1
00:00:09,000 --> 00:00:09,400
Speaker 1: Hey guys.

2
00:00:09,400 --> 00:00:11,959
Speaker 2: Sunday Sampler time clips from some of the podcasts I

3
00:00:11,960 --> 00:00:14,160
Speaker 2: hope you check out. On the Bobbycast, I sat down

4
00:00:14,160 --> 00:00:16,759
Speaker 2: with Carter Faith, new artist I think you'll like that's

5
00:00:16,800 --> 00:00:20,160
Speaker 2: coming up on this week's episode of Take This Personally.

6
00:00:20,400 --> 00:00:22,919
Speaker 2: It's all about grief with Morgan and she had a

7
00:00:22,920 --> 00:00:25,200
Speaker 2: psychotherapist Paige on to talk about the best way to

8
00:00:25,239 --> 00:00:25,880
Speaker 2: manage grief.

9
00:00:25,960 --> 00:00:26,759
Speaker 3: So we'll start there.

10
00:00:26,880 --> 00:00:29,640
Speaker 2: You're gonna hear from Four Things with Amy Brown or

11
00:00:29,680 --> 00:00:33,040
Speaker 2: Losers Get Real with Caroline Hobby Movie Mike's Movie podcast.

12
00:00:33,400 --> 00:00:35,720
Speaker 2: Let's get started now with Morgan and a clip from

13
00:00:35,760 --> 00:00:36,559
Speaker 2: Take This Personally.

14
00:00:50,040 --> 00:00:51,920
Speaker 4: Take Personally.

15
00:00:53,960 --> 00:00:54,520
Speaker 5: Feelsman.

16
00:00:58,040 --> 00:01:00,840
Speaker 6: I'm really excited right now to be joined by Judah Acres,

17
00:01:00,880 --> 00:01:02,760
Speaker 6: who you all may know from Judah and the Lion.

18
00:01:02,960 --> 00:01:04,840
Speaker 5: Judah, how are you doing good?

19
00:01:04,920 --> 00:01:05,880
Speaker 3: It's all cozy here.

20
00:01:05,880 --> 00:01:07,560
Speaker 7: Like this, Yes, it's very cozy vibes.

21
00:01:07,319 --> 00:01:08,600
Speaker 5: And Dog in my Lap.

22
00:01:09,160 --> 00:01:10,160
Speaker 8: We talked about.

23
00:01:09,959 --> 00:01:12,960
Speaker 5: Very deep thingsout telling what I'll say with a Dog.

24
00:01:12,800 --> 00:01:13,240
Speaker 3: In my Lap.

25
00:01:13,520 --> 00:01:15,560
Speaker 6: So I've been a fan of you guys Gosh for years.

26
00:01:15,600 --> 00:01:17,800
Speaker 6: I mean, you guys have multiple albums at this point,

27
00:01:18,040 --> 00:01:22,280
Speaker 6: but I really think that your latest album, The Process,

28
00:01:22,520 --> 00:01:26,400
Speaker 6: is one of my favorite yet, thank you, And I

29
00:01:26,400 --> 00:01:29,720
Speaker 6: feel like that's just because of how vulnerable and deep

30
00:01:29,760 --> 00:01:33,200
Speaker 6: it is. And I would so love to know like

31
00:01:33,760 --> 00:01:36,160
Speaker 6: the life events that led you to put out an

32
00:01:36,200 --> 00:01:37,760
Speaker 6: album like that, if you're willing.

33
00:01:37,520 --> 00:01:40,720
Speaker 5: To talk about them, Yeah, thank you. That's super sweet.

34
00:01:41,280 --> 00:01:44,800
Speaker 5: The process, it's kind of one of those funny things

35
00:01:44,800 --> 00:01:47,639
Speaker 5: where me and Brian, my bandmate, we had this idea

36
00:01:47,720 --> 00:01:50,400
Speaker 5: to write a record about the process of grief. We

37
00:01:50,520 --> 00:01:54,440
Speaker 5: chose the Kubler Rossis Stages and this was about, I

38
00:01:54,440 --> 00:01:57,960
Speaker 5: guess four or five years ago. I had written a

39
00:01:57,960 --> 00:02:00,160
Speaker 5: record called Pep Talks that was a lot about is

40
00:02:00,240 --> 00:02:04,480
Speaker 5: kind of growing up as a Southern dude and having

41
00:02:04,520 --> 00:02:07,000
Speaker 5: great parents, amazing parents, and then kind of watching their

42
00:02:07,040 --> 00:02:10,800
Speaker 5: life kind of really take a turn and kind of

43
00:02:10,960 --> 00:02:14,919
Speaker 5: implode in front of me. And the record is whole

44
00:02:14,919 --> 00:02:17,040
Speaker 5: lot about just kind of like their divorce and what

45
00:02:17,080 --> 00:02:20,119
Speaker 5: it was like as a twenty four or five year old,

46
00:02:21,040 --> 00:02:23,320
Speaker 5: you know, dude kind of going through that because a

47
00:02:23,320 --> 00:02:26,680
Speaker 5: lot of people go through divorce before they're even born,

48
00:02:26,919 --> 00:02:30,040
Speaker 5: or like with their parents or you know, as an

49
00:02:30,080 --> 00:02:33,840
Speaker 5: adolescent or a teenager or whatever. And so anyways, so

50
00:02:34,240 --> 00:02:37,320
Speaker 5: we've always kind of written like from a personal standpoint

51
00:02:37,320 --> 00:02:39,880
Speaker 5: of like what we're going through in life, and then

52
00:02:39,919 --> 00:02:44,000
Speaker 5: after a couple really kind of hard deaths in my family,

53
00:02:44,720 --> 00:02:47,720
Speaker 5: that could be really interesting to kind of right through

54
00:02:47,760 --> 00:02:52,960
Speaker 5: these Kuble Rossi's stages of grief, which is denial, anger, bargaining, depression,

55
00:02:53,120 --> 00:02:57,280
Speaker 5: and then acceptance. And so as we were kind of

56
00:02:57,639 --> 00:03:02,000
Speaker 5: getting done with our last cycle, getting out of the pandemic,

57
00:03:02,840 --> 00:03:04,320
Speaker 5: we were like, I think this is time to do

58
00:03:04,360 --> 00:03:06,280
Speaker 5: it because I had just gone through really hard divorce

59
00:03:07,560 --> 00:03:10,360
Speaker 5: and so outside of like loss, losing my aunt and

60
00:03:10,440 --> 00:03:14,880
Speaker 5: uncle and grandpa and you know, all of this kind

61
00:03:14,880 --> 00:03:18,200
Speaker 5: of other stuff and my parents kind of struggling at

62
00:03:18,240 --> 00:03:21,320
Speaker 5: the time, like this is like, this is the time

63
00:03:21,360 --> 00:03:24,440
Speaker 5: to write about the process of grief because I transparently

64
00:03:24,440 --> 00:03:28,520
Speaker 5: did not want to write about my divorce for a

65
00:03:28,520 --> 00:03:31,800
Speaker 5: lot of reasons. I feel like the world didn't need

66
00:03:31,840 --> 00:03:34,560
Speaker 5: another divorce record. You know, there's a lot of heartbreak

67
00:03:34,600 --> 00:03:35,480
Speaker 5: records out there.

68
00:03:36,680 --> 00:03:39,480
Speaker 6: Yeah, but you were also going through multiple different versions

69
00:03:39,520 --> 00:03:41,480
Speaker 6: of grief. You were going through like the loss of

70
00:03:41,560 --> 00:03:43,640
Speaker 6: life and grief and also the loss of a future

71
00:03:43,680 --> 00:03:48,080
Speaker 6: that you had believed in, and so to go through

72
00:03:48,080 --> 00:03:50,440
Speaker 6: writing an album that was going to be multiple different

73
00:03:50,520 --> 00:03:55,360
Speaker 6: versions of grief is not common also because we are

74
00:03:55,400 --> 00:03:58,600
Speaker 6: so closely associated with one version of grief, which is

75
00:03:58,680 --> 00:04:01,760
Speaker 6: the loss of somebody, but the other grief where you

76
00:04:01,800 --> 00:04:03,000
Speaker 6: have to mourn somebody.

77
00:04:02,800 --> 00:04:05,320
Speaker 9: That's still alive, we don't like to talk about that.

78
00:04:05,960 --> 00:04:09,560
Speaker 5: No, And I definitely was not. I told Brian, I

79
00:04:09,680 --> 00:04:12,520
Speaker 5: was just like, man, I just when I don't really

80
00:04:12,520 --> 00:04:15,800
Speaker 5: want to release these songs that I'm writing because they're

81
00:04:15,840 --> 00:04:19,160
Speaker 5: deeply personal, and now it's like I'm not writing about

82
00:04:19,160 --> 00:04:22,400
Speaker 5: my parents divorce and writing about my own, which you know,

83
00:04:22,800 --> 00:04:24,960
Speaker 5: when you get married, you don't ever expect to get divorced,

84
00:04:25,279 --> 00:04:28,599
Speaker 5: and that comes with like a lot of shame and

85
00:04:28,640 --> 00:04:32,440
Speaker 5: guilt and personal like defeats that you would have never

86
00:04:32,920 --> 00:04:38,719
Speaker 5: kind of imagined. But then writing the record and having

87
00:04:38,760 --> 00:04:41,679
Speaker 5: all these other kind of versions of grief of losing

88
00:04:42,360 --> 00:04:46,640
Speaker 5: very close ones to suicide and other mental health issues

89
00:04:46,760 --> 00:04:50,800
Speaker 5: and really learning to kind of, I guess, cope in

90
00:04:50,880 --> 00:04:53,320
Speaker 5: healthier ways than I was coping. The records a lot

91
00:04:53,320 --> 00:04:55,040
Speaker 5: about like, you know, the nights that I was over

92
00:04:55,120 --> 00:04:59,680
Speaker 5: drinking and kind of coping in ways that was not

93
00:05:00,000 --> 00:05:04,640
Speaker 5: healthy for myself, and wanting people to kind of learn

94
00:05:04,640 --> 00:05:08,280
Speaker 5: from those mistakes, and yeah, I ended up being just

95
00:05:08,360 --> 00:05:10,240
Speaker 5: kind of this like wild, like oh my god, like

96
00:05:10,320 --> 00:05:13,680
Speaker 5: I was in denial so harshly here, whether it be

97
00:05:13,720 --> 00:05:17,880
Speaker 5: with my mom my mom's like version of kind of

98
00:05:18,000 --> 00:05:21,720
Speaker 5: running away from just like what she was doing with

99
00:05:21,720 --> 00:05:27,320
Speaker 5: with alcohol, like denial in that like, oh my gosh,

100
00:05:27,360 --> 00:05:29,839
Speaker 5: my marriage is in shambles and I can't even really

101
00:05:29,880 --> 00:05:33,320
Speaker 5: admit that to myself or my friends or whoever. And

102
00:05:33,400 --> 00:05:35,400
Speaker 5: so getting to kind of go through these stages and

103
00:05:35,440 --> 00:05:37,480
Speaker 5: be like, man, that was like two years ago, like

104
00:05:37,760 --> 00:05:43,080
Speaker 5: I was totally in denial here and already like it's

105
00:05:43,120 --> 00:05:45,320
Speaker 5: the record's only been out for a couple of months,

106
00:05:45,320 --> 00:05:47,560
Speaker 5: but some of the stories are are really wild and

107
00:05:47,640 --> 00:05:49,880
Speaker 5: how people can kind of relate, whether it be through

108
00:05:50,080 --> 00:05:55,760
Speaker 5: heartbreaker divorce or loss in their their family or friends

109
00:05:55,880 --> 00:05:59,200
Speaker 5: or whatever. And then also just like we never imagine

110
00:05:59,200 --> 00:06:02,720
Speaker 5: like we had someone, we've had quite a few people

111
00:06:02,760 --> 00:06:04,800
Speaker 5: actually now come up to us and be like, I

112
00:06:04,880 --> 00:06:10,200
Speaker 5: just got diagnosed with YadA, YadA, YadA, and the process

113
00:06:10,240 --> 00:06:15,479
Speaker 5: has kind of helped me accept this diagnosis or accept

114
00:06:15,520 --> 00:06:19,039
Speaker 5: this harsh thing that you know, And that really just

115
00:06:19,040 --> 00:06:20,240
Speaker 5: puts it all into perspective.

