WEBVTT - The Romantics of Villa Diodati

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<v Speaker 1>Welcome to Noble Blood, a production of iHeartRadio and Grimm

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<v Speaker 1>and Mild from Aaron Manky. Listener discretion is advised.

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<v Speaker 2>Hi, this is Danish Schwartz. Just a quick message if

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<v Speaker 2>But of course the best possible support is just listening

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<v Speaker 2>to the podcast, and you don't need to do any

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<v Speaker 2>of that. In April eighteen fifteen, the world world bore

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<v Speaker 2>witness to one of the most powerful volcanic eruptions in

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<v Speaker 2>human history when Mount Tambora, centered on the Indonesian island Sumbawa, erupted.

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<v Speaker 2>It sent debris, gas and lava to decimate the surrounding area,

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<v Speaker 2>cloaking the island's inhabitants. In a two day long darkness.

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<v Speaker 2>Tsunamis were triggered across the Java Sea and oceans of

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<v Speaker 2>Ash tore through forest and grassland, an estimated ten thousand

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<v Speaker 2>people were killed instantly. Tambora's impact was felt far and wide.

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<v Speaker 2>By the next year, a massive dust cloud had formed

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<v Speaker 2>in the atmosphere, which climate scientists now believe was partially

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<v Speaker 2>responsible for a great chill that swept across the northern Hemisphere.

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<v Speaker 2>It led to crop failure and famine, unrest, and migration.

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<v Speaker 2>The period became known as the Year without a Summer,

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<v Speaker 2>with Europe covered in fog and frost even through the

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<v Speaker 2>typically warmer months. Take a description of the weather in Geneva, Switzerland,

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<v Speaker 2>on May seventeenth quote. The spring, as the inhabitants informed us,

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<v Speaker 2>was unusually late, and indeed the cold was excessive. As

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<v Speaker 2>we ascended the mountains, the same clouds which rained on

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<v Speaker 2>us in the valleys poured forth large flakes of snow,

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<v Speaker 2>thick and fast. The sun occasionally shone through these showers

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<v Speaker 2>and illuminated the magnificent ravines of the mountains, whose gigantic

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<v Speaker 2>pines were some laden with snow, some wreathed round by

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<v Speaker 2>the lines of scattered and lingering vapor. Others darted their

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<v Speaker 2>dark spires into the sunny sky, brilliantly clear and azure.

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<v Speaker 2>These are the words of the young Merry Wollstonecraft Godwin

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<v Speaker 2>as she documented her journey to Geneva alongside her soon

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<v Speaker 2>to be husband, the poet Percy Shelley, their four month

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<v Speaker 2>old son William, and Mary's stepsister Claire Claremont. Also finding

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<v Speaker 2>his way to Geneva was Claire's former flame, Lord Byron,

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<v Speaker 2>England's most scandalous celebrity of the moment, whose trip to

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<v Speaker 2>the country was less vacation and more of an escape

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<v Speaker 2>from the increasingly scornful public eye. Traveling with Byron was

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<v Speaker 2>his personal physician, John Polidori, who had literary aspirations of

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<v Speaker 2>his own. Shelley and Byron were already fans of each

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<v Speaker 2>other's work, so when the two parties crossed paths at

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<v Speaker 2>the hands of a still love sick Claire, who was

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<v Speaker 2>the one who casually suggested Geneva in the first place,

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<v Speaker 2>it seemed only natural that they would rent accommodations near

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<v Speaker 2>each other. The Shelley crew, not particularly well off, ran

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<v Speaker 2>into a modest house called the Maisson Chapuis, located just

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<v Speaker 2>below a rather lavish mansion rented by Byron Villa Diodati.

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<v Speaker 2>For days on end, the unseasonable rain was relentless, and

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<v Speaker 2>the entire group was forced to spend much of their

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<v Speaker 2>time together inside the villa. Their nights were spent discussing

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<v Speaker 2>literary projects and debating philosophy. One of their favorite topics

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<v Speaker 2>was whether or not human corpses could be re animated.

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<v Speaker 2>Mary later described herself as a devout but nearly silent

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<v Speaker 2>listener of those debates between the men. At some point,

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<v Speaker 2>Byron proposed a competition to pass the time. Everyone was

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<v Speaker 2>to try to come up with their own ghost story.

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<v Speaker 2>From a contest among a reigned in group of romantics,

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<v Speaker 2>two new Gothic horror genres were born from the ashes

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<v Speaker 2>of Tambora wrote Monsters. I'm Danas Schwartz and this is

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<v Speaker 2>noble blood. First things first, let's establish the players at

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<v Speaker 2>Villa Diodati that summer. Let's start with George Byron. Where

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<v Speaker 2>we meet George Gordon Byron, the sixth Baron Byron in

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<v Speaker 2>our story, is not a particularly high point in his life.

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<v Speaker 2>Close friends would say that he was leaving England of

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<v Speaker 2>his own volition. According to the Baron John cam Hobhouse quote,

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<v Speaker 2>there was not the slightest necessity, even in appearance, for

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<v Speaker 2>his going abroad those who weren't close friends would tell

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<v Speaker 2>a very different tale. The eighteen twelve publication of his

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<v Speaker 2>poem Child Harold's Pilgrimage made Byron a nearly instant literary celebrity.

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<v Speaker 2>He was the darling of London society, of fixture at

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<v Speaker 2>their parties and in the hearts and minds of women.

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<v Speaker 2>He was incredibly vain, likely fueled by his insecurities about

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<v Speaker 2>his clubbed right foot, and he acted as incredibly vain

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<v Speaker 2>men do. Despite his fame and title, Byron was not

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<v Speaker 2>born well off. His father, the former British officer nicknamed

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<v Speaker 2>mad Jack. Byron, had only married his mother from her money,

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<v Speaker 2>and he squandered it all away quite quickly. Mad Jack

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<v Speaker 2>then abandoned his wife and young son to fend for themselves.

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<v Speaker 2>After his uncle died without an heir, Byron inherited his

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<v Speaker 2>minor title of baron and all that came with it.

