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Speaker 1: Oooh, welcome back in Clay Travis Buck Sexton Show. We

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Speaker 1: appreciate all of you hanging out with us as we

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Speaker 1: are rolling through the Munday.

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Speaker 2: Edition of the program.

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Speaker 1: The Clay and Buck team has now made a flyer

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Speaker 1: for a Netflix Netflix original series, The Gayetola with an

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Speaker 1: Ayatola in rainbow colored robes. Feels like, by the way,

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Speaker 1: Netflix does make everything gay. So you're watching like Stranger

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Speaker 1: Things are perfect? Did you do you ever watch Stranger

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Speaker 1: Things at all? Have you ever watched any of this?

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Speaker 1: Saw the first season? The first season, Yeah, first season

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Speaker 1: was pretty good. Well, you know, they're trying to save

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Speaker 1: the world spoiler alert from evil monsters and in the

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Speaker 1: next to last episode they just have like a twenty

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Speaker 1: While they're trying to save the world, they have a

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Speaker 1: pause and one of the characters has to be like, Hey,

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Speaker 1: I'm gay and have a big hey I'm gay talk,

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Speaker 1: and it was. It was totally out of the left field,

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Speaker 1: doesn't fit the plot at all, and they were universally ridiculed.

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Speaker 1: But it is true that Netflix seems to have require

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Speaker 1: a gay or trans plot element of virtually every one

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Speaker 1: of their shows, or somebody who's white who is actually

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Speaker 1: being played by someone who is black.

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Speaker 3: I thought the show Billions had its fair share of

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Speaker 3: problems and a lot of degeneracy and all kinds, but

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Speaker 3: it was entertaining, So I'm willing that aside for a while.

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Speaker 3: But when it got to the the hookup scene with

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Speaker 3: the with the trans girl and the guy and like

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Speaker 3: we're going like the tranny's getting naked the whole thing,

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Speaker 3: I was like, I'm done. This is a little a

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Speaker 3: little more than I need. There's a little little too

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Speaker 3: aggressive here. I don't well, oh yeah, totally, I remember

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Speaker 3: that scene. I didn't mind that, what what hold on?

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Speaker 2: Hold on?

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Speaker 1: I didn't mind that because at least I could buy

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Speaker 1: that that would occur. What I didn't buy was all

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Speaker 1: of those hedge fun baller dudes using the preferred pronoun

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Speaker 1: of that person. They start to they there's no super

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Speaker 1: successful dude on Wall Street who is trading and putting

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Speaker 1: billions of dollars on the line. That is a preferred

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Speaker 1: pronoun dude, all right, And and even if there's one

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Speaker 1: or two, they're not all using preferred pronouns when they're

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Speaker 1: like having conversations not involving that person. That's where I

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Speaker 1: was like, that I can't keep watching this show because

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Speaker 1: that's a chick and they would be calling her her.

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Speaker 1: So that was my like the the show just got

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Speaker 1: too woke and you know the truth of the matter,

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Speaker 1: unbinding the boobs whatever, you were like, good with all that.

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Speaker 4: Enjoy that way.

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Speaker 2: Look what I have learned is I didn't enjoy that.

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Speaker 1: What yeah, well I was gonna say is I used

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Speaker 1: to get My wife used to make fun of me

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Speaker 1: for many things. But we would watch HBO back in

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Speaker 1: the day, and Game of Thrones would put the nudity

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Speaker 1: thing on the you know screen, like, hey, you know

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Speaker 1: there's gonna be nudity early on in Game of Thrones.

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Speaker 1: Every time, legitimately, every time it happened, I would just

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Speaker 1: say yes and I would kind of pump my fist.

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Speaker 1: My wife would just roll their eyes. Then it turned

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Speaker 1: to all dudes naked, and I had to notice, like,

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Speaker 1: Game of Thrones just just win. It's only naked guys now,

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Speaker 1: and it's not anywhere near as enjoyable of the new

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Speaker 1: excited about they were getting ready for the munch Debas show.

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Speaker 1: You know what I mean? Would would they this is

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Speaker 1: actually a funny question. Would they put a fatwah on

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Speaker 1: the executives at Netflix if they made a Gayatola show,

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Speaker 1: or would it draw more attention to him being gay

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Speaker 1: if they put the fot wall out, like are you

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Speaker 1: in danger? Are they gonna put a fatwah on me

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Speaker 1: because I just shared the gaya tola uh a old?

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Speaker 1: Or does it draw more attention to the fact that

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Speaker 1: he's gay. It's a fair question. So this is a

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Speaker 1: real question, real dilemma. You know what else is a dilemma.

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Speaker 1: I wanted to tee off on this buck, this TSA

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Speaker 1: agent thing, regardless of your politics. Have you seen all

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Speaker 1: these videos of people having to stand in line now

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Speaker 1: for hours to get through TSA. There are reports that

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Speaker 1: over three hundred TSA agents have just said I'm over this.

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Speaker 1: They're not getting paid at all. This is something and

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Speaker 1: I flagged it this morning because I took a picture

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Speaker 1: of it. Every airline CEO is now begging Congress to

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Speaker 1: fund the TSA because many people get angry at the airlines,

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Speaker 1: They get angry at the airports, they get angry at everybody.

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Speaker 1: They shouldn't be angry at Democrats because if you're standing

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Speaker 1: in line, you're listening to us right now, and you

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Speaker 1: are standing in hours long lines.

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Speaker 2: To get through TSA.

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Speaker 1: The Democrats have done that to you, and so it's

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Speaker 1: interesting to me that the airlines are now coming out

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Speaker 1: to say nothing of the timing on this, with the

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Speaker 1: fact that we've had four different terror attacks in the

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Speaker 1: last couple of weeks New York City, Austin, Old Dominion,

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Speaker 1: and the Detroit area. Don't you think that if they

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Speaker 1: were going to do a terror attack and they could

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Speaker 1: related to airports, this is the time, maybe more than

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Speaker 1: in the last ten years, when it's likely to occur,

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Speaker 1: and we have the lowest level of security. Regardless of

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Speaker 1: your politics, This to me is inexcusable. Yeah, of course,

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Speaker 1: and it is unfair to the airlines because, let's be real,

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Speaker 1: everyone's going to get upset at what seems to be

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Speaker 1: airline and competence when in this case it actually is

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Speaker 1: Congress playing games. I'm trying to get people upset and

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Speaker 1: then blaming the other people in Congress instead of doing

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Speaker 1: things that are constructive and worthwhile for the American people,

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Speaker 1: like passing the Save America Act, which unfortunately I think

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Speaker 1: it is unlikely to happen. I wish that were not

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Speaker 1: the case, but at least talking about it and drawing

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Speaker 1: more attention to it and forcing a standing full of buster.