116
00:06:26,960 --> 00:06:32,279
Speaker 2: What artists do you hear maybe not even artists a word.

117
00:06:33,640 --> 00:06:36,560
Speaker 2: I think artists word, not singers. What artists do you hear?

118
00:06:37,120 --> 00:06:40,800
Speaker 2: They kind of speak for you? And I asked that

119
00:06:40,920 --> 00:06:44,279
Speaker 2: because I was had favorite artists and singers and stuff.

120
00:06:44,279 --> 00:06:48,719
Speaker 2: But when I was in my twenties or so, like

121
00:06:48,800 --> 00:06:50,680
Speaker 2: John Mayer would say stuff and I would be like, oh,

122
00:06:50,720 --> 00:06:53,839
Speaker 2: I think that, Oh this is somebody who's like songwriting

123
00:06:53,960 --> 00:06:54,479
Speaker 2: my thoughts.

124
00:06:55,040 --> 00:06:56,159
Speaker 3: I never had that happen before.

125
00:06:56,279 --> 00:07:00,200
Speaker 2: Yeah, And there are comedians that we'll say things and

126
00:07:00,240 --> 00:07:02,320
Speaker 2: I'm like, oh, I thought that. I just didn't say

127
00:07:02,360 --> 00:07:04,480
Speaker 2: that in that way nearest funny and nearest compelling as

128
00:07:04,480 --> 00:07:07,320
Speaker 2: they did. But like there's who what artists did that

129
00:07:07,360 --> 00:07:07,719
Speaker 2: for you?

130
00:07:08,240 --> 00:07:13,280
Speaker 10: I think like early Miranda Lambert that was my badass side,

131
00:07:13,360 --> 00:07:15,800
Speaker 10: you know, and then Casey Musgraves. I remember hearing Mary

132
00:07:15,800 --> 00:07:17,920
Speaker 10: go around in a Walmart parking lot and I made

133
00:07:18,320 --> 00:07:20,240
Speaker 10: us stay in the car till we listened to the

134
00:07:20,280 --> 00:07:20,920
Speaker 10: whole thing for.

135
00:07:20,840 --> 00:07:21,480
Speaker 11: The first time.

136
00:07:22,680 --> 00:07:25,280
Speaker 10: Just people like that, they're just talking about small town

137
00:07:25,920 --> 00:07:30,240
Speaker 10: normal life because that is what most of America is.

138
00:07:30,280 --> 00:07:32,680
Speaker 10: And that's definitely the life I lived, was just normal

139
00:07:32,720 --> 00:07:36,440
Speaker 10: life with these like very intense feelings that all creatives have,

140
00:07:36,560 --> 00:07:40,080
Speaker 10: that all people have probably so it's definitely a lot

141
00:07:40,080 --> 00:07:42,679
Speaker 10: of casey Miranda pistolanies.

142
00:07:42,760 --> 00:07:44,160
Speaker 3: Always have you met Maranda?

143
00:07:44,640 --> 00:07:45,640
Speaker 11: I have not met Miranda.

144
00:07:45,800 --> 00:07:49,000
Speaker 2: Very guys are very similar just in Yeah, I'm lucky

145
00:07:49,040 --> 00:07:51,000
Speaker 2: enough to know Miranda relatively well at this point.

146
00:07:51,080 --> 00:07:55,040
Speaker 3: She just seems real and very soft spoken and quiet.

147
00:07:55,120 --> 00:07:58,560
Speaker 2: Yeah, and unless she's like doing her thing that's not

148
00:07:58,600 --> 00:07:58,960
Speaker 2: her thing.

149
00:07:59,280 --> 00:08:01,480
Speaker 3: Yeah, it's it's it's.

150
00:08:01,320 --> 00:08:04,120
Speaker 2: Pretty wild because again, she is such a freaking fire crack.

151
00:08:04,240 --> 00:08:04,840
Speaker 3: Yeah she is.

152
00:08:04,880 --> 00:08:08,280
Speaker 10: She's I want her to like stand up for me,

153
00:08:08,480 --> 00:08:10,240
Speaker 10: you know, in a bar. I want her to be

154
00:08:10,320 --> 00:08:10,840
Speaker 10: on my mind, and.

155
00:08:10,840 --> 00:08:13,600
Speaker 2: She would, and she'd cut somebody too. But other than that,

156
00:08:13,640 --> 00:08:16,160
Speaker 2: she's just quiet Miranda who's really not going to get

157
00:08:16,160 --> 00:08:18,160
Speaker 2: in anybody's way and be a wallflower. But as well,

158
00:08:18,400 --> 00:08:19,560
Speaker 2: a lot of similarities there.

159
00:08:19,920 --> 00:08:21,520
Speaker 11: Yeah, I just like to observe.

160
00:08:21,400 --> 00:08:23,400
Speaker 10: And you can tell that in her music, I think too,

161
00:08:23,520 --> 00:08:24,960
Speaker 10: which is why it's not.

162
00:08:25,120 --> 00:08:26,360
Speaker 3: Just that badass side.

163
00:08:26,360 --> 00:08:28,680
Speaker 10: It has that like real person side too.

164
00:08:29,440 --> 00:08:32,400
Speaker 2: Congrets on signing a deal, Thank you? When did you

165
00:08:32,840 --> 00:08:35,880
Speaker 2: get that news? Was it a long work in progress

166
00:08:35,880 --> 00:08:37,520
Speaker 2: where you kept hoping developing with that?

167
00:08:39,800 --> 00:08:42,760
Speaker 10: I think my long work in progress has been like

168
00:08:42,840 --> 00:08:45,920
Speaker 10: finding people on my team that I trust. So I've

169
00:08:45,960 --> 00:08:50,200
Speaker 10: gone through some managers, I've gone through some people on

170
00:08:50,280 --> 00:08:52,839
Speaker 10: my side, and so that was kind of a long

171
00:08:53,600 --> 00:08:56,000
Speaker 10: time coming. I learning how to trust people in this

172
00:08:56,080 --> 00:09:00,280
Speaker 10: business is really hard, cause what how can I trust

173
00:09:00,280 --> 00:09:00,600
Speaker 10: any of you?

174
00:09:00,760 --> 00:09:04,000
Speaker 2: Very transactional place, and everybody's your best friend until it's

175
00:09:05,160 --> 00:09:06,679
Speaker 2: not easy to be.

176
00:09:06,679 --> 00:09:08,880
Speaker 11: Your best friend, which that's business, and it.

177
00:09:08,840 --> 00:09:11,760
Speaker 2: Is business, but you're right, it feels very it's very personal.

178
00:09:12,280 --> 00:09:15,040
Speaker 2: It feels way more personal than it actually is, especially

179
00:09:15,040 --> 00:09:17,079
Speaker 2: at first, because I felt I fell into those trappings

180
00:09:17,080 --> 00:09:18,880
Speaker 2: at first too. I was like, oh, this person, this

181
00:09:19,000 --> 00:09:21,360
Speaker 2: is my best friend. Yes, and then it turns out

182
00:09:21,960 --> 00:09:22,360
Speaker 2: then you go.

183
00:09:22,360 --> 00:09:24,280
Speaker 10: To all the other labels and they all have their

184
00:09:24,320 --> 00:09:28,360
Speaker 10: same fiel. Yeah, yeah, yeah, I'm learning how to clock

185
00:09:28,440 --> 00:09:33,520
Speaker 10: people quicker, which is helpful. But I think my experience

186
00:09:33,559 --> 00:09:37,080
Speaker 10: with Universal Nashville all has to do with Hannah Wilson

187
00:09:37,120 --> 00:09:40,520
Speaker 10: and Cindy Maybe there. Hannah Wilson, I've known her since

188
00:09:41,600 --> 00:09:44,360
Speaker 10: I was still at school, and she just loved what

189
00:09:44,400 --> 00:09:46,360
Speaker 10: I did and would come to my shows and come

190
00:09:46,400 --> 00:09:49,120
Speaker 10: to my fest deada heat show you know that no

191
00:09:49,160 --> 00:09:51,840
Speaker 10: one was there. And then when I met Cindy, maybe

192
00:09:51,960 --> 00:09:55,440
Speaker 10: she just she just liked what I did. Like, she's like,

193
00:09:55,480 --> 00:09:58,120
Speaker 10: I don't need you cutting outside songs. I like your voice.

194
00:09:59,000 --> 00:10:02,800
Speaker 10: I need your voice. I think it's important. And when

195
00:10:02,800 --> 00:10:07,240
Speaker 10: you're a songwriter that just speaks volumes. And then there's

196
00:10:07,280 --> 00:10:08,359
Speaker 10: a woman there, Chelsea.

197
00:10:08,160 --> 00:10:09,520
Speaker 11: Blythe who I love so much too.

198
00:10:09,600 --> 00:10:12,600
Speaker 10: She's from La and she has just a whole different

199
00:10:13,400 --> 00:10:16,480
Speaker 10: view on country music, which I think we're seeing is

200
00:10:16,960 --> 00:10:17,960
Speaker 10: very important.

201
00:10:18,200 --> 00:10:23,400
Speaker 3: When you sign a deal one what does that mean? Now?

202
00:10:24,160 --> 00:10:28,840
Speaker 2: But were you nine six three months working toward this

203
00:10:28,920 --> 00:10:33,360
Speaker 2: specific deal with these specific people. Were you wondering, I

204
00:10:33,400 --> 00:10:35,400
Speaker 2: wonder if they're gonna sign me? Or was it like

205
00:10:35,400 --> 00:10:38,080
Speaker 2: a random call, Hey Carterer, you want to do Yeah?

206
00:10:38,120 --> 00:10:39,640
Speaker 2: I'm all, I mean, like, what is that?

207
00:10:39,800 --> 00:10:41,200
Speaker 3: What is that process? What's the build?

208
00:10:41,200 --> 00:10:45,120
Speaker 10: It's different for everybody, Like mine was like I met

209
00:10:45,160 --> 00:10:49,439
Speaker 10: with a lot of labels and they all act interested,

210
00:10:49,559 --> 00:10:52,480
Speaker 10: you know, and then you like keep and then you're like, dude,

211
00:10:52,480 --> 00:10:54,440
Speaker 10: am I interested in them? It is like I felt

212
00:10:54,480 --> 00:10:57,560
Speaker 10: like I was a bachelorette, you know, which is so weird.

213
00:10:58,360 --> 00:11:03,240
Speaker 10: And because I'm not this TikTok viral girl, like I

214
00:11:03,280 --> 00:11:07,040
Speaker 10: don't have these like crazy, They're not going to give

215
00:11:07,080 --> 00:11:09,240
Speaker 10: me like five million dollars, you know. So I'm like,

216
00:11:09,280 --> 00:11:11,880
Speaker 10: they have to care about my music and I have

217
00:11:11,960 --> 00:11:13,160
Speaker 10: to feel that well.

218
00:11:13,120 --> 00:11:14,600
Speaker 3: They need to long term invest in you.

219
00:11:14,760 --> 00:11:16,560
Speaker 10: Yes, I'm trying to do this my whole life, this

220
00:11:16,640 --> 00:11:19,160
Speaker 10: is my career. So I think I met with a

221
00:11:19,160 --> 00:11:20,800
Speaker 10: lot of LA labels, I met with a lot of

222
00:11:20,880 --> 00:11:26,680
Speaker 10: Nashville labels, and I basically at one point just told Universal,

223
00:11:26,720 --> 00:11:29,040
Speaker 10: which is this is probably bad business on my half.

224
00:11:29,040 --> 00:11:31,200
Speaker 10: But I was like, I'm only going to sign with

225
00:11:31,280 --> 00:11:34,120
Speaker 10: you guys, so it's now and never like, let's go.

226
00:11:34,640 --> 00:11:35,920
Speaker 11: And it was done in like a month.

227
00:11:37,120 --> 00:11:41,400
Speaker 2: Were other labels making you different offers or was there?

228
00:11:42,000 --> 00:11:44,120
Speaker 3: Wow, but that's pretty cool.

