WEBVTT - Live from Las Vegas with JC Chasez (Part 2)

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<v Speaker 1>This is Frosted Tips with Lance Bass and iHeartRadio Podcast. Hello,

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<v Speaker 1>my little Peanuts, it's me your host, Lance Bass. This

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<v Speaker 1>is Frosted Tips Part two with j C. Sus Hold

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<v Speaker 1>and Drew Boo is now joining us. What's up everybody?

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<v Speaker 1>If you don't know who Drew Boo is from our

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<v Speaker 1>our past radio shows, you were my producer, co host extraordinaire.

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<v Speaker 1>You put all the fun games together, which We're gonna

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<v Speaker 1>play a game with jac in just a few minutes.

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<v Speaker 1>So catch us up. Drew bo what's been going on?

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<v Speaker 2>I mean, I'm here for your birthday weekend and I'm

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<v Speaker 2>not gonna waste time talking about myself. I'm gonna get

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<v Speaker 2>to the fun, all right. I haven't even had a

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<v Speaker 2>cocktail since I've landed.

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<v Speaker 1>All right, good, I like, I like where your heads

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<v Speaker 1>at Before we get into the next segment here, I

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<v Speaker 1>forgot to ask you the Wiltern. You know when we

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<v Speaker 1>when we performed at the Wiltern at Justin's show, Uh,

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<v Speaker 1>what were your thoughts? What was that moment like for you?

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<v Speaker 1>Because I know what it felt like for me, But

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<v Speaker 1>what what were you thinking when that happened?

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<v Speaker 3>I look, I thought it was I thought It was

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<v Speaker 3>really really sweet of Justin to call us and and

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<v Speaker 3>it was so last minute.

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<v Speaker 1>I guess it was, I like, that's with everything.

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<v Speaker 4>Yeah, yeah, so but it ended up being a lot

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<v Speaker 4>of fun.

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<v Speaker 3>Look the the DJs whole setup, it felt like karaoke,

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<v Speaker 3>you know, it was like and then uh, we got

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<v Speaker 3>to settle down and literally just a you know, a

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<v Speaker 3>few people got to hear the new song live, and

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<v Speaker 3>I thought that that was really neat.

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<v Speaker 4>It was like, oh, we got to uh do.

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<v Speaker 3>Something totally unique because everybody's heard all those other songs before,

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<v Speaker 3>so to be able to sing a new song was

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<v Speaker 3>was really really fun.

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<v Speaker 1>And put all those songs together and medley for him too,

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<v Speaker 1>and then to go into a new song and that's

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<v Speaker 1>definitely something of the fans have never been able to see.

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<v Speaker 3>And again it was it was all you know again

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<v Speaker 3>because Justin was generous enough to share his audience with us,

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<v Speaker 3>you know, I mean, that's that's his show, right, Like

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<v Speaker 3>he didn't have to do it, but he he all

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<v Speaker 3>of a sudden, he was just kind of like, hey,

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<v Speaker 3>is everybody in town or could everybody be in town?

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<v Speaker 2>And I don't know if you talked about this really,

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<v Speaker 2>but I'm so curious as to like, what is how

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<v Speaker 2>do you land on that first new song after being

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<v Speaker 2>apart for so long and the sound of it, you know,

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<v Speaker 2>you kind of nailed it. Everybody was like, ooh, it

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<v Speaker 2>is them, but it's an evolution.

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<v Speaker 4>Well it's a Justin record, you know what I mean.

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<v Speaker 3>That's the reality. It's like it's Justin featuring in sync.

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<v Speaker 3>And this song was for his album he had he

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<v Speaker 3>had it recorded. Originally, I don't know, I'm not even

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<v Speaker 3>supposed to say this, but originally I learned another song.

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<v Speaker 3>He played me another song originally that he wanted the band.

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<v Speaker 3>He was trying to decide between two songs, and he's like,

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<v Speaker 3>should should we do this one or should we do

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<v Speaker 3>this one? Should we do this one or should we

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<v Speaker 3>do this one? I've been thinking about this. I think

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<v Speaker 3>it would be cool for like if it was the band.

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<v Speaker 3>But then I really like this one and it might

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<v Speaker 3>be great for the band, and I'm not sure. So

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<v Speaker 3>I originally learned a totally different song.

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<v Speaker 1>Really, yeah, did you record it or just like so.

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<v Speaker 3>It was like kind of getting towards the end of

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<v Speaker 3>the night and I had I learned. I sat in

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<v Speaker 3>the room and like, listened to it a bunch and

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<v Speaker 3>I had learned it, and by the by the end

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<v Speaker 3>of the evening, it was kind of like, you know what,

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<v Speaker 3>it's getting late, let's just come back fresh. And then

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<v Speaker 3>time went by, and then it was later when it

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<v Speaker 3>was kind of like, no, this is the one.

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<v Speaker 1>So that's when he went back to and Paradise. I'm

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<v Speaker 1>telling you it is, you know, a love letter to

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<v Speaker 1>the fans. I thought it was so beautiful. I loved,

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<v Speaker 1>you know, our sound. Just it's funny to come back

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<v Speaker 1>together after what is it, twenty two years, And I.

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<v Speaker 3>Think that's why he ended up going back to it,

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<v Speaker 3>you know again, when he was going back and forth

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<v Speaker 3>between the two songs, he wasn't sure and then I

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<v Speaker 3>think something clicked for him and he I think, you know,

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<v Speaker 3>heard it in his mind event that no, this is.

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<v Speaker 2>That well you know what lands actually, JC is gonna

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<v Speaker 2>do a cappella the other song that nobody's ever heard

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<v Speaker 2>ahead Live from Las Vegas, the unreleased You'll Never Know.

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<v Speaker 1>You know, this show is possible today with our sponsor OTESLA.

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<v Speaker 1>I have suffered from black sariasis, Yes, yes, I get

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<v Speaker 1>to say that I've suffered from black soriasis and it

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<v Speaker 1>was always on, like my knees especially, and that's why

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<v Speaker 1>I never wore shorts or anything like that. So I

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<v Speaker 1>want to know shy country boy country Boar with his

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<v Speaker 1>black sariasis. But I you know, you're so confident on

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<v Speaker 1>stage and you're so confident in everything you do, and

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<v Speaker 1>you're writing your musicals and you're in the studio, do

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<v Speaker 1>you have any insecurity?

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<v Speaker 4>Of course?

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<v Speaker 1>Like what can what can you tell us? Because I

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<v Speaker 1>need to know something.

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<v Speaker 4>Tell me everything.

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<v Speaker 1>I feel a little better about myself.

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<v Speaker 4>Now, come on, man, we all everybody.

