1 00:00:05,440 --> 00:00:12,520 Speaker 1: This is Frosted Tips with Lance Bass and iHeartRadio Podcast. Hello, 2 00:00:12,640 --> 00:00:15,520 Speaker 1: my little Peanuts, it's me your host, Lance Bass. This 3 00:00:15,640 --> 00:00:19,840 Speaker 1: is Frosted Tips Part two with j C. Sus Hold 4 00:00:20,520 --> 00:00:23,800 Speaker 1: and Drew Boo is now joining us. What's up everybody? 5 00:00:24,480 --> 00:00:26,360 Speaker 1: If you don't know who Drew Boo is from our 6 00:00:27,160 --> 00:00:32,920 Speaker 1: our past radio shows, you were my producer, co host extraordinaire. 7 00:00:33,360 --> 00:00:35,400 Speaker 1: You put all the fun games together, which We're gonna 8 00:00:35,400 --> 00:00:37,600 Speaker 1: play a game with jac in just a few minutes. 9 00:00:38,800 --> 00:00:40,319 Speaker 1: So catch us up. Drew bo what's been going on? 10 00:00:40,560 --> 00:00:43,479 Speaker 2: I mean, I'm here for your birthday weekend and I'm 11 00:00:43,520 --> 00:00:45,599 Speaker 2: not gonna waste time talking about myself. I'm gonna get 12 00:00:45,640 --> 00:00:47,360 Speaker 2: to the fun, all right. I haven't even had a 13 00:00:47,360 --> 00:00:48,640 Speaker 2: cocktail since I've landed. 14 00:00:48,880 --> 00:00:50,840 Speaker 1: All right, good, I like, I like where your heads 15 00:00:50,880 --> 00:00:54,840 Speaker 1: at Before we get into the next segment here, I 16 00:00:54,840 --> 00:00:56,760 Speaker 1: forgot to ask you the Wiltern. You know when we 17 00:00:56,880 --> 00:01:00,800 Speaker 1: when we performed at the Wiltern at Justin's show, Uh, 18 00:01:00,840 --> 00:01:03,240 Speaker 1: what were your thoughts? What was that moment like for you? 19 00:01:03,280 --> 00:01:04,959 Speaker 1: Because I know what it felt like for me, But 20 00:01:05,040 --> 00:01:07,240 Speaker 1: what what were you thinking when that happened? 21 00:01:08,440 --> 00:01:10,240 Speaker 3: I look, I thought it was I thought It was 22 00:01:10,440 --> 00:01:12,800 Speaker 3: really really sweet of Justin to call us and and 23 00:01:13,600 --> 00:01:15,200 Speaker 3: it was so last minute. 24 00:01:15,280 --> 00:01:17,760 Speaker 1: I guess it was, I like, that's with everything. 25 00:01:17,880 --> 00:01:21,240 Speaker 4: Yeah, yeah, so but it ended up being a lot 26 00:01:21,240 --> 00:01:21,560 Speaker 4: of fun. 27 00:01:21,600 --> 00:01:25,039 Speaker 3: Look the the DJs whole setup, it felt like karaoke, 28 00:01:25,319 --> 00:01:28,479 Speaker 3: you know, it was like and then uh, we got 29 00:01:28,480 --> 00:01:32,360 Speaker 3: to settle down and literally just a you know, a 30 00:01:32,400 --> 00:01:35,040 Speaker 3: few people got to hear the new song live, and 31 00:01:35,120 --> 00:01:36,400 Speaker 3: I thought that that was really neat. 32 00:01:36,440 --> 00:01:38,959 Speaker 4: It was like, oh, we got to uh do. 33 00:01:38,880 --> 00:01:42,319 Speaker 3: Something totally unique because everybody's heard all those other songs before, 34 00:01:42,959 --> 00:01:47,000 Speaker 3: so to be able to sing a new song was 35 00:01:47,000 --> 00:01:48,520 Speaker 3: was really really fun. 36 00:01:48,720 --> 00:01:51,360 Speaker 1: And put all those songs together and medley for him too, 37 00:01:51,640 --> 00:01:53,440 Speaker 1: and then to go into a new song and that's 38 00:01:53,440 --> 00:01:56,480 Speaker 1: definitely something of the fans have never been able to see. 39 00:01:56,520 --> 00:01:59,440 Speaker 3: And again it was it was all you know again 40 00:01:59,520 --> 00:02:04,320 Speaker 3: because Justin was generous enough to share his audience with us, 41 00:02:04,320 --> 00:02:06,080 Speaker 3: you know, I mean, that's that's his show, right, Like 42 00:02:06,120 --> 00:02:08,120 Speaker 3: he didn't have to do it, but he he all 43 00:02:08,160 --> 00:02:09,480 Speaker 3: of a sudden, he was just kind of like, hey, 44 00:02:10,000 --> 00:02:12,600 Speaker 3: is everybody in town or could everybody be in town? 45 00:02:12,680 --> 00:02:15,240 Speaker 2: And I don't know if you talked about this really, 46 00:02:15,320 --> 00:02:19,280 Speaker 2: but I'm so curious as to like, what is how 47 00:02:19,320 --> 00:02:21,799 Speaker 2: do you land on that first new song after being 48 00:02:21,840 --> 00:02:24,120 Speaker 2: apart for so long and the sound of it, you know, 49 00:02:24,360 --> 00:02:26,880 Speaker 2: you kind of nailed it. Everybody was like, ooh, it 50 00:02:27,080 --> 00:02:28,600 Speaker 2: is them, but it's an evolution. 51 00:02:28,639 --> 00:02:30,280 Speaker 4: Well it's a Justin record, you know what I mean. 52 00:02:30,280 --> 00:02:33,000 Speaker 3: That's the reality. It's like it's Justin featuring in sync. 53 00:02:33,040 --> 00:02:35,360 Speaker 3: And this song was for his album he had he 54 00:02:35,400 --> 00:02:39,480 Speaker 3: had it recorded. Originally, I don't know, I'm not even 55 00:02:39,520 --> 00:02:42,040 Speaker 3: supposed to say this, but originally I learned another song. 56 00:02:42,200 --> 00:02:45,520 Speaker 3: He played me another song originally that he wanted the band. 57 00:02:45,639 --> 00:02:48,800 Speaker 3: He was trying to decide between two songs, and he's like, 58 00:02:49,160 --> 00:02:51,160 Speaker 3: should should we do this one or should we do 59 00:02:51,200 --> 00:02:52,600 Speaker 3: this one? Should we do this one or should we 60 00:02:52,680 --> 00:02:54,600 Speaker 3: do this one? I've been thinking about this. I think 61 00:02:54,639 --> 00:02:57,079 Speaker 3: it would be cool for like if it was the band. 62 00:02:57,320 --> 00:02:59,040 Speaker 3: But then I really like this one and it might 63 00:02:59,080 --> 00:03:01,120 Speaker 3: be great for the band, and I'm not sure. So 64 00:03:01,919 --> 00:03:03,720 Speaker 3: I originally learned a totally different song. 65 00:03:03,880 --> 00:03:07,600 Speaker 1: Really, yeah, did you record it or just like so. 66 00:03:07,639 --> 00:03:09,840 Speaker 3: It was like kind of getting towards the end of 67 00:03:09,880 --> 00:03:12,160 Speaker 3: the night and I had I learned. I sat in 68 00:03:12,160 --> 00:03:14,679 Speaker 3: the room and like, listened to it a bunch and 69 00:03:14,880 --> 00:03:17,600 Speaker 3: I had learned it, and by the by the end 70 00:03:17,639 --> 00:03:19,680 Speaker 3: of the evening, it was kind of like, you know what, 71 00:03:20,120 --> 00:03:23,680 Speaker 3: it's getting late, let's just come back fresh. And then 72 00:03:24,840 --> 00:03:30,440 Speaker 3: time went by, and then it was later when it 73 00:03:30,520 --> 00:03:32,240 Speaker 3: was kind of