1 00:00:00,320 --> 00:00:02,880 Speaker 1: Brought to you by the reinvented two thousand twelve camera. 2 00:00:03,200 --> 00:00:08,920 Speaker 1: It's ready. Are you get in touch with technology with 3 00:00:09,080 --> 00:00:17,920 Speaker 1: tech Stuff from how stuff works dot com. Hello there, everybody, 4 00:00:17,920 --> 00:00:20,279 Speaker 1: and welcome to tech stuff. My name is Chris Poulette, 5 00:00:20,280 --> 00:00:22,360 Speaker 1: and I am the tech editor here at how stuff 6 00:00:22,360 --> 00:00:25,800 Speaker 1: works dot com, sending across from me as usual as 7 00:00:25,880 --> 00:00:31,200 Speaker 1: senior writer Jonathan Strickland. We're living in a material world. 8 00:00:32,040 --> 00:00:35,120 Speaker 1: You know, I'm not going there. It's because our our 9 00:00:35,159 --> 00:00:39,840 Speaker 1: guest producer, Liz called me a prima madonna, just because 10 00:00:39,840 --> 00:00:41,560 Speaker 1: I said that I can't work like this and I 11 00:00:41,640 --> 00:00:44,199 Speaker 1: would be in my trailer. By the way, my trailer 12 00:00:44,520 --> 00:00:49,000 Speaker 1: is underneath my cubicle. That explains the trash. Yeah, it does, 13 00:00:49,360 --> 00:00:51,599 Speaker 1: lots of trailer trash. You know what, Before we get 14 00:00:51,640 --> 00:00:53,760 Speaker 1: into a total rat hole here, I think we could 15 00:00:53,760 --> 00:00:57,279 Speaker 1: talk a little bit about some pumpkins. Pumpkins, Yes, all right, 16 00:00:57,520 --> 00:00:59,640 Speaker 1: what do you like to when you look at a pumpkin? 17 00:01:00,120 --> 00:01:03,120 Speaker 1: What do you think? I'm thinking I prefer it that 18 00:01:03,200 --> 00:01:06,560 Speaker 1: way and not as a pie. Really, I think I 19 00:01:06,600 --> 00:01:09,640 Speaker 1: would love to see that move at a high velocity 20 00:01:09,680 --> 00:01:12,720 Speaker 1: and splat into the ground as hard as possible, preferably 21 00:01:13,200 --> 00:01:16,720 Speaker 1: as far away from its origin possible. In fact, I 22 00:01:16,760 --> 00:01:20,680 Speaker 1: spend hours thinking of ways to propel a pumpkin through 23 00:01:20,720 --> 00:01:25,320 Speaker 1: mechanical means, through the air, onto the ground and splat 24 00:01:25,319 --> 00:01:27,760 Speaker 1: into a thousand pieces. Alright, then, so what is the 25 00:01:27,800 --> 00:01:30,360 Speaker 1: best way to achieve that? Well, it turns out the 26 00:01:30,400 --> 00:01:32,560 Speaker 1: best way to achieve it is to watch people who 27 00:01:32,640 --> 00:01:34,880 Speaker 1: already know what they're doing. And you can do just 28 00:01:35,120 --> 00:01:38,520 Speaker 1: that because the Science Channel has two television shows, the 29 00:01:38,600 --> 00:01:41,639 Speaker 1: Road to Punkin Chunkin and punkin Chunking, that are airing 30 00:01:42,360 --> 00:01:48,640 Speaker 1: on Thanksgiving Day, which would be November at eight p 31 00:01:48,840 --> 00:01:50,760 Speaker 1: m on the Science Channel. Yes, eight p m is 32 00:01:50,800 --> 00:01:53,440 Speaker 1: the Road to Punkin Chunkin. Nine pm is punkin Chunkin. 33 00:01:53,920 --> 00:01:56,800 Speaker 1: You two can watch as pumpkins do what they were 34 00:01:56,840 --> 00:01:59,360 Speaker 1: born to do, fly through the air and smash into 35 00:01:59,400 --> 00:02:02,760 Speaker 1: the ground. Ah. Yes, and hopefully noone will make pie 36 00:02:02,760 --> 00:02:06,440 Speaker 1: out of them afterwards, I would hope, not sowing the 37 00:02:06,480 --> 00:02:10,280 Speaker 1: seeds of destruction. You might say, yes. Indeed, I wouldn't 38 00:02:10,320 --> 00:02:13,480 Speaker 1: say that, but you might I would. All right, Well, 39 00:02:13,560 --> 00:02:17,240 Speaker 1: let's move on. Today's topic actually comes to us courtesy 40 00:02:17,320 --> 00:02:23,960 Speaker 1: of a little listener mail. This listener mail comes from 41 00:02:24,000 --> 00:02:29,680 Speaker 1: Brian in Vegas, Viva Las Vegas, Brian, He writes, Hey, guys, 42 00:02:29,840 --> 00:02:32,240 Speaker 1: love the podcast. Got a question for you, guys, what 43 00:02:32,560 --> 00:02:35,959 Speaker 1: is the difference between Blu ray and DVD? I own 44 00:02:36,080 --> 00:02:38,440 Speaker 1: both but can't tell the difference by looking at them. 45 00:02:38,600 --> 00:02:42,040 Speaker 1: Is that the way they encode the disks? Brian and Vegas. Well, Brian, 46 00:02:42,040 --> 00:02:43,600 Speaker 1: we're going to talk a bit about DVDs and a 47 00:02:43,600 --> 00:02:46,400 Speaker 1: little bit about Blu ray and what the differences and uh, 48 00:02:46,480 --> 00:02:49,600 Speaker 1: and you know why there's two different sets of all 49 00:02:49,639 --> 00:02:51,840 Speaker 1: the movies that you want to see in your local 50 00:02:51,840 --> 00:02:55,720 Speaker 1: movie store. And if we're lucky, we can manage to 51 00:02:55,760 --> 00:02:59,919 Speaker 1: get through the entire thing without quoting an Austin Powers movie, 52 00:03:01,080 --> 00:03:05,680 Speaker 1: because it all comes down to one simple thing. Freaking lasers. 