WEBVTT - Severance: Trojan's Horse

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<v Speaker 1>Spoiler alert.

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<v Speaker 2>This episode contains spoilers for the season so far and

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<v Speaker 2>also episode five, which at the point of recording was

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<v Speaker 2>the newest episode that had been released and that we

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<v Speaker 2>have seen, so we have not yet seen episode six,

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<v Speaker 2>even though that is out now.

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<v Speaker 3>Hello, it was Jason Eccepcion and I'm Rosie Knight, and

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<v Speaker 3>welcome back to x ray Vision, the podcast where we

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<v Speaker 3>dive deep to your favorite shows, movies, comics, and pop culture.

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<v Speaker 3>Coming from our podcast where we're bringing you three episodes

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<v Speaker 3>a week and we're finally doing it.

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<v Speaker 1>You are driving you to Severance.

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<v Speaker 2>And now it's happening sun Server Run. Yes, the people

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<v Speaker 2>want Severance, so here we are severancing it Up and

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<v Speaker 2>Jason are luckily not severed yet. We still know the

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<v Speaker 2>difference between the real life and the pod, but it's

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<v Speaker 2>getting stranger as twenty twenty five goes on. So in

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<v Speaker 2>today's episode in the Airlock, we will be recapping the

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<v Speaker 2>most recent episode of Severance, episode five, and throughout the

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<v Speaker 2>show we'll be talking about the impact and our fandom

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<v Speaker 2>of the series so far. Jason has a little delightful

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<v Speaker 2>omnibus for us about the King among Commoner's Trope, which

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<v Speaker 2>is really exciting.

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<v Speaker 1>And then we're gonna explore.

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<v Speaker 2>Our favorite fan theories and some of them are pretty wild. Guys,

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<v Speaker 2>We're going to debate ces is it robots? Is it?

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<v Speaker 1>None of the above?

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<v Speaker 2>We'll see and remember we are hosting our very first

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<v Speaker 2>book club. We will be covering Dead Evil Born Again,

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<v Speaker 2>the classic comic arc by Frank Miller and David Magicelli,

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<v Speaker 2>and we will be posting that episode on Tuesday, February

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<v Speaker 2>twenty fifth.

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<v Speaker 1>You still have three days to read the comment up.

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<v Speaker 3>Next, the Airlock Okay Severance Season two, episode five, Trojan Horse.

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<v Speaker 3>We open in the wake of the disastrous, truly disastrous

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<v Speaker 3>ortbo Outbuit Retreat team building occurrence, and it's revealed that

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<v Speaker 3>Helly was actually Helena Egan spying on the Innies and

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<v Speaker 3>the retreat that featured the removal of Irving's Glasgow Block,

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<v Speaker 3>resulting in his essential execution I Think I Love You.

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<v Speaker 3>We are somewhere inside lumin We see a worker take

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<v Speaker 3>possession of a tray of dental tools and then board

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<v Speaker 3>the mysterious elevator which goes we don't know where, but

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<v Speaker 3>I would imagine we're gonna find out soon. Audie Mark

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<v Speaker 3>is at home talking to his sister Devin on the phone,

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<v Speaker 3>while taking a tray of strange pills and drinking a

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<v Speaker 3>vial of stuff that looks scared early like the jars

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<v Speaker 3>from Don't Breed There like Little fALS.

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<v Speaker 2>Very reference that, but absolutely true. You don't want to

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<v Speaker 2>be drinking that stuff. I do feel like this episode

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<v Speaker 2>is bearing us even more towards kind of the genre,

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<v Speaker 2>the horror, the weirdness, because the fental trays, the strange files,

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<v Speaker 2>We're really getting into some creepy stuff right now.

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<v Speaker 3>Should also note that weird food is a theme in

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<v Speaker 3>this show. They're always eating like strange like in this

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<v Speaker 3>episode they eat like watermelon only at a party and

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<v Speaker 3>drink water and take strange pills. All of this is

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<v Speaker 3>very strange anyway. Mark tells Devin that apparently at the

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<v Speaker 3>or Bow his any Like took a spill, but otherwise

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<v Speaker 3>it's not a big deal. He continues to be unable

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<v Speaker 3>to burn messages into his eyeballs to send messages to

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<v Speaker 3>his any and then Recabi comes over actually to check

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<v Speaker 3>on him in the wake of the reintegration procedure that

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<v Speaker 3>he underwent. Nothing's really happening with that yet, Helena meets

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<v Speaker 3>with mister Drummond and Natalie and to talk about the

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<v Speaker 3>Calaminous Orbo. Dad would apparently be so troubled by the

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<v Speaker 3>events of the Orbo that he is being kept in

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<v Speaker 3>the dark about it, according to mister Drummond. And since

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<v Speaker 3>Mark is past eighty percent completion on whatever the Cold

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<v Speaker 3>Harbor project is, Helly's going to have to re emerge

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<v Speaker 3>back inside. No, she's going to have to go back

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<v Speaker 3>as Helly, not Helena, in order to keep Mark productive somehow,

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<v Speaker 3>because Mark is apparently crucial to this project, and which

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<v Speaker 3>is important information that we've kind of been getting beforehand.

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<v Speaker 3>And we also get the important I think something important

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<v Speaker 3>in the content of other stuff that happens in the scene.

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<v Speaker 3>We'll talk about it. Also in the omnibus, we get

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<v Speaker 3>this moment where Helena refers to the innies as basically animals.

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<v Speaker 3>They're less than people. They're not people, they're animals.

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<v Speaker 1>Yeah, which is harsh, harsh, but also telling. Okay, I

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<v Speaker 1>want to ask you a question about Helly Helena.

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<v Speaker 2>Yeah, because I saw a great video by I believe

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<v Speaker 2>it was my fang girl Frankie, just kind of talking

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<v Speaker 2>about like how even though Helena is you know, very

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<v Speaker 2>very complicit, very evil talking in this really harsh language, honestly,

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<v Speaker 2>like can you blame her for like not wanting to

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<v Speaker 2>go back as Helly? And every time Helly wakes up,

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<v Speaker 2>she's like being strangled, being drowned, Like listen, it's definitely

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<v Speaker 2>an ale muged as a very interesting and complex character

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<v Speaker 2>in this show, which I wasn't expecting post the reveal.

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<v Speaker 3>What's interesting about this show, in contrast to many other

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<v Speaker 3>Miss Your Box shows, and I would include lost in this,

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<v Speaker 3>is that the mystery mechanic itself is actually fascinating to

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<v Speaker 3>think about, Like if you were severed, like if you

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<v Speaker 3>were hell Helena not Helen Helena, you'd be like, yeah,

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<v Speaker 3>fucking Helly's not a person, what do you kidding?

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<v Speaker 2>I'm me.

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<v Speaker 3>That other me that's just inside is just like a fragment,

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<v Speaker 3>like kill them. Yeah, it's like a racism if it's necessary,

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<v Speaker 3>Like why are we even talking about this? I'm me?

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<v Speaker 3>And then when that fragment of me gone, I can

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<v Speaker 3>continue to live my life as normal, like why are

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<v Speaker 3>we even discussing this? So it is quite interesting. Back

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<v Speaker 3>inside Helly not Helena, actual Helly gets her first look

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<v Speaker 3>at Miss Wang and is like, what the fuck? And

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<v Speaker 3>at a meeting with Milkchick, we see that none of

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<v Speaker 3>the MDR crew is getting any of the info that

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<v Speaker 3>they need. After the ORPO, Helly learns that she's been

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<v Speaker 3>Helena for a while and that nobody knew the difference,

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<v Speaker 3>and she's so confused and shaken by this. Dylan wants

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<v Speaker 3>to know where Irving is. Apparently on an elongated cruise voyage.

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<v Speaker 3>His audi rather is an elongated cruise voyage and any

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<v Speaker 3>Irving is never to return. But Dylan wants more information.

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<v Speaker 3>He's not getting it, and Mark is now paranoid because

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<v Speaker 3>he is like, Helly telling the truth? Now, is she

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<v Speaker 3>hit her? Is she? What is happening?

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<v Speaker 1>I have to say?

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<v Speaker 3>And also they had sex?

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<v Speaker 1>Yeah, ye was that exactly? And also I'm like, I

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<v Speaker 1>do feel like, come on, guys.

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<v Speaker 2>From the beginning of watching this season, all of us

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<v Speaker 2>were like, maybe that's a light.

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<v Speaker 3>Now like I feel like, you know, sometimes, it was

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<v Speaker 3>a great theory, it was a very common theory. It

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<v Speaker 3>was cool to see it paid off, and.

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<v Speaker 2>I feel like it makes having us be in on

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<v Speaker 2>it in that kind of sense of kind of dramatic

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<v Speaker 2>irony to then be like yelling at the screen like Mark,

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<v Speaker 2>that is not Helly, that is not Helly, and then

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<v Speaker 2>have it pay off, and it makes it hard because

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<v Speaker 2>now well it makes it good to watch because now

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<v Speaker 2>you're on Helly's side. You're like, how did you not

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<v Speaker 2>really lies? If you're supposedly so? You know, together after

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<v Speaker 2>everything that happened with the OTC.

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<v Speaker 3>Something interesting about the Helly about Helena referring to the

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<v Speaker 3>innis as animals. Helly. Of course the inny Helly is

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<v Speaker 3>in love with Mark. I think that's fair to say, right,

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<v Speaker 3>they feel very warmly for each other. I think what's

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<v Speaker 3>interesting is in episode two, mil Chick, when he's trying

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<v Speaker 3>to get Mark to come back, is like, you're any

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<v Speaker 3>Mark has found love and Mark's like, what it's like? Yeah,

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<v Speaker 3>And though he can't he doesn't tell him anything about it.

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<v Speaker 3>He's like, and those warm feelings will find their way

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<v Speaker 3>to you. You just have to find time for that

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<v Speaker 3>to happen. I thought that was really interesting. That's the

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<v Speaker 3>first time we've really ever heard about the concept or

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<v Speaker 3>the idea that your innies, life and emotions and emotional

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<v Speaker 3>well being and mental health can like affect your the

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<v Speaker 3>audie in any kind of way, and I think I

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<v Speaker 3>don't know, because I got to say, Helena kind of

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<v Speaker 3>contradicts that idea because she hates the innies.

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<v Speaker 2>That's one of the greatest questions of this show because

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<v Speaker 2>with Irving there was like his dreams and whether that

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<v Speaker 2>was him communicating to himself or whether that was his

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<v Speaker 2>Outy's feelings coming in, So there is this kind of

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<v Speaker 2>potential spillover.

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<v Speaker 1>But yeah, Helly is not Helly, Helena.

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<v Speaker 2>Not feeling that that's not something she and also obviously

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<v Speaker 2>trying to get Mark to go back in. He is

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<v Speaker 2>clearly here the kind of like Luke Skywalker esque.

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<v Speaker 1>They need him to do whatever that is.

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<v Speaker 3>They need him for some some reason.

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<v Speaker 4>Good.

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<v Speaker 3>He's good at MDR and he's crucial to this very

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<v Speaker 3>very very humanity shaking. Apparently, Project call the Fucking Milchik

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<v Speaker 3>tries to chill everybody out by telling them the story

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<v Speaker 3>of King Charles of Sweden and his grax Schupin. I

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<v Speaker 3>am sorry to all the Swedish folks. If greg Schupin

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<v Speaker 3>being like a kind of uh like robe or a

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<v Speaker 3>cowl that commoners were and he would go amongst the people,

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<v Speaker 3>as many have noted, like basically like ancient undercover box

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<v Speaker 3>to learn what the vibe on the street was in

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<v Speaker 3>order that he could better rule in their with their

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<v Speaker 3>well being in mind, and basically suggesting, well, that's what

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<v Speaker 3>Helena was doing. You know, the Egan family the board

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<v Speaker 3>or in the wake of the uprising from season one,

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<v Speaker 3>they're really interested in the quality of life that the

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<v Speaker 3>Innies have, and Helena was just trying to cut through

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<v Speaker 3>the bureaucras he cut through the red tape and you know,

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<v Speaker 3>learn the truth about what's going on down here in Lumen.

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<v Speaker 3>And this story satisfies no one will have more on

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<v Speaker 3>the king amongst the commoner's trope in the I don't

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<v Speaker 3>know this. Back in MDR. The crew, who is it

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<v Speaker 3>just immediate, It was interesting to watch them like immediately

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<v Speaker 3>fall back into like a refining groove. They see that

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<v Speaker 3>they go to their workstations, and though they are all

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<v Speaker 3>in like different headspaces, and Dylan is super mad at

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<v Speaker 3>Mark and Helly is like it's trying to figure out

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<v Speaker 3>what Mark's thinking. They build, they all kind of fall

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<v Speaker 3>in line and begin working Milchick and this is interesting, Rosie.

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<v Speaker 3>I think that one of the things that is definitely

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<v Speaker 3>happening is the board through Miltchick is trying to sew

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<v Speaker 3>is trying to rip piece the MDR crew apart, and

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<v Speaker 3>so paranoia and he they're two connected. He says, like

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<v Speaker 3>Dylan is complaining, you know, about everything, and Miltchick and

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<v Speaker 3>basically makes a sharp remark about Helena, and Miltchik says,

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<v Speaker 3>you know, you got to watch what you say or

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<v Speaker 3>your special privileges might get provoked. And this you could

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<v Speaker 3>see that Mark certainly notices this is special privileges. What

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<v Speaker 3>does that mean? Dylan wants and Miltchick agrees to provide

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<v Speaker 3>a brief because Mark wants it very brief, and I'm

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<v Speaker 3>sure Miltchick wanted that also a very brief funeral to

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<v Speaker 3>memorialize Irving. And this is the first time we see

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<v Speaker 3>that Mark has this weird nagging cough. What is this

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<v Speaker 3>nagging cost? What is when did this happen? I know,

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<v Speaker 3>I'm very interested.

