WEBVTT - Erica Grayson

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<v Speaker 1>R and B Money.

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<v Speaker 2>We are.

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<v Speaker 3>Take pologize.

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<v Speaker 1>We are the authority R and B ladies and gentleman.

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<v Speaker 3>Name is Tank and this is the R and B

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<v Speaker 3>Money Podcast, the authority on all things R and B business,

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<v Speaker 3>big business, tenured business. Uh. You know, sometimes you in

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<v Speaker 3>this game and then you're no longer in this game.

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<v Speaker 3>But sometimes you in this game and you stay in

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<v Speaker 3>this game a long time because you've done some real

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<v Speaker 3>cool ship.

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<v Speaker 1>Starting with cool ship?

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<v Speaker 2>Are you cool? Lady?

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<v Speaker 1>Was young?

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<v Speaker 2>Right?

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<v Speaker 3>We go back like a six back, come on oolosis.

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<v Speaker 2>I got it now. I was like, oh, hilariens.

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<v Speaker 3>Doing this a minute A man?

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<v Speaker 2>I thought you're about to say a million years?

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<v Speaker 1>No, no, no, no, not a million, but it.

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<v Speaker 4>Is close A minute, yes, a minute, yes, all like.

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<v Speaker 2>Both of you, which is screw.

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<v Speaker 3>We can get into that, get it. We're gonna get

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<v Speaker 3>into that all really like all really good stuff. And

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<v Speaker 3>I say that because you know, going through this business

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<v Speaker 3>can can can do so many things to you if

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<v Speaker 3>you're not grounded in who you are. And every time

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<v Speaker 3>I've seen you since the beginning, you are one hundred percent,

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<v Speaker 3>one hundred and fifty percent you that you're bad. Listen,

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<v Speaker 3>you are you? You this is this is you, that

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<v Speaker 3>is anyone.

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<v Speaker 1>Knows you know, that's the case to have on Chuck Taylor.

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<v Speaker 2>I really am that is so funny thing. I take

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<v Speaker 2>it as a compliment.

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<v Speaker 3>But yeah, because because because the consistency is everything right,

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<v Speaker 3>and you know, having the friendships and having the relationships

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<v Speaker 3>with good people's everything, especially people you can depend on,

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<v Speaker 3>you know what I'm saying. And a lot of times

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<v Speaker 3>it's not even it's not even business when it comes

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<v Speaker 3>to that type of thing. It's like it's like that

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<v Speaker 3>person is going to say you good, that's a family,

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<v Speaker 3>like that type of thing that is bigger than this business.

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<v Speaker 3>And you you don't have that with everybody that you

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<v Speaker 3>come in contact with this thing, and so you know,

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<v Speaker 3>to to you know, to.

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<v Speaker 1>See like you know what I'm saying, every time I

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<v Speaker 1>see you them like.

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<v Speaker 2>Like she cares you know, you know, yeah, yes, yes, And.

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<v Speaker 3>So like for for us and even this pot it's

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<v Speaker 3>always great too because we love to get into the

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<v Speaker 3>intricacies of how this sting moves and everybody is all

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<v Speaker 3>is so enamored with you know, who's in the video

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<v Speaker 3>and who's on the songs and all of these things.

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<v Speaker 3>I mean, maybe now they're into the producers and somewhat

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<v Speaker 3>the writers.

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<v Speaker 1>You know what I'm saying.

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<v Speaker 3>But you've been orchestrating it from an artist, songwriter, producer

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<v Speaker 3>standpoint since the beginning, which has helped shape all of this,

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<v Speaker 3>like yeah, you know what I mean, and so you're

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<v Speaker 3>you're important so that they understand like women in this

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<v Speaker 3>business also make this motherfucker shack.

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<v Speaker 1>Period a lot.

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<v Speaker 2>More now, thankfully.

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<v Speaker 3>Heay.

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<v Speaker 1>First of all, we're gonna get it back. R and B.

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<v Speaker 3>We're gonna get it back. Bella's begin ass kick.

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<v Speaker 1>Just saying getting whoop?

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<v Speaker 2>What you posting?

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<v Speaker 1>Mighty hoodie over the head?

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<v Speaker 2>You up?

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<v Speaker 3>That's how we getting whooped?

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<v Speaker 2>Right, you're it down.

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<v Speaker 1>It's just I can't do it for myself. They're gonna

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<v Speaker 1>pull the VIDI over.

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<v Speaker 2>You got to keep that apack you now.

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<v Speaker 1>Just moments. But let's start from the beginning. Let's start

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<v Speaker 1>from the beginning. Let's start with.

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<v Speaker 3>Was this always a desire of yours to be in

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<v Speaker 3>the music business? Because this ship is different?

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<v Speaker 2>No, I mean, well, you got to think like I

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<v Speaker 2>didn't know I could. So I didn't grow up. I'm

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<v Speaker 2>not from LA I'm from New York. I didn't I

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<v Speaker 2>didn't know anyone that was in music like I. My

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<v Speaker 2>father loved me ZI. So then by proxy, you get

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<v Speaker 2>exposed to all the things that they list your parents

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<v Speaker 2>listen to, and I'm looking at their vinyl and listening

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<v Speaker 2>to songs over and over and over again. And I

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<v Speaker 2>didn't think about this until years later, but I was like,

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<v Speaker 2>I used to sit there, pull the jacket sleeves out

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<v Speaker 2>of albums and listen to records with the lyrics. So

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<v Speaker 2>like from then, I loved songs and lyrics and I've

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<v Speaker 2>always been a lyric girl. And it's funny now I'm like, oh,

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<v Speaker 2>I've been doing this since I was a kid, but

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<v Speaker 2>I never knew anyone that did. So when I went

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<v Speaker 2>to college, I went to USC in Los Angeles.

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<v Speaker 3>What got you to USC? Because that's not and smart.

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<v Speaker 1>I want to start there.

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<v Speaker 2>I was a dean scholar in high school and I.

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<v Speaker 3>Don't even know what that means.

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<v Speaker 2>It just means you get good grade.

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<v Speaker 5>No, I'm just saying, I heard yeah, yeah, so you

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<v Speaker 5>just yeah, so.

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<v Speaker 2>You ap class ap classes, and so you you only know,

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<v Speaker 2>especially back then, like you don't. I didn't know what

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<v Speaker 2>I wanted to do. I have peak kids that do

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<v Speaker 2>or they fascinate me because I just was like, I

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<v Speaker 2>don't I don't know, like my parents work jobs, you know,

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<v Speaker 2>And so you're like, I know, college from everything I

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<v Speaker 2>seen on television is how people have careers. So you

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<v Speaker 2>go to college because you're like, well that's why you

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<v Speaker 2>go to college and you get a good job. You know,

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<v Speaker 2>there's your whole life. You hear that. So I went

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<v Speaker 2>to college and I don't know if I was like,

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<v Speaker 2>this is the college I want to go all that

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<v Speaker 2>stuff that people experience. Now, I was just like, they

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<v Speaker 2>gave me the most money. I sorry USC, like cause

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<v Speaker 2>I know it's like a big teda school, but I

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<v Speaker 2>used to I literally be like, why did you pick us?

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<v Speaker 2>I'm like, they gave me the most money to go there,

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<v Speaker 2>so I picked there because we didn't have money.

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<v Speaker 1>And the USC is not cheap, no, but.

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<v Speaker 2>It's private, so they give you more funding. I guess.

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<v Speaker 2>So that was it. It was like I was in

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<v Speaker 2>music the whole time but didn't know. So I was

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<v Speaker 2>like doing things like this thing they used to have

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<v Speaker 2>called Songfest where they would have organizations with COMPEDE. I'd

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<v Speaker 2>work with the Black Student Union of course, because I

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<v Speaker 2>wasn't in fraternity or anything, and you would put together

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<v Speaker 2>like a show. They would take popular songs and change

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<v Speaker 2>the words and like it had a theme and you

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<v Speaker 2>perform at the shrine. And like one year I was

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<v Speaker 2>in it. The next year I was, you know, like

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<v Speaker 2>choreographing and directing it and had to get music made.

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<v Speaker 2>I was figuring it all out. I didn't know I

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<v Speaker 2>was in music. I was just doing like the song

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<v Speaker 2>fest thing, so you don't think, like it doesn't feel

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<v Speaker 2>like it's possible. And I had roommates in college that

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<v Speaker 2>were from Los Angeles that used to go to like

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<v Speaker 2>rapper videos and like all in a video, you know,

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<v Speaker 2>and I would be at home because I wasn't cool.

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<v Speaker 2>I would be at home and be like how do y'all?

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<v Speaker 2>Like how did you do that? Like how do you

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<v Speaker 2>know about videos and where artists are going to be?

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<v Speaker 2>Like that's crazy? And I loved music so much, but

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<v Speaker 2>that's not a career. Like I'm not a singer, I'm

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<v Speaker 2>not a rapper, I'm not a dancer for real, Like

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<v Speaker 2>that's not a career. So I think it was more

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<v Speaker 2>so it was like my junior year of college, this

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<v Speaker 2>guy I can't remember his name now, but He used

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<v Speaker 2>to be in one of my classes and he was

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<v Speaker 2>an engineer. He was older and he was getting ready

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<v Speaker 2>to graduate, and you know, he's an engineer major. So

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<v Speaker 2>I was like, oh, you know, he's like, yeah, I'm

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<v Speaker 2>going to start my job at Coke. And I was like,

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<v Speaker 2>you don't work at Coke and as an engineer and

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<v Speaker 2>he's like, oh yeah, I just did engineering, So I could,

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<v Speaker 2>you know, have these skill set because I want to

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<v Speaker 2>be this person in business And I was like, oh

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<v Speaker 2>my god, like it never. I was like, oh, you

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<v Speaker 2>could like get an education and still like be whatever

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<v Speaker 2>you want to be. And so I was like huh

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<v Speaker 2>and he was like what. And I was like, well,

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<v Speaker 2>you know, I really like music, but you know, like

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<v Speaker 2>I'm a communications major and like I'm trying to figure

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<v Speaker 2>out like how go get a comms job somewhere or whatever.

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<v Speaker 2>And he was like, you know, how long have you

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<v Speaker 2>been working? And I was like shit, I I since

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<v Speaker 2>I was fifteen. And he's like, well, you could work anywhere,

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<v Speaker 2>like do something you want to do. And I swear

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<v Speaker 2>on everything I love because I am so corny. I

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<v Speaker 2>went back to my apartment on campus like with this

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<v Speaker 2>like determination, like a scene from a sitcom and like

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<v Speaker 2>called my parents and was like, I'm gonna work in

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<v Speaker 2>the music industry.

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<v Speaker 1>Off of one conversation.

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<v Speaker 2>Yeah, I'm dead ass serious. My parents were like okay,

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<v Speaker 2>you know, but it was like I had all this courage,

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<v Speaker 2>like I have found purpose. It was so funny. And

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<v Speaker 2>from that moment on, I was like researching and internships

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<v Speaker 2>and like just like how do I get in? How

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<v Speaker 2>do I get in? How do I get in? And

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<v Speaker 2>you know, eventually I got an internship.

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<v Speaker 1>So you didn't ask none of your video of Vixen help.

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<v Speaker 2>Me, you know, take me down to bless them. Their

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<v Speaker 2>desire for music was a little different than they enjoyed

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<v Speaker 2>the fruits of hip hop. At that not so much

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<v Speaker 2>a way to say that. End up, I did not

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<v Speaker 2>say that. They just enjoyed being on set. From what

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<v Speaker 2>I understood, I was never invited, of course, because you know,

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<v Speaker 2>I'm not cool. But so I started like intern Somebody

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<v Speaker 2>introduced me to a gentleman, Kerry Gordy, who is the

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<v Speaker 2>son of Barry Gerdy, who I kind of thought it

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<v Speaker 2>was going to be an internship, but was really like,

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<v Speaker 2>damn near a full time job, which I didn't care.

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<v Speaker 1>You still still at this point, I am.

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<v Speaker 2>Yeah, and he's like great, Like I don't know if

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<v Speaker 2>you know Carrie, but like he talks really fast and

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<v Speaker 2>he's like great, I love it. And I'm just like

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<v Speaker 2>my god, like also, you know Barry Gordy and like you.

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<v Speaker 1>I mean yeah, I mean.

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<v Speaker 2>I'm so far removed from like you know, I'm going

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<v Speaker 2>to school full time, I'm working forty hours a week.

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<v Speaker 2>I'm like I'm doing whatever to make sure I survive.

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<v Speaker 2>And you meet a guy who's like related to Barry Gordy,

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<v Speaker 2>Like this isn't real, this is not real life. And

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<v Speaker 2>so he and his wife had a production company and

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<v Speaker 2>they no, lie, We're like we had this album we

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<v Speaker 2>finished and we need to turn all the credits in.

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<v Speaker 2>So like here I'm like going through nothing. When I

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<v Speaker 2>say I know nothing, I'm like calling, like call Aftra, okay, hi,

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<v Speaker 2>Aftra this far and I have to say that this

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<v Speaker 2>musician did this and that I mean like literally talk

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<v Speaker 2>about get it from the mud, just like go figure

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<v Speaker 2>out how to deliver an album. I'm like, I don't know.

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<v Speaker 2>It was the hardest thing I ever did in my

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<v Speaker 2>whole life, shout out to adding people.

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<v Speaker 1>And it was way different.

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<v Speaker 3>Phone calls and and hold, but.

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<v Speaker 2>It was please and you're like hi hi, hi, hi yah,

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<v Speaker 2>So okay, just do I put yes because and the

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<v Speaker 2>other part was it was this immense pressure. One I

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<v Speaker 2>wanted to be great, and two I didn't want to

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<v Speaker 2>mess up right, like because the first thing I learned

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<v Speaker 2>was like, if we don't turn this in, like we

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<v Speaker 2>gotta pay fees and fines. And so now I'm you know,

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<v Speaker 2>I didn't know at the time, like I shouldn't have

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<v Speaker 2>probably been delivering an album, like I didn't know nothing.

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<v Speaker 2>So it's funny to me now, but like that was it.

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<v Speaker 2>And then I probably wasn't even there six months when

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<v Speaker 2>someone else that used to work there was like, you

0:13:16.679 --> 0:13:23.839
<v Speaker 2>know what that Jive they're hiring and I'm like a word.

0:13:23.880 --> 0:13:25.640
<v Speaker 2>He's like, yeah, I'm gonna get you. I'm gonna get

0:13:25.640 --> 0:13:30.360
<v Speaker 2>you a meeting with the with the president, and I'm like, okay,

0:13:30.800 --> 0:13:36.839
<v Speaker 2>you know, Like so I'm I'm so like, oh my god,

0:13:37.000 --> 0:13:40.360
<v Speaker 2>like Jive records, like are you kidding me? Like try

0:13:40.440 --> 0:13:44.880
<v Speaker 2>called quest like Will Smith, like like I was just

0:13:44.960 --> 0:13:47.959
<v Speaker 2>I couldn't all my favorite things in the entire world,

0:13:48.040 --> 0:13:51.760
<v Speaker 2>and I'm like, you know, receptionist job, and I go

0:13:51.840 --> 0:13:54.960
<v Speaker 2>for a meeting there and you know, they're just you know,

0:13:55.160 --> 0:13:57.679
<v Speaker 2>they're interviewing me. Da da da da. I don't even

0:13:57.720 --> 0:13:59.520
<v Speaker 2>think I told them I was in college because I

0:13:59.559 --> 0:14:03.000
<v Speaker 2>was afraid that they wouldn't hire me. So I was like, oh, yeah,

0:14:03.040 --> 0:14:05.520
<v Speaker 2>I'm available and I could do whatever and it's fine

0:14:05.559 --> 0:14:07.520
<v Speaker 2>and blah blah blah. And they were like, Okay, I

0:14:07.559 --> 0:14:09.439
<v Speaker 2>got the phone call. I tell you almost die. I

0:14:09.440 --> 0:14:14.880
<v Speaker 2>about died, Like I thought, like it just didn't make

0:14:14.880 --> 0:14:17.199
<v Speaker 2>any sense to me, you know, cause it just doesn't.

0:14:17.559 --> 0:14:19.640
<v Speaker 2>You don't know it again, you don't know anyone that

0:14:19.720 --> 0:14:24.320
<v Speaker 2>this happens for. There wasn't Instagram where everybody's famous and

0:14:24.360 --> 0:14:28.880
<v Speaker 2>those famous people like nobody I knew. And so now

0:14:29.000 --> 0:14:31.640
<v Speaker 2>you're in the office and like trave called Quest walks

0:14:31.640 --> 0:14:34.440
<v Speaker 2>in and you're like, you know, now you're talking to

0:14:34.520 --> 0:14:37.920
<v Speaker 2>camal aka q Tip and you're you know, driving them

0:14:37.920 --> 0:14:41.200
<v Speaker 2>around everywhere. Like that was my job was like as

0:14:41.280 --> 0:14:44.480
<v Speaker 2>you get home. I got hired as a receptionists. But

0:14:44.600 --> 0:14:47.400
<v Speaker 2>the good news was it was pretty much the satellite

0:14:47.440 --> 0:14:51.160
<v Speaker 2>office of the New York Office. So I did you

0:14:51.240 --> 0:14:54.880
<v Speaker 2>do everything everything, mail records, you know, so and so's

0:14:54.880 --> 0:14:58.920
<v Speaker 2>in town, drive them everywhere, like d nice, I gotta try.

0:14:59.000 --> 0:15:01.920
<v Speaker 2>I got a signed to to Derek when he doesn't

0:15:01.960 --> 0:15:04.160
<v Speaker 2>even he didn't even know this till later is so funny.

0:15:04.200 --> 0:15:07.360
<v Speaker 2>I'm so corny. It makes me laugh. So I was

0:15:07.400 --> 0:15:09.480
<v Speaker 2>assigned to him. They would rent a car for me

0:15:09.520 --> 0:15:11.280
<v Speaker 2>because I was too young to rent my own car,

0:15:12.040 --> 0:15:15.160
<v Speaker 2>and they would I would drive them around to go eat,

0:15:15.240 --> 0:15:19.800
<v Speaker 2>to go to whatever they were was also doing. He

0:15:19.840 --> 0:15:22.880
<v Speaker 2>wouldn't he was doing like TV show auditions and stuff.

0:15:23.280 --> 0:15:25.120
<v Speaker 2>So I would just be with him like for days

0:15:25.160 --> 0:15:27.760
<v Speaker 2>at a time when he was in town and like

0:15:27.800 --> 0:15:31.280
<v Speaker 2>his intern, basically like drive him everywhere. Years later, when

0:15:31.520 --> 0:15:34.440
<v Speaker 2>when he started to like his DJ thing really started

0:15:34.480 --> 0:15:36.320
<v Speaker 2>to be like, I don't know if you remember me,

0:15:36.800 --> 0:15:39.760
<v Speaker 2>but I used to like be your intern, he was

0:15:39.840 --> 0:15:42.160
<v Speaker 2>just like, oh yeah, because I was sitting in the audition,

0:15:42.240 --> 0:15:44.440
<v Speaker 2>like I got to see him do TV auditions, like

0:15:44.480 --> 0:15:46.720
<v Speaker 2>I got to see everything. I used to go. I

0:15:46.760 --> 0:15:48.360
<v Speaker 2>used to have to go. This is so long ago,

0:15:48.400 --> 0:15:51.160
<v Speaker 2>but I used to get sent over to Fresh Prince

0:15:51.200 --> 0:15:53.440
<v Speaker 2>of bel Air to go wait for Will to sign

0:15:53.640 --> 0:15:55.880
<v Speaker 2>all the autographs. They'd be like, go over there and

0:15:55.920 --> 0:15:57.360
<v Speaker 2>have him signed autographs, and.

0:15:57.560 --> 0:16:00.840
<v Speaker 1>So you would have all the pictures picture yep.

0:16:00.680 --> 0:16:02.680
<v Speaker 2>And I would just be sitting there like they just

0:16:02.720 --> 0:16:04.920
<v Speaker 2>walk by, and then Benny Madina would be like, all right,

0:16:04.960 --> 0:16:07.400
<v Speaker 2>you can go in now, you know, and then Will

0:16:07.440 --> 0:16:10.160
<v Speaker 2>would sign all the seven hundred thousand and then I

0:16:10.320 --> 0:16:12.280
<v Speaker 2>drive it back. I was so and I'd just be like,

0:16:12.400 --> 0:16:23.400
<v Speaker 2>I'm lucky as much stuff to me, you know. He

0:16:23.520 --> 0:16:25.600
<v Speaker 2>was so nice and I would just be like, oh

0:16:25.600 --> 0:16:28.040
<v Speaker 2>my god, Will Smith is nice. Oh my god, he

0:16:28.080 --> 0:16:30.840
<v Speaker 2>said a joke to me, like it just didn't make sense.