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<v Speaker 3>There's no way that everyone on earth is going to

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<v Speaker 3>think that everything they do is perfect. I'm well, never mind,

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<v Speaker 3>there are a few narcis, but no, I examine everything

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<v Speaker 3>when you're on stage. There are always moments of insecurity

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<v Speaker 3>when I'm on stage, but it's a matter of you're

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<v Speaker 3>there too to perform, and so that's part of the

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<v Speaker 3>performance is even when you're a bit insecure, you push

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<v Speaker 3>through it, or you.

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<v Speaker 4>Know you don't. Somehow you don't want to ruin the illusion.

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<v Speaker 3>Because that's what the fans are there for. They're there

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<v Speaker 3>for the show. You don't want to make the show

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<v Speaker 3>just about you. You're there for them, so you focus

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<v Speaker 3>on their needs.

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<v Speaker 1>All right, dreww, I know you have put together a

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<v Speaker 1>fun game for us. We love our games on our

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<v Speaker 1>last show, so let's bring it back. We got JC here,

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<v Speaker 1>what what is this game? Because I don't even know.

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<v Speaker 4>This game is called Michael Overslept.

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<v Speaker 2>No, No, I got a game and it's called The

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<v Speaker 2>Lyrics Schmiricks. Game.

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<v Speaker 4>Definitely gonna lose.

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<v Speaker 1>I know, I know.

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<v Speaker 4>But and they're your own songs, which is exactly why

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<v Speaker 4>created this game.

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<v Speaker 1>Because you know, I don't know any lyrics to any song.

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<v Speaker 2>I mean, that's exactly why I created it.

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<v Speaker 3>Because he's gonna be like, remember this B side you

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<v Speaker 3>did in Germany?

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<v Speaker 2>Well that's actually the first one. No, no, okay, here's

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<v Speaker 2>how it works. I've got a list of incomplete in

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<v Speaker 2>sync song lyrics, Lance and Jac. You're gonna compete to

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<v Speaker 2>see who can fill in the blanks with the right lyrics.

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<v Speaker 2>Will start easy, We'll get harder as we go. And

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<v Speaker 2>just if you know it, just say it were you know, yeah,

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<v Speaker 2>just blurt it out. So first one is from No

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<v Speaker 2>Strings Attached. Hey, you guys remember that the album. Yes

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<v Speaker 2>it's not I'm not telling you what the song is. Okay,

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<v Speaker 2>well it's not a fit. Finish the lyric. Okay, here's

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<v Speaker 2>here it is. He's not the type you said you liked.

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<v Speaker 2>His style is whack clothes are bad. No, you're missing

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<v Speaker 2>a couple of words as usual.

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<v Speaker 1>Is yeah? So yeah, yeah, that's the song.

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<v Speaker 3>Soothes are bad? What uh something?

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<v Speaker 4>I want? You call me a hater?

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<v Speaker 1>I mean this is hilarious.

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<v Speaker 2>You literally have sung this song a thousand times, if

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<v Speaker 2>not small.

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<v Speaker 4>Yeah, and this is your No. This that's Justin's line,

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<v Speaker 4>isn't it.

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<v Speaker 2>His style is wack clothes are bad.

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<v Speaker 1>Blurt it out. Yeah, exactly, come on, girl, let him go.

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<v Speaker 1>I want you back.

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<v Speaker 3>What I have a theory. My theory is about eighty

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<v Speaker 3>percent of these. All you have to do is say, girl,

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<v Speaker 3>we were in a boy band, sorry.

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<v Speaker 4>Lance, but all had all the fun. I mean it's like, girl, girl.

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<v Speaker 1>I got that I want you back part though, and

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<v Speaker 1>it is my favorite song we've recorded. I still don't

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<v Speaker 1>know the words. It's wild.

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<v Speaker 4>So you just missed. Come on, girl, I want you back, right.

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<v Speaker 1>Come on, girl, let him go.

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<v Speaker 4>I want you let him go. I want words you missed?

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<v Speaker 1>All right?

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<v Speaker 4>Anyway, we knew the song here's another one.

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<v Speaker 1>It's from Celebrity. Here it goes.

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<v Speaker 2>It's almost two o'clock. It's time to make my move.

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<v Speaker 2>The after hours spot is where I'm going to.

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<v Speaker 1>Groove? Is this just got paid.

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<v Speaker 2>From celebrity some more looking for somebody to hit the

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<v Speaker 2>dance floor, and lucky for me, I.

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<v Speaker 1>See this is a two step one maybe uh, just

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<v Speaker 1>the two of us.

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<v Speaker 3>No, it's so hard to hear Okay, it's hard to

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<v Speaker 3>hear it when you don't have the music.

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<v Speaker 4>That's my problem.

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<v Speaker 1>But can't you just sing first?

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<v Speaker 3>No?

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<v Speaker 1>I can't leave.

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<v Speaker 3>The lights went low and the disco ball came down.

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<v Speaker 3>It's like that's you need the melody to recall these things.

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<v Speaker 4>Won't you sing it?

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<v Speaker 1>No?

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<v Speaker 4>No, No, You're gonna do this.

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<v Speaker 1>You're gonna You're gonna sing this next one.

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<v Speaker 2>Just think the bold letters and then see if lance

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<v Speaker 2>can get.

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<v Speaker 4>What am I gonna do?

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<v Speaker 1>There? I gonna do this.

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<v Speaker 3>I'm gonna tell you about this song, this song right here.

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<v Speaker 3>You don't want to do this one?

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<v Speaker 1>Is it techno song that we did?

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<v Speaker 3>It's it's from the it's from it's from the early days.

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<v Speaker 3>It's not any love, but it's it's in that Wheelhouse.

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<v Speaker 3>So we used to schlept through this song on the

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<v Speaker 3>on stage.

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<v Speaker 1>Like it was the view the listeners what we're talking.

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<v Speaker 4>So the songs called you got it and I got yeah,

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<v Speaker 4>I'll do.

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<v Speaker 1>Whatever it takes, I'll do whatever it yeah.

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<v Speaker 3>And I remember there was a point where at least

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<v Speaker 3>one of us, and I can't remember which one of us.

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<v Speaker 4>Like literally hit a wall with it.

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<v Speaker 3>It was just like, I can't do this song anymore live.

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<v Speaker 3>It's driving me nuts.

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<v Speaker 4>I don't agree with here we go okay, yeah, and

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<v Speaker 4>I think it might it.

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<v Speaker 3>Actually I can't remember who who it was, but I

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<v Speaker 3>remember we were on stage and it was.

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<v Speaker 4>Just like, I can't do this song anymore. I just

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<v Speaker 4>can't do this song anymore. I was like, okay, you know,

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<v Speaker 4>we'll put another record in. Yeah.

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<v Speaker 1>It didn't last for the tour.

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<v Speaker 4>Yeah, it was on the tour.