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<v Speaker 2>In this because I think that the notion of what

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<v Speaker 2>the innies really are, or who the innies really are,

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<v Speaker 2>or how the nis exist. As soon as you notice

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<v Speaker 2>something a little bit more human, like a cough or something,

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<v Speaker 2>you start to wonder, like, what is that?

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<v Speaker 1>Is it? You know, is this going to be some

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<v Speaker 1>kind of you know.

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<v Speaker 2>Clone Wars style story about Mark and he's a clone

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<v Speaker 2>and the clone is slowly dying or becoming ill or aging, Like,

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<v Speaker 2>I'm just so interested to see web this goes.

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<v Speaker 3>Helly pulls Mark aside and is like are you good?

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<v Speaker 3>And Marcus you know, kind of stand offish, and then

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<v Speaker 3>Helly is like, could you tell it was? What was

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<v Speaker 3>she like? What was Helena like? And he's like, she

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<v Speaker 3>was like you, I don't know, Like I couldn't tell

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<v Speaker 3>the difference.

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<v Speaker 1>Bro, don't admit it. Don't admit He's very, very freaked out.

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<v Speaker 3>And of course he does not mention that they had sex.

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<v Speaker 3>Miss Hwang meanwhile, and then here we get some more

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<v Speaker 3>perspective on how, at least how middle management views isn't

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<v Speaker 3>certainly we know the feelings of Helena and people above

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<v Speaker 3>middle management, but she is concerned that the funeral will

0:13:46.600 --> 0:13:51.480
<v Speaker 3>further personify the innies, make them feel like full people.

0:13:52.040 --> 0:13:54.480
<v Speaker 3>And then she flexes on Milchick and lets him know

0:13:54.559 --> 0:13:57.320
<v Speaker 3>that she knows that his performance review is coming up.

0:13:57.760 --> 0:14:00.800
<v Speaker 3>She's like, oh, so you've got your first performance review,

0:14:00.800 --> 0:14:03.600
<v Speaker 3>and he is annoyed at this. At the funeral, Dylan

0:14:03.640 --> 0:14:07.880
<v Speaker 3>does eulogy. Miltchik, I think describes it fairly as a

0:14:07.920 --> 0:14:13.560
<v Speaker 3>little characteristically sharp but also a little uncharacteristically sweet. Wang

0:14:13.640 --> 0:14:17.240
<v Speaker 3>comes in with a cart that features Irving's head carved

0:14:17.240 --> 0:14:20.720
<v Speaker 3>out of a Malaysian black watermelon, and then she sets

0:14:20.800 --> 0:14:24.680
<v Speaker 3>up her terremin and like eager to begin playing her theremin,

0:14:24.760 --> 0:14:29.080
<v Speaker 3>but Miltchik flexes back on her by basically canceling her

0:14:29.160 --> 0:14:33.200
<v Speaker 3>musical performance, and she's very by this. Mark is in

0:14:33.360 --> 0:14:36.680
<v Speaker 3>asshole mode. He is like five minutes at the funeral.

0:14:36.720 --> 0:14:38.680
<v Speaker 3>He's ready to go, He's ready to go back to work.

0:14:39.200 --> 0:14:44.280
<v Speaker 3>Dylan tells Helly because now he's mad at Mark that hey,

0:14:44.280 --> 0:14:46.920
<v Speaker 3>did you know that Mark was married to who oh

0:14:47.040 --> 0:14:52.720
<v Speaker 3>miss Casey? That's right? What Helly is like mind blown

0:14:52.760 --> 0:14:59.440
<v Speaker 3>by this. Mark then strongly rebuffs Helly and basically says, like,

0:14:59.480 --> 0:15:01.720
<v Speaker 3>what's the U and all this plotting and planning we're

0:15:01.760 --> 0:15:05.800
<v Speaker 3>doing now in here when clearly everyone a rate against us,

0:15:05.840 --> 0:15:10.080
<v Speaker 3>including our audies, are much much smarter than us, and

0:15:10.120 --> 0:15:13.560
<v Speaker 3>they have the benefit of a more total picture of

0:15:13.600 --> 0:15:17.120
<v Speaker 3>what's going on. And by the way, I don't even

0:15:17.120 --> 0:15:18.840
<v Speaker 3>know if you're Helena or well who the fuck you are,

0:15:18.880 --> 0:15:20.840
<v Speaker 3>and Helly's like, well, you have to trust me and

0:15:21.080 --> 0:15:24.360
<v Speaker 3>stop being an asshole please. He is really on asshole,

0:15:25.720 --> 0:15:30.120
<v Speaker 3>He's I mean, I get it because I'm so shaken

0:15:30.200 --> 0:15:33.720
<v Speaker 3>right now. Natalie takes Milchick up to his review Milchick

0:15:34.080 --> 0:15:36.640
<v Speaker 3>and I thought was and this is one of those moments.

0:15:36.680 --> 0:15:38.240
<v Speaker 3>You know, people have been asking us cover the cover

0:15:38.280 --> 0:15:40.200
<v Speaker 3>the show, and I've always like been like, the show's good,

0:15:40.720 --> 0:15:43.320
<v Speaker 3>I'm very interested in it. I thought the finale of

0:15:43.360 --> 0:15:46.680
<v Speaker 3>season one was like wow, Thick and like, this is

0:15:46.680 --> 0:15:49.360
<v Speaker 3>one of the scenes where man, the show continues to deepen,

0:15:49.440 --> 0:15:52.240
<v Speaker 3>and it really interesting. Way is Milchick tries to connect

0:15:52.400 --> 0:15:56.200
<v Speaker 3>with over the fact that, hey, Natalie, you and I

0:15:56.240 --> 0:16:01.600
<v Speaker 3>are basically the only two black lumen employed in management

0:16:01.720 --> 0:16:06.600
<v Speaker 3>or higher How did you feel when you received the

0:16:06.680 --> 0:16:13.640
<v Speaker 3>cure paintings with you know, Papa Egan colored as a

0:16:13.680 --> 0:16:16.960
<v Speaker 3>black person, and Natalie is not interested in engaging in

0:16:17.000 --> 0:16:20.880
<v Speaker 3>this conversation, and this is a I was listening to

0:16:20.920 --> 0:16:25.480
<v Speaker 3>the official pod and Trammel, the actor who plays Milchick,

0:16:25.960 --> 0:16:29.720
<v Speaker 3>talked about asking, like Ben and Dan Erickson, does Milchick

0:16:29.840 --> 0:16:33.800
<v Speaker 3>know he's black? You know, because the amount of severing

0:16:33.880 --> 0:16:36.800
<v Speaker 3>of the management of the Milchick and others is like

0:16:36.920 --> 0:16:42.240
<v Speaker 3>pretty unclear. But as we've seen from the Innies, while

0:16:42.280 --> 0:16:46.040
<v Speaker 3>they maintain something like the base personality of their audies,

0:16:46.160 --> 0:16:50.320
<v Speaker 3>they have very little other information to grasp and like

0:16:51.000 --> 0:16:53.200
<v Speaker 3>no context for a lot of stuff. They're very naive.

0:16:53.240 --> 0:16:55.880
<v Speaker 3>It's like, why a lot of this Like yeah, I.

0:16:55.840 --> 0:16:59.920
<v Speaker 2>Mean when Helly fust be going back to season one,

0:17:00.080 --> 0:17:02.720
<v Speaker 2>the first episode, she seems to be the first person

0:17:03.600 --> 0:17:05.639
<v Speaker 2>who's been in there who's like, what the fuck is

0:17:05.680 --> 0:17:08.480
<v Speaker 2>going on? Like everyone else kind of naively just turns

0:17:08.600 --> 0:17:10.680
<v Speaker 2>up to work and does that thing and says, well,

0:17:10.720 --> 0:17:11.280
<v Speaker 2>we've got out.

0:17:11.280 --> 0:17:13.640
<v Speaker 1>He's in Inni's and hell He's like, no, this is terrible.

0:17:14.359 --> 0:17:15.760
<v Speaker 1>And that's before that.

0:17:15.840 --> 0:17:19.480
<v Speaker 2>There just isn't really even that kind of acceptance that

0:17:19.920 --> 0:17:22.600
<v Speaker 2>being trapped in work for your entire life is.

0:17:22.680 --> 0:17:25.800
<v Speaker 1>Messed up, you know, let alone connections with the actual

0:17:25.840 --> 0:17:26.720
<v Speaker 1>outside world.

0:17:27.560 --> 0:17:30.720
<v Speaker 3>Yeah, it's like the like the orp Bow outdoor Retreat Team,

0:17:30.720 --> 0:17:33.679
<v Speaker 3>billion Currents and the other acronyms that like appear in

0:17:33.680 --> 0:17:36.520
<v Speaker 3>the show that feel like really unwieldy. I've been thinking

0:17:36.560 --> 0:17:38.919
<v Speaker 3>about it, and it makes sense from the perspective of

0:17:39.160 --> 0:17:42.160
<v Speaker 3>if you're an any and you don't know what stuff is.

0:17:42.280 --> 0:17:44.960
<v Speaker 3>You don't know the meaning of things. You would need

0:17:45.040 --> 0:17:49.280
<v Speaker 3>these hilariously like long titles of things in order to

0:17:49.320 --> 0:17:51.879
<v Speaker 3>try and give you some kind of base context for

0:17:52.040 --> 0:17:56.240
<v Speaker 3>what you're taking part in. Dylan, meanwhile, back in the

0:17:56.280 --> 0:17:59.400
<v Speaker 3>funeral room, is lost in thought and he remembers Irving's

0:17:59.440 --> 0:18:02.520
<v Speaker 3>final word to him before the Glasgow block was removed

0:18:02.520 --> 0:18:05.720
<v Speaker 3>and he was essentially killed. Hang in there, and he

0:18:05.920 --> 0:18:08.720
<v Speaker 3>sees in the room the breakroom a poster with the

0:18:08.760 --> 0:18:11.439
<v Speaker 3>same words, and behind the poster is a note with

0:18:11.520 --> 0:18:15.200
<v Speaker 3>a sketch of the mysterious elevator and on the other

0:18:15.240 --> 0:18:21.680
<v Speaker 3>side directions to the elevator in the hilariously labyrinthine halways,

0:18:22.480 --> 0:18:26.640
<v Speaker 3>like how to navigate them. Mister Drummond runs the review,

0:18:26.720 --> 0:18:29.639
<v Speaker 3>which is going to take a long time, over four hours,

0:18:29.680 --> 0:18:32.520
<v Speaker 3>certainly to the point that like, here's a menu and

0:18:32.520 --> 0:18:36.359
<v Speaker 3>we're going to order food milk chick. On the surface,

0:18:36.359 --> 0:18:39.800
<v Speaker 3>appears to be doing pretty good. He received the cure paintings.

0:18:40.160 --> 0:18:43.880
<v Speaker 3>He received the cure paintings gracefully, says the report, which

0:18:43.920 --> 0:18:47.880
<v Speaker 3>I think suggests that the Egans understand that these are

0:18:48.280 --> 0:18:52.040
<v Speaker 3>offensive in some way and that they're purposefully offensive, like

0:18:52.080 --> 0:18:55.240
<v Speaker 3>we're trying to offend you. But will you just respec Yeah,

0:18:55.280 --> 0:18:58.119
<v Speaker 3>will you just will you just respond gracefully if we

0:18:58.240 --> 0:19:01.800
<v Speaker 3>offend you, then there's the issue with the paper He

0:19:01.880 --> 0:19:05.080
<v Speaker 3>never misses work. This is all the positives and he is.

0:19:05.160 --> 0:19:09.560
<v Speaker 3>His blood tests show that he's not like smoking dope. However,

0:19:09.640 --> 0:19:13.679
<v Speaker 3>there is one dinah right, he's using too many big words.

0:19:14.480 --> 0:19:18.040
<v Speaker 3>Guilty is charged. He uses colloquial in his in his

0:19:18.280 --> 0:19:22.520
<v Speaker 3>attempted retort, he is not putting the paper clips on

0:19:22.640 --> 0:19:30.119
<v Speaker 3>the reports correctly. And most seriously, his management approach appears

0:19:30.280 --> 0:19:35.320
<v Speaker 3>to be a fiasco in the making. And we need

0:19:35.400 --> 0:19:40.119
<v Speaker 3>only look at the recent orpo Now this can't go on,

0:19:40.320 --> 0:19:43.240
<v Speaker 3>Drummond says, because like Mark is at eighty five percent

0:19:43.359 --> 0:19:45.320
<v Speaker 3>on Cold Harbor, and we got to keep you know,

0:19:45.400 --> 0:19:47.600
<v Speaker 3>Cold Harbor, he says, is going to be like one

0:19:47.640 --> 0:19:51.760
<v Speaker 3>of the greatest breakthroughs in the history of mankind, which

0:19:51.800 --> 0:19:56.639
<v Speaker 3>is okay, like that's pretty big, stakes huge, Yes, sounds

0:19:56.640 --> 0:19:58.960
<v Speaker 3>pretty huge. So Miltchig is like, listen, I get it.