0:16:30.880 --> 0:16:36.040
<v Speaker 2>And so I love that part, like the discovery and

0:16:36.080 --> 0:16:40.359
<v Speaker 2>the newness, and like I think as my career expanded,

0:16:41.160 --> 0:16:43.600
<v Speaker 2>that's what I started to become attracted to, which is

0:16:44.120 --> 0:16:47.760
<v Speaker 2>the newer generation of people and their excitement, you know,

0:16:47.960 --> 0:16:50.400
<v Speaker 2>the the dream in your head, Like when I met

0:16:50.440 --> 0:16:54.720
<v Speaker 2>you and they're like, this is Tank the new guy

0:16:55.040 --> 0:16:57.440
<v Speaker 2>from Virginia and he's a singer, and like I'm like,

0:16:57.640 --> 0:16:59.800
<v Speaker 2>and you're just you could just see like I can't

0:17:00.440 --> 0:17:05.280
<v Speaker 2>you know, like I'm gonna be this you know. Yeah,

0:17:05.400 --> 0:17:08.399
<v Speaker 2>It's like that's the wonderful. That's the part that like

0:17:09.280 --> 0:17:13.440
<v Speaker 2>you know that you just you cove it because you know,

0:17:13.640 --> 0:17:16.359
<v Speaker 2>then there becomes other times that you need to you

0:17:16.400 --> 0:17:19.200
<v Speaker 2>need to have sensory recall and be like, oh yeah,

0:17:19.200 --> 0:17:22.520
<v Speaker 2>I do love this right because because you love it,

0:17:22.600 --> 0:17:25.240
<v Speaker 2>and then sometimes you don't because it is a tough business.

0:17:25.920 --> 0:17:26.840
<v Speaker 2>It's a tough business.

0:17:27.240 --> 0:17:29.800
<v Speaker 3>So when do you get out of When do you

0:17:29.800 --> 0:17:35.960
<v Speaker 3>get out of assisting and and and doing getting autograph

0:17:36.040 --> 0:17:41.320
<v Speaker 3>sign to finally getting a real position somebody saying hey,

0:17:41.800 --> 0:17:44.840
<v Speaker 3>I think you would be great at this.

0:17:45.080 --> 0:17:52.120
<v Speaker 2>So it's it's interesting. I was very again, do everything.

0:17:52.320 --> 0:17:54.880
<v Speaker 2>You know, you're doing the list for the parties, you're

0:17:54.920 --> 0:17:58.760
<v Speaker 2>I mean literally everything. And one of the things was

0:17:58.800 --> 0:18:02.560
<v Speaker 2>that Jive and a company called Zomba Publishing at the

0:18:02.600 --> 0:18:05.679
<v Speaker 2>time were connected and they were in the same building

0:18:06.359 --> 0:18:09.240
<v Speaker 2>and so it's a satellite office. And the woman that

0:18:09.359 --> 0:18:12.840
<v Speaker 2>was running that used to ask me she was not

0:18:13.160 --> 0:18:17.040
<v Speaker 2>a she was not proficient in R and B and

0:18:17.119 --> 0:18:20.280
<v Speaker 2>hip hop music. That wasn't her bag. So she'd be like, hey,

0:18:20.320 --> 0:18:21.920
<v Speaker 2>you know, if you want to listen to these demos

0:18:21.920 --> 0:18:24.480
<v Speaker 2>and you want to like da da da da da songwriters,

0:18:24.560 --> 0:18:26.240
<v Speaker 2>And I was like, of course, it was like a

0:18:26.320 --> 0:18:28.960
<v Speaker 2>light again. It's like a moment where I was like,

0:18:29.400 --> 0:18:32.560
<v Speaker 2>I love songwriters. I love song I was like, this

0:18:32.640 --> 0:18:34.200
<v Speaker 2>is what I want to do. I want to work

0:18:34.240 --> 0:18:36.399
<v Speaker 2>with songwriters. I don't even know what it's called that.

0:18:36.480 --> 0:18:42.159
<v Speaker 2>If there's a job for songwriters and publishing, publishing, right, oh, publishing,

0:18:42.320 --> 0:18:45.080
<v Speaker 2>Like it was just like this discovery and so I

0:18:45.119 --> 0:18:48.719
<v Speaker 2>would listen to songs, give her things like tell her

0:18:48.760 --> 0:18:51.080
<v Speaker 2>what I thought was good or not, and like I

0:18:51.119 --> 0:18:54.720
<v Speaker 2>was answering phone, so shit, I was important. Like that

0:18:54.920 --> 0:18:58.960
<v Speaker 2>was exciting for me. And she was like one day

0:18:59.640 --> 0:19:01.480
<v Speaker 2>and they call me the baby because I was like

0:19:01.560 --> 0:19:05.439
<v Speaker 2>so much younger than everybody around there, and they'd be like,

0:19:05.720 --> 0:19:08.359
<v Speaker 2>get into the baby to do it or whatever. We

0:19:08.440 --> 0:19:11.199
<v Speaker 2>got to get the baby a cary, you know, we

0:19:11.200 --> 0:19:13.160
<v Speaker 2>gotta get the baby a car because she can't run

0:19:13.200 --> 0:19:16.720
<v Speaker 2>a car. Like it's just silly stuff. And she was like,

0:19:16.800 --> 0:19:19.679
<v Speaker 2>you know, a woman I used to work with by

0:19:19.720 --> 0:19:23.600
<v Speaker 2>the name of Kathleen Carrie is hiring at Sony Publishing,

0:19:24.440 --> 0:19:28.240
<v Speaker 2>like for a job. And I was like, it's like

0:19:28.280 --> 0:19:30.840
<v Speaker 2>I should call her and just you know, you should

0:19:30.880 --> 0:19:34.160
<v Speaker 2>meet her. And I'm like, you know, oh my god.

0:19:34.280 --> 0:19:36.760
<v Speaker 2>And at this time I'm not just working at Jibe.

0:19:36.920 --> 0:19:41.080
<v Speaker 2>I'm like meeting artists that are like you should manage me.

0:19:41.119 --> 0:19:44.000
<v Speaker 2>And I'm like okay, and like let's go to figure

0:19:44.000 --> 0:19:46.520
<v Speaker 2>out how to make a demo, and like getting to

0:19:46.600 --> 0:19:49.560
<v Speaker 2>an R people and like playing their stuff and then

0:19:49.600 --> 0:19:51.560
<v Speaker 2>almost getting a deal. So I was starting to like

0:19:51.680 --> 0:19:54.560
<v Speaker 2>move around before people would be like you got to

0:19:54.600 --> 0:19:57.199
<v Speaker 2>move around? Like I was just kind of like, well

0:19:57.280 --> 0:20:00.480
<v Speaker 2>we probably need some music, well we probably need some photos.

0:20:00.560 --> 0:20:02.800
<v Speaker 2>You know, you just were doing all of the things.

0:20:02.960 --> 0:20:10.520
<v Speaker 2>And she introduced me to Kathleen, and I didn't know nothing,

0:20:10.920 --> 0:20:14.560
<v Speaker 2>Like I really was just like I'm this, I'm bad.

0:20:15.359 --> 0:20:19.040
<v Speaker 2>Kathleen's like, you know, sweet, and I could tell she

0:20:19.359 --> 0:20:24.359
<v Speaker 2>liked me, but I did not get the job. And

0:20:25.560 --> 0:20:28.120
<v Speaker 2>you know, I remember calling my mom was so sad.

0:20:28.200 --> 0:20:31.000
<v Speaker 2>You know, I love my mom. I love my mom.

0:20:32.080 --> 0:20:35.320
<v Speaker 2>And I was like, Mom, yeah, they hired somebody else

0:20:35.520 --> 0:20:38.320
<v Speaker 2>and this and that and whatever. My Mom's like, I

0:20:38.359 --> 0:20:42.000
<v Speaker 2>don't know, I think that's your job. And I'm like, Mom,

0:20:43.119 --> 0:20:48.280
<v Speaker 2>I don't think you heard literally hired another person, not

0:20:48.480 --> 0:20:51.399
<v Speaker 2>my job. She's like, I don't know. I just feel

0:20:51.440 --> 0:20:54.440
<v Speaker 2>like it's your job. I'm like, Mom, Jesus, like you're

0:20:54.480 --> 0:20:59.560
<v Speaker 2>so cute, it's not my job. Two weeks later, my

0:20:59.640 --> 0:21:06.400
<v Speaker 2>phone is Kathleen. Kathleen was from Dallas and so she's like, harka,

0:21:07.520 --> 0:21:10.960
<v Speaker 2>that's like your head. She starts the conversation. I'm like hi.

0:21:11.160 --> 0:21:20.200
<v Speaker 2>She's like, so, I've been thinking I really like you

0:21:21.320 --> 0:21:27.160
<v Speaker 2>and you just don't know anything. But I just feel

0:21:27.160 --> 0:21:31.080
<v Speaker 2>like there's something about you that's making me feel like

0:21:31.200 --> 0:21:35.399
<v Speaker 2>I should see you again. So I'm confused because I'm like,

0:21:35.600 --> 0:21:39.280
<v Speaker 2>I know, they hire somebody else, can you come back in?

0:21:40.760 --> 0:21:45.199
<v Speaker 2>And I was like yeah, right. So apparently whoever they

0:21:45.280 --> 0:21:48.040
<v Speaker 2>offered the job to, something weird happened and she didn't

0:21:48.040 --> 0:21:49.560
<v Speaker 2>get the job, and it was a she that's all

0:21:49.600 --> 0:21:55.120
<v Speaker 2>I know. I come in. I'm like, Okay. In my head,

0:21:55.119 --> 0:21:59.119
<v Speaker 2>I'm like, be calm, be cool, Like don't you know

0:21:59.200 --> 0:22:01.919
<v Speaker 2>everything people say you like, don't get too excited, like

0:22:02.040 --> 0:22:04.320
<v Speaker 2>I still don't know, Like I feel like it's like

0:22:04.359 --> 0:22:07.879
<v Speaker 2>a thirteenth interview. At this point, I brought a CD

0:22:08.359 --> 0:22:11.200
<v Speaker 2>of music of things I like, things I would sign things.

0:22:11.359 --> 0:22:14.639
<v Speaker 2>I'm like, I'm all yeah. And so I'm meeting with

0:22:14.680 --> 0:22:18.800
<v Speaker 2>her and the number two guy and they're asking me

0:22:18.960 --> 0:22:22.520
<v Speaker 2>different questions and they asked me like I put my

0:22:22.560 --> 0:22:27.399
<v Speaker 2>favorite cover, which was risky because I did intros Ribbon

0:22:27.440 --> 0:22:29.680
<v Speaker 2>in the Sky because I was like I don't think

0:22:29.720 --> 0:22:32.080
<v Speaker 2>Stevie Wonder should ever be covered, but this is the

0:22:32.119 --> 0:22:34.040
<v Speaker 2>one time I felt like it did it just I

0:22:34.080 --> 0:22:37.040
<v Speaker 2>was just like ah everything, I knew why. And so

0:22:37.200 --> 0:22:41.240
<v Speaker 2>they're like, I think we'd like to hire you, right,

0:22:42.480 --> 0:22:47.320
<v Speaker 2>So my ass is like, okay, cool, like that sounds great,

0:22:47.400 --> 0:22:49.600
<v Speaker 2>Like I'm trying to be an adult. My ass is like,

0:22:49.840 --> 0:22:52.280
<v Speaker 2>are you I'm going insane? So I'm like cool. I

0:22:52.320 --> 0:22:54.080
<v Speaker 2>was like, can I can I use a restaurant? Like

0:22:55.000 --> 0:22:57.880
<v Speaker 2>I'm dying, I'm like trying to call my mother. I'm like,

0:22:57.880 --> 0:23:00.680
<v Speaker 2>oh my god, oh my god. I come back out

0:23:00.720 --> 0:23:03.399
<v Speaker 2>like sure, that would be wonderful. Like he let me know,

0:23:03.480 --> 0:23:06.720
<v Speaker 2>like the offer is, and like I'm stupid.

0:23:07.440 --> 0:23:08.159
<v Speaker 1>Somewhere of.

0:23:11.080 --> 0:23:13.840
<v Speaker 2>Your office would be your assistant. Mind you, I am

0:23:13.880 --> 0:23:18.600
<v Speaker 2>an assistant, So I'm like I have an assistant like

0:23:18.600 --> 0:23:21.399
<v Speaker 2>like this, it's not real. Like she hated me, by

0:23:21.440 --> 0:23:23.920
<v Speaker 2>the way, shout out to her. She was much older

0:23:23.920 --> 0:23:26.480
<v Speaker 2>than me at the time because she was already there.

0:23:26.600 --> 0:23:30.200
<v Speaker 2>So she was like who is this child? And yeah,

0:23:30.280 --> 0:23:33.160
<v Speaker 2>they like she was not having it. She quit after

0:23:33.480 --> 0:23:35.879
<v Speaker 2>like a few months. But I didn't even know how

0:23:35.920 --> 0:23:38.600
<v Speaker 2>to use her because I honestly she was older, So

0:23:38.840 --> 0:23:39.879
<v Speaker 2>part of it was like.

0:23:43.200 --> 0:23:44.000
<v Speaker 1>What I'm imagining?

0:23:44.200 --> 0:23:44.800
<v Speaker 2>Do you mind?

0:23:46.400 --> 0:23:49.639
<v Speaker 1>Don't even know how to ask for some call? But

0:23:49.640 --> 0:23:50.199
<v Speaker 1>could you give me?

0:23:50.840 --> 0:23:52.760
<v Speaker 2>Do you think I have to take a flight? Do

0:23:52.840 --> 0:23:56.560
<v Speaker 2>you know I'm supposed to call the book? She's looking

0:23:56.600 --> 0:23:57.720
<v Speaker 2>at me, like, girl.

0:23:57.720 --> 0:24:05.240
<v Speaker 1>Said, right, I should have that when I fly.

0:24:06.600 --> 0:24:09.480
<v Speaker 2>They're like, she's looking like you know, And it was

0:24:09.640 --> 0:24:16.640
<v Speaker 2>just big, like it was just how and why and

0:24:16.760 --> 0:24:21.840
<v Speaker 2>like and Kathleen, who's so wonderful, who I credit for

0:24:21.960 --> 0:24:25.399
<v Speaker 2>so much of of just taking a shot on me.

0:24:26.520 --> 0:24:30.439
<v Speaker 2>Because even after I started, I remember, since then, every

0:24:30.520 --> 0:24:32.119
<v Speaker 2>day I thought I was gonna get fired, right, Like

0:24:32.160 --> 0:24:36.760
<v Speaker 2>You're like, okay, they yeah, You're like, they don't. I

0:24:36.800 --> 0:24:39.000
<v Speaker 2>don't know nothing. They gave me this big ass job.

0:24:39.040 --> 0:24:41.160
<v Speaker 2>I got an assistant. I don't even know how to.

0:24:41.160 --> 0:24:43.280
<v Speaker 1>Use her, like, and you're at Sony.

0:24:43.040 --> 0:24:48.040
<v Speaker 2>Publishing, Sony Publishing Publish and I'm exactly and I'm sitting

0:24:48.080 --> 0:24:51.760
<v Speaker 2>in the office, my office just like.

0:24:51.720 --> 0:24:52.480
<v Speaker 1>How old are you?

0:24:53.160 --> 0:24:57.080
<v Speaker 2>I think that was like twenty two? Yeah, yeah, I

0:24:57.160 --> 0:24:59.520
<v Speaker 2>was wow. Yeah, I mean at this point now I've

0:24:59.520 --> 0:25:05.000
<v Speaker 2>graduated and I'm like, I don't know nothing. I know nothing.

0:25:14.480 --> 0:25:18.119
<v Speaker 6>So here's my question, Yeah, how did you used to

0:25:18.160 --> 0:25:19.960
<v Speaker 6>fill up your day.

0:25:20.160 --> 0:25:24.280
<v Speaker 2>That was the problem. So initially I was listening to everything,

0:25:24.760 --> 0:25:27.160
<v Speaker 2>like I was pulling out all the music and familiarizing

0:25:27.200 --> 0:25:30.760
<v Speaker 2>myself with the roster and like dreaming of where I

0:25:30.800 --> 0:25:34.720
<v Speaker 2>thought people should work. I can knew that much. But no, no, right,

0:25:34.840 --> 0:25:37.879
<v Speaker 2>I just was And Kathleen again, she walks by my

0:25:37.920 --> 0:25:41.760
<v Speaker 2>office and she's like, I was like, I don't really

0:25:41.800 --> 0:25:45.040
<v Speaker 2>know where to start, Like I was just very honest,

0:25:45.720 --> 0:25:49.000
<v Speaker 2>and she's like, and she used to tell this story

0:25:49.040 --> 0:25:51.240
<v Speaker 2>which used to make me feel so good, but she

0:25:51.400 --> 0:25:54.119
<v Speaker 2>was like, you know, one day I just told her

0:25:54.560 --> 0:25:57.520
<v Speaker 2>to pull out the directory and call people and introduce herself,

0:25:57.560 --> 0:25:59.080
<v Speaker 2>and she would say it. I never had to tell

0:25:59.080 --> 0:26:01.800
<v Speaker 2>her anything again to that, which is not true. But

0:26:02.160 --> 0:26:04.760
<v Speaker 2>I appreciated that she felt like I was a self

0:26:04.800 --> 0:26:07.320
<v Speaker 2>starter because I was. I wanted to figure it out.

0:26:07.760 --> 0:26:11.600
<v Speaker 2>So then it was Hi, this is Eric Grayson Sony

0:26:11.880 --> 0:26:15.320
<v Speaker 2>pushing and like each person and then they'd be like,

0:26:15.359 --> 0:26:17.360
<v Speaker 2>come on in and then you you know, and then

0:26:17.400 --> 0:26:20.800
<v Speaker 2>eventually you get a rhythm and you get it. But

0:26:20.880 --> 0:26:24.760
<v Speaker 2>it was really for me, like I didn't even know

0:26:24.920 --> 0:26:27.280
<v Speaker 2>then that I was in the industry, because for me,

0:26:27.520 --> 0:26:30.960
<v Speaker 2>I still was a kid excited to be around all

0:26:31.000 --> 0:26:34.480
<v Speaker 2>of these people. So I don't know, I never I

0:26:34.520 --> 0:26:39.160
<v Speaker 2>don't think that, like looking at myself as someone ever happened,

0:26:39.240 --> 0:26:42.639
<v Speaker 2>because I was always like, holy shit, that's so and so,

0:26:42.800 --> 0:26:45.240
<v Speaker 2>or I'm with such and such or that's and I'm

0:26:45.240 --> 0:26:48.040
<v Speaker 2>at this convention and like it was always just like

0:26:48.359 --> 0:26:50.560
<v Speaker 2>I can't believe I'm here. At some point, somebody's just

0:26:50.600 --> 0:26:52.160
<v Speaker 2>gonna be like, dude, dude, what are you doing here?

0:26:52.280 --> 0:26:54.399
<v Speaker 2>You know, and it never just never happens.

0:26:54.240 --> 0:26:56.200
<v Speaker 1>It's interesting to hear.

0:26:57.840 --> 0:27:01.639
<v Speaker 6>The beginning for you because it brings back a memory

0:27:01.640 --> 0:27:07.120
<v Speaker 6>for me where I had my first job opportunity.

0:27:07.960 --> 0:27:10.840
<v Speaker 1>Was with Ira Jaffe.

0:27:11.359 --> 0:27:14.920
<v Speaker 6>Oh yeah, Famous Music, yeah, which I was signed to.

0:27:15.520 --> 0:27:19.160
<v Speaker 6>I remember I was signed to Famous Music and then

0:27:19.200 --> 0:27:24.359
<v Speaker 6>Brian Pastel left and then Ira offered me his job

0:27:25.680 --> 0:27:31.280
<v Speaker 6>and Brian had signed me right right, and I'm like, no, like.

0:27:32.040 --> 0:27:33.560
<v Speaker 1>No other guy right.

0:27:33.600 --> 0:27:37.719
<v Speaker 6>And I think at the time I might have been twenty, yeah,

0:27:37.800 --> 0:27:40.879
<v Speaker 6>nineteen twenty something around that, and I'd only been signed

0:27:40.920 --> 0:27:44.359
<v Speaker 6>there maybe a year if that six whatever it was,

0:27:44.840 --> 0:27:46.199
<v Speaker 6>And I remember Ira was saying to me, he was like.

