WEBVTT - "Cars" w/ Francesca D'Uva 

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<v Speaker 1>Okay. Podcast starts now. Hello all and welcome to Stradio lab. Um.

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<v Speaker 1>I have nothing incredible to say after that. I've been

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<v Speaker 1>critiqued to hell for my rifts up top, so so

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<v Speaker 1>now I'm so self conscious that I can't speak. Um. Wait,

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<v Speaker 1>I was let I was intentionally because I have been

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<v Speaker 1>critical in the past, letting you, letting you do your intro.

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<v Speaker 1>Do you see how damaged we both are? You know? No,

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<v Speaker 1>we are both essentially trauma. We both have PTSD from

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<v Speaker 1>our own from living in our own bodies, from our

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<v Speaker 1>own intro section of our podcast specifically, um, which you know,

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<v Speaker 1>it's so sad to see that happen in real time.

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<v Speaker 1>I know people can go back to the early apps

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<v Speaker 1>and hear us bold, you know, unencumbered, self confident, and

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<v Speaker 1>now they'll come and they'll just hear the blank, dead

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<v Speaker 1>air of our trauma. Well, I'm just like, what more

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<v Speaker 1>is there to say? I do think often, Oh, you're

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<v Speaker 1>having one of those weeks. No, no, but I'm like,

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<v Speaker 1>here's what I struggle with, and this is you know, uh,

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<v Speaker 1>once again our favorite behind the scenes moment talking about

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<v Speaker 1>the podcast want to past? Yes, I'm like, who is

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<v Speaker 1>is am I speaking? To a listener that has been

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<v Speaker 1>listening the whole time, so they like get every little

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<v Speaker 1>reference and like totally get what we're um, you know,

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<v Speaker 1>like sorry, I'll cut the like no, keep the like

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<v Speaker 1>it's honest, it's raw. Okay, fine. Am I talking to

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<v Speaker 1>like a long time listener where I don't have to

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<v Speaker 1>be self conscious if I sound stupid because they know

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<v Speaker 1>that that sometimes we sound stupid. Am I talk to?

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<v Speaker 1>When you listener, I have to win over? Am I

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<v Speaker 1>talking to Let's say, a listener who has only listened

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<v Speaker 1>to like the three most high profile guests who have

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<v Speaker 1>ever had and is now, um, is now like okay,

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<v Speaker 1>I like this podcast, babe, I'll start listening weekly and

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<v Speaker 1>suddenly I immediately alienate them by literally exactly what I'm

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<v Speaker 1>doing now, for instance. So I think that is That

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<v Speaker 1>is why in the beginning it was so clear. It

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<v Speaker 1>was like we were introducing ourselves, whereas now it's like,

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<v Speaker 1>m what is this? Yeah, No, I think that's really smart.

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<v Speaker 1>I tend to lean on the side of, you know,

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<v Speaker 1>assume they know, just because it's it's out there, and

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<v Speaker 1>you know, if they don't know, that's on them, not

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<v Speaker 1>on me. Um. If you know you know, and many

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<v Speaker 1>are saying that, and so I feel like that is

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<v Speaker 1>the approach I take. And if they feel like doing

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<v Speaker 1>the work and doing the research, they can go back

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<v Speaker 1>and and if they're new listener, I think the confidence

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<v Speaker 1>of saying we know who we are and we don't

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<v Speaker 1>need to introduce ourselves to you that um. I mean,

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<v Speaker 1>it would be crazy if like you know, Ellen or

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<v Speaker 1>Larry King or Oprah got on their chair every day

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<v Speaker 1>and reintroduced themselves to their entire audience. And we're kind

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<v Speaker 1>of like, so like the way the show is kind

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<v Speaker 1>of gonna work is like I'm gonna have some guests

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<v Speaker 1>and like sometimes it's serious, sometimes it's funny, like something

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<v Speaker 1>like yeah, and like you know, I am Oprah. I mean,

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<v Speaker 1>I do love that. I think Oprah should start every

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<v Speaker 1>show with like, so I'm Oprah. I was like big

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<v Speaker 1>for a while, Like so I was small for a while,

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<v Speaker 1>like in Chicago, and then well then I was really

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<v Speaker 1>big and and then I kind of stepped away from

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<v Speaker 1>it because we like too much. And now I'm just

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<v Speaker 1>sort of like it's sort of an if you know,

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<v Speaker 1>you know type of thing. I guess, right, And then

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<v Speaker 1>she's like I'm in my garden. That's kind of you know,

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<v Speaker 1>it's like kind of part of my thing is that

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<v Speaker 1>I like grow vegetables, but it's not it's you know,

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<v Speaker 1>it's not like a big deal, like I don't alienate anyone,

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<v Speaker 1>but I do grow vegetables and this is a giant tomato.

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<v Speaker 1>But you know, anyway, our guest is, uh, you know,

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<v Speaker 1>Mohammed been someone that would be cool. I think for Oprah,

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<v Speaker 1>I think that'd be cool if she suddenly switched to

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<v Speaker 1>the cadence of a comedy podcaster. I think a lot

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<v Speaker 1>of them could benefit from that. I think Ellen that

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<v Speaker 1>would have saved Ellen if she had, you know, shifted

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<v Speaker 1>to sort of like radical transparency and not not an apology,

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<v Speaker 1>but sort of like, um, I guess my deal is like, um,

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<v Speaker 1>I'm well, I'm like funny, but I'm like, you know,

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<v Speaker 1>when you're like a comedian and then you're trying into

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<v Speaker 1>like a multi millionaire, you're kind of become crazy, and

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<v Speaker 1>so I guess that's kind of where I'm at right now.

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<v Speaker 1>Does that make any sense? And then she's always like

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<v Speaker 1>talking to her audiences like, am I being crazy right now?

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<v Speaker 1>Oh my god, you guys, this is so embarrassing. I mean,

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<v Speaker 1>that would be the most humanizing thing in the whole

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<v Speaker 1>wide world. Who is the But here's the thing though,

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<v Speaker 1>then people who do do that, who are famous, are like, well,

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<v Speaker 1>you can Chrissy te again and you can fake it.

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<v Speaker 1>I think Chrissy can fakes it, and I think, like,

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<v Speaker 1>you know, Jennifer Lawrence used to fake it a little bit,

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<v Speaker 1>Jennifer Lawrence. Well, that's the thing you can't. And this

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<v Speaker 1>is why celebrities are the most oppressed people is because

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<v Speaker 1>you're damned if you do, damned if you don't. If

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<v Speaker 1>you accept that you're glamorous movie star and act as such,

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<v Speaker 1>then you are alienating and if you try to be

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<v Speaker 1>relatable then everyone wants to actually murder you on the street. Well,

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<v Speaker 1>and I think the whole point is that one, if

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<v Speaker 1>you're faking humble and normal, you deserve to be murdered

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<v Speaker 1>on the street. There I said it. I'm using my

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<v Speaker 1>platform for good. Um. I do think the best thing

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<v Speaker 1>if you're a celebrity and you're seeking, you know, how

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<v Speaker 1>do I interact with the world. You know, it's just

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<v Speaker 1>sort of like just be sincere and not project sincerity,

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<v Speaker 1>just like sort of do what you want to do.

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<v Speaker 1>You know what I mean, So who does that? In

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<v Speaker 1>your opinion? Well, and I have an answer, actually, Ben Affleck,

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<v Speaker 1>I mean, I guess is that intentional? Though? I think

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<v Speaker 1>he just lives his life in his photographs. That's what

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<v Speaker 1>I mean. I think that's the way to do it.

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<v Speaker 1>You just have to sort of do what you're gonna

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<v Speaker 1>do and assume that photos be taken. Oh sure, sure,

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<v Speaker 1>but I guess I mean, like, yeah, so you're just

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<v Speaker 1>rejecting the idea of a curated personal back together. You're like,

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<v Speaker 1>no one should So you think no celebrities should have podcast,

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<v Speaker 1>No celebrities should have talk show. No, you're you're taking

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<v Speaker 1>you're twisting my words. You're using my words against me

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<v Speaker 1>in a way that I'm not. But like, would you

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<v Speaker 1>like it if Ben Affleck had his exact personality and

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<v Speaker 1>had a talk show and his whole thing was like

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<v Speaker 1>he was kind of drunk and like eating munchkins. I mean,

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<v Speaker 1>and then like, I mean, I guess what comment he'd

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<v Speaker 1>be like do you want I got an extra iced coffee?

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<v Speaker 1>That would actually change the entire talk show format? And

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<v Speaker 1>I think, actually, would it like be really nice? I

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<v Speaker 1>have to fully one, like you set that up as

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<v Speaker 1>like this is an insane thing that you're supposed to

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<v Speaker 1>like recoil at and you're saying, and I'm like this,

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<v Speaker 1>actually he works. No, I actually think ben Affleck should

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<v Speaker 1>replace Ellen done. I mean it would be a because

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<v Speaker 1>that is like every day he would sort of be like,

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<v Speaker 1>well here's like. It wouldn't be like, so do you

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<v Speaker 1>hear about this Trump guy. It would be like it

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<v Speaker 1>would be more like, um, I today don't feel like

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<v Speaker 1>doing anything and I don't really know why. And it

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<v Speaker 1>would and it would be like mmm, okay, now I'm listening. Yeah,

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<v Speaker 1>And then j Lo is in the audience. She does.

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<v Speaker 1>She leaves the dancing kind of a way. It just

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<v Speaker 1>covered in Sarobski crystals, pouring champagne for the guests, pouring champagne.

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<v Speaker 1>And you can blame her, she supports, who can blame whoever.

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<v Speaker 1>I'll say this, and I've said it before and I'm

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<v Speaker 1>not the first to say it. They both look the

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<v Speaker 1>best they've ever looked. They both the ben Affleck looks

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<v Speaker 1>the best he's ever looked. Okay, I'll take it. I'll

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<v Speaker 1>say a heart agree great. I'm I don't. I don't

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<v Speaker 1>really want to get into it, but the way that celebrities.

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<v Speaker 1>I'm starting to like notice more how celebrities age and

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<v Speaker 1>like a not chill way where I'm like, wait, what

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<v Speaker 1>are they doing? Are you talking about the friends reunion? Um? No,

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<v Speaker 1>I'm not, because you know, I'm not a friend's stand

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<v Speaker 1>as as we okay, okay, and we don't and actually

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<v Speaker 1>we don't have to because that would be cruel. But

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<v Speaker 1>that let's just say, my eyes popped out of my

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<v Speaker 1>skull when I saw the trailer for it? Is it rough? Well,

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<v Speaker 1>the women look great and the men not so much.

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<v Speaker 1>But isn't that like men are like supposed to not

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<v Speaker 1>look Okay? Once again, I don't I support men and

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<v Speaker 1>I don't want to I and I support them more

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<v Speaker 1>than women. But but I think there's a certain noncommittal

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<v Speaker 1>I think. I think women in Hollywood are so just

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<v Speaker 1>just so completely uh what's the word um attacked, Like

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<v Speaker 1>so so in a bind that there's no way like

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<v Speaker 1>they essentially have to constantly be doing procedures in order

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<v Speaker 1>to maintain in order to like project that they're even human,

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<v Speaker 1>whereas men, I think half act in a way like

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<v Speaker 1>I think I think a lot of what a lot

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<v Speaker 1>of men who who age weirdly in Hollywood. It's because

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<v Speaker 1>it's not it's not this thing that they're committed to

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<v Speaker 1>seven like the women are. They're just kind of like

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<v Speaker 1>letting themselves go. And then they're like, well, I guess

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<v Speaker 1>I'll have like a you know, I guess I'll like

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<v Speaker 1>stretch out my cheeks a little bit, and then it

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<v Speaker 1>looked weird. You know, this is I think this goes

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<v Speaker 1>back actually to the earlier conversation about like projecting a

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<v Speaker 1>certain self, where like I think women obviously have it

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<v Speaker 1>insanely harder and have to like look until they're seventy um,

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<v Speaker 1>but at least the assignment is clear. For men, it's

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<v Speaker 1>like like you have to be like, well, I don't

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<v Speaker 1>care actually how I look, but I have to look

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<v Speaker 1>kind of good the whole time, and I have to

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<v Speaker 1>like project a weird like casual effortless like aging man,

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<v Speaker 1>and it's like, what is that. Well, it's also like,

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<v Speaker 1>I mean, much like with women, when it looks like

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<v Speaker 1>they are trying too hard, it's uncool with men if

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<v Speaker 1>they're trying to hard. It also it's like emasculating because

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<v Speaker 1>then it's like, oh, oh, you so clearly got a facelift. Yeah,

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<v Speaker 1>what do you what? Are you gay? Yeah? You seem

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<v Speaker 1>gay because of your hot ass type facelift. Um. Now,

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<v Speaker 1>our next guest has gotten so much cosmetic surgery that

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<v Speaker 1>she's pretty much unrecognizable. Yeah, she her former self is gone,

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<v Speaker 1>but the new hair is snatched for the damn gods.

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<v Speaker 1>She really is snatched for the gods. So please, um,

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<v Speaker 1>you know, put your paws up for the one in

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<v Speaker 1>a Francesca. Whoa, whoa, who come on, come on, Frantise,

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<v Speaker 1>come on, coming in like a fire truck. Hello. Hello.

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<v Speaker 1>Before we started, I was feeling I feel a little bit,

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<v Speaker 1>uh like shy and quiet. Usually it's kind of my

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<v Speaker 1>big thing that I tell people when I'm drunk, and

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<v Speaker 1>you are drunk right now, Just to be clear, I'm not.

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<v Speaker 1>It's one thirty. You guys didn't mention that. Actually, oh

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<v Speaker 1>that's right. We were literally going to talk about how

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<v Speaker 1>we're recording the earliest we've ever recorded it essentially morning. Yeah,

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<v Speaker 1>we are tired, we are waking up. I'm literally having

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<v Speaker 1>a coffee. I mean yeah, this is a morning episode. Okay,

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<v Speaker 1>So wait, Francisco, what were you saying? Oh I was

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<v Speaker 1>going to say that, Um, sometimes I have a hard

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<v Speaker 1>time bringing the energy immediately. So something I did on

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<v Speaker 1>stage was like I would force myself to go out

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<v Speaker 1>going like and it would kind of bring me up

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<v Speaker 1>inside the comedians I did today. Wait, here's a very

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<v Speaker 1>kind of radio lab question. Where do you stand on

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<v Speaker 1>introvert versus extrovert discourse? That's an interesting question because for

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<v Speaker 1>a while I really resented the fact that everyone was like, oh,

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<v Speaker 1>you're an extrovert, Like, to me, that's a disc right, Oh,

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<v Speaker 1>people would say that you're an extract. Well, it's it's

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<v Speaker 1>it's coded to be like you're dumb people to like,

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<v Speaker 1>if you're saying you're shot, if you're saying you see

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<v Speaker 1>yourself as shy and that you have stage right and stuff,

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<v Speaker 1>that maybe makes me think, oh, you're an introvert. Totally totally.

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<v Speaker 1>I think that it's like one of those things of

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<v Speaker 1>like shyness, isn't introversion which a lot of people don't write,

0:12:43.800 --> 0:12:46.640
<v Speaker 1>isn't that a thing? Totally? Like? I mean, I in

0:12:46.679 --> 0:12:49.200
<v Speaker 1>my mind, okay, I can't now I'm like earnestly talking

0:12:49.240 --> 0:12:52.600
<v Speaker 1>about and my mind is like you get energy from

0:12:52.640 --> 0:12:54.959
<v Speaker 1>being alone, and extroverts you get energy from other people,

0:12:55.280 --> 0:12:57.199
<v Speaker 1>right right, right? I think I'm half in half, I

0:12:57.240 --> 0:13:01.280
<v Speaker 1>would fully agree. I think I'm verse yes over yeah,

0:13:01.360 --> 0:13:03.200
<v Speaker 1>I would say I'm an extrovert if I can choose

0:13:03.320 --> 0:13:06.680
<v Speaker 1>hand pick the people. M and and you know what

0:13:06.720 --> 0:13:10.800
<v Speaker 1>I've been having recently as the world opens up? How

0:13:10.800 --> 0:13:13.040
<v Speaker 1>many times take a shot every time someone says when

0:13:13.040 --> 0:13:17.719
<v Speaker 1>the world opens up, um um. I've like I can

0:13:17.760 --> 0:13:20.679
<v Speaker 1>hang out with people for like three hours. But then

0:13:20.720 --> 0:13:22.839
<v Speaker 1>I started to get like really tired all of a

0:13:22.880 --> 0:13:26.160
<v Speaker 1>sudden in a way that I can't It is very

0:13:26.200 --> 0:13:29.679
<v Speaker 1>new and I don't know what become introverted. And I

0:13:29.720 --> 0:13:32.240
<v Speaker 1>literally can't like talk anymore, like I'll just sort of

0:13:32.280 --> 0:13:36.760
<v Speaker 1>like run out of stuff. I feel your body feels

0:13:36.800 --> 0:13:39.560
<v Speaker 1>tired here. My body feels tired. My eyes like I

0:13:39.559 --> 0:13:42.400
<v Speaker 1>feel myself starting to like get droopy, and I'm like,

0:13:42.480 --> 0:13:44.480
<v Speaker 1>I like start yawning, and I'm like, I gotta get

0:13:44.480 --> 0:13:46.679
<v Speaker 1>out of here before I like fall asleep at this

0:13:46.960 --> 0:13:51.360
<v Speaker 1>gathering this park hang like and it was weird. I

0:13:51.400 --> 0:13:54.880
<v Speaker 1>went to shout out Amy Zimmer's um park day hanging.