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<v Speaker 2>But it was Byron's poetry that truly allowed him to

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<v Speaker 2>gain access to society. A reputation came with his status mad,

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<v Speaker 2>bad and dangerous to know. In the words of Caroline Lamb,

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<v Speaker 2>noble Blood alumnus and one of Byron's most famous ex lovers,

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<v Speaker 2>or take the words of writer Amelia Opie, another one

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<v Speaker 2>of the women that Byron charmed, quote such a voice

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<v Speaker 2>as the devil tempted Eve with you feared its fascination

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<v Speaker 2>the moment you heard it. At this point, however, the

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<v Speaker 2>gossip surrounding Byron went beyond hedonism and womanizing. Byron's January

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<v Speaker 2>of eighteen fifteen marriage to Caroline Lamb's cousin Annabella, was

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<v Speaker 2>doomed from the start. Feeling trapped in monogamy, he began

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<v Speaker 2>to act out as Caroline predicted Byron quote would never

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<v Speaker 2>be able to pull with a woman who went to church, punctually,

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<v Speaker 2>understood statistics, and had a bad figure within his circle.

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<v Speaker 2>He became less secretive of past homosexual affairs and spoken

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<v Speaker 2>innuendos as to the nature of his relationship with his

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<v Speaker 2>half sister Augusta. Just a year after they were wed,

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<v Speaker 2>Annabella took the couple's infant daughter, Ada to her parents'

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<v Speaker 2>home in Leicestershire. A few short weeks later, Annabella's father,

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<v Speaker 2>Sir Ralph Milbank, wrote to Byron to formally request a separation.

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<v Speaker 2>After that, rumors that had been contained within the Inno

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<v Speaker 2>literary circle began to spread across the city. The flames

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<v Speaker 2>of these wildfires were in some part fueled by Caroline herself,

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<v Speaker 2>who famously wanted to see her ex lover burn marital violence, adultery, incest, sodomy.

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<v Speaker 2>Byron's public image was becoming truly dangerous to know. Writing

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<v Speaker 2>from London to Leicestershire, Augusta rather awkwardly informed her half

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<v Speaker 2>sister in law of quote reports abroad of a nature

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<v Speaker 2>too horrible to repeat. Every other sinks into nothing besides

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<v Speaker 2>this most horrid one. In the same letter, Augusta quotes

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<v Speaker 2>Byron's response to the rumors, or rather one of the rumors,

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<v Speaker 2>quote even to have such a thing said is utter

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<v Speaker 2>destruction and ruin to a man from which he can

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<v Speaker 2>never recover. So which rumor was Byron referencing. It's worth

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<v Speaker 2>noting at this point that many historians believe the incest

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<v Speaker 2>rumors to be true, and that Elizabeth Medora Lee, Augusta's

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<v Speaker 2>third daughter is still likely thought to be Byron's. Despite

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<v Speaker 2>its taboo, incest was not a criminal offense in England

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<v Speaker 2>at this point, so it's actually more likely that it

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<v Speaker 2>was the sodomy accusations that ultimately dissuaded Byron from protesting

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<v Speaker 2>his role in the divorce proceedings in court. Whether you

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<v Speaker 2>believe Hobhouse that Byron was simply heading out for a vacation,

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<v Speaker 2>or whether you're more inclined to believe the considerable evidence

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<v Speaker 2>pointing to the contrary, the fact is that in April

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<v Speaker 2>Byron left England, never to return. He ordered a carriage

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<v Speaker 2>modeled after Napoleon's, which had been famously captured as the

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<v Speaker 2>general fled Waterloo just the year before Byron's exile. It's

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<v Speaker 2>not hard to imagine why Byron identified with Napoleon's indulgence

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<v Speaker 2>and tragedy. As Byron once told a friend, quote with me,

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<v Speaker 2>there is, as Napoleon said, but one step between the

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<v Speaker 2>sublime and the ridiculous. Byron's traveling companion was his newly

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<v Speaker 2>certified physician, twenty year old John Polidori. It's unknown why

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<v Speaker 2>exactly Byron invited Polodori, despite protests from Hobhouse, but there

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<v Speaker 2>are several good guesses as to why the doctor accepted,

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<v Speaker 2>one being the offer of quote no less than a

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<v Speaker 2>sum of five hundred pounds for an account of Byron's

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<v Speaker 2>forthcoming tour from Byron's publisher, John Murray, Also on their

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<v Speaker 2>way to Geneva, of course, were Mary and Percy Shelley.

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<v Speaker 2>Mary wasn't technically a Shelley at this point. While the

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<v Speaker 2>couple had eloped nearly two years earlier, they wouldn't wed

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<v Speaker 2>until December eighteen sixteen, after Percy's first wife ultimately committed suicide. Yes,

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<v Speaker 2>when the famous lovers met, the twenty one year old

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<v Speaker 2>Percy was already married to another sixteen year old girl, Harriet,

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<v Speaker 2>with whom he had fathered a child. Percy was a

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<v Speaker 2>great fan of Mary's father, William Godwin, and he would

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<v Speaker 2>join the family for dinner, eventually visiting nearly every day.

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<v Speaker 2>Percy's anti Christian and pro free love views had drawn

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<v Speaker 2>him to Godwin's famously anarchic works. At this point, young

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<v Speaker 2>Percy had been kicked out of Oxford for his atheism

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<v Speaker 2>and disowned by his wealthy father. He was living up

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<v Speaker 2>to his childhood nickname Mad Shelley, given to him by

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<v Speaker 2>Bullys at Eton College for his head in the cloud's attitude,

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<v Speaker 2>his refusal to adhere to hazing traditions, and his sometimes

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<v Speaker 2>violent bouts of anger. Shelley even claims his own father

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<v Speaker 2>once tried to have him admitted to a mad house

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<v Speaker 2>in Godwin, Percy sought both a mentor and a surrogate parent.

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<v Speaker 2>Though Percy and Mary had actually met once before, uneventfully

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<v Speaker 2>in eighteen twelve. When Percy came around again two years later,

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<v Speaker 2>Mary was immediately smitten with his poems, his politics, and

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<v Speaker 2>his quote wild intellectual, unearthly looks, as Percy's friend Thomas

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<v Speaker 2>Jefferson Hogg had described them. Neither Godwin nor Mary's stepmother

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<v Speaker 2>approved of the so Percy and Mary would often sneak

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<v Speaker 2>off together, namely to a local churchyard, Saint Pancras Old Church.

