WEBVTT - SUNDAY SAMPLER - The Nashville Podcast Network (10-27-24)

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<v Speaker 1>Hey guys.

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<v Speaker 2>Sunday Sampler time clips from some of the podcasts I

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<v Speaker 2>hope you check out. On the Bobbycast, I sat down

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<v Speaker 2>with Carter Faith, new artist I think you'll like that's

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<v Speaker 2>coming up on this week's episode of Take This Personally.

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<v Speaker 2>It's all about grief with Morgan and she had a

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<v Speaker 2>psychotherapist Paige on to talk about the best way to

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<v Speaker 2>manage grief.

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<v Speaker 3>So we'll start there.

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<v Speaker 2>You're gonna hear from Four Things with Amy Brown or

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<v Speaker 2>Losers Get Real with Caroline Hobby Movie Mike's Movie podcast.

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<v Speaker 2>Let's get started now with Morgan and a clip from

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<v Speaker 2>Take This Personally.

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<v Speaker 4>Take Personally.

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<v Speaker 5>Feelsman.

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<v Speaker 6>I'm really excited right now to be joined by Judah Acres,

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<v Speaker 6>who you all may know from Judah and the Lion.

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<v Speaker 5>Judah, how are you doing good?

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<v Speaker 3>It's all cozy here.

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<v Speaker 7>Like this, Yes, it's very cozy vibes.

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<v Speaker 5>And Dog in my Lap.

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<v Speaker 8>We talked about.

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<v Speaker 5>Very deep thingsout telling what I'll say with a Dog.

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<v Speaker 3>In my Lap.

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<v Speaker 6>So I've been a fan of you guys Gosh for years.

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<v Speaker 6>I mean, you guys have multiple albums at this point,

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<v Speaker 6>but I really think that your latest album, The Process,

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<v Speaker 6>is one of my favorite yet, thank you, And I

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<v Speaker 6>feel like that's just because of how vulnerable and deep

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<v Speaker 6>it is. And I would so love to know like

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<v Speaker 6>the life events that led you to put out an

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<v Speaker 6>album like that, if you're willing.

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<v Speaker 5>To talk about them, Yeah, thank you. That's super sweet.

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<v Speaker 5>The process, it's kind of one of those funny things

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<v Speaker 5>where me and Brian, my bandmate, we had this idea

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<v Speaker 5>to write a record about the process of grief. We

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<v Speaker 5>chose the Kubler Rossis Stages and this was about, I

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<v Speaker 5>guess four or five years ago. I had written a

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<v Speaker 5>record called Pep Talks that was a lot about is

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<v Speaker 5>kind of growing up as a Southern dude and having

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<v Speaker 5>great parents, amazing parents, and then kind of watching their

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<v Speaker 5>life kind of really take a turn and kind of

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<v Speaker 5>implode in front of me. And the record is whole

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<v Speaker 5>lot about just kind of like their divorce and what

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<v Speaker 5>it was like as a twenty four or five year old,

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<v Speaker 5>you know, dude kind of going through that because a

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<v Speaker 5>lot of people go through divorce before they're even born,

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<v Speaker 5>or like with their parents or you know, as an

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<v Speaker 5>adolescent or a teenager or whatever. And so anyways, so

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<v Speaker 5>we've always kind of written like from a personal standpoint

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<v Speaker 5>of like what we're going through in life, and then

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<v Speaker 5>after a couple really kind of hard deaths in my family,

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<v Speaker 5>that could be really interesting to kind of right through

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<v Speaker 5>these Kuble Rossi's stages of grief, which is denial, anger, bargaining, depression,

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<v Speaker 5>and then acceptance. And so as we were kind of

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<v Speaker 5>getting done with our last cycle, getting out of the pandemic,

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<v Speaker 5>we were like, I think this is time to do

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<v Speaker 5>it because I had just gone through really hard divorce

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<v Speaker 5>and so outside of like loss, losing my aunt and

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<v Speaker 5>uncle and grandpa and you know, all of this kind

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<v Speaker 5>of other stuff and my parents kind of struggling at

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<v Speaker 5>the time, like this is like, this is the time

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<v Speaker 5>to write about the process of grief because I transparently

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<v Speaker 5>did not want to write about my divorce for a

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<v Speaker 5>lot of reasons. I feel like the world didn't need

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<v Speaker 5>another divorce record. You know, there's a lot of heartbreak

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<v Speaker 5>records out there.

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<v Speaker 6>Yeah, but you were also going through multiple different versions

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<v Speaker 6>of grief. You were going through like the loss of

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<v Speaker 6>life and grief and also the loss of a future

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<v Speaker 6>that you had believed in, and so to go through

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<v Speaker 6>writing an album that was going to be multiple different

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<v Speaker 6>versions of grief is not common also because we are

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<v Speaker 6>so closely associated with one version of grief, which is

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<v Speaker 6>the loss of somebody, but the other grief where you

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<v Speaker 6>have to mourn somebody.

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<v Speaker 9>That's still alive, we don't like to talk about that.

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<v Speaker 5>No, And I definitely was not. I told Brian, I

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<v Speaker 5>was just like, man, I just when I don't really

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<v Speaker 5>want to release these songs that I'm writing because they're

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<v Speaker 5>deeply personal, and now it's like I'm not writing about

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<v Speaker 5>my parents divorce and writing about my own, which you know,

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<v Speaker 5>when you get married, you don't ever expect to get divorced,

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<v Speaker 5>and that comes with like a lot of shame and

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<v Speaker 5>guilt and personal like defeats that you would have never

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<v Speaker 5>kind of imagined. But then writing the record and having

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<v Speaker 5>all these other kind of versions of grief of losing

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<v Speaker 5>very close ones to suicide and other mental health issues

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<v Speaker 5>and really learning to kind of, I guess, cope in

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<v Speaker 5>healthier ways than I was coping. The records a lot

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<v Speaker 5>about like, you know, the nights that I was over

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<v Speaker 5>drinking and kind of coping in ways that was not

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<v Speaker 5>healthy for myself, and wanting people to kind of learn

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<v Speaker 5>from those mistakes, and yeah, I ended up being just

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<v Speaker 5>kind of this like wild, like oh my god, like

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<v Speaker 5>I was in denial so harshly here, whether it be

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<v Speaker 5>with my mom my mom's like version of kind of

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<v Speaker 5>running away from just like what she was doing with

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<v Speaker 5>with alcohol, like denial in that like, oh my gosh,

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<v Speaker 5>my marriage is in shambles and I can't even really

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<v Speaker 5>admit that to myself or my friends or whoever. And

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<v Speaker 5>so getting to kind of go through these stages and

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<v Speaker 5>be like, man, that was like two years ago, like

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<v Speaker 5>I was totally in denial here and already like it's

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<v Speaker 5>the record's only been out for a couple of months,

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<v Speaker 5>but some of the stories are are really wild and

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<v Speaker 5>how people can kind of relate, whether it be through

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<v Speaker 5>heartbreaker divorce or loss in their their family or friends

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<v Speaker 5>or whatever. And then also just like we never imagine

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<v Speaker 5>like we had someone, we've had quite a few people

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<v Speaker 5>actually now come up to us and be like, I

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<v Speaker 5>just got diagnosed with YadA, YadA, YadA, and the process

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<v Speaker 5>has kind of helped me accept this diagnosis or accept

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<v Speaker 5>this harsh thing that you know, And that really just

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<v Speaker 5>puts it all into perspective.

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<v Speaker 2>What artists do you hear maybe not even artists a word.

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<v Speaker 2>I think artists word, not singers. What artists do you hear?

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<v Speaker 2>They kind of speak for you? And I asked that

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<v Speaker 2>because I was had favorite artists and singers and stuff.

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<v Speaker 2>But when I was in my twenties or so, like

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<v Speaker 2>John Mayer would say stuff and I would be like, oh,

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<v Speaker 2>I think that, Oh this is somebody who's like songwriting

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<v Speaker 2>my thoughts.

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<v Speaker 3>I never had that happen before.

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<v Speaker 2>Yeah, And there are comedians that we'll say things and

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<v Speaker 2>I'm like, oh, I thought that. I just didn't say

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<v Speaker 2>that in that way nearest funny and nearest compelling as

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<v Speaker 2>they did. But like there's who what artists did that

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<v Speaker 2>for you?

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<v Speaker 10>I think like early Miranda Lambert that was my badass side,

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<v Speaker 10>you know, and then Casey Musgraves. I remember hearing Mary

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<v Speaker 10>go around in a Walmart parking lot and I made

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<v Speaker 10>us stay in the car till we listened to the

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<v Speaker 10>whole thing for.

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<v Speaker 11>The first time.

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<v Speaker 10>Just people like that, they're just talking about small town

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<v Speaker 10>normal life because that is what most of America is.

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<v Speaker 10>And that's definitely the life I lived, was just normal

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<v Speaker 10>life with these like very intense feelings that all creatives have,

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<v Speaker 10>that all people have probably so it's definitely a lot

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<v Speaker 10>of casey Miranda pistolanies.

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<v Speaker 3>Always have you met Maranda?

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<v Speaker 11>I have not met Miranda.

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<v Speaker 2>Very guys are very similar just in Yeah, I'm lucky

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<v Speaker 2>enough to know Miranda relatively well at this point.

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<v Speaker 3>She just seems real and very soft spoken and quiet.

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<v Speaker 2>Yeah, and unless she's like doing her thing that's not

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<v Speaker 2>her thing.

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<v Speaker 3>Yeah, it's it's it's.

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<v Speaker 2>Pretty wild because again, she is such a freaking fire crack.

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<v Speaker 3>Yeah she is.

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<v Speaker 10>She's I want her to like stand up for me,

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<v Speaker 10>you know, in a bar. I want her to be

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<v Speaker 10>on my mind, and.

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<v Speaker 2>She would, and she'd cut somebody too. But other than that,

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<v Speaker 2>she's just quiet Miranda who's really not going to get

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<v Speaker 2>in anybody's way and be a wallflower. But as well,

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<v Speaker 2>a lot of similarities there.

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<v Speaker 11>Yeah, I just like to observe.

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<v Speaker 10>And you can tell that in her music, I think too,

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<v Speaker 10>which is why it's not.

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<v Speaker 3>Just that badass side.

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<v Speaker 10>It has that like real person side too.

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<v Speaker 2>Congrets on signing a deal, Thank you? When did you

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<v Speaker 2>get that news? Was it a long work in progress

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<v Speaker 2>where you kept hoping developing with that?

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<v Speaker 10>I think my long work in progress has been like

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<v Speaker 10>finding people on my team that I trust. So I've

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<v Speaker 10>gone through some managers, I've gone through some people on

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<v Speaker 10>my side, and so that was kind of a long

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<v Speaker 10>time coming. I learning how to trust people in this

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<v Speaker 10>business is really hard, cause what how can I trust

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<v Speaker 10>any of you?