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Speaker 1: There are things that could be done that would be constructive,

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Speaker 1: but TSA the long lines. This is what you get

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Speaker 1: when you have a media environment that refuses to hold

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Speaker 1: one signed accountable for its unwillingness to just go with

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Speaker 1: funding that was already agreed to because they want to

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Speaker 1: make an issue of something an election year, which is

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Speaker 1: they want to make problems for Ice.

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Speaker 4: This is about ice.

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Speaker 3: Fundamentally, you were waiting in line because of Minneapolis and

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Speaker 3: all that stuff, and they're going to be running these

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Speaker 3: ads about it because the Democrats want to cause problems.

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Speaker 1: Yes, all of that is true, and the coverage on

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Speaker 1: this would be totally different if the Republicans had shut

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Speaker 1: down TSA as opposed to Democrats, so it's not paid attention.

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Speaker 1: Here's another one that would be totally different. Did you

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Speaker 1: see the awful mayor of New York City. We talked

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Speaker 1: about the ridiculous decision to put forward a policy to

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Speaker 1: potentially have an estate tax for seven hundred and fifty

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Speaker 1: thousand dollars. His wife Buck provided illustrations to an anti

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Speaker 1: Jewish book. And now did you see that the mayor

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Speaker 1: came out and said that it was unacceptable for her

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Speaker 1: to be criticized at all for the artwork that she provided.

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Speaker 2: To this book.

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Speaker 1: And I just come back to can you imagine if

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Speaker 1: if you took everything that has been said about Jewish

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Speaker 1: people by the mayor, the likes, all of those things,

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Speaker 1: and you shifted it and it was about black people.

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Speaker 1: And then in addition to that he had had a

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Speaker 1: actual white supremacist, he'd been able to find a white supremacist,

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Speaker 1: he had an actual white supremacist to eat in the

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Speaker 1: mayor's mansion. This story would be the number one story

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Speaker 1: in America, and it would be on the front page

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Speaker 1: of every newspaper. And yet where we are right now,

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Speaker 1: a lot of people are just saying, well, it's the

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Speaker 1: mayor's wife, so shouldn't be a story. I think Jewish

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Speaker 1: people are continuing to find out that they are seen

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Speaker 1: as white and it doesn't matter what anybody says about

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Speaker 1: white people. We have a cut here mom Donnie talking

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Speaker 1: about his wife in this situation.

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Speaker 4: This is twenty six. Let's hear from the kami.

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Speaker 5: I think that that rhetoric is patently unacceptable. I think

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Speaker 5: it's reprehensible, and as is common for freelance illustrators. The

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Speaker 5: First Lady was commissioned to illustrate an excerpt of a

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Speaker 5: book by a third party. She has never engaged with

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Speaker 5: or met with the author, nor has she seen the

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Speaker 5: tweets that you're referring to. And we stand in our administration,

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Speaker 5: and I can tell you our administration, which is separate

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Speaker 5: from the First Lady, as she doesn't have a role

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Speaker 5: within it, against the bigotry of all forms. And we

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Speaker 5: do so unflinchingly because every single New Yorker does deserves

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Speaker 5: a place that they can call home without having to

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Speaker 5: be wary of being their full self when they do so.

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Speaker 1: He's so good at lying. I mean, he just is

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Speaker 1: really an eloquent liar. I mean, I have to give

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Speaker 1: him credit.

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Speaker 3: So one thing to remember is that among the left

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Speaker 3: in this country, if you are non white, you will

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Speaker 3: get away with whatever anti semitism you want, and any

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Speaker 3: if you don't have to be Arab, Muslim or anything,

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Speaker 3: you're black. As long as you're not white, the left

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Speaker 3: will excuse any level of anti semitism. And if you're

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Speaker 3: a white leftist, they kind of make a case by case.

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Speaker 3: You know, we'll let it slide. With you or not.

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Speaker 1: How useful are you to the movement? How bad is

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Speaker 1: your anti semitism. But if you're a black guy, if

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Speaker 1: you're a brown guy, girl, all the but you can

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Speaker 1: say whatever you want about Jews and the left, We'll

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Speaker 1: be okay with you.

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Speaker 3: That's just the way it is. It's just the way

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Speaker 3: it is. I think we saw that on the college campuses.

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Speaker 3: We've seen that over and over again. They have made

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Speaker 3: a clear decision. And there are Jews on the left

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Speaker 3: who maybe even recognize this reality that there are black

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Speaker 3: and brown people in particular, but also others who are

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Speaker 3: very anti Semitic and very like you know, members of Congress.

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Speaker 4: We could talk about. I mean, it's very clear that

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Speaker 4: this is a thing.

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Speaker 3: But they'll say, but because we agree with them on

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Speaker 3: so many of the other civilization destroying issues and America

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Speaker 3: Last Agenda items, will excuse it. So even Jewish leftists

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Speaker 3: will say, and some of these black and brown leftists

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Speaker 3: are clearly full of hate when it comes to Jews,

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Speaker 3: but they're useful, and so they'll excuse it.

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Speaker 4: And I just trust me when I say this.

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Speaker 1: Think about all the different people that can say all

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Speaker 1: these things and get away with all this stuff. If

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Speaker 1: you're on the left, they will not hold you to

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Speaker 1: account on it at all. And I know there's a

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Speaker 1: lot of fighting right now on the right. There's a

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Speaker 1: lot of fighting right now on the right over but

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Speaker 1: just keep in mind there's fighting. There's fighting over what

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Speaker 1: the acceptable parameters are, there's fighting over what the This

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Speaker 1: is an ongoing on the left. Like I said, they've

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Speaker 1: already they've just a long time ago. Black and brown

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Speaker 1: people can say whatever they want about Jews and that's okay,

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Speaker 1: that's where they are. I do think that it has

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Speaker 1: stunned a lot of Jewish people in the wake of

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Speaker 1: October seventh, because of the history of being Jewish, that

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Speaker 1: they're just seen in the identity politics worldview that has

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Speaker 1: predominated on the left.

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Speaker 2: Now they're just seen as white.

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Speaker 1: There are thousands of years history, none of it matters.

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Speaker 1: They're just seen, for purposes of identity politics as white,

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Speaker 1: and therefore they're the bad guys even when they get attacked.

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Speaker 1: And I wonder, honestly, I tweeted a little about this

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Speaker 1: because I've.

