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Speaker 1: Thirteen Days of Halloween Penance, a co production of iHeart

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Speaker 1: three D Audio Blumhouse Television and Grim and Mild from

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Speaker 1: Aaron Yankee. Headphones recommended Listener discretion advised.

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Speaker 2: What where am I back in Kansas? Dorothy?

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Speaker 3: Is it time for breakfast?

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Speaker 2: I'm not glad breakfast in an hour?

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Speaker 3: What do I do till then?

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Speaker 2: How should I know?

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Speaker 4: Oh?

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Speaker 2: My god?

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Speaker 5: Your names?

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Speaker 2: You're too much?

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Speaker 3: Well they left the door open. So many cells. I

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Speaker 3: didn't even think about the showers. I wonder where this goes?

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Speaker 3: And what do we have here?

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Speaker 6: Weight room, TV room, library, Well, this doesn't seem so confusing,

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Speaker 6: art room, Another room, This one's locked.

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Speaker 3: Locked? Weight room again? Wait, how did I Where did

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Speaker 3: I come in from? You gotta be kidding me? Where's

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Speaker 3: the god?

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Speaker 1: Damn?

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Speaker 7: Oh Jesus Christ, welcome. Sorry, I didn't mean to stalk

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Speaker 7: to you. Can I help you?

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Speaker 3: I am lost?

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Speaker 7: Where are you trying to go?

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Speaker 3: I don't know?

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Speaker 2: Then?

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Speaker 7: How could you be lost?

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Speaker 3: You're the priest in so far that.

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Speaker 7: Labels are important to you. Here they call me the chaplain.

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Speaker 3: Well that's what they call priests in prison.

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Speaker 7: Hospitals too, right, right, right?

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Speaker 3: I almost forgot the party line, we never say the

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Speaker 3: P word around here, just testing you. So you are

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Speaker 3: also insisting to me that this is not some kind

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Speaker 3: of fucked up jail.

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Speaker 7: I was playing yes and yes, and hospitals, schools, labor unions, militaries,

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Speaker 7: chaplains can be found in many places.

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Speaker 3: Well, what do you call this place?

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Speaker 7: The chapel?

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Speaker 3: So what do you want from me?

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Speaker 7: Exactly as I remember you came to me? Is there

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Speaker 7: something on your mind?

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Speaker 3: Why do I get the impression that you are just

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Speaker 3: another prison spy?

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Speaker 7: Maybe because everything that has happened to you recently has

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Speaker 7: been destabilizing, and you've been forced in so many one

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Speaker 7: sided conversations in air quotes where every question comes loaded

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Speaker 7: with ulterior motives that you've been left wondering who, if anyone,

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Speaker 7: you can trust. That's just a guess.

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Speaker 3: It's a good guess. So wait, are you saying that

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Speaker 3: you're the one person in this whole god forsaken place

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Speaker 3: that isn't trying to work one over on me? That

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Speaker 3: you're not going to try to convert me and brainwash

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Speaker 3: me and interrogate me. And I just happen to stumble

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Speaker 3: through your door.

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Speaker 7: I leave it to you to make up your own

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Speaker 7: mind about that, and whether you really think that God

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Speaker 7: has forsaken this place. But I will say there is

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Speaker 7: no obligation here. If you'd like the space to yourself,

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Speaker 7: I can go. But if you'd like to talk, I'm

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Speaker 7: here for that too.

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Speaker 3: I'm not supposed to be here. How do you know

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Speaker 3: I'm innocent?

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Speaker 7: Any of us truly in a sense?

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Speaker 3: Oh whatever, you know that's not what I meant. I'm

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Speaker 3: saying I did not commit any crime, and even if

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Speaker 3: I had, how would I know? Since not a single

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Speaker 3: goddamn person will tell me what I am accused of.

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Speaker 3: I'm sorry. I didn't mean to swear in the chapel.

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Speaker 7: You wouldn't be the first, but you being here it

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Speaker 7: means more than you think you know. I'm not accused.

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Speaker 7: You have been convicted. Ah shit, I'm sorry to be

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Speaker 7: the one to make that clear.

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Speaker 3: No, No, it's just do you know what time it is?

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Speaker 7: My watch has a minute plus six.

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Speaker 3: I'm late for a thing, So.

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Speaker 7: We can do this anytime you like.

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Speaker 3: I'll be here right bye. Peace be with you, and

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Speaker 3: also with you. Rip Si you're can I have back cut? Really?

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Speaker 2: She's new here. Listen, follow right behind me. Don't take

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Speaker 2: anything I don't take and leave when I leave.

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Speaker 3: I appreciate it, but I think I can handle a

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Speaker 3: lunch line. Hey, listen, you ever see anyone outside their

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Speaker 3: rooms after lights out?

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Speaker 2: You mean besides the guards.

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Speaker 3: In the middle of the night, some blonde woman walked

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Speaker 3: right up to my cell. She was barefoot and singing,

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Speaker 3: singing out loud. I realized that sounds crazy.

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Speaker 2: Doubtful to be the craziest thing I hear today.

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Speaker 3: It felt like a dream, but I'm sure it was real.

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Speaker 2: It's a difference. You want bread?

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Speaker 3: Is it? Okay?

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Speaker 2: It's food? Caught you wine? I we'll see.

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Speaker 3: The hell was that?

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Speaker 2: They were calling you my fish?

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Speaker 3: What I am not your? What is this fish? It's

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Speaker 3: always fish, any particular kind. Ain't got all day frip.

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Speaker 2: That's all we need. Let's scoop.

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Speaker 3: But what about the rest of the food.

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Speaker 2: That up there? We call that the special?

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Speaker 3: What's in it?

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Speaker 2: Nothing you want? Hey, Hypna? How much of much struck

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Speaker 2: are you?

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Speaker 3: Honey?

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Speaker 8: Always?

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Speaker 2: This here is shaky, Pete.

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Speaker 3: Please to meet you.

