1
00:00:04,000 --> 00:00:08,280
Speaker 1: Thirteen Days of Halloween Pennance, a co production of iHeart

2
00:00:08,280 --> 00:00:11,879
Speaker 1: three D Audio Blumhouse Television and Grim and Mild from

3
00:00:11,920 --> 00:00:16,160
Speaker 1: Aaron Yankee. Headphones recommended Listener discretion advised.

4
00:00:40,200 --> 00:00:45,080
Speaker 2: What where am I back in Kansas? Dorothy?

5
00:00:47,000 --> 00:00:48,639
Speaker 3: Is it time for breakfast?

6
00:00:49,320 --> 00:00:52,200
Speaker 2: I'm not glad breakfast in an hour?

7
00:00:52,880 --> 00:00:53,920
Speaker 3: What do I do till then?

8
00:00:54,560 --> 00:00:55,320
Speaker 2: How should I know?

9
00:00:55,840 --> 00:00:55,960
Speaker 4: Oh?

10
00:00:55,960 --> 00:00:57,880
Speaker 2: My god, your names? You'll b too much?

11
00:01:00,320 --> 00:01:09,399
Speaker 3: Well, they left the door open. So many cells. I

12
00:01:09,440 --> 00:01:15,240
Speaker 3: didn't even think about the showers. I wonder where this goes?

13
00:01:16,200 --> 00:01:17,800
Speaker 4: And what do we have here?

14
00:01:19,640 --> 00:01:28,039
Speaker 5: Weight room, TV room, library? Well, this doesn't seem so confusing,

15
00:01:29,440 --> 00:01:32,440
Speaker 5: art room, Another room?

16
00:01:33,920 --> 00:01:35,000
Speaker 3: This one's locked.

17
00:01:36,720 --> 00:01:37,200
Speaker 6: Locked?

18
00:01:38,440 --> 00:01:39,280
Speaker 3: Weight room again?

19
00:01:39,640 --> 00:01:44,200
Speaker 5: Wait, how did I Where did I come in from?

20
00:01:44,240 --> 00:01:45,720
Speaker 3: You gotta be kidding me? Where's the good?

21
00:01:45,760 --> 00:01:45,960
Speaker 4: Damn?

22
00:01:48,640 --> 00:01:56,680
Speaker 6: Oh Jesus Christ, welcome. Sorry, I didn't mean to stalk

23
00:01:56,720 --> 00:01:58,360
Speaker 6: at you. Can I help you?

24
00:01:58,680 --> 00:02:00,760
Speaker 5: I am lost?

25
00:02:01,120 --> 00:02:02,080
Speaker 6: Where are you trying to go?

26
00:02:03,040 --> 00:02:04,240
Speaker 3: I don't know?

27
00:02:05,120 --> 00:02:05,280
Speaker 2: Then?

28
00:02:05,360 --> 00:02:09,079
Speaker 6: How could you be lost? You're the priest in so

29
00:02:09,200 --> 00:02:11,840
Speaker 6: far that labels are important to you. Here they call

30
00:02:11,919 --> 00:02:12,600
Speaker 6: me the chaplain.

31
00:02:12,680 --> 00:02:14,560
Speaker 3: Well that's what they call priests in prison.

32
00:02:14,560 --> 00:02:16,880
Speaker 6: Hospitals too, right, right right?

33
00:02:16,960 --> 00:02:19,120
Speaker 3: I almost forgot the party line. We never say the

34
00:02:19,240 --> 00:02:23,440
Speaker 3: P word around here. Just testing you. So you are

35
00:02:23,520 --> 00:02:26,480
Speaker 3: also insisting to me that this is not some kind

36
00:02:26,520 --> 00:02:27,440
Speaker 3: of fucked up jail.

37
00:02:27,720 --> 00:02:33,440
Speaker 6: I was playing yes and yes, and hospitals, schools, labor unions, militaries,

38
00:02:33,960 --> 00:02:35,840
Speaker 6: chaplains can be found in many places.

39
00:02:36,080 --> 00:02:37,600
Speaker 3: Well, what do you call this place?

40
00:02:38,120 --> 00:02:38,640
Speaker 2: The chapel?

41
00:02:42,080 --> 00:02:43,120
Speaker 3: So what do you want from me?

42
00:02:43,440 --> 00:02:48,120
Speaker 6: Exactly as I remember you came to me. Is there

43
00:02:48,160 --> 00:02:49,359
Speaker 6: something on your mind?

44
00:02:50,680 --> 00:02:52,600
Speaker 3: Why do I get the impression that you are just

45
00:02:52,680 --> 00:02:53,760
Speaker 3: another prison spy?

46
00:02:54,760 --> 00:02:57,360
Speaker 6: Maybe because everything that has happened to you recently has

47
00:02:57,400 --> 00:03:00,320
Speaker 6: been destabilizing, and you've been forced in so many one

48
00:03:00,360 --> 00:03:04,760
Speaker 6: sided conversations in air quotes where every question comes loaded

49
00:03:04,800 --> 00:03:09,280
Speaker 6: with ulterior motives that you've been left wondering who, if anyone,

50
00:03:09,320 --> 00:03:10,720
Speaker 6: you can trust.

51
00:03:11,040 --> 00:03:12,120
Speaker 2: That's just a guess.

52
00:03:13,240 --> 00:03:17,720
Speaker 3: It's a good guess. So wait, are you saying that

53
00:03:18,320 --> 00:03:21,440
Speaker 3: you're the one person in this whole god forsaken place

54
00:03:21,440 --> 00:03:23,800
Speaker 3: that isn't trying to work one over on me? That

55
00:03:23,880 --> 00:03:27,639
Speaker 3: you're not going to try to convert me and brainwash

56
00:03:27,680 --> 00:03:31,640
Speaker 3: me and interrogate me. And I just happen to stumble

57
00:03:31,639 --> 00:03:32,119
Speaker 3: through your door.

58
00:03:33,120 --> 00:03:34,639
Speaker 6: I leave it to you to make up your own

59
00:03:34,680 --> 00:03:37,120
Speaker 6: mind about that and whether you really think that God

60
00:03:37,120 --> 00:03:39,480
Speaker 6: has forsaken this place. But I will say there is

61
00:03:39,480 --> 00:03:43,120
Speaker 6: no obligation here. If you'd like the space to yourself,

62
00:03:43,160 --> 00:03:45,800
Speaker 6: I can go. But if you'd like to talk, I'm

63
00:03:45,800 --> 00:03:47,840
Speaker 6: here for that too.

64
00:03:49,800 --> 00:03:52,880
Speaker 3: I'm not supposed to be here. How do you know

65
00:03:53,360 --> 00:03:54,040
Speaker 3: I'm innocent?

66
00:03:54,560 --> 00:03:55,480
Speaker 2: Any of us truly?

67
00:03:55,520 --> 00:03:56,040
Speaker 5: In Oh?

68
00:03:56,120 --> 00:03:59,200
Speaker 3: Whatever? You know that's not what I meant. I'm saying

69
00:03:59,400 --> 00:04:02,320
Speaker 3: I did not commit any crime, and even if I had,

70
00:04:02,440 --> 00:04:05,360
Speaker 3: how would I know? Since not a single goddamn person

71
00:04:05,400 --> 00:04:09,120
Speaker 3: will tell me what I am accused of. I'm sorry.

72
00:04:09,360 --> 00:04:10,920
Speaker 3: I didn't mean to swear in the chapel.

