WEBVTT - CIPHA SOUNDS - Chinese Take-Out NYC

0:00:00.760 --> 0:00:08.480
<v Speaker 1>Hey, welcome you. Welcome to another episode of Eating While Broke.

0:00:08.760 --> 0:00:11.600
<v Speaker 1>I'm your host, Colleen Witt, and today we are outside

0:00:11.680 --> 0:00:16.040
<v Speaker 1>the podcast studio and into Brooklyn, New York, Okay, and

0:00:16.120 --> 0:00:22.320
<v Speaker 1>our special guest today is Cipher Sounds, the legendary Cipher

0:00:22.400 --> 0:00:31.000
<v Speaker 1>Sounds DJ radio radio radio host turned stand up comic.

0:00:31.800 --> 0:00:34.280
<v Speaker 1>We got a lot of layers here that we gotta

0:00:34.320 --> 0:00:40.080
<v Speaker 1>call definitely layered, layered, and you pivoted a lot. So

0:00:40.240 --> 0:00:42.879
<v Speaker 1>I'm curious now on this episode, on on the New

0:00:42.960 --> 0:00:45.760
<v Speaker 1>York edition, we are not actually cooking in studio. We're

0:00:45.800 --> 0:01:11.360
<v Speaker 1>gonna do take out addition, So I want to know

0:01:11.840 --> 0:01:14.959
<v Speaker 1>what you ate when you were broke in New York

0:01:15.040 --> 0:01:20.280
<v Speaker 1>trying to survive. So what do you have us eating today? So? Um, Hi,

0:01:20.360 --> 0:01:25.120
<v Speaker 1>I'm very famous in New York. So uh, there was

0:01:25.160 --> 0:01:26.759
<v Speaker 1>a lot of things I ate while I was broke,

0:01:26.840 --> 0:01:30.480
<v Speaker 1>but this this year was my main go to. And

0:01:30.520 --> 0:01:35.240
<v Speaker 1>this is a New York staple. Now it sounds kind

0:01:35.240 --> 0:01:38.800
<v Speaker 1>of common. It's four chicken wings and French fries, which

0:01:38.840 --> 0:01:42.160
<v Speaker 1>you could get at any on any kid's menu in

0:01:42.240 --> 0:01:47.200
<v Speaker 1>any restaurant. Buffalo wild wings, red lobster, Applebee's, I mean,

0:01:47.240 --> 0:01:49.600
<v Speaker 1>but it's different. In New York when it comes from

0:01:49.600 --> 0:01:53.080
<v Speaker 1>the Chinese hood spot. I mean, this is not even

0:01:53.120 --> 0:01:57.520
<v Speaker 1>this is new. See the chicken wings and French fries

0:01:57.560 --> 0:02:01.160
<v Speaker 1>from the Chinese spot. It's something special about it. I

0:02:01.160 --> 0:02:04.640
<v Speaker 1>don't know why has nothing there's nothing Chinese about it. Yeah,

0:02:04.680 --> 0:02:07.440
<v Speaker 1>there really isn't that. But for some reason, the Chinese

0:02:07.480 --> 0:02:09.360
<v Speaker 1>hold in the wall spots in New York City make

0:02:09.440 --> 0:02:11.639
<v Speaker 1>them a certain way. I don't know if they all

0:02:11.720 --> 0:02:14.560
<v Speaker 1>talk to each other and have the same recipe or

0:02:14.560 --> 0:02:18.200
<v Speaker 1>they get the chicken delivered from the same spot. But

0:02:18.480 --> 0:02:21.239
<v Speaker 1>some dude, some dudes have variations. You could do four

0:02:21.320 --> 0:02:25.280
<v Speaker 1>chicken wings and fried rice. Some do four chicken wings

0:02:25.280 --> 0:02:28.560
<v Speaker 1>and an egg roll. I personally like the French fry aspect.

0:02:29.240 --> 0:02:34.280
<v Speaker 1>So this was like my go to broke meal coming up.

0:02:34.440 --> 0:02:36.320
<v Speaker 1>And how much was this when you were coming up?

0:02:36.400 --> 0:02:42.120
<v Speaker 1>Four bucks? Four bucks, five bucks sometimes and you know

0:02:42.240 --> 0:02:45.360
<v Speaker 1>you can add another wing. You can ask for extra

0:02:45.440 --> 0:02:47.280
<v Speaker 1>duck sauce, which I don't know why people in the

0:02:47.320 --> 0:02:50.359
<v Speaker 1>hood are so rude when they ask for extra duck

0:02:50.400 --> 0:02:54.000
<v Speaker 1>saw It's a thing you never seen that, Yo, give

0:02:54.000 --> 0:02:57.480
<v Speaker 1>me more duck sauce. I'm like, hey, just as nicely,

0:02:57.560 --> 0:03:00.880
<v Speaker 1>he'll get they'll give you more. So you do your

0:03:00.919 --> 0:03:03.320
<v Speaker 1>French fries with dusaus, you do the chicken with you

0:03:03.400 --> 0:03:09.000
<v Speaker 1>do you do hot sauce, duck sauce and catch up,

0:03:09.880 --> 0:03:12.040
<v Speaker 1>and then you can you have like a tri dip,

0:03:12.200 --> 0:03:15.440
<v Speaker 1>you know what I mean a little bit. That's why

0:03:15.480 --> 0:03:18.200
<v Speaker 1>they're so rude. Yeah, because give us the catch up

0:03:18.280 --> 0:03:20.040
<v Speaker 1>in the hot sauce. I don't see any duck. There

0:03:20.080 --> 0:03:21.520
<v Speaker 1>is no duck. Shouts, Well, you have to ask for

0:03:21.560 --> 0:03:25.240
<v Speaker 1>the duck shots. Did anyone ask who got this? Eagle?

0:03:25.560 --> 0:03:28.120
<v Speaker 1>Did not get this? I had? I had what do

0:03:28.120 --> 0:03:32.560
<v Speaker 1>you call it? The delivery service? Yeah, what is it? Delivery?

0:03:32.840 --> 0:03:35.840
<v Speaker 1>Rob Hobbs and those guys, and they delivered. Didn't have

0:03:35.880 --> 0:03:38.560
<v Speaker 1>that when I was broken. Yeah, well we were on

0:03:38.600 --> 0:03:41.000
<v Speaker 1>a tight schedule. So we're like order that and have

0:03:41.120 --> 0:03:44.160
<v Speaker 1>it delivered. It has to be delivered from a Chinese

0:03:44.200 --> 0:03:46.920
<v Speaker 1>guy on a bike from the restaurant. Yeah, because the guy,

0:03:47.120 --> 0:03:49.760
<v Speaker 1>the guy who delivered it was like Filipino or something,

0:03:49.840 --> 0:03:51.640
<v Speaker 1>and he came in a Honda Civic. He came in

0:03:51.640 --> 0:03:56.360
<v Speaker 1>a scooter. Scooter. Things have changed. So let's let's just

0:03:56.440 --> 0:03:59.760
<v Speaker 1>let's just try a wing so I can have this experience.

0:04:00.000 --> 0:04:01.800
<v Speaker 1>It from New York. Right, Yeah, I'm from New York,

0:04:01.840 --> 0:04:03.160
<v Speaker 1>but I live in l A. I've lived in l

0:04:03.200 --> 0:04:06.360
<v Speaker 1>A so long. But how you had this before? Right?

0:04:06.440 --> 0:04:08.440
<v Speaker 1>I've had this. I've had this. So you got to

0:04:08.480 --> 0:04:11.760
<v Speaker 1>pop off the wingy part. Sometimes you can get a

0:04:11.800 --> 0:04:17.839
<v Speaker 1>little meat meat and when you pop How did you

0:04:17.839 --> 0:04:19.640
<v Speaker 1>do it? I did it? I did it? Do you

0:04:19.640 --> 0:04:21.680
<v Speaker 1>do flats first or drum first? Let me tell you,

0:04:21.760 --> 0:04:25.640
<v Speaker 1>I'm a flats person. I don't. I don't you know

0:04:25.680 --> 0:04:27.800
<v Speaker 1>what I don't. I don't mess with the drum. When

0:04:27.800 --> 0:04:29.839
<v Speaker 1>I was younger, I was all about the drum. I

0:04:29.839 --> 0:04:31.839
<v Speaker 1>got older and I was all about the flat. What

0:04:31.920 --> 0:04:35.880
<v Speaker 1>is it about the flat that you like? Mhm? I

0:04:35.920 --> 0:04:40.320
<v Speaker 1>feel like the drum is always dryer. I'm gonna lie.

0:04:40.400 --> 0:04:44.040
<v Speaker 1>I haven't had this a long time. It tastes exactly.

0:04:46.600 --> 0:04:51.520
<v Speaker 1>It's hello, good yo. Let me yeah, this taste exactly.

0:04:51.560 --> 0:04:53.440
<v Speaker 1>How I remember, when was the last time you ate

0:04:53.520 --> 0:04:56.520
<v Speaker 1>this like this? Like straight up from a Chinese spot

0:04:56.520 --> 0:05:00.600
<v Speaker 1>like this? Oh man, I had to be like, but

0:05:00.720 --> 0:05:04.640
<v Speaker 1>you're were in two It had to be like two

0:05:04.720 --> 0:05:09.640
<v Speaker 1>thousand and four or something like that. Wow, that's a

0:05:09.680 --> 0:05:12.279
<v Speaker 1>long time. And I eat a lot of wings, so

0:05:12.320 --> 0:05:15.159
<v Speaker 1>funny because you look like you're a nostalgic land right now.

0:05:15.200 --> 0:05:18.040
<v Speaker 1>You're like, no, because you know, taste is one of them.

0:05:18.080 --> 0:05:19.800
<v Speaker 1>You know, taste and smell is one of the most

0:05:20.360 --> 0:05:27.040
<v Speaker 1>um sensory, provocative, uh mind melding type. You know, smell

0:05:27.160 --> 0:05:28.880
<v Speaker 1>is the most you remember the most when you smell

0:05:29.000 --> 0:05:31.600
<v Speaker 1>something like if a girl works past me with Chanel

0:05:32.839 --> 0:05:35.680
<v Speaker 1>number five, I instantly think of that bitch that broke

0:05:35.760 --> 0:05:39.520
<v Speaker 1>up with me. And I don't use the term bitch

0:05:39.520 --> 0:05:42.240
<v Speaker 1>in a derogatory sense towards females. It's more of a

0:05:42.320 --> 0:05:45.960
<v Speaker 1>hip hop colloquialism. Okay, well, what was going on in

0:05:45.960 --> 0:05:52.440
<v Speaker 1>two thousand and four? Yeah, but like right before before

0:05:52.480 --> 0:05:54.240
<v Speaker 1>and then I want to know two thousand four what

0:05:54.320 --> 0:05:59.359
<v Speaker 1>the transition was? But oh no, well, so yeah I

0:05:59.440 --> 0:06:11.000
<v Speaker 1>was broken at ups and downs? Right. So six, I

0:06:11.080 --> 0:06:15.080
<v Speaker 1>get the call the DJ for a little kim, So

0:06:16.640 --> 0:06:20.719
<v Speaker 1>did you not know that I'm listening? I'm so I

0:06:20.720 --> 0:06:23.640
<v Speaker 1>get to call it trying to be eating. This is gross.

0:06:24.560 --> 0:06:26.320
<v Speaker 1>Don't do that, you know. I just I want to

0:06:26.320 --> 0:06:30.960
<v Speaker 1>tell you something people actually hate when we're smacking on

0:06:31.000 --> 0:06:33.719
<v Speaker 1>the show, and I try so hard not to. I'll

0:06:33.760 --> 0:06:35.760
<v Speaker 1>be like trying to quiet and every once while I

0:06:35.800 --> 0:06:38.120
<v Speaker 1>get an item where we're both like, see, that's the

0:06:38.160 --> 0:06:41.760
<v Speaker 1>difference between podcasts nowadays. In radio, we used to have

0:06:41.800 --> 0:06:45.000
<v Speaker 1>this thing called a cough button. It's a button right

0:06:45.040 --> 0:06:46.800
<v Speaker 1>by the mic, like if you're about to cough or

0:06:46.800 --> 0:06:48.240
<v Speaker 1>do something you don't want people. It's almost like a

0:06:48.279 --> 0:06:51.919
<v Speaker 1>mute button and you hold it down. Podcasts don't have buttons,

0:06:52.200 --> 0:06:55.279
<v Speaker 1>no no, but we have at it, you know. But

0:06:55.640 --> 0:06:59.040
<v Speaker 1>we did everything in real time, but just smack quietly, smoothly.

0:06:59.600 --> 0:07:04.080
<v Speaker 1>So I have to call a DJ for a Little Kim.

0:07:04.200 --> 0:07:07.680
<v Speaker 1>So I go on the road with Little Kim and

0:07:07.760 --> 0:07:10.960
<v Speaker 1>Junior Mafia before her first album comes out. So we

0:07:10.960 --> 0:07:16.520
<v Speaker 1>were just doing promo shows and she was doing like

0:07:17.000 --> 0:07:18.640
<v Speaker 1>she didn't even have an album all yet. She had

0:07:18.680 --> 0:07:23.040
<v Speaker 1>like get money, get Money, remix players, anthem, a couple

0:07:23.080 --> 0:07:26.760
<v Speaker 1>of R and B for you know, features, and we

0:07:26.800 --> 0:07:28.880
<v Speaker 1>would do like, you know, we have to fill a

0:07:28.920 --> 0:07:31.400
<v Speaker 1>half hour or hour show, so we would do like

0:07:31.440 --> 0:07:34.520
<v Speaker 1>a Yo, here's a b I G. Here's your favorite

0:07:34.520 --> 0:07:37.520
<v Speaker 1>Biggie songs and he's like your favorite West Coast. We

0:07:37.560 --> 0:07:39.520
<v Speaker 1>would just make a show out of it. And I

0:07:39.560 --> 0:07:46.640
<v Speaker 1>was getting three hundred dollars a week and then like

0:07:47.600 --> 0:07:52.240
<v Speaker 1>then her album comes out, then she's popping, popping, like

0:07:52.320 --> 0:07:55.640
<v Speaker 1>we was going everywhere and the album's doing really well,

0:07:56.040 --> 0:07:59.280
<v Speaker 1>and then her videos come out like first Came No

0:07:59.440 --> 0:08:01.160
<v Speaker 1>Time In and the song Crushed on You. So we

0:08:01.360 --> 0:08:03.880
<v Speaker 1>all popping and they still give me three hundred a week.