like, no, this is the one. 74 00:03:32,600 --> 00:03:35,080 Speaker 1: So that's when he went back to and Paradise. I'm 75 00:03:35,120 --> 00:03:37,720 Speaker 1: telling you it is, you know, a love letter to 76 00:03:37,840 --> 00:03:40,480 Speaker 1: the fans. I thought it was so beautiful. I loved, 77 00:03:40,600 --> 00:03:43,480 Speaker 1: you know, our sound. Just it's funny to come back 78 00:03:43,480 --> 00:03:46,280 Speaker 1: together after what is it, twenty two years, And I. 79 00:03:46,200 --> 00:03:48,480 Speaker 3: Think that's why he ended up going back to it, 80 00:03:48,520 --> 00:03:52,080 Speaker 3: you know again, when he was going back and forth 81 00:03:52,080 --> 00:03:55,000 Speaker 3: between the two songs, he wasn't sure and then I 82 00:03:55,000 --> 00:03:58,080 Speaker 3: think something clicked for him and he I think, you know, 83 00:03:58,240 --> 00:04:01,440 Speaker 3: heard it in his mind event that no, this is. 84 00:04:01,400 --> 00:04:04,120 Speaker 2: That well you know what lands actually, JC is gonna 85 00:04:04,160 --> 00:04:06,960 Speaker 2: do a cappella the other song that nobody's ever heard 86 00:04:07,640 --> 00:04:11,640 Speaker 2: ahead Live from Las Vegas, the unreleased You'll Never Know. 87 00:04:13,240 --> 00:04:16,600 Speaker 1: You know, this show is possible today with our sponsor OTESLA. 88 00:04:17,080 --> 00:04:20,320 Speaker 1: I have suffered from black sariasis, Yes, yes, I get 89 00:04:20,320 --> 00:04:23,400 Speaker 1: to say that I've suffered from black soriasis and it 90 00:04:23,480 --> 00:04:25,800 Speaker 1: was always on, like my knees especially, and that's why 91 00:04:25,800 --> 00:04:29,320 Speaker 1: I never wore shorts or anything like that. So I 92 00:04:29,360 --> 00:04:32,800 Speaker 1: want to know shy country boy country Boar with his 93 00:04:32,839 --> 00:04:37,800 Speaker 1: black sariasis. But I you know, you're so confident on 94 00:04:37,920 --> 00:04:41,120 Speaker 1: stage and you're so confident in everything you do, and 95 00:04:41,200 --> 00:04:44,560 Speaker 1: you're writing your musicals and you're in the studio, do 96 00:04:44,600 --> 00:04:45,960 Speaker 1: you have any insecurity? 97 00:04:46,080 --> 00:04:46,520 Speaker 4: Of course? 98 00:04:46,960 --> 00:04:48,640 Speaker 1: Like what can what can you tell us? Because I 99 00:04:49,120 --> 00:04:50,360 Speaker 1: need to know something. 100 00:04:50,120 --> 00:04:52,200 Speaker 4: Tell me everything. 101 00:04:52,279 --> 00:04:54,039 Speaker 1: I feel a little better about myself. 102 00:04:54,960 --> 00:04:57,880 Speaker 4: Now, come on, man, we all everybody. 103 00:04:57,920 --> 00:05:00,800 Speaker 3: There's no way that everyone on earth is going to 104 00:05:00,839 --> 00:05:05,280 Speaker 3: think that everything they do is perfect. I'm well, never mind, 105 00:05:05,279 --> 00:05:11,400 Speaker 3: there are a few narcis, but no, I examine everything 106 00:05:11,680 --> 00:05:15,640 Speaker 3: when you're on stage. There are always moments of insecurity 107 00:05:15,680 --> 00:05:18,640 Speaker 3: when I'm on stage, but it's a matter of you're 108 00:05:18,800 --> 00:05:23,280 Speaker 3: there too to perform, and so that's part of the 109 00:05:23,839 --> 00:05:27,680 Speaker 3: performance is even when you're a bit insecure, you push 110 00:05:27,760 --> 00:05:28,880 Speaker 3: through it, or you. 111 00:05:28,800 --> 00:05:32,279 Speaker 4: Know you don't. Somehow you don't want to ruin the illusion. 112 00:05:33,600 --> 00:05:36,839 Speaker 3: Because that's what the fans are there for. They're there 113 00:05:36,920 --> 00:05:39,159 Speaker 3: for the show. You don't want to make the show 114 00:05:39,400 --> 00:05:42,440 Speaker 3: just about you. You're there for them, so you focus 115 00:05:42,560 --> 00:05:43,560 Speaker 3: on their needs. 116 00:05:56,080 --> 00:05:59,120 Speaker 1: All right, dreww, I know you have put together a 117 00:05:59,200 --> 00:06:02,320 Speaker 1: fun game for us. We love our games on our 118 00:06:02,400 --> 00:06:06,120 Speaker 1: last show, so let's bring it back. We got JC here, 119 00:06:06,279 --> 00:06:08,240 Speaker 1: what what is this game? Because I don't even know. 120 00:06:08,400 --> 00:06:10,360 Speaker 4: This game is called Michael Overslept. 121 00:06:10,960 --> 00:06:13,800 Speaker 2: No, No, I got a game and it's called The 122 00:06:13,880 --> 00:06:15,360 Speaker 2: Lyrics Schmiricks. Game. 123 00:06:15,520 --> 00:06:16,280 Speaker 4: Definitely gonna lose. 124 00:06:16,400 --> 00:06:17,040 Speaker 1: I know, I know. 125 00:06:17,120 --> 00:06:20,120 Speaker 4: But and they're your own songs, which is exactly why 126 00:06:20,240 --> 00:06:21,000 Speaker 4: created this game. 127 00:06:20,839 --> 00:06:23,080 Speaker 1: Because you know, I don't know any lyrics to any song. 128 00:06:23,360 --> 00:06:25,280 Speaker 2: I mean, that's exactly why I created it. 129 00:06:25,360 --> 00:06:27,919 Speaker 3: Because he's gonna be like, remember this B side you 130 00:06:27,960 --> 00:06:28,919 Speaker 3: did in Germany? 131 00:06:29,880 --> 00:06:33,000 Speaker 2: Well that's actually the first one. No, no, okay, here's 132 00:06:33,000 --> 00:06:35,520 Speaker 2: how it works. I've got a list of incomplete in 133 00:06:35,680 --> 00:06:39,600 Speaker 2: sync song lyrics, Lance and Jac. You're gonna compete to 134 00:06:39,640 --> 00:06:42,679 Speaker 2: see who can fill in the blanks with the right lyrics. 135 00:06:42,720 --> 00:06:46,040 Speaker 2: Will start easy, We'll get harder as we go. And 136 00:06:46,520 --> 00:06:49,240 Speaker 2: just if you know it, just say it were you know, yeah, 137 00:06:49,320 --> 00:06:51,960 Speaker 2: just blurt it out. So first one is from No 138 00:06:52,080 --> 00:06:55,279 Speaker 2: Strings Attached. Hey, you guys remember that the album. Yes 139 00:06:55,640 --> 00:06:58,520 Speaker 2: it's not I'm not telling you what the song is. Okay, 140 00:06:58,600 --> 00:07:01,320 Speaker 2: well it's not a fit. Finish the lyric. Okay, here's 141 00:07:01,360 --> 00:07:04,479 Speaker 2: here it is. He's not the type you said you liked. 142 00:07:04,720 --> 00:07:11,680 Speaker 2: His style is whack clothes are bad. No, you're missing 143 00:07:11,720 --> 00:07:14,320 Speaker 2: a couple of words as usual. 144 00:07:15,440 --> 00:07:17,440 Speaker 1: Is yeah? So yeah, yeah, that's the song. 145 00:07:17,400 --> 00:07:22,200 Speaker 3: Soothes are bad? What uh something? 146 00:07:22,200 --> 00:07:23,880 Speaker 4: I want? You call me a hater? 147 00:07:24,320 --> 00:07:25,760 Speaker 1: I mean this is hilarious. 