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<v Speaker 2>I really think this is a game for Lance because

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<v Speaker 2>literally he doesn't know anything.

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<v Speaker 1>I mean everyone knows. It's like, I know no lyrics.

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<v Speaker 3>Wait, because you're choosing records by the way that you

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<v Speaker 3>know that's from the first record. So we we only

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<v Speaker 3>probably toured that on the very first tour.

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<v Speaker 1>In Germany of the game master.

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<v Speaker 2>That's what I'm calling my Wow master. Okay, I just

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<v Speaker 2>like came out and I'm going with it all right.

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<v Speaker 1>What about this? Let's see, let's just do this one. Oh.

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<v Speaker 3>I love that I get all the answers before you

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<v Speaker 3>by Why can't I.

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<v Speaker 1>Sing it to him?

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<v Speaker 2>Sing this to him and.

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<v Speaker 1>See if you get the last two? Okay?

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<v Speaker 4>Uh.

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<v Speaker 3>He doesn't give you that kind of sorry tention that

0:11:08.559 --> 0:11:15.520
<v Speaker 3>a girl like unis because he always looks around from bum.

0:11:17.000 --> 0:11:17.960
<v Speaker 1>Bum.

0:11:19.000 --> 0:11:22.040
<v Speaker 4>I have no idea idea his eyes wander around. He

0:11:22.040 --> 0:11:25.400
<v Speaker 4>doesn't see you like I see again. Why did you

0:11:25.440 --> 0:11:30.000
<v Speaker 4>not pick songs you're giving me Justin's parts? Wow?

0:11:30.160 --> 0:11:35.640
<v Speaker 1>Wow wow? Yeah. I don't know why I ever came back.

0:11:36.000 --> 0:11:38.360
<v Speaker 1>You used to love the show until right now, years ago.

0:11:38.480 --> 0:11:40.800
<v Speaker 1>In my life was so much better after I left there,

0:11:40.800 --> 0:11:43.000
<v Speaker 1>and now this sucks. You know what's interesting to me?

0:11:43.120 --> 0:11:44.559
<v Speaker 4>I was broke your friend.

0:11:45.200 --> 0:11:47.080
<v Speaker 1>I think we just broke through it. He breaks me

0:11:47.360 --> 0:11:52.160
<v Speaker 1>once a week. I would say, oh, okay, that sounded sexual.

0:11:52.559 --> 0:11:53.600
<v Speaker 1>It did, but no.

0:11:53.800 --> 0:11:56.560
<v Speaker 2>I I originally made the lyrics like literally just like

0:11:56.679 --> 0:11:58.720
<v Speaker 2>choruses and really easy.

0:11:58.480 --> 0:11:59.319
<v Speaker 4>And then I was going over.

0:11:59.360 --> 0:12:00.800
<v Speaker 2>I was like, they're gonn to be like got it,

0:12:00.880 --> 0:12:03.920
<v Speaker 2>got it, got it, and I made it too hard.

0:12:03.960 --> 0:12:04.280
<v Speaker 2>It is.

0:12:04.360 --> 0:12:06.280
<v Speaker 3>It's fun though, looking at that, like I said, that

0:12:06.600 --> 0:12:10.640
<v Speaker 3>makes me. It's like it's I am like so weirdly conditioned.

0:12:10.880 --> 0:12:12.640
<v Speaker 3>I can give you the chorus because we all sang

0:12:12.640 --> 0:12:15.080
<v Speaker 3>on the chorus, right. It's like you're so hyper focused

0:12:15.120 --> 0:12:17.120
<v Speaker 3>on learning your part, you don't want to forget it.

0:12:17.240 --> 0:12:20.680
<v Speaker 3>You don't always remember everybody else's part all the time.

0:12:20.720 --> 0:12:22.320
<v Speaker 3>You know the choreography for that part.

0:12:22.400 --> 0:12:24.440
<v Speaker 1>Well, and that's the thing. I know words when I

0:12:24.440 --> 0:12:25.280
<v Speaker 1>do the choreography.

0:12:25.400 --> 0:12:27.520
<v Speaker 4>Yeah, that's why I said I need the I need

0:12:27.559 --> 0:12:28.280
<v Speaker 4>the melody.

0:12:28.480 --> 0:12:30.200
<v Speaker 1>What about digital? Get done? Do you think.

0:12:32.440 --> 0:12:34.960
<v Speaker 2>I hope that I get through? If you're in the

0:12:35.000 --> 0:12:37.280
<v Speaker 2>mood and I'm not home, here's what to.

0:12:37.320 --> 0:12:44.280
<v Speaker 4>Do digital digital. It's the way you're it's your delivery.

0:12:44.320 --> 0:12:46.199
<v Speaker 4>I blame you.

0:12:46.280 --> 0:12:48.760
<v Speaker 1>It's bad. I don't think. I don't think your heart's

0:12:48.760 --> 0:12:54.680
<v Speaker 1>in it. Your heart's just not in it. Well, that

0:12:54.760 --> 0:12:57.640
<v Speaker 1>was a wonderful game, drib Let's let's get some fan

0:12:57.840 --> 0:13:05.280
<v Speaker 1>questions right now. That's what this What is the craziest

0:13:05.360 --> 0:13:09.959
<v Speaker 1>merch you have ever seen your face on? It could

0:13:09.960 --> 0:13:10.560
<v Speaker 1>be unofficial?

0:13:10.640 --> 0:13:12.760
<v Speaker 4>I was, I don't even I don't even know how

0:13:12.800 --> 0:13:14.480
<v Speaker 4>to answer that. Do you know? Have you?

0:13:14.640 --> 0:13:17.920
<v Speaker 1>Is there a tattoo of you you've seen on someone's arm?

0:13:18.080 --> 0:13:20.800
<v Speaker 4>I've seen like the band on seeing Chris a lot,

0:13:21.240 --> 0:13:21.480
<v Speaker 4>have you?

0:13:21.520 --> 0:13:24.080
<v Speaker 1>Yeah, I've seen Chris's face on a lot of arms.

0:13:24.120 --> 0:13:25.640
<v Speaker 1>Not a lot, but like a couple of arms. No,

0:13:25.720 --> 0:13:27.040
<v Speaker 1>but I don't think I've seen your face.

0:13:30.240 --> 0:13:32.319
<v Speaker 4>Stupid microphone. He's funny.

0:13:32.520 --> 0:13:35.679
<v Speaker 1>They heard pineapples?

0:13:35.880 --> 0:13:36.199
<v Speaker 4>All right.

0:13:36.240 --> 0:13:39.600
<v Speaker 1>This one is from Carly Burrie. Best and worst memory

0:13:39.679 --> 0:13:41.840
<v Speaker 1>from the whole decade of the nineties.