0:27:46.200 --> 0:27:47.880
<v Speaker 1>I'm gonna give you the weekend to think about it.

0:27:49.000 --> 0:27:52.520
<v Speaker 6>Right, and then we talked again that Monday, and we

0:27:52.560 --> 0:27:54.080
<v Speaker 6>talked and he could just hear it in my voice.

0:27:54.320 --> 0:27:56.159
<v Speaker 6>I had been fighting with it all weekend or whatever,

0:27:56.600 --> 0:27:57.200
<v Speaker 6>because you know.

0:27:57.160 --> 0:27:59.000
<v Speaker 3>In my mind, I'm like, oh man, I go from

0:27:59.000 --> 0:28:01.760
<v Speaker 3>being the writer and now I'm signing everybody.

0:28:02.040 --> 0:28:05.200
<v Speaker 1>I'm about to be cracking. And that's why I asked, like,

0:28:05.280 --> 0:28:06.679
<v Speaker 1>how do you feel up your day? Because I was

0:28:06.760 --> 0:28:08.800
<v Speaker 1>even I was I was thinking about it, like when

0:28:08.800 --> 0:28:09.600
<v Speaker 1>I get there.

0:28:09.880 --> 0:28:10.560
<v Speaker 2>What do I do?

0:28:10.760 --> 0:28:11.800
<v Speaker 1>What would I be doing?

0:28:12.600 --> 0:28:12.879
<v Speaker 3>Right?

0:28:13.080 --> 0:28:15.000
<v Speaker 1>Will I not be taking these niggas calls?

0:28:18.800 --> 0:28:24.280
<v Speaker 6>And H was like, Jay, I think you would do

0:28:24.359 --> 0:28:27.080
<v Speaker 6>great at this, but I don't think it's time yet.

0:28:28.119 --> 0:28:30.560
<v Speaker 6>And he kind of let me off the hook, right,

0:28:30.600 --> 0:28:33.680
<v Speaker 6>and I'm just like, damn, I think you kind of.

0:28:33.640 --> 0:28:39.120
<v Speaker 1>Fired me already. I don't really know if I wanted it.

0:28:39.840 --> 0:28:42.400
<v Speaker 6>So it's just interesting for you to tell your story

0:28:42.440 --> 0:28:46.200
<v Speaker 6>because like I had those thoughts in my head of like,

0:28:46.320 --> 0:28:48.440
<v Speaker 6>how how would I do it if I was on

0:28:48.480 --> 0:28:52.160
<v Speaker 6>the other side of this, right, and for you to

0:28:52.240 --> 0:28:55.200
<v Speaker 6>and it was it's crazy because like you're practically the

0:28:55.320 --> 0:28:58.040
<v Speaker 6>same age when it's happened for you, So it's just wild.

0:28:58.080 --> 0:28:59.080
<v Speaker 6>It's wild to hear that.

0:28:59.040 --> 0:29:01.760
<v Speaker 2>It's funny now, but because I always you know, now

0:29:01.800 --> 0:29:04.920
<v Speaker 2>I'm you know, the O G. But I always tell

0:29:04.960 --> 0:29:06.560
<v Speaker 2>people like nobody knows what they're doing.

0:29:06.640 --> 0:29:11.480
<v Speaker 5>We're unks now, Yeah, not like I like, I like,

0:29:13.960 --> 0:29:16.960
<v Speaker 5>I was like, I'm kind of o G.

0:29:18.320 --> 0:29:19.200
<v Speaker 2>I kind of dig it.

0:29:20.160 --> 0:29:21.800
<v Speaker 1>They don't mean the same as you said.

0:29:21.840 --> 0:29:22.040
<v Speaker 2>Yeah.

0:29:22.160 --> 0:29:25.320
<v Speaker 3>It was like if you're in your title, if you're

0:29:25.480 --> 0:29:28.480
<v Speaker 3>unk and your O G, that means you still in it.

0:29:28.760 --> 0:29:34.200
<v Speaker 1>That's you still got some cashe be feeling about. What

0:29:34.240 --> 0:29:36.120
<v Speaker 1>about they start calling you popa.

0:29:37.600 --> 0:29:37.959
<v Speaker 3>Nigga?

0:29:38.200 --> 0:29:40.520
<v Speaker 1>That's when you that's when you ain't in it.

0:29:41.520 --> 0:29:46.760
<v Speaker 3>Just disrespectful to.

0:29:47.040 --> 0:29:49.560
<v Speaker 2>I was like, first of all, that went somewhere way

0:29:49.680 --> 0:29:51.240
<v Speaker 2>over there, went from.

0:29:51.000 --> 0:29:53.360
<v Speaker 1>Like what's it gets there?

0:29:53.440 --> 0:29:56.280
<v Speaker 3>I know, I know the disrespect you to give its

0:29:56.480 --> 0:29:57.360
<v Speaker 3>start running off.

0:29:57.400 --> 0:29:59.680
<v Speaker 1>My accomplished motherfucker when.

0:29:59.560 --> 0:30:05.480
<v Speaker 2>He takes all a shirt. Yeah, he starts doing maybe

0:30:05.480 --> 0:30:08.080
<v Speaker 2>I deserve you as Sony.

0:30:08.480 --> 0:30:13.840
<v Speaker 6>Yes, who's like the first like big artists, big writer

0:30:14.880 --> 0:30:17.600
<v Speaker 6>that you like, oh ship or somebody that you see

0:30:18.040 --> 0:30:22.200
<v Speaker 6>early on that you're like, oh this artist is about

0:30:22.240 --> 0:30:24.120
<v Speaker 6>to crack the writer.

0:30:24.400 --> 0:30:24.760
<v Speaker 1>The writer.

0:30:24.880 --> 0:30:29.920
<v Speaker 2>Yeah, So I think when we I say we because

0:30:30.160 --> 0:30:35.400
<v Speaker 2>my mentor whether he claims me or not Big John

0:30:36.880 --> 0:30:41.840
<v Speaker 2>and I we I think we changed publishing at that

0:30:41.960 --> 0:30:46.640
<v Speaker 2>time a little bit because it really wasn't artists forward.

0:30:46.680 --> 0:30:49.520
<v Speaker 2>It was a lot of like songwriter, singer, you know,

0:30:49.600 --> 0:30:56.760
<v Speaker 2>songwriter and producer and it was him to some extent

0:30:56.960 --> 0:31:01.680
<v Speaker 2>and Susette Williams who I will marrish forever. That was

0:31:01.720 --> 0:31:04.400
<v Speaker 2>like we could we could sign artists. We could like

0:31:04.720 --> 0:31:09.480
<v Speaker 2>we could do this different. There our senior people at

0:31:09.480 --> 0:31:12.280
<v Speaker 2>the time that were our cohorts, but not but much

0:31:12.320 --> 0:31:15.840
<v Speaker 2>older than us. We're still like signing the traditional writers.

0:31:15.920 --> 0:31:18.640
<v Speaker 2>We were like show you know we could sign we

0:31:18.680 --> 0:31:21.880
<v Speaker 2>could go after the brat or we could go after

0:31:22.560 --> 0:31:26.040
<v Speaker 2>you know, jay Z, who Big John ended up signing, right.

0:31:26.440 --> 0:31:29.240
<v Speaker 2>I tried to sign up like a joke, Like they

0:31:29.240 --> 0:31:32.240
<v Speaker 2>were just like how much girl, get out of here?

0:31:32.320 --> 0:31:32.640
<v Speaker 3>Twelve?

0:31:34.920 --> 0:31:40.360
<v Speaker 2>Yeah, they were like hmm, you know, we really believe

0:31:40.400 --> 0:31:45.640
<v Speaker 2>in you, but not that much. But you know, it

0:31:45.760 --> 0:31:49.160
<v Speaker 2>was different then, and you see like Big John's not

0:31:49.320 --> 0:31:52.480
<v Speaker 2>his just all his accomplishments, but also like his relationship

0:31:52.520 --> 0:31:56.880
<v Speaker 2>with Jay it started from back then. So I think

0:31:56.960 --> 0:32:01.120
<v Speaker 2>like we saw the talent easily at that point. It

0:32:01.160 --> 0:32:04.040
<v Speaker 2>was just about competing, right, And in those days, you know,

0:32:04.960 --> 0:32:08.280
<v Speaker 2>I had him like he's like I was. I felt like,

0:32:08.360 --> 0:32:11.560
<v Speaker 2>I think I got one deal away, one deal we

0:32:11.640 --> 0:32:14.600
<v Speaker 2>both wanted away from him, maybe maybe more later, but

0:32:15.160 --> 0:32:19.640
<v Speaker 2>which was Dutch. I said that we'd be clubbing, and

0:32:19.760 --> 0:32:22.680
<v Speaker 2>I remember and I got Andrew and we were going, yeah,

0:32:22.680 --> 0:32:26.240
<v Speaker 2>and we were going I mean when I say like

0:32:26.320 --> 0:32:28.280
<v Speaker 2>he was doing all the things like I was like,

0:32:28.320 --> 0:32:30.000
<v Speaker 2>oh my god, I have to go back to the company.

0:32:30.000 --> 0:32:32.520
<v Speaker 2>And it was so funny because when I got the

0:32:32.600 --> 0:32:35.680
<v Speaker 2>deal and John is we're both our birthdays are three

0:32:35.760 --> 0:32:38.200
<v Speaker 2>days apart other than the years, but like our we're

0:32:38.200 --> 0:32:44.600
<v Speaker 2>both scorpios and competitive, you know. And I remember because

0:32:44.680 --> 0:32:47.160
<v Speaker 2>I love John and I remember seeing him as like

0:32:47.160 --> 0:32:49.080
<v Speaker 2>the b and my awards after, like are you mad

0:32:49.120 --> 0:32:51.400
<v Speaker 2>at me? And he was like, what, no, He's probably like, girl,

0:32:51.440 --> 0:32:52.800
<v Speaker 2>you got one out of nineteen deals.

0:32:52.800 --> 0:32:53.840
<v Speaker 1>I ain't thinking about it.

0:32:53.920 --> 0:32:55.560
<v Speaker 2>But in my head I was like, I hope he's

0:32:55.600 --> 0:32:57.720
<v Speaker 2>not mad at me, you know, for winning a deal,

0:32:57.840 --> 0:33:01.080
<v Speaker 2>like cause I just he just meant so much to me.

0:33:01.240 --> 0:33:03.160
<v Speaker 2>But I also was like I wasn't gonna let the

0:33:03.200 --> 0:33:05.560
<v Speaker 2>deal go right. So it was that and we'd be

0:33:05.640 --> 0:33:08.120
<v Speaker 2>clubbing was so big and it was exciting. It was

0:33:08.120 --> 0:33:11.200
<v Speaker 2>attached to a movie like I was popping, you know

0:33:11.280 --> 0:33:13.160
<v Speaker 2>in my head. But you know I was just like,

0:33:13.200 --> 0:33:17.160
<v Speaker 2>oh I did something, and you just learn, like you

0:33:17.240 --> 0:33:19.080
<v Speaker 2>just learned. You learn what's a good deal, what's not

0:33:19.160 --> 0:33:21.720
<v Speaker 2>a good deal? Like you just have that, you know,

0:33:21.800 --> 0:33:24.880
<v Speaker 2>you have that thing. So I think everyone at that

0:33:24.960 --> 0:33:27.520
<v Speaker 2>time we were all kind of going after it wasn't.

0:33:27.840 --> 0:33:29.960
<v Speaker 2>I don't think I had some special vision. I just

0:33:30.000 --> 0:33:32.760
<v Speaker 2>think we were all like, this is how signed, you know,

0:33:32.800 --> 0:33:35.000
<v Speaker 2>and then either you wanted or you didn't, Like you

0:33:35.040 --> 0:33:36.040
<v Speaker 2>won the deal or you didn't.

0:33:36.520 --> 0:33:37.440
<v Speaker 1>So how did okay?

0:33:38.400 --> 0:33:41.120
<v Speaker 6>For the for the audience, right and for people who

0:33:41.280 --> 0:33:45.640
<v Speaker 6>don't really know much about that side of the music business,

0:33:46.320 --> 0:33:50.600
<v Speaker 6>what were you for you? Because obviously, you know, times

0:33:50.600 --> 0:33:53.720
<v Speaker 6>are different, but certain things still remain.

0:33:54.560 --> 0:33:59.320
<v Speaker 1>What were things that made you want to sign a writer? Producer?

0:33:59.760 --> 0:34:02.560
<v Speaker 6>Are this writer? What those things like? What were some

0:34:02.600 --> 0:34:06.280
<v Speaker 6>of the things that stuck out? What you were like, yeah, like, okay,

0:34:06.320 --> 0:34:08.399
<v Speaker 6>this looks like somebody I would want to work with

0:34:09.200 --> 0:34:11.040
<v Speaker 6>or sounds like somebody I would want to work with.

0:34:11.160 --> 0:34:14.600
<v Speaker 2>It was it grew different over time, like because you

0:34:14.640 --> 0:34:19.120
<v Speaker 2>also start to recognize, like I was lyric and melody

0:34:19.480 --> 0:34:23.320
<v Speaker 2>for me, was like more my thing, right, which again

0:34:23.520 --> 0:34:27.239
<v Speaker 2>I didn't. It wasn't automatic. I wasn't like, oh I'm

0:34:27.280 --> 0:34:32.000
<v Speaker 2>into lyric and melody. It was more what I discovered

0:34:32.040 --> 0:34:36.000
<v Speaker 2>about myself over time. So I liked writers, you know,

0:34:36.120 --> 0:34:40.799
<v Speaker 2>I liked you know, I got that handled babyfaces, you know,

0:34:41.000 --> 0:34:43.360
<v Speaker 2>camp catalog everything when I was at Sony, So I

0:34:43.400 --> 0:34:49.360
<v Speaker 2>mean that was babyface, right. So I liked beats, I

0:34:49.480 --> 0:34:52.359
<v Speaker 2>loved I obviously loved hip hop and from New York.

0:34:52.400 --> 0:34:56.239
<v Speaker 2>But it was really about what things would say and

0:34:56.600 --> 0:34:59.360
<v Speaker 2>when I my god, I'm like, this is so funny.

0:34:59.719 --> 0:35:03.719
<v Speaker 2>When I I was a kid, before before music videos,

0:35:03.760 --> 0:35:06.839
<v Speaker 2>before MTV ladies and gentlemen, which actually was a thing,

0:35:07.520 --> 0:35:09.439
<v Speaker 2>I used to sit in the car with my head

0:35:09.480 --> 0:35:11.759
<v Speaker 2>back when my parents were playing music, and my parents

0:35:11.800 --> 0:35:13.200
<v Speaker 2>would be like, what are you doing, and I'd say,

0:35:13.239 --> 0:35:16.839
<v Speaker 2>I'm making music movies and I would make videos up

0:35:16.880 --> 0:35:19.920
<v Speaker 2>in my head to the songs that were playing.

0:35:19.760 --> 0:35:21.880
<v Speaker 1>Right, So, because they were so vivid.

0:35:21.640 --> 0:35:25.080
<v Speaker 2>They were so vivid, and the songs, the lyrics, the

0:35:25.120 --> 0:35:29.680
<v Speaker 2>story is what always captivated me. And so for me

0:35:30.160 --> 0:35:33.880
<v Speaker 2>it was about like, yeah, of course, like they're working

0:35:33.920 --> 0:35:36.400
<v Speaker 2>with so and so, and they have this potential in

0:35:36.480 --> 0:35:39.720
<v Speaker 2>that potential, but it was also just like from talent,

0:35:40.200 --> 0:35:41.880
<v Speaker 2>it was someone who could tell a great story. And

0:35:41.880 --> 0:35:44.680
<v Speaker 2>it's still that way to me. I think it still matters.

0:35:45.520 --> 0:35:48.080
<v Speaker 2>I don't think that would. I hope that never changes.

0:35:48.840 --> 0:35:50.919
<v Speaker 6>I mean I personally don't think it ever will. Yeah,

0:35:51.000 --> 0:35:53.319
<v Speaker 6>that part of the music business, I think, you know,

0:35:54.239 --> 0:35:58.839
<v Speaker 6>because it's it evokes emotion. Yeah, like you said, like

0:35:59.600 --> 0:36:01.959
<v Speaker 6>I love you got to have the track for sure,

0:36:02.120 --> 0:36:05.600
<v Speaker 6>but like when you find the writer that can really

0:36:05.640 --> 0:36:07.799
<v Speaker 6>tell you a story and really put you into a

0:36:07.840 --> 0:36:12.000
<v Speaker 6>place so that you can make music movies, you.

0:36:11.960 --> 0:36:12.440
<v Speaker 2>Know what I mean?

0:36:12.520 --> 0:36:14.880
<v Speaker 1>Like that, that's just a whole other level.

0:36:15.080 --> 0:36:18.680
<v Speaker 3>That is absolutely and it's like even as we said,

0:36:18.880 --> 0:36:21.840
<v Speaker 3>bringing today's time, whether it's where it's R and B

0:36:21.920 --> 0:36:26.400
<v Speaker 3>a track don't matter. That story yeah, of whoever it

0:36:26.560 --> 0:36:30.759
<v Speaker 3>is walking down their street in their hood, right, and

0:36:30.880 --> 0:36:34.160
<v Speaker 3>the play by play of what that looks like.

0:36:34.280 --> 0:36:36.960
<v Speaker 2>It's so real. Like if you think about just like now,

0:36:37.040 --> 0:36:40.759
<v Speaker 2>like modern times, if you take someone like Charlie Hansom, right,

0:36:40.800 --> 0:36:45.799
<v Speaker 2>who's a producer and an instrumentalist. Charlie is like you know,

0:36:45.960 --> 0:36:48.800
<v Speaker 2>when I met him, he had just done fade for

0:36:48.800 --> 0:36:56.239
<v Speaker 2>for for and I think works with thug Travis, Like,

0:36:56.320 --> 0:36:59.200
<v Speaker 2>I mean, like all the all the guys is now

0:36:59.320 --> 0:37:03.880
<v Speaker 2>Morgan Whelan, you know him, and j Cash and and

0:37:03.880 --> 0:37:07.759
<v Speaker 2>and post and like, to me, it's like that just

0:37:07.800 --> 0:37:12.040
<v Speaker 2>shows you how transferable you know, story is. It's just

0:37:12.280 --> 0:37:13.400
<v Speaker 2>what venue is it in?

0:37:13.760 --> 0:37:13.960
<v Speaker 4>Right?

0:37:14.080 --> 0:37:16.800
<v Speaker 2>Like is it in country and you're talking about whiskey

0:37:16.920 --> 0:37:19.440
<v Speaker 2>and you know the love you've never had? Or are

0:37:19.520 --> 0:37:22.880
<v Speaker 2>you talking about you know? So I always find like,

0:37:23.680 --> 0:37:27.080
<v Speaker 2>to me, those examples are so extraordinary because it really

0:37:27.160 --> 0:37:30.719
<v Speaker 2>is that way. And I think that's that gave me

0:37:30.880 --> 0:37:34.560
<v Speaker 2>a lot of benefit. Like even before I could really articulate,

0:37:34.640 --> 0:37:37.400
<v Speaker 2>like articulate what it was, it was like I could

0:37:37.480 --> 0:37:41.320
<v Speaker 2>see where someone else could be that they weren't already

0:37:41.400 --> 0:37:44.359
<v Speaker 2>as writers. Yeah, I think that if I had a superpower,

0:37:44.400 --> 0:37:49.600
<v Speaker 2>I'd be like, you should be writing this, Like you

0:37:49.640 --> 0:37:53.440
<v Speaker 2>should be doing more pop, more global, more that, more this,

0:37:53.560 --> 0:37:55.759
<v Speaker 2>even though you're writing R and B records or you're

0:37:55.760 --> 0:37:56.799
<v Speaker 2>doing whatever.

0:37:56.719 --> 0:38:00.719
<v Speaker 6>So as a publisher, right because then you know the

0:38:00.800 --> 0:38:03.719
<v Speaker 6>other side of that is what does a publisher do?

0:38:04.239 --> 0:38:04.719
<v Speaker 3>Right? So?

0:38:05.360 --> 0:38:07.000
<v Speaker 1>And we all know and in any.

