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Speaker 1: As soon as I heard it, I thought, oh, I

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Speaker 1: know exactly where this fits. Adam Duritz was amazing singer

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Speaker 1: and also really really interesting writer, very complicated cat.

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Speaker 2: Episode five oh one. We will in a few minutes

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Speaker 2: make my votes for the Rock and Roll Hall of Fame,

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Speaker 2: which I am lucky they haven't kicked me out, not

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Speaker 2: because I'm doing anything wrong or don't know music, because

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Speaker 2: I feel like I do, but because every year we

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Speaker 2: sit in here and pick my votes. So we got

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Speaker 2: a panel of friends. We're gonna go through everybody that's nominated,

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Speaker 2: and I will make my votes dependent on what we select.

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Speaker 2: That could get me kicked out, but I hope it doesn't.

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Speaker 2: Starting us off though, Like really one of the greatest

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Speaker 2: producers ever, t Bone Burnett. He's in because Ringo's country

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Speaker 2: album came out called Look Up. You can hear the

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Speaker 2: episode of The Ringo Star if you back. He wrote

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Speaker 2: nine out of the eleven songs. What was kind of

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Speaker 2: fun was whenever Ringo was in the chair for half

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Speaker 2: an hour whatever that was, t Bone was sitting right

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Speaker 2: over to the side watching and then flip flopped for

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Speaker 2: a bit, and then eventually Ringo had to go and

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Speaker 2: he was like, I go Teva and then Ringo left.

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Speaker 2: But so that's the reason that he's doing some press.

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Speaker 2: But what was really cool is talking about some of

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Speaker 2: the other stuff that he did. If you want to

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Speaker 2: go watch T bone Burnette live his first concert tour

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Speaker 2: nearly twenty years, go to t bone Burnette dot com.

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Speaker 2: He's gonna be in Pennsylvania, New York, Rhode Island, Massachusetts, Connecticut,

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Speaker 2: New York. Apparently he lives right down the road for me,

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Speaker 2: which I had no idea. It's his first solo album

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Speaker 2: called The Other Side that's out now from T bon

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Speaker 2: Burnette again, his first tourn twenty years, first solo album

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Speaker 2: in twenty years. I mean, where do you start? He

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Speaker 2: toured with Bob Dylan. He produced Oh Brother, Where Art Thal?

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Speaker 2: The soundtrack. He revived Johnny Cash's career. He worked on

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Speaker 2: Walk the Line, and he was the executive music producer,

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Speaker 2: And so we had to kind of coach and teach

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Speaker 2: from what I read and what we talked about Jaquin

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Speaker 2: Phoenix and Reese Weatherspoon how to be Johnny Cash and

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Speaker 2: June Carter, which I think is super cool. He basically

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Speaker 2: created the Americana sound. He mentions Jeff Bridges, we go

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Speaker 2: back into it. He helped Jeff Bridges become a country

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Speaker 2: singer because he did crazy Heart, the music for Crazy Heart,

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Speaker 2: so we did that. Super private guy, which is why

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Speaker 2: it was really neat for him to come over to

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Speaker 2: the house. I mean, he was a DJ when they

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Speaker 2: were DJs. I mean there's still the terms weird now.

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Speaker 2: A DJ in general to me is somebody at a

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Speaker 2: club that kind of thing, and even now on the radio,

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Speaker 2: everything's digital and people that just play music really don't

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Speaker 2: get they don't pick it. You're not like physically putting in.

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Speaker 2: That's weird. Yeah, But he was an original DJ, like

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Speaker 2: back in the day in Fort Worth, Texas, playing rock

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Speaker 2: and blues records and what I love the most Counting Cross.

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Speaker 2: That's right. He produced August and everything after, which is

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Speaker 2: maybe it depends what day of the week you asked me.

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Speaker 2: My favorite album ever, it's that I love Nirvana Unplugged,

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Speaker 2: although that's kind of cheating because it's got Nirvana songs

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Speaker 2: and it's them playing on acoustic and it's got David

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Speaker 2: Bowie and meat Puppet songs on it. But that's like

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Speaker 2: my favorite album. Obviously, I'm gonna put John Mayer Continuum

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Speaker 2: up there. I'm gonna put Casey Musgraves, same trailer, different park,

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Speaker 2: but I think August and everything after that's probably it.

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Speaker 2: Now Beast Boys Licensed to Ill. That's my top five,

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Speaker 2: So it just depends what day it is. Correct not

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Speaker 2: top five like that would get a Lifetime Achievement award

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Speaker 2: because Letter Cry is still one of my favorite songs

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Speaker 2: to sing along too of this day, so that has

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Speaker 2: been one of my top ten. I would compare it

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Speaker 2: to my friend Andy Roddick. He was number one in

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Speaker 2: the world for a couple of years, he won a major,

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Speaker 2: but he was top ten for like fifteen years. He

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Speaker 2: never left top ten, So he's one of the greatest

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Speaker 2: tennis players ever. Not because he was number one for

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Speaker 2: like Federer was for five, seven eight, djoke of it

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Speaker 2: all those guys. He was number one for a couple

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Speaker 2: of years, won a major, but he say top ten

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Speaker 2: for a decade. That's what correct rearview is to me,

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Speaker 2: the Andy Roddick of music. But yeah, how would I

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Speaker 2: like to have just talked counting Goes for an hour

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Speaker 2: if I'm being honest, and then I got we talked wallflowers,

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Speaker 2: and then I'm like, hey, you know. And Adam Durris

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Speaker 2: did the background vocals on sixth Avenue Heartache. Yeah, I

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Speaker 2: wasn't herd episode five oh one, well do rock and

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Speaker 2: Roll Hall of Fame. But first, one of the greats,

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Speaker 2: t Bone Burnett, we just had Ringo here. He told

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Speaker 2: a story of you pulling songs out of your pocket. Literally,

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Speaker 2: he claimed you had songs in your pocket.

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Speaker 1: Hey, oh, I do I have a pocket full right now?

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Speaker 2: And trying are you kidding or no?

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Speaker 1: I don't know if you know I'm kidding.

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Speaker 2: Okay, I literally didn't know if you're because I thought

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Speaker 2: he was kidding at first, but then he was like, no,

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Speaker 2: literally he had songs in his pocket. Did you know

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Speaker 2: you were going to run into Ringo? Or do you

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Speaker 2: always keeps? Well?

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Speaker 1: No, he I went out. He said, come out and

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Speaker 1: let's talk about doing an EP?

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Speaker 2: Got it?

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Speaker 1: And so he said do you have any other songs?

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Speaker 1: And so I was writing and I just kept writing

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Speaker 1: because I didn't know if he would like any of them,

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Speaker 1: you know, And then we started listening to him to them,

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Speaker 1: and he liked all of them, and he said, well,

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Speaker 1: let's make an album, and so I said, okay, you know,

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Speaker 1: and it did. It was really sweet to him to

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Speaker 1: say these songs were written by somebody who knows him,

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Speaker 1: because I do. I know him. I don't know him

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Speaker 1: personally as well, but I know him aesthetically and artistically

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Speaker 1: really really well. I understand where where he's coming from. Well,

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Speaker 1: you know you can when we're doing when we're doing

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Speaker 1: these movies, the first thing we do is do a

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Speaker 1: history of the character. Like the first song when we

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Speaker 1: did Crazy Heart, Jeff was playing a singer called bad Blake,

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Speaker 1: and so we did what was the We had to

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Speaker 1: come up with a history for him, and it was

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Speaker 1: what was the first song you ever heard? What was

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Speaker 1: the worst first record you ever bought? What was the

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Speaker 1: first song you ever wrote? Who? You know, what singers

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Speaker 1: influenced you? What record? You just put a whole history together. Well,

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Speaker 1: you know, Ringo had a whole history that I could

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Speaker 1: refer to. And also I was you know, I was

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Speaker 1: in nineteen sixty four when the Beatles came out. I

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Speaker 1: was sixteen, so I was in the perfect place to

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Speaker 1: receive that gift that they poured out to all of us.

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Speaker 2: And how long until it became a real project?

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Speaker 1: This one?

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Speaker 2: Yeah, you know it kind.

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Speaker 1: Of was for me the whole. As soon as he said,

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Speaker 1: write a song for me, I wrote that song that

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Speaker 1: he whistles on called come Back When You Go Away,

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Speaker 1: because I wanted to write him a gene Autry song.

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Speaker 1: And as soon as I soon, because I knew well,

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Speaker 1: first of all, Ringo's Star sounds like uh, you know,

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Speaker 1: the sheriff of Tombstone, Arizona or something. It was a

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Speaker 1: cowboy name in the first place. And I also knew

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Speaker 1: the Lightning Hopkins' story that he told, and and I

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Speaker 1: knew I just knew where he was coming from. You know,

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Speaker 1: all all the Beatles things he did, with the exception

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Speaker 1: of good Night probably or little help from my friends,

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Speaker 1: even that's a country so like Photograph is a very

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Speaker 1: that's a song he and George Harrison wrote, It's still

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Speaker 1: very much like a country rock song today. In fact,

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Speaker 1: if the Beatles came out today, they would be considered

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Speaker 1: a roots rock band.

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Speaker 2: I agree, especially the early you know, the early version

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Speaker 2: before the seventies, and they very much would be that.

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Speaker 1: Yeah, they were the early you know, early on they

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Speaker 1: were a cover band, and they were covering Chuck Berry

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Speaker 1: and Buddy Holly and Jene Vincent and Eddie Cochran, Little Richard,

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Speaker 1: all the same stuff we were playing in Tech in

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Speaker 1: nineteen sixty four sixty five.

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Speaker 2: Did you have to give him or what guidance did

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Speaker 2: he ask for either way when doing this record, because

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Speaker 2: again it feels so natural.

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Speaker 1: He didn't ask for any and I didn't offer any either.

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Speaker 1: I did he once he said he liked the songs.

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Speaker 1: Then I came back and added a few pieces. Mostly

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Speaker 1: they were cut by Daniel Tashin. Dennis Crouch and I

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Speaker 1: played the tracks. Dennis Crouch is really at the current

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Speaker 1: in the current time. He's the world's greatest string bass players,

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Speaker 1: rockabilly slap bass player, but he plays great jazz. He

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Speaker 1: plays jump blues, he plays bebop, he plays everything. Plays

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Speaker 1: with Diana Crawl, and he plays with Robert Plant and

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Speaker 1: Alison Krause. So we cut the tracks, and then I

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Speaker 1: went out and sat with Ringo for an afternoon and

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Speaker 1: he recorded for four of the songs on drums, two takes,

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Speaker 1: just as he said. And that was a thrill for

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Speaker 1: me because I was sitting we're really a little little

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Speaker 1: further than we're sitting apart now while he was playing

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Speaker 1: and just sitting there listening to him play live was thrilling. Really,

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Speaker 1: all those symbols on the record are the symbols from

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Speaker 1: the from the Beatles records, and he hasn't cleaned them

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Speaker 1: in fifty years or sixty years whatever. They are, so

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Speaker 1: the same symbols, and you know, I recognize the sound

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Speaker 1: of the symbols immediately. And then and then he he

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Speaker 1: started he was showing me the high hats, I said,

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Speaker 1: because his approach to the high hat was unique. Nobody's

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Speaker 1: ever played that sound that way, and it was it

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Speaker 1: was thrilling. It was a very exciting frequency. And I

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Speaker 1: realized that the way he played the high hat was

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Speaker 1: very much a part of the reason the girl screamed,

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Speaker 1: because it was he was setting off that energy that screamed.

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Speaker 1: The high hats were screaming, you know, little Richard scream

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Speaker 1: Paul McCartney screamed. There was that, there was that crazy

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Speaker 1: energy in it. In fact, I just I was listening.

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Speaker 1: Uh the Beatles on their first trip over here, played

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Speaker 1: a show in Washington, d C. In the round, and

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Speaker 1: I was I was watching a video of that, and

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Speaker 1: they played everything incredibly fast, you know, they were it

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Speaker 1: was just all, well, you know, we're going to get you,

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Speaker 1: and they they got us, you know they did.

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Speaker 2: Sonically it made sense, which I didn't know if it was.

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Speaker 2: If I'm being honest, I was like, Okay, well I'm

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Speaker 2: I'm curious to see what the sounds.

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Speaker 1: Like, oh this record, this record.

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Speaker 2: Yeah, specifically sonically it made way more sense in the

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Speaker 2: best way that I then I I don't. I didn't

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Speaker 2: have an expectation at all.

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Speaker 1: Well that's good, Well I wanted I just wanted to

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Speaker 1: it thread back directly to Honey, Honey, don't and act

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Speaker 1: naturally and and even even well like what goes on?

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Speaker 1: You know, all of these extraordinary country rock you know,

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Speaker 1: they were the first country rock band, the first country

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Speaker 1: rock recording was I Don't want to Spoil the party,

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Speaker 1: and almost all country music since then, certainly all the

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Speaker 1: country music today goes back to that one recording, you know,

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Speaker 1: the the way he played the high hat, the way

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Speaker 1: the will he can too with buck Owens band played

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Speaker 1: the high hat, a similar feel on the high hat,

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Speaker 1: and they they buck Owens was considered the rocky year

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Speaker 1: side of country music at the time.

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Speaker 2: You know, you mentioned Jeff Bridges a second ago, and

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Speaker 2: when I talk about advice or help, I feel like

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Speaker 2: you were instrumental in helping him be a country or

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Speaker 2: at least understanding count music. Do you feel that way, Jeff, Yeah, Yeah.

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Speaker 1: Yeah, I think so. I mean when we were putting

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Speaker 1: Bad Blake together, Jeff has a deep baritone voice, and

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Speaker 1: so he couldn't sing that kind of twang what they

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Speaker 1: call twang country sound of Merle Haggard or you know,

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Speaker 1: or Lefty for Zell, that kind of stuff. But what

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Speaker 1: he could sing was Don Williams, who's one of my

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Speaker 1: favorite singers anyway, and he could sing Leonard Cohen type songs.

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Speaker 1: So we so I sort of showed him into the

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Speaker 1: world of country music through that. But you know, he

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Speaker 1: looks a lot like Christofferson in that movie. And he

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Speaker 1: and Chris we all made a movie together in the

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Speaker 1: seventies called Heaven's Gate and spent a great deal of

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Speaker 1: time together. So Jeff had just been into music since

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Speaker 1: as long as I've known him for fifty years. So

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Speaker 1: but I was able to lead him into that part

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Speaker 1: of country music that he you know, I don't think

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Speaker 1: he really knew Don Williams at the time.