0:13:43.040 --> 0:13:48.719
<v Speaker 4>Best? What's your favorite one of that ninetiesneties? Obviously the you.

0:13:48.679 --> 0:13:51.559
<v Speaker 3>Know, the band breaking through is the best memory, And

0:13:51.640 --> 0:13:53.520
<v Speaker 3>I would say the worst is when we ended up

0:13:53.520 --> 0:13:53.959
<v Speaker 3>in court.

0:13:54.520 --> 0:13:54.720
<v Speaker 1>Yeah.

0:13:54.840 --> 0:13:56.400
<v Speaker 4>Yeah, I mean that's tough.

0:13:56.480 --> 0:13:56.680
<v Speaker 1>You know.

0:13:56.760 --> 0:13:59.280
<v Speaker 3>It's like you think that your whole life is coming

0:13:59.320 --> 0:14:02.520
<v Speaker 3>to a screen halt when you have all of these

0:14:02.679 --> 0:14:05.680
<v Speaker 3>very powerful people, you know, kind of pressed up against

0:14:05.760 --> 0:14:09.800
<v Speaker 3>you and uh and they're yeah, they're they're basically flexing

0:14:10.280 --> 0:14:13.240
<v Speaker 3>on you. And you're young, and you're going and they're

0:14:13.280 --> 0:14:15.920
<v Speaker 3>telling you they have this many years of experience and

0:14:15.960 --> 0:14:18.439
<v Speaker 3>they've amassed this amount of wealth because they know what

0:14:18.480 --> 0:14:20.880
<v Speaker 3>they're doing and you don't, and you're just lucky to

0:14:20.920 --> 0:14:21.320
<v Speaker 3>be there.

0:14:21.400 --> 0:14:23.840
<v Speaker 1>And so did you ever think was scary if we

0:14:23.960 --> 0:14:26.520
<v Speaker 1>just we would not go any further after that moment?

0:14:26.880 --> 0:14:27.760
<v Speaker 1>Did you think it was over?

0:14:31.640 --> 0:14:36.000
<v Speaker 3>I think you you question everything, you know. But it's

0:14:36.000 --> 0:14:40.040
<v Speaker 3>also like we were so painted into a corner. I

0:14:40.040 --> 0:14:43.880
<v Speaker 3>mean we were you know, without getting into the too

0:14:44.360 --> 0:14:46.680
<v Speaker 3>much detail about it, but it's just kind of like,

0:14:46.960 --> 0:14:50.280
<v Speaker 3>we just did all of this and we're broke, so

0:14:50.440 --> 0:14:53.240
<v Speaker 3>what else can we do? Like am I going to

0:14:53.280 --> 0:14:56.680
<v Speaker 3>continue to do this and be broke? Like I'm running

0:14:56.760 --> 0:15:01.160
<v Speaker 3>up debt, Like so this is actually ruining my life

0:15:01.200 --> 0:15:05.520
<v Speaker 3>on some level. So it's like we couldn't We literally

0:15:05.640 --> 0:15:06.880
<v Speaker 3>couldn't continue.

0:15:07.120 --> 0:15:09.280
<v Speaker 1>It was scary, especially because I remember it was Strauss Zelnik,

0:15:09.280 --> 0:15:12.160
<v Speaker 1>which I don't even know Strauss's in the music world anymore.

0:15:12.240 --> 0:15:15.560
<v Speaker 1>I don't know. He was like the head of a BMG. Yeah,

0:15:15.640 --> 0:15:18.400
<v Speaker 1>but that's when I you know, we sat around the table.

0:15:18.440 --> 0:15:21.160
<v Speaker 1>It was kind of like this like mediation, right, and

0:15:21.200 --> 0:15:23.400
<v Speaker 1>he just looked at us, He's like, yeah, you might

0:15:23.480 --> 0:15:25.520
<v Speaker 1>have one more album then you I'm going with low

0:15:25.560 --> 0:15:26.840
<v Speaker 1>and kind of just walked out of the room like

0:15:26.920 --> 0:15:30.760
<v Speaker 1>oh my god, like they don't care about us, Like

0:15:30.840 --> 0:15:33.520
<v Speaker 1>they just do not care. We are just like we're

0:15:32.960 --> 0:15:34.080
<v Speaker 1>chill the product.

0:15:34.280 --> 0:15:36.840
<v Speaker 3>Yeah, you know, And to be fair, it's called the

0:15:36.920 --> 0:15:40.880
<v Speaker 3>music business, right, so I understand that they have to

0:15:40.920 --> 0:15:44.560
<v Speaker 3>take a stance. I don't necessarily agree with all the

0:15:44.560 --> 0:15:47.960
<v Speaker 3>stances that people take in business all the time. I

0:15:48.120 --> 0:15:50.800
<v Speaker 3>just know that, like you said, I was worried, like

0:15:51.040 --> 0:15:53.880
<v Speaker 3>is this the end? And yeah, part of you wonders

0:15:54.080 --> 0:15:58.840
<v Speaker 3>is it the end? But that's because there was no

0:15:59.080 --> 0:16:01.800
<v Speaker 3>other way. War word, that's it.

0:16:03.720 --> 0:16:07.040
<v Speaker 1>Korene blackstonecrafts as what is something you hope to accomplish

0:16:07.120 --> 0:16:11.520
<v Speaker 1>in the next year. It's on your short list? Make

0:16:11.640 --> 0:16:15.920
<v Speaker 1>my musical, because you've been working on a couple of musicals, right, yeah,

0:16:15.960 --> 0:16:17.560
<v Speaker 1>so give us the update on them.

0:16:17.640 --> 0:16:27.240
<v Speaker 3>So Candid is still in a shopping phase. But this,

0:16:27.760 --> 0:16:29.840
<v Speaker 3>well that's called the Best. We're calling it the best

0:16:29.840 --> 0:16:33.600
<v Speaker 3>of all possible worlds. It's based on Candid. Playing with

0:16:33.680 --> 0:16:38.080
<v Speaker 3>Fire is an adaptation of Frankenstein and uh, I've actually

0:16:39.560 --> 0:16:42.400
<v Speaker 3>I'm literally mixing that record right now.

0:16:42.600 --> 0:16:44.520
<v Speaker 1>Is Frikanstein public domain, so you don't have to worry

0:16:44.560 --> 0:16:46.680
<v Speaker 1>about trying to find its rights and all that.

0:16:46.800 --> 0:16:47.920
<v Speaker 4>Well, this is Playing with Fire.

0:16:48.480 --> 0:16:52.360
<v Speaker 3>So Playing with Fire was an adaptation written by my

0:16:52.800 --> 0:16:57.040
<v Speaker 3>writing partner's mother actually, so he has the rights to him.