73
00:04:11,440 --> 00:04:15,400
Speaker 6: You wouldn't be the first, but you being here it

74
00:04:15,440 --> 00:04:19,320
Speaker 6: means more than you think. You are not accused. You

75
00:04:19,440 --> 00:04:24,680
Speaker 6: have been convicted. Ah shit, I'm sorry to be the

76
00:04:24,720 --> 00:04:25,640
Speaker 6: one to make that clear.

77
00:04:25,880 --> 00:04:28,040
Speaker 3: No, No, it's just do you know what time it is?

78
00:04:28,720 --> 00:04:31,440
Speaker 6: My watch has a minute plus six.

79
00:04:32,200 --> 00:04:33,560
Speaker 3: I'm late for a thing, So.

80
00:04:35,320 --> 00:04:37,960
Speaker 6: We can do this anytime you like.

81
00:04:38,360 --> 00:04:41,880
Speaker 4: I'll be here right bye.

82
00:04:42,200 --> 00:04:44,560
Speaker 6: Peace be with you, and also with you.

83
00:04:47,120 --> 00:04:49,760
Speaker 3: Rip Si, you're can I have back cut?

84
00:04:50,600 --> 00:04:51,000
Speaker 7: Really?

85
00:04:51,720 --> 00:04:56,279
Speaker 2: She's new here. Listen, follow right behind me. Don't take anything.

86
00:04:56,320 --> 00:04:58,120
Speaker 2: I don't take and leave when I leave.

87
00:04:58,640 --> 00:05:00,920
Speaker 3: I appreciate it, but I think I can handle a

88
00:05:01,000 --> 00:05:04,440
Speaker 3: lunch line. Hey, listen, you ever see anyone outside their

89
00:05:04,520 --> 00:05:05,520
Speaker 3: rooms after lights out?

90
00:05:05,800 --> 00:05:06,960
Speaker 2: You mean besides the guards.

91
00:05:07,279 --> 00:05:09,960
Speaker 3: In the middle of the night, some blonde woman walked

92
00:05:10,000 --> 00:05:13,239
Speaker 3: right up to my cell. She was barefoot and singing,

93
00:05:14,160 --> 00:05:16,040
Speaker 3: singing out loud. I realized that sounds.

94
00:05:15,839 --> 00:05:18,680
Speaker 2: Crazy, doubtful to be the craziest thing I hear today.

95
00:05:19,040 --> 00:05:21,920
Speaker 3: It felt like a dream, but I'm sure it was real.

96
00:05:22,279 --> 00:05:24,560
Speaker 2: It's a difference. You want bread?

97
00:05:25,480 --> 00:05:25,840
Speaker 3: Is it?

98
00:05:26,120 --> 00:05:26,480
Speaker 6: Okay?

99
00:05:27,040 --> 00:05:34,440
Speaker 2: It's food? Caught you wine? I we'll see.

100
00:05:35,080 --> 00:05:35,760
Speaker 3: The hell was that?

101
00:05:36,200 --> 00:05:38,000
Speaker 2: They were calling you my fish?

102
00:05:38,360 --> 00:05:39,560
Speaker 3: What I am not your?

103
00:05:41,040 --> 00:05:46,720
Speaker 4: What is this fish? It's always fish, any particular kind.

104
00:05:46,839 --> 00:05:48,000
Speaker 4: Ain't got all day frip.

105
00:05:48,279 --> 00:05:49,760
Speaker 2: That's all we need. Let's scoop.

106
00:05:49,839 --> 00:05:51,120
Speaker 8: But what about the rest of the food?

107
00:05:51,680 --> 00:05:54,400
Speaker 2: That up there? We call that the special?

108
00:05:55,080 --> 00:05:55,719
Speaker 3: What's in it?

109
00:05:55,880 --> 00:05:58,000
Speaker 2: Nothing? You want? Hey, Hypna?

110
00:05:58,720 --> 00:05:59,719
Speaker 4: How much some much struck?

111
00:05:59,760 --> 00:05:59,920
Speaker 7: Are you?

112
00:06:00,200 --> 00:06:00,560
Speaker 4: Honey?

113
00:06:01,040 --> 00:06:01,680
Speaker 8: Always?

114
00:06:05,160 --> 00:06:08,760
Speaker 2: This here is shaky, Pete, Please to meet you?

115
00:06:10,320 --> 00:06:10,680
Speaker 9: Darn it?

116
00:06:11,320 --> 00:06:15,680
Speaker 2: That draft and our meditating friend here is CALLI.

117
00:06:18,920 --> 00:06:23,960
Speaker 8: And six CALLI, yes, please to meet you. Forgive me.

118
00:06:24,000 --> 00:06:27,280
Speaker 8: I have to keep my eyes closed while I count huh.

119
00:06:27,279 --> 00:06:31,720
Speaker 2: You'll see. And lastly, Galina, do.

120
00:06:31,720 --> 00:06:34,640
Speaker 4: Not call me that young frip. You know well exactly

121
00:06:34,680 --> 00:06:35,360
Speaker 4: who I am.

122
00:06:35,960 --> 00:06:41,479
Speaker 2: Fine, nemo, old timer's this, here's cy let's.

123
00:06:41,279 --> 00:06:48,039
Speaker 8: See it, you dear, you still smell it outside? What

124
00:06:48,160 --> 00:06:49,080
Speaker 8: time is it out there?

125
00:06:49,600 --> 00:06:51,280
Speaker 3: I mean six thirty?

126
00:06:51,360 --> 00:06:51,800
Speaker 4: Maybe?

127
00:06:52,560 --> 00:06:54,159
Speaker 3: Are her eyes always closed?

128
00:06:54,520 --> 00:06:55,719
Speaker 2: I've never seen them open.

129
00:06:55,960 --> 00:06:58,760
Speaker 8: It's how they get you, It's how they got pat.

130
00:06:59,680 --> 00:07:05,039
Speaker 8: I have a open my papers and no, no, you

131
00:07:05,080 --> 00:07:09,480
Speaker 8: know what I mean outside? What year is it out there?

132
00:07:11,200 --> 00:07:13,920
Speaker 2: Ignore her? Kelly's gone off her? Rugger?

133
00:07:14,800 --> 00:07:16,800
Speaker 3: What year do you think it is?

134
00:07:17,080 --> 00:07:22,080
Speaker 8: I said, don't noh, now where was I nine hundred

135
00:07:22,160 --> 00:07:23,320
Speaker 8: ninety nine million nine?

136
00:07:28,280 --> 00:07:30,200
Speaker 9: Can that want to help me get my spools here?

137
00:07:30,280 --> 00:07:32,720
Speaker 3: Let me six stick too? I imagine you can lose

138
00:07:32,840 --> 00:07:34,680
Speaker 3: track of time in a place like this.

139
00:07:35,200 --> 00:07:38,720
Speaker 9: Yeah, yeah, yeah, it's no use. Once you get in.

140
00:07:38,960 --> 00:07:43,440
Speaker 9: It doesn't matter at that time. Hey, well, he don't

141
00:07:43,440 --> 00:07:48,560
Speaker 9: get ended of a companion, It gets into us.

142
00:07:50,000 --> 00:07:54,040
Speaker 3: So this is the old Timers club, older than you know, mortal.

143
00:07:54,760 --> 00:07:56,520
Speaker 4: We four may be the only people here with a

144
00:07:56,520 --> 00:08:01,240
Speaker 4: full awareness of reality. I see for steered you astray

145
00:08:01,320 --> 00:08:05,480
Speaker 4: from the special capital effort, My lad.

146
00:08:05,120 --> 00:08:07,240
Speaker 3: Well known, what are you twenty years old.

