WEBVTT - S4/E2 | Socialization

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<v Speaker 1>Thirteen Days of Halloween Pennance, a co production of iHeart

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<v Speaker 1>three D Audio Blumhouse Television and Grim and Mild from

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<v Speaker 1>Aaron Yankee. Headphones recommended Listener discretion advised.

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<v Speaker 2>What where am I back in Kansas? Dorothy?

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<v Speaker 3>Is it time for breakfast?

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<v Speaker 2>I'm not glad breakfast in an hour?

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<v Speaker 3>What do I do till then?

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<v Speaker 2>How should I know?

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<v Speaker 4>Oh?

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<v Speaker 2>My god, your names? You'll b too much?

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<v Speaker 3>Well, they left the door open. So many cells. I

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<v Speaker 3>didn't even think about the showers. I wonder where this goes?

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<v Speaker 4>And what do we have here?

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<v Speaker 5>Weight room, TV room, library? Well, this doesn't seem so confusing,

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<v Speaker 5>art room, Another room?

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<v Speaker 3>This one's locked.

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<v Speaker 6>Locked?

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<v Speaker 3>Weight room again?

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<v Speaker 5>Wait, how did I Where did I come in from?

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<v Speaker 3>You gotta be kidding me? Where's the good?

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<v Speaker 4>Damn?

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<v Speaker 6>Oh Jesus Christ, welcome. Sorry, I didn't mean to stalk

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<v Speaker 6>at you. Can I help you?

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<v Speaker 5>I am lost?

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<v Speaker 6>Where are you trying to go?

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<v Speaker 3>I don't know?

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<v Speaker 2>Then?

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<v Speaker 6>How could you be lost? You're the priest in so

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<v Speaker 6>far that labels are important to you. Here they call

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<v Speaker 6>me the chaplain.

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<v Speaker 3>Well that's what they call priests in prison.

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<v Speaker 6>Hospitals too, right, right right?

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<v Speaker 3>I almost forgot the party line. We never say the

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<v Speaker 3>P word around here. Just testing you. So you are

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<v Speaker 3>also insisting to me that this is not some kind

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<v Speaker 3>of fucked up jail.

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<v Speaker 6>I was playing yes and yes, and hospitals, schools, labor unions, militaries,

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<v Speaker 6>chaplains can be found in many places.

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<v Speaker 3>Well, what do you call this place?

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<v Speaker 2>The chapel?

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<v Speaker 3>So what do you want from me?

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<v Speaker 6>Exactly as I remember you came to me. Is there

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<v Speaker 6>something on your mind?

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<v Speaker 3>Why do I get the impression that you are just

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<v Speaker 3>another prison spy?

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<v Speaker 6>Maybe because everything that has happened to you recently has

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<v Speaker 6>been destabilizing, and you've been forced in so many one

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<v Speaker 6>sided conversations in air quotes where every question comes loaded

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<v Speaker 6>with ulterior motives that you've been left wondering who, if anyone,

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<v Speaker 6>you can trust.

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<v Speaker 2>That's just a guess.

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<v Speaker 3>It's a good guess. So wait, are you saying that

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<v Speaker 3>you're the one person in this whole god forsaken place

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<v Speaker 3>that isn't trying to work one over on me? That

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<v Speaker 3>you're not going to try to convert me and brainwash

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<v Speaker 3>me and interrogate me. And I just happen to stumble

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<v Speaker 3>through your door.

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<v Speaker 6>I leave it to you to make up your own

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<v Speaker 6>mind about that and whether you really think that God

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<v Speaker 6>has forsaken this place. But I will say there is

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<v Speaker 6>no obligation here. If you'd like the space to yourself,

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<v Speaker 6>I can go. But if you'd like to talk, I'm

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<v Speaker 6>here for that too.

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<v Speaker 3>I'm not supposed to be here. How do you know

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<v Speaker 3>I'm innocent?

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<v Speaker 2>Any of us truly?

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<v Speaker 5>In Oh?

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<v Speaker 3>Whatever? You know that's not what I meant. I'm saying

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<v Speaker 3>I did not commit any crime, and even if I had,

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<v Speaker 3>how would I know? Since not a single goddamn person

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<v Speaker 3>will tell me what I am accused of. I'm sorry.

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<v Speaker 3>I didn't mean to swear in the chapel.

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<v Speaker 6>You wouldn't be the first, but you being here it

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<v Speaker 6>means more than you think. You are not accused. You

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<v Speaker 6>have been convicted. Ah shit, I'm sorry to be the

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<v Speaker 6>one to make that clear.

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<v Speaker 3>No, No, it's just do you know what time it is?

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<v Speaker 6>My watch has a minute plus six.

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<v Speaker 3>I'm late for a thing, So.

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<v Speaker 6>We can do this anytime you like.

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<v Speaker 4>I'll be here right bye.

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<v Speaker 6>Peace be with you, and also with you.

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<v Speaker 3>Rip Si, you're can I have back cut?

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<v Speaker 7>Really?

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<v Speaker 2>She's new here. Listen, follow right behind me. Don't take anything.

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<v Speaker 2>I don't take and leave when I leave.

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<v Speaker 3>I appreciate it, but I think I can handle a

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<v Speaker 3>lunch line. Hey, listen, you ever see anyone outside their

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<v Speaker 3>rooms after lights out?

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<v Speaker 2>You mean besides the guards.

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<v Speaker 3>In the middle of the night, some blonde woman walked

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<v Speaker 3>right up to my cell. She was barefoot and singing,

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<v Speaker 3>singing out loud. I realized that sounds.

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<v Speaker 2>Crazy, doubtful to be the craziest thing I hear today.

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<v Speaker 3>It felt like a dream, but I'm sure it was real.

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<v Speaker 2>It's a difference. You want bread?

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<v Speaker 3>Is it?

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<v Speaker 6>Okay?

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<v Speaker 2>It's food? Caught you wine? I we'll see.

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<v Speaker 3>The hell was that?

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<v Speaker 2>They were calling you my fish?

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<v Speaker 3>What I am not your?

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<v Speaker 4>What is this fish? It's always fish, any particular kind.

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<v Speaker 4>Ain't got all day frip.

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<v Speaker 2>That's all we need. Let's scoop.