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Speaker 3: Been reading there there are white leftists who believe what

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Speaker 3: you're saying, by the way, which is why they're okay

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Speaker 3: with what goes on in the Democrat Party and don't

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Speaker 3: have an issue with it because they view minorities as victims,

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Speaker 3: and then Jewish victimhood is not as important.

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Speaker 2: To them in this moment.

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Speaker 1: Exist in their worldview that there cannot be a situation

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Speaker 1: where innocent, you know, white people are attacked. And so

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Speaker 1: they had to look at October seventh, which is the

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Speaker 1: biggest attack on Israel since World War Two and the

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Speaker 1: biggest attack on Jewish people since World War Two, literally

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Speaker 1: the worst day for Jews since the Holocaust, and they

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Speaker 1: found the way they try to make Jewish people responsible.

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Speaker 1: And I was tweeting about this over the weekend because

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Speaker 1: I've been reading so much about World War Two and

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Speaker 1: the history around it. I do wonder how the media

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Speaker 1: would cover World War Two in the context now which

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Speaker 1: we're seeing, how Iran is covered in everything else when

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Speaker 1: there were actually bad things that happened and when we

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Speaker 1: lost battles. I don't know, because look, whatever you want

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Speaker 1: to say about Iran lost, the casualties have been very small.

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Speaker 2: Right.

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Speaker 1: We have basically wiped out Iran, and yet there are

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Speaker 1: many people out there writing articles saying, oh, Iran's winning

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Speaker 1: this War. Oh, the United States is losing. I mean,

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Speaker 1: these things are very prenominant on the left wing media sites.

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Speaker 1: How would World War two even be covered today. There'd

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Speaker 1: be a lot of people who said, hey, you know what,

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Speaker 1: the Jews belong in the concentration camps, and most of

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Speaker 1: them would be on the left. Most of them would say, well,

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Speaker 1: just let just let Germany take control of this. They're

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Speaker 1: not doing anything wrong. Is anybody in the Middle East

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Speaker 1: going to complain about what Germany would have been doing?

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Speaker 1: And how many people on the left in America would

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Speaker 1: have actually defended that back. It's really kind of wild

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Speaker 1: to think about. But when you see the way the

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Speaker 1: media covers today, it is I don't think we'd be

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Speaker 1: seen as the heroes by a lot of media with

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Speaker 6: Stories of Freedom, Stories of America, inspirational stories that you

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Speaker 3: Welcome back into Clay and Buck. And uh, look, I

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Speaker 3: know I know the Oscars. It was pretty sad.

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Speaker 4: I'll be honest with you.

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Speaker 3: There were a whole I only watched the last fifteen minutes.

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Speaker 3: I would have watched a lot of money.

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Speaker 1: If you had, I would have been stunned that you

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Speaker 1: watched any of it? Is this just because you hate Sinners?

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Speaker 1: Where you hate watching to see if it was gonna win?

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Speaker 1: Was that the reason? Yes, I was hoping that Sinners

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Speaker 1: was gonna win Best Picture, and then I'd be able

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Speaker 1: to just tee off on just what garbage it is

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Speaker 1: and how Hollywood is such trash in general now and

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Speaker 1: everything else instead maybe the second worst movie up, Well,

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Speaker 1: maybe it's.

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Speaker 4: Worse than Centners. See, this is the thing.

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Speaker 3: I have not seen this one battle after another movie

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Speaker 3: that won Best Picture. Now I don't care about this.

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Speaker 3: By the way, the Academy. So it's all these Hollywood

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Speaker 3: libs who are making the votes and making the or

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Speaker 3: you know, get casting the votes, making these decisions.

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Speaker 4: So I get it.

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Speaker 3: Producer Ali, who is our left wing infiltrator because she,

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Speaker 3: you know, she has like the ability to blend. She says,

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Speaker 3: one battle after another.

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Speaker 2: Is terrible, is terrible.

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Speaker 4: I have to know now, is it worse than Sinners?

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Speaker 4: This is now I'm now.

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Speaker 1: I'm gonna have to sit and waste at least two

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Speaker 1: hours of my life to see if it is possible

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Speaker 1: that they made a worse movie than Sinners and then

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Speaker 1: celebrated it as the best picture. Ali is saying it

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Speaker 1: his way. Have you seen both producer ally? One battle

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Speaker 1: after another is worse than Sinners? I gotta see. I

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Speaker 1: gotta see this from myself. I want to take her

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Speaker 1: word for it, but I can't because Sinners are such trash.

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Speaker 1: Did you see the I want to share these when

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Speaker 1: we come back. Did you see the requirements on diversity

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Speaker 1: that are necessary for a movie to qualify for Best Picture?

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Speaker 2: Now? Have you seen this?

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Speaker 4: No?

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Speaker 2: Okay, I'm going to read for you.

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Speaker 1: After the lack of black nominees, I don't know back

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Speaker 1: in like twenty eighteen or whenever it was that they

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Speaker 1: decided to go off on it. They came out with

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Speaker 1: new guidelines that every film has to meet for diversity

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Speaker 1: and equity and inclusion purposes in order to be considered

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Speaker 1: to win a Best Picture. And I'm going to read

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Speaker 1: them for you. This is out there publicly. I saw

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Speaker 1: it last night and I could not believe.

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Speaker 2: That it was real. It is unfortunately not spectacular either.

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Speaker 3: Wow, take your calls too, so light us up with

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Speaker 1: Welcome back in Clay, Travis, Buck Sexton show. Okay, Buck,

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Speaker 1: This is real, like I said, and not spectacular. For

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Speaker 1: those of you out there that are Seinfeld fan, these

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Speaker 1: are the real rules. In order to compete for Best Picture,

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Speaker 1: all films must now meet the diversity and Inclusion quota

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Speaker 1: to be nominated.

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Speaker 2: There are These are the requirements. Buck, A lead.

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Speaker 1: Or significant supporting actor must be from an underrepresented racial

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Speaker 1: or ethnic group. At least one of the lead actors

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Speaker 1: or significant supporting actors is from an underrepresented racial or

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Speaker 1: ethnic group, including Black, East Asian, Hispanic Indigenous peoples, Middle Eastern,

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Speaker 1: North African, Pacific Islander, South Asian including Bangladeshi, Bhutanese, Indian, Nepali, Pakistani,

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Speaker 1: and Sri Lankan, Southeast Asian including Burmese, Cambodian, Filipino, haman In, Indonesian, Laotian.

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Speaker 1: Some of these I'm not even that familiar with. Candidly

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Speaker 1: Malaysian Meen, I don't know what that is, Singaporean, Thai,

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Speaker 1: and Vietnamese. I think I deserve credit for not saying thig.

