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Speaker 1: Okay. Podcast starts now. Hello all and welcome to Stradio lab. Um.

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Speaker 1: I have nothing incredible to say after that. I've been

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Speaker 1: critiqued to hell for my rifts up top, so so

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Speaker 1: now I'm so self conscious that I can't speak. Um. Wait,

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Speaker 1: I was let I was intentionally because I have been

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Speaker 1: critical in the past, letting you, letting you do your intro.

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Speaker 1: Do you see how damaged we both are? You know? No,

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Speaker 1: we are both essentially trauma. We both have PTSD from

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Speaker 1: our own from living in our own bodies, from our

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Speaker 1: own intro section of our podcast specifically, um, which you know,

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Speaker 1: it's so sad to see that happen in real time.

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Speaker 1: I know people can go back to the early apps

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Speaker 1: and hear us bold, you know, unencumbered, self confident, and

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Speaker 1: now they'll come and they'll just hear the blank, dead

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Speaker 1: air of our trauma. Well, I'm just like, what more

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Speaker 1: is there to say? I do think often, Oh, you're

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Speaker 1: having one of those weeks. No, no, but I'm like,

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Speaker 1: here's what I struggle with, and this is you know, uh,

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Speaker 1: once again our favorite behind the scenes moment talking about

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Speaker 1: the podcast want to past? Yes, I'm like, who is

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Speaker 1: is am I speaking? To a listener that has been

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Speaker 1: listening the whole time, so they like get every little

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Speaker 1: reference and like totally get what we're um, you know,

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Speaker 1: like sorry, I'll cut the like no, keep the like

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Speaker 1: it's honest, it's raw. Okay, fine. Am I talking to

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Speaker 1: like a long time listener where I don't have to

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Speaker 1: be self conscious if I sound stupid because they know

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Speaker 1: that that sometimes we sound stupid. Am I talk to?

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Speaker 1: When you listener, I have to win over? Am I

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Speaker 1: talking to Let's say, a listener who has only listened

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Speaker 1: to like the three most high profile guests who have

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Speaker 1: ever had and is now, um, is now like okay,

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Speaker 1: I like this podcast, babe, I'll start listening weekly and

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Speaker 1: suddenly I immediately alienate them by literally exactly what I'm

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Speaker 1: doing now, for instance. So I think that is That

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Speaker 1: is why in the beginning it was so clear. It

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Speaker 1: was like we were introducing ourselves, whereas now it's like,

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Speaker 1: m what is this? Yeah, No, I think that's really smart.

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Speaker 1: I tend to lean on the side of, you know,

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Speaker 1: assume they know, just because it's it's out there, and

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Speaker 1: you know, if they don't know, that's on them, not

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Speaker 1: on me. Um. If you know you know, and many

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Speaker 1: are saying that, and so I feel like that is

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Speaker 1: the approach I take. And if they feel like doing

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Speaker 1: the work and doing the research, they can go back

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Speaker 1: and and if they're new listener, I think the confidence

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Speaker 1: of saying we know who we are and we don't

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Speaker 1: need to introduce ourselves to you that um. I mean,

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Speaker 1: it would be crazy if like you know, Ellen or

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Speaker 1: Larry King or Oprah got on their chair every day

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Speaker 1: and reintroduced themselves to their entire audience. And we're kind

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Speaker 1: of like, so like the way the show is kind

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Speaker 1: of gonna work is like I'm gonna have some guests

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Speaker 1: and like sometimes it's serious, sometimes it's funny, like something

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Speaker 1: like yeah, and like you know, I am Oprah. I mean,

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Speaker 1: I do love that. I think Oprah should start every

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Speaker 1: show with like, so I'm Oprah. I was like big

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Speaker 1: for a while, Like so I was small for a while,

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Speaker 1: like in Chicago, and then well then I was really

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Speaker 1: big and and then I kind of stepped away from

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Speaker 1: it because we like too much. And now I'm just

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Speaker 1: sort of like it's sort of an if you know,

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Speaker 1: you know type of thing. I guess, right, And then

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Speaker 1: she's like I'm in my garden. That's kind of you know,

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Speaker 1: it's like kind of part of my thing is that

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Speaker 1: I like grow vegetables, but it's not it's you know,

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Speaker 1: it's not like a big deal, like I don't alienate anyone,

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Speaker 1: but I do grow vegetables and this is a giant tomato.

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Speaker 1: But you know, anyway, our guest is, uh, you know,

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Speaker 1: Mohammed been someone that would be cool. I think for Oprah,

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Speaker 1: I think that'd be cool if she suddenly switched to

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Speaker 1: the cadence of a comedy podcaster. I think a lot

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Speaker 1: of them could benefit from that. I think Ellen that

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Speaker 1: would have saved Ellen if she had, you know, shifted

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Speaker 1: to sort of like radical transparency and not not an apology,

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Speaker 1: but sort of like, um, I guess my deal is like, um,

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Speaker 1: I'm well, I'm like funny, but I'm like, you know,

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Speaker 1: when you're like a comedian and then you're trying into

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Speaker 1: like a multi millionaire, you're kind of become crazy, and

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Speaker 1: so I guess that's kind of where I'm at right now.

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Speaker 1: Does that make any sense? And then she's always like

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Speaker 1: talking to her audiences like, am I being crazy right now?

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Speaker 1: Oh my god, you guys, this is so embarrassing. I mean,

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Speaker 1: that would be the most humanizing thing in the whole

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Speaker 1: wide world. Who is the But here's the thing though,

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Speaker 1: then people who do do that, who are famous, are like, well,

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Speaker 1: you can Chrissy te again and you can fake it.

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Speaker 1: I think Chrissy can fakes it, and I think, like,

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Speaker 1: you know, Jennifer Lawrence used to fake it a little bit,

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Speaker 1: Jennifer Lawrence. Well, that's the thing you can't. And this

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Speaker 1: is why celebrities are the most oppressed people is because

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Speaker 1: you're damned if you do, damned if you don't. If

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Speaker 1: you accept that you're glamorous movie star and act as such,

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Speaker 1: then you are alienating and if you try to be

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Speaker 1: relatable then everyone wants to actually murder you on the street. Well,

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Speaker 1: and I think the whole point is that one, if

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Speaker 1: you're faking humble and normal, you deserve to be murdered

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Speaker 1: on the street. There I said it. I'm using my

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Speaker 1: platform for good. Um. I do think the best thing

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Speaker 1: if you're a celebrity and you're seeking, you know, how

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Speaker 1: do I interact with the world. You know, it's just

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Speaker 1: sort of like just be sincere and not project sincerity,

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Speaker 1: just like sort of do what you want to do.

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Speaker 1: You know what I mean, So who does that? In

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Speaker 1: your opinion? Well, and I have an answer, actually, Ben Affleck,

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Speaker 1: I mean, I guess is that intentional? Though? I think

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Speaker 1: he just lives his life in his photographs. That's what

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Speaker 1: I mean. I think that's the way to do it.

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Speaker 1: You just have to sort of do what you're gonna

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Speaker 1: do and assume that photos be taken. Oh sure, sure,

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Speaker 1: but I guess I mean, like, yeah, so you're just

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Speaker 1: rejecting the idea of a curated personal back together. You're like,

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Speaker 1: no one should So you think no celebrities should have podcast,

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Speaker 1: No celebrities should have talk show. No, you're you're taking

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Speaker 1: you're twisting my words. You're using my words against me

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Speaker 1: in a way that I'm not. But like, would you

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Speaker 1: like it if Ben Affleck had his exact personality and

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Speaker 1: had a talk show and his whole thing was like

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Speaker 1: he was kind of drunk and like eating munchkins. I mean,

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Speaker 1: and then like, I mean, I guess what comment he'd

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Speaker 1: be like do you want I got an extra iced coffee?

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Speaker 1: That would actually change the entire talk show format? And

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Speaker 1: I think, actually, would it like be really nice? I

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Speaker 1: have to fully one, like you set that up as

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Speaker 1: like this is an insane thing that you're supposed to

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Speaker 1: like recoil at and you're saying, and I'm like this,

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Speaker 1: actually he works. No, I actually think ben Affleck should

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Speaker 1: replace Ellen done. I mean it would be a because

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Speaker 1: that is like every day he would sort of be like,

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Speaker 1: well here's like. It wouldn't be like, so do you

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Speaker 1: hear about this Trump guy. It would be like it

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Speaker 1: would be more like, um, I today don't feel like

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Speaker 1: doing anything and I don't really know why. And it

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Speaker 1: would and it would be like mmm, okay, now I'm listening. Yeah,

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Speaker 1: And then j Lo is in the audience. She does.

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Speaker 1: She leaves the dancing kind of a way. It just

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Speaker 1: covered in Sarobski crystals, pouring champagne for the guests, pouring champagne.

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Speaker 1: And you can blame her, she supports, who can blame whoever.

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Speaker 1: I'll say this, and I've said it before and I'm

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Speaker 1: not the first to say it. They both look the

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Speaker 1: best they've ever looked. They both the ben Affleck looks

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Speaker 1: the best he's ever looked. Okay, I'll take it. I'll

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Speaker 1: say a heart agree great. I'm I don't. I don't

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Speaker 1: really want to get into it, but the way that celebrities.

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Speaker 1: I'm starting to like notice more how celebrities age and

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Speaker 1: like a not chill way where I'm like, wait, what

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Speaker 1: are they doing? Are you talking about the friends reunion? Um? No,

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Speaker 1: I'm not, because you know, I'm not a friend's stand

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Speaker 1: as as we okay, okay, and we don't and actually

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Speaker 1: we don't have to because that would be cruel. But

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Speaker 1: that let's just say, my eyes popped out of my

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Speaker 1: skull when I saw the trailer for it? Is it rough? Well,

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Speaker 1: the women look great and the men not so much.

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Speaker 1: But isn't that like men are like supposed to not

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Speaker 1: look Okay? Once again, I don't I support men and

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Speaker 1: I don't want to I and I support them more

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Speaker 1: than women. But but I think there's a certain noncommittal

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Speaker 1: I think. I think women in Hollywood are so just

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Speaker 1: just so completely uh what's the word um attacked, Like

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Speaker 1: so so in a bind that there's no way like

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Speaker 1: they essentially have to constantly be doing procedures in order

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Speaker 1: to maintain in order to like project that they're even human,

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Speaker 1: whereas men, I think half act in a way like

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Speaker 1: I think I think a lot of what a lot

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Speaker 1: of men who who age weirdly in Hollywood. It's because

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Speaker 1: it's not it's not this thing that they're committed to

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Speaker 1: seven like the women are. They're just kind of like

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Speaker 1: letting themselves go. And then they're like, well, I guess

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Speaker 1: I'll have like a you know, I guess I'll like

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Speaker 1: stretch out my cheeks a little bit, and then it

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Speaker 1: looked weird. You know, this is I think this goes

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Speaker 1: back actually to the earlier conversation about like projecting a

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Speaker 1: certain self, where like I think women obviously have it

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Speaker 1: insanely harder and have to like look until they're seventy um,

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Speaker 1: but at least the assignment is clear. For men, it's

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Speaker 1: like like you have to be like, well, I don't

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Speaker 1: care actually how I look, but I have to look

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Speaker 1: kind of good the whole time, and I have to

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Speaker 1: like project a weird like casual effortless like aging man,

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Speaker 1: and it's like, what is that. Well, it's also like,

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Speaker 1: I mean, much like with women, when it looks like

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Speaker 1: they are trying too hard, it's uncool with men if

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Speaker 1: they're trying to hard. It also it's like emasculating because

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Speaker 1: then it's like, oh, oh, you so clearly got a facelift. Yeah,

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Speaker 1: what do you what? Are you gay? Yeah? You seem

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Speaker 1: gay because of your hot ass type facelift. Um. Now,

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Speaker 1: our next guest has gotten so much cosmetic surgery that

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Speaker 1: she's pretty much unrecognizable. Yeah, she her former self is gone,

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Speaker 1: but the new hair is snatched for the damn gods.

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Speaker 1: She really is snatched for the gods. So please, um,

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Speaker 1: you know, put your paws up for the one in

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Speaker 1: a Francesca. Whoa, whoa, who come on, come on, Frantise,

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Speaker 1: come on, coming in like a fire truck. Hello. Hello.

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Speaker 1: Before we started, I was feeling I feel a little bit,

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Speaker 1: uh like shy and quiet. Usually it's kind of my

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Speaker 1: big thing that I tell people when I'm drunk, and

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Speaker 1: you are drunk right now, Just to be clear, I'm not.

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Speaker 1: It's one thirty. You guys didn't mention that. Actually, oh

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Speaker 1: that's right. We were literally going to talk about how

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Speaker 1: we're recording the earliest we've ever recorded it essentially morning. Yeah,

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Speaker 1: we are tired, we are waking up. I'm literally having

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Speaker 1: a coffee. I mean yeah, this is a morning episode. Okay,

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Speaker 1: So wait, Francisco, what were you saying? Oh I was

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Speaker 1: going to say that, Um, sometimes I have a hard

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Speaker 1: time bringing the energy immediately. So something I did on

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Speaker 1: stage was like I would force myself to go out

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Speaker 1: going like and it would kind of bring me up

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Speaker 1: inside the comedians I did today. Wait, here's a very

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Speaker 1: kind of radio lab question. Where do you stand on

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Speaker 1: introvert versus extrovert discourse? That's an interesting question because for

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Speaker 1: a while I really resented the fact that everyone was like, oh,

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Speaker 1: you're an extrovert, Like, to me, that's a disc right, Oh,

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Speaker 1: people would say that you're an extract. Well, it's it's

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Speaker 1: it's coded to be like you're dumb people to like,

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Speaker 1: if you're saying you're shot, if you're saying you see

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Speaker 1: yourself as shy and that you have stage right and stuff,

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Speaker 1: that maybe makes me think, oh, you're an introvert. Totally totally.

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Speaker 1: I think that it's like one of those things of

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Speaker 1: like shyness, isn't introversion which a lot of people don't write,

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Speaker 1: isn't that a thing? Totally? Like? I mean, I in

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Speaker 1: my mind, okay, I can't now I'm like earnestly talking

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Speaker 1: about and my mind is like you get energy from

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Speaker 1: being alone, and extroverts you get energy from other people,

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Speaker 1: right right, right? I think I'm half in half, I

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Speaker 1: would fully agree. I think I'm verse yes over yeah,

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Speaker 1: I would say I'm an extrovert if I can choose

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Speaker 1: hand pick the people. M and and you know what

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Speaker 1: I've been having recently as the world opens up? How

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Speaker 1: many times take a shot every time someone says when

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Speaker 1: the world opens up, um um. I've like I can

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Speaker 1: hang out with people for like three hours. But then

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Speaker 1: I started to get like really tired all of a

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Speaker 1: sudden in a way that I can't It is very

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Speaker 1: new and I don't know what become introverted. And I

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Speaker 1: literally can't like talk anymore, like I'll just sort of

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Speaker 1: like run out of stuff. I feel your body feels

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Speaker 1: tired here. My body feels tired. My eyes like I

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Speaker 1: feel myself starting to like get droopy, and I'm like,

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Speaker 1: I like start yawning, and I'm like, I gotta get

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Speaker 1: out of here before I like fall asleep at this

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Speaker 1: gathering this park hang like and it was weird. I

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Speaker 1: went to shout out Amy Zimmer's um park day hanging.