0:13:54.880 --> 0:13:59.040
<v Speaker 1>George was there. I was invited, but I didn't go.

0:13:59.120 --> 0:14:01.800
<v Speaker 1>I just want to I of I love purposefully disrespecting

0:14:01.800 --> 0:14:05.240
<v Speaker 1>our one friend Nam is, and why didn't you go?

0:14:05.400 --> 0:14:08.200
<v Speaker 1>Did you think it was not worth it or well,

0:14:08.280 --> 0:14:11.520
<v Speaker 1>I was actually taking care of my grandpa, New Jersey. Okay,

0:14:11.559 --> 0:14:15.800
<v Speaker 1>Well so yeah, my family's had a hard year and

0:14:15.880 --> 0:14:19.160
<v Speaker 1>you and you Okay, so you're choosing family over chosen family.

0:14:19.280 --> 0:14:22.560
<v Speaker 1>That's interesting. Yeah, blood is thick, So you're straight kind

0:14:22.600 --> 0:14:26.200
<v Speaker 1>of antiquier in ways that in that way, I am

0:14:26.280 --> 0:14:30.640
<v Speaker 1>actually and that you care about your family, yeah, and

0:14:30.680 --> 0:14:32.480
<v Speaker 1>that I love my family and I don't have a

0:14:32.560 --> 0:14:37.600
<v Speaker 1>chosen family, have a chosen family. As you were invited

0:14:37.640 --> 0:14:39.480
<v Speaker 1>to Amy's part, I mean, I'm sure she won't be

0:14:39.520 --> 0:14:41.680
<v Speaker 1>inviting you in the future after you disrespected her in

0:14:41.680 --> 0:14:43.880
<v Speaker 1>this way. I think I want to clear for that.

0:14:43.920 --> 0:14:45.640
<v Speaker 1>I said that because I think I don't want the

0:14:45.640 --> 0:14:49.000
<v Speaker 1>audience to be like, oh, this is awkward. These people

0:14:49.080 --> 0:14:51.400
<v Speaker 1>went to this birthday party that the guest wasn't even

0:14:51.480 --> 0:14:57.440
<v Speaker 1>invited to, but I was, and now suddenly it's about you. Yeah. No,

0:14:57.560 --> 0:15:00.440
<v Speaker 1>I love that you gave us permission to always fully

0:15:00.440 --> 0:15:02.120
<v Speaker 1>talk about the party and not have to couch it

0:15:02.120 --> 0:15:05.400
<v Speaker 1>and like sorry, sorry, sorry, right right right, yeah, so

0:15:05.440 --> 0:15:08.000
<v Speaker 1>go ahead. Um, So, anyway, I was having a blast,

0:15:08.120 --> 0:15:10.320
<v Speaker 1>I was having fun and then you know, around three

0:15:10.360 --> 0:15:13.880
<v Speaker 1>hours in, I'm talking to a friend and I was like, well,

0:15:13.920 --> 0:15:15.360
<v Speaker 1>I I do have to go, and running out of

0:15:15.440 --> 0:15:17.480
<v Speaker 1>things to talk about. But I but it's weird because

0:15:17.480 --> 0:15:20.440
<v Speaker 1>you can't be like I'm tired because it's like five pm.

0:15:20.440 --> 0:15:22.240
<v Speaker 1>But that's kind of what I was like. I did

0:15:22.240 --> 0:15:23.920
<v Speaker 1>say like, I think I'm gonna go because I'm tired,

0:15:24.360 --> 0:15:26.440
<v Speaker 1>and then and then I felt kind of crazy. I

0:15:26.480 --> 0:15:28.640
<v Speaker 1>did feel you, And I don't want to make you

0:15:28.760 --> 0:15:32.480
<v Speaker 1>more aware of this than you you are, but it

0:15:32.520 --> 0:15:34.600
<v Speaker 1>did feel sudden when you just like we're like and

0:15:34.720 --> 0:15:40.640
<v Speaker 1>I'm done, got up and just biked away. I really

0:15:40.680 --> 0:15:43.400
<v Speaker 1>was crashing and it was so I don't get it,

0:15:43.480 --> 0:15:47.320
<v Speaker 1>but it happened. And I'm also I'm a real like

0:15:47.480 --> 0:15:49.880
<v Speaker 1>late hanger. I love to stay till the end, and

0:15:49.920 --> 0:15:52.520
<v Speaker 1>so I'm trying to maybe challenge that in myself and

0:15:52.560 --> 0:15:54.360
<v Speaker 1>be like, well, why do you have to stay till

0:15:54.400 --> 0:15:57.480
<v Speaker 1>the end? Like maybe just get up and go. No

0:15:57.520 --> 0:16:01.600
<v Speaker 1>one cares, It's fine. That's interesting because I feel like

0:16:01.760 --> 0:16:05.400
<v Speaker 1>a party that is at like two o'clock, you could

0:16:05.440 --> 0:16:08.200
<v Speaker 1>stay till the end if it goes to like eight o'clock.

0:16:09.040 --> 0:16:11.640
<v Speaker 1>It's interesting that you choose a daytime event to leave

0:16:11.760 --> 0:16:14.560
<v Speaker 1>or like kind of before you want. And interestingly I

0:16:14.560 --> 0:16:17.040
<v Speaker 1>did stay until the very end. Really, please tell me

0:16:17.120 --> 0:16:20.040
<v Speaker 1>what time did it go. It went until I would

0:16:20.040 --> 0:16:23.560
<v Speaker 1>say like seven maybe six, So I literally left like

0:16:23.600 --> 0:16:28.640
<v Speaker 1>thirty minutes before the end. Uh yeah, I mean to me,

0:16:28.720 --> 0:16:31.360
<v Speaker 1>it was another after you left, I mean, doors opened up.

0:16:31.440 --> 0:16:33.720
<v Speaker 1>It was a completely different thing. People could talk about

0:16:33.760 --> 0:16:37.200
<v Speaker 1>things they couldn't talk about when you were there. Of everyone,

0:16:37.240 --> 0:16:40.640
<v Speaker 1>I would say, kind of exhaled. People were doing folk

0:16:40.760 --> 0:16:44.040
<v Speaker 1>dances while music. George, I know what you're talking about.

0:16:44.080 --> 0:16:47.040
<v Speaker 1>That thing that happens when I know, I know he

0:16:47.080 --> 0:16:50.440
<v Speaker 1>will know my definition. He can't know what it's like it,

0:16:50.600 --> 0:16:52.760
<v Speaker 1>but everyone does talk. Well, I don't know what it's like.

0:16:52.840 --> 0:16:54.240
<v Speaker 1>I'm not there, but I do know that there's a

0:16:54.280 --> 0:16:56.800
<v Speaker 1>culture of fear when I am there. Yes, and yes,

0:16:56.880 --> 0:16:59.160
<v Speaker 1>we'll imagine the opposite of that. Yeah, it's hard for

0:16:59.160 --> 0:17:02.680
<v Speaker 1>me to imagine it, but I can see it. No,

0:17:02.800 --> 0:17:06.520
<v Speaker 1>everyone was doing In fact, dance is much like that

0:17:06.520 --> 0:17:10.600
<v Speaker 1>famous Matisse painting where their arms are kind of it

0:17:10.640 --> 0:17:14.600
<v Speaker 1>became Midsummer kind movie. It's very It was actually exactly

0:17:14.600 --> 0:17:21.600
<v Speaker 1>like Midsummer. Someone was murdered, well, someone was sacrifice as

0:17:21.640 --> 0:17:24.600
<v Speaker 1>they should be, as they should be. A god, Francesco.

0:17:24.680 --> 0:17:27.520
<v Speaker 1>Once again, we're not letting our guests speak, and I'm

0:17:27.520 --> 0:17:32.920
<v Speaker 1>sorry about that. I'm sorry we're silencing you a queer woman. Wait,

0:17:33.119 --> 0:17:39.760
<v Speaker 1>what did you just call me? Wow? I was scary, Actually,

0:17:40.040 --> 0:17:42.520
<v Speaker 1>like I was scary. I saw the fear in your

0:17:42.520 --> 0:17:47.359
<v Speaker 1>eyem Really sorry, I'm really sorry. Yeah that's not okay.

0:17:47.440 --> 0:17:50.080
<v Speaker 1>I mean, yeah, well, what I was going to say

0:17:50.200 --> 0:17:53.359
<v Speaker 1>was I forget what I was going to say, something

0:17:53.400 --> 0:17:57.359
<v Speaker 1>about seeing George at an event on at a different birthday,

0:17:57.440 --> 0:17:59.199
<v Speaker 1>and I just want to make the record clear I

0:17:59.240 --> 0:18:01.200
<v Speaker 1>was invited to that event. I just did. Oh my god,

0:18:01.520 --> 0:18:03.720
<v Speaker 1>the symmetry. I mean, I'm the only loser going to

0:18:03.880 --> 0:18:06.000
<v Speaker 1>every every time I get an invite, I'm like, yeah,

0:18:06.040 --> 0:18:11.640
<v Speaker 1>I'll be there, George. You're a little overexposed really at everything.

0:18:12.080 --> 0:18:14.600
<v Speaker 1>The other day, I was planning something, just a very

0:18:14.680 --> 0:18:17.920
<v Speaker 1>simple drinks with a college friend and I was like acting.

0:18:18.119 --> 0:18:20.000
<v Speaker 1>I was like, should we invite so and so, who

0:18:20.040 --> 0:18:21.320
<v Speaker 1>I know from a different part of my life, you

0:18:21.359 --> 0:18:23.600
<v Speaker 1>would love them? And I ended up trying to invite

0:18:23.640 --> 0:18:26.639
<v Speaker 1>like four people and it's like, just calm down, I

0:18:26.680 --> 0:18:28.879
<v Speaker 1>really do that. I really can relate to that. And

0:18:28.920 --> 0:18:31.679
<v Speaker 1>it's always a mistake. I don't know what that is.

0:18:31.720 --> 0:18:35.639
<v Speaker 1>It's like self sabotage. It's like not wanting to have

0:18:35.680 --> 0:18:38.199
<v Speaker 1>a good Jome. I think it's optimistic too. You're like,

0:18:38.240 --> 0:18:40.920
<v Speaker 1>why can't these people all get along? Like right? It's

0:18:40.960 --> 0:18:44.920
<v Speaker 1>stress It always always stressful. Yeah, we'll wait. Francesca, how

0:18:45.000 --> 0:18:47.080
<v Speaker 1>was seeing George at that party? I felt like you

0:18:47.119 --> 0:18:50.280
<v Speaker 1>had a Oh no, I was just I remember what

0:18:50.320 --> 0:18:52.040
<v Speaker 1>I was gonna say. I was gonna say I told

0:18:52.040 --> 0:18:56.480
<v Speaker 1>George because I actually had not really met George before that,

0:18:56.720 --> 0:19:00.520
<v Speaker 1>before this past Sunday um and I did say I'm

0:19:00.520 --> 0:19:03.280
<v Speaker 1>going to be on your podcast, and I haven't been

0:19:03.280 --> 0:19:05.560
<v Speaker 1>on that many podcasts, and I have this feeling like

0:19:05.720 --> 0:19:08.480
<v Speaker 1>I don't have the gift of other podcast guests where

0:19:08.480 --> 0:19:10.600
<v Speaker 1>you can just I can just kind of like talk

0:19:12.119 --> 0:19:15.919
<v Speaker 1>for an indefinite amount of time about anything and like

0:19:16.320 --> 0:19:19.919
<v Speaker 1>be so happy to be talking about it, or like,

0:19:20.000 --> 0:19:21.800
<v Speaker 1>I don't you know what I'm like that that kind

0:19:21.840 --> 0:19:24.679
<v Speaker 1>of like yes, yes, yes, yes, oh my god, and

0:19:24.720 --> 0:19:27.880
<v Speaker 1>then yes, yes, yes I do know. We are both

0:19:27.400 --> 0:19:31.919
<v Speaker 1>were on cocaine, right, And that wasn't a dish to

0:19:31.960 --> 0:19:34.560
<v Speaker 1>you guys. It was more of a guess, not the host.

0:19:34.720 --> 0:19:37.320
<v Speaker 1>It's like a different energy, but you're I think a

0:19:37.320 --> 0:19:39.560
<v Speaker 1>different energy is like you know, and sort of in

0:19:39.560 --> 0:19:42.359
<v Speaker 1>the same way. When we started this podcast as podcast host,

0:19:42.440 --> 0:19:44.680
<v Speaker 1>we were sort of like, well, we're not the typical

0:19:44.840 --> 0:19:48.520
<v Speaker 1>podcast host. I don't feel I feel like, you know,

0:19:49.080 --> 0:19:53.560
<v Speaker 1>we are very different from each other. We are um,

0:19:53.600 --> 0:19:55.200
<v Speaker 1>you know, we're not going for like sort of the

0:19:55.280 --> 0:19:58.359
<v Speaker 1>best friend thing. We are in kinrect coworkers and I

0:19:58.680 --> 0:20:02.280
<v Speaker 1>like to keep our distance and stop talking. Stop talking,

0:20:03.400 --> 0:20:08.960
<v Speaker 1>you're digging yourself in a hole. But you know, then

0:20:09.000 --> 0:20:12.639
<v Speaker 1>we found that um doing something a little different was

0:20:12.680 --> 0:20:16.439
<v Speaker 1>actually kind of fun. M Georgia was And that's so

0:20:16.520 --> 0:20:19.159
<v Speaker 1>difficult to prevent because you know, naturally, you'd think two

0:20:19.200 --> 0:20:22.840
<v Speaker 1>people would get closer, um and have more intimacy when

0:20:22.840 --> 0:20:25.840
<v Speaker 1>they're working together every week for over a year. But

0:20:26.000 --> 0:20:29.240
<v Speaker 1>we've done such a good job of maintaining an emotional distance,

0:20:29.440 --> 0:20:31.480
<v Speaker 1>and in fact, you know, at Amy Zimmer's birthday party,

0:20:31.480 --> 0:20:33.880
<v Speaker 1>shot out to Amy Zimmer, George took a real long

0:20:33.920 --> 0:20:36.040
<v Speaker 1>time to get over to say hi to me. I actually,

0:20:36.080 --> 0:20:38.720
<v Speaker 1>did you know what I was thinking about? And maybe

0:20:38.760 --> 0:20:42.040
<v Speaker 1>I'll save this for our next earnestness bonanza. But I

0:20:42.080 --> 0:20:45.119
<v Speaker 1>did have a feeling where I was like, it feels nice,

0:20:45.200 --> 0:20:49.920
<v Speaker 1>too sorry to do this, but almost like a family

0:20:49.920 --> 0:20:52.439
<v Speaker 1>member to not feel the need, like when we're in

0:20:52.440 --> 0:20:54.920
<v Speaker 1>the same space to I no longer feel the need

0:20:55.440 --> 0:21:02.120
<v Speaker 1>to like perform in anyway or like essentially acknowledgeing, essentially

0:21:02.160 --> 0:21:04.120
<v Speaker 1>walk over. Do you know what I mean? I was like,

0:21:04.280 --> 0:21:08.680
<v Speaker 1>it's beautifully, it's kind of very liberating and nice. Yeah,

0:21:08.880 --> 0:21:11.800
<v Speaker 1>it's beautiful. It's funny. It's also funny just in Pandemic

