1
00:00:04,000 --> 00:00:06,480
Speaker 1: I'm buzzs Night, the host of the Taking a Walk podcast,

2
00:00:06,559 --> 00:00:10,440
Speaker 1: and welcome to another edition of This Week.

3
00:00:10,240 --> 00:00:11,320
Speaker 2: In Music History.

4
00:00:11,840 --> 00:00:15,600
Speaker 1: And this is the week of August fourth through August tenth.

5
00:00:15,880 --> 00:00:18,840
Speaker 1: I'm just gonna guess. Harry Jacobs over at the Music

6
00:00:18,960 --> 00:00:22,200
Speaker 1: History Desk Hello. First of all, hello to you, Buss.

7
00:00:22,520 --> 00:00:25,000
Speaker 1: I'm gonna guess there might be some Beatles in this

8
00:00:25,040 --> 00:00:28,040
Speaker 1: one because they're generally always.

9
00:00:27,840 --> 00:00:32,280
Speaker 3: Is you are consistently consistent with your with your with

10
00:00:32,400 --> 00:00:35,360
Speaker 3: your guessing the guessing game, there's no surprises in it,

11
00:00:35,440 --> 00:00:36,600
Speaker 3: and then you are correct.

12
00:00:36,600 --> 00:00:37,519
Speaker 4: This is no exception.

13
00:00:37,920 --> 00:00:40,440
Speaker 3: The next month, I think is the month of August,

14
00:00:40,479 --> 00:00:41,480
Speaker 3: is filled with Beatles stuff.

15
00:00:41,520 --> 00:00:42,040
Speaker 4: I can tell you.

16
00:00:42,000 --> 00:00:44,519
Speaker 2: That, all right, But we won't get ahead of ourselves.

17
00:00:44,600 --> 00:00:46,559
Speaker 2: So what is going on?

18
00:00:47,320 --> 00:00:50,960
Speaker 1: As the gates open For the week of August fourth

19
00:00:51,000 --> 00:00:52,519
Speaker 1: to August tenth.

20
00:00:53,120 --> 00:00:56,200
Speaker 3: Nineteen sixty seven, Pink Floyd released an album called The

21
00:00:56,240 --> 00:00:58,960
Speaker 3: Piper at the Gates of Dawn. And I'm gonna quote

22
00:00:59,000 --> 00:01:03,360
Speaker 3: you on this. I don't know from the Piper at

23
00:01:03,360 --> 00:01:04,560
Speaker 3: the Gates of Dawn.

24
00:01:05,360 --> 00:01:08,399
Speaker 1: That's a good a good.

25
00:01:08,240 --> 00:01:09,000
Speaker 2: Imitation to me.

26
00:01:09,319 --> 00:01:12,680
Speaker 1: But I do have some new insight into this one

27
00:01:12,760 --> 00:01:16,720
Speaker 1: because I'm not sure when this one will exactly air.

28
00:01:16,800 --> 00:01:21,840
Speaker 1: But I did record a top ten countdown of the

29
00:01:21,880 --> 00:01:26,240
Speaker 1: best progressive albums of all time from the viewpoint of

30
00:01:27,959 --> 00:01:33,960
Speaker 1: media consultant, innovator and major progressive rock fan Lee Abrams.

31
00:01:34,319 --> 00:01:38,640
Speaker 1: And oh on Lee's list is the Piper at the

32
00:01:38,680 --> 00:01:39,520
Speaker 1: Gates of Dawn.

33
00:01:39,720 --> 00:01:40,640
Speaker 2: I wanted you to know.

34
00:01:41,080 --> 00:01:44,880
Speaker 4: Of course, it is something no one knows about, you know.

35
00:01:45,200 --> 00:01:49,200
Speaker 3: I bet if we hold twenty five Pink Floyd fans

36
00:01:49,200 --> 00:01:52,160
Speaker 3: and we asked them about that album, maybe two out

37
00:01:52,160 --> 00:01:52,840
Speaker 3: of twenty.

38
00:01:52,600 --> 00:01:56,480
Speaker 2: Five, all right, but Lee knew and Lee put it

39
00:01:56,520 --> 00:01:57,120
Speaker 2: on the list.

40
00:01:57,400 --> 00:01:59,200
Speaker 4: But do you know, do you know? Do you know

41
00:01:59,240 --> 00:02:00,400
Speaker 4: any songs on it?

42
00:02:00,440 --> 00:02:03,440
Speaker 3: Does it ring a bell with you? No?

43
00:02:03,600 --> 00:02:08,160
Speaker 1: I think on a or Headphones Only show, which we

44
00:02:08,200 --> 00:02:10,360
Speaker 1: talk about on the episode, do you remember that feature

45
00:02:10,440 --> 00:02:13,480
Speaker 1: which was on rock stations for headphones only? That was

46
00:02:13,520 --> 00:02:18,920
Speaker 1: a Lee Abram's innovation. So I'm sure in programming some

47
00:02:18,960 --> 00:02:23,160
Speaker 1: of the music for a episode of for Headphones Only,

48
00:02:23,639 --> 00:02:25,960
Speaker 1: I've heard some Piper at the Gates have Dawn, But

49
00:02:26,880 --> 00:02:31,160
Speaker 1: consider me more of the mainstream in Floyd.

50
00:02:30,800 --> 00:02:33,320
Speaker 4: Fan, gotcha same here?

51
00:02:33,800 --> 00:02:37,560
Speaker 3: Nineteen eighty four, Prince released When Doves Cry, and this

52
00:02:37,720 --> 00:02:41,880
Speaker 3: was a song that just topped the charts, was on

53
00:02:41,919 --> 00:02:44,959
Speaker 3: the Billboard Hot one hundred five.

54
00:02:44,720 --> 00:02:45,720
Speaker 4: Weeks in a row.

55
00:02:47,120 --> 00:02:49,720
Speaker 3: At this point in nineteen eighty four, and that is

56
00:02:49,760 --> 00:02:51,880
Speaker 3: a It's an interesting thing.

57
00:02:52,320 --> 00:02:54,200
Speaker 4: It's a real rock and song, right.

58
00:02:54,240 --> 00:02:56,880
Speaker 3: Think about the guitar solo that starts that song out,

59
00:02:56,960 --> 00:02:59,640
Speaker 3: and you know how rhythmic it gets. Prince was just

60
00:02:59,720 --> 00:03:03,480
Speaker 3: so such an innovator. It's such a great one of

61
00:03:03,560 --> 00:03:05,680
Speaker 3: my favorite print songs. You are you a Prince fan?

62
00:03:06,040 --> 00:03:06,359
Speaker 4: Yeah?