148 00:07:26,560 --> 00:07:30,520 Speaker 2: You literally have sung this song a thousand times, if 149 00:07:30,560 --> 00:07:31,000 Speaker 2: not small. 150 00:07:31,200 --> 00:07:33,640 Speaker 4: Yeah, and this is your No. This that's Justin's line, 151 00:07:33,680 --> 00:07:34,800 Speaker 4: isn't it. 152 00:07:34,880 --> 00:07:37,600 Speaker 2: His style is wack clothes are bad. 153 00:07:38,440 --> 00:07:43,240 Speaker 1: Blurt it out. Yeah, exactly, come on, girl, let him go. 154 00:07:43,520 --> 00:07:44,320 Speaker 1: I want you back. 155 00:07:44,400 --> 00:07:50,559 Speaker 3: What I have a theory. My theory is about eighty 156 00:07:50,600 --> 00:07:52,600 Speaker 3: percent of these. All you have to do is say, girl, 157 00:07:52,640 --> 00:07:54,080 Speaker 3: we were in a boy band, sorry. 158 00:07:53,920 --> 00:08:01,280 Speaker 4: Lance, but all had all the fun. I mean it's like, girl, girl. 159 00:08:02,120 --> 00:08:04,840 Speaker 1: I got that I want you back part though, and 160 00:08:04,880 --> 00:08:06,880 Speaker 1: it is my favorite song we've recorded. I still don't 161 00:08:06,920 --> 00:08:09,480 Speaker 1: know the words. It's wild. 162 00:08:09,520 --> 00:08:12,000 Speaker 4: So you just missed. Come on, girl, I want you back, right. 163 00:08:12,280 --> 00:08:13,800 Speaker 1: Come on, girl, let him go. 164 00:08:13,960 --> 00:08:16,600 Speaker 4: I want you let him go. I want words you missed? 165 00:08:16,640 --> 00:08:16,880 Speaker 1: All right? 166 00:08:16,920 --> 00:08:19,720 Speaker 4: Anyway, we knew the song here's another one. 167 00:08:19,800 --> 00:08:22,480 Speaker 1: It's from Celebrity. Here it goes. 168 00:08:22,880 --> 00:08:26,080 Speaker 2: It's almost two o'clock. It's time to make my move. 169 00:08:26,320 --> 00:08:29,600 Speaker 2: The after hours spot is where I'm going to. 170 00:08:32,559 --> 00:08:36,679 Speaker 1: Groove? Is this just got paid. 171 00:08:38,080 --> 00:08:41,680 Speaker 2: From celebrity some more looking for somebody to hit the 172 00:08:41,800 --> 00:08:44,680 Speaker 2: dance floor, and lucky for me, I. 173 00:08:44,640 --> 00:08:49,560 Speaker 1: See this is a two step one maybe uh, just 174 00:08:49,600 --> 00:08:50,199 Speaker 1: the two of us. 175 00:08:50,320 --> 00:08:55,680 Speaker 3: No, it's so hard to hear Okay, it's hard to 176 00:08:55,720 --> 00:08:57,560 Speaker 3: hear it when you don't have the music. 177 00:08:57,679 --> 00:08:58,600 Speaker 4: That's my problem. 178 00:08:59,080 --> 00:09:00,400 Speaker 1: But can't you just sing first? 179 00:09:01,360 --> 00:09:01,480 Speaker 3: No? 180 00:09:01,600 --> 00:09:02,240 Speaker 1: I can't leave. 181 00:09:02,679 --> 00:09:05,960 Speaker 3: The lights went low and the disco ball came down. 182 00:09:06,240 --> 00:09:09,439 Speaker 3: It's like that's you need the melody to recall these things. 183 00:09:10,720 --> 00:09:11,680 Speaker 4: Won't you sing it? 184 00:09:11,760 --> 00:09:12,000 Speaker 1: No? 185 00:09:12,000 --> 00:09:13,920 Speaker 4: No, No, You're gonna do this. 186 00:09:14,240 --> 00:09:16,440 Speaker 1: You're gonna You're gonna sing this next one. 187 00:09:16,559 --> 00:09:19,560 Speaker 2: Just think the bold letters and then see if lance 188 00:09:19,640 --> 00:09:20,320 Speaker 2: can get. 189 00:09:20,920 --> 00:09:21,520 Speaker 4: What am I gonna do? 190 00:09:21,559 --> 00:09:22,679 Speaker 1: There? I gonna do this. 191 00:09:23,480 --> 00:09:26,360 Speaker 3: I'm gonna tell you about this song, this song right here. 192 00:09:27,240 --> 00:09:28,280 Speaker 3: You don't want to do this one? 193 00:09:28,679 --> 00:09:31,040 Speaker 1: Is it techno song that we did? 194 00:09:31,200 --> 00:09:34,679 Speaker 3: It's it's from the it's from it's from the early days. 195 00:09:34,840 --> 00:09:37,359 Speaker 3: It's not any love, but it's it's in that Wheelhouse. 196 00:09:37,920 --> 00:09:40,200 Speaker 3: So we used to schlept through this song on the 197 00:09:40,280 --> 00:09:41,120 Speaker 3: on stage. 198 00:09:40,800 --> 00:09:43,520 Speaker 1: Like it was the view the listeners what we're talking. 199 00:09:43,720 --> 00:09:47,440 Speaker 4: So the songs called you got it and I got yeah, 200 00:09:47,520 --> 00:09:47,880 Speaker 4: I'll do. 201 00:09:47,880 --> 00:09:52,360 Speaker 1: Whatever it takes, I'll do whatever it yeah. 202 00:09:52,400 --> 00:09:55,319 Speaker 3: And I remember there was a point where at least 203 00:09:56,080 --> 00:09:58,520 Speaker 3: one of us, and I can't remember which one of us. 204 00:09:58,559 --> 00:10:00,079 Speaker 4: Like literally hit a wall with it. 205 00:10:00,080 --> 00:10:03,760 Speaker 3: It was just like, I can't do this song anymore live. 206 00:10:03,880 --> 00:10:05,559 Speaker 3: It's driving me nuts. 207 00:10:06,000 --> 00:10:08,640 Speaker 4: I don't agree with here we go okay, yeah, and 208 00:10:08,679 --> 00:10:09,679 Speaker 4: I think it might it. 209 00:10:09,800 --> 00:10:12,079 Speaker 3: Actually I can't remember who who it was, but I 210 00:10:12,520 --> 00:10:14,800 Speaker 3: remember we were on stage and it was. 211 00:10:14,800 --> 00:10:17,560 Speaker 4: Just like, I can't do this song anymore. I just 212 00:10:17,600 --> 00:10:20,200 Speaker 4: can't do this song anymore. I was like, okay, you know, 213 00:10:20,320 --> 00:10:22,200 Speaker 4: we'll put another record in. Yeah. 214 00:10:22,240 --> 00:10:23,680 Speaker 1: It didn't last for the tour. 215 00:10:24,080 --> 00:10:25,360 Speaker 4: Yeah, it was on the tour. 216 00:10:25,640 --> 00:10:27,360 Speaker 2: I really think this is a game for Lance because 217 00:10:27,400 --> 00:10:28,520 Speaker 2: literally he doesn't know anything. 218 00:10:28,559 --> 00:10:30,840 Speaker 1: I mean everyone knows. It's like, I know no lyrics. 219 00:10:30,960 --> 00:10:35,680 Speaker 3: Wait, because you're choosing records by the way that you 220 00:10:35,720 --> 00:10:39,000 Speaker 3: know that's from the first record. So we we only 221 00:10:39,080 --> 00:10:41,680 Speaker 3: probably toured that on the very first tour. 222 00:10:42,120 --> 00:10:45,640 Speaker 1: In Germany of the game master. 223 00:10:45,920 --> 00:10:48,440 Speaker 2: That's what I'm calling my Wow master. Okay, I just 224 00:10:48,520 --> 00:10:51,280 Speaker 2: like came out and I'm going with it all right. 