0:21:11.800 --> 0:21:15.200
<v Speaker 1>and Frantisca. I'm so sorry that we are talking about ourselves. Um,

0:21:16.040 --> 0:21:20.160
<v Speaker 1>but I haven't. I haven't talked to either of you

0:21:20.240 --> 0:21:21.920
<v Speaker 1>in like a year, so I'm happy to can see

0:21:21.920 --> 0:21:23.520
<v Speaker 1>This is what I mean about us being bad podcast

0:21:23.560 --> 0:21:26.199
<v Speaker 1>host but it's kind of fun sometimes. But this is

0:21:26.200 --> 0:21:33.000
<v Speaker 1>the Ben Afflete different. It's different, but it's funny also

0:21:33.040 --> 0:21:35.920
<v Speaker 1>seeing you, George, because it's like I haven't like a

0:21:36.000 --> 0:21:38.919
<v Speaker 1>lot of these people I have not spoken to, like

0:21:38.960 --> 0:21:41.600
<v Speaker 1>maybe I've spoken to them once in the last year

0:21:41.640 --> 0:21:44.840
<v Speaker 1>and two months, and it's like we've spoken every week

0:21:45.000 --> 0:21:48.239
<v Speaker 1>for like the whole time, and it's so funny that

0:21:48.320 --> 0:21:51.160
<v Speaker 1>we like know so much about each other and can

0:21:51.200 --> 0:21:53.320
<v Speaker 1>just sort of like yeah, yeah, yeah, I get what

0:21:53.359 --> 0:21:55.400
<v Speaker 1>your deal is. I'm gonna talk to these people. It's

0:21:55.440 --> 0:21:57.879
<v Speaker 1>also like I am never gonna act like I am

0:21:57.920 --> 0:22:00.679
<v Speaker 1>never going to ask you at an in person event

0:22:00.960 --> 0:22:05.280
<v Speaker 1>what's up? Like I literally know everything happening in your life,

0:22:05.400 --> 0:22:08.520
<v Speaker 1>so we can we can talk about like something, we

0:22:08.520 --> 0:22:10.720
<v Speaker 1>can talk about a topic, but we're never going to

0:22:10.800 --> 0:22:13.840
<v Speaker 1>be catching up no god, which is like, which is

0:22:13.880 --> 0:22:16.800
<v Speaker 1>how every conversation starts. So when you don't have that excuse,

0:22:17.600 --> 0:22:22.399
<v Speaker 1>you then have to be like, Okay, well what do

0:22:22.440 --> 0:22:25.359
<v Speaker 1>you think about this topic? We are not afforded the

0:22:25.440 --> 0:22:28.520
<v Speaker 1>luxury of asking each other what's up. It's actually very

0:22:28.560 --> 0:22:31.320
<v Speaker 1>difficult and really hard. And also this brings me to

0:22:31.400 --> 0:22:38.200
<v Speaker 1>I think my next question is, so Francesco, what's up? Well,

0:22:38.240 --> 0:22:41.040
<v Speaker 1>I was gonna I was gonna say that. I feel

0:22:41.040 --> 0:22:45.280
<v Speaker 1>like that is a common U kind of quarantine side

0:22:45.280 --> 0:22:48.200
<v Speaker 1>effect of like people kind of becoming friends with like

0:22:48.560 --> 0:22:52.040
<v Speaker 1>mostly just one or two people, and a lot of

0:22:52.080 --> 0:22:55.239
<v Speaker 1>time it's like people that live near you and it's like,

0:22:55.280 --> 0:22:58.199
<v Speaker 1>oh wait, actually I know you so well by the

0:22:58.280 --> 0:23:03.040
<v Speaker 1>end of this year, and like I don't know exactly

0:23:03.040 --> 0:23:05.240
<v Speaker 1>what I'm getting at of just like I don't really

0:23:05.240 --> 0:23:09.720
<v Speaker 1>think that existed before this year really in the same way,

0:23:09.920 --> 0:23:13.000
<v Speaker 1>because it's not like they're my best friends, but they're

0:23:13.040 --> 0:23:16.840
<v Speaker 1>the only people that I hang out sure, like bringing

0:23:17.960 --> 0:23:21.120
<v Speaker 1>friends of convenience to like the highest degree, Like it's

0:23:21.119 --> 0:23:23.600
<v Speaker 1>just like yeah, but but I do. Yeah, they are

0:23:23.640 --> 0:23:27.120
<v Speaker 1>my best friends, but not before this year. I went

0:23:27.160 --> 0:23:30.440
<v Speaker 1>to the beach yesterday and he and I was like,

0:23:30.520 --> 0:23:35.400
<v Speaker 1>when is he going to bring it up? In fact,

0:23:35.560 --> 0:23:38.399
<v Speaker 1>I was like, okay, don't be mad at me, but

0:23:38.480 --> 0:23:40.399
<v Speaker 1>I was like, I thought that's that was going to

0:23:40.480 --> 0:23:42.560
<v Speaker 1>be like the big topic of the day. And I

0:23:42.640 --> 0:23:46.080
<v Speaker 1>was almost preemptively like, have we talked too much about

0:23:46.119 --> 0:23:48.679
<v Speaker 1>like how excited we are about the cliff Girl summer

0:23:48.720 --> 0:23:51.000
<v Speaker 1>that now it's like anticlimactic for you to talk about

0:23:51.000 --> 0:23:52.840
<v Speaker 1>going to the beach, you know what I mean? Well,

0:23:52.880 --> 0:23:55.399
<v Speaker 1>so you were censoring me before I even got the

0:23:55.480 --> 0:23:57.840
<v Speaker 1>chance to It has been on my mind this whole time.

0:23:58.040 --> 0:24:00.879
<v Speaker 1>Oh my god, I can't believe it's been on your

0:24:00.920 --> 0:24:04.200
<v Speaker 1>mind this whole time. And apparently Francesco saw the pictures

0:24:04.240 --> 0:24:07.040
<v Speaker 1>as well, so you know she's been thinking about it. Well,

0:24:07.160 --> 0:24:09.520
<v Speaker 1>I could tell there was something on your mind. I

0:24:09.560 --> 0:24:13.439
<v Speaker 1>didn't know exactly what, but there was something like, what

0:24:13.480 --> 0:24:18.119
<v Speaker 1>are you not saying? You know? It felt like, um,

0:24:18.119 --> 0:24:21.040
<v Speaker 1>you know, like a little closeted kid in class, but

0:24:21.160 --> 0:24:25.879
<v Speaker 1>clearly except your secret that you went to the beach. Right. Yeah, Well,

0:24:25.880 --> 0:24:28.000
<v Speaker 1>I guess I just didn't want to upset you know

0:24:28.240 --> 0:24:30.920
<v Speaker 1>you guys, because I know you both also want to

0:24:30.960 --> 0:24:33.400
<v Speaker 1>go to the beach someday. Can I Can I say

0:24:33.480 --> 0:24:35.760
<v Speaker 1>I saw the picture and I was this close. I

0:24:35.840 --> 0:24:38.879
<v Speaker 1>might have even started typing it, but I didn't. I

0:24:38.920 --> 0:24:44.920
<v Speaker 1>almost typed, Hey, hey, I have work off some week days.

0:24:45.040 --> 0:24:51.040
<v Speaker 1>Let me know. There's something to the effect of like,

0:24:51.080 --> 0:24:52.960
<v Speaker 1>I have a car, we could go to the beach

0:24:53.000 --> 0:24:56.240
<v Speaker 1>together if you want that. But no pressure is not

0:24:56.359 --> 0:25:00.439
<v Speaker 1>a weird message at all, and I would have loved it.

0:25:01.520 --> 0:25:04.280
<v Speaker 1>Can I say? I have been recently doing so much

0:25:04.280 --> 0:25:08.320
<v Speaker 1>of that of like basically starting a reply or comment

0:25:08.400 --> 0:25:11.479
<v Speaker 1>as though I'm a mom, Like just so often I

0:25:11.520 --> 0:25:14.840
<v Speaker 1>want to just comment on something online and just be

0:25:14.960 --> 0:25:17.000
<v Speaker 1>like I was thinking of you the other day, hope

0:25:17.040 --> 0:25:19.919
<v Speaker 1>you're well, like truly, and I have almost done that

0:25:19.960 --> 0:25:22.359
<v Speaker 1>like upwards of seven times in the last month, and

0:25:22.400 --> 0:25:25.439
<v Speaker 1>then I always like no, like rein it in but

0:25:25.560 --> 0:25:28.320
<v Speaker 1>it's like, why not? Oh, I say, go full mom,

0:25:28.400 --> 0:25:33.639
<v Speaker 1>live it up. I And I've also been like I'm

0:25:33.680 --> 0:25:36.800
<v Speaker 1>for this week. In particular, I've made potential plans with

0:25:36.880 --> 0:25:40.159
<v Speaker 1>four million people, all of which I've not followed up on.

0:25:40.280 --> 0:25:42.520
<v Speaker 1>But truly, every time I see someone and it's a

0:25:42.560 --> 0:25:45.960
<v Speaker 1>sincere feeling, I'm like, we should go to hear like

0:25:46.040 --> 0:25:49.680
<v Speaker 1>that would be so fun, But I just, um, don't

0:25:49.680 --> 0:25:51.520
<v Speaker 1>have to follow through. Should we do our first second?

0:25:51.560 --> 0:25:56.240
<v Speaker 1>I actually think we should? Okay, um, Francesco. Our first

0:25:56.200 --> 0:25:58.119
<v Speaker 1>second is called straight Shooters, and we ask you a

0:25:59.200 --> 0:26:01.720
<v Speaker 1>series of rap fire questions in order to gauge your

0:26:01.760 --> 0:26:05.800
<v Speaker 1>familiarity with straight culture. Basically, it's an airb question and

0:26:05.920 --> 0:26:08.160
<v Speaker 1>it means nothing. So don't you dare ask a follow

0:26:08.240 --> 0:26:12.280
<v Speaker 1>up question? Got it? Great? Yes? George? Do you want

0:26:12.280 --> 0:26:14.560
<v Speaker 1>to start? I have an idea of how to play

0:26:14.600 --> 0:26:17.160
<v Speaker 1>the game, which I know you're not supposed to have

0:26:17.680 --> 0:26:21.000
<v Speaker 1>and you're not supposed to have, but to me, I

0:26:21.160 --> 0:26:24.359
<v Speaker 1>understand how to play the game, and so just go

0:26:24.440 --> 0:26:29.359
<v Speaker 1>ahead and I'll play. Okay, wow, yeah, Okay, Well you're

0:26:29.400 --> 0:26:33.000
<v Speaker 1>already we're already deducting points. Your tone sings point is

0:26:34.800 --> 0:26:41.480
<v Speaker 1>you wish that apple bottom jeans or boots with the

0:26:41.520 --> 0:26:48.040
<v Speaker 1>fur mm hmm boots with the fur. Um, okay, Francesca

0:26:48.560 --> 0:26:51.840
<v Speaker 1>James Gendolfini or it cbt C teeny Weeny yellow Polka

0:26:51.880 --> 0:26:57.760
<v Speaker 1>Da Buchini. Mmmm, this is hard. Yeah, I have to

0:26:57.920 --> 0:27:02.560
<v Speaker 1>go with James Endelfoenie, even though I know he's gay

0:27:02.680 --> 0:27:06.240
<v Speaker 1>for you, canonically gay, I would say in the world

0:27:10.240 --> 0:27:13.359
<v Speaker 1>The Catcher in the Rye or John Tucker must die?

0:27:14.359 --> 0:27:19.680
<v Speaker 1>Who Well, you know I love Brooke from One Tree Hill,

0:27:19.960 --> 0:27:22.399
<v Speaker 1>So I have to go with John Tucker must not.

0:27:22.640 --> 0:27:27.480
<v Speaker 1>Everyone knows that. That's that's a fact. Um. Earth Wind

0:27:27.520 --> 0:27:33.120
<v Speaker 1>and Fire or hair body face mm hmmm mm hmm,

0:27:33.720 --> 0:27:37.200
<v Speaker 1>earth Wind and Fire. Sarah burrellis as a singer songwriter,

0:27:37.320 --> 0:27:40.680
<v Speaker 1>Sarah borellis as a Broadway autour or. Sarah burrellis as

0:27:40.680 --> 0:27:47.000
<v Speaker 1>a comedic performer. Damn, I never thought about that. I

0:27:47.040 --> 0:27:49.440
<v Speaker 1>never thought about the third. The third one is shed

0:27:49.520 --> 0:27:54.480
<v Speaker 1>you Show Girls five ever, Oh, you're right, you're right.

0:27:54.600 --> 0:27:58.600
<v Speaker 1>In that show, everybody is like transforms to me, like

0:27:58.680 --> 0:28:00.919
<v Speaker 1>who you know what I mean, you recognize them a

0:28:00.920 --> 0:28:06.480
<v Speaker 1>little bit, you can't place who they are. Oh man,

0:28:07.240 --> 0:28:11.480
<v Speaker 1>it's the stream, it's it's dreaming it's streaming now, isn't

0:28:11.560 --> 0:28:15.040
<v Speaker 1>out now streaming at the whole this feels like, this

0:28:15.080 --> 0:28:19.879
<v Speaker 1>feels like, actually, we're not supported by Girls five ever. Yeah,

0:28:20.040 --> 0:28:21.800
<v Speaker 1>and you didn't say if it was good or bad.

0:28:21.840 --> 0:28:24.080
<v Speaker 1>I still want to watch it. It's funny. We are

0:28:24.080 --> 0:28:27.920
<v Speaker 1>actually supported by Sarah Burellas, specifically the performer. Oh She's

0:28:27.920 --> 0:28:30.880
<v Speaker 1>good was our first ever sponsored straight shooter. Is Sarah

0:28:30.880 --> 0:28:33.040
<v Speaker 1>Burrellas wanted us to ask which of those three things

0:28:33.440 --> 0:28:36.640
<v Speaker 1>do people like her more? As so she can kind

0:28:36.640 --> 0:28:39.600
<v Speaker 1>of plan the rest of her career. Yeah, I think

0:28:39.640 --> 0:28:42.560
<v Speaker 1>I'm going to go with her as a Broadway composer.

0:28:42.720 --> 0:28:48.040
<v Speaker 1>Is that her Broadway a tour? No? But here's the thing.

0:28:48.280 --> 0:28:51.760
<v Speaker 1>My sister loves waitress and she's played me some of

0:28:51.760 --> 0:28:56.000
<v Speaker 1>the music and in my head and okay, there's two

0:28:56.680 --> 0:28:58.960
<v Speaker 1>formative memories for me about Sarah bure Ellis. One is

0:28:58.960 --> 0:29:02.240
<v Speaker 1>that my sister heard her singing on TV and was like,

0:29:02.880 --> 0:29:06.400
<v Speaker 1>you know, Sarah Burellis like, doesn't have a naturally pretty voice,

0:29:06.480 --> 0:29:09.680
<v Speaker 1>but she practiced so much and now she's great. Listen

0:29:09.720 --> 0:29:12.960
<v Speaker 1>to her. Someone I'm not I'm not gonna say who

0:29:13.000 --> 0:29:16.040
<v Speaker 1>it is, but it's someone the listeners would recognize. Was

0:29:16.080 --> 0:29:18.080
<v Speaker 1>telling me a story about how they were at a

0:29:18.120 --> 0:29:22.920
<v Speaker 1>dinner party with Sarah Burrellis and someone else who's like

0:29:23.080 --> 0:29:26.440
<v Speaker 1>was a straight guy, kind of acoustic guitar type, you know,

0:29:26.520 --> 0:29:29.160
<v Speaker 1>someone who likes playing the guitar but has a different career,

0:29:30.080 --> 0:29:32.280
<v Speaker 1>didn't recognize Sarah Brells to know she was. So they

0:29:32.280 --> 0:29:33.720
<v Speaker 1>were kind of like talking and he was like, what

0:29:33.760 --> 0:29:35.600
<v Speaker 1>do you do. She's like, I'm a musician. And then

0:29:35.600 --> 0:29:36.880
<v Speaker 1>he got excited because he was like, oh my god,

0:29:36.880 --> 0:29:39.400
<v Speaker 1>I'm also a musician, Like I've really been trying to

0:29:39.520 --> 0:29:43.000
<v Speaker 1>like do it more recently and going to like you know,

0:29:43.160 --> 0:29:47.720
<v Speaker 1>playing at bars and whatever. And and then basically they

0:29:47.760 --> 0:29:50.480
<v Speaker 1>talked the entire party without him realizing who he was

0:29:50.520 --> 0:29:52.440
<v Speaker 1>talking to. And then at some point at the end

0:29:52.840 --> 0:29:54.920
<v Speaker 1>it came out that she had an upcoming gig and

0:29:54.920 --> 0:29:57.120
<v Speaker 1>he was like, oh my god, where maybe we'll all come,

0:29:57.160 --> 0:30:04.280
<v Speaker 1>And she goes Madison Square Garden, damn love that ship. Yeah.