0:08:03.920 --> 0:08:07.600
<v Speaker 1>That was like the promo tour money. So then I said, yo,

0:08:08.000 --> 0:08:10.520
<v Speaker 1>I just you know, I want to stay doing this,

0:08:10.560 --> 0:08:12.800
<v Speaker 1>but it's not enough to survive. I was. I thought

0:08:12.800 --> 0:08:14.360
<v Speaker 1>I was gonna get more, and then I had to

0:08:14.440 --> 0:08:16.800
<v Speaker 1>quit and they hired some other guy. He sucks, so

0:08:16.840 --> 0:08:19.120
<v Speaker 1>they called me back. Then I was getting three hundred

0:08:19.120 --> 0:08:24.600
<v Speaker 1>a show, and I thought I was rich, oh, because

0:08:24.600 --> 0:08:29.000
<v Speaker 1>they went from three hundred a week. So then it's

0:08:29.080 --> 0:08:33.559
<v Speaker 1>like we go out Wednesday, Thursday, Friday, Saturday, we might

0:08:33.600 --> 0:08:37.040
<v Speaker 1>do we might do a some kind of big show

0:08:37.600 --> 0:08:39.800
<v Speaker 1>on Saturday. Then we might do an after party. So

0:08:39.840 --> 0:08:42.839
<v Speaker 1>that's two shows in one night. So I'm getting three hundred.

0:08:42.840 --> 0:08:45.480
<v Speaker 1>So I'm coming home with like twelve or fifteen hundred

0:08:45.559 --> 0:08:50.160
<v Speaker 1>a week, and I thought I was rich, and that

0:08:50.280 --> 0:08:56.960
<v Speaker 1>was how were you at that time? Yeah, you're you're

0:08:57.000 --> 0:09:00.240
<v Speaker 1>really rich at that time. And my rent was seven

0:09:00.320 --> 0:09:04.880
<v Speaker 1>hundred dollars, so I'm making that in a week plus,

0:09:05.360 --> 0:09:09.000
<v Speaker 1>right was a week, I'm making seven rent, Like in

0:09:09.080 --> 0:09:11.480
<v Speaker 1>my mind my rent is done God, then the rest

0:09:11.520 --> 0:09:15.160
<v Speaker 1>of it is just stacking up and you know. And

0:09:15.200 --> 0:09:18.880
<v Speaker 1>then that stopped. So I was just deejaying. And then

0:09:18.880 --> 0:09:21.240
<v Speaker 1>I started interning that on the radio for funk Master

0:09:21.320 --> 0:09:24.240
<v Speaker 1>Flex and he wouldn't pay me. He didn't pay me.

0:09:24.840 --> 0:09:30.640
<v Speaker 1>He paid me in knowledge and opportunity and food he

0:09:30.640 --> 0:09:33.360
<v Speaker 1>would pay for, like the food, like I order food

0:09:33.400 --> 0:09:35.960
<v Speaker 1>and you order yourself something, so like I had to

0:09:36.040 --> 0:09:39.839
<v Speaker 1>order him food and I would order like something like this.

0:09:39.880 --> 0:09:43.160
<v Speaker 1>I would order whatever. He always ate crazy, so I

0:09:43.160 --> 0:09:47.120
<v Speaker 1>would order extra because he never checked the receipt. So

0:09:47.160 --> 0:09:49.600
<v Speaker 1>I ordered something for right now, and then something I

0:09:49.600 --> 0:09:52.040
<v Speaker 1>could have for breakfast. So I'm like, okay, what will

0:09:52.640 --> 0:09:54.640
<v Speaker 1>if I hide this in my book bag? Won't won't

0:09:54.920 --> 0:09:58.560
<v Speaker 1>take gross in the morning, and that's it. And then

0:09:58.760 --> 0:10:01.319
<v Speaker 1>then I was back to broke, you know what I'm saying.

0:10:01.960 --> 0:10:03.760
<v Speaker 1>And then but I learned how to make money. Flex

0:10:03.760 --> 0:10:05.680
<v Speaker 1>wouldn't pay me, but he taught me how to make money.

0:10:07.120 --> 0:10:08.880
<v Speaker 1>So as I mean, it's still to this day, I

0:10:08.920 --> 0:10:13.160
<v Speaker 1>use Flex tactics. Now, where was the transition where you

0:10:13.360 --> 0:10:16.959
<v Speaker 1>you ended up not eating like what happened two four,

0:10:16.960 --> 0:10:19.000
<v Speaker 1>where it was like no more no. I still was

0:10:19.160 --> 0:10:21.120
<v Speaker 1>kind of broken two thousand four, but not eating this.

0:10:21.760 --> 0:10:26.160
<v Speaker 1>Um So, I'm on the radio. Let's see. I started

0:10:26.200 --> 0:10:30.880
<v Speaker 1>in nineties seven as an intern, and then I just

0:10:30.920 --> 0:10:33.280
<v Speaker 1>started DJing a lot more on DJ and every night,

0:10:33.840 --> 0:10:37.960
<v Speaker 1>sometimes opening for flex, sometimes getting my own gigs. And

0:10:38.600 --> 0:10:40.800
<v Speaker 1>I don't really I don't spend a lot. Like I

0:10:40.840 --> 0:10:45.439
<v Speaker 1>bought one chain it was fake. I bought a platinum chain,

0:10:45.480 --> 0:10:47.520
<v Speaker 1>but it was fake. Like I know this lady that

0:10:47.679 --> 0:10:51.319
<v Speaker 1>makes Julian. She goes, no, just get um well coded

0:10:51.400 --> 0:10:54.080
<v Speaker 1>and we'll put cubics of Coonian. And I was like,

0:10:54.160 --> 0:10:57.320
<v Speaker 1>oh yeah, let's do that. And then and then here's

0:10:57.320 --> 0:11:01.560
<v Speaker 1>the crazy ship. You can say whatever you want. Can

0:11:01.600 --> 0:11:04.000
<v Speaker 1>I see the effort? Thanks? Can't you say all that?

0:11:05.880 --> 0:11:11.400
<v Speaker 1>Um So, she's telling me a lot of famous rappers

0:11:11.440 --> 0:11:14.960
<v Speaker 1>at the time, we're getting fake chained. But it was

0:11:15.040 --> 0:11:17.960
<v Speaker 1>like they had real chains, but they would wear the

0:11:18.000 --> 0:11:20.640
<v Speaker 1>fake ones out in case they got robbed. Yeah, yeah

0:11:20.679 --> 0:11:22.600
<v Speaker 1>that makes sense, but you believe, you know they can

0:11:22.640 --> 0:11:27.360
<v Speaker 1>afford the real change. Where would they wear the real chains?

0:11:27.400 --> 0:11:30.240
<v Speaker 1>Do in their house? I guess depending on where they

0:11:30.240 --> 0:11:33.400
<v Speaker 1>were going, Like, if you're going to the tunnel, that's

0:11:33.400 --> 0:11:36.800
<v Speaker 1>where DJ. The tunnel nightclub chains were getting robbed on

0:11:36.880 --> 0:11:40.439
<v Speaker 1>the regular, so don't wear your real one to the tunnel.

0:11:41.200 --> 0:11:43.400
<v Speaker 1>But anyway, so I got one chain, I said. So

0:11:43.440 --> 0:11:47.200
<v Speaker 1>I wasn't really a flashy guy like that. So I

0:11:47.360 --> 0:11:50.680
<v Speaker 1>stacked all my money, stacked it, stacked the stacked the stack.

0:11:51.000 --> 0:11:54.319
<v Speaker 1>So I was DJ and a lot um. Then Flex

0:11:54.360 --> 0:11:57.319
<v Speaker 1>would get me certain well, you know, we would host

0:11:57.360 --> 0:12:00.679
<v Speaker 1>somebody's mixtape and we get like four brand he gave

0:12:00.760 --> 0:12:05.240
<v Speaker 1>me one, you know, we host like uh certain events,

0:12:05.240 --> 0:12:08.120
<v Speaker 1>and then like he got on MTV and he would like,

0:12:08.640 --> 0:12:10.920
<v Speaker 1>you know, you gotta pay sight for the drive or whatever.

0:12:10.960 --> 0:12:12.440
<v Speaker 1>So I was making like a little bit of money

0:12:12.480 --> 0:12:14.720
<v Speaker 1>here now, but I didn't wasn't spending a lot. So

0:12:14.760 --> 0:12:18.440
<v Speaker 1>I started stacking boom boom boom and then um. And

0:12:18.480 --> 0:12:20.800
<v Speaker 1>then when I got my own show on the radio,

0:12:21.760 --> 0:12:24.960
<v Speaker 1>that's when I started getting like popular, like getting real

0:12:25.120 --> 0:12:28.920
<v Speaker 1>good gigs like that, gigs that pay two thousand, three thousand,

0:12:29.720 --> 0:12:33.800
<v Speaker 1>five thousand. DJ was fun back then. Yeah, yeah, you're

0:12:33.840 --> 0:12:37.080
<v Speaker 1>making a lot of money. You were in heavy rotation.

0:12:37.280 --> 0:12:39.800
<v Speaker 1>How's your ego around that time? Oh, my ego got

0:12:39.880 --> 0:12:45.120
<v Speaker 1>checked so early. My boy Ari, he saved my life

0:12:45.520 --> 0:12:47.920
<v Speaker 1>this when I had to change. I took the chain

0:12:47.960 --> 0:12:50.200
<v Speaker 1>off after this night and I listen. I was in

0:12:50.240 --> 0:12:56.439
<v Speaker 1>the tunnel around Puffy, jay Z, Fat Joe, Big, Pat, Norri, DMX,

0:12:56.800 --> 0:12:59.520
<v Speaker 1>all these people and so like, I thought, oh, I'm

0:12:59.520 --> 0:13:01.079
<v Speaker 1>in the game. Ame I gotta get a chain. I

0:13:01.120 --> 0:13:03.360
<v Speaker 1>didn't really. I don't even like jewelry. I don't even

0:13:03.400 --> 0:13:05.280
<v Speaker 1>wear a wedding ring. Like I don't wear I don't

0:13:05.280 --> 0:13:07.280
<v Speaker 1>just like I have so many nice watches, I don't

0:13:07.280 --> 0:13:11.320
<v Speaker 1>even wear them. And I was in a tongue I'm

0:13:11.320 --> 0:13:13.120
<v Speaker 1>opening up. I have to be at the tunnel at

0:13:13.200 --> 0:13:17.800
<v Speaker 1>nine o'clock because it was it was the first five

0:13:18.280 --> 0:13:20.480
<v Speaker 1>girls free, so I had to be at the tone

0:13:20.480 --> 0:13:23.079
<v Speaker 1>of nine o'clock, the tone and get popping until twelve o'clock.

0:13:23.840 --> 0:13:27.440
<v Speaker 1>But I'm there eight thirty bringing in my crates. And

0:13:27.480 --> 0:13:32.560
<v Speaker 1>I said something to my boy like halfway I'm the ship,

0:13:32.880 --> 0:13:35.800
<v Speaker 1>like yo, just yo, yo, grab that one or some ship.

0:13:36.280 --> 0:13:38.440
<v Speaker 1>And he he's a little guy too. He's from Philly.

0:13:38.760 --> 0:13:40.480
<v Speaker 1>He's my one of my best friends to this day.

0:13:40.679 --> 0:13:43.840
<v Speaker 1>He grabbed my shirt and he said, Yo, don't you

0:13:44.240 --> 0:13:47.880
<v Speaker 1>ever ever talk to me like that again. He's like,

0:13:47.960 --> 0:13:51.160
<v Speaker 1>we've been with you. We're all in this together. We've

0:13:51.160 --> 0:13:54.720
<v Speaker 1>been with you since day one. Okay, you got on first,

0:13:55.559 --> 0:13:57.640
<v Speaker 1>but don't talk to us like you bigger than us

0:13:57.720 --> 0:14:02.880
<v Speaker 1>or anything. And I've it made it changed my life, Like, oh,

0:14:03.040 --> 0:14:06.080
<v Speaker 1>should I start to get gas? I mean, like that's

0:14:06.120 --> 0:14:08.640
<v Speaker 1>where Cifer don't get gas comes from that. I started

0:14:08.640 --> 0:14:11.480
<v Speaker 1>to get gas because I was like starting to be

0:14:11.600 --> 0:14:14.960
<v Speaker 1>known and it really and it made me realize it

0:14:15.000 --> 0:14:18.440
<v Speaker 1>doesn't matter, it matter, It does not matter. My friends

0:14:18.440 --> 0:14:21.160
<v Speaker 1>are what matters, you know. And I took the chain

0:14:21.200 --> 0:14:22.680
<v Speaker 1>off that day. What am I doing? Why am I

0:14:22.720 --> 0:14:25.240
<v Speaker 1>wearing this stupid chain? Yeah? It wasn't even like you

0:14:25.280 --> 0:14:27.680
<v Speaker 1>were into it. No, it was stupid. I was playing

0:14:27.680 --> 0:14:30.440
<v Speaker 1>like a role. But I was young, I was one whatever.

0:14:30.680 --> 0:14:33.000
<v Speaker 1>So have you ever had to face that ego beast

0:14:33.160 --> 0:14:36.480
<v Speaker 1>ever sinsor where you like? Good? I It might pop

0:14:36.600 --> 0:14:39.840
<v Speaker 1>up here and there, but I check it quick. I

0:14:39.920 --> 0:14:45.320
<v Speaker 1>check it with um. You know. I try to, you know,

0:14:45.400 --> 0:14:51.520
<v Speaker 1>put myself in reality, like this is a fantastic opportunity

0:14:51.560 --> 0:14:56.480
<v Speaker 1>that I have opportunities many but also it's all it

0:14:56.520 --> 0:14:59.440
<v Speaker 1>doesn't you know, it's not you know it doesn't matter.

0:15:00.400 --> 0:15:02.720
<v Speaker 1>You know, how you raise your family or how you

0:15:02.720 --> 0:15:05.440
<v Speaker 1>look at the world is what matters. But that don't mean.