229
00:11:44,440 --> 00:11:47,440
Speaker 2: It does mean all the offers are goodfair or yes,

230
00:11:47,600 --> 00:11:49,000
Speaker 2: but that's cool.

231
00:11:49,200 --> 00:11:51,720
Speaker 10: No, that is really freaking cool. Like I don't know,

232
00:11:51,880 --> 00:11:55,079
Speaker 10: I'm just I'm just a girl, and you guys want

233
00:11:55,120 --> 00:11:56,280
Speaker 10: to give me money to make music.

234
00:11:56,360 --> 00:11:57,560
Speaker 11: That's pretty cool for you.

235
00:11:57,600 --> 00:11:59,240
Speaker 3: Hesitant to sign at.

236
00:11:59,080 --> 00:12:04,960
Speaker 10: All, yeah, just because I again, I don't like authority.

237
00:12:05,360 --> 00:12:07,920
Speaker 10: This is very personal to me, all the things. I

238
00:12:08,080 --> 00:12:11,640
Speaker 10: just it's scary to put your like my heart and

239
00:12:11,640 --> 00:12:14,480
Speaker 10: soul in someone else's hands. That's what it truly feels like.

240
00:12:15,360 --> 00:12:20,360
Speaker 10: But I also that's what I needed to level up.

241
00:12:20,400 --> 00:12:22,840
Speaker 10: I thought about it a ton, and that's what I

242
00:12:22,880 --> 00:12:25,240
Speaker 10: decided I needed to get to that next level.

243
00:12:25,280 --> 00:13:10,520
Speaker 11: So I keep going.

244
00:12:51,320 --> 00:12:56,120
Speaker 8: Cast up little food for yourself life.

245
00:12:56,480 --> 00:12:59,880
Speaker 12: Oh it's pretty, but hey, it's pretty, beautiful thing beautiful.

246
00:13:00,320 --> 00:13:09,479
Speaker 12: That's a little more said he you're kicking with fulling

247
00:13:09,520 --> 00:13:10,360
Speaker 12: with Amy Brown.

248
00:13:10,679 --> 00:13:14,040
Speaker 7: The other thing that I find I hear a lot

249
00:13:14,240 --> 00:13:18,560
Speaker 7: from busy moms, some of my patients, some of my friends,

250
00:13:18,800 --> 00:13:22,240
Speaker 7: is I want to clean, but I start to do

251
00:13:22,280 --> 00:13:24,440
Speaker 7: a room. I start to clean a room, and then

252
00:13:24,760 --> 00:13:27,320
Speaker 7: I get to do other things and then I forget

253
00:13:27,360 --> 00:13:30,200
Speaker 7: that I was originally cleaning, you know, say my kitchen.

254
00:13:30,840 --> 00:13:34,160
Speaker 7: So I start clean the kitchen and then I see

255
00:13:34,400 --> 00:13:36,400
Speaker 7: Stevenson left a sock in the floor, So I'm gonna

256
00:13:36,400 --> 00:13:38,440
Speaker 7: grab his sock and take it to his room, or

257
00:13:38,480 --> 00:13:40,200
Speaker 7: take it to the laundry room. And then I get

258
00:13:40,240 --> 00:13:42,280
Speaker 7: in the laundry room and oh shoot, I forgot to

259
00:13:42,320 --> 00:13:43,800
Speaker 7: put the washer stuff in the dryer.

260
00:13:44,200 --> 00:13:47,880
Speaker 9: So is that everybody's brain or just an ADHD brain?

261
00:13:48,200 --> 00:13:50,840
Speaker 7: I see this across the board, Okay, busy people brain,

262
00:13:51,040 --> 00:13:51,679
Speaker 7: because that's one.

263
00:13:51,679 --> 00:13:54,040
Speaker 9: Hundred percent me. And on Instagram there's I guess that's

264
00:13:54,080 --> 00:13:55,559
Speaker 9: my algorithm right now. And I see a lot of

265
00:13:55,640 --> 00:13:57,520
Speaker 9: videos and they're always like, you know you have ADHD

266
00:13:57,559 --> 00:13:59,760
Speaker 9: if you do this. But then I have had some

267
00:13:59,760 --> 00:14:01,560
Speaker 9: friends say they act that way, and I know one

268
00:14:01,600 --> 00:14:04,960
Speaker 9: hundred percent they don't have ADD or ADHD, and so

269
00:14:05,080 --> 00:14:06,920
Speaker 9: I'm like, well, where.

270
00:14:06,720 --> 00:14:07,320
Speaker 7: Does that fall?

271
00:14:07,640 --> 00:14:10,200
Speaker 9: Like when I was married, this is the only other

272
00:14:10,200 --> 00:14:12,680
Speaker 9: example of sharing like a life with someone who didn't

273
00:14:12,760 --> 00:14:15,600
Speaker 9: have it. So that was my biggest indicator of how

274
00:14:15,640 --> 00:14:19,400
Speaker 9: different our brains were was living with someone for seventeen years.

275
00:14:19,760 --> 00:14:22,040
Speaker 9: And Ben was a very efficient effected person. If he

276
00:14:22,120 --> 00:14:24,880
Speaker 9: started a task, he finished the task and his brain

277
00:14:24,920 --> 00:14:27,640
Speaker 9: didn't think otherwise. Whereas like he wouldn't go out and

278
00:14:27,640 --> 00:14:31,320
Speaker 9: start mowing the lawn and then halfway through mowing the

279
00:14:31,400 --> 00:14:35,200
Speaker 9: lawn start picking a weed, but then realizing there's something

280
00:14:35,240 --> 00:14:37,880
Speaker 9: in the flower bed and needs to grab that in

281
00:14:37,920 --> 00:14:40,160
Speaker 9: the garage, and then he realized that the garage takes

282
00:14:40,240 --> 00:14:42,200
Speaker 9: him back to the laundry room. That would be me

283
00:14:42,360 --> 00:14:44,320
Speaker 9: and the lawn would never get mowed, but like he

284
00:14:44,360 --> 00:14:47,240
Speaker 9: would go out and mow the yard and be done right.

285
00:14:47,280 --> 00:14:50,840
Speaker 9: So yeah, I guess that was my apples and oranges like,

286
00:14:50,880 --> 00:14:54,520
Speaker 9: so ADHD brain non ADHD brain. So all brains can

287
00:14:54,640 --> 00:14:56,920
Speaker 9: do this thing you're talking about, like bouncing from room

288
00:14:56,960 --> 00:14:58,800
Speaker 9: to room and task to task and then be like

289
00:14:58,840 --> 00:15:00,920
Speaker 9: wait where was I and be like, oh, yeah, I

290
00:15:01,000 --> 00:15:02,640
Speaker 9: was doing the dishes two hours ago.

291
00:15:02,680 --> 00:15:03,520
Speaker 7: I was doing the dishes.

292
00:15:03,640 --> 00:15:03,880
Speaker 3: Yeah.

293
00:15:03,960 --> 00:15:07,760
Speaker 7: I think it honestly more than ADHD brain versus not.

294
00:15:08,000 --> 00:15:12,360
Speaker 7: It's probably a little bit more female versus male brains.

295
00:15:12,560 --> 00:15:17,680
Speaker 7: Female brains are always multitasking. We never just singularly do

296
00:15:17,800 --> 00:15:19,800
Speaker 7: one thing really ever. I mean, think about it. You

297
00:15:19,840 --> 00:15:21,760
Speaker 7: sit down to watch your friend's episode, You're gonna fold

298
00:15:21,800 --> 00:15:23,680
Speaker 7: some laundry. You're not just gonna sit there, or you're

299
00:15:23,680 --> 00:15:25,120
Speaker 7: gonna eat your dinner, or you're gonna do.

300
00:15:25,280 --> 00:15:27,040
Speaker 9: Men fold laundry too, Claire.

301
00:15:27,280 --> 00:15:30,040
Speaker 7: Yes, but they only fold laundry. They're not folding laundry

302
00:15:30,040 --> 00:15:32,520
Speaker 7: and watching friends. They're just gonna fold the laundry. Oh,

303
00:15:32,680 --> 00:15:34,320
Speaker 7: everybody in my house has to do their ow laundry

304
00:15:34,360 --> 00:15:38,840
Speaker 7: starting at age thirteen. So we definitely love boys doing

305
00:15:38,880 --> 00:15:42,600
Speaker 7: laundry around here. But they aren't doing other things. Like

306
00:15:42,680 --> 00:15:45,160
Speaker 7: they may even do the folding in the laundry room.

307
00:15:45,440 --> 00:15:47,760
Speaker 7: They're gonna go mow the lawn. They're only mowing the

308
00:15:47,800 --> 00:15:50,160
Speaker 7: lawn because they're only thinking that one thing. I think

309
00:15:50,240 --> 00:15:53,760
Speaker 7: women in general, we tend to multitask. So say we're

310
00:15:53,800 --> 00:15:56,760
Speaker 7: cleaning the kitchen and we see that sock. We take

311
00:15:56,800 --> 00:15:59,400
Speaker 7: to the laundry room. Realize, yesterday we put the you know,

312
00:15:59,480 --> 00:16:01,880
Speaker 7: clothes in the washer and we need to switch them

313
00:16:01,880 --> 00:16:03,760
Speaker 7: to the dryer. Now, okay, I'm gonna put everything in

314
00:16:03,800 --> 00:16:06,000
Speaker 7: the dryer. Oh shoot, I'll just go start another load

315
00:16:06,000 --> 00:16:07,800
Speaker 7: real quick. Let me run upstairs and get it out

316
00:16:07,840 --> 00:16:10,560
Speaker 7: of this other kid's room and bring it down. Two

317
00:16:10,600 --> 00:16:15,040
Speaker 7: hours later. Where were we, Oh, the kitchen. I've never

318
00:16:15,080 --> 00:16:19,040
Speaker 7: got back there. So my trick for this is seemingly

319
00:16:19,120 --> 00:16:21,760
Speaker 7: easy and physical. You're going to take a laundry basket.

320
00:16:21,840 --> 00:16:24,000
Speaker 7: It needs to be something as big as a laundry basket,

321
00:16:24,600 --> 00:16:26,400
Speaker 7: and you're going to set it at the entry to

322
00:16:26,560 --> 00:16:27,000
Speaker 7: that room.

323
00:16:27,120 --> 00:16:29,000
Speaker 9: And this is what you call the basket strategy.

324
00:16:29,080 --> 00:16:31,720
Speaker 7: Yeah, I'll call this a basket strategy. You're going to

325
00:16:31,760 --> 00:16:34,000
Speaker 7: put that at the entry to that so you can't

326
00:16:34,080 --> 00:16:36,640
Speaker 7: leave that room without stepping over that laundry basket, and

327
00:16:36,680 --> 00:16:38,600
Speaker 7: launder baskets are big, so we're not stepping over that.

328
00:16:39,640 --> 00:16:42,320
Speaker 7: It also is the receptacle for all the things that

329
00:16:42,360 --> 00:16:45,040
Speaker 7: you find that need to leave that room. So the

330
00:16:45,080 --> 00:16:47,240
Speaker 7: sock that you found that needs to go to the laundry.

331
00:16:47,440 --> 00:16:49,360
Speaker 7: If you're cleaning a kid's room, all the dishes that

332
00:16:49,360 --> 00:16:52,920
Speaker 7: they leave in there, whatever, all go in that laundry basket,

333
00:16:53,400 --> 00:16:56,640
Speaker 7: and you stay in that room and clean it completely

334
00:16:56,680 --> 00:16:59,240
Speaker 7: till it's done. So you have all your cleaning stuff,

335
00:16:59,240 --> 00:17:02,560
Speaker 7: your vacuum, everything, whatever you need. Anything that leaves that

336
00:17:02,680 --> 00:17:05,240
Speaker 7: room goes in the basket without you leaving the room yourself.

337
00:17:05,880 --> 00:17:07,800
Speaker 7: And then when you're done and the room is clean,

338
00:17:08,320 --> 00:17:11,080
Speaker 7: then you take your launder basket and you take everything

339
00:17:11,080 --> 00:17:13,760
Speaker 7: in that in that basket to where it needs to go. Okay,

340
00:17:13,880 --> 00:17:16,880
Speaker 7: so you've completed your thing and now.

