1 00:00:00,040 --> 00:00:03,320 Speaker 1: Hey, listeners, it's James Parker. Can you keep a secret? 2 00:00:03,520 --> 00:00:06,080 Speaker 1: The next episode of Daughters of d C is up next, 3 00:00:06,480 --> 00:00:12,080 Speaker 1: But first a quick word from our sponsor, Iron Horns 4 00:00:12,080 --> 00:00:15,720 Speaker 1: Epic Productions. And I heard Radio present Daughters of DC. 5 00:00:20,880 --> 00:00:26,799 Speaker 1: What do you need information? What kind of information? A 6 00:00:26,920 --> 00:00:32,000 Speaker 1: record of your confidence and what they may reveal when pressed. 7 00:00:42,640 --> 00:00:46,760 Speaker 1: It's no secret that in Washington, d C. Corruption is everywhere. 8 00:00:47,280 --> 00:00:50,160 Speaker 1: You could say it's gone viral. That's why my friends 9 00:00:50,200 --> 00:00:53,880 Speaker 1: and I decided to take on the system from the inside. 10 00:00:54,720 --> 00:00:58,400 Speaker 1: I'm James, I'm Peyton, I'm Celia, I'm Natalie, and we're 11 00:00:58,400 --> 00:01:09,039 Speaker 1: the Daughters of DC. Yeah. So breaking an inner ring 12 00:01:09,920 --> 00:01:12,880 Speaker 1: way harder in real life than in video games, also 13 00:01:13,680 --> 00:01:16,520 Speaker 1: way more fun. I just wished it ended with us 14 00:01:16,560 --> 00:01:20,560 Speaker 1: actually discovering who else Tanner hurt. It's like the whole 15 00:01:20,560 --> 00:01:23,520 Speaker 1: system was designed to keep Tanner and jerks like him 16 00:01:23,600 --> 00:01:27,720 Speaker 1: on top. Of course, that's why coders like me exist, 17 00:01:27,920 --> 00:01:38,959 Speaker 1: right to create better systems, or well to try anyway. Alright, 18 00:01:39,040 --> 00:01:43,639 Speaker 1: settled down, folks, this is a classroom, not a social club. Now. 19 00:01:44,680 --> 00:01:48,760 Speaker 1: History is coming alive today, and not just in class. 20 00:01:49,440 --> 00:01:51,440 Speaker 1: I'm sure you've all heard the news by now that 21 00:01:51,520 --> 00:01:54,920 Speaker 1: our very own Tanner Read's father has been shortlisted for 22 00:01:54,960 --> 00:01:58,440 Speaker 1: a seat on the Supreme Court. Tanner, how does it 23 00:01:58,480 --> 00:02:03,360 Speaker 1: feel pretty great? Mr Dugan? The shortlist is in a 24 00:02:03,400 --> 00:02:07,640 Speaker 1: nomination and it looks like Ms Rosenberg has an opinions tad. 25 00:02:08,200 --> 00:02:11,520 Speaker 1: What a refreshing change of pace. It's absurd to treat 26 00:02:11,560 --> 00:02:14,880 Speaker 1: this as a congratulatory thing, especially considering his track record 27 00:02:14,919 --> 00:02:18,240 Speaker 1: when it comes to women's rights, and furthermore, he has 28 00:02:18,280 --> 00:02:21,640 Speaker 1: a notorious history lobbying for extended sentences on petty crimes, 29 00:02:21,840 --> 00:02:24,800 Speaker 1: not to mention a vertiginous record of decisions against the 30 00:02:24,800 --> 00:02:28,280 Speaker 1: African American community. She can't just make stuff up? Sorry, 31 00:02:28,520 --> 00:02:32,799 Speaker 1: do you not know what revertigionists means? Do you listen? 32 00:02:32,880 --> 00:02:37,280 Speaker 1: Dick brain? Whoa Mr Dugan did? All right? I think 33 00:02:37,280 --> 00:02:40,680 Speaker 1: that's enough passionate discourse to last us a full class. 