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Speaker 9: Darn it?

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Speaker 2: That draft and our meditating friend here is CALLI.

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Speaker 10: Si Cally, Yes, please to meet you.

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Speaker 3: Forgive me.

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Speaker 10: I have to keep my eyes closed while I count huh.

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Speaker 2: You'll see. And lastly, Galina, do.

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Speaker 4: Not call me that young frip. You know well exactly

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Speaker 4: who I am.

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Speaker 2: Fine, nemo, old timer's this, here's.

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Speaker 10: Cy let's see it, you dear, you still smell it outside?

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Speaker 3: What time is it out there? I mean six thirty? Maybe?

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Speaker 3: Are her eyes always closed?

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Speaker 2: I've never seen them open.

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Speaker 10: It's how they get you, It's how they got beat.

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Speaker 10: I have open my papers and no, no, you know

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Speaker 10: what I mean outside? What year is it out there?

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Speaker 2: Ignore her? Kelly's gone off her? Rugger?

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Speaker 3: What year do you think it is?

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Speaker 2: I said, don't no.

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Speaker 10: Mah, now where was I nine hundred ninety nine million nine.

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Speaker 11: Can want to help me get my spools here?

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Speaker 3: Let me six stay too. I imagine you can lose

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Speaker 3: track of time in a place like this.

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Speaker 11: Yeah, yeah, yeah, it's no use once you get in.

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Speaker 11: It doesn't matter at the time. Hey, you don't get

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Speaker 11: ended of a companion. It gets into us.

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Speaker 3: So this is the old Timers Club, older than you know, mortal.

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Speaker 4: We four may be the only people here with a

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Speaker 4: full awareness of reality. I see for steered you astray

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Speaker 4: from the special capital effort, My lad.

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Speaker 3: Well known, what are you twenty years old.

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Speaker 4: It's an interesting question, my fish, and I'm afraid the

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Speaker 4: answers are not as simple as we would all hope

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Speaker 4: them to be. See our friend Peter there, Peter, Peter,

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Speaker 4: how old are you.

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Speaker 11: Well that that's eve you? When I ad my where

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Speaker 11: I was nineteen, I was nineteen when I got here

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Speaker 11: at twenty five. I think I'm the newest one who

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Speaker 11: I was.

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Speaker 10: By my count, Peter is somewhere between ninety five and

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Speaker 10: thirty two years old. You see, I'm always counting.

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Speaker 2: Heah, we know, head mathematician of the Oldheimers.

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Speaker 3: So wait, what is this old timers club? Exactly like

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Speaker 3: you've been here the longest.

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Speaker 10: I common misconception. No, I'm afraid, and I don't mean afraid.

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Speaker 10: You understand there are many older than us, which is

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Speaker 10: the ones who remember the old time. You'll see time

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Speaker 10: is different here. It doesn't change. Of course, when you're

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Speaker 10: in the thick of it, it feels like nothing really changes,

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Speaker 10: doesn't it. When I was young, in the before, I

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Speaker 10: was a book one, a homely little thing with a

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Speaker 10: job in the university basement. While the other girls made

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Speaker 10: up their faces and to green dances, I coorded Kafka

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Speaker 10: and Servants, and tones so old they had no authors

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Speaker 10: at all. Just once, deep into the evening, I found

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Speaker 10: one book that lacked a title, altogether, bound in leather,

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Speaker 10: stained with time, with page corners sharp as teeth. Took

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Speaker 10: care to avoid touching those edges at first. As I

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Speaker 10: delved into its pages, time slipped. You could say, I

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Speaker 10: realized what I was reading was no exercise in settire,

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Speaker 10: nor some obscure work of fraudulent religion, nor some indulgent

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Speaker 10: flight of fancy. It was a set of instructions, a manual,

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Speaker 10: you could call it. It was, so far as I

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Speaker 10: could tell, a sort of a guide to reality, the

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Speaker 10: collection of desires, a directory to the powers capable of

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Speaker 10: manifesting those desires.

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Speaker 8: I say there are more than nine billion names of God,

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Speaker 8: each with powers all their own. To know these names

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Speaker 8: entire would be to court meanness. Instead, the curious student

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Speaker 8: of the arts needs only meditate on the actions, the

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Speaker 8: mechanisms of these sacred sounds, and all they can achieve.

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Speaker 10: Soon, I wasn't reading the book so much as hearing it.

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Speaker 10: It spoke to me, guided my hand, it is me

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Speaker 10: what I wanted. Normally, I could give a thousand different

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Speaker 10: answers to that question. But this his voice, it already knew,

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Speaker 10: it saw into me. I could not lie. I hated

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Speaker 10: those girls, the ones with all the suitors, the ones

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Speaker 10: in the headlines the book. Knew why I.

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Speaker 8: Want to be one of them. I want to be

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Speaker 8: a star.

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Speaker 10: When the book closed, it took my blood. Drink it

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Speaker 10: up like water soaking into a dessert. I heard it.

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Speaker 10: I know it wasn't a language, eye or any person

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Speaker 10: living could speak, but somehow I understood it. You will

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Speaker 10: have you to say, come to us when the time arrives.

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Speaker 10: Only yes, is that you close your eyes and glish.

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Speaker 10: I work the next day, saw the reach of sculls

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Speaker 10: on the tips of my fingers, deep as a dog bite,

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Speaker 10: and I chose to believe. I quit my job at

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Speaker 10: the university and found the first repertory that would take me.

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Speaker 10: I was going to be the talk of the vaudeville

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Speaker 10: stages from Kansas City all the way to New York.

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Speaker 10: I was going to be a star.

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Speaker 3: I knew it.

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Speaker 12: Thank you, Thank you, ladies and gentlemen. Now we'll have

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Speaker 12: a brief intermission so the ladies can take a powder

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Speaker 12: stick around and avail yourself with the best spirits in

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Speaker 12: camp jack City.

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Speaker 10: Well, boss, what's it look like out there?