0:30:04.320 --> 0:30:06.680
<v Speaker 1>That to me, she's like down to earth, and and

0:30:06.720 --> 0:30:09.360
<v Speaker 1>that's the thing she was. She was embarrassed. She was

0:30:09.400 --> 0:30:11.960
<v Speaker 1>not at all dismissive, like she was so down to

0:30:12.000 --> 0:30:14.200
<v Speaker 1>earth the entire time, so much so that until the

0:30:14.280 --> 0:30:16.360
<v Speaker 1>very last moment, he had no idea she was about

0:30:16.360 --> 0:30:19.960
<v Speaker 1>to have and Madison Square gardened. She was ashamed. She

0:30:20.080 --> 0:30:23.240
<v Speaker 1>was like and she was like, I wish I could

0:30:23.280 --> 0:30:27.360
<v Speaker 1>cancel it. Yeah, you know my Sarah Bury yellous story.

0:30:27.560 --> 0:30:31.400
<v Speaker 1>How do you say her name? I say Barrella, babkay.

0:30:31.480 --> 0:30:34.360
<v Speaker 1>Sarah Barrella's story is that it's easier than you think. Yeah,

0:30:34.400 --> 0:30:36.600
<v Speaker 1>I love to add a little flare in. They're very

0:30:36.800 --> 0:30:41.360
<v Speaker 1>very yellous. Um. I met a gay man who is

0:30:41.360 --> 0:30:43.440
<v Speaker 1>obsessed with her. And you know, she's one of those

0:30:43.480 --> 0:30:46.000
<v Speaker 1>girls where I'm like, yes, she's working, she's talented, but

0:30:46.120 --> 0:30:49.080
<v Speaker 1>I've never thought of someone being obsessed with her. People

0:30:49.520 --> 0:30:52.640
<v Speaker 1>the Nora Jones crowd goes away. But I guess the

0:30:52.680 --> 0:30:54.640
<v Speaker 1>Nora Jones crowd, I never thought of them as going

0:30:54.680 --> 0:30:56.800
<v Speaker 1>wild at all. You know, I thought I've always figured

0:30:56.800 --> 0:31:00.320
<v Speaker 1>them being tastefully like, right, they go wild, respectfully be like.

0:31:01.240 --> 0:31:03.440
<v Speaker 1>But he was really like, oh, I've seen her twice

0:31:03.440 --> 0:31:05.720
<v Speaker 1>on the street. I did talk to her, but um,

0:31:05.760 --> 0:31:10.360
<v Speaker 1>and I was like, wow, Sarah Barella stands she has

0:31:10.400 --> 0:31:14.000
<v Speaker 1>super fans. Yeah, I mean she literally played Madith Square Garden. Yeah,

0:31:14.040 --> 0:31:16.680
<v Speaker 1>I mean I was a super fan yeah, and and

0:31:16.680 --> 0:31:19.440
<v Speaker 1>and nothing but respect because she truly seems like a wonderful,

0:31:19.480 --> 0:31:23.880
<v Speaker 1>lovely person. But imagine someone playing you know, fight or not.

0:31:24.000 --> 0:31:27.120
<v Speaker 1>That's not fight song? What's so brave? But like at

0:31:27.160 --> 0:31:30.880
<v Speaker 1>Madison and love something. Yeah, those are the two I know.

0:31:31.680 --> 0:31:34.400
<v Speaker 1>To me. The big one is a Gravity, which I

0:31:34.440 --> 0:31:36.960
<v Speaker 1>know because of so you think you can dance? They

0:31:37.000 --> 0:31:40.080
<v Speaker 1>did a dance to it, I think by Mia Michael's

0:31:40.200 --> 0:31:47.400
<v Speaker 1>or something and here, Yeah, I love Gravity and my

0:31:47.440 --> 0:31:49.760
<v Speaker 1>mom would play it in the car we get back

0:31:49.760 --> 0:31:53.880
<v Speaker 1>to the game. Is this your tactic to to sort

0:31:53.880 --> 0:31:57.240
<v Speaker 1>of confuse us and get us? Giving Sarah Barella's anecdotes,

0:31:58.120 --> 0:32:01.040
<v Speaker 1>I heard Sarah Barella's and I thought, like that I

0:32:01.040 --> 0:32:02.960
<v Speaker 1>have a lot to say. I do want to say.

0:32:03.000 --> 0:32:05.480
<v Speaker 1>This does track with my point that this is a

0:32:05.520 --> 0:32:09.480
<v Speaker 1>sponsored Straight Shooters segment where we like kind of organically

0:32:09.520 --> 0:32:13.440
<v Speaker 1>start talking about Sarah Barrella like Sarah is a sponsor,

0:32:13.720 --> 0:32:18.160
<v Speaker 1>She's a sponsor. You cannot ask for better marketing than

0:32:18.200 --> 0:32:21.640
<v Speaker 1>what we just did, Like we were very kind stopped

0:32:21.640 --> 0:32:25.040
<v Speaker 1>our segment in its tracks to have a very like,

0:32:25.680 --> 0:32:28.600
<v Speaker 1>very nice kind conversation about Sarah Brows. Were just like

0:32:28.680 --> 0:32:32.520
<v Speaker 1>mentioned various things we like about her, and that we

0:32:32.560 --> 0:32:35.640
<v Speaker 1>don't think like stupid people are like obsessed with her,

0:32:35.720 --> 0:32:38.440
<v Speaker 1>Like we think that she's classy like Nora Jones, very

0:32:38.480 --> 0:32:43.960
<v Speaker 1>classy but relevant today but relevant. Classy but relevant is

0:32:44.080 --> 0:32:47.800
<v Speaker 1>what I am. Chameleon and is chameleon. She is a chameleon.

0:32:48.000 --> 0:32:51.880
<v Speaker 1>Oh my god, we gotta stop, sir. This is insane.

0:32:52.600 --> 0:32:55.880
<v Speaker 1>She's a real musician, you know, she is a real musician.

0:32:56.000 --> 0:32:58.719
<v Speaker 1>She's I saw her perform with Ben Folds five on

0:32:58.960 --> 0:33:01.480
<v Speaker 1>TV once and I was like, this is good. I

0:33:01.480 --> 0:33:05.160
<v Speaker 1>mean to hear like a cover of Brick from Sarah

0:33:05.200 --> 0:33:09.239
<v Speaker 1>burrew that would make my day, Oh my god. And

0:33:09.320 --> 0:33:12.040
<v Speaker 1>I think she would be I think she wouldn't change

0:33:12.080 --> 0:33:14.360
<v Speaker 1>the pronot. I think she would sing it the original way.

0:33:14.440 --> 0:33:16.080
<v Speaker 1>She's a brick. I don't think she'd be one of

0:33:16.120 --> 0:33:20.640
<v Speaker 1>those musicians that change the prono. I'm straight. I'm straight. Yeah,

0:33:20.920 --> 0:33:23.160
<v Speaker 1>she's not. She's actually I would say, Sarah Borrellis is

0:33:23.200 --> 0:33:27.200
<v Speaker 1>one of the most important queer allies. And so with

0:33:27.280 --> 0:33:30.920
<v Speaker 1>that happy pride, everyone brought to you by Sarah burrellis Happy,

0:33:30.920 --> 0:33:34.920
<v Speaker 1>Happy Pride. Sarah Burrellis is. I guess we should say

0:33:34.960 --> 0:33:39.480
<v Speaker 1>what the Addis were performing at Joe's Pub for NYC

0:33:39.720 --> 0:33:42.800
<v Speaker 1>Pride brought to you by Tostito every day of June.

0:33:43.400 --> 0:33:46.160
<v Speaker 1>Every day of June, and she's doing an unpaid for

0:33:46.200 --> 0:33:50.880
<v Speaker 1>free all the proteins go to um actually just waitress

0:33:50.920 --> 0:33:56.440
<v Speaker 1>on Broadway. Al Right, Okay, we're getting back to straight shooters. Okay,

0:33:56.560 --> 0:33:59.760
<v Speaker 1>I'm back in the game. Gay Francesca Pure for Men

0:34:00.520 --> 0:34:06.480
<v Speaker 1>or a Lure by Chanel. A lure by Chanelle that

0:34:06.600 --> 0:34:10.839
<v Speaker 1>was the gayest straight shooting the idea pure for men

0:34:10.880 --> 0:34:13.640
<v Speaker 1>as part of the conversation about straight culture. Okay, we've

0:34:13.719 --> 0:34:16.560
<v Speaker 1>dropped that like years ago. I know you're right, you're right,

0:34:17.120 --> 0:34:19.560
<v Speaker 1>but you know, but I okay, in this next one,

0:34:19.640 --> 0:34:22.040
<v Speaker 1>one of them is I think a very straight culture thing. Okay,

0:34:22.680 --> 0:34:32.640
<v Speaker 1>modular furniture or ocular Migraines. That's actually tough because when

0:34:32.680 --> 0:34:35.439
<v Speaker 1>I think of modular furniture, I think of straight men

0:34:36.080 --> 0:34:40.640
<v Speaker 1>teaching a class at an art school. Who you know,

0:34:40.680 --> 0:34:44.520
<v Speaker 1>they're professional, but they teach. And then ocular Migraine is

0:34:44.640 --> 0:34:48.279
<v Speaker 1>my sixth grade teacher, Miss Fuller. Yeah, well she and

0:34:48.320 --> 0:34:53.239
<v Speaker 1>she was really straight. Yeah she is great. Great. I

0:34:53.239 --> 0:34:54.840
<v Speaker 1>actually was at a dinner party with her and I

0:34:54.880 --> 0:34:57.319
<v Speaker 1>didn't know she was a teacher until the very end. Yeah, yeah,

0:34:57.400 --> 0:34:59.200
<v Speaker 1>I met this gay guy at a party recently and

0:34:59.239 --> 0:35:02.279
<v Speaker 1>he sir, I didn't know she had stands. All her

0:35:02.320 --> 0:35:07.120
<v Speaker 1>students are getting yep, we all are, and she would

0:35:07.160 --> 0:35:11.000
<v Speaker 1>sit there at her desk in pain, you know. And

0:35:11.040 --> 0:35:16.960
<v Speaker 1>so I think, thinking about that, I must go with

0:35:17.440 --> 0:35:20.640
<v Speaker 1>I think I gotta go with modular furniture. Wow, way

0:35:20.640 --> 0:35:23.839
<v Speaker 1>to stab her in the back. She raised you, I

0:35:23.880 --> 0:35:28.239
<v Speaker 1>gotta go with that. Um, Okay, she raised me, so

0:35:28.360 --> 0:35:30.920
<v Speaker 1>I can betray her and she'll still love it. Right.

0:35:30.960 --> 0:35:32.759
<v Speaker 1>She raised you to be a free thinker, and you

0:35:32.800 --> 0:35:35.960
<v Speaker 1>don't have to support her just because she raised you. Exactly.

0:35:36.000 --> 0:35:38.960
<v Speaker 1>I'm so sorry that we keep delaying this segment. But

0:35:39.360 --> 0:35:42.200
<v Speaker 1>modular furniture, it's interesting that you think of someone teaching

0:35:42.200 --> 0:35:46.280
<v Speaker 1>at an art school. For me, it's like straight guy

0:35:46.640 --> 0:35:49.440
<v Speaker 1>having his first apartment and being like, okay, everything has

0:35:49.440 --> 0:35:52.200
<v Speaker 1>to make sense, like and kind of looking online and

0:35:52.239 --> 0:35:54.680
<v Speaker 1>being like, what is the most straightforward directed consumer couch

0:35:54.719 --> 0:35:56.880
<v Speaker 1>I can possibly buy? And then it's like margin is like,

0:35:56.920 --> 0:35:58.560
<v Speaker 1>oh great, so if I moved to a bigger place,

0:35:58.600 --> 0:36:02.480
<v Speaker 1>I can just like build on it. Interesting. I mean,

0:36:02.520 --> 0:36:04.520
<v Speaker 1>maybe I just don't have a good understanding of what

0:36:04.600 --> 0:36:08.839
<v Speaker 1>modular furniture Isn't it just like literally like you, it's

0:36:09.640 --> 0:36:13.040
<v Speaker 1>can buy more parts, So it's modular. You can change it, exactly,

0:36:13.040 --> 0:36:15.759
<v Speaker 1>transform it. And I guess I'm thinking about that and

0:36:15.800 --> 0:36:19.960
<v Speaker 1>more of like a I don't know coming from like

0:36:20.000 --> 0:36:25.800
<v Speaker 1>a like furniture design standpoint, but maybe that doesn't exist

0:36:26.360 --> 0:36:30.839
<v Speaker 1>like it's because I actually do that, and I am

0:36:30.880 --> 0:36:34.480
<v Speaker 1>one of those guys that teaches that. I'm thinking of

0:36:34.520 --> 0:36:40.160
<v Speaker 1>myself right there you go. Um So I don't know, Okay,

0:36:40.719 --> 0:36:46.480
<v Speaker 1>itty bitty Titty Committee or the Ways and Means Committee,

0:36:47.560 --> 0:36:52.600
<v Speaker 1>Ways and Means Committee, Itty Bitty Titty Committee is lesbian movie. Yeah,

0:36:54.000 --> 0:36:56.920
<v Speaker 1>I do have one final work normally we do for

0:36:57.040 --> 0:37:01.080
<v Speaker 1>but you have one final one Chronic Lime or st Hime.

0:37:02.600 --> 0:37:07.640
<v Speaker 1>Oh was that one of those things to hype you

0:37:07.719 --> 0:37:13.040
<v Speaker 1>up again? Yeah? I gotta go with st Him and

0:37:13.239 --> 0:37:18.120
<v Speaker 1>ste if you're out there. I love your bass playing. Incredible, incredible.

0:37:18.440 --> 0:37:23.440
<v Speaker 1>I um as, as many people know, I forgave time, right,

0:37:23.560 --> 0:37:26.200
<v Speaker 1>did you wait? I don't. I've listened to the show,

0:37:26.239 --> 0:37:27.880
<v Speaker 1>but not all of it. Is that something that happened

0:37:27.880 --> 0:37:30.400
<v Speaker 1>on the show. Mad at time? I was mad at

0:37:30.400 --> 0:37:33.280
<v Speaker 1>that I had held the grudge against them since the beginning,

0:37:33.520 --> 0:37:36.000
<v Speaker 1>because I went to see them at a very early

0:37:36.040 --> 0:37:40.360
<v Speaker 1>show and it was very annoying. Yeah, and it was

0:37:40.480 --> 0:37:43.239
<v Speaker 1>forgot the music was grudged. I thought you kind of

0:37:43.280 --> 0:37:45.399
<v Speaker 1>didn't like the whole vibe and you were like, why

0:37:45.440 --> 0:37:48.160
<v Speaker 1>are they sisters? No, I don't mind. I think it's

0:37:48.160 --> 0:37:50.560
<v Speaker 1>cool that they're sisters. It was I went to this

0:37:50.640 --> 0:37:55.840
<v Speaker 1>show at like that Poisson Rouge and it was like, um,

0:37:55.880 --> 0:37:58.839
<v Speaker 1>it was they were really like annoying on stage, Like

0:37:59.120 --> 0:38:02.040
<v Speaker 1>it was really like like aren't you lucky we're here?

0:38:02.080 --> 0:38:04.000
<v Speaker 1>And it was like you have one song out like

0:38:04.120 --> 0:38:08.799
<v Speaker 1>I don't know you really yeah, recently New York, and

0:38:08.840 --> 0:38:11.920
<v Speaker 1>it was just like very like self congratulatory and I

0:38:11.960 --> 0:38:14.279
<v Speaker 1>was like, guys, you have you haven't won me over

0:38:14.400 --> 0:38:17.400
<v Speaker 1>yet and you're pretending like it's the end. That's so interesting.