225 00:10:51,200 --> 00:10:54,160 Speaker 1: What about this? Let's see, let's just do this one. Oh. 226 00:10:54,679 --> 00:10:56,280 Speaker 3: I love that I get all the answers before you 227 00:10:56,320 --> 00:10:57,240 Speaker 3: by Why can't I. 228 00:10:57,320 --> 00:10:58,120 Speaker 1: Sing it to him? 229 00:10:58,440 --> 00:10:59,600 Speaker 2: Sing this to him and. 230 00:10:59,600 --> 00:11:01,360 Speaker 1: See if you get the last two? Okay? 231 00:11:01,840 --> 00:11:02,440 Speaker 4: Uh. 232 00:11:02,640 --> 00:11:08,319 Speaker 3: He doesn't give you that kind of sorry tention that 233 00:11:08,559 --> 00:11:15,520 Speaker 3: a girl like unis because he always looks around from bum. 234 00:11:17,000 --> 00:11:17,960 Speaker 1: Bum. 235 00:11:19,000 --> 00:11:22,040 Speaker 4: I have no idea idea his eyes wander around. He 236 00:11:22,040 --> 00:11:25,400 Speaker 4: doesn't see you like I see again. Why did you 237 00:11:25,440 --> 00:11:30,000 Speaker 4: not pick songs you're giving me Justin's parts? Wow? 238 00:11:30,160 --> 00:11:35,640 Speaker 1: Wow wow? Yeah. I don't know why I ever came back. 239 00:11:36,000 --> 00:11:38,360 Speaker 1: You used to love the show until right now, years ago. 240 00:11:38,480 --> 00:11:40,800 Speaker 1: In my life was so much better after I left there, 241 00:11:40,800 --> 00:11:43,000 Speaker 1: and now this sucks. You know what's interesting to me? 242 00:11:43,120 --> 00:11:44,559 Speaker 4: I was broke your friend. 243 00:11:45,200 --> 00:11:47,080 Speaker 1: I think we just broke through it. He breaks me 244 00:11:47,360 --> 00:11:52,160 Speaker 1: once a week. I would say, oh, okay, that sounded sexual. 245 00:11:52,559 --> 00:11:53,600 Speaker 1: It did, but no. 246 00:11:53,800 --> 00:11:56,560 Speaker 2: I I originally made the lyrics like literally just like 247 00:11:56,679 --> 00:11:58,720 Speaker 2: choruses and really easy. 248 00:11:58,480 --> 00:11:59,319 Speaker 4: And then I was going over. 249 00:11:59,360 --> 00:12:00,800 Speaker 2: I was like, they're gonn to be like got it, 250 00:12:00,880 --> 00:12:03,920 Speaker 2: got it, got it, and I made it too hard. 251 00:12:03,960 --> 00:12:04,280 Speaker 2: It is. 252 00:12:04,360 --> 00:12:06,280 Speaker 3: It's fun though, looking at that, like I said, that 253 00:12:06,600 --> 00:12:10,640 Speaker 3: makes me. It's like it's I am like so weirdly conditioned. 254 00:12:10,880 --> 00:12:12,640 Speaker 3: I can give you the chorus because we all sang 255 00:12:12,640 --> 00:12:15,080 Speaker 3: on the chorus, right. It's like you're so hyper focused 256 00:12:15,120 --> 00:12:17,120 Speaker 3: on learning your part, you don't want to forget it. 257 00:12:17,240 --> 00:12:20,680 Speaker 3: You don't always remember everybody else's part all the time. 258 00:12:20,720 --> 00:12:22,320 Speaker 3: You know the choreography for that part. 259 00:12:22,400 --> 00:12:24,440 Speaker 1: Well, and that's the thing. I know words when I 260 00:12:24,440 --> 00:12:25,280 Speaker 1: do the choreography. 261 00:12:25,400 --> 00:12:27,520 Speaker 4: Yeah, that's why I said I need the I need 262 00:12:27,559 --> 00:12:28,280 Speaker 4: the melody. 263 00:12:28,480 --> 00:12:30,200 Speaker 1: What about digital? Get done? Do you think. 264 00:12:32,440 --> 00:12:34,960 Speaker 2: I hope that I get through? If you're in the 265 00:12:35,000 --> 00:12:37,280 Speaker 2: mood and I'm not home, here's what to. 266 00:12:37,320 --> 00:12:44,280 Speaker 4: Do digital digital. It's the way you're it's your delivery. 267 00:12:44,320 --> 00:12:46,199 Speaker 4: I blame you. 268 00:12:46,280 --> 00:12:48,760 Speaker 1: It's bad. I don't think. I don't think your heart's 269 00:12:48,760 --> 00:12:54,680 Speaker 1: in it. Your heart's just not in it. Well, that 270 00:12:54,760 --> 00:12:57,640 Speaker 1: was a wonderful game, drib Let's let's get some fan 271 00:12:57,840 --> 00:13:05,280 Speaker 1: questions right now. That's what this What is the craziest 272 00:13:05,360 --> 00:13:09,959 Speaker 1: merch you have ever seen your face on? It could 273 00:13:09,960 --> 00:13:10,560 Speaker 1: be unofficial? 274 00:13:10,640 --> 00:13:12,760 Speaker 4: I was, I don't even I don't even know how 275 00:13:12,800 --> 00:13:14,480 Speaker 4: to answer that. Do you know? Have you? 276 00:13:14,640 --> 00:13:17,920 Speaker 1: Is there a tattoo of you you've seen on someone's arm? 277 00:13:18,080 --> 00:13:20,800 Speaker 4: I've seen like the band on seeing Chris a lot, 278 00:13:21,240 --> 00:13:21,480 Speaker 4: have you? 279 00:13:21,520 --> 00:13:24,080 Speaker 1: Yeah, I've seen Chris's face on a lot of arms. 280 00:13:24,120 --> 00:13:25,640 Speaker 1: Not a lot, but like a couple of arms. No, 281 00:13:25,720 --> 00:13:27,040 Speaker 1: but I don't think I've seen your face. 282 00:13:30,240 --> 00:13:32,319 Speaker 4: Stupid microphone. He's funny. 283 00:13:32,520 --> 00:13:35,679 Speaker 1: They heard pineapples? 284 00:13:35,880 --> 00:13:36,199 Speaker 4: All right. 285 00:13:36,240 --> 00:13:39,600 Speaker 1: This one is from Carly Burrie. Best and worst memory 286 00:13:39,679 --> 00:13:41,840 Speaker 1: from the whole decade of the nineties. 287 00:13:43,040 --> 00:13:48,719 Speaker 4: Best? What's your favorite one of that ninetiesneties? Obviously the you. 288 00:13:48,679 --> 00:13:51,559 Speaker 3: Know, the band breaking through is the best memory, And 289 00:13:51,640 --> 00:13:53,520 Speaker 3: I would say the worst is when we ended up 290 00:13:53,520 --> 00:13:53,959 Speaker 3: in court. 291 00:13:54,520 --> 00:13:54,720 Speaker 1: Yeah. 292 00:13:54,840 --> 00:13:56,400 Speaker 4: Yeah, I mean that's tough. 293 00:13:56,480 --> 00:13:56,680 Speaker 1: You know. 294 00:13:56,760 --> 00:13:59,280 Speaker 3: It's like you think that your whole life is coming 295 00:13:59,320 --> 00:14:02,520 Speaker 3: to a screen halt when you have all of these 296 00:14:02,679 --> 00:14:05,680 Speaker 3: very powerful people, you know, kind of pressed up against 297 00:14:05,760 --> 00:14:09,800 Speaker 3: you and uh and they're yeah, they're they're basically flexing 298 00:14:10,280 --> 00:14:13,240 Speaker 3: on you. And you're young, and you're going and they're 299 00:14:13,280 --> 00:14:15,920 Speaker 3: telling you they have this many years of experience and 300 00:14:15,960 --> 00:14:18,439 Speaker 3: they've amassed this amount of wealth because they know what 301 00:14:18,480 --> 00:14:20,880 Speaker 3: they're doing and you don't, and you're just lucky to 302 00:14:20,920 --> 00:14:21,320 Speaker 3: be there. 303 00:14:21,400 --> 00:14:23,840 Speaker 1: And so did you ever think was scary if we 304 00:14:23,960 --> 00:14:26,520 Speaker 1: just we would not go any further after that moment? 