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Speaker 1: George was there. I was invited, but I didn't go.

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Speaker 1: I just want to I of I love purposefully disrespecting

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Speaker 1: our one friend Nam is, and why didn't you go?

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Speaker 1: Did you think it was not worth it or well,

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Speaker 1: I was actually taking care of my grandpa, New Jersey. Okay,

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Speaker 1: Well so yeah, my family's had a hard year and

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Speaker 1: you and you Okay, so you're choosing family over chosen family.

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Speaker 1: That's interesting. Yeah, blood is thick, So you're straight kind

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Speaker 1: of antiquier in ways that in that way, I am

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Speaker 1: actually and that you care about your family, yeah, and

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Speaker 1: that I love my family and I don't have a

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Speaker 1: chosen family, have a chosen family. As you were invited

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Speaker 1: to Amy's part, I mean, I'm sure she won't be

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Speaker 1: inviting you in the future after you disrespected her in

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Speaker 1: this way. I think I want to clear for that.

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Speaker 1: I said that because I think I don't want the

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Speaker 1: audience to be like, oh, this is awkward. These people

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Speaker 1: went to this birthday party that the guest wasn't even

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Speaker 1: invited to, but I was, and now suddenly it's about you. Yeah. No,

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Speaker 1: I love that you gave us permission to always fully

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Speaker 1: talk about the party and not have to couch it

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Speaker 1: and like sorry, sorry, sorry, right right right, yeah, so

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Speaker 1: go ahead. Um, So, anyway, I was having a blast,

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Speaker 1: I was having fun and then you know, around three

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Speaker 1: hours in, I'm talking to a friend and I was like, well,

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Speaker 1: I I do have to go, and running out of

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Speaker 1: things to talk about. But I but it's weird because

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Speaker 1: you can't be like I'm tired because it's like five pm.

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Speaker 1: But that's kind of what I was like. I did

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Speaker 1: say like, I think I'm gonna go because I'm tired,

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Speaker 1: and then and then I felt kind of crazy. I

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Speaker 1: did feel you, And I don't want to make you

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Speaker 1: more aware of this than you you are, but it

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Speaker 1: did feel sudden when you just like we're like and

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Speaker 1: I'm done, got up and just biked away. I really

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Speaker 1: was crashing and it was so I don't get it,

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Speaker 1: but it happened. And I'm also I'm a real like

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Speaker 1: late hanger. I love to stay till the end, and

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Speaker 1: so I'm trying to maybe challenge that in myself and

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Speaker 1: be like, well, why do you have to stay till

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Speaker 1: the end? Like maybe just get up and go. No

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Speaker 1: one cares, It's fine. That's interesting because I feel like

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Speaker 1: a party that is at like two o'clock, you could

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Speaker 1: stay till the end if it goes to like eight o'clock.

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Speaker 1: It's interesting that you choose a daytime event to leave

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Speaker 1: or like kind of before you want. And interestingly I

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Speaker 1: did stay until the very end. Really, please tell me

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Speaker 1: what time did it go. It went until I would

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Speaker 1: say like seven maybe six, So I literally left like

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Speaker 1: thirty minutes before the end. Uh yeah, I mean to me,

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Speaker 1: it was another after you left, I mean, doors opened up.

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Speaker 1: It was a completely different thing. People could talk about

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Speaker 1: things they couldn't talk about when you were there. Of everyone,

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Speaker 1: I would say, kind of exhaled. People were doing folk

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Speaker 1: dances while music. George, I know what you're talking about.

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Speaker 1: That thing that happens when I know, I know he

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Speaker 1: will know my definition. He can't know what it's like it,

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Speaker 1: but everyone does talk. Well, I don't know what it's like.

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Speaker 1: I'm not there, but I do know that there's a

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Speaker 1: culture of fear when I am there. Yes, and yes,

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Speaker 1: we'll imagine the opposite of that. Yeah, it's hard for

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Speaker 1: me to imagine it, but I can see it. No,

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Speaker 1: everyone was doing In fact, dance is much like that

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Speaker 1: famous Matisse painting where their arms are kind of it

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Speaker 1: became Midsummer kind movie. It's very It was actually exactly

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Speaker 1: like Midsummer. Someone was murdered, well, someone was sacrifice as

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Speaker 1: they should be, as they should be. A god, Francesco.

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Speaker 1: Once again, we're not letting our guests speak, and I'm

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Speaker 1: sorry about that. I'm sorry we're silencing you a queer woman. Wait,

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Speaker 1: what did you just call me? Wow? I was scary, Actually,

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Speaker 1: like I was scary. I saw the fear in your

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Speaker 1: eyem Really sorry, I'm really sorry. Yeah that's not okay.

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Speaker 1: I mean, yeah, well, what I was going to say

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Speaker 1: was I forget what I was going to say, something

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Speaker 1: about seeing George at an event on at a different birthday,

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Speaker 1: and I just want to make the record clear I

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Speaker 1: was invited to that event. I just did. Oh my god,

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Speaker 1: the symmetry. I mean, I'm the only loser going to

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Speaker 1: every every time I get an invite, I'm like, yeah,

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Speaker 1: I'll be there, George. You're a little overexposed really at everything.

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Speaker 1: The other day, I was planning something, just a very

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Speaker 1: simple drinks with a college friend and I was like acting.

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Speaker 1: I was like, should we invite so and so, who

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Speaker 1: I know from a different part of my life, you

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Speaker 1: would love them? And I ended up trying to invite

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Speaker 1: like four people and it's like, just calm down, I

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Speaker 1: really do that. I really can relate to that. And

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Speaker 1: it's always a mistake. I don't know what that is.

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Speaker 1: It's like self sabotage. It's like not wanting to have

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Speaker 1: a good Jome. I think it's optimistic too. You're like,

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Speaker 1: why can't these people all get along? Like right? It's

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Speaker 1: stress It always always stressful. Yeah, we'll wait. Francesca, how

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Speaker 1: was seeing George at that party? I felt like you

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Speaker 1: had a Oh no, I was just I remember what

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Speaker 1: I was gonna say. I was gonna say I told

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Speaker 1: George because I actually had not really met George before that,

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Speaker 1: before this past Sunday um and I did say I'm

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Speaker 1: going to be on your podcast, and I haven't been

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Speaker 1: on that many podcasts, and I have this feeling like

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Speaker 1: I don't have the gift of other podcast guests where

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Speaker 1: you can just I can just kind of like talk

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Speaker 1: for an indefinite amount of time about anything and like

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Speaker 1: be so happy to be talking about it, or like,

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Speaker 1: I don't you know what I'm like that that kind

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Speaker 1: of like yes, yes, yes, yes, oh my god, and

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Speaker 1: then yes, yes, yes I do know. We are both

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Speaker 1: were on cocaine, right, And that wasn't a dish to

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Speaker 1: you guys. It was more of a guess, not the host.

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Speaker 1: It's like a different energy, but you're I think a

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Speaker 1: different energy is like you know, and sort of in

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Speaker 1: the same way. When we started this podcast as podcast host,

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Speaker 1: we were sort of like, well, we're not the typical

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Speaker 1: podcast host. I don't feel I feel like, you know,

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Speaker 1: we are very different from each other. We are um,

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Speaker 1: you know, we're not going for like sort of the

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Speaker 1: best friend thing. We are in kinrect coworkers and I

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Speaker 1: like to keep our distance and stop talking. Stop talking,

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Speaker 1: you're digging yourself in a hole. But you know, then

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Speaker 1: we found that um doing something a little different was

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Speaker 1: actually kind of fun. M Georgia was And that's so

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Speaker 1: difficult to prevent because you know, naturally, you'd think two

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Speaker 1: people would get closer, um and have more intimacy when

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Speaker 1: they're working together every week for over a year. But

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Speaker 1: we've done such a good job of maintaining an emotional distance,

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Speaker 1: and in fact, you know, at Amy Zimmer's birthday party,

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Speaker 1: shot out to Amy Zimmer, George took a real long

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Speaker 1: time to get over to say hi to me. I actually,

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Speaker 1: did you know what I was thinking about? And maybe

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Speaker 1: I'll save this for our next earnestness bonanza. But I

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Speaker 1: did have a feeling where I was like, it feels nice,

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Speaker 1: too sorry to do this, but almost like a family

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Speaker 1: member to not feel the need, like when we're in

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Speaker 1: the same space to I no longer feel the need

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Speaker 1: to like perform in anyway or like essentially acknowledgeing, essentially

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Speaker 1: walk over. Do you know what I mean? I was like,

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Speaker 1: it's beautifully, it's kind of very liberating and nice. Yeah,

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Speaker 1: it's beautiful. It's funny. It's also funny just in Pandemic

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Speaker 1: and Frantisca. I'm so sorry that we are talking about ourselves. Um,

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Speaker 1: but I haven't. I haven't talked to either of you

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Speaker 1: in like a year, so I'm happy to can see

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Speaker 1: This is what I mean about us being bad podcast

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Speaker 1: host but it's kind of fun sometimes. But this is

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Speaker 1: the Ben Afflete different. It's different, but it's funny also

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Speaker 1: seeing you, George, because it's like I haven't like a

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Speaker 1: lot of these people I have not spoken to, like

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Speaker 1: maybe I've spoken to them once in the last year

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Speaker 1: and two months, and it's like we've spoken every week

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Speaker 1: for like the whole time, and it's so funny that

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Speaker 1: we like know so much about each other and can

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Speaker 1: just sort of like yeah, yeah, yeah, I get what

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Speaker 1: your deal is. I'm gonna talk to these people. It's

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Speaker 1: also like I am never gonna act like I am

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Speaker 1: never going to ask you at an in person event

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Speaker 1: what's up? Like I literally know everything happening in your life,

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Speaker 1: so we can we can talk about like something, we

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Speaker 1: can talk about a topic, but we're never going to

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Speaker 1: be catching up no god, which is like, which is

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Speaker 1: how every conversation starts. So when you don't have that excuse,

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Speaker 1: you then have to be like, Okay, well what do

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Speaker 1: you think about this topic? We are not afforded the

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Speaker 1: luxury of asking each other what's up. It's actually very

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Speaker 1: difficult and really hard. And also this brings me to

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Speaker 1: I think my next question is, so Francesco, what's up? Well,

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Speaker 1: I was gonna I was gonna say that. I feel

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Speaker 1: like that is a common U kind of quarantine side

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Speaker 1: effect of like people kind of becoming friends with like

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Speaker 1: mostly just one or two people, and a lot of

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Speaker 1: time it's like people that live near you and it's like,

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Speaker 1: oh wait, actually I know you so well by the

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Speaker 1: end of this year, and like I don't know exactly

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Speaker 1: what I'm getting at of just like I don't really

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Speaker 1: think that existed before this year really in the same way,

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Speaker 1: because it's not like they're my best friends, but they're

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Speaker 1: the only people that I hang out sure, like bringing

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Speaker 1: friends of convenience to like the highest degree, Like it's

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Speaker 1: just like yeah, but but I do. Yeah, they are

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Speaker 1: my best friends, but not before this year. I went

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Speaker 1: to the beach yesterday and he and I was like,

421
00:23:30,520 --> 00:23:35,400
Speaker 1: when is he going to bring it up? In fact,

422
00:23:35,560 --> 00:23:38,399
Speaker 1: I was like, okay, don't be mad at me, but

423
00:23:38,480 --> 00:23:40,399
Speaker 1: I was like, I thought that's that was going to

424
00:23:40,480 --> 00:23:42,560
Speaker 1: be like the big topic of the day. And I

425
00:23:42,640 --> 00:23:46,080
Speaker 1: was almost preemptively like, have we talked too much about

426
00:23:46,119 --> 00:23:48,679
Speaker 1: like how excited we are about the cliff Girl summer

427
00:23:48,720 --> 00:23:51,000
Speaker 1: that now it's like anticlimactic for you to talk about

428
00:23:51,000 --> 00:23:52,840
Speaker 1: going to the beach, you know what I mean? Well,

429
00:23:52,880 --> 00:23:55,399
Speaker 1: so you were censoring me before I even got the

430
00:23:55,480 --> 00:23:57,840
Speaker 1: chance to It has been on my mind this whole time.

431
00:23:58,040 --> 00:24:00,879
Speaker 1: Oh my god, I can't believe it's been on your

432
00:24:00,920 --> 00:24:04,200
Speaker 1: mind this whole time. And apparently Francesco saw the pictures

433
00:24:04,240 --> 00:24:07,040
Speaker 1: as well, so you know she's been thinking about it. Well,

434
00:24:07,160 --> 00:24:09,520
Speaker 1: I could tell there was something on your mind. I

435
00:24:09,560 --> 00:24:13,439
Speaker 1: didn't know exactly what, but there was something like, what

436
00:24:13,480 --> 00:24:18,119
Speaker 1: are you not saying? You know? It felt like, um,

437
00:24:18,119 --> 00:24:21,040
Speaker 1: you know, like a little closeted kid in class, but

438
00:24:21,160 --> 00:24:25,879
Speaker 1: clearly except your secret that you went to the beach. Right. Yeah, Well,

439
00:24:25,880 --> 00:24:28,000
Speaker 1: I guess I just didn't want to upset you know

440
00:24:28,240 --> 00:24:30,920
Speaker 1: you guys, because I know you both also want to

441
00:24:30,960 --> 00:24:33,400
Speaker 1: go to the beach someday. Can I Can I say

442
00:24:33,480 --> 00:24:35,760
Speaker 1: I saw the picture and I was this close. I

443
00:24:35,840 --> 00:24:38,879
Speaker 1: might have even started typing it, but I didn't. I

444
00:24:38,920 --> 00:24:44,920
Speaker 1: almost typed, Hey, hey, I have work off some week days.

445
00:24:45,040 --> 00:24:51,040
Speaker 1: Let me know. There's something to the effect of like,

446
00:24:51,080 --> 00:24:52,960
Speaker 1: I have a car, we could go to the beach

447
00:24:53,000 --> 00:24:56,240
Speaker 1: together if you want that. But no pressure is not

448
00:24:56,359 --> 00:25:00,439
Speaker 1: a weird message at all, and I would have loved it.

449
00:25:01,520 --> 00:25:04,280
Speaker 1: Can I say? I have been recently doing so much

450
00:25:04,280 --> 00:25:08,320
Speaker 1: of that of like basically starting a reply or comment

451
00:25:08,400 --> 00:25:11,479
Speaker 1: as though I'm a mom, Like just so often I

452
00:25:11,520 --> 00:25:14,840
Speaker 1: want to just comment on something online and just be

453
00:25:14,960 --> 00:25:17,000
Speaker 1: like I was thinking of you the other day, hope

454
00:25:17,040 --> 00:25:19,919
Speaker 1: you're well, like truly, and I have almost done that

455
00:25:19,960 --> 00:25:22,359
Speaker 1: like upwards of seven times in the last month, and

456
00:25:22,400 --> 00:25:25,439
Speaker 1: then I always like no, like rein it in but

457
00:25:25,560 --> 00:25:28,320
Speaker 1: it's like, why not? Oh, I say, go full mom,

458
00:25:28,400 --> 00:25:33,639
Speaker 1: live it up. I And I've also been like I'm

459
00:25:33,680 --> 00:25:36,800
Speaker 1: for this week. In particular, I've made potential plans with

460
00:25:36,880 --> 00:25:40,159
Speaker 1: four million people, all of which I've not followed up on.