0:38:17.440 --> 0:38:19.719
<v Speaker 1>Gets My impression of them, and I saw them when

0:38:19.760 --> 0:38:24.719
<v Speaker 1>they were rowing that first album, was that they were

0:38:24.760 --> 0:38:28.719
<v Speaker 1>incredibly like technically good musicians. Like it's just like they

0:38:28.800 --> 0:38:31.080
<v Speaker 1>really put on a show. There's like this part where

0:38:31.120 --> 0:38:33.560
<v Speaker 1>they kind of do this like improvised drum thing where

0:38:33.560 --> 0:38:36.439
<v Speaker 1>they're all drumming and like they'll maybe do a cover

0:38:36.560 --> 0:38:39.880
<v Speaker 1>that's unexpected, like they're hitting all the beats and almost

0:38:39.960 --> 0:38:42.160
<v Speaker 1>I felt like there was a certain sense of like

0:38:42.239 --> 0:38:45.840
<v Speaker 1>home school vibe, like they have all grown up together

0:38:45.880 --> 0:38:50.760
<v Speaker 1>and played music together from like age zero, and there's

0:38:50.840 --> 0:38:55.400
<v Speaker 1>no almost spontaneity or like punk rock ethos about it.

0:38:55.440 --> 0:38:57.359
<v Speaker 1>Like it truly is like you are going to see

0:38:57.400 --> 0:39:02.120
<v Speaker 1>these like child musicians. Well right, And I think maybe

0:39:02.239 --> 0:39:05.360
<v Speaker 1>the show I saw was like a fluke, like it

0:39:05.440 --> 0:39:07.560
<v Speaker 1>seemed like they had like they kept having like friends

0:39:07.600 --> 0:39:09.880
<v Speaker 1>come on like not like musician friends, just like random

0:39:09.920 --> 0:39:12.400
<v Speaker 1>friends come on stage and like dance, and I was like,

0:39:12.480 --> 0:39:14.640
<v Speaker 1>this is so and I feel like I'm at like

0:39:14.640 --> 0:39:17.759
<v Speaker 1>a birthday party that I didn't mean to come to. Well,

0:39:17.760 --> 0:39:21.920
<v Speaker 1>they are very social, like everyone in l A knows them.

0:39:22.000 --> 0:39:26.319
<v Speaker 1>It's something that's a big part of Yeah, like that

0:39:26.320 --> 0:39:28.359
<v Speaker 1>that's a big part of their success. I'm feeling like

0:39:28.400 --> 0:39:32.399
<v Speaker 1>Sarah Brella sponsored this right, well, yeah, this time take

0:39:32.520 --> 0:39:38.120
<v Speaker 1>this kind of like yeh's actually interesting her biggest rivals. Yeah,

0:39:38.160 --> 0:39:40.279
<v Speaker 1>it's interesting because and we'll cut this obviously a Sarah

0:39:40.320 --> 0:39:44.160
<v Speaker 1>Burellas gets final cut. Say, but I personally actually really

0:39:44.200 --> 0:39:47.120
<v Speaker 1>like him and like them much more than Sarah Borrellas

0:39:47.120 --> 0:39:49.160
<v Speaker 1>but for the sake of this episode, it is all

0:39:49.200 --> 0:39:54.480
<v Speaker 1>about Sarah brellas right exactly. Yeah. I also like Himes music,

0:39:54.600 --> 0:39:57.880
<v Speaker 1>but they are terrible when it comes to Sarah Burella's

0:39:58.040 --> 0:40:01.799
<v Speaker 1>yea from a Sarah Burrella's perspective, I don't like him.

0:40:01.960 --> 0:40:04.120
<v Speaker 1>I mean, if we're looking if we're looking at him

0:40:04.239 --> 0:40:08.160
<v Speaker 1>through of Sarah Burrella's lens, their meaningless, They're invisible. I

0:40:08.160 --> 0:40:12.040
<v Speaker 1>don't even see, right. Do you think Sarah Burrella's just

0:40:12.120 --> 0:40:17.000
<v Speaker 1>like goes home and it's like those fucking bitches about him? Yeah,

0:40:17.040 --> 0:40:18.759
<v Speaker 1>I don't even think she wants to waste the breath.

0:40:19.000 --> 0:40:21.160
<v Speaker 1>She's actually so nice all the time and like, it

0:40:21.200 --> 0:40:22.560
<v Speaker 1>was nice to that guy at the dinner party, but

0:40:22.600 --> 0:40:24.759
<v Speaker 1>then when someone brings up home, she's like, are you

0:40:24.880 --> 0:40:27.719
<v Speaker 1>fucking kidding me? You're gonna say that to me? Yeah.

0:40:27.840 --> 0:40:30.400
<v Speaker 1>She has like big scenes of like firing her assistant

0:40:30.480 --> 0:40:32.840
<v Speaker 1>because they're like jamming out to him and she walks

0:40:32.840 --> 0:40:34.880
<v Speaker 1>in and they like cut it off really quick, and

0:40:34.920 --> 0:40:38.439
<v Speaker 1>she's like what was that and they're like nothing, It's

0:40:38.440 --> 0:40:41.560
<v Speaker 1>just a song. It was the radio or the assistant

0:40:41.600 --> 0:40:43.919
<v Speaker 1>comes and it's like, so, Sarah, I have good news

0:40:43.920 --> 0:40:47.400
<v Speaker 1>and bad news you have been booked on Lollapalooza, but

0:40:48.040 --> 0:40:50.640
<v Speaker 1>you're at the same stage as him and you're going

0:40:50.680 --> 0:40:53.520
<v Speaker 1>on before them. And Sarah was like, what's that son,

0:40:56.040 --> 0:40:59.400
<v Speaker 1>that's actually why she started doing musicals. Yeah, well she

0:40:59.520 --> 0:41:04.719
<v Speaker 1>was like, something that is my own. But the thing is,

0:41:05.040 --> 0:41:08.520
<v Speaker 1>you know what I've heard what Time is working on

0:41:08.560 --> 0:41:12.759
<v Speaker 1>a Phantom Thread musical. Is that a joke or is

0:41:12.760 --> 0:41:15.839
<v Speaker 1>that serious? I think it was a joke, but I

0:41:15.880 --> 0:41:20.000
<v Speaker 1>love it. Yeah, that would be awesome. And now, I

0:41:20.000 --> 0:41:24.280
<v Speaker 1>mean that's I mean Sarah has I mean, the thing is, like, honestly,

0:41:24.320 --> 0:41:26.600
<v Speaker 1>Sarah's right to be mad at them because I'm like

0:41:26.960 --> 0:41:29.279
<v Speaker 1>literally sees Sarah like doing her own thing and then

0:41:29.480 --> 0:41:32.960
<v Speaker 1>they just like they follow her career. Well, they always

0:41:32.960 --> 0:41:35.520
<v Speaker 1>say like, let's do the slightly more prestige version of that.

0:41:35.560 --> 0:41:38.320
<v Speaker 1>You know, you did Waitress, a kind of critically acclaimed

0:41:38.320 --> 0:41:41.800
<v Speaker 1>indie from two thousand seven. We're gonna do fucking Phantom Thread,

0:41:41.800 --> 0:41:45.640
<v Speaker 1>you dumb bitch. You're gonna do Phantom Thread on Broadway

0:41:45.840 --> 0:41:50.920
<v Speaker 1>and it's gonna star Harry Styles as the woman. Yeah,

0:41:51.680 --> 0:41:53.600
<v Speaker 1>I mean, I I was in a meeting recently and

0:41:53.640 --> 0:41:56.440
<v Speaker 1>I heard that I Am actually has like like a

0:41:56.800 --> 0:41:59.880
<v Speaker 1>like sitcom coming out that's like kind of like a

0:42:00.719 --> 0:42:05.840
<v Speaker 1>playing with like the tropes of like the riot girl type,

0:42:06.719 --> 0:42:09.000
<v Speaker 1>and so it's more of us Later Kenny. It's more

0:42:09.000 --> 0:42:11.080
<v Speaker 1>of us Leader Kenny type of thing, which obviously is

0:42:11.120 --> 0:42:14.040
<v Speaker 1>like going to be more prestigious and more like interesting

0:42:14.360 --> 0:42:18.919
<v Speaker 1>and and have a queer spin of course. So it's

0:42:18.960 --> 0:42:22.080
<v Speaker 1>just like, I mean, I'm sorry, Sarah, but they're they're

0:42:22.120 --> 0:42:25.440
<v Speaker 1>coming from must be she they have it out for her.

0:42:25.719 --> 0:42:28.680
<v Speaker 1>She must have like dated one of their brothers or something. Yeah,

0:42:28.840 --> 0:42:31.839
<v Speaker 1>well Sarah Brella is has three brothers, each of them

0:42:31.840 --> 0:42:35.879
<v Speaker 1>are dating a hid sister. Oh so they want her

0:42:35.960 --> 0:42:38.839
<v Speaker 1>out of the family. Yeah, well it's personal. They're like,

0:42:38.920 --> 0:42:41.120
<v Speaker 1>this is not symmetrical if you also have a sister

0:42:41.239 --> 0:42:44.520
<v Speaker 1>who's dating like some rando, Like that's not gonna work.

0:42:46.080 --> 0:42:49.719
<v Speaker 1>It's actually really cool, like they're trying to basically kick

0:42:49.760 --> 0:42:52.560
<v Speaker 1>her out of her own family family, which is just

0:42:53.440 --> 0:42:57.439
<v Speaker 1>because she's really just objectively speaking, like a Phantom Thread

0:42:57.560 --> 0:43:00.880
<v Speaker 1>musical and a Girl's Five of about a Slater Kenny

0:43:00.880 --> 0:43:07.120
<v Speaker 1>like band are great good ideas. To their credit, like creatively,

0:43:07.320 --> 0:43:09.560
<v Speaker 1>they're making the right choices. I mean, you have to

0:43:10.160 --> 0:43:12.839
<v Speaker 1>they have a pop. They have like a pop and

0:43:12.880 --> 0:43:18.120
<v Speaker 1>like sensibility that I think Sarah Burrelli's has never had. Wow,

0:43:18.680 --> 0:43:20.160
<v Speaker 1>do you know what I mean? They're gonna have to

0:43:20.200 --> 0:43:25.400
<v Speaker 1>cut that um tote. We're not in the Sarah Burrella's

0:43:25.440 --> 0:43:32.080
<v Speaker 1>sponsored segment anymore. Queen, We've done left. You can't buy me,

0:43:32.120 --> 0:43:35.040
<v Speaker 1>and neither can Sarah. I'm tired of this ship. Sarah

0:43:35.120 --> 0:43:36.800
<v Speaker 1>is like listening in so far, She's like it was

0:43:36.840 --> 0:43:38.200
<v Speaker 1>going so well, and I was just like, what the

0:43:38.200 --> 0:43:41.000
<v Speaker 1>fuck is this out? Like? Can we get a post

0:43:41.360 --> 0:43:43.239
<v Speaker 1>to this ship? No amount of money is going to

0:43:43.400 --> 0:43:49.239
<v Speaker 1>keep my mouth shut, Francesca. No, Francesca, you promised. The

0:43:49.320 --> 0:43:50.919
<v Speaker 1>one thing we needed you to do is not saying

0:43:50.920 --> 0:43:54.360
<v Speaker 1>anything bad about Sarah Burella's. Sarah, if you're listening, I

0:43:54.400 --> 0:43:57.799
<v Speaker 1>don't like you know she's listening, Francesca. Francesca, you know

0:43:57.920 --> 0:44:02.560
<v Speaker 1>she's listening. She literally obvious And I lied. I lied

0:44:02.560 --> 0:44:07.200
<v Speaker 1>about liking your song Gravity. I don't even like cample

0:44:07.239 --> 0:44:09.720
<v Speaker 1>the curtain like this. We promised we would all pretend

0:44:09.719 --> 0:44:13.319
<v Speaker 1>we love Sarah Barellis that so? I made up that

0:44:13.360 --> 0:44:17.200
<v Speaker 1>whole story about the dinner party. She can take away

0:44:17.239 --> 0:44:20.120
<v Speaker 1>her income at any moment. I'm gonna lose my house

0:44:20.160 --> 0:44:23.360
<v Speaker 1>over this. We're going to be shadow band and all

0:44:23.440 --> 0:44:27.799
<v Speaker 1>because you wanted to be like rebellious on Mike and

0:44:28.120 --> 0:44:33.520
<v Speaker 1>speak truth to Sarah. I'm sorry, that's okay. I've got

0:44:33.160 --> 0:44:36.040
<v Speaker 1>idea truth to Sarah. Yeah, and I agree with should

0:44:36.040 --> 0:44:39.399
<v Speaker 1>be getting to our topic exactly. Oh yeah, you mean

0:44:39.440 --> 0:44:48.480
<v Speaker 1>my topic someone's dawn because someone's shy. Wow. I think

0:44:48.480 --> 0:44:51.479
<v Speaker 1>I was just overcome by that feeling you were describing Sam,

0:44:51.520 --> 0:44:54.800
<v Speaker 1>where your whole body becomes tired. So you're doing that now,

0:44:54.880 --> 0:44:56.640
<v Speaker 1>but in a good in a good way, because I

0:44:56.680 --> 0:44:58.400
<v Speaker 1>was about to say, you're actually popping off. Yeah, I

0:44:58.440 --> 0:45:08.320
<v Speaker 1>kind of like, yeah, no, yeah, I wouldn't really. Um, So, Francesca, yes,

0:45:08.840 --> 0:45:12.200
<v Speaker 1>drop that topic in the chat. What was the straight

0:45:12.600 --> 0:45:14.959
<v Speaker 1>that made me say straight is? What was the straight

0:45:15.040 --> 0:45:17.680
<v Speaker 1>that made you say straight is for straight? Oh my god?

0:45:18.640 --> 0:45:23.640
<v Speaker 1>Shoutout culture ETAs shadow culture Eistas. I do listen to

0:45:23.680 --> 0:45:29.040
<v Speaker 1>that podcast, same and same here. Yeah, it's good, they're

0:45:29.040 --> 0:45:31.320
<v Speaker 1>not They're not a sponsor. This is not the Lasso

0:45:31.400 --> 0:45:36.000
<v Speaker 1>Tristas segment. Although, to be honest, Sarah Barella sponsoring a

0:45:36.080 --> 0:45:40.400
<v Speaker 1>segment does have Matt Rogers written all over. That's true.

0:45:40.480 --> 0:45:44.920
<v Speaker 1>He likes Saralla honey, he likes them all, Matt. And

0:45:44.960 --> 0:45:46.319
<v Speaker 1>if you disagree with me, you can come on this

0:45:46.360 --> 0:45:49.680
<v Speaker 1>podcast and fight me. Yeah, and honestly sneak peak maybe

0:45:50.120 --> 0:45:52.520
<v Speaker 1>and actually they are coming on, but that's coming later.

0:45:52.680 --> 0:45:54.759
<v Speaker 1>That's that's that's a straight for another time and for

0:45:54.800 --> 0:45:58.440
<v Speaker 1>another sponsored segment. Well, can I say it's pretty vulnerable

0:45:58.520 --> 0:46:00.799
<v Speaker 1>of me to say I listened that podcast because they're

0:46:00.840 --> 0:46:03.680
<v Speaker 1>not like my friends personally. I know Bowen, but I

0:46:03.680 --> 0:46:06.239
<v Speaker 1>don't know Matt. So it is kind of like me

0:46:06.360 --> 0:46:09.319
<v Speaker 1>saying I like Sarah brare Ells, like I like him,

0:46:09.440 --> 0:46:12.239
<v Speaker 1>like I don't know. The key is just like a

0:46:12.280 --> 0:46:16.280
<v Speaker 1>comedian to me, is to go on someone else's podcast

0:46:16.280 --> 0:46:18.279
<v Speaker 1>and talk about how you listen to some of their

0:46:18.320 --> 0:46:22.600
<v Speaker 1>episodes but all of last culture sta oh damn, you

0:46:22.760 --> 0:46:26.439
<v Speaker 1>got me. I didn't listen to all of the other

0:46:26.640 --> 0:46:29.720
<v Speaker 1>of the glass cultures. Okay, so which one did you skip?