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Speaker 1: All right, that's one. This is one part. Second part, Buck,

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Speaker 1: at least thirty percent of all actors not submitted for

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Speaker 1: OSCAR consideration must be from at least two underrepresented groups,

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Speaker 1: including women, racial or ethnic groups LBGTQ, plus people with

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Speaker 1: cognitive or physical disabilities or who are deaf or hard

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Speaker 1: of hearing. Now there's a joke there, because you could

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Speaker 1: just be like, we'll just say that he's you know,

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Speaker 1: like a sub iq. And then another one Buck, main

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Speaker 1: storyline or subject matter, the main storyline, theme, or narrative

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Speaker 1: of the group must be centered on an underrepresented group women,

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Speaker 1: racial or ethnic group, LGBTQ, plus people with cognitive or

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Speaker 1: physical disabilities, or who are deaf or hard of hearing.

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Speaker 1: So in order to qualify, you have to meet the

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Speaker 1: diversity and inclusion guidelines to be considered for a movie. So,

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Speaker 1: for instance, I saw Jimmy Fayla tweet about this. In theory,

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Speaker 1: the Godfather would not qualify. I don't believe as a

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Speaker 1: Best Picture nominee now because my recollection of it is

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Speaker 1: it's the story of an Italian family obviously mobsters, but

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Speaker 1: there's not a lot of diversity, equity and inclusion in

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Speaker 1: that film.

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Speaker 2: I would imagine a.

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Speaker 1: Movie like Brave Heart or Gladiator would not qualify now

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Speaker 1: for an Oscar like you can go back through a

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Speaker 1: lot of phenomenal movies that would no longer qualify to

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Speaker 1: even be nominated.

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Speaker 2: Titanic I can't imagine would qualify.

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Speaker 1: Really, it's kind of crazy to think about.

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Speaker 3: Yes, in Brave Heart, Edward Longshanks throws the gay lover

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Speaker 3: of his son out the window summarily. I think that

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Speaker 3: would be a big problem for the today. I think

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Speaker 3: there would be issues that they would not, you know,

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Speaker 3: be willing to overlook from movies that were were celebrated

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Speaker 3: as the best movies of our youth. It's there's a

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Speaker 3: part of me that that is actually just sad, because

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Speaker 3: movies were the dominant art form in America for really,

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Speaker 3: I think everyone listening right now, I mean, you can

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Speaker 3: go back even into the sixties and said, you know,

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Speaker 3: people would say music in the sixties seventies, maybe was

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Speaker 3: had the same kind of cultural resonance. The biggest movies

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Speaker 3: in the eighties, nineties and the other two thousands were

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Speaker 3: the biggest cultural events that we had. Okay, it was

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Speaker 3: bigger than any band, It was bigger than anything else,

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Speaker 3: and certainly had the most staying power, I think. And

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Speaker 3: now it's just trash. They're just churning out trash all

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Speaker 3: the time. And I think part of this is that

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Speaker 3: once you've created some of these dei which really it's

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Speaker 3: race Marxism, and once the Academy and Hollywood in general

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Speaker 3: put this race Marxism into place, it's very hard to

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Speaker 3: get rid of because you have a lot of people

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Speaker 3: now who have positions of authority that they were given

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Speaker 3: because of skin color, LGBTQ status, whatever, it may be

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Speaker 3: right gender identity. Do you think that they're ever going

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Speaker 3: to say, you know what, we're kind of messing things

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Speaker 3: up by creating these rules that privilege and empower people

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Speaker 3: like me.

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Speaker 4: No, of course not.

436
00:23:35,640 --> 00:23:37,879
Speaker 3: So they're the ones calling the shots, and they're the

437
00:23:37,920 --> 00:23:40,320
Speaker 3: ones that are going to say that list you it

438
00:23:40,359 --> 00:23:44,040
Speaker 3: off is insane. It's insane and also tells you on

439
00:23:44,080 --> 00:23:46,080
Speaker 3: its face that this is not about the best movie.

440
00:23:46,680 --> 00:23:49,400
Speaker 3: This is about the movie that the people that think

441
00:23:49,440 --> 00:23:55,400
Speaker 3: that these rules, you know, the movies that the people

442
00:23:55,400 --> 00:23:58,639
Speaker 3: who think about these rules want you to see and

443
00:23:58,720 --> 00:24:02,320
Speaker 3: think is the best. Well, it's very very thinly sliced onion.

444
00:24:02,800 --> 00:24:06,800
Speaker 3: So think about this. Could you even could Saving Private

445
00:24:06,880 --> 00:24:11,400
Speaker 3: Ryan be nominated? When I think about history movies, right,

446
00:24:11,440 --> 00:24:13,080
Speaker 3: we make fun of the fact that you watch a

447
00:24:13,160 --> 00:24:18,000
Speaker 3: Viking historical drama and suddenly there's a black female Viking

448
00:24:18,440 --> 00:24:21,280
Speaker 3: and you're like, I, you know, leader, I don't think

449
00:24:21,320 --> 00:24:25,520
Speaker 3: it was very historically accurate that the Vikings were led

450
00:24:25,560 --> 00:24:29,080
Speaker 3: by black women. And then you see like the Shonda

451
00:24:29,160 --> 00:24:31,800
Speaker 3: Rhimes of the world, who make tons of money from Netflix,

452
00:24:31,840 --> 00:24:34,879
Speaker 3: and they say, you know, race is such a cultural construct,

453
00:24:34,880 --> 00:24:36,680
Speaker 3: and they make I don't know, whatever it is Pride

454
00:24:36,720 --> 00:24:40,080
Speaker 3: and Prejudice? Was Bridgerton the thing that she watches, I

455
00:24:40,119 --> 00:24:43,480
Speaker 3: don't make I don't watch it now. But you basically

456
00:24:43,520 --> 00:24:50,040
Speaker 3: couldn't nominate a show like that for inclusion.