53 00:03:09,040 --> 00:03:10,760 Speaker 1: Just get it all the way. Look, I got the 54 00:03:10,800 --> 00:03:15,079 Speaker 1: hairstyle for Dr Evil, so I'm just gonna go with it. Yeah, lasers, 55 00:03:15,200 --> 00:03:18,880 Speaker 1: Yeah exactly. So first of all, before we before we 56 00:03:18,960 --> 00:03:21,520 Speaker 1: really dig into it, let's talk a bit about digitally 57 00:03:21,639 --> 00:03:27,320 Speaker 1: encoding information onto a disc format. This applies to compact discs, DVDs, 58 00:03:27,360 --> 00:03:33,880 Speaker 1: blue rays, and even the limited HD DVD, also DVD audio, yeah, 59 00:03:34,040 --> 00:03:36,200 Speaker 1: other other formats as well, but really, any kind of 60 00:03:36,200 --> 00:03:42,080 Speaker 1: digital encoding upon a disc um So it's sort of 61 00:03:42,160 --> 00:03:45,840 Speaker 1: similar in a way to the analog way of encoding 62 00:03:45,960 --> 00:03:51,360 Speaker 1: sound on a vinyl disc, only in the sense that 63 00:03:51,800 --> 00:03:55,240 Speaker 1: you have to spend the disk and and a reading 64 00:03:55,280 --> 00:03:59,280 Speaker 1: mechanism goes across the disc and picks up information. Now 65 00:03:59,320 --> 00:04:02,680 Speaker 1: in the case, yeah, I wouldn't say that's completely that 66 00:04:02,840 --> 00:04:05,800 Speaker 1: that's the only way. Well, maybe not, but we're talking 67 00:04:05,840 --> 00:04:07,800 Speaker 1: the difference between digital and analog. There's a lot of 68 00:04:08,040 --> 00:04:10,840 Speaker 1: There are a lot of differences. Well actually yeah, I 69 00:04:10,840 --> 00:04:13,240 Speaker 1: mean the main one being nothing actually touches the disk, 70 00:04:13,520 --> 00:04:18,520 Speaker 1: and in in the newer polycarbonate discs. But in both 71 00:04:18,560 --> 00:04:21,160 Speaker 1: cases it is the surface of the disk which is 72 00:04:21,680 --> 00:04:25,240 Speaker 1: uh has has has a texture. It doesn't look like 73 00:04:25,400 --> 00:04:28,080 Speaker 1: a DVD has texture, but it does, right, So the 74 00:04:28,320 --> 00:04:32,159 Speaker 1: DVD has these tiny little bumps. It's there. Usually you 75 00:04:32,200 --> 00:04:35,480 Speaker 1: hear about DVD pits. The pit is on one side 76 00:04:35,480 --> 00:04:38,039 Speaker 1: of the DVD, but the side that is actually read 77 00:04:38,080 --> 00:04:41,960 Speaker 1: by the freaking laser beam that side. It's more of 78 00:04:42,000 --> 00:04:45,680 Speaker 1: a bump. And these bumps are tiny, and I'm talking 79 00:04:45,720 --> 00:04:49,480 Speaker 1: tinier than microscopic. We're talking on the nanoscale tiny, which 80 00:04:49,560 --> 00:04:51,840 Speaker 1: is why they appear flat to us. Yeah, of course 81 00:04:51,839 --> 00:04:53,200 Speaker 1: you can. You can try to smash them out with 82 00:04:53,200 --> 00:04:56,200 Speaker 1: a hammer, but I wouldn't recommend it because that will 83 00:04:56,240 --> 00:05:00,640 Speaker 1: break your dvdsy So, um, we're talking that, like I said, 84 00:05:00,640 --> 00:05:07,279 Speaker 1: in the nanometers range. Uh, the I'll tell you right. So, 85 00:05:07,279 --> 00:05:13,640 Speaker 1: so a typical bump on a DVD would be about um, 86 00:05:13,920 --> 00:05:19,479 Speaker 1: three and twenty nanometers in width, like like wide, which 87 00:05:19,520 --> 00:05:24,440 Speaker 1: is pretty narrows long, which is also not that long. 88 00:05:25,160 --> 00:05:28,320 Speaker 1: These are tiny, tiny little bumps, and uh, a red 89 00:05:28,600 --> 00:05:33,520 Speaker 1: laser reads these bumps. Yeah. The DVD players and and 90 00:05:33,600 --> 00:05:39,160 Speaker 1: c D audio players use red lasers to read the disks. Yeah, 91 00:05:39,279 --> 00:05:45,000 Speaker 1: So here's here's what's happening. A laser gets the the 92 00:05:45,080 --> 00:05:47,920 Speaker 1: DVD player or CD players shoots the laser that gets 93 00:05:47,960 --> 00:05:51,400 Speaker 1: reflected by these different little bumps and by the smooth 94 00:05:51,440 --> 00:05:54,520 Speaker 1: spaces between the bumps, and the difference in that is 95 00:05:54,560 --> 00:05:58,680 Speaker 1: what is interpreted by the machine as bits and bites, 96 00:05:58,920 --> 00:06:01,800 Speaker 1: and that in turn is what ends up being converted 97 00:06:01,839 --> 00:06:04,240 Speaker 1: into the video and audio that you experience when you 98 00:06:04,279 --> 00:06:08,440 Speaker 1: PLoP a DVD or Blu Ray into a DVD or 99 00:06:08,480 --> 00:06:11,480 Speaker 1: Blue Ray player and you turn your TV. The difference 100 00:06:11,680 --> 00:06:15,680 Speaker 1: is a matter of size, right, because a Blu ray 101 00:06:15,720 --> 00:06:20,080 Speaker 1: player can read bumps that are much much smaller than 102 00:06:20,320 --> 00:06:23,560 Speaker 1: a DVD player. And why is that? It's because of 103 00:06:23,760 --> 00:06:27,880 Speaker 1: freaking lasers. Yes, the blue ray actually got its name 104 00:06:27,960 --> 00:06:30,800 Speaker 1: from the fact that it uses a blue laser. Yes, 105 00:06:30,839 --> 00:06:34,200 Speaker 1: that's the blue ray right right. And uh, it has 106 00:06:34,240 --> 00:06:38,440 Speaker 1: a shorter wavelength of light wavelength. So that's that's the 107 00:06:38,480 --> 00:06:40,960 Speaker 1: whole thing. Because it has a shorter wavelength, it can 108 00:06:41,000 --> 00:06:46,520 Speaker 1: read information in a smaller track. Right. So, um, we're 109 00:06:46,520 --> 00:06:49,000 Speaker 1: talking about like like when you think of the spectrum 110 00:06:49,040 --> 00:06:52,080 Speaker 1: of colors, that's what we're talking about, the wavelength. So 111 00:06:52,560 --> 00:06:56,200 Speaker 1: roy g Biv. Although I think they took out the eye, 112 00:06:56,440 --> 00:06:59,239 Speaker 1: didn't they. I don't think there's no longer an indigo. 113 00:06:59,400 --> 00:07:01,360 Speaker 1: I think it goes is blue to violet now because 114 00:07:01,400 --> 00:07:04,000 Speaker 1: there was a discussion about how indigo and violet are 115 00:07:04,080 --> 00:07:07,200 Speaker 1: too close to one another to be considered separate. I 116 00:07:07,760 --> 00:07:10,800 Speaker 1: might did the school that I am familiar with they 117 00:07:10,800 --> 00:07:14,840 Speaker 1: are still teaching. Yeah, but we're in Georgia. So Roy 118 00:07:14,920 --> 00:07:19,600 Speaker 1: g Biv. The the color what a what a dirty look? 119 00:07:19,640 --> 00:07:23,160 Speaker 1: I got the Uh? I went to school in Georgia too. 120 00:07:23,440 --> 00:07:27,520 Speaker 1: But the colors go from the longer wavelengths to the 121 00:07:27,520 --> 00:07:31,440 Speaker 1: shorter wavelengths, So a red laser has a longer wavelength 122 00:07:31,640 --> 00:07:35,080 Speaker 1: um than a blue laser. Uh. So the red lasers 123 00:07:35,120 --> 00:07:39,240 Speaker 1: wavelength is about six d and fifty nanometers or rnometers 124 00:07:39,280 --> 00:07:42,800 Speaker 1: if you prefer, I do prefer nenometers. I'm saying nanometers. 