WEBVTT - Mini Crush #155

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<v Speaker 1>Welcome to Movie Crush, a production of I Heart Radio.

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<v Speaker 1>Hey everybody, and welcome to Mini Crush. No small talk

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<v Speaker 1>here with nol. We didn't even speak too words to

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<v Speaker 1>each other. It's all for the pod, Chuck. You gotta

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<v Speaker 1>keep it fresh, keep it real, for all for the potty.

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<v Speaker 1>What I did it all for the potty? So you're

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<v Speaker 1>supposed to say the potty. It's a it's a limp

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<v Speaker 1>biscuit reference. You say I did it all for the

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<v Speaker 1>party that I go what? And then you go to

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<v Speaker 1>the potty, you go what? So you can take that

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<v Speaker 1>naughty and stick it up here. Hey remember that song

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<v Speaker 1>that was after your Time? No, what's funny? No? Was it?

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<v Speaker 1>That's what I was referencing. I thought it was. I

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<v Speaker 1>just didn't know anything except for all for then, So

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<v Speaker 1>when you said what, I was like, well, well that

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<v Speaker 1>was part of the joke. But boy, how are you man?

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<v Speaker 1>It's Friday, but it's Monday for everyone else, but for

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<v Speaker 1>us it's Friday. So that's cool. Yeah. No, And I'm

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<v Speaker 1>gonna get political for five seconds, So if you don't

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<v Speaker 1>want to hear that, just mute me. I am so

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<v Speaker 1>glad I never have to say the fucking words President

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<v Speaker 1>Donald Trump ever again in my life. Yeah, I tried

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<v Speaker 1>to avoid saying that exact combination of words, and never possible.

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<v Speaker 1>But I'm with you, my friend. All Right, it's been

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<v Speaker 1>a it's been a it's been a hell of a

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<v Speaker 1>four years and even the hell of a of a year.

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<v Speaker 1>That's right. And now everything is fixed now, you know,

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<v Speaker 1>baby steps, Chuck, baby steps, No baby steps, just little

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<v Speaker 1>things NOL like oh, the White House stuck gov site

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<v Speaker 1>has a Spanish language version. Again, you know they took

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<v Speaker 1>Spanish language off of it, NOL. Shitty moves. Fine, Yeah,

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<v Speaker 1>it's true. Uh, lots of lots of potential. Let's just

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<v Speaker 1>let's let's leave it at that. And you know, not

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<v Speaker 1>not perfect, but potential like you and I. Yeah, just so,

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<v Speaker 1>just so, Chuck, we are America. We are like a

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<v Speaker 1>microcosm of the American experience, you and I. Chuck. Snola

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<v Speaker 1>announced this on the on the movie Crush page. I

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<v Speaker 1>I uh was on Many Drivers podcast on Wednesday, and

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<v Speaker 1>then she was on Movie Crush yesterday, and so we're

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<v Speaker 1>old friends. Now. We we spoke to each other for

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<v Speaker 1>probably close to four hours between those two days, and

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<v Speaker 1>I don't think i've talked to my mom long you

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<v Speaker 1>know over the past year. That's great. Many Oh I

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<v Speaker 1>saw your post. It sounded like it went very well. Dude,

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<v Speaker 1>She's amazing. She's just so lovely and nice and a

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<v Speaker 1>great talker. And uh, I think her show is going

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<v Speaker 1>to be really good. The episode we recorded was great.

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<v Speaker 1>She just couldn't be a level your person. And you know,

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<v Speaker 1>I've had some some pretty big names on this show,

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<v Speaker 1>but not many people I've had can sit around and

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<v Speaker 1>talk about hanging out with Robert de Niro, uh, and

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<v Speaker 1>Isabella Rossellini, and like, she's quite an accomplished actor over her,

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<v Speaker 1>you know, twenty something years in the business, so she

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<v Speaker 1>had a lot of cool stories to tell, and I

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<v Speaker 1>was I could have gone all day, But eventually we

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<v Speaker 1>had to talk about TUTSI, which was fun too. You know,

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<v Speaker 1>I've never seen TUTSI should check it out. Very eighties,

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<v Speaker 1>very funny movie, probably couldn't make today. How does it

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<v Speaker 1>age is that? That's what that was? That was that? That

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<v Speaker 1>That was what I was getting out. I guess, well,

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<v Speaker 1>you know the concept, right is, uh, it's an out

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<v Speaker 1>of work actor who can't get any work because he's

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<v Speaker 1>a pain in the ass. So he dresses up like

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<v Speaker 1>a woman and gets a role on a soap opera. Um,

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<v Speaker 1>so it's like a Mrs doubtfire kuntry. It has a

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<v Speaker 1>very feminist message, but it's told through the length of

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<v Speaker 1>a man taking a job from a woman, So it's

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<v Speaker 1>kind of like but it's two and you know, I

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<v Speaker 1>think they tried to deliver a positive message of feminism

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<v Speaker 1>throughout it, but it's you'd probably tackle it differently today,

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<v Speaker 1>That's what I would say. But it's a classic. It's

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<v Speaker 1>probably an interesting time capsule as well. They'll check it out.

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<v Speaker 1>Very eighties, the number two grossing movie that year, behind

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<v Speaker 1>et Did it? Did it do well with awards? Was

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<v Speaker 1>it louded? Was it the critical nine nominations? Yeah? I

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<v Speaker 1>thought I remember that. Yeah, and it one I think

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<v Speaker 1>Jessica lang one the best Supporting Actor or actress is

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<v Speaker 1>what they call it. Hey, Chuck, you know what, you

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<v Speaker 1>know what's a pretty good movie? The Godfather? Fuck? Yeah

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<v Speaker 1>it is. I watched it the other night. Well, yeah,

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<v Speaker 1>I I did my semi yearly rewatch of the entire

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<v Speaker 1>Sopranos series, and when it ended, I was just craving

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<v Speaker 1>more of that kind of content, So I immediately started

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<v Speaker 1>watching The Godfather and I hadn't seen it in years,

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<v Speaker 1>and I mean, of course it holds up. It's so,

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<v Speaker 1>it's so it's a thing. But it's just fabulous. Everything

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<v Speaker 1>about it is just pitched perfect. The performances, the you

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<v Speaker 1>set pieces and all of the family events and the

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<v Speaker 1>you know, it's just like, I what an undertaking. I

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<v Speaker 1>was trying to picture what it must have been like

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<v Speaker 1>to be on that set. You know, it must have

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<v Speaker 1>been very fascinating time. Yeah, that's set that feels like

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<v Speaker 1>New York, but is really the Paramount back lot in

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<v Speaker 1>the middle of Hollywood. Is that right? So the scenes

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<v Speaker 1>where like when Sonny beats the ship out of his

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<v Speaker 1>sister's ship, bad husband, and like the fire hydrants exploding

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<v Speaker 1>and the kids are all playing, that's that's on a

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<v Speaker 1>lot that's on Paramounts lot. It looks fantastic or famous

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<v Speaker 1>New York set. I have worked on that set and

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<v Speaker 1>walked by those places and thought, man, the Godfather was

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<v Speaker 1>right here, So pretty cool. Man, that's pretty cool. And

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<v Speaker 1>number two is great and number two is a lot

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<v Speaker 1>better than people give it credit for number three. You mean, no,

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<v Speaker 1>number two is great and number three is a lot

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<v Speaker 1>better than people give it credit for. Is that what

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<v Speaker 1>he said? You said number two is great and number

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<v Speaker 1>two is better than people give it credit for. Good Lord,

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<v Speaker 1>are you are you? Are you aware of this recut

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<v Speaker 1>of three that just came out that I've heard something

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<v Speaker 1>about that? What's the deal there? I I just know

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<v Speaker 1>it's a recut and it's supposedly fixes it. I have.

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<v Speaker 1>That's all I know. Really, it's called I think it's

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<v Speaker 1>called like Godfather Legacy. It's not that, it's it's definitely

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<v Speaker 1>not as lazy as that. Uh, let's see Godfather three.

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<v Speaker 1>What is it called? It doesn't matter. It's something like

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<v Speaker 1>that though Chuck, and it is a re cut of

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<v Speaker 1>number three. People gave Sofia Coppola a bad rap for

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<v Speaker 1>her depiction of I guess she's not Michael Corleon's daughter. Yeah,

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<v Speaker 1>I guess he's not great. But you know, she went

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<v Speaker 1>on to do interesting things. Yeah, she's a better director

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<v Speaker 1>than an actor, and I think she knew that. Did

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<v Speaker 1>you see her new movie, Chuck on the Rocks? I

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<v Speaker 1>did recently. I heard it wasn't great. What did you think?

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<v Speaker 1>I enjoyed it. It wasn't great, but it was good.

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<v Speaker 1>It was pretty light fair. It did not feel like

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<v Speaker 1>a Sofia Coppla movie very much. But um Rashida Jones

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<v Speaker 1>and Bill Murray like, give it to me all day long.

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<v Speaker 1>She's great, he's awesome. It was good, it was worth

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<v Speaker 1>a watch. Cool, but definitely not, you know, award worthy

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<v Speaker 1>or anything. It was no Loss in Translation. Yeah, it's

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<v Speaker 1>hard to follow that one because it's just so singular

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<v Speaker 1>and uh, nostalgic, and there's something just like in the soundtrack.

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<v Speaker 1>Everything about losson Translation is as a very special film

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<v Speaker 1>to me, and I think to a lot of folks agreed,

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<v Speaker 1>it all works. So we're gonna get going. We're gonna

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<v Speaker 1>stream this at the end. But I wanted to do

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<v Speaker 1>a couple of crusher posts. No, we should tell everyone

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<v Speaker 1>we're recording on a Friday afternoon. Yeah, yeah, it's it's unusual.