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<v Speaker 8>But what about the rest of the food?

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<v Speaker 2>That up there? We call that the special?

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<v Speaker 3>What's in it?

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<v Speaker 2>Nothing? You want? Hey, Hypna?

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<v Speaker 4>How much some much struck?

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<v Speaker 7>Are you?

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<v Speaker 4>Honey?

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<v Speaker 8>Always?

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<v Speaker 2>This here is shaky, Pete, Please to meet you?

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<v Speaker 9>Darn it?

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<v Speaker 2>That draft and our meditating friend here is CALLI.

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<v Speaker 8>And six CALLI, yes, please to meet you. Forgive me.

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<v Speaker 8>I have to keep my eyes closed while I count huh.

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<v Speaker 2>You'll see. And lastly, Galina, do.

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<v Speaker 4>Not call me that young frip. You know well exactly

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<v Speaker 4>who I am.

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<v Speaker 2>Fine, nemo, old timer's this, here's cy let's.

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<v Speaker 8>See it, you dear, you still smell it outside? What

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<v Speaker 8>time is it out there?

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<v Speaker 3>I mean six thirty?

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<v Speaker 4>Maybe?

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<v Speaker 3>Are her eyes always closed?

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<v Speaker 2>I've never seen them open.

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<v Speaker 8>It's how they get you, It's how they got pat.

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<v Speaker 8>I have a open my papers and no, no, you

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<v Speaker 8>know what I mean outside? What year is it out there?

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<v Speaker 2>Ignore her? Kelly's gone off her? Rugger?

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<v Speaker 3>What year do you think it is?

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<v Speaker 8>I said, don't noh, now where was I nine hundred

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<v Speaker 8>ninety nine million nine?

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<v Speaker 9>Can that want to help me get my spools here?

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<v Speaker 3>Let me six stick too? I imagine you can lose

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<v Speaker 3>track of time in a place like this.

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<v Speaker 9>Yeah, yeah, yeah, it's no use. Once you get in.

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<v Speaker 9>It doesn't matter at that time. Hey, well, he don't

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<v Speaker 9>get ended of a companion, It gets into us.

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<v Speaker 3>So this is the old Timers club, older than you know, mortal.

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<v Speaker 4>We four may be the only people here with a

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<v Speaker 4>full awareness of reality. I see for steered you astray

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<v Speaker 4>from the special capital effort, My lad.

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<v Speaker 3>Well known, what are you twenty years old.

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<v Speaker 4>It's an interesting question, my fish, and I'm afraid the

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<v Speaker 4>answers are not as simple as we would all hope

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<v Speaker 4>them to be. See our friend Peter there, Peter, Peter,

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<v Speaker 4>how old are you?

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<v Speaker 9>Well, that's easy. When I at my where I was nineteen,

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<v Speaker 9>I was nineteen when I got here at twenty five,

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<v Speaker 9>I think I'm the newest one who I was.

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<v Speaker 8>By my count, Peter is somewhere between ninety five and

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<v Speaker 8>thirty two years old. You see, I'm always counting.

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<v Speaker 2>Heah, we know, head mathematician of the Oldheimers.

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<v Speaker 3>So wait, what is this old timers club? Exactly like

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<v Speaker 3>you've been here? The longest.

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<v Speaker 8>Common misconception. No, I'm afraid, and I don't mean afraid.

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<v Speaker 8>You understand there are many older than us, which is

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<v Speaker 8>the ones who remember the old time. You'll see time

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<v Speaker 8>is different here. It doesn't change. Of course, when you're

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<v Speaker 8>in the thick of it, it feels like nothing really changes,

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<v Speaker 8>doesn't it. When I was young, in the before, I

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<v Speaker 8>was a book one, a homely little thing with a

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<v Speaker 8>job in the university basement. While the other girls made

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<v Speaker 8>up their faces and to green dances, I coorded kafka

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<v Speaker 8>and servants, and tones so old they had no authors

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<v Speaker 8>at all. Just once, deep into the evening, I found

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<v Speaker 8>one book that lacked a title, altogether, bound in leather,

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<v Speaker 8>stained with time, with page corners sharp as teeth. Took

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<v Speaker 8>care to avoid touching those edges at first. As I

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<v Speaker 8>delved into its pages, time slipped. You could say, I

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<v Speaker 8>realized what I was reading was no exercise in settire,

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<v Speaker 8>nor some obscure work of fraudulent religion, nor some indulgent

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<v Speaker 8>flight of fancy. It was a set of instructions, a manual,

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<v Speaker 8>you could call it. It was, so far as I

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<v Speaker 8>could tell, a sort of a guide to reality, the

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<v Speaker 8>collection of desires, a directory to the powers capable of

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<v Speaker 8>manifesting those desires.

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<v Speaker 4>I'd say.

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<v Speaker 8>There are more than nine billion names of God, each

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<v Speaker 8>with powers all their own. To know these names entire

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<v Speaker 8>would be to court meanness. Instead, the curious student of

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<v Speaker 8>the arts needs only meditate on the actions, the mechanisms

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<v Speaker 8>of these sacred sounds all they can achieve. Soon I

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<v Speaker 8>wasn't reading the book so much as hearing it. It

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<v Speaker 8>spoke to me, guided my hand, it is me what

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<v Speaker 8>I wanted. Normally, I could give a thousand different answers

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<v Speaker 8>to that Questian. But this his voice, it already knew,

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<v Speaker 8>it saw into me.

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<v Speaker 4>I could not lie.

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<v Speaker 8>I hated those girls, the ones with all the suitors,

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<v Speaker 8>the ones in the headlines the book. Knew why I

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<v Speaker 8>want to be one of them. I want to be

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<v Speaker 8>a star. When the book closed, it took my blood.

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<v Speaker 8>Drink it up like water soaking into a dessert. I

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<v Speaker 8>heard it. I know it wasn't a language eye or

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<v Speaker 8>any person living could speak, but somehow I understood it.

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<v Speaker 8>You will have you to say, come to us when

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<v Speaker 8>the time arrives. Only ass that you close your eyes

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<v Speaker 8>and glish. I work the next day, saw the reach

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<v Speaker 8>of scars on the tips of my fingers, deep as

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<v Speaker 8>a dog bite, and I chose to believe. I quit

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<v Speaker 8>my job at the university and found the first repertory

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<v Speaker 8>that would take me. I was going to be the

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<v Speaker 8>talk of the vaudeville stages from Kansas City all the

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<v Speaker 8>way to New York. I was going to be a star.