0:38:06.880 --> 0:38:09.799
<v Speaker 6>Job you can pick you can pinpoint and pick out

0:38:09.800 --> 0:38:13.040
<v Speaker 6>the things someone doesn't do. Everybody always you know, everybody

0:38:13.040 --> 0:38:15.080
<v Speaker 6>wants to put a spotlight on you don't do this,

0:38:15.200 --> 0:38:17.239
<v Speaker 6>and you didn't do that, and you just chased the

0:38:17.360 --> 0:38:19.600
<v Speaker 6>charge or you got blah blah blah blah. But like,

0:38:20.000 --> 0:38:23.840
<v Speaker 6>as a publisher, so when someone would sign to Sony

0:38:24.239 --> 0:38:27.560
<v Speaker 6>and they would sign and you would sign them, what

0:38:27.719 --> 0:38:29.839
<v Speaker 6>would what were the things that you felt like, Okay,

0:38:29.880 --> 0:38:32.120
<v Speaker 6>as a publisher, this is what I need to do

0:38:32.480 --> 0:38:34.080
<v Speaker 6>to get them to this next place.

0:38:35.080 --> 0:38:38.359
<v Speaker 2>Well, I think it would start with like introducing them

0:38:38.400 --> 0:38:40.759
<v Speaker 2>to and our people that maybe they didn't know, right,

0:38:40.760 --> 0:38:43.799
<v Speaker 2>Like that was initially like the very basic things of

0:38:44.000 --> 0:38:46.560
<v Speaker 2>like publishing, of like oh okay, here's just new writers

0:38:46.640 --> 0:38:50.879
<v Speaker 2>or just whatever. Them having a HiT's helpful because they

0:38:50.920 --> 0:38:54.799
<v Speaker 2>want to know them. But then you're like, let's put

0:38:54.800 --> 0:38:58.200
<v Speaker 2>them in community, like what other writers and what other

0:38:58.239 --> 0:39:01.080
<v Speaker 2>producers do they not know? Let's put them with their

0:39:01.239 --> 0:39:07.720
<v Speaker 2>with their their other halves or their other cohorts. Because

0:39:07.719 --> 0:39:10.680
<v Speaker 2>you're like, you may be writing with so and so

0:39:10.760 --> 0:39:12.879
<v Speaker 2>all the time, but what would happen if you tried

0:39:12.880 --> 0:39:17.640
<v Speaker 2>writing with this person? And then then you learn, even

0:39:17.680 --> 0:39:20.520
<v Speaker 2>as a publishers and a young executive, like writers come

0:39:20.560 --> 0:39:24.320
<v Speaker 2>away from that with new things as well. So they develop. Also,

0:39:24.640 --> 0:39:27.279
<v Speaker 2>it's not just like oh I put them together and

0:39:27.320 --> 0:39:30.040
<v Speaker 2>there's this new chemistry and now it's they got a hit.

0:39:30.200 --> 0:39:35.160
<v Speaker 2>It's also like they came away better at something, and

0:39:35.280 --> 0:39:37.160
<v Speaker 2>so then you just start taking them on a journey

0:39:37.160 --> 0:39:40.480
<v Speaker 2>and then you try stuff like you would be like, huh,

0:39:40.560 --> 0:39:42.399
<v Speaker 2>it would be interesting to see what would happen if

0:39:42.400 --> 0:39:45.120
<v Speaker 2>you put you know, this person and that person together.

0:39:45.200 --> 0:39:48.680
<v Speaker 2>Sometimes it's trash and sometimes it isn't, but you can't

0:39:48.680 --> 0:39:52.880
<v Speaker 2>be afraid it's funny. A producer I ran into, like

0:39:52.960 --> 0:39:56.560
<v Speaker 2>recently at the ASCAP Awards was like so excited to

0:39:56.560 --> 0:39:58.719
<v Speaker 2>see me. I had worked with them actually in my

0:39:58.800 --> 0:40:02.640
<v Speaker 2>sony days, who is now managing who dragged me over

0:40:02.680 --> 0:40:04.839
<v Speaker 2>to their writer who had won an award and was like,

0:40:05.040 --> 0:40:08.000
<v Speaker 2>remember the story I told you about the young the

0:40:08.040 --> 0:40:10.520
<v Speaker 2>executive that told me don't be afraid to be whack.

0:40:10.880 --> 0:40:12.920
<v Speaker 1>This is her.

0:40:13.920 --> 0:40:17.080
<v Speaker 2>Oh god, I said that it was kind of sounds

0:40:17.080 --> 0:40:20.240
<v Speaker 2>like something I would say, but that but that is true.

0:40:20.280 --> 0:40:23.040
<v Speaker 2>Like I used to be like, don't be afraid really

0:40:23.200 --> 0:40:25.960
<v Speaker 2>to try things, Like I'm of an efficient speaker, so

0:40:26.040 --> 0:40:27.719
<v Speaker 2>I was like, don't be whack, don't be afraid to

0:40:27.719 --> 0:40:31.160
<v Speaker 2>be whack. But it was like, why not, because you

0:40:31.239 --> 0:40:34.200
<v Speaker 2>don't know what beauty is gonna come of that collaboration.

0:40:34.440 --> 0:40:38.520
<v Speaker 2>And so that, to me, in addition to like shopping

0:40:38.719 --> 0:40:42.320
<v Speaker 2>their songs and all that other stuff, is the ultimate

0:40:42.800 --> 0:40:47.839
<v Speaker 2>best you could do for a writer because you're introducing

0:40:47.880 --> 0:40:52.920
<v Speaker 2>them to what could be the evolution of themselves, you know,

0:40:53.320 --> 0:40:56.080
<v Speaker 2>and that's profound. You I mean, you guys are both writers,

0:40:56.120 --> 0:40:59.160
<v Speaker 2>you know, Like it's profound to learn things from people

0:40:59.239 --> 0:41:00.800
<v Speaker 2>you just didn't even think was possible.

0:41:01.000 --> 0:41:02.319
<v Speaker 1>He's one hundred percenter guy.

0:41:02.480 --> 0:41:07.239
<v Speaker 2>Yeah, I mean, you know, he never he's over there

0:41:07.280 --> 0:41:08.719
<v Speaker 2>like I don't do that collaboration.

0:41:09.280 --> 0:41:10.719
<v Speaker 1>It was so funny. This is funny. I don't know

0:41:10.760 --> 0:41:10.960
<v Speaker 1>if you.

0:41:10.960 --> 0:41:16.680
<v Speaker 3>Saw this right, because because they they posted like they

0:41:16.719 --> 0:41:20.000
<v Speaker 3>have this thing where they talk about records that you've done,

0:41:20.200 --> 0:41:23.000
<v Speaker 3>so had they did that for me just randomly, right,

0:41:23.000 --> 0:41:29.279
<v Speaker 3>I just randomly saw it, and I'm going down I'm

0:41:29.320 --> 0:41:32.200
<v Speaker 3>reading the comments and they're like, there's a lot of

0:41:32.200 --> 0:41:33.160
<v Speaker 3>Tank records on here.

0:41:33.560 --> 0:41:35.440
<v Speaker 1>I guess he ain't really one hundred percent.

0:41:37.000 --> 0:41:42.080
<v Speaker 3>I'm like, this is hilarious because how people take things.

0:41:42.440 --> 0:41:43.840
<v Speaker 1>It's just so funny.

0:41:43.920 --> 0:41:46.200
<v Speaker 6>Yeah, and you know, because when he did his he

0:41:46.200 --> 0:41:48.120
<v Speaker 6>did his drink champs, and he talked about you know,

0:41:49.239 --> 0:41:51.120
<v Speaker 6>being one hundred percenter and writing records.

0:41:51.400 --> 0:41:55.080
<v Speaker 1>He did not ever say though, I don't collaborate. He

0:41:55.239 --> 0:41:59.279
<v Speaker 1>never said that, right learned that someone had to learn.

0:41:59.520 --> 0:42:05.680
<v Speaker 2>Yeah, but that's I mean, you do meet incredible talent

0:42:06.640 --> 0:42:12.200
<v Speaker 2>and you're like, listen, even though you can do everything,

0:42:12.560 --> 0:42:16.560
<v Speaker 2>imagine what somebody else might bring to your know.

0:42:16.600 --> 0:42:20.520
<v Speaker 6>It was so surprising when I met him years ago

0:42:21.000 --> 0:42:23.480
<v Speaker 6>and I understood that, you know, all the shit that

0:42:23.520 --> 0:42:25.279
<v Speaker 6>he could do, and I'm like, damn, he really is

0:42:25.400 --> 0:42:29.480
<v Speaker 6>cool with everybody just working though, and everybody you know,

0:42:29.600 --> 0:42:33.520
<v Speaker 6>chiming in and this person having this idea because I

0:42:33.560 --> 0:42:35.400
<v Speaker 6>do know a couple other one hundred percent.

0:42:36.840 --> 0:42:39.759
<v Speaker 1>Like yeah, yeah, nobody, no, no, ya, I don't want

0:42:39.760 --> 0:42:40.440
<v Speaker 1>anyone any room.

0:42:40.640 --> 0:42:42.920
<v Speaker 3>Yeah what nig you just you just want to be

0:42:42.960 --> 0:42:45.840
<v Speaker 3>in there by yourself. Yeah, you hang out with you,

0:42:46.040 --> 0:42:46.839
<v Speaker 3>I meet the room.

0:42:47.120 --> 0:42:51.360
<v Speaker 2>The first time I've had a session like that, I

0:42:51.520 --> 0:42:55.160
<v Speaker 2>was confused. I'm not gonna lie where. I was like

0:42:55.719 --> 0:42:58.920
<v Speaker 2>as an an R and didn't. They didn't want the

0:42:58.960 --> 0:43:03.760
<v Speaker 2>producer there either, and I was like, but the producers

0:43:03.840 --> 0:43:06.960
<v Speaker 2>are good, okay, And then I had to go like

0:43:07.200 --> 0:43:11.200
<v Speaker 2>call and get another studio room and be like they

0:43:11.239 --> 0:43:13.200
<v Speaker 2>need to be in there by themselves.

0:43:13.320 --> 0:43:16.160
<v Speaker 1>People just take themselves too serious and gonna take.

0:43:16.000 --> 0:43:18.719
<v Speaker 2>The beat over there, and the producers are like, I'm like, well,

0:43:18.760 --> 0:43:20.600
<v Speaker 2>you could just work on more beats. Like, I don't

0:43:20.640 --> 0:43:22.440
<v Speaker 2>know what's at this point. I don't know. It's so

0:43:22.520 --> 0:43:23.560
<v Speaker 2>awkward to me.

0:43:23.640 --> 0:43:30.400
<v Speaker 3>It's like everyone has their process, everyone has I mean,

0:43:30.480 --> 0:43:34.800
<v Speaker 3>if they're getting results there, I will allow it, you

0:43:34.840 --> 0:43:38.120
<v Speaker 3>know what I'm saying. But at the same time, I'm

0:43:38.280 --> 0:43:44.080
<v Speaker 3>of the mind of you know, if if, if, if

0:43:44.120 --> 0:43:47.759
<v Speaker 3>we're all really good, yeah and we all sitting.

0:43:47.520 --> 0:43:51.319
<v Speaker 1>Here, our chances are better, oh man, are better? Yeah, yeah,

0:43:51.400 --> 0:43:52.000
<v Speaker 1>we ain't. None.

0:43:52.040 --> 0:43:55.319
<v Speaker 3>Don't get left on the floor because somebody going to know,

0:43:55.680 --> 0:43:58.760
<v Speaker 3>don't don't don't remember this facts.

0:43:58.880 --> 0:43:59.759
<v Speaker 1>We've had so many of those.

0:43:59.800 --> 0:44:09.520
<v Speaker 2>Mom Come on, man, it's really true.

0:44:10.160 --> 0:44:12.400
<v Speaker 6>Because I want to go to because it's something that

0:44:12.400 --> 0:44:18.239
<v Speaker 6>he brought up earlier, you guys connection, Oh yeah, because

0:44:18.239 --> 0:44:21.000
<v Speaker 6>that's before it's you know what I mean.

0:44:21.719 --> 0:44:22.680
<v Speaker 1>I want to. I want to.

0:44:22.760 --> 0:44:24.440
<v Speaker 6>I want to tap into that because you know the

0:44:24.480 --> 0:44:26.360
<v Speaker 6>other part too with with you know, they're always like,

0:44:26.400 --> 0:44:30.160
<v Speaker 6>well the discovery on R and B money, Yes, right,

0:44:30.200 --> 0:44:35.880
<v Speaker 6>when we have we have artists, we have executives, writers, everything.

0:44:36.520 --> 0:44:40.080
<v Speaker 6>But I always wanted I always wanted to highlight the

0:44:40.120 --> 0:44:46.120
<v Speaker 6>connected fiber and I know you know what I mean, Like,

0:44:46.360 --> 0:44:49.439
<v Speaker 6>you know, I know how we connect. But I think

0:44:49.480 --> 0:44:52.880
<v Speaker 6>it starts with tank. It does even before it starts.

0:44:54.400 --> 0:44:57.560
<v Speaker 2>Yeah, you're right, I think so, I think so. So.

0:44:59.840 --> 0:45:01.839
<v Speaker 2>I I was sick of working. So I've always been

0:45:01.840 --> 0:45:05.719
<v Speaker 2>an intra ultrapreneur or whatever. I was always working in

0:45:05.760 --> 0:45:09.319
<v Speaker 2>and out of companies, like the corporate structure. I think

0:45:09.360 --> 0:45:12.280
<v Speaker 2>when I started to feel like it didn't make sense

0:45:12.560 --> 0:45:15.840
<v Speaker 2>in terms of business, maybe that lack of control, I

0:45:15.840 --> 0:45:20.600
<v Speaker 2>would be like, eh, this isn't like, this isn't We're

0:45:20.640 --> 0:45:23.080
<v Speaker 2>gonna go through an era. And I was usually right

0:45:23.200 --> 0:45:25.399
<v Speaker 2>that things were changing in a way that I wasn't

0:45:25.440 --> 0:45:28.960
<v Speaker 2>excited about. So at Sony it was like that. I

0:45:29.040 --> 0:45:32.920
<v Speaker 2>was just like, you know, I really love writer producers.

0:45:33.560 --> 0:45:35.879
<v Speaker 2>There were so many that were asking me to manage them.

0:45:36.200 --> 0:45:38.680
<v Speaker 2>Back then, you were like, no, I have a job.

0:45:38.960 --> 0:45:42.520
<v Speaker 2>Nowadays everybody's doing everything. God bless them, take all the money.

0:45:42.960 --> 0:45:45.880
<v Speaker 2>But I was always like, you know, it was a choice.

0:45:46.000 --> 0:45:48.319
<v Speaker 2>It wasn't like a dot. At the same time, and

0:45:50.800 --> 0:45:55.840
<v Speaker 2>Barry Hankerson and you know, Jomo Hankerson, who I adore,

0:45:57.560 --> 0:46:00.480
<v Speaker 2>was like, yo, you know we're doing this publish thing

0:46:01.080 --> 0:46:04.319
<v Speaker 2>with em. I like you can come like help us

0:46:04.400 --> 0:46:06.799
<v Speaker 2>do that. So I was like, okay, if I do

0:46:06.960 --> 0:46:09.640
<v Speaker 2>that manage producers, I'm like, all right, I'm out.

0:46:09.960 --> 0:46:10.439
<v Speaker 3>So I quit.

0:46:12.239 --> 0:46:14.120
<v Speaker 2>I quit. I was like, all right, I'm gonna go

0:46:14.280 --> 0:46:16.840
<v Speaker 2>do and that. I mean, listen, my deal was up.

0:46:17.560 --> 0:46:21.399
<v Speaker 2>You know, we are executives, got deals, and my deal

0:46:21.480 --> 0:46:25.919
<v Speaker 2>was up and they hadn't spoken to me in time.

0:46:26.040 --> 0:46:27.960
<v Speaker 2>And my humble opinion because I was like, well, they

0:46:28.000 --> 0:46:31.000
<v Speaker 2>ain't come, so I better figure it out anyway. Then

0:46:31.000 --> 0:46:33.040
<v Speaker 2>they want to sit down and be like, so what

0:46:33.080 --> 0:46:34.600
<v Speaker 2>are we going to do for the next deal? And

0:46:34.640 --> 0:46:40.040
<v Speaker 2>I was like, you know, like cause I'm you know,

0:46:40.400 --> 0:46:43.520
<v Speaker 2>I'm moving. I'm still the girl that's like, there's no

0:46:43.560 --> 0:46:50.440
<v Speaker 2>stopping the babies on the go. So I was consulting

0:46:50.719 --> 0:46:58.799
<v Speaker 2>for Blackgrounds, which was very It was Aliyah Rest in Peace,

0:46:58.800 --> 0:47:04.480
<v Speaker 2>Static Major, this guy over here, Eric seats like, oh

0:47:04.600 --> 0:47:09.920
<v Speaker 2>my gosh, like the talent is just insane, Rap and Nissan.

0:47:10.440 --> 0:47:15.000
<v Speaker 2>I mean it was like everyone that everyone that Major

0:47:15.040 --> 0:47:18.760
<v Speaker 2>favorite hits right really truly, especially especially R and b honestly,

0:47:19.920 --> 0:47:23.960
<v Speaker 2>and I was somehow supposed to run the publishing company,

0:47:24.360 --> 0:47:27.400
<v Speaker 2>which when I say that, because it was a small

0:47:27.520 --> 0:47:34.400
<v Speaker 2>company and everyone had to do everything. So I think

0:47:35.320 --> 0:47:37.840
<v Speaker 2>Jomo when I first started, because this is back in

0:47:37.880 --> 0:47:41.000
<v Speaker 2>New York now, Jrumo was like in Australia working on

0:47:41.520 --> 0:47:46.280
<v Speaker 2>Aliah's al and so I'm there for least a month, like, hey,

0:47:46.880 --> 0:47:51.160
<v Speaker 2>is somebody coming in to work. We're gonna be there

0:47:51.200 --> 0:47:56.720
<v Speaker 2>next week, child, next week was like months. I was like, okay, listen,

0:47:57.320 --> 0:47:59.359
<v Speaker 2>and you start picking up and you're you know, doing

0:47:59.400 --> 0:48:04.520
<v Speaker 2>the things or trying to organize this craziness and brokering

0:48:04.520 --> 0:48:07.640
<v Speaker 2>the deal with em I, which was cool, and dealing

0:48:07.680 --> 0:48:12.520
<v Speaker 2>with all of them, and then Los Angeles at Jomo's hotel,

0:48:13.680 --> 0:48:16.520
<v Speaker 2>He's like, we signed this guy. You know he's gonna

0:48:16.520 --> 0:48:19.440
<v Speaker 2>be this and that. He's the church kid. But we're gone,

0:48:19.480 --> 0:48:25.160
<v Speaker 2>we're gonna church kid. We're gonna get him out of that. Sorry,

0:48:25.800 --> 0:48:26.439
<v Speaker 2>I love you.

0:48:28.520 --> 0:48:31.600
<v Speaker 1>And I was I had no.

0:48:31.600 --> 0:48:33.880
<v Speaker 2>Idea, you know me, I'm believing it, like, oh no,

0:48:34.000 --> 0:48:35.080
<v Speaker 2>don't hurt the church guy.

0:48:36.400 --> 0:48:39.080
<v Speaker 1>Drive around the hood.

0:48:40.880 --> 0:48:45.080
<v Speaker 2>The church guy, yes, said, he comes in and this

0:48:45.280 --> 0:48:48.360
<v Speaker 2>is Tank. Tank's a writer and a producer and a

0:48:48.400 --> 0:48:50.320
<v Speaker 2>singer and this and that, and I was like, wow,

0:48:50.440 --> 0:48:56.239
<v Speaker 2>like he was so the same honestly and just like

0:48:56.520 --> 0:49:00.400
<v Speaker 2>really pen and voice was very impressive, like and still

0:49:00.480 --> 0:49:05.520
<v Speaker 2>even then was reminiscent of you know, old school soul

0:49:05.800 --> 0:49:09.040
<v Speaker 2>like even then, like even then, it wasn't like it

0:49:09.120 --> 0:49:09.920
<v Speaker 2>was unique in that.

0:49:10.560 --> 0:49:11.240
<v Speaker 1>As a young punk.

0:49:12.000 --> 0:49:20.080
<v Speaker 2>No, I was like young, but you were green in

0:49:20.160 --> 0:49:24.240
<v Speaker 2>the ways of like I remember being worried about you.

0:49:24.600 --> 0:49:25.240
<v Speaker 2>Is that weird?

0:49:25.360 --> 0:49:31.479
<v Speaker 1>No, I remember being like are.