147
00:08:08,320 --> 00:08:12,160
Speaker 4: It's an interesting question, my fish, and I'm afraid the

148
00:08:12,240 --> 00:08:14,640
Speaker 4: answers are not as simple as we would all hope

149
00:08:14,680 --> 00:08:19,840
Speaker 4: them to be. See our friend Peter there, Peter, Peter,

150
00:08:20,880 --> 00:08:21,880
Speaker 4: how old are you?

151
00:08:22,000 --> 00:08:26,480
Speaker 9: Well, that's easy. When I at my where I was nineteen,

152
00:08:26,600 --> 00:08:30,600
Speaker 9: I was nineteen when I got here at twenty five,

153
00:08:30,680 --> 00:08:34,559
Speaker 9: I think I'm the newest one who I was.

154
00:08:36,160 --> 00:08:39,439
Speaker 8: By my count, Peter is somewhere between ninety five and

155
00:08:39,559 --> 00:08:43,120
Speaker 8: thirty two years old. You see, I'm always counting.

156
00:08:43,960 --> 00:08:46,760
Speaker 2: Heah, we know, head mathematician of the Oldheimers.

157
00:08:47,400 --> 00:08:51,079
Speaker 3: So wait, what is this old timers club? Exactly like

158
00:08:51,160 --> 00:08:52,640
Speaker 3: you've been here? The longest.

159
00:08:54,520 --> 00:08:58,760
Speaker 8: Common misconception. No, I'm afraid, and I don't mean afraid.

160
00:08:59,240 --> 00:09:02,839
Speaker 8: You understand there are many older than us, which is

161
00:09:02,920 --> 00:09:07,160
Speaker 8: the ones who remember the old time. You'll see time

162
00:09:07,280 --> 00:09:11,240
Speaker 8: is different here. It doesn't change. Of course, when you're

163
00:09:11,280 --> 00:09:13,640
Speaker 8: in the thick of it, it feels like nothing really changes,

164
00:09:13,679 --> 00:09:18,520
Speaker 8: doesn't it. When I was young, in the before, I

165
00:09:18,640 --> 00:09:21,360
Speaker 8: was a book one, a homely little thing with a

166
00:09:21,480 --> 00:09:25,160
Speaker 8: job in the university basement. While the other girls made

167
00:09:25,240 --> 00:09:28,720
Speaker 8: up their faces and to green dances, I coorded kafka

168
00:09:29,120 --> 00:09:32,800
Speaker 8: and servants, and tones so old they had no authors

169
00:09:32,840 --> 00:09:37,560
Speaker 8: at all. Just once, deep into the evening, I found

170
00:09:37,640 --> 00:09:42,920
Speaker 8: one book that lacked a title, altogether, bound in leather,

171
00:09:43,720 --> 00:09:48,720
Speaker 8: stained with time, with page corners sharp as teeth. Took

172
00:09:48,840 --> 00:09:54,480
Speaker 8: care to avoid touching those edges at first. As I

173
00:09:54,720 --> 00:10:00,719
Speaker 8: delved into its pages, time slipped. You could say, I

174
00:10:00,880 --> 00:10:03,719
Speaker 8: realized what I was reading was no exercise in settire,

175
00:10:04,200 --> 00:10:08,040
Speaker 8: nor some obscure work of fraudulent religion, nor some indulgent

176
00:10:08,080 --> 00:10:12,679
Speaker 8: flight of fancy. It was a set of instructions, a manual,

177
00:10:12,800 --> 00:10:15,760
Speaker 8: you could call it. It was, so far as I

178
00:10:15,800 --> 00:10:21,240
Speaker 8: could tell, a sort of a guide to reality, the

179
00:10:21,320 --> 00:10:26,679
Speaker 8: collection of desires, a directory to the powers capable of

180
00:10:26,880 --> 00:10:28,240
Speaker 8: manifesting those desires.

181
00:10:30,000 --> 00:10:30,640
Speaker 4: I'd say.

182
00:10:32,240 --> 00:10:36,280
Speaker 8: There are more than nine billion names of God, each

183
00:10:36,440 --> 00:10:40,480
Speaker 8: with powers all their own. To know these names entire

184
00:10:40,559 --> 00:10:45,760
Speaker 8: would be to court meanness. Instead, the curious student of

185
00:10:45,840 --> 00:10:50,880
Speaker 8: the arts needs only meditate on the actions, the mechanisms

186
00:10:50,920 --> 00:10:56,120
Speaker 8: of these sacred sounds all they can achieve. Soon I

187
00:10:56,280 --> 00:11:00,120
Speaker 8: wasn't reading the book so much as hearing it. It

188
00:11:00,160 --> 00:11:05,160
Speaker 8: spoke to me, guided my hand, it is me what

189
00:11:05,240 --> 00:11:09,320
Speaker 8: I wanted. Normally, I could give a thousand different answers

190
00:11:09,360 --> 00:11:15,040
Speaker 8: to that Questian. But this his voice, it already knew,

191
00:11:16,400 --> 00:11:17,360
Speaker 8: it saw into me.

192
00:11:18,800 --> 00:11:19,719
Speaker 4: I could not lie.

193
00:11:21,000 --> 00:11:24,040
Speaker 8: I hated those girls, the ones with all the suitors,

194
00:11:24,960 --> 00:11:32,120
Speaker 8: the ones in the headlines the book. Knew why I

195
00:11:34,200 --> 00:11:37,120
Speaker 8: want to be one of them. I want to be

196
00:11:37,280 --> 00:11:42,960
Speaker 8: a star. When the book closed, it took my blood.

197
00:11:43,840 --> 00:11:46,920
Speaker 8: Drink it up like water soaking into a dessert. I

198
00:11:47,120 --> 00:11:49,760
Speaker 8: heard it. I know it wasn't a language eye or

199
00:11:50,440 --> 00:11:56,360
Speaker 8: any person living could speak, but somehow I understood it.

200
00:11:58,240 --> 00:12:03,440
Speaker 8: You will have you to say, come to us when

201
00:12:03,520 --> 00:12:07,559
Speaker 8: the time arrives. Only ass that you close your eyes

202
00:12:07,640 --> 00:12:14,840
Speaker 8: and glish. I work the next day, saw the reach

203
00:12:14,920 --> 00:12:17,240
Speaker 8: of scars on the tips of my fingers, deep as

204
00:12:17,240 --> 00:12:21,959
Speaker 8: a dog bite, and I chose to believe. I quit

205
00:12:22,040 --> 00:12:24,400
Speaker 8: my job at the university and found the first repertory

206
00:12:24,440 --> 00:12:28,040
Speaker 8: that would take me. I was going to be the

207
00:12:28,240 --> 00:12:31,079
Speaker 8: talk of the vaudeville stages from Kansas City all the

208
00:12:31,120 --> 00:12:34,080
Speaker 8: way to New York. I was going to be a star.

209
00:12:35,640 --> 00:12:36,079
Speaker 4: I knew it.

210
00:12:39,720 --> 00:12:43,319
Speaker 7: Thank you, Thank you, ladies and gentlemen. Now we'll have

211
00:12:43,480 --> 00:12:46,600
Speaker 7: a brief intermission so the ladies can take a powder

212
00:12:46,920 --> 00:12:50,120
Speaker 7: stick around and avail yourself with the best spirits in

213
00:12:50,240 --> 00:12:51,160
Speaker 7: camp jack City.

214
00:12:54,920 --> 00:12:56,520
Speaker 8: Well, boss, what's it look like out there?

215
00:12:57,480 --> 00:12:58,160
Speaker 6: Just horrid?