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<v Speaker 2>The churchyard was Mary's favorite spot, her retreat, where she

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<v Speaker 2>spent an obsessive amount of time seeking peace and a

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<v Speaker 2>connection with one woman buried there, her mother, the famous

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<v Speaker 2>writer Mary Wollstonecraft. The Elder. Mary was one of the

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<v Speaker 2>most prominent writers of her time and one of the

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<v Speaker 2>most radical. Her seventeen ninety two treatise A Vindication of

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<v Speaker 2>the Rights of Women is often considered the first English

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<v Speaker 2>language feminist text. By the time Mary Wollstonecraft met Godwin,

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<v Speaker 2>a fellow radical, she already had a daughter, Fanny, born

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<v Speaker 2>from an affair with an American businessman, When Mary and

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<v Speaker 2>Godwin got together and Mary became pregnant for the second time,

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<v Speaker 2>they agreed that marriage would be best for the children,

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<v Speaker 2>despite neither of them believing in the practice. Baby Mary

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<v Speaker 2>was born healthy, but her mother suffered complications. It was

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<v Speaker 2>ultimately the result of unhygienic medical practices that Mary Wollstonecraft

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<v Speaker 2>would not live to raise her daughter. She died of

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<v Speaker 2>a bacterial infection just eleven days after giving birth. Though

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<v Speaker 2>Godwin did not resent the baby Mary for the death

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<v Speaker 2>of his wife, she grew up knowing that she was

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<v Speaker 2>somehow responsible for her mother's absence. Still, Godwin kept his

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<v Speaker 2>late wife's presence in Mary's life. A portrait of her

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<v Speaker 2>was hung above the stairs, where young Mary saw it

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<v Speaker 2>every day, and her father would frequently take her to

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<v Speaker 2>visit her mother's grave site at the same church where

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<v Speaker 2>the late Mary and Godwin had been married not too

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<v Speaker 2>long before. It said that young Mary learned how to

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<v Speaker 2>write her own name from tracing the engraving on her

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<v Speaker 2>mother's headstone. In the words of literary critic Sandra M. Gilbert,

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<v Speaker 2>Mary's only real mother was a tombstone. As young Mary

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<v Speaker 2>grew up, the grave became her place of solace, increasingly

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<v Speaker 2>so after her father remarried. She would carry piles of

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<v Speaker 2>books from her home and spend the day reading with

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<v Speaker 2>her mother. Mary frequently re read her mother's own work,

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<v Speaker 2>absorbing her knowledge, searching for it. In herself quote, I

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<v Speaker 2>conceive it to be the duty of every rational creature

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<v Speaker 2>to attend to its offspring, Wollstonecraft had written in Thoughts

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<v Speaker 2>on the Education of Daughters in seventeen eighty seven. While

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<v Speaker 2>Wollstonecraft was not able to attend to her own daughter,

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<v Speaker 2>Mary would recreate her presence as best she could. Bringing

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<v Speaker 2>Percy to the grave, then, was the ultimate vulnerability, the

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<v Speaker 2>ultimate invitation into her prime world. On Sunday, June twenty sixth,

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<v Speaker 2>eighteen fourteen, Mary brought Percy to the grave and declared

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<v Speaker 2>her love. He reciprocated, and it's notoriously believed that they

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<v Speaker 2>consummated the relationship then and there in the graveyard, an

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<v Speaker 2>inspiration to future Goths everywhere. While the story seems almost

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<v Speaker 2>too gothic to be true, we can assume that they

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<v Speaker 2>did in fact sleep together for the first time that

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<v Speaker 2>day in the graveyard or elsewhere, As Percy refers to

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<v Speaker 2>the day in his journal entries as his true birthday.

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<v Speaker 2>The couple eloped later that summer, to the disapproval of Godwin.

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<v Speaker 2>He still opposed marriage despite his own and was concerned

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<v Speaker 2>with Percy's increasing debt. Though he didn't outright disown Mary,

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<v Speaker 2>the relationship between father and daughter became distant and cold

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<v Speaker 2>after Mary left for France with her new quote unquote husband.

0:17:03.680 --> 0:17:06.680
<v Speaker 2>When the couple ran out of money, a then pregnant

0:17:06.720 --> 0:17:14.840
<v Speaker 2>Mary asked her father for assistance, he denied her. In

0:17:14.920 --> 0:17:20.200
<v Speaker 2>February of eighteen fifteen, Mary gave birth prematurely to a daughter,

0:17:20.240 --> 0:17:23.840
<v Speaker 2>who would die within a month. Mary was plunged into

0:17:23.880 --> 0:17:27.639
<v Speaker 2>a deep depression and would consider herself haunted by the

0:17:27.680 --> 0:17:32.160
<v Speaker 2>baby for years. Nonetheless, in January of the next year,

0:17:32.600 --> 0:17:35.320
<v Speaker 2>she gave birth to a son and named him William,

0:17:35.520 --> 0:17:39.280
<v Speaker 2>after her father. That summer, at the urging of her

0:17:39.320 --> 0:17:44.040
<v Speaker 2>stepsister Claire, the Shelleys decided to follow Lord Byron on

0:17:44.080 --> 0:17:47.480
<v Speaker 2>a trip to Geneva. Of note is the fact that

0:17:47.560 --> 0:17:51.480
<v Speaker 2>Claire was pregnant with a child rumored at the time

0:17:51.840 --> 0:17:55.840
<v Speaker 2>to actually be Percy's. There's no actual evidence of an

0:17:55.840 --> 0:17:59.679
<v Speaker 2>affair between Claire and Percy, and we now know that

0:17:59.680 --> 0:18:04.120
<v Speaker 2>the wild in fact belonged to another free loving poet,

0:18:04.720 --> 0:18:08.919
<v Speaker 2>Lord Byron. Lake Geneva was an ideal spot for a

0:18:09.040 --> 0:18:13.040
<v Speaker 2>romantic poet. It was surrounded by vineyards and hugged by

0:18:13.040 --> 0:18:16.600
<v Speaker 2>the silhouette of the Alps snowy peaks in the distance.