341
00:17:16,880 --> 00:17:19,560
Speaker 9: And you didn't let yourself leave the room and get

342
00:17:19,600 --> 00:17:22,720
Speaker 9: distracted and then realize, oh, yeah, I was in my

343
00:17:22,840 --> 00:17:25,280
Speaker 9: room cleaning or whatever. This makes you think of the

344
00:17:25,800 --> 00:17:27,399
Speaker 9: one touch rule. Have you ever heard of that?

345
00:17:27,600 --> 00:17:28,399
Speaker 7: Huh? Okay?

346
00:17:28,520 --> 00:17:31,600
Speaker 9: So it's where you only let yourself touch something once,

347
00:17:32,119 --> 00:17:35,320
Speaker 9: which I don't know if would work with this because

348
00:17:35,359 --> 00:17:37,680
Speaker 9: you're touching the item, but I get it. Maybe you

349
00:17:37,800 --> 00:17:39,159
Speaker 9: touch it and you put it in the basket, and

350
00:17:39,160 --> 00:17:41,240
Speaker 9: then once it's in the basket, it has to return

351
00:17:41,320 --> 00:17:44,200
Speaker 9: to its home. So this could fall under the one

352
00:17:44,200 --> 00:17:47,399
Speaker 9: touch rule, but really it's that if you pick something up, like,

353
00:17:47,640 --> 00:17:50,080
Speaker 9: go ahead and put it away where it needs to go.

354
00:17:50,160 --> 00:17:52,119
Speaker 9: Like instead of taking a fork to the sink and

355
00:17:52,200 --> 00:17:54,720
Speaker 9: laying it down in the sink, take the fork, rinse

356
00:17:54,760 --> 00:17:56,639
Speaker 9: it in the sink, and put it in the dishwasher

357
00:17:56,720 --> 00:17:59,320
Speaker 9: or whatever needs to be done. Okay, don't give it

358
00:17:59,359 --> 00:18:02,840
Speaker 9: an extrap that's not necessary or that's gonna make you

359
00:18:02,840 --> 00:18:04,480
Speaker 9: have to touch it and do it again later.

360
00:18:04,720 --> 00:18:06,680
Speaker 7: Yeah, and you could apply that and just say it's

361
00:18:06,680 --> 00:18:08,960
Speaker 7: the one touch rule in that room. So I'm only

362
00:18:08,960 --> 00:18:10,439
Speaker 7: gonna touch it one time. I'm not gonna put it

363
00:18:10,480 --> 00:18:12,200
Speaker 7: near the basket. I'm gonna put it in the basket

364
00:18:12,720 --> 00:18:15,919
Speaker 7: and complete everything and then I'll deal with it after that.

365
00:18:16,040 --> 00:18:18,600
Speaker 7: So yeah, maybe the one touch rule for within that

366
00:18:18,680 --> 00:18:20,520
Speaker 7: the confines of that room, maybe.

367
00:18:20,240 --> 00:18:21,320
Speaker 13: Okay, But I do like that.

368
00:18:21,400 --> 00:18:23,280
Speaker 7: I feel like my kids could learn from that, Like

369
00:18:23,560 --> 00:18:25,320
Speaker 7: we don't have to put things beside the sink. We

370
00:18:25,359 --> 00:18:28,080
Speaker 7: could actually put them directly in the dishwasher. That would

371
00:18:28,080 --> 00:18:28,720
Speaker 7: be amazing.

372
00:18:29,040 --> 00:18:31,360
Speaker 9: Or you don't have to put something like at the

373
00:18:31,440 --> 00:18:34,640
Speaker 9: bottom of the stairs, take it up to your room.

374
00:18:35,160 --> 00:18:38,440
Speaker 9: Stuff just piles up, and I'm the one that takes it.

375
00:18:38,440 --> 00:18:43,080
Speaker 7: It's like, am I understands the stairs situation?

376
00:18:43,640 --> 00:18:44,480
Speaker 13: Not anyone.

377
00:18:44,840 --> 00:18:46,760
Speaker 7: I'm like, if it's on the stairs, it clearly needs

378
00:18:46,800 --> 00:18:48,919
Speaker 7: to go up or down depending on where it is.

379
00:18:49,600 --> 00:18:52,080
Speaker 7: No one understands that but me, How is that possible?

380
00:18:52,359 --> 00:18:53,320
Speaker 9: No, it's a weird thing.

381
00:18:53,440 --> 00:18:55,640
Speaker 7: It is a weird thing. But I've even put things

382
00:18:55,680 --> 00:18:58,080
Speaker 7: in the middle of the stairs. Right now, currently there

383
00:18:58,160 --> 00:19:01,800
Speaker 7: is a sixteen year old child hoodie in the middle

384
00:19:01,840 --> 00:19:04,920
Speaker 7: of the staircase, just waiting, just waiting. But she's walked

385
00:19:04,920 --> 00:19:08,320
Speaker 7: over it two days worth. And I refuse amy, I

386
00:19:08,440 --> 00:19:11,200
Speaker 7: refuse to take it upstairs.

387
00:19:11,280 --> 00:19:13,080
Speaker 9: She'll get it eventually.

388
00:19:13,520 --> 00:19:15,200
Speaker 7: Somebody's gonna happen to that hoodie.

389
00:19:15,320 --> 00:19:17,520
Speaker 9: You need to do the anchor item thing with her.

390
00:19:18,560 --> 00:19:23,080
Speaker 7: Maybe, or she's just as stubborn as her mama. That

391
00:19:23,119 --> 00:19:26,199
Speaker 7: could be it too, So that's the basket strategy. I

392
00:19:26,320 --> 00:19:28,920
Speaker 7: like the one touch rule too, especially if you are

393
00:19:29,160 --> 00:19:31,280
Speaker 7: trying to encourage a kiddo. I think that's an easy

394
00:19:31,320 --> 00:19:33,280
Speaker 7: thing to say, like, hey, just want to touch it.

395
00:19:33,400 --> 00:19:34,919
Speaker 7: If you already have it in your hand, put it

396
00:19:34,920 --> 00:19:35,600
Speaker 7: where it needs to be.

397
00:19:36,800 --> 00:19:40,800
Speaker 1: We're gonna do it live we are the one, two,

398
00:19:40,840 --> 00:19:44,359
Speaker 1: three Sore Losers.

399
00:19:44,400 --> 00:19:46,680
Speaker 8: What up, everybody? I am lunchbox. I know the most

400
00:19:46,680 --> 00:19:49,159
Speaker 8: about sports, so I'll give you the sports facts, my

401
00:19:49,280 --> 00:19:53,520
Speaker 8: sports opinions, because I'm pretty much a sports genius, y'all.

402
00:19:53,560 --> 00:19:55,880
Speaker 1: It's Sison. I'm from the North. I'm an alpha male.

403
00:19:55,920 --> 00:19:58,159
Speaker 1: I live on the North side of Nashville with Bayser,

404
00:19:58,200 --> 00:20:00,159
Speaker 1: my wife. We do have a farm. It's beautiful, a

405
00:20:00,200 --> 00:20:04,000
Speaker 1: lot of acreage, no animals, a lot of crops. Hopefully

406
00:20:04,040 --> 00:20:09,000
Speaker 1: soon corn pumpkins, rye. I believe maybe a little fescue

407
00:20:10,400 --> 00:20:13,160
Speaker 1: to be determined. Over to you, coach.

408
00:20:14,280 --> 00:20:16,480
Speaker 8: And here's a clip from this week's episode of The

409
00:20:16,520 --> 00:20:21,000
Speaker 8: Sore Losers. No, I'm not telling the cleaning lady story again.

410
00:20:21,040 --> 00:20:24,159
Speaker 8: But I walked out of the bathroom and you believe it,

411
00:20:24,560 --> 00:20:26,520
Speaker 8: and I looked to my right and there's a guy

412
00:20:26,560 --> 00:20:29,720
Speaker 8: and a girl walk in my direction, and I'm like,

413
00:20:31,000 --> 00:20:35,200
Speaker 8: is that Leslie, the one that works in Austin?

414
00:20:36,320 --> 00:20:37,639
Speaker 13: What huh?

415
00:20:37,680 --> 00:20:38,400
Speaker 8: Am I in the rock?

416
00:20:39,080 --> 00:20:42,040
Speaker 1: She's here for a meeting, the one that used to

417
00:20:42,080 --> 00:20:45,359
Speaker 1: be in the sports sales. Yes, I didn't even know

418
00:20:45,480 --> 00:20:47,080
Speaker 1: she was still at the company, That's.

419
00:20:46,880 --> 00:20:49,600
Speaker 8: What I'm saying. And she's just walking down the hallway.

420
00:20:49,640 --> 00:20:51,879
Speaker 8: I'm like, what it really took me a minute? Like,

421
00:20:52,359 --> 00:20:53,760
Speaker 8: am I seeing the right person?

422
00:20:54,000 --> 00:20:54,720
Speaker 1: Brunette hair?

423
00:20:55,160 --> 00:20:55,640
Speaker 3: Yeah?

424
00:20:55,440 --> 00:20:57,359
Speaker 8: Oh my gosh, is that not weird?

425
00:20:57,600 --> 00:20:59,640
Speaker 1: Hold on, that's not the weird part. Oh I got

426
00:20:59,640 --> 00:21:01,800
Speaker 1: a fight and awesome, Oh, please tell me more. I

427
00:21:01,880 --> 00:21:04,240
Speaker 1: was an intern and I had a remote and she

428
00:21:04,480 --> 00:21:06,960
Speaker 1: was the salesperson, so all this money was tied to

429
00:21:06,960 --> 00:21:08,919
Speaker 1: this remote. I went to the address. It was in

430
00:21:08,920 --> 00:21:11,480
Speaker 1: an abandoned field. So I came back to the radio

431
00:21:11,520 --> 00:21:14,080
Speaker 1: station and dude, I was I was at that point,

432
00:21:14,119 --> 00:21:15,760
Speaker 1: I was maybe twenty two years old, so I didn't

433
00:21:15,760 --> 00:21:17,879
Speaker 1: give a crap about anything. I was just like, terrible address.

434
00:21:18,000 --> 00:21:19,880
Speaker 1: Nice job with the address, didn't work. What's up? You'll

435
00:21:19,920 --> 00:21:21,680
Speaker 1: have everybody doing what's up? Sales team, how you guys?

436
00:21:21,680 --> 00:21:22,120
Speaker 3: What's up?

437
00:21:22,240 --> 00:21:23,680
Speaker 1: And Sheesa, wait, why are you not.

438
00:21:23,640 --> 00:21:24,160
Speaker 8: At my remote?

439
00:21:24,200 --> 00:21:25,840
Speaker 1: I go, oh, it's in some empty field. You totally

440
00:21:25,880 --> 00:21:27,640
Speaker 1: screwed up, didn't go. I was like, we just pulled

441
00:21:27,720 --> 00:21:29,159
Speaker 1: up and it was nothing there, so we left. She's like,

442
00:21:29,400 --> 00:21:31,320
Speaker 1: oh my gosh, oh my gosh, it was the wrong address.

443
00:21:31,359 --> 00:21:33,159
Speaker 1: Well you can still get out there. I didn't know,

444
00:21:33,359 --> 00:21:35,320
Speaker 1: and I was like, no, no, no, you did the wrong address,

445
00:21:35,359 --> 00:21:39,120
Speaker 1: schedule another event like me and her head to head,

446
00:21:39,400 --> 00:21:42,240
Speaker 1: and then promotions goes, hey, if there it was definitely

447
00:21:42,280 --> 00:21:44,320
Speaker 1: their fault with the address. She definitely gave you the

448
00:21:44,320 --> 00:21:48,200
Speaker 1: wrong gas station address. But next time, just you kind

449
00:21:48,200 --> 00:21:50,480
Speaker 1: of like you need to communicate with them. We don't

450
00:21:50,480 --> 00:21:53,800
Speaker 1: really we don't really yell at them. She's like, we're promotions.

451
00:21:53,840 --> 00:21:55,320
Speaker 1: We we kind of work for them.