125 00:07:42,840 --> 00:07:45,320 Speaker 1: And then the blue laser has four hundred and five 126 00:07:46,040 --> 00:07:49,560 Speaker 1: four and five nanometer wavelength. So that means that the 127 00:07:49,560 --> 00:07:53,520 Speaker 1: blue laser can actually focus on a smaller bump than 128 00:07:53,680 --> 00:07:57,040 Speaker 1: the red laser. Thus you are able to fit more 129 00:07:57,160 --> 00:08:01,640 Speaker 1: bumps and uh and the flat tracks between bumps on 130 00:08:01,920 --> 00:08:05,480 Speaker 1: a blu ray DVD than you would on a regular DVD. 131 00:08:06,920 --> 00:08:10,640 Speaker 1: What this translates to for you and me mean is 132 00:08:10,720 --> 00:08:14,520 Speaker 1: the dig capacity of storing a high definition film versus 133 00:08:14,520 --> 00:08:20,440 Speaker 1: a standard definition film. Right, so high definition audio and video, 134 00:08:21,120 --> 00:08:23,560 Speaker 1: why should just say high definition video? High definition audio 135 00:08:23,640 --> 00:08:26,720 Speaker 1: doesn't really mean anything. High definition video takes up a 136 00:08:26,760 --> 00:08:30,840 Speaker 1: lot of space, so much space that I A. If 137 00:08:30,840 --> 00:08:33,080 Speaker 1: you want to try and pack more than an hour 138 00:08:33,160 --> 00:08:38,600 Speaker 1: and a half of of a high definition content greater 139 00:08:38,679 --> 00:08:45,480 Speaker 1: than seven lines of resolution, you're gonna need something besides 140 00:08:45,520 --> 00:08:48,400 Speaker 1: a regular DVD, because even with video compression, it just 141 00:08:48,440 --> 00:08:52,120 Speaker 1: can't do. Oh, I can't do it uncompressed, and um, 142 00:08:52,160 --> 00:08:56,240 Speaker 1: even with video compression, it can't hold that much information. Really, 143 00:08:56,280 --> 00:08:59,680 Speaker 1: a single layer DVD only holds four point seven gigabytes. 144 00:09:01,000 --> 00:09:04,360 Speaker 1: I love that. I love only because I'm that's a 145 00:09:04,400 --> 00:09:06,880 Speaker 1: lot of information. Yeah. I think back to I think 146 00:09:06,880 --> 00:09:11,560 Speaker 1: back to the days of CDs coming out and thinking, Wow, 147 00:09:11,880 --> 00:09:14,840 Speaker 1: on one disc, I can hold that much information? Who 148 00:09:14,920 --> 00:09:19,640 Speaker 1: would ever need more than? Right? I mean seven hundred megs. 149 00:09:19,679 --> 00:09:22,320 Speaker 1: I can't imagine filling up more than a hundred at 150 00:09:22,320 --> 00:09:25,760 Speaker 1: a time. My first hard drive was forty megs. Yeah, 151 00:09:25,920 --> 00:09:29,840 Speaker 1: I think mine might have been run around that same size. 152 00:09:29,840 --> 00:09:31,360 Speaker 1: And before that didn't have a hard drive at all. 153 00:09:31,360 --> 00:09:33,840 Speaker 1: It was all on floppy disks. But yeah, I mean 154 00:09:33,840 --> 00:09:36,319 Speaker 1: a single layer of Blu ray in comparison, holds twenty 155 00:09:36,360 --> 00:09:38,920 Speaker 1: seven gigabytes, and that's more than two hours of high 156 00:09:38,960 --> 00:09:43,440 Speaker 1: def video or standard. Yeah. But the thing, the thing is, 157 00:09:43,480 --> 00:09:48,400 Speaker 1: though DVD is only really equipped to do right well, 158 00:09:48,440 --> 00:09:50,520 Speaker 1: I mean it can do seven twenty, It can do 159 00:09:50,679 --> 00:09:53,560 Speaker 1: more than that or to, but it can't hold as 160 00:09:53,640 --> 00:09:57,839 Speaker 1: much information. So, in other words, it can it can 161 00:09:57,920 --> 00:10:02,199 Speaker 1: do it, it just has to. It's not gonna it's 162 00:10:02,200 --> 00:10:04,760 Speaker 1: not gonna have as much. So like you can do 163 00:10:04,800 --> 00:10:08,560 Speaker 1: the higher resolutions, but you have to. But you because 164 00:10:08,600 --> 00:10:12,000 Speaker 1: that requires more information or more storage space, you can't 165 00:10:12,080 --> 00:10:13,839 Speaker 1: store as much of it as you could on a 166 00:10:14,200 --> 00:10:17,920 Speaker 1: blue ray. So again, DVD four point seven gigs, Blu 167 00:10:18,040 --> 00:10:22,160 Speaker 1: ray twenty seven gigs. That's single layer on either case. 168 00:10:22,240 --> 00:10:28,120 Speaker 1: Now you can double layer these discs. Uh. So a 169 00:10:28,160 --> 00:10:30,680 Speaker 1: double layer Blu ray would hold up to fifty four 170 00:10:30,720 --> 00:10:34,760 Speaker 1: gigabytes of data. Um. Now, when you're double layering, it's 171 00:10:34,800 --> 00:10:36,959 Speaker 1: kind of an interesting thing. You've got two different tracks 172 00:10:37,000 --> 00:10:41,640 Speaker 1: going uh along a disc. And here's another interesting thing, 173 00:10:41,640 --> 00:10:45,560 Speaker 1: another thing that's different between uh, the digital discs and vinyl. 174 00:10:46,240 --> 00:10:48,840 Speaker 1: With vinyl, you put the needle on the outer part 175 00:10:48,880 --> 00:10:51,280 Speaker 1: of the record and it naturally works its way through 176 00:10:51,280 --> 00:10:55,120 Speaker 1: the groove to the center. All right. With these digital discs, 177 00:10:55,160 --> 00:10:59,360 Speaker 1: the laser, the freaking laser starts in the center and 178 00:10:59,480 --> 00:11:03,600 Speaker 1: works it's outward toward the edge. Now, can you think 179 00:11:03,640 --> 00:11:06,800 Speaker 1: of anything that could cause an issue as a laser 180 00:11:06,840 --> 00:11:09,680 Speaker 1: moves from the center of a disk toward the outer 181 00:11:09,760 --> 00:11:11,760 Speaker 1: part of a disk? I mean, other than like a 182 00:11:11,840 --> 00:11:13,960 Speaker 1: scratch or a dog here, right, I'm just talking about 183 00:11:14,000 --> 00:11:17,120 Speaker 1: a natural thing that will happen as you're moving from 184 00:11:17,200 --> 