0:18:17.200 --> 0:18:20.400
<v Speaker 2>The crescent moon shaped body of water is the largest

0:18:20.480 --> 0:18:25.040
<v Speaker 2>and deepest in Central Europe. Mary described it lavishly in

0:18:25.080 --> 0:18:28.960
<v Speaker 2>her travel journal as quote blue as the heavens, which

0:18:28.960 --> 0:18:34.159
<v Speaker 2>it reflects. During summers when there hasn't been recent volcanic activity,

0:18:34.640 --> 0:18:37.960
<v Speaker 2>the lake is warm enough to swim in. Situated on

0:18:38.119 --> 0:18:41.520
<v Speaker 2>top of a hill, overlooking those heavenly depths and the

0:18:41.600 --> 0:18:48.240
<v Speaker 2>stretching vineyards is the stately salmon pink Villa Diodati. The

0:18:48.320 --> 0:18:53.119
<v Speaker 2>villa still stands today, its exterior largely unchanged from the

0:18:53.160 --> 0:18:56.800
<v Speaker 2>time of the group's day, from its teal shuttered windows

0:18:57.040 --> 0:19:01.520
<v Speaker 2>to its expansive balcony. Though private owned, it's still a

0:19:01.600 --> 0:19:05.360
<v Speaker 2>habit for literary tourists to try to catch a glimpse

0:19:05.400 --> 0:19:09.159
<v Speaker 2>of the mansion from nearby walking ways. This is a

0:19:09.200 --> 0:19:14.359
<v Speaker 2>tradition that began in eighteen sixteen, when hotels started to

0:19:14.480 --> 0:19:19.000
<v Speaker 2>charge English tourists to spy on the villa from telescopes

0:19:19.040 --> 0:19:22.679
<v Speaker 2>across the lake. That's how famous Byron and his friends

0:19:22.720 --> 0:19:26.280
<v Speaker 2>were at the time. It said that people would sail

0:19:26.359 --> 0:19:29.960
<v Speaker 2>by in boats hoping to peek at the women's underwear

0:19:30.040 --> 0:19:33.439
<v Speaker 2>on the washing lines, or see anything to confirm that

0:19:33.480 --> 0:19:37.560
<v Speaker 2>the villa was as debaucherous as it was in their imaginations.

0:19:38.119 --> 0:19:42.040
<v Speaker 2>It was even deemed a quote league of incest at

0:19:42.040 --> 0:19:46.159
<v Speaker 2>the time. Those words often attributed to the prominent poet

0:19:46.600 --> 0:19:52.400
<v Speaker 2>Robert Southey. There's no actual evidence for the knightly orgies

0:19:52.520 --> 0:19:54.960
<v Speaker 2>that were rumored to be happening there, and there was

0:19:55.000 --> 0:19:59.119
<v Speaker 2>even an outright denial from Byron. Quote so much for

0:19:59.320 --> 0:20:04.040
<v Speaker 2>scoundrels Southeast story of incest. Neither was there any promiscuous

0:20:04.040 --> 0:20:08.840
<v Speaker 2>intercourse whatever. Both are an invention of the execrable villain Southey,

0:20:09.080 --> 0:20:14.440
<v Speaker 2>whom I will term so publicly as he deserves end quote. Still,

0:20:14.640 --> 0:20:19.280
<v Speaker 2>the group's entangled web of romantic and platonic connections to

0:20:19.320 --> 0:20:23.160
<v Speaker 2>one another, combined with the presence of the eager voyeurs

0:20:23.200 --> 0:20:27.920
<v Speaker 2>across the lake, would soon contribute to an environment of claustrophobia.

0:20:28.480 --> 0:20:31.800
<v Speaker 2>Lest we forget, thanks to the weather, they were quite

0:20:31.840 --> 0:20:36.720
<v Speaker 2>literally confined to the house. It proved a wet ungenial

0:20:36.840 --> 0:20:41.119
<v Speaker 2>summer and incessant rain often confined us for days to

0:20:41.200 --> 0:20:45.240
<v Speaker 2>the house. Mary would later describe. She recounted that during

0:20:45.280 --> 0:20:50.400
<v Speaker 2>these periods, various philosophical doctrines were discussed, and among others,

0:20:50.440 --> 0:20:53.640
<v Speaker 2>the nature of the principle of life and whether there

0:20:53.720 --> 0:20:57.919
<v Speaker 2>was any probability of its ever being discovered and communicated

0:20:58.720 --> 0:21:03.360
<v Speaker 2>to ground Byron and Percy's wild imaginations was the medical

0:21:03.400 --> 0:21:07.080
<v Speaker 2>knowledge of Polodori, Who's due for a proper introduction in

0:21:07.119 --> 0:21:12.280
<v Speaker 2>our story now. John Polodori had never intended to study medicine,

0:21:12.400 --> 0:21:15.040
<v Speaker 2>but his father forced him to follow the track he

0:21:15.240 --> 0:21:17.960
<v Speaker 2>envisioned for his son, and he had enrolled him in

0:21:18.040 --> 0:21:22.000
<v Speaker 2>the University of Edinburgh to study the science. Though John

0:21:22.040 --> 0:21:25.520
<v Speaker 2>never stood up to his father, He resented his rigidity,

0:21:25.760 --> 0:21:29.119
<v Speaker 2>which likely played a part in his hatred for both

0:21:29.240 --> 0:21:34.360
<v Speaker 2>medicine and school. Over the course of his reluctant education,

0:21:35.040 --> 0:21:40.240
<v Speaker 2>Polodori discovered a passion for literature. Still, he dutifully finished

0:21:40.240 --> 0:21:44.280
<v Speaker 2>his schooling and became a doctor at age twenty. At

0:21:44.280 --> 0:21:47.560
<v Speaker 2>the time, however, in order to practice in London, a

0:21:47.640 --> 0:21:51.320
<v Speaker 2>doctor had to be at least twenty six. It was

0:21:51.400 --> 0:21:55.080
<v Speaker 2>during this waiting period that Polodori took the job of

0:21:55.160 --> 0:21:58.800
<v Speaker 2>Byron's physician, which was offered thanks to a connection of

0:21:58.880 --> 0:22:04.000
<v Speaker 2>his father. Their relationship was doomed from the start, each

0:22:04.080 --> 0:22:07.560
<v Speaker 2>man self obsessed in his own way, but only one

0:22:07.680 --> 0:22:10.359
<v Speaker 2>with the prestige to back it up and the current

0:22:10.440 --> 0:22:14.280
<v Speaker 2>need for an emotional punching bag. At one of Byron's

0:22:14.359 --> 0:22:18.080
<v Speaker 2>last dinners with friends in England, Polodori had asked his

0:22:18.160 --> 0:22:20.679
<v Speaker 2>new employer if he could read a bit of a

0:22:20.680 --> 0:22:24.560
<v Speaker 2>play he had written. Byron agreed, if only to have

0:22:24.640 --> 0:22:28.240
<v Speaker 2>the opportunity to play the role of mean girl and

0:22:28.359 --> 0:22:33.040
<v Speaker 2>skewer Polodori's efforts for the laughter of the table. In

0:22:33.119 --> 0:22:36.919
<v Speaker 2>another exchange, the doctor had asked the poet, what is

0:22:36.960 --> 0:22:40.440
<v Speaker 2>there accepting writing poetry that I cannot do better than you?