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<v Speaker 1>It does like it's funny to chuck. My kid is

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<v Speaker 1>here with me today and she's of the age where

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<v Speaker 1>she's very self sufficient, but I don't usually have her

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<v Speaker 1>on a Friday, and I've had a very busy day,

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<v Speaker 1>or I've been in my little you know, uh podcast

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<v Speaker 1>cave slash studio, and I emerged briefly and like totally

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<v Speaker 1>forgot she was here, and she scared the ship out

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<v Speaker 1>of me. I'm like, why are you here? What are

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<v Speaker 1>you doing? I thought you're gonna say she she painted

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<v Speaker 1>the living room. Now now now she does want to

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<v Speaker 1>re decorat her room. She's she's at that age where

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<v Speaker 1>she's very like self directed and very independent and wants

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<v Speaker 1>to do everything her way. Do you want to come in?

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<v Speaker 1>And she's, uh no, she definitely doesn't. I appreciate it.

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<v Speaker 1>Check all right, So we're gonna start off with a

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<v Speaker 1>great the movie crushers just quite frankly, they're crushing me

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<v Speaker 1>and the ideas for these um episode segments. That's why

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<v Speaker 1>I'm using them more and more because they're really creative,

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<v Speaker 1>and then just come up with some really good ship.

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<v Speaker 1>So um Ashley McPherson or McPherson, I'm not sure I'm

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<v Speaker 1>going with McPherson. She said this, nol uh, this is

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<v Speaker 1>so good. Give me three movie titles, one that holds up,

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<v Speaker 1>one that has not aged well, and then one that

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<v Speaker 1>gets better with age. What a great question. And she

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<v Speaker 1>said the Matrix holds up. Agreed, Austin Powers has not

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<v Speaker 1>aged well. I could see that. And the Human show

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<v Speaker 1>gets better with age. And I could see that too,

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<v Speaker 1>so that those are Ashley's picks. Who is the Truman show?

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<v Speaker 1>Is that? Milosh Foreman? Did you do that one? I

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<v Speaker 1>think no, it's uh Peter Weir, Oh, Peter Weir. Okay,

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<v Speaker 1>milosh Foreman did Man in the Moon? Right? Milo s

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<v Speaker 1>Foreman did do Man on the Moon? Got it? Got it? Uh?

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<v Speaker 1>And by the way I'm looking now, I believe Ashley

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<v Speaker 1>is a man. And maybe if people want, we can

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<v Speaker 1>start doing pronouns. People want to start including that, I'm

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<v Speaker 1>happy to totally. It's up to you people, if you

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<v Speaker 1>want to. It's all the rage. Yeah, if you want to.

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<v Speaker 1>If you want to include your protown, pro town, your

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<v Speaker 1>pro tools, your proton packs, you want to include your pronoun,

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<v Speaker 1>I'm happy to. Uh. I'm happy to include that. So

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<v Speaker 1>uh and it helps us out quite honestly. Um. Matt

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<v Speaker 1>Consono says this, Uh, Jurassic Park holds up. Idiocracy does

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<v Speaker 1>not age well. Inception gets better with age. Idiocracy recently

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<v Speaker 1>and I thought it was funny and all of the

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<v Speaker 1>offensive parts of it are by design, you know what

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<v Speaker 1>I mean. And like you know, it's a bit of

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<v Speaker 1>a stretch to say we're living through idiocracy right now.

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<v Speaker 1>But it's certainly there was some fun little signposts that

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<v Speaker 1>you could definitely, you know, jump onto. Agreed. Benjamin Clement says,

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<v Speaker 1>Gangs of New York has aged well. Adventures of ford

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<v Speaker 1>fair Lane does not hold up. I'm not sure if

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<v Speaker 1>it ever did. And The Great Escape gets better with age.

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<v Speaker 1>I would agree with that. That's good stuff. That's when

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<v Speaker 1>we talked about recently that I have not seen The

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<v Speaker 1>Greate Escape. Yeah, yeah, it's good. I mean, if you're

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<v Speaker 1>into war movies and in prison escape, it's the best.

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<v Speaker 1>Is it as good as The Rock? It's much better

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<v Speaker 1>than The Rock? Okay? You know there's a Criterion collection

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<v Speaker 1>release of The Rock. I always found that funny. Is

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<v Speaker 1>it really there? Really is? Criterion just went down a

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<v Speaker 1>notch in my book. You know, our oldest of friends,

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<v Speaker 1>Anna with a great name Shress thea says, uh, total recall.

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<v Speaker 1>I watched that the other day actually, while I was

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<v Speaker 1>cleaning the house, sort of the background movie while you're

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<v Speaker 1>doing something. Um and I agree, it's it. It holds

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<v Speaker 1>up in its own way. It's a lot of fun. Still,

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<v Speaker 1>Forrest Gump does not hold up to Anna. I think

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<v Speaker 1>I agree with that. I think I've heard that pretty

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<v Speaker 1>universally said and seen in a long time. And Shan

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<v Speaker 1>gets better with age. Sure, I agree. Yeah, our oldest friend,

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<v Speaker 1>Zach Poynter boy, Zack has all kinds of little icons

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<v Speaker 1>next to his name. Got a coffee cup because he's

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<v Speaker 1>steaming hot, and then I don't even know what that

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<v Speaker 1>other one is. These are Facebook bestowed badges of you know,

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<v Speaker 1>because zax is Zach is the man. When it comes

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<v Speaker 1>to the Crushers four star Facebook group general, I think so, Uh,

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<v Speaker 1>Princess Bride holds up Episode one, fanom Menace does not

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<v Speaker 1>Dead Poets Society gets better. I like that one. That's well,

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<v Speaker 1>no one. I don't think anyone was expecting any of

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<v Speaker 1>those to hold up. I don't think they held up

0:12:07.800 --> 0:12:12.480
<v Speaker 1>at the time. Maybe Ian Lyon says the professional or

0:12:12.600 --> 0:12:18.520
<v Speaker 1>leon uh holds up Groundhog Day does not interesting a bit?

0:12:18.600 --> 0:12:21.040
<v Speaker 1>You Ian got a little ship for that, and true

0:12:21.120 --> 0:12:25.160
<v Speaker 1>romance gets better with age. I would think the professional

0:12:25.240 --> 0:12:28.719
<v Speaker 1>would be problematic because if it's Lolita ness, yeah, you know,

0:12:29.000 --> 0:12:33.320
<v Speaker 1>because that's you know, seen as problematic more so than

0:12:33.400 --> 0:12:36.640
<v Speaker 1>ever I think these days. So there's a little side

0:12:36.720 --> 0:12:38.920
<v Speaker 1>chat here about his well go over. One of our

0:12:38.960 --> 0:12:43.080
<v Speaker 1>old friends, Marios Alexander rot Side says, what's your issue

0:12:43.120 --> 0:12:46.040
<v Speaker 1>with groundhog Day? And Ian said, it feels so rapey

0:12:46.160 --> 0:12:49.199
<v Speaker 1>and poorly paced. He is a bit aggressive, that is

0:12:49.240 --> 0:12:52.040
<v Speaker 1>the one thing about groundhog Day is like he continually

0:12:52.080 --> 0:12:54.360
<v Speaker 1>does not take no for an answer. But that was

0:12:54.400 --> 0:12:56.480
<v Speaker 1>a time in movies where that's kind of what happened

0:12:56.480 --> 0:13:00.240
<v Speaker 1>a lot um And he's also using his like time

0:13:00.320 --> 0:13:03.880
<v Speaker 1>travel powers to basically gaslight this woman into like falling

0:13:03.920 --> 0:13:06.840
<v Speaker 1>in love with them under fake pretenses. So and then

0:13:06.960 --> 0:13:09.200
<v Speaker 1>I guess it becomes real and it's sort of sweet,

0:13:09.240 --> 0:13:11.720
<v Speaker 1>but it's like he's he sort of changes. I guess

0:13:11.800 --> 0:13:14.280
<v Speaker 1>that's what makes it a little more stomachable. But well,

0:13:14.320 --> 0:13:16.439
<v Speaker 1>that's what Maria says. He said fair enough, But I

0:13:16.520 --> 0:13:19.760
<v Speaker 1>personally see a more positive message about him truly learning

0:13:19.840 --> 0:13:23.600
<v Speaker 1>not to be a creep and to value others. So yeah,

0:13:24.400 --> 0:13:27.240
<v Speaker 1>I can see both sides. I'm gonna both sides it yep.

0:13:28.360 --> 0:13:30.400
<v Speaker 1>Yavon Bodette, one of the world friends says, Bridge on

0:13:30.559 --> 0:13:33.920
<v Speaker 1>the River Kuai holds up wild Wild West does not

0:13:34.640 --> 0:13:38.360
<v Speaker 1>Scott Pilgrim versus the world gets better love Scott Pilgrim

0:13:39.080 --> 0:13:41.240
<v Speaker 1>Wild Wild West another one that I don't think held

0:13:41.280 --> 0:13:45.439
<v Speaker 1>up at the time. It was such a clusterfuck weird movie.

0:13:45.640 --> 0:13:49.719
<v Speaker 1>You know, Yeah, I think I kind of agree there. Uh.

0:13:50.120 --> 0:13:52.840
<v Speaker 1>Karen Schlump Hughes, one of our oldest friends, says Dr

0:13:52.920 --> 0:13:56.719
<v Speaker 1>Shivago holds up Gig does not. Lawrence of Arabia gets

0:13:56.800 --> 0:14:00.280
<v Speaker 1>better with age. I've only seen it once, but it's great. Yeah,

0:14:00.520 --> 0:14:03.520
<v Speaker 1>we were talking about that last last week. Huh. I

0:14:03.600 --> 0:14:05.439
<v Speaker 1>need to see that and really quickly, Chuck. Just to

0:14:05.559 --> 0:14:08.320
<v Speaker 1>put this in in here. The Godfather three re cut,

0:14:08.480 --> 0:14:12.359
<v Speaker 1>the name is is hilariously clunky. It is Mario Puzzo's

0:14:12.440 --> 0:14:19.120
<v Speaker 1>The Godfather coda the death of Michael Corleone doing. We

0:14:19.240 --> 0:14:21.520
<v Speaker 1>thought that was a good idea. Francis for Coppla is

0:14:21.600 --> 0:14:24.960
<v Speaker 1>drinking too much wine. Yes, exactly too much of his

0:14:25.040 --> 0:14:29.680
<v Speaker 1>own wine. Pearson Hunt says, pulp fiction holds up. Lost

0:14:29.760 --> 0:14:32.840
<v Speaker 1>Boys does not. Sure, it depends on what you're in

0:14:32.920 --> 0:14:37.120
<v Speaker 1>the mood for Scott Pilgrim gets better. Yeah. I I

0:14:37.240 --> 0:14:39.600
<v Speaker 1>think Lost Boys is exactly what it ever was and

0:14:39.680 --> 0:14:41.520
<v Speaker 1>exactly what it's supposed to be. And it's a time

0:14:41.560 --> 0:14:44.760
<v Speaker 1>capsule of that the eighties and the it's it's a

0:14:44.840 --> 0:14:46.920
<v Speaker 1>lot of fun. I I quite enjoy that movie, and

0:14:46.960 --> 0:14:50.120
<v Speaker 1>I should mention this fun exchange ahead with Ashley. Uh.