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Speaker 7: Just horrid?

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Speaker 11: Edith?

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Speaker 2: You're singing flat this attire? Janis? Then makeup?

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Speaker 5: Are you additioning to be a clown?

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Speaker 8: Now?

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Speaker 10: What about me?

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Speaker 2: You calliope?

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Speaker 5: I've seen cripples with better choreography.

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Speaker 2: Listen you don't.

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Speaker 5: It's one, two, one two left leg, right leg repeat?

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Speaker 11: Pearl wants liftskirt repeat.

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Speaker 2: Can you count?

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Speaker 10: I can I'm sorry, sir, of course I can't.

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Speaker 2: Can you How high can you count? Can you count?

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Speaker 11: Two?

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Speaker 2: It's the number after one?

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Speaker 5: Just close your eyes, close some damn it.

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Speaker 2: Get in that corner. Count to a billion for all

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Speaker 2: I care. You're fired?

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Speaker 3: What could I do?

228
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Speaker 10: I walked to the corner like a scolded child. I

229
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Speaker 10: close my eyes, I counted. I felt so foolish, humiliated.

230
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Speaker 10: Magic of all things?

231
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Speaker 2: Five?

232
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Speaker 10: How long to be far away? For all of this

233
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Speaker 10: to disappear?

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00:14:00,520 --> 00:14:00,880
Speaker 11: Seventh?

235
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Speaker 10: And in my mind the book answered, no, you have returned,

236
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Speaker 10: you granted they will be.

237
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Speaker 3: That's the whole place burned down, two hundred and seventy

238
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Speaker 3: nine people gone, just like that.

239
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Speaker 10: How do you say it's all a misunderstanding? I didn't

240
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Speaker 10: want everyone to die. That wasn't my desire. I wanted

241
00:14:48,120 --> 00:14:53,240
Speaker 10: to be famous. I am going to be famous. Hey

242
00:14:53,320 --> 00:14:56,160
Speaker 10: will come for me and set me free.

243
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Speaker 3: And I'll be a star.

244
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Speaker 11: Who is he?

245
00:15:00,720 --> 00:15:01,000
Speaker 8: Why?

246
00:15:01,560 --> 00:15:01,920
Speaker 10: Satan?

247
00:15:02,000 --> 00:15:04,080
Speaker 3: Of course? Who else?

248
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Speaker 6: Umm?

249
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Speaker 2: Don't ask me, you'll say.

250
00:15:07,960 --> 00:15:11,320
Speaker 10: I'll talk to him again and he'll set everything straight.

251
00:15:12,320 --> 00:15:14,280
Speaker 10: All I have to do is keep my eyes closed

252
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Speaker 10: and I stay in the wish the open eyes. Now

253
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Speaker 10: whatever I see will be reality. This is only a moment. You,

254
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Speaker 10: all of you, are nothing but figments of my imagination.

255
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Speaker 10: I will remember practice each step of the dance in

256
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Speaker 10: my head. Maybe if you're nice, I'll thank you on

257
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Speaker 10: stage when he returns.

258
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Speaker 3: And frees me.

259
00:15:39,280 --> 00:15:41,320
Speaker 2: Why did I tell you crazy?

260
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Speaker 10: This is just a temporary sit back, mind you. Once

261
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Speaker 10: I get the word, I'll open my eyes and I'll

262
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Speaker 10: be on Broadway.

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Speaker 3: It's crucial that.

264
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Speaker 10: I don't forget that.

265
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Speaker 8: And that's why I don'pe bar taking the.

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Speaker 3: Special the special again? Okay, what are you saying? It's

267
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Speaker 3: some kind of mnesia potion.

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Speaker 11: Oh, I don't think we should talk about it. It's

269
00:16:07,800 --> 00:16:12,600
Speaker 11: a secret. You can get into trouble for telling secrets.

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00:16:13,720 --> 00:16:17,720
Speaker 11: That's how I got here. If I forget how it happened.

271
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Speaker 11: I'll be like all the rest. You won't believe it.

272
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Speaker 11: But once upon a time I was a steady man, voice, hands,

273
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Speaker 11: heart and all I sang the old song, and the

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Speaker 11: earth sang back five degrees north, six degrees. I was

275
00:16:52,280 --> 00:16:56,160
Speaker 11: what you call a doodle bug, the dowser, the volume man.

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Speaker 11: It's an ancient vocation. Few members my family had it

277
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Speaker 11: every generation. The others went mad.

278
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Speaker 8: Do you hear it?

279
00:17:07,200 --> 00:17:07,520
Speaker 4: Hear it?

280
00:17:07,600 --> 00:17:07,679
Speaker 9: You?

281
00:17:08,520 --> 00:17:10,200
Speaker 4: It's coming from the ground.

282
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Speaker 11: And I remember how it felt, you know, even out

283
00:17:15,000 --> 00:17:18,080
Speaker 11: in the dust bowld days, I could walk along the

284
00:17:18,160 --> 00:17:22,760
Speaker 11: thirsting calichi of the desert and feel the vibrations you

285
00:17:22,920 --> 00:17:27,159
Speaker 11: call them, the movements of precious things under the horrid

286
00:17:27,240 --> 00:17:31,439
Speaker 11: skin of dessert, like blood flowing through a vein, or

287
00:17:32,040 --> 00:17:38,359
Speaker 11: enormous heart beating waiting to raise its hand and greet

288
00:17:38,440 --> 00:17:43,040
Speaker 11: me in the night. Ah. A lot of folks didn't

289
00:17:43,040 --> 00:17:46,959
Speaker 11: believe in the art. They called me a flim flammer, snake,

290
00:17:47,040 --> 00:17:55,879
Speaker 11: oil sailsman, a carn artist. Till they could desperate, hungry, hopeless.

291
00:17:57,400 --> 00:18:00,960
Speaker 11: You could walk into a town in fields loost of it.