63
00:03:06,440 --> 00:03:08,480
Speaker 2: Yeah, yeah, And that is one of my favorites as well.

64
00:03:08,960 --> 00:03:12,600
Speaker 1: And I can't help but think have you followed the

65
00:03:12,680 --> 00:03:20,920
Speaker 1: story of the Prince documentary that was being worked on

66
00:03:21,040 --> 00:03:25,279
Speaker 1: I think by Netflix and that ultimately the Family Estates

67
00:03:25,480 --> 00:03:28,760
Speaker 1: has stopped that and I think curtailed that project.

68
00:03:28,760 --> 00:03:29,480
Speaker 2: Have you followed this?

69
00:03:30,120 --> 00:03:31,400
Speaker 4: No, I'm not aware of that at all.

70
00:03:31,760 --> 00:03:34,040
Speaker 1: Yeah, well you're not gonna be, it seems like, because

71
00:03:34,080 --> 00:03:37,160
Speaker 1: they don't want the entire story to be told. So

72
00:03:38,240 --> 00:03:41,480
Speaker 1: it's just a shame because I feel like that's somebody

73
00:03:42,160 --> 00:03:47,120
Speaker 1: that we'd like to dig deep into. Talent wise, certainly

74
00:03:47,240 --> 00:03:49,880
Speaker 1: darkness wise, but what an amazing talent.

75
00:03:50,400 --> 00:03:51,520
Speaker 4: I think that's what happens.

76
00:03:51,520 --> 00:03:55,320
Speaker 3: You know, you get to these folks that you know,

77
00:03:55,360 --> 00:03:59,400
Speaker 3: whether it be Michael Jackson or Prince or others who

78
00:03:59,440 --> 00:04:03,480
Speaker 3: have struggle with their demons and the family comes around

79
00:04:03,520 --> 00:04:05,960
Speaker 3: and they say, we we don't want this, We don't

80
00:04:05,960 --> 00:04:08,320
Speaker 3: want any part of it. You know, listen, Billy Joel

81
00:04:08,320 --> 00:04:10,880
Speaker 3: didn't want any part of it. You know, five hours

82
00:04:10,920 --> 00:04:13,040
Speaker 3: of that documentary and you you actually were the one

83
00:04:13,040 --> 00:04:15,880
Speaker 3: that told me that Billy wasn't really delighted about it

84
00:04:15,920 --> 00:04:17,800
Speaker 3: after it was over, and it was magnificent.

85
00:04:18,080 --> 00:04:18,320
Speaker 4: Right.

86
00:04:18,400 --> 00:04:22,440
Speaker 3: So people just don't don't want their stuff exposed.

87
00:04:22,520 --> 00:04:26,440
Speaker 1: I get that, especially as they're thinking about their family,

88
00:04:26,680 --> 00:04:29,200
Speaker 1: maybe they have younger kids, and they want.

89
00:04:29,040 --> 00:04:31,760
Speaker 2: Your legacy to be preserved in a certain way.

90
00:04:32,360 --> 00:04:37,960
Speaker 3: Yeah, Prince, you know an amazing guitar player, right that

91
00:04:39,279 --> 00:04:42,320
Speaker 3: Rock and Roll Hall of Fame or that George Harrison's

92
00:04:42,320 --> 00:04:46,960
Speaker 3: Birthday whatever it was, where he he did that solo

93
00:04:47,200 --> 00:04:50,839
Speaker 3: at the end of will my Guitar gently weeps in

94
00:04:50,920 --> 00:04:54,080
Speaker 3: front of Claptain, in front of Petty, in front of

95
00:04:54,120 --> 00:04:56,960
Speaker 3: George Harrison, and the and the boys in the band

96
00:04:57,080 --> 00:05:01,680
Speaker 3: were just standing back watching him wail on that telecaster

97
00:05:01,920 --> 00:05:03,480
Speaker 3: his and then at the end of it, if you remember,

98
00:05:03,520 --> 00:05:05,359
Speaker 3: he throws that guitar up in the air and someone

99
00:05:05,440 --> 00:05:07,000
Speaker 3: magically catches it in the front row.

100
00:05:07,560 --> 00:05:11,200
Speaker 1: It's incredible. And just watching Danny Harrison two on that one.

101
00:05:11,279 --> 00:05:12,160
Speaker 4: Yeah, that's right son.

102
00:05:12,279 --> 00:05:12,919
Speaker 2: Yeah.

103
00:05:13,160 --> 00:05:15,000
Speaker 4: By the way, he didn't just throw that guitar up

104
00:05:15,040 --> 00:05:15,400
Speaker 4: in the air.

105
00:05:15,400 --> 00:05:19,080
Speaker 3: His body man, who's about six nine and four hundred pounds,

106
00:05:19,360 --> 00:05:20,120
Speaker 3: was in the right spot.

107
00:05:20,160 --> 00:05:21,960
Speaker 4: There's no way that Telly was going to the ground.

108
00:05:22,520 --> 00:05:26,880
Speaker 3: Nineteen sixty six, the Beatles released Yellow Submarine and Eleanor Rigby.

109
00:05:26,960 --> 00:05:27,880
Speaker 4: This was interesting.

110
00:05:28,240 --> 00:05:31,719
Speaker 3: This was a double A side versus an A side

111
00:05:32,120 --> 00:05:34,760
Speaker 3: and a B side, which is how the forty fives

112
00:05:34,839 --> 00:05:35,600
Speaker 3: were released.

113
00:05:35,680 --> 00:05:38,480
Speaker 4: When you know, back when we were kids, there are

114
00:05:38,520 --> 00:05:39,720
Speaker 4: no A B sides.

115
00:05:39,800 --> 00:05:43,520
Speaker 1: But I dare say another example of the Beatles doing

116
00:05:43,600 --> 00:05:45,200
Speaker 1: whatever the Beatles wanted to do.

117
00:05:45,760 --> 00:05:51,479
Speaker 3: Yeah he was great too, great and very unique sounding

118
00:05:51,560 --> 00:05:52,520
Speaker 3: songs on their own.

119
00:05:52,800 --> 00:05:53,040
Speaker 2: Yep.

120
00:05:53,400 --> 00:05:57,279
Speaker 3: Think about the strings and how classical Eleanor sounds, and

121
00:05:57,320 --> 00:06:02,600
Speaker 3: then how campy Yellow Submarine is. Nineteen eighty seven, on

122
00:06:02,640 --> 00:06:07,640
Speaker 3: August fourth, def Leppard released Hysteria. I went went on

123
00:06:07,680 --> 00:06:11,200
Speaker 3: a dive this morning before we did this on Hysteria,

124
00:06:11,240 --> 00:06:12,760
Speaker 3: and I thought, man, there's a bunch of great songs

125
00:06:12,800 --> 00:06:16,680
Speaker 3: on that, and I went through the list to think

126
00:06:16,720 --> 00:06:19,360
Speaker 3: you know how many tracks are on it? It was twelve?