0:14:50.520 --> 0:14:52.080
<v Speaker 1>I said, Ashley, can I use this for a minie?

0:14:52.080 --> 0:14:55.160
<v Speaker 1>And he said, do I get royalties? And I said sure.

0:14:55.320 --> 0:14:57.360
<v Speaker 1>I said, I'll break down what movie Crush brings in,

0:14:58.000 --> 0:15:00.000
<v Speaker 1>divided by the number of episodes and number of second

0:15:00.000 --> 0:15:01.680
<v Speaker 1>it's and I owe you about a dollar twenty seven

0:15:02.720 --> 0:15:04.880
<v Speaker 1>and uh, he said, keep the change. You have Filthy

0:15:04.920 --> 0:15:10.560
<v Speaker 1>Animal Nice that's like Spotify streaming money right there. Uh,

0:15:10.840 --> 0:15:15.800
<v Speaker 1>Mick knee or nice, says mad Max holds up sixteen candles,

0:15:15.880 --> 0:15:18.320
<v Speaker 1>does not age well, to Kill a Mockingbird gets better

0:15:18.400 --> 0:15:24.920
<v Speaker 1>with age. Classic classic, Let's go with Austin Depski, one

0:15:24.960 --> 0:15:28.840
<v Speaker 1>of her old friends. Starship Troopers holds up all of

0:15:28.920 --> 0:15:32.040
<v Speaker 1>the Star Wars prequels do not and Hook gets better

0:15:32.120 --> 0:15:37.240
<v Speaker 1>with age. That was a big movie for me in

0:15:37.360 --> 0:15:39.600
<v Speaker 1>my youth because it was like a big tent pole

0:15:40.280 --> 0:15:42.960
<v Speaker 1>fantasy thing when Robin Williams was in his like kind

0:15:42.960 --> 0:15:46.160
<v Speaker 1>of kid movie Heyday. Uh. And you know they had

0:15:46.200 --> 0:15:49.080
<v Speaker 1>like McDonald's toys and stuff around it, which was always key.

0:15:49.480 --> 0:15:52.040
<v Speaker 1>And I loved that movie. And there was there was toys.

0:15:52.240 --> 0:15:53.920
<v Speaker 1>There was you know, like you get like the swords

0:15:54.000 --> 0:15:56.600
<v Speaker 1>and stuff, and I just remember being very taken by

0:15:56.640 --> 0:15:58.160
<v Speaker 1>that movie at the time. I bet you if I

0:15:58.200 --> 0:16:00.280
<v Speaker 1>watched it now, I would think it was not great.

0:16:00.520 --> 0:16:03.280
<v Speaker 1>That's uh, that's prime time for Ruby right now. She

0:16:03.360 --> 0:16:05.240
<v Speaker 1>needs to see hook, right, I think so? Yeah, I

0:16:05.280 --> 0:16:07.600
<v Speaker 1>think so six year, five and a half year all

0:16:07.600 --> 0:16:09.120
<v Speaker 1>could see that. I think, Oh, I'm pretty sure. I

0:16:09.120 --> 0:16:11.840
<v Speaker 1>think it's only PG. I aired a big time nol

0:16:12.040 --> 0:16:14.280
<v Speaker 1>as a dad. Would you do, Chuck? I gotta hear it.

0:16:15.480 --> 0:16:17.640
<v Speaker 1>I let her. We had family movie night and I

0:16:17.800 --> 0:16:22.680
<v Speaker 1>let her watch. I just wasn't thinking the Latest Spider Man,

0:16:22.800 --> 0:16:25.560
<v Speaker 1>not the latest, but the first Spider Man movie with

0:16:26.760 --> 0:16:29.760
<v Speaker 1>with what's his face Toby maguire, No, with the the

0:16:29.880 --> 0:16:34.400
<v Speaker 1>new kid. Oh yeah, had Homecoming well yes, of course,

0:16:34.880 --> 0:16:40.520
<v Speaker 1>with Michael Keaton as the flying villain. And it wasn't

0:16:40.600 --> 0:16:43.640
<v Speaker 1>so much that it was too intense for because she

0:16:43.960 --> 0:16:46.200
<v Speaker 1>was kind of fine with all of it, but it

0:16:46.360 --> 0:16:49.240
<v Speaker 1>was just it was just too much, too long, too

0:16:49.320 --> 0:16:51.720
<v Speaker 1>over her head. She didn't get what was really going on,

0:16:52.640 --> 0:16:55.440
<v Speaker 1>asking too many questions. It was just it was just

0:16:55.520 --> 0:16:58.800
<v Speaker 1>a big, big fail on my part. Well at least

0:16:58.800 --> 0:17:06.399
<v Speaker 1>she didn't accidentally show are like basic instincters? No, no, no,

0:17:06.480 --> 0:17:08.000
<v Speaker 1>it wasnt. Yeah, I wouldn't have fail and said much

0:17:08.000 --> 0:17:10.000
<v Speaker 1>of that. She was damaged. It was just like we

0:17:10.040 --> 0:17:12.520
<v Speaker 1>should have watched so many other different movies. It should

0:17:12.560 --> 0:17:14.200
<v Speaker 1>have had a better time at the movies. So I

0:17:14.280 --> 0:17:18.840
<v Speaker 1>think that's what you're saying. Cold Stretton frequent guests and

0:17:19.000 --> 0:17:22.960
<v Speaker 1>friend says broadcast news holds up. Revenge of the Nerds

0:17:23.040 --> 0:17:25.399
<v Speaker 1>does not age. Well, boy, you said it there, and

0:17:25.560 --> 0:17:28.440
<v Speaker 1>Galaxy Quest gets better with age. That's a movie I

0:17:28.520 --> 0:17:30.679
<v Speaker 1>have only seen once and I don't even even remember

0:17:30.760 --> 0:17:33.320
<v Speaker 1>that much. And I know it is so beloved. It's

0:17:33.359 --> 0:17:35.800
<v Speaker 1>a it's a really good satire kind of of like

0:17:36.680 --> 0:17:39.800
<v Speaker 1>Fame and you know, all of that stuff. And yeah,

0:17:40.080 --> 0:17:41.440
<v Speaker 1>I haven't seen it a long time either, but I

0:17:41.480 --> 0:17:45.040
<v Speaker 1>would love to. Um, what about Meatballs, Chuck? You think

0:17:45.080 --> 0:17:48.639
<v Speaker 1>those movies hold up? You know I saw Meatballs not

0:17:48.760 --> 0:17:52.520
<v Speaker 1>too long ago. The problem with Meatballs is it's just

0:17:52.600 --> 0:17:55.320
<v Speaker 1>not that funny. I remember it being way funnier when

0:17:55.359 --> 0:17:57.480
<v Speaker 1>I was a kid. It's not that funny. Didn't Harold

0:17:57.560 --> 0:17:59.800
<v Speaker 1>Ramos have something to do with one of those? I think? So?

0:18:00.840 --> 0:18:04.439
<v Speaker 1>I mean, Bill Murray started Meatballs, but it really leaned

0:18:04.520 --> 0:18:07.960
<v Speaker 1>on his charm and the bill marine is to get

0:18:08.000 --> 0:18:11.439
<v Speaker 1>any kind of yucks. It was not very funny. Yeah, oh,

0:18:11.520 --> 0:18:15.080
<v Speaker 1>Ivan Ritman directed Meatballs, Okay, that makes sense, who obviously

0:18:15.200 --> 0:18:18.879
<v Speaker 1>went on to direct Ghostbusters, and the new Ghostbusters is

0:18:18.920 --> 0:18:22.080
<v Speaker 1>directed by his son, I I had forgotten, has done

0:18:22.119 --> 0:18:24.680
<v Speaker 1>some really awesome ship he did Up in the Air.

0:18:25.160 --> 0:18:29.440
<v Speaker 1>He did he did Juno. Yeah, thank you for smoking.

0:18:29.800 --> 0:18:32.320
<v Speaker 1>And he also got this new Ghostbusters. And there's like

0:18:32.400 --> 0:18:34.800
<v Speaker 1>a really touching article that I saw come through where

0:18:34.840 --> 0:18:38.680
<v Speaker 1>apparently Ivan got a chance to see a screening of

0:18:38.800 --> 0:18:41.399
<v Speaker 1>it at the lot and he was in tears by

0:18:41.400 --> 0:18:43.600
<v Speaker 1>the end of it. So it sounds like it's going

0:18:43.640 --> 0:18:46.480
<v Speaker 1>to be great, because obviously that last one was a

0:18:46.560 --> 0:18:50.680
<v Speaker 1>bit of a miss. I can't wait for new movies,

0:18:53.600 --> 0:18:55.159
<v Speaker 1>although I had been on that good run of of

0:18:55.320 --> 0:18:59.399
<v Speaker 1>newer movies that have come out on streaming services, but

0:18:59.480 --> 0:19:03.919
<v Speaker 1>I feel like kind of exhausted those already, all right.