0:22:41.240 --> 0:22:45.040
<v Speaker 2>Byron calmly replied, first, I can hit with a pistol

0:22:45.080 --> 0:22:48.520
<v Speaker 2>the keyhole of that door. Secondly, I can swim across

0:22:48.520 --> 0:22:51.640
<v Speaker 2>that river to yonder point, and thirdly I can give

0:22:51.680 --> 0:22:55.800
<v Speaker 2>you a damned good thrashing. If you're feeling for Polodori

0:22:55.880 --> 0:22:58.359
<v Speaker 2>right now, keep in mind that at least all of

0:22:58.359 --> 0:23:01.520
<v Speaker 2>that would probably provide him with good material later on.

0:23:03.480 --> 0:23:06.920
<v Speaker 2>Back to the villa. During one of those indoor stretches,

0:23:07.080 --> 0:23:11.639
<v Speaker 2>the group began to read pieces from Phantasmagoriana, a French

0:23:11.680 --> 0:23:15.879
<v Speaker 2>anthology of German ghost stories. It was this collection that

0:23:16.080 --> 0:23:19.919
<v Speaker 2>gave Byron his famous idea, We will each write a

0:23:19.960 --> 0:23:24.439
<v Speaker 2>ghost story, he said, as Mary later recounted. Namely excluded

0:23:24.520 --> 0:23:28.879
<v Speaker 2>from each was Claire, who cared less about writing and

0:23:29.119 --> 0:23:33.960
<v Speaker 2>more about a certain writer. While the contest was a

0:23:34.000 --> 0:23:36.719
<v Speaker 2>fun way to pass the time, it was also a

0:23:36.840 --> 0:23:41.119
<v Speaker 2>desperately needed distraction from the growing tensions mounting in the house.

0:23:41.680 --> 0:23:45.159
<v Speaker 2>Claire was determined to make the trip worthwhile to resume

0:23:45.200 --> 0:23:50.600
<v Speaker 2>her affair with Byron. Despite his initial resistance, Claire got

0:23:50.600 --> 0:23:54.120
<v Speaker 2>what she came for. I never loved her, nor pretended

0:23:54.160 --> 0:23:57.119
<v Speaker 2>to love her, Byron wrote, But a man is a man,

0:23:57.240 --> 0:23:59.679
<v Speaker 2>and if a girl of eighteen comes prancing to you

0:23:59.720 --> 0:24:04.000
<v Speaker 2>at all hours, there is but what way? Classic Byron.

0:24:05.400 --> 0:24:09.960
<v Speaker 2>Some sources report that Paulodori became infatuated with Mary, who

0:24:10.000 --> 0:24:13.919
<v Speaker 2>remained devoted to Percy and rejected his advances. As the

0:24:14.000 --> 0:24:20.560
<v Speaker 2>doctor would recount, Mary instead saw Polidori as a brother. Percy, meanwhile,

0:24:20.760 --> 0:24:24.639
<v Speaker 2>was described as falling into a depression. He struggled with

0:24:24.760 --> 0:24:28.320
<v Speaker 2>mental illness from a young age, and the claustrophobic environment

0:24:28.760 --> 0:24:32.280
<v Speaker 2>was beginning to weigh on his psyche. For example, one

0:24:32.560 --> 0:24:36.560
<v Speaker 2>dark and stormy evening, Byron read verses from Samuel Taylor

0:24:36.640 --> 0:24:42.360
<v Speaker 2>Coleridge's poem christabel in which a supernatural creature is disguising

0:24:42.400 --> 0:24:45.520
<v Speaker 2>itself as a woman named Geraldine in order to trick

0:24:45.600 --> 0:24:51.679
<v Speaker 2>the titular character. One particularly relevant section reads, behold her

0:24:51.720 --> 0:24:56.200
<v Speaker 2>bosom and half her side, hideous, deformed, and pale of Hugh,

0:24:56.800 --> 0:24:59.720
<v Speaker 2>A site to dream of, not to tell, and she

0:24:59.800 --> 0:25:04.680
<v Speaker 2>is to sleep by Christabelle. Percy fled from the room,

0:25:04.880 --> 0:25:09.400
<v Speaker 2>screaming in a fit of fantasy. As Byron described it,

0:25:09.400 --> 0:25:12.720
<v Speaker 2>it was only when Polodori threw water in Percy's face

0:25:12.880 --> 0:25:16.000
<v Speaker 2>and gave him ether, the anesthetic of the time, that

0:25:16.119 --> 0:25:20.280
<v Speaker 2>he calmed down. They say Percy had been haunted by

0:25:20.440 --> 0:25:24.640
<v Speaker 2>visions of a monstrous woman whom some accounts describe as

0:25:24.760 --> 0:25:30.720
<v Speaker 2>Mary with eyes instead of nipples on her breasts. Clearly

0:25:30.960 --> 0:25:35.280
<v Speaker 2>inspired enough, the guests began to write and share their

0:25:35.320 --> 0:25:40.520
<v Speaker 2>ghost stories. Byron and Percy went first, both presenting the

0:25:40.560 --> 0:25:44.560
<v Speaker 2>beginnings of works that they would never finish. Percy's story,

0:25:44.640 --> 0:25:48.000
<v Speaker 2>which Mary remembered to have been inspired by his childhood,

0:25:48.480 --> 0:25:53.720
<v Speaker 2>is now completely lost Byron's story. The fragment of a novel, however,

0:25:54.160 --> 0:25:57.320
<v Speaker 2>can still be read in full. His story centered on

0:25:57.400 --> 0:26:00.879
<v Speaker 2>a young man traveling in Turkey with an old companion,

0:26:01.440 --> 0:26:07.440
<v Speaker 2>the wealthy aristocratic Augustus Darville. The elder's health declines rapidly,

0:26:07.880 --> 0:26:11.360
<v Speaker 2>and while the two rest in a Turkish cemetery, Darvill

0:26:11.520 --> 0:26:15.320
<v Speaker 2>asks his companion to tell no one of his impending death.