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Speaker 2: Some pretty iconic movies that you've been responsible for, the

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Speaker 2: music Walk the line comes to mind, and again, you've

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Speaker 2: worked with Johnny and then you're working with somebody that's

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Speaker 2: playing Johnny. Do you put a pressure on yourself for

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Speaker 2: it to be authentic as possible?

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Speaker 1: Yeah, definitely. I mean I only I don't like biopics myself.

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Speaker 1: Like I haven't seen the new Dylan biopic.

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Speaker 2: I haven't seen it either yet because I don't go

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Speaker 2: to the theater when it streams.

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Speaker 1: I mean, well, you know the thing about these singing stars,

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Speaker 1: for these performers, they have a certain charisma that is

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Speaker 1: uniquely them. And you can see Bob Marley, you can

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Speaker 1: say that about Ray Charles, certainly Dylan. I think I

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Speaker 1: actually think Joaquin did a better job evoking Johnny Cash

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Speaker 1: than he did as an impression of Johnny Cash. But

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Speaker 1: what I feel most of the time when I dip

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Speaker 1: into those biopics is that you know, I missed the original.

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Speaker 1: I've constantly got the original in my mind and I'm

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Speaker 1: I'm constantly thinking, uh, that's a great and that's a

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Speaker 1: great impersonation. But I don't. But I like getting immersed

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Speaker 1: in film, like have you seen this film? And Noora,

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Speaker 1: this is a funny thing to talk.

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Speaker 2: About, Okay, great movie.

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Speaker 1: It's a great movie. It's I just voted for it.

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Speaker 1: I'm not supposed to say this, but I voted for

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Speaker 1: it for everything that it was up for. Because what's about.

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Speaker 1: It's about a sex worker, a lap dancer in New

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Speaker 1: York City who falls falls into a relationship with this

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Speaker 1: Russian Oligark's son who's sixteen or eighteen or something. It's

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Speaker 1: it's a wild movie. But it's why did I even

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Speaker 1: bring this up?

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Speaker 2: Is a music in the movie that.

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Speaker 1: No, it's not, it's not that's but that's a movie

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Speaker 1: that was just just got lost in it, which is

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Speaker 1: what I which is the great a power of movies

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Speaker 1: and any going back to the biopics that I'm always

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Speaker 1: one step removed from them.

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Speaker 2: Whenever you start to work on Oh brother, we're out there,

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Speaker 2: did you know that this that that product as you

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Speaker 2: were doing it? Did it feel special to you or

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Speaker 2: did it just feel good?

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Speaker 1: Like?

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Speaker 2: I don't know, because it ended up both remarkable well

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Speaker 2: all three?

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Speaker 1: Yeah, yeah, I thought. You know, folk music, which I

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Speaker 1: think of all of this music is folk music. American music,

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Speaker 1: country music is folk music. Hip hop is folk music.

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Speaker 1: It's all music that comes up from the street, from

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Speaker 1: the ground, you know, excuse me, uh, but when you

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Speaker 1: know when we started, oh, brother Wert, there there had

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Speaker 1: been folk music had been out of the mainstream for

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Speaker 1: quite some time. We had all these extraordinary, underappreciated artists,

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Speaker 1: and we had a George Klooney movie to shine a

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Speaker 1: light on them. And you know, there were several things

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Speaker 1: that made it remarkable. One was the Turn of the Millennium.

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Speaker 1: And if you, I don't know if you're old enough

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Speaker 1: to remember back then, but they there was a thing

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Speaker 1: called the Y two K boy, I thought we were

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Speaker 1: all dying. Yeah, they were supposed to shut down all

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Speaker 1: of reality and people. There was a lot of anxiety

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Speaker 1: going into the Turn of the Millennium, and then you know,

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Speaker 1: the World Trade Center got hit and there was a

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Speaker 1: lot of uncertainty. And there was something about hearing that

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Speaker 1: music that was so woven into American culture, into our

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Speaker 1: American identity and who we think of ourselves as that

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Speaker 1: was there was reminding us of that, and so it

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Speaker 1: took on a whole other life of its own that

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Speaker 1: none of us had any idea about at the time.

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Speaker 1: But certainly I thought, I mean it didn't I had

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Speaker 1: a few years earlier made a record by the Wallflowers

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Speaker 1: that's called Bringing Down, called One head.

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Speaker 2: Light, bringing Down the Horse, the whole record. I love it, beautiful,

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Speaker 2: loved it, love it. Yeah.

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Speaker 1: And you know, I just read that one Headlight is

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Speaker 1: the most played radio song of the nineties. Really yeah,

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Speaker 1: but uh, and I'd made an album by Counting Crows,

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Speaker 1: and both of those records sounded very much like the

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Speaker 1: old Brother Where art that record?

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Speaker 2: Did you do? August? And everything after?

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Speaker 1: Yeah?

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Speaker 2: My favorite record of all time?

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Speaker 1: Oh really, yeah, I love that record of all time.

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Speaker 1: It's a beautiful record.

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Speaker 2: And I can see the like the common thread yeah

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Speaker 2: in those Yeah, and the Folk and all three of them.

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Speaker 1: Yeah, if you if you look at that, if you

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Speaker 1: look at the Counting Crows, Wallflowers and Oh Brother were

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Speaker 1: there's it's a continuum, it's a there's a line between them,

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Speaker 1: and and so you know, those records had sold ten

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Speaker 1: million records or something. So I, you know, I thought

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Speaker 1: there was every good chance that this could sell too,

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Speaker 1: because we had because we had a movie. You know,

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Speaker 1: it was it was it was music that wasn't getting

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Speaker 1: played on the radio. But the movie theater becomes a

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Speaker 1: pretty good radio station.

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Speaker 2: You know. Yeah, And exposes a lot of people to

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Speaker 2: something they wouldn't have gotten anywhere else.

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Speaker 1: Yeah, and you hear it through good speakers.

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Speaker 2: You know, and you trust George Cloney because he's just

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Speaker 2: good looking and he's like the star that you feel like,

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Speaker 2: you know, like all of that. You know. When Ringo

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Speaker 2: was talking earlier about opening for Roy Orbison, I was

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Speaker 2: thinking about you because you played with Roy, right, I.

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Speaker 1: Did, and I produced Roy and I did the first

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Speaker 1: one of these. We just did a group show for

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Speaker 1: Ringo at the Ryman for this new record. The first

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Speaker 1: one of those I did was with Orbison call. It

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Speaker 1: was called A Black and White Night in probably nineteen

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Speaker 1: ninety and it was a group show with Elvis and

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Speaker 1: Costello and Tom Waite and Bruce Springsteen and Jackson Brown

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Speaker 1: and Jennifer Warrence and Bonnie Raid and Katie Lang in

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Speaker 1: the TCB band Elvis Presley's rhythm section.

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Speaker 3: Hang tight, the Bobby Cast will be right back, and

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Speaker 3: we're back on the Bobby Cast.

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Speaker 2: Whenever you go through that your catalog of artists that

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Speaker 2: you've worked with, written for, produced, who do you think

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Speaker 2: of When I say who knew exactly who they were

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Speaker 2: from the very beginning and they were a bit different,

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Speaker 2: but it ended up being massive, like had their own voice,

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Speaker 2: but it was a little different, but ended up being

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Speaker 2: something that just changed music.

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Speaker 1: Well is there. I can't think of a better example

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Speaker 1: than Orbison. Actually, you know he I'm from fort Worth.

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Speaker 1: I grew up in Fort Worth. He grew up in

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Speaker 1: Fort Worth too, and he lived over on the north

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Speaker 1: side behind the Isis Theater that he called the Izis Theater.

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Speaker 1: And he uh, he loved Verde Verde. He loved opera,

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Speaker 1: and he wrote these arias. He wrote songs that went

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Speaker 1: from his lowest note to his highest note, so like

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Speaker 1: in Dreams, for instance, it starts again indy colo glum.

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Speaker 1: They call this san He also, by the way, sang

365
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Speaker 1: so quietly that if you stood ten feet away from

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Speaker 1: him you couldn't hear him. But it was all this

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Speaker 1: beautiful tone, this deep, deep tone, And so when you

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Speaker 1: put a mic in front of him, that he completely

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Speaker 1: filled the microphone. Microphones are like horns. You can't you

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Speaker 1: blow them, and they they resonate, and at any rate

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Speaker 1: he would go from like that Akadney Coler clown to injury,

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Speaker 1: you know, all that soft, but it would sound like

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Speaker 1: he was singing an opera or something on the radio.

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Speaker 2: It's I never thought about dreams like that. There is

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Speaker 2: such a nuance, you know from how again, how it

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Speaker 2: starts in a slow to you know dream. There's so

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Speaker 2: much there, so much small change.

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Speaker 1: It's so well, it doesn't the sections don't repeat, it keeps.

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Speaker 1: It continually transitions from one one mode to another until

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Speaker 1: he goes from his lowest to his highest notes.

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Speaker 2: I like it that you wore sunglasses because you couldn't

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Speaker 2: You couldn't tell where he's looking, and so everybody felt

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Speaker 2: like they may be getting looked at. Yeah right, That's

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Speaker 2: what I like about people in sunglasses. You never know

385
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Speaker 2: they might just be looking at you.

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Speaker 4: Yeah.

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Speaker 1: Right.

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Speaker 2: To go back to counting crows for one second, How

389
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Speaker 2: did you get on that part?

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Speaker 4: Like?

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Speaker 2: Where did that come from? How did you get attached

392
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Speaker 2: to that?

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Speaker 1: That was just one of those tapes that came through

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Speaker 1: my door and I put it on and I listened

395
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Speaker 1: to it, and as soon as I heard it, I thought, oh,

396
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Speaker 1: I know exactly where this fits. It was just one

397
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Speaker 1: of those clear moments where the singer Adam Durittz was

398
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Speaker 1: amazing singer and also really really interesting rider, very complicated cat.

399
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Speaker 2: Whenever you mentioned the Wallflowers, I think of Sixth Avenue

400
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Speaker 2: Heartache where durrets does background vocals on that, because you

401
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Speaker 2: worked to both of them, were you responsible for that peering?

402
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Speaker 1: Well, yeah, I guess so, yeah, more or less.

403
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Speaker 2: That's pretty cool. Like that to me is like, that's

404
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Speaker 2: like the coolest thing. Like that was like to hear

405
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Speaker 2: Adam Durretz do the background vocals on sixth Avenue Heartache, Yeah,

406
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Speaker 2: that's so legit. Were you there when they did that?

407
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Speaker 1: Yeah, of course, yeah.

408
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Speaker 2: I would just want to be inside dryballs right now.

409
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Speaker 2: I like to be able to see that. That's super cool.

410
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Speaker 2: And I mean the record with Ringos again, it's so good,

411
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Speaker 2: and I my expectation was, let me just see. You know,

412
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Speaker 2: living here, you kind of second guess everything after a

413
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Speaker 2: while because you're going, what's authentic, what's the reason doing it?

414
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Speaker 2: Because Ringo doesn't need to do anything. No, he doesn't

415
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Speaker 2: need to do a single thing right, And I just

416
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Speaker 2: found it to be Wanner breath fresh air and not

417
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Speaker 2: contrived at all. No, it's not contrived and just very natural.

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Speaker 1: You know the thing about Ringo, he says, I'm in

419
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Speaker 1: the band, he's a musician. He's an honest to god musician.

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Speaker 1: And you can watch him play drums and you can

421
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Speaker 1: tell by the way he holds his mouth that he's

422
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Speaker 1: a musician, because you just know he's it's he's feeling

423
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Speaker 1: it and it's something that he you know. So he

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Speaker 1: became a massive international star, instant worldwide name recognition, all

425
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Speaker 1: of that stuff. But under that, who he actually is.

426
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Speaker 1: He's a musician. And you know, I personally love musicians.

427
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Speaker 1: I've lived my life among musicians, and I find them

428
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Speaker 1: to be well, I find them to be the hope

429
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Speaker 1: for the world. Actually, I mean the I if I

430
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Speaker 1: may go on for a moment, do you know string

431
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Speaker 1: theory when there's a song about this on Ringo's record,

432
00:24:08,840 --> 00:24:11,639
Speaker 1: But string theory says that all of the things we

433
00:24:11,840 --> 00:24:16,400
Speaker 1: see are the notes of the strings vibrating beneath them.

434
00:24:17,200 --> 00:24:19,639
Speaker 1: So if that's true, and I do, I buy that.

435
00:24:19,880 --> 00:24:22,920
Speaker 1: It it resonates with what I know about life. The

436
00:24:23,160 --> 00:24:28,359
Speaker 1: music is what we're all made of. We're actually we're

437
00:24:28,480 --> 00:24:31,359
Speaker 1: actually a song. We're in a song, and.

438
00:24:32,960 --> 00:24:34,240
Speaker 2: And so we're all vibration.

439
00:24:34,680 --> 00:24:35,840
Speaker 1: We are all vibration.

440
00:24:36,000 --> 00:24:37,000
Speaker 2: You'r quantum physics guy.

441
00:24:37,520 --> 00:24:41,200
Speaker 1: Yeah, actually yes, But but a little. I mean, you know,

442
00:24:41,240 --> 00:24:43,760
Speaker 1: I'm a hillbilly guitar player, but so I'm not gonna

443
00:24:43,800 --> 00:24:46,520
Speaker 1: put any fine jackets on myself. But you know, I

444
00:24:46,600 --> 00:24:48,560
Speaker 1: can't understand this stuff.

445
00:24:49,520 --> 00:24:52,160
Speaker 2: I love string theory, like I'll read about that for days.

446
00:24:52,160 --> 00:24:53,959
Speaker 2: When you wrap up, its me up a little bit.

447
00:24:54,119 --> 00:24:56,800
Speaker 1: Yeah, I love it too, But because I think it's right,

448
00:24:57,840 --> 00:25:02,080
Speaker 1: you know, I also I you know that I believe

449
00:25:02,240 --> 00:25:06,000
Speaker 1: that if the human race is going to be saved,

450
00:25:07,000 --> 00:25:09,320
Speaker 1: that it's the artists who are going to save it.