461
00:25:40,280 --> 00:25:42,520
Speaker 1: But truly, every time I see someone and it's a

462
00:25:42,560 --> 00:25:45,960
Speaker 1: sincere feeling, I'm like, we should go to hear like

463
00:25:46,040 --> 00:25:49,680
Speaker 1: that would be so fun, But I just, um, don't

464
00:25:49,680 --> 00:25:51,520
Speaker 1: have to follow through. Should we do our first second?

465
00:25:51,560 --> 00:25:56,240
Speaker 1: I actually think we should? Okay, um, Francesco. Our first

466
00:25:56,200 --> 00:25:58,119
Speaker 1: second is called straight Shooters, and we ask you a

467
00:25:59,200 --> 00:26:01,720
Speaker 1: series of rap fire questions in order to gauge your

468
00:26:01,760 --> 00:26:05,800
Speaker 1: familiarity with straight culture. Basically, it's an airb question and

469
00:26:05,920 --> 00:26:08,160
Speaker 1: it means nothing. So don't you dare ask a follow

470
00:26:08,240 --> 00:26:12,280
Speaker 1: up question? Got it? Great? Yes? George? Do you want

471
00:26:12,280 --> 00:26:14,560
Speaker 1: to start? I have an idea of how to play

472
00:26:14,600 --> 00:26:17,160
Speaker 1: the game, which I know you're not supposed to have

473
00:26:17,680 --> 00:26:21,000
Speaker 1: and you're not supposed to have, but to me, I

474
00:26:21,160 --> 00:26:24,359
Speaker 1: understand how to play the game, and so just go

475
00:26:24,440 --> 00:26:29,359
Speaker 1: ahead and I'll play. Okay, wow, yeah, Okay, Well you're

476
00:26:29,400 --> 00:26:33,000
Speaker 1: already we're already deducting points. Your tone sings point is

477
00:26:34,800 --> 00:26:41,480
Speaker 1: you wish that apple bottom jeans or boots with the

478
00:26:41,520 --> 00:26:48,040
Speaker 1: fur mm hmm boots with the fur. Um, okay, Francesca

479
00:26:48,560 --> 00:26:51,840
Speaker 1: James Gendolfini or it cbt C teeny Weeny yellow Polka

480
00:26:51,880 --> 00:26:57,760
Speaker 1: Da Buchini. Mmmm, this is hard. Yeah, I have to

481
00:26:57,920 --> 00:27:02,560
Speaker 1: go with James Endelfoenie, even though I know he's gay

482
00:27:02,680 --> 00:27:06,240
Speaker 1: for you, canonically gay, I would say in the world

483
00:27:10,240 --> 00:27:13,359
Speaker 1: The Catcher in the Rye or John Tucker must die?

484
00:27:14,359 --> 00:27:19,680
Speaker 1: Who Well, you know I love Brooke from One Tree Hill,

485
00:27:19,960 --> 00:27:22,399
Speaker 1: So I have to go with John Tucker must not.

486
00:27:22,640 --> 00:27:27,480
Speaker 1: Everyone knows that. That's that's a fact. Um. Earth Wind

487
00:27:27,520 --> 00:27:33,120
Speaker 1: and Fire or hair body face mm hmmm mm hmm,

488
00:27:33,720 --> 00:27:37,200
Speaker 1: earth Wind and Fire. Sarah burrellis as a singer songwriter,

489
00:27:37,320 --> 00:27:40,680
Speaker 1: Sarah borellis as a Broadway autour or. Sarah burrellis as

490
00:27:40,680 --> 00:27:47,000
Speaker 1: a comedic performer. Damn, I never thought about that. I

491
00:27:47,040 --> 00:27:49,440
Speaker 1: never thought about the third. The third one is shed

492
00:27:49,520 --> 00:27:54,480
Speaker 1: you Show Girls five ever, Oh, you're right, you're right.

493
00:27:54,600 --> 00:27:58,600
Speaker 1: In that show, everybody is like transforms to me, like

494
00:27:58,680 --> 00:28:00,919
Speaker 1: who you know what I mean, you recognize them a

495
00:28:00,920 --> 00:28:06,480
Speaker 1: little bit, you can't place who they are. Oh man,

496
00:28:07,240 --> 00:28:11,480
Speaker 1: it's the stream, it's it's dreaming it's streaming now, isn't

497
00:28:11,560 --> 00:28:15,040
Speaker 1: out now streaming at the whole this feels like, this

498
00:28:15,080 --> 00:28:19,879
Speaker 1: feels like, actually, we're not supported by Girls five ever. Yeah,

499
00:28:20,040 --> 00:28:21,800
Speaker 1: and you didn't say if it was good or bad.

500
00:28:21,840 --> 00:28:24,080
Speaker 1: I still want to watch it. It's funny. We are

501
00:28:24,080 --> 00:28:27,920
Speaker 1: actually supported by Sarah Burellas, specifically the performer. Oh She's

502
00:28:27,920 --> 00:28:30,880
Speaker 1: good was our first ever sponsored straight shooter. Is Sarah

503
00:28:30,880 --> 00:28:33,040
Speaker 1: Burrellas wanted us to ask which of those three things

504
00:28:33,440 --> 00:28:36,640
Speaker 1: do people like her more? As so she can kind

505
00:28:36,640 --> 00:28:39,600
Speaker 1: of plan the rest of her career. Yeah, I think

506
00:28:39,640 --> 00:28:42,560
Speaker 1: I'm going to go with her as a Broadway composer.

507
00:28:42,720 --> 00:28:48,040
Speaker 1: Is that her Broadway a tour? No? But here's the thing.

508
00:28:48,280 --> 00:28:51,760
Speaker 1: My sister loves waitress and she's played me some of

509
00:28:51,760 --> 00:28:56,000
Speaker 1: the music and in my head and okay, there's two

510
00:28:56,680 --> 00:28:58,960
Speaker 1: formative memories for me about Sarah bure Ellis. One is

511
00:28:58,960 --> 00:29:02,240
Speaker 1: that my sister heard her singing on TV and was like,

512
00:29:02,880 --> 00:29:06,400
Speaker 1: you know, Sarah Burellis like, doesn't have a naturally pretty voice,

513
00:29:06,480 --> 00:29:09,680
Speaker 1: but she practiced so much and now she's great. Listen

514
00:29:09,720 --> 00:29:12,960
Speaker 1: to her. Someone I'm not I'm not gonna say who

515
00:29:13,000 --> 00:29:16,040
Speaker 1: it is, but it's someone the listeners would recognize. Was

516
00:29:16,080 --> 00:29:18,080
Speaker 1: telling me a story about how they were at a

517
00:29:18,120 --> 00:29:22,920
Speaker 1: dinner party with Sarah Burrellis and someone else who's like

518
00:29:23,080 --> 00:29:26,440
Speaker 1: was a straight guy, kind of acoustic guitar type, you know,

519
00:29:26,520 --> 00:29:29,160
Speaker 1: someone who likes playing the guitar but has a different career,

520
00:29:30,080 --> 00:29:32,280
Speaker 1: didn't recognize Sarah Brells to know she was. So they

521
00:29:32,280 --> 00:29:33,720
Speaker 1: were kind of like talking and he was like, what

522
00:29:33,760 --> 00:29:35,600
Speaker 1: do you do. She's like, I'm a musician. And then

523
00:29:35,600 --> 00:29:36,880
Speaker 1: he got excited because he was like, oh my god,

524
00:29:36,880 --> 00:29:39,400
Speaker 1: I'm also a musician, Like I've really been trying to

525
00:29:39,520 --> 00:29:43,000
Speaker 1: like do it more recently and going to like you know,

526
00:29:43,160 --> 00:29:47,720
Speaker 1: playing at bars and whatever. And and then basically they

527
00:29:47,760 --> 00:29:50,480
Speaker 1: talked the entire party without him realizing who he was

528
00:29:50,520 --> 00:29:52,440
Speaker 1: talking to. And then at some point at the end

529
00:29:52,840 --> 00:29:54,920
Speaker 1: it came out that she had an upcoming gig and

530
00:29:54,920 --> 00:29:57,120
Speaker 1: he was like, oh my god, where maybe we'll all come,

531
00:29:57,160 --> 00:30:04,280
Speaker 1: And she goes Madison Square Garden, damn love that ship. Yeah.

532
00:30:04,320 --> 00:30:06,680
Speaker 1: That to me, she's like down to earth, and and

533
00:30:06,720 --> 00:30:09,360
Speaker 1: that's the thing she was. She was embarrassed. She was

534
00:30:09,400 --> 00:30:11,960
Speaker 1: not at all dismissive, like she was so down to

535
00:30:12,000 --> 00:30:14,200
Speaker 1: earth the entire time, so much so that until the

536
00:30:14,280 --> 00:30:16,360
Speaker 1: very last moment, he had no idea she was about

537
00:30:16,360 --> 00:30:19,960
Speaker 1: to have and Madison Square gardened. She was ashamed. She

538
00:30:20,080 --> 00:30:23,240
Speaker 1: was like and she was like, I wish I could

539
00:30:23,280 --> 00:30:27,360
Speaker 1: cancel it. Yeah, you know my Sarah Bury yellous story.

540
00:30:27,560 --> 00:30:31,400
Speaker 1: How do you say her name? I say Barrella, babkay.

541
00:30:31,480 --> 00:30:34,360
Speaker 1: Sarah Barrella's story is that it's easier than you think. Yeah,

542
00:30:34,400 --> 00:30:36,600
Speaker 1: I love to add a little flare in. They're very

543
00:30:36,800 --> 00:30:41,360
Speaker 1: very yellous. Um. I met a gay man who is

544
00:30:41,360 --> 00:30:43,440
Speaker 1: obsessed with her. And you know, she's one of those

545
00:30:43,480 --> 00:30:46,000
Speaker 1: girls where I'm like, yes, she's working, she's talented, but

546
00:30:46,120 --> 00:30:49,080
Speaker 1: I've never thought of someone being obsessed with her. People

547
00:30:49,520 --> 00:30:52,640
Speaker 1: the Nora Jones crowd goes away. But I guess the

548
00:30:52,680 --> 00:30:54,640
Speaker 1: Nora Jones crowd, I never thought of them as going

549
00:30:54,680 --> 00:30:56,800
Speaker 1: wild at all. You know, I thought I've always figured

550
00:30:56,800 --> 00:31:00,320
Speaker 1: them being tastefully like, right, they go wild, respectfully be like.

551
00:31:01,240 --> 00:31:03,440
Speaker 1: But he was really like, oh, I've seen her twice

552
00:31:03,440 --> 00:31:05,720
Speaker 1: on the street. I did talk to her, but um,

553
00:31:05,760 --> 00:31:10,360
Speaker 1: and I was like, wow, Sarah Barella stands she has

554
00:31:10,400 --> 00:31:14,000
Speaker 1: super fans. Yeah, I mean she literally played Madith Square Garden. Yeah,

555
00:31:14,040 --> 00:31:16,680
Speaker 1: I mean I was a super fan yeah, and and

556
00:31:16,680 --> 00:31:19,440
Speaker 1: and nothing but respect because she truly seems like a wonderful,

557
00:31:19,480 --> 00:31:23,880
Speaker 1: lovely person. But imagine someone playing you know, fight or not.

558
00:31:24,000 --> 00:31:27,120
Speaker 1: That's not fight song? What's so brave? But like at

559
00:31:27,160 --> 00:31:30,880
Speaker 1: Madison and love something. Yeah, those are the two I know.

560
00:31:31,680 --> 00:31:34,400
Speaker 1: To me. The big one is a Gravity, which I

561
00:31:34,440 --> 00:31:36,960
Speaker 1: know because of so you think you can dance? They

562
00:31:37,000 --> 00:31:40,080
Speaker 1: did a dance to it, I think by Mia Michael's

563
00:31:40,200 --> 00:31:47,400
Speaker 1: or something and here, Yeah, I love Gravity and my

564
00:31:47,440 --> 00:31:49,760
Speaker 1: mom would play it in the car we get back

565
00:31:49,760 --> 00:31:53,880
Speaker 1: to the game. Is this your tactic to to sort

566
00:31:53,880 --> 00:31:57,240
Speaker 1: of confuse us and get us? Giving Sarah Barella's anecdotes,

567
00:31:58,120 --> 00:32:01,040
Speaker 1: I heard Sarah Barella's and I thought, like that I

568
00:32:01,040 --> 00:32:02,960
Speaker 1: have a lot to say. I do want to say.

569
00:32:03,000 --> 00:32:05,480
Speaker 1: This does track with my point that this is a

570
00:32:05,520 --> 00:32:09,480
Speaker 1: sponsored Straight Shooters segment where we like kind of organically

571
00:32:09,520 --> 00:32:13,440
Speaker 1: start talking about Sarah Barrella like Sarah is a sponsor,

572
00:32:13,720 --> 00:32:18,160
Speaker 1: She's a sponsor. You cannot ask for better marketing than

573
00:32:18,200 --> 00:32:21,640
Speaker 1: what we just did, Like we were very kind stopped

574
00:32:21,640 --> 00:32:25,040
Speaker 1: our segment in its tracks to have a very like,

575
00:32:25,680 --> 00:32:28,600
Speaker 1: very nice kind conversation about Sarah Brows. Were just like

576
00:32:28,680 --> 00:32:32,520
Speaker 1: mentioned various things we like about her, and that we

577
00:32:32,560 --> 00:32:35,640
Speaker 1: don't think like stupid people are like obsessed with her,

578
00:32:35,720 --> 00:32:38,440
Speaker 1: Like we think that she's classy like Nora Jones, very

579
00:32:38,480 --> 00:32:43,960
Speaker 1: classy but relevant today but relevant. Classy but relevant is

580
00:32:44,080 --> 00:32:47,800
Speaker 1: what I am. Chameleon and is chameleon. She is a chameleon.

581
00:32:48,000 --> 00:32:51,880
Speaker 1: Oh my god, we gotta stop, sir. This is insane.

582
00:32:52,600 --> 00:32:55,880
Speaker 1: She's a real musician, you know, she is a real musician.

583
00:32:56,000 --> 00:32:58,719
Speaker 1: She's I saw her perform with Ben Folds five on

584
00:32:58,960 --> 00:33:01,480
Speaker 1: TV once and I was like, this is good. I

585
00:33:01,480 --> 00:33:05,160
Speaker 1: mean to hear like a cover of Brick from Sarah

586
00:33:05,200 --> 00:33:09,239
Speaker 1: burrew that would make my day, Oh my god. And

587
00:33:09,320 --> 00:33:12,040
Speaker 1: I think she would be I think she wouldn't change

588
00:33:12,080 --> 00:33:14,360
Speaker 1: the pronot. I think she would sing it the original way.