292
00:18:01,720 --> 00:18:06,240
Speaker 11: You could see the grief they wanted to weep. But

293
00:18:06,280 --> 00:18:07,600
Speaker 11: there was no water to spare.

294
00:18:08,000 --> 00:18:09,120
Speaker 10: We can't go on like this.

295
00:18:09,520 --> 00:18:11,680
Speaker 11: There's no crop, there's no far.

296
00:18:11,880 --> 00:18:13,920
Speaker 7: We'll have to move like everyone else where.

297
00:18:14,160 --> 00:18:19,520
Speaker 10: There's nowhere to go.

298
00:18:19,720 --> 00:18:25,200
Speaker 12: Oh, bless you, sir, bless you, hallelujah, you well praise me.

299
00:18:25,840 --> 00:18:30,720
Speaker 11: You are our salvation. There was a murderous drought all

300
00:18:30,760 --> 00:18:33,920
Speaker 11: around the land back then. I must have traveled clear

301
00:18:34,000 --> 00:18:38,480
Speaker 11: across the Great Southwest, finding what little water remained. Did

302
00:18:38,520 --> 00:18:39,560
Speaker 11: I charge for all this?

303
00:18:39,920 --> 00:18:40,240
Speaker 2: Sure?

304
00:18:41,560 --> 00:18:46,560
Speaker 11: It was my livelihood? But I was honest. And you

305
00:18:46,600 --> 00:18:50,760
Speaker 11: can't find what's not there. I'm sorry, there's nothing here.

306
00:18:51,960 --> 00:18:54,119
Speaker 11: Even the folks who believe in the ark, well, my,

307
00:18:54,200 --> 00:18:57,719
Speaker 11: most of them don't understand the truth of it. First

308
00:18:58,680 --> 00:19:01,320
Speaker 11: thousand ain't just for while. If I get the right

309
00:19:01,400 --> 00:19:07,760
Speaker 11: things together, I can divine for don anything lost, treasure lost, people.

310
00:19:08,000 --> 00:19:11,240
Speaker 11: I can find what's forgotten.

311
00:19:12,359 --> 00:19:15,440
Speaker 3: We thought we'd lost you.

312
00:19:15,560 --> 00:19:20,960
Speaker 11: Second, a power like this, it's it's not about taking it.

313
00:19:20,960 --> 00:19:25,720
Speaker 11: It's a trade, a covenant. For everything I douse, the

314
00:19:25,840 --> 00:19:30,600
Speaker 11: land demands something in return, a balance, like watching a

315
00:19:30,680 --> 00:19:35,200
Speaker 11: pendulum swing. I'd save a dying ranch with a new well.

316
00:19:35,320 --> 00:19:39,520
Speaker 11: A week later, cattle would disappear. I'd find a child

317
00:19:39,680 --> 00:19:43,320
Speaker 11: lost in the cliffs and cholera would sweep the town.

318
00:19:43,480 --> 00:19:47,320
Speaker 11: Every miracle has a price, and some are more expensive

319
00:19:47,359 --> 00:19:52,040
Speaker 11: than others old man Gray foul So I'd learned to

320
00:19:52,080 --> 00:19:55,000
Speaker 11: keep moving, never born, a few days in one place,

321
00:19:57,440 --> 00:20:03,080
Speaker 11: getting on still I delivered. People knew I was the

322
00:20:03,080 --> 00:20:09,399
Speaker 11: real McCoy, an actual water man. Wood spread far and

323
00:20:09,680 --> 00:20:14,840
Speaker 11: wide somewhere out in Arizona. I got the letter, but

324
00:20:15,960 --> 00:20:16,919
Speaker 11: it's all I have.

325
00:20:17,160 --> 00:20:18,240
Speaker 2: I'm sorry, Man.

326
00:20:19,920 --> 00:20:28,040
Speaker 11: Peter, I am this hear is for you. I don't

327
00:20:28,080 --> 00:20:31,160
Speaker 11: know how they found me. I should have known right

328
00:20:31,240 --> 00:20:34,439
Speaker 11: then something was wrong, but I was on the run.

329
00:20:35,560 --> 00:20:38,560
Speaker 11: I just doodled bug Vana gold for a nearby prospector,

330
00:20:38,640 --> 00:20:42,040
Speaker 11: and I knew there'd be hell to pay. Asking Earth

331
00:20:42,080 --> 00:20:46,119
Speaker 11: for that much gold. It sets a high price. It

332
00:20:46,160 --> 00:20:49,560
Speaker 11: would be a fire or a plague. I could feel

333
00:20:49,600 --> 00:20:53,119
Speaker 11: the vibrations of it echoing from the future back to

334
00:20:53,160 --> 00:20:57,480
Speaker 11: the present, calling the account's do I needed to be

335
00:20:57,600 --> 00:21:01,040
Speaker 11: long gone before it hit, and this letter coming at

336
00:21:01,080 --> 00:21:03,919
Speaker 11: the exact moment I needed in most a new job

337
00:21:04,640 --> 00:21:10,919
Speaker 11: far away by the coast. Train fair included first class.

338
00:21:11,480 --> 00:21:12,440
Speaker 11: What could I do?

339
00:21:13,520 --> 00:21:14,360
Speaker 3: I left.

340
00:21:16,080 --> 00:21:16,280
Speaker 6: Now?

341
00:21:17,040 --> 00:21:23,280
Speaker 11: I doused from anything in my time. People treasure water

342
00:21:23,359 --> 00:21:26,240
Speaker 11: most of all, it's the safest trade to make. But

343
00:21:26,320 --> 00:21:30,520
Speaker 11: when I got here, they set me on something different.

344
00:21:33,160 --> 00:21:38,400
Speaker 11: I'm not sure I understand. Find the bottom, that's all

345
00:21:38,400 --> 00:21:41,680
Speaker 11: we're cleared to tell you. Well, what am I looking for?

346
00:21:42,040 --> 00:21:44,360
Speaker 2: Management says, you'll know it when you find it.