305 00:14:26,880 --> 00:14:27,760 Speaker 1: Did you think it was over? 306 00:14:31,640 --> 00:14:36,000 Speaker 3: I think you you question everything, you know. But it's 307 00:14:36,000 --> 00:14:40,040 Speaker 3: also like we were so painted into a corner. I 308 00:14:40,040 --> 00:14:43,880 Speaker 3: mean we were you know, without getting into the too 309 00:14:44,360 --> 00:14:46,680 Speaker 3: much detail about it, but it's just kind of like, 310 00:14:46,960 --> 00:14:50,280 Speaker 3: we just did all of this and we're broke, so 311 00:14:50,440 --> 00:14:53,240 Speaker 3: what else can we do? Like am I going to 312 00:14:53,280 --> 00:14:56,680 Speaker 3: continue to do this and be broke? Like I'm running 313 00:14:56,760 --> 00:15:01,160 Speaker 3: up debt, Like so this is actually ruining my life 314 00:15:01,200 --> 00:15:05,520 Speaker 3: on some level. So it's like we couldn't We literally 315 00:15:05,640 --> 00:15:06,880 Speaker 3: couldn't continue. 316 00:15:07,120 --> 00:15:09,280 Speaker 1: It was scary, especially because I remember it was Strauss Zelnik, 317 00:15:09,280 --> 00:15:12,160 Speaker 1: which I don't even know Strauss's in the music world anymore. 318 00:15:12,240 --> 00:15:15,560 Speaker 1: I don't know. He was like the head of a BMG. Yeah, 319 00:15:15,640 --> 00:15:18,400 Speaker 1: but that's when I you know, we sat around the table. 320 00:15:18,440 --> 00:15:21,160 Speaker 1: It was kind of like this like mediation, right, and 321 00:15:21,200 --> 00:15:23,400 Speaker 1: he just looked at us, He's like, yeah, you might 322 00:15:23,480 --> 00:15:25,520 Speaker 1: have one more album then you I'm going with low 323 00:15:25,560 --> 00:15:26,840 Speaker 1: and kind of just walked out of the room like 324 00:15:26,920 --> 00:15:30,760 Speaker 1: oh my god, like they don't care about us, Like 325 00:15:30,840 --> 00:15:33,520 Speaker 1: they just do not care. We are just like we're 326 00:15:32,960 --> 00:15:34,080 Speaker 1: chill the product. 327 00:15:34,280 --> 00:15:36,840 Speaker 3: Yeah, you know, And to be fair, it's called the 328 00:15:36,920 --> 00:15:40,880 Speaker 3: music business, right, so I understand that they have to 329 00:15:40,920 --> 00:15:44,560 Speaker 3: take a stance. I don't necessarily agree with all the 330 00:15:44,560 --> 00:15:47,960 Speaker 3: stances that people take in business all the time. I 331 00:15:48,120 --> 00:15:50,800 Speaker 3: just know that, like you said, I was worried, like 332 00:15:51,040 --> 00:15:53,880 Speaker 3: is this the end? And yeah, part of you wonders 333 00:15:54,080 --> 00:15:58,840 Speaker 3: is it the end? But that's because there was no 334 00:15:59,080 --> 00:16:01,800 Speaker 3: other way. War word, that's it. 335 00:16:03,720 --> 00:16:07,040 Speaker 1: Korene blackstonecrafts as what is something you hope to accomplish 336 00:16:07,120 --> 00:16:11,520 Speaker 1: in the next year. It's on your short list? Make 337 00:16:11,640 --> 00:16:15,920 Speaker 1: my musical, because you've been working on a couple of musicals, right, yeah, 338 00:16:15,960 --> 00:16:17,560 Speaker 1: so give us the update on them. 339 00:16:17,640 --> 00:16:27,240 Speaker 3: So Candid is still in a shopping phase. But this, 340 00:16:27,760 --> 00:16:29,840 Speaker 3: well that's called the Best. We're calling it the best 341 00:16:29,840 --> 00:16:33,600 Speaker 3: of all possible worlds. It's based on Candid. Playing with 342 00:16:33,680 --> 00:16:38,080 Speaker 3: Fire is an adaptation of Frankenstein and uh, I've actually 343 00:16:39,560 --> 00:16:42,400 Speaker 3: I'm literally mixing that record right now. 344 00:16:42,600 --> 00:16:44,520 Speaker 1: Is Frikanstein public domain, so you don't have to worry 345 00:16:44,560 --> 00:16:46,680 Speaker 1: about trying to find its rights and all that. 346 00:16:46,800 --> 00:16:47,920 Speaker 4: Well, this is Playing with Fire. 347 00:16:48,480 --> 00:16:52,360 Speaker 3: So Playing with Fire was an adaptation written by my 348 00:16:52,800 --> 00:16:57,040 Speaker 3: writing partner's mother actually, so he has the rights to him. 349 00:16:57,160 --> 00:16:59,640 Speaker 3: He and his sister gave us the thumbs up to 350 00:16:59,680 --> 00:17:02,720 Speaker 3: work on it. And but all the look, all the 351 00:17:02,960 --> 00:17:07,320 Speaker 3: music is totally original, there's nothing from that anyway. It's 352 00:17:07,480 --> 00:17:12,760 Speaker 3: we're writing songs that we felt like would push emotional 353 00:17:12,800 --> 00:17:16,480 Speaker 3: points through in uh and and make it interesting for 354 00:17:16,560 --> 00:17:20,159 Speaker 3: a whole new generation. Coincidentally, now we we've noticed, like 355 00:17:20,200 --> 00:17:24,040 Speaker 3: there's two new Frankenstein movies coming out. Oh yeah, Germo 356 00:17:24,119 --> 00:17:27,560 Speaker 3: del Toro is doing one, and and Jill and Hall 357 00:17:28,760 --> 00:17:33,800 Speaker 3: is doing one with Christian bale So and but that's film, right, Like, 358 00:17:34,200 --> 00:17:37,000 Speaker 3: we're looking to do something for the stage. And the 359 00:17:37,080 --> 00:17:39,239 Speaker 3: reason I was drawn to the stage is we had 360 00:17:39,240 --> 00:17:44,280 Speaker 3: this conversation earlier about AI. Right like, in five years time, 361 00:17:44,800 --> 00:17:46,680 Speaker 3: you might be looking at an actor on your screen. 362 00:17:46,720 --> 00:17:49,520 Speaker 3: You might be looking at something that was amalgamated. Right 363 00:17:49,680 --> 00:17:52,200 Speaker 3: Like when you listen to a recording, it might be 364 00:17:52,280 --> 00:17:54,720 Speaker 3: a real voice. It might be a voice that was amalgamated. 365 00:17:54,920 --> 00:17:57,120 Speaker 3: When you go when you walk into a theater, that's 366 00:17:57,160 --> 00:17:59,840 Speaker 3: a human being on stage. There's no other way around it. 367 00:18:00,080 --> 00:18:03,920 Speaker 3: Every time you walk into a theater, those are real singers. 368 00:18:04,160 --> 00:18:07,000 Speaker 3: Those are real actors on the stage, and so I 369 00:18:07,000 --> 00:18:10,840 Speaker 3: thought it was way appropriate when when the idea of 370 00:18:10,840 --> 00:18:14,720 Speaker 3: Frankeenstein came about, It's like, Okay, this whole story is 371 00:18:14,760 --> 00:18:21,320 Speaker 3: about a basically a distraught scientist who created something and 372 00:18:21,560 --> 00:18:26,000 Speaker 3: was essentially irresponsible with it, and bad things happen, and 373 00:18:26,040 --> 00:18:29,800 Speaker 3: that's what we're facing, you know, on some level now 374 00:18:29,840 --> 00:18:32,879 Speaker 3: with AI, it's like, Okay, we've created this thing. We 375 00:18:32,920 --> 00:18:36,520 Speaker 3: need to be very responsible and very careful about, you know, 376 00:18:37,040 --> 00:18:39,280 Speaker 3: how we use it and what we're doing when we're 377 00:18:39,520 --> 00:18:42,680 Speaker 3: when we're creating this thing, and what we're what we're 378 00:18:42,720 --> 00:18:43,280 Speaker 3: teaching it. 379 00:18:43,480 --> 00:18:46,960 Speaker 2: So it's also kind of like Doc Brown and Back 380 00:18:47,000 --> 00:18:47,560 Speaker 2: to the Future. 