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<v Speaker 4>I knew it.

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<v Speaker 7>Thank you, Thank you, ladies and gentlemen. Now we'll have

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<v Speaker 7>a brief intermission so the ladies can take a powder

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<v Speaker 7>stick around and avail yourself with the best spirits in

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<v Speaker 7>camp jack City.

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<v Speaker 8>Well, boss, what's it look like out there?

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<v Speaker 6>Just horrid?

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<v Speaker 2>Edith?

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<v Speaker 7>You're singing flat this attire?

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<v Speaker 2>Janus?

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<v Speaker 7>Then makeup? Are you additioning to be a clown? Now?

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<v Speaker 8>What about me?

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<v Speaker 2>You calliope?

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<v Speaker 7>I've seen cripples with better choreography. Listen you don't. It's one, two,

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<v Speaker 7>one two left leg, right leg repeat? Pearl wants lift

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<v Speaker 7>skirt repeat?

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<v Speaker 2>Can you count?

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<v Speaker 4>I can?

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<v Speaker 8>I'm sorry, sir, of course I can't.

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<v Speaker 7>Can you How high can you count?

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<v Speaker 2>Can you count?

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<v Speaker 9>Two?

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<v Speaker 7>It's the number after one? Just close your eyes, close

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<v Speaker 7>some damn it. Get in that corner. Count to a

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<v Speaker 7>billion for all I care.

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<v Speaker 2>You're fired?

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<v Speaker 4>What could I do?

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<v Speaker 8>I walked to the corner like a scolded child. I

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<v Speaker 8>close my eyes, I counted. I felt so foolish, humiliated.

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<v Speaker 8>Magic of all things?

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<v Speaker 4>Five?

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<v Speaker 8>How long to be far away? For all of this

0:13:59.320 --> 0:13:59.920
<v Speaker 8>to disappear?

0:14:00.520 --> 0:14:00.880
<v Speaker 9>Seventh?

0:14:00.960 --> 0:14:07.880
<v Speaker 8>And in my mind the book answered, no, you have returned.

0:14:10.080 --> 0:14:14.559
<v Speaker 8>You granted? They willy.

0:14:30.920 --> 0:14:33.160
<v Speaker 3>That's the whole place burned down.

0:14:34.760 --> 0:14:38.680
<v Speaker 8>Two hundred and seventy nine people gone, just like that.

0:14:39.520 --> 0:14:42.600
<v Speaker 8>How do you say it's all a misunderstanding. I didn't

0:14:42.680 --> 0:14:48.080
<v Speaker 8>want everyone to die that wasn't my desire. I wanted

0:14:48.120 --> 0:14:53.240
<v Speaker 8>to be famous. I am going to be famous. Hey

0:14:53.280 --> 0:14:57.000
<v Speaker 8>will come for me and set me free, and I'll

0:14:57.040 --> 0:14:57.440
<v Speaker 8>be a star.

0:14:58.800 --> 0:14:59.560
<v Speaker 9>Who is he?

0:15:00.720 --> 0:15:00.880
<v Speaker 10>Why?

0:15:01.560 --> 0:15:04.040
<v Speaker 4>Satan? Of course? Who else?

0:15:04.920 --> 0:15:05.080
<v Speaker 9>Um?

0:15:05.840 --> 0:15:07.320
<v Speaker 2>Don't ask me, you'll say.

0:15:07.920 --> 0:15:11.280
<v Speaker 8>I'll talk to him again and he'll set everything straight.

0:15:12.320 --> 0:15:14.240
<v Speaker 8>All I have to do is keep my eyes closed

0:15:14.480 --> 0:15:17.720
<v Speaker 8>and I stay in the wish the open eyes. Now

0:15:18.560 --> 0:15:23.520
<v Speaker 8>whatever I see will be reality. This is only a moment. You,

0:15:24.360 --> 0:15:27.600
<v Speaker 8>all of you are nothing but figments of my imagination.

0:15:29.160 --> 0:15:32.600
<v Speaker 8>I will remember practice each step of the dance in

0:15:32.760 --> 0:15:36.240
<v Speaker 8>my head. Maybe if you're nice, I'll thank you on

0:15:36.360 --> 0:15:38.200
<v Speaker 8>stage when he returns and frees me.

0:15:39.280 --> 0:15:41.280
<v Speaker 2>Why did I tell you crazy?

0:15:41.600 --> 0:15:44.760
<v Speaker 8>This is just a temporary sit back, mind you. Once

0:15:44.840 --> 0:15:48.200
<v Speaker 8>I get the word, I'll open my eyes and I'll

0:15:48.240 --> 0:15:52.840
<v Speaker 8>be on Broadway. It's crucial that I don't forget that.

0:15:54.280 --> 0:15:56.520
<v Speaker 8>And that's why I don'pe bar taking.

0:15:56.280 --> 0:15:59.200
<v Speaker 3>The special the special again? Okay, what are you saying?

0:15:59.200 --> 0:16:00.840
<v Speaker 3>It's some kind of mnesia potion.

0:16:01.560 --> 0:16:07.720
<v Speaker 9>Oh, I don't think we should talk about it. It's

0:16:07.800 --> 0:16:12.600
<v Speaker 9>a secret. You can get into trouble for telling secrets.

0:16:13.720 --> 0:16:17.720
<v Speaker 9>That's how I got here. If I forget how it happened.

0:16:18.800 --> 0:16:32.800
<v Speaker 9>I'll be like all the rest, you won't believe it.

0:16:32.880 --> 0:16:39.320
<v Speaker 9>But once upon a time I was a steady man, voice, hands,

0:16:40.160 --> 0:16:43.880
<v Speaker 9>heart and all I sang the old song, and the

0:16:44.040 --> 0:16:48.920
<v Speaker 9>earth sang back five degrees north, six degrees.

0:16:52.000 --> 0:16:52.920
<v Speaker 6>I was what you call a.

0:16:52.960 --> 0:16:58.360
<v Speaker 9>Doodle bug, the dowser, the volume man. It's an ancient vocation.