589
00:33:14,440 --> 00:33:16,080
Speaker 1: She's a brick. I don't think she'd be one of

590
00:33:16,120 --> 00:33:20,640
Speaker 1: those musicians that change the prono. I'm straight. I'm straight. Yeah,

591
00:33:20,920 --> 00:33:23,160
Speaker 1: she's not. She's actually I would say, Sarah Borrellis is

592
00:33:23,200 --> 00:33:27,200
Speaker 1: one of the most important queer allies. And so with

593
00:33:27,280 --> 00:33:30,920
Speaker 1: that happy pride, everyone brought to you by Sarah burrellis Happy,

594
00:33:30,920 --> 00:33:34,920
Speaker 1: Happy Pride. Sarah Burrellis is. I guess we should say

595
00:33:34,960 --> 00:33:39,480
Speaker 1: what the Addis were performing at Joe's Pub for NYC

596
00:33:39,720 --> 00:33:42,800
Speaker 1: Pride brought to you by Tostito every day of June.

597
00:33:43,400 --> 00:33:46,160
Speaker 1: Every day of June, and she's doing an unpaid for

598
00:33:46,200 --> 00:33:50,880
Speaker 1: free all the proteins go to um actually just waitress

599
00:33:50,920 --> 00:33:56,440
Speaker 1: on Broadway. Al Right, Okay, we're getting back to straight shooters. Okay,

600
00:33:56,560 --> 00:33:59,760
Speaker 1: I'm back in the game. Gay Francesca Pure for Men

601
00:34:00,520 --> 00:34:06,480
Speaker 1: or a Lure by Chanel. A lure by Chanelle that

602
00:34:06,600 --> 00:34:10,839
Speaker 1: was the gayest straight shooting the idea pure for men

603
00:34:10,880 --> 00:34:13,640
Speaker 1: as part of the conversation about straight culture. Okay, we've

604
00:34:13,719 --> 00:34:16,560
Speaker 1: dropped that like years ago. I know you're right, you're right,

605
00:34:17,120 --> 00:34:19,560
Speaker 1: but you know, but I okay, in this next one,

606
00:34:19,640 --> 00:34:22,040
Speaker 1: one of them is I think a very straight culture thing. Okay,

607
00:34:22,680 --> 00:34:32,640
Speaker 1: modular furniture or ocular Migraines. That's actually tough because when

608
00:34:32,680 --> 00:34:35,439
Speaker 1: I think of modular furniture, I think of straight men

609
00:34:36,080 --> 00:34:40,640
Speaker 1: teaching a class at an art school. Who you know,

610
00:34:40,680 --> 00:34:44,520
Speaker 1: they're professional, but they teach. And then ocular Migraine is

611
00:34:44,640 --> 00:34:48,279
Speaker 1: my sixth grade teacher, Miss Fuller. Yeah, well she and

612
00:34:48,320 --> 00:34:53,239
Speaker 1: she was really straight. Yeah she is great. Great. I

613
00:34:53,239 --> 00:34:54,840
Speaker 1: actually was at a dinner party with her and I

614
00:34:54,880 --> 00:34:57,319
Speaker 1: didn't know she was a teacher until the very end. Yeah, yeah,

615
00:34:57,400 --> 00:34:59,200
Speaker 1: I met this gay guy at a party recently and

616
00:34:59,239 --> 00:35:02,279
Speaker 1: he sir, I didn't know she had stands. All her

617
00:35:02,320 --> 00:35:07,120
Speaker 1: students are getting yep, we all are, and she would

618
00:35:07,160 --> 00:35:11,000
Speaker 1: sit there at her desk in pain, you know. And

619
00:35:11,040 --> 00:35:16,960
Speaker 1: so I think, thinking about that, I must go with

620
00:35:17,440 --> 00:35:20,640
Speaker 1: I think I gotta go with modular furniture. Wow, way

621
00:35:20,640 --> 00:35:23,839
Speaker 1: to stab her in the back. She raised you, I

622
00:35:23,880 --> 00:35:28,239
Speaker 1: gotta go with that. Um, Okay, she raised me, so

623
00:35:28,360 --> 00:35:30,920
Speaker 1: I can betray her and she'll still love it. Right.

624
00:35:30,960 --> 00:35:32,759
Speaker 1: She raised you to be a free thinker, and you

625
00:35:32,800 --> 00:35:35,960
Speaker 1: don't have to support her just because she raised you. Exactly.

626
00:35:36,000 --> 00:35:38,960
Speaker 1: I'm so sorry that we keep delaying this segment. But

627
00:35:39,360 --> 00:35:42,200
Speaker 1: modular furniture, it's interesting that you think of someone teaching

628
00:35:42,200 --> 00:35:46,280
Speaker 1: at an art school. For me, it's like straight guy

629
00:35:46,640 --> 00:35:49,440
Speaker 1: having his first apartment and being like, okay, everything has

630
00:35:49,440 --> 00:35:52,200
Speaker 1: to make sense, like and kind of looking online and

631
00:35:52,239 --> 00:35:54,680
Speaker 1: being like, what is the most straightforward directed consumer couch

632
00:35:54,719 --> 00:35:56,880
Speaker 1: I can possibly buy? And then it's like margin is like,

633
00:35:56,920 --> 00:35:58,560
Speaker 1: oh great, so if I moved to a bigger place,

634
00:35:58,600 --> 00:36:02,480
Speaker 1: I can just like build on it. Interesting. I mean,

635
00:36:02,520 --> 00:36:04,520
Speaker 1: maybe I just don't have a good understanding of what

636
00:36:04,600 --> 00:36:08,839
Speaker 1: modular furniture Isn't it just like literally like you, it's

637
00:36:09,640 --> 00:36:13,040
Speaker 1: can buy more parts, So it's modular. You can change it, exactly,

638
00:36:13,040 --> 00:36:15,759
Speaker 1: transform it. And I guess I'm thinking about that and

639
00:36:15,800 --> 00:36:19,960
Speaker 1: more of like a I don't know coming from like

640
00:36:20,000 --> 00:36:25,800
Speaker 1: a like furniture design standpoint, but maybe that doesn't exist

641
00:36:26,360 --> 00:36:30,839
Speaker 1: like it's because I actually do that, and I am

642
00:36:30,880 --> 00:36:34,480
Speaker 1: one of those guys that teaches that. I'm thinking of

643
00:36:34,520 --> 00:36:40,160
Speaker 1: myself right there you go. Um So I don't know, Okay,

644
00:36:40,719 --> 00:36:46,480
Speaker 1: itty bitty Titty Committee or the Ways and Means Committee,

645
00:36:47,560 --> 00:36:52,600
Speaker 1: Ways and Means Committee, Itty Bitty Titty Committee is lesbian movie. Yeah,

646
00:36:54,000 --> 00:36:56,920
Speaker 1: I do have one final work normally we do for

647
00:36:57,040 --> 00:37:01,080
Speaker 1: but you have one final one Chronic Lime or st Hime.

648
00:37:02,600 --> 00:37:07,640
Speaker 1: Oh was that one of those things to hype you

649
00:37:07,719 --> 00:37:13,040
Speaker 1: up again? Yeah? I gotta go with st Him and

650
00:37:13,239 --> 00:37:18,120
Speaker 1: ste if you're out there. I love your bass playing. Incredible, incredible.

651
00:37:18,440 --> 00:37:23,440
Speaker 1: I um as, as many people know, I forgave time, right,

652
00:37:23,560 --> 00:37:26,200
Speaker 1: did you wait? I don't. I've listened to the show,

653
00:37:26,239 --> 00:37:27,880
Speaker 1: but not all of it. Is that something that happened

654
00:37:27,880 --> 00:37:30,400
Speaker 1: on the show. Mad at time? I was mad at

655
00:37:30,400 --> 00:37:33,280
Speaker 1: that I had held the grudge against them since the beginning,

656
00:37:33,520 --> 00:37:36,000
Speaker 1: because I went to see them at a very early

657
00:37:36,040 --> 00:37:40,360
Speaker 1: show and it was very annoying. Yeah, and it was

658
00:37:40,480 --> 00:37:43,239
Speaker 1: forgot the music was grudged. I thought you kind of

659
00:37:43,280 --> 00:37:45,399
Speaker 1: didn't like the whole vibe and you were like, why

660
00:37:45,440 --> 00:37:48,160
Speaker 1: are they sisters? No, I don't mind. I think it's

661
00:37:48,160 --> 00:37:50,560
Speaker 1: cool that they're sisters. It was I went to this

662
00:37:50,640 --> 00:37:55,840
Speaker 1: show at like that Poisson Rouge and it was like, um,

663
00:37:55,880 --> 00:37:58,839
Speaker 1: it was they were really like annoying on stage, Like

664
00:37:59,120 --> 00:38:02,040
Speaker 1: it was really like like aren't you lucky we're here?

665
00:38:02,080 --> 00:38:04,000
Speaker 1: And it was like you have one song out like

666
00:38:04,120 --> 00:38:08,799
Speaker 1: I don't know you really yeah, recently New York, and

667
00:38:08,840 --> 00:38:11,920
Speaker 1: it was just like very like self congratulatory and I

668
00:38:11,960 --> 00:38:14,279
Speaker 1: was like, guys, you have you haven't won me over

669
00:38:14,400 --> 00:38:17,400
Speaker 1: yet and you're pretending like it's the end. That's so interesting.

670
00:38:17,440 --> 00:38:19,719
Speaker 1: Gets My impression of them, and I saw them when

671
00:38:19,760 --> 00:38:24,719
Speaker 1: they were rowing that first album, was that they were

672
00:38:24,760 --> 00:38:28,719
Speaker 1: incredibly like technically good musicians. Like it's just like they

673
00:38:28,800 --> 00:38:31,080
Speaker 1: really put on a show. There's like this part where

674
00:38:31,120 --> 00:38:33,560
Speaker 1: they kind of do this like improvised drum thing where

675
00:38:33,560 --> 00:38:36,439
Speaker 1: they're all drumming and like they'll maybe do a cover

676
00:38:36,560 --> 00:38:39,880
Speaker 1: that's unexpected, like they're hitting all the beats and almost

677
00:38:39,960 --> 00:38:42,160
Speaker 1: I felt like there was a certain sense of like

678
00:38:42,239 --> 00:38:45,840
Speaker 1: home school vibe, like they have all grown up together

679
00:38:45,880 --> 00:38:50,760
Speaker 1: and played music together from like age zero, and there's

680
00:38:50,840 --> 00:38:55,400
Speaker 1: no almost spontaneity or like punk rock ethos about it.

681
00:38:55,440 --> 00:38:57,359
Speaker 1: Like it truly is like you are going to see

682
00:38:57,400 --> 00:39:02,120
Speaker 1: these like child musicians. Well right, And I think maybe

683
00:39:02,239 --> 00:39:05,360
Speaker 1: the show I saw was like a fluke, like it

684
00:39:05,440 --> 00:39:07,560
Speaker 1: seemed like they had like they kept having like friends

685
00:39:07,600 --> 00:39:09,880
Speaker 1: come on like not like musician friends, just like random

686
00:39:09,920 --> 00:39:12,400
Speaker 1: friends come on stage and like dance, and I was like,

687
00:39:12,480 --> 00:39:14,640
Speaker 1: this is so and I feel like I'm at like

688
00:39:14,640 --> 00:39:17,759
Speaker 1: a birthday party that I didn't mean to come to. Well,

689
00:39:17,760 --> 00:39:21,920
Speaker 1: they are very social, like everyone in l A knows them.

690
00:39:22,000 --> 00:39:26,319
Speaker 1: It's something that's a big part of Yeah, like that

691
00:39:26,320 --> 00:39:28,359
Speaker 1: that's a big part of their success. I'm feeling like

692
00:39:28,400 --> 00:39:32,399
Speaker 1: Sarah Brella sponsored this right, well, yeah, this time take

693
00:39:32,520 --> 00:39:38,120
Speaker 1: this kind of like yeh's actually interesting her biggest rivals. Yeah,

694
00:39:38,160 --> 00:39:40,279
Speaker 1: it's interesting because and we'll cut this obviously a Sarah

695
00:39:40,320 --> 00:39:44,160
Speaker 1: Burellas gets final cut. Say, but I personally actually really

696
00:39:44,200 --> 00:39:47,120
Speaker 1: like him and like them much more than Sarah Borrellas

697
00:39:47,120 --> 00:39:49,160
Speaker 1: but for the sake of this episode, it is all

698
00:39:49,200 --> 00:39:54,480
Speaker 1: about Sarah brellas right exactly. Yeah. I also like Himes music,

699
00:39:54,600 --> 00:39:57,880
Speaker 1: but they are terrible when it comes to Sarah Burella's

700
00:39:58,040 --> 00:40:01,799
Speaker 1: yea from a Sarah Burrella's perspective, I don't like him.

701
00:40:01,960 --> 00:40:04,120
Speaker 1: I mean, if we're looking if we're looking at him

702
00:40:04,239 --> 00:40:08,160
Speaker 1: through of Sarah Burrella's lens, their meaningless, They're invisible. I

703
00:40:08,160 --> 00:40:12,040
Speaker 1: don't even see, right. Do you think Sarah Burrella's just

704
00:40:12,120 --> 00:40:17,000
Speaker 1: like goes home and it's like those fucking bitches about him? Yeah,

705
00:40:17,040 --> 00:40:18,759
Speaker 1: I don't even think she wants to waste the breath.

706
00:40:19,000 --> 00:40:21,160
Speaker 1: She's actually so nice all the time and like, it

707
00:40:21,200 --> 00:40:22,560
Speaker 1: was nice to that guy at the dinner party, but

708
00:40:22,600 --> 00:40:24,759
Speaker 1: then when someone brings up home, she's like, are you

709
00:40:24,880 --> 00:40:27,719
Speaker 1: fucking kidding me? You're gonna say that to me? Yeah.

710
00:40:27,840 --> 00:40:30,400
Speaker 1: She has like big scenes of like firing her assistant

711
00:40:30,480 --> 00:40:32,840
Speaker 1: because they're like jamming out to him and she walks

712
00:40:32,840 --> 00:40:34,880
Speaker 1: in and they like cut it off really quick, and

713
00:40:34,920 --> 00:40:38,439
Speaker 1: she's like what was that and they're like nothing, It's

714
00:40:38,440 --> 00:40:41,560
Speaker 1: just a song. It was the radio or the assistant

715
00:40:41,600 --> 00:40:43,919
Speaker 1: comes and it's like, so, Sarah, I have good news

716
00:40:43,920 --> 00:40:47,400
Speaker 1: and bad news you have been booked on Lollapalooza, but

717
00:40:48,040 --> 00:40:50,640
Speaker 1: you're at the same stage as him and you're going

718
00:40:50,680 --> 00:40:53,520
Speaker 1: on before them. And Sarah was like, what's that son,

719
00:40:56,040 --> 00:40:59,400
Speaker 1: that's actually why she started doing musicals. Yeah, well she

720
00:40:59,520 --> 00:41:04,719
Speaker 1: was like, something that is my own. But the thing is,

721
00:41:05,040 --> 00:41:08,520
Speaker 1: you know what I've heard what Time is working on

722
00:41:08,560 --> 00:41:12,759
Speaker 1: a Phantom Thread musical. Is that a joke or is

723
00:41:12,760 --> 00:41:15,839
Speaker 1: that serious? I think it was a joke, but I

724
00:41:15,880 --> 00:41:20,000
Speaker 1: love it. Yeah, that would be awesome. And now, I

725
00:41:20,000 --> 00:41:24,280
Speaker 1: mean that's I mean Sarah has I mean, the thing is, like, honestly,

726
00:41:24,320 --> 00:41:26,600
Speaker 1: Sarah's right to be mad at them because I'm like

727
00:41:26,960 --> 00:41:29,279
Speaker 1: literally sees Sarah like doing her own thing and then

728
00:41:29,480 --> 00:41:32,960
Speaker 1: they just like they follow her career. Well, they always

729
00:41:32,960 --> 00:41:35,520
Speaker 1: say like, let's do the slightly more prestige version of that.