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<v Speaker 2>Very transactional place, and everybody's your best friend until it's

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<v Speaker 2>not easy to be.

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<v Speaker 11>Your best friend, which that's business, and it.

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<v Speaker 2>Is business, but you're right, it feels very it's very personal.

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<v Speaker 2>It feels way more personal than it actually is, especially

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<v Speaker 2>at first, because I felt I fell into those trappings

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<v Speaker 2>at first too. I was like, oh, this person, this

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<v Speaker 2>is my best friend. Yes, and then it turns out

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<v Speaker 2>then you go.

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<v Speaker 10>To all the other labels and they all have their

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<v Speaker 10>same fiel. Yeah, yeah, yeah, I'm learning how to clock

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<v Speaker 10>people quicker, which is helpful. But I think my experience

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<v Speaker 10>with Universal Nashville all has to do with Hannah Wilson

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<v Speaker 10>and Cindy Maybe there. Hannah Wilson, I've known her since

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<v Speaker 10>I was still at school, and she just loved what

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<v Speaker 10>I did and would come to my shows and come

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<v Speaker 10>to my fest deada heat show you know that no

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<v Speaker 10>one was there. And then when I met Cindy, maybe

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<v Speaker 10>she just she just liked what I did. Like, she's like,

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<v Speaker 10>I don't need you cutting outside songs. I like your voice.

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<v Speaker 10>I need your voice. I think it's important. And when

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<v Speaker 10>you're a songwriter that just speaks volumes. And then there's

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<v Speaker 10>a woman there, Chelsea.

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<v Speaker 11>Blythe who I love so much too.

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<v Speaker 10>She's from La and she has just a whole different

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<v Speaker 10>view on country music, which I think we're seeing is

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<v Speaker 10>very important.

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<v Speaker 3>When you sign a deal one what does that mean? Now?

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<v Speaker 2>But were you nine six three months working toward this

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<v Speaker 2>specific deal with these specific people. Were you wondering, I

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<v Speaker 2>wonder if they're gonna sign me? Or was it like

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<v Speaker 2>a random call, Hey Carterer, you want to do Yeah?

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<v Speaker 2>I'm all, I mean, like, what is that?

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<v Speaker 3>What is that process? What's the build?

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<v Speaker 10>It's different for everybody, Like mine was like I met

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<v Speaker 10>with a lot of labels and they all act interested,

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<v Speaker 10>you know, and then you like keep and then you're like, dude,

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<v Speaker 10>am I interested in them? It is like I felt

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<v Speaker 10>like I was a bachelorette, you know, which is so weird.

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<v Speaker 10>And because I'm not this TikTok viral girl, like I

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<v Speaker 10>don't have these like crazy, They're not going to give

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<v Speaker 10>me like five million dollars, you know. So I'm like,

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<v Speaker 10>they have to care about my music and I have

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<v Speaker 10>to feel that well.

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<v Speaker 3>They need to long term invest in you.

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<v Speaker 10>Yes, I'm trying to do this my whole life, this

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<v Speaker 10>is my career. So I think I met with a

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<v Speaker 10>lot of LA labels, I met with a lot of

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<v Speaker 10>Nashville labels, and I basically at one point just told Universal,

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<v Speaker 10>which is this is probably bad business on my half.

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<v Speaker 10>But I was like, I'm only going to sign with

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<v Speaker 10>you guys, so it's now and never like, let's go.

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<v Speaker 11>And it was done in like a month.

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<v Speaker 2>Were other labels making you different offers or was there?

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<v Speaker 3>Wow, but that's pretty cool.

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<v Speaker 2>It does mean all the offers are goodfair or yes,

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<v Speaker 2>but that's cool.

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<v Speaker 10>No, that is really freaking cool. Like I don't know,

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<v Speaker 10>I'm just I'm just a girl, and you guys want

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<v Speaker 10>to give me money to make music.

0:11:56.360 --> 0:11:57.560
<v Speaker 11>That's pretty cool for you.

0:11:57.600 --> 0:11:59.240
<v Speaker 3>Hesitant to sign at.

0:11:59.080 --> 0:12:04.960
<v Speaker 10>All, yeah, just because I again, I don't like authority.

0:12:05.360 --> 0:12:07.920
<v Speaker 10>This is very personal to me, all the things. I

0:12:08.080 --> 0:12:11.640
<v Speaker 10>just it's scary to put your like my heart and

0:12:11.640 --> 0:12:14.480
<v Speaker 10>soul in someone else's hands. That's what it truly feels like.

0:12:15.360 --> 0:12:20.360
<v Speaker 10>But I also that's what I needed to level up.

0:12:20.400 --> 0:12:22.840
<v Speaker 10>I thought about it a ton, and that's what I

0:12:22.880 --> 0:12:25.240
<v Speaker 10>decided I needed to get to that next level.

0:12:25.280 --> 0:13:10.520
<v Speaker 11>So I keep going.

0:12:51.320 --> 0:12:56.120
<v Speaker 8>Cast up little food for yourself life.

0:12:56.480 --> 0:12:59.880
<v Speaker 12>Oh it's pretty, but hey, it's pretty, beautiful thing beautiful.

0:13:00.320 --> 0:13:09.479
<v Speaker 12>That's a little more said he you're kicking with fulling

0:13:09.520 --> 0:13:10.360
<v Speaker 12>with Amy Brown.

0:13:10.679 --> 0:13:14.040
<v Speaker 7>The other thing that I find I hear a lot

0:13:14.240 --> 0:13:18.560
<v Speaker 7>from busy moms, some of my patients, some of my friends,

0:13:18.800 --> 0:13:22.240
<v Speaker 7>is I want to clean, but I start to do

0:13:22.280 --> 0:13:24.440
<v Speaker 7>a room. I start to clean a room, and then

0:13:24.760 --> 0:13:27.320
<v Speaker 7>I get to do other things and then I forget

0:13:27.360 --> 0:13:30.200
<v Speaker 7>that I was originally cleaning, you know, say my kitchen.

0:13:30.840 --> 0:13:34.160
<v Speaker 7>So I start clean the kitchen and then I see

0:13:34.400 --> 0:13:36.400
<v Speaker 7>Stevenson left a sock in the floor, So I'm gonna

0:13:36.400 --> 0:13:38.440
<v Speaker 7>grab his sock and take it to his room, or

0:13:38.480 --> 0:13:40.200
<v Speaker 7>take it to the laundry room. And then I get

0:13:40.240 --> 0:13:42.280
<v Speaker 7>in the laundry room and oh shoot, I forgot to

0:13:42.320 --> 0:13:43.800
<v Speaker 7>put the washer stuff in the dryer.

0:13:44.200 --> 0:13:47.880
<v Speaker 9>So is that everybody's brain or just an ADHD brain?

0:13:48.200 --> 0:13:50.840
<v Speaker 7>I see this across the board, Okay, busy people brain,

0:13:51.040 --> 0:13:51.679
<v Speaker 7>because that's one.

0:13:51.679 --> 0:13:54.040
<v Speaker 9>Hundred percent me. And on Instagram there's I guess that's

0:13:54.080 --> 0:13:55.559
<v Speaker 9>my algorithm right now. And I see a lot of

0:13:55.640 --> 0:13:57.520
<v Speaker 9>videos and they're always like, you know you have ADHD

0:13:57.559 --> 0:13:59.760
<v Speaker 9>if you do this. But then I have had some

0:13:59.760 --> 0:14:01.560
<v Speaker 9>friends say they act that way, and I know one

0:14:01.600 --> 0:14:04.960
<v Speaker 9>hundred percent they don't have ADD or ADHD, and so

0:14:05.080 --> 0:14:06.920
<v Speaker 9>I'm like, well, where.

0:14:06.720 --> 0:14:07.320
<v Speaker 7>Does that fall?

0:14:07.640 --> 0:14:10.200
<v Speaker 9>Like when I was married, this is the only other

0:14:10.200 --> 0:14:12.680
<v Speaker 9>example of sharing like a life with someone who didn't

0:14:12.760 --> 0:14:15.600
<v Speaker 9>have it. So that was my biggest indicator of how

0:14:15.640 --> 0:14:19.400
<v Speaker 9>different our brains were was living with someone for seventeen years.

0:14:19.760 --> 0:14:22.040
<v Speaker 9>And Ben was a very efficient effected person. If he

0:14:22.120 --> 0:14:24.880
<v Speaker 9>started a task, he finished the task and his brain

0:14:24.920 --> 0:14:27.640
<v Speaker 9>didn't think otherwise. Whereas like he wouldn't go out and

0:14:27.640 --> 0:14:31.320
<v Speaker 9>start mowing the lawn and then halfway through mowing the

0:14:31.400 --> 0:14:35.200
<v Speaker 9>lawn start picking a weed, but then realizing there's something

0:14:35.240 --> 0:14:37.880
<v Speaker 9>in the flower bed and needs to grab that in

0:14:37.920 --> 0:14:40.160
<v Speaker 9>the garage, and then he realized that the garage takes

0:14:40.240 --> 0:14:42.200
<v Speaker 9>him back to the laundry room. That would be me

0:14:42.360 --> 0:14:44.320
<v Speaker 9>and the lawn would never get mowed, but like he

0:14:44.360 --> 0:14:47.240
<v Speaker 9>would go out and mow the yard and be done right.

0:14:47.280 --> 0:14:50.840
<v Speaker 9>So yeah, I guess that was my apples and oranges like,

0:14:50.880 --> 0:14:54.520
<v Speaker 9>so ADHD brain non ADHD brain. So all brains can

0:14:54.640 --> 0:14:56.920
<v Speaker 9>do this thing you're talking about, like bouncing from room

0:14:56.960 --> 0:14:58.800
<v Speaker 9>to room and task to task and then be like

0:14:58.840 --> 0:15:00.920
<v Speaker 9>wait where was I and be like, oh, yeah, I

0:15:01.000 --> 0:15:02.640
<v Speaker 9>was doing the dishes two hours ago.

0:15:02.680 --> 0:15:03.520
<v Speaker 7>I was doing the dishes.

0:15:03.640 --> 0:15:03.880
<v Speaker 3>Yeah.

0:15:03.960 --> 0:15:07.760
<v Speaker 7>I think it honestly more than ADHD brain versus not.

0:15:08.000 --> 0:15:12.360
<v Speaker 7>It's probably a little bit more female versus male brains.

0:15:12.560 --> 0:15:17.680
<v Speaker 7>Female brains are always multitasking. We never just singularly do

0:15:17.800 --> 0:15:19.800
<v Speaker 7>one thing really ever. I mean, think about it. You

0:15:19.840 --> 0:15:21.760
<v Speaker 7>sit down to watch your friend's episode, You're gonna fold

0:15:21.800 --> 0:15:23.680
<v Speaker 7>some laundry. You're not just gonna sit there, or you're

0:15:23.680 --> 0:15:25.120
<v Speaker 7>gonna eat your dinner, or you're gonna do.