34 00:02:41,600 --> 00:02:45,000 Speaker 1: I'm afraid we won't be doing that, sir Patie. We 35 00:02:45,040 --> 00:02:48,440 Speaker 1: are done delivering ourselves into the hands of abusive men. 36 00:02:48,680 --> 00:02:52,800 Speaker 1: We won't be accomplices to the perpetuation of a racist, 37 00:02:53,040 --> 00:02:57,360 Speaker 1: depressive patriarch. Thank you, George. This is a walkout. Why 38 00:02:57,400 --> 00:03:00,519 Speaker 1: does du Pont Theater Department will not pa We sit 39 00:03:00,560 --> 00:03:03,200 Speaker 1: back to listen to your version of history when the 40 00:03:03,240 --> 00:03:06,080 Speaker 1: time is ours to make our own. Don't represent the 41 00:03:06,080 --> 00:03:12,440 Speaker 1: theater department, Natalie. We the people are putting toxic, oppressive 42 00:03:12,520 --> 00:03:16,960 Speaker 1: masculinity on trial for crimes against human decency. Court is 43 00:03:17,000 --> 00:03:25,600 Speaker 1: now in session. Jose can you see for the done. 44 00:03:29,720 --> 00:03:39,280 Speaker 1: That's why are you guys seeing this now? What's going on? Celia? 45 00:03:40,040 --> 00:03:42,360 Speaker 1: The theater geeks are staging a mock trial in the 46 00:03:42,400 --> 00:03:51,160 Speaker 1: football field. Everyone's walking out of class, look outside. Oh 47 00:03:51,280 --> 00:03:55,400 Speaker 1: my gosh, Natalie's really out there. You sand accused of 48 00:03:55,560 --> 00:04:00,080 Speaker 1: infiltrating American life on every conceit the high school to 49 00:04:01,480 --> 00:04:09,600 Speaker 1: take at a house party, all the way toxic masculinity. 50 00:04:09,840 --> 00:04:13,800 Speaker 1: We find you guilty on all counts. Get him, Natalie. 51 00:04:16,440 --> 00:04:19,000 Speaker 1: I've always been jealous of Natalie's ability to stand up 52 00:04:19,040 --> 00:04:21,960 Speaker 1: and tell her truth no matter what, because when you 53 00:04:22,000 --> 00:04:24,880 Speaker 1: speak your mind, other people speak there is right back. 54 00:04:25,800 --> 00:04:28,839 Speaker 1: Like on Twitter, Natalie's protests got picked up by the 55 00:04:28,880 --> 00:04:32,720 Speaker 1: news and now the trolls are swarming. I'd be freaking out, 56 00:04:33,160 --> 00:04:39,480 Speaker 1: but Natalie's all. Bring it on, Bros. Listen to this 57 00:04:39,520 --> 00:04:43,320 Speaker 1: one ugly rich cry baby angry at all men. What 58 00:04:43,440 --> 00:04:49,839 Speaker 1: a shock ogie. First off, I'm not rich. And second, 59 00:04:50,040 --> 00:04:57,520 Speaker 1: you're damn right, I'm angry. M hmmm, probably not hot 60 00:04:57,640 --> 00:04:59,400 Speaker 1: enough to get a date herself, so she has to 61 00:04:59,440 --> 00:05:03,159 Speaker 1: take it out the rest of us. Sad uh. Definitely 62 00:05:03,240 --> 00:05:09,320 Speaker 1: loses points on originality. Okay, I can get a date 63 00:05:09,400 --> 00:05:16,080 Speaker 1: whenever and wherever I want. Not that that matters. Confidence 64 00:05:16,760 --> 00:05:22,720 Speaker 1: is sexy, baby. Oh this one is good. I'm so 65 00:05:22,839 --> 00:05:25,599 Speaker 1: tired of this endless war on men. Stop