451
00:25:09,760 --> 00:25:14,359
Speaker 1: The religious people aren't. They're obviously completely losing their moorings

452
00:25:15,040 --> 00:25:20,440
Speaker 1: in every religion around the world is going crazy. The

453
00:25:20,560 --> 00:25:22,760
Speaker 1: scientists aren't going to do it. They're the ones screwing

454
00:25:22,840 --> 00:25:26,160
Speaker 1: everything up right now with their digital with their idea

455
00:25:26,240 --> 00:25:30,000
Speaker 1: of the binary universe where you can reduce everything to

456
00:25:30,119 --> 00:25:34,840
Speaker 1: plus or minus. The politicians aren't going to do it,

457
00:25:34,960 --> 00:25:38,760
Speaker 1: obviously because they're even going crazier than the religious people.

458
00:25:39,720 --> 00:25:42,560
Speaker 1: So like who's who's left. The business people aren't going

459
00:25:42,640 --> 00:25:46,720
Speaker 1: to do it. So it's it's if the race is

460
00:25:46,840 --> 00:25:48,720
Speaker 1: going to be saved, it's going to be the artists

461
00:25:48,760 --> 00:25:49,200
Speaker 1: who do it.

462
00:25:50,040 --> 00:25:51,440
Speaker 2: Then I'll go off for a second and just ask

463
00:25:51,480 --> 00:25:53,440
Speaker 2: this question that has nothing to do with what other

464
00:25:53,520 --> 00:25:57,760
Speaker 2: than what you're talking about, because I find that, even

465
00:25:57,800 --> 00:26:00,440
Speaker 2: being a bit of historian country music, but in music

466
00:26:00,960 --> 00:26:04,200
Speaker 2: in general, it seems like the most meaningful music comes

467
00:26:04,240 --> 00:26:05,520
Speaker 2: from when times are troubled.

468
00:26:05,960 --> 00:26:07,000
Speaker 1: Yeah, I think that's right.

469
00:26:07,359 --> 00:26:10,520
Speaker 2: Do you feel like we're getting there again, to.

470
00:26:11,640 --> 00:26:14,000
Speaker 1: A time when we're going to have meaningful music.

471
00:26:13,840 --> 00:26:16,639
Speaker 2: To a time where music will be made with an

472
00:26:16,800 --> 00:26:18,440
Speaker 2: absolute social purpose.

473
00:26:20,480 --> 00:26:22,800
Speaker 1: Well, you know, I would say it's all made to

474
00:26:23,520 --> 00:26:25,960
Speaker 1: a social purpose. But I know what you're I know

475
00:26:26,080 --> 00:26:31,800
Speaker 1: the question you're asking. Yeah, I think. Look, the story,

476
00:26:32,080 --> 00:26:35,119
Speaker 1: the story of the United States can be told through music, like,

477
00:26:35,840 --> 00:26:40,560
Speaker 1: for instance, the song there's a song that's been sung

478
00:26:40,640 --> 00:26:43,520
Speaker 1: for one hundred and fifty years or something. The most

479
00:26:43,640 --> 00:26:46,480
Speaker 1: recent version of it is Blowing in the Wind by Dylan.

480
00:26:47,320 --> 00:26:50,800
Speaker 1: Before that, there was a song called We Shall Overcome,

481
00:26:51,160 --> 00:26:53,320
Speaker 1: which is the same song which was written for a

482
00:26:53,400 --> 00:26:57,360
Speaker 1: social purpose before that, and that was in the forties.

483
00:26:57,480 --> 00:27:02,120
Speaker 1: We Shall overcap Come got written, Blowing in the Wind

484
00:27:02,240 --> 00:27:05,359
Speaker 1: was written in the early nineteen sixties. Then there was

485
00:27:05,400 --> 00:27:08,160
Speaker 1: a song called No More Auction Block. That's the same

486
00:27:08,320 --> 00:27:16,000
Speaker 1: song that was written after soon after the Emancipation Proclamation,

487
00:27:16,480 --> 00:27:18,720
Speaker 1: but before that, there was a song called Nearer my

488
00:27:18,880 --> 00:27:21,280
Speaker 1: God to Thee that was written in eighteen forty and

489
00:27:21,359 --> 00:27:24,680
Speaker 1: it's all the same song. If you how many roads

490
00:27:24,800 --> 00:27:28,640
Speaker 1: must a man walk down? We shall overcome no more

491
00:27:28,720 --> 00:27:33,280
Speaker 1: auction block for me, Nearer my God to the They're

492
00:27:33,280 --> 00:27:38,080
Speaker 1: all there's this melody, there's this American air that has

493
00:27:38,200 --> 00:27:43,600
Speaker 1: been repurposed again and again to pull the country together,

494
00:27:44,080 --> 00:27:48,840
Speaker 1: to bring people into harmony with each other. So yeah,

495
00:27:49,000 --> 00:27:52,720
Speaker 1: I do. I feel like if it's going to happen,

496
00:27:52,840 --> 00:27:56,840
Speaker 1: it's going to be music that does it. And I

497
00:27:57,000 --> 00:28:00,840
Speaker 1: do believe that that there are a lot of really

498
00:28:01,119 --> 00:28:07,040
Speaker 1: smart young artists who are emerging right now, and we'll

499
00:28:07,080 --> 00:28:09,760
Speaker 1: see who comes up with the song, because at the

500
00:28:09,840 --> 00:28:12,000
Speaker 1: end of the day, it's all the song that matters.

501
00:28:12,720 --> 00:28:14,800
Speaker 2: Just two more questions. You mentioned you hadn't seen the

502
00:28:14,840 --> 00:28:18,200
Speaker 2: Bob Dylan movie yet, which I haven't either, and me

503
00:28:18,400 --> 00:28:21,680
Speaker 2: from a distance, like I've read Dylan's books obviously heard

504
00:28:22,720 --> 00:28:25,400
Speaker 2: all the music through all the versions. Again, haven't seen

505
00:28:25,440 --> 00:28:28,119
Speaker 2: the movie yet, But I also wasn't as close to him.

506
00:28:28,119 --> 00:28:30,119
Speaker 2: I didn't play with them like you did. I didn't produce.

507
00:28:30,480 --> 00:28:33,760
Speaker 2: So do you look forward to watching something you kind

508
00:28:33,800 --> 00:28:35,280
Speaker 2: of know the story to or you're like, man, if

509
00:28:35,320 --> 00:28:37,080
Speaker 2: I watch this, I'm gonna know some of it isn't

510
00:28:37,080 --> 00:28:37,880
Speaker 2: exactly accurate.

511
00:28:38,640 --> 00:28:43,200
Speaker 1: Well, I I'm not gonna watch it. I'm pretty sure

512
00:28:43,200 --> 00:28:43,920
Speaker 1: I won't see it.

513
00:28:44,000 --> 00:28:45,440
Speaker 2: Because so you're not gonna watch it?

514
00:28:45,680 --> 00:28:48,800
Speaker 1: No, I probably, I mean I would have no. No,

515
00:28:49,440 --> 00:28:51,080
Speaker 1: I mean I love Bob.

516
00:28:52,560 --> 00:28:54,400
Speaker 2: And so you don't want to watch it and be like,

517
00:28:54,400 --> 00:28:58,240
Speaker 2: well that's not true, like you have your own Yeah, yeah, yeah.

518
00:28:58,720 --> 00:29:01,400
Speaker 1: If I want to watch some something to personally, if

519
00:29:01,400 --> 00:29:03,760
Speaker 1: I want to watch something about a musician, I want

520
00:29:03,800 --> 00:29:05,400
Speaker 1: the actual musician.

521
00:29:05,040 --> 00:29:07,320
Speaker 2: To be in it or to be a part of it. Yeah,

522
00:29:07,640 --> 00:29:10,040
Speaker 2: or which Barbara wasn't right, I mean he didn't. He

523
00:29:10,160 --> 00:29:11,840
Speaker 2: wasn't a part of the movie as they were making it.

524
00:29:12,000 --> 00:29:14,320
Speaker 1: No, but no, what I want to actually see the

525
00:29:14,480 --> 00:29:17,959
Speaker 1: thing that they're talking about. I don't. I don't need

526
00:29:18,040 --> 00:29:21,600
Speaker 1: to have somebody talking head tell me about somebody. I'd

527
00:29:21,640 --> 00:29:22,440
Speaker 1: really just see what.

528
00:29:22,600 --> 00:29:25,200
Speaker 2: He does with this album. When did you know you

529
00:29:25,280 --> 00:29:25,640
Speaker 2: were done?

530
00:29:27,520 --> 00:29:32,280
Speaker 1: Uh? I guess when when Ringo said it sounds good.

531
00:29:34,280 --> 00:29:35,400
Speaker 2: That would be a good time to quit.

532
00:29:35,560 --> 00:29:35,720
Speaker 1: Yeah.

533
00:29:35,800 --> 00:29:37,720
Speaker 2: Yeah, Ringo's like, we're good. Did you cut any other

534
00:29:37,760 --> 00:29:39,760
Speaker 2: songs that aren't on the record. They didn't make the record,

535
00:29:40,400 --> 00:29:41,360
Speaker 2: you know I did.

536
00:29:41,840 --> 00:29:44,480
Speaker 1: In fact, I've got about five or six more that

537
00:29:44,600 --> 00:29:48,000
Speaker 1: we may get into at some point because I kept writing.

538
00:29:48,120 --> 00:29:50,880
Speaker 1: I wrote, you know, I took nine out to him,

539
00:29:51,960 --> 00:29:56,360
Speaker 1: but there were probably another there're probably another ten in

540
00:29:56,560 --> 00:29:58,960
Speaker 1: the works right now. Five of them are finished.

541
00:29:59,160 --> 00:30:02,560
Speaker 2: So final, final question. My real name is not Bones.

542
00:30:03,320 --> 00:30:05,680
Speaker 2: My name's Bobby, but it's not Bones. My assumption is

543
00:30:05,720 --> 00:30:08,080
Speaker 2: your real name's not T Bone? Where did that come from?

544
00:30:09,040 --> 00:30:13,840
Speaker 1: That's it. That's a neighborhood nickname. You know. I got

545
00:30:13,840 --> 00:30:16,280
Speaker 1: it when I was probably five or something or eight.

546
00:30:17,560 --> 00:30:19,320
Speaker 2: When you signed things? Do you sign T Bone?

547
00:30:19,800 --> 00:30:21,040
Speaker 1: I signed TB one?

548
00:30:21,280 --> 00:30:21,480
Speaker 4: Yeah?

549
00:30:22,480 --> 00:30:24,520
Speaker 2: Yeah, When did you decide to go with that? As

550
00:30:24,640 --> 00:30:25,400
Speaker 2: like your name?

551
00:30:25,560 --> 00:30:29,240
Speaker 1: I tried to shake it for decades and couldn't do it.

552
00:30:29,480 --> 00:30:32,720
Speaker 2: You know, well, I am a massive fan you. Thank

553
00:30:32,800 --> 00:30:35,480
Speaker 2: you such a fundamental part of my life through music,

554
00:30:36,160 --> 00:30:37,640
Speaker 2: and so it's a real treat to be able to

555
00:30:37,640 --> 00:30:39,560
Speaker 2: spend time with you for that reason. But also the

556
00:30:39,640 --> 00:30:42,440
Speaker 2: record's great, Like it really is great, And I didn't

557
00:30:42,440 --> 00:30:43,920
Speaker 2: have an expectation of it to be good or bad.

558
00:30:43,960 --> 00:30:46,000
Speaker 2: I didn't know, and it really is great.

559
00:30:46,720 --> 00:30:48,760
Speaker 1: I appreciate it. I love it too, and I love

560
00:30:48,920 --> 00:30:52,240
Speaker 1: Ringo and I love I love that he's gudding this

561
00:30:52,600 --> 00:30:55,840
Speaker 1: moment in his third act. It's very well deserved.

562
00:30:56,360 --> 00:30:58,240
Speaker 2: Well, thank you for the time. Everybody check out the album.

563
00:30:58,800 --> 00:30:59,560
Speaker 2: That's it awesome.

564
00:31:01,240 --> 00:31:13,120
Speaker 5: The Bobby Cast. We'll be right back. This is the

565
00:31:13,200 --> 00:31:13,920
Speaker 5: Bobby Cast.

566
00:31:15,160 --> 00:31:17,040
Speaker 2: Let's talk Rock and Roll Hall of Fame. We did

567
00:31:17,080 --> 00:31:19,840
Speaker 2: this last year and I did not know if I'd

568
00:31:19,880 --> 00:31:22,840
Speaker 2: be brought back in to vote again because we literally

569
00:31:23,200 --> 00:31:25,440
Speaker 2: let the panel pick my votes.

570
00:31:25,920 --> 00:31:28,720
Speaker 6: But what was so cool about that was I watched

571
00:31:28,800 --> 00:31:31,800
Speaker 6: the whole ceremony and to see Dave Matthews up there,

572
00:31:31,800 --> 00:31:32,800
Speaker 6: I'm like, wow, we voted them in.

573
00:31:32,840 --> 00:31:34,760
Speaker 2: That's pretty cool. Well, I only had one vote, so

574
00:31:34,920 --> 00:31:37,520
Speaker 2: we voted. We gave him a vote. So I'm back

575
00:31:37,600 --> 00:31:41,040
Speaker 2: in it. And so we'll go through the nominees and

576
00:31:41,280 --> 00:31:44,600
Speaker 2: so we'll pick five of them. Okay, who we're going

577
00:31:44,640 --> 00:31:48,120
Speaker 2: to vote for? So it's me, It's Eddie. It's our

578
00:31:48,240 --> 00:31:51,280
Speaker 2: friend who lived in Bakersfield. His voice is out, Hey,

579
00:31:51,840 --> 00:31:52,160
Speaker 2: say your.

580
00:31:52,160 --> 00:31:53,560
Speaker 1: Name, Hyatts.

581
00:31:55,120 --> 00:31:58,480
Speaker 2: How's it going today? So he's like, should I talk

582
00:31:58,760 --> 00:32:01,719
Speaker 2: about I was like, well, you're expert, so you can

583
00:32:01,800 --> 00:32:04,080
Speaker 2: talk sparingly when you do your vote. Sure, how about that?

584
00:32:04,400 --> 00:32:07,160
Speaker 2: Why's your voice so bad? I just cold weather here

585
00:32:07,200 --> 00:32:10,480
Speaker 2: in Nashville this week. Yeah, let's talking. Who's your favorite

586
00:32:10,560 --> 00:32:11,160
Speaker 2: artist of all time?

587
00:32:11,640 --> 00:32:11,760
Speaker 1: Oh?