0:19:04.000 --> 0:19:07.240
<v Speaker 1>Daniel Chadwick Man after My Own Heart, says Jaws age

0:19:07.240 --> 0:19:10.840
<v Speaker 1>as well. Jaws two through four does not, and Jaws

0:19:10.920 --> 0:19:14.840
<v Speaker 1>gets better with age. Got it? Good stuff? I love it,

0:19:15.960 --> 0:19:21.639
<v Speaker 1>and let's finish this one up. Let's do these last two. Uh, Boccia, Randy,

0:19:21.840 --> 0:19:24.960
<v Speaker 1>I don't think we've met yet. Boccia. Welcome. Um die

0:19:25.040 --> 0:19:29.160
<v Speaker 1>Hard holds up. Agreed, Mash does not age well, unfortunately,

0:19:29.200 --> 0:19:32.960
<v Speaker 1>and that's true. And the big Lebowski gets better with age. Oh,

0:19:33.160 --> 0:19:35.680
<v Speaker 1>completely agree on that one. Why do you think Mash

0:19:35.760 --> 0:19:37.600
<v Speaker 1>does not age well? It seems to be like it's

0:19:37.640 --> 0:19:40.360
<v Speaker 1>supposed to be a slice of kind of a time

0:19:40.440 --> 0:19:44.480
<v Speaker 1>and place. Uh, it's not. Is it's just not so

0:19:44.600 --> 0:19:49.880
<v Speaker 1>funny and there are some really outdated stereotypes and sexual

0:19:50.000 --> 0:19:52.760
<v Speaker 1>stuff and ethnic stuff, and it's just it's a movie

0:19:52.800 --> 0:19:54.879
<v Speaker 1>of its time. Got it? Got it? But you know,

0:19:55.240 --> 0:19:58.120
<v Speaker 1>I mean, it's an Altman classic, but it just it's

0:19:58.680 --> 0:20:02.760
<v Speaker 1>and it's should state and it's little mash Camp got it?

0:20:03.040 --> 0:20:05.760
<v Speaker 1>I think? And that that that that the show was

0:20:05.840 --> 0:20:08.119
<v Speaker 1>based on the movie right the other way, Okay, I

0:20:08.200 --> 0:20:11.520
<v Speaker 1>always forget it was great that still it was funny.

0:20:11.800 --> 0:20:13.240
<v Speaker 1>That was it was a time no when I was

0:20:13.280 --> 0:20:17.680
<v Speaker 1>growing up where I watched Mash. Uh three times a day,

0:20:18.920 --> 0:20:22.040
<v Speaker 1>came on at like five and five thirty in reruns,

0:20:22.160 --> 0:20:24.639
<v Speaker 1>and then once it like or four times a day,

0:20:24.680 --> 0:20:27.400
<v Speaker 1>and then like ten and ten thirty and then on Thursdays,

0:20:27.440 --> 0:20:29.240
<v Speaker 1>I think the new ones were coming out, so I

0:20:29.280 --> 0:20:32.080
<v Speaker 1>would see five Mash episodes on a Thursday. It was

0:20:32.160 --> 0:20:34.520
<v Speaker 1>a little too subtle for me. When I was a

0:20:34.600 --> 0:20:36.560
<v Speaker 1>kid and it was on reruns all the time, I

0:20:36.600 --> 0:20:38.399
<v Speaker 1>would always kind of give it a miss because I

0:20:38.520 --> 0:20:40.880
<v Speaker 1>just didn't quite get it. But now it's it's it's

0:20:41.000 --> 0:20:44.199
<v Speaker 1>very good. Yeah. I was in Let's Finish up here

0:20:44.240 --> 0:20:49.760
<v Speaker 1>with John d called well Biloxi blues holds up, repo

0:20:49.880 --> 0:20:54.880
<v Speaker 1>man does not age well okay, and a raging bull

0:20:54.960 --> 0:20:58.600
<v Speaker 1>gets better with age. Repo man is a tough call.

0:21:00.040 --> 0:21:03.119
<v Speaker 1>See what he's saying. You know, I did it on

0:21:03.200 --> 0:21:05.639
<v Speaker 1>the show, and it was the first time I've seen it,

0:21:06.320 --> 0:21:09.160
<v Speaker 1>so it's it's kind of hard for me to say

0:21:09.160 --> 0:21:12.280
<v Speaker 1>whether it's aged well except in the context of watching

0:21:12.320 --> 0:21:13.879
<v Speaker 1>it now. But I can't compare it to what it

0:21:13.960 --> 0:21:18.800
<v Speaker 1>was like watching it then. You know, it's an odd movie. Yeah, yeah,

0:21:19.119 --> 0:21:20.840
<v Speaker 1>I can't really think of anything else quite like it.

0:21:21.080 --> 0:21:23.840
<v Speaker 1>It was okay. Yeah, that's always my fear, as that

0:21:23.840 --> 0:21:26.000
<v Speaker 1>a guest is going to pick a movie I don't like, Well,

0:21:26.080 --> 0:21:27.560
<v Speaker 1>how do you how do you handle that? Chuck? Are you?

0:21:27.600 --> 0:21:29.200
<v Speaker 1>Are you honest about it? Or do you try to

0:21:29.480 --> 0:21:33.160
<v Speaker 1>silver lining it. It has only happened a few times.

0:21:34.600 --> 0:21:37.520
<v Speaker 1>Repo Man was one of them, but I liked it.

0:21:37.640 --> 0:21:39.480
<v Speaker 1>It just I didn't love it, and it was hard

0:21:39.520 --> 0:21:43.000
<v Speaker 1>for me to really gush about it. I don't think

0:21:43.040 --> 0:21:45.280
<v Speaker 1>I should say the other one I don't really like.

0:21:46.359 --> 0:21:50.399
<v Speaker 1>Um oh might as well, who cares? The Village was

0:21:50.840 --> 0:21:54.760
<v Speaker 1>was Manky's favorite movie. I found that interesting Mankey being

0:21:54.880 --> 0:21:59.240
<v Speaker 1>such a literary guy. Um, I know he does, and

0:21:59.280 --> 0:22:02.120
<v Speaker 1>I think that's fast fascinating and I obviously to each

0:22:02.160 --> 0:22:05.000
<v Speaker 1>their own and and you know, whatever does it for you.

0:22:05.320 --> 0:22:07.680
<v Speaker 1>But that one is just so universally pan and that

0:22:07.960 --> 0:22:11.600
<v Speaker 1>twist is just so kind of I rolly to me.

0:22:11.800 --> 0:22:14.000
<v Speaker 1>But there's some good, some good things about I love

0:22:14.040 --> 0:22:16.280
<v Speaker 1>I love that episode because it is interesting hearing someone

0:22:16.440 --> 0:22:19.800
<v Speaker 1>he's obviously aware of the legacy other the movie has

0:22:19.880 --> 0:22:22.159
<v Speaker 1>and the reputation I don't remember. I mean, we had

0:22:22.160 --> 0:22:24.960
<v Speaker 1>a good conversation a lot of times. It's it's a

0:22:25.040 --> 0:22:28.840
<v Speaker 1>good thing that I'm able to U to look deeper

0:22:28.880 --> 0:22:31.240
<v Speaker 1>and try and find a connection with it. Um So

0:22:31.520 --> 0:22:34.280
<v Speaker 1>the episode goes better. But I don't really think there's

0:22:34.280 --> 0:22:37.280
<v Speaker 1>been a whole lot of them. I mean, usually I'm like, fun, Yeah,

0:22:37.400 --> 0:22:39.399
<v Speaker 1>let's do it. That sounds great. I love it. One

0:22:39.440 --> 0:22:43.080
<v Speaker 1>of my favorites too. But yeah, occasionally you just gotta

0:22:43.119 --> 0:22:45.040
<v Speaker 1>do it. You gotta do it. And I've never told

0:22:45.080 --> 0:22:47.760
<v Speaker 1>to guess, like, why I really hate that movie? Can

0:22:47.880 --> 0:22:50.479
<v Speaker 1>we not do it? I got Michael Etan Black too,

0:22:50.600 --> 0:22:54.080
<v Speaker 1>He's coming. Oh cool, I love him coming soon. He

0:22:54.119 --> 0:22:56.159
<v Speaker 1>has great taste of movies. He wanted to do a

0:22:56.240 --> 0:22:59.480
<v Speaker 1>Miller's Crossing, but I've already done it, so he said,

0:22:59.480 --> 0:23:01.480
<v Speaker 1>all right, my or two is supporting with Disaster. It

0:23:01.640 --> 0:23:04.639
<v Speaker 1>was like, oh, buddy, it's gonna be fun. Don't that

0:23:04.760 --> 0:23:08.760
<v Speaker 1>one rings a bell? But David or Russell, great movie.

0:23:08.760 --> 0:23:11.280
<v Speaker 1>I think your own record is not having seen it. Yes,

0:23:13.080 --> 0:23:17.040
<v Speaker 1>six yeah, it is one of my favorite comedies. David

0:23:17.119 --> 0:23:20.399
<v Speaker 1>or Russell just fantastic. He's got so many movies that

0:23:20.400 --> 0:23:22.400
<v Speaker 1>I don't even think I realized or him. I really

0:23:22.480 --> 0:23:28.720
<v Speaker 1>love Three Kings and obviously what was another really great one? Well,

0:23:28.960 --> 0:23:30.880
<v Speaker 1>all of them are great. Spanking the Monkey was great,

0:23:30.960 --> 0:23:34.239
<v Speaker 1>Three Kings is great, Flirting with Disaster is great, Heart

0:23:34.320 --> 0:23:36.560
<v Speaker 1>Huckabees is great. Ah, that's the one. I really love.

0:23:36.720 --> 0:23:41.000
<v Speaker 1>Silver Linings Playbook is great, the one he did after

0:23:41.160 --> 0:23:44.919
<v Speaker 1>that with Christian Bale and Bradley Cooper and Jennifer Lawrence

0:23:45.920 --> 0:23:48.520
<v Speaker 1>American Hustle. American Hustle was great, and I thought Joy

0:23:48.680 --> 0:23:51.879
<v Speaker 1>was really good. And that's what Jennifer Lawrence as well.