blaming other 66 00:05:25,640 --> 00:05:28,680 Speaker 1: people for your problems. Oh, here is the best part. 67 00:05:28,760 --> 00:05:32,720 Speaker 1: Oh and by the way, I'm a woman. What possible 68 00:05:32,760 --> 00:05:37,279 Speaker 1: difference does it make that you're a woman, idiot? Internalized 69 00:05:37,320 --> 00:05:44,120 Speaker 1: misogyny is still misogyny the more you know. Although even 70 00:05:44,160 --> 00:05:50,240 Speaker 1: she can hit a breaking point, anyone can get overwhelmed 71 00:05:50,240 --> 00:05:57,080 Speaker 1: when it just keeps coming and coming. That's enough to 72 00:05:57,160 --> 00:06:03,200 Speaker 1: drive you crazy, which is why you prefer to fight 73 00:06:03,279 --> 00:06:07,039 Speaker 1: your battles in an anonymous chat room. It's safer. But 74 00:06:07,080 --> 00:06:11,000 Speaker 1: I hate how powerless these guys make me feel powerless. 75 00:06:12,080 --> 00:06:15,880 Speaker 1: Natalie may be able to stand up couratrolls, but you 76 00:06:16,440 --> 00:06:21,960 Speaker 1: can shut them down one. You know that data mining 77 00:06:22,000 --> 00:06:25,680 Speaker 1: algorithm you've been tying with, What would happen if you 78 00:06:25,800 --> 00:06:29,000 Speaker 1: used it as a pageant. Let's say you wanted it 79 00:06:29,040 --> 00:06:34,480 Speaker 1: to automatically retweet a message. I guess it would retweet 80 00:06:34,480 --> 00:06:37,680 Speaker 1: it infinitely. And if you created an open network of 81 00:06:37,680 --> 00:06:42,360 Speaker 1: people endlessly retweeting each other, um, I guess it would 82 00:06:42,920 --> 00:06:48,040 Speaker 1: crush the system. I could do that. You have power, 83 00:06:48,320 --> 00:06:53,240 Speaker 1: baby hagger, if you choose to wheel it. If I 84 00:06:53,279 --> 00:06:55,919 Speaker 1: can't build a better system, at least I could destroy 85 00:06:55,960 --> 00:07:00,040 Speaker 1: the old one temporarily. Corrupt systems often need the in 86 00:07:00,200 --> 00:07:03,680 Speaker 1: sing power of fire. Shut down all Twitter just for 87 00:07:03,720 --> 00:07:07,240 Speaker 1: a little while, a few hours. Yeah, give Natalie a 88 00:07:07,279 --> 00:07:10,240 Speaker 1: break and distrack the trolls until they find something else 89 00:07:10,280 --> 00:07:17,520 Speaker 1: to run about, like an all female reapit of inglorious bastards. Whoa, okay, 90 00:07:18,520 --> 00:07:25,640 Speaker 1: m so now what Just sit back and enjoy it. 91 00:07:29,920 --> 00:07:35,160 Speaker 1: Oh my god, it's really happening, Like gods O good, 92 00:07:35,400 --> 00:07:45,640 Speaker 1: got like a guy. Hey, d O DC fans, stay 93 00:07:45,640 --> 00:07:48,640 Speaker 1: tuned more. Daughters of d C is up next, But 94 00:07:48,760 --> 00:08:00,720 Speaker 1: first a quick word from our sponsor. Well step Daughters 95 00:08:00,720 --> 00:08:03,040 Speaker 1: of DC fans. I want to be a real d 96 00:08:03,160 --> 00:08:06,440 Speaker 1: O DC insider. Follow us on Instagram at Daughters of 97 00:08:06,520 --> 00:08:10,560 Speaker 1: DC Official to get exclusive DODC news updates and content 98 00:08:10,720 --> 00:08:23,320 Speaker 1: before everybody else thank you for calling the Sexual Assault Hotline. 