127
00:06:19,800 --> 00:06:21,840
Speaker 3: And how many songs do I love that are there?

128
00:06:22,160 --> 00:06:24,440
Speaker 3: And there are six of them in my opinion, Woman,

129
00:06:25,080 --> 00:06:29,440
Speaker 3: Animal Love, Bites, Pour Some Sugar on Me, armageddet and

130
00:06:29,560 --> 00:06:33,360
Speaker 3: Hysteria all songs I could take a long ride with.

131
00:06:34,000 --> 00:06:38,159
Speaker 2: Oh yeah, and you know that eighty seven eighty eight.

132
00:06:38,839 --> 00:06:39,119
Speaker 4: Yeah.

133
00:06:39,240 --> 00:06:43,400
Speaker 1: They dominated the airwaves certainly during that period with that

134
00:06:43,760 --> 00:06:45,440
Speaker 1: release of Hysteria.

135
00:06:45,520 --> 00:06:50,000
Speaker 3: Great August fifth nineteen sixty six and another Beatles story.

136
00:06:50,480 --> 00:06:54,040
Speaker 3: They released a Revolver in the UK, another great album.

137
00:06:54,200 --> 00:06:58,440
Speaker 3: Think about this track list, right, eleanor tax Man on there?

138
00:06:58,960 --> 00:07:03,039
Speaker 3: I'm only sleeping here they are and everywhere of course,

139
00:07:03,120 --> 00:07:05,000
Speaker 3: Yellow Submarine, Good Day Sunshine.

140
00:07:05,000 --> 00:07:06,440
Speaker 4: Oh I love Good Day Sunshine?

141
00:07:07,120 --> 00:07:10,320
Speaker 2: Right, I loved I love every song that I'm Revolver.

142
00:07:10,680 --> 00:07:11,800
Speaker 4: Yeah, that's that's what.

143
00:07:11,960 --> 00:07:13,960
Speaker 3: That's on a lot of people's lists, right of the

144
00:07:13,960 --> 00:07:17,640
Speaker 3: greatest albums of all time YEP two thousand and two.

145
00:07:17,680 --> 00:07:20,880
Speaker 3: Another great album released were both Bruce Nuts. For anyone

146
00:07:20,960 --> 00:07:23,160
Speaker 3: that that's listening, this is not a surprise that we

147
00:07:23,200 --> 00:07:27,880
Speaker 3: get to this, but the rising. This came out less

148
00:07:27,920 --> 00:07:29,800
Speaker 3: than a year after nine to eleven.

149
00:07:29,840 --> 00:07:32,480
Speaker 4: The album was written as.

150
00:07:34,360 --> 00:07:38,840
Speaker 3: Not an answer to nine to eleven, but a solution

151
00:07:39,080 --> 00:07:42,560
Speaker 3: to maybe pull us together. Of course, The Rising was

152
00:07:42,600 --> 00:07:47,120
Speaker 3: about us rising up together as a people against you know, evil,

153
00:07:47,120 --> 00:07:49,880
Speaker 3: about being able to stick together, about you know, so

154
00:07:50,000 --> 00:07:50,559
Speaker 3: many things.

155
00:07:50,840 --> 00:07:54,880
Speaker 5: A lot of dark, sad songs on that album, but

156
00:07:56,040 --> 00:07:59,000
Speaker 5: it was a uniter album. It was meant to be.

157
00:07:59,120 --> 00:08:01,080
Speaker 5: It was a perspective the album.

158
00:08:01,080 --> 00:08:02,880
Speaker 1: I think that it was trying to give us some

159
00:08:03,280 --> 00:08:06,560
Speaker 1: perspective on what had gone on because we had never

160
00:08:06,600 --> 00:08:10,920
Speaker 1: been through in our generation anything like that. And it

161
00:08:11,040 --> 00:08:14,400
Speaker 1: was great seeing it on tour as well as I'm

162
00:08:14,440 --> 00:08:15,120
Speaker 1: sure you did.

163
00:08:15,480 --> 00:08:19,960
Speaker 2: Right. They did a ton of those songs when they

164
00:08:19,960 --> 00:08:20,840
Speaker 2: were out on the road.

165
00:08:21,040 --> 00:08:24,240
Speaker 1: I think they were playing what five six tracks from

166
00:08:24,240 --> 00:08:25,160
Speaker 1: it easily.

167
00:08:25,480 --> 00:08:27,960
Speaker 4: And he opened with The Rising.

168
00:08:28,000 --> 00:08:31,320
Speaker 3: Although what's interesting is is that that was the last

169
00:08:31,360 --> 00:08:35,800
Speaker 3: time he played Vegas in the fall of two thousand

170
00:08:35,920 --> 00:08:39,160
Speaker 3: and two until he came here in twenty twenty four.

171
00:08:40,040 --> 00:08:42,320
Speaker 3: On that tour. He hates Vegas. He hates to play

172
00:08:42,320 --> 00:08:45,280
Speaker 3: the place. He hates the casinos, right, So I didn't

173
00:08:45,280 --> 00:08:48,400
Speaker 3: know that although he plays, you know, in Connecticut, he

174
00:08:48,440 --> 00:08:49,920
Speaker 3: plays at Foxwoods or.

175
00:08:50,320 --> 00:08:52,600
Speaker 4: You know, is that the you know, the big one there.

176
00:08:53,480 --> 00:08:55,800
Speaker 3: But he doesn't like to play Vegas because for the

177
00:08:55,800 --> 00:08:58,439
Speaker 3: same reason he doesn't want to play Atlantic City because

178
00:08:58,440 --> 00:08:59,160
Speaker 3: of the casinos.

179
00:08:59,480 --> 00:09:03,000
Speaker 4: Bruce hates the casinos. So I saw him do that.

180
00:09:03,160 --> 00:09:06,520
Speaker 3: He didn't open with that because he always opens with

181
00:09:06,559 --> 00:09:08,800
Speaker 3: the same song when he plays in Vegas, which is

182
00:09:09,880 --> 00:09:10,960
Speaker 3: Viva las Vegas.

183
00:09:11,040 --> 00:09:12,800
Speaker 4: That's correct.

184
00:09:11,880 --> 00:09:16,360
Speaker 3: And when I saw him on the Rising tour, he

185
00:09:16,440 --> 00:09:19,719
Speaker 3: opened and closed with Viva las Vegas.