216
00:12:58,800 --> 00:12:59,000
Speaker 2: Edith?

217
00:12:59,280 --> 00:13:00,600
Speaker 7: You're singing flat this attire?

218
00:13:00,920 --> 00:13:01,360
Speaker 2: Janus?

219
00:13:01,720 --> 00:13:04,400
Speaker 7: Then makeup? Are you additioning to be a clown? Now?

220
00:13:04,920 --> 00:13:05,400
Speaker 8: What about me?

221
00:13:06,640 --> 00:13:08,239
Speaker 2: You calliope?

222
00:13:08,920 --> 00:13:13,679
Speaker 7: I've seen cripples with better choreography. Listen you don't. It's one, two,

223
00:13:14,000 --> 00:13:18,280
Speaker 7: one two left leg, right leg repeat? Pearl wants lift

224
00:13:18,320 --> 00:13:19,120
Speaker 7: skirt repeat?

225
00:13:19,480 --> 00:13:20,280
Speaker 2: Can you count?

226
00:13:20,840 --> 00:13:21,120
Speaker 4: I can?

227
00:13:21,679 --> 00:13:23,320
Speaker 8: I'm sorry, sir, of course I can't.

228
00:13:23,440 --> 00:13:26,400
Speaker 7: Can you How high can you count?

229
00:13:26,679 --> 00:13:27,360
Speaker 2: Can you count?

230
00:13:27,559 --> 00:13:27,760
Speaker 9: Two?

231
00:13:28,440 --> 00:13:32,200
Speaker 7: It's the number after one? Just close your eyes, close

232
00:13:32,280 --> 00:13:35,280
Speaker 7: some damn it. Get in that corner. Count to a

233
00:13:35,360 --> 00:13:36,400
Speaker 7: billion for all I care.

234
00:13:36,640 --> 00:13:37,280
Speaker 2: You're fired?

235
00:13:38,280 --> 00:13:38,839
Speaker 4: What could I do?

236
00:13:39,480 --> 00:13:42,679
Speaker 8: I walked to the corner like a scolded child. I

237
00:13:42,800 --> 00:13:52,559
Speaker 8: close my eyes, I counted. I felt so foolish, humiliated.

238
00:13:53,720 --> 00:13:55,040
Speaker 8: Magic of all things?

239
00:13:55,640 --> 00:13:55,840
Speaker 4: Five?

240
00:13:56,240 --> 00:13:59,160
Speaker 8: How long to be far away? For all of this

241
00:13:59,320 --> 00:13:59,920
Speaker 8: to disappear?

242
00:14:00,520 --> 00:14:00,880
Speaker 9: Seventh?

243
00:14:00,960 --> 00:14:07,880
Speaker 8: And in my mind the book answered, no, you have returned.

244
00:14:10,080 --> 00:14:14,559
Speaker 8: You granted? They willy.

245
00:14:30,920 --> 00:14:33,160
Speaker 3: That's the whole place burned down.

246
00:14:34,760 --> 00:14:38,680
Speaker 8: Two hundred and seventy nine people gone, just like that.

247
00:14:39,520 --> 00:14:42,600
Speaker 8: How do you say it's all a misunderstanding. I didn't

248
00:14:42,680 --> 00:14:48,080
Speaker 8: want everyone to die that wasn't my desire. I wanted

249
00:14:48,120 --> 00:14:53,240
Speaker 8: to be famous. I am going to be famous. Hey

250
00:14:53,280 --> 00:14:57,000
Speaker 8: will come for me and set me free, and I'll

251
00:14:57,040 --> 00:14:57,440
Speaker 8: be a star.

252
00:14:58,800 --> 00:14:59,560
Speaker 9: Who is he?

253
00:15:00,720 --> 00:15:00,880
Speaker 10: Why?

254
00:15:01,560 --> 00:15:04,040
Speaker 4: Satan? Of course? Who else?

255
00:15:04,920 --> 00:15:05,080
Speaker 9: Um?

256
00:15:05,840 --> 00:15:07,320
Speaker 2: Don't ask me, you'll say.

257
00:15:07,920 --> 00:15:11,280
Speaker 8: I'll talk to him again and he'll set everything straight.

258
00:15:12,320 --> 00:15:14,240
Speaker 8: All I have to do is keep my eyes closed

259
00:15:14,480 --> 00:15:17,720
Speaker 8: and I stay in the wish the open eyes. Now

260
00:15:18,560 --> 00:15:23,520
Speaker 8: whatever I see will be reality. This is only a moment. You,

261
00:15:24,360 --> 00:15:27,600
Speaker 8: all of you are nothing but figments of my imagination.

262
00:15:29,160 --> 00:15:32,600
Speaker 8: I will remember practice each step of the dance in

263
00:15:32,760 --> 00:15:36,240
Speaker 8: my head. Maybe if you're nice, I'll thank you on

264
00:15:36,360 --> 00:15:38,200
Speaker 8: stage when he returns and frees me.

265
00:15:39,280 --> 00:15:41,280
Speaker 2: Why did I tell you crazy?

266
00:15:41,600 --> 00:15:44,760
Speaker 8: This is just a temporary sit back, mind you. Once

267
00:15:44,840 --> 00:15:48,200
Speaker 8: I get the word, I'll open my eyes and I'll

268
00:15:48,240 --> 00:15:52,840
Speaker 8: be on Broadway. It's crucial that I don't forget that.

269
00:15:54,280 --> 00:15:56,520
Speaker 8: And that's why I don'pe bar taking.

270
00:15:56,280 --> 00:15:59,200
Speaker 3: The special the special again? Okay, what are you saying?

271
00:15:59,200 --> 00:16:00,840
Speaker 3: It's some kind of mnesia potion.

272
00:16:01,560 --> 00:16:07,720
Speaker 9: Oh, I don't think we should talk about it. It's

273
00:16:07,800 --> 00:16:12,600
Speaker 9: a secret. You can get into trouble for telling secrets.

274
00:16:13,720 --> 00:16:17,720
Speaker 9: That's how I got here. If I forget how it happened.

275
00:16:18,800 --> 00:16:32,800
Speaker 9: I'll be like all the rest, you won't believe it.

276
00:16:32,880 --> 00:16:39,320
Speaker 9: But once upon a time I was a steady man, voice, hands,

277
00:16:40,160 --> 00:16:43,880
Speaker 9: heart and all I sang the old song, and the

278
00:16:44,040 --> 00:16:48,920
Speaker 9: earth sang back five degrees north, six degrees.

279
00:16:52,000 --> 00:16:52,920
Speaker 6: I was what you call a.

280
00:16:52,960 --> 00:16:58,360
Speaker 9: Doodle bug, the dowser, the volume man. It's an ancient vocation.

281
00:16:59,440 --> 00:17:03,640
Speaker 9: Few members my family had it every generation. The others

282
00:17:03,960 --> 00:17:04,800
Speaker 9: went mad.

283
00:17:06,040 --> 00:17:07,520
Speaker 4: Do you hear it? Hear it?

284
00:17:07,600 --> 00:17:07,639
Speaker 10: You?

285
00:17:08,520 --> 00:17:10,160
Speaker 4: It's coming from the ground.