0:19:59.000 --> 0:20:00.920
<v Speaker 3>I'm going to crack the whip from here on out

0:20:00.960 --> 0:20:06.360
<v Speaker 3>no more, mister Nyska. We see that after the funeral,

0:20:06.520 --> 0:20:10.840
<v Speaker 3>Audi Mark, and after his conversation with Helly, maybe his

0:20:11.520 --> 0:20:14.120
<v Speaker 3>the reintegration process is beginning to kick in, because there's

0:20:14.119 --> 0:20:18.359
<v Speaker 3>a moment where you see that maybe something happens and

0:20:18.480 --> 0:20:21.160
<v Speaker 3>his AUDI broke through maybe for a second. He goes

0:20:21.200 --> 0:20:23.960
<v Speaker 3>to the elevator. He's leaving work six minutes early, as

0:20:23.960 --> 0:20:27.640
<v Speaker 3>Milchik says. Milchick then invades his personal space and asks,

0:20:28.040 --> 0:20:30.479
<v Speaker 3>what's up? Why are you leaving? And how did you

0:20:30.560 --> 0:20:33.840
<v Speaker 3>like the funeral? Mark is in full like wise ass

0:20:33.880 --> 0:20:35.959
<v Speaker 3>student like talking back to the teacher.

0:20:37.160 --> 0:20:43.760
<v Speaker 2>It's so interesting to see mak in this episode, like, yeah,

0:20:43.840 --> 0:20:44.879
<v Speaker 2>I'm intrigued.

0:20:45.000 --> 0:20:48.840
<v Speaker 3>Melchick then gets even like steps even further into his

0:20:48.880 --> 0:20:52.960
<v Speaker 3>personal space and is like, did you tell Helly that

0:20:53.040 --> 0:20:55.800
<v Speaker 3>you fucked her? Audi? Mark has absolutely nothing to.

0:20:55.760 --> 0:20:59.919
<v Speaker 1>Say, probably because he could.

0:20:59.640 --> 0:21:01.960
<v Speaker 3>Be the and this is the first time he's learning

0:21:02.000 --> 0:21:04.600
<v Speaker 3>of this. But it's unclear. It's not clear it's that,

0:21:04.800 --> 0:21:05.639
<v Speaker 3>but I think unclear.

0:21:05.720 --> 0:21:07.560
<v Speaker 1>That's how they want you to feel. They want you

0:21:07.640 --> 0:21:08.359
<v Speaker 1>to not know.

0:21:09.080 --> 0:21:14.760
<v Speaker 2>And I think that the introduction of Helena, we knew

0:21:14.760 --> 0:21:17.280
<v Speaker 2>it from the end of this season one who Helena was,

0:21:17.320 --> 0:21:19.880
<v Speaker 2>but the introduction of the idea and how he can

0:21:20.000 --> 0:21:22.520
<v Speaker 2>make it into Lumen, adds like an extra layer of

0:21:22.520 --> 0:21:27.640
<v Speaker 2>paranoia and strangeness and will I'm sure kind of lead

0:21:27.840 --> 0:21:29.399
<v Speaker 2>to whatever the big reveal is.

0:21:29.440 --> 0:21:32.159
<v Speaker 3>At the end of this season, he walks out of

0:21:32.160 --> 0:21:35.760
<v Speaker 3>the building and Helena is in the lobby kind of

0:21:35.800 --> 0:21:41.679
<v Speaker 3>watching him, unbeknownst to him, watching him leave. Devin is

0:21:41.800 --> 0:21:46.640
<v Speaker 3>dealing with her husband's now Lumen sponsored.

0:21:46.400 --> 0:21:48.080
<v Speaker 1>Writing crowd could you do this?

0:21:48.440 --> 0:21:55.400
<v Speaker 3>So she is furious about this. She's like, well, Lumin

0:21:55.480 --> 0:21:59.000
<v Speaker 3>hurts people, and like, yet you are gladly like helping

0:21:59.040 --> 0:22:01.879
<v Speaker 3>them hurt people. And He's like listen, And I do

0:22:01.960 --> 0:22:06.439
<v Speaker 3>empathize with him on some level somewhere. He's like, listen,

0:22:07.080 --> 0:22:09.800
<v Speaker 3>what's more important, like me getting my message out to

0:22:09.840 --> 0:22:15.040
<v Speaker 3>the widest audience possible, including enies, or like me just

0:22:16.000 --> 0:22:22.440
<v Speaker 3>continuing to be like a niche self help writer. And also, Honey,

0:22:22.840 --> 0:22:24.200
<v Speaker 3>it's a huge Megan a.

0:22:24.160 --> 0:22:28.680
<v Speaker 2>Lot of money, Megan, a lot of money, a lot money, Mam.

0:22:28.920 --> 0:22:30.080
<v Speaker 1>I do think that this.

0:22:30.160 --> 0:22:35.440
<v Speaker 2>Is very interesting because yeah, I like the argument about like, oh,

0:22:35.520 --> 0:22:38.480
<v Speaker 2>it's getting to the innies because then I'm like it

0:22:38.520 --> 0:22:40.760
<v Speaker 2>goes back to that conversation we were talking about about

0:22:40.760 --> 0:22:43.800
<v Speaker 2>like what information do they actually have? What are they

0:22:43.880 --> 0:22:47.399
<v Speaker 2>receiving inside, what connection are they Also, we know that

0:22:47.480 --> 0:22:50.800
<v Speaker 2>the severed floor of Lumen is essentially like a labyrinth,

0:22:51.200 --> 0:22:55.040
<v Speaker 2>So I'm interested to know how many people are down there,

0:22:55.200 --> 0:22:57.639
<v Speaker 2>how many people have been severed, how much of a

0:22:57.680 --> 0:23:02.160
<v Speaker 2>community of Innis are there, And yeah, obviously, like I

0:23:02.280 --> 0:23:06.160
<v Speaker 2>just think that Frickin is a legend, and I love

0:23:06.320 --> 0:23:10.160
<v Speaker 2>that they actually released the book. You can read it

0:23:10.200 --> 0:23:13.280
<v Speaker 2>as an ebook online. And I also just think that

0:23:13.720 --> 0:23:16.680
<v Speaker 2>it's kind of funny. This is a show that does

0:23:16.720 --> 0:23:19.280
<v Speaker 2>a really great job of bringing in.

0:23:19.240 --> 0:23:21.440
<v Speaker 1>A side character who is Ricken.

0:23:21.680 --> 0:23:24.199
<v Speaker 2>At first, Michael Channis, he seems like he's a kind

0:23:24.240 --> 0:23:28.760
<v Speaker 2>of comedy relief, can comedic, but actually in season two

0:23:29.200 --> 0:23:34.160
<v Speaker 2>he is becoming a really important kind of player. And

0:23:34.200 --> 0:23:37.120
<v Speaker 2>the idea that he's willing to sell out and hurt,

0:23:37.960 --> 0:23:40.320
<v Speaker 2>you know, potentially hurt the Innis or take money from

0:23:40.359 --> 0:23:43.000
<v Speaker 2>women who hurt people is a kind of a sinister

0:23:43.119 --> 0:23:46.880
<v Speaker 2>twist for him, and I'm I'm really interested in where

0:23:46.880 --> 0:23:47.480
<v Speaker 2>that goes.

0:23:48.359 --> 0:23:51.680
<v Speaker 3>It's a sinister twist and it's also like a very

0:23:53.359 --> 0:23:55.880
<v Speaker 3>I mean, this is the very real struggle of art.

0:23:56.000 --> 0:23:59.639
<v Speaker 3>It's the struggle of creators since the beginning of time

0:23:59.800 --> 0:24:05.480
<v Speaker 3>is like in order to make the projects create the

0:24:05.520 --> 0:24:10.439
<v Speaker 3>things that artists imagine, and often requires an infusion of

0:24:10.480 --> 0:24:13.600
<v Speaker 3>resources that they cannot get themselves. So what are the

0:24:13.640 --> 0:24:16.040
<v Speaker 3>trade offs? And I think this is a really this

0:24:16.160 --> 0:24:19.000
<v Speaker 3>is somewhat is really interesting to me. Yeah, Audi Irving

0:24:19.240 --> 0:24:21.240
<v Speaker 3>at Night, I'm so glad we see him again.

0:24:21.520 --> 0:24:24.840
<v Speaker 1>I just I'm so this is such a great role. Honestly,

0:24:25.320 --> 0:24:26.560
<v Speaker 1>you know, we kind of drag.

0:24:29.480 --> 0:24:31.760
<v Speaker 2>Pros pro, but you know what the truth is, Like,

0:24:32.640 --> 0:24:34.760
<v Speaker 2>I was annoyed he didn't come back for The Penguin,

0:24:34.760 --> 0:24:37.679
<v Speaker 2>and I thought his reasoning was quite silly as we

0:24:37.800 --> 0:24:40.560
<v Speaker 2>talked about seeing as he played a serial killer in

0:24:40.600 --> 0:24:43.000
<v Speaker 2>the movie, a serial killer of women, his idea that

0:24:43.040 --> 0:24:44.560
<v Speaker 2>he didn't want to hurt women was kind of wild.

0:24:44.560 --> 0:24:46.119
<v Speaker 1>But you know what, I'm happy he didn't come back

0:24:46.160 --> 0:24:46.760
<v Speaker 1>for the Penguin.

0:24:47.160 --> 0:24:49.879
<v Speaker 2>One because I thought they recost him really, really well,

0:24:50.040 --> 0:24:52.879
<v Speaker 2>and two because I need him to be in this

0:24:52.960 --> 0:24:57.400
<v Speaker 2>show as van. Like, I am so just I don't

0:24:57.440 --> 0:25:01.840
<v Speaker 2>know if I've anticipated an episode more in a while

0:25:02.280 --> 0:25:04.879
<v Speaker 2>than the next episode where we know that he's gonna

0:25:05.040 --> 0:25:09.120
<v Speaker 2>meet you know, and his husband, And I just think

0:25:09.160 --> 0:25:11.400
<v Speaker 2>that's so so interesting.

0:25:12.240 --> 0:25:16.600
<v Speaker 3>So Irving spends the evening taking his paintings down. Then

0:25:16.720 --> 0:25:19.159
<v Speaker 3>he goes out in order to call someone from a

0:25:19.240 --> 0:25:23.880
<v Speaker 3>payphone and whoever this mystery person is. And now we're

0:25:23.880 --> 0:25:29.480
<v Speaker 3>getting like a key holes view into a much wider

0:25:29.680 --> 0:25:34.439
<v Speaker 3>kind of conspiracy and a deeper kind of and maybe

0:25:34.560 --> 0:25:37.879
<v Speaker 3>longer running kind of resistance to what's going on in

0:25:38.119 --> 0:25:41.040
<v Speaker 3>Lumen than what we saw in season one. Irving's talking

0:25:41.080 --> 0:25:44.400
<v Speaker 3>to someone but then notices that there's like a car

0:25:44.440 --> 0:25:46.520
<v Speaker 3>idling nearby and he's being watched. He goes over and

0:25:46.560 --> 0:25:51.000
<v Speaker 3>it's Audi Burt, and Bert is like, remember when you

0:25:51.040 --> 0:25:56.320
<v Speaker 3>came to my house screaming? What was that? What was

0:25:56.359 --> 0:26:01.879
<v Speaker 3>that about? And then he says, Donna's dreaming? Oh sleep,

0:26:02.480 --> 0:26:05.199
<v Speaker 3>And then Bert says, well, listen, you know I was

0:26:05.240 --> 0:26:09.680
<v Speaker 3>recently fired from Lumen and they told me it was

0:26:09.720 --> 0:26:13.359
<v Speaker 3>because my INNI got into a quote, unsanctioned erotic entanglement.

0:26:13.400 --> 0:26:14.679
<v Speaker 3>And then all of a sudden you show up at

0:26:14.720 --> 0:26:18.239
<v Speaker 3>my house screaming my name. And this, of course was

0:26:18.640 --> 0:26:20.680
<v Speaker 3>at the end of season one, when the Glasgow block

0:26:20.840 --> 0:26:25.040
<v Speaker 3>was removed and the Innies got out for brief periods

0:26:25.080 --> 0:26:28.640
<v Speaker 3>of time. He mentions. Bert mentions that his husband Fields

0:26:28.680 --> 0:26:34.879
<v Speaker 3>as like kind of furious about this reveal, and like,

0:26:35.200 --> 0:26:38.080
<v Speaker 3>what do you think? Bert says, like, we're ore innis

0:26:38.080 --> 0:26:40.840
<v Speaker 3>an item, and he says, like, listen, here's what we

0:26:40.840 --> 0:26:43.520
<v Speaker 3>should do. You come over to my house, meet with

0:26:43.520 --> 0:26:45.800
<v Speaker 3>me and my husband, and let's talk all of this.

0:26:47.240 --> 0:26:50.320
<v Speaker 2>I cannot wait to me that the ham did not

0:26:50.520 --> 0:26:53.320
<v Speaker 2>Totur has been all over the place teasing about it.

0:26:53.240 --> 0:26:57.040
<v Speaker 3>Too, and a really expensive wine they mentioned really also.

0:26:57.320 --> 0:27:01.239
<v Speaker 1>I don't know, maybe it's just because of the cost thing.

0:27:01.320 --> 0:27:02.400
<v Speaker 1>Maybe it's just the conversation.

0:27:02.680 --> 0:27:04.679
<v Speaker 2>I just felt like there were so many layers to this,

0:27:04.840 --> 0:27:07.600
<v Speaker 2>like does but no more? Is he inviting him over

0:27:08.480 --> 0:27:12.119
<v Speaker 2>because he knows that having is like calling people about

0:27:12.160 --> 0:27:14.240
<v Speaker 2>his any like is he is?