0:15:05.480 --> 0:15:07.880
<v Speaker 1>I don't mean I take away the fun. I have

0:15:07.960 --> 0:15:10.360
<v Speaker 1>a lot of fun with a lot of dope people,

0:15:10.920 --> 0:15:13.120
<v Speaker 1>but I just don't let it get to me like that.

0:15:13.240 --> 0:15:15.920
<v Speaker 1>And I watched, you know, I've watched so many people

0:15:16.040 --> 0:15:20.560
<v Speaker 1>come in and nobody's blow up come back down, like

0:15:22.280 --> 0:15:23.800
<v Speaker 1>you know, you try to warn them, but they're not

0:15:23.880 --> 0:15:25.920
<v Speaker 1>you know, they're not your people like that, But I

0:15:25.960 --> 0:15:30.360
<v Speaker 1>see the come rich back to broke. Who who are you?

0:15:30.440 --> 0:15:32.600
<v Speaker 1>Are you open to naming like names of like who

0:15:32.720 --> 0:15:39.800
<v Speaker 1>you've personally seen like up and down the ladder? I uh,

0:15:40.960 --> 0:15:43.200
<v Speaker 1>I don't remember exactly. I just seen it so much.

0:15:44.600 --> 0:15:47.520
<v Speaker 1>Um I'll tell you Nikki though Nicki Minaj is one

0:15:47.560 --> 0:15:50.240
<v Speaker 1>of them that Nicki Minaj to me, she's not broke

0:15:50.320 --> 0:15:52.840
<v Speaker 1>at by any means, But Nicki Minaj to me is

0:15:52.880 --> 0:15:56.920
<v Speaker 1>the perfect example of who you see on the way

0:15:57.000 --> 0:16:00.120
<v Speaker 1>up is what you see on the way down. And

0:16:00.160 --> 0:16:03.520
<v Speaker 1>she treated a lot of people like ship and then

0:16:04.240 --> 0:16:06.280
<v Speaker 1>you know, now she's not nowhere it is how does

0:16:06.320 --> 0:16:08.200
<v Speaker 1>she was? Yeah? You know what I mean? And I

0:16:08.240 --> 0:16:09.880
<v Speaker 1>say that I don't want to say, like, I got

0:16:09.880 --> 0:16:14.000
<v Speaker 1>beef with her, even though I do, but you know,

0:16:14.240 --> 0:16:16.480
<v Speaker 1>I don't want to have be for her. She for

0:16:16.520 --> 0:16:19.680
<v Speaker 1>some reason we got I'm not be for nobody. My

0:16:19.800 --> 0:16:23.200
<v Speaker 1>name is clean in the streets. And she's the one

0:16:23.240 --> 0:16:26.400
<v Speaker 1>person that like just just some foul ship to me.

0:16:27.120 --> 0:16:30.040
<v Speaker 1>And I was just like and then, you know, look

0:16:30.040 --> 0:16:35.480
<v Speaker 1>at people like Nori. He was up down. Now he's

0:16:35.560 --> 0:16:37.840
<v Speaker 1>all the way up. He's all the way up, all

0:16:37.920 --> 0:16:40.800
<v Speaker 1>the way. When I say he's all the way he's

0:16:40.800 --> 0:16:43.080
<v Speaker 1>all but he's still I spoke to him today for

0:16:43.120 --> 0:16:45.760
<v Speaker 1>like two hours. He still calls me. I would say this,

0:16:45.880 --> 0:16:49.480
<v Speaker 1>Nori was my first rapper friend, and Aliyah was my

0:16:49.560 --> 0:16:51.600
<v Speaker 1>first R and B friend, You know what I mean.

0:16:53.640 --> 0:16:56.480
<v Speaker 1>He still calls me to this day and he's the

0:16:56.520 --> 0:16:59.720
<v Speaker 1>same Nori, but he's all the way up. Well, that's

0:17:00.280 --> 0:17:03.200
<v Speaker 1>like he hasn't changed. Even if you see how much

0:17:03.240 --> 0:17:06.080
<v Speaker 1>he's accomplished, always feel like people that are able to

0:17:06.320 --> 0:17:08.560
<v Speaker 1>especially in the industry, because it's so easy to burner

0:17:08.600 --> 0:17:11.440
<v Speaker 1>bridge with ego, like for him to be able to

0:17:11.480 --> 0:17:15.160
<v Speaker 1>accomplish what he's accomplished, he's clearly clearly a good friend

0:17:15.200 --> 0:17:16.919
<v Speaker 1>to people, right, but That's what I'm saying. The thing

0:17:16.920 --> 0:17:21.200
<v Speaker 1>about Nori is I watched him when he was just

0:17:21.280 --> 0:17:24.160
<v Speaker 1>you know, Nori had a couple of records out, and

0:17:24.160 --> 0:17:26.920
<v Speaker 1>he everybody would invite everyone to a studio, no matter

0:17:26.920 --> 0:17:29.080
<v Speaker 1>where you were. From first time I've ever met Two

0:17:29.119 --> 0:17:31.360
<v Speaker 1>Chains when he was Titty Boy, it was with Nori.

0:17:31.560 --> 0:17:34.960
<v Speaker 1>First time I've ever met UM three six Mafia was

0:17:35.000 --> 0:17:38.439
<v Speaker 1>with Nori. Every first time I met David Banner, they

0:17:38.440 --> 0:17:40.399
<v Speaker 1>would just come to his studio or his session that

0:17:40.440 --> 0:17:43.359
<v Speaker 1>he would always show them love. And now he's big

0:17:43.400 --> 0:17:46.760
<v Speaker 1>and they're big, and it's not like he just met

0:17:46.840 --> 0:17:49.200
<v Speaker 1>them to get him on his show. He's been knowing them.

0:17:49.400 --> 0:17:51.600
<v Speaker 1>He's been showing him love in New York. So now

0:17:51.600 --> 0:17:55.840
<v Speaker 1>it's coming back, you know, it's paying back. Yeah. So yeah,

0:17:55.920 --> 0:17:58.560
<v Speaker 1>I don't I don't let the ego. UM, I don't

0:17:58.600 --> 0:18:01.720
<v Speaker 1>let the ego get me. And then I fall into

0:18:01.720 --> 0:18:06.680
<v Speaker 1>situations where like, damn, if I was a little more um,

0:18:06.680 --> 0:18:10.080
<v Speaker 1>not egotistical, but if I was a little more loud

0:18:10.160 --> 0:18:13.520
<v Speaker 1>about my accomplishments, I might get more things at this time,

0:18:14.240 --> 0:18:17.880
<v Speaker 1>Like I don't shout my accomplishments a lot, where other

0:18:17.920 --> 0:18:21.120
<v Speaker 1>people shout them all day long. Yeah. So I mean

0:18:21.119 --> 0:18:24.800
<v Speaker 1>people like you're known as like a legend, like you know,

0:18:24.880 --> 0:18:28.280
<v Speaker 1>you're on that legendary, like you have your own brand.

0:18:28.320 --> 0:18:30.399
<v Speaker 1>So I feel like there's a lot of respect people.

0:18:30.800 --> 0:18:34.879
<v Speaker 1>There's a lot of stuff I got jerked on, missed

0:18:34.880 --> 0:18:41.520
<v Speaker 1>out on, or missed the opportunity, but I didn't. That's

0:18:41.520 --> 0:18:44.760
<v Speaker 1>weird because I didn't miss because I was doing another opportunity.

0:18:44.920 --> 0:18:46.959
<v Speaker 1>I just wish I would have, Like, as as I

0:18:46.960 --> 0:18:48.679
<v Speaker 1>looked back, I was like, I should have did that

0:18:48.760 --> 0:18:52.200
<v Speaker 1>instead of that. You know. I did an interview once

0:18:52.200 --> 0:18:56.200
<v Speaker 1>with Earthquake and he was talking about like, yeah, he's

0:18:56.200 --> 0:19:01.080
<v Speaker 1>the best, let me he's got story. But one of

0:19:01.119 --> 0:19:02.960
<v Speaker 1>the things he had said was like I think I

0:19:03.000 --> 0:19:05.119
<v Speaker 1>had said something along the lines of like what was

0:19:05.160 --> 0:19:07.200
<v Speaker 1>that moment that you made? And he had said something

0:19:07.240 --> 0:19:10.200
<v Speaker 1>about like just like it was, there's never a time

0:19:10.240 --> 0:19:12.240
<v Speaker 1>where you make. It's just more like, you know, did

0:19:12.280 --> 0:19:15.240
<v Speaker 1>you cash in on the opportunity, like the type of deal.

0:19:16.000 --> 0:19:17.879
<v Speaker 1>Like I feel like you're still moving and shaking, Like

0:19:18.160 --> 0:19:20.280
<v Speaker 1>even though we're in the beginning of your story, there's

0:19:20.720 --> 0:19:23.200
<v Speaker 1>there's so much to unpack with you, you know, because

0:19:23.240 --> 0:19:26.399
<v Speaker 1>now you're just a huge stand up comic now. You know,

0:19:27.160 --> 0:19:30.080
<v Speaker 1>I'm gonna say huge, but but you're making your waves.

0:19:30.520 --> 0:19:36.359
<v Speaker 1>I'm like a hundred enjoy the journey type of person.

0:19:38.119 --> 0:19:40.240
<v Speaker 1>That's why I'm able to do all this stuff because

0:19:40.320 --> 0:19:46.840
<v Speaker 1>I like does struggle. I like the the climb. You know,

0:19:47.200 --> 0:19:49.240
<v Speaker 1>some people only want to get to the top. I'm

0:19:49.359 --> 0:19:54.720
<v Speaker 1>enjoying every night. I enjoy it. Yeah, I I am

0:19:54.800 --> 0:19:58.399
<v Speaker 1>a person that like loves the hero's journey, the hero story,

0:19:58.680 --> 0:20:02.160
<v Speaker 1>hence eating wall broke. I for these. Tell me how

0:20:02.160 --> 0:20:05.119
<v Speaker 1>it was. Speaking of that, you you name dropped a

0:20:05.119 --> 0:20:08.160
<v Speaker 1>couple of people, Like, so I'll name drop please. Let's

0:20:08.160 --> 0:20:10.919
<v Speaker 1>start with the bay dropping, Like, what's up? Were you

0:20:10.960 --> 0:20:15.480
<v Speaker 1>and ali Leah? I love Aliyah? Um, i'mally at the radios,

0:20:15.560 --> 0:20:18.480
<v Speaker 1>I mean the rappers I met was at seven or

0:20:18.520 --> 0:20:21.840
<v Speaker 1>the people in the industry. I mean at that time,

0:20:22.359 --> 0:20:25.399
<v Speaker 1>how nanty seven was on fire and everyone had to

0:20:25.440 --> 0:20:27.320
<v Speaker 1>come there. So that's where I met a lot of people.

0:20:27.680 --> 0:20:30.520
<v Speaker 1>But Aliyah was super, super cool. I met her at

0:20:30.520 --> 0:20:32.680
<v Speaker 1>the radio station, and I also we really got cool.

0:20:32.720 --> 0:20:36.479
<v Speaker 1>And funk Master Flex was doing some kind of MTV

0:20:36.640 --> 0:20:40.400
<v Speaker 1>Beach House. He was DJ and the beach House one

0:20:40.400 --> 0:20:43.400
<v Speaker 1>of them MTV things, and she was there, and there's

0:20:43.400 --> 0:20:46.440
<v Speaker 1>a famous picture where her and Mark Ronson, She's wearing

0:20:46.480 --> 0:20:51.160
<v Speaker 1>the hill figure. I'm in that picture, but I got

0:20:51.160 --> 0:20:53.680
<v Speaker 1>cut off the one that the picture that blew up.

0:20:54.160 --> 0:20:57.920
<v Speaker 1>It was just her Mark Ronson, I'm in that picture. Um.

0:20:58.040 --> 0:21:00.639
<v Speaker 1>She was super cool. She used to call me like

0:21:00.760 --> 0:21:03.240
<v Speaker 1>she saw like I was, like she was. This was

0:21:03.280 --> 0:21:07.600
<v Speaker 1>like right before one in a million drop, so like

0:21:07.720 --> 0:21:11.120
<v Speaker 1>right before she really really blew up. And I don't

0:21:11.119 --> 0:21:13.080
<v Speaker 1>know if she got my numbers somehow. Maybe I don't

0:21:13.119 --> 0:21:15.840
<v Speaker 1>even know. I don't remember, but she would call me

0:21:15.880 --> 0:21:18.440
<v Speaker 1>and check in on me, like I saw that. I was, like,

0:21:18.840 --> 0:21:22.520
<v Speaker 1>you know, intern at the radio station, getting flexus food

0:21:23.040 --> 0:21:25.240
<v Speaker 1>and setting up his records, and she would call, how's

0:21:25.240 --> 0:21:27.360
<v Speaker 1>it going, How you doing, You're doing this? You're doing?

0:21:27.400 --> 0:21:29.959
<v Speaker 1>Do you feel good? Like you're not stressed or nothing? Like?

0:21:30.200 --> 0:21:32.320
<v Speaker 1>He used to make me blush like when she would call,

0:21:33.240 --> 0:21:36.760
<v Speaker 1>Did you know now? Was that that was? I have

0:21:36.880 --> 0:21:41.560
<v Speaker 1>to mention this thing? But was that after the R

0:21:41.640 --> 0:21:47.080
<v Speaker 1>Kelly like anything? No? No, that was after because that

0:21:47.200 --> 0:21:50.280
<v Speaker 1>was the R Kelly situation was her first album and

0:21:50.320 --> 0:21:53.280
<v Speaker 1>that was all you know? Did you kind of know

0:21:53.320 --> 0:21:56.040
<v Speaker 1>about it at the time, not more than we all

0:21:56.080 --> 0:21:58.639
<v Speaker 1>did more than anybody. Like when that was in the news,

0:21:59.480 --> 0:22:01.240
<v Speaker 1>I mean I heard a lot of ship about our Kelly,

0:22:01.359 --> 0:22:06.639
<v Speaker 1>but we didn't know, like like it was always like

0:22:07.840 --> 0:22:11.280
<v Speaker 1>it's always like there's a lot of people like, oh no,

0:22:11.480 --> 0:22:13.119
<v Speaker 1>he'd be, you know, be careful over there. He'd be

0:22:13.119 --> 0:22:15.800
<v Speaker 1>with the young ones like like that. Yeah, I don't know.