0:49:31.360 --> 0:49:37.120
<v Speaker 2>You I was like, I don't know, he seems so

0:49:37.480 --> 0:49:43.440
<v Speaker 2>nice and oh boy, you know, I listen. Blackground was different.

0:49:44.880 --> 0:49:49.120
<v Speaker 2>It was different, yeah, Berry, you know, managing the guy,

0:49:49.320 --> 0:49:52.719
<v Speaker 2>the Kelly guy and the and the Yeah, it was

0:49:52.760 --> 0:49:56.440
<v Speaker 2>a different life. So I was definitely like it was.

0:49:56.440 --> 0:49:58.160
<v Speaker 1>A hood label.

0:49:59.520 --> 0:50:01.640
<v Speaker 3>It was a street hood.

0:50:02.080 --> 0:50:06.279
<v Speaker 2>It was label full of R and B singers, full

0:50:06.320 --> 0:50:06.759
<v Speaker 2>of R.

0:50:06.719 --> 0:50:11.160
<v Speaker 3>And B singers, and all of our management and administration

0:50:12.239 --> 0:50:13.960
<v Speaker 3>was all from the streets.

0:50:14.920 --> 0:50:16.320
<v Speaker 2>That is all of them true.

0:50:17.120 --> 0:50:20.080
<v Speaker 3>Like I literally would get picked up in the morning,

0:50:20.480 --> 0:50:26.400
<v Speaker 3>oh gosh, and be driven around l A from Inglewood

0:50:26.719 --> 0:50:30.160
<v Speaker 3>the contents to this is my little Niga tank.

0:50:30.520 --> 0:50:34.040
<v Speaker 2>I know who that is. I know who that one was.

0:50:34.719 --> 0:50:35.920
<v Speaker 3>This is my little nigga tank.

0:50:37.440 --> 0:50:38.920
<v Speaker 1>To keep an eye for.

0:50:39.400 --> 0:50:43.879
<v Speaker 2>Yeah, facts, yep, yep, see ray yep.

0:50:44.800 --> 0:50:47.239
<v Speaker 3>And I was like, I.

0:50:47.280 --> 0:50:51.080
<v Speaker 2>Knew when everybody when everyone.

0:50:50.560 --> 0:50:53.520
<v Speaker 3>First, yeah, but I didn't know what that meant. Like

0:50:53.560 --> 0:50:56.120
<v Speaker 3>I'm from these coasts. You know what I'm saying. You

0:50:56.200 --> 0:50:57.959
<v Speaker 3>know my few guys, you know what I'm saying. Whatever

0:50:58.000 --> 0:51:00.600
<v Speaker 3>it is, But we are driving from sun up to

0:51:00.680 --> 0:51:04.680
<v Speaker 3>sundown and introducing me to people on different blocks who

0:51:04.760 --> 0:51:07.759
<v Speaker 3>run all these different blocks and do all these different things.

0:51:07.840 --> 0:51:09.600
<v Speaker 1>And I'm like, what does this have to do? What

0:51:09.640 --> 0:51:12.160
<v Speaker 1>does it have to do with music? Any of these

0:51:12.160 --> 0:51:13.439
<v Speaker 1>guys producing song?

0:51:18.120 --> 0:51:22.200
<v Speaker 2>I mean, you have to know I knew. I knew when.

0:51:22.440 --> 0:51:24.360
<v Speaker 2>Oh my god, this is so funny. I can't believe

0:51:24.600 --> 0:51:30.799
<v Speaker 2>I knew when every all the executives had nicknames, that

0:51:30.920 --> 0:51:31.760
<v Speaker 2>something was different.

0:51:32.719 --> 0:51:32.959
<v Speaker 1>Hmm.

0:51:33.560 --> 0:51:37.560
<v Speaker 2>Yeah, no one had like a real government name, and

0:51:37.600 --> 0:51:40.799
<v Speaker 2>that was different. I would be like, oh, who is

0:51:40.920 --> 0:51:44.520
<v Speaker 2>this one? And G such and such and Hugets such

0:51:44.560 --> 0:51:46.080
<v Speaker 2>and such, and you know.

0:51:46.160 --> 0:51:48.920
<v Speaker 1>I was like, huh, I had seen things I had

0:51:49.000 --> 0:51:50.360
<v Speaker 1>never seen before.

0:51:50.440 --> 0:51:52.160
<v Speaker 2>I had seen things I want to unsee.

0:51:53.000 --> 0:51:58.000
<v Speaker 3>Yeah, things I can talk about. I remember going to

0:51:58.040 --> 0:52:03.920
<v Speaker 3>New York and and they're like, this is von'sip, He's

0:52:03.920 --> 0:52:07.320
<v Speaker 3>gonna be looking out for you while you know. I'm like, okay.

0:52:08.440 --> 0:52:10.279
<v Speaker 3>I would just roll around with Von Zip around New

0:52:10.360 --> 0:52:15.439
<v Speaker 3>York and he would take me two different garages where

0:52:15.440 --> 0:52:19.520
<v Speaker 3>he housed all his cars. He had cars, and damn

0:52:19.560 --> 0:52:23.919
<v Speaker 3>near every garage in Manhattan. He was nice, really nice

0:52:24.040 --> 0:52:27.000
<v Speaker 3>upscale cars. And I'm like, we will take you to

0:52:27.000 --> 0:52:30.279
<v Speaker 3>see my mother. And then something I had never seen

0:52:30.280 --> 0:52:30.919
<v Speaker 3>before in my life.

0:52:32.000 --> 0:52:33.359
<v Speaker 1>We go to a club.

0:52:34.840 --> 0:52:37.480
<v Speaker 3>And we get into this club and the people in

0:52:37.560 --> 0:52:40.600
<v Speaker 3>the club is just not treating Vaughn the way he

0:52:40.640 --> 0:52:44.160
<v Speaker 3>felt like he needed to be treated. So he said,

0:52:44.560 --> 0:52:47.719
<v Speaker 3>all right, let's go. We all show these motherfuckers. We

0:52:47.880 --> 0:52:52.480
<v Speaker 3>go to the to the car Cadillac, he hits the trump.

0:52:54.200 --> 0:52:57.960
<v Speaker 3>There's two coolers. We're in the parking lot of the club.

0:52:59.239 --> 0:53:06.000
<v Speaker 3>There's champag and there's ice cooler cooler. He turns the

0:53:06.120 --> 0:53:11.440
<v Speaker 3>music on, blasts starts inviting everybody who's waiting in line

0:53:11.480 --> 0:53:14.760
<v Speaker 3>to get into the club to come into the parking

0:53:14.880 --> 0:53:17.200
<v Speaker 3>lot and party and drink with us.

0:53:17.200 --> 0:53:22.839
<v Speaker 6>So club Tailgate, Club, I'm trying to follow this whole thing.

0:53:24.120 --> 0:53:28.279
<v Speaker 3>Club Tailgate, and we out there in the parking lot,

0:53:28.400 --> 0:53:28.719
<v Speaker 3>which is.

0:53:28.800 --> 0:53:32.239
<v Speaker 2>Possible having a time right.

0:53:33.200 --> 0:53:35.880
<v Speaker 1>And he's just you know, he's hosted.

0:53:37.000 --> 0:53:50.200
<v Speaker 2>I'm just like Hugger, Huggy Bear, Flint brown Sugar, Brown

0:53:50.280 --> 0:53:55.879
<v Speaker 2>Sugar that did not know. One had to.

0:53:57.600 --> 0:54:01.200
<v Speaker 1>Happy to be here. I have no idea what's going on.

0:54:01.840 --> 0:54:03.920
<v Speaker 2>I kind of did and didn't. Right. It was like

0:54:04.920 --> 0:54:08.560
<v Speaker 2>I know enough to not want to be driving around,

0:54:09.160 --> 0:54:11.520
<v Speaker 2>but I didn't know too much, so I would just

0:54:11.560 --> 0:54:12.319
<v Speaker 2>go do my job.

0:54:12.400 --> 0:54:19.440
<v Speaker 1>You were smarter than I was, Like it you know what.

0:54:25.480 --> 0:54:29.399
<v Speaker 2>I don't. I don't. Okay, we're gonna, we're gonna, we're

0:54:29.400 --> 0:54:30.200
<v Speaker 2>gonna take care of him.

0:54:30.200 --> 0:54:32.080
<v Speaker 1>He can be as How long were you at Blackground?

0:54:32.680 --> 0:54:38.080
<v Speaker 2>So I consulted for Blackground for two years, sadly when

0:54:38.120 --> 0:54:42.160
<v Speaker 2>baby Girl passed away, which was a whole other thing.

0:54:42.400 --> 0:54:47.520
<v Speaker 2>But but I was always like I was consulting with them.

0:54:47.600 --> 0:54:52.759
<v Speaker 2>I was managing producers. I was they brought me. I

0:54:52.840 --> 0:54:58.600
<v Speaker 2>was managing god so many people. It was just random.

0:54:58.680 --> 0:55:01.120
<v Speaker 2>It was just always like I was getting hired to

0:55:01.280 --> 0:55:03.440
<v Speaker 2>help work on projects, and that was like I enjoyed

0:55:03.480 --> 0:55:06.560
<v Speaker 2>it for a long time. And then I think I

0:55:06.600 --> 0:55:11.480
<v Speaker 2>worked with like Gosh who all focused. We did a

0:55:11.520 --> 0:55:16.359
<v Speaker 2>deal with doctor Dre. I was working with at the time,

0:55:16.480 --> 0:55:18.240
<v Speaker 2>it was like the number one DJ in the country,

0:55:18.280 --> 0:55:22.120
<v Speaker 2>which was Phelli Fell I was working with. I mean,

0:55:22.120 --> 0:55:26.920
<v Speaker 2>he was god everything back then we were working. I

0:55:27.000 --> 0:55:31.759
<v Speaker 2>was working with Geez, I mean like people, you know,

0:55:31.880 --> 0:55:35.000
<v Speaker 2>they knew me. No, I was working with oh Isis.

0:55:35.160 --> 0:55:37.239
<v Speaker 2>So there was this group called Isis back in the

0:55:37.280 --> 0:55:39.160
<v Speaker 2>day that had a song called single for the Rest

0:55:39.200 --> 0:55:42.479
<v Speaker 2>of Your Life, which was amazing. I love that song

0:55:42.640 --> 0:55:48.040
<v Speaker 2>this day. And there was a guy named Quadrilamin who

0:55:48.080 --> 0:55:51.920
<v Speaker 2>was managing boys to men who had Isis and it

0:55:52.000 --> 0:55:54.120
<v Speaker 2>was like could not He was like, I don't have

0:55:54.160 --> 0:55:57.279
<v Speaker 2>time for this new group. Basically, can you come in

0:55:57.360 --> 0:56:00.360
<v Speaker 2>and work with them? I did the Maya Mega and

0:56:00.520 --> 0:56:03.480
<v Speaker 2>Megan's sister Lamaya was in the group, which was We're

0:56:03.520 --> 0:56:06.080
<v Speaker 2>cool to this day. When I met Megan good, like,

0:56:06.080 --> 0:56:10.400
<v Speaker 2>it's so crazy how everyone's still here, just bigger and better,

0:56:10.440 --> 0:56:12.560
<v Speaker 2>I think so, like it was fun, like that was

0:56:12.560 --> 0:56:15.400
<v Speaker 2>a fun time, but I moved around so much. I

0:56:15.440 --> 0:56:19.360
<v Speaker 2>felt like that was sort of how the inner scope

0:56:19.400 --> 0:56:23.440
<v Speaker 2>of it all started to happen, because they were looking

0:56:23.480 --> 0:56:28.120
<v Speaker 2>for someone apparently that could kind of self manage and

0:56:28.280 --> 0:56:30.239
<v Speaker 2>move like. I didn't know that at the time, but

0:56:30.280 --> 0:56:32.719
<v Speaker 2>it was like being called in for a meeting. And

0:56:32.920 --> 0:56:37.920
<v Speaker 2>Jimmy was someone who I as an executive, was on

0:56:37.960 --> 0:56:41.279
<v Speaker 2>my list of people. Right. It was like Susanda Pass

0:56:41.680 --> 0:56:43.560
<v Speaker 2>It was because she was to me, is the first

0:56:43.600 --> 0:56:45.799
<v Speaker 2>day in R. Ever she signed the Jackson five, so

0:56:45.960 --> 0:56:48.239
<v Speaker 2>like she's the best person ever in the business ever.

0:56:50.280 --> 0:56:52.800
<v Speaker 2>And Jimmy, you know, for all the reasons. He was

0:56:52.840 --> 0:56:55.480
<v Speaker 2>also cool. He was from Brooklyn, Like, he didn't dress

0:56:55.520 --> 0:56:57.600
<v Speaker 2>like other executives. He wore a hat. I was like,

0:56:57.640 --> 0:56:59.520
<v Speaker 2>oh my god, the guy wears jeans and sneakers. Like

0:56:59.560 --> 0:57:01.960
<v Speaker 2>what's not the love about him? You know? And so

0:57:02.480 --> 0:57:04.760
<v Speaker 2>when I got the phone call to take the meeting

0:57:05.080 --> 0:57:06.759
<v Speaker 2>and they were like, hey, we think we want you

0:57:06.800 --> 0:57:08.960
<v Speaker 2>to do an R, and I was like, you know that,

0:57:09.280 --> 0:57:12.000
<v Speaker 2>you know that could be cool, but going inside a

0:57:12.040 --> 0:57:14.280
<v Speaker 2>company here's me again, just sounded.

0:57:14.000 --> 0:57:15.799
<v Speaker 1>Like Wow, at this point, you haven't done A and R.

0:57:16.160 --> 0:57:19.960
<v Speaker 2>No, No, you're doing it, but you're not doing it.

0:57:20.200 --> 0:57:24.240
<v Speaker 2>You know. Yeah, you're helping, Yeah, exactly, you're helping make records,

0:57:24.240 --> 0:57:26.760
<v Speaker 2>but again you do You're like, I'm not an A

0:57:26.840 --> 0:57:30.560
<v Speaker 2>and R. So then they said the magic thing, which

0:57:30.600 --> 0:57:33.680
<v Speaker 2>is like we'll just come meet with Jimmy was like Jimmy,

0:57:33.720 --> 0:57:39.840
<v Speaker 2>I mean Jimmy, I mean like sure, you know, I

0:57:39.920 --> 0:57:43.520
<v Speaker 2>mean y ivy, I mean you know if you insist, yeah,

0:57:43.520 --> 0:57:47.160
<v Speaker 2>I mean sure. And then you meet Jimmy and there's

0:57:47.280 --> 0:57:52.160
<v Speaker 2>just no not doing like when you meet Jimmy especially

0:57:52.200 --> 0:57:56.480
<v Speaker 2>then there's just no not wanting to work with him.

0:57:57.280 --> 0:58:01.520
<v Speaker 2>Like he's just too special. And I'm glad that he

0:58:01.600 --> 0:58:05.360
<v Speaker 2>ended up doing the documentary when he did, because it

0:58:05.400 --> 0:58:08.000
<v Speaker 2>was it's always so hard to describe, you know, for

0:58:08.080 --> 0:58:12.560
<v Speaker 2>people that didn't experience, you know, his vision and his brilliance,

0:58:12.600 --> 0:58:15.480
<v Speaker 2>his charisma and all those things. So you can now

0:58:15.560 --> 0:58:18.000
<v Speaker 2>just be like, oh, see the movie, right, because that's

0:58:18.040 --> 0:58:22.040
<v Speaker 2>literally how it was. Every day. It was chaotic. I mean,

0:58:22.080 --> 0:58:23.760
<v Speaker 2>I'm not gonna hold you like it was not like

0:58:24.800 --> 0:58:29.200
<v Speaker 2>there was. It was chaotic, but he had a view

0:58:29.480 --> 0:58:31.800
<v Speaker 2>and a point of view and a vision and an

0:58:31.840 --> 0:58:36.680
<v Speaker 2>ability to spot talent that like was just i'ned. I

0:58:36.840 --> 0:58:42.600
<v Speaker 2>learned so much just working there, because you got to

0:58:42.680 --> 0:58:45.360
<v Speaker 2>see even the way he thought about music was different,

0:58:45.800 --> 0:58:48.720
<v Speaker 2>Like he was like he was the first people that

0:58:49.200 --> 0:58:53.480
<v Speaker 2>was like you know, what do you just say sell

0:58:53.560 --> 0:58:56.840
<v Speaker 2>the T shirt and give the CD away for free, right,

0:58:56.920 --> 0:58:59.960
<v Speaker 2>which was like this idea that people weren't valuing music

0:59:00.240 --> 0:59:03.560
<v Speaker 2>the same way. And so if you sold the experience

0:59:03.600 --> 0:59:06.400
<v Speaker 2>of music, right, if you give them, if you put

0:59:06.400 --> 0:59:09.040
<v Speaker 2>it in a venue or a product or a thing,

0:59:09.760 --> 0:59:12.520
<v Speaker 2>that people because people loved music. It wasn't that it

0:59:12.560 --> 0:59:15.440
<v Speaker 2>was that this idea of like buying a CD was

0:59:15.480 --> 0:59:19.880
<v Speaker 2>getting old and antiquated. He knew that way early, Like

0:59:20.720 --> 0:59:23.760
<v Speaker 2>that's why the headphones became a thing. That's why the

0:59:23.760 --> 0:59:27.080
<v Speaker 2>Pussycat Dolls were a brand.

0:59:27.760 --> 0:59:31.240
<v Speaker 3>The journey for you is like so interesting, right of course,

0:59:31.240 --> 0:59:33.800
<v Speaker 3>starting in the beginning where you say you you you

0:59:33.880 --> 0:59:37.560
<v Speaker 3>were you were kind of developed, developing this thing that

0:59:37.640 --> 0:59:42.640
<v Speaker 3>you just ended up being anyway, right, And so as

0:59:42.680 --> 0:59:46.080
<v Speaker 3>you just as you reflect on your on your journey

0:59:46.840 --> 0:59:51.080
<v Speaker 3>in the business, like what is the part that you've

0:59:51.120 --> 0:59:53.200
<v Speaker 3>played so many parts? What is the part that you

0:59:53.400 --> 0:59:56.080
<v Speaker 3>play and I'm just say played would play that? Like

0:59:56.200 --> 0:59:59.120
<v Speaker 3>to you is like this is this is where I

0:59:59.240 --> 1:00:01.760
<v Speaker 3>really love to live, you know what I mean, whether

1:00:01.800 --> 1:00:05.160
<v Speaker 3>it be defining the writer or finding the artist, or

1:00:05.560 --> 1:00:09.640
<v Speaker 3>or cultivating the album or your anr And you know,

1:00:09.720 --> 1:00:11.720
<v Speaker 3>like what part of it like for you is like

1:00:11.920 --> 1:00:14.560
<v Speaker 3>where you like get you get the smile and like,

1:00:14.680 --> 1:00:16.280
<v Speaker 3>oh yeah, I'm about to kill this because this is

1:00:16.280 --> 1:00:18.120
<v Speaker 3>what I you know, this where I like to get

1:00:18.120 --> 1:00:19.000
<v Speaker 3>the hands dirty.

1:00:19.800 --> 1:00:23.920
<v Speaker 2>It's funny because when I started to look at there

1:00:23.960 --> 1:00:27.960
<v Speaker 2>was pre pandemic generalists and multi hyphenans and all that

1:00:28.080 --> 1:00:29.760
<v Speaker 2>was like not a thing. You were just like, girl,

1:00:29.800 --> 1:00:31.760
<v Speaker 2>what are you doing? Like you're doing this, You're doing that,

1:00:31.880 --> 1:00:34.240
<v Speaker 2>You're doing this. I don't understand. Like so much stuff

1:00:34.920 --> 1:00:38.520
<v Speaker 2>was like post it. Now, I think everybody kind of

1:00:38.520 --> 1:00:42.160
<v Speaker 2>figured out like it's okay to lean into your talents

1:00:42.240 --> 1:00:45.400
<v Speaker 2>or your purpose or whatever your what you want to do.

1:00:45.480 --> 1:00:46.160
<v Speaker 1>But pivot.