588
00:32:11,840 --> 00:32:14,400
Speaker 2: Elton John? Wow? Do you know want to kiss me

589
00:32:14,440 --> 00:32:17,080
Speaker 2: on the mouth? I've heard that? Yeah, yeah, it's pretty awesome.

590
00:32:17,160 --> 00:32:19,840
Speaker 2: Never never forgot about it. Never washed his lips ever since.

591
00:32:20,280 --> 00:32:22,320
Speaker 2: I probably wouldn't either, won't wash them. He got my head.

592
00:32:22,360 --> 00:32:24,600
Speaker 2: I went right on off face. Why Elton John?

593
00:32:25,120 --> 00:32:29,000
Speaker 7: You know, I just love the piano, the imagery and

594
00:32:29,040 --> 00:32:31,760
Speaker 7: his songs. And I know Bernie Toppin wrote the lyrics,

595
00:32:32,680 --> 00:32:34,960
Speaker 7: but just I mean some of the most iconic songs

596
00:32:35,000 --> 00:32:37,760
Speaker 7: of all time. Tini to answer Goodbye Yellow Brick Road,

597
00:32:37,840 --> 00:32:40,640
Speaker 7: your song? Just something about the way those songs hit

598
00:32:40,720 --> 00:32:41,320
Speaker 7: me is love him?

599
00:32:42,120 --> 00:32:45,160
Speaker 2: Your favorite artist is, Oh, it's gotta be Pearl Jam, Right,

600
00:32:45,320 --> 00:32:48,479
Speaker 2: gotta be Pearl Jam. But what were you thinking though, Well, well,

601
00:32:48,520 --> 00:32:50,360
Speaker 2: I've just you know, the older you get, the more

602
00:32:50,440 --> 00:32:52,560
Speaker 2: you start realizing that you love a lot of art.

603
00:32:52,640 --> 00:32:54,959
Speaker 6: I love Bob Marley, I love Bob Dylan, I love

604
00:32:55,080 --> 00:32:58,560
Speaker 6: Jimmy Buffett, but I think Pearl Jam is definitely my favorite.

605
00:33:00,040 --> 00:33:01,680
Speaker 2: I'm in that same boat where I would go, well,

606
00:33:01,720 --> 00:33:03,600
Speaker 2: we just had t bow Burnette. So I'm like, I

607
00:33:03,720 --> 00:33:05,880
Speaker 2: love Counting Crows. It's my favorite band of all time. See,

608
00:33:05,880 --> 00:33:07,920
Speaker 2: I love them too, I know, so my favorite band

609
00:33:07,960 --> 00:33:09,280
Speaker 2: of all time. But then it's like John Mayer is

610
00:33:09,320 --> 00:33:10,960
Speaker 2: like my favorite artist. So I've had to pick one

611
00:33:11,000 --> 00:33:16,240
Speaker 2: of them, I'd probably still go Counting Crows if it's like,

612
00:33:16,320 --> 00:33:18,160
Speaker 2: what do I still listen to the most? Listen to

613
00:33:18,200 --> 00:33:20,680
Speaker 2: a lot of John Mayer, but Counting Crows are probably

614
00:33:21,000 --> 00:33:23,560
Speaker 2: my favorite artist if I have to pick one.

615
00:33:23,640 --> 00:33:26,240
Speaker 6: I listened to this is it? This desert life, This

616
00:33:26,320 --> 00:33:27,960
Speaker 6: desert Life. Yeah, on the way to work today.

617
00:33:28,400 --> 00:33:29,680
Speaker 2: I don't know why. This is one of those things

618
00:33:29,720 --> 00:33:32,320
Speaker 2: where like I'm telling an underrated album Fishball in the Front.

619
00:33:32,440 --> 00:33:34,960
Speaker 6: I wake up to a tune in my head every morning.

620
00:33:35,040 --> 00:33:37,200
Speaker 6: It's a different tune. I don't know why this happens,

621
00:33:37,400 --> 00:33:39,520
Speaker 6: but it happens. And hanging around was in my head

622
00:33:39,560 --> 00:33:41,240
Speaker 6: this morning. I'm like, I didn't listen to this album.

623
00:33:41,360 --> 00:33:44,160
Speaker 2: I've been hanging around this town on the corner. I

624
00:33:44,200 --> 00:33:45,920
Speaker 2: remember going to college. I was in college. I would

625
00:33:45,960 --> 00:33:47,800
Speaker 2: go home and listen to that record and play King

626
00:33:47,840 --> 00:33:51,040
Speaker 2: or Virginior Baseball on PlayStation at night after I finished work. Yeah,

627
00:33:51,040 --> 00:33:52,920
Speaker 2: I listen to that CD and then that was it

628
00:33:53,520 --> 00:33:56,480
Speaker 2: and play Knker Vir Junior baseball. God, it's so good, man,

629
00:33:56,520 --> 00:33:57,840
Speaker 2: those are the good old days when I was broken,

630
00:33:57,880 --> 00:33:58,240
Speaker 2: didn't know.

631
00:33:58,360 --> 00:34:00,760
Speaker 6: Dude even like Amy hit the atmosphere like that came on.

632
00:34:00,880 --> 00:34:03,040
Speaker 6: I'm like, I haven't heard this song in twenty years.

633
00:34:03,120 --> 00:34:05,160
Speaker 2: It's so good. We're gonna go through the Rock and

634
00:34:05,280 --> 00:34:10,640
Speaker 2: Roll Hall of Fame nominees just for the record one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen,

635
00:34:10,719 --> 00:34:15,120
Speaker 2: fourteen nominees. Wow, we're gonna settle on five. Oh gosh,

636
00:34:15,160 --> 00:34:19,759
Speaker 2: that's tough. Up first and keep notes on your phone.

637
00:34:19,840 --> 00:34:20,000
Speaker 7: Yep.

638
00:34:21,520 --> 00:34:25,480
Speaker 2: Bad Company. Bad Company is nominated for the Rock and

639
00:34:25,600 --> 00:34:28,400
Speaker 2: Roll Hall of Fame. If I say bad Company, what

640
00:34:28,480 --> 00:34:31,319
Speaker 2: I think of first is Bad Company till the day

641
00:34:31,400 --> 00:34:34,000
Speaker 2: I die. You know that song? Yeah, that's probably the

642
00:34:34,080 --> 00:34:37,480
Speaker 2: only one I can think of. I know. I have tons. Yeah,

643
00:34:37,560 --> 00:34:39,719
Speaker 2: you'll know more. But you're like like me, I did.

644
00:34:39,880 --> 00:34:43,360
Speaker 2: I couldn't assign them without looking at it. Then I

645
00:34:43,440 --> 00:34:47,320
Speaker 2: knew them, So I'll play you some of them. Do

646
00:34:47,400 --> 00:34:49,080
Speaker 2: you know anything, Brent before you pull them up?

647
00:34:49,280 --> 00:34:49,320
Speaker 5: No?

648
00:34:49,600 --> 00:34:54,640
Speaker 2: Okay, you will? Bad Company? Yeah, I will survive till

649
00:34:54,680 --> 00:34:57,560
Speaker 2: the day I die. Uh, you for sure will know

650
00:34:59,080 --> 00:35:01,520
Speaker 2: they don't do cold as I No, it's foreigner. I

651
00:35:01,600 --> 00:35:05,080
Speaker 2: think that cold his ice. So you'll know what is

652
00:35:05,160 --> 00:35:08,919
Speaker 2: this baby? When I think about you? They sing that song?

653
00:35:09,040 --> 00:35:13,400
Speaker 2: Think about I love that song and that song is

654
00:35:14,040 --> 00:35:19,680
Speaker 2: I feel like making? I feel like making. I had

655
00:35:19,760 --> 00:35:23,799
Speaker 2: no idea that was a bad company they're in. Yeah, okay,

656
00:35:23,840 --> 00:35:26,080
Speaker 2: how about so and you know we did bad company?

657
00:35:26,239 --> 00:35:29,919
Speaker 2: Like bad Company jam?

658
00:35:30,440 --> 00:35:30,600
Speaker 1: Right?

659
00:35:31,160 --> 00:35:47,919
Speaker 2: Okay? How about so for Nothing? Is this Ready for Love?

660
00:35:48,120 --> 00:35:54,680
Speaker 2: Hold on? Yep?

661
00:35:54,760 --> 00:35:55,160
Speaker 1: I heard it.

662
00:35:56,760 --> 00:36:02,640
Speaker 2: And it picks up a bit. Well, I didn't find it,

663
00:36:02,719 --> 00:36:05,440
Speaker 2: but it's like Reddit for love Okay, okay, not a

664
00:36:05,440 --> 00:36:08,640
Speaker 2: big one. Okay one. Hey, Rae can come in here

665
00:36:08,680 --> 00:36:10,960
Speaker 2: too if he wants. We'll here to the studio just

666
00:36:10,960 --> 00:36:12,680
Speaker 2: playing music. We do want to a dang song just

667
00:36:12,719 --> 00:36:14,800
Speaker 2: hanging out? Yeah, come in jump on the hot podcast.

668
00:36:14,960 --> 00:36:16,839
Speaker 2: No read will surprise you though, He'll be like, yeah,

669
00:36:16,840 --> 00:36:18,239
Speaker 2: I know that one. You'll know this one.

670
00:36:20,120 --> 00:36:20,719
Speaker 7: Don't let.

671
00:36:24,360 --> 00:36:30,560
Speaker 2: Lots of ups on there. Cover. I don't think I've

672
00:36:30,600 --> 00:36:32,239
Speaker 2: ever heard that version, Like, is that is that the

673
00:36:32,280 --> 00:36:34,440
Speaker 2: Beatles cover? I know I was singing the Beatles in

674
00:36:35,120 --> 00:36:36,959
Speaker 2: I don't know that that's a I don't know that one. Okay,

675
00:36:37,040 --> 00:36:39,920
Speaker 2: so there wait again, our knowledge may not always be

676
00:36:40,040 --> 00:36:41,880
Speaker 2: tip top. And I didn't tell you guys who the

677
00:36:41,960 --> 00:36:43,520
Speaker 2: bands were, so for Like, I can't believe they don't

678
00:36:43,560 --> 00:36:44,760
Speaker 2: know this, okay.

679
00:36:45,040 --> 00:36:49,200
Speaker 6: So what we're voters when we're looking at these bands

680
00:36:49,239 --> 00:36:51,399
Speaker 6: and listening to the music that we know, like how

681
00:36:52,520 --> 00:36:54,840
Speaker 6: cause like I love feel Like Making Love, like I

682
00:36:55,000 --> 00:36:58,680
Speaker 6: love that song and Bad Company and they're classic rock,

683
00:36:58,800 --> 00:37:01,000
Speaker 6: like this is like the to me, a classic rock

684
00:37:01,320 --> 00:37:03,920
Speaker 6: and I would immediately be like, put him in Man's

685
00:37:03,920 --> 00:37:05,840
Speaker 6: classic rock. But I really only know two songs.

686
00:37:05,880 --> 00:37:07,880
Speaker 2: So okay, okay, you know more than that, So you

687
00:37:08,000 --> 00:37:11,200
Speaker 2: know Ready for Love you kind of knew that, knew

688
00:37:11,239 --> 00:37:14,960
Speaker 2: that you knew I Feel Like Making Okay, you probably know.

689
00:37:16,960 --> 00:37:18,600
Speaker 2: I mean when you hit Don't Let Me Down, Man

690
00:37:18,719 --> 00:37:20,120
Speaker 2: kind of threw me off, Like I guess I don't

691
00:37:20,200 --> 00:37:26,879
Speaker 2: really know this man, mm hmm. Shooting Star, Oh yeah,

692
00:37:27,480 --> 00:37:37,680
Speaker 2: I know this one. Yeah? Hold on, don't you know?

693
00:37:38,080 --> 00:37:45,359
Speaker 2: Don't you know that you are Shooting Star? Read? How

694
00:37:45,360 --> 00:37:47,960
Speaker 2: old are here? I am twenty eight years old? Now

695
00:37:48,000 --> 00:37:50,040
Speaker 2: this is older than we are too. So did you

696
00:37:50,080 --> 00:37:52,600
Speaker 2: ever do you know Bad Company? At all of those songs. Nope, okay,

697
00:37:53,080 --> 00:37:55,759
Speaker 2: no chance, Like dad didn't listen to him or anything

698
00:37:55,800 --> 00:37:59,640
Speaker 2: on vinyl. No, dude, he was a Beg's and Michael Jackson.

699
00:37:59,400 --> 00:38:04,600
Speaker 6: Guy run rock and roll fantasy.

700
00:38:04,880 --> 00:38:10,279
Speaker 2: Okay, okay, dude, vote there. We're layered in. We're layered

701
00:38:10,320 --> 00:38:17,080
Speaker 2: in here. Let's see one more that sounds familiar. This

702
00:38:17,239 --> 00:38:25,000
Speaker 2: is called needed somebody. I don't know that one. Okay,

703
00:38:26,280 --> 00:38:30,279
Speaker 2: Bad Company? Do you know that one? So read You're

704
00:38:30,280 --> 00:38:31,719
Speaker 2: not gonna do anything. We're just gonna test now if

705
00:38:31,760 --> 00:38:34,200
Speaker 2: you know the artist at all, I'm gonna fail, but

706
00:38:34,280 --> 00:38:37,440
Speaker 2: I love it. So okay, there you go. That's number one,

707
00:38:37,480 --> 00:38:40,360
Speaker 2: Bad Company. Make your note. You can even like score

708
00:38:40,440 --> 00:38:42,040
Speaker 2: them one through five. Let's do that and we'll add

709
00:38:42,080 --> 00:38:45,600
Speaker 2: up our votes. Okay, so Bad Company, don't tell me

710
00:38:45,680 --> 00:38:51,479
Speaker 2: what it is boom any halves. No, that'll just complicate things.

711
00:38:51,640 --> 00:38:57,840
Speaker 2: Next up the Black Crows, and so I love the

712
00:38:57,880 --> 00:39:01,560
Speaker 2: Black Crows, so just as a personal taste, I love

713
00:39:01,600 --> 00:39:05,440
Speaker 2: the Black Crows now when they did Hard to Handle.

714
00:39:05,560 --> 00:39:07,719
Speaker 2: That is a cover, but it doesn't matter massive song

715
00:39:07,800 --> 00:39:16,160
Speaker 2: for them. Hey, hey, here, I am, who's the original

716
00:39:16,239 --> 00:39:20,840
Speaker 2: singer otis writing? John? I can give you what you

717
00:39:20,960 --> 00:39:24,719
Speaker 2: bomb bomb to get me. Hell, lad's opposite him like

718
00:39:24,840 --> 00:39:29,000
Speaker 2: a lot lads out. Hey, let me go.