0:16:59.440 --> 0:17:03.640
<v Speaker 9>Few members my family had it every generation. The others

0:17:03.960 --> 0:17:04.800
<v Speaker 9>went mad.

0:17:06.040 --> 0:17:07.520
<v Speaker 4>Do you hear it? Hear it?

0:17:07.600 --> 0:17:07.639
<v Speaker 10>You?

0:17:08.520 --> 0:17:10.160
<v Speaker 4>It's coming from the ground.

0:17:11.560 --> 0:17:14.960
<v Speaker 9>And I remember how it felt, you know, even out

0:17:15.000 --> 0:17:18.000
<v Speaker 9>in the dust bowld days, I could walk along the

0:17:18.160 --> 0:17:22.760
<v Speaker 9>thirsting calichi of the desert and feel the vibrations you

0:17:22.920 --> 0:17:27.159
<v Speaker 9>call them, the movements of precious things under the horrid

0:17:27.240 --> 0:17:31.399
<v Speaker 9>skin of dessert, like blood flowing through a vein, or

0:17:32.040 --> 0:17:38.320
<v Speaker 9>enormous heart beating waiting to raise its hand and greet

0:17:38.440 --> 0:17:39.040
<v Speaker 9>me in the night.

0:17:40.320 --> 0:17:40.600
<v Speaker 7>Ah.

0:17:41.920 --> 0:17:44.119
<v Speaker 9>A lot of folks didn't believe in the art. They

0:17:44.200 --> 0:17:49.160
<v Speaker 9>called me a flim flammer, snake, oil sailsman, a carn artist.

0:17:50.640 --> 0:17:58.240
<v Speaker 9>Till they could desperate, hungry, hopeless. You could walk into

0:17:58.320 --> 0:18:02.359
<v Speaker 9>a town in fields loost of it. You could see

0:18:02.520 --> 0:18:07.040
<v Speaker 9>the grief they wanted to weep, but there was no water.

0:18:07.200 --> 0:18:07.600
<v Speaker 2>To spare.

0:18:08.000 --> 0:18:09.000
<v Speaker 8>We can't go on like this.

0:18:09.520 --> 0:18:11.680
<v Speaker 2>There's no crop, there's no far.

0:18:11.880 --> 0:18:14.760
<v Speaker 8>We'll have to move like everyone else where, there's nowhere

0:18:14.840 --> 0:18:15.000
<v Speaker 8>to go.

0:18:19.720 --> 0:18:25.200
<v Speaker 7>Oh, pleas, sir, bless your hallelujah. You well praise me.

0:18:25.800 --> 0:18:27.919
<v Speaker 7>You are our salvation.

0:18:28.760 --> 0:18:32.000
<v Speaker 9>There was a murderous drought all around the land back then.

0:18:32.080 --> 0:18:35.960
<v Speaker 9>I must have traveled clear across the Great Southwest, finding

0:18:36.040 --> 0:18:39.480
<v Speaker 9>what little water remained. Did I charge for all this?

0:18:39.920 --> 0:18:40.200
<v Speaker 2>Sure?

0:18:41.560 --> 0:18:46.520
<v Speaker 9>It was my livelihood, But I was honest. And you

0:18:46.600 --> 0:18:50.600
<v Speaker 9>can't find what's not there. I'm sorry, there's nothing here.

0:18:51.960 --> 0:18:54.080
<v Speaker 9>Even the folks who believe in the ark, well, my,

0:18:54.200 --> 0:18:57.679
<v Speaker 9>most of them don't understand the truth of it. First

0:18:58.680 --> 0:19:01.280
<v Speaker 9>thousand ain't just for while. If I get the right

0:19:01.400 --> 0:19:07.720
<v Speaker 9>things together, I can divine for don anything lost, treasure, lost, people.

0:19:08.000 --> 0:19:11.080
<v Speaker 9>I can find what's forgotten.

0:19:12.359 --> 0:19:13.200
<v Speaker 4>We thought we'd lost.

0:19:13.280 --> 0:19:13.320
<v Speaker 10>You.

0:19:15.560 --> 0:19:20.720
<v Speaker 9>Second, a power like this, it's it's not about taking it.

0:19:20.960 --> 0:19:25.680
<v Speaker 9>It's a trade, a covenant. For everything I douse, the

0:19:25.840 --> 0:19:30.560
<v Speaker 9>land demands something in return, a balance, like watching a

0:19:30.680 --> 0:19:35.200
<v Speaker 9>pendulum swing. I'd save a dying ranch with a new well.

0:19:35.560 --> 0:19:37.960
<v Speaker 6>We later cattle would disappear.

0:19:38.280 --> 0:19:42.080
<v Speaker 9>I'd find a child lost in the cliffs and cholera

0:19:42.240 --> 0:19:45.520
<v Speaker 9>would sweep the town. Every miracle has a price, and

0:19:45.760 --> 0:19:47.720
<v Speaker 9>some are more expensive than others.

0:19:48.640 --> 0:19:50.000
<v Speaker 4>Old man Gray foul.

0:19:51.359 --> 0:19:53.840
<v Speaker 9>So I'd learned to keep moving, never born, a few

0:19:53.960 --> 0:20:02.320
<v Speaker 9>days in one place, getting on still I delivered. People

0:20:02.400 --> 0:20:06.160
<v Speaker 9>knew I was the real McCoy, an actual water man.

0:20:07.480 --> 0:20:12.879
<v Speaker 9>Wood spread far and wide somewhere out in Arizona.

0:20:13.119 --> 0:20:14.879
<v Speaker 2>I got the letter, but.

0:20:15.960 --> 0:20:16.840
<v Speaker 3>It's all I have.

0:20:17.160 --> 0:20:23.280
<v Speaker 2>I'm sorry, man, I am This year is for you.

0:20:27.760 --> 0:20:30.680
<v Speaker 9>I don't know how they found me. I should have

0:20:30.720 --> 0:20:33.879
<v Speaker 9>known right then something was wrong, but I was on

0:20:34.000 --> 0:20:37.040
<v Speaker 9>the run. I just doodled bug the van of gold

0:20:37.119 --> 0:20:40.240
<v Speaker 9>for a nearby prospector, and I knew there'd be hell

0:20:40.320 --> 0:20:43.520
<v Speaker 9>to pay. Asking Earth for that much gold, it sets

0:20:43.560 --> 0:20:47.760
<v Speaker 9>a high price. It would be a fire or a plague.