0:27:14.320 --> 0:27:20.000
<v Speaker 3>This? Is this the example that Milchick obviously self servingly

0:27:20.119 --> 0:27:21.680
<v Speaker 3>laid out to Mark when he was trying to get

0:27:21.720 --> 0:27:30.080
<v Speaker 3>him back of someone who's inner, positive emotional life reaches

0:27:30.160 --> 0:27:33.320
<v Speaker 3>their audi. I don't know, you know, I think that's one.

0:27:33.440 --> 0:27:35.679
<v Speaker 3>You know, I think we are always predisposed. You can

0:27:35.720 --> 0:27:36.680
<v Speaker 3>think of a million.

0:27:36.400 --> 0:27:38.920
<v Speaker 1>Stories like this ghost yeah yeah, yeah.

0:27:38.880 --> 0:27:42.280
<v Speaker 3>One where it's like love transcends some kind of like barrier, right,

0:27:42.800 --> 0:27:45.120
<v Speaker 3>and we all want to believe that, But is that

0:27:45.480 --> 0:27:50.280
<v Speaker 3>what's happening here, it's very interesting to think about. Mark

0:27:50.359 --> 0:27:53.720
<v Speaker 3>returns home after work to find that Regab is rifling

0:27:53.720 --> 0:27:56.320
<v Speaker 3>through his late wife's stuff. She's looking very closely at

0:27:56.320 --> 0:27:59.600
<v Speaker 3>a necklace that was his wife, and she says, she's

0:27:59.640 --> 0:28:04.359
<v Speaker 3>hoping that, you know, because this reintegration bridge hasn't really

0:28:04.800 --> 0:28:07.760
<v Speaker 3>kicked in yet all the way. She's hoping that like

0:28:07.880 --> 0:28:12.560
<v Speaker 3>some item of his wife's will like shake Mark's memory

0:28:12.760 --> 0:28:16.520
<v Speaker 3>and make stuff start happening, so that maybe he can

0:28:16.600 --> 0:28:20.159
<v Speaker 3>remember if his any has seen her. Inside of Lumen,

0:28:21.119 --> 0:28:25.959
<v Speaker 3>Mark finds a box, apparently with an urn containing her ashes.

0:28:26.000 --> 0:28:27.840
<v Speaker 3>He's like, who's in there then? And Regabi is like,

0:28:27.920 --> 0:28:30.080
<v Speaker 3>that's like some other Lumin person and they've got all

0:28:30.400 --> 0:28:34.760
<v Speaker 3>pass to like I guess ashes, And she promises that

0:28:35.160 --> 0:28:38.680
<v Speaker 3>the reintegration will start working soon and they'll start getting

0:28:38.720 --> 0:28:40.760
<v Speaker 3>some answers, and Mark wants to know, like are they

0:28:40.800 --> 0:28:48.239
<v Speaker 3>hurting her down there? And she's like, I don't know.

0:28:48.520 --> 0:28:52.320
<v Speaker 3>And then all of a sudden he hears his wife

0:28:52.440 --> 0:28:54.720
<v Speaker 3>say you're Audi and starts saying stuff about your out,

0:28:54.840 --> 0:28:56.880
<v Speaker 3>you're out here. Out of the bridge is starting to work,

0:28:57.000 --> 0:28:59.960
<v Speaker 3>and then he finds himself the out he flashed into lumin,

0:29:00.040 --> 0:29:03.000
<v Speaker 3>and he's in a dark hallway. He's walking towards the door.

0:29:03.080 --> 0:29:06.080
<v Speaker 3>He opens the door in there are the bright halls

0:29:06.280 --> 0:29:09.760
<v Speaker 3>of lumen and the area that seems to be like

0:29:09.800 --> 0:29:11.800
<v Speaker 3>around MDR, although in the hallways you can never tell

0:29:11.840 --> 0:29:13.720
<v Speaker 3>where the fuck they are. He turns around and he

0:29:13.760 --> 0:29:17.080
<v Speaker 3>finds his wife and then he's boom flashes back to

0:29:17.880 --> 0:29:21.720
<v Speaker 3>the outside. He's his audi back outside and he's crying,

0:29:21.920 --> 0:29:22.640
<v Speaker 3>and that's it.

0:29:23.000 --> 0:29:27.840
<v Speaker 1>Boom wow wow. Whate episode thoughts, Rose, Okay, fought well.

0:29:27.840 --> 0:29:31.720
<v Speaker 2>I think this show is really good, really engaging. I

0:29:31.880 --> 0:29:36.520
<v Speaker 2>love how much it has enticed the TV viewing population.

0:29:36.840 --> 0:29:39.720
<v Speaker 2>I think, for obvious reasons, we're all living through kind

0:29:39.760 --> 0:29:42.760
<v Speaker 2>of end stage capitalism right now. So I think that

0:29:43.120 --> 0:29:45.400
<v Speaker 2>a show that talks about the way your job can

0:29:45.440 --> 0:29:48.240
<v Speaker 2>consume you and the separation between your job and your

0:29:48.280 --> 0:29:53.520
<v Speaker 2>life and whether there really is any separation, is very interesting,

0:29:53.880 --> 0:29:58.320
<v Speaker 2>very relevant. I love how this has gotten the theorymongers

0:29:58.360 --> 0:30:00.840
<v Speaker 2>back again, because you know, I love make a theory,

0:30:00.920 --> 0:30:02.600
<v Speaker 2>so it's been very fun to see that.

0:30:03.000 --> 0:30:05.240
<v Speaker 1>I want to ask you a question. When we first.

0:30:05.280 --> 0:30:08.320
<v Speaker 2>Checked in on season two and the first episode, we

0:30:08.320 --> 0:30:10.800
<v Speaker 2>were kind of in that conversation again like with Lost,

0:30:11.000 --> 0:30:13.200
<v Speaker 2>like with the Yellow Jackets of like, are they gonna

0:30:13.200 --> 0:30:15.760
<v Speaker 2>give us answers? How are they gonna keep us interested?

0:30:16.200 --> 0:30:18.480
<v Speaker 2>Are they kind of longing out the mystery? How do

0:30:18.520 --> 0:30:21.600
<v Speaker 2>you feel about it at this point after watching episode

0:30:21.680 --> 0:30:24.320
<v Speaker 2>five and episodes what two to five.

0:30:25.560 --> 0:30:28.840
<v Speaker 3>I'm I think this show is really good and there's

0:30:28.880 --> 0:30:32.200
<v Speaker 3>a chance to be like, actually great. Mm hmm, I was.

0:30:32.280 --> 0:30:35.360
<v Speaker 3>You know, it's interesting because episodes one and two one

0:30:35.360 --> 0:30:38.120
<v Speaker 3>almost feels like a step back. It almost feels like

0:30:38.440 --> 0:30:39.560
<v Speaker 3>season one point.

0:30:39.480 --> 0:30:41.320
<v Speaker 2>I was gonna say, it's almost like they used to

0:30:41.360 --> 0:30:43.800
<v Speaker 2>do those two one point five x Men one point

0:30:43.800 --> 0:30:47.160
<v Speaker 2>five like DVDs where they tell you how in between

0:30:47.760 --> 0:30:49.080
<v Speaker 2>the addition.

0:30:48.880 --> 0:30:52.360
<v Speaker 3>To the point yeah, even to the even to the

0:30:52.400 --> 0:30:55.240
<v Speaker 3>point that ste Episode two is the first episode with

0:30:55.280 --> 0:30:58.240
<v Speaker 3>the new credit sequence, so it almost feels as if

0:30:59.360 --> 0:31:01.959
<v Speaker 3>and it's a cooling different episode, whereas episode one is

0:31:02.440 --> 0:31:06.000
<v Speaker 3>all inside and episode two is almost all outside, and

0:31:06.640 --> 0:31:10.800
<v Speaker 3>it created this feeling of almost like you're throwing away

0:31:11.840 --> 0:31:15.120
<v Speaker 3>an episode. But by episode three, and certainly by episode

0:31:15.840 --> 0:31:20.400
<v Speaker 3>four in the ort Bow, there's as I said, it's

0:31:20.440 --> 0:31:25.560
<v Speaker 3>not a lot of mystery box shows where the mystery

0:31:26.480 --> 0:31:31.840
<v Speaker 3>mechanic itself is fascinating to think about out beyond the story. Yeah,

0:31:32.040 --> 0:31:34.160
<v Speaker 3>and it's just like we crashed on an island. How

0:31:34.200 --> 0:31:38.320
<v Speaker 3>do we survive? Like yeah, and so what's emerged here

0:31:38.440 --> 0:31:39.040
<v Speaker 3>is or like.

0:31:39.080 --> 0:31:42.320
<v Speaker 1>Yeah, look, Jacket's they crashed and they crashed.

0:31:41.960 --> 0:31:44.360
<v Speaker 3>In a wood and what does that mean to our life?

0:31:44.440 --> 0:31:44.640
<v Speaker 2>Now?

0:31:44.680 --> 0:31:47.800
<v Speaker 3>I'm not sure you know, like, but you hit on

0:31:47.880 --> 0:31:51.240
<v Speaker 3>it with the kind of larger metaphors about work and

0:31:51.480 --> 0:31:54.720
<v Speaker 3>workplace politics and capitalism and governance and all that kind

0:31:54.720 --> 0:31:57.720
<v Speaker 3>of stuff that's super interesting. What would it mean to

0:31:57.720 --> 0:32:00.520
<v Speaker 3>be severed? Is your inny? Would your any be legally

0:32:00.560 --> 0:32:05.000
<v Speaker 3>a person? All of these things are fashioning to think about.

0:32:05.120 --> 0:32:09.040
<v Speaker 3>And then you have actors. I was gonna say, walk off,

0:32:09.280 --> 0:32:12.960
<v Speaker 3>who are giving you performances where it's a two for

0:32:13.000 --> 0:32:15.520
<v Speaker 3>one across the board? You're getting the Any and the

0:32:15.600 --> 0:32:19.600
<v Speaker 3>audi and like, I mean, britt Lower has a like

0:32:20.960 --> 0:32:24.040
<v Speaker 3>has a Helly there's a Helli walk that is completely

0:32:24.080 --> 0:32:26.560
<v Speaker 3>different than the Helena walk, Like it's just.

0:32:26.400 --> 0:32:27.680
<v Speaker 1>By the.

0:32:29.520 --> 0:32:33.040
<v Speaker 3>Well, you know, lay to walk. Yeah, but it's true.

0:32:33.080 --> 0:32:35.280
<v Speaker 3>I feel like I would yeah, I feel like that

0:32:35.320 --> 0:32:38.400
<v Speaker 3>would be some gay maybe like the gate would be.

0:32:38.720 --> 0:32:43.640
<v Speaker 3>But I just think that as the characters have grown richer.

0:32:44.360 --> 0:32:48.520
<v Speaker 3>The central way the mystery works has become more interesting

0:32:48.560 --> 0:32:50.560
<v Speaker 3>as well. We'll be right back with the Omnibus after

0:32:50.600 --> 0:33:08.120
<v Speaker 3>a break, and we're back. Welcome the omnas where Lauren

0:33:08.240 --> 0:33:11.000
<v Speaker 3>understanding come together, and today we're going to talk about

0:33:11.360 --> 0:33:15.080
<v Speaker 3>the old as old as the written word. King among

0:33:15.120 --> 0:33:18.760
<v Speaker 3>the commoner's trope Milchik in order to calm the mdr

0:33:18.840 --> 0:33:22.880
<v Speaker 3>Crew tells them about this legend of the grip shooting,

0:33:23.040 --> 0:33:28.400
<v Speaker 3>the gris shooting grass shooting. Anyway, this king of Sweden

0:33:28.440 --> 0:33:31.440
<v Speaker 3>who would walk around and listen to his subjects in

0:33:31.560 --> 0:33:36.680
<v Speaker 3>order to understand their thoughts, their feelings, their concerns in

0:33:36.760 --> 0:33:41.880
<v Speaker 3>order to better govern them. Now, this is a trope

0:33:42.840 --> 0:33:47.080
<v Speaker 3>that you find inklings of it. Literally in the earliest

0:33:47.200 --> 0:33:50.920
<v Speaker 3>kind of writing about rulers, you will find these little

0:33:50.920 --> 0:33:53.600
<v Speaker 3>snippets about the ruler being concerned about what people are thinking.

0:33:54.520 --> 0:33:57.000
<v Speaker 3>And these kind of stories work on several levels. On

0:33:57.040 --> 0:34:00.800
<v Speaker 3>the one level, it's this idea of like benign kings

0:34:00.960 --> 0:34:04.520
<v Speaker 3>who care about their subjects, and it's a nice thought.

0:34:05.160 --> 0:34:08.359
<v Speaker 3>It's like you know that they're they're concerned about your

0:34:08.360 --> 0:34:13.839
<v Speaker 3>well being and their acting in with your with an

0:34:13.840 --> 0:34:16.840
<v Speaker 3>eye towards your benefit, right, and there's of course the

0:34:16.880 --> 0:34:20.880
<v Speaker 3>other level that the surveillance level, where this is also

0:34:21.640 --> 0:34:26.600
<v Speaker 3>the undercover boss thing exactly on the workers trying to

0:34:26.680 --> 0:34:30.120
<v Speaker 3>find out, trying to find out like what they're up to,

0:34:30.400 --> 0:34:34.080
<v Speaker 3>who's wasting time, who's breaking the law, who's breaking the rules.

0:34:34.080 --> 0:34:37.719
<v Speaker 3>And it also works on another level of social cohesion.

0:34:37.800 --> 0:34:40.400
<v Speaker 3>You know, be careful who you're rude to, because it

0:34:40.480 --> 0:34:43.360
<v Speaker 3>might be the king in disguise or the prince disguise.

