1: And we all are to try to act like any

1034
01:03:50,320 --> 01:03:53,040
Speaker 1: one of us is holier than now or all that stuff.

1035
01:03:53,160 --> 01:03:58,920
Speaker 1: But I am not fulfilled and in fear of guilt

1036
01:03:59,040 --> 01:04:03,920
Speaker 1: and all these other things of being a white dude.

1037
01:04:04,000 --> 01:04:07,680
Speaker 1: These guys like, oh, I hope it's not two white guys. Oh,

1038
01:04:07,720 --> 01:04:10,200
Speaker 1: it's like, oh, the all like the white guys are

1039
01:04:10,200 --> 01:04:14,439
Speaker 1: the butt of the jokes. And there, listen, young black

1040
01:04:14,480 --> 01:04:17,760
Speaker 1: men out there, there is no better time than right now.

1041
01:04:18,760 --> 01:04:23,280
Speaker 1: If you're interested in betting down with a white lady,

1042
01:04:23,840 --> 01:04:26,479
Speaker 1: if if you're exclusive to this, this is your top.

1043
01:04:26,760 --> 01:04:29,400
Speaker 1: Now is the time to act because you could use

1044
01:04:29,480 --> 01:04:34,040
Speaker 1: that white guilt to get yourself some ass, more so

1045
01:04:34,160 --> 01:04:40,000
Speaker 1: now than ever before. To all my young homies out there,

1046
01:04:40,640 --> 01:04:47,440
Speaker 1: the pendulum has switched Black, Latin, Asian, whatever you are.

1047
01:04:47,480 --> 01:04:51,800
Speaker 1: If you're looking to try to explore a little white snapper,

1048
01:04:52,240 --> 01:04:54,920
Speaker 1: now is the time to act. You could kick anything

1049
01:04:54,960 --> 01:04:59,760
Speaker 1: you want, uh huh to these ultra guilty white girls,

1050
01:04:59,840 --> 01:05:02,760
Speaker 1: not all of them, but the ults are guilty ones.

1051
01:05:02,760 --> 01:05:05,000
Speaker 1: All you gotta do is be like, oh, you don't

1052
01:05:05,000 --> 01:05:08,600
Speaker 1: know what it's like. Oh, you don't know where what

1053
01:05:08,680 --> 01:05:11,000
Speaker 1: it's like or how I grew up. If you don't

1054
01:05:11,000 --> 01:05:13,800
Speaker 1: know what it's like where I come from, And the

1055
01:05:13,840 --> 01:05:16,720
Speaker 1: panties will come off if you get the right one.

1056
01:05:17,000 --> 01:05:20,160
Speaker 1: But more so than ever, all you gotta do is

1057
01:05:20,240 --> 01:05:24,040
Speaker 1: kick a little bit of that Willie Bobo. Yeah, kick

1058
01:05:24,080 --> 01:05:28,440
Speaker 1: that old Willie Bobo ship instantaneously. Oh, because because the

1059
01:05:28,480 --> 01:05:31,960
Speaker 1: guilt is at a is at a high order, and

1060
01:05:32,200 --> 01:05:35,120
Speaker 1: they're very public with the guilt. Oh, the white girl

1061
01:05:35,200 --> 01:05:39,959
Speaker 1: guilt is at all time high. And if you're looking

1062
01:05:40,000 --> 01:05:43,320
Speaker 1: for white guilt, don't come to me, okay, because you

1063
01:05:43,360 --> 01:05:46,120
Speaker 1: ain't getting it over here, motherfucker. You can talk to

1064
01:05:46,120 --> 01:05:49,320
Speaker 1: Seth Myers and all these cornball, big teeth motherfucker's I'm

1065
01:05:49,360 --> 01:05:52,440
Speaker 1: not the one, yeah, pitching me getting up a stage,

1066
01:05:53,280 --> 01:05:57,320
Speaker 1: just just dissing, Oh black men like that, Like but

1067
01:05:57,600 --> 01:05:59,520
Speaker 1: you know, you know that's that's some weak ship man,

1068
01:06:01,400 --> 01:06:04,120
Speaker 1: the jokes saying funny either. Listen, I'm not naming names.

1069
01:06:04,120 --> 01:06:07,520
Speaker 1: They act like black men and men of color, which

1070
01:06:07,560 --> 01:06:09,720
Speaker 1: is a new term, by the way, women of color?

1071
01:06:09,760 --> 01:06:12,880
Speaker 1: Men of color? Did I miss something over the last

1072
01:06:13,000 --> 01:06:15,680
Speaker 1: forty seven years of my life? Is that a new term?

1073
01:06:15,840 --> 01:06:18,880
Speaker 1: Men of color? Women of color? Have you heard that before?

1074
01:06:19,680 --> 01:06:24,160
Speaker 1: That's that's just a uh multicultural So you don't have

1075
01:06:24,240 --> 01:06:30,800
Speaker 1: to say black people. So what's the same. White people

1076
01:06:30,840 --> 01:06:34,520
Speaker 1: are so quick to make jokes about themselves, but the

1077
01:06:35,840 --> 01:06:40,040
Speaker 1: black people they don't even know what to say. People

1078
01:06:40,040 --> 01:06:43,000
Speaker 1: are so they're so freaked out and guilt it out,

1079
01:06:43,040 --> 01:06:47,480
Speaker 1: and they're they're so like fucking shook up. They're making

1080
01:06:47,520 --> 01:06:50,400
Speaker 1: things hard for themselves. That men of color. She's like,

1081
01:06:50,480 --> 01:06:53,440
Speaker 1: I'm black, I'm a black person, be straight up, that's it.