99 00:08:23,720 --> 00:08:26,520 Speaker 1: My name's Ellen, and I'm really glad you're reaching out. 100 00:08:27,080 --> 00:08:29,960 Speaker 1: How can I help? I don't know if this is 101 00:08:30,000 --> 00:08:33,240 Speaker 1: the right number to be calling or I don't have 102 00:08:33,280 --> 00:08:35,240 Speaker 1: to tell you my name? Do I not? If you 103 00:08:35,280 --> 00:08:40,040 Speaker 1: don't want to. This is an anonymous and confidential resource. Okay, 104 00:08:43,240 --> 00:08:48,000 Speaker 1: I was at a party and something happened. I'm not 105 00:08:48,080 --> 00:08:52,520 Speaker 1: sure it even was an assault, to be honest, it 106 00:08:52,559 --> 00:08:56,400 Speaker 1: didn't get very far. Assault doesn't just have to mean 107 00:08:56,440 --> 00:08:59,200 Speaker 1: a full on attack. No one has the right to 108 00:08:59,320 --> 00:09:06,920 Speaker 1: violate you physically or emotionally. Right, we don't have to 109 00:09:06,920 --> 00:09:10,520 Speaker 1: get into the details. If you're uncomfortable talking about them. Well, 110 00:09:11,960 --> 00:09:19,560 Speaker 1: he's someone who grew up with I'm listening, Okay, no 111 00:09:19,679 --> 00:09:26,600 Speaker 1: one there. I've got to go. Please call back any time, 112 00:09:26,800 --> 00:09:29,240 Speaker 1: day or night. There's always someone here to talk to. 113 00:09:30,160 --> 00:09:41,120 Speaker 1: Coming on. Oh, Dear Heavenly Father, we thank THEE for 114 00:09:41,160 --> 00:09:44,480 Speaker 1: this food, feed our souls on the bread of life, 115 00:09:44,760 --> 00:09:47,480 Speaker 1: and help us do our part in kind words and 116 00:09:47,559 --> 00:09:58,000 Speaker 1: loving deeds. Were asking Jesus name, Amen? Amen? How school going? Sweetheart? Okay? Daddy, 117 00:09:59,040 --> 00:10:06,640 Speaker 1: just okay, she's sulky. What's wrong, darling? Nothing? Daddy? I 118 00:10:06,760 --> 00:10:10,360 Speaker 1: bet I know what this is about. You do? Are 119 00:10:10,440 --> 00:10:15,959 Speaker 1: you in Tanner having troubles? No, Daddy, touchy subject. I 120 00:10:16,000 --> 00:10:23,080 Speaker 1: guess you know. I like that. Boy? May be excused? No, 121 00:10:23,280 --> 00:10:28,800 Speaker 1: you may not. Daddy? May I be excused? Well, if 122 00:10:28,840 --> 00:10:34,559 Speaker 1: you're feeling poorly, you should probably lie down back. Yes, 123 00:10:34,760 --> 00:10:39,280 Speaker 1: I'm feeling poorly, all right, then get we'll wrap your 124 00:10:39,280 --> 00:10:48,959 Speaker 1: plate up. What you know? How teenagers are? They really 125 00:10:48,960 --> 00:10:54,040 Speaker 1: aren't very much? Aren't you two? For getting something? Or 126 00:10:54,200 --> 00:10:58,080 Speaker 1: you believe Offessionals for Twitter are blaming a security breach 127 00:10:58,120 --> 00:11:00,600 Speaker 1: for the average which kept us sit down almost two 128 00:11:00,600 --> 00:11:05,679 Speaker 1: hours today. Chaos hit the web today as Twitter completely 129 00:11:05,720 --> 00:11:09,560 Speaker 1: and utterly shut down for nearly two hours? Who is 130 00:11:09,600 --> 00:11:14,000 Speaker 1: to blame? Where can we go for answers? Is nowhere safe? 131 00:11:14,520 --> 00:11:17,840 