719
00:39:29,280 --> 00:39:29,600
Speaker 4: My mom.

720
00:39:31,320 --> 00:39:31,960
Speaker 2: Read you know that one?

721
00:39:32,000 --> 00:39:32,919
Speaker 1: I know that little last.

722
00:39:35,400 --> 00:39:37,600
Speaker 2: You don't get a score. Oh I want to score. No,

723
00:39:37,719 --> 00:39:40,560
Speaker 2: you are a consultant to see how if they've okay,

724
00:39:40,680 --> 00:39:42,880
Speaker 2: I do that they've been able to still like exist

725
00:39:43,360 --> 00:39:44,080
Speaker 2: ten years after all.

726
00:39:44,280 --> 00:39:44,919
Speaker 1: I love it. Okay.

727
00:39:45,120 --> 00:39:47,640
Speaker 6: What's cool about the Rock and Roll Hall of Fame

728
00:39:48,000 --> 00:39:51,360
Speaker 6: is that this is when all members of the bands,

729
00:39:51,560 --> 00:39:54,000
Speaker 6: if they do get inducted, they get together again. Like

730
00:39:54,120 --> 00:39:56,560
Speaker 6: even if they broke up they hated each other. You

731
00:39:56,680 --> 00:39:58,919
Speaker 6: start seeing these like, oh wow, this is the first

732
00:39:58,920 --> 00:40:00,920
Speaker 6: time they've seen each other in twenty years. And with

733
00:40:01,040 --> 00:40:03,800
Speaker 6: the County with the Black Crows, you know they're drummer,

734
00:40:03,920 --> 00:40:05,840
Speaker 6: They don't. He's not part of the band anymore. This

735
00:40:05,920 --> 00:40:08,200
Speaker 6: is really the brothers and then whoever else joins the band.

736
00:40:08,560 --> 00:40:10,680
Speaker 6: The band now is just the two brothers and they

737
00:40:10,760 --> 00:40:13,040
Speaker 6: hit each other forever. Yes, so the band would get

738
00:40:13,080 --> 00:40:15,480
Speaker 6: back together. She talks to angels is epic.

739
00:40:15,640 --> 00:40:18,880
Speaker 2: It's a you know this one? It said, Yeah, how

740
00:40:18,920 --> 00:40:23,560
Speaker 2: does that go? She never mentions the word addiction in

741
00:40:23,840 --> 00:40:28,120
Speaker 2: Sudden Company. Okay, how about this Uh, yeah, she talks

742
00:40:28,200 --> 00:40:31,080
Speaker 2: to angel. Oh yeah, yeah, I've heard that calls him

743
00:40:31,160 --> 00:40:34,320
Speaker 2: right by. You know that one. Yeah, she talks ag

744
00:40:34,680 --> 00:40:37,440
Speaker 2: that's it. There you go, Okay, there's that one. How

745
00:40:37,440 --> 00:40:50,960
Speaker 2: about Remedy, So that's more of a it's almost it's

746
00:40:50,960 --> 00:40:52,120
Speaker 2: a beast. I think it was single for them, but

747
00:40:52,239 --> 00:40:55,960
Speaker 2: that one doesn't really plague a classic rock radio as

748
00:40:56,000 --> 00:40:57,520
Speaker 2: like a power.

749
00:40:57,719 --> 00:40:57,919
Speaker 1: Yeah.

750
00:40:58,280 --> 00:40:59,279
Speaker 7: I don't know I've heard that one.

751
00:41:00,000 --> 00:41:04,480
Speaker 2: You don't think you've heard it? Remedy Jealous again, it's

752
00:41:04,480 --> 00:41:10,000
Speaker 2: a jam jealous again. So with the Black Crows, I

753
00:41:10,080 --> 00:41:14,600
Speaker 2: don't think they have as many massive songs over the

754
00:41:14,680 --> 00:41:18,920
Speaker 2: body that Bad Company does. And the lead singer was

755
00:41:18,960 --> 00:41:22,160
Speaker 2: married to Kate Hudson, which was doesn't matter. It was

756
00:41:22,480 --> 00:41:25,560
Speaker 2: kind of a power. You don't look at Joe Demagic.

757
00:41:25,800 --> 00:41:29,080
Speaker 2: Well he got with Marilyn Monroe. That given points though,

758
00:41:29,400 --> 00:41:34,120
Speaker 2: here's twice as hard. Oh damn dude, the first time.

759
00:41:36,960 --> 00:41:41,479
Speaker 2: All right, that's Black Crows. Put your score down. Read those?

760
00:41:41,480 --> 00:41:43,840
Speaker 2: Did you know any of those? I know that she

761
00:41:43,960 --> 00:41:45,879
Speaker 2: talks to angels and you know that one little ditty

762
00:41:45,920 --> 00:41:50,680
Speaker 2: on the back of that. Are you doing your own scoring?

763
00:41:51,120 --> 00:41:52,360
Speaker 1: No scoring?

764
00:41:52,520 --> 00:41:52,560
Speaker 3: No?

765
00:41:52,719 --> 00:41:54,480
Speaker 2: Yeah, he doesn't get a score he doesn't get scored.

766
00:41:55,160 --> 00:42:00,239
Speaker 2: Mariah Carey, she she's a five to me even though

767
00:42:00,239 --> 00:42:02,840
Speaker 2: it's on. That's just like an automatic one of the

768
00:42:02,880 --> 00:42:05,879
Speaker 2: five spots, because I mean, one of the biggest artists

769
00:42:05,880 --> 00:42:08,800
Speaker 2: of our lifetime period. Like I don't know any of

770
00:42:08,880 --> 00:42:13,800
Speaker 2: her songs. Every song it's the Christmas one, you know,

771
00:42:14,160 --> 00:42:17,319
Speaker 2: hero for sure, like honestly a gun to my head.

772
00:42:17,320 --> 00:42:18,880
Speaker 2: I don't know if I can sing here some of them.

773
00:42:18,960 --> 00:42:24,680
Speaker 2: Dream Lover, Fantasy, that sweet sweet fantasy baby. Well then

774
00:42:24,719 --> 00:42:31,440
Speaker 2: your score can be low then oh always be my baby?

775
00:42:32,480 --> 00:42:35,640
Speaker 2: Know that one? What is this? That was always my baby?

776
00:42:35,760 --> 00:42:43,240
Speaker 2: Here's fantasy, sweet sweet fantasy baby? Really early, make it happen?

777
00:42:44,280 --> 00:42:46,600
Speaker 2: How about? You're not gonna know these I.

778
00:42:46,760 --> 00:42:48,800
Speaker 6: Want to lose street cred, but I just don't know

779
00:42:48,880 --> 00:42:50,640
Speaker 6: these songs. I don't know where I was musically.

780
00:42:50,840 --> 00:42:53,279
Speaker 2: I don't think it's street credit. Is streets happy? You

781
00:42:53,320 --> 00:42:57,120
Speaker 2: don't know? Like we belong.

782
00:42:56,880 --> 00:42:59,279
Speaker 1: Together like that one?

783
00:42:59,520 --> 00:43:05,400
Speaker 2: Ready this we belong together? Hero. There's a hero, And

784
00:43:07,000 --> 00:43:10,000
Speaker 2: all I could think of is Enrique gla hero and

785
00:43:10,200 --> 00:43:15,000
Speaker 2: my baby. Let me see, let me see there we go?

786
00:43:18,040 --> 00:43:20,520
Speaker 2: Oh yeah, you know, have to fake it. You're not

787
00:43:20,520 --> 00:43:22,840
Speaker 2: gonna getddle school, in middle school, I guess I remember

788
00:43:22,920 --> 00:43:27,080
Speaker 2: hearing people play this. Okay, I always love Massive One

789
00:43:27,239 --> 00:43:32,480
Speaker 2: Sweet Day the Boys to Men. Yeah, sorry, I never

790
00:43:32,640 --> 00:43:35,520
Speaker 2: told Okay, the video they died like it's about death

791
00:43:36,800 --> 00:43:45,520
Speaker 2: shining down on me from heaven like so many no nothing, God,

792
00:43:45,600 --> 00:43:50,000
Speaker 2: that's crazy. Okay, that's wild. But but hey, Christmas jams though,

793
00:43:50,160 --> 00:43:52,160
Speaker 2: all right for Christmas? You like, of course I know

794
00:43:52,239 --> 00:43:54,160
Speaker 2: that one. It's just so many more, but you're not

795
00:43:54,239 --> 00:43:58,680
Speaker 2: gonna know them because you didn't know those. Well what

796
00:43:58,880 --> 00:44:01,279
Speaker 2: year was she? Well, she covered a lot of years,

797
00:44:01,360 --> 00:44:04,319
Speaker 2: early nineties, early two thousands, she kept putting. I think

798
00:44:04,360 --> 00:44:09,040
Speaker 2: I wasteen years. I was so grunged in that, so

799
00:44:09,320 --> 00:44:11,400
Speaker 2: was I. But I still was like, right, you were

800
00:44:11,400 --> 00:44:14,480
Speaker 2: also were you working? No nineties, dude, I was like twelve.

801
00:44:15,280 --> 00:44:16,719
Speaker 2: I feel like you were working when you were twelve

802
00:44:16,760 --> 00:44:22,680
Speaker 2: years not at music? Okay, yeah, man, I think from

803
00:44:22,800 --> 00:44:25,919
Speaker 2: Riah Carey. Yeah, So do you want me to score

804
00:44:26,360 --> 00:44:28,800
Speaker 2: the way I did score? That's on me because I

805
00:44:28,880 --> 00:44:33,200
Speaker 2: assumed that you were intelligent. Okay, I'm kidding, like I

806
00:44:33,320 --> 00:44:36,160
Speaker 2: should know that, but I just wasn't there. I'm listening

807
00:44:36,160 --> 00:44:39,759
Speaker 2: to that Chubby Checker now on the surface you're like,

808
00:44:39,800 --> 00:44:41,759
Speaker 2: of course it's like one hundred years old because he

809
00:44:41,840 --> 00:44:44,719
Speaker 2: had the twist, Let's twist, and then he had let's

810
00:44:44,760 --> 00:44:45,279
Speaker 2: twist again.

811
00:44:46,160 --> 00:44:51,520
Speaker 6: Oh that is wow, that's the sequel. Yeah, like what

812
00:44:51,640 --> 00:44:53,680
Speaker 6: happened in that story. They needed a sequel.

813
00:44:53,440 --> 00:44:54,280
Speaker 2: Because the twist.

814
00:44:56,000 --> 00:44:58,160
Speaker 5: Come on, baby, let's do the twist.

815
00:44:58,320 --> 00:45:00,439
Speaker 2: And then at the second then it's like, well, no, hits,

816
00:45:00,440 --> 00:45:03,319
Speaker 2: so let's do again. Let's twist again like we did

817
00:45:03,440 --> 00:45:07,120
Speaker 2: last summer the greatest hits. Well, let's twist again. Still

818
00:45:07,160 --> 00:45:12,960
Speaker 2: waiting for mambo number six? Limbo rock? Nah? You limbo song?

819
00:45:13,480 --> 00:45:18,200
Speaker 2: So chubby limb? Is this what they used for limbo? Maybe? Sound?

820
00:45:18,239 --> 00:45:19,920
Speaker 2: I just know the song? I used to do this

821
00:45:20,000 --> 00:45:24,239
Speaker 2: at the Roller Ring. Yeah yeah, okay, jack Bumble be quick. Yeah,

822
00:45:25,080 --> 00:45:27,080
Speaker 2: I know that's Chubby Checker, so chubby. You can write

823
00:45:27,120 --> 00:45:33,480
Speaker 2: transfer on that one. Did Chubby do Blueberry Hill?

824
00:45:33,760 --> 00:45:33,800
Speaker 1: No?

825
00:45:35,120 --> 00:45:37,560
Speaker 2: Oh, I know why I mixed that Fat's Domino Fats.

826
00:45:38,880 --> 00:45:47,399
Speaker 2: Oh my god, my head. Obie Johnson, I got high

827
00:45:47,400 --> 00:45:59,960
Speaker 2: blood pressure. Wilson, geez ude, you are rude. Okay, Next up,

828
00:46:00,160 --> 00:46:02,040
Speaker 2: this is my head, dude, it's messed up. Next up,

829
00:46:02,160 --> 00:46:08,440
Speaker 2: Joe Cocker. Oh, so wonder would be the soul version

830
00:46:08,520 --> 00:46:12,200
Speaker 2: of you Oh So Beautiful? He did that one. He

831
00:46:12,360 --> 00:46:16,680
Speaker 2: also did what would you do If I sing out

832
00:46:16,719 --> 00:46:20,040
Speaker 2: of tune? We'll just end up and walk out on me.

833
00:46:20,800 --> 00:46:25,000
Speaker 2: So these are covers, yeah so, but oh wow, they're

834
00:46:25,000 --> 00:46:30,040
Speaker 2: both covers revolutionary because his voice was so scratchy and

835
00:46:30,760 --> 00:46:32,600
Speaker 2: and he would perform and it looked like he was

836
00:46:32,640 --> 00:46:35,239
Speaker 2: in so much pain when he would sing. I'm not

837
00:46:35,320 --> 00:46:37,640
Speaker 2: sure because those two songs are both covers. I'm not

838
00:46:37,680 --> 00:46:39,200
Speaker 2: sure which aren't covers. But I can tell you the

839
00:46:39,239 --> 00:46:42,879
Speaker 2: songs I know him for, like lift Us Up, Where

840
00:46:43,040 --> 00:46:49,560
Speaker 2: We Below? Yes, now huge jam, You are so beautiful

841
00:46:49,719 --> 00:46:53,120
Speaker 2: to me? That one's jam he played Woodstock. Yeah, because

842
00:46:53,160 --> 00:46:55,840
Speaker 2: he's in the the movie is why I know that

843
00:46:56,280 --> 00:47:01,200
Speaker 2: the documentary. He comes out of that and then I

844
00:47:01,320 --> 00:47:04,560
Speaker 2: give by a little help from my friends. Do you

845
00:47:04,680 --> 00:47:06,360
Speaker 2: think we would have known that song? It one's for

846
00:47:06,440 --> 00:47:10,040
Speaker 2: wonder years because not his version. Maybe I think that

847
00:47:10,120 --> 00:47:11,759
Speaker 2: maybe even known the Beatles. I mean probaly would have

848
00:47:11,800 --> 00:47:12,920
Speaker 2: known the Beatles version, but it would have been near

849
00:47:12,920 --> 00:47:16,960
Speaker 2: as popular because that made that popular for us. I

850
00:47:17,040 --> 00:47:20,560
Speaker 2: mean the sound of what would You Do? It wouldn't

851
00:47:20,560 --> 00:47:23,800
Speaker 2: have been as known for sure. That's so cool. You

852
00:47:23,880 --> 00:47:25,640
Speaker 2: can leave your hat on as a jam you do,

853
00:47:26,760 --> 00:47:30,759
Speaker 2: I'm telling you classic rock. You'll know this. Held on,

854
00:47:34,280 --> 00:47:39,359
Speaker 2: let it get there. It's not that voice, man.