186
00:09:20,160 --> 00:09:21,520
Speaker 4: That's interesting, which was pretty neat.

187
00:09:21,559 --> 00:09:24,120
Speaker 2: Yeh, that's interesting, pretty neat.

188
00:09:23,960 --> 00:09:24,839
Speaker 4: But that that song.

189
00:09:25,000 --> 00:09:27,920
Speaker 3: That album came out in two thousand and two on

190
00:09:28,120 --> 00:09:31,800
Speaker 3: August fifth. It was the first album also with the

191
00:09:31,800 --> 00:09:39,160
Speaker 3: Eas Street Band in eighteen years. Buzz. So in nineteen

192
00:09:39,280 --> 00:09:43,840
Speaker 3: ninety four, Billy Idol not one of his finest moments.

193
00:09:43,920 --> 00:09:46,959
Speaker 3: He was fined after pleading guilty to assaulting a woman

194
00:09:47,760 --> 00:09:50,199
Speaker 3: in Hollywood. The story goes he assaulted a woman in

195
00:09:50,240 --> 00:09:53,040
Speaker 3: a Hollywood bar, But that's not the real story, Buzz.

196
00:09:53,880 --> 00:09:55,600
Speaker 4: That's the information we had. Initially.

197
00:09:55,640 --> 00:09:59,880
Speaker 3: I did a little research after I provided you with

198
00:09:59,880 --> 00:10:02,319
Speaker 3: the a little cute card on what I was doing.

199
00:10:02,840 --> 00:10:05,320
Speaker 3: What happened was he was in a car with a

200
00:10:05,360 --> 00:10:09,840
Speaker 3: woman named Amber Novelle, and while he was in the backseat,

201
00:10:10,320 --> 00:10:13,280
Speaker 3: he punched her once in the mouth and once in

202
00:10:13,360 --> 00:10:15,319
Speaker 3: the forehead, and if you remember, back in those.

203
00:10:15,240 --> 00:10:17,920
Speaker 4: Days, Billy wore those big silver rings.

204
00:10:17,920 --> 00:10:19,800
Speaker 3: She ended up with a concussion and a bunch of

205
00:10:19,880 --> 00:10:24,000
Speaker 3: lacerations and just a you know, a shitty moment for

206
00:10:24,320 --> 00:10:28,000
Speaker 3: her and an awful moment for him.

207
00:10:28,679 --> 00:10:30,920
Speaker 4: And he ended up with a couple of years of probation, a.

208
00:10:31,160 --> 00:10:34,599
Speaker 3: Small fine and had to do some anti drug PSAs

209
00:10:34,720 --> 00:10:35,120
Speaker 3: or something.

210
00:10:35,160 --> 00:10:37,760
Speaker 2: But yeah, nasty, yeah, bad moment.

211
00:10:38,440 --> 00:10:42,960
Speaker 3: August sixth, the Beatles released Help, their fifth studio album,

212
00:10:43,720 --> 00:10:51,040
Speaker 3: and and that's an interesting song musically because of the

213
00:10:51,120 --> 00:10:56,120
Speaker 3: opening chord, the opening chord, there are a lot of

214
00:10:56,240 --> 00:10:59,520
Speaker 3: people who have different opinions on what the actual chord

215
00:11:00,280 --> 00:11:02,680
Speaker 3: because there's a chord strike at the beginning of that song.

216
00:11:03,200 --> 00:11:03,880
Speaker 4: What that is.

217
00:11:04,440 --> 00:11:07,480
Speaker 3: If you go on YouTube and say opening chord search

218
00:11:07,520 --> 00:11:10,960
Speaker 3: opening chord of Help, there are all these different people

219
00:11:10,960 --> 00:11:13,160
Speaker 3: that will say it's a mixture of five different chords

220
00:11:13,200 --> 00:11:15,640
Speaker 3: played at once. It can never be. It's not a

221
00:11:15,640 --> 00:11:18,960
Speaker 3: one guitar kind of thing. It's an odd musically. It's

222
00:11:19,000 --> 00:11:23,080
Speaker 3: a very strange thing, but a wonderful song. And you

223
00:11:23,120 --> 00:11:25,560
Speaker 3: know me, I deep dive on the guitar stuff, so

224
00:11:26,400 --> 00:11:28,560
Speaker 3: you know, you know, go down the rabbit hole if

225
00:11:28,559 --> 00:11:28,840
Speaker 3: you want.

226
00:11:28,880 --> 00:11:29,240
Speaker 4: I don't know.

227
00:11:30,000 --> 00:11:33,760
Speaker 3: Nineteen ninety six, Oasis released Champagne Supernova in the US.

228
00:11:35,240 --> 00:11:38,200
Speaker 3: Those boys just got together again recently and didn't end

229
00:11:38,280 --> 00:11:40,880
Speaker 3: up beating the daylights out of each other, which was

230
00:11:40,880 --> 00:11:41,920
Speaker 3: a wonderful surprise.

231
00:11:42,440 --> 00:11:46,360
Speaker 1: I hope they've how dare we say, or how we say,

232
00:11:46,800 --> 00:11:50,240
Speaker 1: matured a bit. I hope they maybe have gotten some

233
00:11:50,320 --> 00:11:54,920
Speaker 1: of that, almost like the Davies brothers from the Kinks,

234
00:11:55,400 --> 00:11:59,400
Speaker 1: that fisticuff attitude out of their system.

235
00:11:59,720 --> 00:11:59,960
Speaker 2: Right.

236
00:12:00,000 --> 00:12:02,800
Speaker 3: I hope you boys cut this shit as they would say,

237
00:12:03,960 --> 00:12:05,480
Speaker 3: as they said when we were kids.

238
00:12:05,679 --> 00:12:08,280
Speaker 2: Yeah, but that song still holds up. I love that song.

239
00:12:08,600 --> 00:12:10,520
Speaker 4: Oh yeah, Champagne Supernova was great.

240
00:12:10,640 --> 00:12:10,840
Speaker 2: Yeah.

241
00:12:11,040 --> 00:12:15,480
Speaker 3: Nineteen ninety Stevie ray Vaughn gave his final performance at

242
00:12:15,520 --> 00:12:19,120
Speaker 3: Alpine Valley Music Theater. He died later in the month.

243
00:12:19,360 --> 00:12:21,680
Speaker 3: It's gonna come up, but this was his last one.