0:16:57.160 --> 0:16:59.640
<v Speaker 3>He and his sister gave us the thumbs up to

0:16:59.680 --> 0:17:02.720
<v Speaker 3>work on it. And but all the look, all the

0:17:02.960 --> 0:17:07.320
<v Speaker 3>music is totally original, there's nothing from that anyway. It's

0:17:07.480 --> 0:17:12.760
<v Speaker 3>we're writing songs that we felt like would push emotional

0:17:12.800 --> 0:17:16.480
<v Speaker 3>points through in uh and and make it interesting for

0:17:16.560 --> 0:17:20.159
<v Speaker 3>a whole new generation. Coincidentally, now we we've noticed, like

0:17:20.200 --> 0:17:24.040
<v Speaker 3>there's two new Frankenstein movies coming out. Oh yeah, Germo

0:17:24.119 --> 0:17:27.560
<v Speaker 3>del Toro is doing one, and and Jill and Hall

0:17:28.760 --> 0:17:33.800
<v Speaker 3>is doing one with Christian bale So and but that's film, right, Like,

0:17:34.200 --> 0:17:37.000
<v Speaker 3>we're looking to do something for the stage. And the

0:17:37.080 --> 0:17:39.239
<v Speaker 3>reason I was drawn to the stage is we had

0:17:39.240 --> 0:17:44.280
<v Speaker 3>this conversation earlier about AI. Right like, in five years time,

0:17:44.800 --> 0:17:46.680
<v Speaker 3>you might be looking at an actor on your screen.

0:17:46.720 --> 0:17:49.520
<v Speaker 3>You might be looking at something that was amalgamated. Right

0:17:49.680 --> 0:17:52.200
<v Speaker 3>Like when you listen to a recording, it might be

0:17:52.280 --> 0:17:54.720
<v Speaker 3>a real voice. It might be a voice that was amalgamated.

0:17:54.920 --> 0:17:57.120
<v Speaker 3>When you go when you walk into a theater, that's

0:17:57.160 --> 0:17:59.840
<v Speaker 3>a human being on stage. There's no other way around it.

0:18:00.080 --> 0:18:03.920
<v Speaker 3>Every time you walk into a theater, those are real singers.

0:18:04.160 --> 0:18:07.000
<v Speaker 3>Those are real actors on the stage, and so I

0:18:07.000 --> 0:18:10.840
<v Speaker 3>thought it was way appropriate when when the idea of

0:18:10.840 --> 0:18:14.720
<v Speaker 3>Frankeenstein came about, It's like, Okay, this whole story is

0:18:14.760 --> 0:18:21.320
<v Speaker 3>about a basically a distraught scientist who created something and

0:18:21.560 --> 0:18:26.000
<v Speaker 3>was essentially irresponsible with it, and bad things happen, and

0:18:26.040 --> 0:18:29.800
<v Speaker 3>that's what we're facing, you know, on some level now

0:18:29.840 --> 0:18:32.879
<v Speaker 3>with AI, it's like, Okay, we've created this thing. We

0:18:32.920 --> 0:18:36.520
<v Speaker 3>need to be very responsible and very careful about, you know,

0:18:37.040 --> 0:18:39.280
<v Speaker 3>how we use it and what we're doing when we're

0:18:39.520 --> 0:18:42.680
<v Speaker 3>when we're creating this thing, and what we're what we're

0:18:42.720 --> 0:18:43.280
<v Speaker 3>teaching it.

0:18:43.480 --> 0:18:46.960
<v Speaker 2>So it's also kind of like Doc Brown and Back

0:18:47.000 --> 0:18:47.560
<v Speaker 2>to the Future.

0:18:47.600 --> 0:18:50.160
<v Speaker 1>If you think about it, you know, it's exactly lot

0:18:50.240 --> 0:18:56.520
<v Speaker 1>Don as a Broadway lover. Is there a show that

0:18:56.560 --> 0:19:01.000
<v Speaker 1>you would just love to do, even if it was

0:19:01.040 --> 0:19:01.720
<v Speaker 1>just for one night?

0:19:03.320 --> 0:19:03.480
<v Speaker 3>You know?

0:19:03.640 --> 0:19:04.240
<v Speaker 4>I don't know.

0:19:04.640 --> 0:19:08.680
<v Speaker 3>I don't know if I don't know if there's any

0:19:08.840 --> 0:19:11.680
<v Speaker 3>role I see myself in. I again, I'm just more

0:19:11.680 --> 0:19:15.760
<v Speaker 3>of a creator. I like creating, I think more than anything.

0:19:18.040 --> 0:19:22.359
<v Speaker 3>So I actually have my writing partner and I we

0:19:22.480 --> 0:19:24.840
<v Speaker 3>have two ideas in the back of our mind of

0:19:24.880 --> 0:19:27.080
<v Speaker 3>what we might do next, if we even do another one.

0:19:27.119 --> 0:19:29.879
<v Speaker 3>I mean, this process is so different from making a record,

0:19:29.960 --> 0:19:33.320
<v Speaker 3>and I had no idea. It's it's just a different animal.

0:19:34.800 --> 0:19:38.720
<v Speaker 3>But we're hoping that it. You know, there's no guarantee.

0:19:38.760 --> 0:19:43.399
<v Speaker 3>We just made this recording and we've written a first

0:19:43.520 --> 0:19:47.520
<v Speaker 3>draft of the book, but you know that this thing

0:19:47.560 --> 0:19:50.639
<v Speaker 3>could change fifty different ways by the time it gets

0:19:50.680 --> 0:19:54.160
<v Speaker 3>to its finished form. But you know, we're we wanted

0:19:54.200 --> 0:19:58.880
<v Speaker 3>to release this recording so everybody can hear at least

0:19:59.160 --> 0:20:03.480
<v Speaker 3>something of the genesis of what we are thinking as writers.

0:20:03.560 --> 0:20:06.000
<v Speaker 4>My co writer Jimmy Harry and.

0:20:05.960 --> 0:20:09.679
<v Speaker 3>I, you know, we were inspired by this material that

0:20:09.720 --> 0:20:12.720
<v Speaker 3>his mother originally wrote as a play, and she wrote

0:20:12.760 --> 0:20:16.280
<v Speaker 3>it in a way that made the story very accessible

0:20:16.840 --> 0:20:20.720
<v Speaker 3>emotionally to me anyway, And so after I read it,

0:20:20.760 --> 0:20:23.280
<v Speaker 3>I told him, I was like, this is incredible, man.