0:15:25.280 --> 0:15:27.040
<v Speaker 9>Men fold laundry too, Claire.

0:15:27.280 --> 0:15:30.040
<v Speaker 7>Yes, but they only fold laundry. They're not folding laundry

0:15:30.040 --> 0:15:32.520
<v Speaker 7>and watching friends. They're just gonna fold the laundry. Oh,

0:15:32.680 --> 0:15:34.320
<v Speaker 7>everybody in my house has to do their ow laundry

0:15:34.360 --> 0:15:38.840
<v Speaker 7>starting at age thirteen. So we definitely love boys doing

0:15:38.880 --> 0:15:42.600
<v Speaker 7>laundry around here. But they aren't doing other things. Like

0:15:42.680 --> 0:15:45.160
<v Speaker 7>they may even do the folding in the laundry room.

0:15:45.440 --> 0:15:47.760
<v Speaker 7>They're gonna go mow the lawn. They're only mowing the

0:15:47.800 --> 0:15:50.160
<v Speaker 7>lawn because they're only thinking that one thing. I think

0:15:50.240 --> 0:15:53.760
<v Speaker 7>women in general, we tend to multitask. So say we're

0:15:53.800 --> 0:15:56.760
<v Speaker 7>cleaning the kitchen and we see that sock. We take

0:15:56.800 --> 0:15:59.400
<v Speaker 7>to the laundry room. Realize, yesterday we put the you know,

0:15:59.480 --> 0:16:01.880
<v Speaker 7>clothes in the washer and we need to switch them

0:16:01.880 --> 0:16:03.760
<v Speaker 7>to the dryer. Now, okay, I'm gonna put everything in

0:16:03.800 --> 0:16:06.000
<v Speaker 7>the dryer. Oh shoot, I'll just go start another load

0:16:06.000 --> 0:16:07.800
<v Speaker 7>real quick. Let me run upstairs and get it out

0:16:07.840 --> 0:16:10.560
<v Speaker 7>of this other kid's room and bring it down. Two

0:16:10.600 --> 0:16:15.040
<v Speaker 7>hours later. Where were we, Oh, the kitchen. I've never

0:16:15.080 --> 0:16:19.040
<v Speaker 7>got back there. So my trick for this is seemingly

0:16:19.120 --> 0:16:21.760
<v Speaker 7>easy and physical. You're going to take a laundry basket.

0:16:21.840 --> 0:16:24.000
<v Speaker 7>It needs to be something as big as a laundry basket,

0:16:24.600 --> 0:16:26.400
<v Speaker 7>and you're going to set it at the entry to

0:16:26.560 --> 0:16:27.000
<v Speaker 7>that room.

0:16:27.120 --> 0:16:29.000
<v Speaker 9>And this is what you call the basket strategy.

0:16:29.080 --> 0:16:31.720
<v Speaker 7>Yeah, I'll call this a basket strategy. You're going to

0:16:31.760 --> 0:16:34.000
<v Speaker 7>put that at the entry to that so you can't

0:16:34.080 --> 0:16:36.640
<v Speaker 7>leave that room without stepping over that laundry basket, and

0:16:36.680 --> 0:16:38.600
<v Speaker 7>launder baskets are big, so we're not stepping over that.

0:16:39.640 --> 0:16:42.320
<v Speaker 7>It also is the receptacle for all the things that

0:16:42.360 --> 0:16:45.040
<v Speaker 7>you find that need to leave that room. So the

0:16:45.080 --> 0:16:47.240
<v Speaker 7>sock that you found that needs to go to the laundry.

0:16:47.440 --> 0:16:49.360
<v Speaker 7>If you're cleaning a kid's room, all the dishes that

0:16:49.360 --> 0:16:52.920
<v Speaker 7>they leave in there, whatever, all go in that laundry basket,

0:16:53.400 --> 0:16:56.640
<v Speaker 7>and you stay in that room and clean it completely

0:16:56.680 --> 0:16:59.240
<v Speaker 7>till it's done. So you have all your cleaning stuff,

0:16:59.240 --> 0:17:02.560
<v Speaker 7>your vacuum, everything, whatever you need. Anything that leaves that

0:17:02.680 --> 0:17:05.240
<v Speaker 7>room goes in the basket without you leaving the room yourself.

0:17:05.880 --> 0:17:07.800
<v Speaker 7>And then when you're done and the room is clean,

0:17:08.320 --> 0:17:11.080
<v Speaker 7>then you take your launder basket and you take everything

0:17:11.080 --> 0:17:13.760
<v Speaker 7>in that in that basket to where it needs to go. Okay,

0:17:13.880 --> 0:17:16.880
<v Speaker 7>so you've completed your thing and now.

0:17:16.880 --> 0:17:19.560
<v Speaker 9>And you didn't let yourself leave the room and get

0:17:19.600 --> 0:17:22.720
<v Speaker 9>distracted and then realize, oh, yeah, I was in my

0:17:22.840 --> 0:17:25.280
<v Speaker 9>room cleaning or whatever. This makes you think of the

0:17:25.800 --> 0:17:27.399
<v Speaker 9>one touch rule. Have you ever heard of that?

0:17:27.600 --> 0:17:28.399
<v Speaker 7>Huh? Okay?

0:17:28.520 --> 0:17:31.600
<v Speaker 9>So it's where you only let yourself touch something once,

0:17:32.119 --> 0:17:35.320
<v Speaker 9>which I don't know if would work with this because

0:17:35.359 --> 0:17:37.680
<v Speaker 9>you're touching the item, but I get it. Maybe you

0:17:37.800 --> 0:17:39.159
<v Speaker 9>touch it and you put it in the basket, and

0:17:39.160 --> 0:17:41.240
<v Speaker 9>then once it's in the basket, it has to return

0:17:41.320 --> 0:17:44.200
<v Speaker 9>to its home. So this could fall under the one

0:17:44.200 --> 0:17:47.399
<v Speaker 9>touch rule, but really it's that if you pick something up, like,

0:17:47.640 --> 0:17:50.080
<v Speaker 9>go ahead and put it away where it needs to go.

0:17:50.160 --> 0:17:52.119
<v Speaker 9>Like instead of taking a fork to the sink and

0:17:52.200 --> 0:17:54.720
<v Speaker 9>laying it down in the sink, take the fork, rinse

0:17:54.760 --> 0:17:56.639
<v Speaker 9>it in the sink, and put it in the dishwasher

0:17:56.720 --> 0:17:59.320
<v Speaker 9>or whatever needs to be done. Okay, don't give it

0:17:59.359 --> 0:18:02.840
<v Speaker 9>an extrap that's not necessary or that's gonna make you

0:18:02.840 --> 0:18:04.480
<v Speaker 9>have to touch it and do it again later.

0:18:04.720 --> 0:18:06.680
<v Speaker 7>Yeah, and you could apply that and just say it's

0:18:06.680 --> 0:18:08.960
<v Speaker 7>the one touch rule in that room. So I'm only

0:18:08.960 --> 0:18:10.439
<v Speaker 7>gonna touch it one time. I'm not gonna put it

0:18:10.480 --> 0:18:12.200
<v Speaker 7>near the basket. I'm gonna put it in the basket

0:18:12.720 --> 0:18:15.919
<v Speaker 7>and complete everything and then I'll deal with it after that.

0:18:16.040 --> 0:18:18.600
<v Speaker 7>So yeah, maybe the one touch rule for within that

0:18:18.680 --> 0:18:20.520
<v Speaker 7>the confines of that room, maybe.

0:18:20.240 --> 0:18:21.320
<v Speaker 13>Okay, But I do like that.

0:18:21.400 --> 0:18:23.280
<v Speaker 7>I feel like my kids could learn from that, Like

0:18:23.560 --> 0:18:25.320
<v Speaker 7>we don't have to put things beside the sink. We

0:18:25.359 --> 0:18:28.080
<v Speaker 7>could actually put them directly in the dishwasher. That would

0:18:28.080 --> 0:18:28.720
<v Speaker 7>be amazing.

0:18:29.040 --> 0:18:31.360
<v Speaker 9>Or you don't have to put something like at the

0:18:31.440 --> 0:18:34.640
<v Speaker 9>bottom of the stairs, take it up to your room.

0:18:35.160 --> 0:18:38.440
<v Speaker 9>Stuff just piles up, and I'm the one that takes it.

0:18:38.440 --> 0:18:43.080
<v Speaker 7>It's like, am I understands the stairs situation?

0:18:43.640 --> 0:18:44.480
<v Speaker 13>Not anyone.

0:18:44.840 --> 0:18:46.760
<v Speaker 7>I'm like, if it's on the stairs, it clearly needs

0:18:46.800 --> 0:18:48.919
<v Speaker 7>to go up or down depending on where it is.

0:18:49.600 --> 0:18:52.080
<v Speaker 7>No one understands that but me, How is that possible?

0:18:52.359 --> 0:18:53.320
<v Speaker 9>No, it's a weird thing.

0:18:53.440 --> 0:18:55.640
<v Speaker 7>It is a weird thing. But I've even put things

0:18:55.680 --> 0:18:58.080
<v Speaker 7>in the middle of the stairs. Right now, currently there

0:18:58.160 --> 0:19:01.800
<v Speaker 7>is a sixteen year old child hoodie in the middle

0:19:01.840 --> 0:19:04.920
<v Speaker 7>of the staircase, just waiting, just waiting. But she's walked

0:19:04.920 --> 0:19:08.320
<v Speaker 7>over it two days worth. And I refuse amy, I

0:19:08.440 --> 0:19:11.200
<v Speaker 7>refuse to take it upstairs.

0:19:11.280 --> 0:19:13.080
<v Speaker 9>She'll get it eventually.

0:19:13.520 --> 0:19:15.200
<v Speaker 7>Somebody's gonna happen to that hoodie.

0:19:15.320 --> 0:19:17.520
<v Speaker 9>You need to do the anchor item thing with her.

0:19:18.560 --> 0:19:23.080
<v Speaker 7>Maybe, or she's just as stubborn as her mama. That

0:19:23.119 --> 0:19:26.199
<v Speaker 7>could be it too, So that's the basket strategy. I

0:19:26.320 --> 0:19:28.920
<v Speaker 7>like the one touch rule too, especially if you are

0:19:29.160 --> 0:19:31.280
<v Speaker 7>trying to encourage a kiddo. I think that's an easy

0:19:31.320 --> 0:19:33.280
<v Speaker 7>thing to say, like, hey, just want to touch it.

0:19:33.400 --> 0:19:34.919
<v Speaker 7>If you already have it in your hand, put it

0:19:34.920 --> 0:19:35.600
<v Speaker 7>where it needs to be.

0:19:36.800 --> 0:19:40.800
<v Speaker 1>We're gonna do it live we are the one, two,

0:19:40.840 --> 0:19:44.359
<v Speaker 1>three Sore Losers.