Speaker 1: I'll have that and more tonight on the blame game 132 00:11:18,080 --> 00:11:31,800 Speaker 1: with me. Patricia Withers. Hello, Congressman Rosenberg, This is Crawford 133 00:11:31,800 --> 00:11:37,280 Speaker 1: read calling. Uh huh, How can I help you judge? Well? 134 00:11:37,400 --> 00:11:41,520 Speaker 1: Your daughter Natalie embarrassed my son in school today and 135 00:11:41,720 --> 00:11:45,600 Speaker 1: it wasn't the first time I heard about that. It 136 00:11:45,720 --> 00:11:50,200 Speaker 1: sounded to me like she engaged in peaceful disobedience, more 137 00:11:50,280 --> 00:11:54,760 Speaker 1: like shameful behavior and deliberate effort to drag mine my 138 00:11:54,880 --> 00:11:59,559 Speaker 1: boy's name through the mind. Is that so well in 139 00:11:59,600 --> 00:12:11,040 Speaker 1: a pot? Don't cross me, Congressman. M hm, Natalie, can 140 00:12:11,120 --> 00:12:14,120 Speaker 1: I talk to you? Why did I do this time? Dad? 141 00:12:16,960 --> 00:12:20,040 Speaker 1: I just got off the phone with Crawford read he 142 00:12:20,120 --> 00:12:22,640 Speaker 1: threatened to slap me with a libel suit unless I 143 00:12:22,640 --> 00:12:26,600 Speaker 1: put a muzzle on you. What did you say? I 144 00:12:26,640 --> 00:12:28,320 Speaker 1: told him. If he thinks he can get a muzzle 145 00:12:28,320 --> 00:12:29,880 Speaker 1: on you, he's free to give it a try, but 146 00:12:29,920 --> 00:12:32,920 Speaker 1: he should expect to get his fingers bitten off. That's 147 00:12:32,960 --> 00:12:37,360 Speaker 1: not funny. So are you going to punish me? Punish you? 148 00:12:37,679 --> 00:12:41,160 Speaker 1: Are you kidding? I'm proud of you. That guy needs 149 00:12:41,160 --> 00:12:44,080 Speaker 1: as many thorns in his ass as we can give him. 150 00:12:44,080 --> 00:12:46,000 Speaker 1: I just came up to tell you to keep up 151 00:12:46,040 --> 00:12:56,360 Speaker 1: the good work. Oh okay, thanks? All right? Then I 152 00:12:56,559 --> 00:13:00,199 Speaker 1: was his study and coming by the way, I don't 153 00:13:00,200 --> 00:13:06,840 Speaker 1: see any books open. I'm thinking. I know it's not easy, Natalie, 154 00:13:07,679 --> 00:13:11,280 Speaker 1: and the dyslexia makes it harder, but this year is 155 00:13:11,440 --> 00:13:17,000 Speaker 1: crucial for your college applications. And after that, great chill, 156 00:13:17,240 --> 00:13:24,480 Speaker 1: all right, all right, I'm chill, good evening, Natalie. Who 157 00:13:24,559 --> 00:13:27,440 Speaker 1: is this a fellow justice? Secret. You know what. Sorry, 158 00:13:27,480 --> 00:13:30,160 Speaker 1: I'm done dealing with trolls for the day. Adios creepo. 159 00:13:30,480 --> 00:13:33,599 Speaker 1: Oh I wouldn't dare to take a crusader like yourself. 160 00:13:34,280 --> 00:13:38,640 Speaker 1: I do seek to destroy the system. Oh yeah, yes, 161 00:13:39,800 --> 00:13:41,960 Speaker 1: I didn't want to warn you the And if you're 162 00:13:41,960 --> 00:13:44,640 Speaker 1: going to try and lead a movement, then you better 163 00:13:44,679 --> 00:13:48,680 Speaker 1: make sure there are no skeletons in your closet. I 164 00:13:48,720 --> 00:13:52,280 Speaker 1: don't have any skeletons in my closet. Is that so 165 00:13:54,640 --> 00:13:59,400 Speaker 1: perhaps a little evening reading? Is it? Order? What's this? 166 00:14:00,120 --> 00:14:09,839 Speaker 1: You should ask your father? Wait? Care you again? Oh Marcia? 