0:46:30.800 --> 0:46:35.000
<v Speaker 1>And why I haven't listened in a couple of weeks. Actually,

0:46:35.520 --> 0:46:39.120
<v Speaker 1>anyway you want me to bring my topic, I mean,

0:46:39.440 --> 0:46:42.800
<v Speaker 1>do we have to spell it out? Okay? You mentioned

0:46:42.800 --> 0:46:45.520
<v Speaker 1>bringing the topic, but I haven't heard any opportunity for

0:46:45.560 --> 0:46:47.400
<v Speaker 1>me to bring myself actually, I'm sorry. Are you just

0:46:47.400 --> 0:46:50.879
<v Speaker 1>too busy talking about your favorite podcast? Culture? I didn't

0:46:50.920 --> 0:46:55.640
<v Speaker 1>know that that was the topic podcast. You guys were interested

0:46:55.680 --> 0:46:57.560
<v Speaker 1>in me saying that, so I thought i'd go with you.

0:46:58.160 --> 0:47:02.919
<v Speaker 1>But my inception, we egg on things we hate. Yeah,

0:47:02.960 --> 0:47:07.760
<v Speaker 1>we we beg for negative energy unfortunately both in this podcast,

0:47:07.520 --> 0:47:10.239
<v Speaker 1>and do you find that we do do that? Like

0:47:10.360 --> 0:47:13.279
<v Speaker 1>if something is like unenjoyable, we'll like try to make

0:47:13.320 --> 0:47:16.200
<v Speaker 1>it into a bigger part of the podcast. Do I

0:47:16.280 --> 0:47:18.400
<v Speaker 1>feel that you doing that? Are saying I was talking

0:47:18.400 --> 0:47:21.600
<v Speaker 1>to say? But I think but actually I'm more interested

0:47:21.640 --> 0:47:25.160
<v Speaker 1>in what you have to say. I never say yes,

0:47:25.520 --> 0:47:27.520
<v Speaker 1>and I don't. I don't believe it. But also if

0:47:27.520 --> 0:47:30.200
<v Speaker 1>I did believe it, how could I possibly tell you yet? Right,

0:47:32.400 --> 0:47:36.759
<v Speaker 1>I don't think that you do that because you don't

0:47:36.880 --> 0:47:38.879
<v Speaker 1>have that. I don't know you wouldn't want to do that.

0:47:38.880 --> 0:47:42.600
<v Speaker 1>That's fair, that's fair. So Francesco, what's the deal with

0:47:42.719 --> 0:47:55.480
<v Speaker 1>cars reveal? Yes? Oh yeah, my topic is cars? Alright? Well, sorry,

0:47:55.480 --> 0:47:57.960
<v Speaker 1>you have an incredibly produced sound effect that's just like

0:47:58.120 --> 0:48:01.640
<v Speaker 1>various different cars. Was so cute. The reason I thought

0:48:01.640 --> 0:48:06.040
<v Speaker 1>the reveal deserved a little pizzas. You're right, Sorry, I

0:48:06.120 --> 0:48:14.560
<v Speaker 1>jumped the gun. Um yeah, So I thought I'd come

0:48:14.600 --> 0:48:17.880
<v Speaker 1>on here to discuss cars with you guys. Well, basically,

0:48:17.920 --> 0:48:23.120
<v Speaker 1>my main quarantine interest has become cars, and I haven't

0:48:23.160 --> 0:48:26.880
<v Speaker 1>had really a community or opportunity to discuss it, so

0:48:26.960 --> 0:48:28.759
<v Speaker 1>I thought I could come on and maybe talk about

0:48:28.760 --> 0:48:33.560
<v Speaker 1>it with you guys, get your perspective on cars. So, so,

0:48:33.760 --> 0:48:36.560
<v Speaker 1>just to kick it off, do you how do you

0:48:36.560 --> 0:48:43.000
<v Speaker 1>believe that cars are straight? All right? Well? Basically, uh,

0:48:43.239 --> 0:48:49.080
<v Speaker 1>to me, the car community is almost well, it's just like, well,

0:48:49.080 --> 0:48:53.040
<v Speaker 1>it's almost exclusively straight, sis, men. And to clarify, you

0:48:53.080 --> 0:48:56.719
<v Speaker 1>don't mean the car community is than cars in community

0:48:56.719 --> 0:48:59.920
<v Speaker 1>with one another. You mean car and food like Pixar

0:49:00.000 --> 0:49:03.480
<v Speaker 1>as cars, right, or kind of like a lot where

0:49:03.520 --> 0:49:09.040
<v Speaker 1>many cars are right right right? No, I mean I

0:49:09.080 --> 0:49:13.839
<v Speaker 1>mean the men who drive them, yes, you know, um yeah,

0:49:14.400 --> 0:49:21.279
<v Speaker 1>you guys and gals that are behind the wheel. Yeah,

0:49:21.600 --> 0:49:26.080
<v Speaker 1>um yeah. I guess I just feel like, you know,

0:49:26.120 --> 0:49:29.279
<v Speaker 1>I'm on the internet a lot. I listened to a podcast,

0:49:29.400 --> 0:49:32.400
<v Speaker 1>my favorite podcast this year, No Offense to You guys

0:49:32.520 --> 0:49:35.480
<v Speaker 1>or Lost Culture. Eustace has been a podcast that if

0:49:35.520 --> 0:49:37.440
<v Speaker 1>anyone were to look it up and listen to it

0:49:37.480 --> 0:49:43.000
<v Speaker 1>would be absolutely humiliating. For what is it that that

0:49:43.040 --> 0:49:45.359
<v Speaker 1>podcast is like funny and my parents like it, But

0:49:45.760 --> 0:49:50.520
<v Speaker 1>this is one called Everyday Driver or these two guys

0:49:50.880 --> 0:49:56.160
<v Speaker 1>from Salt Lake City talk about which car people should

0:49:56.200 --> 0:49:58.920
<v Speaker 1>buy every day every week of the new car is

0:49:59.000 --> 0:50:01.160
<v Speaker 1>coming out. They have two episodes a week and I

0:50:01.239 --> 0:50:07.040
<v Speaker 1>listened to both of them. How long the episodes are now,

0:50:07.200 --> 0:50:10.360
<v Speaker 1>Oh my god? And I listened to it at regular speed.

0:50:10.400 --> 0:50:12.959
<v Speaker 1>I didn't even know, like double speed is. I can't

0:50:12.960 --> 0:50:15.600
<v Speaker 1>do that. It makes me feel crazy. Yeah, I mean,

0:50:19.800 --> 0:50:23.919
<v Speaker 1>where do I even begin? So you're diving into car

0:50:23.960 --> 0:50:28.960
<v Speaker 1>culture and do you? And you enjoy it? I love it.

0:50:29.000 --> 0:50:30.960
<v Speaker 1>I don't know what it is all of a sudden.

0:50:31.000 --> 0:50:36.400
<v Speaker 1>I love like learning about the engines and like transmissions

0:50:36.440 --> 0:50:39.120
<v Speaker 1>and how they work, Like I don't really know how

0:50:39.120 --> 0:50:40.839
<v Speaker 1>they work that well, but I feel like I've come

0:50:40.880 --> 0:50:44.120
<v Speaker 1>to a better understanding. I should say this all started

0:50:44.120 --> 0:50:47.600
<v Speaker 1>when I started my search to buy my own car. Okay,

0:50:47.760 --> 0:50:51.160
<v Speaker 1>So first of all, I'll let Sam tell his story

0:50:51.200 --> 0:50:53.720
<v Speaker 1>because it is history to tell. But recently Sam acquired

0:50:53.760 --> 0:50:56.480
<v Speaker 1>a car. Okay, I didn't know that I acquired a car.

0:50:56.640 --> 0:50:58.520
<v Speaker 1>This year. My uncle was getting a new one and

0:50:58.640 --> 0:51:00.480
<v Speaker 1>was getting rid of his and I was like, wait,

0:51:00.560 --> 0:51:03.880
<v Speaker 1>I want that's awesome. Can I ask for the making model?

0:51:04.480 --> 0:51:10.720
<v Speaker 1>It is a I think two thousand nine Toyota Highlander. Damn,

0:51:12.080 --> 0:51:19.200
<v Speaker 1>that's actually such a sexy car. That's so lucky. Sam.

0:51:19.320 --> 0:51:20.759
<v Speaker 1>Did you get it? Did you have to pay for

0:51:20.760 --> 0:51:24.000
<v Speaker 1>You gave it to me for free, which was actually

0:51:24.040 --> 0:51:29.280
<v Speaker 1>extremely nice. Yeah, that's awesome. Yeah, so it's it's truly changed.

0:51:29.360 --> 0:51:31.279
<v Speaker 1>I mean I've not done the research like you have,

0:51:31.520 --> 0:51:34.560
<v Speaker 1>and I appreciate, Like, I'm like, i think it's very

0:51:34.760 --> 0:51:37.719
<v Speaker 1>um responsible of you to sort of care on a

0:51:37.800 --> 0:51:41.279
<v Speaker 1>deeper level about what's going on in there. Um right,

0:51:41.680 --> 0:51:44.680
<v Speaker 1>I'm sort of just like whoops. And then I'm like

0:51:44.760 --> 0:51:50.520
<v Speaker 1>push it and push stars, push star backs, Drive pushed sex, Drive,

0:51:50.560 --> 0:51:54.560
<v Speaker 1>pushed the stut, sex Drive pushed the start. But I, um,

0:51:54.360 --> 0:51:56.840
<v Speaker 1>I'm driving around New York damn city. I drove to

0:51:56.880 --> 0:51:59.879
<v Speaker 1>the beach yesterday. It was crazy. That is amazing. Well,

0:51:59.920 --> 0:52:02.640
<v Speaker 1>I want to say my feeling about the Highlander, the

0:52:02.760 --> 0:52:05.200
<v Speaker 1>two as a nine Highlander is it is kind of

0:52:05.239 --> 0:52:10.279
<v Speaker 1>like mother of four vibes in a good way. In

0:52:10.280 --> 0:52:13.560
<v Speaker 1>a good way. Yeah, I'm excited. I'm truly excited to

0:52:13.600 --> 0:52:16.200
<v Speaker 1>like pack the car with the gaze and like hit

0:52:16.239 --> 0:52:19.160
<v Speaker 1>the beach. Yes, it's huge, it's pretty big. It has

0:52:19.200 --> 0:52:20.920
<v Speaker 1>like the fold up seat in the trunk that you

0:52:20.920 --> 0:52:23.799
<v Speaker 1>can can like seat like eight people technically. Oh my god,

0:52:23.880 --> 0:52:27.799
<v Speaker 1>it's an eight seating. Yeah. That is amazing and so

0:52:27.880 --> 0:52:31.360
<v Speaker 1>lucky for you, it really is. And you know that Toyota,

0:52:31.560 --> 0:52:34.799
<v Speaker 1>it's going to last you, last you a long time.

0:52:35.160 --> 0:52:38.680
<v Speaker 1>That's what they tell me, what people tell me, Francesca,

0:52:38.800 --> 0:52:41.360
<v Speaker 1>before this, did you have a passing interest in cars

0:52:41.440 --> 0:52:43.880
<v Speaker 1>or did you just snap one day decided you're going

0:52:43.920 --> 0:52:45.160
<v Speaker 1>to buy a car and you need to do as

0:52:45.239 --> 0:52:47.520
<v Speaker 1>much research as possible and then we're kind of rend

0:52:47.520 --> 0:52:51.279
<v Speaker 1>pilled into being a member of the part. Interesting you

0:52:51.280 --> 0:52:54.959
<v Speaker 1>should say that because it was I like the words snap,

0:52:55.040 --> 0:52:58.800
<v Speaker 1>because it was like something snapped and then all of

0:52:58.840 --> 0:53:01.960
<v Speaker 1>a sudden, I was a different person. I didn't recognize

0:53:01.960 --> 0:53:04.319
<v Speaker 1>myself when I looked at myself in the mirror. But

0:53:04.360 --> 0:53:08.560
<v Speaker 1>I will say like I, um my dad saved a

0:53:08.600 --> 0:53:12.480
<v Speaker 1>bunch of my childhood papers, as in like a file,

0:53:12.560 --> 0:53:16.600
<v Speaker 1>and I found it recently, and um, I found a

0:53:16.719 --> 0:53:23.680
<v Speaker 1>Christmas list from third grade and I did list a Porsche.

0:53:23.840 --> 0:53:26.120
<v Speaker 1>So to me, it's like Okay, so maybe my car

0:53:26.160 --> 0:53:31.200
<v Speaker 1>interests does kind of like proceed when I think it started.

0:53:32.239 --> 0:53:37.640
<v Speaker 1>Yeah you did. So how was your like car buying journey? Like,

0:53:37.680 --> 0:53:39.440
<v Speaker 1>because you did all this research, you found a car,

0:53:39.640 --> 0:53:41.239
<v Speaker 1>how how did all that go? And what did you

0:53:41.239 --> 0:53:43.919
<v Speaker 1>settle on? If I may ask? Yeah, I can tell

0:53:43.920 --> 0:53:47.920
<v Speaker 1>you guys. Um, I feel like my car buying journey

0:53:48.080 --> 0:53:54.600
<v Speaker 1>was like, uh, it felt crazed and like just constantly

0:53:54.680 --> 0:53:58.839
<v Speaker 1>every moment of my life on Facebook, marketplace, Facebook Marketplace, Craigslist,

0:54:00.239 --> 0:54:02.359
<v Speaker 1>just like searching what kind of car should I get?

0:54:02.400 --> 0:54:05.319
<v Speaker 1>Which kind of car should I get? Um? And a

0:54:05.400 --> 0:54:09.640
<v Speaker 1>big thing was that I wanted to get a stick shift, Yeah,

0:54:09.960 --> 0:54:14.440
<v Speaker 1>because of all beyond and this is like vulnerable as well. Um,

0:54:15.040 --> 0:54:18.560
<v Speaker 1>probably some kind of masculinity complex like I learned my

0:54:18.640 --> 0:54:20.759
<v Speaker 1>dad taught me in high school. But then like I

0:54:20.760 --> 0:54:23.880
<v Speaker 1>didn't have a car after high school and I kind

0:54:23.920 --> 0:54:25.480
<v Speaker 1>of forgot how to do it. And I was getting

0:54:25.480 --> 0:54:27.239
<v Speaker 1>this car and I was like, I want to know

0:54:27.280 --> 0:54:29.640
<v Speaker 1>how to do that, so I should just buy a

0:54:29.640 --> 0:54:33.920
<v Speaker 1>car with that. So I got it. And I talked

0:54:33.920 --> 0:54:36.000
<v Speaker 1>to my therapist about it, and she said that it

0:54:36.600 --> 0:54:39.440
<v Speaker 1>is a masculinity complex and that it's literally me wanting

0:54:39.440 --> 0:54:43.439
<v Speaker 1>to top the car, the top of the car. Yeah.

0:54:43.480 --> 0:54:45.759
<v Speaker 1>When I told my partner that, she said that, My

0:54:45.880 --> 0:54:47.799
<v Speaker 1>partner was like, I feel like she was kind of

0:54:47.880 --> 0:54:50.560
<v Speaker 1>posturing to you when she said that, like wanting she

0:54:50.600 --> 0:54:54.120
<v Speaker 1>has a masculinity. Well, she's a lesbian. Oh she's got

0:54:54.120 --> 0:55:00.319
<v Speaker 1>a complex on it. Something's wrong there, she well, yeah,

0:55:00.360 --> 0:55:06.400
<v Speaker 1>she's a lesbian anyway. So I was like, yeah, okay,

0:55:06.400 --> 0:55:08.879
<v Speaker 1>I guess I was trying to top the car. It's

0:55:08.920 --> 0:55:12.000
<v Speaker 1>kind of humiliating. It feels like humiliating, like I'm like

0:55:12.040 --> 0:55:17.200
<v Speaker 1>a teenage boy, like trying to Yeah, I really am.