00:11:20,280 Speaker 1: the center of a disk to the outside of a disk. Like, 185 00:11:20,360 --> 00:11:22,800 Speaker 1: what happens to the speed of the data that's going 186 00:11:22,880 --> 00:11:26,560 Speaker 1: by as you as your laser moves outward, Because yeah, 187 00:11:26,559 --> 00:11:30,440 Speaker 1: it's it's gonna get slower. Well, the disk has to 188 00:11:30,480 --> 00:11:33,080 Speaker 1: move slower. See, the problem is that it's gonna the 189 00:11:33,120 --> 00:11:36,760 Speaker 1: data itself will actually move faster because you're talking about 190 00:11:36,760 --> 00:11:39,839 Speaker 1: revolutions per second. Okay, if you keep your revolutions per 191 00:11:39,840 --> 00:11:42,880 Speaker 1: second constant, then the data is going to stream by 192 00:11:42,960 --> 00:11:45,199 Speaker 1: much faster toward the edge of the disk than it 193 00:11:45,200 --> 00:11:48,240 Speaker 1: would towards the center. Say yeah, yeah, okay, that makes sense. 194 00:11:48,240 --> 00:11:51,120 Speaker 1: And if you guys are having trouble imagining this, uh, 195 00:11:51,320 --> 00:11:54,960 Speaker 1: just get a piece of paper, put something put like 196 00:11:55,000 --> 00:11:57,679 Speaker 1: a little coin around, like maybe towards the center of 197 00:11:57,720 --> 00:11:59,360 Speaker 1: the paper, and maybe another one toward the edge of 198 00:11:59,400 --> 00:12:02,920 Speaker 1: the paper, and turn it one revolution. Now, in that 199 00:12:02,960 --> 00:12:06,280 Speaker 1: one revolution, both coins just made one circle, but the 200 00:12:06,320 --> 00:12:08,400 Speaker 1: one on the outer edge had to go a greater 201 00:12:08,520 --> 00:12:11,079 Speaker 1: distance in that same amount of time. Therefore, the one 202 00:12:11,120 --> 00:12:14,600 Speaker 1: on the outer edge is going faster. Okay, then, so 203 00:12:14,960 --> 00:12:17,959 Speaker 1: in order to compensate for this, DVD players and Blu 204 00:12:18,080 --> 00:12:21,480 Speaker 1: ray players actually physically slowed down the spinning of the 205 00:12:21,520 --> 00:12:25,640 Speaker 1: disk as the laser moves towards the outer edge. Okay, 206 00:12:25,679 --> 00:12:29,080 Speaker 1: so it automatically knows where where the laser is reading 207 00:12:29,480 --> 00:12:33,680 Speaker 1: and adjusts the speed of the disc spinning. Right, because 208 00:12:33,520 --> 00:12:37,440 Speaker 1: the arm that holds the freaking laser is always going 209 00:12:37,480 --> 00:12:40,400 Speaker 1: to be in a specific location and that dictates how 210 00:12:40,480 --> 00:12:44,840 Speaker 1: fast the disk needs to spin. Now, um with a 211 00:12:44,840 --> 00:12:46,559 Speaker 1: double layer The reason why I brought this up is 212 00:12:46,559 --> 00:12:49,240 Speaker 1: because with a double layer disk, it is possible to 213 00:12:49,400 --> 00:12:53,000 Speaker 1: have one layer of information go from the inner edge 214 00:12:53,480 --> 00:12:55,920 Speaker 1: to the outer edge of the disk, right, or from 215 00:12:55,960 --> 00:12:57,960 Speaker 1: the center to the outer edge, I guess I should say, 216 00:12:58,000 --> 00:12:59,800 Speaker 1: And then the second layer could start at the outer 217 00:12:59,880 --> 00:13:03,000 Speaker 1: edge and work its way back into the center. And 218 00:13:03,040 --> 00:13:05,440 Speaker 1: in that case, you would need to speed up the 219 00:13:05,480 --> 00:13:07,920 Speaker 1: disk as it started getting closer and closer to the center, 220 00:13:08,000 --> 00:13:10,240 Speaker 1: otherwise it would not be turning fast enough for it 221 00:13:10,280 --> 00:13:14,199 Speaker 1: to read the information properly. Right. In other words, DVD 222 00:13:14,240 --> 00:13:17,280 Speaker 1: players and Blu ray players make my head hurt because 223 00:13:17,320 --> 00:13:21,520 Speaker 1: they require physics and I was an English major. And 224 00:13:21,840 --> 00:13:25,480 Speaker 1: Blu ray transfers information faster too. I mean, it has 225 00:13:25,559 --> 00:13:29,400 Speaker 1: a thirty six megabit per second data transfer rate as 226 00:13:29,440 --> 00:13:31,839 Speaker 1: opposed to just ten make a bit per second for 227 00:13:31,920 --> 00:13:36,600 Speaker 1: our DVD, right, which is also important to note. Right. 228 00:13:36,760 --> 00:13:40,480 Speaker 1: So let's see what we got here. We've we've discussed 229 00:13:40,480 --> 00:13:42,800 Speaker 1: the fact that since you are able to create smaller 230 00:13:43,280 --> 00:13:46,440 Speaker 1: bumps in a Blu ray disk, you therefore can fit 231 00:13:46,559 --> 00:13:49,720 Speaker 1: more bumps onto a disc than you could with a DVD. 232 00:13:49,840 --> 00:13:52,000 Speaker 1: That's why you can store more information on it. That's 233 00:13:52,000 --> 00:13:54,360 Speaker 1: why you can store high definition information on it, as 234 00:13:54,360 --> 00:13:56,240 Speaker 1: opposed to a DVD, where you just can't. It's just 235 00:13:56,640 --> 00:14:00,160 Speaker 1: not doesn't have the capacity. Here's another thing that the 236 00:14:00,200 --> 00:14:03,720 Speaker 1: manufacturing process for the two different discs, it's different. Oh yes, 237 00:14:04,160 --> 00:14:08,400 Speaker 1: Because the DVD is a sandwich. It has two pieces 238 00:14:08,559 --> 00:14:14,120 Speaker 1: of polycarbonate plastic about zero point uh six millimeters six 239 00:14:14,160 --> 00:14:18,040 Speaker 1: tenths of a millimeter um in thickness, and the material 240 00:14:18,360 --> 00:14:20,800 Speaker 1: that has the information on it is sandwiched in between them, 241 00:14:20,800 --> 00:14:24,960 Speaker 1: and the two halves are glued together. Um. Whereas the 242 00:14:25,000 --> 00:14:27,760 Speaker 1: information on a Blu ray disc is actually on top 243 00:14:28,800 --> 00:14:34,080 Speaker 1: um of a one point one millimeter thickness disc, which 244 00:14:34,120 --> 00:14:37,960 Speaker 1: is really amazingly thin, I would think, um, But it 245 00:14:38,000 --> 00:14:40,680 Speaker 1: does have a a plastic coating on top of it, 246 00:14:40,720 --> 00:14:42,200 Speaker 1: a hard coating on top of it to keep it 247 00:14:42,240 --> 00:14:44,480 Speaker 1: from I'm assuming its plastic. It has a hard coating 248 00:14:44,520 --> 00:14:46,760 Speaker 1: on top of it to keep it from getting scratched. 