0:23:52.280 --> 0:23:54.479
<v Speaker 1>I like them all. Yeah, what about the Fighter? Did

0:23:54.480 --> 0:23:58.200
<v Speaker 1>you see that one with the Great He's awesome, he

0:23:58.240 --> 0:24:09.280
<v Speaker 1>can do anything. Talent to fella. All right, We're gonna

0:24:09.320 --> 0:24:13.199
<v Speaker 1>move on to Liz and one of my favorite crushers. Um,

0:24:13.280 --> 0:24:15.639
<v Speaker 1>she's just lovely, has very nice things to say. She

0:24:15.760 --> 0:24:17.919
<v Speaker 1>gave us a compliment and all that was just very

0:24:18.000 --> 0:24:21.119
<v Speaker 1>lovely about how how we gush about our daughters and

0:24:21.200 --> 0:24:24.280
<v Speaker 1>how we just seem like such great dads, uh raising

0:24:24.359 --> 0:24:26.639
<v Speaker 1>a future great women. And it was just a very

0:24:26.720 --> 0:24:28.600
<v Speaker 1>kind thing to say. It is nice to hear that,

0:24:28.840 --> 0:24:31.520
<v Speaker 1>and I appreciate uh people that right in because honestly,

0:24:31.560 --> 0:24:33.160
<v Speaker 1>it's like I just kind of this is the one

0:24:33.160 --> 0:24:36.640
<v Speaker 1>show I've I've mentioned that I feel really comfortable talking

0:24:36.640 --> 0:24:38.240
<v Speaker 1>about my personal life on the shows I have to

0:24:38.280 --> 0:24:40.639
<v Speaker 1>do a little bit but try to lean away from it.

0:24:40.720 --> 0:24:42.639
<v Speaker 1>But this just feels very welcoming to do that, and

0:24:42.720 --> 0:24:44.560
<v Speaker 1>we both do it, and so I think for some

0:24:44.720 --> 0:24:47.040
<v Speaker 1>folks that that's part of the draw, is that they

0:24:47.119 --> 0:24:49.600
<v Speaker 1>enjoy the candidness and all that. So it's nice to

0:24:49.640 --> 0:24:52.000
<v Speaker 1>hear I think. So, I mean stuff. You should know.

0:24:52.040 --> 0:24:54.399
<v Speaker 1>I talk about my personal life, son, but I've not

0:24:54.560 --> 0:24:57.400
<v Speaker 1>talked about Ruby a whole lot on that show. Um,

0:24:57.760 --> 0:24:59.639
<v Speaker 1>just because it's a whole lot bigger and you know,

0:25:00.160 --> 0:25:03.000
<v Speaker 1>but I feel I feel comfy with the crushers knowing

0:25:03.040 --> 0:25:06.520
<v Speaker 1>about her. All right, listen this. If you could choose

0:25:07.200 --> 0:25:11.400
<v Speaker 1>any two characters to flank you as your personal bodyguards,

0:25:12.480 --> 0:25:17.119
<v Speaker 1>who would they be? And uh, Liz said, Thor and

0:25:17.320 --> 0:25:22.280
<v Speaker 1>Kylo Wren are Liz's bodyguards? This is a great question.

0:25:22.359 --> 0:25:27.639
<v Speaker 1>All I chimed in and said, uh, Sarah Connor and Ripley.

0:25:27.760 --> 0:25:32.080
<v Speaker 1>Sarah Connor from like Terminator two or Beyondest and Ripley

0:25:32.240 --> 0:25:37.200
<v Speaker 1>from please believe it or not from anywhere, but probably Aliens.

0:25:37.600 --> 0:25:40.320
<v Speaker 1>I mean that's where she really, you know, uh, toughened

0:25:40.400 --> 0:25:42.960
<v Speaker 1>up and got to be a super badass. Absolutely, And

0:25:43.040 --> 0:25:44.359
<v Speaker 1>I think it would just be fun to have a

0:25:44.480 --> 0:25:47.920
<v Speaker 1>couple of badass women by my side killing people. Do

0:25:48.000 --> 0:25:51.080
<v Speaker 1>you have a well, one that came to mind right

0:25:51.280 --> 0:25:56.200
<v Speaker 1>off the bat was Dracks from the Guardians of the

0:25:56.200 --> 0:25:59.440
<v Speaker 1>Galaxies movies. He got those two cool like sickle sword things,

0:25:59.520 --> 0:26:03.080
<v Speaker 1>and he's just pure badass and he's funny, So that'd

0:26:03.080 --> 0:26:07.119
<v Speaker 1>be fun conversations. Yeah, drags, humor would be a lot

0:26:07.119 --> 0:26:11.400
<v Speaker 1>of fun. Uh and then maybe gosh, I immediately think

0:26:11.480 --> 0:26:15.560
<v Speaker 1>of the Mad Max character and Fury Road or no,

0:26:15.760 --> 0:26:18.240
<v Speaker 1>you know what, screw that, I'm gonna go with Furiosa

0:26:18.400 --> 0:26:21.880
<v Speaker 1>from Fury Road as played by Charlie s Thron who

0:26:22.040 --> 0:26:23.800
<v Speaker 1>I think we've talked about this briefly on the show.

0:26:23.880 --> 0:26:27.480
<v Speaker 1>There is a prequel movie coming out with Anna Taylor

0:26:27.640 --> 0:26:32.280
<v Speaker 1>Joy playing Furiosa that's going to be directed by George Miller.

0:26:32.520 --> 0:26:35.640
<v Speaker 1>George Meyl of course, Wow, Yeah, I do remember hearing

0:26:35.680 --> 0:26:37.760
<v Speaker 1>about that. I didn't know about Anna Taylor Joy because

0:26:38.119 --> 0:26:41.399
<v Speaker 1>I just remember hearing um that. I think Charlie's was

0:26:41.400 --> 0:26:45.000
<v Speaker 1>a little bummed out right sure, but maybe she can

0:26:45.080 --> 0:26:47.119
<v Speaker 1>be in Flash Forwards, who knows, you know, But like

0:26:47.200 --> 0:26:49.359
<v Speaker 1>they wanted a younger, like like an origin story in

0:26:49.600 --> 0:26:52.600
<v Speaker 1>situation Boy. Now I'm thinking of the ultimate badasses. John

0:26:52.640 --> 0:26:55.720
<v Speaker 1>Wick would be a pretty good bodyguard and pretty fun.

0:26:57.280 --> 0:27:00.240
<v Speaker 1>Not the best sense of humor, of course, pends on

0:27:00.320 --> 0:27:03.280
<v Speaker 1>what you're looking for just a pure ass kicker or

0:27:04.000 --> 0:27:05.720
<v Speaker 1>you know, having Charlie's their own at your side is

0:27:05.760 --> 0:27:08.879
<v Speaker 1>not too grit, not too terrible, you know that's true. Alright, No,

0:27:09.200 --> 0:27:11.159
<v Speaker 1>we're gonna go with the Vanessa Lopez, one of our

0:27:11.200 --> 0:27:17.320
<v Speaker 1>oldest pals, Moderator Deluxe, uh, Donnie and Andre the Giant. Okay,

0:27:18.760 --> 0:27:21.920
<v Speaker 1>Ellen Day says Torretto and Hobbs from The Fast and

0:27:21.960 --> 0:27:27.960
<v Speaker 1>the Furious movies. Okay, e j uh Lvac says Clark

0:27:28.160 --> 0:27:33.160
<v Speaker 1>Kent and Tony Stark. Okay, I guess see what you're

0:27:33.160 --> 0:27:36.760
<v Speaker 1>doing there. It's like, oh, look at that person. Just

0:27:36.840 --> 0:27:41.280
<v Speaker 1>a couple of mile manner dudes and then what Yeah,

0:27:41.359 --> 0:27:45.480
<v Speaker 1>as needed, keep a low profile until until the time comes.

0:27:45.680 --> 0:27:49.600
<v Speaker 1>That's right, Lucy McKinnon says The Rock and Jason Momoa.

0:27:50.240 --> 0:27:54.040
<v Speaker 1>Jason Momoa, He's a beef cake. He's pretty eascky slice

0:27:54.080 --> 0:27:57.199
<v Speaker 1>of beef cake. He seems like a good guy. Oh,

0:27:57.400 --> 0:28:01.200
<v Speaker 1>I've heard nothing, but he's always around town shooting stuff,

0:28:01.240 --> 0:28:03.080
<v Speaker 1>and everyone that's run into him says he's just an

0:28:03.080 --> 0:28:06.680
<v Speaker 1>absolute sweetie. Yeah. I've seen some of the things he's

0:28:06.760 --> 0:28:10.480
<v Speaker 1>done with charities and helping people, and he seems like

0:28:10.520 --> 0:28:15.320
<v Speaker 1>a nice fellaw. Kevin Eggleton says John Wick and John Rambo. Hey,

0:28:16.280 --> 0:28:19.560
<v Speaker 1>I'm picking up what you're laying down, my friend. Chris

0:28:19.680 --> 0:28:24.280
<v Speaker 1>Fairchild says Captain Marvel and Ray. I guess that's Ray

0:28:24.400 --> 0:28:29.800
<v Speaker 1>from Star Wars. Not bad, no, no, George Duke Bass

0:28:29.800 --> 0:28:37.960
<v Speaker 1>says Ruby Roundhouse and Nebula, who's Ruby Roundhouse? Ruby Roundhouse?

0:28:38.480 --> 0:28:45.880
<v Speaker 1>Is that? Let's see Ruby. Oh that's from the Jamanji movie. Yes, yes, yes,

0:28:46.320 --> 0:28:52.240
<v Speaker 1>that's right, played by Karen Gillen. She is, uh, yeah, yeah,

0:28:52.280 --> 0:28:54.560
<v Speaker 1>I don't know her, but I haven't seen that movie.