0:22:16.080 --> 0:22:18.439
<v Speaker 1>I'm a kid too, Like I don't know what this means.

0:22:18.520 --> 0:22:24.439
<v Speaker 1>You know, you guys were around the same Ageah, yeah,

0:22:24.920 --> 0:22:26.520
<v Speaker 1>she might have been a year older or a year

0:22:26.560 --> 0:22:28.960
<v Speaker 1>younger like Kim. Like me and Kim at the same age.

0:22:28.960 --> 0:22:30.840
<v Speaker 1>So like when I was on tour with little Kim,

0:22:31.080 --> 0:22:34.200
<v Speaker 1>she's a superstar, but we're the same age. Like when

0:22:34.200 --> 0:22:36.320
<v Speaker 1>we go back to the hotel, she was like a

0:22:36.359 --> 0:22:39.399
<v Speaker 1>twenty year old, you know, but she just had this

0:22:39.440 --> 0:22:44.119
<v Speaker 1>whole big persona. If you had to put three of

0:22:44.160 --> 0:22:47.440
<v Speaker 1>these ladies in like a order of great I'm gonna

0:22:47.480 --> 0:22:51.200
<v Speaker 1>you already know who I'm gonna ask about, party Ya

0:22:51.880 --> 0:22:55.400
<v Speaker 1>and Nikki We're gonna leave at Lauren Hills would trump

0:22:55.480 --> 0:22:58.840
<v Speaker 1>all of them. But like greatest, Like if you had

0:22:58.880 --> 0:23:01.480
<v Speaker 1>to choose like greatest in order, like who would be

0:23:01.560 --> 0:23:05.080
<v Speaker 1>your number one? I need I hate these lists. I

0:23:05.119 --> 0:23:10.879
<v Speaker 1>need more specifics, like in Wraps, Niki Nikki's the Nikki

0:23:11.000 --> 0:23:14.960
<v Speaker 1>Rice the dopest bars. Really yeah, I know she writes

0:23:15.000 --> 0:23:24.880
<v Speaker 1>really good, But I think Cardi right corn Oh, let's see,

0:23:24.880 --> 0:23:27.200
<v Speaker 1>that's what I'm saying. I don't want to take nothing

0:23:27.240 --> 0:23:32.120
<v Speaker 1>away from her. I respect her so much. Hold up

0:23:33.560 --> 0:23:40.719
<v Speaker 1>what I mean? Maybe some maybe some, but not there's

0:23:40.920 --> 0:23:45.640
<v Speaker 1>there's well maybe she just raps well on the beat,

0:23:46.000 --> 0:23:51.200
<v Speaker 1>incredibly delivered. But here's the thing, I know, all of

0:23:51.240 --> 0:23:55.560
<v Speaker 1>it in the industry knows who writes for her. She delivered.

0:23:56.080 --> 0:24:00.399
<v Speaker 1>She performs all your favorite arm by singers. Nine even

0:24:00.440 --> 0:24:02.320
<v Speaker 1>cent of them don't write their own songs. It's just

0:24:02.520 --> 0:24:05.160
<v Speaker 1>it's not even a thing like in hip hop. It's like, oh,

0:24:05.200 --> 0:24:07.879
<v Speaker 1>he's got a ghostwriter, he ain't writing his ship. But

0:24:08.000 --> 0:24:10.920
<v Speaker 1>and nobody can't already right, like the writer's right because

0:24:10.920 --> 0:24:12.720
<v Speaker 1>the writer and the performer is not the same thing.

0:24:13.160 --> 0:24:16.240
<v Speaker 1>So that's how I look at Cardi. But she kills

0:24:16.320 --> 0:24:19.400
<v Speaker 1>the performance. She kills. Let me tell you, nobody gets

0:24:19.400 --> 0:24:23.080
<v Speaker 1>me more. Not only does she kill the performance of

0:24:23.160 --> 0:24:27.160
<v Speaker 1>the rap, she kills it in in her life, Like

0:24:27.760 --> 0:24:30.120
<v Speaker 1>you can see she is who she is. Yeah, yeah,

0:24:30.720 --> 0:24:33.800
<v Speaker 1>My only problem with her is that I sometimes I

0:24:33.840 --> 0:24:37.720
<v Speaker 1>feel like she's just using hip hop as a step.

0:24:38.840 --> 0:24:42.400
<v Speaker 1>That's what makes me upset, like to get to movies

0:24:42.560 --> 0:24:44.919
<v Speaker 1>or TV or the next thing. Like I don't like

0:24:44.960 --> 0:24:47.840
<v Speaker 1>when people use music because it's easy to put out

0:24:47.840 --> 0:24:49.920
<v Speaker 1>a record to get to the next thing. I don't

0:24:49.920 --> 0:24:51.679
<v Speaker 1>know if that's true. That's just how I felt, because

0:24:52.040 --> 0:24:54.600
<v Speaker 1>she doesn't like if you don't write, then do you

0:24:54.640 --> 0:24:58.480
<v Speaker 1>really want to rap? It's different with hip hop? You know. Well,

0:24:58.520 --> 0:25:02.359
<v Speaker 1>I think I think heard one day rap wasn't something

0:25:02.400 --> 0:25:05.200
<v Speaker 1>that CARTI was like easy to acclimate to think. I

0:25:05.280 --> 0:25:06.399
<v Speaker 1>heard it was a little bit of work and I

0:25:06.440 --> 0:25:08.720
<v Speaker 1>don't even think she really wanted to do it right.

0:25:08.840 --> 0:25:11.679
<v Speaker 1>But but but someone had pulled her arm. But do

0:25:11.720 --> 0:25:16.080
<v Speaker 1>you think that's Nikki's anger? Sometimes because Nikki always seems

0:25:16.160 --> 0:25:18.879
<v Speaker 1>very to me, she comes off very defensive, and I

0:25:18.960 --> 0:25:22.440
<v Speaker 1>think it's because she's writing and a lot of people aren't. Yeah,

0:25:22.640 --> 0:25:24.760
<v Speaker 1>it could be part of it, you know, it probably

0:25:24.800 --> 0:25:28.159
<v Speaker 1>goes a lot deeper. Like I I feel bad for

0:25:28.200 --> 0:25:30.080
<v Speaker 1>what I said earlierou Nikki, like I wish she had

0:25:30.160 --> 0:25:32.159
<v Speaker 1>Like I don't know her well enough. I don't know her.

0:25:32.200 --> 0:25:35.120
<v Speaker 1>I know I had one really big problem with her

0:25:35.240 --> 0:25:37.719
<v Speaker 1>and I to this day it bothers me. But like

0:25:39.880 --> 0:25:42.080
<v Speaker 1>you know, I'm a big advocate of mental health, and

0:25:42.119 --> 0:25:44.840
<v Speaker 1>some people don't go get the help. You know, you

0:25:44.880 --> 0:25:47.960
<v Speaker 1>can see when you get the help that I've gotten,

0:25:48.800 --> 0:25:52.600
<v Speaker 1>you see and other people like, oh, you I need this,

0:25:53.160 --> 0:25:55.520
<v Speaker 1>you need a little of that, And then you can't

0:25:55.560 --> 0:25:57.560
<v Speaker 1>tell them that, especially if you don't know them. You know,

0:25:58.440 --> 0:26:02.200
<v Speaker 1>I said my therapist. My therapist is giving me months

0:26:02.200 --> 0:26:06.400
<v Speaker 1>free of how many people have sent to her months free,

0:26:06.440 --> 0:26:10.680
<v Speaker 1>Like she's like, you ain't gotta pace so many you're

0:26:10.800 --> 0:26:15.360
<v Speaker 1>advocate for for for therapy. Clear. Yeah. Yeah, so that's

0:26:15.400 --> 0:26:19.480
<v Speaker 1>kind of just I just want to get back on No. No,

0:26:19.600 --> 0:26:22.960
<v Speaker 1>that's me because every time you mentioned something like, oh wait,

0:26:23.160 --> 0:26:29.280
<v Speaker 1>let's stop um now. As far as performance and groundbreaking

0:26:29.400 --> 0:26:33.480
<v Speaker 1>is Kim, Yeah, okay, yeah, I agree with that everybody,

0:26:33.840 --> 0:26:36.720
<v Speaker 1>and one way or another, all these females are somewhat

0:26:37.200 --> 0:26:40.400
<v Speaker 1>trying to not all not all, not like a rhapsody,

0:26:40.920 --> 0:26:43.840
<v Speaker 1>but anybody who's sexy on stage in hip hop, you're

0:26:44.359 --> 0:27:07.520
<v Speaker 1>getting a piece of that from Kim. Do you know

0:27:07.520 --> 0:27:09.840
<v Speaker 1>who I actually kind of wish would have went further

0:27:10.240 --> 0:27:17.840
<v Speaker 1>is a mail liked her like I didn't. I mean

0:27:17.880 --> 0:27:21.040
<v Speaker 1>I was young, I was very young, but I did.

0:27:20.840 --> 0:27:24.200
<v Speaker 1>I did like her. Yeah, but some of these females

0:27:24.280 --> 0:27:28.160
<v Speaker 1>like not females or you know what. This show's making

0:27:28.160 --> 0:27:30.960
<v Speaker 1>me think too much. I hate it. I'm looking inside

0:27:31.000 --> 0:27:34.879
<v Speaker 1>too much because I'm catching myself saying these females, but

0:27:34.920 --> 0:27:37.640
<v Speaker 1>that would never that. Men do it too. I've seen

0:27:37.680 --> 0:27:42.040
<v Speaker 1>a lot of artists like get a little deal, their

0:27:42.080 --> 0:27:47.480
<v Speaker 1>first deal, and like just while out, like this girl flexed,

0:27:47.520 --> 0:27:51.680
<v Speaker 1>this girl that flex has signed to him? If that Michelle.

0:27:52.080 --> 0:27:53.879
<v Speaker 1>I remember she came to the office with like her

0:27:53.960 --> 0:27:58.199
<v Speaker 1>McDonald's receipts. I was like, Yo, you gotta give me

0:27:58.240 --> 0:28:00.959
<v Speaker 1>the money back for this McDonald's. I was like, you can't.

0:28:00.560 --> 0:28:07.520
<v Speaker 1>You're bringing McDonald's receipts. That's crazy, Like, but was she struggling?

0:28:09.240 --> 0:28:13.400
<v Speaker 1>You gotta do there was money given. That doesn't mean anything.

0:28:14.680 --> 0:28:19.960
<v Speaker 1>I can't do it. I can't ask another man paid

0:28:20.000 --> 0:28:22.159
<v Speaker 1>for my McDonald's. But what was it? A girl was

0:28:22.160 --> 0:28:26.200
<v Speaker 1>a female though? Right, That's okay. I'm just I mean,

0:28:26.240 --> 0:28:28.760
<v Speaker 1>I hate to be that hit the what it was

0:28:28.800 --> 0:28:34.119
<v Speaker 1>it called hypocrite whatever, it is, double standard, But I

0:28:34.119 --> 0:28:35.760
<v Speaker 1>can see why a man wouldn't do it. But I

0:28:35.760 --> 0:28:38.640
<v Speaker 1>could also see why a woman would. Why how? How?

0:28:39.240 --> 0:28:43.160
<v Speaker 1>Because you know it's like, first of all, she was struggling.

0:28:43.240 --> 0:28:45.800
<v Speaker 1>I'm just gonna put myself in her. She struggling, But

0:28:45.920 --> 0:28:50.440
<v Speaker 1>she got money. You gotta check to get the deal. Yeah,

0:28:50.480 --> 0:28:54.720
<v Speaker 1>maybe she didn't handle it right. Well, maybe I said

0:28:54.760 --> 0:29:00.040
<v Speaker 1>all meals covered by. But let's get back on you

0:29:00.120 --> 0:29:03.520
<v Speaker 1>for a second, and maybe we could pick two more

0:29:03.560 --> 0:29:06.080
<v Speaker 1>celebrities before, because I just want to talk about three

0:29:06.080 --> 0:29:08.600
<v Speaker 1>more celebrities. I want to talk about Ja. I want

0:29:08.640 --> 0:29:11.479
<v Speaker 1>to talk about I heard you you had did some

0:29:11.520 --> 0:29:14.200
<v Speaker 1>time in A and R. I want to talk about that.

0:29:15.200 --> 0:29:17.760
<v Speaker 1>And then I gotta I gotta talk about some comedy.

0:29:18.160 --> 0:29:20.800
<v Speaker 1>These fries are cold. Is there an air frier here? No?

0:29:21.520 --> 0:29:24.760
<v Speaker 1>Do you have an air frier, Michael? This guy's a microwave.

0:29:25.080 --> 0:29:28.320
<v Speaker 1>There is a microwave this Who is this person? He

0:29:28.400 --> 0:29:33.040
<v Speaker 1>said microwave. You can't put rise in a microwave. Let

0:29:33.040 --> 0:29:37.280
<v Speaker 1>me ask you a question. What's your name? But Cam?

0:29:37.360 --> 0:29:40.320
<v Speaker 1>Did you got a red lobster? You ever get cheddar

0:29:40.320 --> 0:29:42.920
<v Speaker 1>Bay biscuits? Do you ever bring him home? How you

0:29:42.960 --> 0:29:45.240
<v Speaker 1>heat him up the next morning? If you say microwave,

0:29:45.240 --> 0:29:48.760
<v Speaker 1>won't kick you out of the studio so fast. You

0:29:48.840 --> 0:29:53.240
<v Speaker 1>put him in an right, what kind of people are

0:29:53.240 --> 0:29:55.560
<v Speaker 1>you doing business with? You know what, he's young, he's young.

0:29:55.720 --> 0:29:59.000
<v Speaker 1>What are you talking about? You getting cheddar bay soup?