347
00:21:45,400 --> 00:21:47,720
Speaker 11: You want to get paid, right, And that was it.

348
00:21:48,920 --> 00:21:52,320
Speaker 11: I took out my rod, I sang my songs. I

349
00:21:52,359 --> 00:21:57,080
Speaker 11: stretched my mind beneath up close. It's like putting your

350
00:21:57,080 --> 00:22:03,520
Speaker 11: hand in water. Only this wasn't a this whatever this is,

351
00:22:04,880 --> 00:22:09,119
Speaker 11: it was an ocean. It reached up from the abyss

352
00:22:09,160 --> 00:22:13,119
Speaker 11: of vibration, grabbed hold and put itself inside me.

353
00:22:13,480 --> 00:22:14,080
Speaker 10: He's got it.

354
00:22:14,280 --> 00:22:16,439
Speaker 11: He's got it, your fools, he's having a seizar.

355
00:22:16,520 --> 00:22:18,639
Speaker 9: It's gone it. Lock it down, goddam it.

356
00:22:18,720 --> 00:22:24,480
Speaker 11: Locker, it's still here. It's in me.

357
00:22:24,640 --> 00:22:26,960
Speaker 2: Easy, pete, easy, now.

358
00:22:26,800 --> 00:22:30,119
Speaker 11: It's awake. Now, a long way beneath, but awake. I

359
00:22:32,640 --> 00:22:33,560
Speaker 11: can feel it.

360
00:22:33,560 --> 00:22:39,200
Speaker 3: It's coming for us, your friends.

361
00:22:38,119 --> 00:22:42,840
Speaker 4: We gotta get out, Si Peter, don't let him worry you,

362
00:22:42,960 --> 00:22:46,120
Speaker 4: young lady. He tells us a similar yarn at least

363
00:22:46,119 --> 00:22:49,560
Speaker 4: once a fortnight. I imagine it to be some lunatic

364
00:22:49,640 --> 00:22:52,359
Speaker 4: association with the cycles of the moon.

365
00:22:53,160 --> 00:22:55,320
Speaker 3: You know you seem to be the least crazy person

366
00:22:55,359 --> 00:22:58,680
Speaker 3: I've met here. No offense, frip, Just wait.

367
00:22:59,000 --> 00:23:02,880
Speaker 4: You are both astute and correct, Miss just Cy, will

368
00:23:02,920 --> 00:23:09,199
Speaker 4: do h Clever names do have power, do they not? Clever?

369
00:23:09,520 --> 00:23:12,240
Speaker 3: Sigh? We could call you. I won't be here long

370
00:23:12,359 --> 00:23:16,440
Speaker 3: enough to have a nickname, so just sigh. We'll do well. Then,

371
00:23:17,320 --> 00:23:18,280
Speaker 3: just sigh.

372
00:23:19,200 --> 00:23:21,800
Speaker 4: Allow me to give you a truth of this place.

373
00:23:22,800 --> 00:23:26,840
Speaker 4: I have traveled these halls longer than most. Our budding

374
00:23:26,920 --> 00:23:30,840
Speaker 4: starlet Calliope is correct. One such as you would be

375
00:23:30,840 --> 00:23:35,160
Speaker 4: best advised to stay off menu in another life. This

376
00:23:35,240 --> 00:23:38,199
Speaker 4: small golgatha of bones and guts was any number of

377
00:23:38,240 --> 00:23:41,399
Speaker 4: fish swimming free without a care in the world, just

378
00:23:41,520 --> 00:23:41,840
Speaker 4: like you.

379
00:23:43,119 --> 00:23:45,320
Speaker 3: Hey watch it gross.

380
00:23:45,359 --> 00:23:49,000
Speaker 4: Did you know most mortals believe fish have no memory.

381
00:23:49,600 --> 00:23:53,200
Speaker 4: It assuages them. I think to believe memory does not exist,

382
00:23:53,800 --> 00:23:59,640
Speaker 4: But I assure you all things have memory, fish, people,

383
00:24:00,320 --> 00:24:04,480
Speaker 4: places as well, and the pen struggles with that issue

384
00:24:05,119 --> 00:24:06,240
Speaker 4: even tonight.

385
00:24:07,240 --> 00:24:10,360
Speaker 3: Tonight, it's morning, this is breakfast.

386
00:24:10,680 --> 00:24:11,040
Speaker 9: M hm.

387
00:24:11,600 --> 00:24:14,720
Speaker 4: When was the last time you saw the sunlight the moonlight?

388
00:24:15,560 --> 00:24:20,160
Speaker 4: Simple sigh? I again assure you it is later than

389
00:24:20,240 --> 00:24:25,720
Speaker 4: you think. Eat, drink, be merry. Sometime soon you may

390
00:24:25,760 --> 00:24:28,240
Speaker 4: wish to take the waters of Leafy on your own accord.

391
00:24:28,359 --> 00:24:30,320
Speaker 2: She's not taking the special Galina.

392
00:24:30,400 --> 00:24:32,040
Speaker 3: Wait, are we still talking about this.

393
00:24:32,119 --> 00:24:35,840
Speaker 2: Later, Galina, leave her out of your games. We're not

394
00:24:36,080 --> 00:24:37,600
Speaker 2: having another caval Kaval.

395
00:24:37,640 --> 00:24:39,880
Speaker 4: Should you choose to speak with me directly, young FRep,

396
00:24:39,920 --> 00:24:43,400
Speaker 4: you will say my name, you more than most remember.

397
00:24:43,560 --> 00:24:45,320
Speaker 3: Is someone gonna tell me what the fuck is going

398
00:24:45,359 --> 00:24:45,720
Speaker 3: on here?

399
00:24:45,800 --> 00:24:48,280
Speaker 2: Demo? Don't do it? Please?