1082
01:06:53,680 --> 01:06:57,240
Speaker 1: And are you offended if a non black person refers

1083
01:06:57,280 --> 01:07:01,919
Speaker 1: to you as a black person. Oh no, See, we're

1084
01:07:01,920 --> 01:07:06,520
Speaker 1: in a weird time. We're we're in a weird time. Yeah,

1085
01:07:06,560 --> 01:07:09,000
Speaker 1: I wouldn't Yo, you better not calling me nothing else.

1086
01:07:11,160 --> 01:07:15,960
Speaker 1: I want to be just how I've been black American,

1087
01:07:16,280 --> 01:07:20,360
Speaker 1: black person. Leave that person of color shit out. I

1088
01:07:20,400 --> 01:07:25,280
Speaker 1: don't want that. I've always been. I've always had color. Well,

1089
01:07:25,760 --> 01:07:27,760
Speaker 1: it's Awards season, so this is just the first of

1090
01:07:27,840 --> 01:07:30,560
Speaker 1: gonna be many, many, many, many many nights of this bullshit.

1091
01:07:31,640 --> 01:07:35,360
Speaker 1: Oh I'm surprised. Uh the black babies weren't in toe.

1092
01:07:36,000 --> 01:07:39,360
Speaker 1: Uh usually when the Awards season comes out, Man, they

1093
01:07:39,400 --> 01:07:42,160
Speaker 1: trumped them up. But now it's a sexual assault and

1094
01:07:42,200 --> 01:07:45,760
Speaker 1: stuff like that. But I understand on their platform you

1095
01:07:45,800 --> 01:07:49,920
Speaker 1: want to say something. I understand that, and uh enough now,

1096
01:07:50,840 --> 01:07:54,560
Speaker 1: enough of all that ship. Um, you got anything else

1097
01:07:54,560 --> 01:08:00,240
Speaker 1: on these golden globes. Last words, get the awards and

1098
01:08:00,280 --> 01:08:03,160
Speaker 1: get the funk off stage. UM. I finally want to

1099
01:08:03,160 --> 01:08:06,680
Speaker 1: say this with disappointment. Uh the show that I was

1100
01:08:07,000 --> 01:08:09,640
Speaker 1: so fucking proud of. You know, I'm fortunate to have

1101
01:08:09,680 --> 01:08:12,400
Speaker 1: this show a typical We're getting ready to start working

1102
01:08:12,440 --> 01:08:16,400
Speaker 1: on season two, and uh, I'm excited about that. I

1103
01:08:16,479 --> 01:08:20,360
Speaker 1: was just as excited, um, but very disappointed. And I

1104
01:08:20,360 --> 01:08:25,760
Speaker 1: gotta share with you guys. They canceled white famous Showtime

1105
01:08:26,240 --> 01:08:31,320
Speaker 1: show Jay Farrow, produced by James Yo. I don't fucking know.

1106
01:08:31,960 --> 01:08:34,639
Speaker 1: The numbers were good, not great, but they were too

1107
01:08:34,680 --> 01:08:37,600
Speaker 1: quick to cancel it. People just started catching on. I

1108
01:08:37,640 --> 01:08:40,599
Speaker 1: could tell when momentum is building, you know, started getting

1109
01:08:40,600 --> 01:08:43,880
Speaker 1: shout out on the streets Twitter. People were binge watching it.

1110
01:08:44,120 --> 01:08:46,479
Speaker 1: And that's the nature of the business. I encourage you

1111
01:08:46,520 --> 01:08:49,920
Speaker 1: to watch. If you have showtime or showtime on the

1112
01:08:50,000 --> 01:08:52,519
Speaker 1: go or whatever the funk you got, you should watch it.

1113
01:08:52,560 --> 01:08:55,759
Speaker 1: The show is dope, um, but they shut us down

1114
01:08:55,920 --> 01:08:57,840
Speaker 1: and as part of the business man and it's it's

1115
01:08:57,920 --> 01:09:00,680
Speaker 1: it's they don't give you reason. And you know, it

1116
01:09:00,720 --> 01:09:03,040
Speaker 1: all comes back to numbers, they say, you know, the ratings,

1117
01:09:03,040 --> 01:09:07,120
Speaker 1: the ratings, so so whatever it is, it is um,

1118
01:09:07,160 --> 01:09:08,960
Speaker 1: you know, and the people that saw it loved it,

1119
01:09:09,040 --> 01:09:10,760
Speaker 1: and the people that continue to see it will be like,

1120
01:09:10,760 --> 01:09:14,560
Speaker 1: why the funk would they canceled? The ship was funny, um,

1121
01:09:14,600 --> 01:09:17,479
Speaker 1: and uh, you know it's all good, all right, listen,

1122
01:09:17,920 --> 01:09:20,640
Speaker 1: we just dropped this episode because we love dropping episodes.

1123
01:09:21,360 --> 01:09:25,360
Speaker 1: Um Moody, I'm glad you're back in New York safe. Uh.

1124
01:09:25,640 --> 01:09:29,320
Speaker 1: We got some bangers coming up Iron Wrap, Coors Stereo Podcast.

1125
01:09:29,400 --> 01:09:31,679
Speaker 1: I want to thank once again I mamire Crazy Legs

1126
01:09:31,720 --> 01:09:35,479
Speaker 1: from the rock Steady Crew, Jim Moody last name rhymes

1127
01:09:35,479 --> 01:09:39,519
Speaker 1: with duty, Uh, It's back safe out of the friendly Skies,

1128
01:09:40,040 --> 01:09:42,519
Speaker 1: and um the Iron Wrap Coorts stereo podcast is gonna

1129
01:09:42,600 --> 01:10:05,240
Speaker 1: keep on keeping on. There is different instance. Different instance

1130
01:10:06,080 --> 01:10:09,040
Speaker 1: is different instance if