0:29:59.080 --> 0:30:02.760
<v Speaker 1>If you put them in the micro wave young, you

0:30:02.760 --> 0:30:06.479
<v Speaker 1>know what? Yeah? Yeah, yeah, you had a fried when

0:30:06.480 --> 0:30:09.120
<v Speaker 1>you were broke back in the day. Let me tell you,

0:30:10.920 --> 0:30:13.000
<v Speaker 1>eagle who put them onto the air fraight? I was

0:30:13.080 --> 0:30:16.719
<v Speaker 1>me right, give me my coup. Looking at it right now,

0:30:16.720 --> 0:30:18.600
<v Speaker 1>I was like, you need to get one of these

0:30:18.720 --> 0:30:22.320
<v Speaker 1>air fryers, like what I had to do to eat

0:30:22.360 --> 0:30:25.680
<v Speaker 1>broke back in the day. Air fry Nowadays, Oh my god,

0:30:26.280 --> 0:30:28.840
<v Speaker 1>you can make anything in the air it's the best. Yeah,

0:30:28.960 --> 0:30:33.000
<v Speaker 1>I agree. So let's talk about these names. Jay Z,

0:30:33.440 --> 0:30:35.720
<v Speaker 1>you gotta I'm a huge jay Z fan. I'm damn well,

0:30:35.880 --> 0:30:40.000
<v Speaker 1>like I have a I'm just giving perspective. I'm married

0:30:40.040 --> 0:30:43.600
<v Speaker 1>now and if you walk into my house, the center

0:30:43.680 --> 0:30:45.720
<v Speaker 1>of my house, like in the living room, there is

0:30:45.760 --> 0:30:51.360
<v Speaker 1>like a six foot painting of jay Z sitting. It's

0:30:51.640 --> 0:30:53.560
<v Speaker 1>no one in the world has his painting. By the way,

0:30:53.600 --> 0:30:55.960
<v Speaker 1>I'm waiting for the day that I have the opportunity.

0:30:55.960 --> 0:30:59.240
<v Speaker 1>I haven't signed this only painting, only painting in the world. Okay,

0:31:00.000 --> 0:31:02.760
<v Speaker 1>I love him sitting with his feet kicked up in

0:31:02.800 --> 0:31:06.480
<v Speaker 1>the projects with a cooler picture. Yes, I had it

0:31:06.600 --> 0:31:08.480
<v Speaker 1>sent to my mom. I had her custom make this

0:31:08.520 --> 0:31:13.120
<v Speaker 1>painting for me. Yes, I haven't. And my husband to

0:31:13.200 --> 0:31:16.200
<v Speaker 1>this day says, we gotta move that and put a

0:31:16.240 --> 0:31:18.680
<v Speaker 1>family portrait. And I'm like, yeah, it's not going where.

0:31:18.720 --> 0:31:20.120
<v Speaker 1>He's like, you can put it, you can put it

0:31:20.120 --> 0:31:30.160
<v Speaker 1>in the It's not going anyway. But it's literally yeah anyways,

0:31:30.200 --> 0:31:33.040
<v Speaker 1>but I promise you this is a fight that goes

0:31:33.040 --> 0:31:35.479
<v Speaker 1>out of my house like all the time. But if

0:31:35.480 --> 0:31:37.720
<v Speaker 1>you walk in my house, it's an original painting of

0:31:37.760 --> 0:31:41.160
<v Speaker 1>a rare picture. It was Respect magazine that actually published

0:31:41.160 --> 0:31:44.040
<v Speaker 1>the picture, and I knew the publisher and I was like,

0:31:45.680 --> 0:31:49.920
<v Speaker 1>I need that picture. And then uh, does the painting

0:31:49.920 --> 0:31:51.760
<v Speaker 1>look like the picture or did the artist take some

0:31:51.880 --> 0:31:54.960
<v Speaker 1>artistic liberties? It's my mother who did it, and brick

0:31:55.040 --> 0:31:58.400
<v Speaker 1>by brick bro your mother did your mother? Artists? Yeah?

0:31:58.440 --> 0:32:02.479
<v Speaker 1>You artist? So I have the only one. I assure

0:32:02.560 --> 0:32:04.680
<v Speaker 1>you I have the only one because I know no

0:32:04.680 --> 0:32:08.040
<v Speaker 1>one in the world has done that. So now that

0:32:08.160 --> 0:32:10.800
<v Speaker 1>I would love that, really, he would love it. Well,

0:32:10.800 --> 0:32:12.840
<v Speaker 1>if you got the plugs, you know, make it happen.

0:32:14.760 --> 0:32:17.960
<v Speaker 1>I assure you I have the only one that's fire. Yes, yes,

0:32:18.200 --> 0:32:22.080
<v Speaker 1>I'll send you a picture. So with that being said,

0:32:22.240 --> 0:32:24.280
<v Speaker 1>please tell me you got a good hope story with

0:32:24.360 --> 0:32:30.520
<v Speaker 1>a good hope. I storry I got a million stories

0:32:30.520 --> 0:32:33.080
<v Speaker 1>with hope, but like I don't nothing nothing like that

0:32:33.400 --> 0:32:36.920
<v Speaker 1>sticks out, like nothing funny. Oh he's super funny. I

0:32:36.920 --> 0:32:40.400
<v Speaker 1>feel like he's super sarcastic, super s Like. Then let

0:32:40.400 --> 0:32:43.400
<v Speaker 1>me tell you about Hope, I know whole on a

0:32:43.640 --> 0:32:48.360
<v Speaker 1>such a personal level. Um, wait, we want on a

0:32:48.440 --> 0:32:52.560
<v Speaker 1>personal level. Yeah, I mean I've never been to his house,

0:32:53.160 --> 0:32:55.680
<v Speaker 1>but I'm just saying, like I worked for him two

0:32:55.720 --> 0:32:59.880
<v Speaker 1>different times. Um, and then the last time, I was

0:33:00.000 --> 0:33:01.600
<v Speaker 1>a rock nation as an artist, so he kind of

0:33:01.640 --> 0:33:05.040
<v Speaker 1>managed me, but I was like also working there so

0:33:05.440 --> 0:33:07.280
<v Speaker 1>like I used to. So he started a label called

0:33:07.360 --> 0:33:12.680
<v Speaker 1>rock Loft Familiar. Um, when he was president of Deaf Jam,

0:33:12.680 --> 0:33:15.160
<v Speaker 1>he started rock Loft Familiar. And when you hear you've

0:33:15.160 --> 0:33:18.160
<v Speaker 1>heard of O g One, right, O g One is

0:33:18.200 --> 0:33:19.920
<v Speaker 1>the guy who the other guy who owned rock Loft

0:33:19.920 --> 0:33:21.920
<v Speaker 1>Familiar with him. So O g One is one of

0:33:21.960 --> 0:33:25.200
<v Speaker 1>my mentors as well. So O g One and j

0:33:25.360 --> 0:33:28.960
<v Speaker 1>other people who owned forty forty. So when I worked

0:33:28.960 --> 0:33:32.560
<v Speaker 1>for rock Loft, familiar with Wan. Wan didn't like to

0:33:32.600 --> 0:33:33.920
<v Speaker 1>be up at Deaf Jam. He's like, I don't like

0:33:33.960 --> 0:33:35.960
<v Speaker 1>being around all these music industry people. So he would

0:33:36.000 --> 0:33:38.520
<v Speaker 1>only go there for meetings, and our office would be

0:33:38.640 --> 0:33:43.200
<v Speaker 1>just in his office at forty. So every day after work,

0:33:43.320 --> 0:33:47.520
<v Speaker 1>j would usually go to forty forty, so we would

0:33:47.560 --> 0:33:49.520
<v Speaker 1>always be in the club. That's how I know Dez,

0:33:50.120 --> 0:33:53.520
<v Speaker 1>who's O g One's wife, who is now the lady

0:33:53.560 --> 0:33:56.800
<v Speaker 1>who runs rock Nation, but like she was like the

0:33:57.200 --> 0:33:59.200
<v Speaker 1>not the manager, but one of the owners of forty forty,

0:33:59.400 --> 0:34:01.720
<v Speaker 1>but she also man, so like these are my like,

0:34:02.200 --> 0:34:05.200
<v Speaker 1>this is like my family. So Jay would come in

0:34:05.240 --> 0:34:11.480
<v Speaker 1>there and it was like all walls down, Jay, right now,

0:34:11.680 --> 0:34:14.040
<v Speaker 1>James from Brooklyn, And you know you're from Brooklyn, right,

0:34:14.600 --> 0:34:20.040
<v Speaker 1>you know how you animals are like you people from Brooklyn.

0:34:22.160 --> 0:34:25.719
<v Speaker 1>You know you got that wall, that wall that comes up.

0:34:26.520 --> 0:34:29.680
<v Speaker 1>So I would see non wall hole all the time.

0:34:30.040 --> 0:34:33.840
<v Speaker 1>And then if me O g one and Jay in

0:34:33.920 --> 0:34:37.520
<v Speaker 1>a in his office or one office and we order

0:34:37.600 --> 0:34:41.440
<v Speaker 1>food chilling talking, this is when like I'll sell exactly

0:34:41.440 --> 0:34:45.120
<v Speaker 1>what this was. This is when Jay did the remix

0:34:45.239 --> 0:34:51.319
<v Speaker 1>to the Kanye song Diamonds Are Forever. So he had

0:34:51.360 --> 0:34:52.920
<v Speaker 1>just done it, and he was playing it in the

0:34:52.960 --> 0:34:58.600
<v Speaker 1>studio in the office over and over and and he

0:34:58.719 --> 0:35:01.320
<v Speaker 1>just kept playing it, playing and playing in it, and

0:35:01.880 --> 0:35:03.800
<v Speaker 1>like all he had was his verse. So it goes,

0:35:04.320 --> 0:35:06.800
<v Speaker 1>I got it from here, Yeah, damn, And I wonder

0:35:06.840 --> 0:35:09.200
<v Speaker 1>why he started it like that. But then when you

0:35:09.200 --> 0:35:12.239
<v Speaker 1>hear the song, you got Kanye's verse, and then Jake

0:35:12.320 --> 0:35:16.600
<v Speaker 1>cuts him off right, So he's playing that over and

0:35:16.640 --> 0:35:21.160
<v Speaker 1>over and over. Then t I comes in randomly, they

0:35:21.200 --> 0:35:24.520
<v Speaker 1>all start smoking cigars, and then Puffy comes in and

0:35:24.560 --> 0:35:27.800
<v Speaker 1>they all start smoking cigars, and I'm like, I'm around

0:35:27.800 --> 0:35:31.400
<v Speaker 1>my idols, I'm around rich people. I'm just ear hustling everything.

0:35:32.960 --> 0:35:35.480
<v Speaker 1>They're like two more people come in that he didn't

0:35:35.480 --> 0:35:39.120
<v Speaker 1>really know. They were like maybe Tis business associates or

0:35:39.160 --> 0:35:43.040
<v Speaker 1>somebody like they look white or European as suits. And

0:35:43.040 --> 0:35:45.799
<v Speaker 1>then I see the jay Z wall go up. Trew

0:35:48.040 --> 0:35:53.320
<v Speaker 1>super friendly, super nice and and friendly and um cordial.

0:35:53.760 --> 0:35:57.279
<v Speaker 1>But all the laughing and joking around he was doing

0:35:57.320 --> 0:36:01.279
<v Speaker 1>just two minutes ago stopped and he's and and I

0:36:01.360 --> 0:36:03.520
<v Speaker 1>was like, oh, he's he don't know them. I didn't

0:36:03.560 --> 0:36:07.319
<v Speaker 1>know who knows who. I don't know, he don't know them,

0:36:07.400 --> 0:36:10.520
<v Speaker 1>and he and the wall went up like fast, and

0:36:10.560 --> 0:36:13.640
<v Speaker 1>I was like, oh, so he knows how to turn

0:36:13.680 --> 0:36:16.200
<v Speaker 1>it on and turn it off whenever. But my favorite

0:36:16.200 --> 0:36:20.240
<v Speaker 1>ship is my favorite one. We're in rock Nation and

0:36:20.320 --> 0:36:23.759
<v Speaker 1>I was working. I was helping him with title when

0:36:23.760 --> 0:36:27.000
<v Speaker 1>it first started, and I don't know what. I think

0:36:27.000 --> 0:36:28.560
<v Speaker 1>they were just giving me a check, to be honest

0:36:28.600 --> 0:36:30.719
<v Speaker 1>with you, like we love sife, give him a check.

0:36:31.520 --> 0:36:33.920
<v Speaker 1>So so I was helping him with title, but nobody

0:36:33.960 --> 0:36:36.640
<v Speaker 1>was even listening to me. I was just there. So

0:36:36.880 --> 0:36:40.280
<v Speaker 1>I'm sitting at the with I was on the one floor.

0:36:40.400 --> 0:36:43.320
<v Speaker 1>Hose office was on the next law up and it

0:36:43.440 --> 0:36:46.560
<v Speaker 1>was no stairs. You had to take the elevator. Somebody

0:36:46.560 --> 0:36:50.400
<v Speaker 1>the receptionist desk looking for an envelope to FedEx something whatever.

0:36:50.880 --> 0:36:54.360
<v Speaker 1>He gets off the elevator, he walks into the reception area.

0:36:54.960 --> 0:36:57.960
<v Speaker 1>I look up, I see him. I give my head

0:36:58.000 --> 0:37:00.279
<v Speaker 1>nod and I looked back down. Keep doing what I'm doing.

0:37:00.640 --> 0:37:06.760
<v Speaker 1>He walks past me, walks halfway down the hallway and goes, nah.

0:37:06.960 --> 0:37:11.040
<v Speaker 1>I look over. He goes, I'm still jay Z get

0:37:11.080 --> 0:37:14.120
<v Speaker 1>excited when you see me and I was like, yo,

0:37:14.320 --> 0:37:16.520
<v Speaker 1>come on, and he walks back over to me. He's like,

0:37:16.680 --> 0:37:18.120
<v Speaker 1>you know what the fox is wrong with you? Wrote?

0:37:18.520 --> 0:37:21.239
<v Speaker 1>I'm like, what are you talking about? He goes, I'll

0:37:21.280 --> 0:37:26.080
<v Speaker 1>still jay z. I go we're at work, like you

0:37:26.120 --> 0:37:28.759
<v Speaker 1>want me to fan out of rapper fan out when

0:37:28.760 --> 0:37:31.600
<v Speaker 1>we're at work, and he got He's like, nah man,

0:37:31.719 --> 0:37:34.959
<v Speaker 1>nah nah nah, I'm just that walks away. I'm still Hove.