452
00:21:55,440 --> 00:21:57,680
Speaker 8: Ish you kind of just drive the van and hand

453
00:21:57,680 --> 00:21:59,560
Speaker 8: out prizes. So what a remote is like, Hey, we're

454
00:21:59,560 --> 00:22:01,240
Speaker 8: gonna be here from twelve to two, come out and

455
00:22:01,240 --> 00:22:03,520
Speaker 8: see us at the Walmart and you set up the van.

456
00:22:03,600 --> 00:22:06,200
Speaker 8: So that's what Ray is talking about, uh, when you're

457
00:22:06,200 --> 00:22:09,400
Speaker 8: talking about that. So you show up and like when

458
00:22:09,400 --> 00:22:11,440
Speaker 8: I was in Nashville, I did one and it was

459
00:22:11,480 --> 00:22:14,720
Speaker 8: at a furniture store from five to seven pm.

460
00:22:15,160 --> 00:22:17,520
Speaker 1: Come get your couches, get your love seats, and also

461
00:22:17,600 --> 00:22:18,440
Speaker 1: get your automans.

462
00:22:18,440 --> 00:22:18,840
Speaker 3: What's up.

463
00:22:18,840 --> 00:22:21,080
Speaker 1: It's lunchbox and I'm out here today.

464
00:22:21,359 --> 00:22:23,920
Speaker 8: On a Thursday night, five to seven pm. So I'm

465
00:22:23,920 --> 00:22:26,080
Speaker 8: fighting five o'clock traffic trying to get there, and I

466
00:22:26,240 --> 00:22:30,840
Speaker 8: roll up at four fifty eight and the store's not

467
00:22:30,880 --> 00:22:31,760
Speaker 8: even open yet.

468
00:22:32,240 --> 00:22:34,280
Speaker 1: Remote Horror Stories.

469
00:22:34,000 --> 00:22:37,480
Speaker 8: And I'm like, I call the sales later. I'm like, yeah,

470
00:22:37,520 --> 00:22:40,560
Speaker 8: so I'm here, and they like, there's not even furniture

471
00:22:40,600 --> 00:22:42,440
Speaker 8: in the store, Like they have the sign up, but

472
00:22:42,480 --> 00:22:45,840
Speaker 8: there's no furniture. It looks like they're still building the store.

473
00:22:46,280 --> 00:22:49,080
Speaker 1: I think that liquidation sale went better than expected. The

474
00:22:49,160 --> 00:22:50,480
Speaker 1: store is empty now.

475
00:22:50,920 --> 00:22:53,359
Speaker 8: And so she calls, you know, she goes, let me

476
00:22:53,359 --> 00:22:54,879
Speaker 8: call you back. I'll find out what's going on. And

477
00:22:54,920 --> 00:22:57,000
Speaker 8: then the promotion truck pulls up and we're just sitting

478
00:22:57,040 --> 00:23:00,200
Speaker 8: there and she calls back. She goes, oh, yeah, yeah,

479
00:23:00,240 --> 00:23:02,439
Speaker 8: they just told me that it's not ready yet, that

480
00:23:02,480 --> 00:23:08,960
Speaker 8: they need to postpone it. Like, you don't think you

481
00:23:09,000 --> 00:23:11,240
Speaker 8: should tell us that before we're on site.

482
00:23:11,960 --> 00:23:13,760
Speaker 1: Dude, I've got some bad ones, remember you and me?

483
00:23:14,160 --> 00:23:15,760
Speaker 1: Wasn't that it was a bad We worked in an

484
00:23:15,800 --> 00:23:19,480
Speaker 1: asphalt factory for two hours in the heat of Texas.

485
00:23:20,160 --> 00:23:22,880
Speaker 8: Mother's window tint San Marcus, Texas. That's where it was at.

486
00:23:23,200 --> 00:23:26,199
Speaker 1: That was one of the first places be miserable on

487
00:23:26,240 --> 00:23:27,480
Speaker 1: a June July day.

488
00:23:27,560 --> 00:23:29,720
Speaker 8: Dude, I used to stand in the freaking parking lots

489
00:23:29,760 --> 00:23:34,639
Speaker 8: of cricket wireless all the time in the middle of

490
00:23:34,680 --> 00:23:37,320
Speaker 8: the summer, noon to two on a Saturday, and you

491
00:23:37,359 --> 00:23:40,119
Speaker 8: want to talk about just melting in the freaking heat.

492
00:23:40,720 --> 00:23:42,280
Speaker 8: Oh awful, dude.

493
00:23:42,359 --> 00:23:44,760
Speaker 1: I had to go sit outside of a Taco bell

494
00:23:45,600 --> 00:23:47,919
Speaker 1: and there wasn't There was no place to set up

495
00:23:47,920 --> 00:23:50,520
Speaker 1: the remote. Guys, listen, I'm a remote expert. I used

496
00:23:50,520 --> 00:23:51,919
Speaker 1: to do this for years, so I knew how to

497
00:23:51,920 --> 00:23:54,679
Speaker 1: park the vehicle. I knew how to set the speakers.

498
00:23:54,720 --> 00:23:57,159
Speaker 1: You know, you got the boombox, you got the radio station, plane,

499
00:23:57,240 --> 00:23:57,960
Speaker 1: you meet the manager.

500
00:23:57,960 --> 00:23:58,600
Speaker 8: How's it going? Man?

501
00:23:58,600 --> 00:24:01,040
Speaker 1: You kiss a couple babies. Not really your promotions. All

502
00:24:01,080 --> 00:24:02,960
Speaker 1: you're there to do is set stuff up. There was

503
00:24:03,040 --> 00:24:05,399
Speaker 1: no space for the van, so I'm parked in this

504
00:24:05,720 --> 00:24:07,480
Speaker 1: Wendy's fast food restaurant.

505
00:24:07,640 --> 00:24:07,920
Speaker 3: Dude.

506
00:24:08,000 --> 00:24:10,200
Speaker 1: Cars are honky as they're trying to go through drive through.

507
00:24:10,200 --> 00:24:13,520
Speaker 1: I'm like sorry setting up for the remote, Like, hey, buddy,

508
00:24:13,720 --> 00:24:16,760
Speaker 1: get the absolute got of the way. Hey man, do

509
00:24:17,200 --> 00:24:19,160
Speaker 1: I need to get my fries? Man, get the out

510
00:24:19,160 --> 00:24:20,919
Speaker 1: of my way, dude. I was just trying to do

511
00:24:20,960 --> 00:24:23,040
Speaker 1: a happy remote where I give people some stuff, and

512
00:24:23,080 --> 00:24:26,399
Speaker 1: there was nowhere to park in a college ut area.

513
00:24:27,280 --> 00:24:29,600
Speaker 8: I loved like when I when I worked promote, So

514
00:24:29,640 --> 00:24:32,520
Speaker 8: I worked promotions this summer after my freshman year of college,

515
00:24:32,960 --> 00:24:36,239
Speaker 8: KSE one on one KVET located on Lamar and we

516
00:24:36,240 --> 00:24:40,160
Speaker 8: were the Zone. Their slogan at that point thirteen hundred Zone.

517
00:24:40,280 --> 00:24:43,480
Speaker 8: I thought it was the coolest slogan I'd ever heard

518
00:24:43,480 --> 00:24:43,920
Speaker 8: in my life.

519
00:24:44,040 --> 00:24:45,600
Speaker 1: AM thirteen hundred the Zone.

520
00:24:45,720 --> 00:24:51,480
Speaker 8: Get No, that wasn't it. It was AM thirteen hundred

521
00:24:51,680 --> 00:24:56,840
Speaker 8: the Cure for jockage. And they had shirts and I'd

522
00:24:56,880 --> 00:24:59,040
Speaker 8: go in the promotions closet and steal I took so

523
00:24:59,160 --> 00:25:02,240
Speaker 8: many shirts and I'd that was so awesome, Like, how

524
00:25:02,359 --> 00:25:05,040
Speaker 8: creative for a sports station to be the cure for

525
00:25:05,240 --> 00:25:06,280
Speaker 8: jack jockitch?

526
00:25:06,680 --> 00:25:09,280
Speaker 1: Hilarious, That's pretty good. I thought for a second. Wasn't

527
00:25:09,320 --> 00:25:10,960
Speaker 1: sore Loser's gonna be tell something to do a jock?

528
00:25:13,200 --> 00:25:15,840
Speaker 1: I don't know, because you may have not even known,

529
00:25:16,040 --> 00:25:18,960
Speaker 1: but gotten that idea from the original sports station that

530
00:25:19,000 --> 00:25:19,760
Speaker 1: you were a fan of.

531
00:25:20,040 --> 00:25:23,800
Speaker 8: And I did. My first remote I worked was at

532
00:25:23,840 --> 00:25:28,720
Speaker 8: Golden Corral. They had all you can eat special on

533
00:25:28,880 --> 00:25:32,439
Speaker 8: Wednesday nights. It was me. I was the one that

534
00:25:32,520 --> 00:25:36,399
Speaker 8: drove the van, had the prizes and the jock, the DJ,

535
00:25:36,600 --> 00:25:41,320
Speaker 8: whatever you want to call them, Bama Brown and I

536
00:25:41,359 --> 00:25:44,439
Speaker 8: will never forget I still have that. We're sitting there

537
00:25:44,480 --> 00:25:47,520
Speaker 8: out there and some guys going around selling bags in

538
00:25:47,600 --> 00:25:50,560
Speaker 8: the parking lot, and I'm like, man, that's a nice bag.

539
00:25:50,600 --> 00:25:53,359
Speaker 8: It's like a Duffel bag. I bought a Duffel bag

540
00:25:53,400 --> 00:25:55,720
Speaker 8: off the guy and I still have it to this day.

541
00:25:55,920 --> 00:25:59,199
Speaker 8: Are homeless, no, no, right, I mean it's one of

542
00:25:59,200 --> 00:26:01,280
Speaker 8: those scammy ones like, oh, I'm raising money for my

543
00:26:01,359 --> 00:26:03,719
Speaker 8: and I was like, man, that's a really nice bag.

544
00:26:04,119 --> 00:26:06,119
Speaker 8: I bought it for twenty five dollars.

545
00:26:06,040 --> 00:26:08,000
Speaker 1: Dude, do it. Remotes are the best thing. I don't

546
00:26:08,000 --> 00:26:09,480
Speaker 1: know if they even still do them as much as

547
00:26:09,480 --> 00:26:11,760
Speaker 1: they used to. They do. They're the best thing out there,

548
00:26:11,840 --> 00:26:13,680
Speaker 1: especially if you're a kid right out of college. They're

549
00:26:13,720 --> 00:26:16,600
Speaker 1: so easy. You meet tons of people. We would go

550
00:26:16,680 --> 00:26:18,240
Speaker 1: sit out it. There was one of those events with

551
00:26:18,280 --> 00:26:21,199
Speaker 1: the country station would set outside of some it was

552
00:26:21,200 --> 00:26:25,080
Speaker 1: a concert venue right off of Congress. Oh, Billy Bob's,

553
00:26:25,240 --> 00:26:27,639
Speaker 1: let's just say it's that, okay, Billy Bob's. I would

554
00:26:27,640 --> 00:26:29,320
Speaker 1: sit out there and I was a part of the

555
00:26:29,680 --> 00:26:31,919
Speaker 1: Bobby Bone Show, and so I mean there's just like

556
00:26:32,000 --> 00:26:34,680
Speaker 1: chicks rolling through. Hey are you that Ray intern guy

557
00:26:34,680 --> 00:26:37,560
Speaker 1: from Bobby BUNCHO. Yeah, yeah, dude, I'm getting girls' numbers. Hey,

558
00:26:37,560 --> 00:26:39,200
Speaker 1: do you want some free tickets? I got tickets there.

559
00:26:39,480 --> 00:26:41,960
Speaker 1: You have free stuff to give them, So you're basically

560
00:26:41,960 --> 00:26:44,760
Speaker 1: buying their phone number, and they have to talk to

561
00:26:44,800 --> 00:26:47,560
Speaker 1: you because you're standing right there as they're trying to

562
00:26:47,560 --> 00:26:50,399
Speaker 1: get into the venue. If you're a dude out there

563
00:26:50,400 --> 00:26:52,240
Speaker 1: and you're single, remotes are the way to go.