0:20:23.400 --> 0:20:25.840
<v Speaker 3>But you know, you're also there's a moment where I

0:20:25.840 --> 0:20:27.840
<v Speaker 3>was a little bit of afraid because this is his

0:20:27.960 --> 0:20:30.720
<v Speaker 3>mother's writing, right, she's an artist, And it was like,

0:20:32.040 --> 0:20:34.600
<v Speaker 3>are we gonna work on this thing? You know, because

0:20:34.640 --> 0:20:38.200
<v Speaker 3>we took liberties and we changed things, and so it's

0:20:38.240 --> 0:20:42.640
<v Speaker 3>like when you're changing something that somebody's mother wrote, You're going,

0:20:42.720 --> 0:20:43.280
<v Speaker 3>are we cool?

0:20:43.800 --> 0:20:45.760
<v Speaker 4>Are we good with this? How do you feel about this?

0:20:45.920 --> 0:20:46.920
<v Speaker 4>Are we on the same day?

0:20:47.119 --> 0:20:47.359
<v Speaker 1>You know?

0:20:47.680 --> 0:20:49.560
<v Speaker 3>And the good thing is, you know he was very

0:20:49.600 --> 0:20:52.520
<v Speaker 3>much about, Hey, this song is changing the way I

0:20:52.560 --> 0:20:55.400
<v Speaker 3>feel about this and I like it. So let's let's

0:20:55.440 --> 0:20:57.120
<v Speaker 3>go here instead. So that's been fun.

0:20:57.359 --> 0:20:59.399
<v Speaker 1>That's great. I could see in Rent I think you

0:20:59.400 --> 0:21:02.960
<v Speaker 1>would kill it, say in the Park with George or something.

0:21:03.520 --> 0:21:06.040
<v Speaker 3>You know what I saw that was? It was that

0:21:06.119 --> 0:21:08.639
<v Speaker 3>last year. Now I went, I saw a friend. So

0:21:09.359 --> 0:21:13.720
<v Speaker 3>funny you say that. One of my writing partners for

0:21:13.800 --> 0:21:17.840
<v Speaker 3>the Candid Project is Sarna La Pine and her father

0:21:19.440 --> 0:21:24.200
<v Speaker 3>La Pine so and she and she directed a rendition

0:21:24.240 --> 0:21:26.320
<v Speaker 3>of studying in the Park with George and that I

0:21:26.400 --> 0:21:27.120
<v Speaker 3>saw recently.

0:21:27.200 --> 0:21:29.000
<v Speaker 1>So, I mean, you spend much time in New York,

0:21:29.680 --> 0:21:31.679
<v Speaker 1>you don't like or more.

0:21:31.640 --> 0:21:34.600
<v Speaker 4>La I'm I mean, I'm I'm more La, you know.

0:21:35.200 --> 0:21:37.560
<v Speaker 4>But look, I'll just go wherever the work is.

0:21:37.600 --> 0:21:39.600
<v Speaker 3>Like, the fact of the matter is Jimmy and I

0:21:39.640 --> 0:21:43.480
<v Speaker 3>live in La so that's where we work. But I'll

0:21:43.520 --> 0:21:45.840
<v Speaker 3>see a show anywhere. We're in Vegas, you know what

0:21:45.880 --> 0:21:47.800
<v Speaker 3>I mean. It's like I'll see you know, I love

0:21:47.840 --> 0:21:51.800
<v Speaker 3>the West End. I love Vegas. I love seeing shows.

0:21:51.480 --> 0:21:53.680
<v Speaker 4>In New York. I mean I'll see a show anywhere.

0:21:55.040 --> 0:21:58.800
<v Speaker 1>It says from Candy's eighty eight lance, were you and

0:21:58.880 --> 0:22:01.359
<v Speaker 1>JC wearing matching necklace? Is at the Wilstern show?

0:22:01.680 --> 0:22:02.080
<v Speaker 4>Were we?

0:22:02.600 --> 0:22:04.119
<v Speaker 1>I mean they were imagining because I don't remember. I

0:22:04.119 --> 0:22:05.639
<v Speaker 1>mean we didn't plan on that. I don't know what

0:22:05.680 --> 0:22:07.879
<v Speaker 1>I was wearing. No, I think I was wearing like

0:22:07.880 --> 0:22:08.560
<v Speaker 1>a pearl necklace.

0:22:09.440 --> 0:22:11.760
<v Speaker 4>I was not. Justin was wearing pearls. I think.

0:22:11.840 --> 0:22:14.960
<v Speaker 1>Oh, guys, JC is not Justin and Justine's not j C.

0:22:15.200 --> 0:22:16.439
<v Speaker 4>Okay, get it together.

0:22:17.200 --> 0:22:20.359
<v Speaker 1>I know they look exactly alike, they like twins, but

0:22:20.440 --> 0:22:22.840
<v Speaker 1>they're different people. Okay, I'm tired of trying to explain

0:22:22.880 --> 0:22:26.879
<v Speaker 1>this to you guys. All Right, this is Sharon Zerz

0:22:26.920 --> 0:22:29.520
<v Speaker 1>is our last one. Sharon Zerz forty two. What is

0:22:29.560 --> 0:22:33.840
<v Speaker 1>your favorite song you have ever written or recorded? I

0:22:33.880 --> 0:22:35.520
<v Speaker 1>know it's like choosing babies, but give me. You know

0:22:35.640 --> 0:22:37.440
<v Speaker 1>it's one of your top, one of your top.

0:22:37.520 --> 0:22:42.919
<v Speaker 3>It's impossible. It's impossible, yeah, because you're gonna like different

0:22:42.920 --> 0:22:45.560
<v Speaker 3>things for different reasons, and they affect you in different ways.

0:22:45.560 --> 0:22:49.480
<v Speaker 3>Because you know, eventually, when you work on something, there's

0:22:49.480 --> 0:22:51.679
<v Speaker 3>a there's a memory attached to it, either in the

0:22:51.720 --> 0:22:55.520
<v Speaker 3>recording process or just a shared moment with someone. And

0:22:55.640 --> 0:22:58.600
<v Speaker 3>so you know, there's so there's songs that people will

0:22:58.640 --> 0:23:01.800
<v Speaker 3>never hear that I'll have have great memories of, you

0:23:01.840 --> 0:23:04.480
<v Speaker 3>know what I mean. So that's that's just impossible.

0:23:04.600 --> 0:23:06.800
<v Speaker 2>But do you have a song that you could remember

0:23:06.840 --> 0:23:09.040
<v Speaker 2>the lyrics to that you've written.

0:23:09.760 --> 0:23:12.960
<v Speaker 1>Making this game happen? Okay, that's just never gonna happen.

0:23:13.040 --> 0:23:15.680
<v Speaker 3>Ship, Yeah, I mean I could probably remember all the

0:23:15.760 --> 0:23:16.800
<v Speaker 3>lyrics the Happy.

0:23:16.480 --> 0:23:21.320
<v Speaker 4>Birthday I got that one, you know, all right.