730
00:41:35,560 --> 00:41:38,320
Speaker 1: You know, you did Waitress, a kind of critically acclaimed

731
00:41:38,320 --> 00:41:41,800
Speaker 1: indie from two thousand seven. We're gonna do fucking Phantom Thread,

732
00:41:41,800 --> 00:41:45,640
Speaker 1: you dumb bitch. You're gonna do Phantom Thread on Broadway

733
00:41:45,840 --> 00:41:50,920
Speaker 1: and it's gonna star Harry Styles as the woman. Yeah,

734
00:41:51,680 --> 00:41:53,600
Speaker 1: I mean, I I was in a meeting recently and

735
00:41:53,640 --> 00:41:56,440
Speaker 1: I heard that I Am actually has like like a

736
00:41:56,800 --> 00:41:59,880
Speaker 1: like sitcom coming out that's like kind of like a

737
00:42:00,719 --> 00:42:05,840
Speaker 1: playing with like the tropes of like the riot girl type,

738
00:42:06,719 --> 00:42:09,000
Speaker 1: and so it's more of us Later Kenny. It's more

739
00:42:09,000 --> 00:42:11,080
Speaker 1: of us Leader Kenny type of thing, which obviously is

740
00:42:11,120 --> 00:42:14,040
Speaker 1: like going to be more prestigious and more like interesting

741
00:42:14,360 --> 00:42:18,919
Speaker 1: and and have a queer spin of course. So it's

742
00:42:18,960 --> 00:42:22,080
Speaker 1: just like, I mean, I'm sorry, Sarah, but they're they're

743
00:42:22,120 --> 00:42:25,440
Speaker 1: coming from must be she they have it out for her.

744
00:42:25,719 --> 00:42:28,680
Speaker 1: She must have like dated one of their brothers or something. Yeah,

745
00:42:28,840 --> 00:42:31,839
Speaker 1: well Sarah Brella is has three brothers, each of them

746
00:42:31,840 --> 00:42:35,879
Speaker 1: are dating a hid sister. Oh so they want her

747
00:42:35,960 --> 00:42:38,839
Speaker 1: out of the family. Yeah, well it's personal. They're like,

748
00:42:38,920 --> 00:42:41,120
Speaker 1: this is not symmetrical if you also have a sister

749
00:42:41,239 --> 00:42:44,520
Speaker 1: who's dating like some rando, Like that's not gonna work.

750
00:42:46,080 --> 00:42:49,719
Speaker 1: It's actually really cool, like they're trying to basically kick

751
00:42:49,760 --> 00:42:52,560
Speaker 1: her out of her own family family, which is just

752
00:42:53,440 --> 00:42:57,439
Speaker 1: because she's really just objectively speaking, like a Phantom Thread

753
00:42:57,560 --> 00:43:00,880
Speaker 1: musical and a Girl's Five of about a Slater Kenny

754
00:43:00,880 --> 00:43:07,120
Speaker 1: like band are great good ideas. To their credit, like creatively,

755
00:43:07,320 --> 00:43:09,560
Speaker 1: they're making the right choices. I mean, you have to

756
00:43:10,160 --> 00:43:12,839
Speaker 1: they have a pop. They have like a pop and

757
00:43:12,880 --> 00:43:18,120
Speaker 1: like sensibility that I think Sarah Burrelli's has never had. Wow,

758
00:43:18,680 --> 00:43:20,160
Speaker 1: do you know what I mean? They're gonna have to

759
00:43:20,200 --> 00:43:25,400
Speaker 1: cut that um tote. We're not in the Sarah Burrella's

760
00:43:25,440 --> 00:43:32,080
Speaker 1: sponsored segment anymore. Queen, We've done left. You can't buy me,

761
00:43:32,120 --> 00:43:35,040
Speaker 1: and neither can Sarah. I'm tired of this ship. Sarah

762
00:43:35,120 --> 00:43:36,800
Speaker 1: is like listening in so far, She's like it was

763
00:43:36,840 --> 00:43:38,200
Speaker 1: going so well, and I was just like, what the

764
00:43:38,200 --> 00:43:41,000
Speaker 1: fuck is this out? Like? Can we get a post

765
00:43:41,360 --> 00:43:43,239
Speaker 1: to this ship? No amount of money is going to

766
00:43:43,400 --> 00:43:49,239
Speaker 1: keep my mouth shut, Francesca. No, Francesca, you promised. The

767
00:43:49,320 --> 00:43:50,919
Speaker 1: one thing we needed you to do is not saying

768
00:43:50,920 --> 00:43:54,360
Speaker 1: anything bad about Sarah Burella's. Sarah, if you're listening, I

769
00:43:54,400 --> 00:43:57,799
Speaker 1: don't like you know she's listening, Francesca. Francesca, you know

770
00:43:57,920 --> 00:44:02,560
Speaker 1: she's listening. She literally obvious And I lied. I lied

771
00:44:02,560 --> 00:44:07,200
Speaker 1: about liking your song Gravity. I don't even like cample

772
00:44:07,239 --> 00:44:09,720
Speaker 1: the curtain like this. We promised we would all pretend

773
00:44:09,719 --> 00:44:13,319
Speaker 1: we love Sarah Barellis that so? I made up that

774
00:44:13,360 --> 00:44:17,200
Speaker 1: whole story about the dinner party. She can take away

775
00:44:17,239 --> 00:44:20,120
Speaker 1: her income at any moment. I'm gonna lose my house

776
00:44:20,160 --> 00:44:23,360
Speaker 1: over this. We're going to be shadow band and all

777
00:44:23,440 --> 00:44:27,799
Speaker 1: because you wanted to be like rebellious on Mike and

778
00:44:28,120 --> 00:44:33,520
Speaker 1: speak truth to Sarah. I'm sorry, that's okay. I've got

779
00:44:33,160 --> 00:44:36,040
Speaker 1: idea truth to Sarah. Yeah, and I agree with should

780
00:44:36,040 --> 00:44:39,399
Speaker 1: be getting to our topic exactly. Oh yeah, you mean

781
00:44:39,440 --> 00:44:48,480
Speaker 1: my topic someone's dawn because someone's shy. Wow. I think

782
00:44:48,480 --> 00:44:51,479
Speaker 1: I was just overcome by that feeling you were describing Sam,

783
00:44:51,520 --> 00:44:54,800
Speaker 1: where your whole body becomes tired. So you're doing that now,

784
00:44:54,880 --> 00:44:56,640
Speaker 1: but in a good in a good way, because I

785
00:44:56,680 --> 00:44:58,400
Speaker 1: was about to say, you're actually popping off. Yeah, I

786
00:44:58,440 --> 00:45:08,320
Speaker 1: kind of like, yeah, no, yeah, I wouldn't really. Um, So, Francesca, yes,

787
00:45:08,840 --> 00:45:12,200
Speaker 1: drop that topic in the chat. What was the straight

788
00:45:12,600 --> 00:45:14,959
Speaker 1: that made me say straight is? What was the straight

789
00:45:15,040 --> 00:45:17,680
Speaker 1: that made you say straight is for straight? Oh my god?

790
00:45:18,640 --> 00:45:23,640
Speaker 1: Shoutout culture ETAs shadow culture Eistas. I do listen to

791
00:45:23,680 --> 00:45:29,040
Speaker 1: that podcast, same and same here. Yeah, it's good, they're

792
00:45:29,040 --> 00:45:31,320
Speaker 1: not They're not a sponsor. This is not the Lasso

793
00:45:31,400 --> 00:45:36,000
Speaker 1: Tristas segment. Although, to be honest, Sarah Barella sponsoring a

794
00:45:36,080 --> 00:45:40,400
Speaker 1: segment does have Matt Rogers written all over. That's true.

795
00:45:40,480 --> 00:45:44,920
Speaker 1: He likes Saralla honey, he likes them all, Matt. And

796
00:45:44,960 --> 00:45:46,319
Speaker 1: if you disagree with me, you can come on this

797
00:45:46,360 --> 00:45:49,680
Speaker 1: podcast and fight me. Yeah, and honestly sneak peak maybe

798
00:45:50,120 --> 00:45:52,520
Speaker 1: and actually they are coming on, but that's coming later.

799
00:45:52,680 --> 00:45:54,759
Speaker 1: That's that's that's a straight for another time and for

800
00:45:54,800 --> 00:45:58,440
Speaker 1: another sponsored segment. Well, can I say it's pretty vulnerable

801
00:45:58,520 --> 00:46:00,799
Speaker 1: of me to say I listened that podcast because they're

802
00:46:00,840 --> 00:46:03,680
Speaker 1: not like my friends personally. I know Bowen, but I

803
00:46:03,680 --> 00:46:06,239
Speaker 1: don't know Matt. So it is kind of like me

804
00:46:06,360 --> 00:46:09,319
Speaker 1: saying I like Sarah brare Ells, like I like him,

805
00:46:09,440 --> 00:46:12,239
Speaker 1: like I don't know. The key is just like a

806
00:46:12,280 --> 00:46:16,280
Speaker 1: comedian to me, is to go on someone else's podcast

807
00:46:16,280 --> 00:46:18,279
Speaker 1: and talk about how you listen to some of their

808
00:46:18,320 --> 00:46:22,600
Speaker 1: episodes but all of last culture sta oh damn, you

809
00:46:22,760 --> 00:46:26,439
Speaker 1: got me. I didn't listen to all of the other

810
00:46:26,640 --> 00:46:29,720
Speaker 1: of the glass cultures. Okay, so which one did you skip?

811
00:46:30,800 --> 00:46:35,000
Speaker 1: And why I haven't listened in a couple of weeks. Actually,

812
00:46:35,520 --> 00:46:39,120
Speaker 1: anyway you want me to bring my topic, I mean,

813
00:46:39,440 --> 00:46:42,800
Speaker 1: do we have to spell it out? Okay? You mentioned

814
00:46:42,800 --> 00:46:45,520
Speaker 1: bringing the topic, but I haven't heard any opportunity for

815
00:46:45,560 --> 00:46:47,400
Speaker 1: me to bring myself actually, I'm sorry. Are you just

816
00:46:47,400 --> 00:46:50,879
Speaker 1: too busy talking about your favorite podcast? Culture? I didn't

817
00:46:50,920 --> 00:46:55,640
Speaker 1: know that that was the topic podcast. You guys were interested

818
00:46:55,680 --> 00:46:57,560
Speaker 1: in me saying that, so I thought i'd go with you.

819
00:46:58,160 --> 00:47:02,919
Speaker 1: But my inception, we egg on things we hate. Yeah,

820
00:47:02,960 --> 00:47:07,760
Speaker 1: we we beg for negative energy unfortunately both in this podcast,

821
00:47:07,520 --> 00:47:10,239
Speaker 1: and do you find that we do do that? Like

822
00:47:10,360 --> 00:47:13,279
Speaker 1: if something is like unenjoyable, we'll like try to make

823
00:47:13,320 --> 00:47:16,200
Speaker 1: it into a bigger part of the podcast. Do I

824
00:47:16,280 --> 00:47:18,400
Speaker 1: feel that you doing that? Are saying I was talking

825
00:47:18,400 --> 00:47:21,600
Speaker 1: to say? But I think but actually I'm more interested

826
00:47:21,640 --> 00:47:25,160
Speaker 1: in what you have to say. I never say yes,

827
00:47:25,520 --> 00:47:27,520
Speaker 1: and I don't. I don't believe it. But also if

828
00:47:27,520 --> 00:47:30,200
Speaker 1: I did believe it, how could I possibly tell you yet? Right,

829
00:47:32,400 --> 00:47:36,759
Speaker 1: I don't think that you do that because you don't

830
00:47:36,880 --> 00:47:38,879
Speaker 1: have that. I don't know you wouldn't want to do that.

831
00:47:38,880 --> 00:47:42,600
Speaker 1: That's fair, that's fair. So Francesco, what's the deal with

832
00:47:42,719 --> 00:47:55,480
Speaker 1: cars reveal? Yes? Oh yeah, my topic is cars? Alright? Well, sorry,

833
00:47:55,480 --> 00:47:57,960
Speaker 1: you have an incredibly produced sound effect that's just like

834
00:47:58,120 --> 00:48:01,640
Speaker 1: various different cars. Was so cute. The reason I thought

835
00:48:01,640 --> 00:48:06,040
Speaker 1: the reveal deserved a little pizzas. You're right, Sorry, I

836
00:48:06,120 --> 00:48:14,560
Speaker 1: jumped the gun. Um yeah, So I thought I'd come

837
00:48:14,600 --> 00:48:17,880
Speaker 1: on here to discuss cars with you guys. Well, basically,

838
00:48:17,920 --> 00:48:23,120
Speaker 1: my main quarantine interest has become cars, and I haven't

839
00:48:23,160 --> 00:48:26,880
Speaker 1: had really a community or opportunity to discuss it, so

840
00:48:26,960 --> 00:48:28,759
Speaker 1: I thought I could come on and maybe talk about

841
00:48:28,760 --> 00:48:33,560
Speaker 1: it with you guys, get your perspective on cars. So, so,

842
00:48:33,760 --> 00:48:36,560
Speaker 1: just to kick it off, do you how do you

843
00:48:36,560 --> 00:48:43,000
Speaker 1: believe that cars are straight? All right? Well? Basically, uh,

844
00:48:43,239 --> 00:48:49,080
Speaker 1: to me, the car community is almost well, it's just like, well,

845
00:48:49,080 --> 00:48:53,040
Speaker 1: it's almost exclusively straight, sis, men. And to clarify, you

846
00:48:53,080 --> 00:48:56,719
Speaker 1: don't mean the car community is than cars in community

847
00:48:56,719 --> 00:48:59,920
Speaker 1: with one another. You mean car and food like Pixar

848
00:49:00,000 --> 00:49:03,480
Speaker 1: as cars, right, or kind of like a lot where

849
00:49:03,520 --> 00:49:09,040
Speaker 1: many cars are right right right? No, I mean I

850
00:49:09,080 --> 00:49:13,839
Speaker 1: mean the men who drive them, yes, you know, um yeah,

851
00:49:14,400 --> 00:49:21,279
Speaker 1: you guys and gals that are behind the wheel. Yeah,

852
00:49:21,600 --> 00:49:26,080
Speaker 1: um yeah. I guess I just feel like, you know,

853
00:49:26,120 --> 00:49:29,279
Speaker 1: I'm on the internet a lot. I listened to a podcast,

854
00:49:29,400 --> 00:49:32,400
Speaker 1: my favorite podcast this year, No Offense to You guys

855
00:49:32,520 --> 00:49:35,480
Speaker 1: or Lost Culture. Eustace has been a podcast that if

856
00:49:35,520 --> 00:49:37,440
Speaker 1: anyone were to look it up and listen to it

857
00:49:37,480 --> 00:49:43,000
Speaker 1: would be absolutely humiliating. For what is it that that

858
00:49:43,040 --> 00:49:45,359
Speaker 1: podcast is like funny and my parents like it, But

859
00:49:45,760 --> 00:49:50,520
Speaker 1: this is one called Everyday Driver or these two guys

860
00:49:50,880 --> 00:49:56,160
Speaker 1: from Salt Lake City talk about which car people should

861
00:49:56,200 --> 00:49:58,920
Speaker 1: buy every day every week of the new car is

862
00:49:59,000 --> 00:50:01,160
Speaker 1: coming out. They have two episodes a week and I

863
00:50:01,239 --> 00:50:07,040
Speaker 1: listened to both of them. How long the episodes are now,

864
00:50:07,200 --> 00:50:10,360
Speaker 1: Oh my god? And I listened to it at regular speed.