0:20:48.840 --> 0:20:51.680
<v Speaker 9>I could feel the vibrations of an echoing from the

0:20:51.800 --> 0:20:56.800
<v Speaker 9>future back to the present, calling the account's due. I

0:20:56.960 --> 0:20:59.240
<v Speaker 9>needed to be long gone before it hit, and this

0:20:59.440 --> 0:21:03.080
<v Speaker 9>letter coming at the exact moment I needed in most

0:21:03.160 --> 0:21:07.800
<v Speaker 9>a new job far away by the coast. Train fair

0:21:07.920 --> 0:21:14.280
<v Speaker 9>included first class. What could I do? I left.

0:21:16.080 --> 0:21:16.240
<v Speaker 4>Now?

0:21:17.040 --> 0:21:23.240
<v Speaker 9>I dousd from anything in my time, People, treasure water,

0:21:23.359 --> 0:21:26.200
<v Speaker 9>most of all, it's the safest trade to make. But

0:21:26.320 --> 0:21:30.480
<v Speaker 9>when I got here, they set me on something different.

0:21:33.359 --> 0:21:34.840
<v Speaker 9>I'm not sure I understand.

0:21:35.680 --> 0:21:39.480
<v Speaker 4>Find the bottom, that's all we're cleared to tell you.

0:21:40.280 --> 0:21:41.520
<v Speaker 9>Well, what am I looking for?

0:21:42.040 --> 0:21:44.240
<v Speaker 7>Management says, you'll know it when you find it.

0:21:45.359 --> 0:21:47.000
<v Speaker 2>You want to get paid, right, And.

0:21:47.119 --> 0:21:47.520
<v Speaker 3>That was it.

0:21:48.920 --> 0:21:52.240
<v Speaker 9>I took out my rod, I sang my songs. I

0:21:52.359 --> 0:21:57.040
<v Speaker 9>stretched my mind beneath up close. It's like putting your

0:21:57.080 --> 0:22:03.440
<v Speaker 9>hand in water. Only this wasn't a this whatever this is,

0:22:04.880 --> 0:22:09.040
<v Speaker 9>it was an ocean. It reached up from the abyss

0:22:09.160 --> 0:22:13.080
<v Speaker 9>of vibration, grabbed hold and put itself inside me.

0:22:13.480 --> 0:22:15.920
<v Speaker 7>He's got it. He's got it, your fools, he's having

0:22:16.000 --> 0:22:16.439
<v Speaker 7>a seizure.

0:22:16.520 --> 0:22:17.040
<v Speaker 10>It's gone it.

0:22:17.400 --> 0:22:24.440
<v Speaker 9>Lock it down, it locker, It's still here. It's in me.

0:22:24.640 --> 0:22:27.400
<v Speaker 6>Easy, pete, easy, now it's awake.

0:22:27.600 --> 0:22:33.200
<v Speaker 9>Now, a long way beneath, but awake. I can feel it.

0:22:33.560 --> 0:22:39.040
<v Speaker 8>It's coming for us, your friends, we gotta get out.

0:22:40.080 --> 0:22:40.680
<v Speaker 8>Set Peter.

0:22:41.680 --> 0:22:44.600
<v Speaker 4>Don't let him worry you, young lady. He tells us

0:22:44.640 --> 0:22:48.159
<v Speaker 4>a similar yarn at least once a fortnight. I imagine

0:22:48.200 --> 0:22:51.760
<v Speaker 4>it to be some lunatic association with the cycles of

0:22:51.920 --> 0:22:52.320
<v Speaker 4>the moon.

0:22:53.160 --> 0:22:55.280
<v Speaker 3>You know, you seem to be the least crazy person

0:22:55.359 --> 0:22:57.000
<v Speaker 3>I've met here, No offense, frip.

0:22:58.040 --> 0:23:02.560
<v Speaker 4>Just wait, you are both astute and correct, Miss just Cy,

0:23:02.720 --> 0:23:07.639
<v Speaker 4>will do h Clever names do have power, do they not?

0:23:08.840 --> 0:23:09.800
<v Speaker 4>Clever sigh?

0:23:10.200 --> 0:23:10.879
<v Speaker 8>We could call you.

0:23:11.200 --> 0:23:13.320
<v Speaker 3>I won't be here long enough to have a nickname,

0:23:13.680 --> 0:23:18.280
<v Speaker 3>so just sigh. We'll do well, then, just sygh.

0:23:19.200 --> 0:23:21.760
<v Speaker 4>Allow me to give you a truth of this place.

0:23:22.800 --> 0:23:26.800
<v Speaker 4>I have traveled these halls longer than most. Our budding

0:23:26.920 --> 0:23:30.760
<v Speaker 4>starlet Calliope is correct. One such as you would be

0:23:30.840 --> 0:23:35.040
<v Speaker 4>best advised to stay off menu in another life. This

0:23:35.240 --> 0:23:38.159
<v Speaker 4>small golgatha of bones and guts was any number of

0:23:38.240 --> 0:23:41.320
<v Speaker 4>fish swimming free without a care in the world, just

0:23:41.520 --> 0:23:46.160
<v Speaker 4>like you. Hey, watch it gross. Did you know most

0:23:46.320 --> 0:23:50.920
<v Speaker 4>mortals believe fish have no memory. It assuages them. I

0:23:51.040 --> 0:23:54.600
<v Speaker 4>think to believe memory does not exist. But I assure

0:23:54.640 --> 0:24:01.200
<v Speaker 4>you all things have memory, fish, people, places as well,

0:24:02.040 --> 0:24:06.200
<v Speaker 4>and the pen struggles with that issue even tonight.

0:24:07.240 --> 0:24:11.040
<v Speaker 3>Tonight, it's morning, this is breakfast. M hm.

0:24:11.600 --> 0:24:14.680
<v Speaker 4>When was the last time you saw the sunlight the moonlight?

0:24:15.560 --> 0:24:20.120
<v Speaker 4>Simple sigh? I again assure you it is later than

0:24:20.240 --> 0:24:25.639
<v Speaker 4>you think. Eat, drink, be merry. Sometime soon you may

0:24:25.760 --> 0:24:28.159
<v Speaker 4>wish to take the waters of leafy on your own accord.