1:00:46.360 --> 1:00:48.760
<v Speaker 2>Yeah, like the pivot right. It became a thing where

1:00:48.760 --> 1:00:50.240
<v Speaker 2>I was like, hey, when I was doing that, y'all

1:00:50.320 --> 1:00:53.520
<v Speaker 2>was like what are you doing? Right? So I think

1:00:53.680 --> 1:01:00.280
<v Speaker 2>where I've learned that I love is helping people fill

1:01:00.320 --> 1:01:06.480
<v Speaker 2>in the white open spaces. So whether that is away

1:01:06.560 --> 1:01:11.720
<v Speaker 2>musically or an extension of a business that they don't

1:01:11.760 --> 1:01:17.480
<v Speaker 2>see because it's learned that from Jimmy, or creating something

1:01:17.520 --> 1:01:22.240
<v Speaker 2>that hasn't existed, or seeing a way through that's a

1:01:22.360 --> 1:01:26.280
<v Speaker 2>challenge that could help something be bigger. That's the thing

1:01:26.400 --> 1:01:30.760
<v Speaker 2>that gets me like that. The challenging things is like

1:01:31.800 --> 1:01:36.920
<v Speaker 2>you know, happily and also sometimes to my dismay, is

1:01:36.960 --> 1:01:38.760
<v Speaker 2>the thing I love the most, And I say to

1:01:38.840 --> 1:01:40.760
<v Speaker 2>my dismay because it's like the hard thing so right,

1:01:40.800 --> 1:01:43.040
<v Speaker 2>Like it's like, oh, that's super hard.

1:01:42.880 --> 1:01:46.240
<v Speaker 6>To do that. You can't always find the pieces to

1:01:46.280 --> 1:01:46.680
<v Speaker 6>the puzzle.

1:01:47.640 --> 1:01:50.160
<v Speaker 2>And I love to find the pieces to the puzzle.

1:01:50.720 --> 1:01:54.600
<v Speaker 2>I love even now to talk to like young artists,

1:01:54.600 --> 1:01:58.280
<v Speaker 2>young managers, like they're so stuck and you're like, oh,

1:01:58.280 --> 1:02:00.240
<v Speaker 2>if you do this, did you ever think about And

1:02:00.240 --> 1:02:03.480
<v Speaker 2>they just come away like, oh, you unlock something for them,

1:02:04.240 --> 1:02:07.240
<v Speaker 2>you know. Or you talk to a business person, you know.

1:02:07.280 --> 1:02:09.880
<v Speaker 2>I have a client, Malcolm Lee, who is a director

1:02:10.400 --> 1:02:16.840
<v Speaker 2>who you know, it's like he loves music. He's an

1:02:16.880 --> 1:02:22.640
<v Speaker 2>amazing director and he loves music, always has And when

1:02:22.680 --> 1:02:24.720
<v Speaker 2>I go back and look at his films and First

1:02:24.760 --> 1:02:27.520
<v Speaker 2>Best Man and Girls, you just see how music plays

1:02:27.560 --> 1:02:30.600
<v Speaker 2>a role in all of it. And you're like, how

1:02:30.640 --> 1:02:32.480
<v Speaker 2>do I get more involved in music? How do I

1:02:32.520 --> 1:02:34.640
<v Speaker 2>be more in the music and business? I'm like, and

1:02:34.680 --> 1:02:37.400
<v Speaker 2>I remember staying him off for like years, being like,

1:02:37.440 --> 1:02:38.800
<v Speaker 2>you don't want to be in a music business, like

1:02:39.600 --> 1:02:41.680
<v Speaker 2>make movies, buddy, Like you don't want to do that.

1:02:42.640 --> 1:02:44.640
<v Speaker 2>But then when he called me during the pandemic and

1:02:44.800 --> 1:02:48.920
<v Speaker 2>was like, you know, I'm still like. I was like, publishing,

1:02:50.240 --> 1:02:52.560
<v Speaker 2>that's what you should do. You shouldtill publishing company. I'll

1:02:52.600 --> 1:02:54.720
<v Speaker 2>help you do that. I help you figure that out.

1:02:54.920 --> 1:02:58.240
<v Speaker 2>You're the director. Everything stops and ends with you, including

1:02:58.280 --> 1:03:01.800
<v Speaker 2>the music choices all that. We should build a publishing company.

1:03:02.000 --> 1:03:04.600
<v Speaker 2>So it's like those kind of things get me excited.

1:03:04.640 --> 1:03:07.160
<v Speaker 2>And then going to every you know, publisher and lawyers

1:03:07.160 --> 1:03:10.080
<v Speaker 2>that were like, ah, but director with a publishing deal,

1:03:10.200 --> 1:03:19.000
<v Speaker 2>like you know, and yeah, shocked how many people? And

1:03:19.120 --> 1:03:22.400
<v Speaker 2>I was member like talking mad like no, I'm telling you,

1:03:22.440 --> 1:03:25.360
<v Speaker 2>I'm telling you where some people in his life were confused.

1:03:25.360 --> 1:03:28.240
<v Speaker 2>So it just wasn't common. And I'm like, they don't know,

1:03:28.280 --> 1:03:29.560
<v Speaker 2>they just know that they're not in the music business.

1:03:29.560 --> 1:03:32.480
<v Speaker 2>I'm telling you, I'm telling you, you know. And finally,

1:03:33.320 --> 1:03:36.080
<v Speaker 2>you know, publishers were like, oh yeah, you know like that,

1:03:36.360 --> 1:03:38.520
<v Speaker 2>you know, well, how would that work? And this is

1:03:38.640 --> 1:03:42.800
<v Speaker 2>kind of putting it together and being like getting the

1:03:42.880 --> 1:03:47.640
<v Speaker 2>deal and it happened, you know, and now building the

1:03:47.640 --> 1:03:50.960
<v Speaker 2>publishing company so so you know, now he's got you know,

1:03:51.000 --> 1:03:54.320
<v Speaker 2>a publishing entity. So that stuff's fun to me, Like

1:03:54.360 --> 1:03:57.680
<v Speaker 2>that's exciting of like that doesn't exist, or that's hard,

1:03:57.760 --> 1:04:01.120
<v Speaker 2>or that's a challenge or that's my favorite part, like

1:04:02.320 --> 1:04:05.720
<v Speaker 2>and it just doesn't. It just it's whatever it's needed.

1:04:05.880 --> 1:04:06.040
<v Speaker 7>Right.

1:04:06.080 --> 1:04:09.040
<v Speaker 2>It's like I feel like I've always been a facilitator

1:04:10.680 --> 1:04:14.160
<v Speaker 2>that I speak, you know, creative, but I also kind

1:04:14.160 --> 1:04:18.720
<v Speaker 2>of have an organized mind and a real mean execution gun, right,

1:04:18.800 --> 1:04:24.439
<v Speaker 2>and so those if you can compliment any dynamic you're

1:04:24.520 --> 1:04:27.520
<v Speaker 2>in by activating any of those things, and if you

1:04:27.560 --> 1:04:30.520
<v Speaker 2>don't make it about you, which I think I never have,

1:04:30.760 --> 1:04:34.360
<v Speaker 2>That's why I was so nervous to do this, then

1:04:34.520 --> 1:04:36.960
<v Speaker 2>you can really be a part of some cool things.

1:04:37.400 --> 1:04:40.800
<v Speaker 2>You know, you can you could you know, quolely be like,

1:04:40.920 --> 1:04:43.400
<v Speaker 2>oh yeah, the first project I was ever like part

1:04:43.440 --> 1:04:46.439
<v Speaker 2>of was like Lauren Hill, or like, yeah, I worked

1:04:46.480 --> 1:04:49.120
<v Speaker 2>on Mary J. Blige's breakthrough album, or like I worked

1:04:49.160 --> 1:04:53.120
<v Speaker 2>with Black Eyed Peas, or like I I music supervised

1:04:53.120 --> 1:04:55.880
<v Speaker 2>the Best Man, I produced and directed. You know, you like,

1:04:55.960 --> 1:04:58.160
<v Speaker 2>after a while, your list just goes up and people

1:04:58.200 --> 1:05:02.400
<v Speaker 2>are like my friends are always like damn girl, like,

1:05:02.760 --> 1:05:05.480
<v Speaker 2>but in your mind at the time, it's just the

1:05:05.560 --> 1:05:07.880
<v Speaker 2>thing that you're like, I think I could do that.

1:05:08.160 --> 1:05:15.120
<v Speaker 3>I've never seen you, like I've never seen you promote you.

1:05:15.120 --> 1:05:18.520
<v Speaker 1>No, I haven't. I've never seen you do that. You

1:05:18.520 --> 1:05:19.000
<v Speaker 1>know what I'm saying.

1:05:19.160 --> 1:05:22.240
<v Speaker 3>Like even in having this conversation with you, it's like,

1:05:22.360 --> 1:05:25.840
<v Speaker 3>oh shit, you know what I'm saying. It's like you

1:05:25.920 --> 1:05:30.240
<v Speaker 3>do so much and I think it's this is why

1:05:30.280 --> 1:05:34.600
<v Speaker 3>this conversation is needed, you know what I mean, because

1:05:34.680 --> 1:05:38.520
<v Speaker 3>you're You're an inspiration to somebody.

1:05:39.120 --> 1:05:41.840
<v Speaker 2>I feel super honored because honestly, when I ran into

1:05:41.960 --> 1:05:43.840
<v Speaker 2>Ja and Jay's like, you should come on the podcast,

1:05:44.200 --> 1:05:47.320
<v Speaker 2>I was like, like the podcast is for like people

1:05:47.480 --> 1:05:51.919
<v Speaker 2>like that do stuff. Like I literally was like Jay,

1:05:52.040 --> 1:05:54.280
<v Speaker 2>like that's like, you know, my friends have been on

1:05:54.320 --> 1:05:57.439
<v Speaker 2>the pot, like Mike I used to manage Rico Love

1:05:57.520 --> 1:06:00.640
<v Speaker 2>who I adore, And I'm like, Rico's been on the podcast,

1:06:00.720 --> 1:06:03.640
<v Speaker 2>like Tron Thomas, who I was like the first deal

1:06:03.680 --> 1:06:04.400
<v Speaker 2>in Interscope.

1:06:04.680 --> 1:06:07.720
<v Speaker 3>But listen to what you're saying though, as you say,

1:06:07.880 --> 1:06:11.640
<v Speaker 3>these people listen to your connection looking at this to

1:06:11.720 --> 1:06:13.959
<v Speaker 3>the fibers like like.

1:06:14.280 --> 1:06:19.080
<v Speaker 2>Us, yeah, you when you go out and you hear.

1:06:20.520 --> 1:06:24.800
<v Speaker 1>A record like love to this Day, right like because

1:06:24.840 --> 1:06:28.160
<v Speaker 1>even for me, I didn't write that song. I didn't

1:06:28.280 --> 1:06:31.760
<v Speaker 1>I remember the little apartment that she played me the

1:06:31.840 --> 1:06:36.520
<v Speaker 1>song and that dog that kept barking, that little.

1:06:36.320 --> 1:06:38.479
<v Speaker 3>Dog, and she's like, I know you don't like the dog, but.

1:06:38.920 --> 1:06:39.480
<v Speaker 1>He's not going to.

1:06:41.960 --> 1:06:43.400
<v Speaker 3>Just playing the song because I gotta get out of

1:06:43.400 --> 1:06:49.080
<v Speaker 3>this apartment with this dog she'sus barking at me. So

1:06:48.400 --> 1:06:53.640
<v Speaker 3>I hear it different than the audience. Yeah, right, And

1:06:54.120 --> 1:06:58.760
<v Speaker 3>people that hear these things different than the audience should

1:06:58.760 --> 1:07:01.960
<v Speaker 3>be on this show. To me, Yeah, whatever part you

1:07:02.080 --> 1:07:04.640
<v Speaker 3>played in that, right, that is an album that you

1:07:04.720 --> 1:07:05.720
<v Speaker 3>were a part of.

1:07:06.800 --> 1:07:09.520
<v Speaker 1>Get to wherever it got. And now this song, this

1:07:09.640 --> 1:07:10.680
<v Speaker 1>song lives forever.

1:07:11.480 --> 1:07:18.280
<v Speaker 2>When I see the Little Kids Assembly Internet, I'm like classic, Wow.

1:07:18.400 --> 1:07:19.200
<v Speaker 1>Who would have thought?

1:07:19.720 --> 1:07:20.080
<v Speaker 2>Wow?

1:07:20.120 --> 1:07:22.360
<v Speaker 6>Now I knew it was a hit record. I did

1:07:22.440 --> 1:07:25.280
<v Speaker 6>not know that Little Kids and an Assembly.

1:07:25.040 --> 1:07:27.200
<v Speaker 2>Would be singing in the second grade.

1:07:27.360 --> 1:07:30.120
<v Speaker 6>Twenty twenty four will be singing this record. I remember

1:07:30.160 --> 1:07:34.800
<v Speaker 6>calling Keisha. I was mad that what's the song that

1:07:34.840 --> 1:07:35.480
<v Speaker 6>I was in the video?

1:07:35.520 --> 1:07:38.640
<v Speaker 1>I was in the first two. I changed my I

1:07:38.680 --> 1:07:39.920
<v Speaker 1>was mad that that was the first single.

1:07:40.520 --> 1:07:42.360
<v Speaker 2>It was love. Yeah, yeah, I was mad.

1:07:43.320 --> 1:07:47.000
<v Speaker 1>It's not my album, not my artist, but I'm mad.

1:07:47.320 --> 1:07:50.480
<v Speaker 1>I'm like, Keisha, no, this ain't it. What is y'all

1:07:50.480 --> 1:07:55.680
<v Speaker 1>doing what are they doing over there? Because for me,

1:07:55.920 --> 1:07:58.840
<v Speaker 1>I was so attached to this song.

1:07:59.040 --> 1:08:02.280
<v Speaker 3>Yeah, that's why I got the with No pun inten

1:08:02.280 --> 1:08:03.040
<v Speaker 3>I got New York.

1:08:03.160 --> 1:08:07.000
<v Speaker 6>Yeah, I was so in love that was with that song,

1:08:07.360 --> 1:08:08.600
<v Speaker 6>you know what I mean that I was just like,

1:08:08.680 --> 1:08:10.560
<v Speaker 6>nothing can come out before this record.

1:08:12.840 --> 1:08:16.000
<v Speaker 1>It obviously worked and the you know, I mean other

1:08:16.040 --> 1:08:19.040
<v Speaker 1>two records they did cool, they did not like love.

1:08:19.479 --> 1:08:21.400
<v Speaker 2>Well, that was the thing. I think back then it

1:08:21.479 --> 1:08:24.400
<v Speaker 2>was a progression. Nowadays like it's just like throw everything.

1:08:24.520 --> 1:08:26.799
<v Speaker 2>But back then it was like we're going to introduce

1:08:26.800 --> 1:08:28.160
<v Speaker 2>her and.

1:08:27.680 --> 1:08:30.880
<v Speaker 3>You used to get chances back in the day. Well, no,

1:08:30.960 --> 1:08:32.800
<v Speaker 3>you get chances too, But there was a period where

1:08:32.800 --> 1:08:35.040
<v Speaker 3>it was just like you got one shot at this year.

1:08:35.080 --> 1:08:38.960
<v Speaker 2>Yeah. Yeah, and she she was you know, you were

1:08:39.000 --> 1:08:41.160
<v Speaker 2>telling her story, right, you were like, this is what

1:08:41.280 --> 1:08:44.000
<v Speaker 2>you I changed my mind. She's on the block.

1:08:44.040 --> 1:08:46.040
<v Speaker 6>I mean it was la but you know, like, yeah,

1:08:46.040 --> 1:08:48.360
<v Speaker 6>people still think we shot that in the back whoop,

1:08:48.400 --> 1:08:48.880
<v Speaker 6>Sorry it.

1:08:48.840 --> 1:08:56.240
<v Speaker 2>Was in the bay, I said, was in l A.

1:08:56.760 --> 1:08:58.679
<v Speaker 2>But yeah, and then you know, you got to learn

1:08:58.720 --> 1:09:01.720
<v Speaker 2>her story and then she was in full glam in

1:09:01.800 --> 1:09:04.920
<v Speaker 2>the middle of Times Square, you know, not even.

1:09:04.920 --> 1:09:05.479
<v Speaker 1>Know before that.

1:09:05.640 --> 1:09:07.080
<v Speaker 6>Yeah, I mean, because I said I was in the

1:09:07.080 --> 1:09:10.719
<v Speaker 6>first two was I just wanted to be over Oh.

1:09:10.600 --> 1:09:13.639
<v Speaker 2>Well you know why that one? Yeah?

1:09:13.680 --> 1:09:15.960
<v Speaker 1>Yeah, yeah, that was the second video.

1:09:17.800 --> 1:09:20.280
<v Speaker 2>But then we but I'm saying we, and then then

1:09:20.320 --> 1:09:24.200
<v Speaker 2>you get the movie, you know, and you get what's

1:09:24.200 --> 1:09:27.040
<v Speaker 2>his name at the time, it was the big Everybody's

1:09:27.520 --> 1:09:32.720
<v Speaker 2>music director, Benny. And then you're in Times Square like

1:09:33.640 --> 1:09:35.280
<v Speaker 2>we gotta catch the flight. We got to get out

1:09:35.320 --> 1:09:38.120
<v Speaker 2>of here in an hour. Yeah, and that was it.

1:09:38.960 --> 1:09:39.479
<v Speaker 2>That was it.

1:09:39.560 --> 1:09:43.439
<v Speaker 1>She was But that's but that, you know, like people

1:09:43.479 --> 1:09:44.200
<v Speaker 1>need to know.

1:09:46.800 --> 1:09:52.960
<v Speaker 6>The people, yea, who make these things happen, who are

1:09:53.000 --> 1:09:56.439
<v Speaker 6>part of these things, who are the unsung heroes, who

1:09:56.520 --> 1:10:01.639
<v Speaker 6>are the in the shadows. You know that this thing

1:10:01.680 --> 1:10:05.200
<v Speaker 6>doesn't happen by yourself. And especially in this day and age,

1:10:05.280 --> 1:10:10.000
<v Speaker 6>this has to be spoken about because everybody keeps thinking that,

1:10:10.800 --> 1:10:14.519
<v Speaker 6>you know, artists do it by themselves, especially now because

1:10:14.560 --> 1:10:18.479
<v Speaker 6>of the Internet and because oh I just uploaded, Well

1:10:19.360 --> 1:10:23.400
<v Speaker 6>after you upload it, what about that manager that reached

1:10:23.400 --> 1:10:26.360
<v Speaker 6>out to you, that helped put you in a room

1:10:26.400 --> 1:10:28.920
<v Speaker 6>with such and such, And then what about when they

1:10:28.920 --> 1:10:31.719
<v Speaker 6>helped you get on another record or putting somebody else

1:10:31.760 --> 1:10:34.720
<v Speaker 6>on the remix for you to help the record continue

1:10:34.760 --> 1:10:35.240
<v Speaker 6>to grow.

1:10:35.680 --> 1:10:39.120
<v Speaker 1>And what about the lawyer and what about the marketing.

1:10:38.720 --> 1:10:41.200
<v Speaker 6>Person and the A and R and all these other people,

1:10:41.600 --> 1:10:46.799
<v Speaker 6>like listen, I am absolutely an advocate for independence because

1:10:47.240 --> 1:10:52.439
<v Speaker 6>we should be able to lead our careers. But there

1:10:52.479 --> 1:10:56.280
<v Speaker 6>takes a building, however you want to look at that,

1:10:56.360 --> 1:11:01.360
<v Speaker 6>a team and a team to help you reach these heights.

1:11:01.479 --> 1:11:04.160
<v Speaker 1>Yeah, it just does.

1:11:04.439 --> 1:11:08.719
<v Speaker 6>Yeah, And I for me personally, I'm tired of people

1:11:08.800 --> 1:11:10.160
<v Speaker 6>not mentioning.

1:11:11.800 --> 1:11:13.000
<v Speaker 1>The people who played the part.

1:11:14.680 --> 1:11:18.679
<v Speaker 2>I understand that. Ain't listen, I listen. I'm very grateful

1:11:18.800 --> 1:11:22.679
<v Speaker 2>and appreciative. I think there's a part of me that's

1:11:22.760 --> 1:11:24.800
<v Speaker 2>always going to be the little girl that's still like

1:11:24.880 --> 1:11:29.080
<v Speaker 2>I just can't believe any of it happened. And I

1:11:29.080 --> 1:11:31.760
<v Speaker 2>think there's a part of me that's like, you know,

1:11:32.439 --> 1:11:35.760
<v Speaker 2>God is like it's always going to cover you, right,

1:11:35.920 --> 1:11:38.840
<v Speaker 2>Like I'm always going to be covered in wherever I'm

1:11:38.880 --> 1:11:40.920
<v Speaker 2>supposed to be or what's meant for me, And so

1:11:41.120 --> 1:11:44.519
<v Speaker 2>I think I'm not I think self promotion is important,

1:11:44.760 --> 1:11:46.720
<v Speaker 2>Like obviously I had to think about it. I was like,

1:11:46.800 --> 1:11:49.120
<v Speaker 2>let me think about it, and like, see this felt safe.