865
00:50:10,400 --> 00:50:12,959
Speaker 1: I didn't even know, like double speed is. I can't

866
00:50:12,960 --> 00:50:15,600
Speaker 1: do that. It makes me feel crazy. Yeah, I mean,

867
00:50:19,800 --> 00:50:23,919
Speaker 1: where do I even begin? So you're diving into car

868
00:50:23,960 --> 00:50:28,960
Speaker 1: culture and do you? And you enjoy it? I love it.

869
00:50:29,000 --> 00:50:30,960
Speaker 1: I don't know what it is all of a sudden.

870
00:50:31,000 --> 00:50:36,400
Speaker 1: I love like learning about the engines and like transmissions

871
00:50:36,440 --> 00:50:39,120
Speaker 1: and how they work, Like I don't really know how

872
00:50:39,120 --> 00:50:40,839
Speaker 1: they work that well, but I feel like I've come

873
00:50:40,880 --> 00:50:44,120
Speaker 1: to a better understanding. I should say this all started

874
00:50:44,120 --> 00:50:47,600
Speaker 1: when I started my search to buy my own car. Okay,

875
00:50:47,760 --> 00:50:51,160
Speaker 1: So first of all, I'll let Sam tell his story

876
00:50:51,200 --> 00:50:53,720
Speaker 1: because it is history to tell. But recently Sam acquired

877
00:50:53,760 --> 00:50:56,480
Speaker 1: a car. Okay, I didn't know that I acquired a car.

878
00:50:56,640 --> 00:50:58,520
Speaker 1: This year. My uncle was getting a new one and

879
00:50:58,640 --> 00:51:00,480
Speaker 1: was getting rid of his and I was like, wait,

880
00:51:00,560 --> 00:51:03,880
Speaker 1: I want that's awesome. Can I ask for the making model?

881
00:51:04,480 --> 00:51:10,720
Speaker 1: It is a I think two thousand nine Toyota Highlander. Damn,

882
00:51:12,080 --> 00:51:19,200
Speaker 1: that's actually such a sexy car. That's so lucky. Sam.

883
00:51:19,320 --> 00:51:20,759
Speaker 1: Did you get it? Did you have to pay for

884
00:51:20,760 --> 00:51:24,000
Speaker 1: You gave it to me for free, which was actually

885
00:51:24,040 --> 00:51:29,280
Speaker 1: extremely nice. Yeah, that's awesome. Yeah, so it's it's truly changed.

886
00:51:29,360 --> 00:51:31,279
Speaker 1: I mean I've not done the research like you have,

887
00:51:31,520 --> 00:51:34,560
Speaker 1: and I appreciate, Like, I'm like, i think it's very

888
00:51:34,760 --> 00:51:37,719
Speaker 1: um responsible of you to sort of care on a

889
00:51:37,800 --> 00:51:41,279
Speaker 1: deeper level about what's going on in there. Um right,

890
00:51:41,680 --> 00:51:44,680
Speaker 1: I'm sort of just like whoops. And then I'm like

891
00:51:44,760 --> 00:51:50,520
Speaker 1: push it and push stars, push star backs, Drive pushed sex, Drive,

892
00:51:50,560 --> 00:51:54,560
Speaker 1: pushed the stut, sex Drive pushed the start. But I, um,

893
00:51:54,360 --> 00:51:56,840
Speaker 1: I'm driving around New York damn city. I drove to

894
00:51:56,880 --> 00:51:59,879
Speaker 1: the beach yesterday. It was crazy. That is amazing. Well,

895
00:51:59,920 --> 00:52:02,640
Speaker 1: I want to say my feeling about the Highlander, the

896
00:52:02,760 --> 00:52:05,200
Speaker 1: two as a nine Highlander is it is kind of

897
00:52:05,239 --> 00:52:10,279
Speaker 1: like mother of four vibes in a good way. In

898
00:52:10,280 --> 00:52:13,560
Speaker 1: a good way. Yeah, I'm excited. I'm truly excited to

899
00:52:13,600 --> 00:52:16,200
Speaker 1: like pack the car with the gaze and like hit

900
00:52:16,239 --> 00:52:19,160
Speaker 1: the beach. Yes, it's huge, it's pretty big. It has

901
00:52:19,200 --> 00:52:20,920
Speaker 1: like the fold up seat in the trunk that you

902
00:52:20,920 --> 00:52:23,799
Speaker 1: can can like seat like eight people technically. Oh my god,

903
00:52:23,880 --> 00:52:27,799
Speaker 1: it's an eight seating. Yeah. That is amazing and so

904
00:52:27,880 --> 00:52:31,360
Speaker 1: lucky for you, it really is. And you know that Toyota,

905
00:52:31,560 --> 00:52:34,799
Speaker 1: it's going to last you, last you a long time.

906
00:52:35,160 --> 00:52:38,680
Speaker 1: That's what they tell me, what people tell me, Francesca,

907
00:52:38,800 --> 00:52:41,360
Speaker 1: before this, did you have a passing interest in cars

908
00:52:41,440 --> 00:52:43,880
Speaker 1: or did you just snap one day decided you're going

909
00:52:43,920 --> 00:52:45,160
Speaker 1: to buy a car and you need to do as

910
00:52:45,239 --> 00:52:47,520
Speaker 1: much research as possible and then we're kind of rend

911
00:52:47,520 --> 00:52:51,279
Speaker 1: pilled into being a member of the part. Interesting you

912
00:52:51,280 --> 00:52:54,959
Speaker 1: should say that because it was I like the words snap,

913
00:52:55,040 --> 00:52:58,800
Speaker 1: because it was like something snapped and then all of

914
00:52:58,840 --> 00:53:01,960
Speaker 1: a sudden, I was a different person. I didn't recognize

915
00:53:01,960 --> 00:53:04,319
Speaker 1: myself when I looked at myself in the mirror. But

916
00:53:04,360 --> 00:53:08,560
Speaker 1: I will say like I, um my dad saved a

917
00:53:08,600 --> 00:53:12,480
Speaker 1: bunch of my childhood papers, as in like a file,

918
00:53:12,560 --> 00:53:16,600
Speaker 1: and I found it recently, and um, I found a

919
00:53:16,719 --> 00:53:23,680
Speaker 1: Christmas list from third grade and I did list a Porsche.

920
00:53:23,840 --> 00:53:26,120
Speaker 1: So to me, it's like Okay, so maybe my car

921
00:53:26,160 --> 00:53:31,200
Speaker 1: interests does kind of like proceed when I think it started.

922
00:53:32,239 --> 00:53:37,640
Speaker 1: Yeah you did. So how was your like car buying journey? Like,

923
00:53:37,680 --> 00:53:39,440
Speaker 1: because you did all this research, you found a car,

924
00:53:39,640 --> 00:53:41,239
Speaker 1: how how did all that go? And what did you

925
00:53:41,239 --> 00:53:43,919
Speaker 1: settle on? If I may ask? Yeah, I can tell

926
00:53:43,920 --> 00:53:47,920
Speaker 1: you guys. Um, I feel like my car buying journey

927
00:53:48,080 --> 00:53:54,600
Speaker 1: was like, uh, it felt crazed and like just constantly

928
00:53:54,680 --> 00:53:58,839
Speaker 1: every moment of my life on Facebook, marketplace, Facebook Marketplace, Craigslist,

929
00:54:00,239 --> 00:54:02,359
Speaker 1: just like searching what kind of car should I get?

930
00:54:02,400 --> 00:54:05,319
Speaker 1: Which kind of car should I get? Um? And a

931
00:54:05,400 --> 00:54:09,640
Speaker 1: big thing was that I wanted to get a stick shift, Yeah,

932
00:54:09,960 --> 00:54:14,440
Speaker 1: because of all beyond and this is like vulnerable as well. Um,

933
00:54:15,040 --> 00:54:18,560
Speaker 1: probably some kind of masculinity complex like I learned my

934
00:54:18,640 --> 00:54:20,759
Speaker 1: dad taught me in high school. But then like I

935
00:54:20,760 --> 00:54:23,880
Speaker 1: didn't have a car after high school and I kind

936
00:54:23,920 --> 00:54:25,480
Speaker 1: of forgot how to do it. And I was getting

937
00:54:25,480 --> 00:54:27,239
Speaker 1: this car and I was like, I want to know

938
00:54:27,280 --> 00:54:29,640
Speaker 1: how to do that, so I should just buy a

939
00:54:29,640 --> 00:54:33,920
Speaker 1: car with that. So I got it. And I talked

940
00:54:33,920 --> 00:54:36,000
Speaker 1: to my therapist about it, and she said that it

941
00:54:36,600 --> 00:54:39,440
Speaker 1: is a masculinity complex and that it's literally me wanting

942
00:54:39,440 --> 00:54:43,439
Speaker 1: to top the car, the top of the car. Yeah.

943
00:54:43,480 --> 00:54:45,759
Speaker 1: When I told my partner that, she said that, My

944
00:54:45,880 --> 00:54:47,799
Speaker 1: partner was like, I feel like she was kind of

945
00:54:47,880 --> 00:54:50,560
Speaker 1: posturing to you when she said that, like wanting she

946
00:54:50,600 --> 00:54:54,120
Speaker 1: has a masculinity. Well, she's a lesbian. Oh she's got

947
00:54:54,120 --> 00:55:00,319
Speaker 1: a complex on it. Something's wrong there, she well, yeah,

948
00:55:00,360 --> 00:55:06,400
Speaker 1: she's a lesbian anyway. So I was like, yeah, okay,

949
00:55:06,400 --> 00:55:08,879
Speaker 1: I guess I was trying to top the car. It's

950
00:55:08,920 --> 00:55:12,000
Speaker 1: kind of humiliating. It feels like humiliating, like I'm like

951
00:55:12,040 --> 00:55:17,200
Speaker 1: a teenage boy, like trying to Yeah, I really am.

952
00:55:18,520 --> 00:55:22,879
Speaker 1: I love the symmetry or not the symmetry, but the

953
00:55:22,880 --> 00:55:25,759
Speaker 1: the thread of like you telling her this and then

954
00:55:25,800 --> 00:55:28,960
Speaker 1: her trying to top you as a therapist by giving

955
00:55:29,040 --> 00:55:32,920
Speaker 1: this over therapized explanation of you trying to top the car,

956
00:55:33,120 --> 00:55:37,000
Speaker 1: and then you're suddenly not just and you're almost like

957
00:55:38,120 --> 00:55:43,920
Speaker 1: you're now bottoming in two ways by being like suddenly

958
00:55:44,160 --> 00:55:47,359
Speaker 1: embarrassed about your own desire to top a car and

959
00:55:47,440 --> 00:55:52,680
Speaker 1: be by like a therapist giving you a you know,

960
00:55:52,880 --> 00:55:56,120
Speaker 1: giving you this interpretation. Yes, And I should also say

961
00:55:56,400 --> 00:55:59,400
Speaker 1: I do have a sexual crush on my therapist, and

962
00:55:59,440 --> 00:56:03,640
Speaker 1: I did tell her that how she respond She responded

963
00:56:03,640 --> 00:56:07,040
Speaker 1: pretty well, She said, Oh I can see that that

964
00:56:07,239 --> 00:56:09,839
Speaker 1: feels big for you to tell me, Like, how does

965
00:56:09,840 --> 00:56:13,239
Speaker 1: that feel to tell me? That's how she responded, I

966
00:56:13,280 --> 00:56:15,200
Speaker 1: feel is it hard to get I mean, like this

967
00:56:15,280 --> 00:56:16,960
Speaker 1: is so off topic from the car, but it's like,

968
00:56:17,120 --> 00:56:19,359
Speaker 1: is it hard to like do the work when you're

969
00:56:19,400 --> 00:56:22,120
Speaker 1: like horny for your there? I mean this is something

970
00:56:22,160 --> 00:56:24,040
Speaker 1: that so many people who know a problem, so many

971
00:56:24,040 --> 00:56:26,279
Speaker 1: people know have like, yeah, is it just natural? I

972
00:56:26,280 --> 00:56:28,160
Speaker 1: mean that's what happened to I'm dying to talk to

973
00:56:28,280 --> 00:56:30,080
Speaker 1: I'm dying to talk to other people who feel the

974
00:56:30,120 --> 00:56:32,279
Speaker 1: same way because everyone is like, what are you with

975
00:56:32,520 --> 00:56:36,680
Speaker 1: Tony Soprano? And I'm like yeah, maybe. I mean the

976
00:56:36,760 --> 00:56:38,920
Speaker 1: thing is she was also in love with him. It's

977
00:56:38,960 --> 00:56:43,000
Speaker 1: called counter transference. Yeah, you know, like they wanted to

978
00:56:43,000 --> 00:56:45,200
Speaker 1: do each other. Yeah, I really wish they had. I

979
00:56:45,239 --> 00:56:50,240
Speaker 1: really want to steep no spoilers. I'm serious, you're watching,

980
00:56:52,480 --> 00:56:58,320
Speaker 1: you should actually put a spoiler alert, so sorry, um anyway,

981
00:56:58,440 --> 00:57:02,440
Speaker 1: so anyway you do. But there is something like masculine

982
00:57:02,440 --> 00:57:05,520
Speaker 1: about needing to do a stick shift that is like

983
00:57:05,800 --> 00:57:08,480
Speaker 1: it is very high school boy. I guess like it's

984
00:57:08,560 --> 00:57:10,920
Speaker 1: fun though that it's you wanting to do that, Like

985
00:57:10,960 --> 00:57:13,680
Speaker 1: it's like more playful and like because I have that

986
00:57:13,719 --> 00:57:16,200
Speaker 1: with something like I'm playing with a lot of masculine

987
00:57:16,240 --> 00:57:19,720
Speaker 1: things right now and like seeing like what is like

988
00:57:19,760 --> 00:57:21,360
Speaker 1: I feel like I mean I always do, but like

989
00:57:21,560 --> 00:57:24,480
Speaker 1: I feel like this mullet is very like kind of

990
00:57:24,520 --> 00:57:29,440
Speaker 1: like bad boy like like trucker guy. And then like

991
00:57:29,480 --> 00:57:33,880
Speaker 1: I've been like getting like stupider like man clothes because

992
00:57:34,440 --> 00:57:36,880
Speaker 1: like it's kind of fun and like you're like, well,

993
00:57:36,880 --> 00:57:39,120
Speaker 1: now that there's distance from it, I can like play

994
00:57:39,200 --> 00:57:45,000
Speaker 1: with this in a way that is not evil. Yeah, totally,

995
00:57:45,040 --> 00:57:47,920
Speaker 1: I think it's not evil. I don't think it's evil.