0:34:44.960 --> 0:34:48.680
<v Speaker 1>Ends up getting turned into a into a beast.

0:34:48.800 --> 0:34:51.920
<v Speaker 2>United's rude to a to a witch in disguise.

0:34:52.040 --> 0:34:56.480
<v Speaker 3>There are a lot of examples of stories about rulers

0:34:56.480 --> 0:35:01.480
<v Speaker 3>throughout history who would walk them, bust their subjects, and

0:35:01.920 --> 0:35:04.880
<v Speaker 3>listened to them. Julius Caesar was purported to do this.

0:35:05.000 --> 0:35:09.759
<v Speaker 3>Napoleon me Napoleon might have the most actual, like eyewitness

0:35:09.920 --> 0:35:16.600
<v Speaker 3>reports of him doing this. There's, for instance, the writings

0:35:16.800 --> 0:35:21.880
<v Speaker 3>of his valet Louis Constant Werry, who mentions this several times.

0:35:21.880 --> 0:35:26.759
<v Speaker 3>He mentions once that Napoleon, while emperor, addressed as a

0:35:26.800 --> 0:35:29.640
<v Speaker 3>colonel and then went out and wrote around and he said, quote,

0:35:29.640 --> 0:35:32.200
<v Speaker 3>his Majesty in the uniform of a colonel rode every

0:35:32.239 --> 0:35:34.120
<v Speaker 3>day on horseback and one morning, while on the road

0:35:34.120 --> 0:35:38.480
<v Speaker 3>to Vienna, saw a clergyman approaching accompanied by a weeping woman,

0:35:38.840 --> 0:35:41.040
<v Speaker 3>and he asks them. He goes on to say, like

0:35:41.080 --> 0:35:43.240
<v Speaker 3>he ask them about like what's going on in their grief,

0:35:43.320 --> 0:35:45.520
<v Speaker 3>and is very charming to them. There are a lot

0:35:45.600 --> 0:35:47.480
<v Speaker 3>of stories about Napoleon doing this, so it seems like

0:35:47.520 --> 0:35:48.279
<v Speaker 3>he might have done it.

0:35:48.360 --> 0:35:51.160
<v Speaker 1>I just love that his valet was like just like

0:35:51.239 --> 0:35:51.880
<v Speaker 1>making notes.

0:35:51.920 --> 0:35:55.680
<v Speaker 2>He was like, I'm just like all He's like, I'm

0:35:55.760 --> 0:35:59.160
<v Speaker 2>just like writing about my boss, like just like spilling

0:35:59.239 --> 0:36:00.800
<v Speaker 2>the tea on his good deeds.

0:36:01.160 --> 0:36:01.920
<v Speaker 1>Very hilarious.

0:36:02.320 --> 0:36:06.359
<v Speaker 3>Several of the Ottoman emperors are purported to have done this.

0:36:07.080 --> 0:36:12.840
<v Speaker 3>In Carolyn Frankel's Osmond's Dream, she quotes from a poster

0:36:13.640 --> 0:36:16.120
<v Speaker 3>that appeared in the eighteenth century in Istanbul quote, you

0:36:16.120 --> 0:36:18.760
<v Speaker 3>should immediately venture out in public and disguise and mingle

0:36:18.800 --> 0:36:20.600
<v Speaker 3>with your subjects to get a sense of the public

0:36:20.640 --> 0:36:24.879
<v Speaker 3>mood and negotiate for peace. YadA, YadA, YadA, And all

0:36:25.000 --> 0:36:28.560
<v Speaker 3>of this might make you feel like you can understand

0:36:28.600 --> 0:36:31.800
<v Speaker 3>the utility of a story like this in the times

0:36:31.800 --> 0:36:35.600
<v Speaker 3>that they appeared, because again, it would one incentivize people

0:36:35.640 --> 0:36:38.440
<v Speaker 3>to be nice and nonviolent, to each other because you

0:36:38.520 --> 0:36:41.040
<v Speaker 3>never know what spies are lurking about. It might be

0:36:41.080 --> 0:36:43.200
<v Speaker 3>the king or the prince, or someone a general or

0:36:43.239 --> 0:36:47.319
<v Speaker 3>someone close to the king. And it also suggests like, oh,

0:36:47.320 --> 0:36:48.319
<v Speaker 3>your rulers care about you.

0:36:48.400 --> 0:36:50.840
<v Speaker 1>Yeah, he can. However, he's on the same level as you.

0:36:50.920 --> 0:36:51.680
<v Speaker 1>Blah blah blah.

0:36:51.680 --> 0:36:55.640
<v Speaker 3>But as we see with Helly in this episode, an

0:36:55.760 --> 0:37:00.600
<v Speaker 3>understanding of the plight of the lower classes does not

0:37:00.719 --> 0:37:07.480
<v Speaker 3>always breed beneficial circumstances and actions. Look no further than

0:37:07.520 --> 0:37:11.160
<v Speaker 3>the word villain in our language, which of course, in

0:37:11.239 --> 0:37:15.160
<v Speaker 3>current usage means the bad guy, the evil person, the

0:37:15.200 --> 0:37:19.960
<v Speaker 3>antagonist in the story. Villain has its roots in Latin.

0:37:20.600 --> 0:37:24.200
<v Speaker 3>It originally meant you know, a commoner, someone who lives

0:37:24.280 --> 0:37:27.279
<v Speaker 3>in a villa, or a villain. It was as early

0:37:27.280 --> 0:37:30.640
<v Speaker 3>as thirteen oh three used as a term of like

0:37:31.239 --> 0:37:36.600
<v Speaker 3>rude or harsh address, basically suggesting that the villain that

0:37:36.640 --> 0:37:42.200
<v Speaker 3>you are talking to is like a base, low born, uncouth, uneducated,

0:37:43.160 --> 0:37:48.560
<v Speaker 3>very potentially criminal person. And it continues from there, and

0:37:48.600 --> 0:37:53.319
<v Speaker 3>you see how the meaning which was originally commoner then

0:37:53.480 --> 0:37:58.279
<v Speaker 3>merges with class consciousness and what was certainly would have

0:37:58.360 --> 0:38:06.360
<v Speaker 3>been a extreme contrast in diet, in clothing and comfort

0:38:06.760 --> 0:38:10.799
<v Speaker 3>stuff in the ability to care for oneself, such that

0:38:10.880 --> 0:38:14.040
<v Speaker 3>the ruling class would be on average healthier, although there

0:38:14.040 --> 0:38:17.800
<v Speaker 3>are studies that say the average peasant in certain periods

0:38:17.800 --> 0:38:20.600
<v Speaker 3>of the Middle Ages was fine in certain areas. Whatever,

0:38:21.160 --> 0:38:23.720
<v Speaker 3>it's very clear from the evolution of the word villain

0:38:24.280 --> 0:38:29.400
<v Speaker 3>that your rulers are not necessarily talking great about you

0:38:29.520 --> 0:38:34.560
<v Speaker 3>all the time. And the way villain evolves from commoner

0:38:34.800 --> 0:38:40.319
<v Speaker 3>to rude, dirty criminal person to the evil person in

0:38:40.360 --> 0:38:44.600
<v Speaker 3>the story is I think illustrative of some of the

0:38:44.680 --> 0:38:49.480
<v Speaker 3>dynamics at play in Milchik's recounting of the Grab shooting.

0:38:51.440 --> 0:39:08.960
<v Speaker 3>We were at back with theories after this, Okay, theorious

0:39:09.960 --> 0:39:11.120
<v Speaker 3>I'll tell you that I don't know.

0:39:11.600 --> 0:39:14.120
<v Speaker 2>Yeah, I mean definitely, I'm in a I don't know

0:39:15.320 --> 0:39:19.000
<v Speaker 2>which I think is the power of the show is

0:39:19.040 --> 0:39:21.680
<v Speaker 2>it still makes you interested even if you're not one

0:39:21.760 --> 0:39:23.200
<v Speaker 2>hundred percent sure what's going on.

0:39:23.800 --> 0:39:26.960
<v Speaker 1>If we've moved past the oh is it?

0:39:27.160 --> 0:39:30.120
<v Speaker 2>And I think this is largely to do with episode

0:39:30.200 --> 0:39:35.359
<v Speaker 2>four that really felt like a step into the weirdness

0:39:35.400 --> 0:39:39.160
<v Speaker 2>and the wildness and the bigger story of severance that

0:39:39.200 --> 0:39:42.279
<v Speaker 2>I think is really interesting and past the kind of

0:39:42.480 --> 0:39:45.680
<v Speaker 2>I'm not necessarily I love theories. They're fun, but I'm

0:39:45.680 --> 0:39:48.080
<v Speaker 2>not like waiting for the show to reveal the truth.

0:39:48.160 --> 0:39:50.799
<v Speaker 2>I actually want to see where the story goes and

0:39:50.920 --> 0:39:56.560
<v Speaker 2>see the auties are doing and what the innies are doing.

0:39:57.600 --> 0:39:59.680
<v Speaker 3>That's the hook that made me realize, you know what,

0:39:59.719 --> 0:40:02.960
<v Speaker 3>this is like really good and has the it's got

0:40:03.000 --> 0:40:05.400
<v Speaker 3>the jew chance to be really great. I think so

0:40:05.480 --> 0:40:08.280
<v Speaker 3>that the show's creators, Adam Scott in particular, has already

0:40:08.280 --> 0:40:10.960
<v Speaker 3>discounted the cloning theory, which when it first popped up

0:40:11.000 --> 0:40:12.759
<v Speaker 3>and we were discussing it some weeks ago, I was

0:40:12.800 --> 0:40:16.120
<v Speaker 3>disappointed if I was like, you know, it may be clones,

0:40:16.120 --> 0:40:17.759
<v Speaker 3>but I hope it's not, because that is just like

0:40:17.840 --> 0:40:23.000
<v Speaker 3>really so simple. It's Spider Man, it's Star Wars, it's Founding,

0:40:23.120 --> 0:40:24.439
<v Speaker 3>it's been done so many time times.

0:40:24.600 --> 0:40:28.879
<v Speaker 2>Well, it's also like, so it would be the if

0:40:28.880 --> 0:40:31.800
<v Speaker 2>you showed this show to anyone and you've ever seen

0:40:32.160 --> 0:40:36.879
<v Speaker 2>a kind of like series like this or a sci

0:40:36.880 --> 0:40:40.879
<v Speaker 2>fi thing, and they go in the elevator and then

0:40:40.920 --> 0:40:44.759
<v Speaker 2>it's like very the you know what's the the Christopher

0:40:44.800 --> 0:40:49.360
<v Speaker 2>Nolan movie The Prestige, where it's like every single time

0:40:50.000 --> 0:40:52.440
<v Speaker 2>that they go in the elevator, they would be creating

0:40:52.600 --> 0:40:55.799
<v Speaker 2>essentially like a new clone that is, it's been done,

0:40:55.960 --> 0:40:58.200
<v Speaker 2>and also it would be very complex. But I do

0:40:58.239 --> 0:41:01.440
<v Speaker 2>feel like episode four did try and tease us in

0:41:01.480 --> 0:41:04.600
<v Speaker 2>that direction with the reveal of like the shadow versions

0:41:04.840 --> 0:41:06.160
<v Speaker 2>and also the.

0:41:07.640 --> 0:41:13.040
<v Speaker 3>Twins. Yeah, the twins. There's also like the constant goats

0:41:13.040 --> 0:41:17.239
<v Speaker 3>and the shepherds around the goats and their whole interesting

0:41:18.560 --> 0:41:23.160
<v Speaker 3>kind of Nietzsche legends that maybe the MDR folks have

0:41:23.320 --> 0:41:27.000
<v Speaker 3>pouches and that like all of that suggests mucking around

0:41:27.040 --> 0:41:31.800
<v Speaker 3>with DNA. I will say that, like the Cold Harbor project,

0:41:32.040 --> 0:41:36.320
<v Speaker 3>so various theories about this, the ones I've seen often

0:41:36.480 --> 0:41:39.600
<v Speaker 3>reference the Civil War Battle of Cold Harbor, and there's

0:41:39.640 --> 0:41:43.200
<v Speaker 3>a lot of theories now about like this is some

0:41:43.280 --> 0:41:45.440
<v Speaker 3>kind of extension of the Confederacy and they're trying to

0:41:45.640 --> 0:41:47.759
<v Speaker 3>act slavery been in a high tech way. I think

0:41:47.760 --> 0:41:48.320
<v Speaker 3>it's interesting.

0:41:48.400 --> 0:41:51.359
<v Speaker 2>I think that's very interesting, and it does align with

0:41:51.440 --> 0:41:56.040
<v Speaker 2>a lot of how people have kind of responded to

0:41:56.040 --> 0:41:58.600
<v Speaker 2>to the story of like, yeah, well, obviously this is

0:41:58.640 --> 0:42:02.920
<v Speaker 2>a set you would essentially are creating, you know, enslaved people,

0:42:02.960 --> 0:42:04.600
<v Speaker 2>but in a new way. I think that's a very

0:42:04.640 --> 0:42:07.600
<v Speaker 2>interesting I would be very open to see if they

0:42:07.640 --> 0:42:10.239
<v Speaker 2>had the juice to make that land in a way

0:42:10.280 --> 0:42:13.200
<v Speaker 2>that felt realistic and interesting.

0:42:14.160 --> 0:42:19.000
<v Speaker 3>I don't think it's that, but who knows that Cold

0:42:19.040 --> 0:42:24.520
<v Speaker 3>Harbor Cold Spring Harbor in Long Island is a place

0:42:24.560 --> 0:42:28.240
<v Speaker 3>that's central to the evolution of our understanding of genetics.