457
00:24:49,880 --> 00:24:53,920
Speaker 1: Because it's set in England in the seventeenth and eighteenth century,

458
00:24:53,960 --> 00:24:55,760
Speaker 1: whatever the heck it is. But I mean, think about

459
00:24:55,800 --> 00:24:59,320
Speaker 1: it just recently, would you say, Saving Private Ryan, whatever

460
00:24:59,400 --> 00:25:04,280
Speaker 1: you think, is probably what one of the jewels of

461
00:25:04,560 --> 00:25:09,119
Speaker 1: modern American cinema. If you consider just the entire concept

462
00:25:09,240 --> 00:25:12,640
Speaker 1: of the movie, from start to finish, the D Day shots,

463
00:25:12,720 --> 00:25:17,080
Speaker 1: everything else, it clearly wouldn't qualify for Best Picture. They

464
00:25:17,080 --> 00:25:19,679
Speaker 1: would have to create a suck thing about it. They

465
00:25:19,680 --> 00:25:22,200
Speaker 1: would almost of the best pictures would qualify. Almost not

466
00:25:22,240 --> 00:25:23,960
Speaker 1: I don't think any of them. I mean if you

467
00:25:24,000 --> 00:25:26,040
Speaker 1: go back and look through them, but anything that has

468
00:25:26,080 --> 00:25:30,359
Speaker 1: a historical aspect either they have to create a subplot

469
00:25:30,400 --> 00:25:33,000
Speaker 1: that has nothing to do with the actual history. Right,

470
00:25:33,080 --> 00:25:36,119
Speaker 1: So you're like, and here's Saving Private Ryan, and now

471
00:25:36,119 --> 00:25:39,160
Speaker 1: we're gonna also tell the story of the Tuskegee Airmen,

472
00:25:39,560 --> 00:25:42,960
Speaker 1: and we're gonna weave somehow that into this story of

473
00:25:43,080 --> 00:25:45,600
Speaker 1: D Day. But I mean, think about like Brave Heart,

474
00:25:46,080 --> 00:25:51,880
Speaker 1: They would just create black characters in Scotland and they

475
00:25:51,920 --> 00:25:53,800
Speaker 1: would have them in the movie so that they could

476
00:25:53,880 --> 00:25:57,440
Speaker 1: qualify for Oscars. Right, I mean, any movie that's made

477
00:25:57,480 --> 00:26:01,600
Speaker 1: I just watched Napoleon, any movie that's made that actually

478
00:26:01,640 --> 00:26:06,600
Speaker 1: features white guys, and any military drama for instance, of

479
00:26:06,640 --> 00:26:11,119
Speaker 1: the last thousand years basically couldn't be made and compete

480
00:26:11,200 --> 00:26:16,800
Speaker 1: for an Oscar. Now without a created subplot that involves

481
00:26:17,240 --> 00:26:22,240
Speaker 1: a gay lesbian angle, or a black subplot, or a

482
00:26:22,280 --> 00:26:24,760
Speaker 1: female subplot. I mean, maybe you could say, oh, we're

483
00:26:24,800 --> 00:26:28,119
Speaker 1: gonna make Josephine the star of the Napoleon drama so

484
00:26:28,160 --> 00:26:30,840
Speaker 1: that it qualifies, and she's gonna have thirty percent of lines.

485
00:26:30,960 --> 00:26:31,680
Speaker 2: This is awful.

486
00:26:32,200 --> 00:26:37,119
Speaker 1: It destroys great art by making you check boxes.

487
00:26:37,040 --> 00:26:39,040
Speaker 2: As opposed to just make a great film.

488
00:26:39,040 --> 00:26:41,760
Speaker 1: The Godfather is a perfect example, because probably the greatest

489
00:26:41,760 --> 00:26:42,640
Speaker 1: film that's ever been made.

490
00:26:42,760 --> 00:26:43,879
Speaker 2: I mean it's used to be.

491
00:26:44,119 --> 00:26:46,760
Speaker 3: It used to be the case that the Best Picture nominees,

492
00:26:46,800 --> 00:26:48,920
Speaker 3: and also just in general, the movies that would get

493
00:26:48,960 --> 00:26:51,800
Speaker 3: a lot of acclaim were also the movies that everybody

494
00:26:51,840 --> 00:26:53,719
Speaker 3: saw and a lot of people love. Now that's not

495
00:26:53,920 --> 00:26:57,159
Speaker 3: universally the case, or it's not one hundred percent. But

496
00:26:57,520 --> 00:27:00,240
Speaker 3: movies that people love would get nominated for stuff. You know,

497
00:27:00,240 --> 00:27:03,600
Speaker 3: didn't Gladiator win Best Picture? Oh yeah, yeah, Gladiator one

498
00:27:03,600 --> 00:27:07,600
Speaker 3: Best Picture, Titanic one Best Picture. Did Braveheart win? Yes,

499
00:27:07,680 --> 00:27:09,800
Speaker 3: Brave Heart one hundred percent? Brave Heart won Best Picture

500
00:27:09,840 --> 00:27:14,640
Speaker 3: and Best Director. So Mel Gibson's Saving Private Ryan win?

501
00:27:15,280 --> 00:27:18,760
Speaker 3: I mean, no, no, Shakespeare in Love. I think beat

502
00:27:18,840 --> 00:27:21,240
Speaker 3: Saving Private Ryan that year. Well, that's I remember this.

503
00:27:21,960 --> 00:27:25,919
Speaker 3: It was a Weinstein Mirramax film. Well, Harvey Weinstein never

504
00:27:25,960 --> 00:27:26,680
Speaker 3: did anything wrong.

505
00:27:26,800 --> 00:27:32,440
Speaker 2: We all know that. So we had Hollywood's favorite.

506
00:27:33,040 --> 00:27:36,840
Speaker 1: Oh, everybody who lectures you about morality, they loved Harvey Weinstein.

507
00:27:37,440 --> 00:27:42,040
Speaker 3: I it's it's astonishing to see how far it's fall though.

508
00:27:42,080 --> 00:27:45,920
Speaker 3: Where now it's like they're celebrating weird art house films

509
00:27:45,960 --> 00:27:48,440
Speaker 3: and trying to get everybody to act like they're so great.

510
00:27:48,280 --> 00:27:48,840
Speaker 4: And they're just not.

511
00:27:49,320 --> 00:27:52,080
Speaker 3: When people say that what makes a movie good? Is

512
00:27:52,119 --> 00:27:54,280
Speaker 3: it really entertaining? Are you sitting there and it's and

513
00:27:54,320 --> 00:27:56,680
Speaker 3: the time is flying by because you're really into the story.

514
00:27:56,720 --> 00:27:58,120
Speaker 3: I mean, I think that's one of the first ways

515
00:27:58,160 --> 00:28:00,320
Speaker 3: you can know. I mean, the movie Center, it's just

516
00:28:00,520 --> 00:28:04,119
Speaker 3: it's a it's a rip off of from Dusk till Dawn,

517
00:28:04,640 --> 00:28:08,080
Speaker 3: which is a movie that is probably best seen after

518
00:28:08,160 --> 00:28:12,280
Speaker 3: drinking a forty of Old English or smoking something when

519
00:28:12,280 --> 00:28:15,040
Speaker 3: you're in college. Okay, from Dust till Dawn is not

520
00:28:15,080 --> 00:28:18,280
Speaker 3: a great movie. It has its entertaining moments, and it

521
00:28:18,320 --> 00:28:18,920
Speaker 3: is among.