381 00:18:47,600 --> 00:18:50,160 Speaker 1: If you think about it, you know, it's exactly lot 382 00:18:50,240 --> 00:18:56,520 Speaker 1: Don as a Broadway lover. Is there a show that 383 00:18:56,560 --> 00:19:01,000 Speaker 1: you would just love to do, even if it was 384 00:19:01,040 --> 00:19:01,720 Speaker 1: just for one night? 385 00:19:03,320 --> 00:19:03,480 Speaker 3: You know? 386 00:19:03,640 --> 00:19:04,240 Speaker 4: I don't know. 387 00:19:04,640 --> 00:19:08,680 Speaker 3: I don't know if I don't know if there's any 388 00:19:08,840 --> 00:19:11,680 Speaker 3: role I see myself in. I again, I'm just more 389 00:19:11,680 --> 00:19:15,760 Speaker 3: of a creator. I like creating, I think more than anything. 390 00:19:18,040 --> 00:19:22,359 Speaker 3: So I actually have my writing partner and I we 391 00:19:22,480 --> 00:19:24,840 Speaker 3: have two ideas in the back of our mind of 392 00:19:24,880 --> 00:19:27,080 Speaker 3: what we might do next, if we even do another one. 393 00:19:27,119 --> 00:19:29,879 Speaker 3: I mean, this process is so different from making a record, 394 00:19:29,960 --> 00:19:33,320 Speaker 3: and I had no idea. It's it's just a different animal. 395 00:19:34,800 --> 00:19:38,720 Speaker 3: But we're hoping that it. You know, there's no guarantee. 396 00:19:38,760 --> 00:19:43,399 Speaker 3: We just made this recording and we've written a first 397 00:19:43,520 --> 00:19:47,520 Speaker 3: draft of the book, but you know that this thing 398 00:19:47,560 --> 00:19:50,639 Speaker 3: could change fifty different ways by the time it gets 399 00:19:50,680 --> 00:19:54,160 Speaker 3: to its finished form. But you know, we're we wanted 400 00:19:54,200 --> 00:19:58,880 Speaker 3: to release this recording so everybody can hear at least 401 00:19:59,160 --> 00:20:03,480 Speaker 3: something of the genesis of what we are thinking as writers. 402 00:20:03,560 --> 00:20:06,000 Speaker 4: My co writer Jimmy Harry and. 403 00:20:05,960 --> 00:20:09,679 Speaker 3: I, you know, we were inspired by this material that 404 00:20:09,720 --> 00:20:12,720 Speaker 3: his mother originally wrote as a play, and she wrote 405 00:20:12,760 --> 00:20:16,280 Speaker 3: it in a way that made the story very accessible 406 00:20:16,840 --> 00:20:20,720 Speaker 3: emotionally to me anyway, And so after I read it, 407 00:20:20,760 --> 00:20:23,280 Speaker 3: I told him, I was like, this is incredible, man. 408 00:20:23,400 --> 00:20:25,840 Speaker 3: But you know, you're also there's a moment where I 409 00:20:25,840 --> 00:20:27,840 Speaker 3: was a little bit of afraid because this is his 410 00:20:27,960 --> 00:20:30,720 Speaker 3: mother's writing, right, she's an artist, And it was like, 411 00:20:32,040 --> 00:20:34,600 Speaker 3: are we gonna work on this thing? You know, because 412 00:20:34,640 --> 00:20:38,200 Speaker 3: we took liberties and we changed things, and so it's 413 00:20:38,240 --> 00:20:42,640 Speaker 3: like when you're changing something that somebody's mother wrote, You're going, 414 00:20:42,720 --> 00:20:43,280 Speaker 3: are we cool? 415 00:20:43,800 --> 00:20:45,760 Speaker 4: Are we good with this? How do you feel about this? 416 00:20:45,920 --> 00:20:46,920 Speaker 4: Are we on the same day? 417 00:20:47,119 --> 00:20:47,359 Speaker 1: You know? 418 00:20:47,680 --> 00:20:49,560 Speaker 3: And the good thing is, you know he was very 419 00:20:49,600 --> 00:20:52,520 Speaker 3: much about, Hey, this song is changing the way I 420 00:20:52,560 --> 00:20:55,400 Speaker 3: feel about this and I like it. So let's let's 421 00:20:55,440 --> 00:20:57,120 Speaker 3: go here instead. So that's been fun. 422 00:20:57,359 --> 00:20:59,399 Speaker 1: That's great. I could see in Rent I think you 423 00:20:59,400 --> 00:21:02,960 Speaker 1: would kill it, say in the Park with George or something. 424 00:21:03,520 --> 00:21:06,040 Speaker 3: You know what I saw that was? It was that 425 00:21:06,119 --> 00:21:08,639 Speaker 3: last year. Now I went, I saw a friend. So 426 00:21:09,359 --> 00:21:13,720 Speaker 3: funny you say that. One of my writing partners for 427 00:21:13,800 --> 00:21:17,840 Speaker 3: the Candid Project is Sarna La Pine and her father 428 00:21:19,440 --> 00:21:24,200 Speaker 3: La Pine so and she and she directed a rendition 429 00:21:24,240 --> 00:21:26,320 Speaker 3: of studying in the Park with George and that I 430 00:21:26,400 --> 00:21:27,120 Speaker 3: saw recently. 431 00:21:27,200 --> 00:21:29,000 Speaker 1: So, I mean, you spend much time in New York, 432 00:21:29,680 --> 00:21:31,679 Speaker 1: you don't like or more. 433 00:21:31,640 --> 00:21:34,600 Speaker 4: La I'm I mean, I'm I'm more La, you know. 434 00:21:35,200 --> 00:21:37,560 Speaker 4: But look, I'll just go wherever the work is. 435 00:21:37,600 --> 00:21:39,600 Speaker 3: Like, the fact of the matter is Jimmy and I 436 00:21:39,640 --> 00:21:43,480 Speaker 3: live in La so that's where we work. But I'll 437 00:21:43,520 --> 00:21:45,840 Speaker 3: see a show anywhere. We're in Vegas, you know what 438 00:21:45,880 --> 00:21:47,800 Speaker 3: I mean. It's like I'll see you know, I love 439 00:21:47,840 --> 00:21:51,800 Speaker 3: the West End. I love Vegas. I love seeing shows. 440 00:21:51,480 --> 00:21:53,680 Speaker 4: In New York. I mean I'll see a show anywhere. 441 00:21:55,040 --> 00:21:58,800 Speaker 1: It says from Candy's eighty eight lance, were you and 442 00:21:58,880 --> 00:22:01,359 Speaker 1: JC wearing matching necklace? Is at the Wilstern show? 443 00:22:01,680 --> 00:22:02,080 Speaker 4: Were we? 444 00:22:02,600 --> 00:22:04,119 Speaker 1: I mean they were imagining because I don't remember. I 445 00:22:04,119 --> 00:22:05,639 Speaker 1: mean we didn't plan on that. I don't know what 446 00:22:05,680 --> 00:22:07,879 Speaker 1: I was wearing. No, I think I was wearing like 447 00:22:07,880 --> 00:22:08,560 Speaker 1: a pearl necklace. 448 00:22:09,440 --> 00:22:11,760 Speaker 4: I was not. Justin was wearing pearls. I think. 