0:23:22.240 --> 0:23:26.280
<v Speaker 3>Hardly I remember a lot of the Spanish version of this,

0:23:26.400 --> 0:23:27.399
<v Speaker 3>I promise.

0:23:27.080 --> 0:23:29.560
<v Speaker 1>You, which, by the way, I prefer that.

0:23:31.800 --> 0:23:39.280
<v Speaker 4>Cras to lose yea given end.

0:23:44.359 --> 0:23:46.520
<v Speaker 1>You think I'm gonna remember the Spanish words more than

0:23:46.560 --> 0:23:49.520
<v Speaker 1>the English words. Yeah, it's not gonna happen, but it

0:23:49.600 --> 0:23:52.320
<v Speaker 1>is a beautiful like I love that version. All right.

0:23:52.640 --> 0:23:53.800
<v Speaker 1>Before we let you go, we have to do a

0:23:53.800 --> 0:23:56.600
<v Speaker 1>little druze news and see what JC thinks about what's

0:23:56.600 --> 0:24:00.720
<v Speaker 1>going down in the news today. Drew bo Haley Baber pregnant.

0:24:00.880 --> 0:24:04.520
<v Speaker 2>She's preggner six months now, six months and you know

0:24:05.560 --> 0:24:08.000
<v Speaker 2>the uh, it has now been confirmed that is not

0:24:08.040 --> 0:24:10.600
<v Speaker 2>going to be twins. So the reason why people were

0:24:10.640 --> 0:24:13.960
<v Speaker 2>speculating that it was gonna be twins is because Justin's mom,

0:24:14.040 --> 0:24:20.040
<v Speaker 2>Patty uh mentioned grand babies in her Instagram and so

0:24:20.080 --> 0:24:21.880
<v Speaker 2>everybody's like, oh my god, that means it's gonna be twins,

0:24:21.920 --> 0:24:23.920
<v Speaker 2>you know, because people love to like find little signals

0:24:23.920 --> 0:24:26.679
<v Speaker 2>and yeah. So my question to you, Lance is like,

0:24:27.840 --> 0:24:29.880
<v Speaker 2>when you were having kids, were there things that your

0:24:29.920 --> 0:24:33.080
<v Speaker 2>mom or somebody in your life maybe tweeted before you

0:24:33.119 --> 0:24:34.960
<v Speaker 2>were ready to reveal anything.

0:24:34.960 --> 0:24:37.280
<v Speaker 1>None of my family and I think your mom has

0:24:37.320 --> 0:24:40.119
<v Speaker 1>a Twitter, but like, no, they didn't mean no, I

0:24:40.119 --> 0:24:43.200
<v Speaker 1>mean no, there was no revealing of anything accidentally nothing.

0:24:43.240 --> 0:24:46.080
<v Speaker 1>I mean I understand because you know, we've been kind

0:24:46.119 --> 0:24:48.480
<v Speaker 1>of following Justin Bieber the last few months and he

0:24:48.600 --> 0:24:51.640
<v Speaker 1>looks like there's something kind of been going down. Uh,

0:24:51.720 --> 0:24:54.360
<v Speaker 1>he looks sad a lot of the times everyone's speculating

0:24:55.080 --> 0:24:58.119
<v Speaker 1>he's you know, putting videos up of him crying. And

0:24:58.160 --> 0:25:00.440
<v Speaker 1>I even thought, I'm like, you know what, this kind

0:25:00.440 --> 0:25:02.439
<v Speaker 1>of looks like maybe they lost a kit, like they

0:25:02.800 --> 0:25:05.239
<v Speaker 1>were pregnant and lost the baby. Like that's that's the

0:25:05.280 --> 0:25:08.200
<v Speaker 1>reaction that I see, you know, as like a parent,

0:25:08.240 --> 0:25:11.040
<v Speaker 1>I'm like, God, that's that's how I would look. And

0:25:11.080 --> 0:25:13.200
<v Speaker 1>I'm so glad to find out that they are six

0:25:13.240 --> 0:25:16.000
<v Speaker 1>months and like they but maybe they did have twins

0:25:16.040 --> 0:25:18.160
<v Speaker 1>and then we lost one, because that's what happened with us,

0:25:18.560 --> 0:25:21.480
<v Speaker 1>you know, we were pregnant with twins and then yeah,

0:25:21.520 --> 0:25:23.199
<v Speaker 1>and then we lost one and then we lost the

0:25:23.200 --> 0:25:24.920
<v Speaker 1>other one like three weeks later, so we had to

0:25:24.920 --> 0:25:27.920
<v Speaker 1>start the whole process over. So, you know, when you're

0:25:28.440 --> 0:25:31.960
<v Speaker 1>trying to you know, it's hard for sometimes for twins

0:25:32.000 --> 0:25:33.760
<v Speaker 1>to stick, like a lot of the times one will

0:25:33.800 --> 0:25:36.719
<v Speaker 1>not survive unfortunately. So maybe that's the case. I don't know.

0:25:36.760 --> 0:25:39.320
<v Speaker 1>Maybe that's why he was so sad the last week's

0:25:39.320 --> 0:25:41.479
<v Speaker 1>But I'm glad that you know, they're gonna have our

0:25:41.480 --> 0:25:44.239
<v Speaker 1>first baby. Yeah it's a good sign. Yeah, you never

0:25:44.280 --> 0:25:46.679
<v Speaker 1>want to talk about it for a long time, but

0:25:46.800 --> 0:25:48.960
<v Speaker 1>I think six months you're pretty safe to say, Okay,

0:25:48.960 --> 0:25:52.280
<v Speaker 1>this is this might go uh, but yay, I'm happy

0:25:52.320 --> 0:25:53.960
<v Speaker 1>for them. Babies are fun.

0:25:54.840 --> 0:25:57.880
<v Speaker 4>You think you did although a few minutes ago.

0:25:58.040 --> 0:26:01.800
<v Speaker 1>Babies are real fun. You see my face. No, I

0:26:01.800 --> 0:26:04.280
<v Speaker 1>mean it's it's awesome. It really changes your life for

0:26:04.560 --> 0:26:08.240
<v Speaker 1>the better. It ages you. You're tired, but it's so

0:26:08.359 --> 0:26:09.560
<v Speaker 1>worth it. It's so great.

0:26:09.680 --> 0:26:11.880
<v Speaker 4>I don't have to go sincere, we know you love

0:26:11.880 --> 0:26:12.320
<v Speaker 4>your kids.

0:26:12.359 --> 0:26:15.080
<v Speaker 2>I haven't seen your kids around in a long time.

0:26:15.200 --> 0:26:17.399
<v Speaker 1>I don't know. They've been on the craps table for

0:26:17.440 --> 0:26:21.639
<v Speaker 1>the last two hours. They are good, they're lucky.