0:24:28.359 --> 0:24:30.320
<v Speaker 2>She's not taking the special Galina.

0:24:30.400 --> 0:24:32.320
<v Speaker 3>Wait are we still talking about this later?

0:24:32.920 --> 0:24:36.320
<v Speaker 2>Galina? Leave her out of your games. We're not having

0:24:36.400 --> 0:24:37.600
<v Speaker 2>another caval kaval.

0:24:37.640 --> 0:24:39.880
<v Speaker 4>Should you choose to speak with me directly, young FRep,

0:24:39.920 --> 0:24:43.360
<v Speaker 4>you will say my name you more than most remember.

0:24:43.560 --> 0:24:45.280
<v Speaker 3>Is someone gonna tell me what the fuck is going

0:24:45.359 --> 0:24:45.639
<v Speaker 3>on here?

0:24:45.800 --> 0:24:48.240
<v Speaker 2>Demo? Don't do it? Please?

0:24:48.800 --> 0:24:51.720
<v Speaker 4>I am more than this fragile shell you see before.

0:24:51.800 --> 0:24:56.480
<v Speaker 4>You like yourself, like anyone, I find myself caught between

0:24:56.560 --> 0:25:01.919
<v Speaker 4>one place and the next. I the daughter of Titans,

0:25:02.640 --> 0:25:07.600
<v Speaker 4>the goddess of memory Nemosny your people called me. I

0:25:07.800 --> 0:25:10.920
<v Speaker 4>have witnessed all that has passed, or passing or yet

0:25:11.000 --> 0:25:15.639
<v Speaker 4>to come. Imbrood by Zeus. I beget the nine amuses,

0:25:16.119 --> 0:25:18.320
<v Speaker 4>one for each phase of what you call the moon,

0:25:18.880 --> 0:25:21.840
<v Speaker 4>and one more a secret I tell no man, for

0:25:21.960 --> 0:25:25.560
<v Speaker 4>a secret kept by one is the most powerful of arts.

0:25:28.520 --> 0:25:35.200
<v Speaker 2>What she's the well god of memory, she thinks, and

0:25:35.280 --> 0:25:37.359
<v Speaker 2>now the most unsuccessful escape artists in.

0:25:37.359 --> 0:25:43.240
<v Speaker 4>The pen, True Shane, I am young Si, trapped in

0:25:43.400 --> 0:25:48.119
<v Speaker 4>this mortal vessel, in perversion of my being, all to

0:25:48.240 --> 0:25:51.920
<v Speaker 4>protect this place you call the pen. I am in

0:25:51.960 --> 0:25:55.600
<v Speaker 4>a prison within a prison. And while this vessel constrains

0:25:55.720 --> 0:25:58.960
<v Speaker 4>my powers, it does not prevent me from my thoughts.

0:26:02.720 --> 0:26:06.040
<v Speaker 4>I was a journalist, a real one, working in the field,

0:26:06.200 --> 0:26:09.920
<v Speaker 4>writing about conflict at the time. My editor wanted me

0:26:10.000 --> 0:26:13.840
<v Speaker 4>covering Vietnam, but I was more interested in Cyprus.

0:26:14.359 --> 0:26:16.240
<v Speaker 7>For any who are now just joining the program, we

0:26:16.280 --> 0:26:18.560
<v Speaker 7>can confirm the nations of Turkey and Greece are at

0:26:18.680 --> 0:26:21.480
<v Speaker 7>war on the shores of Cypress. Turkis forces invaded early

0:26:21.600 --> 0:26:24.200
<v Speaker 7>this morning following a long dispute over the nationality of

0:26:24.240 --> 0:26:26.560
<v Speaker 7>the island. A word before we continue. Some of the

0:26:26.600 --> 0:26:28.480
<v Speaker 7>footage you're about to see is disturbing.

0:26:29.200 --> 0:26:31.879
<v Speaker 4>The West chose Greece in the invasion. This wasn't a

0:26:31.960 --> 0:26:35.720
<v Speaker 4>loud declaration, but it was certain they'd already run the numbers,

0:26:35.840 --> 0:26:39.160
<v Speaker 4>called the banking cartels, and chosen their investment. The Cold

0:26:39.200 --> 0:26:42.840
<v Speaker 4>War loomed, and every war was a war of economics,

0:26:43.680 --> 0:26:47.920
<v Speaker 4>real politic, they called it. Landing on the shores of Pentomile,

0:26:48.119 --> 0:26:52.440
<v Speaker 4>the chaos was evident, the horror palpable, and a press

0:26:52.480 --> 0:26:56.040
<v Speaker 4>pass doesn't save you from a mortar shell. Minutes into

0:26:56.119 --> 0:26:59.760
<v Speaker 4>our excursion, I watched my photographer take a bullet to

0:26:59.840 --> 0:27:03.640
<v Speaker 4>the got another to the face so fast I realized

0:27:03.680 --> 0:27:08.159
<v Speaker 4>he didn't have time to scream. So I ran for

0:27:08.320 --> 0:27:12.920
<v Speaker 4>how long I could not say. Looking back, I wonder

0:27:13.000 --> 0:27:20.639
<v Speaker 4>if something guided me through the forest. I didn't recognize

0:27:20.680 --> 0:27:25.800
<v Speaker 4>the ruins at first. They were overgrown, ringed by an

0:27:25.920 --> 0:27:30.879
<v Speaker 4>old chain link fence. Signs read keep out, some in Greek,

0:27:31.200 --> 0:27:34.680
<v Speaker 4>others in Turkish. I could still hear the artillery in

0:27:34.720 --> 0:27:41.200
<v Speaker 4>the distance, so I jumped the fence. I entered the ruins. Ah,

0:27:41.560 --> 0:27:44.240
<v Speaker 4>if I could only find a bolt hole, a little

0:27:44.320 --> 0:27:47.680
<v Speaker 4>place to stay unseen for a few hours, maybe I

0:27:47.760 --> 0:27:50.919
<v Speaker 4>could spend the night here, I told myself. Then get

0:27:50.960 --> 0:27:53.679
<v Speaker 4>out to nearby towns, find a telex, and tell the story.