286
00:17:11,560 --> 00:17:14,960
Speaker 9: And I remember how it felt, you know, even out

287
00:17:15,000 --> 00:17:18,000
Speaker 9: in the dust bowld days, I could walk along the

288
00:17:18,160 --> 00:17:22,760
Speaker 9: thirsting calichi of the desert and feel the vibrations you

289
00:17:22,920 --> 00:17:27,159
Speaker 9: call them, the movements of precious things under the horrid

290
00:17:27,240 --> 00:17:31,399
Speaker 9: skin of dessert, like blood flowing through a vein, or

291
00:17:32,040 --> 00:17:38,320
Speaker 9: enormous heart beating waiting to raise its hand and greet

292
00:17:38,440 --> 00:17:39,040
Speaker 9: me in the night.

293
00:17:40,320 --> 00:17:40,600
Speaker 7: Ah.

294
00:17:41,920 --> 00:17:44,119
Speaker 9: A lot of folks didn't believe in the art. They

295
00:17:44,200 --> 00:17:49,160
Speaker 9: called me a flim flammer, snake, oil sailsman, a carn artist.

296
00:17:50,640 --> 00:17:58,240
Speaker 9: Till they could desperate, hungry, hopeless. You could walk into

297
00:17:58,320 --> 00:18:02,359
Speaker 9: a town in fields loost of it. You could see

298
00:18:02,520 --> 00:18:07,040
Speaker 9: the grief they wanted to weep, but there was no water.

299
00:18:07,200 --> 00:18:07,600
Speaker 2: To spare.

300
00:18:08,000 --> 00:18:09,000
Speaker 8: We can't go on like this.

301
00:18:09,520 --> 00:18:11,680
Speaker 2: There's no crop, there's no far.

302
00:18:11,880 --> 00:18:14,760
Speaker 8: We'll have to move like everyone else where, there's nowhere

303
00:18:14,840 --> 00:18:15,000
Speaker 8: to go.

304
00:18:19,720 --> 00:18:25,200
Speaker 7: Oh, pleas, sir, bless your hallelujah. You well praise me.

305
00:18:25,800 --> 00:18:27,919
Speaker 7: You are our salvation.

306
00:18:28,760 --> 00:18:32,000
Speaker 9: There was a murderous drought all around the land back then.

307
00:18:32,080 --> 00:18:35,960
Speaker 9: I must have traveled clear across the Great Southwest, finding

308
00:18:36,040 --> 00:18:39,480
Speaker 9: what little water remained. Did I charge for all this?

309
00:18:39,920 --> 00:18:40,200
Speaker 2: Sure?

310
00:18:41,560 --> 00:18:46,520
Speaker 9: It was my livelihood, But I was honest. And you

311
00:18:46,600 --> 00:18:50,600
Speaker 9: can't find what's not there. I'm sorry, there's nothing here.

312
00:18:51,960 --> 00:18:54,080
Speaker 9: Even the folks who believe in the ark, well, my,

313
00:18:54,200 --> 00:18:57,679
Speaker 9: most of them don't understand the truth of it. First

314
00:18:58,680 --> 00:19:01,280
Speaker 9: thousand ain't just for while. If I get the right

315
00:19:01,400 --> 00:19:07,720
Speaker 9: things together, I can divine for don anything lost, treasure, lost, people.

316
00:19:08,000 --> 00:19:11,080
Speaker 9: I can find what's forgotten.

317
00:19:12,359 --> 00:19:13,200
Speaker 4: We thought we'd lost.

318
00:19:13,280 --> 00:19:13,320
Speaker 10: You.

319
00:19:15,560 --> 00:19:20,720
Speaker 9: Second, a power like this, it's it's not about taking it.

320
00:19:20,960 --> 00:19:25,680
Speaker 9: It's a trade, a covenant. For everything I douse, the

321
00:19:25,840 --> 00:19:30,560
Speaker 9: land demands something in return, a balance, like watching a

322
00:19:30,680 --> 00:19:35,200
Speaker 9: pendulum swing. I'd save a dying ranch with a new well.

323
00:19:35,560 --> 00:19:37,960
Speaker 6: We later cattle would disappear.

324
00:19:38,280 --> 00:19:42,080
Speaker 9: I'd find a child lost in the cliffs and cholera

325
00:19:42,240 --> 00:19:45,520
Speaker 9: would sweep the town. Every miracle has a price, and

326
00:19:45,760 --> 00:19:47,720
Speaker 9: some are more expensive than others.

327
00:19:48,640 --> 00:19:50,000
Speaker 4: Old man Gray foul.

328
00:19:51,359 --> 00:19:53,840
Speaker 9: So I'd learned to keep moving, never born, a few

329
00:19:53,960 --> 00:20:02,320
Speaker 9: days in one place, getting on still I delivered. People

330
00:20:02,400 --> 00:20:06,160
Speaker 9: knew I was the real McCoy, an actual water man.

331
00:20:07,480 --> 00:20:12,879
Speaker 9: Wood spread far and wide somewhere out in Arizona.

332
00:20:13,119 --> 00:20:14,879
Speaker 2: I got the letter, but.

333
00:20:15,960 --> 00:20:16,840
Speaker 3: It's all I have.

334
00:20:17,160 --> 00:20:23,280
Speaker 2: I'm sorry, man, I am This year is for you.

335
00:20:27,760 --> 00:20:30,680
Speaker 9: I don't know how they found me. I should have

336
00:20:30,720 --> 00:20:33,879
Speaker 9: known right then something was wrong, but I was on

337
00:20:34,000 --> 00:20:37,040
Speaker 9: the run. I just doodled bug the van of gold

338
00:20:37,119 --> 00:20:40,240
Speaker 9: for a nearby prospector, and I knew there'd be hell

339
00:20:40,320 --> 00:20:43,520
Speaker 9: to pay. Asking Earth for that much gold, it sets

340
00:20:43,560 --> 00:20:47,760
Speaker 9: a high price. It would be a fire or a plague.

341
00:20:48,840 --> 00:20:51,680
Speaker 9: I could feel the vibrations of an echoing from the

342
00:20:51,800 --> 00:20:56,800
Speaker 9: future back to the present, calling the account's due. I

343
00:20:56,960 --> 00:20:59,240
Speaker 9: needed to be long gone before it hit, and this

344
00:20:59,440 --> 00:21:03,080
Speaker 9: letter coming at the exact moment I needed in most

345
00:21:03,160 --> 00:21:07,800
Speaker 9: a new job far away by the coast. Train fair

346
00:21:07,920 --> 00:21:14,280
Speaker 9: included first class. What could I do? I left.

347
00:21:16,080 --> 00:21:16,240
Speaker 4: Now?

348
00:21:17,040 --> 00:21:23,240
Speaker 9: I dousd from anything in my time, People, treasure water,

349
00:21:23,359 --> 00:21:26,200
Speaker 9: most of all, it's the safest trade to make. But

350
00:21:26,320 --> 00:21:30,480
Speaker 9: when I got here, they set me on something different.

351
00:21:33,359 --> 00:21:34,840
Speaker 9: I'm not sure I understand.

352
00:21:35,680 --> 00:21:39,480
Speaker 4: Find the bottom, that's all we're cleared to tell you.

353
00:21:40,280 --> 00:21:41,520
Speaker 9: Well, what am I looking for?

354
00:21:42,040 --> 00:21:44,240
Speaker 7: Management says, you'll know it when you find it.

355
00:21:45,359 --> 00:21:47,000
Speaker 2: You want to get paid, right, And.

356
00:21:47,119 --> 00:21:47,520
Speaker 3: That was it.

357
00:21:48,920 --> 00:21:52,240
Speaker 9: I took out my rod, I sang my songs. I

358
00:21:52,359 --> 00:21:57,040
Speaker 9: stretched my mind beneath up close. It's like putting your

359
00:21:57,080 --> 00:22:03,440
Speaker 9: hand in water. Only this wasn't a this whatever this is,

360
00:22:04,880 --> 00:22:09,040
Speaker 9: it was an ocean. It reached up from the abyss

361
00:22:09,160 --> 00:22:13,080
Speaker 9: of vibration, grabbed hold and put itself inside me.