400
00:24:48,800 --> 00:24:52,639
Speaker 4: I am more than this fragile shell you see before you,

401
00:24:52,720 --> 00:24:56,760
Speaker 4: Like yourself, like anyone, I find myself caught between one

402
00:24:56,800 --> 00:25:02,720
Speaker 4: place and the next. I the daughter of Titans, the

403
00:25:02,760 --> 00:25:07,879
Speaker 4: goddess of memory Nemosny your people called me. I have

404
00:25:08,040 --> 00:25:11,359
Speaker 4: witnessed all that has passed, or passing or yet to come.

405
00:25:11,840 --> 00:25:16,480
Speaker 4: Imbrood by Zeus. I beget the nine amuses, one for

406
00:25:16,560 --> 00:25:19,359
Speaker 4: each phase of what you call the moon, and one

407
00:25:19,400 --> 00:25:22,439
Speaker 4: more A secret I tell no man, for a secret

408
00:25:22,600 --> 00:25:26,560
Speaker 4: kept by one is the most powerful of arts.

409
00:25:28,520 --> 00:25:35,240
Speaker 2: What she's the well god of memory, she thinks, and

410
00:25:35,280 --> 00:25:37,520
Speaker 2: now the most unsuccessful escape artists in the.

411
00:25:37,480 --> 00:25:43,560
Speaker 4: Pen True Shane, I am young Si, trapped in this.

412
00:25:43,840 --> 00:25:48,760
Speaker 13: Mortal vessel, in perversion of my being, all to protect

413
00:25:48,880 --> 00:25:52,080
Speaker 13: this place you call the pen. I am in a

414
00:25:52,080 --> 00:25:56,400
Speaker 13: prison within a prison, and while this vessel constrains my powers,

415
00:25:56,440 --> 00:26:02,960
Speaker 13: it does not prevent me from my thoughts. I was

416
00:26:03,000 --> 00:26:06,560
Speaker 13: a journalist, a real one, working in the field, writing

417
00:26:06,600 --> 00:26:08,760
Speaker 13: about conflict at the time.

418
00:26:08,960 --> 00:26:12,440
Speaker 4: My editor wanted me covering Vietnam, but I was more

419
00:26:12,440 --> 00:26:13,840
Speaker 4: interested in Cyprus.

420
00:26:14,359 --> 00:26:16,240
Speaker 5: For any who are now just joining the program, we

421
00:26:16,280 --> 00:26:18,600
Speaker 5: can confirm the nations of Turkey and Greece are at

422
00:26:18,680 --> 00:26:21,520
Speaker 5: war on the shores of Cypress. Turkish forces invaded early

423
00:26:21,560 --> 00:26:24,200
Speaker 5: this morning following a long dispute over the nationality of

424
00:26:24,240 --> 00:26:26,600
Speaker 5: the island. A word before we continue. Some of the

425
00:26:26,600 --> 00:26:28,480
Speaker 5: footage you're about to see is disturbing.

426
00:26:29,200 --> 00:26:31,919
Speaker 4: The West chose Greece in the invasion. This wasn't a

427
00:26:31,960 --> 00:26:35,760
Speaker 4: loud declaration, but it was certain they'd already run the numbers,

428
00:26:35,840 --> 00:26:39,200
Speaker 4: called the banking cartels, and chosen their investment. The Cold

429
00:26:39,200 --> 00:26:42,880
Speaker 4: War loomed, and every war was a war of economics,

430
00:26:43,680 --> 00:26:47,920
Speaker 4: real politic, they called it. Landing on the shores of Pentomile,

431
00:26:48,119 --> 00:26:52,480
Speaker 4: the chaos was evident, the horror palpable, and a press

432
00:26:52,480 --> 00:26:56,040
Speaker 4: pass doesn't save you from a mortar shell. Minutes into

433
00:26:56,119 --> 00:26:59,800
Speaker 4: our excursion, I watched my photographer take a bullet to

434
00:26:59,840 --> 00:27:03,639
Speaker 4: the gout another to the face so fast I realized

435
00:27:03,680 --> 00:27:08,239
Speaker 4: he didn't have time to scream. So I ran for

436
00:27:08,320 --> 00:27:12,960
Speaker 4: how long I could not say. Looking back, I wonder

437
00:27:13,000 --> 00:27:20,639
Speaker 4: if something guided me through the forest. I didn't recognize

438
00:27:20,680 --> 00:27:25,880
Speaker 4: the ruins at first. They were overgrown, ringed by an

439
00:27:25,920 --> 00:27:30,920
Speaker 4: old chain link fence. Signs read keep out, some in Greek,

440
00:27:31,200 --> 00:27:34,680
Speaker 4: others in Turkish. I could still hear the artillery in

441
00:27:34,720 --> 00:27:41,200
Speaker 4: the distance, so I jumped the fence. I entered the ruins. Ah,

442
00:27:41,560 --> 00:27:44,280
Speaker 4: if I could only find a bolt hole, a little

443
00:27:44,320 --> 00:27:47,720
Speaker 4: place to stay unseen for a few hours, maybe I

444
00:27:47,760 --> 00:27:50,960
Speaker 4: could spend the night here, I told myself. Then get

445
00:27:50,960 --> 00:27:53,719
Speaker 4: out to nearby towns, find a telex, and tell the story.

446
00:27:55,760 --> 00:27:59,439
Speaker 4: Choked beneath the underbrush, I could see old stones carved

447
00:27:59,480 --> 00:28:03,359
Speaker 4: with a l which I didn't recognize. I entered a

448
00:28:03,480 --> 00:28:08,679
Speaker 4: rough hewn doorway, limped down cracked stone steps, and emerged

449
00:28:08,760 --> 00:28:13,639
Speaker 4: in a huge hall underground, where I came face to

450
00:28:13,760 --> 00:28:20,240
Speaker 4: face with a statue holy a female figure, robed, hands

451
00:28:20,359 --> 00:28:26,480
Speaker 4: spread as if in invitation warning. I wasn't sure, but

452
00:28:26,640 --> 00:28:30,480
Speaker 4: I knew this was a temple and it had to

453
00:28:30,520 --> 00:28:36,320
Speaker 4: be ancient. The statue loomed over me. I found myself

454
00:28:36,440 --> 00:28:40,720
Speaker 4: lost in her fearsome visage. I didn't hear them coming

455
00:28:40,840 --> 00:28:44,160
Speaker 4: behind me. The bullet caught me in the hip, brought

456
00:28:44,160 --> 00:28:47,280
Speaker 4: me to my knees, bleeding out in the dirt. I

457
00:28:47,400 --> 00:28:50,840
Speaker 4: looked up at the statue, and for the first time

458
00:28:50,880 --> 00:29:02,720
Speaker 4: in my life, I prayed, Dear God, God's anyone, please.