0:27:55.760 --> 0:27:59.399
<v Speaker 4>Choked beneath the underbrush, I could see old stones carved

0:27:59.480 --> 0:28:03.280
<v Speaker 4>with a l which I didn't recognize. I entered a

0:28:03.480 --> 0:28:08.639
<v Speaker 4>rough hewn doorway, limped down cracked stone steps, and emerged

0:28:08.760 --> 0:28:13.600
<v Speaker 4>in a huge hall underground, where I came face to

0:28:13.760 --> 0:28:20.159
<v Speaker 4>face with a statue holy a female figure robed, hands

0:28:20.359 --> 0:28:26.440
<v Speaker 4>spread as if in invitation warning. I wasn't sure, but

0:28:26.640 --> 0:28:30.399
<v Speaker 4>I knew this was a temple and it had to

0:28:30.520 --> 0:28:36.240
<v Speaker 4>be ancient. The statue loomed over me. I found myself

0:28:36.440 --> 0:28:40.720
<v Speaker 4>lost in her fearsome visage. I didn't hear them coming

0:28:40.840 --> 0:28:44.120
<v Speaker 4>behind me. The bullet caught me in the hip, brought

0:28:44.160 --> 0:28:47.160
<v Speaker 4>me to my knees, bleeding out in the dirt. I

0:28:47.400 --> 0:28:50.760
<v Speaker 4>looked up at the statue, and for the first time

0:28:50.880 --> 0:29:02.640
<v Speaker 4>in my life, I prayed, Dear God, God's anyone, Please.

0:29:03.200 --> 0:29:06.120
<v Speaker 8>Please don't let it end like this. People need to

0:29:06.280 --> 0:29:07.920
<v Speaker 8>know to remember.

0:29:08.840 --> 0:29:13.520
<v Speaker 4>Oh, I'll do anything, Please just help.

0:29:14.880 --> 0:29:14.920
<v Speaker 9>Me.

0:29:15.920 --> 0:29:20.760
<v Speaker 8>And as I was on the verge of death, something answered.

0:29:21.720 --> 0:29:22.760
<v Speaker 10>It took me.

0:29:23.520 --> 0:29:25.880
<v Speaker 4>I felt as though my body was a car and

0:29:26.000 --> 0:29:28.880
<v Speaker 4>I had been pushed into the back seat. When I

0:29:29.000 --> 0:29:31.440
<v Speaker 4>tried to scream, my voice was no longer my own.

0:29:34.040 --> 0:29:38.160
<v Speaker 10>And so the Galina vessel found me. Pulled from depths

0:29:38.360 --> 0:29:43.520
<v Speaker 10>beyond this mortal world, summoned afler untold ages by a

0:29:43.680 --> 0:29:50.720
<v Speaker 10>new disciple, I rose with great wrath to seek my revenge.

0:29:51.360 --> 0:29:51.920
<v Speaker 8>We've got it.

0:29:52.440 --> 0:29:54.200
<v Speaker 3>Contact, repeat contact.

0:29:54.520 --> 0:29:57.360
<v Speaker 1>The entity has entered the subject, doesn't matter if.

0:29:57.280 --> 0:30:01.480
<v Speaker 8>The vessel bleeds out, Roll it over, block up that wound.

0:30:02.160 --> 0:30:05.000
<v Speaker 4>No, God, damn it, chest compressions.

0:30:05.120 --> 0:30:08.560
<v Speaker 8>Never mind that fifty secs of domestic before the move

0:30:08.680 --> 0:30:09.960
<v Speaker 8>and knock her out.

0:30:10.600 --> 0:30:15.400
<v Speaker 9>No, the idiot, don't shoot her quick the spell.

0:30:18.720 --> 0:30:21.680
<v Speaker 10>By the waters of Lethy, we bind thee.

0:30:22.360 --> 0:30:25.360
<v Speaker 4>By the halls of Hades, we bind thee.

0:30:26.120 --> 0:30:29.040
<v Speaker 2>By the real Zeus, we bind thee.

0:30:29.480 --> 0:30:29.800
<v Speaker 10>By the.

0:30:33.120 --> 0:30:34.080
<v Speaker 4>We bind thee.

0:30:38.280 --> 0:30:41.160
<v Speaker 3>So it was the pen they kidnapped you, too.

0:30:42.120 --> 0:30:45.400
<v Speaker 4>Much worse than that, dear sigh. Just as the gods

0:30:45.480 --> 0:30:48.719
<v Speaker 4>long ago imprisoned me in the temple, I am bound

0:30:49.040 --> 0:30:52.520
<v Speaker 4>now to this body. They took also from the sacred

0:30:52.600 --> 0:30:57.080
<v Speaker 4>waters of Lethy, the river of forgetfulness. That, just sigh,

0:30:57.840 --> 0:31:03.120
<v Speaker 4>is the special They control, the source, the well spring

0:31:03.200 --> 0:31:06.400
<v Speaker 4>at the bottom of my old prison. Each morning they

0:31:06.480 --> 0:31:10.160
<v Speaker 4>slip a small amount into our food, removing pieces of

0:31:10.240 --> 0:31:14.360
<v Speaker 4>our memories, one spoonful at a time, and it does

0:31:14.480 --> 0:31:18.560
<v Speaker 4>taste wonderful, I assure you, consuming your own memories. Just

0:31:18.640 --> 0:31:22.800
<v Speaker 4>look at the faces around this room, that vague, glassy,

0:31:23.360 --> 0:31:27.680
<v Speaker 4>lost expression in their eyes. They are docile, simple to control.

0:31:28.200 --> 0:31:34.640
<v Speaker 3>There's a last one closing down God me lollables, Look,

0:31:34.760 --> 0:31:37.719
<v Speaker 3>Lady Nemo, Gillina whatever. I'm not supposed to be here.

0:31:37.800 --> 0:31:38.520
<v Speaker 3>I need to get out.