0:26:16.200 --> 0:26:19.080
<v Speaker 2>The old man gives the younger a ring and asks

0:26:19.160 --> 0:26:23.119
<v Speaker 2>him to perform a ceremony with it, before turning black

0:26:23.320 --> 0:26:29.080
<v Speaker 2>and instantly disintegrating. The end, the doctor hadn't managed to

0:26:29.119 --> 0:26:35.600
<v Speaker 2>come up with anything worthwhile, yet, Mary, later recalled poor Polidori,

0:26:35.720 --> 0:26:39.440
<v Speaker 2>had some terrible idea about a skull headed lady who

0:26:39.520 --> 0:26:45.679
<v Speaker 2>was so punished for peeping through a keyhole. Mary, for

0:26:45.760 --> 0:26:48.960
<v Speaker 2>her part, early on, was struck with a serious case

0:26:49.040 --> 0:26:53.560
<v Speaker 2>of writer's block. I was asked each morning and each evening,

0:26:53.720 --> 0:26:57.520
<v Speaker 2>I was forced to reply with a mortifying negative, She wrote.

0:26:57.920 --> 0:27:02.160
<v Speaker 2>Her devout but nearly silent listening to the scientific debates

0:27:02.240 --> 0:27:05.200
<v Speaker 2>of the men would soon pay off, though, having made

0:27:05.240 --> 0:27:10.200
<v Speaker 2>its way into her subconscious. One conversation in particular, had

0:27:10.240 --> 0:27:15.080
<v Speaker 2>the greatest impact. They talked of the experiments of doctor Darwin,

0:27:15.560 --> 0:27:18.960
<v Speaker 2>who preserved a piece of Vermicelli in a glass case

0:27:19.280 --> 0:27:22.560
<v Speaker 2>till by some extraordinary means, it began to move with

0:27:22.680 --> 0:27:28.240
<v Speaker 2>voluntary motion. Perhaps a corpse would be reanimated. Galvanism had

0:27:28.240 --> 0:27:32.040
<v Speaker 2>given token of such things. Perhaps the component parts of

0:27:32.080 --> 0:27:36.280
<v Speaker 2>a creature might be manufactured, brought together, and endowed with

0:27:36.440 --> 0:27:41.680
<v Speaker 2>vital warmth. These images and ideas embedded themselves in her

0:27:41.720 --> 0:27:46.879
<v Speaker 2>mind and birthed perhaps the most famous dream of all time.

0:27:47.680 --> 0:27:52.080
<v Speaker 2>As Mary wrote, Knight waned upon this talk. When I

0:27:52.160 --> 0:27:55.520
<v Speaker 2>placed my head upon my pillow, I did not sleep,

0:27:56.040 --> 0:27:59.320
<v Speaker 2>nor could I be said to think. I saw, with

0:27:59.440 --> 0:28:03.840
<v Speaker 2>shut eyes, but acute mental vision. I saw the pale

0:28:03.960 --> 0:28:08.000
<v Speaker 2>student of unhallowed arts, kneeling beside the thing he had

0:28:08.040 --> 0:28:11.440
<v Speaker 2>put together. I saw the hideous phantasm of a man

0:28:11.560 --> 0:28:16.119
<v Speaker 2>stretched out, and then, on the working of some powerful engine,

0:28:16.520 --> 0:28:21.359
<v Speaker 2>showed signs of life and stir with an uneasy, half

0:28:21.560 --> 0:28:25.919
<v Speaker 2>vital motion. By her account, it was right then and

0:28:26.000 --> 0:28:29.920
<v Speaker 2>there after, opening her eyes in terror, that Mary Shelley

0:28:30.119 --> 0:28:35.119
<v Speaker 2>began to draft Frankenstein. She recounts, I returned to my

0:28:35.200 --> 0:28:39.640
<v Speaker 2>ghost story, my tiresome, unlucky ghost story. I have found it.

0:28:40.040 --> 0:28:43.960
<v Speaker 2>What terrified me will terrify others. And I need only

0:28:44.080 --> 0:28:47.880
<v Speaker 2>describe the specter which has haunted my midnight pillow on

0:28:47.960 --> 0:28:50.600
<v Speaker 2>the morrow I announced that I had thought of a story.

0:28:50.880 --> 0:28:54.760
<v Speaker 2>I began that day with the words. That night, Mary

0:28:54.800 --> 0:28:58.240
<v Speaker 2>Shelley read a passage to the group that began. It

0:28:58.400 --> 0:29:05.719
<v Speaker 2>was on a dreary night of November. As Frankenstein developed

0:29:05.760 --> 0:29:09.840
<v Speaker 2>from ghost story to novel, Villa Diodatti remained in its

0:29:09.960 --> 0:29:15.400
<v Speaker 2>DNA even beyond Victor Frankenstein's Geneva family origins and the

0:29:15.520 --> 0:29:18.560
<v Speaker 2>number of scenes that take place at Lake Geneva itself.

0:29:19.040 --> 0:29:22.840
<v Speaker 2>The year without a Summer feels present in her descriptions

0:29:22.880 --> 0:29:26.360
<v Speaker 2>of the natural world that Victor and his creature experience.

0:29:27.280 --> 0:29:30.600
<v Speaker 2>One of the very first sentences of the novel reads,

0:29:31.240 --> 0:29:34.720
<v Speaker 2>this breeze, which has traveled from the regions towards which

0:29:34.720 --> 0:29:38.440
<v Speaker 2>I am advancing, gives me a foretaste of those icy climes.

0:29:38.960 --> 0:29:42.720
<v Speaker 2>Inspired by this wind of promise, my daydreams become more

0:29:42.800 --> 0:29:46.080
<v Speaker 2>fervent and vivid. I try, in vain to be persuaded

0:29:46.080 --> 0:29:48.800
<v Speaker 2>that the pole is the seat of frost and desolation.