1:11:49.120 --> 1:11:51.200
<v Speaker 2>I know y'all it's a nice show, like you talk

1:11:51.240 --> 1:11:54.519
<v Speaker 2>about positive things show. Yeah, I don't want to get

1:11:54.600 --> 1:11:57.840
<v Speaker 2>you know, yelled at and what happened in that did

1:11:57.880 --> 1:12:01.599
<v Speaker 2>not to do. You're like, I'm like, I don't want

1:12:01.640 --> 1:12:05.479
<v Speaker 2>to be on those shows, but I I but I

1:12:05.680 --> 1:12:09.240
<v Speaker 2>still really feel like I was a part of a team.

1:12:09.280 --> 1:12:12.160
<v Speaker 2>Like like so it feels a bit and maybe this

1:12:12.400 --> 1:12:15.120
<v Speaker 2>old school, I don't know, disingenuous to be like I

1:12:15.160 --> 1:12:17.360
<v Speaker 2>was you know, I was this and I was that,

1:12:17.600 --> 1:12:20.880
<v Speaker 2>and like there was hundreds of people that made all

1:12:20.920 --> 1:12:24.599
<v Speaker 2>of these things happen, right, Like so many people, so

1:12:24.680 --> 1:12:27.559
<v Speaker 2>you to be like stamping it all the time, which

1:12:27.600 --> 1:12:29.519
<v Speaker 2>I think happens a lot now. It's just like as

1:12:29.520 --> 1:12:31.360
<v Speaker 2>long as you say it louder, like oh, that's the

1:12:31.400 --> 1:12:34.120
<v Speaker 2>person that did this, and you're thinking there's thirty people

1:12:34.160 --> 1:12:35.880
<v Speaker 2>back there that help do all that. So that for

1:12:36.000 --> 1:12:39.120
<v Speaker 2>me feels weird because I'm like, just we've only just

1:12:39.160 --> 1:12:43.960
<v Speaker 2>talked about Michelle, Thomas, manny Ron and Keisha and you

1:12:45.120 --> 1:12:47.599
<v Speaker 2>as part of it. There's there were dozens and dozens

1:12:49.360 --> 1:12:50.760
<v Speaker 2>watch I.

1:12:52.520 --> 1:12:56.040
<v Speaker 3>Think I think the beauty of it is as as

1:12:56.120 --> 1:13:01.160
<v Speaker 3>as much as we would We're gonna get Michael Jordan, right,

1:13:01.600 --> 1:13:07.920
<v Speaker 3>We're gonna interview Michael Jordan's, but we also we'd love

1:13:07.960 --> 1:13:10.960
<v Speaker 3>to talk to Craig Hodges, bj Armstrong, We love to

1:13:11.000 --> 1:13:12.040
<v Speaker 3>talk to Steve Kerr.

1:13:12.160 --> 1:13:14.320
<v Speaker 2>I'm not in my head like yep, I know exactly

1:13:14.320 --> 1:13:14.840
<v Speaker 2>who that is.

1:13:15.000 --> 1:13:21.280
<v Speaker 4>Like, it's sports, it's team got.

1:13:21.080 --> 1:13:27.280
<v Speaker 3>It because all of those roles yea on that team vital.

1:13:27.600 --> 1:13:31.040
<v Speaker 2>Yeah, and your very vital part. Thank you guys, you're

1:13:31.160 --> 1:13:35.880
<v Speaker 2>vital too. If Jay did not show up in that

1:13:36.680 --> 1:13:40.880
<v Speaker 2>white T shirt, I'm not sure video would have got

1:13:40.880 --> 1:13:41.400
<v Speaker 2>done that day.

1:13:47.160 --> 1:13:51.679
<v Speaker 3>From the baby, she definitely was like, I'm not about

1:13:51.720 --> 1:13:52.960
<v Speaker 3>to be in no video with no nigga.

1:13:53.000 --> 1:13:53.479
<v Speaker 1>I don't know.

1:13:53.560 --> 1:14:00.840
<v Speaker 2>I'm like Larry was the love interest and girls loved

1:14:00.920 --> 1:14:07.559
<v Speaker 2>him too to his day. At least we didn't try

1:14:07.600 --> 1:14:09.320
<v Speaker 2>to make you body roll or anything.

1:14:09.240 --> 1:14:16.559
<v Speaker 6>No ever, Like it was just like a soap opera though,

1:14:16.600 --> 1:14:18.640
<v Speaker 6>where I just just like the cheating boyfriend.

1:14:19.600 --> 1:14:24.560
<v Speaker 2>He was cheated and every video practically she should have cheated.

1:14:26.240 --> 1:14:30.479
<v Speaker 1>She made Yeah d on gin she did. She put

1:14:30.520 --> 1:14:31.840
<v Speaker 1>Tyres in that she did?

1:14:32.320 --> 1:14:34.559
<v Speaker 2>She really, that's right, Ty was.

1:14:35.200 --> 1:14:37.240
<v Speaker 1>I was vixing once myself.

1:14:37.880 --> 1:14:41.760
<v Speaker 2>Santana wasn't another video. We just pulled people.

1:14:41.479 --> 1:14:44.800
<v Speaker 1>In me and Bryce Wilson wanted the same.

1:14:47.720 --> 1:14:49.640
<v Speaker 3>Bryce Wilson was part of convincing me to do the

1:14:49.720 --> 1:14:52.000
<v Speaker 3>video too. Yeah, because he did.

1:14:51.840 --> 1:14:54.519
<v Speaker 1>The Tony practice video. I mean, shout out to other

1:14:54.640 --> 1:15:03.000
<v Speaker 1>figs out y'all, I'll see you stick Erica.

1:15:03.080 --> 1:15:07.880
<v Speaker 3>You've worked on a lot of great music, a lot

1:15:07.880 --> 1:15:08.479
<v Speaker 3>of great.

1:15:08.360 --> 1:15:10.240
<v Speaker 1>Artists, great artists.

1:15:11.120 --> 1:15:13.479
<v Speaker 3>I want to go back to when you were pulling

1:15:13.479 --> 1:15:15.880
<v Speaker 3>out those sleeves and reading those lyrics.

1:15:17.840 --> 1:15:20.920
<v Speaker 1>Do people want to know? They want to know on

1:15:21.120 --> 1:15:29.519
<v Speaker 1>this show, yo for sure? Top five?

1:15:32.439 --> 1:15:44.280
<v Speaker 7>Your top five, top five, your top five ay easing.

1:15:46.280 --> 1:15:47.599
<v Speaker 3>Call and me song.

1:15:50.120 --> 1:15:52.920
<v Speaker 2>We want to know you o this.

1:15:53.160 --> 1:16:15.240
<v Speaker 8>Out big for you? What was your pokop?

1:16:16.520 --> 1:16:16.800
<v Speaker 2>Fun?

1:16:29.720 --> 1:16:30.920
<v Speaker 1>That's why you was worried about it.

1:16:32.439 --> 1:16:34.000
<v Speaker 3>That's why this is.

1:16:34.000 --> 1:16:40.000
<v Speaker 1>Why Erica your top five car and B singers.

1:16:39.880 --> 1:16:46.360
<v Speaker 2>Oh singers okay mm hm, oh my goodness. You know

1:16:46.439 --> 1:16:48.160
<v Speaker 2>I should have wrote this down and thought about it.

1:16:50.200 --> 1:16:59.000
<v Speaker 2>It's never easy. I mean Stevie okay, yeah, sorry, probably

1:16:59.080 --> 1:17:02.679
<v Speaker 2>Lufa yeah yeah. I don't feel like I don't feel

1:17:02.680 --> 1:17:08.200
<v Speaker 2>like he gets it enough of the conversation. Yes he does, Okay, yes, okay,

1:17:08.280 --> 1:17:20.280
<v Speaker 2>good beast singers. You know, even though his music is

1:17:20.439 --> 1:17:25.240
<v Speaker 2>different now and he's newer, I would say Labyrinth.

1:17:25.960 --> 1:17:26.479
<v Speaker 1>Mm hmmm.

1:17:28.800 --> 1:17:33.320
<v Speaker 2>His voice is extraordinary. If you heard this song, the

1:17:33.680 --> 1:17:38.519
<v Speaker 2>song Jealous that he wrote and sang like ten, I

1:17:38.560 --> 1:17:41.160
<v Speaker 2>don't know, ten fifteen years. I mean it's the pureness

1:17:41.240 --> 1:17:49.800
<v Speaker 2>of his voices. Yeah, I know. I mean it's all

1:17:49.920 --> 1:17:55.000
<v Speaker 2>gonna mostly be old school. Oh it's mine, Anita.

1:17:55.520 --> 1:17:57.719
<v Speaker 3>Yeah. I love.

1:18:04.439 --> 1:18:09.560
<v Speaker 2>Singers. I'm trying to keep the singers. Philip Bailey, maybe.

1:18:10.280 --> 1:18:18.719
<v Speaker 1>Maybe Philip baby Love give him a full confidential spot.

1:18:19.160 --> 1:18:24.120
<v Speaker 2>Philip Bailey by the reasons, I mean.

1:18:25.080 --> 1:18:29.479
<v Speaker 1>False settle like none. Author, that's.

1:18:32.280 --> 1:18:36.280
<v Speaker 2>No stress, do it all?

1:18:36.640 --> 1:18:38.800
<v Speaker 1>Top five R and B song.

1:18:39.640 --> 1:18:46.480
<v Speaker 2>Oh my god, so so amazing.

1:18:48.680 --> 1:18:49.320
<v Speaker 3>To the moons?

1:18:49.800 --> 1:18:49.920
<v Speaker 1>Is it?

1:18:50.080 --> 1:18:54.120
<v Speaker 2>Luthers? Sorry? Is that so amazing? Is that the name

1:18:54.120 --> 1:19:02.960
<v Speaker 2>of it? Yeah? That song kills me. Try a little tenderness,

1:19:04.160 --> 1:19:15.680
<v Speaker 2>m yes, mm hmm. That's just lyrics, lyrics. Yes, you

1:19:15.800 --> 1:19:16.519
<v Speaker 2>bring me joy?

1:19:17.240 --> 1:19:21.519
<v Speaker 1>Uh uh, that's just.

1:19:23.040 --> 1:19:27.400
<v Speaker 3>Like is you name these songs, like the care that

1:19:27.640 --> 1:19:32.560
<v Speaker 3>went into production, the care that went into lyricism, the

1:19:32.800 --> 1:19:34.000
<v Speaker 3>care that went into the.

1:19:36.280 --> 1:19:40.400
<v Speaker 2>And the way the performance of them was so meaningful,

1:19:40.600 --> 1:19:48.719
<v Speaker 2>like whoever was bringing her joy? You was like, yeah,

1:19:52.840 --> 1:19:53.919
<v Speaker 2>I'm a love girl.

1:19:53.800 --> 1:19:56.000
<v Speaker 1>So yeah, clearly.

1:19:57.840 --> 1:20:01.479
<v Speaker 2>Yeah, I'm a love girl. Oh my god, how did

1:20:01.479 --> 1:20:06.640
<v Speaker 2>I miss Aretha on the other list? Yeah? Read the

1:20:06.680 --> 1:20:14.920
<v Speaker 2>frank Oh my god? Oh what's the Wreatha song? Girl?

1:20:17.360 --> 1:20:22.360
<v Speaker 2>I can't think now. Sorry. It's one of my favorites too.

1:20:23.320 --> 1:20:27.719
<v Speaker 2>I'll come back to huh oh yeah, like where's my phone?

1:20:29.680 --> 1:20:29.800
<v Speaker 4>Oh?

1:20:29.960 --> 1:20:33.320
<v Speaker 2>Natural Woman? I was like, it's a big song. I

1:20:33.439 --> 1:20:35.960
<v Speaker 2>just was like, why my brain won't let me again?

1:20:36.320 --> 1:20:39.880
<v Speaker 2>The lyrics and the performance. You're just I want to

1:20:39.920 --> 1:20:44.679
<v Speaker 2>feel like a natural woman? A refa is that five?

1:20:44.760 --> 1:20:48.280
<v Speaker 2>I think that was fine too? Oh you counting? You

1:20:48.360 --> 1:20:58.439
<v Speaker 2>know Valentine? You know what's Jay Valentine. It's probably gonna

1:20:58.479 --> 1:21:07.200
<v Speaker 2>be between what's see the name? I don't know the

1:21:07.320 --> 1:21:12.960
<v Speaker 2>names of songs. This is me all day, Like, what's

1:21:13.040 --> 1:21:16.360
<v Speaker 2>how's the song going? Wake up everybody? No one want

1:21:16.360 --> 1:21:21.080
<v Speaker 2>to sleep in the world. Can't get no besting that

1:21:22.439 --> 1:21:26.560
<v Speaker 2>if it's just let it be come on? No no, no, no, no, no, no,

1:21:27.720 --> 1:21:28.000
<v Speaker 2>thank you?

1:21:28.720 --> 1:21:29.320
<v Speaker 3>That one.

1:21:31.439 --> 1:21:36.120
<v Speaker 2>That one? Please sing that song? Yeah, that would be

1:21:36.160 --> 1:21:41.960
<v Speaker 2>the other one. That's fine. P yeah that song that

1:21:42.520 --> 1:21:46.120
<v Speaker 2>makes me happy? Yeah? Yeah, that's it. I just yeah,

1:21:46.400 --> 1:21:47.040
<v Speaker 2>I feel like.

1:21:47.560 --> 1:21:49.880
<v Speaker 3>I want to know what those sessions were, Like, I

1:21:50.040 --> 1:21:51.800
<v Speaker 3>do too, you know what I'm saying to.

1:21:54.720 --> 1:21:59.519
<v Speaker 1>You, know what, moving on?

1:22:00.120 --> 1:22:07.240
<v Speaker 2>Know what, You're always here to bring us back, bring

1:22:07.400 --> 1:22:09.920
<v Speaker 2>us back to the hood, bring us back to the hood.

1:22:11.320 --> 1:22:16.679
<v Speaker 2>Thank you so much. I'm just a little girl making music.

1:22:16.520 --> 1:22:17.360
<v Speaker 4>News on my head.

1:22:18.120 --> 1:22:19.760
<v Speaker 1>Somebody had to figure out a way to fill up

1:22:19.800 --> 1:22:26.719
<v Speaker 1>those shoe boxes of money. Don't tell the truth in here, Lord, don't.

1:22:26.520 --> 1:22:30.400
<v Speaker 2>You do it. I don't even yeah that those are Yeah,

1:22:30.520 --> 1:22:33.639
<v Speaker 2>I would say that for me. So that's what that's

1:22:33.680 --> 1:22:36.439
<v Speaker 2>what moves me. Is just like things about love and

1:22:36.520 --> 1:22:40.760
<v Speaker 2>things that make you feel good. Everything else, you know,

1:22:41.880 --> 1:22:44.960
<v Speaker 2>turn up, it's fine, But that's emotion.

1:22:45.200 --> 1:22:45.759
<v Speaker 3>Yea emotion.

1:22:46.040 --> 1:22:48.599
<v Speaker 2>Yeah, I think I think music should make you feel

1:22:48.680 --> 1:22:51.280
<v Speaker 2>things like whatever that is, whatever you need that to be.

1:22:51.560 --> 1:22:55.560
<v Speaker 3>Yeah, we're gonna build a vultron. You're super R and

1:22:55.720 --> 1:23:01.280
<v Speaker 3>B artists. So with this artist pick, you got to

1:23:01.320 --> 1:23:06.200
<v Speaker 3>pick the characteristics from one artist, make this one artist, okay,

1:23:06.960 --> 1:23:08.680
<v Speaker 3>from a bunch of de however many artists you want

1:23:08.680 --> 1:23:11.599
<v Speaker 3>to pick from, Okay, but these are the characteristics we're

1:23:11.640 --> 1:23:14.960
<v Speaker 3>looking for. We were looking for the vocal, the performance style,

1:23:15.360 --> 1:23:21.080
<v Speaker 3>the styling, the heart of the artists, like the passion

1:23:21.160 --> 1:23:24.160
<v Speaker 3>of the artists. Okay, so what one vocal are you

1:23:24.240 --> 1:23:26.200
<v Speaker 3>going to get to build your super R and B R.

1:23:26.439 --> 1:23:29.920
<v Speaker 3>Just one there's one mm hmmm.

1:23:32.280 --> 1:23:36.760
<v Speaker 2>I'm probably gonna say Stevie because he has the most universal.

1:23:36.439 --> 1:23:40.719
<v Speaker 3>Every year, everywhere. Okay, all right, I just saw Stevie

1:23:40.760 --> 1:23:46.880
<v Speaker 3>the other day. He went crazy like still like I was,

1:23:47.040 --> 1:23:49.680
<v Speaker 3>I was crying on the inside crazy. I can see

1:23:49.760 --> 1:23:50.120
<v Speaker 3>me crying.

1:23:52.640 --> 1:23:57.479
<v Speaker 2>I was like finished, Yeah, he's he's it, he's it. Yeah,

1:23:57.600 --> 1:23:59.920
<v Speaker 2>he's it for me. Yeah, Okay.

1:24:00.439 --> 1:24:01.640
<v Speaker 1>Performance style.

1:24:04.000 --> 1:24:05.560
<v Speaker 2>This is going to be controversial.

1:24:05.680 --> 1:24:06.160
<v Speaker 3>I think.

1:24:09.960 --> 1:24:14.240
<v Speaker 2>Chris Brown yeah yeah, okay, I mean I know Michael

1:24:14.320 --> 1:24:19.280
<v Speaker 2>Jackson and then for you Yeah, I just I think

1:24:19.360 --> 1:24:23.479
<v Speaker 2>Chris is just extraordinary as a performer. He is leaves

1:24:23.600 --> 1:24:24.960
<v Speaker 2>all the things on the stage.

1:24:25.880 --> 1:24:27.720
<v Speaker 3>Yeah I love that.

1:24:28.280 --> 1:24:33.800
<v Speaker 1>Sorry, old people, Hey, I'll be I'll be at every

1:24:34.160 --> 1:24:34.280
<v Speaker 1>like this.

1:24:35.040 --> 1:24:36.160
<v Speaker 3>Yeah me too.

1:24:36.400 --> 1:24:39.800
<v Speaker 2>I'm like even when he's done in Afrobast, the way

1:24:39.880 --> 1:24:46.639
<v Speaker 2>that he belongs the great word is extraordinary is different.

1:24:46.960 --> 1:24:51.000
<v Speaker 1>Yeah, he just it's he belonged. He never seems like

1:24:51.080 --> 1:24:52.960
<v Speaker 1>he's got a place, never doing anything.

1:24:53.560 --> 1:24:54.920
<v Speaker 4>It's pretty well.

1:24:54.920 --> 1:24:58.560
<v Speaker 1>He does the work right there you go, there, you go,

1:24:59.040 --> 1:25:03.400
<v Speaker 1>Like he does the deep dive, he's he's yeah, you say,

1:25:03.400 --> 1:25:03.760
<v Speaker 1>where are you.

1:25:03.760 --> 1:25:05.559
<v Speaker 3>Doing this at? Okay, let's go over there and let's

1:25:05.560 --> 1:25:08.400
<v Speaker 3>hang out with him and let's see what's going on. Yeah, food,

1:25:08.600 --> 1:25:11.519
<v Speaker 3>and then he'll tell you about him. Yeah you heard

1:25:11.520 --> 1:25:16.439
<v Speaker 3>about I never heard him. Well, yeah, he worked with

1:25:16.560 --> 1:25:20.200
<v Speaker 3>him like he does the work, and that's to do.

1:25:20.400 --> 1:25:24.680
<v Speaker 4>Yeah, styling, the drip styling.

1:25:25.240 --> 1:25:28.840
<v Speaker 2>Hm, it's just hard because I don't care about the

1:25:29.160 --> 1:25:33.320
<v Speaker 2>least like Marvin.

1:25:34.080 --> 1:25:34.479
<v Speaker 4>Mm hmm.

1:25:35.760 --> 1:25:37.439
<v Speaker 2>Maybe because he was just fly.

1:25:37.720 --> 1:25:40.960
<v Speaker 3>It's just fly, like just just anytime you.