249 00:14:47,240 --> 00:14:50,880 Speaker 1: But it does also prevent distortion uh that you know, 250 00:14:51,000 --> 00:14:53,560 Speaker 1: the plastic would cause as the laser would travel through it, 251 00:14:53,560 --> 00:14:59,040 Speaker 1: which is called by refringence. It's it's kind of it's similar, Marty, 252 00:14:59,240 --> 00:15:03,160 Speaker 1: but you know, bifrage. It's similar to you know, if 253 00:15:03,160 --> 00:15:06,840 Speaker 1: you've ever if you've ever like looked at something through 254 00:15:07,600 --> 00:15:11,680 Speaker 1: a really thick pane of glass or or underwater, you know, 255 00:15:11,800 --> 00:15:14,120 Speaker 1: where you you look up through the water and you 256 00:15:14,160 --> 00:15:17,640 Speaker 1: see something beyond the surface, and then when you do 257 00:15:17,880 --> 00:15:20,320 Speaker 1: surface through the water, you realize that it's not exactly 258 00:15:20,400 --> 00:15:23,680 Speaker 1: where I thought it was. It's similar to that. It's 259 00:15:23,720 --> 00:15:25,880 Speaker 1: not the exact same thing, but you can think of 260 00:15:25,880 --> 00:15:29,360 Speaker 1: it as uh analogous to it. But yeah, that can 261 00:15:29,400 --> 00:15:33,760 Speaker 1: cause the uh, the red laser to have difficulty getting 262 00:15:33,760 --> 00:15:36,120 Speaker 1: the information and it may even actually cause it to 263 00:15:36,320 --> 00:15:39,720 Speaker 1: uh to skip right. Yeah, that and that's a that's 264 00:15:39,720 --> 00:15:42,000 Speaker 1: what we call a bad thing. Yes, it means that 265 00:15:42,000 --> 00:15:43,760 Speaker 1: you're not going to get the experience you want out 266 00:15:43,760 --> 00:15:46,120 Speaker 1: of it. Also, a DVD has to be has to 267 00:15:46,120 --> 00:15:48,520 Speaker 1: be flat for that reason. Has to be red flat, 268 00:15:49,200 --> 00:15:52,160 Speaker 1: and Blu Ray disks do not necessarily have to be flat. 269 00:15:52,200 --> 00:15:54,280 Speaker 1: I would assume though, that it would be preferable if 270 00:15:54,320 --> 00:15:58,880 Speaker 1: they were flat. And uh there, because one of them 271 00:15:58,960 --> 00:16:00,440 Speaker 1: is like one point one millim you're stick in the 272 00:16:00,440 --> 00:16:02,360 Speaker 1: other as one point two millimeters stick. A Blu ray 273 00:16:02,440 --> 00:16:05,720 Speaker 1: and a regular DVD look pretty much the same to us. 274 00:16:05,760 --> 00:16:07,960 Speaker 1: I mean, like you said, is it in the encoding. Yeah, 275 00:16:08,000 --> 00:16:10,480 Speaker 1: but it's also in the decoding, which would be the 276 00:16:10,600 --> 00:16:14,680 Speaker 1: freaking lasers. Um, I'm gonna get so much mail about 277 00:16:14,680 --> 00:16:18,800 Speaker 1: people who were tired of hearing freaking lasers. I expect 278 00:16:18,880 --> 00:16:21,840 Speaker 1: you to. Liz probably will as well. She's kind of 279 00:16:21,920 --> 00:16:23,600 Speaker 1: chuckling right now, but it's not gonna be as funny 280 00:16:23,600 --> 00:16:27,440 Speaker 1: when you're editing, is it? Is it? Liz? Ha um? 281 00:16:27,520 --> 00:16:29,360 Speaker 1: And of course you could always soundscape this to make 282 00:16:29,440 --> 00:16:35,280 Speaker 1: me sound like and even she wanted. Now. The other 283 00:16:35,320 --> 00:16:37,400 Speaker 1: interesting thing, we have articles, by the way, on both 284 00:16:37,440 --> 00:16:39,880 Speaker 1: DVDs and Blue rays on how stuff works dot com, 285 00:16:39,960 --> 00:16:42,200 Speaker 1: both of which I found incredibly informative while cramming for 286 00:16:42,240 --> 00:16:45,480 Speaker 1: this podcast. Yes, and they have some great illustrations as well. 287 00:16:45,560 --> 00:16:48,560 Speaker 1: So if you're having if you're having problems, imagining what 288 00:16:48,600 --> 00:16:51,200 Speaker 1: it is we're talking about. I do highly recommend you 289 00:16:51,200 --> 00:16:53,280 Speaker 1: guys check out these articles because it will give you 290 00:16:53,320 --> 00:16:56,920 Speaker 1: a visual sense of the things that we're explaining. But 291 00:16:57,160 --> 00:16:59,000 Speaker 1: one of the things I thought was interesting that they 292 00:16:59,040 --> 00:17:03,320 Speaker 1: pointed out um in these articles is that the manufacturing 293 00:17:03,400 --> 00:17:06,719 Speaker 1: process for the Blu ray disc, even though it's different 294 00:17:06,760 --> 00:17:09,760 Speaker 1: from the way DVDs are created, it is not more 295 00:17:09,840 --> 00:17:14,479 Speaker 1: expensive than the way DVDs are created. So then why 296 00:17:14,560 --> 00:17:17,160 Speaker 1: would you say Blu ray discs cost so much more 297 00:17:17,200 --> 00:17:19,119 Speaker 1: in the stores. I think there are a couple of 298 00:17:19,119 --> 00:17:22,440 Speaker 1: different reasons. One is that it's a premium product, so 299 00:17:22,560 --> 00:17:25,560 Speaker 1: you are buying a high definition products so that you 300 00:17:25,560 --> 00:17:28,640 Speaker 1: can the experience that you will get watching a Blu 301 00:17:28,760 --> 00:17:31,639 Speaker 1: ray disc using a Blu ray player on a high 302 00:17:31,720 --> 00:17:34,880 Speaker 1: definition television. All of that is important. If you don't 303 00:17:34,880 --> 00:17:37,399 Speaker 1: have a high definition definition television, this isn't gonna do 304 00:17:37,440 --> 00:17:40,440 Speaker 1: any good. So but the experience of watching one of 305 00:17:40,480 --> 00:17:43,960 Speaker 1: those on an HDTV with right