362
00:22:13,480 --> 00:22:15,920
Speaker 7: He's got it. He's got it, your fools, he's having

363
00:22:16,000 --> 00:22:16,439
Speaker 7: a seizure.

364
00:22:16,520 --> 00:22:17,040
Speaker 10: It's gone it.

365
00:22:17,400 --> 00:22:24,440
Speaker 9: Lock it down, it locker, It's still here. It's in me.

366
00:22:24,640 --> 00:22:27,400
Speaker 6: Easy, pete, easy, now it's awake.

367
00:22:27,600 --> 00:22:33,200
Speaker 9: Now, a long way beneath, but awake. I can feel it.

368
00:22:33,560 --> 00:22:39,040
Speaker 8: It's coming for us, your friends, we gotta get out.

369
00:22:40,080 --> 00:22:40,680
Speaker 8: Set Peter.

370
00:22:41,680 --> 00:22:44,600
Speaker 4: Don't let him worry you, young lady. He tells us

371
00:22:44,640 --> 00:22:48,159
Speaker 4: a similar yarn at least once a fortnight. I imagine

372
00:22:48,200 --> 00:22:51,760
Speaker 4: it to be some lunatic association with the cycles of

373
00:22:51,920 --> 00:22:52,320
Speaker 4: the moon.

374
00:22:53,160 --> 00:22:55,280
Speaker 3: You know, you seem to be the least crazy person

375
00:22:55,359 --> 00:22:57,000
Speaker 3: I've met here, No offense, frip.

376
00:22:58,040 --> 00:23:02,560
Speaker 4: Just wait, you are both astute and correct, Miss just Cy,

377
00:23:02,720 --> 00:23:07,639
Speaker 4: will do h Clever names do have power, do they not?

378
00:23:08,840 --> 00:23:09,800
Speaker 4: Clever sigh?

379
00:23:10,200 --> 00:23:10,879
Speaker 8: We could call you.

380
00:23:11,200 --> 00:23:13,320
Speaker 3: I won't be here long enough to have a nickname,

381
00:23:13,680 --> 00:23:18,280
Speaker 3: so just sigh. We'll do well, then, just sygh.

382
00:23:19,200 --> 00:23:21,760
Speaker 4: Allow me to give you a truth of this place.

383
00:23:22,800 --> 00:23:26,800
Speaker 4: I have traveled these halls longer than most. Our budding

384
00:23:26,920 --> 00:23:30,760
Speaker 4: starlet Calliope is correct. One such as you would be

385
00:23:30,840 --> 00:23:35,040
Speaker 4: best advised to stay off menu in another life. This

386
00:23:35,240 --> 00:23:38,159
Speaker 4: small golgatha of bones and guts was any number of

387
00:23:38,240 --> 00:23:41,320
Speaker 4: fish swimming free without a care in the world, just

388
00:23:41,520 --> 00:23:46,160
Speaker 4: like you. Hey, watch it gross. Did you know most

389
00:23:46,320 --> 00:23:50,920
Speaker 4: mortals believe fish have no memory. It assuages them. I

390
00:23:51,040 --> 00:23:54,600
Speaker 4: think to believe memory does not exist. But I assure

391
00:23:54,640 --> 00:24:01,200
Speaker 4: you all things have memory, fish, people, places as well,

392
00:24:02,040 --> 00:24:06,200
Speaker 4: and the pen struggles with that issue even tonight.

393
00:24:07,240 --> 00:24:11,040
Speaker 3: Tonight, it's morning, this is breakfast. M hm.

394
00:24:11,600 --> 00:24:14,680
Speaker 4: When was the last time you saw the sunlight the moonlight?

395
00:24:15,560 --> 00:24:20,120
Speaker 4: Simple sigh? I again assure you it is later than

396
00:24:20,240 --> 00:24:25,639
Speaker 4: you think. Eat, drink, be merry. Sometime soon you may

397
00:24:25,760 --> 00:24:28,159
Speaker 4: wish to take the waters of leafy on your own accord.

398
00:24:28,359 --> 00:24:30,320
Speaker 2: She's not taking the special Galina.

399
00:24:30,400 --> 00:24:32,320
Speaker 3: Wait are we still talking about this later?

400
00:24:32,920 --> 00:24:36,320
Speaker 2: Galina? Leave her out of your games. We're not having

401
00:24:36,400 --> 00:24:37,600
Speaker 2: another caval kaval.

402
00:24:37,640 --> 00:24:39,880
Speaker 4: Should you choose to speak with me directly, young FRep,

403
00:24:39,920 --> 00:24:43,360
Speaker 4: you will say my name you more than most remember.

404
00:24:43,560 --> 00:24:45,280
Speaker 3: Is someone gonna tell me what the fuck is going

405
00:24:45,359 --> 00:24:45,639
Speaker 3: on here?

406
00:24:45,800 --> 00:24:48,240
Speaker 2: Demo? Don't do it? Please?

407
00:24:48,800 --> 00:24:51,720
Speaker 4: I am more than this fragile shell you see before.

408
00:24:51,800 --> 00:24:56,480
Speaker 4: You like yourself, like anyone, I find myself caught between

409
00:24:56,560 --> 00:25:01,919
Speaker 4: one place and the next. I the daughter of Titans,

410
00:25:02,640 --> 00:25:07,600
Speaker 4: the goddess of memory Nemosny your people called me. I

411
00:25:07,800 --> 00:25:10,920
Speaker 4: have witnessed all that has passed, or passing or yet

412
00:25:11,000 --> 00:25:15,639
Speaker 4: to come. Imbrood by Zeus. I beget the nine amuses,

413
00:25:16,119 --> 00:25:18,320
Speaker 4: one for each phase of what you call the moon,

414
00:25:18,880 --> 00:25:21,840
Speaker 4: and one more a secret I tell no man, for

415
00:25:21,960 --> 00:25:25,560
Speaker 4: a secret kept by one is the most powerful of arts.

416
00:25:28,520 --> 00:25:35,200
Speaker 2: What she's the well god of memory, she thinks, and

417
00:25:35,280 --> 00:25:37,359
Speaker 2: now the most unsuccessful escape artists in.

418
00:25:37,359 --> 00:25:43,240
Speaker 4: The pen, True Shane, I am young Si, trapped in

419
00:25:43,400 --> 00:25:48,119
Speaker 4: this mortal vessel, in perversion of my being, all to

420
00:25:48,240 --> 00:25:51,920
Speaker 4: protect this place you call the pen. I am in

421
00:25:51,960 --> 00:25:55,600
Speaker 4: a prison within a prison. And while this vessel constrains

422
00:25:55,720 --> 00:25:58,960
Speaker 4: my powers, it does not prevent me from my thoughts.

423
00:26:02,720 --> 00:26:06,040
Speaker 4: I was a journalist, a real one, working in the field,

424
00:26:06,200 --> 00:26:09,920
Speaker 4: writing about conflict at the time. My editor wanted me

425
00:26:10,000 --> 00:26:13,840
Speaker 4: covering Vietnam, but I was more interested in Cyprus.