564
00:26:52,640 --> 00:26:54,520
Speaker 8: Yeah, I mean, I don't know. We got to start

565
00:26:54,520 --> 00:26:56,199
Speaker 8: the show because our special guests just got in here.

566
00:26:56,240 --> 00:26:57,800
Speaker 8: I can tell you more remotes, like the one time

567
00:26:57,840 --> 00:27:00,240
Speaker 8: I went to a car dealership in Colleen.

568
00:27:00,600 --> 00:27:02,920
Speaker 1: How's it going? Lunchbox is automotive? How can I get

569
00:27:02,920 --> 00:27:03,880
Speaker 1: your oil change?

570
00:27:04,320 --> 00:27:06,320
Speaker 8: And I drove an hour and a half to get

571
00:27:06,359 --> 00:27:09,919
Speaker 8: to Kaleen, get to the stupid car dealership, and we

572
00:27:10,200 --> 00:27:11,680
Speaker 8: That was back when they had what they called a

573
00:27:11,760 --> 00:27:14,439
Speaker 8: Marty inside the van and you had to put you

574
00:27:14,480 --> 00:27:17,480
Speaker 8: had to raise up this pole to get the antenna

575
00:27:17,560 --> 00:27:19,120
Speaker 8: up there so they could get the signal.

576
00:27:19,280 --> 00:27:23,400
Speaker 1: You used to be a tech guy. Good god, we're

577
00:27:23,480 --> 00:27:25,080
Speaker 1: learning everything about your radio.

578
00:27:25,200 --> 00:27:26,479
Speaker 8: No no, no culture right.

579
00:27:26,600 --> 00:27:28,840
Speaker 1: That wasn't always the Golden Voice culture.

580
00:27:29,080 --> 00:27:31,520
Speaker 8: This was when I was on air, so I rode

581
00:27:31,560 --> 00:27:33,800
Speaker 8: with whoever the promotions was in the van all the

582
00:27:33,800 --> 00:27:36,439
Speaker 8: way to Colleen and we put the Marty up and

583
00:27:36,480 --> 00:27:40,560
Speaker 8: get it. It was so far out there it didn't

584
00:27:40,560 --> 00:27:44,320
Speaker 8: even get the radio station. Like, you couldn't get the radio.

585
00:27:44,359 --> 00:27:48,240
Speaker 8: The signal didn't reach there, and we're having a remote

586
00:27:48,440 --> 00:27:51,119
Speaker 8: and you can't even play the music. And so of course,

587
00:27:51,359 --> 00:27:55,280
Speaker 8: not one single person stopped by the car dealership to

588
00:27:55,280 --> 00:27:59,120
Speaker 8: say hello because our radio station didn't even reach that location.

589
00:27:59,640 --> 00:28:02,120
Speaker 1: Dude, you just remember reminded me of my favorite mode ever.

590
00:28:02,240 --> 00:28:05,680
Speaker 1: I think one time I had one at Bikini's Bar. Oh, dude,

591
00:28:05,760 --> 00:28:10,840
Speaker 1: U to the chicks were in bikinis. Yes, hello, I

592
00:28:10,880 --> 00:28:13,679
Speaker 1: wasn't sissor Ray Mundo that I was intern Ray intern Ray,

593
00:28:13,720 --> 00:28:15,640
Speaker 1: I'm twenty two A nice to meet you. I represent

594
00:28:15,680 --> 00:28:17,600
Speaker 1: the radio station. Oh hey, how's it going?

595
00:28:17,800 --> 00:28:18,000
Speaker 3: Dude?

596
00:28:18,080 --> 00:28:21,040
Speaker 1: All these managers are in their bikinis. Uh is this

597
00:28:21,160 --> 00:28:24,360
Speaker 1: the radio industry? And why are y'all not war? Did

598
00:28:24,440 --> 00:28:24,960
Speaker 1: he clothes?

599
00:28:25,240 --> 00:28:25,440
Speaker 3: Dude?

600
00:28:25,480 --> 00:28:28,440
Speaker 1: I was sold, I was in radio. I was baptized.

601
00:28:28,520 --> 00:28:32,120
Speaker 8: Hey, bikinis, bar and grill. They had remotes all the time. Dude,

602
00:28:32,160 --> 00:28:33,359
Speaker 8: right there off thirty five?

603
00:28:33,480 --> 00:28:35,880
Speaker 1: Oh id are you a college girl just in your

604
00:28:35,880 --> 00:28:36,520
Speaker 1: bathing suit?

605
00:28:36,560 --> 00:28:37,200
Speaker 3: Here on soho.

606
00:28:37,359 --> 00:28:38,880
Speaker 8: Oh no, no, no, I'm a manager.

607
00:28:38,960 --> 00:28:41,000
Speaker 1: Oh my god, it's in a whale tail.

608
00:28:41,320 --> 00:28:43,200
Speaker 8: Hey when in high school when they said what'd you

609
00:28:43,200 --> 00:28:45,000
Speaker 8: want to be? When Jiro? Did you put a manager

610
00:28:45,000 --> 00:28:46,920
Speaker 8: in a brushtrock? Because this is awesome?

611
00:29:01,160 --> 00:29:03,040
Speaker 13: Hello, Hello, Hey, It's mikey d.

612
00:29:03,200 --> 00:29:05,560
Speaker 14: And this week on Movie Mike's Movie Podcast, I broke

613
00:29:05,600 --> 00:29:08,560
Speaker 14: down a list of the top ten final girls in

614
00:29:08,640 --> 00:29:12,040
Speaker 14: horror movies. Not anything creepy, it's actually very empowering to

615
00:29:12,120 --> 00:29:16,080
Speaker 14: women in film. I'll explain exactly what a final girl is. So,

616
00:29:16,160 --> 00:29:17,840
Speaker 14: if like me, you are a fan of the horror

617
00:29:17,880 --> 00:29:20,640
Speaker 14: genre looking for maybe some hidden gems you haven't seen

618
00:29:20,680 --> 00:29:23,760
Speaker 14: to watch around Halloween time, I got you check out

619
00:29:23,760 --> 00:29:25,240
Speaker 14: this clip. But be sure to check out the full

620
00:29:25,240 --> 00:29:26,840
Speaker 14: episode of Movie Mike's Movie Podcast.

621
00:29:26,880 --> 00:29:29,600
Speaker 13: But right now, here's just a little bit of the episode.

622
00:29:30,360 --> 00:29:32,400
Speaker 14: If you're a fan of horror like I am, you

623
00:29:32,520 --> 00:29:35,000
Speaker 14: already know what the final girl is in a movie,

624
00:29:35,000 --> 00:29:37,840
Speaker 14: but if you're not too familiar with it, the final

625
00:29:37,880 --> 00:29:40,720
Speaker 14: girl is the woman at the very end who survives

626
00:29:40,720 --> 00:29:44,240
Speaker 14: with the killer. She kills him or her in some way.

627
00:29:44,360 --> 00:29:47,280
Speaker 14: Sometimes the killer is male, sometimes the killer is female.

628
00:29:47,760 --> 00:29:54,120
Speaker 14: The final girl is usually portrayed as somebody who is resourceful, resilient, morally, uptight,

629
00:29:54,480 --> 00:29:56,800
Speaker 14: smarter than Oliver. Her appears in this movie because she

630
00:29:56,920 --> 00:30:00,520
Speaker 14: knows how to survive. Whenever I think about the Final Girl,

631
00:30:00,920 --> 00:30:02,920
Speaker 14: it takes me back to the first Screen movie in

632
00:30:03,000 --> 00:30:06,160
Speaker 14: nineteen ninety six, which, obviously some characters from Scream are

633
00:30:06,160 --> 00:30:08,760
Speaker 14: going to make this list, But whenever Jamie Kennedy's character

634
00:30:08,880 --> 00:30:12,680
Speaker 14: is giving the rules of surviving a horror movie, this

635
00:30:12,760 --> 00:30:14,320
Speaker 14: is exactly what I think about.

636
00:30:14,640 --> 00:30:17,680
Speaker 15: There are certain rules that one must abide by in

637
00:30:17,800 --> 00:30:22,080
Speaker 15: order to successfully survive a horror movie. For instance, number one,

638
00:30:22,640 --> 00:30:26,680
Speaker 15: you can never have sex sex even seth okay. Number

639
00:30:26,680 --> 00:30:30,000
Speaker 15: two you can never drink or do drug sin. It's

640
00:30:30,040 --> 00:30:34,240
Speaker 15: an extension of number one and number three never ever, ever,

641
00:30:34,360 --> 00:30:37,200
Speaker 15: under any circumstances, say I'll be right back because you

642
00:30:37,240 --> 00:30:37,800
Speaker 15: won't be back.

643
00:30:37,840 --> 00:30:40,680
Speaker 3: I'm getting another beer. You want one, Yeah, sure, I'll

644
00:30:40,680 --> 00:30:41,680
Speaker 3: be right back.

645
00:30:43,760 --> 00:30:47,440
Speaker 14: So the final Girl in any horror movie, I feel

646
00:30:47,440 --> 00:30:50,080
Speaker 14: like those rules kind of laid out the blueprint. Even

647
00:30:50,120 --> 00:30:51,880
Speaker 14: though that movie came out in nineteen ninety six and

648
00:30:51,920 --> 00:30:54,720
Speaker 14: there have been Final Girls way before that movie came out.

649
00:30:55,120 --> 00:30:57,280
Speaker 14: I always reference back to that clip to think of

650
00:30:57,640 --> 00:30:59,840
Speaker 14: what do you need to do in order to survive

651
00:31:00,000 --> 00:31:02,520
Speaker 14: a serial killer in a horror movie. So let's get

652
00:31:02,520 --> 00:31:06,240
Speaker 14: into this list at number two, getting to the heavy hitters.

653
00:31:06,320 --> 00:31:11,000
Speaker 14: Now you have Sidney Prescott from Scream played by Nev Campbell.

654
00:31:11,400 --> 00:31:13,960
Speaker 14: Came out back in nineteen ninety six again and it

655
00:31:14,040 --> 00:31:17,680
Speaker 14: is available on Max, which we mentioned earlier. Sidney Prescott

656
00:31:17,760 --> 00:31:21,120
Speaker 14: is the best modern version of a final Girl. In

657
00:31:21,160 --> 00:31:24,000
Speaker 14: my opinion, I do think the Scream movies kind of

658
00:31:24,040 --> 00:31:28,040
Speaker 14: lost their way even when Wes Craven continued to direct them.

659
00:31:28,440 --> 00:31:30,960
Speaker 14: Scream four became the first one that he didn't direct

660
00:31:31,000 --> 00:31:32,920
Speaker 14: because he passed away, but that one came out in

661
00:31:32,960 --> 00:31:36,160
Speaker 14: twenty eleven and he died in twenty fifteen. But the

662
00:31:36,200 --> 00:31:39,520
Speaker 14: formula did become a little stale. That was until, in

663
00:31:39,560 --> 00:31:42,920
Speaker 14: my opinion, Jenna Ortega and Melissa Barrera were.

664
00:31:42,760 --> 00:31:43,920
Speaker 13: Introduced into the cast.

665
00:31:44,360 --> 00:31:49,200
Speaker 14: Those movies rebooted the franchise and also got super meta

666
00:31:49,320 --> 00:31:52,960
Speaker 14: with referencing the Scream movies and redoing things from that

667
00:31:53,000 --> 00:31:56,560
Speaker 14: one and including them here. So wasn't really a remake,

668
00:31:56,840 --> 00:31:59,360
Speaker 14: wasn't really a reboot. It was kind of just taking

669
00:31:59,440 --> 00:32:02,280
Speaker 14: all the la elements of Scream and using gen Z

670
00:32:02,520 --> 00:32:05,640
Speaker 14: actors to make you feel that same way when you

671
00:32:05,680 --> 00:32:07,920
Speaker 14: watch the first screen movies. So I hate now that

672
00:32:08,000 --> 00:32:10,040
Speaker 14: the fate of these movies is really in the balance,

673
00:32:10,080 --> 00:32:12,920
Speaker 14: that Jener Ortega and Melissa Barrera are no longer going

674
00:32:13,000 --> 00:32:13,240
Speaker 14: to be.