0:29:49.360 --> 0:29:52.719
<v Speaker 2>It ever presents itself to my imagination as the region

0:29:52.840 --> 0:29:58.160
<v Speaker 2>of beauty and delight the novel's protagonist, Victor Frankenstein's own

0:29:58.280 --> 0:30:03.680
<v Speaker 2>scientific interest from watching a storm as a child. In Frankenstein,

0:30:03.920 --> 0:30:07.400
<v Speaker 2>the natural world is as fear inspiring as it is

0:30:07.480 --> 0:30:12.760
<v Speaker 2>awe inspiring. It's a perspective that feels timely given Mary

0:30:12.840 --> 0:30:17.920
<v Speaker 2>writing in the wake of a catastrophic natural disaster. While

0:30:17.960 --> 0:30:20.960
<v Speaker 2>many have come to the conclusion that Mary identifies with

0:30:21.120 --> 0:30:26.160
<v Speaker 2>Victor the scientist, the circumstances surrounding that summer way heavily

0:30:26.200 --> 0:30:30.200
<v Speaker 2>in favor of Mary actually identifying more with the monster.

0:30:31.000 --> 0:30:34.320
<v Speaker 2>Remember the words of Mary's mother. I conceive it to

0:30:34.360 --> 0:30:37.720
<v Speaker 2>be the duty of every rational creature to attend to

0:30:37.760 --> 0:30:42.800
<v Speaker 2>its offspring. Mary's mother had died just days after she

0:30:42.880 --> 0:30:46.680
<v Speaker 2>was born, and Mary had been all but abandoned by

0:30:46.680 --> 0:30:51.120
<v Speaker 2>her beloved father because of her relationship with Percy. Like

0:30:51.240 --> 0:30:57.520
<v Speaker 2>Frankenstein's Monster, Mary had become a lonely, wandering child, abandoned

0:30:57.600 --> 0:31:03.600
<v Speaker 2>by her creator, her husband Byron Polodori. All of them

0:31:03.680 --> 0:31:07.000
<v Speaker 2>were aching for the attention of their fathers. Perhaps it

0:31:07.080 --> 0:31:10.520
<v Speaker 2>came up in conversation one night, and Mary had silently

0:31:10.560 --> 0:31:14.240
<v Speaker 2>agreed to herself when it came to the conversations that

0:31:14.320 --> 0:31:18.280
<v Speaker 2>we know took place. Mary's devout listening likely gave her

0:31:18.440 --> 0:31:23.480
<v Speaker 2>not only source material but character inspiration. Each night, three men,

0:31:23.720 --> 0:31:27.920
<v Speaker 2>all remembered in part for their egos, discussed reanimation of

0:31:28.000 --> 0:31:32.880
<v Speaker 2>human life. Mary's character, Victor Frankenstein, who's torn down by

0:31:32.920 --> 0:31:36.320
<v Speaker 2>his own hubris, is remembered for thinking that he could

0:31:36.320 --> 0:31:42.400
<v Speaker 2>play god. Speaking of those men, the second most famous

0:31:42.440 --> 0:31:45.920
<v Speaker 2>work to stem from Villadia, Dotti, was written not by Shelley,

0:31:46.160 --> 0:31:50.760
<v Speaker 2>not by Byron, but by poor Polidori. He was intrigued

0:31:50.880 --> 0:31:55.080
<v Speaker 2>by that unfinished piece of Byron's, and after the trip finished,

0:31:55.400 --> 0:31:57.920
<v Speaker 2>he began to flush it out into a short story.

0:31:58.280 --> 0:32:02.200
<v Speaker 2>Polodori's story begins to about the same as Byron's, two

0:32:02.400 --> 0:32:06.080
<v Speaker 2>gentlemen traveling Europe, one dying of a serious death and

0:32:06.280 --> 0:32:09.160
<v Speaker 2>making the other swear not to speak of it. In

0:32:09.240 --> 0:32:12.840
<v Speaker 2>this version, however, we see the consequences of that deal,

0:32:13.240 --> 0:32:16.840
<v Speaker 2>as our protagonist is shocked to find his dead friend

0:32:16.960 --> 0:32:20.920
<v Speaker 2>alive and well in London and attempting to seduce his sister.

0:32:21.920 --> 0:32:25.360
<v Speaker 2>There are some changes. Right off the bat, locals tell

0:32:25.480 --> 0:32:30.320
<v Speaker 2>legends of vampires, and while our protagonist, Aubrey doesn't make

0:32:30.360 --> 0:32:36.720
<v Speaker 2>the connection. Mysterious seemingly vampire induced deaths take place when

0:32:36.760 --> 0:32:42.360
<v Speaker 2>his companion, the wealthy, charming and suave Lord Ruthven, arrives.

0:32:43.360 --> 0:32:46.040
<v Speaker 2>If you remember the Caroline Lamb episode we did on

0:32:46.080 --> 0:32:50.360
<v Speaker 2>this podcast, the name Ruthven might ring a bell. Maybe not.

0:32:50.560 --> 0:32:53.880
<v Speaker 2>It was a very long time ago, you see. It's

0:32:53.920 --> 0:32:58.320
<v Speaker 2>the same pseudonym Caroline Lamb used for the heartbreaker Mayle

0:32:58.440 --> 0:33:03.200
<v Speaker 2>Lead in her novel Glenarvan, which was a fictional account

0:33:03.320 --> 0:33:06.920
<v Speaker 2>of her affair with Byron. At an early point in

0:33:06.960 --> 0:33:12.080
<v Speaker 2>Polodori's novel, the vampire Ruthven abandons Aubrey during their travels

0:33:12.160 --> 0:33:17.480
<v Speaker 2>after seducing an acquaintance's daughter, Polodori often found himself abandoned

0:33:17.520 --> 0:33:22.200
<v Speaker 2>by Byron in favor of Byron's new preferred companion, Percy Shelley.

0:33:23.120 --> 0:33:27.360
<v Speaker 2>Ruthven is described as being deadly, pale, and dark haired.