0:37:35.520 --> 0:37:39.719
<v Speaker 1>I'm whole. I'm h to the oh. I was dying laughing, yo,

0:37:40.239 --> 0:37:43.239
<v Speaker 1>because he walked past me like an employee, like what's

0:37:44.320 --> 0:37:46.480
<v Speaker 1>and then called himself like nah no, no, no, no,

0:37:46.520 --> 0:37:52.400
<v Speaker 1>that was too little of excitement, because you can't I

0:37:52.440 --> 0:37:54.200
<v Speaker 1>don't know if what they tell employees at work there,

0:37:54.200 --> 0:37:56.560
<v Speaker 1>but I'm sure they tell them don't get crazy when

0:37:56.560 --> 0:37:59.840
<v Speaker 1>Hove comes around. I've heard stories. I mean, I'm definitely

0:37:59.840 --> 0:38:02.080
<v Speaker 1>not trying to take him, but I heard stories of

0:38:02.239 --> 0:38:04.920
<v Speaker 1>like people like you know, like they said that like

0:38:05.000 --> 0:38:07.440
<v Speaker 1>you can't take pictures of them. And I heard like

0:38:07.560 --> 0:38:09.640
<v Speaker 1>someone had took a picture of him in the hallway

0:38:09.680 --> 0:38:13.799
<v Speaker 1>and they got fired and then like no phones were

0:38:13.840 --> 0:38:16.560
<v Speaker 1>allowed or some crazy stuff. I believe that you gotta

0:38:16.560 --> 0:38:18.960
<v Speaker 1>earn it you gotta earn it. Yeah, I've heard some

0:38:19.000 --> 0:38:24.920
<v Speaker 1>stories because there's some just high level people there in

0:38:24.920 --> 0:38:28.600
<v Speaker 1>the corporate in the in the corporation, but um, there's

0:38:28.640 --> 0:38:32.360
<v Speaker 1>also like just people who might not even really be

0:38:32.440 --> 0:38:36.080
<v Speaker 1>into hip hop that like work there. Yeah. Yeah, So,

0:38:36.800 --> 0:38:38.640
<v Speaker 1>and the turnover rate was high, you know a lot

0:38:38.680 --> 0:38:41.400
<v Speaker 1>of people. The company was growing so fast, people just

0:38:41.440 --> 0:38:43.319
<v Speaker 1>getting hired. And I'm sure they had to tell him, like,

0:38:43.840 --> 0:38:46.959
<v Speaker 1>I can't fan out over this guy, but it's hard.

0:38:47.040 --> 0:38:54.239
<v Speaker 1>He got that aura, Yeah, he got that aura. So yeah,

0:38:54.280 --> 0:38:58.840
<v Speaker 1>I'm in London for Carnival, which is like the London

0:38:58.960 --> 0:39:04.160
<v Speaker 1>version of Labor Day Parade in Brooklyn, and um, I'm

0:39:04.239 --> 0:39:06.640
<v Speaker 1>DJ for a little Kim the only doing like three songs.

0:39:07.320 --> 0:39:09.960
<v Speaker 1>And then Jay was there with Dame and they said

0:39:10.040 --> 0:39:12.279
<v Speaker 1>that d J Clark can't got stuck at customs. They

0:39:12.280 --> 0:39:14.600
<v Speaker 1>wouldn't let him in. So he's like, Kim, can we

0:39:14.719 --> 0:39:18.279
<v Speaker 1>use your DJ? So I d J for jay Z

0:39:19.800 --> 0:39:22.000
<v Speaker 1>and he went before us because Kim was bigger than

0:39:22.040 --> 0:39:24.279
<v Speaker 1>him at the time, and all he had, all he

0:39:24.320 --> 0:39:28.520
<v Speaker 1>wanted to do is ain't no and dead press and

0:39:28.640 --> 0:39:31.480
<v Speaker 1>so remember this, it's crazy to just imagine that Kim

0:39:31.520 --> 0:39:35.560
<v Speaker 1>was bigger than j it's crazy but bigger, like yeah yeah, yeah,

0:39:35.600 --> 0:39:39.720
<v Speaker 1>no no, but sometimes it's crazy looking back now. And

0:39:39.480 --> 0:39:42.399
<v Speaker 1>then like Jake comes in, that's that's biggest friend. They're

0:39:42.440 --> 0:39:45.239
<v Speaker 1>all like super excited to see him. But he wasn't

0:39:45.280 --> 0:39:47.680
<v Speaker 1>the biggest rapper. He was just biggest friend that was

0:39:47.719 --> 0:39:52.640
<v Speaker 1>coming up. And and so there's a West Indian day

0:39:52.760 --> 0:39:55.800
<v Speaker 1>Uh festival, So you know a lot of West Indian

0:39:55.880 --> 0:39:58.279
<v Speaker 1>a lot of reggae records on forty five. So on

0:39:58.320 --> 0:40:01.319
<v Speaker 1>a turntable, it's third D three and it's forty five.

0:40:01.360 --> 0:40:02.920
<v Speaker 1>So when you play forty five records, you have to

0:40:03.440 --> 0:40:06.520
<v Speaker 1>click the button and that makes the turntable go faster.

0:40:07.480 --> 0:40:09.080
<v Speaker 1>So then I go to DJ for J but it's

0:40:09.120 --> 0:40:11.359
<v Speaker 1>like yo, yo, yo, DJ got stuck with you. DJ

0:40:11.440 --> 0:40:13.720
<v Speaker 1>for Us, we're going on right now. So I grabbed

0:40:13.719 --> 0:40:16.560
<v Speaker 1>my record. I run up there and they're like yo, yo,

0:40:16.560 --> 0:40:18.800
<v Speaker 1>we're ready, were ready, go go go play ain't no first.

0:40:19.200 --> 0:40:22.040
<v Speaker 1>So I go up there and it's still on forty five,

0:40:22.120 --> 0:40:24.200
<v Speaker 1>so I go, I just throw the record on. It's

0:40:24.239 --> 0:40:27.160
<v Speaker 1>like doom doom, doom, doom, doom, doom, doom doom doom,

0:40:27.960 --> 0:40:30.279
<v Speaker 1>and you know he starts the verse starts right off

0:40:30.320 --> 0:40:33.120
<v Speaker 1>the top. So as soon as I'm scratching, he gets

0:40:33.120 --> 0:40:35.279
<v Speaker 1>ready to do the verse, and it's mad fast, and

0:40:35.280 --> 0:40:39.880
<v Speaker 1>he gives me this look like you just ruined my life.

0:40:40.960 --> 0:40:43.680
<v Speaker 1>You ruined my life, you ruined my career. And it

0:40:43.800 --> 0:40:46.280
<v Speaker 1>was the craziest look ever. And I was like sorry.

0:40:46.400 --> 0:40:51.680
<v Speaker 1>And so to this day he brings that up. To

0:40:51.800 --> 0:40:54.520
<v Speaker 1>this day, he'll bring you you remember you ruined my

0:40:54.560 --> 0:40:56.960
<v Speaker 1>show in London. I'm like, I didn't ruin it. We

0:40:57.080 --> 0:41:01.200
<v Speaker 1>just it was ten seconds. It's like it's brought it back. Okay,

0:41:01.239 --> 0:41:03.399
<v Speaker 1>so let's let's bring it to like when you were

0:41:03.760 --> 0:41:06.640
<v Speaker 1>a A and R. So tell us a little bit

0:41:06.680 --> 0:41:10.640
<v Speaker 1>about that experience, which one like, uh, let's just talk

0:41:10.680 --> 0:41:15.239
<v Speaker 1>about Drake or like that I heard did you do

0:41:15.400 --> 0:41:17.200
<v Speaker 1>did you have anything to do with Drake? Oh no,

0:41:17.320 --> 0:41:20.440
<v Speaker 1>I was supposed to tell us about it. I failed

0:41:20.480 --> 0:41:25.120
<v Speaker 1>miserably tell us about it. Tell us about it. Um,

0:41:25.239 --> 0:41:27.200
<v Speaker 1>I have a joke that I do that I couldn't

0:41:27.200 --> 0:41:29.440
<v Speaker 1>sign Drake and I didn't do it. But that's not

0:41:29.520 --> 0:41:31.760
<v Speaker 1>as the joke is like makes me look like a loser,

0:41:31.800 --> 0:41:35.040
<v Speaker 1>but really it's not. So so Toronto is like my

0:41:35.080 --> 0:41:38.000
<v Speaker 1>second home. So I was in Toronto every year for

0:41:38.000 --> 0:41:40.520
<v Speaker 1>for Caravan and which is the other West Indian festival.

0:41:41.080 --> 0:41:42.359
<v Speaker 1>But I used to be in Toronto all the time

0:41:42.400 --> 0:41:43.759
<v Speaker 1>my card and now will fish out like one of

0:41:43.800 --> 0:41:49.840
<v Speaker 1>my best friends. And I got introduced to Drake through

0:41:50.840 --> 0:41:56.280
<v Speaker 1>who's the guy that runs um the Ovio thing? Um

0:41:56.320 --> 0:42:02.240
<v Speaker 1>what's his name? Oliver Listen? I don't know. He runs

0:42:02.239 --> 0:42:04.880
<v Speaker 1>like he runs like the Ovo clothing all that stuff.

0:42:05.920 --> 0:42:07.960
<v Speaker 1>So he I was up there and they were like, yo, safe,

0:42:08.160 --> 0:42:12.080
<v Speaker 1>um this is when I I was. It was oh seven,

0:42:12.160 --> 0:42:16.680
<v Speaker 1>so I was I just I think I just left. Yeah,

0:42:16.719 --> 0:42:20.759
<v Speaker 1>I just left Rock at Familiar because I got a

0:42:20.880 --> 0:42:25.640
<v Speaker 1>job as a VG on MTV, and Hove said to me, yo,

0:42:25.760 --> 0:42:28.080
<v Speaker 1>you should take that job. You can always be an

0:42:28.080 --> 0:42:30.000
<v Speaker 1>A and R. You're not always gonna be the young

0:42:30.120 --> 0:42:33.080
<v Speaker 1>hot DJ that gets on MTV. So I was like, okay,

0:42:33.120 --> 0:42:36.960
<v Speaker 1>you're right. So I took it and then uh so

0:42:37.080 --> 0:42:41.799
<v Speaker 1>Drake uh people, they gave me his CD and if

0:42:41.800 --> 0:42:43.600
<v Speaker 1>you look it up, it's the CD where he got

0:42:43.640 --> 0:42:46.279
<v Speaker 1>the peak code on with the with the leaves with

0:42:46.360 --> 0:42:49.040
<v Speaker 1>the fall leaves behind them. You know I'm talking about

0:42:49.120 --> 0:42:51.120
<v Speaker 1>right if you google, I forgot what it's called. But

0:42:51.120 --> 0:42:55.000
<v Speaker 1>he got the peak code on and the autumn leaves

0:42:55.200 --> 0:42:57.439
<v Speaker 1>in the background, and then I was like I looked

0:42:57.480 --> 0:42:59.480
<v Speaker 1>at I was like, what the what the this is? R?

0:42:59.560 --> 0:43:03.359
<v Speaker 1>And B what the this? And then um and then

0:43:03.560 --> 0:43:06.440
<v Speaker 1>so he go here's the stories. He met me at

0:43:06.480 --> 0:43:08.480
<v Speaker 1>this place called Frands Diner, and he went to Toronto

0:43:08.520 --> 0:43:11.600
<v Speaker 1>those friends dinner and he was like, yo, I'm trying

0:43:11.640 --> 0:43:15.080
<v Speaker 1>to get a deal. But he was mad young, like

0:43:15.160 --> 0:43:18.640
<v Speaker 1>super young, and I just told him. I was like, yo,

0:43:19.200 --> 0:43:22.040
<v Speaker 1>I'm sorry, I'm not looking for artists right now because

0:43:22.760 --> 0:43:25.239
<v Speaker 1>I just got on MTV, like I'm I'm trying to

0:43:25.280 --> 0:43:27.640
<v Speaker 1>do my thing, you know, I'm not trying to sign

0:43:27.680 --> 0:43:30.239
<v Speaker 1>anyone right now. And he was like, no, I'm telling you,

0:43:30.280 --> 0:43:32.440
<v Speaker 1>I'm this, I'm that, And I was like, I believe you,

0:43:32.480 --> 0:43:35.360
<v Speaker 1>but I just I'm sorry, it's just not I was

0:43:35.400 --> 0:43:37.880
<v Speaker 1>starting to feel because I had gotten this whole Rhianna

0:43:37.960 --> 0:43:41.799
<v Speaker 1>situation where basically not taken away from me, and I

0:43:41.840 --> 0:43:43.520
<v Speaker 1>felt like I was like, I'm not I'm gonna focus

0:43:43.520 --> 0:43:46.319
<v Speaker 1>on me. Also, I was managing the group Need the Sky,

0:43:47.280 --> 0:43:52.520
<v Speaker 1>and they they were annoying me because like I was

0:43:52.560 --> 0:43:55.399
<v Speaker 1>doing more work than them, like I'm showing up early

0:43:55.480 --> 0:43:57.080
<v Speaker 1>I'm setting up to turn. I was DJ for them,

0:43:57.080 --> 0:43:59.560
<v Speaker 1>I was managing them. Sometimes it would be late. Sometimes

0:43:59.600 --> 0:44:01.839
<v Speaker 1>it would playing about the bread and I'm like, yo,

0:44:02.480 --> 0:44:06.200
<v Speaker 1>any bread, any bread you get for performing is worked

0:44:06.239 --> 0:44:09.560
<v Speaker 1>it like we gotta get to it. And so that

0:44:09.640 --> 0:44:11.239
<v Speaker 1>I was frustrated. So I was like, I'm not looking

0:44:11.280 --> 0:44:13.440
<v Speaker 1>for artists right now. I want to just focus on me.

0:44:13.719 --> 0:44:15.319
<v Speaker 1>I wish I could wrap, because if I could wrap,

0:44:15.360 --> 0:44:18.280
<v Speaker 1>I would outwork all of you. And that was my concept.

0:44:18.400 --> 0:44:21.080
<v Speaker 1>I mean that was my idea, um my mind frame.

0:44:22.200 --> 0:44:24.120
<v Speaker 1>So they're like a year and a half later, maybe

0:44:24.120 --> 0:44:26.400
<v Speaker 1>not that long, maybe like a year, Like he starts

0:44:26.440 --> 0:44:30.120
<v Speaker 1>getting the buzz like all the college girls like, oh, Drake,

0:44:30.239 --> 0:44:32.279
<v Speaker 1>Drake Drake. I was like, I know, I know someone

0:44:32.400 --> 0:44:36.319
<v Speaker 1>named Drake is that that that can't be the same kid.