449 00:22:11,840 --> 00:22:14,960 Speaker 1: Oh, guys, JC is not Justin and Justine's not j C. 450 00:22:15,200 --> 00:22:16,439 Speaker 4: Okay, get it together. 451 00:22:17,200 --> 00:22:20,359 Speaker 1: I know they look exactly alike, they like twins, but 452 00:22:20,440 --> 00:22:22,840 Speaker 1: they're different people. Okay, I'm tired of trying to explain 453 00:22:22,880 --> 00:22:26,879 Speaker 1: this to you guys. All Right, this is Sharon Zerz 454 00:22:26,920 --> 00:22:29,520 Speaker 1: is our last one. Sharon Zerz forty two. What is 455 00:22:29,560 --> 00:22:33,840 Speaker 1: your favorite song you have ever written or recorded? I 456 00:22:33,880 --> 00:22:35,520 Speaker 1: know it's like choosing babies, but give me. You know 457 00:22:35,640 --> 00:22:37,440 Speaker 1: it's one of your top, one of your top. 458 00:22:37,520 --> 00:22:42,919 Speaker 3: It's impossible. It's impossible, yeah, because you're gonna like different 459 00:22:42,920 --> 00:22:45,560 Speaker 3: things for different reasons, and they affect you in different ways. 460 00:22:45,560 --> 00:22:49,480 Speaker 3: Because you know, eventually, when you work on something, there's 461 00:22:49,480 --> 00:22:51,679 Speaker 3: a there's a memory attached to it, either in the 462 00:22:51,720 --> 00:22:55,520 Speaker 3: recording process or just a shared moment with someone. And 463 00:22:55,640 --> 00:22:58,600 Speaker 3: so you know, there's so there's songs that people will 464 00:22:58,640 --> 00:23:01,800 Speaker 3: never hear that I'll have have great memories of, you 465 00:23:01,840 --> 00:23:04,480 Speaker 3: know what I mean. So that's that's just impossible. 466 00:23:04,600 --> 00:23:06,800 Speaker 2: But do you have a song that you could remember 467 00:23:06,840 --> 00:23:09,040 Speaker 2: the lyrics to that you've written. 468 00:23:09,760 --> 00:23:12,960 Speaker 1: Making this game happen? Okay, that's just never gonna happen. 469 00:23:13,040 --> 00:23:15,680 Speaker 3: Ship, Yeah, I mean I could probably remember all the 470 00:23:15,760 --> 00:23:16,800 Speaker 3: lyrics the Happy. 471 00:23:16,480 --> 00:23:21,320 Speaker 4: Birthday I got that one, you know, all right. 472 00:23:22,240 --> 00:23:26,280 Speaker 3: Hardly I remember a lot of the Spanish version of this, 473 00:23:26,400 --> 00:23:27,399 Speaker 3: I promise. 474 00:23:27,080 --> 00:23:29,560 Speaker 1: You, which, by the way, I prefer that. 475 00:23:31,800 --> 00:23:39,280 Speaker 4: Cras to lose yea given end. 476 00:23:44,359 --> 00:23:46,520 Speaker 1: You think I'm gonna remember the Spanish words more than 477 00:23:46,560 --> 00:23:49,520 Speaker 1: the English words. Yeah, it's not gonna happen, but it 478 00:23:49,600 --> 00:23:52,320 Speaker 1: is a beautiful like I love that version. All right. 479 00:23:52,640 --> 00:23:53,800 Speaker 1: Before we let you go, we have to do a 480 00:23:53,800 --> 00:23:56,600 Speaker 1: little druze news and see what JC thinks about what's 481 00:23:56,600 --> 00:24:00,720 Speaker 1: going down in the news today. Drew bo Haley Baber pregnant. 482 00:24:00,880 --> 00:24:04,520 Speaker 2: She's preggner six months now, six months and you know 483 00:24:05,560 --> 00:24:08,000 Speaker 2: the uh, it has now been confirmed that is not 484 00:24:08,040 --> 00:24:10,600 Speaker 2: going to be twins. So the reason why people were 485 00:24:10,640 --> 00:24:13,960 Speaker 2: speculating that it was gonna be twins is because Justin's mom, 486 00:24:14,040 --> 00:24:20,040 Speaker 2: Patty uh mentioned grand babies in her Instagram and so 487 00:24:20,080 --> 00:24:21,880 Speaker 2: everybody's like, oh my god, that means it's gonna be twins, 488 00:24:21,920 --> 00:24:23,920 Speaker 2: you know, because people love to like find little signals 489 00:24:23,920 --> 00:24:26,679 Speaker 2: and yeah. So my question to you, Lance is like, 490 00:24:27,840 --> 00:24:29,880 Speaker 2: when you were having kids, were there things that your 491 00:24:29,920 --> 00:24:33,080 Speaker 2: mom or somebody in your life maybe tweeted before you 492 00:24:33,119 --> 00:24:34,960 Speaker 2: were ready to reveal anything. 493 00:24:34,960 --> 00:24:37,280 Speaker 1: None of my family and I think your mom has 494 00:24:37,320 --> 00:24:40,119 Speaker 1: a Twitter, but like, no, they didn't mean no, I 495 00:24:40,119 --> 00:24:43,200 Speaker 1: mean no, there was no revealing of anything accidentally nothing. 496 00:24:43,240 --> 00:24:46,080 Speaker 1: I mean I understand because you know, we've been kind 497 00:24:46,119 --> 00:24:48,480 Speaker 1: of following Justin Bieber the last few months and he 498 00:24:48,600 --> 00:24:51,640 Speaker 1: looks like there's something kind of been going down. Uh, 499 00:24:51,720 --> 00:24:54,360 Speaker 1: he looks sad a lot of the times everyone's speculating 500 00:24:55,080 --> 00:24:58,119 Speaker 1: he's you know, putting videos up of him crying. And 501 00:24:58,160 --> 00:25:00,440 Speaker 1: I even thought, I'm like, you know what, this kind 502 00:25:00,440 --> 00:25:02,439 Speaker 1: of looks like maybe they lost a kit, like they 503 00:25:02,800 --> 00:25:05,239 Speaker 1: were pregnant and lost the baby. Like that's that's the 504 00:25:05,280 --> 00:25:08,200 Speaker 1: reaction that I see, you know, as like a parent, 505 00:25:08,240 --> 00:25:11,040 Speaker 1: I'm like, God, that's that's how I would look. And 506 00:25:11,080 --> 00:25:13,200 Speaker 1: I'm so glad to find out that they are six 507 00:25:13,240 --> 00:25:16,000 Speaker 1: months and like they but maybe they did have twins 508 00:25:16,040 --> 00:25:18,160 Speaker 1: and then we lost one, because that's what happened with us, 509 00:25:18,560 --> 00:25:21,480 Speaker 1: you know, we were pregnant with twins and then yeah, 510 00:25:21,520 --> 00:25:23,199 Speaker 1: and then we lost one and then we lost the 511 00:25:23,200 --> 00:25:24,920 Speaker 1: other one like three weeks later, so we had to 512 00:25:24,920 --> 00:25:27,920 Speaker 1: start the whole process over. So, you know, when you're 513 00:25:28,440 --> 00:25:31,960 Speaker 1: trying to you know, it's hard for sometimes for twins 514 00:25:32,000 --> 00:25:33,760 Speaker 1: to stick, like a lot of the times one will 515 00:25:33,800 --> 00:25:36,719 Speaker 1: not survive unfortunately. So maybe that's the case. I don't know. 516 00:25:36,760 --> 00:25:39,320 Speaker 1: Maybe that's why he was so sad the last week's 517 00:25:39,320 --> 00:25:41,479 Speaker 1: But I'm glad that you know, they're gonna have our 518 00:25:41,480 --> 00:25:44,239 Speaker 1: first baby. Yeah it's a good sign. Yeah, you never 519 00:25:44,280 --> 00:25:46,679 Speaker 1: want to talk about it for a long time, but 520 00:25:46,800 --> 00:25:48,960 Speaker 1: I think six months you're pretty safe to say, Okay, 521 00:25:48,960 --> 00:25:52,280 Speaker 1: this is this might go uh, but yay, I'm happy 522 00:25:52,320 --> 00:25:53,960 Speaker 1: for them. Babies are fun. 523 00:25:54,840 --> 00:25:57,880 Speaker 4: You think you did although a few minutes ago. 524 00:25:58,040 --> 00:26:01,800 Speaker 1: Babies are real fun. You see my face. No, I 525 00:26:01,800 --> 00:26:04,280 Speaker 1: mean it's it's awesome. It really changes your life for 526 00:26:04,560 --> 00:26:08,240 Speaker 1: the better. It ages you. You're tired, but it's so 527 00:26:08,359 --> 00:26:09,560 Speaker 1: worth it. It's so great. 