0:28:54.840 --> 0:28:56.800
<v Speaker 1>Oh it's fun. That'd be a good one to watch

0:28:56.880 --> 0:28:59.480
<v Speaker 1>with the kid. By the way, the first two, both

0:28:59.560 --> 0:29:04.600
<v Speaker 1>of them, the Jamanji like um reboots are delightful, okay.

0:29:05.800 --> 0:29:12.440
<v Speaker 1>Nathan ben Ziel says Captain Marvel in her money Granger, hermione,

0:29:12.960 --> 0:29:17.840
<v Speaker 1>her my own her, my own granger. Is that are

0:29:17.880 --> 0:29:20.680
<v Speaker 1>you joking? Oh? It's a Harry Potter anything, you know.

0:29:21.800 --> 0:29:24.239
<v Speaker 1>It's one of those things though, where like a lot

0:29:24.320 --> 0:29:27.120
<v Speaker 1>of people mispronounced that name for years in their heads

0:29:27.240 --> 0:29:29.160
<v Speaker 1>until the movies came out and they heard it spoken

0:29:29.320 --> 0:29:31.479
<v Speaker 1>like Hermione. I think a lot of people went through

0:29:31.560 --> 0:29:35.840
<v Speaker 1>life again it was Hermione. Is it hermione? It's hermione? Yeah? Okay,

0:29:36.480 --> 0:29:38.480
<v Speaker 1>what's her back like? Would she be a good bodyguard?

0:29:38.680 --> 0:29:40.920
<v Speaker 1>She's so she does wizard ship. I don't know, all right,

0:29:41.440 --> 0:29:44.160
<v Speaker 1>I don't know. You don't know, dude, Oh I I do.

0:29:44.840 --> 0:29:47.280
<v Speaker 1>By the way, Karen Gillen, there there was a there

0:29:47.360 --> 0:29:49.880
<v Speaker 1>was a buried kind of leaster egg in that previous one.

0:29:49.960 --> 0:29:55.560
<v Speaker 1>Karen Gillen. Uh, the actor plays Ruby Roundhouse and Nebula,

0:29:55.920 --> 0:29:58.520
<v Speaker 1>and you would never know that she was Nebula because

0:29:58.560 --> 0:30:01.360
<v Speaker 1>she's all decked out and you know, like prosthetics and

0:30:01.520 --> 0:30:03.640
<v Speaker 1>doesn't look like herself. Adam, glad you said that because

0:30:03.680 --> 0:30:07.560
<v Speaker 1>people made a bunch of emoji faces that I didn't understand.

0:30:08.360 --> 0:30:15.440
<v Speaker 1>That makes sense, okay, I love it. Clever clever crushers. Indeed, Uh,

0:30:15.720 --> 0:30:19.360
<v Speaker 1>let me see Carly uh Pato Vanni Petite, one of

0:30:19.440 --> 0:30:25.360
<v Speaker 1>our favorites, says Kara Dune and a Shoka Tano. I

0:30:25.400 --> 0:30:30.959
<v Speaker 1>don't know these people. Shoka is uh isn't that star wars? Okay?

0:30:31.040 --> 0:30:35.920
<v Speaker 1>I know? Cardoon is from Mandalorian played by Gina Krano,

0:30:36.400 --> 0:30:39.479
<v Speaker 1>and so as a Sho Katano played by Rosario Dawson.

0:30:39.920 --> 0:30:44.080
<v Speaker 1>And she's a fan favorite from the animated Uh whatever, okay,

0:30:44.320 --> 0:30:46.800
<v Speaker 1>the c g I Cartoony Star Wars series is that

0:30:46.800 --> 0:30:49.720
<v Speaker 1>people seem to love. Yeah, alright, I'm done with that Carly.

0:30:50.160 --> 0:30:52.400
<v Speaker 1>Although she'd have to be in character because if you

0:30:52.440 --> 0:30:55.920
<v Speaker 1>had to sit around and listen to Gina Krano blaberon

0:30:56.000 --> 0:31:00.760
<v Speaker 1>about her bullshit, Oh my goodness, hot take, I don't

0:31:00.760 --> 0:31:04.560
<v Speaker 1>know who this is? What what is her bullshit? It's politics? Okay,

0:31:04.600 --> 0:31:08.320
<v Speaker 1>got it? It would be like having a ask kicking

0:31:08.440 --> 0:31:11.200
<v Speaker 1>James Woods at your side or something. Oh no, thank you,

0:31:11.680 --> 0:31:18.200
<v Speaker 1>thank you? Or he's a fucking guy, Hercules, Kevin Sorbo? Yeah,

0:31:18.320 --> 0:31:21.240
<v Speaker 1>or what's his name? Who's Angelina Jolie's dad, who's like

0:31:21.280 --> 0:31:24.200
<v Speaker 1>a super I don't know if he was. I mean,

0:31:24.280 --> 0:31:26.360
<v Speaker 1>I know he's a big term conservative, but like Sorbo

0:31:26.440 --> 0:31:32.160
<v Speaker 1>is an actual like you know, election rigged? Uh you know?

0:31:32.560 --> 0:31:34.680
<v Speaker 1>Oh so was? Uh? Who's why? I have not think of?

0:31:34.720 --> 0:31:38.440
<v Speaker 1>His name? Is John Boyd? John? I mean, he's he's

0:31:38.480 --> 0:31:43.240
<v Speaker 1>definitely down that time. God, he's dopes, all right. John

0:31:43.680 --> 0:31:48.360
<v Speaker 1>Hoskin says Molly Millions in Gomera. I don't know Molly Millions,

0:31:48.480 --> 0:31:54.240
<v Speaker 1>but Molly sounds like a great bodyguard. Stacy Elfors says

0:31:54.480 --> 0:32:00.520
<v Speaker 1>thor in Vulkrie. Sure, why not? Noah Hubbard is Ron

0:32:00.640 --> 0:32:05.760
<v Speaker 1>Swanson and Hawkeye from Mash. I'm pretty big, so I

0:32:05.800 --> 0:32:09.160
<v Speaker 1>think we can handle anything that came our away. Nice. Yeah,

0:32:09.280 --> 0:32:11.520
<v Speaker 1>Ron Swanson would just like shame you to death. I

0:32:11.640 --> 0:32:14.920
<v Speaker 1>think No, Noah, No, it's a big fellow. He's a

0:32:15.040 --> 0:32:17.560
<v Speaker 1>key grip and the best boy too, and a guest

0:32:17.880 --> 0:32:20.920
<v Speaker 1>best boy. That's great. I didn't know the best boy.

0:32:21.320 --> 0:32:25.480
<v Speaker 1>He's in the biz. Uh. Nicole Park says John Wick.

0:32:25.600 --> 0:32:29.880
<v Speaker 1>And Sydney Bristow. Uh what was that? Sydney Bristow was

0:32:29.960 --> 0:32:33.120
<v Speaker 1>what's it called? Alias? Right? That's correct. I never saw that.

0:32:33.360 --> 0:32:35.760
<v Speaker 1>It's good. Did you watch it? I watched the first

0:32:36.440 --> 0:32:39.800
<v Speaker 1>season or so. It's good. Yeah, It's just it's what's

0:32:39.800 --> 0:32:41.560
<v Speaker 1>his name. It's the guy that went on to do

0:32:41.720 --> 0:32:44.480
<v Speaker 1>Lost and stuff. It was his first first venture. What's

0:32:44.520 --> 0:32:48.600
<v Speaker 1>his face? You know? That guy? Star Wars thing he did,

0:32:48.880 --> 0:32:52.840
<v Speaker 1>He did a lot of things. Um not, Damon Lindeloff

0:32:52.920 --> 0:32:55.880
<v Speaker 1>the j J J J j Our boy j J.

0:32:56.000 --> 0:33:00.480
<v Speaker 1>Stop yelling at your earbuds everyone. Dan Haynes says Mando

0:33:01.600 --> 0:33:07.880
<v Speaker 1>Mandalorian and Jerry from Stuff you should know. Yeah, Oh,

0:33:08.000 --> 0:33:11.600
<v Speaker 1>that's funny. It's great. I watched the first episode of

0:33:11.640 --> 0:33:15.880
<v Speaker 1>Mandalorian and that's all I've watched so far. It's good, dude. Yeah,

0:33:16.200 --> 0:33:18.680
<v Speaker 1>I'll get back into it. I did the same thing

0:33:18.760 --> 0:33:20.760
<v Speaker 1>with the second scene of The Boys. I watched one

0:33:20.920 --> 0:33:24.400
<v Speaker 1>up and then got distracted. Those are Chuck solo shows,

0:33:24.440 --> 0:33:27.640
<v Speaker 1>and also it's it's hard to find that time. I

0:33:28.160 --> 0:33:29.440
<v Speaker 1>need to catch up with that one too. I've got

0:33:29.520 --> 0:33:32.680
<v Speaker 1>a handful of friends that are quite taken with the Boys.

0:33:33.800 --> 0:33:36.120
<v Speaker 1>It's good. I'm just I kind of got to season

0:33:36.160 --> 0:33:38.720
<v Speaker 1>two and I was like, do I really need to

0:33:38.840 --> 0:33:41.920
<v Speaker 1>invest in this? Like? I like it, but there's so

0:33:42.000 --> 0:33:44.760
<v Speaker 1>much out there? Do I love it enough? I heard

0:33:44.800 --> 0:33:46.719
<v Speaker 1>season two is when it really heats up, all right,

0:33:46.800 --> 0:33:55.320
<v Speaker 1>like things Bronwyn Collins says Hermione Granger and John McClaine,

0:33:56.880 --> 0:33:59.680
<v Speaker 1>M yeah, John mclown. John McClean is good in a pinch,

0:34:00.400 --> 0:34:03.080
<v Speaker 1>that's for sure. No one, have you seen uh one

0:34:03.160 --> 0:34:06.040
<v Speaker 1>Division yet? Yeah? I love it. I think it's great.

0:34:06.480 --> 0:34:08.680
<v Speaker 1>I watched the first two apps. Is there a third yet? No?

0:34:08.840 --> 0:34:11.520
<v Speaker 1>I think they've dropped two and you know, back to back.