0:19:44.400 --> 0:19:46.680
<v Speaker 8>What up, everybody? I am lunchbox. I know the most

0:19:46.680 --> 0:19:49.159
<v Speaker 8>about sports, so I'll give you the sports facts, my

0:19:49.280 --> 0:19:53.520
<v Speaker 8>sports opinions, because I'm pretty much a sports genius, y'all.

0:19:53.560 --> 0:19:55.880
<v Speaker 1>It's Sison. I'm from the North. I'm an alpha male.

0:19:55.920 --> 0:19:58.159
<v Speaker 1>I live on the North side of Nashville with Bayser,

0:19:58.200 --> 0:20:00.159
<v Speaker 1>my wife. We do have a farm. It's beautiful, a

0:20:00.200 --> 0:20:04.000
<v Speaker 1>lot of acreage, no animals, a lot of crops. Hopefully

0:20:04.040 --> 0:20:09.000
<v Speaker 1>soon corn pumpkins, rye. I believe maybe a little fescue

0:20:10.400 --> 0:20:13.160
<v Speaker 1>to be determined. Over to you, coach.

0:20:14.280 --> 0:20:16.480
<v Speaker 8>And here's a clip from this week's episode of The

0:20:16.520 --> 0:20:21.000
<v Speaker 8>Sore Losers. No, I'm not telling the cleaning lady story again.

0:20:21.040 --> 0:20:24.159
<v Speaker 8>But I walked out of the bathroom and you believe it,

0:20:24.560 --> 0:20:26.520
<v Speaker 8>and I looked to my right and there's a guy

0:20:26.560 --> 0:20:29.720
<v Speaker 8>and a girl walk in my direction, and I'm like,

0:20:31.000 --> 0:20:35.200
<v Speaker 8>is that Leslie, the one that works in Austin?

0:20:36.320 --> 0:20:37.639
<v Speaker 13>What huh?

0:20:37.680 --> 0:20:38.400
<v Speaker 8>Am I in the rock?

0:20:39.080 --> 0:20:42.040
<v Speaker 1>She's here for a meeting, the one that used to

0:20:42.080 --> 0:20:45.359
<v Speaker 1>be in the sports sales. Yes, I didn't even know

0:20:45.480 --> 0:20:47.080
<v Speaker 1>she was still at the company, That's.

0:20:46.880 --> 0:20:49.600
<v Speaker 8>What I'm saying. And she's just walking down the hallway.

0:20:49.640 --> 0:20:51.879
<v Speaker 8>I'm like, what it really took me a minute? Like,

0:20:52.359 --> 0:20:53.760
<v Speaker 8>am I seeing the right person?

0:20:54.000 --> 0:20:54.720
<v Speaker 1>Brunette hair?

0:20:55.160 --> 0:20:55.640
<v Speaker 3>Yeah?

0:20:55.440 --> 0:20:57.359
<v Speaker 8>Oh my gosh, is that not weird?

0:20:57.600 --> 0:20:59.640
<v Speaker 1>Hold on, that's not the weird part. Oh I got

0:20:59.640 --> 0:21:01.800
<v Speaker 1>a fight and awesome, Oh, please tell me more. I

0:21:01.880 --> 0:21:04.240
<v Speaker 1>was an intern and I had a remote and she

0:21:04.480 --> 0:21:06.960
<v Speaker 1>was the salesperson, so all this money was tied to

0:21:06.960 --> 0:21:08.919
<v Speaker 1>this remote. I went to the address. It was in

0:21:08.920 --> 0:21:11.480
<v Speaker 1>an abandoned field. So I came back to the radio

0:21:11.520 --> 0:21:14.080
<v Speaker 1>station and dude, I was I was at that point,

0:21:14.119 --> 0:21:15.760
<v Speaker 1>I was maybe twenty two years old, so I didn't

0:21:15.760 --> 0:21:17.879
<v Speaker 1>give a crap about anything. I was just like, terrible address.

0:21:18.000 --> 0:21:19.880
<v Speaker 1>Nice job with the address, didn't work. What's up? You'll

0:21:19.920 --> 0:21:21.680
<v Speaker 1>have everybody doing what's up? Sales team, how you guys?

0:21:21.680 --> 0:21:22.120
<v Speaker 3>What's up?

0:21:22.240 --> 0:21:23.680
<v Speaker 1>And Sheesa, wait, why are you not.

0:21:23.640 --> 0:21:24.160
<v Speaker 8>At my remote?

0:21:24.200 --> 0:21:25.840
<v Speaker 1>I go, oh, it's in some empty field. You totally

0:21:25.880 --> 0:21:27.640
<v Speaker 1>screwed up, didn't go. I was like, we just pulled

0:21:27.720 --> 0:21:29.159
<v Speaker 1>up and it was nothing there, so we left. She's like,

0:21:29.400 --> 0:21:31.320
<v Speaker 1>oh my gosh, oh my gosh, it was the wrong address.

0:21:31.359 --> 0:21:33.159
<v Speaker 1>Well you can still get out there. I didn't know,

0:21:33.359 --> 0:21:35.320
<v Speaker 1>and I was like, no, no, no, you did the wrong address,

0:21:35.359 --> 0:21:39.120
<v Speaker 1>schedule another event like me and her head to head,

0:21:39.400 --> 0:21:42.240
<v Speaker 1>and then promotions goes, hey, if there it was definitely

0:21:42.280 --> 0:21:44.320
<v Speaker 1>their fault with the address. She definitely gave you the

0:21:44.320 --> 0:21:48.200
<v Speaker 1>wrong gas station address. But next time, just you kind

0:21:48.200 --> 0:21:50.480
<v Speaker 1>of like you need to communicate with them. We don't

0:21:50.480 --> 0:21:53.800
<v Speaker 1>really we don't really yell at them. She's like, we're promotions.

0:21:53.840 --> 0:21:55.320
<v Speaker 1>We we kind of work for them.

0:21:55.440 --> 0:21:57.680
<v Speaker 8>Ish you kind of just drive the van and hand

0:21:57.680 --> 0:21:59.560
<v Speaker 8>out prizes. So what a remote is like, Hey, we're

0:21:59.560 --> 0:22:01.240
<v Speaker 8>gonna be here from twelve to two, come out and

0:22:01.240 --> 0:22:03.520
<v Speaker 8>see us at the Walmart and you set up the van.

0:22:03.600 --> 0:22:06.200
<v Speaker 8>So that's what Ray is talking about, uh, when you're

0:22:06.200 --> 0:22:09.400
<v Speaker 8>talking about that. So you show up and like when

0:22:09.400 --> 0:22:11.440
<v Speaker 8>I was in Nashville, I did one and it was

0:22:11.480 --> 0:22:14.720
<v Speaker 8>at a furniture store from five to seven pm.

0:22:15.160 --> 0:22:17.520
<v Speaker 1>Come get your couches, get your love seats, and also

0:22:17.600 --> 0:22:18.440
<v Speaker 1>get your automans.

0:22:18.440 --> 0:22:18.840
<v Speaker 3>What's up.

0:22:18.840 --> 0:22:21.080
<v Speaker 1>It's lunchbox and I'm out here today.

0:22:21.359 --> 0:22:23.920
<v Speaker 8>On a Thursday night, five to seven pm. So I'm

0:22:23.920 --> 0:22:26.080
<v Speaker 8>fighting five o'clock traffic trying to get there, and I

0:22:26.240 --> 0:22:30.840
<v Speaker 8>roll up at four fifty eight and the store's not

0:22:30.880 --> 0:22:31.760
<v Speaker 8>even open yet.

0:22:32.240 --> 0:22:34.280
<v Speaker 1>Remote Horror Stories.

0:22:34.000 --> 0:22:37.480
<v Speaker 8>And I'm like, I call the sales later. I'm like, yeah,

0:22:37.520 --> 0:22:40.560
<v Speaker 8>so I'm here, and they like, there's not even furniture

0:22:40.600 --> 0:22:42.440
<v Speaker 8>in the store, Like they have the sign up, but

0:22:42.480 --> 0:22:45.840
<v Speaker 8>there's no furniture. It looks like they're still building the store.

0:22:46.280 --> 0:22:49.080
<v Speaker 1>I think that liquidation sale went better than expected. The

0:22:49.160 --> 0:22:50.480
<v Speaker 1>store is empty now.

0:22:50.920 --> 0:22:53.359
<v Speaker 8>And so she calls, you know, she goes, let me

0:22:53.359 --> 0:22:54.879
<v Speaker 8>call you back. I'll find out what's going on. And

0:22:54.920 --> 0:22:57.000
<v Speaker 8>then the promotion truck pulls up and we're just sitting

0:22:57.040 --> 0:23:00.200
<v Speaker 8>there and she calls back. She goes, oh, yeah, yeah,

0:23:00.240 --> 0:23:02.439
<v Speaker 8>they just told me that it's not ready yet, that

0:23:02.480 --> 0:23:08.960
<v Speaker 8>they need to postpone it. Like, you don't think you

0:23:09.000 --> 0:23:11.240
<v Speaker 8>should tell us that before we're on site.

0:23:11.960 --> 0:23:13.760
<v Speaker 1>Dude, I've got some bad ones, remember you and me?

0:23:14.160 --> 0:23:15.760
<v Speaker 1>Wasn't that it was a bad We worked in an

0:23:15.800 --> 0:23:19.480
<v Speaker 1>asphalt factory for two hours in the heat of Texas.

0:23:20.160 --> 0:23:22.880
<v Speaker 8>Mother's window tint San Marcus, Texas. That's where it was at.

0:23:23.200 --> 0:23:26.199
<v Speaker 1>That was one of the first places be miserable on

0:23:26.240 --> 0:23:27.480
<v Speaker 1>a June July day.

0:23:27.560 --> 0:23:29.720
<v Speaker 8>Dude, I used to stand in the freaking parking lots

0:23:29.760 --> 0:23:34.639
<v Speaker 8>of cricket wireless all the time in the middle of

0:23:34.680 --> 0:23:37.320
<v Speaker 8>the summer, noon to two on a Saturday, and you

0:23:37.359 --> 0:23:40.119
<v Speaker 8>want to talk about just melting in the freaking heat.

0:23:40.720 --> 0:23:42.280
<v Speaker 8>Oh awful, dude.

0:23:42.359 --> 0:23:44.760
<v Speaker 1>I had to go sit outside of a Taco bell

0:23:45.600 --> 0:23:47.919
<v Speaker 1>and there wasn't There was no place to set up

0:23:47.920 --> 0:23:50.520
<v Speaker 1>the remote. Guys, listen, I'm a remote expert. I used

0:23:50.520 --> 0:23:51.919
<v Speaker 1>to do this for years, so I knew how to

0:23:51.920 --> 0:23:54.679
<v Speaker 1>park the vehicle. I knew how to set the speakers.

0:23:54.720 --> 0:23:57.159
<v Speaker 1>You know, you got the boombox, you got the radio station, plane,

0:23:57.240 --> 0:23:57.960
<v Speaker 1>you meet the manager.