459
00:29:03,200 --> 00:29:04,520
Speaker 10: Please don't let it end like this.

460
00:29:05,480 --> 00:29:10,800
Speaker 4: People need to know to remember. Oh, I'll do anything,

461
00:29:11,360 --> 00:29:17,440
Speaker 4: Please just help me. And as I was on the

462
00:29:17,560 --> 00:29:20,800
Speaker 4: verge of death, something answered.

463
00:29:21,720 --> 00:29:22,800
Speaker 3: It took me.

464
00:29:23,480 --> 00:29:25,959
Speaker 4: I felt as though my body was a car and

465
00:29:26,000 --> 00:29:28,959
Speaker 4: I had been pushed into the back seat. When I

466
00:29:29,000 --> 00:29:31,480
Speaker 4: tried to scream, my voice was no longer my own.

467
00:29:34,040 --> 00:29:38,240
Speaker 9: And so the Galina vessel found me. Pulled from depths

468
00:29:38,360 --> 00:29:43,600
Speaker 9: beyond this mortal world, summoned after untold ages by a

469
00:29:43,680 --> 00:29:50,800
Speaker 9: new disciple, I rose with great wrath to seek my revenge.

470
00:29:51,360 --> 00:29:54,240
Speaker 3: We've got it. Contact, repeat contact.

471
00:29:54,520 --> 00:29:56,880
Speaker 1: The entity has entered the subject.

472
00:29:56,480 --> 00:29:59,680
Speaker 10: Doesn't matter if the vessel bleeds out, Roll it over,

473
00:30:00,520 --> 00:30:01,520
Speaker 10: block up that wound.

474
00:30:02,160 --> 00:30:03,239
Speaker 3: No, God, damn it.

475
00:30:04,400 --> 00:30:05,000
Speaker 2: Chest compressions.

476
00:30:05,120 --> 00:30:07,360
Speaker 10: Never mind that fifty see seeds.

477
00:30:07,160 --> 00:30:10,640
Speaker 11: Of domestic before the move and knock her out, No,

478
00:30:11,080 --> 00:30:15,400
Speaker 11: the idiot, don't shoot her quick the spell.

479
00:30:18,720 --> 00:30:22,760
Speaker 13: By the waters of Lethy, we bind thee. By the

480
00:30:22,800 --> 00:30:24,800
Speaker 13: halls of Hades.

481
00:30:24,440 --> 00:30:25,560
Speaker 3: We bind thee.

482
00:30:26,120 --> 00:30:32,720
Speaker 13: By the real Zeus, we bind thee.

483
00:30:33,120 --> 00:30:35,880
Speaker 11: We bind thee.

484
00:30:38,280 --> 00:30:41,880
Speaker 3: So it was the pen they kidnapped you, too.

485
00:30:42,120 --> 00:30:45,440
Speaker 4: Much worse than that, dear sigh. Just as the gods

486
00:30:45,480 --> 00:30:48,760
Speaker 4: long ago imprisoned me in the temple, I am bound

487
00:30:49,040 --> 00:30:52,560
Speaker 4: now to this body. They took also from the sacred

488
00:30:52,600 --> 00:30:57,160
Speaker 4: waters of Lethy, the river of forgetfulness. That, just sigh,

489
00:30:57,840 --> 00:31:03,160
Speaker 4: is the special They control, the source, the well spring

490
00:31:03,200 --> 00:31:06,440
Speaker 4: at the bottom of my old prison. Each morning they

491
00:31:06,480 --> 00:31:10,200
Speaker 4: slip a small amount into our food, removing pieces of

492
00:31:10,240 --> 00:31:14,400
Speaker 4: our memories, one spoonful at a time, and it does

493
00:31:14,480 --> 00:31:18,600
Speaker 4: taste wonderful, I assure you, consuming your own memories. Just

494
00:31:18,640 --> 00:31:22,840
Speaker 4: look at the faces around this room, that vague, glassy,

495
00:31:23,360 --> 00:31:27,720
Speaker 4: lost expression in their eyes. They are docile, simple to control.

496
00:31:28,200 --> 00:31:30,120
Speaker 10: There's a last one closing down.

497
00:31:30,960 --> 00:31:36,920
Speaker 3: Got me lollables, Look, lady Nemo, Gillina whatever, I'm not

498
00:31:36,960 --> 00:31:39,320
Speaker 3: supposed to be here. I need to get out. I know,

499
00:31:39,800 --> 00:31:40,560
Speaker 3: just sigh.

500
00:31:41,000 --> 00:31:44,120
Speaker 4: I know you need to escape, and I can help you.

501
00:31:45,440 --> 00:31:49,120
Speaker 4: Take this vial. It contains a portion of my power

502
00:31:49,600 --> 00:31:53,040
Speaker 4: and can unlock almost any barrier, be it a memory

503
00:31:53,760 --> 00:31:56,920
Speaker 4: or a door. All I ask is, should you reach

504
00:31:56,960 --> 00:32:02,920
Speaker 4: beyond these walls? You pour half into the sea. How

505
00:32:03,600 --> 00:32:07,000
Speaker 4: when Kelly reaches a billion, Peter drops his spoon and ceases.