167 00:14:10,040 --> 00:14:13,240 Speaker 1: Can you run back inside? I forgot this evening security brief? 168 00:14:13,240 --> 00:14:14,840 Speaker 1: And I want to see if the committee believes the 169 00:14:14,840 --> 00:14:17,800 Speaker 1: Twitter breach was the Russians again, speak of Parka. I 170 00:14:17,920 --> 00:14:21,160 Speaker 1: minute up your time, Judge Reid. I was just leaving 171 00:14:21,160 --> 00:14:23,200 Speaker 1: for the night, but feel free to call my office 172 00:14:23,200 --> 00:14:26,360 Speaker 1: in the morning. I'll get right to the point. I'd 173 00:14:26,400 --> 00:14:30,000 Speaker 1: like to attend your son's boutillion party. And why would 174 00:14:30,000 --> 00:14:33,280 Speaker 1: you want to do that? I think it's important to 175 00:14:33,360 --> 00:14:38,560 Speaker 1: celebrate a young man's a raval in society. Huh, tell me, Judge, 176 00:14:39,000 --> 00:14:44,640 Speaker 1: what's my son's name? I'm afraid you've called me there, 177 00:14:44,880 --> 00:14:49,280 Speaker 1: so I have somehow the impressions got now that I 178 00:14:49,320 --> 00:14:52,440 Speaker 1: am not a friend the black community, and i'd like 179 00:14:52,520 --> 00:14:55,680 Speaker 1: to amend that. So you'll make a cameo appearance amongst 180 00:14:55,760 --> 00:14:59,040 Speaker 1: us black folk. That's a crude way of putting it. 181 00:15:00,280 --> 00:15:02,640 Speaker 1: I know we don't see. I'd eye on many things, 182 00:15:03,040 --> 00:15:06,760 Speaker 1: but I'd like to be friends. Tell me, speaker, in 183 00:15:06,840 --> 00:15:11,000 Speaker 1: your wildest dreams, what might a Supreme Court justice be 184 00:15:11,120 --> 00:15:15,680 Speaker 1: able to do for you? Is this a bribe? Judge 185 00:15:17,240 --> 00:15:26,080 Speaker 1: a favor? Madam? Honest to say? It was the lion key? 186 00:15:26,520 --> 00:15:32,320 Speaker 1: And another back door comes crashing down the wind? What's wrong? 187 00:15:32,880 --> 00:15:35,080 Speaker 1: Not in the move to play tonight? Sorry, I'm a 188 00:15:35,080 --> 00:15:38,640 Speaker 1: little distracted. What's up? I'm kind of dealing with something. 189 00:15:39,440 --> 00:15:42,640 Speaker 1: I want to talk about it, but I can't. Why 190 00:15:42,680 --> 00:15:45,560 Speaker 1: not I had fun trading secrets with you the other day? 191 00:15:46,320 --> 00:15:50,880 Speaker 1: Or maybe I can help? All Right, there's this guy 192 00:15:51,680 --> 00:15:54,880 Speaker 1: and he did something bad to my friend, and we 193 00:15:54,920 --> 00:15:57,160 Speaker 1: know he's done this bad thing to other people, only 194 00:15:57,440 --> 00:16:01,440 Speaker 1: we can't prove it. I need documentation. Okay, Well, is 195 00:16:01,480 --> 00:16:04,840 Speaker 1: this the sort of thing he might brag two friends about. Yes, 196 00:16:06,120 --> 00:16:08,920 Speaker 1: you could hack his phone if he really deserves that 197 00:16:09,000 --> 00:16:14,040 Speaker 1: kind of he deserves it, man, I'm