0:23:57.960 --> 0:23:58.600
<v Speaker 8>How's it going? Man?

0:23:58.600 --> 0:24:01.040
<v Speaker 1>You kiss a couple babies. Not really your promotions. All

0:24:01.080 --> 0:24:02.960
<v Speaker 1>you're there to do is set stuff up. There was

0:24:03.040 --> 0:24:05.399
<v Speaker 1>no space for the van, so I'm parked in this

0:24:05.720 --> 0:24:07.480
<v Speaker 1>Wendy's fast food restaurant.

0:24:07.640 --> 0:24:07.920
<v Speaker 3>Dude.

0:24:08.000 --> 0:24:10.200
<v Speaker 1>Cars are honky as they're trying to go through drive through.

0:24:10.200 --> 0:24:13.520
<v Speaker 1>I'm like sorry setting up for the remote, Like, hey, buddy,

0:24:13.720 --> 0:24:16.760
<v Speaker 1>get the absolute got of the way. Hey man, do

0:24:17.200 --> 0:24:19.160
<v Speaker 1>I need to get my fries? Man, get the out

0:24:19.160 --> 0:24:20.919
<v Speaker 1>of my way, dude. I was just trying to do

0:24:20.960 --> 0:24:23.040
<v Speaker 1>a happy remote where I give people some stuff, and

0:24:23.080 --> 0:24:26.399
<v Speaker 1>there was nowhere to park in a college ut area.

0:24:27.280 --> 0:24:29.600
<v Speaker 8>I loved like when I when I worked promote, So

0:24:29.640 --> 0:24:32.520
<v Speaker 8>I worked promotions this summer after my freshman year of college,

0:24:32.960 --> 0:24:36.239
<v Speaker 8>KSE one on one KVET located on Lamar and we

0:24:36.240 --> 0:24:40.160
<v Speaker 8>were the Zone. Their slogan at that point thirteen hundred Zone.

0:24:40.280 --> 0:24:43.480
<v Speaker 8>I thought it was the coolest slogan I'd ever heard

0:24:43.480 --> 0:24:43.920
<v Speaker 8>in my life.

0:24:44.040 --> 0:24:45.600
<v Speaker 1>AM thirteen hundred the Zone.

0:24:45.720 --> 0:24:51.480
<v Speaker 8>Get No, that wasn't it. It was AM thirteen hundred

0:24:51.680 --> 0:24:56.840
<v Speaker 8>the Cure for jockage. And they had shirts and I'd

0:24:56.880 --> 0:24:59.040
<v Speaker 8>go in the promotions closet and steal I took so

0:24:59.160 --> 0:25:02.240
<v Speaker 8>many shirts and I'd that was so awesome, Like, how

0:25:02.359 --> 0:25:05.040
<v Speaker 8>creative for a sports station to be the cure for

0:25:05.240 --> 0:25:06.280
<v Speaker 8>jack jockitch?

0:25:06.680 --> 0:25:09.280
<v Speaker 1>Hilarious, That's pretty good. I thought for a second. Wasn't

0:25:09.320 --> 0:25:10.960
<v Speaker 1>sore Loser's gonna be tell something to do a jock?

0:25:13.200 --> 0:25:15.840
<v Speaker 1>I don't know, because you may have not even known,

0:25:16.040 --> 0:25:18.960
<v Speaker 1>but gotten that idea from the original sports station that

0:25:19.000 --> 0:25:19.760
<v Speaker 1>you were a fan of.

0:25:20.040 --> 0:25:23.800
<v Speaker 8>And I did. My first remote I worked was at

0:25:23.840 --> 0:25:28.720
<v Speaker 8>Golden Corral. They had all you can eat special on

0:25:28.880 --> 0:25:32.439
<v Speaker 8>Wednesday nights. It was me. I was the one that

0:25:32.520 --> 0:25:36.399
<v Speaker 8>drove the van, had the prizes and the jock, the DJ,

0:25:36.600 --> 0:25:41.320
<v Speaker 8>whatever you want to call them, Bama Brown and I

0:25:41.359 --> 0:25:44.439
<v Speaker 8>will never forget I still have that. We're sitting there

0:25:44.480 --> 0:25:47.520
<v Speaker 8>out there and some guys going around selling bags in

0:25:47.600 --> 0:25:50.560
<v Speaker 8>the parking lot, and I'm like, man, that's a nice bag.

0:25:50.600 --> 0:25:53.359
<v Speaker 8>It's like a Duffel bag. I bought a Duffel bag

0:25:53.400 --> 0:25:55.720
<v Speaker 8>off the guy and I still have it to this day.

0:25:55.920 --> 0:25:59.199
<v Speaker 8>Are homeless, no, no, right, I mean it's one of

0:25:59.200 --> 0:26:01.280
<v Speaker 8>those scammy ones like, oh, I'm raising money for my

0:26:01.359 --> 0:26:03.719
<v Speaker 8>and I was like, man, that's a really nice bag.

0:26:04.119 --> 0:26:06.119
<v Speaker 8>I bought it for twenty five dollars.

0:26:06.040 --> 0:26:08.000
<v Speaker 1>Dude, do it. Remotes are the best thing. I don't

0:26:08.000 --> 0:26:09.480
<v Speaker 1>know if they even still do them as much as

0:26:09.480 --> 0:26:11.760
<v Speaker 1>they used to. They do. They're the best thing out there,

0:26:11.840 --> 0:26:13.680
<v Speaker 1>especially if you're a kid right out of college. They're

0:26:13.720 --> 0:26:16.600
<v Speaker 1>so easy. You meet tons of people. We would go

0:26:16.680 --> 0:26:18.240
<v Speaker 1>sit out it. There was one of those events with

0:26:18.280 --> 0:26:21.199
<v Speaker 1>the country station would set outside of some it was

0:26:21.200 --> 0:26:25.080
<v Speaker 1>a concert venue right off of Congress. Oh, Billy Bob's,

0:26:25.240 --> 0:26:27.639
<v Speaker 1>let's just say it's that, okay, Billy Bob's. I would

0:26:27.640 --> 0:26:29.320
<v Speaker 1>sit out there and I was a part of the

0:26:29.680 --> 0:26:31.919
<v Speaker 1>Bobby Bone Show, and so I mean there's just like

0:26:32.000 --> 0:26:34.680
<v Speaker 1>chicks rolling through. Hey are you that Ray intern guy

0:26:34.680 --> 0:26:37.560
<v Speaker 1>from Bobby BUNCHO. Yeah, yeah, dude, I'm getting girls' numbers. Hey,

0:26:37.560 --> 0:26:39.200
<v Speaker 1>do you want some free tickets? I got tickets there.

0:26:39.480 --> 0:26:41.960
<v Speaker 1>You have free stuff to give them, So you're basically

0:26:41.960 --> 0:26:44.760
<v Speaker 1>buying their phone number, and they have to talk to

0:26:44.800 --> 0:26:47.560
<v Speaker 1>you because you're standing right there as they're trying to

0:26:47.560 --> 0:26:50.399
<v Speaker 1>get into the venue. If you're a dude out there

0:26:50.400 --> 0:26:52.240
<v Speaker 1>and you're single, remotes are the way to go.

0:26:52.640 --> 0:26:54.520
<v Speaker 8>Yeah, I mean, I don't know. We got to start

0:26:54.520 --> 0:26:56.199
<v Speaker 8>the show because our special guests just got in here.

0:26:56.240 --> 0:26:57.800
<v Speaker 8>I can tell you more remotes, like the one time

0:26:57.840 --> 0:27:00.240
<v Speaker 8>I went to a car dealership in Colleen.

0:27:00.600 --> 0:27:02.920
<v Speaker 1>How's it going? Lunchbox is automotive? How can I get

0:27:02.920 --> 0:27:03.880
<v Speaker 1>your oil change?

0:27:04.320 --> 0:27:06.320
<v Speaker 8>And I drove an hour and a half to get

0:27:06.359 --> 0:27:09.919
<v Speaker 8>to Kaleen, get to the stupid car dealership, and we

0:27:10.200 --> 0:27:11.680
<v Speaker 8>That was back when they had what they called a

0:27:11.760 --> 0:27:14.439
<v Speaker 8>Marty inside the van and you had to put you

0:27:14.480 --> 0:27:17.480
<v Speaker 8>had to raise up this pole to get the antenna

0:27:17.560 --> 0:27:19.120
<v Speaker 8>up there so they could get the signal.

0:27:19.280 --> 0:27:23.400
<v Speaker 1>You used to be a tech guy. Good god, we're

0:27:23.480 --> 0:27:25.080
<v Speaker 1>learning everything about your radio.

0:27:25.200 --> 0:27:26.479
<v Speaker 8>No no, no culture right.

0:27:26.600 --> 0:27:28.840
<v Speaker 1>That wasn't always the Golden Voice culture.

0:27:29.080 --> 0:27:31.520
<v Speaker 8>This was when I was on air, so I rode

0:27:31.560 --> 0:27:33.800
<v Speaker 8>with whoever the promotions was in the van all the

0:27:33.800 --> 0:27:36.439
<v Speaker 8>way to Colleen and we put the Marty up and

0:27:36.480 --> 0:27:40.560
<v Speaker 8>get it. It was so far out there it didn't

0:27:40.560 --> 0:27:44.320
<v Speaker 8>even get the radio station. Like, you couldn't get the radio.

0:27:44.359 --> 0:27:48.240
<v Speaker 8>The signal didn't reach there, and we're having a remote

0:27:48.440 --> 0:27:51.119
<v Speaker 8>and you can't even play the music. And so of course,

0:27:51.359 --> 0:27:55.280
<v Speaker 8>not one single person stopped by the car dealership to

0:27:55.280 --> 0:27:59.120
<v Speaker 8>say hello because our radio station didn't even reach that location.

0:27:59.640 --> 0:28:02.120
<v Speaker 1>Dude, you just remember reminded me of my favorite mode ever.

0:28:02.240 --> 0:28:05.680
<v Speaker 1>I think one time I had one at Bikini's Bar. Oh, dude,

0:28:05.760 --> 0:28:10.840
<v Speaker 1>U to the chicks were in bikinis. Yes, hello, I

0:28:10.880 --> 0:28:13.679
<v Speaker 1>wasn't sissor Ray Mundo that I was intern Ray intern Ray,

0:28:13.720 --> 0:28:15.640
<v Speaker 1>I'm twenty two A nice to meet you. I represent

0:28:15.680 --> 0:28:17.600
<v Speaker 1>the radio station. Oh hey, how's it going?

0:28:17.800 --> 0:28:18.000
<v Speaker 3>Dude?

0:28:18.080 --> 0:28:21.040
<v Speaker 1>All these managers are in their bikinis. Uh is this

0:28:21.160 --> 0:28:24.360
<v Speaker 1>the radio industry? And why are y'all not war? Did

0:28:24.440 --> 0:28:24.960
<v Speaker 1>he clothes?