244
00:12:21,679 --> 00:12:24,520
Speaker 3: You remember this, the helicopter ride a really foggy night,

245
00:12:25,320 --> 00:12:29,720
Speaker 3: and he shouldn't have They shouldn't have been up, they

246
00:12:29,720 --> 00:12:30,640
Speaker 3: shouldn't have been flying.

247
00:12:31,559 --> 00:12:32,720
Speaker 2: It's a terrible story.

248
00:12:32,760 --> 00:12:36,880
Speaker 1: I had the privileged a few years prior of seeing

249
00:12:36,920 --> 00:12:42,319
Speaker 1: Stevie at the Grammy broadcast at my station in Columbus

250
00:12:42,400 --> 00:12:46,360
Speaker 1: was part of just a gentle soul.

251
00:12:46,640 --> 00:12:48,040
Speaker 2: You could just really get.

252
00:12:47,880 --> 00:12:54,480
Speaker 1: This feeling and another moment regarding Stevie that I'll never forget.

253
00:12:55,720 --> 00:13:00,000
Speaker 1: So it's a weekend out in Columbus, Ohio. I'm programming

254
00:13:00,200 --> 00:13:06,040
Speaker 1: QFM ninety six out in Columbus. My assistant program director

255
00:13:06,080 --> 00:13:10,920
Speaker 1: and music director Lisa Joe Robinson, the Great Joe Robinson.

256
00:13:11,480 --> 00:13:16,079
Speaker 1: Joe was on the air on Saturday midday and we

257
00:13:16,200 --> 00:13:20,920
Speaker 1: had heard the possibility of Stevie Ray passing by to

258
00:13:20,960 --> 00:13:24,840
Speaker 1: promote the show that night. And I'm listening and I

259
00:13:24,920 --> 00:13:28,320
Speaker 1: hear not only does Stevie pass by, because I think

260
00:13:28,360 --> 00:13:30,640
Speaker 1: we had a guitar around to see if he would

261
00:13:30,640 --> 00:13:33,840
Speaker 1: pick up the guitar, but he actually picked up the

262
00:13:33,880 --> 00:13:36,160
Speaker 1: guitar and gave it.

263
00:13:36,120 --> 00:13:37,600
Speaker 2: A whirl on the air.

264
00:13:37,880 --> 00:13:42,160
Speaker 1: It was one of those cool radio magical moments with

265
00:13:42,559 --> 00:13:43,800
Speaker 1: a legendary figure.

266
00:13:44,800 --> 00:13:48,960
Speaker 3: That's a pretty amazing story. What a wonderful guitar player

267
00:13:49,000 --> 00:13:51,280
Speaker 3: he was. Do you ever see the video of him

268
00:13:51,840 --> 00:13:55,200
Speaker 3: breaking a string plan like the middle of Cold Shot,

269
00:13:55,240 --> 00:13:58,120
Speaker 3: he breaks his high E string or something and the

270
00:13:58,160 --> 00:14:03,080
Speaker 3: guitar tech comes out and they change guitars while he's playing.

271
00:14:04,200 --> 00:14:07,440
Speaker 3: Literally he slides one guitar off of him, Stevie takes

272
00:14:07,480 --> 00:14:10,000
Speaker 3: the other one. They plug it in. Doesn't miss a beat.

273
00:14:10,640 --> 00:14:15,000
Speaker 3: Crazy video, that's a movie. That's a that's a huge move. Yep, guys,

274
00:14:15,000 --> 00:14:19,520
Speaker 3: a legend. On August seventh, the next day, Christine mcviee

275
00:14:19,520 --> 00:14:23,600
Speaker 3: officially joined Fleetwood Mac. She ended up passing away unfortunately,

276
00:14:24,000 --> 00:14:27,080
Speaker 3: just a few years ago November of twenty twenty two.

277
00:14:27,680 --> 00:14:30,280
Speaker 3: She was seventy nine years old, but she had she

278
00:14:30,360 --> 00:14:33,680
Speaker 3: made a huge difference in that band as a keyboard

279
00:14:33,720 --> 00:14:34,880
Speaker 3: player and writer.

280
00:14:35,560 --> 00:14:42,480
Speaker 1: Oh tremendously respected by her bandmates, former lovers, but also

281
00:14:42,720 --> 00:14:45,320
Speaker 1: just in general in the whole you know, industry.

282
00:14:45,880 --> 00:14:50,040
Speaker 3: Yeah, she had a stroke. I think as a result

283
00:14:50,120 --> 00:14:53,240
Speaker 3: of her answer. She had metastatic cancer of some sort.

284
00:14:54,000 --> 00:14:58,160
Speaker 3: And she's responsible for Don't Stop for You, Make Love

285
00:14:58,200 --> 00:15:04,040
Speaker 3: and Fun for Lies and many more of fleebod Max's songs.

286
00:15:04,080 --> 00:15:06,040
Speaker 4: A staple of rock.

287
00:15:05,880 --> 00:15:09,200
Speaker 3: And adult contemporary radio and our staple of our lives

288
00:15:09,280 --> 00:15:13,040
Speaker 3: right right, oh Yeah. Nineteen ninety seven, Garth Brooks played

289
00:15:13,040 --> 00:15:16,000
Speaker 3: to over seven hundred and fifty thousand people in Central

290
00:15:16,040 --> 00:15:19,160
Speaker 3: Park in New York. I got the information, and then

291
00:15:19,200 --> 00:15:24,040
Speaker 3: I went and googled the largest concert in Central Park,

292
00:15:24,680 --> 00:15:30,480
Speaker 3: and the Central Park you know organization actually gave me

293
00:15:30,560 --> 00:15:34,040
Speaker 3: information that told me what we found on the rock

294
00:15:34,120 --> 00:15:37,880
Speaker 3: history sites was incorrect. There's actually nine hundred and eighty

295
00:15:38,000 --> 00:15:41,920
Speaker 3: thousand people according to Central Park, almost a million people

296
00:15:42,280 --> 00:15:44,680
Speaker 3: for Garth Brooks. That's the biggest concert in history there.

297
00:15:45,560 --> 00:15:50,120
Speaker 1: And it's pretty remarkable thinking about that because at that point,

298
00:15:50,160 --> 00:15:55,880
Speaker 1: certainly nineteen ninety seven, yeah, country music in terms of

299
00:15:55,920 --> 00:16:00,360
Speaker 1: where country music, you know, in popularity would ultimately go

300
00:16:00,560 --> 00:16:06,000
Speaker 1: in many markets. It was not a New York thing

301
00:16:06,080 --> 00:16:10,120
Speaker 1: country music. They were fans, certainly, and Garth was a

302
00:16:10,120 --> 00:16:14,360
Speaker 1: bigger than life artist, no doubt, but just putting it

303
00:16:14,400 --> 00:16:17,160
Speaker 1: in that perspective on the market, even though it was

304
00:16:17,160 --> 00:16:22,160
Speaker 1: the biggest market in the US, still it was not

305
00:16:22,280 --> 00:16:26,280
Speaker 1: a big country market to this day, and yet Garth,

306
00:16:26,840 --> 00:16:31,480
Speaker 1: being a massive entertainer, was able to make that happen.