cable connectors, using the 306 00:17:44,040 --> 00:17:47,399 Speaker 1: right equipment, it's gonna be It's gonna be noticeable. It 307 00:17:47,480 --> 00:17:51,600 Speaker 1: may not be as huge a leap as DVD was 308 00:17:51,720 --> 00:17:55,600 Speaker 1: from VHS, but it's still going to be noticeable. The 309 00:17:55,680 --> 00:17:58,199 Speaker 1: other reason is that because the Blu Ray has a 310 00:17:58,200 --> 00:18:02,360 Speaker 1: greater capacity, you could actually pack more specials and UH 311 00:18:02,359 --> 00:18:04,960 Speaker 1: and extras on a Blu Ray disc then you could 312 00:18:04,960 --> 00:18:07,040 Speaker 1: on a DVD. And a lot of companies do that. 313 00:18:07,359 --> 00:18:10,320 Speaker 1: And thirdly, a lot of companies that are making Blu 314 00:18:10,440 --> 00:18:15,280 Speaker 1: Ray players have made them Internet capable and you can 315 00:18:15,320 --> 00:18:19,400 Speaker 1: actually access extra content through the Internet on your Blu 316 00:18:19,520 --> 00:18:23,160 Speaker 1: Ray player and UH, a lot of companies are are 317 00:18:23,200 --> 00:18:26,040 Speaker 1: making this available where you get, you buy the Blue Ray, 318 00:18:26,080 --> 00:18:28,560 Speaker 1: you put it in your player, you started up, and 319 00:18:28,560 --> 00:18:32,760 Speaker 1: then you can access extra content online and things like 320 00:18:32,920 --> 00:18:35,679 Speaker 1: you know, new subtitles. Let's say that you um wanted 321 00:18:35,720 --> 00:18:38,119 Speaker 1: to get a film but there was no you know, 322 00:18:39,320 --> 00:18:41,280 Speaker 1: you wanted to You had a friend who was coming 323 00:18:41,280 --> 00:18:44,359 Speaker 1: and their English wasn't so good, but they spoke fluent 324 00:18:44,480 --> 00:18:48,240 Speaker 1: Portuguese and you don't have Portuguese normally on the disc. 325 00:18:48,320 --> 00:18:50,320 Speaker 1: But if you pop it in you find out, hey, 326 00:18:50,359 --> 00:18:53,679 Speaker 1: there's an option here where I can get Portuguese subtitles. 327 00:18:54,240 --> 00:18:57,040 Speaker 1: Or it may be extra commentary. It could be anything 328 00:18:57,040 --> 00:19:01,080 Speaker 1: from even extra content like deleted scene. Really pretty much 329 00:19:01,080 --> 00:19:03,680 Speaker 1: anything that they can think of that the movie studios 330 00:19:03,720 --> 00:19:06,000 Speaker 1: can think of could be part of this extra content 331 00:19:06,080 --> 00:19:08,439 Speaker 1: that you can access with your DVD player, your Blu 332 00:19:08,600 --> 00:19:12,000 Speaker 1: ray player, I should say, not DVD player. UM. Now 333 00:19:12,040 --> 00:19:14,199 Speaker 1: you're limited mostly by a couple of things. One, you 334 00:19:14,240 --> 00:19:18,400 Speaker 1: have to have a high speed Internet uh access point. Um. 335 00:19:18,440 --> 00:19:20,399 Speaker 1: If you don't have that, then you're not going to 336 00:19:20,480 --> 00:19:23,840 Speaker 1: be able to access all this content. Even if you 337 00:19:23,880 --> 00:19:26,199 Speaker 1: could access it, it would take you so long to 338 00:19:26,280 --> 00:19:29,359 Speaker 1: download any of it because it's it's high bandwidth stuff. 339 00:19:30,000 --> 00:19:32,040 Speaker 1: If it's pointless, right, So you have to have a 340 00:19:32,080 --> 00:19:37,359 Speaker 1: high speed Internet connection. And um, you also what was 341 00:19:37,400 --> 00:19:39,480 Speaker 1: that I had to I had to and now I 342 00:19:39,520 --> 00:19:43,920 Speaker 1: only have the one. Ah, it's gone. It's gone high 343 00:19:43,960 --> 00:19:49,560 Speaker 1: speed Internet access. If it comes back, I'll shout okay. 344 00:19:50,000 --> 00:19:51,800 Speaker 1: So one of the things I was hoping it would 345 00:19:51,800 --> 00:19:54,240 Speaker 1: come back immediately, but no, it's not coming back immediately. 346 00:19:54,480 --> 00:19:57,320 Speaker 1: You touched on something there though that I think uh 347 00:19:57,600 --> 00:20:01,960 Speaker 1: might answer the listener meal question. And then I wanted 348 00:20:02,000 --> 00:20:04,400 Speaker 1: to come back to because we were talking about why 349 00:20:04,520 --> 00:20:07,760 Speaker 1: might you not be able to see the difference in 350 00:20:07,920 --> 00:20:11,679 Speaker 1: a DVD and a Blu Ray or h D DVD 351 00:20:11,800 --> 00:20:14,000 Speaker 1: for that matter of disc And I think it comes 352 00:20:14,000 --> 00:20:16,960 Speaker 1: down to something we've talked about before. And that's the 353 00:20:17,040 --> 00:20:21,840 Speaker 1: screen size and resolution of your TV. Yeah, it turns 354 00:20:21,880 --> 00:20:24,199 Speaker 1: out that, uh, let's say that you if you have 355 00:20:24,280 --> 00:20:27,880 Speaker 1: a larger television, you will notice these these differences a lot. 356 00:20:28,640 --> 00:20:31,480 Speaker 1: They'll they'll they'll jump out out at you more. Um. 357 00:20:31,520 --> 00:20:34,760 Speaker 1: If you have a smaller TV, the difference in resolution, 358 00:20:35,200 --> 00:20:39,479 Speaker 1: UM isn't going to be quite as noticeable. But on 359 00:20:39,480 --> 00:20:44,280 Speaker 1: that plasma you'll be able to pick it out. Yeah, obviously, yes, yes, 360 00:20:44,359 --> 00:20:48,000 Speaker 1: but if you're talking about like a say, thirty inch television, 361 00:20:48,800 --> 00:20:52,600 Speaker 1: and uh, you know, a thirty inch television, standard definition 362 00:20:52,640 --> 00:20:55,240 Speaker 1: may look pretty good. High definition is gonna look fine. 363 00:20:55,320 --> 00:20:59,040 Speaker 1: But you know, anything beyond seven lines of resolution you 364 00:20:59,119 --> 00:21:02,080 Speaker 1: probably don't need. I mean, you probably wouldn't really know 365 00:21:02,200 --> 00:21:05,080 Speaker 1: the difference between seven twenty which or your your two 366 00:21:05,119 --> 00:21:08,359 Speaker 1: main kinds of high definition