0:28:25.240 --> 0:28:25.440
<v Speaker 3>Dude?

0:28:25.480 --> 0:28:28.440
<v Speaker 1>I was sold, I was in radio. I was baptized.

0:28:28.520 --> 0:28:32.120
<v Speaker 8>Hey, bikinis, bar and grill. They had remotes all the time. Dude,

0:28:32.160 --> 0:28:33.359
<v Speaker 8>right there off thirty five?

0:28:33.480 --> 0:28:35.880
<v Speaker 1>Oh id are you a college girl just in your

0:28:35.880 --> 0:28:36.520
<v Speaker 1>bathing suit?

0:28:36.560 --> 0:28:37.200
<v Speaker 3>Here on soho.

0:28:37.359 --> 0:28:38.880
<v Speaker 8>Oh no, no, no, I'm a manager.

0:28:38.960 --> 0:28:41.000
<v Speaker 1>Oh my god, it's in a whale tail.

0:28:41.320 --> 0:28:43.200
<v Speaker 8>Hey when in high school when they said what'd you

0:28:43.200 --> 0:28:45.000
<v Speaker 8>want to be? When Jiro? Did you put a manager

0:28:45.000 --> 0:28:46.920
<v Speaker 8>in a brushtrock? Because this is awesome?

0:29:01.160 --> 0:29:03.040
<v Speaker 13>Hello, Hello, Hey, It's mikey d.

0:29:03.200 --> 0:29:05.560
<v Speaker 14>And this week on Movie Mike's Movie Podcast, I broke

0:29:05.600 --> 0:29:08.560
<v Speaker 14>down a list of the top ten final girls in

0:29:08.640 --> 0:29:12.040
<v Speaker 14>horror movies. Not anything creepy, it's actually very empowering to

0:29:12.120 --> 0:29:16.080
<v Speaker 14>women in film. I'll explain exactly what a final girl is. So,

0:29:16.160 --> 0:29:17.840
<v Speaker 14>if like me, you are a fan of the horror

0:29:17.880 --> 0:29:20.640
<v Speaker 14>genre looking for maybe some hidden gems you haven't seen

0:29:20.680 --> 0:29:23.760
<v Speaker 14>to watch around Halloween time, I got you check out

0:29:23.760 --> 0:29:25.240
<v Speaker 14>this clip. But be sure to check out the full

0:29:25.240 --> 0:29:26.840
<v Speaker 14>episode of Movie Mike's Movie Podcast.

0:29:26.880 --> 0:29:29.600
<v Speaker 13>But right now, here's just a little bit of the episode.

0:29:30.360 --> 0:29:32.400
<v Speaker 14>If you're a fan of horror like I am, you

0:29:32.520 --> 0:29:35.000
<v Speaker 14>already know what the final girl is in a movie,

0:29:35.000 --> 0:29:37.840
<v Speaker 14>but if you're not too familiar with it, the final

0:29:37.880 --> 0:29:40.720
<v Speaker 14>girl is the woman at the very end who survives

0:29:40.720 --> 0:29:44.240
<v Speaker 14>with the killer. She kills him or her in some way.

0:29:44.360 --> 0:29:47.280
<v Speaker 14>Sometimes the killer is male, sometimes the killer is female.

0:29:47.760 --> 0:29:54.120
<v Speaker 14>The final girl is usually portrayed as somebody who is resourceful, resilient, morally, uptight,

0:29:54.480 --> 0:29:56.800
<v Speaker 14>smarter than Oliver. Her appears in this movie because she

0:29:56.920 --> 0:30:00.520
<v Speaker 14>knows how to survive. Whenever I think about the Final Girl,

0:30:00.920 --> 0:30:02.920
<v Speaker 14>it takes me back to the first Screen movie in

0:30:03.000 --> 0:30:06.160
<v Speaker 14>nineteen ninety six, which, obviously some characters from Scream are

0:30:06.160 --> 0:30:08.760
<v Speaker 14>going to make this list, But whenever Jamie Kennedy's character

0:30:08.880 --> 0:30:12.680
<v Speaker 14>is giving the rules of surviving a horror movie, this

0:30:12.760 --> 0:30:14.320
<v Speaker 14>is exactly what I think about.

0:30:14.640 --> 0:30:17.680
<v Speaker 15>There are certain rules that one must abide by in

0:30:17.800 --> 0:30:22.080
<v Speaker 15>order to successfully survive a horror movie. For instance, number one,

0:30:22.640 --> 0:30:26.680
<v Speaker 15>you can never have sex sex even seth okay. Number

0:30:26.680 --> 0:30:30.000
<v Speaker 15>two you can never drink or do drug sin. It's

0:30:30.040 --> 0:30:34.240
<v Speaker 15>an extension of number one and number three never ever, ever,

0:30:34.360 --> 0:30:37.200
<v Speaker 15>under any circumstances, say I'll be right back because you

0:30:37.240 --> 0:30:37.800
<v Speaker 15>won't be back.

0:30:37.840 --> 0:30:40.680
<v Speaker 3>I'm getting another beer. You want one, Yeah, sure, I'll

0:30:40.680 --> 0:30:41.680
<v Speaker 3>be right back.

0:30:43.760 --> 0:30:47.440
<v Speaker 14>So the final Girl in any horror movie, I feel

0:30:47.440 --> 0:30:50.080
<v Speaker 14>like those rules kind of laid out the blueprint. Even

0:30:50.120 --> 0:30:51.880
<v Speaker 14>though that movie came out in nineteen ninety six and

0:30:51.920 --> 0:30:54.720
<v Speaker 14>there have been Final Girls way before that movie came out.

0:30:55.120 --> 0:30:57.280
<v Speaker 14>I always reference back to that clip to think of

0:30:57.640 --> 0:30:59.840
<v Speaker 14>what do you need to do in order to survive

0:31:00.000 --> 0:31:02.520
<v Speaker 14>a serial killer in a horror movie. So let's get

0:31:02.520 --> 0:31:06.240
<v Speaker 14>into this list at number two, getting to the heavy hitters.

0:31:06.320 --> 0:31:11.000
<v Speaker 14>Now you have Sidney Prescott from Scream played by Nev Campbell.

0:31:11.400 --> 0:31:13.960
<v Speaker 14>Came out back in nineteen ninety six again and it

0:31:14.040 --> 0:31:17.680
<v Speaker 14>is available on Max, which we mentioned earlier. Sidney Prescott

0:31:17.760 --> 0:31:21.120
<v Speaker 14>is the best modern version of a final Girl. In

0:31:21.160 --> 0:31:24.000
<v Speaker 14>my opinion, I do think the Scream movies kind of

0:31:24.040 --> 0:31:28.040
<v Speaker 14>lost their way even when Wes Craven continued to direct them.

0:31:28.440 --> 0:31:30.960
<v Speaker 14>Scream four became the first one that he didn't direct

0:31:31.000 --> 0:31:32.920
<v Speaker 14>because he passed away, but that one came out in

0:31:32.960 --> 0:31:36.160
<v Speaker 14>twenty eleven and he died in twenty fifteen. But the

0:31:36.200 --> 0:31:39.520
<v Speaker 14>formula did become a little stale. That was until, in

0:31:39.560 --> 0:31:42.920
<v Speaker 14>my opinion, Jenna Ortega and Melissa Barrera were.

0:31:42.760 --> 0:31:43.920
<v Speaker 13>Introduced into the cast.

0:31:44.360 --> 0:31:49.200
<v Speaker 14>Those movies rebooted the franchise and also got super meta

0:31:49.320 --> 0:31:52.960
<v Speaker 14>with referencing the Scream movies and redoing things from that

0:31:53.000 --> 0:31:56.560
<v Speaker 14>one and including them here. So wasn't really a remake,

0:31:56.840 --> 0:31:59.360
<v Speaker 14>wasn't really a reboot. It was kind of just taking

0:31:59.440 --> 0:32:02.280
<v Speaker 14>all the la elements of Scream and using gen Z

0:32:02.520 --> 0:32:05.640
<v Speaker 14>actors to make you feel that same way when you

0:32:05.680 --> 0:32:07.920
<v Speaker 14>watch the first screen movies. So I hate now that

0:32:08.000 --> 0:32:10.040
<v Speaker 14>the fate of these movies is really in the balance,

0:32:10.080 --> 0:32:12.920
<v Speaker 14>that Jener Ortega and Melissa Barrera are no longer going

0:32:13.000 --> 0:32:13.240
<v Speaker 14>to be.

0:32:13.200 --> 0:32:14.080
<v Speaker 3>Attached to them.

0:32:14.280 --> 0:32:16.800
<v Speaker 14>I hate the way they exited these films, but it

0:32:16.840 --> 0:32:19.280
<v Speaker 14>looks like some of the original casts will still be

0:32:19.400 --> 0:32:21.360
<v Speaker 14>a part of them. I just don't really think there's

0:32:21.440 --> 0:32:24.440
<v Speaker 14>much left there to really make these movies interesting, and

0:32:24.480 --> 0:32:27.320
<v Speaker 14>they lost what was making them work, what was making

0:32:27.400 --> 0:32:29.959
<v Speaker 14>the younger audience go to the theater to watch these movies.

0:32:30.080 --> 0:32:32.400
<v Speaker 14>Now you're just gonna be trying to make these movies

0:32:32.440 --> 0:32:35.680
<v Speaker 14>to people of my generation millennials, to go and be

0:32:35.800 --> 0:32:39.280
<v Speaker 14>nostalgia bay. But that really doesn't work with horror franchises anymore.

0:32:39.520 --> 0:32:40.720
<v Speaker 13>You gotta keep it new, you.

0:32:40.680 --> 0:32:42.920
<v Speaker 14>Gotta keep it fresh, You got to keep those actors

0:32:42.960 --> 0:32:44.080
<v Speaker 14>at the forefront.

0:32:44.240 --> 0:32:46.360
<v Speaker 13>And nev Campbell would have been the.

0:32:46.200 --> 0:32:49.440
<v Speaker 14>Best to do it as far as being the it

0:32:49.680 --> 0:32:53.640
<v Speaker 14>Final Girl if it wasn't for Number one, the og

0:32:54.440 --> 0:32:58.480
<v Speaker 14>the original Final Girl, the best Final Girl of all

0:32:58.600 --> 0:33:02.160
<v Speaker 14>time according to the list, and according to me, it

0:33:02.280 --> 0:33:05.719
<v Speaker 14>is Lori Strode from Halloween played by Jamie Lee Curtis,

0:33:05.880 --> 0:33:07.840
<v Speaker 14>came out in nineteen seventy eight.

0:33:07.920 --> 0:33:09.120
<v Speaker 13>It is available to.

0:33:09.120 --> 0:33:13.920
<v Speaker 14>Watch on Crackle of all services, Netflix, Hulu, Disney Plus.

0:33:13.960 --> 0:33:16.560
<v Speaker 13>Even you can watch Halloween on Crackle.