855
00:47:39,400 --> 00:47:40,439
Speaker 1: He sounds like he is in pain.

856
00:47:41,440 --> 00:47:47,840
Speaker 2: He looks like he's in pain when he's saying nothing.

857
00:47:48,719 --> 00:47:51,400
Speaker 2: Really No, it's his eighties kind of sounds. Eighties, probably

858
00:47:51,520 --> 00:47:56,160
Speaker 2: late seventies, eighties. You can't leave your hat on, okay, Crystal,

859
00:47:56,880 --> 00:47:59,640
Speaker 2: I don't think so. You can't be in that much

860
00:47:59,640 --> 00:48:05,040
Speaker 2: pain a thing like that, you know, And I feel

861
00:48:05,160 --> 00:48:07,960
Speaker 2: all right? This is feeling all right? Oh yeah, feel

862
00:48:08,239 --> 00:48:12,600
Speaker 2: all right. I was a jam man. I don't know

863
00:48:12,680 --> 00:48:18,799
Speaker 2: that I knew that was Joe Coxy. We'll get there.

864
00:48:23,640 --> 00:48:32,799
Speaker 2: Hold on, I keep missing the chorus whatever he died

865
00:48:32,840 --> 00:48:36,319
Speaker 2: in twenty fourteen, he did, Okay, So I think that's

866
00:48:36,480 --> 00:48:41,399
Speaker 2: pretty much. Is that it? I mean, he has other

867
00:48:41,560 --> 00:48:44,120
Speaker 2: massive songs like Unchanged my Heart with eighty seven million,

868
00:48:45,360 --> 00:48:48,600
Speaker 2: but I'm going super surface, no research here in my

869
00:48:48,680 --> 00:48:52,879
Speaker 2: heart that thinking. I don't know that I know there.

870
00:49:00,440 --> 00:49:02,640
Speaker 2: I don't know that one. Okay. Joe Cocker writes your

871
00:49:02,640 --> 00:49:05,120
Speaker 2: answer down there your point there. He died of lung

872
00:49:05,200 --> 00:49:09,800
Speaker 2: cancer seventy years old. I want to be smoked because

873
00:49:09,800 --> 00:49:11,799
Speaker 2: sometimes it happens like to the people people that are

874
00:49:11,840 --> 00:49:15,880
Speaker 2: just in rooms. Yeah, like yeah, exactly, the arousing lung

875
00:49:15,960 --> 00:49:19,800
Speaker 2: cancer because of my my aunt Billy Idol. Thanks that

876
00:49:19,920 --> 00:49:21,759
Speaker 2: he for taking us down. You had to make a

877
00:49:21,840 --> 00:49:26,919
Speaker 2: personal god dang and my cousin. Okay, dude, about your cousin,

878
00:49:26,960 --> 00:49:28,239
Speaker 2: Billy Idol, You're gonna know a.

879
00:49:28,280 --> 00:49:33,719
Speaker 4: Ton so yeah, white white wedding or weather rebel yell

880
00:49:33,920 --> 00:49:38,960
Speaker 4: she yo mo mo or moan and mone this one

881
00:49:40,160 --> 00:49:41,680
Speaker 4: money mooney, dude, that's so good.

882
00:49:44,000 --> 00:49:49,600
Speaker 7: Yeah yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah

883
00:49:49,840 --> 00:49:53,120
Speaker 7: yeah moan and mo good moan and mo.

884
00:49:53,560 --> 00:49:56,120
Speaker 2: Yeah, that's so good. He was in the wedding singer

885
00:49:56,120 --> 00:49:59,000
Speaker 2: too on yep, yep. Dancing on Myself's a big songs

886
00:49:59,000 --> 00:50:07,360
Speaker 2: from Billy Idole. Oh yeah, mm hmm you have. We

887
00:50:07,440 --> 00:50:14,200
Speaker 2: did rebel Yo eyes without a face. You'll know what

888
00:50:14,280 --> 00:50:15,640
Speaker 2: you won't know? That was the title though. I'll let

889
00:50:15,680 --> 00:50:23,879
Speaker 2: you know this. Oh rady you ever heard that one?

890
00:50:24,239 --> 00:50:26,680
Speaker 2: I've never heard that one, but with the rebel yea

891
00:50:27,120 --> 00:50:29,359
Speaker 2: we go, that's pretty good.

892
00:50:29,440 --> 00:50:29,800
Speaker 1: I love it.

893
00:50:29,920 --> 00:50:32,360
Speaker 2: You can do that, Okay, Billy out to write Gordon

894
00:50:32,560 --> 00:50:37,400
Speaker 2: got it? This is tough man. What's tough because we

895
00:50:37,440 --> 00:50:38,160
Speaker 2: only have one through five.

896
00:50:38,200 --> 00:50:41,560
Speaker 3: And then let's take a quick pause for a message

897
00:50:41,560 --> 00:50:53,000
Speaker 3: from our sponsor. Welcome back to the Bobby Cast.

898
00:50:55,040 --> 00:51:00,799
Speaker 2: Okay, next up, Joy Division or New Order. I'm gonna

899
00:51:00,800 --> 00:51:02,640
Speaker 2: be honest with you. They ain't getting a vote from

900
00:51:02,640 --> 00:51:05,080
Speaker 2: me because I don't know. I'm you're gonna know like

901
00:51:05,160 --> 00:51:08,600
Speaker 2: a couple songs. I'm ignorant on their catalog. So I'll

902
00:51:08,640 --> 00:51:13,200
Speaker 2: do Joy Division their number one song, Leveill Tear Us Apart.

903
00:51:13,680 --> 00:51:25,319
Speaker 2: Yeah you'll know this. No, No, I think my brother

904
00:51:25,400 --> 00:51:27,520
Speaker 2: listened to stuff. That's kind of why I know it.

905
00:51:27,760 --> 00:51:30,080
Speaker 2: If there's a song that I'm not knowing, I just

906
00:51:30,120 --> 00:51:32,680
Speaker 2: don't know enough to even hit play on it. This

907
00:51:32,840 --> 00:51:37,960
Speaker 2: is called disorder. Yeah, I can't see them making them.

908
00:51:38,000 --> 00:51:39,920
Speaker 2: Be honest with you. I know you don't even want

909
00:51:39,920 --> 00:51:41,160
Speaker 2: to got this. I don't even know. I'm not put

910
00:51:41,200 --> 00:51:42,680
Speaker 2: them on the list because they're not gonna. I don't

911
00:51:42,680 --> 00:51:46,279
Speaker 2: want to set them up for another failure. Is the

912
00:51:46,320 --> 00:51:50,800
Speaker 2: scoring system zero or one one? Cindy Lpper girls just

913
00:51:50,840 --> 00:51:53,560
Speaker 2: want to have fun. I just want to have fun.

914
00:51:55,280 --> 00:52:00,520
Speaker 2: So if I type in Cindy Lopper good enough time

915
00:52:00,560 --> 00:52:06,279
Speaker 2: after time, No, that's person. So that for her one

916
00:52:06,360 --> 00:52:10,240
Speaker 2: billion streams. Girls just want to have fun. On Number

917
00:52:10,239 --> 00:52:15,400
Speaker 2: two is time after time music. I was, and I

918
00:52:15,520 --> 00:52:20,480
Speaker 2: will find you time after time like used in like

919
00:52:20,560 --> 00:52:25,280
Speaker 2: some maybe Bridesmaids, that's Wilson, Phil's froably some day somebody.

920
00:52:25,400 --> 00:52:27,800
Speaker 2: But that's not them. The point is that what it is,

921
00:52:28,640 --> 00:52:30,719
Speaker 2: That's what I was thinking of. How about this one?

922
00:52:31,520 --> 00:52:36,440
Speaker 2: I see your true cut shine through? And she was

923
00:52:36,480 --> 00:52:40,640
Speaker 2: on wrestling too when she was when she was don't

924
00:52:40,719 --> 00:52:44,680
Speaker 2: be afraid to let them show.

925
00:52:45,920 --> 00:52:46,240
Speaker 1: True.

926
00:52:47,760 --> 00:52:50,799
Speaker 2: But you can cover that one. I love it all

927
00:52:50,840 --> 00:52:58,839
Speaker 2: through the night if I know this one? No, not enough? Okay,

928
00:52:58,880 --> 00:53:02,000
Speaker 2: So those are the biggest, biggest good Enough's none there

929
00:53:02,160 --> 00:53:05,480
Speaker 2: the goonies, the goonies, that's what. That's what. It's not

930
00:53:05,600 --> 00:53:06,120
Speaker 2: her top.

931
00:53:07,600 --> 00:53:08,239
Speaker 1: Good enough.

932
00:53:08,880 --> 00:53:13,600
Speaker 2: I don't know good enough if if that's the thing,

933
00:53:13,680 --> 00:53:19,480
Speaker 2: it's not even ten million. Oh yeah, yeah man, it's

934
00:53:19,560 --> 00:53:22,440
Speaker 2: not even on her list. So anywhere thirty in that's

935
00:53:22,440 --> 00:53:24,320
Speaker 2: Are you sure she sings it? Maybe there's like a

936
00:53:24,480 --> 00:53:29,000
Speaker 2: record like a Master's Owner issue there. Well, but if

937
00:53:29,040 --> 00:53:31,799
Speaker 2: she's saying it, she would still Okay, what's it called

938
00:53:31,800 --> 00:53:35,439
Speaker 2: good enough? Yeah, Cydney Lapper good enough? Okay, it's called

939
00:53:35,480 --> 00:53:38,640
Speaker 2: the Goodies are the Goonies letter are good Enough? Okay

940
00:53:40,200 --> 00:53:42,279
Speaker 2: is just for the movie. The title of its the

941
00:53:42,320 --> 00:53:44,080
Speaker 2: Goonies are good Enough. You know this.

942
00:53:44,560 --> 00:53:45,239
Speaker 1: I love it, dude.

943
00:53:45,760 --> 00:53:49,520
Speaker 2: I've never seen the Goonies. Don't think I don't know,

944
00:53:50,520 --> 00:53:51,839
Speaker 2: go to the course to the Course. I've never seen

945
00:53:51,880 --> 00:53:57,480
Speaker 2: the Goonies. Yeah, but it's like it's like I don't

946
00:53:57,480 --> 00:54:00,719
Speaker 2: know that. It's like Huey Lewis and Power Love same

947
00:54:00,800 --> 00:54:05,840
Speaker 2: do ye. No, that's great. You don't compare that to

948
00:54:05,920 --> 00:54:08,280
Speaker 2: you the Power because that became a hit by itself,

949
00:54:08,320 --> 00:54:10,160
Speaker 2: but that was for the movie too. I think it

950
00:54:10,239 --> 00:54:14,839
Speaker 2: actually says Goony's in the song though. I think she goes, Okay,

951
00:54:14,920 --> 00:54:20,680
Speaker 2: Cyndy Lapper, Okay, we have like six more. I don't

952
00:54:20,680 --> 00:54:24,920
Speaker 2: even know this. Next artist m a n Ana Mexican.

953
00:54:25,080 --> 00:54:29,319
Speaker 6: Yeah, Mexican artists from Mexico and dude so good. Pull

954
00:54:29,400 --> 00:54:32,560
Speaker 6: up some of the Mexican Mexicans. It's like Mexican reggae.

955
00:54:34,160 --> 00:54:36,160
Speaker 2: Dude. This is part of like all my say me

956
00:54:36,239 --> 00:54:42,160
Speaker 2: and Moore No Do Rayondo l Soul Novendo that one.

957
00:54:46,760 --> 00:54:58,040
Speaker 6: He goes, oh yeah, oh yeah, I mean that internationally

958
00:54:58,120 --> 00:54:59,880
Speaker 6: probably huge to us for you all.

959
00:55:00,000 --> 00:55:01,000
Speaker 2: Don't even know that, Mike, do.

960
00:55:01,000 --> 00:55:01,480
Speaker 3: You know that is?

961
00:55:01,600 --> 00:55:03,319
Speaker 2: I know where they are. They're huge. Well, you guys

962
00:55:03,360 --> 00:55:05,960
Speaker 2: are from like Mexican families though, yeah, look at the

963
00:55:05,960 --> 00:55:06,600
Speaker 2: color of my skin.

964
00:55:06,680 --> 00:55:07,279
Speaker 1: I know they are.

965
00:55:08,920 --> 00:55:12,800
Speaker 2: I put them at five. Oh my okay, but no, no,

966
00:55:12,920 --> 00:55:14,920
Speaker 2: I don't think I'm gonna give them a one, but

967
00:55:15,000 --> 00:55:20,040
Speaker 2: we can score them. I just don't know them. So yeah, Oasis,

968
00:55:20,800 --> 00:55:26,040
Speaker 2: Oh oh yeah, they are finally back together. They're touring Oasis. Dude,

969
00:55:27,040 --> 00:55:29,239
Speaker 2: I'm just gonna tell you, guys, because again this is

970
00:55:29,280 --> 00:55:31,840
Speaker 2: selfish my love of Oasis. They're a five for me.

971
00:55:32,040 --> 00:55:35,600
Speaker 2: Me too, like me too. It's like the first song

972
00:55:35,640 --> 00:55:38,960
Speaker 2: I learned. You guys don't understand music didn't sound like

973
00:55:39,040 --> 00:55:41,440
Speaker 2: this when this came out. That's a good point. It

974
00:55:41,600 --> 00:55:44,000
Speaker 2: was very different, and when it came when Wonderwall came out,

975
00:55:44,120 --> 00:55:45,960
Speaker 2: like who is? Like what is? This is so cool

976
00:55:46,040 --> 00:55:49,800
Speaker 2: because after you know my wonder Wall. One of my

977
00:55:49,880 --> 00:55:52,799
Speaker 2: favorite songs of their singles is don't look back at Anger,

978
00:55:53,560 --> 00:55:58,759
Speaker 2: So Sally can't wait. She knows it's too late as

979
00:55:58,840 --> 00:56:04,279
Speaker 2: my work. You know, Champagne super Nova in a Champagne

980
00:56:04,400 --> 00:56:08,080
Speaker 2: super Nova, do you know, uh, don't let back an anger?