0:33:27.880 --> 0:33:30.880
<v Speaker 2>He has a compelling voice and is attractive to women

0:33:31.120 --> 0:33:35.200
<v Speaker 2>whom he sees as prey. It's not hard to imagine

0:33:35.200 --> 0:33:39.800
<v Speaker 2>why Polodori saw Byron as a vampire plagued by scandal

0:33:39.880 --> 0:33:42.920
<v Speaker 2>that was destroying the lives of those around him. Treating

0:33:42.960 --> 0:33:47.440
<v Speaker 2>the woman pregnant with his child as a tempting annoyance,

0:33:48.000 --> 0:33:54.080
<v Speaker 2>and channeling his distress into mocking Polodori, Byron was figuratively

0:33:54.320 --> 0:33:59.520
<v Speaker 2>sucking the lives out of his friends. The Vampire did

0:33:59.560 --> 0:34:02.720
<v Speaker 2>not end up being the revenge Polidori had hoped it

0:34:02.720 --> 0:34:06.120
<v Speaker 2>would be. It wasn't originally meant to be published at all,

0:34:06.320 --> 0:34:10.239
<v Speaker 2>merely circulated among peers, but the manuscript ended up in

0:34:10.239 --> 0:34:14.200
<v Speaker 2>the hands of New Monthly Magazine, where the editor rather

0:34:14.320 --> 0:34:18.680
<v Speaker 2>presumptuously assumed that it was written by Lord Byron. It

0:34:18.760 --> 0:34:22.200
<v Speaker 2>was published under the name The Vampire, a Tale by

0:34:22.280 --> 0:34:27.160
<v Speaker 2>Lord Byron, and while it was eventually amended after Polodori's demand,

0:34:27.719 --> 0:34:31.680
<v Speaker 2>the resounding success of the publication would mean the story

0:34:31.840 --> 0:34:37.200
<v Speaker 2>would forever be connected to Byron. While Polodori explained that

0:34:37.320 --> 0:34:41.160
<v Speaker 2>it was Byron's initial idea to continue his fragment with

0:34:41.239 --> 0:34:45.440
<v Speaker 2>the protagonist finding his companion alive upon his return and

0:34:45.640 --> 0:34:49.040
<v Speaker 2>making love to his sister, everything else was of his

0:34:49.440 --> 0:34:55.480
<v Speaker 2>Polodori's own imagination. Still, well into the eighteen nineties, the

0:34:55.600 --> 0:35:00.120
<v Speaker 2>Vampire was included in collections of Byron's work. Still will

0:35:00.480 --> 0:35:03.239
<v Speaker 2>it's Polodori who we have to thank for making the

0:35:03.320 --> 0:35:08.839
<v Speaker 2>vampire genre what it is today. Vampire fiction existed before Polodori,

0:35:09.400 --> 0:35:14.440
<v Speaker 2>but they were grotesque creatures. The byronic lord Ruthven was

0:35:14.600 --> 0:35:19.120
<v Speaker 2>dark and seductive, like the vampires we know and love today.

0:35:19.880 --> 0:35:23.680
<v Speaker 2>There may not have been the vampire without Byron's fragment,

0:35:24.320 --> 0:35:28.600
<v Speaker 2>but without the vampire, we wouldn't have Dracula, or Carmela

0:35:28.840 --> 0:35:34.120
<v Speaker 2>or Twilight. So who won the ghost story contest? No

0:35:34.280 --> 0:35:37.759
<v Speaker 2>winner was formally declared, but we have to hand the

0:35:37.800 --> 0:35:41.600
<v Speaker 2>title to the two underdogs who not only created the

0:35:41.640 --> 0:35:50.520
<v Speaker 2>scariest monsters, but pioneered two literary genres. That's the story

0:35:50.560 --> 0:35:54.520
<v Speaker 2>of Villa Diodati. But keep listening after a brief sponsor break,

0:35:54.840 --> 0:35:58.040
<v Speaker 2>to hear more about very important work that was also

0:35:58.160 --> 0:36:13.360
<v Speaker 2>created during the Year without a s Summer in eighteen sixteen,

0:36:13.640 --> 0:36:17.680
<v Speaker 2>The nineteen year old composer Franz Schubert was hard at work.

0:36:18.200 --> 0:36:22.240
<v Speaker 2>In that year alone. He produced two symphonies, choral music

0:36:22.600 --> 0:36:27.040
<v Speaker 2>and chamber works that dark and rainy summer when our

0:36:27.160 --> 0:36:31.279
<v Speaker 2>romantic poets were writing their ghost stories. Schubert had also

0:36:31.400 --> 0:36:34.760
<v Speaker 2>been inspired by the weather in albed In. The Guardian

0:36:34.960 --> 0:36:38.560
<v Speaker 2>argues that quote almost all of his songs reflected not

0:36:38.719 --> 0:36:43.160
<v Speaker 2>only the wandering wondering and passionate romanticism of the age,

0:36:43.600 --> 0:36:48.000
<v Speaker 2>but also the coldness and darkness of this mysterious period.

0:36:48.840 --> 0:36:53.320
<v Speaker 2>I personally recommend Symphony number four in C Minor, dubbed

0:36:53.480 --> 0:36:58.840
<v Speaker 2>The Tragic by Schubert. The composer would soon write Prometheus,

0:36:59.280 --> 0:37:01.680
<v Speaker 2>of course, based on the myth of the Titan who

0:37:01.719 --> 0:37:05.720
<v Speaker 2>stole fire from the gods to give to humanity. Prometheus

0:37:05.800 --> 0:37:08.760
<v Speaker 2>had been a prominent figure in art since the early days,

0:37:09.120 --> 0:37:12.319
<v Speaker 2>but he happened to be of particular importance to the

0:37:12.400 --> 0:37:17.040
<v Speaker 2>Villa Diodatti crew Byron published his epic poem Prometheus in

0:37:17.120 --> 0:37:21.640
<v Speaker 2>eighteen sixteen. In eighteen twenty, Percy would publish one of

0:37:21.680 --> 0:37:27.560
<v Speaker 2>his major works, Prometheus Unbound and Lest We Forget Mary.

0:37:27.600 --> 0:37:32.319
<v Speaker 2>Shelley had actually given Frankenstein a longer title. The full

0:37:32.440 --> 0:37:43.880
<v Speaker 2>title of the novel was Frankenstein or the Modern Prometheus.

0:37:47.000 --> 0:37:50.000
<v Speaker 1>Noble Blood is a production of iHeartRadio and Grimm and

0:37:50.040 --> 0:37:53.240
<v Speaker 1>Mild from Aaron Mankey. The show was written and hosted

0:37:53.239 --> 0:37:58.360
<v Speaker 1>by Dana Schwartz. Executive producers include Aaron Manke, Alex Williams,

0:37:58.640 --> 0:38:02.120
<v Speaker 1>and Matt Frederick. The show is produced by rima Il

0:38:02.160 --> 0:38:05.800
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