0:42:28.280 --> 0:42:32.320
<v Speaker 3>It's where Watson and Crick disc structure of DNA. Let's

0:42:32.760 --> 0:42:34.880
<v Speaker 3>let's let's just.

0:42:34.760 --> 0:42:36.839
<v Speaker 2>Talk more about that, because I think that's a really

0:42:36.880 --> 0:42:40.280
<v Speaker 2>interesting has an interesting connection as well to the fact

0:42:40.280 --> 0:42:43.120
<v Speaker 2>that they've you know, we learned an episode for this.

0:42:43.160 --> 0:42:45.960
<v Speaker 1>The idea of Montalk. What is mon Talk? Why is

0:42:46.040 --> 0:42:48.320
<v Speaker 1>montalk important on island?

0:42:48.320 --> 0:42:51.000
<v Speaker 3>And Montalk is on Long Island and my mom loved,

0:42:51.200 --> 0:42:52.960
<v Speaker 3>love loves mont of course.

0:42:52.760 --> 0:42:55.160
<v Speaker 2>Mon Talk's like very beautiful. I've never been there, but

0:42:55.160 --> 0:42:57.400
<v Speaker 2>I've seen lots of pictures of it, and I will say,

0:42:57.920 --> 0:43:00.840
<v Speaker 2>then mon Talk is very interesting. And I don't know

0:43:00.880 --> 0:43:04.359
<v Speaker 2>if this is a you know, a Red Herring bar.

0:43:04.719 --> 0:43:07.480
<v Speaker 2>If you have watched Stranger Things and you're a Stranger

0:43:07.520 --> 0:43:10.200
<v Speaker 2>Things fan, if you've ever if you're a screenwriter who

0:43:10.280 --> 0:43:14.120
<v Speaker 2>has ever kind of looked at the original Stranger Things

0:43:14.560 --> 0:43:19.760
<v Speaker 2>story bible, the inspiration for Stranger Things is the Montalk project,

0:43:19.880 --> 0:43:25.879
<v Speaker 2>which is essentially a conspiracy theory that alleges that there

0:43:25.880 --> 0:43:30.359
<v Speaker 2>were like a series of United States government projects conducted

0:43:30.600 --> 0:43:34.960
<v Speaker 2>at Campiro or the Montalk Air Force Station in Montalk

0:43:35.440 --> 0:43:40.680
<v Speaker 2>for the purpose of creating psychological warfare techniques and allegedly

0:43:40.760 --> 0:43:44.760
<v Speaker 2>time travel, which of course is hugely influential on stranger things,

0:43:44.840 --> 0:43:50.160
<v Speaker 2>and that is what inspired the eleven kind of connection

0:43:50.800 --> 0:43:56.120
<v Speaker 2>to the US government and the other side of the

0:43:56.239 --> 0:44:00.279
<v Speaker 2>universe and the strange alien creatures, etc. But yeah, this

0:44:00.400 --> 0:44:03.040
<v Speaker 2>is since the eighties. So I think the kind of

0:44:03.400 --> 0:44:05.879
<v Speaker 2>the Cold Harbor, the Montalk, I think there's some kind

0:44:05.920 --> 0:44:10.600
<v Speaker 2>of connection that to these true sides of American history,

0:44:10.640 --> 0:44:13.879
<v Speaker 2>but also this conspiratorial side. So I think that that

0:44:14.080 --> 0:44:16.040
<v Speaker 2>the Cold Harbor call is a really good one that

0:44:16.160 --> 0:44:18.040
<v Speaker 2>Jason I also think we should.

0:44:18.080 --> 0:44:22.240
<v Speaker 3>I think there's I would also mention that while we're

0:44:22.920 --> 0:44:27.960
<v Speaker 3>on Long Island conspiracy theories, Yes, there is a there

0:44:28.000 --> 0:44:31.880
<v Speaker 3>is an island called Plumb Island that's off some couple

0:44:31.840 --> 0:44:34.760
<v Speaker 3>of miles off of Montalk of Orient Point, the North,

0:44:34.960 --> 0:44:38.640
<v Speaker 3>the north fork of the Eastern Tale of Long Island.

0:44:38.680 --> 0:44:40.480
<v Speaker 3>If you think of Long Island as a fish, and

0:44:40.520 --> 0:44:44.120
<v Speaker 3>it's where the government has a Animal Disease Research Center,

0:44:45.360 --> 0:44:48.000
<v Speaker 3>that there are a lot of conspiracy theories that lime

0:44:48.080 --> 0:44:53.560
<v Speaker 3>disease leaked out from there and across the Long Island Sound,

0:44:53.560 --> 0:44:55.640
<v Speaker 3>and that's why it appeared in Lime, Connecticut, right across

0:44:55.680 --> 0:44:59.640
<v Speaker 3>the bay there. That said, fun reference to Plumb Island

0:44:59.719 --> 0:45:03.960
<v Speaker 3>in Silence of the Lambs, when Clarice Starling offers Hannibal

0:45:04.040 --> 0:45:08.680
<v Speaker 3>lecter some you know, as a reward for helping the government,

0:45:09.200 --> 0:45:12.360
<v Speaker 3>he would get like two weeks at Plumb Island Disease

0:45:12.440 --> 0:45:18.719
<v Speaker 3>Research Center anyway, So there's yeah, are these other connections

0:45:18.800 --> 0:45:19.839
<v Speaker 3>very interesting.

0:45:20.160 --> 0:45:23.319
<v Speaker 1>Also, Let's so we talked about clones, Let's talk about the.

0:45:23.280 --> 0:45:26.000
<v Speaker 2>Other obvious one that came out after the ORTBO, which

0:45:26.040 --> 0:45:29.400
<v Speaker 2>is kind of the realization that ABO is obviously an

0:45:29.400 --> 0:45:34.040
<v Speaker 2>anagram for robot dieta egan is an anagram for AI generated.

0:45:34.400 --> 0:45:37.840
<v Speaker 1>Jason tell us your tell us your thoughts on anagrams

0:45:38.000 --> 0:45:39.120
<v Speaker 1>as clues, and.

0:45:39.239 --> 0:45:43.080
<v Speaker 3>It's never, it's never the fucking anagram having I just

0:45:43.120 --> 0:45:48.200
<v Speaker 3>feel like having been through having opened many mystery box

0:45:48.200 --> 0:45:55.400
<v Speaker 3>stories in my life and having written stuff and knowing writers. Yeah,

0:45:56.400 --> 0:45:59.839
<v Speaker 3>I always feel like the thing that a writer who

0:45:59.880 --> 0:46:02.920
<v Speaker 3>is writing something that's like a thriller or a mystery

0:46:02.920 --> 0:46:05.080
<v Speaker 3>based story. The thing that they would be terrified of

0:46:05.440 --> 0:46:07.680
<v Speaker 3>is that you could get the answer by unscrambling somebody's

0:46:07.719 --> 0:46:08.319
<v Speaker 3>fucking name.

0:46:08.640 --> 0:46:09.359
<v Speaker 1>Yeah right.

0:46:09.400 --> 0:46:13.160
<v Speaker 3>I just feel like it's never the anagram to me,

0:46:13.640 --> 0:46:16.880
<v Speaker 3>and generative AI, I mean like AI or AI generated

0:46:17.239 --> 0:46:20.320
<v Speaker 3>is like it just feels like a reach. This the

0:46:20.360 --> 0:46:22.120
<v Speaker 3>first draft of this story was written like in what

0:46:22.160 --> 0:46:24.520
<v Speaker 3>twenty sixteen before Generative.

0:46:24.120 --> 0:46:26.080
<v Speaker 1>AI really dealing with that thing.

0:46:26.920 --> 0:46:30.759
<v Speaker 3>Yeah, and even two years ago when this show first

0:46:30.800 --> 0:46:32.600
<v Speaker 3>came out, like it was that was like it was

0:46:32.640 --> 0:46:36.239
<v Speaker 3>a blip then, So I feel like it's not that.

0:46:36.640 --> 0:46:41.239
<v Speaker 2>Yeah, I agree, So I do, like, you know, as

0:46:41.320 --> 0:46:44.560
<v Speaker 2>I love the quote that Adam Scott gave to EW

0:46:45.000 --> 0:46:47.080
<v Speaker 2>when it was talking about clones and he was like,

0:46:47.200 --> 0:46:49.600
<v Speaker 2>this sounds like what Luman would be in a super

0:46:49.640 --> 0:46:53.200
<v Speaker 2>boring version of Severance. I think a simple idea like

0:46:53.680 --> 0:46:56.960
<v Speaker 2>a robot is not necessarily going to be the answer.

0:46:57.200 --> 0:47:00.600
<v Speaker 2>But I do think it's kind of incredible that the

0:47:00.680 --> 0:47:04.880
<v Speaker 2>show is so interesting and layered that we're not just

0:47:05.000 --> 0:47:08.200
<v Speaker 2>stuck on the fact that there's multiple versions of these characters,

0:47:08.239 --> 0:47:11.200
<v Speaker 2>because that should be the big reveal, but actually we've

0:47:11.239 --> 0:47:16.080
<v Speaker 2>already moved past that okay, Jason, miss Swang Mark's child.

0:47:17.719 --> 0:47:19.560
<v Speaker 3>Potentially that would be.

0:47:19.560 --> 0:47:21.880
<v Speaker 2>Pretty I think they could take this show to pretty

0:47:21.920 --> 0:47:23.240
<v Speaker 2>bleak places.

0:47:22.840 --> 0:47:25.560
<v Speaker 1>I was always a fan in season one.

0:47:25.920 --> 0:47:28.040
<v Speaker 2>I was really enjoying a lot of the theories. I

0:47:28.200 --> 0:47:31.480
<v Speaker 2>liked the kind of Miss Casey is Grace's theory, and

0:47:31.520 --> 0:47:34.360
<v Speaker 2>that obviously end up being true. But it gets really

0:47:34.719 --> 0:47:38.080
<v Speaker 2>really bleak when you start to bring children into it,

0:47:38.160 --> 0:47:40.440
<v Speaker 2>and when you start to kind of why are they

0:47:40.480 --> 0:47:42.480
<v Speaker 2>so obsessed with Mark and his family?

0:47:42.640 --> 0:47:43.880
<v Speaker 1>Like, what do they know?

0:47:44.120 --> 0:47:47.399
<v Speaker 3>Mark is really okay, Well, here's my yeah. I think

0:47:47.440 --> 0:47:50.680
<v Speaker 3>that's somehow Mark and probably a lot of our other

0:47:50.840 --> 0:47:53.880
<v Speaker 3>MDR people, maybe not Dylan, are connected to the Egan

0:47:53.920 --> 0:47:56.400
<v Speaker 3>family in some way and an important in some way.

0:47:56.400 --> 0:47:58.680
<v Speaker 3>I have some sort of Mark certainly, I believe has

0:47:58.680 --> 0:48:01.440
<v Speaker 3>some sort of inate ability, some kind of innate insight

0:48:01.520 --> 0:48:05.799
<v Speaker 3>that allows him to arrange the numbers, whatever the fuck

0:48:05.840 --> 0:48:07.760
<v Speaker 3>the work there is they do in a way that's

0:48:08.000 --> 0:48:11.879
<v Speaker 3>beyond the ability of others, And so I feel as

0:48:11.920 --> 0:48:19.520
<v Speaker 3>if maybe what it is is an attempt to like

0:48:20.160 --> 0:48:28.040
<v Speaker 3>bring back to life the Egan ancestors, like the Egan patriarchy,

0:48:29.440 --> 0:48:35.759
<v Speaker 3>whose memories and life information is stored in DNA, fragmented

0:48:36.680 --> 0:48:39.839
<v Speaker 3>down the family tree and in different places. And what

0:48:39.880 --> 0:48:43.239
<v Speaker 3>they're trying to do is they refine, is assemble these

0:48:43.360 --> 0:48:50.160
<v Speaker 3>pieces somehow and through that process, not by cloning, but

0:48:50.200 --> 0:48:55.480
<v Speaker 3>by the severing process, bring this person at least their consciousness.

0:48:55.560 --> 0:48:55.719
<v Speaker 2>Maac.

0:48:55.800 --> 0:48:57.120
<v Speaker 3>That is my crazy theory.

0:48:57.239 --> 0:48:58.600
<v Speaker 1>I love that theory.

0:48:58.760 --> 0:49:02.760
<v Speaker 2>And I'm gonna say, I do you feel like if

0:49:03.680 --> 0:49:07.520
<v Speaker 2>that is the case, I feel like they could be

0:49:07.560 --> 0:49:11.400
<v Speaker 2>making a very If almost everyone at who is severed

0:49:11.440 --> 0:49:14.480
<v Speaker 2>at Lumont is actually a descendant they would beat That

0:49:14.520 --> 0:49:17.680
<v Speaker 2>would be a really interesting commentary on like George Washington,

0:49:18.360 --> 0:49:20.560
<v Speaker 2>you know, the way that people are still finding out

0:49:20.600 --> 0:49:26.120
<v Speaker 2>that they are descendants of famous slaver George George Washington.

0:49:26.600 --> 0:49:30.480
<v Speaker 2>And also I think that you're onto something very interesting

0:49:30.600 --> 0:49:34.239
<v Speaker 2>there because we are once again going back to our

0:49:34.280 --> 0:49:36.880
<v Speaker 2>favorite plot line, of course, that there was no issues

0:49:36.920 --> 0:49:39.920
<v Speaker 2>with Palpatine. Sometimes he's somehow he's returned.