996
00:57:48,280 --> 00:57:51,680
Speaker 1: There's something like if there's something like you can you

997
00:57:51,760 --> 00:57:55,200
Speaker 1: relate to it feeling a little bit vulnerable though, like

998
00:57:55,280 --> 00:57:59,800
Speaker 1: the desire or like the reaching for it or something

999
00:57:59,800 --> 00:58:02,640
Speaker 1: like reaching for something I'm not it feels like what

1000
00:58:02,760 --> 00:58:07,320
Speaker 1: it is, sure, you know, but when you're grasping that stick,

1001
00:58:07,360 --> 00:58:10,440
Speaker 1: shift do you not? When I have the stick in

1002
00:58:10,560 --> 00:58:13,560
Speaker 1: my hand and I'm bobbling it. But I just want

1003
00:58:13,600 --> 00:58:16,320
Speaker 1: to say, like wouldn't you feel just like what if

1004
00:58:16,400 --> 00:58:21,000
Speaker 1: you got literally like a Barbie like a pink Barbie

1005
00:58:21,040 --> 00:58:28,040
Speaker 1: car wouldn't that feel equally vulnerable almost like or not vulnerable,

1006
00:58:28,080 --> 00:58:33,840
Speaker 1: but like it's not like like it's another performances kind

1007
00:58:33,880 --> 00:58:37,200
Speaker 1: of gender. Yeah, I guess is the goal complete neutrality

1008
00:58:37,240 --> 00:58:39,800
Speaker 1: when it comes to cars. Yeah, no, totally. I think

1009
00:58:39,840 --> 00:58:43,320
Speaker 1: it's like, I don't know, why do I feel this way? Yeah?

1010
00:58:43,360 --> 00:58:46,160
Speaker 1: Not everyone feels that way. Well, here's the kicker though.

1011
00:58:46,320 --> 00:58:49,520
Speaker 1: The car that I ended up buying was the absolute

1012
00:58:49,560 --> 00:58:54,400
Speaker 1: like most little bitch car I could have bought. It

1013
00:58:54,600 --> 00:58:58,720
Speaker 1: is not cool at all. It was very cheap. What

1014
00:58:58,920 --> 00:59:08,040
Speaker 1: is it for the it's accents? Tiny little tiny little tires. Yeah,

1015
00:59:08,080 --> 00:59:12,920
Speaker 1: it's a Hatchback, I should say as well, it's like

1016
00:59:12,960 --> 00:59:18,240
Speaker 1: a Honda Fit. But that's like very europe, very Europe. Yeah,

1017
00:59:18,240 --> 00:59:20,400
Speaker 1: I guess it is a little bit George rock Card

1018
00:59:21,440 --> 00:59:23,840
Speaker 1: Yeah yeah, yeah, I guess it is a little bit

1019
00:59:23,920 --> 00:59:30,080
Speaker 1: Europe George. Yeah. Yeah, no, it's tiny. I was thinking

1020
00:59:30,120 --> 00:59:35,800
Speaker 1: more of like to me, Europe is like like a Fia. Yeah. Sorry,

1021
00:59:35,880 --> 00:59:41,200
Speaker 1: is this interesting? I should I know? Is any of

1022
00:59:41,200 --> 00:59:44,400
Speaker 1: this car stuff interesting? I want I want to like

1023
00:59:44,920 --> 00:59:49,720
Speaker 1: delve as deep as possible into the masculinity and femininity

1024
00:59:49,760 --> 00:59:53,840
Speaker 1: of cars. But I right, no, no no, no, I just

1025
00:59:53,920 --> 00:59:56,280
Speaker 1: I don't know. I'm trying to ask the right questions

1026
00:59:56,320 --> 01:00:02,760
Speaker 1: and and just call the depths. I'm feeling cold. Can

1027
01:00:02,800 --> 01:00:08,320
Speaker 1: I say something about cars and straight culture? Because a

1028
01:00:08,440 --> 01:00:12,400
Speaker 1: show that I was watching was ship. I don't remember

1029
01:00:12,440 --> 01:00:13,800
Speaker 1: the show what it was called, but it was a

1030
01:00:13,800 --> 01:00:22,480
Speaker 1: Netflix show where they refurbished cars um like hot rods,

1031
01:00:22,520 --> 01:00:24,960
Speaker 1: like really old like classic cars, but they put like

1032
01:00:25,080 --> 01:00:28,560
Speaker 1: big engines in them. And there was a girl on

1033
01:00:28,600 --> 01:00:34,520
Speaker 1: the show named Constance Nuons or Noons, and she is

1034
01:00:35,000 --> 01:00:37,320
Speaker 1: she is like an engine girl, that's what they called her,

1035
01:00:37,520 --> 01:00:40,320
Speaker 1: or like motor girl. Like she's really smart and like

1036
01:00:40,400 --> 01:00:42,880
Speaker 1: has been building cars or engines since she was like

1037
01:00:42,920 --> 01:00:47,840
Speaker 1: a kid. But she is a absolutely sex symbol, like

1038
01:00:48,560 --> 01:00:51,920
Speaker 1: titties are always out. All of her pictures on her

1039
01:00:51,960 --> 01:00:55,440
Speaker 1: Instagram are like, you know, biting her nail in front

1040
01:00:55,440 --> 01:00:59,240
Speaker 1: of like an awesome car with like short shorts. It's

1041
01:00:59,280 --> 01:01:03,360
Speaker 1: just her thing is like sex playboy. But I build

1042
01:01:03,440 --> 01:01:07,800
Speaker 1: cars too, and that seems to be a real motive

1043
01:01:08,520 --> 01:01:11,120
Speaker 1: in the car community of like when there are women,

1044
01:01:11,520 --> 01:01:14,440
Speaker 1: they are sexy as hell. Well, I was about to say,

1045
01:01:14,520 --> 01:01:18,360
Speaker 1: like to me, I literally have memories of my cousin

1046
01:01:19,080 --> 01:01:22,960
Speaker 1: going to like car shows and the whole. Like the

1047
01:01:23,080 --> 01:01:27,240
Speaker 1: visual is like the car like there are women accompanying

1048
01:01:27,280 --> 01:01:30,640
Speaker 1: the cars, like sexy women accompanying the cars to show

1049
01:01:30,680 --> 01:01:32,960
Speaker 1: them off. But what you're saying is interesting because it's

1050
01:01:33,000 --> 01:01:37,960
Speaker 1: like a woman is basically like subverting that trope by

1051
01:01:38,040 --> 01:01:41,800
Speaker 1: also herself working on the cars, and so she's like

1052
01:01:41,880 --> 01:01:45,520
Speaker 1: playing with the male gaze so to speak. Right, that's

1053
01:01:45,600 --> 01:01:48,920
Speaker 1: also very video game girl like it's like like a

1054
01:01:49,080 --> 01:01:52,680
Speaker 1: totally character. It's always like, oh, I'm the best assassin

1055
01:01:52,680 --> 01:01:56,880
Speaker 1: in the world, and yeah, teas are like like Lara

1056
01:01:56,920 --> 01:02:01,920
Speaker 1: Cross exactly who I love? Who is really? Who is really?

1057
01:02:02,000 --> 01:02:08,480
Speaker 1: I wish? Can I say something fucked up? I actually

1058
01:02:08,720 --> 01:02:14,160
Speaker 1: love the Alicia vic Candi Lara Croft. That's something that

1059
01:02:14,320 --> 01:02:16,560
Speaker 1: is truly something that like you could have told me

1060
01:02:16,600 --> 01:02:18,080
Speaker 1: it came to me in a dream and I would

1061
01:02:18,080 --> 01:02:20,800
Speaker 1: have believed, Like now that you're saying it, I do

1062
01:02:20,880 --> 01:02:23,360
Speaker 1: remember that she played Lara Croft. But that seems like

1063
01:02:23,400 --> 01:02:28,520
Speaker 1: such a like joke of like like I don't know

1064
01:02:28,600 --> 01:02:30,480
Speaker 1: you have put her in Lara Croft. I don't know,

1065
01:02:30,520 --> 01:02:32,600
Speaker 1: Like it's like people don't know what to do with her.

1066
01:02:32,760 --> 01:02:37,280
Speaker 1: Well more for me, George Francesca, do you enjoy like

1067
01:02:37,320 --> 01:02:41,760
Speaker 1: I guess I'm what I'm confused about is like, like

1068
01:02:41,880 --> 01:02:45,760
Speaker 1: that anecdote, I'm like, does that excite you? Is that

1069
01:02:45,800 --> 01:02:49,160
Speaker 1: hot to you? Is that annoying to you? Is that? Like?

1070
01:02:49,360 --> 01:02:50,800
Speaker 1: I guess I would like to know more about how

1071
01:02:50,920 --> 01:02:54,040
Speaker 1: you feel about that. I wouldn't say it's hot to me.

1072
01:02:54,920 --> 01:02:58,840
Speaker 1: But Michelle Rodriguez in the Fast and Furious franchise is hot,

1073
01:02:58,880 --> 01:03:01,720
Speaker 1: and well, yeah, I mean saying, so what do we

1074
01:03:01,800 --> 01:03:06,200
Speaker 1: like one of the hottest people of any gender totally

1075
01:03:06,360 --> 01:03:09,560
Speaker 1: ever walk this. She's really hot. Remember when she and

1076
01:03:09,640 --> 01:03:15,280
Speaker 1: Cardelevine dated and they fed the tigers. There's pictures of it. Wow.

1077
01:03:15,600 --> 01:03:21,920
Speaker 1: What if Michelle Rodriguez was your lesbian therapist? Damn, damn,

1078
01:03:22,480 --> 01:03:24,560
Speaker 1: and she was like, yeah, you literally want to top

1079
01:03:24,600 --> 01:03:29,840
Speaker 1: the car Um Francesca, I feel as though we have

1080
01:03:31,320 --> 01:03:34,360
Speaker 1: gotten to the point where it's near the end. Ok.

1081
01:03:34,400 --> 01:03:37,560
Speaker 1: I guess I want to ask, now that you have

1082
01:03:37,600 --> 01:03:42,040
Speaker 1: a car, final car question, where are you going to go? Oh?

1083
01:03:45,120 --> 01:03:47,000
Speaker 1: Let me think about this for a second. I'll talk

1084
01:03:47,040 --> 01:03:50,520
Speaker 1: while you think I want to go. My dream is

1085
01:03:50,600 --> 01:03:56,440
Speaker 1: to find a gay swimming hole, maybe Upstate, maybe Vermond.

1086
01:03:56,760 --> 01:04:00,680
Speaker 1: I'm desperate to find like a gay clothing optional swimming hole.

1087
01:04:01,840 --> 01:04:04,320
Speaker 1: That it's like, It's like I could have goest written

1088
01:04:04,320 --> 01:04:06,200
Speaker 1: that ant like I could have written that answer like,

1089
01:04:06,480 --> 01:04:09,520
Speaker 1: oh very interesting. So do you want to drive to

1090
01:04:09,600 --> 01:04:13,720
Speaker 1: a clothing optional gay swimming hole? Never guess that that's

1091
01:04:13,760 --> 01:04:15,560
Speaker 1: what you wanted to know what they're calling? Come on,

1092
01:04:15,720 --> 01:04:19,400
Speaker 1: that is niche, that is that is that is that

1093
01:04:19,560 --> 01:04:23,040
Speaker 1: is me. I feel it's the most speciable answer from you. No, no,

1094
01:04:23,200 --> 01:04:26,160
Speaker 1: who is going to gay optional swimming holes? Who? On

1095
01:04:26,240 --> 01:04:30,560
Speaker 1: this point? Literally you, I have not been yet. I

1096
01:04:30,600 --> 01:04:38,600
Speaker 1: have not been yet, have I? Francesca like Stoneheng wait

1097
01:04:38,680 --> 01:04:41,680
Speaker 1: actually similar? Well, first my answer was going to be

1098
01:04:41,840 --> 01:04:45,880
Speaker 1: to space, but then my real answer because that's a

1099
01:04:45,960 --> 01:04:54,200
Speaker 1: joke to space in a in a a Monday accent. Sorry, yeah,

1100
01:04:54,200 --> 01:04:57,840
Speaker 1: I'm modifying it. It's going to have with a booster

1101
01:04:57,920 --> 01:05:02,440
Speaker 1: in rocket. You're actually doing the ride reboot exactly on

1102
01:05:03,000 --> 01:05:11,600
Speaker 1: the Roku channel. Yeah, exactly. Um, my real answer is

1103
01:05:11,680 --> 01:05:15,360
Speaker 1: Yosemite National Park. I've only wanted to go to Yosemite.

1104
01:05:15,760 --> 01:05:17,760
Speaker 1: I've always wanted to go. It's kind of long drive.

1105
01:05:17,840 --> 01:05:21,200
Speaker 1: That's a pretty big trip though. Yeah, I means are

1106
01:05:21,240 --> 01:05:23,080
Speaker 1: just a couple of hours, but yeah, go across the

1107
01:05:23,160 --> 01:05:25,840
Speaker 1: damn country. Sure. I think that I'm going to go

1108
01:05:25,920 --> 01:05:28,520
Speaker 1: to Los Angeles in August for the first time. You're

1109
01:05:28,520 --> 01:05:31,640
Speaker 1: going to drive there? I don't know yet. I haven't decided.

1110
01:05:32,520 --> 01:05:36,480
Speaker 1: I mean I seem so like against this plant. It

1111
01:05:36,680 --> 01:05:39,880
Speaker 1: just cross country drives stressed me out so much. It's

1112
01:05:39,880 --> 01:05:41,960
Speaker 1: just like a lot of driving. It's just a lot, yeah,

1113
01:05:41,960 --> 01:05:43,760
Speaker 1: because like I used to do San Francisco to l

1114
01:05:43,840 --> 01:05:46,280
Speaker 1: A all the time, which is obviously short comparatively, but

1115
01:05:46,360 --> 01:05:49,040
Speaker 1: like even that felt like a road trip. I like

1116
01:05:49,160 --> 01:05:52,280
Speaker 1: doing long drives. Yeah, I mean three days is a lot,

1117
01:05:52,920 --> 01:05:57,240
Speaker 1: but you split it up, right, That's what they say.