426
00:26:14,359 --> 00:26:16,240
Speaker 7: For any who are now just joining the program, we

427
00:26:16,280 --> 00:26:18,560
Speaker 7: can confirm the nations of Turkey and Greece are at

428
00:26:18,680 --> 00:26:21,480
Speaker 7: war on the shores of Cypress. Turkis forces invaded early

429
00:26:21,600 --> 00:26:24,200
Speaker 7: this morning following a long dispute over the nationality of

430
00:26:24,240 --> 00:26:26,560
Speaker 7: the island. A word before we continue. Some of the

431
00:26:26,600 --> 00:26:28,480
Speaker 7: footage you're about to see is disturbing.

432
00:26:29,200 --> 00:26:31,879
Speaker 4: The West chose Greece in the invasion. This wasn't a

433
00:26:31,960 --> 00:26:35,720
Speaker 4: loud declaration, but it was certain they'd already run the numbers,

434
00:26:35,840 --> 00:26:39,160
Speaker 4: called the banking cartels, and chosen their investment. The Cold

435
00:26:39,200 --> 00:26:42,840
Speaker 4: War loomed, and every war was a war of economics,

436
00:26:43,680 --> 00:26:47,920
Speaker 4: real politic, they called it. Landing on the shores of Pentomile,

437
00:26:48,119 --> 00:26:52,440
Speaker 4: the chaos was evident, the horror palpable, and a press

438
00:26:52,480 --> 00:26:56,040
Speaker 4: pass doesn't save you from a mortar shell. Minutes into

439
00:26:56,119 --> 00:26:59,760
Speaker 4: our excursion, I watched my photographer take a bullet to

440
00:26:59,840 --> 00:27:03,640
Speaker 4: the got another to the face so fast I realized

441
00:27:03,680 --> 00:27:08,159
Speaker 4: he didn't have time to scream. So I ran for

442
00:27:08,320 --> 00:27:12,920
Speaker 4: how long I could not say. Looking back, I wonder

443
00:27:13,000 --> 00:27:20,639
Speaker 4: if something guided me through the forest. I didn't recognize

444
00:27:20,680 --> 00:27:25,800
Speaker 4: the ruins at first. They were overgrown, ringed by an

445
00:27:25,920 --> 00:27:30,879
Speaker 4: old chain link fence. Signs read keep out, some in Greek,

446
00:27:31,200 --> 00:27:34,680
Speaker 4: others in Turkish. I could still hear the artillery in

447
00:27:34,720 --> 00:27:41,200
Speaker 4: the distance, so I jumped the fence. I entered the ruins. Ah,

448
00:27:41,560 --> 00:27:44,240
Speaker 4: if I could only find a bolt hole, a little

449
00:27:44,320 --> 00:27:47,680
Speaker 4: place to stay unseen for a few hours, maybe I

450
00:27:47,760 --> 00:27:50,919
Speaker 4: could spend the night here, I told myself. Then get

451
00:27:50,960 --> 00:27:53,679
Speaker 4: out to nearby towns, find a telex, and tell the story.

452
00:27:55,760 --> 00:27:59,399
Speaker 4: Choked beneath the underbrush, I could see old stones carved

453
00:27:59,480 --> 00:28:03,280
Speaker 4: with a l which I didn't recognize. I entered a

454
00:28:03,480 --> 00:28:08,639
Speaker 4: rough hewn doorway, limped down cracked stone steps, and emerged

455
00:28:08,760 --> 00:28:13,600
Speaker 4: in a huge hall underground, where I came face to

456
00:28:13,760 --> 00:28:20,159
Speaker 4: face with a statue holy a female figure robed, hands

457
00:28:20,359 --> 00:28:26,440
Speaker 4: spread as if in invitation warning. I wasn't sure, but

458
00:28:26,640 --> 00:28:30,399
Speaker 4: I knew this was a temple and it had to

459
00:28:30,520 --> 00:28:36,240
Speaker 4: be ancient. The statue loomed over me. I found myself

460
00:28:36,440 --> 00:28:40,720
Speaker 4: lost in her fearsome visage. I didn't hear them coming

461
00:28:40,840 --> 00:28:44,120
Speaker 4: behind me. The bullet caught me in the hip, brought

462
00:28:44,160 --> 00:28:47,160
Speaker 4: me to my knees, bleeding out in the dirt. I

463
00:28:47,400 --> 00:28:50,760
Speaker 4: looked up at the statue, and for the first time

464
00:28:50,880 --> 00:29:02,640
Speaker 4: in my life, I prayed, Dear God, God's anyone, Please.

465
00:29:03,200 --> 00:29:06,120
Speaker 8: Please don't let it end like this. People need to

466
00:29:06,280 --> 00:29:07,920
Speaker 8: know to remember.

467
00:29:08,840 --> 00:29:13,520
Speaker 4: Oh, I'll do anything, Please just help.

468
00:29:14,880 --> 00:29:14,920
Speaker 9: Me.

469
00:29:15,920 --> 00:29:20,760
Speaker 8: And as I was on the verge of death, something answered.

470
00:29:21,720 --> 00:29:22,760
Speaker 10: It took me.

471
00:29:23,520 --> 00:29:25,880
Speaker 4: I felt as though my body was a car and

472
00:29:26,000 --> 00:29:28,880
Speaker 4: I had been pushed into the back seat. When I

473
00:29:29,000 --> 00:29:31,440
Speaker 4: tried to scream, my voice was no longer my own.

474
00:29:34,040 --> 00:29:38,160
Speaker 10: And so the Galina vessel found me. Pulled from depths

475
00:29:38,360 --> 00:29:43,520
Speaker 10: beyond this mortal world, summoned afler untold ages by a

476
00:29:43,680 --> 00:29:50,720
Speaker 10: new disciple, I rose with great wrath to seek my revenge.

477
00:29:51,360 --> 00:29:51,920
Speaker 8: We've got it.

478
00:29:52,440 --> 00:29:54,200
Speaker 3: Contact, repeat contact.

479
00:29:54,520 --> 00:29:57,360
Speaker 1: The entity has entered the subject, doesn't matter if.

480
00:29:57,280 --> 00:30:01,480
Speaker 8: The vessel bleeds out, Roll it over, block up that wound.

481
00:30:02,160 --> 00:30:05,000
Speaker 4: No, God, damn it, chest compressions.

482
00:30:05,120 --> 00:30:08,560
Speaker 8: Never mind that fifty secs of domestic before the move

483
00:30:08,680 --> 00:30:09,960
Speaker 8: and knock her out.

484
00:30:10,600 --> 00:30:15,400
Speaker 9: No, the idiot, don't shoot her quick the spell.

485
00:30:18,720 --> 00:30:21,680
Speaker 10: By the waters of Lethy, we bind thee.

486
00:30:22,360 --> 00:30:25,360
Speaker 4: By the halls of Hades, we bind thee.

487
00:30:26,120 --> 00:30:29,040
Speaker 2: By the real Zeus, we bind thee.

488
00:30:29,480 --> 00:30:29,800
Speaker 10: By the.

489
00:30:33,120 --> 00:30:34,080
Speaker 4: We bind thee.

490
00:30:38,280 --> 00:30:41,160
Speaker 3: So it was the pen they kidnapped you, too.