0:49:40.239 --> 0:49:40.440
<v Speaker 1>You know.

0:49:40.600 --> 0:49:43.680
<v Speaker 2>I love to see these kind of the stories that

0:49:43.719 --> 0:49:48.240
<v Speaker 2>we're interested in retelling. What is it about the idea

0:49:48.440 --> 0:49:50.360
<v Speaker 2>of bringing back someone.

0:49:50.160 --> 0:49:52.359
<v Speaker 1>Really terrible that haunts us?

0:49:52.360 --> 0:49:56.600
<v Speaker 2>I think it's about the rejection of the horrors of

0:49:56.600 --> 0:49:59.000
<v Speaker 2>the past, you know, the rejection and I think that

0:49:59.080 --> 0:50:01.040
<v Speaker 2>the idea that the those things could come back, and

0:50:01.080 --> 0:50:04.680
<v Speaker 2>of course this feels incredibly resonant and awful in twenty

0:50:04.719 --> 0:50:07.560
<v Speaker 2>twenty five, Jason, I think, I mean, you might they

0:50:07.640 --> 0:50:09.600
<v Speaker 2>might be calling you for season three, because I feel

0:50:09.640 --> 0:50:11.800
<v Speaker 2>like that's a pretty fantastic theory.

0:50:12.160 --> 0:50:14.319
<v Speaker 3>I mean, the thing that I keep thinking about is

0:50:14.360 --> 0:50:21.799
<v Speaker 3>that we don't truly know how many times characters in

0:50:21.800 --> 0:50:23.200
<v Speaker 3>this show have been seven.

0:50:23.440 --> 0:50:25.120
<v Speaker 1>I think this is a big deal.

0:50:25.360 --> 0:50:28.360
<v Speaker 3>And I think there's a world in which because like

0:50:28.440 --> 0:50:32.240
<v Speaker 3>Helly is severed, she's basically a leader in the company.

0:50:32.360 --> 0:50:34.400
<v Speaker 3>We don't know if mister Drummond is severed, but he

0:50:34.520 --> 0:50:41.120
<v Speaker 3>might be. And if severing yeah is naturally and if,

0:50:41.200 --> 0:50:43.960
<v Speaker 3>as in any you would not have any knowledge of

0:50:44.560 --> 0:50:46.759
<v Speaker 3>the other parts of your life through this process, I

0:50:46.760 --> 0:50:51.240
<v Speaker 3>think there's I think there's a possibility that these characters

0:50:51.280 --> 0:50:57.040
<v Speaker 3>have quote unquote forgotten, do not know who they actually

0:50:57.400 --> 0:51:01.560
<v Speaker 3>are because of how many times potentially they've been severed

0:51:01.719 --> 0:51:04.080
<v Speaker 3>and this, and I think a lot of the stuff,

0:51:04.160 --> 0:51:08.160
<v Speaker 3>like the pictures the paintings, are an attempt to elicit

0:51:08.440 --> 0:51:13.800
<v Speaker 3>an emotional reaction that would show that that would somehow

0:51:13.840 --> 0:51:18.080
<v Speaker 3>break through these severing walls. Somehow to suggest that like, oh,

0:51:18.120 --> 0:51:21.000
<v Speaker 3>we got through to the real person. They're reacting to

0:51:21.040 --> 0:51:25.480
<v Speaker 3>this painting. Therefore that means, whatever, we mind this person

0:51:25.560 --> 0:51:26.920
<v Speaker 3>further for more stuff.

0:51:27.160 --> 0:51:29.359
<v Speaker 2>I think that's a great cool because I definitely had

0:51:29.440 --> 0:51:32.800
<v Speaker 2>been thinking about Irving. Has Irving been severed more than once?

0:51:32.880 --> 0:51:36.040
<v Speaker 2>And that was definitely something that people on the internet

0:51:36.080 --> 0:51:38.319
<v Speaker 2>were talking about, especially as he seems to have these

0:51:38.400 --> 0:51:40.919
<v Speaker 2>ways to communicate with his inny.

0:51:41.160 --> 0:51:46.560
<v Speaker 3>He's much Yeah, he's much more adept at navigating the

0:51:46.640 --> 0:51:50.200
<v Speaker 3>barriers of any audi and seems to have like a

0:51:50.320 --> 0:51:55.760
<v Speaker 3>much more established conspiracy as Mark struggles to like burn

0:51:56.480 --> 0:52:00.480
<v Speaker 3>images into his eyes, you know, of navigating these So

0:52:00.520 --> 0:52:04.160
<v Speaker 3>it's very interesting Irving, like finding out more about Irving. Yes,

0:52:04.320 --> 0:52:04.839
<v Speaker 3>I can't wait.

0:52:04.880 --> 0:52:07.200
<v Speaker 2>I think it's key, Okay, I do want to tag

0:52:07.320 --> 0:52:11.200
<v Speaker 2>in super producer Joel Monique quickly. We're going to take

0:52:11.200 --> 0:52:13.960
<v Speaker 2>a quick break and we'll be right back.

0:52:28.239 --> 0:52:32.800
<v Speaker 1>And we're back. Is she available? Is she available?

0:52:32.880 --> 0:52:35.120
<v Speaker 2>I really just just before we stop talking about theories,

0:52:35.239 --> 0:52:37.200
<v Speaker 2>I really would love for you to talk a little

0:52:37.239 --> 0:52:40.839
<v Speaker 2>bit about like the more philosophical readings of this and

0:52:40.960 --> 0:52:44.000
<v Speaker 2>kind of mystery box shows like The Leftovers, because there

0:52:44.080 --> 0:52:46.920
<v Speaker 2>is and always has been an idea that lumin is

0:52:47.000 --> 0:52:51.160
<v Speaker 2>some kind of like purgatory space and that maybe they're like,

0:52:51.440 --> 0:52:54.040
<v Speaker 2>you know, trying to they're reading the quality of people's

0:52:54.080 --> 0:52:57.240
<v Speaker 2>souls or like all these kind of deep, wild thoughts

0:52:57.280 --> 0:52:59.200
<v Speaker 2>that very much in that kind of leftover space.

0:52:59.239 --> 0:53:00.640
<v Speaker 1>So would you talk little bit about that?

0:53:00.840 --> 0:53:03.480
<v Speaker 4>Yeah, I loved hearing you guys sort of talk about

0:53:03.960 --> 0:53:10.040
<v Speaker 4>this idea of Lumen's space being not just like a

0:53:10.160 --> 0:53:13.560
<v Speaker 4>thought experiment on corporate life. But I think they've sort

0:53:13.560 --> 0:53:18.120
<v Speaker 4>of wriggled under something that's really horrifying for a lot

0:53:18.160 --> 0:53:20.359
<v Speaker 4>of Americans. Is something we've talked about for a long time.

0:53:20.400 --> 0:53:23.440
<v Speaker 4>But I think maybe we're feeling extra after a pandemic

0:53:23.440 --> 0:53:25.520
<v Speaker 4>that allowed us to break free from the confines of

0:53:25.520 --> 0:53:27.520
<v Speaker 4>our office space, and that's like how much of your

0:53:27.520 --> 0:53:30.920
<v Speaker 4>life are you selling to a corporation? But then also

0:53:31.200 --> 0:53:34.160
<v Speaker 4>by doing an any audi version of it, they've sort

0:53:34.160 --> 0:53:36.080
<v Speaker 4>of tapped into this idea of like how are you

0:53:37.040 --> 0:53:40.200
<v Speaker 4>different from other workers? You know, it's the thing that

0:53:40.239 --> 0:53:42.840
<v Speaker 4>haunts me as I watch it, the way people have

0:53:43.000 --> 0:53:45.920
<v Speaker 4>like even if you're any is different from you, if

0:53:45.960 --> 0:53:48.240
<v Speaker 4>you view them as a different person, there's this lingering,

0:53:48.280 --> 0:53:50.880
<v Speaker 4>haunting feeling of like they keep saying, just throw them away,

0:53:50.920 --> 0:53:54.920
<v Speaker 4>though they like that's you still like that's your body,

0:53:55.080 --> 0:53:58.480
<v Speaker 4>it's your time still technically like this is still minutes

0:53:58.480 --> 0:54:02.279
<v Speaker 4>of your life. And for them to be so disposable

0:54:02.320 --> 0:54:05.359
<v Speaker 4>on such a large scale, it's haunting. And I think

0:54:05.400 --> 0:54:08.080
<v Speaker 4>what makes this show really great is they I think

0:54:08.160 --> 0:54:10.840
<v Speaker 4>they stumble into things sometimes. There's been a lot of

0:54:10.840 --> 0:54:13.880
<v Speaker 4>discussion around Natalie. I have heard, but have not been

0:54:13.920 --> 0:54:17.440
<v Speaker 4>able to source properly, that the character of Natalie was

0:54:17.480 --> 0:54:22.120
<v Speaker 4>not written as black, or as mixed race or anything like.

0:54:22.160 --> 0:54:25.919
<v Speaker 4>She was just the character naturally, and that now we've

0:54:25.960 --> 0:54:30.160
<v Speaker 4>sort of stumbled backwards into this like constant conversation between

0:54:30.160 --> 0:54:34.400
<v Speaker 4>Miltchick and Natalie. These weird like even the cinematography scenes.

0:54:34.400 --> 0:54:38.160
<v Speaker 4>There's a scene where Miltchick is backlit so instantly, if

0:54:38.200 --> 0:54:40.239
<v Speaker 4>you backlight somebody to become darker, all of the light

0:54:40.280 --> 0:54:42.400
<v Speaker 4>is spilling on Natalie. It makes her lighter, And you're like,

0:54:42.480 --> 0:54:45.160
<v Speaker 4>is this on purpose? Are you trying to tend the

0:54:45.320 --> 0:54:48.200
<v Speaker 4>Because the space the show leads so much space open

0:54:48.360 --> 0:54:53.120
<v Speaker 4>for philosophy, both current to Jason's point and yours to

0:54:53.200 --> 0:54:56.800
<v Speaker 4>sort of higher more religious philosophy with these paintings in

0:54:56.840 --> 0:54:59.400
<v Speaker 4>the way the corporation has sort of structured itself with

0:54:59.520 --> 0:55:02.880
<v Speaker 4>these or do you like profits? Essentially all the leaders

0:55:02.880 --> 0:55:06.600
<v Speaker 4>are sort of prepositioned as being profits and you want

0:55:06.600 --> 0:55:10.080
<v Speaker 4>to follow their text almost in a biblical way. It

0:55:10.200 --> 0:55:13.200
<v Speaker 4>sort of gives the show this extra layer of mystery.

0:55:13.320 --> 0:55:16.600
<v Speaker 4>So in addition to having what's going on between the

0:55:17.120 --> 0:55:22.239
<v Speaker 4>Innies and Audi's what's the corporation's overall goal, you're also

0:55:22.280 --> 0:55:25.040
<v Speaker 4>sort of getting like a how do we treat just

0:55:25.120 --> 0:55:28.120
<v Speaker 4>like your average worker? Then I find this show so

0:55:28.840 --> 0:55:31.120
<v Speaker 4>deeply distroyed this sometimes I have a hard time pressing

0:55:31.120 --> 0:55:32.759
<v Speaker 4>play and sort of like in The Leftovers, I think

0:55:32.760 --> 0:55:34.480
<v Speaker 4>I waited like two years to watch the finale of

0:55:34.520 --> 0:55:38.720
<v Speaker 4>The Leftovers because I was just like, philosophically, I'm not emotional,

0:55:39.560 --> 0:55:42.400
<v Speaker 4>I just want who do they come back? Or no,

0:55:42.560 --> 0:55:44.600
<v Speaker 4>I'm just scared. I just I don't want people to

0:55:44.600 --> 0:55:45.000
<v Speaker 4>be hurt.

0:55:45.040 --> 0:55:45.879
<v Speaker 1>But it's so good.

0:55:47.120 --> 0:55:50.040
<v Speaker 2>Severance is definitely has that power over me because when

0:55:50.080 --> 0:55:51.880
<v Speaker 2>we were like, Okay, we got to do this, I

0:55:51.920 --> 0:55:53.760
<v Speaker 2>was like, Okay, I got to rewatch the episode.

0:55:53.960 --> 0:55:56.640
<v Speaker 1>I was like, oh man, like this is gonna break.

0:55:56.400 --> 0:55:58.879
<v Speaker 2>Me, and Okay, Joel, I'm also going to ask you

0:55:58.920 --> 0:56:02.280
<v Speaker 2>a question, how do you feel about Miltchick and Natalie

0:56:02.320 --> 0:56:05.120
<v Speaker 2>in the context we don't know if Natalie's severed, but

0:56:05.280 --> 0:56:08.880
<v Speaker 2>in the context of I've seen some very interesting arguments

0:56:08.920 --> 0:56:11.759
<v Speaker 2>and conversations about like should we feel sorry for them?

0:56:11.800 --> 0:56:12.680
<v Speaker 1>Are they complicit?

0:56:12.800 --> 0:56:15.640
<v Speaker 2>That very famous scene with Natalie and Miltchick where it

0:56:15.680 --> 0:56:18.160
<v Speaker 2>seems like she can't say something was really giving get

0:56:18.239 --> 0:56:21.280
<v Speaker 2>out vibes. But some people are like, well, they're working

0:56:21.320 --> 0:56:24.080
<v Speaker 2>for your you know, essentially a modern day slavery company,

0:56:24.160 --> 0:56:26.080
<v Speaker 2>So like what, how where do you stand on that

0:56:26.160 --> 0:56:27.920
<v Speaker 2>and where do you think that storyline's going to go?