307
00:16:31,760 --> 00:16:33,360
Speaker 4: I didn't even think about it like that.

308
00:16:33,400 --> 00:16:36,840
Speaker 3: And if you remember, you know, this was at a

309
00:16:36,880 --> 00:16:40,560
Speaker 3: time when they were calling it contemporary country, right, there

310
00:16:40,560 --> 00:16:42,440
Speaker 3: was a difference. There was you know, your Hank Williams

311
00:16:42,480 --> 00:16:45,600
Speaker 3: and your Merle Haggard, which was country and Johnny Cash country,

312
00:16:46,160 --> 00:16:48,880
Speaker 3: and then you had contemporary country that was at that

313
00:16:49,000 --> 00:16:49,720
Speaker 3: time too.

314
00:16:49,880 --> 00:16:50,040
Speaker 4: Right.

315
00:16:50,360 --> 00:16:52,400
Speaker 2: Oh yeah, so for sure.

316
00:16:52,600 --> 00:16:58,160
Speaker 1: And Garth has a cameo apparently in the Spinal Tap

317
00:16:58,680 --> 00:17:00,480
Speaker 1: reboot that will be coming out in the fall.

318
00:17:00,880 --> 00:17:02,800
Speaker 3: He's been busy on film. He was in the Billy

319
00:17:02,880 --> 00:17:07,880
Speaker 3: Joel documentary as well. We didn't look like himself, which

320
00:17:07,960 --> 00:17:09,640
Speaker 3: was very interesting to me. It caught me off guard

321
00:17:09,680 --> 00:17:11,399
Speaker 3: when I saw his name. I thought, boy, he's that

322
00:17:11,520 --> 00:17:14,560
Speaker 3: Garth Brooks. Didn't look bad, it was just different.

323
00:17:14,760 --> 00:17:18,280
Speaker 1: I saw him at a little bar five years ago,

324
00:17:18,320 --> 00:17:23,840
Speaker 1: I believe in Nashville, of three hundred program directors of

325
00:17:23,920 --> 00:17:27,320
Speaker 1: country stations, and we could literally.

326
00:17:27,200 --> 00:17:30,080
Speaker 2: Almost almost touch him. It was such a small venue.

327
00:17:30,320 --> 00:17:34,359
Speaker 3: Amazing show, those shows where you get to see people

328
00:17:34,480 --> 00:17:38,560
Speaker 3: like that. You know, Garth, we you know, we talked

329
00:17:38,600 --> 00:17:44,800
Speaker 3: about Aerosmith, you know, at a club in Cambridge. Chuck Nolan,

330
00:17:44,840 --> 00:17:48,440
Speaker 3: our friend from w ZLX, tells a great story about

331
00:17:48,440 --> 00:17:52,399
Speaker 3: Brian Adams at a record company party in Los Angeles

332
00:17:52,400 --> 00:17:56,639
Speaker 3: for Radio Records, where Brian Adams plays, you know, two songs,

333
00:17:56,640 --> 00:17:59,159
Speaker 3: comes out, plays like two songs, and you know, the

334
00:17:59,200 --> 00:18:01,760
Speaker 3: crowds just you know, a bunch of snooty radio and

335
00:18:01,800 --> 00:18:06,600
Speaker 3: record people and Brian Adams screw it and he starts

336
00:18:06,640 --> 00:18:09,600
Speaker 3: taking requests from the audience and that got everyone into it.

337
00:18:09,640 --> 00:18:12,080
Speaker 3: And you know, just a small room, but those those

338
00:18:12,119 --> 00:18:16,080
Speaker 3: small venues, seeing people in small venues. I saw Bruce

339
00:18:16,119 --> 00:18:19,000
Speaker 3: and a bar in Pittsburgh with Joe Grisheki. You know,

340
00:18:19,080 --> 00:18:22,960
Speaker 3: I was twenty feet from the stage. Those little, you know,

341
00:18:23,040 --> 00:18:25,359
Speaker 3: intimate things are kind of great places.

342
00:18:25,000 --> 00:18:25,840
Speaker 4: To see these guys.

343
00:18:26,000 --> 00:18:27,000
Speaker 2: Oh amen to that.

344
00:18:27,840 --> 00:18:32,159
Speaker 3: August eighth, nineteen sixty nine. Another Beatles story. This is

345
00:18:32,160 --> 00:18:35,280
Speaker 3: a good one. Beatles walked across that crossing the Zebra

346
00:18:35,320 --> 00:18:38,040
Speaker 3: crossing for the Abbey Road album cover.

347
00:18:39,880 --> 00:18:41,280
Speaker 2: Listen, they did.

348
00:18:41,160 --> 00:18:44,639
Speaker 1: It, and then nine billion people since have done it

349
00:18:44,680 --> 00:18:47,320
Speaker 1: as well, me including yeah.

350
00:18:47,640 --> 00:18:50,840
Speaker 3: Right, I think you know, you look at the most

351
00:18:50,960 --> 00:18:53,959
Speaker 3: legendary album covers of all time, you get Dark Side

352
00:18:54,000 --> 00:18:56,920
Speaker 3: and you know Iavy Roads, you know, right up there

353
00:18:57,000 --> 00:18:59,960
Speaker 3: with with that in terms of recognizability.

354
00:19:00,280 --> 00:19:00,560
Speaker 2: YEP.

355
00:19:01,440 --> 00:19:04,280
Speaker 3: Nineteen seventy five, August eighth, Hank Williams Junior felt five

356
00:19:04,480 --> 00:19:08,960
Speaker 3: hundred feet down a mountain and suffered multiple injuries. He

357
00:19:09,160 --> 00:19:11,520
Speaker 3: obviously lived through that and was you know, I ended

358
00:19:11,600 --> 00:19:14,560
Speaker 3: up okay, But five hundred feet's a hell of a

359
00:19:14,600 --> 00:19:15,880
Speaker 3: fall bus a fall.

360
00:19:16,359 --> 00:19:16,959
Speaker 4: Yeah.