TV in the United States, 367 00:21:08,960 --> 00:21:10,960 Speaker 1: the seven twenty lines of resolution or the ten eight 368 00:21:11,080 --> 00:21:14,160 Speaker 1: lines of resolution. Um. Now, if you have and even 369 00:21:14,200 --> 00:21:16,320 Speaker 1: if you have a bigger TV, some would argue that 370 00:21:16,600 --> 00:21:21,280 Speaker 1: the difference is really not that noticeable. So when I 371 00:21:21,320 --> 00:21:23,240 Speaker 1: say bigger TV, I'm talking like in the fifty to 372 00:21:23,359 --> 00:21:26,480 Speaker 1: sixty inch range, which is that's pretty big. I mean, 373 00:21:26,520 --> 00:21:28,840 Speaker 1: there are larger televisions out there, and of course you 374 00:21:28,840 --> 00:21:31,800 Speaker 1: could get say a projector, which would you know, a 375 00:21:31,840 --> 00:21:34,439 Speaker 1: digital projector is going to make an even larger picture. 376 00:21:34,920 --> 00:21:37,280 Speaker 1: And in that case, yeah, you may need some sort 377 00:21:37,280 --> 00:21:40,719 Speaker 1: of equipment that will provide a ten a D resolution 378 00:21:40,920 --> 00:21:43,199 Speaker 1: or else it's just gonna look kind of blocky, and 379 00:21:43,640 --> 00:21:45,440 Speaker 1: you know that it's not gonna it will look muddy 380 00:21:45,480 --> 00:21:51,080 Speaker 1: and not as not as crisp. Right. That I think 381 00:21:51,200 --> 00:21:53,680 Speaker 1: is probably the the crux of the situation right there. 382 00:21:53,760 --> 00:21:55,800 Speaker 1: And also there are a lot of DVD players out 383 00:21:55,800 --> 00:21:59,320 Speaker 1: there now that up convert uh signals now an up 384 00:21:59,320 --> 00:22:01,760 Speaker 1: converting d v D. What that does is it tries 385 00:22:01,800 --> 00:22:04,359 Speaker 1: to add in some of the information that is lost 386 00:22:04,440 --> 00:22:07,679 Speaker 1: during the video compression process. Because again, to get a 387 00:22:07,720 --> 00:22:11,199 Speaker 1: movie onto a DVD DVD, I don't know where that 388 00:22:11,240 --> 00:22:15,480 Speaker 1: came from onto a DVD, I tell you it's because 389 00:22:15,480 --> 00:22:19,960 Speaker 1: this studio so hot today, so warm in here today. Um. 390 00:22:20,080 --> 00:22:22,239 Speaker 1: But in order to get the information on there, they 391 00:22:22,320 --> 00:22:26,000 Speaker 1: use a compression format and uh, and you tend to 392 00:22:26,080 --> 00:22:30,000 Speaker 1: lose information when you compress it, and so an up 393 00:22:30,040 --> 00:22:34,120 Speaker 1: converter tries to add in information to create a more 394 00:22:34,680 --> 00:22:38,679 Speaker 1: high definition experience, even if the source material itself is 395 00:22:38,680 --> 00:22:41,960 Speaker 1: not high definition. So if you have an up converting 396 00:22:42,040 --> 00:22:44,399 Speaker 1: DVD and a Blu Ray player, and you have a 397 00:22:44,480 --> 00:22:46,439 Speaker 1: copy of the movie on DVD and a copy of 398 00:22:46,440 --> 00:22:50,440 Speaker 1: the movie on Blu Ray, the differences maybe subtle. They 399 00:22:50,560 --> 00:22:54,200 Speaker 1: you should probably still notice them. I mean, it's it's 400 00:22:54,240 --> 00:22:56,800 Speaker 1: not like, uh, it's not like it's you know, it 401 00:22:56,840 --> 00:22:59,879 Speaker 1: would take a an expert to see the difference. But 402 00:23:00,520 --> 00:23:02,560 Speaker 1: it may be that they're not. You know, maybe the 403 00:23:02,600 --> 00:23:04,680 Speaker 1: colors are just a little richer on the Blue ray, 404 00:23:04,800 --> 00:23:07,800 Speaker 1: or that the the edges are look a little more natural, 405 00:23:07,920 --> 00:23:11,920 Speaker 1: not quite as sharp. I mean, it depends. It's a 406 00:23:12,000 --> 00:23:17,159 Speaker 1: very subjective experience. Yeah, I would imagine so. Uh yeah, gosh, 407 00:23:17,200 --> 00:23:18,760 Speaker 1: it never came back to me. I don't know what 408 00:23:18,880 --> 00:23:21,159 Speaker 1: it was that was in my brain that just decided 409 00:23:21,200 --> 00:23:25,520 Speaker 1: to escape. At least it got while the getting is good. Yeah. Yeah, 410 00:23:25,960 --> 00:23:29,440 Speaker 1: there's so much stuff in there that's still stuck screaming 411 00:23:29,520 --> 00:23:32,800 Speaker 1: to get out. Thoughts. Did you have anything else to 412 00:23:32,840 --> 00:23:36,480 Speaker 1: add on this discussion of blue ray versus DVD? Not really? Okay, 413 00:23:36,480 --> 00:23:39,960 Speaker 1: Well hopefully that answered your question. Um, And you know, 414 00:23:40,000 --> 00:23:42,560 Speaker 1: we could have even gone into the whole HD DVD thing. 415 00:23:42,640 --> 00:23:46,399 Speaker 1: The the failure of the of that format, which you know, 416 00:23:46,480 --> 00:23:50,000 Speaker 1: what's what's sad is I actually backed that format. I didn't. 417 00:23:50,040 --> 00:23:53,560 Speaker 1: I didn't purchase an HD DVD player. I didn't go 418 00:23:53,640 --> 00:23:56,440 Speaker 1: that far, but I expected that one to win out 419 00:23:56,680 --> 00:24:00,159 Speaker 1: early on in the race between the two formats. Was 420 00:24:00,200 --> 00:24:04,040 Speaker 1: one of our very first podcasts. Yeah, HD DVD versus 421 00:24:04,040 --> 00:24:09,520 Speaker 1: Blue Ray. Yeah, you know, and and blue ray technically 422 00:24:09,520 --> 00:24:13,480 Speaker 1: can store more information than HD DVD could. But because 423 00:24:13,600 --> 00:24:16,439 Speaker 1: HD DVD hit the market first, I thought that that 424 00:24:16,520 --> 00:24:19,080 Speaker 1: was gonna be the I thought that was that was 425 00:24:19,119 --> 00:24:21,800 Speaker 1: the death knell there that and it's less expensive, Yeah, 426 00:24:21,800 --> 00:24:25,320 Speaker 1: and it was. It was significantly less expensive than Blue Race. 427 00:24:25,400 --> 00:24:27,960 Speaker 1: Of course, now Blu ray players are in a much 428 00:24:27,960 --> 00:24:31,520 Speaker 1: more excuse me, a much more affordable range, especially the 429 00:24:31,520 --> 00:24:36,439 Speaker 1: PS three Slim ount. So you don't rest around with Slim, No, 430 00:24:36,640 --> 00:24:40,720 Speaker 1: you don't at any rate. I was having a gym 431 00:24:40,760 --> 00:24:43,959 Speaker 1: crochy momentum at any rate. So that wraps up our 432 00:24:43,960 --> 00:24:46,560 Speaker 1: discussion on Blue Ray versus DVD. I guess that brings 433 00:24:46,640 --> 00:24:52,480 Speaker 1: us to our second round of listener mail. This listener 434 00:24:52,520 --> 00:24:54,720 Speaker 1: mail comes from Christopher and he says, hey, guys, love 435 00:24:54,760 --> 00:24:57,360 Speaker 1: the podcast. The AI episode was great. I just wanted 436 00:24:57,400 --> 00:24:59,680 Speaker 1: to add a little bit into the part about the captions. 