0:33:16.640 --> 0:33:19.520
<v Speaker 14>I feel like I've watched maybe two things on Crackle

0:33:19.560 --> 0:33:20.320
<v Speaker 14>in my life.

0:33:20.480 --> 0:33:21.400
<v Speaker 13>Actually I take that back.

0:33:21.400 --> 0:33:23.240
<v Speaker 14>I think it was only one movie, Joe Dirt I

0:33:23.440 --> 0:33:26.560
<v Speaker 14>Beautiful Loser, the sequel that nobody asked for, but it

0:33:26.600 --> 0:33:29.760
<v Speaker 14>was available as a Crackle original, So you can go

0:33:29.800 --> 0:33:32.520
<v Speaker 14>watch Joe Dirt two and you can go watch Halloween

0:33:32.680 --> 0:33:33.720
<v Speaker 14>again much like two b.

0:33:34.280 --> 0:33:35.480
<v Speaker 13>Crackle is also.

0:33:35.280 --> 0:33:37.760
<v Speaker 14>The dollar bin, but maybe not even at Walmart, probably

0:33:37.800 --> 0:33:39.560
<v Speaker 14>a like family dollar dollar tree.

0:33:39.640 --> 0:33:41.720
<v Speaker 13>I would never find anything good in those bins.

0:33:41.920 --> 0:33:44.680
<v Speaker 14>It'd always be like really weird movies or like movie

0:33:44.720 --> 0:33:47.680
<v Speaker 14>three packs of black and white horror movies that were

0:33:47.720 --> 0:33:50.640
<v Speaker 14>made back in the forties. And the reason I agree

0:33:50.640 --> 0:33:53.480
<v Speaker 14>with this list why Louri Strode is the best Final

0:33:53.560 --> 0:33:58.480
<v Speaker 14>Girl is that final scene where she is making it

0:33:58.560 --> 0:34:02.560
<v Speaker 14>her main object to save the kids but also save

0:34:02.640 --> 0:34:05.440
<v Speaker 14>herself make sure they're out of harm's way, and has

0:34:06.000 --> 0:34:10.480
<v Speaker 14>the most iconic scene in any horror movie. It is

0:34:10.560 --> 0:34:14.280
<v Speaker 14>the blueprint of how to make a great final act,

0:34:14.600 --> 0:34:19.200
<v Speaker 14>Laurie Strode in the closet with Michael Myers breaking down

0:34:19.200 --> 0:34:22.799
<v Speaker 14>the door is a scene that altered my brain's chemistry.

0:34:22.920 --> 0:34:23.920
<v Speaker 13>If there's one scene in.

0:34:23.920 --> 0:34:26.760
<v Speaker 14>Horror that I wish I could go back and rewatch

0:34:26.800 --> 0:34:29.520
<v Speaker 14>for the first time, have my memory erased, just so

0:34:29.680 --> 0:34:32.400
<v Speaker 14>I could experience it again, it would be this scene.

0:34:32.680 --> 0:34:35.200
<v Speaker 14>Jamie Lee Curtis did a fantastic job as she was

0:34:35.239 --> 0:34:39.279
<v Speaker 14>being introduced into the world. Halloween two takes place right

0:34:39.320 --> 0:34:41.960
<v Speaker 14>after the events of Halloween one, and growing up, I

0:34:41.960 --> 0:34:44.719
<v Speaker 14>would always just watch those back to back every Halloween,

0:34:45.320 --> 0:34:48.759
<v Speaker 14>and two isn't as iconic as one, but if you

0:34:48.840 --> 0:34:51.560
<v Speaker 14>watch them all together, it makes for a great movie night.

0:34:52.080 --> 0:34:56.040
<v Speaker 14>The entire journey that Lori Strode goes through all of

0:34:56.040 --> 0:34:59.640
<v Speaker 14>the movies doesn't really make sense. They kind of change

0:34:59.640 --> 0:35:03.279
<v Speaker 14>her care character from movie to movie, create this backstory

0:35:03.280 --> 0:35:04.800
<v Speaker 14>of her and Michael being related.

0:35:04.880 --> 0:35:05.680
<v Speaker 1>Are they related?

0:35:05.719 --> 0:35:08.520
<v Speaker 14>Are they not? I enjoyed it as they moved into

0:35:08.640 --> 0:35:11.760
<v Speaker 14>Halloween h twoel even though I think people hate that movie,

0:35:11.800 --> 0:35:12.520
<v Speaker 14>that is one of my.

0:35:12.440 --> 0:35:14.760
<v Speaker 13>Favorite Halloween movies. And then they.

0:35:14.719 --> 0:35:17.880
<v Speaker 14>Reintroduced her again in the twenty eighteen version, which I

0:35:17.880 --> 0:35:21.120
<v Speaker 14>thought was fantastic, but I hate how that run ended.

0:35:21.440 --> 0:35:23.080
<v Speaker 13>Twenty eighteen was a great reboot.

0:35:23.440 --> 0:35:26.480
<v Speaker 14>Halloween Kills in twenty twenty one was pretty mid and

0:35:26.680 --> 0:35:29.960
<v Speaker 14>I completely hated Halloween Ens. But I can look past

0:35:30.000 --> 0:35:32.640
<v Speaker 14>all that to go back to the original. Lori strode

0:35:32.680 --> 0:35:36.520
<v Speaker 14>at number one as the best final girl in all

0:35:36.719 --> 0:35:37.360
<v Speaker 14>of horror.

0:35:47.480 --> 0:35:52.200
<v Speaker 3>Carrylon. She's a queen of talking. It was a son,

0:35:54.040 --> 0:35:57.400
<v Speaker 3>She's getting really not afraid to things. Episode Soul just

0:35:57.560 --> 0:36:03.360
<v Speaker 3>let flow. No one can do with Carlne.

0:36:06.239 --> 0:36:11.719
<v Speaker 16>Okay, So as the story goes, you Okay, so you

0:36:11.880 --> 0:36:15.080
<v Speaker 16>met me actually ironically at like the darkest time in

0:36:15.120 --> 0:36:15.520
<v Speaker 16>my life.

0:36:15.760 --> 0:36:16.239
<v Speaker 9>Why is that?

0:36:16.920 --> 0:36:18.640
<v Speaker 16>I was coming out of a divorce.

0:36:18.640 --> 0:36:20.600
<v Speaker 4>Okay, and we had talked about a podcast that you

0:36:20.719 --> 0:36:21.120
<v Speaker 4>just put out.

0:36:21.400 --> 0:36:22.520
<v Speaker 16>Yeah, one more minute.

0:36:22.640 --> 0:36:24.080
<v Speaker 4>Is that all the same time period?

0:36:24.160 --> 0:36:25.520
<v Speaker 16>Yeah, that's all the same period.

0:36:26.120 --> 0:36:27.399
<v Speaker 4>Will you go into it in your own way?

0:36:27.400 --> 0:36:29.960
<v Speaker 16>I can weave it, weave it. Yeah, So you met me.

0:36:30.840 --> 0:36:33.959
<v Speaker 16>I take this big job with Big Machine, and they're like, listen,

0:36:34.000 --> 0:36:37.120
<v Speaker 16>you're going to travel a ton. You'll probably never be home. Hindsight,

0:36:37.320 --> 0:36:39.480
<v Speaker 16>if you're so comfortable being away from your husband that

0:36:39.600 --> 0:36:43.279
<v Speaker 16>much and more leaning towards the excited part of your Mary, Yeah,

0:36:43.920 --> 0:36:46.279
<v Speaker 16>like that might be a sign. So if you're in

0:36:46.320 --> 0:36:48.960
<v Speaker 16>a relationship and you're hearing this and you're excited to

0:36:49.080 --> 0:36:51.880
<v Speaker 16>not be with your husband, that is a red flag. Anyways,

0:36:51.960 --> 0:36:53.200
<v Speaker 16>So I take the job.

0:36:53.280 --> 0:36:55.640
<v Speaker 4>So having subspace for your husband, it's great.

0:36:55.680 --> 0:36:56.120
<v Speaker 7>It's great.

0:36:56.320 --> 0:36:59.520
<v Speaker 16>Missing him is the fun part. Yeah, that's where you're like,

0:36:59.600 --> 0:37:03.239
<v Speaker 16>that's a great flag, right, Yeah, I wasn't miss You're like,

0:37:03.480 --> 0:37:04.240
<v Speaker 16>do stoked?

0:37:04.480 --> 0:37:06.919
<v Speaker 9>Yeah, to be pretty stoked out of his breathing room.

0:37:07.040 --> 0:37:10.880
<v Speaker 16>Yeah, fine, person, just not my person, you know. Anyway,

0:37:10.960 --> 0:37:14.480
<v Speaker 16>So I take the job and I meet you, and

0:37:14.640 --> 0:37:17.160
<v Speaker 16>life is great because I have you and I'm traveling

0:37:17.239 --> 0:37:21.040
<v Speaker 16>a ton. And then I just would realize every time

0:37:21.120 --> 0:37:25.080
<v Speaker 16>I was home there was this really sad, deep sadness

0:37:25.200 --> 0:37:27.240
<v Speaker 16>that I had because I was like alone with myself.

0:37:28.440 --> 0:37:30.360
<v Speaker 4>What happened when you're alone with yourself?

0:37:30.480 --> 0:37:33.480
<v Speaker 16>Nothing good? And it was great. The job was so

0:37:33.880 --> 0:37:37.160
<v Speaker 16>great at keeping me so busy. You know, Record labels

0:37:37.160 --> 0:37:39.799
<v Speaker 16>in Nashville are relentless. They make sure that you don't

0:37:39.880 --> 0:37:41.239
<v Speaker 16>even really have time to eat or.

0:37:41.280 --> 0:37:43.000
<v Speaker 4>Drink, party atmosphere all over the place.

0:37:44.040 --> 0:37:46.759
<v Speaker 16>You're just living your You're just gone, and in those

0:37:46.800 --> 0:37:49.320
<v Speaker 16>spare minutes that you're sitting, you are already behind in

0:37:49.400 --> 0:37:51.279
<v Speaker 16>your email, so like there's no time to really think

0:37:51.280 --> 0:37:54.960
<v Speaker 16>about your personal life. So I do think looking back, probably, yeah,

0:37:55.200 --> 0:37:57.200
<v Speaker 16>looking back, I think God like really moved a lot

0:37:57.239 --> 0:37:58.800
<v Speaker 16>of pieces and was like this is where we'll be

0:37:58.880 --> 0:38:01.600
<v Speaker 16>to keep us moving. But then there would be these

0:38:01.640 --> 0:38:06.480
<v Speaker 16>really long Texas drives. Texas will get you in Texas, man,

0:38:06.680 --> 0:38:11.560
<v Speaker 16>Texas does it the tears in Texas Hotly Mackerel.

0:38:11.719 --> 0:38:15.120
<v Speaker 4>She's a heartbreak song, she She's a healing Texas is beautiful.