sorry. Yeah, So 198 00:16:14,760 --> 00:16:19,600 Speaker 1: how would I get into his phone? Well, theoretically installed spyware, right, 199 00:16:20,440 --> 00:16:23,000 Speaker 1: I need someone really good at finding backdoors. Well, you 200 00:16:23,040 --> 00:16:26,320 Speaker 1: don't have to beg I'm right here. But are we 201 00:16:26,400 --> 00:16:29,200 Speaker 1: really doing this? We have power on it. It's up 202 00:16:29,240 --> 00:16:38,960 Speaker 1: to us to wield it. Okay, I'm in on expenses 203 00:16:39,000 --> 00:16:41,600 Speaker 1: sports secure in the game. He deploys the Class too 204 00:16:41,640 --> 00:16:44,280 Speaker 1: flash bar, creating just enough of a diversion for a 205 00:16:44,280 --> 00:16:48,120 Speaker 1: storm Allowy to rewire the really matrix Now where has 206 00:16:48,120 --> 00:16:51,960 Speaker 1: been activated. It's sending a counter attack my restorm. And 207 00:16:52,040 --> 00:16:55,120 Speaker 1: so all the time I needed installation complete. Let's get 208 00:16:55,120 --> 00:16:59,000 Speaker 1: out of here on X you'll need to tell me twice. 209 00:17:00,120 --> 00:17:02,400 Speaker 1: Is honestly a little scary how easy that was. We're 210 00:17:02,400 --> 00:17:08,000 Speaker 1: can see into his phone. Let's see what we get. Okay, Wow, 211 00:17:08,040 --> 00:17:12,280 Speaker 1: a lot of abshots. What is that giant thing today? 212 00:17:12,560 --> 00:17:16,720 Speaker 1: There's already spy we're operating here. Okay. The dead is 213 00:17:16,760 --> 00:17:20,280 Speaker 1: being funnel to an IP address that belongs to one 214 00:17:21,920 --> 00:17:26,680 Speaker 1: Crawford Read, his own dad spying on him. Why would 215 00:17:26,720 --> 00:17:29,480 Speaker 1: you do that? So the guys Tanna read? Do you 216 00:17:29,520 --> 00:17:33,840 Speaker 1: know who Tanna read? Is? I do as it appears? 217 00:17:33,880 --> 00:17:37,320 Speaker 1: Do you? Who are you? That's not a secret. I'm 218 00:17:37,359 --> 00:17:39,720 Speaker 1: ready to tell, but I have another one I'll share. 219 00:17:40,480 --> 00:17:46,479 Speaker 1: What is it? I know who you are? James Parker? What? Sorry? 220 00:17:46,480 --> 00:17:50,080 Speaker 1: But I gotta go now, So I next adventure? Hey? Hey? Wait? 221 00:17:51,119 --> 00:18:01,960 Speaker 1: Oh God God, James, Hey, James, are you there? Yeah, 222 00:18:02,080 --> 00:18:04,639 Speaker 1: I'm here. We've been trying to get in touch with 223 00:18:04,680 --> 00:18:07,919 Speaker 1: you all morning. Sorry, I had a really late night 224 00:18:08,040 --> 00:18:12,479 Speaker 1: last nute. I guess I overslept. What's going on? Celia 225 00:18:12,520 --> 00:18:14,840 Speaker 1: and I are outside the Headmaster's office right now, We're 226 00:18:14,840 --> 00:18:19,240 Speaker 1: about to be expelled. What why? Someone sent him a 227 00:18:19,320 --> 00:18:26,440 Speaker 1: video of us breaking into his office. I erased the 228 00:18:26,480 --> 00:18:30,840 Speaker 1: security footage, lock Smith with your instructions. Then how did 229 00:18:30,840 --> 00:18:33,080 Speaker 1: it get out? But even have known to look for it? 230 00:18:33,880 --> 00:18:37,000 Speaker 1: You haven't been divulging secrets