0:34:11.960 --> 0:34:14.759
<v Speaker 1>I'm curious where it's going. I'm very curious to there

0:34:14.840 --> 0:34:17.759
<v Speaker 1>than meet c I obviously like, they're not gonna stay

0:34:17.800 --> 0:34:20.680
<v Speaker 1>in that world. I don't think, Yeah, they can't possibly.

0:34:20.680 --> 0:34:22.920
<v Speaker 1>I mean, even between the first two episodes they slightly

0:34:23.000 --> 0:34:26.560
<v Speaker 1>changed the style of of sitcom. Even the opening you know,

0:34:27.040 --> 0:34:29.680
<v Speaker 1>credits changes and then you know it pulls back and

0:34:29.840 --> 0:34:33.400
<v Speaker 1>it's on a monitor being looked at by unseen creepy

0:34:33.719 --> 0:34:38.040
<v Speaker 1>you know forces. So probably some kind of like what

0:34:38.239 --> 0:34:41.800
<v Speaker 1>the simulation that they're stuck in for nefarious purposes. But

0:34:41.880 --> 0:34:43.520
<v Speaker 1>I said the same thing, and like, how are they

0:34:43.520 --> 0:34:46.120
<v Speaker 1>gonna they can't possibly just keep this ham you know,

0:34:46.239 --> 0:34:49.200
<v Speaker 1>hammy kind of like sitcom thing going no, no, no,

0:34:49.400 --> 0:34:51.520
<v Speaker 1>but very very cool take on it anything, Yeah, no,

0:34:51.600 --> 0:34:54.359
<v Speaker 1>I dig it. I like it, and and it looks great.

0:34:54.400 --> 0:34:57.080
<v Speaker 1>I mean it's they really nailed the whole thing. Speaking

0:34:57.120 --> 0:35:00.960
<v Speaker 1>of which, really quick aside, you did not like MANK, Yeah,

0:35:01.080 --> 0:35:02.839
<v Speaker 1>I was gonna talk about that and stream this. In fact,

0:35:02.920 --> 0:35:06.359
<v Speaker 1>let's just go ahead and go to stream this. Uh.

0:35:07.680 --> 0:35:11.960
<v Speaker 1>I I think Make is a movie that you have

0:35:12.080 --> 0:35:15.560
<v Speaker 1>to be in the right mood for, and I think

0:35:15.640 --> 0:35:18.840
<v Speaker 1>I maybe wasn't. And I was watching with Emily and

0:35:18.840 --> 0:35:21.759
<v Speaker 1>I could tell she wasn't super into it. So I

0:35:21.920 --> 0:35:23.440
<v Speaker 1>was like, halfway through us, like, why don't we stop

0:35:23.520 --> 0:35:25.440
<v Speaker 1>and watch something else? I think I will finish it

0:35:26.000 --> 0:35:28.080
<v Speaker 1>everything about it I should like. I mean, it looked amazing,

0:35:28.160 --> 0:35:30.280
<v Speaker 1>the acting was great. So it's not like it sucked

0:35:30.360 --> 0:35:32.640
<v Speaker 1>or anything. I just had a hard time in like

0:35:32.960 --> 0:35:38.120
<v Speaker 1>connecting to it. And I was surprised at how much

0:35:38.239 --> 0:35:40.320
<v Speaker 1>I did connect to it. I was expecting it to

0:35:40.400 --> 0:35:43.200
<v Speaker 1>be a bit of a slog or a bit challenging

0:35:43.320 --> 0:35:44.960
<v Speaker 1>or kind of slow paced, and you know, it is

0:35:45.000 --> 0:35:46.799
<v Speaker 1>on one hand, but on the other hand, it's got

0:35:46.840 --> 0:35:50.080
<v Speaker 1>all this great rapid fire dialogue. It's really witty, it's

0:35:50.480 --> 0:35:54.279
<v Speaker 1>it's it's beautifully shot. There's a you know, a host

0:35:54.360 --> 0:35:56.600
<v Speaker 1>of all these characters that you know about from like

0:35:56.719 --> 0:35:59.520
<v Speaker 1>being film history nerd, but like you never really see them,

0:35:59.600 --> 0:36:02.680
<v Speaker 1>like Perch Trade, like you know, what is it sALS

0:36:02.719 --> 0:36:07.200
<v Speaker 1>Neck and like o Orson Wells obviously that up is

0:36:07.280 --> 0:36:10.080
<v Speaker 1>well cast. Uh, and then who's the guy at Thalberg

0:36:10.160 --> 0:36:12.560
<v Speaker 1>irving Jay Thalberg who Like there's a lot of cool

0:36:12.640 --> 0:36:14.800
<v Speaker 1>history and also the political stuff that I wasn't aware of,

0:36:14.960 --> 0:36:19.120
<v Speaker 1>like um uh, what's the guy that wrote the jungle? Um?

0:36:19.600 --> 0:36:25.080
<v Speaker 1>The uh Upton Sinclair ran for like governor of California

0:36:25.239 --> 0:36:27.879
<v Speaker 1>and Manx character supports him, and all of the little

0:36:27.920 --> 0:36:30.480
<v Speaker 1>ins and outs, and there's a whole thing not really

0:36:30.520 --> 0:36:33.359
<v Speaker 1>a spoiler, but where they're they're like basically making fake

0:36:33.480 --> 0:36:37.320
<v Speaker 1>news reels of using actors to to to act like

0:36:37.440 --> 0:36:40.520
<v Speaker 1>real people, saying, how you know, um, Sinclair is a

0:36:40.560 --> 0:36:42.920
<v Speaker 1>communist and all this stuff. And it really had a

0:36:43.040 --> 0:36:46.359
<v Speaker 1>ring of like the now of what's going on up

0:36:46.400 --> 0:36:47.759
<v Speaker 1>on some of that for sure, and I think I

0:36:47.800 --> 0:36:50.560
<v Speaker 1>hadn't even gotten to that part. But there were definitely

0:36:50.800 --> 0:36:55.880
<v Speaker 1>some allegorical connections to these days, I did think, And

0:36:55.960 --> 0:36:57.920
<v Speaker 1>it was kind of uh. We turned it off not

0:36:58.000 --> 0:37:01.319
<v Speaker 1>too long after the big party scene in the first

0:37:01.360 --> 0:37:05.360
<v Speaker 1>half of the film at the Mansion, Yes, which was

0:37:05.480 --> 0:37:07.840
<v Speaker 1>just I was just like, man, how do you shoot

0:37:07.920 --> 0:37:11.000
<v Speaker 1>that scene? It was so big and so beautiful and

0:37:11.200 --> 0:37:13.919
<v Speaker 1>so much cross cutting from way across this big room

0:37:14.400 --> 0:37:17.640
<v Speaker 1>to these people having conversations all over the place. I mean,

0:37:17.680 --> 0:37:20.359
<v Speaker 1>it must have taken two weeks to shoot that scene. Um,

0:37:20.440 --> 0:37:22.520
<v Speaker 1>So I did appreciate what I was seeing, and I

0:37:22.600 --> 0:37:27.600
<v Speaker 1>think it just bears a rewatch from second one when

0:37:27.640 --> 0:37:30.520
<v Speaker 1>I'm in the right headspace, you know. Yeah, It's just

0:37:30.640 --> 0:37:32.840
<v Speaker 1>also like it can be a bit of a drag

0:37:33.120 --> 0:37:36.160
<v Speaker 1>on you. If you're gauging someone else's interest in a

0:37:36.239 --> 0:37:39.439
<v Speaker 1>movie and you're sensing that they're drifting. That can sort

0:37:39.480 --> 0:37:41.480
<v Speaker 1>of affect the way you look at it too, if

0:37:41.480 --> 0:37:44.200
<v Speaker 1>you're feeling like you're inconveniencing somebody else who's not having

0:37:44.239 --> 0:37:45.920
<v Speaker 1>a good time. I happened to watch it with an

0:37:45.920 --> 0:37:47.880
<v Speaker 1>old friend of mine who was in town, and we

0:37:47.960 --> 0:37:49.719
<v Speaker 1>were both on the same page and kind of loving

0:37:49.760 --> 0:37:52.080
<v Speaker 1>it and like big upping how much we were loving it.

0:37:52.200 --> 0:37:55.000
<v Speaker 1>So it helped. Yeah, my brother loved it and UH

0:37:55.440 --> 0:37:57.880
<v Speaker 1>texted me it was like, dude, it's a masterpiece, so

0:37:58.000 --> 0:38:00.279
<v Speaker 1>I need to give it another fair shake. It is, Uh.

0:38:00.640 --> 0:38:02.880
<v Speaker 1>I mean, I certainly think Fincher is like one of

0:38:02.920 --> 0:38:07.160
<v Speaker 1>the modern master all tours, so I'll give it a shot. Um.

0:38:07.480 --> 0:38:09.239
<v Speaker 1>The other thing I watched last night that I want

0:38:09.280 --> 0:38:14.480
<v Speaker 1>to recommend is the John Belushi documentary. It's simply called Belushi. Um.

0:38:14.560 --> 0:38:18.279
<v Speaker 1>It is culled from these interview tapes from many years

0:38:18.320 --> 0:38:22.000
<v Speaker 1>ago that had never been released. UM audio tapes with

0:38:22.160 --> 0:38:25.319
<v Speaker 1>all of these people, UM, the people closest to him,

0:38:25.440 --> 0:38:28.160
<v Speaker 1>his friends, Zack Royd and the gang, and people that

0:38:28.239 --> 0:38:32.160
<v Speaker 1>worked with him writers uh and his wife Judy, and UH.

0:38:32.640 --> 0:38:34.960
<v Speaker 1>It was really really good. And I know the Belushi

0:38:35.000 --> 0:38:38.279
<v Speaker 1>story in and out. He's a hero of mine and

0:38:38.520 --> 0:38:41.000
<v Speaker 1>I've just one of the most brilliant comedians to ever live.