0:56:28.360 --> 0:56:31.080
<v Speaker 4>I think Natalie is the lynchpin for a lot of things,

0:56:31.360 --> 0:56:34.719
<v Speaker 4>right like, because to me, if Natalie isn't severed, I

0:56:34.760 --> 0:56:37.600
<v Speaker 4>was reading theories on Reddit earlier ready, y'all are funny.

0:56:38.400 --> 0:56:43.080
<v Speaker 4>People were redda is they They were like, Natalie is

0:56:43.120 --> 0:56:45.239
<v Speaker 4>just a calms person. This is how calms people act.

0:56:45.280 --> 0:56:47.160
<v Speaker 4>She's not severed, she's not being.

0:56:47.360 --> 0:56:48.160
<v Speaker 1>Course or whatever.

0:56:48.200 --> 0:56:50.440
<v Speaker 4>She's a calms person. And by that they sort of

0:56:50.520 --> 0:56:55.239
<v Speaker 4>meant like she's a person who's very easily able to

0:56:55.280 --> 0:56:58.200
<v Speaker 4>separate her emotions and opinions about what the company should

0:56:58.200 --> 0:57:01.840
<v Speaker 4>be doing in exchange for being THEE of the company,

0:57:01.960 --> 0:57:03.719
<v Speaker 4>and that it doesn't really matter. And so I was like, Oh,

0:57:03.840 --> 0:57:06.200
<v Speaker 4>that's really compelling. And to me, I think mystery boxes

0:57:06.200 --> 0:57:08.239
<v Speaker 4>are so much more compelling when and I think we

0:57:08.320 --> 0:57:10.040
<v Speaker 4>talked about this a little bit when we talked about

0:57:10.840 --> 0:57:13.640
<v Speaker 4>the agency, like human stupidity is far more interesting to

0:57:13.680 --> 0:57:20.240
<v Speaker 4>me than like, oh it's a grand schemes, yeah yeah, yeah, yes.

0:57:20.640 --> 0:57:23.800
<v Speaker 4>And so to your point, I think personally, I think

0:57:23.920 --> 0:57:28.480
<v Speaker 4>Natalie is just a person. It's interesting to think that

0:57:28.520 --> 0:57:30.440
<v Speaker 4>she might be severed because of what's going on with Gemma,

0:57:30.520 --> 0:57:33.280
<v Speaker 4>But to me, she just appears. And I think that

0:57:33.360 --> 0:57:35.760
<v Speaker 4>you should not feel too bad for Natalie if you go,

0:57:35.840 --> 0:57:37.600
<v Speaker 4>if you're at the point where you're going on CNN

0:57:37.680 --> 0:57:40.200
<v Speaker 4>to make statements for a company, then yes, you are

0:57:40.640 --> 0:57:44.160
<v Speaker 4>absolutely complicit. That's complicit. You are. You are going on

0:57:44.520 --> 0:57:47.240
<v Speaker 4>into a very large basis. This is what's happening, and

0:57:47.280 --> 0:57:50.240
<v Speaker 4>it's the correct decision to be making. I am saying

0:57:50.280 --> 0:57:53.480
<v Speaker 4>it as of the mouthpiece. So for Natalie, no, unless,

0:57:53.480 --> 0:57:55.120
<v Speaker 4>of course she severed and not in control of herself,

0:57:55.120 --> 0:57:57.400
<v Speaker 4>in which case then yes, of course she should be

0:57:57.440 --> 0:58:02.360
<v Speaker 4>love her milkshakes to it is really really really like

0:58:02.400 --> 0:58:05.680
<v Speaker 4>the style of dress for him. The short sleeves automatically

0:58:05.680 --> 0:58:07.480
<v Speaker 4>denotes a lower level of management.

0:58:07.880 --> 0:58:13.120
<v Speaker 3>Get ready with Milchick, in my opinion, get ready for

0:58:13.360 --> 0:58:20.200
<v Speaker 3>the anekin like turn. There is something about Milchick. There

0:58:20.280 --> 0:58:22.840
<v Speaker 3>is something about Milchick where like he is a hard ass,

0:58:22.920 --> 0:58:24.960
<v Speaker 3>and I think he is in a lot of ways

0:58:24.960 --> 0:58:29.040
<v Speaker 3>the villain of this story. But he's evincing like empathy

0:58:29.200 --> 0:58:32.520
<v Speaker 3>for the innies in ways that always surprise me. He

0:58:32.720 --> 0:58:38.360
<v Speaker 3>seems to understand and speak to what they're going through

0:58:38.400 --> 0:58:40.919
<v Speaker 3>in a way that nobody else has an ability to do,

0:58:41.560 --> 0:58:43.760
<v Speaker 3>and that suggests to me that there is a big

0:58:43.840 --> 0:58:44.480
<v Speaker 3>turn coming.

0:58:44.640 --> 0:58:48.000
<v Speaker 2>Even like even like the gifts and the parties and

0:58:48.040 --> 0:58:49.880
<v Speaker 2>all of that, we don't really know if that's like

0:58:50.120 --> 0:58:53.840
<v Speaker 2>truly standard practice across Luman, Like that could be him

0:58:54.240 --> 0:58:56.800
<v Speaker 2>trying the funeral, you know, these are things that he's

0:58:56.800 --> 0:59:01.240
<v Speaker 2>willing to do. And also I means I know.

0:59:04.280 --> 0:59:07.120
<v Speaker 1>Is everyone's favorite mil Chick look.

0:59:07.440 --> 0:59:09.640
<v Speaker 4>It's obviously the white snow bunny fit.

0:59:09.920 --> 0:59:11.720
<v Speaker 3>Like I just don't.

0:59:11.640 --> 0:59:13.760
<v Speaker 1>I love that fit. I'm gonna go for the I'm

0:59:13.760 --> 0:59:15.520
<v Speaker 1>gonna go for the tout le neck.

0:59:16.080 --> 0:59:19.880
<v Speaker 3>Oh, he was looking crisp will be iconic at this point.

0:59:20.240 --> 0:59:24.120
<v Speaker 3>I like the leather jacket, the motorcycle.

0:59:24.200 --> 0:59:28.720
<v Speaker 4>Oh yeah, so many Alcock.

0:59:29.520 --> 0:59:30.480
<v Speaker 3>Kind of a cool guy.

0:59:30.720 --> 0:59:32.480
<v Speaker 4>Can I just say about Miltchick before we come the

0:59:32.560 --> 0:59:33.320
<v Speaker 4>leather jacket.

0:59:33.400 --> 0:59:33.920
<v Speaker 1>I have a lot of.

0:59:33.880 --> 0:59:36.680
<v Speaker 4>Empathy Melchick as somebody who comes from generations of middle

0:59:36.680 --> 0:59:41.640
<v Speaker 4>class Black Americans like this idea of both being a

0:59:41.720 --> 0:59:45.800
<v Speaker 4>bridge for workers to a corporation and position I currently

0:59:45.800 --> 0:59:48.640
<v Speaker 4>hold is tear like every time are like, oh my god,

0:59:48.640 --> 0:59:52.080
<v Speaker 4>I'm so nervous, like I can't please, don't lose your humanity.

0:59:52.080 --> 0:59:54.120
<v Speaker 4>To Jason's point, I really worry about it. That scene

0:59:54.120 --> 0:59:56.120
<v Speaker 4>where he flipped in the elevator so fast and minute

0:59:56.160 --> 0:59:57.960
<v Speaker 4>he was cornered and kind of being called out. He

0:59:58.080 --> 1:00:00.240
<v Speaker 4>was like, fine, yeah, I'm gonna crank its tent. But

1:00:00.240 --> 1:00:02.160
<v Speaker 4>we also have a feeling that the elevators are maybe

1:00:02.160 --> 1:00:05.080
<v Speaker 4>their most monitored space. And if that's the case, this

1:00:05.120 --> 1:00:08.240
<v Speaker 4>is a performance for someone else's I think miltcheck might

1:00:08.360 --> 1:00:10.760
<v Speaker 4>that was for public consumption, for sure. I think Milchik

1:00:10.920 --> 1:00:14.240
<v Speaker 4>is feeling something else outside of this company. He has

1:00:14.360 --> 1:00:17.520
<v Speaker 4>an angle and agenda. What I can't tell you is

1:00:17.520 --> 1:00:20.320
<v Speaker 4>if he believes he can fix things from the inside

1:00:20.720 --> 1:00:23.120
<v Speaker 4>what I'd like to call the black cop problem, or

1:00:23.800 --> 1:00:26.360
<v Speaker 4>is it that he can take it down from the inside,

1:00:26.400 --> 1:00:29.360
<v Speaker 4>and he's nefariously setting things up. I don't know yet.

1:00:29.520 --> 1:00:32.920
<v Speaker 3>I think he thinks that this project is overall good,

1:00:33.080 --> 1:00:38.120
<v Speaker 3>whatever it is, and that though it causes significant pain

1:00:38.200 --> 1:00:41.600
<v Speaker 3>and suffering to the innies, that if they can just

1:00:41.640 --> 1:00:44.520
<v Speaker 3>get through this, it'll be worth it. And I think

1:00:44.600 --> 1:00:47.400
<v Speaker 3>at some point he's and I think at some point

1:00:47.400 --> 1:00:51.360
<v Speaker 3>he's going to question that because the way he again,

1:00:51.400 --> 1:00:54.160
<v Speaker 3>the way he operates, is so interesting to me. He's

1:00:54.200 --> 1:00:58.400
<v Speaker 3>clearly convinced the board to give him wide latitude to

1:00:58.520 --> 1:01:03.000
<v Speaker 3>do a lot of different stuff on his own accord,

1:01:03.560 --> 1:01:07.880
<v Speaker 3>and that's really interesting, particularly as basically like the new

1:01:08.120 --> 1:01:12.800
<v Speaker 3>floor manager in the wake of what was essentially like

1:01:12.880 --> 1:01:19.440
<v Speaker 3>a truly disastrous corporate and pr event. So he has

1:01:19.480 --> 1:01:23.520
<v Speaker 3>a lot of pull in there, and that suggests to

1:01:23.560 --> 1:01:28.080
<v Speaker 3>me that they one he is he understands this world

1:01:28.160 --> 1:01:30.560
<v Speaker 3>in a way that he's able to communicate that's compelling

1:01:30.560 --> 1:01:32.560
<v Speaker 3>to the board. And also for some reason, the board

1:01:32.560 --> 1:01:35.560
<v Speaker 3>see him as the perfect person to do this. And

1:01:36.200 --> 1:01:38.600
<v Speaker 3>none of those things have been cleared up yet and

1:01:39.160 --> 1:01:40.520
<v Speaker 3>I can't wait to see where it goes.

1:01:40.880 --> 1:01:41.680
<v Speaker 2>So good?

1:01:41.840 --> 1:01:44.680
<v Speaker 4>Did Harmony cord Belle great when you'd find out? I

1:01:44.840 --> 1:01:50.600
<v Speaker 4>just uh, there's a lot of theories on this show.

1:01:50.600 --> 1:01:53.520
<v Speaker 4>It's delicious. I'm glad you guys decided to recap it.

1:01:53.520 --> 1:01:55.680
<v Speaker 4>It's going to be a fun rest of season two.

1:01:56.280 --> 1:01:58.800
<v Speaker 2>On Tuesday on x ray Vision, we are diving into

1:01:58.800 --> 1:02:02.200
<v Speaker 2>our first ever club. There's still a little time to

1:02:02.240 --> 1:02:04.640
<v Speaker 2>read Born Again before the episode airs, so make sure

1:02:04.680 --> 1:02:06.840
<v Speaker 2>to check that out from your local comic shop or

1:02:07.080 --> 1:02:07.600
<v Speaker 2>get from.

1:02:07.520 --> 1:02:08.520
<v Speaker 1>Your local library.

1:02:08.840 --> 1:02:12.040
<v Speaker 2>On Wednesday, we'll be talking about sever and season two,

1:02:12.200 --> 1:02:16.840
<v Speaker 2>episode six, what is going on at Lumen? And On

1:02:17.080 --> 1:02:21.400
<v Speaker 2>Thursday were recapping the first season of Dead Evil, the

1:02:21.640 --> 1:02:25.600
<v Speaker 2>Netflix series that is now on Disney Plus, and it's

1:02:25.680 --> 1:02:27.560
<v Speaker 2>just as brutal as ever.

1:02:28.240 --> 1:02:29.880
<v Speaker 3>That's it for this episode.

1:02:30.640 --> 1:02:32.760
<v Speaker 1>Bye.

1:02:36.600 --> 1:02:39.240
<v Speaker 3>X ray Vision is hosted by Jason Concepcion and Rosie

1:02:39.280 --> 1:02:41.320
<v Speaker 3>Knight and is a production of iHeart Podcast.

1:02:41.680 --> 1:02:45.280
<v Speaker 2>Our executive producers are Joel Monique and Aaron Korfman.

1:02:45.520 --> 1:02:47.560
<v Speaker 3>Our supervising producer is Abusafar.

1:02:47.960 --> 1:02:51.880
<v Speaker 2>Our producers are Common Laurent, Dean Johnson and Baywag.

1:02:52.040 --> 1:02:54.800
<v Speaker 3>A theme song is by Brian Vasquez with alternate theme

1:02:54.840 --> 1:02:56.120
<v Speaker 3>songs by Aaron Kauffman.

1:02:56.280 --> 1:02:59.640
<v Speaker 2>Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and

1:02:59.720 --> 1:03:01.560
<v Speaker 2>Hi I Discord Moderator