0:55:18.520 --> 0:55:22.879
<v Speaker 1>I love the symmetry or not the symmetry, but the

0:55:22.880 --> 0:55:25.759
<v Speaker 1>the thread of like you telling her this and then

0:55:25.800 --> 0:55:28.960
<v Speaker 1>her trying to top you as a therapist by giving

0:55:29.040 --> 0:55:32.920
<v Speaker 1>this over therapized explanation of you trying to top the car,

0:55:33.120 --> 0:55:37.000
<v Speaker 1>and then you're suddenly not just and you're almost like

0:55:38.120 --> 0:55:43.920
<v Speaker 1>you're now bottoming in two ways by being like suddenly

0:55:44.160 --> 0:55:47.359
<v Speaker 1>embarrassed about your own desire to top a car and

0:55:47.440 --> 0:55:52.680
<v Speaker 1>be by like a therapist giving you a you know,

0:55:52.880 --> 0:55:56.120
<v Speaker 1>giving you this interpretation. Yes, And I should also say

0:55:56.400 --> 0:55:59.400
<v Speaker 1>I do have a sexual crush on my therapist, and

0:55:59.440 --> 0:56:03.640
<v Speaker 1>I did tell her that how she respond She responded

0:56:03.640 --> 0:56:07.040
<v Speaker 1>pretty well, She said, Oh I can see that that

0:56:07.239 --> 0:56:09.839
<v Speaker 1>feels big for you to tell me, Like, how does

0:56:09.840 --> 0:56:13.239
<v Speaker 1>that feel to tell me? That's how she responded, I

0:56:13.280 --> 0:56:15.200
<v Speaker 1>feel is it hard to get I mean, like this

0:56:15.280 --> 0:56:16.960
<v Speaker 1>is so off topic from the car, but it's like,

0:56:17.120 --> 0:56:19.359
<v Speaker 1>is it hard to like do the work when you're

0:56:19.400 --> 0:56:22.120
<v Speaker 1>like horny for your there? I mean this is something

0:56:22.160 --> 0:56:24.040
<v Speaker 1>that so many people who know a problem, so many

0:56:24.040 --> 0:56:26.279
<v Speaker 1>people know have like, yeah, is it just natural? I

0:56:26.280 --> 0:56:28.160
<v Speaker 1>mean that's what happened to I'm dying to talk to

0:56:28.280 --> 0:56:30.080
<v Speaker 1>I'm dying to talk to other people who feel the

0:56:30.120 --> 0:56:32.279
<v Speaker 1>same way because everyone is like, what are you with

0:56:32.520 --> 0:56:36.680
<v Speaker 1>Tony Soprano? And I'm like yeah, maybe. I mean the

0:56:36.760 --> 0:56:38.920
<v Speaker 1>thing is she was also in love with him. It's

0:56:38.960 --> 0:56:43.000
<v Speaker 1>called counter transference. Yeah, you know, like they wanted to

0:56:43.000 --> 0:56:45.200
<v Speaker 1>do each other. Yeah, I really wish they had. I

0:56:45.239 --> 0:56:50.240
<v Speaker 1>really want to steep no spoilers. I'm serious, you're watching,

0:56:52.480 --> 0:56:58.320
<v Speaker 1>you should actually put a spoiler alert, so sorry, um anyway,

0:56:58.440 --> 0:57:02.440
<v Speaker 1>so anyway you do. But there is something like masculine

0:57:02.440 --> 0:57:05.520
<v Speaker 1>about needing to do a stick shift that is like

0:57:05.800 --> 0:57:08.480
<v Speaker 1>it is very high school boy. I guess like it's

0:57:08.560 --> 0:57:10.920
<v Speaker 1>fun though that it's you wanting to do that, Like

0:57:10.960 --> 0:57:13.680
<v Speaker 1>it's like more playful and like because I have that

0:57:13.719 --> 0:57:16.200
<v Speaker 1>with something like I'm playing with a lot of masculine

0:57:16.240 --> 0:57:19.720
<v Speaker 1>things right now and like seeing like what is like

0:57:19.760 --> 0:57:21.360
<v Speaker 1>I feel like I mean I always do, but like

0:57:21.560 --> 0:57:24.480
<v Speaker 1>I feel like this mullet is very like kind of

0:57:24.520 --> 0:57:29.440
<v Speaker 1>like bad boy like like trucker guy. And then like

0:57:29.480 --> 0:57:33.880
<v Speaker 1>I've been like getting like stupider like man clothes because

0:57:34.440 --> 0:57:36.880
<v Speaker 1>like it's kind of fun and like you're like, well,

0:57:36.880 --> 0:57:39.120
<v Speaker 1>now that there's distance from it, I can like play

0:57:39.200 --> 0:57:45.000
<v Speaker 1>with this in a way that is not evil. Yeah, totally,

0:57:45.040 --> 0:57:47.920
<v Speaker 1>I think it's not evil. I don't think it's evil.

0:57:48.280 --> 0:57:51.680
<v Speaker 1>There's something like if there's something like you can you

0:57:51.760 --> 0:57:55.200
<v Speaker 1>relate to it feeling a little bit vulnerable though, like

0:57:55.280 --> 0:57:59.800
<v Speaker 1>the desire or like the reaching for it or something

0:57:59.800 --> 0:58:02.640
<v Speaker 1>like reaching for something I'm not it feels like what

0:58:02.760 --> 0:58:07.320
<v Speaker 1>it is, sure, you know, but when you're grasping that stick,

0:58:07.360 --> 0:58:10.440
<v Speaker 1>shift do you not? When I have the stick in

0:58:10.560 --> 0:58:13.560
<v Speaker 1>my hand and I'm bobbling it. But I just want

0:58:13.600 --> 0:58:16.320
<v Speaker 1>to say, like wouldn't you feel just like what if

0:58:16.400 --> 0:58:21.000
<v Speaker 1>you got literally like a Barbie like a pink Barbie

0:58:21.040 --> 0:58:28.040
<v Speaker 1>car wouldn't that feel equally vulnerable almost like or not vulnerable,

0:58:28.080 --> 0:58:33.840
<v Speaker 1>but like it's not like like it's another performances kind

0:58:33.880 --> 0:58:37.200
<v Speaker 1>of gender. Yeah, I guess is the goal complete neutrality

0:58:37.240 --> 0:58:39.800
<v Speaker 1>when it comes to cars. Yeah, no, totally. I think

0:58:39.840 --> 0:58:43.320
<v Speaker 1>it's like, I don't know, why do I feel this way? Yeah?

0:58:43.360 --> 0:58:46.160
<v Speaker 1>Not everyone feels that way. Well, here's the kicker though.

0:58:46.320 --> 0:58:49.520
<v Speaker 1>The car that I ended up buying was the absolute

0:58:49.560 --> 0:58:54.400
<v Speaker 1>like most little bitch car I could have bought. It

0:58:54.600 --> 0:58:58.720
<v Speaker 1>is not cool at all. It was very cheap. What

0:58:58.920 --> 0:59:08.040
<v Speaker 1>is it for the it's accents? Tiny little tiny little tires. Yeah,

0:59:08.080 --> 0:59:12.920
<v Speaker 1>it's a Hatchback, I should say as well, it's like

0:59:12.960 --> 0:59:18.240
<v Speaker 1>a Honda Fit. But that's like very europe, very Europe. Yeah,

0:59:18.240 --> 0:59:20.400
<v Speaker 1>I guess it is a little bit George rock Card

0:59:21.440 --> 0:59:23.840
<v Speaker 1>Yeah yeah, yeah, I guess it is a little bit

0:59:23.920 --> 0:59:30.080
<v Speaker 1>Europe George. Yeah. Yeah, no, it's tiny. I was thinking

0:59:30.120 --> 0:59:35.800
<v Speaker 1>more of like to me, Europe is like like a Fia. Yeah. Sorry,

0:59:35.880 --> 0:59:41.200
<v Speaker 1>is this interesting? I should I know? Is any of

0:59:41.200 --> 0:59:44.400
<v Speaker 1>this car stuff interesting? I want I want to like

0:59:44.920 --> 0:59:49.720
<v Speaker 1>delve as deep as possible into the masculinity and femininity

0:59:49.760 --> 0:59:53.840
<v Speaker 1>of cars. But I right, no, no no, no, I just

0:59:53.920 --> 0:59:56.280
<v Speaker 1>I don't know. I'm trying to ask the right questions

0:59:56.320 --> 1:00:02.760
<v Speaker 1>and and just call the depths. I'm feeling cold. Can

1:00:02.800 --> 1:00:08.320
<v Speaker 1>I say something about cars and straight culture? Because a

1:00:08.440 --> 1:00:12.400
<v Speaker 1>show that I was watching was ship. I don't remember

1:00:12.440 --> 1:00:13.800
<v Speaker 1>the show what it was called, but it was a

1:00:13.800 --> 1:00:22.480
<v Speaker 1>Netflix show where they refurbished cars um like hot rods,

1:00:22.520 --> 1:00:24.960
<v Speaker 1>like really old like classic cars, but they put like

1:00:25.080 --> 1:00:28.560
<v Speaker 1>big engines in them. And there was a girl on

1:00:28.600 --> 1:00:34.520
<v Speaker 1>the show named Constance Nuons or Noons, and she is

1:00:35.000 --> 1:00:37.320
<v Speaker 1>she is like an engine girl, that's what they called her,

1:00:37.520 --> 1:00:40.320
<v Speaker 1>or like motor girl. Like she's really smart and like

1:00:40.400 --> 1:00:42.880
<v Speaker 1>has been building cars or engines since she was like

1:00:42.920 --> 1:00:47.840
<v Speaker 1>a kid. But she is a absolutely sex symbol, like

1:00:48.560 --> 1:00:51.920
<v Speaker 1>titties are always out. All of her pictures on her

1:00:51.960 --> 1:00:55.440
<v Speaker 1>Instagram are like, you know, biting her nail in front

1:00:55.440 --> 1:00:59.240
<v Speaker 1>of like an awesome car with like short shorts. It's

1:00:59.280 --> 1:01:03.360
<v Speaker 1>just her thing is like sex playboy. But I build

1:01:03.440 --> 1:01:07.800
<v Speaker 1>cars too, and that seems to be a real motive

1:01:08.520 --> 1:01:11.120
<v Speaker 1>in the car community of like when there are women,

1:01:11.520 --> 1:01:14.440
<v Speaker 1>they are sexy as hell. Well, I was about to say,

1:01:14.520 --> 1:01:18.360
<v Speaker 1>like to me, I literally have memories of my cousin

1:01:19.080 --> 1:01:22.960
<v Speaker 1>going to like car shows and the whole. Like the

1:01:23.080 --> 1:01:27.240
<v Speaker 1>visual is like the car like there are women accompanying

1:01:27.280 --> 1:01:30.640
<v Speaker 1>the cars, like sexy women accompanying the cars to show

1:01:30.680 --> 1:01:32.960
<v Speaker 1>them off. But what you're saying is interesting because it's

1:01:33.000 --> 1:01:37.960
<v Speaker 1>like a woman is basically like subverting that trope by

1:01:38.040 --> 1:01:41.800
<v Speaker 1>also herself working on the cars, and so she's like

1:01:41.880 --> 1:01:45.520
<v Speaker 1>playing with the male gaze so to speak. Right, that's

1:01:45.600 --> 1:01:48.920
<v Speaker 1>also very video game girl like it's like like a

1:01:49.080 --> 1:01:52.680
<v Speaker 1>totally character. It's always like, oh, I'm the best assassin

1:01:52.680 --> 1:01:56.880
<v Speaker 1>in the world, and yeah, teas are like like Lara

1:01:56.920 --> 1:02:01.920
<v Speaker 1>Cross exactly who I love? Who is really? Who is really?

1:02:02.000 --> 1:02:08.480
<v Speaker 1>I wish? Can I say something fucked up? I actually

1:02:08.720 --> 1:02:14.160
<v Speaker 1>love the Alicia vic Candi Lara Croft. That's something that

1:02:14.320 --> 1:02:16.560
<v Speaker 1>is truly something that like you could have told me

1:02:16.600 --> 1:02:18.080
<v Speaker 1>it came to me in a dream and I would

1:02:18.080 --> 1:02:20.800
<v Speaker 1>have believed, Like now that you're saying it, I do

1:02:20.880 --> 1:02:23.360
<v Speaker 1>remember that she played Lara Croft. But that seems like

1:02:23.400 --> 1:02:28.520
<v Speaker 1>such a like joke of like like I don't know

1:02:28.600 --> 1:02:30.480
<v Speaker 1>you have put her in Lara Croft. I don't know,

1:02:30.520 --> 1:02:32.600
<v Speaker 1>Like it's like people don't know what to do with her.

1:02:32.760 --> 1:02:37.280
<v Speaker 1>Well more for me, George Francesca, do you enjoy like

1:02:37.320 --> 1:02:41.760
<v Speaker 1>I guess I'm what I'm confused about is like, like

1:02:41.880 --> 1:02:45.760
<v Speaker 1>that anecdote, I'm like, does that excite you? Is that

1:02:45.800 --> 1:02:49.160
<v Speaker 1>hot to you? Is that annoying to you? Is that? Like?

1:02:49.360 --> 1:02:50.800
<v Speaker 1>I guess I would like to know more about how

1:02:50.920 --> 1:02:54.040
<v Speaker 1>you feel about that. I wouldn't say it's hot to me.

1:02:54.920 --> 1:02:58.840
<v Speaker 1>But Michelle Rodriguez in the Fast and Furious franchise is hot,

1:02:58.880 --> 1:03:01.720
<v Speaker 1>and well, yeah, I mean saying, so what do we

1:03:01.800 --> 1:03:06.200
<v Speaker 1>like one of the hottest people of any gender totally

1:03:06.360 --> 1:03:09.560
<v Speaker 1>ever walk this. She's really hot. Remember when she and

1:03:09.640 --> 1:03:15.280
<v Speaker 1>Cardelevine dated and they fed the tigers. There's pictures of it. Wow.

1:03:15.600 --> 1:03:21.920
<v Speaker 1>What if Michelle Rodriguez was your lesbian therapist? Damn, damn,

1:03:22.480 --> 1:03:24.560
<v Speaker 1>and she was like, yeah, you literally want to top

1:03:24.600 --> 1:03:29.840
<v Speaker 1>the car Um Francesca, I feel as though we have

1:03:31.320 --> 1:03:34.360
<v Speaker 1>gotten to the point where it's near the end. Ok.

1:03:34.400 --> 1:03:37.560
<v Speaker 1>I guess I want to ask, now that you have

1:03:37.600 --> 1:03:42.040
<v Speaker 1>a car, final car question, where are you going to go? Oh?

1:03:45.120 --> 1:03:47.000
<v Speaker 1>Let me think about this for a second. I'll talk

1:03:47.040 --> 1:03:50.520
<v Speaker 1>while you think I want to go. My dream is

1:03:50.600 --> 1:03:56.440
<v Speaker 1>to find a gay swimming hole, maybe Upstate, maybe Vermond.

1:03:56.760 --> 1:04:00.680
<v Speaker 1>I'm desperate to find like a gay clothing optional swimming hole.

1:04:01.840 --> 1:04:04.320
<v Speaker 1>That it's like, It's like I could have goest written

1:04:04.320 --> 1:04:06.200
<v Speaker 1>that ant like I could have written that answer like,

1:04:06.480 --> 1:04:09.520
<v Speaker 1>oh very interesting. So do you want to drive to

1:04:09.600 --> 1:04:13.720
<v Speaker 1>a clothing optional gay swimming hole? Never guess that that's

1:04:13.760 --> 1:04:15.560
<v Speaker 1>what you wanted to know what they're calling? Come on,

1:04:15.720 --> 1:04:19.400
<v Speaker 1>that is niche, that is that is that is that

1:04:19.560 --> 1:04:23.040
<v Speaker 1>is me. I feel it's the most speciable answer from you. No, no,

1:04:23.200 --> 1:04:26.160
<v Speaker 1>who is going to gay optional swimming holes? Who? On

1:04:26.240 --> 1:04:30.560
<v Speaker 1>this point? Literally you, I have not been yet. I

1:04:30.600 --> 1:04:38.600
<v Speaker 1>have not been yet, have I? Francesca like Stoneheng wait

1:04:38.680 --> 1:04:41.680
<v Speaker 1>actually similar? Well, first my answer was going to be

1:04:41.840 --> 1:04:45.880
<v Speaker 1>to space, but then my real answer because that's a

1:04:45.960 --> 1:04:54.200
<v Speaker 1>joke to space in a in a a Monday accent. Sorry, yeah,

1:04:54.200 --> 1:04:57.840
<v Speaker 1>I'm modifying it. It's going to have with a booster

1:04:57.920 --> 1:05:02.440
<v Speaker 1>in rocket. You're actually doing the ride reboot exactly on

1:05:03.000 --> 1:05:11.600
<v Speaker 1>the Roku channel. Yeah, exactly. Um, my real answer is

1:05:11.680 --> 1:05:15.360
<v Speaker 1>Yosemite National Park. I've only wanted to go to Yosemite.

1:05:15.760 --> 1:05:17.760
<v Speaker 1>I've always wanted to go. It's kind of long drive.