522
00:28:18,800 --> 00:28:21,920
Speaker 1: The Selma Hyak for dancing with the python back in

523
00:28:21,960 --> 00:28:22,600
Speaker 1: the day, I knew.

524
00:28:22,600 --> 00:28:24,679
Speaker 4: I knew Clay was gonna come in with the samahayak there.

525
00:28:24,680 --> 00:28:25,080
Speaker 4: I just knew.

526
00:28:25,119 --> 00:28:27,600
Speaker 2: I was one of the great scenes in film history.

527
00:28:27,680 --> 00:28:31,159
Speaker 1: I'll just point out Sma was uh Sama did very

528
00:28:31,160 --> 00:28:34,400
Speaker 1: well for herself. So but this is you look at

529
00:28:34,440 --> 00:28:37,000
Speaker 1: Sinners and the plot, you just you just read the plot.

530
00:28:37,000 --> 00:28:39,040
Speaker 4: You're like, this is stupid. This is a stupid plot.

531
00:28:39,680 --> 00:28:40,880
Speaker 4: It's not it's not a good movie.

532
00:28:40,880 --> 00:28:42,800
Speaker 1: I haven't seen it, But I love that you hate

533
00:28:42,840 --> 00:28:45,360
Speaker 1: Sinners this much. I haven't seen it at all. You

534
00:28:45,400 --> 00:28:47,400
Speaker 1: know that there's now memes about people that feel like

535
00:28:47,400 --> 00:28:49,200
Speaker 1: they have to tell you how much they hate Sinners,

536
00:28:49,200 --> 00:28:51,320
Speaker 1: Like this is the thing now, you know, because it's

537
00:28:51,520 --> 00:28:53,200
Speaker 1: it's it's not enough to just be like it's a

538
00:28:53,240 --> 00:28:55,160
Speaker 1: bad movie, like they want to tell everybody. But yeah,

539
00:28:55,200 --> 00:28:57,160
Speaker 1: I'm somebody who wants to tell her it's a terrible

540
00:28:57,240 --> 00:29:00,280
Speaker 1: that's the great, that's the great for succession. You remember

541
00:29:00,320 --> 00:29:01,920
Speaker 1: when they're in that party and they're like, what kind

542
00:29:01,920 --> 00:29:03,480
Speaker 1: of party is this and he was like, it's a

543
00:29:03,520 --> 00:29:06,040
Speaker 1: party where you can tell everybody that you actually think

544
00:29:06,080 --> 00:29:07,200
Speaker 1: that Hamilton.

545
00:29:07,240 --> 00:29:08,080
Speaker 4: Hamilton is bad.

546
00:29:08,560 --> 00:29:08,760
Speaker 2: Yeah.

547
00:29:08,800 --> 00:29:12,960
Speaker 3: That totally resonated with me because I was kind of

548
00:29:12,960 --> 00:29:15,240
Speaker 3: a hold out. There were people who were right of

549
00:29:15,320 --> 00:29:16,920
Speaker 3: center who were like.

550
00:29:17,000 --> 00:29:19,800
Speaker 1: I think Hamilton's really good, and I was like, you're

551
00:29:19,960 --> 00:29:22,480
Speaker 1: just part of the mob, part of the herd on

552
00:29:22,560 --> 00:29:25,840
Speaker 1: this one, and it's absolutely Hamilton is trash. It is

553
00:29:25,920 --> 00:29:28,560
Speaker 1: garbage start to finish. There is no reason for you

554
00:29:28,600 --> 00:29:30,040
Speaker 1: to pretend that you like this. I know it's the

555
00:29:30,040 --> 00:29:33,080
Speaker 1: most successful financially musical of all time. I don't care.

556
00:29:33,200 --> 00:29:33,680
Speaker 2: That's truth.

557
00:29:34,400 --> 00:29:37,880
Speaker 1: Yes, no way, Yeah, it's not more successful than Katz

558
00:29:37,920 --> 00:29:41,360
Speaker 1: and Lemz check it out team, There's no way that's truth. Look,

559
00:29:41,880 --> 00:29:45,200
Speaker 1: those are just way long. I know nothing about musicals.

560
00:29:45,680 --> 00:29:47,040
Speaker 1: I just don't think it's old enough.

561
00:29:47,720 --> 00:29:50,080
Speaker 3: People were charging like a thousand dollars a ticket for

562
00:29:50,200 --> 00:29:51,920
Speaker 3: years to go to see Hamilton, and that was just

563
00:29:51,920 --> 00:29:52,840
Speaker 3: like basically good.

564
00:29:52,720 --> 00:29:53,280
Speaker 4: This is crazy.

565
00:29:53,640 --> 00:29:56,560
Speaker 3: It was a total It was like it was like

566
00:29:56,600 --> 00:30:01,960
Speaker 3: paying penance for all of America's historic and and racial wrongs.

567
00:30:01,960 --> 00:30:03,920
Speaker 3: You had to pay like a mortgage payment to go

568
00:30:03,920 --> 00:30:05,800
Speaker 3: see Hamilton to be a good person. Now, I went

569
00:30:05,840 --> 00:30:07,400
Speaker 3: and saw. I thought it was okay.

570
00:30:07,480 --> 00:30:10,640
Speaker 1: But I like history, and I was I just I

571
00:30:11,240 --> 00:30:13,720
Speaker 1: still think a country and Western version of the Obama

572
00:30:13,760 --> 00:30:18,480
Speaker 1: administration played by white actors to prove how race doesn't

573
00:30:18,520 --> 00:30:22,640
Speaker 1: matter would actually just kill and uh, I would love

574
00:30:22,680 --> 00:30:24,560
Speaker 1: to see the reaction. We're gonna do a country and

575
00:30:24,600 --> 00:30:27,720
Speaker 1: Western version of Obama and we've got white men and

576
00:30:27,720 --> 00:30:28,520
Speaker 1: women playing Barack.

577
00:30:28,560 --> 00:30:30,640
Speaker 3: And I'm gonna let you because race is a culture.

578
00:30:30,840 --> 00:30:33,120
Speaker 3: Let you redeem yourself here, I'm gonna let you redeem yourself.

579
00:30:33,440 --> 00:30:35,240
Speaker 3: What's better Scream seven or Hamilton?

580
00:30:36,680 --> 00:30:38,480
Speaker 2: Scream seven? There we go.