675
00:32:13,200 --> 00:32:14,080
Speaker 3: Attached to them.

676
00:32:14,280 --> 00:32:16,800
Speaker 14: I hate the way they exited these films, but it

677
00:32:16,840 --> 00:32:19,280
Speaker 14: looks like some of the original casts will still be

678
00:32:19,400 --> 00:32:21,360
Speaker 14: a part of them. I just don't really think there's

679
00:32:21,440 --> 00:32:24,440
Speaker 14: much left there to really make these movies interesting, and

680
00:32:24,480 --> 00:32:27,320
Speaker 14: they lost what was making them work, what was making

681
00:32:27,400 --> 00:32:29,959
Speaker 14: the younger audience go to the theater to watch these movies.

682
00:32:30,080 --> 00:32:32,400
Speaker 14: Now you're just gonna be trying to make these movies

683
00:32:32,440 --> 00:32:35,680
Speaker 14: to people of my generation millennials, to go and be

684
00:32:35,800 --> 00:32:39,280
Speaker 14: nostalgia bay. But that really doesn't work with horror franchises anymore.

685
00:32:39,520 --> 00:32:40,720
Speaker 13: You gotta keep it new, you.

686
00:32:40,680 --> 00:32:42,920
Speaker 14: Gotta keep it fresh, You got to keep those actors

687
00:32:42,960 --> 00:32:44,080
Speaker 14: at the forefront.

688
00:32:44,240 --> 00:32:46,360
Speaker 13: And nev Campbell would have been the.

689
00:32:46,200 --> 00:32:49,440
Speaker 14: Best to do it as far as being the it

690
00:32:49,680 --> 00:32:53,640
Speaker 14: Final Girl if it wasn't for Number one, the og

691
00:32:54,440 --> 00:32:58,480
Speaker 14: the original Final Girl, the best Final Girl of all

692
00:32:58,600 --> 00:33:02,160
Speaker 14: time according to the list, and according to me, it

693
00:33:02,280 --> 00:33:05,719
Speaker 14: is Lori Strode from Halloween played by Jamie Lee Curtis,

694
00:33:05,880 --> 00:33:07,840
Speaker 14: came out in nineteen seventy eight.

695
00:33:07,920 --> 00:33:09,120
Speaker 13: It is available to.

696
00:33:09,120 --> 00:33:13,920
Speaker 14: Watch on Crackle of all services, Netflix, Hulu, Disney Plus.

697
00:33:13,960 --> 00:33:16,560
Speaker 13: Even you can watch Halloween on Crackle.

698
00:33:16,640 --> 00:33:19,520
Speaker 14: I feel like I've watched maybe two things on Crackle

699
00:33:19,560 --> 00:33:20,320
Speaker 14: in my life.

700
00:33:20,480 --> 00:33:21,400
Speaker 13: Actually I take that back.

701
00:33:21,400 --> 00:33:23,240
Speaker 14: I think it was only one movie, Joe Dirt I

702
00:33:23,440 --> 00:33:26,560
Speaker 14: Beautiful Loser, the sequel that nobody asked for, but it

703
00:33:26,600 --> 00:33:29,760
Speaker 14: was available as a Crackle original, So you can go

704
00:33:29,800 --> 00:33:32,520
Speaker 14: watch Joe Dirt two and you can go watch Halloween

705
00:33:32,680 --> 00:33:33,720
Speaker 14: again much like two b.

706
00:33:34,280 --> 00:33:35,480
Speaker 13: Crackle is also.

707
00:33:35,280 --> 00:33:37,760
Speaker 14: The dollar bin, but maybe not even at Walmart, probably

708
00:33:37,800 --> 00:33:39,560
Speaker 14: a like family dollar dollar tree.

709
00:33:39,640 --> 00:33:41,720
Speaker 13: I would never find anything good in those bins.

710
00:33:41,920 --> 00:33:44,680
Speaker 14: It'd always be like really weird movies or like movie

711
00:33:44,720 --> 00:33:47,680
Speaker 14: three packs of black and white horror movies that were

712
00:33:47,720 --> 00:33:50,640
Speaker 14: made back in the forties. And the reason I agree

713
00:33:50,640 --> 00:33:53,480
Speaker 14: with this list why Louri Strode is the best Final

714
00:33:53,560 --> 00:33:58,480
Speaker 14: Girl is that final scene where she is making it

715
00:33:58,560 --> 00:34:02,560
Speaker 14: her main object to save the kids but also save

716
00:34:02,640 --> 00:34:05,440
Speaker 14: herself make sure they're out of harm's way, and has

717
00:34:06,000 --> 00:34:10,480
Speaker 14: the most iconic scene in any horror movie. It is

718
00:34:10,560 --> 00:34:14,280
Speaker 14: the blueprint of how to make a great final act,

719
00:34:14,600 --> 00:34:19,200
Speaker 14: Laurie Strode in the closet with Michael Myers breaking down

720
00:34:19,200 --> 00:34:22,799
Speaker 14: the door is a scene that altered my brain's chemistry.

721
00:34:22,920 --> 00:34:23,920
Speaker 13: If there's one scene in.

722
00:34:23,920 --> 00:34:26,760
Speaker 14: Horror that I wish I could go back and rewatch

723
00:34:26,800 --> 00:34:29,520
Speaker 14: for the first time, have my memory erased, just so

724
00:34:29,680 --> 00:34:32,400
Speaker 14: I could experience it again, it would be this scene.

725
00:34:32,680 --> 00:34:35,200
Speaker 14: Jamie Lee Curtis did a fantastic job as she was

726
00:34:35,239 --> 00:34:39,279
Speaker 14: being introduced into the world. Halloween two takes place right

727
00:34:39,320 --> 00:34:41,960
Speaker 14: after the events of Halloween one, and growing up, I

728
00:34:41,960 --> 00:34:44,719
Speaker 14: would always just watch those back to back every Halloween,

729
00:34:45,320 --> 00:34:48,759
Speaker 14: and two isn't as iconic as one, but if you

730
00:34:48,840 --> 00:34:51,560
Speaker 14: watch them all together, it makes for a great movie night.

731
00:34:52,080 --> 00:34:56,040
Speaker 14: The entire journey that Lori Strode goes through all of

732
00:34:56,040 --> 00:34:59,640
Speaker 14: the movies doesn't really make sense. They kind of change

733
00:34:59,640 --> 00:35:03,279
Speaker 14: her care character from movie to movie, create this backstory

734
00:35:03,280 --> 00:35:04,800
Speaker 14: of her and Michael being related.

735
00:35:04,880 --> 00:35:05,680
Speaker 1: Are they related?

736
00:35:05,719 --> 00:35:08,520
Speaker 14: Are they not? I enjoyed it as they moved into

737
00:35:08,640 --> 00:35:11,760
Speaker 14: Halloween h twoel even though I think people hate that movie,

738
00:35:11,800 --> 00:35:12,520
Speaker 14: that is one of my.

739
00:35:12,440 --> 00:35:14,760
Speaker 13: Favorite Halloween movies. And then they.

740
00:35:14,719 --> 00:35:17,880
Speaker 14: Reintroduced her again in the twenty eighteen version, which I

741
00:35:17,880 --> 00:35:21,120
Speaker 14: thought was fantastic, but I hate how that run ended.

742
00:35:21,440 --> 00:35:23,080
Speaker 13: Twenty eighteen was a great reboot.

743
00:35:23,440 --> 00:35:26,480
Speaker 14: Halloween Kills in twenty twenty one was pretty mid and

744
00:35:26,680 --> 00:35:29,960
Speaker 14: I completely hated Halloween Ens. But I can look past

745
00:35:30,000 --> 00:35:32,640
Speaker 14: all that to go back to the original. Lori strode

746
00:35:32,680 --> 00:35:36,520
Speaker 14: at number one as the best final girl in all

747
00:35:36,719 --> 00:35:37,360
Speaker 14: of horror.

748
00:35:47,480 --> 00:35:52,200
Speaker 3: Carrylon. She's a queen of talking. It was a son,

749
00:35:54,040 --> 00:35:57,400
Speaker 3: She's getting really not afraid to things. Episode Soul just

750
00:35:57,560 --> 00:36:03,360
Speaker 3: let flow. No one can do with Carlne.

751
00:36:06,239 --> 00:36:11,719
Speaker 16: Okay, So as the story goes, you Okay, so you

752
00:36:11,880 --> 00:36:15,080
Speaker 16: met me actually ironically at like the darkest time in

753
00:36:15,120 --> 00:36:15,520
Speaker 16: my life.

754
00:36:15,760 --> 00:36:16,239
Speaker 9: Why is that?

755
00:36:16,920 --> 00:36:18,640
Speaker 16: I was coming out of a divorce.

756
00:36:18,640 --> 00:36:20,600
Speaker 4: Okay, and we had talked about a podcast that you

757
00:36:20,719 --> 00:36:21,120
Speaker 4: just put out.

758
00:36:21,400 --> 00:36:22,520
Speaker 16: Yeah, one more minute.

759
00:36:22,640 --> 00:36:24,080
Speaker 4: Is that all the same time period?

760
00:36:24,160 --> 00:36:25,520
Speaker 16: Yeah, that's all the same period.

761
00:36:26,120 --> 00:36:27,399
Speaker 4: Will you go into it in your own way?

762
00:36:27,400 --> 00:36:29,960
Speaker 16: I can weave it, weave it. Yeah, So you met me.

763
00:36:30,840 --> 00:36:33,959
Speaker 16: I take this big job with Big Machine, and they're like, listen,

764
00:36:34,000 --> 00:36:37,120
Speaker 16: you're going to travel a ton. You'll probably never be home. Hindsight,

765
00:36:37,320 --> 00:36:39,480
Speaker 16: if you're so comfortable being away from your husband that

766
00:36:39,600 --> 00:36:43,279
Speaker 16: much and more leaning towards the excited part of your Mary, Yeah,

767
00:36:43,920 --> 00:36:46,279
Speaker 16: like that might be a sign. So if you're in

768
00:36:46,320 --> 00:36:48,960
Speaker 16: a relationship and you're hearing this and you're excited to

769
00:36:49,080 --> 00:36:51,880
Speaker 16: not be with your husband, that is a red flag. Anyways,

770
00:36:51,960 --> 00:36:53,200
Speaker 16: So I take the job.

771
00:36:53,280 --> 00:36:55,640
Speaker 4: So having subspace for your husband, it's great.

772
00:36:55,680 --> 00:36:56,120
Speaker 7: It's great.

773
00:36:56,320 --> 00:36:59,520
Speaker 16: Missing him is the fun part. Yeah, that's where you're like,

774
00:36:59,600 --> 00:37:03,239
Speaker 16: that's a great flag, right, Yeah, I wasn't miss You're like,

775
00:37:03,480 --> 00:37:04,240
Speaker 16: do stoked?

776
00:37:04,480 --> 00:37:06,919
Speaker 9: Yeah, to be pretty stoked out of his breathing room.

777
00:37:07,040 --> 00:37:10,880
Speaker 16: Yeah, fine, person, just not my person, you know. Anyway,

778
00:37:10,960 --> 00:37:14,480
Speaker 16: So I take the job and I meet you, and

779
00:37:14,640 --> 00:37:17,160
Speaker 16: life is great because I have you and I'm traveling

780
00:37:17,239 --> 00:37:21,040
Speaker 16: a ton. And then I just would realize every time

781
00:37:21,120 --> 00:37:25,080
Speaker 16: I was home there was this really sad, deep sadness

782
00:37:25,200 --> 00:37:27,240
Speaker 16: that I had because I was like alone with myself.

783
00:37:28,440 --> 00:37:30,360
Speaker 4: What happened when you're alone with yourself?

784
00:37:30,480 --> 00:37:33,480
Speaker 16: Nothing good? And it was great. The job was so

785
00:37:33,880 --> 00:37:37,160
Speaker 16: great at keeping me so busy. You know, Record labels

786
00:37:37,160 --> 00:37:39,799
Speaker 16: in Nashville are relentless. They make sure that you don't

787
00:37:39,880 --> 00:37:41,239
Speaker 16: even really have time to eat or.