981
00:56:08,160 --> 00:56:11,239
Speaker 2: Read I know Champagne super That's not what I asked.

982
00:56:11,480 --> 00:56:13,400
Speaker 1: No, I don't know this one. Well actually maybe.

983
00:56:20,880 --> 00:56:21,279
Speaker 2: Here we go.

984
00:56:23,040 --> 00:56:30,000
Speaker 1: Drums. I know it just because of the drugs.

985
00:56:31,520 --> 00:56:36,960
Speaker 2: Sally came away. God's so good. Yeah, they got a

986
00:56:37,000 --> 00:56:43,880
Speaker 2: five for me. Yeah, I mean probably don't have the

987
00:56:44,040 --> 00:56:47,920
Speaker 2: overall library like I love livet Forever. It wasn't a

988
00:56:48,000 --> 00:56:56,560
Speaker 2: massive song for them, like a big American single. I mean,

989
00:56:56,640 --> 00:56:59,080
Speaker 2: my wife and I discuss going to their their show there,

990
00:56:59,440 --> 00:57:02,920
Speaker 2: like first big festival show back in England because she

991
00:57:03,239 --> 00:57:04,960
Speaker 2: likes them right well, but she didn't know of them.

992
00:57:05,000 --> 00:57:06,440
Speaker 2: She didn't know them. They went viral on TikTok for

993
00:57:06,480 --> 00:57:08,359
Speaker 2: getting back together. She's like, these guys are funny. They

994
00:57:08,440 --> 00:57:09,640
Speaker 2: started to listen to the music. She's like, do you

995
00:57:09,640 --> 00:57:11,080
Speaker 2: want to go to the one? And I forgot what

996
00:57:11,160 --> 00:57:13,840
Speaker 2: city they're from, Farming, But at the first show she

997
00:57:13,960 --> 00:57:15,440
Speaker 2: was gonna go to the festival show. Yeah, And I

998
00:57:15,520 --> 00:57:17,840
Speaker 2: was like, I don't I love them, but I gotta

999
00:57:17,880 --> 00:57:20,120
Speaker 2: one here. It's a long flight, long flight back. Yeah.

1000
00:57:20,200 --> 00:57:24,680
Speaker 6: So so when they broke up though, did Noel Noel right,

1001
00:57:24,760 --> 00:57:27,320
Speaker 6: Noel Gallagher, he just keep making Oasis music.

1002
00:57:27,360 --> 00:57:30,640
Speaker 2: They both no no, no, no, no nobody did Oasis really, Yeah,

1003
00:57:30,800 --> 00:57:34,640
Speaker 2: one had High Flying Noel and Liam. When they split,

1004
00:57:34,680 --> 00:57:35,720
Speaker 2: there was no Oasis.

1005
00:57:35,440 --> 00:57:39,040
Speaker 6: No more Oasis because I remember Noel just keep playing music.

1006
00:57:39,240 --> 00:57:40,480
Speaker 6: I guess he was just doing his own music.

1007
00:57:40,640 --> 00:57:49,720
Speaker 2: They both played songs, but I think Noel had Noel's

1008
00:57:49,760 --> 00:57:54,280
Speaker 2: High Flying Bird. Let me say, hold on, Nol Gallicer

1009
00:57:54,680 --> 00:57:59,480
Speaker 2: didn't mean to put you on the spot band high

1010
00:57:59,480 --> 00:58:02,760
Speaker 2: Flying Birds. Okay, so no band Noel Gallagher's High Flying Birds.

1011
00:58:02,880 --> 00:58:09,760
Speaker 2: Gotta knew that? And Liam bad I is that? Who

1012
00:58:09,840 --> 00:58:13,280
Speaker 2: it is BDI that has Liam's band BDI two thousand

1013
00:58:13,280 --> 00:58:15,240
Speaker 2: and nine to twenty fourteen. I gotta I'm not as

1014
00:58:15,280 --> 00:58:18,760
Speaker 2: familiar as bad I as I am high Flying Birds.

1015
00:58:18,800 --> 00:58:20,800
Speaker 2: But both of them they were just fine. It just

1016
00:58:20,880 --> 00:58:23,880
Speaker 2: sounds like half Oasis. They didn't have each other. Yeah,

1017
00:58:23,880 --> 00:58:25,560
Speaker 2: and we listen. One was the lead singer, one was

1018
00:58:25,600 --> 00:58:28,240
Speaker 2: the guitar, grapher and creator behind it, so like you

1019
00:58:28,320 --> 00:58:30,600
Speaker 2: couldn't really do it without both of them, which is

1020
00:58:30,680 --> 00:58:32,400
Speaker 2: kind of odd because mostly you can do bands with

1021
00:58:32,440 --> 00:58:34,880
Speaker 2: that lead like if you want to change the lead singer,

1022
00:58:34,960 --> 00:58:36,720
Speaker 2: that's tough, or the leads, but the leadsicker can go

1023
00:58:36,720 --> 00:58:38,960
Speaker 2: by himself and do it couldn't do that really, unless

1024
00:58:38,960 --> 00:58:40,520
Speaker 2: he's just singing the old songs because the other brothers,

1025
00:58:40,520 --> 00:58:44,200
Speaker 2: the one who wrote him, Yeah, crazy, Okay, write your

1026
00:58:44,240 --> 00:58:46,160
Speaker 2: score on there. Oh I got it. I'm already done,

1027
00:58:46,360 --> 00:58:53,880
Speaker 2: me too. Outcast a lot of songs. Yeah, and if

1028
00:58:53,920 --> 00:58:55,960
Speaker 2: you wanted to go the most the most pop part

1029
00:58:56,000 --> 00:58:57,480
Speaker 2: of it was that when they put out Speaker Box

1030
00:58:57,560 --> 00:58:59,720
Speaker 2: Love Blow Album, it was a double album. Andrea three

1031
00:58:59,720 --> 00:59:01,640
Speaker 2: thousand and did one of them and Big Boy to

1032
00:59:01,680 --> 00:59:04,400
Speaker 2: the other, and it was basically two albums by two

1033
00:59:04,400 --> 00:59:07,560
Speaker 2: different people. But they still was an Outcast record. But hey,

1034
00:59:07,640 --> 00:59:10,439
Speaker 2: y'all was on that one. It's huge. Shake it, shake

1035
00:59:10,480 --> 00:59:14,160
Speaker 2: it like a polaroid picture. Hey, ladies, Before that, like

1036
00:59:14,200 --> 00:59:20,680
Speaker 2: Miss Jackson was massive and then ain't nobody bay. I'm

1037
00:59:20,760 --> 00:59:24,880
Speaker 2: still so fresh, so clean. I like the way you move.

1038
00:59:26,440 --> 00:59:31,000
Speaker 2: I like old school almost all the way old school

1039
00:59:31,000 --> 00:59:34,400
Speaker 2: but not totally old school. Was dust that does everybody

1040
00:59:34,480 --> 00:59:36,400
Speaker 2: moved to the back of the bus. That was Rosa Parks,

1041
00:59:37,200 --> 00:59:39,840
Speaker 2: which I was a fan. I was a fan of.

1042
00:59:40,440 --> 00:59:47,880
Speaker 2: I was an early outcast. Uh huh bust that bus.

1043
00:59:48,200 --> 00:59:50,840
Speaker 2: Everybody moved to the back of the bus. That's that

1044
00:59:50,960 --> 00:59:54,600
Speaker 2: one's so cool? Uh bombs over back, Dad. Bob bombs

1045
00:59:54,640 --> 01:00:06,320
Speaker 2: over back Dad. There you go, drums. So that's old school.

1046
01:00:06,520 --> 01:00:09,120
Speaker 2: We met give me him. I met undred thousand and

1047
01:00:09,160 --> 01:00:11,760
Speaker 2: airport in another country once. That's right, very briefly, and

1048
01:00:11,800 --> 01:00:13,080
Speaker 2: I was just like, I'm a big fan, thank you,

1049
01:00:14,600 --> 01:00:18,760
Speaker 2: so by meat him. No, not really, Roses, God, Roses

1050
01:00:18,840 --> 01:00:39,520
Speaker 2: was awesome. Oh yeah, ditch Rose smell like roses really

1051
01:00:39,680 --> 01:00:44,680
Speaker 2: smell like. I don't know that one. Okay, write them down?

1052
01:00:45,360 --> 01:00:49,800
Speaker 2: Four left, three left, Fish. Oh man, this is Fish.

1053
01:00:49,840 --> 01:00:52,120
Speaker 2: I'm not gonna know any songs zero, but I know

1054
01:00:52,600 --> 01:00:53,840
Speaker 2: like their cultural impact.

1055
01:00:54,000 --> 01:00:59,960
Speaker 6: They were like the sun of great great fish heads. Yeah,

1056
01:01:00,160 --> 01:01:02,400
Speaker 6: those are the people that followed them from city to city.

1057
01:01:02,640 --> 01:01:05,480
Speaker 2: So if I'm voting on this, I'm just voting on

1058
01:01:05,640 --> 01:01:07,920
Speaker 2: like personal I don't know enough of Fish's stuff, but

1059
01:01:08,000 --> 01:01:09,600
Speaker 2: I do understand their impact. But they're not going to

1060
01:01:09,600 --> 01:01:12,480
Speaker 2: be a top five for me because I'm not as

1061
01:01:12,680 --> 01:01:17,040
Speaker 2: educated on Fish. Let's see if I know any songs, dude,

1062
01:01:17,040 --> 01:01:24,760
Speaker 2: I don't know any of these. Oh nope, I mean

1063
01:01:24,880 --> 01:01:27,480
Speaker 2: not a radio band. No no, no, right, jam band,

1064
01:01:27,520 --> 01:01:31,080
Speaker 2: touring band, fan base band, like that's it. Yeah, sound Garden,

1065
01:01:31,760 --> 01:01:35,800
Speaker 2: come on, two left, come on, dude, Sound garden again.

1066
01:01:35,920 --> 01:01:38,200
Speaker 2: You're now you're in my wheelhouse a little bit more,

1067
01:01:38,240 --> 01:01:40,479
Speaker 2: which I'm going to be a bit unfairly biased because

1068
01:01:40,480 --> 01:01:43,160
Speaker 2: this is what I listened to growing up. Black Hole,

1069
01:01:43,560 --> 01:01:50,040
Speaker 2: sun O, you come wash away the Rain Rain? I

1070
01:01:50,080 --> 01:01:52,280
Speaker 2: think it's is it you wash away rain? I think

1071
01:01:52,320 --> 01:01:54,520
Speaker 2: you watch away the rain? You watch away the pain rain.

1072
01:01:54,720 --> 01:01:58,280
Speaker 2: Let's see that makes sense, though, sun wash away the Rain.

1073
01:01:58,360 --> 01:02:00,720
Speaker 2: I mean that's more than pain. I think I just

1074
01:02:00,800 --> 01:02:02,000
Speaker 2: hurt when I sing it, So I think it's pain

1075
01:02:02,320 --> 01:02:08,160
Speaker 2: and Chris Cornell a lot of pain. I don't know

1076
01:02:08,200 --> 01:02:13,600
Speaker 2: the words of any songs, though, I think in the

1077
01:02:13,680 --> 01:02:22,640
Speaker 2: music video the rain gets to walk the words. That's

1078
01:02:22,680 --> 01:02:43,320
Speaker 2: only a let merry wine. Nice is the rain? It

1079
01:02:43,440 --> 01:02:48,960
Speaker 2: is the rain, the rain, spoon man, dude, jam Fell

1080
01:02:49,000 --> 01:02:53,280
Speaker 2: on black Days. There you go. It's feel long, awesome,

1081
01:02:53,640 --> 01:02:55,480
Speaker 2: long time so good.

1082
01:02:56,760 --> 01:02:57,000
Speaker 1: Bam.

1083
01:03:03,000 --> 01:03:12,000
Speaker 2: There you got's some rich jam Fell alone Like personally,

1084
01:03:12,040 --> 01:03:14,880
Speaker 2: I love them. I'm gonna tell you I I did.

1085
01:03:14,960 --> 01:03:16,400
Speaker 2: I don't think they're rock and roll Hall of fame

1086
01:03:17,720 --> 01:03:18,120
Speaker 2: right now.

1087
01:03:19,720 --> 01:03:21,520
Speaker 6: Once there's there a better time. A couple more hits

1088
01:03:21,520 --> 01:03:24,320
Speaker 6: and they make they're done, their.

1089
01:03:23,680 --> 01:03:26,520
Speaker 2: Late singers dead. A couple more, but write your thing down.

1090
01:03:27,000 --> 01:03:28,640
Speaker 2: I'm a big fan of like three or four songs,

1091
01:03:28,720 --> 01:03:32,440
Speaker 2: but I may surprise you the score. Okay, and you

1092
01:03:32,560 --> 01:03:35,840
Speaker 2: know their their drummer is now pearl Jam drummer. No,

1093
01:03:35,880 --> 01:03:38,080
Speaker 2: why would I know that or care That's that's to

1094
01:03:38,280 --> 01:03:41,680
Speaker 2: go into your voting. I will not let it. And

1095
01:03:41,720 --> 01:03:47,360
Speaker 2: then finally, the white stripes now not Jack White. Yeah,

1096
01:03:47,440 --> 01:03:52,160
Speaker 2: just white stripes, just white stripes Jack and his wife excellent. No,

1097
01:03:53,280 --> 01:03:58,200
Speaker 2: it's their name white, uh because they were both white, right,

1098
01:03:58,240 --> 01:04:02,120
Speaker 2: like Jack White and Karen White. Karen, No, it's not Karen.