0:44:36.440 --> 0:44:39.880
<v Speaker 1>And it was the same kid and then but I

0:44:39.920 --> 0:44:41.279
<v Speaker 1>was still cool with him. I'm still cool with him

0:44:41.360 --> 0:44:44.839
<v Speaker 1>to this day. My old manager runs over up. Mr

0:44:44.880 --> 0:44:49.440
<v Speaker 1>Morgan runs it like but like you know the famous

0:44:49.440 --> 0:44:51.279
<v Speaker 1>freestyle when he came up to flex and he had

0:44:51.320 --> 0:44:55.120
<v Speaker 1>the BlackBerry. There's like a YouTube video where everybody made

0:44:55.120 --> 0:44:56.520
<v Speaker 1>fun of him because he was reading off the black

0:44:56.560 --> 0:44:59.840
<v Speaker 1>berry that I'm the one who brought him there. I

0:45:00.000 --> 0:45:01.840
<v Speaker 1>brought him to Like, I was telling Flexio, this is

0:45:01.880 --> 0:45:05.800
<v Speaker 1>this kid, he's really dope. He's from Toronto. Flexis that

0:45:05.880 --> 0:45:09.120
<v Speaker 1>you love Toronto everything And I said, no, I'm telling you,

0:45:09.160 --> 0:45:12.680
<v Speaker 1>he's buzzing, like you know, we should get him up.

0:45:12.680 --> 0:45:14.040
<v Speaker 1>But he came up. But I didn't sign him. But

0:45:14.080 --> 0:45:17.520
<v Speaker 1>I could have signed, Like Rihana was responsible for helping

0:45:17.520 --> 0:45:20.600
<v Speaker 1>get a deal, so you helped get her. Oh, I

0:45:20.640 --> 0:45:25.879
<v Speaker 1>got her the deal, Like I got her the deal. Yeah,

0:45:26.840 --> 0:45:32.120
<v Speaker 1>and then um and then um, I almost got Damien

0:45:32.160 --> 0:45:38.320
<v Speaker 1>Marley a deal, but um, it was like very close.

0:45:38.400 --> 0:45:40.239
<v Speaker 1>But then the Marley family was like, because he was

0:45:40.239 --> 0:45:42.719
<v Speaker 1>trying to sign in the Rock Left Familiar. Rock Left

0:45:42.719 --> 0:45:44.480
<v Speaker 1>Familiar was like jay Z. It was called like a

0:45:44.520 --> 0:45:47.359
<v Speaker 1>world label, so we were trying to do Caribbean. We

0:45:47.360 --> 0:45:51.359
<v Speaker 1>were trying to do Spanish all that stuff, and the

0:45:51.400 --> 0:45:56.120
<v Speaker 1>Marley family was like, we don't sign to rappers. They

0:45:56.480 --> 0:46:00.960
<v Speaker 1>like they shut us down. Okay, Cube, Mr jay Z,

0:46:01.040 --> 0:46:05.680
<v Speaker 1>but we don't wear Marley Gonna signed to rappers. Man,

0:46:05.719 --> 0:46:29.799
<v Speaker 1>it was nasty. So where did comedy come into mix? Oh?

0:46:30.320 --> 0:46:36.839
<v Speaker 1>Because I didn't sign Drake so I got fired. Now

0:46:36.920 --> 0:46:44.120
<v Speaker 1>comedy came, um, my name dropping too much. We love it. No, no, no,

0:46:44.160 --> 0:46:51.680
<v Speaker 1>we love this guy. Yeh. So okay, there's a lot

0:46:51.680 --> 0:46:55.560
<v Speaker 1>of different So basically I'm no, no, no. There's a

0:46:55.560 --> 0:46:58.319
<v Speaker 1>lot of reasons why comedy came into play. First of all,

0:46:58.320 --> 0:47:00.759
<v Speaker 1>when I got my own show on the radio. My

0:47:00.800 --> 0:47:05.840
<v Speaker 1>first big show is called Cipher Saturdays. It was, you know,

0:47:05.840 --> 0:47:07.799
<v Speaker 1>difference between a jock and a DJ, like a DJ

0:47:07.960 --> 0:47:10.080
<v Speaker 1>mix his records and a job just talks like Andrew

0:47:10.120 --> 0:47:13.279
<v Speaker 1>Martinez is a job. So they gave me the show

0:47:13.280 --> 0:47:16.080
<v Speaker 1>on Saturday nine am to two pm. They wanted me

0:47:16.120 --> 0:47:18.920
<v Speaker 1>to be a job from nine am to noon and

0:47:18.960 --> 0:47:23.480
<v Speaker 1>then mix on Saturday at noon. Never been done before. No,

0:47:23.480 --> 0:47:26.440
<v Speaker 1>but you gotta remember everything we here nowadays is so common.

0:47:26.719 --> 0:47:29.240
<v Speaker 1>This was the first time ever there was a DJ

0:47:29.400 --> 0:47:34.120
<v Speaker 1>on the radio at noon on a Saturday. Because I

0:47:34.200 --> 0:47:36.640
<v Speaker 1>was like, yo, let me mix. My boss was like, yo,

0:47:36.680 --> 0:47:37.839
<v Speaker 1>you could be a jock. I was like, I don't

0:47:37.880 --> 0:47:38.880
<v Speaker 1>want to be a job. I just want to be

0:47:38.920 --> 0:47:41.000
<v Speaker 1>a DJ. She's like, I let you DJ, but you

0:47:41.040 --> 0:47:42.680
<v Speaker 1>gotta be a job because she saw something in me

0:47:42.719 --> 0:47:44.520
<v Speaker 1>that I didn't see at the time, that I would

0:47:44.560 --> 0:47:50.279
<v Speaker 1>be a good radio personality. I'm thinking noon on a Saturday.

0:47:50.520 --> 0:47:55.160
<v Speaker 1>Everyone's in their car, watching their car, doing laundry, grocery shopping,

0:47:55.280 --> 0:47:57.279
<v Speaker 1>like you know what I mean. Like it was like

0:47:57.680 --> 0:48:02.240
<v Speaker 1>untapped market as far as like mixing like party vibes.

0:48:03.200 --> 0:48:05.880
<v Speaker 1>So so anyway, when I got that show, when I

0:48:05.920 --> 0:48:08.120
<v Speaker 1>was doing the talking part, I would be doing pranks

0:48:08.160 --> 0:48:11.000
<v Speaker 1>because nobody's there on Saturday. There's no bosses in the building.

0:48:11.360 --> 0:48:13.399
<v Speaker 1>That was wilding out I was doing. I would call

0:48:13.520 --> 0:48:16.560
<v Speaker 1>one Chinese restaurant and then put him on conference code

0:48:16.600 --> 0:48:19.600
<v Speaker 1>with another Chinese restaurant and and even start yelling at

0:48:19.600 --> 0:48:24.319
<v Speaker 1>each uh, doing like that all the time, and then um,

0:48:25.800 --> 0:48:28.919
<v Speaker 1>y'all listen, if you want to have fun, try that

0:48:29.920 --> 0:48:32.799
<v Speaker 1>just and then go can't place the order, and then

0:48:32.800 --> 0:48:36.960
<v Speaker 1>that's what I gotta say, and just let it run. Um.

0:48:37.000 --> 0:48:39.919
<v Speaker 1>So I was doing these little pranks and everybody would

0:48:39.920 --> 0:48:41.440
<v Speaker 1>say to me, you're funny. You know you're funny on

0:48:41.440 --> 0:48:43.680
<v Speaker 1>the radio, like I'd be DJ and at night and

0:48:43.719 --> 0:48:45.720
<v Speaker 1>girls would calling to me like, yeah, yo, you're man funny,

0:48:45.719 --> 0:48:48.040
<v Speaker 1>you man funny, So like the hustler brain and me

0:48:48.120 --> 0:48:50.560
<v Speaker 1>was like, why do you keep saying funny? Like what

0:48:50.719 --> 0:48:54.960
<v Speaker 1>is this funny thing? The hustler brain nowhere in there

0:48:55.000 --> 0:48:58.480
<v Speaker 1>that I think I was a comedian. I was just like,

0:48:58.760 --> 0:49:01.960
<v Speaker 1>people keep saying, I'm funny, How can I make money

0:49:02.040 --> 0:49:06.640
<v Speaker 1>with funny? So I started producing a comedy show and

0:49:06.719 --> 0:49:08.880
<v Speaker 1>had it packed out because I was on the radio,

0:49:08.960 --> 0:49:11.160
<v Speaker 1>so I could, you know what I mean, the same

0:49:11.160 --> 0:49:14.320
<v Speaker 1>way I could had every DJ in the world was

0:49:14.360 --> 0:49:17.920
<v Speaker 1>doing a nightclub, not one DJ was doing a comedy show.

0:49:18.680 --> 0:49:19.960
<v Speaker 1>So I was like, I wonder if I could get

0:49:19.960 --> 0:49:22.720
<v Speaker 1>people to come to a comedy show and then from there.

0:49:23.239 --> 0:49:25.400
<v Speaker 1>But also before that, I was a DJ on The

0:49:25.440 --> 0:49:29.600
<v Speaker 1>Chappelle Show. So Dave we used to warm up the

0:49:29.640 --> 0:49:32.600
<v Speaker 1>crowd before we started taping, and I used to do

0:49:32.680 --> 0:49:35.520
<v Speaker 1>some DJ yo the Little John skit came from me,

0:49:35.760 --> 0:49:39.600
<v Speaker 1>you know, Little John? Um. Dave Chappelle's Little John was like,

0:49:39.640 --> 0:49:43.759
<v Speaker 1>what yeah, that came from me. I had a Little

0:49:43.800 --> 0:49:46.280
<v Speaker 1>John record and we would be working with the audience

0:49:46.719 --> 0:49:48.960
<v Speaker 1>and and Dave would say something. I would just scratch

0:49:49.000 --> 0:49:54.279
<v Speaker 1>in what yeah yeah, what yeah? And he was like, yo, yo, yo,

0:49:54.320 --> 0:49:55.719
<v Speaker 1>why why do you why do you keep doing like yo?

0:49:55.760 --> 0:49:58.239
<v Speaker 1>That's the thing people say when they hear a Little John.

0:49:58.880 --> 0:50:00.839
<v Speaker 1>And then like a couple of weeks he shot up

0:50:01.400 --> 0:50:05.080
<v Speaker 1>a little John sketch sketch. So anyway, so Dave was like, Yo,

0:50:05.120 --> 0:50:07.640
<v Speaker 1>you're funny. You should do stand up And I was like,

0:50:08.080 --> 0:50:12.239
<v Speaker 1>this is two thousand two three, How the fun what

0:50:12.280 --> 0:50:13.839
<v Speaker 1>I do? Stand up? What are you talking about? Like

0:50:14.040 --> 0:50:17.120
<v Speaker 1>you're an idiot? But this Dave Chappelle, he knew. And

0:50:17.120 --> 0:50:19.560
<v Speaker 1>then another time I was on when I was on MTV,

0:50:20.120 --> 0:50:24.200
<v Speaker 1>both Will Smith and Jamie Fox said, I was funny.

0:50:24.760 --> 0:50:27.440
<v Speaker 1>You're seeing a lot of funny keep popping up. I'm

0:50:27.480 --> 0:50:29.960
<v Speaker 1>just being me. I'm funny with my friends on a

0:50:30.080 --> 0:50:32.560
<v Speaker 1>road trip. Yeah. Yeah, well you sound like you're a

0:50:32.600 --> 0:50:34.560
<v Speaker 1>lot of fun to be. Oh no, no, I'm not

0:50:34.600 --> 0:50:38.200
<v Speaker 1>fun at all. No, no, no, i'm funny. I am

0:50:38.239 --> 0:50:44.840
<v Speaker 1>not fun. I am boring. So looking at Eagle, is

0:50:44.880 --> 0:50:52.000
<v Speaker 1>that I'm out? He was like, yeah, man out him Eagle,

0:50:52.360 --> 0:50:55.840
<v Speaker 1>Eagle with favorite Favery funny comedian him and all the

0:50:55.880 --> 0:50:59.400
<v Speaker 1>other younger comics. After the show, they're chilling, They're talking

0:50:59.520 --> 0:51:02.200
<v Speaker 1>about to go somewhere drink that. I'm in my car.

0:51:02.320 --> 0:51:07.680
<v Speaker 1>I'm out. I'm watching fucking Colombo in my car on

0:51:07.760 --> 0:51:10.879
<v Speaker 1>the way home. Um. But like Jamie Fox like, I'm

0:51:10.920 --> 0:51:13.960
<v Speaker 1>just being a VJ. And MTV and they're like, yeah,

0:51:13.960 --> 0:51:16.360
<v Speaker 1>you're funny. Bro was like really, why why are you

0:51:16.360 --> 0:51:18.960
<v Speaker 1>saying that? And Will Smith was like yo, he pulled.

0:51:19.040 --> 0:51:21.400
<v Speaker 1>He pulled me aside, goes, do you do comedy? I

0:51:21.400 --> 0:51:24.560
<v Speaker 1>don't know, I'm a DJ. Heees you should do comedy.

0:51:25.200 --> 0:51:28.200
<v Speaker 1>I was like wow, okay. So then they always funneled

0:51:28.200 --> 0:51:31.520
<v Speaker 1>around in my head and I started doing that show,

0:51:31.520 --> 0:51:34.200
<v Speaker 1>and then I started taking it seriously okay, And then

0:51:34.200 --> 0:51:36.200
<v Speaker 1>when did you actually step behind the mic and like

0:51:36.320 --> 0:51:40.239
<v Speaker 1>become standard? So I did. I would say I did

0:51:40.239 --> 0:51:43.720
<v Speaker 1>a year of my shows at this place called Comics

0:51:43.719 --> 0:51:46.319
<v Speaker 1>it's not there anymore, fourteenth to nine, and it was

0:51:46.320 --> 0:51:50.040
<v Speaker 1>called it Don't Get Gas Comedy Series. Everybody came to

0:51:50.120 --> 0:51:53.759
<v Speaker 1>my show, all rappers, I mean, Drake was there, a

0:51:53.760 --> 0:51:58.160
<v Speaker 1>little Wayne Rick Ross um t I. Everybody came to

0:51:58.200 --> 0:52:01.920
<v Speaker 1>my show then, Kevin Hart, my Gaps, Tracy Morgan. Like

0:52:02.560 --> 0:52:04.399
<v Speaker 1>my show used to be, oh, I don't know nothing

0:52:04.400 --> 0:52:07.600
<v Speaker 1>about sports, but they used to be crazy NBA players

0:52:07.600 --> 0:52:10.120
<v Speaker 1>and football players in there, like my boy, my boys

0:52:10.239 --> 0:52:14.520
<v Speaker 1>be like, that's John Starks. Just say something about dunking

0:52:14.600 --> 0:52:16.880
<v Speaker 1>on Jordan's. I was like, oh right, I gotta say that.