437 00:25:00,040 --> 00:25:02,000 Speaker 1: As you mentioned, they are used for preventing people from 438 00:25:02,000 --> 00:25:05,160 Speaker 1: making mass accounts all across the net. There's a company 439 00:25:05,200 --> 00:25:08,240 Speaker 1: that is making these called Recapture. What they do is 440 00:25:08,280 --> 00:25:10,600 Speaker 1: take a word that is known and bends it into 441 00:25:10,640 --> 00:25:14,199 Speaker 1: a typical capture and takes another unknown word that has 442 00:25:14,240 --> 00:25:16,560 Speaker 1: been scanned from a book or some other means of 443 00:25:16,560 --> 00:25:20,399 Speaker 1: creating digital copies of hard copy works and assumes that 444 00:25:20,440 --> 00:25:22,960 Speaker 1: you will get the unknown word correct if you get 445 00:25:23,000 --> 00:25:26,880 Speaker 1: the known word correct. It then takes the newly discovered 446 00:25:26,920 --> 00:25:29,840 Speaker 1: word and places that in the scanned book instead of 447 00:25:29,880 --> 00:25:33,120 Speaker 1: the unreadable by O c R mess. Also, that leads 448 00:25:33,119 --> 00:25:35,000 Speaker 1: into O c R which could be a pretty good topic. 449 00:25:35,040 --> 00:25:37,199 Speaker 1: I think. Thanks for a great podcast. Keep it up. 450 00:25:37,680 --> 00:25:39,760 Speaker 1: Um yeah, I kind of wrote a little bit about 451 00:25:39,760 --> 00:25:42,720 Speaker 1: this when I wrote how captures work. The The idea 452 00:25:42,760 --> 00:25:46,199 Speaker 1: is really interesting. Google does this a lot where it 453 00:25:46,280 --> 00:25:51,760 Speaker 1: actually crowd sources, uh your search when you're trying to 454 00:25:51,760 --> 00:25:54,640 Speaker 1: search information within a hard copy. Um, so you've got 455 00:25:54,640 --> 00:25:58,840 Speaker 1: the scanned document, you're let's say that your search algorithm 456 00:25:58,920 --> 00:26:02,320 Speaker 1: cannot recognize the text within that scanned document because it's 457 00:26:02,359 --> 00:26:05,440 Speaker 1: just a picture, right. What you do is you pull. 458 00:26:06,040 --> 00:26:08,280 Speaker 1: It identifies that you know a section as being this 459 00:26:08,320 --> 00:26:10,800 Speaker 1: has got to be a word. Pulls that puts that 460 00:26:10,880 --> 00:26:13,960 Speaker 1: picture as part of the capture. When you identify both 461 00:26:14,040 --> 00:26:17,120 Speaker 1: the the known capture and the unknown one, it then 462 00:26:17,200 --> 00:26:20,160 Speaker 1: stores the information for the unknown one in a database. 463 00:26:20,600 --> 00:26:23,200 Speaker 1: As more and more people are confronted with that word, 464 00:26:23,640 --> 00:26:28,200 Speaker 1: it looks for the greatest number of people agreeing on 465 00:26:28,240 --> 00:26:30,840 Speaker 1: what that word is. Okay, let's say the word is 466 00:26:30,840 --> 00:26:36,160 Speaker 1: is trumpet, all right, and the people who are answering 467 00:26:36,160 --> 00:26:38,760 Speaker 1: this capture say it's trumpet and the other five percent 468 00:26:38,800 --> 00:26:41,880 Speaker 1: say it's something else. The program then says, all right, well, 469 00:26:41,920 --> 00:26:44,880 Speaker 1: then chances are this word actually is trumpet. And that's 470 00:26:44,880 --> 00:26:49,640 Speaker 1: how it tags that that picture with the word trumpet 471 00:26:49,680 --> 00:26:53,840 Speaker 1: and makes it searchable within a scanned document. So yeah, 472 00:26:53,880 --> 00:26:57,040 Speaker 1: yet another way of making artificial intelligence a little more 473 00:26:57,160 --> 00:27:00,720 Speaker 1: of a reality. That's yep. If any of you have 474 00:27:00,800 --> 00:27:04,399 Speaker 1: any other cool things to tell us, or questions or 475 00:27:04,480 --> 00:27:07,159 Speaker 1: comments or criticisms that sort of thing, you can write us. 476 00:27:07,160 --> 00:27:10,080 Speaker 1: Our email address is tex Stuff at how stuff works 477 00:27:10,119 --> 00:27:13,240 Speaker 1: dot com. Remember every Tuesday, one pm E Stern we 478 00:27:13,320 --> 00:27:18,720 Speaker 1: do tech stuff Live with great special effects. Sometimes it 479 00:27:18,760 --> 00:27:23,960 Speaker 1: actually records the episode we're doing, not today, but usually, 480 00:27:24,240 --> 00:27:27,000 Speaker 1: so check that out. If you do miss it live, 481 00:27:27,320 --> 00:27:28,640 Speaker 1: most of the time you're gonna be able to get 482 00:27:28,640 --> 00:27:32,240 Speaker 1: a chance to see the recorded version. Yep. And Chris 483 00:27:32,280 --> 00:27:37,600 Speaker 1: and I will talk to you again really soon for 484 00:27:37,680 --> 00:27:40,199 Speaker 1: moral this and thousands of other topics. Does it how 485 00:27:40,240 --> 00:27:42,680 Speaker 1: stuff works dot com and be sure to check out 486 00:27:42,680 --> 00:27:44,840 Speaker 1: the new tech stuff blog now on the House Stuff 487 00:27:44,840 --> 00:27:52,320 Speaker 1: Works homepage, brought to you by the reinvented two thousand 488 00:27:52,400 --> 00:27:54,600 Speaker 1: twelve camera. It's ready, are you