506
00:32:07,360 --> 00:32:10,680
Speaker 4: The cards will be distracted. You will stand with your

507
00:32:10,760 --> 00:32:14,280
Speaker 4: train and walk toward the chow line. When you reach it,

508
00:32:14,600 --> 00:32:18,400
Speaker 4: you will run young side, just as Galina did. Jump

509
00:32:18,440 --> 00:32:20,280
Speaker 4: the line, go straight back into the left.

510
00:32:20,320 --> 00:32:21,040
Speaker 3: Three times.

511
00:32:21,360 --> 00:32:22,800
Speaker 4: You will see a white door.

512
00:32:23,360 --> 00:32:24,160
Speaker 10: Throw part of.

513
00:32:24,120 --> 00:32:31,959
Speaker 4: This water against it, then go through it. Do you understand?

514
00:32:32,680 --> 00:32:34,720
Speaker 3: Well, you're not me one billion?

515
00:32:35,760 --> 00:32:45,240
Speaker 11: Here it's hair, it's here, he's coing.

516
00:32:50,720 --> 00:32:57,600
Speaker 3: Oh fuck fuck o fuck left left left, Oh god,

517
00:32:57,720 --> 00:33:07,640
Speaker 3: it's real ship the Bible? Okay, here goes What on

518
00:33:07,920 --> 00:33:12,720
Speaker 3: earth is this the ocean?

519
00:33:23,120 --> 00:33:25,920
Speaker 10: It's okay, child, Everyone tries it, at least once.

520
00:33:26,000 --> 00:33:29,560
Speaker 3: Just take a sip of thissh. Try to forget.

521
00:33:29,640 --> 00:33:33,600
Speaker 10: Don't why don't fit.

522
00:33:33,640 --> 00:33:35,840
Speaker 8: In time, you will forget all about it.

523
00:33:38,360 --> 00:33:38,920
Speaker 11: Wait? Wait?

524
00:33:39,000 --> 00:33:43,440
Speaker 3: Why am I on the floor? Good enough? Ready?

525
00:33:43,600 --> 00:33:44,000
Speaker 2: Get up?

526
00:33:44,880 --> 00:33:49,600
Speaker 3: What's happening? Where are you taking me?

527
00:33:48,040 --> 00:33:51,360
Speaker 2: What the dungeon?

528
00:34:00,120 --> 00:34:00,360
Speaker 4: Oh?

529
00:34:00,520 --> 00:34:10,600
Speaker 3: Yea high.

530
00:34:13,840 --> 00:34:14,200
Speaker 2: High?

531
00:34:16,320 --> 00:34:22,640
Speaker 1: Thirteen Days of Halloween Pennance starring Natalie Morales Episode two, Socialization,

532
00:34:23,000 --> 00:34:27,040
Speaker 1: written by Ben Bolan and Alexander Williams. Editing and sound

533
00:34:27,040 --> 00:34:30,920
Speaker 1: design by Josh Thain, featuring the voices of Morgan Brown,

534
00:34:31,200 --> 00:34:37,000
Speaker 1: Wilbur Fitzgerald, Rachel Rosenbloom, Joseph Whipp, Laura Shine, Miguel Perez,

535
00:34:37,280 --> 00:34:42,680
Speaker 1: Chris j Alex, Wayne Bastrup, Sonny Bowling, Lauren Vogelbaum, Ben Bohlan,

536
00:34:43,040 --> 00:34:48,760
Speaker 1: Blair Chandler, Alex Bowling, Jay Jones, and Raphael Corkill. Directed

537
00:34:48,840 --> 00:34:54,160
Speaker 1: by Alexander Williams. Executive producers Aaron Mankey, Noah Feinberg, Chris Dicky,

538
00:34:54,400 --> 00:34:59,120
Speaker 1: Matt Frederick and Alexander Williams. Supervising producers Trevor Young and

539
00:34:59,280 --> 00:35:04,800
Speaker 1: Josh Thain. Producers Jesse funk rima Ilkali, Noami Griffin, Chandler Mays,

540
00:35:04,920 --> 00:35:09,600
Speaker 1: and Casby Bias. Script editing by Lauren Vogelbaum, Story consultants

541
00:35:09,640 --> 00:35:13,520
Speaker 1: Ben Bolan and Matthew Riddle. Casting by Sunday Bowling CSA

542
00:35:13,719 --> 00:35:19,279
Speaker 1: and Meg Mormon CSA, Production coordinator Wayna Calderon, Production assistants

543
00:35:19,400 --> 00:35:23,600
Speaker 1: Jenna Johnson and Winona Lowe. Theme music by Rose Azerti

544
00:35:23,840 --> 00:35:27,480
Speaker 1: with vocals by Anna Hummler, recorded at this is Sound

545
00:35:27,480 --> 00:35:32,840
Speaker 1: Design Studios in Burbank, California, engineered by Ross Aerono, special

546
00:35:32,880 --> 00:35:37,919
Speaker 1: thanks to Romelia Osorio, Nathan Rule, Glenn Nishida, and Rob Mosca.

547
00:35:38,160 --> 00:35:41,200
Speaker 1: Thirteen Days of Halloween was created by Matt Frederick and

548
00:35:41,320 --> 00:35:45,520
Speaker 1: Alexander Williams and is a production of iHeart Podcasts, Blumhouse

549
00:35:45,560 --> 00:35:49,120
Speaker 1: Television and Grimm and Mild from Aaron Makey. Learn more

550
00:35:49,160 --> 00:35:52,960
Speaker 1: about the show at Grimandmild dot com, slash thirteen Days

551
00:35:53,120 --> 00:35:57,040
Speaker 1: and find more podcasts from iHeartRadio by visiting the iHeartRadio app,

552
00:35:57,080 --> 00:36:00,000
Speaker 1: Apple Podcasts, or wherever you listen to your favorite show.

553
00:36:00,880 --> 00:36:01,759
Speaker 1: Happy Halloween.