581
00:30:39,400 --> 00:30:41,040
Speaker 3: I haven't even seen Scream seven, and I can tell

582
00:30:41,080 --> 00:30:44,200
Speaker 3: you it's better than Hamilton, because Hamilton sucks.

583
00:30:45,120 --> 00:30:48,840
Speaker 1: I gotta tell you right now, we've got battles going

584
00:30:48,880 --> 00:30:51,160
Speaker 1: on for everybody to be in the.

585
00:30:51,080 --> 00:30:52,600
Speaker 2: Best possible shape that they can be.

586
00:30:53,760 --> 00:30:56,000
Speaker 1: And if you're out there right now on a Monday

587
00:30:56,440 --> 00:30:59,440
Speaker 1: and you are thinking to yourself, I do not feel

588
00:30:59,760 --> 00:31:02,960
Speaker 1: like I have the energy that I need to be

589
00:31:03,040 --> 00:31:04,640
Speaker 1: able to keep up with my kids, to be able

590
00:31:04,720 --> 00:31:06,440
Speaker 1: to do my job, to be able to keep up

591
00:31:06,440 --> 00:31:07,440
Speaker 1: with all the different.

592
00:31:07,160 --> 00:31:08,080
Speaker 2: Events going on.

593
00:31:08,760 --> 00:31:11,360
Speaker 1: You can get hooked up right now with Chalk and

594
00:31:11,440 --> 00:31:15,000
Speaker 1: you will get an incredible offer right now, lowest subscription

595
00:31:15,160 --> 00:31:19,280
Speaker 1: rate available when you use my name Clay. If you

596
00:31:19,560 --> 00:31:24,600
Speaker 1: have seen so many of the weak Democrat universe out

597
00:31:24,600 --> 00:31:26,640
Speaker 1: there and you're starting to think to yourself, Oh, I

598
00:31:26,640 --> 00:31:28,800
Speaker 1: don't want to be weak like an average democrat. I

599
00:31:28,880 --> 00:31:31,760
Speaker 1: want more testosterone back in my life. I don't want

600
00:31:31,760 --> 00:31:34,120
Speaker 1: to look like sleepy Joe Biden. I don't want to

601
00:31:34,160 --> 00:31:37,080
Speaker 1: look like I'm being carried around by my advisors. You

602
00:31:37,080 --> 00:31:39,400
Speaker 1: can get hooked up right now at Chalk use the

603
00:31:39,480 --> 00:31:44,280
Speaker 1: code Clay Clay for the best possible offer on subscription.

604
00:31:44,600 --> 00:31:46,920
Speaker 2: You can cancel at any time. What do you have

605
00:31:47,000 --> 00:31:47,440
Speaker 2: to lose?

606
00:31:47,680 --> 00:31:52,080
Speaker 1: Just in time for spring? More energy necessary as we

607
00:31:52,120 --> 00:31:54,600
Speaker 1: move into the summer season. I know it's cold right

608
00:31:54,640 --> 00:31:57,440
Speaker 1: now in money parts of the country, but spring is

609
00:31:57,680 --> 00:31:59,560
Speaker 1: going to be here before you know it. Get hooked

610
00:31:59,600 --> 00:32:03,600
Speaker 1: up today at Chalk c choq dot com my name

611
00:32:03,720 --> 00:32:07,040
Speaker 1: Clay for the best subscription discount for life.

612
00:32:07,200 --> 00:32:08,960
Speaker 2: That's Chalk dot com code c.

613
00:32:09,320 --> 00:32:13,680
Speaker 6: L A Y two guys walk up to a mic Hey,

614
00:32:14,800 --> 00:32:19,840
Speaker 6: anything goes Clay, Travis and Fuck Sexton. Find them on

615
00:32:19,920 --> 00:32:23,760
Speaker 6: the free iHeartRadio app or wherever you get your podcasts.

616
00:32:23,920 --> 00:32:26,880
Speaker 3: All right, I'm taking a lump on this one. When

617
00:32:26,880 --> 00:32:30,400
Speaker 3: I'm wrong, I'm wrong, and I'm wrong Hamilton. And this

618
00:32:30,440 --> 00:32:32,240
Speaker 3: is where my trivia got a little confused. This was

619
00:32:32,280 --> 00:32:35,920
Speaker 3: actually from a Trivia Night question Clay recently which Karen

620
00:32:35,920 --> 00:32:37,600
Speaker 3: and I maybe one Trivia night for the third time,

621
00:32:37,640 --> 00:32:42,840
Speaker 3: but who's counting, No big deal. The fastest musical to

622
00:32:42,880 --> 00:32:45,360
Speaker 3: a billion dollars was Hamilton. Hamilton's a billion nine musical

623
00:32:45,680 --> 00:32:48,000
Speaker 3: the all time gross though to your point, you were

624
00:32:48,000 --> 00:32:50,160
Speaker 3: totally correct on this one, which I hate saying out loud,

625
00:32:50,160 --> 00:32:53,960
Speaker 3: but it is true, totally correct. The highest grossing five

626
00:32:54,120 --> 00:32:58,760
Speaker 3: musicals of all time are The Lion King eight billion dollars,

627
00:32:59,080 --> 00:33:03,200
Speaker 3: Phantom of the Opera six billion, Wicked five billion, Mama

628
00:33:03,280 --> 00:33:08,280
Speaker 3: Mia four billion, Mama Mia. Really wow, five Cats. I

629
00:33:08,360 --> 00:33:10,200
Speaker 3: knew Cats would be in there, and then Le maz

630
00:33:10,320 --> 00:33:13,000
Speaker 3: Is six uh so those are the highest grossing, but

631
00:33:13,040 --> 00:33:16,280
Speaker 3: those are some of those. I'm embarrassed to be correct

632
00:33:16,320 --> 00:33:18,840
Speaker 3: on this. To be fair, to be know which your

633
00:33:18,960 --> 00:33:22,800
Speaker 3: mus are so musical expert. Now play is our musical guy.

634
00:33:22,960 --> 00:33:25,240
Speaker 3: It's good to know he is a flute player and

635
00:33:25,280 --> 00:33:28,880
Speaker 3: he's musical. Ugh, I hate musicals.

636
00:33:29,080 --> 00:33:31,880
Speaker 1: I'm fine with plays, just don't start singing in the

637
00:33:31,920 --> 00:33:34,960
Speaker 1: middle of them. I just I despise all of them.