528 00:26:09,680 --> 00:26:11,880 Speaker 4: I don't have to go sincere, we know you love 529 00:26:11,880 --> 00:26:12,320 Speaker 4: your kids. 530 00:26:12,359 --> 00:26:15,080 Speaker 2: I haven't seen your kids around in a long time. 531 00:26:15,200 --> 00:26:17,399 Speaker 1: I don't know. They've been on the craps table for 532 00:26:17,440 --> 00:26:21,639 Speaker 1: the last two hours. They are good, they're lucky. 533 00:26:21,720 --> 00:26:24,159 Speaker 4: Role The craps table kind of does look like a crib. 534 00:26:24,880 --> 00:26:28,320 Speaker 1: Oh yeah, it does look comfy. 535 00:26:28,760 --> 00:26:30,920 Speaker 4: It's kind of like a giant crib. 536 00:26:31,920 --> 00:26:33,640 Speaker 1: Maybe I think I'm gonna change their cribs now. They're 537 00:26:33,640 --> 00:26:35,080 Speaker 1: just gonna all sleep in a crap table. 538 00:26:36,359 --> 00:26:40,120 Speaker 3: No, I mean they wear diapers, right, Well, so there's 539 00:26:40,240 --> 00:26:45,879 Speaker 3: crap and they're in the thing. I'd see it's new branding. 540 00:26:46,280 --> 00:26:49,919 Speaker 3: You're gonna come up with some wacky branding idea crap craps. 541 00:26:50,000 --> 00:26:52,080 Speaker 1: Yeah, my brain is going down. 542 00:26:51,800 --> 00:26:55,320 Speaker 4: Like Las Vegas children's furniture. 543 00:26:56,600 --> 00:26:59,600 Speaker 1: Let's add that to the list. Jac thank you so 544 00:26:59,640 --> 00:27:01,080 Speaker 1: much for on frosted tips. 545 00:27:01,080 --> 00:27:01,840 Speaker 4: Thanks for having me. 546 00:27:01,880 --> 00:27:04,360 Speaker 1: Is there anything you would like to tell everyone that 547 00:27:04,400 --> 00:27:06,880 Speaker 1: we haven't discussed that you would like to be like, Oh, yeah, 548 00:27:07,119 --> 00:27:09,120 Speaker 1: I hadn't told anyone this yet. I need to tell 549 00:27:09,160 --> 00:27:11,080 Speaker 1: the world, little pluck. 550 00:27:10,840 --> 00:27:16,280 Speaker 4: Plug, I'm moving to Mars. I'm not moving to Mars. 551 00:27:16,840 --> 00:27:19,919 Speaker 1: Good luck, there's no return. There's no return. There's a 552 00:27:19,960 --> 00:27:21,000 Speaker 1: one way trip to Mars. 553 00:27:21,560 --> 00:27:23,119 Speaker 4: Yeah for now. 554 00:27:23,520 --> 00:27:28,040 Speaker 1: Yeah, well in our lifetime, you ain't coming back, and 555 00:27:28,080 --> 00:27:31,600 Speaker 1: we need you, see, we need you. Well, congratulations on everything. 556 00:27:31,600 --> 00:27:33,920 Speaker 1: I can't wait for the musicals and we get to 557 00:27:33,960 --> 00:27:38,480 Speaker 1: hear some stuff and you killed it on Paradise. I mean, 558 00:27:38,520 --> 00:27:41,720 Speaker 1: it's so great to hear you and justin together singing. 559 00:27:41,800 --> 00:27:43,639 Speaker 4: I mean everyone will you sing well? 560 00:27:43,720 --> 00:27:45,480 Speaker 1: Man? Yeah, I mean I'm just there for long for 561 00:27:45,520 --> 00:27:48,280 Speaker 1: the ride, but you know, it's it's been fun, but 562 00:27:48,400 --> 00:27:51,280 Speaker 1: you know it's been incredible, and yeah, let's have a 563 00:27:51,320 --> 00:27:53,560 Speaker 1: fun weekend. This is I got my boys with me. 564 00:27:53,800 --> 00:27:54,520 Speaker 1: This is gonna be great. 565 00:27:54,560 --> 00:27:57,160 Speaker 4: This is about this. At our age, it's about survival. 566 00:27:57,240 --> 00:28:00,040 Speaker 1: Yeah, at this point, every day is just a we. 567 00:28:00,000 --> 00:28:02,280 Speaker 4: Were young, it was like let's go get it. Now 568 00:28:02,320 --> 00:28:04,520 Speaker 4: we're like, let's not die. 569 00:28:04,720 --> 00:28:06,960 Speaker 1: Yeah. I just want to wake up tomorrow and not 570 00:28:07,080 --> 00:28:07,960 Speaker 1: have a bad back. 571 00:28:09,160 --> 00:28:10,119 Speaker 4: That's what I said. 572 00:28:11,000 --> 00:28:14,720 Speaker 1: Turky Turchen didn't even come on the show. What the hell? 573 00:28:15,920 --> 00:28:17,639 Speaker 1: All right? Well, dreww, it's always good to see you. 574 00:28:17,720 --> 00:28:18,400 Speaker 1: I'm glad that. 575 00:28:18,280 --> 00:28:20,280 Speaker 4: You're thank you for such a fun game. 576 00:28:20,480 --> 00:28:22,679 Speaker 1: Yeah that please we're gonna take well, we're gonna go 577 00:28:22,720 --> 00:28:24,800 Speaker 1: sell that to a network because that was incredible. And 578 00:28:24,840 --> 00:28:28,320 Speaker 1: of course Jay Dizzel, Giggles, Dell Campo Turkey, you did 579 00:28:28,359 --> 00:28:30,200 Speaker 1: not show up, but uh yeah, I love that. I 580 00:28:30,280 --> 00:28:32,800 Speaker 1: have my peanuts here and uh yeah, see we'll see 581 00:28:32,800 --> 00:28:34,640 Speaker 1: you soon. We're gonna be taking lots of pictures tonight. 582 00:28:34,720 --> 00:28:35,480 Speaker 4: See you at dinner. 583 00:28:35,760 --> 00:28:36,680 Speaker 1: Oh yeah, we're gonna have dinner. 584 00:28:36,760 --> 00:28:39,160 Speaker 4: Let's see what the yeah? 585 00:28:39,240 --> 00:28:41,400 Speaker 1: All right, all right, guys, that is all the show 586 00:28:41,400 --> 00:28:43,360 Speaker 1: a half of you. Thanks so much for listening. I'll 587 00:28:43,400 --> 00:28:45,520 Speaker 1: be good to each other out there. Don't drink and drop, 588 00:28:45,600 --> 00:28:48,480 Speaker 1: take care of those animals, and uh until next time, 589 00:28:48,720 --> 00:28:53,720 Speaker 1: stay frosted. Hey, thanks for listening. Follow us on Instagram 590 00:28:53,800 --> 00:28:57,600 Speaker 1: at Frosted Tips with Lance and Michael Turchin and at 591 00:28:57,680 --> 00:29:00,400 Speaker 1: lance bast for all your pop culture needs, and make 592 00:29:00,440 --> 00:29:02,560 Speaker 1: sure to write his review and leave us five stars 593 00:29:02,600 --> 00:29:04,440 Speaker 1: six if you can see you next time.