1:05:17.840 --> 1:05:21.200
<v Speaker 1>That's a pretty big trip though. Yeah, I means are

1:05:21.240 --> 1:05:23.080
<v Speaker 1>just a couple of hours, but yeah, go across the

1:05:23.160 --> 1:05:25.840
<v Speaker 1>damn country. Sure. I think that I'm going to go

1:05:25.920 --> 1:05:28.520
<v Speaker 1>to Los Angeles in August for the first time. You're

1:05:28.520 --> 1:05:31.640
<v Speaker 1>going to drive there? I don't know yet. I haven't decided.

1:05:32.520 --> 1:05:36.480
<v Speaker 1>I mean I seem so like against this plant. It

1:05:36.680 --> 1:05:39.880
<v Speaker 1>just cross country drives stressed me out so much. It's

1:05:39.880 --> 1:05:41.960
<v Speaker 1>just like a lot of driving. It's just a lot, yeah,

1:05:41.960 --> 1:05:43.760
<v Speaker 1>because like I used to do San Francisco to l

1:05:43.840 --> 1:05:46.280
<v Speaker 1>A all the time, which is obviously short comparatively, but

1:05:46.360 --> 1:05:49.040
<v Speaker 1>like even that felt like a road trip. I like

1:05:49.160 --> 1:05:52.280
<v Speaker 1>doing long drives. Yeah, I mean three days is a lot,

1:05:52.920 --> 1:05:57.240
<v Speaker 1>but you split it up, right, That's what they say.

1:05:57.320 --> 1:06:00.280
<v Speaker 1>You stop in Texas, you stop in Montana. You stuff

1:06:00.800 --> 1:06:06.600
<v Speaker 1>damn your full? Well yeah yeah, can I borrow your

1:06:06.600 --> 1:06:12.360
<v Speaker 1>car Sam to do that trip? Thanks? Oh, I trust

1:06:12.400 --> 1:06:14.000
<v Speaker 1>you with it, you know, you know you should do

1:06:14.280 --> 1:06:16.520
<v Speaker 1>both of you with your cars. Should do kind of

1:06:16.520 --> 1:06:19.280
<v Speaker 1>a more budget version of Mad Max Fury Road and

1:06:19.360 --> 1:06:22.919
<v Speaker 1>it's like your two used two thousand nine and chosen

1:06:23.000 --> 1:06:26.080
<v Speaker 1>four team cars with like, Hi, I'm actually on top

1:06:26.120 --> 1:06:29.960
<v Speaker 1>of playing guitars. Like well, that show that I was

1:06:29.960 --> 1:06:33.080
<v Speaker 1>watching where they redo the cars, the Hot Rods, they

1:06:33.200 --> 1:06:35.960
<v Speaker 1>built a car like that, the cut they cut the

1:06:36.000 --> 1:06:38.800
<v Speaker 1>middle section out of a VW bus so that it

1:06:38.840 --> 1:06:43.480
<v Speaker 1>looked like a military grade like window lists. Anyway, I

1:06:43.520 --> 1:06:45.400
<v Speaker 1>don't know what that show is called, but you've got

1:06:45.400 --> 1:06:48.880
<v Speaker 1>to watch it. We will, we will, Um. I think

1:06:48.880 --> 1:06:51.400
<v Speaker 1>we should do our final segment. Then let's do it.

1:06:51.960 --> 1:06:55.280
<v Speaker 1>Queen George, will you introduce it? I don't want to.

1:06:55.400 --> 1:06:58.560
<v Speaker 1>Our final segment is called shout Outs, and in this

1:06:58.600 --> 1:07:02.600
<v Speaker 1>segment we pay homage to one of the tenants of

1:07:02.640 --> 1:07:05.480
<v Speaker 1>straight culture, which is the radio shout out, and each

1:07:05.600 --> 1:07:09.480
<v Speaker 1>of us shouts out something that they are enjoying, or

1:07:09.520 --> 1:07:11.960
<v Speaker 1>that they like, or that they recommend. Um, I can

1:07:12.000 --> 1:07:19.120
<v Speaker 1>attempt one. What's up, listeners, how is everybody doing tonight?

1:07:19.160 --> 1:07:22.320
<v Speaker 1>Come on, I want to hear you all, want you.

1:07:23.720 --> 1:07:26.080
<v Speaker 1>I want to give a quick shout out too. That's right,

1:07:26.240 --> 1:07:31.960
<v Speaker 1>me swas salads. The other day I got some green beans,

1:07:32.000 --> 1:07:35.000
<v Speaker 1>something I so rarely cook because I'm like, who has

1:07:35.000 --> 1:07:38.240
<v Speaker 1>the time. It turns out that time is two to

1:07:38.280 --> 1:07:39.880
<v Speaker 1>four minutes. That you just have to put them in

1:07:39.920 --> 1:07:42.920
<v Speaker 1>boiling water. You take them out. It's like a little snack,

1:07:43.000 --> 1:07:45.840
<v Speaker 1>a little veggie snack. Veggie ships found dead because these

1:07:45.840 --> 1:07:48.400
<v Speaker 1>are actual vegetables and you can put them in your mouth,

1:07:49.240 --> 1:07:51.880
<v Speaker 1>get some green beans on there, get some potatoes and

1:07:51.920 --> 1:07:53.640
<v Speaker 1>put them in the water as well, and because those

1:07:53.640 --> 1:07:56.440
<v Speaker 1>for ten to fifteen minutes. And then what else do

1:07:56.480 --> 1:08:02.320
<v Speaker 1>you need? Oh that's right, some eggs, some tomatoes, some

1:08:02.480 --> 1:08:06.200
<v Speaker 1>tuna out of a can, and then make a simple dressing.

1:08:06.400 --> 1:08:08.960
<v Speaker 1>And you had yourself not only a lunch, but I'll

1:08:09.000 --> 1:08:11.280
<v Speaker 1>say it a dinner, which is when I had this

1:08:11.320 --> 1:08:15.320
<v Speaker 1>salad last night at ten thirty pm for dinner. It

1:08:15.560 --> 1:08:18.400
<v Speaker 1>was delicious. I'm actually hearing up thinking about it. So

1:08:18.640 --> 1:08:24.160
<v Speaker 1>once again, a shout out to a niche swas salad. Whoa, whoa, Okay,

1:08:24.200 --> 1:08:28.040
<v Speaker 1>I have one. What's up listeners? Um, I just want

1:08:28.080 --> 1:08:33.240
<v Speaker 1>to give a huge, hearty shout out to Summer ad Copy.

1:08:33.280 --> 1:08:36.559
<v Speaker 1>I heard an advertisement that was like, ready for some

1:08:36.640 --> 1:08:38.720
<v Speaker 1>fun in the sun. We'll get your bikini and lick

1:08:38.760 --> 1:08:40.960
<v Speaker 1>on the ice cream because you're about to dip in

1:08:40.960 --> 1:08:43.880
<v Speaker 1>the pool, and I was like, what else? Summer ad

1:08:43.880 --> 1:08:46.120
<v Speaker 1>copy has been the same literally the whole time I've

1:08:46.120 --> 1:08:49.920
<v Speaker 1>been alive. Suddenly I was transported to any age because

1:08:50.040 --> 1:08:52.360
<v Speaker 1>when you're in the summer, there is no time, it's

1:08:52.400 --> 1:08:54.880
<v Speaker 1>just summer. And I love that. It really made me

1:08:54.880 --> 1:08:57.519
<v Speaker 1>feel safe. It made me feel at home, and Honey,

1:08:57.640 --> 1:08:59.920
<v Speaker 1>with the kids at home, you're gonna want a fun activity.

1:09:00.200 --> 1:09:04.040
<v Speaker 1>Go to six Flags. I was having a blast summer, bitch,

1:09:04.280 --> 1:09:07.200
<v Speaker 1>if anything as possible and get on the flip flops

1:09:07.240 --> 1:09:11.040
<v Speaker 1>and hit the sand. Am I right? X O x O, Sam,

1:09:12.200 --> 1:09:14.720
<v Speaker 1>what are your best? Thank you? I really I was

1:09:14.800 --> 1:09:16.479
<v Speaker 1>moved when I heard that ad. I was like, Wow,

1:09:16.479 --> 1:09:20.719
<v Speaker 1>it's always the same. You're also you're improvised. Fake summer

1:09:20.800 --> 1:09:25.439
<v Speaker 1>ads were so apt, like put on the flip and

1:09:25.479 --> 1:09:30.120
<v Speaker 1>head to the beach because it's time for summer. Six Flags.

1:09:32.640 --> 1:09:34.519
<v Speaker 1>Now I have to go. You do have to go,

1:09:34.600 --> 1:09:36.960
<v Speaker 1>But I just want to say I want to go

1:09:37.320 --> 1:09:41.000
<v Speaker 1>to six Flags. Honey. Guess what, I'll drive you there

1:09:42.120 --> 1:09:45.679
<v Speaker 1>because we should. We literally take eight people and drive

1:09:45.760 --> 1:09:51.720
<v Speaker 1>to six Flags. Yes, okay, Francesca, it's all you. Well,

1:09:51.720 --> 1:09:53.519
<v Speaker 1>I want to say I did not come prepared with

1:09:54.120 --> 1:09:55.679
<v Speaker 1>neither did we. I don't know if that was clear,

1:09:55.760 --> 1:10:01.200
<v Speaker 1>but yeah, okay, okay, then I'm then hit it all right,

1:10:02.560 --> 1:10:05.360
<v Speaker 1>Hey everybody out there, I want to give a big,

1:10:05.720 --> 1:10:10.160
<v Speaker 1>big shout out to my favorite accessory for the summer Vans.

1:10:10.800 --> 1:10:15.160
<v Speaker 1>Yes it is hot, hot hot, and no, there's nowhere conditioner.

1:10:15.240 --> 1:10:17.519
<v Speaker 1>So you have to have a box fan or a

1:10:17.560 --> 1:10:20.120
<v Speaker 1>ceiling fan or some kind of fan that you put

1:10:20.120 --> 1:10:23.280
<v Speaker 1>around your room. And guess what, when you can't sleep,

1:10:23.360 --> 1:10:27.519
<v Speaker 1>it's great as white noise. Don't get a white noise machine.

1:10:27.560 --> 1:10:29.840
<v Speaker 1>Turn the fan up. She's the highest, steady and it

1:10:29.920 --> 1:10:33.960
<v Speaker 1>will blow hot air at you and dust this so

1:10:34.160 --> 1:10:37.559
<v Speaker 1>much dust in my fan. Yes, yes, yes, I couldn't

1:10:37.560 --> 1:10:42.240
<v Speaker 1>live with that. My fan. My fan is behind me now, fan,

1:10:42.400 --> 1:10:47.880
<v Speaker 1>so thank you, shut out shout. That was lovely. You know.

1:10:47.920 --> 1:10:50.680
<v Speaker 1>I actually just got a new a C unit and

1:10:51.040 --> 1:10:54.160
<v Speaker 1>um I put it in yesterday. We used it for

1:10:54.160 --> 1:10:56.000
<v Speaker 1>the first time and it drove me absolutely insane. It

1:10:56.040 --> 1:10:59.040
<v Speaker 1>was blowing the colder directly onto me. I couldn't find

1:10:59.200 --> 1:11:00.840
<v Speaker 1>it was too cold like and find a setting that

1:11:00.960 --> 1:11:04.599
<v Speaker 1>was like light. And the beginning of a C season

1:11:05.040 --> 1:11:09.599
<v Speaker 1>is difficult. It's a tough transition. It's a tough transition. Yeah,

1:11:09.720 --> 1:11:11.439
<v Speaker 1>and it is a C season. It's going to be

1:11:11.520 --> 1:11:14.840
<v Speaker 1>nine degrees on something, sleeping with a C on for

1:11:14.880 --> 1:11:17.479
<v Speaker 1>the last two days. God mine's not set up yet,

1:11:18.360 --> 1:11:22.519
<v Speaker 1>so get in before Sunday. Seriously, wait, Sunday is gonna

1:11:22.520 --> 1:11:25.599
<v Speaker 1>be ninety Yeah, I'm going to the beach on Sunday.

1:11:26.560 --> 1:11:30.920
<v Speaker 1>Maybe I'm going to a first birthday party? Wait, you

1:11:30.960 --> 1:11:34.080
<v Speaker 1>know a one year old? Yeah I have. I'm friends

1:11:34.080 --> 1:11:37.120
<v Speaker 1>with one year old. Yeah, actually know. Francesco and I

1:11:37.160 --> 1:11:39.559
<v Speaker 1>were both invited. We just don't feel like going. Yeah

1:11:39.560 --> 1:11:41.880
<v Speaker 1>I was invited to that, but I can't go because

1:11:42.439 --> 1:11:43.960
<v Speaker 1>I think my one year old friend told me she

1:11:44.040 --> 1:11:51.000
<v Speaker 1>hates both of you. Sorry too much. Can't handle that

1:11:51.360 --> 1:11:55.880
<v Speaker 1>candle that actually hurt my feeling can handily heat for

1:11:56.000 --> 1:12:02.280
<v Speaker 1>my one year old friend. Um, Francesca, this was a delight.

1:12:02.960 --> 1:12:06.640
<v Speaker 1>I hope we didn't talk over you too much. UM

1:12:06.920 --> 1:12:09.400
<v Speaker 1>tell us if we did, right now? Oh is that

1:12:09.439 --> 1:12:15.760
<v Speaker 1>in the podcast? Oh yeah, this is absolutely not. Let

1:12:15.760 --> 1:12:18.799
<v Speaker 1>me give a shout out to this. I'm feeling like, wait,

1:12:19.000 --> 1:12:20.640
<v Speaker 1>why did I do a shout out to fans? Like

1:12:20.640 --> 1:12:23.040
<v Speaker 1>I could have done other stuff. The fans are about

1:12:23.080 --> 1:12:24.960
<v Speaker 1>every single thing I've ever done. I mean that's literally

1:12:24.960 --> 1:12:26.720
<v Speaker 1>every episode of this podcast. And as we panic after

1:12:26.800 --> 1:12:28.080
<v Speaker 1>we put it out and we're like, wait, why did

1:12:28.120 --> 1:12:30.559
<v Speaker 1>we do that? That was an opportunity to do something right.

1:12:31.200 --> 1:12:34.320
<v Speaker 1>That being said, it's like, I'm not thinking about you guys,

1:12:34.360 --> 1:12:36.519
<v Speaker 1>or whether you talked over me. I'm thinking about me

1:12:36.560 --> 1:12:40.200
<v Speaker 1>and why I didn't, you know, take this opportunity to say,

1:12:40.240 --> 1:12:44.280
<v Speaker 1>like some really awesome stuff, right. That is like the

1:12:44.320 --> 1:12:46.200
<v Speaker 1>thing with all of this is Sam and I are

1:12:46.240 --> 1:12:50.720
<v Speaker 1>constantly worried about whether we alienated our guests, and then

1:12:50.760 --> 1:12:53.720
<v Speaker 1>our guests are constantly worried about whether or not they

1:12:53.760 --> 1:12:55.680
<v Speaker 1>took advantage of their a lot of time in the

1:12:55.720 --> 1:13:00.400
<v Speaker 1>best possible way. Whereas we also would never if an

1:13:00.400 --> 1:13:02.800
<v Speaker 1>episode went poorly, which this one did not, we would

1:13:02.840 --> 1:13:04.439
<v Speaker 1>never think to be mad at the guests. We would

1:13:04.439 --> 1:13:06.600
<v Speaker 1>always be like, why are we really weird? Yeah, we

1:13:06.640 --> 1:13:10.680
<v Speaker 1>get right totally. Well, that's like, that's it's part of

1:13:10.720 --> 1:13:14.000
<v Speaker 1>doing like a good job is like taking responsibility for yourself.

1:13:14.360 --> 1:13:17.280
<v Speaker 1>I'm always holding myself accountable and actually the buck stops

1:13:17.320 --> 1:13:19.840
<v Speaker 1>here too much, so I would say I'm constantly in

1:13:19.880 --> 1:13:24.040
<v Speaker 1>a state of holding myself accountable. Yeah, and I think

1:13:24.080 --> 1:13:27.080
<v Speaker 1>you need to be careful of that sometimes. Yeah, that's true.

1:13:27.400 --> 1:13:29.960
<v Speaker 1>Right right now, I think it's working for all of us.

1:13:30.120 --> 1:13:36.799
<v Speaker 1>Thank you well, thank you, and have a lovely time.

1:13:39.600 --> 1:14:06.840
<v Speaker 1>She wants want to say, just want to se