491
00:30:42,120 --> 00:30:45,400
Speaker 4: Much worse than that, dear sigh. Just as the gods

492
00:30:45,480 --> 00:30:48,719
Speaker 4: long ago imprisoned me in the temple, I am bound

493
00:30:49,040 --> 00:30:52,520
Speaker 4: now to this body. They took also from the sacred

494
00:30:52,600 --> 00:30:57,080
Speaker 4: waters of Lethy, the river of forgetfulness. That, just sigh,

495
00:30:57,840 --> 00:31:03,120
Speaker 4: is the special They control, the source, the well spring

496
00:31:03,200 --> 00:31:06,400
Speaker 4: at the bottom of my old prison. Each morning they

497
00:31:06,480 --> 00:31:10,160
Speaker 4: slip a small amount into our food, removing pieces of

498
00:31:10,240 --> 00:31:14,360
Speaker 4: our memories, one spoonful at a time, and it does

499
00:31:14,480 --> 00:31:18,560
Speaker 4: taste wonderful, I assure you, consuming your own memories. Just

500
00:31:18,640 --> 00:31:22,800
Speaker 4: look at the faces around this room, that vague, glassy,

501
00:31:23,360 --> 00:31:27,680
Speaker 4: lost expression in their eyes. They are docile, simple to control.

502
00:31:28,200 --> 00:31:34,640
Speaker 3: There's a last one closing down God me lollables, Look,

503
00:31:34,760 --> 00:31:37,719
Speaker 3: Lady Nemo, Gillina whatever. I'm not supposed to be here.

504
00:31:37,800 --> 00:31:38,520
Speaker 3: I need to get out.

505
00:31:39,000 --> 00:31:42,200
Speaker 4: I know, just sigh. I know you need to escape,

506
00:31:43,160 --> 00:31:47,280
Speaker 4: and I can help you. Take this vial. It contains

507
00:31:47,360 --> 00:31:52,000
Speaker 4: a portion of my power and can unlock almost any barrier,

508
00:31:52,280 --> 00:31:56,040
Speaker 4: be it a memory or a door. All I ask is,

509
00:31:56,280 --> 00:31:59,760
Speaker 4: should you reach beyond these walls? You pour half into

510
00:32:00,080 --> 00:32:06,000
Speaker 4: the sea. How when Kelly reaches a billion, Peter drops

511
00:32:06,040 --> 00:32:06,959
Speaker 4: his spoon and ceases.

512
00:32:07,360 --> 00:32:10,680
Speaker 11: The cards will be distracted. You will stand with your

513
00:32:10,760 --> 00:32:14,160
Speaker 11: train and walk toward the chow line. When you reach it,

514
00:32:14,600 --> 00:32:18,360
Speaker 11: you will run young side, just as Galina did. Jump

515
00:32:18,440 --> 00:32:20,240
Speaker 11: the line, go straight back into the left.

516
00:32:20,320 --> 00:32:20,960
Speaker 8: Three times.

517
00:32:21,360 --> 00:32:24,160
Speaker 4: You will see a white door. Throw part of this

518
00:32:24,280 --> 00:32:26,960
Speaker 4: water against it, then go through it.

519
00:32:27,640 --> 00:32:34,720
Speaker 8: Do you understand? Well, you're not me one billion?

520
00:32:37,600 --> 00:32:42,760
Speaker 9: It's hair, it's here, he's coy.

521
00:32:50,720 --> 00:32:57,560
Speaker 3: Oh fuck fuck o fuck left left left, Oh god,

522
00:32:57,720 --> 00:33:01,680
Speaker 3: it's real ship the Bible? Okay, here goes?

523
00:33:07,120 --> 00:33:24,360
Speaker 8: What on earth is this the ocean? It's okay, child,

524
00:33:24,440 --> 00:33:25,840
Speaker 8: Everyone tries it, at least once.

525
00:33:26,000 --> 00:33:28,080
Speaker 4: Just take a sip of dish.

526
00:33:28,320 --> 00:33:34,240
Speaker 8: Try to forget. Don't why don't fit In time, you

527
00:33:34,240 --> 00:33:35,680
Speaker 8: will forget all about it.

528
00:33:38,360 --> 00:33:38,560
Speaker 9: Wait?

529
00:33:38,680 --> 00:33:38,880
Speaker 7: Wait?

530
00:33:39,000 --> 00:33:39,960
Speaker 2: Why am I on the floor?

531
00:33:40,960 --> 00:33:42,400
Speaker 8: Good enough? Ready?

532
00:33:43,600 --> 00:33:45,640
Speaker 3: Get what's happening?

533
00:33:45,720 --> 00:33:46,840
Speaker 4: Where are you taking me?

534
00:33:48,040 --> 00:33:51,320
Speaker 2: What the dungeon?

535
00:34:00,120 --> 00:34:00,840
Speaker 8: Oh yea.

536
00:34:09,880 --> 00:34:14,200
Speaker 9: High high.

537
00:34:16,320 --> 00:34:22,600
Speaker 1: Thirteen Days of Halloween Pennance starring Natalie Morales, Episode two, Socialization,

538
00:34:23,000 --> 00:34:27,000
Speaker 1: written by Ben Bolan and Alexander Williams. Editing and sound

539
00:34:27,040 --> 00:34:30,920
Speaker 1: design by Josh Thain, featuring the voices of Morgan Brown,

540
00:34:31,200 --> 00:34:37,000
Speaker 1: Wilbur Fitzgerald, Rachel Rosenbloom, Joseph Whipp, Laura Shine, Miguel Perez,

541
00:34:37,280 --> 00:34:42,680
Speaker 1: Chris j Alex, Wayne Bastrup, Sonny Bowling, Lauren Vogelbaum, Ben Bohlan,

542
00:34:43,040 --> 00:34:48,720
Speaker 1: Blair Chandler, Alex Bowling, Jay Jones, and Raphael Corkill. Directed

543
00:34:48,840 --> 00:34:54,160
Speaker 1: by Alexander Williams. Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky,

544
00:34:54,400 --> 00:34:59,080
Speaker 1: Matt Frederick and Alexander Williams. Supervising producers Trevor Young and

545
00:34:59,280 --> 00:35:04,800
Speaker 1: Josh Thain. Producers Jesse funk Rima Ilkali, Noami Griffin, Chandler Mays,

546
00:35:04,920 --> 00:35:09,560
Speaker 1: and Casby Bias. Script editing by Lauren Vogelbaum, Story consultants

547
00:35:09,640 --> 00:35:13,520
Speaker 1: Ben Bolan and Matthew Riddle. Casting by Sunday Bowling CSA

548
00:35:13,719 --> 00:35:19,200
Speaker 1: and Meg Mormon CSA, Production coordinator Wayna Calderon, Production assistants

549
00:35:19,400 --> 00:35:23,560
Speaker 1: Jenna Johnson and Winona Lowe. Theme music by Rose Azerti

550
00:35:23,840 --> 00:35:27,439
Speaker 1: with vocals by Anna Hummler, recorded at This Is Sound

551
00:35:27,480 --> 00:35:32,760
Speaker 1: Design Studios in Burbank, California, engineered by Ross Aerono, special

552
00:35:32,880 --> 00:35:37,600
Speaker 1: thanks to Romelia Osorio, Nathan Rule, Glenn Nishida, and Rob Mosca.

553
00:35:38,160 --> 00:35:41,160
Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and

554
00:35:41,320 --> 00:35:45,520
Speaker 1: Alexander Williams and is a production of iHeart Podcasts, Blumhouse

555
00:35:45,560 --> 00:35:49,080
Speaker 1: Television and Grimm and Mild from Aaron Makey. Learn more

556
00:35:49,120 --> 00:35:52,920
Speaker 1: about the show at Grimandmild dot com, slash thirteen Days

557
00:35:53,120 --> 00:35:56,960
Speaker 1: and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

558
00:35:57,080 --> 00:35:59,960
Speaker 1: Apple Podcasts, or wherever you listen to your favorite show.

559
00:36:00,880 --> 00:36:01,719
Speaker 1: Happy Halloween.