to any other hacker? Can 231 00:18:37,040 --> 00:18:43,240 Speaker 1: patrins letely? Because I did tell you to trust no one? 232 00:18:47,119 --> 00:18:55,040 Speaker 1: Oh God. Iron Horn's Epic Productions and I Heart Radio 233 00:18:55,119 --> 00:19:00,400 Speaker 1: present Daughters of DC created an executive produced by Heather 234 00:19:00,520 --> 00:19:05,880 Speaker 1: Einhorn and Adam Stafferoni head writer Sasha Stewart, senior writer 235 00:19:06,320 --> 00:19:12,399 Speaker 1: Louis Cornfeld, writers Tyler english beckwith cha Rus Senna and 236 00:19:12,520 --> 00:19:18,160 Speaker 1: Adam Stafferoni directed by J. B. Blanch Executive Produced by 237 00:19:18,320 --> 00:19:22,600 Speaker 1: I Heart Radio. Produced by A Rupe Senna, Kayla Kimberly 238 00:19:22,640 --> 00:19:28,160 Speaker 1: Woods as James Parker, Melissa Vanderskay as Peyton Blackburn, Talia 239 00:19:28,280 --> 00:19:34,160 Speaker 1: Romana as Natalie Rosenberg, Suzia as Celia Lou with performances 240 00:19:34,160 --> 00:19:40,200 Speaker 1: by O. G. Banks, k Bess, Vick Chow fayador Chen, 241 00:19:40,920 --> 00:19:47,920 Speaker 1: Darren de Paul, Paul Gayette, Jury Lowenthal, Brandon Middleton, Stephanie Shea, 242 00:19:48,760 --> 00:19:55,040 Speaker 1: Richard Tatum, Genie Toronto, Andia Winslow Marshall York with Francesca 243 00:19:55,119 --> 00:20:00,480 Speaker 1: Ramsay and J. B. Blanch. Development executive Greg Locker, production 244 00:20:00,560 --> 00:20:06,080 Speaker 1: manager Gail Artino, Production coordinator and script supervisor Loa Martin. 245 00:20:06,880 --> 00:20:10,960 Speaker 1: Creative direction and design by Ryan McCann. He Aren't Illustrated 246 00:20:11,000 --> 00:20:16,320 Speaker 1: by Heather Danforth. Recording edit, Home and sound Recording Engineer 247 00:20:16,680 --> 00:20:23,320 Speaker 1: Diana David. Additional recordings Claudio Santos, additional recordings Michael Schneider, 248 00:20:24,960 --> 00:20:30,159 Speaker 1: Sound supervision, Christian who Aggains, Sound designers R. D. White 249 00:20:30,160 --> 00:20:35,239 Speaker 1: and Josh Melody. Original music Josh Melody, additional music from 250 00:20:35,320 --> 00:20:41,120 Speaker 1: Jingle Punks consultant Kelsey Fraser, M. S. W Culture Consultants, 251 00:20:41,520 --> 00:20:46,000 Speaker 1: Logan Davis, Casey Davis and Davis Family. Special thank you 252 00:20:46,080 --> 00:20:49,720 Speaker 1: to the Shadow Unicorn, iin Horn's Epic Productions and I 253 00:20:49,840 --> 00:20:58,000 Speaker 1: Heart Radio present Daughters of DC. Hey there, this is 254 00:20:58,119 --> 00:21:02,720 Speaker 1: Natalie Rosenberg. Yeah, that Natalie Rosenberg. We all know that 255 00:21:02,800 --> 00:21:06,240 Speaker 1: taking a stand and speaking up has never been more important. 256 00:21:06,760 --> 00:21:09,359 Speaker 1: Looking for ways to become more informed and take action, 257 00:21:09,800 --> 00:21:12,480 Speaker 1: head to Daughters of d C dot com for resources 258 00:21:12,520 --> 00:21:15,000 Speaker 1: to get started. Listen to Daughters of d C on 259 00:21:15,080 --> 00:21:18,159 Speaker 1: I Heart Radio, Apple Podcasts, or wherever you get your 260 00:21:18,160 --> 00:21:18,720 Speaker 1: podcasts