1118
01:05:57,320 --> 01:06:00,280
Speaker 1: You stop in Texas, you stop in Montana. You stuff

1119
01:06:00,800 --> 01:06:06,600
Speaker 1: damn your full? Well yeah yeah, can I borrow your

1120
01:06:06,600 --> 01:06:12,360
Speaker 1: car Sam to do that trip? Thanks? Oh, I trust

1121
01:06:12,400 --> 01:06:14,000
Speaker 1: you with it, you know, you know you should do

1122
01:06:14,280 --> 01:06:16,520
Speaker 1: both of you with your cars. Should do kind of

1123
01:06:16,520 --> 01:06:19,280
Speaker 1: a more budget version of Mad Max Fury Road and

1124
01:06:19,360 --> 01:06:22,919
Speaker 1: it's like your two used two thousand nine and chosen

1125
01:06:23,000 --> 01:06:26,080
Speaker 1: four team cars with like, Hi, I'm actually on top

1126
01:06:26,120 --> 01:06:29,960
Speaker 1: of playing guitars. Like well, that show that I was

1127
01:06:29,960 --> 01:06:33,080
Speaker 1: watching where they redo the cars, the Hot Rods, they

1128
01:06:33,200 --> 01:06:35,960
Speaker 1: built a car like that, the cut they cut the

1129
01:06:36,000 --> 01:06:38,800
Speaker 1: middle section out of a VW bus so that it

1130
01:06:38,840 --> 01:06:43,480
Speaker 1: looked like a military grade like window lists. Anyway, I

1131
01:06:43,520 --> 01:06:45,400
Speaker 1: don't know what that show is called, but you've got

1132
01:06:45,400 --> 01:06:48,880
Speaker 1: to watch it. We will, we will, Um. I think

1133
01:06:48,880 --> 01:06:51,400
Speaker 1: we should do our final segment. Then let's do it.

1134
01:06:51,960 --> 01:06:55,280
Speaker 1: Queen George, will you introduce it? I don't want to.

1135
01:06:55,400 --> 01:06:58,560
Speaker 1: Our final segment is called shout Outs, and in this

1136
01:06:58,600 --> 01:07:02,600
Speaker 1: segment we pay homage to one of the tenants of

1137
01:07:02,640 --> 01:07:05,480
Speaker 1: straight culture, which is the radio shout out, and each

1138
01:07:05,600 --> 01:07:09,480
Speaker 1: of us shouts out something that they are enjoying, or

1139
01:07:09,520 --> 01:07:11,960
Speaker 1: that they like, or that they recommend. Um, I can

1140
01:07:12,000 --> 01:07:19,120
Speaker 1: attempt one. What's up, listeners, how is everybody doing tonight?

1141
01:07:19,160 --> 01:07:22,320
Speaker 1: Come on, I want to hear you all, want you.

1142
01:07:23,720 --> 01:07:26,080
Speaker 1: I want to give a quick shout out too. That's right,

1143
01:07:26,240 --> 01:07:31,960
Speaker 1: me swas salads. The other day I got some green beans,

1144
01:07:32,000 --> 01:07:35,000
Speaker 1: something I so rarely cook because I'm like, who has

1145
01:07:35,000 --> 01:07:38,240
Speaker 1: the time. It turns out that time is two to

1146
01:07:38,280 --> 01:07:39,880
Speaker 1: four minutes. That you just have to put them in

1147
01:07:39,920 --> 01:07:42,920
Speaker 1: boiling water. You take them out. It's like a little snack,

1148
01:07:43,000 --> 01:07:45,840
Speaker 1: a little veggie snack. Veggie ships found dead because these

1149
01:07:45,840 --> 01:07:48,400
Speaker 1: are actual vegetables and you can put them in your mouth,

1150
01:07:49,240 --> 01:07:51,880
Speaker 1: get some green beans on there, get some potatoes and

1151
01:07:51,920 --> 01:07:53,640
Speaker 1: put them in the water as well, and because those

1152
01:07:53,640 --> 01:07:56,440
Speaker 1: for ten to fifteen minutes. And then what else do

1153
01:07:56,480 --> 01:08:02,320
Speaker 1: you need? Oh that's right, some eggs, some tomatoes, some

1154
01:08:02,480 --> 01:08:06,200
Speaker 1: tuna out of a can, and then make a simple dressing.

1155
01:08:06,400 --> 01:08:08,960
Speaker 1: And you had yourself not only a lunch, but I'll

1156
01:08:09,000 --> 01:08:11,280
Speaker 1: say it a dinner, which is when I had this

1157
01:08:11,320 --> 01:08:15,320
Speaker 1: salad last night at ten thirty pm for dinner. It

1158
01:08:15,560 --> 01:08:18,400
Speaker 1: was delicious. I'm actually hearing up thinking about it. So

1159
01:08:18,640 --> 01:08:24,160
Speaker 1: once again, a shout out to a niche swas salad. Whoa, whoa, Okay,

1160
01:08:24,200 --> 01:08:28,040
Speaker 1: I have one. What's up listeners? Um, I just want

1161
01:08:28,080 --> 01:08:33,240
Speaker 1: to give a huge, hearty shout out to Summer ad Copy.

1162
01:08:33,280 --> 01:08:36,559
Speaker 1: I heard an advertisement that was like, ready for some

1163
01:08:36,640 --> 01:08:38,720
Speaker 1: fun in the sun. We'll get your bikini and lick

1164
01:08:38,760 --> 01:08:40,960
Speaker 1: on the ice cream because you're about to dip in

1165
01:08:40,960 --> 01:08:43,880
Speaker 1: the pool, and I was like, what else? Summer ad

1166
01:08:43,880 --> 01:08:46,120
Speaker 1: copy has been the same literally the whole time I've

1167
01:08:46,120 --> 01:08:49,920
Speaker 1: been alive. Suddenly I was transported to any age because

1168
01:08:50,040 --> 01:08:52,360
Speaker 1: when you're in the summer, there is no time, it's

1169
01:08:52,400 --> 01:08:54,880
Speaker 1: just summer. And I love that. It really made me

1170
01:08:54,880 --> 01:08:57,519
Speaker 1: feel safe. It made me feel at home, and Honey,

1171
01:08:57,640 --> 01:08:59,920
Speaker 1: with the kids at home, you're gonna want a fun activity.

1172
01:09:00,200 --> 01:09:04,040
Speaker 1: Go to six Flags. I was having a blast summer, bitch,

1173
01:09:04,280 --> 01:09:07,200
Speaker 1: if anything as possible and get on the flip flops

1174
01:09:07,240 --> 01:09:11,040
Speaker 1: and hit the sand. Am I right? X O x O, Sam,

1175
01:09:12,200 --> 01:09:14,720
Speaker 1: what are your best? Thank you? I really I was

1176
01:09:14,800 --> 01:09:16,479
Speaker 1: moved when I heard that ad. I was like, Wow,

1177
01:09:16,479 --> 01:09:20,719
Speaker 1: it's always the same. You're also you're improvised. Fake summer

1178
01:09:20,800 --> 01:09:25,439
Speaker 1: ads were so apt, like put on the flip and

1179
01:09:25,479 --> 01:09:30,120
Speaker 1: head to the beach because it's time for summer. Six Flags.

1180
01:09:32,640 --> 01:09:34,519
Speaker 1: Now I have to go. You do have to go,

1181
01:09:34,600 --> 01:09:36,960
Speaker 1: But I just want to say I want to go

1182
01:09:37,320 --> 01:09:41,000
Speaker 1: to six Flags. Honey. Guess what, I'll drive you there

1183
01:09:42,120 --> 01:09:45,679
Speaker 1: because we should. We literally take eight people and drive

1184
01:09:45,760 --> 01:09:51,720
Speaker 1: to six Flags. Yes, okay, Francesca, it's all you. Well,

1185
01:09:51,720 --> 01:09:53,519
Speaker 1: I want to say I did not come prepared with

1186
01:09:54,120 --> 01:09:55,679
Speaker 1: neither did we. I don't know if that was clear,

1187
01:09:55,760 --> 01:10:01,200
Speaker 1: but yeah, okay, okay, then I'm then hit it all right,

1188
01:10:02,560 --> 01:10:05,360
Speaker 1: Hey everybody out there, I want to give a big,

1189
01:10:05,720 --> 01:10:10,160
Speaker 1: big shout out to my favorite accessory for the summer Vans.

1190
01:10:10,800 --> 01:10:15,160
Speaker 1: Yes it is hot, hot hot, and no, there's nowhere conditioner.

1191
01:10:15,240 --> 01:10:17,519
Speaker 1: So you have to have a box fan or a

1192
01:10:17,560 --> 01:10:20,120
Speaker 1: ceiling fan or some kind of fan that you put

1193
01:10:20,120 --> 01:10:23,280
Speaker 1: around your room. And guess what, when you can't sleep,

1194
01:10:23,360 --> 01:10:27,519
Speaker 1: it's great as white noise. Don't get a white noise machine.

1195
01:10:27,560 --> 01:10:29,840
Speaker 1: Turn the fan up. She's the highest, steady and it

1196
01:10:29,920 --> 01:10:33,960
Speaker 1: will blow hot air at you and dust this so

1197
01:10:34,160 --> 01:10:37,559
Speaker 1: much dust in my fan. Yes, yes, yes, I couldn't

1198
01:10:37,560 --> 01:10:42,240
Speaker 1: live with that. My fan. My fan is behind me now, fan,

1199
01:10:42,400 --> 01:10:47,880
Speaker 1: so thank you, shut out shout. That was lovely. You know.

1200
01:10:47,920 --> 01:10:50,680
Speaker 1: I actually just got a new a C unit and

1201
01:10:51,040 --> 01:10:54,160
Speaker 1: um I put it in yesterday. We used it for

1202
01:10:54,160 --> 01:10:56,000
Speaker 1: the first time and it drove me absolutely insane. It

1203
01:10:56,040 --> 01:10:59,040
Speaker 1: was blowing the colder directly onto me. I couldn't find

1204
01:10:59,200 --> 01:11:00,840
Speaker 1: it was too cold like and find a setting that

1205
01:11:00,960 --> 01:11:04,599
Speaker 1: was like light. And the beginning of a C season

1206
01:11:05,040 --> 01:11:09,599
Speaker 1: is difficult. It's a tough transition. It's a tough transition. Yeah,

1207
01:11:09,720 --> 01:11:11,439
Speaker 1: and it is a C season. It's going to be

1208
01:11:11,520 --> 01:11:14,840
Speaker 1: nine degrees on something, sleeping with a C on for

1209
01:11:14,880 --> 01:11:17,479
Speaker 1: the last two days. God mine's not set up yet,

1210
01:11:18,360 --> 01:11:22,519
Speaker 1: so get in before Sunday. Seriously, wait, Sunday is gonna

1211
01:11:22,520 --> 01:11:25,599
Speaker 1: be ninety Yeah, I'm going to the beach on Sunday.

1212
01:11:26,560 --> 01:11:30,920
Speaker 1: Maybe I'm going to a first birthday party? Wait, you

1213
01:11:30,960 --> 01:11:34,080
Speaker 1: know a one year old? Yeah I have. I'm friends

1214
01:11:34,080 --> 01:11:37,120
Speaker 1: with one year old. Yeah, actually know. Francesco and I

1215
01:11:37,160 --> 01:11:39,559
Speaker 1: were both invited. We just don't feel like going. Yeah

1216
01:11:39,560 --> 01:11:41,880
Speaker 1: I was invited to that, but I can't go because

1217
01:11:42,439 --> 01:11:43,960
Speaker 1: I think my one year old friend told me she

1218
01:11:44,040 --> 01:11:51,000
Speaker 1: hates both of you. Sorry too much. Can't handle that

1219
01:11:51,360 --> 01:11:55,880
Speaker 1: candle that actually hurt my feeling can handily heat for

1220
01:11:56,000 --> 01:12:02,280
Speaker 1: my one year old friend. Um, Francesca, this was a delight.

1221
01:12:02,960 --> 01:12:06,640
Speaker 1: I hope we didn't talk over you too much. UM

1222
01:12:06,920 --> 01:12:09,400
Speaker 1: tell us if we did, right now? Oh is that

1223
01:12:09,439 --> 01:12:15,760
Speaker 1: in the podcast? Oh yeah, this is absolutely not. Let

1224
01:12:15,760 --> 01:12:18,799
Speaker 1: me give a shout out to this. I'm feeling like, wait,

1225
01:12:19,000 --> 01:12:20,640
Speaker 1: why did I do a shout out to fans? Like

1226
01:12:20,640 --> 01:12:23,040
Speaker 1: I could have done other stuff. The fans are about

1227
01:12:23,080 --> 01:12:24,960
Speaker 1: every single thing I've ever done. I mean that's literally

1228
01:12:24,960 --> 01:12:26,720
Speaker 1: every episode of this podcast. And as we panic after

1229
01:12:26,800 --> 01:12:28,080
Speaker 1: we put it out and we're like, wait, why did

1230
01:12:28,120 --> 01:12:30,559
Speaker 1: we do that? That was an opportunity to do something right.

1231
01:12:31,200 --> 01:12:34,320
Speaker 1: That being said, it's like, I'm not thinking about you guys,

1232
01:12:34,360 --> 01:12:36,519
Speaker 1: or whether you talked over me. I'm thinking about me

1233
01:12:36,560 --> 01:12:40,200
Speaker 1: and why I didn't, you know, take this opportunity to say,

1234
01:12:40,240 --> 01:12:44,280
Speaker 1: like some really awesome stuff, right. That is like the

1235
01:12:44,320 --> 01:12:46,200
Speaker 1: thing with all of this is Sam and I are

1236
01:12:46,240 --> 01:12:50,720
Speaker 1: constantly worried about whether we alienated our guests, and then

1237
01:12:50,760 --> 01:12:53,720
Speaker 1: our guests are constantly worried about whether or not they

1238
01:12:53,760 --> 01:12:55,680
Speaker 1: took advantage of their a lot of time in the

1239
01:12:55,720 --> 01:13:00,400
Speaker 1: best possible way. Whereas we also would never if an

1240
01:13:00,400 --> 01:13:02,800
Speaker 1: episode went poorly, which this one did not, we would

1241
01:13:02,840 --> 01:13:04,439
Speaker 1: never think to be mad at the guests. We would

1242
01:13:04,439 --> 01:13:06,600
Speaker 1: always be like, why are we really weird? Yeah, we

1243
01:13:06,640 --> 01:13:10,680
Speaker 1: get right totally. Well, that's like, that's it's part of

1244
01:13:10,720 --> 01:13:14,000
Speaker 1: doing like a good job is like taking responsibility for yourself.

1245
01:13:14,360 --> 01:13:17,280
Speaker 1: I'm always holding myself accountable and actually the buck stops

1246
01:13:17,320 --> 01:13:19,840
Speaker 1: here too much, so I would say I'm constantly in

1247
01:13:19,880 --> 01:13:24,040
Speaker 1: a state of holding myself accountable. Yeah, and I think

1248
01:13:24,080 --> 01:13:27,080
Speaker 1: you need to be careful of that sometimes. Yeah, that's true.

1249
01:13:27,400 --> 01:13:29,960
Speaker 1: Right right now, I think it's working for all of us.

1250
01:13:30,120 --> 01:13:36,799
Speaker 1: Thank you well, thank you, and have a lovely time.

1251
01:13:39,600 --> 01:14:06,840
Speaker 1: She wants want to say, just want to se