361
00:19:17,200 --> 00:19:19,200
Speaker 3: Nineteen eighty eight, you two played the final show of

362
00:19:19,240 --> 00:19:22,480
Speaker 3: the Joshua Tree tour in France. Just you know, we

363
00:19:22,520 --> 00:19:26,560
Speaker 3: talked about Joshua Tree, you know, an episode not long

364
00:19:26,600 --> 00:19:31,080
Speaker 3: ago and just probably, in my opinion, the best of

365
00:19:31,119 --> 00:19:34,160
Speaker 3: the You two albums too. Yeah, you said the same thing, yep.

366
00:19:35,160 --> 00:19:38,000
Speaker 3: August ninth, nineteen ninety five. I remember this. I remember

367
00:19:38,000 --> 00:19:40,880
Speaker 3: exactly where I was for this. Jerry Garcia, the Grateful

368
00:19:40,880 --> 00:19:44,160
Speaker 3: Dead died. It was fifty three years old. Where were

369
00:19:44,240 --> 00:19:47,639
Speaker 3: you when Jerry Garcia died? Well, I remember it was

370
00:19:47,680 --> 00:19:50,679
Speaker 3: z l X time. I don't remember exactly where. I

371
00:19:50,720 --> 00:19:53,040
Speaker 3: think we may be at work or something like that.

372
00:19:53,080 --> 00:19:54,720
Speaker 3: It might have been one of our co workers.

373
00:19:54,760 --> 00:19:57,560
Speaker 1: It could have been the late Aul of me you

374
00:19:57,760 --> 00:20:01,560
Speaker 1: who possibly told us about Jerry's passing. It could have

375
00:20:01,640 --> 00:20:07,480
Speaker 1: been but that was you know Jerry. To this day,

376
00:20:08,760 --> 00:20:11,680
Speaker 1: when you have someone who is viewed by only their

377
00:20:11,720 --> 00:20:12,600
Speaker 1: first name.

378
00:20:12,720 --> 00:20:16,760
Speaker 2: Jerry, just you what else can you say?

379
00:20:17,320 --> 00:20:19,480
Speaker 4: Yeah, crazy story. I was in.

380
00:20:20,840 --> 00:20:23,560
Speaker 3: It was responsible for some stations around New England at

381
00:20:23,560 --> 00:20:25,560
Speaker 3: the time, and I was up in Burlington, Vermont, which

382
00:20:25,600 --> 00:20:28,639
Speaker 3: is you know, as close as you get to Jerry

383
00:20:28,640 --> 00:20:30,600
Speaker 3: Garcia country at that time. I remember there was a

384
00:20:30,680 --> 00:20:35,720
Speaker 3: vigil on Battery Street in Burlington, Vermont for him, so

385
00:20:36,359 --> 00:20:40,760
Speaker 3: big deal. On nineteen in August ninth, nineteen sixty three,

386
00:20:40,760 --> 00:20:44,760
Speaker 3: Whitney Houston was born in Newark, New Jersey. Unbelievable career,

387
00:20:45,359 --> 00:20:48,960
Speaker 3: you know that, just the voice of an angel, that

388
00:20:49,280 --> 00:20:53,280
Speaker 3: national anthem at the Super Bowl after around the Gulf War.

389
00:20:53,560 --> 00:20:59,160
Speaker 3: Just unbelievable and just a crazy and sad end.

390
00:21:00,560 --> 00:21:03,919
Speaker 2: To her life, I know, so sad with so much talent,

391
00:21:04,160 --> 00:21:04,720
Speaker 2: Like God.

392
00:21:04,840 --> 00:21:09,040
Speaker 4: Just awful, you know. I think.

393
00:21:10,440 --> 00:21:13,840
Speaker 3: I think back to the early days of reality TV

394
00:21:15,000 --> 00:21:20,440
Speaker 3: and seeing that Bobby Brown Whitney Houston show, and it

395
00:21:20,600 --> 00:21:22,639
Speaker 3: might have been around the same time as the Osbourne's

396
00:21:22,720 --> 00:21:26,439
Speaker 3: and I remember thinking to myself, whoever would have thought

397
00:21:27,119 --> 00:21:29,919
Speaker 3: two of these huge icons and music, Whitney on one

398
00:21:29,960 --> 00:21:34,359
Speaker 3: side and Nausey on the other. Whitney's with Bobby was

399
00:21:34,440 --> 00:21:37,880
Speaker 3: just so painful. I couldn't turn away from it, though.

400
00:21:37,920 --> 00:21:39,520
Speaker 3: Did you ever watch that show?

401
00:21:40,400 --> 00:21:43,600
Speaker 1: I could not watch it. I just I couldn't. I

402
00:21:43,600 --> 00:21:45,880
Speaker 1: couldn't watch it. It was just horrible.

403
00:21:46,080 --> 00:21:46,320
Speaker 4: Yeah.

404
00:21:46,880 --> 00:21:51,080
Speaker 3: Nineteen seventy four, Eric Clapton released I Shot the Sheriff.

405
00:21:51,320 --> 00:21:55,520
Speaker 4: Would later go to number one. Great Eric Clapton song.

406
00:21:55,600 --> 00:21:57,120
Speaker 2: Four sixty one Ocean Boulevard.

407
00:21:57,200 --> 00:22:00,480
Speaker 3: Right, that's correct, another album with a bunch of tracks

408
00:22:00,480 --> 00:22:01,120
Speaker 3: on yep.

409
00:22:01,400 --> 00:22:03,960
Speaker 4: Great album. August tenth, nineteen.

410
00:22:03,720 --> 00:22:06,320
Speaker 3: Seventy six, Elton John began his ten night run at

411
00:22:06,400 --> 00:22:11,360
Speaker 3: Madison Square Garden, and he would later be outdone, obviously

412
00:22:11,359 --> 00:22:14,119
Speaker 3: by Billy Joel, who did you know over one hundred

413
00:22:14,240 --> 00:22:19,520
Speaker 3: nights at Madison Square Garden. We both watched the Billy

414
00:22:19,600 --> 00:22:23,240
Speaker 3: Joel documentary. We're gonna I think we're gonna end up

415
00:22:23,240 --> 00:22:26,320
Speaker 3: talking about this. We should actually just do an episode,

416
00:22:26,640 --> 00:22:29,280
Speaker 3: you know, on the Billy Joel thing, because it's just

417
00:22:29,320 --> 00:22:30,440
Speaker 3: so unbelievable.

418
00:22:30,640 --> 00:22:30,920
Speaker 2: Yep.

419
00:22:31,720 --> 00:22:34,800
Speaker 3: Your wife is the perfect example of someone because the

420
00:22:34,880 --> 00:22:36,880
Speaker 3: two of you watched it together and she's not even

421
00:22:36,920 --> 00:22:40,480
Speaker 3: a Billy Joel fan, you said, and you know, it

422
00:22:40,520 --> 00:22:41,560
Speaker 3: probably turned her into one.