0:38:41.760 --> 0:38:44.120
<v Speaker 1>And I've told the story many times about all the

0:38:44.200 --> 0:38:46.960
<v Speaker 1>times I've hung out in the in the bungalow where

0:38:47.000 --> 0:38:50.960
<v Speaker 1>he died at the Chateau Marmont, and uh and I

0:38:51.080 --> 0:38:52.600
<v Speaker 1>and I did know it all. But it was really

0:38:52.640 --> 0:38:57.439
<v Speaker 1>good seeing this documentary all culled together from his high

0:38:57.480 --> 0:39:01.480
<v Speaker 1>school days to his death and just a a what

0:39:01.600 --> 0:39:03.680
<v Speaker 1>an amazing person he was. I mean, he had the

0:39:03.800 --> 0:39:06.320
<v Speaker 1>number one TV show, the number one movie, and the

0:39:06.440 --> 0:39:09.920
<v Speaker 1>number one record all at one time in the United States.

0:39:10.000 --> 0:39:13.880
<v Speaker 1>He was the biggest star in the world across many platforms,

0:39:13.960 --> 0:39:16.359
<v Speaker 1>and it was just he was one of those lights

0:39:16.440 --> 0:39:18.840
<v Speaker 1>that burned so bright. You know, he was sort of

0:39:18.880 --> 0:39:21.200
<v Speaker 1>destined to burn out. It was very, very tragic and sad.

0:39:21.480 --> 0:39:23.800
<v Speaker 1>I would love to see him around today, and because

0:39:23.800 --> 0:39:25.640
<v Speaker 1>he was just starting to get into like real acting,

0:39:25.840 --> 0:39:28.840
<v Speaker 1>and um, I would love to have seen him in

0:39:29.120 --> 0:39:32.160
<v Speaker 1>in like during the Trump administration because he was such

0:39:32.200 --> 0:39:35.279
<v Speaker 1>a sort of a lefty mouthpiece and hippie activist and

0:39:36.560 --> 0:39:39.040
<v Speaker 1>it's just a big shame good documentary. It's called Belushi.

0:39:40.080 --> 0:39:41.800
<v Speaker 1>Check it out. I don't know, I don't know a

0:39:41.800 --> 0:39:43.920
<v Speaker 1>hell of a lot about his story. Um, so I

0:39:43.960 --> 0:39:47.040
<v Speaker 1>definitely check out. Yeah. I mentioned maybe that I've been

0:39:47.080 --> 0:39:51.359
<v Speaker 1>doing my semi annual Sopranos rewatch totally holds up lots

0:39:51.400 --> 0:39:55.319
<v Speaker 1>of great rings of the now and that show as well.

0:39:55.760 --> 0:39:59.040
<v Speaker 1>Looking forward to that new show, the the prequel. Well,

0:39:59.080 --> 0:40:01.840
<v Speaker 1>it's a movie and they pushed it. Yeah, it's a

0:40:01.880 --> 0:40:05.160
<v Speaker 1>full length with David Chase writing and I believe directing.

0:40:05.440 --> 0:40:08.400
<v Speaker 1>But it was originally announced that like Warner Brothers was

0:40:08.480 --> 0:40:11.600
<v Speaker 1>gonna like dump their whole slate onto HBO Max like

0:40:11.680 --> 0:40:13.920
<v Speaker 1>in One Fell Swoop, you know, like they did with

0:40:13.960 --> 0:40:16.719
<v Speaker 1>Wonder Woman. Um, and then the theaters kind of lost

0:40:16.760 --> 0:40:19.520
<v Speaker 1>their ship. Uh, but that was supposed to happen like

0:40:19.600 --> 0:40:23.040
<v Speaker 1>in March. But now it looks like, uh, the Many

0:40:23.160 --> 0:40:25.680
<v Speaker 1>Saints of Newark, which is the Sopranos prequel movie, has

0:40:25.719 --> 0:40:28.320
<v Speaker 1>been pushed like to the end of the year, the

0:40:28.440 --> 0:40:30.960
<v Speaker 1>way way end of the year. Yeah, I'm very excited.

0:40:31.000 --> 0:40:34.359
<v Speaker 1>It's cool. They got James Gandolphine's son cast as as

0:40:34.520 --> 0:40:37.680
<v Speaker 1>Tony soprano soprano. Yeah, and that's the thing, Like, you know,

0:40:37.840 --> 0:40:39.879
<v Speaker 1>I think it's easy to be like, oh, of course

0:40:39.920 --> 0:40:41.319
<v Speaker 1>they is gay with to him goes it's his son.

0:40:41.600 --> 0:40:43.399
<v Speaker 1>But I mean they didn't have to do that, there's

0:40:43.440 --> 0:40:45.680
<v Speaker 1>no like, you know, I mean, they did it because

0:40:45.680 --> 0:40:47.760
<v Speaker 1>I think it was probably the right choice. I agreed.

0:40:47.920 --> 0:40:51.560
<v Speaker 1>What else you've been watching? Oh, let's see. Um. You know,

0:40:51.760 --> 0:40:55.680
<v Speaker 1>I watched UH with my my my lady friend last

0:40:55.760 --> 0:40:58.040
<v Speaker 1>night because she she hadn't seen a whole lot of

0:40:58.480 --> 0:41:02.200
<v Speaker 1>kind of these deeper cut, weird movies. A favorite Asian

0:41:02.239 --> 0:41:04.640
<v Speaker 1>movie of mine a Korean film called Old Boy, and

0:41:04.760 --> 0:41:07.880
<v Speaker 1>I think a lot of people are far with I

0:41:08.080 --> 0:41:10.200
<v Speaker 1>love Old Boy. I mean it's definitely it's a lot,

0:41:10.719 --> 0:41:13.359
<v Speaker 1>but I hadn't seen it in years, and it holds up.

0:41:13.440 --> 0:41:15.160
<v Speaker 1>I love every minute of it, even though it's like

0:41:15.200 --> 0:41:18.759
<v Speaker 1>totally fucked up and nihilistic and statistic. But I still

0:41:18.840 --> 0:41:23.520
<v Speaker 1>haven't seen the seemingly completely unnecessary remake that Spike Lee

0:41:23.600 --> 0:41:28.000
<v Speaker 1>did with Josh Brolin. And after watching it again, I'm like, Okay,

0:41:28.400 --> 0:41:30.480
<v Speaker 1>you know what, why not I'm gonna watch it and

0:41:30.560 --> 0:41:33.000
<v Speaker 1>just compare it because I don't understand why they made.

0:41:33.000 --> 0:41:35.840
<v Speaker 1>It didn't seem to do very well. Um, did you

0:41:35.880 --> 0:41:37.600
<v Speaker 1>what I'm interested to? I haven't. I'm going to, but

0:41:38.560 --> 0:41:41.560
<v Speaker 1>on the stream this tip old boy. The original is

0:41:41.640 --> 0:41:46.160
<v Speaker 1>streaming literally nowhere. Uh, and the new one is so

0:41:46.800 --> 0:41:48.520
<v Speaker 1>I definitely would watch the old one first I had.

0:41:48.520 --> 0:41:50.479
<v Speaker 1>I had to pull up my DVDs, Chuck, I hadn't

0:41:50.480 --> 0:41:52.840
<v Speaker 1>watched the DVD and forever, and I pulled She like it.

0:41:53.360 --> 0:41:56.440
<v Speaker 1>She loved it, but was also like, what the fuck?

0:41:57.160 --> 0:42:00.480
<v Speaker 1>But yeah, I mean, you can't not appreciate the skill

0:42:00.760 --> 0:42:03.960
<v Speaker 1>and the story and the filmmaking. It's just great. Totally.

0:42:04.520 --> 0:42:06.400
<v Speaker 1>You got anything else? Is at it? That's it for

0:42:06.480 --> 0:42:08.600
<v Speaker 1>down Yeah, all right, I'll see if someone keeps some,

0:42:08.719 --> 0:42:11.120
<v Speaker 1>keeps some in my back pocket for next time. Well, thanks, buddy,

0:42:11.719 --> 0:42:14.160
<v Speaker 1>keep it in your pocket, put a bird on it.

0:42:15.239 --> 0:42:17.840
<v Speaker 1>And uh. It's just a few hours before the end

0:42:17.880 --> 0:42:21.000
<v Speaker 1>of the workday, nol and the weekend starts. What turned

0:42:21.040 --> 0:42:23.640
<v Speaker 1>out to be like we got a record on Friday.

0:42:23.960 --> 0:42:26.680
<v Speaker 1>Now I feel energized and and happy. This is the

0:42:26.760 --> 0:42:29.440
<v Speaker 1>last thing I'm doing for the work week. Same. I

0:42:29.560 --> 0:42:32.120
<v Speaker 1>actually have a buddy coming in from out of town,

0:42:32.239 --> 0:42:34.560
<v Speaker 1>and I may have gotten out of my last recording

0:42:34.640 --> 0:42:36.440
<v Speaker 1>for the day, so this might be it for me too,

0:42:36.520 --> 0:42:38.160
<v Speaker 1>and then I can kick it with my pal. So

0:42:38.320 --> 0:42:41.319
<v Speaker 1>sweet man, we'll have a great weekend, and uh love

0:42:41.440 --> 0:42:43.640
<v Speaker 1>to your family and your daughter and I'll see you

0:42:43.760 --> 0:42:47.600
<v Speaker 1>next week. You two brother all right. This movie Crash

0:42:47.760 --> 0:42:50.120
<v Speaker 1>is produced and written by Charles Bryant and Meel Brown,

0:42:50.600 --> 0:42:53.759
<v Speaker 1>edited and engineered by Seth Nicholas Johnson, and scored by

0:42:53.880 --> 0:42:57.640
<v Speaker 1>Noel Brown here in our home studio at Pontstey Market, Atlanta, Georgia.

0:42:57.840 --> 0:43:00.320
<v Speaker 1>For I Heart Radio for more podcast us for my

0:43:00.400 --> 0:43:03.080
<v Speaker 1>heart Radio, visit the I Heart Radio app, Apple podcast,

0:43:03.239 --> 0:43:05.040
<v Speaker 1>or wherever you listen to your favorite shows.