0:31:39.000 --> 0:31:42.200
<v Speaker 4>I know, just sigh. I know you need to escape,

0:31:43.160 --> 0:31:47.280
<v Speaker 4>and I can help you. Take this vial. It contains

0:31:47.360 --> 0:31:52.000
<v Speaker 4>a portion of my power and can unlock almost any barrier,

0:31:52.280 --> 0:31:56.040
<v Speaker 4>be it a memory or a door. All I ask is,

0:31:56.280 --> 0:31:59.760
<v Speaker 4>should you reach beyond these walls? You pour half into

0:32:00.080 --> 0:32:06.000
<v Speaker 4>the sea. How when Kelly reaches a billion, Peter drops

0:32:06.040 --> 0:32:06.959
<v Speaker 4>his spoon and ceases.

0:32:07.360 --> 0:32:10.680
<v Speaker 11>The cards will be distracted. You will stand with your

0:32:10.760 --> 0:32:14.160
<v Speaker 11>train and walk toward the chow line. When you reach it,

0:32:14.600 --> 0:32:18.360
<v Speaker 11>you will run young side, just as Galina did. Jump

0:32:18.440 --> 0:32:20.240
<v Speaker 11>the line, go straight back into the left.

0:32:20.320 --> 0:32:20.960
<v Speaker 8>Three times.

0:32:21.360 --> 0:32:24.160
<v Speaker 4>You will see a white door. Throw part of this

0:32:24.280 --> 0:32:26.960
<v Speaker 4>water against it, then go through it.

0:32:27.640 --> 0:32:34.720
<v Speaker 8>Do you understand? Well, you're not me one billion?

0:32:37.600 --> 0:32:42.760
<v Speaker 9>It's hair, it's here, he's coy.

0:32:50.720 --> 0:32:57.560
<v Speaker 3>Oh fuck fuck o fuck left left left, Oh god,

0:32:57.720 --> 0:33:01.680
<v Speaker 3>it's real ship the Bible? Okay, here goes?

0:33:07.120 --> 0:33:24.360
<v Speaker 8>What on earth is this the ocean? It's okay, child,

0:33:24.440 --> 0:33:25.840
<v Speaker 8>Everyone tries it, at least once.

0:33:26.000 --> 0:33:28.080
<v Speaker 4>Just take a sip of dish.

0:33:28.320 --> 0:33:34.240
<v Speaker 8>Try to forget. Don't why don't fit In time, you

0:33:34.240 --> 0:33:35.680
<v Speaker 8>will forget all about it.

0:33:38.360 --> 0:33:38.560
<v Speaker 9>Wait?

0:33:38.680 --> 0:33:38.880
<v Speaker 7>Wait?

0:33:39.000 --> 0:33:39.960
<v Speaker 2>Why am I on the floor?

0:33:40.960 --> 0:33:42.400
<v Speaker 8>Good enough? Ready?

0:33:43.600 --> 0:33:45.640
<v Speaker 3>Get what's happening?

0:33:45.720 --> 0:33:46.840
<v Speaker 4>Where are you taking me?

0:33:48.040 --> 0:33:51.320
<v Speaker 2>What the dungeon?

0:34:00.120 --> 0:34:00.840
<v Speaker 8>Oh yea.

0:34:09.880 --> 0:34:14.200
<v Speaker 9>High high.

0:34:16.320 --> 0:34:22.600
<v Speaker 1>Thirteen Days of Halloween Pennance starring Natalie Morales, Episode two, Socialization,

0:34:23.000 --> 0:34:27.000
<v Speaker 1>written by Ben Bolan and Alexander Williams. Editing and sound

0:34:27.040 --> 0:34:30.920
<v Speaker 1>design by Josh Thain, featuring the voices of Morgan Brown,

0:34:31.200 --> 0:34:37.000
<v Speaker 1>Wilbur Fitzgerald, Rachel Rosenbloom, Joseph Whipp, Laura Shine, Miguel Perez,

0:34:37.280 --> 0:34:42.680
<v Speaker 1>Chris j Alex, Wayne Bastrup, Sonny Bowling, Lauren Vogelbaum, Ben Bohlan,

0:34:43.040 --> 0:34:48.720
<v Speaker 1>Blair Chandler, Alex Bowling, Jay Jones, and Raphael Corkill. Directed

0:34:48.840 --> 0:34:54.160
<v Speaker 1>by Alexander Williams. Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky,

0:34:54.400 --> 0:34:59.080
<v Speaker 1>Matt Frederick and Alexander Williams. Supervising producers Trevor Young and

0:34:59.280 --> 0:35:04.800
<v Speaker 1>Josh Thain. Producers Jesse funk Rima Ilkali, Noami Griffin, Chandler Mays,

0:35:04.920 --> 0:35:09.560
<v Speaker 1>and Casby Bias. Script editing by Lauren Vogelbaum, Story consultants

0:35:09.640 --> 0:35:13.520
<v Speaker 1>Ben Bolan and Matthew Riddle. Casting by Sunday Bowling CSA

0:35:13.719 --> 0:35:19.200
<v Speaker 1>and Meg Mormon CSA, Production coordinator Wayna Calderon, Production assistants

0:35:19.400 --> 0:35:23.560
<v Speaker 1>Jenna Johnson and Winona Lowe. Theme music by Rose Azerti

0:35:23.840 --> 0:35:27.439
<v Speaker 1>with vocals by Anna Hummler, recorded at This Is Sound

0:35:27.480 --> 0:35:32.760
<v Speaker 1>Design Studios in Burbank, California, engineered by Ross Aerono, special

0:35:32.880 --> 0:35:37.600
<v Speaker 1>thanks to Romelia Osorio, Nathan Rule, Glenn Nishida, and Rob Mosca.

0:35:38.160 --> 0:35:41.160
<v Speaker 1>Thirteen Days of Halloween was created by Matt Frederick and

0:35:41.320 --> 0:35:45.520
<v Speaker 1>Alexander Williams and is a production of iHeart Podcasts, Blumhouse

0:35:45.560 --> 0:35:49.080
<v Speaker 1>Television and Grimm and Mild from Aaron Makey. Learn more

0:35:49.120 --> 0:35:52.920
<v Speaker 1>about the show at Grimandmild dot com, slash thirteen Days

0:35:53.120 --> 0:35:56.960
<v Speaker 1>and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

0:35:57.080 --> 0:35:59.960
<v Speaker 1>Apple Podcasts, or wherever you listen to your favorite show.

0:36:00.880 --> 0:36:01.719
<v Speaker 1>Happy Halloween.