423
00:22:41,640 --> 00:22:44,920
Speaker 1: Right, And and we went into the rabbit hole listening

424
00:22:44,920 --> 00:22:46,960
Speaker 1: to you know, some of the stuff.

425
00:22:47,200 --> 00:22:49,679
Speaker 2: You know, which one we kept coming back to.

426
00:22:49,840 --> 00:22:53,000
Speaker 1: We've come back to that one previously, but that really

427
00:22:54,280 --> 00:22:57,560
Speaker 1: in the in the playlist just was given some plays

428
00:22:57,600 --> 00:22:58,320
Speaker 1: over the weekend.

429
00:22:58,800 --> 00:22:59,679
Speaker 2: This is the time.

430
00:23:01,200 --> 00:23:04,879
Speaker 3: Oh yeah, yeah, I forgot I got to write that

431
00:23:04,960 --> 00:23:13,399
Speaker 3: down this time. So the information that we learned about

432
00:23:13,440 --> 00:23:16,919
Speaker 3: Billy and Elton playing together, because there was this rivalry

433
00:23:18,119 --> 00:23:19,960
Speaker 3: between the two of them at the beginning. Billy didn't

434
00:23:19,960 --> 00:23:23,159
Speaker 3: want to be compared to Elton. There was this you

435
00:23:23,200 --> 00:23:27,199
Speaker 3: know thing with that. There was like Stallone and Schwarzenegger, right,

436
00:23:27,240 --> 00:23:31,120
Speaker 3: it was, you know, the two kings of the piano

437
00:23:31,200 --> 00:23:36,439
Speaker 3: playing world, and you know this thing between Elton and

438
00:23:36,480 --> 00:23:38,520
Speaker 3: Billy which was interesting, and they ended up working together

439
00:23:39,040 --> 00:23:42,200
Speaker 3: and then seeing Billy fall apart during those shows and

440
00:23:42,560 --> 00:23:45,480
Speaker 3: Elton coming out saying you got to get some help,

441
00:23:45,560 --> 00:23:46,040
Speaker 3: my friend.

442
00:23:46,320 --> 00:23:50,000
Speaker 2: Yeah, that part. I didn't realize they had played so

443
00:23:50,119 --> 00:23:52,240
Speaker 2: many dates. I remember that they were.

444
00:23:52,119 --> 00:23:54,960
Speaker 1: Out, but I didn't realize for that length of time.

445
00:23:56,119 --> 00:23:59,880
Speaker 1: Although I was talking to a friend last week about

446
00:24:00,640 --> 00:24:04,439
Speaker 1: the Billy Joel documentary and the Elton relationship, and he

447
00:24:04,480 --> 00:24:07,920
Speaker 1: had been to a few of the shows. Unfortunately, he

448
00:24:07,960 --> 00:24:10,240
Speaker 1: had been to a few of the shows where Billy

449
00:24:10,600 --> 00:24:13,080
Speaker 1: had to leave because he was not feeling well.

450
00:24:15,240 --> 00:24:17,480
Speaker 4: Owed for maybe a little inebriated.

451
00:24:17,800 --> 00:24:20,919
Speaker 3: Yeah, yeah, not great, but at any rate, this in

452
00:24:21,000 --> 00:24:23,440
Speaker 3: nineteen seventy six, this is a big deal. Ten nights

453
00:24:23,440 --> 00:24:28,320
Speaker 3: Madison Square Garden for Captain fantastic nineteen eighty five. On

454
00:24:28,359 --> 00:24:32,160
Speaker 3: August tenth, Michael Jackson bought the publishing rights to most

455
00:24:32,160 --> 00:24:34,480
Speaker 3: of the Beatles catalog for forty seven and a half

456
00:24:34,480 --> 00:24:35,119
Speaker 3: million bucks.

457
00:24:35,400 --> 00:24:38,639
Speaker 4: This was a big deal at the time. People weren't

458
00:24:38,640 --> 00:24:39,000
Speaker 4: doing this.

459
00:24:39,240 --> 00:24:45,840
Speaker 1: That's right, and it would appear even though adjusting for inflation.

460
00:24:46,160 --> 00:24:47,359
Speaker 2: Then he got a pretty good deal.

461
00:24:48,040 --> 00:24:50,399
Speaker 4: I think he got a great deal. I think he

462
00:24:50,480 --> 00:24:51,560
Speaker 4: got a great deal.

463
00:24:51,920 --> 00:24:55,520
Speaker 3: Bob Dylan sold his stuff for three hundred million, Springsteen

464
00:24:55,560 --> 00:24:58,359
Speaker 3: for five hundred million, Neil Young for three hundred million.

465
00:24:58,400 --> 00:25:01,320
Speaker 3: I mean, there's he he got a as we say,

466
00:25:01,440 --> 00:25:03,520
Speaker 3: back where you are, we got a boggin on that.

467
00:25:03,880 --> 00:25:05,280
Speaker 4: That's right question.

468
00:25:06,040 --> 00:25:09,680
Speaker 3: Nineteen eighty seven, Wilson Pickett, in the midnight hour was

469
00:25:09,800 --> 00:25:15,080
Speaker 3: arrested for driving a car into a bar while already in.

470
00:25:15,040 --> 00:25:18,960
Speaker 2: Toxicab Not exactly a great move, no.

471
00:25:18,440 --> 00:25:22,960
Speaker 3: And that That is the last item for the week

472
00:25:23,640 --> 00:25:28,080
Speaker 3: ending August tenth, August fourth through the tenth Music History.

473
00:25:28,040 --> 00:25:32,080
Speaker 1: Well, thank you, Harry Jacobs. Another whirlwind of a week

474
00:25:32,160 --> 00:25:34,520
Speaker 1: in music history. I do want to give a shout

475
00:25:34,520 --> 00:25:37,720
Speaker 1: out to a dear friend, Kevin Robinson, who.

476
00:25:37,560 --> 00:25:41,360
Speaker 2: Loves listening to this week in music history.

477
00:25:41,119 --> 00:25:47,040
Speaker 1: He's out in the great state of Indiana, So hello Kevin,

478
00:25:47,119 --> 00:25:49,439
Speaker 1: thanks for checking us out, and thanks to all of

479
00:25:49,480 --> 00:25:50,680
Speaker 1: you for checking out this.

480
00:25:50,680 --> 00:25:53,440
Speaker 2: Week in music history. We are part of the iHeart

481
00:25:53,480 --> 00:25:54,440
Speaker 2: Podcast Network.