0:38:15.160 --> 0:38:15.800
<v Speaker 14>I love Texas.

0:38:15.840 --> 0:38:17.520
<v Speaker 16>Texas might be the only state big enough to hold

0:38:17.520 --> 0:38:19.520
<v Speaker 16>all the emotions I had at the time, to be honest.

0:38:19.640 --> 0:38:22.480
<v Speaker 16>So yeah, it just was really low. I remember just

0:38:22.520 --> 0:38:24.720
<v Speaker 16>getting to the freeze. So there's a freeze in Nashville

0:38:24.719 --> 0:38:27.959
<v Speaker 16>for anybody that's not the music business, Like right around

0:38:28.080 --> 0:38:33.080
<v Speaker 16>like December ish, everyone freezes and and so your job

0:38:33.160 --> 0:38:35.800
<v Speaker 16>becomes less and then you're alone with yourself more with

0:38:35.960 --> 0:38:36.320
<v Speaker 16>less to do.

0:38:36.520 --> 0:38:37.480
<v Speaker 4>It is holiday season.

0:38:37.640 --> 0:38:41.399
<v Speaker 9>Holidays can be sad, really sad if you're leaning through

0:38:41.400 --> 0:38:41.960
<v Speaker 9>a heartbreak.

0:38:42.560 --> 0:38:44.840
<v Speaker 16>And I was really going in through a heartbreak.

0:38:45.920 --> 0:38:48.600
<v Speaker 4>So every the noise shut down, it was holiday season,

0:38:48.719 --> 0:38:50.960
<v Speaker 4>it was cold, and you were alone with your sadness.

0:38:51.120 --> 0:38:53.000
<v Speaker 16>Yeah, I lived in Kansas City at the time and

0:38:53.120 --> 0:38:55.320
<v Speaker 16>worked remotely for the label. Because I was just traveling

0:38:55.400 --> 0:38:57.480
<v Speaker 16>in about Kansas City was part of my territory. It

0:38:57.520 --> 0:39:02.480
<v Speaker 16>made sense. And yeah, I was alone, I remember, so

0:39:02.600 --> 0:39:06.239
<v Speaker 16>I just put out this podcast I had this. I

0:39:06.320 --> 0:39:08.279
<v Speaker 16>got very very low and to the point where I

0:39:08.320 --> 0:39:11.240
<v Speaker 16>did want to take my own life. And I remember

0:39:11.320 --> 0:39:13.279
<v Speaker 16>I was in a tool skirt and I was in

0:39:13.440 --> 0:39:17.160
<v Speaker 16>like holiday cute, a really great outfit for what it's worth,

0:39:17.440 --> 0:39:20.120
<v Speaker 16>very fashionable. Well, I just love that part of life,

0:39:20.160 --> 0:39:22.120
<v Speaker 16>like styling's fun to me. And I remember just being

0:39:22.160 --> 0:39:25.160
<v Speaker 16>in this really cute outfit. I remember taking forever to

0:39:25.239 --> 0:39:29.759
<v Speaker 16>get ready, like I just remember feeling like I was

0:39:29.800 --> 0:39:33.480
<v Speaker 16>moving through like drying cement, and everything felt like I

0:39:33.640 --> 0:39:36.600
<v Speaker 16>lifted a thousand pounds and I just it was so heavy,

0:39:37.239 --> 0:39:38.960
<v Speaker 16>and I was at an all time low weight, which

0:39:39.000 --> 0:39:41.520
<v Speaker 16>is also ironic. So it just felt like everything was

0:39:42.640 --> 0:39:46.719
<v Speaker 16>very hard, just like impossibly hard. Getting ready for that

0:39:46.800 --> 0:39:49.759
<v Speaker 16>party felt hard. It felt dark. I felt like I

0:39:49.800 --> 0:39:53.000
<v Speaker 16>didn't want to go, and I just remember thinking like

0:39:53.640 --> 0:39:56.640
<v Speaker 16>no one is coming for me. It's really sad. That

0:39:56.719 --> 0:40:03.400
<v Speaker 16>actually makes me emotional hard times, So what do you do?

0:40:05.800 --> 0:40:08.800
<v Speaker 16>I don't it just was. I remember thinking of ways

0:40:08.880 --> 0:40:12.040
<v Speaker 16>that I just wanted out. I felt shameful that a

0:40:12.080 --> 0:40:15.200
<v Speaker 16>marriage was ending. I hated that we will get to

0:40:15.200 --> 0:40:17.279
<v Speaker 16>the bag of rules because I remember where we're headed.

0:40:17.520 --> 0:40:19.839
<v Speaker 16>I promise I just take the back rows. I never

0:40:19.880 --> 0:40:21.960
<v Speaker 16>take the expressway in stories, so what's wrong with me?

0:40:22.640 --> 0:40:22.920
<v Speaker 4>They do?

0:40:24.640 --> 0:40:29.319
<v Speaker 16>So yeah, I just I just I just felt really

0:40:29.560 --> 0:40:33.600
<v Speaker 16>deeply lonely and shameful. And I hated. No one gets married,

0:40:33.640 --> 0:40:37.839
<v Speaker 16>I think to get divorced, you know. And it felt

0:40:37.920 --> 0:40:39.920
<v Speaker 16>like even he didn't want to tuck it in in

0:40:40.040 --> 0:40:43.320
<v Speaker 16>a like really beautiful Nicholas Sparks way that I had envisioned,

0:40:43.360 --> 0:40:45.440
<v Speaker 16>where we would go to this like mutual loving dinner

0:40:45.560 --> 0:40:47.799
<v Speaker 16>and you know, have a glass of wine and look

0:40:47.840 --> 0:40:49.840
<v Speaker 16>into each other's eyes and think each other for the experience.

0:40:49.880 --> 0:40:50.520
<v Speaker 16>Like they never got that.

0:40:51.600 --> 0:40:53.320
<v Speaker 4>Yeah, that's very mature. Does anyone get that?

0:40:53.480 --> 0:40:55.320
<v Speaker 16>I don't know. I mean I hope so they do.

0:40:55.560 --> 0:40:57.840
<v Speaker 16>And nobody wants this.

0:40:58.719 --> 0:41:02.439
<v Speaker 4>Well, that's the most advanced evalved couple that's ever walked

0:41:02.480 --> 0:41:04.399
<v Speaker 4>the face of the earth. And they're actually a TV

0:41:04.480 --> 0:41:05.520
<v Speaker 4>couple and why.

0:41:05.440 --> 0:41:07.239
<v Speaker 16>Yeah, and they're inspiring others to do the same.

0:41:07.320 --> 0:41:09.920
<v Speaker 4>It's great, honestly, it's so good to see the romance.

0:41:10.120 --> 0:41:11.759
<v Speaker 16>Well, I would love that, but I didn't get that.

0:41:11.880 --> 0:41:14.760
<v Speaker 16>And in fact, I got a text saying he wanted

0:41:14.800 --> 0:41:17.480
<v Speaker 16>a divorce, so he wanted it not you. Well, we

0:41:17.600 --> 0:41:19.560
<v Speaker 16>had split and I kind of thought, maybe we'll just

0:41:19.640 --> 0:41:22.360
<v Speaker 16>get like minutes and we'll come back together. That's my

0:41:22.520 --> 0:41:25.440
<v Speaker 16>deep actually thought. I thought that would happen. And no,

0:41:25.600 --> 0:41:27.480
<v Speaker 16>I got a text message. It's like the Carry Bradshaw

0:41:27.520 --> 0:41:29.480
<v Speaker 16>equivalent game broken up with them and post it, you know,

0:41:30.200 --> 0:41:32.640
<v Speaker 16>And it just was dark and it sucked and I

0:41:32.719 --> 0:41:35.120
<v Speaker 16>hated it, and I remember just thinking, I just want

0:41:35.160 --> 0:41:38.200
<v Speaker 16>out of this. There's nothing like what am I working for?

0:41:38.440 --> 0:41:40.399
<v Speaker 4>You know, you probably can't see any future at that point.

0:41:40.640 --> 0:41:44.440
<v Speaker 16>No, my parents weren't coming. No what I just you know,

0:41:44.520 --> 0:41:46.879
<v Speaker 16>everyone's busy in their own lives. That's the weird part

0:41:46.920 --> 0:41:49.160
<v Speaker 16>about that job, too, is you pop into lives that

0:41:49.239 --> 0:41:52.080
<v Speaker 16>are always going. You're just a character in a story

0:41:52.080 --> 0:41:53.880
<v Speaker 16>that pops in and out. And it was such a

0:41:53.960 --> 0:41:57.520
<v Speaker 16>surreal experience to just like always be popping into like

0:41:58.080 --> 0:42:01.440
<v Speaker 16>people's kids volleyball games, and you know they're having family

0:42:01.480 --> 0:42:04.520
<v Speaker 16>dinner and taco Tuesday and you're and I didn't have

0:42:04.680 --> 0:42:08.920
<v Speaker 16>any of that. What a wild season, you know. Anyways,

0:42:09.120 --> 0:42:14.040
<v Speaker 16>So I scraped myself in a toolskirt off the floor,

0:42:14.520 --> 0:42:17.320
<v Speaker 16>and I remember I was on the I just laid

0:42:17.520 --> 0:42:20.719
<v Speaker 16>on the floor in the middle of my pretty room,

0:42:21.600 --> 0:42:24.680
<v Speaker 16>my pretty toolskirs helpless, and I just thought, I just

0:42:24.719 --> 0:42:27.040
<v Speaker 16>don't want to do this anymore. And I kept thinking,

0:42:27.760 --> 0:42:30.759
<v Speaker 16>no one would even suspect this feeling because I was

0:42:30.880 --> 0:42:31.439
<v Speaker 16>so good.

0:42:32.800 --> 0:42:32.960
<v Speaker 8>You know.

0:42:33.440 --> 0:42:36.200
<v Speaker 16>If my child had taught me nothing else, it was

0:42:36.320 --> 0:42:39.600
<v Speaker 16>that you just go with the narrative, right, So the

0:42:39.680 --> 0:42:43.040
<v Speaker 16>narrative was make it look shiny, make it look good,

0:42:44.040 --> 0:42:46.080
<v Speaker 16>sweep it under the rug, and keep going. But no

0:42:46.160 --> 0:42:47.840
<v Speaker 16>one would have known how dark it was.

0:42:47.920 --> 0:42:59.080
<v Speaker 2>I think, Hey, thanks for listening to this week's Sunday Sampler.

0:42:59.480 --> 0:43:01.880
<v Speaker 2>New episode out weekly. Maybe you heard something here you

0:43:01.880 --> 0:43:04.080
<v Speaker 2>want to go check out If you don't mind subscribe,

0:43:04.120 --> 0:43:04.840
<v Speaker 2>that will be awesome.

0:43:04.960 --> 0:43:05.960
<v Speaker 8>Have a great week, everybody,