638
00:33:35,400 --> 00:33:38,080
Speaker 1: But it is interesting. I do think Hamilton is an

639
00:33:38,080 --> 00:33:41,800
Speaker 1: inter Did you include this in your book? No, about

640
00:33:41,840 --> 00:33:44,600
Speaker 1: like a mass hysteria that had, well, just a mass

641
00:33:44,680 --> 00:33:48,160
Speaker 1: delusion that everybody feels compelled to say, this is the

642
00:33:48,240 --> 00:33:52,240
Speaker 1: greatest thing that's ever existed. I do think Hamilton would

643
00:33:52,280 --> 00:33:55,440
Speaker 1: be an interesting example of that, because there are.

644
00:33:55,320 --> 00:33:57,400
Speaker 2: Some shows that I watch and I say.

645
00:33:57,240 --> 00:33:59,040
Speaker 1: You know what, this is really well done, or some

646
00:33:59,200 --> 00:34:01,160
Speaker 1: movies that I watch and I think this is really

647
00:34:01,200 --> 00:34:03,920
Speaker 1: well done. There are others that I think people have

648
00:34:04,080 --> 00:34:06,600
Speaker 1: just gotten bullied and they feel like if they say

649
00:34:06,640 --> 00:34:09,640
Speaker 1: anything else that they're going to be judged by the

650
00:34:09,680 --> 00:34:14,439
Speaker 1: people that they think are the taste makers. And that's

651
00:34:14,480 --> 00:34:17,000
Speaker 1: where I think Hamilton is a perfect example of this.

652
00:34:17,440 --> 00:34:19,160
Speaker 1: And I think the fact what is the guy's name

653
00:34:19,440 --> 00:34:25,960
Speaker 1: who wrote it? Well, Lynn, of course there you go, Lynn,

654
00:34:26,040 --> 00:34:29,480
Speaker 1: Manuel Miranda. I think if a white guy had done Hamilton,

655
00:34:29,640 --> 00:34:31,560
Speaker 1: I think it would be a fraction as popular.

656
00:34:32,000 --> 00:34:33,120
Speaker 2: I think the fact that he's.

657
00:34:32,960 --> 00:34:35,840
Speaker 1: A minority, Hispanic guy whatever he is, and he's Puerto Rican,

658
00:34:36,600 --> 00:34:39,759
Speaker 1: I think that played in and again, the whole I'm

659
00:34:39,760 --> 00:34:43,279
Speaker 1: going to replace white actors with black actors to demonstrate

660
00:34:43,320 --> 00:34:47,320
Speaker 1: that race is a social construct is absurd on many levels,

661
00:34:47,760 --> 00:34:50,920
Speaker 1: but particularly when it comes to history, because people were

662
00:34:51,200 --> 00:34:55,279
Speaker 1: or were not a certain race. And I think that

663
00:34:55,360 --> 00:34:59,120
Speaker 1: kind of factors in on the historical accuracy element associated

664
00:34:59,120 --> 00:35:02,480
Speaker 1: with that. Isn't it Denzel Washington who's playing Hannibal.

665
00:35:03,880 --> 00:35:06,799
Speaker 4: I think that's right, yes, and I'm willing to.

666
00:35:06,760 --> 00:35:09,200
Speaker 1: Give a pass because Denzel is maybe the greatest actor

667
00:35:09,239 --> 00:35:12,480
Speaker 1: of his generation. But they've tried to do all sorts

668
00:35:12,520 --> 00:35:13,959
Speaker 1: of things Like Cleopatra.

669
00:35:14,080 --> 00:35:17,400
Speaker 3: They tried to handle she was actually Cleopatra was Greek

670
00:35:17,600 --> 00:35:21,200
Speaker 3: by ethnicity. People don't realize this, but the Mediterranean basin.

671
00:35:21,560 --> 00:35:26,759
Speaker 3: But what we think of today as oh, you're from Tunisia. Yeah, no,

672
00:35:26,840 --> 00:35:30,040
Speaker 3: that's not what Tunisia was in five hundred BC. No,

673
00:35:30,080 --> 00:35:32,240
Speaker 3: not not the case, but people.

674
00:35:32,120 --> 00:35:34,920
Speaker 1: So that they tried to say Cleopatra was actually black

675
00:35:35,000 --> 00:35:39,160
Speaker 1: because there's this constant demand to take historical figures and

676
00:35:39,200 --> 00:35:41,520
Speaker 1: try to make egypt who are alive today feel better.

677
00:35:42,120 --> 00:35:43,280
Speaker 4: Not even that she's Arab.

678
00:35:43,320 --> 00:35:45,799
Speaker 3: They want to say she's black, and you're like, that's

679
00:35:45,840 --> 00:35:51,400
Speaker 3: from Egypt, which is predominantly Arab, but it actually was Greek,

680
00:35:51,880 --> 00:35:54,520
Speaker 3: which is why it was a part of the Hellenistic world.

681
00:35:54,600 --> 00:35:55,319
Speaker 4: And anyway, this.

682
00:35:56,760 --> 00:35:58,080
Speaker 2: Is all again.

683
00:35:58,440 --> 00:36:01,520
Speaker 1: If you control history, which is the foundation of the

684
00:36:01,560 --> 00:36:04,480
Speaker 1: sixteen nineteen project, then there is a belief that you

685
00:36:04,480 --> 00:36:06,960
Speaker 1: can control the future. And this is why I am

686
00:36:07,000 --> 00:36:10,560
Speaker 1: so fired up about the lack of historical literacy in

687
00:36:10,640 --> 00:36:13,840
Speaker 1: America today. And you should read more history, and hopefully

688
00:36:13,840 --> 00:36:16,480
Speaker 1: you should teach more history to your kids and your grandkids,

689
00:36:16,560 --> 00:36:19,920
Speaker 1: because if you do, you will have a better comprehension

690
00:36:19,920 --> 00:36:23,120
Speaker 1: of the world today and a more favorable impression of

691
00:36:23,160 --> 00:36:26,040
Speaker 1: America's role in it. When we come back, President Trump

692
00:36:26,120 --> 00:36:28,560
Speaker 1: a bunch of different quotes from him on a variety

693
00:36:28,560 --> 00:36:31,040
Speaker 1: of topics he had a press conference. We will play

694
00:36:31,040 --> 00:36:33,760
Speaker 1: some of those for you and Buck, this is actually

695
00:36:33,760 --> 00:36:38,280
Speaker 1: an awful story the Iranian women's soccer team that stood

696
00:36:38,360 --> 00:36:42,319
Speaker 1: up to the Ayatolas and the Islamic regime. There is

697
00:36:42,360 --> 00:36:45,719
Speaker 1: a sad PostScript to this story. We will share it

698
00:36:45,719 --> 00:36:48,200
Speaker 1: with you. Probably nobody else will. Thanks for hanging with

699
00:36:48,280 --> 00:36:49,279
Speaker 1: us on clay and buck