0:52:16.960 --> 0:52:19.920
<v Speaker 1>Go yeah, you're dun Dune Jordan, and the crowd was crazy.

0:52:19.960 --> 0:52:22.279
<v Speaker 1>I don't even know what the funk I'm saying, but

0:52:22.480 --> 0:52:25.840
<v Speaker 1>um so yeah. So then that became like this celebrity,

0:52:25.880 --> 0:52:31.080
<v Speaker 1>but the celebrities would all come. And then after a

0:52:31.160 --> 0:52:33.040
<v Speaker 1>year of that, I was just I was just going

0:52:33.080 --> 0:52:36.960
<v Speaker 1>on stage saying hi and then introducing the comedian. And

0:52:37.000 --> 0:52:40.279
<v Speaker 1>then I tried one little joke here, one little joke there.

0:52:40.920 --> 0:52:43.520
<v Speaker 1>It started to work. Oh that's funny, like da da da.

0:52:44.239 --> 0:52:47.400
<v Speaker 1>And then like a year of that, uh, some comics

0:52:48.040 --> 0:52:54.440
<v Speaker 1>step to me. Uh, Talent Capone, Will Sylvans, a couple

0:52:54.440 --> 0:52:57.720
<v Speaker 1>of those guys, Mark Vieira, they cornered me and they go, okay,

0:52:57.760 --> 0:53:00.000
<v Speaker 1>we need to talk to you. I was like, okay,

0:53:00.080 --> 0:53:03.480
<v Speaker 1>what the fuck And they're like, you seem to be

0:53:03.600 --> 0:53:07.480
<v Speaker 1>really trying to take this ship seriously, because when radio

0:53:07.600 --> 0:53:12.400
<v Speaker 1>people do a comedy show, they like kind of steal

0:53:12.560 --> 0:53:15.880
<v Speaker 1>jokes and try to just run off their radio fame

0:53:16.040 --> 0:53:18.920
<v Speaker 1>or whatever fame. Like He's like, they were like, you

0:53:18.920 --> 0:53:22.440
<v Speaker 1>you seem to really like this. I paid well. It

0:53:22.520 --> 0:53:25.239
<v Speaker 1>was a Tuesday night, pat everybody wanted to come to

0:53:25.280 --> 0:53:27.520
<v Speaker 1>my show, and I paid well. I didn't care about

0:53:27.560 --> 0:53:30.040
<v Speaker 1>making like I would pay a lot, and they were like,

0:53:31.239 --> 0:53:33.600
<v Speaker 1>if you want to take this seriously, you need to

0:53:33.640 --> 0:53:37.160
<v Speaker 1>know this doesn't count. I was like why, They're like

0:53:37.200 --> 0:53:40.600
<v Speaker 1>this your fans, these are your audience. They know you're ready.

0:53:40.960 --> 0:53:43.719
<v Speaker 1>You gotta go where no one knows you because you're

0:53:44.880 --> 0:53:47.640
<v Speaker 1>so They're like, come to like this little hole in

0:53:47.640 --> 0:53:51.600
<v Speaker 1>the wall or this little bar and queens or whatever.

0:53:51.760 --> 0:53:58.960
<v Speaker 1>And the next year was just bombings, horrifically bombing, just disgusting.

0:54:00.000 --> 0:54:03.120
<v Speaker 1>But I kept going back. So they were like you

0:54:03.120 --> 0:54:05.120
<v Speaker 1>you want to be a comedian, so you gotta like

0:54:05.280 --> 0:54:12.759
<v Speaker 1>now really and music and then so then then I

0:54:13.680 --> 0:54:17.920
<v Speaker 1>then I was on the morning show on Hot and

0:54:19.239 --> 0:54:22.319
<v Speaker 1>like a comic, like somebody like let's say Kevin Hart

0:54:22.360 --> 0:54:24.480
<v Speaker 1>like this before he was big. But he was like, yo,

0:54:24.520 --> 0:54:27.040
<v Speaker 1>you want to come to Albany with us this weekend,

0:54:27.800 --> 0:54:30.920
<v Speaker 1>but like we're leaving on Thursday. We gotta show Thursday, Friday, Saturday.

0:54:31.200 --> 0:54:34.040
<v Speaker 1>And I'm like, I can't. I'm on the radio. And

0:54:35.040 --> 0:54:38.640
<v Speaker 1>this is where when I had the chance to go

0:54:38.760 --> 0:54:41.960
<v Speaker 1>beat Rihanna's DJ, I said no because I was on

0:54:42.000 --> 0:54:45.200
<v Speaker 1>the radio, and I always regretted it. So then I

0:54:45.480 --> 0:54:48.960
<v Speaker 1>so then I started regretting when comics would ask me

0:54:49.000 --> 0:54:52.279
<v Speaker 1>to go open for them and I couldn't go. So

0:54:52.320 --> 0:54:53.960
<v Speaker 1>that's when I started saying, oh, I need to make

0:54:54.000 --> 0:54:58.880
<v Speaker 1>a choice. Che made the choice. Yeah, the last two

0:54:58.960 --> 0:55:01.600
<v Speaker 1>years of Hot Night Severn were horrible for me. Horrible.

0:55:01.800 --> 0:55:06.800
<v Speaker 1>So where can your fans or people that are interested

0:55:06.800 --> 0:55:10.800
<v Speaker 1>in seeing your stand up or find you get tickets

0:55:10.840 --> 0:55:14.680
<v Speaker 1>to your show? Like? Where can they all catch you at? Um? Well,

0:55:14.719 --> 0:55:16.239
<v Speaker 1>if I'm in New York, I'm a mostly at the

0:55:16.239 --> 0:55:21.680
<v Speaker 1>Comedy Seller. But do you do Instagram and all that stuff? Yeah,

0:55:23.360 --> 0:55:25.920
<v Speaker 1>it's just my name as Cipher sounds c I p

0:55:26.160 --> 0:55:30.600
<v Speaker 1>h A sounds um like. I always say the Comedy Seller.

0:55:30.600 --> 0:55:32.760
<v Speaker 1>But then also the Comedy Seller sells out every show,

0:55:33.239 --> 0:55:35.560
<v Speaker 1>so I don't even invite people there because we can't

0:55:35.560 --> 0:55:40.080
<v Speaker 1>get them in. Yeah, but you know people, you know people,

0:55:40.640 --> 0:55:44.400
<v Speaker 1>people are gonna want to So I started posting clips

0:55:44.400 --> 0:55:47.040
<v Speaker 1>on my Instagram about a year ago, And the only

0:55:47.080 --> 0:55:51.600
<v Speaker 1>reason why I do it is because my my hip

0:55:51.600 --> 0:55:55.759
<v Speaker 1>hop fans did not necessarily follow me to comedy, which

0:55:55.840 --> 0:55:58.160
<v Speaker 1>pissed me off, and I had a long talk with

0:55:58.200 --> 0:55:59.799
<v Speaker 1>a friend of mine. He was like, no, it's not

0:55:59.840 --> 0:56:02.480
<v Speaker 1>that they didn't follow you. You didn't tell them to

0:56:02.560 --> 0:56:05.080
<v Speaker 1>follow you like they're supposed to just do it, you know,

0:56:05.200 --> 0:56:09.160
<v Speaker 1>like you gotta tell them. So I started posting clips

0:56:09.239 --> 0:56:11.839
<v Speaker 1>and my only reason I post clips is for all

0:56:11.920 --> 0:56:14.840
<v Speaker 1>my old fans to see I do this now. Yeah,

0:56:14.880 --> 0:56:17.880
<v Speaker 1>that's my goal, and it's working. You know. I'm not

0:56:17.920 --> 0:56:22.359
<v Speaker 1>trying to blow up off TikTok and Instagram yet right now.

0:56:22.360 --> 0:56:24.759
<v Speaker 1>I just want I already have a fan base right now.

0:56:24.800 --> 0:56:27.719
<v Speaker 1>You're just like trying to make the official announcement that

0:56:27.719 --> 0:56:31.680
<v Speaker 1>there's a transition and happening. Guys, you want to keep

0:56:31.680 --> 0:56:34.560
<v Speaker 1>it with Cipher Sounds and everything he's doing comedy wise,

0:56:35.200 --> 0:56:38.480
<v Speaker 1>because he's officially in the comedy circuit. And I'm seven

0:56:38.520 --> 0:56:42.239
<v Speaker 1>years late and announcing this. So thank you so so

0:56:42.320 --> 0:56:47.600
<v Speaker 1>it's officially been announced that Cipher Sounds, yes, exited. But also,

0:56:47.640 --> 0:56:49.840
<v Speaker 1>like I said before, I don't care. I'm enjoying the journey.

0:56:50.640 --> 0:56:53.719
<v Speaker 1>Don't come whatever, come check them out because I know

0:56:53.800 --> 0:56:57.959
<v Speaker 1>I will be. Um, thank you so much. I didn't

0:56:58.040 --> 0:57:04.239
<v Speaker 1>get to any stories yet, all right, thank you so much.

0:57:04.280 --> 0:57:10.719
<v Speaker 1>Has got a microwave form these French fries. You thank

0:57:10.760 --> 0:57:12.640
<v Speaker 1>you so much for coming all the way down to Brooklyn,

0:57:12.680 --> 0:57:16.440
<v Speaker 1>because I know you absolutely look at you hating on Brooklyn.

0:57:17.080 --> 0:57:20.840
<v Speaker 1>Make sure you keep the energy for j Listen. Last thing,

0:57:20.840 --> 0:57:23.040
<v Speaker 1>I gotta go. I know you gotta go. We gotta leave.

0:57:23.160 --> 0:57:30.680
<v Speaker 1>Thank you, Charlomagne. Two things. One b K is the

0:57:30.680 --> 0:57:36.800
<v Speaker 1>stupidest thing in the world because it's two syllables brook Lynton,

0:57:37.840 --> 0:57:40.640
<v Speaker 1>so it should be b L. I don't know how

0:57:40.680 --> 0:57:44.520
<v Speaker 1>it became b K. It's so the name of where it.

0:57:44.920 --> 0:57:47.800
<v Speaker 1>I'm sorry, but look at eagles face. His wheels are

0:57:47.800 --> 0:57:51.080
<v Speaker 1>turning like listen, I don't know why you Brooklyn people.

0:57:51.560 --> 0:57:54.560
<v Speaker 1>Where do you live in brook Clinton? That makes no sense.

0:57:55.080 --> 0:58:01.480
<v Speaker 1>It's Brooklyn. Also, you Brooklyn people live on island. I

0:58:01.520 --> 0:58:03.840
<v Speaker 1>know you hate to admit it. I know you don't

0:58:03.840 --> 0:58:05.760
<v Speaker 1>want to admit it. You don't want to look at you.

0:58:05.760 --> 0:58:08.360
<v Speaker 1>Your hurt right now, you're upset. Look at the map.

0:58:09.640 --> 0:58:12.040
<v Speaker 1>There's a place called Manhattan, and to the right of

0:58:12.080 --> 0:58:14.200
<v Speaker 1>that on the map there's a place called Long Island.

0:58:14.480 --> 0:58:18.320
<v Speaker 1>The first place you see on that island it's Brooklyn.

0:58:19.040 --> 0:58:23.760
<v Speaker 1>But you live on Long Island. I'm sorry. I know

0:58:23.840 --> 0:58:25.640
<v Speaker 1>you guys. You guys are listened to the show, but

0:58:26.360 --> 0:58:28.520
<v Speaker 1>we have a we have a small audience here and

0:58:28.560 --> 0:58:31.000
<v Speaker 1>if you see Ego Ego wits in the house. If

0:58:31.040 --> 0:58:35.560
<v Speaker 1>you see his face, his jaws, like, I might not

0:58:35.920 --> 0:58:38.680
<v Speaker 1>listen if if you never hear from me again, I

0:58:38.760 --> 0:58:47.640
<v Speaker 1>was murdered somewhere in Brooklyn. Microware and French fried dudes. Well,

0:58:48.000 --> 0:58:49.760
<v Speaker 1>I just want to say, it's a pleasure having you.

0:58:49.840 --> 0:58:52.200
<v Speaker 1>We may have to do if I come back to

0:58:52.240 --> 0:58:54.280
<v Speaker 1>New York. We may just have to do another another

0:58:54.360 --> 0:58:56.840
<v Speaker 1>run of this because I feel like you have a

0:58:57.080 --> 0:58:59.960
<v Speaker 1>body of art of stories. Can we do it in Manhatan?

0:59:00.520 --> 0:59:02.640
<v Speaker 1>We could, We could, We could make an exception to

0:59:02.680 --> 0:59:04.960
<v Speaker 1>do it in Manhattan. Hopefully my budget will be bigger.

0:59:06.880 --> 0:59:10.800
<v Speaker 1>We're doing. I'll do it. Deal, deal, Now what we

0:59:10.800 --> 0:59:14.840
<v Speaker 1>gotta do to get this jay Z painting signed? Make

0:59:14.920 --> 0:59:19.840
<v Speaker 1>it happen. For visiting Long Island and coming to be it.

0:59:21.000 --> 0:59:25.200
<v Speaker 1>We really appreciate eating these wings. Everybody you can catch

0:59:25.240 --> 0:59:28.360
<v Speaker 1>Cipher sounds. Follow him on Instagram. I'll be checking him

0:59:28.360 --> 0:59:30.840
<v Speaker 1>out before I leave town. I'm gonna try and figure

0:59:30.840 --> 0:59:34.120
<v Speaker 1>out where you're as. I'll go to comedy seller tonight,

0:59:34.280 --> 1:00:01.360
<v Speaker 1>comedy seller. All right, it's good, it's any month. Brow