1099
01:04:02,640 --> 01:04:05,680
Speaker 2: I don't know. I don't want to say Amy. No,

1100
01:04:06,880 --> 01:04:11,080
Speaker 2: Meg Meg Meg is good job, Okay, White strips obviously,

1101
01:04:11,680 --> 01:04:15,040
Speaker 2: Seven Nation Army. I mean it's huge. Every band in

1102
01:04:15,280 --> 01:04:21,360
Speaker 2: college football plays it. This song is so big. That's

1103
01:04:21,360 --> 01:04:25,600
Speaker 2: gotta be a consideration, like having a song that has

1104
01:04:25,680 --> 01:04:27,600
Speaker 2: not really lost popularity and has grown and popular in

1105
01:04:27,680 --> 01:04:30,760
Speaker 2: other places of the world like sports. How about I

1106
01:04:30,840 --> 01:04:40,640
Speaker 2: fell in Love with the Girl here read on that one,

1107
01:04:40,720 --> 01:04:42,280
Speaker 2: huh and read it was just there was just two

1108
01:04:42,320 --> 01:04:44,840
Speaker 2: of them. It was just him and his wife play

1109
01:04:44,880 --> 01:04:47,400
Speaker 2: drums and he played all guitar. That's crazy, and everything

1110
01:04:47,480 --> 01:04:50,560
Speaker 2: was candy cane them. So who played the bass. There

1111
01:04:50,640 --> 01:04:52,760
Speaker 2: was no bass he did. He kind of lowered the

1112
01:04:52,840 --> 01:05:01,200
Speaker 2: towne on those guitar. We're gonna be friend, yeah, Jack

1113
01:05:01,280 --> 01:05:04,479
Speaker 2: Johnson did it later. Yeah, but this is originally White Truck.

1114
01:05:04,640 --> 01:05:08,760
Speaker 2: I can say there, we are gonna be friends. Ikey thumb.

1115
01:05:09,000 --> 01:05:11,120
Speaker 2: Oh that's so good. I was a fan, so I

1116
01:05:11,240 --> 01:05:13,000
Speaker 2: know some of these is like not even like big

1117
01:05:13,120 --> 01:05:21,560
Speaker 2: radio songs. Okay, in so many movies, dude, what that like?

1118
01:05:21,640 --> 01:05:23,400
Speaker 1: Yeah? That song seven Nation Army.

1119
01:05:23,280 --> 01:05:26,560
Speaker 2: All they okay? Our final tabulation, Oh that was the

1120
01:05:26,600 --> 01:05:28,840
Speaker 2: last beIN the last one. Wow, those are always up

1121
01:05:28,840 --> 01:05:31,360
Speaker 2: for Let's see what we get here. So i'lly all

1122
01:05:31,400 --> 01:05:37,240
Speaker 2: your score out. Bad Company Brent three four okay, Bad

1123
01:05:37,280 --> 01:05:44,120
Speaker 2: company total score of ten. The Black Crows two three four,

1124
01:05:45,360 --> 01:05:50,080
Speaker 2: So that's nine four and three is seven nine stupid

1125
01:05:50,120 --> 01:05:53,760
Speaker 2: this next one? Oh okay, so I want to do

1126
01:05:53,920 --> 01:06:01,000
Speaker 2: ten here nine here. Mariah Carey five five one eleven. Hey,

1127
01:06:01,040 --> 01:06:04,880
Speaker 2: that's what it is. Read do my background on my numbers?

1128
01:06:05,160 --> 01:06:06,800
Speaker 2: Got you Hubby Checker.

1129
01:06:07,120 --> 01:06:16,520
Speaker 8: Three, Shabby two three eight, Joe Cocker three three three

1130
01:06:17,640 --> 01:06:25,760
Speaker 8: it is Billy Idol five three three eleven. I'm going

1131
01:06:25,840 --> 01:06:27,000
Speaker 8: to give the top five of my votes for the

1132
01:06:27,040 --> 01:06:30,040
Speaker 8: rock and Hall of Fames. We're just we're literally deciding

1133
01:06:30,120 --> 01:06:30,360
Speaker 8: right now.

1134
01:06:30,640 --> 01:06:30,760
Speaker 1: Uh.

1135
01:06:30,960 --> 01:06:35,040
Speaker 2: Cindy Lapper five three? Did you skip Joy Division?

1136
01:06:35,400 --> 01:06:35,440
Speaker 1: No?

1137
01:06:35,720 --> 01:06:39,280
Speaker 2: I didn't think they were okay, Joy Division one. Okay. See,

1138
01:06:39,320 --> 01:06:40,640
Speaker 2: that's why I don't want to bring it back, because

1139
01:06:40,640 --> 01:06:42,280
Speaker 2: I got a low rating. I got, I got you,

1140
01:06:43,040 --> 01:06:48,320
Speaker 2: Cindy Lapper five three three Big Fan over there?

1141
01:06:48,560 --> 01:06:48,800
Speaker 1: Yeah?

1142
01:06:49,760 --> 01:06:51,120
Speaker 2: Oasis two?

1143
01:06:51,840 --> 01:06:52,120
Speaker 1: Wow?

1144
01:06:52,400 --> 01:06:56,440
Speaker 2: Wait Oasis? You skipped my NA now one. I know

1145
01:06:56,640 --> 01:06:57,840
Speaker 2: I wanted to put them up there because the're for

1146
01:06:57,880 --> 01:06:59,960
Speaker 2: sure losing. I do have three from my now until

1147
01:07:00,040 --> 01:07:02,080
Speaker 2: on you I got a one? Would you give them two? Yeah?

1148
01:07:02,680 --> 01:07:04,520
Speaker 2: There were some I skipped over on purpose because why

1149
01:07:04,600 --> 01:07:05,880
Speaker 2: bring them back in just to get beat down? You

1150
01:07:05,920 --> 01:07:07,560
Speaker 2: know I got I got you? No, no, no way.

1151
01:07:07,640 --> 01:07:10,880
Speaker 2: Oasis is a four you four five five for me?

1152
01:07:11,080 --> 01:07:11,240
Speaker 1: Yeah?

1153
01:07:11,280 --> 01:07:19,200
Speaker 2: Okay? So fourteen okay? Out Cast five four four thirteen.

1154
01:07:20,400 --> 01:07:22,360
Speaker 2: You want to let to skip the next one? What's

1155
01:07:22,360 --> 01:07:25,720
Speaker 2: the next one? Fish? Yeah? I get fish and one

1156
01:07:25,840 --> 01:07:33,080
Speaker 2: just from one okay one two, Sound Garden three three five,

1157
01:07:34,240 --> 01:07:40,400
Speaker 2: Black Holes, Sun eleven okay. And then finally White Stripes

1158
01:07:40,560 --> 01:07:45,720
Speaker 2: four five wow, White Strips. I didn't take my personal

1159
01:07:45,760 --> 01:07:46,960
Speaker 2: bias out of it. I don't feel like they have

1160
01:07:47,000 --> 01:07:48,840
Speaker 2: the catalog to make rock and a Hall of fame. Okay,

1161
01:07:49,160 --> 01:07:49,680
Speaker 2: So what'd you have?

1162
01:07:50,240 --> 01:07:50,439
Speaker 7: Four?

1163
01:07:50,760 --> 01:07:54,720
Speaker 2: It's eleven nine five Okay, so we got our top

1164
01:07:54,800 --> 01:07:57,120
Speaker 2: five here. The number one score is Oasis. They are

1165
01:07:57,120 --> 01:08:00,480
Speaker 2: getting a boat. Let's go ye send them okay, Oasis.

1166
01:08:01,760 --> 01:08:04,520
Speaker 2: And then we have one, two, three, four, We have

1167
01:08:04,840 --> 01:08:09,960
Speaker 2: five with eleven. No outcast is thirteen, I think, so

1168
01:08:10,480 --> 01:08:13,640
Speaker 2: outcast is in with thirteen, send them Oasis of fourteen.

1169
01:08:14,840 --> 01:08:19,760
Speaker 2: Outcast at thirteen. And then with elevens we did Joe Cocker,

1170
01:08:19,920 --> 01:08:22,439
Speaker 2: we did nine. So with elevens we have Mariah Carey,

1171
01:08:23,160 --> 01:08:29,640
Speaker 2: Billy Idol, Cindy Lapper, Sound Garden, white stripes. So we

1172
01:08:29,720 --> 01:08:33,920
Speaker 2: got to pick three of these. Okay, I don't My

1173
01:08:34,040 --> 01:08:36,200
Speaker 2: white stripe score was solo. Anybody with the two shouldn't

1174
01:08:36,200 --> 01:08:38,560
Speaker 2: get in. Okay, I can agree to that. Yeah, So

1175
01:08:38,720 --> 01:08:42,439
Speaker 2: white strips out, white stripes out. So we have Mariah Carey,

1176
01:08:42,560 --> 01:08:46,760
Speaker 2: Billy Idol, just Sandy Lapper, Sound Gardens and Mariah just

1177
01:08:46,840 --> 01:08:49,400
Speaker 2: do it. Mariah should be I'm an idiot. I was

1178
01:08:49,439 --> 01:08:55,880
Speaker 2: sleeping those years, okay, Mariah. So now we have Billy Idol,

1179
01:08:56,000 --> 01:08:58,639
Speaker 2: Cindy Lapper, and sound Garden, and we can only pick one,

1180
01:08:58,760 --> 01:09:01,639
Speaker 2: we can pick two. Which one of the three would

1181
01:09:01,640 --> 01:09:07,560
Speaker 2: you pick? Right, Billy Idol, Eddie. I mean, out of

1182
01:09:07,600 --> 01:09:12,320
Speaker 2: those three, I'd go Billy Idol. It wins anyway, because

1183
01:09:12,320 --> 01:09:14,120
Speaker 2: if I'd have picked anything else, Billy out still wins. Okay,

1184
01:09:14,160 --> 01:09:17,600
Speaker 2: So Billy Idol's in. And then it's either gonna be

1185
01:09:17,640 --> 01:09:21,680
Speaker 2: Cindy Lapper or sound Garden. I'm gonna pick again, I

1186
01:09:21,800 --> 01:09:23,960
Speaker 2: to my bias out of it, I'm gonna pick Cindy Lapper.

1187
01:09:24,000 --> 01:09:27,080
Speaker 2: I think she has bigger catalog of songs that have

1188
01:09:27,160 --> 01:09:30,400
Speaker 2: transcended longer. That's why I would also go Cindy Lapper.

1189
01:09:30,680 --> 01:09:32,479
Speaker 2: If I'm gonna pick to listen to something, it's going

1190
01:09:32,560 --> 01:09:35,759
Speaker 2: to be sound Garden. But I'm gonna go Cindy Loppers.

1191
01:09:35,760 --> 01:09:38,360
Speaker 2: And what would you pick? Sound Garden? Soundgarden? Yeah, I'm

1192
01:09:38,360 --> 01:09:42,320
Speaker 2: gonna go by bias included sound Garden. Okay, do it

1193
01:09:42,400 --> 01:09:47,200
Speaker 2: for Chris. So here's what we have, Oasis Outcast, Mariah Carey,

1194
01:09:47,240 --> 01:09:49,840
Speaker 2: Billy Idol, and Cindy Lapper. It's pretty solid. That would

1195
01:09:49,840 --> 01:09:50,960
Speaker 2: be the vote for the Rock and Roll Hall of Fame. Ye,

1196
01:09:51,000 --> 01:09:52,599
Speaker 2: it's a pretty solid five. I feel bad for Manna

1197
01:09:53,320 --> 01:09:57,160
Speaker 2: whatever don't know it, but that's okay. They expected that.

1198
01:09:57,280 --> 01:09:59,360
Speaker 2: I only don't know it because I I'm complete white

1199
01:09:59,400 --> 01:10:03,960
Speaker 2: bread South. It was very regional to the world. Oh,

1200
01:10:04,040 --> 01:10:07,719
Speaker 2: thank you for the history here. Okay, I think that'll

1201
01:10:07,800 --> 01:10:09,519
Speaker 2: do it. Read thank you for your post.

1202
01:10:09,520 --> 01:10:10,880
Speaker 1: Of course, man, I love all those bands.

1203
01:10:11,720 --> 01:10:13,320
Speaker 2: Do you love them enough? You don't know any of

1204
01:10:13,320 --> 01:10:17,680
Speaker 2: the bands Oasis and Cindy Opera were up there for me?

1205
01:10:18,439 --> 01:10:19,200
Speaker 2: You know Outcast?

1206
01:10:19,560 --> 01:10:19,760
Speaker 1: Yeah?

1207
01:10:19,800 --> 01:10:23,160
Speaker 2: I did no Outcast? So those were the three? Did

1208
01:10:23,200 --> 01:10:25,920
Speaker 2: they all make it? Three made it? They're in there

1209
01:10:26,280 --> 01:10:27,880
Speaker 2: bad company. You weren't here for bad company. No, I

1210
01:10:27,960 --> 01:10:29,919
Speaker 2: was not here, but you do know a bad company

1211
01:10:30,479 --> 01:10:33,719
Speaker 2: till the day I die. Okay, Well, thank you guys,

1212
01:10:34,120 --> 01:10:36,479
Speaker 2: Thank you mansank you, thank you for allowing us to

1213
01:10:36,520 --> 01:10:39,280
Speaker 2: be part of your If I were to have just

1214
01:10:39,320 --> 01:10:43,320
Speaker 2: picked without you guys, I think I would have gone

1215
01:10:44,560 --> 01:10:53,479
Speaker 2: see if they match Oasis, Outcast, Mariah Carey, Black Crows,

1216
01:10:53,560 --> 01:10:56,160
Speaker 2: Joe Cocker just looking at Oh wow, you wouldn't put

1217
01:10:56,200 --> 01:10:59,400
Speaker 2: Billy Idol in there. Yeah, but once we played it

1218
01:10:59,439 --> 01:11:03,080
Speaker 2: and sort of listen, I think that added like some

1219
01:11:03,240 --> 01:11:05,640
Speaker 2: perspective of looking at the songs. But those would have

1220
01:11:05,640 --> 01:11:07,760
Speaker 2: been the fire fight just checked off, but I like

1221
01:11:08,000 --> 01:11:09,719
Speaker 2: where we are. Think we ended up going to place Oasis.

1222
01:11:09,840 --> 01:11:13,160
Speaker 2: Outcast Mariah Carey, Billy Idol, Cyndi Lauper, all right, that

1223
01:11:13,320 --> 01:11:15,920
Speaker 2: is it, Mike were good, We're good, all right, that

1224
01:11:16,000 --> 01:11:17,599
Speaker 2: is it. Thank you guys for listening and we will

1225
01:11:17,680 --> 01:11:18,360
Speaker 2: see you guys soon.

1226
01:11:19,400 --> 01:11:21,839
Speaker 5: Thanks for listening to a Bobby Cast production