1:25:41.400 --> 1:25:43.960
<v Speaker 2>Old photos of him with the thing, and like he

1:25:44.120 --> 1:25:45.760
<v Speaker 2>just seemed so effortlessly fly.

1:25:46.160 --> 1:25:46.600
<v Speaker 1>I like that.

1:25:47.560 --> 1:25:50.160
<v Speaker 2>I like the down play. You know, I'm not trying

1:25:50.200 --> 1:25:54.519
<v Speaker 2>to be cool, but I am. Yeah for me, Yeah,

1:25:54.800 --> 1:25:57.000
<v Speaker 2>but yeah I'm not a drip, but I'm not the Yeah,

1:25:57.000 --> 1:25:57.760
<v Speaker 2>I'm missing.

1:25:57.560 --> 1:25:58.080
<v Speaker 3>All the dripping.

1:25:58.120 --> 1:26:03.519
<v Speaker 2>Thank you. Okay, see thank you. I mean clearly I'm

1:26:03.520 --> 1:26:05.680
<v Speaker 2>still wearing dirty converse, so obviously.

1:26:05.520 --> 1:26:14.400
<v Speaker 1>That's all right. The passion of the artists, oh gosh,

1:26:15.760 --> 1:26:16.720
<v Speaker 1>who make you believe it?

1:26:19.640 --> 1:26:26.160
<v Speaker 2>There's so many. Maybe it would be between Marvin and Stevie.

1:26:26.280 --> 1:26:30.120
<v Speaker 2>I think again. I just think they cared about music

1:26:30.200 --> 1:26:35.680
<v Speaker 2>till it hurt. Marvin Wonder, Stevie Gay.

1:26:36.920 --> 1:26:38.600
<v Speaker 3>Yeah, I love that.

1:26:39.040 --> 1:26:43.280
<v Speaker 2>I feel like, yeah, I just feel like, at least

1:26:43.320 --> 1:26:45.400
<v Speaker 2>for me, they just sound like they care so much

1:26:45.600 --> 1:26:49.840
<v Speaker 2>or mars means get cared so much. But yeah, man,

1:26:49.920 --> 1:26:53.680
<v Speaker 2>I just you can't be that, you can't create that

1:26:53.880 --> 1:26:56.679
<v Speaker 2>and just not care with every part of your soul.

1:26:57.520 --> 1:27:02.120
<v Speaker 3>And and another another edition for you, big publisher, who's

1:27:02.160 --> 1:27:03.280
<v Speaker 3>going to write for this artist?

1:27:04.920 --> 1:27:13.560
<v Speaker 2>Oh my gosh, yeah, oh my gosh. I mean I

1:27:13.680 --> 1:27:17.360
<v Speaker 2>hate to be redundant, but I mean Stevie.

1:27:19.680 --> 1:27:22.360
<v Speaker 1>Amazing. He is one of the greatest of all.

1:27:25.560 --> 1:27:28.320
<v Speaker 2>I'm like, how do you miss that?

1:27:28.400 --> 1:27:34.639
<v Speaker 1>I mean Stevie, Stevie, like Stevie. Stevie's the guy.

1:27:34.800 --> 1:27:37.160
<v Speaker 2>Like, I mean, there's so many though, I mean, is

1:27:37.200 --> 1:27:39.760
<v Speaker 2>the Rod Tempertons on the like, there's just I mean,

1:27:39.960 --> 1:27:45.120
<v Speaker 2>there's just all the all the amazing penmanships of pens

1:27:45.560 --> 1:27:46.400
<v Speaker 2>out in the world.

1:27:48.640 --> 1:27:48.840
<v Speaker 6>Yeah.

1:27:48.960 --> 1:27:53.519
<v Speaker 2>Writers are Writers are special, man. Okay, they really are.

1:27:54.320 --> 1:27:55.400
<v Speaker 2>You y'all really are.

1:27:56.000 --> 1:27:56.320
<v Speaker 3>Thank you.

1:27:57.040 --> 1:28:00.400
<v Speaker 2>We try to, I mean because think about honestly, okay,

1:28:00.479 --> 1:28:05.240
<v Speaker 2>because it's the flowers, right, it's you know, to express

1:28:05.280 --> 1:28:10.439
<v Speaker 2>yourself in a way that is meaningful but also relate,

1:28:10.600 --> 1:28:13.519
<v Speaker 2>can can touch so many people, right that that you

1:28:13.600 --> 1:28:19.040
<v Speaker 2>can articulate emotions so well that people from anywhere can

1:28:19.120 --> 1:28:22.880
<v Speaker 2>catch the same Like, yes, that's what I wanted to say.

1:28:24.080 --> 1:28:28.280
<v Speaker 2>And then for yourselves, you can do it for you yourself,

1:28:28.600 --> 1:28:31.240
<v Speaker 2>and you can also give it to another artist and

1:28:31.479 --> 1:28:36.120
<v Speaker 2>they can have that same experience. That's such a gift,

1:28:37.200 --> 1:28:40.840
<v Speaker 2>Like that is such a gift. Like that part, to

1:28:41.000 --> 1:28:45.160
<v Speaker 2>me is like nothing happens without that. And yes, the

1:28:45.320 --> 1:28:47.880
<v Speaker 2>voices and the look and the drip and the performance

1:28:47.960 --> 1:28:51.800
<v Speaker 2>and all those things matter, but like without that piece,

1:28:52.720 --> 1:28:58.040
<v Speaker 2>there's nothing, like it's someone's humming and it's you you

1:28:58.160 --> 1:29:01.240
<v Speaker 2>feel it, that's amazing, But there's nothing without that, like

1:29:01.760 --> 1:29:07.160
<v Speaker 2>that story, that that feeling. That's to me, you know anyway.

1:29:07.800 --> 1:29:10.479
<v Speaker 2>So to be able to do that is just like

1:29:12.240 --> 1:29:14.760
<v Speaker 2>I'm always like I think that's also why because I

1:29:14.800 --> 1:29:18.479
<v Speaker 2>can't do it. So I'm like, oh, wow, you're really special,

1:29:18.600 --> 1:29:23.080
<v Speaker 2>Like that's amazing, Like you said that that way, Like

1:29:23.720 --> 1:29:26.040
<v Speaker 2>even when you think about like Phineas and Billy right,

1:29:26.120 --> 1:29:31.439
<v Speaker 2>you're like, what were you thinking when you said that?

1:29:33.240 --> 1:29:33.280
<v Speaker 3>What?

1:29:33.479 --> 1:29:34.800
<v Speaker 2>How did you how? What?

1:29:36.520 --> 1:29:43.599
<v Speaker 6>I think most writers can't even truly explain it. Yeah, honestly,

1:29:43.920 --> 1:29:45.960
<v Speaker 6>like you know, we all know each other and we

1:29:46.040 --> 1:29:48.840
<v Speaker 6>all had conversations about you know, like you said, what

1:29:48.920 --> 1:29:49.840
<v Speaker 6>were you thinking about her?

1:29:50.360 --> 1:29:53.240
<v Speaker 1>And it's just as you have the conversation.

1:29:53.120 --> 1:29:56.920
<v Speaker 6>Usually a veers yeah, it goes off into like wait,

1:29:57.000 --> 1:29:59.600
<v Speaker 6>hold on, we were talking about yeah, oh yeah, but

1:29:59.680 --> 1:30:03.720
<v Speaker 6>then was the how Yeah, because it's and we talk,

1:30:03.960 --> 1:30:05.120
<v Speaker 6>we speak about this.

1:30:05.200 --> 1:30:09.240
<v Speaker 1>I think it's it's our form of magic. Yeah it is.

1:30:09.520 --> 1:30:12.800
<v Speaker 2>I mean when I said when I worked with Rico Love,

1:30:13.560 --> 1:30:17.400
<v Speaker 2>I remember like he would do a song and you know,

1:30:17.760 --> 1:30:22.559
<v Speaker 2>daddy song right like Usher, and I would be driving

1:30:23.240 --> 1:30:27.600
<v Speaker 2>with the song playing like and I know, Rico, I

1:30:28.040 --> 1:30:34.120
<v Speaker 2>worked with everything. How the hell did you write this song? Bro?

1:30:34.520 --> 1:30:38.920
<v Speaker 2>Like it's amazing, amazing exists.

1:30:38.600 --> 1:30:40.920
<v Speaker 3>In this weird space where for us it's just like

1:30:41.760 --> 1:30:43.280
<v Speaker 3>it's just kind of what we do.

1:30:43.560 --> 1:30:48.439
<v Speaker 2>Yeah, especially he's not going to booth and just you know,

1:30:48.680 --> 1:30:49.920
<v Speaker 2>like I go in there.

1:30:51.360 --> 1:30:54.320
<v Speaker 1>And I get to test Rico Love, like this song

1:30:54.400 --> 1:30:56.800
<v Speaker 1>like this week O he played this coming right up.

1:30:59.680 --> 1:30:59.960
<v Speaker 2>Ahead.

1:31:02.160 --> 1:31:02.840
<v Speaker 1>That's what I called you.

1:31:03.560 --> 1:31:06.519
<v Speaker 2>I mean, even like if you take Sean Garrett when

1:31:06.560 --> 1:31:09.040
<v Speaker 2>he did Buttons, I was in the studio in Sean

1:31:09.160 --> 1:31:12.200
<v Speaker 2>Garrett and poloed it Buttons, and I and I remember

1:31:12.320 --> 1:31:17.400
<v Speaker 2>sitting there the beats playing the beats crazy and Sean

1:31:17.560 --> 1:31:25.439
<v Speaker 2>is like, okay, take it back, take it back. And

1:31:25.920 --> 1:31:30.680
<v Speaker 2>when you're watching it, like what the and next thing

1:31:30.760 --> 1:31:38.960
<v Speaker 2>you know, it's like and you're like, yeah, yeah, that's

1:31:39.000 --> 1:31:47.360
<v Speaker 2>what the studio like, yo, And it wasn't finished. You

1:31:47.600 --> 1:31:51.240
<v Speaker 2>just were like there's just no way this this boy

1:31:51.479 --> 1:31:56.720
<v Speaker 2>is getting something. And that record was so huge, and

1:31:57.080 --> 1:31:59.880
<v Speaker 2>I'm like that's the part like that, I guess that's

1:31:59.880 --> 1:32:01.840
<v Speaker 2>what are you like your self promoting all that, Like

1:32:01.920 --> 1:32:05.240
<v Speaker 2>I'm like, yeah, cool, Like but he was the one

1:32:05.400 --> 1:32:09.080
<v Speaker 2>that was there with the thing coming through him on

1:32:09.400 --> 1:32:13.360
<v Speaker 2>on the microphone and made that song like I just

1:32:13.560 --> 1:32:16.040
<v Speaker 2>was there right like, So that part is like it's

1:32:16.120 --> 1:32:18.640
<v Speaker 2>just such a gift. It's just a gift to be

1:32:18.720 --> 1:32:20.600
<v Speaker 2>in the room. And that's the part that I I

1:32:21.560 --> 1:32:24.519
<v Speaker 2>hope we don't lose, Like I just hope we don't

1:32:24.600 --> 1:32:30.040
<v Speaker 2>lose that because it is so so much gratitude, like

1:32:30.240 --> 1:32:32.679
<v Speaker 2>truly even being here you guys, this is so fun

1:32:33.880 --> 1:32:38.920
<v Speaker 2>with you. Okay.

1:32:44.680 --> 1:32:50.160
<v Speaker 1>Uh, I ain't saying no next day, saying no next.

1:32:56.320 --> 1:32:57.040
<v Speaker 2>What you did?

1:32:57.720 --> 1:32:58.439
<v Speaker 1>Don't say she.

1:33:11.479 --> 1:33:15.639
<v Speaker 2>Okay, there's just so many you guys have so many

1:33:15.760 --> 1:33:16.679
<v Speaker 2>names not to say.

1:33:17.200 --> 1:33:20.200
<v Speaker 6>So you here right now this last segment of the show.

1:33:20.320 --> 1:33:23.400
<v Speaker 6>All right, it's called I say names. Okay, well you

1:33:23.479 --> 1:33:27.920
<v Speaker 6>tell us a story funnier, fucked up, funny and fucked up.

1:33:29.360 --> 1:33:32.120
<v Speaker 6>The only rude to the game. You can't say no names.

1:33:34.240 --> 1:33:37.320
<v Speaker 2>Yeah. I was working one night in the studio with

1:33:37.560 --> 1:33:45.000
<v Speaker 2>the producer that never would finish songs on time, so

1:33:45.160 --> 1:33:48.840
<v Speaker 2>you literally have to stand over them and keep their

1:33:49.400 --> 1:33:54.599
<v Speaker 2>train on the track, like you literally have to stand

1:33:54.640 --> 1:33:57.960
<v Speaker 2>over them to get the songs done. Very very famous producer.

1:33:58.760 --> 1:34:01.240
<v Speaker 2>So I was working trying to get them to finish

1:34:01.479 --> 1:34:06.519
<v Speaker 2>said song and what started at like seven pm. I

1:34:06.600 --> 1:34:08.439
<v Speaker 2>think I got out of the studio at like one

1:34:08.479 --> 1:34:12.560
<v Speaker 2>o'clock in the afternoon the next day to get the

1:34:12.680 --> 1:34:15.960
<v Speaker 2>song done for my record because I had to be

1:34:16.200 --> 1:34:22.200
<v Speaker 2>at a meeting with someone that I worked with, executive

1:34:23.160 --> 1:34:24.520
<v Speaker 2>at another studio.

1:34:25.880 --> 1:34:27.120
<v Speaker 1>To discuss.

1:34:28.360 --> 1:34:36.160
<v Speaker 2>To discuss the an anxiety ridden producer who was upset

1:34:36.240 --> 1:34:41.120
<v Speaker 2>that their song had been changed. So I thought I

1:34:41.240 --> 1:34:44.559
<v Speaker 2>was going to be able to go home, take a shower, sleep,

1:34:45.160 --> 1:34:48.120
<v Speaker 2>and all of these things. But I was being summoned

1:34:48.520 --> 1:34:50.519
<v Speaker 2>to be at this other meeting, which was like at

1:34:50.520 --> 1:34:56.760
<v Speaker 2>two o'clock in the afternoon. So I'm not cute I

1:34:56.840 --> 1:35:02.120
<v Speaker 2>don't ever smell, but you know, I did put a

1:35:02.120 --> 1:35:10.120
<v Speaker 2>sweatshirt on trudging over to said studio, and I was

1:35:10.280 --> 1:35:12.439
<v Speaker 2>really asked to be there because I didn't know this

1:35:12.600 --> 1:35:16.880
<v Speaker 2>at the time, because the producer was pissed. I didn't know.

1:35:17.160 --> 1:35:19.880
<v Speaker 2>I just thought it was a meeting between Producer A

1:35:20.800 --> 1:35:27.240
<v Speaker 2>and big producer Executive B. It was not, and Producer

1:35:27.360 --> 1:35:31.960
<v Speaker 2>Executive B knew that it wasn't going to be uncomfortable,

1:35:33.200 --> 1:35:37.479
<v Speaker 2>and so I got invited over there with no sleep,

1:35:38.320 --> 1:35:44.360
<v Speaker 2>with no shower, already frustrated from the night before, only

1:35:44.439 --> 1:35:47.320
<v Speaker 2>to have to sit and listen to Producer A scream

1:35:47.560 --> 1:35:52.240
<v Speaker 2>and curse out Producer B for changing a song on

1:35:52.800 --> 1:35:56.639
<v Speaker 2>what was one of the biggest songs of that time period.

1:35:58.080 --> 1:36:01.320
<v Speaker 2>They didn't change it back. Song was a big hit,

1:36:02.840 --> 1:36:04.920
<v Speaker 2>but I sat there and listened to screaming, and then

1:36:04.960 --> 1:36:08.400
<v Speaker 2>I ended up being like the person in the room

1:36:08.920 --> 1:36:11.960
<v Speaker 2>that was like, oh, you're you're my person, Like you're

1:36:12.040 --> 1:36:14.160
<v Speaker 2>my person. So I look like the bad guy sitting

1:36:14.200 --> 1:36:17.000
<v Speaker 2>in the room while Producer BE is screaming at Producer

1:36:17.080 --> 1:36:20.639
<v Speaker 2>A about how the song got changed and was forever

1:36:20.800 --> 1:36:25.320
<v Speaker 2>changed even though it was a hit. M So y'all

1:36:25.320 --> 1:36:27.960
<v Speaker 2>can figure that out and put that together. It's not

1:36:28.200 --> 1:36:31.640
<v Speaker 2>maybe as juicy, and thus for us we know that

1:36:34.920 --> 1:36:41.679
<v Speaker 2>in it was not comfortable because we had no power

1:36:41.760 --> 1:36:47.360
<v Speaker 2>in the situation. And also like that was what used

1:36:47.400 --> 1:36:51.320
<v Speaker 2>to happen all the time. So you're just like and

1:36:51.640 --> 1:36:53.920
<v Speaker 2>I'm not the like and so now you're like, you're

1:36:53.960 --> 1:36:57.280
<v Speaker 2>the label, you know. So that was bad too. But yeah,

1:36:58.600 --> 1:37:01.400
<v Speaker 2>that's my little story. Hope it lived up.

1:37:02.479 --> 1:37:03.719
<v Speaker 3>Those uncomfortable moments.

1:37:04.640 --> 1:37:06.360
<v Speaker 1>Those are real situations.

1:37:06.520 --> 1:37:09.000
<v Speaker 2>It was bad and I was not prepared. I was tired,

1:37:09.240 --> 1:37:11.519
<v Speaker 2>and it just was not I couldn't even say anything.

1:37:11.680 --> 1:37:14.360
<v Speaker 2>It was just like, what do you got to say?

1:37:14.520 --> 1:37:17.679
<v Speaker 3>I was like, I didn't even know this was gonna

1:37:17.760 --> 1:37:21.360
<v Speaker 3>happen because I think ship jamming, Yeah.

1:37:22.120 --> 1:37:24.120
<v Speaker 2>Could you imagine that that would be.

1:37:25.720 --> 1:37:27.200
<v Speaker 1>Exactly what he said, jamming me.

1:37:29.120 --> 1:37:29.280
<v Speaker 2>Eric.

1:37:29.760 --> 1:37:30.840
<v Speaker 1>We appreciate you.

1:37:32.560 --> 1:37:34.400
<v Speaker 3>You know you have a family.

1:37:35.000 --> 1:37:36.960
<v Speaker 2>Thank you guys. This is fun.

1:37:37.640 --> 1:37:39.960
<v Speaker 3>We we we all we all take each other back

1:37:40.000 --> 1:37:44.720
<v Speaker 3>to humble beginning just when this ship was different, the.

1:37:44.760 --> 1:37:46.759
<v Speaker 2>New guy from Virginia that was gonna get.

1:37:46.760 --> 1:37:52.320
<v Speaker 3>Yeah from Maryland, from Maryland v the DV because I performed.

1:37:52.360 --> 1:37:55.439
<v Speaker 3>I've performed at every church in Virginia. So it works,

1:37:56.960 --> 1:38:00.280
<v Speaker 3>but you know it's it's it's been a great, great

1:38:00.360 --> 1:38:00.880
<v Speaker 3>journey for you.

1:38:01.040 --> 1:38:02.760
<v Speaker 2>Thank you, thank you for having me.

1:38:03.560 --> 1:38:06.080
<v Speaker 1>We're happy to have you, happy to have you to

1:38:06.160 --> 1:38:07.799
<v Speaker 1>give your story, your.

1:38:11.080 --> 1:38:15.600
<v Speaker 3>Your perspective and get an opportunity to speak on just

1:38:15.680 --> 1:38:17.800
<v Speaker 3>what you've been able to do in this ship. You

1:38:17.840 --> 1:38:19.439
<v Speaker 3>know what I mean, the work that you've been able

1:38:19.479 --> 1:38:23.000
<v Speaker 3>to put in like whether you like to do it

1:38:23.280 --> 1:38:28.200
<v Speaker 3>or not, it is important and it was needed.

1:38:28.600 --> 1:38:31.559
<v Speaker 2>Thank you very much, ladies and gentlemen.

1:38:31.640 --> 1:38:35.120
<v Speaker 3>My name is Take and this is the Army Money podcast,

1:38:35.160 --> 1:38:40.040
<v Speaker 3>the authority on all things R and B. And this

1:38:40.240 --> 1:38:44.920
<v Speaker 3>has been an episode with a family member who really

1:38:45.040 --> 1:38:46.400
<v Speaker 3>does all things.

1:38:48.479 --> 1:38:48.840
<v Speaker 2>Thank you.