0:26:21.720 --> 0:26:24.159
<v Speaker 4>Role The craps table kind of does look like a crib.

0:26:24.880 --> 0:26:28.320
<v Speaker 1>Oh yeah, it does look comfy.

0:26:28.760 --> 0:26:30.920
<v Speaker 4>It's kind of like a giant crib.

0:26:31.920 --> 0:26:33.640
<v Speaker 1>Maybe I think I'm gonna change their cribs now. They're

0:26:33.640 --> 0:26:35.080
<v Speaker 1>just gonna all sleep in a crap table.

0:26:36.359 --> 0:26:40.120
<v Speaker 3>No, I mean they wear diapers, right, Well, so there's

0:26:40.240 --> 0:26:45.879
<v Speaker 3>crap and they're in the thing. I'd see it's new branding.

0:26:46.280 --> 0:26:49.919
<v Speaker 3>You're gonna come up with some wacky branding idea crap craps.

0:26:50.000 --> 0:26:52.080
<v Speaker 1>Yeah, my brain is going down.

0:26:51.800 --> 0:26:55.320
<v Speaker 4>Like Las Vegas children's furniture.

0:26:56.600 --> 0:26:59.600
<v Speaker 1>Let's add that to the list. Jac thank you so

0:26:59.640 --> 0:27:01.080
<v Speaker 1>much for on frosted tips.

0:27:01.080 --> 0:27:01.840
<v Speaker 4>Thanks for having me.

0:27:01.880 --> 0:27:04.360
<v Speaker 1>Is there anything you would like to tell everyone that

0:27:04.400 --> 0:27:06.880
<v Speaker 1>we haven't discussed that you would like to be like, Oh, yeah,

0:27:07.119 --> 0:27:09.120
<v Speaker 1>I hadn't told anyone this yet. I need to tell

0:27:09.160 --> 0:27:11.080
<v Speaker 1>the world, little pluck.

0:27:10.840 --> 0:27:16.280
<v Speaker 4>Plug, I'm moving to Mars. I'm not moving to Mars.

0:27:16.840 --> 0:27:19.919
<v Speaker 1>Good luck, there's no return. There's no return. There's a

0:27:19.960 --> 0:27:21.000
<v Speaker 1>one way trip to Mars.

0:27:21.560 --> 0:27:23.119
<v Speaker 4>Yeah for now.

0:27:23.520 --> 0:27:28.040
<v Speaker 1>Yeah, well in our lifetime, you ain't coming back, and

0:27:28.080 --> 0:27:31.600
<v Speaker 1>we need you, see, we need you. Well, congratulations on everything.

0:27:31.600 --> 0:27:33.920
<v Speaker 1>I can't wait for the musicals and we get to

0:27:33.960 --> 0:27:38.480
<v Speaker 1>hear some stuff and you killed it on Paradise. I mean,

0:27:38.520 --> 0:27:41.720
<v Speaker 1>it's so great to hear you and justin together singing.

0:27:41.800 --> 0:27:43.639
<v Speaker 4>I mean everyone will you sing well?

0:27:43.720 --> 0:27:45.480
<v Speaker 1>Man? Yeah, I mean I'm just there for long for

0:27:45.520 --> 0:27:48.280
<v Speaker 1>the ride, but you know, it's it's been fun, but

0:27:48.400 --> 0:27:51.280
<v Speaker 1>you know it's been incredible, and yeah, let's have a

0:27:51.320 --> 0:27:53.560
<v Speaker 1>fun weekend. This is I got my boys with me.

0:27:53.800 --> 0:27:54.520
<v Speaker 1>This is gonna be great.

0:27:54.560 --> 0:27:57.160
<v Speaker 4>This is about this. At our age, it's about survival.

0:27:57.240 --> 0:28:00.040
<v Speaker 1>Yeah, at this point, every day is just a we.

0:28:00.000 --> 0:28:02.280
<v Speaker 4>Were young, it was like let's go get it. Now

0:28:02.320 --> 0:28:04.520
<v Speaker 4>we're like, let's not die.

0:28:04.720 --> 0:28:06.960
<v Speaker 1>Yeah. I just want to wake up tomorrow and not

0:28:07.080 --> 0:28:07.960
<v Speaker 1>have a bad back.

0:28:09.160 --> 0:28:10.119
<v Speaker 4>That's what I said.

0:28:11.000 --> 0:28:14.720
<v Speaker 1>Turky Turchen didn't even come on the show. What the hell?

0:28:15.920 --> 0:28:17.639
<v Speaker 1>All right? Well, dreww, it's always good to see you.

0:28:17.720 --> 0:28:18.400
<v Speaker 1>I'm glad that.

0:28:18.280 --> 0:28:20.280
<v Speaker 4>You're thank you for such a fun game.

0:28:20.480 --> 0:28:22.679
<v Speaker 1>Yeah that please we're gonna take well, we're gonna go

0:28:22.720 --> 0:28:24.800
<v Speaker 1>sell that to a network because that was incredible. And

0:28:24.840 --> 0:28:28.320
<v Speaker 1>of course Jay Dizzel, Giggles, Dell Campo Turkey, you did

0:28:28.359 --> 0:28:30.200
<v Speaker 1>not show up, but uh yeah, I love that. I

0:28:30.280 --> 0:28:32.800
<v Speaker 1>have my peanuts here and uh yeah, see we'll see

0:28:32.800 --> 0:28:34.640
<v Speaker 1>you soon. We're gonna be taking lots of pictures tonight.

0:28:34.720 --> 0:28:35.480
<v Speaker 4>See you at dinner.

0:28:35.760 --> 0:28:36.680
<v Speaker 1>Oh yeah, we're gonna have dinner.

0:28:36.760 --> 0:28:39.160
<v Speaker 4>Let's see what the yeah?

0:28:39.240 --> 0:28:41.400
<v Speaker 1>All right, all right, guys, that is all the show

0:28:41.400 --> 0:28:43.360
<v Speaker 1>a half of you. Thanks so much for listening. I'll

0:28:43.400 --> 0:28:45.520
<v Speaker 1>be good to each other out there. Don't drink and drop,

0:28:45.600 --> 0:28:48.480
<v Speaker 1>take care of those animals, and uh until next time,

0:28:48.720 --> 0:28:53.720
<v Speaker 1>stay frosted. Hey, thanks for listening. Follow us on Instagram

0:28:53.800 --> 0:28:57.600
<v Speaker 1>at Frosted Tips with Lance and Michael Turchin and at

0:28:57.680 --> 0:29:00.400
<v Speaker 1>lance bast for all your pop culture needs, and make

0:29:00.440 --> 0:29:02.560
<v Speaker 1>sure to write his review and leave us five stars

0:29:02.600 --> 0:29:04.440
<v Speaker 1>six if you can see you next time.