788
00:37:41,280 --> 00:37:43,000
Speaker 4: Drink, party atmosphere all over the place.

789
00:37:44,040 --> 00:37:46,759
Speaker 16: You're just living your You're just gone, and in those

790
00:37:46,800 --> 00:37:49,320
Speaker 16: spare minutes that you're sitting, you are already behind in

791
00:37:49,400 --> 00:37:51,279
Speaker 16: your email, so like there's no time to really think

792
00:37:51,280 --> 00:37:54,960
Speaker 16: about your personal life. So I do think looking back, probably, yeah,

793
00:37:55,200 --> 00:37:57,200
Speaker 16: looking back, I think God like really moved a lot

794
00:37:57,239 --> 00:37:58,800
Speaker 16: of pieces and was like this is where we'll be

795
00:37:58,880 --> 00:38:01,600
Speaker 16: to keep us moving. But then there would be these

796
00:38:01,640 --> 00:38:06,480
Speaker 16: really long Texas drives. Texas will get you in Texas, man,

797
00:38:06,680 --> 00:38:11,560
Speaker 16: Texas does it the tears in Texas Hotly Mackerel.

798
00:38:11,719 --> 00:38:15,120
Speaker 4: She's a heartbreak song, she She's a healing Texas is beautiful.

799
00:38:15,160 --> 00:38:15,800
Speaker 14: I love Texas.

800
00:38:15,840 --> 00:38:17,520
Speaker 16: Texas might be the only state big enough to hold

801
00:38:17,520 --> 00:38:19,520
Speaker 16: all the emotions I had at the time, to be honest.

802
00:38:19,640 --> 00:38:22,480
Speaker 16: So yeah, it just was really low. I remember just

803
00:38:22,520 --> 00:38:24,720
Speaker 16: getting to the freeze. So there's a freeze in Nashville

804
00:38:24,719 --> 00:38:27,959
Speaker 16: for anybody that's not the music business, Like right around

805
00:38:28,080 --> 00:38:33,080
Speaker 16: like December ish, everyone freezes and and so your job

806
00:38:33,160 --> 00:38:35,800
Speaker 16: becomes less and then you're alone with yourself more with

807
00:38:35,960 --> 00:38:36,320
Speaker 16: less to do.

808
00:38:36,520 --> 00:38:37,480
Speaker 4: It is holiday season.

809
00:38:37,640 --> 00:38:41,399
Speaker 9: Holidays can be sad, really sad if you're leaning through

810
00:38:41,400 --> 00:38:41,960
Speaker 9: a heartbreak.

811
00:38:42,560 --> 00:38:44,840
Speaker 16: And I was really going in through a heartbreak.

812
00:38:45,920 --> 00:38:48,600
Speaker 4: So every the noise shut down, it was holiday season,

813
00:38:48,719 --> 00:38:50,960
Speaker 4: it was cold, and you were alone with your sadness.

814
00:38:51,120 --> 00:38:53,000
Speaker 16: Yeah, I lived in Kansas City at the time and

815
00:38:53,120 --> 00:38:55,320
Speaker 16: worked remotely for the label. Because I was just traveling

816
00:38:55,400 --> 00:38:57,480
Speaker 16: in about Kansas City was part of my territory. It

817
00:38:57,520 --> 00:39:02,480
Speaker 16: made sense. And yeah, I was alone, I remember, so

818
00:39:02,600 --> 00:39:06,239
Speaker 16: I just put out this podcast I had this. I

819
00:39:06,320 --> 00:39:08,279
Speaker 16: got very very low and to the point where I

820
00:39:08,320 --> 00:39:11,240
Speaker 16: did want to take my own life. And I remember

821
00:39:11,320 --> 00:39:13,279
Speaker 16: I was in a tool skirt and I was in

822
00:39:13,440 --> 00:39:17,160
Speaker 16: like holiday cute, a really great outfit for what it's worth,

823
00:39:17,440 --> 00:39:20,120
Speaker 16: very fashionable. Well, I just love that part of life,

824
00:39:20,160 --> 00:39:22,120
Speaker 16: like styling's fun to me. And I remember just being

825
00:39:22,160 --> 00:39:25,160
Speaker 16: in this really cute outfit. I remember taking forever to

826
00:39:25,239 --> 00:39:29,759
Speaker 16: get ready, like I just remember feeling like I was

827
00:39:29,800 --> 00:39:33,480
Speaker 16: moving through like drying cement, and everything felt like I

828
00:39:33,640 --> 00:39:36,600
Speaker 16: lifted a thousand pounds and I just it was so heavy,

829
00:39:37,239 --> 00:39:38,960
Speaker 16: and I was at an all time low weight, which

830
00:39:39,000 --> 00:39:41,520
Speaker 16: is also ironic. So it just felt like everything was

831
00:39:42,640 --> 00:39:46,719
Speaker 16: very hard, just like impossibly hard. Getting ready for that

832
00:39:46,800 --> 00:39:49,759
Speaker 16: party felt hard. It felt dark. I felt like I

833
00:39:49,800 --> 00:39:53,000
Speaker 16: didn't want to go, and I just remember thinking like

834
00:39:53,640 --> 00:39:56,640
Speaker 16: no one is coming for me. It's really sad. That

835
00:39:56,719 --> 00:40:03,400
Speaker 16: actually makes me emotional hard times, So what do you do?

836
00:40:05,800 --> 00:40:08,800
Speaker 16: I don't it just was. I remember thinking of ways

837
00:40:08,880 --> 00:40:12,040
Speaker 16: that I just wanted out. I felt shameful that a

838
00:40:12,080 --> 00:40:15,200
Speaker 16: marriage was ending. I hated that we will get to

839
00:40:15,200 --> 00:40:17,279
Speaker 16: the bag of rules because I remember where we're headed.

840
00:40:17,520 --> 00:40:19,839
Speaker 16: I promise I just take the back rows. I never

841
00:40:19,880 --> 00:40:21,960
Speaker 16: take the expressway in stories, so what's wrong with me?

842
00:40:22,640 --> 00:40:22,920
Speaker 4: They do?

843
00:40:24,640 --> 00:40:29,319
Speaker 16: So yeah, I just I just I just felt really

844
00:40:29,560 --> 00:40:33,600
Speaker 16: deeply lonely and shameful. And I hated. No one gets married,

845
00:40:33,640 --> 00:40:37,839
Speaker 16: I think to get divorced, you know. And it felt

846
00:40:37,920 --> 00:40:39,920
Speaker 16: like even he didn't want to tuck it in in

847
00:40:40,040 --> 00:40:43,320
Speaker 16: a like really beautiful Nicholas Sparks way that I had envisioned,

848
00:40:43,360 --> 00:40:45,440
Speaker 16: where we would go to this like mutual loving dinner

849
00:40:45,560 --> 00:40:47,799
Speaker 16: and you know, have a glass of wine and look

850
00:40:47,840 --> 00:40:49,840
Speaker 16: into each other's eyes and think each other for the experience.

851
00:40:49,880 --> 00:40:50,520
Speaker 16: Like they never got that.

852
00:40:51,600 --> 00:40:53,320
Speaker 4: Yeah, that's very mature. Does anyone get that?

853
00:40:53,480 --> 00:40:55,320
Speaker 16: I don't know. I mean I hope so they do.

854
00:40:55,560 --> 00:40:57,840
Speaker 16: And nobody wants this.

855
00:40:58,719 --> 00:41:02,439
Speaker 4: Well, that's the most advanced evalved couple that's ever walked

856
00:41:02,480 --> 00:41:04,399
Speaker 4: the face of the earth. And they're actually a TV

857
00:41:04,480 --> 00:41:05,520
Speaker 4: couple and why.

858
00:41:05,440 --> 00:41:07,239
Speaker 16: Yeah, and they're inspiring others to do the same.

859
00:41:07,320 --> 00:41:09,920
Speaker 4: It's great, honestly, it's so good to see the romance.

860
00:41:10,120 --> 00:41:11,759
Speaker 16: Well, I would love that, but I didn't get that.

861
00:41:11,880 --> 00:41:14,760
Speaker 16: And in fact, I got a text saying he wanted

862
00:41:14,800 --> 00:41:17,480
Speaker 16: a divorce, so he wanted it not you. Well, we

863
00:41:17,600 --> 00:41:19,560
Speaker 16: had split and I kind of thought, maybe we'll just

864
00:41:19,640 --> 00:41:22,360
Speaker 16: get like minutes and we'll come back together. That's my

865
00:41:22,520 --> 00:41:25,440
Speaker 16: deep actually thought. I thought that would happen. And no,

866
00:41:25,600 --> 00:41:27,480
Speaker 16: I got a text message. It's like the Carry Bradshaw

867
00:41:27,520 --> 00:41:29,480
Speaker 16: equivalent game broken up with them and post it, you know,

868
00:41:30,200 --> 00:41:32,640
Speaker 16: And it just was dark and it sucked and I

869
00:41:32,719 --> 00:41:35,120
Speaker 16: hated it, and I remember just thinking, I just want

870
00:41:35,160 --> 00:41:38,200
Speaker 16: out of this. There's nothing like what am I working for?

871
00:41:38,440 --> 00:41:40,399
Speaker 4: You know, you probably can't see any future at that point.

872
00:41:40,640 --> 00:41:44,440
Speaker 16: No, my parents weren't coming. No what I just you know,

873
00:41:44,520 --> 00:41:46,879
Speaker 16: everyone's busy in their own lives. That's the weird part

874
00:41:46,920 --> 00:41:49,160
Speaker 16: about that job, too, is you pop into lives that

875
00:41:49,239 --> 00:41:52,080
Speaker 16: are always going. You're just a character in a story

876
00:41:52,080 --> 00:41:53,880
Speaker 16: that pops in and out. And it was such a

877
00:41:53,960 --> 00:41:57,520
Speaker 16: surreal experience to just like always be popping into like

878
00:41:58,080 --> 00:42:01,440
Speaker 16: people's kids volleyball games, and you know they're having family

879
00:42:01,480 --> 00:42:04,520
Speaker 16: dinner and taco Tuesday and you're and I didn't have

880
00:42:04,680 --> 00:42:08,920
Speaker 16: any of that. What a wild season, you know. Anyways,

881
00:42:09,120 --> 00:42:14,040
Speaker 16: So I scraped myself in a toolskirt off the floor,

882
00:42:14,520 --> 00:42:17,320
Speaker 16: and I remember I was on the I just laid

883
00:42:17,520 --> 00:42:20,719
Speaker 16: on the floor in the middle of my pretty room,

884
00:42:21,600 --> 00:42:24,680
Speaker 16: my pretty toolskirs helpless, and I just thought, I just

885
00:42:24,719 --> 00:42:27,040
Speaker 16: don't want to do this anymore. And I kept thinking,

886
00:42:27,760 --> 00:42:30,759
Speaker 16: no one would even suspect this feeling because I was

887
00:42:30,880 --> 00:42:31,439
Speaker 16: so good.

888
00:42:32,800 --> 00:42:32,960
Speaker 8: You know.

889
00:42:33,440 --> 00:42:36,200
Speaker 16: If my child had taught me nothing else, it was

890
00:42:36,320 --> 00:42:39,600
Speaker 16: that you just go with the narrative, right, So the

891
00:42:39,680 --> 00:42:43,040
Speaker 16: narrative was make it look shiny, make it look good,

892
00:42:44,040 --> 00:42:46,080
Speaker 16: sweep it under the rug, and keep going. But no

893
00:42:46,160 --> 00:42:47,840
Speaker 16: one would have known how dark it was.

894
00:42:47,920 --> 00:42:59,080
Speaker 2: I think, Hey, thanks for listening to this week's Sunday Sampler.

895
00:42:59,480 --> 00:43:01,880
Speaker 2: New episode out weekly. Maybe you heard something here you

896
00:43:01,880 --> 00:43:04,080
Speaker 2: want to go check out If you don't mind subscribe,

897
00:43:04,120 --> 00:43:04,840
Speaker 2: that will be awesome.

898
00:43:04,960 --> 00:43:05,960
Speaker 8: Have a great week, everybody,